diff --git "a/272b19e3-f1f4-4130-98c3-2758b59538ff.json" "b/272b19e3-f1f4-4130-98c3-2758b59538ff.json" new file mode 100644--- /dev/null +++ "b/272b19e3-f1f4-4130-98c3-2758b59538ff.json" @@ -0,0 +1,40 @@ +{ + "interaction_id": "272b19e3-f1f4-4130-98c3-2758b59538ff", + "search_results": [ + { + "page_name": "Parkland (2013) - Full Cast & Crew - IMDb", + "page_url": "https://www.imdb.com/title/tt2345112/fullcredits", + "page_snippet": "", + "page_result": "\n\n\n\n\n\n\n\n\n\n\n\n \n \n\n \n\n\n\n\n \n\n\n \n Parkland (2013) - Full Cast & Crew - IMDb\n \n\n\n\n \n \n\n\n \n\n \n \n \n\n \n \n \n \n\n \n\n \n \n \n \n\n\n\n \n \n \n\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n\n \n\n\n \n\n\n\n\n \n \n \n \n\n\n\n\n\n \n \n \n\n \n\n \n\n\n\n\n\n \n \n \n \n\n \n\n\n\n\n\n\n\n\n
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\nParkland \n (2013)\n \n

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Full Cast & Crew

\n \n
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\n\n Directed by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Peter Landesman\n
\n

Writing Credits\n  \n

\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Peter Landesman\n ...\n (written by)\n
 
\n Vincent Bugliosi\n ...\n (book)\n
\n

\n \n Cast\n (in credits order)\n  \n

\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n \n Marcia Gay Harden\n \n ...\n \n Nurse Doris Nelson \n \n
\n \n Matt Barr\n \n ...\n \n Dr. Paul Mikkelson \n \n
\n \n Zac Efron\n \n ...\n \n Dr. Charles 'Jim' Carrico \n \n
\n \n Mallory Moye\n \n ...\n \n Emergency Room Nurse \n \n
\n \n Paul Giamatti\n \n ...\n \n Abraham Zapruder \n \n
\n \n Elizabeth Tulloch\n \n ...\n \n Marilyn Sitzman \n \n \n (as Bitsie Tulloch)\n \n \n
\n \n Ron Livingston\n \n ...\n \n James Hosty \n \n
\n \n Jason Douglas\n \n ...\n \n Ken Howe \n \n
\n \n David Harbour\n \n ...\n \n Gordon Shanklin \n \n
\n \n James Badge Dale\n \n ...\n \n Robert Oswald \n \n
\n \n Larry Jack Dotson\n \n ...\n \n Acme Brick Supervisor \n \n
\n \n Austin Nichols\n \n ...\n \n Emory Roberts \n \n
\n \n Billy Bob Thornton\n \n ...\n \n Forrest Sorrels \n \n
\n \n Jonathan Breck\n \n ...\n \n Winston Lawson \n \n
\n \n Eugene Lee\n \n ...\n \n Orderly \n \n
\n \n Nico Evers-Swindell\n \n ...\n \n Rufus Youngblood \n \n
\n \n Irene White\n \n ...\n \n Hospital Switchboard Operator #1 \n \n
\n \n Luci Christian\n \n ...\n \n Hospital Switchboard Operator #2 \n \n
\n \n Kat Steffens\n \n ...\n \n Jacqueline Kennedy \n \n
\n \n Tom Welling\n \n ...\n \n Roy Kellerman \n \n
\n \n Mark Duplass\n \n ...\n \n Kenneth O'Donnell \n \n
\n \n Gil Bellows\n \n ...\n \n David Powers \n \n
\n\"Sean \n Sean McGraw\n \n ...\n \n Lyndon B. Johnson \n \n
\n \n Brett Stimely\n \n ...\n \n President Kennedy \n \n
\n \n Paul Sparks\n \n ...\n \n Harry McCormick \n \n
\n \n Samuel Davis\n \n ...\n \n Trauma Resident \n \n
\n \n Colin Hanks\n \n ...\n \n Dr. Malcolm Perry \n \n
\n \n Gary Grubbs\n \n ...\n \n Dr. Kemp Clark \n \n
\n\"Arthur \n Arthur Simone\n \n ...\n \n Trauma Doctor \n \n
\n \n Matthew Tompkins\n \n ...\n \n Secret Service Agent \n \n
\n \n Gary Clarke\n \n ...\n \n Admiral George Burkley \n \n
\n \n Chamblee Ferguson\n \n ...\n \n Dallas Morning News Lab Tech \n \n
\n \n Jackie Earle Haley\n \n ...\n \n Father Oscar Huber \n \n
\n \n Bryan Batt\n \n ...\n \n Malcolm Kilduff \n \n
\n \n Ellen Halper\n \n ...\n \n Acme Brick Timekeeper \n \n
\n \n Chris Freihofer\n \n ...\n \n Chamberlain \n \n
\n \n Rob Gallavan\n \n ...\n \n Lem Johns \n \n
\n\"John \n John Taylor Phillips\n \n ...\n \n FBI Agent \n \n
\n \n Robert Catrini\n \n ...\n \n Funeral Director \n \n
\n \n Chuck Huber\n \n ...\n \n Hugh Jamieson \n \n
\n \n Rory Cochrane\n \n ...\n \n Earl Rose \n \n
\n \n Richard Dillard\n \n ...\n \n Theron Ward \n \n
\n \n Richard Jackson\n \n ...\n \n Sgt. Bob Dugger \n \n
\n \n Drew Waters\n \n ...\n \n Col. James Swindal \n \n
\n \n Walt Roberts\n \n ...\n \n Dallas Police Detective \n \n
\n \n Jacki Weaver\n \n ...\n \n Marguerite Oswald \n \n
\n \n Jeremy Strong\n \n ...\n \n Lee Harvey Oswald \n \n
\n \n Dana Wheeler-Nicholson\n \n ...\n \n Lillian Zapruder \n \n
\n \n Jeffrey Schmidt\n \n ...\n \n Richard Stolley \n \n
\n \n Glenn Morshower\n \n ...\n \n Mike Howard \n \n
\n\"Jimmie \n Jimmie Dale Gilmore\n \n ...\n \n Reverend Saunders \n \n
Rest of cast listed alphabetically:
\n \n Oryan Landa\n \n ...\n \n Texas Ranger \n \n
\n\"Gweneth \n Gweneth Rutherford\n \n \n \n
\n \n Taylor Joree Scorse\n \n ...\n \n Nurse \n \n \n (as Taylor Scorse)\n \n \n
\n\"William \n William Akey\n \n ...\n \n Dr. Ronald Jones \n \n \n (uncredited)\n \n \n
\n\"Virginia \n Virginia Allee\n \n ...\n \n Nurse \n \n \n (uncredited)\n \n \n
\n\"Patty \n Patty Allieri\n \n ...\n \n Hospital Patient \n \n \n (uncredited)\n \n \n
\n \n Heath Allyn\n \n ...\n \n Secret Service Agent \n \n \n (uncredited)\n \n \n
\n \n Carl Bailey\n \n ...\n \n Texas Ranger \n \n \n (uncredited)\n \n \n
\n \n Jet Baker\n \n ...\n \n \n \n (uncredited)\n \n \n
\n \n Lance Barnett\n \n ...\n \n Secret Service Agent \n \n \n (uncredited)\n \n \n
\n\"Cheryl \n Cheryl Bond Danks\n \n ...\n \n Hospital Visitor \n \n \n (uncredited)\n \n \n
\n \n Devin Bonn\u00e9e\n \n ...\n \n Billy \n \n \n (uncredited)\n \n \n
\n \n Gerald Brodin\n \n ...\n \n FBI Agent \n \n \n (uncredited)\n \n \n
\n\"Drew \n Drew Brown\n \n ...\n \n Dallas Police Officer - L.E. Grey \n \n \n (uncredited)\n \n \n
\n\"Scott \n Scott K. Butler\n \n ...\n \n Reporter \n \n \n (uncredited)\n \n \n
\n \n Sarah Joy Byington\n \n ...\n \n Marina Oswald \n \n \n (uncredited)\n \n \n
\n \n John Cann\n \n ...\n \n Secret Service Agent \n \n \n (uncredited)\n \n \n
\n \n Anthony J. Caruso\n \n ...\n \n Secret Service Agent \n \n \n (uncredited)\n \n \n
\n\"Gene \n Gene Cervenka\n \n ...\n \n Dallas Police Officer \n \n \n (uncredited)\n \n \n
\n\"Casey \n Casey Charland\n \n ...\n \n Hospital Visitor \n \n \n (uncredited)\n \n \n
\n \n Darryl Cox\n \n ...\n \n Gen. Godfrey McHugh \n \n \n (uncredited)\n \n \n
\n\"Steve \n Steve Craig\n \n ...\n \n Orderly \n \n \n (uncredited)\n \n \n
\n\"Jennifer \n Jennifer Cundiff\n \n ...\n \n Nurse \n \n \n (uncredited)\n \n \n
\n\"Joshua \n Joshua Curttright\n \n ...\n \n FBI Agent \n \n \n (uncredited)\n \n \n
\n\"Richard \n Richard Dodwell\n \n ...\n \n Priest \n \n \n (uncredited)\n \n \n
\n \n David Eaton\n \n ...\n \n Police Officer - Dealey Plaza \n \n \n (uncredited)\n \n \n
\n\"Evan \n Evan Fitzmaurice\n \n ...\n \n FBI Agent \n \n \n (uncredited)\n \n \n
\n\"Joe \n Joe Forbes\n \n ...\n \n Dallas Police Officer \n \n \n (uncredited)\n \n \n
\n\"Eric \n Eric Fried\n \n ...\n \n Texas Ranger \n \n \n (uncredited)\n \n \n
\n\"John \n John P. Funk\n \n ...\n \n Reporter \n \n \n (uncredited)\n \n \n
\n\"Jeff \n Jeff Gibbs\n \n ...\n \n Kodak Lab Technician \n \n \n (uncredited)\n \n \n
\n\"Jenny \n Jenny Gravenstein\n \n ...\n \n Duty Nurse \n \n \n (uncredited)\n \n \n
\n\"Charles \n Charles E. Gray\n \n ...\n \n FBI Agent \n \n \n (uncredited)\n \n \n
\n \n Armando Gutierrez\n \n ...\n \n Dallas Police Officer - Glen McBride \n \n \n (uncredited)\n \n \n
\n\"Courtney \n Courtney Hans\n \n ...\n \n Acme Brick Employee \n \n \n (uncredited)\n \n \n
\n\"Rod \n Rod Hermansen\n \n ...\n \n Texas Ranger \n \n \n (uncredited)\n \n \n
\n \n Nathaniel Holt\n \n ...\n \n Acme Brick Employee \n \n \n (uncredited)\n \n \n
\n \n Rebecca Hyland\n \n ...\n \n Anna Lee \n \n \n (uncredited)\n \n \n
\n\"Jake \n Jake Jecmenek\n \n ...\n \n Dallas Police Detective \n \n \n (uncredited)\n \n \n
\n\"Zach \n Zach Kepple\n \n ...\n \n Texas Ranger-Dealey Plaza \n \n \n (uncredited)\n \n \n
\n \n Richard Klein\n \n ...\n \n Detective Banks \n \n \n (uncredited)\n \n \n
\n \n Chris J. Knight\n \n ...\n \n Texas Ranger \n \n \n (uncredited)\n \n \n
\n\"Klifton \n Klifton Kruger\n \n ...\n \n Secret Service Agent \n \n \n (uncredited)\n \n \n
\n \n Julia Lashae\n \n ...\n \n Nurse (Trauma 1) \n \n \n (uncredited)\n \n \n
\n \n Stephen Latham\n \n ...\n \n Texas Ranger \n \n \n (uncredited)\n \n \n
\n\"Ryan \n Ryan M. Lee\n \n ...\n \n Gerald Blaine \n \n \n (uncredited)\n \n \n
\n\"Bill \n Bill Lemens\n \n ...\n \n Oswald's Secret Service Driver \n \n \n (uncredited)\n \n \n
\n \n Elizabeth Lestina\n \n ...\n \n Hospital Civilian \n \n \n (uncredited)\n \n \n
\n \n Anne Lockhart\n \n ...\n \n ER Nurse \n \n \n (uncredited)\n \n \n
\n\"Caroline \n Caroline McNeil\n \n ...\n \n Mourner at Hospital \n \n \n (uncredited)\n \n \n
\n\"Kristin \n Kristin M. Miller\n \n ...\n \n Hosty's Stenographer \n \n \n (uncredited)\n \n \n
\n \n Steven Mitchell\n \n ...\n \n President Aide \n \n \n (uncredited)\n \n \n
\n\"Michael \n Michael Morris\n \n ...\n \n Officer L.D. Cooper \n \n \n (uncredited)\n \n \n
\n \n Joe Nemmers\n \n ...\n \n Agent \n \n \n (uncredited)\n \n \n
\n\"Paul \n Paul Nye\n \n ...\n \n Reporter \n \n \n (uncredited)\n \n \n
\n\"Glenn \n Glenn Page\n \n ...\n \n Detective \n \n \n (uncredited)\n \n \n
\n \n Nick Pernokas\n \n ...\n \n FBI Agent \n \n \n (uncredited)\n \n \n
\n\"Alin \n Alin Gabriel Pop\n \n ...\n \n FBI Agent \n \n \n (uncredited)\n \n \n
\n\"Katy \n Katy Poulter\n \n ...\n \n Nurse \n \n \n (uncredited)\n \n \n
\n\"Elisabeth \n Elisabeth Raine\n \n ...\n \n Mourner at Hospital \n \n \n (uncredited)\n \n \n
\n \n Federica Rangel\n \n ...\n \n Patient \n \n \n (uncredited)\n \n \n
\n\"David \n David Z. Roberts\n \n ...\n \n Clint Hill \n \n \n (uncredited)\n \n \n
\n\"Susan \n Susan Roberts\n \n ...\n \n Admissions Clerk \n \n \n (uncredited)\n \n \n
\n\"Sheree \n Sheree L. Ross\n \n ...\n \n Extra at Airfield \n \n \n (uncredited)\n \n \n
\n\"Jake \n Jake Uriah Rupp\n \n ...\n \n Dallas Police Officer - W.G. Lumpkin \n \n \n (uncredited)\n \n \n
\n\"Lesley \n Lesley Ann Rupp\n \n ...\n \n Nurse \n \n \n (uncredited)\n \n \n
\n \n Peggy Schott\n \n ...\n \n Nellie Connally \n \n \n (uncredited)\n \n \n
\n\"Lee \n Lee Sheridan\n \n ...\n \n Hospital Patient \n \n \n (uncredited)\n \n \n
\n\"Dan \n Dan Silver\n \n ...\n \n Surgeon \n \n \n (uncredited)\n \n \n
\n \n Becca Spencer\n \n ...\n \n Civilian \n \n \n (uncredited)\n \n \n
\n \n Jeremy St. James\n \n ...\n \n Orderly \n \n \n (uncredited)\n \n \n
\n \n James Strunk\n \n ...\n \n Reporter \n \n \n (archive footage) (uncredited)\n \n \n
\n\"Aidan \n Aidan Sullivan\n \n ...\n \n ER Nurse \n \n \n (uncredited)\n \n \n
\n\"Craig \n Craig Taylor\n \n ...\n \n Civilian \n \n \n (uncredited)\n \n \n
\n \n Gary Teague\n \n ...\n \n \n \n (uncredited)\n \n \n
\n \n Carl Thomas\n \n ...\n \n Orderly \n \n \n (uncredited)\n \n \n
\n\"Deborah \n Deborah J. Wilson\n \n ...\n \n Mourner at Hospital \n \n \n (uncredited)\n \n \n
\n\"Greg \n Greg Wise\n \n ...\n \n Doctor in Trauma Room \n \n \n (uncredited)\n \n \n
\n\"Eric \n Eric Zettina\n \n ...\n \n FBI Agent \n \n \n (uncredited)\n \n \n
\n \n Daniel Zubiate\n \n ...\n \n Texas Ranger \n \n \n (uncredited)\n \n \n
\n Produced by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Tobin Armbrust\n ...\n executive producer\n
\n Guy East\n ...\n executive producer\n
\n Brian Peter Falk\n ...\n executive producer (as Brian Falk)\n
\n Gary Goetzman\n ...\n producer\n
\n Tom Hanks\n ...\n producer\n
\n Matt Jackson\n ...\n producer\n
\n Jeni Jones\n ...\n associate producer\n
\n Jillian Longnecker\n ...\n co-producer\n
\n Toby Moores\n ...\n co-executive producer\n
\n Bill Paxton\n ...\n producer\n
\n Joe Ricketts\n ...\n executive producer\n
\n Wendy Rutland\n ...\n co-executive producer\n
\n Kirk Saduski\n ...\n co-producer\n
\n Lauren Selig\n ...\n co-executive producer\n
\n Steve Shareshian\n ...\n executive producer (as Steven Shareshian)\n
\n Nigel Sinclair\n ...\n producer\n
\n Ginger Sledge\n ...\n executive producer\n
\n Music by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n James Newton Howard\n
\n Cinematography by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Barry Ackroyd\n ...\n director of photography\n
\n Editing by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Mark Czyzewski\n ...\n (as Markus Czyzewski)\n
\n Leo Trombetta\n
\n Casting By \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Lindsay Graham\n
\n Mary Vernieu\n
\n Production Design by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Bruce Curtis\n
\n Art Direction by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Rodney Becker\n
\n Costume Design by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Kari Perkins\n
\n Makeup Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Jacenda Burkett\n ...\n makeup department head\n
\n Bridget Cook\n ...\n department head hairstylist\n
\n Nancy Rankin Escovedo\n ...\n hair stylist (as Nancy Rankin)\n
\n Jacqueline Fernandez\n ...\n makeup artist\n
\n Melissa Forney\n ...\n key hair stylist\n
\n Heather Henry\n ...\n makeup artist / special makeup effects artist\n
\n Missy Lisenby\n ...\n makeup artist\n
\n Randy Westgate\n ...\n makeup department head\n
\n Production Management \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Nancy Kirhoffer\n ...\n post production supervisor\n
\n George Sledge\n ...\n production supervisor\n
\n Ginger Sledge\n ...\n unit production manager\n
\n Second Unit Director or Assistant Director \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Kayse Goodell\n ...\n second assistant director\n
\n Jeremy Mohler\n ...\n second second assistant director\n
\n Vincent Palmo Jr.\n ...\n first assistant director\n
\n Art Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Marc Baird\n ...\n storyboard artist\n
\n Chia Berry\n ...\n art department coordinator\n
\n Jennifer Brofer\n ...\n art department trainee\n
\n Thomas E. Cole\n ...\n buyer\n
\n Leila Dallal\n ...\n assistant property master\n
\n Fred Daniel\n ...\n art department supervisor\n
\n Laura Nicole Davila\n ...\n prop intern (as Laura D\u00e1vila)\n
\n Patricia Dillon\n ...\n Draper\n
\n Tim Dingle\n ...\n scenic artist\n
\n Derek Drewes\n ...\n gangboss\n
\n Melanie Ferguson\n ...\n on-set dresser\n
\n Brad Haviland\n ...\n set dresser\n
\n Allan Holder\n ...\n propmaker\n
\n Leslie Kolter\n ...\n prop assistant\n
\n Steve Laks\n ...\n gangboss\n
\n Ellen Lampl\n ...\n graphic designer\n
\n Jessica Lowe\n ...\n painter / scenic\n
\n David Menefee\n ...\n general foreman\n
\n Tyler Noel\n ...\n paint foreman\n
\n Adele Plauche\n ...\n set designer\n
\n Victoria Ramirez Fuller\n ...\n props (as Victoria Ramirez)\n
\n Scott A. Reeder\n ...\n property master (as Scott Reeder)\n
\n Kyle Safarick\n ...\n propmaker\n
\n Dana Sanchez\n ...\n scenic painter / sign painter\n
\n Jason Schulte\n ...\n key greens\n
\n Alan R. Serotta\n ...\n gangboss (as Al Serotta)\n
\n Phil Shirey\n ...\n leadman\n
\n Michael Smothers\n ...\n toolman (as Mike Smothers)\n
\n Aaron Statler\n ...\n set dresser\n
\n Tom Ward\n ...\n construction coordinator\n
\n Jeri Woodward\n ...\n painter / scenic foreman\n
\n Randal Woodward\n ...\n lead scenic (as Randy Woodward)\n
\n Sound Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Ron Bedrosian\n ...\n adr mixer\n
\n Kerry Carmean-Williams\n ...\n sound effects editor (as Kerry Ann Carmean)\n
\n Kay Colvin\n ...\n sound utility\n
\n Nerses Gezalyan\n ...\n sound mixer\n
\n Shane Hayes\n ...\n adr recordist\n
\n Gary A. Hecker\n ...\n supervising foley artist\n
\n Ando Johnson\n ...\n additional sound\n
\n Tony Lamberti\n ...\n re-recording mixer\n
\n Dave McMoyler\n ...\n supervising sound editor\n
\n Michael Minkler\n ...\n re-recording mixer\n
\n Beauxregard Neylen\n ...\n adr mixer (as Beauxregard Neylon)\n
\n Michelle Pazer\n ...\n dialogue editor\n
\n John Pritchett\n ...\n sound mixer\n
\n David M. Roberts\n ...\n boom operator\n
\n Greg Townsend\n ...\n re-recording mixer\n
\n Tami Treadwell\n ...\n adr mixer\n
\n Gayle Wesley\n ...\n first assistant sound editor\n
\n Roy Machado\n ...\n adr mixer (uncredited)\n
\n Billy Theriot\n ...\n adr mixer (uncredited)\n
\n Visual Effects by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Maru Buendia-Senties\n ...\n on-set visual effects coordinator\n
\n Patrick Clancey\n ...\n digital opticals\n
\n Jason Cunningham\n ...\n visual effects artist (as Jason M Cunningham)\n
\n Gus Duron\n ...\n optical editor / visual effects\n
\n Mike Fischer\n ...\n visual effects artist\n
\n Justin Gladd\n ...\n visual effects editor\n
\n Scott Gordon\n ...\n visual effects supervisor\n
\n Rachel Faith Hanson\n ...\n visual effects producer\n
\n Pete Herzog\n ...\n visual effects executive producer\n
\n Chas Naylor\n ...\n visual effects artist\n
\n Will Nicholson\n ...\n cg supervisor\n
\n Tom Rubendall\n ...\n visual effects coordinator\n
\n Doug Spilatro\n ...\n visual effects artist\n
\n Sreyans Bardia\n ...\n visual effects head of production: BOT VFX (uncredited)\n
\n Hetal Jain\n ...\n visual effects producer: BOT VFX (uncredited)\n
\n Prakash Pathak\n ...\n production and technical support: BOT VFX (uncredited)\n
\n Stunts \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Thomas E. Bentley\n ...\n utility stunts (as Tom Bentley)\n
\n Matt Blackwell\n ...\n stunt performer\n
\n Christopher M. Campos\n ...\n stunt driver\n
\n John Cann\n ...\n utility stunts\n
\n Dick Hancock\n ...\n utility stunts (as Richard Hancock)\n
\n Chance Hartman\n ...\n stunt driver\n
\n William Kasson\n ...\n utility stunts (as Will Kasson)\n
\n Jeff Milburn\n ...\n utility stunts\n
\n David Roberts\n ...\n stunts\n
\n Jeff Schwan\n ...\n stunt coordinator\n
\n Bryon Weiss\n ...\n stunt driver / utility stunts\n
\n Jeff Milburn\n ...\n stunt driver (uncredited)\n
\n Camera and Electrical Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Wes Ahl\n ...\n grip\n
\n Marc Andrus\n ...\n key grip\n
\n Carlos Benavides\n ...\n electrician\n
\n Kelly Bogdan\n ...\n second assistant camera: \"a\" camera\n
\n Scott Cremeens\n ...\n electrician\n
\n Dustin Cross\n ...\n digital imaging technician\n
\n Eric Cunningham\n ...\n best boy rigging electric\n
\n Wes Dixon\n ...\n company electrician\n
\n Oliver Driscoll\n ...\n first assistant camera: \"a\" camera\n
\n Roger Eickenroht\n ...\n rigging electrician\n
\n Claire Folger\n ...\n still photographer\n
\n Patrick Fortune\n ...\n grip\n
\n Ashley Harkrider\n ...\n grip: trainee\n
\n Donald R. Howe Jr.\n ...\n second assistant camera\n
\n Scott Magruder\n ...\n grip\n
\n Mark Manthey\n ...\n gaffer\n
\n Raul Mello\n ...\n rigging gaffer\n
\n Ben Oliver\n ...\n rigging electrician\n
\n Brice Reid\n ...\n first assistant camera: \"b\" camera\n
\n Josh Taylor\n ...\n best boy electric\n
\n Wes Turner\n ...\n digital utility\n
\n Steve Urban\n ...\n dolly grip\n
\n Nathanael Vorce\n ...\n camera operator / camera operator: \"b\" camera / director of photography: second unit\n
\n Animation Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Pete Herzog\n ...\n creative director: titles\n
\n Casting Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Sally Allen\n ...\n extras casting director\n
\n Vicky Boone\n ...\n casting: Texas\n
\n Toni Cobb Brock\n ...\n extras casting director\n
\n Catherine DeMartino\n ...\n local casting assistant\n
\n Terri Douglas\n ...\n adr voice casting\n
\n Jessica Hovind\n ...\n extras casting\n
\n Peggy Schott\n ...\n casting\n
\n Alexandria Walters\n ...\n extras casting coordinator\n
\n Costume and Wardrobe Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Stephany Baskin\n ...\n set costumer\n
\n Wilberth Gonzalez\n ...\n wardrobe intern\n
\n Karen Holley\n ...\n assistant costume designer\n
\n Janice Janecek\n ...\n key costumer\n
\n Yvonne Wilburn\n ...\n costume supervisor\n
\n Editorial Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Brad Besser\n ...\n assistant editor\n
\n Angeles Morales Cruz\n ...\n post production accountant\n
\n Eileen Godoy\n ...\n digital intermediate producer\n
\n William Goldenberg\n ...\n editorial consultant (as Billy Goldenberg)\n
\n Laura Holeman\n ...\n digital intermediate assistant producer\n
\n Curtis Lindersmith\n ...\n digital intermediate editor\n
\n Rowan Maher\n ...\n first assistant editor\n
\n Tom Reiser\n ...\n colorist\n
\n Andre Rivas\n ...\n assistant digital colorist\n
\n Dylan Tichenor\n ...\n additional editor\n
\n Location Management \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Corbin Clem\n ...\n location production assistant\n
\n Logan Cooper\n ...\n location scout\n
\n Robbie Friedmann\n ...\n location manager\n
\n David Zachary Heine\n ...\n location assistant (as Zachary Heine)\n
\n Steve White\n ...\n assistant location manager\n
\n Music Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Deva Anderson\n ...\n music supervisor\n
\n Jon Aschalew\n ...\n synth programmer\n
\n Tom Brown\n ...\n music preparation\n
\n Sven Faulconer\n ...\n composer: additional music\n
\n Victor Pesavento\n ...\n music preparation\n
\n Simon Rhodes\n ...\n music scoring mixer\n
\n Marni Sanders\n ...\n copyist\n
\n Linnea Snyder\n ...\n music preparation\n
\n Pamela J. Sollie\n ...\n scoring coordinator\n
\n Sunna Wehrmeijer\n ...\n composer: additional music\n
\n Christopher Wray\n ...\n synth programmer\n
\n Mark Graham\n ...\n head of music preparation (uncredited)\n
\n Script and Continuity Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Cate Hardman\n ...\n script supervisor\n
\n Transportation Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Sam Craytor\n ...\n driver: honeywagon\n
\n Tracy Craytor\n ...\n production van driver\n
\n Greg Faucett\n ...\n transportation coordinator\n
\n Joseph Lockwood\n ...\n transportation\n
\n Jeff Milburn\n ...\n motorcycle driver\n
\n Lonnie Nelson\n ...\n transportation captain\n
\n Russell E. Scott\n ...\n picture car coordinator\n
\n Joe Self\n ...\n driver\n
\n Steven Willhoite\n ...\n production van driver operator\n
\n Additional Crew \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n John Arszyla\n ...\n set medic\n
\n Toni Atterbury\n ...\n unit publicist\n
\n Donald Banks\n ...\n production assistant\n
\n Deborah Brock\n ...\n delivery consultant\n
\n Maru Buendia-Senties\n ...\n assistant to producers\n
\n Lauren Burckhard\n ...\n production assistant\n
\n Robert Calder\n ...\n production staff\n
\n Gabby Canton\n ...\n assistant: Matt Jackson\n
\n Stephanie Rae Capizzo\n ...\n office production assistant\n
\n Nori Chia\n ...\n assistant: Mr. Goetzman\n
\n April Crump\n ...\n payroll accountant\n
\n Angeles Morales Cruz\n ...\n post-production accountant (as Maria de los Angeles Uribe)\n
\n Amanda Curry\n ...\n first assistant accountant\n
\n Christa del Castillo\n ...\n second assistant accountant\n
\n Terry DeLacey\n ...\n catering assistant\n
\n Hugo Garza\n ...\n set trainee\n
\n Kurt Graver\n ...\n assistant: The American Film Company\n
\n Renee Hines\n ...\n assistant post-production accountant\n
\n Todd M. Hofacker\n ...\n assistant: Zac Efron\n
\n Chase Honaker\n ...\n production assistant\n
\n Jeni Jones\n ...\n creative executive\n
\n Adam Kenitzer\n ...\n production assistant\n
\n Adam J. Korn\n ...\n production financing: Comerica\n
\n Parker Laramie\n ...\n assistant: Peter Landesman\n
\n Christopher Lytton\n ...\n chief operating officer: Exclusive Media\n
\n Jennifer Mosley\n ...\n assistant: Ginger Sledge\n
\n C.J. Neels\n ...\n local assistant\n
\n Cheryl Nelson\n ...\n legal: Wyman & Isaacs LLP\n
\n Sarah O'Connell\n ...\n social media manager\n
\n Jason Ormand\n ...\n production assistant\n
\n Emily Rice\n ...\n post-production accountant\n
\n Deborah Ricketts\n ...\n archive researcher / clearance\n
\n Will Rimmer\n ...\n production assistant\n
\n Dawn Robinette\n ...\n production accountant\n
\n Molly Scott\n ...\n production secretary\n
\n Amit Shekhar\n ...\n digital media, India / digital media: India\n
\n Juli Strader\n ...\n festival publicist\n
\n Cynthia Streit\n ...\n production coordinator\n
\n Amanda Sutton\n ...\n post-production payroll accountant\n
\n Jason Tamasco\n ...\n executive assistant: Jillian Longnecker\n
\n Dawn Taubin\n ...\n marketing consultant\n
\n Jessica Trimble\n ...\n production assistant (as Jessi Trimble)\n
\n Kristin Vela\n ...\n assistant production coordinator\n
\n Caity Ware\n ...\n assistant: Mr. Goetzman (as Caity Engler)\n
\n Matt Warren\n ...\n completion guaranty: Film Finances, Inc.\n
\n Ashton Fontana\n ...\n publicist (uncredited)\n
\n Mollie Freilich\n ...\n business and legal affairs coordinator: Exclusive Media (uncredited)\n
\n Thanks \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Frank Botman\n ...\n the producers wish to thank\n
\n Megan Bryant\n ...\n the producers wish to thank\n
\n Stephen Fagin\n ...\n the producers wish to thank\n
\n Nicola Longford\n ...\n the producers wish to thank\n
\n Gary Mack\n ...\n the producers wish to thank\n
\n Peter Miller\n ...\n the producers wish to thank\n
\n Angelos Panagopoulos\n ...\n the producers wish to thank\n
\n Greg Shapiro\n ...\n the producers wish to thank\n
\n Sigurjon Sighvatsson\n ...\n the producers wish to thank\n
\n\n
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\n \nRelease Dates\n | \nOfficial Sites\n | \nCompany Credits\n | \nFilming & Production\n | \nTechnical Specs\n

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\n\n\n\n\n \n \n\n", + "page_last_modified": "" + }, + { + "page_name": "Board of Directors | Parkland Corporation", + "page_url": "https://www.parkland.ca/about-parkland/board-of-directors", + "page_snippet": "Meet Parkland Corporation's Board of Directors. Learn about the experience and expertise of our members and their board and committee membership.Chair of the Environment, Safety and Sustainability Committee (ESS) and member of the GNE CommitteeView Bio \u00b7 Chair of the Human Resources and Compensation Committee (HRC) and member of the GNE CommitteeView Bio Chair of the Human Resources and Compensation Committee (HRC) and member of the GNE CommitteeView Bio \u00b7 Member of Audit Committee and ESS CommitteeView Bio", + "page_result": "Board of Directors | Parkland Corporation
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Board of Directors

  • \"Parkland

    Steven Richardson

    Chair of the Board and Chair of GNE Committee

    View Bio
  • \"Parkland

    Bob Espey

    President and Chief Executive Officer

    View Bio
  • \"Parkland

    Richard Hookway

    Chair of the Audit Committee and member of the GNE Committee

    View Bio
  • \"Parkland

    Deborah Stein

    Chair of the Environment, Safety and Sustainability Committee (ESS) and member of the GNE Committee

    View Bio
  • \"Parkland

    Lisa Colnett

    Chair of the Human Resources and Compensation Committee (HRC) and member of the GNE Committee

    View Bio
  • \"Parkland

    Tim Hogarth

    Member of Audit Committee and ESS Committee

    View Bio
  • \"Parkland

    Angela John

    Member of HRC Committee and ESS Committee

    View Bio
  • \"Parkland

    Nora Duke

    Member of HRC Committee and Audit Committee

    View Bio
  • \"Parkland

    Michael Jennings

    Board Member

    View Bio
  • \"Parkland

    James Neate

    Board Member

    View Bio
", + "page_last_modified": "" + }, + { + "page_name": "Management | Parkland Corporation", + "page_url": "https://www.parkland.ca/en/about-parkland/board-directors", + "page_snippet": "", + "page_result": "Management | Parkland Corporation
\n
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Management

  • \"Parkland

    Bob Espey

    President and Chief Executive Officer

    View Bio
  • \"Parkland

    Pierre Magnan

    President, Parkland International

    View Bio
  • \"Parkland

    Ferio Pugliese

    Senior Vice President, People & Culture, Health, Safety, Environment, and Sustainability

    View Bio
  • \"Parkland

    Marcel Teunissen

    Chief Financial Officer

    View Bio
  • \"Parkland

    Donna Sanker

    President, Parkland USA

    View Bio
  • \"Parkland

    Darren Smart

    Senior Vice President, Energy Transition and Corporate Development

    View Bio
  • \"Parkland

    lan White

    President, Parkland Canada

    View Bio
  • \"Parkland

    Tariq Remtulla

    Senior Vice President, General Counsel and Corporate Secretary

    View Bio
  • \"Parkland

    Uwe Stueckmann

    Senior Vice President Strategic Marketing & Innovation

    View Bio
", + "page_last_modified": "" + }, + { + "page_name": "Amazon.com: Parkland : Zac Efron, Marcia Gay Harden, Paul Giamatti, ...", + "page_url": "https://www.amazon.com/Parkland-Zac-Efron/dp/B00EO10IEE", + "page_snippet": "Woven together, their seemingly disparate perspectives make one of the most thrilling and powerful stories never told. From producers Tom Hanks and Gary Goetzman and writer/director Peter Landesman, Parkland is the true story behind a tragic day in history you thought you knew, but didn\u2019t, ...Woven together, their seemingly disparate perspectives make one of the most thrilling and powerful stories never told. From producers Tom Hanks and Gary Goetzman and writer/director Peter Landesman, Parkland is the true story behind a tragic day in history you thought you knew, but didn\u2019t, and couldn\u2019t, until now\u2026 50 years later. The measured Parkland serves as a polar opposite to Stone's earlier historical frenzy, delivering an admirably clear-eyed look at the events that occurred. Taking its title from the Dallas county hospital, it downplays the How and Why in favor of the actual What, detailing the bystanders and onlookers whose lives were forever changed on 11/22/63. Inspired by Vincent Bugliosi's book Reclaiming History, writer-director Peter Landesman begins with the chaos of Dealey Plaza and then expands outward, assuming the viewpoints of those caught in the traumatic wake, including the determined hospital workers (Zac Efron and Marcia Gay Harden), an amateur photographer (Paul Giamatti as a terrifically twitchy Abraham Zapruder), and a dogged FBI agent (Ron Livingston) haunted by his prior knowledge of the assassin's identity. Landesman, a former journalist making his directorial debut, does a commendable job in juggling the multiple characters, although the sheer amount of information on display does admittedly give the film a dry, procedural air at times. (Thank goodness for Billy Bob Thornton, as Secret Service Agent Forrest Sorrels, who kicks things back into high gear with a rousing, ear-popping outburst.) Historical fidelity aside, the best reason to see Parkland belongs to the great character actor James Badge Dale, who gives a devastatingly naturalistic performance as Lee Harvey Oswald's brother Robert, an ordinary man all too aware of the catastrophic events unfolding around him. From producers Tom Hanks and Gary Goetzman and writer/director Peter Landesman, Parkland is the true story behind a tragic day in history you thought you knew, but didn\u2019t, and couldn\u2019t, until now\u2026 50 years later. The assassination of President John F. Kennedy has inspired a mountain of speculative dissections and re-creations, most notably Oliver Stone's propulsive conspiracy grab-bag JFK.", + "page_result": "\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n \n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n \n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n \n\n\n\n\n\n \n\n\n \n\n\n\n\n\n\n \n\n \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n \n \n \n\n \n\n\n\n\n\n\n\n\n \n\n\n \n\n\n \n\n\n\n\n\n\n \n\n \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n \n\n \n \n \n\n\t\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n \n \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n \n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n \n\n \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n \n \n\n \n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n\n \n \n\n \n \n \n\n\n\n\n\n \n\n\n\n\n\n \n \n\n\n \n \n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n \n \n \n \n \n \n\n\n \n \n \n \n \n \n\n\n\n\n\n\n\n\n \n \n \n\n\n\n\n\n\n\nAmazon.com: Parkland : Zac Efron, Marcia Gay Harden, Paul Giamatti, Billy Bob Thornton, Jacki Weaver, Colin Hanks, Mark Duplass, Tom Welling, Peter Landesman: Movies & TV\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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Parkland

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\n\t\t Zac Efron \n \t\t\t(Actor), \n \t \n\t \n\t\t Marcia Gay Harden \n \t\t\t(Actor), \n \t \n\t \n\t\t Peter Landesman \n \t\t\t(Director) \n \t \n\t \n & \n 0\n more Rated:
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\n \n 4.5 4.5 out of 5 stars \n\n 1,514 ratings \n \n\n
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Product Description

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Product Description

November 22nd, 1963 was a day that changed the world forever \u2013 when young American President John F. Kennedy was assassinated in Dallas, Texas. We follow in almost real time a handful of individuals forced to make split-second decisions after this incomprehensible event that would change their lives and forever alter our world\u2019s landscape: the young doctors and nurses at Parkland Hospital, the chief of the Dallas Secret Service, the unwitting cameraman who captured what has become the most watched and examined film in history, the FBI Agents who had gunman Lee Harvey Oswald within their grasp and Vice President Lyndon Johnson who had to take control of a country in a moment\u2019s notice. Thrust into a scenario of unprecedented drama with unimaginable consequences, these key characters respond with shock, outrage, determination and courage. Woven together, their seemingly disparate perspectives make one of the most thrilling and powerful stories never told. From producers Tom Hanks and Gary Goetzman and writer/director Peter Landesman, Parkland is the true story behind a tragic day in history you thought you knew, but didn\u2019t, and couldn\u2019t, until now\u2026 50 years later.

Amazon.com

The assassination of President John F. Kennedy has inspired a mountain of speculative dissections and re-creations, most notably Oliver Stone's propulsive conspiracy grab-bag JFK. The measured Parkland serves as a polar opposite to Stone's earlier historical frenzy, delivering an admirably clear-eyed look at the events that occurred. Taking its title from the Dallas county hospital, it downplays the How and Why in favor of the actual What, detailing the bystanders and onlookers whose lives were forever changed on 11/22/63. Inspired by Vincent Bugliosi's book Reclaiming History, writer-director Peter Landesman begins with the chaos of Dealey Plaza and then expands outward, assuming the viewpoints of those caught in the traumatic wake, including the determined hospital workers (Zac Efron and Marcia Gay Harden), an amateur photographer (Paul Giamatti as a terrifically twitchy Abraham Zapruder), and a dogged FBI agent (Ron Livingston) haunted by his prior knowledge of the assassin's identity. Landesman, a former journalist making his directorial debut, does a commendable job in juggling the multiple characters, although the sheer amount of information on display does admittedly give the film a dry, procedural air at times. (Thank goodness for Billy Bob Thornton, as Secret Service Agent Forrest Sorrels, who kicks things back into high gear with a rousing, ear-popping outburst.) Historical fidelity aside, the best reason to see Parkland belongs to the great character actor James Badge Dale, who gives a devastatingly naturalistic performance as Lee Harvey Oswald's brother Robert, an ordinary man all too aware of the catastrophic events unfolding around him. He can see the future, and his family's place in it. --Andrew Wright

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Review

A film both somber and melodramatic that should be seen especially by the majority of Americans - those who were not even born at the time of the JFK assassination --Harvey S Karten, Compuserve

The film is engrossing, quietly revelatory, and often profoundly moving as it retells a story we only thought we knew. --Stephen Farber, Hollywood Reporter

About the Actor

Produced by Tom Hanks and Gary Goetzman. An All Star Cast: Academy Award Winners Marcia Gay Harden and Billy Bob Thornton, Academy Award Nominees Paul Giamatti, Jackie Earle Haley and Jackie Weaver. Along with Zac Efron, Colin Hanks, James Badge Dale, Tom Welling, Mark Duplass and Ron Livingston

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Product details

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  • Is Discontinued By Manufacturer\n ‏\n :\n ‎\n No
  • MPAA rating\n ‏\n :\n ‎\n PG-13 (Parents Strongly Cautioned)
  • Product Dimensions\n ‏\n :\n ‎\n 0.7 x 7.5 x 5.4 inches; 2.72 ounces
  • Item model number\n ‏\n :\n ‎\n FLKP14279DVD
  • Director\n ‏\n :\n ‎\n Peter Landesman
  • Media Format\n ‏\n :\n ‎\n Multiple Formats, Widescreen, Color, NTSC
  • Run time\n ‏\n :\n ‎\n 1 hour and 33 minutes
  • Release date\n ‏\n :\n ‎\n November 5, 2013
  • Actors\n ‏\n :\n ‎\n Zac Efron, Marcia Gay Harden, Paul Giamatti, Billy Bob Thornton, Jacki Weaver
  • Subtitles:\n ‏\n :\n ‎\n Spanish
  • Studio\n ‏\n :\n ‎\n Our Alchemy LLC
  • ASIN\n ‏\n :\n ‎\n B00EO10IEE
  • Number of discs\n ‏\n :\n ‎\n 1
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    \n \n 4.5 4.5 out of 5 stars \n\n 1,514 ratings \n \n\n
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Customer reviews

4.5 out of 5 stars
4.5 out of 5
1,514 global ratings
5 star
75%
4 star
14%
3 star
6%
2 star
1%
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4%
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Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.

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Amazon Customer
5.0 out of 5 stars\n\n\n\n\n\n\n\n \n \n Good movie\n \n
Reviewed in the United States on February 29, 2024
Verified Purchase
\n\n\n\n\n\n\n\n \n \n Even though sad,part of history\n \n
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Anthony R. Pearson
5.0 out of 5 stars\n\n\n\n\n\n\n\n \n \n November 22, 1963\n \n
Reviewed in the United States on November 29, 2023
Verified Purchase
\n\n\n\n\n\n\n\n \n \n Very graphic details of the November 22, 1963 Assasination of President John F. Kennedy. My birthday is November 23rd the day after. I was seven years old. Did not fully know what had happened.

I did watch the funeral service on tv Friday to Monday morning November 25th. Very sad 4 days!\n \n
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One person found this helpful
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Q-Tip
5.0 out of 5 stars\n\n\n\n\n\n\n\n \n \n \ud83d\udc4d\ud83c\udffc\n \n
Reviewed in the United States on January 8, 2024
Verified Purchase
\n\n\n\n\n\n\n\n \n \n Great flick\n \n
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Jrnyvoice
4.0 out of 5 stars\n\n\n\n\n\n\n\n \n \n Great Movie, really light - minimal additional disc content\n \n
Reviewed in the United States on November 12, 2013
Verified Purchase
\n\n\n\n\n\n\n\n \n \n Yes, be prepared that there's minimal \"extras\" on this disc.

OK, I loved the movie in the theater and was excited to pre-order it and view it the day it was delivered. The acting was excellent from each main character. The hospital scenes were gripping. I have had people tell me in advance that the camera was too shaky. Nope, it's just fine. Other TV shows are much more annoying in that regard. Since this is shot to feel like you were in the room and in the scenes, the hand held camera work is excellent without being distracting at all. Kudos to the camera person's, DP and the director.

There was no recreation of the assassination, as it's been done before Ad Nauseum and was not need to be done to further the storyline or benefit the film my opinion either. Showing the assassination with a camera locked strictly on Zapruder (that's how the film makers represented the assassination scene) filming with him 8mm camera, well,it was a little awkward as the shot seemed long... but later, using the Zapruder film was a creative idea as the moments of the assassination are reflected into Abraham Zapruder's glasses in a scene where he initially watches what he filmed that fateful day.

Many have said that Zack Efron was miscast, I give him credit that his acting worked in the scenes though. I can see why some will say his typecasting was a distraction. Tom Welling (Smallville) played an excellent role as a secret service agent.

None of the actors really got to sink their teeth into this since it was all a fast paced and albeit short film considering the subject matter that COULD have been explored. No actors spent too much time on screen as it was very paced.

Paul Giamatti (Abraham Zapruder) David Harbour (FBI AGENT) and Billy Bob Thorton (SECRET SERVICE) are memorable as you saw different emotional scenes with them. James Badge Dale was excellent as well as Robert Oswald, LHO's brother...

The FBI HQ scenes were (for me) very realistic. The set design/scenery and the overall atmosphere the production team tried to create was real. The guys smoking, the period clothes and haircuts, it all reminded me of the time. The scenes with Ron Livingston and David Harbor (Agents) were some of the best as they come to grips with the fact that they had LHO in their office just weeks before and could have possibly \"stopped\" the assasination. I found myself (a big fan of movies) really forgetting about the production requirements (all the behind the scene stuff) and getting into the scenes emotionally.

They left out any mention of Governor John Connolly... I found this really wrong and out of place as he was a big part of the story.

CAMERAWORK
The film makers avoided spending time or money on many of the key players in this tragic story. The film was shot quite tight (framed close) probably keep the budget down and the money was surely spent on having the right talent, but it works because it plays better on emotion to do more close ups. the actors were then forced to provide better facial expressions too.

I was totally expecting to see a \"Behind The Scenes\" making of this film. It's come to be expected and was really expecting some interviews and behind the scenes footage as a documentary. Unfortunately the Blu-Ray does not provide this. There are about 10 'deleted' scenes and a Director Commentary audio setup and subtitles.

I must say, that the actors portraying Lee Harvey Oswald (Jeremy Strong) was totally excellent and underused. I wanted to see more scenes that included him. I guess I wanted to see what could have been - a world where Oswald survived to stand trial. The actor portraying him did well for the little time he was onscreen. And mother Oswald...wow. If that was really her persona, the actor who portrayed her (Jackie Weaver) really stole the scenes she appeared in.

The Blu-Ray is worth buying as the price is very reasonable.\n \n
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4 people found this helpful
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Juanita
5.0 out of 5 stars\n\n\n\n\n\n\n\n \n \n Good acting\n \n
Reviewed in the United States on February 27, 2014
Verified Purchase
\n\n\n\n\n\n\n\n \n \n I've read almost everything about the JFK assassination there is to read. I watched Jack Ruby shoot Oswald, live on television when I was in my junior year of high school. I believe JFK's murder was a public execution, not an assassination and I believe Oswald's shooting was deliberately orchestrated. I'll go to my grave believing there were additional shooters; the grassy knoll in particular. The first pictures and video-footage of the assassination rifle was identified as a 7.35 Mauser, not an Italian-made 6.5 Carcano. I've owned one, and the Carcano is a literal piece of junk.

I've watched the 8MM film of Kennedy being hit in the head by a bullet dozens of times - that head-shot came from the front. His wife crawled onto the trunk of the car immediately following the impact of the bullet. Why? She was attempting to retrieve part of his skull - on the trunk of the car. There was also an alleged bullet hole in the front of Kennedy's throat which was altered, then claimed to be a tracheotomy. If that hole in Kennedy's throat was a bullet hole, it came from the front.

The Pristine Bullet theory and Warren Report were total fiction. I believe the Warren Commission didn't want the truth published, and my question has always been - why?

Although I appreciated the acting, this movie raises a few questions, but offers no answers. When Officer Tippet was shot, there were spent cartridge cases found at the scene. Oswald had a revolver, which raises the question, did Oswald stop long enough to eject empty cases from his revolver, or did someone else shoot Tippet with a semi-automatic which ejected the cases onto the street as they were fired?

I believe there was indeed a conspiracy to murder Kennedy. It's true Kennedy's body was immediately removed from Parkland - what was the real reason? There is speculation that evidence was being removed. There is also speculation that Kennedy's head wound was ... altered; neither would surprise me. Nobody was ever brought to justice, for the murder of the President of the United States! That leads me to believe that if anyone did know the truth, they would be dead, just like numerous witnesses, including David Ferry.

The movie is very interesting nonetheless.\n \n
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Georges Daignault
5.0 out of 5 stars\n\n\n\n\n\n\n\n \n Tr\u00e8s bon compte rendu sur la mort de JFK\n \n \n
Reviewed in Canada on September 18, 2022
Verified Purchase
\n\n\n\n\n\n\n\n \n Pour en conna\u00eetre davantage sur ce fait v\u00e9cu\n \n \n
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Antonio
5.0 out of 5 stars\n\n\n\n\n\n\n\n \n Correcta edici\u00f3n.\n \n \n
Reviewed in Spain on December 11, 2023
Verified Purchase
\n\n\n\n\n\n\n\n \n La pel\u00edcula me gust\u00f3 m\u00e1s de lo esperado. Correcta calidad de imagen y sonido.\n \n \n
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Fabretti lionel
5.0 out of 5 stars\n\n\n\n\n\n\n\n \n \n Tr\u00e8s bon film\n \n
Reviewed in France on July 14, 2021
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Virginia Koster
5.0 out of 5 stars\n\n\n\n\n\n\n\n \n \n Up Close and Personal\n \n
Reviewed in Australia on March 29, 2021
Verified Purchase
\n\n\n\n\n\n\n\n \n \n This was an interesting interpretation of one of the most infamous events in recent history.\n \n
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Mario Bentivoglio
5.0 out of 5 stars\n\n\n\n\n\n\n\n \n Parkland, DVD\n \n \n
Reviewed in Italy on May 17, 2019
Verified Purchase
\n\n\n\n\n\n\n\n \n Gran bel film, ottima la ricostruzione scenografica del periodo (1963) - vestiti, ambienti, veicoli, etc. - buona recitazione degli attori e splendida resa dell'atmosfera tragica di quel maledetto 22 novembre 1963. Lo consiglio vivamente.\n \n \n
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\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n", + "page_last_modified": "" + }, + { + "page_name": "Parkland movie review & film summary (2013) | Roger Ebert", + "page_url": "https://www.rogerebert.com/reviews/parkland-2013", + "page_snippet": "Revisiting the assassination of ... writer-director Peter Landesman provides an up-close-and-personal view of the events in Dallas by following the intertwined stories of several people swept up in the shooting and its aftermath. Taking its title from the hospital where both Kennedy and assassin Lee Harvey Oswald were pronounced dead, "Parkland" expends lots ...Revisiting the assassination of President John F. Kennedy as the tragedy's fiftieth anniversary approaches, writer-director Peter Landesman provides an up-close-and-personal view of the events in Dallas by following the intertwined stories of several people swept up in the shooting and its aftermath. Taking its title from the hospital where both Kennedy and assassin Lee Harvey Oswald were pronounced dead, \"Parkland\" expends lots of energy and expertise on re-creating these infamous events, yet it is so lacking in narrative purpose that many viewers are likely to leave muttering, \"Okay\u2026but so what?\" \"Parkland\" expends lots of energy and expertise on re-creating the Kennedy assassination and the events that followed, but unfortunately asks us to focus our attention on the assassination's most superficial, least interesting aspects. After intercutting among some of the tale's many characters, it picks up businessman Abraham Zapruder (Paul Giamatti) who is filming with his 8mm movie camera when Kennedy is shot. (\"Parkland\" does not show the bloody deed, either in a dramatic staging or directly via Zapruder's footage.) Thereafter, the action shifts to the ER of Parkland Hospital, where an unprepared medical team led by doctors Jim Carrico (Zac Efron, sporting a fashionable stubble) and Malcolm Perry (Colin Hanks) is suddenly plunged into dealing with the President's near lifeless body as blood-spattered Jackie Kennedy sobs nearby.", + "page_result": "\n\n\n\n\n\nParkland movie review & film summary (2013) | Roger Ebert\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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Parkland\n

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\n\nGodfrey Cheshire\n\n\n\n
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"Parkland"
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Revisiting the assassination of President John F. Kennedy as the tragedy's fiftieth anniversary approaches, writer-director Peter Landesman provides an up-close-and-personal view of the events in Dallas by following the intertwined stories of several people swept up in the shooting and its aftermath. Taking its title from the hospital where both Kennedy and assassin Lee Harvey Oswald were pronounced dead, \"Parkland\" expends lots of energy and expertise on re-creating these infamous events, yet it is so lacking in narrative purpose that many viewers are likely to leave muttering, \"Okay\u2026but so what?\"

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The reason for that has to do with the Kennedy assassination's place in the national imagination. Much of the event's lingering fascination stems from the perception of unsolved mystery that still surrounds it, and questions about the effects it had on the nation's subsequent history and character. Whether one agrees with it or not, Oliver Stone's seminal \"JFK\" was a huge critical and commercial hit because it addressed those issues head-on, giving us a challenging and compelling reading of the tragedy's nature and meaning. In concentrating instead not just on \"the facts,\" but on the dubious official version thereof (the film is based on Vincent Bugliosi's book \"Four Days in November\"). Landesman unfortunately asks us to focus our attention on the assassination's most superficial, least interesting aspects.

The narrative begins on the morning of November 22, 1963. As it will throughout, the film mixes newsreel footage with dramatic re-creations as President and Mrs. Kennedy arrive in Dallas and embark on their fateful motorcade toward Dealey Plaza. After intercutting among some of the tale's many characters, it picks up businessman Abraham Zapruder (Paul Giamatti) who is filming with his 8mm movie camera when Kennedy is shot. (\"Parkland\" does not show the bloody deed, either in a dramatic staging or directly via Zapruder's footage.)

Thereafter, the action shifts to the ER of Parkland Hospital, where an unprepared medical team led by doctors Jim Carrico (Zac Efron, sporting a fashionable stubble) and Malcolm Perry (Colin Hanks) is suddenly plunged into dealing with the President's near lifeless body as blood-spattered Jackie Kennedy sobs nearby. Landesman renders the scene as believably chaotic and improvisatory, and though it only takes a few minutes for JFK to be declared dead and a Catholic priest to be called in to administer last rites, it feels much longer.

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As news of the death shocks the nation, the story spirals outward, following, for example, the efforts of officious FBI veteran Forrest Sorrels (Billy Bob Thornton) and his cohorts to wrest Zapruder's film from him and have it developed; the subsequent scramble by Life magazine and other outlets to buy it; Dallas FBI agent James Hosty's (Ron Livingston) agonized realization that he had been in contact with Lee Harvey Oswald (Jeremy Strong) but had not learned enough about his aims to stop him; and the confused scene at the Dallas jail where Oswald is held until he too is assassinated. (The film does not question that Oswald was the sole killer of JFK or that he also shot Officer J.D. Tippett, although, rather curiously, it does not show him committing either crime.)

Later episodes in the four-day chronicle include the hasty efforts to get JFK's coffin on board Air Force One and the swearing in of JFK's heavily guarded successor, Lyndon Johnson, as Jackie and Kennedy's chief aides look on mournfully. Though the airplane's departure means that some of tale's main characters move on to Washington, DC, the film remains planted in Texas. As TV reports show JFK being interred in Arlington National Cemetery, Oswald is hastily buried in a rural graveyard by his family and a crowd so sparse that reporters are enlisted to serve as pallbearers.

For viewers who know a fair amount about the JFK assassination, the latter episode points to one of \"Parkland\"'s few points of real interest. Relatively little attention has been devoted to Oswald's brother Robert (James Badge Dale), who never doubted that his sibling killed Kennedy even as their mother Marguerite (Jacki Weaver) steadfastly maintained that the government framed Lee. The scenes involving the Oswald family have a freshness that other parts of this oft-told tale lack.

Landesman and cinematographer Barry Ackroyd shoot the action verit\u00e9-style, with a lot of rushed camera movements and the kind of reliance on telephoto close-ups that perhaps will be very satisfying on an iPhone but can induce headaches for anyone who sits too close in a theater.

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The acting spans the gamut. Best of all is Marcia Gay Harden in a nearly wordless performance as an ER nurse, followed by James Badge Dale's thoughtful turn as Robert Oswald. In the middle are Giamatti and Thornton, whose work recalls many other items on their respective resumes. And at the other exteme is Jacki Weaver, whose bizarrely overwrought Marguerite Oswald suggests an SNL skit about the community theater doing Tennessee Williams on LSD. It's rather jaw-dropping, though perhaps not in the way the makers of \"Parkland\" intended.

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\n\"Godfrey\n
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Godfrey Cheshire
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Godfrey Cheshire is a film critic, journalist and filmmaker based in New York City. He has written for The New York Times, Variety, Film Comment, The Village Voice, Interview, Cineaste and other publications.

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Film Credits

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\n\"Parkland\n
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\nParkland (2013)\n

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\n\nRated PG-13\n\n

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\n93 minutes\n\n

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Cast

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\nPaul Giamatti\nas Abraham Zapruder\n

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\nColin Hanks\nas Dr. Malcom Perry\n

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\nZac Efron\nas Jim Carrico\n

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\nBilly Bob Thornton\nas Forrest Sorrels\n

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\nMarcia Gay Harden\nas Doris Nelson\n

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\nJacki Weaver\nas Marguerite Oswald\n

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\nTom Welling\nas Roy Kellerman\n

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\nRon Livingston\nas James Hosty\n

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\nJackie Earle Haley\nas Father Oscar Huber\n

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\nDirector\n

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