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FAR AI 9

[ "Absolutely hilarious. John Waters' tribute to the people he loves most (Baltimoreans) is a twisted little ditty with plenty to look at and laugh at. It's like being turned loose in a museum of kitsch! I haven't laughed so much in a theater since Serial Mom. I loved seeing old friends from the Dreamland days, Sharon Nisep and Susan Lowe, back in front of Waters' camera. The cast is simply wonderful (especially Edward Furlong and Martha Plimpton). Uses the best elements of past Waters atrocities (especially the underrated Polyester) and plenty of new surprises. Made me sick, in a wonderful way. Thanks, John!" ]

[ "I caught this movie at a small screening held by members of my college's gaming club. We were forewarned that this would be the \"reefer madness\" of gaming, and this movie more than delivered.<br /><br />Tom Hanks plays Robbie, a young man re-starting his college career after \"resting\" for a semester. What we, the viewer, find out as the movie progresses, is that Robbie was hopelessly addicted to a role-playing game called \"Mazes and Monsters,\" a game that he gets re-acquainted with after a gaming group recruit him for a campaign.<br /><br />This movie is laughable on many, many levels. One scene features the group \"gaming by candlelight,\" which is probably the best way I can describe it. While I'm sure that this was meant to be \"cultish\" in some way, as most gamers know, it's horribly inaccurate. Most role-play sessions are done in well-lit rooms, usually over some chee-tohs and a can of soda.<br /><br />The acting, while not Oscar-caliber, isn't gut-wrenchingly awful either. This is one of Tom Hanks's first roles, and Bosom Buddies and Bachelor Party were still a year or two over the horizon. The supporting cast, while not very memorable, still hand forth decent performances.<br /><br />Mainly the badness lies in the fact that it was a made-for-TV movie that shows the \"dangers of gaming\" Worth a view if you and your friends are planning a bad movie night." ]

[ "This is a terrible production of Bartleby, though not, as the other reviewer put it because it is \"unfilmable,\" but rather because this version does not maintain the spirit of the book. It tells the story, almost painfully so. Watching it, I could turn the pages in my book and follow along, which is not as much fun when dealing with an adaptation. Rather, see the 2001 version of Bartleby featuring Crispin Glover. That version, while humorous, brings new details to the film while maintaining the spirit of the novel. What's important is the spirit, not the minutiae of things like setting, character names, and costumes. The difference between these film versions is like night and day, tedious and hilarious. This version is a lesson as to what can go wrong if an adaptation is handled poorly, painful, mind-numbing schlock." ]

[ "A horror movie is being shot and things aren't going well. It's about a masked killer. The director tells off the killer in front of the cast and crew. He goes crazy and kills two people. He's killed himself and the film is never finished. Twelve years later a bunch of film students decide to try and finish it--but there's a curse. People who try and finish it are killed themselves. The students ignore that. Guess what happens next?<br /><br />The plot is old hat but this isn't bad...for what it is (a low budget slasher film). It's well-made with a young and fairly talented young cast. No one is great but no one is terrible either. It also avoids the obligatory (and needless) female nude scenes. It moves quickly, the gore is nice and bloody and the script doesn't insult your intelligence. Also Molly Ringwald is in this having the time of her life playing a bitchy faded actress.<br /><br />No great shakes but not bad at all. I give it a 7." ]

[ "Indian Summer! It was very nostalgic for me. I found it funny, heartwarming, and absolutely loved it! Anyone who went to camp as a kid and wishes at times they could go back to the \"good Ole' days\" for a brief time really needs to see this one! It starts out as 20 years later, a group of old campers returns for a \"reunion\". I won't comment on the plot anymore cause you have to see it for yourself. The actors were great, and it contains an all star cast. Everyone in it played a terrific role. You actually felt like you were a part of the movie watching it. Alan Arkin was especially good in his role as Uncle Lou. He plays the kind of guy that everyone wishes they had in their lives. This is also a good family movie for the most part. I would suggest this one to anybody in a heartbeat! HIGHLY Recommended!" ]

[ "Yet another colourful excuse for men in rubber suits to wrestle with each other. This time around, time travellers from the future arrive in 1992 and recruit a few people to go back with them to 1944 and prevent the creation of Godzilla, thus saving a future Japan from destruction. But having accomplished this task, the time travellers are revealed to be a bunch of double crossers whose own creature goes on the rampage, and with no Godzilla to stop it… Eek! It all sounds very silly, and it probably is, but the plot is surprisingly decent and the final battle looks pretty good too. Unfortunately the rest of the visual effects are just rubbish rather than enjoyably rubbish, and the movie turns out to be just as dull as its predecessors. Look out for the shaky Spielberg in-joke." ]

[ "It's very sad that Lucian Pintilie does not stop making movies. They get worse every time. Niki and Flo (2003) is a depressing stab at the camera. It's unfortunate that from the many movies that are made yearly in Romania , the worst of them get to be sent abroad ( e.g. Chicago International Film Festival). This movie without a plot , acting or script is a waste of time and money. Score: 0.02 out of 10." ]

[ "Having seen men Behind the Sun I guess I hoped for an evolution in style & technique to match the larger scale of this movie. I was also quite interested to see someone make a hard-hitting fact-based fictionalised account of what happened during this most notorious of Japanese atrocities, but this is not it. This plays like a bottom-to-mid tier European Nazi exploitation movie from the 70s - e.g. SS Experiment Camp etc (perhaps more like Deported Women of the Special Section actually). Granted it has a greater scope and more people running around, but it resorts to the same cheap and cheerless device of lots of hapless non-actors limply falling over to the sound of ridiculously fake gunshots, spiced up with the occasional poorly executed 'shock' sequence. The admittedly horrible documentary footage is roughly spliced in between scenes so hackneyed that even these real images are robbed of much of their power. Watch channel 4's 'The Holocaust' (aired recently (still running?), as of 1 No 2006) for a genuinely disturbing documentary on the evils of war (featuring excellent in-context use of actual footage). This is the type of treatment the horror of Nanjing deserves, not this hackneyed exploitation garbage (a better executed exploitation movie minus the disrespectful use of stock footage would have been fine, but again this is not even a very good exploitation movie). Rating: 3 (5 as exploitation, 1 as a treatment of the subject)." ]

[ "A memorable line from a short lived show. After viewing the episode where that line was introduced my fraternity intramural flag football team started using the line to break our huddles on offense. Instead of Ready / Break, our quarter back said FOOTBALL and the rest of the squad responded YOU BET! A fun way to break the huddle that had our opponents scratching their heads as very few of them had watched the show. Using this line added a unique element to our season that I'll never forget. We had our best season during my time in college that year and in a small way it was due to the fun that we had using this line. The show was pretty much a stinker but it lives on in the memories of the 1977 Pi Kappa Phi intramural flag football squad at West Virginia Tech." ]

[ "LOL!!! delirious was so funny.. i was in tears. Eddie Murphys impressions are absolutely spot on. The best impression was of James Brown and Mr T> SO FUNNY!! Its weird how Eddie Murphy was back then and how he is now DELIRIOUS is a must see but if u don't like foul language don't watch BUT AMAZING AND SO FUNNY.. i have seen it 6/7 times and still pee myself every time.. This is Eddie Murphy at his prime and you can see where he got the humour and ideas of movies such as nutty professor from. He does impressions of his family as well, which is real funny.<br /><br />if only i was there..." ]

[ "What can I say ? An action and allegorical tale which has just about everything. Basically a coming of age tale about a young boy who is thrust into a position of having to save the world ..... and more. He meets a dazzling array of heroes and villains, and has quite a time telling them apart. A definite must-see." ]

[ "The Bill was essentially a cultural fountain from which a beautiful rainbow-haze of socio-introspection emerged, inspiring such famed derivatives as Cop Land, The Departed, The Godfather 3, and most recently of course, The Wire.<br /><br />With multi-faceted characters and story lines that have been described as '4-dimensional Shakespeare', The Bill grabbed you by the collars from episode one and just would not let you go.<br /><br />The show covered, anticipated, and even occasionally caused all the major global events between 1984 and 2010. The most famously prescient moment being episode 19 of series 5, which aired on the eve of the second Gulf War. Detective Jim Carver's misguided - and ultimately career ending - drugs raid on Craig 'Fun Boy' Richardson's flat in the Jasmine Allen Estate in early 2003, was widely viewed as a predictive allegory for the coalition's failure to find weapons of mass destruction following the invasion of Iraq several months later.<br /><br />However, it was the work the Bill did to try and highlight some of the lesser-known problems experienced by police officers that won it the most praise. This was sympathetic drama covering such sensitive areas as helmet-phobia, under-uniform cross-dressing, in-van homosexuality, lost truncheons, casual drunken bestiality (regretted), siren aversion syndrome (SAS), groin chaffing caused by chasing suspects while wearing an overly starched uniform and many, many more issues that still trouble, disturb, haunt and excite officers to this day.<br /><br />The last word should go to one of The Bill's most famous fans, Nelson Mandela: \"…it is no exaggeration to say that I would not have made it through the dark void of loneliness that summed up my last years of incarceration on Robben Island if it wasn't for the heart-warming, casual buffoonery of Reg Hollis.\"" ]

[ "A female executioner (played by the sexy Jennifer Thomas II) has the fun job of fulfilling all the fantasies of all the men on death row before they meet their maker. And what a way to go. Lucky this film is not real, or we would have a lot more people in this world on death row.<br /><br />It starts out real slow. Low light and bad acting, like most (B) films. It gets better as it moves along. And ends with a bang.<br /><br />I would rate it very high on the low cost, very sexy movies of the 90's. It's a must see once the kids are away or in bed." ]

[ "After viewing this film, I felt the compelling need to vent a bit of my frustration. Selma Blair is a fabulous, currently underrated actress and Max Beesley was rather charming in \"Kill Me Later\". The story, while not exactly original, certainly showed some promise. None of that mattered though...at all.<br /><br />I don't know what her deal is, but director Dana Lustig has virtually no talent whatsoever as a director. She slowed footage down, sped footage up, reversed footage, used awkward camera angles, used annoying color filters, made a zillion quick cuts, jumped back and forth in the timeline and topped it all off with an obnoxious \"modern\" soundtrack of blaring junk. I can't remember the last time I saw such an incompetent job of directing a film. Her ego must be huge to toss out the acting and story and put her direction front and center for the audience members to take notice of. It is crammed down their throats.<br /><br />There are a couple of good scenes in \"Kill Me Later\" which show what could have and should have been. Unfortunately, just when things would start to show promise, Ms. Lustig would dig into her bag of film school tricks and jumble things up again. It's a shame because Blair and Beesley had good chemistry and you could tell that the film really had a good heart. 3/10" ]

[ "The original DeMille movie was made in 1938 with Frederic March. A very good film indeed. Hollywood's love of remakes brings us a fairly interesting movie starring Yul Brynner. He of course was brilliant as he almost always seemed to be in all of his movies. Charlton Heston as Andrew Jackson was a stroke of genius. However, the movie did tend to get a little long in places. It does not move at the pace of the 1938 version. Still, it is a fun movie that should be seen at least once." ]

[ "Lily Powers works at a speakeasy until her father dies.She then goes to New York to work at an office building.There she notices that if she wants to get any higher she has to give the men what they want.And what men want is her...well, you know.Alfred E.Green's Baby Face (1933) is a movie of high sexual content.For a movie of that era, anyway.This was one of the last Pre-Code films that were made.Barbara Stanwyck gives a very sexy performance as Lily.Other actors of this film include George Brent (Courtland Trenholm), Donald Cook (Ned Stevens), Alphonse Ethier (Adolf Cragg), Henry Kolker (J.P.Carter), Margaret Lindsay (Ann Carter) and Theresa Harris (Chico).The young John Wayne is seen as Jimmy McCoy Jr.This movie deals with a brave topic and it does it good.Baby Face is historically significant movie and therefore good to watch." ]

[ "As Jack Nicholson's directorial debut, Drive, He Said displays at the least that he is a gifted director of actors. Even when the story might seem to lose its way to the audience (and to a modern audience - if they can find it, which pops up now and again on eBay - it might seem more free formed than they think), the film contains vivid, interesting characterizations. The film tells of two college kids: the protagonist is Hector (William Tepper, in what borders on a break-out performance), a star of the Leopards, the college basketball team he plays on. While he has to deal with a coach (Bruce Dern) who puts on the pressure to stay focused, and a on and off girlfriend (Karen Black) with her own emotional problems, there's Gabriel (Michael Margotta), the other kid. Gabriel, it seems, is just a little more than freaked out by the possibility to be drafted, and so in his own radical mind-state he does what he can to keep out. But as Hector tries to find the balance between his oncoming fame and those he loves, Gabriel is going over the threshold of sanity.<br /><br />Nicholson, on the technical side of things, displays a fascinating editing style that keeps things on edge during the basketball scenes, and implements darkness in many other scenes with a documentary-feel throughout. And from Tepper, Black, and even Robert Towne (writer of Chinatown, Last Detail, and Mission: Impossible among others, who rarely acts) he garners some credible acting work. Though in Tepper there is a tendency to downplay his emotions. In some scenes, for example, when he could act brilliantly sarcastic, he doesn't play it for what it's worth. From Margotta, on the other hand, there is a vibrant, twisted force in his performance, and as he descends it's frightening, but perhaps understandable from the times (and what a climax). Dern steals most of his scenes, by the way, in a performance that should have garnered him an Oscar nomination. Every line of his dialog is appropriate, true, and it's never hammed up like in recent coach movie performances. <br /><br />But what drags down the film is that elements involving the characters aren't explained to the degree one might wish more. The film was based on a novel by Jeremy Larner, who co-wrote the script with Nicholson, and I was expecting that the film to be longer than it was. It's a slim volume with a lot of information, about the times, about the sport, about the underlying feelings that were with those of the younger generation. Nicholson presents us with these characters and situations, and rarely are they shown to what's motivating them (the anti-war protesters not included, their part's understandable enough). Gabriel is perturbed by what's going on in Vietnam, but what else is there? Hector, too, is a guy who has apprehensions about being drafted for the NBA, and he still loves to play, but what's holding him back? This whole atmosphere is intriguing, how the late 60's college/basketball experience was, but that intriguing quality, which does lead to some unconventionality, is kept at a point where it can't go too further. Overall, the effect of the film as a whole is bittersweet, and somewhat memorable for its good points, and not for it's low ones. And, for sure, you can tell who's behind the lens every step of the way. B+" ]

[ "I watched this movie at a Sneak Preview screening and I'm glad I didn't pay for it. This movie is just disgusting. Its full of dick and fart jokes and takes no pride in the action sequences(such as the shootout in \"Little Germany\"). I made a little list of things I enjoyed in the movie.. and a lot of which I didn't agree of.<br /><br />1. Dave Foley's penis. 2. The fart jokes. 3. The Poop jokes. 4. The Dude was a pussy. 5. No Gary Coleman. 6. The Talibans 7. Again making fun of Bush.. WE GET IT HE'S AN IDIOT.. move on. 8. The Dude has blonde hair. 9. The Plot. 10. The killing of minors 11. Uwe Boll was in it. 12. Most of the cast were just outrages and out there.<br /><br />Now the (few) good ones<br /><br />1. The Dude uses a cat as a silencer like in the game. 2. Lots of action. 3. Crotchy made a return (and a cameo of the maker of Postal) 4. Uhm.. I didn't have to pay for it. 5. There are a few \"what the ef\" moments<br /><br />Boll did it again. He made another crappy game into movie adaption. Kudos to you, Mr Boll. 2/10" ]

[ "OK, I didn't have high expectations but this film descending into depths I could not imagine.<br /><br />The plot, as it were, involved a priest of an obscure 2 member order investigating the death of the founder of the order by a Sin Eater. The Sin Eater allows for Catholics to achive salvation outside the authority of the Church and is yet another immortal in film with loads of ennui. Nevermind that this makes no sense since then a Baptist could give you salvation....we'll move on.<br /><br />I'll layout the plot w/o giving much away: the priest goes to Rome with his buddy to investogate. He brings with him a mental patient (I'm not making this up) who shot him during an excorism and who loves him (not one lick of this BTW is explained), a drunk Irish priest and Peter Weller as a Cardinal. They get to Rome, find some creepy kids who do nothing in the film, meet with a bondage gear S&M anti-pope that the drunk Irish guy knows (not explained) and who gives information by killing people (oh, BTW, he's a bad guy so he has an industrial/techno soundtrack) and then...umm, seriously, I'm not sure. the plot meanders about. Heath chills with the Sin Eater, flies to New York with the Sin Eater for an overnighter and then some other stuff happens and then (all off camera) the anti-pope falls and the film ends.<br /><br />About 1 hour into the film one really wonder if anything has happened. By the end something has happened but you can't be at all certain that it matters and since most of the drama takes place either before the movei or off-scren you're really feeling cheated." ]

[ "This was a great movie that had a lot of under lying issues. It dealt with issues of rascism and class. But, it also had a message of knowing yourself and taking responsibility for yourself. This movie was very deep it gave the message of that you and only you can control your destiny. It also showed that knowing yourself and being comfortable with who you are is the only way you will ever fit into society. What others think of you is not important. I believe this movie did a wonderful job of showing it. The actors I think were able to convey each character wonderfully. I just thought it was amazing how deep this movie really was. At a just glancing look you wouldn't see how deep the movie is, but on further look you see the underlining meaning of the movie." ]

[ "Riding Giants is a brilliant documentary that dives deep into the world of one of the most under-appreciated sports and brings to the surface a very human and raw emotion that only director Stacy Peralta could capture. Everything from the structure, to the players, to the amazing stock footage, to even the style in which this was filmed only reinforced the beauty and power behind the sport of surfing. Of all the surfing films that I have seen (Endless Summer, Billabong Odyssey, and Step Into Liquid) this was the most consistent and relevant. Beginning with the early ages of surfing (a brief history lesson) lasting all the way till Laird's infamous ride, Riding Giants goes further into the mind, heart, and soul of the sport than any of these other documentaries. How does it do this? By giving us the whole story, from start to finish, without fictionalizing or jig jagging from wave to wave.<br /><br />To begin this film was structurally sound. In the other films that I have seen about surfing, you sometimes find yourself jumping from new person to new person, wave to wave, event to event, without any knowledge of why or who? In Riding Giants, we have a very small cast of veterans and newbies. This allows you to really go deeper into the mind of each one. Also, instead of just riding waves, we are handed more history and more personal insight to the world than before. This is what really attracted me to this film. I was impressed that instead of showing all these big waves (because it is a big wave movie), we listen to stories and see first hand what these surfers had to overcome to get to those waves. I loved the information about the \"beach bums\" or father's of surfing. I am still floored by the amazing tales of Greg Noll and his early adventures into the harsh deep blue. Then, to see him in person, talking about what was going on in his mind, only added more fuel to the fire. The straightforward structure that Peralta followed allowed me to follow and walk away with more knowledge of the sport than with any of the earlier films. Peralta shows so much emotion and passion that you cannot help but be amazed by what these brave people have done, and where the sport is going.<br /><br />Add to a immaculate structure some intense and creative cinematography, and you have darn near perfect film. Using techniques that I last saw in The Kid Stays in the Picture, Riding Giants creates some scenes that almost feel as if they are jumping out of the screen. While it isn't 3D, it is that flat dimensional feeling that you get when you put two pictures on top of each other. In this film, it worked. It created more depth to the scenes, and really added to not just the shock value (man these waves were huge), but also the danger that these guys constantly faced. If it broke differently or they maneuvered wrong, these waves would kill them. Some did die, but it didn't stop the sport. It only created more excitement and more passion to do better. It is this love of the ocean and sport that leads me to my final point.<br /><br />The human element. So many of my earlier adventures in the world of surfing documentaries left me with beautiful waves, but very little about the people. The films knew that people were watching for the waves, so it would basically go from wave to wave to wave and the maybe a short second about the person. This film was the direct opposite. Peralta created this masterpiece by still giving us the waves, but devoting so much more attention onto the surfers and the immortal question of why they do this everyday. What rushes through their minds, what pushes them to go further, and the bonds that are formed while out there on the wild blue yonder. I felt like after watching this film that I not only knew more about big wave surfing, but also about the emotional side to the sport. This was an element not as developed in the other films and pushed Riding Giants to a whole new personal level.<br /><br />Overall, this film was brilliant. Never have I witnessed so much passion, devotion, and love wrapped in a structurally sound film. From beginning to end, I was impressed. I would be very happy if this film won the Oscar this year for Best Documentary, and to see a new rebirth in the surfing world and open more doors for films of this nature.<br /><br />Grade: ***** out of *****" ]

[ "This film essentially deals with Inspector Gadget's arch-nemesis Doctor Claw who has returned after many years to the now-peaceful city of Metropolis. Claw's plan is to foil Gadget once and for all by using a newer \"cooler\" crimefighter to help destroy Gadget's popularity. Sadly the film fails miserably, the series was great, but it was revived nearly 20 years later with tragic results. Without the voice of Don Adams as Inspector Gadget it just doesn't cut it anymore; Dr. Claw is not only visually less frightening, but sounds more like a wrestler with a cold, than his original intimidating self. Granted this is a children's movie, but the plot is so painfully weak (heaven forbid I mention the animation) that it pales in comparison to the original series. Someone has decided to updated Penny as well to bring her two decades up to speed, she now has some quasi-punk rebellious clothing style and doesn't play half the role that she did in the TV series. The Gadgetmobile talks, as well as including a plot angle that focuses entire ON talking cars. Maybe I'm just a kid who loved the show who's grown up jaded, but I thought that the live-action version was more pain than I could bear, but now they go and spring this complete watering-down of the quality TV series on us. It's more than I can take." ]

[ "We have to remember that the 50's were practically a blank slate when it came to movies. Hollywood was in transition from patriotic war movies, noir, two reel oaters, etc to movies with a message. We had Blackboard Jungle, On the Waterfront and so on. Some folks might think that was an improvement. I don't. Who was the mogul who said: If you want to send a message, call Western Union? He was right. These psychological thrillers are less entertainment than some kind of remote therapy.<br /><br />This one is a pip. It's about three sisters trying to wrest control of their dead father's estate. One of them, maybe the only one worth redemption enlists the aid of the company pilot to help her keep the rest of the family at bay. He's initially in it for the bucks, but eventually falls for her. Meanwhile the rest of the family schemes to sabotage the romance. The results are predictable. You get a little bit of everything in this movie. Sexual tension between the sisters. A little subtle masochism. Hereditary insanity - if there is such a thing. We never get to meet the parents, but they must really have been screwed up The cast is practically unknown. One or two of the actors sound vaguely familiar. The acting is so bad it's hard to believe. It was released under the United Artists umbrella by a company called Bel-Air Productions. It was shot in and around LA mostly at night and probably without permits. The end was so bizarre that I thought it was a joke. It was as if they ran out of money and the producer decided to wrap it up in the middle of a scene.<br /><br />I can't explain it - not even to myself - but I gave this pile of trash an 8/10. I'm familiar with the term \"It's so bad it's good\", but I don't think I ever ran into the phenomenon before. Well, maybe \"Hot Rods to Hell\", but this one certainly fits. You might want to try this if you love movies that seem like they were made in somebody's basement." ]

[ "This film is probably the worst film that I have ever seen. I'm studying french at college and thus understood all the dialog, so the language barrier wasn't an issue. I must say it is really hard to empathize with any of the characters depicted in the movie. There is only one professional actor in the cast and I'm guessing no professional directors or writers.<br /><br />Although I have rated it 1 out of 10 it probably doesn't merit such a poor rating. This is merely a futile effort of lowering its current overall rating of 7.3 to something more realistic. Perhaps 4.3 would be a more accurate rating because the film is a true non-event 100 minutes or so in length that you will never get back.<br /><br />The real shame is that I am sure some college student is busting his nut making a film twice as good and half the length. However if you want to join the bandwagon which seems to be rolling around IMDb you might as well go ahead give \"Lost in Translation\" a 10 as well." ]

[ "There's nothing I hate more than self-congratulating pretentiousness. Kevin Smith deserves to be hung up by his toenails for inspiring every white middle-class whiner to make a movie about why they can't get laid. I don't really mind inexperience and low-budget productions but when the writing is this obvious and cloying it really burns my potatoes. The money put into this could've gone to a real struggling filmmaker who actually has a chance like John Gulager. If you watch Project Greenlight you'll immediately recognize a talented visionary who is fighting against the system. Anybody could grab a camera and make a talkative picture that doesn't manage to say anything really, at all. When will we be saved from the Smithonites and Whedonettes of the world? The revolution can't come soon enough. Go watch a real first time effort by buying Desperado or searching out Friends With Benefits. Thank you and good day." ]

[ "\"The Invisible Mouse\" is a delightful and different Tom & Jerry's cartoon. It features the usual cat/mouse chases and battles, but in a different way this time. Jerry accidentally falls in a bottle of invisible ink and is obviously very glad about this because he realizes that he can prepare lots of \"surprises\" for Tom, scare him, torment him and confuse him.<br /><br />As much as it is weird, it's also very cool and funny to see what we can't see: Jerry invisible. It's amusing to see things lifting up in the air without seeing who's doing it (we know who, right?) - it's like those things had a life of their own or even almost like a matter of ghosts. It's equally amusing to see Jerry eating some candies and fruits while he's invisible. I really like that instrumental music which plays when he's not visible.<br /><br />Some of the best jokes on this short are when Tom sees Jerry's shadow and slams him and even when Tom tries to slam him with a frying pan and Jerry writes \"Missed me\". I also like when Jerry drinks Tom's chocolate milk, becoming visible again and with a happy look on his face.<br /><br />Overall, this short has the basic ingredients needed for a classic cartoon: humor, entertainment, fun and some nice artwork too." ]

[ "irritating, illogical flow of events. pretty much every joke is so simple that it can hardly be regarded as one. no wonder the cinema was empty and people actually walked away, yes away. I stayed, since I was enjoying a wonderful ice-cream with nuts during the whole movie." ]

[ "As a great admirer of Marlene Dietrich, I had to (finally) watch this very, very dull picture. It is Miss Dietrich's first color film, and the world's most beautiful blond is a redhead! Bad start. The story is a tremendous bore, involving a subject which itself bores bores me stiff: religious guilt. (Who needs it???) Suffice it to say, perhaps, that of all Dietrich's films (and I have seen most, including \"Pittsburgh\") this is the only one where even her performance is barely worth watching. The color photography is OK (this is a very early Technicolor release), but to no purpose. Ridiculous casting: C. Aubrey Smith, Basil Rathbone (enough said?). The only thing of any interest at all is John Carradine's outlandish caricature of a performance as \"The Sand Diviner,\" who foretells all that will happen. The supposed \"happy ending\" is one of the most depressing ever conceived. Yet another example of David O. Selznick's highly inflated reputation (did he ever make a really good film? -- other than That One?) And, for one final annoyance, the soundtrack of the MGM DVD is a mess, with volume levels seemingly randomized. Highly unrecommended." ]

[ "Ladies and Gentlemen,please don't get fooled by \"A Stanley Kubrick\" film tag.This is a very bad film which unfortunately has been hailed as one of the deadliest horror films ever made.Horror films should create such a fear that during nights people should shiver their hearts out while thinking about a true horror film.In Shining,there is no real horror at all but what we find instead is just a naive,foolish attempt made to create chilling horror.Everyone knows as to how good the attempts are if they are different from reality.All that is good in the film is the view of the icy valley. The hotel where most of the actors were lodged appears good too.A word about the actors Jack Nicholson looks like a lost,lazy soul who is never really sure of what he is supposed to do.There is not much to be said of a bald,colored actor who for the most of times is busy pampering a kid actor.No need to blame the bad weather for the tragedy.It cannot be avoided as the film has been made and poor Kubrick is not alive to make any changes." ]

[ "I really tried to like this movie but in the end it just didn't work for me. I have seen most of Kitamura's output and have found it to be very variable. Alive, like all of his films has an interesting plot, some nifty sequences and a fair amount of creativity. However, these qualities are in painfully short supply in Alive. The plot is cool if not all that original and could have made for a pretty ace film. Unfortunately, the pacing is painfully slow and the film takes an age to get going, before reaching fairly predictable places. The action is just about passable, with the final fight pretty cool, and the earlier one about OK. The earlier one is also marred by overspeedy camera-work, making for less coherency. There are some neat visual effects and some interesting ideas floating around in the dialogue but the film still drags badly. The characters are neither well fleshed out nor well acted and the setting and general color scheme is drab and boring. The film is not completely terrible and has some points of interest, perhaps judicious use of the fast forward button could improve it. With about twenty minutes taken off the run time this could be a pretty decent sci fi thriller. But the full length film is dull. Only recommended to very patient and determined Kitumura fans." ]

[ "(this may be a bit on the spoilerish side) I would like to start by saying I did not watch the entire movie, nor could I because it was evident from the first hour that I was going to be incredibly disappointed. That of course is the problem with taking, what many believe to be an amazing book, and turning it into a Disney Made-for-TV movie.<br /><br />A Wrinkle in Time should have been made into an amazing movie a long time ago. It's got a great storyline that could hook children and adults. Plus it's got built in quality sequels. But Disney-fying was not the way to go. The problem with the movie is that all the things they changed to turn it into a visual story dumbed down what was so great about the book. It is a complicated and emotional story for kids. There was no reason to make Charles Wallace purely \"psychic\", because that was the easiest way of explaining it. There was no reason to write a fight between the three Mrs. W's as added tension, there is enough tension in the story without that. There was no reason to remove Meg's glasses... that deprived us of what could've been a very sweet scene between Calvin and Meg that happens in the book.<br /><br />I could nitpick for days about little things, but I also think larger things, like the art direction was a off. Take for instance the way they made Camazotz look, with its strangely darkened skies. The creepiness that comes across in the book is that Camazotz could be Earth. It looks like earth. It has people on it that look like humans. The skies are blue, the grass is green, and there are children playing. But something is a little bit off. The directors chose to make Camazotz a complete other instead of taking the lesson in the book and applying it to the overall direction of the movie. The lesson of course is that Camazotz could very well be Earth, that is if we forget how to love. It would've been much creepier to have a beautiful afternoon as they're walking down the street with the kids bouncing the balls in the same rhythm.<br /><br />I unfortunately did not watch the end. Maybe someone can tell me how Disney messed up the end as well.<br /><br />Overall an artistic disappointment.<br /><br />" ]

[ "The greatest sin in life is being dull, and this movie is crashingly boring. its funny, its left out of his \"a life in film\" documentary. He goes from a long piece on \"Stardust Memories\" and then fast forwards to \"Zelig\". This little piece of cubic zirconia just isn't worth the effort." ]

[ "Loosely intended as a satire of D.W. Griffith's Intolerance, The Three Ages was Buster Keaton's first attempt at a full length comedy feature. The only similarities to Intolerance are the opening \"book\" scene and the fact that similar stories through the ages are edited together into a complete film. Keaton's reasoning for appropriating this style was that if it didn't succeed as a feature film, it could be reduced to three two-reelers. Fortunately, The Three Ages succeeds brilliantly as a comedy and contains some of the funniest routines I've seen in any of Keaton's film. There is nothing unique or daring about the story lines. They are simple boy-meets-girl, boy-loses-girl, boy-gets-girl plots, but the period satires are riotous and set the standard for future works by Mel Brooks and all films of this genre. However, I don't believe that anyone has ever topped this comedy. No one can play the lovable goof like Keaton and the stunts in this film are some of his best. In addition, Wallace Beery's appearance as Keaton's rival adds to this film's appeal. Anyone who thinks that comedy from the 1920's cannot be appreciated by modern audiences needs to see this movie." ]

[ "Blank Check is easily one of the worst films of the nineties. The plot is completely pointless; its overtones of lonliness are pathetic. Do you really believe a twelve year old acting as a personal assistant for a millionaire could accomplish everything in this film, like buying a mansion for a mere $300 grand. The notion, let alone the bargain-basement price, will only be believed by the most gullible viewers. Please, respect your intelligence and don't watch this awful, awful film." ]

[ "\"GOOD TIMES,\" in my opinion, is a must-see CBS hit! Despite the fact that I've never seen every episode, I still enjoy it. It's hard to say which one is my favorite. Also, I really love the theme song. If you ask me, even though I like everyone, it would have been nice if everyone had stayed on the show throughout its entire run. Everyone always gave a good performance, the production design was spectacular, the costumes were well-designed, and the writing was always very strong. In conclusion, even though it can be seen on TV Land now, I strongly recommend you catch it just in case it goes off the air for good." ]

[ "Very rarely do I give less rave reviews on a show or film I dislike on IMDb, but Mighty Morphin Power Rangers is just so painstakingly dreadful, it's terrible.<br /><br />I wouldn't have minded if this had been an animated series- would've been better that way I guess, but as a live-action show, it typifies the terms 'cheesy' and 'campy'. Of which Power Rangers is. Five multi- coloured, spandex wearing teens battle evil by using their martial arts skills. The costumes are horrid- they look like something that is reminiscent of what track and field athletes and female gymnasts would wear. The acting is woeful, and the fight choreography is so shockingly bad and so lame to watch, it makes Jean- Claude Van Damme, look as equally as good as Bruce Lee, which is an understatement in itself. In fact, they look as if they are jumping and dancing about; like it was some version of the 'Nutcracker', or they were doing ballet, rather than fighting. Besides, there are some cartoons that heavily feature martial arts and yet it is done in a fun-yet not so cheesy way that makes it look silly.<br /><br />Kids show or not, this is just so lame and on the verge of absurdity. And even though this version is set in America, you could be forgiven into thinking that as you watch some of the fight sequences that they were not filmed in the US, but rather in Japan; thus the somewhat 'fake' fighting and footage was borrowed from the Japanese version-only to be juxtaposed onto the US version.<br /><br />If you like this type of thing, then stick with Sentai- the Japanese equivalent." ]

[ "I loved this movie for two reasons: 1) Jeff Combs is absolutely wonderful in it. Plays the role of the modern wizard to the hilt. (And is absolutely adorable.) 2) The movie helped to inspire a role-playing game I thoroughly enjoy, Mage: The Awakening. I've shown it at various LARP after-parties, and it's always a big hit.<br /><br />D&D love and Jeff-squeeing aside, it's not exactly a masterpiece, but it's well-done and thoroughly enjoyable. The plot is fast-moving and engaging in its simplicity, the special effects are pretty good for such a low budget, and the script, while nothing stellar, was not too badly done, and cheesy in all the right places. A good way to spend an evening." ]

[ "Why do movie makers always go against the author's work? I mean, yes, things have to be condensed for the sake of viewer interest, but look at Anne of Green Gables. They did a wonderful job of combining important events into a cohesive whole that was simply delightful. I can't believe that they chose to combine three novels together for Anne of Avonlea into such a dreadful mess. Look at all they missed out on by doing that . . . Paul Irving, little Elizabeth, the widows, Windy Poplars . . . and Anne's college years, for heaven's sake!!! Wouldn't it have been delightful to meet Priscilla and all the rest of the Redmond gang? Kevin Sullivan should have taken things one movie at a time, instead of jumbling them all together and combining characters and events the way he did. This movie was good, if you leave the novels out of it!! But L.M. Montgomery's beautiful work is something that should not be denied. This movie was a let down after seeing the successful way he brough Anne of Green Gables to life." ]

[ "The film released at the start of 2000 alongwith MELA both disasters So sad to start a millennium with such nonsense<br /><br />The film seems to suit 70's but looks like an unintentional comedy for 2000<br /><br />Anywayz some classic gems from the film: Paresh Rawal I don't understand to laugh at his role or cry Reason: He goes searching his mother in the village worst part is when he realises a secret of Anil he keeps the secret in his stomach which becomes big and makes him look pregnant I remember in my childhood my teacher told me the same joke Urrf!!!! as a child i laughed at it that time but here?<br /><br />The whole film is a joke can't explain We have Anil in a dual role(One older and younger) and Rekha playing the older's wife and Raveena the youngers We also have reject Harish while Shakti playing the son of Aruna Irani who both fight on who has the worst wig<br /><br />Direction is outdated Music is bad<br /><br />Anil tries hard looks too old in the younger role and too young in the older role yet good effort Rekha is adequate, Raveena too is okay Harish is bad Shakti Kapoor is terrible Aruna Irani is as usual Rajnikant is okay in a cameo" ]

[ "This movie should not classify as cinema. Although it is over 10 years old now, it should never, ever have gotten funding, and is a blight on the Australian Film Industry, which is now producing such brilliant films as \"The Dish\"<br /><br />The Actors cannot act, The music is.. to be blunt, not music, the storyline is completely nonexistent and is a struggle to sit through.<br /><br />Do not watch this film. It is a complete waste of your time." ]

[ "I saw this \"hot\" movie when it came out in 1986. It had a X rating for a brief scene involving oral sex but played in mainstream theatres (it was an \"art\" film). Supposedly it's the first film to ever show a respected actress in an explicit sex scene.<br /><br />What I saw was a boring tale about a high school boy (Federico Pitzalis) in love (understandably) with an older woman (Maruschka Detmers). As has been mentioned before Detmers is very beautiful with a good body BUT she also gave a very good performance. Pitzalis was (to put it mildly) pretty poor. It's no wonder he never made another movie. Still, despite the infamous sex scene (which is explicit but pretty brief), this a slow moving dull story which bored me silly. The good acting by Detmers only helped to a certain point. Mostly I was looking at my watch waiting patiently for it to end. If it didn't have that sequence this movie would have been forgotten long ago. Dull and slow. You can skip this one." ]

[ "Sometimes they get lucky and have a hit on their hands (Wayne's World, the first one, not the second). But most often they have duds (It's Pat comes to mind rather quickly). This time out it's Tim Meadows as The Ladies Man. This movie falls somewhere in between a hit and a dud. It was very funny for the first 20 minutes, but then, as usually happens with SNL skits, it starts to slow down, before finally ending, long after it should have.<br /><br />Tim Meadows is Leon Phelps, a radio DJ with a nightly show called The Ladies Man. He answers any and all questions dealing with sex and relationships, usually in the crudest way possible. Everything seems to ultimately come down to the butt. After pushing the buttons of the station manager, Leon, along with his producer Julie (Karyn Parsons) gets fired, and needs to find another job. Out of the random blue, comes a letter from one of his ex-ladies. The letter offers him wealth and luxury for the rest of his life, the only problem being that the letter isn't signed. So Leon needs to track down all the women he's been with to find the woman of his dreams. But sometimes, as Billy Dee Williams says in the film, the woman of your dreams is standing right in front of you. There is also a sub-plot about a bunch of guys who's wives/girlfriends have all slept with Leon, and they want to first figure out who he is (by a tattoo he has on a part of his anatomy), then kill him. Leading this bunch of guys is, surprise! Will Ferrell from SNL. First off, I thought the sub-plot was rather lame. The singing and dancing stuff was just completely worthless. I usually like Will Ferrell but here he just never clicked for me. And the rest of the guys were just schlubs who tagged along, and in the end all decided that having their wives/girlfriends cheat on them was in fact their fault. So back to the main story. The story basically centers around Leon and sex. So what it comes down to is, if you don't like the character of Leon, you won't like the movie. His voice, his mannerisms, his dialogue is what carries the movie. I am not a big fan of Tim Meadows. I never thought he was a particularly good actor on SNL. The only thing I ever really liked of his, was his Ladies Man skits. But the best thing about those, is that they usually involved the guest host (remember the one with Cameron Diaz?), and they were short. For about 5 minutes, they were pretty funny. And here, for about 20 minutes, it's really funny. What I thought was good about the character in the movie, is that he stayed in character throughout. He never wavered from his wanted to just get laid persona. Until right at the end where there was this transformation, and the ever present speech to tie things up. Other than that, it was pretty good at keeping Leon as Leon, and not changing him into something less crude than he was. There isn't a lot of substance to this movie, if you couldn't guess. But like I said earlier, the beginning of the movie I found to be very funny. Some real laugh out loud moments, all revolving around sex and his crudeness. The problem of course with this movie, and most other SNL spin offs, is that these are characters that are only supposed to be shown for a few minutes at a time. Stretching the concept into 80 minutes is very difficult. That difficulty is obviously why they needed the sub-plot, because without it, this movie would have been a little under an hour. When it was good, it was good, but when it wasn't good, it got to be boring.<br /><br />So overall, The Ladies Man wasn't as bad as other SNL films, but it wasn't as good as others. It had some funny moments, the first 20 minutes was pretty good, but the rest of it dragged on. There was an unnecessary sub-plot whose only purpose was to lengthen the film. The bottom line is, if you like Tim Meadows and his Leon Phelps character, you'll be able to watch the film. If he annoys you, don't even bother going. Unless you just want to see Tiffani Theissen in some nice revealing clothing. <br /><br />" ]

[ "ANDY HARDY MEETS DEBUTANTE (1940) is the ninth (9th) film of the series and it shows the direction it was inevitably headed into. Characters ANDY HARDY (Mickey Rooney) and JUDGE HARDY (Lewis Stone) were going to be front and center. The rest of the cast was going too just punch the clock and collect their checks. The series would rise to the occasion again and have its moments but a fatal decline had set in.<br /><br />Lewis Stone throughout the series would continue too portray the character of JUDGE HARDY in a sympathetic manner. The rest of the cast would be professional even though given less and less to do. Mickey Rooney on the other hand would continue his character as if there was no learning curve. ANDYs' reaction to any situation was in a naive and unbelievable way. Even after he returned as a veteran of World War II service in LOVE LAUGHS AT ANDY HARDY (1946) his reaction to any 'teapot tempest' was the same, juvenile.<br /><br />In this film it is clearly illustrated. ANDY gets himself into several unbelievable situations that with a simple explanation would have been resolved. This screen writing device was known as the 'idiot plot'. A means of stretching a poorly written scenario. Maybe it was less Mickey Rooneys' fault then the Director and the Writers. Most likely George B. Seitz had directed one too many and a firmer hand was needed too control Rooneys' excesses. To see our overview of the entire series go to YOU'RE ONLY YOUNG ONCE (1937)." ]

[ "I have seen already fantastic stories, but the premises of this one are so unbelievable that it comes very close to being ridiculous. A rich and young guy undergoes a heart transplant the day after his marriage, and he is somehow witnessing his own surgery and the plot of his surgeons to kill him. Even if there is a medical explanation to such a phenomenon what next happens is a mixture of dialog among ... say ... souls? ... maybe and real life where the dedicated mother will do everything to save the life of her son. There is no shade of suspense or thrill, just a combination of a bad and simplistic plot with a series of coincidences that can never happen in life.<br /><br />This is not to say that the film is completely lacking quality - actually first time director Joby Harold does a decent job in directing a good team of actors that includes Hayden Christensen at his first major role after having taken off the Anakin Skywalker costume, fabulous Jessica Alba and super-gifted Lena Olin. All would have deserved a better story." ]

[ "A movie of outstanding brilliance and a poignant and unusual love story, the Luzhin Defence charts the intense attraction between an eccentric genius and a woman of beauty, depth and character.<br /><br />\tIt gives John Turturro what is probably his finest role to date (thank goodness they didn't give it to Ralph Fiennes, who would have murdered it.) Similarly, Emily Watson shows the wealth of her experience (from her outstanding background on the stage). To reach the tortured chess master (Turturro) her character has to display intelligence as well as a woman's love. Watson does not portray beauty-pageant sexuality, but she brings to her parts a self-awareness that is alluring.<br /><br />\tIn a chance meeting between Natalia (Watson) and Luzhin, she casually stops him from losing a chess piece that has fallen through a hole in his clothing - a specially crafted piece that, we realize later in the film, has come to symbolize his hopes and aspirations. Later, as their love affair develops, she subtly likens dancing to chess (Luzhin has learnt to dance but never with a partner); she encourages him to lead her with \"bold, brilliant moves\" and in doing so enables him to relax sufficiently to later play at his best (and also realize himself as her lover).<br /><br />\tThis is a story of a woman who inspires a man to his greatest achievement and, in so doing finds her own deepest fulfillment, emotionally and intellectually (Or so we are led to believe - certainly, within the time frame, Natalia is something of a liberated woman rather than someone who grooms herself to be a stereotypical wife and mother).<br /><br />\tThe Italian sets are stunning. The complexity of the characters and the skill with which the dialogue unfolds them is a delight to the intelligent movie-goer, yet the film is accessible enough to make it a popular mainstream hit, and most deservedly so. Chess is merely the photogenic backdrop for developing an emotional and emotive movie, although the game is treated with enough respect to almost convince a chess-player that the characters existed. Although a tragedy of remarkable heights by a classic author, the final denouement is nevertheless surprisingly uplifting." ]

[ "This may sound crazy to even the people who remember this show...But I remembered this as being live-action. I don't think I ever saw the cartoon. but movie? maybe. I remember it very clearly. The guy was in a building kinda like a showroom. He even had the red jacket. It was dark out and he turned into a red car and there was this guy on the second level looking down at him. The car/guy spun around and crashed through the big showroom type window and out onto the street. And then proceeded to drive off. That is all I remember. I really hope someone else out there remembers this too. If not, Maybe I'm still crazy. But I'm hoping I'm not." ]

[ "Ah, I loved this movie. I think it had it all. It made me laugh out loud over a dozen of times. Yes, I am a girl, so I'm writing this from a girl's perspective. I think it's a shame it only scored 5.2 in rating. Too many guys voting? It was far above other romantic comedies. Just because I'm female I don't enjoy all chic flicks, on the contrary I prefer other genres. Romantic comedies tend to be shallow and not as funny as they meant to be. But like I said, this movie had it all, almost, in my opinion. Great script, good one-liners, fine acting. Although Eva Longoria Parker's character reminded very much of Gabrielle from Desperate Housewives, but so what? It was awesome. I will keep this film for rainy days, days when I feel low and need a few laughs." ]

[ "(various spoilers follow)<br /><br />Gene Kelly. Not Georges Guetary, who is sometimes criticized for being too young and un-French. Not Leslie Caron, who is sometimes criticized for her very green performance. Not even Oscar Levant, who more often than not annoys the dickens out of me.<br /><br />No, it would definitely be Gene Kelly. There's something about his screen persona that's too ambitious and focused for him to be convincing as a penniless artist in Paris, content to put off facing the critics indefinitely, frolicking with little kids and old ladies and painting in the streets. That's what made him so effective in SINGIN' IN THE RAIN and other movies where he played ambitious, focused characters. Jerry Mulligan is in some ways a cousin to Tommy Albright in BRIGADOON, another Lerner story with Kelly miscast as an American at loose ends who falls in love with a picturesque European place and an innocent female who embodies its virtues.<br /><br />Except that Jerry isn't as likeable as even poor dazed Tommy. That's another galling thing about this film. Jerry is sometimes a cad to Milo, and even worse to Lise. When he first sees the latter at a club, he pulls a dirty trick to get her to dance with him. When she sits down again he pulls an even dirtier trick to get her phone number. When he calls her the next day she hangs up on him, which he takes as a cue to drop in at her workplace. And throughout all this it's obvious she wants NOTHING to do with him. When she starts laughing at his jokes in the perfume shop, it's about as believable as Milo's interest in his paintings. Sure he's good-looking and playful, but why should that sway her when she's got Henri, who seems like a gentleman to boot?<br /><br />Admittedly it comes off so distasteful partly because of the actress. If a role like Lise was played by, say, Judy Garland, she would shower Jerry with indignant insults and glares. If she was played by Cyd Charisse, one would admire his guts. But when she's played by first-timer Leslie Caron she looks and acts like a shy, vulnerable teenager, and as a result Jerry just seems like a creep. And why DID they choose these other actors (though personally I'd rather they'd solved things by changing the lead) when the whole story hinges on the romance of these two young poor sweethearts disentangling themselves from their loveless commitments to older rich people? Not only is Gene Kelly a few years above Guetary and Foch, he's old enough to be Caron's father.<br /><br />In short I think it all would have been improved by casting some young comedic-relief type dancer as Jerry, the kind that usually turned up in musical supporting roles...e.g. Ray MacDonald in GOOD NEWS or Bobby Van in SMALL TOWN GIRL. Maybe not them necessarily but someone LIKE them. Someone who could have chased Lise and made it seem harmlessly playful; someone who would have appeared genuinely happy living in that Chaplinesque hole-in-the-wall; someone whose humor and naivete would have contrasted better with Oscar Levant's sarcastic grumpiness. It probably also would have made the ballet seem less ponderous. And it might have provided a voice that could sing Gershwin better.<br /><br />All this may give the impression that I don't like Gene Kelly. I do like him. He was terrific in most of his films, just not this one (well, and a few others). I don't despise AAIP itself, either; it has good points, like the art direction. And Leslie Caron, who despite her inexperience is rather charming, and really does look like she just stepped out of a painting. Georges Guetary does a fine job and his \"Stairway to Paradise\" is my favorite number in the movie. Nina Foch is beautiful and touching and should have ended up with SOMEBODY. But not Jerry Mulligan. I wouldn't wish that on her." ]

[ "Put quite simply, this film is terrifying.<br /><br />It starts off simply, looking like a study of a rebellious young girl and goes on to become a beautifully crafted horror film.<br /><br />Don't expect gore, or zombies. This is psychological, and just as he would also do in Candyman, Bernard Rose manages to convey the horror that is not being believed.<br /><br />Each time you watch this film, you realise more about what's happening, and about how the two worlds in this film interconnect.<br /><br />Drawings have never been scarier." ]

[ "I noticed at once that this movie really wasn't based on Dodie Smith's novel. In any case, it was a nice idea that Pongo and Perdita's son now had his own puppies. The cutest of the Dalmatians was, of course, little Snowball who was completely spotless till the very end of the film. <br /><br />To be honest, I didn't know what to think when Cruella de Vil seemed to have changed completely kind. In fact I have often thought about the possibility that she could become friendly, but now that she so quickly changed into \"herself\" again and announced that she was Cruella once more, I almost began to be really worried about Chloe's Dalmatians.<br /><br />Actually, the scene in which the puppies watched Lady and the Tramp while Chloe and Kevin had their dinner, was much better than I had expected. I also was fond of the parrot who played to be a dog, and it was incredible that the dogs had learned so many tricks for this movie. <br /><br />Of course I was content that at the end the Dalmatians were saved again, but I would have liked to know what was going to happen to Cruella after she had lost her whole property. And what on earth could the dogs' home do with such a huge sum of money?<br /><br />Finally, it was quite touching that Snowball also had spots at the very end of the film." ]

[ "Film starts in 1840 Japan in which a man slashes his wife and her lover to death and the commits suicide. It's a very gory, bloody sequence. Then it jumps to present day...well 1982 to be precise. Ted (Edward Albert), wife Laura (Susan George) and their annoying little kid move to Japan for hubby's work. They rent a house and--surprise! surprise--it just happens to be the house where the murders took place! The three dead people are around as ghosts (the makeup is hysterically bad) and make life hell for the family.<br /><br />Sounds OK--but it's really hopeless. There's a bloody opening and ending and NOTHING happens in between. There is an attack by giant crabs which is just uproarious! They look so fake--I swear I saw the strings pulling one along--and they're muttering!!!!! There's a pointless sex sequence in the first 20 minutes (probably just to show off George's body), another one about 40 minutes later (but that was necessary to the plot) and a really silly exorcism towards the end. The fight scene between Albert and Doug McClure must be seen to be believed.<br /><br />As for acting--Albert was OK as the husband and McClure was pretty good as a family friend. But George--as always--is terrific in a lousy film. She gives this film a much needed lift--but can't save it. I'm giving this a 2 just for her and the gory opening and closing. That aside, this is a very boring film." ]

[ "Obviously written for the stage. Lightweight but worthwhile. How can you go wrong with Ralph Richardson, Olivier and Merle Oberon." ]

[ "I really enjoyed the first episode and am looking forward to more. A little soft on the crime front (it's almost an afterthought and not terribly suspenseful or fleshed out) but thought the romance angle was wonderfully charming. Will be watching again for sure! <br /><br />I'm hoping that they'll have a bigger role for the aunts who are wonderful actresses and were somewhat underused this time around. The actress who plays the assistant/waitress (also from Bewitched I think) is very sweet and bubbly and comes off as nicely dorky and sweet instead of dumb and annoying which is very nice.<br /><br />Check it out." ]

[ "My school's drama club will be putting this show in the spring of 2002, and I can only hope we're as good as this! I watched this film recently as sort of \"research\" for my role (Rosie Alvarez), and I'd just like to say, Vanessa Williams is the coolest!<br /><br />Wow! The casting for this movie was right-on (with one exception). Jason Alexander, oh my gawd, is there anything he can't do? He was the most wonderful Albert Peterson ever - I especially loved all of his funny facial expressions and dancing during \"Put on a Happy Face!\" He is so great! Vanessa Williams, as I said before, is the coolest. She was a beautiful Rosie, and her transition from secretary to seductress was totally believable. Tyne Daly was hilarious as Albert's obnoxious mother and George Wendt was superb as the annoyed Mr. McAfee (however I LOVED Paul Lynde's performance in the 1963 version!). Brigitta Dau cracked me up as Ursula Merkle; she really hammed it up! And Marc Kudisch was an awesome Conrad Birdie...\"Suffer!\"<br /><br />There was only one casting that I didn't understand, and, as you'll see from previous comments, many other people didn't understand. Chynna Phillips as Kim McAfee - what was that? I mean she's really pretty and very talented, but...she looks a bit too old for the role. Eh, maybe I'm delusional.<br /><br />Okay well anyways, I highly recommend this movie. It'll leave you smiling!<br /><br />" ]

[ "A doctor and a policeman in New Orleans have only 48 hours to locate a killer infected with pneumonic plague.<br /><br />An effective, and classy, little thriller directed by Elia Kazan that blends documentary realism with a race against time pulpy heartbeat. Set and filmed in and around New Orleans, Panic In The Streets is taken from the story Quarantine, Some Like 'em Cold by Edna and Edward Anhalt who won an Oscar for original story. It also boasts a fine ensemble cast that deliver top rate performances for their director. In turn, Richard Widmark {bringing the method a year before Marlon did for Kazan in A Streetcar Named Desire}, Paul Douglas, Jack Palance (as Walter Jack Palance) & the wonderfully named Zero Mostel, all get sweatily moody as the pursuers chase the pursued to halt the onset of a potential Black Death epidemic.<br /><br />Where the film scores its main suspense points is with Kazan's astute ability to cut back and forth between the protagonists without altering the flow and mood of the piece. From Widmark's Public Health doctor, with hypodermic needle in hand, running around trying to locate the bad guys so he can do good; to the bad guys themselves who are bemused as to why there is such a wide scale hunt for them; the tension is stacked up to fever breaking point. To which thankfully the final thirty minutes becomes a cracking piece of cinema. With Palance excelling as a nasty villain that ironically puts one in mind of Widmark's own Tommy Udo from Kiss Of Death three years prior.<br /><br />It's an imaginative and intelligently written story, one that cunningly links rats and criminals to being carriers of disease. A blight on society as it were. It's noirish elements, such as paranoia, blend nicely with its basic procedural thriller being. While some memorable scenes are suitably cloaked by the stifling atmosphere that Kazan has created. Although some of the early character psychologizing threatens to steer the film down some over talky based alleyway, this definitely is a film worth staying with to the end. Not essential film-noir, and maybe not even essential Kazan, but certainly a highly recommended film that begs to be discovered by a new generation of film lovers and reappraised by the old guard who may have missed it back in the day. 7.5/10" ]

[ "I once used Wesley Snipes' name as a clue to go ahead and watch a new, untried film in which he appears. So now, for the first time, my Snipes-Method of film recommendation has failed. Utterly. I should first have come here to see these reviews.<br /><br />Snipes ought to be ashamed to allow his otherwise earnest efforts to be so wasted in \"The Contractor\".<br /><br />One of my worst flick fears has come to bitter fruition. I feared that the shaky, blurry, pseudo-documentary, \"unconsidered\" directing and editing style (first brought to my attention by the Paul Greengrass-directed \"Bloody Sunday\") might propagate to other films. Greengass' sickening style was then brought to nauseatingly new heights in the last two of the Bourne trilogy films. My fear had come to pass. In my opinion, these films are made really bad by these motion-sickness-inducing methods, which mistake blurry swipes for \"action-enhancement\". But the \"Bourne Franchise,\" as Greengrass so loving calls his cash cow, apparently convinced others in Hollywood to go unprofessional in the quest for fast, big bucks.<br /><br />Read my lips, you Hollywood types. Action needs to be clearly photographed and presented, not merely hinted at by poor, lazy cinematographic techniques.<br /><br />And \"The Contractor\" goes so far as to emulate \"The Bourne Ultimatum\" in inanely-repeated sound bites, in hopes their juvenile (apparently-evaluated) audiences can't sense them. For example, if I hear a cop radio crackling \"Yankee-Romeo\" one more time, I'll just scream. The chances are good I won't hear it again: I certainly won't ever view \"The Contractor\" again.<br /><br />I recommend to those of you who have yet to see \"The Contractor\": just be content with the tranquility this lack affords to your life.<br /><br />2 out of 10; I am tempted to lower that to a 1." ]

[ "I watched the whole movie, waiting and waiting for something to actually happen. Maybe it's my fault for expecting evil and horror instead of psychology? Is it a weird re-telling of the Oedipal myth: I want to kill my father and mother and marry my uncle and compose musical theater with him? I didn't understand why certain plot elements were even present: why was the construction upstairs, why was there that big stairwell with a perfect spot for someone to fall to their doom if no one was actually going to do so, why have the scenes at all with the father at work, why have such a nice kitchen if you're only going to eat takeout, why would the boy want to be baptized and the parents be the ones to resist instead of the other way around. I see lots of good reviews for this movie...has my taste been corrupted by going up with 70s b-movies and old sci fi flicks?" ]

[ "Deranged and graphically gory Japanese film about little beings taking people over and turning them into necroborg-zombie like machines- which beat and hack each other apart so that the winner can eat the loser. In the middle of this a pair of lovers become infected.<br /><br />Technically superb horror comedy(?) is only for those with strong stomachs as blood and body parts go flying. Good taste prevents me from describing what happens here, but lets just say its pretty gruesome. If you like this sort of thing with form several steps above slender content by all means see this film. Personally I'm not normally one to enjoy films like this on anything but the how sick and twisted do they go level. Here I was intrigued enough that I can suggest it to people I know who like really gory movies.. Its also a film with enough going on in the details that I want to see it again since now that I know what was going on-as revealed in the end-I want to go back and see what it was I didn't catch on to. There is an internal logic rare in these films.<br /><br />7ish out of 10 for those who like blood and severed limbs, its a zero or more precisely a run and hide alert for everyone else." ]

[ "I don't think I'll ever understand the hate for Renny Harlin. 'Die Hard 2' was cool, and he gave the world 'Cliffhanger', one of the most awesome action movies ever. That's right, you little punks, 'Cliffhanger' rules, and we all know it.<br /><br />Sly plays Gabe Walker, a former rescue climber who is 'just visiting' his old town when he is asked to help a former friend, Hal Tucker (Michael Rooker), assist in a rescue on a mountain peak. Walker obviously came back at a convenient time, because the stranded people are actually a sophisticated team of thieves led by Eric Qualen (John Lithgow). Qualen & co. have lost a whole lot of money they stole from the U.S. government somewhere in the Rocky Mountains and they really would like it back...<br /><br />Essentially, 'Cliffhanger' is another 'Die Hard' clone. Just trade in the confines of Nakatomi Plaza to the open mountain ranges of the Rocky Mountains, complete with scenes created to point out the weaknesses of our hero and keep him mortal. Naturally, that set up is totally ripped to shreds soon enough, as Stallone's character avoids quite a large number of bullets with ease, and slams face-first into several rock faces with no apparent side-effects. After all, isn't that what action movies are all about?<br /><br />'Cliffhanger' is one of the most exciting action movies around. A showcase of great scenes and stunts. One of the early stunts is one of the best stunts I've ever seen in a movie, and while the rest of the movie does not get any better than it did at the beginning, it maintains its action awesomeness. John Lithgow's lead villain is entertaining, and one bad dude. Quite possibly one of the coolest lead villains ever.<br /><br />'Cliffhanger' is easily one of Stallone's best efforts, definitely Renny Harlin's best effort, and a very exciting action movie - 9/10" ]

[ "Tasteless. I can't even write intelligently about the movie. I laughed the entire movie. It wasn't supposed to be funny. Matt Farnsworth has no clue what he is doing. His story is written, it seems, without any knowledge of Iowa culture and the meth problem. I know Farnsworth is from Iowa, which makes his movie even more puzzling to me. Why do the two main characters have accents? It doesn't make any sense. The acting was mediocre at best and at times hard to watch. Gratituous violence and sex filled the movie. I am guessing that the violence and sex were supposed to make the movie edgy, but it came across as unbelievable and offensive. The ending of the movie is so brilliantly bad that all I could do was laugh and look at the rolling credits with disbelief. As I walked out of the theatre everyone else who was leaving was laughing along with me. The ending of the movie was meant to evoke tears, but it did the exact opposite. Do not waste your time on this horrible movie, unless you want to see ignorant, sappy, overacted, clichéd drivel." ]

[ "This rip off of the 1984 hit \"Gremlins\" is quite possibly the biggest train wreck of a movie ever made. Even for a 'B' grade movie, all other cheap horror movies on the same platform completely dwarf this movie in terms of plot, acting, and goodness.<br /><br />It begins with a random old security guard and the younger punky security guard whose name is of no importance. Why? Because a few minutes into the film he walks into the 'forbidden' safe, and is killed whilst living out his fantasy of being a rock star in a cheap pub.<br /><br />This is just an appetizer for the scat-filled main course. The main character, KEVIN, struggles various times to prove himself as more than a total pussy. Perhaps he succeeds within the film, but to the audience he proves himself as nothing more than a bad actor. Kevin gets himself a job with the old security guard, and is guided through his security shift in the (wait for it) abandoned studio lot. Yes why bother making a set when you can just use the studio itself. Back to the film. Kevin somehow opens the forbidden safe and releases the Hobgoblins. The Hobgoblins force people to live out their wildest fantasies and then kill them for some reason. They must be returned before sunrise or else...or else what? Exactly.<br /><br />Other characters include Kevin's 'macho' army friend NICK, Nick's 'woman' DAPHNE whose character has no more substance than a bitch-slut attitude and prostitute worthy outfits. There is Kevin's manipulative and 'reserved' girlfriend AMY, whose deepest desire is apparently to be a badly portrayed Cher look-alike with fishnet stockings with a pair of blue grandma underpants on top.. Don't ask me how that works. Quite possibly the most entertaining character of all is KYLE. How such groups of friends are made is up for question. Kyle is a perverted creep who can't go an hour without self-stimulating. His hobbies include calling up sex-chat lines from other people's houses and most likely sniffing underwear.<br /><br />The story unfolds as the heroes search for the Hobgoblins: knee-high creatures (aka. hand puppets) which, for some reason, attempt to travel no further than the borders of the local neighborhood. Each of the characters eventually lives out their wildest fantasy which never has anything to do with having millions of dollars... or the film having a big budget.<br /><br />WARNING SPOILERS AHEAD: The twist at the end of this movie will leave the watcher wondering \"What?\". The Hobgoblins are returned to the safe by...their own free will. Perhaps they lost patience waiting for sunrise to wreak havoc, or perhaps the story-writers got writer's cramp and decided not to worry about the ending. Upon returning to the safe, the old security guard reveals \"What he learned in the military\" and detonates explosives which destroys the safe, signaling the end of the evil Hobgoblins and the end of this roller coaster ride; better fitted to a ride on an escalator.<br /><br />The sheer badness of this film is enough to send someone to tears. If you plan to watch it, I recommend a few alcoholic drinks beforehand to take any serious consideration of the film out of mind." ]

[ "Lynne Ramsey makes arresting images, and Samantha Morton can summon feeling with a gesture. So what a drag to discover their talents wasted on this mannered, pretentious lark. <br /><br />Ramsey can't bring Callar to life. Her attempts are too arty and oblique. Repeatedly her camera lingers on long silent shots of the agonizing actress as if Morton's obliterated gaze alone could supply character. We are in a blank Warholian hell of self-indulgence: for a film that has minutes to spare on bugs crawling across the floor, you might think it could get round to fleshing out its protagonist. But how will it do so if she rarely speaks? Without the novel's interior monologue, the celluloid Morvern Callar is nobody. Small wonder Ramsey has Morton undress often.<br /><br />That said, the first ten minutes were so impressively acted, shot and edited that my hopes were soaring. Give the film that much: it knows how to make promises, if not how to keep any." ]

[ "The fourth of five westerns Anthony Mann did with James Stewart, this one involves a hard bitten cattleman named Jeff Webster who takes a cattle drive from Wyoming to Alaska, via Seattle. He hooks up in Seattle with his partners Ben Tatum (Walter Brennan) and Rube Morris (Jay C. Flippen) that he has sent ahead of time in order to make preparations for the boat trip, north.<br /><br />But first, he has to put up with insubordinate trail hands, cheating riverboat captains and the charms of coy, manipulative Ronda Castle (Ruth Roman) who believes Jeff could be a valuable ally in the future. That's why she hides him out on the boat while the captain's looking for him for the earlier (and justifiable) killing of a trail hand.<br /><br />Jeff also has the misfortune of running into sleazy Judge Gannon (John McIntire) who runs the town of Skagway, Alaska. Gannon locks Jeff up for disrupting his public hanging by running his cattle through town. He fines Jeff the ownership of his cattle and Jeff just has to eat crow for the time being. <br /><br />In the meantime, Jeff agrees to ride point for Ronda up to Dawson in order to deliver supplies. But this is just a ruse so Jeff, Ben and Rube can slip back into Skagway and steal his cattle back. Of course Judge Gannon finds out about this and is right behind but is delayed by Jeff with a rifle while Ben races the cattle over the Canadian border out of Gannon's reach.<br /><br />After avoiding an avalanche and another shootout with some other Skagway men, they finally reach Dawson where Jeff sells his cattle to the highest bidder, which just happens to be Ronda who then promptly sets up a new gambling house in Dawson. Jeff then takes his money and buys himself a claim and starts panning for gold. <br /><br />But then Judge Gannon comes up to Dawson to get in on the gold action up there, and tells Jeff that he was getting a little bored with Skagway and wants to try his luck up in the Klondike, himself. That involves bring some hired gunman with him and forcibly stealing some of the other miner's claims. Jeff and Ben now feel it's time to clear out while the goings are good, leaving Rube to fend for himself as a most ineffective sheriff against Gannon and his gang.<br /><br />They look for a back way out only to find themselves ambushed by Gannon's men because Ben made the mistake of opening his big mouth. Ben is killed and Jeff is severely wounded but that doesn't save Judge Gannon from his just due. The ending shootout at night on the muddy Dawson street pretty much takes care of that. First Jeff kills two of Gannon's best gunman (Jack Elam and Robert Wilkie). Then as Ronda comes out to warn Jeff that Gannon is trying to slip around behind him, Gannon shoots her in the back and she dies right there in Jeff's arms. Then Jeff kills Gannon as he's hiding under a wooden sidewalk. Revenge has spoken.<br /><br />This is another rip-roaring western that's right up there with THE NAKED SPUR and THE MAN FROM LARAMIE. Why the Universal DVD uses a pan-and-scan print instead of the widescreen print TCM uses, is beyond me. You'll wind up missing half the glorious Alberta cinematography by William Daniels. So if you like well-written 50s westerns, then this one's an A-list keeper. <br /><br />8 out of 10" ]

[ "This movie is an eye opener for those who can only the glamorous lifestyles of the stars. It tells you how people who would like to do good are not able to. Plus the bomb blast scene is very real.<br /><br />What you read and are taught just does not happen!!!<br /><br />Can raise your BP level by 10%<br /><br />All actors played their role very well.<br /><br />Some scenes may / could have been avoided to include teenagers.<br /><br />This movie is quite adult in nature.<br /><br />Not a movie that can be seen with family.<br /><br />Casting is great!!!" ]

[ "This is a big step down after the surprisingly enjoyable original. This sequel isn't nearly as fun as part one, and it instead spends too much time on plot development. Tim Thomerson is still the best thing about this series, but his wisecracking is toned down in this entry. The performances are all adequate, but this time the script lets us down. The action is merely routine and the plot is only mildly interesting, so I need lots of silly laughs in order to stay entertained during a \"Trancers\" movie. Unfortunately, the laughs are few and far between, and so, this film is watchable at best." ]

[ "An underrated addition to the Graham Greene cinematic canon - its perceived faults can now be seen as virtues. Director Shumlin, theatrical director, frames his action with an oppressive rigidity appropriate to the material, and the seemingly inept compositions compellingly suggest unease. Both a dark thriller and a story of moral regeneration (for the female character! In a 40s thriller!), the film has an upright hero who turns mad and murderous (and possibly paedophiliac), brilliantly brings the faraway ideologies of the Spanish Civil War into jolting dangerous reality, has one horrific murder, an astonishing insights into class and capitalism, clever theatrical metaphors, a rare approximation of Greene's God, and an ending that is only happy if you know nothing about history." ]

[ "Basically, Cruel Intentions 2 is Cruel Intentions 1, again, only poorly done. The story is exactly the same as the first one (even some of the lines), with only a few exceptions. The cast is more unknown, and definitely less talented. Instead of being seductive and drawing me into watching it, I ended up feeling dirty because it compares to watching a soft-core porn. I'm not sure whether to blame some of the idiotic lines on the actors or the writers...and I always feel bad saying that, because I know how hard it is to do both...but it was basically a two-hour waste of my life. It literally amazes me that some movies get made, and this is no exception...I can't believe they'd make a third one." ]

[ "This is a collection of documentaries that last 11 minutes 9 seconds and 1 frame from artists all over the world. The documentaries are varied and deal with all sorts of concepts, the only thing being shared is 9/11 as a theme (very minor in some cases). Some of the segements are weak while others are very strong; some are political, some are not; some are solely about 9/11, some simply use 9/11 as a theme to touch on human feelings, emotions and tragedies that are universal; some are mainstream while others are abstract and artistic). This film has not been censored in any fashion by anyone so the thoughts that you see are very raw and powerful.<br /><br />This is a very controversial film, especially for conservative Americans. I think two segments might really tick off the right wingers (one from Egypt where a dead American soldier and a dead Palestinian bomber come back as spirits; another from UK which recounts the US-backed overthrow of Chile on Sept 11, 1973, which resulted in 50,000 deaths and horrible atrocities). The segment from Mexico was the most powerful, recounting the fall of the towers and the resulting death in vivid fashion (you have to see it to believe it).<br /><br />Even though the final product is uneven, with some segments being almost \"pointless\", I still recommend this. It's very difficult to rank this film because the segments vary all over the place (some weak, some very powerful; ). I'm giving this a rating of 9 out of 10 simply because some segments were excellent and covered issues that usually get censored (Mexico segment, UK segment, Japan segment, Egypt segment)." ]

[ "This should be re-titled \"The Curious Case Of The Unscrupulous Filmmakers Who Misrepresented A Non-horror Snorer As A Shock Film.\" It's one long, boring tale of a fraternity hazing, a gag so transparent that even Flounder from Delta House could see through it. Jeff East, an actor in the dues-paying stage, can be forgiven for taking any work he could get. The same can't be said for Charles Martin Smith, who formerly acted for such cinematic heavyweights as George Lucas and Sam Peckinpah. Once available on tape but, thankfully, not out on DVD. Misrepresented garbage like this belongs in a landfill and nowhere else." ]

[ "Kurt Russell is so believable and the action so non-stop that it takes thinking about it afterward to realize that there were honest-to-goodness important themes [overcoming fear of The Stranger, learning to rise above early conditioning, the strength that love and friendship can bring, etc.] in the storyline. This is so very rare for a 'guy's action flick' that even I [who thinks most A/A is violent pap] liked the film and have recommended it to every guy I know.....it's a shame this one was overlooked because by rights it should have been one of the biggest action-adventure box office hits -- it has something for everyone without straining credulity or losing the nearly non-stop action moments. I'm afraid the answer to it not becoming a hit lies in the fact that adults did not go to see it. Anyone under 20 probably has not only seen more violent action in their video games but probably would either not catch the multi-layered, multi-themed beauty or not care about it. This film could convert anyone who avoids A/A as mindless violence. If a guy takes his lady [or rents it or sees it in a cable listing] to see this film he'll be much more likely to get her to go with him to other action flicks." ]

[ "I am a back Batman movie and TV fan. I loved the show (new and old) and I loved all the movies. But this movie is not as great as some people were hopeing it to be. In my opinon, it is a big let down. I think the problem was it had no drama. Batman: Mask Of The Phantasm and Batman Beyond: Return Of The Joker had a lot of drama. and Batman & Mr. Freeze: Sub Zero had some drama too. Also, I think this movie is to light for Batman. The only scene that seems a little dark is the big fight with Bane at the end. Anyways, it's an ok Batman movie. But I would just rent it." ]

[ "I have just managed to get hold of the Celestial region 3 DVD of The Five Venoms and what a super job they have made of it. A fantastic digitally remastered transfer and a must have for any Kung Fu fan.<br /><br />The story is pretty straight forward, and has been mentioned already so I won't go into it again. Needless to say it's the fight scenes that many buy the movie for, and they do not disappoint. Only problem is they are a bit few and far between and seem over rehearsed. Bruce Lee could take these lot on and drink a cup of tea at the same time! All kicks and punches come with the all important \"type writer\" clicks and air \"whooshes\", which is a cool effect though quite amusing!<br /><br />I give this movie a B+. Good but not great. In a way I feel it could have been that bit better. Golden Swallow, by the same director a decade earlier, had as good a story and better action." ]

[ "It's 1978, and yes obviously there are too many black players on the teams as well! Fans will be upset and certainly the 75,000 seats will be full, only less happy there are so many black players on the field! This made for TV Super Bowl movie is watchable. It's not much more, but it's really surprising the cast of talented actors that make an appearance (for the time), probably most notably Tom Selleck. Unfortunately any goodness Selleck brings to the screen, is quickly trumped by \"actors\" like Dick Butkus.<br /><br />It's a silly story about super bowl betting. PJ Jackson is charged by \"New York\" (read mafia) for ensuring the game ends for their favor, in this case a $10,000,000 bet. PJ is innocent enough, and seems to have a loose grasp by buying off a few people here and there. But things seem to fall apart for him. Another person, the unsuspected Lainie, takes charge. For a while, the mystery of murders isn't known for certain, but is revealed rather plainly at the final murder that Lainie is the new antagonist.<br /><br />It's a bad movie, but is watchable. The acting is decent, and the filming is OK. At least there weren't any silly typical 70s car chases (they have their place just not here). Just keep an open mind about past stereotyping and the cocaine era and you'll survive.<br /><br />2/10 (maybe a 2.5)" ]

[ "This film was made in Saskatchewan and Manitoba Parks and returned the world eye again to what little of the \"Wild Western Canada\" is left. When Archie began to write his stories for the papers; the thought of the day was to tame the wilderness and convert/absorb the First Nation Peoples.<br /><br />The film puts forward and asks the question; why would a well-educated, obviously talented Englishman become an Indian?<br /><br /> Archie, as an English boy dreams about becoming something but grasping the full meaning of that dream is unique and priceless - no mater what it is. Sounds like a famous puppet story doesn't it.<br /><br /> In my opinion, I saw Archie become my living image of the \"Cigar store Indian\" a very wooden character and not real at all - very well done acting on the part of Mr. Brosnan. He also portrayed the wild Indian in the dance scene for the tourist. The fullness and or reality of it weren't realized till he met and married his wife, Annie.<br /><br /> Annie pushed Archie in a direction that would bring him to the forefront of the Englishman's world stage, not as himself but Grey Owl -an Canadian Native of the wilderness frontier.<br /><br /> This is the closest Archie get to becoming the noble savage prototype.<br /><br /> Mr. Brosnan's interpretation as well as the directors is both well done. I have watched documentaries on Grey Owl and I think this is a good big screen movie to add to my collection.<br /><br />Spoiler - I thought the final scenes with Archie going to meet the Grand Council of Chiefs was a great a great moment in the film.<br /><br /> Very beautiful Canadian lake scenery and real \"Grey Owl\" locations.<br /><br />" ]

[ "One thing about Hollywood, someone has a success and it's always rushed to be copied. And another thing is that players give some of their best performances away from their home studio.<br /><br />Rock Hudson got such accolades for his performance in the Texas based film Giant that Universal executives must have thought, let's quick get him into another modern Texas setting.<br /><br />Similarly Robert Stack got great reviews for The High and the Mighty as the pilot who was cracking under the strain of flying a damaged aircraft that it was natural to give him another crack up role.<br /><br />Both of these ends were achieved in Written on the Wind. Before Hudson was the big ranch owner, now he's the son of a hunting companion of Robert Stack's father who took Hudson under his wing. In other words the James Dean part without the James Dean racism from Giant. <br /><br />Lauren Bacall is the executive secretary of an advertising agency that Stack's Hadley Oil Company uses. Hudson likes her, but she's dazzled by Stack's millions and when he woos a girl he's got the means to really pursue a campaign. She marries Stack.<br /><br />And last but not least in the mix we have Dorothy Malone who's Stack's amoral sister who has a yen for Rock, but Rock ain't about to get tangled up with this wild child. <br /><br />Dorothy Malone spent over 10 years in a whole bunch of colorless film heroine roles before landing this gem. She got a Best Supporting Actress Award for her part as Marilee Hadley and it was well deserved.<br /><br />If you like splashy technicolor Fifties soap opera than this is the film for you." ]

[ "......... and you get Chori Chori Chupke Chupke. Don't get me wrong, this movie is much less explicit (or not even) than Pretty Woman, but it (was) a new topic for Bollywood. The topic was accepted but it is far from Jism, Murder, and Julie. To tell you the truth, the topic is presented in a very clean manner. But the plot has it's number of clichés. The beginning of the movie is presented in a very \"filmi\" way. There are some very little plot holes. The movie picks up once Rani has her miscarriage where you feel that you are watching something other than a typical movie. Otherwise the whole family sequence felt overdone in the beginning. The acting couldn't have been any better. Salman Khan sometimes impresses, and sometimes lets you down. Over here he gave one of the best performances. On top of that his role is written so well, that you applaud every time he solves a problem. Rani Mukherjee was adequate. Throughout the movie, you feel for her character the most, but she is overshadowed by Preity Zinta. Preity Zinta is picture perfect. Out of the three, she gives everyone a run for their money. Its surprising how she can be just as convincing when she is innocent. And trust me, Madhubala is far from your girl next door. This role is one of the reasons why I rate her high. The supporting cast are like the family you see in HAHK, where they have no significance to the plot yet I found them tolerable here. The songs are pretty nice. The title song is my favorite of them all along with Dil Tera Mera Dil (Hearts). Mehndi Mehndi (Henna) and Dekhne Walon Ne (Look at the World's Sight) are two song that fit the film perfectly. Preity's cabaret number, Diwani Diwani (Crazy), could've been shortened while No. 1 Punjabi came across boring though it had good dancing. Otherwise the movie is definitely worth a watch." ]

[ "So many wonderful actresses in one film serve as a practical invitation to the local movie house so I duly responded. Here are some remarks..<br /><br />Vanessa Redgrave is great even while lying in bed. She also looks very old and I don't think this is achieved with much make-up which is a good thing for the film but a sad thing for us cinema-goers. I think her aging got a bit harsh in recent years. Claire Danes continues her welcome return to the movies and exudes a definite warmth. Mamie Gummer's resemblance to her mother Merly Streep both in terms of physical appearance and acting style is so striking that I lost my concentration to the film for a couple of minutes after her entrance. She is surprisingly good; however such a resemblance has the danger of working against her favor. I agree with a previous comment: Natasha Richardson definitely had some plastic job done to her face. She certainly does not look like how I remember her from previous films (\"Nell\" for example.) Both she and Toni Collette sadly do not make much impression partly because they do not look convincing as sisters. Their interplay is weak. Toni Collette additionally is way too old for her character. Glenn Close and Meryl Streep had to have more screen time. Streep's performance actually is little more than a cameo. Her scenes on the other hand have bigger emotional resonance than the rest of the film. Eileen Atkins provides some welcome dry wit, especially in her second role as an imaginary nighttime companion to Redgrave's character. As for the men; Hugh Dancy enlivenes the film considerably even though he gives a broader performance than needed. As a matter of fact as soon as he exits the story it starts to drag. It is also to his credit that he manages to create the exact necessary sense of boyish charm in the viewer. Patrick Wilson on the other hand is a complete void at the center of the film. He also has the misfortune that the script is insufficient in explaining why three people (one of them a man) are so much smitten by this man. The backstory to this should have been developed more.<br /><br />The cinematography is excellent as expected. However the main summer house set failed to convince me. It does not look natural on the top of that rocky hill, particularly with its grass patch in the front. A bit too cardboard like.<br /><br />Overall, the film is a classy production, but a seen-it-all-before, cried-at-it-all-before feeling took over me during most of its duration and consequently it failed to make the kind of impact on me that I expected from a tearjerker. However, it still managed to make me thoughtful about the passing of time, about one's expectations from life and the extent to which these are fulfilled or not. Worth trying at least on DVD if not at the movies..." ]

[ "I have seen Dolemite and also (Avenging) Disco Godfather, two other fine works of the blaxploitation canon from our friend Rudy Ray Moore. But this film, The Human Tornado (aka Dolemite 2) will always hold a special place in my heart. For sheer goofiness, lack of skill in film production, and absolute enthusiasm (frankly a little too much), The Human Tornado cannot be topped.<br /><br />The opening scene sets the tone. Our old pal Dolemite is shacking up with a white woman, when some racist local cops raid the house for no good reason, and wouldn't you know it! The woman in bed with ol' Dole is none other than the sheriff's wife. Her cry when she sees him: \"He made me do it!\" Dolemite's cry: \"&$*@$ are you for real???\" Subtlety was never his strong point.<br /><br />Highlights? The cameo by a very young Ernie Hudson (of Ghostbusters fame), the continuity errors (characters looking one way in one shot, and another in the next, Dolemite's suit changing colors in every single shot of his nightclub act), and Queen Bee's demonic eyes in her first scene.<br /><br />But the real joy here is Rudy Ray Moore himself. Did the man really think he looked cool in this movie? I certainly don't know why, but you have to admire the sheer enthusiasm he has. Whether it be jumping totally naked off a cliff, or barking orders to his gang in rhyme (e.g: Quick! Into the cave! I have a plan to let that mother $*@(%& dig his own grave!) the man commits totally. Certainly he goes overboard, nevermore so than any time he's doing kung fu. The climactic battle is filmed at high speed, but occassionaly slows down to let Rudy pose and grits his teeth. I'm not sure if they wanted it too look like they sped up the film as an effect or if they really wanted us to believe he was that fast. In any event, \"The Matrix\" it is not.<br /><br />Human Tornado, much like the original Dolemite, is an incompetent film of enormous proportions. But at least it's fun, and certainly you have to give credit to these people for the effort. Just not that much. Enjoy with my hearty recommendations." ]

[ "Kurt Russell is strong and (mostly) silent in this futuristic action-thriller from Paul Anderson (Event Horizon, Resident Evil.) Set on a garbage-dump planet, Soldier plays like a cross between Rambo and Shane, with Russell barely speaking as the title character, an \"obsolete\" genetic soldier left for dead. The supporting cast of colonists, including Connie Nielsen, Sean Pertwee and a surprisingly hirsute Michael Chiklis, is able. They spend most of the movie being scared of Russell, and the rest of it running for their lives. Russell's performance here is one of the best he's ever given. With almost no words to say, he conveys emotion, feeling and meaning with looks and glances. It is almost a mime performance. When the action sequences kick into gear, he kicks ass--and does so in a strong, silent, matter-of fact way. There are flaws. Jason Scott Lee is brutish as a \"superior\" genetic soldier. Jason Isaacs does a great impression of Frank Burns from M*A*S*H as a weaselly commanding officer, and Gary Busey busts a gut (and nearly busts his girdle) as Todd's mentor. This is an underrated, and excellent sci-fi flick, and recommended for anyone who wants a second visit to the universe of Blade Runner--David Webb Peoples wrote both screenplays." ]

[ "I ended up watching this whole (very long) movie because I was fascinated by the sheer stupidity and naivity of it. It seems difficult to believe that so many famous people (Anthony Quinn, Lawrence Olivier, John Gielguld, Vittorio de Sica, etc.) would have willingly participated in this farce. But maybe in 1968 people really *were* so naive? The plot seems written by some confused Latin American Marxist priest with an agenda. There is a superpower conflict and the Russians are actually the good guys, with the Communist Party General Secretary being a nice and spiritual man, who, suddenly, after 20 years, sees the light and feels compelled to ease his bad conscience by releasing a prisoner priest from a Siberian gulag. The priest then promptly becomes the Pope by a series of coincidences. We are allowed to see the secret Vatican papal voting process which is portrayed in the most hillariously pious form you can possibly imagine.<br /><br />Meanwhile, the communists in China achieved the usual socialist economic miracle of starving half of their country to death. To solve this minor hiccup on the relentless shining path towards communism they want to start a nuclear war (in order to justly distribute the Western capitalist riches to the poor workers of China).<br /><br />Our good old comrade General Secretary gets a bit worried and calls the Pope just before his coronation to ask him to broker peace. They meet with the Chinese leader comrade Peng who looks and acts like a 15 year old boy. You will roll on the floor laughing about what people in 1968 thought the Chinese looked like. Comrade Peng demands that the Western capitalists must pay (which is quite logical after all, don't capitalists always have to pay for the madness of the socialists?), and that the Pope needs to sacrifice something, too, for the common altruistic cause of equality and social justice.<br /><br />So when the Pope gets crowned in Rome, he pledges the entire wealth of the Catholic church world-wide to feed our poor Chinese brethren in Christ. And thus he saves the world from nuclear holocaust.<br /><br />Apart from this, there are also some minor sub-plots, which, alas, provide little to redeem this incredibly bad movie. I'd give it three Oscars for stupidity.<br /><br />By the way, Anthony Quinn looks quite unlikely as a Pope. He is much more plausible as Zorba the Greek." ]

[ "STRANGER THAN FICTION angered me so much, I signed up on IMDb just to write this review. STRANGER THAN FICTION is a surprisingly complex, touching and thought-provoking movie until the very end. Once you suspend multiple lapses of logic (why didn't Will Ferrell hear Emma Thompson's voice 10 years ago when she fist started writing her book? \"The phone rang. The phone rang again.\" How could she not know it's him calling? etc.), the movie challenges one's thoughts about mortality, fate, and sacrifice.<br /><br />The brief history of literary themes provided by Dustin Hoffman should especially entertain former English majors. And Maggie Gyllenhaal is always a pleasure, even though Will Ferrell might just as easily be an ax murderer as a bumbling soul. Her quick trust of him is a mighty big leap of faith.<br /><br />Ah, but the ending. Until the very end, I would have given 9 out of 10 stars to this movie. The movie as a metaphor for life's journey, as a tribute to the notion of 'writing true,' as a reminder that great literature is either comedy or tragedy, but not both, is outstanding. The entire movie leads the viewer to understand and accept the moment of Will Ferrell's fate. And no matter how endearing a character he may have become, we know full well why we will accept the ending. The last act occurs, the screen goes white, the credits roll. A profound and powerful end to an almost perfect film. An end that would have been debated for weeks.<br /><br />NO!!!!!!!!!! No credits rolled. Say it isn't so. Say Hollywood didn't tack on another 10 minutes of crap that completely undermined the integrity and heart of the movie. Dustin Hoffman got it right when he said, \"It's no longer a masterpiece; it's OK.\" An apt review of the movie. Except to me, it wasn't even OK. I was so offended about the betrayal of 'writing true,' about the decision to pander the film that I actually burst into angry tears explaining this on the ride home from the movie. I don't often cry. I could care less about most movies, but I am still angry about this one.<br /><br />My questions for Zack Helm, the writer, are this: did the original movie end when the screen went white? And were you forced by the vapid movie powers-that-be to tack on an ending unfaithful to the core of the movie? Or did you tack that maudlin ending on yourself? I've read you're brilliant. I hope your original script ended the movie the first time.<br /><br />I know Zack Helm will never see this review, and I've been unable to find a contact for him to ask myself. But, please, movie-goers, am I the only one who feels this way about STRANGER THAN FICTION? One good thing came from me seeing this movie: I doubly admire LOST IN TRANSLATION now." ]

[ "As there was nothing wrong with the acting etc etc the writing for the episode is way off for this series phantom or no phantom. It was a waste of 42 minutes to see the martian man hunter. You have to know that in the middle of the 6th series no matter what happens it is not true what is going on and really brings nothing to the story of the series except meeting the martian man hunter again and to waste 30 minutes to do this is by far another case of bad writing in the soap opera of smallville. I really like the show but mainly due to the cast and the 3 or so good episodes each year but who ever is on the writing cast that works or used to work on the soaps needs to be canned. This was by far one of the worst. With in the first 4 minutes you know that what is going on is bogus and anything happening is a dream based on Clark's infliction obviously caused by a phantom zone character and when he wakes up he will win and blah blah blah so the writers don't have to really create a villain that will progress the story line any this week. May as well have added another villain to die in the last episode the martian man hunter was in and made him fly away again or come back and tell Clark he forgot his sunglasses to get a closer look like in this episode and call it a day." ]

[ "Felt it was very balanced in showing what Jehovahs Witnesses have done in protecting American freedoms. It also showed the strong faith of two families who were first generation witnesses. I also appreciated how it showed how by becoming a Jehovahs Witness affects non-witness family members and how hard it is for them to accept the fact that they don't celebrate holidays, the sad part is that non-witness families do not think of having their witness family over for family dinners/visits or give them gifts at any other times but for holidays or birthdays. When it comes to medical care the witnesses want and expect a high standard of medical care, what people forget is that blood transfusions allow for sloppy medical care and surgeries whereas bloodless treatments causes the medical team to be highly skilled and trained, which would you prefer to treat your loved ones? I highly recommend this video!" ]

[ "First of all, I'd like to tell you that I'm into comics, anime, animation and such stuff. It is true that everyone has his own preferences, but you can trust me on this movie. I'll be objective. To begin with the story - it's OK. Follows the story line of the comic books as far as I'm familiar with them. But the animation... Well, it's not actually terrible, but it's definitely cheap and mediocre. It would be a lot better if they didn't try to imitate the anime style and sticked to the original comic book style drawings. If we pretend not to see the rare sloppy effects like fire and lightnings you could tell that the movie is made about 10 years ago and even more. Looks a little bit like the original Vampire Hunter D from 1985. Take a look at Heavy Metal FAKK 2000 for instance - 4 years ago they made a movie that looks a hell lot better! In addition to this the voice talents do nothing remarkable, the music is nothing special. So all in all - it lacks atmosphere. I watched it, but I cannot tell I really enjoyed it. It just does not capture you. There's plenty of blood and violence, but that does not impress me at all. May be it will be shocking for someone who was never watched more mature oriented animations and sees animated blood for the first time (is there anyone around?), but I don't think this is the audience for this movie. So they could add a little nudity and spice to it. The chicks around Lucifer were quite tasty, and hell, we have Lady Death herself! There are few sexy looks, but that's not enough. Instead of Bill Brown's music I think it would look better on a hard rock / heavy metal soundtrack. All in all - the movie isn't that bad, but if you want something better take the original Heavy Metal, Heavy Metal FAKK 2000, Ralph Bakshi's Fire and Ice or Wizards maybe. And of course - Vampire Hunter D: Bloodlust" ]

[ "Yesterday I saw the movie Flyboys and my girlfriend told me it was the worst movie she's ever seen... Since I thought it was pretty awful as well it got me thinking - which film was the worst film I had ever seen and this was the only film that came to mind.<br /><br />Unfortunately it was a couple of years since I've seen it but I remember the horribly miscast Dean Cain as cocky military man (pretty boy Cain doesn't do cocky very well). The strange deal with the CGI-helicopter when it would probably be cheaper to rent a chopper than to hire some CGI-guys to make it, but my guess is that they found the chopper as a free sample for some CGI program or the producer's son liked to play with his new computer. And how did it look?? Awful. And when the dragon charges through the corridors of the complex then reuse the same shots over and over - looks VERY cheap.<br /><br />Avoid this movie - it is truly awful..." ]

[ "This film is absolutely awful, but nevertheless, it can be hilarious at times, although this humor is entirely unintentional.<br /><br />The plot was beyond ridiculous. I don't even think a 2 year-old would be convinced by the ludicrous idiocy that the film-makers tried to slap together into a story. However, on the positive side, some of the horrifically inane plot twists provide a great deal of humor. For example, \"Wow, Lady Hogbottom has a giant missile hidden in her back yard!\" It gets worse (and even funnier), but I'll spare you.<br /><br />The acting is generally laughable. Most of the kids' roles are sort of cute, but not very believable. On the other hand, Annie is pretty awful all-around. The adults don't take their roles seriously at all, but this is largely a good thing. If they'd tried to be believable, the film would've been even worse. Which is difficult to imagine.<br /><br />Once you get past the overall crappiness of the movie, there are actually a few standout moments of almost-not-crappiness. The scene where Lady Hogbottom's son runs away with the maid is surprisingly hilarious, though it's an annoying letdown when they get caught by the police. The butler character, while very minor, is a ray of sunlight that almost, but never quite pierces through the gloom.<br /><br />Watching this movie actually caused me physical pain. Nevertheless, there were a few redeeming parts that made it almost watchable without beginning to hemorrhage internally. Judged on its good parts alone, the movie would be about a 5; unfortunately, the rest of the movie hardly deserves a 1. Thus, I give it a 3.<br /><br />That's being pretty generous, I'd say." ]

[ "Short synopsis <br /><br />This film opens with soldiers being released from the company of men. One of them pursues another with a weird scheme the other repeatedly refuses. Later they both get trapped in an office building in which they want to crack a safe during the Christmas holidays. Hostility turns into playful banter and then into a desperate fight for survival (during the bantering they lose all drinkable liquids, so it is really serious). With exposed, well built and well oiled torsos they ram a hole into a wall and finally manage to escape – only to find out that they have been betrayed and set up by women. One gets caught, the other remains free and is not given away by his companion. A last encounter, a last light for a cigarette, adieu l'ami, farewell, friend.<br /><br />I found it hard not to see closet homosexuals in the two main characters, played by classical he-man superstars Alain Delon and Charles Bronson. They are obviously attracted to each other, their treatment of women is abominable and marked by contempt throughout. The whole story seems to have a strong symbolic undertow, a little like Deliverance. It is also very stylish. The safe the two men want to crack is in a – for the time – ultra modern glass and aluminum tower. It is the seat of a publicity firm, so there are many fancy posters and wall coverings around. The wardrobe is also very good. The ultra stylish Citroen DS (maybe the most modern and elegant car of all times) features large in this movie – perhaps a subtle kind of product placement.<br /><br />I can recommend this movie for the actor's performances alone. Delon and Bronson are really sharing the top billing, in a manner that struck me as very fair and sporting. Both do a considerable amount of acrobatics. I have never seen Bronson better than here, he really acts - and speaks French throughout, with a heavy accent buy very passably indeed. And it is certainly the man himself we hear. (So the French language version is highly recommended). The police inspector who pursues the two is played by on of my favorite Franch character actors, Bernard Fresson who was Gene Hackman's partner in French Connection II. He is the best brainy police inspector I know. Also very good is former child actress Brigitte Fossey as the young ingénue who, as it turns out, is not so Innocent as it first seems.<br /><br />Anyone who expects the „old in-an-out\" of classical heist movies might be disappointed with this film. For those with a little patience this will be a rewarding experience, full of novel and original ideas and directorial quirks, although it my be a little too brutal and sadistic for its own sake." ]

[ "This show has a great storyline! It's very believable! A mans wife dies and he cant take care of his children alone so he calls on his brother in law his best friend and many others come later on in the show. Such as Rebeecca Donaldson, ,the lovable yet strong dog Comet , Nikki and Alex who you can find out for yourself (I don't want to spoil it for you) and of coerce Kimmy Gibler! (The sidekick of DJ) but the kids are wonderful too. This is Mary Kate and Ashley first took off! And also you may know Candace Cameron Bure from shows like St.Elsewere Punky Brewster and that's so raven! Jodie Sweetin plays Steph the love able middle child who feels left out. Really this is a very good show!" ]

[ "Paulie is a fantasy of a littler girl or perhaps her recollection of what her youth was like growing up.<br /><br />Tony Shaloub executes a flawless performance as an Russian Scientist (PhD) who cannot find decent work in America. He befriends an isolated parrot while performing meanial duties of a janitor at a behavioral science lab.<br /><br />The chief Doctor is a bitter man, as Paulie, who can speak and fully comprehend language and learn, embarasses the Doctor, who later banishses him to the lower levels of the building, where Mikail (Tony S.) finds him.<br /><br />Paulie recants his life with Marie and how they lost each other. The quest begins to reunite Paulie with Marie, only more than 20 years has passed.<br /><br />The movie ends, some will say predictably, with Mikail reuniting Paulie with Marie. The story closes with the three entering Marie's home, where you can make the final your own choice.<br /><br />Great family film!" ]

[ "If this is supposed to be the black experience, let me out at either the front or back door.<br /><br />A mama's boy one day sees 2 young hoods walk by and from then on it's all down hill for him. Angela Bassett, the one shining grace in this film, plays his over protective, religious mother. Despite her anger at how his life has turned, by the middle of the picture, she really decides to accept this. She allows his friends to come in and suddenly it's all right to use the profanity as long as it's not in front of the children.<br /><br />This is a sad state of affairs regarding gangster rap. You knew where this film was heading.<br /><br />I literally laughed out loud when at the end, when Bassett is accompanying her son's body for burial, she states that while his life had been cut short at age 24, he had become a man. What man? He had been a convicted criminal, wrote the most atrocious rap music with constant vulgarity,and scorned society. That scene in the classroom where he tells a teacher that as a sanitation worker, he will earn more than the teacher is a perfect example of what goes on in our schools. The complete and utter lack of respect for the teacher.<br /><br />The east coast, west coast gang rap rivalry is never fully explained. All we see are guns blazing.<br /><br />A terrible picture doing nothing to prevent gang violence. What horrible role models are these rap singers and their foul music. The African American community should take umbrage at their very being. Who was this classless fat slob who portrayed Biggie? He made Rerun from the old television show look thin by comparison. I know it was the streets of Bedford Stuyvesant that changed this chubby little boy into the vulgar monster that he was. What a sorry state of affairs when this is called motion picture entertainment." ]

[ "To start off with, since this movie is a remake of a classic, the rating has to be lowered already. Since this version stars Viggo Mortensen in the lead role of Kowalski, it helps.<br /><br />Isn't this just like the United States government though, to terrorize one of its own citizens. Sounds like Jason Priestley's character from the movie! But it is the truth, the government would do anything possible to destroy a man's life for trying to get home to his wife. A wife, who is in labor no less, and may not make it.<br /><br />\"There was a time in this country that the police would escort a man to his pregnant wife.\" The words of the Disc Jockey.<br /><br />There were some great shots of scenery in this film, and great car chases and a lot of spirituality. After much consideration, I gave this film a 7." ]

[ "The only reason I even gave it a 1 out of 10 is because the option to give it zero out of 10 was not allowed. This was the biggest waste of time I've ever endured. For roughly 75 minutes, you are subjected to the WORST acting (and I don't mean that in a good way either, like as in KILLER NERD which had great horrible acting) and a plot that is not only ridiculous but also has absolutely NOTHING to do with a massacre. The reason I even rented this piece of crap was because it has massacre in the title. That said, there was only one killing in the entire movie and it was pretty lame at that. You spend more time watching the kids bickering and doing yard work than anything. Speaking of the kids, the little boy actor is probably the most irritating child actor since bob from house by the cemetery. Did I mention it was shot on video as well? If you want to throw away money and over an hour of your life, then by all means watch it. But if you savor your hard earned dollars and time, then stray as far away as possible." ]

[ "I haven't laughed that much in a long time - although the movie has some sad moments too, especially when it changes from hyper-funny to honest and serious. The characters are very realistic most of the times, sappy sometimes, but quite believable. I am not a fan of the Jerry Springer show - I feel sorry for the participating people. This film instead is a satire, and it is doing great.<br /><br />Too bad that all expletives were *beeped* out while this movie aired on public tv, that takes a lot of fun out of it. I will go rent this movie to fully enjoy it.<br /><br />" ]

[ "Having read the comments on the site I feel compelled to write in for the first time. It seems this movie is like Marmite and has split the audience. I have to say that while I agree films don't have to make sense to be enjoyable (see MULHOLLAND DRIVE) they still have to engage you with the characters. Now while I was totally absorbed by the murderous lesbian affair in Lynch's opus, I have to say I couldn't give a turd about Mr Green or the other cardboard gangsters that inhabited this dayglo world. <br /><br />Also, while so many people seem to try and say you didn't enjoy because you didn't get it I would have to disagree - I didn't enjoy because I was bored. I wanted the film to end and constantly listening to those quotes over and over again did not help. Call it clever if you will - I think it's repetitious.<br /><br />However, my main reason for writing is to ask all the other reviewers a question - there were no end credits on the print of the film I saw. Just music over black. Did I watch a dud print or is this evidence of GR's pretentiousness? Or, did everyone involved in the movie watch the rough cut and have their name removed???" ]

[ "In what is a truly diverse cast, this show hits it's stride on FOX. It is the kind of sitcom that grows on you. If you just watch 1 show you might not like it much, but once you watch two or three- you get hooked.<br /><br />This is because some of the jokes hit & some miss depending upon how you view them. As is usual today, the themes are very mature. The humor is usually very mature too. Often the most funny parts are the parts where the mature themes collide with the innocent ones.<br /><br />Red (Kurtwood Smith) a veteran actor does some very good deadpan type of humor on this show. Debra Jo Rupp plays well in this ensemble cast too. Danny Masterson, the oldest actor of the \"kids\" is very good too. Laura Prepon (Donna) looks better in the earlier shows as a natural redhead (who got the idea of making her a blonde?). She shows very good talent & comedic timing often. She looks good without make up too.<br /><br />This is one of the better entries on FOX in the sitcom department & it's most successful live action one since Married With Children" ]

[ "Set in a middle class neighborhood in the imaginary town of Willard in the 1950s, this dark comedy with a light touch toys with such American obsessions as gun mania and violence, materialism and keeping up with the Joneses, fear of others, slavery, golf, and the disposing of the dead. Yes, it all sounds a bit heavy, but trust me on this, it's nearly as light as a feather.<br /><br />Zombies are featured prominently among the characters. Crucial questions arise, such as: who will become a zombie (90% of the Willard folks choose this final path, while only 10% prefer a traditional funeral)? Who owns how many Zombies to do their bidding like robots (they've become a mark of social status)? And, what is the range of possible relationships that can be worked out between the living and the sort of reincarnated dead? <br /><br />Somehow, director Andrew Currie, who also co-wrote the lively screenplay (with Robert Chomiak and Dennis Heaton), keeps this improbable material percolating along for an hour and a half without once faltering for want of a good laugh. A super cast helps: Carrie-Anne Moss, Billy Connolly, Dylan Baker, Henry Czerny, Tim Blake Nelson, Mary Black and Sonja Bennett are the principals, aided by young K'Sun Ray as Timmy, the innocent kid with a good heart who acts as fair witness to all the lunacy of the grownups. (Having seen her only in \"Memento\" and \"The Matrix,\" I had no idea that Ms. Moss had such fine comedienne chops.) <br /><br />The production design and music are exquisitely 50s, to a tee. Maybe this one isn't for everybody. It surely will be a hard film to beat for my annual Bizarro Award. But intelligent comedies that stay funny from start to finish are among the hardest won achievements in movie-making. For me anyway, \"Fido\" is a hoot! My grades: 8.5/10 (A-) (Seen on 01/30/07)" ]

[ "It is not an easy film to watch - it is over three and a half hours long and it is composed entirely of conversations. Yet it is so incredibly compelling and ruthlessly observational of the human character, that it is, in my humble opinion, one of the very greatest films of all time.<br /><br />The film is depressing, cynical and cruel. (If you want something uplifting, see Jacques Rivette's fantastic Céline and Julie Go Boating, which was made around the same time). It shows the idealism of the late 1960s to be nothing different from the society that it was trying to change.<br /><br />It involves a supposedly liberated ménage-à-trois between Alexandre (played by Jean-Pierre Leaud), Marie (Bernadette Lafont) and Veronika (Francoise Lebrun). Yet Alexandre is shown to be as chauvinistic and jealous as any other man. The women are exposed as being willingly subservient and defining their femininity through the male gaze.<br /><br />The film is an extremely icy end to the highly revolutionary French New Wave. This movement was one of the most significant movements in film history and had a profound effect on cinema as we know it. Jean-Pierre Leaud was one of the key actors of the New Wave, having starred (among other films) in the influential Les Quatres Cent Coups (1959) by Francois Truffaut as a rebellious teenager. Director Jean Eustache is not as well known as other directors from the New Wave, but he should be.<br /><br />There is no improvisation (unlike in John Cassavetes's similar films made in the US) and the dialogue comes from real-life conversations. The film is resonant with Eustache's personal experiences. For example, Francoise Lebrun was a former lover of Eustache. Eustache himself committed suicide in 1981 and the real-life person that the character Marie was based on, did too. The anger and bitterness all culminate in a harrowing monologue by Veronika delivered directly to the audience, breaking down the coldly objective nature of the rest of the film. This mesmerising, personal, and honest filmic statement remains one of the most revealing films of human nature around." ]

[ "i watched this film many years ago and have searched for it ever since in my opinion although very raw it is very educational as to what the future can hold i enjoyed the movie and to this this day rate it very high sorry to all those that disagree but a movie should always be judged each to there own and in my opinion its great give it a go with all the cloning and test tube babies that are happening today who are we to judge this film, this may be a dramatised event of what is to become but there you go. All the horrors of today are so far fetched even i laugh but this one gets me thinking and it scares me as a mother what if i was desperate,after watching this movie i would think twice sorry but i love the movie make your own mind up don't watch the movie making- just aknowledge the story and ask yourself this how far would you go for a child?" ]

[ "Like another reviewer said, this movie is not a heavy melodrama, but it deals with harsh realities. A very very playful movie that does not dwell for a moment. Some very good acting and some wonderful smiles as well." ]

[ "The world of the Dragon Hunters is a 3D gravity challenged world. Planetoids, bits of buildings and strange flat plants float around in the atmosphere while the ground towards most of the characters are falling is nowhere to be seen. It is a world reminiscent of Neverending Story, when the Nothing came to eat the world away.<br /><br />Funny enough, the villain here is the World Gobbler, as well. This time it is a huge skeleton dragon with fiery eyes. The heroes are a big yet taciturn warrior, an annoying and greedy sidekick managing the entrepreneurial side of the duo and a strange useless animal. They are joined by the most talkative little girl in the world who, to my chagrin, did not die a horrible painful and hopefully early death.<br /><br />The animation is great. The voices and the sounds are top notch. Too bad the story is as simple as one can possibly imagine. They go to stop the World Gobbler, they reach him almost immediately, they defeat him. The end. No real character development or story twists. Not even the ones I would expect from a movie with such a plot.<br /><br />Bottom line: it's a cute thing to watch, kids would probably enjoy it, but that's about it. No depth to this world (pun intended)." ]