Update README.md

README.md

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 A new variant/component addition to our HSToric Color LoRA/Model Series.<br>  
 Trained on HD scans of early color photos (circa 1900s-1910s) by Sergey Prokudin-Gorsky, who traveled and photographed widely in those years whilst perfecting implementations of a pioneering 3-color-composite photography technique.<br>  
 **This LoRA is aimed at being useful for**:<br>
-  • Invoking the singular visual character of top quality antique color photographs.<br>  
+  • Invoking the visual character of vivid antique color photographs.<br>  
   • Improving the general quality of realistic/photo-emulating inference, esp. in [FLUX.1-schnell](https://huggingface.co/black-forest-labs/FLUX.1-schnell) and Schnell-based models.<br>  
-  • Adding vibrant and uncanny light & color effects to inference outputs.<br>  
+  • Adding vibrant and uncanny light & color effects to outputs.<br>  
   • Serving as a tool to raise overall crispness & exposure levels, alongside some parallel improvement of textural quality/detailing.<br>
 <Gallery />
 
@@ -99,7 +99,7 @@ Pre-phrase prompts with `HST` or 'HST style photo' or 'HST style autochrome phot
 Prokudin-Gorsky's color photography technique would involve three photo-exposures, either simultaneous or sequential, using specialized color-spectrum filters (basically R.B.G.: red, blue, and green), rendering a subject/shot onto glass plates covered with light-emulsive mixture.<br> 
 The photographer's focus on refining the developer and filter quality, in tandem with his incessant and wide-ranging experimentation, and his artful optimizations of glass plates (generally unwieldly, esp. for color, and by the 1910's already becoming outmoded for B&W on-location shoots, though elsewise extra reliable) ultimately led him to produce a color photography oeuvre of much greater fidelity and vividness than achieved by most of his contemporaries.<br>  
 At the same time, the peculiarities of the photographer's method, coupled with his exceptionally hands-on execution thereof, would manifest in a range of idyosyncratic color, light, and motion artifacts common across the resulting prints.<br>  
-Seldom marring the image as a whole, and less grave than the weaknesses of some contemporenously emerging autochrome techniques, the warm color hazes and flares framing many of Prokudin-Gorsky's prints may be seen as a kind of ephemeral signature.<br> 
+Seldom marring the image as a whole, and less grave than the weaknesses of some cp-emerging autochrome techniques, the warm color hazes & flares framing many of Prokudin-Gorsky's prints constitute a kind of ephemeral signature.<br>
 Alongside some of the more subtle chromatic, textural, and (in some measure) figural characteristics of his work, these auras have reliably imprinted themselves into this and other LoRAs and Models within our gallery of fine-tunes for Flux and StableDiffusion3.5, fine-tuned exclusively on non-synthetic (human-made and pre-curated) open-access data from iconic, influential, and/or otherwise compelling historical sources.<br>