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Arguably , the dramatist has committed a |
|
a flawed but beautiful enigma , seen but |
|
restrained power . |
|
technical error in allowing Irene to speak |
|
exacting role , that of the sergeant , gives |
|
not heard . However , Miss Pinkie Johnstone |
|
Dinsdale Landen , in the longest and most |
|
a performance of rare intelligence and |
|
in our minds about her if she remained |
|
for herself ; we would be altogether clearer |
|
makes her few brief scenes effective , and Mr. |
|
exacting role , that of the sergeant , gives a perfor- |
|
in our minds about her if she remained |
|
for herself ; we would be altogether clearer |
|
makes her few brief scenes effective , and |
|
Mr. Dinsdale Landen , in the longest and most |
|
a flawed but beautiful enigma , seen but |
|
power . |
|
mance of rare intelligence and restrained |
|
not heard . However , Miss Pinkie Johnstone |
|
Arguably , the dramatist has committed a |
|
technical error in allowing Irene to speak |
|
Arguably , the dramatist has committed a |
|
flawed but beautiful enigma , seen but not |
|
makes her few brief scenes effective , and |
|
Mr. Dinsdale Landen , in the longest and most |
|
exacting role , that of the sergeant , gives a |
|
for herself ; we would be altogether clearer |
|
in our minds about her if she remained a |
|
performance of rare intelligence and restrained |
|
heard . However , Miss Pinkie Johnstone |
|
technical error in allowing Irene to speak |
|
power of unbridled ambition . |
|
on the not unfamiliar theme of the destructive |
|
Mr. Bryan Stonehouse's production is quietly |
|
effective , giving full value to the formal elements |
|
them . Last night's play in the " Play of the |
|
Week " series on independent television , Then |
|
of Betti's writing without over-emphasizing |
|
We Fall , by Mr. Paul Ferris , was a morality |
|
them . Last night's play in the " Play of the |
|
of Betti's writing without over-emphasizing |
|
Week " series on independent television , Then |
|
Mr. Bryan Stonehouse's production is quietly |
|
effective , giving full value to the formal elements |
|
on the not unfamiliar theme of the destructive |
|
We Fall , by Mr. Paul Ferris , was a morality |
|
power of unbridled ambition . |
|
Mr. Bryan Stonehouse's production is quietly effective , |
|
giving full value to the formal elements of Betti's |
|
was a morality on the not unfamiliar theme of |
|
the destructive power of unbridled ambition . |
|
writing without over-emphasizing them . Last night's |
|
dent television , Then We Fall , by Mr. Paul Ferris , |
|
play in the " Play of the Week " series on indepen- |
|
" Play of the Week " series on independent |
|
ris , was a morality on the not unfamiliar |
|
Mr. Bryan Stonehouse's production is quietly |
|
ambition . |
|
emphasizing them . Last night's play in the |
|
television , Then We Fall , by Mr. Paul Fer- |
|
elements of Betti's writing without over- |
|
effective , giving full value to the formal |
|
theme of the destructive power of unbridled |
|
them . Last night's play in the " Play of the |
|
Week " series on independent television , Then We |
|
Mr. Bryan Stonehouse's production is quietly |
|
the not unfamiliar theme of the destructive |
|
effective , giving full value to the formal elements |
|
Fall , by Mr. Paul Ferris , was a morality on |
|
power of unbridled ambition . |
|
of Betti's writing without over-emphasizing |
|
formal elements of Betti's writing without |
|
Mr. Bryan Stonehouse's production is |
|
quietly effective , giving full value to the |
|
of unbridled ambition . |
|
unfamiliar theme of the destructive power |
|
independent television , Then We Fall , by |
|
Mr. Paul Ferris , was a morality on the not |
|
in the " Play of the Week " series on |
|
over-emphasizing them . Last night's play |
|
treatments of its subject by attempting to |
|
It went , perhaps , some distance beyond most |
|
generate a melodramatic inevitability which |
|
way in which Mr. Ferris manipulated his |
|
characters . |
|
left its central character and the world |
|
around him in complete , unredeemable desolation . |
|
succeeded if we had a little more faith in the |
|
We could , perhaps , say whether or not the attempt |
|
way in which Mr. Ferris manipulated |
|
around him in complete , unredeemable desolation . |
|
It went , perhaps , some distance beyond most |
|
his characters . |
|
We could , perhaps , say whether or not the attempt |
|
generate a melodramatic inevitability which |
|
treatments of its subject by attempting to |
|
succeeded if we had a little more faith in the |
|
left its central character and the world |
|
Ferris manipulated his characters . |
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