diff --git "a/3a1ba0b8-5e89-4daa-afc4-d6363f91b923.json" "b/3a1ba0b8-5e89-4daa-afc4-d6363f91b923.json" new file mode 100644--- /dev/null +++ "b/3a1ba0b8-5e89-4daa-afc4-d6363f91b923.json" @@ -0,0 +1,40 @@ +{ + "interaction_id": "3a1ba0b8-5e89-4daa-afc4-d6363f91b923", + "search_results": [ + { + "page_name": "Katherine Johnson, NASA mathematician and 'Hidden Figures' ...", + "page_url": "https://ew.com/celebrity/2020/02/24/katherine-johnson-hidden-figures-inspiration-nasa-mathematician-dies/", + "page_snippet": "Katherine Johnson, the pioneering NASA mathematician portrayed by Taraji P. Henson in 'Hidden Figures,' has died.Johnson didn\u2019t stay in the program for long, eventually leaving to have kids with husband James Goble, but in 1952 she heard about the all-black computing division at the National Advisory Committee for Aeronautics (or NACA, as NASA was then known) headed by Dorothy Vaughan (portrayed by Octavia Spencer in Hidden Figures). In 1956 Goble died of cancer, and in 1957 the Soviet Union made history by launching the satellite Sputnik into space. Johnson\u2019s math helped analyze early American attempts to match the Soviets, and she provided trajectory analysis for Alan Shepherd\u2019s Freedom 7 mission in 1961, America\u2019s first manned spaceflight. Long before she helped develop the mathematical formulas that got Americans into space, she was born Katherine Coleman in White Sulphur Springs, West Virginia. Her brilliance with math allowed her to skip some grades, putting her in high school by age 13 and college by age 18. Katherine Johnson, the groundbreaking NASA mathematician portrayed by Taraji P. Henson in the 2016 Oscar-nominated film Hidden Figures, has died at the age of 101.", + "page_result": "\n\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t \n \n \n\n\t\t\t\t\t\n\t\t\t\t\t\n\n\n\n\n\n\n\n\nKatherine Johnson dead: NASA mathematician, Hidden Figures inspiration dies at 101\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\t\t\t\t\t\n\t\t\t\t\t\t\t\n\n\t\t\n\n\n\n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n\n\n\n\n
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\nKatherine Johnson, NASA mathematician and Hidden Figures inspiration, dies at 101

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\nBy\n
Christian Holub is a writer covering comics and other geeky pop culture. He's still mad about 'Firefly' getting canceled.

\" tabindex=\"0\" data-inline-tooltip=\"true\">\nChristian Holub\n
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\nChristian Holub\n
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Christian Holub is a writer covering comics and other geeky pop culture. He's still mad about 'Firefly' getting canceled.

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\nEW's editorial guidelines\n
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Published on February 24, 2020
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\nKatherine Johnson, the groundbreaking NASA mathematician portrayed by Taraji P. Henson in the 2016 Oscar-nominated film Hidden Figures, has died at the age of 101.\n

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\nLong before she helped develop the mathematical formulas that got Americans into space, she was born Katherine Coleman in White Sulphur Springs, West Virginia. Her brilliance with math allowed her to skip some grades, putting her in high school by age 13 and college by age 18. In 1939, West Virginia decided to quietly start integrating its graduate schools, and West Virginia State College president John W. Davis invited Johnson and two male students to be the first black students at West Virginia University. Johnson didn\u2019t stay in the program for long, eventually leaving to have kids with husband James Goble, but in 1952 she heard about the all-black computing division at the National Advisory Committee for Aeronautics (or NACA, as NASA was then known) headed by Dorothy Vaughan (portrayed by Octavia Spencer in Hidden Figures).\n

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\nEddy Chen/Walt Disney Television via Getty Images\n
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\nIn 1956 Goble died of cancer, and in 1957 the Soviet Union made history by launching the satellite Sputnik into space. Johnson\u2019s math helped analyze early American attempts to match the Soviets, and she provided trajectory analysis for Alan Shepherd\u2019s Freedom 7 mission in 1961, America\u2019s first manned spaceflight. But her most famous contribution to NASA came in 1962, during John Glenn\u2019s spaceflight. NASA computers had been programmed with calculations, but Glenn didn\u2019t trust the machines. He asked the engineers to have Johnson double-check the equations. \u201cIf she says they\u2019re good, then I\u2019m ready to go,\u201d Johnson recalled Glenn saying. She did, and he was.\n

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\n\u201cNASA is deeply saddened by the loss of a leader from our pioneering days, and we sent our deepest condolences to the family of Katherine Johnson,\u201d NASA administrator Jim Bridenstine said in a statement. \u201cMs. Johnson helped our nation enlarge the frontiers of space even as she made human strides that also opened doors for women and people of color in the universal human quest to explore space.\u201d\n

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\nJohnson\u2019s story was not one of the most well-known narratives from the Space Age until Hidden Figures introduced her, Vaughan, and Mary Jackson (the mathematician portrayed by Janelle Mon\u00e1e) to mainstream awareness. Henson told EW in 2015 that she and director Theodore Melfi visited Johnson before they started filming: \u201cWe sat and talked and went through photo albums. Her children were there, and her grandchildren. I really felt a responsibility when her children met me. They were like, \u2018We couldn\u2019t think of a better actress to play our mom.\u2019 I was like, \u2018No pressure!\u2019 She said multiple times, \u2018I don\u2019t know why you\u2019re making a movie about me. I just did my work,\u2019\u201d he says. \u201cShe\u2019s just so humble and doesn\u2019t understand what she\u2019s done to pave the way for other women or women of color.\u201d\n

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\nHidden Figures was nominated for three Oscars, including Best Picture. Though it didn\u2019t win any, Henson, Mon\u00e1e, and Spencer did bring Johnson up on stage with them to celebrate the real-life women behind the film.\n

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\n\u201cThank you QUEEN #KatherineJohnson for sharing your intelligence, poise, grace and beauty with the world! Because of your hard work little girls EVERYWHERE can dream as big as the MOON!!!\u201d Henson wrote on Instagram after news of Johnson\u2019s death. \u201cYour legacy will live on FORVER AND EVER!!! You ran so we could fly!!! I will forever be honored to have been apart of bringing your story to life. You/your story was hidden and thank GOD you are #hiddennomore? God bless your beautiful family. I am so honored to have sat and broke bread with you all.\u201d\n

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\n\t\t\n\n\t\t\n", + "page_last_modified": "" + }, + { + "page_name": "Hidden Figures (2016) - Full Cast & Crew - IMDb", + "page_url": "https://www.imdb.com/title/tt4846340/fullcredits", + "page_snippet": "", + "page_result": "\n\n\n\n\n\n\n\n\n\n\n\n \n \n\n \n\n\n\n\n \n\n\n \n Hidden Figures (2016) - Full Cast & Crew - IMDb\n \n\n\n\n \n \n\n\n \n\n \n \n \n\n \n \n \n \n\n \n\n \n \n \n \n\n\n\n \n \n \n\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n\n \n\n\n \n\n\n\n\n \n \n \n \n\n\n\n\n\n \n \n \n\n \n\n \n\n\n\n\n\n \n \n \n \n\n \n\n\n\n\n\n\n\n\n
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\nHidden Figures \n (2016)\n \n

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Full Cast & Crew

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\n\n Directed by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
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\n \n Cast\n (in credits order)\n verified as complete \n  \n

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\n \n Taraji P. Henson\n \n ...\n \n Katherine G. Johnson \n \n
\n \n Octavia Spencer\n \n ...\n \n Dorothy Vaughan \n \n
\n \n Janelle Mon\u00e1e\n \n ...\n \n Mary Jackson \n \n
\n \n Kevin Costner\n \n ...\n \n Al Harrison \n \n
\n \n Kirsten Dunst\n \n ...\n \n Vivian Mitchell \n \n
\n \n Jim Parsons\n \n ...\n \n Paul Stafford \n \n
\n \n Mahershala Ali\n \n ...\n \n Colonel Jim Johnson \n \n
\n \n Aldis Hodge\n \n ...\n \n Levi Jackson \n \n
\n \n Glen Powell\n \n ...\n \n John Glenn \n \n
\n \n Kimberly Quinn\n \n ...\n \n Ruth \n \n
\n \n Olek Krupa\n \n ...\n \n Karl Zielinski \n \n
\n \n Kurt Krause\n \n ...\n \n Sam Turner \n \n
\n \n Ken Strunk\n \n ...\n \n Jim Webb \n \n
\n \n Lidya Jewett\n \n ...\n \n Young Katherine Coleman \n \n
\n \n Donna Biscoe\n \n ...\n \n Mrs. Joylette Coleman \n \n
\n \n Ariana Neal\n \n ...\n \n Joylette Johnson \n \n
\n \n Saniyya Sidney\n \n ...\n \n Constance Johnson \n \n
\n \n Zani Jones Mbayise\n \n ...\n \n Kathy Johnson \n \n
\n \n Tre Stokes\n \n ...\n \n Levi Jackson Jr. \n \n \n (as Tre' Strokes)\n \n \n
\n \n Selah Kimbro Jones\n \n ...\n \n Carolyn Marie Jackson \n \n
\n \n Corey Mendell Parker\n \n ...\n \n Howard Vaughan \n \n \n (as Corey Parker)\n \n \n
\n\"Ashton \n Ashton Tyler\n \n ...\n \n Leonard Vaughan \n \n
\n \n Alkoya Brunson\n \n ...\n \n Kenneth Vaughan \n \n
\n \n Karan Kendrick\n \n ...\n \n Younger Joylette Coleman \n \n
\n \n Jaiden Kaine\n \n ...\n \n Joshua Coleman \n \n
\n \n Gregory Alan Williams\n \n ...\n \n Marion Smithson \n \n \n (as G. Williams)\n \n \n
\n \n Maria Howell\n \n ...\n \n Ms. Sumner \n \n
\n \n Arnell Powell\n \n ...\n \n Professor Graves \n \n
\n \n Ron Clinton Smith\n \n ...\n \n White Cop \n \n
\n \n Crystal Lee Brown\n \n ...\n \n Bernie \n \n
\n \n Tequilla Whitfield\n \n ...\n \n Eleanor \n \n
\n \n Dane Davenport\n \n ...\n \n Alan Shepard \n \n
\n \n Evan Holtzman\n \n ...\n \n Deke Slayton \n \n
\n \n Travis Smith\n \n ...\n \n Scott Carpenter \n \n
\n \n Scott Michael Morgan\n \n ...\n \n Bill Calhoun \n \n
\n \n Chris Cavalier\n \n ...\n \n IBM Technician \n \n
\n \n Robert G. McKay\n \n ...\n \n Pastor Ayres \n \n
\n \n Rhoda Griffis\n \n ...\n \n White Librarian \n \n
\n \n Karen Wheeling Reynolds\n \n ...\n \n Court Clerk \n \n \n (as Karen Reynolds)\n \n \n
\n \n Kate Kneeland\n \n ...\n \n Court Clerk \n \n \n (as Katie Kneeland)\n \n \n
\n \n Joe Knezevich\n \n ...\n \n Wind Tunnel PA Announcer \n \n
\n \n Paul Ryden\n \n ...\n \n TV Reporter at Cape Canaveral \n \n
\n\"Frank \n Frank Hoyt Taylor\n \n ...\n \n Judge \n \n
\n \n John Atwood\n \n ...\n \n Newscaster \n \n
\n \n Jon Edwin Wright\n \n ...\n \n Newscaster \n \n
\n \n Wilbur Fitzgerald\n \n ...\n \n Senator Patrick \n \n \n (as Wilbur T. Fitzgerald)\n \n \n
\n\"Michael \n Michael Hartson\n \n ...\n \n Night School Professor \n \n
\n \n Bob Jennings\n \n ...\n \n Navy Officer \n \n
\n \n Gary Weeks\n \n ...\n \n Reporter at Press Conference \n \n
\n \n Afemo Omilami\n \n ...\n \n Man Outside Store \n \n
\n \n Cullen Moss\n \n ...\n \n Mission Control Commander \n \n
\n \n Amy Tipton\n \n ...\n \n Woman Crying \n \n
\n \n Elijah Everett\n \n ...\n \n Crying Man \n \n \n (as Eli Everett)\n \n \n
\n\"Andre \n Andre Pushkin\n \n ...\n \n Russian Scientist \n \n
\n \n Randall Newsome\n \n ...\n \n Russian Scientist \n \n
\n \n Joe Hardy Jr.\n \n ...\n \n Gordon Cooper \n \n
\n \n Howie Johnson\n \n ...\n \n Library Security Guard \n \n
\n \n David Kallaway\n \n ...\n \n NASA Security Guard \n \n
\n\"Addison \n Addison Rose Melfi\n \n ...\n \n Addie Marcus \n \n
Rest of cast listed alphabetically:
\n \n Glenn H. Allen\n \n ...\n \n Wally Schirra \n \n \n (uncredited)\n \n \n
\n\"Stacie \n Stacie Ballard\n \n ...\n \n NASA East Wing Employee \n \n \n (uncredited)\n \n \n
\n\"Anastasia \n Anastasia Bastien\n \n ...\n \n Girl at Event \n \n \n (uncredited)\n \n \n
\n\"Shawn \n Shawn Behan\n \n ...\n \n Courtroom Attendee / \n Witness to Historic Event / \n NASA Employee \n \n \n (uncredited)\n \n \n
\n\"Rebekah \n Rebekah Boroughs\n \n ...\n \n Louise Brewer-Shepard \n \n \n (uncredited)\n \n \n
\n\"Bob \n Bob Bost\n \n ...\n \n Eisenhower \n \n \n (uncredited)\n \n \n
\n \n Taylor Box\n \n ...\n \n NASA Engineer \n \n \n (uncredited)\n \n \n
\n\"Maiya \n Maiya Boyd\n \n ...\n \n Child \n \n \n (uncredited)\n \n \n
\n \n Madeline Brumby\n \n ...\n \n East Computer \n \n \n (uncredited)\n \n \n
\n\"Judy \n Judy McGee Burley\n \n ...\n \n Choir Member \n \n \n (uncredited)\n \n \n
\n \n Cody Carrera\n \n ...\n \n NASA Employee \n \n \n (uncredited)\n \n \n
\n \n Lucie Carroll\n \n ...\n \n Computer Operator \n \n \n (uncredited)\n \n \n
\n \n Tabitha Chappelle\n \n ...\n \n Courthouse Worker \n \n \n (uncredited)\n \n \n
\n\"Taylor \n Taylor K Charles\n \n ...\n \n Student \n \n \n (uncredited)\n \n \n
\n \n Tony F. Charles\n \n ...\n \n NASA Spectator \n \n \n (uncredited)\n \n \n
\n\"Eva \n Eva Coleman\n \n ...\n \n Elementary School Girl \n \n \n (uncredited)\n \n \n
\n\"John \n John Collier\n \n ...\n \n NASA Engineer \n \n \n (uncredited)\n \n \n
\n\"Anthony \n Anthony Collins\n \n ...\n \n NASA Control \n \n \n (uncredited)\n \n \n
\n \n Marisol Correa\n \n ...\n \n Civil Rights Protestor \n \n \n (uncredited)\n \n \n
\n\"Vashti \n Vashti Denise\n \n ...\n \n Black Computer \n \n \n (uncredited)\n \n \n
\n \n Mavro Diamanti\n \n ...\n \n Student \n \n \n (uncredited)\n \n \n
\n\"Amanda \n Amanda Dunn\n \n ...\n \n East End Computer Woman \n \n \n (uncredited)\n \n \n
\n \n Mark Falvo\n \n ...\n \n NASA Employee \n \n \n (uncredited)\n \n \n
\n\"Jeff \n Jeff Glover\n \n ...\n \n NASA Engineer \n \n \n (uncredited)\n \n \n
\n \n Katy Harper\n \n ...\n \n Vivian's Assistant \n \n \n (uncredited)\n \n \n
\n\"James \n James Harvley\n \n ...\n \n Senator \n \n \n (uncredited)\n \n \n
\n\"Kamryn \n Kamryn Johnson\n \n ...\n \n Kathryn Vaughan \n \n \n (uncredited)\n \n \n
\n\"Kenneth \n Kenneth Jones\n \n ...\n \n NASA Core Engineer / \n Delivery Guy \n \n \n (uncredited)\n \n \n
\n\"Sam \n Sam Juergens\n \n ...\n \n NASA Engineer \n \n \n (uncredited)\n \n \n
\n \n John F. Kennedy\n \n ...\n \n Self \n \n \n (archive footage) (uncredited)\n \n \n
\n\"Drew \n Drew Kight\n \n ...\n \n Kid Running \n \n \n (uncredited)\n \n \n
\n \n Martin Luther King\n \n ...\n \n Self \n \n \n (archive footage) (uncredited)\n \n \n
\n\"Ross \n Ross Klein\n \n ...\n \n High School Student \n \n \n (uncredited)\n \n \n
\n \n Michael Koske\n \n ...\n \n Cameraman \n \n \n (uncredited)\n \n \n
\n\"Roy \n Roy Larsen\n \n ...\n \n Press Photographer \n \n \n (uncredited)\n \n \n
\n\"Scott \n Scott Ledbetter\n \n ...\n \n USAF 4 Star General \n \n \n (uncredited)\n \n \n
\n\"Daniel \n Daniel Lucente\n \n ...\n \n 2 Star General \n \n \n (uncredited)\n \n \n
\n\"Zachary \n Zachary Markley\n \n ...\n \n News Photographer \n \n \n (uncredited)\n \n \n
\n\"Brandon \n Brandon Scott McCall\n \n ...\n \n NASA Control \n \n \n (uncredited)\n \n \n
\n \n Devin McGee\n \n ...\n \n Gus Grissom \n \n \n (uncredited)\n \n \n
\n\"Gabbie \n Gabbie McGee\n \n ...\n \n Church Goer \n \n \n (uncredited)\n \n \n
\n \n Trey McGriff\n \n ...\n \n Television Cameraman \n \n \n (uncredited)\n \n \n
\n \n Janeen Michael\n \n ...\n \n West Area Computer Woman \n \n \n (uncredited)\n \n \n
\n \n Matthew J Millard\n \n ...\n \n NASA Engineer \n \n \n (uncredited)\n \n \n
\n\"Rachel \n Rachel Mae Moore\n \n ...\n \n Parade Girl \n \n \n (uncredited)\n \n \n
\n \n Paige Nicollette\n \n ...\n \n Eunice \n \n \n (uncredited)\n \n \n
\n\"Kevin \n Kevin Marshall Pinkney\n \n ...\n \n Man at Fountain \n \n \n (uncredited)\n \n \n
\n\"Cyndy \n Cyndy Powell\n \n ...\n \n NASA Woman \n \n \n (uncredited)\n \n \n
\n\"Leslie \n Leslie Powell\n \n ...\n \n NASA Woman \n \n \n (uncredited)\n \n \n
\n\"Letecia \n Letecia Reeder\n \n ...\n \n West Area Computer Woman \n \n \n (uncredited)\n \n \n
\n\"Artricia \n Artricia Rose\n \n ...\n \n Computer Woman \n \n \n (uncredited)\n \n \n
\n\"Liz \n Liz Sanford\n \n ...\n \n NASA Computer - East Wing \n \n \n (uncredited)\n \n \n
\n \n Patti Schellhaas\n \n ...\n \n 10 Key Secretary \n \n \n (uncredited)\n \n \n
\n\"Dan \n Dan E Scott\n \n ...\n \n Courtroom Activist Dan \n \n \n (uncredited)\n \n \n
\n \n Joseph P. Scott\n \n ...\n \n NASA Launch Crew \n \n \n (uncredited)\n \n \n
\n \n Donna Sexton\n \n ...\n \n Wife \n \n \n (uncredited)\n \n \n
\n \n Doug Stroup\n \n ...\n \n NASA Task Force \n \n \n (uncredited)\n \n \n
\n \n Jeremy Sykes\n \n ...\n \n Civil Rights Protester \n \n \n (uncredited)\n \n \n
\n \n John Sykes\n \n ...\n \n USAF Aide \n \n \n (uncredited)\n \n \n
\n \n Greg Tresan\n \n ...\n \n K9 Protest Cop \n \n \n (uncredited)\n \n \n
\n\"William \n William Walker\n \n ...\n \n NASA Control \n \n \n (uncredited)\n \n \n
\n\"Veronica \n Veronica Warner\n \n ...\n \n Church Goer \n \n \n (uncredited)\n \n \n
\n\"Olivia \n Olivia Whinnett\n \n ...\n \n Crossing Guard Kid \n \n \n (uncredited)\n \n \n
\n\"Cameron \n Cameron Wilder\n \n ...\n \n NASA Launch Crew \n \n \n (uncredited)\n \n \n
\n \n Elizabeth Youman\n \n ...\n \n Ann Vaughan \n \n \n (uncredited)\n \n \n
\n \n Chanel Young\n \n ...\n \n IBM Worker \n \n \n (uncredited)\n \n \n
\n Produced by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Peter Chernin\n ...\n producer (produced by)\n
\n Jamal Daniel\n ...\n executive producer\n
\n Donna Gigliotti\n ...\n producer (produced by)\n
\n Kevin Halloran\n ...\n executive producer\n
\n Ivana Lombardi\n ...\n executive producer\n
\n Theodore Melfi\n ...\n producer (produced by)\n
\n Kimberly Quinn\n ...\n co-producer\n
\n Margot Lee Shetterly\n ...\n executive producer\n
\n Jenno Topping\n ...\n producer (produced by)\n
\n Mimi Valdes\n ...\n executive producer (as Mimi Vald\u00e9s)\n
\n Pharrell Williams\n ...\n producer (produced by)\n
\n Renee Witt\n ...\n executive producer\n
\n Music by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Benjamin Wallfisch\n ...\n (music by)\n
\n Pharrell Williams\n ...\n (music by)\n
\n Hans Zimmer\n ...\n (music by)\n
\n Cinematography by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Mandy Walker\n ...\n director of photography\n
\n Editing by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Peter Teschner\n ...\n (edited by)\n
\n Casting By \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Victoria Thomas\n
\n Production Design by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Wynn Thomas\n
\n Art Direction by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Jeremy Woolsey\n
\n Set Decoration by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Missy Parker\n
\n Costume Design by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Renee Ehrlich Kalfus\n
\n Makeup Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Zachary Britt\n ...\n hair stylist (as Zachary G. Britt)\n
\n Selena Evans-Miller\n ...\n makeup artist\n
\n Theresa A. Fleming\n ...\n hair stylist (as Theresa Fleming)\n
\n Melissa Forney\n ...\n hair department head (as Melissa 'Missy' Forney)\n
\n Gindy Martin\n ...\n assistant makeup artist\n
\n Mario Michisanti\n ...\n hair stylist: Mr. Costner\n
\n Eric Pagdin\n ...\n first assistant hair stylist (as Eric G. Pagdin)\n
\n Quintessence Patterson\n ...\n makeup artist\n
\n AL Payne\n ...\n barber\n
\n Beverly Jo Pryor\n ...\n makeup department head\n
\n Yolanda Sheridan\n ...\n first assistant makeup artist\n
\n Ashunta Sheriff\n ...\n makeup artist\n
\n Al Watson\n ...\n hair stylist\n
\n Production Management \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Gregory Earls\n ...\n post-production manager\n
\n Kevin Halloran\n ...\n unit production manager\n
\n Sasha Veneziano\n ...\n production supervisor\n
\n Aaron Downing\n ...\n executive in charge of post production (uncredited)\n
\n Second Unit Director or Assistant Director \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Philip Banks\n ...\n additional second assistant director\n
\n Dustin Brown\n ...\n additional second second assistant director\n
\n Jason Inman\n ...\n second assistant director\n
\n Gary Marcus\n ...\n first assistant director\n
\n Aric Sabin\n ...\n additional second assistant director\n
\n Rafael Sanz\n ...\n second second assistant director\n
\n Art Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Scott Autry\n ...\n set dresser (as Samuel Scott Autry)\n
\n Dustin Berry\n ...\n set decoration buyer\n
\n Jeanne Bijkerk\n ...\n scenic painter\n
\n Chris Brandt\n ...\n storyboard artist\n
\n James Brothers\n ...\n property master\n
\n Danny Brown\n ...\n assistant art director\n
\n Justin Cammer\n ...\n set painter\n
\n Adam Chambers\n ...\n set dresser\n
\n John Courson\n ...\n painter\n
\n Jessica Deese\n ...\n painter\n
\n Jonathan Dossman\n ...\n set dresser (as Jon Dossman)\n
\n Stephen Eno\n ...\n scenic foreman\n
\n Nick Forman\n ...\n set dresser (as Nik Forman)\n
\n Carol Francoso\n ...\n scenic artist\n
\n Laurie Garner\n ...\n props\n
\n Craig Gilmore\n ...\n illustrator\n
\n Elizabeth Gleason\n ...\n set dresser\n
\n Amber Goodrum\n ...\n set dresser\n
\n Matt Green\n ...\n propmaker\n
\n Greg Harmon\n ...\n prop maker\n
\n Allen Harris\n ...\n set dresser\n
\n Lawrence Heap\n ...\n leadman\n
\n Jason Alan Hoffman\n ...\n propmaker: credit\n
\n Andrew Huddleston\n ...\n set dec assistant\n
\n Jasmine Alexia Jackson\n ...\n art department assistant\n
\n William Craig Johnson\n ...\n on set dresser\n
\n Joel Klaff\n ...\n Draper\n
\n Nathan Krochmal\n ...\n set designer\n
\n Holiday Landa\n ...\n set dec buyer\n
\n Lauri Lannan\n ...\n set decoration buyer\n
\n Chloe Lipp\n ...\n art department coordinator\n
\n Scott Lyttle\n ...\n carpenter\n
\n Carla Martinez\n ...\n set designer\n
\n Trevor McNure\n ...\n property assistant\n
\n Jenn Moye\n ...\n graphic artist\n
\n Ky Hoang Nguyen\n ...\n set dresser\n
\n Neil Palmer\n ...\n paint runner\n
\n Michael Cameron Payne\n ...\n propmaker\n
\n Jose F. Garcia Pineda\n ...\n prop/set maker / propmaker standby carpenter\n
\n Christine Ramirez\n ...\n props\n
\n John Rodgers\n ...\n set dresser\n
\n Erin Santini\n ...\n graphic artist\n
\n Joey Sisson\n ...\n additional on-set dresser\n
\n David Sutton\n ...\n on camera scenic\n
\n Jason Sweers\n ...\n lead graphic designer\n
\n Roman Weaver\n ...\n carpenter\n
\n Angie Woodard\n ...\n assistant property master\n
\n Hussein Agamiri\n ...\n set dresser (uncredited)\n
\n Sound Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Steve Baine\n ...\n foley artist\n
\n Brian Bair\n ...\n re-recording engineer\n
\n Phil Barrie\n ...\n sound effects editor\n
\n Ian Bender\n ...\n boom operator\n
\n David Betancourt\n ...\n adr mixer\n
\n Derek Casari\n ...\n adr engineer\n
\n Arif Chagla\n ...\n adr engineer\n
\n Susan Dawes\n ...\n adr & dialogue supervisor\n
\n Gina Gyles\n ...\n foley assistant\n
\n John Harton\n ...\n sound utility\n
\n Craig Henighan\n ...\n additional sound designer\n
\n Jesse Johnstone\n ...\n sound recordist\n
\n R.J. Kizer\n ...\n dialogue editor\n
\n Tom Lalley\n ...\n sound re-recording engineer\n
\n Wayne Lemmer\n ...\n additional re-recording mixer / sound designer / supervising sound editor\n
\n David Lucarelli\n ...\n adr recordist\n
\n Helen Luttrell\n ...\n dialogue editor\n
\n Chris Navarro\n ...\n adr mixer\n
\n Andy Nelson\n ...\n re-recording mixer\n
\n Matthew Nicolay\n ...\n sound mixer\n
\n Peter Persaud\n ...\n foley recordist\n
\n Erin Michael Rettig\n ...\n sound engineering\n
\n Charleen Richards\n ...\n adr mixer (as Charleen Richards-Steeves)\n
\n Andre Robinson\n ...\n adr: looping\n
\n Luke Schwarzweller\n ...\n sound recordist\n
\n Christine Sirois\n ...\n adr recordist\n
\n John Soukup\n ...\n sound transfer recordist\n
\n Derek Vanderhorst\n ...\n re-recording mixer / sound designer / supervising sound editor\n
\n Craig Weintraub\n ...\n assistant sound editor\n
\n Mark Wilkening\n ...\n adr mixer\n
\n Carl Rohrs\n ...\n epk/bts (uncredited)\n
\n Special Effects by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Mark R. Byers\n ...\n special effects supervisor\n
\n Justyn Plath\n ...\n special effects technician\n
\n Visual Effects by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Stefan Andersson\n ...\n visual effects supervisor: ILP\n
\n Joshua Bailor\n ...\n digital compositor: Crafty Apes\n
\n Tanner Bartlett\n ...\n compositor\n
\n M\u00e5ns Bj\u00f6rklund\n ...\n visual effects executive producer: ILP\n
\n Chris Chalaire\n ...\n cg modeller\n
\n Patrick Clancey\n ...\n digital opticals\n
\n Rif Dagher\n ...\n visual effects supervisor: Cgfluids\n
\n Steve DiNozzi\n ...\n digital compositor\n
\n Wes Dorough\n ...\n visual effects producer: crafty apes\n
\n Gus Duron\n ...\n digital opticals editor\n
\n Brian Fortune\n ...\n lead compositor: Crafty Apes\n
\n Anthony Fung\n ...\n visual effects artist\n
\n Blake Goedde\n ...\n digital compositor\n
\n Robin Scott Graham\n ...\n visual effects supervisor: Crafty Apes\n
\n Lev Grayson\n ...\n digital compositor (as Fiifi Aggrey)\n
\n Bryan Haines\n ...\n digital compositor\n
\n Craig Hayes\n ...\n visual effects editor\n
\n Elliott Jobe\n ...\n visual effects\n
\n Nick Johnson\n ...\n digital compositor (as Nicholas Johnson)\n
\n Blagoy Kostov\n ...\n visual effects: Cgfluids\n
\n Chris LeDoux\n ...\n visual effects supervisor\n
\n Mark LeDoux\n ...\n visual effects supervisor\n
\n Tim LeDoux\n ...\n visual effects supervisor: Crafty Apes\n
\n Adam Pere\n ...\n visual effects coordinator\n
\n Sean Pollack\n ...\n cg supervisor\n
\n Matthew Rappaport\n ...\n visual effects artist\n
\n Charles G. Roberts\n ...\n compositor (as 'Charlie Roberts')\n
\n Jason Sanford\n ...\n visual effects producer: Crafty Apes\n
\n Lania Sitepu\n ...\n visual effects coordinator: ILP\n
\n Joshua D. Stevens\n ...\n visual effects plate supervisor\n
\n Jens Tenland\n ...\n digital compositor: ILP\n
\n Ivan Tepavicharov\n ...\n visual effects: Cgfluids\n
\n Sara Emily Tremblay\n ...\n digital compositor\n
\n Dirk Valk\n ...\n cg supervisor\n
\n Jack Van Nuis\n ...\n digital compositor\n
\n Greg Wadsworth\n ...\n digital compositor\n
\n Andreas Weidman\n ...\n visual effects artist: ILP\n
\n Christina Garberson\n ...\n visual effects executive (uncredited)\n
\n Stunts \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Keith Adams\n ...\n stunt coordinator\n
\n Raven-Danielle Baker\n ...\n stunts (as Raven Baker)\n
\n Nick DeKay\n ...\n stunts (as Nicholas DeKay)\n
\n Daniel Jackson\n ...\n stunts\n
\n Kirk A. Jenkins\n ...\n stunts (as Kirk Jenkins)\n
\n Bethany Levy\n ...\n stunts\n
\n Nathaniel Perry\n ...\n stunts\n
\n Brandon M. Shaw\n ...\n stunts (as Brandon Shaw)\n
\n Paul E. Short\n ...\n stunts (as Paul Short)\n
\n Greg Sproles\n ...\n stunts\n
\n Ruth Dalton\n ...\n stunt double: White Librarian (uncredited)\n
\n Nick DeKay\n ...\n stunts: motorcycle (uncredited)\n
\n Duke Jackson\n ...\n stunt performer (uncredited)\n
\n Bethany Levy\n ...\n stunt driving double: Janelle Monae (uncredited)\n
\n Paul E. Short\n ...\n stunt double: white cop (uncredited)\n
\n Camera and Electrical Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Brian Adams\n ...\n rigging electrician\n
\n Roger Basquette\n ...\n digital video assist operator\n
\n Chris Birdsong\n ...\n key grip\n
\n Marek Bojsza\n ...\n electrician\n
\n Marc Casey\n ...\n second assistant camera: \"b\" camera\n
\n Mike Collins\n ...\n lighting technician: day player\n
\n Chris Culliton\n ...\n gaffer\n
\n Justin Elder\n ...\n lighting technician\n
\n Jason Ellson\n ...\n steadicam operator: \"a\" camera\n
\n Alexander Eremin\n ...\n company grip\n
\n Linton Flowers\n ...\n best boy grip\n
\n Mick Froehlich\n ...\n camera operator: \"b\" camera (as Micky Froehlich)\n
\n Bruce Giglio\n ...\n rigging electrician\n
\n Jarek Gorczycki\n ...\n best boy electric\n
\n Doug Harmes\n ...\n electrician\n
\n Jeff 'Moose' Howery\n ...\n dolly grip: Mandy Walker\n
\n Stuart Huggins\n ...\n digital imaging technician: aerial unit\n
\n Matthew Kelly Jackson\n ...\n second assistant camera: \"a\" camera\n
\n Justin Yardley Jones\n ...\n key rigging grip\n
\n Bryan Keenan\n ...\n lighting technician\n
\n Richard Dennis Kinnard\n ...\n rigging lamp operator (as Dennis Kinnard)\n
\n Jeff LaBaume\n ...\n rigging electrician: day player (as Jeff Labaume)\n
\n Jonathan McKeown\n ...\n electrician\n
\n Scott Montgomery\n ...\n drone camera operator\n
\n Dan Moore\n ...\n video operator\n
\n Larry Nielsen\n ...\n first assistant camera: \"a\" camera\n
\n Louie Northern\n ...\n drone pilot\n
\n Doyle Petty\n ...\n best boy rigging grip\n
\n Deaglan Quinn\n ...\n company grip\n
\n Tony Rivetti\n ...\n first assistant camera: \"b\"camera\n
\n Allen Robinson\n ...\n grip\n
\n Chad Schroeder\n ...\n rigging gaffer\n
\n Henry Schroeder\n ...\n technocrane operator\n
\n Scott Sealock\n ...\n rigging grip\n
\n Hopper Stone\n ...\n still photographer\n
\n Austin Swenson\n ...\n film loader\n
\n Zach Tharp\n ...\n rigging electrical best boy\n
\n Aidyn Timothy\n ...\n rigging grip\n
\n Jordan Tyson\n ...\n lighting technician\n
\n Riley Wood\n ...\n grip\n
\n Edward Young\n ...\n rigging grip\n
\n Pete Chiaramonte\n ...\n bts cinematographer (uncredited)\n
\n Timothy P. Vaughan\n ...\n rigging grip (uncredited)\n
\n Casting Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Jackie Burch\n ...\n southeast casting director\n
\n Bradley Clark\n ...\n local casting assistant\n
\n Andrea Craven\n ...\n extras casting director\n
\n Vashti Denise\n ...\n extras casting assistant\n
\n Bonnie Grisan\n ...\n casting associate\n
\n Tamara Hunter\n ...\n executive in charge of casting\n
\n Ashley Lambert\n ...\n adr voice casting\n
\n Bill Marinella\n ...\n extras casting\n
\n Robb Pendleton\n ...\n extras casting\n
\n Costume and Wardrobe Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Dustin Angus\n ...\n key costumer\n
\n Dennis Bates\n ...\n costume assistant\n
\n Cha Blevins\n ...\n key costumer\n
\n Andrew Callahan\n ...\n costume assistant\n
\n Marcella Elisa Caudill\n ...\n costumer\n
\n Meredith Coats\n ...\n set costumer\n
\n Morgan Dixon\n ...\n costume assistant\n
\n Lauren Driskill\n ...\n costume fitter / fitter\n
\n Paula Elins\n ...\n assistant costume designer\n
\n Shenelle Evans\n ...\n stitcher\n
\n Jordanna Fineberg\n ...\n costumer\n
\n Karen Freed\n ...\n costumer\n
\n Daniel George\n ...\n costumer\n
\n Kaylie Hamborg\n ...\n costume assistant\n
\n Keith Hudson\n ...\n textile artist\n
\n Grayson Kelly\n ...\n cutter/fitter\n
\n Neishea Lemle\n ...\n costume assistant\n
\n Danielle Marsico\n ...\n costume assistant (as Danielle Schuck)\n
\n Muto-Little\n ...\n costume maker\n
\n Kendra L. Patterson\n ...\n set costumer\n
\n Nora Phillips Pedersen\n ...\n prep costumer\n
\n Kathryn Rogers\n ...\n stitcher\n
\n Jenae Roseen\n ...\n background set costumer\n
\n Rebecca Russell\n ...\n costume assistant (as Rebecca Napier Russell) / set costumer (as Rebecca Napier White)\n
\n Ellen Semones\n ...\n key costumer\n
\n Bridget Shields\n ...\n fitter\n
\n Rachel Soriano\n ...\n costume assistant\n
\n Fatima Stripling\n ...\n costumer / set costumer\n
\n Raiyonda Vereen\n ...\n costumer\n
\n Kara Weeks\n ...\n workroom co-ordinator\n
\n Valerie Zielonka\n ...\n costume supervisor\n
\n Jeffrey Mayhue\n ...\n ager/dyer (uncredited)\n
\n Editorial Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Ron Anderson\n ...\n colorist: dailies\n
\n D.C. Cardinali\n ...\n colorist: dailies\n
\n Jennifer Chung\n ...\n editorial assistant/archival footage coordinator\n
\n James Michael Crawford\n ...\n dailies operator\n
\n Jeremiah Drueke\n ...\n dailies coordinator\n
\n Emma Escamilla\n ...\n post-production assistant\n
\n Max Fisher\n ...\n editorial assistant\n
\n Leah Gunter\n ...\n assistant editor\n
\n Craig Hayes\n ...\n additional editing\n
\n Ron Heidt\n ...\n technical editorial advisor\n
\n Thomas Kuo\n ...\n digital intermediate film scanner\n
\n Natasha Leonnet\n ...\n digital intermediate colorist\n
\n Ian Macdonald\n ...\n dailies\n
\n Ray Ruotolo\n ...\n digital colorist assistant\n
\n Steve Shireman\n ...\n dailies operator\n
\n Location Management \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Kevin Dowling\n ...\n location scout/assistant location manager\n
\n Dan Gorman\n ...\n assistant location manager\n
\n Wes Hagan\n ...\n location manager\n
\n Caroline Nightbird\n ...\n locations scout\n
\n Jordan Schmidt\n ...\n key assistant location manager/scout\n
\n Music Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Crystal Brooke Alforque\n ...\n musician: violin\n
\n Christopher Anderson-Bazzoli\n ...\n music preparation\n
\n Sean Barrett\n ...\n assistant orchestrator\n
\n Jacob Braun\n ...\n musician: cello\n
\n Johnny Britt\n ...\n soloist: trumpet\n
\n Rob Brophy\n ...\n musician: viola\n
\n Kim Burrell\n ...\n solo vocalist\n
\n John W. Chapman\n ...\n score mixer\n
\n Chuck Choi\n ...\n score technical consultant\n
\n Meredith Crawford\n ...\n musician: viola\n
\n Randy Crenshaw\n ...\n score vocalist\n
\n Steve Dress\n ...\n musician\n
\n Andrew Duckles\n ...\n musician: viola\n
\n Alma L. Fernandez\n ...\n musician: viola\n
\n Luke Flynn\n ...\n music preparation\n
\n Richard Ford\n ...\n music editor\n
\n Jeff Gartenbaum\n ...\n assistant music engineer\n
\n Kevin Globerman\n ...\n digital score recordist\n
\n Jessica Guideri\n ...\n musician: violin\n
\n Christopher Gutch\n ...\n composer agent (as Chris Gutch)\n
\n Herbie Hancock\n ...\n solo pianist\n
\n Dylan S. Hart\n ...\n musician: french horn\n
\n Nayanna Holley\n ...\n performer\n
\n Luanne Homzy\n ...\n musician: violin\n
\n Riley Hughes\n ...\n music preparation\n
\n Clydene Jackson\n ...\n solo vocalist\n
\n Gregory Jamrok\n ...\n music preparation\n
\n Steven Kofsky\n ...\n music production services\n
\n David J. Krystal\n ...\n orchestrator\n
\n Mike Larson\n ...\n music editor\n
\n Briana Lee\n ...\n singer\n
\n Edie Lehmann Boddicker\n ...\n vocal arranger / vocal contractor: singer (as Edie Lehmann)\n
\n Martin McClellan\n ...\n music preparation\n
\n Kory McMaster\n ...\n assistant orchestrator\n
\n Stephanie McNally\n ...\n technical score engineer\n
\n Aaron Meyer\n ...\n music preparation\n
\n Alan Meyerson\n ...\n score recorded by\n
\n Lucia Micarelli\n ...\n musician: violin\n
\n Rebecca Morellato\n ...\n music production executive (uncredited)\n
\n Ashley Olauson\n ...\n assistant orchestra contractor\n
\n Cynthia Park\n ...\n assistant to composer: Hans Zimmer\n
\n Alfredo Pasquel\n ...\n score mix assistant\n
\n Peter Rotter\n ...\n orchestra contractor\n
\n Max Sandler\n ...\n score technical assistant\n
\n Shalini S. Singh\n ...\n studio manager: remote control productions\n
\n Christine Sirois\n ...\n scoring stage manager\n
\n Tereza Stanislav\n ...\n musician: violin\n
\n Josy Svajda\n ...\n special thanks\n
\n Edward Trybek\n ...\n additional orchestrations\n
\n Joseph Twist\n ...\n music preparation\n
\n Karl Vincent\n ...\n musician\n
\n Seth Waldmann\n ...\n additional engineering\n
\n Booker White\n ...\n music preparation\n
\n Henri Wilkinson\n ...\n additional orchestrations\n
\n Tim Williams\n ...\n conductor\n
\n Catherine Wilson\n ...\n music editor\n
\n Helen Z. Altenbach\n ...\n musician (uncredited)\n
\n Thomas Cavanaugh\n ...\n music business & legal affairs (uncredited)\n
\n Johnny Choi\n ...\n music executive (uncredited)\n
\n Danielle Diego\n ...\n music executive (uncredited)\n
\n Ellen Ginsburg\n ...\n music clearance (uncredited)\n
\n Anton Monsted\n ...\n music executive (uncredited)\n
\n Script and Continuity Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Gail Hunter\n ...\n script supervisor\n
\n Transportation Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Bernie Ask\n ...\n picture car coordinator\n
\n Larinda Carnes\n ...\n Cast Driver for Taraji P Henson / cast driver: Taraji P Henson / driver: cast\n
\n Josh Dover\n ...\n driver\n
\n Terri Dowtin\n ...\n driver\n
\n Thomas Fountain\n ...\n driver: honeywagon\n
\n Kevin Hardy\n ...\n transportation co-captain\n
\n Daniel La Fave\n ...\n driver: cast\n
\n Jerry Loudermilk\n ...\n transportation captain\n
\n Stephanie Lundy\n ...\n dot supervisor\n
\n Aneka McReady\n ...\n driver\n
\n Ernest Rydberg\n ...\n insert car driver\n
\n Doug Wright\n ...\n transportation coordinator\n
\n Additional Crew \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Mac Alsfeld\n ...\n assistant: Mr. Costner\n
\n Wendy Altman-Cohen\n ...\n principal eyewear\n
\n Chaun Archer\n ...\n photo double: Octavia Spencer / stand-in: Octavia Spencer\n
\n Kimberly Bailey\n ...\n adr voice cast\n
\n Sean Bankhead\n ...\n choreographer\n
\n Dennis Bates\n ...\n production assistant\n
\n Gena Berry\n ...\n food stylist\n
\n Jessica M. Biddle\n ...\n assistant: Ms. Lombardi\n
\n Wren Boney\n ...\n medic\n
\n Alex Boyum\n ...\n set production assistant\n
\n Qualen Bradley\n ...\n stand-in: Mahershala Ali\n
\n Stephanie L. Brown\n ...\n set production assistant\n
\n Ellie Bryan\n ...\n production assistant: basecamp\n
\n Margaret Burke\n ...\n production safety (as Margaret Buckalew)\n
\n Chris Butcher\n ...\n additional production assistant\n
\n Mukari Butler\n ...\n production assistant\n
\n William Calvert\n ...\n adr voice cast\n
\n Michael Chandler\n ...\n additional adr performer: voice\n
\n Akilah Chopfield\n ...\n assistant to producers / assistant: Ms. Gigliotti (as Akilah Copfield)\n
\n June Christopher\n ...\n adr voice cast\n
\n Chip Clanton\n ...\n production coordinator\n
\n Matt Dunn\n ...\n accounting clerk\n
\n Courtney Dyson\n ...\n production secretary\n
\n Marty Elfalan\n ...\n first assistant accountant\n
\n Chase Fein\n ...\n adr voice cast\n
\n Skylar Felton\n ...\n set security\n
\n Michael Finfer\n ...\n production executive\n
\n Dann Fink\n ...\n adr voice cast\n
\n Eddie Frierson\n ...\n adr voice cast\n
\n Matthew Gilbert\n ...\n payroll clerk\n
\n Meaghan Gillenwater\n ...\n production assistant\n
\n Kaylie Hamborg\n ...\n production assistant\n
\n Donielle Hansley\n ...\n adr voice cast\n
\n Daniel Heale\n ...\n marketing agency executive\n
\n Doris Hellmann\n ...\n production accountant\n
\n Hana Hollinger\n ...\n assistant: Mr. Williams\n
\n Rudy L. Horne\n ...\n technical advisor: mathematics consultant\n
\n Sandi Howk\n ...\n assistant: Mr. Chernin\n
\n Blake H. Hughes\n ...\n assistant production coordinator\n
\n Katie Jackson\n ...\n set production assistant\n
\n Aqila KiKi Jones\n ...\n key craft service\n
\n Alexander Kaminer\n ...\n adr voice cast (as Gleb Kaminer) / voice (as Gleb Kaminer)\n
\n Jatona King\n ...\n stand-in: Taraji P. Henson\n
\n Curt Kutscher\n ...\n second assistant accountant\n
\n J Lawrence\n ...\n assistant: Ms. Henson, Ms. Mon\u00e1e, & Ms. Spencer (as a different name)\n
\n Donna Lynn Leavy\n ...\n adr voice cast\n
\n Beth Li\n ...\n title design & animation\n
\n Jeffrey J. Marks\n ...\n main title producer\n
\n Cathy Marshall\n ...\n payroll accountant\n
\n Krystal Marshall\n ...\n adr voice cast\n
\n Terence Mathews\n ...\n adr voice cast\n
\n William McClure\n ...\n production assistant\n
\n Adriane McCray\n ...\n assistant: Ms. Topping\n
\n Jemal McNeil\n ...\n acting coach\n
\n Addison Rose Melfi\n ...\n adr voice cast\n
\n Mandy Miller\n ...\n assistant: Mr. Parsons & Ms. Dunst\n
\n Richard Miro\n ...\n adr voice cast\n
\n Sheva Moore\n ...\n NASA consultant\n
\n Shanna Morrow\n ...\n second assistant accountant\n
\n Rick Overton\n ...\n adr voice cast\n
\n Juan Pacheco\n ...\n adr voice cast\n
\n Paul Pape\n ...\n adr voice cast\n
\n Devika Parikh\n ...\n adr voice cast\n
\n Heather Phillips\n ...\n EVP, Publicity, 20th Century Fox\n
\n Juan Pope\n ...\n adr voice cast\n
\n Christina Porter\n ...\n assistant: Kevin Halloran\n
\n Rob Porter\n ...\n police coordinator\n
\n Jayme Powell\n ...\n set production assistant\n
\n Lundyn Ransom\n ...\n stand-in\n
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\n Darin Sahler\n ...\n stand-in: Kevin Costner\n
\n Jena C. Sarappo\n ...\n assistant: Mr. Halloran (as Jena Sarappo)\n
\n Dan Sasaki\n ...\n VP of optical engineering: Panavision\n
\n Stan Sellers\n ...\n adr voice cast\n
\n Douglas Settles\n ...\n production secretary\n
\n Bryan Shpall\n ...\n assistant: Ms. Gigliotti\n
\n Deborah Simmrin\n ...\n unit publicist\n
\n Brooke Singleton\n ...\n adr voice cast\n
\n Brooke Singleton\n ...\n adr: Voice (as Brooke D. Singleton)\n
\n Warren Sroka\n ...\n adr voice cast (as Warren Ortega Sroka)\n
\n Sky Stone\n ...\n title coordinator\n
\n Shane Sweet\n ...\n adr voice cast\n
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\n Carol Tresan\n ...\n animal wrangler\n
\n Greg Tresan\n ...\n animal wrangler\n
\n Timothy Watson\n ...\n production assistant (as Timathe Author)\n
\n Joe White\n ...\n adr voice cast\n
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\n Bruce Winant\n ...\n adr voice cast\n
\n Denise Woods\n ...\n dialect coach\n
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\n Zackary Ballou\n ...\n production assistant (uncredited)\n
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\n Greg Tresan\n ...\n animal coordinator (uncredited)\n
\n Thanks \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Bill Barry\n ...\n the producers wish to thank the following for their assistance\n
\n Alexander Yves Brunner\n ...\n special thanks: Sold By\n
\n Hugh Harris\n ...\n the producers wish to thank the following for their assistance\n
\n Jeff Heninger\n ...\n the producers wish to thank the following for their assistance\n
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\n\n\n\n\n \n \n\n", + "page_last_modified": "" + }, + { + "page_name": "Hidden Figures (2016) - Plot - IMDb", + "page_url": "https://www.imdb.com/title/tt4846340/plotsummary/", + "page_snippet": "Hidden Figures (2016) - Plot summary, synopsis, and more...In Hampton, Virginia, in 1961, an adult Katherine (Taraji P. Henson), now Katherine Goble, is stuck on the side of the road with the two co-workers she carpools with, Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Mon\u00e1e). A racist police officer stops and asks for identification. Dorothy Vaughan, Mary Jackson, and Katherine Gobels Johnson crossed all gender, race, and professional lines while their brilliance and desire to dream big, beyond anything ever accomplished before by the human race, firmly cemented them in U.S. history as true American heroes.\u201420th Century Fox To get to Harrison, Katherine has to go through lead engineer Paul Stafford, who sees her as an irrelevant underling, he always falling on the excuse of clearance to quash Katherine's ability to do her job effectively. Her burgeoning romance with National Guardsman Jim Johnson is also dramatized, their relationship despite their rocky start.\u2014Huggo The untold story of Katherine G. Johnson, Dorothy Vaughan and Mary Jackson brilliant African-American women working at NASA and serving as the brains behind one of the greatest operations in history the launch of astronaut John Glenn into orbit. The visionary trio crossed all gender and race lines to inspire generations to dream big.\u2014yusufpiskin", + "page_result": "Hidden Figures (2016) - Plot - IMDb
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\"Hidden

Plot

Hidden Figures

Edit

Summaries

  • The story of a team of female African-American mathematicians who served a vital role in NASA during the early years of the U.S. space program.
  • As the United States raced against Russia to put a man in space, NASA found untapped talent in a group of African-American female mathematicians that served as the brains behind one of the greatest operations in U.S. history. Based on the unbelievably true life stories of three of these women, known as "human computers", we follow these women as they quickly rose the ranks of NASA alongside many of history's greatest minds specifically tasked with calculating the momentous launch of astronaut John Glenn into orbit, and guaranteeing his safe return. Dorothy Vaughan, Mary Jackson, and Katherine Gobels Johnson crossed all gender, race, and professional lines while their brilliance and desire to dream big, beyond anything ever accomplished before by the human race, firmly cemented them in U.S. history as true American heroes.\u201420th Century Fox
  • Approximately one year (early 1961 to early 1962) - what is the height of the American-Soviet space race - in the life of three female friends who worked in the female African-American computing section of NASA at Langley, is presented. Their largely unheralded at the time contributions to the advancement of the American space program are dramatized, their contributions which they were able to achieve despite facing both gender and race issues, the latter as much of the US, including NASA, was still segregated. Mary Jackson, assigned to the space capsule heat shield team, is encouraged by one of the engineers on the team to apply for one of the more senior engineering positions, he seeing her expertise. In what ends up being the Catch-22, Mary does not have the necessary qualifications for the promotion, and cannot get those qualifications as the extension courses are not taught in any high school accessible to African-Americans in Hampton where she lives. Her struggles are exacerbated by her husband Levi Jackson, a civil rights activist who only sees the advancement of African-Americans in a narrow view. Dorothy Vaughan has been acting supervisor of the section, only having the responsibilities but not the title or the associated pay. Dorothy believes not getting that promotion is largely the doing of her Caucasian supervisor, Vivian Mitchell. With the first IBM mainframe computer just having been purchased at NASA, Dorothy, with the odds stacked against her, tries to learn as much as she can on her own about its workings to make herself and the entire African-American female computing section relevant in this changing time. And widowed mother Katherine Gobel is the mathematical genius whose expertise in analytical geometry gets her assigned to the Space Task Group under the lead of Al Harrison, a no nonsense man who wants the job done at any cost. To get to Harrison, Katherine has to go through lead engineer Paul Stafford, who sees her as an irrelevant underling, he always falling on the excuse of clearance to quash Katherine's ability to do her job effectively. Her burgeoning romance with National Guardsman Jim Johnson is also dramatized, their relationship despite their rocky start.\u2014Huggo
  • The untold story of Katherine G. Johnson, Dorothy Vaughan and Mary Jackson brilliant African-American women working at NASA and serving as the brains behind one of the greatest operations in history the launch of astronaut John Glenn into orbit. The visionary trio crossed all gender and race lines to inspire generations to dream big.\u2014yusufpiskin

Synopsis

  • BASED ON A TRUE STORY

    The film opens in White Sulphur Springs, West Virginia in 1926. A young Katherine Coleman (Lidya Jewett) is waiting, naming the geometric shapes in a stained glass window, while her parents talk to a school official. The official wants to sent Katherine to a school for gifted students -- she's an advanced student and a genius at math. The only such school for "colored" students starts at the sixth grade and Katherine is only eight, so she will have to skip several grades. That worries her parents, but they agree it will be best for her, even though the family will have to move. Katherine's teacher gives her parents some money to help with the move, from a collection all the teachers contributed to.

    At the new school, a teacher asks Katherine to tackle an algebra problem on the blackboard; the camera zooms in on the teacher's hand as he passes Katherine the chalk. Katherine solves the problem without hesitation, then turns around and explains it to her teenaged classmates.

    In Hampton, Virginia, in 1961, an adult Katherine (Taraji P. Henson), now Katherine Goble, is stuck on the side of the road with the two co-workers she carpools with, Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Mon\u00e1e). A racist police officer stops and asks for identification. When they explain that they work at NASA, he changes his tune; he's surprised they hire black women, but he's impressed. He seems very well-versed in NASA and asserts that the Americans have to beat the Russians in the Space Race. He asks if they've met the astronauts; Mary answers that they have but it's clear from the others' expressions that they're kept separate from them. Dorothy manages to get the car up and running and the police officer provides them an escort -- lights and sirens blazing -- to the NASA Langley Research Center, which they find ironic since it's not usually a group of black people speeding to follow a police car.

    The Space Task Group watches a newsreel about Russia's launch of Sputnik 1, the first artificial satellite. In the ensuing discussion, leaders worry that the Soviets' access to space could allow them to spy on America. The man in charge demands that Al Harrison (Kevin Costner) get them up there because they can't justify the cost of a space program that doesn't put anyone in space. A man in the crowd, Paul Stafford (Jim Parsons), makes a snooty comment and is asked what his position is. He explains he is the head engineer.

    The three women work at the West Area Computing division, segregated from the rest of Langley Research Center, along with many other black women who work as computers -- meaning they do math by hand. Dorothy gives out new assignments to the group. Mary wants to work as an engineer but she is told she is going to be assisting the male engineers. Vivian Mitchell (Kirsten Dunst), Dorothy's boss, comes in to talk to Dorothy. She tells her the Space Task Group needs a new computer who can do analytic geometry. Dorothy assigns Katherine because she knows analytic geometry and she's the all-around best at numbers.

    Vivian (whom the black women all address as Mrs. Mitchell, though she calls them by their first names) escorts Katherine to the Flight Research Division elsewhere on the campus, telling her that the dress code for women is skirts below the knee and no jewelry except maybe pearls. She tells Katherine the department she's joining is demanding and has dismissed several computers lately; she doesn't expect Katherine to last long. She warns her not to speak to the department head, Mr. Harrison, unless he speaks to her first. Vivian notes that they've never had a colored person in that department and admonishes Katherine not to embarrass her. Katherine enters the large area where white men are working, some at desks and some at equations on blackboards so tall they need ladders. Mr. Harrison's glass-walled office overlooks the work area. Katherine is mistaken for a janitor and the men act rudely towards her.

    In the engineering department, Mary carries her papers through a sealed chamber where a space capsule is about to undergo wind tunnel testing; she stops to admire it. As the test countdown nears zero, the heel of her shoe gets caught in a grate on the floor and she can't pry it loose. The male engineers in the observation room shout that her life is not worth a shoe so she abandons it and joins the engineers behind the glass. The space capsule fails the wind test -- many of its louvered exterior heat shielding panels fly off. Mary and the engineers examine it and the head engineer, Karl Zielinski (Olek Krupa), muses that they could use a corrugated heat shield. Mary suggests that they try different fasteners for the existing panels instead. Zielinski says she ought to be an engineer, and she says that she's a negro woman, and she's "not gonna entertain the impossible." He asks, if she was a white man, would she wish to be an engineer? She responds that she wouldn't have to; she'd already be one. Mary explains that the only schools that have the programs needed to become an engineer are off limits to colored people.

    Dorothy asks Vivian if she can be promoted to supervisor since she's doing the work of a supervisor already. But Vivian refuses -- claiming it's not her call -- which Dorothy has to remain diplomatic about because otherwise she might lose her job. Meanwhile, Katherine is given a lot of work to check by Paul Stafford, who is short with her, telling her his numbers are perfect and he needs them checked by the end of the day. He has also blacked out a lot of information as if Katherine couldn't be trusted with it, saying she doesn't have a high enough security clearance. She has to hold it up to the light to read it because she can't solve the problems otherwise.

    Time passes and Katherine needs to use the restroom. She asks Ruth (Kimberly Quinn), who's white and the only other woman in the department, where it is and is told, "I don't know where YOUR bathroom is." Katherine goes outside, needing to pee, but realizes the bathroom in that building is for white women only and she can't sneak in because some white women are loitering nearby. She has to leave the building and run half a mile to the colored women's bathroom in the West Area Computing division she used to work in. She brings her work with her and continues to proof it while she pees.

    That night, Dorothy is in a bad mood as she drives the other two home, complaining about Vivian not making her a supervisor when she's been working as one for years. Katherine gets home and finds her three daughters fighting in their bedroom. (It turns out Katherine is a widow, and her mother (Donna Biscoe) takes care of her children while she works.) The young ones want to know why the oldest sister gets her own bed. Katherine says if they want to take on the same chores and responsibilities, they can earn the right to the bed. The younger girls agree they are fine sharing. They complain that their mom has been gone for a long time and she cites her new position as the cause.

    The three women go to church with their families and a handsome colonel (Mahershala Ali) catches Katherine's eye. At the barbecue afterwards, Mary signals for the man, Jim Johnson, to come over and talk to Katherine. He does, and Dorothy and Mary make themselves scarce. Jim and Katherine flirt with each other, but he gets off on the wrong foot when he hears about her work at NASA, expressing surprise that they "let women" do something "so taxing." She tells him off and marches away.

    Back at NASA, Katherine pours herself a cup of coffee, which makes all the white people in the Space Task Group stare at her in disapproving surprise -- in segregated Virginia, white and colored people don't usually drink from the same pot. Nobody says anything, but the next day when Katherine looks for coffee she finds a separate pot labeled "Colored."

    Al Harrison joins the group and asks if anyone wants to take a crack at an equation on a large chalkboard that has gone unsolved. Nobody notices but Katherine steps up and does the math. Time passes and Al asks who solved the problem. When Katherine admits she did, he asks what she does and Katherine tells him she is checking work. She shows him and he asks how she's able to work with all the blacked out sections. She demonstrates that you can read the blacked-out text if you hold the paper up to the light. She requests that she get uncensored reports in the future. Al agrees, saying that she's not a Russian spy so there's no reason to keep information from her. Stafford, who is in Harrison's office during this exchange, is chagrined.

    The NASA employees are gathered out on the launch site to meet the astronauts, including John Glenn (Glen Powell). Glenn will later pilot the Friendship 7, becoming the first American in orbit. He is discouraged from greeting the black women, who are standing apart from the white employees, but he comes over anyway and proves to be friendly.

    At a party where many couples are dancing to music on the radio, Col. Johnson approaches Katherine, who's very reserved and clearly still thinking about what he said about her work when they first met. He asks her to dance and apologizes for disrespecting her. They see each other often during the next months.

    Katherine is assigned to write up reports and, because the majority of the research is hers, puts her name on the byline after Paul Stafford's. When Stafford sees it, he makes her retype the cover sheet without her name because computers aren't allowed to author reports.

    On a rainy day, Katherine sprints the long distance to use the colored women's rest room. Al Harrison comes to her desk looking for her, but -- not for the first time -- she's missing. When she returns, Harrison asks her why she is gone for so long every day. Soaking wet, Katherine launches into a tirade about how she has to run half a mile to the west campus to use the colored women's rest room because there's no toilet she's allowed to use in the building they're working in. She adds that she's not allowed to drink coffee from the same pot as everyone else and she's been forbidden to wear any jewelry other than pearls, but she's never owned any -- NASA doesn't pay colored computers enough to afford pearls. Al listens closely. He doesn't say anything, but after Katherine storms out, he walks over to the coffee station and rips the "Colored" label off her coffee pot. In the next scene, a crowd watches as Al attacks the COLORED WOMEN bathroom sign in the West Area Computing division with a crowbar. When it falls, he says from now on, there will be no segregation of bathrooms: "Here at NASA, we all pee the same color."

    Dorothy has been curious about a large empty room near her office with windows facing the hallway. When she sees that a big digital computer has been installed there, she sneaks in and studies the IBM machine they've set up. Later, she takes her children to the library and finds a book on FORTRAN programming. A white woman spots her and complains she's in the wrong section. Dorothy tells her that they didn't have the book she wanted in the colored section. She is kicked out of the library but once on the bus, she reveals to her children that she has taken the FORTRAN book with her. When her son asks her about it, Dorothy says she's a taxpayer and the library is government-owned so she's entitled to take the book.

    Tension between Katherine and Paul Stafford continue over the issue of credit for the reports they both contribute to, and a new problem arises: the details of the Friendship mission are changing so fast that her calculations are often wrong by the time she's done with them. Katherine argues that she needs to sit in on meetings where new information is presented, but Paul says dismissively that women aren't allowed. She tells Al Harrison that she wants to be included in the meetings since she is responsible for updating the launch calculations every time there's a change of any kind -- to the launch time, payload, landing location, etc -- and changes are discussed at almost every meeting. Al points out there's no protocol for women attending meetings but she responds there's no protocol for a man circling the Earth either. Katherine points out that he makes the rules because he's the boss -- he just needs to act like one. Despite Paul's protests, Al agrees to let her sit in, saying that they all work together or not at all. But he tells her to keep quiet.

    Katherine follows Al into the meeting, which includes John Glenn and a lot of NASA big-wigs. One of them complains to Al that they need a way to figure out where Glenn's Friendship 7 space capsule will land. There's a long silence while Al contemplates the problem. Then he holds out a piece of chalk to Katherine and asks her to take a stab at it. The camera zooms in on the hand-off of the chalk, recreating the scene early in the movie when the teacher asks a much younger Katherine to step up to the blackboard. Katherine isn't prepared for this -- she thought she was there just to listen -- but she thinks it through and covers half the blackboard with a set of equations that predict, based on current plans, that Glenn will splash down at a particular latitude and longitude near the Bahamas. No one can see any flaws in her logic or her numbers, so they're all impressed, including John Glenn.

    Mary goes to a judge and asks if she can attend a school that does not allow colored people so she can get a degree in engineering. She is granted permission to enroll exclusively in night classes, making her the first colored woman to attend. She goes to class and the white students are taken aback but it does not bother her.

    Dorothy has been reading IBM documentation, brushing up on FORTRAN, and paying secret visits to the IBM computer in the data center. The men tasked with getting the machine working are having a hard time, and Al has threatened not to pay them. Dorothy has also asked some canny questions and discovered that once it proves its reliability, the IBM -- which can run computations many times faster than a whole room full of human computers -- will replace her West Area Computing unit. One evening in the data center, Dorothy notices that one of the cables on the IBM's patch panel is in the wrong place and reconnects it correctly, which fixes the problem the men were having. Dorothy is testing a program on a set of punch cards when the male technicians rush in and ask her what she's doing. They're terrified that she might break something until they realize that Dorothy, puttering around in her spare time, has managed a feat that has eluded them for weeks: she's gotten the computer to run a program and produce meaningful results.

    When Vivian notes that they're short on computer programmers, Dorothy reveals that she has become proficient in FORTRAN, and she's been teaching the computers in her group about FORTRAN and the IBM machine. She arranges for all 30 of the women she supervises to come along and join the data center staff. Dorothy tells the women that they've all been reassigned and they walk as a group to their new department.

    One evening Katherine comes home to find her daughters dressed up and her dinner table set for a special occasion. She asks her mother what's going on and Mrs. Coleman says it's not her secret to tell. Jim Johnson comes out of the kitchen with a plate of food -- he's cooked them dinner -- and a small jeweler's box, which he puts on the table in front of Katherine. She says yes before he gets his proposal out, though he follows up with touching words about how he's joining the family, not just marrying Katherine.

    With John Glenn's launch approaching, Katherine continues calculating trajectories and writing reports, but now she can include her own name in the bylines: her value to the project is fully recognized and Paul has finally gotten past his racist resentment. He even brings her coffee while she's typing. But Al tells her that, now that Friendship 7 is about to be launched, the Space Task Group's need for Katherine has ended. Everyone in the department appreciates her and as she packs up her things, Ruth gives Katherine a wedding gift from the whole group: a string of pearls.

    The day of the launch, Vivian runs into Dorothy in the bathroom. She apologizes to Dorothy for never making her supervisor. Vivian tells Dorothy she has nothing against the black women under her supervision and always did the best she could for them. Before walking out, Dorothy studies her and says pityingly, "I know you really believe that."

    The whole world tunes in to watch John Glenn's launch. A problem arises in the control room when the IBM computer's calculations for Glenn's flight don't match the previous day's. One set of calculations must be wrong, and without the correct figures, it's not safe to take off. Glenn requests that Katherine do the math by hand because he trusts her brain more than he trusts the IBM machine. Al is able to locate her and she sits down to check the calculations at her old desk in the West Area Computing room. Katherine runs the numbers, identifies the correct set of figures, and races back to the control room to hand the notebook to Al, who is inside. The door is shut in Katherine's face. She stands outside, dejected, despite having saved the day. A long moment passes and then Al returns, handing her a pass that grants her access to the control room and ushering her inside with him.

    Fifty million people watch the lift-off on television while Katherine and Al watch from the control room. We see the horizon from the space capsule as John Glenn pilots Friendship 7 into orbit. After successful orbits around Earth, Glenn notices a warning light: there's a problem with the fasteners for the heat shield. Mary, who's watching the launch on TV, realizes what's wrong and rushes to a payphone to call NASA. She tells them that Glenn must keep the retro pack in place during reentry, rather than jettisoning it as planned, because the retro pack's straps might keep the heat shield in place. If the heat shield blows away, the capsule will burn up as it reenters the atmosphere and Glenn will die. This advice is passed to Glenn, who's having a bumpy ride and soon reports that the capsule is growing very hot. But after a tense few minutes when the control room loses contact with Friendship 7, Mary's advice proves good -- the straps hold enough of the heat shield down to save Glenn's life, and he splashes down safely.

    After the launch, the activity at NASA dies down. Vivian finally promotes Dorothy to supervisor in the Analysis and Computation Division and addresses her as Mrs. Vaughan. Mary gets her degree and becomes an engineer.

    Katherine went on to calculate the trajectories for the 1969 Apollo 11 flight to the Moon and for Apollo 13, as well. President Obama awarded her the Presidential Medal of Freedom in 2015. In 2016, the Langley Research Center in Virginia where she worked was renamed the Katherine G. Johnson Computational Research Facility. She retired in 1986 and remains married to Jim Johnson to this day.
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", + "page_last_modified": "" + }, + { + "page_name": "Hidden Figures (2016) - Full Cast & Crew - IMDb", + "page_url": "https://www.imdb.com/title/tt4846340/fullcredits", + "page_snippet": "", + "page_result": "\n\n\n\n\n\n\n\n\n\n\n\n \n \n\n \n\n\n\n\n \n\n\n \n Hidden Figures (2016) - Full Cast & Crew - IMDb\n \n\n\n\n \n \n\n\n \n\n \n \n \n\n \n \n \n \n\n \n\n \n \n \n \n\n\n\n \n \n \n\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n\n \n\n\n \n\n\n\n\n \n \n \n \n\n\n\n\n\n \n \n \n\n \n\n \n\n\n\n\n\n \n \n \n \n\n \n\n\n\n\n\n\n\n\n
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\n\t\n \n\t\n\t\n \n\t\n
\n \n\n
\n\t\n \n\t\n\n
\n
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\n \n Edit\n \n
\n \n
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\nHidden Figures \n (2016)\n \n

\n
\n \n

Full Cast & Crew

\n \n
\n
\n
\n\n Directed by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Theodore Melfi\n ...\n (directed by)\n
\n

Writing Credits\n(WGA)  \n

\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Allison Schroeder\n ...\n (screenplay by) and\n
\n Theodore Melfi\n ...\n (screenplay by)\n
 
\n Margot Lee Shetterly\n ...\n (based on the book by)\n
\n

\n \n Cast\n (in credits order)\n verified as complete \n  \n

\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n \n Taraji P. Henson\n \n ...\n \n Katherine G. Johnson \n \n
\n \n Octavia Spencer\n \n ...\n \n Dorothy Vaughan \n \n
\n \n Janelle Mon\u00e1e\n \n ...\n \n Mary Jackson \n \n
\n \n Kevin Costner\n \n ...\n \n Al Harrison \n \n
\n \n Kirsten Dunst\n \n ...\n \n Vivian Mitchell \n \n
\n \n Jim Parsons\n \n ...\n \n Paul Stafford \n \n
\n \n Mahershala Ali\n \n ...\n \n Colonel Jim Johnson \n \n
\n \n Aldis Hodge\n \n ...\n \n Levi Jackson \n \n
\n \n Glen Powell\n \n ...\n \n John Glenn \n \n
\n \n Kimberly Quinn\n \n ...\n \n Ruth \n \n
\n \n Olek Krupa\n \n ...\n \n Karl Zielinski \n \n
\n \n Kurt Krause\n \n ...\n \n Sam Turner \n \n
\n \n Ken Strunk\n \n ...\n \n Jim Webb \n \n
\n \n Lidya Jewett\n \n ...\n \n Young Katherine Coleman \n \n
\n \n Donna Biscoe\n \n ...\n \n Mrs. Joylette Coleman \n \n
\n \n Ariana Neal\n \n ...\n \n Joylette Johnson \n \n
\n \n Saniyya Sidney\n \n ...\n \n Constance Johnson \n \n
\n \n Zani Jones Mbayise\n \n ...\n \n Kathy Johnson \n \n
\n \n Tre Stokes\n \n ...\n \n Levi Jackson Jr. \n \n \n (as Tre' Strokes)\n \n \n
\n \n Selah Kimbro Jones\n \n ...\n \n Carolyn Marie Jackson \n \n
\n \n Corey Mendell Parker\n \n ...\n \n Howard Vaughan \n \n \n (as Corey Parker)\n \n \n
\n\"Ashton \n Ashton Tyler\n \n ...\n \n Leonard Vaughan \n \n
\n \n Alkoya Brunson\n \n ...\n \n Kenneth Vaughan \n \n
\n \n Karan Kendrick\n \n ...\n \n Younger Joylette Coleman \n \n
\n \n Jaiden Kaine\n \n ...\n \n Joshua Coleman \n \n
\n \n Gregory Alan Williams\n \n ...\n \n Marion Smithson \n \n \n (as G. Williams)\n \n \n
\n \n Maria Howell\n \n ...\n \n Ms. Sumner \n \n
\n \n Arnell Powell\n \n ...\n \n Professor Graves \n \n
\n \n Ron Clinton Smith\n \n ...\n \n White Cop \n \n
\n \n Crystal Lee Brown\n \n ...\n \n Bernie \n \n
\n \n Tequilla Whitfield\n \n ...\n \n Eleanor \n \n
\n \n Dane Davenport\n \n ...\n \n Alan Shepard \n \n
\n \n Evan Holtzman\n \n ...\n \n Deke Slayton \n \n
\n \n Travis Smith\n \n ...\n \n Scott Carpenter \n \n
\n \n Scott Michael Morgan\n \n ...\n \n Bill Calhoun \n \n
\n \n Chris Cavalier\n \n ...\n \n IBM Technician \n \n
\n \n Robert G. McKay\n \n ...\n \n Pastor Ayres \n \n
\n \n Rhoda Griffis\n \n ...\n \n White Librarian \n \n
\n \n Karen Wheeling Reynolds\n \n ...\n \n Court Clerk \n \n \n (as Karen Reynolds)\n \n \n
\n \n Kate Kneeland\n \n ...\n \n Court Clerk \n \n \n (as Katie Kneeland)\n \n \n
\n \n Joe Knezevich\n \n ...\n \n Wind Tunnel PA Announcer \n \n
\n \n Paul Ryden\n \n ...\n \n TV Reporter at Cape Canaveral \n \n
\n\"Frank \n Frank Hoyt Taylor\n \n ...\n \n Judge \n \n
\n \n John Atwood\n \n ...\n \n Newscaster \n \n
\n \n Jon Edwin Wright\n \n ...\n \n Newscaster \n \n
\n \n Wilbur Fitzgerald\n \n ...\n \n Senator Patrick \n \n \n (as Wilbur T. Fitzgerald)\n \n \n
\n\"Michael \n Michael Hartson\n \n ...\n \n Night School Professor \n \n
\n \n Bob Jennings\n \n ...\n \n Navy Officer \n \n
\n \n Gary Weeks\n \n ...\n \n Reporter at Press Conference \n \n
\n \n Afemo Omilami\n \n ...\n \n Man Outside Store \n \n
\n \n Cullen Moss\n \n ...\n \n Mission Control Commander \n \n
\n \n Amy Tipton\n \n ...\n \n Woman Crying \n \n
\n \n Elijah Everett\n \n ...\n \n Crying Man \n \n \n (as Eli Everett)\n \n \n
\n\"Andre \n Andre Pushkin\n \n ...\n \n Russian Scientist \n \n
\n \n Randall Newsome\n \n ...\n \n Russian Scientist \n \n
\n \n Joe Hardy Jr.\n \n ...\n \n Gordon Cooper \n \n
\n \n Howie Johnson\n \n ...\n \n Library Security Guard \n \n
\n \n David Kallaway\n \n ...\n \n NASA Security Guard \n \n
\n\"Addison \n Addison Rose Melfi\n \n ...\n \n Addie Marcus \n \n
Rest of cast listed alphabetically:
\n \n Glenn H. Allen\n \n ...\n \n Wally Schirra \n \n \n (uncredited)\n \n \n
\n\"Stacie \n Stacie Ballard\n \n ...\n \n NASA East Wing Employee \n \n \n (uncredited)\n \n \n
\n\"Anastasia \n Anastasia Bastien\n \n ...\n \n Girl at Event \n \n \n (uncredited)\n \n \n
\n\"Shawn \n Shawn Behan\n \n ...\n \n Courtroom Attendee / \n Witness to Historic Event / \n NASA Employee \n \n \n (uncredited)\n \n \n
\n\"Rebekah \n Rebekah Boroughs\n \n ...\n \n Louise Brewer-Shepard \n \n \n (uncredited)\n \n \n
\n\"Bob \n Bob Bost\n \n ...\n \n Eisenhower \n \n \n (uncredited)\n \n \n
\n \n Taylor Box\n \n ...\n \n NASA Engineer \n \n \n (uncredited)\n \n \n
\n\"Maiya \n Maiya Boyd\n \n ...\n \n Child \n \n \n (uncredited)\n \n \n
\n \n Madeline Brumby\n \n ...\n \n East Computer \n \n \n (uncredited)\n \n \n
\n\"Judy \n Judy McGee Burley\n \n ...\n \n Choir Member \n \n \n (uncredited)\n \n \n
\n \n Cody Carrera\n \n ...\n \n NASA Employee \n \n \n (uncredited)\n \n \n
\n \n Lucie Carroll\n \n ...\n \n Computer Operator \n \n \n (uncredited)\n \n \n
\n \n Tabitha Chappelle\n \n ...\n \n Courthouse Worker \n \n \n (uncredited)\n \n \n
\n\"Taylor \n Taylor K Charles\n \n ...\n \n Student \n \n \n (uncredited)\n \n \n
\n \n Tony F. Charles\n \n ...\n \n NASA Spectator \n \n \n (uncredited)\n \n \n
\n\"Eva \n Eva Coleman\n \n ...\n \n Elementary School Girl \n \n \n (uncredited)\n \n \n
\n\"John \n John Collier\n \n ...\n \n NASA Engineer \n \n \n (uncredited)\n \n \n
\n\"Anthony \n Anthony Collins\n \n ...\n \n NASA Control \n \n \n (uncredited)\n \n \n
\n \n Marisol Correa\n \n ...\n \n Civil Rights Protestor \n \n \n (uncredited)\n \n \n
\n\"Vashti \n Vashti Denise\n \n ...\n \n Black Computer \n \n \n (uncredited)\n \n \n
\n \n Mavro Diamanti\n \n ...\n \n Student \n \n \n (uncredited)\n \n \n
\n\"Amanda \n Amanda Dunn\n \n ...\n \n East End Computer Woman \n \n \n (uncredited)\n \n \n
\n \n Mark Falvo\n \n ...\n \n NASA Employee \n \n \n (uncredited)\n \n \n
\n\"Jeff \n Jeff Glover\n \n ...\n \n NASA Engineer \n \n \n (uncredited)\n \n \n
\n \n Katy Harper\n \n ...\n \n Vivian's Assistant \n \n \n (uncredited)\n \n \n
\n\"James \n James Harvley\n \n ...\n \n Senator \n \n \n (uncredited)\n \n \n
\n\"Kamryn \n Kamryn Johnson\n \n ...\n \n Kathryn Vaughan \n \n \n (uncredited)\n \n \n
\n\"Kenneth \n Kenneth Jones\n \n ...\n \n NASA Core Engineer / \n Delivery Guy \n \n \n (uncredited)\n \n \n
\n\"Sam \n Sam Juergens\n \n ...\n \n NASA Engineer \n \n \n (uncredited)\n \n \n
\n \n John F. Kennedy\n \n ...\n \n Self \n \n \n (archive footage) (uncredited)\n \n \n
\n\"Drew \n Drew Kight\n \n ...\n \n Kid Running \n \n \n (uncredited)\n \n \n
\n \n Martin Luther King\n \n ...\n \n Self \n \n \n (archive footage) (uncredited)\n \n \n
\n\"Ross \n Ross Klein\n \n ...\n \n High School Student \n \n \n (uncredited)\n \n \n
\n \n Michael Koske\n \n ...\n \n Cameraman \n \n \n (uncredited)\n \n \n
\n\"Roy \n Roy Larsen\n \n ...\n \n Press Photographer \n \n \n (uncredited)\n \n \n
\n\"Scott \n Scott Ledbetter\n \n ...\n \n USAF 4 Star General \n \n \n (uncredited)\n \n \n
\n\"Daniel \n Daniel Lucente\n \n ...\n \n 2 Star General \n \n \n (uncredited)\n \n \n
\n\"Zachary \n Zachary Markley\n \n ...\n \n News Photographer \n \n \n (uncredited)\n \n \n
\n\"Brandon \n Brandon Scott McCall\n \n ...\n \n NASA Control \n \n \n (uncredited)\n \n \n
\n \n Devin McGee\n \n ...\n \n Gus Grissom \n \n \n (uncredited)\n \n \n
\n\"Gabbie \n Gabbie McGee\n \n ...\n \n Church Goer \n \n \n (uncredited)\n \n \n
\n \n Trey McGriff\n \n ...\n \n Television Cameraman \n \n \n (uncredited)\n \n \n
\n \n Janeen Michael\n \n ...\n \n West Area Computer Woman \n \n \n (uncredited)\n \n \n
\n \n Matthew J Millard\n \n ...\n \n NASA Engineer \n \n \n (uncredited)\n \n \n
\n\"Rachel \n Rachel Mae Moore\n \n ...\n \n Parade Girl \n \n \n (uncredited)\n \n \n
\n \n Paige Nicollette\n \n ...\n \n Eunice \n \n \n (uncredited)\n \n \n
\n\"Kevin \n Kevin Marshall Pinkney\n \n ...\n \n Man at Fountain \n \n \n (uncredited)\n \n \n
\n\"Cyndy \n Cyndy Powell\n \n ...\n \n NASA Woman \n \n \n (uncredited)\n \n \n
\n\"Leslie \n Leslie Powell\n \n ...\n \n NASA Woman \n \n \n (uncredited)\n \n \n
\n\"Letecia \n Letecia Reeder\n \n ...\n \n West Area Computer Woman \n \n \n (uncredited)\n \n \n
\n\"Artricia \n Artricia Rose\n \n ...\n \n Computer Woman \n \n \n (uncredited)\n \n \n
\n\"Liz \n Liz Sanford\n \n ...\n \n NASA Computer - East Wing \n \n \n (uncredited)\n \n \n
\n \n Patti Schellhaas\n \n ...\n \n 10 Key Secretary \n \n \n (uncredited)\n \n \n
\n\"Dan \n Dan E Scott\n \n ...\n \n Courtroom Activist Dan \n \n \n (uncredited)\n \n \n
\n \n Joseph P. Scott\n \n ...\n \n NASA Launch Crew \n \n \n (uncredited)\n \n \n
\n \n Donna Sexton\n \n ...\n \n Wife \n \n \n (uncredited)\n \n \n
\n \n Doug Stroup\n \n ...\n \n NASA Task Force \n \n \n (uncredited)\n \n \n
\n \n Jeremy Sykes\n \n ...\n \n Civil Rights Protester \n \n \n (uncredited)\n \n \n
\n \n John Sykes\n \n ...\n \n USAF Aide \n \n \n (uncredited)\n \n \n
\n \n Greg Tresan\n \n ...\n \n K9 Protest Cop \n \n \n (uncredited)\n \n \n
\n\"William \n William Walker\n \n ...\n \n NASA Control \n \n \n (uncredited)\n \n \n
\n\"Veronica \n Veronica Warner\n \n ...\n \n Church Goer \n \n \n (uncredited)\n \n \n
\n\"Olivia \n Olivia Whinnett\n \n ...\n \n Crossing Guard Kid \n \n \n (uncredited)\n \n \n
\n\"Cameron \n Cameron Wilder\n \n ...\n \n NASA Launch Crew \n \n \n (uncredited)\n \n \n
\n \n Elizabeth Youman\n \n ...\n \n Ann Vaughan \n \n \n (uncredited)\n \n \n
\n \n Chanel Young\n \n ...\n \n IBM Worker \n \n \n (uncredited)\n \n \n
\n Produced by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Peter Chernin\n ...\n producer (produced by)\n
\n Jamal Daniel\n ...\n executive producer\n
\n Donna Gigliotti\n ...\n producer (produced by)\n
\n Kevin Halloran\n ...\n executive producer\n
\n Ivana Lombardi\n ...\n executive producer\n
\n Theodore Melfi\n ...\n producer (produced by)\n
\n Kimberly Quinn\n ...\n co-producer\n
\n Margot Lee Shetterly\n ...\n executive producer\n
\n Jenno Topping\n ...\n producer (produced by)\n
\n Mimi Valdes\n ...\n executive producer (as Mimi Vald\u00e9s)\n
\n Pharrell Williams\n ...\n producer (produced by)\n
\n Renee Witt\n ...\n executive producer\n
\n Music by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Benjamin Wallfisch\n ...\n (music by)\n
\n Pharrell Williams\n ...\n (music by)\n
\n Hans Zimmer\n ...\n (music by)\n
\n Cinematography by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Mandy Walker\n ...\n director of photography\n
\n Editing by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Peter Teschner\n ...\n (edited by)\n
\n Casting By \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Victoria Thomas\n
\n Production Design by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Wynn Thomas\n
\n Art Direction by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Jeremy Woolsey\n
\n Set Decoration by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Missy Parker\n
\n Costume Design by \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Renee Ehrlich Kalfus\n
\n Makeup Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Zachary Britt\n ...\n hair stylist (as Zachary G. Britt)\n
\n Selena Evans-Miller\n ...\n makeup artist\n
\n Theresa A. Fleming\n ...\n hair stylist (as Theresa Fleming)\n
\n Melissa Forney\n ...\n hair department head (as Melissa 'Missy' Forney)\n
\n Gindy Martin\n ...\n assistant makeup artist\n
\n Mario Michisanti\n ...\n hair stylist: Mr. Costner\n
\n Eric Pagdin\n ...\n first assistant hair stylist (as Eric G. Pagdin)\n
\n Quintessence Patterson\n ...\n makeup artist\n
\n AL Payne\n ...\n barber\n
\n Beverly Jo Pryor\n ...\n makeup department head\n
\n Yolanda Sheridan\n ...\n first assistant makeup artist\n
\n Ashunta Sheriff\n ...\n makeup artist\n
\n Al Watson\n ...\n hair stylist\n
\n Production Management \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Gregory Earls\n ...\n post-production manager\n
\n Kevin Halloran\n ...\n unit production manager\n
\n Sasha Veneziano\n ...\n production supervisor\n
\n Aaron Downing\n ...\n executive in charge of post production (uncredited)\n
\n Second Unit Director or Assistant Director \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Philip Banks\n ...\n additional second assistant director\n
\n Dustin Brown\n ...\n additional second second assistant director\n
\n Jason Inman\n ...\n second assistant director\n
\n Gary Marcus\n ...\n first assistant director\n
\n Aric Sabin\n ...\n additional second assistant director\n
\n Rafael Sanz\n ...\n second second assistant director\n
\n Art Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Scott Autry\n ...\n set dresser (as Samuel Scott Autry)\n
\n Dustin Berry\n ...\n set decoration buyer\n
\n Jeanne Bijkerk\n ...\n scenic painter\n
\n Chris Brandt\n ...\n storyboard artist\n
\n James Brothers\n ...\n property master\n
\n Danny Brown\n ...\n assistant art director\n
\n Justin Cammer\n ...\n set painter\n
\n Adam Chambers\n ...\n set dresser\n
\n John Courson\n ...\n painter\n
\n Jessica Deese\n ...\n painter\n
\n Jonathan Dossman\n ...\n set dresser (as Jon Dossman)\n
\n Stephen Eno\n ...\n scenic foreman\n
\n Nick Forman\n ...\n set dresser (as Nik Forman)\n
\n Carol Francoso\n ...\n scenic artist\n
\n Laurie Garner\n ...\n props\n
\n Craig Gilmore\n ...\n illustrator\n
\n Elizabeth Gleason\n ...\n set dresser\n
\n Amber Goodrum\n ...\n set dresser\n
\n Matt Green\n ...\n propmaker\n
\n Greg Harmon\n ...\n prop maker\n
\n Allen Harris\n ...\n set dresser\n
\n Lawrence Heap\n ...\n leadman\n
\n Jason Alan Hoffman\n ...\n propmaker: credit\n
\n Andrew Huddleston\n ...\n set dec assistant\n
\n Jasmine Alexia Jackson\n ...\n art department assistant\n
\n William Craig Johnson\n ...\n on set dresser\n
\n Joel Klaff\n ...\n Draper\n
\n Nathan Krochmal\n ...\n set designer\n
\n Holiday Landa\n ...\n set dec buyer\n
\n Lauri Lannan\n ...\n set decoration buyer\n
\n Chloe Lipp\n ...\n art department coordinator\n
\n Scott Lyttle\n ...\n carpenter\n
\n Carla Martinez\n ...\n set designer\n
\n Trevor McNure\n ...\n property assistant\n
\n Jenn Moye\n ...\n graphic artist\n
\n Ky Hoang Nguyen\n ...\n set dresser\n
\n Neil Palmer\n ...\n paint runner\n
\n Michael Cameron Payne\n ...\n propmaker\n
\n Jose F. Garcia Pineda\n ...\n prop/set maker / propmaker standby carpenter\n
\n Christine Ramirez\n ...\n props\n
\n John Rodgers\n ...\n set dresser\n
\n Erin Santini\n ...\n graphic artist\n
\n Joey Sisson\n ...\n additional on-set dresser\n
\n David Sutton\n ...\n on camera scenic\n
\n Jason Sweers\n ...\n lead graphic designer\n
\n Roman Weaver\n ...\n carpenter\n
\n Angie Woodard\n ...\n assistant property master\n
\n Hussein Agamiri\n ...\n set dresser (uncredited)\n
\n Sound Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Steve Baine\n ...\n foley artist\n
\n Brian Bair\n ...\n re-recording engineer\n
\n Phil Barrie\n ...\n sound effects editor\n
\n Ian Bender\n ...\n boom operator\n
\n David Betancourt\n ...\n adr mixer\n
\n Derek Casari\n ...\n adr engineer\n
\n Arif Chagla\n ...\n adr engineer\n
\n Susan Dawes\n ...\n adr & dialogue supervisor\n
\n Gina Gyles\n ...\n foley assistant\n
\n John Harton\n ...\n sound utility\n
\n Craig Henighan\n ...\n additional sound designer\n
\n Jesse Johnstone\n ...\n sound recordist\n
\n R.J. Kizer\n ...\n dialogue editor\n
\n Tom Lalley\n ...\n sound re-recording engineer\n
\n Wayne Lemmer\n ...\n additional re-recording mixer / sound designer / supervising sound editor\n
\n David Lucarelli\n ...\n adr recordist\n
\n Helen Luttrell\n ...\n dialogue editor\n
\n Chris Navarro\n ...\n adr mixer\n
\n Andy Nelson\n ...\n re-recording mixer\n
\n Matthew Nicolay\n ...\n sound mixer\n
\n Peter Persaud\n ...\n foley recordist\n
\n Erin Michael Rettig\n ...\n sound engineering\n
\n Charleen Richards\n ...\n adr mixer (as Charleen Richards-Steeves)\n
\n Andre Robinson\n ...\n adr: looping\n
\n Luke Schwarzweller\n ...\n sound recordist\n
\n Christine Sirois\n ...\n adr recordist\n
\n John Soukup\n ...\n sound transfer recordist\n
\n Derek Vanderhorst\n ...\n re-recording mixer / sound designer / supervising sound editor\n
\n Craig Weintraub\n ...\n assistant sound editor\n
\n Mark Wilkening\n ...\n adr mixer\n
\n Carl Rohrs\n ...\n epk/bts (uncredited)\n
\n Special Effects by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Mark R. Byers\n ...\n special effects supervisor\n
\n Justyn Plath\n ...\n special effects technician\n
\n Visual Effects by \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Stefan Andersson\n ...\n visual effects supervisor: ILP\n
\n Joshua Bailor\n ...\n digital compositor: Crafty Apes\n
\n Tanner Bartlett\n ...\n compositor\n
\n M\u00e5ns Bj\u00f6rklund\n ...\n visual effects executive producer: ILP\n
\n Chris Chalaire\n ...\n cg modeller\n
\n Patrick Clancey\n ...\n digital opticals\n
\n Rif Dagher\n ...\n visual effects supervisor: Cgfluids\n
\n Steve DiNozzi\n ...\n digital compositor\n
\n Wes Dorough\n ...\n visual effects producer: crafty apes\n
\n Gus Duron\n ...\n digital opticals editor\n
\n Brian Fortune\n ...\n lead compositor: Crafty Apes\n
\n Anthony Fung\n ...\n visual effects artist\n
\n Blake Goedde\n ...\n digital compositor\n
\n Robin Scott Graham\n ...\n visual effects supervisor: Crafty Apes\n
\n Lev Grayson\n ...\n digital compositor (as Fiifi Aggrey)\n
\n Bryan Haines\n ...\n digital compositor\n
\n Craig Hayes\n ...\n visual effects editor\n
\n Elliott Jobe\n ...\n visual effects\n
\n Nick Johnson\n ...\n digital compositor (as Nicholas Johnson)\n
\n Blagoy Kostov\n ...\n visual effects: Cgfluids\n
\n Chris LeDoux\n ...\n visual effects supervisor\n
\n Mark LeDoux\n ...\n visual effects supervisor\n
\n Tim LeDoux\n ...\n visual effects supervisor: Crafty Apes\n
\n Adam Pere\n ...\n visual effects coordinator\n
\n Sean Pollack\n ...\n cg supervisor\n
\n Matthew Rappaport\n ...\n visual effects artist\n
\n Charles G. Roberts\n ...\n compositor (as 'Charlie Roberts')\n
\n Jason Sanford\n ...\n visual effects producer: Crafty Apes\n
\n Lania Sitepu\n ...\n visual effects coordinator: ILP\n
\n Joshua D. Stevens\n ...\n visual effects plate supervisor\n
\n Jens Tenland\n ...\n digital compositor: ILP\n
\n Ivan Tepavicharov\n ...\n visual effects: Cgfluids\n
\n Sara Emily Tremblay\n ...\n digital compositor\n
\n Dirk Valk\n ...\n cg supervisor\n
\n Jack Van Nuis\n ...\n digital compositor\n
\n Greg Wadsworth\n ...\n digital compositor\n
\n Andreas Weidman\n ...\n visual effects artist: ILP\n
\n Christina Garberson\n ...\n visual effects executive (uncredited)\n
\n Stunts \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Keith Adams\n ...\n stunt coordinator\n
\n Raven-Danielle Baker\n ...\n stunts (as Raven Baker)\n
\n Nick DeKay\n ...\n stunts (as Nicholas DeKay)\n
\n Daniel Jackson\n ...\n stunts\n
\n Kirk A. Jenkins\n ...\n stunts (as Kirk Jenkins)\n
\n Bethany Levy\n ...\n stunts\n
\n Nathaniel Perry\n ...\n stunts\n
\n Brandon M. Shaw\n ...\n stunts (as Brandon Shaw)\n
\n Paul E. Short\n ...\n stunts (as Paul Short)\n
\n Greg Sproles\n ...\n stunts\n
\n Ruth Dalton\n ...\n stunt double: White Librarian (uncredited)\n
\n Nick DeKay\n ...\n stunts: motorcycle (uncredited)\n
\n Duke Jackson\n ...\n stunt performer (uncredited)\n
\n Bethany Levy\n ...\n stunt driving double: Janelle Monae (uncredited)\n
\n Paul E. Short\n ...\n stunt double: white cop (uncredited)\n
\n Camera and Electrical Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Brian Adams\n ...\n rigging electrician\n
\n Roger Basquette\n ...\n digital video assist operator\n
\n Chris Birdsong\n ...\n key grip\n
\n Marek Bojsza\n ...\n electrician\n
\n Marc Casey\n ...\n second assistant camera: \"b\" camera\n
\n Mike Collins\n ...\n lighting technician: day player\n
\n Chris Culliton\n ...\n gaffer\n
\n Justin Elder\n ...\n lighting technician\n
\n Jason Ellson\n ...\n steadicam operator: \"a\" camera\n
\n Alexander Eremin\n ...\n company grip\n
\n Linton Flowers\n ...\n best boy grip\n
\n Mick Froehlich\n ...\n camera operator: \"b\" camera (as Micky Froehlich)\n
\n Bruce Giglio\n ...\n rigging electrician\n
\n Jarek Gorczycki\n ...\n best boy electric\n
\n Doug Harmes\n ...\n electrician\n
\n Jeff 'Moose' Howery\n ...\n dolly grip: Mandy Walker\n
\n Stuart Huggins\n ...\n digital imaging technician: aerial unit\n
\n Matthew Kelly Jackson\n ...\n second assistant camera: \"a\" camera\n
\n Justin Yardley Jones\n ...\n key rigging grip\n
\n Bryan Keenan\n ...\n lighting technician\n
\n Richard Dennis Kinnard\n ...\n rigging lamp operator (as Dennis Kinnard)\n
\n Jeff LaBaume\n ...\n rigging electrician: day player (as Jeff Labaume)\n
\n Jonathan McKeown\n ...\n electrician\n
\n Scott Montgomery\n ...\n drone camera operator\n
\n Dan Moore\n ...\n video operator\n
\n Larry Nielsen\n ...\n first assistant camera: \"a\" camera\n
\n Louie Northern\n ...\n drone pilot\n
\n Doyle Petty\n ...\n best boy rigging grip\n
\n Deaglan Quinn\n ...\n company grip\n
\n Tony Rivetti\n ...\n first assistant camera: \"b\"camera\n
\n Allen Robinson\n ...\n grip\n
\n Chad Schroeder\n ...\n rigging gaffer\n
\n Henry Schroeder\n ...\n technocrane operator\n
\n Scott Sealock\n ...\n rigging grip\n
\n Hopper Stone\n ...\n still photographer\n
\n Austin Swenson\n ...\n film loader\n
\n Zach Tharp\n ...\n rigging electrical best boy\n
\n Aidyn Timothy\n ...\n rigging grip\n
\n Jordan Tyson\n ...\n lighting technician\n
\n Riley Wood\n ...\n grip\n
\n Edward Young\n ...\n rigging grip\n
\n Pete Chiaramonte\n ...\n bts cinematographer (uncredited)\n
\n Timothy P. Vaughan\n ...\n rigging grip (uncredited)\n
\n Casting Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Jackie Burch\n ...\n southeast casting director\n
\n Bradley Clark\n ...\n local casting assistant\n
\n Andrea Craven\n ...\n extras casting director\n
\n Vashti Denise\n ...\n extras casting assistant\n
\n Bonnie Grisan\n ...\n casting associate\n
\n Tamara Hunter\n ...\n executive in charge of casting\n
\n Ashley Lambert\n ...\n adr voice casting\n
\n Bill Marinella\n ...\n extras casting\n
\n Robb Pendleton\n ...\n extras casting\n
\n Costume and Wardrobe Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Dustin Angus\n ...\n key costumer\n
\n Dennis Bates\n ...\n costume assistant\n
\n Cha Blevins\n ...\n key costumer\n
\n Andrew Callahan\n ...\n costume assistant\n
\n Marcella Elisa Caudill\n ...\n costumer\n
\n Meredith Coats\n ...\n set costumer\n
\n Morgan Dixon\n ...\n costume assistant\n
\n Lauren Driskill\n ...\n costume fitter / fitter\n
\n Paula Elins\n ...\n assistant costume designer\n
\n Shenelle Evans\n ...\n stitcher\n
\n Jordanna Fineberg\n ...\n costumer\n
\n Karen Freed\n ...\n costumer\n
\n Daniel George\n ...\n costumer\n
\n Kaylie Hamborg\n ...\n costume assistant\n
\n Keith Hudson\n ...\n textile artist\n
\n Grayson Kelly\n ...\n cutter/fitter\n
\n Neishea Lemle\n ...\n costume assistant\n
\n Danielle Marsico\n ...\n costume assistant (as Danielle Schuck)\n
\n Muto-Little\n ...\n costume maker\n
\n Kendra L. Patterson\n ...\n set costumer\n
\n Nora Phillips Pedersen\n ...\n prep costumer\n
\n Kathryn Rogers\n ...\n stitcher\n
\n Jenae Roseen\n ...\n background set costumer\n
\n Rebecca Russell\n ...\n costume assistant (as Rebecca Napier Russell) / set costumer (as Rebecca Napier White)\n
\n Ellen Semones\n ...\n key costumer\n
\n Bridget Shields\n ...\n fitter\n
\n Rachel Soriano\n ...\n costume assistant\n
\n Fatima Stripling\n ...\n costumer / set costumer\n
\n Raiyonda Vereen\n ...\n costumer\n
\n Kara Weeks\n ...\n workroom co-ordinator\n
\n Valerie Zielonka\n ...\n costume supervisor\n
\n Jeffrey Mayhue\n ...\n ager/dyer (uncredited)\n
\n Editorial Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Ron Anderson\n ...\n colorist: dailies\n
\n D.C. Cardinali\n ...\n colorist: dailies\n
\n Jennifer Chung\n ...\n editorial assistant/archival footage coordinator\n
\n James Michael Crawford\n ...\n dailies operator\n
\n Jeremiah Drueke\n ...\n dailies coordinator\n
\n Emma Escamilla\n ...\n post-production assistant\n
\n Max Fisher\n ...\n editorial assistant\n
\n Leah Gunter\n ...\n assistant editor\n
\n Craig Hayes\n ...\n additional editing\n
\n Ron Heidt\n ...\n technical editorial advisor\n
\n Thomas Kuo\n ...\n digital intermediate film scanner\n
\n Natasha Leonnet\n ...\n digital intermediate colorist\n
\n Ian Macdonald\n ...\n dailies\n
\n Ray Ruotolo\n ...\n digital colorist assistant\n
\n Steve Shireman\n ...\n dailies operator\n
\n Location Management \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Kevin Dowling\n ...\n location scout/assistant location manager\n
\n Dan Gorman\n ...\n assistant location manager\n
\n Wes Hagan\n ...\n location manager\n
\n Caroline Nightbird\n ...\n locations scout\n
\n Jordan Schmidt\n ...\n key assistant location manager/scout\n
\n Music Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Crystal Brooke Alforque\n ...\n musician: violin\n
\n Christopher Anderson-Bazzoli\n ...\n music preparation\n
\n Sean Barrett\n ...\n assistant orchestrator\n
\n Jacob Braun\n ...\n musician: cello\n
\n Johnny Britt\n ...\n soloist: trumpet\n
\n Rob Brophy\n ...\n musician: viola\n
\n Kim Burrell\n ...\n solo vocalist\n
\n John W. Chapman\n ...\n score mixer\n
\n Chuck Choi\n ...\n score technical consultant\n
\n Meredith Crawford\n ...\n musician: viola\n
\n Randy Crenshaw\n ...\n score vocalist\n
\n Steve Dress\n ...\n musician\n
\n Andrew Duckles\n ...\n musician: viola\n
\n Alma L. Fernandez\n ...\n musician: viola\n
\n Luke Flynn\n ...\n music preparation\n
\n Richard Ford\n ...\n music editor\n
\n Jeff Gartenbaum\n ...\n assistant music engineer\n
\n Kevin Globerman\n ...\n digital score recordist\n
\n Jessica Guideri\n ...\n musician: violin\n
\n Christopher Gutch\n ...\n composer agent (as Chris Gutch)\n
\n Herbie Hancock\n ...\n solo pianist\n
\n Dylan S. Hart\n ...\n musician: french horn\n
\n Nayanna Holley\n ...\n performer\n
\n Luanne Homzy\n ...\n musician: violin\n
\n Riley Hughes\n ...\n music preparation\n
\n Clydene Jackson\n ...\n solo vocalist\n
\n Gregory Jamrok\n ...\n music preparation\n
\n Steven Kofsky\n ...\n music production services\n
\n David J. Krystal\n ...\n orchestrator\n
\n Mike Larson\n ...\n music editor\n
\n Briana Lee\n ...\n singer\n
\n Edie Lehmann Boddicker\n ...\n vocal arranger / vocal contractor: singer (as Edie Lehmann)\n
\n Martin McClellan\n ...\n music preparation\n
\n Kory McMaster\n ...\n assistant orchestrator\n
\n Stephanie McNally\n ...\n technical score engineer\n
\n Aaron Meyer\n ...\n music preparation\n
\n Alan Meyerson\n ...\n score recorded by\n
\n Lucia Micarelli\n ...\n musician: violin\n
\n Rebecca Morellato\n ...\n music production executive (uncredited)\n
\n Ashley Olauson\n ...\n assistant orchestra contractor\n
\n Cynthia Park\n ...\n assistant to composer: Hans Zimmer\n
\n Alfredo Pasquel\n ...\n score mix assistant\n
\n Peter Rotter\n ...\n orchestra contractor\n
\n Max Sandler\n ...\n score technical assistant\n
\n Shalini S. Singh\n ...\n studio manager: remote control productions\n
\n Christine Sirois\n ...\n scoring stage manager\n
\n Tereza Stanislav\n ...\n musician: violin\n
\n Josy Svajda\n ...\n special thanks\n
\n Edward Trybek\n ...\n additional orchestrations\n
\n Joseph Twist\n ...\n music preparation\n
\n Karl Vincent\n ...\n musician\n
\n Seth Waldmann\n ...\n additional engineering\n
\n Booker White\n ...\n music preparation\n
\n Henri Wilkinson\n ...\n additional orchestrations\n
\n Tim Williams\n ...\n conductor\n
\n Catherine Wilson\n ...\n music editor\n
\n Helen Z. Altenbach\n ...\n musician (uncredited)\n
\n Thomas Cavanaugh\n ...\n music business & legal affairs (uncredited)\n
\n Johnny Choi\n ...\n music executive (uncredited)\n
\n Danielle Diego\n ...\n music executive (uncredited)\n
\n Ellen Ginsburg\n ...\n music clearance (uncredited)\n
\n Anton Monsted\n ...\n music executive (uncredited)\n
\n Script and Continuity Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Gail Hunter\n ...\n script supervisor\n
\n Transportation Department \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Bernie Ask\n ...\n picture car coordinator\n
\n Larinda Carnes\n ...\n Cast Driver for Taraji P Henson / cast driver: Taraji P Henson / driver: cast\n
\n Josh Dover\n ...\n driver\n
\n Terri Dowtin\n ...\n driver\n
\n Thomas Fountain\n ...\n driver: honeywagon\n
\n Kevin Hardy\n ...\n transportation co-captain\n
\n Daniel La Fave\n ...\n driver: cast\n
\n Jerry Loudermilk\n ...\n transportation captain\n
\n Stephanie Lundy\n ...\n dot supervisor\n
\n Aneka McReady\n ...\n driver\n
\n Ernest Rydberg\n ...\n insert car driver\n
\n Doug Wright\n ...\n transportation coordinator\n
\n Additional Crew \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Mac Alsfeld\n ...\n assistant: Mr. Costner\n
\n Wendy Altman-Cohen\n ...\n principal eyewear\n
\n Chaun Archer\n ...\n photo double: Octavia Spencer / stand-in: Octavia Spencer\n
\n Kimberly Bailey\n ...\n adr voice cast\n
\n Sean Bankhead\n ...\n choreographer\n
\n Dennis Bates\n ...\n production assistant\n
\n Gena Berry\n ...\n food stylist\n
\n Jessica M. Biddle\n ...\n assistant: Ms. Lombardi\n
\n Wren Boney\n ...\n medic\n
\n Alex Boyum\n ...\n set production assistant\n
\n Qualen Bradley\n ...\n stand-in: Mahershala Ali\n
\n Stephanie L. Brown\n ...\n set production assistant\n
\n Ellie Bryan\n ...\n production assistant: basecamp\n
\n Margaret Burke\n ...\n production safety (as Margaret Buckalew)\n
\n Chris Butcher\n ...\n additional production assistant\n
\n Mukari Butler\n ...\n production assistant\n
\n William Calvert\n ...\n adr voice cast\n
\n Michael Chandler\n ...\n additional adr performer: voice\n
\n Akilah Chopfield\n ...\n assistant to producers / assistant: Ms. Gigliotti (as Akilah Copfield)\n
\n June Christopher\n ...\n adr voice cast\n
\n Chip Clanton\n ...\n production coordinator\n
\n Matt Dunn\n ...\n accounting clerk\n
\n Courtney Dyson\n ...\n production secretary\n
\n Marty Elfalan\n ...\n first assistant accountant\n
\n Chase Fein\n ...\n adr voice cast\n
\n Skylar Felton\n ...\n set security\n
\n Michael Finfer\n ...\n production executive\n
\n Dann Fink\n ...\n adr voice cast\n
\n Eddie Frierson\n ...\n adr voice cast\n
\n Matthew Gilbert\n ...\n payroll clerk\n
\n Meaghan Gillenwater\n ...\n production assistant\n
\n Kaylie Hamborg\n ...\n production assistant\n
\n Donielle Hansley\n ...\n adr voice cast\n
\n Daniel Heale\n ...\n marketing agency executive\n
\n Doris Hellmann\n ...\n production accountant\n
\n Hana Hollinger\n ...\n assistant: Mr. Williams\n
\n Rudy L. Horne\n ...\n technical advisor: mathematics consultant\n
\n Sandi Howk\n ...\n assistant: Mr. Chernin\n
\n Blake H. Hughes\n ...\n assistant production coordinator\n
\n Katie Jackson\n ...\n set production assistant\n
\n Aqila KiKi Jones\n ...\n key craft service\n
\n Alexander Kaminer\n ...\n adr voice cast (as Gleb Kaminer) / voice (as Gleb Kaminer)\n
\n Jatona King\n ...\n stand-in: Taraji P. Henson\n
\n Curt Kutscher\n ...\n second assistant accountant\n
\n J Lawrence\n ...\n assistant: Ms. Henson, Ms. Mon\u00e1e, & Ms. Spencer (as a different name)\n
\n Donna Lynn Leavy\n ...\n adr voice cast\n
\n Beth Li\n ...\n title design & animation\n
\n Jeffrey J. Marks\n ...\n main title producer\n
\n Cathy Marshall\n ...\n payroll accountant\n
\n Krystal Marshall\n ...\n adr voice cast\n
\n Terence Mathews\n ...\n adr voice cast\n
\n William McClure\n ...\n production assistant\n
\n Adriane McCray\n ...\n assistant: Ms. Topping\n
\n Jemal McNeil\n ...\n acting coach\n
\n Addison Rose Melfi\n ...\n adr voice cast\n
\n Mandy Miller\n ...\n assistant: Mr. Parsons & Ms. Dunst\n
\n Richard Miro\n ...\n adr voice cast\n
\n Sheva Moore\n ...\n NASA consultant\n
\n Shanna Morrow\n ...\n second assistant accountant\n
\n Rick Overton\n ...\n adr voice cast\n
\n Juan Pacheco\n ...\n adr voice cast\n
\n Paul Pape\n ...\n adr voice cast\n
\n Devika Parikh\n ...\n adr voice cast\n
\n Heather Phillips\n ...\n EVP, Publicity, 20th Century Fox\n
\n Juan Pope\n ...\n adr voice cast\n
\n Christina Porter\n ...\n assistant: Kevin Halloran\n
\n Rob Porter\n ...\n police coordinator\n
\n Jayme Powell\n ...\n set production assistant\n
\n Lundyn Ransom\n ...\n stand-in\n
\n Lisa Rhyne\n ...\n legal affairs\n
\n Andre Robinson\n ...\n adr voice cast\n
\n Rena Ronson\n ...\n film representative\n
\n John Rubin\n ...\n adr voice cast\n
\n Darin Sahler\n ...\n stand-in: Kevin Costner\n
\n Jena C. Sarappo\n ...\n assistant: Mr. Halloran (as Jena Sarappo)\n
\n Dan Sasaki\n ...\n VP of optical engineering: Panavision\n
\n Stan Sellers\n ...\n adr voice cast\n
\n Douglas Settles\n ...\n production secretary\n
\n Bryan Shpall\n ...\n assistant: Ms. Gigliotti\n
\n Deborah Simmrin\n ...\n unit publicist\n
\n Brooke Singleton\n ...\n adr voice cast\n
\n Brooke Singleton\n ...\n adr: Voice (as Brooke D. Singleton)\n
\n Warren Sroka\n ...\n adr voice cast (as Warren Ortega Sroka)\n
\n Sky Stone\n ...\n title coordinator\n
\n Shane Sweet\n ...\n adr voice cast\n
\n Steve Swisher\n ...\n additional set production assistant\n
\n Jaquita Ta'le\n ...\n adr voice cast\n
\n Kirk Thornton\n ...\n adr voice cast\n
\n Carol Tresan\n ...\n animal wrangler\n
\n Greg Tresan\n ...\n animal wrangler\n
\n Timothy Watson\n ...\n production assistant (as Timathe Author)\n
\n Joe White\n ...\n adr voice cast\n
\n Trisha Wilson\n ...\n assistant: Mr. Melfi\n
\n Bruce Winant\n ...\n adr voice cast\n
\n Denise Woods\n ...\n dialect coach\n
\n Deonna Young\n ...\n assistant: Ms. Henson, Ms. Mon\u00e1e, & Ms. Spencer (as Deonna Young-Stephens)\n
\n Zackary Ballou\n ...\n production assistant (uncredited)\n
\n Russell Maheras\n ...\n project officer: department of defense (uncredited)\n
\n Katie McGinley\n ...\n production coordinator: Twentieth Century Fox (uncredited)\n
\n Greg Tresan\n ...\n animal coordinator (uncredited)\n
\n Thanks \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n Bill Barry\n ...\n the producers wish to thank the following for their assistance\n
\n Alexander Yves Brunner\n ...\n special thanks: Sold By\n
\n Hugh Harris\n ...\n the producers wish to thank the following for their assistance\n
\n Jeff Heninger\n ...\n the producers wish to thank the following for their assistance\n
\n Teresa Hornbuckle\n ...\n the producers wish to thank the following for their assistance\n
\n Mary Gainer Hurst\n ...\n the producers wish to thank the following for their assistance\n
\n Bob Jacobs\n ...\n the producers wish to thank the following for their assistance\n
\n Robert Jacobs\n ...\n the producers wish to thank\n
\n Me\n ...\n the producers wish to thank\n
\n Connie Moore\n ...\n the producers wish to thank the following for their assistance\n
\n Bert Ulrich\n ...\n the producers wish to thank the following for their assistance\n
\n David Weaver\n ...\n the producers wish to thank the following for their assistance\n
\n\n
\n
\n\n\n\n
\n

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\n \nRelease Dates\n | \nOfficial Sites\n | \nCompany Credits\n | \nFilming & Production\n | \nTechnical Specs\n

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\n\n\n\n\n \n \n\n", + "page_last_modified": "" + }, + { + "page_name": "Katherine Johnson, NASA Mathematician Featured in 'Hidden Figures,' ...", + "page_url": "https://www.nytimes.com/2020/02/24/science/katherine-johnson-dead.html", + "page_snippet": "She was one of a group of black women mathematicians at NASA and its predecessor who were celebrated in the 2016 movie \u201cHidden Figures.\u201dThey asked Katherine Johnson for the moon, and she gave it to them. Katherine Johnson, part of a small group of African-American women mathematicians who did crucial work at NASA, in 1966.Credit...NASA/Donaldson Collection, via Getty Images", + "page_result": "\n\n \n \n Katherine Johnson, NASA Mathematician Featured in 'Hidden Figures,' Dies at 101 - The New York Times\n \n \n \n\n\n\n\n \n \n \n \n \n \n \n\n \n \n \n \n \n \n \n\n \n \n \n \n \n \n \n\n \n \n \n \n
Science|Katherine Johnson Dies at 101; Mathematician Broke Barriers at NASA
https://www.nytimes.com/2020/02/24/science/katherine-johnson-dead.html
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Katherine Johnson Dies at 101; Mathematician Broke Barriers at NASA

She was one of a group of black women mathematicians at NASA and its predecessor who were celebrated in the 2016 movie \u201cHidden Figures.\u201d

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\"\"
Katherine Johnson, part of a small group of African-American women mathematicians who did crucial work at NASA, in 1966.Credit...NASA/Donaldson Collection, via Getty Images
\"Margalit

By Margalit Fox

They asked Katherine Johnson for the moon, and she gave it to them.

Wielding little more than a pencil, a slide rule and one of the finest mathematical minds in the country, Mrs. Johnson, who died at 101 on Monday at a retirement home in Newport News, Va., calculated the precise trajectories that would let Apollo 11 land on the moon in 1969 and, after Neil Armstrong\u2019s history-making moonwalk, let it return to Earth.

A single error, she well knew, could have dire consequences for craft and crew. Her impeccable calculations had already helped plot the successful flight of Alan B. Shepard Jr., who became the first American in space when his Mercury spacecraft went aloft in 1961.

The next year, she likewise helped make it possible for John Glenn, in the Mercury vessel Friendship 7, to become the first American to orbit the Earth.

Yet throughout Mrs. Johnson\u2019s 33 years in NASA\u2019s Flight Research Division \u2014 the office from which the American space program sprang \u2014 and for decades afterward, almost no one knew her name.

Mrs. Johnson was one of several hundred rigorously educated, supremely capable yet largely unheralded women who, well before the modern feminist movement, worked as NASA mathematicians.

Image
Mrs. Johnson at her desk at Langley in an undated photo.\u00a0Credit...NASA

But it was not only her sex that kept her long marginalized and long unsung: Katherine Coleman Goble Johnson, a West Virginia native who began her scientific career in the age of Jim Crow, was also African-American.

In old age, Mrs. Johnson became the most celebrated of the small cadre of black women \u2014 perhaps three dozen \u2014 who at midcentury served as mathematicians for the space agency and its predecessor, the National Advisory Committee for Aeronautics.

Their story was told in the 2016 Hollywood film \u201cHidden Figures,\u201d based on Margot Lee Shetterly\u2019s nonfiction book of the same title, published that year. The movie starred Taraji P. Henson as Mrs. Johnson, the film\u2019s central figure. It also starred Octavia Spencer and Janelle Mon\u00e1e as her real-life colleagues Dorothy Vaughan and Mary Jackson.

In January 2017 \u201cHidden Figures\u201d received the Screen Actors Guild Award for outstanding performance by a cast in a motion picture.

The film was nominated for three Oscars, including best picture. Though it won none, the 98\u00bd-year-old Mrs. Johnson received a sustained standing ovation when she appeared onstage with the cast at the Academy Awards ceremony that February.

Of the black women at the center of the film, Mrs. Johnson was the only one still living at the time of its release. By then, she had become the best-known member of her formerly unknown cohort.

In 2015, President Barack Obama awarded her the Presidential Medal of Freedom, proclaiming, \u201cKatherine G. Johnson refused to be limited by society\u2019s expectations of her gender and race while expanding the boundaries of humanity\u2019s reach.\u201d

In 2017, NASA dedicated a building in her honor, the Katherine G. Johnson Computational Research Facility, at its Langley Research Center in Hampton, Va.

That year, The Washington Post described her as \u201cthe most high-profile of the computers\u201d \u2014 \u201ccomputers\u201d being the term originally used to designate Mrs. Johnson and her colleagues, much as \u201ctypewriters\u201d was used in the 19th century to denote professional typists.

She \u201chelped our nation enlarge the frontiers of space,\u201d NASA\u2019s administrator, Jim Bridenstine, said in a statement on Monday, \u201ceven as she made huge strides that also opened doors for women and people of color in the universal human quest to explore space.\u201d

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Taraji P. Henson portraying Mrs. Johnson in a scene from the 2016 movie “Hidden Figures.”Credit...Twentieth Century Fox, via Associated Press

As Mrs. Johnson herself was fond of saying, her tenure at Langley \u2014 from 1953 until her retirement in 1986 \u2014 was \u201ca time when computers wore skirts.\u201d

For some years at midcentury, the black women who worked as \u201ccomputers\u201d were subjected to a double segregation: Consigned to separate office, dining and bathroom facilities, they were kept separate from the much larger group of white women who also worked as NASA mathematicians. The white women in turn were segregated from the agency\u2019s male mathematicians and engineers.

But over time, the work of Mrs. Johnson and her colleagues \u2014 myriad calculations done mainly by hand, using slide rules, graph paper and clattering desktop calculating machines \u2014 won them a level of acceptance that for the most part transcended race.

\u201cNASA was a very professional organization,\u201d Mrs. Johnson told The Observer of Fayetteville, N.C., in 2010. \u201cThey didn\u2019t have time to be concerned about what color I was.\u201d

Nor, she said, did she.

\u201cI don\u2019t have a feeling of inferiority,\u201d Mrs. Johnson said on at least one occasion. \u201cNever had. I\u2019m as good as anybody, but no better.\u201d

To the end of her life, Mrs. Johnson deflected praise for her role in sending astronauts into space, keeping them on course and bringing them safely home.

\u201cI was just doing my job,\u201d Ms. Shetterly heard her say repeatedly in the course of researching her book.

But what a job it was \u2014 done, no less, by a woman born at a time, Ms. Shetterly wrote, \u201cwhen the odds were more likely that she would die before age 35 than even finish high school.\u201d

Creola Katherine Coleman was born on Aug. 26, 1918, in White Sulphur Springs, W.Va., the youngest of four children of Joshua and Joylette (Lowe) Coleman. Her mother was a schoolteacher, her father a farmer.

From her earliest childhood Katherine counted things: the number of dishes in the cupboard, the number of steps on the way to church and, as insurmountable a task as it might pose for one old enough to be daunted, the number of stars in the sky.

\u201cI couldn\u2019t wait to get to high school to take algebra and geometry,\u201d Mrs. Johnson told The Associated Press in 1999.

But for black children, the town\u2019s segregated educational system went as far as only sixth grade. Thus, every fall, Joshua Coleman moved his family 125 miles away to Institute, W.Va.

In Institute, Katherine\u2019s older siblings, and then Katherine, attended the high school associated with the West Virginia Collegiate Institute, a historically black institution that became West Virginia State College and is now West Virginia State University.

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Mrs. Johnson at NASA’s Langley Research Center in 1980.Credit...NASA

Mr. Coleman remained in White Sulphur Springs to farm, and, when the Depression made farming untenable, to work as a bellman at the Greenbrier, a world-renowned resort there.

Katherine entered high school at 10 and graduated at 14. The next year she entered West Virginia State. By her junior year, she had taken all the math courses the college had to offer.

Her mentor there, William Waldron Schieffelin Claytor, only the third black person to earn a doctorate in mathematics from an American university, conceived special classes just for her.

\u201cYou would make a good research mathematician,\u201d he told his 17-year-old charge. \u201cAnd I am going to prepare you for this career.\u201d

\u201cWhere will I find a job?\u201d Katherine asked.

\u201cThat,\u201d he replied, \u201cwill be your problem.\u201d

After graduating summa cum laude in 1937 with a double major in mathematics and French, she found, unsurprisingly, that research opportunities for black female teenage mathematicians were negligible. She took a job as a schoolteacher in Marion, Va.

In 1940, she was chosen by the president of West Virginia State to be one of three black graduate students to integrate West Virginia University, the all-white institution in Morgantown.

Two years earlier, ruling in the civil-rights case Missouri ex rel. Gaines v. Canada, the United States Supreme Court held that where comparable graduate programs did not exist at black universities in Missouri, the state was obliged to admit black graduate students to its white state universities. In the wake of that decision, West Virginia\u2019s governor, Homer Holt, chose to desegregate public graduate schools in his state.

Now married to James Francis Goble, a chemistry teacher, she entered West Virginia University in the summer of 1940, studying advanced mathematics.

\u201cThe greatest challenge she faced,\u201d Ms. Shetterly wrote, \u201cwas finding a course that didn\u2019t duplicate Dr. Claytor\u2019s meticulous tutelage.\u201d

But after that summer session, on discovering she was pregnant with her first child, she withdrew from the university. She returned with her husband to Marion and was occupied with marriage, motherhood and teaching for more than a decade.

Then, in 1952, Katherine Goble heard that Langley was hiring black women as mathematicians.

The oldest of NASA\u2019s field centers, Langley had been established by the National Advisory Committee for Aeronautics in 1917. In 1935, it began hiring white women with mathematics degrees to relieve its male engineers of the tedious work of crunching numbers by hand.

Within a decade, several hundred white women had been employed as computers there. Most, unlike the male scientists at the agency, were classified as subprofessionals, paid less than their male counterparts.

In June 1941, as the nation prepared for war, President Franklin D. Roosevelt signed Executive Order 8802, barring racial discrimination in the defense industry. In 1943, with the wartime need for human computers greater than ever, the Langley Memorial Aeronautical Laboratory, as the research facility was then known, began advertising for black women trained in mathematics.

Among the first hired was Dorothy Vaughan, who began work that year. In 1951, Mrs. Vaughan became the first black section head at NACA, as the advisory committee was known, when she was officially placed in charge of Langley\u2019s West Area Computing Unit, the segregated office to which the black women were relegated.

It was in this unit that Katherine Goble began work in June 1953, tabulating sheets of data for the agency\u2019s engineers.

By the time she arrived, the company cafeteria had already undergone de facto desegregation: Its \u201cColored Computers\u201d sign, designating a table in the back for the women, had been a salubrious casualty of the war years. But the separate bathrooms remained.

Quite by accident, Katherine Goble broke that color line herself. While the agency\u2019s bathrooms for black employees were marked as such, many bathrooms for whites were unmarked.

Without realizing it, she had been using a white women\u2019s restroom since her arrival. By the time she became aware of her error, she was set in her routine and disinclined to change. No one took her to task, and she used the white bathrooms from then on.

Two weeks into her new job, she was borrowed by the Flight Research Division, which occupied an immense hangar on the Langley grounds.

There, the only black member of the staff, she helped calculate the aerodynamic forces on airplanes. For that task, as she quickly demonstrated, she came armed with an invaluable asset.

\u201cThe guys all had graduate degrees in mathematics; they had forgotten all the geometry they ever knew,\u201d Mrs. Johnson said in the Fayetteville Observer interview. \u201cI still remembered mine.\u201d

She remained in the division for the rest of her career.

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Mrs. Johnson did the trajectory analysis for the launch of Freedom 7 in 1961, the Mercury program mission on which Alan B. Shepard became the first American in space.Credit...NASA

By the early 1960s, with the United States provoked by Soviet prowess in space, NASA was under great pressure to launch an astronaut. It fell to the Flight Research Division to do many of the associated calculations.

\u201cOur assignment was the trajectory,\u201d Mrs. Johnson explained to The Associated Press. \u201cAs NASA got ready to put someone in space, they needed to know what the launch conditions were. It was our assignment to develop the launch window and determine where it was going to land.\u201d

Their work was secret \u2014 at times even from the mathematicians themselves.

\u201cWe were the pioneers of the space era,\u201d Mrs. Johnson told The Daily Press, a Virginia newspaper, in 1990. \u201cYou had to read Aviation Week to find out what you\u2019d done.\u201d

She routinely logged 16-hour days, once falling asleep at the wheel of her car and waking up \u2014 safe, providentially \u2014 at the side of the road.

But the work engaged her deeply.

\u201cI loved every single day of it,\u201d she told Ms. Shetterly. \u201cThere wasn\u2019t one day when I didn\u2019t wake up excited to go to work.\u201d

It helped sustain her through the death of her first husband from brain cancer in 1956, leaving her, at 38, a widow with three adolescent daughters. She married James A. Johnson, a United States Army captain, in 1959.

Over the years, Mrs. Johnson published more than two dozen technical papers. She was among the first women at NASA to be a named author or co-author on an agency report.

Ceaselessly curious about the aerospace technology that underpinned her work, she made it possible for women to attend the agency\u2019s scientific briefings, formerly closed-door affairs reserved for male staff members. (\u201cIs there a law against it?\u201d Mrs. Johnson asked, and when her male colleagues, after some head-scratching, concluded that, no, there was no law, they let her in.)

After retiring from NASA, Mrs. Johnson became a public advocate for mathematics education, speaking widely and visiting schools.

Her death was announced by NASA. She is survived by two daughters, Joylette Hylick and Katherine Moore; six grandchildren; and 11 great-grandchildren. Another daughter, Connie Garcia, died in 2010; her second husband, James Johnson, died in 2019.

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Mrs. Johnson, left, and her fellow former NASA scientist Christine Darden in 2016 at the Hampton History Museum in Virginia.Credit...Chet Strange for The New York Times

Mrs. Johnson\u2019s colleague Mary Jackson died in 2005; Dorothy Vaughan died in 2008.

An autobiography by Mrs. Johnson for young readers, \u201cReaching for the Moon,\u201d was published last year.

In 2016, Mrs. Johnson, self-effacing as ever at 98, seemed somewhat indifferent to the fuss surrounding the feature film about her life.

\u201cI shudder,\u201d she told The New York Times that September, some three months before the film\u2019s release, having heard that the screenwriters might have made her character seem a tiny bit aggressive. \u201cI was never aggressive.\u201d (As things transpired, Mrs. Johnson liked the finished film very much, Ms. Shetterly said in an interview for this obituary in 2017.)

Mrs. Johnson may not have been aggressive, but she was assuredly esteemed. An index of just how esteemed she was came from Mr. Glenn, Mercury astronaut and future United States senator, who died in 2016.

In early 1962, a few days before he prepared to orbit the Earth in Friendship 7, Mr. Glenn made a final check of his planned orbital trajectory. The trajectory had been generated by a computer \u2014 not the flesh-and-blood kind, but the electronic sort, which were starting to supplant the agency\u2019s human calculators.

Electronic computation was still something of a novelty at NASA, and Mr. Glenn was unsettled by the use of a soulless mass of metal to divine something on which his life depended.

He asked that Mrs. Johnson double-check the machine\u2019s figures by hand.

\u201cIf she says the numbers are good,\u201d he declared, \u201cI\u2019m ready to go.\u201d

Margalit Fox is a former senior writer on the obituaries desk at The Times. She was previously an editor at the Book Review. She has written the send-offs of some of the best-known cultural figures of our era, including Betty Friedan, Maya Angelou and Seamus Heaney. More about Margalit Fox

A version of this article appears in print on \u00a0, Section A, Page 1 of the New York edition with the headline: Katherine Johnson, a NASA Star Undiscovered for Decades, Is Dead at 101. Order Reprints | Today\u2019s Paper | Subscribe
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