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Animal Farm

George Orwell

8/17/1945

{"/m/016lj8": "Roman \u00e0 clef", "/m/06nbt": "Satire", "/m/0dwly": "Children's literature", "/m/014dfn": "Speculative fiction", "/m/02xlf": "Fiction"}

Old Major, the old boar on the Manor Farm, calls the animals on the farm for a meeting, where he compares the humans to parasites and teaches the animals a revolutionary song, 'Beasts of England'. When Major dies, two young pigs, Snowball and Napoleon, assume command and turn his dream into a philosophy. The animals revolt and drive the drunken and irresponsible Mr Jones from the farm, renaming it "Animal Farm". They adopt Seven Commandments of Animal-ism, the most important of which is, "All animals are equal". Snowball attempts to teach the animals reading and writing; food is plentiful, and the farm runs smoothly. The pigs elevate themselves to positions of leadership and set aside special food items, ostensibly for their personal health. Napoleon takes the pups from the farm dogs and trains them privately. Napoleon and Snowball struggle for leadership. When Snowball announces his plans to build a windmill, Napoleon has his dogs chase Snowball away and declares himself leader. Napoleon enacts changes to the governance structure of the farm, replacing meetings with a committee of pigs, who will run the farm. Using a young pig named Squealer as a "mouthpiece", Napoleon claims credit for the windmill idea. The animals work harder with the promise of easier lives with the windmill. After a violent storm, the animals find the windmill annihilated. Napoleon and Squealer convince the animals that Snowball destroyed it, although the scorn of the neighbouring farmers suggests that its walls were too thin. Once Snowball becomes a scapegoat, Napoleon begins purging the farm with his dogs, killing animals he accuses of consorting with his old rival. He and the pigs abuse their power, imposing more control while reserving privileges for themselves and rewriting history, villainising Snowball and glorifying Napoleon. Squealer justifies every statement Napoleon makes, even the pigs' alteration of the Seven Commandments of Animalism to benefit themselves. 'Beasts of England' is replaced by an anthem glorifying Napoleon, who appears to be adopting the lifestyle of a man. The animals remain convinced that they are better off than they were when under Mr Jones. Squealer abuses the animals' poor memories and invents numbers to show their improvement. Mr Frederick, one of the neighbouring farmers, attacks the farm, using blasting powder to blow up the restored windmill. Though the animals win the battle, they do so at great cost, as many, including Boxer the workhorse, are wounded. Despite his injuries, Boxer continues working harder and harder, until he collapses while working on the windmill. Napoleon sends for a van to take Boxer to the veterinary surgeon's, explaining that better care can be given there. Benjamin, the cynical donkey, who "could read as well as any pig", notices that the van belongs to a knacker, and attempts to mount a rescue; but the animals' attempts are futile. Squealer reports that the van was purchased by the hospital and the writing from the previous owner had not been repainted. He recounts a tale of Boxer's death in the hands of the best medical care. Years pass, and the pigs learn to walk upright, carry whips and wear clothes. The Seven Commandments are reduced to a single phrase: "All animals are equal, but some animals are more equal than others". Napoleon holds a dinner party for the pigs and the humans of the area, who congratulate Napoleon on having the hardest-working but least fed animals in the country. Napoleon announces an alliance with the humans, against the labouring classes of both "worlds". He abolishes practices and traditions related to the Revolution, and changes the name of the farm to "The Manor Farm". The animals, overhearing the conversation, notice that the faces of the pigs have begun changing. During a poker match, an argument breaks out between Napoleon and Mr Pilkington, and the animals realise that the faces of the pigs look like the faces of humans, and no one can tell the difference between them. The pigs Snowball, Napoleon, and Squealer adapt Old Major's ideas into an actual philosophy, which they formally name Animalism. Soon after, Napoleon and Squealer indulge in the vices of humans (drinking alcohol, sleeping in beds, trading). Squealer is employed to alter the Seven Commandments to account for this humanisation, an allusion to the Soviet government's revising of history in order to exercise control of the people's beliefs about themselves and their society. The original commandments are: # Whatever goes upon two legs is an enemy. # Whatever goes upon four legs, or has wings, is a friend. # No animal shall wear clothes. # No animal shall sleep in a bed. # No animal shall drink alcohol. # No animal shall kill any other animal. # All animals are equal. Later, Napoleon and his pigs secretly revise some commandments to clear them of accusations of law-breaking (such as "No animal shall drink alcohol" having "to excess" appended to it and "No animal shall sleep in a bed" with "with sheets" added to it). The changed commandments are as follows, with the changes bolded: * 4 No animal shall sleep in a bed with sheets. * 5 No animal shall drink alcohol to excess. * 6 No animal shall kill any other animal without cause. Eventually these are replaced with the maxims, "All animals are equal, but some animals are more equal than others", and "Four legs good, two legs better!" as the pigs become more human. This is an ironic twist to the original purpose of the Seven Commandments, which were supposed to keep order within Animal Farm by uniting the animals together against the humans, and prevent animals from following the humans' evil habits. Through the revision of the commandments, Orwell demonstrates how simply political dogma can be turned into malleable propaganda.

843

/m/0k36

A Clockwork Orange

Anthony Burgess

1962

{"/m/06n90": "Science Fiction", "/m/0l67h": "Novella", "/m/014dfn": "Speculative fiction", "/m/0c082": "Utopian and dystopian fiction", "/m/06nbt": "Satire", "/m/02xlf": "Fiction"}

Alex, a teenager living in near-future England, leads his gang on nightly orgies of opportunistic, random "ultra-violence." Alex's friends ("droogs" in the novel's Anglo-Russian slang, Nadsat) are: Dim, a slow-witted bruiser who is the gang's muscle; Georgie, an ambitious second-in-command; and Pete, who mostly plays along as the droogs indulge their taste for ultra-violence. Characterized as a sociopath and a hardened juvenile delinquent, Alex is also intelligent and quick-witted, with sophisticated taste in music, being particularly fond of Beethoven, or "Lovely Ludwig Van." The novel begins with the droogs sitting in their favorite hangout (the Korova Milkbar), drinking milk-drug cocktails, called "milk-plus", to hype themselves for the night's mayhem. They assault a scholar walking home from the public library, rob a store leaving the owner and his wife bloodied and unconscious, stomp a panhandling derelict, then scuffle with a rival gang. Joyriding through the countryside in a stolen car, they break into an isolated cottage and maul the young couple living there, beating the husband and raping his wife. In a metafictional touch, the husband is a writer working on a manuscript called "A Clockwork Orange," and Alex contemptuously reads out a paragraph that states the novel's main theme before shredding the manuscript. Back at the milk bar, Alex punishes Dim for some crude behaviour, and strains within the gang become apparent. At home in his dreary flat, Alex plays classical music at top volume while fantasizing of even more orgiastic violence. Alex skips school the next day. Following an unexpected visit from P.R. Deltoid, his "post-corrective advisor," Alex meets a pair of ten-year-old girls and takes them back to his parents' flat, where he administers hard drugs and then rapes them. That evening, Alex finds his droogs in a mutinous mood. Georgie challenges Alex for leadership of the gang, demanding that they pull a "man-sized" job. Alex quells the rebellion by slashing Dim's hand and fighting with Georgie, then in a show of generosity takes them to a bar, where Alex insists on following through on Georgie's idea to burgle the home of a wealthy old woman. The break-in starts as farce and ends in tragic pathos, as Alex's attack kills the elderly woman. His escape is blocked by Dim, who attacks Alex, leaving him incapacitated on the front step as the police arrive. Sentenced to prison for murder, Alex gets a job at the Wing chapel playing religious music on the stereo before and after services as well as during the singing of hymns. The prison chaplain mistakes Alex's Bible studies for stirrings of faith (Alex is actually reading Scripture for the violent passages). After Alex's fellow cellmates blame him for beating a troublesome cellmate to death, he agrees to undergo an experimental behaviour-modification treatment called the Ludovico Technique. The technique is a form of aversion therapy in which Alex receives an injection that makes him feel sick while watching graphically violent films, eventually conditioning him to suffer crippling bouts of nausea at the mere thought of violence. As an unintended consequence, the soundtrack to one of the films—Beethoven's Fifth Symphony—renders Alex unable to listen to his beloved classical music. The effectiveness of the technique is demonstrated to a group of VIPs, who watch as Alex collapses before a walloping bully, and abases himself before a scantily-clad young woman whose presence has aroused his predatory sexual inclinations. Though the prison chaplain accuses the state of stripping Alex of free will, the government officials on the scene are pleased with the results and Alex is released into society. Since his parents are now renting his room to a lodger, Alex wanders the streets and enters a public library where he hopes to learn a painless way to commit suicide. There, he accidentally encounters the old scholar he assaulted earlier in the book, who, keen on revenge, beats Alex with the help of his friends. The policemen who come to Alex's rescue turn out to be none other than Dim and former gang rival Billyboy. The two policemen take Alex outside of town and beat him up. Dazed and bloodied, Alex collapses at the door of an isolated cottage, realizing too late that it is the house he and his droogs invaded in the first half of the story. Because the gang wore masks during the assault, the writer does not recognize Alex. The writer, whose name is revealed as F. Alexander, shelters Alex and questions him about the conditioning. During this sequence, it is revealed that Mrs. Alexander died from the injuries inflicted during the gang-rape, and her husband has decided to continue living "where her fragrant memory persists" despite the horrid memories. Alexander, a critic of the government, hopes to use Alex as a symbol of state brutality and thereby prevent the incumbent government from being re-elected. Eventually, he begins to realize Alex's role in the happenings of the night two years ago. One of Alexander's radical associates manages to extract a confession from Alex after removing him from F. Alexander's home and then locks him in a flatblock near his former home. Alex is then subjected to a relentless barrage of classical music, prompting him to attempt suicide by leaping from a high window. Alex wakes up in hospital, where he is courted by government officials anxious to counter the bad publicity created by his suicide attempt. With Alexander safely packed off to a mental institution, Alex is offered a well-paying job if he agrees to side with the government. As photographers snap pictures, Alex daydreams of orgiastic violence and realizes the Ludovico conditioning has been reversed: "I was cured all right." In the final chapter, Alex has a new trio of droogs, but he finds he is beginning to outgrow his taste for violence. A chance encounter with Pete, now married and settled down, inspires Alex to seek a wife and family of his own. He contemplates the likelihood of his future son being a delinquent as he was, a prospect Alex views fatalistically.

986

/m/0ldx

The Plague

Albert Camus

1947

{"/m/02m4t": "Existentialism", "/m/02xlf": "Fiction", "/m/0pym5": "Absurdist fiction", "/m/05hgj": "Novel"}

The text of The Plague is divided into five parts. In the town of Oran, thousands of rats, initially unnoticed by the populace, begin to die in the streets. A hysteria develops soon afterward, causing the local newspapers to report the incident. Authorities responding to public pressure order the collection and cremation of the rats, unaware that the collection itself was the catalyst for the spread of the bubonic plague. The main character, Dr. Bernard Rieux, lives comfortably in an apartment building when strangely the building's concierge, M. Michel, a confidante, dies from a fever. Dr. Rieux consults his colleague, Castel, about the illness until they come to the conclusion that a plague is sweeping the town. They both approach fellow doctors and town authorities about their theory, but are eventually dismissed on the basis of one death. However, as more and more deaths quickly ensue, it becomes apparent that there is an epidemic. Authorities, including the Prefect, M. Othon, are slow to accept that the situation is serious and quibble over the appropriate action to take. Official notices enacting control measures are posted, but the language used is optimistic and downplays the seriousness of the situation. A "special ward" is opened at the hospital, but its 80 beds are filled within three days. As the death toll begins to rise, more desperate measures are taken. Homes are quarantined; corpses and burials are strictly supervised. A supply of plague serum finally arrives, but there is only enough to treat existing cases and the country's emergency reserves are depleted. When the daily number of deaths jumps to 30, the town is sealed and an outbreak of plague is officially declared. The town is sealed off. The town gates are shut, rail travel is prohibited, and all mail service is suspended. The use of telephone lines is restricted only to "urgent" calls, leaving short telegrams as the only means of communicating with friends or family outside the town. The separation affects daily activity and depresses the spirit of the townspeople, who begin to feel isolated and introverted, and the plague begins to affect various characters. One character, Raymond Rambert, devises a plan to escape the city to join his lover in Paris after city officials refuse his request to leave. He befriends some criminals so that they may smuggle him out of the city. Another character, Father Paneloux, uses the plague as an opportunity to advance his stature in the town by suggesting that the plague was an act of God punishing the citizens' sinful nature. His diatribe falls on the ears of many citizens of the town, who turned to religion in droves but would not have done so under normal circumstances. Cottard, a criminal remorseful enough to attempt suicide yet fearful of being arrested, becomes wealthy as a major smuggler. Meanwhile, Dr. Rieux, a vacationer Jean Tarrou, and a civil servant Joseph Grand exhaustively treat patients in their homes and in the hospital. Rambert informs Tarrou of his escape plan, but when Tarrou tells him that others in the city, including Dr. Rieux, also have loved ones outside the city whom they are not allowed to see, Rambert becomes sympathetic and changes his mind. He then decides to join Tarrou and Dr. Rieux to help fight the epidemic. In mid-August, the situation continues to worsen. People try to escape the town, but some are shot by armed sentries. Violence and looting break out on a small scale, and the authorities respond by declaring martial law and imposing a curfew. Funerals are conducted with more and more speed, no ceremony, and little concern for the feelings of the families of the deceased. The inhabitants passively endure their increasing feelings of exile and separation; despondent, they waste away emotionally as well as physically. In September and October, the town remains at the mercy of the plague. Rieux hears from the sanatorium that his wife's condition is worsening. He also hardens his heart regarding the plague victims so that he can continue to do his work. Cottard, on the other hand, seems to flourish during the plague, because it gives him a sense of being connected to others, since everybody faces the same danger. Cottard and Tarrou attend a performance of Gluck's opera Orpheus and Eurydice, but the actor portraying Orpheus collapses with plague symptoms during the performance. Rambert finally has a chance to escape, but he decides to stay, saying that he would feel ashamed of himself if he left. Towards the end of October, Castel's new anti-plague serum is tried for the first time, but it cannot save the life of Othon's young son, who suffers greatly, as Paneloux, Rieux, and Tarrou look on in horror. Paneloux, who has joined the group of volunteers fighting the plague, gives a second sermon. He addresses the problem of an innocent child's suffering and says it is a test of a Christian's faith, since it requires him either to deny everything or believe everything. He urges the congregation not to give up the struggle but to do everything possible to fight the plague. A few days after the sermon, Paneloux is taken ill. His symptoms do not conform to those of the plague, but the disease still proves fatal. Tarrou and Rambert visit one of the isolation camps, where they meet Othon. When Othon's period of quarantine ends, he elects to stay in the camp as a volunteer because this will make him feel less separated from his dead son. Tarrou tells Rieux the story of his life, and the two men go swimming together in the sea. Grand catches the plague and instructs Rieux to burn all his papers. But Grand makes an unexpected recovery, and deaths from the plague start to decline. By late January, the plague is in full retreat, and the townspeople begin to celebrate the imminent opening of the town gates. Othon, however, does not escape death from the disease. Cottard is distressed by the ending of the epidemic, from which he has profited by shady dealings. Two government employees approach him, and he flees. Despite the epidemic's ending, Tarrou contracts the plague and dies after an heroic struggle. Rieux's wife also dies. In February, the town gates open and people are reunited with their loved ones from other cities. Rambert is reunited with his wife. Rieux reveals that he is the narrator of the chronicle and that he tried to present an objective view of the events. Cottard goes mad and shoots at people from his home. He is arrested. Grand begins working on his sentence again. Rieux reflects on the epidemic and reaches the conclusion that there is more to admire than to despise in humans.

1756

/m/0sww

An Enquiry Concerning Human Understanding

David Hume

The argument of the Enquiry proceeds by a series of incremental steps, separated into chapters which logically succeed one another. After expounding his epistemology, Hume explains how to apply his principles to specific topics. In the first section of the Enquiry, Hume provides a rough introduction to philosophy as a whole. For Hume, philosophy can be split into two general parts: natural philosophy and the philosophy of human nature (or, as he calls it, "moral philosophy"). The latter investigates both actions and thoughts. He emphasizes in this section, by way of warning, that philosophers with nuanced thoughts will likely be cast aside in favor of those whose conclusions more intuitively match popular opinion. However, he insists, precision helps art and craft of all kinds, including the craft of philosophy. Next, Hume discusses the distinction between impressions and ideas. By "impressions", he means sensations, while by "ideas", he means memories and imaginings. According to Hume, the difference between the two is that ideas are less vivacious than impressions. For example, the idea of the taste of an orange is far inferior to the impression (or sensation) of actually eating one. Writing within the tradition of empiricism, he argues that impressions are the source of all ideas. Hume accepts that ideas may be either the product of mere sensation, or of the imagination working in conjunction with sensation. According to Hume, the creative faculty makes use of (at least) four mental operations which produce imaginings out of sense-impressions. These operations are compounding (or the addition of one idea onto another, such as a horn on a horse to create a unicorn); transposing (or the substitution of one part of a thing with the part from another, such as with the body of a man upon a horse to make a centaur); augmenting (as with the case of a giant, whose size has been augmented); and diminishing (as with Lilliputians, whose size has been diminished). (Hume 1974:317) In a later chapter, he also mentions the operations of mixing, separating, and dividing. (Hume 1974:340) However, Hume admits that there is one objection to his account: the problem of "The Missing Shade of Blue". In this thought-experiment, he asks us to imagine a man who has experienced every shade of blue except for one (see Fig. 1). He predicts that this man will be able to divine the color of this particular shade of blue, despite the fact that he has never experienced it. This seems to pose a serious problem for the empirical account, though Hume brushes it aside as an exceptional case by stating that one may experience a novel idea that itself is derived from combinations of previous impressions. (Hume 1974:319) In this chapter, Hume discusses how thoughts tend to come in sequences, as in trains of thought. He explains that there are at least three kinds of associations between ideas: resemblance, contiguity in space-time, and cause-and-effect. He argues that there must be some universal principle that must account for the various sorts of connections that exist between ideas. However, he does not immediately show what this principle might be. (Hume 1974:320-321) In the first part, Hume discusses how the objects of inquiry are either "relations of ideas" or "matters of fact", which is roughly the distinction between analytic and synthetic propositions. The former, he tells the reader, are proved by demonstration, while the latter are given through experience. (Hume 1974:322) In explaining how matters of fact are entirely a product of experience, he dismisses the notion that they may be arrived at through a priori reasoning. For Hume, every effect only follows its cause arbitrarily—they are entirely distinct from one another. (Hume 1974:324) In part two, Hume inquires into how anyone can justifiably believe that experience yields any conclusions about the world: ::"When it is asked, What is the nature of all our reasonings concerning matter of fact? the proper answer seems to be, that they are founded on the relation of cause and effect. When again it is asked, What is the foundation of all our reasonings and conclusions concerning that relation? it may be replied in one word, experience. But if we still carry on our sifting humor, and ask, What is the foundation of all conclusions from experience? this implies a new question, which may be of more difficult solution and explication." (Hume 1974:328) He shows how a satisfying argument for the validity of experience can be based neither on demonstration (since "it implies no contradiction that the course of nature may change") nor experience (since that would be a circular argument). (Hume 1974:330-332) Here he is describing what would become known as the problem of induction. For Hume, we assume that experience tells us something about the world because of habit or custom, which human nature forces us to take seriously. This is also, presumably, the "principle" that organizes the connections between ideas. Indeed, one of the many famous passages of the Inquiry was on the topic of the incorrigibility of human custom. In a later chapter, he wrote: ::"The great subverter of Pyrrhonism or the excessive principles of skepticism is action, and employment, and the occupations of common life. These principles may flourish and triumph in the schools; where it is, indeed, difficult, if not impossible, to refute them. But as soon as they leave the shade, and by the presence of the real objects, which actuate our passions and sentiments, are put in opposition to the more powerful principles of our nature, they vanish like smoke, and leave the most determined skeptic in the same condition as other mortals." (Hume 1974:425) In the second part, he provides an account of beliefs. He explains that the difference between belief and fiction is that the former produces a certain feeling of confidence which the latter doesn't. (Hume 1974:340) This short chapter begins with the notions of probability and chance. For him, "probability" means a higher chance of occurring, and brings about a higher degree of subjective expectation in the viewer. By "chance", he means all those particular comprehensible events which the viewer considers possible in accord with their experience. However, further experience takes these equal chances, and forces the imagination to observe that certain chances arise more frequently than others. These gentle forces upon the imagination cause the viewer to have strong beliefs in outcomes. This effect may be understood as another case of custom or habit taking past experience and using it to predict the future. (Hume 1974:346-348) By "necessary connection", Hume means the power or force which necessarily ties one idea to another. He rejects the notion that any sensible qualities are necessarily conjoined, since that would mean we could know something prior to experience. Unlike his predecessors, Berkeley and Locke, Hume rejects the idea that volitions or impulses of the will may be inferred to necessarily connect to the actions they produce by way of some sense of the power of the will. He reasons that, i) if we knew the nature of this power, then the mind-body divide would seem totally unmysterious to us; ii) if we had immediate knowledge of this mysterious power, then we would be able to intuitively explain why it is that we can control some parts of our bodies (e.g., our hands or tongues), and not others (e.g., the liver or heart); iii) we have no immediate knowledge of the powers which allow an impulse of volition to create an action (e.g., of the "muscles, and nerves, and animal spirits" which are the immediate cause of an action). (Hume 1974:353-354) He produces like arguments against the notion that we have knowledge of these powers as they affect the mind alone. (Hume 1974:355-356) He also argues in brief against the idea that causes are mere occasions of the will of some god(s), a view associated with the philosopher Nicolas Malebranche. (Hume 1974:356-359) Having dispensed with these alternative explanations, he identifies the source of our knowledge of necessary connections as arising out of observation of constant conjunction of certain impressions across many instances. In this way, people know of necessity through rigorous custom or habit, and not from any immediate knowledge of the powers of the will. (Hume 1974:361) He then produces three explanations for how we account for causation: # When all objects or events of one kind are immediately followed by objects or events of another kind. # Where, if there had been no object of the first kind, we would never have seen an object of the second kind. # Where the appearance of the first object forces one's mind to think about the second one. (Hume 1974:362) Here Hume tackles the problem of how liberty may be reconciled with metaphysical necessity (otherwise known as a compatibilist formulation of free will). Hume believes that all disputes on the subject have been merely verbal arguments—that is to say, arguments which are based on a lack of prior agreement on definitions. He first shows that it is clear that most events are deterministic, but human actions are more controversial. However, he thinks that these too occur out of necessity since an outside observer can see the same regularity that he would in a purely physical system. To show the compatibility of necessity and liberty, Hume defines liberty as the ability to act on the basis of one's will e.g. the capacity to will one's actions but not to will one's will. He then shows (quite briefly) how determinism and free will are compatible notions, and have no bad consequences on ethics or moral life. Hume insists that the conclusions of the Enquiry will be very powerful if they can be shown to apply to animals and not just humans. He believed that animals were able to infer the relation between cause and effect in the same way that humans do: through learned expectations. (Hume 1974:384) He also notes that this "inferential" ability that animals have is not through reason, but custom alone. Hume concludes that there is an innate faculty of instincts which both beasts and humans share, namely, the ability to reason experimentally (through custom). Nevertheless, he admits, humans and animals differ in mental faculties in a number of ways, including: differences in memory and attention, inferential abilities, ability to make deductions in a long chain, ability to grasp ideas more or less clearly, the human capacity to worry about conflating unrelated circumstances, a sagely prudence which arrests generalizations, a capacity for a greater inner library of analogies to reason with, an ability to detach oneself and scrap one's own biases, and an ability to converse through language (and thus gain from the experience of others' testimonies). (Hume 1974:385, footnote 17.) The next topic which Hume strives to give treatment is that of the reliability of human testimony, and of the role that testimony plays a part in epistemology. This was not an idle concern for Hume. Depending on its outcome, the entire treatment would give the epistemologist a degree of certitude in the treatment of miracles. True to his empirical thesis, Hume tells the reader that, though testimony does have some force, it is never quite as powerful as the direct evidence of the senses. That said, he provides some reasons why we may have a basis for trust in the testimony of persons: because a) human memory can be relatively tenacious; and b) because people are inclined to tell the truth, and ashamed of telling falsities. Needless to say, these reasons are only to be trusted to the extent that they conform to experience. (Hume 1974:389) And there are a number of reasons to be skeptical of human testimony, also based on experience. If a) testimonies conflict one another, b) there are a small number of witnesses, c) the speaker has no integrity, d) the speaker is overly hesitant or bold, or e) the speaker is known to have motives for lying, then the epistemologist has reason to be skeptical of the speaker's claims. (Hume 1974:390) There is one final criterion that Hume thinks gives us warrant to doubt any given testimony, and that is f) if the propositions being communicated are miraculous. Hume understands a miracle to be any event which contradicts the laws of nature. He argues that the laws of nature have an overwhelming body of evidence behind them, and are so well demonstrated to everyone's experience, that any deviation from those laws necessarily flies in the face of all evidence. (Hume 1974:391-392) Moreover, he stresses that talk of the miraculous has no surface validity, for four reasons. First, he explains that in all of history there has never been a miracle which was attested to by a wide body of disinterested experts. Second, he notes that human beings delight in a sense of wonder, and this provides a villain with an opportunity to manipulate others. Third, he thinks that those who hold onto the miraculous have tended towards barbarism. Finally, since testimonies tend to conflict with one another when it comes to the miraculous—that is, one man's religious miracle may be contradicted by another man's miracle—any testimony relating to the fantastic is self-denunciating. (Hume 1974:393-398) Still, Hume takes care to warn that historians are generally to be trusted with confidence, so long as their reports on facts are extensive and uniform. However, he seems to suggest that historians are as fallible at interpreting the facts as the rest of humanity. Thus, if every historian were to claim that there was a solar eclipse in the year 1600, then though we might at first naively regard that as in violation of natural laws, we'd come to accept it as a fact. But if every historian were to assert that Queen Elizabeth was observed walking around happy and healthy after her funeral, and then interpreted that to mean that they had risen from the dead, then we'd have reason to appeal to natural laws in order to dispute their interpretation. (Hume 1974:400-402) Hume continues his application of epistemology to theology by an extended discussion on heaven and hell. The brunt of this chapter allegedly narrates the opinions, not of Hume, but of one of Hume's anonymous friends, who again presents them in an imagined speech by the philosopher Epicurus. His friend argues that, though it is possible to trace a cause from an effect, it is not possible to infer unseen effects from a cause thus traced. The friend insists, then, that even though we might postulate that there is a first cause behind all things—God—we can't infer anything about the afterlife, because we don't know anything of the afterlife from experience, and we can't infer it from the existence of God. (Hume 1974:408) Hume offers his friend an objection: if we see an unfinished building, then can't we infer that it has been created by humans with certain intentions, and that it will be finished in the future? His friend concurs, but indicates that there is a relevant disanalogy that we can't pretend to know the contents of the mind of God, while we can know the designs of other humans. Hume seems essentially persuaded by his friend's reasoning. (Hume 1974:412-414) The first section of the last chapter is organized as an outline of various skeptical arguments. The treatment includes the arguments of atheism, Cartesian skepticism, "light" skepticism, and rationalist critiques of empiricism. Hume shows that even light skepticism leads to crushing doubts about the world which - while they ultimately are philosophically justifiable - may only be combated through the non-philosophical adherence to custom or habit. He ends the section with his own reservations towards Cartesian and Lockean epistemologies. In the second section he returns to the topic of hard skepticism by sharply denouncing it. ::"For here is the chief and most confounding objection to excessive skepticism, that no durable good can ever result from it; while it remains in its full force and vigor. We need only ask such a skeptic, What his meaning is? And what he proposes by all these curious researches? He is immediately at a loss, and knows not what to answer... a Pyrrhonian cannot expect, that his philosophy will have any constant influence on the mind: or if it had, that its influence would be beneficial to society. On the contrary, he must acknowledge, if he will acknowledge anything, that all human life must perish, were his principles universally and steadily to prevail." (Hume 1974:426) He concludes the volume by setting out the limits of knowledge once and for all. "When we run over libraries, persuaded of these principles, what havoc must we make? If we take in our hand any volume; of divinity or school metaphysics, for instance; let us ask, Does it contain any abstract reasoning concerning quantity or number? No. Does it contain any experimental reasoning concerning matter of fact and existence? No. Commit it then to the flames: for it can contain nothing but sophistry and illusion."

2080

/m/0wkt

A Fire Upon the Deep

Vernor Vinge

{"/m/03lrw": "Hard science fiction", "/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/01hmnh": "Fantasy", "/m/02xlf": "Fiction"}

The novel posits that space around the Milky Way is divided into concentric layers called Zones, each being constrained by different laws of physics and each allowing for different degrees of biological and technological advancement. The innermost, the "Unthinking Depths", surrounds the galactic core and is incapable of supporting advanced life forms at all. The next layer, the "Slow Zone", is roughly equivalent to the real world in behavior and potential. Further out, the zone named the "Beyond" can support futuristic technologies such as AI and FTL travel. The outermost zone, the "Transcend", contains most of the galactic halo and is populated by incomprehensibly vast and powerful posthuman entities. A human expedition investigates a five-billion-year-old data archive that offers the possibility of unimaginable riches for the ambitious young civilization of the Straumli Realm. The expedition's facility, called High Lab, is gradually compromised by a dormant super-intelligent entity (actually encoded within the archive) later known as the Blight. The Blight rapidly learns how to infiltrate and control the computer systems of High Lab, and even develops the ability to possess and control the living humans. The novel starts with an imaginative description of the evolution of this superintelligence through exponentially accelerating developmental stages, culminating in a transcendent, nigh-omnipotent power that is unfathomable to mere humans. Shortly before its final "flowering", the changes in a single minute of the Blight's life are said to exceed those of 10,000 years of human civilization. Recognizing the danger of what they have awakened, the researchers at High Lab attempt to flee in two ships. Suspicious, the Blight discovers that one of the ships contains a data storage device in its cargo manifest; assuming it contains information that could harm it, the Blight destroys the ship. The second ship is allowed to escape, unharmed, as the Blight assumes that it is no threat; but later realizes that it actually held a countermeasure, one of the few things in the universe that the Blight fears. The ship lands on a distant planet with a medieval-level civilization of dog-like creatures dubbed "Tines", who live in packs as group minds. The ship is revealed to be a sleeper ship, carrying most of High Lab's children in "coldsleep boxes". The boxes are rapidly failing and the surviving adults begin unloading them, but are killed when one of two rival forces of Tines seize the ship. The faction that initially contacts the humans, led by a Tine known as Steel, kills the adults and destroys many of the coldsleep boxes. They also capture a boy named Jefri Olsndot, whom Steel intended on killing but eventually exploits in order to develop advanced technology (such as cannon and radio communication). Jefri's older sister, Johanna, is rescued by Pilgrim and Scriber, wandering Tines who bring her to the rival faction, led by Woodcarver. She is asked to help develop technology that could gain the upper hand in the impending war. A distress signal from the sleeper ship eventually reaches "Relay", a major node in the galactic communications network. A benign transcendent entity (known as a "Power") named "Old One" contacts Relay, seeking information about the Blight and the humans who released it. Old One constructs a seemingly human man, Pham Nuwen, to act as its agent. Pham and Ravna Bergsndot – a human employee of Relay's owners, the wealthy Vrinimi Organization – trace the sleeper ship's signal to the Tines world. Old One designs a vessel, the Out of Band II, to reach the Tines world and to investigate what the ship carried with it from the High Lab. The Blight attacks Relay and Old One. Old One gives Pham the information necessary to activate the Blight Countermeasure while dying (a process known as godshatter), and Pham and Ravna escape Relay's destruction in the Out of Band II. After arriving at the Tines homeworld and allying with Woodcarver to defeat Steel, Pham initiates the Countermeasure, which extends the Slow Zone by thousands of light-years to enclose the Blight. This ends the threat of the Blight at the cost of wrecking thousands of uninvolved civilizations, causing trillions of deaths and potentially the extinction of several galactic races. The process also kills Pham and strands the other humans on the Tines world, now in the depths of the "Slow Zone" where rescue by an advanced civilization is impossible.

2152

/m/0x5g

All Quiet on the Western Front

Erich Maria Remarque

1/29/1929

{"/m/098tmk": "War novel", "/m/016lj8": "Roman \u00e0 clef"}

The book tells the story of Paul Bäumer, a German soldier who—urged on by his school teacher—joins the German army shortly after the start of World War I. Bäumer arrives at the Western Front with his friends and schoolmates (Tjaden, Müller, Kropp and a number of other characters). There they meet Stanislaus Katczinsky, an older soldier, nicknamed Kat, who becomes Paul's mentor. While fighting at the front, Bäumer and his comrades have to engage in frequent battles and endure the dangerous and often dirty conditions of warfare. At the very beginning of the book Erich Maria Remarque says "This book is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it. It will try simply to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war." The book does not focus on heroic stories of bravery, but rather gives a view of the conditions in which the soldiers find themselves. The monotony between battles, the constant threat of artillery fire and bombardments, the struggle to find food, the lack of training of young recruits (meaning lower chances of survival), and the overarching role of random chance in the lives and deaths of the soldiers are described in detail. The battles fought here have no names and seem to have little overall significance, except for the impending possibility of injury or death for Bäumer and his comrades. Only pitifully small pieces of land are gained, about the size of a football field, which are often lost again later. Remarque often refers to the living soldiers as old and dead, emotionally drained and shaken. "We are not youth any longer. We don't want to take the world by storm. We are fleeing from ourselves, from our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces." Paul's visit on leave to his home highlights the cost of the war on his psyche. The town has not changed since he went off to war; however, he finds that he does "not belong here anymore, it is a foreign world." He feels disconnected from most of the townspeople. His father asks him "stupid and distressing" questions about his war experiences, not understanding "that a man cannot talk of such things." An old schoolmaster lectures him about strategy and advancing to Paris, while insisting that Paul and his friends know only their "own little sector" of the war but nothing of the big picture. Indeed, the only person he remains connected to is his dying mother, with whom he shares a tender, yet restrained relationship. The night before he is to return from leave, he stays up with her, exchanging small expressions of love and concern for each other. He thinks to himself, "Ah! Mother, Mother! How can it be that I must part from you? Here I sit and there you are lying; we have so much to say, and we shall never say it." In the end, he concludes that he "ought never to have come [home] on leave." Paul feels glad to be reunited with his comrades. Soon after, he volunteers to go on a patrol and kills a man for the first time in hand-to-hand combat. He watches the man die, in pain for hours. He feels remorse and asks forgiveness from the man's corpse. He is devastated and later confesses to Kat and Albert, who try to comfort him and reassure him that it is only part of the war. They are then sent on what Paul calls a "good job." They must guard a village that is being shelled too heavily. The men enjoy themselves but while evacuating the villagers, Paul and Albert are wounded. They recuperate in a Catholic hospital and Paul returns to active duty. By now, the war is nearing its end and the German Army is retreating. In despair, Paul watches as his friends fall one by one. It is the death of Kat that eventually makes Paul careless about living. In the final chapter, he comments that peace is coming soon, but he does not see the future as bright and shining with hope. Paul feels that he has no aims left in life and that their generation will be different and misunderstood. When he finally dies at the end of the novel, the situation report from the frontline states, "All is Quiet on the Western Front," symbolizing the cheapness of human life in war.

2890

/m/011zx

A Wizard of Earthsea

Ursula K. Le Guin

1968

{"/m/0dwly": "Children's literature", "/m/01hmnh": "Fantasy", "/m/014dfn": "Speculative fiction", "/m/01jym": "Bildungsroman", "/m/02xlf": "Fiction"}

Ged is a young boy on Gont, one of the larger islands in the north of the archipelago of Earthsea. His mother is dead, his much older siblings have all left home, and his father is a dour, taciturn bronzesmith with nothing in common with his son, so the boy grows up wild and headstrong. Ged discovers by accident that he has an extraordinary talent for magic. His aunt, the village witch, teaches him the little she herself knows, but his power far exceeds hers. One day, he uses his talent and a fog-gathering spell he learned from a passing weatherworker to save his village from Karg raiders. The tale of his remarkable feat spreads far and wide, finally reaching the ear of a wise Gontish mage, Ogion the Silent. He recognizes that the boy is so powerful he must be trained so as not to become a danger to himself and others. In the rite of passage into adulthood, he gives the boy his "true name", Ged, and takes him as an apprentice. In this world, a magician who knows someone's true name has control over that person, so one's true name is revealed only to those whom one trusts completely. Normally, a person is referred to by his or her "use name". Ged's is Sparrowhawk. The undisciplined young man grows restless under the gentle, patient tutelage of his master. One day, at the taunting of the daughter of the local lord - who, it is later revealed, is also a witch - Ged seeks a powerful spell from one of Ogion's old books to impress the girl. As he reads the spell, to his horror, a shadowy being manifests. The shade advances on Ged, but is driven away by the timely return of Ogion. Ogion finally gives him a choice: stay with him or go to the renowned school for wizards, on the island of Roke. Though he has grown to love the old man, the youngster is drawn irresistibly to a life of doing, rather than being. At the school, Ged masters his craft with ease, but his pride and arrogance grow even faster than his skill and, in his hubris, he attempts to summon a dead spirit - a perilous spell which goes awry. The shadow seizes the chance to escape into the world and attacks him, scarring his face. It is driven off by the head of the school, the Archmage Nemmerle, who expends all of his power in the process and dies shortly thereafter. Ged is wracked with guilt at causing the old man's death, but after a painful and slow recovery, he graduates from the school. Normally, Roke's wizards are much sought after by princes and rich merchants, but the new Archmage sends a willing Ged to a poor island group instead, to protect the inhabitants from a powerful dragon and its maturing sons, who have been seen scouting the region. Ged eventually realizes that he cannot both defend the islanders against the dragon and himself against the nameless thing he summoned into the world. He takes a desperate gamble; in the old histories, he has found the true name of a dragon which might be the one he faces. His guess is right and by using the dragon's name, Yevaud, he is able to force the dragon to vow that neither it nor its offspring will ever trouble the islanders. Then, with no idea how to deal with his other foe, Ged tries to return to the safety of Roke, but the magical, protective Mage-wind drives away the ship on which he is a passenger. On the far northern island of Osskil, his nemesis takes possession of a man and nearly catches him. Ged flees to what appears to be a safe haven in the castle of Benderesk, the lord of Terranon. Serret, his wife, is the same girl who taunted Ged years ago. She tries to enslave Ged using the power of a stone which harbors one of the "Nameless Ones", ancient malevolent powers that predate people. Fortunately Ged realizes his peril just in time and flies away in the form of a falcon. He instinctively returns to Gont and Ogion, who advises him to turn the tables on his shadow. In following his master's wise guidance, the roles of Ged and his enemy become reversed, and the shadow becomes the hunted. Ged pursues the shadow southwards across the ocean, but is nearly drowned when the shadow lures him into steering his boat onto rocks. The vessel sinks, but he manages to reach a small island inhabited by only two old people, a Kargish man and his sister, who were abandoned there as children and who have forgotten there is an outside world and other people. Despite their initial fear of him, they provide him with food and water. After Ged regains his strength, he constructs another boat. When he is ready to leave, he offers to take the pair wherever they want to go, but the man fearfully turns him down, and the woman does not seem to understand what he means. However, she gives him a parting gift of one of her few possessions, a broken half of an armlet. (The siblings' story and the gift's significance are revealed in the sequel, The Tombs of Atuan.) Back at sea, the shadow nearly takes Ged unawares, but he senses it just in time and comes to grips with it, forging a bond that cannot be broken. Ged follows the shadow south. On the island of Iffish, his luck begins to improve. The resident wizard is Vetch (true name Estarriol), the only friend he made at school. Estarriol insists on accompanying him. The two wizards eventually leave behind the last known island of Earthsea and head out into the open sea. As they draw closer to the shadow, Ged perceives the water gradually congealing and turning into land, an immensely powerful magic. Though Vetch cannot see the transformation, the boat runs aground. Ged steps out of the boat and walks off to confront his waiting shadow. Though some of his teachers had thought it to be nameless, Ged and his adversary speak at the same moment, each naming the other "Ged". The two embrace and become one. The sea returns to its normal state; fortunately, Estarriol is able to fish his healed friend out of the water.

2950

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Anyone Can Whistle

Arthur Laurents

The story is set in an imaginary American town that has gone bankrupt. The only place in town doing good business is the local sanitarium, known as “The Cookie Jar,” whose inmates look much healthier than the disgruntled townspeople. ("I'm Like the Bluebird") All the money is in the hands of Cora Hoover Hooper, the stylish, ruthless mayoress and her cronies - Comptroller Schub, Treasurer Cooley, and Police Chief Magruder. Cora appears carried in a litter by her backup singers, and admits that she can accept anything except unpopularity (“Me and My Town”). The scheming Comptroller Schub, tells her that he has a plan to save her administration, and the town, promising “It's highly unethical.” He tells her to meet him at the rock on the edge of town. At the rock, a local mother, Mrs. Schroeder, tries to tell her child, Baby Joan, to come down from the rock, when Baby Joan licks it - and a spring of water begins flowing from it. The town instantly proclaims a miracle, and Cora and her council eagerly anticipate tourist dollars as they boast of the water's curative powers. ("Miracle Song") It is soon revealed to Cora that the miracle is a fake, controlled by a pump inside the rock. The only person in town who doubts the miracle is Fay Apple, an eternally skeptical young nurse from the Cookie Jar who refuses to believe in miracles. She appears at the rock with all forty-nine of the inmates, or “Cookies” in tow, intending to let them take some of the water. Schub realizes that if they drink the water and do not change, people will discover the fake. As he tries to stop Fay, the inmates mingle with the townspeople, until no one can guess who is who. Fay disappears, and hiding from the police, admits that she hopes for one miracle - for a hero who can come and deliver the town from the madness (“There Won't Be Trumpets”). Cora arrives on the scene with the Cookie Jar's manager, Dr. Detmold, but he says that Fay has taken the records to identify the inmates. He tells Cora that he is expecting a new assistant who might help them. At that moment a mysterious stranger, J. Bowden Hapgood, arrives asking for directions to the Cookie Jar. He is instantly taken for the new assistant. Asked to identify the missing Cookies, Hapgood begins questioning random people and sorting them into two groups, group A, and group one, but refuses to divulge which group is which. The town council becomes suspicious of this and try to force the truth out, but Hapgood questions them until they begin to doubt their own sanity. Cora is too caught up with his logic to care. (“Simple”) As the extended musical sequence ends, the lights black out except for a spotlight on Hapgood, who announces to the audience, “You are all mad!” Seconds later, the stage lights are restored. The stage set has vanished, and the cast is revealed in theater seats, holding programs, applauding the audience. As act two opens, the two groups are now in bitter rivalry over who is the normal group (“A-1 March”) Another stranger, a French woman in a feathered coat appears. It is really Fay Apple in disguise. She introduces herself as the Lady from Lourdes, a professional Miracle Inspector, come to investigate the miracle. As Schub runs off to warn Cora, Fay seeks out Hapgood in his hotel, and the two seduce each other in the style of a French romantic film. (“Come Play Wiz Me”) Fay tries to get Hapgood's help in exposing the miracle. Hapgood, however, sees through her disguise and wants to question her first. Fay refuses to take her wig off, and confesses to him that this disguise, left over from a college play, is the only way she can break out of her rigid and cynical persona. She begins to hope, however, that Hapgood may be the one who can help her learn to be free. (“Anyone Can Whistle”) Meanwhile, the two groups continue to march, and Cora, trying to give a speech, realizes that Hapgood has stolen her limelight. (“A Parade in Town”) She and Schub plan an emergency meeting at her house. Back at the hotel, Hapgood comes up with an idea, telling Fay to destroy the inmates' records. That way Fay can be free of them and they can stop pretending. When Fay is reluctant, Hapgood produces a record of his own - he is her fiftieth Cookie. He is a practicing idealist who, after years of attempted heroism, is tired of crusading and has come to the Cookie Jar to retire. Inspired by his record, Fay begins to tear the records up. As she does, the Cookies appear and begin to dance (“Everybody Says Don't”). Act three begins with Cora at her house with her council. Schub has put the miracle on hiatus, but announces that they can easily turn the town against Hapgood by blaming him for it. The group celebrates their alliance. (“I've Got You to Lean On”) A mob quickly forms outside the hotel, and Hapgood and Fay, still disguised, take refuge under the rock. Discovering the fraud, Cora and the council confront them. At that moment, Cora receives a telegram from the governor warning that if the quota of forty-nine cookies is not filled, she will be impeached. Schub tells her that since Hapgood never said who is normal or not, they can arrest anyone at random until the quota is filled. Fay tries to get Hapgood to expose the miracle, but he warns her no one will believe it is a fake, because it works as a miracle should. Fay wants his help stopping the Mayoress, but he refuses, since he is through with crusading. Although she knows she still isn't out of her shell, Fay angrily swears to go it alone. (“See What it Gets You”) As Cora and the police force begin rounding up Cookies, Fay tries to get the key away from the guards in an extended ballet sequence. (“The Cookie Chase”) As it ends, Fay is captured, and Dr. Detmold suddenly recognizes her. Fay tells the townspeople about the fake miracle, but the town refuses to believe her. Detmold tells Cora that even without the records, Fay can identify the inmates from memory. Cora warns that she will arrest forty-nine people, normal or not, and Fay, helplessly, identifies all the Cookies, except Hapgood. She tells him the world needs people like him, and Hapgood can't turn himself in. He asks Fay to come with him, but she still can't bring herself to break free. Parting ways, they reflect on what they briefly shared. (“With So Little to be Sure Of”) Word comes of a new miracle, two towns over, of a statue with a warm heart. Soon the town is all but deserted, and Cora is again upstaged. Again, Schub has the answer - since the Cookie Jar is still successful, they can turn the entire town into one big Cookie Jar! Cora realizes she and Schub are meant for each other, and they dance off together. As Fay resumes work, Detmold's real new assistant arrives, and Fay is horrified to realize that she is even more practical, rigid and disbelieving than Fay herself, and the new nurse marches the Cookies off to the next town to disprove the new miracle. Horrified at seeing what she might become, Fay returns to the rock calling for Hapgood. When he doesn't answer, she tries to whistle - and succeeds in blowing a shrill, ugly whistle. Hapgood appears again, saying 'That's good enough for me.' As they embrace, the water begins flowing from the rock - a true miracle this time. (Finale)

4081

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Blade Runner 3: Replicant Night

K. W. Jeter

10/1/1996

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction"}

Living on Mars, Deckard is acting as a consultant to a movie crew filming the story of his Blade Runner days. He finds himself drawn into a mission on behalf of the replicants he was once assigned to kill. Meanwhile, the mystery surrounding the beginnings of the Tyrell Corporation is being dragged out into the light.

4082

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Blade Runner 2: The Edge of Human

K. W. Jeter

10/1/1995

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction"}

Beginning several months after the events in Blade Runner, Deckard has retired to an isolated shack outside the city, taking the replicant Rachael with him in a Tyrell transport container, which slows down the replicant aging process. He is approached by a woman who explains she is Sarah Tyrell, niece of Eldon Tyrell, heiress to the entire Tyrell Corporation and the human template (templant) for the Rachael replicant. She asks Deckard to hunt down the "missing" sixth replicant. At the same time, the human template for Roy Batty hires Dave Holden, the blade runner attacked by Leon, to help him hunt down the man he believes is the sixth replicant - Deckard. Deckard and Holden's investigations lead them to re-visit Sebastian, Bryant, and John Isidore (from the book Do Androids Dream Of Electric Sheep?), learning more about the nature of the blade runners and the replicants. When Deckard, Batty, and Holden finally clash, Batty's inhuman fighting prowess leads Holden to believe he has been duped all along and that Batty is the sixth replicant; he shoots him. Deckard returns to Sarah with his suspicion: there is no sixth replicant. Sarah, speaking via a remote camera, confesses that she created and maintained the rumor herself, to deliberately discredit and eventually destroy the Tyrell Corporation, after her uncle Eldon created Rachael based on her and then abandoned the real Sarah. Sarah brings Rachael back to the Corporation building to meet with Deckard, and he escapes with her. However, Holden - recovering from his injuries during the fight - later finds the truth: Rachael has been killed by Tyrell agents, and the "Rachael" who escaped with Deckard was actually Sarah. She has completed her revenge by both destroying Tyrell, and taking back Rachael's place.

4331

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Book of Joshua

(Chapter 1 is the first of three important moments in Joshua marked with major speeches and reflections by the main characters; here first God and then Joshua make speeches about the goal of conquest of the Promised Land; at chapter 12, Joshua looks back on the conquest; and at chapter 23 Joshua gives a speech about what must be done if Israel is to live in peace in the land). God commissions Joshua to take possession of the land and warns him to keep faith with the Covenant. (God's speech foreshadows major themes of the book: the crossing of the Jordan and conquest of the land, its distribution, and the imperative need for obedience to the Law; Joshua's own immediate obedience is seen in his speeches to the Israelite commanders and to the Transjordanian tribes, and the Transjordanians' affirmation of Joshua's leadership echoes Yahweh's assurances of victory). The Israelites cross the Jordan through the miraculous intervention of God and his ark and are circumcised at Gibeath-Haaraloth (translated as hill of foreskins), renamed Gilgal in memory (Gilgal sounds like Gallothi, I have removed, but is more likely to translate as circle of standing stones). The conquest begins in Canaan with Jericho, followed by Ai (central Canaan), after which Joshua builds an altar to Yahweh at Mt Ebal (northern Canaan) and renews the Covenant. (The covenant ceremony has elements of a divine land-grant ceremony, similar to ceremonies known from Mesopotamia). The narrative now switches to the south. The Gibeonites trick the Israelites into entering into an alliance with them by saying they are not Canaanites; this prevents the Israelites from exterminating them, but they are enslaved instead. An alliance of Amorite kingdoms headed by the Canaanite king of Jerusalem is defeated with Yahweh's miraculous help, and the enemy kings are hanged on trees. (The Deuteronomist author may have used the then-recent 701 BCE campaign of the Assyrian king Sennacherib in Judah as his model; the hanging of the captured kings is in accordance with Assyrian practice of the 8th century). With the south conquered the narrative moves to the northern campaign. A powerful multi-national (or more accurately, multi-ethnic) coalition headed by the king of Hazor, the most important northern city, is defeated with Yahweh's help and Hazor captured and destroyed. Chapter 11:16-23 summarises the campaign: Joshua has taken the entire land, and the land "had rest from war." Chapter 12 lists the vanquished kings on both sides of the Jordan. Having described how the Israelites and Joshua have carried out the first of their God's commands, the story now turns to the second, to "put the people in possession of the land." This section is a "covenantal land grant": Yahweh, as king, is issuing each tribe its territory. The "cities of refuge" and Levitical cities are attached to the end, since it is necessary for the tribes to receive their grants before they allocate parts of it to others. The Transjordanian tribes are dismissed, affirming their loyalty to Yahweh. Joshua charges the leaders of the Israelites to remain faithful to Yahweh and the covenant, warning of judgement should Israel leave Yahweh and follow other gods; Joshua meets with all the people and reminds them of Yahweh's great works for them, and of the need to love Yahweh alone. Joshua performs the concluding covenant ceremony, and send the people to their inheritance.

4332

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Book of Ezra

For the Bible text, see Bible Gateway (opens at NIV version) or see King James Version The Book of Ezra consists of ten chapters: chapters 1-6, covering the period from the Decree of Cyrus to the dedication of the Second Temple, are told in the third person; chapters 7-10, dealing with the mission of Ezra, are told largely in the first person. The book contains several documents presented as historical inclusions. ;Chapters 1-6 (documents included in the text in italics) *1. Decree of Cyrus, first version: Cyrus, inspired by God, returns the Temple vessels to Sheshbazzar, "prince of Judah", and directs the Israelites to return to Jerusalem with him and rebuild the Temple. *2. 42,360 exiles, with men servants, women servants and "singing men and women", return from Babylon to Jerusalem and Judah under the leadership of Zerubbabel and Jeshua the High Priest. *3. Jeshua the High Priest and Zerubbabel build the altar and celebrate the Feast of Tabernacles. In the second year the foundations of the Temple are laid and the dedication takes place with great rejoicing. *4. Letter of the Samaritans to Artaxerxes, and reply of Artaxerxes: The "enemies of Judah and Benjamin" offer to help with the rebuilding, but are rebuffed; they then work to frustrate the builders "down to the reign of Darius." The officials of Samaria write to king Artaxerxes warning him that Jerusalem is being rebuilt, and the king orders the work to stop. "Thus the work on the house of God in Jerusalem came to a standstill until the second year of the reign of Darius king of Persia." *5. Tattenai's letter to Darius: Through the exhortations of the prophets Haggai and Zechariah, Zerubbabel and Joshua recommence the building of the Temple. Tattenai, satrap over both Judah and Samaria, writes to Darius warning him that Jerusalem is being rebuilt and advising that the archives be searched to discover the decree of Cyrus. *6. Decree of Cyrus, second version, and decree of Darius: Darius finds the decree, directs Tattenai not to disturb the Jews in their work, and exempts them from tribute and supplies everything necessary for the offerings. The Temple is finished in the month of Adar in the sixth year of Darius, and the Israelites assemble to celebrate its completion. ;Chapters 7-10 *7. Letter of Artaxerxes to Ezra (Artaxerxes' rescript): King Artaxerxes is moved by God to commission Ezra "to inquire about Judah and Jerusalem with regard to the Law of your God" and to "appoint magistrates and judges to administer justice to all the people of Trans-Euphrates—all who know the laws of your God." Artaxerxes gives Ezra much gold and directs all Persian officials to aid him. *8. Ezra gathers a large body of returnees and much gold and silver and precious vessels for the Temple and camps by a canal outside Babylon. There he discovers he has no Levites, and so sends messengers to gather some. The exiles then return to Jerusalem, where they distribute the gold and silver and offer sacrifices to God. *9. Ezra is informed that some of the Jews already in Jerusalem have married non-Jewish women. Ezra is appalled at this proof of sin, and prays to God: "O God of Israel, you are righteous! We are left this day as a remnant. Here we are before you in our guilt, though because of it not one of us can stand in your presence." *10. Despite the opposition of some of their number, the Israelites assemble and send away their foreign wives and children.

4376

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Book of Numbers

God orders Moses, in the wilderness of Sinai, to number those able to bear arms—of all the men "from twenty years old and upward," and to appoint princes over each tribe. 603,550 Israelites are found to be fit for military service. In chapter 26, a generation later and after approximately forty years of wandering the desert, the Lord orders a second census. 601,730 men are counted. The tribe of Levi is exempted from military service and therefore not included in the census totals. Moses consecrates the Levites for the service of the Tabernacle in the place of the first-born sons, who hitherto had performed that service. The Levites are divided into three families, the Gershonites, the Kohathites, and the Merarites, each under a chief, and all headed by one prince, Eleazar, son of Aaron. Preparations are then made for resuming the march to the Promised Land. Various ordinances and laws are decreed. The first journey of the Israelites after the Tabernacle had been constructed is commenced. The people murmur against God and are punished by fire; Moses complains of the stubbornness of the Israelites and is ordered to choose seventy elders to assist him in the government of the people. Miriam and Aaron insult Moses at Hazeroth, which angers God; Miriam is punished with leprosy and is shut out of camp for seven days, at the end of which the Israelites proceed to the desert of Paran. Twelve spies are sent out into Canaan and come back to report to Moses. Joshua and Caleb, two of the spies, tell that the land is abundant and is "flowing with milk and honey"; the other spies say that it is inhabited by giants, and the Israelites refuse to enter the land. Yahweh decrees that the Israelites will be punished for their loss of faith by having to wander in the wilderness for 40 years. Moses is ordered to make plates to cover the altar with the two hundred fifty censers left after the destruction of Korah's band. The children of Israel murmur against Moses and Aaron on account of the death of Korah's men and are stricken with the plague, with 14,700 perishing. Aaron and his family are declared by God to be responsible for any iniquity committed in connection with the sanctuary. The Levites are again appointed to help in the keeping of the Tabernacle. The Levites are ordered to surrender to the priests a part of the tithes taken to them. Miriam dies at Kadesh Barnea and the Israelites set out for Moab, on Canaan's western border. The Israelites blame Moses for the lack of water. Moses is ordered by God to speak to a rock but disobeys, and is punished by the announcement that he shall not enter Canaan. The king of Edom refuses permission to the Israelites to pass through his land and they go round it. Aaron dies on Mount Hor. The Israelites are bitten by Fiery flying serpents for speaking against God and Moses. A brazen serpent is made to ward off these serpents. The Israelites arrive on the plains of Moab. A new census gives the total number of males from twenty years and upward as 601,730, and the number of the Levites from a month old and upward as 23,000. The land shall be divided by lot. The daughters of Zelophehad, their father having no sons, are to share in the allotment. Moses is ordered to appoint Joshua as his successor. Prescriptions for the observance of the feasts, and the offerings for different occasions are enumerated. Moses orders the Israelites to massacre the people of Midian. The Reubenites and the Gadites request Moses to assign them the land east of the Jordan. Moses grants their request after they promise to help in the conquest of the land west of the Jordan. The land east of the Jordan is divided among the tribes of Reuben, Gad, and the half-tribe of Manasseh. Moses recalls the stations at which the Israelites halted during their forty years' wanderings and instructs the Israelites to exterminate the Canaanites and destroy their idols. The boundaries of the land are spelled out; the land is to be divided under the supervision of Eleazar, Joshua, and twelve princes, one of each tribe.

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Book of Ruth

During the time of the Judges when there was a famine, an Israelite family from Bethlehem—Elimelech, his wife Naomi, and their sons Mahlon and Chilion—emigrate to the nearby country of Moab. Elimelech dies, and the sons marry two Moabite women: Mahlon marries Ruth and Chilion marries Orpah. The two sons of Naomi then die themselves. Naomi decides to return to Bethlehem. She tells her daughters-in-law to return to their own mothers, and remarry. Orpah reluctantly leaves; however, Ruth says, "Entreat me not to leave you, or to turn back from following you; For wherever you go, I will go; And wherever you lodge, I will lodge; Your people shall be my people, and your God, my God. Where you die, I will die, and there will I be buried. The LORD do so to me, and more also, if anything but death parts you and me." (Ruth 1:16–17 NKJV) The two women return to Bethlehem. It is the time of the barley harvest, and in order to support her mother-in-law and herself, Ruth goes to the fields to glean. The field she goes to belongs to a man named Boaz, who is kind to her because he has heard of her loyalty to her mother-in-law. Ruth tells her mother-in-law of Boaz's kindness, and she gleans in his field through the remainder of the harvest season. Boaz is a close relative of Naomi's husband's family. He is therefore obliged by the Levirate law to marry Mahlon's widow, Ruth, in order to carry on his family line. Naomi sends Ruth to the threshing floor at night and tells her to "uncover the feet" of the sleeping Boaz. Ruth does so; Boaz awakes and asks,"Who are you?" Ruth identifies herself, then asks Boaz to spread his cloak over her. The phrase "spread your cloak" was a woman's way of asking for marriage (Ezekiel 16:8). For a man to spread his cloak over a woman showed acquisition of that woman. Boaz states he is willing to "redeem" Ruth via marriage, but informs Ruth that there is another male relative who has the first right of redemption. The next morning, Boaz discusses the issue with the other male relative, Ploni Almoni ("so-and-so") before the town elders. The other male relative is unwilling to jeopardize the inheritance of his own estate by marrying Ruth, and so relinquishes his right of redemption, thus allowing Boaz to marry Ruth. They transfer the property and redeem it by the nearer kinsman taking off his sandal and handing it over to Boaz. (Ruth 4:7–18) Boaz and Ruth get married and have a son named Obed (who by Levirate customs is also considered a son or heir to Elimelech, and thus Naomi). In the genealogy which concludes the story, it is pointed out that Obed is the father of Jesse, and thus the grandfather of David. This also places Ruth among David's ancestors.

4382

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Book of Esther

Ahasuerus, ruler of a massive Persian empire, holds a lavish party, initially for his court and dignitaries and afterwards for all inhabitants of the capital city Shushan. Ahasuerus orders the queen Vashti to display her beauty before the guests. She refuses. Worried all women will learn from this, Ahasuerus removes her as queen and has a royal decree sent across the empire that men should be the ruler of their households and should speak their own native tongue. Ahasuerus then orders all beautiful young girls to be presented to him, so he can choose a new queen to replace Vashti. One of these is the orphan Esther, whose Jewish name is Hadassah. After the death of her parents, she is being fostered by her cousin Mordecai. She finds favor in the king's eyes, and is made his new queen. Esther does not reveal that she is Jewish. Shortly afterwards, Mordechai discovers a plot by courtiers Bigthan and Teresh to assassinate Ahasuerus. The conspirators are apprehended and hanged, and Mordechai's service to the king is recorded. Ahasuerus appoints Haman as his prime minister. Mordechai, who sits at the palace gates, falls into Haman's disfavor as he refuses to bow down to him. Having found out that Mordechai is Jewish, Haman plans to kill not just Mordechai but all the Jews in the empire. He obtains Ahasuerus' permission to execute this plan, against payment of ten thousand talents of silver (which the King declines to accept and rather allows him to execute his plan on principle), and he casts lots to choose the date on which to do this—the thirteenth of the month of Adar. On that day, everyone in the empire is free to massacre the Jews and despoil their property. When Mordechai finds out about the plans he and all Jews mourn and fast. Mordechai informs Esther what has happened and tells her to intercede with the King. She is afraid to break the law and go to the King unsummoned. This action would incur the death penalty. Mordechai tells her that she must. She orders Mordechai to have all Jews fast for three days together with her, and on the third day she goes to Ahasuerus, who stretches out his sceptre to her which shows that she is not to be punished. She invites him to a feast in the company of Haman. During the feast, she asks them to attend a further feast the next evening. Meanwhile, Haman is again offended by Mordechai and consults with his friends. At his wife's suggestion, he builds a gallows for Mordechai. That night, Ahasuerus suffers from insomnia, and when the court records are read to him to help him sleep, he learns of the services rendered by Mordechai in the previous plot against his life. Ahasuerus is told that Mordechai has not received any recognition for saving the king's life. Just then, Haman appears, to ask the King to hang Mordechai, but before he can make this request, King Ahasuerus asks Haman what should be done for the man that the king wishes to honor. Thinking that the man that the king is referring to is himself, Haman says that the man should be dressed in the king's royal robes and led around on the king's royal horse, while a herald calls: "See how the king honours a man he wishes to reward!" To his horror and surprise, the king instructs Haman to do so to Mordechai. After leading Mordechai's parade, he returns in mourning to his wife and friends, who suggest his downfall has begun. Immediately after, Ahasuerus and Haman attend Esther's second banquet, at which she reveals that she is Jewish and that Haman is planning to exterminate her people, including her. Overcome by rage, Ahasuerus leaves the room; meanwhile Haman stays behind and begs Esther for his life, falling upon her in desperation. The king comes back in at this moment and thinks Haman is assaulting the queen; this makes him angrier than before and he orders Haman hanged on the gallows that Haman had prepared for Mordechai. The previous decree against the Jews cannot be annulled, but the king allows the Jews to defend themselves during attacks. As a result, on 13 Adar, five hundred attackers and Haman's ten sons are killed in Shushan, followed by a Jewish slaughter of seventy-five thousand Persians, although they took no plunder. Esther sends a letter instituting an annual commemoration of the Jewish people's redemption, in a holiday called Purim (lots). Ahasuerus remains very powerful and continues reigning, with Mordechai assuming a prominent position in his court.

4386

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Book of Job

{"/m/02mdj1": "Religious text"}

The book of Job tells the story of an extremely righteous man named Job, who is very prosperous and has seven sons and three daughters. Constantly fearing that his sons may have sinned and "cursed God in their hearts", he habitually offers burnt offerings as a pardon for their sins. The "sons of God" and Satan (literally "the Adversary") present themselves to God, and God asks Satan his opinion on Job. Satan answers that Job is pious only because God has put a "wall around" him and "blessed" his favourite servant with prosperity, but if God were to stretch out his hand and strike everything that Job had, then he would surely curse God. God gives Satan permission to test Job's righteousness. All Job's possessions are destroyed: 500 yoke of oxen and 500 donkeys carried off by Sabeans; 7,000 sheep burned up by 'The fire of God which fell from the sky'; 3,000 camels stolen by the Chaldeans; and the house of the firstborn destroyed by a mighty wind, killing Job's ten children. Still Job does not curse God, but instead shaves his head, tears his clothes, and says, "Naked I came out of my mother's womb, and naked shall I return: Lord has given, and Lord has taken away; blessed be the name of Lord." As Job endures these calamities without reproaching God, Satan solicits permission to afflict his person as well, and God says, "Behold, he is in your hand, but don't touch his life." Satan, therefore, smites him with dreadful boils, and Job, seated in ashes, scrapes his skin with broken pottery. His wife prompts him to "curse God, and die," but Job answers, "You speak as one of the foolish speaks. Moreover, shall we receive good from God and shall not receive evil?" Three friends of Job, Eliphaz the Temanite, Bildad the Shuhite and Zophar the Naamathite, come to console him. (A fourth, Elihu the Buzite (Heb: Alieua ben Barakal the Buzite), begins talking in Chapter 32 and plays a significant role in the dialogue, but his arrival is not described.) The friends spend seven days sitting on the ground with Job, without saying anything to him because they see that he is suffering and in much pain. Job at last breaks his silence and "curses the day he was born." God responds saying that there are so many things Job does not know about how this world was formed or how nature works, that Job should consider God as being greater than the thunderstorm and strong enough to pull in the leviathan with a fish-hook. God then rebukes the three friends and says, "I am angry with you... you have not spoken of me what is right." The story ends with Job restored to health, with a new family and twice as much livestock.

4449

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Book of Hosea

First, Hosea was directed by God to marry a promiscuous woman of ill-repute, and he did so. Marriage here is symbolic of the covenantal relationship between God and Israel. However, Israel has been unfaithful to God by following other gods and breaking the commandments which are the terms of the covenant, hence Israel is symbolized by a harlot who violates the obligations of marriage to her husband. Second, Hosea and his wife, Gomer, have a son. God commands that the son be named Jezreel. This name refers to a valley in which much blood had been shed in Israel's history, especially by the kings of the Northern Kingdom. (See I Kings 21 and II Kings 9:21-35). The naming of this son was to stand as a prophecy against the reigning house of the Northern Kingdom, that they would pay for that bloodshed. Jezreel's name means God Sows. Third, the couple have a daughter. God commands that she be named Lo-ruhamah; Unloved, or, Pity or Pitied On to show Israel that, although God will still have pity on the Southern Kingdom, God will no longer have pity on the Northern Kingdom; its destruction is imminent. In the NIV translation, the omitting of the word 'him' leads to speculation as to whether Lo-Ruhamah was the daughter of Hosea or one of Gomer's lovers. James Mays, however, says that the failure to mention Hosea's paternity this is "hardly an implication" of Gomer's adultery. Fourth, a son is born to Gomer. It is questionable whether this child was Hosea's, for God commands that his name be Lo-ammi; Not My People, or more simply, Not Mine. The child bore this name of shame to show that the Northern Kingdom would also be shamed, for its people would no longer be known as God's People. Also God says that "I am not your I am"; in other words, God changes His own name in connection with his current relationship with Israel. A brief outline of the concepts presented in the Book of Hosea exist below * Chapters 1-2; Account of Hosea's marriage with Gomer biographically which is a metaphor for the relationship with Yahweh and Israel. * Chapter 3; Account of Hosea's marriage autobiographically. This is possibly a marriage to different women * Chapters 4-14:9; Oracle judging Israel, Ephraim in particular, for not living up to the covenant. No further breakdown of ideas is clear in 4-14:9 Following this, the prophecy is made that someday this will all be changed, that God will indeed have pity on Israel. Chapter two describes a divorce. This divorce seems to be the end of the covenant between God and the Northern Kingdom. However, it is probable that this was again a symbolic act, in which Hosea divorced Gomer for infidelity, and used the occasion to preach the message of God's rejection of the Northern Kingdom. He ends this prophecy with the declaration that God will one day renew the covenant, and will take Israel back in love. In Chapter three, at God's command, Hosea seeks out Gomer once more. Either she has sold herself into slavery for debt, or she is with a lover who demands money in order to give her up, because Hosea has to buy her back. He takes her home, but refrains from sexual intimacy with her for many days, to symbolize the fact that Israel will be without a king for many years, but that God will take Israel back, even at a cost to Himself. Chapters 4-14 spell out the allegory at length. Chapters 1-3 speaks of Hosea's family, and the issues with Gomer. Chapters 4-10 contain a series of oracles, or prophetic sermons, showing exactly why God is rejecting the Northern Kingdom (what the grounds are for the divorce). Chapter 11 is God's lament over the necessity of giving up the Northern Kingdom, which is a large part of the people of Israel, whom God loves. God promises not to give them up entirely. Then, in Chapter 12, the prophet pleads for Israel's repentance. Chapter 13 foretells the destruction of the kingdom at the hands of Assyria, because there has been no repentance. In Chapter 14, the prophet urges Israel to seek forgiveness, and promises its restoration, while urging the utmost fidelity to God. Matthew 2:13 cites Hosea's prophecy in that God would call His Son out of Egypt as foretelling the flight into Egypt and return to Israel of Joseph, Mary, and the infant Jesus Christ. The capital of the Northern Kingdom, in 722 BC. All the members of the upper classes and many of the ordinary people were taken captive and carried off to live as prisoners of war.

4451

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Book of Jonah

The plot centers on a conflict between Jonah and God. God calls Jonah to proclaim judgment to Nineveh, but Jonah resists and attempts to flee. He goes to Joppa and boards a ship bound for Tarshish. God calls up a great storm at sea, and the ship's crew cast Jonah overboard in an attempt to appease God. A great sea creature sent by God, swallows Jonah. For three days and three nights Jonah languishes inside the fish's belly. He says a prayer in which he repents for his disobedience and thanks God for His mercy. God speaks to the fish, which vomits out Jonah safely on dry land. After his rescue, Jonah obeys the call to prophesy against Nineveh, and they repent and God forgives them. Jonah is furious, however, and angrily tells God that this is the reason he tried to flee from Him, as he knew Him to be a just and merciful God. He then beseeches God to kill him, a request which is denied when God causes a tree to grow over him, giving him shade. Initially grateful, Jonah's anger returns the next day, when God sends a worm to eat the plant, withering it, and he tells God that it would be better if he were dead. God then points out: "Thou hast had pity on the gourd, for the which thou hast not laboured, neither madest it grow; which came up in a night, and perished in a night. And should not I spare Nineveh, that great city, wherein are more than sixscore thousand persons that cannot discern between their right hand and their left hand; and also much cattle?" Ironically, the relentless God demonstrated in the first chapter becomes the merciful God in the last two chapters (see 3:10). In a parallel turnabout, Jonah becomes one of the most effective of all prophets, turning the entire population of Nineveh (about 120,000 people) to God.

4452

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Book of Micah

* The Heading (1:1): As is typical of prophetic books, an anonymous editor has supplied the name of the prophet, an indication of his time of activity, and an identification of his speech as the “word of Yahweh”, a generic term carrying a claim to prophetic legitimacy and authority. Samaria and Jerusalem are given prominence as the foci of the prophet’s attention. * Judgement against Samaria (1:2–7): Drawing upon ancient traditions for depicting a theophany, the prophet depicts the coming of Yahweh to punish the city, whose sins are idolatry and the abuse of the poor. * Warnings to the cities of Judah (1:8–16): Samaria has fallen, Judah is next. Micah describes the destruction of the lesser towns of Judah (referring to the invasion of Judah by Sennacherib, 701 BC). For these passages of doom on the various cities, the device paronomasia is used. Paronomasia is a literary device which 'plays' on the sound of each word for literary effect. For example, the inhabitants of Beth-le-aphrah (“house of dust”) are told to “roll yourselves in the dust.” 1:14. Though most of the Paronomasia is lost in translation, it is the equivalent of ‘Ashdod shall be but ashes,’ where the fate of the city matches its name. * Misuse of power denounced (2:1–5): Denounces those who appropriate the land and houses of others. The context may be simply the amassing wealth for its own sake, or could be connected with the militarisation of the region for the expected Assyrian attack. * Threats against the prophet (2:6–11): The prophet is warned not to prophesy. He answers that the rulers are harming God's people, and want to listen only to those who advocate the virtues of wine. * A later promise (2:12–13): These verses assume that judgement has already fallen and Israel is already scattered abroad. * Judgement on wicked Zion (3:1–4): Israel's rulers are accused of gaining more wealth at the expense of the poor, by any means. The metaphor of flesh being torn illustrates the length to which the ruling classes and socialites would go to further increase their wealth. Prophets are corrupt, seeking personal gain. Jerusalem's rulers believe that God will always be with them, but God will be with his people, and Jerusalem will be destroyed. * Zion's future hope (4:1–5) This is a later passage, almost identical with Isaiah 2:2–4. Zion (meaning the Temple) will be rebuilt, but by God, and based not on violence and corruption but on the desire to learn God's laws and live in peace. * Further promises to Zion (4:6–7) This is another later passage, promising Zion that she will once more enjoy her former independence and power. * Deliverance from Distress in Babylon (4:9–5:1) The similarities to Isaiah 41:15–16 and the references to Babylon suggest the period of this material, although it is unclear whether a period during or after the siege of 586 is meant. Despite their trials, God will not desert his people. * The promised ruler from Bethlehem (5:1–14): This passage is usually dated to the exile. Although chapters 4:9-10 have said that there is "no king in Zion", these chapters predict a new military ruler will emerge from Bethlehem, the traditional home of the Davidic monarchy, to restore the security of Israel. Assyria will be stricken, and Israel's punishment will lead to the punishment of the nations. * A Covenant lawsuit (6:1–5): Yahweh accuses Israel (the people of Judah) of breaking the covenant through their lack of justice and honesty, after the pattern of the kings of Israel (northern kingdom) * Torah Liturgy (6:6–8): Micah speaks on behalf of the community asking what they should do in order to get back on God's good side. Micah then responds in V. 8 by showing what God requires: "to Do Justice, and to Love Kindness, and to Walk Humbly with your God." Thus declaring that the burnt offering of both animals and humans (which may have been practiced in Judah under Kings Ahaz and Manasseh) is not necessary for God. * The City as a Cheat (6:9–16): The city is reprimanded for its dishonest trade practices. * Lament (7:1–7): The first passage in the book in the first person: whether it comes from Micah himself is disputed. Honesty and decency have vanished, families are filled with strife. * A song of fallen Jerusalem (7:8–10): The first person voice continues, but now it is the city who speaks. She recognises that her destruction is deserved punishment from God. The recognition gives grounds for hope that God is still with her. * A prophecy of restoration (7:11–13): Fallen Jerusalem is promised that she will be rebuilt and that her power will be greater than ever (a contrast with the vision of peace in 4:1-5). * A prayer for future prosperity (7:14–17): The mood switches from a request for power to grateful astonishment at God's mercy.

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Book of Haggai

Haggai's message is filled with an urgency for the people to proceed with the rebuilding of the second Jerusalem temple. Haggai attributes a recent drought to the peoples' refusal to rebuild the temple, which he sees as key to Jerusalem’s glory. The book ends with the prediction of the downfall of kingdoms, with one Zerubbabel, governor of Judah, as the Lord’s chosen leader. The language here is not as finely wrought as in some other books of the minor prophets, yet the intent seems straightforward.

6020

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Crash

J. G. Ballard

1973

{"/m/014dfn": "Speculative fiction", "/m/02xlf": "Fiction", "/m/05hgj": "Novel"}

The story is told through the eyes of narrator James Ballard, named after the author himself, but it centers on the sinister figure of Dr. Robert Vaughan, a “former TV-scientist, turned nightmare angel of the expressways”. Ballard meets Vaughan after being involved in a car accident himself near London Airport. Gathering around Vaughan is a group of alienated people, all of them former crash-victims, who follow him in his pursuit to re-enact the crashes of celebrities, and experience what the narrator calls "a new sexuality, born from a perverse technology". Vaughan’s ultimate fantasy is to die in a head-on collision with movie star Elizabeth Taylor.

6628

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Children of Dune

Frank Herbert

1976

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/0dwly": "Children's literature", "/m/02xlf": "Fiction"}

Nine years after Emperor Paul Muad'dib walked into the desert, blind, the ecological transformation of Dune has reached the point where some Fremen are living without stillsuits in the less arid climate and have started to move out of the Sietches and into the villages and cities. As the old ways erode, more and more pilgrims arrive to experience the planet of Muad'dib. The Imperial high council has lost the political initiative and is powerless to control the Jihad. Paul's twin young children, Leto II and Ghanima, sharing his prescience, have concluded that their guardian Alia has succumbed to possession by one of her ancestors and fear that a similar fate awaits them. They (and Alia) also realize that the terraforming of Dune will kill all the sandworms, thus destroying the source of the spice. Leto also fears that, like his father, he will be trapped by his prescience. Possessed by the persona of her grandfather Baron Vladimir Harkonnen, Alia fears that her mother, about to return to Arrakis, will recognize her "abomination." A new religious figure called "The Preacher" has risen in the desert, railing against the religious government's injustices and the changes among the Fremen. Some Fremen believe he is Paul Atreides. The fallen House Corrino on Salusa Secundus plots to assassinate the twins and regain power. Lady Jessica returns to Arrakis and recognizes that her daughter has been possessed but finds no signs of abomination in the twins. She plans with them to thwart Alia's plotting. Leto arranges for Fremen leader Stilgar to protect his sister if there is an attempt on their lives. Alia attempts to assassinate Jessica who escapes into the desert with Duncan Idaho's help, precipitating a rebellion among the Fremen. The twins anticipate and survive the Corrino assassination plot. Leto leaves to seek out the Preacher while Ghanima, masking her memory with self-hypnosis, reports falsely that her brother had been murdered. Duncan and Jessica flee to Salusa Secundus where Jessica begins to mentor the Corrino heir Farad'n. He seizes power from his regent mother and allies with the Bene Gesserit, who promise to marry him to Ghanima and support his bid for coronation as Emperor. A band of Fremen outlaws capture Leto and force him to undergo the spice trance at the suggestion of one of Alia's agents, who has infiltrated the group. His spice-induced visions show him a myriad of possible futures where humanity has become extinct and only one where humanity survives. He names this future "The Golden Path" and resolves to bring it to fruition. He escapes his captors and sacrifices his humanity in pursuit of the Golden Path. This requires him to physically fuse with a school of sandtrout, gaining superhuman strength and near-invulnerability. He travels across the desert and confronts the Preacher who does, in fact, prove to be his father, Paul Atreides. Duncan Idaho returns to Arrakis and provokes Stilgar into killing him. With Stilgar's neutrality now untenable, he seizes Ghanima and flees. Alia recaptures Ghanima and arranges her marriage to Farad'n, planning to exploit the expected chaos when Ghanima kills him to avenge her brother's murder. The Preacher and Leto return to the capital to confront Alia who has the Preacher murdered, revealing his true identity. Leto reveals himself in a display of superhuman strength and triggers the return of Ghanima's genuine memories. He confronts Alia and offers to help her overcome her possession but she is overwhelmed by her ancestral personae and elects to commit suicide. Leto declares himself Emperor and asserts control over the Fremen. Farad'n enlists in his service and delivers control of the Corrino armies. The seemingly immortal and omnipotent Leto is left as Emperor of the Known Universe, with Ghanima at his side.

6629

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Candide, ou l'Optimisme

Voltaire

1759-01

{"/m/06nbt": "Satire", "/m/01jym": "Bildungsroman", "/m/0g_jj": "Picaresque novel"}

Candide contains thirty episodic chapters, which may be grouped into two main schemes: one consists of two divisions, separated by the protagonist's hiatus in El Dorado; the other consists of three parts, each defined by its geographical setting. By the former scheme, the first half of Candide constitutes the rising action and the last part the resolution. This view is supported by the strong theme of travel and quest, reminiscent of adventure and picaresque novels, which tend to employ such a dramatic structure. By the latter scheme, the thirty chapters may be grouped into three parts each comprising ten chapters and defined by locale: I–X are set in Europe, XI–XX are set in the Americas, and XXI–XXX are set in Europe and the Ottoman Empire. The plot summary that follows uses this second format and includes Voltaire's additions of 1761. The tale of Candide begins in the castle of the Baron Thunder-ten-Tronckh in Westphalia, home to the Baron's daughter, Lady Cunégonde; his bastard nephew, Candide; a tutor, Pangloss; a chambermaid, Paquette; and the rest of the Baron's family. The protagonist, Candide, is romantically attracted to Cunégonde. He is a child of "the most unaffected simplicity", whose face is "the index of his mind". Dr. Pangloss, professor of "métaphysico-théologo-cosmolonigologie" (english translation "metaphysico-theologo-cosmonigology") and self-proclaimed optimist, teaches his pupils that they live in the "best of all possible worlds" and that "all is for the best". All is well in the castle until Cunégonde sees Pangloss sexually engaged with Paquette in some bushes. Encouraged by this show of affection, Cunégonde drops her handkerchief next to Candide which entices him to kiss her. For this infraction, Candide is evicted from the castle, at which point he is captured by Bulgar (Prussian) recruiters and coerced into military service, where he is flogged, nearly executed, and forced to participate in a major battle between the Bulgars and the Abares (an allegory representing the Prussians and the French). Candide eventually escapes the army and makes his way to Holland where he is given aid by Jacques, an Anabaptist, who strengthens Candide's optimism. Soon after, Candide finds his master Pangloss, now a beggar with syphilis. Pangloss reveals he was infected with this disease by Paquette and shocks Candide by relating how Castle Thunder-ten-Tronckh was destroyed by Bulgars, and that Cunégonde and her whole family were killed. Pangloss is cured of his illness by Jacques, losing one eye and one ear in the process, and the three set sail to Lisbon. In Lisbon's harbor, they are overtaken by a vicious storm which destroys the boat. Jacques attempts to save a sailor, and in the process is thrown overboard. The sailor makes no move to help the drowning Jacques, and Candide is in a state of despair until Pangloss explains to him that Lisbon harbor was created in order for Jacques to drown. Only Pangloss, Candide, and the "brutish sailor" who let Jacques drown survive the wreck and reach Lisbon, which is promptly hit by an earthquake, tsunami and fire which kill tens of thousands. The sailor leaves in order to loot the rubble while Candide, injured and begging for help, is lectured on the optimistic view of the situation by Pangloss. The next day, Pangloss discusses his optimistic philosophy with a member of the Portuguese Inquisition, and he and Candide are arrested for heresy, set to be tortured and killed in an "auto-da-fé" set up to appease God and prevent another disaster. Candide is flogged and sees Pangloss hanged, but another earthquake intervenes and he escapes. He is approached by an old woman, who leads him to a house where Lady Cunégonde waits, alive. Candide is surprised: Pangloss had told him that Cunégonde had been raped and disemboweled. She had been, but Cunégonde points out that people survive such things. However, her rescuer sold her to a Jewish merchant who was then threatened by a corrupt Grand Inquisitor into sharing her. Her owners arrive, find her with another man, and Candide kills them both. Candide and the two women flee the city, heading to the Americas. Along the way, Cunégonde falls into self-pity, complaining of all the misfortunes that have befallen her. The old woman reciprocates by revealing her own tragic life, which included having a buttock cut off in order to feed some starving men. The trio arrives in Buenos Aires, where Governor Don Fernando d'Ibarra, y Figueroa, y Mascarenes, y Lampourdos, y Alejandro asks to marry Cunégonde. Just then, an alcalde (a Portuguese fortress commander) arrives, pursuing Candide for killing the Grand Inquisitor. Leaving the women behind, Candide flees to Paraguay with his practical and heretofore unmentioned manservant, Cacambo. At a border post on the way to Paraguay, Cacambo and Candide speak to the commandant, who turns out to be Cunégonde's unnamed brother. He explains that after his family was slaughtered, the Jesuits' preparation for his burial revived him, and he has since joined the order. When Candide proclaims he intends to marry Cunégonde, her brother attacks him, and Candide stabs him through with his rapier. After lamenting all the people (mainly priests) he's killed, he and Cacambo flee. In their flight, Candide and Cacambo come across two naked women being chased and bitten by a pair of monkeys. Candide, seeking to protect the women, shoots and kills the monkeys, but is informed by Cacambo that the monkeys and women were probably lovers. Cacambo and Candide are captured by Oreillons, the fictional inhabitants of the area. Mistaking Candide for a Jesuit by his robes, the Oreillons prepare to cook Candide and Cacambo; however, Cacambo convinces the Oreillons that Candide killed a Jesuit to procure the robe. Cacambo and Candide are released and travel for a month on foot and then down a river by canoe, living on fruits and berries. After a few more adventures, Candide and Cacambo wander into El Dorado, a geographically isolated utopia where the streets are covered with precious stones, there exist no priests, and all of the king's jokes are funny. Candide and Cacambo stay a month in El Dorado, but Candide is still in pain without Cunégonde, and expresses to the king his wish to leave. The king points out that this is a foolish idea, but generously helps them do so. The pair continue their journey, now accompanied by one hundred red pack sheep carrying provisions and incredible sums of money, which they slowly lose or have stolen over the next few adventures. Candide and Cacambo eventually reach Suriname, where they split up: Cacambo travels to Buenos Aires to retrieve Lady Cunégonde, while Candide prepares to travel to Europe to await the two. Candide's remaining sheep are stolen, and Candide is fined heavily by a Dutch magistrate for petulance over the theft. Before leaving Surinam, Candide feels in need of companionship, so he interviews a number of local men who have been through various ill-fortunes and settles on a man named Martin. This companion, Martin, is a Manichean scholar based on the real-life pessimist Pierre Bayle, who was a chief opponent of Leibniz. For the remainder of the voyage, Martin and Candide argue about philosophy, Martin painting the entire world as occupied by fools. Candide, however, remains an optimist at heart, since it is all he knows. As they arrive in England, they see an admiral (based on Admiral Byng) being shot for not killing enough of the enemy. Martin explains that Britain finds it necessary to shoot an admiral from time to time "pour l'encouragement des autres" (to encourage the others). Candide, horrified, arranges for them to leave Britain immediately. After various scenes satirising other European institutions, Candide and Martin meet Paquette, the chambermaid who infected Pangloss with his syphilis, in Venice. She is now a prostitute, and is spending her time with a monk, Brother Giroflée. Although both appear happy on the surface, they reveal their despair: Paquette has led a miserable existence as a sexual object, and the monk detests the religious order in which he was indoctrinated. Later, while Candide and Martin are eating supper, Cacambo returns to Candide and informs him that Cunégonde is in Constantinople, and that she has been enslaved. She is now washing dishes for a prince of Transylvania, and has become ugly. On the way to rescue her, Candide finds Pangloss and Cunégonde's brother rowing in the galley. Candide buys their freedom and further passage at steep prices. The baron and Pangloss relate how they survived, but despite the horrors he has been through, Pangloss's optimism remains unshaken: "I still hold to my original opinions, because, after all, I'm a philosopher, and it wouldn't be proper for me to recant, since Leibniz cannot be wrong, and since pre-established harmony is the most beautiful thing in the world, along with the plenum and subtle matter." The travellers arrive on the Ottoman coast where they rejoin Cunégonde and the old woman. Cunégonde has indeed become hideously ugly, but Candide nevertheless buys their freedom and marries Cunégonde to spite her brother. Paquette and Brother Giroflée, too, are reconciled with Candide on a farm which he just bought with the last of his finances. One day, the protagonists seek out a dervish known as a great philosopher of the land. Pangloss asks him why Man is made to suffer so, and what they all ought to do. The dervish responds by asking rhetorically why Pangloss is concerned about the existence of evil and good. The dervish describes human beings as mice on a ship sent by a king to Egypt; their comfort does not matter to the king. The dervish then slams his door on the group. Returning to their farm, Candide, Pangloss, and Martin meet a Turk whose philosophy is to devote his life only to simple work and not concern himself with external affairs. He and his four children work a small farm to keep "free of three great evils: boredom, vice and necessity", or "poverty" as per John Butt's 1947 translation. Candide, Pangloss, Martin, Cunégonde, Paquette, Cacambo, the old woman, and Brother Giroflée all set to work (on this "louable dessein", or "commendable plan", as the narrator calls it), each to one specific task. Candide ignores Pangloss's insistence that all turned out for the best by necessity, instead telling him "we must cultivate our garden".

6630

/m/01yb0

Chapterhouse Dune

Frank Herbert

1985-04

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/0dwly": "Children's literature", "/m/02xlf": "Fiction"}

The situation is desperate for the Bene Gesserit as they find themselves the targets of the Honored Matres, whose conquest of the Old Empire is almost complete. The Matres are seeking to assimilate the technology and developed methods of the Bene Gesserit and exterminate the Sisterhood itself. Now in command of the Bene Gesserit, Mother Superior Darwi Odrade continues to develop her drastic, secret plan to overcome the Honored Matres. The Bene Gesserit are also terraforming the planet Chapterhouse to accommodate the all-important sandworms, whose native planet Dune had been destroyed by the Matres. Sheeana, in charge of the project, expects sandworms to appear soon. The Honored Matres have also destroyed the entire Bene Tleilax civilization, with Tleilaxu Master Scytale the only one of his kind left alive. In Bene Gesserit captivity, Scytale possesses the Tleilaxu secret of ghola production, which he has reluctantly traded for the Sisterhood's protection. The first ghola produced is that of their recently-deceased military genius, Miles Teg. The Bene Gesserit have two other prisoners on Chapterhouse: the latest Duncan Idaho ghola, and former Honored Matre Murbella, whom they have accepted as a novice despite their suspicion that she intends to escape back to the Honored Matres. Lampadas, a center for Bene Gesserit education, has been destroyed by the Honored Matres. The planet's Chancellor, Reverend Mother Lucilla, manages to escape carrying the shared-minds of millions of Reverend Mothers. Lucilla is forced to land on Gammu where she seeks refuge with an underground group of Jews. The Rabbi gives Lucilla sanctuary, but to save his organization he must deliver her to the Matres. Before doing so, he reveals Rebecca, a "wild" Reverend Mother who has gained her Other Memory without Bene Gesserit training. Lucilla shares minds with Rebecca, who promises to take the memories of Lampadas safely back to the Sisterhood. Lucilla is then "betrayed", and taken before the Great Honored Matre Dama, who tries to persuade her to join the Honored Matres, preserving her life in exchange for Bene Gesserit secrets. Lucilla refuses, and Dama ultimately kills her. Back on Chapterhouse, Odrade confronts Duncan and forces him to admit that he is a Mentat, proving that he retains the memories of his many ghola lives. He does not reveal his mysterious visions of two people. Meanwhile, Murbella collapses under the pressure of Bene Gesserit training, giving in to "word weapons" that the Bene Gesserit had planted to undermine her earlier Honored Matre identity. Murbella realizes that she wants to be Bene Gesserit. Odrade believes that the Bene Gesserit made a mistake in fearing emotion, and that in order to evolve, the Bene Gesserit must learn to accept emotions. Odrade permits Duncan to watch Murbella undergo the spice agony, making him the first man ever to do so. Murbella survives the ordeal and becomes a Reverend Mother. Odrade then confronts Sheeana, discovering that Duncan and Sheeana have been allied together for some time. Sheeana does not reveal that they have been considering the option of reawakening Teg's memory through Imprinting, nor does Odrade discover that Sheeana has the keys to Duncan's no-ship prison. Odrade continues molding Scytale, with Sheeana showing him a baby sandworm, the Bene Gesserit's own long term supply of spice, and destroying Scytale's main bargaining card. Finally, Teg is awakened by Sheeana using imprinting techniques. Odrade appoints him again as Bashar of the military forces of the Sisterhood for the assault on the Honored Matres. Odrade next calls a meeting of all the Bene Gesserit, announcing her plan to attack the Honored Matres. She tells them that this attack will be led by Teg. She also announces candidates to succeed her as Mother Superior; she will share her memories with Murbella and Sheeana before she leaves. Odrade then goes to meet the Great Honored Matre. Under cover of Odrade's diplomacy, the Bene Gesserit forces under Teg attack Gammu with tremendous force. Teg uses his secret ability to see no-ships to secure control of the system. Survivors of the attack flee to Junction, and Teg follows them there and carries all with him. Victory for the Bene Gesserit seems inevitable. In the midst of this battle, the Jews (including Rebecca with her precious memories) take refuge with the Bene Gesserit fleet. Logno — chief advisor to Dama — assassinates Dama with poison and assumes control of the Honored Matres. Her first act surprises Odrade greatly. Too late Odrade and Teg realize they have fallen into a trap, and the Honored Matres use a mysterious weapon to turn defeat into victory, as well as capturing Odrade. Murbella saves as much of the Bene Gesserit force as she can and they begin to withdraw to Chapterhouse. Odrade, however, had planned for the possible failure of the Bene Gesserit attack and left Murbella instructions for a last desperate gamble. Murbella pilots a small craft down to the surface, announcing herself as an Honored Matre who, in the confusion, has managed to escape the Bene Gesserit with all their secrets. She arrives on the planet and is taken to the Great Honored Matre. Unable to control her anger, Logno attacks but is killed by Murbella. Awed by her physical prowess, the remaining Honored Matres are forced to accept her as their new leader. Odrade is also killed in the melee and Murbella shares memories with her, thereby also becoming Reverend Mother Superior. Murbella's ascension to leadership is not accepted as victory by all the Bene Gesserit. Some flee Chapterhouse, notably Sheeana, who has a vision of her own, and is joined by Duncan. The two escape in the giant no-ship, with Scytale, Teg and the Jews. Murbella recognizes their plan at the last minute, but is powerless to stop them. Watching this escape with interest are Daniel and Marty, the observers Duncan had been having visions of. The story ends on a cliffhanger with several questions left unanswered regarding the merging of the Honored Matres and Bene Gesserit, the fates of those on the escaped no-ship (including the role of Scytale, the development of Idaho and Teg, and the role of the Jews), the identity of the god-like characters in the book's final chapter and the ultimate mystery of what chased the Honored Matres back into the Old Empire.

6921

/m/01_mr

Carmilla

Sheridan Le Fanu

1872

{"/m/039vk": "Gothic fiction"}

The story is presented by Le Fanu as part of the casebook of Dr Hesselius, whose departures from medical orthodoxy rank him as the first occult doctor in literature. The story is narrated by Laura, one of the two main protagonists of the tale. Laura begins her tale by relating her childhood in a "picturesque and solitary" castle in the midst of an extensive forest in Styria where she lives with her father, a wealthy English widower, retired from the Austrian Service. When she is six years old, Laura has a vision of a beautiful visitor in her bedchamber. She later claims to have been bitten on the chest, although no wounds are found on her. 12 years later, Laura and her father are admiring the sunset in front of the castle when her father tells her of a letter he received earlier from his friend General Spielsdorf. The General was supposed to bring his niece, Bertha Rheinfeldt, to visit the two, but the niece suddenly died under mysterious circumstances. The General ambiguously concludes that he will discuss the circumstances in detail when they meet later. Laura is saddened by the loss of a potential friend, and longs for a companion. A carriage accident outside Laura's home unexpectedly brings a girl of Laura's age into the family's care. Her name is Carmilla. Both girls instantly recognize the other from the 'dream' they both had when they were young. Carmilla appears injured after her carriage accident, but her mysterious mother informs Laura's father that her journey is urgent and cannot be delayed. She arranges to leave her daughter with Laura and her father until she can return in three months. Before she leaves she sternly notes that her daughter will not disclose any information whatsoever about her family, past, or herself and that Carmilla is of sound mind. Laura comments that this information seems needless to say, and her father laughs it off. Carmilla and Laura grow to be very close friends, but occasionally Carmilla's mood abruptly changes. She sometimes makes unsettling romantic advances towards Laura. Carmilla refuses to tell anything about herself or her background, despite questioning from Laura. Her secrecy isn't the only mysterious thing about her. Carmilla sleeps much of the day, and seems to sleepwalk at night. When a funeral procession passes by the two girls and Laura begins singing a hymn, Carmilla bursts out in rage and scolds Laura for singing a Christian song. When a shipment of family heirloom restored portraits arrives at the castle, Laura finds one of her ancestors, "Mircalla, Countess Karnstein", dated 1698. The portrait resembles Carmilla exactly, down to the mole on her neck. During Carmilla's stay, Laura has nightmares of a fiendish cat-like beast entering her room at night and biting her on the chest. The beast then takes the form of a female figure and disappears through the door without opening it. Laura's health declines and her father has a doctor examine her. He speaks privately with her father and only asks that Laura never be left unattended. Her father then sets out with Laura in a carriage for the ruined village of Karnstein. They leave a message behind asking Carmilla and one of the governesses entreated to follow after once the perpetually late-sleeping Carmilla wakes up. En route to Karnstein, Laura and her father encounter General Spielsdorf. He tells them his own ghastly story. Spielsdorf and his niece had met a young woman named Millarca and her enigmatic mother at a costume ball. The General's niece was immediately taken with Millarca. The mother convinced the General that she was an old friend of his and asked that Millarca be allowed to stay with them for three weeks while she attended to a secret matter of great importance. The General's niece fell mysteriously ill and suffered exactly the same symptoms as Laura. After consulting with a priestly doctor who he had specially ordered, the General came to the realization that his niece was being visited by a vampire. He hid in a closet with a sword and waited until seeing a fiendish cat-like creature stalk around his niece's bedroom and bite her on the neck. He then leapt from his hiding place and attacked the beast, which took the form of Millarca. She fled through the locked door, unharmed. The General's niece died immediately afterward. When they arrive at Karnstein the General asks a nearby woodsman where he can find the tomb of Mircalla Karnstein. The woodsman relates that the tomb was relocated long ago, by the hero who vanquished the vampires that haunted the region. While the General and Laura are left alone in the ruined chapel, Carmilla appears. The General and Carmilla both fly into a rage upon seeing each other and the General attacks her with an axe. Carmilla flees and the General explains to Laura that Carmilla is also Millarca, both anagrams for the original name of the vampire Countess Mircalla Karnstein. The party is then joined by Baron Vordenburg, the descendant of the hero who rid the area of vampires long ago. Vordenburg is an authority on vampires and has discovered that his ancestor was romantically involved with the Countess Karnstein, before she died and became one of the undead. Using his forefather's notes he locates the hidden tomb of Carmilla. An Imperial Commission is then summoned who exhume and destroy the body of the vampire on behalf of the ruling Habsburg Monarchy, within whose domains Styria is situated. Afterwards, Laura's father takes her on a year-long vacation to recover from the trauma and regain her health.

7817

/m/025zx

The Cider House Rules

John Irving

1985

{"/m/02xlf": "Fiction"}

Homer Wells grows up in an orphanage where he spends his childhood "being of use" as a medical assistant to the director, Dr. Wilbur Larch, whose history is told in flashbacks: After a traumatic misadventure with a prostitute as a young man, Wilbur turns his back on sex and love, choosing instead to help women with unwanted pregnancies give birth and then keeping the babies in an orphanage. He makes a point of maintaining an emotional distance from the orphans, so that they can more easily make the transition into an adoptive family, but when it becomes clear that Homer is going to spend his entire childhood at the orphanage, Wilbur trains the orphan as an obstetrician and then comes to love him. Wilbur's and Homer's lives are complicated by Wilbur also secretly being an abortionist. Wilbur came to this work reluctantly, but he is driven by having seen the horrors of back-alley operations. Homer, upon learning Wilbur's secret, considers it morally wrong. As a young man, Homer befriends a young couple, Candy Kendall and Wally Worthington, who come to St. Cloud's for an abortion. Homer leaves the orphanage, and returns with them to Ocean View Orchards (Wally's family's orchard) in Heart's Rock, near the Maine Coast. Wally and Homer become best friends and Homer develops a secret love for Candy. Wally goes off to war and his plane is shot down over Burma. He is presumed missing by the military, but Homer and Candy both believe he is dead and move on with their lives. They have sexual relations, and Candy becomes pregnant. They go back to St. Cloud's Orphanage, where their child is born and named Angel. Subsequently, Wally is found in Burma and returns home, paralyzed from the waist down. He is still able to have sexual intercourse but is sterile due to an infection received in Burma. They lie to the family about Angel's parentage, claiming that Homer decided to adopt him. Wally and Candy marry shortly afterward, but Candy and Homer maintain a secret affair that lasts some 15 years. Many years later, teenaged Angel falls in love with Rose Rose, the daughter of the head migrant worker at the apple orchard. She becomes pregnant by her father, and Homer performs an abortion on her. Homer decides to return to the orphanage after the death of Dr. Larch, to work as the new director. Though he maintains his distaste for abortions, he continues Dr. Larch's legacy of honoring the choice of his patients, and he dreams of the day when abortions are free, legal, and safe, so he'll no longer feel obliged to offer them. A subplot follows the character Melony, who grew up alongside Homer in the orphanage. She was Homer's first girlfriend in a relationship of circumstances. After Homer leaves the orphanage, so does she in an effort to find him. She eventually becomes an electrician and takes a female lover, Lorna. Melony is an extremely stoic woman, who refuses to press charges against a man who brutally broke her nose and arm so that she can later retaliate herself. She is the catalyst that transforms Homer from his comfortable but not entirely admirable position at the apple orchard to becoming Dr. Larch's replacement at the orphanage.

7923

/m/026l0

Dracula

Bram Stoker

1897

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/03npn": "Horror", "/m/090ts5": "Invasion literature", "/m/02n4kr": "Mystery", "/m/02ql9": "Epistolary novel", "/m/01hmnh": "Fantasy", "/m/02xlf": "Fiction", "/m/039vk": "Gothic fiction"}

The novel is told in epistolary format, as a series of letters, diary entries, ships' log entries, and so forth. The main writers of these items are also the novel's protagonists. The story is occasionally supplemented with newspaper clippings that relate events not directly witnessed by the story's characters. The tale begins with Jonathan Harker, a newly qualified English solicitor, journeying by train and carriage from England to Count Dracula's crumbling, remote castle (situated in the Carpathian Mountains on the border of Transylvania, Bukovina and Moldavia). The purpose of his mission is to provide legal support to Dracula for a real estate transaction overseen by Harker's employer, Peter Hawkins, of Exeter in England. At first enticed by Dracula's gracious manner, Harker soon discovers that he has become a prisoner in the castle. He also begins to see disquieting facets of Dracula's nocturnal life. One night while searching for a way out of the castle, and against Dracula's strict admonition not to venture outside his room at night, Harker falls under the spell of three wanton female vampires, "the Sisters." He is saved at the last second by the Count, because he wants to keep Harker alive just long enough to obtain needed legal advice and teachings about England and London (Dracula's planned travel destination was to be among the "teeming millions"). Harker barely escapes from the castle with his life. Not long afterward, a Russian ship, the Demeter, having weighed anchor at Varna, runs aground on the shores of Whitby, England, during a fierce tempest. All of the crew are missing and presumed dead, and only one body is found, that of the captain tied to the ship's helm. The captain's log is recovered and tells of strange events that had taken place during the ship's journey. These events led to the gradual disappearance of the entire crew apparently owing to a malevolent presence on board the ill-fated ship. An animal described as a large dog is seen on the ship leaping ashore. The ship's cargo is described as silver sand and boxes of "mould", or earth, from Transylvania. Soon Dracula is tracking Harker's devoted fiancée, Wilhelmina "Mina" Murray, and her friend, Lucy Westenra. Lucy receives three marriage proposals in one day, from Dr. John Seward; Quincey Morris; and the Hon. Arthur Holmwood (later Lord Godalming). Lucy accepts Holmwood's proposal while turning down Seward and Morris, but all remain friends. There is a notable encounter between Dracula and Seward's patient Renfield, an insane man who means to consume insects, spiders, birds, and other creatures — in ascending order of size — in order to absorb their "life force". Renfield acts as a motion sensor, detecting Dracula's proximity and supplying clues accordingly. Lucy begins to waste away suspiciously. All of her suitors fret, and Seward calls in his old teacher, Professor Abraham Van Helsing from Amsterdam. Van Helsing immediately determines the cause of Lucy's condition but refuses to disclose it, knowing that Seward's faith in him will be shaken if he starts to speak of vampires. Van Helsing tries multiple blood transfusions, but they are clearly losing ground. On a night when Van Helsing must return to Amsterdam (and his message to Seward asking him to watch the Westenra household is delayed), Lucy and her mother are attacked by a wolf. Mrs. Westenra, who has a heart condition, dies of fright, and Lucy apparently dies soon after. Lucy is buried, but soon afterward the newspapers report children being stalked in the night by a "bloofer lady" (as they describe it), i.e. "beautiful lady". Van Helsing, knowing that this means Lucy has become a vampire, confides in Seward, Lord Godalming and Morris. The suitors and Van Helsing track her down, and after a disturbing confrontation between her vampiric self and Arthur, they stake her heart, behead her, and fill her mouth with garlic. Around the same time, Jonathan Harker arrives home from recuperation in Budapest (where Mina joined and married him after his escape from the castle); he and Mina also join the coalition, who turn their attentions to dealing with Dracula. After Dracula learns of Van Helsing's and the others' plot against him, he takes revenge by visiting – and feeding from – Mina at least three times. Dracula also feeds Mina his blood, creating a spiritual bond between them to control her. The only way to forestall this is to kill Dracula first. Mina slowly succumbs to the blood of the vampire that flows through her veins, switching back and forth from a state of consciousness to a state of semi-trance during which she is telepathically connected with Dracula. This telepathic connection is established to be two-way, in that the Count can influence Mina, but in doing so betrays to her awareness of his surroundings. After the group sterilizes all of his lairs in London by putting pieces of consecrated host in each box of earth, Dracula flees back to his castle in Transylvania, transported in a box with transfer and portage instructions forwarded, pursued by Van Helsing's group, who themselves are aided by Van Helsing hypnotizing Mina and questioning her about the Count. The group splits in three directions. Van Helsing goes to the Count's castle and kills his trio of brides, and shortly afterwards all converge on the Count just at sundown under the shadow of the castle. Harker and Quincey rush to Dracula's box, which is being transported by Gypsies. Harker shears Dracula through the throat with a Kukri while the mortally wounded Quincey, slashed by one of the crew, stabs the Count in the heart with a Bowie knife. Dracula crumbles to dust, and Mina is freed from his curse. The book closes with a note about Mina's and Jonathan's married life and the birth of their first-born son, whom they name after all four members of the party, but refer to only as Quincey in remembrance of their American friend.

8237

/m/0297f

Don Quixote

Miguel de Cervantes

1605

{"/m/0gf28": "Parody", "/m/0dwly": "Children's literature", "/m/059r08": "Psychological novel", "/m/06nbt": "Satire", "/m/011ys5": "Farce", "/m/0g_jj": "Picaresque novel", "/m/02xlf": "Fiction"}

The First Sally Alonso Quijano, the protagonist of the novel, is a retired country gentleman nearing fifty years of age, living in an unnamed section of La Mancha with his niece and housekeeper. While mostly a rational man of sound reason, his reading of books of chivalry in excess has had a profound effect on him, leading to the distortion of his perception and the wavering of his mental faculties. In essence, he believes every word of these books of chivalry to be true though, for the most part, the content of these books is clearly fiction. Otherwise, his wits, in regards to everything other than chivalry, are intact. He decides to go out as a knight-errant in search of adventure. He dons an old suit of armour, renames himself "Don Quixote de la Mancha," and names his skinny horse "Rocinante". He designates a neighboring farm girl as his lady love, renaming her Dulcinea del Toboso, while she knows nothing about this. He sets out in the early morning and ends up at an inn, which he believes to be a castle. He asks the innkeeper, whom he thinks to be the lord of the castle, to dub him a knight. He spends the night holding vigil over his armor, where he becomes involved in a fight with muleteers who try to remove his armor from the horse trough so that they can water their mules. The innkeeper then dubs him a knight to be rid of him, and sends him on his way. Don Quixote next "frees" a young boy who is tied to a tree and beaten by his master by making his master swear on the chivalric code to treat the boy fairly. The boy's beating is continued as soon as Quixote leaves. Don Quixote has a run-in with traders from Toledo, who "insult" the imaginary Dulcinea, one of whom severely beats Don Quixote and leaves him on the side of the road. Don Quixote is found and returned to his home by a neighboring peasant. The Second Sally While Don Quixote is unconscious in his bed, his niece, the housekeeper, the parish curate, and the local barber secretly burn most of the books of chivalry, and seal up his library pretending that a magician has carried it off. After a short period of feigning health, Don Quixote approaches his neighbor, Sancho Panza, and asks him to be his squire, promising him governorship of an island. The uneducated Sancho agrees, and the pair sneak off in the early dawn. It is here that their series of famous adventures begin, starting with Don Quixote's attack on windmills that he believes to be ferocious giants. The two next encounter a group of friars accompanying a lady in a carriage. They are heavily cloaked, as is the lady, to protect themselves from the hot climate and dust on the road. Don Quixote takes the friars to be enchanters who hold the lady captive. He knocks a friar from his horse, and is immediately challenged by an armed Basque traveling with the company. As he has no shield, the Basque uses a pillow to protect himself, which saves him when Don Quixote strikes him. The combat ends with the lady leaving her carriage and demanding those traveling with her to "surrender" to Don Quixote. The Pastoral Wanderings Sancho and Don Quixote go on, and fall in with a group of goatherds. Don Quixote tells Sancho and the goatherds about the "Golden Age" of man, reminiscent of both Ovid and the later Rousseau in which property does not exist, and men live in peace. The goatherds invite the Knight and Sancho to the funeral of Grisóstomo, once a student who left his studies to become a shepherd after reading Pastoral novels, seeking the shepherdess Marcela. At the funeral Marcela appears, delivering a long speech vindicating herself from the bitter verses written about her by Grisóstomo, claiming her own autonomy and freedom from expectations put on her by Pastoral clichés. She disappears into the woods, and Don Quixote and Sancho follow. Ultimately giving up, the two stop and dismount by a pond to rest. Some Galicians arrive to water their ponies, and Rocinante (Don Quixote's horse) attempts to mate with the ponies. The Galicians hit Rocinante with clubs to dissuade him, which Don Quixote takes as a threat and runs to defend Rocinante. The Galicians beat Don Quixote and Sancho leaving them in great pain. The Adventures with Cardenio and Dorotea After Don Quixote frees a group of galley slaves, The Knight and Sancho wander into the Sierra Morena, and there encounter the dejected Cardenio. Cardenio relates the first part of his story, in which he falls deeply in love with his childhood friend Luscinda, and is hired as the companion to the Duke's son, leading to his friendship with the Duke's younger son, Don Fernando. Cardenio confides in Don Fernando his love for Luscinda and the delays in their engagement, caused by Cardenio's desire to keep with tradition. After reading Cardenio's poems praising Luscinda, Don Fernando falls in love with her. Don Quixote interrupts when Cardenio suggests that his beloved may have become unfaithful after the formulaic stories of spurned lovers in Chivalric novels. In the course of their travels, the protagonists meet innkeepers, prostitutes, goatherds, soldiers, priests, escaped convicts, and scorned lovers. These encounters are magnified by Don Quixote’s imagination into chivalrous quests. Don Quixote’s tendency to intervene violently in matters which do not concern him, and his habit of not paying his debts, result in many privations, injuries, and humiliations (with Sancho often getting the worst of it). Finally, Don Quixote is persuaded to return to his home village. The author hints that there was a third quest, but says that records of it have been lost. The Third Sally Although the two parts are now normally published as a single work, Don Quixote, Part Two was a sequel published ten years after the original novel. While Part One was mostly farcical, the second half is more serious and philosophical about the theme of deception. As Part Two begins, it is assumed that the literate classes of Spain have all read the first part of the history of Don Quixote and his squire. Cervantes's meta-fictional device was to make even the characters in the story familiar with the publication of Part One, as well as with an actually published fraudulent Part Two. When strangers encounter the duo in person, they already know their famous history. A Duke and Duchess, and others, deceive Don Quixote for entertainment, setting forth a string of imagined adventures resulting in a series of practical jokes. Some of them are quite sadistic, and they put Don Quixote's sense of chivalry and his devotion to Dulcinea through many tests. Even Sancho deceives him at one point. Pressured into finding Dulcinea, Sancho brings back three dirty and ragged peasant girls, and tells Don Quixote that they are Dulcinea and her ladies-in-waiting. When Don Quixote only sees the peasant girls, Sancho pretends that their derelict appearance results from an enchantment. Sancho later gets his comeuppance for this when, as part of one of the duke and duchess's pranks, the two are led to believe that the only method to release Dulcinea from her spell is for Sancho to give himself a surplus of three thousand lashes. Sancho naturally resists this course of action, leading to friction with his master. Under the duke's patronage, Sancho eventually gets a governorship, though it is false, and proves to be a wise and practical ruler; though this ends in humiliation as well. Near the end, Don Quixote reluctantly sways towards sanity: an inn is just an inn, not a castle. The lengthy untold "history" of Don Quixote's adventures in knight-errantry comes to a close after his battle with the Knight of the White Moon, in which we the readers find him conquered. Bound by the rules of chivalry, Don Quixote submits to prearranged terms that the vanquished is to obey the will of the conqueror, which in this case, is that Don Quixote is to lay down his arms and cease his acts of chivalry for the period of one year (a duration in which he may be cured of his madness). Defeated and dejected, he and Sancho start their journey home. Part Two of Don Quixote is often regarded as the birth of modern literature, as it explores the concept of a character understanding that he is being written about. This is a theme much explored in writings of the 20th Century. Upon returning to his village, Don Quixote announces his plan to retire to the countryside and live the pastoral existence of shepherd, although his housekeeper, who has a more realistic view of the hard life of a shepherd, urges him to stay home and tend to his own affairs. Soon after, he retires to his bed with a deathly illness, possibly brought on by melancholy over his defeats and humiliations. One day, he awakes from a dream having fully recovered his sanity. Sancho tries to restore his faith, but Alonso Quixano, for that is his true name, can only renounce his previous existence and apologize for the harm he has caused. He dictates his will, which includes a provision that his niece will be disinherited if she marries a man who reads books of chivalry. After Alonso Quixano dies, the author emphasizes that there are no more adventures to relate, and that any further books about Don Quixote would be spurious.

8547

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Deuteronomy

(The following "literary" outline of Deuteronomy is from John Van Seters; it can be contrasted with Alexander Rofé's "covenantal" analysis in his Deuteronomy: Issues and Interpretation.) *Chapters 1–4: The journey through the wilderness from Horeb (Sinai) to Kadesh and then to Moab is recalled. *Chapters 4–11: After a second introduction at 4:44–49 the events at Mount Horeb (Mt. Sinai) are recalled, with the giving of the Ten Commandments. Heads of families are urged to instruct those under their care in the law, warnings are made against serving gods other than Yahweh, the land promised to Israel is praised, and the people are urged to obedience. *Chapters 12–26, the Deuteronomic code: Laws governing Israel's worship (chapters 12–16a), the appointment and regulation of community and religious leaders (16b–18), social regulation (19–25), and confession of identity and loyalty (26). *Chapters 27–28: Blessings and curses for those who keep and break the law. *Chapters 29–30: Concluding discourse on the covenant in the land of Moab, including all the laws in the Deuteronomic code (chapters 12–26) after those given at Horeb; Israel is again exhorted to obedience. *Chapters 31–34: Joshua is installed as Moses' successor, Moses delivers the law to the Levites (priests), and ascends Mount Nebo/Pisgah, where he dies and is buried by God. The narrative of these events is interrupted by two poems, the Song of Moses and the Blessing of Moses. The final verses, Deuteronomy 34:10–12, "never again did there arise in Israel a prophet like Moses," state authoritatively that the Deuteronomistic view of theology, with its insistence on the worship of Yahweh as the sole God of Israel, was the only permissible religion, sealed by the greatest of prophets.

8567

/m/02cxx

Dune Messiah

Frank Herbert

1969

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/0dwly": "Children's literature", "/m/02xlf": "Fiction", "/m/05hgj": "Novel"}

Twelve years after the events described in Dune (1965), Paul "Muad'Dib" Atreides rules as Emperor. By accepting the role of messiah to the Fremen, Paul had unleashed a jihad which conquered most of the known universe. While Paul is the most powerful Emperor ever known, he is powerless to stop the lethal excesses of the religious juggernaut he has created. Although sixty-one billion people have perished, Paul's prescient visions indicate that this is far from the worst possible outcome for humanity. Motivated by this knowledge, Paul hopes to set humanity on a course that will not inevitably lead to stagnation and destruction, while at the same time acting as ruler of the Empire and focal point of the Fremen religion. The Bene Gesserit, Spacing Guild and Tleilaxu enter into a conspiracy to dethrone Paul, the Bene Gesserit Reverend Mother Gaius Helen Mohiam enlisting Paul's own consort Princess Irulan, daughter of the deposed Padishah Emperor Shaddam Corrino IV. Paul has refused to father a child with Irulan (or even touch her), but his Fremen concubine Chani has also failed to produce an heir, causing tension within his monarchy. Desperate both to secure her place in the Atreides dynasty and to preserve the Atreides bloodline for the Bene Gesserit breeding program, Irulan has secretly been giving contraceptives to Chani. Paul is aware of this fact, but has foreseen that the birth of his heir will bring Chani's death, and does not want to lose her. Because of the way oracles interfere with one another's prescience, the Guild Navigator Edric is able to shield the conspiracy from Paul's visions of the future. The Tleilaxu Face Dancer Scytale gives Paul a gift he cannot resist: a Tleilaxu-grown ghola of the deceased Duncan Idaho, Paul's childhood teacher and friend, now called "Hayt". The conspirators hope the presence of Hayt will undermine Paul's ability to rule by forcing Paul to question himself and the empire he has created. Furthermore, Paul's acceptance of the gift weakens his support among the Fremen, who see the Tleilaxu and their tools as unclean. Chani, taking matters into her own hands, switches to a traditional Fremen fertility diet, preventing Irulan from being able to tamper with her food, and soon becomes pregnant. Otheym, one of Paul's former Fedaykin death commandos, reveals evidence of a Fremen conspiracy against Paul. Otheym gives Paul his dwarf Tleilaxu servant Bijaz who, like a recording machine, can remember faces, names, and details. Paul accepts reluctantly, seeing the strands of a Tleilaxu plot. As Paul's soldiers attack the conspirators, others set off an atomic weapon called a stone burner, purchased from the Tleilaxu, that destroys the area and blinds Paul. By tradition, all blind Fremen are abandoned in the desert, but Paul shocks the Fremen and entrenches his godhead by proving he can still see, even without eyes. His oracular powers have become so developed that he can foresee in his mind everything that happens, as though his eyes still function. By moving through his life in lockstep with his visions, he can see even the slightest details of the world around him. The disadvantage of this is his inability to change any part of his destiny so long as he wishes to appear sighted. The unraveling of the Fremen conspiracy reveals that Korba, a former Fedaykin and now high priest of Paul's church, is among Paul's enemies. Hayt interrogates Bijaz, but the little man—actually an agent of the Tleilaxu—uses a specific humming intonation that renders Hayt open to implanted commands. Bijaz programs Hayt to offer Paul a bargain when Chani dies: Chani's rebirth as a ghola, and the hope that Duncan Idaho's memories might be reawakened, in return for Paul sacrificing the throne and going into exile. Bijaz also implants a compulsion that will force Hayt to attempt to kill Paul, given the appropriate circumstances. Hayt remains oblivious of the programming. Eventually news is brought that Chani has died giving birth. Paul's reaction to it triggers the compulsions in the mind of Hayt, who attempts to kill Paul. But rather than kill his beloved Paul, Duncan's ghola body reacts against its own programming and recovers Duncan's full consciousness. He remains conscious of the Zen-Sunni and Mentat training given to Hayt by the Tleilaxu, but is no longer bound to their programming. Paul and Chani's newborn twins are "pre-born", like Paul's sister Alia had been, and come into the world fully conscious with Kwisatz Haderach-like access to ancestral memories thanks to a combination of their genes and an in utero exposure to the quantities of spice in Chani's special pregnancy diet. Scytale offers to revive Chani as a ghola in return for all of Paul's CHOAM holdings. Paul refuses to submit to the possibility that the Tleilaxu might program Chani in some diabolical way, and Scytale threatens the infants with a knife while he negotiates with Alia. Paul has now been rendered completely blind by the presence of his oracular son, yet he is able to kill Scytale with an accurately aimed dagger thanks to a vision from his son's perspective. Now prophetically as well as physically blind, Paul chooses to embrace the Fremen tradition of a blind man walking alone into the desert, winning the fealty of the Fremen for his children, who will inherit his mantle of Emperor. Paul leaves Alia, now romantically involved with Duncan, as regent for the twins, whom he has named Leto and Ghanima. Duncan notes the irony that Paul and Chani's deaths had enabled them to triumph against their enemies, and that Paul has escaped deification by walking into the desert as a man, while guaranteeing Fremen support for the Atreides line.

8757

/m/02fck

Darwin's Dangerous Idea

Daniel Dennett

1995

{"/m/037mh8": "Philosophy", "/m/06mq7": "Science"}

"Starting in the Middle", Part I of Darwin's Dangerous Idea, gets its name from a quote by Willard Van Orman Quine: "Analyze theory-building how we will, we all must start in the middle. Our conceptual firsts are middle-sized, middle-distance objects, and our introduction to them and to everything comes midway in the cultural evolution of the race." The first chapter "Tell Me Why" is named after a song. Before Charles Darwin, God was seen as the ultimate cause of all design, or the ultimate answer to 'why?' questions. John Locke argued for the primacy of mind before matter, and David Hume, while exposing problems with Locke's view, could not see any alternative. Darwin provided just such an alternative: evolution. Besides providing evidence of common descent, he introduced a mechanism to explain it: natural selection. According to Dennett, natural selection is a mindless, mechanical and algorithmic process—Darwin's dangerous idea. The third chapter introduces the concept of "skyhooks" and "cranes" (see below). He suggests that resistance to Darwinism is based on a desire for skyhooks, which do not really exist. According to Dennett, good reductionists explain apparent design without skyhooks; greedy reductionists try to explain it without cranes. Chapter 4 looks at the tree of life, such as how it can be visualized and some crucial events in life's history. The next chapter concerns the possible and the actual, using the 'Library of Mendel' (the space of all logically possible genomes) as a conceptual aid. In the last chapter of part I, Dennett treats human artifacts and culture as a branch of a unified Design Space. Descent or homology can be detected by shared design features that would be unlikely to appear independently. However, there are also "Forced Moves" or "Good Tricks" that will be discovered repeatedly, either by natural selection (see convergent evolution) or human investigation. The first chapter of part II, "Darwinian Thinking in Biology", asserts that life originated without any skyhooks, and the orderly world we know is the result of a blind and undirected shuffle through chaos. The eighth chapter's message is conveyed by its title, "Biology is Engineering"; biology is the study of design, function, construction and operation. However, there are some important differences between biology and engineering. Related to the engineering concept of optimization, the next chapter deals with adaptationism, which Dennett endorses, calling Gould and Lewontin's "refutation" of it an illusion. Dennett thinks adaptationism is, in fact, the best way of uncovering constraints. The tenth chapter, entitled "Bully for Brontosaurus", is an extended critique of Stephen Jay Gould, who Dennett feels has created a distorted view of evolution with his popular writings; his "self-styled revolutions" against adaptationism, gradualism and other orthodox Darwinism all being false alarms. The final chapter of part II dismisses directed mutation, the inheritance of acquired traits and Teilhard's "Omega Point", and insists that other controversies and hypotheses (like the unit of selection and Panspermia) have no dire consequences for orthodox Darwinism. "Mind, Meaning, Mathematics and Morality" is the name of Part III, which begins with a quote from Nietzsche. Chapter 12, "The Cranes of Culture", discusses cultural evolution. It asserts that the meme has a role to play in our understanding of culture, and that it allows humans, alone among animals, to "transcend" our selfish genes. "Losing Our Minds to Darwin" follows, a chapter about the evolution of brains, minds and language. Dennett criticizes Noam Chomsky's perceived resistance to the evolution of language, its modeling by artificial intelligence, and reverse engineering. The evolution of meaning is then discussed, and Dennett uses a series of thought experiments to persuade the reader that meaning is the product of meaningless, algorithmic processes. Chapter 15 asserts that Gödel's Theorem does not make certain sorts of artificial intelligence impossible. Dennett extends his criticism to Roger Penrose. The subject then moves on to the origin and evolution of morality, beginning with Thomas Hobbes (who Dennett calls "the first sociobiologist") and Friedrich Nietzsche. He concludes that only an evolutionary analysis of ethics makes sense, though he cautions against some varieties of 'greedy ethical reductionism'. Before moving to the next chapter, he discusses some sociobiology controversies. The penultimate chapter, entitled "Redesigning Morality", begins by asking if ethics can be 'naturalized'. Dennett does not believe there is much hope of discovering an algorithm for doing the right thing, but expresses optimism in our ability to design and redesign our approach to moral problems. In "The Future of an Idea", the book's last chapter, Dennett praises biodiversity, including cultural diversity. In closing, he uses Beauty and the Beast as an analogy; although Darwin's idea may seem dangerous, it is actually quite beautiful.

9000

/m/02h3j

Death of a Hero

Richard Aldington

{"/m/02xlf": "Fiction"}

Death of a Hero is the story of a young English artist named George Winterbourne who enlists in the army at the outbreak of World War I. The book is narrated by an unnamed first-person narrator who claims to have known and served with the main character. It is divided into three parts. The first part details George's family history. His father, a middle-class man from England's countryside, marries a poor woman who falsely believes she is marrying into a monied family. After George's birth, his mother takes a series of lovers. George is brought up to be a proper and patriotic member of English society. He is encouraged to follow in his father's insurance business, but fails to do so. After a falling out with his parents, he moves to London to pursue art and live a socialite lifestyle. The second section of the book deals with George's London life. He ingrains himself in socialite society and engages a number of trendy philosophies. After he and his lover, Elizabeth, have a pregnancy scare, they decide to marry. Although they do not have a child, the marriage stands. They decide to leave their marriage open. George takes Elizabeth's close friend as a lover, however, and their marriage begins to fall apart. Just as the situation is becoming particularly heated, England declares war on Germany. George decides to enlist. George trains for the army and is sent to France. (No particular location in France is mentioned. The town behind the front where George spends much of his time is referred to as M---.) He fights on the front for some time. When he returns home, he finds that he has been so affected by the war that he cannot relate to his friends, including his wife and lover. The casualty rate among officers is particularly high at the front. When a number of officers in George's unit are killed, he is promoted. Upon spending time with the other officers, he finds them to be cynical and utilitarian. He loses faith in the war quickly. The story ends with George standing up during a machine-gun barrage. He is killed. At the end of the book there is a poem written from the point of view of a veteran comparing World War I to the Trojan War.

9662

/m/02mr5

Exodus

{"/m/02mdj1": "Religious text"}

Egypt's Pharaoh, fearful of the Israelites' numbers, orders that all newborn boys be thrown into the Nile. A Levite woman saves her baby by setting him adrift on the river in an ark of bulrushes. Pharaoh's daughter finds the child, names him Moses, and brings him up as her own. But Moses is aware of his origins, and one day, when grown, he kills an Egyptian overseer who is beating a Hebrew slave and has to flee into Midian. There he marries the daughter of Jethro the priest of Midian, and encounters God in a burning bush. Moses asks God for his name: God replies: "I AM that I AM." God tells Moses to return to Egypt and lead the Hebrews into Canaan, the land promised to Abraham. Moses returns to Egypt, where God again reveals his name Yahweh to him. Yahweh instructs Moses to appear before the pharaoh and inform him of God's demand that he let God's people go. Moses and his brother Aaron do so, but Pharaoh refuses. Yahweh causes a series of ten plagues to strike Egypt, but whenever Pharaoh begins to relent God causes him to harden his heart. # Blood - The waters of Egypt are turned into blood. All the fish die and water becomes undrinkable. # Frogs - Hordes of frogs swarm the land of Egypt. # Gnats or Lice - Masses of gnats or lice invade Egyptian homes and plague the Egyptian people. # Wild Animals - Wild animals invade Egyptian homes and lands, causing destruction and wrecking havoc. # Pestilence - Egyptian livestock are struck down with disease. # Boils - The Egyptian people are plagued by painful boils that cover their bodies. # Hail - Severe weather destroys Egyptian crops and beats down upon them. # Locusts - Locusts swarm Egypt and eat any remaining crops and food. # Darkness - Darkness covers the land of Egypt for three days. # Death of the Firstborn - The firstborn of every Egyptian family is killed. Even the firstborn of Egyptian animals die. God instructs Moses' to have his people mark their doorposts with the blood of a sacrificed lamb to indicate that they would be "passed over" by this plague, hence this has become the Jewish holiday of Passover. The Exodus begins. The Israelites, enumerated at 603,550 able-bodied adult males (not counting Levites) and their families, with their flocks and herds, set out for the mountain of God. Yahweh causes Pharaoh to change his mind about allowing the Israelites to depart; he pursues them, but God destroys the Egyptian army at the crossing of the Red Sea (Yam Suf) and the Israelites celebrate Yahweh's victory. The desert proves arduous, and the Israelites complain and long for Egypt, but God provides manna and miraculous water for them. The Israelites arrive at the mountain of God, where Moses' father-in-law Jethro visits Moses; at his suggestion Moses appoints judges over Israel. The Israelites arrive at the mountain of God, where God asks whether they will agree to be his people. They accept. The people gather at the foot of the mountain, and with thunder and lightning, fire and clouds of smoke, and the sound of trumpets, and the trembling of the mountain, God appears on the peak, and the people see the cloud and hear the voice [or possibly "sound"] of God. Moses and Aaron are told to ascend the mountain. God pronounces the Ten Commandments (the Ethical Decalogue) in the hearing of all Israel. Moses goes up the mountain into the presence of God, who pronounces the Covenant Code (a detailed code of ritual and civil law), and promises Canaan to them if they obey. Moses comes down the mountain and writes down God's words and the people agree to keep them. God calls Moses up the mountain together with Aaron and the elders of Israel, and they all feast in the presence of God. God calls Moses up the mountain to receive a set of stone tablets containing the law, and he and Joshua go up, leaving Aaron in charge. God gave Moses instructions for the construction of the tabernacle so that God could dwell permanently among his chosen people, as well as instructions for the priestly vestments, the altar and its appurtenances, the procedure to be used to ordain the priests, and the daily sacrifices to be offered. Aaron was appointed as the first high priest, with the priesthood to be hereditary in his line. God gave Moses the two tables of stone containing the words of the ten commandments spoken to the people in the day of the assembly, written with the "finger of God". While Moses is with God, Aaron makes a golden calf, which the people worship. God informs Moses of their apostasy and threatens to kill them all, but relents when Moses pleads for them. Moses comes down from the mountain, smashes the stone tablets in anger, and commands the Levites to massacre the unfaithful Israelites. God commands Moses to make two new tablets on which He will personally write the words that were on the first tablets. Moses ascends the mountain, God dictates the Ten Commandments (the Ritual Decalogue), and Moses writes them on the tablets. Moses descends from the mountain, and his face is transformed, so that from that time onwards he has to hide his face with a veil. Moses assembles the Hebrews and repeats to them the commandments he has received from God, which are to keep the Sabbath and to construct the Tabernacle. "And all the construction of the Tabernacle of the Tent of Meeting was finished, and the children of Israel did according to everything that God had commanded Moses", and from that time God dwelt in the Tabernacle and ordered the travels of the Hebrews.

10861

/m/02y0f

The Trial

Franz Kafka

1925

{"/m/02xlf": "Fiction", "/m/0pym5": "Absurdist fiction", "/m/05hgj": "Novel"}

On his thirtieth birthday, the chief financial officer of a bank, Josef K., is unexpectedly arrested by two unidentified agents from an unspecified agency for an unspecified crime. The agents' boss later arrives and holds a mini tribunal in the room of K.'s neighbor, Fräulein Bürstner. K. is not taken away, however, but left "free" to await instructions from the Committee of Affairs. He goes to work, and that night apologizes to Fräulein Bürstner for the intrusion into her room. At the end of the conversation he suddenly kisses her. K. receives a phone calling summoning him to court, and the coming Sunday is arranged as the date. No time is set and the address is given to him. The address turns out to be a huge tenement building. K. has to explore to find the court, which turns out to be in the attic. The room is airless, shabby, and crowded, and although he has no idea what he is charged with, or what authorizes the process, makes a long speech denigrating the whole process, including the agents who arrested him, and during which an attendant's wife is raped. He then returns home. K. later goes to visit the court again, although he has not been summoned. Court is not in session. He instead talks with the attendant's wife, who attempts to seduce him into taking her away, and who gives him more information about the process and offers to help him. K. later goes with the attendant to a higher level of the attic where it turns out that the offices of the court are housed, which are shabby and airless. K. returns home to find Fräulein Montag, a lodger from another room, moving in with Fräulein Bürstner. He suspects that this is to prevent him from pursuing his affair with the latter woman. Yet another lodger, Captain Lanz, appears to be in league with Montag. Later, in a store room at his own bank, K. discovers the two agents, who arrested him, being whipped by a flogger for asking K. for bribes, as a result of complaints K. made at court. K. tries to argue with the flogger, saying that the men need not be whipped, but the flogger cannot be swayed. The next day he returns to the store room and is shocked to find everything as he had found it the day before, including the Whipper and the two agents. K. is visited by his uncle, who was K.'s guardian. The uncle seems distressed by K.'s predicament. At first sympathetic, he becomes concerned K. is underestimating the seriousness of the case. The uncle introduces K. to a lawyer, who is attended by Leni, a nurse, who K.'s uncle suspects is the advocate's mistress. During the discussion it becomes clear how different this process is from regular legal proceedings – guilt is assumed, the bureaucracy running it is vast with many levels, and everything is secret, from the charge, to the rules of the court, to the authority behind the courts – even the identity of the judges at the higher levels. The attorney tells him that he can prepare a brief for K., but since the charge is unknown and the rules are unknown, it is difficult work. It also never may be read. Yet it is very important. The lawyer says that his most important task is to deal with powerful court officials behinds the scenes. As they talk, the lawyer reveals that the Chief Clerk of the Court has been sitting hidden in the darkness of a corner. The Chief Clerk emerges to join the conversation, but K. is called away by Leni, who takes him to the next room, where she offers to help him and seduces him. They have a sexual encounter. Afterwards K. meets his uncle outside, who is angry and, who claims that K.'s lack of respect has also hurt K.'s case. K. visits the lawyer several times. The lawyer tells him incessantly how dire his situation is and tells many stories of other hopeless clients and of his behind-the-scenes efforts on behalf of these clients, and brags about his many connections. The brief is never complete. K.'s work at the bank deteriorates as he is consumed with worry about his case. K. is surprised by one of his bank clients, who tells K. that he is aware that K. is dealing with a trial. The client learned of K.'s case from Titorelli, a painter, who told the client about K.'s case and has dealings with the court. The client advises K. to go to Titorelli for advice. Titorelli lives in the attic of a tenement in a suburb on the opposite side of town from the court that K. visited. Three teenage girls taunt K. on the steps and tease him sexually. Titorelli turns out to be an official painter of portraits for the court – an inherited position, and has a deep understanding of the process. K. learns that, to Titorelli's knowledge, not a single defendant has ever been acquitted. He sets out K.'s options and offers to help K. with either. The options are: obtain a provisional verdict of innocence from the lower court, which can be overturned at any time by higher levels of the court leading to re-initiation of the process; or curry favor with the lower judges to keep the process moving albeit at a glacial pace. Titorelli has K. leave through a small back door as the girls are blocking the door through with K. entered. To K.'s shock, the door opens into another warren of the court's offices – again shabby and airless. K. decides to take control of matters himself and visits his lawyer with the intention of dismissing him. At the lawyer's office he meets a downtrodden individual, Block, a client who offers K. some insight from a client's perspective. Block's case has continued for five years and he has gone from being a successful businessman to being almost bankrupt and is virtually enslaved by his dependence on the lawyer and Leni, with whom he appears to be sexually involved. The lawyer mocks Block in front of K. for his dog-like subservience. This experience further poisons K.'s opinion of his lawyer. (This chapter was left unfinished by the author.) K. is asked by the bank to show an Italian client around local places of cultural interest, but the Italian client, short of time, asks K. to take him only to the cathedral, setting a time to meet there. When the client doesn't show up, K. explores the cathedral which is empty except for an old woman and a church official. K. notices a priest who seems to be preparing to give a sermon from a small second pulpit, and K. begins to leave, lest it begin and K. be compelled to stay for its entirety. Instead of giving a sermon, the priest calls out K.'s name. K. approaches the pulpit and the priest berates him for his attitude toward the trial and for seeking help, especially from women. K. asks him to come down and the two men walk inside the cathedral. The priest works for the court as a chaplain, and tells K. a fable, (which has been published separately as Before the Law) that is meant to explain his situation. K. and the priest discuss the parable. The priest tells K. that the parable is an ancient text of the court, and many generations of court officials have given interpretations. On the eve of K.'s thirty-first birthday, two men arrive at his apartment. He has been waiting for them, and he offers little resistance – indeed the two men take direction from K. as they walk through town. K. leads them to a quarry where the two men place K's head on a discarded block. One of the men produces a double-edged butcher knife, and as the two men pass it back and forth between them, the narrator tells us that "K. knew then precisely, that it would have been his duty to take the knife...and thrust it into himself." He does not take the knife. One of the men holds his shoulder and pulls him up and the other man stabs him in the heart and twists the knife twice. K.'s last words are: "Like a dog!"

10862

/m/02y0x

The Metamorphosis

1915

{"/m/0dwly": "Children's literature", "/m/0pym5": "Absurdist fiction", "/m/0l67h": "Novella", "/m/014dfn": "Speculative fiction", "/m/01hmnh": "Fantasy", "/m/02xlf": "Fiction"}

One day Gregor Samsa, a traveling salesman, wakes up to find himself transformed into a "ungeheuren Ungeziefer", literally "monstrous vermin", often interpreted as a giant bug or insect. He believes it is a dream, and reflects on how dreary life as a traveling salesmen is. He looks at the wall clock and realizes that he has overslept and missed his train for work. He ponders on the consequences of this delay, and is annoyed at how his boss never accepts excuses or explanations from any of his employees no matter how hard working they are, displaying an apparent lack of trusting abilities. Gregor's mother knocks on the door and he answers her. She is concerned for Gregor because he is late for work, which is unorthodox for Gregor. Gregor answers his mother and realizes that his voice has changed, but his answer is short so his mother does not notice the voice change. His sister, Grete, to whom he was very close then whispers through the door and begs him to open the door. All his family members think that he is ill and ask him to open the door. He tries to get out of bed but he is incapable of moving his body. While trying to move, he finds that his office manager, the chief clerk has showed up to check on him. He finally rocks his body to the floor and calls out that he will open the door shortly. Feeling offended by Gregor's delayed response in opening the door, the clerk warns him of the consequences of missing work. He adds that his recent performance has been unsatisfactory. Gregor disagrees and tells him that he will open the door shortly. Nobody on the other side of the door could understand a single word he uttered (Gregor was unaware of the fact that his voice has also transformed) and conclude that he is seriously ill. Finally, Gregor manages to unlock and open the door with his mouth. He apologizes to the office manager for the delay. Horrified by the sight of Gregor's appearance, the manager bolts out of the apartment, while Gregor's mother faints. Gregor tries to catch up with him but his father drives him back into the bedroom with a cane and a rolled newspaper. Gregor injures himself squeezing back through the doorway, and his father slams the door shut. Gregor, exhausted, falls asleep. Gregor wakes and sees that someone has put milk and bread in his room. Initially excited, he quickly discovers that he has no taste for milk, once one of his favorite foods. He settles himself under a couch. The next morning, his sister comes in, sees that he has not touched the milk, and replaces it with rotting food scraps, which Gregor happily eats. This begins a routine in which his sister feeds him and cleans up while he hides under the couch, afraid that his appearance will frighten her. Gregor spends his time listening through the wall to his family members talking. They often discuss the difficult financial situation they find themselves in now that Gregor can’t provide for them. Gregor had plans of sending Grete to the conservatorium to pursue violin lessons, something that everyone else including Grete considered to be a dream. Gregor was however pretty determined to do so on the same Christmas before which the metamorphosis occurs. His incapability of being the provider of his family as well as his shattered dreams in respect to his sister coupled with his speechlessness reduces his thought process to a great respect. Gregor also learns that his mother wants to visit him, but his sister and father will not let her. Gregor grows more comfortable with his changed body. He begins climbing the walls and ceiling for amusement. Discovering Gregor’s new pastime, Grete decides to remove some of the furniture to give Gregor more space. She and her mother begin taking furniture away, but Gregor finds their actions deeply distressing. He tries to save a picture on the wall of a woman wearing a fur hat, fur scarf, and a fur muff. Gregor’s mother sees him hanging on the wall and passes out. Grete calls out to Gregor—the first time anyone has spoken directly to him since his transformation. Gregor runs out of the room and into the kitchen. The father throws apples at Gregor, and one of them sinks into a sensitive spot in his back and remains lodged there, paralyzing his movements for a month and damaging it permanently. Gregor manages to get back into his bedroom but is severely injured. One evening, the cleaning lady leaves Gregor’s door open while the boarders lounge about the living room. Grete has been asked to play the violin for them, and Gregor who usually took care to avoid crossing paths with anyone in the flat, in the midst of his depression and thus caused detachment, creeps out of his bedroom to listen. The boarders, who initially seemed interested in Grete, grow bored with her performance, but Gregor is transfixed by it. One of the boarders spots Gregor and they become alarmed. Gregor’s father tries to shove the boarders back into their rooms, but the three men protest and announce that they will move out immediately without paying rent because of the disgusting conditions in the apartment. Grete, who has by now become tired of taking care of Gregor and is realizing the amount of burden his existence puts on each one in the family, tells her parents that they must get rid of Gregor or they will all be ruined. Her father agrees, wishing Gregor could understand them and would leave of his own accord. Gregor does in fact understand and slowly moves back to the bedroom. There, determined to rid his family of his presence, Gregor dies. Upon discovering that Gregor is dead, the family feels a great sense of relief. The father kicks out the boarders and decides to fire the cleaning lady, who has disposed of Gregor’s body. The family takes a trolley ride out to the countryside, during which they consider their finances. Months of spare living as a result of Gregor’s condition have left them with substantial savings. They decide to move to a smaller apartment than the present one to further save their finances, an act which they were unable to carry out in Gregor's presence. During this short trip, Mr. and Mrs. Samsa realize that in spite of going through hardships which have brought an amount of paleness to her face,Grete appears to have grown up into a pretty and well figured lady, which leads her parents to think about finding her a husband.

10951

/m/02yqq

Fahrenheit 451

Ray Bradbury

1953

{"/m/06n90": "Science Fiction", "/m/0dwly": "Children's literature", "/m/014dfn": "Speculative fiction", "/m/0c082": "Utopian and dystopian fiction", "/m/02xlf": "Fiction", "/m/026ny": "Dystopia"}

On a rainy night while returning from his job, Guy Montag is followed by a cheery, 17-year-old girl named Clarisse McClellan. Clarisse initially bothers Montag with her incessant questions (and Clarisse is a bit bothered by Montag's uncalled-for reactions, such as laughing when she hasn't said anything funny), but Montag chooses to tolerate her as she tells him of how she loves nature and walking around and observing how crazy the world has become. The two walk until they reach Clarisse's house (which is next to Montag's). Before Clarisse goes inside, she asks Montag if he's happy. The question catches Montag by surprise and he mulls over his encounter with Clarisse (and how similar it was to another encounter in the park involving an English professor who was afraid of Montag). Montag enters his bedroom, and finds Mildred in bed with her Seashell ear radio in her ear, staring vacantly at the ceiling (just as she's been doing for the past ten years or so). Montag doesn't notice anything wrong until his foot hits Mildred's empty sleeping pill bottle. Montag tries to wake up his wife, but she doesn't respond. Montag calls for medical attention, trying to shout over the screams of the passing jet engines above the house. Because "accidental" prescription pill overdoses have become commonplace, the medical department sends over two cynical, uncaring technicians who use a "Black Cobra" stomach pump to flush the poisons out of Mildred's system and replace her blood with a fresh, mechanical replacement. Montag stands outside Clarisse's house and sees that she and her family are the only ones in the neighborhood with the lights on and engaging in a spirited conversation. Montag returns to his house, sees that Mildred is looking slightly better than before, and goes to bed. The next day, Montag finds Mildred in the kitchen, making breakfast and complaining of an upset stomach. Montag tries to tell his wife that she overdosed, but is interrupted by Mildred's ramblings of her stomach hurting, but being hungry, and rationalizes that the feeling is from drinking too much alcohol during a party. As Montag leaves for work, he finally tells Mildred (who is watching an interactive soap opera on the "parlor walls" -- three enormous, floor-to-ceiling television screens) that she overdosed on sleeping pills. Mildred denies that she would do something that suicidal, but Montag insists. Mildred brushes off the issue and returns to her soap opera. Over the next few days, Montag bonds with Clarisse, who tells him that her interest in intellectual activities has made her an outcast in a society dominated by shallow entertainment, and for that, she has no friends and has to see a psychiatrist. On the final day, however, Clarisse doesn't appear alongside Montag. Montag waits for her, but the wait is short-lived when the train comes to take him to work. A few days later, the firemen are called in to burn down the house of an old woman who has been hoarding books. The firemen go to arrest her, but instead the woman recites a quote from Nicholas Ridley and refuses to leave. As the firemen toss the books from the woman's upstairs bedroom down to the living room floor and spray the pile with kerosene, Montag accidentally reads a line in one of her books and hides it away before any of his coworkers can see. The woman is given a final warning to leave the house, but the woman produces a match. Before she can strike it, the firemen flee, save for Montag, who watches as the woman lights the match, drops it in the kerosene, and is engulfed in flames. Montag comes home from the jarring experience and tries to take his mind off the event by asking a half-asleep Mildred where the two first met and when. Mildred tries to remember, but can't, laughing it off as she heads to the bathroom to take her sleeping pills. As Montag reflects on his stagnant, stilted marriage to Mildred (and how Mildred has become emotionally and mentally dead from watching her "parlor wall" entertainment, driving recklessly, and her sleeping pill addiction), Montag begins to cry after realizing that if Mildred died, he wouldn't miss her at all. Montag then asks Mildred about Clarisse and her whereabouts. Mildred initially denies knowledge of what happened to Clarisse, then tells Montag exactly what happened to her: Clarisse was run over by a speeding car and, once her family heard the news about her death, they packed up and moved away, all of which happened four days ago. Montag is shocked that Mildred didn't tell him the grim news sooner and more disturbed over Mildred's apathy over the death of someone Montag had genuinely liked. Montag wakes up physically ill and begs Mildred to call in sick for him. Mildred refuses and doesn't believe that Montag is really sick (even when Montag vomits on the rug from the stench of kerosene -- which earlier was like a perfume to him -- Mildred is only concerned about whether or not the vomit stain will come out in the wash). Captain Beatty, Montag's fire chief, personally visits him and tells him the story of how books lost their value and where the firemen fit in: Over the course of several decades (with the starting point being after the American Civil War), populations grew and people embraced new media, sports, and a quickening pace of life. Books were ruthlessly abridged and degraded to accommodate a shorter attention span. Later, minorities and other special-interest groups began criticizing books for their controversial content while other critics bashed authors for making people feel inferior by publishing works that no one could comprehend. Books became blander and blander due to censorship measures, and eventually, books stopped selling and authors were either locked away in insane asylums or gave up their profession and lived in exile. The only reading material that the society now accepts are captionless comics, three-dimensional sex magazines, trade magazines, and scripts used during the interactive plays on the parlor walls. To get rid of the books from the past (and their copies), the government implemented a program using the firemen to burn the books (now that houses were being rebuilt to be fire-resistant) and placate the masses. As Beatty is giving his monologue, Mildred tries to fluff Montag's pillow and nearly discovers the book hidden underneath. Montag yells at her and Mildred, at the request of Beatty, quietly leaves the room to watch the parlor walls. Beatty knows that Montag has a book but acts casual about it, stating that it's natural that every fireman gets curious about books and starts to possess one. If the book isn't burned or returned to the firehouse within 24 hours then the firemen will burn it for him. After Beatty has left, Montag shows Mildred the books he has hidden in the ventilator of their home. Mildred tries to incinerate the books, but Montag subdues her and tells her that the two of them are going to read the books to see if they have value. If they do not, he promises the books will be burned and all will return to normal. While going over the stolen books (and nearly getting caught by the firehouse's Mechanical Hound), Mildred argues with Montag that books have no meaning and questions why Montag dragged her into this. Montag snaps back by mentioning Mildred's overdose, Clarisse's death, the book woman who burned herself, and how society is falling apart due to apathy, ignorance, and a pending war, then states that maybe the books of the past have messages in them that can save society from its own destruction. Before Montag can finish, Mildred gets a call from her friends about coming over to watch The White Clown on the parlor walls. Montag laments that his wife is a lost cause (and he will be too if he can't force himself to absorb the information in the books). Montag then remembers a man he once met in the park a year ago: Faber, a former English professor. Montag seeks Faber's help, though Faber refuses at first due to his cowardice. After Montag starts to rip a few pages from the beginning of a rare copy of The New Testament (one of the few left that actually contains God's word, rather than the bastardized versions that have Jesus and other Biblical characters shilling products), Faber relents and teaches Montag about the importance of literature in its attempt to explain human existence. He gives Montag an ear-piece communicator he made himself so that Faber can offer guidance throughout his daily activities. At Montag's house, Mildred has friends Mrs. Phelps and Mrs. Bowles over to watch the parlor walls. In the middle of a bloody demolition derby, Montag unplugs the walls and engages the women into meaningful conversation, only to find them concerned only with pleasure in the present moment and indifferent to the upcoming war, death, their families, and politics. Montag then brings out a book of poetry to scare some emotion into them (despite Faber's warnings). Mildred tries to cover up Montag's actions by claiming that, once a year, firemen bring home one book and read it aloud as a form of mocking past literature. Mildred then turns to a page in the book that has the poem Dover Beach on it and assures that none of her friends will understand any of the words. A shaken, confused Montag reads the poem, which ends up making Mrs. Phelps cry. Mrs. Bowles, however, is disgusted, accuses Montag of being nasty, and breaks off her friendship with Mildred. Montag yells at the women to go home and reflect on their empty lives and burns the poetry book while Mildred locks herself in the bathroom to take her pills. Montag returns to the firehouse the next day with only one of the books, which Beatty tosses into the trash. Beatty tells Montag that he had a dream in which they fought endlessly by quoting books to each other. In describing the dream Beatty shows that, despite his disillusionment, he was once an enthusiastic reader. A fire alarm goes off and Beatty picks up the address from the dispatcher system. He reminds Montag of his duty, theatrically leads the crew to the fire engine, and drives it to Montag's house. Beatty orders Montag to destroy his own house, telling him that his wife and neighbors were the ones who reported him. Montag tries to talk to Mildred as she quickly leaves the house, but Mildred ignores him, gets inside a waiting taxi, and vanishes down the street. Montag obeys the chief, destroying the home piece by piece with a flamethrower. After he has incinerated the house, Beatty discovers Montag's earpiece and plans to hunt down Faber. Montag threatens Beatty with the flamethrower and (after Beatty taunts him) burns his boss alive. As Montag flees the scene, the firehouse's mechanical hound attacks him, managing to inject his leg with a tranquilizer. He destroys it with the flamethrower and limps away. Montag flees through the city streets, to Faber's house. Faber urges him to make his way to the countryside and contact the exiled book-lovers who live there. On Faber's television, they watch news reports of another mechanical hound being released, with news helicopters following it to create a public spectacle. Montag leaves Faber's house and escapes the manhunt by jumping into a river and floating downstream into the countryside. There he meets the exiles, who have memorized various books for an upcoming time when society is ready to rediscover them. The war begins, and then, just as suddenly, ends. Montag watches helplessly as jet bombers fly overhead and attack the city with nuclear weapons. During breakfast at dawn, Granger (leader of the group of wandering intellectuals) discusses the legendary phoenix and its endless cycle of long life, death in flames, and rebirth, adding that the phoenix must have some relation to mankind, which constantly repeats its mistakes, but that man has something the phoenix doesn't. It can remember the mistakes it made from before it destroyed itself, and try not make them again. Granger then muses that a large factory of mirrors should be built, so that mankind can take a long look at itself. After the meal is over, the band sets off back toward the city, to rebuild society.

11745

/m/033fm

Farmer Giles of Ham

J. R. R. Tolkien

{"/m/01hmnh": "Fantasy", "/m/02xlf": "Fiction"}

Farmer Giles (Ægidius Ahenobarbus Julius Agricola de Hammo, "Giles Bronze-beard Julius Farmer of Ham") is not a hero. He is fat and red-bearded and enjoys a slow, comfortable life. But a rather deaf and short-sighted giant blunders on to his land, and Giles manages to ward him away with a blunderbuss shot in his general direction. The people of the village cheer: Farmer Giles has become a hero. His reputation spreads across the kingdom, and he is rewarded by the King with a sword named Caudimordax ("Tailbiter")—which turns out to be a powerful weapon against dragons. The giant, on returning home, relates to his friends that there are no more knights in the Middle Kingdom, just stinging flies—actually the scrap metal shot from the blunderbuss—and this entices a dragon, Chrysophylax Dives, to investigate the area. The terrified neighbours all expect the accidental hero Farmer Giles to deal with him. The story parodies the great dragon-slaying traditions. The knights sent by the King to pursue the dragon are useless fops, more intent on "precedence and etiquette" than on the huge dragon footprints littering the landscape. The only part of a 'dragon' they know is the annual celebratory dragon-tail cake. Giles by contrast clearly recognizes the danger, and resents being sent along to face it. But hapless farmers can be forced to become heroes, and Giles shrewdly makes the best of the situation.

12253

/m/036xv

Gaudy Night

Dorothy L. Sayers

1935

{"/m/02n4kr": "Mystery", "/m/028v3": "Detective fiction", "/m/05hgj": "Novel", "/m/02xlf": "Fiction", "/m/0c3351": "Suspense"}

Harriet Vane returns reluctantly to Oxford to attend the Gaudy dinner. Expecting hostility because of her notoriety, she is surprised to be welcomed warmly by the dons, and rediscovers her old love of the academic life. Some time later the Warden of Shrewsbury writes to ask for help. There has been an outbreak of anonymous letters, vandalism and threats, apparently from someone within the college, and a scandal is feared. Harriet, herself a victim of poison-pen letters ever since her trial, reluctantly agrees to help, and spends much of the next few months resident at the college, ostensibly to do research on Sheridan Le Fanu and assist a don with her book. As she wrestles with the case, trying to narrow down the list of suspects and avert a major scandal, Harriet is forced to examine her ambivalent feelings about love and marriage, along with her attraction to academia as an intellectual (and emotional) refuge. Her personal dilemma becomes entangled with darkly hinted suspicions and prejudices raised by the crimes at the college, which appear to have been committed by a sexually frustrated female don. Harriet is forced to re-examine her relationship with Wimsey in the light of what she has discovered about herself. Wimsey eventually arrives in Oxford to help her, and she gains a new perspective on him from those who know him, including his nephew, a current undergraduate at the university. The attacks build to a crisis, and the college community of students, dons and servants is almost torn apart by suspicion and fear. There is an attempt to drive a vulnerable student to suicide, and a physical assault on Harriet that almost kills her. The perpetrator is finally unmasked by Wimsey as one of the college servants, revealed to be the widow of a disgraced academic at a northern university. Her husband's academic fraud had been exposed by one of his fellow dons there, destroying his career and driving him to suicide. The don has since moved to Shrewsbury College, and the campaign has been the widow's revenge against intellectual women who move outside their "proper" domestic sphere. At the end of the book, Harriet Vane finally accepts Wimsey's proposal of marriage. (Their marriage and honeymoon—interrupted by another murder mystery—are depicted in Busman's Honeymoon.)

12464

/m/038kg

Gylfaginning

Snorri Sturluson

The Gylfaginning tells the story of Gylfi, a king of "the land that men now call Sweden", who after being tricked by one of the goddesses of the Æsir, wonders if all Æsir use magic and tricks for their will to be done. This is why he journeys to Asgard, but on the way he is tricked by the gods and arrives in some other place, where he finds a great palace. Inside the palace he encounters a man who asks Gylfi's name and so king Gylfi introduces himself as Gangleri. Gangleri then is taken to the king of the palace and comes upon three men; High, Just-As-High, and Third. Gangleri is then challenged to show his wisdom by asking questions, as is the custom in many Norse sagas. Each question made to High, Just-As-High, and Third is about an aspect of the Norse mythology or its gods, and also about the creation and destruction of the world (Ragnarök). In the end all the palace and its people just vanish and Gylfi is left standing on empty ground. It is then implied that as Gylfi returns to his nation, he retells the tales he was told. It can be argued that Snorri used this narrative device as a means of being able to safely document a vanishing and largely oral tradition within a Christian context.

12653

/m/03b1x

God Emperor of Dune

Frank Herbert

5/28/1981

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/0dwly": "Children's literature", "/m/02xlf": "Fiction"}

The seemingly immortal God Emperor Leto II has ruled his Empire for more than 3,500 years, his lifespan lengthened due to his decision in Children of Dune to merge his human body with sandtrout, the haploid phase of the giant sandworms of Arrakis. His continued evolution has slowly transformed him, altering his human form into what he calls a "pre-worm." His body has come to resemble a small version of the ancient sandworms of Arrakis — ribbed, elongated, and covered in scaly sandtrout; his face remains, as do his hands and arms, but his legs and feet have atrophied to be of no use whatsoever and he moves from place to place on a large cart of Ixian manufacture. It is later revealed that his brain has gradually diffused into the rest of his body, becoming a series of nodes throughout his whole form. This distribution of internal organs and his sandtrout skin makes him virtually impervious to harm, even allowing him to survive lasgun fire, but like a sandworm his biology is very vulnerable to water. During his long reign, Leto has enforced a state of peace throughout his empire, both through tight control of his enormous (but limited) hoard of the spice melange and the military might of his Fish Speaker army. The old Imperium is basically non-existent; the Landsraad has ceased to exist, and only a few remnants of the Great Houses survive. The Bene Gesserit and Spacing Guild have endured, although both have been forced to adapt to Leto's absolute control over melange and his powerful prescience, and CHOAM has been reduced to a shadow of its former self. His reign is considered by many to be depraved and despotic, but he is confident that his actions will ensure the survival of the human race. Leto's enforced peace brings stagnation to the galaxy; he himself battles an incessant struggle with boredom and loneliness that overwhelms him because of his everlasting life, close-to-absolute prescience, a loss of vulnerability which renders him incapable of physical intimacy, and his perception of the passage of time in great lengths (as decades may pass without him realizing it). Few people realize the burden that he carries as he deems subjects useful as long as they serve a purpose to the "Golden Path" (the end justifying the means). Leto maintains a small and reclusive system of government, and as God, he chooses not to share the inner workings and purpose of his decisions or any sympathy for his cause, as he knows that humanity would not be able to grasp the concept. As his father before him, Leto is utterly incapable of foreseeing his own demise, and concludes that whatever he cannot see and perceive — and thus control — is connected to his eventual death; ironically, this amuses him since it is one of the few things that still brings surprise to his otherwise dull existence. Leto has employed a series of gholas grown from the cells of Duncan Idaho, the faithful Swordmaster of House Atreides. Duncan functions both as the captain of Leto's guard, and as a familiar face to calm Leto in his moments of distress. They remind Leto of his family, and he feels that he owes Duncan for his service and devotion to House Atreides. The vast majority of these gholas are made under Leto's instructions of preserving the original Idaho without enhancements; Idaho's masterful abilities, thus, are dwarfed by thousands of years of genetic manipulation displayed by Leto's servants. Over the centuries, a significant number of the gholas have attempted to assassinate Leto through various means after struggling with the conflict between their intense loyalty to House Atreides, and the moral disgust triggered by the repression and stagnation Leto has forced upon the Empire. These feelings, compounded with the uneasy doubt caused by being millennia out of their own time, drives some of the Duncan Idaho gholas insane. Even when he doesn't ask for a new ghola, or considering the circumstances surrounding the previous Idaho's demise, the Tleilaxu usually send one anyway as a token for their survival. Leto's "Golden Path," as he calls it, is a millennia-spanning attempt to produce a human who is invisible to a watcher gifted with prescience. This breeding plan, begun with the marriage of Leto's twin sister Ghanima to Farad'n Corrino, has resulted in Leto's majordomo Moneo Atreides and his daughter Siona. Moneo has served Leto faithfully for the majority of his life, having been a rebel until he was shown the Golden Path in a test by Leto. Siona is the leader of a group of rebels seeking to overthrow the God Emperor, and locate his hidden hoard of melange. Unbeknownst to Siona, Nayla — her close friend and de facto bodyguard — worships Leto, and is under orders to protect and obey Siona in all things while reporting on her rebellious activities. Although Leto knows the important purpose of Siona, as long as she doesn't serve the "Golden Path" she would be expendable, and he would have to take measures for the breeding paths that he would have to take to replace her. During a raid on his Citadel, Siona and her friends steal, among other things, a series of excerpts from Leto's private journal. Unknown to them, Leto is aware of their activities and allows them to continue. In perusing some of the items and documents stolen from the Citadel, Siona learns that Leto remains capable of love, and plots to use this as a weapon against him. At the same time, the new Ixian ambassador, Hwi Noree, is sent to the court of the God Emperor. Immediately entranced by her beauty, grace, and purity, Leto begins to be tortured by the knowledge that he and Hwi are separated by his continued transformation. For her part, Hwi desires nothing more than to serve the God Emperor, and she quickly becomes a confidante, finally expressing her love of Leto. The latest incarnation of Duncan is also captivated by Hwi's beauty, but is rebuffed by Leto, who warns that Hwi is his alone. Because of his intense feelings for Hwi and the fact that she had never appeared in his prescient visions, Leto realizes that she is a trap, trained and sent by the Ixians to weaken him. However, he is unable to send her away, and she gladly accepts his offer to remain. It is revealed that Hwi had been grown inside an Ixian no-room — a device that shields its occupants from prescient view — from cells of a former Ixian ambassador, Malky, who had been a cynical and roguish friend of the God Emperor. Through discussions with Moneo and Leto, Duncan learns about Leto's transformation, the Fish Speakers, and the oppressive measures Leto takes to maintain his absolute control over the Empire. He begins to grow more agitated and restless, though he continues in his duties, defending the God Emperor from an attack by Tleilaxu Face Dancers. Duncan struggles with feelings of inadequacy, and the confusion and disorientation that result from existing in a time alien to him. Duncan meets Siona, and though the two of them are coldly formal to one another, they eventually unite to kill Leto and end his tyrannical rule over mankind. Leto and Hwi decide to marry, and lead a wedding procession from Leto's Little Citadel to Tuono Village, where Duncan and Siona have been sent. While crossing the Idaho River, Siona orders Nayla to cut the supports of the bridge with a lasgun, spilling Moneo, Hwi, Leto, and a number of courtiers into the jagged rocks in the canyon below. Nayla obeys, despite her fanaticism toward the God Emperor, believing that the instructions are a test of her loyalty. Leto survives the fall, but is immersed in water, and his body begins to dissolve, just as did the sandworms of ancient Dune. In a final conversation with Siona and Duncan, Leto reveals that Siona is the embodiment of the Golden Path, a human completely shielded from prescient view. He explains that humanity is now free from the domination of oracles, free to scatter throughout the universe, never again to face complete domination. After revealing the location of his secret spice hoard, Leto dies, leaving Duncan and Siona to face the task of managing the empire.

12667

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Genesis

{"/m/02mdj1": "Religious text"}

God creates the world in six days and consecrates the seventh after giving mankind his first commandment: "be fruitful and multiply". God pronounces the world "very good", but it becomes corrupted by the sin of man and God sends a deluge (a great flood) to destroy it, saving only the righteous (Noah) and his family, from whose seed the world is repopulated. Man sins again, but God has promised that he will not destroy the world a second time with water. God instructs Abram (the future Abraham) to travel from his home in Mesopotamia (modern Iraq) to the land of Canaan. There God makes a covenant with Abram promising that his descendants shall be as numerous as the stars in the heavens, but that they shall suffer oppression in a foreign land for four hundred years, after which they shall inherit the land "from the river of Egypt to the great river, the river Euphrates." Abram's name is changed to Abraham and that of his wife Sarai to Sarah, and circumcision of all males is instituted as the sign of the covenant. Sarah is barren, and tells Abraham to take her Egyptian handmaiden, Hagar, as a concubine. Through Hagar, Abraham becomes the father of Ishmael. Abraham asks God that Ishmael "might live in Thy sight," (that is, be favored), but God replies that Sarah will bear a son, who will be named Isaac, through whom the covenant will be established. At Sarah's insistence Ishmael and his mother Hagar are driven out into the wilderness, but God saves them and promises to make Ishmael a great nation. God resolves to destroy the city of Sodom for the sins of its people. Abraham protests that it is not just "to slay the righteous with the wicked," and asks if the whole city can be spared if even ten righteous men are found there. God replies: "For the sake of ten I will not destroy it." Abraham's nephew Lot is saved from the destruction of Sodom, and through incest with his daughters becomes the ancestor of the Moabites and Ammonites. God tests Abraham by demanding that he sacrifice Isaac. As Abraham is about to lay the knife upon his son, God restrains him, promising him numberless descendants. On the death of Sarah, Abraham purchases Machpelah (modern Hebron) for a family tomb and sends his servant to Mesopotamia to find among his relations a wife for Isaac, and Rebekah is chosen. Other children are born to Abraham by another wife, Keturah, among whose descendants are the Midianites, and he dies in a prosperous old age and is buried in his tomb at Hebron. Isaac's wife Rebekah is barren, but Isaac prays to God and she gives birth to the twins Esau, father of the Edomites, and Jacob. Through deception, Jacob becomes the heir instead of Esau and gains his father's blessing. He flees to his uncle where he prospers and earns his two wives. Jacob's name is changed to Israel, and by his wives Rachel and Leah and their handmaidens he has twelve sons, the ancestors of the twelve tribes of the Children of Israel. Joseph, Jacob's favourite son, is sold into slavery in Egypt by his jealous brothers. But Joseph prospers, and when famine comes he brings his father and his brothers and their households, seventy persons in all, to Egypt, where Pharaoh assigns to them the land of Goshen. Jacob calls his sons to his bedside and reveals their future to them before he dies and is interred in the family tomb at Machpelah. Joseph lives to see his great-grandchildren, and on his death-bed he exhorts his brethren, if God should remember them and lead them out of the country, to take his bones with them. The book ends with Joseph's remains being "put in a coffin in Egypt."

12995

/m/03dj5

Gone with the Wind

Margaret Mitchell

6/30/1936

{"/m/02p0szs": "Historical fiction", "/m/02xlf": "Fiction", "/m/05hgj": "Novel"}

Gone with the Wind takes place in the southern United States in the state of Georgia during the American Civil War (1861–1865) and the Reconstruction Era (1865–1877) that followed the war. The novel unfolds against the backdrop of rebellion wherein seven southern states, Georgia among them, have declared their secession from the United States (the "Union") and formed the Confederate States of America (the "Confederacy"), after Abraham Lincoln was elected president with no ballots from ten Southern states where slavery was legal. A dispute over states' rights has arisen had an effect on men, especially when she took notice of them. It is the day before the men are called to war, Fort Sumter having been fired on two days earlier. There are brief but vivid descriptions of the South as it began and grew, with backgrounds of the main characters: the stylish and highbrow French, the gentlemanly English, the forced-to-flee and looked-down-upon Irish. Miss Scarlett learns that one of her many beaux, Ashley Wilkes, is soon to be engaged to his cousin, Melanie Hamilton. She is stricken at heart. The following day at the Wilkeses' barbecue at "Twelve Oaks," Scarlett informs Ashley she loves him and Ashley admits he cares for her. However, he knows he would not be happily married to Scarlett because of their personality differences. Scarlett loses her temper at Ashley and he silently takes it. Then Scarlett meets Rhett Butler, a man who has a reputation as a rogue. Rhett had been alone in the library when Ashley and Scarlett entered, and felt it wiser to not make his presence known while the argument took place. Rhett applauds Scarlett for the unladylike spirit she displayed with Ashley. Infuriated and humiliated, Scarlett tells Rhett, "You aren't fit to wipe Ashley's boots!" Upon leaving the library and rejoining the other party guests, she finds out that war has been declared and the men are going to enlist. Seeking revenge for being jilted by Ashley, Scarlett accepts a proposal of marriage from Melanie's brother, Charles Hamilton. They marry two weeks later. Charles dies from measles two months after the war begins. Scarlett is pregnant with her first child. A widow at merely sixteen, she gives birth to a boy, Wade Hampton Hamilton, named after his father's general. As a widow, she is bound by tradition to wear black and avoid conversation with young men. Scarlett is despondent as a result of the restrictions placed upon her. Melanie, who is living in Atlanta with Aunt Pittypat, invites Scarlett to live with them. In Atlanta, Scarlett's spirits revive and she is busy with hospital work and sewing circles for the Confederate army. Scarlett encounters Rhett Butler again at a dance for the Confederacy. Although Rhett believes the war is a lost cause, he is blockade running for the profit in it. The men must bid for a dance with a lady and Rhett bids "one hundred fifty dollars-in gold." for a dance with Scarlett. Everyone at the dance is shocked that Rhett would bid for Scarlett, the widow still dressed in black. Melanie smooths things over by coming to Rhett's defense because he is generously supporting the Confederate cause for which her husband, Ashley, is fighting. At Christmas (1863), Ashley has been granted a furlough from the army and returns to Atlanta to be with Melanie. The war is going badly for the Confederacy. Atlanta is under siege (September 1864), "hemmed in on three sides," it descends into a desperate state while hundreds of wounded Confederate soldiers lie dying or dead in the city. Melanie goes into labor with only the inexperienced Scarlett to assist, as all the doctors are busy attending the soldiers. Prissy, a young Negro servant girl, cries out in despair and fear, "De Yankees is comin!" In the chaos, Scarlett, left to fend for herself, cries for the comfort and safety of her mother and Tara. The tattered Confederate States Army sets flame to Atlanta as they abandon it to the Union Army. Melanie gives birth to a boy named "Beau", and now they must hurry for refuge. Scarlett tells Prissy to go find Rhett, but she is afraid to "go runnin' roun' in de dahk". Scarlett replies to Prissy, "Haven't you any gumption?" Prissy then finds Rhett, and Scarlett begs him to take herself, Wade, Melanie, Beau, and Prissy to Tara. Rhett laughs at the idea, but steals an emaciated horse and a small wagon, and they follow the retreating army out of Atlanta. Part way to Tara, Rhett has a change of heart and he abandons Scarlett to enlist in the army. Scarlett makes her way to Tara without him where she is welcomed on the steps by her father, Gerald. It is clear things have drastically changed: Gerald has lost his mind, Scarlett's mother is dead, her sisters are sick with typhoid fever, the field slaves left after Emancipation, the Yankees have burned all the cotton and there is no food in the house. The long tiring struggle for post-war survival begins that has Scarlett working in the fields. There are so many hungry people to feed and so little food. There is the ever present threat of the Yankees who steal and burn, and at one point, Scarlett kills a Yankee marauder with a single shot from Charles's pistol leaving "a bloody pit where the nose had been." A long succession of Confederate soldiers returning home stop at Tara to find food and rest. Two men stay on, an invalid Cracker, Will Benteen, and Ashley Wilkes, whose spirit is broken. Life at Tara slowly begins to recover when a new threat appears in the form of new taxes on Tara. Scarlett knows only one man who has enough money to help her pay the taxes, Rhett Butler. She goes to Atlanta to find him only to learn Rhett is in jail. As she is leaving the jailhouse, Scarlett runs into Frank Kennedy, who is betrothed to Scarlett's sister, Suellen, and running a store in Atlanta. Soon realizing Frank also has money, Scarlett hatches a plot and tells Frank that Suellen has changed her mind about marrying him. Thereafter Frank succumbs to Scarlett's feminine charms and he marries her two weeks later knowing he has done "something romantic and exciting for the first time in his life." Always wanting Scarlett to be happy and radiant, Frank gives her the money to pay the taxes on Tara. While Frank has a cold and is being pampered by Aunt Pittypat, Scarlett goes over the accounts at Frank's store and finds many of his friends owe him money. Scarlett is now terrified about the taxes and decides money, a lot of it, is needed. She takes control of his business while he is away and her business practices leave many Atlantans resentful of her. Then with a loan from Rhett she buys a sawmill and runs the lumber business herself, all very unladylike conduct. Much to Frank's relief, Scarlett learns she is pregnant, which curtails her activities for awhile. She convinces Ashley to come to Atlanta and manage the mill, all the while still in love with him. At Melanie's urging, Ashley takes the job at the mill. Melanie soon becomes the center of Atlanta society, and Scarlett gives birth to a girl named Ella Lorena. "Ella for her grandmother Ellen, and Lorena because it was the most fashionable name of the day for girls." The state of Georgia is under martial law and life there has taken on a new and more frightening tone. For protection, Scarlett keeps Frank's pistol tucked in the upholstery of the buggy. Her trips alone to and from the mill take her past a shanty town where criminal elements live. On one evening when she is coming home from the mill, Scarlett is accosted by two men who attempt to rob her, but she escapes with the help of Big Sam, the former negro foreman from Tara. Attempting to avenge the assault on his wife, Frank and the Ku Klux Klan raid the shanty town whereupon Frank is shot dead. Scarlett is a widow for a second time. Rhett puts on a charade to keep the men who participated in the shanty town raid from being arrested. He walks into the Wilkeses' home with Hugh Elsing and Ashley, singing and pretending to be drunk. Yankee officers outside the home question Rhett and he tells them he and the other men had been at Belle Watling's brothel that evening, a story Belle later confirms to the officers. The men are indebted to Rhett for saving them, and his Scallawag reputation among them improves a notch, but the men's wives, with the exception of Melanie, are livid at owing their husbands' lives to Belle Watling. Frank Kennedy lies cold in a coffin in the quiet stillness of the parlor in Aunt Pittypat's home. Scarlett is in a remorseful state. She is swigging brandy from Aunt Pitty's swoon bottle when Rhett comes to call. She tells Rhett tearfully, "I'm afraid I'll die and go to hell," to which Rhett replies, "Maybe there isn't a hell." Before she can cry any further, Rhett asks Scarlett to marry him saying, "I always intended having you, one way or another." Scarlett declares she doesn't love him and doesn't want to be married again. However, Rhett kisses her passionately, and in the heat of the moment she agrees to marry him. One year later, Scarlett and Rhett announce their engagement. News of the impending marriage is the talk of the town. Mr. and Mrs. Butler honeymoon in New Orleans, spending lavishly. Upon their return to Atlanta, the couple take up residence in the bridal suite at the National Hotel while their new home on Peachtree Street is being constructed. Scarlett chooses a modern Swiss chalet style home like the one she saw in Harper's Weekly, and red wallpaper, thick red carpet and black walnut furniture for the interior. Rhett describes the house as an "architectural horror". Shortly after the Butlers move into their new home, the sardonic jabs between them turn into full-blown quarrels. Scarlett wonders why Rhett married her. Then "with real hate in her eyes" she tells Rhett she is going to have a baby, a baby she does not want. Wade is seven years old in 1869 when his sister, Eugenie Victoria, named after two queens, arrives in the world. She has blue eyes like Gerald O'Hara and Melanie gives her the nickname, "Bonnie Blue," in reference to the Bonnie Blue Flag of the Confederacy. When Scarlett is feeling well again, she makes a trip to the mill and talks to Ashley, who is alone in the office. In the conversation with him, she comes away believing Ashley still loves her and is jealous of her intimate relations with Rhett, which excites her. Scarlett returns home and tells Rhett she does not want more children. From then on, Scarlett and Rhett sleep in separate bedrooms, and when Bonnie is two years old, she sleeps in a little bed beside Rhett's bed (with the light on all night long because she is afraid of the dark). Rhett turns his attention towards Bonnie, dotes on her, spoils her, and worries about her reputation when she is older. Melanie is giving a surprise birthday party for Ashley. Scarlett goes to the mill to keep Ashley there until party time, a rare opportunity for Scarlett to see Ashley alone. When she sees him, she feels "sixteen again, a little breathless and excited." Ashley tells her how pretty she looks, and they reminisce about the days when they were young and talk about their lives now. Suddenly Scarlett's eyes fill with tears and Ashley holds her head against his chest. Then in the doorway of the office Ashley sees standing his sister, India Wilkes. Before the party has even begun rumors of an adulterous relationship between Ashley and Scarlett have started, and Rhett and Melanie have heard the gossip. Melanie refuses to accept any criticism of her sister in-law and India Wilkes is banished from the Wilkeses' home for it, causing a rift in the family. Rhett, more drunk than Scarlett has ever seen him, returns home the evening of the party long after Scarlett. His eyes are bloodshot and his mood is dark and violent. He enjoins Scarlett to drink with him. Not wanting Rhett to know she is fearful of him, Scarlett throws back a drink and gets up from her chair to go back to her bedroom. But Rhett stops her and pins her shoulders to the wall. Scarlett tells Rhett he is jealous of Ashley and Rhett accuses Scarlett of "crying for the moon" over Ashley. He tells Scarlett they could have been happy together saying, "for I loved you and I know you." Rhett then takes Scarlett in his arms and carries her up the stairs to her bedroom where passion envelops them. The following morning Rhett leaves town with Bonnie and Prissy and stays away for three months. Scarlett finds herself missing him, but she is still unsure if Rhett loves her, having told her so when he was drunk. She learns she is pregnant with her fourth child. On the day Rhett arrives home, Scarlett waits for him at the top of the stairs. She wonders if Rhett will kiss her, but to Scarlett's irritation, he does not. He tells her she looks pale. Scarlett tells him she is pale because she is pregnant. Rhett sarcastically asks her if the father is Ashley. She calls Rhett a cad and tells him no woman would want a baby of his. To which Rhett responds, "cheer up, maybe you'll have a miscarriage." At that comment, Scarlett lunges at Rhett, but he side steps and she tumbles backwards down the stairs. She is seriously ill for the first time in her life, having lost her child and broken her ribs. Rhett is remorseful, believing he has killed her. Sobbing and drunk, Rhett buries his head in Melanie's lap and confesses he had been a jealous cad. Scarlett, who is thin and pale, goes to Tara taking Wade and Ella with her, to regain her strength and vitality from "the green cotton fields of home." When she returns a healthy woman to Atlanta, she sells the mills to Ashley. She finds Rhett's attitude has noticeably changed. He is sober, kinder, polite and seemingly disinterested. Though she misses the old Rhett at times, Scarlett is content to leave well enough alone. Now Bonnie is four years old in 1873. A spirited and willful child, she has her father wrapped around her finger and giving into her every demand. Even Scarlett is jealous of the attention she gets from him. Rhett rides his horse around town with Bonnie in front of him, but the household mammy, "Mammy," insists it is not fitting for a girl to ride a horse with her dress flying up. Rhett heeds Mammy's words and buys Bonnie a Shetland pony, whom she names "Mr. Butler," and teaches her to ride sidesaddle. Then Rhett pays a boy named Wash twenty-five cents to teach Mr. Butler to jump over wood bars. When Mr. Butler is able to get his fat legs over a one foot high bar, Rhett puts Bonnie on the pony, and soon Mr. Butler is leaping bars and Aunt Melly's rose bushes. Wearing her blue velvet riding habit with a red feather in her black hat, Bonnie pleads with her father to raise the bar to one and a half feet. He gives in and raises the bar, warning her not to come crying to him if she falls. Bonnie yells to her Mother, "Watch me take this one!" The pony gallops towards the wood bar, but trips over it splintering the wood. Mr. Butler tumbles to the ground then scrambles to his feet and trots off with an empty saddle. Little Miss "Bonnie Blue" Butler is dead. In the dark days and months following Bonnie's death, Rhett is often drunk and disheveled, while Scarlett, though deeply grieved also, seems to hold up under the strain. With the untimely death of Melanie Wilkes a short time later, Rhett decides he only wants the calm dignity of the genial South he once knew in his youth and he leaves Atlanta to find it. Meanwhile, Scarlett dreams of love that has eluded her for so long. However, she still has Tara and is determined to win Rhett back, and "tomorrow is another day."

13535

/m/03j5j

Heart of Darkness

Joseph Conrad

1899

{"/m/02xlf": "Fiction", "/m/0l67h": "Novella", "/m/016lj8": "Roman \u00e0 clef"}

'Heart of Darkness' opens in first person narrative; our narrator establishes the setting aboard a sailboat, "The Nellie, a cruising yawl," anchored in the Thames River near Gravesend (England). It is somewhat hazy and late in the day. Aboard are four others: the Director of Companies (the captain), the Lawyer ("the best of old fellows"), the Accountant (toying architecturally with dominoes), and Marlow (Charlie Marlow) - all share "the bond of the sea" but Marlow is the only one that still "followed the sea" - they are waiting for the tide waters to turn. Some undefined conversation is shared lazily, the sun sets; then Marlow states how their location also "has been one of the dark places of the earth." Marlow continues describing the trials and tribulations that must have been encountered by the first Romans who made their way to England; how mysterious and incomprehensible the place must have seemed to them. He also explains how brutal and unscrupulous these Romans must have been: "They were conquerors, and for that you want only brute force" - After some silence, Marlow abruptly starts up again saying, in a hesitating voice, "I suppose you fellows remember I did once turn fresh-water sailor for a bit." Marlow introduces the events that led to his appointment to captain a river-steamboat for an ivory trading company. He describes his passage on ships to the wilderness - to the Company's station, which strikes Marlow as a scene of devastation: "amongst a waste of excavations" - disorganized, machinery parts here and there, now and then explosions of demolition, weakened native black men, that have been demoralized, in chains, literally being worked to death, and strolling behind them a white Company man in a uniform carrying a rifle. Marlow remarks on these Company men: "I've seen the devil of violence, and the devil of greed, and the devil of hot desire; but, by all the stars! these were strong, lusty, red-eyed devils, that swayed and drove men—men, I tell you. But as I stood on this hillside, I foresaw that in the blinding sunshine of that land I would become acquainted with a flabby, pretending, weak-eyed devil of a rapacious and pitiless folly. How insidious he could be, too, I was only to find out several months later and a thousand miles farther." At this station Marlow meets the Company's chief accountant, who's dressed in "unexpected elegance" - "Everything else in the station was in a muddle" - Marlow first hears of a Mr. Kurtz from the chief accountant, who explains that Kurtz is a first-class agent, and later adds: "'He will be a somebody in the Administration before long. They, above—the Council in Europe, you know—mean him to be.'" Marlow leaves that station with a caravan to travel on foot some two hundred miles deeper into the wilderness - to the Central Station, where his steamboat is based - the steamer he is to captain. Upon arrival at the Central Station: "the first glance at the place was enough to let you see the flabby devil was running that show." Marlow is shocked to learn that his steamboat had been wrecked two days before his arrival. The manager explains to Marlow that they couldn't wait, and needed to take the steamboat up-river because of "rumours that a very important station was in jeopardy, and its chief, Mr. Kurtz, was ill." Marlow describes that the manager "inspired uneasiness" - "just uneasiness—nothing more" - Along with the manager, Marlow describes the other Company men at this station as lazy back-biting "pilgrims" - fraught with envy and jealousy. All trying to better position themselves in a way to acquire a higher status within the Company, which in turn, would carry more personal profit; but sought after such goals in a meaningless ineffective lazy manner, mixed with a sense that they were all merely waiting, while trying to stay out of harm's way. After fishing his command out of the river, frustrations are met during the months spent on repairs. During this time, Marlow learns that at this station Mr. Kurtz is far from being admired, but instead, more or less, Kurtz is resented (mostly by the manager). Not only is Kurtz's position at the Inner Station a highly envied position, but sentiment seems to be that Kurtz is not deserving of it, as Kurtz only received the appointment by his connections back in Europe. Once ready and underway, the journey up-river to the Inner Station, Kurtz's station, takes two months - to the day. On board was the manager, three or four "pilgrims" and about twenty "cannibals" that were enlisted to crew the steamer. Marlow describes the brooding wilderness, in all its glory, and in all its mystery. Here and there would be a Company post where Company agents seemed imprisoned, captive by the business of ivory; now and then on shore an occasional native village would be seen, with a frenzied uproar by the natives. Marlow expresses a greater enthusiasm towards the idea of meeting Kurtz - but things become more tense as they get closer to his station. They come to rest for the night about eight miles below the Inner Station. In the morning they awake only to find that they are immersed within a thick white fog. From the river bank they hear a very loud cry, followed by a complaining clamour in savage discords: "It culminated in a hurried outbreak of almost intolerably excessive shrieking, which stopped short" - "The sheer unexpectedness of it made my hair stir under my cap." Many wondered if there would be an attack. But it was not until a few hours onwards, while safe navigation was becoming increasingly difficult, that the steamboat was hit with a barrage of sticks - little arrows, everywhere - aimed at the steamboat from the wilderness on shore. The little arrows "looked as though they wouldn't kill a cat" - The pilgrims with their Winchesters had opened fire into the bush. The native who had been serving as helmsman, gave up steering to pick up a rifle and shoot it. Marlow grabs the wheel to avoid snags in the river. The helmsman fell at Marlow's feet clutching a shaft of a spear, which had entered his body just below the ribs. Marlow began to screech the steam whistle repeatedly; "the shower of arrows stopped, a few dropping shots rang out sharply—then silence" - A pilgrim in "pink pyjamas" arrives at the pilot-house, and is shocked to see the dying helmsman. They watch the helmsman die with an inexplicable expression on his face. Marlow forces the pilgrim in "pink pyjamas" to take the wheel so that he can shed his blood soaked shoes, and while flinging the pair overboard, he is hit with a rush of thoughts; thinking he would never have a chance to hear Kurtz talk, as he is most likely dead - then submits: "Of course I was wrong. The privilege was waiting for me. Oh, yes, I heard more than enough." Marlow makes a vague mention of a girl, whom later Kurtz will refer to as "My Intended" (his fiancée): "You should have heard him say, 'My ivory.' Oh, yes, I heard him. 'My Intended, my ivory, my station, my river, my—' everything belonged to him." Marlow reflects more on Kurtz: "His mother was half-English, his father was half-French. All Europe contributed to the making of Kurtz" - "I learned that, most appropriately, the International Society for the Suppression of Savage Customs had entrusted him with the making of a report, for its future guidance. And he had written it, too. I've seen it. I've read it. It was eloquent, vibrating with eloquence" - "There were no practical hints to interrupt the magic current of phrases, unless a kind of note at the foot of the last page, scrawled evidently much later, in an unsteady hand, may be regarded as the exposition of a method. It was very simple, and at the end of that moving appeal to every altruistic sentiment it blazed at you, luminous and terrifying, like a flash of lightning in a serene sky: 'Exterminate all the brutes!' The curious part was that he had apparently forgotten all about that valuable postscriptum, because, later on, when he in a sense came to himself, he repeatedly entreated me to take good care of 'my pamphlet' (he called it), as it was sure to have in the future a good influence upon his career." After reflecting more on Kurtz, Marlow states "I can't forget him, though I am not prepared to affirm the fellow was exactly worth the life we lost in getting to him. I missed my late helmsman awfully" - "don't you see, he had done something, he had steered" - "and thus a subtle bond had been created, of which I only became aware when it was suddenly broken." After putting on a pair of slippers, Marlow returned to the pilot-house and resumed steering. By this time the manager is there, and expresses a strong desire to turn back - right at the moment that the Inner Station comes into view. At Kurtz's station Marlow sees a man on the river-bank waving his arm, urging them to land. Because of his expressions, gestures, and all the colorful patches on his clothing, the man reminds Marlow of a harlequin. The pilgrims, heavily armed, escort the manager on shore to retrieve Mr. Kurtz. The harlequin-like chap boards the steamboat. It turns out the man is Russian, and he is a mere wanderer; who just happened to wander into Kurtz's camp: "He rattled away at such a rate he quite overwhelmed me. He seemed to be trying to make up for lots of silence, and actually hinted, laughing, that such was the case. 'Don't you talk with Mr. Kurtz?' I said. 'You don't talk with that man—you listen to him,' he exclaimed with severe exaltation." - "'I tell you,' he cried, 'this man has enlarged my mind.'" Through conversation Marlow discovers just how wanton Kurtz could be, how the natives worshiped Kurtz, and how very ill Kurtz has been of late. The concerned harlequin-like Russian admires Mr. Kurtz for his intellect - for his insights - into love, life, and justice. The Russian seems to even admire Kurtz for his power - and his willingness to use it. Marlow suggests that Kurtz has gone mad, and the Russian "protested indignantly. Mr. Kurtz couldn't be mad. If I had heard him talk, only two days ago, I wouldn't dare hint at such a thing." From the steamboat, through a glass (telescope) Marlow can observe details of the station, and is surprised suddenly to see near the station house a row of posts with decapitated heads of natives mounted atop of each. Around the corner of the house the manager with the pilgrims appeared, bearing Kurtz on an improvised stretcher. The area then filled with natives, who appeared to be ready for battle. The Russian stated: "'Now, if he does not say the right thing to them we are all done for'" - On the stretcher Marlow could see Kurtz shouting. The pilgrims carried Kurtz to the steamer and laid him down in one of the little cabins. A gorgeous native woman, with a desperate aspect, walked in measured steps along the shore and stopped right next to the steamer. She raised her arms above her head - then "turned away slowly, walked on, following the bank, and passed into the bushes." From the steamboat's cabin Kurtz was placed in, he is heard yelling at the manager: "'Save me!—save the ivory, you mean. Don't tell me. Save me! Why, I've had to save you. You are interrupting my plans now. Sick! Sick! Not so sick as you would like to believe.'" The manager walks out of the cabin, and spoke with Marlow about "unsound methods" and Marlow puts forward the notion: "No method at all" - After some more words the manager gives Marlow a heavy glance, then leaves. The Russian mentions "'matters that would affect Mr. Kurtz's reputation.'" - Marlow replied to the Russian: "'Mr. Kurtz's reputation is safe with me.'" - He informed Marlow "that it was Kurtz who had ordered the attack to be made on the steamer" - The harlequin-like Russian refers to a canoe waiting for him, and adds: "'Ah! I'll never, never meet such a man again. You ought to have heard him recite poetry—his own, too, it was, he told me. Poetry!' He rolled his eyes at the recollection of these delights. 'Oh, he enlarged my mind!' 'Good-bye,' said I. He shook hands and vanished in the night." Later, after midnight, Marlow discovers that Kurtz has left his cabin - he has left the steamer, and has returned to shore. Marlow goes ashore and finds Kurtz in a very weak state making his way back to his station - but not so weak, as he can still call out to the natives. Marlow appreciates the serious situation he is in, and when Kurtz begins a threatening tone, Marlow interjects that his "success in Europe is assured in any case" - Kurtz agrees to allow Marlow to help him back to the steamer. The next day they prepare for their departure. They carried Kurtz to the pilot-house: "there was more air there" - The natives once again assembled on shore, and the native woman returned - they all began to shout. Marlow saw the pilgrims getting their rifles ready - so he screeched the steam whistle time after time to scatter the crowd on shore. Only the woman remained unmoved, with outstretched arms. The pilgrims opened fire. The current was swift as they headed downstream. Kurtz's health was worsening. Marlow himself is becoming increasingly ill. The steamboat broke down and repairs needed to be made. Kurtz gives Marlow a packet of papers with a photograph because of his dislike and mistrust of the manager. While ill, Marlow continued to make the repairs to the steamer: "I toiled wearily in a wretched scrap-heap—unless I had the shakes too bad to stand." He did not have much time for Kurtz: "One evening coming in with a candle I was startled to hear him say a little tremulously, 'I am lying here in the dark waiting for death.' The light was within a foot of his eyes. I forced myself to murmur, 'Oh, nonsense!' and stood over him as if transfixed." As Kurtz dies, Marlow hears him whisper, in no more than a breath: "'The horror! The horror!'" Marlow blew out the candle, and tries to act like nothing has happened when he joins the other pilgrims, who were all in the mess-room dining with the manager. In a short while, the "manager's boy" appears and announces in a scathing tone: "'Mistah Kurtz—he dead.'" - Next day Marlow pays little attention to the pilgrims as they bury "something" in a muddy hole. "And then they very nearly buried me" - Marlow falls very sick, near death himself: "I have wrestled with death. It is the most unexciting contest you can imagine" - "I was within a hair's breadth of the last opportunity for pronouncement, and I found with humiliation that probably I would have nothing to say. This is the reason why I affirm that Kurtz was a remarkable man. He had something to say. He said it. Since I had peeped over the edge myself, I understand better" - "He had summed up—he had judged. 'The horror!' He was a remarkable man. After all, this was the expression of some sort of belief; it had candour, it had conviction, it had a vibrating note of revolt in its whisper, it had the appalling face of a glimpsed truth—the strange commingling of desire and hate" - "he had made that last stride, he had stepped over the edge, while I had been permitted to draw back my hesitating foot. And perhaps in this is the whole difference; perhaps all the wisdom, and all truth, and all sincerity, are just compressed into that inappreciable moment of time in which we step over the threshold of the invisible. Perhaps! I like to think my summing-up would not have been a word of careless contempt. Better his cry—much better." Upon Marlow's return to Europe he seems embittered. The everyday life of the Europeans seem to be something a sham - like some sort of hoax. Eventually Marlow took care of the bundle of papers Kurtz had entrusted to him. To a clean-shaven man who had an official manner, Marlow gave the paper entitled 'Suppression of Savage Customs' - "with the postscriptum torn off" - To another, who claims to be Kurtz's cousin, Marlow gave family letters and memoranda of no importance. To a journalist he gave a Report for publication, if the journalist saw fit. Finally Marlow was left with some personal letters and the photograph of the girl's portrait - Kurtz's fiancée, his intended. At her door, even before Marlow entered her house, memories of Kurtz began to flow, along with the final words that he whispered. The girl came forward, dressed in black, and met Marlow in a drawing-room. Although it has been more than a year since Kurtz died, she was still in mourning. It was late, and the room was growing darker. The final words of Kurtz's seemed to echo in the room with the girl. Marlow envisioned them together: "I saw her and him in the same instant of time—his death and her sorrow—I saw her sorrow in the very moment of his death." She presses Marlow for information, ultimately asking him to repeat the final words Kurtz had spoken. Being very uncomfortable Marlow tells her that the final words that Kurtz pronounce was her name. Marlow was surprised by her reaction: "I heard a light sigh and then my heart stood still, stopped dead short by an exulting and terrible cry, by the cry of inconceivable triumph and of unspeakable pain. 'I knew it—I was sure!'... She knew. She was sure. I heard her weeping" - "I wonder, if I had rendered Kurtz that justice which was his due? Hadn't he said he wanted only justice? But I couldn't. I could not tell her. It would have been too dark—too dark altogether...." Then Marlow and his listeners were silent; our first narrator explains: "Nobody moved for a time. 'We have lost the first of the ebb,' said the Director suddenly. I raised my head. The offing was barred by a black bank of clouds, and the tranquil waterway leading to the uttermost ends of the earth flowed sombre under an overcast sky—seemed to lead into the heart of an immense darkness."

13554

/m/03j9w

Hamlet

William Shakespeare

The protagonist of Hamlet is Prince Hamlet of Denmark, son of deceased King Hamlet and his wife, Queen Gertrude. The story opens on a chilly night at Elsinore, the Danish royal castle. Francisco, one of the sentinels, is relieved of his watch by Bernardo, another sentinel, and exits while Bernardo remains. A third sentinel, Marcellus, enters with Horatio, Hamlet's best friend. The sentinels inform Horatio that they have seen a ghost that looks like the dead King Hamlet. After hearing from Horatio of the Ghost's appearance, Hamlet resolves to see the Ghost himself. That night, the Ghost appears again. It leads Hamlet to a secluded place, claims that it is the actual spirit of his father, and discloses that he—the elder Hamlet—was murdered by his brother Claudius pouring poison in his ear. The Ghost demands that Hamlet avenge him; Hamlet agrees, swears his companions to secrecy, and tells them he intends to "put an antic disposition on" (presumably to avert suspicion). Hamlet initially attests to the ghost's reliability, calling him both an "honest ghost" and "truepenny." Later, however, he expresses doubts about the ghost's nature and intent, claiming these as reasons for his inaction. Polonius is Claudius's trusted chief counsellor and friend; Polonius's son, Laertes, is returning to France, and Polonius's daughter, Ophelia, is courted by Hamlet. Both Polonius and Laertes warn Ophelia that Hamlet is surely not serious about her. Shortly afterward, Ophelia is alarmed by Hamlet's strange behaviour, reporting to her father that Hamlet rushed into her room, stared at her, and said nothing. Polonius assumes that the "ecstasy of love" is responsible for Hamlet's "mad" behaviour, and he informs Claudius and Gertrude. Perturbed by Hamlet's continuing deep mourning for his father and his increasingly erratic behaviour, Claudius sends for two of Hamlet's acquaintances—Rosencrantz and Guildenstern—to find out the cause of Hamlet's changed behaviour. Hamlet greets his friends warmly but quickly discerns that they have been sent to spy on him. Together, Claudius and Polonius convince Ophelia to speak with Hamlet while they secretly listen. Hamlet enters, contemplating suicide (To be, or not to be). Ophelia greets him, and offers to return his remembrances, upon which Hamlet questions her honesty and furiously rants at her to "get thee to a nunnery." Hamlet remains uncertain whether the Ghost has told him the truth, but the arrival of a troupe of actors at Elsinore presents him with a solution. He will have them stage a play, The Murder of Gonzago, re-enacting his father's murder and determine Claudius's guilt or innocence by studying his reaction to it. The court assembles to watch the play; Hamlet provides an agitated running commentary throughout. When the murder scene is presented, Claudius abruptly rises and leaves the room, which Hamlet sees as proof of his uncle's guilt. Gertrude summons Hamlet to her closet to demand an explanation. On his way, Hamlet passes Claudius in prayer, but hesitates to kill him, reasoning that death in prayer would send him to heaven. However, it is revealed that the King is not truly praying, remarking that "words" never made it to heaven without "thoughts." An argument erupts between Hamlet and Gertrude. Polonius, spying on the scene from behind an arras and convinced that the prince's madness is indeed real, panics when it seems as if Hamlet is about to murder the Queen and cries out for help. Hamlet, believing it is Claudius hiding behind the arras, stabs wildly through the cloth, killing Polonius. When he realises that he has killed Ophelia's father, he is not remorseful, but calls Polonius "Thou wretched, rash, intruding fool." The Ghost appears, urging Hamlet to treat Gertrude gently, but reminding him to kill Claudius. Unable to see or hear the Ghost herself, Gertrude takes Hamlet's conversation with it as further evidence of madness. Claudius, now fearing for his life, finds a legitimate excuse to get rid of the prince: he sends Hamlet to England on a diplomatic pretext, accompanied (and closely watched) by Rosencrantz and Guildenstern. Alone, Claudius discloses that he is actually sending Hamlet to his death. Prior to embarking for England, Hamlet hides Polonius's body, ultimately revealing its location to the King. Upon leaving Elsinore, Hamlet encounters the army of Prince Fortinbras en route to do battle in Poland. Upon witnessing so many men going to their death on the brash whim of an impulsive prince, Hamlet declares, "O, from this time forth, / My thoughts be bloody, or be nothing worth!" At Elsinore, further demented by grief at her father Polonius's death, Ophelia wanders the castle, acting erratically and singing bawdy songs. Her brother, Laertes, returns from France, horrified by his father's death and his sister's madness. She appears briefly to give out herbs and flowers. Claudius convinces Laertes that Hamlet is solely responsible; then news arrives that Hamlet is still alive—a story is spread that his ship was attacked by pirates on the way to England, and he has returned to Denmark. Claudius swiftly concocts a plot to kill his nephew but make it appear to be an accident, taking all of the blame off his shoulders. Knowing of Hamlet's jealousy of Laertes' prowess with a sword, he proposes a fencing match between the two. Laertes, enraged at the murder of his father, informs the king that he will further poison the tip of his sword so that a mere scratch would mean certain death. Claudius, unsure that capable Hamlet could receive even a scratch, plans to offer Hamlet poisoned wine if that fails. Gertrude enters to report that Ophelia has drowned. In the Elsinore churchyard, two "clowns", typically represented as "gravediggers," enter to prepare Ophelia's grave, and although the coroner has ruled her death accidental so that she may receive Christian burial, they argue that it was a case of suicide. Hamlet arrives with Horatio and banters with one of them, who unearths the skull of a jester whom Hamlet once knew, Yorick ("Alas, Poor Yorick; I knew him, Horatio."). Ophelia's funeral procession approaches, led by her mournful brother Laertes. Distraught at the lack of ceremony (due to the actually-deemed suicide) and overcome by emotion, Laertes leaps into the grave, cursing Hamlet as the cause of her death. Hamlet interrupts, professing his own love and grief for Ophelia. He and Laertes grapple, but the fight is broken up by Claudius and Gertrude. Claudius reminds Laertes of the planned fencing match. Later that day, Hamlet tells Horatio how he escaped death on his journey, disclosing that Rosencrantz and Guildenstern have been sent to their deaths instead. A courtier, Osric, interrupts to invite Hamlet to fence with Laertes. Despite Horatio's warnings, Hamlet accepts and the match begins. After several rounds, Gertrude toasts Hamlet—against the urgent warning of Claudius—accidentally drinking the wine he poisoned. Between bouts, Laertes attacks and pierces Hamlet with his poisoned blade; in the ensuing scuffle, Hamlet is able to use Laertes's own poisoned sword against him. Gertrude falls and, in her dying breath, announces that she has been poisoned. In his dying moments, Laertes is reconciled with Hamlet and reveals Claudius's murderous plot. Hamlet stabs Claudius with the poisoned sword, and then forces him to drink from his own poisoned cup to make sure he dies. In his final moments, Hamlet names Prince Fortinbras of Norway as the probable heir to the throne, since the Danish kingship is an elected position, with the country's nobles having the final say. Horatio attempts to kill himself with the same poisoned wine but is stopped by Hamlet, so he will be the only one left alive to give a full account of the story. When Fortinbras arrives to greet King Claudius, he encounters the deadly scene: Gertrude, Claudius, Laertes, and Hamlet are all dead. Horatio asks to be allowed to recount the tale to "the yet unknowing world," and Fortinbras orders Hamlet's body borne off in honour.

13871

/m/03lvx

Heretics of Dune

Frank Herbert

1984

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/02xlf": "Fiction"}

Much has changed in the millennium and a half since the death of the God Emperor. Sandworms have reappeared on Arrakis (now called Rakis) and renewed the flow of the all-important spice melange to the galaxy. With Leto's death, a hugely complex economic system built on spice collapsed, resulting in trillions leaving known space in a great Scattering. A new civilization has risen, with three dominant powers: the Ixians, whose no-ships are capable of piloting between the stars and are invisible to outside detection; the Bene Tleilax, who have learned to manufacture spice in their axlotl tanks and have created a new breed of Face Dancers; and the Bene Gesserit, a matriarchal order of subtle political manipulators who possess superhuman abilities. However, people from the Scattering are returning with their own peculiar powers. The most powerful of these forces are the Honored Matres, a violent society of women bred and trained for combat and the sexual control of men. On Rakis, a girl called Sheeana has been discovered who can control the giant worms. The Bene Gesserit intends to use a Tleilaxu-provided Duncan Idaho ghola to gain control of this sandrider, and the religious forces of mankind who they know will ultimately worship her. The Sisterhood have subtly been altering the gholas to bring their physical reflexes up to modern standards. The Bene Gesserit leader, Mother Superior Taraza, brings Miles Teg to guard the new Idaho. Taraza also sends Reverend Mother Darwi Odrade to take command of the Bene Gesserit keep on Rakis. Odrade is a loose cannon; she does not obey normal Bene Gesserit prohibitions about love, and is also Teg's biological daughter. Bene Gesserit Imprinter Lucilla is also sent by Taraza to bind Idaho's loyalty to the Sisterhood with her sexual talents. However, Lucilla must deal with Reverend Mother Schwangyu, head of the ghola project but also the leader of a faction within the Bene Gesserit who feel gholas are a danger. Above the planet Gammu, Taraza is captured and held hostage by the Honored Matres aboard an Ixian no-ship. The Honored Matres insist Taraza invite Teg to the ship, hoping to gain control of the ghola project. Teg manages to turn the tables on the Matres, and rescues the Mother Superior and her party. An attack is then made on Sheeana on Rakis, which is prevented by the intervention of the Bene Gesserit. Odrade starts training Sheeana as a Bene Gesserit. At about the same time an attempt is made on the life of Idaho, but Teg is able to defeat it. Teg flees with Duncan and Lucilla into the countryside. In an ancient Harkonnen no-globe, Teg proceeds to awaken Idaho's original memories, but does so before Lucilla can imprint Duncan and thus tie him to the Sisterhood. In the meantime, Taraza has been searching for Teg and his party, and finally establishes contact. During the operation, however, Teg and his companions are ambushed. Teg is captured while Lucilla and Duncan escape. Teg is tortured by a T-Probe, but under pressure discovers a new ability: he is able to speed up his physical and mental reactions, which enables him to escape. At the same time, Idaho is ambushed and taken hostage. Taraza arranges a meeting with the Tleilaxu Master Waff, who is soon forced to tell her what he knows about the Honored Matres. When pressed on the issue of Idaho, he also admits that the Bene Tleilax have conditioned their own agenda into him. As the meeting draws to a close, Taraza accidentally divines that Waff is a Zensunni, giving the Bene Gesserit a lever to understand their ancient competitor. She and Odrade meet Waff again on Rakis. He tries to assassinate Taraza but Odrade convinces him that the Sisterhood shares the religious beliefs of the Bene Tleilax. Taraza offers full alliance with them against the onslaught of forces out of the Scattering. This agreement causes consternation among the Bene Gesserit, but Odrade realizes that Taraza's plan is to destroy Rakis. By destroying the planet, the Bene Gesserit would be dependent on the Tleilaxu for the spice, ensuring an alliance. Lucilla arrives at a Bene Gesserit safe house to discover it has been taken over by Honored Matres, who have Idaho as their captive. As Lucilla infiltrates it, the young Honored Matre Murbella proceeds to seduce the captured Idaho with the Honored Matre imprinting method. However, hidden Tleilaxu conditioning kicks in, and Duncan responds with an equal technique, one that overwhelms Murbella. Lucilla takes advantage of Murbella's exhaustion to knock her unconscious and rescue Duncan. The Honored Matres attack Rakis, killing Taraza. Odrade becomes temporary leader of the Bene Gesserit before escaping with Sheeana into the desert on a worm. Teg also goes to a supposed safe house, only to discover the Honored Matres. He unleashes himself upon the complex, before capturing a no-ship and locating Duncan and Lucilla. They and the captured Murbella are taken to Rakis with him. When they arrive, Teg finds Odrade and Sheeana and their giant worm. He loads them all up in his no-ship, finally leading his troops out on a last suicidal defense of Rakis, designed to attract the rage of the Honored Matres. The Honored Matres attack Rakis, destroying the planet and the sandworms except for the one the Bene Gesserit escape with. They drown the worm in a mixture of water and spice, turning it into sandtrout which will turn the secret Bene Gesserit planet Chapterhouse into another Dune.

14311

/m/03q5b

Adventures of Huckleberry Finn

Mark Twain

1884

{"/m/06nbt": "Satire", "/m/0dwly": "Children's literature", "/m/02xlf": "Fiction", "/m/08sdrw": "Adventure novel", "/m/09kqc": "Humour"}

The story begins in fictional St. Petersburg, Missouri, on the shore of the Mississippi River, sometime between 1835 (when the first steamboat sailed down the Mississippi) and 1845. Two young boys, Thomas "Tom" Sawyer and Huckleberry Finn, have each come into a considerable sum of money as a result of their earlier adventures (The Adventures of Tom Sawyer). Huck has been placed under the guardianship of the Widow Douglas, who, together with her sister, Miss Watson, is attempting to civilize him. Huck appreciates their efforts, but finds civilized life confining. His spirits are raised somewhat when Tom Sawyer helps him to escape one night past Miss Watson's slave Jim, to meet up with his gang of self-proclaimed "robbers". However, when the gang's exploits turn out to be nothing worse than disrupting Sunday School outings and stealing paltry items like hymn books (which the Sunday School teacher forces them to return anyway), Huck is again downcast. However, his life is changed by the sudden reappearance of his shiftless father "Pap", an abusive parent and drunkard. Although Huck is successful in preventing him from acquiring his fortune (he gives all 6,000 dollars to Judge Thatcher), Pap forcibly gains custody of him and moves him to his backwoods cabin. Though Huck prefers this to his life with the widow, he resents his father's drunken violence and his habit of keeping him locked inside the cabin. During one of his father's absences Huck escapes, elaborately fakes his own murder, and sets off down the Mississippi River. While living quite comfortably in the wilderness along the Mississippi, Huck encounters Miss Watson's slave Jim on an island called Jackson's Island. Huck learns that Jim has also run away after he overheard Miss Watson's plan to sell Jim downriver, where conditions for slaves were even harsher, because he would bring a price of $800. Jim is trying to make his way to Cairo, Illinois, and then to Ohio, a free state, so that he can buy his family's freedom. At first, Huck is conflicted over whether to tell someone about Jim's running away, but as they travel together and talk in depth, Huck begins to know more about Jim's past and his difficult life. As these conversations continue, Huck begins to change his opinion about people, slavery, and life in general. This continues throughout the rest of the novel. Huck and Jim take up in a cavern on a hill on Jackson's Island to wait out a storm. When they can, they scrounge around the river looking for food, wood, and other items. One night, they find a raft they will eventually use to travel down the Mississippi. Later, they find an entire house floating down the river and enter it to grab what they can. Entering one room, Jim finds a man lying dead on the floor, shot in the back while apparently trying to ransack the house. Jim refuses to let Huck see the man's face. To find out the latest news in the area, Huck dresses as a girl and goes into town. He enters the house of a woman new to the area, thinking she will not recognize him. Huck learns from her that opinion is divided about the "murder": while some believe Pap has killed his son in order to inherit his fortune, others blame the runaway Jim. Either way there is a $300 reward for Jim's capture, and a manhunt is already underway, including her husband and another man. The men are going to Jackson's Island at night with a gun. The woman becomes suspicious when Huck threads a needle incorrectly, and her suspicions are confirmed after she puts Huck through a series of tests. Having tricked him into revealing he is a boy, she nevertheless allows him to leave her home, believing him to be a mistreated apprentice on the run. Huck returns quickly to the island where he tells Jim of the impending danger. The two immediately load up the raft and leave the islands. Huck and Jim's raft is swamped by a passing steamship, separating the two. Huck is given shelter by the Grangerfords, a prosperous local family. He becomes friends with Buck Grangerford, a boy about his age, and learns that the Grangerfords are engaged in a 30-year blood feud against another family, the Shepherdsons. The Grangerfords and Shepherdsons go to church. Both families bring guns to continue the show, despite the church's preachings on brotherly love. The vendetta comes to a head when Buck's sister, Sophia Grangerford, elopes with Harney Shepherdson. In the resulting conflict, all the Grangerford males from this branch of the family are shot and killed, although Grangerfords elsewhere survive to carry on the feud. Upon seeing Buck's corpse, Huck is too devastated to write about everything that happened. However, Huck does describe how he narrowly avoids his own death in the gunfight, later reuniting with Jim and the raft and together fleeing farther south on the Mississippi River. Further down the river, Jim and Huck rescue two cunning grifters, who join Huck and Jim on the raft. The younger of the two swindlers, a man of about thirty, introduces himself as a son of an English duke (the Duke of Bridgewater) and his father's rightful successor. The older one, about seventy, then trumps the Duke's claim by alleging that he is the Lost Dauphin, the son of Louis XVI and rightful King of France. He continually mispronounces the duke's title as "Bilgewater" in conversation. The Duke and the King then join Jim and Huck on the raft, committing a series of confidence schemes on the way south. To allow for Jim's presence, they print fake bills for an escaped slave; and later they paint him up entirely in blue and call him the "Sick Arab". On one occasion they arrive in a town and advertise a three-night engagement of a play which they call "The Royal Nonesuch". The play turns out to be only a couple of minutes of hysterical cavorting, not worth anywhere near the 50 cents the townsmen were charged to see it. On the afternoon of the first performance, a drunk called Boggs arrives in town and makes a nuisance of himself by going around threatening a southern gentleman by the name of Colonel Sherburn. Sherburn comes out and warns Boggs that he can continue threatening him up until exactly one o'clock. At one o'clock, Boggs continues and Colonel Sherburn kills him. Somebody in the crowd, whom Sherburn later identifies as Buck Harkness, cries out that Sherburn should be lynched. They all head up to Colonel Sherburn's gate, where they are met by Sherburn, who is standing on his porch carrying a loaded shotgun and his three legged dalmatian. He causes them to back down, by making a defiant speech telling them about the essential cowardice of "Southern justice". The only lynching to be done here, says Sherburn, will be in the dark, by men wearing masks. By the third night of "The Royal Nonesuch", the townspeople are ready to take their revenge; but the Duke and the King have already skipped town, and together with Huck and Jim, they continue down the river. Once they are far enough away, the two grifters test the next town, and decide to impersonate two brothers of Peter Wilks, a recently deceased man of property. Using an absurd English accent, the King manages to convince nearly all the townspeople that he is one of the brothers, a preacher just arrived from England, while the Duke pretends to be a deaf-mute to match accounts of the other brother. One man in town is certain that they are a fraud and confronts them on the matter, but the crowd refuses to support him. Afterwards, the Duke, out of fear, suggests to the King that they should cut and run. The King boldly states his intention to continue to liquidate Wilks' estate, saying, "Hain't we got all the fools in town on our side? And ain't that a big enough majority in any town?" Huck likes Wilks' daughters, who treat him with kindness and courtesy, so he tries to thwart the grifters' plans by stealing back the inheritance money. When he is in danger of being discovered, he has to hide it in Wilks' coffin, which is buried the next morning without Huck knowing whether the money has been found or not. The arrival of two new men who seem to be the real brothers throws everything into confusion when none of their signatures match the one on record. (The deaf-mute brother, who is said to do the correspondence, has his arm in a sling and cannot currently write.) The townspeople devise a test, which requires digging up the coffin to check. When the money is found in Wilks' coffin, the Duke and the King are able to escape in the confusion. They manage to rejoin Huck and Jim on the raft to Huck's despair, since he had thought he had escaped them. After the four fugitives have drifted far enough from the town, the King takes advantage of Huck's temporary absence to sell his interest in the "escaped" slave Jim for forty dollars. Outraged by this betrayal, Huck rejects the advice of his "conscience", which continues to tell him that in helping Jim escape to freedom, he is stealing Miss Watson's property. Accepting that-"All right, then, I'll go to hell!"-Huck resolves to free Jim. Jim is being held at the plantation of Silas and Sally Phelps. In a surprise twist, they are revealed to be Tom Sawyer's aunt and uncle. Since Tom is expected for a visit, Huck is mistaken for Tom. He plays along, hoping to find Jim's location and free him. When Huck intercepts Tom on the road and tells him everything, Tom decides to join Huck's scheme, pretending to be his own younger half-brother Sid. Jim has also told the household about the two grifters and the new plan for "The Royal Nonesuch," so this time the townspeople are ready for them. The Duke and King are captured by the townspeople, and are tarred and feathered and ridden out of town on a rail. Rather than simply sneaking Jim out of the shed where he is being held, Tom develops an elaborate plan to free him, involving secret messages, hidden tunnels, a rope ladder sent in Jim's food, and other elements from popular novels, including a note to the Phelps warning them of a gang planning to steal their runaway slave. During the resulting pursuit, Tom is shot in the leg. Jim remains with him rather than completing his escape, risking recapture. Huck has long known Jim was "white on the inside". Although the doctor admires Jim's decency, he betrays him to a passing skiff, and Jim is captured while sleeping and returned to the Phelps family. After Jim's recapture, events quickly resolve themselves. Tom's Aunt Polly arrives and reveals Huck and Tom's true identities. Tom announces that Jim is a free man; Miss Watson died two months earlier and freed Jim in her will, but Tom chose not to reveal Jim's freedom so he could come up with an elaborate plan to rescue Jim. Jim tells Huck that Huck's father has been dead for some time (he was the dead man they found in the floating house) and that Huck may return safely to St. Petersburg. In the final narrative, Huck declares that he is quite glad to be done writing his story, and despite Sally's plans to adopt and "civilize" him, Huck intends to flee west to Indian Territory.

15055

/m/03wqm

Ivanhoe

Walter Scott

1819

{"/m/02p0szs": "Historical fiction", "/m/02xlf": "Fiction", "/m/0hwxm": "Historical novel"}

Wilfred of Ivanhoe is disinherited by his father Cedric of Rotherwood for supporting the Norman King Richard and for falling in love with the Lady Rowena, Cedric's ward and a descendant of the Saxon Kings of England. Cedric had planned to marry her to the powerful Lord Aethelstane, pretender to the Crown of England through his descent from the last Saxon King, Harold Godwinson, thus cementing a Saxon political alliance between two rivals for the same claim. Ivanhoe accompanies King Richard on the Crusades, where he is said to have played a notable role in the Siege of Acre. The book opens with a scene of Norman knights and prelates seeking the hospitality of Cedric. They are guided there by a palmer, who has recently returned from the Holy Land. The same night, seeking refuge from inclement weather and bandits, Isaac of York, a Jewish moneylender, arrives at Rotherwood. Following the night's meal, the palmer observes one of the Normans, the Templar Brian de Bois-Guilbert, issue orders to his Saracen soldiers to follow Isaac of York after he leaves Rotherwood in the morning and relieve him of his possessions. The palmer then warns the moneylender of his peril and assists in his escape from Rotherwood. The swineherd Gurth refuses to open the gates until the palmer whispers a few words in his ear, which turns Gurth as helpful as he was recalcitrant earlier. This is but one of the many mysterious incidents that occur throughout the book. Isaac of York offers to repay his debt to the palmer by offering him a suit of armour and a war horse to participate in the tournament at Ashby-de-la-Zouch, where he was bound. His offer is made on the surmise that the palmer was in reality a knight, York having observed his knight's chain and spurs (a fact that he mentions to the palmer). The palmer is taken by surprise but accepts the offer. The story then moves to the scene of the tournament, which is presided over by Prince John, King Richard's younger brother. Other characters in attendance are Cedric, Aethelstane, Lady Rowena, Isaac of York, his daughter Rebecca, Robin of Locksley and his men, Prince John's advisor Waldemar Fitzurse, and numerous Norman knights. On the first day of the tournament, a bout of individual jousting, a mysterious masked knight, identifying himself only as "Desdichado" (which is described in the book as Spanish for the "Disinherited One", though actually meaning "Unfortunate"), makes his appearance and manages to defeat some of the best Norman lances, including Bois-Guilbert, Maurice de Bracy, a leader of a group of "Free Companions" (mercenary knights), and the baron Reginald Front-de-Boeuf. The masked knight declines to reveal himself despite Prince John's request, but is nevertheless declared the champion of the day and is permitted to choose the Queen of the Tournament. He bestows this honour upon the Lady Rowena. On the second day, which is a melée, Desdichado is chosen to be leader of one party. Most of the leading knights of the realm, however, flock to the opposite standard under which Desdichado's vanquished opponents fought. Desdichado's side is soon hard pressed and he himself beset by multiple foes, when a knight who had until then taken no part in the battle, thus earning the sobriquet Le Noir Faineant (or the Black Sluggard), rides to Desdichado's rescue. The rescuing knight, having evened the odds by his action, then slips away. Though Desdichado was instrumental in the victory, Prince John, being displeased with his behaviour of the previous day, wishes to bestow his accolades on the vanished Black Knight. Since the latter has departed, he is forced to declare Desdichado the champion. At this point, being forced to unmask himself to receive his coronet, Desdichado is revealed to be Wilfred of Ivanhoe himself, returned from the Crusades. This causes much consternation to Prince John and his court who now fear the imminent return of King Richard. Because he is severely wounded in the competition and because Cedric refuses to have anything to do with him, Ivanhoe is taken into the care of Rebecca, the beautiful daughter of Isaac, who is a skilled healer. She convinces her father to take him with them to York, where he may be best treated. The story then goes over the conclusion of the tournament including feats of archery by Locksley. Meanwhile, de Bracy finds himself infatuated with the Lady Rowena and, with his companions-in-arms, makes plans to abduct her. In the forests between Ashby and York, the Lady Rowena, Cedric, and Aethelstane encounter Isaac, Rebecca, and the wounded Ivanhoe, who had been abandoned by their servants for fear of bandits. The Lady Rowena, in response to the requests of Isaac and Rebecca, urges Cedric to take the group under his protection to York. Cedric, unaware that the wounded man is Ivanhoe, agrees. En route, the party is captured by de Bracy and his companions and taken to Torquilstone, the castle of Front-de-Boeuf. However, the swineherd Gurth, who had run away from Rotherwood to serve Ivanhoe as squire at the tournament and who was recaptured by Cedric when Ivanhoe was identified, manages to escape. The Black Knight, having taken refuge for the night in the hut of a local friar, the Holy Clerk of Copmanhurst, volunteers his assistance on learning about the captives from Robin of Locksley, who had come to rouse the friar for an attempt to free them. They then besiege the Castle of Torquilstone with Robin's own men, including the friar and assorted Saxon yeomen whom they had manage to raise due to the hatred of Front-de-Boeuf and his neighbour, Philip de Malvoisin. At Torquilstone, de Bracy expresses his love for the Lady Rowena, but is refused. In the meantime, de Bois-Guilbert, who had accompanied de Bracy on the raid, takes Rebecca for his captive, and tries to force his attentions on her, which are rebuffed. Front-de-Boeuf, in the meantime, tries to wring a hefty ransom, by torture, from Isaac of York. However, Isaac refuses to pay a farthing unless his daughter is freed from her Templar captor. When the besiegers deliver a note to yield up the captives, their Norman captors retort with a message for a priest to administer the Final Sacrament to the captives. It is then that Cedric's jester Wamba slips in disguised as a priest, and takes the place of Cedric, who then escapes and brings important information to the besiegers on the strength of the garrison and its layout. Then follows an account of the storming of the castle. Front-de-Boeuf is killed while de Bracy surrenders to the Black Knight, who identifies himself as King Richard. Showing mercy, he releases de Bracy. De Bois-Guilbert escapes with Rebecca while Isaac is released from his underground dungeon by the Clerk of Copmanhurst. The Lady Rowena is saved by Cedric, while the still-wounded Ivanhoe is rescued from the burning castle by King Richard. In the fighting, Aethelstane is wounded while attempting to rescue Rebecca, whom he mistakes for Rowena. Following the battle, Locksley plays host to King Richard. Word is also conveyed by de Bracy to Prince John of the King's return and the fall of Torquilstone. In the meantime, de Bois-Guilbert rushes with his captive to the nearest Templar Preceptory, which is under his friend Albert de Malvoisin, expecting to be able to flee the country. However, Lucas de Beaumanoir, the Grand-Master of the Templars is unexpectedly present there. He takes umbrage at de Bois-Guilbert's sinful passion, which is in violation of his Templar vows; and decides to subject Rebecca, who he thinks has cast a spell on de Bois-Guilbert, to a trial for witchcraft. She is found guilty through a flawed trial, but claims the right to trial by combat. Bois-Guilbert, who had hoped to fight as her champion incognito, is devastated when the Grand-Master orders him to fight against Rebecca's champion. Rebecca then writes to her father to procure a champion for her. Meanwhile Cedric organises Aethelstane's funeral at Coningsburgh, in the midst of which the Black Knight arrives with a companion. Cedric, who had not been present at Locksley's carousal, is ill-disposed towards the knight upon learning his true identity. However, King Richard calms Cedric and reconciles him with his son, convincing him to agree to the marriage of Ivanhoe and Rowena. Shortly after, Aethelstane emerges – not dead, but having been laid in his coffin alive by avaricious monks desirous of the funeral money. Over Cedric's renewed protests, Aethelstane pledges his homage to the Norman King Richard and urges Cedric to marry Rowena to Ivanhoe; to which Cedric finally agrees. Soon after this reconciliation, Ivanhoe receives word from Isaac beseeching him to fight on Rebecca's behalf. Upon arriving at the scene of the witch-burning, Ivanhoe forces de Bois-Guilbert from his saddle, but does not kill him. However, the Templar dies "a victim to the violence of his own contending passions," which is pronounced by the Grand Master as the judgment of God and proof of Rebecca's innocence. King Richard, who had left Kyningestun soon after Ivanhoe's departure, arrives at the Templar Preceptory, banishes the Templars and declares that the Malvoisins' lives are forfeit for having aided in the plots against him. Fearing further persecution, Rebecca and her father leave England for Granada. Before leaving, Rebecca comes to bid Rowena a fond farewell. Finally, Ivanhoe and Rowena marry and live a long and happy life together, though the final paragraphs of the book note that Ivanhoe's long service ended with the death of King Richard.

15608

/m/03_b7

Johnny Got His Gun

Dalton Trumbo

1939

{"/m/02xlf": "Fiction", "/m/05hgj": "Novel"}

Joe Bonham, a young soldier serving in World War I, awakens in a hospital bed after being caught in the blast of an exploding artillery shell. He gradually realizes that he has lost his arms, legs, and all of his face (including his eyes, ears, teeth, and tongue), but that his mind functions perfectly, leaving him a prisoner in his own body. Joe attempts suicide by suffocation, but finds that he had been given a tracheotomy which he can neither remove nor control. At first Joe wishes to die, but later decides that he desires to be placed in a glass box and toured around the country in order to show others the true horrors of war. After he successfully communicates with his doctors by banging his head on his pillow in Morse code, however, he realizes that neither desire will be granted; it is implied that he will live the rest of his natural life in his condition. As Joe drifts between reality and fantasy, he remembers his old life with his family and girlfriend, and reflects upon the myths and realities of war. He also forms a bond, of sorts, with a young nurse who senses his plight.

17414

/m/04fpm

Icehenge

Kim Stanley Robinson

1984

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction"}

Icehenge is part mystery, part psychological drama, and is set in three distinct time periods. The story shifts from a failed Martian political revolution of 2248, to an expedition to explore a mysterious monument on the north pole of Pluto three centuries later, and ultimately to a space station orbiting Saturn, home to a reclusive and wealthy woman who may hold the key to solving a mystery spanning centuries.

18187

/m/04mbf

Leviticus

Chapters 1–5 describe the various sacrifices from the sacrificers' point of view, although the priests are essential for handling the blood. Chapters 6–7 go over much the same ground, but from the point of view of the priest, who, as the one actually carrying out the sacrifice and dividing the "portions", needs to know how this is to be done. Sacrifices are to be divided between God, the priest, and the one offerer, although in some cases the entire sacrifice is a single portion consigned to God—i.e., burnt to ashes. Chapters 7–10 describe the consecration (by Moses) of Aaron and his sons as the first priests, the first sacrifices, and God's destruction of two of Aaron's sons for ritual offenses. The purpose is to underline the character of altar priesthood (i.e., those priests empowered to offer sacrifices to God) as an Aaronite privilege, and the restrictions on their position. With sacrifice and priesthood established, chapters 11–15 instruct the lay people on purity (or cleanliness). Eating certain animals produces uncleanliness, as does giving birth; certain skin diseases (but not all) are unclean, as are certain conditions affecting walls and clothing (mildew and similar conditions); and genital discharges, including female menses and male gonorrhea, are unclean. The reasoning behind the food rules are obscure; for the rest the guiding principle seems to be that all these conditions involve a loss of "life force", usually but not always blood. Leviticus 16 concerns the Day of Atonement. This is the only day on which the High Priest is to enter the holiest part of the sanctuary, the holy of holies. He is to sacrifice a bull for the sins of the priests, and a goat for the sins of the laypeople. A third goat is to sent into the desert to "Azazel", bearing the sins of the whole people. Azazel may be a wilderness-demon, but its identity is mysterious. Chapters 17–26 are the Holiness code. It begins with a prohibition on all slaughter of animals outside the Temple, even for food, and then prohibits a long list of sexual contacts and also child sacrifice. The "holiness" injunctions which give the code its name begin with the next section: penalties are imposed for the worship of Molech, consulting mediums and wizards, cursing one's parents and engaging in unlawful sex. Priests are instructed on mourning rituals and acceptable bodily defects. Blasphemy is to be punished with death, and rules for the eating of sacrifices are set out; the calendar is explained, and rules for sabbatical and Jubilee years set out; and rules are made for oil lamps and bread in the sanctuary. The code ends by telling the Israelites they must choose between the law and prosperity on the one hand, or, on the other, horrible punishments, the worst of which will be expulsion from the land. Chapter 27 is a disparate and probably late addition telling about persons and things dedicated to the Lord and how vows can be redeemed instead of fulfilled.

18560

/m/04py7

Leaf by Niggle

J. R. R. Tolkien

In this story, an artist, named Niggle, lives in a society that does not much value art. Working only to please himself, he paints a canvas of a great Tree with a forest in the distance. He invests each and every leaf of his tree with obsessive attention to detail, making every leaf uniquely beautiful. Niggle ends up discarding all his other artworks, or tacks them onto the main canvas, which becomes a single vast embodiment of his vision. However, there are many mundane chores and duties that prevent Niggle from giving his work the attention it deserves, so it remains incomplete and is not fully realized. At the back of his head, Niggle knows that he has a great trip looming, and he must pack and prepare his bags. Also, Niggle's next door neighbour, a gardener named Parish, is the sort of neighbour who always drops by whining about the help he needs with this and that. Moreover, Parish is lame and has a sick wife, and honestly needs help — Niggle, having a good heart, takes time out to help. And Niggle has other pressing work duties that require his attention. Then Niggle himself catches a chill doing errands for Parish in the rain. Eventually, Niggle is forced to take his trip, and cannot get out of it. He has not prepared, and as a result ends up in a kind of institution, in which he must perform menial labour each day. In time he is paroled from the institution, and he is sent to a place 'for a little gentle treatment'. But he discovers that the new country he is sent to is in fact the country of the Tree and Forest of his great painting, now long abandoned and all but destroyed (except for the one perfect leaf of the title which is placed in the local museum) in the home to which he cannot return — but the Tree here and now in this place is the true realization of his vision, not the flawed and incomplete form of his painting. Niggle is reunited with his old neighbour, Parish, who now proves his worth as a gardener, and together they make the Tree and Forest even more beautiful. Finally, Niggle journeys farther and deeper into the Forest, and beyond into the great mountains that he only faintly glimpsed in his painting. Long after both Niggle and Parish have taken their journeys, the lovely field that they built together becomes a place for many travelers to visit before their final voyage into the Mountains, and it earns the name "Niggle's Parish."

18866

/m/04rt6

Macbeth

William Shakespeare

The play opens amidst thunder and lightning, and the Three Witches decide that their next meeting shall be with Macbeth. In the following scene, a wounded sergeant reports to King Duncan of Scotland that his generalsMacbeth, who is the Thane of Glamis, and Banquohave just defeated the allied forces of Norway and Ireland, who were led by the traitorous Macdonwald and the Thane of Cawdor. Macbeth, the King's kinsman, is praised for his bravery and fighting prowess. In the following scene, Macbeth and Banquo discuss the weather and their victory. Macbeth's first line is "So foul and fair a day I have not seen" (1.3.38). As they wander onto a heath, the Three Witches enter and have been waiting to greet them with prophecies. Though Banquo challenges them first, they address Macbeth, hailing him as "Thane of Glamis," "Thane of Cawdor," and that he shall "be King hereafter." Macbeth appears to be stunned to silence. When Banquo asks of his own fortunes, the witches inform him that he will father a line of kings, though he himself will not be one. While the two men wonder at these pronouncements, the witches vanish, and another thane, Ross, arrives and informs Macbeth of his newly bestowed title: Thane of Cawdor, as the previous Thane of Cawdor shall be put to death for his traitorous activities. The first prophecy is thus fulfilled, and Macbeth immediately begins to harbour ambitions of becoming king. King Duncan welcomes and praises Macbeth and Banquo, and declares that he will spend the night at Macbeth's castle at Inverness; he also names his son Malcolm as his heir. Macbeth sends a message ahead to his wife, Lady Macbeth, telling her about the witches' prophecies. Lady Macbeth suffers none of her husband’s uncertainty, and wishes him to murder Duncan in order to obtain kingship. When Macbeth arrives at Inverness, she overrides all of her husband’s objections by challenging his manhood, and successfully persuades him to kill the king that very night. He and Lady Macbeth plan to get Duncan’s two chamberlains drunk so that they will black out; the next morning they will frame the chamberlains for the murder. They will be defenseless, as they will remember nothing. While Duncan is asleep, Macbeth stabs him, despite his doubts and a number of supernatural portents, including a hallucination of a bloody dagger. He is so shaken that Lady Macbeth has to take charge. In accordance with her plan, she frames Duncan's sleeping servants for the murder by placing bloody daggers on them. Early the next morning, Lennox, a Scottish nobleman, and Macduff, the loyal Thane of Fife, arrive. A porter opens the gate and Macbeth leads them to the king's chamber, where Macduff discovers Duncan's body. In a supposed fit of anger, Macbeth murders the guards (in truth, he kills them to prevent them from claiming their innocence). Macduff is immediately suspicious of Macbeth, but does not reveal his suspicions publicly. Duncan’s sons Malcolm and Donalbain flee to England and Ireland, respectively, fearing that whoever killed Duncan desires their demise as well. The rightful heirs' flight makes them suspects and Macbeth assumes the throne as the new King of Scotland as a kinsman of the dead king. Banquo reveals this to the audience, and while skeptical of the new King Macbeth, remembers the witches' prophecy about how his own descendants would inherit the throne. Despite his success, Macbeth, also aware of this part of the prophecy, remains uneasy. Macbeth invites Banquo to a royal banquet, where he discovers that Banquo and his young son, Fleance, will be riding out that night. Macbeth hires two men to kill them; a third murderer appears in the park before the murder. The assassins succeed in killing Banquo, but Fleance escapes. Macbeth becomes furious: as long as Fleance is alive, he fears that his power remains insecure. At the banquet, Macbeth invites his lords and Lady Macbeth to a night of drinking and merriment. Banquo's ghost enters and sits in Macbeth's place. Macbeth raves fearfully, startling his guests, as the ghost is only visible to himself. The others panic at the sight of Macbeth raging at an empty chair, until a desperate Lady Macbeth tells them that her husband is merely afflicted with a familiar and harmless malady. The ghost departs and returns once more, causing the same riotous anger in Macbeth. This time, Lady Macbeth tells the lords to leave, and they do so. Macbeth, disturbed, visits the three witches once more and asks them to reveal the truth of their prophecies to him. To answer his questions, they summon horrible apparitions, each of which offers predictions and further prophecies to allay Macbeth’s fears. First, they conjure an armed head, which tells him to beware of Macduff (4.1.72). Second, a bloody child tells him that no one born of a woman shall be able to harm him. Thirdly, a crowned child holding a tree states that Macbeth will be safe until Great Birnam Wood comes to Dunsinane Hill. Macbeth is relieved and feels secure, because he knows that all men are born of women and forests cannot move. However, the witches conjure a procession of eight crowned kings, all similar in appearance to Banquo, and the last carrying a mirror that reflects even more kings. Macbeth demands to know the meaning of this final vision, but the witches perform a mad dance and then vanish. Lennox enters and tells Macbeth that Macduff has fled to England. Macbeth orders Macduff's castle be seized, and, most cruelly, sends murderers to slaughter Macduff’s wife and children. Everyone in Macduff's castle is put to death, including Lady Macduff and their young son. Meanwhile, Lady Macbeth becomes racked with guilt from the crimes she and her husband have committed. At night, in the king’s palace at Dunsinane, a doctor and a gentlewoman discuss Lady Macbeth’s strange habit of sleepwalking. Suddenly, Lady Macbeth enters in a trance with a candle in her hand. Bemoaning the murders of Duncan, Lady Macduff, and Banquo, she tries to wash off imaginary bloodstains from her hands, all the while speaking of the terrible things she knows she pressed her husband to do. She leaves, and the doctor and gentlewoman marvel at her descent into madness. Her belief that nothing can wash away the blood on her hands is an ironic reversal of her earlier claim to Macbeth that “[a] little water clears us of this deed” (2.2.66). In England, Macduff is informed by Ross that his "castle is surprised; [his] wife and babes / Savagely slaughter'd" (4.3.204-5). When this news of his family’s execution reaches him, Macduff is stricken with grief and vows revenge. Prince Malcolm, Duncan’s son, has succeeded in raising an army in England, and Macduff joins him as he rides to Scotland to challenge Macbeth’s forces. The invasion has the support of the Scottish nobles, who are appalled and frightened by Macbeth’s tyrannical and murderous behavior. Malcolm leads an army, along with Macduff and Englishmen Siward (the Elder), the Earl of Northumberland, against Dunsinane Castle. While encamped in Birnam Wood, the soldiers are ordered to cut down and carry tree limbs to camouflage their numbers. Before Macbeth’s opponents arrive, he receives news that Lady Macbeth has killed herself, causing him to sink into a deep and pessimistic despair and deliver his "Tomorrow, and tomorrow, and tomorrow" soliloquy (5.5.17–28). Though he reflects on the brevity and meaninglessness of life, he nevertheless awaits the English and fortifies Dunsinane. He is certain that the witches’ prophecies guarantee his invincibility, but is struck numb with fear when he learns that the English army is advancing on Dunsinane shielded with boughs cut from Birnam Wood. Birnam Wood is indeed coming to Dunsinane, fulfilling half of the witches’ prophecy. A battle culminates in the slaying of the young Siward and Macduff's confrontation with Macbeth, and the English forces overwhelm his army and castle. Macbeth boasts that he has no reason to fear Macduff, for he cannot be killed by any man born of woman. Macduff declares that he was "from his mother's womb / Untimely ripp'd" (5.8.15–16), (i.e., born by Caesarean section) and was not "of woman born" (an example of a literary quibble), fulfilling the second prophecy. Macbeth realizes too late that he has misinterpreted the witches' words. Though he realizes that he is doomed, he continues to fight. Macduff kills and beheads him, thus fulfilling the first part of the prophecy. Macduff carries Macbeth's head onstage and Malcolm discusses how order has been restored. His last reference to Lady Macbeth, however, reveals "'tis thought, by self and violent hands / Took off her life" (5.9.71–72), leading most to assume that she committed suicide, but the method is undisclosed. Malcolm, now the King of Scotland, declares his benevolent intentions for the country and invites all to see him crowned at Scone. Although Malcolm, and not Fleance, is placed on the throne, the witches' prophecy concerning Banquo ("Thou shalt get kings") was known to the audience of Shakespeare's time to be true: James VI of Scotland (later also James I of England) was supposedly a descendant of Banquo.

19002

/m/04svn

Microserfs

Douglas Coupland

1995-06

{"/m/02ql9": "Epistolary novel", "/m/02xlf": "Fiction"}

The plot of the novel has two distinct movements: the events at Microsoft and in Redmond, Washington, and the movement to Silicon Valley and the "Oop!" project. The novel begins in Redmond as the characters are working on different projects at Microsoft's main campus. Life at the campus feels like a feudalistic society, with Bill Gates as the lord, and the employees the serfs. The majority of the main characters—Daniel (the narrator), Susan, Todd, Bug, Michael, and Abe—are living together in a "geek house", and their lives are dedicated to their projects and the company. Daniel's foundations are shaken when his father, a longtime employee of IBM, is laid off. The lifespan of a Microsoft coder weighs heavily on Daniel's mind. The second movement of the novel begins when the characters are offered jobs in Silicon Valley working on a project for Michael, who has by then left Redmond. All of the housemates—some immediately, some after thought—decide to move to the Valley. The characters' lives change drastically once they leave the limited sphere of the Microsoft campus and enter the world of "One-Point-Oh". They begin to work on a project called "Oop!" (a reference to object-oriented programming). Oop! is a Lego-like design program, allowing dynamic creation of many objects, bearing a resemblance to 2009's Minecraft. (Coupland appears on the rear cover of the novel's hardcover versions photographed in Denmark's Legoland Billund, holding a Lego 747.) One of the undercurrents of the plot is Daniel and his family's relationship to Jed, Daniel's younger brother who died in a boating accident while they were children.

19859

/m/04_m6

Moby-Dick; or, The Whale

Herman Melville

1851-10-18

{"/m/07m5w1": "Sea story", "/m/02xlf": "Fiction", "/m/08sdrw": "Adventure novel"}

"Moby-Dick" begins with the line "Call me Ishmael." According to the American Book Review's rating in 2011, this is one of the most recognizable opening lines in Western literature. The narrator, an observant young man setting out from Manhattan, has experience in the merchant marine but has recently decided his next voyage will be on a whaling ship. On a cold, gloomy night in December, he arrives at the Spouter-Inn in New Bedford, Massachusetts, and agrees to share a bed with a then-absent stranger. When his bunk mate, a heavily tattooed Polynesian harpooner named Queequeg, returns very late and discovers Ishmael beneath his covers, both men are alarmed, but the two quickly become close friends and decide to sail together from Nantucket, Massachusetts on a whaling voyage. In Nantucket, the pair signs on with the Pequod, a whaling ship that is soon to leave port. The ship’s captain, Ahab, is nowhere to be seen; nevertheless, they are told of him — a "grand, ungodly, godlike man," who has "been in colleges as well as 'mong the cannibals," according to one of the owners. The two friends encounter a mysterious man named Elijah on the dock after they sign their papers and he hints at troubles to come with Ahab. The mystery grows on Christmas morning when Ishmael spots dark figures in the mist, apparently boarding the Pequod shortly before it sets sail that day. The ship’s officers direct the early voyage while Ahab stays in his cabin. The chief mate is Starbuck, a serious, sincere Quaker and fine leader; second mate is Stubb, happy-go-lucky and cheerful and always smoking his pipe; the third mate is Flask, short and stout but thoroughly reliable. Each mate is responsible for a whaling boat, and each whaling boat of the Pequod has its own pagan harpooneer assigned to it. Some time after sailing, Ahab finally appears on the quarter-deck one morning, an imposing, frightening figure whose haunted visage sends shivers over the narrator. One of his legs is missing from the knee down and has been replaced by a prosthesis fashioned from a sperm whale's jawbone. Soon gathering the crewmen together, with a rousing speech Ahab secures their support for his single, secret purpose for this voyage: hunting down and killing Moby Dick, an old, very large sperm whale, with a snow-white hump and mottled skin, that crippled Ahab on his last whaling voyage. Only Starbuck shows any sign of resistance to the charismatic but monomaniacal captain. The first mate argues repeatedly that the ship’s purpose should be to hunt whales for their oil, with luck returning home profitably, safely, and quickly, but not to seek out and kill Moby Dick in particular — and especially not for revenge. Eventually even Starbuck acquiesces to Ahab's will, though harboring misgivings. The mystery of the dark figures seen before the Pequod set sail is explained during the voyage's first lowering for whales. Ahab has secretly brought along his own boat crew, including a mysterious harpooneer named Fedallah (also referred to as 'the Parsee'), an inscrutable figure with a sinister influence over Ahab. Later, while watching one night over a captured whale carcass, Fedallah gives dark prophecies to Ahab regarding their twin deaths. The novel describes numerous "gams," social meetings of two ships on the open sea. Crews normally visit each other during a gam, captains on one vessel and chief mates on the other. Mail may be exchanged and the men talk of whale sightings or other news. For Ahab, however, there is but one relevant question to ask of another ship: “Hast seen the White Whale?” After meeting several other whaling ships, which have their own peculiar stories, the Pequod enters the Pacific Ocean. Queequeg becomes deathly ill and requests that a coffin be built for him by the ship’s carpenter. Just as everyone has given up hope, Queequeg changes his mind, deciding to live after all, and recovers quickly. His coffin becomes his sea chest, and is later caulked and pitched to replace the Pequods life buoy. Soon word is heard from other whalers of Moby Dick. The jolly Captain Boomer of the Samuel Enderby has lost an arm to the whale, and is stunned at Ahab's burning need for revenge. Next they meet the Rachel, which has seen Moby Dick very recently. As a result of the encounter, one of its boats is missing; the captain’s youngest son had been aboard. The Rachels captain begs Ahab to aid in the search for the missing boat, but Ahab is resolute; the Pequod is very near the White Whale now and will not stop to help. Finally the Delight is met, even as its captain buries a sailor who had been killed by Moby Dick. Starbuck begs Ahab one final time to reconsider his thirst for vengeance, but to no avail. The next day, the Pequod meets Moby Dick. For two days, the Pequods crew pursues the whale, which wreaks widespread destruction, including the disappearance of Fedallah. On the third day, Moby Dick rises up to reveal Fedallah's corpse tied to him by harpoon ropes. Even after the initial battle on the third day, it is clear that while Ahab is a vengeful whale-hunter, Moby Dick, while dangerous and fearless, is not motivated to hunt humans. As he swims away from the Pequod, Starbuck exhorts Ahab one last time to desist, observing that: Ahab ignores this voice of reason and continues with his ill-fated chase. As the three boats sail out to hunt him, Moby Dick damages two of them, forcing them to go back to the ship and leaving only Ahab's vessel intact. Ahab harpoons the whale, but the harpoon-line breaks. Moby Dick then rams the Pequod itself, which begins to sink. As Ahab harpoons the whale again, the unfolding harpoon-line catches him around his neck and he is dragged into the depths of the sea by the diving Moby Dick. The boat is caught up in the whirlpool of the sinking ship, which takes almost all the crew to their deaths. Only Ishmael survives, clinging to Queequeg’s coffin-turned-life buoy for an entire day and night before the Rachel rescues him.

20361

/m/053lw

Moonfleet

J. Meade Falkner

1898

{"/m/08sdrw": "Adventure novel"}

In 1757, Moonfleet is a small village near the sea in the south of England. It gets its name from a formerly prominent local family, the Mohunes, whose coat of arms included a symbol shaped like a capital 'Y'. John Trenchard is an orphan who lives with his aunt, Miss Arnold. Other notable residents are the sexton Mr Ratsey who is friendly to John, Parson Glennie, the local clergyman who also teaches in the village school, Elzevir Block, the landlord of the local inn, called the Mohune Arms but nicknamed the Why Not? because of its sign with the Mohune 'Y', and Mr Maskew, the unpopular local magistrate and his beautiful daughter, Grace. Village legend tells of the notorious Colonel John "Blackbeard" Mohune who is buried in the family crypt under the church. He is reputed to have stolen a diamond from King Charles I and hidden it. His ghost is said to wander at night looking for it and the mysterious lights in the churchyard are attributed to his activities. As the main part of the story opens, Block's youthful son, David, has just been killed by Maskew during an attack by the authorities on a smuggling boat. One night a bad storm hits the village and there is a flood. While attending the Sunday service at church, John hears strange sounds from the crypt below. He thinks it is the sound of the coffins of the Mohune family. The next day, he finds Elzevir and Ratsey against the south wall of the church. They claim to be checking for damage from the storm, but John suspects they are searching for Blackbeard's ghost. Later John finds a large sinkhole has opened in the ground by a grave. He follows the passage and finds himself in the crypt with coffins on shelves and casks on the floor. He realises his friends are smugglers and this is their hiding place. He has to hide behind a coffin when he hears Ratsey and Elzevir coming. When they leave, they fill in the hole, inadvertently trapping him. John finds a locket in a coffin which holds a piece of paper with verses from the Bible. John eventually passes out after drinking too much of the wine while trying to quench his thirst, having not eaten or drunk for days. Later he wakes up in the Why Not? Inn- he has been rescued by Elzevir and Ratsey. When he is better, he returns to his Aunt's house, but she, suspecting him of drunken behaviour, throws him out. Fortunately, Elzevir takes him in. But when Block's lease on the Why Not? comes up for renewal, Maskew bids against him in the auction and wins. Block must leave the inn and Moonfleet but plans one last smuggling venture. John feels honour-bound to go with him, and sadly, says goodbye to Grace Maskew, whom he loves and has been seeing in secret, and gets his mother's prayer book as a good luck charm. The excisemen and Maskew are aware of the planned smuggling run but do not know exactly where it will occur. During the landing Maskew appears and is caught by the smugglers. Elzevir is bent on vengeance for his son by killing Maskew, and while the rest land the cargo and leave, he and John keep watch over Maskew. Just as Block prepares to shoot Maskew the excisemen attack. They kill Maskew and wound John. Block carries John away to safety and they hide in some old quarries. While there, John inadvertently finds out that the verses from Blackbeard's locket contain a code which will reveal the location of his famous diamond. Once John's wound heals, he and Block decide to recover the diamond from Carisbrooke Castle. After a suspenseful scene in the well where the jewel is hidden, they succeed and escape to Holland where they try to sell it to a Jewish diamond merchant named Crispin Aldobrand. The merchant cheats them, claiming the diamond is fake. Elzevir falls for the deceit and angrily throws the diamond out of the window. John, however, knows they have been duped, and suggests they try to recover the diamond through burglary. The attempt fails and, they are arrested and sentenced to prison. John curses the merchant for his lies. John and Elzevir go to prison for life. Eventually they are separated. Then, unexpectedly, ten years later, their paths cross again. They are being transported, and board a ship. A storm blows up, and by a strong coincidence, John and Elzevir find themselves near Moonfleet. They throw themselves into the sea and start to swim to shore. Elzevir helps John to safety, but is himself dragged under by the tide and drowned. So John ends up back where his whole adventure started, in the Why Not?, and is reunited with Ratsy. He is also reunited with Grace. She is now a rich young lady, having inherited her father's money. However, she is still in love with John, and they decide to marry. John tells her about the diamond and his life in prison. He regrets having lost everything, but then Parson Glennie receives a letter from Aldobrand. The merchant suffered a guilty conscience, and in an attempt to make amends, has bequeathed the worth of the diamond to John. John gives the money to the village, and new almshouses are built, and the school and the church renovated. John marries Grace and becomes Lord of the Manor and Justice of the Peace. Their three children grow up and their sons leave home, including their first-born son, Elzevir. But John and Grace themselves have no plans to leave their beloved Moonfleet ever again. A feature of the narrative is a continuing reference to the boardgame of backgammon which is played by the patrons of the Why Not? on an antique board which bears a Latin inscription Ita in vita ut in lusu alae pessima jactura arte corrigenda est (translated in the book as As in life, so in a game of hazard, skill will make something of the worst of throws). This inscription provides a moralistic metaphor to the story of the orphan boy who in the end overcomes his travails.

21725

/m/05g5q

Neuromancer

William Gibson

7/1/1984

{"/m/01qpc": "Cyberpunk", "/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/026ny": "Dystopia"}

Henry Dorsett Case is a low-level hustler in the dystopian underworld of Chiba City, Japan. Once a talented computer hacker, Case was caught stealing from his employer. As punishment for his theft, Case's central nervous system was damaged with a mycotoxin, leaving him unable to use keyboard skills to access the global computer network in cyberspace, a virtual reality dataspace called the "Matrix". Unemployable, addicted to drugs, and suicidal, Case desperately searches the Chiba "black clinics" for a miracle cure. Case is saved by Molly Millions, an augmented "street samurai" and mercenary for a shadowy ex-military officer named Armitage, who offers to cure Case in exchange for his services as a hacker. Case jumps at the chance to regain his life as a "console cowboy," but neither Case nor Molly know what Armitage is really planning. Case's nervous system is repaired using new technology that Armitage offers the clinic as payment, but he soon learns from Armitage that sacs of the poison that first crippled him have been placed in his blood vessels as well. Armitage promises Case that if he completes his work in time, the sacs will be removed; otherwise they will dissolve, disabling him again. He also has Case's pancreas replaced and new tissue grafted into his liver, leaving Case incapable of metabolizing cocaine or amphetamines and apparently ending his drug addiction. Case develops a close personal relationship with Molly, who suggests that he begin looking into Armitage's background. Meanwhile, Armitage assigns them their first job: they must steal a ROM module that contains the saved consciousness of one of Case's mentors, legendary cyber-cowboy McCoy Pauley, nicknamed "Dixie Flatline." Pauley's hacking expertise is needed by Armitage, and the ROM construct is stored in the corporate headquarters of media conglomerate Sense/Net. A street gang named the "Panther Moderns" are hired to create a simulated terrorist attack on Sense/Net. The diversion allows Molly to penetrate the building and steal Dixie's ROM. Case and Molly continue to investigate Armitage, discovering his former identity of Colonel Willis Corto. Corto was a member of "Operation Screaming Fist," which planned on infiltrating and disrupting Soviet computer systems from ultralight aircraft dropped over Russia. The Russian military had learned of the idea and installed defenses to render the attack impossible, but the military went ahead with Screaming Fist, with a new secret purpose of testing these Russian defenses. As the Operation team attacked a Soviet computer center, EMP weapons shut down their computers and flight systems, and Corto and his men were targeted by Soviet laser defenses. He and a few survivors commandeered a Soviet military helicopter and escaped over the heavily guarded Finnish border. Everyone was killed except Corto, who was seriously wounded and heavily mutilated by Finnish defense forces attacking as they were landing the helicopter. Corto after some months in hospital is visited by a Government military official and then medically rebuilt to be able to provide what he came to realise was fake testimony, designed to mislead the public and protect the military officers who had covered up knowledge of the EMP weapons. After the trials, Corto snaps, killing the Government official who contacted him and then disappears into the criminal underworld. In Istanbul, the team recruits Peter Riviera, an artist, thief, and drug addict who is able to project detailed holographic illusions with the aid of sophisticated cybernetic implants. Although Riviera is a sociopath, Armitage coerces him into joining the team. The trail leads Case and Molly to a powerful artificial intelligence named Wintermute, created by the plutocratic Tessier-Ashpool family, who spend most of their inactive time in cryonic preservation inside Villa Straylight, a labyrinthine mansion located at one end of Freeside, a cylindrical space habitat located at L5, and functioning primarily as a Las Vegas-style space resort for the wealthy. Wintermute's nature is finally revealed – it is one-half of a super-AI entity planned by the family, although its exact purpose is unknown. The Turing Law Code governing AIs bans the construction of such entities; to get around this, it had to be built as two separate AIs. Wintermute was programmed by the Tessier-Ashpool dynasty with a need to merge with its other half – Neuromancer. Unable to achieve this merger on its own, Wintermute recruited Armitage and his team to help complete the goal. Case is tasked with entering cyberspace to pierce the Turing-imposed software barriers using a powerful icebreaker program. At the same time, Riviera is to obtain the password to the Turing lock from Lady 3Jane Marie-France Tessier-Ashpool, an unfrozen daughter clone and the current leader of Tessier-Ashpool SA. Wintermute believes Riviera will pose an irresistible temptation to her, and that she will give him the password. The password must be spoken into an ornate computer terminal located in the Tessier-Ashpool home in Villa Straylight, and entered simultaneously as Case pierces the software barriers in cyberspace – otherwise the Turing lock will remain intact. Armitage's team attracts the attention of the Turing Police, whose job is to prevent AIs from exceeding their built-in limitations. As Molly and Riviera gain entrance to Villa Straylight, three officers arrest Case and take him into custody; Wintermute manipulates the orbital casino's security and maintenance systems and kills the officers, allowing Case to escape. The Armitage personality starts to disintegrate and revert to the Corto personality as he relives Screaming Fist. It is revealed that in the past, Wintermute had originally contacted Corto through a bedside computer during his convalescence, eventually convincing Corto that he was Armitage. Wintermute used him to persuade Case and Molly to help it merge with its twin AI, Neuromancer. Finally, Armitage becomes the shattered Corto again, but his newfound personality is short-lived as he is killed by Wintermute. Inside Villa Straylight, Molly is captured by Riviera and Lady 3Jane. Worried about Molly and operating under orders from Wintermute, Case tracks her down with help from Maelcum, his Rastafarian pilot. Neuromancer attempts to trap Case within a cyber-construct where he finds the consciousness of Linda Lee, his girlfriend from Chiba City, who was murdered by one of Case's underworld contacts. Case manages to escape flatlining inside the construct by choosing of his own free will not to stay. Freeing himself, Case takes Maelcum and confronts Lady 3Jane, Riviera, and Hideo, Lady 3Jane's ninja bodyguard. Riviera tries to kill Case, but Lady 3Jane is sympathetic towards Case and Molly, and Hideo protects him. Riviera blinds Hideo, but flees when he learns that the ninja is just as adept without his sight. Molly then explains to Case that Riviera is doomed anyway, as he has been fatally poisoned by his drugs, which she had spiked. With Lady 3Jane in possession of the password, the team makes it to the computer terminal. Case ascends to cyberspace to guide the icebreaker to penetrate its target; Lady 3Jane is induced to give up her password and the lock is opened. Wintermute unites with Neuromancer, fusing into a greater entity. The poison in Case's bloodstream is washed out, and he and Molly are handsomely paid for their efforts, while Pauley's ROM construct is apparently erased, at his own request. In the epilogue, Molly leaves Case. Case finds a new girlfriend, resumes his hacking work, and spends his earnings from the mission replacing his internal organs so that he can continue his previous drug use. Wintermute/Neuromancer contacts him, saying that it has become "the sum total of the works, the whole show," and has begun looking for other AIs like itself. Scanning old recorded transmissions from the 1970s, the super-AI finds a lone AI transmitting from the Alpha Centauri star system. In the matrix, Case hears inhuman laughter, a trait associated with Pauley during Case's work with his ROM construct, thus suggesting that Pauley was not erased after all, but instead worked out a side deal with Wintermute/Neuromancer to be freed from the construct so he could exist in the matrix. In the end, while logged into the matrix, Case catches a glimpse of himself, his dead girlfriend Linda Lee, and Neuromancer. The implication of the sighting is that Neuromancer created a copy of Case's consciousness when it previously tried to trap him. The copy of Case's consciousness now exists with that of Linda's, in the matrix, where they are together forever.

21861

/m/05h8j

Cryptonomicon

Neal Stephenson

1999

{"/m/02xlf": "Fiction", "/m/05hgj": "Novel"}

The action takes place in two periods: the Second World War and the late 1990s, during the Internet boom. In 1942, Lawrence Pritchard Waterhouse, a young U.S. Navy code breaker and mathematical genius, is assigned to the newly formed joint British and American Detachment 2702. This ultra-secret unit's role is to hide the fact that Allied Intelligence has cracked the German Enigma code. The detachment stages events, often behind enemy lines, that provide alternative explanations for the Allied intelligence successes. Marine sergeant Bobby Shaftoe, a veteran of China and Guadalcanal, serves in unit 2702, carrying out Waterhouse's plans. At the same time, Japanese soldiers including mining engineer Goto Dengo, an old friend of Shaftoe's, are assigned to build a mysterious bunker in the mountains in the Philippines as part of what turns out to be a literal suicide mission. Circa 1997, Randy Waterhouse (Lawrence's grandson) joins his old Dungeons and Dragons companion Avi Halaby in a new startup, providing Pinoy-grams to migrant Filipinos via new fiber-optic cables. The aptly named Epiphyte Corporation uses this income stream to fund the creation of a data haven in the nearby fictional Sultanate of Kinakuta. Vietnam veteran Doug Shaftoe and his daughter Amy do the undersea surveying for the cables and engineering work on the haven is overseen by Goto Furudenendu, heir-apparent to Goto Engineering. Complications arise as figures from the past reappear seeking gold or revenge.

22113

/m/05k0h

No Logo

Naomi Klein

2000-01

{"/m/09s1f": "Business", "/m/05h83": "Non-fiction", "/m/02j62": "Economics", "/m/0h5k": "Anthropology", "/m/06ms6": "Sociology", "/m/02xlf": "Fiction"}

The book comprises four sections: "No Space", "No Choice", "No Jobs", and "No Logo". The first three deal with the negative effects of brand-oriented corporate activity, while the fourth discusses various methods people have taken in order to fight back. The book begins by tracing the history of brands. Klein argues that there has been a shift in the usage of branding. There is an actual clothing brand NOLOGO which has existed since the late 1980s and can be seen at www.nologo.com. This is an excellent example of this shift to an "anti-brand" brand. Early examples of brands were often used to put a recognizable face on factory-produced products. These slowly gave way to the idea of selling lifestyles. According to Klein, in response to an economic crash in the 1980s (Latin American debt crisis, Black Monday (1987), Savings and loan crisis Japanese asset price bubble), corporations began to seriously rethink their approach to marketing, and began to target the youth demographic, as opposed to the baby boomers, who had previously been considered a much more valuable segment. The book discusses how brand names such as Nike or Pepsi expanded beyond the mere products which bore their names, and how these names and logos began to appear everywhere. As this happened, the brands' obsession with the youth market drove them to further associate themselves with whatever the youth considered "cool". Along the way, the brands attempted to have their names associated with everything from movie stars and athletes to grassroots social movements. Klein argues that large multinational corporations consider the marketing of a brand name to be more important than the actual manufacture of products; this theme recurs in the book and Klein suggests that it helps explain the shift to production in Third World countries in such industries as clothing, footwear, and computer hardware. This section also looks at ways in which brands have "muscled" their presence into the school system, and how in doing so, they have pipelined advertisements into the schools, and have used their position to gather information about the students. Klein argues that this is part of a trend toward targeting younger and younger consumers. In the second section, Klein discusses how brands use their size and clout to limit the number of choices available to the public – whether through market dominance (Wal-Mart) or through aggressive invasion of a region (Starbucks). Klein argues that the goal of each company is to become the dominant force in its respective field. Meanwhile, other corporations, such as Sony or Disney, simply open their own chains of stores, preventing the competition from even putting their products on the shelves. This section also discusses the way that corporations merge with one another in order to add to their ubiquity and provide greater control over their image. ABC News, for instance, is allegedly under pressure not to air any stories that are overly critical of Disney, its parent company. Other chains, such as Wal-Mart, often threaten to pull various products off of their shelves, forcing manufacturers and publishers to comply with their demands. This might mean driving down manufacturing costs, or changing the artwork or content of products like magazines or albums so they better fit with Wal-Mart's image of family friendliness. Also discussed is the way that corporations abuse copyright laws in order to silence anyone who might attempt to criticize their brand. In this section, the book takes a darker tone, and looks at the way in which manufacturing jobs move from local factories to foreign countries, and particularly to places known as export processing zones. Such zones have no labor laws, leading to dire working conditions. The book then shifts back to North America, where the lack of manufacturing jobs has led to an influx of work in the service sector, where most of the jobs are for minimum wage and offer no benefits. The term McJob is introduced, defined as a job with poor compensation that does not keep pace with inflation, inflexible or undesirable hours, little chance of advancement, and high levels of stress. Meanwhile, the public is being sold the perception that these jobs are temporary employment for students and recent graduates, and therefore need not offer living wages or benefits. All of this is set against a backdrop of massive profits and wealth being produced within the corporate sector. The result is a new generation of employees who have come to resent the success of the companies they work for. This resentment, along with rising unemployment, labour abuses abroad, disregard for the environment and the ever-increasing presence of advertising breeds a new disdain for corporations. The final section of the book discusses various movements that have sprung up during the 1990s. These include Adbusters magazine and the culture-jamming movement, as well as Reclaim the Streets and the McLibel trial. Less radical protests are also discussed, such as the various movements aimed at putting an end to sweatshop labour. Klein concludes by contrasting consumerism and citizenship, opting for the latter. "When I started this book," she writes, "I honestly didn't know whether I was covering marginal atomized scenes of resistance or the birth of a potentially broad-based movement. But as time went on, what I clearly saw was a movement forming before my eyes."

22349

/m/05lm8

Odyssey

Nextext

The Odyssey begins ten years after the end of the ten-year Trojan War that is the subject of the Iliad, and Odysseus has still not returned home from the war. Odysseus' son Telemachus is about 20 years old and is sharing his absent father’s house on the island of Ithaca with his mother Penelope and a crowd of 108 boisterous young men, "the Suitors", whose aim is to persuade Penelope to marry one of them, all the while enjoying the hospitality of Odysseus' household and eating up his wealth. Odysseus’ protectress, the goddess Athena, discusses his fate with Zeus, king of the gods, at a moment when Odysseus' enemy, the god of the sea Poseidon, is absent from Mount Olympus. Then, disguised as a Taphian chieftain named Mentes (otherwise known as “Mentor”), she visits Telemachus to urge him to search for news of his father. He offers her hospitality; they observe the Suitors dining rowdily while the bard Phemius performs a narrative poem for them. Penelope objects to Phemius' theme, the "Return from Troy", because it reminds her of her missing husband, but Telemachus rebuts her objections. That night Athena, disguised as Telemachus, finds a ship and crew for the true Telemachus. The next morning, Telemachus calls an assembly of citizens of Ithaca to discuss what should be done with the suitors. Accompanied by Athena (still disguised as Mentor), he departs for the Greek mainland and the household of Nestor, most venerable of the Greek warriors at Troy, now at home in Pylos. From there, Telemachus rides overland, accompanied by Nestor's son, Peisistratus, to Sparta, where he finds Menelaus and Helen who are now reconciled. He is told that they returned to Sparta after a long voyage by way of Egypt. There, on the island of Pharos, Menelaus encountered the old sea-god Proteus, who told him that Odysseus was a captive of the nymph Calypso. Incidentally, Telemachus learns the fate of Menelaus’ brother Agamemnon, king of Mycenae and leader of the Greeks at Troy: he was murdered on his return home by his wife Clytemnestra and her lover Aegisthus. Then the story of Odysseus is told. He has spent seven years in captivity on Calypso's island, Ogygia. Calypso falls deeply in love with him but he has consistently spurned her advances. She is persuaded to release him by Odysseus' great-grandfather, the messenger god Hermes, who has been sent by Zeus in response to Athena's plea. Odysseus builds a raft and is given clothing, food and drink by Calypso. When Poseidon finds out that Odysseus has escaped, he wrecks the raft but, helped by a veil given by the sea nymph Ino, Odysseus swims ashore on Scherie, the island of the Phaeacians. Naked and exhausted, he hides in a pile of leaves and falls asleep. The next morning, awakened by the laughter of girls, he sees the young Nausicaa, who has gone to the seashore with her maids to wash clothes after Athena told her in a dream to do so. He appeals to her for help. She encourages him to seek the hospitality of her parents, Arete and Alcinous, or Alkinous. Odysseus is welcomed and is not at first asked for his name. He remains for several days, takes part in a pentathlon, and hears the blind singer Demodocus perform two narrative poems. The first is an otherwise obscure incident of the Trojan War, the "Quarrel of Odysseus and Achilles"; the second is the amusing tale of a love affair between two Olympian gods, Ares and Aphrodite. Finally, Odysseus asks Demodocus to return to the Trojan War theme and tell of the Trojan Horse, a stratagem in which Odysseus had played a leading role. Unable to hide his emotion as he relives this episode, Odysseus at last reveals his identity. He then begins to tell the story of his return from Troy. After a piratical raid on Ismaros in the land of the Cicones, he and his twelve ships were driven off course by storms. They visited the lethargic Lotus-Eaters who gave two of his men their fruit which caused them to forget their homecoming, and then were captured by the Cyclops Polyphemus, escaping by blinding him with a wooden stake. While they were escaping, however, Odysseus foolishly told Polyphemus his identity, and Polyphemus told his father, Poseidon, that Odysseus had blinded him. Poseidon then curses Odysseus to wander the sea for ten years, during which he would lose all his crew and return home through the aid of others. After their escape, they stayed with Aeolus, the master of the winds and he gave Odysseus a leather bag containing all the winds, except the west wind, a gift that should have ensured a safe return home. However, the greedy sailors foolishly opened the bag while Odysseus slept, thinking it contained gold. All of the winds flew out and the resulting storm drove the ships back the way they had come, just as Ithaca came into sight. After unsuccessfully pleading with Aeolus to help them again, they re-embarked and encountered the cannibalistic Laestrygonians. All of Odysseus’s ships except his own entered the harbor of the Laestrygonians’ Island and were immediately destroyed. He sailed on and visited the witch-goddess Circe. She turned half of his men into swine after feeding them cheese and wine. Hermes warned Odysseus about Circe and gave Odysseus a drug called moly which gave him resistance to Circe’s magic. Circe, surprised by Odysseus' resistance, agreed to change his men back to their human form in exchange for Odysseus' love. They remained with her on the island for one year, while they feasted and drank. Finally, guided by Circe's instructions, Odysseus and his crew crossed the ocean and reached a harbor at the western edge of the world, where Odysseus sacrificed to the dead. He first encountered the spirit of crewmember Elpenor, who had gotten drunk and fallen from a roof to his death, which had gone unnoticed by others, before Odysseus and the rest of his crew had left Circe. Elpenor's ghost told Odysseus to bury his body, which Odysseus promised to do. Odysseus then summoned the spirit of the old prophet Tiresias for advice on how to appease the gods upon his return home. Next Odysseus met the spirit of his own mother, who had died of grief during his long absence. From her, he got his first news of his own household, threatened by the greed of the Suitors. Finally, he met the spirits of famous men and women. Notably he encountered the spirit of Agamemnon, of whose murder he now learned, and Achilles, who told him about the woes of the land of the dead (for Odysseus' encounter with the dead, see also Nekuia). Returning to Circe’s island, they were advised by her on the remaining stages of the journey. They skirted the land of the Sirens, who sang an enchanting song that normally caused passing sailors to steer toward the rocks, only to hit them and sink. All of the sailors except for Odysseus, who was tied to the mast as he wanted to hear the song, had their ears plugged up with beeswax. They then passed between the six-headed monster Scylla and the whirlpool Charybdis, Odysseus losing six men to Scylla, and landed on the island of Thrinacia. Zeus caused a storm which prevented them leaving. While Odysseus was away praying, his men ignored the warnings of Tiresias and Circe and hunted down the sacred cattle of the sun god Helios as their food had run short. The Sun God insisted that Zeus punish the men for this sacrilege. They suffered a shipwreck as they were driven towards Charybdis. All but Odysseus were drowned; he clung to a fig tree above Charybdis. Washed ashore on the island of Calypso, he was compelled to remain there as her lover until she was ordered by Zeus via Hermes to release Odysseus. Having listened with rapt attention to his story, the Phaeacians, who are skilled mariners, agree to help Odysseus get home. They deliver him at night, while he is fast asleep, to a hidden harbour on Ithaca. He finds his way to the hut of one of his own slaves, the swineherd Eumaeus. Athena disguises Odysseus as a wandering beggar so he can see how things stand in his household. After dinner, he tells the farm laborers a fictitious tale of himself: He was born in Crete, had led a party of Cretans to fight alongside other Greeks in the Trojan War, and had then spent seven years at the court of the king of Egypt; finally he had been shipwrecked in Thesprotia and crossed from there to Ithaca. Meanwhile, Telemachus sails home from Sparta, evading an ambush set by the Suitors. He disembarks on the coast of Ithaca and makes for Eumaeus’s hut. Father and son meet; Odysseus identifies himself to Telemachus (but still not to Eumaeus), and they decide that the Suitors must be killed. Telemachus goes home first. Accompanied by Eumaeus, Odysseus returns to his own house, still pretending to be a beggar. He is ridiculed by the Suitors in his own home, especially by one extremely impertinent man named Antinous. Odysseus meets Penelope and tests her intentions by saying he once met Odysseus in Crete. Closely questioned, he adds that he had recently been in Thesprotia and had learned something there of Odysseus’s recent wanderings. Odysseus’s identity is discovered by the housekeeper, Eurycleia, when she recognizes an old scar as she is washing his feet. Eurycleia tries to tell Penelope about the beggar's true identity, but Athena makes sure that Penelope cannot hear her. Odysseus then swears Eurycleia to secrecy. The next day, at Athena’s prompting, Penelope maneuvers the Suitors into competing for her hand with an archery competition using Odysseus' bow. The man who can string the bow and shoot it through a dozen axe heads would win. Odysseus takes part in the competition himself: he alone is strong enough to string the bow and shoot it through the dozen axe heads, making him the winner. He then turns his arrows on the Suitors and with the help of Athena, Telemachus, Eumaeus and Philoteus the cowherd, he kills all the Suitors. Odysseus and Telemachus hang twelve of their household maids, who had betrayed Penelope or had sex with the Suitors, or both; they mutilate and kill the goatherd Melanthius, who had mocked and abused Odysseus. Now at last, Odysseus identifies himself to Penelope. She is hesitant, but accepts him when he mentions that their bed was made from an olive tree still rooted to the ground. Many modern and ancient scholars take this to be the original ending of the Odyssey, and the rest to be an interpolation. The next day he and Telemachus visit the country farm of his old father Laertes, who likewise accepts his identity only when Odysseus correctly describes the orchard that Laertes had previously given him. The citizens of Ithaca have followed Odysseus on the road, planning to avenge the killing of the Suitors, their sons. Their leader points out that Odysseus has now caused the deaths of two generations of the men of Ithaca: his sailors, not one of whom survived; and the Suitors, whom he has now executed. The goddess Athena intervenes and persuades both sides to give up the vendetta, a deus ex machina. After this, Ithaca is at peace once more, concluding the Odyssey.

22460

/m/05mdd

Othello

William Shakespeare

The play opens with Roderigo, a rich and dissolute gentleman, complaining to Iago, a high-ranking soldier, that Iago has not told him about the secret marriage between Desdemona, the daughter of a Senator named Brabantio, and Othello, a Moorish general in the Venetian army. He is upset by this development because he loves Desdemona and had previously asked her father for her hand in marriage. Iago hates Othello for promoting a younger man named Michael Cassio above him, and tells Roderigo that he plans to use Othello for his own advantage. Iago is also angry because he believes, or at least gives the pretence of belief, that Othello slept with his wife Emilia. Iago denounces Cassio as a scholarly tactician with no real battle experience; in contrast, Iago is a battle-tested soldier. By emphasizing Roderigo's failed bid for Desdemona, and his own dissatisfaction with serving under Othello, Iago convinces Roderigo to wake Brabantio, Desdemona's father, and tell him about his daughter's elopement. Iago sneaks away to find Othello and warns him that Brabantio is coming for him. Before Brabantio reaches Othello, news arrives in Venice that the Turks are going to attack Cyprus; therefore Othello is summoned to advise the senators. Brabantio arrives and accuses Othello of seducing Desdemona by witchcraft, but Othello defends himself successfully before an assembly that includes the Duke of Venice, Brabantio's kinsman Lodovico and Gratiano, and various senators. He explains that Desdemona became enamored of him for the stories he told of his early life, not because of any witchcraft. The senate is satisfied, but Brabantio leaves saying that Desdemona will betray Othello. By order of the Duke, Othello leaves Venice to command the Venetian armies against invading Turks on the island of Cyprus, accompanied by his new wife, his new lieutenant Cassio, his ensign Iago, and Emilia as Desdemona's attendant. The party arrives in Cyprus to find that a storm has destroyed the Turkish fleet. Othello orders a general celebration. Iago schemes to use Cassio to ruin Othello and takes the opportunity of Othello's absence at the celebration to persuade Roderigo to engage Cassio in a fight. He achieves this by getting Cassio drunk after Cassio's own admission that he cannot hold his wine. The brawl alarms the citizenry, and Othello is forced to quell the disturbance. Othello blames Cassio for the disturbance and strips him of his rank. Cassio is distraught, but Iago persuades him to importune Desdemona to act as an intermediary between himself and Othello, and persuade her husband to reinstate him. Iago now persuades Othello to be suspicious of Cassio and Desdemona. As it happens, Cassio is having a relationship of sorts with Bianca, a prostitute. Desdemona drops a handkerchief that was Othello's first gift to Desdemona and which he has stated holds great significance to him in the context of their relationship. Emilia steals it, at the request of Iago, but unaware of what he plans to do with the handkerchief. Iago plants it in Cassio's lodgings as evidence of Cassio and Desdemona's affair. After he has planted the handkerchief, Iago tells Othello to stand apart and watch Cassio's reactions while Iago questions him about the handkerchief. Iago goads Cassio on to talk about his affair with Bianca, but speaks her name so quietly that Othello believes the two other men are talking about Desdemona when Cassio is really speaking of Bianca. Bianca, on discovering the handkerchief, chastises Cassio, accusing him of giving her a second-hand gift which he received from another lover. Othello sees this, and Iago convinces him that Cassio received the handkerchief from Desdemona. Enraged and hurt, Othello resolves to kill his wife and asks Iago to kill Cassio as a duty to their intimacy. Othello proceeds to make Desdemona's life miserable, hitting her in front of her family. Desdemona laments her suffering, remembering the fate of her mother's maid, who was forsaken by her lover. Roderigo complains that he has received nothing for his efforts and threatens to abandon his pursuit of Desdemona, but Iago convinces him to kill Cassio instead, because Cassio has just been appointed governor of Cyprus, and — Iago argues — if Cassio lives to take office, Othello and Desdemona will leave Cyprus, thwarting Roderigo's plans to win Desdemona. Roderigo attacks Cassio in the street after Cassio leaves Bianca's lodgings. They fight and both are wounded. Cassio's leg is cut from behind by Iago who manages to hide his identity as perpetrator. Passers-by arrive to help; Iago joins them, pretending to help Cassio. When Cassio identifies Roderigo as one of his attackers, Iago secretly stabs Roderigo to stop him from confessing. He then accuses Bianca of the failed conspiracy to kill Cassio. In the night, Othello confronts Desdemona, and then smothers her to death in bed, before Emilia arrives. Othello tries to justify his actions to the distressed Emilia by accusing Desdemona of adultery. Emilia calls for help. The Governor arrives, with Iago, Cassio, and others, and Emilia begins to explain the situation. When Othello mentions the handkerchief as proof, Emilia realizes what Iago has done. She exposes him, whereupon Iago kills her. Othello, realizing Desdemona's innocence, attacks Iago but does not kill him, saying that he would rather have Iago live the rest of his life in pain. For his part, Iago refuses to explain his motives, vowing to remain silent from that moment on. Lodovico, a Venetian nobleman, apprehends both Iago and Othello, but Othello commits suicide with a sword before they can take him into custody. At the end, it can be assumed, Iago is taken off to be tortured, and Cassio becomes governor of Cyprus.

22808

/m/05q4s

On War

Carl von Clausewitz

1832

The book contains a wealth of historical examples used to illustrate its various concepts. Frederick II of Prussia (the Great) figures prominently for having made very efficient use of the limited forces at his disposal, though Napoleon is perhaps the central figure. According to Azar Gat, the "general message" of the book was that "the conduct of war could not be reduced to universal principles. Among many strands of thought, three stand out as essential to Clausewitz's concept: * War must never be seen as having any purpose in itself, but should be seen as an instrument of Politik--a German word that conflates the meanings of the English words policy and politics: "War is not merely a political act, but also a real political instrument, a continuation of political commerce, a carrying out of the same by other means."). * The military objectives in war that support one's political objectives fall into two broad types: "war to achieve limited aims" and war to "disarm” the enemy: “to render [him] politically helpless or militarily impotent." * All else being equal, the course of war will tend to favour the party with the stronger emotional and political motivations, but especially the defender (a notion that surprises and confuses many readers, who typically expect a soldier—especially a German soldier—to be a proponent of aggressive warfare). Some of the key ideas (not necessarily original to Clausewitz or even to his mentor Gerhard von Scharnhorst) discussed in On War include (in no particular order of importance): * the dialectical approach to military analysis * the methods of "critical analysis" * the uses and abuses of historical studies * the nature of the balance-of-power mechanism * the relationship between political objectives and military objectives in war * the asymmetrical relationship between attack and defense * the nature of "military genius" * the "fascinating trinity" (Wunderliche Dreifaltigkeit) of war * philosophical distinctions between "absolute or ideal war," and "real war" * in "real war," the distinctive poles of a) limited war and b) war to "render the enemy helpless" * "war" belongs fundamentally to the social realm, rather than the realms of art or science * "strategy" belongs primarily to the realm of art * "tactics" belongs primarily to the realm of science * the essential unpredictability of war * the "fog of war" * "friction" * strategic and operational "centers of gravity" * the "culminating point of the offensive" * the "culminating point of victory" Clausewitz used a dialectical method to construct his argument, leading to frequent modern misinterpretation because he explores various—often opposed—ideas before coming to conclusions. Modern perception of war are based on the concepts Clausewitz put forth in On War, though these have been very diversely interpreted by various leaders (e.g., Moltke, Vladimir Lenin, Dwight D. Eisenhower, Mao Zedong, etc.), thinkers, armies, and peoples. Modern military doctrine, organization, and norms are all based on Napoleonic premises, even to this day—though whether these premises are necessarily also "Clausewitzian" is debatable. The "dualism" of Clausewitz's view of war (i.e., that wars can vary a great deal between the two "poles" he proposed, based on the political objectives of the opposing sides and the context) seems simple enough, but few commentators have proven willing to accept this crucial variability—they insist that Clausewitz "really" argued for one end of the scale or the other. On War has been seen by some prominent critics as an argument for "total war". It has been blamed for the level of destruction involved in the First and Second World Wars, but it seems rather that Clausewitz (who did not actually use the term "total war") had merely foreseen the inevitable development that started with the huge, patriotically motivated armies of the Napoleonic wars. These wars resulted (though war's evolution has not yet ended) in the atomic bombing of Hiroshima and Nagasaki, with all the forces and capabilities of the state devoted to destroying forces and capabilities of the enemy state (thus "total war"). Conversely, Clausewitz has also been seen as "The preeminent military and political strategist of limited war in modern times." (Robert Osgood, 1979) Clausewitz and his proponents have been severely criticized, perhaps quite unfairly, by competing theorists--Antoine-Henri Jomini in the 19th century, B. H. Liddell Hart in the mid-20th century, and Martin van Creveld and John Keegan more recently. On War is a work rooted solely in the world of the nation state, says historian Martin Van Creveld, who alleges that Clausewitz takes the state "almost for granted" as he rarely looks at anything previous to Westphalia. He alleges that Clausewitz does not address any form of intra/supra-state conflict, such as rebellion and revolution, because he could not theoretically account for warfare before the existence of the state. Previous kinds of conflict were demoted to criminal activities without legitimacy and not worthy of the label "war." Van Creveld argues that "Clausewitzian war" requires the state to act in conjunction with the people and the army, the state becoming a massive engine built to exert military force against an identical opponent. He supports this statement by pointing to the conventional armies in existence throughout the 20th century. This view ignores, among many other things, the facts that Clausewitz died in the early 19th century, that Prussia itself was not a "nation-state," and that the Napoleonic Wars included many non-conventional conflicts of which Clausewitz was well aware. In any case, revolutionaries like Karl Marx, Friedrich Engels, Vladimir Lenin, and Mao Zedong had no trouble adapting Clausewitz's concepts to their own purposes. Nor did conservatives like the Elder Moltke and Dwight D. Eisenhower. Much of Clausewitz's thinking was based on his experience as a Prussian war planner concerned with how to use popular forces in an insurrectionary struggle against the much-superior French forces which occupied Prussia after 1806—how, in short, to wage a "Spanish War in Germany." Clausewitz himself never saw the 20th-century states and armies to which Creveld refers—the states with which he himself was familiar were quite different. In any case, the "Clausewitzian Trinity" that Van Creveld condemns as consisting of a rigid, static hierarchy of "People, Army, and Government," does not in fact consist of those three concrete actors. In fact, the words people, army, and government appear nowhere in the paragraph in which Clausewitz defines his famous Trinity. Rather, the Trinity of forces that drive the course of real-world war in Clausewitz's view are 1) violent emotion, 2) the interplay of chance and probability, and 3) political calculations driven by reason. It seems unlikely that emotion, chance, and rationality will cease to play a role in war any time soon, whatever the fate of the state.

23279

/m/05srj

The Three Stigmata of Palmer Eldritch

Philip K. Dick

1965

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/02xlf": "Fiction", "/m/026ny": "Dystopia"}

The story begins in a future world where global warming has resulted in global temperatures so high that in most of the world it is unsafe to be outside without special cooling gear during daylight hours. In a desperate bid to preserve humanity and ease population burdens on Earth, the UN has initiated a "draft" for colonizing the nearby planets, where conditions are so horrific and primitive that the unwilling colonists have fallen prey to a form of escapism involving the use of an illegal drug (CAN-D) in concert with "layouts". Layouts are physical props intended to simulate a sort of alternate reality where life is easier than either the grim existence of the colonist in their marginal off-world colonies, or even Earth, where global warming has progressed to the point that Antarctica is prime vacation resort territory. The illegal drug CAN-D allows people to "share" their experience of the "Perky Pat" (the name of the main female character in the simulated world) layouts. This "sharing" has caused a pseudo-religious cult or series of cults to grow up around the layouts and the use of the drug. Up to the point where the novel begins, New York City-based Perky Pat (or P.P.) Layouts, Inc., has held a monopoly on this product, as well as on the illegal trade in the drug CAN-D which makes the shared hallucinations possible. The novel opens shortly after Barney Mayerson, P.P. Layouts' top precognitive (someone who can glimpse future possibilities and sort out the most likely to actually occur), has received a "draft notice" from the UN for involuntary resettlement as a colonist on Mars. Mayerson is sleeping with his assistant, Roni Fugate, but remains conflicted about the divorce, which he himself initiated, from his first wife Emily, a ceramic pot artist. Meanwhile, Emily's second husband tries to sell her pot designs to P.P. Layouts as possible accessories for the Perky Pat virtual worlds -- but Barney, recognizing them as Emily's, rejects them out of spite. Meanwhile, the UN rescues Palmer Eldritch's ship from a crash on Pluto. Leo Bulero, head of P.P. Layouts and an "evolved" human (meaning someone who has undergone expensive genetic treatments by a German "doctor" which are supposed to push the client "forward" on an evolutionary scale, and which result in gross physical, as well as mental, modifications), hears rumors that Eldritch discovered an alien hallucinogen in the Prox system with similar properties to CAN-D, and that he plans to market it as "Chew-Z," with U.N. approval, on off-world colonies. However CHEW-Z does not require the prop of the external layouts and seems to have certain undefined qualities that make the use of CHEW-Z even more addictive than CAN-D has been. This would effectively destroy P.P. Layouts. Bulero tries to contact Eldritch but he is quarantined at a U.N. hospital. Both Mayerson and Fugate have precognitions of reports that Bulero is going to be responsible for murdering Eldritch. Meanwhile, Emily and her second husband sell her pottery designs to Eldritch and use the payment to undergo evolution therapy. Unfortunately, Emily begins to devolve rather than evolving. This devolution results in a loss of creativity and she finds herself recreating older, less sophisticated designs from earlier work, without realizing it. Under the guise of a reporter, Bulero travels to Eldritch's estate on the Moon, where Eldritch holds a press conference. Bulero is kidnapped and forced to take Chew-Z intravenously. He enters a psychic netherworld over which both he and Eldritch seemingly have some control. After wrangling about business with Eldritch, Bulero travels to what appears to be Earth at some time in the not-too-distant future. Evolved humans identify him as a ghost and show him a monument to himself commemorating his role in the death of Eldritch, an "enemy of the Sol System." Bulero returns to Earth and fires Mayerson because Mayerson was afraid to travel to the Moon to rescue him. Mayerson, in despair, accepts his UN conscription to Mars but Bulero recruits him as a double agent. Mayerson is to inject himself with a virus after taking Chew-Z in a plot to deceive the UN into thinking Chew-Z is harmful and cause them to ban it. On Mars, Mayerson buys some Chew-Z from Eldritch, who appears in holographic form. Mayerson tries to hallucinate a world where he is still with Emily but finds that he does not control his "hallucination." Like Bulero, he finds himself in the future. Mayerson arrives in New York two years hence where he speaks with Bulero, Fugate and his future self about the death of Palmer Eldritch. He also encounters several manifestations of Eldritch, identifiable by their robotic right hand, artificial eyes, and steel teeth. Eldritch offers to help Mayerson “become” whatever he wants, but in fact is so manipulative and controlling of the CHEW-Z alternate reality that Mayerson ultimately decides he'd rather be dead than continue to be manipulated by Eldritch. When a despairing Mayerson chooses death, he finds himself apparently forced into Eldritch's body right at the point in the timeline where Bulero is ready to shoot a torpedo at Eldritch's ship. It appears that Eldritch's plan is to preserve his own life essence housed in Mayerson's body while allowing Mayerson himself to die in Eldritch's place. Eldritch, meanwhile, intends to live on in Mayerson's form and enjoy the simple if arduous life of a Martian colonist. Mayerson, stuck in Eldritch's body and mistaken for him, is indeed nearly killed by Bulero in the near future, but before the fatal shot can be fired he is awakened from his Chew-Z trance in the present by Bulero, who has just arrived on Mars. Bulero is willing to take Mayerson back to Earth but refuses to after learning that Mayerson did not inject himself with the virus. Mayerson is now confident that Bulero will kill Eldritch, so the sacrifice of taking the virus in order to ruin Eldritch's business is unnecessary; but he does not try to convince Bulero of this. Later, Mayerson discusses his experience with a neo-christian colonist and they conclude that either Eldritch became a god in the Prox system or some god-like being has taken his place. Mayerson is convinced some aspect of Eldritch is still inside him, and that as long as he refuses to take Chew-Z again, it is Eldritch who will actually be killed by Bulero in the near future; Mayerson is half-resigned, half-hopeful about taking on the life of a Martian colonist without reprieve. Mayerson considers the possibility of Eldritch being what humans have always thought of as a god, but inimical, or perhaps merely an inferior aspect of a bigger and better sort of god. The novel has an ambiguous ending, with Bulero heading back toward Earth, and apparent proliferation of Eldritch's cyborg bodily 'stigmata' -which may mean that Bulero is still trapped in Eldritch's hallucinatory domain, or that Chew-Z is becoming increasingly popular amongst Terrans and Martian colonists.

23280

/m/05sry

Time out of Joint

Philip K. Dick

1959

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/02xlf": "Fiction", "/m/026ny": "Dystopia"}

As the novel opens, its protagonist Ragle Gumm believes that he lives in the year 1959 in a quiet American suburb. His unusual profession consists of repeatedly winning the cash prize in a local newspaper competition called, "Where Will The Little Green Man Be Next?". Gumm's 1959 has some differences from ours: the Tucker car is in production, AM/FM radios are scarce to non-existent and Marilyn Monroe is a complete unknown. As the novel opens, strange things begin to happen to Gumm. A soft-drink stand disappears, replaced by a small slip of paper with the words "SOFT-DRINK STAND" printed on it in block letters. Intriguing little pieces of the real 1959 turn up: a magazine article on Marilyn Monroe, a telephone book with non-operational exchanges listed and radios hidden away in someone else's house. People with no apparent connection to Gumm, including military pilots using aircraft transceivers, refer to him by name. Few other characters notice these or experience similar anomalies; the sole exception is Gumm's supposed brother-in-law, Victor "Vic" Nielson, in whom he confides. A neighborhood woman, Mrs. Keitelbein, invites him to a Civil Defense class where he sees a model of a futuristic underground military factory. He has the unshakeable feeling he's been inside that building many times before. Confusion gradually mounts for Gumm. His neighbor Bill Black knows far more about these events than he admits, and, observing this, begins worrying: "Suppose Ragle [Gumm] is becoming sane again?" In fact, Gumm does become sane, and the deception surrounding him (erected to protect and exploit him) begins to unravel. Gumm tries to escape the town and is turned back by kafkaesque obstructions. He sees a magazine with himself on the cover, in a military uniform, at the factory depicted in the model. He tries a second time to escape, this time with Vic, and succeeds. He learns that his idyllic town is a constructed reality designed to protect him from the frightening fact that he lives on a then-future Earth (circa 1998) that is at war with its colonists on the Moon who are fighting for a permanent Lunar habitation that is politically independent of Earth as well. Gumm has a unique ability to predict where the colonists' nuclear strikes will be aimed. Previously Gumm did this work for the military, but then he defected to the colonists' side and planned to secretly emigrate to the Moon. But before this could happen he began retreating into a fantasy world based largely upon the relatively idyllic surroundings of his extreme youth. He was no longer able to shoulder the awesome responsibility of being the Earth's lone protector from Lunar-launched H-Bomb attacks. The fake town was thereby created in Gumm's mental image to accommodate his dementia so that he would continue predicting missile strikes in the guise of submitting entries to a harmless newspaper contest and without the ethical qualms involved with being on the "wrong" side of a civil war. When Gumm finally remembers his true history he decides to emigrate to the Moon after all because he feels that exploration and migration, being as they are basic human impulses, should never be denied a people by any national or planetary government. Vic rejects this belief, referring to the colonists essentially as aggressors and terrorists, and returns to the town. The book ends with some hope for peace, because the colonists are more willing to negotiate than the Earth government has been telling its citizens.

23281

/m/05ssb

A Scanner Darkly

Philip K. Dick

1977

{"/m/06n90": "Science Fiction", "/m/059r08": "Psychological novel", "/m/014dfn": "Speculative fiction", "/m/016lj8": "Roman \u00e0 clef", "/m/02xlf": "Fiction", "/m/026ny": "Dystopia"}

The protagonist is Bob Arctor, member of a household of drug-users, who is also living a parallel life as Agent Fred, an undercover police agent assigned to spy on Arctor's household. Arctor/Fred shields his true identity from those in the drug subculture, and from the police themselves. (The requirement that narcotics agents remain anonymous, to avoid collusion and other forms of corruption, becomes a critical plot point late in the book.) While supposedly only posing as a drug user, Arctor becomes addicted to "Substance D" (also referred to as "Slow Death," "Death," or "D"), a powerful psychoactive drug. An ongoing conflict is Arctor's love for Donna, a drug dealer through whom he intends to identify high-level dealers of Substance D. Arctor's persistent use of the drug causes the two hemispheres of his brain to function independently, or "compete." Through a series of drug and psychological tests, Arctor's superiors at work discover that his addiction has made him incapable of performing his job as a narcotics agent. Donna takes Arctor to "New-Path," a rehabilitation clinic, just as Arctor begins to experience the symptoms of Substance D withdrawal. It is revealed that Donna has been a narcotics agent all along, working as part of a police operation to infiltrate New-Path and determine its funding source. Without his knowledge, Arctor has been selected to penetrate the secretive organization. As part of the rehab program, Arctor is renamed "Bruce" and forced to participate in cruel group-dynamic games intended to break the will of the patients. The story ends with Bruce working at a New-Path farming commune, where he is suffering from a serious neurocognitive deficit after withdrawing from Substance D. Although considered by his handlers to be nothing more than a walking shell of a man, "Bruce" manages to spot rows of blue flowers growing hidden among rows of corn, and realizes the blue flowers are Mors ontologica, the source of Substance D. The book ends with Bruce hiding a flower in his shoe to give to his "friends" – undercover police agents posing as recovering addicts at the Los Angeles New-Path facility – on Thanksgiving.

23285

/m/05stq

Radio Free Albemuth

Philip K. Dick

1985

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/026ny": "Dystopia"}

In this alternate history the corrupt US President Ferris F. Fremont (FFF for 666, ‘F’ being the 6th letter in the alphabet, see Number of the Beast) becomes Chief Executive in the late Nineteen-Sixties following Lyndon Johnson's administration. The character is best described as an amalgam of Joseph McCarthy and Richard Nixon, who abrogates civil liberties and human rights through positing a conspiracy theory centered around a (presumably) fictitious subversive organization known as "Aramchek". In addition to this, he is associated with a right-wing populist movement called "Friends of the American People" (FAPers). Ironically enough, the President's paranoia and opportunism lead to the establishment of a real resistance movement that is organized through narrow-beam radio transmissions from a mysterious alien near-Earth satellite, by a superintelligent, extraterrestrial, but less than omnipotent being (or network) named VALIS. As with its successor, VALIS, this novel is autobiographical. Dick himself is a major character, though fictitious protagonist Nicholas Brady serves as a vehicle for Dick's alleged gnostic theophany on February 11, 1974. In addition, Sadassa Silvia is a character who claims that Ferris Fremont is actually a communist covert agent recruited by Sadassa's mother when Fremont was still a teenager. As with VALIS, Radio Free Albemuth deals with author Philip Dick's highly personal style of Christianity (or Gnosticism). It further examines the moral and ethical repercussions of informing on trusting friends for the authorities. Also prominent is Dick's dislike of the Republican Party, satirizing Nixon's America as a Stalinist or neo-fascist police state. Fremont eventually captures and imprisons Dick and Brady after the latter attempts to produce and distribute a record that contains subliminal messages of revolt against the current dictatorship. Brady and Silvia are executed, and Dick narrates the concluding passage about his life in a concentration camp, where his supposedly latest work is actually penned by a ghost writer and regime-approved hack. Suddenly, however, he hears music blaring from a transistor radio which contains the same subliminal message. He and his friends, it turns out, were just a decoy set up by VALIS to detour the government from stopping a much more popular A-List band from releasing a similar record with a better-established recording company. As Dick realizes this and hears youngsters repeating the lyrics he realizes that salvation may lie within the hearts and minds of the next generation.

24162

/m/060xy

Pride and Prejudice

Jane Austen

1813-01-28

{"/m/06nbt": "Satire", "/m/02xlf": "Fiction", "/m/01qxvh": "Romance novel", "/m/05hgj": "Novel"}

The narrative opens with Mr Bingley, a wealthy, charming and social young bachelor, moving into Netherfield Park in the neighbourhood of the Bennet family. Mr Bingley is soon well received, while his friend Mr Darcy makes a less favorable first impression by appearing proud and condescending at a ball that they attend (this is partly explained in that he detests dancing and is not much for light conversation). Mr Bingley singles out Elizabeth's elder sister, Jane, for particular attention, and it soon becomes apparent that they have formed an attachment to each other. By contrast, Darcy slights Elizabeth, who overhears and jokes about it despite feeling a budding resentment. On paying a visit to Mr Bingley's sister, Jane is caught in a heavy downpour, catches cold, and is forced to stay at Netherfield for several days. Elizabeth arrives to nurse her sister and is thrown into frequent company with Mr Darcy, who begins to perceive his attachment to her, but is too proud to proceed on this feeling. Mr Collins, a clergyman, pays a visit to the Bennets. Mr Bennet and Elizabeth are much amused by his obsequious veneration of his employer, the noble Lady Catherine de Bourgh, as well as by his self-important and pedantic nature. It soon becomes apparent that Mr Collins has come to Longbourn to choose a wife from among the Bennet sisters (his cousins) and Elizabeth has been singled out. At the same time, Elizabeth forms an acquaintance with Mr Wickham, a militia officer who claims to have been very seriously mistreated by Mr Darcy, despite having been a ward of Mr Darcy's father. This tale, and Elizabeth's attraction to Mr Wickham, adds fuel to her dislike of Mr Darcy. At a ball given by Mr Bingley at Netherfield, Mr Darcy becomes aware of a general expectation that Mr Bingley and Jane will marry, and the Bennet family, with the exception of Jane and Elizabeth, make a public display of poor manners and decorum. The following morning, Mr Collins proposes marriage to Elizabeth, who refuses him, much to her mother's distress. Mr Collins recovers and promptly becomes engaged to Elizabeth's close friend Charlotte, a homely woman with few prospects. Mr Bingley abruptly quits Netherfield and returns to London, and Elizabeth is convinced that Mr Darcy and Mr Bingley's sister have conspired to separate him from Jane. In the spring, Elizabeth visits Charlotte and Mr Collins in Kent. Elizabeth and her hosts are frequently invited to Rosings Park, home of Lady Catherine de Bourgh, Darcy's aunt; coincidentally, Darcy also arrives to visit. Darcy again finds himself attracted to Elizabeth and impetuously proposes to her. Elizabeth, however, has just learned of Darcy's role in separating Mr Bingley from Jane from his cousin Colonel Fitzwilliam. She angrily rebukes him, and a heated discussion follows; she charges him with destroying her sister's happiness, with treating Mr Wickham disgracefully, and with having conducted himself towards her in an ungentleman-like manner. Mr Darcy, shocked, ultimately responds with a letter giving a good account of (most of) his actions: Wickham had exchanged his legacies for a cash payment, only to return after gambling away the money to reclaim the forfeited inheritance; he then attempted to elope with Darcy's young sister, thereby to capture her fortune. Regarding Mr Bingley and Jane, Darcy claimed he had observed no reciprocal interest in Jane for Bingley. Elizabeth later came to acknowledge the truth of Darcy's assertions. Some months later, Elizabeth and her Aunt and Uncle Gardiner visit Pemberley, Darcy's estate, believing he will be absent for the day. He returns unexpectedly, and though surprised, he is gracious and welcoming. He treats the Gardiners with great civility; he introduces Elizabeth to his sister, and Elizabeth begins to realise her attraction to him. Their reacquaintance is cut short, however, by news that Lydia, Elizabeth's sister, has run away to elope with Mr Wickham. Elizabeth and the Gardiners return to Longbourn, where Elizabeth grieves that her renewed acquaintance with Mr Darcy will end because of her sister's disgrace. Lydia and Wickham are soon found, then married by the clergy; they visit Longbourn, where Lydia lets slip that Mr Darcy was responsible for finding the couple and negotiating their marriage—at great expense to himself. Elizabeth is shocked but does not dwell further on the topic due to Mr Bingley's return and subsequent proposal to Jane, who immediately accepts. Lady Catherine de Bourgh later bursts in on Longbourn; intending to thwart local rumour, she warns Elizabeth against marrying Mr Darcy. Elizabeth refuses her demands. Disgusted, Lady Catherine leaves and drops by to inform her nephew on Elizabeth's abominable behaviour. However, this lends hope to Darcy that Elizabeth's opinion of him may have changed. He travels to Longbourn and proposes again; and now Elizabeth accepts.

24861

/m/066v3

Pale Fire

Vladimir Vladimirovich Nabokov

{"/m/02xlf": "Fiction"}

Shade's poem digressively describes many aspects of his life. Canto 1 includes his early encounters with death and glimpses of what he takes to be the supernatural. Canto 2 is about his family and the apparent suicide of his daughter, Hazel Shade. Canto 3 focuses on Shade's search for knowledge about an afterlife, culminating in a "faint hope" in higher powers "playing a game of worlds" as indicated by apparent coincidences. Canto 4 offers details on Shade's daily life and creative process, as well as thoughts on his poetry, which he finds to be a means of somehow understanding the universe. In Kinbote's editorial contributions he tells three stories intermixed with each other. One is his own story, notably including what he thinks of as his friendship with Shade. After Shade was murdered, Kinbote acquired the manuscript, including some variants, and has taken it upon himself to oversee the poem's publication, telling readers that it lacks only line 1000. Kinbote's second story deals with King Charles II, "The Beloved," the deposed king of Zembla. King Charles escaped imprisonment by Soviet-backed revolutionaries, making use of a secret passage and brave adherents in disguise. Kinbote repeatedly claims that he inspired Shade to write the poem by recounting King Charles's escape to him and that possible allusions to the king, and to Zembla, appear in Shade's poem, especially in rejected drafts. However, no explicit reference to King Charles is to be found in the poem. Kinbote's third story is that of Gradus, an assassin dispatched by the new rulers of Zembla to kill the exiled King Charles. Gradus makes his way from Zembla through Europe and America to New Wye, suffering comic mishaps. In the last note, to the missing line 1000, Kinbote narrates how Gradus killed Shade by mistake. The reader soon realizes that Kinbote is King Charles, living incognito—or, though Kinbote builds an elaborate picture of Zembla complete with samples of a constructed language, that he is insane and that his identification with King Charles is a delusion, as perhaps all of Zembla is. Nabokov said in an interview that Kinbote committed suicide after finishing the book. The critic Michael Wood has stated, "This is authorial trespassing, and we don't have to pay attention to it," but Brian Boyd has argued that internal evidence points to Kinbote's suicide. One of Kinbote's annotations to Shade's poem (corresponding to line 493) addresses the subject of suicide at some length.

24965

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Pacific Overtures

Stephen Sondheim

;Act I Conceived as a sort of Japanese playwright's version of an American musical about American influences on Japan, Pacific Overtures begins its journey to the present day in July 1853. Since the foreigners were driven from the island empire, explains the Reciter, there has been nothing to threaten the changeless cycle of their days. Elsewhere, wars are fought and machines are rumbling but in Nippon they plant rice, exchange bows and enjoy peace and serenity. But President Millard Fillmore, determined to open up trade with Japan, has sent Commodore Matthew C. Perry across the Pacific, and, to the consternation of Lord Abe and the Shogun's other Councillors, the stirrings of trouble begin with the appearance of Manjiro, a fisherman who was lost at sea and rescued by Americans. He returns to Japan and attempts to warn Abe of the presence of warships in the waters around Okinawa, but is instead arrested for consorting with foreigners. A minor samurai, Kayama is appointed Prefect of the Police at Uraga to drive the Americans away - news which leaves Tamate, his wife, grief-stricken since it will result in certain failure and shame. As he leaves, she expresses her feelings in dance as two Observers describe the scene and reveal her thoughts in "There Is No Other Way". As a Fisherman, a Thief and other locals relate the sight of the "Four Black Dragons" roaring through the sea, an extravagant Oriental caricature of the USS Powhatan pulls into harbor. Kayama is sent to meet with the Americans but he is rejected as not important enough. He enlists the aid of Manjiro, the only man in Japan who has dealt with Americans, and disguised as a great lord, Manjiro gets an answer from them: Commodore Perry announces that he must meet the Shogun within six days or else he will shell the city. Faced with this ultimatum the Shogun takes to his bed. Exasperated by his indecision, his Mother with elaborate courtesy, poisons him with "Chrysanthemum Tea." With the Shogun dead, Kayama devises a plan by which the Americans, thanks to a covering of tatami mats and a raised Treaty House, can be received without having, technically, to set foot on Japanese soil. He and Manjiro set off for Uraga, forging a band of friendship through the exchange of "Poems". Kayama has saved Japan, but it is too late to save Tamate. He returns home to find her dead from seppuku. Already events are moving beyond the control of the old order: the two men pass a Madam instructing her inexperienced Girls in the art of seduction as they prepare to "Welcome to Kanagawa" the foreign devils. Commodore Perry and his men come ashore and, on their "March to the Treaty House", demonstrate their goodwill by offering such gifts as two bags of Irish potatoes and a copy of Owen's "Geology of Minnesota". The negotiations themselves are seen through the memory of three who were there: a warrior who could hear the debates but not see it from his hiding place in the floor of the house, a young boy who could see the action but not hear it from his perch in the tree outside, and the boy as an old man recalling that without "Someone In a Tree", a silent watcher, history may have been incomplete. Initially, it seems as if Kayama has won: the Americans depart in peace. But then the barbarian figure of Commodore Perry leaps out to perform a traditional Kabuki "Lion Dance", which ends as a strutting, triumphalist, all-American cakewalk. ;Act II The child emperor (portrayed by a puppet manipulated by his advisors) reacts with pleasure to the departure of the Americans, promoting Lord Abe to Shogun, Kayama to Governor of Uraga and Manjiro to the rank of Samurai. The crisis appears to have passed, but to the surprise of Lord Abe the Americans return to request formal trading arrangements. To the tune of a Sousa march, they bid Japan "Please Hello" and are followed by a Gilbertian British Admiral, a clog-dancing Dutch Admiral, a gloomy Russian and a dandified Frenchman all vying for access to Japan's markets. With this new western threat, the faction of the Lords of the South grow restless. They send a politically charged gift to the Emperor, a storyteller who tells a vivid, allegorical tale of a brave young emperor who frees himself from his cowardly Shogun. The years pass as Kayama and Manjiro dress themselves for tea. As Manjiro continues to dress with painstaking slowness into ceremonial robes for the tea ritual, Kayama slowly adopts the manners and dress of the newcomers, proudly displaying his new pocket watch, cutaway coat and "A Bowler Hat". But there are other less pleasant changes prompted by westernization. Three British Sailors mistake a "Pretty Lady" for a geisha. Though their approach is gentle, the girl cries for help and her father kills the confused Tars. Reporting on the situation to the Shogun, Kayama witnesses Lord Abe's murder by cloaked assassins and himself is killed by one of their number - his former friend, Manjiro. In the ensuing turmoil the puppet Emperor seizes real power and vows that Japan will modernize itself. As the country moves from one innovation to the "Next!", the Imperial robes are removed layer by layer to show the Reciter in T-shirt and black trousers. Contemporary Japan - the world of Toyota and Seiko, air pollution and contaminated beaches -assembles itself around him. "There was a time when foreigners were not welcome here. But that was long ago," he says. "Welcome to Japan."

25821

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Romeo and Juliet

William Shakespeare

The play, set in Verona, begins with a street brawl between Montague and Capulet supporters who are sworn enemies. The Prince of Verona intervenes and declares that further breach of the peace will be punishable by death. Later, Count Paris talks to Capulet about marrying his daughter, but Capulet asks Paris to wait another two years (then he later orders Juliet to marry Paris) and invites him to attend a planned Capulet ball. Lady Capulet and Juliet's nurse try to persuade Juliet to accept Paris's courtship. Meanwhile, Benvolio talks with his cousin Romeo, Montague's son, about Romeo's recent depression. Benvolio discovers that it stems from unrequited infatuation for a girl named Rosaline, one of Capulet's nieces. Persuaded by Benvolio and Mercutio, Romeo attends the ball at the Capulet house in hopes of meeting Rosaline. However, Romeo instead meets and falls in love with Juliet. After the ball, in what is now called the "balcony scene", Romeo sneaks into the Capulet orchard and overhears Juliet at her window vowing her love to him in spite of her family's hatred of the Montagues. Romeo makes himself known to her and they agree to be married. With the help of Friar Laurence, who hopes to reconcile the two families through their children's union, they are secretly married the next day. Juliet's cousin Tybalt, incensed that Romeo had sneaked into the Capulet ball, challenges him to a duel. Romeo, now considering Tybalt his kinsman, refuses to fight. Mercutio is offended by Tybalt's insolence, as well as Romeo's "vile submission," and accepts the duel on Romeo's behalf. Mercutio is fatally wounded when Romeo attempts to break up the fight. Grief-stricken and wracked with guilt, Romeo confronts and slays Tybalt. Montague argues that Romeo has justly executed Tybalt for the murder of Mercutio. The Prince, now having lost a kinsman in the warring families' feud, exiles Romeo from Verona, with threat of execution upon return. Romeo secretly spends the night in Juliet's chamber, where they consummate their marriage. Capulet, misinterpreting Juliet's grief, agrees to marry her to Count Paris and threatens to disown her when she refuses to become Paris's "joyful bride." When she then pleads for the marriage to be delayed, her mother rejects her. Juliet visits Friar Laurence for help, and he offers her a drug that will put her into a deathlike coma for "two and forty hours." The Friar promises to send a messenger to inform Romeo of the plan, so that he can rejoin her when she awakens. On the night before the wedding, she takes the drug and, when discovered apparently dead, she is laid in the family crypt. The messenger, however, does not reach Romeo and, instead, Romeo learns of Juliet's apparent death from his servant Balthasar. Heartbroken, Romeo buys poison from an apothecary and goes to the Capulet crypt. He encounters Paris who has come to mourn Juliet privately. Believing Romeo to be a vandal, Paris confronts him and, in the ensuing battle, Romeo kills Paris. Still believing Juliet to be dead, he drinks the poison. Juliet then awakens and, finding Romeo dead, stabs herself with his dagger. The feuding families and the Prince meet at the tomb to find all three dead. Friar Laurence recounts the story of the two "star-cross'd lovers". The families are reconciled by their children's deaths and agree to end their violent feud. The play ends with the Prince's elegy for the lovers: "For never was a story of more woe / Than this of Juliet and her Romeo."

25830

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Rosencrantz & Guildenstern Are Dead

Tom Stoppard

1967

{"/m/0pym5": "Absurdist fiction"}

The play opens with Rosencrantz and Guildenstern betting on coin flips. Rosencrantz, who bets heads each time, wins ninety-two flips in a row. The extreme unlikeliness of this event according to the laws of probability leads Guildenstern to suggest that they may be "within un-, sub- or supernatural forces". The reader learns why they are where they are: the King has sent for them. Guildenstern theorizes on the nature of reality, focusing on how an event becomes increasingly real as more people witness it. A troupe of Tragedians arrives and offers the two men a show. They seem capable only of performances involving bloodbaths. The next two scenes are from the plot of Hamlet. The first, involving Hamlet and Ophelia, takes place off-stage in the Shakespeare. The second is taken directly from Hamlet, and is Rosencrantz and Guildenstern's first appearance in that play. Here the Danish king and queen, Claudius and Gertrude, ask the two to discover the nature of Hamlet's recent madness. The royal couple demonstrate an inability to distinguish the two courtiers from one another, as indeed do the characters themselves to their irritation. Rosencrantz and Guildenstern attempt to practice for their meeting with the Prince by one pretending to be Hamlet and the other asking him questions, but they glean no new information from it. The act closes with another scene from Hamlet in which they finally meet the Prince face to face. The act opens with the end of the conversation between Rosencrantz, Guildenstern, and Hamlet. Guildenstern tries to look on the bright side, while Rosencrantz makes it clear that the pair had made no progress, that Hamlet had entirely outwitted them. The Player returns to the stage. He is angry that the pair had not earlier stayed to watch their play because, without an audience, his Tragedians are nothing. He tells them to stop questioning their existence because, upon examination, life appears too chaotic to comprehend. The Player, Rosencrantz, and Guildenstern lose themselves in yet another illogical conversation that demonstrates the limits of language. The Player leaves in order to prepare for his production of the "Murder of Gonzago", set to be put on in front of Hamlet and the King and Queen. The royal couple enters and begins another short scene taken directly from Hamlet: they ask about the duo's encounter with the Prince, and Rosencrantz and Guildenstern inform them about his interest in the Tragedians' production. After the king and queen leave, the partners contemplate their job. They see Hamlet walk by but fail to seize the opportunity to interview him. The Tragedians return and perform their dress rehearsal of The Murder of Gonzago. The play moves beyond the scope of what the reader sees in Hamlet; characters resembling Rosencrantz and Guildenstern are seen taking a sea voyage and meeting their deaths at the hands of English courtiers, foreshadowing their true fate. Rosencrantz does not quite make the connection, but Guildenstern is frightened into a verbal attack on the Tragedians' inability to capture the real essence of death. The stage becomes dark. When the stage is once again visible, Rosencrantz and Guildenstern lie in the same position as had the actors portraying their deaths. The partners are upset that they have become the pawns of the royal couple. Claudius enters again and tells them to find where Hamlet has hidden Polonius' corpse. After many false starts they eventually find Hamlet, who leaves with the King. Rosencrantz is delighted to find that his mission is complete, but Guildenstern knows it is not over. Hamlet enters, speaking with a Norwegian soldier. Rosencrantz decides that he is happy to accompany Hamlet to England because it means freedom from the orders of the Danish court. Guildenstern understands that wherever they go, they are still trapped in this world. Rosencrantz and Guildenstern find themselves on a ship that has already set sail. The audience is led to believe that the pair has no knowledge of how they got there. At first, they try to determine whether they are still alive. Eventually, they recognize that they are not dead and are on board a boat. They remember that Claudius had given them a letter to deliver to England. After some brief confusion over who actually has the letter, they find it and end up opening it. They realize that Claudius has asked for Hamlet to be killed. While Rosencrantz seems hesitant to follow their orders now, Guildenstern convinces him that they are not worthy of interfering with fate and with the plans of kings. The stage becomes black and, presumably, the characters go to sleep. Hamlet switches the letter with one he has written himself, an act which takes place off stage in Hamlet. The pair discovers that the Tragedians are hidden ('impossibly', according to the stage directions) in several barrels on deck. They are fleeing Denmark, because their play has offended Claudius. When Rosencrantz complains that there is not enough action, pirates attack. Hamlet, Rosencrantz, and Guildenstern and the Player all hide in separate barrels. The lights dim. When the lights come on again, Hamlet has vanished (in Hamlet it's reported that he was kidnapped by pirates from the ship). Rosencrantz and Guildenstern panic, and re-read the letter to find that it now calls for them to be put to death instead of the prince. Guildenstern cannot understand why he and Rosencrantz are so important as to necessitate their executions. The Player tells Guildenstern that all paths end in death. Guildenstern snaps and draws the Player's dagger from his belt, shouting at him that his portrayals of death do not do justice to the real thing. He stabs the Player and the Player appears to die. Guildenstern honestly believes he has killed the Player. Seconds later, the Tragedians begin to clap and the Player stands up and brushes himself off, revealing the knife to be a theatrical one with a retractable blade. The Tragedians then act out the deaths from the final scene of Hamlet. The lighting shifts so that Rosencrantz and Guildenstern are the only ones visible. Rosencrantz still does not understand why they must die. Still, he resigns himself to his fate and his character disappears. Guildenstern wonders when he passed the point where he could have stopped the series of events that has brought him to this point. He disappears as well. The final scene features the last few lines from Shakespeare's Hamlet. The Ambassador from England announces that Rosencrantz and Guildenstern are dead.

26052

/m/06hf1

Ringworld

Larry Niven

1970

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/02xlf": "Fiction", "/m/05hgj": "Novel"}

The novel opens in 2850. Louis Gridley Wu is celebrating his 200th birthday. Despite his age, Louis is in perfect physical condition but is bored. He has experienced life thoroughly, and is thinking of taking a trip to and beyond the reaches of Known Space, all alone in a spaceship for a year or more. He is confronted by Nessus, a Pierson's Puppeteer, and offered one of three open positions on an exploration voyage beyond Known Space. Speaker-to-Animals (Speaker), who is a Kzin, and Teela Brown, a young human woman, also join the voyage. They first travel to the Puppeteer home world, where they learn that the expedition's goal is to explore a ringworld: an artificial ring about one million miles wide and approximately the diameter of Earth's orbit (which makes it about 600 million miles in circumference), encircling a Sol-type star. It rotates, providing artificial gravity that is 99.2% as strong as Earth's gravity through the action of centrifugal force. The ringworld has a habitable flat inner surface equivalent in area to approximately three million Earth-sized planets. Night is provided by an inner ring of shadow squares which are connected to each other by thin, ultra-strong wire (shadow square wire). None of the crew's attempts at contacting the Ringworld succeed, and their ship is disabled by its automated meteor defense system. The severely damaged vessel collides with a strand of shadow-square wire and crash-lands on the Ringworld near a huge mountain. The ship's defences keep the crew compartment and many of the ship's systems intact, including the faster-than-light drive (hyperdrive), but the normal drive is destroyed, leaving them unable to launch back into space to use the hyperdrive. The team now has to set out to find a way to get back into space, as well as fulfilling their original mission – learning more about the Ringworld. Using their flycycles, they try to reach the rim of the ring, where they hope to find some technology that will help them. It will take them months to cross the vast distance. When Teela develops "Plateau trance", they find themselves forced to land. On the ground, they encounter apparently human Ringworld natives. The natives, who are living primitively in the crumbling ruins of a once advanced city, think that the crew are the Engineers of the Ring, whom they revere as gods. The crew is attacked when they commit a "blasphemy". They continue their journey during which Nessus is forced to reveal some Puppeteer secrets: they have performed indirect "breeding experiments" on both humans (breeding for luck) and kzin (breeding for less aggressiveness). The resulting hostility forces Nessus to abandon the other three and follow them at a safe distance. They encounter a city and, in a floating building, they find a map of the Ringworld and videos of its past civilization. In a giant storm, caused by air escaping through a hole in the Ring floor due to meteor impact, Teela is blown away in an unknown direction. While searching for her in a ruined city Louis' and Speaker's flycycles are caught by an automatic police station designed to catch traffic offenders. They are trapped in a prison in the basement of the police station. Nessus arrives, entering the station to help his team. In the station they meet Halrloprillalar Hotrufan ("Prill"), a former crew member of a spaceship used for trade between the Ringworld and other inhabited worlds. Her spaceship was stranded on the Ringworld when the landing mechanism failed. She relates what she learned of the downfall of the Ringworld's civilization: A mold that breaks down superconductors was introduced by a visiting spaceship. Without its superconductive technology, civilization fell. Teela reaches the police station, accompanied by her new lover, a native "hero" called Seeker who helped her survive. Based on his studies of an ancient Ringworld map, Louis devises a plan to escape. The four explorers, with Seeker and Prill, use the floating police station as a vehicle to travel back to the explorers' crashed ship. Along the way, Teela and Seeker choose to remain behind, to inhabit a flying castle and remain on Ringworld. The remaining explorers and Prill collect one end of the shadow square wire that was dislodged when the ship crashed, dragging the wire behind them as they travel. Reaching the wreck, Louis threads the shadow wire through the crashed ship and uses it to tether the ship to the police station, and then continues to pull the wire onward, up to the summit of "Fist-of-God", the enormous mountain near their crash site. The massive mountain does not appear on a map of the original Ringworld, leading Louis to conclude that it is in fact the result of a meteor impact with the underside of the ring, which pushed the "mountain" up from the ring floor and broke through. The top of the mountain, above the edge of the Ring's atmosphere, is therefore a passage to the underside of the Ringworld and freedom. Louis drives the police station over the edge of the crater. Because the Ringworld spins fast enough to provide gravity, once the police station and ship are on the underside, centrifugal force pushes them outward from the ring into open space. The crew can then use the ship's faster-than-light drive to get home. The book concludes with Louis and Speaker discussing returning to the Ringworld.

26436

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Rent

Jonathan Larson

On Christmas Eve at 9 P.M. Mark Cohen, an aspiring filmmaker, begins a new documentary, as his roommate, Roger Davis, tunes up his guitar ("Tune Up #1") but they are quickly interrupted by a call from Mark's mother, who claims she was sorry to hear about his break-up with Maureen Johnson ("Voicemail #1"). Roger and Mark's friend Tom Collins, a gay anarchist and college professor, arrives at their building but is mugged. Meanwhile, Roger and Mark receive a call from their former friend and roommate Benjamin "Benny" Coffin III. Benny bought Mark and Roger's apartment building, as well as the lot next door. He tells them last year's rent is due ("Tune Up #2"). Mark and Roger refuse to pay their rent ("Rent"). Meanwhile, a drag queen named Angel Dumott Schunard finds Collins on the street and gets him on his feet ("You Okay Honey?"). Mark tries to get Roger out of the apartment. Mark reveals that Roger has been living in withdrawal for the past year due to his girlfriend April's suicide. Mark leaves to find Collins after reminding Roger to take his AZT ("Tune Up #3"). Roger attempts to write a great song to make his mark on the world before he dies of AIDS ("One Song Glory"). Their downstairs neighbor named Mimi Marquéz walks in, asking Roger to light a candle for her, only to continually blow it out ("Light My Candle"). Joanne Jefferson, a lawyer and Maureen's new girlfriend, receives a phone call from her parents, wondering why she is stage managing for Maureen's protest ("Voicemail #2"). Angel, now in drag, and Collins arrive at the apartment bearing gifts. Collins introduces Angel to his friends ("Today 4 U"). Benny arrives with an offer: if they convince Maureen to cancel her protest, he'll let them live in his new studio project, rent-free ("You'll See"). However, the two rebuff his offer. After Benny leaves, Angel and Collins invite Mark and Roger to attend a local HIV support group meeting. Mark hurries off to help fix Maureen's sound equipment for the protest, only to run into Maureen's new girlfriend Joanne ("Tango: Maureen"). He then enters into the support group meeting ("Life Support"). Meanwhile, Mimi attempts to seduce Roger ("Out Tonight") but Roger harshly rebuffs her ("Another Day"). After Mimi leaves, Roger admits to an empty apartment his fears about dying from AIDS ("Will I?"). Collins, Mark and Angel help a homeless woman who is being harassed by police officers. She then mocks Mark for trying to assuage his guilt ("On the Street"). Collins talks about his dream of escaping New York and opening up a restaurant in Santa Fe ("Santa Fe"). Soon after, Collins and Angel confess their love for each other and begin a relationship ("I'll Cover You"). Joanne exasperatedly prepares for Maureen's show ("We're Okay"). Roger intercepts Mimi and apologizes for his behavior. He invites her to come to the protest and dinner with them, to which she agrees. Meanwhile, people from the streets protest ("Christmas Bells"). Maureen arrives and begins her performance ("Over The Moon"). At the Life Café after the show, Benny criticizes the protest and the group's Bohemian lifestyle. Mark and all the bohemians in the café rise up and celebrate the Bohemian lifestyle ("La Vie Boheme A"). Mimi confronts Roger about ignoring her during dinner. Then, as Mimi's beeper goes off (reminding her to take her AZT) she and Roger each discover that the other is HIV-positive ("I Should Tell You"). Joanne returns, explaining that Mark and Roger's building has been padlocked. As the first act closes, Mark reveals that amidst the riot, Roger and Mimi share their first kiss ("La Vie Boheme B"). Opening with "Seasons of Love" the second act takes place over the course of the year following the first act ("Seasons of Love"). Having been locked out of their apartment by Benny; Mark, Roger, and the Bohemians gather to break-in ("Happy New Year A"). We learn through a series of voicemails ("Voicemail #3") that Mark had filmed the riot which had made the nightly news. The others finally break through the door just as Benny arrives. He says he's there to call a truce. He reveals that Mimi, a former girlfriend of his, convinced him to change his mind by making sexual advances on him. Mimi denies seducing Benny, but the revelation that they had once been together upsets Roger. Roger and Mimi both apologize, but Mimi remains upset, and turns to the drug dealer for a fix ("Happy New Year B"). Maureen and Joanne have a fight, giving each other relationship ultimatums. Maureen's flirtatious ways and Joanne's controlling behavior are too much for the other to take, so they break up ("Take Me Or Leave Me"). The company sings a reprise of "Seasons of Love", as time passes and seasons change ("Seasons of Love B"). By spring, Roger and Mimi's relationship becomes strained. Roger keeps talking about moving out of town. Mimi comes home late again, causing Roger to believe that she is cheating on him with Benny. Roger jealously storms out, Mimi stops him and tries to tell him the truth, that she is not cheating and that she is still using drugs, but can't get the words out, and Roger leaves. Alone in the apartment, Mimi sings of her love for Roger, and elsewhere, Roger sings of his love for Mimi ("Without You"). Collins continues nursing Angel who is very sick as AIDS begins to overtake him. Mark continues to receive calls from Alexi Darling at Buzzline, a tabloid news program ("Voicemail #4"). Eventually, Roger and Mimi, and Joanne and Maureen, reconcile. They then break up just as quickly ("Contact"). At the same time, Angel passes away, leaving Collins heartbroken ("I'll Cover You [Reprise]"). At Angel's funeral, Mark expresses his fear of being the only one left surviving when the rest of his friends die of AIDS ("Halloween"). He finally accepts the job offer from Buzzline. Roger reveals that he is leaving New York for Santa Fe, which sparks an argument about commitment between him and Mimi, and Maureen and Joanne. Collins arrives and admonishes the entire group for fighting on the day of Angel's funeral. Maureen and Joanne realize their fighting is petty, and they reconcile. Mimi tries to go to Roger, but he turns away. After everyone leaves, Mark confronts Roger about his behavior towards Mimi. As the two friends fight, Mark reveals that Roger's feelings aren't jealousy towards Benny, but fear of losing Mimi to AIDS. As Roger leaves, he runs into Mimi, who claims that she heard everything and just wanted to tell Roger goodbye ("Goodbye Love"). Roger and Mark both have an artistic epiphany, as Roger finds his song in Mimi and Mark finds his film in Angel's memory. Roger returns to New York just in time for Christmas, and Mark quits Buzzline to work on his own film ("What You Own"). Worried about their children not answering their calls, the cast's parents leave several messages on their phones ("Voicemail #5"). On Christmas Eve, one year to date from where the show started, Mark has finished his film and is ready to screen it. Roger has found his song but can't find Mimi anywhere. Collins enters with handfuls of cash, revealing that he reprogrammed an ATM at a convenience store to provide money to anybody with the code (A-N-G-E-L). Maureen and Joanne abruptly enter carrying Mimi, who is very weak and close to death. She begins to fade, but not before telling Roger that she loves him ("Finale A"). Roger tells her to hold on as he plays her the song he wrote for her, which reveals the depths of his feelings for her ("Your Eyes"). Mimi appears to die, but suddenly awakens. She says that she was heading into a light, but Angel told her to go back. The surviving Bohemians and Benny gather together to rejoice and resolve to enjoy whatever time they have left with each other and reaffirm that there is "no day but today" ("Finale B").

26476

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Rendezvous with Rama

Arthur C. Clarke

1972

{"/m/03lrw": "Hard science fiction", "/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction"}

After a major disaster caused by a meteorite falling in Eastern Italy in 2077, the government of Earth sets up the Spaceguard system as an early warning of arrivals from deep space. The "Rama" of the title is an alien star ship, initially mistaken for an asteroid categorised as "31/439". It is detected by astronomers in the year 2130 while still outside the orbit of Jupiter. The object's speed (100 000 km/h) and the angle of its trajectory clearly indicate that this is not an object on a long orbit around our sun; it comes from interstellar space. Astronomers' interest is further piqued when they realise that this asteroid not only has an extremely rapid rotation period of 4 minutes, but it is exceptionally large. It is subsequently renamed Rama after the Hindu god and an unmanned space probe dubbed Sita is launched from the Mars moon Phobos to intercept and photograph the object. The resulting images taken during its rapid flyby reveal that Rama is a perfect cylinder, in diameter and long, made of a completely featureless material, making this humankind's first encounter with an alien space ship. The manned solar survey vessel Endeavour is sent to study Rama, as it is the only ship close enough to do so in the brief period Rama will spend in our solar system. Endeavour manages to rendezvous with Rama one month after the space ship first comes to Earth's attention, when the giant alien spacecraft is already within Venus' orbit. The 20+ crew, led by Commander Bill Norton, enters Rama through triple airlocks, and explores the vast 16-km wide by 50-km long cylindrical world of its interior, but the nature and purpose of the starship and its creators remains enigmatic throughout the book. Inside Rama, the air is discovered to be breathable. The astronauts discover several features, including "cities" (odd blocky shapes that look like buildings, and streets with shallow trenches in them, looking like trolley car tracks) that actually served as factories, a sea that stretches in a band around Rama dubbed the Cylindrical Sea, and seven massive cones at the southern end of Rama - believed to form part of the propulsion system. One of the crew members, Jimmy Pak, who has experience with low gravity skybikes, volunteers to ride a smuggled skybike along Rama's axis to the far end, otherwise inaccessible due to the cylindrical sea and the 500-m high cliff on the opposite shore. A few hours later, Jimmy reaches the massive metal cones on the southern end of Rama, picking up a strange magnetic field coming from the cones. Pak takes a few pictures of the area and the strange plateau on the southern end of Rama's landmass before leaving. The electrical charge in the atmosphere begins to increase during Pak's return, resulting in lightning. A discharge hits his skybike causing him to crash on the isolated southern continent. When Pak wakes up, he sees a crab-like creature picking up his skybike and chopping it into pieces. He cannot decide whether it is a robot or a biological alien, and keeps his distance while contacting Norton and the others on the other side of Rama for help. Norton sends a rescue party across the cylindrical sea, using a small, improvised craft, and Pak waits. He sees the crab-like creature dump the remains of the skybike into the sea, and he approaches the creature, but it completely ignores him. Pak explores the surrounding fields while waiting for the rescue party to arrive on the southern cliffs of the cylindrical sea. Amongst the strange geometric patterns he sees an alien flower growing through a cracked tile in the otherwise sterile environment, and decides to take it as both a curiosity and for scientific research. Pak jumps off the 500m cliff, his descent slowed by low gravity and using his shirt as a parachute, and swims quickly to the craft. The ride back is highlighted by tidal waves in the cylindrical sea, formed by movements of Rama itself as it makes course corrections. When the crew arrive at base, they see a variety of odd creatures inspecting their camp. When one is found damaged and apparently lifeless, the team's doctor/biologist Surgeon-Commander Laura Ernst inspects it and names it a "biot" or a hybrid of a biological entity and robot. She concludes that it, and others, appear to be electrically powered by natural internal batteries (much like terrestrial electric eels) and possess some degree of intelligence. They are believed to be the servants of Rama's still-absent builders and maintainers of the starship. The members of the Rama Committee and the United Planets, both based on the moon, have been monitoring events inside Rama and giving feedback. The Hermian colonists have concluded that Rama is a potential threat to them and send a rocket-mounted bomb to destroy Rama. It is successfully defused by Lt Boris Rodrigo using a pair of wire cutters. As Rama approaches perihelion, the biots act strangely - jumping into the cylindrical sea where they are destroyed by aquatic biots ('sharks'), and absorbed back into the mineral-laden water. On one last expedition to explore Rama, a few crew members decide to visit the city "London" (chosen as closest to the stairways at the "northern" end of the cylinder they use to return to their ship) to use a laser to cut open one of the buildings and see what is inside. Inside, they discover pedestals containing holograms of various artifacts, believed to have been used by the Ramans as tools and other objects. The holograms themselves are presumed to be templates for replicating these items as needed. The most amazing sight is what appears to be a uniform with bandoliers, straps and pockets that suggests the size and shape of the Ramans. But before the crew can photograph any more holograms, the lights start going out, and they must leave. They all exit up through the stairway on Rama's northern side, out of the three airlocks, and board Endeavour. When Endeavour is a safe distance away, and Rama reaches perihelion, Rama harnesses the Sun's gravitational field with its mysterious "space drive" for use in a slingshot manoeuvre and is flung out of the solar system toward an unknown location in the direction of the Large Magellanic Cloud. The book was meant to stand alone, although the final sentence of the book suggests otherwise: Clarke, however, denied that this sentence was meant to hint at a continuation of the story-–according to his foreword in the book's sequel, it was just a good way to end the book and was added during a final revision.

27490

/m/06vh_

Sense and Sensibility

Jane Austen

1811

{"/m/0dwly": "Children's literature", "/m/02xlf": "Fiction", "/m/01qxvh": "Romance novel", "/m/05hgj": "Novel"}

When Mr. Dashwood dies, his estate, Norland Park, passes directly to his only son John, the child of his first wife. His second wife, Mrs. Dashwood, and their daughters, Elinor, Marianne and Margaret, are left only a small income. On his deathbed, Mr. Dashwood extracts a promise from his son, that he will take care of his half-sisters; however, John's selfish and greedy wife, Fanny, soon persuades him to renege. John and Fanny immediately take up their place as the new owners of Norland, while the Dashwood women are reduced to the position of unwelcome guests. Mrs. Dashwood begins looking for somewhere else to live. In the meantime, Fanny's brother, Edward Ferrars, a pleasant, unassuming, intelligent but reserved young man, visits Norland and soon forms an attachment with Elinor. Fanny disapproves the match and offends Mrs. Dashwood with the implication that Elinor is motivated by money rather than love. Mrs. Dashwood indignantly speeds her search for a new home. Mrs. Dashwood moves her family to Barton Cottage in Devonshire, near the home of her cousin, Sir John Middleton. Their new home lacks many of the conveniences that they have been used to, however they are warmly received by Sir John, and welcomed into the local society, meeting his wife, Lady Middleton, his mother-in-law, Mrs. Jennings and his friend, the grave, quiet and gentlemanly Colonel Brandon. It soon becomes apparent that Colonel Brandon is attracted to Marianne, and Mrs. Jennings teases them about it. Marianne is not pleased as she considers Colonel Brandon, at thirty-five, to be an old bachelor incapable of falling in love, or inspiring love in anyone else. Marianne, out for a walk, gets caught in the rain, slips and sprains her ankle. The dashing, handsome John Willoughby sees the accident and assists her. Marianne quickly comes to admire his good looks and outspoken views on poetry, music, art and love. Mr. Willoughby's attentions are so overt that Elinor and Mrs. Dashwood begin to suspect that the couple are secretly engaged. Elinor cautions Marianne against her unguarded conduct, but Marianne refuses to check her emotions, believing this to be a falsehood. Unexpectedly one day, Mr. Willoughby informs the Dashwoods that his aunt is sending him to London on business, indefinitely. Marianne is distraught and abandons herself to her sorrow. Edward Ferrars then pays a short visit to Barton Cottage but seems unhappy and out of sorts. Elinor fears that he no longer has feelings for her, but feels compelled, by a sense of duty, to protect her family from knowing her heartache. Soon after Edward departs, Anne and Lucy Steele, the vulgar and uneducated cousins of Lady Middleton, come to stay at Barton Park. Lucy informs Elinor of her secret four year engagement to Edward Ferrars, displaying proofs of her veracity. Elinor comes to understand the inconsistencies of Edward's behaviour to her and acquits him of blame. She is charitable enough to pity Edward for being held to a loveless engagement by his gentlemanly honour. As winter approaches, Elinor and Marianne accompany Mrs. Jennings' to London. Upon arriving, Marianne writes a series of letters to Mr. Willoughby which go unanswered. When they finally meet, Mr. Willoughby greets Marianne reluctantly and coldly, to her extreme distress. Soon Marianne receives a curt letter enclosing their former correspondence and love tokens, including a lock of her hair and informing her of his engagement to a young lady of large fortune. Marianne is devastated, and admits to Elinor that she and Willoughby were never engaged, but she loved him and he led her to believe he loved her. In sympathy for Marianne, and to illuminate his character, Colonel Brandon reveals to Elinor that Mr. Willoughby had seduced Brandon's fifteen-year-old ward, and abandoned her when she became pregnant. In the meantime, the Steele sisters have come to London as guests of John and Fanny Dashwood. Lucy sees her invitation to the Dashwoods' as a personal compliment, rather than what it is, a slight to Elinor. In the false confidence of their popularity, Anne Steele betrays Lucy's secret. As a result the Misses Steele are turned out of the house, and Edward is entreated to break the engagement on pain of disinheritance. Edward, honourably, refuses to comply and is immediately disinherited in favour of his brother, gaining widespread respect for his gentlemanly conduct, and sympathy from Elinor and Marianne who understand how much he has sacrificed. In her misery over Mr. Willoughby's marriage, Marianne neglects her health and becomes dangerously ill. Traumatised by rumours of her impending death, Mr. Willoughby arrives drunkenly to repent and reveals to Elinor that his love for Marianne was genuine. Threatened with disinheritance because of his immoral behaviour, he felt he must marry for money rather than love, but he elicits Elinor's pity because his choice has made him unhappy. When Marianne is recovered, Elinor tells her of Mr. Willoughby's visit. Marianne comes to assess what has passed with sense rather than emotion, and sees that she could never have been happy with Mr Willoughby's immoral and expensive nature. She comes to value Elinor's conduct in a similar situation and resolves to model herself after Elinor's courage and good sense. Upon learning that Lucy has married Mr. Ferrars, Elinor is grieved, until Edward himself arrives to reveal that Lucy has jilted him in favour of his wealthy brother, Robert Ferrars. Edward and Elinor are soon married and in a very few years Marianne marries Colonel Brandon.

28230

/m/06_qc

Speaker for the Dead

Orson Scott Card

1986

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/01hmnh": "Fantasy", "/m/02xlf": "Fiction"}

On Novinha's request for a Speaker, Andrew Wiggin leaves for Lusitania, a colony turned into a virtual prison, with its expansion severely limited and its whole existence devoted to the work of xenologers who study the Pequeninos, the first sentient beings found since the destruction of Formics. Lusitania itself is remarkably lacking in biodiversity, featuring thousands of unfilled ecological niches. The other outstanding feature of Lusitania is the Descolada, a native virus which almost wipes out the colony, until husband-and-wife biologists Gusta and Cida succeed in developing counters. Unfortunately, they didn't find the cure soon enough to save themselves, leaving orphaned daughter Novinha to strike out for herself. At the age of thirteen, Novinha, a cold and distant girl, successfully petitions to be made the official biologist of the colony (roughly the equivalent of a master's degree); from then on, she contributes to the work of father-and-son xenologers (alien anthropology) Pipo and Libo, and for a short time there is family and camaraderie. One day, however, she makes a discovery about the descolada—that it's in every native lifeform—and Pipo rushes out to talk to the piggies about the discovery without telling her or Libo why it's important. They can't figure it out on their own, and never learn—a few hours later, Pipo is found vivisected in the grass; his corpse does not even have the benefit of a tree (The symbol of honor placed among all dead piggies). Novinha erases all the lab work, but cannot delete the information itself due to regulations; Libo demands to see it, but even their love for each other will not make her let him see it—it appears to be a secret the piggies will kill to keep. Now Novinha is determined to ensure they never marry, the way they always planned to: for if they do, Libo will have access to those locked files and, Novinha fears, will share the same fate as his father. In anguish, Novinha calls for a Speaker for the Dead, hoping beyond hope that perhaps the original Speaker may arrive, to make sense of Pipo's death—and maybe of her life. Andrew Wiggin doesn't dare let himself be known as Ender anymore; the name is now an Epithet. Ender decides to leave his sister Valentine behind (she is married and pregnant) after traveling with her for many years. He leaves as soon as possible, with his only companion being Jane, an artificial sentience existing within the ansible computer network by which spaceships and planets communicate instantly across galactic distances. He arrives on Lusitania after twenty-two years in transit (only around two weeks to him) to discover that Novinha has canceled her call, or rather tried to, as a call for a speaker cannot legally be canceled after the speaker has begun the journey. However, two others have called, making Ender's trip not entirely in vain: they are Novinha's eldest son Miro, calling for someone to speak the death of Libo, who was killed the same way his father was; and Novinha's eldest daughter Ela, calling for someone to speak the death of Novinha's husband Marcos Ribeira, who died not six weeks ago from a terminal disease. Besides attempting to unravel the question of why Novinha married Marcão when she really loved Libo (Marcão was sterile, and a quick genetic scan on Jane's part reveals that Novinha's children are all, in fact, Libo's), Ender also takes responsibility for attempting to heal the Ribeira family, and manages to adopt (or perhaps is adopted by) most of the children within their first meeting. He also takes a strong interest in the pequeninos, and eventually (in direct violation of Starways Congress law) meets with them in person. The Hive Queen has also managed to make contact with the pequeninos philotically, and has told them a number of things—including the fact that "Andrew Wiggin" is not only the original Speaker for the Dead, but the original Xenocide as well, which romantically involved Zenadors (a shortened form of the word xenologists) Miro and Ouanda do not believe. The Hive Queen very emphatically wants to be revived and freed on Lusitania. Finally, in an effort to help Ender, Jane deliberately reveals to Starways Congress that Miro and Ouanda, continuing the legacy of Ouanda's dead father Libo, have been deliberately introducing new technology into the piggy lifestyle. Both Zenadors are called away to the nearest world for trial (a journey that would take twenty-two years), the colony's charter is revoked, and all humans are ordered to evacuate posthaste, leaving no sign of ever having been there. Ender holds a public speaking for Marcão, Novinha's late husband. However, Ender cannot but help reveal secrets from the lives of Libo, Pipo, and even Novinha herself as their lives were all so delicately bound together by guilt, deception, and love. The Speaker explains how Novinha blames herself for Pipo's death, and underwent a life of suffering and deception—marrying Marcão so that to prevent Libo from accessing the information which killed Pipo, but secretly trysting with Libo—because their love for each other never truly died. The meaning of Pipo's and Libo's murders come out as well: the trees are the "third stage" in the life of the piggies. Trees grown from piggies killed normally become brothertrees, but the ritually dissected ones are done so in order to make them fathertrees—sentient, living trees that are, unlike animal pequeninos, capable of reproduction (the descolada is proved to be instrumental in these transformations). Finally, the Speaker for the Dead is able to work out a treaty with the piggies, so that humans and pequeninos might live in peace. Unfortunately, it is not without cost: Miro, distraught to learn that Ouanda, his girlfriend in secret, is actually his sister, attempts to cross the fence, which separates the humans from the piggies, and suffers significant neurological damage. With no other way to save him, the colony declares itself in rebellion, Jane shuts off outside ansible contact, Miro is rescued, and Ender enters the forest to negotiate the aforementioned treaty. He signs it "Ender Wiggin," and for the first time in his life, someone (Novinha) is prepared to receive the Xenocide with compassion instead of revulsion. Valentine and her family plan to come to Lusitania to help out in the rebellion, aided by Jane; Miro, with his crippled body, is sent into space to meet them; the Hive Queen is released, ready to begin the continuation of her species; and Ender marries Novinha.

28426

/m/0716m

Starship Troopers

Robert A. Heinlein

1959-12

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/02xlf": "Fiction"}

Starship Troopers takes place in the midst of an interstellar war between the Terran Federation of Earth and the Arachnids (referred to as "The Bugs") of Klendathu. It is narrated as a series of flashbacks by Juan Rico, and is one of only a few Heinlein novels set out in this fashion. The novel opens with Rico aboard the corvette Rodger Young (named after Medal of Honor winner Rodger Wilton Young), serving with the platoon known as "Rasczak's Roughnecks" (named after the platoon leader, Lt. Rasczak) about to embark on a raid against the planet of the "Skinnies," who are allies of the Arachnids. We learn that he is a cap(sule) trooper in the Terran Federation's Mobile Infantry. The raid itself, one of the few instances of actual combat in the novel, is relatively brief: the Roughnecks land on the planet, destroy their targets, and retreat, suffering a single casualty in the process (Dizzy Flores, who dies in the retrieval boat of wounds received in action). The story then flashes back to Rico's graduation from high school, and his decision to sign up for Federal Service over the objections of his father, who disowns him. This is the only chapter that describes Rico's civilian life, and most of it is spent on the monologues of two people: retired Lt. Col. Jean V. Dubois, Rico's school instructor in "History and Moral Philosophy," and Fleet Sergeant Ho, a recruiter for the armed forces of the Terran Federation. Some see Dubois as speaking for Heinlein throughout the novel; he delivers what is probably the book's most famous soliloquy on violence, it "... has settled more issues in history than has any other factor." Fleet Sergeant Ho's monologues examine the nature of military service, and his anti-military tirades seem primarily to be a contrast with Dubois. We learn, later, that his rants are part of a policy intended to scare off applicants signing up without conviction. Interspersed throughout the book are other flashbacks to Rico's high school History and Moral Philosophy course, which describe how in the Terran Federation of Rico's day, the rights of a full Citizen (to vote, and hold public office) must be earned through some form of volunteer Federal service. Those residents who have not exercised their right to perform this Federal Service retain all other rights generally associated with a modern democracy (free speech, assembly, etc.), but they cannot vote or hold public office. This structure arose ad hoc after the collapse of the "20th century Western democracies", brought on by both social failures at home (among which appear to be poor handling of juvenile delinquency) and military defeat by the Chinese Hegemony overseas. In the next section of the novel, after being denied all his higher preferred Service choices, Rico goes to boot camp at Camp Arthur Currie, on the northern prairies. Five chapters are spent exploring Rico's experience there, including his adjustment to a very different situation, entering the service under the training of the leading instructor, career Ship's Sergeant Charles Zim. Camp Currie is rigorous by design; less than ten percent of the recruits finish basic training. The rest either resign, are expelled, or die in training. One of the chapters deals with Ted Hendrick, a fellow recruit and constant complainer who is flogged and expelled for striking a superior officer during a simulated combat exercise (he caught Sgt. Zim by surprise after being struck by the sergeant for failure to perform during the exercise). Another recruit, a deserter who murdered a baby girl while AWOL, is hanged by his battalion after his arrest by civilian police and return to Camp Currie. Rico himself is flogged for poor handling of (simulated) nuclear weapons during a drill; despite these experiences he eventually graduates and is assigned to a unit in the Fleet. At some point during Rico's training, the "Bug War" has changed from border incidents to formal war, and Rico finds himself taking part in combat operations. The war "officially" starts with an Arachnid attack that annihilates the city of Buenos Aires (which kills Juan's mother who was visiting there), although Rico makes it clear that prior to the attack there had been many "'incidents,' 'patrols,' or 'police actions.'" Rico briefly describes the Terran Federation's loss at the Battle of Klendathu during which his unit is decimated and his ship destroyed. Following Klendathu, the Terran Federation is reduced to making hit-and-run raids similar to the one described at the beginning of the novel (which, chronologically would be placed between chapters 10 and 11). Rico meanwhile finds himself posted to Rasczak's Roughnecks. This part of the book focuses on the daily routine of military life, as well as the relationship between officers and non-commissioned officers, personified in this case by Rasczak and Sergeant Jelal. Eventually, Rico decides to become a career soldier, and one of his fellow troopers claims he is officer material and should consider volunteering for Officer Candidate School. He applies and is accepted. It turns out to be just like boot camp, only "squared and cubed with books added." Rico manages to make it through to the final exam, "in the Fleet". He is commissioned a temporary Third Lieutenant for his field-test and commands his own unit during Operation Royalty. It is revealed at the end of the chapter that one of the enlisted men he leads into combat is his former basic training instructor, Sergeant Zim. Although personally convinced that he badly mismanaged his men, he passes the final exam, and graduates as a Second Lieutenant. There is also an account of the meeting between Rico and his father, who volunteered for Service after his wife, Rico's mother, was killed at Buenos Aires. The final chapter serves as more of a coda, depicting Rico aboard the Rodger Young as the lieutenant in command of Rico's Roughnecks, preparing to drop to Klendathu as part of a major strike, his father being his senior sergeant and a Native American Third Lieutenant-in-training (James Bearpaw, known as "Jimmie") of his own under instruction.

28833

/m/074g8

Sir Gawain and the Green Knight

Pearl Poet

2007

{"/m/05qgc": "Poetry"}

In Camelot on New Year's Day King Arthur's court is exchanging gifts and waiting for the feasting to start when the king asks first to see or hear of an exciting adventure. At this a gigantic figure, entirely green in appearance and riding a green horse, rides unexpectedly into the hall. He wears no armour but bears an axe in one hand and a holly bough in the other. Refusing to fight anyone there on the grounds they are all too weak to take him on, he insists he has come for a friendly "Christmas game": someone is to strike him once with his axe on condition that the Green Knight may return the blow in a year and a day. The splendid axe will belong to whoever takes him on. Arthur himself is prepared to accept the challenge when it appears no other knight will dare, but Sir Gawain, youngest of Arthur's knights and his nephew, quickly begs for the honour instead. The giant bends and bares his neck before him and Gawain neatly beheads him in one stroke. However the Green Knight neither falls nor falters but reaches out, picks up his severed head and remounts, holding up his bleeding head to Queen Guinevere while its writhing lips remind Gawain that the two must meet again at the Green Chapel before he rides away. Joking together, Gawain and Arthur admire the axe, hang it up as a trophy and encourage Guinevere to treat the whole matter lightly. As the date approaches Sir Gawain sets off to find the Green Chapel and keep his bargain. Many adventures and battles are alluded to (but not described) until Gawain, on the brink of starvation, comes across a splendid castle where he meets Bertilak de Hautdesert, the lord of the castle, and his beautiful wife, who are pleased to have such a renowned guest. Also present is an old and ugly lady, unnamed but treated with great honour by all. Gawain tells them of his New Year's appointment at the Green Chapel and that he only has a few days remaining. Bertilak laughs, explains that the Green Chapel is less than two miles away and proposes that Gawain rest at the castle till then. Relieved and grateful, Gawain agrees. Before going hunting the next day Bertilak proposes a playful bargain: he will give Gawain whatever he catches on condition that Gawain give him whatever he might gain during the day. Gawain accepts. After Bertilak leaves Lady Bertilak visits Gawain's bedroom and behaves seductively but despite her best efforts he yields nothing but a single kiss in his unwillingness to offend her. When Bertilak returns and gives Gawain the deer he has killed, his guest gives a kiss to Bertilak without divulging its source. The next day the lady comes again, Gawain again courteously foils her advances and there is a similar exchange of a hunted boar for two kisses. She comes once more on the third morning, this time offering Gawain a gold ring as a keepsake. As he gently but steadfastly refuses she pleads that he at least take her belt, a girdle of green and gold silk which, the lady assures him, is charmed and will keep him from all physical harm. Tempted, as he may otherwise die the next day, Gawain accepts it from her and they also exchange three kisses. That evening, Bertilak returns with a fox, which he exchanges with Gawain for the three kisses – but Gawain says nothing of the girdle. The next day Gawain leaves for the Green Chapel with the girdle wound twice round his waist. He finds the Green Knight sharpening an axe and, as promised, Gawain bends his bared neck to receive his blow. At the first swing Gawain flinches slightly and the Green Knight belittles him for it. Ashamed of himself, at the Green Knight's next swing Gawain does not flinch; but again the full force of the blow is withheld. The knight explains he was testing Gawain's nerve. Angrily Gawain tells him to deliver his blow at once and so the knight does, but striking softly and causing only a slight wound on Gawain's neck. The game is over: Gawain is now free to defend himself from further harm. He seizes his sword, helmet and shield, but the Green Knight, laughing, reveals himself to be the lord of the castle, Bertilak de Hautdesert, transformed by magic. He explains that the entire adventure was a trick of the 'elderly lady' Gawain saw at the castle who is the sorceress Morgan le Fay, Arthur's sister, who intended to test Arthur's knights and terrify Guinevere. Gawain is ashamed to have behaved deceitfully and cowardly but the Green Knight laughs at his scruples and the two part on cordial terms. Gawain returns to Camelot wearing the girdle in shame as a token of his failure to keep his promise and follow the rules of the game. The Knights of the Round Table, having heard his story, absolve him of blame and decide that henceforth all will wear a green sash in recognition of Gawain's adventure.

29414

/m/078y6

Stuart Little

E. B. White

1945

{"/m/014dfn": "Speculative fiction", "/m/0dwly": "Children's literature", "/m/02xlf": "Fiction"}

The story is episodic. First we learn of Stuart's birth to a family in New York City and how the family adapts, socially and structurally, to having such a small son. He has an adventure in which he gets caught in a window-blind while exercising, and Snowbell, the family cat, places Stuart's hat and cane outside a mouse hole, panicking the family. He is accidentally released by his brother George. Then two chapters describe Stuart's participation in a boat race in Central Park. A bird named Margalo is adopted by the Little family, and Stuart protects her from their malevolent cat. The bird repays his kindness by saving Stuart when he is trapped in a garbage can and shipped out for disposal at sea. Margalo flees when she is warned that one of Snowbell's friends intends to eat her, and Stuart strikes out to find her and bring her home. A friendly dentist, who is also the owner of the boat Stuart had raced in Central Park, gives him use of a gasoline-powered model car, and Stuart departs to see the country. He works for a while as a substitute teacher and comes to the town of Ames Crossing, where he meets a girl named Harriet Ames who is no taller than he is. They go on one date, and then Stuart leaves town. As the book ends, he has not yet found Margalo, but feels confident he will do so.

29798

/m/07bz5

The Lord of the Rings

J. R. R. Tolkien

{"/m/08sdrw": "Adventure novel", "/m/014dfn": "Speculative fiction", "/m/01hmnh": "Fantasy", "/m/02xlf": "Fiction", "/m/050z5g": "Chivalric romance", "/m/03qfd": "High fantasy"}

Long before the events of the novel, the Dark Lord Sauron forges the One Ring to dominate the other Rings of Power and corrupt those who wear them: the leaders of Men, Elves and Dwarves. He is vanquished in battle by an alliance of Elves and Men. Isildur cuts the One Ring from Sauron's finger, claiming it as an heirloom for his line, and Sauron loses his physical form. When Isildur is later ambushed and killed by Orcs, the Ring is lost in the River Anduin. Over two thousand years later, the Ring is found by a river-dwelling hobbit called Déagol. His friend Sméagol immediately falls under the Ring's influence and strangles Déagol to acquire it. Sméagol is banished and hides under the Misty Mountains, where the Ring extends his lifespan and transforms him over the course of hundreds of years into a twisted, corrupted creature called Gollum. He loses the Ring, his "precious", and, as recounted in The Hobbit, Bilbo Baggins finds it. Meanwhile, Sauron reassumes physical form and takes back his old realm of Mordor. Gollum sets out in search of the Ring, but is captured by Sauron, who learns from him that "Baggins" now has it. Gollum is set loose, and Sauron, who needs the Ring to regain his full power, sends forth his powerful servants, the Nazgûl, to seize it. The novel begins in the Shire, where the Hobbit Frodo Baggins inherits the Ring from Bilbo, his cousin and guardian. Neither is aware of its origin, but Gandalf the Grey, a wizard and old friend of Bilbo, suspects the Ring's identity. When he becomes certain, he strongly advises Frodo to take it away from the Shire. Frodo leaves, accompanied by his gardener and friend, Samwise ("Sam") Gamgee, and two cousins, Meriadoc ("Merry") Brandybuck and Peregrin ("Pippin") Took. They nearly encounter the Nazgûl while still in the Shire, but shake off pursuit by cutting through the Old Forest, where they are aided by the enigmatic Tom Bombadil, who alone is unaffected by the Ring's corrupting influence. After leaving the forest, they stop in the town of Bree where they meet Aragorn, Isildur's heir. He persuades them to take him on as guide and protector. They flee from Bree after narrowly escaping another assault, but the Nazgûl follow and attack them on the hill of Weathertop, wounding Frodo with a Morgul blade. Aragorn leads the hobbits toward the Elven refuge of Rivendell, while Frodo gradually succumbs to the wound. The Ringwraiths nearly overtake Frodo at the Ford of Bruinen, but flood waters summoned by Elrond, master of Rivendell, rise up and overwhelm them. Frodo recovers in Rivendell under the care of Elrond. The Council of Elrond reveals much significant history about Sauron and the Ring, as well as the news that Sauron has corrupted Gandalf's fellow wizard, Saruman. The Council decides that they must destroy the Ring, but that can only be done by returning it to the flames of Mount Doom in Mordor, where it was forged. Frodo volunteers to take on this daunting task, and a "Fellowship of the Ring" is formed to aid him: Sam, Merry, Pippin, Aragorn, Gandalf, Gimli the Dwarf, Legolas the Elf, and the Man Boromir, son of the Ruling Steward Denethor of the realm of Gondor. After a failed attempt to cross the Misty Mountains via the pass below Caradhras, the company are forced to try a more perilous path through the Mines of Moria, where they are attacked by the Watcher in the Water before the gate. Once inside, they discover the fate of Balin and his company of Dwarves, and realize their own danger. After repulsing an attack, they are pursued by orcs and an ancient, powerful Balrog. Gandalf confronts the Balrog, but in their struggle, both fall into a deep chasm. The others escape and take refuge in the Elven forest of Lothlórien, where they are counselled by Galadriel and Celeborn. With boats and gifts from Galadriel, the company travel down the River Anduin to the hill of Amon Hen. Boromir succumbs to the lure of the Ring and attempts to take it from Frodo. Frodo escapes and determines to continue the quest alone, though Sam guesses his intent and comes along. Meanwhile, orcs sent by Saruman and Sauron kill Boromir and kidnap Merry and Pippin. After agonizing over which pair of hobbits to follow, Aragorn, Gimli and Legolas pursue the orcs bearing Merry and Pippin to Saruman. In the kingdom of Rohan, the orcs are slain by a company of the Rohirrim. Merry and Pippin escape into Fangorn Forest, where they are befriended by Treebeard, the oldest of the tree-like Ents. Aragorn, Gimli and Legolas track the hobbits to Fangorn, and encounter Gandalf, resurrected as the significantly more powerful "Gandalf the White" after his mutually fatal duel with the Balrog. Gandalf assures them that Merry and Pippin are safe. They ride to Edoras, the capital of Rohan, where they free Théoden, King of Rohan, from the influence of Saruman's henchman Gríma Wormtongue. Théoden musters his fighting strength and rides to the ancient fortress of Helm's Deep, but en route Gandalf leaves to seek help from Treebeard. Meanwhile, the Ents, roused from their customarily peaceful ways by Merry and Pippin, attack Isengard, Saruman's stronghold, and trap the wizard in the tower of Orthanc. Gandalf convinces Treebeard to send an army of Huorns to Théoden's aid. Gandalf and Rohirrim reinforcements arrive just in time to defeat and scatter Saruman's army. The Huorns dispose of the fleeing orcs. Gandalf then parleys with Saruman at Orthanc. When Saruman rejects his offer of redemption, Gandalf strips him of his rank and most of his powers. Pippin looks into a palantír, a seeing-stone that Saruman had used to communicate with Sauron and through which he was enslaved. Gandalf rides for Minas Tirith, chief city of Gondor, taking Pippin with him. Frodo and Sam capture Gollum, who had been following them from Moria, and force him to guide them to Mordor. Finding Mordor's Black Gate too well guarded to attempt, they travel instead to a secret passage Gollum knows. Torn between his loyalty to Frodo and his desire for the Ring, Gollum eventually betrays Frodo by leading him to the great spider Shelob in the tunnels of Cirith Ungol. Frodo is felled by Shelob's bite, but Sam fights her off. Sam takes the Ring and leaves Frodo, believing him to be dead. When orcs find Frodo, Sam overhears them say that Frodo is only unconscious, and chases after them. Sauron unleashes a heavy assault upon Gondor. Gandalf arrives at Minas Tirith to alert Denethor of the impending attack. The city is besieged, and Denethor, driven to despair by Sauron through the use of another palantír, gives up hope and commits suicide, nearly taking his remaining son Faramir with him. With time running out, Aragorn has no choice but to take the Paths of the Dead, accompanied by Legolas and Gimli. There Aragorn raises an undead army of oath-breakers bound by an ancient curse. The ghostly army help them to defeat the Corsairs of Umbar invading southern Gondor. The forces of Gondor and Rohan break the siege of Minas Tirith. Sam rescues Frodo from the tower of Cirith Ungol, and they set out across Mordor. Meanwhile, in order to distract Sauron from his true danger, Aragorn leads the armies of Gondor and Rohan in a march on the Black Gate of Mordor. His vastly outnumbered troops fight desperately against Sauron's armies. At the edge of the Cracks of Doom, Frodo is unable to resist the Ring any longer, and claims it for himself. Gollum suddenly reappears, struggles with Frodo and bites off his finger, Ring and all. Celebrating wildly, Gollum falls into the fire, taking the Ring with him. With the destruction of the One Ring, Sauron perishes, along with the Nazgûl, and his armies are thrown into such disarray that Aragorn's forces emerge victorious. With the end of the War of the Ring, Aragorn is crowned Elessar, King of Arnor and Gondor, and marries his long-time love, Arwen, daughter of Elrond. Saruman escapes from Isengard and enslaves the Shire. The four hobbits, upon returning home, raise a rebellion and overthrow him. Gríma turns on Saruman and kills him, and is slain in turn by hobbit archers. The War of the Ring thus comes to its true end on Frodo's very doorstep. Merry and Pippin are acclaimed heroes, while Sam marries Rosie Cotton and uses his gifts from Galadriel to help heal the Shire. Frodo, however, remains wounded in body and spirit after having borne the weight of the One Ring so long. Several years later, accompanied by Bilbo and Gandalf, he sails from the Grey Havens west over the Sea to the Undying Lands to find peace. After Rosie's death, Sam gives his daughter the Red Book of Westmarch, containing the account of Bilbo's adventures and the War of the Ring as witnessed by the hobbits. Sam is then said to have crossed west over the Sea himself, the last of the Ring-bearers.

29821

/m/07c2t

The Doors of Perception

Aldous Huxley

1954

{"/m/037mh8": "Philosophy", "/m/05h83": "Non-fiction"}

After a brief overview of research into mescaline, Huxley recounts that he was given 4/10 of a gram at 11:00 am one day in May 1953. Huxley writes that he hoped to gain insight into extraordinary states of mind and expected to see brightly colored visionary landscapes. When he only sees lights and shapes, he puts this down to being a bad visualiser, however, he experiences a great change in his perception of the external world. By 12:30 pm, a vase of flowers becomes the "miracle, moment by moment, of naked existence". The experience, he asserts, is neither agreeable nor disagreeable, but simply "is". He likens it to Meister Eckhart’s ‘istigheit’ or ‘is-ness’, and Plato’s ‘Being’ but not separated from ‘Becoming’. He feels he understands the Hindu concept of Satchitananda, as well as the Zen koan that ‘the dharma body of the Buddha is in the hedge’ and Buddhist suchness. In this state, Huxley explains he didn’t have an ‘I’, but instead a ‘not-I’. Meaning and existence, pattern and colour become more significant than spatial relationships and time. Duration is replaced by a perpetual present. Reflecting on the experience afterwards, Huxley finds himself in agreement with philosopher C.D. Broad that to enable us to live, the brain and nervous system eliminate unessential information from the totality of the Mind at Large. In summary, Huxley writes that the ability to think straight is not reduced while under the influence of mescaline, visual impressions are intensified, and the human experimenter will see no reason for action because the experience is so fascinating. Temporarily leaving the chronological flow, he mentions that four or five hours into the experience he was taken to the World’s Biggest Drug Store (WBDS) where he was presented with books on art. In one book, the dress in Botticelli’s Judith provokes a reflection on drapery as a major artistic theme as it allows painters to include the abstract in representational art, to create mood, and also to represent the mystery of pure being. Huxley feels that human affairs are somewhat irrelevant whilst on mescaline and attempts to shed light on this by reflecting on paintings featuring people. Cézanne’s Self portrait with a straw hat seems to him as incredibly pretentious, while Vermeer’s human still lives (also, the Le Nain Brothers and Vuillard) are the nearest to reflecting this not-self state. For Huxley, the reconciliation of these cleansed perceptions with humanity reflects the age old debate between active and contemplative life, known as the way of Martha and the way of Mary. As Huxley believes that contemplation should also include action and charity, he concludes that the experience represents contemplation at its height, but not its fullness. Correct behaviour and alertness are needed. Nonetheless, Huxley maintains that even quietistic contemplation has an ethical value, because it is concerned with negative virtues and acts to channel the transcendent into the world. After listening to Mozart’s C- Minor Piano Concerto, Gesualdo’s madrigals and Alban Berg’s Lyric Suite, Huxley heads into the garden. Outside, the garden chairs take on such an immense intensity that he fears being overwhelmed; this gives him an insight into madness. He reflects that spiritual literature, including the works of Jacob Boehme, William Law and the Tibetan Book of the Dead, talk of these pains and terrors. Huxley speculates that schizophrenia is the inability to escape from this reality into the world of common sense and thus help would be essential. After lunch and the drive to the WBDS he returns home and to his ordinary state of mind. His final insight is taken from Buddhist scripture: that within sameness there is difference, although that difference is not different from sameness. The book finishes with Huxley’s final reflections on the meaning of his experience. Firstly, the urge to transcend one’s self is universal through times and cultures (and was characterized by H.G. Wells as The Door in the Wall). He reasons that better, healthier ‘doors’ are needed than alcohol and tobacco. Mescaline has the advantage of not provoking violence in takers, but its effects last an inconveniently long time and some users can have negative reactions. Ideally, self-transcendence would be found in religion, but Huxley feels that it is unlikely that this will ever happen. Christianity and mescaline seem well-suited for each other; the Native American Church for instance uses the drug as a sacrament, where its use combines religious feeling with decorum. Huxley concludes that mescaline is not enlightenment or the Beatific Vision, but a 'gratuitous grace' (a term taken from St Thomas Aquinas’ Summa Theologica). It is not necessary but helpful, especially so for the intellectual, who can become the victim of words and symbols. Although systematic reasoning is important, direct perception has intrinsic value too. Finally, Huxley maintains that the person who has this experience will be transformed for the better.

29834

/m/07c62

The Time Machine

H. G. Wells

1895

{"/m/06n90": "Science Fiction", "/m/0dwly": "Children's literature", "/m/014dfn": "Speculative fiction", "/m/01qxvh": "Romance novel", "/m/01hmnh": "Fantasy", "/m/02xlf": "Fiction", "/m/07s2s": "Time travel", "/m/026ny": "Dystopia", "/m/01gw42": "Scientific romance"}

The book's protagonist is an English scientist and gentleman inventor living in Richmond, Surrey, identified by a narrator simply as the Time Traveller. The narrator recounts the Traveller's lecture to his weekly dinner guests that time is simply a fourth dimension, and his demonstration of a tabletop model machine for travelling through it. He reveals that he has built a machine capable of carrying a person, and returns at dinner the following week to recount a remarkable tale, becoming the new narrator. In the new narrative, the Time Traveller tests his device with a journey that takes him to 802,701 A.D., where he meets the Eloi, a society of small, elegant, childlike adults. They live in small communities within large and futuristic yet slowly deteriorating buildings, doing no work and having a frugivorous diet. His efforts to communicate with them are hampered by their lack of curiosity or discipline, and he speculates that they are a peaceful communist society, the result of humanity conquering nature with technology, and subsequently evolving to adapt to an environment in which strength and intellect are no longer advantageous to survival. Returning to the site where he arrived, the Time Traveller is shocked to find his time machine missing, and eventually works out that it has been dragged by some unknown party into a nearby structure with heavy doors, locked from the inside, which resembles a Sphinx. Later in the dark, he is approached menacingly by the Morlocks, ape-like troglodytes who live in darkness underground and surface only at night. Within their dwellings he discovers the machinery and industry that makes the above-ground paradise possible. He alters his theory, speculating that the human race has evolved into two species: the leisured classes have become the ineffectual Eloi, and the downtrodden working classes have become the brutish light-fearing Morlocks. Deducing that the Morlocks have taken his time machine, he explores the Morlock tunnels, learning that they feed on the Eloi. His revised analysis is that their relationship is not one of lords and servants but of livestock and ranchers. The Time Traveller theorizes that intelligence is the result of and response to danger; with no real challenges facing either species, they have both lost the spirit, intelligence, and physical fitness of Man at its peak. Meanwhile, he saves an Eloi named Weena from drowning as none of the other Eloi take any notice of her plight, and they develop an innocently affectionate relationship over the course of several days. He takes Weena with him on an expedition to a distant structure that turns out to be the remains of a museum, where he finds a fresh supply of matches and fashions a crude weapon against Morlocks, whom he fears he must fight to get back his machine. He plans to take Weena back to his own time. Because the long and tiring journey back to Weena's home is too much for them, they stop in the forest, and they are then overcome by Morlocks in the night, and Weena faints. The Traveller escapes only when a small fire he had left behind them to distract the Morlocks catches up to them as a forest fire; Weena is presumably lost in the fire, as are the Morlocks. The Morlocks use the time machine as bait to ensnare the Traveller, not understanding that he will use it to escape. He travels further ahead to roughly 30 million years from his own time. There he sees some of the last living things on a dying Earth, menacing reddish crab-like creatures slowly wandering the blood-red beaches chasing butterflies in a world covered in simple lichenous vegetation. He continues to make short jumps through time, seeing Earth's rotation gradually cease and the sun grow larger, redder, and dimmer, and the world falling silent and freezing as the last degenerate living things die out. Overwhelmed, he returns to his laboratory, arriving just three hours after he originally left. Interrupting dinner, he relates his adventures to his disbelieving visitors, producing as evidence two strange flowers Weena had put in his pocket. The original narrator takes over and relates that he returned to the Time Traveller's house the next day, finding him in final preparations for another journey. The Traveller promises to return in half an hour, but three years later, the narrator despairs of ever learning what became of him.

29991

/m/07ctj

The Shockwave Rider

John Brunner

1975

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/05hgj": "Novel"}

The novel is set in the weeks following Nick's recapture after several years on the run, alternating between moral arguments with his interrogator, who is trying to discover why the program's star pupil had absconded, and flashbacks of his career. The interrogator is Paul Freeman, a graduate of another secret installation known as "Electric Skillet", which focuses on weapons and defense strategy. Although he initially felt at home at Tarnover, Nick eventually becomes aware of experiments in genetic engineering being performed there. These produce monstrous deformed children who are disposed of when they are no longer needed for study. At this point Nick becomes determined to escape. He studies data processing, steals a personal ID code intended for privileged individuals who wish to live their lives without surveillance, and goes on the run. He uses the stolen computer access code to cover his data trails and create new identities for himself, easily adopting entire new personas. One is the pastor of a popular church, another is an idle playboy gigolo. In this last role, calling himself Sandy Locke, he becomes the lover of Ina Grierson, a top executive at Ground to Space Industries, a powerful "hypercorp" known to all as G2S. Intending to use the computer facilities at G2S to ensure that his code is still valid after the six years he has been away, he signs on as a "systems rationalizer" with the company. This brings him into contact with Ina's daughter, Kate, who attracts him despite her plain appearance and simple lifestyle. At the age of 22, Nick's age when he left Tarnover, Kate is a perpetual student at "UMKC". She is perceptive enough to penetrate Nick's adopted persona, deeply disturbing him even though she fascinates him. He visits her at home, helping her to clean out some of her possessions, and meeting her tame cougar, Bagheera. Bagheera is the product of her late father's genetic research into intelligence. He died shortly after abandoning the research because the government was using it to produce animals for military uses. The 21st-century lifestyle produces a symptom called "overload" in many people, and most, including Nick, take tranquilizers to some degree. However Nick collapses completely when told that a representative from Tarnover is coming to meet him at G2S. He returns to Kate and confesses that he is not what he seems, asking for her help. She conducts him to one of the "paid avoidance areas" in California, where people are paid to do without the full panoply of modern technology, as an alternative to spending billions to rebuild infrastructure after the earthquake. After Nick risks exposure yet again in one of these places, they move to the least known one, a town called Precipice. Precipice turns out to be a Utopian community of a few thousand people. The nearest comparison would be an agrarian, cottage industry community designed by William Morris. Precipice is also the home of "Hearing Aid", an anonymous telephone confession service accessible to anyone in the country. Hearing Aid is also known as the "Ten Nines", after the phone number used to call it: 999-999-9999. People call the service and simply talk. Some rant, others seek sympathy, still others commit suicide while on the phone. Hearing Aid's promise is that nobody else, not even the government, will hear the call. The only response Hearing Aid gives to a caller is "Only I heard that, I hope it helped." Nick and Kate settle into the community. The inhabitants include intelligent dogs that escaped from the projects that Kate's father worked on. These act as companions, guards, nannies, and even lie detectors, using their sense of smell. Nick rewrites the "computer tapeworm" that prevents the calls to Hearing Aid being monitored. While at G2S he became aware of massive backups of data being performed, clearly in anticipation of a major network outage. The Hearing Aid worm is designed to scramble network traffic if attacked, but Nick realizes that it could be destroyed if the authorities were prepared for the effects and ready to recover from them. His new worm, which he calls a "phage", cannot be removed without dismantling the entire network. Possibly encouraged by the government, local gangs and tribes raid Precipice, burning down Nick and Kate's house before being overwhelmed by the dogs. Nick, suffering another overload, blames Kate for the incident, since she, following Hearing Aid policy, cut off a call from someone attempting to warn Precipice. He hits her, and then, filled with remorse, leaves the town. He finally reveals his location to the authorities when, encountering one of the "Roman circus" operations which broadcast live fights and other bloody exhibitions to the country, he responds to an "all comers" challenge by the father of the leader of one of the gangs, and cripples him in front of a nationwide audience. At Tarnover, Paul Freeman takes charge of the interrogation. He was the representative whom Nick, as Sandy Locke, was supposed to meet at G2S. Freeman, a tall gaunt African-American, gradually comes to realize that he has more sympathy with Nick's views than his employer's, and eventually absconds himself, giving Nick computer access so that Nick can make his own escape. The precipitating event in this case is Kate's abduction by government agents, who bring her to Tarnover for further questioning and to threaten Nick. With the code he gets from Freeman, he sets up an identity as an Army Major, with Kate as his prisoner. Once clear of Tarnover, they disappear together. This time around, Nick has another plan, and rather than running and hiding, he and Kate spend a number of months traveling the country, aided by an "invisible college'" of academics who are allies or former residents of Precipice. He creates a new "worm" which is designed to destroy all secrecy. (Brunner invented the term "worm" for this program, as a self-replicating program that propagates across a computer network - the term "worm" was later adopted by computer researchers as the name for this type of program.) The worm is eventually activated, and the details of all the government's dark secrets (clandestine genetic experimentation that produces crippled children, bribes and kickbacks from corporations, concealed crimes of high public officials) now become accessible from anywhere on the network - in fact, those most affected by a particular crime of a government official are emailed the full details. In place of the old system, Nick has designed the worm to enforce a kind of utilitarian socialism, with people's worth being defined by their roles in society, not their connections in high places. In effect, the network becomes the entire government and financial system, policing income for illegal money, freezing the accounts of criminals, while making sure money (or credit) flows to places where people are in need. This will only happen fully if the results of a plebiscite, again conducted over the network, allow it. In a final atavistic attempt at revenge, the government orders a nuclear strike by a single aircraft from a local Air Force base. Warned by Hearing Aid, Nick is able to penetrate the military computers and manufacture a counter-order to stop the plane just before it reaches the town. The book ends optimistically, with there being no more privileged hiding of information, no more secret conspiracies of the rich and powerful.

29999

/m/07cvr

The Shining

Stephen King

1977-01

{"/m/039vk": "Gothic fiction", "/m/0dwly": "Children's literature", "/m/03npn": "Horror", "/m/014dfn": "Speculative fiction", "/m/02xlf": "Fiction"}

In 1976, Jack Torrance is an aspiring writer who is attempting to rebuild his marriage and career, both of which have been nearly ruined by two traits inherited from his late father: alcoholism and an explosive temper. During one occasion while drinking, Jack broke his son's arm. This incident shocked him into sobriety, but Jack's temper continued to plague him: he lost his teaching position at a Vermont prep school after assaulting a student. Jack eagerly accepts a job as a winter caretaker at the Overlook Hotel, an isolated resort in the Colorado Rockies. Jack hopes that the seclusion will help him reconnect with his family and give him inspiration and the peace and quiet to help him write a new play. Jack, his wife Wendy, and their five-year-old son, Danny—who has telepathic abilities unknown to his parents—move into the Overlook. Danny's abilities make him immediately sensitive to supernatural forces within the hotel. Shortly after the family's arrival at the Overlook, Danny and the hotel's chef, Dick Hallorann, talk privately to discuss Danny's talent and the hotel's sinister nature. Dick informs Danny that he shares Danny's abilities (though to a lesser degree), as did Dick's grandmother, who called it "shining". Dick warns Danny to avoid Room 217, but assures him that the things he may see are merely pictures which cannot harm him. Dick urges Danny to contact him through the shining should trouble arise. As the Torrances settle in at the Overlook, Danny sees frightening ghosts and visions. Although Danny is close to Jack, he does not tell either of his parents about his visions because he senses that the caretaking job is important to his father and the family's future. Wendy considers leaving Jack at the Overlook to finish the job on his own; Danny refuses, thinking his father will be happier if they stay. However Danny soon realizes his presence in the hotel makes the supernatural activity more powerful enabling it to make what Hallorann described as 'pictures' dangerous. Apparitions take form and the garden's topiary animals come to life. Objects, such as a party hat in the elevator, mysteriously appear . The Overlook has difficulty possessing Danny, so it begins to possess Jack, frustrating his need and desire to work. Jack becomes susceptible to cabin fever, and the sinister ghosts of the hotel gradually begin to overtake him, making him increasingly unstable. One day, after a fight with Wendy, Jack finds the hotel's bar fully stocked with alcohol despite being previously empty. As he gets drunk, the hotel urges Jack to kill his wife and son. Wendy and Danny get the better of Jack, locking him into the walk-in pantry, but the ghost of Delbert Grady, a former caretaker who murdered his family and then committed suicide, releases him. Wendy discovers that they are completely isolated at the Overlook, as Jack has sabotaged the hotel's snowcat and smashed the CB radio in the office. Jack strikes Wendy with one of the hotel's mallets, breaking two ribs, a kneecap, and one vertebra in her back. Wendy stabs Jack in the small of his back with a large butcher knife, then crawls away to the caretaker's suite and locks herself in the bathroom, with Jack in pursuit. Jack tries to break the door with the mallet, but before he unlocks the door she keeps him back by cutting him with some razor blades. Hallorann, working at a winter resort in Florida, has heard Danny's psychic call for help and rushes back to the Overlook. Jack leaves Wendy in the bathroom and ambushes Hallorann, shattering his jaw and giving him a concussion with the mallet, before setting off after Danny. Danny distracts Jack by saying "You're not my daddy," having realized that the Overlook has completely taken over Jack by playing on his alcoholism. Jack temporarily regains control of himself and tells Danny, "Run away. Quick. And remember how much I love you". Soon after, Jack is quickly possessed by the hotel again. He violently bashes his own face and skull in with his mallet so Danny can no longer recognize him as his father. Danny, realizing that his father is now gone forever, tells Jack that the unstable boiler is going to explode. In response, Jack rushes to the basement. Danny and Wendy reunite in the lobby, and they flee the Overlook with Hallorann. Though Jack tries to relieve the boiler pressure, it explodes, destroying the hotel. The building's spirit makes one last desperate attempt to possess Hallorann and make him kill Danny and Wendy, but he shakes it off and brings them to safety. The novel ends with Danny and Wendy summering at a resort in Maine where Hallorann, the head chef, talks with Danny and comforts him over the loss of his father.

30033

/m/07d4x

Mort

Terry Pratchett

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/01hmnh": "Fantasy", "/m/02xlf": "Fiction"}

As a teenager, Mort had a personality and temperament that made him rather unsuited to the family farming business. Mort's father, named Lezek, felt that Mort thought too much, which prevented him from achieving anything practical. Thus, Lezek took him to a local hiring fair, hoping that Mort would land an apprenticeship with some tradesman; not only would this provide a job for his son, but it would also make his son's propensity towards thinking someone else's problem. At the job fair, Mort at first has no luck attracting the interest of an employer. Then, just before the stroke of midnight, a man concealed in a black cloak arrives on a white horse. He says he is looking for a young man to assist him in his work and selects Mort for the job. The man turns out to be Death, and Mort is given an apprenticeship in ushering souls into the next world (though his father thinks he's been apprenticed to an undertaker). When it is a princess' time to die (according to a preconceived reality), Mort, instead of ushering her soul, saves her from death, dramatically altering a part of the Discworld's reality. However, the princess, for whom Mort has a developing infatuation, does not have long to live, and he must try to save her, once again, from a seemingly unstoppable death. Both the princess and Mort end up consulting the local wizard, Igneous Cutwell, for various methods of assistance with the crisis. As Mort begins to do most of Death's "Duty", he loses some of his former character traits, and essentially starts to become more like Death himself. Death, in turn, yearns to relish what being human is truly like and travels to Ankh-Morpork to indulge in new experiences and attempt to feel real human emotion. Conclusively, Mort must duel Death for Mort's freedom. Though Death wins the duel, he spares Mort's life and sends him back to the Disc. The princess is saved from a second death when the alternate reality Mort created is reduced to a pearl-like state. This pearl is given to Mort for safe-keeping. At the end of the novel, Mort marries Ysabell, Death's adopted daughter.

30280

/m/07g52

The Hound of the Baskervilles

Arthur Conan Doyle

1901

{"/m/0lsxr": "Crime Fiction", "/m/02n4kr": "Mystery", "/m/028v3": "Detective fiction", "/m/05hgj": "Novel"}

Sir Charles Baskerville is found lying dead on the grounds of his country house, Baskerville Hall. The cause is ascribed to a heart attack. Fearing for the safety of Sir Charles's nephew and only known heir, Sir Henry Baskerville, coming from America to claim his inheritance, Dr James Mortimer travels to London and asks Sherlock Holmes for help. Mortimer explains that the Baskerville family is afflicted by a curse. According to an old account, over two centuries ago Hugo Baskerville was infatuated with a farmer's daughter. He kidnapped her and imprisoned her in his bedroom. She escaped and the furious Baskerville offered his soul to the devil if he could recapture her. Aided by friends, he pursued the girl onto the desolate moor. Baskerville and his victim were found dead. She had died from fright, but a giant spectral hound stood guard over Baskerville's body. The hound tore out Baskerville's throat, then vanished into the night. Sir Charles Baskerville had become fearful of the legendary curse and its hellhound. Mortimer decided that Sir Charles had been waiting for someone when he died. His face was contorted in a ghastly expression, while his footprints suggested he was running from something. The elderly man's heart was not strong, and he had planned to go to London the next day. Mortimer says he had seen the footprints of a "gigantic hound" near Sir Charles's body, something not revealed at the inquest. Intrigued by the case, Holmes meets with Sir Henry, newly arrived from America. Sir Henry is puzzled by an anonymous note delivered to his London hotel room, warning him to avoid the Devon moors. Holmes says that the note had been composed largely of letters cut from The Times, probably in a hotel, judging by other clues. The fact that the letters were cut with nail scissors suggested an authoress, as did a remnant whiff of perfume. Holmes keeps this last detail to himself. When Holmes and Watson later join Sir Henry at his hotel, they learn one of the baronet's new boots has gone missing. No good explanation can be found for the loss. Holmes asks if there were any other living relatives besides Sir Henry. Mortimer tells him that Charles had two brothers, Rodger and John. Sir Henry is the sole child of John, who settled in America and raised his son there. Another brother, Rodger, was known to be the black sheep of the family. A wastrel and inveterate gambler, he fled to South America to avoid creditors. He is believed to have died there alone. Despite the note's warning, Sir Henry insists on visiting Baskerville Hall. As Sir Henry leaves Holmes' Baker Street apartment, Holmes and Doctor Watson follow him. They realise that a man with a fake-looking black beard in a cab is also following him. Holmes and Watson pursue this man, but he escapes; however, Holmes memorises the cab number. Holmes stops in at a messenger office and employs a young boy, Cartwright, to go visit London's hotels and look through wastepaper in search of cut-up copies of The Times. By the time they return to the hotel, Sir Henry has had another, newer boot stolen. When the first missing boot is discovered before the meeting is over, Holmes begins to realise they must be dealing with a real hound (hence the emphasis on the scent of the used boot). When conversation turns to the man in the cab, Mortimer says that Barrymore, the servant at Baskerville Hall, has a beard, and a telegram is sent to check on his whereabouts. It is decided that, with Holmes being tied up in London with other cases, Watson will accompany Sir Henry to Baskerville Hall and report back by telegram in detail. Later that evening, telegrams from Cartwright (who was unable to find the newspaper) and Baskerville Hall (where Barrymore apparently is) bring an end to those leads. A visit from John Clayton, who was driving the cab with the black-bearded man, is of little help. He says that the man had identified himself as Holmes, much to the surprise and amusement of the actual Holmes. Mortimer, Watson, and Sir Henry set off for Baskerville Hall the following Saturday. The baronet is excited to see it and his connection with the land is clear, but finds the moor dampened. Soldiers are about the area, on the lookout for an escaped murderer named Selden. Barrymore and his wife wish to depart Baskerville Hall as soon as is convenient, and the Hall is, in general, a somber place. Watson has trouble sleeping that night, and hears a woman crying. The next morning Barrymore denies that it was his wife, who is one of only two women in the house. Watson sees Mrs. Barrymore later in the morning, however, and observes clear evidence that she has indeed been weeping. Watson checks with the postmaster in Coombe Tracey and learns that the telegram was not actually delivered into the hands of Barrymore, so it is no longer certain that he was at the Hall, and not in London. On his way back, Watson meets Jack Stapleton, a naturalist familiar with the moor even though he has only been in the area for two years. They hear a moan that the peasants attribute to the hound, but Stapleton attributes it to the cry of a bittern, or possibly the bog settling. He then runs off after a specimen of the butterfly Cyclopedes, which was still found on Dartmoor until the 1860s. Watson is not alone for long before Beryl Stapleton, Jack's sister, approaches him. Mistaking him for Sir Henry, she urgently warns him to leave the area, but drops the subject when her brother returns. The three walk to Merripit House (the Stapletons’ home), and during the discussion, Watson learns that Stapleton used to run a school in Yorkshire. Though he is offered lunch and a look at Stapleton’s collections, Watson departs for the Hall. Before he gets far along the path, Miss Stapleton overtakes him and retracts her warning. Watson notices that the brother and sister don't look very much alike. Sir Henry soon meets Miss Stapleton and becomes romantically interested, despite her brother’s intrusions. Watson meets another neighbour, Mr. Frankland, an elderly lawyer. Barrymore draws increasing suspicion, as Watson and Sir Henry see him late at night walk with a candle into an empty room, hold it up to the window, and then leave. Realising that the room has a view out on the moor, Watson and Sir Henry determine to figure out what is going on. Barrymore's wife confesses that her brother is Selden, the escaped murderer, and that she was giving him food while he was out on the moor. Meanwhile, during the day, Sir Henry continues to pursue Beryl Stapleton until her brother runs up on them and yells angrily. He later explains to the disappointed baronet that it was not personal, he was just afraid of losing his only companion so quickly. To show there are no hard feelings, he invites Sir Henry to dine with him and his sister on Friday. Sir Henry then becomes the person doing the surprising, when he and Watson walk in on Barrymore, catching him at night in the room with a candle. Barrymore refuses to answer their questions, since it is not his secret to tell, but Mrs. Barrymore’s. She tells them that the runaway convict Selden is her brother and the candle is a signal to him that food has been left for him. When the couple return to their room, Sir Henry and Watson go off to find the convict, despite the poor weather and frightening sound of the hound. They see Selden by another candle, but are unable to catch him. Watson notices the outlined figure of another man standing on top of a tor with the moon behind him, but he likewise gets away. Barrymore is upset when he finds out that they tried to capture Selden, but when an agreement is reached to allow Selden to flee the country, he is willing to repay the favour. He tells them of finding a mostly burnt letter asking Sir Charles to be at the gate at the time of his death. It was signed with the initials L.L. Mortimer tells Watson the next day those initials could stand for Laura Lyons, Frankland’s daughter. She lives in Coombe Tracey. When Watson goes to talk to her, she admits to writing the letter in hopes that Sir Charles would be willing to help finance her divorce, but says she never kept the appointment. Frankland has just won two law cases and invites Watson in to help him celebrate. Barrymore had previously told Watson that another man lived out on the moor besides Selden, and Frankland unwittingly confirms this, when he shows Watson through his telescope the figure of a boy carrying food. Watson departs the house and goes in that direction. He finds the prehistoric stone dwelling where the unknown man has been staying, goes in, and sees a message reporting on his own activities. He waits, revolver at the ready, for the unknown man to return. The unknown man proves to be Holmes. He has kept his location a secret so that Watson would not be tempted to come out and so he would be able to appear on the scene of action at the critical moment. Watson’s reports have been of much help to him, and he then tells his friend some of the information he has uncoveredStapleton is actually married to the woman passing as Miss Stapleton, and was also promising marriage to Laura Lyons to get her cooperation. As they bring their conversation to an end, they hear a ghastly scream. They run towards the sound and finding a body, mistake it for Sir Henry. They realise it is actually the escaped convict Selden, the brother of Mrs Barrymore, dressed in the baronet’s old clothes (which had been given to Barrymore by way of further apology for distrusting him). Then Stapleton appears, and while he makes excuses for his presence, Holmes announces that he will return to London the next day, his investigations having produced no result. Holmes and Watson return to Baskerville Hall where, over dinner, the detective stares at Hugo Baskerville's portrait. Calling Watson over after dinner he covers the hair to show the face, revealing its striking likeness to Stapleton. This provides the motive in the crimewith Sir Henry gone, Stapleton could lay claim to the Baskerville fortune, being clearly a Baskerville himself. When they return to Mrs. Lyons’s apartment, Holmes' questioning forces her to admit Stapleton’s role in the letter that lured Sir Charles to his death. They go to the railway station to meet Det. Inspector Lestrade, whom Holmes has called in by telegram. Under the threat of advancing fog, Watson, Holmes, and Lestrade lie in wait outside Merripit House, where Sir Henry has been dining. When the baronet leaves and sets off across the moor, Stapleton looses the hound. Holmes and Watson manage to shoot it before it can hurt Sir Henry seriously, and discover that its hellish appearance was acquired by means of phosphorus. They find Mrs. Stapleton bound and gagged in an upstairs room of Merripit House. When she is freed, she tells them of Stapleton’s hideout; an island deep in the Great Grimpen Mire. They look for him next day, unsuccessfully, and he is presumed dead, having lost his footing and being sucked down into the foul and bottomless depths of the mire. Holmes and Watson are only able to find and recover Sir Henry's boot used by Stapleton to give the hound Sir Henry's scent and find the remains of Dr Mortimer's dog in the mire. Some weeks later, Watson questions Holmes about the Baskerville case. Holmes reveals that although believed to have died unmarried, Sir Charles' younger brother Rodger Baskerville had married and had a son with the same name as his father. The son John Rodger Baskerville, after embezzling public money in Costa Rica, took the name Vandeleur and fled to England where he used the money to fund a Yorkshire school. Unfortunately for him, the tutor he had hired died of consumption, and after an epidemic of the disease killed three students the school itself failed. Now using the name Stapleton, Baskerville/Vandeleur fled with his wife to Dartmoor. He apparently supported himself by burglary, engaging in four large robberies and pistolling a page who surprised him. Having learned the story of the hound, he resolved to kill off the remaining Baskervilles so that he could come into the inheritance as the last of the line. He had no interest in the estate and simply wanted the inheritance money. He purchased the hound and hid it in the mire at the site of an abandoned tin mine. On the night of his death, Sir Charles had been waiting for Laura Lyons. The cigar ash at the scene ("the ash had twice dropped from his cigar") showed he had waited for some time. Instead he met the hound that had been trained by Stapleton and covered with phosphorus to give it an unearthly appearance. Sir Charles ran for his life, but then had the fatal heart attack which killed him. Since dogs do not eat or bite dead bodies, it left him there untouched. Stapleton followed Sir Henry in London, and also stole his new boot but later returned it, since it had not been worn and thus lacked Sir Henry's scent. Holmes speculated that the hotel bootblack had been bribed to steal an old boot of Henry's instead. The hound pursued Selden to his death in a fall because he was wearing Sir Henry's old clothes. On the night the hound attacked Sir Henry, Stapleton's wife had refused to have any further part in Stapleton's plot, but her abusive husband beat and tied her to a pole to prevent her from warning him. In Holmes' words: "..he (Stapleton) has for years been a desperate and dangerous man.." It was his consuming interest in entomology that allowed Holmes to identify him as the same man as Vandeleur, the former schoolmaster.

30292

/m/07g75

The Hobbit

J. R. R. Tolkien

1937

{"/m/0dwly": "Children's literature", "/m/017ssy": "Juvenile fantasy", "/m/08sdrw": "Adventure novel", "/m/014dfn": "Speculative fiction", "/m/01hmnh": "Fantasy", "/m/02xlf": "Fiction"}

Gandalf tricks Bilbo into hosting a party for Thorin and his band of dwarves, who sing of reclaiming the Lonely Mountain and its vast treasure from the dragon Smaug. When the music ends, Gandalf unveils a map showing a secret door into the Mountain and proposes that the dumbfounded Bilbo serve as the expedition's "burglar". The dwarves ridicule the idea, but Bilbo, indignant, joins despite himself. The group travel into the wild, where Gandalf saves the company from trolls and leads them to Rivendell, where Elrond reveals more secrets from the map. Passing over the Misty Mountains, they are caught by goblins and driven deep underground. Although Gandalf rescues them, Bilbo gets separated from the others as they flee the goblins. Lost in the goblin tunnels, he stumbles across a mysterious ring and then encounters Gollum, who engages him in a game of riddles. As a reward for solving all riddles Gollum will show him the path out of the tunnels, but if Bilbo fails, his life will be forfeit. With the help of the ring, which confers invisibility, Bilbo escapes and rejoins the dwarves, improving his reputation with them. The goblins and Wargs give chase but the company are saved by eagles before resting in the house of Beorn. The company enters the black forest of Mirkwood without Gandalf. In Mirkwood, Bilbo first saves the dwarves from giant spiders and then from the dungeons of the Wood-elves. Nearing the Lonely Mountain, the travellers are welcomed by the human inhabitants of Lake-town, who hope the dwarves will fulfil prophecies of Smaug's demise. The expedition travels to the Lonely Mountain and finds the secret door; Bilbo scouts the dragon's lair, stealing a great cup and learning of a weakness in Smaug's armour. The enraged dragon, deducing that Lake-town has aided the intruder, sets out to destroy the town. A noble thrush who overheard Bilbo's report of Smaug's vulnerability reports it to Bard, who slays the dragon. When the dwarves take possession of the mountain, Bilbo finds the Arkenstone, an heirloom of Thorin's dynasty, and steals it. The Wood-elves and Lake-men besiege the mountain and request compensation for their aid, reparations for Lake-town's destruction, and settlement of old claims on the treasure. Thorin refuses and, having summoned his kin from the mountains of the North, reinforces his position. Bilbo tries to ransom the Arkenstone to head off a war, but Thorin is intransigent. He banishes Bilbo, and battle seems inevitable. Gandalf reappears to warn all of an approaching army of goblins and Wargs. The dwarves, men, and elves band together, but only with the timely arrival of the eagles and Beorn do they win the climactic Battle of Five Armies. Thorin is fatally wounded and reconciles with Bilbo before he dies. Bilbo accepts only a small portion of his share of the treasure, having no want or need for more, but still returns home a very wealthy hobbit.

30706

/m/07k85

The Great Divorce

C. S. Lewis

1945

{"/m/014dfn": "Speculative fiction", "/m/01hmnh": "Fantasy", "/m/06bvp": "Religion"}

The narrator inexplicably finds himself in a grim and joyless city, the "grey town", which is either hell or purgatory depending on how long one stays there. He eventually finds a bus for those who desire an excursion to some other place (and which eventually turns out to be the foothills of heaven). He enters the bus and converses with his fellow passengers as they travel. When the bus reaches its destination, the passengers on the bus — including the narrator — are gradually revealed to be ghosts. Although the country is the most beautiful they have ever seen, every feature of the landscape (including streams of water and blades of grass) is unyieldingly solid compared to themselves: it causes them immense pain to walk on the grass, and even a single leaf is far too heavy for any to lift. Shining figures, men and women whom they have known on earth, come to meet them, and to urge them to repent and enter heaven proper. They promise that as the ghosts travel onward and upward, they will become more solid and thus feel less and less discomfort. These figures, called "spirits" to distinguish them from the ghosts, offer to assist them in the journey toward the mountains and the sunrise. Almost all of the ghosts choose to return instead to the grey town, giving various reasons and excuses. Much of the interest of the book lies in the recognition it awakens of the plausibility and familiarity, along with the thinness and self-deception, of the excuses that the ghosts refuse to abandon, even though to do so would bring them to "reality" and "joy forevermore." The narrator is met by the writer George MacDonald, whom he hails as his mentor, just as Dante did when encountering Virgil in the Divine Comedy; and MacDonald becomes the narrator's guide in his journey, just as Virgil became Dante's. MacDonald explains that it is possible for a soul to choose to remain in heaven despite having been in the grey town; for such souls, the goodness of heaven will work backwards into their lives, turning even their worst sorrows into joy, and changing their experience on earth to an extension of heaven. Conversely, the evil of hell works so that if a soul remains in, or returns to, the grey town, even its happiness on earth will lose its meaning, and its experience on earth would have been hell. None of the ghosts realize that the grey town is, in fact, hell. Indeed it is not that much different from the life they led on earth: joyless, friendless, and uncomfortable. It just goes on forever, and gets worse and worse, with some characters whispering their fear of the "night" that is eventually to come. According to MacDonald, while it is possible to leave hell and enter heaven, doing so implies turning away (repentance); or as depicted by Lewis, embracing ultimate and unceasing joy itself. In answer to the narrator's question MacDonald confirms that what is going on is a dream. The use of chess imagery as well as the correspondence of dream elements to elements in the narrator's waking life is reminiscent of Alice's Adventures in Wonderland and Through the Looking-Glass. The narrator discovers that the vast grey town and its ghostly inhabitants are minuscule to the point of being invisible compared with the immensity of heaven and reality. This is illustrated in the encounter of the blessed woman and her husband: she is surrounded by gleaming attendants while he shrinks down to invisibility as he uses a collared tragedian to speak for him. Toward the end, the narrator expresses the terror and agony of remaining a ghost in the advent of full daybreak in heaven, comparing the experience to having large blocks fall on one's body (at this point falling books awaken him). This parallels that of the man with his dream of judgment day in the House of the Interpreter of The Pilgrim's Progress. The book ends with the narrator awakening from his dream of heaven into the unpleasant reality of wartime Britain, in conscious imitation of The Pilgrim's Progress, the last sentence of the "First Part" of which is: "So I awoke, and behold, it was a Dream."

30709

/m/07k8z

The Screwtape Letters

C. S. Lewis

1942

{"/m/02ql9": "Epistolary novel", "/m/03rllnc": "Inspirational", "/m/014dfn": "Speculative fiction", "/m/06nbt": "Satire", "/m/01hmnh": "Fantasy", "/m/02xlf": "Fiction", "/m/09kqc": "Humour"}

In The Screwtape Letters, C.S. Lewis provides a series of lessons in the importance of taking a deliberate role in living out Christian faith by portraying a typical human life, with all its temptations and failings, as seen from devils' viewpoints. Screwtape holds an administrative post in the bureaucracy ("Lowerarchy") of Hell, and acts as a mentor to Wormwood, the inexperienced tempter. In the body of the thirty-one letters which make up the book, Screwtape gives Wormwood detailed advice on various methods of undermining faith and promoting sin in the Patient, interspersed with observations on human nature and Christian doctrine. Wormwood and Screwtape live in a peculiarly morally reversed world, where individual benefit and greed are seen as the greatest good, and neither demon is capable of comprehending God's love for man or acknowledging true human virtue when he sees it. Versions of the letters were originally published weekly in the Anglican periodical The Guardian between May and November 1941, and the standard edition contains an introduction explaining how the author chose to write his story. Lewis wrote the sequel Screwtape Proposes a Toast in 1959, a critique of certain trends in public education (state schooling). An omnibus edition with a new preface by Lewis was published by Bles in 1961 and MacMillan in 1962. The Screwtape Letters is one of Lewis' most popular works, although he claimed that it was "not fun" to write, and "resolved never to write another 'Letter'." Both The Screwtape Letters and Screwtape Proposes a Toast have been released on both audio cassette and CD, with narration by John Cleese and Joss Ackland. A dramatized audio version by Focus on the Family was a 2010 Audie Award finalist.

30757

/m/07kmq

The Pit and the Pendulum

Nancy Kilpatrick

1842

{"/m/03npn": "Horror", "/m/014dfn": "Speculative fiction", "/m/0707q": "Short story"}

The story takes place during the Spanish Inquisition. At the beginning of the story an unnamed narrator is brought to trial before various sinister judges. Poe provides no explanation of why he is there or for what he has been arrested. Before him are seven tall white candles on a table, and, as they melt, his hopes of survival also diminish. He is condemned to death and finds himself in a pitch black compartment. At first the prisoner thinks that he is locked in a tomb, but he discovers that he is in a cell. He decides to explore the cell by placing a hem from his robe against a wall so he can count the paces around the room; however, he faints before being able to measure the whole perimeter. When the prisoner awakens he discovers food and water nearby. He gets back up and tries to measure the prison again, finding that the perimeter measures one hundred steps. While crossing the room he slips on the hem of his robe. He discovers that if he had not tripped he would have walked into a deep pit with water at the bottom in the center of the cell. After losing consciousness again the narrator discovers that the prison is slightly illuminated and that he is bound to a wooden board by ropes. He looks up in horror to see a painted picture of Father Time on the ceiling; hanging from the figure is a gigantic scythe-like pendulum swinging slowly back and forth. The pendulum is inexorably sliding downwards and will eventually kill him. However the condemned man is able to attract rats to his bonds with meat left for him to eat and they start chewing through the ropes. As the pendulum reaches a point inches above his heart, the prisoner breaks free of the ropes and watches as the pendulum is drawn back to the ceiling. He then sees that the walls have become red-hot and begun moving inwards, driving him into the center of the room and towards the brink of the pit. As he gazes into the pit, he decides that no fate could be worse than falling into it. It is implied by the text that the narrator fears what he sees at the bottom of the pit, or perhaps is frightened by its depth. The exact cause of his fear is not clearly stated. However, as the narrator moves back from the pit, he sees that the red-hot walls are leaving him with no foothold. As the prisoner begins to fall into the pit, he hears human voices. The walls rush back and an arm catches him. The French Army has taken Toledo and the Inquisition is in the hands of its enemies.

30761

/m/07knm

The Hunt for Red October

Tom Clancy

1984

{"/m/05hgj": "Novel", "/m/017rf8": "Techno-thriller", "/m/0dwly": "Children's literature", "/m/02xlf": "Fiction", "/m/0c3351": "Suspense"}

Marko Alexandrovich Ramius, a Lithuanian submarine commander in the Soviet Navy, intends to defect to the United States with his officers on board the experimental nuclear submarine Red October, a Typhoon-class vessel equipped with a revolutionary stealth propulsion system, described as an arrangement of pump-jets nicknamed the "Caterpillar Drive." The system makes sonar detection extremely difficult. The result, immediately apparent to Jack Ryan and the Joint Chiefs of Staff, is a strategic weapon platform that is capable of sneaking its way into American waters and launching nuclear missiles with little or no warning. The strategic value of Red October was not lost upon Ramius. Several other factors have spurred his decision to defect, in particular his disillusionment by the death of his wife, Natalia, at the hands of an incompetent doctor who went unpunished because he was the son of a Politburo member. Her untimely death, combined with Ramius' long-standing dissatisfaction with the callousness of Soviet rule and his fear of the Red Octobers destabilizing effect on world affairs, ultimately exhausts his tolerance for the failings of the Soviet system. Ramius kills the Red Octobers political officer to ensure that he will not interfere with the defection, and writes a letter to Admiral Yuri Padorin, Natalia's uncle, brazenly stating his intention to defect. The Soviet Northern Fleet sails out to sink the Red October under the pretext of a search and rescue mission. Meanwhile, Ryan, a high-level Central Intelligence Agency analyst, flies from London to Langley, Virginia, to deliver British Intelligence's photographs of Red October to the Deputy Director of Intelligence. Ryan consults a friend at the U.S. Naval Academy and finds out that the new construction variations house the Caterpillar Drive. When the Red Octobers silent drive is engaged, she disappears off the sonar of the USS Dallas, a Los Angeles class submarine that is tracking her. Putting this information together with the subsequent launch of the entire Northern Fleet, Ryan deduces Ramius' plans. The U.S. military command reluctantly agrees, while planning for contingencies in case the Soviet Fleet has intentions other than those stated. As tensions rise between the U.S. and Soviet fleets, the crew of the Dallas discover a way to detect Red October. Ryan must contact Ramius to prevent the loss of the submarine and her decisive technology. Through a combination of circumstances, Ryan becomes responsible for shepherding Ramius and his vessel away from the pursuing Soviet fleet. In order to convince the Soviets that the Red October has been destroyed, the U.S. Navy rescues her crew after Ramius fakes a shipboard emergency. Ramius and his officers heroically stay behind, claiming they are about to scuttle the submarine to prevent it getting into the hands of the Americans. A decommissioned U.S. ballistic missile submarine, the USS Ethan Allen, is blown up underwater as a deception ploy. A depth gauge taken from the main instrument panel of the Red October (with the appropriate serial number) is made to appear as if it was salvaged from the wreckage. These events succeed in convincing Soviet observers that the Red October has been lost. However, GRU intelligence officer Viktor Loginov, masquerading as the Red Octobers cook, realizes what is happening. Loginov attempts to ignite a missile rocket motor inside a launch tube so as to destroy the Red October, wounding both Ramius and a British agent while killing one of Ramius' top officers. Ryan attempts to persuade the fiercely patriotic Loginov to surrender rather than die in the explosion, but he refuses. He manages to fatally shoot Loginov in the submarine's missile compartment. Ramius orders the missile jettisoned in case Loginov had managed to arm it, an action which adds to the deception of the Soviets. Captain Viktor Tupolev, a former student of Ramius' and commander of a Soviet Alfa-class attack submarine, has been trailing what he initially believes is an vessel. Based on acoustical signature information, Tupolev and his political officer realize that it is the Red October, and proceed to pursue and engage it. The two U.S. submarines escorting the Red October are unable to fire due to rules of engagement, and the Red October is damaged by a torpedo from the Alfa. After a tense standoff, the Red October rams Tupolev's submarine broadside and sinks it. The Americans escort Red October safely into the eight-ten dry dock in Norfolk, Virginia, where Ramius and his crew are taken to a CIA safehouse to begin their Americanization. Ryan is commended by his superiors and flies back to his posting in London.

30762

/m/07kp1

The Cardinal of the Kremlin

Tom Clancy

1988

{"/m/01jfsb": "Thriller", "/m/02xlf": "Fiction", "/m/05hgj": "Novel"}

CIA analyst Jack Ryan attends a diplomatic conference in Moscow as part of an American delegation to the Soviet Union. He learns that the CIA’s most highly-placed agent, codenamed "CARDINAL", is none other than Colonel Mikhail Semyonovich Filitov, the personal aide to the Soviet Minister of Defense and a national war hero. Filitov was recruited by GRU colonel and British agent Oleg Penkovskiy, and offered his services to the CIA after the deaths of his wife and two sons; the latter two were killed during their service in the Red Army. As a result, Filitov has been passing political, technical, and military intelligence to the CIA for the past thirty years. The U.S. discovers through "National Technical Means" that the Soviets were working on an ABM defense system based at Dushanbe in Tajikistan. Emilio Ortiz, a CIA liaison, is sent to aid Mujaheddin rebels in the region. One rebel leader, a man known only as "The Archer," is questioned after unwittingly witnessing a test of the Soviets' ABM system. The Archer determines that the Soviet installation is a threat to him and his people, and tasks his group with attacking and pillaging the facility. In the end, the guerrillas destroy a large amount of Soviet equipment. However, the rebels suffer horrendous losses, including the death of The Archer. Ryan travels to New Mexico to meet with a young SDI researcher, Major Alan Gregory, whom he brings to Washington, D.C., to brief the president. Gregory lives with another scientist, Candi Long, who is working on adaptive optics for use in the development of laser weaponry. A lesbian KGB agent, Bea Taussig—who has unluckily fallen in love with Long—describes Gregory and his work to her KGB handler, Tanya Bisyarina. The KGB launches a plan to kidnap and debrief Gregory. Filitov is arrested after his work for the CIA is discovered. However, Ryan concocts a plan to both secure the return of Filitov and arrange the defection of the sitting KGB chairman, Nikolay Borissovich Gerasimov. Gerasimov is angling to take over as General Secretary in the wake of Filitov's arrest, something Ryan is determined to prevent because of his unyielding anti-American ideology. Ryan schemes to go public with the prior capture of Soviet submarine Red October, banking on the political instability of the Soviet Politburo. He plans for Filitov and Gerasimov to be exfiltrated on the American delegation's aircraft, while Gerasimov's family is extracted from Estonia by John Clark onto the submarine USS Dallas. Meanwhile, in New Mexico, three KGB officers kidnap Gregory on Gerasimov's orders and hold him in a shabby desert safe house, planning to send him to Moscow for debriefing. Their plans are foiled when the FBI sends in the Hostage Rescue Team to retrieve Gregory and return him to Long. Among those killed is Bisyarina. Ryan informs Gerasimov of the failed operation, forcing the enraged chairman to accept Ryan's defection offer. The flipped Gerasimov fetches Filitov from his confinement. The three make their way to Sheremetyevo Airport, awaiting the departure of the American delegation. Unfortunately, two KGB officers, Klementi Vladimirovich Vatutin and Sergey Nikolayevch Golovko, become aware of their planned departure. As Gerasimov and Filitov escape, Ryan allows himself to be captured by Golovko, banking on his diplomatic status to protect him from harm. Golovko then escorts Ryan to the private dacha of General Secretary Narmonov, where the two men discuss the CIA's interest in his political position and the CIA's interference in their internal security. Ryan returns to the United States, where he and several others attend the funeral of Filitov, who had died of heart disease in the months following his CIA debriefing period. Filitov is buried at Camp David, within twenty miles of the Antietam battlefield. A Soviet military attaché attending the funeral questions why Filitov would be buried so close to American soldiers. Ryan, always working to keep the peace, explains to him, "One way or another, we all fight for what we believe in. Doesn't that give us some common ground?"

30763

/m/07kpf

Debt of Honor

Tom Clancy

{"/m/01jfsb": "Thriller", "/m/02xlf": "Fiction", "/m/05hgj": "Novel"}

In New York City, Japanese industrialist Raizo Yamata purchases a controlling interest in an American hedge fund. He flies to Saipan — the site of his parents' suicide during the American invasion of the island at the close of World War II — to buy a large tract of land. Meanwhile, in eastern Tennessee, a car accident involving two Japanese vehicles leads to the deaths of six people. Revelations about the vehicles' fatal design flaws stir long-standing resentment against Japan's protectionist trade policies. As trade negotiations between the United States and Japan grind to a halt, Congress passes a law enabling the U.S. to mirror the trade practices of the countries from which it imports goods. The bill is immediately used to replicate Japan's non-tariff barriers, cutting off the U.S. export markets upon which the Japanese economy depends. Facing an economic crisis, Japan's ruling corporate cabal decides to take military action against the U.S. Along with China and India, Japan plots to curtail the American presence in the Pacific and re-establish the Greater East Asia Co-Prosperity Sphere. In the wake of these developments, Jack Ryan is recruited as National Security Advisor by President Roger Durling. Meanwhile, CIA officers John Clark and Domingo Chavez are sent to Japan to reactivate a former KGB spy network in order to gain intelligence. Japan launches the first phase of its assault, sending Self-Defense Force units to occupy the Mariana Islands, specifically Saipan and Guam. The invasion, conducted with commercial airliners and car carriers, is virtually bloodless. Meanwhile, during a joint military exercise, Japanese ships "accidentally" launch torpedoes at the U.S. Pacific Fleet, destroying two submarines and crippling two aircraft carriers. This drastically reduces the U.S. capability to project power into the western Pacific. An immediate retaliation is forestalled by the second phase of the Japanese offensive: an economic attack. Even as the military offensive begins, Japan engineers the collapse of the U.S. stock market by hiring a programmer in an exchange firm to insert a logic bomb into the system, which ends up deleting all trade records. The Japanese also attempt to assassinate the chairman of the Federal Reserve, but their target survives the attempt with a broken back. With a massive economic crisis and subsequent mass panic, the Japanese hope that America will be too distracted to quickly respond to Japan's military actions. Japan immediately sues for peace, offering international talks and seemingly free elections in the Marianas to delay a U.S. response. Negotiators secretly reveal to the U.S. that Japan has obtained nuclear ballistic missile capability. The Japanese oligarchs, led by Yamata, believe that offers of negotiation and the nuclear deterrent, defended by a seemingly impregnable AWACS system, will cause the U.S. to concede Japan's advantage. With two of America's twelve carriers disabled, and the rest pinned down by international crises elsewhere, Ryan has few resources with which to defend American interests. Despite his typical focus on military issues, Ryan advises President Durling to deal with the economic crisis first. Ryan also realizes that Japan's deletion of trade records could be an advantage in responding to the economic threat. He engineers a "do-over", where all of the transactions on the day of the mass deletion are ignored and all assets are restored to their state at the start of business that day. Accompanied by a presidential address to the nation and behind-the-scenes bullying of investment banks, the plan is a success: America's economy is restored with only minor disruption. Ryan eliminates Japan's AWACS system through a series of "accidents" using widely dispersed U.S. assets, allowing B-2 bombers to destroy the silos. Clark and Chavez blind incoming Japanese pilots with a laser and cause them to crash on landing and rescue Japan's moderate former prime minister. An Army special operations team is airdropped into Japan to support Comanche helicopters in attacking the other AWACS planes and kill members of Yamata's cabal. Meanwhile, Admiral Robby Jackson liberates the Marianas with little bloodshed. Cornered, Japan's current prime minister resigns, ceding power to his predecessor. Yamata is arrested, and the new Japanese government accepts America's generous offer of status quo ante. Throughout the book, President Durling faces another, less important political crisis: Vice-President Ed Kealty is forced to resign after being accused of drugging and raping a former member of his staff. With the crisis over, President Durling nominates Ryan as vice-president during a joint session of Congress. However, an embittered Japan Air Lines pilot—driven mad by the deaths of his son and brother during the previous conflict—flies his Boeing 747 directly into the U.S. Capitol. Nearly the entire presidential line of succession is eliminated; Ryan, who had just been confirmed as vice-president moments before, narrowly escapes the attack and is immediately sworn in as president.

30971

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Tunnel in the Sky

Robert A. Heinlein

1955

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction", "/m/0dwly": "Children's literature", "/m/02xlf": "Fiction"}

A Malthusian catastrophe on Earth has been averted by the invention of teleportation, called the "Ramsbotham jump", which is used to send Earth's excess population to colonize other planets. However, the costs of operating the device mean that the colonies are isolated from Earth until they can justify two-way travel. Because modern technology requires a supporting infrastructure, more primitive methods are employed — for example, horses instead of tractors (because tractors cannot reproduce themselves). Rod Walker is a high school student who dreams of becoming a professional colonist. The final test of his Advanced Survival class is to stay alive on an unfamiliar planet for between two and ten days. Students may team up and equip themselves with whatever gear they can carry, but are otherwise completely on their own. They are told only that the challenges are neither insurmountable nor unreasonable. On test day, each student walks through the Ramsbotham portal and finds him or herself alone on a strange planet, though reasonably close to the pickup point. Rod, acting on advice, chooses to equip himself with hunting knives and basic survival gear rather than high-tech weaponry, on the grounds that the latter is dependent on the infrastructure required to maintain it and can easily become a crutch. The last advice the students receive is to "watch out for stobor." On the second day, Rod is ambushed and knocked unconscious by a thief. When he wakes up, all he has left is a spare knife hidden under a bandage. In his desperate concentration on survival, he loses track of time. Eventually he teams up with Jacqueline "Jack" Daudet, a student from another class whom he initially mistakes for a male. When she tells him that more than ten days have elapsed without contact, he realizes that they are stranded. They start recruiting others for the long haul and Rod becomes the de facto leader of a community that eventually grows to around 75 people. Rod has no taste for politics or administration, and is happy to have Grant Cowper, an older college student and born politician, elected "mayor". Grant proves to be much better at talking than getting things done. Despite disagreeing with many of Grant's policies, Rod supports him. Grant ignores Rod's warning that they are living in a dangerously hard-to-defend location and that they should move to a cave system he has found. When a species previously thought harmless suddenly changes its behavior and stampedes through their camp, the settlement is devastated and Grant is killed. Rod is subsequently put back in charge. Heinlein tracks the social development of this community of educated Westerners deprived of technology, followed by its abrupt dissolution when contact with Earth is reestablished. After nearly two years of isolation, the culture shock experienced by the survivors highlights for them, and the reader, the pain and uncertainty of becoming an adult, by reversing the process abruptly -- Each of the students goes from being a personally self-responsible member of an autonomous community back to being a youth with little authority or responsibility in the home culture. All of the students go back willingly except for Rod, who has great difficulty reverting from the status of head of a small, but sovereign state to a teenager casually brushed aside by the adult rescuers. However, his teacher (and now brother-in-law) and his sister persuade him to change his mind. His teacher also informs Rod that his warning against "stobor" ("robots" spelled backwards) was just a way of personalizing the dangers of an unknown planet - to instill fear and caution in the students. Years later, Rod is briefly depicted accomplishing his heart's desire; the novel's ending finds him preparing to lead a formal colonization party to another planet.

31283

/m/07pn6

The Mismeasure of Man

Stephen Jay Gould

1981

{"/m/05h83": "Non-fiction", "/m/06mq7": "Science"}

The Mismeasure of Man is a critical analysis of the early works of scientific racism about the supposed, biologically inherited (genetic) basis for human intelligence, such as craniometry, the measurement of skull volume and its relation to intellectual faculties. Gould proposed that much of the research was based more upon the racial and social prejudices of the researchers than upon their scientific objectivity; that on occasion, researchers such as Samuel George Morton (1799–1851), Louis Agassiz (1807–1873), and Paul Broca (1824–1880), committed the methodological fallacy of including their personal (a priori) expectations to the conclusions, as part of their analytical reasoning. Gould describes Morton's rather imprecise technique of filling skulls with bird seed to obtain endocranial-volume data and how Morton had probably pushed down bird seed in the white skulls so that they had more volume. Gould re-worked Morton’s original endocranial-volume data, and concluded that the original results were based upon biases, selective data use, and perhaps outright falsification of the results. When said biases are accounted, the original hypothesis — an ordering in skull volume ranging from Blacks to Mongols to Whites — is unsupported by the data. The Mismeasure of Man presents a historical evaluation of the concepts of the intelligence quotient (IQ) and of the general intelligence factor (g factor), which were and are the measures for intelligence used by psychologists. Gould proposed that most psychological studies have been heavily biased, by the belief that the human behavior of a race of people is best explained by genetic heredity. He cites the Burt Affair, about the allegedly fraudulent, oft-cited twin studies, by Cyril Burt (1883–1971), wherein he claimed that human intelligence is highly heritabile. As an evolutionary biologist and historian of science, Gould accepted biological variability (the premise of the transmission of intelligence via genetic heredity), but opposed biological determinism, which posits that genes determine a definitive, unalterable social destiny for each man and each woman in life and society. The Mismeasure of Man is an analysis of statistical correlation, the mathematics applied by psychologists to establish the validity of IQ tests, and the heritability of intelligence. For example, to establish the validity of the proposition that IQ is supported by a general intelligence factor (g factor), the answers to several tests of cognitive ability must positively correlate; thus, for the g factor to be a heritable trait, the IQ-test scores of close-relation respondents must correlate more than the IQ-test scores of distant-relation respondents. Hence, correlation does not imply causation; in example, Gould said that the measures of the changes, over time, in "my age, the population of México, the price of Swiss cheese, my pet turtle’s weight, and the average distance between galaxies" have a high, positive correlation — yet that correlation does not indicate that Gould’s age increased because the Mexican population increased. More specifically, a high, positive correlation between the intelligence quotients of a parent and a child can be presumed either as evidence that IQ is genetically inherited, or that IQ is inherited through social and environmental factors. Moreover, because the data from IQ tests can be applied to arguing the logical validity of either proposition — genetic inheritance and environmental inheritance — the psychometric data have no inherent value. Gould proposed that if the genetic heritability of IQ were demonstrable within a given racial or ethnic group, it would not explain the causes of IQ differences among the people of a group, or if said IQ differences can be attributed to the environment. For example, the height of a person is genetically determined, but there exist height differences within a given social group that can be attributed to environmental factors (e.g. the quality of nutrition) and to genetic inheritance. The evolutionary biologist Richard Lewontin, a colleague of Gould’s, is a proponent of said argument in relation to the cognitive ability tests that determine a person’s intelligence quotient. An example of the intellectual confusion about what heritability is and is not, is the statement: "If all environments were to become equal for everyone, heritability would rise to 100 percent because all remaining differences in IQ would necessarily be genetic in origin", which Gould said is misleading, at best, and false, at worst. First, it is very difficult to conceive of a world wherein every man, woman, and child grew up in the same environment, because their spatial and temporal dispersion upon the planet Earth makes it impossible. Second, were people to grew up in the same environment, not every difference would be genetic in origin, because of the randomness of molecular and genetic development. Therefore, heritability is not a measure of phenotypic (physiognomy and physique) differences among racial and ethnic groups, but of differences between genotype and phenotype in a given population. Furthermore, he dismissed the proposition that an IQ score measures the general intelligence (g factor) of a person, because cognitive ability tests (IQ tests) present different types of questions, and the responses tend to form clusters of intellectual acumen. That is, different questions, and the answers to them, yield different scores — which indicate that an IQ test is a combination method of different examinations of different things. As such, Gould proposed that IQ-test proponents assume the existence of "general intelligence" as a discrete quality within the human mind, and thus they analyze the IQ-test data to produce an IQ number that establishes the definitive general intelligence of each man and of each woman. Hence, Dr. Gould dismissed the IQ number as an erroneous artifact of the statistical mathematics applied to the raw IQ-test data; especially because psychometric data can be variously analyzed to produce multiple IQ scores.

31342

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The Picture of Dorian Gray

Oscar Wilde

1890

{"/m/039vk": "Gothic fiction", "/m/014dfn": "Speculative fiction", "/m/03npn": "Horror", "/m/02xlf": "Fiction"}

The novel begins on a beautiful summer day with Lord Henry Wotton, a strongly-opinionated man, observing the sensitive artist Basil Hallward painting the portrait of a handsome young man named Dorian Gray, who is Basil's ultimate muse. After hearing Lord Henry's world view, Dorian begins to think beauty is the only worthwhile aspect of life. He wishes that the portrait Basil painted would grow old in his place. Under the influence of Lord Henry (who relishes the hedonic lifestyle and is a major exponent thereof), Dorian begins to explore his senses. He discovers amazing actress Sibyl Vane, who performs Shakespeare plays in a dingy theatre. Dorian approaches her and soon proposes marriage. Sibyl, who refers to him as "Prince Charming", swoons with happiness, but her protective brother James tells her that if "Prince Charming" harms her, he will certainly kill him. Dorian invites Basil and Lord Henry to see Sibyl perform in Romeo and Juliet. Sibyl, whose only knowledge of love was love of theatre, casts aside her acting abilities through the experience of true love with Dorian. Disheartened, Dorian rejects her, saying her beauty was in her acting, and he is no longer interested in her. When he returns home, he notices that his portrait has changed. Dorian realizes his wish has come true – the portrait now bears a subtle sneer and will age with each sin he commits, while his own appearance remains unchanged. He decides to reconcile with Sibyl, but Lord Henry later informs him that she has killed herself by swallowing prussic acid. Dorian realizes that lust and looks are where his life is headed and he needs nothing else. Over the next 18 years, he experiments with every vice, mostly under the influence of a "poisonous" French decadence novel, a present from Lord Henry. The title is never revealed in the novel, but at Oscar Wilde's trial he admitted that he had 'had in mind' Joris-Karl Huysmans's À Rebours ('Against Nature'). One night, before he leaves for Paris, Basil arrives to question Dorian about rumours of his indulgences. Dorian does not deny his debauchery. He takes Basil to the portrait, which is as hideous as Dorian's sins. In anger, Dorian blames Basil for his fate and stabs Basil to death. He then blackmails an old friend named Alan Campbell, a chemist, into destroying Basil's body. Wishing to escape the guilt of his crime, Dorian travels to an opium den. James Vane is present there and attempts to shoot Dorian after he hears someone refer to Dorian as "Prince Charming". However, he is deceived when Dorian fools James into thinking he is too young to have been involved with Sibyl 18 years earlier. James releases Dorian but is approached by a woman from the opium den who chastises him for not killing Dorian, revealing Dorian has not aged for 18 years. James attempts to run after him, only to find Dorian long gone. While at dinner, Dorian sees James stalking the grounds and fears for his life. However, during a game-shooting party a few days later, a lurking James is accidentally shot and killed by one of the hunters during this game-shooting party Dorian develops feelings for Lord Henry. After returning to London, Dorian tells Lord Henry that he will be good from now on, and has started by not breaking the heart of his latest innocent conquest named Hetty Merton. Dorian wonders if the portrait has begun to change back, now that he has given up his immoral ways. He unveils the portrait to find it has become worse. Seeing this, he realizes that the motives behind his "self-sacrifice" were merely vanity, curiosity, and the quest for new emotional experiences. Deciding that only full confession will absolve him, he decides to destroy the last vestige of his conscience. In a rage, he picks up the knife that killed Basil Hallward and plunges it into the painting. His servants wake hearing a cry from inside the locked room, and passers by on the street fetch the police. The servants find Dorian's body, stabbed in the heart and suddenly aged, withered and horrible. It is only through the rings on his hand that the corpse can be identified. Beside him, however, the portrait has reverted to its original form.

31431

/m/07qs_

The Book of the City of Ladies

Part I opens with Christine reading from Matheolus’s Lamentations, a work from the thirteenth century that addresses marriage wherein the author writes that women make men’s lives miserable. Upon reading these words, Christine becomes upset and feels ashamed to be a woman: “This thought inspired such a great sense of disgust and sadness in me that I began to despise myself and the whole of my sex as an aberration in nature”. The three Virtues then appear to Christine, and each lady tells Christine what her role will be in helping her build the City of Ladies. After this, Lady Reason is the first to join Christine and help her build the external walls of the city. Lady Reason is a virtue developed by Christine for the purpose of her book. Reason is the first virtue to help Christine build the city. Reason aids Christine in laying the foundations for her city and answers Christine's questions about why men slander women. As she helps Christine understand male slander, she also helps Christine to prepare the ground on which the city will be built. She tells Christine to “take the spade of [her] intelligence and dig deep to make a trench all around [the city] … [and Reason will] help to carry away the hods of earth on [her] shoulders.” These “hods of earth” are the past beliefs Christine has held about male slanderers. Christine, in the beginning of the text, believed that women must truly be bad because she “could scarcely find a moral work by any author which didn't devote some chapter or paragraph to attacking the female sex. [Therefore she] had to accept [these authors] unfavourable opinion[s] of women since it was unlikely that so many learned men, who seemed to be endowed with such great intelligence and insight into all things, could possibly have lied on so many different occasions.” Christine is not using reason to discover the merits of women. She believes all that she reads instead of putting her mind to listing all the great deeds women have accomplished. To help Christine see reason, Lady Reason comes and teaches Christine. She helps Christine dispel her own self-consciousness and the negative thoughts of past writers. By creating Lady Reason, Christine not only teaches her own allegorical self, but also the readers. She gives not only herself reason, but also gives readers, and women, reason to believe that women are not bad creatures and have a significant place within society. In Part II, Lady Rectitude says she will help Christine “construct the houses and buildings inside the walls of the City of Ladies” and fill it with inhabitants who are “valiant ladies of great renown”. As they build, Lady Rectitude informs Christine with examples and “stories of pagan, Hebrew, and Christian ladies” who possessed the gift of prophecy, chastity, or devotion to their families and others. Christine and Lady Rectitude also discuss the institution of marriage, addressing Christine’s questions regarding men’s claims about the ill qualities women bring to marriage. Lady Rectitude corrects these misconceptions with examples of women who loved their husbands and acted virtuously, noting that those women who are evil toward their husbands are “like creatures who go totally against their nature”. Lady Rectitude also refutes allegations that women are unchaste, inconstant, unfaithful, and mean by nature through her stories. This part closes with Christine addressing women and asking them to pray for her as she continues her work with Lady Justice to complete the city. Part III marks Lady Justice’s joining with Christine to “add the finishing touches” to the city, including bringing a queen to rule the city. Lady Justice tells Christine of female saints who were praised for their martyrdom. At the close of this part, Christine makes another address to all women announcing the completion of the City of Ladies. She beseeches them to defend and protect the city and to follow their queen (the virgin Mary). She also warns the women against the lies of men, saying, “Drive back these treacherous liars who use nothing but tricks and honeyed words to steal from you that which you should keep safe above all else: your chastity and your glorious good name”.

31434

/m/07qv5

The Sentinel

Arthur C. Clarke

1951

{"/m/014dfn": "Speculative fiction"}

The story deals with the discovery of an artifact on Earth's Moon left behind eons ago by ancient aliens. The object is made of a polished mineral and tetrahedral in shape, and is surrounded by a spherical forcefield. The narrator speculates at one point that the mysterious aliens who left this structure on the Moon may have used mechanisms belonging "to a technology that lies beyond our horizons, perhaps to the technology of para-physical forces." The narrator speculates that for millions of years (evidenced by dust buildup around its forcefield) the artifact has been transmitting signals into deep space, but it ceases to transmit when, some time later, it is destroyed "with the savage might of atomic power". The narrator hypothesises that this "sentinel" was left on the moon as a "warning beacon" for possible intelligent and spacefaring species that might develop on Earth. In 2001: A Space Odyssey, the operation of the sentinel is reversed. It is the energy of the sun, falling for the first time on the uncovered artifact, that triggers the signal that creatures from the Earth had taken the first step into space.

31435

/m/07qvl

The Fountains of Paradise

Arthur C. Clarke

1979

{"/m/06n90": "Science Fiction", "/m/014dfn": "Speculative fiction"}

In the 22nd century, Dr Vannevar Morgan is a famous structural engineer who hopes to develop the 'space elevator' from a theoretical concept to reality and enlists the resources of his employers to carry out experiments. But the only suitable starting point (Earth station) for the elevator lies at the summit of a mountain in Taprobane occupied by an ancient order of Buddhist monks, who implacably oppose the plan. Morgan is approached by a Mars-based consortium to develop the elevator on Mars as part of a massive terraforming project. To demonstrate the viability of the technology, Morgan tries to run a thin cable of ‘hyperfilament’ from an orbital factory down to ground level at Taprobane. A monk at the monastery, a former astrophysicist who is a mathematical genius, tries to sabotage the attempt by creating an artificial hurricane using a hijacked weather-control satellite. His attempt is in fact successful, but in an ironic twist, the hurricane blows butterflies to the peak of the mountain. This fulfills an ancient prophecy that causes the monks to leave the mountain. The tower can be built on Earth after all. Forced to resign his position for acting beyond his authority, Morgan joins the Martian consortium named 'Astroengineering' and construction of the Tower commences. Several years later, the Earth-based tower is well under construction and travel up and down — both for tourists and for transfer to rocket ships — is being trialled. An astrophysicist and a group of his students and tower staff are stranded in an emergency chamber six hundred kilometres up after an accident with their transport capsule. They have limited food and air supplies. Whilst a laser on a weather-control satellite is able to supply heat, it is imperative to provide them with filter masks against the increasing carbon dioxide and also with food, air, and medical supplies (a theme earlier explored in Clarke's novel The Sands of Mars). Despite his rapidly failing health, Morgan asserts his right to travel up the tower in a one-man 'spider' to rescue them. He nearly fails, with limited battery power, but ultimately succeeds in reaching the chamber. As Morgan surveys the progress of his brainchild, his heart disease claims his life. A short epilogue envisages Earth many centuries later, after the sun has cooled and Earth has been depopulated, with humans now living on the terraformed inner planets. Several space elevators lead to a giant "circumterran" space station that encircles Earth at geostationary altitude. The analogy with a wheel is evident: the space station itself is the wheel rim, Earth is the axle, and the six equidistant space elevators the spokes.

31584

/m/07s0_

Lord of the Flies

William Golding

1954

{"/m/014dfn": "Speculative fiction", "/m/03mfnf": "Young adult literature", "/m/02xlf": "Fiction", "/m/05hgj": "Novel"}

In the midst of a wartime evacuation, a British plane crashes onto an isolated island in a remote region of the Pacific Ocean. The only survivors are male children below the age of thirteen. Two boys, the fair-haired Ralph and an overweight, bespectacled boy reluctantly nicknamed "Piggy" find a conch, which Ralph uses as a horn to bring all the survivors to one area. Ralph emerges as one of the survivors' leaders during the meeting, as does Jack Merridew, a member of a boys' choir that survived the crash. The survivors elect Ralph as their "chief", losing only the votes of Jack's fellow choirboys, who support their leader. Ralph asserts two primary goals: to have fun and to maintain a smoke signal that could alert passing ships to their presence on the island. The boys decide that a conch shell they found embodies the society they shall create on the island, and declare that whoever holds the conch shall also receive the respect of the larger group. Jack organises his choir group into a hunting party responsible for discovering a food source; Ralph, Jack, and a boy named Simon soon form a troika of leaders. Piggy, although Ralph's only confidante, is quickly made an outcast by his fellow "biguns" (older boys) and becomes an unwilling source of laughs for the other children. Simon, in addition to supervising the project of constructing shelters, feels an instinctive need to protect the younger boys. The semblance of order imposed by Ralph and Simon quickly deteriorates as the majority of the boys turn idle and begin to develop paranoias about the island, referring to a supposed monster, the "beast", which dwells nearby. Jack, who has started a power struggle with Ralph, gains control of the discussion by boldly promising to kill the beast. At one point, Jack summons all of his hunters to hunt down a wild pig, drawing away those assigned to maintain the signal fire. After the fire burns out, a ship passes by the island, but does not stop as it has seen nothing amiss. Angered by this, Ralph considers relinquishing his position, but is convinced not to do so by Piggy. While Jack schemes against Ralph, twins Sam and Eric, now assigned to the maintenance of the signal fire, see the corpse of a fighter pilot in the dark. Mistaking the corpse for the beast, they run to the cluster of shelters that Ralph and Simon have erected and warn the others. This unexpected meeting sees tensions between Jack and Ralph flare again. Shortly thereafter, Jack decides to lead a party to the other side of the island, where a heap of stones forms a place where he claims the beast resides. Only Ralph and Jack's supporter Roger agree to go; Ralph turns back shortly before the other two boys. When they arrive at the shelters, Jack calls an assembly and tries to turn the others against Ralph, asking for them to remove him from his position. Receiving little support, Jack, Roger, and another boy leave the shelters to form their own tribe. The tribe, which receives recruits from the main group of boys, grows in strength and begins to adopt customs common to primitive cultures, including face paint and bizarre rituals including sacrifices to the beast. When the tribe grows to a size that rivals Ralph's, they begin to harass those who remain at the shelters and make pronouncements encouraging them to abandon Ralph and the societal order he has imposed. Simon, unable to bear the stress of his position, goes off to think. Alone, he finds a severed pig head, left by Jack as an offering to the beast. Simon envisions the pig head, now swarming with scavenging flies, as the "Lord of the Flies" and believes that it is talking to him. Simon hears the pig identifying itself as the real "Beast" and disclosing the truth about itself – that the boys themselves "created" the beast, and that the real beast was inside them all. Simon also locates the dead parachutist who had been mistaken for the beast, and is the sole member of the group to recognise that the "monster" is a cadaver. Simon, hoping to tell others of the discovery, finds Jack's tribe in the island's interior during a ritual dance and, mistaken for the beast, is killed by the frenzied boys. Ralph, Piggy, Sam, and Eric feel guilty about what they did not stop. Jack and his band of "savages" decide that they should possess Piggy's glasses, the only means of starting a fire on the island. Raiding Ralph's camp, the savages confiscate the glasses and return to their abode near the great rock heap, called Castle Rock. Ralph, deserted by most of his supporters, journeys to Castle Rock to confront Jack and secure the glasses. Taking the conch and accompanied only by Piggy, Sam, and Eric, Ralph finds the tribe and demands that they return the valuable object. Turning against Ralph, the tribe takes Sam and Eric captive while Roger drops a boulder from his vantage point above, killing Piggy and shattering the conch. Ralph manages to escape, but Sam and Eric are tortured until they agree to join Jack's tribe. The following morning, Jack orders his tribe to begin a manhunt for Ralph. Fleeing through the forest, Ralph watches as the "savages" set fire to the forest, drawing the attention of a passing naval vessel. A landing party from the vessel encounters Ralph as he desperately tries to escape the onrushing "savages", and the British officer leading the party, at first mistaking the violence for a game, expected better from British boys.

31623

/m/07s8w

Through the Looking-Glass

Lewis Carroll

1871

{"/m/0dwly": "Children's literature"}

Alice is playing with a white kitten (whom she calls "Snowdrop") and a black kitten (whom she calls "Kitty")—the offspring of Dinah, Alice's cat in Alice's Adventures in Wonderland—when she ponders what the world is like on the other side of a mirror's reflection. Climbing up on the fireplace mantel, she pokes at the wall-hung mirror behind the fireplace and discovers, to her surprise, that she is able to step through it to an alternative world. In this reflected version of her own house, she finds a book with looking-glass poetry, "Jabberwocky", whose reversed printing she can read only by holding it up to the mirror. She also observes that the chess pieces have come to life, though they remain small enough for her to pick up. Upon leaving the house (where it had been a cold, snowy night), she enters a sunny spring garden where the flowers have the power of human speech; they perceive Alice as being a "flower that can move about." Elsewhere in the garden, Alice meets the Red Queen (now human-sized), who impresses Alice with her ability to run at breathtaking speeds—a reference to the chess rule that queens are able to move any number of vacant squares at once, in any direction, making them the most "agile" of the pieces. The Red Queen reveals to Alice that the entire countryside is laid out in squares like a gigantic chessboard, and offers to make Alice a queen if she can move all the way to the eighth rank/row in a chess match. Alice is placed in the second rank as one of the White Queen's pawns, and begins her journey across the chessboard by boarding a train that literally jumps over the third row and directly into the fourth rank, acting on the rule that pawns can advance two spaces on their first move. She then meets the fat twin brothers Tweedledum and Tweedledee, whom she knows from the famous nursery rhyme. After reciting the long poem "The Walrus and the Carpenter", the Tweedles draw Alice's attention to the Red King—loudly snoring away under a nearby tree—and maliciously provoke her with idle philosophical banter that she exists only as an imaginary figure in the Red King's dreams (thereby implying that she will cease to exist the instant he wakes up). Finally, the brothers begin acting out their nursery-rhyme by suiting up for battle, only to be frightened away by an enormous crow, as the nursery rhyme about them predicts. Alice next meets the White Queen, who is very absent-minded but boasts of (and demonstrates) her ability to remember future events before they have happened. Alice and the White Queen advance into the chessboard's fifth rank by crossing over a brook together, but at the very moment of the crossing, the Queen transforms into a talking Sheep in a small shop. Alice soon finds herself struggling to handle the oars of a small rowboat, where the Sheep annoys her with (seemingly) nonsensical shouting about "crabs" and "feathers". (Unknown to Alice, these are standard terms in the jargon of rowing—and thus the Queen/Sheep, for a change, is speaking in a perfectly logical and meaningful way!) After crossing yet another brook into the sixth rank, Alice immediately encounters Humpty Dumpty, who, besides celebrating his unbirthday, provides his own translation of the strange terms in "Jabberwocky" (in the process, introducing Alice and the reader to the concept of portmanteau words) before his inevitable fall. "All the king's horses and all the king's men" come to Humpty Dumpty's assistance, naturally, and are accompanied by the White King along with the Lion and the Unicorn, who again proceed to act out a nursery rhyme by fighting each other. In this chapter, the March Hare and Hatter of the first book make a brief re-appearance in the guise of "Anglo-Saxon messengers" called "Haigha" and "Hatta" (i.e. "Hare" and "Hatter"—these names are the only hint given as to their identities other than John Tenniel's illustrations). Upon leaving the Lion and Unicorn to their fight, Alice reaches the seventh rank by crossing another brook into the forested territory of the Red Knight, who is intent on capturing the "white pawn" Alice until the White Knight comes to her rescue. Escorting her through the forest towards the final brook-crossing, the Knight recites a long poem of his own composition, and repeatedly falls off his horse—his clumsiness is a reference to the "eccentric" L-shaped movements of chess knights, and may also be interpreted as a self-deprecating joke about Lewis Carroll's own physical awkwardness and stammering in real life. Bidding farewell to the White Knight, Alice steps across the last brook and is automatically crowned a queen (the crown materialising abruptly on her head). She soon finds herself in the company of both the White and Red Queens who relentlessly confound Alice by using word play to thwart her attempts at logical discussion. They then invite one another to a party that will be hosted by the newly crowned Alice (of which Alice herself had no prior knowledge). Alice arrives and seats herself at her own party which quickly turns to a chaotic uproar (much like the ending of the first book) in which Alice finally grabs the Red Queen, believing her to be responsible for all the day's nonsense, and begins shaking her violently with all her might. (By thus "capturing" the Red Queen, Alice unknowingly puts the Red King—who has remained stationary throughout the book—into checkmate, and is allowed to wake up.) Alice suddenly awakes in her armchair to find herself holding the black kitten, whom she deduces to have been the Red Queen all along, with the white kitten having been the White Queen. The story ends with Alice recalling the speculation of the Tweedle brothers, that everything may have, in fact, been a dream of the Red King and that Alice might herself be no more than a figment of his imagination. One final poem is inserted by the author as a sort of epilogue which suggests that life itself is but a dream.