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+ "page_name": "Academy Award for Best Visual Effects - Wikipedia",
+ "page_url": "https://en.wikipedia.org/wiki/Academy_Award_for_Best_Visual_Effects",
+ "page_snippet": "The Academy Award for Best Visual Effects is an Academy Award given for the best achievement in visual effects. The Academy of Motion Picture Arts and Sciences first recognized the technical contributions of special effects to movies at its inaugural dinner in 1929, presenting a plaque for ...The Academy Award for Best Visual Effects is an Academy Award given for the best achievement in visual effects. The Academy of Motion Picture Arts and Sciences first recognized the technical contributions of special effects to movies at its inaugural dinner in 1929, presenting a plaque for \"Best Engineering Effects\" to the first Best Picture Oscar winner, the World War I flying drama Wings. However, according to the rules of the Academy in effect at the time, only three persons could be nominated for their work on a single film, which would have resulted in the omission of either Trumbull, Tom Howard, Con Pederson or Wally Veevers. Ultimately, it was Kubrick's name that was submitted as a nominee in this category, resulting in his winning the award, which many consider a slight to the four men whose work contributed to the film's success. The Academy of Motion Picture Arts and Sciences first recognized the technical contributions of special effects to movies at its inaugural dinner in 1929, presenting a plaque for \"Best Engineering Effects\" to the first Best Picture Oscar winner, the World War I flying drama Wings. Producer David O. Selznick, then production head at RKO Studios, petitioned the Academy Board of Governors to recognize the work of animator Willis O'Brien for his groundbreaking work on 1933's King Kong. It was not until 1938 when a film was actually recognized for its effects work, when a \"Special Achievement Award for Special Effects\" was given to the Paramount film Spawn of the North. According to the official Academy Award rules, the criteria are: (a) consideration of the contribution the visual effects make to the overall production and (b) the artistry, skill and fidelity with which the visual illusions are achieved. A number of filmmakers have had their movies honored for their achievements in visual effects; i.e., six by director James Cameron (who began his career in Hollywood as an effects technician), five films produced by George Pal, five by director/producer George Lucas, four by directors Richard Fleischer, Steven Spielberg and Peter Jackson, three by directors Robert Zemeckis and Christopher Nolan, and two by directors Clarence Brown, Cecil B. DeMille, Mark Robson, Ridley Scott, Robert Stevenson and Denis Villeneuve. Honorees for this award have been bestowed several times as a Special Achievement Academy Award. In 1977, the category was given its current name \"Best Visual Effects.\" For decades, shortlisted finalists were selected by a steering committee. They are presently chosen by the visual effects branch executive committee.",
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The Academy of Motion Picture Arts and Sciences first recognized the technical contributions of special effects to movies at its inaugural dinner in 1929, presenting a plaque for \"Best Engineering Effects\" to the first Best Picture Oscar winner, the World War I flying drama Wings.\n
Producer David O. Selznick, then production head at RKO Studios, petitioned the Academy Board of Governors to recognize the work of animator Willis O'Brien for his groundbreaking work on 1933's King Kong.\n
It was not until 1938 when a film was actually recognized for its effects work, when a \"Special Achievement Award for Special Effects\" was given to the Paramount film Spawn of the North. The following year, \"Best Special Effects\" became a recognized category, although on occasion the Academy has chosen to honor a single film outright rather than nominate two or more films. From 1939 to 1963, it was an award for a film's visual effects as well as audio effects, so it was often given to two persons, although some years only one or the other type of effect was recognized. In 1964, it was given only for visual effects, and the following year the name of the category was changed to \"Best Special Visual Effects\".\n
Honorees for this award have been bestowed several times as a Special Achievement Academy Award. In 1977, the category was given its current name \"Best Visual Effects.\" For decades, shortlisted finalists were selected by a steering committee. They are presently chosen by the visual effects branch executive committee.[1] 1990 was the last year there were no official nominees. Back to the Future Part III, Dick Tracy, Ghost and Total Recall advanced to a second stage of voting, but only Total Recall received a requisite average and it was given a special achievement Oscar.[2]\n
In 1979, there were five films nominated. For most of the next three decades, there were three nominees a year, although at some times there were two and at others, a single film was given the award outright.\n
In 2007, it was decided that a list of no more than 15 eligible films would be chosen, from which a maximum of seven would be shortlisted for further consideration. A vote would then proceed, with a maximum of three nominees. Since 2010, there are ten shortlisted finalists which, using a form of range voting, produce five nominees.[5][6] No more than four people may be nominated for a single film.[7]\n
According to the official Academy Award rules, the criteria are:\n
\n
(a) consideration of the contribution the visual effects make to the overall production and \n(b) the artistry, skill and fidelity with which the visual illusions are achieved.
Only two directors have won in the same category: British filmmaker Stanley Kubrick's only Oscar win for 1968's 2001: A Space Odyssey, and Japanese filmmaker Takashi Yamazaki's first Oscar win for 2023's Godzilla Minus One.[4][8] The credits for 2001 list four effects contributors, including Douglas Trumbull. However, according to the rules of the Academy in effect at the time, only three persons could be nominated for their work on a single film, which would have resulted in the omission of either Trumbull, Tom Howard, Con Pederson or Wally Veevers. Ultimately, it was Kubrick's name that was submitted as a nominee in this category, resulting in his winning the award, which many consider a slight to the four men whose work contributed to the film's success.[9]\n
Finalists for Best Visual Effects are selected by the Visual Effects Branch Executive Committee. Beginning with a long list of up to 20 titles, the committee then advances ten films to the shortlist.[13] Prior to the 83rd Academy Awards, only fifteen films were long-listed, and only seven films were shortlisted.[14] The full membership of the Visual Effects Branch is invited to view excerpts and is provided with supporting information at a \"bake-off\" where balloting determines the five nominees. These are the additional films that presented at the bake-off.\n
^The nomination for Ralph Hammeras was not associated with any individual film.\n
\n
^According to the Academy's in-house records, the nomination for Nugent Slaughter was most often connected with The Jazz Singer. It is not considered an official nomination for that film.\n
^From 1939 until 1962, visual effects and sound effects artists competed in a combined Best Special Effects category.\n
\n
^When nominations were announced on February 9, 1942, Dive Bomber was nominated in place of The Sea Wolf. Both were Warner Bros. productions with photographic effects by Byron Haskin and sound effects by Nathan Levinson. By February 19, the Dive Bomber nomination was replaced with The Sea Wolf. The reason for the substitution is unknown.\n
\n
^In 1957, The Enemy Below won the Best Special Effects Oscar for audible effects by Walter Rossi. It was not cited for its visual effects.\n
^\"89TH ANNUAL ACADEMY AWARDS OF MERIT\"(PDF). oscars.org. 2016. RULE TWENTY-TWO SPECIAL RULES FOR THE VISUAL EFFECTS AWARD. Archived(PDF) from the original on July 2, 2016. Five productions shall be selected using reweighted range voting to become the nominations for final voting for the Visual Effects award.\n
\n\n\n\n",
+ "page_last_modified": " Wed, 20 Mar 2024 01:11:41 GMT"
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+ "page_name": "VISUAL EFFECTS | Oscars.org | Academy of Motion Picture Arts and ...",
+ "page_url": "https://www.oscars.org/about/branch-requirements/visual-effects",
+ "page_snippet": "From Academy Bylaws:Article III, Section 1. Membership shall be by invitation of the Board of Governors.(b) have been nominated for an Academy Award in the Visual Effects category in the most recent Awards year. To be considered for invitation to Academy membership in the Visual Effects Branch a candidate must:",
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Article III, Section 1.\u00a0 Membership shall be by invitation of the Board of Governors.\u00a0 Invitations to active membership shall be limited to those persons active in the motion picture arts and sciences, or credited with screen achievements, or who have otherwise achieved distinction in the motion picture arts and sciences and who, in the opinion of the Board, are qualified for membership.
\n
To be considered for invitation to Academy membership in the Visual Effects Branch a candidate must:
\n
(a) have been actively engaged for the past 8 years in the production of Visual Effects for theatrical motion pictures in a key creative position\u00a0including, but not limited to, Visual Effects Supervisor; Mechanical/Special Effects Supervisor/Coordinator; Computer Graphics Supervisor; Creature/Character Effects\u00a0 Supervisor; Visual Effects Director of Photography; Visual Effects Art Director; Model Effects Supervisor; Digital Effects Supervisor; Matte Painting Supervisor; Visual Effects Animation Supervisor; Special Technology Supervisor; Compositing Supervisor or Previs Supervisor.
\n
\u00a0 \u00a0or
\n
(b) have been nominated for an Academy Award in the Visual Effects category in the most recent Awards year.
\n
\u00a0 \u00a0or
\n
(c) have been in the Visual Effects field for 4 years and have achieved such special distinction where \u00be of the non-abstaining Visual Effects Branch Executive Committee members agree, membership should be extended.
\n
Proposals must be accompanied by a letter from each sponsor which addresses, as specifically as possible, how the candidate meets one or another of the requirements above.
\n
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+ "page_name": "Every Best Visual Effects Oscar Winner of the 21st Century, Ranked",
+ "page_url": "https://collider.com/best-visual-effects-oscar-winners-of-the-21st-century-ranked/",
+ "page_snippet": "It\u2019s easy to forget, but The Golden Compass scored a Best Visual Effects win at the Academy Awards, ensuring that this forgotten 2007 dud somehow has more Oscars than all the combined movies of Lynne Ramsay. It\u2019s not the low quality of the overall Golden Compass film that makes this a baffling ...It\u2019s easy to forget, but The Golden Compass scored a Best Visual Effects win at the Academy Awards, ensuring that this forgotten 2007 dud somehow has more Oscars than all the combined movies of Lynne Ramsay. It\u2019s not the low quality of the overall Golden Compass film that makes this a baffling victory, the film\u2019s visual effects just aren\u2019t all that impressive. Many of these productions have been recognized in the Best Visual effects category at the Academy Awards throughout the 21st century. In this century, there have been 21 victors in this category. Ranking the visual effects in these movies from worst to best, one can see some truly puzzling winners whose VFX already looked outdated when they were first released. Not as flashy as many Best Visual Effects winners in the modern era, 1917 still managed to impress thanks to the techniques used to ensure continuity across its story told largely in one-take. The practical effects used to recreate World War I battlefields are similarly impressive. It may not have had the absolute best effects among the Best Visual Effects nominees at the 92nd Academy Awards (that honor goes to The Irishman), but 1917 is far from an unworthy winner. While the VFX team here did a remarkable job realizing run-down futuristic cities, some of the most impressive parts of Blade Runner 2049 are in the subtle details, like the tiny reminders that Joi is a holographic being or the miniatures used to represent futuristic buildings. ... The most recent iterations of the Academy Awards ceremony have seen a series of smaller-scale films rather than big-budget titles scoring Best Visual Effects trophies. Case in point: Damien Chazelle\u2019s mid-budget movie First Man.",
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+ "page_name": "Academy Award for Best Visual Effects \u2014 The Complete List",
+ "page_url": "https://www.studiobinder.com/blog/academy-award-for-best-visual-effects/",
+ "page_snippet": "The complete list of winners of the Academy Award for Best Visual Effects, including a ranking of our Top 10 winners.In this article, we\u2019ll take you on a cinematic journey through the full list of Academy Award winners for Best VFX and highlight the top 10 films that have left an indelible mark on the history of cinema with their astonishing visual effects. Let\u2019s dive in. Jurassic Park brought dinosaurs back to life with groundbreaking VFX, making us all question whether we should be more impressed or terrified of the fact that we were cheering for a T-Rex. In selecting the top 10 movies that have won the \"Best Visual Effects\" award at the Oscars, we\u2019ll consider the innovation, artistry, and impact these films had on the VFX industry and their contribution to cinematic storytelling. This groundbreaking film introduced the revolutionary \"bullet-time\" effect, which allowed for slow-motion action sequences with a unique, 360-degree perspective. The Matrix's innovative use of computer-generated imagery (CGI) and practical effects elevated the film's storytelling and set a new standard for action movies.",
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The world of cinema has always been a magical place where our wildest dreams and imagination come to life on the big screen. A significant part of this enchantment lies in the groundbreaking visual effects (VFX) that transport us to other worlds, create awe-inspiring creatures, and make the impossible seem possible.\u00a0
In this article, we’ll take you on a cinematic journey through the full list of Academy Award winners for Best VFX and highlight the top 10 films that have left an indelible mark on the history of cinema with their astonishing visual effects. Let’s dive in.
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Academy Award for Best Visual Effects
Best Visual Effects Oscar History
The VFX Oscar category traces its origins to the dawn of cinema when filmmakers used practical techniques like matte paintings and miniatures to create captivating visual storytelling. As technology advanced, computer graphics and digital effects revolutionized the industry, paving the way for groundbreaking films like Star Wars and Jurassic Park.
The category has evolved since its inception in 1929, with the most significant change occurring in 1977 when it shifted focus from physical effects to CGI and digital effects. Throughout its history, the VFX Oscar has celebrated milestones and innovations that shaped visual effects in cinema.
Today, the category continues to adapt and recognize the extraordinary achievements of visual effects artists as technology advances.
Academy Award for Best Visual Effects History
OSCAR BEST VISUAL EFFECTS WINNERS
1938: Spawn of the North
1939: The Rains Came
1940: The Thief of Bagdad
1941: I Wanted Wings
1942: Reap the Wild Wind
1943: Crash Dive
1944: Thirty Seconds Over Tokyo
1945: Wonder Man
1946: Blithe Spirit
1947: Green Dolphin Street
1948: Portrait of Jennie
1949: Mighty Joe Young
1950: Destination Moon
1951: When Worlds Collide
1952: Plymouth Adventure
1953: The War of the Worlds
1954: 20,000 Leagues Under the Sea
1955: The Bridges at Toko-Ri
1956: The Ten Commandments
1957: The Enemy Below
1958: Tom Thumb
1959: Ben-Hur
1960: The Time Machine
1961: The Guns of Navarone
1962: The Longest\nDay
1963: Cleopatra
1964: Mary Poppins
1965: Thunderball
1966: Fantastic Voyage
1967: Doctor Dolittle
1968: 2001: A Space Odyssey
1969: Marooned
1970: Tora! Tora! Tora!
1971: Bedknobs and Broomsticks
1972: The Poseidon Adventure
1973: [No Award Given]
1974: Earthquake
1975: The Hindenburg and King Kong
1976: Logan's Run
1977: Star Wars: Episode IV - A New Hope
1978: Superman
1979: Alien
1980: The Empire Strikes Back
1981: Raiders of the Lost Ark
1982: E.T. the Extra-Terrestrial
1983: Star Wars: Episode V: Return of the Jedi
1984: Indiana Jones and the Temple of Doom
1985: Cocoon
1986: Aliens
1987: Innerspace
1988: Who Framed Roger Rabbit
1989: The Abyss
1990: Total Recall
1991: Terminator 2: Judgment Day
1992: Death Becomes Her
1993: Jurassic Park
1994: Forrest Gump
1995: Babe
1996: Independence Day
1997: Titanic
1998: What Dreams May Come
1999: The Matrix
2000: Gladiator
2001: The Lord of the Rings: The Fellowship of the Ring
2002: The Lord of the Rings: The Two Towers
2003: The Lord of the Rings: The Return of the King
2004: Spider-Man 2
2005: King Kong
2006: Pirates of the Caribbean: Dead Man's Chest
2007: The Golden Compass
2008: The Curious Case of Benjamin Button
2009: Avatar
2010: Inception
2011: Hugo
2012: Life of Pi
2013: Gravity
2014: Interstellar
2015: Ex Machina
2016: The Jungle Book
2017: Blade Runner 2049
2019: First Man
2019: 1917
2020: Tenet
2021: Dune
2022: Avatar: The Way of Water
Visual effects have become an integral part of modern-day filmmaking, as they allow directors to create immersive worlds and tell stories that would otherwise be impossible to realize.
In selecting the top 10 movies that have won the \"Best Visual Effects\" award at the Oscars, we\u2019ll consider the innovation, artistry, and impact these films had on the VFX industry and their contribution to cinematic storytelling.
This groundbreaking film introduced the revolutionary \"bullet-time\" effect, which allowed for slow-motion action sequences with a unique, 360-degree perspective. The Matrix's innovative use of computer-generated imagery (CGI) and practical effects elevated the film's storytelling and set a new standard for action movies.
\n\t\n\t
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Action Oscar for Best Visual Effects
Conclusion
The Matrix revolutionized the world of VFX with its groundbreaking bullet time effect, blurring the lines between reality and illusion, and setting a new benchmark for future visual effects in cinema.
Hero Mechantronic Model from E.T. The Extra-Terrestrial
In Steven Spielberg's enchanting tale of friendship, the magic ofE.T. the Extra-Terrestrial was brought to life through the ingenious use of animatronics and puppetry, which breathed life into the charming alien protagonist.
The flawless fusion of these practical effects with a profoundly touching narrative not only cemented E.T.'s status as an all-time favorite but also demonstrated the true power of visual wizardry in elevating storytelling to new heights.
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Spielberg\u2019s Best VFX Oscar
Conclusion
E.T. the Extra-Terrestrial employed cutting-edge visual effects and animatronics for its time, creating an emotionally resonant and lifelike alien protagonist that captivated audiences.
How Christopher Nolan Shot the Iconic Inception Hallway Fight Scene...Without CGI \u2022 Subscribe on YouTube
Christopher Nolan's mind-bending thriller utilized a combination of practical effects, CGI, and innovative camera techniques to create its surreal dreamscapes. Inception'sstunning visuals helped to convey its complex narrative, making it a standout in both storytelling and visual effects.
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Nolan\u2019s Best VFX Oscar
Conclusion
Inception pushed the boundaries of visual storytelling with its mind-bending VFX, seamlessly blending practical effects and CGI to create a dreamlike world that defies gravity and logic.
Jurassic Park \u2022 From Stop Motion to Digital Dinosaurs
A milestone in the history of CGI, Jurassic Park brought dinosaurs back to life through a combination of animatronics and groundbreaking computer-generated imagery. The film's realistic and terrifying creatures set a new benchmark for creature effects and paved the way for the future of VFX in cinema.
\n\t\n\t
\n\t\n\t
Jurassic Best Special Effects Oscars
Conclusion
Jurassic Park brought dinosaurs back to life with groundbreaking VFX, making us all question whether we should be more impressed or terrified of the fact that we were cheering for a T-Rex.
4 Ways 2001: A Space Odyssey Was a Visual-Effects Pioneer
Stanley Kubrick's visionary film used groundbreaking practical effects, miniatures, and optical compositing to create a believable space environment. Its pioneering visual techniques and attention to detail pushed the boundaries of what was possible in filmmaking at the time.
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Kubrick\u2019s Best Visual Effects Oscar
Conclusion
2001: A Space Odyssey not only transformed the way we perceive space and time in cinema, but also expanded our collective imagination, inspiring generations to explore the vastness and mysteries of the universe.
The Lord of the Rings: The Two Towers VFX \u2022 Weta Digital
Peter Jackson's epic fantasy series showcased groundbreaking motion capture technology with the character Gollum, played by Andy Serkis. The seamless integration of CGI and live-action performances set a new standard for character animation and visual storytelling.
\n\t\n\t
\n\t\n\t
Fantasy Oscar Special Effects
Conclusion
The Lord of the Rings: The Two Towers dazzled fans with its breathtaking VFX, masterfully bringing Middle-earth to life and immersing in awe-inspiring landscapes that forever hold a special place in our hearts.
How James Cameron Evolved Motion Capture in the Avatar Films \u2022 Subscribe on YouTube
Have you ever wondered what it would feel like to step into an entirely new world, brimming with photorealistic, computer-generated creatures? James Cameron's sci-fi epic, Avatar, made this possible by revolutionizing 3D filmmaking and motion capture technology.
The breathtaking visuals and innovative techniques not only transported audiences to the mesmerizing world of Pandora but also had a significant impact on the VFX industry, setting a new benchmark for films to aspire to.
\n\t\n\t
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James Cameron\u2019s Best Special Effects Oscars
Conclusion
Avatar redefined the realm of VFX, pioneering groundbreaking 3D and CGI techniques that elevated visual storytelling to unprecedented heights.
James Cameron's action-packed sequel introduced the groundbreaking liquid metal T-1000, a CGI character that could morph into any shape. This revolutionary use of computer-generated imagery marked a turning point in the VFX industry and paved the way for future advancements in digital effects.
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VFX award winners
Conclusion
Terminator 2: Judgment Day's VFX had us all believing that shape-shifting killer robots might just be lurking around the corner \u2013 and we couldn't help but love it.
Star Wars Pioneering Special Effects, VFX, and Sound Design \u2022 Subscribe on YouTube
George Lucas' iconic space opera revolutionized special effects with the use of miniatures, optical compositing, and practical effects to create a galaxy far, far away. Star Wars not only changed the landscape of visual effects but also inspired generations of filmmakers and effects artists.
\n\t\n\t
\n\t\n\t
George Lucas\u2019 Oscar for Best Visual Effects
Conclusion
Star Wars: Episode IV - A New Hoperevolutionized VFX, transporting audiences to a galaxy far, far away and forever changing the landscape of cinema with its innovative blend of practical effects and pioneering technology.
In an extraordinary fusion of artistry and cutting-edge technology, Denis Villeneuve's\nBlade Runner 2049 transcended the boundaries of traditional filmmaking. As a visually arresting sequel to the 1982 classic, this masterpiece melded practical sets, miniatures, and state-of-the-art CGI to craft a dystopian world that exuded both a futuristic aura and a tangible sense of reality.
\n\t\n\t
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Best VFX Oscar of All Time
Conclusion
The mesmerizing visual effects of Blade Runner 2049 not only elevated its storytelling but also cemented its status as a modern tour de force in the realm of VFX cinematography.
These films not only pushed the boundaries of what was possible in visual effects but also proved that VFX could be used to enhance storytelling and create unforgettable cinematic experiences. Their impact on the filmmaking industry is undeniable and will continue to inspire future generations of VFX artists and filmmakers alike.
up next
What is VFX?
Every movie on this list has pushed the innovation of VFX forward. Where did VFX start and what types of VFX are used in film? Check out our next article to learn more.
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+ "page_last_modified": " Wed, 20 Mar 2024 00:10:17 GMT"
+ },
+ {
+ "page_name": "Academy Award for Best Visual Effects - Wikipedia",
+ "page_url": "https://en.wikipedia.org/wiki/Academy_Award_for_Best_Visual_Effects",
+ "page_snippet": "The Academy Award for Best Visual Effects is an Academy Award given for the best achievement in visual effects. The Academy of Motion Picture Arts and Sciences first recognized the technical contributions of special effects to movies at its inaugural dinner in 1929, presenting a plaque for ...The Academy Award for Best Visual Effects is an Academy Award given for the best achievement in visual effects. The Academy of Motion Picture Arts and Sciences first recognized the technical contributions of special effects to movies at its inaugural dinner in 1929, presenting a plaque for \"Best Engineering Effects\" to the first Best Picture Oscar winner, the World War I flying drama Wings. However, according to the rules of the Academy in effect at the time, only three persons could be nominated for their work on a single film, which would have resulted in the omission of either Trumbull, Tom Howard, Con Pederson or Wally Veevers. Ultimately, it was Kubrick's name that was submitted as a nominee in this category, resulting in his winning the award, which many consider a slight to the four men whose work contributed to the film's success. The Academy of Motion Picture Arts and Sciences first recognized the technical contributions of special effects to movies at its inaugural dinner in 1929, presenting a plaque for \"Best Engineering Effects\" to the first Best Picture Oscar winner, the World War I flying drama Wings. Producer David O. Selznick, then production head at RKO Studios, petitioned the Academy Board of Governors to recognize the work of animator Willis O'Brien for his groundbreaking work on 1933's King Kong. It was not until 1938 when a film was actually recognized for its effects work, when a \"Special Achievement Award for Special Effects\" was given to the Paramount film Spawn of the North. According to the official Academy Award rules, the criteria are: (a) consideration of the contribution the visual effects make to the overall production and (b) the artistry, skill and fidelity with which the visual illusions are achieved. A number of filmmakers have had their movies honored for their achievements in visual effects; i.e., six by director James Cameron (who began his career in Hollywood as an effects technician), five films produced by George Pal, five by director/producer George Lucas, four by directors Richard Fleischer, Steven Spielberg and Peter Jackson, three by directors Robert Zemeckis and Christopher Nolan, and two by directors Clarence Brown, Cecil B. DeMille, Mark Robson, Ridley Scott, Robert Stevenson and Denis Villeneuve. Honorees for this award have been bestowed several times as a Special Achievement Academy Award. In 1977, the category was given its current name \"Best Visual Effects.\" For decades, shortlisted finalists were selected by a steering committee. They are presently chosen by the visual effects branch executive committee.",
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The Academy of Motion Picture Arts and Sciences first recognized the technical contributions of special effects to movies at its inaugural dinner in 1929, presenting a plaque for \"Best Engineering Effects\" to the first Best Picture Oscar winner, the World War I flying drama Wings.\n
Producer David O. Selznick, then production head at RKO Studios, petitioned the Academy Board of Governors to recognize the work of animator Willis O'Brien for his groundbreaking work on 1933's King Kong.\n
It was not until 1938 when a film was actually recognized for its effects work, when a \"Special Achievement Award for Special Effects\" was given to the Paramount film Spawn of the North. The following year, \"Best Special Effects\" became a recognized category, although on occasion the Academy has chosen to honor a single film outright rather than nominate two or more films. From 1939 to 1963, it was an award for a film's visual effects as well as audio effects, so it was often given to two persons, although some years only one or the other type of effect was recognized. In 1964, it was given only for visual effects, and the following year the name of the category was changed to \"Best Special Visual Effects\".\n
Honorees for this award have been bestowed several times as a Special Achievement Academy Award. In 1977, the category was given its current name \"Best Visual Effects.\" For decades, shortlisted finalists were selected by a steering committee. They are presently chosen by the visual effects branch executive committee.[1] 1990 was the last year there were no official nominees. Back to the Future Part III, Dick Tracy, Ghost and Total Recall advanced to a second stage of voting, but only Total Recall received a requisite average and it was given a special achievement Oscar.[2]\n
In 1979, there were five films nominated. For most of the next three decades, there were three nominees a year, although at some times there were two and at others, a single film was given the award outright.\n
In 2007, it was decided that a list of no more than 15 eligible films would be chosen, from which a maximum of seven would be shortlisted for further consideration. A vote would then proceed, with a maximum of three nominees. Since 2010, there are ten shortlisted finalists which, using a form of range voting, produce five nominees.[5][6] No more than four people may be nominated for a single film.[7]\n
According to the official Academy Award rules, the criteria are:\n
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(a) consideration of the contribution the visual effects make to the overall production and \n(b) the artistry, skill and fidelity with which the visual illusions are achieved.
Only two directors have won in the same category: British filmmaker Stanley Kubrick's only Oscar win for 1968's 2001: A Space Odyssey, and Japanese filmmaker Takashi Yamazaki's first Oscar win for 2023's Godzilla Minus One.[4][8] The credits for 2001 list four effects contributors, including Douglas Trumbull. However, according to the rules of the Academy in effect at the time, only three persons could be nominated for their work on a single film, which would have resulted in the omission of either Trumbull, Tom Howard, Con Pederson or Wally Veevers. Ultimately, it was Kubrick's name that was submitted as a nominee in this category, resulting in his winning the award, which many consider a slight to the four men whose work contributed to the film's success.[9]\n
Finalists for Best Visual Effects are selected by the Visual Effects Branch Executive Committee. Beginning with a long list of up to 20 titles, the committee then advances ten films to the shortlist.[13] Prior to the 83rd Academy Awards, only fifteen films were long-listed, and only seven films were shortlisted.[14] The full membership of the Visual Effects Branch is invited to view excerpts and is provided with supporting information at a \"bake-off\" where balloting determines the five nominees. These are the additional films that presented at the bake-off.\n
^The nomination for Ralph Hammeras was not associated with any individual film.\n
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^According to the Academy's in-house records, the nomination for Nugent Slaughter was most often connected with The Jazz Singer. It is not considered an official nomination for that film.\n
^From 1939 until 1962, visual effects and sound effects artists competed in a combined Best Special Effects category.\n
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^When nominations were announced on February 9, 1942, Dive Bomber was nominated in place of The Sea Wolf. Both were Warner Bros. productions with photographic effects by Byron Haskin and sound effects by Nathan Levinson. By February 19, the Dive Bomber nomination was replaced with The Sea Wolf. The reason for the substitution is unknown.\n
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^In 1957, The Enemy Below won the Best Special Effects Oscar for audible effects by Walter Rossi. It was not cited for its visual effects.\n
^\"89TH ANNUAL ACADEMY AWARDS OF MERIT\"(PDF). oscars.org. 2016. RULE TWENTY-TWO SPECIAL RULES FOR THE VISUAL EFFECTS AWARD. Archived(PDF) from the original on July 2, 2016. Five productions shall be selected using reweighted range voting to become the nominations for final voting for the Visual Effects award.\n
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