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transcript/DIY_vUSWfeY7xAs.txt
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1 |
+
[0.000 --> 7.960] I know, I know.
|
2 |
+
[7.960 --> 11.840] This has to be the millionth tutorial on how to draw hands that you're watching at this
|
3 |
+
[11.840 --> 14.560] point since you've all been asking for it lately.
|
4 |
+
[14.560 --> 19.760] Cause my name is Marcel and today you're gonna learn how to draw hands like this.
|
5 |
+
[19.760 --> 25.040] This video was a week long effort with all kinds of visual aids I gave it my all and I hope
|
6 |
+
[25.040 --> 26.640] it helps you guys out.
|
7 |
+
[26.640 --> 30.200] That's all I have to say for the intro, the only thing that I might need to mention
|
8 |
+
[30.200 --> 32.720] is that drawing is a process.
|
9 |
+
[32.720 --> 37.120] So after you've watched this video, you know, the theory, but you still need to get down
|
10 |
+
[37.120 --> 38.680] the muscle memory as well.
|
11 |
+
[38.680 --> 42.040] Not a tutorial out there can replace actual practice.
|
12 |
+
[42.040 --> 47.960] Also I've been thinking about doing like an XXL tutorial with all kinds of different poses
|
13 |
+
[47.960 --> 52.400] and perspectives and wrinkles difference between male, female and children.
|
14 |
+
[52.400 --> 57.360] But this video would amount to weeks of work, maybe I'll do that as some kind of big milestone
|
15 |
+
[57.360 --> 58.360] special with something.
|
16 |
+
[58.360 --> 63.400] Alright, that's it, enough with the introduction, let's just jump right into it.
|
17 |
+
[63.400 --> 69.200] You guys know my tutorials, go by now, I try to explain things as beginner friendly as possible
|
18 |
+
[69.200 --> 74.040] by taking something and breaking it apart into its most simple shapes.
|
19 |
+
[74.040 --> 79.440] That's the easiest and best way to learn how to draw hands as a beginner.
|
20 |
+
[79.520 --> 84.360] If you want to learn how to draw something, then you first need to know how it's built.
|
21 |
+
[84.360 --> 89.560] One of the greatest artists of a modern time once said,
|
22 |
+
[89.560 --> 97.000] That's right, and you can't visualize your hand if you don't know anything about it.
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23 |
+
[97.000 --> 99.680] So let's start from the beginning.
|
24 |
+
[99.680 --> 105.120] Step 1 in drawing a hand is always drawing a simple brick for the base of the hand.
|
25 |
+
[105.120 --> 108.840] And to that I just add some stickman fingers and a thumb.
|
26 |
+
[108.840 --> 113.400] Now in today's video I'll show you how to draw fingers, the thumb and the back of the
|
27 |
+
[113.400 --> 115.160] hand as well as the pop.
|
28 |
+
[115.160 --> 120.360] I split it into those three chapters because if you can draw those three things, you'll
|
29 |
+
[120.360 --> 123.960] be able to draw a hand at least in theory.
|
30 |
+
[123.960 --> 131.680] Well let's start with the fingers because well we get to start somewhere, right?
|
31 |
+
[131.680 --> 138.320] So here, well here are my fingers and one of my fingers consists of...
|
32 |
+
[139.320 --> 143.120] 3 equally long parts.
|
33 |
+
[143.120 --> 149.160] That's precisely the reason why I draw hands like this with three different strokes.
|
34 |
+
[149.160 --> 157.680] I know how mundane this sounds but believe me this makes a huge difference.
|
35 |
+
[157.680 --> 162.680] And I think this becomes a lot more apparent when drawing fingers sideways.
|
36 |
+
[162.680 --> 167.160] Like I said, your finger consists of 3 equally long parts.
|
37 |
+
[167.160 --> 171.400] Just keep in mind that the fingertip is round since this part of a skeleton is shorter
|
38 |
+
[171.400 --> 173.280] and round as well.
|
39 |
+
[173.280 --> 177.400] Though the top part of the fingertip is not because you still have your thumbnail on that
|
40 |
+
[177.400 --> 178.400] side.
|
41 |
+
[178.400 --> 183.480] I don't know about you but to me this looks a lot more organic than just drawing in some
|
42 |
+
[183.480 --> 187.200] round shape and hoping that it kinda resembles a finger.
|
43 |
+
[187.200 --> 192.840] But I have to admit for quick sketches I draw fingers just with a couple of simple strokes
|
44 |
+
[192.840 --> 194.160] as well.
|
45 |
+
[194.160 --> 199.680] And it's not wrong per se every volume of my manga series had at least a couple of
|
46 |
+
[199.680 --> 202.680] pages where I drew fingers like that.
|
47 |
+
[202.680 --> 208.040] But even then I checked my drawings by measuring if the fingers are too long or too short.
|
48 |
+
[208.040 --> 212.440] That way even fingers that aren't very detailed would look acceptable.
|
49 |
+
[212.440 --> 216.880] While make no mistake if your finger has three equal parts depends on how you look at
|
50 |
+
[216.880 --> 217.880] it.
|
51 |
+
[217.880 --> 222.000] Don't measure it from the knuckle, measure it the way I did before.
|
52 |
+
[222.000 --> 226.320] But the second simplicity will say that the knuckle still belongs to the back of the
|
53 |
+
[226.320 --> 228.360] hand, not to the finger.
|
54 |
+
[228.360 --> 232.560] That way all three parts are still in equal size.
|
55 |
+
[232.560 --> 240.360] Speaking of which I think I might need a trip to the hospital right now.
|
56 |
+
[240.360 --> 241.960] Now that was the first level.
|
57 |
+
[241.960 --> 246.160] I hope you guys all understand how to draw fingers now since I sacrificed my middle finger
|
58 |
+
[246.160 --> 247.160] for it.
|
59 |
+
[247.160 --> 248.160] I hope that was worth it.
|
60 |
+
[248.160 --> 249.640] I'll show you the thumb at the end of the video.
|
61 |
+
[249.640 --> 253.080] Don't worry, you guys will understand why when the time comes.
|
62 |
+
[253.080 --> 255.240] So there's only one thing left to do.
|
63 |
+
[255.240 --> 260.680] Let's continue by drawing the palm and the back of the hand.
|
64 |
+
[260.680 --> 264.480] When it comes to the back of the hand there's not a lot that I could tell you the most important
|
65 |
+
[264.480 --> 266.400] part will be the palm.
|
66 |
+
[266.400 --> 271.320] The only important parts at the back of the hand are the knuckles and the tendons.
|
67 |
+
[271.320 --> 276.800] Your knuckles aren't placed in a straight line here, they are placed in a fan shape.
|
68 |
+
[276.800 --> 282.240] If you pay attention you can see how this fan shape consists even with your fingers.
|
69 |
+
[282.240 --> 283.560] And where can you check there?
|
70 |
+
[283.560 --> 284.560] Right.
|
71 |
+
[284.560 --> 287.960] At the joints where we split the fingers apart earlier.
|
72 |
+
[287.960 --> 292.840] Now one last thing when it comes to the back of the hand, your bones and tendons all
|
73 |
+
[292.840 --> 296.320] originate from one point.
|
74 |
+
[296.320 --> 301.720] In fact your tendons lie on top of your bones and that's precisely why you don't draw
|
75 |
+
[301.720 --> 304.280] the knuckles round but more edgy.
|
76 |
+
[304.280 --> 309.280] So you don't actually draw the knuckles here but rather the tendons that lie on top.
|
77 |
+
[309.280 --> 312.960] Yeah, and that's about it when it comes to the back of the hand.
|
78 |
+
[312.960 --> 315.760] Let's flip right over to the palm.
|
79 |
+
[315.760 --> 319.200] Now let's split the palm into its single components as well.
|
80 |
+
[319.200 --> 322.120] We've got your tenor, that's the heel of the hand.
|
81 |
+
[322.120 --> 326.640] Then there's your hypotenor and then there's...
|
82 |
+
[326.640 --> 331.880] Well this part has no medical terms since there's no muscles or anything here so you can
|
83 |
+
[331.880 --> 336.440] call it Steve or whatever I care but for the sake of this video just call it the base
|
84 |
+
[336.440 --> 338.520] of the fingers.
|
85 |
+
[338.520 --> 342.880] But to be honest I think this looks way too complicated.
|
86 |
+
[342.880 --> 348.440] After all I want to make this tutorial as beginner friendly as possible so let's make the palm
|
87 |
+
[348.440 --> 349.960] even simpler.
|
88 |
+
[349.960 --> 355.920] I know, I can hear you guys moan, nobody cares about the palm of the hand, the fingers are
|
89 |
+
[355.920 --> 358.120] the difficult part, not the palm.
|
90 |
+
[358.120 --> 363.680] But once you're drawing hand sideways or in another way you'll find yourself struggling
|
91 |
+
[363.680 --> 367.360] a lot if you don't know how the palm works.
|
92 |
+
[367.360 --> 372.120] So yeah, I'm sorry there's no way around it but it's not that bad since you only need
|
93 |
+
[372.120 --> 377.200] to learn these three parts in order to draw a palm and visualize it.
|
94 |
+
[377.200 --> 382.280] And we all know that an artist has to concentrate and visualize his concept.
|
95 |
+
[382.280 --> 386.480] That's pretty much it for the palm as well the most important thing was the heel of the
|
96 |
+
[386.480 --> 389.840] hand since it's directly connected to the thumb.
|
97 |
+
[389.840 --> 399.400] And that's why I wanted to show you the thumb at the end.
|
98 |
+
[399.400 --> 403.920] You know I used to draw the thumb as an oval shape on top of the heel but as you can
|
99 |
+
[403.920 --> 408.160] guess this isn't exactly anatomically correct.
|
100 |
+
[408.160 --> 412.760] If you take a closer look you can see that your thumb has a middle part to it as well
|
101 |
+
[412.760 --> 415.480] just like your regular finger.
|
102 |
+
[415.480 --> 420.000] See it's a bit understandable if I'll show it to you guys from another perspective as
|
103 |
+
[420.000 --> 421.000] well.
|
104 |
+
[421.000 --> 427.080] Just always check if it still consists of three parts and you are good to go.
|
105 |
+
[427.080 --> 432.080] And now that you know all three parts in theory you only need to practice with it.
|
106 |
+
[432.080 --> 436.200] If you want to get started with drawing hands just take it from me like you guys know I
|
107 |
+
[436.200 --> 440.200] started with a brick and some stick figure fingers.
|
108 |
+
[440.200 --> 445.200] And then I add all the things we learned in the past 6 or 7 minutes.
|
109 |
+
[445.200 --> 449.640] But please don't expect to draw perfect hands after this video like I said you now know
|
110 |
+
[449.640 --> 453.160] the theory but you might still lack the practice.
|
111 |
+
[453.160 --> 457.680] For some people it breaks out right away others still might need to practice and that's
|
112 |
+
[457.680 --> 462.480] okay everyone has their own learning speed this ain't a race after all.
|
113 |
+
[462.480 --> 466.920] The only thing you need to learn by heart is the way the hand is constructed.
|
114 |
+
[466.920 --> 472.080] Here have a cheat sheet with all the relevant info you need and while we're at it why
|
115 |
+
[472.080 --> 474.320] don't we make a deal out of this.
|
116 |
+
[474.320 --> 479.200] You can screenshot this sheet and in exchange you get this video a thumbs up.
|
117 |
+
[479.200 --> 487.160] But despite everything if you still have problems with drawing hands there are a couple
|
118 |
+
[487.160 --> 489.240] of ways to help you out.
|
119 |
+
[489.240 --> 493.800] Okay maybe this looks dumb at first but if you really struggle with drawing hands you
|
120 |
+
[493.800 --> 498.720] can just mark your hands the way I did on my cheat sheet earlier and my personal opinion
|
121 |
+
[498.720 --> 503.040] this method is so underrated and it could really help you out.
|
122 |
+
[503.040 --> 508.120] Like I said in my last video there are tons of people who prefer 3D models or maybe
|
123 |
+
[508.120 --> 513.720] wooden anatomy puppets which is fine I'm happy if it works out for you but you guys know
|
124 |
+
[513.720 --> 514.720] me.
|
125 |
+
[514.720 --> 519.360] I'm a fan of the old school method of searching for real life photos online.
|
126 |
+
[519.360 --> 524.400] I just think this method works out the best and it's the cheapest.
|
127 |
+
[524.400 --> 528.720] Speaking of it if you missed it you can watch my last tutorial it's all about perspective
|
128 |
+
[528.720 --> 531.280] and it works out with drawing hands as well.
|
129 |
+
[531.280 --> 538.480] So just give it a shot I've linked it on the top right corner.
|
130 |
+
[538.480 --> 542.240] Before you leave please make sure that you screenshot it on the cheat sheet I showed
|
131 |
+
[542.240 --> 543.840] you earlier it's pretty important.
|
132 |
+
[543.840 --> 548.560] I mean if I didn't quote Mr SquarePence enough times in this video already I'm going
|
133 |
+
[548.560 --> 553.840] to do it one last time an artist has got to.
|
134 |
+
[553.840 --> 559.240] I think that might have been the wrong quote.
|
135 |
+
[559.240 --> 563.320] Anyway if you want that what kinds of pens and erases I use you can just go ahead and
|
136 |
+
[563.320 --> 566.160] check my website I listed and linked it all there.
|
137 |
+
[566.160 --> 570.560] And who knows maybe I'll actually do an XXL hands tutorial at some point so you might
|
138 |
+
[570.560 --> 572.040] want to stick around for that.
|
139 |
+
[572.040 --> 577.800] Well then my name's Marcel and I am very glad we have Universal Healthcare in Germany reattaching
|
140 |
+
[577.800 --> 579.280] fingers included.
|
141 |
+
[579.280 --> 583.880] Although I might need to check that just give me a sec I'll see you in the next video.
|
142 |
+
[583.880 --> 584.000] Bye.
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1 |
+
[0.000 --> 7.000] Previously on Navi Boy Network
|
2 |
+
[7.000 --> 10.000] We doing it right here, roses are red
|
3 |
+
[10.000 --> 15.000] Hey yo, get your men chill, calm down, cause I got something to believe
|
4 |
+
[15.000 --> 17.000] Get broke, let's box them
|
5 |
+
[17.000 --> 18.000] Who said box?
|
6 |
+
[18.000 --> 19.000] Here go, this is not going somewhere
|
7 |
+
[19.000 --> 22.000] Which one are you out of strongest cause I'm beachy all last
|
8 |
+
[22.000 --> 23.000] And that's on big tour
|
9 |
+
[23.000 --> 26.000] So move around and get the dust knocked off your old ass
|
10 |
+
[26.000 --> 29.000] I ain't even gonna leave base for, come here
|
11 |
+
[29.000 --> 32.000] Come on in, come on in, come on in, come on in, come on in
|
12 |
+
[32.000 --> 35.000] Talk about it bitch, stop acting pussy
|
13 |
+
[35.000 --> 37.000] And now you speak of my language
|
14 |
+
[37.000 --> 38.000] How many say last?
|
15 |
+
[38.000 --> 41.000] That is ass, swim, swim
|
16 |
+
[41.000 --> 43.000] Over the waiting book
|
17 |
+
[44.000 --> 47.000] Now close your eyes and imagine this technique
|
18 |
+
[47.000 --> 50.000] On justice, breathe it, first four
|
19 |
+
[50.000 --> 53.000] You go this street, and you get out of here
|
20 |
+
[53.000 --> 57.000] And look at that, it hurts it, it hurts
|
21 |
+
[57.000 --> 60.000] All you own is those arguing and slaughtering
|
22 |
+
[60.000 --> 62.000] I'm trying to bring something new to the people
|
23 |
+
[62.000 --> 63.000] That damn it, I hate this
|
24 |
+
[63.000 --> 65.000] Only matter is not wrong
|
25 |
+
[65.000 --> 67.000] What's in the body talking to you little freakiest?
|
26 |
+
[67.000 --> 69.000] What's in the body talking to you little freakiest?
|
27 |
+
[69.000 --> 71.000] What's in the body talking to you little freakiest?
|
28 |
+
[76.000 --> 79.000] Welcome back to the 2024 Hood Anime Awards
|
29 |
+
[79.000 --> 81.000] I'm your host, rapso Petty
|
30 |
+
[81.000 --> 85.000] Here to make sure you don't miss any of the crazy moments here during our show
|
31 |
+
[85.000 --> 89.000] So don't you blink, cause you'll never know who you're running to at the anime
|
32 |
+
[89.000 --> 92.000] Hey bro, who the hell is the chef around here?
|
33 |
+
[92.000 --> 94.000] This shit is ass
|
34 |
+
[94.000 --> 98.000] This shit tastes like your season didn't know the old motherf***er mouth
|
35 |
+
[98.000 --> 104.000] God dammit, no salt, pepper, no garlic powder, neither, no paprika on the damn shit
|
36 |
+
[104.000 --> 106.000] What the f*** is the love of it?
|
37 |
+
[106.000 --> 108.000] Hey, somebody get this n-
|
38 |
+
[111.000 --> 114.000] So Vegeta, why are you not nominated for the crash at all?
|
39 |
+
[114.000 --> 116.000] This shit in gave his life to comedy
|
40 |
+
[116.000 --> 117.000] Shut up, cacka right
|
41 |
+
[117.000 --> 119.000] I left that crash, dummy shit in the past
|
42 |
+
[119.000 --> 120.000] You feel me?
|
43 |
+
[120.000 --> 124.000] I'm a family man now, so I gotta need that role to the new f***
|
44 |
+
[124.000 --> 125.000] You feel me?
|
45 |
+
[125.000 --> 128.000] Y'all know it crash out me, but I know I like less words and more fire
|
46 |
+
[128.000 --> 132.000] Perfect example, then you're gonna crash out if you don't win
|
47 |
+
[132.000 --> 134.000] And that's just gonna prove my point
|
48 |
+
[134.000 --> 137.000] If you ask me, I don't know if it's a group with more crash
|
49 |
+
[137.000 --> 139.000] I'll stand you dragging, buddy
|
50 |
+
[139.000 --> 141.000] Oh, time you might be right, OG
|
51 |
+
[141.000 --> 142.000] Belie there
|
52 |
+
[142.000 --> 144.000] I ain't even like that, y'all is reaching
|
53 |
+
[144.000 --> 146.000] Her knees layin' ass n-
|
54 |
+
[146.000 --> 147.000] Let's go
|
55 |
+
[147.000 --> 149.000] Y'all must've let Zoro drive us on
|
56 |
+
[149.000 --> 151.000] I feel like this is about to turn into some big three sh**
|
57 |
+
[151.000 --> 153.000] Exactly why I'm heading out before these n-
|
58 |
+
[153.000 --> 154.000] Let's get started
|
59 |
+
[154.000 --> 155.000] Y'all ain't gotta go nowhere
|
60 |
+
[155.000 --> 158.000] Only rubber band man, we ever cared about with Tia
|
61 |
+
[158.000 --> 159.000] Belie there
|
62 |
+
[159.000 --> 162.000] As long as I'm talking crazy like I ain't pull up to this party with my strap on
|
63 |
+
[162.000 --> 164.000] Bitch, I only shit on me, it's him me
|
64 |
+
[164.000 --> 166.000] Let's see, body damn pussy
|
65 |
+
[166.000 --> 168.000] Whatever, bleed ass
|
66 |
+
[168.000 --> 169.000] This exactly what-
|
67 |
+
[169.000 --> 170.000] This can't have nice sh**
|
68 |
+
[170.000 --> 171.000] GO GO
|
69 |
+
[171.000 --> 172.000] GAH
|
70 |
+
[176.000 --> 179.000] Now why can't you have a reunion without some sh** popping off?
|
71 |
+
[179.000 --> 181.000] It's cause this bitch has you think he ninja Jesus
|
72 |
+
[181.000 --> 183.000] And can say whatever he wants
|
73 |
+
[183.000 --> 184.000] I am and I can't
|
74 |
+
[184.000 --> 185.000] Belie there
|
75 |
+
[185.000 --> 186.000] And now if I put my n-
|
76 |
+
[186.000 --> 187.000] It's on you, I'm a beat on who wants
|
77 |
+
[187.000 --> 189.000] And you're never dullo
|
78 |
+
[189.000 --> 190.000] Ain't nobody scared of them
|
79 |
+
[190.000 --> 191.000] Just believe that
|
80 |
+
[191.000 --> 193.000] Cause this can get hands put on real quick
|
81 |
+
[193.000 --> 195.000] And who you putting hands on, bitch?
|
82 |
+
[195.000 --> 198.000] I really hate to put my foot through your chest
|
83 |
+
[198.000 --> 201.000] Y'all be out here acting like y'all didn't come out together or something
|
84 |
+
[201.000 --> 203.000] They let the act tough before we really can pull up
|
85 |
+
[203.000 --> 204.000] Now while we fight, n-
|
86 |
+
[204.000 --> 206.000] There's no not a dress call here
|
87 |
+
[206.000 --> 208.000] Bitch I got a closet full of spiritual pressure
|
88 |
+
[208.000 --> 210.000] I can wear whatever the f**k I want
|
89 |
+
[210.000 --> 211.000] Who this f**k is spitting?
|
90 |
+
[211.000 --> 212.000] Listen here, noo
|
91 |
+
[212.000 --> 214.000] If you ain't part of the big three or DBZ
|
92 |
+
[214.000 --> 216.000] You don't speak to the drip-k-
|
93 |
+
[216.000 --> 217.000] Who the f**k are you talking to?
|
94 |
+
[217.000 --> 218.000] Now like I was saying
|
95 |
+
[218.000 --> 219.000] Can we be civil?
|
96 |
+
[219.000 --> 220.000] I ain't saying you f**king f**k
|
97 |
+
[220.000 --> 222.000] Bitch I said who you f**king them b*****
|
98 |
+
[222.000 --> 223.000] Okay, let's say
|
99 |
+
[223.000 --> 225.000] Bitch I said this conversation ain't got shit to do with you
|
100 |
+
[225.000 --> 227.000] Now shut up what the f**k is that made you with talking?
|
101 |
+
[227.000 --> 228.000] Hey you seeing this?
|
102 |
+
[228.000 --> 231.000] Well we was talking about I want to see this play out
|
103 |
+
[231.000 --> 232.000] Believe it out
|
104 |
+
[232.000 --> 234.000] Let's give you a taste of something you can't afford
|
105 |
+
[234.000 --> 235.000] You ain't how they be
|
106 |
+
[235.000 --> 236.000] Who the f**k are you
|
107 |
+
[236.000 --> 237.000] F**k
|
108 |
+
[240.000 --> 243.000] Guys can we please refrain from finding the venue?
|
109 |
+
[243.000 --> 245.000] Y'all making my job impossible
|
110 |
+
[245.000 --> 246.000] No, make sure you talk to that
|
111 |
+
[246.000 --> 248.000] And then we can ask Movesie trying to send out
|
112 |
+
[248.000 --> 249.000] Here we go
|
113 |
+
[249.000 --> 251.000] No, cause I could've yelled out get to get ten show
|
114 |
+
[251.000 --> 252.000] This whole function of
|
115 |
+
[252.000 --> 254.000] Well here I am showing something to corn
|
116 |
+
[254.000 --> 255.000] Like a real f**k
|
117 |
+
[255.000 --> 256.000] Anyway
|
118 |
+
[256.000 --> 258.000] Bog, ain't you supposed to be part of that?
|
119 |
+
[258.000 --> 260.000] Why they got you dressed like security?
|
120 |
+
[260.000 --> 262.000] These bills will pay themselves gang
|
121 |
+
[262.000 --> 263.000] These awards can wait
|
122 |
+
[263.000 --> 264.000] Man back to business
|
123 |
+
[264.000 --> 267.000] Ain't nobody asked you to be the voice of reason each ago
|
124 |
+
[267.000 --> 269.000] That's supposed to be the blind job
|
125 |
+
[269.000 --> 271.000] I'll let that talk no jutsu shit at home
|
126 |
+
[271.000 --> 274.000] But I'll let these hands talk to your b*****es
|
127 |
+
[274.000 --> 275.000] Believe it
|
128 |
+
[275.000 --> 276.000] If y'all could act right for two seconds
|
129 |
+
[276.000 --> 278.000] I wouldn't have to play peacemaker
|
130 |
+
[278.000 --> 280.000] We all supposed to be here leading by exempt
|
131 |
+
[280.000 --> 282.000] From lead by example
|
132 |
+
[282.000 --> 283.000] Bitch you're talking to the future
|
133 |
+
[283.000 --> 284.000] Can't get a pirate
|
134 |
+
[284.000 --> 286.000] The Movesie said a grand line
|
135 |
+
[286.000 --> 287.000] I'm pulling up on you
|
136 |
+
[287.000 --> 288.000] Silence
|
137 |
+
[288.000 --> 289.000] Kickin' doors down
|
138 |
+
[289.000 --> 291.000] And telling them to let my people go
|
139 |
+
[291.000 --> 294.000] Baby fucks ain't shit but a cry baby as aider
|
140 |
+
[294.000 --> 295.000] Keep y'all p*****ing up
|
141 |
+
[295.000 --> 296.000] I'm supposed to be some of that lost to take
|
142 |
+
[296.000 --> 297.000] Raw'd on your ass
|
143 |
+
[297.000 --> 298.000] That sh**t of f*****g
|
144 |
+
[298.000 --> 300.000] I'll leave you in the ear for the rest of the night
|
145 |
+
[300.000 --> 302.000] Bitch try me this gong gong p*****g guy
|
146 |
+
[302.000 --> 303.000] Switch on
|
147 |
+
[303.000 --> 305.000] Ain't nobody worried about no b*****k that can't swim
|
148 |
+
[305.000 --> 306.000] Believe it
|
149 |
+
[306.000 --> 308.000] I said it for luck
|
150 |
+
[308.000 --> 310.000] I'm just saying no reason with these b*****s
|
151 |
+
[310.000 --> 313.000] The anime awards are brought to you by anime express
|
152 |
+
[313.000 --> 316.000] Your home for high class anime fashion
|
153 |
+
[316.000 --> 318.000] Use code so petty 10
|
154 |
+
[318.000 --> 320.000] For 10% off your next purchase
|
155 |
+
[320.000 --> 322.000] Shop anime fashion for less
|
156 |
+
[322.000 --> 324.000] With anime express
|
157 |
+
[324.000 --> 326.000] Now back to our schedule program
|
158 |
+
[326.000 --> 331.000] See these old guys trying to relive the good old days
|
159 |
+
[331.000 --> 333.000] Exactly why they ain't leaving here with sh**
|
160 |
+
[333.000 --> 336.000] Is you really just gong to sit up here complaining about old?
|
161 |
+
[336.000 --> 338.000] I'm just gong to learn to shut up and real
|
162 |
+
[338.000 --> 339.000] This talking
|
163 |
+
[339.000 --> 342.000] You must be letting this crash out of war sh** get to yo handling
|
164 |
+
[342.000 --> 344.000] You ain't dead sh**
|
165 |
+
[344.000 --> 345.000] Don't start capping
|
166 |
+
[345.000 --> 347.000] You're boyin' the yellow got in the way of my head
|
167 |
+
[347.000 --> 348.000] Let it smash
|
168 |
+
[348.000 --> 349.000] And I slept his ass
|
169 |
+
[349.000 --> 351.000] So that sound like an heir to me
|
170 |
+
[351.000 --> 355.000] Wait is this the f*****g sleep walkin'?
|
171 |
+
[355.000 --> 357.000] What kind of weird sh**k?
|
172 |
+
[357.000 --> 359.000] Like is he good or...?
|
173 |
+
[359.000 --> 361.000] Hell yeah
|
174 |
+
[361.000 --> 362.000] This sh**t been a good week
|
175 |
+
[362.000 --> 363.000] Get that ass z
|
176 |
+
[363.000 --> 365.000] Pay no rapist
|
177 |
+
[365.000 --> 366.000] It's still sleep bro
|
178 |
+
[366.000 --> 368.000] F*****g
|
179 |
+
[368.000 --> 369.000] Thunder breathing
|
180 |
+
[369.000 --> 370.000] First floor
|
181 |
+
[370.000 --> 372.000] Thunder cracker
|
182 |
+
[372.000 --> 373.000] Big sh**s
|
183 |
+
[373.000 --> 374.000] And your weapon
|
184 |
+
[374.000 --> 375.000] F*****g
|
185 |
+
[379.000 --> 381.000] Young man, please respect the venue rules
|
186 |
+
[381.000 --> 384.000] If you need a box, please take it outside
|
187 |
+
[384.000 --> 386.000] I expect better for fellow heroes
|
188 |
+
[386.000 --> 387.000] Little chill moving forward
|
189 |
+
[387.000 --> 389.000] My bad game
|
190 |
+
[389.000 --> 391.000] All the money we don't expect to get up in this bitch
|
191 |
+
[391.000 --> 393.000] We can't even throw them bitches
|
192 |
+
[393.000 --> 394.000] Man, this is a small bullshit
|
193 |
+
[394.000 --> 396.000] Yeah, let know we outta here
|
194 |
+
[396.000 --> 398.000] We look on the war crash out boy
|
195 |
+
[398.000 --> 401.000] Yeah, I get told to relax and just bow down
|
196 |
+
[401.000 --> 403.000] And I'm making a lick now they used
|
197 |
+
[403.000 --> 404.000] Y'all soft
|
198 |
+
[404.000 --> 406.000] Man, on guard twins
|
199 |
+
[406.000 --> 407.000] Oh, who soft?
|
200 |
+
[407.000 --> 408.000] Man, who soft?
|
201 |
+
[408.000 --> 410.000] See, you're a b*****g for the fight, man
|
202 |
+
[410.000 --> 413.000] We're out front, we pull up masks, go up, put them holes and sh**s
|
203 |
+
[413.000 --> 414.000] Out to them twins
|
204 |
+
[414.000 --> 416.000] I guess you can't speak for yourself, huh?
|
205 |
+
[416.000 --> 418.000] Listen, that insigant sh**k you
|
206 |
+
[418.000 --> 419.000] Or whatever you wanna call it
|
207 |
+
[419.000 --> 421.000] But if I was you, I wouldn't play with my life like that
|
208 |
+
[421.000 --> 423.000] Shit, the way they talking, why these?
|
209 |
+
[423.000 --> 425.000] It's not nominated for the crash out of war
|
210 |
+
[425.000 --> 428.000] You must not know what we killed, it's for real
|
211 |
+
[428.000 --> 429.000] Oh, God's win
|
212 |
+
[429.000 --> 432.000] I'm time, make the lick the volatile life
|
213 |
+
[432.000 --> 436.000] On my life, we still smoking on that pizza pack to this day
|
214 |
+
[436.000 --> 437.000] Send it up if you bad
|
215 |
+
[437.000 --> 439.000] Nah, bro, what the f**k are these?
|
216 |
+
[439.000 --> 445.000] Look, I did some f*****g shit back in the day
|
217 |
+
[445.000 --> 446.000] But you said you did, what?
|
218 |
+
[446.000 --> 447.000] Look, I ain't stuttering
|
219 |
+
[447.000 --> 449.000] It's all I know you heard me
|
220 |
+
[449.000 --> 451.000] And best believe I do that sh** again
|
221 |
+
[451.000 --> 453.000] You wouldn't cold-blooded
|
222 |
+
[453.000 --> 454.000] Nah, go nuts
|
223 |
+
[454.000 --> 455.000] Shit, long as you know
|
224 |
+
[455.000 --> 457.000] Stop with all this massacre talk
|
225 |
+
[457.000 --> 459.000] Y'all scaring the whole
|
226 |
+
[459.000 --> 461.000] Hey, not too much of my man now
|
227 |
+
[461.000 --> 463.000] He ain't worried about none of those bitches
|
228 |
+
[463.000 --> 464.000] That's your name
|
229 |
+
[464.000 --> 465.000] Something like that
|
230 |
+
[465.000 --> 467.000] Y'all holes, loodies, crans, nothing
|
231 |
+
[467.000 --> 468.000] You wanna repeat that pussy?
|
232 |
+
[468.000 --> 470.000] Let him talk sh** if you want, baby
|
233 |
+
[470.000 --> 472.000] Yeah, my man a crash out
|
234 |
+
[472.000 --> 474.000] And I'm standing by him regardless
|
235 |
+
[474.000 --> 475.000] Cause lot that teases
|
236 |
+
[475.000 --> 477.000] Cause my ne'in been running around here
|
237 |
+
[477.000 --> 478.000] Crashing out since we got here
|
238 |
+
[478.000 --> 480.000] See, y'all proven my point
|
239 |
+
[480.000 --> 482.000] What a holes in with some sense
|
240 |
+
[482.000 --> 484.000] The ones that wanna, nine to five
|
241 |
+
[484.000 --> 488.000] Hard working, regular, deglin' like myself
|
242 |
+
[488.000 --> 489.000] See, I'm sick of y'all
|
243 |
+
[489.000 --> 491.000] And he's bi-polar ass crash out
|
244 |
+
[491.000 --> 493.000] Man, there's some bullsh**
|
245 |
+
[493.000 --> 495.000] Security just now letting me back in this bitch
|
246 |
+
[495.000 --> 497.000] And I ain't even doing nothing to begin with
|
247 |
+
[497.000 --> 498.000] But let them try me again
|
248 |
+
[498.000 --> 499.000] I'ma show them something
|
249 |
+
[499.000 --> 500.000] Speak of the devil
|
250 |
+
[501.000 --> 505.000] The final nominees for the crash out awards are
|
251 |
+
[505.000 --> 511.000] Katsuki Bakugo, Broly, Megamy Fushigaro, and Aaron Yeager
|
252 |
+
[511.000 --> 514.000] Please take your seats as we prepare to announce your winner
|
253 |
+
[514.000 --> 517.000] Man these domination some bullsh**
|
254 |
+
[517.000 --> 519.000] I've been crashing out since I walked in this bitch
|
255 |
+
[519.000 --> 522.000] Who they got in here that deserves this shit more than me
|
256 |
+
[522.000 --> 524.000] I still understand this old crash out thing
|
257 |
+
[524.000 --> 527.000] But does that have anything to do with beating it, desires?
|
258 |
+
[527.000 --> 528.000] Oh
|
259 |
+
[529.000 --> 530.000] What that makes sense?
|
260 |
+
[530.000 --> 532.000] Hey you slow ass old bitch
|
261 |
+
[532.000 --> 534.000] Your name was on the list too right?
|
262 |
+
[534.000 --> 535.000] They don't mean shit
|
263 |
+
[535.000 --> 537.000] And nobody gave me a my award
|
264 |
+
[537.000 --> 539.000] Look all know how many times I gotta say this
|
265 |
+
[539.000 --> 542.000] I don't care about no awards
|
266 |
+
[542.000 --> 543.000] I care about hurting
|
267 |
+
[543.000 --> 546.000] And see, talk about anything other than fighting
|
268 |
+
[546.000 --> 549.000] The man of little words is also a man of many hands
|
269 |
+
[549.000 --> 550.000] I can respect that
|
270 |
+
[550.000 --> 552.000] Tell them how you just sit up
|
271 |
+
[553.000 --> 556.000] And the winner of the crash out award is
|
272 |
+
[556.000 --> 557.000] Megamy Fushigaro
|
273 |
+
[557.000 --> 559.000] Yo man what the f**k
|
274 |
+
[559.000 --> 560.000] This is bullshit
|
275 |
+
[560.000 --> 563.000] I just said he'll listen to his money as old
|
276 |
+
[563.000 --> 564.000] For nothing
|
277 |
+
[564.000 --> 566.000] That bitch ain't even a real crash out
|
278 |
+
[566.000 --> 568.000] He just bams that sorry ass
|
279 |
+
[568.000 --> 570.000] Some of them whenever he's scared for his life
|
280 |
+
[570.000 --> 572.000] I'll show you a sorry ass some of them
|
281 |
+
[572.000 --> 574.000] Perfect, just what I was waiting for
|
282 |
+
[574.000 --> 576.000] Go ahead and say that poem pussy
|
283 |
+
[576.000 --> 577.000] Make my day
|
284 |
+
[577.000 --> 578.000] Go poem, big rocker get this
|
285 |
+
[581.000 --> 582.000] Come on then I'm stopping
|
286 |
+
[585.000 --> 586.000] So it is the crash out
|
287 |
+
[588.000 --> 591.000] So you're not saying
|
288 |
+
[591.000 --> 593.000] But you still turning to a big ass monkey
|
289 |
+
[593.000 --> 597.000] Man you really be showing your age with these questions bro
|
290 |
+
[597.000 --> 599.000] It's the beast Titan
|
291 |
+
[599.000 --> 601.000] I know damn monkey
|
292 |
+
[601.000 --> 602.000] Look all I'm saying is
|
293 |
+
[602.000 --> 604.000] When I heard it's turning into monkeys and fighting
|
294 |
+
[604.000 --> 606.000] First thing to mama
|
295 |
+
[606.000 --> 607.000] Dragon Balls
|
296 |
+
[607.000 --> 608.000] Listen I think I'm gonna say
|
297 |
+
[608.000 --> 609.000] I'm gonna say
|
298 |
+
[609.000 --> 610.000] I'm gonna say
|
299 |
+
[610.000 --> 612.000] I'm gonna say
|
300 |
+
[612.000 --> 613.000] I'm gonna say
|
301 |
+
[613.000 --> 614.000] I'm gonna say
|
302 |
+
[614.000 --> 615.000] I'm gonna say
|
303 |
+
[615.000 --> 616.000] I'm gonna say
|
304 |
+
[616.000 --> 617.000] Dragon Balls
|
305 |
+
[617.000 --> 619.000] Listen not the same shit bro
|
306 |
+
[619.000 --> 621.000] Do you even watch any of the new shows
|
307 |
+
[621.000 --> 623.000] I don't look at the full moon
|
308 |
+
[623.000 --> 625.000] and turn it to a rare real look game
|
309 |
+
[625.000 --> 626.000] Here the Mataq on Titan
|
310 |
+
[626.000 --> 628.000] The movah leking it may anyway
|
311 |
+
[628.000 --> 629.000] What?
|
312 |
+
[629.000 --> 631.000] Y'all show is a meat neck
|
313 |
+
[631.000 --> 633.000] You power up in flesh gun
|
314 |
+
[633.000 --> 634.000] Sam wine
|
315 |
+
[634.000 --> 636.000] That shit sound disgusted
|
316 |
+
[636.000 --> 638.000] Listen you ever say that shit again
|
317 |
+
[638.000 --> 640.000] And it won't be no spinal fluid in your drain
|
318 |
+
[640.000 --> 642.000] I thought I saw your bitch ass over her
|
319 |
+
[642.000 --> 644.000] on my OG graim shit ain't sweet
|
320 |
+
[644.000 --> 646.300] Don't want one, won't, and she'll act.
|
321 |
+
[646.300 --> 651.800] Y'all take dead bull shit to the ballroom, and we'll do what I find in Holland over here to civilize table.
|
322 |
+
[651.800 --> 656.400] You know what? You right. I ain't even trying to disturb the sanctity of our area like that.
|
323 |
+
[656.400 --> 658.400] Excuse me, fellas, I'll be right there.
|
324 |
+
[658.400 --> 660.400] Aw shit, this gimp.
|
325 |
+
[661.600 --> 664.200] Shit my bad, y'all, did they get awards out yet?
|
326 |
+
[664.200 --> 666.200] Get away from our table!
|
transcript/award_5qKYrajRNwo.txt
ADDED
@@ -0,0 +1,27 @@
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
[60.000 --> 90.000] 1,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
2 |
+
[90.000 --> 120.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
3 |
+
[120.000 --> 150.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
4 |
+
[150.000 --> 180.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
5 |
+
[180.000 --> 210.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
6 |
+
[210.000 --> 240.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
7 |
+
[240.000 --> 270.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
8 |
+
[270.000 --> 300.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
9 |
+
[300.000 --> 330.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
10 |
+
[330.000 --> 360.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
11 |
+
[360.000 --> 390.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
12 |
+
[390.000 --> 420.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
13 |
+
[420.000 --> 450.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
14 |
+
[450.000 --> 480.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
15 |
+
[480.000 --> 510.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
16 |
+
[510.000 --> 540.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
17 |
+
[540.000 --> 570.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
18 |
+
[570.000 --> 600.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
19 |
+
[600.000 --> 630.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
20 |
+
[630.000 --> 660.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
21 |
+
[660.000 --> 690.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
22 |
+
[690.000 --> 720.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
23 |
+
[720.000 --> 750.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
24 |
+
[750.000 --> 780.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
25 |
+
[780.000 --> 810.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
26 |
+
[810.000 --> 840.000] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
27 |
+
[840.000 --> 854.050] 5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5,5
|
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1 |
+
[0.000 --> 13.880] MUSIC
|
2 |
+
[30.000 --> 56.920] A little birthday shout out to Robert Monty from his family and buddy, Mayor Carl
|
3 |
+
[56.920 --> 60.920] Watch Happy Birthday Brother. Can't wait for the next one.
|
4 |
+
[60.920 --> 86.920] We're going to do the famous water. It's about to go down.
|
5 |
+
[86.920 --> 90.920] We're going to go there and watch this.
|
6 |
+
[116.920 --> 120.920] We're going to go down.
|
7 |
+
[146.920 --> 150.920] We're going to go down.
|
8 |
+
[150.920 --> 154.920] We're going to go down.
|
9 |
+
[154.920 --> 158.920] We're going to go down.
|
10 |
+
[158.920 --> 162.920] We're going to go down.
|
11 |
+
[162.920 --> 164.920] We're going to go down.
|
12 |
+
[164.920 --> 168.920] We're going to go down.
|
13 |
+
[168.920 --> 178.920] We're going to go down.
|
14 |
+
[178.920 --> 180.920] We need to go down.
|
15 |
+
[180.920 --> 182.920] What's up, baby?
|
16 |
+
[182.920 --> 184.920] Where's our...
|
17 |
+
[184.920 --> 186.920] Where's our baby?
|
18 |
+
[210.920 --> 212.920] Oh, you got to get out with us.
|
19 |
+
[212.920 --> 214.920] Get out of my way, baby.
|
20 |
+
[214.920 --> 216.920] Get out of my way, baby.
|
21 |
+
[216.920 --> 218.920] Oh, you got to get out with us.
|
22 |
+
[218.920 --> 220.920] Get out of my way, baby.
|
23 |
+
[220.920 --> 222.920] You know this is going to be a mystery, right?
|
24 |
+
[222.920 --> 224.920] Let's go through.
|
25 |
+
[224.920 --> 228.920] We come to every city in town, we need you.
|
26 |
+
[228.920 --> 230.920] We're going to wet.
|
27 |
+
[230.920 --> 232.920] You see this video?
|
28 |
+
[232.920 --> 234.920] You won't know still.
|
29 |
+
[234.920 --> 236.920] Let's run.
|
30 |
+
[236.920 --> 238.920] Run, show your love to your son, though.
|
31 |
+
[238.920 --> 240.920] Run, run.
|
32 |
+
[240.920 --> 242.920] Run, run.
|
33 |
+
[242.920 --> 244.920] Run away, young.
|
34 |
+
[244.920 --> 246.920] Run, run.
|
35 |
+
[246.920 --> 248.920] Doesn't get out of the Lindsay Scout!
|
36 |
+
[248.920 --> 250.920] All right, get out of my way, baby.
|
37 |
+
[280.920 --> 310.920] I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a man, I'm a
|
38 |
+
[310.920 --> 340.920] man, I'm a man,
|
39 |
+
[340.920 --> 341.920] Hey!
|
40 |
+
[341.920 --> 342.920] Hey!
|
41 |
+
[342.920 --> 344.920] You remember where we're going?
|
42 |
+
[344.920 --> 345.920] We're going over here.
|
43 |
+
[345.920 --> 346.920] Hey!
|
44 |
+
[346.920 --> 347.920] Oh, hey!
|
45 |
+
[347.920 --> 349.920] We got an anchor over here.
|
46 |
+
[349.920 --> 350.920] Hey!
|
47 |
+
[350.920 --> 351.920] Hey!
|
48 |
+
[351.920 --> 352.920] Hey!
|
49 |
+
[352.920 --> 353.920] Hey!
|
50 |
+
[353.920 --> 354.920] Hey!
|
51 |
+
[354.920 --> 355.920] Hey!
|
52 |
+
[355.920 --> 356.920] Hey!
|
53 |
+
[356.920 --> 357.920] Hey!
|
54 |
+
[357.920 --> 358.920] Hey!
|
55 |
+
[358.920 --> 359.920] Hey!
|
56 |
+
[359.920 --> 360.920] Hey!
|
57 |
+
[360.920 --> 361.920] Hey!
|
58 |
+
[361.920 --> 362.920] Hey!
|
59 |
+
[362.920 --> 363.920] Hey!
|
60 |
+
[363.920 --> 364.920] Hey!
|
61 |
+
[364.920 --> 365.920] Hey!
|
62 |
+
[365.920 --> 366.920] Hey!
|
63 |
+
[366.920 --> 367.920] Hey!
|
64 |
+
[367.920 --> 368.920] Hey!
|
65 |
+
[368.920 --> 369.920] Hey!
|
66 |
+
[369.920 --> 372.380] It was a row of cars over here.
|
67 |
+
[372.380 --> 373.380] Hey!
|
68 |
+
[373.380 --> 374.380] Hey!
|
69 |
+
[374.380 --> 375.380] Hey!
|
70 |
+
[375.380 --> 376.380] Hey!
|
71 |
+
[376.380 --> 377.380] Where to put this?
|
72 |
+
[377.380 --> 378.380] Here's the thing.
|
73 |
+
[378.380 --> 380.380] We gotta take it by camera towards the road.
|
74 |
+
[380.380 --> 381.380] Oh!
|
75 |
+
[381.380 --> 383.380] I can't see you, buddy.
|
76 |
+
[383.380 --> 384.380] Hey!
|
77 |
+
[384.380 --> 385.380] He's a boy.
|
78 |
+
[385.380 --> 386.380] Hey!
|
79 |
+
[386.380 --> 387.380] He's a boy.
|
80 |
+
[387.380 --> 388.380] Hey!
|
81 |
+
[388.380 --> 389.380] Come on.
|
82 |
+
[389.380 --> 390.380] Hey.
|
83 |
+
[390.380 --> 391.380] Hey!
|
84 |
+
[391.380 --> 392.380] Hey!
|
85 |
+
[392.380 --> 393.380] Hey!
|
86 |
+
[393.380 --> 394.380] Hey!
|
87 |
+
[394.380 --> 395.380] Hey!
|
88 |
+
[395.380 --> 396.380] Hey!
|
89 |
+
[396.380 --> 397.380] Hey!
|
90 |
+
[397.380 --> 398.380] Hey!
|
91 |
+
[398.380 --> 399.380] Hey!
|
92 |
+
[399.380 --> 399.880] Hey!
|
93 |
+
[429.880 --> 431.620] So I put how I beat this
|
94 |
+
[433.160 --> 437.020] Huh now a couple of the에는
|
95 |
+
[437.420 --> 439.260] on that, BANGной
|
96 |
+
[439.460 --> 440.880] so i dont have the burning
|
97 |
+
[441.640 --> 444.340] cod
|
98 |
+
[445.320 --> 449.400] the title
|
99 |
+
[455.400 --> 458.380] I'm the player
|
100 |
+
[459.880 --> 467.580] You know we're doing開始 YouTube
|
101 |
+
[469.220 --> 470.500] Freak!
|
102 |
+
[471.880 --> 474.920] Steady as well
|
103 |
+
[489.880 --> 496.880] You gotta move in the demo here.
|
104 |
+
[496.880 --> 498.880] Money.
|
105 |
+
[498.880 --> 499.880] Maybe I'm bad.
|
106 |
+
[499.880 --> 500.880] Maybe the rain.
|
107 |
+
[500.880 --> 501.880] Hey.
|
108 |
+
[501.880 --> 503.880] Maybe the rain.
|
109 |
+
[503.880 --> 507.880] Maybe the money on all the money.
|
110 |
+
[507.880 --> 510.880] That's not the better than the love movement.
|
111 |
+
[510.880 --> 512.880] And when you think of the love movement,
|
112 |
+
[512.880 --> 514.880] you think of robber money.
|
113 |
+
[514.880 --> 516.880] Happy birthday money.
|
114 |
+
[516.880 --> 517.880] I love you.
|
115 |
+
[517.880 --> 519.880] I wouldn't be anywhere else tonight
|
116 |
+
[519.880 --> 522.880] than celebrating your birthday.
|
117 |
+
[522.880 --> 524.880] Happy birthday, Robert Money.
|
118 |
+
[524.880 --> 527.880] I just want you to know
|
119 |
+
[527.880 --> 529.880] that you've been damnedest son of a bitch.
|
120 |
+
[529.880 --> 531.880] I ain't gonna never see no more.
|
121 |
+
[531.880 --> 535.880] And I love you from the bottom of my heart.
|
122 |
+
[535.880 --> 539.880] And ain't nobody else gonna take that spot.
|
123 |
+
[539.880 --> 544.880] Robert Money, you are God's scent.
|
124 |
+
[544.880 --> 546.880] And I love you so much.
|
125 |
+
[546.880 --> 548.880] Happy birthday.
|
126 |
+
[552.880 --> 554.880] I'm gonna be baby.
|
127 |
+
[560.880 --> 563.880] Do you know how long I'm a tree here?
|
128 |
+
[563.880 --> 565.880] How long?
|
129 |
+
[565.880 --> 569.880] All the reason I'm a ghost.
|
130 |
+
[571.880 --> 575.880] You may ask me all these questions
|
131 |
+
[575.880 --> 579.880] but darling, no one knows.
|
132 |
+
[581.880 --> 586.880] It should be clear I really love you.
|
133 |
+
[586.880 --> 591.880] Don't ask me why I just do.
|
134 |
+
[591.880 --> 595.880] Do you ask the Lord who loves you?
|
135 |
+
[595.880 --> 600.880] Why do you think the sky is clear and blue?
|
136 |
+
[600.880 --> 605.880] It's the way it's the way it's your planet.
|
137 |
+
[605.880 --> 610.880] We will live in this state of good love.
|
138 |
+
[610.880 --> 615.880] It's just the way it is the way it's my planet.
|
139 |
+
[615.880 --> 621.880] Oh, don't ask me how long I love you.
|
140 |
+
[621.880 --> 626.880] When you go my heart aches,
|
141 |
+
[627.880 --> 631.880] I'll never, never leave you.
|
142 |
+
[633.880 --> 635.880] Girl, I'm not a bad dude.
|
143 |
+
[635.880 --> 642.880] You and me cause it's the way it's your planet.
|
144 |
+
[645.880 --> 648.880] Stayed here, boy.
|
145 |
+
[648.880 --> 652.880] It's the way it's your planet.
|
146 |
+
[657.880 --> 661.880] Don't fight it, baby.
|
147 |
+
[665.880 --> 668.880] I'm gonna live.
|
148 |
+
[671.880 --> 677.880] It should be clear I really love you.
|
149 |
+
[677.880 --> 682.880] Don't ask me why I just do.
|
150 |
+
[682.880 --> 687.880] It's the way it's your planet.
|
151 |
+
[687.880 --> 694.880] Like the stars and the sky and the beautiful heaven.
|
152 |
+
[700.880 --> 705.880] It's the way it's your planet.
|
153 |
+
[705.880 --> 710.880] Oh, don't worry.
|
154 |
+
[710.880 --> 715.880] Do you know why I'm late?
|
155 |
+
[715.880 --> 722.880] Something no one can explain.
|
156 |
+
[722.880 --> 731.880] We will live in this state of good love.
|
157 |
+
[731.880 --> 737.880] What does the power grow?
|
158 |
+
[737.880 --> 742.880] What does the river flow?
|
159 |
+
[742.880 --> 751.880] We will live in this state of good love.
|
160 |
+
[751.880 --> 755.880] I wanna say I have to go.
|
161 |
+
[755.880 --> 759.880] I'm a big brother, Robert Money.
|
162 |
+
[759.880 --> 762.880] You understand I only do he speaks from the spirit,
|
163 |
+
[762.880 --> 765.880] but he speaks from the soul.
|
164 |
+
[765.880 --> 768.880] He gives us fresh the mouth and gave us love.
|
165 |
+
[768.880 --> 771.880] They bow their heads and say, you know what?
|
166 |
+
[771.880 --> 774.880] Their brother is the seal.
|
167 |
+
[774.880 --> 777.880] You see somebody that's still showing you love.
|
168 |
+
[777.880 --> 779.880] You give them back.
|
169 |
+
[779.880 --> 781.880] They say no one's there.
|
170 |
+
[781.880 --> 782.880] We going on over.
|
171 |
+
[782.880 --> 784.880] We getting the new boy and baby.
|
172 |
+
[784.880 --> 785.880] We getting the teenager.
|
173 |
+
[785.880 --> 787.880] We getting the younger Joe.
|
174 |
+
[787.880 --> 789.880] We getting the father and the monsters.
|
175 |
+
[789.880 --> 792.880] That was the place.
|
176 |
+
[792.880 --> 795.880] And I'm proud to be a proud member.
|
177 |
+
[795.880 --> 798.880] I'm the river and I'm the only.
|
178 |
+
[798.880 --> 801.880] That's the new, the other love.
|
179 |
+
[801.880 --> 805.880] We got the other word.
|
180 |
+
[805.880 --> 806.880] I'm the only.
|
181 |
+
[806.880 --> 809.880] Then stay.
|
182 |
+
[809.880 --> 821.880] This is for being so dedicated and outstanding.
|
183 |
+
[821.880 --> 824.880] You've been hanging in there for years.
|
184 |
+
[824.880 --> 827.880] Stepping.
|
185 |
+
[827.880 --> 830.880] Y'all give it up for this young lady.
|
186 |
+
[830.880 --> 833.880] What we do, we uplift women now.
|
187 |
+
[833.880 --> 836.880] We don't step on the net.
|
188 |
+
[836.880 --> 838.880] Mr. Lee.
|
189 |
+
[838.880 --> 839.880] Gaggen Ditchett.
|
190 |
+
[839.880 --> 842.880] Gaggen is from the next round of the world.
|
191 |
+
[842.880 --> 844.880] She's been singing all around the country.
|
192 |
+
[844.880 --> 846.880] She has a beautiful voice.
|
193 |
+
[846.880 --> 848.880] She'll do some for y'all tonight.
|
194 |
+
[848.880 --> 854.880] She's a lovely young lady right here.
|
195 |
+
[854.880 --> 855.880] Queen Cleo.
|
196 |
+
[855.880 --> 859.880] She's a young lady that was out there, changed her life,
|
197 |
+
[859.880 --> 861.880] and now she's in her time.
|
198 |
+
[861.880 --> 863.880] Now, take it.
|
199 |
+
[863.880 --> 864.880] Take it.
|
200 |
+
[864.880 --> 865.880] Everybody.
|
201 |
+
[865.880 --> 867.880] Here's your moral.
|
202 |
+
[867.880 --> 868.880] All right.
|
203 |
+
[868.880 --> 870.880] Thank you young lady.
|
204 |
+
[870.880 --> 871.880] All right.
|
205 |
+
[871.880 --> 874.880] We recognize everybody.
|
206 |
+
[874.880 --> 875.880] This boy lives out anywhere,
|
207 |
+
[875.880 --> 877.880] because he doesn't last long for all the men.
|
208 |
+
[877.880 --> 881.640] A-N-A,
|
209 |
+
[881.640 --> 885.140] MRTNA TERROR.
|
210 |
+
[888.140 --> 893.140] And you always do it.
|
211 |
+
[893.140 --> 893.880] Tina Farman.
|
212 |
+
[893.880 --> 900.880] стро in your well- Fuckin butt out of préparation.
|
213 |
+
[900.880 --> 902.880] And you're not feeling right now.
|
214 |
+
[902.880 --> 904.880] And I'll see you in the next video.
|
215 |
+
[904.880 --> 905.880] Wow!
|
216 |
+
[905.880 --> 907.880] We did well.
|
217 |
+
[907.880 --> 908.880] We did well.
|
218 |
+
[908.880 --> 911.880] And we're going to go to the moon.
|
219 |
+
[911.880 --> 913.880] Go to the moon.
|
220 |
+
[913.880 --> 915.880] Go to the moon.
|
221 |
+
[915.880 --> 917.880] Go to the moon.
|
222 |
+
[917.880 --> 918.880] Look at this.
|
223 |
+
[918.880 --> 920.880] Look at the moon.
|
224 |
+
[920.880 --> 922.880] Look at the moon.
|
225 |
+
[922.880 --> 924.880] Look at the moon.
|
226 |
+
[924.880 --> 926.880] Look at the moon.
|
227 |
+
[926.880 --> 927.880] Look at the moon.
|
228 |
+
[927.880 --> 929.880] Thank you very much.
|
229 |
+
[929.880 --> 931.880] Thank you.
|
230 |
+
[931.880 --> 932.880] Thank you.
|
231 |
+
[932.880 --> 933.880] Money, money, money, money.
|
232 |
+
[933.880 --> 943.880] It's an honor to receive little awards at this fall and we shot money.
|
233 |
+
[943.880 --> 946.880] The share is saved with my brother.
|
234 |
+
[946.880 --> 948.880] I love you like that.
|
235 |
+
[948.880 --> 949.880] The piece of stuff.
|
236 |
+
[949.880 --> 952.880] They are chatted all over the wall.
|
237 |
+
[952.880 --> 955.880] And my girl got deserve a award.
|
238 |
+
[955.880 --> 957.880] Also, we're going to remember you two.
|
239 |
+
[957.880 --> 958.880] Where is your hand?
|
240 |
+
[958.880 --> 960.880] And you just don't get it.
|
241 |
+
[960.880 --> 966.880] So thank you, you're here for your all the love and from man, all your past.
|
242 |
+
[966.880 --> 969.880] All the love you want to love you right by day.
|
243 |
+
[969.880 --> 971.880] And they get into war.
|
244 |
+
[971.880 --> 974.880] I'm just, I'm just, I'm just not getting into the world.
|
245 |
+
[974.880 --> 976.880] I'm just not getting into the world.
|
246 |
+
[976.880 --> 977.880] I love you man.
|
247 |
+
[977.880 --> 979.880] Don't you love you all for nothing.
|
248 |
+
[979.880 --> 982.880] I can't even tell you what we're doing in this place.
|
249 |
+
[982.880 --> 983.880] Not the heck.
|
250 |
+
[983.880 --> 986.880] This is a real Hollywood next to you.
|
251 |
+
[986.880 --> 988.880] The real Hollywood next to you.
|
252 |
+
[988.880 --> 989.880] Hollywood.
|
253 |
+
[995.880 --> 996.880] Hollywood.
|
254 |
+
[998.880 --> 1002.880] Hollywood, V Max World, make some noise.
|
255 |
+
[1004.880 --> 1006.880] Thank you so much Robert.
|
256 |
+
[1006.880 --> 1010.880] I love you from the bottom of my heart.
|
257 |
+
[1010.880 --> 1012.880] Where you know what?
|
258 |
+
[1012.880 --> 1014.880] God, what are you?
|
259 |
+
[1014.880 --> 1015.880] Hallelujah.
|
260 |
+
[1015.880 --> 1019.880] That's right, that's all the palace.
|
261 |
+
[1019.880 --> 1021.880] And thank you so very much.
|
262 |
+
[1021.880 --> 1025.880] And baby, see that man right there?
|
263 |
+
[1025.880 --> 1026.880] Yeah.
|
264 |
+
[1026.880 --> 1030.880] When I was homeless, you came and got me.
|
265 |
+
[1030.880 --> 1036.880] And truly, all the way in woodwoods, a place in the street.
|
266 |
+
[1036.880 --> 1039.880] Thank you for being with me.
|
267 |
+
[1039.880 --> 1040.880] Still, baby.
|
268 |
+
[1040.880 --> 1041.880] I thank you.
|
269 |
+
[1041.880 --> 1042.880] Hallelujah.
|
270 |
+
[1042.880 --> 1045.880] And you haven't seen a lot of new testimonies.
|
271 |
+
[1045.880 --> 1050.880] I can see the platform and God is using before and us, all of us.
|
272 |
+
[1050.880 --> 1055.880] No matter what you do, keep God first in your way.
|
273 |
+
[1055.880 --> 1056.880] Okay?
|
274 |
+
[1056.880 --> 1057.880] Show time.
|
275 |
+
[1057.880 --> 1059.880] Are you ready?
|
276 |
+
[1059.880 --> 1061.880] Is that everybody?
|
277 |
+
[1061.880 --> 1062.880] That's everybody, so.
|
278 |
+
[1073.880 --> 1075.880] Coming to the stage right now.
|
279 |
+
[1075.880 --> 1077.880] Put your hands in here number four.
|
280 |
+
[1077.880 --> 1081.880] Brand Master.
|
281 |
+
[1089.880 --> 1094.880] Every bird in the room, time, Mr. Wabble Bunny.
|
282 |
+
[1094.880 --> 1099.880] We've got the steps in the house, we've got the steps in the water.
|
283 |
+
[1102.880 --> 1105.880] And we've got the steps in the water.
|
284 |
+
[1105.880 --> 1108.880] And we've got the steps in the water.
|
285 |
+
[1108.880 --> 1111.880] And we've got the steps in the water.
|
286 |
+
[1111.880 --> 1114.880] And we've got the steps in the water.
|
287 |
+
[1114.880 --> 1117.880] And we've got the steps in the water.
|
288 |
+
[1117.880 --> 1120.880] And we've got the steps in the water.
|
289 |
+
[1120.880 --> 1123.880] And we've got the steps in the water.
|
290 |
+
[1123.880 --> 1125.880] And we've got the steps in the water.
|
291 |
+
[1125.880 --> 1128.880] And we've got the steps in the water.
|
292 |
+
[1128.880 --> 1131.880] And we've got the steps in the water.
|
293 |
+
[1131.880 --> 1134.880] Brand Master, while we've got the steps,
|
294 |
+
[1136.880 --> 1139.880] we'll go back to the house,
|
295 |
+
[1139.880 --> 1141.880] and the door will open if we want.
|
296 |
+
[1141.880 --> 1142.880] Okay?
|
297 |
+
[1142.880 --> 1144.880] Is that quite a problem, Lorette?
|
298 |
+
[1144.880 --> 1147.880] I have to say I've been holding onto myself,
|
299 |
+
[1147.880 --> 1151.880] have you had the steps quicker than outside of the house,
|
300 |
+
[1151.880 --> 1152.880] is empty?
|
301 |
+
[1152.880 --> 1153.880] Right?
|
302 |
+
[1153.880 --> 1155.880] It's quite discussed.
|
303 |
+
[1155.880 --> 1158.880] But I feel a lot, because you look it great,
|
304 |
+
[1158.880 --> 1159.440] You know, you are always the man
|
305 |
+
[1159.440 --> 1160.880] who hold my hand.
|
306 |
+
[1160.880 --> 1165.280] I'm not around, you're trying to convince her
|
307 |
+
[1165.280 --> 1168.160] But never know if you're not
|
308 |
+
[1168.160 --> 1174.320] My love, decision
|
309 |
+
[1174.320 --> 1181.600] Grab your money, I really like to say happy market to you
|
310 |
+
[1181.600 --> 1186.400] Happy birthday to you
|
311 |
+
[1186.400 --> 1193.680] Happy birthday to you
|
312 |
+
[1193.680 --> 1198.160] Happy birthday to you
|
313 |
+
[1198.160 --> 1203.520] Happy birthday to you
|
314 |
+
[1203.520 --> 1208.560] And there's no way in this world
|
315 |
+
[1208.560 --> 1213.280] See my sunshine has gone
|
316 |
+
[1213.280 --> 1219.040] Through the wind I'm on my way
|
317 |
+
[1219.040 --> 1224.080] And there's no worries in this cloud
|
318 |
+
[1224.080 --> 1228.640] There's no past
|
319 |
+
[1228.640 --> 1232.240] No one has heard
|
320 |
+
[1232.240 --> 1236.880] It's written on the back wall
|
321 |
+
[1236.960 --> 1240.400] And a rich child
|
322 |
+
[1240.400 --> 1244.720] Her whole experience of destiny
|
323 |
+
[1244.720 --> 1252.000] Is just a used of hope
|
324 |
+
[1252.000 --> 1255.200] Ah
|
325 |
+
[1255.200 --> 1258.960] Hey, anybody can live with your feet
|
326 |
+
[1258.960 --> 1262.800] It shows on your face
|
327 |
+
[1262.800 --> 1265.280] You see that's my house
|
328 |
+
[1265.280 --> 1271.280] You used to wear a table with a bit of a play
|
329 |
+
[1271.280 --> 1276.480] Oh
|
330 |
+
[1276.480 --> 1278.480] Hold on
|
331 |
+
[1278.480 --> 1280.880] In time
|
332 |
+
[1280.880 --> 1284.080] You see it, get out of the door
|
333 |
+
[1284.080 --> 1285.280] Oh
|
334 |
+
[1285.280 --> 1287.920] Get her eyes to swing
|
335 |
+
[1287.920 --> 1289.040] Make a lady sing
|
336 |
+
[1289.040 --> 1290.480] And act like a bit of death
|
337 |
+
[1290.480 --> 1292.640] Everything I make move
|
338 |
+
[1292.640 --> 1294.000] I've never learned
|
339 |
+
[1294.000 --> 1296.800] A big money is a tool
|
340 |
+
[1296.800 --> 1299.440] I'm the man you choose
|
341 |
+
[1299.440 --> 1300.800] Me and you
|
342 |
+
[1300.800 --> 1302.000] On the cruise
|
343 |
+
[1302.000 --> 1304.480] And what we do between you
|
344 |
+
[1304.480 --> 1307.040] Make that money what you should do
|
345 |
+
[1307.040 --> 1309.120] Show you how to do it baby
|
346 |
+
[1309.120 --> 1311.840] Baby I'm gonna take you to school, baby
|
347 |
+
[1311.840 --> 1315.520] I'm your daddy, I'm that man
|
348 |
+
[1315.520 --> 1318.160] And I can't hear from some right
|
349 |
+
[1318.160 --> 1319.520] In me T
|
350 |
+
[1319.520 --> 1322.160] Nana Lang, step daddy
|
351 |
+
[1322.160 --> 1324.800] I'm that hustler, I'm that pimp
|
352 |
+
[1324.800 --> 1326.000] That's your wife
|
353 |
+
[1326.000 --> 1327.280] But that's my bitch
|
354 |
+
[1327.280 --> 1330.800] Cause I keep it real and man yeah
|
355 |
+
[1330.800 --> 1332.000] Yeah
|
356 |
+
[1332.000 --> 1334.000] Yeah
|
357 |
+
[1334.000 --> 1335.200] I say lie
|
358 |
+
[1335.200 --> 1336.800] I don't ask you lie
|
359 |
+
[1336.800 --> 1339.360] Cause the rules are feel but die
|
360 |
+
[1339.360 --> 1340.800] Approach it
|
361 |
+
[1340.800 --> 1342.000] No one exists
|
362 |
+
[1342.000 --> 1344.000] And no such thing is that
|
363 |
+
[1344.000 --> 1345.680] If it's go in
|
364 |
+
[1345.760 --> 1347.200] I'm full of speed
|
365 |
+
[1347.200 --> 1349.200] Yeah baby you feel it
|
366 |
+
[1349.200 --> 1350.720] Feel it
|
367 |
+
[1350.720 --> 1352.240] Yeah
|
368 |
+
[1352.240 --> 1353.440] Yeah
|
369 |
+
[1353.440 --> 1354.640] They look like you feel it
|
370 |
+
[1354.640 --> 1355.440] Baby
|
371 |
+
[1355.440 --> 1356.640] So rest on
|
372 |
+
[1356.640 --> 1357.680] Uncle Rob and money
|
373 |
+
[1357.680 --> 1358.640] Happy birthday man
|
374 |
+
[1358.640 --> 1359.520] I love you
|
375 |
+
[1359.520 --> 1361.920] Thanks for everything that you ever done for me
|
376 |
+
[1361.920 --> 1363.280] And you be treating everybody right
|
377 |
+
[1363.280 --> 1364.800] It's time for you to be treated right
|
378 |
+
[1364.800 --> 1366.080] So I'm very lucky king
|
379 |
+
[1366.080 --> 1367.680] Happy birthday Uncle Money
|
380 |
+
[1375.680 --> 1377.680] You're so beautiful
|
381 |
+
[1377.680 --> 1379.680] You're so beautiful
|
382 |
+
[1379.680 --> 1380.800] You're so beautiful
|
383 |
+
[1380.800 --> 1382.800] You said you didn't get that wrong
|
384 |
+
[1382.800 --> 1384.800] You're so beautiful
|
385 |
+
[1384.800 --> 1386.800] Well, voice wouldn't think right
|
386 |
+
[1386.800 --> 1388.800] Yeah
|
387 |
+
[1388.800 --> 1390.800] Yeah
|
388 |
+
[1390.800 --> 1392.800] Yeah
|
389 |
+
[1392.800 --> 1396.800] Everybody plays fool
|
390 |
+
[1396.800 --> 1398.800] Sometimes
|
391 |
+
[1398.800 --> 1400.800] No such thing is you
|
392 |
+
[1400.800 --> 1403.680] Listen baby
|
393 |
+
[1403.680 --> 1405.680] Baby
|
394 |
+
[1405.680 --> 1407.680] Baby
|
395 |
+
[1407.680 --> 1409.680] So
|
396 |
+
[1409.680 --> 1411.680] You
|
397 |
+
[1411.680 --> 1413.680] Everybody plays fool
|
398 |
+
[1413.680 --> 1415.680] You're so beautiful
|
399 |
+
[1415.680 --> 1417.680] Don't walk in front of me
|
400 |
+
[1417.680 --> 1421.680] Cause I say easy things to do
|
401 |
+
[1421.680 --> 1423.680] Cause won't get a beat
|
402 |
+
[1423.680 --> 1425.680] Cause you won't get a beat
|
403 |
+
[1425.680 --> 1427.680] Cause I love you
|
404 |
+
[1427.680 --> 1429.680] You're so beautiful
|
405 |
+
[1429.680 --> 1431.680] No i ain't not
|
406 |
+
[1431.680 --> 1433.680] When I see
|
407 |
+
[1433.680 --> 1451.680] 激 af schered
|
408 |
+
[1451.680 --> 1453.680] No i ain t want you
|
409 |
+
[1453.680 --> 1455.680] Turn your water
|
410 |
+
[1485.680 --> 1492.440] Oh, oh, I did, I'm not just playing the apple game
|
411 |
+
[1492.440 --> 1495.120] I never cried, when he did
|
412 |
+
[1495.120 --> 1498.800] That star was about to fly
|
413 |
+
[1501.140 --> 1507.040] You have run and hate, you don't tell
|
414 |
+
[1507.040 --> 1510.660] You would haunt just like the truth
|
415 |
+
[1510.660 --> 1516.660] Listen baby, now tell me this was true
|
416 |
+
[1516.660 --> 1521.660] I'm alive, everybody live through
|
417 |
+
[1521.660 --> 1527.660] Listen baby, everybody live through
|
418 |
+
[1527.660 --> 1530.660] Everybody live through
|
419 |
+
[1530.660 --> 1536.660] No section to move, nothing to move
|
420 |
+
[1536.660 --> 1541.660] I should be the proof, go to time and night
|
421 |
+
[1541.660 --> 1546.660] Everybody plays the fool, come on let's go
|
422 |
+
[1546.660 --> 1550.660] Everybody play the fool, I wanna die
|
423 |
+
[1550.660 --> 1554.660] Listen baby, now tell me this was true
|
424 |
+
[1554.660 --> 1558.660] No section to move, nothing to move
|
425 |
+
[1558.660 --> 1561.660] Baby, got you baby, who?
|
426 |
+
[1561.660 --> 1565.660] I'm alive, everybody play the fool
|
427 |
+
[1565.660 --> 1568.660] I wanna be the proof, hey!
|
428 |
+
[1568.660 --> 1571.660] I wanna be the proof, hey!
|
429 |
+
[1571.660 --> 1573.660] Let's go, baby
|
430 |
+
[1573.660 --> 1576.660] I wanna be the proof
|
431 |
+
[1579.660 --> 1582.660] Now I'm gonna go this way
|
432 |
+
[1582.660 --> 1585.660] Come on
|
433 |
+
[1590.660 --> 1592.660] One more time, we gonna stay together
|
434 |
+
[1592.660 --> 1594.660] Oh, it's getting on, come on, go
|
435 |
+
[1622.660 --> 1627.660] Bring one more shield, let's be the truth
|
436 |
+
[1627.660 --> 1629.660] Let's be the truth
|
437 |
+
[1629.660 --> 1634.660] Now I'm gonna wait and die with the breeze
|
438 |
+
[1634.660 --> 1639.660] I don't even know what's wrong with saying
|
439 |
+
[1639.660 --> 1645.660] Oh, I know, I know, I know, I know
|
440 |
+
[1645.660 --> 1652.660] I love you, I love you, I love you, baby
|
441 |
+
[1652.660 --> 1656.660] La la la la la la la la la la la la
|
442 |
+
[1656.660 --> 1662.660] It's all I love you
|
443 |
+
[1664.660 --> 1668.660] That is a fool, I love you
|
444 |
+
[1668.660 --> 1670.660] I wanna be the proof, hey!
|
445 |
+
[1670.660 --> 1673.660] I wanna be the proof, hey!
|
446 |
+
[1673.660 --> 1678.660] I'm home, I said I'm home to my heart
|
447 |
+
[1678.660 --> 1682.660] I'm home to my heart, I'm home to my child
|
448 |
+
[1682.660 --> 1685.660] You're the proof, baby
|
449 |
+
[1685.660 --> 1688.660] You're the proof, hey!
|
450 |
+
[1688.660 --> 1692.660] Let all my sins are to you
|
451 |
+
[1692.660 --> 1698.660] And the way I'm supposed to go
|
452 |
+
[1699.660 --> 1706.660] Oh, I know, I know, I know, I know
|
453 |
+
[1706.660 --> 1723.660] I love you, I love you, I love you, yeah!
|
454 |
+
[1728.660 --> 1749.360] Yeah
|
455 |
+
[1752.620 --> 1757.500] Yeah
|
456 |
+
[1758.660 --> 1766.660] I love you
|
457 |
+
[1766.660 --> 1770.660] I love you
|
458 |
+
[1770.660 --> 1775.660] I love you
|
459 |
+
[1775.660 --> 1779.660] I love you
|
460 |
+
[1779.660 --> 1784.660] I love you
|
461 |
+
[1784.660 --> 1788.660] I love you
|
462 |
+
[1796.660 --> 1799.660] Can't wait to see you
|
463 |
+
[1799.660 --> 1800.660] I'll be alone
|
464 |
+
[1830.660 --> 1860.660] Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
|
465 |
+
[1860.660 --> 1876.800] The
|
466 |
+
[1890.660 --> 1892.660] I'm not getting low playin'
|
467 |
+
[1892.660 --> 1893.660] I'm just tryin' to take a look
|
468 |
+
[1893.660 --> 1894.660] I'm just getting low
|
469 |
+
[1894.660 --> 1895.660] I'm just gettin' low
|
470 |
+
[1895.660 --> 1896.660] I'm just gettin' low
|
471 |
+
[1896.660 --> 1897.660] I'm just gettin' low
|
472 |
+
[1897.660 --> 1898.660] I'm just gettin' mess with you
|
473 |
+
[1898.660 --> 1899.660] And watch it make me see
|
474 |
+
[1899.660 --> 1901.660] I owe you a bit of something
|
475 |
+
[1901.660 --> 1902.660] You know, you know, you know
|
476 |
+
[1902.660 --> 1903.660] You know, you know, you know
|
477 |
+
[1903.660 --> 1904.660] Cause you're girl with me
|
478 |
+
[1904.660 --> 1906.660] You're too, lookin' at tables up
|
479 |
+
[1906.660 --> 1907.660] And look what you see
|
480 |
+
[1907.660 --> 1909.660] And it's candy, players want them as a home play
|
481 |
+
[1909.660 --> 1911.660] So I'm a bit of a scab, but the asser maybe
|
482 |
+
[1911.660 --> 1913.660] You can't just go, you need money
|
483 |
+
[1913.660 --> 1914.660] Make it home, make it home
|
484 |
+
[1914.660 --> 1915.660] Make it as you flush too many hits
|
485 |
+
[1915.660 --> 1916.660] To the toilet
|
486 |
+
[1916.660 --> 1918.660] I'm not getting low
|
487 |
+
[1918.660 --> 1920.660] Hey, it's a big no-play
|
488 |
+
[1920.660 --> 1922.660] Hey, it's a big no-play
|
489 |
+
[1922.660 --> 1924.660] Hey, it's a big no-play
|
490 |
+
[1924.660 --> 1926.660] Hey, it's a big no-play
|
491 |
+
[1926.660 --> 1928.660] Hey, it's a big no-play
|
492 |
+
[1928.660 --> 1930.660] Hey, it's a big no-play
|
493 |
+
[1930.660 --> 1933.660] Remember, take a sip and play a hit
|
494 |
+
[1933.660 --> 1934.660] Grab your nickel, grab your nickel
|
495 |
+
[1934.660 --> 1936.660] So you're getting short
|
496 |
+
[1936.660 --> 1938.660] And hit it's a big no-play
|
497 |
+
[1938.660 --> 1941.660] You feel so hot, hangin' no-play
|
498 |
+
[1941.660 --> 1943.660] Listen up all you need
|
499 |
+
[1943.660 --> 1945.660] Don't take, get a remit
|
500 |
+
[1945.660 --> 1952.540] 3 video and editing service
|
501 |
+
[1952.540 --> 1954.380] and photography too
|
502 |
+
[1954.380 --> 1956.380] Number one in the Midwest
|
503 |
+
[2395.660 --> 2397.660] was secondary
|
504 |
+
[2425.660 --> 2427.660] you
|
505 |
+
[2455.660 --> 2457.660] you
|
506 |
+
[2485.660 --> 2487.660] you
|
507 |
+
[2515.660 --> 2517.660] you
|
508 |
+
[2545.660 --> 2547.660] you
|
509 |
+
[2575.660 --> 2577.660] you
|
510 |
+
[2605.660 --> 2607.660] you
|
511 |
+
[2635.660 --> 2637.660] you
|
512 |
+
[2665.660 --> 2667.660] you
|
513 |
+
[2695.660 --> 2697.660] you
|
514 |
+
[2725.660 --> 2727.660] you
|
515 |
+
[2755.660 --> 2757.660] you
|
516 |
+
[2785.660 --> 2787.660] you
|
517 |
+
[2815.660 --> 2817.660] you
|
518 |
+
[2845.660 --> 2847.660] you
|
519 |
+
[2875.660 --> 2877.660] you
|
520 |
+
[2905.660 --> 2907.660] you
|
521 |
+
[2935.660 --> 2937.660] you
|
522 |
+
[2965.660 --> 2967.660] you
|
523 |
+
[2995.660 --> 2997.660] you
|
524 |
+
[3025.660 --> 3027.660] you
|
525 |
+
[3055.660 --> 3057.660] you
|
526 |
+
[3085.660 --> 3087.660] you
|
527 |
+
[3115.660 --> 3117.660] you
|
528 |
+
[3145.660 --> 3147.660] you
|
529 |
+
[3175.660 --> 3177.660] you
|
530 |
+
[3205.660 --> 3207.660] you
|
531 |
+
[3235.660 --> 3237.660] you
|
532 |
+
[3265.660 --> 3267.660] you
|
533 |
+
[3295.660 --> 3297.660] you
|
534 |
+
[3325.660 --> 3327.660] you
|
transcript/award_CI8SSQwwulk.txt
ADDED
@@ -0,0 +1,91 @@
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1 |
+
[0.000 --> 8.320] Welcome back to Animal Crossing. Our next guest is an expert in reading body language
|
2 |
+
[8.320 --> 12.080] and discovered that some of the celebrities weren't quite telling the truth at last Sunday's
|
3 |
+
[12.080 --> 15.720] Grammy Awards. So here with all the details we welcome back to behavioral investigator
|
4 |
+
[15.720 --> 18.000] for NASA Van Edwards. Nice to have you back.
|
5 |
+
[18.000 --> 22.200] Thanks, I'm excited. Let's start with Chris Brown because he was in a car accident and Ryan
|
6 |
+
[22.200 --> 26.560] Seacriss asked him about it and it didn't look like to some people that maybe he was being
|
7 |
+
[26.560 --> 30.680] honest. Here was his pose and I you tell us was he telling the truth about this being a
|
8 |
+
[30.680 --> 35.040] paparazzi? I was excited to see this because his accident happened less than 24 hours
|
9 |
+
[35.040 --> 39.880] of the Grammys and here he comes and he's covering his vital organs as we can see and
|
10 |
+
[39.880 --> 46.160] he's sort of his shoulders are down. This is the classic guilty child pose. When kids are
|
11 |
+
[46.160 --> 49.960] caught they typically will do this because they're like, oh I've been caught. I'm a little
|
12 |
+
[49.960 --> 54.000] big guilty. So he instantly goes into it before the interview even starts and I'm going
|
13 |
+
[54.000 --> 59.880] to be asking about it because it was all over the papers that the paparazzi caused him
|
14 |
+
[59.880 --> 64.320] to crash his car into a wall. I happen to see that. The red carpet interview with Ryan
|
15 |
+
[64.320 --> 68.800] Seacriss and I thought Vanessa would say he's lying or he doesn't because he didn't want
|
16 |
+
[68.800 --> 73.160] to talk about it and he would normally say yeah the paparazzi pushed me into the wall.
|
17 |
+
[73.160 --> 76.160] And the other thing I noticed that you've told us about the past he's got his lips or
|
18 |
+
[76.160 --> 80.040] pierced clothes. Yes. So there's three things. Oh, Helen.
|
19 |
+
[80.040 --> 85.080] I love it. All right. So first he shows this guilty pose and my first red flag goes up
|
20 |
+
[85.080 --> 89.120] through the rules usually three red flags. Then as soon as Ryan Seacriss goes, you know,
|
21 |
+
[89.120 --> 93.400] I want to ask you about that accent. He starts to purse his lips which means he's holding
|
22 |
+
[93.400 --> 97.600] back, get a little bit nervous, he's rubbing his lips and then he starts to do this like
|
23 |
+
[97.600 --> 103.360] weird thing or that is literally his body is. He kind of goes like he like it almost
|
24 |
+
[103.360 --> 107.600] like he was stepping back. He was like he could see the nerves were just funneling through
|
25 |
+
[107.600 --> 112.440] his body and then he starts to explain oh yeah, you know, a car the car accident and
|
26 |
+
[112.440 --> 117.080] then the paparazzi and he does that one side of shoulder shrug as soon as he says paparazzi
|
27 |
+
[117.080 --> 123.040] and that was the kiss of death. That one side of shoulder shrug is one of the most stereotypically
|
28 |
+
[123.040 --> 126.880] statistical clues to the state. So usually people do it. It means they're lying. You're
|
29 |
+
[126.880 --> 131.720] kicked off of every jury you've ever been called. I've always. Yeah. As soon as I say
|
30 |
+
[131.720 --> 136.960] what I do they're like a jury member seven. We'd like to excuse her out. Now Paris
|
31 |
+
[136.960 --> 141.480] Hill. Similar poses with Paris Hilton. Yes. Okay. So see the same pose as right when
|
32 |
+
[141.480 --> 146.880] Paris Hilton was released from jail. This little I was guilty. I am so sorry pose. So you
|
33 |
+
[146.880 --> 151.000] can see it. The same pose that Chris Brown made a lot of celebrity inmates when they leave
|
34 |
+
[151.000 --> 155.320] jail and Zillohan makes that pose because it's a classic guilty pose. Wow. Love that.
|
35 |
+
[155.320 --> 159.120] Okay. Now Tray songs also interviewed by Ryan Seacriss on the red carpet. I actually
|
36 |
+
[159.120 --> 164.520] don't know. I was sorry. Julianne. Yes. I think he is adorable. Yeah. He is so cute.
|
37 |
+
[164.520 --> 169.500] He he mentioned that he had a crush on Kelly Rowland. Yes. So he was real calm in the first
|
38 |
+
[169.500 --> 173.760] part of the interview. Lots of smiles. And then as soon as Julianne goes you know I want
|
39 |
+
[173.760 --> 177.720] to ask you about something you said he puts his hands up to his lips which is usually
|
40 |
+
[177.720 --> 181.860] nerves and we do this when we don't want it literally say no evil right. He's being
|
41 |
+
[181.860 --> 186.960] illegal. So he puts it up and I go oh he's nervous. And then he and then she says well do
|
42 |
+
[186.960 --> 190.660] you have a crush on Kelly Rowland. You said that after the soup bowl and he brings his
|
43 |
+
[190.660 --> 194.640] hand down and he goes right back in the natural and he goes yeah I think she's a great girl.
|
44 |
+
[194.640 --> 198.880] She's a kind soul. And so he shows the same body language so I think he really does have
|
45 |
+
[198.880 --> 204.640] a crush on her. That's not media hype. That's true. Adele Adele wins and seems surprised
|
46 |
+
[204.640 --> 210.600] what she really hears look. So look at that look at that face. So this is actually surprise
|
47 |
+
[210.600 --> 216.000] or goose. This is surprise shocked. Yeah. Right. So you know I always love to look at who's
|
48 |
+
[216.000 --> 219.040] going to be really surprised if they won or not. A lot of people ask me know are they
|
49 |
+
[219.040 --> 223.000] staged or they are they faked. People know what they're winning. She did not know. I mean
|
50 |
+
[223.000 --> 228.600] this is like utter shock when your mouth drops your loose jaw and your eyebrows go up.
|
51 |
+
[228.600 --> 232.080] That is complete surprise and talk. So she had no idea she was going I think she thought
|
52 |
+
[232.080 --> 236.200] that last year was her year. She went a lot of Grammys last year this year she was out.
|
53 |
+
[236.200 --> 238.840] And so I was really pleased that she was so surprised. I'm going to guess if she thought
|
54 |
+
[238.840 --> 240.800] she's going to win she would have worn a different dress. Yeah.
|
55 |
+
[240.800 --> 249.880] You didn't hear from me. You didn't hear from me. She also was sweet and went over to
|
56 |
+
[249.880 --> 254.120] Rihanna when she won you know and yeah you know said sorry about that or whatever she said
|
57 |
+
[254.120 --> 258.520] but it seemed like she was just being respectful to Rihanna. She really I think thought it wasn't
|
58 |
+
[258.520 --> 261.680] her year. I think she thought it was not I given up my turn at someone else's turn.
|
59 |
+
[261.680 --> 264.200] So I think it was really sweet actually to see that kind of surprise.
|
60 |
+
[264.200 --> 270.600] Yellow cool J hosted. Yeah. Do you think he was excited to be there happy to be hosting?
|
61 |
+
[270.600 --> 272.920] What do you think? I think for the most part he did a really good job but there was
|
62 |
+
[272.920 --> 277.520] something that I'm pretty sure he was uncomfortable with and it was that clip they showed of him
|
63 |
+
[277.520 --> 281.240] at American bandstand with a Clark. Oh good park. Yeah. And it was a little embarrassing.
|
64 |
+
[281.240 --> 286.120] I mean he has his hair a little weird and and he they show they pan back to him and he
|
65 |
+
[286.120 --> 290.840] does what's called a ventilator. He has his he's pulling out his tie from his neck and
|
66 |
+
[290.840 --> 294.360] people do this when they're nervous because the blood rushes to their skin when they're
|
67 |
+
[294.360 --> 299.200] feeling adrenaline or nerves. So he was actually caught right before the camera trying to
|
68 |
+
[299.200 --> 303.840] ventilate get some air also the super sternal notch is this notch right here is what we do
|
69 |
+
[303.840 --> 308.280] more feeling uncomfortable. So people often men will touch their ties which rest over
|
70 |
+
[308.280 --> 312.400] their not. So I see women do this a lot. It's it's usually because they're trying to self
|
71 |
+
[312.400 --> 316.240] self comfort a little bit nervous. You're stressing them out. Yeah. Yeah. Yeah.
|
72 |
+
[316.240 --> 320.720] Right. Yeah. So it was carry underwood surprised by her win. Okay. So this is interesting.
|
73 |
+
[320.720 --> 324.760] I would have expected that Carrie would have been surprised. Not at all. She did not
|
74 |
+
[324.760 --> 328.760] show one ounce of surprise. In fact, she just showed relief. Yeah. Which is a very different
|
75 |
+
[328.760 --> 333.800] thing. So when they announced her, she kind of went and did that like long breath out.
|
76 |
+
[333.800 --> 337.160] You can see she's in the middle of it now in that picture. This is interesting because
|
77 |
+
[337.160 --> 341.640] I think that there was a lot of pressure on her to win this award. I think she had an
|
78 |
+
[341.640 --> 345.080] inkling. She was going to win and she was nervous about winning it because she wanted
|
79 |
+
[345.080 --> 348.880] to make sure she did. So she didn't show any surprise at all. She was relieved.
|
80 |
+
[348.880 --> 354.120] Frank Ocean. Well, Frank Ocean won and we all know Chris Brown is not a fan of Frank
|
81 |
+
[354.120 --> 358.880] Ocean. They had a fight not that long ago in a parking lot and tell us about what happened
|
82 |
+
[358.880 --> 362.280] here. Okay. So first two things, right? They have all the guys up who are up for I think
|
83 |
+
[362.280 --> 366.800] it was urban contemporary artists. They have all the guys up and they know it's okay.
|
84 |
+
[366.800 --> 371.160] Frank Ocean is a winner and Frank Ocean looks surprised. You know who looked more surprised
|
85 |
+
[371.160 --> 374.960] with Chris Brown. Chris Brown showed open mouth surprise, which is not a good thing.
|
86 |
+
[374.960 --> 379.440] You don't want to be like he expected to win. He expected to win and he definitely didn't
|
87 |
+
[379.440 --> 383.480] expect Frank Ocean to win. So that was the first red flag. And then everyone else stands
|
88 |
+
[383.480 --> 387.600] up for Frank Ocean. You can see in the picture the only one sitting is Chris Brown. That
|
89 |
+
[387.600 --> 392.040] was the flag. That was even beyond body language completely. All too much body language display
|
90 |
+
[392.040 --> 396.080] of I don't know. You are good. We have to have you back soon. Thanks for being here today.
|
91 |
+
[396.080 --> 396.600] We appreciate it.
|
transcript/award_Fzn_AKN67oI.txt
ADDED
@@ -0,0 +1,47 @@
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|
1 |
+
[0.000 --> 2.900] Zhou Shi Ni is not here.
|
2 |
+
[2.900 --> 6.180] Physician Lu Liuyang is the regular patient.
|
3 |
+
[6.180 --> 9.020] Alright, I'll show you.
|
4 |
+
[9.020 --> 10.660] This is you.
|
5 |
+
[10.660 --> 11.860] Please go on.
|
6 |
+
[11.860 --> 12.680] Thanks.
|
7 |
+
[12.680 --> 13.760] Just a moment.
|
8 |
+
[13.760 --> 14.680] Come on!
|
9 |
+
[14.680 --> 15.720] Ansysin Mia go ahead.
|
10 |
+
[15.720 --> 16.860] You'll get a brief introduction.
|
11 |
+
[16.860 --> 18.200] Time to rest for a day.
|
12 |
+
[18.200 --> 22.020] Take one more step.
|
13 |
+
[22.020 --> 25.980] I wouldn't go made you come the other day now.
|
14 |
+
[25.980 --> 28.780] Oldie Helmuthm has been recently getting sick.
|
15 |
+
[28.780 --> 30.780] I'm going to go to the next room.
|
16 |
+
[30.780 --> 32.780] I'm going to go to the next room.
|
17 |
+
[32.780 --> 34.780] I'm going to go to the next room.
|
18 |
+
[34.780 --> 36.780] I'm going to go to the next room.
|
19 |
+
[36.780 --> 38.780] I'm going to go to the next room.
|
20 |
+
[38.780 --> 40.780] I'm going to go to the next room.
|
21 |
+
[40.780 --> 42.780] I'm going to go to the next room.
|
22 |
+
[42.780 --> 44.780] I'm going to go to the next room.
|
23 |
+
[44.780 --> 46.780] I'm going to go to the next room.
|
24 |
+
[46.780 --> 48.780] I'm going to go to the next room.
|
25 |
+
[48.780 --> 50.780] I'm going to go to the next room.
|
26 |
+
[50.780 --> 52.780] I'm going to go to the next room.
|
27 |
+
[52.780 --> 54.780] I'm going to go to the next room.
|
28 |
+
[54.780 --> 56.780] I'm going to go to the next room.
|
29 |
+
[56.780 --> 59.780] The second room.
|
30 |
+
[59.780 --> 61.780] The third room.
|
31 |
+
[61.780 --> 63.780] The third room.
|
32 |
+
[63.780 --> 66.780] The third theme.
|
33 |
+
[66.780 --> 68.780] The fourth theme.
|
34 |
+
[68.780 --> 70.780] The fourth theme.
|
35 |
+
[70.780 --> 72.780] The fifth theme.
|
36 |
+
[72.780 --> 74.780] the fourth theme.
|
37 |
+
[74.780 --> 94.780] That's a really pretty drawing you got there.
|
38 |
+
[94.780 --> 98.780] That's a really pretty drawing you got there.
|
39 |
+
[98.780 --> 103.420] Hey listen, I was just complimenting you,
|
40 |
+
[103.420 --> 107.420] I'm not a creep, I'm just trying to get out of your head.
|
41 |
+
[107.420 --> 121.420] You think every guy is after you? You have so much attitude that's ridiculous.
|
42 |
+
[163.420 --> 173.420] I'm not a creep, I'm just trying to get out of your head.
|
43 |
+
[173.420 --> 183.420] I'm not a creep, I'm just trying to get out of your head.
|
44 |
+
[183.420 --> 193.420] I'm not a creep, I'm just trying to get out of your head.
|
45 |
+
[193.420 --> 203.420] I'm not a creep, I'm just trying to get out of your head.
|
46 |
+
[203.420 --> 213.420] I'm not a creep, I'm just trying to get out of your head.
|
47 |
+
[213.420 --> 223.420] I'm not a creep, I'm just trying to get out of your head.
|
transcript/award_Hq_2-dpQuKk.txt
ADDED
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1 |
+
[0.000 --> 5.680] Yeah, I gotta go I gotta go. All right. I got no no mom. No mom. It wasn't the actual devil
|
2 |
+
[5.680 --> 12.020] I don't think any of us sit in the studio thinking making decisions based on what is gonna get us one of these
|
3 |
+
[12.100 --> 17.200] What's going on everyone? Welcome to the behavioral arts my name is Spidey and I use my degree in sociology and psychology
|
4 |
+
[17.440 --> 23.080] My certifications and criminal interrogation and body language analysis and over 10 years experience as an award winning
|
5 |
+
[23.080 --> 29.040] Mentalist to teach people practical psychology and behavioral analysis on stages and television shows all over the world
|
6 |
+
[29.080 --> 35.080] This week we are looking at the 2023 Grammy Awards because it's such a great occasion to see real emotions
|
7 |
+
[35.240 --> 42.320] Some really positive moments and a few not so positive moments now the reason I wanted to focus on something mostly positive this week
|
8 |
+
[42.320 --> 47.080] And there was so much positivity at this event is because I feel like lately my content has been very
|
9 |
+
[47.400 --> 53.920] You know picking things apart and who's hiding something who's being deceptive that doesn't look right and I just wanted to do something where
|
10 |
+
[54.080 --> 60.880] We're looking at real facial expressions and body language of positive moments because I feel like we focus so much on
|
11 |
+
[61.080 --> 64.400] What looks off that'll be nice to look at what looks right?
|
12 |
+
[64.400 --> 68.160] So we're gonna be looking at three acceptance speeches this week
|
13 |
+
[68.160 --> 71.840] It's going to be the one accepted by Kim Petrus and Sam Smith
|
14 |
+
[72.520 --> 78.880] Beyonce as well as Harry Styles and we're gonna be looking at what is going on with Ben Affleck and Jennifer Lopez
|
15 |
+
[78.880 --> 83.680] Just a quick heads up every time in this video that a winner is announced and they get up to walk towards the stage
|
16 |
+
[83.680 --> 88.400] The audio is going to cut. It's gonna be muted. It's not your device. It's not the video
|
17 |
+
[88.400 --> 94.040] It's because in that moment they play their music and it's protected by copyright. I can't use it
|
18 |
+
[94.360 --> 97.880] So I'm just gonna be muting it, but there's nothing to hear anyways
|
19 |
+
[97.880 --> 102.000] No one's really saying anything. We're looking at the facial expressions the body language the emotions
|
20 |
+
[102.000 --> 108.040] So you're not missing anything that being said let's dive right in starting with Kim Petrus and Sam Smith
|
21 |
+
[109.040 --> 110.040] Unholy
|
22 |
+
[110.040 --> 112.040] Sam Smith and Kim Petrus
|
23 |
+
[112.040 --> 114.040] Okay
|
24 |
+
[132.680 --> 138.480] Okay, so a lot going on right there with just the announcement and the walk up with both individuals
|
25 |
+
[138.760 --> 146.160] So for one thing I wish the camera had cut them just a little bit earlier because I have a feeling we would have seen something a little bit different
|
26 |
+
[146.560 --> 153.800] On the face of Kim Petrus because by the time it cuts to her we're seeing the end of surprise and I'll tell you what I mean
|
27 |
+
[154.000 --> 157.280] Surprise is a universal emotion in other words
|
28 |
+
[157.600 --> 159.920] Research has shown that pretty much anywhere in the world
|
29 |
+
[160.320 --> 167.240] Surprise on someone's face genuine surprise looks the same and people can recognize it as being the look of surprise
|
30 |
+
[167.360 --> 175.160] What surprise looks like is things open up just that the eyelids the upper eyelids open up the eyebrows go up and the mouth opens up
|
31 |
+
[175.160 --> 182.520] And what's happening is when something surprises you your brain is shocked for a second and it needs to take in information to know how to react
|
32 |
+
[182.600 --> 188.520] So your eyes open up your mouth opens up for extra oxygen in case you need to react need to run or something like that
|
33 |
+
[188.520 --> 195.520] This is the freeze fight or flight response being triggered and your eyes open up and there's actual research that shows that when the eyes are open
|
34 |
+
[195.520 --> 202.600] We take in more information in our peripherals. So basically your body is trying to get as much information as possible
|
35 |
+
[202.600 --> 208.680] But here's the thing about surprise of all the universal emotions. It's the one that lasts the least
|
36 |
+
[208.840 --> 212.000] It's the fastest one with other universal emotions
|
37 |
+
[212.000 --> 214.440] It's very common to see them held for example
|
38 |
+
[214.440 --> 219.920] You might be having a very happy moment and you might hold that smile as you keep communicating with that
|
39 |
+
[220.840 --> 225.480] Expression of happiness same with anger you might be angry and you might be arguing with someone
|
40 |
+
[225.480 --> 232.400] And that anger is held on your face and you keep going so it's held sadness is the same discuss is the same surprise is different from that
|
41 |
+
[232.400 --> 235.240] It doesn't last long it lasts a couple of seconds
|
42 |
+
[235.400 --> 237.640] But in all my years analyzing behavior
|
43 |
+
[237.640 --> 243.880] I've never seen someone hold the surprise while they keep interacting so you're not gonna see someone walk into their surprise party and go
|
44 |
+
[244.040 --> 246.960] Like this and then walk around going oh my god. This is so nice
|
45 |
+
[246.960 --> 250.440] I would say everyone like it just that just doesn't happen. It's not a thing
|
46 |
+
[250.800 --> 254.760] So here we're seeing that surprise fade away because the mouth is open
|
47 |
+
[254.880 --> 259.320] But we could see those eyes aren't open. I have a feeling that when it was announced
|
48 |
+
[259.320 --> 263.520] They probably shot open like this for a second and then she came away from that
|
49 |
+
[263.520 --> 265.520] But the mouth is still very much
|
50 |
+
[266.000 --> 271.640] Trying to get that oxygen because she's still dealing with this surprise surprise typically turns into another emotion
|
51 |
+
[271.640 --> 278.360] Here obvious seats turning into happiness the other thing we see is that she mouth blocks twice once with one hand and once with both hands
|
52 |
+
[278.360 --> 286.240] And mouth blocking is a behavior that we see from our very very early ages even in children when children say something that they're not supposed to say
|
53 |
+
[286.240 --> 292.720] Like someone's secret or a swear word. It's very common for them to bring both hands up like this and block the mouth
|
54 |
+
[292.720 --> 295.600] It's because they're trying to keep something in like oh my god
|
55 |
+
[295.600 --> 300.640] I shouldn't have said that they're trying to take it back trying to keep those words in or prevent themselves from saying more
|
56 |
+
[300.920 --> 304.160] But it also happens on the motions when we don't want the motions coming out
|
57 |
+
[304.160 --> 309.360] We're trying to hold those emotions in so very commonly with surprise or with sadness from the mouth opens
|
58 |
+
[309.360 --> 312.280] We see this kind of blocking of the mouth now
|
59 |
+
[312.280 --> 317.000] There's quite a bit of debate as to why we do this block our mouth or block our face in moments of emotion
|
60 |
+
[317.520 --> 322.400] But the most popular ones that I subscribe to our first of all to hide a vulnerability
|
61 |
+
[322.840 --> 329.600] So when our mouth is open something to fly in there and we could choke on it like the body knows that it's vulnerable
|
62 |
+
[329.600 --> 333.760] So we kind of shield this open vulnerability. So physical vulnerability
|
63 |
+
[333.840 --> 341.720] The second one is social vulnerability. It's not our advantage in most cases to let people see our weaknesses when we're feeling
|
64 |
+
[341.920 --> 345.000] Surprise off guard or sad or negative emotions
|
65 |
+
[345.320 --> 352.520] Because of the way we evolved we know that sometimes if you show that it could be taken advantage of so we still have that reflex of
|
66 |
+
[352.720 --> 355.920] Blocking our vulnerabilities and blocking our face when we're feeling
|
67 |
+
[356.440 --> 361.960] Negative emotions or vulnerable and the third theory is simply politeness the same way we might block our mouth when we yawn
|
68 |
+
[361.960 --> 364.480] We just notice a root that your mouth open in public
|
69 |
+
[364.480 --> 368.800] So we just when that happens do that out of politeness social politeness
|
70 |
+
[368.800 --> 373.480] So whether it's physical vulnerability social vulnerability or politeness
|
71 |
+
[373.560 --> 376.080] This is a reflex that we have what do you think it is?
|
72 |
+
[376.080 --> 382.080] Let me know in the comments which of those three do you think is the reason we might bring our hands up when we're surprised or sad or a mouth
|
73 |
+
[382.080 --> 384.800] Hangs open now as they stand up to go on stage
|
74 |
+
[384.840 --> 389.680] We see a lot of confirmation glances from Kim Petrus towards Sam Smith
|
75 |
+
[389.840 --> 392.440] She's new to this she doesn't really know how this works
|
76 |
+
[392.440 --> 397.560] She's obviously overcome by emotion whereas Sam Smith is a seasoned pro they've done this a thousand times
|
77 |
+
[397.560 --> 400.160] This would be their fifth Grammy award so
|
78 |
+
[400.960 --> 403.240] Kim Petrus is looking for those cues like what do I do?
|
79 |
+
[403.240 --> 410.040] Where do we go and this is the moment where we see just how much of a pro Sam Smith is and how much
|
80 |
+
[411.040 --> 416.680] Control they have over their environment over the space that they're in it's brilliant the initial reaction is
|
81 |
+
[417.080 --> 421.720] Happiness we see a genuine smile there and we're gonna talk about genuine smiles just a little bit later
|
82 |
+
[421.720 --> 426.440] So I won't spend too much time on it now we see that the fist that that yes gesture like this and
|
83 |
+
[427.560 --> 429.560] Sam Smith gets up and
|
84 |
+
[429.560 --> 434.520] Kim Petrus is looking over to them for social cues. What do we do? She keeps looking like what's the right thing?
|
85 |
+
[434.920 --> 438.240] Sam Smith signals let's go and now watch what happens
|
86 |
+
[438.560 --> 444.360] Kim Petrus is moving slower because she's sort of taking her thank yous and shaking some hands and giving some hugs
|
87 |
+
[444.960 --> 447.160] Now Sam Smith doesn't want to upstage her
|
88 |
+
[447.640 --> 451.000] They don't want to be the first one on stage and take that spotlight
|
89 |
+
[451.000 --> 455.520] They've done this many times before they want this to be Kim's moment. So watch what happens
|
90 |
+
[455.920 --> 462.840] They kind of stay back and keep an eye on Kim to check how far along they are on their journey to the stage and
|
91 |
+
[464.040 --> 467.200] It will be so awkward for Sam Smith to just stand there and be like
|
92 |
+
[467.480 --> 471.640] Come on Kim like so notice what they do they just start dancing in place
|
93 |
+
[471.960 --> 474.840] It's fun. It looks like they're celebrating their win
|
94 |
+
[474.840 --> 477.000] But in reality, this is a conscious decision
|
95 |
+
[477.000 --> 481.360] I believe to allow Kim Petrus the time to get ahead to be the first on that stage
|
96 |
+
[481.720 --> 485.560] Focus is on Kim Petrus. That's what Sam Smith wants in this moment
|
97 |
+
[485.560 --> 493.280] This is further demonstrated by the fact that when they do get on stage Kim takes the center stage and Sam goes around does this
|
98 |
+
[493.760 --> 495.920] big U-turn to land
|
99 |
+
[496.200 --> 505.200] Further back from where Kim is and there's this kind of joyful hop in Sam's step and kind of a very happy tone to this
|
100 |
+
[505.640 --> 507.960] But they purposely land further back
|
101 |
+
[508.440 --> 515.440] This it's it's so gracious. They want this moment to be Kim's and it's even reflected in the fact that for this acceptance speech
|
102 |
+
[515.720 --> 517.720] Sam Smith doesn't say a thing
|
103 |
+
[517.720 --> 519.720] Sam graciously wanted me to
|
104 |
+
[519.880 --> 522.600] accept this war because I'm the first
|
105 |
+
[523.160 --> 525.360] Transgender woman to win this award
|
106 |
+
[525.920 --> 527.920] And
|
107 |
+
[530.240 --> 532.240] I'm so
|
108 |
+
[536.960 --> 538.960] Thank you
|
109 |
+
[540.240 --> 542.480] Okay, so Kim is obviously nervous here
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110 |
+
[542.480 --> 548.080] I think anybody could pick up on certain cues in in her voice and the cadence where she's speaking and obviously she'd be nervous
|
111 |
+
[548.080 --> 553.960] This is an amazing moment for an amazing moment for her community great accomplishment and she's up there
|
112 |
+
[553.960 --> 556.160] And one of the main things that we see here is
|
113 |
+
[556.840 --> 564.620] Specifically starts talking about being the first transgender woman. We see two things one is pelvic distancing and one is pelvic blocking
|
114 |
+
[564.620 --> 568.600] so I get that there's a mic in front of her and that you know she needs to
|
115 |
+
[569.640 --> 574.440] Talk into the mic and it's a little bit lower than it should be but there are moments throughout this speech where she just
|
116 |
+
[574.440 --> 578.600] Hips her head down or approaches the mic but in that moment we see the pelvis
|
117 |
+
[579.040 --> 582.480] Back up and this is something we see enormously often on
|
118 |
+
[583.200 --> 587.160] Television shows where someone is presenting and they're nervous in fact
|
119 |
+
[587.160 --> 594.080] This is a very common behavior. We see on shark tank shark tank is a terrific show that I love to watch to analyze
|
120 |
+
[594.560 --> 598.880] Real emotion real behavior and very often in nervous presenters
|
121 |
+
[598.880 --> 606.440] We see a very classic pose where they're standing and they're trying to be engaging because they've been told to engage the sharks
|
122 |
+
[606.640 --> 609.640] But instead of being confident like this and speaking like this
|
123 |
+
[609.880 --> 612.400] They tip their head forward, but because they're nervous
|
124 |
+
[612.400 --> 618.640] They're their pelvis backs up like this and their arms are swinging like this and this is a very common posture
|
125 |
+
[618.640 --> 620.640] We see on shark tank now with her
|
126 |
+
[620.640 --> 626.360] It's not happening held for very long at all after all she is a performer. There's enormous confidence to her
|
127 |
+
[626.360 --> 629.320] This is just a moment that she's feeling self-conscious
|
128 |
+
[629.480 --> 635.280] So we set pelvis back up for a second and both hands go down and block this area
|
129 |
+
[635.400 --> 641.320] So as human beings or one of the only species where our reproductive organs and vital organs are
|
130 |
+
[641.640 --> 643.800] Completely exposed so in moments of vulnerability
|
131 |
+
[643.800 --> 647.160] We tend to hide or block them and that's what's happening over there
|
132 |
+
[647.160 --> 650.360] She's feeling a moment of vulnerability and we catch it in that moment
|
133 |
+
[650.360 --> 654.800] Meanwhile, we have Sam Smith who's yelling at the audience get up get up stand up. Come on
|
134 |
+
[654.800 --> 656.640] This is the time to get up and there's almost this
|
135 |
+
[657.320 --> 660.960] very authoritative vibe of like get up and at the end
|
136 |
+
[660.960 --> 668.120] We see something that we talked about many times on the channel where their head turns away from the audience with this the mouth opens for a quick sec
|
137 |
+
[668.680 --> 674.000] Like this and we see the head going like that now this gesture where we turn our head and
|
138 |
+
[674.400 --> 679.280] Open the mouth is something we talked a lot about while I was doing analysis of amber herd
|
139 |
+
[679.440 --> 685.680] It's something she does a lot where she kind of turns the head and we see this kind of thing and usually this is a very dismissive
|
140 |
+
[686.320 --> 688.160] kind of annoyed
|
141 |
+
[688.240 --> 691.640] Thing like when we're in a situation where kind of you know this kind of thing
|
142 |
+
[691.640 --> 698.440] I think that in this moment Sam Smith's a bit impatient with those people who aren't standing up like this is a time to stand up
|
143 |
+
[698.440 --> 702.120] This is further emphasized for me by the fact that after that gesture
|
144 |
+
[702.200 --> 709.680] We see their head doing this no thing and this no gesture is often associated socially with one of four things
|
145 |
+
[709.800 --> 713.200] All of which begin with DIS so it's disapproval
|
146 |
+
[713.600 --> 714.880] disbelief
|
147 |
+
[714.880 --> 718.120] Disagreement or disappointment and I think in this moment
|
148 |
+
[718.360 --> 725.040] We're seeing a bit of disappointment and disapproval from Sam Smith basically saying like get up get up come on
|
149 |
+
[725.040 --> 729.080] Can't believe people aren't getting up for this. So I think there was a moment there of
|
150 |
+
[729.840 --> 736.840] impatience and disappointment like come on people. Let's let's get up here and then we're going right back into positive stuff
|
151 |
+
[736.840 --> 738.840] And I just want to think
|
152 |
+
[739.240 --> 741.240] All the incredible
|
153 |
+
[741.480 --> 746.680] Transgender legends before me who kicked these doors open for me so I could be here tonight
|
154 |
+
[747.520 --> 749.520] Sophie especially
|
155 |
+
[749.520 --> 756.080] My friend who passed away two years ago who told me this would happen and always believed in me
|
156 |
+
[756.560 --> 759.240] Thank you so much for your inspiration Sophie
|
157 |
+
[759.520 --> 765.600] So there were seeing a different amount of confidence when she's talking about other transgender legends before her
|
158 |
+
[765.760 --> 769.080] We're not seeing that distancing in fact. We're seeing very open body language
|
159 |
+
[769.080 --> 773.120] I feel like thinking of these legends before who paved the way is
|
160 |
+
[773.520 --> 778.440] Giving her this confidence when she talks about her friend Sophie it collapses a little more
|
161 |
+
[778.440 --> 782.960] We see a little more blocking a little bit more vulnerability and of course this is someone she obviously misses
|
162 |
+
[782.960 --> 788.280] But it's nice to see that shift from confidence to some that makes her feel a little more vulnerable
|
163 |
+
[788.400 --> 793.480] What a great opportunity here to also talk about something that we see on the channel very often
|
164 |
+
[793.480 --> 798.780] But in a different context and it's a verbal leak if you listen to the speech very often she's going um
|
165 |
+
[800.080 --> 802.880] At the end of her sentences and it doesn't have this
|
166 |
+
[804.280 --> 808.400] hesitation like she's looking for her words that's not what we're seeing. It's just this
|
167 |
+
[809.120 --> 812.200] Verbal leak. It's like a filler word now on the channel
|
168 |
+
[812.200 --> 817.400] We talk a lot about clusters of deception behaviors that when they happen at the same time
|
169 |
+
[817.720 --> 823.440] It indicates that there might be a heightened probability of deception and we're gonna want to dig a little bit more
|
170 |
+
[824.120 --> 827.920] Pretending that topic now not that she's being deceptive about any of this
|
171 |
+
[827.920 --> 829.960] I don't see why she'd be lying about anything up there
|
172 |
+
[830.040 --> 837.480] But I just want you to see how in this case that verbal leak which would play into a cluster if other things were happening at the same time
|
173 |
+
[837.480 --> 839.480] Is utterly meaningless here?
|
174 |
+
[839.600 --> 845.680] There's nothing else going on with her body language is making me go oh wait something weird happened when that subject came up
|
175 |
+
[846.080 --> 850.720] Something weird happened, you know, maybe a ton of hesitation a non-answer
|
176 |
+
[851.120 --> 856.440] Refusing to answer touching the face, you know bling great going up eye blocking. We're not seeing a cluster
|
177 |
+
[856.840 --> 862.680] Justice isolated arms throughout the speech which in this case is a great example of how it doesn't matter
|
178 |
+
[863.040 --> 872.120] My mother I grew up next to a highway no and nowhere in Germany and my mother believed me that I was
|
179 |
+
[872.760 --> 877.800] girl and I wouldn't be here without her and her support
|
180 |
+
[878.600 --> 883.720] Okay, we're seeing a very interesting gesture there were a cluster of gestures right after she says
|
181 |
+
[883.920 --> 886.200] My mother believed me that I was a girl
|
182 |
+
[886.200 --> 889.520] I'm very open about the fact on this channel that body language
|
183 |
+
[890.040 --> 896.080] Doesn't always give us a clear answer because there are certain things that could be numerous things and this is a conversation
|
184 |
+
[896.080 --> 899.340] I really want to have because I have a few theories as to what we're seeing first
|
185 |
+
[899.340 --> 903.840] Let's talk about what the behavior is so as she's building up towards the end of that sentence
|
186 |
+
[903.960 --> 908.400] We see eye blocking our eyes close and the chin goes down a little bit
|
187 |
+
[908.400 --> 915.320] So eye blocking when the eyes close it's typically when we're trying to either keep thoughts in or keep thoughts out
|
188 |
+
[915.320 --> 918.240] So it's something when we're focusing on trying to you know
|
189 |
+
[918.800 --> 925.180] Form a thought you might see the eyes close as we try to gather our thoughts and we see this even in children that were born blind
|
190 |
+
[925.180 --> 929.320] So we know that this is deeply subconscious that we close our eyes to focus
|
191 |
+
[929.440 --> 933.480] We also do when we're trying to keep something out like somebody says something negative some bad news
|
192 |
+
[933.480 --> 938.920] And you just don't want to let it in so we close the eyes like this to not allow that to come in naturally
|
193 |
+
[938.920 --> 943.280] It happens when we are also quite emotional when we're trying to hold on to an emotion
|
194 |
+
[943.280 --> 950.000] It might happen with good emotions or again not letting negative emotions come in so as she's building up to that sentence
|
195 |
+
[950.000 --> 957.080] We see the eyes close as she comes down already there. I have two theories one. It could be that
|
196 |
+
[957.680 --> 964.280] She's remembering how touched she was by how accepting her mother was and she's trying to hold on to that moment
|
197 |
+
[964.280 --> 970.240] Wouldn't surprise me and two is she's thinking back to that part of her life where there was probably a lot of people
|
198 |
+
[970.240 --> 976.280] Besides her mom who weren't encouraging and she's kind of trying to keep those thoughts out and stay the course
|
199 |
+
[976.280 --> 981.560] It could be either one but there's a real moment of emotion there with that eye blocking as she gets that sentence out
|
200 |
+
[981.560 --> 985.440] But after the sentence we see these things happen at the same time
|
201 |
+
[985.760 --> 987.760] There's a lip compression
|
202 |
+
[987.840 --> 995.160] The eyebrow flash the quick eyebrows go up like this as the head tilts and there's kind of an arm shrug without the shoulders going up
|
203 |
+
[995.160 --> 999.480] Which is very bizarre and strange usually when we shrug so with that cluster
|
204 |
+
[999.480 --> 1002.680] I could expect to see something like like this kind of thing
|
205 |
+
[1002.680 --> 1006.920] But the shoulders don't do that but if you look at the arms they pop out like this
|
206 |
+
[1008.280 --> 1011.760] It's interesting is it that she's holding the mic down
|
207 |
+
[1011.760 --> 1014.520] So it would be hard to get the shoulders up so the arms go up
|
208 |
+
[1014.520 --> 1016.880] I don't really know but let's look at the rest
|
209 |
+
[1016.880 --> 1020.440] We see the lips like this eyebrow flash and that head tilt
|
210 |
+
[1020.680 --> 1024.200] It's almost a shrug it kind of looks a little like a shrug
|
211 |
+
[1024.640 --> 1027.640] But not entirely so here are some theories of store
|
212 |
+
[1027.640 --> 1033.920] I think might be happening in that moment the first theory is that there's this pose we often see with women and
|
213 |
+
[1034.320 --> 1035.920] We see it a lot in cartoons
|
214 |
+
[1035.920 --> 1041.640] We see it a lot in movies where there's this head tilt with a smile with a bit of a kind of turning the head side
|
215 |
+
[1041.640 --> 1046.480] Ways centers a show this come up a little bit the hands are often together whether it's in front or behind the back
|
216 |
+
[1046.480 --> 1048.960] And it's kind of this cutesy thing
|
217 |
+
[1048.960 --> 1053.060] So I'm thinking it's possible in this moment that it's this kind of cutesy pose where she's seeking
|
218 |
+
[1053.560 --> 1058.760] Approval for that sentence from the audience which would very much explain the eyebrow flash as well
|
219 |
+
[1059.000 --> 1061.560] Because eyebrow flashing typically means one of three things
|
220 |
+
[1061.960 --> 1068.360] Infosys social approval looking for social approval or connection or surprise and in that moment that looks like a
|
221 |
+
[1068.560 --> 1070.360] eyebrow flash of social approval to me
|
222 |
+
[1070.360 --> 1074.840] So maybe it's you know, I was a girl and she's kind of getting that
|
223 |
+
[1075.240 --> 1082.000] Cutesy pose and looking for that approval from the audience. It's possible the second theory is quite simply that she tripped the mic and it threw her off
|
224 |
+
[1082.320 --> 1086.280] So we could see that moment where she hits the mic the mic wobbles a little
|
225 |
+
[1086.280 --> 1091.880] So maybe that's why we see her looking down stumbles on her words a little her speech slows down because this kind of broker
|
226 |
+
[1091.880 --> 1096.120] Train of thought and then she gets the sentence out and we just recover from it
|
227 |
+
[1096.120 --> 1099.440] And that's kind of like this we're back on course gesture
|
228 |
+
[1099.640 --> 1105.640] Possible but my favorite theory is that she got emotional which is why we see the eye block
|
229 |
+
[1105.640 --> 1109.720] We see her sentence and cadence slow down even before she trips the mic
|
230 |
+
[1109.720 --> 1113.440] So I think I like this theory better for that reason. She's getting emotional
|
231 |
+
[1114.000 --> 1118.800] She says this sentence and the sentence comes out just a little bit grammatically incorrect
|
232 |
+
[1118.800 --> 1123.760] She says my mother believed me that I was a girl not my mother believed that I was a girl
|
233 |
+
[1123.760 --> 1126.160] My mother believed me when I said that I was a girl
|
234 |
+
[1126.160 --> 1132.880] My mother believed me that I was a girl so I think in that moment she says it and she kind of knows that
|
235 |
+
[1133.440 --> 1136.500] It's not the perfect grammar, but she kind of goes
|
236 |
+
[1136.500 --> 1138.160] I think they got the point
|
237 |
+
[1138.160 --> 1143.680] So I think it might be just a gesture of after the sentence like that that'll do that's good enough
|
238 |
+
[1143.680 --> 1148.760] They get the point they get what I'm trying to say so I think it's very likely that just this moment of emotion
|
239 |
+
[1148.960 --> 1153.080] Getting through it kind of stumbling on her words and going that's that's good enough. I'm good with that
|
240 |
+
[1153.080 --> 1156.560] But let me know the comments where you think I think it's likely one of these three things
|
241 |
+
[1156.560 --> 1161.640] I like the third theory the best, but let me know what do you think this is a gesture where you know
|
242 |
+
[1161.640 --> 1165.000] There isn't enough research for me to tell you exactly in this context what it means
|
243 |
+
[1165.200 --> 1168.840] So this is somewhere where we could discuss and try to figure out what that meant
|
244 |
+
[1168.840 --> 1175.560] All right, now we're gonna move on to Beyoncé Harry Styles and a Ben Affleck and Jennifer Lopez and see some very different reactions
|
245 |
+
[1175.760 --> 1179.580] While being positive very different reactions to what we just saw
|
246 |
+
[1179.580 --> 1185.980] But before we do do me a huge favor hit that subscribe button turn those notifications on for more behavioral analysis and practical psychology content
|
247 |
+
[1185.980 --> 1187.980] So we are witnessing history tonight
|
248 |
+
[1190.220 --> 1193.820] Breaking the record for the most scrawny wins of all time
|
249 |
+
[1194.780 --> 1198.820] The Upstanding and show your respects. It's Renaissance
|
250 |
+
[1210.300 --> 1219.100] All right, what a different reaction we're seeing here from the first one first of all
|
251 |
+
[1219.100 --> 1226.740] This is literally history in the making as James Gordon said because she just broke the record for most grimey's won by one person
|
252 |
+
[1226.740 --> 1229.300] That's why the moment he suggests that it's history in the making
|
253 |
+
[1229.780 --> 1234.860] We hear the audience cheering and her surrounding stands up and she knows isn't it to say it and
|
254 |
+
[1235.860 --> 1240.760] We get such a different reaction from what we saw with Kim where Kim Petrus
|
255 |
+
[1241.260 --> 1245.740] Shock surprise, you know, oh my god. We're not seeing that from Beyoncé. We're seeing a very humble smile
|
256 |
+
[1246.780 --> 1251.540] She's done this a billion times. So we just see that smile. She's happy
|
257 |
+
[1251.540 --> 1256.660] We're seeing that but there isn't that moment of shock. Oh my god. She's not overplaying that and I love that
|
258 |
+
[1256.660 --> 1262.300] I love that she's keeping it humble in that moment and not over dramatizing this her surrounding stands up
|
259 |
+
[1262.300 --> 1267.900] I'm really interested in JZ's reaction because we are seeing right there a classic Duchenne smile
|
260 |
+
[1267.900 --> 1276.420] So a Duchenne smile is a genuine smile named after Giom Duchenne who is the researcher who discovered the difference between
|
261 |
+
[1276.580 --> 1284.020] Fake or polite smiles that we do socially and a real genuine smile of happiness and which muscles are engaged and in a Duchenne
|
262 |
+
[1284.020 --> 1286.940] Smile we're gonna see the corners of the mouth go up
|
263 |
+
[1286.940 --> 1294.980] We see the cheeks rise often causing a rise here with what I call bubble cheeks over here and the eyes are very important
|
264 |
+
[1294.980 --> 1302.180] The eyes squint and we see these outwards lines next to the eyes and one real good way to know if a smile is a Duchenne smile
|
265 |
+
[1302.180 --> 1306.020] Is block the mouth and in this case if we block JZ's mouth
|
266 |
+
[1306.180 --> 1311.660] We can still absolutely tell that he's happy and smiling based on the cheeks and the eyes
|
267 |
+
[1311.780 --> 1316.820] So that is a Duchenne smile obviously very happy for his wife for this amazing accomplishment
|
268 |
+
[1316.980 --> 1320.460] With Beyonce we see her stand up and we see a grooming gesture with both hands
|
269 |
+
[1320.460 --> 1327.980] So her hands push her hair back and grooming gestures are anything that we do to fix our appearance when we're about to give a speech or when we're on camera
|
270 |
+
[1327.980 --> 1330.340] And we're just kind of making sure everything looks good
|
271 |
+
[1330.340 --> 1337.500] But more importantly this is a gesture called ventilating so whenever we feel stress or anxiety and this can be good anxiety
|
272 |
+
[1337.660 --> 1341.940] When you're like feeling a little anxious but positive or bad stress
|
273 |
+
[1342.540 --> 1345.300] Blood rushes to our head to our vital organs
|
274 |
+
[1345.300 --> 1350.660] You know the nose for more oxygen intake and in that blood rush often we could feel heat around the head
|
275 |
+
[1350.660 --> 1355.220] In fact a lot of people say that when they're feeling anxious or stressed they feel that heat in their head
|
276 |
+
[1355.220 --> 1358.020] And we ventilate to bring more air to the body
|
277 |
+
[1358.020 --> 1361.140] So with men we might see them adjust their color like this
|
278 |
+
[1361.140 --> 1367.380] But with women we often see them push their hair out of the way and here she's doing it on both sides and immediately after that
|
279 |
+
[1367.380 --> 1371.380] We see hand to chest both hands go on the chest
|
280 |
+
[1371.700 --> 1379.060] And this is something that we do when we're hit with emotion and empathetic people tend to do this gesture quite a lot when they're told a story
|
281 |
+
[1379.300 --> 1380.820] And suddenly first we'll oh my god
|
282 |
+
[1380.820 --> 1386.260] I'm so sorry, but hand to chest is something we see very often in empathetic people and in this case
|
283 |
+
[1387.060 --> 1390.500] I feel she's just kind of taking that moment in it's a very genuine
|
284 |
+
[1390.900 --> 1395.140] gesture that I'm seeing there then she gets on stage and again before she speaks
|
285 |
+
[1395.380 --> 1400.180] We see a couple of things that are consistent with grooming and taking in the moment
|
286 |
+
[1400.260 --> 1404.900] So we see her lick the lips that is classic grooming it brings more color to the lips
|
287 |
+
[1405.700 --> 1408.500] Before we're about to speak so we're seeing that right there
|
288 |
+
[1409.220 --> 1415.460] We're seeing the eyes closed and again, remember what we said earlier eyes closes to keep thoughts in in this case
|
289 |
+
[1415.540 --> 1418.580] Nothing negative obviously. It's all positive she's trying to hold on to that moment
|
290 |
+
[1418.900 --> 1421.460] Which she's about to say that's what she's doing
|
291 |
+
[1421.540 --> 1424.980] So yeah overall just taking this moment in really living this experience
|
292 |
+
[1424.980 --> 1426.500] We're looking at a seasoned pro here
|
293 |
+
[1426.500 --> 1430.180] So we're not seeing an enormous amount of stress obviously a little bit of
|
294 |
+
[1430.660 --> 1432.660] anxiety, you know the good butterflies
|
295 |
+
[1432.980 --> 1437.060] But overall just and not overplayed, you know, I love that about this
|
296 |
+
[1437.060 --> 1440.980] It's not overplayed over dramatized. It's almost like in her humility
|
297 |
+
[1441.700 --> 1447.220] We feel how much of a big moment this is if she overplayed and made it this big thing it might seem an authentic
|
298 |
+
[1447.620 --> 1450.980] This looks awesome. I'm trying not to be too emotional
|
299 |
+
[1453.220 --> 1455.220] I'm trying to just
|
300 |
+
[1455.780 --> 1457.780] Receive this night
|
301 |
+
[1460.100 --> 1462.100] I want to thank God for protecting me
|
302 |
+
[1464.020 --> 1466.020] I like to thank my uncle Johnny
|
303 |
+
[1467.940 --> 1469.940] Who's not here
|
304 |
+
[1473.380 --> 1475.380] But he's here in spirit
|
305 |
+
[1476.900 --> 1480.820] All right, not much there just someone who's really moved by this moment in her life
|
306 |
+
[1481.300 --> 1484.260] And she says in words what her body language was telling us
|
307 |
+
[1484.740 --> 1490.260] Seconds before that's what I love about body language it lets us know things that are happening before the person even says it because she says
|
308 |
+
[1490.740 --> 1492.340] I'm just trying to take in this night
|
309 |
+
[1492.420 --> 1496.100] But we saw that in that i block she's just trying to hold on to this moment
|
310 |
+
[1496.820 --> 1503.060] Um, and then she looks at the sky as she talks about her uncle Johnny and it flashes for a quick second
|
311 |
+
[1503.460 --> 1507.620] But we see a face of sadness. It's really quick and here's the other thing
|
312 |
+
[1508.420 --> 1510.980] Because it's likely now I don't know this for sure
|
313 |
+
[1511.060 --> 1514.100] But it's like that she said certain cosmetic procedures on her face
|
314 |
+
[1514.580 --> 1517.060] We're not going to see the entire expression of sadness
|
315 |
+
[1517.620 --> 1521.060] As we look at this speech those eyebrows that foreign really aren't moving much
|
316 |
+
[1521.060 --> 1524.820] So it's very possible that there were things done up there that are going to limit that movement
|
317 |
+
[1525.220 --> 1527.700] But when she talks about uncle Johnny for a quick second go watch it
|
318 |
+
[1527.700 --> 1530.980] You could feel that sadness hit for a sec as she looks up
|
319 |
+
[1531.060 --> 1535.140] We see the mouth droop for a quick second the eyes droop for a quick second
|
320 |
+
[1535.540 --> 1539.300] And I have a feeling that the eyebrows would go into sadness
|
321 |
+
[1539.380 --> 1544.260] But something's making them not so but but we do still feel for a second as she looks to the sky
|
322 |
+
[1544.580 --> 1552.420] Uncle Johnny we see a quick flash of sadness looks up to remember her uncle who you know she's she's remembering looking towards the heavens
|
323 |
+
[1552.980 --> 1554.180] and then
|
324 |
+
[1554.180 --> 1555.220] Down
|
325 |
+
[1555.220 --> 1561.620] And downwards is usually so happy is usually up we jump up right one cloud nine
|
326 |
+
[1561.940 --> 1565.380] But we feel down we feel low with satire motion
|
327 |
+
[1565.460 --> 1572.660] So she takes a moment there to go from remembering her uncle to that sadness and it's and look at how it's not over played
|
328 |
+
[1572.820 --> 1574.180] It's not dramatized
|
329 |
+
[1574.180 --> 1578.900] We've looked at a lot of individuals on this channel where they lean into these moments and really try to sell it
|
330 |
+
[1579.300 --> 1585.380] Nothing about this is trying to be sold she's just feeling this moment and she looks down talks about her uncle
|
331 |
+
[1585.540 --> 1591.620] Then we see another quick hand to chest as she's feeling that emotion. It's very real. I like to think my beautiful husband
|
332 |
+
[1592.020 --> 1593.220] My
|
333 |
+
[1593.220 --> 1595.220] beautiful three children
|
334 |
+
[1595.540 --> 1597.540] Poor at home watching
|
335 |
+
[1598.020 --> 1600.580] I'd like to thank the queer community for your love
|
336 |
+
[1601.460 --> 1603.460] And for inventing this genre
|
337 |
+
[1604.180 --> 1607.220] God bless you. Thank you so much to the Grammys
|
338 |
+
[1607.860 --> 1614.660] There is something I love in that moment so much and it's when Beyonce talks about her husband and the camera cuts to Jay Z
|
339 |
+
[1614.660 --> 1618.020] Now the typical thing that would happen when someone is mentioned
|
340 |
+
[1618.500 --> 1623.300] You know the spousers or something like that the camera would cut the person knows they're on camera and they would kind of
|
341 |
+
[1623.700 --> 1627.540] Turn to the crowd and acknowledge that's something we see very often in this case
|
342 |
+
[1627.860 --> 1631.300] He doesn't even take that it doesn't break away from that. This is her moment
|
343 |
+
[1631.540 --> 1632.820] He's so proud of her
|
344 |
+
[1632.820 --> 1638.180] We see it in his entire demeanor from the moment she gets up to this moment and his focus is entirely on her
|
345 |
+
[1638.180 --> 1640.820] It's like he doesn't even want this moment of acknowledgement
|
346 |
+
[1641.060 --> 1642.980] I'm sure he's thankful that it's happening
|
347 |
+
[1642.980 --> 1646.420] But it's like he's not even breaking away from her for a second now
|
348 |
+
[1646.420 --> 1653.620] We talk on the channel very often about universal emotions and of course the pioneer of universal emotions was Paul Ekman
|
349 |
+
[1653.620 --> 1659.940] The researcher who actually traveled to tribes that are completely isolated from society to try to figure out
|
350 |
+
[1660.420 --> 1665.300] Which emotions are completely universal to human beings now?
|
351 |
+
[1665.460 --> 1666.740] There is another
|
352 |
+
[1666.740 --> 1673.300] Emotion that Paul Ekman didn't talk about and was actually talked about in complete separate research by researchers
|
353 |
+
[1673.620 --> 1679.780] Tracy and Robbins and they discovered that pride is also a universal
|
354 |
+
[1680.260 --> 1689.220] Emotion in fact the recognizable rate in other words how much people recognize it all over the world is very very high up there
|
355 |
+
[1689.380 --> 1692.180] People really really recognize pride
|
356 |
+
[1692.260 --> 1695.220] Universally and what pride looks like is a bit of a smile
|
357 |
+
[1695.940 --> 1700.900] Arms a Kimbo or the arms away from the body because when we're feeling confident or in this case proud
|
358 |
+
[1701.140 --> 1704.580] We take up quite a bit of space and when we're feeling unconfidently close up
|
359 |
+
[1704.820 --> 1711.700] So those arms go out a bit of a smile and most importantly that chin is up and the head is tilted back a little bit
|
360 |
+
[1711.780 --> 1718.020] So the neck is exposed a little and this is something again we do with confidence because exposing the neck is a big vulnerability
|
361 |
+
[1718.340 --> 1719.860] And when we're feeling
|
362 |
+
[1719.860 --> 1728.100] Self-conscious or a little vulnerable things come inwards. So chin up like this is usually very confident and pride and confidence
|
363 |
+
[1728.580 --> 1734.180] Are very related now. It's no wonder that on a lot of rap albums or posters for rappers
|
364 |
+
[1734.500 --> 1736.260] We see that exact cluster
|
365 |
+
[1736.260 --> 1742.500] We see those arms by the side we see the chin up like this often with a bit of a head tilt and this smile not so much
|
366 |
+
[1743.060 --> 1745.060] But you know we see this kind of
|
367 |
+
[1745.460 --> 1749.380] Pose a lot with rappers now in this moment. We're not seeing much of a smile
|
368 |
+
[1749.460 --> 1752.260] But if we look at his right eye it's glistening a little bit
|
369 |
+
[1752.500 --> 1755.700] I think he's extremely happy for he's really touched by emotion
|
370 |
+
[1756.100 --> 1761.700] But in that chin up we're still seeing that pride and he's standing quite tall and he's open
|
371 |
+
[1761.940 --> 1765.220] He's very proud of his wife in this moment. I believe all right
|
372 |
+
[1765.220 --> 1769.380] I before move on to Harry Styles and end this video with such a positive wave
|
373 |
+
[1770.020 --> 1772.340] Uh, that I hope it'll just supercharge your weekend
|
374 |
+
[1772.580 --> 1779.380] Let's look at Ben Affleck and Jennifer Lopez. So at some point Trevor Noah is doing this bit where he pretends to be on the phone
|
375 |
+
[1779.780 --> 1784.660] With his mom and we see them in the background and Ben Affleck leans over and says something
|
376 |
+
[1785.140 --> 1787.860] And we immediately see a reaction in JLo
|
377 |
+
[1788.020 --> 1793.700] She doesn't love what he said because what happens is look at both her hands one hand goes right to her own me
|
378 |
+
[1794.020 --> 1797.140] And holds her down and the other one goes to his knee and holds him down
|
379 |
+
[1797.220 --> 1800.580] So it's something along the lines if she's trying to ground them both like
|
380 |
+
[1801.060 --> 1805.540] Maybe something like this isn't the time or stay put or behave or something along those lines
|
381 |
+
[1805.860 --> 1809.940] And she turns them and there's almost at first like a bit of a snappy thing and in that second moment
|
382 |
+
[1809.940 --> 1813.780] We see her kind of go forward and then down like this like you might see this in
|
383 |
+
[1814.100 --> 1817.620] A parent telling a kid like come on now, you know like this kind of thing
|
384 |
+
[1817.620 --> 1823.220] We're seeing exactly that on that second tap. So first it's snappy held down and then that tap like this
|
385 |
+
[1823.380 --> 1825.460] And immediately when she says that
|
386 |
+
[1825.460 --> 1833.060] He straightens up and he starts grooming himself and we see the eyebrows of either confusion or anger because both look very similar
|
387 |
+
[1833.460 --> 1837.300] But there is a bit of grumpiness there. I would say that you know with concentration usually it's
|
388 |
+
[1838.020 --> 1841.700] A little more like this like the bottom face either relaxed or kind of going side to side
|
389 |
+
[1841.780 --> 1846.740] But here it almost looks angry and like kind of like like this kind of thing and he grooms
|
390 |
+
[1846.740 --> 1849.140] He merely grooms herself conscious something she said
|
391 |
+
[1849.620 --> 1853.780] Made him feel self-conscious and he's straightening up as he says something else to her
|
392 |
+
[1853.940 --> 1860.180] So the interaction seems to be overall that he says something that she disapproves of and she turns around and grounds both of them
|
393 |
+
[1860.260 --> 1865.380] Like this isn't the time and then kind of softens up as she taps and goes come on now and he
|
394 |
+
[1866.180 --> 1869.540] Doesn't like her response to what he said so much because
|
395 |
+
[1870.020 --> 1873.700] He feels a little offended by that and he starts grooming. We see him strain his vest
|
396 |
+
[1873.700 --> 1877.060] We see him sit up straight change his posture. He's looking at her
|
397 |
+
[1877.140 --> 1879.700] Maybe with a bit of annoyed confusion or anger
|
398 |
+
[1880.020 --> 1882.260] Really hard to tell the difference and then right at the end
|
399 |
+
[1882.260 --> 1888.820] We see his eyes find the camera and his face relaxes and there's almost a slight hint of a tiny little smile there
|
400 |
+
[1888.980 --> 1894.420] And this is a classic expression we see when we're having an unpleasant conversation with someone or maybe a bit of an argument
|
401 |
+
[1894.420 --> 1896.420] And we realize someone's watching we just go
|
402 |
+
[1896.740 --> 1901.620] Nothing nothing to see here. Everything's good. Things cool. And I think we're getting a little bit of that in that moment
|
403 |
+
[1901.620 --> 1904.820] So in my head in my head purely speculative
|
404 |
+
[1905.220 --> 1908.900] Here's the type of conversation this could have been here's what I like to think happened
|
405 |
+
[1909.220 --> 1911.220] He turned to her and he said something like
|
406 |
+
[1911.220 --> 1914.820] God this sucks the oysters are so much cooler and she was like stay calm
|
407 |
+
[1914.900 --> 1918.500] This is not the time and he was like God didn't say anything. Geez
|
408 |
+
[1919.140 --> 1921.460] So it's that's what I'm imagining in my head now for
|
409 |
+
[1922.180 --> 1923.860] news sources and
|
410 |
+
[1923.860 --> 1931.220] Blogs who cover my videos. Please don't take that literally and write an article about how I'm saying that's a conversation that happened
|
411 |
+
[1931.460 --> 1934.020] It's not and this wasn't the only time where it seemed like
|
412 |
+
[1934.740 --> 1937.380] There wasn't great symmetry between the two of them
|
413 |
+
[1937.380 --> 1942.020] There were numerous times where the camera cut to them and they just seemed out of sync like there's one scene where
|
414 |
+
[1942.420 --> 1947.300] JLo's dancing and then I feel like it's standing there with the exact same energy that I had
|
415 |
+
[1947.700 --> 1950.900] Every time my mom would drag me with her to her errands when I was young
|
416 |
+
[1951.380 --> 1954.820] And then there's another scene where we see them sitting down and
|
417 |
+
[1955.300 --> 1957.700] They're each kind of bobbing to the music
|
418 |
+
[1957.700 --> 1961.300] But notice how out of sync they are usually when we're connected to someone
|
419 |
+
[1961.540 --> 1965.700] We mirror their gestures and we're usually moving with pretty good synchronicity
|
420 |
+
[1965.700 --> 1969.300] And there were numerous times throughout this evening where they just fell out of sync
|
421 |
+
[1969.300 --> 1973.300] So what does this mean does it mean that JLo and Ben Affleck are over and their relationship is in the rocks
|
422 |
+
[1973.300 --> 1977.860] And oh my god, they're gonna break up soon. No, I mean look it can mean that it's possible
|
423 |
+
[1978.340 --> 1984.660] But I think it's a really far cry which couple doesn't have these little bickering moments the difference is most couples
|
424 |
+
[1984.900 --> 1987.060] Don't have a million people looking at them
|
425 |
+
[1987.060 --> 1993.620] Every second of the day. So it's very normal to have these little kind of quick spats and little disagreements or being out of sync
|
426 |
+
[1993.860 --> 1998.020] Look, this is her world. She's at an event the Grammys she's in the music world
|
427 |
+
[1998.260 --> 2000.740] He's not so he's here to encourage her to be with her
|
428 |
+
[2001.140 --> 2005.620] And so I think it's normal that there's many moments where he's not as into it as she is
|
429 |
+
[2005.860 --> 2009.620] Don't think it's a big deal could be but doesn't necessarily indicate that
|
430 |
+
[2013.780 --> 2015.780] You can read it
|
431 |
+
[2036.020 --> 2038.020] Oh
|
432 |
+
[2040.020 --> 2045.140] What a beautiful moment. I love this moment and I probably myself usually my analysis for being
|
433 |
+
[2045.780 --> 2047.540] You know neutral or unbiased
|
434 |
+
[2047.940 --> 2053.060] But I'm gonna be biased in this case because although I had no strong opinions of very styles before I saw this
|
435 |
+
[2053.860 --> 2058.180] I have such a hard time believing that somebody would take the time to do what he did in that moment
|
436 |
+
[2058.820 --> 2063.700] Is not genuinely a really really kind person. So let's look at his reaction
|
437 |
+
[2064.580 --> 2067.700] Immediately as it's announced we see what we saw with
|
438 |
+
[2068.580 --> 2070.580] Kim Petrus and the on say
|
439 |
+
[2070.980 --> 2075.140] Times a million so in Beyonce we saw that eye blocking as she's trying to hold on to this moment
|
440 |
+
[2075.620 --> 2079.140] And with Kim Petrus we saw the mouth open and the hands come out to block it
|
441 |
+
[2079.140 --> 2085.620] So here in this case we're seeing both hands come up and just block everything the eyes the mouth everything
|
442 |
+
[2085.780 --> 2091.700] So if we go back to what I said earlier with how when we are feeling vulnerable or a displaying in emotion
|
443 |
+
[2092.020 --> 2096.100] We might bring our hands up to block that so that we don't display our vulnerability
|
444 |
+
[2096.420 --> 2098.900] Well, this is that to the millionth degree
|
445 |
+
[2098.980 --> 2102.580] Plus we have that eye block with it's not just the eyes are blocked with the eyes
|
446 |
+
[2102.580 --> 2104.660] But the hands are coming on top of the eyes like this
|
447 |
+
[2104.740 --> 2108.500] So it's like an eye block plus putting a chain around it and a padlock
|
448 |
+
[2108.580 --> 2113.220] So it's really trying to savor this moment at the same time trying to block this
|
449 |
+
[2113.780 --> 2117.940] Moment of emotion and both hands up like this to cover the entire face
|
450 |
+
[2118.340 --> 2123.780] Happens in extreme moments of emotion and it could be on all sides of that emotional spectrum
|
451 |
+
[2123.780 --> 2128.820] So it could be like an extreme moments of happiness like something hits you and you just can't believe it
|
452 |
+
[2128.820 --> 2134.420] Oh my god, how happy you are or it could be a moments of sadness like if something's really sad you might go in like this
|
453 |
+
[2134.900 --> 2143.300] And it's it's a lot of things it's closing those eyes to either once again hold on to this moment or keep something out really out
|
454 |
+
[2144.260 --> 2147.300] And at the same time you're hiding your face because that vulnerability
|
455 |
+
[2147.380 --> 2149.780] So again, it's what we saw with Beyonce's eye block
|
456 |
+
[2149.780 --> 2151.940] It's what we saw with Kim Petrus's mouth block
|
457 |
+
[2152.020 --> 2155.700] But times a thousand where everything is being blocked
|
458 |
+
[2155.860 --> 2158.660] And I think there's elements here of trying to hold on to this moment
|
459 |
+
[2158.740 --> 2161.540] But at the same time oh my god, this is unbelievable
|
460 |
+
[2161.700 --> 2165.700] And trying to hide that emotion because subconsciously it's a vulnerability
|
461 |
+
[2165.700 --> 2167.140] And we just need a second
|
462 |
+
[2167.140 --> 2169.060] I think that's what we're seeing there 110 percent
|
463 |
+
[2169.060 --> 2173.060] But that's not the important thing the important thing is what happens when he gets on that stage
|
464 |
+
[2173.140 --> 2176.820] So there's this mega super fan of his on stage
|
465 |
+
[2177.060 --> 2180.580] Um and Trevor Noah gives her the honor of announcing it and we can see her
|
466 |
+
[2180.580 --> 2186.420] She stammer as she says that she's excited and what does he do when he gets on stage? It's so touching. He makes this woman's
|
467 |
+
[2187.220 --> 2189.460] Day year month life
|
468 |
+
[2190.260 --> 2196.180] He runs right up to her with this big exciting like arms extended runs straight for gives her a nice big
|
469 |
+
[2196.500 --> 2200.980] It's not even how it's an embrace he holds her he dances with her he celebrates with her
|
470 |
+
[2200.980 --> 2205.620] It's not this dismissive, you know, thanks homie grab the grammy. This is what's important
|
471 |
+
[2206.020 --> 2210.180] The importance is 0% on the award that he just won which is a massive honor
|
472 |
+
[2210.580 --> 2213.620] It's all about giving her this moment. It's so touching
|
473 |
+
[2213.860 --> 2218.340] He holds on to her dances with her and even when he breaks away from that he doesn't care
|
474 |
+
[2218.420 --> 2222.820] You know, he has to give a speech. He's talking to he's acknowledging her his hand is still on her
|
475 |
+
[2223.220 --> 2228.900] He hasn't broken away. There's nothing in his body language that's saying. I'm just doing this to get away from it
|
476 |
+
[2229.860 --> 2234.740] Hundreds of other performers would have gone up there given a hug taking the grammy. Thank you so much. Walked away
|
477 |
+
[2234.740 --> 2241.540] And that would have been fine. I would have never criticized that but he goes above and beyond to put the focus on this lady
|
478 |
+
[2241.860 --> 2243.860] It's so awesome
|
479 |
+
[2246.900 --> 2248.900] I've been so so inspired by
|
480 |
+
[2249.860 --> 2252.340] Every artist in this category with me at
|
481 |
+
[2252.980 --> 2261.700] A lot of different times in my life. I listened to everyone in this category when I'm alone and I think like on nights like tonight
|
482 |
+
[2261.700 --> 2267.860] It's obviously so important for us to remember that there is now such thing as best in music
|
483 |
+
[2268.180 --> 2273.460] Um and then he speaks right so now we gave this moment to this woman took the attention off himself
|
484 |
+
[2274.020 --> 2278.420] gave this moment to this woman now he comes up to the microphone and
|
485 |
+
[2279.140 --> 2283.060] Notice how the grammy isn't on display. It's not here. He's not like look at what I did
|
486 |
+
[2283.140 --> 2286.020] It's off to the side and we're seeing the underside of it
|
487 |
+
[2286.340 --> 2289.220] And then he starts to speak and the first thing he says we didn't see it there
|
488 |
+
[2289.220 --> 2291.300] But he says shit like you know
|
489 |
+
[2291.780 --> 2295.300] Have a hard time believing this but then he immediately starts to talk about
|
490 |
+
[2296.260 --> 2299.700] The other artists in the category and he says at some point in my career
|
491 |
+
[2300.100 --> 2305.300] I listened to their music and it's important to remember that in this kind of thing there are no winners
|
492 |
+
[2305.780 --> 2310.820] And it's so pure. It's so humble how he's putting the focus like up until this point from the moment
|
493 |
+
[2310.820 --> 2312.660] It was announced or he started speech
|
494 |
+
[2312.660 --> 2316.180] He hasn't put the focus on himself for one second it went from
|
495 |
+
[2317.380 --> 2324.500] That woman to the other nominees and I think almost anyone in this position would take this start thanking people
|
496 |
+
[2324.580 --> 2328.020] You know really take this moment for themselves and I think that's totally normal
|
497 |
+
[2328.020 --> 2330.420] I think any of us would do that but for him
|
498 |
+
[2330.660 --> 2333.540] It's just so humble that he's extending that back
|
499 |
+
[2334.100 --> 2337.380] Towards the nominees. All right now. I'm going to give you guys a bit of a peek behind
|
500 |
+
[2337.940 --> 2340.500] The curtain of my life as a mentalist so
|
501 |
+
[2341.060 --> 2347.860] Basically a mentalist is a magician who focuses more on psychological type tricks things that make it seem like
|
502 |
+
[2347.860 --> 2350.260] We can read your thoughts and we know things about you and we know
|
503 |
+
[2350.820 --> 2355.940] Details about your life and we know the past code for your phone and all these crazy types of things and
|
504 |
+
[2357.060 --> 2361.860] We do readings a lot of time we do readings and these readings might seem like psychic readings
|
505 |
+
[2361.940 --> 2368.020] But the main difference is that mentalists are usually very open about the fact that we're using trickery and psychology
|
506 |
+
[2368.420 --> 2371.220] Most mentalists are quite open about that now
|
507 |
+
[2371.620 --> 2377.140] There's something that as a mentalist I study that I teach and that is a very good part of behavioral analysis
|
508 |
+
[2377.140 --> 2383.140] And we don't talk about enough on the channel and I think we should and that thing is called profiling so profiling is
|
509 |
+
[2383.940 --> 2385.940] Looking at someone's decisions
|
510 |
+
[2386.660 --> 2390.020] The way they conduct themselves way to speak the way they move
|
511 |
+
[2390.260 --> 2392.260] certain things about their appearance
|
512 |
+
[2392.340 --> 2402.020] And understand certain things about how their mind works now interrogators use profiling all the time to adjust the way they communicate with someone to make it more effective
|
513 |
+
[2402.420 --> 2406.100] To communicate with that person and I use this in interviews all the time
|
514 |
+
[2406.420 --> 2409.060] And I use it in my mentalism. I have certain scripts
|
515 |
+
[2409.460 --> 2413.780] There are certain profiles I look for and I present those scripts in my readings and people go oh my god
|
516 |
+
[2414.180 --> 2418.340] How can you know that about me now? There are a lot of profiling systems out there
|
517 |
+
[2418.980 --> 2423.220] Put together by communications experts interrogation experts psychology experts
|
518 |
+
[2423.780 --> 2427.620] One that's very popular that a lot of you talk about in the comments is the Briggs Myers
|
519 |
+
[2428.420 --> 2432.660] System one of my favorites is chase use six-minute x-ray
|
520 |
+
[2432.660 --> 2438.180] I'll leave a link in the description his book describes his profiling system and it's freaking incredible
|
521 |
+
[2438.740 --> 2443.140] But one thing that I teach and this isn't my whole profiling system
|
522 |
+
[2443.300 --> 2445.060] But it's a really interesting thing that I use
|
523 |
+
[2445.700 --> 2451.700] In my mentalism is the idea that every human on this planet is a collector
|
524 |
+
[2451.700 --> 2457.460] We all collect something and there are four types of collectors. There are those who collect
|
525 |
+
[2458.180 --> 2462.740] Objects and things there are those who collect knowledge and information
|
526 |
+
[2463.220 --> 2467.780] There are those who collect people and it's not as creepy as it sounds. Okay back to that in just a second
|
527 |
+
[2468.180 --> 2473.540] And then there are those who collect moments and experiences and I could typically very quickly spot
|
528 |
+
[2474.420 --> 2481.300] Which of those someone falls into and I have a script for each one that I say in my readings and typically it lands pretty good
|
529 |
+
[2481.380 --> 2484.020] So what are these things they're pretty self-explanatory?
|
530 |
+
[2484.100 --> 2486.740] The first one is people will collect things and objects
|
531 |
+
[2486.740 --> 2488.980] We will put a lot of value on acquisitions
|
532 |
+
[2489.220 --> 2493.380] So this is the person you're going to see with the big fancy watch the big fancy car usually dressed
|
533 |
+
[2493.700 --> 2497.780] You know in very flashy or or you know obvious brand names
|
534 |
+
[2498.180 --> 2501.620] They often talk about also things that they bought things that they acquired
|
535 |
+
[2501.860 --> 2504.340] So I have a script for that then the second one is those who
|
536 |
+
[2505.380 --> 2512.580] Collect knowledge and information. So these are the ones we're always willing to learn always sharing links to things and reading things newspapers vlogs
|
537 |
+
[2512.980 --> 2515.780] You know paying attention to expanding their knowledge
|
538 |
+
[2516.020 --> 2520.580] Then we have the third one people who collect people. I know it's a weird terminology, but this is
|
539 |
+
[2521.380 --> 2525.380] People who love to connect whether it's with groups whether it's with individual people
|
540 |
+
[2525.620 --> 2528.900] They they concern themselves with people and paths often fall into this group
|
541 |
+
[2529.700 --> 2532.340] But even in their conversation you might hear about you know
|
542 |
+
[2532.340 --> 2535.380] I was having these conversations with such and such person or I was at such and such events
|
543 |
+
[2535.460 --> 2537.220] So it's about who they know
|
544 |
+
[2538.020 --> 2542.660] And they kind of really place a lot of value on social circles and finally people who
|
545 |
+
[2543.700 --> 2545.060] really
|
546 |
+
[2545.060 --> 2548.820] Value experiences and moments so the material isn't important to them
|
547 |
+
[2549.220 --> 2552.180] People are obviously important to these people as well if they're part of that experience
|
548 |
+
[2552.660 --> 2554.900] But these people put so much value on
|
549 |
+
[2555.460 --> 2562.100] Experience moments that take your breath away individual unique things that they can experience and these people are often
|
550 |
+
[2563.060 --> 2568.820] They have this very laid-back chill vibe now as actual examples of how I use this information here are
|
551 |
+
[2569.860 --> 2572.740] Two scripts that I've used actually in mental and performances
|
552 |
+
[2572.980 --> 2576.980] The first one is for someone that I immediately recognize as someone who collects experiences
|
553 |
+
[2577.300 --> 2583.060] I could just tell from the way she was reacting to the show and the second one is someone that I spotted who collects knowledge
|
554 |
+
[2583.140 --> 2584.740] So both of these scripts are
|
555 |
+
[2585.620 --> 2589.780] Because I noticed that and I just spit out the script and and you'll see how it turns out
|
556 |
+
[2590.100 --> 2592.740] I also do believe somebody used the word minimalist before I do believe you
|
557 |
+
[2592.740 --> 2596.020] I believe you appreciate the small things in life like moments
|
558 |
+
[2596.180 --> 2600.180] Experiences rather than tangible things does that make sense? Yeah
|
559 |
+
[2601.140 --> 2605.060] You thought of something that connects you sentimentally to someone you've had this for a very long time
|
560 |
+
[2607.860 --> 2610.580] And it's not new like if I look at it. It's not a new thing
|
561 |
+
[2611.300 --> 2613.300] It's taken some damage
|
562 |
+
[2614.820 --> 2616.820] Remember you said
|
563 |
+
[2617.780 --> 2621.780] And and you feel because there's you have this ability to understand things pretty quickly
|
564 |
+
[2622.100 --> 2625.940] And sometimes you get impatient trying to explain it to people does that make sense? Yeah
|
565 |
+
[2629.540 --> 2634.900] Okay, and all this to say all that I thought you would have fun with that a little bit to start noticing these things
|
566 |
+
[2634.900 --> 2636.980] That was one reason that I wanted to talk about that
|
567 |
+
[2637.060 --> 2642.900] But another reason is because Harry Styles is 100% one of these four things
|
568 |
+
[2643.220 --> 2647.700] And I wonder if you can guess which one it is so often if you could pause the video and go comment
|
569 |
+
[2647.700 --> 2652.500] And then see if you got it right or you can just right now in your head try to decide what do you think
|
570 |
+
[2653.380 --> 2656.180] Harry Styles is does he collect things and objects
|
571 |
+
[2656.740 --> 2663.380] Does he collect people knowledge and information or moments and experiences what does he collect and the answer is
|
572 |
+
[2664.340 --> 2668.740] Moments and experiences 100% and of course people as well plays part of that because he puts
|
573 |
+
[2669.140 --> 2673.940] Important some people because he acknowledges their experience like for example when he went on that stage
|
574 |
+
[2673.940 --> 2679.300] He was immediately conscious of fact that he can make this a night that that woman will remember for the rest of her life
|
575 |
+
[2679.380 --> 2680.820] So he gave her that experience
|
576 |
+
[2680.900 --> 2683.620] But as we look at the way he speaks about this moment
|
577 |
+
[2684.180 --> 2691.460] It's all about this moment this experience the tangible the award itself is meaningless even says there is no best
|
578 |
+
[2691.860 --> 2697.060] Like as much as this is a great distinction there is no best and then he says this
|
579 |
+
[2697.620 --> 2700.100] I don't think any of us sitting in the studio thinking
|
580 |
+
[2700.740 --> 2703.540] Making decisions based on what is gonna get us one of these
|
581 |
+
[2704.500 --> 2708.340] So again, look at that focus on it's not about the tangible. It's not about the material
|
582 |
+
[2708.740 --> 2712.740] It's about the experience of writing music and what it means to him. So
|
583 |
+
[2713.540 --> 2716.420] This is such a classic example of somebody who collects
|
584 |
+
[2716.820 --> 2724.020] Experiences and moments now although I love using this collectors thing in my mentalism to have those scripts
|
585 |
+
[2724.020 --> 2728.500] And have people go my god is in my head and then go on to you know reveal more things about them that I can't know
|
586 |
+
[2729.300 --> 2732.500] It has a lot more uses outside of that. So if you're not a performer
|
587 |
+
[2733.460 --> 2734.740] In day-to-day communication
|
588 |
+
[2734.820 --> 2738.500] So when we spot these things in people that helps us adjust to know how to talk to them
|
589 |
+
[2738.500 --> 2744.820] So if I spot someone who collects objects or things I know to talk to them about certain things that they have
|
590 |
+
[2744.820 --> 2747.940] And say well, that's a really unique watch you have tell me about that
|
591 |
+
[2748.260 --> 2750.980] But when you see someone who collects moments and experiences
|
592 |
+
[2751.140 --> 2755.940] You might ask them to tell you about a trip that they took or tell you about a unique thing that they experience
|
593 |
+
[2755.940 --> 2760.100] And they will connect with you a lot more through that and instead of you sharing with them
|
594 |
+
[2760.580 --> 2765.060] You know something you learned or some information you gained you can tell them about a unique experience
|
595 |
+
[2765.060 --> 2768.980] So it helps us adjust our communication and I think it's super valuable
|
596 |
+
[2769.540 --> 2774.340] Whether you want to go below minds as a mentalist or you want to improve the way you communicate with people
|
597 |
+
[2774.580 --> 2778.100] And I think that's a great way to end with that. This really awesome takeaway value
|
598 |
+
[2778.100 --> 2781.620] And you could start noticing out there in the real world who collects what?
|
599 |
+
[2781.780 --> 2784.740] All right, there was definitely a big roller coaster on this one
|
600 |
+
[2784.900 --> 2789.380] Actually a lot of high is mostly mostly positive stuff a lot of great different reactions
|
601 |
+
[2789.860 --> 2791.700] To the same thing that we saw there
|
602 |
+
[2791.780 --> 2794.660] You know would be on say a little bit more calm trying to save for the moment
|
603 |
+
[2795.380 --> 2801.780] With with Kim we have this big surprise with with Harry super emotional moment and just immediately putting the focus on everyone
|
604 |
+
[2802.100 --> 2806.420] Except for himself. So that was really incredible. Hope you enjoyed this one. Hope you enjoyed
|
605 |
+
[2806.820 --> 2812.340] Doubling a little bit into the profiling. Let me know what you thought about that and if you guys want to learn a little bit more about profiling on the channel
|
606 |
+
[2812.500 --> 2817.700] I would love to talk about or I do it all the time as a mentalist. Let me know in the comments and I will see you on the next one
|
transcript/award_IKe3RMgCyVI.txt
ADDED
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1 |
+
[0.000 --> 1.760] Hello and welcome back my Roger Rogues.
|
2 |
+
[1.760 --> 4.520] My name is Jesus and Ricka Rosa, some the Roger Rogue.
|
3 |
+
[4.520 --> 7.360] And tonight we have the opportunity to go back
|
4 |
+
[7.360 --> 9.720] to the old days of body language analysis
|
5 |
+
[9.720 --> 12.240] with the message from William and Harry
|
6 |
+
[12.240 --> 14.160] for the Diana Awards.
|
7 |
+
[14.160 --> 17.560] I know that in many ways we cannot compare them
|
8 |
+
[17.560 --> 19.760] because well, it's not like in this channel
|
9 |
+
[19.760 --> 22.640] we are not fans of the Prince and Princess of Wales.
|
10 |
+
[22.640 --> 26.760] And let's say we don't fancy the sausages that much,
|
11 |
+
[26.760 --> 30.200] but in spite of that I will try to be fair.
|
12 |
+
[30.200 --> 32.520] I gotta keep the words that they said
|
13 |
+
[32.520 --> 35.760] because both of them had a scripted speech,
|
14 |
+
[35.760 --> 39.040] which most of the time has been carefully created
|
15 |
+
[39.040 --> 41.520] to convey a very specific message
|
16 |
+
[41.520 --> 44.240] and for that matter there could be a lack
|
17 |
+
[44.240 --> 47.280] of its puntenity in the content of their words.
|
18 |
+
[47.280 --> 50.160] So I prefer to focus on their body language.
|
19 |
+
[50.160 --> 52.640] And by the way, I'm going to show you
|
20 |
+
[52.640 --> 55.720] one part of William's speech.
|
21 |
+
[55.720 --> 57.920] So I can better explain the most relevant part
|
22 |
+
[57.920 --> 61.040] of his delivery, but first let's take a general look
|
23 |
+
[61.040 --> 62.520] at his presses.
|
24 |
+
[62.520 --> 66.040] Well, first of all, a classic combination of blue jacket
|
25 |
+
[66.040 --> 67.720] and light blue shirt, that is something
|
26 |
+
[67.720 --> 69.720] that is almost William's brand.
|
27 |
+
[69.720 --> 71.560] Think of Harry's gray suit.
|
28 |
+
[71.560 --> 73.720] Well, there's William's blue jacket.
|
29 |
+
[73.720 --> 76.960] It always looks good on him and he's got extra points
|
30 |
+
[76.960 --> 78.960] because it's impeccably tailored.
|
31 |
+
[78.960 --> 80.760] And you might think that I'm being tune it
|
32 |
+
[80.760 --> 82.800] picky with the way he dresses,
|
33 |
+
[82.800 --> 85.200] but when you're on video, what you wear
|
34 |
+
[85.200 --> 88.000] is part of the message.
|
35 |
+
[88.000 --> 91.640] I was a bit confused because of the background.
|
36 |
+
[91.640 --> 95.640] It features some sort of those modular dividers,
|
37 |
+
[95.640 --> 99.600] but in this case with Chinese figures and characters.
|
38 |
+
[99.600 --> 102.240] Was he having Kung Pao chicken or something?
|
39 |
+
[102.240 --> 105.560] Not complaining, but the background was a bit odd
|
40 |
+
[105.560 --> 107.240] and flat.
|
41 |
+
[107.240 --> 109.800] In regard to his body language, you know
|
42 |
+
[109.800 --> 113.480] that William has this technique of moving his head
|
43 |
+
[113.480 --> 115.440] in an expatter.
|
44 |
+
[115.440 --> 117.120] Sometimes his head goes this way
|
45 |
+
[117.120 --> 119.440] that he lowers it in opposite direction,
|
46 |
+
[119.440 --> 122.480] then does the same for the other side and so on.
|
47 |
+
[122.480 --> 126.200] And just to be clear, it is not annoying or anything.
|
48 |
+
[126.200 --> 130.680] He's been doing this movement in his speeches from some years
|
49 |
+
[130.680 --> 133.920] ago, and it's a neuro-linguistic programming tip.
|
50 |
+
[133.920 --> 137.040] It has to do with hip gnosis as well.
|
51 |
+
[137.040 --> 139.280] What he's doing is that he is talking
|
52 |
+
[139.280 --> 142.400] and he's nodding with his head at the same time.
|
53 |
+
[142.400 --> 145.600] You know that recommendations we have
|
54 |
+
[145.600 --> 149.680] when we are listening is to nod every now and then
|
55 |
+
[149.680 --> 152.160] to give this speaker some reassurance.
|
56 |
+
[152.160 --> 155.800] But here William proves that you can do it yourself,
|
57 |
+
[155.800 --> 157.800] even if you are the speaker.
|
58 |
+
[157.800 --> 161.440] And this is essentially to trigger our mirror neurons
|
59 |
+
[161.440 --> 163.080] into agreeing with him.
|
60 |
+
[163.080 --> 165.680] We see him moving his head in this pattern.
|
61 |
+
[165.680 --> 167.600] And we feel like we are doing the same
|
62 |
+
[167.600 --> 170.240] and agreeing with his words.
|
63 |
+
[170.240 --> 172.720] This is something that I teach my clients.
|
64 |
+
[172.720 --> 175.320] The trick here is that you need to practice
|
65 |
+
[175.320 --> 178.240] until you nail the rhythm and delivery.
|
66 |
+
[178.240 --> 180.480] If you do it too slow or erratic,
|
67 |
+
[180.480 --> 182.800] they do not have the hypnotic effect.
|
68 |
+
[182.800 --> 184.080] But if you do it too fast,
|
69 |
+
[184.080 --> 186.920] you will look outward or a bit crazy.
|
70 |
+
[186.920 --> 188.920] But yes, that's something that you can do
|
71 |
+
[188.920 --> 191.360] even during a conversation.
|
72 |
+
[191.360 --> 193.720] Maybe with the not so wide movements.
|
73 |
+
[193.720 --> 196.960] Remember that in this case, he exaggerating them a bit
|
74 |
+
[196.960 --> 199.120] due to speaking to a camera.
|
75 |
+
[199.120 --> 203.240] And you will literally hypnotize your audience.
|
76 |
+
[203.240 --> 206.920] Another thing that I noticed is that William recorded
|
77 |
+
[206.920 --> 208.640] this message standing up.
|
78 |
+
[208.640 --> 211.400] And that is one of the most difficult ways
|
79 |
+
[211.400 --> 213.160] of recording a message.
|
80 |
+
[213.160 --> 215.680] Because he's not using his hands that much.
|
81 |
+
[215.680 --> 216.960] And that's the thing.
|
82 |
+
[216.960 --> 220.880] We tend to use our hands more when we are seated.
|
83 |
+
[220.880 --> 222.520] Well, except if you're Italian,
|
84 |
+
[222.520 --> 223.800] you use them all the time.
|
85 |
+
[223.800 --> 225.800] But by the shape of his arms
|
86 |
+
[225.800 --> 227.240] and how his torso moves,
|
87 |
+
[227.240 --> 230.200] I guess that he was holding the royal stance
|
88 |
+
[230.200 --> 233.400] with his hands in front of the crown jewels.
|
89 |
+
[233.400 --> 236.520] So it's interesting that even with such an uncomfortable posture,
|
90 |
+
[236.520 --> 238.800] he can sound eloquent.
|
91 |
+
[238.800 --> 242.400] But William's best asset when speaking
|
92 |
+
[242.400 --> 244.320] is the way he uses pauses.
|
93 |
+
[244.320 --> 247.440] So watch this very small clip to understand what I mean.
|
94 |
+
[247.440 --> 250.960] Pay attention to how he pauses after certain words.
|
95 |
+
[250.960 --> 253.680] Her tireless advocacy and powerful words
|
96 |
+
[253.680 --> 257.560] have been instrumental in creating change for so many.
|
97 |
+
[257.560 --> 260.040] Had a story is one of many.
|
98 |
+
[260.040 --> 262.920] Every single one of the young people we are celebrating today
|
99 |
+
[262.920 --> 265.480] have been on their own unique journey,
|
100 |
+
[265.480 --> 268.440] driven by their own passions, perspectives,
|
101 |
+
[268.440 --> 269.880] and life experience.
|
102 |
+
[269.880 --> 273.680] Those pauses add gravitas and power to his voice and message.
|
103 |
+
[273.680 --> 277.680] This is extremely important, not only because of the rhythm
|
104 |
+
[277.680 --> 281.160] that you need to keep when to do those pauses.
|
105 |
+
[281.160 --> 284.280] Although I guess that if he has a teleprompter
|
106 |
+
[284.280 --> 286.280] or a script in front of him,
|
107 |
+
[286.280 --> 289.440] he could have those pauses marked beforehand.
|
108 |
+
[289.440 --> 291.600] But his delivery at most important,
|
109 |
+
[291.600 --> 294.880] his voice tone is impeccable.
|
110 |
+
[294.880 --> 297.840] It's also very expressive with his facial expressions,
|
111 |
+
[297.840 --> 301.000] which adds warmth to his speech.
|
112 |
+
[301.000 --> 304.400] If I had to change anything, it would be a departure.
|
113 |
+
[304.400 --> 307.480] Standing up is perhaps not the most comfortable way
|
114 |
+
[307.480 --> 309.680] to deliver a message.
|
115 |
+
[309.720 --> 311.640] It takes a lot of practice and it's obvious
|
116 |
+
[311.640 --> 314.040] that William has put in the work.
|
117 |
+
[314.040 --> 315.880] But if you need to talk to a camera,
|
118 |
+
[315.880 --> 317.400] you can use my trick.
|
119 |
+
[317.400 --> 319.360] Keep a table under your elbows.
|
120 |
+
[319.360 --> 321.680] You'll notice that this way it's vastly easier
|
121 |
+
[321.680 --> 324.040] to relax and be convincing.
|
122 |
+
[324.040 --> 325.560] Well, let's move on to Harold,
|
123 |
+
[325.560 --> 328.160] who was in good company of Diana Ward,
|
124 |
+
[328.160 --> 330.120] recipient from 2021.
|
125 |
+
[330.120 --> 331.360] And they are at a studio.
|
126 |
+
[331.360 --> 333.600] So in this case, he's got the benefit
|
127 |
+
[333.600 --> 337.000] that the background looks much more professional.
|
128 |
+
[337.000 --> 340.280] And there's a better separation from figure to background.
|
129 |
+
[340.280 --> 344.560] That quality influences the way we absorb his message.
|
130 |
+
[344.560 --> 347.640] The first thing that we feel is a bit uncomfortable
|
131 |
+
[347.640 --> 350.680] that there are at least two cameras around them
|
132 |
+
[350.680 --> 353.360] and Harry's talking to just one of them.
|
133 |
+
[353.360 --> 355.720] Of course, but when the other camera points at him,
|
134 |
+
[355.720 --> 358.680] it looks like he's talking away from us.
|
135 |
+
[358.680 --> 362.960] So his message doesn't look as personal as Williams.
|
136 |
+
[362.960 --> 364.240] Also for the life of me,
|
137 |
+
[364.240 --> 367.360] I don't know why did he choose a dark gray suit
|
138 |
+
[367.360 --> 368.600] and a gray shirt.
|
139 |
+
[368.600 --> 370.920] It looks lifeless, dull.
|
140 |
+
[370.920 --> 372.160] It would have been much, much better,
|
141 |
+
[372.160 --> 375.080] a cream or light jacket and a light tone shirt
|
142 |
+
[375.080 --> 376.480] and darker chinos.
|
143 |
+
[376.480 --> 378.080] That would have worked in his favor.
|
144 |
+
[378.080 --> 381.680] But even if it's Harry and I make fun of him all the time,
|
145 |
+
[381.680 --> 383.320] his hair looks okay.
|
146 |
+
[383.320 --> 387.040] I guess I noticed him much more smiley than other times.
|
147 |
+
[387.040 --> 391.680] In fact, I don't remember the last time I saw him smiling like this.
|
148 |
+
[391.680 --> 393.800] Yes, we know become a denominator.
|
149 |
+
[393.800 --> 395.920] Megan is not around.
|
150 |
+
[395.920 --> 398.360] And I have said that a thousand times,
|
151 |
+
[398.360 --> 400.480] but it just escapes my comprehension
|
152 |
+
[400.480 --> 403.800] how it's confirmed over and over again.
|
153 |
+
[403.800 --> 405.960] But he's also rather fidgety.
|
154 |
+
[405.960 --> 409.360] For starters, he's not planting his feet flat on the ground,
|
155 |
+
[409.360 --> 411.880] which is important to have a better posture.
|
156 |
+
[411.880 --> 413.720] You notice that he's a bit hunched.
|
157 |
+
[413.720 --> 417.120] Like he is smaller than he really is.
|
158 |
+
[417.120 --> 418.480] That would be fixed.
|
159 |
+
[418.480 --> 420.080] He just brought his feet forward
|
160 |
+
[420.080 --> 423.280] and planted them flat on the floor.
|
161 |
+
[423.280 --> 427.840] Also, the hand fidgeting is something that distracts.
|
162 |
+
[427.840 --> 430.840] I know that Harry is someone who cannot stay
|
163 |
+
[430.840 --> 433.880] without moving for long periods of time.
|
164 |
+
[433.880 --> 435.000] Now that I think of it,
|
165 |
+
[435.000 --> 438.480] who knows what did he took for that Oprah interview?
|
166 |
+
[438.480 --> 439.680] But whatever.
|
167 |
+
[439.680 --> 442.120] I'm of the idea that if you are fidgety,
|
168 |
+
[442.120 --> 445.520] then don't try to control it because it will be worse.
|
169 |
+
[445.520 --> 449.120] But the problem is, when we need to talk about confidence
|
170 |
+
[449.120 --> 452.280] and how others perceive you,
|
171 |
+
[452.280 --> 455.800] so no matter if Harry looks a bit happier than other times,
|
172 |
+
[455.800 --> 457.680] the way that he's moving that way
|
173 |
+
[457.680 --> 460.360] has those superficial gestures.
|
174 |
+
[460.360 --> 464.000] Also send a message that he's uncomfortable.
|
175 |
+
[464.000 --> 466.640] Even if he wasn't uncomfortable,
|
176 |
+
[466.640 --> 468.920] that's the message he's sending.
|
177 |
+
[468.920 --> 469.840] I'm going to play a clip.
|
178 |
+
[469.840 --> 471.200] You're going to notice that, of course,
|
179 |
+
[471.200 --> 473.760] his delivery is and nothing like Williams,
|
180 |
+
[473.760 --> 475.880] but I just want you to listen to him
|
181 |
+
[475.880 --> 478.680] so you can give me your opinion in the comments.
|
182 |
+
[478.680 --> 480.480] When someone steps up to be of service,
|
183 |
+
[480.480 --> 483.040] they automatically join this collective.
|
184 |
+
[483.040 --> 485.880] No one is ever a conduit for change alone.
|
185 |
+
[485.880 --> 487.120] Each one of us has the ability
|
186 |
+
[487.120 --> 489.440] to help create a more equitable world.
|
187 |
+
[489.440 --> 490.760] And the brilliant award recipients
|
188 |
+
[490.760 --> 493.320] we're honoring today are proof of that.
|
189 |
+
[493.320 --> 495.120] I have to acknowledge and other thing
|
190 |
+
[495.120 --> 498.480] that even if he's reading a script on a screen,
|
191 |
+
[498.480 --> 500.320] reading on and the screen,
|
192 |
+
[500.320 --> 501.760] turning to a look at her
|
193 |
+
[501.760 --> 503.640] and sometimes going back at the screen
|
194 |
+
[503.640 --> 505.560] and keep reading,
|
195 |
+
[505.560 --> 507.960] that's a bit more difficult that you can imagine.
|
196 |
+
[507.960 --> 510.640] It's obvious that this had editing
|
197 |
+
[510.640 --> 513.200] and maybe they needed a few takes to get it right,
|
198 |
+
[513.200 --> 516.000] but at least whoever directed this
|
199 |
+
[516.000 --> 517.920] had the patience to make Harry,
|
200 |
+
[517.920 --> 520.080] well, look good.
|
201 |
+
[520.080 --> 523.360] Even if he looks really dull and uncomfortable,
|
202 |
+
[523.360 --> 525.200] but I would like to know what do you think
|
203 |
+
[525.200 --> 529.800] about William and Harry and the Diana Awards in the comments.
|
204 |
+
[529.800 --> 531.800] My Roger Rogis, it is my greatest pleasure
|
205 |
+
[531.800 --> 533.720] to make this daily videos for you.
|
206 |
+
[533.720 --> 535.680] All you need to do to keep me inspired
|
207 |
+
[535.680 --> 537.400] by making them is click in the like
|
208 |
+
[537.400 --> 538.960] and subscribe buttons.
|
209 |
+
[538.960 --> 540.240] It's that easy.
|
210 |
+
[540.240 --> 544.640] Remember the two most important words, much love and bliss.
|
transcript/award_JTc4tKpTwds.txt
ADDED
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|
1 |
+
[0.000 --> 5.680] awkward moments happen to all of us. Some of us are able to manage them better compared
|
2 |
+
[5.680 --> 12.660] to others. So for a new Body Language Hackers video, we will be analyzing awkward moments
|
3 |
+
[12.660 --> 19.040] of famous award functions. You might be aware of these moments as they are really famous.
|
4 |
+
[19.040 --> 25.080] However, today we will be covering how people in the spotlight handle these not so welcome
|
5 |
+
[25.080 --> 30.800] moments from a Body Language perspective. My name is Aaron Scott Thames and I'll be the
|
6 |
+
[30.800 --> 33.560] host for this episode of Body Language Hackers.
|
7 |
+
[33.560 --> 55.440] One Skatey Berry literally became an angel for an event. Her wing scored a lot of attention
|
8 |
+
[55.440 --> 61.080] as she struggled to walk through the doors. What was even more vividly remembered by Paul
|
9 |
+
[61.080 --> 67.400] was a woman who she almost knocked off. Katey Berry gracefully walked past her, happily
|
10 |
+
[67.400 --> 73.160] posing for the cameras as if nothing ever happened. But if we observe the woman who Katey
|
11 |
+
[73.160 --> 79.440] Berry knocked, she is clearly in a state of shock as indicated by her Body Language. She
|
12 |
+
[79.440 --> 85.800] ducks and instinctively tries to save her white logins by putting her hands on her chest.
|
13 |
+
[85.800 --> 91.660] Once she understands this situation, she moves to the back, letting Berry true. Here,
|
14 |
+
[91.660 --> 97.380] Berry handles her awkward moment pretty well. We all know how impactful the red carpet entry
|
15 |
+
[97.380 --> 104.560] is and what the celebrities do to make it picture perfect. So when the legendary actress
|
16 |
+
[104.560 --> 111.000] Mel Street was happily posing for the cameras at the Oscars, she tripped on her own dress.
|
17 |
+
[111.000 --> 116.240] She quickly regained her composure and continued walking, but her Body Language showed that
|
18 |
+
[116.240 --> 121.800] she was scared by her sudden movement. As she quickly stepped away from whatever caused
|
19 |
+
[121.800 --> 127.480] her to trip, our bodies reacted to the angel faster than the time we take to process what
|
20 |
+
[127.480 --> 135.440] exactly the danger is.
|
21 |
+
[135.440 --> 142.320] Trying to create an epic entry with an umbrella, Michael Keegan Key had an awkward moment.
|
22 |
+
[142.320 --> 147.160] After his grand demeanor while landing down, we suddenly see him struggling to close
|
23 |
+
[147.160 --> 153.840] his umbrella, which rift users to bit obeying him. At the end, he just lets go of the umbrella
|
24 |
+
[153.840 --> 160.400] and walks ahead. In these moments, his Body Language gives ample cues of his struggling.
|
25 |
+
[160.400 --> 166.080] We see him giving a forced or controlled smile to avoid showing his embarrassment. He also
|
26 |
+
[166.080 --> 171.920] blinks his eyes rapidly to process what's happening. Key's way of handling this situation
|
27 |
+
[171.920 --> 178.200] is by overdoing the awkwardness. Making it look more comical than awkward, in the process
|
28 |
+
[178.200 --> 183.960] of saving his grace. Well done! Our beloved Jennifer Lawrence got famous at the Oscars
|
29 |
+
[183.960 --> 189.960] for a very unusual thing. In one such case, she tripped one time in the stairs to receive
|
30 |
+
[189.960 --> 195.640] her Oscar and got a standing ovation. Probably dealing with the huge moment of getting an
|
31 |
+
[195.640 --> 202.240] Oscar, she forgot to focus on her not so simple dress. Once on the stage, what we observe
|
32 |
+
[202.240 --> 209.000] is that Jennifer is happy to receive her award but is also nervous at the same time, as
|
33 |
+
[209.000 --> 215.160] revealed by her body language. She touches her chest, adjusts her dress and then touches
|
34 |
+
[215.160 --> 222.800] her face. These are all indications of noisiness that she was experiencing. She tanks everybody
|
35 |
+
[222.800 --> 229.280] for standing up but she is still anxious as indicated by her hyper choice, her frequent
|
36 |
+
[229.280 --> 237.360] swallowing and her breathlessness. She is also embarrassed and she looks down when she says
|
37 |
+
[237.360 --> 238.360] she fell.
|
38 |
+
[245.160 --> 268.280] Next we have Naomi Wands, who tripped over Emma Stone's gown while accepting her award
|
39 |
+
[268.280 --> 274.080] for the movie Birdman. Emma too was shocked by what just happened. Her eyes went wide as
|
40 |
+
[274.080 --> 279.520] she quickly apologized and adjusted her dress. She handled the awkward moment by grabbing
|
41 |
+
[279.520 --> 286.800] a bike to avoid falling as Edward held her hand. She took a moment before she spoke by touching
|
42 |
+
[286.800 --> 292.040] her face and then started her time use speech. Do you notice the way both women flick their
|
43 |
+
[292.040 --> 297.840] hair? They are instinctively mirroring each other, signaling that they generally get along
|
44 |
+
[297.840 --> 303.600] well. The hair flicking is actually a way of handling awkwardness. So the next time you
|
45 |
+
[303.600 --> 308.720] get someone adjusting their hair, try to notice whether they are grooming themselves or
|
46 |
+
[308.720 --> 313.040] they are just relieving their stress.
|
47 |
+
[313.040 --> 329.120] Who can forget James Franco and Annie Hadrey as host for the Oscars? The non-so-guide chemistry
|
48 |
+
[329.120 --> 337.040] of was widely reported. Let's observe their body language. An event as big as this is
|
49 |
+
[337.040 --> 341.920] bound to give some of the celebrities the jitters, even though they are used to facing cameras
|
50 |
+
[341.920 --> 348.960] day in and day out. Observe how both of them are touching their dresses to hide their stress,
|
51 |
+
[348.960 --> 354.160] right at the moment they step onto the stage. It may look as if they were pretending to
|
52 |
+
[354.240 --> 360.560] look better, but non-verbally these are signs of stress. Look at the tension and the redraw on
|
53 |
+
[360.560 --> 366.240] the face's hair. Then there's Franco looking at the ceiling, whereas Annie is looking down at the
|
54 |
+
[366.240 --> 374.400] stage. Annie also says she is excited, but her non-worldly behavior says otherwise. High-pitched voices,
|
55 |
+
[374.400 --> 382.000] rushed words, tense demeanor, we also see Annie constantly shifting position as she spoke, a clear
|
56 |
+
[382.080 --> 389.440] sign of discomfort. One of the signs of good chemistry between hosts is some similarities in
|
57 |
+
[389.440 --> 396.800] movements or some secrecy in reactions. What do we see here though? Annie does ask Franco a question
|
58 |
+
[396.800 --> 403.600] and looks at him, but not once this Franco look at her. Then Annie says she loves a movie,
|
59 |
+
[403.600 --> 409.520] the fighter, but Franco's reaction does not go in sync with what Annie is saying. But small is
|
60 |
+
[409.520 --> 415.040] that he looks the opposite direction. Clearly no harmony in movements of the two hosts.
|
61 |
+
[415.920 --> 422.080] That's actually Mark Wahlberg, Academy Award nominee. Yes, and we loved his film The Fighter.
|
62 |
+
[425.120 --> 428.160] Alright, it's been such a great year for big studio pictures.
|
63 |
+
[428.160 --> 433.760] Gontrul does not only known for his acting, but also for his eccentric behavior at the Oscars.
|
64 |
+
[434.400 --> 441.360] One such incident was pronouncing the wrong name of Adina Menzel while presenting her word.
|
65 |
+
[442.160 --> 448.160] Adina took her revenge by calling John the wrong name too. By carefully observing their body
|
66 |
+
[448.160 --> 454.240] language, we see that they are trying their best to interact positively, but their body language
|
67 |
+
[454.240 --> 461.280] says otherwise. They are hugging each other and giving a tight, forced smile. We find John touching
|
68 |
+
[461.360 --> 468.240] our face and speaking all those positive things, but both are experiencing stress. How do we know that?
|
69 |
+
[468.880 --> 474.960] John is fiddling with the paper that he has in his hand, and Adina is continuously rubbing
|
70 |
+
[474.960 --> 481.280] her hands. If you listen closely, you will be able to catch how high Adina's pitch goes,
|
71 |
+
[481.840 --> 487.360] as she tries to tackle the situation. So definitely the two were not able to handle their
|
72 |
+
[487.440 --> 494.400] awkward moment at all. Is that right? You did it! That was so good! It felt like it's going to
|
73 |
+
[494.400 --> 498.240] follow me around for the rest of my life, right? Tell me about it.
|
74 |
+
[505.120 --> 512.720] Now let's focus on more interesting moments. The monumental errors that was done in the 2017
|
75 |
+
[512.720 --> 518.720] Oscar were Warren and Fay Dunway were given a wrong envelope for the best picture award.
|
76 |
+
[519.600 --> 525.840] Jordan is clearly overven with the announcement that has seen Wonder Oscar. We can see him
|
77 |
+
[525.840 --> 532.400] exhaling loudly a couple of times while giving his speech. When he had just finished his inspiring
|
78 |
+
[532.400 --> 540.560] speech, this error comes to light by the La La Land team. Oh my god was this so awkward!
|
79 |
+
[541.520 --> 547.120] We observed some commotion happening in the background. Jordan's instinctive reaction to
|
80 |
+
[547.120 --> 553.200] learning that he had been incorrectly announced, the winner is to take a step back like he wishes
|
81 |
+
[553.200 --> 559.520] not to be there. We also see Warren the award announcer extremely unsure of the awkward
|
82 |
+
[559.520 --> 565.680] situation that he has been put into and phrases. That's when Jordan, the producer of La La Land,
|
83 |
+
[566.160 --> 572.720] comes forward. He apologizes and asks the moonlight cast to come on stage. We find him clarifying
|
84 |
+
[572.720 --> 578.240] the real winners to everyone with effective use of body language through eyebrow raising,
|
85 |
+
[578.240 --> 582.880] touching his heart region indicating that he is in full agreement to what he is saying.
|
86 |
+
[583.600 --> 589.840] Finally, he shows a card to the audience for their short. There is absolutely no hesitation in
|
87 |
+
[589.920 --> 596.480] his movements all his ways, suggesting how able he is to command himself of being emotional about
|
88 |
+
[596.480 --> 602.160] winning the award to congratulating the other team in just minutes later. All in all, this was an
|
89 |
+
[602.160 --> 607.840] extremely awkward moment that was handled really well. Moonlight, you guys won best picture.
|
90 |
+
[612.240 --> 614.480] This is not a joke, I'm afraid they read the wrong thing.
|
91 |
+
[615.440 --> 622.160] Wrong awards are not limited to the Oscars but also beauty pageants. In 2015,
|
92 |
+
[622.160 --> 626.400] Steve Harvey gave the award of Miss Universe to the wrong person.
|
93 |
+
[627.200 --> 632.320] Observe his body language when he is coming to apologies and correct his error.
|
94 |
+
[634.080 --> 637.520] He is walking slower than normal and he is looking around.
|
95 |
+
[638.240 --> 643.760] This happens when we are not very sure what just happened. We can see how genuinely is by
|
96 |
+
[643.760 --> 649.200] reflecting his hand just so close to his heart and constantly shaking unknown.
|
97 |
+
[650.480 --> 656.480] Like he is unable to believe what a grave mistake he made. Clearly the ladies are not prepared
|
98 |
+
[656.480 --> 663.040] and do not know what to do in such a situation. Miss Columbia has already finished her first walk
|
99 |
+
[663.040 --> 669.120] as Miss Universe. After that, Miss Philippines realises that in fact she had won the title.
|
100 |
+
[669.760 --> 675.440] So she mainly phrases her reactions. We see her days as she walks forward.
|
101 |
+
[675.440 --> 680.080] She takes her own time to get into control and doesn't show any signs of happiness at all.
|
102 |
+
[688.080 --> 695.520] It was my mistake. It was on the car. Horrible mistake but the right thing I can show it to you
|
103 |
+
[695.760 --> 702.080] right here. The first runner up is Columbia. It is my mistake. Still a great night.
|
104 |
+
[703.840 --> 705.600] Please don't hold it against the ladies.
|
105 |
+
[711.280 --> 717.200] Over here we can see Scarlett Johnson surprised by a sudden kiss by John Troolder who
|
106 |
+
[717.200 --> 722.960] intruded onto her personal space when her attention was elsewhere. Scarlett gives enough views
|
107 |
+
[722.960 --> 727.840] to indicate that she doesn't like John Troolder's actions but these are subtle and might miss
|
108 |
+
[727.840 --> 733.520] most people's notice. Watch how she raises up her hands in defense when Troolder hugs her
|
109 |
+
[733.520 --> 739.120] unannounced. This is highly instinctive and no one will be able to stop such a reaction.
|
110 |
+
[739.120 --> 744.080] Scarlett turns all the way around to make sure that he is out of sight before doing anything further.
|
111 |
+
[744.640 --> 750.240] Watch how her body expanded out to guard her territory. Since she was taken by surprise,
|
112 |
+
[750.880 --> 756.800] we see her giving her contempt smile suggesting that she thinks his actions was beyond consideration
|
113 |
+
[756.800 --> 761.920] and were blissed to think of. Overall since most of these actions are instinctive, we were
|
114 |
+
[761.920 --> 767.600] going to say that Scarlett handled the situation pretty well. In the 2000s and 3 Oscars Brodie
|
115 |
+
[767.600 --> 774.560] kissed Halle Berry after winning an Oscars. Halle is really shocked as indicated here. Her eyes
|
116 |
+
[774.640 --> 781.200] are wide open and so is a mouth but what's interesting is Brodie's reaction. His lips are tightly
|
117 |
+
[781.200 --> 787.440] shut and his body is leaning away from Berry just after the kiss. So what does this mean? Was he
|
118 |
+
[787.440 --> 789.920] really involved in the kiss at all or no?
|
119 |
+
[790.320 --> 805.760] Aqua moments cannot always be planned for, especially when they happen right in front of large audiences.
|
120 |
+
[805.760 --> 812.000] And our reactions would be instinctive, sometimes making us freeze on the spot, sometimes resulting
|
121 |
+
[812.000 --> 817.680] in our showing our stress at being caught in the awkwardness. Well the saving grace is how we are
|
122 |
+
[817.680 --> 823.600] able to tackle the situation once the initial moment passes. That's what makes for great
|
123 |
+
[823.600 --> 830.080] on the spot thinking. A skill specially required by those who face a media day in and day out.
|
124 |
+
[830.720 --> 836.400] Good luck with your next media appearance. If you like the video give it a big thumbs up and if you
|
125 |
+
[836.400 --> 840.480] like our content be sure to subscribe to our channel for more updates.
|
transcript/award_LyBims8OkSY.txt
ADDED
@@ -0,0 +1,62 @@
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|
1 |
+
[0.500 --> 1.720] I
|
2 |
+
[15.300 --> 17.320] Thank Yeah
|
3 |
+
[22.580 --> 25.080] Thank YorkThank
|
4 |
+
[30.000 --> 37.000] Thank you.
|
5 |
+
[37.000 --> 41.000] Okay, okay.
|
6 |
+
[41.000 --> 44.000] Thank you, Reese.
|
7 |
+
[44.000 --> 54.000] In 1964, I was a little girl sitting on the linoleum floor of my mother's house in Milwaukee
|
8 |
+
[54.000 --> 62.000] watching Anne Bancroft present the Oscar for Best Actor at the 36th Academy Awards.
|
9 |
+
[62.000 --> 70.000] She opened the envelope and said five words that literally made history.
|
10 |
+
[70.000 --> 74.000] The winner is Sidney Poitier.
|
11 |
+
[74.000 --> 79.000] Up to the stage came the most elegant man I had ever seen.
|
12 |
+
[79.000 --> 88.000] I remember his tie was white and of course his skin was black and I'd never seen a black man being celebrated like that.
|
13 |
+
[88.000 --> 108.000] And I have tried many, many, many times to explain what a moment like that means to a little girl, a kid watching from the cheap seats as my mom came through the door, bone tired from cleaning other people's houses.
|
14 |
+
[108.000 --> 120.000] But all I can do is quote and say that the explanation in Sidney's performance in Lillie's of the Fill, amen, amen, amen.
|
15 |
+
[120.000 --> 137.000] In 1982, Sidney received the Cecil Leedum L award right here at the Golden Globes and it is not lost on me that at this moment there are some little girls watching as I become the first black woman to be given the same award.
|
16 |
+
[137.000 --> 162.000] In his honor, in his honor, and it is a privilege to share the evening with all of them and also with the incredible men and women who've inspired me, who've challenged me, who've sustained me and made my journey to this stage possible.
|
17 |
+
[162.000 --> 177.000] Dennis Swanson, who took a chance on me for AM Chicago, Quincy Jones, who saw me on that show and said to Steven Spielberg, yes she is Sophia in the color purple, Gail, who has been the definition of what a friend is instead of who's been my rock just a few to name.
|
18 |
+
[177.000 --> 184.000] I'd like to thank the Hollywood Foreign Press Association because we all know that the press is under siege these days.
|
19 |
+
[185.000 --> 198.000] But we also know that it is the insatiable dedication to uncovering the absolute truth that keeps us from turning a blind eye to corruption and to injustice.
|
20 |
+
[199.000 --> 207.000] To tyrants and victims and secrets and lies.
|
21 |
+
[207.000 --> 219.000] I want to say that I value the press more than ever before as we try to navigate these complicated times which brings me to this.
|
22 |
+
[220.000 --> 229.000] What I know for sure is that speaking your truth is the most powerful tool we all have.
|
23 |
+
[229.000 --> 240.000] And I'm especially proud and inspired by all the women who have felt strong enough and empowered enough to speak up and share their personal stories.
|
24 |
+
[241.000 --> 248.000] Each of us in this room are celebrated because of the stories that we tell.
|
25 |
+
[248.000 --> 252.000] And this year we became the story.
|
26 |
+
[252.000 --> 256.000] But it's not just a story affecting the entertainment industry.
|
27 |
+
[256.000 --> 265.000] It's one that transcends any culture, geography, race, religion, politics or workplace.
|
28 |
+
[265.000 --> 281.000] So I want tonight to express gratitude to all the women who have endured years of abuse and assault because they, like my mother, had children to feed and bills to pay and dreams to pursue.
|
29 |
+
[282.000 --> 293.000] They are the women whose names will never know.
|
30 |
+
[293.000 --> 297.000] They are domestic workers and farm workers.
|
31 |
+
[297.000 --> 304.000] They are working in factories and they work in restaurants and they are in academia and engineering and medicine and science.
|
32 |
+
[304.000 --> 307.000] They are part of the world of tech and politics and business.
|
33 |
+
[307.000 --> 311.000] There are athletes in the Olympics and there are soldiers in the military.
|
34 |
+
[311.000 --> 316.000] And there is someone else, Reese Taylor.
|
35 |
+
[316.000 --> 320.000] A name I know and I think you should know too.
|
36 |
+
[320.000 --> 325.000] In 1944, Reese Taylor was a young wife and a mother.
|
37 |
+
[325.000 --> 328.000] She was just walking home from a church service.
|
38 |
+
[328.000 --> 338.000] She attended an Abigail Alabama when she was abducted by six armed white men raped and left blindfolded by the side of the road.
|
39 |
+
[338.000 --> 340.000] Coming home from church.
|
40 |
+
[340.000 --> 344.000] They threatened to kill her if she ever told anyone.
|
41 |
+
[344.000 --> 355.000] But her story was reported to the NAACP where a young worker by the name of Rosa Parks became the lead investigator on her case.
|
42 |
+
[355.000 --> 358.000] And together they sought justice.
|
43 |
+
[358.000 --> 362.000] But justice wasn't an option in the era of Jim Crow.
|
44 |
+
[362.000 --> 368.000] The men who tried to destroy her were never persecuted.
|
45 |
+
[368.000 --> 373.000] Reese Taylor died ten days ago.
|
46 |
+
[373.000 --> 376.000] Just shy of her 98th birthday.
|
47 |
+
[376.000 --> 384.000] She lived as we all have lived, too many years in a culture broken by brutally powerful men.
|
48 |
+
[384.000 --> 394.000] For too long, women have not been heard or believed if they dared to speak their truth to the power of those men.
|
49 |
+
[394.000 --> 397.000] But their time is up.
|
50 |
+
[398.000 --> 407.000] The time is up.
|
51 |
+
[407.000 --> 417.000] The time is up.
|
52 |
+
[418.000 --> 436.000] And I just hope that Reese Taylor died knowing that her truth, like the truth of so many other women who were tormented in those years, and even now tormented goes marching on.
|
53 |
+
[436.000 --> 444.000] It was somewhere in Rosa Parks's heart almost eleven years later when she made the decision to stay seated on that bus in Montgomery.
|
54 |
+
[444.000 --> 450.000] And it's here with every woman who chooses to say, me too.
|
55 |
+
[450.000 --> 457.000] And every man who chooses to listen.
|
56 |
+
[458.000 --> 484.000] And my career, what I've always tried my best to do, whether on television or through film, is to say something about how men and women really behave, to say how we experience shame, how we love and how we rage, how we fail, how we retreat, persevere, and how we overcome.
|
57 |
+
[484.000 --> 489.000] And I've interviewed and portrayed people who have stood some of the ugliest things life can throw at you.
|
58 |
+
[489.000 --> 501.000] But the one quality all of them seem to share is an ability to maintain hope for a brighter morning, even during our darkest nights.
|
59 |
+
[501.000 --> 509.000] So I want all the girls watching here now to know that a new day is on the horizon.
|
60 |
+
[510.000 --> 538.000] And when that new day finally dawns, it will be because of a lot of magnificent women, many of whom are right here in this room tonight, and some pretty phenomenal men fighting hard to make sure that they become the leaders who take us to the girls.
|
61 |
+
[538.000 --> 547.000] And take us to the time when nobody ever has to say, me too, again.
|
62 |
+
[547.000 --> 548.000] Thank you.
|
transcript/award_OehponE9kuI.txt
ADDED
@@ -0,0 +1,712 @@
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1 |
+
[0.000 --> 2.800] Top 20 celebrities wasted at award shows.
|
2 |
+
[7.200 --> 11.840] OK. Scottish background to the front. OK.
|
3 |
+
[12.960 --> 16.080] You won't believe what these A-listers got up to at award shows.
|
4 |
+
[16.080 --> 18.640] From slurring speeches to hilarious mishaps,
|
5 |
+
[18.640 --> 22.480] these celebrities went from red carpet glam to totally wasted.
|
6 |
+
[22.480 --> 25.120] Get ready to see Hollywood's finest at their wildest.
|
7 |
+
[25.120 --> 26.720] It's about to get real buckle up.
|
8 |
+
[27.440 --> 31.680] Because we're diving into the top 20 most shocking celebrity moments at award shows.
|
9 |
+
[33.120 --> 33.920] Emma Thompson.
|
10 |
+
[35.520 --> 39.600] Emma Thompson, an esteemed actress and screenwriter known for her work in films,
|
11 |
+
[39.600 --> 44.560] such as Howard's End, Sense and Sensibility, and Saving Mr. Banks,
|
12 |
+
[44.560 --> 47.760] is also recognised for her humorous antics at award shows.
|
13 |
+
[48.560 --> 52.720] One of her most memorable moments was at the 2014 Golden Globes,
|
14 |
+
[52.720 --> 58.080] where she playfully ascended the stage with a martini in one hand and her high heels in the other.
|
15 |
+
[58.880 --> 62.080] With a mischievous smile, she discarded her shoes, exclaiming,
|
16 |
+
[64.400 --> 67.680] while revealing the signature red souls of her Christian lubricants.
|
17 |
+
[68.560 --> 72.160] Despite a slight slur in her speech that added to her charm,
|
18 |
+
[72.160 --> 76.000] she presented the award for best screenplay with a delightfully playful air,
|
19 |
+
[76.720 --> 79.840] showing that even in high-pressure situations there's room for fun.
|
20 |
+
[80.640 --> 84.400] Thompson's nonchalant attitude towards these grand events is quite catching.
|
21 |
+
[85.200 --> 87.600] She once humorously remarked about award shows.
|
22 |
+
[88.480 --> 92.000] I think they're just a great excuse to have a party and wear fabulous clothes.
|
23 |
+
[92.720 --> 97.600] This lighthearted approach has made her appearances at such events memorable and endearing to fans.
|
24 |
+
[98.400 --> 101.840] Her performance in Saving Mr. Banks garnered critical acclaim,
|
25 |
+
[102.160 --> 108.720] but it's these moments of levity that have solidified her status as an icon in both film and award show law.
|
26 |
+
[109.520 --> 114.480] The blend of talent and a readiness to laugh at herself is what truly distinguishes Emma Thompson.
|
27 |
+
[115.280 --> 118.480] In an industry where many take themselves too seriously,
|
28 |
+
[118.480 --> 125.280] Thompson's antics are a refreshing reminder that it's perfectly fine to let go and relish the moment,
|
29 |
+
[125.280 --> 127.360] preferably with a martini in hand.
|
30 |
+
[128.640 --> 129.760] Julia Roberts, who...
|
31 |
+
[131.040 --> 136.000] Julia Roberts, a cherished Hollywood star, renowned for her roles in films such as Pretty Woman,
|
32 |
+
[136.080 --> 140.480] Erin Brockovich and Notting Hill has had numerous memorable moments at award shows.
|
33 |
+
[141.040 --> 144.880] With a career spanning over three decades and an Academy Award to her credit,
|
34 |
+
[145.600 --> 150.480] Roberts is more than just an actress. She's a cultural phenomenon. However,
|
35 |
+
[150.480 --> 154.960] it's her playful antics on the red carpet that often steal the spotlight.
|
36 |
+
[155.680 --> 159.520] One of her most infamous moments occurred during a live interview with Billy Bush.
|
37 |
+
[160.080 --> 164.080] As she appeared on the red carpet, possibly a bit tipsy, she exclaimed,
|
38 |
+
[166.000 --> 167.120] the toilet right now.
|
39 |
+
[167.680 --> 172.000] The awkwardness that followed was classic Roberts as she clarified, I mean NBC.
|
40 |
+
[172.720 --> 177.040] This spontaneous quip had Tom Hanks and Rita Wilson chuckling along,
|
41 |
+
[177.040 --> 182.080] showcasing her ability to poke fun at herself and the glamorous world around her.
|
42 |
+
[182.080 --> 187.200] It was a moment that perfectly encapsulated her carefree spirit and willingness to let loose
|
43 |
+
[187.200 --> 189.680] in an industry often shrouded in seriousness.
|
44 |
+
[190.560 --> 195.520] Roberts has always approached award shows with a sense of humor. In her own words, she once said,
|
45 |
+
[196.000 --> 201.360] I think you miss out when you prepare, highlighting her belief in embracing spontaneity,
|
46 |
+
[201.360 --> 206.960] rather than getting bogged down by expectations. This philosophy shines through in her award show
|
47 |
+
[206.960 --> 212.640] appearances, where she often seems to revel in the chaos of Hollywood. Despite the occasional
|
48 |
+
[212.640 --> 218.240] awkwardness, Julia Roberts continues to embody the charm and warmth that made her a household name.
|
49 |
+
[218.240 --> 223.360] Her infectious laughter and genuine joy remind us all that even amidst the glitz and glamour of Hollywood,
|
50 |
+
[223.360 --> 225.680] it's perfectly fine to be a little silly and have fun.
|
51 |
+
[227.200 --> 227.920] Lily Allen.
|
52 |
+
[229.680 --> 234.800] Lily Allen has become renowned not only for her hit songs, but also for her memorable behavior
|
53 |
+
[234.800 --> 240.800] at award ceremonies. Her lively character often embraces the unpredictable nature of Hollywood,
|
54 |
+
[240.800 --> 246.640] frequently with a drinking hand. A particularly notorious incident occurred when she co-hosted an
|
55 |
+
[246.640 --> 251.120] event with Elton John, where her excessive drinking became a notable part of the night.
|
56 |
+
[251.360 --> 254.560] We don't usually do this, but we could
|
57 |
+
[254.560 --> 256.160] f*** off out there.
|
58 |
+
[256.160 --> 257.360] Seriously.
|
59 |
+
[258.320 --> 264.480] As the event continued, Elton John playfully chided her on stage for consuming too much to drink,
|
60 |
+
[264.480 --> 270.720] humorously suggesting he could out snort her under the table. In true Lily Allen style,
|
61 |
+
[270.720 --> 274.560] she retorted by saying she had her whole life ahead of her to enjoy parties.
|
62 |
+
[275.360 --> 279.840] This exchange, though somewhat uncomfortable, was likely just lighthearted teasing
|
63 |
+
[279.840 --> 285.200] between two celebrities well acquainted with the spotlight. They both later clarified that
|
64 |
+
[285.200 --> 290.480] they were only joking, illustrating the often ambiguous boundaries of propriety at such opulent
|
65 |
+
[290.480 --> 296.240] events. Allen's nonchalant demeanor and readiness to make fun of herself have made her beloved by
|
66 |
+
[296.240 --> 302.400] her audience. She once remarked, I think if you take yourself too seriously, you miss out on all
|
67 |
+
[302.400 --> 308.240] the fun. This perspective not only underscores her lighthearted nature, but also mirrors her
|
68 |
+
[308.240 --> 314.480] genuineness in an industry that can often seem insubstantial. With significant work such as
|
69 |
+
[314.480 --> 320.160] all right still and it's not me, it's you. Allen has established herself as both a gifted musician
|
70 |
+
[320.160 --> 326.480] and a personable figure. Her capacity to accept life's imperfections be it through her music or
|
71 |
+
[326.480 --> 332.080] her public behavior. Serves as a reminder that it's perfectly acceptable to let go and save
|
72 |
+
[332.080 --> 338.640] her life's pleasures, even in the midst of the glitz and glamour of award shows. David Hasselhoff
|
73 |
+
[340.400 --> 345.120] David Hasselhoff, the legendary actor from Knight Rider and Baywatch, is well known for his
|
74 |
+
[345.120 --> 351.040] lively presence at award shows. With a career that has spanned several decades and a zest for life,
|
75 |
+
[351.040 --> 356.400] Hasselhoff has often been seen on stage in high spirits. Let's revisit some of his most notable
|
76 |
+
[356.400 --> 364.160] intoxicated moments at such events. In 2009 Hasselhoff co-hosted the MTV Europe Music Awards in
|
77 |
+
[364.160 --> 369.200] Berlin, revisiting the city 20 years after his iconic performance near the Berlin Wall.
|
78 |
+
[375.920 --> 380.240] He began the show by singing along to the intro music, possibly under the influence.
|
79 |
+
[380.800 --> 384.160] He then went on a tangent about the fall of the Berlin Wall,
|
80 |
+
[384.160 --> 390.800] humorously denying any role in it, despite being a cultural icon in Germany for his hit Looking for
|
81 |
+
[390.800 --> 397.440] Freedom. Hasselhoff's exuberant energy was further highlighted when he started speaking German,
|
82 |
+
[397.440 --> 402.240] much to the crowd's enjoyment. It was evident that he was thoroughly enjoying himself,
|
83 |
+
[402.240 --> 408.320] fully embracing the moment without any reservations. As he once stated, I think laughter is a form of
|
84 |
+
[408.560 --> 414.400] courage. As humans we sometimes stand tall and look into the sun and laugh, and I think we are
|
85 |
+
[414.400 --> 421.920] never more brave than when we do that. In 2014 Hasselhoff returned to the MTV EMAs stage,
|
86 |
+
[421.920 --> 427.440] this time donning a kilt and demonstrating his willingness to have fun and defy Hollywood norms.
|
87 |
+
[428.240 --> 433.120] His confidence and disregard for traditional expectations are commendable and contribute to his
|
88 |
+
[433.120 --> 439.840] global fanbase. To David Hasselhoff, here's to your continued inspiration to live life fully,
|
89 |
+
[439.840 --> 444.720] even if it includes the occasional boisterous award show appearance. Keep being you,
|
90 |
+
[444.720 --> 448.960] Hoff, should celebrities be more willing to poke fun at themselves and have fun in public?
|
91 |
+
[449.760 --> 452.000] Comment yes or no, and let's discuss.
|
92 |
+
[453.200 --> 453.840] Joan Rivers.
|
93 |
+
[455.600 --> 461.360] Joan Rivers was a powerhouse at award shows, recognized for her bold humor and unapologetic zest
|
94 |
+
[461.440 --> 466.560] for life. A standout moment occurred at an Australian awards ceremony where she humorously
|
95 |
+
[466.560 --> 471.920] remarked about being invited for no apparent reason. With a drink in hand, Rivers let loose her
|
96 |
+
[471.920 --> 477.440] trademark sharp wit, targeting celebrities like Mel Gibson and Nicole Kidman with comments that
|
97 |
+
[477.440 --> 482.560] were as sharp as they were amusing, captivating the audience with a mix of surprise and delight.
|
98 |
+
[483.360 --> 487.360] I know I'm sitting with important people. I don't know who you are.
|
99 |
+
[487.840 --> 495.440] Rivers' comedic flair was driven by herself assurance and a determination not to adhere to Hollywood's
|
100 |
+
[495.440 --> 502.320] conventional norms. She once stated, I enjoy life when things are happening. I don't care if it's
|
101 |
+
[502.320 --> 507.760] good things or bad things, that means you're alive. This perspective perfectly reflected her attitude
|
102 |
+
[507.760 --> 513.360] towards high profile events. She aimed to enjoy herself and make others laugh irrespective of
|
103 |
+
[513.360 --> 519.120] potential repercussions. Her humor often brutally candid and delivered with a playful slur from the
|
104 |
+
[519.120 --> 526.000] drinks she enjoyed showcased her fearless style. Rivers reveled in testing limits, demonstrating that
|
105 |
+
[526.000 --> 532.000] humor could be both incisive and freeing. Even when under the influence she remained true to herself.
|
106 |
+
[532.640 --> 537.280] In an industry where many sought acceptance, Rivers unabashedly proclaimed,
|
107 |
+
[538.000 --> 544.720] we don't apologize for a joke, we are comics. This in trepid spirit, not only characterized her career,
|
108 |
+
[544.720 --> 548.240] but also cemented her status as a trailblazer for women in comedy.
|
109 |
+
[549.520 --> 556.160] Jacqueline Bissett. Jacqueline Bissett's acceptance speech at the 2014 Golden Globes,
|
110 |
+
[556.160 --> 561.840] after winning for her role in Dancing on the Edge, is a charming example of her candid nature
|
111 |
+
[561.920 --> 567.760] and self-assuredness. Having been nominated multiple times, her victory was a significant moment.
|
112 |
+
[568.560 --> 574.000] Emotional and possibly slightly intoxicated, Bissett's speech became an iconic part of a
|
113 |
+
[574.000 --> 577.840] ward show law marked by her endearingly disjointed delivery.
|
114 |
+
[584.960 --> 590.560] On stage she initially had difficulty articulating her thoughts, shifting from sincere gratitude
|
115 |
+
[590.560 --> 605.280] to lighthearted teasing, with a quip like, she managed to surprise and amuse the audience.
|
116 |
+
[605.280 --> 609.760] Her authenticity was evident even through the disjointedness of her speech,
|
117 |
+
[609.760 --> 614.240] showing that she was simply relishing the experience. Her speech was so lengthy that
|
118 |
+
[614.960 --> 620.560] another attendee had to assist her off stage. Bissett's nonchalant demeanor at such prestigious
|
119 |
+
[620.560 --> 625.520] events underscores her resistance to Hollywood's sometimes stringent expectations.
|
120 |
+
[626.240 --> 631.440] She once advised, forgive everybody, it's the best beauty treatment, highlighting her advocacy
|
121 |
+
[631.440 --> 636.720] for self-acceptance and happiness. With a career that has spanned decades and includes notable
|
122 |
+
[636.720 --> 642.160] works like Bulletin under the volcano, Bissett is admired not only for her acting prowess,
|
123 |
+
[642.160 --> 648.000] but also for her unapologetic enjoyment of life, whether intoxicated or not at award ceremonies,
|
124 |
+
[648.000 --> 656.000] her self-confidence is truly commendable. Johnny Depp. Johnny Depp is no stranger to creating
|
125 |
+
[656.000 --> 662.080] memorable moments at award shows, often embracing a carefree attitude and indulging in the festivities.
|
126 |
+
[662.960 --> 668.080] A notable incident that drew significant attention was that the 2014 Hollywood film awards where
|
127 |
+
[668.080 --> 673.440] he was scheduled to introduce the documentary, Supermenge, the legend of Shepp Gordon.
|
128 |
+
[674.640 --> 679.360] Upon taking the stage, Depp seemed highly intoxicated, struggling with his speech and having
|
129 |
+
[679.360 --> 684.160] difficulty reading from the teleprompter. He even sought assistance from the audience,
|
130 |
+
[684.160 --> 689.440] which led to widespread concern and discussion about his health. This event highlighted the
|
131 |
+
[689.440 --> 694.640] potential risks of substance use in a public setting, especially for high-profile individuals.
|
132 |
+
[698.560 --> 707.440] Despite the negative attention Depp's self-assuredness remained intact. He has been quoted as saying,
|
133 |
+
[707.440 --> 712.720] just keep moving forward and don't give a shit about what anybody thinks. Do what you have to do
|
134 |
+
[712.720 --> 718.800] for you. This statement reflects his disregard for traditional Hollywood norms and his commitment
|
135 |
+
[718.800 --> 724.880] to living life authentically. His candid approach to such incidents is commendable. Instead of
|
136 |
+
[724.880 --> 731.520] shying away from them, he chooses to embrace his unique personality. Depp's behavior serves as a
|
137 |
+
[731.520 --> 737.360] reminder that it's acceptable to let go and save a life's experiences. Life should be lived with
|
138 |
+
[737.360 --> 745.280] fullness and joy. Mariah Carey. Mariah Carey, a renowned figure in the entertainment industry,
|
139 |
+
[745.280 --> 749.680] is well acquainted with the limelight, and her award show appearances often reflect her
|
140 |
+
[749.680 --> 756.000] unapologetic approach to enjoying life, even when slightly intoxicated. A particularly memorable
|
141 |
+
[756.000 --> 760.720] moment took place during her acceptance speech for precious, where she appeared noticeably
|
142 |
+
[760.720 --> 766.800] affected by alcohol. Standing next to director Lee Daniels, Carey's speech was slurred and
|
143 |
+
[766.800 --> 770.000] disjointed as she humorously acknowledged her condition by saying,
|
144 |
+
[770.160 --> 773.840] Please forgive me because I'm a little bit
|
145 |
+
[777.680 --> 782.880] This incident not only underscored the intense pressures of award season, but also demonstrated
|
146 |
+
[782.880 --> 788.400] herself assurance in embracing the unpredictable. Throughout her career, Carey has achieved
|
147 |
+
[788.400 --> 794.320] remarkable success, including six Grammy Awards and being named Bill Boards Artist of the decade
|
148 |
+
[795.280 --> 800.160] in the 1990s. Despite the awkwardness of that particular night, she managed to maintain a level
|
149 |
+
[800.160 --> 806.880] of poise that left audiences both entertained and impressed. Her carefree attitude is reflected in
|
150 |
+
[806.880 --> 813.440] her statement, Eat, Drink, Dance, Robber Bank, Whatever Honey. This light-hearted philosophy
|
151 |
+
[813.440 --> 818.160] perfectly captures her belief in living life to the fullest without adhering to Hollywood's
|
152 |
+
[818.160 --> 824.160] strict norms. Mariah Carey's unapologetic demeanor and self-confidence are evident in these moments.
|
153 |
+
[824.480 --> 830.400] Reminding us that even superstars can relax and have a good time. Her capacity to laugh at
|
154 |
+
[830.400 --> 835.120] herself while still celebrating her significant accomplishments has made her a cherished icon
|
155 |
+
[835.120 --> 842.800] in the entertainment world. Anna Nicole Smith. Anna Nicole Smith, a prominent figure in the early
|
156 |
+
[842.800 --> 849.440] 2000s, was celebrated for her bold demeanor and an exuberant public image. A particularly notable
|
157 |
+
[849.440 --> 855.040] event from her career took place at the 2004 American Music Awards where she presented an award
|
158 |
+
[855.040 --> 861.840] in a visibly inebriated state. Her difficulty in forming coherent sentences and the nonsensical
|
159 |
+
[861.840 --> 867.520] nature of her speech turned her presentation into a spectacle that left viewers both entertained
|
160 |
+
[867.520 --> 878.560] and puzzled. Her now-famous phrase, epitomized her unbridled charm and her determination to defy
|
161 |
+
[878.560 --> 884.640] Hollywood's expectations of polished perfection. The public mockery that followed this incident
|
162 |
+
[884.640 --> 889.680] did not deter Smith from maintaining her unapologetic stance. She once remarked,
|
163 |
+
[890.480 --> 895.760] it's very expensive to be me, indicating her understanding of the high costs associated
|
164 |
+
[895.760 --> 901.600] with fame while still choosing to be true to herself at significant events. This episode,
|
165 |
+
[901.600 --> 907.440] though perceived as a career low point, also shed light on the harsher realities of celebrity life,
|
166 |
+
[907.520 --> 911.760] hinting at the personal battles with addiction and other issues that would tragically lead to her
|
167 |
+
[911.760 --> 919.200] death in 2007. Anna Nicole Smith's story is a blend of glamour and sorrow. Despite being subject to
|
168 |
+
[919.200 --> 924.960] relentless public judgment, her self-assuredness and vivacious spirit continue to have an impact.
|
169 |
+
[925.680 --> 930.160] In a society that often demands adherence to norms, she stands as an emblem of living life
|
170 |
+
[930.160 --> 936.400] authentically, imperfections included. How much do you think the public's reaction to Anna Nicole
|
171 |
+
[936.400 --> 944.000] Smith's 2004 AMA appearance was justified? Rate on a scale of 0.5, where 0 is not justified at all
|
172 |
+
[944.000 --> 948.080] and 5 is completely justified. Elizabeth Taylor
|
173 |
+
[949.600 --> 953.840] Elizabeth Taylor, the iconic actress, celebrated for her remarkable beauty,
|
174 |
+
[953.840 --> 959.440] compelling performances and eventful personal life, was a regular at the dazzling world of award
|
175 |
+
[959.440 --> 966.080] shows. A recipient of two Academy Awards for Best Actress for her roles in Butterfield 8 and 1960,
|
176 |
+
[966.080 --> 972.400] and who's afraid of Virginia Woolf? 1966, Taylor was a symbol of Hollywood who fully embraced the
|
177 |
+
[972.400 --> 978.400] joy of these events. A particularly notorious incident involving Taylor occurred at the 58th
|
178 |
+
[978.400 --> 985.360] Golden Globe Awards in 2001. When she ascended the stage to present the award for best motion picture,
|
179 |
+
[985.360 --> 991.360] drama, it became apparent that she was not fully ready for her role. Visibly inebriated, Taylor
|
180 |
+
[991.360 --> 996.000] prematurely opened the envelope before announcing the nominees, leading to a state of bewildering
|
181 |
+
[996.480 --> 1009.280] among both the audience and her co-presenters. In an instant that has gone down in history for
|
182 |
+
[1009.280 --> 1015.440] its awkwardness, Taylor had difficulty reading out the nominees' names, which prompted Dick Clarke,
|
183 |
+
[1015.440 --> 1021.760] the events producer, to step in and help get the ceremony back on course. Even though she eventually
|
184 |
+
[1021.760 --> 1027.280] revealed the winner, Taylor's speech remained disjointed and inarticulate. I've been through it all
|
185 |
+
[1027.280 --> 1032.160] darling, Taylor once humorously remarked about her perspective on award shows and life itself,
|
186 |
+
[1032.800 --> 1038.400] I'm Mother Courage. Taylor's readiness to make light of herself and the glitz of Hollywood
|
187 |
+
[1038.400 --> 1044.800] was prominently displayed during her Golden Globe's appearance. The event highlighted the unpredictable
|
188 |
+
[1044.800 --> 1050.000] aspects of live television and the occasionally erratic conduct of celebrities, but it also
|
189 |
+
[1050.000 --> 1055.920] emphasized Taylor's nonchalant demeanor and her capacity to enjoy herself, even if it meant
|
190 |
+
[1055.920 --> 1062.320] attracting attention for unexpected reasons. Despite the uncomfortable nature of the incident,
|
191 |
+
[1062.320 --> 1067.600] Taylor's Golden Globe's appearance continues to be a widely discussed occurrence in the event's
|
192 |
+
[1067.600 --> 1073.760] history. It stands as a testament to the actress's outsized character and her lasting impact as
|
193 |
+
[1073.760 --> 1081.440] one of Hollywood's most emblematic and memorable figures. Ben Affleck. Ben Affleck, a prominent
|
194 |
+
[1081.440 --> 1086.400] figure in Hollywood recognized for his diverse talents, has had numerous memorable moments at
|
195 |
+
[1086.400 --> 1092.080] award shows that highlight his fun-loving nature, an Academy Award winner for Goodwill Hunting and
|
196 |
+
[1092.080 --> 1098.240] a Golden Globe recipient for Argo. Affleck has demonstrated his prowess both as an actor and a director.
|
197 |
+
[1098.480 --> 1104.880] One such moment that drew public interest was at the 2023 Grammy Awards, where he attended with
|
198 |
+
[1104.880 --> 1111.360] his wife Jennifer Lopez. Affleck seemed somewhat disinterested, leading to widespread conjecture about
|
199 |
+
[1111.360 --> 1116.880] his state of sobriety as some viewers humorously suggested he appeared inebriated. In a candid
|
200 |
+
[1116.880 --> 1122.480] response he later stated, I've gone to award shows and been drunk a bunch. Nobody ever once said
|
201 |
+
[1122.560 --> 1128.880] I'm drunk, but at the Grammys they were like, he's drunk. This openness reflects his readiness to
|
202 |
+
[1128.880 --> 1133.840] laugh at himself amidst the pomp of Hollywood. Affleck's easygoing demeanor is evident when he
|
203 |
+
[1133.840 --> 1139.520] embraces the absurdity of these high-profile events. He once humorously commented on attending
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[1139.520 --> 1145.760] award shows, saying, at movie award shows its speeches and sound-mixing webinars. But I thought
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[1145.760 --> 1152.320] this would be fun. His lighthearted perspective encourages us to see that even celebrities can relax
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[1152.320 --> 1158.160] and have a good time amidst the opulence. In essence, Ben Affleck represents a playful spirit
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[1158.160 --> 1164.560] that connects with audiences, demonstrating that even in the public eye, it's acceptable not to take
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[1164.560 --> 1168.320] oneself too seriously. Kate Blanchett
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[1169.920 --> 1174.880] Kate Blanchett, a two-time Academy Award-winning actress, celebrated for her powerful performances
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+
[1174.880 --> 1180.640] in films such as Elizabeth, The Aviator and Carol, has also demonstrated a talent for engaging
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[1180.640 --> 1186.960] in award show repartee. Her sharp wit, self-effacing humor and readiness to mock the glitz of Hollywood
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[1186.960 --> 1193.600] have made her a cherished presence at events like the Oscars, Golden Globes and BAFTAs. A particularly
|
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+
[1193.600 --> 1199.280] memorable moment from Blanchett's award show history occurred at the 2014 Golden Globes.
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+
[1200.000 --> 1205.680] During her acceptance speech for best actress in a drama for Blue Jasmine, she amusingly confessed to
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[1205.680 --> 1211.760] having consumed a few vodka's prior to taking the stage. This easy-going and spirited demeanor
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[1211.760 --> 1217.280] is characteristic of Blanchett's attitude towards the typically formal atmosphere of awards season.
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+
[1218.160 --> 1223.600] Despite her impressive collection of awards including two Oscars, four BAFTAs and three Saga Awards,
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[1223.600 --> 1229.760] Blanchett maintains a down-to-earth and modest demeanor. During her acceptance speech at the 2023
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[1229.760 --> 1235.520] Critics' Choice Awards for her role in TAR, she referred to the title of Best Actress as an
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[1235.520 --> 1239.920] arbitrary choice, suggesting that all the nominees were deserving of praise.
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+
[1247.680 --> 1252.480] Blanchett's readiness to enjoy herself and not take herself too seriously has made her a
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[1252.480 --> 1257.920] favorite among both fans and her peers in the acting community. She once remarked,
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[1257.920 --> 1261.360] I think it's important to have a sense of humor about yourself in the industry.
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+
[1262.160 --> 1267.600] With an extensive filmography that encompasses over 70 films and 20 theatre productions,
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[1267.600 --> 1273.440] Blanchett has solidified her reputation as one of the most skilled and adaptable actresses of her
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[1273.440 --> 1278.880] era. However, it is her capacity to combine her remarkable talent with an engagingly candid
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[1278.880 --> 1284.560] character that truly establishes her as a legendary figure in the entertainment world.
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+
[1284.720 --> 1286.560] Ricky Javace
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[1288.400 --> 1293.360] Ricky Javace has earned a legendary status at award shows, especially for his iconic moments at
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[1293.360 --> 1298.720] the Golden Globes. Renowned for his incisive humor and unapologetic approach,
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+
[1298.720 --> 1304.480] Javace frequently indulges in humor that teases the very industry that honors him. His easy-going
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[1304.480 --> 1309.680] nature is evident as he embraces the ridiculousness of Hollywood's grandeur while definitely
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[1309.760 --> 1315.200] making light of it. One of Javace's most notorious habits is his unabashed enjoyment of alcohol
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[1315.200 --> 1321.440] during these events. He often jokes about his inebriation on stage, frequently making witty comments
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[1321.440 --> 1326.320] about being under the influence which enhances the humor of his performances. For example,
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[1326.320 --> 1329.600] during a Golden Globes monologue, he humorously stated,
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[1329.760 --> 1335.360] If you do win an award tonight, don't use it as a platform to make a political speech.
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[1335.360 --> 1338.720] You're in no position to lecture the public about anything.
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+
[1338.720 --> 1344.560] This reflects his style, a mix of humor and a straightforward perspective on celebrity culture.
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+
[1345.600 --> 1351.680] His significant achievements include co-creating the office, hosting several Golden Globe ceremonies
|
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+
[1351.680 --> 1358.720] and starring in After Life. Javace has garnered numerous awards, including Golden Globe and
|
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+
[1358.720 --> 1364.400] BAFTA honors, confirming his position as a comedic titan. Javace's own words in joy life
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+
[1364.400 --> 1370.480] have found be kind, a philosophy he practices both on stage and off stage. With each appearance,
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+
[1370.480 --> 1375.440] he reminds us that laughter is the best medicine, even in the glamorous realm of Hollywood.
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+
[1376.800 --> 1383.840] Katy Perry. Katy Perry is well known for creating a splash at award shows, often demonstrating her
|
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[1383.840 --> 1388.720] fun-loving nature and readiness to engage with the eccentricities of Hollywood's glitz.
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[1389.440 --> 1394.640] Throughout her career marked by hit songs such as I Kiss to Girl, Teenage Dream and Firework.
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+
[1395.440 --> 1400.560] Perry has garnered a significant number of honors, including 13 Grammy nominations and several
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+
[1400.560 --> 1407.920] American Music Awards. A particularly unforgettable moment took place at the 2015 American Music Awards,
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[1407.920 --> 1413.040] where she seemed slightly intoxicated while presenting an award. Her struggle to keep her
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[1413.040 --> 1418.320] composure led to amusingly mispronouncing her lines, turning it into an iconic incident that
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[1418.320 --> 1424.080] continues to be a topic of conversation among fans. Perry's nonchalant demeanor is evident in how
|
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[1424.080 --> 1430.640] she handles these high-profile events. She once humorously remarked, all the awards shows a fake,
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+
[1430.640 --> 1435.440] emphasizing her view that the true enjoyment comes from the experience rather than the awards
|
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+
[1435.520 --> 1440.640] themselves. This easy-going outlook enables her to make lighthearted fun of herself,
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+
[1440.640 --> 1444.000] while still delivering performances that are memorable and impactful.
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+
[1444.800 --> 1451.680] Katy Perry's entertaining behavior is not limited to award presentations. At the 2024 MTV Video
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[1451.680 --> 1457.040] Music Awards, she captivated the audience with a dynamic performance of her popular songs,
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+
[1457.040 --> 1461.280] followed by a witty comment. I did that all on the first day of my period, too.
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+
[1462.000 --> 1467.600] This combination of humor and sincerity has made Perry a cherished icon in pop culture.
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+
[1468.560 --> 1473.920] In conclusion, Katy Perry's notable moments at award ceremonies are indicative of her light-hearted
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+
[1473.920 --> 1479.360] character and serve as a reminder to everyone to celebrate our unique traits and save
|
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+
[1479.360 --> 1485.280] of the journey in the dazzling yet sometimes absurd realm of show business. Tara Reed.
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+
[1486.160 --> 1491.840] Tara Reed is well acquainted with the glamorous and chaotic atmosphere of Hollywood award shows,
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+
[1491.840 --> 1497.200] where her easy-going nature often takes center stage. Famous for her role as Vicki in the American
|
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+
[1497.200 --> 1502.560] Pi series, Reed has experienced several notorious moments that underscore her playful character
|
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+
[1502.560 --> 1509.280] and self-deprecating humor. A particularly unforgettable event took place at the 2005 MTV Movie
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[1509.280 --> 1514.640] Awards, where Reed's inebriated behavior drew attention and became a topic of discussion for
|
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+
[1514.640 --> 1520.160] an extended period. Her nonchalant demeanor was prominently visible as she danced and socialized,
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+
[1520.880 --> 1526.480] epitomizing the archetypal party girl persona that has been associated with her throughout her
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+
[1526.480 --> 1533.360] professional journey. As she once humorously stated, I just want to have fun if I'm at an award
|
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+
[1533.360 --> 1539.920] show I'm going to enjoy myself. This philosophy has resulted in both amusement and disapproval,
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+
[1539.920 --> 1546.560] yet Reed remains undeterred. Beyond her party girl image, Tara has demonstrated her acting
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+
[1546.560 --> 1552.240] prowess in a range of films such as The Big Lebowski and The Sharknado series, showing she can
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[1552.240 --> 1558.240] maintain a balance between glamour and humor. Despite encountering personal challenges,
|
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[1558.240 --> 1563.680] including public battles with alcohol, Reed's tenacity is evident. She faces the vicissitudes
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+
[1563.680 --> 1568.880] of celebrity with an upbeat attitude that connects with her supporters, whether she's captivating
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[1568.880 --> 1574.560] on the red carpet or garnering attention for a wardrobe mishap. Tara Reed represents a joyful
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[1574.560 --> 1581.280] spirit that encourages everyone to maintain a more relaxed perspective on life. Enjoying this video?
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+
[1581.280 --> 1585.520] Like and subscribe for more, not feeling it, a like would still be appreciated and your comments
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+
[1585.520 --> 1593.200] will help me do better next time. Miley Cyrus. Miley Cyrus is renowned for capturing attention at
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[1593.200 --> 1598.320] award shows with her easy-going and spirited demeanor. The artist famous for her songs
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+
[1598.320 --> 1603.200] Wrecking Ball and Flowers has consistently embraced the opportunity to enjoy herself and have
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+
[1603.200 --> 1609.120] fun on the most prominent platforms in the music industry. A particularly notorious incident involving
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+
[1609.120 --> 1616.160] Cyrus occurred at the 2014 MTV Video Music Awards, where she appeared to be under the influence,
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+
[1616.160 --> 1621.920] leading to her uninhibited behaviour on stage. Even as the host for that year, Cyrus succeeded in
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+
[1621.920 --> 1627.840] becoming a highlight of the event, with her self-deprecating humour and playful attitude towards
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+
[1627.840 --> 1633.680] Hollywood's grandeur. Cyrus's philosophy towards award ceremonies is encapsulated in her own
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+
[1633.680 --> 1639.920] statement. There's no right or wrong, success or failure. I don't look at things as black or white.
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+
[1639.920 --> 1645.120] My life won't be a series of either or musician or actor, rock or country, straight-laced or
|
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+
[1645.120 --> 1649.600] rebellious this or that, yes or no. The real choices in life aren't that simple.
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+
[1650.720 --> 1656.080] In 2024, Cyrus was finally acknowledged by the music industry with her first two Grammy
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+
[1656.080 --> 1660.800] Awards for her hit Flowers, having been in the public eye since her role in the Disney
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+
[1660.800 --> 1666.400] Channel series Hannah Montana. She has evolved significantly from her early career beginnings.
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295 |
+
[1667.040 --> 1672.480] Despite her achievements, Cyrus stays connected to her origins, always prioritising enjoyment
|
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+
[1672.480 --> 1678.000] and authenticity. As she continues to break new ground and defy conventions,
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+
[1678.000 --> 1683.440] it's clear that Miley Cyrus will perpetually reign as a master of creating unforgettable award show
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+
[1683.440 --> 1691.440] moments. Megan Fox. Megan Fox has become a symbol of Hollywood's allure and an embodiment of a
|
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+
[1691.440 --> 1697.200] free-spirited nature, particularly at award shows where her lively personality is on full display,
|
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+
[1697.200 --> 1703.520] famous for her role as Michaela Baines in Transformers 2007. Fox has also appeared in Jennifer's
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+
[1703.520 --> 1709.920] Body 2009 and the Teenage Mutant Ninja Turtles series, winning several Teen Choice Awards.
|
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+
[1710.960 --> 1715.920] A particularly notorious incident happened at the 2009 Teen Choice Awards,
|
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+
[1715.920 --> 1722.240] where she seemed noticeably inebriated while receiving an award. Her unpredictable conduct and
|
304 |
+
[1722.240 --> 1726.880] candid comments attracted media attention revealing a side of her that was both amusing and
|
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+
[1726.880 --> 1733.680] relatable. Reflecting on the event, Fox said, I just wanted to have fun and be myself,
|
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+
[1733.680 --> 1739.520] even if it meant letting loose a little too much. Fox often uses humour to make light of herself.
|
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+
[1740.000 --> 1746.160] At the 2009 Golden Globes, after enjoying champagne with Blake Lively and the Jonas Brothers,
|
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+
[1746.160 --> 1751.600] she playfully confessed to making belligerent comments on the red carpet, jokingly saying,
|
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+
[1751.600 --> 1757.520] I basically starve myself for a month, just kidding, I eat a lot of fries. Her readiness to accept
|
310 |
+
[1757.520 --> 1762.960] her flaws amidst Hollywood's glamour makes Fox a cherished figure. Whether she's making fun of her
|
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+
[1762.960 --> 1768.640] past or enjoying the excitement of award season, she represents a refreshing combination of glitz
|
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+
[1768.640 --> 1773.120] and genuineness that connects with fans globally. Gwyneth Paltrow
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+
[1774.800 --> 1777.280] Gwyneth Paltrow, the Academy Award-winning actress,
|
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+
[1777.280 --> 1781.920] recognized for her performances in Shakespeare in Love and the Iron Man series,
|
315 |
+
[1781.920 --> 1788.000] has experienced numerous noteworthy moments at award shows that highlight her playful and easy-going
|
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+
[1788.000 --> 1793.760] nature. Throughout her multi-decade career, Paltrow has earned a multitude of honours, including an
|
317 |
+
[1793.760 --> 1798.880] Oscar and several Golden Globes, and she's also become a cherished figure for her readiness
|
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+
[1798.880 --> 1804.320] to make light of herself amidst Hollywood's grandeur. A particularly notorious incident happened
|
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+
[1804.400 --> 1811.040] at the 2019 Oscars After Party, where Paltrow was seen with drinks in hand, evidently relishing
|
320 |
+
[1811.040 --> 1817.360] the celebration. She later reminisced about that night with a smile saying, I had so much fun,
|
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+
[1817.360 --> 1823.200] it's all about celebrating the work and having a good time. This carefree outlook reflects her
|
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+
[1823.200 --> 1828.640] perspective on award shows, she appreciates the happiness of the event, rather than getting weighed
|
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+
[1828.640 --> 1834.160] down by the stress of celebrity status. Paltrow's appeal is found in her capacity to maintain
|
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+
[1834.160 --> 1839.280] elegance while also possessing a sense of humour. She frequently jokes about her experiences
|
325 |
+
[1839.280 --> 1844.080] in Hollywood remarking, I think it's incredibly embarrassing when people are drunk, I find it very
|
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+
[1844.080 --> 1848.960] degrading, while also being one of the first to relax and enjoy herself when appropriate.
|
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+
[1849.920 --> 1854.720] Whether she's sharing laughter or enjoying champagne, Gwyneth Paltrow demonstrates that even
|
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+
[1854.720 --> 1859.440] celebrities need to decompress and have a good time. Jared Leto
|
329 |
+
[1860.320 --> 1866.640] is well acquainted with the more boisterous aspects of award shows, often displaying his easy
|
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+
[1866.640 --> 1872.320] going and spirited nature. Famous for his diverse roles, including his Oscar-winning portrayal of
|
331 |
+
[1872.320 --> 1877.840] Rayon in Dallas-Bias Club, Leto has garnered attention not only for his acting prowess,
|
332 |
+
[1877.840 --> 1883.760] but also for his notorious moments at these opulent events. Leto's acceptance speeches are
|
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+
[1883.760 --> 1890.960] notably memorable, sometimes veering into amusing verbosity. At the Golden Globes, he humorously
|
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+
[1890.960 --> 1896.880] discussed his bubble-butt and the efforts he made to prepare for his role, which left some audience
|
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+
[1896.880 --> 1902.640] members bewildered. His readiness to make light of himself is clear when he gested, whatever I can
|
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+
[1902.640 --> 1908.720] do to bring you joy and fun, I'll do it. This light-hearted demeanor often stands in stark contrast
|
337 |
+
[1908.720 --> 1914.160] to the solemnity of Hollywood's glamour. His behavior has included instances where he appeared to
|
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+
[1914.160 --> 1919.760] be influenced during speeches, leading to rambling or peculiar actions, traits that have become part
|
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+
[1919.760 --> 1926.560] of his allure. Whether he's arriving in eccentric attire or making impromptu comments, Leto embraces
|
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+
[1926.560 --> 1932.640] the absurdity of celebrity status. Despite some awkward moments Leto's nonchalant demeanor is apparent,
|
341 |
+
[1933.280 --> 1938.240] he represents a distinctive fusion of rock star magnetism and Hollywood allure,
|
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+
[1938.240 --> 1943.120] reminding everyone that while awards are esteemed, enjoying oneself is equally significant.
|
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+
[1943.920 --> 1948.800] In Leto's own words, life's too short to take seriously. Paris Hilton
|
344 |
+
[1950.640 --> 1955.360] Paris Hilton has become recognized not only as an aero-ess and business tycoon, but also as a
|
345 |
+
[1955.360 --> 1960.880] prominent figure at award shows where her easy-going and spirited nature frequently captures the attention.
|
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+
[1961.600 --> 1966.320] Celebrated for her socialite status, Hilton has been observed at numerous events,
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347 |
+
[1966.320 --> 1971.520] appearing somewhat inebriated, reflecting the opulent yet disorderly essence of Hollywood.
|
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+
[1972.640 --> 1977.680] From her initial role in the simple life with Nicole Richie, to her endeavors as a DJ and
|
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+
[1977.680 --> 1984.320] businesswoman, Paris has reached considerable professional heights. She has introduced over 27
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350 |
+
[1984.320 --> 1989.280] fragrances, featured in many films and even produced a well-received YouTube documentary called
|
351 |
+
[1989.280 --> 1995.840] This Is Paris, where she shared insights into her life's journey. Despite these achievements,
|
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+
[1995.840 --> 1999.520] it is her behavior at award shows that often draws the most attention.
|
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+
[2000.400 --> 2006.000] Among Hilton's notorious incidents are her missteps on the red carpet, her uncontrollable laughter
|
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+
[2006.000 --> 2012.720] during award acceptances, and her playful self-mockery. Her carefree attitude towards celebrity
|
355 |
+
[2012.720 --> 2018.000] status is reflected in her statement. All you have to do in life is go out with your friends,
|
356 |
+
[2018.000 --> 2023.920] party hard, and look twice as good as the person standing next to you. This philosophy perfectly
|
357 |
+
[2023.920 --> 2028.960] captures her conviction that life should be savored, whether it's appearing slightly intoxicated at
|
358 |
+
[2028.960 --> 2035.200] the MTV Movie Awards or dancing energetically at the Billboard Music Awards, Hilton relishes the
|
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+
[2035.200 --> 2040.880] enjoyable aspects of being a celebrity. Her readiness to make light of herself in high fashion
|
360 |
+
[2040.880 --> 2045.680] attire adds a likable appeal that connects with her audience. In Hilton's universe,
|
361 |
+
[2045.680 --> 2051.920] there's no limit to how elegant or relaxed one can be, just ensure the champagne keeps flowing.
|
362 |
+
[2052.640 --> 2057.200] As we wrap up this look at the top 20 celebrities who've let loose at award shows,
|
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+
[2057.200 --> 2062.480] it's clear that even the biggest stars can have a good time. These moments remind us that it's okay
|
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+
[2062.480 --> 2068.160] to let go, be ourselves, and not take life too seriously. So what do you think? Which
|
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+
[2068.160 --> 2072.240] celebrity do you feel was genuinely having a moment, and which ones might have been playing it
|
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+
[2072.240 --> 2077.600] up for the cameras? Let us know in the comments below. And if you enjoyed this video,
|
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+
[2077.600 --> 2082.400] give it a like, subscribe to iconic inside and hit that notification bell so you never miss out
|
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+
[2082.400 --> 2087.920] on the fun. Here's to celebrating life's imperfections and keeping it real. Cheers!
|
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+
[2088.880 --> 2091.120] 20 Actors Behind Movie Makeups You Don't Know
|
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+
[2095.040 --> 2100.000] Do we have funny little dots on my head? Which they were used to. Digitally remaster,
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371 |
+
[2100.480 --> 2105.600] you won't believe what these actors look like under all that makeup. Get ready to be shocked as we
|
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+
[2105.600 --> 2111.360] unveil the real faces behind some of Hollywood's most iconic characters. From terrifying villains to
|
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+
[2111.360 --> 2116.000] otherworldly creatures, these transformations will leave you speechless. Don't miss out on the
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+
[2116.000 --> 2124.080] jaw-dropping secrets of movie magic. Meryl Streep, Rabbi Angels in America. Meryl Streep's exceptional
|
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+
[2124.080 --> 2129.760] acting in Angels in America, an HBO miniseries based on Tony Kushner's Pulitzer Prize-winning play,
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+
[2129.760 --> 2135.360] is highlighted by her ability to convincingly play multiple roles such as the Rabbi. Her performance
|
377 |
+
[2135.360 --> 2141.680] is crucial for the emotional resonance of the story. Streep's depiction of the Rabbi stands out,
|
378 |
+
[2141.680 --> 2147.920] as she embodies a wise and empathetic character who provides deep insights into the immigrant narrative.
|
379 |
+
[2148.960 --> 2153.760] A particularly poignant scene involves the Rabbi's monologue about Jewish immigrants' history.
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+
[2154.400 --> 2160.720] She articulates this good and righteous woman. She was not a person, but a whole kind of a person.
|
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+
[2161.440 --> 2166.480] The ones that cross the ocean that brought with us to America. This quote captures the perseverance
|
382 |
+
[2166.480 --> 2171.120] and struggle of immigrants highlighting the cultural legacy they pass on to future generations.
|
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+
[2172.080 --> 2177.120] Streep's portrayal of the Rabbi transcends mere physical transformation. It is about capturing
|
384 |
+
[2177.120 --> 2182.720] the character's soul. Mike Nichols, the director, shared an anecdote about Mory's send-axe
|
385 |
+
[2182.720 --> 2188.960] astonishment when he realized that the old Jewish man beside him stood up, grew a foot taller,
|
386 |
+
[2188.960 --> 2193.280] and spoke in the voice of a lovely woman after an extended filming session.
|
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+
[2194.080 --> 2199.520] This story exemplifies Streep's talent for becoming one with her characters and angels in America
|
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+
[2199.520 --> 2204.960] featuring Streep's powerful performance, along with a strong ensemble cast, went on to win
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+
[2204.960 --> 2210.400] 11 Emmy Awards, cementing its legacy as a groundbreaking television production.
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+
[2210.720 --> 2213.920] Ralph Fein's Lord Voldemort Harry Potter
|
391 |
+
[2215.600 --> 2220.640] Ralph Fein's embodiment of Lord Voldemort in the Harry Potter series is a prime illustration of
|
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+
[2220.640 --> 2225.840] the transformative power of makeup and visual effects. The process to transform into the dark
|
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+
[2225.840 --> 2231.520] Lord was a significant one requiring approximately two hours of makeup application for each portrayal.
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+
[2232.400 --> 2237.920] Mark Kulia, the makeup artist, used a variety of techniques including eyebrow blockers,
|
395 |
+
[2237.920 --> 2242.960] dark eye makeup, and temporary tattoos to craft Voldemort's sinister appearance.
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+
[2250.240 --> 2255.920] Fein's found the experience quite uncomfortable, likening it to a nightmare due to the extensive
|
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+
[2255.920 --> 2261.680] makeup that included fake fingernails and teeth, as well as paint on his hands to give Voldemort
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398 |
+
[2261.680 --> 2267.200] his pale and sickly look. The creation of Voldemort's signature flat nose was not possible with
|
399 |
+
[2267.200 --> 2273.600] makeup alone and required digital intervention. Visual effects supervisor Paul Franklin
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400 |
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[2273.600 --> 2279.840] explained that fine's nose had to be painstakingly edited out frame by frame with the snake-like
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[2279.840 --> 2285.120] nostrils being digitally added post-production. He compared the meticulous work to creating a
|
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[2285.120 --> 2290.400] renaissance painting where the digital brush work has to be very, very fine to get it to work.
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+
[2291.120 --> 2296.000] Fein's dedication to his role and the collaborative efforts of the makeup and visual effects teams
|
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+
[2296.640 --> 2302.640] resulted in a chilling and iconic representation of Voldemort that has had a significant impact on
|
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+
[2302.640 --> 2311.200] audiences. Robin Williams misses doubt fire. In the 1993 film Robin Williams portrayal of Mrs.
|
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[2311.200 --> 2316.960] Doubtfire was made possible by an extraordinary makeup process overseen by the celebrated makeup
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+
[2316.960 --> 2323.600] artist V. Neal. This daily transformation required a staggering four and a half hours as described
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[2323.600 --> 2330.560] by Neal. Robin's makeup is comprised of eight overlapping foam latex appliances all made fresh
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[2330.560 --> 2335.440] weekly so that we don't have a problem with shrinkage and they fit together kind of like a jigsaw
|
410 |
+
[2335.440 --> 2341.520] puzzle. The procedure included a fixing down Williams' eyebrows, applying a forehead piece that
|
411 |
+
[2341.520 --> 2347.920] extended to his temples and hairline and employing an iron curling method on the wig to achieve a
|
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[2347.920 --> 2353.840] more realistic appearance. Initially the makeup application took around four hours, but due to
|
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[2353.840 --> 2359.440] the need for at least ten hours of shooting per day Neal managed to reduce the time to
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[2359.440 --> 2364.800] approximately three hours by the end of production. The outcome was a flawless transformation that
|
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[2364.800 --> 2375.440] enabled Williams to convincingly play the role. Chris Columbus, the film's director,
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[2375.440 --> 2381.440] commended the makeup work saying Greg's makeup for the time was spectacular. The commitment of
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[2381.440 --> 2386.640] Williams to his character and Neal's exceptional craftsmanship earned them an Academy Award for
|
418 |
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[2386.640 --> 2392.960] Best Makeup. This collaboration resulted in a memorable performance that continues to entertain
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419 |
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[2392.960 --> 2398.720] audiences even after many years. On a scale of zero five how impressive do you think the makeup
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[2398.720 --> 2406.160] transformation of Robin Williams into Mrs. Doubtfire is? Comment below with a number. Bill Skarsgard
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[2406.160 --> 2414.000] Pennywise it 2017. Bill Skarsgard's embodiment of Pennywise in the 2017 film adaptation of Stephen
|
422 |
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[2414.000 --> 2420.320] King's novel It has become a defining portrayal in the horror genre. His performance, characterized by
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423 |
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[2420.320 --> 2425.520] a chilling smile and an intense stare brought a new level of terror to the role of the shape-shifting
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[2425.520 --> 2438.160] entity that often appears as a clown. Central to the character's haunting presence was the
|
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[2438.160 --> 2445.680] intricate makeup design. Skarsgard described the transformation as a long process but it's also very
|
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[2445.680 --> 2451.760] rewarding. You see the character come to life. Under the direction of Nick Dudman the makeup team
|
427 |
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[2451.760 --> 2457.120] employed prosthetics and bold colors to craft Pennywise's unique appearance, complete with
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428 |
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[2457.120 --> 2464.080] exaggerated facial features and a deceptively playful clown costume. Skarsgard's dedication to his
|
429 |
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[2464.080 --> 2469.840] role went beyond physical transformation as he delved into the psychological aspects of Pennywise.
|
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[2474.000 --> 2480.480] He aimed to embody that pure fear which allowed him to convincingly alternate between moments of
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431 |
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[2480.480 --> 2486.880] deceptive charm and bone-chilling terror, adding depth to the character. Despite initial skepticism
|
432 |
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[2486.880 --> 2491.760] from fans Skarsgard remained focused on his vision for Pennywise. He recalled,
|
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+
[2492.480 --> 2498.880] when I first saw the reactions online it was daunting. But I learned to focus on my vision of Pennywise.
|
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[2499.600 --> 2504.560] His perseverance paid off as his portrayal has been recognized as one of the most iconic horror
|
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+
[2504.560 --> 2513.040] villains in recent film history. John Travolta, Edna Turnblad, hairspray. In the 2007 film
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[2513.040 --> 2518.640] hairspray John Travolta's depiction of Edna Turnblad is a standout performance that masterfully
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437 |
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[2518.640 --> 2525.200] combines humour, emotion and impressive makeup artistry. Taking on a role initially portrayed by
|
438 |
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[2525.200 --> 2531.360] Drag icon Divine Travolta faced the challenge of embodying Edna in a way that was both true to
|
439 |
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[2531.520 --> 2537.840] the character and transformative. He was thrilled with the results of the screen test, noting that he
|
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[2537.840 --> 2543.680] was unrecognizable when he first saw himself as Edna. The makeup process for this role was both
|
441 |
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[2543.680 --> 2550.000] time-consuming and intricate, necessitating several hours to achieve Edna's distinctive appearance.
|
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[2550.960 --> 2556.240] Travolta also faced the physical challenge of dancing in high heels which he overcame by insisting
|
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[2556.400 --> 2560.880] on finding the right pair of shoes that were both comfortable and authentic to the character.
|
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[2561.440 --> 2566.560] His commitment to detail extended to Edna's wardrobe which was carefully crafted to reflect
|
445 |
+
[2566.560 --> 2572.320] her eccentric personality while staying true to her essence. Edna Turnblad is a character who
|
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[2572.320 --> 2578.240] embodies themes of acceptance and self-love. A poignant line from the film, no one is auditioning
|
447 |
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[2578.240 --> 2583.920] for anything in this household. Illustrates her protective instincts towards her daughter Tracy
|
448 |
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[2583.920 --> 2589.600] and her wish to keep her away from societal pressures. This quote reveals the multifaceted nature
|
449 |
+
[2589.600 --> 2596.320] of Edna's character which goes beyond mere comedy. Travolta's portrayal of Edna Turnblad enhanced
|
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+
[2596.320 --> 2602.400] by the elaborate makeup and costume design serves as an emblem of empowerment and individuality.
|
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[2602.400 --> 2607.200] It sends a powerful message to audiences that beauty is diverse and can be found in unexpected
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452 |
+
[2607.280 --> 2616.320] places. Ron Perlman, Hellboy. Ron Perlman's portrayal of Hellboy in the 2004 film is a prime
|
453 |
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[2616.320 --> 2621.360] example of his commitment to roles that require extensive prosthetic makeup. To fully immerse
|
454 |
+
[2621.360 --> 2626.160] himself in the character, Perlman familiarized himself with the Hellboy comics and engaged in
|
455 |
+
[2626.160 --> 2631.680] rigorous physical training. During the filming of subway scenes, he even sustained an injury by
|
456 |
+
[2631.680 --> 2636.880] jumping onto a moving train and breaking a rib. The Hellboy costume was a creation of Rick
|
457 |
+
[2636.880 --> 2642.880] Baker's innovation studio showcasing the artistry of modern creature makeup. For the daily
|
458 |
+
[2642.880 --> 2649.280] transformation into Hellboy, Perlman chose Jake Garber as his personal makeup artist. Garber,
|
459 |
+
[2649.280 --> 2654.320] with over 90 film and television productions under his belt, has an extensive background in
|
460 |
+
[2654.320 --> 2661.200] makeup, animatronics, puppetry and stunts. In 2012, Perlman demonstrated his dedication to the
|
461 |
+
[2661.200 --> 2666.880] character and his fans by undergoing the four-hour makeup process to become Hellboy once more.
|
462 |
+
[2667.840 --> 2673.120] This time, it was not for a film, but to fulfill the makeup-wish request of a six-year-old boy
|
463 |
+
[2673.120 --> 2678.480] named Zachary battling leukemia. Spectral motion-applied Perlman's Hellboy makeup,
|
464 |
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[2678.480 --> 2683.200] allowing Zachary to spend a day with his hero. Perlman's passion for embodying complex
|
465 |
+
[2683.200 --> 2687.760] characters and his willingness to engage with fans in character are indicative of his deep
|
466 |
+
[2687.760 --> 2692.960] commitment to his craft. As he expressed, I've always been drawn to the darker, more complex
|
467 |
+
[2692.960 --> 2698.240] personalities. There's more to play. Daniel Radcliffe, Ig Perish Hawns
|
468 |
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[2699.920 --> 2705.520] Daniel Radcliffe's portrayal of Ig Perish in the 2013 film Hawns involved a substantial
|
469 |
+
[2705.520 --> 2710.960] commitment to special effects makeup. The process was time-consuming, with Radcliffe spending
|
470 |
+
[2710.960 --> 2716.240] several hours in the makeup chair to achieve the character's distinctive appearance. He revealed in
|
471 |
+
[2716.240 --> 2721.600] an interview, everything was practically done that you see at the end, the face, the eyes, everything.
|
472 |
+
[2722.160 --> 2727.200] This extensive makeup work was the most he had done since his final appearance as Harry Potter.
|
473 |
+
[2728.080 --> 2733.520] The Hawns, a key element of Ig's character, were a standout practical effect. Radcliffe humorously
|
474 |
+
[2733.520 --> 2739.760] suggested a royal rumble between his character and Angelina Jolie's Maleficent, due to their
|
475 |
+
[2739.760 --> 2745.440] shared hawned features. Make-up artist Mike Field's intricate work is evident in behind the scenes
|
476 |
+
[2745.440 --> 2752.960] photos, where he meticulously transformed Radcliffe into the demonic IG Perish. Radcliffe's
|
477 |
+
[2752.960 --> 2758.880] dedication to his role is clear in the film's outcome, with Ig's hawns symbolising his transformation
|
478 |
+
[2758.880 --> 2765.360] and the movie's exploration of sin and redemption. In a poignant moment, IG reflects on his journey,
|
479 |
+
[2765.360 --> 2770.960] saying, in the end, I embrace the hawns like an angel who fell to earth. I became a devil one last time.
|
480 |
+
[2771.760 --> 2775.520] This performance amplified by the impressive special effects makeup,
|
481 |
+
[2775.520 --> 2780.880] cement Radcliffe's reputation as a versatile actor, willing to take on complex and unconventional roles.
|
482 |
+
[2782.320 --> 2783.680] Glenclose Gutless Hook
|
483 |
+
[2784.640 --> 2789.840] Glenclose is renowned for her exceptional acting skills, and her talent for undergoing dramatic
|
484 |
+
[2789.840 --> 2795.040] transformations through makeup has been particularly striking. A prime example of this is her
|
485 |
+
[2795.040 --> 2800.480] portrayal of Gutless in the 1991 film Hook, where she appeared alongside Robin Williams and Julia
|
486 |
+
[2800.480 --> 2807.040] Roberts. The makeup team's use of a fake beard, foundation and meticulous contouring made close,
|
487 |
+
[2807.040 --> 2812.800] nearly unrecognisable. With a fake beard and heavy foundation, she was nearly unrecognisable as
|
488 |
+
[2812.800 --> 2818.960] the grizzled older man. The meticulous application of makeup, particularly the contouring,
|
489 |
+
[2818.960 --> 2823.760] was so well executed that her bright blue eyes were the only giveaway to her true identity.
|
490 |
+
[2824.560 --> 2829.520] So convincing was her portrayal that many viewers failed to realise it was close
|
491 |
+
[2829.520 --> 2835.840] in the cameo appearance. In Hook, Close's makeup was so effective that many viewers were surprised
|
492 |
+
[2835.840 --> 2841.680] to learn she was part of the cast at all. Her distinctive blue eyes served as the only clue to her
|
493 |
+
[2841.680 --> 2847.520] identity beneath the extensive makeup. Close continued to showcase her transformative abilities in the
|
494 |
+
[2847.520 --> 2854.240] 2024 horror film The Deliverance, where she played Alberta, a dying mother with a demonic appearance.
|
495 |
+
[2854.800 --> 2860.000] Her dark makeup, blackened eyes and fang teeth, combined with her bold line delivery, went viral
|
496 |
+
[2860.000 --> 2865.680] and sparked debate. Close's commitment to disappearing into her roles through makeup demonstrates
|
497 |
+
[2865.680 --> 2870.880] her dedication as an actress, whether she's portraying a pirate in Hook or a demon in the deliverance.
|
498 |
+
[2871.680 --> 2876.000] Do you think Glen Close's makeup in Hook was one of the most impressive aspects of the film?
|
499 |
+
[2876.560 --> 2881.440] Comment with yes or no. Kay Alexander, Leaf Game of Thrones
|
500 |
+
[2882.160 --> 2888.960] Kay Alexander's depiction of Leaf in Game of Thrones exemplifies the power of makeup and prosthetics
|
501 |
+
[2888.960 --> 2894.720] in character transformation. As a member of the mystical children of the forest, Leaf demanded
|
502 |
+
[2894.720 --> 2900.080] an elaborate makeup routine that could extend up to 10 hours. Alexander recounted,
|
503 |
+
[2900.080 --> 2904.320] if I were to do a full body prosthetic, I would get picked up at midnight and then I'll be on
|
504 |
+
[2904.320 --> 2908.720] set by 10am, I didn't realise it was going to result to 9 and a half hours of makeup.
|
505 |
+
[2909.360 --> 2914.320] This process included not only facial prosthetics but also full body applications,
|
506 |
+
[2914.320 --> 2919.360] giving Leaf her characteristic plant-like features. The makeup teams detailed work on the
|
507 |
+
[2919.360 --> 2925.280] prosthetics, painting them to resemble branches on her skin, amplified leafs, mystical and
|
508 |
+
[2925.280 --> 2931.520] unearthly presence. Initially appearing in season 4, Leaf's role was expanded when Alexander
|
509 |
+
[2931.520 --> 2936.640] took over in season 6, offering a more mature depiction of the character as a leader among her
|
510 |
+
[2936.640 --> 2942.480] people and guide to brand stark. A key scene where Leaf uses her magic to shield brand and his
|
511 |
+
[2942.480 --> 2948.720] companions from whites highlights her strength and complexity. Alexander's portrayal, enhanced by
|
512 |
+
[2948.720 --> 2953.680] the intricate makeup design, enriched the series' lore and made Leaf a memorable figure in the
|
513 |
+
[2953.680 --> 2959.280] Game of Thrones saga. As Alexander observed, the demanding process is ultimately rewarding,
|
514 |
+
[2959.280 --> 2965.120] enabling her to fully become the character she plays, dust in Hoffman Dorothy Michaels Tootsie.
|
515 |
+
[2966.880 --> 2972.800] In the 1982 comedic film Tootsie, dust in Hoffman takes on the role of Michael Dorsie,
|
516 |
+
[2972.800 --> 2978.560] an actor who adopts a female persona, Dorothy Michaels, to secure a part in a soap opera.
|
517 |
+
[2979.440 --> 2984.800] To authentically embodied Dorothy, Hoffman engaged in a rigorous makeup process that not only
|
518 |
+
[2984.800 --> 2990.720] altered his appearance but also shifted his views on societal beauty norms. Prior to filming,
|
519 |
+
[2990.720 --> 2995.840] Hoffman was adamant about conducting thorough makeup trials to guarantee a convincing portrayal
|
520 |
+
[2995.840 --> 3002.000] of a woman. He dedicated weeks to perfecting Dorothy's appearance, aiming for a level of realism
|
521 |
+
[3002.000 --> 3007.280] that would allow him to navigate New York City's streets without detection. The film's meticulous
|
522 |
+
[3007.280 --> 3013.040] makeup and costume design played a pivotal role in realising the character of Dorothy and garnered
|
523 |
+
[3013.040 --> 3019.520] an Academy Award nomination. Hoffman's commitment to his role resulted in a successful transformation
|
524 |
+
[3019.520 --> 3026.160] into Dorothy Michaels. However, it was during this process that he experienced an eye-opening moment
|
525 |
+
[3026.160 --> 3031.920] regarding beauty standards for women. Upon seeing his transformed self for the first time,
|
526 |
+
[3031.920 --> 3036.880] he expressed surprise at not being more attractive and requested the makeup team to enhance
|
527 |
+
[3036.880 --> 3043.600] his appearance further. Their response, that's as good as it gets, led to a profound realisation for
|
528 |
+
[3043.760 --> 3055.520] Hoffman. This realisation moved him deeply, prompting an emotional conversation with his wife,
|
529 |
+
[3055.520 --> 3060.880] where he shared his thoughts. I think I am an interesting woman when I look at myself on screen,
|
530 |
+
[3060.880 --> 3064.880] and I know that if I met myself at a party, I would never talk to that character because she
|
531 |
+
[3064.880 --> 3069.760] doesn't fulfil physically the demands that we're brought up to think women have to have in order
|
532 |
+
[3069.920 --> 3076.480] for us to ask them out. Hoffman's transformative experience as Dorothy Michaels led him to reflect
|
533 |
+
[3076.480 --> 3082.480] on the restrictive beauty standards that women face. There's so many interesting women in this life
|
534 |
+
[3082.480 --> 3087.760] that I've not had the experience to know because I've been brainwashed. His emotional journey through
|
535 |
+
[3087.760 --> 3093.120] this role underscored the broader impact of societal expectations on women and provided him with
|
536 |
+
[3093.120 --> 3099.120] a deeper understanding of their experiences of Helen a Bonham Carter, Ari, Planet of the Apes
|
537 |
+
[3099.120 --> 3107.600] 2001. In Tim Burton's 2001 adaptation of Planet of the Apes, Helena Bonham Carter took on the role
|
538 |
+
[3107.600 --> 3114.400] of Ari, a sympathetic chimpanzee who stands against the mistreatment of humans. This character was a
|
539 |
+
[3114.400 --> 3120.400] stark contrast to her previous roles, offering her the opportunity to delve into a more unorthodox
|
540 |
+
[3120.400 --> 3126.640] and unglamorous character. Bonham Carter referred to the transformation as an extreme statement,
|
541 |
+
[3127.360 --> 3131.920] expressing her eagerness to move beyond the traditional roles that had previously characterised
|
542 |
+
[3131.920 --> 3138.000] her career. She humorously questioned her tendency to find herself in such situations,
|
543 |
+
[3138.000 --> 3144.320] given the challenges of wearing an intricate ape mask and makeup. The makeup process was
|
544 |
+
[3144.320 --> 3149.280] labour intensive with over four hours needed to apply prosthetics that significantly altered her
|
545 |
+
[3149.280 --> 3155.600] facial features, such as a sloping nose and larger ears. Bonham Carter recognised the acting
|
546 |
+
[3155.600 --> 3161.840] challenges posed by these limitations, admitting that it was a technical challenge due to the mask's
|
547 |
+
[3161.840 --> 3168.320] restriction on facial expressions. She had to focus on using her voice and subtle body language to
|
548 |
+
[3168.320 --> 3174.880] express Ari's emotions, which she found to be a novel acting experience. Despite these obstacles,
|
549 |
+
[3174.880 --> 3180.640] Bonham Carter discovered a richness in Ari's character who exudes warmth and compassion in an
|
550 |
+
[3180.720 --> 3186.720] otherwise harsh society. She incitfully commented on the film's themes by saying,
|
551 |
+
[3186.720 --> 3191.200] it doesn't matter, apes humans your planet my planet, the universe seems only to reward cruelty
|
552 |
+
[3191.200 --> 3195.920] with power. This reflection highlights her dedication to bringing depth to her character and
|
553 |
+
[3195.920 --> 3202.240] connecting with audiences through the intricacies of the makeup process. Christian Baill, Dick Cheney
|
554 |
+
[3202.240 --> 3209.120] Vice. Christian Baill's portrayal of Dick Cheney in the film Vice is a testament to his dedication to
|
555 |
+
[3209.120 --> 3215.600] method acting and the skill of makeup artistry. To accurately represent the form of ice president,
|
556 |
+
[3215.600 --> 3221.120] Baill gained 40 pounds and underwent a rigorous makeup process. Greg Canham, the makeup designer,
|
557 |
+
[3221.120 --> 3226.640] along with his team, crafted over 100 silicone prosthetic pieces to depict Cheney at different
|
558 |
+
[3226.640 --> 3231.440] life stages. Canham highlighted the importance of not completely concealing the actor,
|
559 |
+
[3232.080 --> 3238.400] focusing on a balance between Baill's features and Cheney's appearance. The meticulous process
|
560 |
+
[3238.400 --> 3243.920] started with a detailed study of Cheney's facial characteristics, particularly his nose and jawline.
|
561 |
+
[3244.800 --> 3249.920] Baill spent up to three hours daily in the makeup chair, where Canham's team applied silicone
|
562 |
+
[3249.920 --> 3255.680] appliances to alter his facial structure. They utilized airbrushed liquid color and rubber
|
563 |
+
[3255.680 --> 3262.640] mask grease makeup to achieve a life-like skin tone. Canham detailed how they added small appliances
|
564 |
+
[3262.640 --> 3266.640] to either side of Christian's nose to straighten it out and make it a tiny bit longer,
|
565 |
+
[3267.440 --> 3270.320] demonstrating the precision needed for the transformation.
|
566 |
+
[3271.600 --> 3276.960] Baill's commitment was not limited to physical alterations. He also deeply studied Cheney's
|
567 |
+
[3276.960 --> 3282.560] mannerisms by watching hours of footage. He encapsulated the complexity of Cheney's character
|
568 |
+
[3282.560 --> 3288.560] when he stated, you want to be loved, go be a movie star. This combination of physical transformation
|
569 |
+
[3288.560 --> 3293.280] and psychological immersion led to a portrayal that was both compelling and authentic,
|
570 |
+
[3293.840 --> 3296.960] garnering praise for its realism and artistic achievement.
|
571 |
+
[3298.160 --> 3300.640] Oscar Isaac, Apocalypse X-Men Apocalypse
|
572 |
+
[3302.240 --> 3308.160] Oscar Isaac underwent a taxing transformation to play Apocalypse in the film X-Men Apocalypse,
|
573 |
+
[3308.160 --> 3314.320] a process he described as excruciating. His character demanded a substantial commitment to
|
574 |
+
[3314.320 --> 3320.320] makeup and prosthetics which took two hours daily to apply. Isaac was candid about the unexpected
|
575 |
+
[3320.320 --> 3325.440] nature of this commitment revealing, I didn't know when I said yes that that was what was going to
|
576 |
+
[3325.440 --> 3331.520] be happening, that I was going to be encased in glue, latex and a 40-pound suit. The practical
|
577 |
+
[3331.520 --> 3336.560] effects team led by director Brian Singer sought to craft a physical presence for Apocalypse
|
578 |
+
[3336.560 --> 3341.600] by merging digital effects with traditional techniques. Singer stressed the significance of
|
579 |
+
[3341.600 --> 3347.520] physicality and performance asserting, whenever I can go physical I try to. It gives the actors
|
580 |
+
[3347.520 --> 3353.040] something to play with. However, Isaac encountered considerable challenges during filming.
|
581 |
+
[3353.680 --> 3358.560] He mentioned his inability to move his head and felt isolated from his co-stars due to the
|
582 |
+
[3358.560 --> 3363.760] restrictive costume. Despite these adversities, Isaac showed appreciation for the project
|
583 |
+
[3364.320 --> 3370.080] and did not disavow it despite its varied reception from audiences and critics. He recognized the
|
584 |
+
[3370.080 --> 3375.040] collective effort of the team and stated, I know exactly what I went in there wanting to do in the
|
585 |
+
[3375.040 --> 3381.280] reasons why. His experience underscores the often unappreciated physical and emotional demands
|
586 |
+
[3381.280 --> 3386.480] that actors may face when portraying complex characters in superhero films. Love this video,
|
587 |
+
[3386.480 --> 3392.240] show some love with a like and a subscribe. Hate it? A like would still be awesome and your
|
588 |
+
[3392.240 --> 3397.760] feedback in the comments will help me improve. Johnny Depp, Edward Sizzahant.
|
589 |
+
[3399.360 --> 3404.560] Johnny Depp's embodiment of Edward Sizzahant in the 1990 film directed by Tim Burton
|
590 |
+
[3404.560 --> 3410.160] is a prime example of how makeup and costume design can significantly enhance character development.
|
591 |
+
[3410.880 --> 3416.080] Depp masterfully communicated the character's vulnerability, innocence and internal conflict
|
592 |
+
[3416.080 --> 3421.920] through nuanced facial expressions and body language. A significant aspect of Depp's portrayal
|
593 |
+
[3421.920 --> 3428.400] was the detailed makeup and costume. The Sizzah hands, which he likened to a baby's hands with knives,
|
594 |
+
[3428.400 --> 3434.240] were essential in defining Edward's physicality. Depp went to great lengths to acclimate himself
|
595 |
+
[3434.240 --> 3439.760] to the prosthetics even wearing them at home, which led to amusing incidents like waking up to find
|
596 |
+
[3439.760 --> 3445.760] the hands across the room after having flung them off in his sleep. In addition to the Sizzah hands,
|
597 |
+
[3445.760 --> 3452.640] Depp's makeup was instrumental in depicting Edward's ghostly quality. His pale, nearly translucent
|
598 |
+
[3452.640 --> 3460.080] skin and deeply set eyes contributed to a spectral and otherworldly look. The actor's dedication was
|
599 |
+
[3460.080 --> 3465.680] apparent in his willingness to endure the lengthy daily makeup process, which could take up to four
|
600 |
+
[3465.680 --> 3472.400] hours. Colleen Atwood's costume design further facilitated Depp's transformation into Edward Sizzahant's.
|
601 |
+
[3473.360 --> 3478.800] The character's distinctive fashion blend of Victorian and punk styles underscored his alienation
|
602 |
+
[3478.800 --> 3484.640] within the suburban environment. Depp was deeply moved by the script, admitting that he wept upon
|
603 |
+
[3484.640 --> 3490.240] reading it, considering it one of the most beautiful things he had ever read. Through his commitment
|
604 |
+
[3490.240 --> 3494.960] to character and the careful craftsmanship of his makeup and costume, Johnny Depp delivered an
|
605 |
+
[3494.960 --> 3501.360] enduring performance as Edward Sizzahant's. The character remains a powerful illustration of the
|
606 |
+
[3501.360 --> 3507.120] potential for transformation in acting, and the indispensable role that makeup and costume play
|
607 |
+
[3507.120 --> 3513.600] in defining a character's persona. Zoe Saldana Gamora Guardians of the Galaxy
|
608 |
+
[3515.360 --> 3519.920] Zoe Saldana's portrayal of the green-skinned alien assassin Gamora in the Guardians of the
|
609 |
+
[3519.920 --> 3526.720] Galaxy franchise showcases the impact of movie makeup. The daily transformation, which requires
|
610 |
+
[3526.720 --> 3532.640] several hours, is achieved through a combination of prosthetics and body paint. Special effects
|
611 |
+
[3532.640 --> 3537.920] makeup designer David White detailed that Gamora's distinctive features, such as her forehead and
|
612 |
+
[3537.920 --> 3543.600] cheek prosthetics, are crafted from silicone to create a new shadow line for her eyebrows.
|
613 |
+
[3544.480 --> 3550.320] Applying these prosthetics takes two to three hours with removal taking an additional 30 to 45 minutes.
|
614 |
+
[3550.320 --> 3555.520] To maintain continuity, even the edge of Saldana's hairline and part line are covered in green makeup,
|
615 |
+
[3556.080 --> 3559.360] with a scalp running underneath the prosthetic forehead piece.
|
616 |
+
[3560.400 --> 3564.320] The full-body green makeup application presents its own set of challenges.
|
617 |
+
[3564.960 --> 3570.000] Initially, it took five hours to complete the process, a time frame that was eventually reduced
|
618 |
+
[3570.000 --> 3575.200] to three hours. Saldana also faced issues with warmth and sweating as it could cause the makeup
|
619 |
+
[3575.200 --> 3581.680] to melt, necessitating frequent touch-ups. Despite these demanding conditions, Saldana fully
|
620 |
+
[3581.680 --> 3587.600] committed to her role, collaborating with director James Gunn to develop Gamora into a strong and
|
621 |
+
[3587.600 --> 3593.760] empowered character. She expressed trust in Gunn's vision, stating that his confidence reassured her
|
622 |
+
[3593.760 --> 3599.600] of his commitment to delivering a compelling character. Saldana's dedication and her passion for
|
623 |
+
[3599.600 --> 3607.280] portraying strong female figures have made her an inspiration to many. Eddie Redmaine, Lily, the Danish girl.
|
624 |
+
[3608.000 --> 3615.200] Eddie Redmaine's depiction of Lily Elba in the Danish girl is a profound examination of transformation,
|
625 |
+
[3615.200 --> 3620.640] encompassing both physical and emotional changes to authentically represent the first known
|
626 |
+
[3620.640 --> 3626.800] recipient of gender confirmation surgery. Redmaine engaged in extensive research and preparation,
|
627 |
+
[3626.800 --> 3632.560] dedicating three years to understanding the transgender experience. He emphasized the significance
|
628 |
+
[3632.560 --> 3638.960] of comprehending Lily's identity beyond mere physical appearance. The film's makeup design was
|
629 |
+
[3638.960 --> 3645.280] instrumental in facilitating Redmaine's portrayal. Make-up artists Jan Sewell played a pivotal role in
|
630 |
+
[3645.280 --> 3650.640] creating a feminine appearance for Redmaine using various wigs and makeup techniques to enhance
|
631 |
+
[3650.640 --> 3656.480] his performance. Sewell acknowledged Redmaine's contribution to her understanding of the transgender
|
632 |
+
[3656.480 --> 3661.760] movement, highlighting their collaborative efforts in authentically presenting Lily's story.
|
633 |
+
[3662.560 --> 3667.520] The iconic red wig which became a symbol of Lily was a key component of this visual narrative.
|
634 |
+
[3668.080 --> 3673.200] Redmaine's performance is marked by moments that poignantly reflect Lily's internal conflicts.
|
635 |
+
[3673.920 --> 3678.080] In one scene, he captures the essence of Lily's identity by expressing,
|
636 |
+
[3678.640 --> 3684.720] I think Lily's thoughts. I dream her dreams. She was always there. The emotional depth of his portrayal
|
637 |
+
[3684.720 --> 3689.440] is further highlighted when he conveys Lily's journey towards self-acceptance with the words,
|
638 |
+
[3690.320 --> 3696.240] how have I ever deserved such love? There's nothing to be afraid of anymore. In conclusion,
|
639 |
+
[3696.240 --> 3702.000] the Danish girl stands as a tribute to Lily Elba's bravery and the intricacies of identity
|
640 |
+
[3702.000 --> 3708.560] with Redmaine's transformative performance at its core. Heath Ledger, Joker the Dark Knight.
|
641 |
+
[3709.360 --> 3715.760] Heath Ledger's embodiment of the Joker in the Dark Knight is renowned for its haunting portrayal
|
642 |
+
[3715.760 --> 3721.520] and unique makeup design. Ledger's vision for the character was to have the Joker apply his own
|
643 |
+
[3721.520 --> 3727.280] makeup, resulting in an unpolished and chaotic appearance. He described his thought process as an
|
644 |
+
[3727.280 --> 3731.760] actor, I thought this character would put his own makeup on. So what would that look like?
|
645 |
+
[3732.400 --> 3737.680] This led to a look with smeared white and red makeup, signifying disorder and anarchy.
|
646 |
+
[3738.560 --> 3743.120] Makeup artist John Caglione Jr. worked closely with Ledger to realize this concept.
|
647 |
+
[3743.680 --> 3748.960] The goal was to create a look as if the Joker had slept in his makeup for an extended period,
|
648 |
+
[3748.960 --> 3754.240] establishing a natural yet disordered aesthetic. Caglione elaborated on this idea,
|
649 |
+
[3754.240 --> 3759.600] what would it be if this guy slept in his makeup if he didn't spruce up his makeup for two weeks?
|
650 |
+
[3760.640 --> 3764.160] This was a significant departure from prior depictions of the Joker,
|
651 |
+
[3764.720 --> 3770.720] who was traditionally depicted with pristine makeup. The makeup's inconsistency mirrored the Joker's
|
652 |
+
[3770.720 --> 3777.200] capricious personality. In scenes depicting the Joker's captivity, the makeup was intentionally
|
653 |
+
[3777.200 --> 3783.680] smudged, revealing patches of Ledger's own skin. Caglione faced the challenge of ensuring that
|
654 |
+
[3783.680 --> 3789.360] the Joker did not end up unrecognizable. In the end, the distinctive makeup became an integral
|
655 |
+
[3789.360 --> 3795.120] part of Ledger's portrayal, solidifying the Joker's legacy as an iconic figure in film history.
|
656 |
+
[3796.720 --> 3798.320] Jacob Tremblay Ogey Wunder
|
657 |
+
[3800.000 --> 3805.440] Jacob Tremblay's portrayal of Ogey Pullman in the 2017 film Wunder involved a significant
|
658 |
+
[3805.440 --> 3811.520] commitment to special effects makeup. At just nine years old, Tremblay donned heavy prosthetics
|
659 |
+
[3811.520 --> 3816.240] for 40 days to authentically represent a character with treacher-collein syndrome,
|
660 |
+
[3816.880 --> 3822.400] a condition that impacts facial bone development. The daily makeup application which took
|
661 |
+
[3822.400 --> 3827.840] approximately two hours each morning and an additional half hour for removal included a complex
|
662 |
+
[3827.840 --> 3833.520] array of components such as a neck prosthetic, a primary facepiece contact lenses, a wig and
|
663 |
+
[3833.520 --> 3839.040] dentures. Tremblay found this process intriguing, noting that it helped him use his imagination to
|
664 |
+
[3839.040 --> 3844.720] become Ogey when he looked in the mirror. Arjen Tweeten, the makeup designer, collaborated closely
|
665 |
+
[3844.800 --> 3850.000] with Tremblay to craft a realistic appearance while prioritising the child actor's comfort.
|
666 |
+
[3851.040 --> 3856.560] Tweeten devised an innovative lock system using a thread to lower the eyelids concealed beneath
|
667 |
+
[3856.560 --> 3863.040] a skull cap and wig. Additionally, he created prosthetics for the chin and nose, artificial eyebrows
|
668 |
+
[3863.040 --> 3869.520] and teeth, and eye bags attached to wires. The effectiveness of Tremblay's transformation was
|
669 |
+
[3869.760 --> 3875.040] so profound that it moved his mother to tears upon her first sighting of him in full makeup.
|
670 |
+
[3875.680 --> 3881.360] The prosthetics not only enhanced his appearance but also facilitated his immersion into the character,
|
671 |
+
[3882.000 --> 3886.400] as he described becoming a completely different kid once the makeup was applied.
|
672 |
+
[3887.440 --> 3891.920] Tremblay connected deeply with the film's themes of kindness and acceptance,
|
673 |
+
[3891.920 --> 3896.080] stating that it taught invaluable lessons about treating everyone with compassion
|
674 |
+
[3896.080 --> 3902.160] regardless of their race, gender or sexuality. Ogey's poignant words from the film
|
675 |
+
[3902.720 --> 3907.280] be kind for everyone is fighting a hard battle, and if you really want to see what people are,
|
676 |
+
[3907.280 --> 3912.880] all you have to do is look, reflect its potent message about empathy and understanding.
|
677 |
+
[3914.080 --> 3916.240] Richard Break the Night King Game of Thrones
|
678 |
+
[3917.920 --> 3923.600] Richard Break recognised for his role as the Night King in seasons 4 and 5 of Game of Thrones
|
679 |
+
[3923.600 --> 3927.920] underwent a rigorous makeup regimen to embody the formidable leader of the white walkers.
|
680 |
+
[3928.560 --> 3933.600] The transformation process as described by makeup artist Barry Gower was a lengthy one exceeding
|
681 |
+
[3933.600 --> 3938.960] four hours. It involved the application of silicone prosthetics and airbrush paint to break
|
682 |
+
[3938.960 --> 3945.440] face, chest and arms. Gower highlighted the patience required from actors during this process,
|
683 |
+
[3946.080 --> 3949.440] often enduring sitting in the makeup chair for extended periods.
|
684 |
+
[3950.400 --> 3956.000] The Night King's visual design was meticulously planned by the show's creators to strike a balance
|
685 |
+
[3956.000 --> 3962.080] between being frightening but also regal, something aristocratic about him. To achieve this
|
686 |
+
[3962.080 --> 3968.480] icy and majestic look, the prosthetics were crafted from translucent rubber. Visual effects were
|
687 |
+
[3968.480 --> 3974.480] then employed to add depth and a chilling blue glow to the eyes. Break successor in season 6,
|
688 |
+
[3974.480 --> 3980.160] 8 Vladimir Ferdick took over due to break scheduling conflicts. Despite this change,
|
689 |
+
[3980.160 --> 3984.960] breaks experience with the extensive makeup application from head to toe, remains a testament
|
690 |
+
[3984.960 --> 3990.560] to the character's impactful visual presence. Gower expressed satisfaction in seeing the fruits of
|
691 |
+
[3990.560 --> 3995.680] their labour come to life on screen, acknowledging the significant contribution of the makeup team's
|
692 |
+
[3995.680 --> 4002.000] efforts to the success of the Night King's portrayal in Game of Thrones. The meticulous preparation
|
693 |
+
[4002.000 --> 4006.480] and commitment were instrumental in bringing this iconic character to life and leaving a
|
694 |
+
[4006.480 --> 4014.880] lasting impression on viewers. Eddie Murphy saw coming to America. Eddie Murphy's depiction of
|
695 |
+
[4014.880 --> 4020.480] Saul in Coming to America is a testament to the power of makeup artistry and character transformation.
|
696 |
+
[4021.360 --> 4027.120] As an elderly Jewish man at a barbershop, Saul is one of the numerous roles Murphy portrays in the film.
|
697 |
+
[4027.920 --> 4033.680] The makeup crafted by the renowned Rick Baker was a complex process that started with a lifecast
|
698 |
+
[4033.680 --> 4040.720] of Murphy's head to produce an authentic mold. Baker noted, it's not all one piece like a big
|
699 |
+
[4040.720 --> 4045.600] mask, there are multiple pieces. Emphasizing the intricacy of the makeup design,
|
700 |
+
[4046.320 --> 4051.600] Murphy's portrayal was so believable that it deceived even the film crew. Director John Landis
|
701 |
+
[4052.080 --> 4057.920] shared, we had no idea we were talking to Eddie while he was in full makeup. This capacity to
|
702 |
+
[4057.920 --> 4062.640] fully immerse himself in a character allowed Murphy to deliver lines with genuine conviction,
|
703 |
+
[4063.200 --> 4067.120] such as his comedic remark, I can't believe I'm talking to an old man.
|
704 |
+
[4068.000 --> 4072.720] Night Baker took pride in his work on the film saying, I think that's the best makeup in the movie.
|
705 |
+
[4072.720 --> 4078.240] The character of Saul exemplified not only Murphy's range as an actor, but also the innovative
|
706 |
+
[4078.240 --> 4083.440] makeup techniques that have left a lasting impact on the industry. Coming to America has become
|
707 |
+
[4083.440 --> 4089.680] a timeless classic in part due to these exceptional contributions. Hey there iconic inside fam.
|
708 |
+
[4090.400 --> 4095.440] We've just wrapped up our deep dive into the incredible world of movie makeup transformations.
|
709 |
+
[4095.440 --> 4101.120] These actors' dedication teaches us that behind every iconic character is a story of commitment
|
710 |
+
[4101.120 --> 4106.320] and creativity. Now we want to hear from you what's the most impressive movie makeup you've ever seen.
|
711 |
+
[4106.960 --> 4111.760] Drop your thoughts in the comments and don't forget to like, subscribe and turn on those
|
712 |
+
[4111.760 --> 4116.640] notifications to stay tuned for more fascinating content. Let's keep the conversation going.
|
transcript/award_Q-TQQE1y68c.txt
ADDED
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|
1 |
+
[60.000 --> 63.420] Wish you a jaustrop semester!
|
2 |
+
[90.000 --> 92.000] I'm sorry.
|
3 |
+
[92.000 --> 94.000] I'm sorry.
|
4 |
+
[94.000 --> 96.000] I'm sorry.
|
5 |
+
[96.000 --> 98.000] I'm sorry.
|
6 |
+
[98.000 --> 100.000] I'm sorry.
|
7 |
+
[100.000 --> 102.000] I'm sorry.
|
8 |
+
[102.000 --> 104.000] I'm sorry.
|
9 |
+
[104.000 --> 106.000] I'm sorry.
|
10 |
+
[106.000 --> 108.000] I'm sorry.
|
11 |
+
[108.000 --> 110.000] I'm sorry.
|
12 |
+
[110.000 --> 112.000] I'm sorry.
|
13 |
+
[112.000 --> 114.000] I'm sorry.
|
14 |
+
[114.000 --> 116.000] I'm sorry.
|
15 |
+
[116.000 --> 118.000] I'm sorry.
|
16 |
+
[118.000 --> 120.000] What the hell?
|
17 |
+
[120.000 --> 126.000] What the hell was I like dancing in the neon?
|
18 |
+
[126.000 --> 128.000] What the hell did я like?
|
19 |
+
[128.000 --> 130.000] What the hell?
|
20 |
+
[130.000 --> 132.000] What the hell did you learn?
|
21 |
+
[132.000 --> 134.000] Oh, please?
|
22 |
+
[134.000 --> 136.000] Excuse me, listen出 here.
|
23 |
+
[136.000 --> 138.000] Excuse me, please, excuse me.
|
24 |
+
[138.000 --> 140.000] Excuse me.
|
25 |
+
[140.000 --> 144.000] Oh, please, excuse me...
|
26 |
+
[144.000 --> 146.000] Please give me...
|
27 |
+
[146.000 --> 146.800] Please give me...
|
28 |
+
[146.800 --> 147.680] Please give me kl ды...
|
29 |
+
[147.680 --> 149.680] I'm going to get the car.
|
30 |
+
[149.680 --> 151.680] I'm going to get the car.
|
31 |
+
[151.680 --> 153.680] I'm going to get the car.
|
32 |
+
[153.680 --> 155.680] I'm going to get the car.
|
33 |
+
[155.680 --> 157.680] I'm going to get the car.
|
34 |
+
[157.680 --> 159.680] I'm going to get the car.
|
35 |
+
[159.680 --> 161.680] I'm going to get the car.
|
36 |
+
[161.680 --> 163.680] I'm going to get the car.
|
37 |
+
[163.680 --> 165.680] I'm going to get the car.
|
38 |
+
[165.680 --> 167.680] I'm going to get the car.
|
39 |
+
[167.680 --> 169.680] I'm going to get the car.
|
40 |
+
[169.680 --> 171.680] I'm going to get the car.
|
41 |
+
[171.680 --> 173.680] I'm going to get the car.
|
42 |
+
[173.680 --> 175.680] I'm going to get the car.
|
43 |
+
[175.680 --> 177.680] I'm going to get the car.
|
44 |
+
[177.680 --> 179.680] I'm going to get the car.
|
45 |
+
[179.680 --> 181.680] I'm going to get the car.
|
46 |
+
[181.680 --> 183.680] I'm going to get the car.
|
47 |
+
[183.680 --> 185.680] I'm going to get the car.
|
48 |
+
[185.680 --> 187.680] I'm going to get the car.
|
49 |
+
[187.680 --> 189.680] I'm going to get the car.
|
50 |
+
[189.680 --> 191.680] I'm going to get the car.
|
51 |
+
[191.680 --> 193.680] I'm going to get the car.
|
52 |
+
[193.680 --> 195.680] I'm going to get the car.
|
53 |
+
[195.680 --> 197.680] I'm going to get the car.
|
54 |
+
[197.680 --> 199.680] I'm going to get the car.
|
55 |
+
[199.680 --> 201.680] I'm going to get the car.
|
56 |
+
[201.680 --> 203.680] I'm going to get the car.
|
57 |
+
[203.680 --> 205.680] I'm going to get the car.
|
58 |
+
[205.680 --> 207.680] I'm going to get the car.
|
59 |
+
[207.680 --> 209.680] I'm going to get the car.
|
60 |
+
[209.680 --> 211.680] I'm going to get the car.
|
61 |
+
[211.680 --> 213.680] I'm going to get the car.
|
62 |
+
[213.680 --> 215.680] I'm going to get the car.
|
63 |
+
[215.680 --> 217.680] I'm going to get the car.
|
64 |
+
[217.680 --> 219.680] I'm going to get the car.
|
65 |
+
[219.680 --> 221.680] I'm going to get the car.
|
66 |
+
[221.680 --> 223.680] I'm going to get the car.
|
67 |
+
[223.680 --> 225.680] I'm going to get the car.
|
68 |
+
[225.680 --> 227.680] I'm going to get the car.
|
69 |
+
[227.680 --> 229.680] I'm going to get the car.
|
70 |
+
[229.680 --> 231.680] I'm going to get the car.
|
transcript/award_VRJzvJ5XPQI.txt
ADDED
@@ -0,0 +1,124 @@
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1 |
+
[0.000 --> 7.000] People that are supremely confident, when they enter the room, they feel comfortable in that room.
|
2 |
+
[7.000 --> 16.000] They don't hesitate to look around. Their gestures are smooth, but they're very broad.
|
3 |
+
[16.000 --> 22.000] And that has to do with confidence. And for a lot of people, this is very difficult.
|
4 |
+
[22.000 --> 34.000] I remember the great actress, Ellen Maren, saying one of the most difficult things to learn as an actress is how to walk onto a scene.
|
5 |
+
[34.000 --> 49.000] I've thought about that even in my career, how early on the difficulty of mastering that, how do you walk onto a crime scene, how do you walk into the public and demonstrate that I am confident and so forth.
|
6 |
+
[49.000 --> 57.000] We can all work a little bit on our non-verbal, so we come across as more confident.
|
7 |
+
[61.000 --> 75.000] When we talk about confidence, it's so many things. It has to do with our posture, the way we present, how we look, where is our chin, where are the eyes looking and gazing.
|
8 |
+
[76.000 --> 85.000] Our gestures are loose, but they're smoother. As we walk about, we walk as though we are on a mission.
|
9 |
+
[85.000 --> 92.000] I'm walking out to shake your hand, or I'm walking out to a podium, or I'm walking to where I'm going to sit.
|
10 |
+
[92.000 --> 101.000] So the less confident we are, the less eye contact we make, the less confident we are, the more reluctant we are to look about.
|
11 |
+
[101.000 --> 116.000] When I look at someone I admire, like Colin Powell, when he walks onto a stage, even before he speaks, he has total command of the room, and he does that, because he brings two things into this equation.
|
12 |
+
[116.000 --> 126.000] One is a tremendous amount of knowledge and experience. Plus, he has shaped and defined himself into a statesman.
|
13 |
+
[126.000 --> 131.000] We have to think of America as a family, where every member of the family cares about every other member of the family.
|
14 |
+
[131.000 --> 140.000] I think sometimes people mistake machismo or theatrical displays of power as confidence.
|
15 |
+
[140.000 --> 150.000] Confidence can be very quiet, Jane Goodall. Here's this ethylogist, very meek, very mild, and yet wherever she goes, she commands the room.
|
16 |
+
[150.000 --> 161.000] One of the things you notice is they sort of have this command of themselves, and in doing so, that command transmits outward.
|
17 |
+
[161.000 --> 168.000] The other thing that confident people realize is the temporal aspect of leadership.
|
18 |
+
[168.000 --> 174.000] If you're in charge, you're in charge of time. I'm going to take my time to walk out.
|
19 |
+
[174.000 --> 182.000] I'm going to take my time to answer your question. I will answer it in the pace, manner, and tone that I choose.
|
20 |
+
[182.000 --> 190.000] And in doing that, we are demonstrating that we are confident and in control.
|
21 |
+
[190.000 --> 197.000] Where do we get that confident voice? Where do we get those confident gestures?
|
22 |
+
[197.000 --> 202.000] This is what's called socialization. We notice the principle who acts this way.
|
23 |
+
[202.000 --> 212.000] We like this leader because of this or that trait. So I try to model their behaviors and say, this is a shortcut.
|
24 |
+
[212.000 --> 217.000] And if I have to work on my vocabulary, that's what high status people do.
|
25 |
+
[217.000 --> 224.000] If I have to change my gestures to fit in in this society, and then that's what I'm going to have to do.
|
26 |
+
[224.000 --> 234.000] That doesn't mean it changes me completely. It just means that this is what is required of me, and this is what I want to achieve at this moment in time.
|
27 |
+
[234.000 --> 246.000] I think of Carrie Grant. Here's an individual born in the UK, grew up very poor. And as he said in his biography, I became Carrie Grant.
|
28 |
+
[246.000 --> 252.000] I adopted all the behaviors that I saw from high status individuals.
|
29 |
+
[252.000 --> 255.000] Just think about that, but make up your mind.
|
30 |
+
[255.000 --> 272.000] And it is difficult to prescribe this, but one of the easiest things that we can do, if you're a woman, maybe you want to model yourself on the actress Kate Blanchett or some other actor and say, you know, when they're being interviewed, how do they look?
|
31 |
+
[272.000 --> 278.000] They look so confident. They look interesting. They have such a command presence.
|
32 |
+
[278.000 --> 290.000] You know, we're not born this way. These are things that we have to develop and say, how do I want to be perceived? And what can I do to achieve that?
|
33 |
+
[290.000 --> 298.000] Are there better behaviors that you can do? Here's a simple one. How many of you, somebody says, where they go and you go like this?
|
34 |
+
[298.000 --> 306.000] And as it turns out, this is one of the most hated signs around the world. And yet, if we just go like this, he went that way.
|
35 |
+
[306.000 --> 317.000] We're already perceived differently. Little things. I tell the story often of when I first came into law enforcement, they said, well, you know, you've got to get out there and make some arrests.
|
36 |
+
[317.000 --> 321.000] The first time I went out there and my voice just went really high.
|
37 |
+
[321.000 --> 332.000] Stop your under arrest. That sounds horrible. And you have to work at having that command presence where you say, stop right there.
|
38 |
+
[332.000 --> 338.000] Don't move. That's almost theatrical. Yeah, but it's what is needed.
|
39 |
+
[340.000 --> 347.000] So let's do this exercise. I want you to say, no, just go ahead, say it out loud.
|
40 |
+
[347.000 --> 356.000] All right, now let's do it right. Say it as I say it. No, no, no.
|
41 |
+
[356.000 --> 363.000] Do you see the difference between the way you said it and this way? Did you notice that your voice kept getting deeper?
|
42 |
+
[363.000 --> 374.000] But did you also notice that the fingers became wider and wider? The more confident you became, the wider your fingers were spreading.
|
43 |
+
[374.000 --> 381.000] There's a big difference between saying, no, stop and going, no, stop.
|
44 |
+
[381.000 --> 392.000] This potentiates the message. But to get to this, we actually have to practice it. So let's do it again. No.
|
45 |
+
[392.000 --> 396.000] Now go out there and teach your children how to do that.
|
46 |
+
[396.000 --> 399.000] I love sometimes selfies in the mirror.
|
47 |
+
[399.000 --> 404.000] One of my pet peeves is what we hear every day with what's called uptalk.
|
48 |
+
[404.000 --> 411.000] Uptalk is where someone says something and then they end making it sound like a question mark.
|
49 |
+
[411.000 --> 417.000] So it sounds like this. Four score and seven years ago, four score and seven years ago.
|
50 |
+
[417.000 --> 427.000] Our fathers brought forth on this continent. Our fathers brought forth upon this continent, a new nation.
|
51 |
+
[427.000 --> 437.000] My company has done research on this and we've asked CEOs and we've asked executives and some will say, well, you know, I've gotten used to it and so forth.
|
52 |
+
[437.000 --> 442.000] But when we ask them, does it really matter? They also, yeah, we'd rather not see it.
|
53 |
+
[442.000 --> 453.000] I get pushed back from people that say, well, you know, this is just the way that I speak and no doubt. But don't expect the same results.
|
54 |
+
[453.000 --> 464.000] We choose to go to the moon and disdicate and do the other things, not because they are easy, but because they are hard.
|
55 |
+
[464.000 --> 472.000] Because that goal will serve to organize and measure the best of our energies and skills.
|
56 |
+
[473.000 --> 479.000] The cadence in our speech is extremely powerful for a couple of reasons.
|
57 |
+
[479.000 --> 489.000] One, we know that when people machine gun a statement, when they talk very fast, we are less likely to listen to them over a long period of time.
|
58 |
+
[489.000 --> 497.000] But when we talk in cadence, we are sort of held still listening to what will come next.
|
59 |
+
[497.000 --> 503.000] And I'll give you an example from that great speech Martin Luther King gave.
|
60 |
+
[503.000 --> 507.000] As you notice with the cadence, I have a dream.
|
61 |
+
[507.000 --> 508.000] I have a dream.
|
62 |
+
[508.000 --> 511.000] And then he pauses that one day.
|
63 |
+
[511.000 --> 514.000] And then he goes on.
|
64 |
+
[514.000 --> 517.000] And Churchill used the same thing.
|
65 |
+
[518.000 --> 524.000] Churchill's notes literally would create spaces for how long he would pause.
|
66 |
+
[524.000 --> 534.000] From stepping in the Baltic to triest in the Adriatic, and iron curtain has descended across the continent.
|
67 |
+
[534.000 --> 538.000] These pauses make people listen.
|
68 |
+
[538.000 --> 546.000] And one of the things that we teach is if you want people to listen to you, use cadence to get their attention,
|
69 |
+
[546.000 --> 552.000] hold their attention, but then look forward to what that next set of words will be.
|
70 |
+
[552.000 --> 557.000] It lets them know, at a subconscious level, this is the person in charge.
|
71 |
+
[557.000 --> 567.000] And we know that they're in charge because they have temporal control over this. They're not in a hurry.
|
72 |
+
[568.000 --> 577.000] So a lot of times people say to me, well, does confidence look like chest out, shoulders back, chin up?
|
73 |
+
[577.000 --> 579.000] Yeah, that looks pretty good.
|
74 |
+
[579.000 --> 584.000] But a lot of times, confidence is just sitting comfortably in a chair.
|
75 |
+
[584.000 --> 589.000] And that may have more to do with how much space you control.
|
76 |
+
[589.000 --> 592.000] It may have to do with the gestures that you use.
|
77 |
+
[592.000 --> 596.000] You probably notice that I use a lot of steepling.
|
78 |
+
[596.000 --> 600.000] I tend to interlace my fingers and so forth.
|
79 |
+
[600.000 --> 610.000] These are gestures that contribute to that communication that I'm trying to get across, that I am confident about what I'm talking about.
|
80 |
+
[610.000 --> 617.000] So it's not just about puffing your chest out, or certainly not about talking louder or anything.
|
81 |
+
[617.000 --> 625.000] It's about controlling my environment, but making sure that what I'm transmitting at all times is confidence.
|
82 |
+
[625.000 --> 631.000] And that means I'm prepared. I'm ready to answer. I'm going to answer you now. I'm going to answer you effectively.
|
83 |
+
[631.000 --> 634.000] And I'm going to make sure that you understand what I said.
|
84 |
+
[634.000 --> 638.000] I'm here to convey. I'm not here to convince.
|
85 |
+
[638.000 --> 644.000] A lot of times people who are lacking confidence are trying to convince you of something.
|
86 |
+
[644.000 --> 649.000] If I'm confident, I just say it once. It's this way and that's it.
|
87 |
+
[649.000 --> 656.000] I convey the information rather than sit there and try to beat it into you by repeating it 10 different ways.
|
88 |
+
[656.000 --> 660.000] Compare the gestures I'm about to do.
|
89 |
+
[660.000 --> 663.000] It's about temporal movement controlling time.
|
90 |
+
[663.000 --> 668.000] So the person in charge has the time to look up at their own pace.
|
91 |
+
[668.000 --> 673.000] The gestures are smooth. There's no hesitation. There's no quick movements.
|
92 |
+
[673.000 --> 678.000] There's no jitteriness. There doesn't have to be. I'm in charge.
|
93 |
+
[678.000 --> 686.000] When I feel less confident, I feel like I have to be in a hurry that I've got to look up and I've got to answer right away.
|
94 |
+
[686.000 --> 691.000] And there's a lot of preening behaviors and these are detracting from me.
|
95 |
+
[691.000 --> 700.000] I was really shy a few years ago. Probably this is changing a little bit.
|
96 |
+
[700.000 --> 705.000] People are horrified to speak in public. I used to be horrified to speak in public.
|
97 |
+
[705.000 --> 708.000] I still get nervous to speak in public.
|
98 |
+
[708.000 --> 713.000] But here are some tricks I found that you might find useful.
|
99 |
+
[713.000 --> 719.000] The first one is don't hesitate ever to say, you know what? This is scary.
|
100 |
+
[719.000 --> 722.000] Be honest with yourself. This is unnatural.
|
101 |
+
[722.000 --> 729.000] Number two, take refuge in knowing that if I sit down and study this material,
|
102 |
+
[729.000 --> 732.000] I will know it better than my audience.
|
103 |
+
[732.000 --> 735.000] The third thing I always do is I rehearse.
|
104 |
+
[735.000 --> 741.000] It really helps so that the first time you hear it in a forum, it doesn't scare you.
|
105 |
+
[741.000 --> 746.000] When it's time to do the presentation, one of the things I like to do is to warm up.
|
106 |
+
[746.000 --> 754.000] I find a good solid wall and I will just lean into it like I'm holding this wall up,
|
107 |
+
[754.000 --> 758.000] pressing against it just as if I were doing a push-up.
|
108 |
+
[758.000 --> 763.000] One of the things that that does is it releases a lot of muscular tension
|
109 |
+
[763.000 --> 768.000] and because I'm doing it very wide, it makes me feel more powerful
|
110 |
+
[768.000 --> 773.000] and I need to walk on that stage as though it's mine.
|
111 |
+
[773.000 --> 779.000] With full confidence, it is only then that I look at my audience.
|
112 |
+
[779.000 --> 784.000] Let's take a second to get myself together and to begin.
|
113 |
+
[784.000 --> 789.000] With practice, obviously you're going to get better and better and better.
|
114 |
+
[793.000 --> 798.000] Let's face it, people are not born confident. They're just not.
|
115 |
+
[798.000 --> 803.000] We can become confident with the assistance of our parents who encourage us.
|
116 |
+
[803.000 --> 807.000] We can become confident through our own achievements.
|
117 |
+
[807.000 --> 813.000] We can become confident by going beyond our boundaries,
|
118 |
+
[813.000 --> 818.000] but confidence is something that we can grow, we can nurture.
|
119 |
+
[818.000 --> 822.000] I have seen people in wheelchairs that are supremely confident.
|
120 |
+
[822.000 --> 828.000] I have seen elderly people in their 90s who are very confident.
|
121 |
+
[828.000 --> 833.000] I've seen children who are holding a violin with such confidence.
|
122 |
+
[833.000 --> 838.000] If you want to be confident, know your material, know the information,
|
123 |
+
[838.000 --> 845.000] hone that skill, work at it, have that mastery of things and of self,
|
124 |
+
[845.000 --> 852.000] and that's how you will come across as confident, no matter what your station in life is.
|
transcript/award_WlWpchMGIf0.txt
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transcript/award_ZK3jSXYBNak.txt
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1 |
+
[0.000 --> 2.640] My dad came up to me and said, son, it's okay.
|
2 |
+
[2.640 --> 4.480] You flunked your ex-mate.
|
3 |
+
[4.480 --> 5.840] You already got arrested.
|
4 |
+
[5.840 --> 9.120] One of the most important things that you need to realize is when you get nervous,
|
5 |
+
[9.920 --> 12.320] you try to cover your white logons.
|
6 |
+
[12.320 --> 14.800] And that's why you would see a lot of speakers.
|
7 |
+
[15.440 --> 19.200] Sometimes fold their hands, bring their hands in front of them,
|
8 |
+
[19.200 --> 20.800] and that's a sign of nervousness.
|
9 |
+
[21.600 --> 24.560] Great speakers keep their body open,
|
10 |
+
[24.560 --> 27.760] so there is no barrier between you and me.
|
11 |
+
[28.240 --> 30.400] Raise your hand if you have an emotional moment.
|
12 |
+
[30.400 --> 30.880] Let me see.
|
13 |
+
[32.960 --> 34.560] Put them all together.
|
14 |
+
[34.560 --> 35.360] You get mama.
|
15 |
+
[38.880 --> 40.880] And something that when you're starting out,
|
16 |
+
[40.880 --> 42.560] you got to be very conscious about it.
|
17 |
+
[42.560 --> 43.520] Keep your body open.
|
18 |
+
[44.240 --> 45.120] It's tip number two.
|
19 |
+
[45.840 --> 46.880] Have your palms open.
|
20 |
+
[47.360 --> 48.560] Do this exercise with me.
|
21 |
+
[48.560 --> 49.520] Take a look at your palms.
|
22 |
+
[50.480 --> 51.280] Turn them around.
|
23 |
+
[51.840 --> 53.520] Take a look at the inside of your palms again.
|
24 |
+
[55.200 --> 56.800] What side relaxes your eye?
|
25 |
+
[57.520 --> 58.880] If you really concentrate,
|
26 |
+
[58.880 --> 60.560] when you look at the inside of your palm,
|
27 |
+
[61.200 --> 62.240] your eye relaxes.
|
28 |
+
[63.040 --> 64.480] And a lot of great speakers,
|
29 |
+
[64.480 --> 67.360] they open their palms towards the audience,
|
30 |
+
[68.240 --> 69.440] showing a more openness.
|
31 |
+
[70.560 --> 73.120] And that allows the audience to connect with the speaker better.
|
32 |
+
[73.120 --> 75.760] As opposed to showing the back of your hand.
|
33 |
+
[76.400 --> 78.160] Ladies and gentlemen, today I'm a dreamer.
|
34 |
+
[78.160 --> 78.960] I'm a speaker.
|
35 |
+
[79.600 --> 84.320] And I learned the unfailing quality of one conditional love from my wife.
|
36 |
+
[84.400 --> 87.120] Number three, get comfortable with the stage.
|
37 |
+
[87.120 --> 90.400] When you're comfortable on the stage that you're speaking on,
|
38 |
+
[90.400 --> 92.720] your body is free to move about,
|
39 |
+
[93.280 --> 94.640] you know, use body language.
|
40 |
+
[94.640 --> 97.360] But if you're not comfortable with that stage,
|
41 |
+
[97.360 --> 99.840] and if you feel foreign on that stage,
|
42 |
+
[99.840 --> 102.640] what happens is your body language starts to constrict
|
43 |
+
[102.640 --> 104.240] and you start to cover your body up.
|
44 |
+
[104.560 --> 106.160] And when the sun sees a mother cry,
|
45 |
+
[106.160 --> 106.960] it hears of shame.
|
46 |
+
[107.600 --> 108.880] That's a life changing moment.
|
47 |
+
[109.440 --> 110.720] She looked at me and said,
|
48 |
+
[110.720 --> 113.200] son, I want you to be a better man.
|
49 |
+
[115.120 --> 117.120] What do you do?
|
50 |
+
[117.120 --> 119.520] Don't touch the podium.
|
51 |
+
[120.320 --> 122.160] As soon as you do that,
|
52 |
+
[122.160 --> 123.680] you're going to be leaning on it.
|
53 |
+
[123.680 --> 125.360] You're going to be shaking that podium.
|
54 |
+
[126.320 --> 128.640] And you will be doing all sorts of things on the podium.
|
55 |
+
[128.640 --> 131.120] So what you do is you keep a comfortable distance
|
56 |
+
[131.120 --> 132.560] between you and the podium.
|
57 |
+
[132.560 --> 134.560] You can keep your notes on it.
|
58 |
+
[134.560 --> 136.720] But you can use your hands to gesture.
|
59 |
+
[138.160 --> 140.160] Don't rest your hands on the podium.
|
60 |
+
[140.160 --> 141.360] So keep a distance.
|
61 |
+
[142.000 --> 144.000] And you can gesture, use body language.
|
62 |
+
[144.320 --> 147.360] As you want from a little distance from the podium.
|
transcript/award_ZVpkFb9-fts.txt
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1 |
+
[0.000 --> 2.580] Absolutely love this one, right?
|
2 |
+
[2.580 --> 16.920] This is sort of a, it's not a short speech, so just I don't want this to slip and break
|
3 |
+
[16.920 --> 18.520] because it's very important to me.
|
4 |
+
[18.520 --> 20.480] Thank you so much.
|
5 |
+
[20.480 --> 21.600] She's so supportive.
|
6 |
+
[21.600 --> 25.400] We all need someone like that.
|
7 |
+
[25.400 --> 26.400] I'm Taylor.
|
8 |
+
[26.400 --> 28.200] Good evening.
|
9 |
+
[28.200 --> 32.480] I want to first thank Billboard from the bottom of my heart for this honor for, whoa, this
|
10 |
+
[32.480 --> 35.520] is going great so far.
|
11 |
+
[35.520 --> 36.520] Excellent.
|
12 |
+
[36.520 --> 38.080] Okay.
|
13 |
+
[38.080 --> 43.000] I want to say thank you so much to Billboard for giving me this honor, for naming me as
|
14 |
+
[43.000 --> 47.160] their woman of the decade.
|
15 |
+
[47.160 --> 52.120] So what does it mean to be the woman of this decade?
|
16 |
+
[53.120 --> 56.600] Well, it means I've seen a lot.
|
17 |
+
[56.600 --> 62.560] When this decade began, I was 20 years old and I had put out my self titled debut album
|
18 |
+
[62.560 --> 68.720] when I was 16 and then the album that would become my breakthrough album, which was called
|
19 |
+
[68.720 --> 70.520] Fearless.
|
20 |
+
[70.520 --> 76.720] And I saw that there was a world of music and experience beyond country music that I
|
21 |
+
[76.720 --> 79.080] was really curious about.
|
22 |
+
[79.080 --> 84.400] I saw pop stations send my songs love story and you belong with me to number one for
|
23 |
+
[84.400 --> 87.240] the first time.
|
24 |
+
[87.240 --> 94.400] And I saw that as a female in this industry, some people will always have slight reservations
|
25 |
+
[94.400 --> 101.800] about you, whether you deserve to be there, whether your male producer or co-writer is
|
26 |
+
[101.800 --> 107.840] the reason for your success, or whether it was a savvy record label.
|
27 |
+
[107.840 --> 110.680] It wasn't.
|
28 |
+
[110.680 --> 116.480] I saw that people love to explain away a woman's success in the music industry and I saw
|
29 |
+
[116.480 --> 119.600] something in me change due to this realization.
|
30 |
+
[119.600 --> 124.960] This was the decade when I became a mirror for my detractors.
|
31 |
+
[124.960 --> 129.960] Whatever they decided I couldn't do is exactly what I did.
|
32 |
+
[129.960 --> 135.560] Oh, I'll take it.
|
33 |
+
[135.560 --> 140.760] Whatever they criticized about me became material for musical satires or inspirational
|
34 |
+
[140.760 --> 141.760] anthems.
|
35 |
+
[141.760 --> 147.400] And the best lyrical examples I can think of are songs like Mean, Shake It Off, and Blank
|
36 |
+
[147.400 --> 148.400] Space.
|
37 |
+
[148.400 --> 152.900] Basically, if people had something to say about me, I usually said something back in my
|
38 |
+
[152.900 --> 154.720] own way.
|
39 |
+
[154.720 --> 158.160] And this reflex dictated more than just my lyrics.
|
40 |
+
[158.160 --> 163.400] When Fearless did win Elm of the Year at the Grammys and I did become the youngest solo
|
41 |
+
[163.400 --> 171.000] artist ever win the award, with that win came criticism in backlash in 2010 that I'd
|
42 |
+
[171.000 --> 174.520] never experienced before as a young new artist.
|
43 |
+
[174.520 --> 179.320] All of a sudden people had doubts about my singing voice.
|
44 |
+
[179.320 --> 181.280] Was it strong enough?
|
45 |
+
[181.280 --> 183.480] Was I a little bit pitchy?
|
46 |
+
[183.480 --> 188.000] All of a sudden they weren't sure if I was the one writing the songs because sometimes
|
47 |
+
[188.000 --> 192.800] in the past I had had co-writers in the room.
|
48 |
+
[192.800 --> 200.240] At that time I couldn't understand why this wave of harsh criticism had hit me so hard.
|
49 |
+
[200.240 --> 206.200] I believe a popular headline back then was a swift backlash, which is clever.
|
50 |
+
[206.200 --> 208.600] You gotta give it to him.
|
51 |
+
[208.600 --> 214.320] And now I realize that this is just what happens to a woman in music if she achieves success
|
52 |
+
[214.320 --> 217.240] or power beyond people's comfort level.
|
53 |
+
[217.240 --> 224.320] I now have come to expect that with good news come some sort of pushback, but I didn't
|
54 |
+
[224.320 --> 226.680] know that then.
|
55 |
+
[226.680 --> 232.880] So then I decided that I would be the only songwriter on my third album speak now, and
|
56 |
+
[232.880 --> 238.200] that I would tour constantly, work on my vocals every day, and perfect my stamina in a live
|
57 |
+
[238.200 --> 240.200] show.
|
58 |
+
[240.200 --> 244.320] I decided I would be what they said I couldn't be.
|
59 |
+
[244.320 --> 248.160] I didn't know then that soon enough people would decide on something else I wasn't quite
|
60 |
+
[248.160 --> 252.520] doing right, and then the circle would keep going on and on and rolling along, and I
|
61 |
+
[252.520 --> 260.360] would keep accommodating, overcorrecting, in an effort to appease my critics.
|
62 |
+
[260.360 --> 262.360] They're saying I'm dating too much in my 20s.
|
63 |
+
[262.360 --> 263.360] Okay, I'll stop.
|
64 |
+
[263.360 --> 268.280] I'll just be single for years.
|
65 |
+
[268.280 --> 271.640] Now they're saying my album red is filled with too many breakup songs.
|
66 |
+
[272.640 --> 276.720] Okay, I'll make one about moving to New York and deciding that really my life is more
|
67 |
+
[276.720 --> 279.760] fun with just my friends.
|
68 |
+
[279.760 --> 283.080] Oh, they're saying my music is changing too much for me to stay in country music.
|
69 |
+
[283.080 --> 284.080] All right.
|
70 |
+
[284.080 --> 289.480] Okay, here's an entire genre shift and a pop album called 1989.
|
71 |
+
[289.480 --> 294.400] You heard it?
|
72 |
+
[294.400 --> 297.400] Sick.
|
73 |
+
[297.400 --> 301.320] Now it's that I'm showing you too many pictures of me with my friends.
|
74 |
+
[301.320 --> 305.240] Okay, I can stop doing that too.
|
75 |
+
[305.240 --> 311.240] Now I'm actually a calculated manipulator rather than a smart business woman.
|
76 |
+
[311.240 --> 317.240] Okay, I'll disappear from public view for years.
|
77 |
+
[317.240 --> 319.520] Now I'm being cast as a villain to you.
|
78 |
+
[319.520 --> 326.360] Okay, here's an album called Reputation and there are lots of snakes everywhere.
|
79 |
+
[326.360 --> 331.440] In the last 10 years I have watched as women in this industry are criticized and measured
|
80 |
+
[331.440 --> 337.080] up to each other and picked at for their bodies, their romantic lives, their fashion.
|
81 |
+
[337.080 --> 341.160] Or have you ever heard someone say about a male artist?
|
82 |
+
[341.160 --> 343.560] I really like his songs but I don't know what it is.
|
83 |
+
[343.560 --> 346.920] There's just something about him I don't like.
|
84 |
+
[346.920 --> 352.280] No, that criticism is reserved for us.
|
85 |
+
[352.280 --> 356.560] But you know, I've learned that the difference between those who can continue to create in
|
86 |
+
[356.560 --> 360.360] that climate usually comes down to this.
|
87 |
+
[360.360 --> 367.480] Who lets that scrutiny break them and who just keeps making art?
|
88 |
+
[367.480 --> 373.200] I've watched as one of my favorite artists of this decade, Lana Del Rey, was ruthlessly
|
89 |
+
[373.200 --> 374.200] criticized.
|
90 |
+
[374.200 --> 375.200] Yes.
|
91 |
+
[375.200 --> 376.200] Yeah.
|
92 |
+
[376.200 --> 379.440] Thank you.
|
93 |
+
[379.440 --> 382.520] We have similar tastes, I like it.
|
94 |
+
[382.520 --> 387.640] She was ruthlessly criticized in her early career and then slowly but surely she turned
|
95 |
+
[387.640 --> 392.600] into, in my opinion, the most influential artist in pop.
|
96 |
+
[392.600 --> 397.200] Her vocal stylings, her lyrics, her aesthetics, they've been echoed and repurposed in every
|
97 |
+
[397.200 --> 398.880] corner of music.
|
98 |
+
[398.880 --> 403.680] And this year her incredible album is nominated for album of the year at the Grammys because
|
99 |
+
[403.680 --> 406.640] she just kept making art.
|
100 |
+
[406.640 --> 412.600] And that example should inspire all of us that the only way forward is forward motion,
|
101 |
+
[412.600 --> 418.520] that we shouldn't let obstacles like criticism slow down the creative forces that drive us.
|
102 |
+
[418.520 --> 424.320] And I see that fire in the newer faces in our music industry whose work I absolutely
|
103 |
+
[424.320 --> 425.320] love.
|
104 |
+
[425.320 --> 434.360] I see it in Lizzo, Rosalia, Taylor Parks, Haley Keoko, King Princess, Camila Cabello,
|
105 |
+
[434.360 --> 444.040] Volsey, Megan Vistallian, Princess Nokia, Nina Nezbit, Sigrid, Normani, her, Maggie Rogers,
|
106 |
+
[444.040 --> 455.000] Becky G, Dua Lipa, Ella May, Philly Eilish, and so many other amazing women who are making
|
107 |
+
[455.000 --> 457.800] music right now.
|
108 |
+
[457.800 --> 462.560] Female artists in music have dominated this decade in growth, streaming, record and ticket
|
109 |
+
[462.560 --> 464.880] sales and critical acclaim.
|
110 |
+
[464.880 --> 468.240] So why are we doing so well?
|
111 |
+
[468.240 --> 470.160] Because we have to grow fast.
|
112 |
+
[470.160 --> 471.480] We have to work this hard.
|
113 |
+
[471.480 --> 474.880] We have to prove that we deserve this.
|
114 |
+
[474.880 --> 477.840] And we have to top our last achievements.
|
115 |
+
[477.840 --> 485.360] Women in music on stage or behind the scenes are not allowed to coast.
|
116 |
+
[485.360 --> 491.560] We are held at a higher, sometimes impossible feeling standard.
|
117 |
+
[491.560 --> 496.040] And it seems that my fellow female artists have taken this challenge and they have accepted
|
118 |
+
[496.040 --> 497.040] it.
|
119 |
+
[497.040 --> 503.480] It seems like the pressure that could have crushed us made us into diamonds instead.
|
120 |
+
[503.480 --> 507.240] And what didn't kill us actually did make us stronger.
|
121 |
+
[507.240 --> 512.400] But we need to keep advocating for women in the recording studios behind the mixing
|
122 |
+
[512.400 --> 517.960] board in A&R meetings because rather than fighting to be taken seriously in their fields,
|
123 |
+
[517.960 --> 527.880] these women are still struggling to even have a chance to be in the room.
|
124 |
+
[527.880 --> 532.960] We now find ourselves fully immersed in a vast frontier that wasn't around last decade.
|
125 |
+
[532.960 --> 536.720] And that is the streaming world.
|
126 |
+
[536.720 --> 540.560] In music we're always walking hand in hand with technology.
|
127 |
+
[540.560 --> 543.680] And sometimes that is so awesome.
|
128 |
+
[543.680 --> 549.360] Like how now we're able to just drop a song that we made yesterday.
|
129 |
+
[549.360 --> 553.840] I've spoken out in the past about the future of revenue flow for creators and the songwriters
|
130 |
+
[553.840 --> 558.920] and producers who are being left behind due to these rapid shifts and changes.
|
131 |
+
[558.920 --> 564.320] I still don't think that record contracts or producers agreements have fully caught up.
|
132 |
+
[564.320 --> 568.240] And I hope that in the next decade we can keep searching for the right solution for
|
133 |
+
[568.240 --> 570.880] producers, songwriters, and creators.
|
134 |
+
[570.880 --> 571.880] Don't you?
|
135 |
+
[571.880 --> 577.880] Thank you.
|
136 |
+
[577.880 --> 583.680] Lately there's been a new shift that has affected me personally and that I feel is a potentially
|
137 |
+
[583.680 --> 586.000] harmful force in our industry.
|
138 |
+
[586.000 --> 591.400] And as your resident loud person, I feel the need to bring it up.
|
139 |
+
[591.400 --> 597.440] And that is the unregulated world of private equity coming in and buying up our music as
|
140 |
+
[597.440 --> 603.600] if it is real estate, as if it's an app or a shoe line.
|
141 |
+
[603.600 --> 609.600] This just happened to me without my approval, consultation, or consent.
|
142 |
+
[609.600 --> 615.480] After I was denied the chance to purchase my music outright, my entire catalog was sold
|
143 |
+
[615.480 --> 620.880] to scooter bronze Ithaca Holdings in a deal that I'm told was funded by the Soros family,
|
144 |
+
[620.880 --> 623.480] 23 capital, and the Carlyle group.
|
145 |
+
[623.480 --> 632.440] Yet to this day, none of these investors have ever bothered to contact me or my team directly
|
146 |
+
[632.440 --> 640.240] to perform their due diligence on their investment, on their investment in me to ask how I might
|
147 |
+
[640.240 --> 644.800] feel about the new owner of my art.
|
148 |
+
[644.800 --> 654.280] The music I wrote, the videos I created, photos of me, my handwriting, my album designs.
|
149 |
+
[654.280 --> 659.480] And of course, scooter never contacted me or my team to discuss it prior to the sale,
|
150 |
+
[659.480 --> 662.480] or even when it was announced.
|
151 |
+
[662.480 --> 666.040] I'm fairly certain he knew exactly how I would feel about it though.
|
152 |
+
[666.040 --> 671.520] And let me just say that the definition of the toxic male privilege in our industry is
|
153 |
+
[671.520 --> 677.040] people saying, but he's always been nice to me when I'm raising valid concerns about
|
154 |
+
[677.040 --> 681.240] artists and their rights to own their music.
|
155 |
+
[681.240 --> 682.800] And of course, he's nice to you.
|
156 |
+
[682.800 --> 686.720] If you're in this room, you have something he needs.
|
157 |
+
[686.720 --> 692.240] The fact is that private equity is what enabled this man to think, according to his own social
|
158 |
+
[692.240 --> 696.640] media post, that he could buy me.
|
159 |
+
[696.640 --> 701.480] But I'm obviously not going willingly.
|
160 |
+
[701.480 --> 706.840] But the most amazing thing was to discover that it would be the women in our industry who
|
161 |
+
[706.840 --> 712.240] would have my back and show me the most vocal support at one of the most difficult times.
|
162 |
+
[712.240 --> 720.320] And I will never, ever forget it, like ever.
|
163 |
+
[720.320 --> 730.840] But to conclude, I will say that in 10 years I've seen forward steps in our industry,
|
164 |
+
[730.840 --> 738.040] in our awareness, our inclusion, our ability to start calling out unfairness and misconduct.
|
165 |
+
[738.040 --> 741.720] I've seen the advent of social media the way it can boost the breakthrough of emerging
|
166 |
+
[741.720 --> 743.400] artists.
|
167 |
+
[743.400 --> 747.840] And I've seen fans become more engaged and supportive than ever before.
|
168 |
+
[747.840 --> 749.840] I've leaned on that support.
|
169 |
+
[749.840 --> 754.160] And it has kept me in a place where, no matter what, I always wanted to keep making music
|
170 |
+
[754.160 --> 756.160] for them.
|
171 |
+
[756.160 --> 762.200] I was up on a stage in New York City in 2014, accepting Billboard Woman of the Year.
|
172 |
+
[762.200 --> 768.760] And I was talking about the future of streaming, how we needed to make sure that the female artists,
|
173 |
+
[768.760 --> 773.920] writers and producers of the next generation were protected and compensated fairly.
|
174 |
+
[773.920 --> 780.040] This was before my record deal with Universal last year that would contractually guarantee
|
175 |
+
[780.040 --> 786.520] that the artists on their roster be paid upon any sale of their Spotify shares unrecoupable.
|
176 |
+
[786.520 --> 792.560] So thank you for that.
|
177 |
+
[792.560 --> 800.640] This speech I'm referring to was on my 25th birthday, and about to turn 30 to 9.
|
178 |
+
[800.640 --> 803.680] Woo!
|
179 |
+
[803.680 --> 808.520] But my exact quote during this speech was, I really just feel like we need to continue
|
180 |
+
[808.520 --> 812.520] to try to offer something to a younger generation of musicians.
|
181 |
+
[812.520 --> 816.960] Because somewhere right now, your future woman of the year is probably sitting in a piano
|
182 |
+
[816.960 --> 819.080] lesson or in a girl's choir.
|
183 |
+
[819.080 --> 822.440] And today, right now, we need to take care of her.
|
184 |
+
[822.440 --> 829.320] I've since learned that at that exact moment, an 11-year-old girl in California really
|
185 |
+
[829.320 --> 834.480] was taking piano lessons and really was in a girl's choir.
|
186 |
+
[834.480 --> 839.120] And this year, she has been named Woman of the Year at the age of 17.
|
187 |
+
[839.120 --> 848.560] Her name is Billy.
|
188 |
+
[848.560 --> 852.800] And those are the stories we need to think about every day as we do our jobs within this
|
189 |
+
[852.800 --> 853.880] industry.
|
190 |
+
[853.880 --> 859.120] The ones where people's dreams come true and they get to create music and play it for people.
|
191 |
+
[859.120 --> 863.720] The ones where fans feel a connection to music that makes their day easier, makes their
|
192 |
+
[863.720 --> 870.600] night more fun, makes their love feel more sacred, or their heartache feel less isolating.
|
193 |
+
[870.600 --> 875.280] The ones where all of you in this room stand as an example for someone else in the next
|
194 |
+
[875.280 --> 878.760] generation who loves the same thing that we love.
|
195 |
+
[878.760 --> 879.760] Music.
|
196 |
+
[879.760 --> 885.640] And no matter what else enters the conversation, we will always bring it back to music.
|
197 |
+
[885.640 --> 892.200] And as for me, lately I've been focusing less on doing what they say I can't do and
|
198 |
+
[892.200 --> 897.000] more on doing whatever the hell I want.
|
199 |
+
[897.000 --> 904.080] Thank you for a magnificent, happy, free, confused, sometimes lonely, but mostly gold in decade.
|
200 |
+
[904.080 --> 905.880] I'm honored to be here tonight.
|
201 |
+
[905.880 --> 907.800] I feel very lucky to be with you.
|
202 |
+
[907.800 --> 908.320] Thank you so much.
|
transcript/award_b4JyZVT3L7U.txt
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|
1 |
+
[0.000 --> 5.380] When you tune into the Academy Awards, you expect to see stars on their A-game.
|
2 |
+
[5.380 --> 7.320] After all, this is their time to shine.
|
3 |
+
[7.320 --> 11.920] They work hard all year to promote their film projects, and it all culminates into a single
|
4 |
+
[11.920 --> 15.420] night of Glitz, Lamar, and of course, recognition.
|
5 |
+
[15.420 --> 20.360] So when one of Hollywood's most famous seems a little bit off, it's pretty noticeable.
|
6 |
+
[20.360 --> 22.800] Brad Pitt is no stranger to the Oscars.
|
7 |
+
[22.800 --> 27.600] He won Best Supporting Actor in 2020 for his role in Once Upon a Time in Hollywood.
|
8 |
+
[27.600 --> 32.680] At the 93rd Academy Awards, he didn't seem to be totally himself, though he had an adorable
|
9 |
+
[32.680 --> 38.280] exchange when presenting Minari Actress Yuna Zhang as the Best Supporting Actress winner.
|
10 |
+
[38.280 --> 41.840] He seemed to lack energy and even to be a little distracted.
|
11 |
+
[41.840 --> 46.680] He also didn't offer to help her on and off the stage, which drew attention from yours.
|
12 |
+
[46.680 --> 51.360] Actor Lovar Burton called Pitt out on Twitter, though several other fans commented that his
|
13 |
+
[51.360 --> 54.720] distance was likely due to COVID-19 restrictions.
|
14 |
+
[54.760 --> 59.040] Perhaps Pitt's overall demeanor was because this year's ceremony looked quite different
|
15 |
+
[59.040 --> 63.160] than usual with a much smaller crowd in socially-distance tables.
|
16 |
+
[63.160 --> 66.320] We didn't get to see Brad Pitt on the red carpet this year.
|
17 |
+
[66.320 --> 71.200] In fact, Pitt stayed out of the limelight until it came time for him to present the Best
|
18 |
+
[71.200 --> 76.800] Supporting Actress Award to Yuna Zhang, who became the first Korean and second Asian ever
|
19 |
+
[76.800 --> 79.360] to win an Oscar in the category.
|
20 |
+
[79.360 --> 83.840] The moment seemed to affect Pitt deeply, and people noticed him with tears in his eyes,
|
21 |
+
[83.920 --> 85.760] watching the actress accept her award.
|
22 |
+
[85.760 --> 91.200] Body language expert Lauren Cohen, an executive and career coach, shared her thoughts on Brad
|
23 |
+
[91.200 --> 93.920] Pitt's behavior exclusively with the list.
|
24 |
+
[93.920 --> 94.720] Cohen said,
|
25 |
+
[94.720 --> 98.480] Nothing about Brad Pitt seemed like he was on his A-game.
|
26 |
+
[98.480 --> 103.200] The little we saw when he presented was underwhelming and lacked his normal star power.
|
27 |
+
[103.200 --> 105.840] He was fidgeting his fingers holding the paper.
|
28 |
+
[105.840 --> 110.840] Cohen also theorized that Pitt's abnormal behavior was a product of him trying to focus.
|
29 |
+
[110.840 --> 111.840] She continued,
|
30 |
+
[111.920 --> 114.720] Brad Pitt's fidgeting was possibly distraction.
|
31 |
+
[114.720 --> 119.120] Very often, fidgeting is a way to try to force oneself to refocus attention,
|
32 |
+
[119.120 --> 122.320] and his mind at that moment is possibly just on something else.
|
33 |
+
[122.320 --> 123.680] Would love to know what.
|
34 |
+
[123.680 --> 127.600] He usually glows with star quality, but tonight he was a bit more dull.
|
35 |
+
[127.600 --> 131.360] The cameras kept even cutting out from him, which is also not the norm.
|
36 |
+
[131.360 --> 133.600] Pitt was more glossy-eyed compared to normal.
|
37 |
+
[134.160 --> 138.720] Pitt's appearance at the Oscars came amid a slew of negative press coverage around his
|
38 |
+
[138.720 --> 141.120] divorce from actress Angelina Jolie.
|
39 |
+
[141.200 --> 144.560] Jolie recently opened up to Entertainment Weekly about how,
|
40 |
+
[144.560 --> 149.680] a change in my family situation, had prevented her from pursuing the projects that she otherwise
|
41 |
+
[149.680 --> 150.800] would have wanted to.
|
42 |
+
[150.800 --> 155.040] Meanwhile, Jolie and Pitt are still in the middle of a heated custody battle.
|
43 |
+
[155.040 --> 160.960] Last month, Page Six ran a story alleging that Pitt was heartbroken over it and devastated.
|
44 |
+
[160.960 --> 164.240] Twitter, meanwhile, seems to have given the actor a free pass.
|
45 |
+
[164.240 --> 168.800] It was too busy concentrating on something else to notice Pitt's fidgety mannerisms.
|
46 |
+
[168.800 --> 173.120] Specifically, the social media platform couldn't get over Pitt's man bun.
|
47 |
+
[173.680 --> 175.440] One enamored Twitter wrote,
|
48 |
+
[175.440 --> 180.720] Was I dreaming or did Brad Pitt show up to the Oscars looking all interview with a vampire-ish
|
49 |
+
[180.720 --> 182.560] with that blonde man bun?
|
50 |
+
[182.560 --> 185.520] Another looks-impressed Oscar viewer tweeted,
|
51 |
+
[185.520 --> 189.040] Brad Pitt deserves an Oscar for still being finest f***.
|
52 |
+
[189.040 --> 190.560] A third user raved,
|
53 |
+
[190.560 --> 196.080] No lie, Brad Pitt might be the sexiest man of all time, and this is coming from a straight man.
|
54 |
+
[196.640 --> 200.880] We, of course, may never know the real reason behind Pitt's behavior at the Oscars,
|
55 |
+
[200.880 --> 204.320] but we'll definitely be keeping an eye on him and his hair.
|
56 |
+
[205.120 --> 210.480] Check out one of our newest videos right here! Plus, even more List videos about man buns are coming soon.
|
57 |
+
[210.480 --> 214.880] Subscribe to our YouTube channel and hit the bell so you don't miss a single one.
|
transcript/award_gXfLl3qYy0k.txt
ADDED
@@ -0,0 +1,5 @@
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1 |
+
[0.000 --> 11.000] This is the second attempt these Germans made a break and we could be in a port for the race here.
|
2 |
+
[11.000 --> 16.000] Feel glue, look, feel, see you again.
|
3 |
+
[16.000 --> 22.000] I'm broke by my door, how they arms pretty each other, which one is the first?
|
4 |
+
[46.000 --> 47.000] One second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one second, one
|
5 |
+
[76.000 --> 99.020] one second, one second, one second, one second, one second, one second
|
transcript/award_hh4aVvDK-LM.txt
ADDED
@@ -0,0 +1,66 @@
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1 |
+
[0.000 --> 4.240] With the Sag Awards coming up, all eyes will be on that red carpet.
|
2 |
+
[4.880 --> 9.600] And sometimes celebs are telling us a little more than we know, perhaps, with their
|
3 |
+
[9.600 --> 15.840] body language during a award season, maybe saying something without ever saying a word.
|
4 |
+
[15.840 --> 22.320] Joining me now to talk through exactly what the positioning of a red carpet pose might mean
|
5 |
+
[22.320 --> 28.080] is body language experts Blanca Cobb to decode it all. Blanca, thank you so much for being here.
|
6 |
+
[29.040 --> 33.760] Of course, my pleasure. So now I'm going to be analyzing what you meant by this.
|
7 |
+
[33.760 --> 37.200] I'm going to think about everything from here on out. I can't wait to learn and get some insight
|
8 |
+
[37.200 --> 42.560] from you, especially on one of my favorite women to watch this award season, Lady Gaga.
|
9 |
+
[42.560 --> 47.680] So ET is at every major awards show. And what we've noticed is she does a lot of
|
10 |
+
[47.680 --> 55.680] blowing kisses. She likes to give kisses. So what exactly do we think that might say about Lady Gaga?
|
11 |
+
[58.400 --> 63.680] By connecting with her fans when she's blowing kisses to her fans. It's a way to connect.
|
12 |
+
[63.680 --> 69.840] It's a way to show affection and she even does it with Bradley Cooper. She needs up and she gives
|
13 |
+
[69.840 --> 74.800] him a kiss on the cheek. She's already said publicly that he believed in her. They have this
|
14 |
+
[74.800 --> 78.960] great relationship. So it's just a way of connecting and showing affection.
|
15 |
+
[79.840 --> 83.520] And she really does it though. That's the thing. I mean, you might see somebody blow a kiss
|
16 |
+
[83.520 --> 87.520] occasionally, but like we just showed in the montage there. She does it over and over and when she
|
17 |
+
[87.520 --> 94.560] englends close one that tied critics choice award. She gave Glenn the smooch. She also holds Bradley
|
18 |
+
[94.560 --> 99.360] Cooper's hand quite a lot in her fiance's hand as well, which makes more sense. But you really see
|
19 |
+
[99.360 --> 103.520] that connection with her and Bradley and how they hold hands on the carpet despite not being
|
20 |
+
[103.520 --> 108.320] romantically involved. Yes, but there's a distinction in the way that they're holding hands. So what
|
21 |
+
[108.320 --> 112.720] they're doing is they're cupping. It's palm to palm, which is very different than when fingers are
|
22 |
+
[112.720 --> 118.240] interlaced. Fingers are interlaced. You generally see that more with romantic couples.
|
23 |
+
[118.240 --> 123.360] Some romantic couples still cup palm to palm. But this is a way of showing affection. They're close.
|
24 |
+
[123.360 --> 129.440] They worked together for a long time on this film. I mean, they have a relationship. They've
|
25 |
+
[129.440 --> 135.280] talked about their friendship many times and he's provided support for her. You know, when her friend
|
26 |
+
[135.280 --> 141.120] died of cancer, he was there for her. They just have a really strong tight bond. And when you're
|
27 |
+
[141.120 --> 144.880] close to somebody, you're going to reach out and touch. It's very normal. And then particularly
|
28 |
+
[144.880 --> 149.840] have to think about this. They're culture. They're both Italian and culture plays a lot into who you
|
29 |
+
[149.840 --> 155.920] are and how you express yourself. And we do know that with the Italian culture, they're very warm,
|
30 |
+
[155.920 --> 161.120] very passionate, very affectionate people and expressive, particularly with those whom are in
|
31 |
+
[161.120 --> 166.000] their closer and their close circle, who they're fond of. Blanca, you just blew my mind with that.
|
32 |
+
[166.080 --> 171.360] I never thought about that. The cupping versus fingers intertwined. Interesting. Okay. I'm going to
|
33 |
+
[171.360 --> 176.160] be looking at everybody differently now. What about Emily Blunt? She has been all over this award
|
34 |
+
[176.160 --> 181.840] season, playing Mary Poppins, of course, also in a quiet place, which just got nominated for an Oscar.
|
35 |
+
[181.840 --> 186.000] Now, she is an expert at posing on the red carpet. Always looks amazing. We've noticed she does
|
36 |
+
[186.000 --> 191.200] one hand on the hip a lot. Now, you know, I will say, look, this looks good in pictures. So I think
|
37 |
+
[191.200 --> 195.840] people do it a lot so that their arms look really good, look defined. But is there another reason
|
38 |
+
[195.840 --> 201.200] she might always go for the hand on the hip? One, it could be comfort. Maybe that's her go-to move.
|
39 |
+
[201.200 --> 205.360] And when you're feeling good and when you're feeling confident, you are going to take up space. So
|
40 |
+
[205.360 --> 210.720] she puts her hand on her hip. And then she has the hip pop where the hip comes, the hip jets out
|
41 |
+
[210.720 --> 218.320] just a little bit. That makes it more sexy. Oh, she does. She got hip pop. And we also see her with her
|
42 |
+
[218.320 --> 223.280] lovely husband, John Krasinski on the red carpet. And we were really looking at how the two of them
|
43 |
+
[223.280 --> 228.240] pose together. She does this a lot. She puts her hand on his chest. What does that say to you?
|
44 |
+
[229.360 --> 233.760] Well, when you put your hand on your partner's chest, a generally woman will do it to a man.
|
45 |
+
[233.760 --> 238.560] What that signifies is that she's feeling close. She, that's a way of getting close. It's also a
|
46 |
+
[238.560 --> 244.080] protective move. It's also territorial, letting everybody know that he is taken. But it's also
|
47 |
+
[244.080 --> 249.280] a way to get physically and emotionally close to your partner. I like the protective thing.
|
48 |
+
[249.280 --> 252.560] I see that about the two of them because they get on these red carpets together and there's a lot
|
49 |
+
[252.560 --> 257.200] to navigate, you know, photos and interviews and all that. And they really navigate them together.
|
50 |
+
[257.840 --> 263.840] One bright shining star this season, Timothy Shalameh. He's made waves with his red carpet looks.
|
51 |
+
[264.560 --> 270.000] But he's also really worked the one hand in the pocket look all awards season long we've noticed.
|
52 |
+
[270.000 --> 276.080] What does that mean for this rising star? Typically, when you put your hands in your pocket and your
|
53 |
+
[276.080 --> 280.720] thumbs are in your pocket also, it indicates that you're unsure that there's something that's unsettling
|
54 |
+
[280.720 --> 286.480] for you in the moment. However, having said that when you're looking at someone's behavior across time,
|
55 |
+
[286.480 --> 291.120] which is what we're showing here on the screen, that signifies that that's part of his baseline.
|
56 |
+
[291.120 --> 295.920] That's a comfort move for him. It's just how he typically stands. But you'll also notice his
|
57 |
+
[295.920 --> 301.040] feet. He shifts his weight back also. So not only does a hand go in the pocket, it's how he's
|
58 |
+
[301.040 --> 305.360] stands, how he puts the foot back and he's shifting that weight on that back foot. That's his part
|
59 |
+
[305.360 --> 309.920] of his baseline behavior. But that also makes sense to me, Blanco, what you said about that little
|
60 |
+
[310.080 --> 314.560] bit of unshurness only because I've interviewed Timothy a couple times and he is he's still so new to
|
61 |
+
[314.560 --> 319.840] it all and he's so beautifully accepting and exciting about where he is. You know, he's like,
|
62 |
+
[319.840 --> 324.080] oh, I can't wait to meet this person or this person, but you do still see him finding his footing.
|
63 |
+
[324.080 --> 328.160] He's not somebody who's been in the industry and especially at these awards shows very long.
|
64 |
+
[328.160 --> 332.240] So that makes sense to me a little, maybe a little nervous, but finding his comfort zone.
|
65 |
+
[333.040 --> 338.960] Exactly. Blanca Cobb, thank you so much. Body language experts and we will see all these celebs
|
66 |
+
[338.960 --> 346.560] on the red carpet at the Sag Awards. Thank you, Blanca.
|
transcript/award_i3ynZujARfA.txt
ADDED
@@ -0,0 +1,29 @@
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1 |
+
[0.000 --> 9.000] It's been an emotionally charged evening, hasn't it?
|
2 |
+
[9.000 --> 22.500] And to say that I am proud to be here to help celebrate the 100th anniversary of the NWACP
|
3 |
+
[22.500 --> 29.000] and to honor the talent nominated is truly an understatement.
|
4 |
+
[29.000 --> 37.000] Here are the nominees, proud standing actor and emotion picture.
|
5 |
+
[37.000 --> 48.000] Rob Brown, the Express, Don Cheedle, Trader, Derek Luke, Miracle at St. Anna, will Smith,
|
6 |
+
[48.000 --> 57.000] Seven Pows, Jeffrey Wright, Cadillac Records.
|
7 |
+
[57.000 --> 63.000] And the image award.
|
8 |
+
[63.000 --> 66.000] No, thank you.
|
9 |
+
[66.000 --> 69.000] Why can't open an envelope?
|
10 |
+
[69.000 --> 72.000] Will Smith, Seven Pows.
|
11 |
+
[87.000 --> 95.000] Oh, man.
|
12 |
+
[95.000 --> 97.000] Thank you.
|
13 |
+
[97.000 --> 99.000] Thank you.
|
14 |
+
[99.000 --> 107.000] Wow.
|
15 |
+
[107.000 --> 114.000] You know, this is a rare opportunity for me.
|
16 |
+
[114.000 --> 123.000] You know, this is a stand on this stage today after a dream that I've dreamed for a long time,
|
17 |
+
[123.000 --> 128.000] that we have an African American president.
|
18 |
+
[128.000 --> 132.000] As a child, my parents always told me you could be whatever you want to be.
|
19 |
+
[132.000 --> 135.000] You could do whatever you want to do.
|
20 |
+
[135.000 --> 141.000] And, you know, that office, that position, the highest office on the face of the earth,
|
21 |
+
[141.000 --> 145.000] it was something I heard my parents saying it, but I didn't totally believe it.
|
22 |
+
[145.000 --> 150.000] Yet I went out in the world and I carried myself and I held my head high and I stood there
|
23 |
+
[150.000 --> 161.000] and I looked people in their eyes and I talked to people as if I was deserving of everything that this planet has to offer.
|
24 |
+
[161.000 --> 169.000] So I just really want to say to children out there and to people who are watching, Confucius said one time,
|
25 |
+
[169.000 --> 176.000] he who says he can and he who says he can't are both usually right.
|
26 |
+
[176.000 --> 182.000] So I want to stand here before you and as I hold this award, I want to give love to my wife
|
27 |
+
[182.000 --> 186.000] and I want you to keep in your heart just know that you can.
|
28 |
+
[186.000 --> 188.000] Know that you can.
|
29 |
+
[188.000 --> 190.000] God bless.
|
transcript/award_iFU07pLgsDA.txt
ADDED
@@ -0,0 +1 @@
|
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|
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|
1 |
+
[30.000 --> 37.820] 大家一起吃
|
transcript/award_jgxNs1WBONk.txt
ADDED
@@ -0,0 +1,66 @@
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1 |
+
[0.000 --> 2.000] Bella, do's we built a party?
|
2 |
+
[2.000 --> 4.000] No, the mirror is math science.
|
3 |
+
[4.000 --> 6.000] History and rambling, the mystery
|
4 |
+
[6.000 --> 9.000] that all started with a big bang.
|
5 |
+
[9.000 --> 10.000] Hey.
|
6 |
+
[10.000 --> 11.000] Hey.
|
7 |
+
[11.000 --> 12.000] Hey.
|
8 |
+
[12.000 --> 13.000] Everything's smoothed out with Amy.
|
9 |
+
[13.000 --> 15.000] Uh, no, she's still pretty mad.
|
10 |
+
[15.000 --> 18.000] Did you make the apology as sincere as I would have?
|
11 |
+
[18.000 --> 21.000] I said, children, says he's sorry.
|
12 |
+
[21.000 --> 23.000] Well, I have to hang it on a little thick.
|
13 |
+
[26.000 --> 29.000] Hey, it's time you apologize to her yourself.
|
14 |
+
[29.000 --> 30.000] I suppose so.
|
15 |
+
[30.000 --> 32.000] But if I get out of line, I'll lose my spot.
|
16 |
+
[32.000 --> 35.000] I'm happy to hold your place till you get back.
|
17 |
+
[45.000 --> 46.000] Good morning, sir.
|
18 |
+
[46.000 --> 48.000] What can I get started for you today?
|
19 |
+
[48.000 --> 50.000] It's a pleasure, sir.
|
20 |
+
[50.000 --> 52.000] Uh-oh. What's nice?
|
21 |
+
[52.000 --> 53.000] All right.
|
22 |
+
[53.000 --> 55.000] Three empty glasses.
|
23 |
+
[55.000 --> 57.000] Would you care for a pastry?
|
24 |
+
[57.000 --> 58.000] Nope.
|
25 |
+
[60.000 --> 61.000] Uh, mocha.
|
26 |
+
[61.000 --> 63.000] Three mocha lattes.
|
27 |
+
[66.000 --> 68.000] Uh, double chocolate chip muffin.
|
28 |
+
[68.000 --> 69.000] Yup.
|
29 |
+
[73.000 --> 74.000] Ah, ah, ah, ah, ah.
|
30 |
+
[74.000 --> 76.000] You had three palm and cartonies in these.
|
31 |
+
[76.000 --> 77.000] Puzzle.
|
32 |
+
[77.000 --> 81.000] And I love the Beatles' state for my life.
|
33 |
+
[81.000 --> 82.000] Something.
|
34 |
+
[82.000 --> 84.000] Uh.
|
35 |
+
[84.000 --> 86.000] What's that, son?
|
36 |
+
[86.000 --> 88.000] Hey, bring him Lincoln.
|
37 |
+
[88.000 --> 89.000] Uh-huh.
|
38 |
+
[89.000 --> 92.000] Do you know you, me, gone?
|
39 |
+
[92.000 --> 93.000] Shoot.
|
40 |
+
[93.000 --> 94.000] Oh, yeah.
|
41 |
+
[94.000 --> 96.000] Three shots.
|
42 |
+
[96.000 --> 98.000] Uh.
|
43 |
+
[126.000 --> 128.000] Uh.
|
44 |
+
[157.000 --> 164.000] Is that everyone I do want to war?
|
45 |
+
[179.000 --> 181.000] Avengers!
|
46 |
+
[187.000 --> 188.000] No!
|
47 |
+
[203.000 --> 205.000] It's not much.
|
48 |
+
[205.000 --> 206.000] But it's home.
|
49 |
+
[206.000 --> 208.000] I think it's brilliant.
|
50 |
+
[210.000 --> 213.000] Where have you been?
|
51 |
+
[214.000 --> 217.000] Harry, how wonderful to see you, dear.
|
52 |
+
[217.000 --> 218.000] Bed's empty?
|
53 |
+
[218.000 --> 219.000] No note?
|
54 |
+
[219.000 --> 220.000] Car gone?
|
55 |
+
[220.000 --> 222.000] You got a dime.
|
56 |
+
[222.000 --> 224.000] You could have been seen.
|
57 |
+
[224.000 --> 227.000] Of course, I don't blame you, Harry, dear.
|
58 |
+
[227.000 --> 229.000] They were starving, in, mum.
|
59 |
+
[229.000 --> 231.000] They were bars in his window.
|
60 |
+
[231.000 --> 235.000] You best hope I don't put bars on your window, Donald Weasley.
|
61 |
+
[235.000 --> 236.000] Come on, Harry.
|
62 |
+
[236.000 --> 238.000] Time for spotted breakfast.
|
63 |
+
[244.000 --> 245.000] Oh.
|
64 |
+
[251.000 --> 252.000] Lincoln!
|
65 |
+
[274.000 --> 275.000] What?
|
66 |
+
[293.000 --> 294.000] Ah!
|
transcript/award_qXKltQdLSpo.txt
ADDED
@@ -0,0 +1,127 @@
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|
1 |
+
[0.000 --> 6.240] Welcome back to the show. I always love having you here. I love seeing you and I love saying Tony winning
|
2 |
+
[6.880 --> 8.760] Tony winning Sarah
|
3 |
+
[8.760 --> 10.760] Yeah, the rest
|
4 |
+
[11.080 --> 13.080] For the rest of your life
|
5 |
+
[13.440 --> 19.080] Tony I don't hate it. Let me tell you that. I really do have people say that about you. I mean
|
6 |
+
[19.520 --> 21.040] Yeah, pretty amazing
|
7 |
+
[21.040 --> 22.960] I'm not gonna lie like I you know
|
8 |
+
[22.960 --> 27.080] I was a kid growing up in New York City wanting to be on Broadway and then I went on Broadway
|
9 |
+
[27.080 --> 30.920] And then someone handed me a statue when I was done. Yeah, it was like nuts
|
10 |
+
[31.160 --> 35.860] You are alphanning posted this after the Tony awards. It's very cool picture of you
|
11 |
+
[35.860 --> 41.320] It says it's you and Shake Shack. Yeah, and you have the Tony award and it said yeah
|
12 |
+
[41.320 --> 43.760] You're eating the wrong thing here. You're eating the Tony
|
13 |
+
[43.760 --> 49.600] Yeah, but I feel like the thing about the Tony award because I have a couple of statues you guys and have a few of them
|
14 |
+
[49.600 --> 51.600] Yeah, I have a view of them
|
15 |
+
[51.600 --> 56.480] What happened to your voice? I don't know it's like always something like a person who's congratulating themselves about their statues
|
16 |
+
[56.480 --> 62.120] Sounds like this to me. Yeah, yeah, so I have an Emmy and that you can't do anything with that one this one
|
17 |
+
[62.520 --> 67.200] You can spin it and I'm very into that. Oh, yeah, interactive
|
18 |
+
[67.200 --> 69.200] It moves
|
19 |
+
[69.200 --> 73.960] Yeah, I really like it and then I also like to consume it. Yeah, so you yeah
|
20 |
+
[73.960 --> 79.040] You had it all night after you when you take the Tony and then and then yeah, take it from you
|
21 |
+
[79.560 --> 81.560] They take it away from you and
|
22 |
+
[82.040 --> 85.280] Because they want to engrave it and do all those things because they have them stacked
|
23 |
+
[85.280 --> 87.380] I think backstage prior to the okay
|
24 |
+
[87.380 --> 93.720] That makes sense. Yeah, but I very specifically was like so this Tony that I have in my hand my hot
|
25 |
+
[94.360 --> 99.880] Ambitious little hand this one is the one I get to keep right and they're like yes, yes, absolutely
|
26 |
+
[99.880 --> 103.360] This is the one you'll keep yeah, because I was I was now with this all night
|
27 |
+
[103.360 --> 108.400] I'm hanging again for the everybody wanted to hold it the one that Sean Hayes handed to me
|
28 |
+
[108.400 --> 112.340] It's like it feels meaningful and they're like it's absolutely yours. It'll be this one
|
29 |
+
[112.340 --> 115.520] We swear to God and I was like okay great. I took a picture of the serial number
|
30 |
+
[116.320 --> 118.320] which is on the back
|
31 |
+
[118.320 --> 120.320] oh
|
32 |
+
[120.320 --> 124.680] Then I was brought to me in my dressing room and I pulled it out and I looked at the back
|
33 |
+
[124.680 --> 128.040] And I looked at the phone and it was the wrong it's the wrong Tony
|
34 |
+
[128.560 --> 130.880] So wait, so I know you feel bad for me, right?
|
35 |
+
[132.200 --> 134.280] We don't feel bad for you at all you want a Tony
|
36 |
+
[135.280 --> 139.520] Wait, we do have the photo that you brought with the original serial number
|
37 |
+
[139.520 --> 144.440] I was like I'll be one that you had all night. Yeah, three two two nine
|
38 |
+
[144.960 --> 151.160] So so this is different than the one you have the one I have in my home now is like eight nine six seven or something all right
|
39 |
+
[151.160 --> 155.520] So anyone out there who is luckily won a Tony award?
|
40 |
+
[156.360 --> 158.360] Can you check your serial number
|
41 |
+
[159.360 --> 161.360] Send me back my Tony
|
42 |
+
[162.320 --> 170.240] Got like my tears and my sweat and by the way, I got COVID from the Tony Awards ever mind keep the award keep the award
|
43 |
+
[170.600 --> 173.600] Keep it in a bag and keep it there yet
|
44 |
+
[173.600 --> 178.360] Seel very that award remember we can't get COVID that way no touching things
|
45 |
+
[179.960 --> 183.080] Isn't that what they said yeah, but you were you were licking
|
46 |
+
[184.680 --> 186.680] So it's one of the other
|
47 |
+
[186.680 --> 191.960] Yeah, yeah, but if you have this please maybe talk to Sarah Paul's and get in touch with her
|
48 |
+
[191.960 --> 196.840] Beeps and let's get this one back home. Yes, mom. Yes, come on
|
49 |
+
[198.320 --> 200.320] Mama
|
50 |
+
[200.320 --> 206.040] I want to congratulate you on other things. Okay, you've received you're coming up your ninth Emmy nomination ninth
|
51 |
+
[206.240 --> 208.240] Yes, and not just for
|
52 |
+
[208.840 --> 215.520] They say not just for one character a very talented Sarah Paulson for like nine different characters. Yes
|
53 |
+
[215.520 --> 219.720] I think regulations which I think maybe hasn't been done before I
|
54 |
+
[220.200 --> 222.200] Maybe think maybe I think it's possible
|
55 |
+
[223.120 --> 227.360] I also when I talk about myself in the celebratory way also need to sound like this
|
56 |
+
[231.520 --> 236.880] But that usually nine Emmy nominations that someone doing the same role over like you know 20 years
|
57 |
+
[236.880 --> 241.440] Yes, Candace Bergen Murphy Brown Julie with Dr. Fizz. Babe sign felled all these things
|
58 |
+
[241.440 --> 246.080] Yeah, you have to be proud of yourself that you've done different characters to get these nominations
|
59 |
+
[246.080 --> 248.760] Yeah, I think it also means I might be certifiable
|
60 |
+
[251.640 --> 259.280] Little bit crazy no, no, but did you always know that you're gonna be out there and doing this and and scaring people to death?
|
61 |
+
[259.280 --> 263.480] You are yeah, I think the truth the matter is is that I came out of the womb
|
62 |
+
[264.040 --> 268.200] Very dramatic. I don't mean I had a dramatic birth. I mean I was just like
|
63 |
+
[268.200 --> 271.340] That yeah, yeah, like jazz hands right away. Yeah
|
64 |
+
[272.040 --> 279.000] But I think I've just my mother called me Sarah Bernhardt from the time I was a very small child and because even the tiniest thing
|
65 |
+
[279.200 --> 287.000] Would make me really upset so like one time for example my mother had this beautiful amethyst necklace that I wanted to wear to a friend
|
66 |
+
[287.000 --> 291.040] Butt mittsva and she was like you absolutely cannot wear that you're going to lose it and I was like
|
67 |
+
[291.040 --> 293.040] Why
|
68 |
+
[293.680 --> 302.320] Why are you doing I mean like freaking out and then the next day the doorbell rang and it was child and family services that were called by our neighbors
|
69 |
+
[302.760 --> 306.040] Because because they thought my mother was harming me because I
|
70 |
+
[309.560 --> 313.640] Yeah, just screaming my head off and it was because she wouldn't let me wear a necklace
|
71 |
+
[313.640 --> 315.640] Why don't you do more comedies?
|
72 |
+
[315.640 --> 321.400] Well, there's probably some reason because I'm so funny, but don't you want to do a comedy very much though
|
73 |
+
[321.400 --> 327.200] But no one's calling oh my gosh no one calls about it. You know they just right now if anyone's watching this
|
74 |
+
[327.200 --> 330.120] Sarah Paulson's one of the funniest human beings we've ever had on the show
|
75 |
+
[330.120 --> 333.400] I love you you should do a comedy well, let's do one together
|
76 |
+
[333.400 --> 335.400] Oh
|
77 |
+
[340.880 --> 346.160] Come on man, don't you want to get back to back into the back into the thick of it acting and
|
78 |
+
[348.680 --> 351.080] Your tie you're doing an advertisement for tie bar
|
79 |
+
[352.720 --> 357.280] Yeah, don't you want to act again? This is time because I also have Gucci as well. Oh
|
80 |
+
[357.280 --> 359.280] Gucci
|
81 |
+
[362.720 --> 365.760] I never know which one to grab open wear my Tony Wars
|
82 |
+
[366.720 --> 368.720] My tie is a Tony word
|
83 |
+
[370.760 --> 374.960] But I would love to do anything with you of course I would do a comedy with you well, let's go
|
84 |
+
[374.960 --> 379.280] I don't know if the studio would do it from with me, but I could probably get something you're Jimmy Fallon
|
85 |
+
[379.720 --> 381.720] Your sir
|
86 |
+
[381.720 --> 383.720] I
|
87 |
+
[385.720 --> 387.720] Am Jimmy Fallon
|
88 |
+
[388.720 --> 390.720] Oh, and an end
|
89 |
+
[391.600 --> 398.080] Miss fill that I want to take that hold your breath. Yes, scary very scary psychological thriller
|
90 |
+
[398.600 --> 405.560] Psychological thriller that to me is differentiates itself from a traditional psychological thriller that is hard to say
|
91 |
+
[405.560 --> 411.120] Yes, right because it's because it's essentially about a mother who is grieving the loss of her youngest child
|
92 |
+
[411.480 --> 415.640] That she lost to scarlet fever because it takes place in 1930s during the dust bowl
|
93 |
+
[415.640 --> 422.160] Which is a really scary time in our country? Yeah, where you know like a wall of dust a wave of black clouds
|
94 |
+
[422.160 --> 426.320] That's scary and it's yeah, but she goes a little um, yeah
|
95 |
+
[429.640 --> 431.640] But yeah, you don't know if you're what to believe
|
96 |
+
[435.560 --> 437.560] Oh
|
97 |
+
[437.560 --> 439.560] Here's Margaret
|
98 |
+
[442.760 --> 450.080] Margaret, but we're sitting Margaret. Was it always called hold your breath? Sure wasn't it what it was called dust originally
|
99 |
+
[450.080 --> 453.800] Mm-hmm, and then they yeah, you were not sure if you love that but then I don't mind
|
100 |
+
[453.800 --> 455.320] I've got a couple of
|
101 |
+
[455.320 --> 461.480] Titles that were floated dust. It's not exciting. Right. Like tonight on dust. It's like yeah
|
102 |
+
[462.160 --> 466.800] Someone didn't do the Tony award. Yeah, someone didn't dust believe me. I dust that. Oh, yeah
|
103 |
+
[466.800 --> 468.800] I actually dust
|
104 |
+
[468.800 --> 473.200] There was a couple of titles that were brought forward give me give me one of them was
|
105 |
+
[474.080 --> 476.080] It gets inside
|
106 |
+
[477.520 --> 479.720] And I was like it sure doesn't
|
107 |
+
[482.120 --> 484.120] Sure doesn't get inside
|
108 |
+
[484.120 --> 486.120] If you look at the poster for the movie, I'm like
|
109 |
+
[486.720 --> 492.200] Like that's the face I'm making and I'm like I don't think it gets inside in the face of my mouth like
|
110 |
+
[492.680 --> 495.840] My mouth again is just like a great idea
|
111 |
+
[496.600 --> 500.560] Let's go back to dust. I like that. Let's go back to dust
|
112 |
+
[500.560 --> 507.160] Slash your porn or something. It's like that's not for me. It is great as you always are and everything is called hold your breath
|
113 |
+
[507.160 --> 510.280] I want to show a clip here Sarah Paulson in hold your breath. Take a look
|
114 |
+
[511.240 --> 513.240] You see
|
115 |
+
[513.760 --> 515.760] He's not of this world
|
116 |
+
[517.480 --> 519.480] He's
|
117 |
+
[520.120 --> 526.920] He's been sneaking into our house moving things at night trying to hurt the girls
|
118 |
+
[528.840 --> 530.840] He can get through locks
|
119 |
+
[531.240 --> 534.520] Closed windows he comes apart like dust
|
120 |
+
[535.120 --> 537.120] He seeps in
|
121 |
+
[537.120 --> 539.120] Please
|
122 |
+
[539.840 --> 541.840] You can breathe in
|
123 |
+
[542.720 --> 544.720] They'll make you do terrible things
|
124 |
+
[551.120 --> 553.120] Justin Todd for spooky season
|
125 |
+
[554.120 --> 558.960] Sarah Paul's it everybody hold your breath. We're getting streaming on hulu this Thursday
|
126 |
+
[560.560 --> 563.600] Sarah and I are doing something fun after the break stick around everybody
|
127 |
+
[567.120 --> 569.600] You
|
transcript/award_t685WM5R6aM.txt
ADDED
@@ -0,0 +1,4 @@
|
|
|
|
|
|
|
|
|
|
|
1 |
+
[0.000 --> 30.000] No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No
|
2 |
+
[30.000 --> 60.000] Oh, here's the fun game. You point to the train station and we all go there! Well, that'd be fun! Come on, let's go to the train station! I'm sorry they took your rocket. They took something that you loved. It's gone.
|
3 |
+
[60.000 --> 90.000] It's gone. Forever. Sadness. Don't make him feel worse. Sorry. It's all he had left of Riley. I bet you and Riley had great adventures. Oh, they were wonderful. Once we flew back in time, we had wrecked this twice that day. Sadness! It sounds amazing. I bet Riley liked it. Oh, she did. We were best friends. Yeah, it's sad.
|
4 |
+
[90.000 --> 104.920] I'm okay now. Come on. The train station is this way.
|
transcript/award_tVDO8QMuYhc.txt
ADDED
@@ -0,0 +1,65 @@
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|
1 |
+
[0.000 --> 7.080] In this paper, we present an In-Hand manipulation approach that exploits the reachability knowledge
|
2 |
+
[7.080 --> 8.920] from the mechanics of pushing.
|
3 |
+
[8.920 --> 17.360] It's not always possible to pick up an object in a pose that is immediately useful.
|
4 |
+
[17.360 --> 22.640] We are interested in enabling robots, even those with simple grippers, to regross an object
|
5 |
+
[22.640 --> 26.760] in hand by pushing it against the environment.
|
6 |
+
[26.760 --> 33.760] By regrossing, robots can use objects very effectively at the desired applications.
|
7 |
+
[33.760 --> 40.080] Given an initial grasp and a goal grasp, we want a robot to plan a sequence of pushes to
|
8 |
+
[40.080 --> 43.640] force the object to the goal.
|
9 |
+
[43.640 --> 47.880] One of the key challenges when planning such pushing strategies is to characterize which
|
10 |
+
[47.880 --> 52.320] object motions are feasible considering the under-actuation of friction contact.
|
11 |
+
[57.680 --> 62.640] In this work, we show that it's possible to estimate the set of feasible object motions
|
12 |
+
[62.640 --> 66.200] in the form of a motion cone.
|
13 |
+
[66.200 --> 71.880] Using motion cones as reachability bounds directly in the configuration space, we develop a fast
|
14 |
+
[71.880 --> 75.680] and efficient in-hand manipulation planner.
|
15 |
+
[75.680 --> 83.040] A variant of motion cone was introduced by Matt Mason for pushing an object on horizontal
|
16 |
+
[83.040 --> 86.160] plane with a point pusher.
|
17 |
+
[86.160 --> 91.360] A motion cone is the set of motion twists that a pusher can induce on the object using
|
18 |
+
[91.360 --> 94.520] a friction contact.
|
19 |
+
[94.520 --> 100.000] In our work, we extend this idea to general set of planar pushing tasks, where external
|
20 |
+
[100.000 --> 105.720] forces alter the dynamics of pushing and contact interactions can be more complex.
|
21 |
+
[105.720 --> 111.160] For example, when pushing an object on an inclined plane or in a grasp, not only the pusher
|
22 |
+
[111.160 --> 116.400] force, but also the gravitational force has an influence on the object motion.
|
23 |
+
[116.400 --> 120.880] Our paper describes an analytical approach to compute motion cones.
|
24 |
+
[120.880 --> 123.840] Here we present a graphical intuition.
|
25 |
+
[123.840 --> 126.480] Let's consider a representative case.
|
26 |
+
[126.480 --> 130.440] An object in a parallel jaw cross is pushed by a line pusher.
|
27 |
+
[130.440 --> 134.800] The configuration space is three-dimensional, since the object can translate in the
|
28 |
+
[134.800 --> 139.200] XC plane and rotate about the Y axis.
|
29 |
+
[139.200 --> 144.280] We model the force motion relationship at the finger contacts using a limit surface,
|
30 |
+
[144.280 --> 148.920] which is the integration of friction wrenches over the finger contact.
|
31 |
+
[148.920 --> 153.920] For a wrench on the boundary of the limit surface, the object slides at the fingers and
|
32 |
+
[153.920 --> 162.000] the direction of sliding is given by normal to the limit surface.
|
33 |
+
[162.000 --> 166.600] When the combination of the set of all possible wrenches from the pusher and the gravitational
|
34 |
+
[166.600 --> 171.840] wrench intersect the boundary of the limit surface, it defines the set of finger wrenches
|
35 |
+
[171.840 --> 175.440] for possible object motions.
|
36 |
+
[175.440 --> 180.680] The normal to the limit surface at this intersection provides the set of motions that the pusher
|
37 |
+
[180.680 --> 183.200] can induce on the object.
|
38 |
+
[183.200 --> 189.760] This set is a cone defined by local which are surfaces and this is the motion cone.
|
39 |
+
[189.760 --> 196.560] Any object motion inside the motion cone respects the dynamics of friction pushing.
|
40 |
+
[196.840 --> 202.000] The motion cones in general abstract the dynamics of contact manipulations and can
|
41 |
+
[202.000 --> 207.040] be used for simulation, planning and control.
|
42 |
+
[207.040 --> 211.720] In this paper, we explore their application for planning in hand manipulations in a sampling
|
43 |
+
[211.720 --> 213.920] based planning framework.
|
44 |
+
[213.920 --> 219.440] Specifically, we use the reachability bounds from the motion cones to propagate an exploration
|
45 |
+
[219.440 --> 220.920] tree.
|
46 |
+
[220.920 --> 226.280] Instead of solving the complex dynamics of pushing to reach the sample grasp configurations,
|
47 |
+
[226.280 --> 232.000] we project those configurations on the motion cones and grow the tree by the motion cones.
|
48 |
+
[232.000 --> 239.800] A path in this tree provides a pushing strategy to move the object to the goal grass.
|
49 |
+
[239.800 --> 244.120] Here are examples of three-grasp strategies generated by our planner.
|
50 |
+
[244.120 --> 248.720] The planner took a fraction of a second to generate these plans while doing online computation
|
51 |
+
[248.720 --> 251.280] of motion cones.
|
52 |
+
[251.280 --> 256.440] This is an order of magnitude faster compared to our prior work where we explicitly solve
|
53 |
+
[256.440 --> 259.400] for pushing dynamics every time.
|
54 |
+
[259.400 --> 264.440] Moreover, since the motion cones encode the knowledge of all feasible pushers, the planner
|
55 |
+
[264.440 --> 269.640] exploits it to take more direct strategies towards the goal.
|
56 |
+
[269.640 --> 284.320] We believe that using motion cones as reachable regions directly in the configuration space
|
57 |
+
[284.320 --> 287.840] is a powerful idea for contact based manipulations.
|
58 |
+
[287.840 --> 292.120] This reachability knowledge opens a window to see the connectivity of the configuration
|
59 |
+
[292.120 --> 295.880] space and use it for fast and efficient planning and control.
|
60 |
+
[299.640 --> 306.120] This is an order of magnitude faster compared to our prior work where we explicitly
|
61 |
+
[306.120 --> 308.120] solve for pushing dynamics every time.
|
62 |
+
[308.120 --> 314.120] This is an order of magnitude faster compared to our prior work where we explicitly
|
63 |
+
[314.120 --> 315.120] solve for pushing dynamics every time.
|
64 |
+
[315.120 --> 316.120] This is an order of magnitude faster compared to our prior work where we explicitly
|
65 |
+
[316.120 --> 317.120] solve for pushing dynamics every time.
|
transcript/award_t_CEXuoSEZU.txt
ADDED
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|
1 |
+
[0.000 --> 15.840] Before we start, I need to pay close attention.
|
2 |
+
[15.840 --> 17.920] I'm going to need you to pay close attention.
|
3 |
+
[17.920 --> 20.920] I'm going to use slight of hand to switch some hearts.
|
4 |
+
[20.920 --> 22.360] But start with this one.
|
5 |
+
[22.360 --> 23.360] Watch very carefully.
|
6 |
+
[51.920 --> 53.640] Now, one more time.
|
7 |
+
[53.640 --> 54.640] Pay attention.
|
8 |
+
[58.640 --> 61.320] So how many switches did you see?
|
9 |
+
[61.320 --> 63.920] Did you see six card switches?
|
10 |
+
[63.920 --> 67.600] If you said six, you'd be right.
|
11 |
+
[67.600 --> 70.160] But did you happen to catch the other things who switched?
|
12 |
+
[70.160 --> 71.760] For instance, now I'm wearing a suit.
|
13 |
+
[71.760 --> 73.760] And my card to blue, my furniture is gone.
|
14 |
+
[73.760 --> 75.560] And everything behind me is switched.
|
15 |
+
[75.560 --> 78.520] While you were focused on watching me change the cards,
|
16 |
+
[78.520 --> 81.400] my team was changing everything else.
|
17 |
+
[81.400 --> 82.400] Claire.
|
18 |
+
[89.400 --> 90.040] It's evil.
|
19 |
+
[90.040 --> 90.520] I'm sorry.
|
20 |
+
[90.520 --> 92.000] We're all blind.
|
21 |
+
[92.000 --> 96.680] That's called an intentional blindness or change blindness.
|
22 |
+
[96.680 --> 99.080] We're all affected by it.
|
23 |
+
[99.080 --> 101.720] And that's what we're going to talk about today.
|
24 |
+
[101.720 --> 102.600] I'm Rich Ferguson.
|
25 |
+
[102.600 --> 103.960] I'm a magician.
|
26 |
+
[103.960 --> 105.520] You might know me as a magician.
|
27 |
+
[105.520 --> 107.200] But I bet you didn't know that I didn't learn
|
28 |
+
[107.200 --> 108.800] to retell I was 11 years old.
|
29 |
+
[108.800 --> 112.160] And that gave me a very deep appreciation for human behavior.
|
30 |
+
[112.160 --> 115.680] And today I'm going to share my greatest secret with you,
|
31 |
+
[115.680 --> 118.120] which is crazy because I say magicians don't share their secrets.
|
32 |
+
[118.120 --> 121.600] So I don't know if there's anyone in the union here, but no.
|
33 |
+
[121.600 --> 123.960] But I'm going to be sharing with you more of a life skill,
|
34 |
+
[123.960 --> 128.200] how to read human behavior so you can use it to apply it in sales,
|
35 |
+
[128.200 --> 131.400] communications, hiring, fire, negotiations, poker.
|
36 |
+
[131.400 --> 133.520] Anything where there is a situation where there's
|
37 |
+
[133.520 --> 137.280] something on the line, a stress factor, or a situation
|
38 |
+
[137.280 --> 140.240] where someone might not tell you the full truth.
|
39 |
+
[140.240 --> 143.720] But before we start, I thought we'd play a little game.
|
40 |
+
[143.720 --> 146.880] I want you all to close your eyes for just a second.
|
41 |
+
[146.880 --> 148.720] All of you close your eyes.
|
42 |
+
[148.720 --> 151.680] I've been up here in front of you for a couple of minutes.
|
43 |
+
[151.680 --> 153.400] Imagine what I'm wearing.
|
44 |
+
[153.400 --> 155.760] But specifically, imagine my tie.
|
45 |
+
[155.760 --> 158.880] Is it dotted or is it striped?
|
46 |
+
[158.880 --> 161.680] Imagine what color it is.
|
47 |
+
[161.680 --> 163.760] And to open your eyes.
|
48 |
+
[163.760 --> 165.560] Now a few of you probably got it right,
|
49 |
+
[165.560 --> 168.880] but some of you might have been led astray by what I was saying.
|
50 |
+
[168.880 --> 169.680] Of course, it's black.
|
51 |
+
[169.680 --> 170.360] I'm a magician.
|
52 |
+
[170.360 --> 172.720] It's required by the union.
|
53 |
+
[172.720 --> 174.160] Not a big deal.
|
54 |
+
[174.160 --> 175.600] But before we get into the whole program,
|
55 |
+
[175.600 --> 179.680] I have to give you a warning.
|
56 |
+
[179.680 --> 183.000] Body language and influence go hand in hand.
|
57 |
+
[183.000 --> 185.120] But you can't try to influence somebody
|
58 |
+
[185.120 --> 186.880] when it comes to sales or negotiations
|
59 |
+
[186.880 --> 189.200] or anything like that without observing first.
|
60 |
+
[189.200 --> 192.240] So the first rule of influence and persuasion
|
61 |
+
[192.240 --> 195.320] is you must observe details and clues
|
62 |
+
[195.320 --> 197.120] before you push your agenda.
|
63 |
+
[197.120 --> 199.040] Otherwise, you're just a cheesy salesman.
|
64 |
+
[199.040 --> 200.840] And you're just pushing your thing on them
|
65 |
+
[200.840 --> 203.320] without any regard to their need, their fears,
|
66 |
+
[203.320 --> 205.240] their belief, or whatever.
|
67 |
+
[205.240 --> 207.040] So we're going to start with human behavior
|
68 |
+
[207.040 --> 208.720] from a body language standpoint.
|
69 |
+
[208.720 --> 210.880] But since we're at a college and we're at this beautiful place,
|
70 |
+
[210.880 --> 214.760] I thought I would give you a pop quiz.
|
71 |
+
[214.760 --> 217.040] I can see the stress on some faces already.
|
72 |
+
[217.040 --> 217.680] You could trust me.
|
73 |
+
[217.680 --> 218.240] I'm a magician.
|
74 |
+
[218.240 --> 219.560] It's OK.
|
75 |
+
[219.560 --> 220.800] Maybe not.
|
76 |
+
[220.800 --> 222.520] So quiz number one.
|
77 |
+
[222.520 --> 226.960] There's a person lying if they look up to the right.
|
78 |
+
[226.960 --> 228.040] You've heard that a lot, right?
|
79 |
+
[228.040 --> 229.440] It's very common knowledge.
|
80 |
+
[229.440 --> 231.120] But it's not true.
|
81 |
+
[231.120 --> 232.760] They keep you looking at a lot of things.
|
82 |
+
[232.760 --> 234.480] They keep you looking at those balloons.
|
83 |
+
[234.480 --> 235.560] There's no balloons.
|
84 |
+
[235.560 --> 236.200] He looked.
|
85 |
+
[236.200 --> 238.080] You totally looked.
|
86 |
+
[238.080 --> 239.720] I knew it.
|
87 |
+
[239.720 --> 241.280] There's a lot of reasons people could look that way.
|
88 |
+
[241.280 --> 242.960] But more importantly, the real takeaway here
|
89 |
+
[242.960 --> 245.800] is you haven't baseded line this person.
|
90 |
+
[245.800 --> 247.600] You don't know how they tick normally.
|
91 |
+
[247.600 --> 248.760] Maybe they're left-handed.
|
92 |
+
[248.760 --> 250.160] Maybe they're right-brained dominant.
|
93 |
+
[250.160 --> 252.400] You don't know if that's where they look when they lie,
|
94 |
+
[252.400 --> 254.440] or if that's where they look to fabricate information.
|
95 |
+
[254.440 --> 256.040] You don't know.
|
96 |
+
[256.040 --> 258.040] So if it's commonly known that someone
|
97 |
+
[258.040 --> 259.440] looks to the right and they're lying,
|
98 |
+
[259.440 --> 261.440] well, didn't it make sense if they looked to the left?
|
99 |
+
[261.440 --> 262.920] They're always telling the truth.
|
100 |
+
[262.920 --> 263.600] No.
|
101 |
+
[263.600 --> 264.760] Again, you don't have context.
|
102 |
+
[264.760 --> 265.720] You don't know them.
|
103 |
+
[265.720 --> 266.960] So the real secret to body language
|
104 |
+
[266.960 --> 268.720] is to evaluate in a person and understanding
|
105 |
+
[268.720 --> 271.400] their baseline before you make a judgment call.
|
106 |
+
[271.400 --> 274.120] Because if you make a judgment call and call somebody out
|
107 |
+
[274.120 --> 275.560] on something like, oh, why are you touching your light?
|
108 |
+
[275.640 --> 276.480] Are you nervous?
|
109 |
+
[276.480 --> 279.120] Well, now that says more about me as me projecting
|
110 |
+
[279.120 --> 280.360] than it does about the person.
|
111 |
+
[280.360 --> 282.480] So always be careful on that.
|
112 |
+
[282.480 --> 284.560] Now, if someone's staring directly at you,
|
113 |
+
[285.560 --> 288.080] this is very common of compulsive liars.
|
114 |
+
[288.080 --> 288.920] Be very careful.
|
115 |
+
[288.920 --> 289.760] No.
|
116 |
+
[289.760 --> 290.600] What does that mean?
|
117 |
+
[290.600 --> 291.440] Are they lying?
|
118 |
+
[291.440 --> 292.280] No.
|
119 |
+
[292.280 --> 293.120] It could mean a lot of things.
|
120 |
+
[293.120 --> 293.960] Why?
|
121 |
+
[293.960 --> 295.800] It could just be how they are socially, too.
|
122 |
+
[295.800 --> 297.600] They may be, they're in love.
|
123 |
+
[297.600 --> 299.000] Maybe they're awestruck,
|
124 |
+
[299.000 --> 300.600] or maybe they're just lying to you.
|
125 |
+
[300.600 --> 301.440] Who knows?
|
126 |
+
[301.440 --> 302.720] So when you go home tonight,
|
127 |
+
[302.720 --> 306.200] if your significant other is staring at you a lot,
|
128 |
+
[306.200 --> 308.280] they might be lying to you or they might love you.
|
129 |
+
[308.280 --> 309.600] I don't know the answer.
|
130 |
+
[309.600 --> 311.600] The fact is we don't have context.
|
131 |
+
[311.600 --> 313.520] I don't want you all going home and fighting now, right?
|
132 |
+
[313.520 --> 314.360] You don't have context.
|
133 |
+
[314.360 --> 316.160] It really comes down to context,
|
134 |
+
[316.160 --> 317.920] and more importantly, the wind.
|
135 |
+
[317.920 --> 320.200] When does the shift to behavior happen?
|
136 |
+
[320.200 --> 321.080] That's key.
|
137 |
+
[321.080 --> 322.560] The fact that they're in a certain position
|
138 |
+
[322.560 --> 323.560] means nothing.
|
139 |
+
[324.560 --> 325.400] This all comes down.
|
140 |
+
[325.400 --> 328.200] All this eye stuff comes down to the visual auditory regions
|
141 |
+
[328.200 --> 329.040] of the brain.
|
142 |
+
[329.040 --> 331.760] Over 25% of our brain is entirely devoted
|
143 |
+
[331.760 --> 335.680] to vision alone, and another 25 is loosely related to vision.
|
144 |
+
[335.680 --> 337.360] So it's a lot of your brain devoted to this.
|
145 |
+
[337.360 --> 339.400] So it makes sense that your eyes might track
|
146 |
+
[339.400 --> 342.120] when I'm researching information from my database
|
147 |
+
[342.120 --> 343.480] versus me fabricating it,
|
148 |
+
[343.480 --> 345.520] because I'm a certain dominant in my brain,
|
149 |
+
[345.520 --> 346.600] or I'm right hand, it's stuff like that.
|
150 |
+
[346.600 --> 349.600] So you can't take this information and say,
|
151 |
+
[349.600 --> 351.800] oh, someone is lying because they looked away.
|
152 |
+
[351.800 --> 353.480] There's a lot of reasons they might.
|
153 |
+
[353.480 --> 357.000] Test number two, what's it mean if somebody's arms are crossed?
|
154 |
+
[357.000 --> 358.360] Are they disinterested?
|
155 |
+
[358.360 --> 362.000] Are they not listening to you?
|
156 |
+
[362.000 --> 363.720] That's the common thing you might think
|
157 |
+
[363.720 --> 366.200] when it comes to human behavior, but this is just a snapshot.
|
158 |
+
[366.200 --> 368.320] We don't know why this person's like this.
|
159 |
+
[368.320 --> 370.920] If you came across this person and their arms are crossed,
|
160 |
+
[370.920 --> 374.120] it means nothing to you because you didn't do it.
|
161 |
+
[374.120 --> 376.040] Now, if you're trying to sell them something,
|
162 |
+
[376.040 --> 377.920] you might want to get them out of this state
|
163 |
+
[377.920 --> 379.920] because they will be more receptive to information
|
164 |
+
[379.920 --> 382.440] if you can remove them from that state.
|
165 |
+
[382.440 --> 385.320] However, if they're like this, and you say,
|
166 |
+
[385.320 --> 387.240] yeah, the price is $13.99, and they go, oh, really?
|
167 |
+
[387.240 --> 388.840] And they've crossed their arms.
|
168 |
+
[388.840 --> 391.680] Now you have great intel, and that's what we're talking about.
|
169 |
+
[391.680 --> 394.320] We're talking about the win.
|
170 |
+
[394.320 --> 395.120] This is a great win.
|
171 |
+
[395.120 --> 397.880] Is the person on the left or the right more confident
|
172 |
+
[397.880 --> 400.120] and receptive to information?
|
173 |
+
[400.120 --> 402.120] Now, a casual observation might say, well,
|
174 |
+
[402.120 --> 404.880] you know, the person on the right here, he's leaning back.
|
175 |
+
[404.880 --> 405.600] He's comfortable.
|
176 |
+
[405.600 --> 406.920] His legs are crossed.
|
177 |
+
[406.920 --> 408.480] He's got a smile on his face.
|
178 |
+
[408.480 --> 410.960] Of course, he's the one I want to talk to.
|
179 |
+
[410.960 --> 412.120] And you'd be dead wrong.
|
180 |
+
[412.120 --> 413.720] Let me tell you why.
|
181 |
+
[413.720 --> 416.960] The person on the left is doing a couple of things
|
182 |
+
[416.960 --> 417.960] he might not be aware of.
|
183 |
+
[417.960 --> 420.280] And this all comes down to subconscious behavior.
|
184 |
+
[420.280 --> 423.480] This is key to reading people and gathering intel
|
185 |
+
[423.480 --> 427.360] for you to create your best strategy and success for sales.
|
186 |
+
[427.360 --> 429.400] On the right, his legs are apart.
|
187 |
+
[429.400 --> 431.960] That's a very confidence position.
|
188 |
+
[431.960 --> 434.160] Now, it's different if he's next to you at a poker player
|
189 |
+
[434.160 --> 435.840] and he's got his legs open and he's taking up
|
190 |
+
[435.840 --> 437.240] your personal space.
|
191 |
+
[437.240 --> 438.400] Now, it's dominance.
|
192 |
+
[438.400 --> 440.160] That's far different from confidence,
|
193 |
+
[440.160 --> 443.800] and it's sometimes very misconstrued, unfortunately.
|
194 |
+
[443.800 --> 446.040] He's also sitting forward.
|
195 |
+
[446.040 --> 448.560] He's engaged another subconscious sign of engagement.
|
196 |
+
[448.560 --> 451.120] He may not even know he's doing it.
|
197 |
+
[451.120 --> 453.600] But most importantly, the two things
|
198 |
+
[453.600 --> 457.200] you're going to notice here is on the left, his thumbs are up,
|
199 |
+
[457.200 --> 459.360] and on the right, his thumbs are down.
|
200 |
+
[459.360 --> 462.240] And that's a really strong sign of engagement
|
201 |
+
[462.240 --> 464.360] and interest in what's going on.
|
202 |
+
[464.360 --> 466.320] On the right, his thumbs are down.
|
203 |
+
[466.320 --> 467.080] His legs are crossed.
|
204 |
+
[467.080 --> 470.000] He's leaning back all out of comforting himself.
|
205 |
+
[470.000 --> 472.880] He's very nervous and he's not digging what he's hearing.
|
206 |
+
[472.880 --> 473.760] And you might see that face.
|
207 |
+
[473.760 --> 474.720] He's smiling.
|
208 |
+
[474.720 --> 476.640] That's out of nervous tension release
|
209 |
+
[476.640 --> 479.120] because he's nervous with the situation.
|
210 |
+
[479.120 --> 480.880] But then again, I just made all that up
|
211 |
+
[480.880 --> 482.760] because these are snapshots we don't have the context.
|
212 |
+
[482.760 --> 485.080] But if it went from here to there,
|
213 |
+
[485.080 --> 486.880] I know exactly what it means.
|
214 |
+
[486.880 --> 489.040] And that's the key.
|
215 |
+
[489.040 --> 491.480] Now I'm playing poker.
|
216 |
+
[491.480 --> 494.040] It's my turn to play.
|
217 |
+
[494.040 --> 496.160] It's not his turn to bet yet.
|
218 |
+
[496.160 --> 498.440] Yet he's already mad, dog and me.
|
219 |
+
[498.440 --> 500.480] He's already got his hands on his chips.
|
220 |
+
[500.480 --> 501.240] What does this mean?
|
221 |
+
[501.240 --> 504.560] And who's got the best hand?
|
222 |
+
[504.560 --> 506.720] He wants to evaluate it for a second.
|
223 |
+
[506.720 --> 509.240] Well, I can observe a couple of things right now.
|
224 |
+
[509.240 --> 511.840] One, he's planning his to magician.
|
225 |
+
[511.840 --> 512.760] Duh.
|
226 |
+
[512.760 --> 513.840] I don't know why he's doing that.
|
227 |
+
[513.840 --> 514.680] He's going to lose his money.
|
228 |
+
[514.680 --> 515.680] I can change the card.
|
229 |
+
[515.680 --> 517.840] So that's that.
|
230 |
+
[517.840 --> 521.360] But moving on to body language, there's
|
231 |
+
[521.360 --> 523.120] a couple of things you might notice.
|
232 |
+
[523.120 --> 525.000] One, I'm wearing a wedding ring.
|
233 |
+
[525.000 --> 526.160] He's not.
|
234 |
+
[526.160 --> 527.440] What's that tell you?
|
235 |
+
[527.440 --> 529.520] I have someone to answer to when I go home.
|
236 |
+
[529.520 --> 530.400] He doesn't.
|
237 |
+
[530.400 --> 531.960] So he might play a little looser.
|
238 |
+
[531.960 --> 533.600] A more aggressively takes some risk.
|
239 |
+
[533.600 --> 535.160] That's just something to observe.
|
240 |
+
[535.160 --> 536.360] Has nothing to do with body language,
|
241 |
+
[536.360 --> 540.520] but it is all about clues and assessing the whole package.
|
242 |
+
[540.520 --> 543.200] A couple of things you might want to know.
|
243 |
+
[543.200 --> 544.960] He's mad dogging me.
|
244 |
+
[544.960 --> 546.680] He knows he's doing that.
|
245 |
+
[546.680 --> 548.400] He's consciously doing it.
|
246 |
+
[548.400 --> 551.640] And when it comes to conscious acting under a situation
|
247 |
+
[551.640 --> 554.160] when there's a stress stimulus, not just in general life,
|
248 |
+
[554.160 --> 555.880] but when there's something on the line,
|
249 |
+
[555.880 --> 558.800] you can just bet the opposite of what he's trying to portray.
|
250 |
+
[558.800 --> 560.680] So that alone tells me his card to probably know good.
|
251 |
+
[560.680 --> 562.480] He's just trying to steal some money.
|
252 |
+
[562.480 --> 566.320] Two, early in the hand, I'm holding my cards
|
253 |
+
[566.320 --> 568.080] because they're valuable to me.
|
254 |
+
[568.080 --> 569.040] You've got to walk down the street
|
255 |
+
[569.040 --> 570.520] and you see something kind of weird going on.
|
256 |
+
[570.520 --> 571.680] You just feel for your wallet.
|
257 |
+
[571.680 --> 573.520] You always protect what's valuable to you.
|
258 |
+
[573.520 --> 575.080] And it's a lot of times subconscious.
|
259 |
+
[575.080 --> 578.160] And subconscious signs are key to this stuff.
|
260 |
+
[578.160 --> 579.440] He's not protecting his cards.
|
261 |
+
[579.440 --> 581.480] He's already been throwing it on on the table.
|
262 |
+
[581.480 --> 583.400] Now let's look at Motive.
|
263 |
+
[583.400 --> 585.760] If his cards were so great and he was,
|
264 |
+
[585.760 --> 588.400] he's got the winning hand, why would he do things
|
265 |
+
[588.400 --> 591.800] to intimidate me, to scare me from giving him more money?
|
266 |
+
[591.800 --> 594.520] He won it.
|
267 |
+
[594.520 --> 597.920] Test number five, who's telling you less or more
|
268 |
+
[597.920 --> 598.800] than they should?
|
269 |
+
[598.800 --> 601.440] What's going on here?
|
270 |
+
[601.440 --> 603.200] Somebody knows more.
|
271 |
+
[603.200 --> 605.160] Let's see, how can I tell you this?
|
272 |
+
[605.160 --> 608.400] Have you ever encountered a time in your life
|
273 |
+
[608.400 --> 610.120] where you're talking to a young child
|
274 |
+
[610.120 --> 612.120] and a couple other other friends?
|
275 |
+
[612.120 --> 615.360] And you already know the truth, like who broke something?
|
276 |
+
[615.360 --> 616.280] And then you've pinned them down.
|
277 |
+
[616.280 --> 619.960] You're like, Johnny, did you break that vase
|
278 |
+
[620.040 --> 622.200] and you're met with this?
|
279 |
+
[622.200 --> 623.400] I don't know.
|
280 |
+
[623.400 --> 626.080] Well, I was playing with Kathy, and she was playing with them.
|
281 |
+
[626.080 --> 629.200] And then it's just a whole lot of talking and filler, right?
|
282 |
+
[629.200 --> 631.280] One shoulder shrugs mean they literally
|
283 |
+
[631.280 --> 634.640] are telling you half the story.
|
284 |
+
[634.640 --> 637.160] Put your shoulders down, sir.
|
285 |
+
[637.160 --> 638.520] What message is being sent here?
|
286 |
+
[638.520 --> 640.360] This is a perfect slide to demonstrate
|
287 |
+
[640.360 --> 643.760] that other items can be an extension of your body language.
|
288 |
+
[643.760 --> 645.840] Here a woman is shaking my hand, but it's very delicate.
|
289 |
+
[645.840 --> 646.800] Her fist is not in there.
|
290 |
+
[646.800 --> 648.360] It's just her fingertips, very timid.
|
291 |
+
[648.360 --> 650.920] But she's also confirmed this timidness by bringing up
|
292 |
+
[650.920 --> 653.160] an item between us, it's called blocking.
|
293 |
+
[653.160 --> 655.400] That lets me know in this particular environment
|
294 |
+
[655.400 --> 657.400] or the setting or something we said
|
295 |
+
[657.400 --> 659.320] is causing her to be very fearful of it.
|
296 |
+
[659.320 --> 662.520] So I want to get her out of this position
|
297 |
+
[662.520 --> 664.800] if I want her to be receptive to information.
|
298 |
+
[666.760 --> 671.320] This is my favorite slide because it shows how you can
|
299 |
+
[671.320 --> 675.240] project or misread somebody based on just a snapshot in life.
|
300 |
+
[675.240 --> 677.040] You walk into a situation, you see someone doing something,
|
301 |
+
[677.040 --> 678.880] tell it why you're so nervous, bad thing to do
|
302 |
+
[678.880 --> 680.320] because you don't have the context.
|
303 |
+
[680.320 --> 681.720] So here's the situation.
|
304 |
+
[681.720 --> 683.480] This tall, good looking dude shaking my hand,
|
305 |
+
[683.480 --> 688.640] his hands on top, very dominating kind of position to be in.
|
306 |
+
[688.640 --> 690.960] He's bigger than me, he's tall, he's good looking,
|
307 |
+
[690.960 --> 693.400] he's tan, what's he got to be intimidated by?
|
308 |
+
[693.400 --> 694.960] You know, he doesn't need to be dominating.
|
309 |
+
[694.960 --> 695.960] Oh, it's the hair.
|
310 |
+
[695.960 --> 696.800] That's what it is.
|
311 |
+
[696.800 --> 697.880] It's, no, sorry.
|
312 |
+
[700.520 --> 701.400] But let's evaluate this.
|
313 |
+
[701.400 --> 704.120] I'm going to give you two scenarios that end up
|
314 |
+
[704.120 --> 706.160] in this exact same shot.
|
315 |
+
[707.160 --> 709.760] One, let's say I put my hand out neutral like this
|
316 |
+
[709.760 --> 711.360] to shake his hand at a business meeting
|
317 |
+
[711.360 --> 713.400] where everything should be neutral and fair.
|
318 |
+
[713.400 --> 714.760] It's a fair playing field.
|
319 |
+
[714.760 --> 717.320] We should start off neutral and be open to information
|
320 |
+
[717.320 --> 718.160] to each other.
|
321 |
+
[718.160 --> 721.080] I put out my hand, nice to meet you and he turns my hand
|
322 |
+
[721.080 --> 723.600] and brings it toward him and squeezes it hard.
|
323 |
+
[723.600 --> 724.920] He's trying to dominate me.
|
324 |
+
[724.920 --> 726.560] I can tell you right then and there,
|
325 |
+
[726.560 --> 728.080] he's not going to care what I got to say.
|
326 |
+
[728.080 --> 729.960] It's all about his agenda.
|
327 |
+
[729.960 --> 730.920] So what can I do?
|
328 |
+
[730.920 --> 731.760] I'm a magician.
|
329 |
+
[731.760 --> 732.760] I can do lots of stuff.
|
330 |
+
[732.760 --> 735.040] One, his pockets, unprotected.
|
331 |
+
[735.040 --> 735.880] I could steal stuff.
|
332 |
+
[735.880 --> 737.240] He can't even see it, right?
|
333 |
+
[737.240 --> 739.360] I don't suggest you do that.
|
334 |
+
[739.360 --> 741.800] From a body language standpoint, here's what you can do.
|
335 |
+
[741.800 --> 743.440] He's got the control.
|
336 |
+
[743.440 --> 745.480] I simply invade his space and put my hand on top
|
337 |
+
[745.480 --> 746.920] to psychopolitician.
|
338 |
+
[746.920 --> 748.320] And guess what I just did?
|
339 |
+
[748.320 --> 750.600] I invaded his space, let him know subconsciously.
|
340 |
+
[750.600 --> 752.200] It's all under the, in the back of the brain,
|
341 |
+
[752.200 --> 753.520] he doesn't even know I've done it.
|
342 |
+
[753.520 --> 756.520] But the vibe sent is, I'm in control now.
|
343 |
+
[756.520 --> 757.400] Thanks for trying.
|
344 |
+
[757.400 --> 758.240] It's very cool.
|
345 |
+
[758.240 --> 760.000] But that's not what happened here.
|
346 |
+
[760.000 --> 760.920] That's not what happened.
|
347 |
+
[760.920 --> 762.560] Because I'm a professional observer.
|
348 |
+
[762.560 --> 764.560] I already knew where I stood with this guy.
|
349 |
+
[764.560 --> 766.320] Here he comes, he's seven foot tall.
|
350 |
+
[766.320 --> 767.000] He's good looking.
|
351 |
+
[767.000 --> 770.080] I'm like, OK, I got this guy's number.
|
352 |
+
[770.080 --> 771.920] I offered my hand.
|
353 |
+
[771.920 --> 772.720] Face up.
|
354 |
+
[772.720 --> 773.760] I offered it that way.
|
355 |
+
[773.760 --> 775.880] And that's how we got to this scenario.
|
356 |
+
[775.880 --> 779.240] So it gave him the illusion of comfort and control.
|
357 |
+
[779.240 --> 780.880] Because I'm sneaky that way.
|
358 |
+
[780.880 --> 783.160] So the strategy of body language is very simple.
|
359 |
+
[783.160 --> 786.960] First, you identify if there is a shift of behavior or not.
|
360 |
+
[786.960 --> 788.560] And then decide what you're going to do with that information.
|
361 |
+
[788.560 --> 789.360] That's completely up to you.
|
362 |
+
[789.360 --> 790.720] If we had two hours to talk about it,
|
363 |
+
[790.720 --> 793.600] we can talk about strategy.
|
364 |
+
[793.600 --> 795.160] So now you've passed the quiz.
|
365 |
+
[795.160 --> 795.680] Do you feel safe?
|
366 |
+
[795.680 --> 796.440] You feel good now?
|
367 |
+
[796.440 --> 797.160] No stress?
|
368 |
+
[797.160 --> 797.840] I'm going to judge you.
|
369 |
+
[797.840 --> 799.280] I'm not going to grade you.
|
370 |
+
[799.280 --> 803.440] Now you've met the prerequisite for my super secret flow
|
371 |
+
[803.440 --> 804.200] chart.
|
372 |
+
[804.200 --> 806.720] And the one thing you're going to take away from today
|
373 |
+
[806.720 --> 808.440] is subconscious tells.
|
374 |
+
[808.440 --> 811.080] I'm going to train you to look for those and ignore everything
|
375 |
+
[811.080 --> 813.000] else because they're always accurate.
|
376 |
+
[813.000 --> 814.320] They always tell the truth.
|
377 |
+
[814.320 --> 816.800] And they are awesome.
|
378 |
+
[816.800 --> 817.800] So here's what we're going to do.
|
379 |
+
[817.800 --> 820.680] We're going to stick on here for a couple of minutes.
|
380 |
+
[820.840 --> 821.920] Think about reading a person.
|
381 |
+
[821.920 --> 823.040] You walk into a situation.
|
382 |
+
[823.040 --> 826.040] Only two things can happen.
|
383 |
+
[826.040 --> 828.840] One, they're already in that position.
|
384 |
+
[828.840 --> 830.920] Or two, you put them in that position.
|
385 |
+
[830.920 --> 831.880] So let's just go through this.
|
386 |
+
[831.880 --> 833.640] We're going to start with the static side.
|
387 |
+
[833.640 --> 837.480] The static side is interesting because you come across a person
|
388 |
+
[837.480 --> 840.000] who is all ready in a position.
|
389 |
+
[840.000 --> 842.160] You don't know why they're there.
|
390 |
+
[842.160 --> 843.920] So you don't have context.
|
391 |
+
[843.920 --> 846.320] And then also you need multiple indicators.
|
392 |
+
[846.320 --> 849.960] You need other clues to tell you what's really going on.
|
393 |
+
[849.960 --> 852.520] So you're going to be left with a vague outcome.
|
394 |
+
[852.520 --> 854.960] That's not actionable information.
|
395 |
+
[854.960 --> 857.440] Now I have to back up for a second.
|
396 |
+
[857.440 --> 859.320] It's really important to understand.
|
397 |
+
[859.320 --> 862.200] This pertains entirely to situations
|
398 |
+
[862.200 --> 863.880] where there's a stress factor.
|
399 |
+
[863.880 --> 865.640] And when there's something on the line
|
400 |
+
[865.640 --> 867.680] that someone may not be telling you the full truth.
|
401 |
+
[867.680 --> 868.560] Very important.
|
402 |
+
[868.560 --> 871.160] Because on the static side, you could of course
|
403 |
+
[871.160 --> 873.520] just go up to your girlfriend and think, oh, why are you sad?
|
404 |
+
[873.520 --> 875.920] And they'll tell you, this is under a situation
|
405 |
+
[875.920 --> 879.040] where there's negotiations or poker or hiring or firing.
|
406 |
+
[879.040 --> 880.600] And this is different.
|
407 |
+
[880.600 --> 883.960] So under this side of static behavior,
|
408 |
+
[883.960 --> 885.400] you don't know anything.
|
409 |
+
[885.400 --> 887.960] So it doesn't leave you with actionable information.
|
410 |
+
[887.960 --> 889.080] Now let's go to the shift side.
|
411 |
+
[889.080 --> 891.720] This is the world I live in as a magician.
|
412 |
+
[891.720 --> 894.920] On the shift side, only two things are going to happen.
|
413 |
+
[894.920 --> 899.080] Either it's conscious behaviors or subconscious behaviors.
|
414 |
+
[899.080 --> 901.520] If it's conscious behaviors, you know they're doing it.
|
415 |
+
[901.520 --> 904.480] They're thinking about it just like the poker player.
|
416 |
+
[904.480 --> 905.840] They know they're doing that.
|
417 |
+
[905.840 --> 907.480] But they don't know they're holding their cards tighter
|
418 |
+
[907.480 --> 910.040] or looser or moving their feet.
|
419 |
+
[910.040 --> 912.640] So that's the difference between conscious and subconscious.
|
420 |
+
[912.640 --> 916.000] So on the conscious side, only two things are going to happen.
|
421 |
+
[916.000 --> 917.920] It's either going to be natural and honest
|
422 |
+
[917.920 --> 920.440] and all the other clues also support that.
|
423 |
+
[920.440 --> 922.200] Or there's going to be overacting.
|
424 |
+
[922.200 --> 924.160] For instance, you're selling something to somebody
|
425 |
+
[924.160 --> 925.640] and you finally hit him with the price.
|
426 |
+
[925.640 --> 928.040] Yeah, it's going to be $13,500 for this used car.
|
427 |
+
[928.040 --> 930.280] And they go, oh, yeah, you know, and they're in their feet
|
428 |
+
[930.280 --> 932.480] retreat, they're thunger teeth, they're cross their arms.
|
429 |
+
[932.480 --> 935.560] Everything about them says, oh no, red flag.
|
430 |
+
[935.560 --> 936.760] But they're face lights up.
|
431 |
+
[936.760 --> 938.000] Oh, that's great.
|
432 |
+
[938.000 --> 938.840] You know what I mean?
|
433 |
+
[938.840 --> 940.160] If talking to my wife tomorrow, we got three other cars
|
434 |
+
[940.160 --> 941.000] we're looking at.
|
435 |
+
[941.000 --> 942.000] But yes, you're my man.
|
436 |
+
[942.000 --> 943.040] I'm going to be calling you tomorrow.
|
437 |
+
[943.040 --> 945.240] All that's acting and it's overacting.
|
438 |
+
[945.240 --> 947.160] And you can read it simply if you can compare it
|
439 |
+
[947.160 --> 949.480] to subconscious tells because the subconscious tells
|
440 |
+
[949.480 --> 951.240] are always correct.
|
441 |
+
[951.240 --> 954.200] They never lie because the person doesn't know they're doing it.
|
442 |
+
[954.200 --> 955.960] That's why I want you to focus on the subconscious tells.
|
443 |
+
[955.960 --> 960.560] So if there's acting involved under a stress situation,
|
444 |
+
[960.560 --> 964.040] go with the opposite and you're most likely going to be correct.
|
445 |
+
[964.040 --> 966.520] It's very counterintuitive, but that is how it works.
|
446 |
+
[966.520 --> 969.320] If it's natural, it's probably true.
|
447 |
+
[969.320 --> 971.800] Either way, it leads to actionable information.
|
448 |
+
[971.800 --> 973.760] Information you can take to build your strategy
|
449 |
+
[973.760 --> 976.480] to increase your sales or whatever it might be.
|
450 |
+
[976.480 --> 979.400] Now, on the subconscious side of things,
|
451 |
+
[979.400 --> 982.400] and this is the one thing I want you to take away with today
|
452 |
+
[982.400 --> 984.920] that is just awesome.
|
453 |
+
[984.920 --> 986.480] They always tell the truth.
|
454 |
+
[986.480 --> 987.480] They never lie.
|
455 |
+
[987.480 --> 988.640] They don't know they're doing it.
|
456 |
+
[988.640 --> 991.160] Think of the power and the gold of that right there.
|
457 |
+
[991.160 --> 993.000] So a subconscious tell would be, I am playing poker
|
458 |
+
[993.000 --> 995.360] with somebody, let's say, the cards are dealt.
|
459 |
+
[995.360 --> 998.160] They look at them and they just subtly shift up a little bit.
|
460 |
+
[998.160 --> 1000.240] They might as well tell me their cards are great.
|
461 |
+
[1000.240 --> 1002.240] Or if you're dating somebody and they're like,
|
462 |
+
[1002.240 --> 1003.080] oh, you know, that sounds great.
|
463 |
+
[1003.080 --> 1004.000] We should go out again tomorrow,
|
464 |
+
[1004.000 --> 1006.000] but you see their feet retreat and crook around the corners
|
465 |
+
[1006.000 --> 1008.040] of their chairs out of comfort.
|
466 |
+
[1008.040 --> 1010.400] They're just saying stuff, but what they really feel is,
|
467 |
+
[1010.400 --> 1011.720] I'm done.
|
468 |
+
[1011.720 --> 1013.680] If you're selling something and you see someone
|
469 |
+
[1013.680 --> 1016.120] is hands retreat or their hands going their pockets
|
470 |
+
[1016.120 --> 1018.800] and their thumbs disappear, thumbs disappearing,
|
471 |
+
[1018.800 --> 1021.120] big sign of no good.
|
472 |
+
[1021.160 --> 1024.280] So you're looking for sub conscious tells.
|
473 |
+
[1024.280 --> 1026.200] They always are accurate.
|
474 |
+
[1026.200 --> 1028.800] And that is the key to success of reading people
|
475 |
+
[1028.800 --> 1031.240] in magic, in life.
|
476 |
+
[1031.240 --> 1033.440] So the golden rules of body language are very simple.
|
477 |
+
[1033.440 --> 1037.760] A posture or gesture means very, very little without context.
|
478 |
+
[1038.720 --> 1042.920] Subconscious signs are almost always true.
|
479 |
+
[1042.920 --> 1045.720] And conscious signs when there's that acting involved
|
480 |
+
[1045.720 --> 1048.200] are almost always false.
|
481 |
+
[1048.200 --> 1051.080] So I'm gonna leave you with a couple more ideas here.
|
482 |
+
[1051.120 --> 1053.120] That go beyond this because we're talking about reading
|
483 |
+
[1053.120 --> 1056.000] of the people, taking advantage of situations,
|
484 |
+
[1056.000 --> 1058.600] selling to them, negotiating with them,
|
485 |
+
[1058.600 --> 1059.640] but you have to stop and realize
|
486 |
+
[1059.640 --> 1060.960] you're only half the equation right there
|
487 |
+
[1060.960 --> 1062.160] because what about you?
|
488 |
+
[1063.000 --> 1064.440] So now we have to evaluate ourselves.
|
489 |
+
[1064.440 --> 1066.080] So here's just an example.
|
490 |
+
[1066.080 --> 1068.120] What message is being sent here?
|
491 |
+
[1068.120 --> 1070.560] Here's a woman at a business mixer, let's say.
|
492 |
+
[1070.560 --> 1072.320] She's got a fistful of business cards.
|
493 |
+
[1073.480 --> 1075.560] We are sure she might not have a purse on her.
|
494 |
+
[1075.560 --> 1077.280] She may not have an outfit that has pockets.
|
495 |
+
[1077.280 --> 1079.600] So she's got this fistful of business cards
|
496 |
+
[1079.640 --> 1081.080] out of just the situation.
|
497 |
+
[1081.080 --> 1084.480] But the message sent subconsciously to the other person
|
498 |
+
[1084.480 --> 1086.080] is still the same.
|
499 |
+
[1086.080 --> 1088.120] So you have to be careful of what message you're
|
500 |
+
[1088.120 --> 1089.760] unintentionally sending.
|
501 |
+
[1089.760 --> 1091.440] So in this case, it looks like she's there
|
502 |
+
[1091.440 --> 1093.880] to hand out her cards and she doesn't care what you have to say.
|
503 |
+
[1093.880 --> 1095.280] It's a very dangerous thing to do.
|
504 |
+
[1096.320 --> 1098.480] Now in this situation who has a desk,
|
505 |
+
[1098.480 --> 1100.240] lots of us have desks.
|
506 |
+
[1100.240 --> 1103.160] Have you ever sat on the customer side of your desk?
|
507 |
+
[1103.160 --> 1105.360] What message is it being sent?
|
508 |
+
[1105.360 --> 1106.920] Is it intimidating or dominating?
|
509 |
+
[1106.920 --> 1108.840] What does it feel like?
|
510 |
+
[1108.840 --> 1110.440] Well, in this situation here,
|
511 |
+
[1110.440 --> 1112.480] here's this guy on the other side of my desk
|
512 |
+
[1112.480 --> 1114.160] who maybe I'm trying to negotiate with.
|
513 |
+
[1114.160 --> 1115.000] I want him to open up.
|
514 |
+
[1115.000 --> 1117.280] I want him to be receptive to my information.
|
515 |
+
[1117.280 --> 1121.240] But he's going to be 25% less perceptive to my information.
|
516 |
+
[1121.240 --> 1123.200] If there's junk in the way and it's blocking him off
|
517 |
+
[1123.200 --> 1125.560] and making him feel less superior than me,
|
518 |
+
[1125.560 --> 1127.200] it's not an equal battlefield.
|
519 |
+
[1127.200 --> 1129.000] So what you want to do is clear your junk away
|
520 |
+
[1129.000 --> 1130.280] and sit on the other side of your desk
|
521 |
+
[1130.280 --> 1132.440] and look at it and go, does this feel inviting?
|
522 |
+
[1132.440 --> 1134.560] Or just get up and leave your desk.
|
523 |
+
[1134.560 --> 1136.840] Or better yet, if you want to push this person
|
524 |
+
[1136.840 --> 1138.360] into a corner and this is your objective,
|
525 |
+
[1138.360 --> 1139.880] then by all means crowd your desk.
|
526 |
+
[1139.880 --> 1140.720] Just leave it.
|
527 |
+
[1144.400 --> 1146.480] There's so much more I can say, but I just
|
528 |
+
[1146.480 --> 1151.080] hope that I've helped just expand your horizons
|
529 |
+
[1151.080 --> 1152.560] when it comes to body and language, especially
|
530 |
+
[1152.560 --> 1155.640] subconscious tales because they are gold.
|
531 |
+
[1155.640 --> 1156.880] My name's Rich Ferguson.
|
532 |
+
[1156.880 --> 1160.600] And I have one last thing to ask you.
|
533 |
+
[1160.600 --> 1162.360] Keep your eyes open this time.
|
534 |
+
[1162.360 --> 1164.080] But just tell me what color my tie is.
|
535 |
+
[1167.160 --> 1169.160] Give you that awesome 그대.
|
536 |
+
[1169.160 --> 1171.700] DannX
|
transcript/award_wROjY3NpSvo.txt
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|
1 |
+
[0.000 --> 2.000] Robert Downey Jr. gets mad at Jimmy Kimmel.
|
2 |
+
[2.000 --> 4.000] All of a sudden you're the guest. It is a little bit odd.
|
3 |
+
[4.000 --> 8.000] We start to uncover some hidden drama between Chris Evans and Robert Downey Jr.
|
4 |
+
[8.000 --> 12.000] And Jimmy Kimmel gets in trouble for asking an inappropriate question.
|
5 |
+
[12.000 --> 14.000] On this episode of Body Lane Winch Drama.
|
6 |
+
[14.000 --> 16.000] I'm pretty important in that show.
|
7 |
+
[16.000 --> 20.000] The show starts off normally, but then it gets very inappropriate very quickly.
|
8 |
+
[20.000 --> 22.000] That's the name of the brand? That's right.
|
9 |
+
[22.000 --> 24.000] Okay. It's like retro but without the art.
|
10 |
+
[24.000 --> 26.000] You've never heard of that show.
|
11 |
+
[26.000 --> 28.000] I'm pretty important in that show.
|
12 |
+
[28.000 --> 32.000] You have to look in. Later on we'll look. You'll go through my pants and we'll see what I'm wearing.
|
13 |
+
[32.000 --> 34.000] Hey, you had the big premiere right across the street.
|
14 |
+
[34.000 --> 40.000] Robert Downey Jr. and the audience are shocked at this very crude attempt to build sexual appeal.
|
15 |
+
[40.000 --> 44.000] Hey, you had the big premiere right across the street last night.
|
16 |
+
[44.000 --> 46.000] Jimmy Kimmel tries to change his subject.
|
17 |
+
[46.000 --> 48.000] But Robert Downey Jr. can't seem to forget about what Jimmy just said.
|
18 |
+
[48.000 --> 50.000] And you can see it in the way he's carrying himself.
|
19 |
+
[50.000 --> 52.000] More and more every time. You do.
|
20 |
+
[52.000 --> 56.000] Jimmy Kimmel saying that was very inappropriate.
|
21 |
+
[56.000 --> 58.000] Robert decides to do something about it.
|
22 |
+
[58.000 --> 60.000] He has three options that he can go with.
|
23 |
+
[60.000 --> 62.000] Option number one. Play along.
|
24 |
+
[62.000 --> 64.000] Option number two. Let it go.
|
25 |
+
[64.000 --> 66.000] Option number three.
|
26 |
+
[66.000 --> 68.000] Fight fire with fire.
|
27 |
+
[68.000 --> 70.000] He decides to go with option number three.
|
28 |
+
[70.000 --> 72.000] Fighting fire with fire.
|
29 |
+
[72.000 --> 74.000] Now Robert starts to brand his own sex appeal.
|
30 |
+
[74.000 --> 76.000] Each time it gets better.
|
31 |
+
[76.000 --> 78.000] Here's the problem.
|
32 |
+
[78.000 --> 80.000] You get to see Tony when he was really young.
|
33 |
+
[80.000 --> 82.000] Uh-huh.
|
34 |
+
[82.000 --> 84.000] And then for the rest of the movie it's me.
|
35 |
+
[84.000 --> 86.000] I kept saying where's that young guy?
|
36 |
+
[86.000 --> 88.000] Yeah, that was interesting.
|
37 |
+
[88.000 --> 92.000] I think in the follow up films I might just have him play me as 24.
|
38 |
+
[92.000 --> 94.000] Well, he's hot.
|
39 |
+
[94.000 --> 98.000] Hey, listen everybody was pretty excited for sure.
|
40 |
+
[98.000 --> 100.000] And in the middle he starts to check Jimmy to see his reaction.
|
41 |
+
[100.000 --> 104.000] And looking at Robert's body language he knows that he did the right thing calling Jimmy Kimmel out.
|
42 |
+
[104.000 --> 106.000] Yeah, it was hot.
|
43 |
+
[106.000 --> 110.000] Hey, listen everybody was pretty excited for sure.
|
44 |
+
[110.000 --> 112.000] And Robert just goes straight into it.
|
45 |
+
[112.000 --> 114.000] Little bit. I got a little charge.
|
46 |
+
[114.000 --> 116.000] What is this about you and I in your pants?
|
47 |
+
[116.000 --> 118.000] Where are you coming on to me?
|
48 |
+
[118.000 --> 120.000] I just got you.
|
49 |
+
[120.000 --> 122.000] Yeah, I usually wait for him to step outside.
|
50 |
+
[122.000 --> 124.000] Is that what you want?
|
51 |
+
[124.000 --> 126.000] I'm sorry, I'm back.
|
52 |
+
[126.000 --> 128.000] Yeah, you're back. Okay, good.
|
53 |
+
[128.000 --> 130.000] Jimmy Kimmel purses his lips because he knows Robert is putting him in his place.
|
54 |
+
[130.000 --> 132.000] But by using the power of his position as a talk show host
|
55 |
+
[132.000 --> 134.000] he decides to get revenge on Robert Dany Jr.
|
56 |
+
[134.000 --> 138.000] by mentioning something personal that happened at the premiere of Captain America Civil War.
|
57 |
+
[138.000 --> 140.000] Here I go. Okay, good.
|
58 |
+
[140.000 --> 144.000] So who had better seats? You or the Eccursed Captain America?
|
59 |
+
[144.000 --> 146.000] Did he show up? He was that.
|
60 |
+
[146.000 --> 150.000] Not only that, he told me he was bringing something patriots with him.
|
61 |
+
[150.000 --> 152.000] That hits Robert in his gut.
|
62 |
+
[152.000 --> 154.000] As Chris Evans gets mentioned.
|
63 |
+
[154.000 --> 158.000] First Robert's eyes are tipped.
|
64 |
+
[158.000 --> 160.000] Or the Eccursed Captain America.
|
65 |
+
[160.000 --> 164.000] He was up. He was up. He was up. He was bringing some of the New England patriots with him.
|
66 |
+
[164.000 --> 166.000] Yeah.
|
67 |
+
[166.000 --> 170.000] And then secondly, a nervous smile appears once the patriots are mentioned.
|
68 |
+
[170.000 --> 174.000] And it just so happens that Captain America loves the New England patriots.
|
69 |
+
[174.000 --> 178.000] Enough to invite them to the premiere of Captain America Civil War.
|
70 |
+
[178.000 --> 182.000] I've done things for me and so I'm inviting a few patriots players.
|
71 |
+
[182.000 --> 184.000] Oh.
|
72 |
+
[184.000 --> 188.000] Robert Dany Jr.'s pace because Chris Evans may have ditched Robert
|
73 |
+
[188.000 --> 190.000] for the New England Patriots.
|
74 |
+
[190.000 --> 192.000] Right.
|
75 |
+
[192.000 --> 194.000] I love Chris, I love Captain America.
|
76 |
+
[194.000 --> 196.000] Before the premieres on nervous and we're supposed to drive in the outies,
|
77 |
+
[196.000 --> 198.000] he's like, bro, I don't know.
|
78 |
+
[198.000 --> 200.000] Should you go first or I should go first?
|
79 |
+
[200.000 --> 202.000] I was like, man up, dude, we gotta go to this premiere together.
|
80 |
+
[202.000 --> 204.000] What is he, what?
|
81 |
+
[204.000 --> 206.000] Jimmy Kimmel sees that Robert's in distress thinking about Chris Evans.
|
82 |
+
[206.000 --> 210.000] So Jimmy Kimmel pushes the New England Patriots even more to piss him off.
|
83 |
+
[210.000 --> 212.000] What is he, what is he worrying about?
|
84 |
+
[212.000 --> 214.000] Do you know?
|
85 |
+
[214.000 --> 216.000] Chris Evans has been known to be very nervous around the New England Patriots.
|
86 |
+
[216.000 --> 222.000] You see him, you're like, man, you are the reason that patriots get to say what we get to say to anyone who doesn't like us.
|
87 |
+
[222.000 --> 226.000] He's like I said, if you're actually like a little kid.
|
88 |
+
[226.000 --> 228.000] I'm like, I don't know.
|
89 |
+
[228.000 --> 230.000] He just realized, oh, this is exciting.
|
90 |
+
[230.000 --> 232.000] This is a big deal.
|
91 |
+
[232.000 --> 234.000] I think last night he suddenly all of a sudden realized it was exciting.
|
92 |
+
[234.000 --> 240.000] He did seem excited about bringing the patriots, which is kind of a funny thing to do.
|
93 |
+
[240.000 --> 242.000] Yeah, like patriots, whatever, I'm telling the same thing.
|
94 |
+
[242.000 --> 244.000] You didn't care at all.
|
95 |
+
[244.000 --> 246.000] Robert is reactive to this.
|
96 |
+
[246.000 --> 248.000] Jimmy starts to get aggressive and goes for another emotional jab.
|
97 |
+
[248.000 --> 254.000] By mentioning how Chris Evans wouldn't even be Captain America, it wasn't for Robert in the first place.
|
98 |
+
[254.000 --> 258.000] You had to convince Chris to take the role of Captain America.
|
99 |
+
[258.000 --> 260.000] Was that difficult to talk him into that?
|
100 |
+
[260.000 --> 262.000] You know this great in hindsight, I get to take...
|
101 |
+
[262.000 --> 266.000] And for some reason, Robert is stressed out about this question as we can see through the gope.
|
102 |
+
[266.000 --> 270.000] Was that difficult to talk him into that?
|
103 |
+
[270.000 --> 272.000] You know this great in hindsight, I get to take credit for everything.
|
104 |
+
[272.000 --> 274.000] There's no Marvel Cinematic Universe without me.
|
105 |
+
[274.000 --> 276.000] Yeah, I did everything.
|
106 |
+
[276.000 --> 278.000] It's like you're like...
|
107 |
+
[278.000 --> 284.000] And the motion of his head is telling us that his brain is withholding his true emotions from us.
|
108 |
+
[284.000 --> 288.000] As he breathes out what he actually feels.
|
109 |
+
[288.000 --> 290.000] Marvel Cinematic Universe without me.
|
110 |
+
[290.000 --> 292.000] Yeah, I did everything.
|
111 |
+
[292.000 --> 294.000] It's like you're like...
|
112 |
+
[294.000 --> 298.000] You're indoctrinating people into a cult.
|
113 |
+
[298.000 --> 300.000] He's the one that said it though.
|
114 |
+
[300.000 --> 302.000] He's the one that said it though. He made this up.
|
115 |
+
[302.000 --> 304.000] I don't want to say he made it up.
|
116 |
+
[304.000 --> 306.000] Do you think I just call people on the phone and say, listen, you're going to do this movie.
|
117 |
+
[306.000 --> 310.000] Robert is saying it's not true, but later on in the interview, he says this.
|
118 |
+
[310.000 --> 316.000] Robert says it is not exactly true, that Robert convinced him over the telephone to take the part.
|
119 |
+
[316.000 --> 318.000] All right, I did. You did tell him to take the part.
|
120 |
+
[318.000 --> 320.000] I don't like agreeing with that guy every time he says it.
|
121 |
+
[320.000 --> 324.000] Robert lied to Jimmy Kimmel to get him off his back and now he's out enough.
|
122 |
+
[324.000 --> 326.000] So he cuts off the sentence with the very short answer.
|
123 |
+
[326.000 --> 328.000] Forcing Jimmy Kimmel to change the subject.
|
124 |
+
[328.000 --> 330.000] What am I like? I don't know what you're up to.
|
125 |
+
[330.000 --> 332.000] You're right.
|
126 |
+
[332.000 --> 338.000] Well, Spider-Man is in this movie, which I thought was really fantastic.
|
127 |
+
[338.000 --> 342.000] And it's exciting for the Spider-Man movie.
|
128 |
+
[342.000 --> 344.000] Now all of a sudden Jimmy Kimmel starts to get even more personal.
|
129 |
+
[344.000 --> 346.000] I take that character to any start pretty seriously.
|
130 |
+
[346.000 --> 352.000] Because you send me a photograph and of your daughter.
|
131 |
+
[352.000 --> 354.000] Is it okay if I share that photograph?
|
132 |
+
[354.000 --> 358.000] Jimmy Kimmel has been weird the entire interview.
|
133 |
+
[358.000 --> 364.000] And now that the family is involved, Robert Downey Jr. starts to show some concern of what Jimmy might say next.
|
134 |
+
[364.000 --> 368.000] I share that photograph because, oh, well, I guess it's okay.
|
135 |
+
[368.000 --> 370.000] Clearly she's made a choice.
|
136 |
+
[370.000 --> 372.000] I know we're almost the same age, but would you?
|
137 |
+
[372.000 --> 374.000] Is there any chance you would adopt me?
|
138 |
+
[374.000 --> 378.000] Because I'd love to be a part of the Downey Jr. family.
|
139 |
+
[378.000 --> 380.000] That's a very creepy thing to say to a guest.
|
140 |
+
[380.000 --> 382.000] And Robert tries to point it out in a very cryptic way.
|
141 |
+
[382.000 --> 384.000] Listen to the last word that he uses.
|
142 |
+
[384.000 --> 386.000] You know, honestly Jimmy, you know, I watch your show.
|
143 |
+
[386.000 --> 390.000] It's a weird, I'm here on your show, but I like watch the show.
|
144 |
+
[390.000 --> 392.000] Oh, thank you.
|
145 |
+
[392.000 --> 396.000] Imagine being me, and then you're just sitting here, and now all of a sudden you're the guest.
|
146 |
+
[396.000 --> 398.000] It is a little bit odd.
|
147 |
+
[398.000 --> 400.000] And will you be at all?
|
148 |
+
[400.000 --> 402.000] Jimmy didn't get the message, and Robert goes straight for the point.
|
149 |
+
[402.000 --> 404.000] From watching the show while you're on the show.
|
150 |
+
[404.000 --> 406.000] You just asked me to adopt you, correct?
|
151 |
+
[406.000 --> 408.000] I did, yeah.
|
152 |
+
[408.000 --> 410.000] And I think we should say hi to you at home, if you're at home.
|
153 |
+
[410.000 --> 412.000] If you're at home, if you're at home.
|
154 |
+
[412.000 --> 414.000] Hi Robert.
|
155 |
+
[414.000 --> 416.000] Jimmy Kimmel starts to show some purse lips.
|
156 |
+
[416.000 --> 418.000] And Robert Downey Jr. puts up with it like a professional.
|
157 |
+
[418.000 --> 420.000] And I think we should say hi to you at home.
|
158 |
+
[420.000 --> 422.000] If you're at home.
|
159 |
+
[422.000 --> 424.000] Hi Robert.
|
160 |
+
[424.000 --> 426.000] I'd love it if you subscribed, but if not, that is totally cool too.
|
161 |
+
[426.000 --> 428.000] My name is Tyler Match.
|
162 |
+
[428.000 --> 430.000] And thank you for watching Body Language Drama.
|
transcript/game_85Cx2UWjLio.txt
ADDED
@@ -0,0 +1,177 @@
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|
1 |
+
[0.000 --> 1.640] We're about to join us for a Gennifer Garner.
|
2 |
+
[1.640 --> 4.040] We're going to play a special fall edition of guestgers.
|
3 |
+
[4.040 --> 5.800] And we need a couple of people to play with us.
|
4 |
+
[5.800 --> 8.840] Where are Tyna Maya and Brooke Laihauer?
|
5 |
+
[8.840 --> 9.840] What?
|
6 |
+
[9.840 --> 10.840] What?
|
7 |
+
[10.840 --> 11.840] What?
|
8 |
+
[11.840 --> 12.840] What?
|
9 |
+
[12.840 --> 13.840] What?
|
10 |
+
[13.840 --> 14.840] What?
|
11 |
+
[14.840 --> 15.840] What?
|
12 |
+
[15.840 --> 16.840] What?
|
13 |
+
[16.840 --> 17.840] What?
|
14 |
+
[17.840 --> 18.840] What?
|
15 |
+
[18.840 --> 19.840] What?
|
16 |
+
[19.840 --> 20.840] What?
|
17 |
+
[20.840 --> 21.840] What?
|
18 |
+
[21.840 --> 22.840] What?
|
19 |
+
[22.840 --> 23.840] What?
|
20 |
+
[23.840 --> 24.840] What?
|
21 |
+
[24.840 --> 25.840] What?
|
22 |
+
[25.840 --> 26.840] What?
|
23 |
+
[26.840 --> 27.840] What?
|
24 |
+
[27.840 --> 28.840] What?
|
25 |
+
[28.840 --> 29.840] What?
|
26 |
+
[29.840 --> 30.840] What?
|
27 |
+
[30.840 --> 31.840] What?
|
28 |
+
[31.840 --> 32.840] What?
|
29 |
+
[32.840 --> 33.840] That's amazing.
|
30 |
+
[33.840 --> 34.840] I know.
|
31 |
+
[34.840 --> 35.840] Yeah.
|
32 |
+
[35.840 --> 36.840] It's worth it.
|
33 |
+
[36.840 --> 37.840] Why are you awake right now?
|
34 |
+
[37.840 --> 38.840] It should be you.
|
35 |
+
[38.840 --> 39.840] Yeah.
|
36 |
+
[39.840 --> 40.840] Thanks for being here.
|
37 |
+
[40.840 --> 41.840] And you değ.
|
38 |
+
[41.840 --> 42.840] That's right.
|
39 |
+
[42.840 --> 43.840] And where do you live, and what do you do?
|
40 |
+
[43.840 --> 44.840] I'm a morning you thinker and make a texas.
|
41 |
+
[44.840 --> 45.840] Morning news?
|
42 |
+
[45.840 --> 46.840] What time?
|
43 |
+
[46.840 --> 47.840] 5 a.m.?
|
44 |
+
[47.840 --> 48.840] Yes.
|
45 |
+
[48.840 --> 49.840] What time do you get up to get there for 5?
|
46 |
+
[49.840 --> 50.840] 120.
|
47 |
+
[50.840 --> 51.840] 120 in the morning?
|
48 |
+
[51.840 --> 52.840] Yes.
|
49 |
+
[52.840 --> 53.840] What time do you go to bed?
|
50 |
+
[53.840 --> 54.840] Wheel of Fortune ends, minute, 6.30.
|
51 |
+
[54.840 --> 55.840] Oh my god.
|
52 |
+
[55.840 --> 56.840] That's amazing.
|
53 |
+
[56.840 --> 57.840] It's sad, I know.
|
54 |
+
[57.840 --> 59.440] I'm Mama and I'm for Tarnepur.
|
55 |
+
[59.440 --> 60.680] All right, so you welcome.
|
56 |
+
[60.680 --> 63.520] All right.
|
57 |
+
[63.520 --> 66.840] So I think here it's like faster rates.
|
58 |
+
[66.840 --> 67.640] That's what it is.
|
59 |
+
[67.640 --> 69.480] And so you can't talk.
|
60 |
+
[69.480 --> 70.920] You just have to act it out.
|
61 |
+
[70.920 --> 73.960] And I guess fall means you're going to either fall down
|
62 |
+
[73.960 --> 75.160] or something to do with falling.
|
63 |
+
[75.160 --> 76.600] I don't know what this is about.
|
64 |
+
[76.600 --> 77.280] But what?
|
65 |
+
[77.280 --> 78.280] Autumn.
|
66 |
+
[78.280 --> 79.120] Autumn.
|
67 |
+
[79.120 --> 80.760] So not falling down.
|
68 |
+
[80.760 --> 81.760] At all.
|
69 |
+
[81.760 --> 82.920] I'm not trying to throw you off.
|
70 |
+
[82.920 --> 83.800] You don't trust me.
|
71 |
+
[83.800 --> 85.920] Anyway, if you take too long, the card's going to drop.
|
72 |
+
[85.920 --> 87.440] And if you don't get the card out in time,
|
73 |
+
[87.440 --> 88.800] the point doesn't count.
|
74 |
+
[88.800 --> 89.800] OK?
|
75 |
+
[89.800 --> 91.040] You should take those shoes off.
|
76 |
+
[91.040 --> 92.480] Because you're going to want to run fast.
|
77 |
+
[92.480 --> 93.960] I don't have a pedicure.
|
78 |
+
[93.960 --> 96.080] And sorry.
|
79 |
+
[96.080 --> 97.280] Get a close up on our feet.
|
80 |
+
[97.280 --> 98.280] Don't get a close up on our feet.
|
81 |
+
[98.280 --> 99.760] Because one night you say that.
|
82 |
+
[99.760 --> 100.280] All right.
|
83 |
+
[100.280 --> 103.320] And so Tyna, why don't you partner with her?
|
84 |
+
[103.320 --> 104.360] And you can.
|
85 |
+
[104.360 --> 109.000] S. Is she sitting?
|
86 |
+
[109.000 --> 109.360] Yes.
|
87 |
+
[109.360 --> 110.840] She's sitting, right?
|
88 |
+
[110.840 --> 111.200] All right.
|
89 |
+
[111.200 --> 111.880] Ready?
|
90 |
+
[111.880 --> 112.160] Yeah.
|
91 |
+
[112.160 --> 113.680] Go.
|
92 |
+
[113.680 --> 115.400] Oh.
|
93 |
+
[115.400 --> 116.080] You're fishing.
|
94 |
+
[116.080 --> 116.600] You're rowing.
|
95 |
+
[116.600 --> 117.200] You're sleeping.
|
96 |
+
[117.200 --> 117.800] You're raking.
|
97 |
+
[117.800 --> 118.520] You're raking?
|
98 |
+
[118.520 --> 120.920] OK.
|
99 |
+
[120.920 --> 122.320] You're eating your boving fraffles.
|
100 |
+
[122.320 --> 122.920] Boving fraffles.
|
101 |
+
[122.920 --> 125.120] You have to grab it.
|
102 |
+
[125.120 --> 130.920] You're a sipping hot cider, gluing on something hot chocolate.
|
103 |
+
[130.920 --> 131.920] Ding dong.
|
104 |
+
[131.920 --> 133.520] You're a sugar cheating.
|
105 |
+
[133.520 --> 134.520] Sugar cheating.
|
106 |
+
[134.520 --> 140.320] That's no.
|
107 |
+
[140.320 --> 141.800] You didn't do it right.
|
108 |
+
[141.800 --> 142.800] You had to grab them.
|
109 |
+
[142.800 --> 144.760] I said, if you don't grab it before it goes down,
|
110 |
+
[144.760 --> 145.760] you don't get the point.
|
111 |
+
[145.760 --> 147.880] I'm just wondering.
|
112 |
+
[147.880 --> 148.640] I mean, you can't.
|
113 |
+
[148.640 --> 149.600] It was so easy.
|
114 |
+
[149.600 --> 150.120] I know.
|
115 |
+
[150.120 --> 151.360] I just missed your grab it.
|
116 |
+
[151.360 --> 152.520] That's for the neighborhood.
|
117 |
+
[152.520 --> 153.560] Oh, you're cheating.
|
118 |
+
[153.560 --> 154.080] I know.
|
119 |
+
[154.080 --> 154.920] I didn't.
|
120 |
+
[154.920 --> 156.720] All right, you can switch places there.
|
121 |
+
[156.720 --> 158.600] And oh, this is so.
|
122 |
+
[158.600 --> 159.880] And go stand over there.
|
123 |
+
[159.880 --> 160.760] You're punished.
|
124 |
+
[160.760 --> 161.240] Oh, gosh.
|
125 |
+
[161.240 --> 161.720] All enough.
|
126 |
+
[161.720 --> 163.200] Sorry.
|
127 |
+
[163.200 --> 164.360] So proud of yourself.
|
128 |
+
[164.360 --> 164.960] I know.
|
129 |
+
[164.960 --> 166.120] I thought, like, which to me?
|
130 |
+
[166.120 --> 167.120] Look.
|
131 |
+
[169.120 --> 170.120] Let's go.
|
132 |
+
[170.120 --> 171.120] OK.
|
133 |
+
[173.600 --> 174.600] Three football.
|
134 |
+
[174.600 --> 175.440] Yep.
|
135 |
+
[175.440 --> 176.440] Um.
|
136 |
+
[176.440 --> 180.240] Oh, man.
|
137 |
+
[180.240 --> 181.720] Eating food, picking up food.
|
138 |
+
[181.720 --> 183.720] No.
|
139 |
+
[183.720 --> 184.560] Waving goodbye.
|
140 |
+
[184.560 --> 186.200] Pajin, beauty queen.
|
141 |
+
[186.200 --> 188.440] Pajin, beauty pageant.
|
142 |
+
[188.440 --> 189.440] Beauty.
|
143 |
+
[189.440 --> 192.440] Thanks.
|
144 |
+
[192.440 --> 193.600] No, this is hot.
|
145 |
+
[193.600 --> 194.600] It is on fire.
|
146 |
+
[194.600 --> 196.080] Oh, thank you.
|
147 |
+
[196.080 --> 197.080] Thank you.
|
148 |
+
[197.080 --> 198.080] Thank you.
|
149 |
+
[198.080 --> 199.080] Oh, thank you.
|
150 |
+
[199.080 --> 200.080] Oh, thank you.
|
151 |
+
[200.080 --> 201.080] Oh, thank you.
|
152 |
+
[201.080 --> 202.080] Oh, thank you.
|
153 |
+
[202.080 --> 203.080] Oh, thank you.
|
154 |
+
[203.080 --> 204.080] Oh, thank you.
|
155 |
+
[204.080 --> 205.080] Thank you.
|
156 |
+
[205.080 --> 206.080] Hi, hi.
|
157 |
+
[206.080 --> 207.080] I'm so in love with you.
|
158 |
+
[207.080 --> 208.080] Yeah.
|
159 |
+
[208.080 --> 209.080] Yeah.
|
160 |
+
[209.080 --> 210.080] Yeah.
|
161 |
+
[210.080 --> 213.480] The first one was snowball, and then that was a parade.
|
162 |
+
[213.480 --> 214.480] That's all right.
|
163 |
+
[214.480 --> 217.400] You're both great, and they cheated.
|
164 |
+
[217.400 --> 218.800] But you're still.
|
165 |
+
[218.800 --> 221.040] You're both getting a 50-inch insignia TV.
|
166 |
+
[221.040 --> 221.560] All right.
|
167 |
+
[221.560 --> 223.560] All right.
|
168 |
+
[223.560 --> 226.320] Now fire's for our both individuals today.
|
169 |
+
[226.320 --> 227.320] We'll be right back.
|
170 |
+
[227.320 --> 228.320] Yeah.
|
171 |
+
[228.320 --> 229.320] Yeah.
|
172 |
+
[229.320 --> 230.320] Yeah.
|
173 |
+
[230.320 --> 231.320] Yeah.
|
174 |
+
[231.320 --> 232.320] Yeah.
|
175 |
+
[232.320 --> 233.320] Yeah.
|
176 |
+
[233.320 --> 234.320] Yeah.
|
177 |
+
[234.320 --> 235.320] Yeah.
|
transcript/game_AaT2sQs_g9o.txt
ADDED
@@ -0,0 +1,39 @@
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|
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1 |
+
[0.000 --> 4.400] When this video is playing a game called Interpretive Dance,
|
2 |
+
[4.400 --> 8.240] and taking part in this, our Humphrey Laura and David.
|
3 |
+
[8.240 --> 11.120] So if you'd like to get into position, please.
|
4 |
+
[11.120 --> 14.800] Now, the way that this game works is we play in a popular song,
|
5 |
+
[14.800 --> 18.000] and we ask our specialist interpretive dancer, David,
|
6 |
+
[18.000 --> 21.240] to illustrate the lyrics through the medium of dance.
|
7 |
+
[21.240 --> 23.600] Humphrey and Laura will be wearing headphones,
|
8 |
+
[23.600 --> 25.760] so if you put those on, please.
|
9 |
+
[25.760 --> 28.360] And therefore, they're going to be unable to hear the music,
|
10 |
+
[28.360 --> 32.760] and they're going to have to guess the song and the artist purely from the mind.
|
11 |
+
[32.760 --> 35.160] So, can you hear me?
|
12 |
+
[35.160 --> 37.960] Right, so if they can't hear me, off we go.
|
13 |
+
[37.960 --> 47.960] Oh, wait, I'm pregnant, I love I see her.
|
14 |
+
[47.960 --> 59.960] Oh, wait, I'm pregnant, I shouldn't let you go.
|
15 |
+
[59.960 --> 63.960] And now you're right outside.
|
16 |
+
[63.960 --> 67.960] I'm sure you want it to be.
|
17 |
+
[67.960 --> 73.960] I'm sorry, David, cause I need to know now what we got.
|
18 |
+
[73.960 --> 77.960] My loneliness is killing me.
|
19 |
+
[77.960 --> 81.960] Oh, yeah, I must confess.
|
20 |
+
[81.960 --> 85.960] I still believe, still believe.
|
21 |
+
[85.960 --> 91.960] You might lose my mind, give me a sigh.
|
22 |
+
[91.960 --> 95.960] One more time, one more time.
|
23 |
+
[95.960 --> 101.960] I'm running, I'm running, I'm running, I'm running.
|
24 |
+
[101.960 --> 105.960] For you, pop me high.
|
25 |
+
[105.960 --> 111.960] I think today, if you love me, then I'll be in the room.
|
26 |
+
[111.960 --> 115.960] Stop the day I'm planning.
|
27 |
+
[115.960 --> 119.960] Show me how you want it to be.
|
28 |
+
[119.960 --> 121.960] Show me how you want it to be.
|
29 |
+
[121.960 --> 125.960] Cause I need to know now what we got.
|
30 |
+
[125.960 --> 129.960] My loneliness is killing me.
|
31 |
+
[129.960 --> 133.960] Oh, yeah, I must confess.
|
32 |
+
[133.960 --> 137.960] I still believe, still believe.
|
33 |
+
[137.960 --> 143.960] You might lose my mind, give me a sigh.
|
34 |
+
[143.960 --> 147.960] Give me a baby, one more time.
|
35 |
+
[149.960 --> 155.960] Fantastic.
|
36 |
+
[155.960 --> 159.960] So, Laura, what do you reckon?
|
37 |
+
[159.960 --> 161.960] I think I've got it.
|
38 |
+
[161.960 --> 165.960] Is it hit me, baby, one more time?
|
39 |
+
[165.960 --> 169.960] Thank you, David Arland.
|
transcript/game_Sco3OU8jBsM.txt
ADDED
@@ -0,0 +1,57 @@
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|
1 |
+
[0.000 --> 3.760] My next we play a game called Interpretive Dance
|
2 |
+
[3.760 --> 6.440] and taking part are Pippa and Ruth.
|
3 |
+
[6.440 --> 9.080] The first let's meet our special guest performer.
|
4 |
+
[9.080 --> 11.200] Would you please welcome David Armond?
|
5 |
+
[11.200 --> 13.200] APPLAUSE
|
6 |
+
[16.800 --> 20.240] Now the way that this game works is that we play in a popular song
|
7 |
+
[20.240 --> 22.080] and we ask David to illustrate the lyrics
|
8 |
+
[22.080 --> 24.840] through the medium of dance.
|
9 |
+
[24.840 --> 26.600] Pippa and Ruth will be wearing headphones,
|
10 |
+
[26.600 --> 27.920] could you put them on, please?
|
11 |
+
[27.920 --> 30.360] And therefore unable to hear the music
|
12 |
+
[30.360 --> 33.600] and they're going to have to guess the song and the artist
|
13 |
+
[33.600 --> 35.600] purely from the mind.
|
14 |
+
[35.600 --> 38.920] So can you hear me?
|
15 |
+
[38.920 --> 41.280] This could be useful in so many ways.
|
16 |
+
[41.280 --> 42.320] LAUGHTER
|
17 |
+
[42.320 --> 43.960] OK, off we go.
|
18 |
+
[43.960 --> 45.560] MUSIC
|
19 |
+
[51.080 --> 52.080] MUSIC
|
20 |
+
[52.080 --> 54.080] MUSIC
|
21 |
+
[55.680 --> 57.440] MUSIC
|
22 |
+
[62.200 --> 65.240] MUSIC
|
23 |
+
[75.120 --> 79.120] MUSIC
|
24 |
+
[82.080 --> 88.080] I'm watching when you're sleeping
|
25 |
+
[88.080 --> 93.080] You've made me do your fieldest
|
26 |
+
[93.080 --> 97.080] And I only dream
|
27 |
+
[97.080 --> 102.080] It's this, finally
|
28 |
+
[102.080 --> 105.080] The eternal flame
|
29 |
+
[105.080 --> 107.080] Say my name
|
30 |
+
[108.080 --> 110.080] Sun shouts through the rain
|
31 |
+
[110.080 --> 113.080] My whole life is so hot
|
32 |
+
[113.080 --> 115.080] And it comes and me
|
33 |
+
[118.080 --> 122.080] I don't want to lose this feeling
|
34 |
+
[123.080 --> 126.080] Oh
|
35 |
+
[126.080 --> 128.080] Say my name
|
36 |
+
[129.080 --> 133.080] Sun shouts through the rain of all life
|
37 |
+
[133.080 --> 136.080] Sun shouts through the rain
|
38 |
+
[136.080 --> 139.080] Come and meet me
|
39 |
+
[139.080 --> 144.080] I don't want to lose this feeling
|
40 |
+
[147.080 --> 150.080] So so do you all
|
41 |
+
[150.080 --> 152.080] Thank you so
|
42 |
+
[152.080 --> 154.080] Never rude what you are
|
43 |
+
[154.080 --> 156.080] I have to say it's pretty clear
|
44 |
+
[156.080 --> 158.080] Yeah
|
45 |
+
[158.080 --> 159.080] Awesome
|
46 |
+
[159.080 --> 162.080] What's something about dreaming?
|
47 |
+
[162.080 --> 165.080] Yeah, that's there
|
48 |
+
[165.080 --> 168.080] I don't know if it's a fish
|
49 |
+
[168.080 --> 170.080] Yes, yes
|
50 |
+
[170.080 --> 173.080] Taken a long time with the long time
|
51 |
+
[173.080 --> 174.080] Really long with the
|
52 |
+
[174.080 --> 177.080] No, waiting with time
|
53 |
+
[177.080 --> 179.080] BANGLES
|
54 |
+
[179.080 --> 181.080] I'm going to take a nap
|
55 |
+
[181.080 --> 184.080] Thank you
|
56 |
+
[184.080 --> 187.080] And thank you to David Arben
|
57 |
+
[189.080 --> 191.080] Thank you
|
transcript/game_bkzsoJf-UsA.txt
ADDED
@@ -0,0 +1,41 @@
|
|
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|
|
|
1 |
+
[0.000 --> 12.000] Tonight I'm gonna have myself a good time I feel alive
|
2 |
+
[12.000 --> 20.000] And the world turned it upside down
|
3 |
+
[20.000 --> 25.000] The fluid around the lips touch in the soul
|
4 |
+
[25.000 --> 30.000] Don't step me now
|
5 |
+
[30.000 --> 35.000] Don't step me because I'm having a good time
|
6 |
+
[35.000 --> 39.000] I shouldn't stop leaving to the sky like a tiger
|
7 |
+
[39.000 --> 43.000] I'm gonna find the love of the gravity
|
8 |
+
[43.000 --> 47.000] I'm gonna raise you down, I'm gonna climb it down
|
9 |
+
[47.000 --> 52.000] I'm gonna go, go, go, there's an astupin' me
|
10 |
+
[52.000 --> 55.000] I'm gonna find the love of the gravity
|
11 |
+
[55.000 --> 59.000] Do what the degrees just like I've been missed a far in front
|
12 |
+
[59.000 --> 62.000] I'm turning up this bit of blood
|
13 |
+
[62.000 --> 66.000] But I wanna make a suger sonic man out of you
|
14 |
+
[66.000 --> 68.000] Don't stop me now
|
15 |
+
[68.000 --> 73.000] I'm having such a good time I'm having a boss
|
16 |
+
[74.000 --> 78.000] You wanna have a good time? Just give me a call
|
17 |
+
[78.000 --> 80.000] Stop, stop me now
|
18 |
+
[80.000 --> 82.000] I'm having a good time I'm having a boss
|
19 |
+
[82.000 --> 88.000] Yeah, it's time I don't wanna stop at all
|
20 |
+
[88.000 --> 92.000] I'm riding a chair on my way to Mars
|
21 |
+
[92.000 --> 95.000] I'm having a mission for us to find the satellite
|
22 |
+
[95.000 --> 99.000] I'm out of control, such as getting ready to reload
|
23 |
+
[99.000 --> 102.000] I'm riding a bomb
|
24 |
+
[102.000 --> 105.000] Oh, oh, oh, oh, oh, oh, oh
|
25 |
+
[105.000 --> 109.000] I'm riding through dinner sky
|
26 |
+
[109.000 --> 112.000] Do what the degrees just want to call me, Mr. Farron
|
27 |
+
[112.000 --> 116.000] I'm turning up this bit of blood
|
28 |
+
[116.000 --> 119.000] But I wanna make a suger sonic man out of you
|
29 |
+
[121.000 --> 123.000] Don't stop me, don't stop me
|
30 |
+
[123.000 --> 126.000] Hey, hey, hey, stop me, stop me
|
31 |
+
[126.000 --> 129.000] Ooh issue, I'm having a boss
|
32 |
+
[129.000 --> 131.000] I'm having a boss
|
33 |
+
[131.000 --> 134.000] I'm having a boss
|
34 |
+
[139.000 --> 141.000] So
|
35 |
+
[145.000 --> 149.000] So, Kippa, please, what are you reckon?
|
36 |
+
[149.000 --> 152.000] Was it? Don't stop me now
|
37 |
+
[152.000 --> 154.000] Oh!
|
38 |
+
[154.000 --> 156.000] I'm having a boss
|
39 |
+
[156.000 --> 158.000] Well done, brilliant
|
40 |
+
[158.000 --> 160.000] I'm having a real good time
|
41 |
+
[160.000 --> 163.000] I couldn't remember what it was by the end
|
transcript/game_f3I6koQl2v0.txt
ADDED
@@ -0,0 +1,66 @@
|
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|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
[0.000 --> 2.480] So let's meet our special guest performer.
|
2 |
+
[2.480 --> 4.480] Would you please welcome David Arman.
|
3 |
+
[4.480 --> 6.480] APPLAUSE
|
4 |
+
[10.480 --> 14.720] Now the way that this game works is that we play in a popular song
|
5 |
+
[14.720 --> 18.480] and we ask David to illustrate the lyrics through the medium of dance.
|
6 |
+
[18.480 --> 22.160] Pippa and Ruth will be wearing headphones if you can pop them on,
|
7 |
+
[22.160 --> 25.520] please, and therefore unable to hear the music.
|
8 |
+
[25.520 --> 29.040] So they're going to have to guess the song and the artist
|
9 |
+
[29.040 --> 30.800] purely from the mind.
|
10 |
+
[30.800 --> 32.400] So can you hear me?
|
11 |
+
[34.400 --> 36.640] No, they can't hear me, so if you're ready David.
|
12 |
+
[36.640 --> 37.120] Yes.
|
13 |
+
[37.120 --> 37.920] Off we go.
|
14 |
+
[59.040 --> 81.920] Hundreds of the crowd.
|
15 |
+
[81.920 --> 85.200] But you got all the blame you got
|
16 |
+
[85.200 --> 90.200] Oh, oh, oh, oh, there's no stopping me
|
17 |
+
[90.200 --> 93.200] A burning privilege got here
|
18 |
+
[93.200 --> 96.880] Do you have the degrees of smiling glory, Mr. Farhan?
|
19 |
+
[96.880 --> 100.440] Oh, I'm turning up this bit of blood
|
20 |
+
[100.440 --> 104.200] Oh, I make a suitor's sonic man out of you
|
21 |
+
[104.200 --> 106.480] Don't stop me now
|
22 |
+
[106.480 --> 108.720] I'm having such a good time
|
23 |
+
[108.720 --> 110.880] I'm having a boss
|
24 |
+
[111.880 --> 114.680] You wanna have a good time?
|
25 |
+
[114.680 --> 116.680] Just give me a call
|
26 |
+
[116.680 --> 118.480] Stop, stop me now
|
27 |
+
[118.480 --> 119.880] I'm having a good time
|
28 |
+
[119.880 --> 121.680] I'm having a boss
|
29 |
+
[121.680 --> 122.680] I'm having a time
|
30 |
+
[122.680 --> 126.680] I don't wanna stop at all
|
31 |
+
[126.680 --> 129.680] I'm having a chance on my way home
|
32 |
+
[129.680 --> 131.680] I'm having a chance on my way home
|
33 |
+
[131.680 --> 133.680] I'm having a sound alive
|
34 |
+
[133.680 --> 134.880] I'm having a sound
|
35 |
+
[134.880 --> 136.480] I'm having such a sweet reddit
|
36 |
+
[136.480 --> 137.480] Reload
|
37 |
+
[137.480 --> 139.080] I'm having a lot of fun
|
38 |
+
[140.080 --> 143.880] Oh, oh, oh, oh, there's no stopping me
|
39 |
+
[143.880 --> 146.880] A burning privilege got here
|
40 |
+
[146.880 --> 150.880] Do you have the degrees of smiling glory, Mr. Farhan?
|
41 |
+
[150.880 --> 153.880] I'm turning up this bit of blood
|
42 |
+
[153.880 --> 156.880] Oh, I make a suitor's sonic man out of you
|
43 |
+
[159.280 --> 160.880] Don't stop me now
|
44 |
+
[160.880 --> 162.480] I'm having a boss
|
45 |
+
[162.480 --> 163.480] I'm having a boss
|
46 |
+
[163.480 --> 165.480] I'm having a boss
|
47 |
+
[165.480 --> 166.480] I'm having a boss
|
48 |
+
[166.480 --> 167.880] I'm having a good time
|
49 |
+
[167.880 --> 169.280] I'm having a boss
|
50 |
+
[169.280 --> 170.280] I'm having a boss
|
51 |
+
[170.280 --> 172.280] I'm having a boss
|
52 |
+
[172.280 --> 174.280] I'm having a boss
|
53 |
+
[178.280 --> 179.280] So
|
54 |
+
[183.280 --> 186.280] So, so, Kippah, please
|
55 |
+
[186.280 --> 187.680] What's your reckon?
|
56 |
+
[187.680 --> 189.080] Was it?
|
57 |
+
[189.080 --> 191.080] Don't stop me now
|
58 |
+
[193.080 --> 194.280] That's it
|
59 |
+
[194.280 --> 195.280] Well done
|
60 |
+
[195.280 --> 197.680] What a real good
|
61 |
+
[197.680 --> 198.680] time
|
62 |
+
[198.680 --> 200.680] I couldn't remember what it was by the end
|
63 |
+
[200.680 --> 202.480] Wow
|
64 |
+
[202.480 --> 203.480] That was brilliant
|
65 |
+
[203.480 --> 204.480] Thank you very much
|
66 |
+
[204.480 --> 205.480] David Arlan
|
transcript/game_nZ1BfI5y91s.txt
ADDED
@@ -0,0 +1,27 @@
|
|
|
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|
|
|
|
|
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|
|
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|
|
|
|
1 |
+
[0.000 --> 2.000] Oh
|
2 |
+
[24.200 --> 26.200] Now you're right outside
|
3 |
+
[30.020 --> 32.180] You
|
4 |
+
[54.000 --> 56.000] Oh
|
5 |
+
[60.000 --> 61.000] Thank you.
|
6 |
+
[61.000 --> 62.000] Thank you.
|
7 |
+
[62.000 --> 63.000] Thank you.
|
8 |
+
[63.000 --> 64.000] Thank you.
|
9 |
+
[64.000 --> 65.000] Thank you.
|
10 |
+
[65.000 --> 67.000] Boy, you pop me by.
|
11 |
+
[67.000 --> 76.000] I bet that baby, there's nothing that I didn't do.
|
12 |
+
[76.000 --> 78.000] Stop and pay our pledge.
|
13 |
+
[78.000 --> 80.000] I'm sure you want me.
|
14 |
+
[80.000 --> 83.000] How do you want it to be?
|
15 |
+
[83.000 --> 88.000] Tell me baby, cause I need to know now,
|
16 |
+
[88.000 --> 93.000] because my loneliness is killing me.
|
17 |
+
[93.000 --> 96.000] Hey, I was the best.
|
18 |
+
[96.000 --> 98.000] I still believe.
|
19 |
+
[98.000 --> 100.000] Still believe.
|
20 |
+
[100.000 --> 103.000] Do I lose my mind?
|
21 |
+
[103.000 --> 107.000] Give me a sign.
|
22 |
+
[107.000 --> 110.000] Give me baby one more time.
|
23 |
+
[118.000 --> 119.000] Fantastic.
|
24 |
+
[119.000 --> 121.000] So, Laura, what do you reckon?
|
25 |
+
[121.000 --> 123.000] I think I've got it.
|
26 |
+
[123.000 --> 124.000] Yeah.
|
27 |
+
[124.000 --> 126.000] Is it hit me baby one more time?
|
transcript/game_qXH1dVI8Jic.txt
ADDED
@@ -0,0 +1,241 @@
|
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|
1 |
+
[0.000 --> 2.000] You all know how to play charades.
|
2 |
+
[2.000 --> 4.760] Each player gets a turn, giving silent clues to their team.
|
3 |
+
[4.760 --> 6.920] 30 seconds on the clock per turn.
|
4 |
+
[6.920 --> 7.680] We'll do four rounds.
|
5 |
+
[7.680 --> 10.760] And the fifth round is the charades showdown.
|
6 |
+
[10.760 --> 11.760] We got them.
|
7 |
+
[11.760 --> 14.680] Both team give the same clue at the same time.
|
8 |
+
[14.680 --> 17.640] Goal, once you start us off tonight, since you're our guest.
|
9 |
+
[17.640 --> 18.440] You got it.
|
10 |
+
[18.440 --> 19.200] OK.
|
11 |
+
[19.200 --> 21.920] Just so you know, I never played this before.
|
12 |
+
[21.920 --> 22.960] Now I do it.
|
13 |
+
[22.960 --> 23.440] I start.
|
14 |
+
[23.440 --> 23.960] OK.
|
15 |
+
[23.960 --> 24.960] OK.
|
16 |
+
[24.960 --> 25.440] Yeah.
|
17 |
+
[25.440 --> 25.960] I'm so ready.
|
18 |
+
[25.960 --> 26.960] I don't know how to answer that.
|
19 |
+
[26.960 --> 27.960] I don't know how to do it.
|
20 |
+
[27.960 --> 28.960] How do you do?
|
21 |
+
[28.960 --> 30.160] Oh, you did.
|
22 |
+
[30.160 --> 31.440] Film TV.
|
23 |
+
[31.440 --> 32.440] Film TV, yeah.
|
24 |
+
[32.440 --> 32.920] Song?
|
25 |
+
[32.920 --> 33.440] Yeah.
|
26 |
+
[33.440 --> 34.920] That's not the hard part.
|
27 |
+
[34.920 --> 35.800] That's not the hard part.
|
28 |
+
[35.800 --> 36.320] OK.
|
29 |
+
[36.320 --> 37.320] You have to do that, me guess.
|
30 |
+
[37.320 --> 37.840] OK.
|
31 |
+
[37.840 --> 38.840] Oh, no.
|
32 |
+
[38.840 --> 40.520] No, no, no, no, no.
|
33 |
+
[40.520 --> 41.520] No, no, no.
|
34 |
+
[41.520 --> 42.520] Listen.
|
35 |
+
[42.520 --> 43.520] It's going to be OK.
|
36 |
+
[43.520 --> 44.520] We're going to be great.
|
37 |
+
[44.520 --> 45.520] We're going to do great.
|
38 |
+
[45.520 --> 46.520] Don't break on me right now.
|
39 |
+
[46.520 --> 47.160] I'm here losing.
|
40 |
+
[47.160 --> 48.160] I got you guys.
|
41 |
+
[48.160 --> 48.680] I got you guys.
|
42 |
+
[48.680 --> 49.600] Pick a number, pick a number.
|
43 |
+
[49.600 --> 51.800] OK.
|
44 |
+
[51.800 --> 52.320] We can do this.
|
45 |
+
[52.320 --> 54.400] Come on, buddy.
|
46 |
+
[54.400 --> 54.920] OK.
|
47 |
+
[54.920 --> 56.520] Now I just start.
|
48 |
+
[56.520 --> 57.520] Yes.
|
49 |
+
[57.520 --> 58.520] OK.
|
50 |
+
[58.520 --> 59.520] I'm going to talk.
|
51 |
+
[59.520 --> 60.520] OK.
|
52 |
+
[60.520 --> 61.520] Do you talk to me to choose?
|
53 |
+
[61.520 --> 62.600] I'm only guessing.
|
54 |
+
[62.600 --> 63.440] I have to talk.
|
55 |
+
[63.440 --> 64.080] Ready?
|
56 |
+
[64.080 --> 64.920] Yes, sorry.
|
57 |
+
[64.920 --> 67.600] Yes.
|
58 |
+
[67.600 --> 68.680] Song?
|
59 |
+
[68.680 --> 69.720] Yeah, cool.
|
60 |
+
[69.720 --> 70.320] Three words.
|
61 |
+
[70.320 --> 71.320] Yeah.
|
62 |
+
[71.320 --> 72.320] Ooh.
|
63 |
+
[72.320 --> 73.320] Oh.
|
64 |
+
[73.320 --> 74.320] Oh.
|
65 |
+
[74.320 --> 76.320] Oh.
|
66 |
+
[76.320 --> 77.320] Do you mean?
|
67 |
+
[77.320 --> 78.560] Birth of a nation.
|
68 |
+
[82.280 --> 84.480] Baby, got back?
|
69 |
+
[84.480 --> 85.160] Push.
|
70 |
+
[85.160 --> 86.680] Push it.
|
71 |
+
[86.680 --> 87.680] What?
|
72 |
+
[87.680 --> 89.080] Yes, second word.
|
73 |
+
[89.080 --> 91.400] Second, two, step.
|
74 |
+
[91.400 --> 92.400] OK.
|
75 |
+
[92.400 --> 93.760] Oh.
|
76 |
+
[93.760 --> 94.360] OK.
|
77 |
+
[94.360 --> 95.880] Three words.
|
78 |
+
[95.880 --> 97.160] Third word, running.
|
79 |
+
[97.160 --> 98.160] Birth.
|
80 |
+
[98.160 --> 99.640] OK, run.
|
81 |
+
[99.640 --> 100.640] Oh.
|
82 |
+
[100.640 --> 101.920] I'm not bad.
|
83 |
+
[101.920 --> 102.920] I thought I was going to run.
|
84 |
+
[102.920 --> 104.920] I thought I was going to run.
|
85 |
+
[104.920 --> 105.920] I'm going to run.
|
86 |
+
[105.920 --> 106.920] I'm going to run.
|
87 |
+
[106.920 --> 107.920] Oh, my God.
|
88 |
+
[107.920 --> 109.440] So mad.
|
89 |
+
[109.440 --> 110.600] That was fantastic.
|
90 |
+
[110.600 --> 111.920] That's not wrong.
|
91 |
+
[111.920 --> 113.080] No one was fantastic.
|
92 |
+
[113.080 --> 114.440] It was great.
|
93 |
+
[114.440 --> 115.760] That was fantastic, my lady.
|
94 |
+
[115.760 --> 116.560] It's your turn.
|
95 |
+
[116.560 --> 117.560] Oh, I'm so upset.
|
96 |
+
[117.560 --> 120.480] I almost went to be with their team now.
|
97 |
+
[120.480 --> 121.480] That'll be my vitar.
|
98 |
+
[121.480 --> 123.280] I'm talking about that right now.
|
99 |
+
[123.280 --> 124.280] OK.
|
100 |
+
[124.280 --> 126.280] Yes.
|
101 |
+
[126.280 --> 128.080] I'm going with my lucky number.
|
102 |
+
[128.080 --> 129.080] Lucky number?
|
103 |
+
[129.080 --> 130.080] Lucky number.
|
104 |
+
[130.080 --> 131.080] Lucky number.
|
105 |
+
[131.080 --> 132.080] Oh, yes.
|
106 |
+
[132.080 --> 133.080] OK.
|
107 |
+
[135.880 --> 136.880] A song.
|
108 |
+
[140.200 --> 141.560] Circles.
|
109 |
+
[141.560 --> 143.280] Round.
|
110 |
+
[143.280 --> 145.600] Not middle finger.
|
111 |
+
[145.600 --> 147.400] The second word.
|
112 |
+
[147.400 --> 149.040] Oh, wrap around my finger.
|
113 |
+
[149.040 --> 150.560] Oh, ring.
|
114 |
+
[150.560 --> 152.160] Ring around the rosy.
|
115 |
+
[152.160 --> 155.080] Ring around.
|
116 |
+
[155.080 --> 156.080] Oh, ring of fire.
|
117 |
+
[156.080 --> 157.080] Yeah.
|
118 |
+
[159.080 --> 160.080] Yeah.
|
119 |
+
[160.080 --> 161.080] Yeah.
|
120 |
+
[161.080 --> 162.080] Yeah.
|
121 |
+
[162.080 --> 163.080] Yeah.
|
122 |
+
[163.080 --> 164.080] Yeah.
|
123 |
+
[164.080 --> 165.080] Yeah.
|
124 |
+
[165.080 --> 167.080] Yeah.
|
125 |
+
[167.080 --> 168.080] It's like that.
|
126 |
+
[168.080 --> 170.080] It's like that by the way.
|
127 |
+
[170.080 --> 171.080] What number is it?
|
128 |
+
[171.080 --> 172.080] Eight.
|
129 |
+
[172.080 --> 173.080] Eight.
|
130 |
+
[173.080 --> 176.200] So I was like, 11D.
|
131 |
+
[176.200 --> 177.320] Are you kidding me?
|
132 |
+
[177.320 --> 178.320] Ah.
|
133 |
+
[178.320 --> 179.320] Ah.
|
134 |
+
[192.560 --> 193.560] OK.
|
135 |
+
[193.560 --> 196.840] Are you ready?
|
136 |
+
[196.840 --> 198.160] Yeah.
|
137 |
+
[198.160 --> 199.760] Film.
|
138 |
+
[199.760 --> 201.280] One word.
|
139 |
+
[201.280 --> 203.000] Short.
|
140 |
+
[203.000 --> 204.000] It.
|
141 |
+
[204.000 --> 205.000] Oh.
|
142 |
+
[217.000 --> 218.000] What?
|
143 |
+
[218.000 --> 219.000] Yes.
|
144 |
+
[219.000 --> 221.000] You came in.
|
145 |
+
[221.000 --> 222.000] No.
|
146 |
+
[222.000 --> 224.640] That was the best thing that's ever happened to me.
|
147 |
+
[224.640 --> 225.640] I mean, come on.
|
148 |
+
[225.640 --> 226.840] That was the best.
|
149 |
+
[226.840 --> 228.840] I think it's because Jimmy's a clown.
|
150 |
+
[228.840 --> 229.840] Oh, yeah.
|
151 |
+
[229.840 --> 230.840] All right.
|
152 |
+
[230.840 --> 232.840] A scary clown.
|
153 |
+
[232.840 --> 233.360] OK.
|
154 |
+
[233.360 --> 235.360] OK.
|
155 |
+
[235.360 --> 236.360] Wait.
|
156 |
+
[236.360 --> 237.360] You're not cool.
|
157 |
+
[237.360 --> 238.560] You're not cool.
|
158 |
+
[238.560 --> 239.360] No reaction.
|
159 |
+
[239.360 --> 241.280] Love he's holding the cameras while they're winding up.
|
160 |
+
[241.280 --> 243.280] OK.
|
161 |
+
[243.280 --> 243.800] Movie.
|
162 |
+
[243.800 --> 245.800] A movie.
|
163 |
+
[245.800 --> 246.800] Two words.
|
164 |
+
[251.800 --> 252.800] Drastic fire.
|
165 |
+
[252.800 --> 253.800] Yeah.
|
166 |
+
[256.800 --> 258.800] One, two, one.
|
167 |
+
[258.800 --> 260.320] Drastic fire.
|
168 |
+
[260.320 --> 261.320] Drastic fire.
|
169 |
+
[261.320 --> 263.320] I mean give me a break.
|
170 |
+
[263.320 --> 264.320] Yeah.
|
171 |
+
[264.320 --> 265.320] All right.
|
172 |
+
[265.320 --> 267.320] Now, this is what my mean you.
|
173 |
+
[267.320 --> 268.320] What?
|
174 |
+
[268.320 --> 270.320] Me and you go together at the same time when we give our teammates clues.
|
175 |
+
[270.320 --> 271.320] OK.
|
176 |
+
[271.320 --> 275.320] Whoever gets it first wins 10,000 points and bragging rights.
|
177 |
+
[275.320 --> 276.320] And money.
|
178 |
+
[276.320 --> 277.320] Dollars.
|
179 |
+
[277.320 --> 278.320] And really no dollars, yeah.
|
180 |
+
[278.320 --> 280.320] Jimmy's paying out a pocket just because he loves this game.
|
181 |
+
[280.320 --> 281.320] I guess we're choosing number seven.
|
182 |
+
[281.320 --> 282.320] You didn't really want to ask.
|
183 |
+
[282.320 --> 283.320] Oh.
|
184 |
+
[283.320 --> 284.320] You're buddy?
|
185 |
+
[284.320 --> 285.320] I felt good about this one from the beginning.
|
186 |
+
[285.320 --> 287.320] But then I want something else.
|
187 |
+
[287.320 --> 288.320] I mean, were you dead?
|
188 |
+
[288.320 --> 289.320] Lucky seven?
|
189 |
+
[289.320 --> 290.320] I like the number.
|
190 |
+
[290.320 --> 291.320] Let's do it.
|
191 |
+
[291.320 --> 292.320] Me too.
|
192 |
+
[292.320 --> 293.320] Ready?
|
193 |
+
[293.320 --> 294.320] OK.
|
194 |
+
[294.320 --> 295.320] OK.
|
195 |
+
[295.320 --> 297.320] We have to act it out together.
|
196 |
+
[297.320 --> 298.320] I know.
|
197 |
+
[298.320 --> 299.320] Hold on.
|
198 |
+
[299.320 --> 300.320] All right.
|
199 |
+
[300.320 --> 301.320] Let me do this.
|
200 |
+
[301.320 --> 302.320] You can do this.
|
201 |
+
[302.320 --> 303.320] OK.
|
202 |
+
[303.320 --> 304.320] I got it.
|
203 |
+
[304.320 --> 305.320] All right.
|
204 |
+
[305.320 --> 306.320] Ready?
|
205 |
+
[306.320 --> 307.320] Yeah.
|
206 |
+
[307.320 --> 308.320] Song.
|
207 |
+
[308.320 --> 309.320] Yeah.
|
208 |
+
[309.320 --> 310.320] The twist.
|
209 |
+
[310.320 --> 311.320] Supercalibrate.
|
210 |
+
[311.320 --> 312.320] The twist.
|
211 |
+
[312.320 --> 313.320] Yeah.
|
212 |
+
[313.320 --> 314.320] The twist.
|
213 |
+
[314.320 --> 315.320] The end.
|
214 |
+
[315.320 --> 316.320] The twist.
|
215 |
+
[316.320 --> 317.320] The end.
|
216 |
+
[317.320 --> 318.320] The start.
|
217 |
+
[318.320 --> 319.320] The higher looking day.
|
218 |
+
[319.320 --> 320.320] The roof.
|
219 |
+
[322.320 --> 323.320] OK.
|
220 |
+
[323.320 --> 324.320] Push.
|
221 |
+
[324.320 --> 325.320] Raise the roof.
|
222 |
+
[325.320 --> 326.320] Dance.
|
223 |
+
[326.320 --> 327.320] Dancing with the stars.
|
224 |
+
[327.320 --> 328.320] No.
|
225 |
+
[328.320 --> 329.320] Dancing with the sky.
|
226 |
+
[329.320 --> 331.320] Dancing with the sky.
|
227 |
+
[331.320 --> 332.320] Dancing with the under the sky.
|
228 |
+
[332.320 --> 333.320] Dancing with the sky.
|
229 |
+
[333.320 --> 334.320] Oh.
|
230 |
+
[334.320 --> 336.320] Can we tell them?
|
231 |
+
[336.320 --> 337.320] Dancing on the ceiling.
|
232 |
+
[337.320 --> 338.320] Dancing on the ceiling.
|
233 |
+
[338.320 --> 339.320] Oh.
|
234 |
+
[339.320 --> 341.320] That means we'll time.
|
235 |
+
[341.320 --> 342.320] We time.
|
236 |
+
[342.320 --> 343.320] We time.
|
237 |
+
[343.320 --> 344.320] Come on.
|
238 |
+
[344.320 --> 345.320] We are.
|
239 |
+
[346.320 --> 348.320] I'm going to go to the stars.
|
240 |
+
[348.320 --> 349.320] Oh, god.
|
241 |
+
[349.320 --> 351.320] To each other right there.
|
transcript/game_sqDLI-7vJ6w.txt
ADDED
@@ -0,0 +1,44 @@
|
|
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|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
[0.000 --> 5.000] Oooooahah
|
2 |
+
[13.500 --> 16.500] I feel so warm almost yおい
|
3 |
+
[18.800 --> 25.700] since take your hand and let you do the best for us
|
4 |
+
[25.800 --> 27.260] to lose a guy
|
5 |
+
[57.260 --> 59.260] I'm gonna dance with you
|
6 |
+
[59.260 --> 62.260] The way I dance with you
|
7 |
+
[62.260 --> 64.260] I'm gonna dance with you
|
8 |
+
[64.260 --> 67.260] Yeah!
|
9 |
+
[75.260 --> 79.260] Time can never make
|
10 |
+
[81.260 --> 84.260] The candles will explode
|
11 |
+
[84.260 --> 88.260] Oh, you're a different
|
12 |
+
[88.260 --> 90.260] Well, am I
|
13 |
+
[90.260 --> 93.260] Maybe we'll figure this is kind
|
14 |
+
[93.260 --> 97.260] But there's no comfort in the truth
|
15 |
+
[97.260 --> 101.260] Pain is the home you've bought
|
16 |
+
[101.260 --> 103.260] I'm never gonna dance with you
|
17 |
+
[103.260 --> 107.260] Guilty feet have gotten lower in the heart
|
18 |
+
[107.260 --> 109.260] But what's easy to pretend?
|
19 |
+
[109.260 --> 112.260] I know you're not a fool
|
20 |
+
[113.260 --> 116.260] Shoot a no-shot and I'll take it out
|
21 |
+
[116.260 --> 120.260] And waste the text that I've been given
|
22 |
+
[120.260 --> 122.260] So I'll never gonna dance again
|
23 |
+
[122.260 --> 125.260] The way I dance with you
|
24 |
+
[138.260 --> 141.260] Tonight the music seems so loud
|
25 |
+
[141.260 --> 144.260] I wish that we could lose this crowd
|
26 |
+
[144.260 --> 147.260] Maybe it's better this way
|
27 |
+
[147.260 --> 150.260] We'd hurt each other with the things we want to say
|
28 |
+
[150.260 --> 153.260] We could have been so good together
|
29 |
+
[153.260 --> 156.260] We could have left this dance forever
|
30 |
+
[156.260 --> 161.260] But now it's gone to dance with you
|
31 |
+
[161.260 --> 164.260] Please dance
|
32 |
+
[164.260 --> 168.260] You're sexy
|
33 |
+
[169.260 --> 172.260] So
|
34 |
+
[172.260 --> 177.260] So Pippa, Laura, any idea what that song was?
|
35 |
+
[177.260 --> 180.260] I mean this made me think Terence Trent Derby
|
36 |
+
[180.260 --> 182.260] I thought
|
37 |
+
[182.260 --> 183.260] Come on
|
38 |
+
[183.260 --> 186.260] Nothing, but I am a little turned on
|
39 |
+
[186.260 --> 188.260] This?
|
40 |
+
[188.260 --> 190.260] Cheers
|
41 |
+
[190.260 --> 192.260] Fucking quietly
|
42 |
+
[192.260 --> 193.260] He's cut
|
43 |
+
[193.260 --> 195.260] And as we're done!
|
44 |
+
[198.260 --> 201.260] You
|
transcript/game_ww2p9wk5_wY.txt
ADDED
@@ -0,0 +1,145 @@
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1 |
+
[0.000 --> 2.000] We're gonna play a game of guest chairs.
|
2 |
+
[2.000 --> 5.500] Our players are Robin Cooklinski and Kim Anderson.
|
3 |
+
[5.500 --> 6.500] Come on down.
|
4 |
+
[6.500 --> 7.500] Oh!
|
5 |
+
[7.500 --> 9.500] Oh!
|
6 |
+
[9.500 --> 10.500] Oh!
|
7 |
+
[10.500 --> 11.500] Oh!
|
8 |
+
[11.500 --> 12.500] Oh!
|
9 |
+
[12.500 --> 13.500] Oh!
|
10 |
+
[13.500 --> 14.500] Oh!
|
11 |
+
[14.500 --> 15.500] Oh!
|
12 |
+
[15.500 --> 16.500] Woo!
|
13 |
+
[16.500 --> 17.500] Oh!
|
14 |
+
[17.500 --> 19.500] Oh!
|
15 |
+
[19.500 --> 20.500] Oh!
|
16 |
+
[20.500 --> 21.500] Oh!
|
17 |
+
[21.500 --> 22.500] Oh!
|
18 |
+
[22.500 --> 23.500] Oh!
|
19 |
+
[23.500 --> 24.500] Oh!
|
20 |
+
[24.500 --> 25.500] Oh!
|
21 |
+
[25.500 --> 26.500] Oh!
|
22 |
+
[26.500 --> 27.500] Who's who?
|
23 |
+
[27.500 --> 28.500] I'm Kim Anderson.
|
24 |
+
[28.500 --> 29.500] I'm Kim Anderson.
|
25 |
+
[29.500 --> 30.500] I'm Sarah McHathaway.
|
26 |
+
[30.500 --> 31.500] I work for Kelly County.
|
27 |
+
[31.500 --> 32.500] Okay.
|
28 |
+
[32.500 --> 33.500] Fantastic, Anne.
|
29 |
+
[33.500 --> 34.500] Oh, Robin Cooklinski?
|
30 |
+
[34.500 --> 35.500] Yeah.
|
31 |
+
[35.500 --> 36.500] From Dallas, Texas.
|
32 |
+
[36.500 --> 37.500] Alright, what do you do?
|
33 |
+
[37.500 --> 38.500] Oh!
|
34 |
+
[38.500 --> 39.500] I'm a real city agent.
|
35 |
+
[39.500 --> 40.500] Oh, good.
|
36 |
+
[40.500 --> 41.500] I love real estate.
|
37 |
+
[41.500 --> 42.500] Okay.
|
38 |
+
[42.500 --> 43.500] Here we go.
|
39 |
+
[43.500 --> 45.500] We're gonna play a game and you're gonna start first.
|
40 |
+
[45.500 --> 46.500] Okay.
|
41 |
+
[46.500 --> 49.500] And what that means is you stand here and Kim, why don't you be over here?
|
42 |
+
[49.500 --> 50.500] You can't, right?
|
43 |
+
[50.500 --> 51.500] Yes.
|
44 |
+
[51.500 --> 56.500] And you hold this microphone and you will sit on this chair and you're gonna guess what she,
|
45 |
+
[56.500 --> 57.500] she can't speak.
|
46 |
+
[57.500 --> 58.500] She can't talk.
|
47 |
+
[58.500 --> 60.500] She has to act things out and you're gonna guess what she's saying.
|
48 |
+
[60.500 --> 64.500] You're gonna come over here with me and we're gonna stand over here and watch.
|
49 |
+
[64.500 --> 65.500] Okay.
|
50 |
+
[65.500 --> 67.500] So I don't touch anything.
|
51 |
+
[67.500 --> 69.500] I thought you changed it.
|
52 |
+
[69.500 --> 72.500] I know, but everything you want around here.
|
53 |
+
[72.500 --> 75.500] She says it's my show.
|
54 |
+
[75.500 --> 76.500] You go first.
|
55 |
+
[76.500 --> 77.500] But here's the thing.
|
56 |
+
[77.500 --> 81.500] You just be careful because these drop really fast and you have to get her to guess before it drops.
|
57 |
+
[81.500 --> 82.500] And if you don't grab it.
|
58 |
+
[82.500 --> 84.500] And you say be careful, like physically careful.
|
59 |
+
[84.500 --> 85.500] No, I'll go first.
|
60 |
+
[85.500 --> 86.500] Okay.
|
61 |
+
[86.500 --> 88.500] You sit next to each other.
|
62 |
+
[88.500 --> 89.500] All right.
|
63 |
+
[89.500 --> 90.500] Go.
|
64 |
+
[90.500 --> 91.500] Go.
|
65 |
+
[91.500 --> 92.500] Dancing.
|
66 |
+
[92.500 --> 93.500] Jazz.
|
67 |
+
[93.500 --> 94.500] Attack.
|
68 |
+
[94.500 --> 95.500] Oh.
|
69 |
+
[95.500 --> 96.500] Oh.
|
70 |
+
[96.500 --> 97.500] Oh.
|
71 |
+
[97.500 --> 98.500] Oh.
|
72 |
+
[98.500 --> 99.500] Oh.
|
73 |
+
[99.500 --> 100.500] Oh.
|
74 |
+
[100.500 --> 101.500] Oh.
|
75 |
+
[101.500 --> 102.500] Oh.
|
76 |
+
[102.500 --> 103.500] Oh.
|
77 |
+
[103.500 --> 104.500] Oh.
|
78 |
+
[104.500 --> 105.500] Here.
|
79 |
+
[105.500 --> 106.500] Here's frame.
|
80 |
+
[106.500 --> 107.500] Whispering.
|
81 |
+
[107.500 --> 108.500] Oh.
|
82 |
+
[108.500 --> 109.500] Oh.
|
83 |
+
[109.500 --> 110.500] Oh.
|
84 |
+
[110.500 --> 111.500] Oh.
|
85 |
+
[111.500 --> 112.500] Oh.
|
86 |
+
[112.500 --> 113.500] Oh.
|
87 |
+
[113.500 --> 114.500] Oh.
|
88 |
+
[114.500 --> 115.500] Yeah.
|
89 |
+
[115.500 --> 116.500] Yeah.
|
90 |
+
[116.500 --> 117.500] Yeah.
|
91 |
+
[117.500 --> 118.500] Yeah.
|
92 |
+
[118.500 --> 119.500] Yeah.
|
93 |
+
[119.500 --> 120.500] Yeah.
|
94 |
+
[120.500 --> 121.500] Yeah.
|
95 |
+
[121.500 --> 122.500] All right.
|
96 |
+
[122.500 --> 126.500] Are you going to stand over there?
|
97 |
+
[126.500 --> 129.500] Okay, I'm ready.
|
98 |
+
[129.500 --> 130.500] Okay.
|
99 |
+
[130.500 --> 132.500] Here it comes.
|
100 |
+
[132.500 --> 137.500] Brushing your teeth lost.
|
101 |
+
[137.500 --> 138.500] Two parties.
|
102 |
+
[138.500 --> 139.500] Two breaths.
|
103 |
+
[139.500 --> 144.500] I'm getting dressed, bra, panties.
|
104 |
+
[144.500 --> 147.500] Shower, shower, swimming.
|
105 |
+
[147.500 --> 149.500] She's moving on to another one.
|
106 |
+
[149.500 --> 152.500] Up and down, up and down, jump and jump rope.
|
107 |
+
[152.500 --> 153.500] Hop, guys.
|
108 |
+
[153.500 --> 154.500] Oh.
|
109 |
+
[154.500 --> 156.500] Oh.
|
110 |
+
[156.500 --> 157.500] Oh.
|
111 |
+
[157.500 --> 158.500] Oh.
|
112 |
+
[158.500 --> 159.500] Oh.
|
113 |
+
[159.500 --> 160.500] Oh.
|
114 |
+
[160.500 --> 161.500] Oh.
|
115 |
+
[161.500 --> 162.500] Oh.
|
116 |
+
[162.500 --> 163.500] Oh.
|
117 |
+
[163.500 --> 166.500] What is that?
|
118 |
+
[166.500 --> 169.500] I don't mind being humiliated on television.
|
119 |
+
[169.500 --> 170.500] I really don't.
|
120 |
+
[170.500 --> 171.500] I think you were probably right anyway.
|
121 |
+
[171.500 --> 172.500] All right.
|
122 |
+
[172.500 --> 173.500] You're both moms.
|
123 |
+
[173.500 --> 174.500] You're both moms, right?
|
124 |
+
[174.500 --> 175.500] Yes.
|
125 |
+
[175.500 --> 176.500] All right.
|
126 |
+
[176.500 --> 177.500] Because you're both moms, mother's days,
|
127 |
+
[177.500 --> 180.500] around the corner, bird's bee's baby, makes organic baby clothes that are super soft.
|
128 |
+
[180.500 --> 182.500] In fact, Julia is a favorite thing you give away.
|
129 |
+
[182.500 --> 183.500] You give away.
|
130 |
+
[183.500 --> 187.500] And you can buy them with your $250 CVS gift card.
|
131 |
+
[187.500 --> 188.500] Oh, my God.
|
132 |
+
[188.500 --> 189.500] All of you will get a gift card.
|
133 |
+
[189.500 --> 190.500] Oh, my God.
|
134 |
+
[190.500 --> 191.500] Oh.
|
135 |
+
[191.500 --> 192.500] Oh.
|
136 |
+
[192.500 --> 193.500] Oh.
|
137 |
+
[193.500 --> 194.500] Oh.
|
138 |
+
[195.500 --> 198.500] All of you will get a $250 CVS gift card.
|
139 |
+
[198.500 --> 202.500] Thank you.
|
140 |
+
[202.500 --> 204.500] Oh.
|
141 |
+
[204.500 --> 206.500] Oh.
|
142 |
+
[206.500 --> 207.500] Oh.
|
143 |
+
[207.500 --> 209.500] Oh, oh, oh.
|
144 |
+
[209.500 --> 212.500] My bestie, thank you so much.
|
145 |
+
[212.500 --> 213.500] Please do your best.
|
transcript/reality_0cIo0PkBs2c.txt
ADDED
@@ -0,0 +1,24 @@
|
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|
|
|
1 |
+
[0.000 --> 16.000] What can I get started for you today?
|
2 |
+
[16.000 --> 18.000] What's nice?
|
3 |
+
[18.000 --> 22.000] Alright, three empty glasses.
|
4 |
+
[22.000 --> 24.000] Would you care for a pastry?
|
5 |
+
[24.000 --> 26.000] Nope.
|
6 |
+
[27.000 --> 28.000] Uh, mocha.
|
7 |
+
[28.000 --> 30.000] Three mocha lattes.
|
8 |
+
[33.000 --> 36.000] Oh, I double chocolate chip muffin.
|
9 |
+
[36.000 --> 37.000] Yo.
|
10 |
+
[41.000 --> 44.000] You had three palm and cartonies in these.
|
11 |
+
[44.000 --> 45.000] That's them.
|
12 |
+
[45.000 --> 48.000] And I love the Beatles' taste for my life.
|
13 |
+
[48.000 --> 50.000] What's on it?
|
14 |
+
[51.000 --> 53.000] Assassination.
|
15 |
+
[53.000 --> 55.000] Abraham Lincoln.
|
16 |
+
[55.000 --> 60.000] You, me, gun, shoot.
|
17 |
+
[60.000 --> 63.000] Three shots.
|
18 |
+
[63.000 --> 65.000] Hello.
|
19 |
+
[65.000 --> 67.000] A little slurred.
|
20 |
+
[67.000 --> 71.000] Alright, so three lattes, three mochas.
|
21 |
+
[71.000 --> 74.000] Double chocolate chip muffin and three shots.
|
22 |
+
[74.000 --> 76.000] No assassinations.
|
23 |
+
[76.000 --> 79.000] Oh, and three palm and cartonies in these.
|
24 |
+
[79.000 --> 82.000] That's gonna be 68-12.
|
transcript/reality_1co5bdo3Gyk.txt
ADDED
@@ -0,0 +1,22 @@
|
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|
|
1 |
+
[0.000 --> 5.000] Good morning, Hanson.
|
2 |
+
[5.000 --> 7.000] Morning, mom.
|
3 |
+
[7.000 --> 12.000] It's me.
|
4 |
+
[12.000 --> 18.000] Yes, it is, and you're so pretty in the morning.
|
5 |
+
[18.000 --> 22.000] Your mom and I need your breakfast.
|
6 |
+
[22.000 --> 23.000] Oh, wow.
|
7 |
+
[23.000 --> 26.000] So you guys are getting along?
|
8 |
+
[26.000 --> 28.000] I guess.
|
9 |
+
[28.000 --> 30.000] We're very different people, Howard.
|
10 |
+
[30.000 --> 32.000] So communication's a little tricky.
|
11 |
+
[32.000 --> 34.000] Does he like the pancakes?
|
12 |
+
[34.000 --> 36.000] He didn't try them yet!
|
13 |
+
[36.000 --> 39.000] No!
|
14 |
+
[39.000 --> 41.000] Is there any butter?
|
15 |
+
[41.000 --> 43.000] Butter flavored syrup.
|
16 |
+
[43.000 --> 44.000] So what's the word?
|
17 |
+
[44.000 --> 48.000] He wants butter!
|
18 |
+
[48.000 --> 50.000] It's butter flavored syrup!
|
19 |
+
[50.000 --> 53.000] I just told him that!
|
20 |
+
[53.000 --> 60.000] I don't need any butter.
|
21 |
+
[60.000 --> 67.000] If you want butter, I'll get you butter.
|
22 |
+
[67.000 --> 71.000] I guess I'll cut these by myself.
|
transcript/reality_1p7sOsDHLiw.txt
ADDED
@@ -0,0 +1,49 @@
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|
1 |
+
[0.000 --> 2.560] Trump is a New York City creature.
|
2 |
+
[2.560 --> 6.200] And New Yorkers tend to use a lot of hand gestures.
|
3 |
+
[6.200 --> 7.200] We all do.
|
4 |
+
[7.200 --> 10.320] He's entertaining, even if you don't buy a thing, he's saying.
|
5 |
+
[10.320 --> 16.280] I was walking, I was talking, I was feeling so fine on a weekend day.
|
6 |
+
[16.280 --> 17.360] And the right son's...
|
7 |
+
[17.360 --> 21.240] I don't think he's been coached heavily on his body language.
|
8 |
+
[21.240 --> 24.400] And people pick up on that in an instant.
|
9 |
+
[24.400 --> 26.240] They pick up his authenticity.
|
10 |
+
[26.240 --> 31.240] We're going to take care of our veterans.
|
11 |
+
[31.240 --> 32.640] This is his baseline.
|
12 |
+
[32.640 --> 37.680] It's kind of an alternating eye-eye hand gesture with an L shape.
|
13 |
+
[37.680 --> 38.680] So it's right here.
|
14 |
+
[38.680 --> 39.680] It looks precise.
|
15 |
+
[39.680 --> 41.000] I don't know if she's washing.
|
16 |
+
[41.000 --> 42.520] He's got this nail.
|
17 |
+
[42.520 --> 44.520] People are shocked.
|
18 |
+
[44.520 --> 45.520] People are shocked.
|
19 |
+
[45.520 --> 47.840] He uses this as cautionary.
|
20 |
+
[47.840 --> 48.920] Look out.
|
21 |
+
[48.920 --> 50.760] This is a tough competitor.
|
22 |
+
[50.760 --> 54.080] Or he'll say, we don't know what's going to happen here.
|
23 |
+
[54.080 --> 55.240] This scares people.
|
24 |
+
[55.240 --> 56.960] It looks like, whoa, hold him back.
|
25 |
+
[56.960 --> 58.000] It's defensive.
|
26 |
+
[58.000 --> 61.760] So if you scare people, and then you say, here's what we need to do,
|
27 |
+
[61.760 --> 64.680] his prescription, then you've got a good package.
|
28 |
+
[64.680 --> 66.200] I'm taking the gloves off, right?
|
29 |
+
[66.200 --> 67.200] Yes.
|
30 |
+
[67.200 --> 71.480] The no-no is generally pointing at people, pointing at people.
|
31 |
+
[71.480 --> 74.200] In fact, Clinton kind of backed off from that.
|
32 |
+
[74.200 --> 75.680] I'm talking about Bill Clinton.
|
33 |
+
[75.680 --> 80.680] And he started to do the more of a pinch towards somebody.
|
34 |
+
[80.680 --> 82.560] Less accusatory.
|
35 |
+
[82.560 --> 87.200] Perfect take done by obviously a government camp.
|
36 |
+
[87.200 --> 89.480] Slicing means this is precision.
|
37 |
+
[89.480 --> 91.880] We've got to do something about this.
|
38 |
+
[91.880 --> 94.720] I don't want to go, they were trying to give me hints for more.
|
39 |
+
[94.720 --> 96.400] I don't want to hit anything.
|
40 |
+
[96.400 --> 99.680] He gets people whipped up with his gestures.
|
41 |
+
[99.680 --> 102.960] He gets them to feel a sense of chaos.
|
42 |
+
[102.960 --> 106.240] Whether he says, if we don't have a plan, it's everywhere.
|
43 |
+
[106.240 --> 107.080] It's everywhere.
|
44 |
+
[107.080 --> 107.880] That's his chaos.
|
45 |
+
[107.880 --> 110.800] And then he follows it up with precision moves.
|
46 |
+
[110.800 --> 113.640] Select me and we'll get to the bottom of this.
|
47 |
+
[113.640 --> 115.200] Although I'd like to be nice and uniform.
|
48 |
+
[115.200 --> 116.360] You never put my name on.
|
49 |
+
[116.360 --> 118.000] I want a gorgeous wall.
|
transcript/reality_3MJv-M1B-WE.txt
ADDED
@@ -0,0 +1,58 @@
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1 |
+
[0.000 --> 7.000] Good morning, Professor.
|
2 |
+
[7.000 --> 12.000] Physical kids, Talkinesis.
|
3 |
+
[30.920 --> 34.920] What?
|
4 |
+
[47.960 --> 51.140] Taking so far.
|
5 |
+
[60.000 --> 61.000] Chop chop.
|
6 |
+
[71.600 --> 73.800] Being a magician has always been...
|
7 |
+
[73.800 --> 75.200] ...in part.
|
8 |
+
[75.200 --> 76.800] Skipping around,
|
9 |
+
[76.800 --> 80.200] focusing on all the wrong things, lack of guidance.
|
10 |
+
[80.200 --> 81.600] These are...
|
11 |
+
[81.600 --> 83.000] Adam, not.
|
12 |
+
[86.200 --> 87.400] Adam, not.
|
13 |
+
[88.400 --> 89.400] Shit.
|
14 |
+
[89.600 --> 91.600] Totally untested.
|
15 |
+
[94.400 --> 96.800] It was a lot. It was...it was...
|
16 |
+
[106.800 --> 109.400] This kid's trying to pop her number four.
|
17 |
+
[109.400 --> 110.800] It's painful.
|
18 |
+
[113.800 --> 114.800] Um...
|
19 |
+
[116.000 --> 118.000] Yeah, it's a little chilly in here. How about a...
|
20 |
+
[118.200 --> 119.200] ...a miniature sun?
|
21 |
+
[120.200 --> 121.200] That'd be great.
|
22 |
+
[128.200 --> 129.200] I could do this.
|
23 |
+
[141.400 --> 142.600] No, God, look.
|
24 |
+
[142.600 --> 143.800] Shit.
|
25 |
+
[173.600 --> 174.600] Shit.
|
26 |
+
[182.400 --> 183.400] Quentin?
|
27 |
+
[203.600 --> 205.600] Are you sure you want to do that?
|
28 |
+
[212.800 --> 213.800] Shit.
|
29 |
+
[233.600 --> 234.800] No, you're wrong.
|
30 |
+
[234.800 --> 236.800] Are you controlling this?
|
31 |
+
[236.800 --> 238.800] No, don't do that!
|
32 |
+
[262.800 --> 263.800] Oh.
|
33 |
+
[264.800 --> 265.800] Ah, yeah.
|
34 |
+
[265.800 --> 266.800] Um...
|
35 |
+
[269.800 --> 270.800] Oh, no.
|
36 |
+
[292.600 --> 293.800] Shit.
|
37 |
+
[294.000 --> 294.800] Shit.
|
38 |
+
[322.000 --> 323.000] Green...
|
39 |
+
[323.800 --> 340.140] Dana Hope is back
|
40 |
+
[340.140 --> 364.600] Did you uhh, I said I would Wow you can't innovative it...!
|
41 |
+
[364.600 --> 366.600] I'm gonna risk...
|
42 |
+
[366.600 --> 368.600] I'm gonna kill you.
|
43 |
+
[368.600 --> 370.600] I'm gonna kill you.
|
44 |
+
[370.600 --> 372.600] I'm gonna kill you.
|
45 |
+
[372.600 --> 374.600] I'm gonna kill you.
|
46 |
+
[374.600 --> 376.600] I'm gonna kill you.
|
47 |
+
[382.600 --> 384.600] Take it, though.
|
48 |
+
[386.600 --> 388.600] Okay, enough of this.
|
49 |
+
[388.600 --> 392.600] I'm a super villain.
|
50 |
+
[392.600 --> 394.600] Now, talk.
|
51 |
+
[394.600 --> 396.600] Okay, I'll wait a minute.
|
52 |
+
[406.600 --> 408.600] You're proper 43s off.
|
53 |
+
[414.600 --> 416.600] Huh?
|
54 |
+
[416.600 --> 418.600] What have we got?
|
55 |
+
[446.600 --> 448.600] Okay.
|
56 |
+
[456.600 --> 458.600] Okay.
|
57 |
+
[476.600 --> 478.600] Okay.
|
58 |
+
[506.600 --> 508.600] Okay.
|
transcript/reality_4jwUXV4QaTw.txt
ADDED
@@ -0,0 +1,273 @@
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|
1 |
+
[0.000 --> 5.160] Nonverbels are anything that communicates but is not a word.
|
2 |
+
[5.160 --> 8.500] The public knows them as body language.
|
3 |
+
[8.500 --> 12.600] How we dress, how we walk, have meaning,
|
4 |
+
[12.600 --> 17.800] and we use that to interpret what's in the mind of the person.
|
5 |
+
[17.800 --> 30.200] My name is Joan Avaro and for 25 years I was a special agent with the FBI.
|
6 |
+
[30.200 --> 33.200] My job was to catch spies.
|
7 |
+
[33.200 --> 37.200] Most of my career I spent within the National Security Division.
|
8 |
+
[37.200 --> 42.200] A lot of it had to do with looking at specific targets and then it was about,
|
9 |
+
[42.200 --> 45.800] how do we get in their heads and how do we neutralize them.
|
10 |
+
[45.800 --> 48.800] Our security is based on nonverbels.
|
11 |
+
[48.800 --> 51.200] We look at the person through the people.
|
12 |
+
[51.200 --> 54.700] We look at who's behind us at the ATM machine.
|
13 |
+
[54.700 --> 60.200] We know from the research that most of us select our mates based on nonverbels.
|
14 |
+
[60.200 --> 66.700] So we may think we're very sophisticated but in fact we are never in a state
|
15 |
+
[66.700 --> 69.700] where we're not transmitting information.
|
16 |
+
[69.700 --> 72.700] There's a lot of myths out there.
|
17 |
+
[72.800 --> 78.600] The ones that stand out is if you cross your arms that it's a blocking behavior.
|
18 |
+
[78.600 --> 80.100] That's just nonsense.
|
19 |
+
[80.100 --> 83.300] Even when you don't like the person that is in front of you,
|
20 |
+
[83.300 --> 84.900] this isn't to block them out.
|
21 |
+
[84.900 --> 88.300] It's actually to self-suit because in essence it's a self-hug.
|
22 |
+
[88.300 --> 91.900] When you're sitting at a movie and you're watching, you're going to cross your arms.
|
23 |
+
[91.900 --> 93.400] You're waiting for somebody.
|
24 |
+
[93.400 --> 94.800] You tend to do this.
|
25 |
+
[94.800 --> 99.100] What's interesting is we do this behavior more in public than in private.
|
26 |
+
[99.100 --> 104.000] The other one that really stands out is as we think about something,
|
27 |
+
[104.000 --> 106.200] we may look in a certain way.
|
28 |
+
[106.200 --> 109.700] As we process the information, we may look in another way.
|
29 |
+
[109.700 --> 114.400] It's certainly not indicative of deception and it really shouldn't be used that way.
|
30 |
+
[114.400 --> 117.700] All we can say is the person is processing the information.
|
31 |
+
[117.700 --> 121.700] The other misconceptions are that if the person clears or throats,
|
32 |
+
[121.700 --> 125.200] touches their nose or covers their mouth, they're lying.
|
33 |
+
[125.300 --> 129.000] We do these behaviors as self-suthers.
|
34 |
+
[129.000 --> 134.400] They're pacifying behaviors scientifically and empirically.
|
35 |
+
[134.400 --> 136.600] There's just no Pinocchio effect.
|
36 |
+
[136.600 --> 138.800] And people who prattle that and say,
|
37 |
+
[138.800 --> 144.600] well, we can detect deception because the person touches their nose or covers their mouth.
|
38 |
+
[144.600 --> 146.100] That's just sheer nonsense.
|
39 |
+
[146.100 --> 150.300] We humans are lousy at detecting deception.
|
40 |
+
[150.400 --> 155.200] Espionage work is often nowhere near what we see in movies.
|
41 |
+
[155.200 --> 159.900] And in one of the cases, we had information from another country saying,
|
42 |
+
[159.900 --> 166.900] you have an American we think is actually a mole who somehow entered the United States
|
43 |
+
[166.900 --> 169.300] is able to pass as an American,
|
44 |
+
[169.300 --> 172.900] but he's here working for a hostile intelligence service.
|
45 |
+
[172.900 --> 175.400] And just fortuitously,
|
46 |
+
[175.400 --> 179.600] he was videographed coming out of a flower shop.
|
47 |
+
[179.600 --> 183.700] We're looking at the video and everybody in our small unit,
|
48 |
+
[183.700 --> 185.700] we were saying, well, there's not much there.
|
49 |
+
[185.700 --> 188.400] He's coming out of the shop, getting in his car.
|
50 |
+
[188.400 --> 191.000] And I said, stop the film right there.
|
51 |
+
[191.000 --> 194.200] Just as he came out of the shop, he took the flowers.
|
52 |
+
[194.200 --> 198.400] And most Americans tend to hold the flowers by the stock
|
53 |
+
[198.400 --> 200.200] so that the flowers are up.
|
54 |
+
[200.200 --> 205.900] This individual took them and grabbed the stock and then held the flowers
|
55 |
+
[205.900 --> 207.900] so that they were facing down.
|
56 |
+
[208.000 --> 211.000] And I said, that's how they carry flowers in Eastern Europe.
|
57 |
+
[211.000 --> 214.800] Rather than confront him about, are you a spy?
|
58 |
+
[214.800 --> 217.500] I decided to do what's called a presumptive.
|
59 |
+
[217.500 --> 222.400] So as I sat there with him, I said, would you like to know how we know?
|
60 |
+
[222.400 --> 226.800] And he had this look on his face and I said, it was the flowers.
|
61 |
+
[226.800 --> 229.800] And then he confessed.
|
62 |
+
[229.800 --> 231.800] When I came into law enforcement,
|
63 |
+
[231.800 --> 235.100] I thought it was all about the confession.
|
64 |
+
[235.100 --> 237.100] It's really about FaceTime.
|
65 |
+
[237.100 --> 243.800] In my 25 years in the FBI, it was a rarity that a person
|
66 |
+
[243.800 --> 248.900] didn't eventually reveal what I needed to know
|
67 |
+
[248.900 --> 256.000] because we would sit down and have these very lengthy conversations.
|
68 |
+
[256.000 --> 259.500] I look at behaviors to do an assessment.
|
69 |
+
[259.500 --> 264.000] What is this person transmitting in relations to any stimuli?
|
70 |
+
[264.000 --> 270.500] My further questioning comes from my observing these behaviors.
|
71 |
+
[270.500 --> 273.100] The first thing I look at is I look at the hair.
|
72 |
+
[273.100 --> 274.400] Does it look healthy?
|
73 |
+
[274.400 --> 276.100] Does it look well groomed?
|
74 |
+
[276.100 --> 281.200] The forehead is very interesting because a lot of times we reveal stress.
|
75 |
+
[281.200 --> 286.000] A lot of the things that we have gone through life are often etched in the forehead.
|
76 |
+
[286.000 --> 289.800] I look at the eyes to see if they're red or not enough sleep.
|
77 |
+
[289.800 --> 293.700] The small area here between the eyes called the globella.
|
78 |
+
[293.700 --> 297.800] It's one of the first areas that reveals information to us.
|
79 |
+
[297.800 --> 300.600] Most often when we don't like something,
|
80 |
+
[300.600 --> 303.600] we do that bunny nose of I don't like.
|
81 |
+
[303.600 --> 306.600] We don't really know what our lips look like.
|
82 |
+
[306.600 --> 310.200] And we tend to compress them when something bothers us,
|
83 |
+
[310.200 --> 313.600] when something really bothers us, we tend to suck them in.
|
84 |
+
[313.600 --> 316.000] The mandibula and look at the cheeks.
|
85 |
+
[316.000 --> 317.500] We may do something like this.
|
86 |
+
[317.500 --> 323.100] We'll rub our tongue against the inside of the cheek.
|
87 |
+
[323.200 --> 325.000] But when we try to hide it,
|
88 |
+
[325.000 --> 329.500] then it tells me that this person is trying to do some perception management.
|
89 |
+
[329.500 --> 331.600] And if they are, I want to know why.
|
90 |
+
[331.600 --> 334.500] At the neck, I want to see if there's any head tilt.
|
91 |
+
[334.500 --> 337.200] Because head tilt, the person is more relaxed.
|
92 |
+
[337.200 --> 339.200] The minute the head tilt goes away,
|
93 |
+
[339.200 --> 340.900] there's usually some issue.
|
94 |
+
[340.900 --> 342.700] I'm looking at the shoulders.
|
95 |
+
[342.700 --> 344.500] You ask somebody a question and they don't know,
|
96 |
+
[344.500 --> 346.700] both shoulders shoot up very quickly.
|
97 |
+
[346.700 --> 348.700] And then I look at the hands.
|
98 |
+
[348.700 --> 350.500] When something's troubling us,
|
99 |
+
[350.500 --> 353.900] we tend to stiffen our fingers, interlace them,
|
100 |
+
[353.900 --> 356.400] and almost like a teepee,
|
101 |
+
[356.400 --> 361.000] we move our hands back and forth very slowly.
|
102 |
+
[361.000 --> 365.600] This is to be differentiated from when we do the steeple,
|
103 |
+
[365.600 --> 367.500] which we do in this position.
|
104 |
+
[367.500 --> 369.200] When something's at issue,
|
105 |
+
[369.200 --> 371.700] we tend to put our hands on our hips
|
106 |
+
[371.700 --> 374.000] and we become very territorial.
|
107 |
+
[374.000 --> 375.900] This is called arms a Kimbo.
|
108 |
+
[375.900 --> 378.000] But look how it changes.
|
109 |
+
[378.100 --> 380.400] When we put our thumbs forward,
|
110 |
+
[380.400 --> 384.000] and then it becomes one of more of, I'm inquisitive.
|
111 |
+
[384.000 --> 388.600] But I also look for any behaviors of ventilating,
|
112 |
+
[388.600 --> 391.700] because men tend to ventilate at the neck,
|
113 |
+
[391.700 --> 395.200] and we do at the very instant something bothers us.
|
114 |
+
[395.200 --> 399.500] And then I look at the legs to see if there's any brushing
|
115 |
+
[399.500 --> 401.600] of the legs with the hands,
|
116 |
+
[401.600 --> 404.300] which is again, to pacify.
|
117 |
+
[404.300 --> 407.600] And then the feet do I see any behaviors
|
118 |
+
[407.600 --> 411.200] such as wiggling of the feet, kicking of the feet.
|
119 |
+
[411.200 --> 414.400] If I ask a question and all of a sudden the feet with draw
|
120 |
+
[414.400 --> 417.400] in our cross, perhaps the person feels a little threatened
|
121 |
+
[417.400 --> 418.400] by that question.
|
122 |
+
[418.400 --> 420.100] So when we study nonverbals,
|
123 |
+
[420.100 --> 422.900] it's not about making judgments,
|
124 |
+
[422.900 --> 426.800] it's about assessing what is this person transmitting
|
125 |
+
[426.800 --> 427.800] in that moment.
|
126 |
+
[429.900 --> 433.800] It really is looking at an individual and saying,
|
127 |
+
[433.800 --> 435.600] what are they transmitting?
|
128 |
+
[435.700 --> 438.400] We're all transmitting at all times.
|
129 |
+
[438.400 --> 441.200] We choose the clothes that we wear,
|
130 |
+
[441.200 --> 444.200] how we groom ourselves, how we dress,
|
131 |
+
[444.200 --> 446.400] but also how do we carry ourselves?
|
132 |
+
[446.400 --> 449.800] Are we coming to the office on this particular day
|
133 |
+
[449.800 --> 451.000] with a lot of energy,
|
134 |
+
[451.000 --> 454.700] or are we coming in with a different sort of pace?
|
135 |
+
[454.700 --> 458.000] And what we look for are differences in behavior
|
136 |
+
[458.000 --> 463.100] down to the minutia of what is this individual's posture
|
137 |
+
[463.100 --> 465.400] as they're walking down the street,
|
138 |
+
[465.500 --> 467.800] are they on the inside of the sidewalk,
|
139 |
+
[467.800 --> 469.000] on the outside?
|
140 |
+
[469.000 --> 470.800] Can we see his blink rate?
|
141 |
+
[470.800 --> 473.800] Can we see how often he's looking at his watch?
|
142 |
+
[473.800 --> 477.200] I know your blink rate is around eight times a minute,
|
143 |
+
[477.200 --> 478.200] but you don't know that.
|
144 |
+
[478.200 --> 480.200] You're not sitting there counting.
|
145 |
+
[480.200 --> 483.200] All these things factor in because they're transmitting
|
146 |
+
[483.200 --> 484.200] information.
|
147 |
+
[484.200 --> 488.400] Now it's up to us to then use that information to say,
|
148 |
+
[488.400 --> 490.900] okay, we need to marshal resources
|
149 |
+
[490.900 --> 493.600] to be on that individual right now.
|
150 |
+
[496.200 --> 505.800] So in most Western cultures,
|
151 |
+
[505.800 --> 509.800] the first time people touch is when they shake hands.
|
152 |
+
[509.800 --> 512.700] Touching becomes that important
|
153 |
+
[512.700 --> 514.600] because we can always remember a time
|
154 |
+
[514.600 --> 517.800] when we shook hands with someone and we didn't like that.
|
155 |
+
[517.800 --> 522.200] It's also the first time when our bodies release
|
156 |
+
[522.700 --> 525.800] bonding chemicals that say I like this person
|
157 |
+
[525.800 --> 527.300] or I don't like this person.
|
158 |
+
[527.300 --> 532.600] So hand shaking is both necessary and essential
|
159 |
+
[532.600 --> 533.600] in most cultures.
|
160 |
+
[540.600 --> 542.600] Ladies, hi, I'm Joe Navarro.
|
161 |
+
[542.600 --> 543.400] Joe, I'm Laura.
|
162 |
+
[543.400 --> 544.400] Laura, how are you?
|
163 |
+
[544.400 --> 545.600] And you are?
|
164 |
+
[545.600 --> 547.000] Katisha, how are you?
|
165 |
+
[547.000 --> 548.000] Okay.
|
166 |
+
[548.000 --> 549.600] Let me ask you this.
|
167 |
+
[549.600 --> 551.000] Let's back up a little bit.
|
168 |
+
[552.800 --> 554.600] Is this comfortable for you?
|
169 |
+
[554.600 --> 555.400] Yes.
|
170 |
+
[555.400 --> 556.600] Yeah.
|
171 |
+
[556.600 --> 558.600] It's a little bit more comfortable.
|
172 |
+
[558.600 --> 560.200] But it's not for you, is it?
|
173 |
+
[560.200 --> 561.200] No.
|
174 |
+
[561.200 --> 562.000] All right.
|
175 |
+
[562.000 --> 562.800] Thank you.
|
176 |
+
[562.800 --> 563.400] All right.
|
177 |
+
[563.400 --> 564.800] So keep talking.
|
178 |
+
[566.400 --> 569.900] What we've done here is we've talked about the importance
|
179 |
+
[569.900 --> 572.400] of space and comfort.
|
180 |
+
[572.400 --> 576.200] They don't realize is how much further apart they are now
|
181 |
+
[576.200 --> 581.600] standing and it's because we have brought this subject up
|
182 |
+
[581.600 --> 585.200] to make them comfortable about saying, hey,
|
183 |
+
[585.200 --> 589.400] it's okay to be comfortable at your perfect distance.
|
184 |
+
[589.400 --> 594.200] And so now we see when they rock, they rock away from each other
|
185 |
+
[594.200 --> 597.200] and they create this space.
|
186 |
+
[597.200 --> 601.900] If you notice, their feet tend to move around more.
|
187 |
+
[601.900 --> 607.000] There's a dynamic going on here where they're kind of
|
188 |
+
[607.000 --> 609.700] trying to find, well, what is the perfect space?
|
189 |
+
[609.700 --> 611.700] What is the perfect distance?
|
190 |
+
[611.700 --> 614.900] And we know that they're unsettled because of the high
|
191 |
+
[614.900 --> 617.900] degree of movement that's going on.
|
192 |
+
[623.300 --> 625.200] Poker is an interesting game.
|
193 |
+
[625.200 --> 630.100] The similitudes of sitting across from a spy or sitting across
|
194 |
+
[630.100 --> 634.900] from players, it's their reactions to a stimulus.
|
195 |
+
[634.900 --> 639.900] We have behaviors indicative of psychological discomfort
|
196 |
+
[639.900 --> 645.300] that we use at home, at work, or at the poker table.
|
197 |
+
[645.300 --> 648.100] So we're going to take a look at poker players and some of
|
198 |
+
[648.100 --> 653.100] the body language that you'll find at a typical poker game.
|
199 |
+
[653.100 --> 653.600] All right.
|
200 |
+
[653.600 --> 655.600] All right.
|
201 |
+
[655.600 --> 659.600] So we'll pause it right there.
|
202 |
+
[659.600 --> 663.300] So one of the things that you first notice is that when a
|
203 |
+
[663.300 --> 666.700] table is called, this is the first time many of them see
|
204 |
+
[666.700 --> 667.700] each other.
|
205 |
+
[667.700 --> 672.100] This is a great opportunity to be looking for behaviors
|
206 |
+
[672.100 --> 674.100] indicative of discomfort.
|
207 |
+
[674.100 --> 677.200] We're going to see the individual shifting in his chair.
|
208 |
+
[677.200 --> 680.700] We're going to see one individual reaching over and
|
209 |
+
[680.700 --> 682.300] grabbing his shoulder.
|
210 |
+
[682.300 --> 686.100] The woman in this case, her shoulders are rather high.
|
211 |
+
[686.100 --> 689.300] This is a great opportunity, even before the game starts to
|
212 |
+
[689.300 --> 692.200] collect poker intelligence.
|
213 |
+
[692.600 --> 693.600] All right, guys.
|
214 |
+
[693.600 --> 695.600] What is good?
|
215 |
+
[695.600 --> 697.600] So we'll stop right there.
|
216 |
+
[697.600 --> 699.600] Look where their hands are at.
|
217 |
+
[699.600 --> 702.400] Here we're looking at player number two and number three.
|
218 |
+
[702.400 --> 706.400] And we notice right away that their hands are on top of the cards.
|
219 |
+
[706.400 --> 708.700] Some players will cage their cards.
|
220 |
+
[708.700 --> 712.200] Some players will put their hands directly on top and press
|
221 |
+
[712.200 --> 713.000] them down.
|
222 |
+
[713.000 --> 717.000] And they may do that because the cards have now increased in value.
|
223 |
+
[717.000 --> 720.000] Player number one tends to keep his hands very close to his
|
224 |
+
[720.000 --> 720.900] body.
|
225 |
+
[720.900 --> 725.100] Player number four, she's actually withdrawn her hands from the
|
226 |
+
[725.100 --> 729.000] table because when we like things, we tend to move our hands
|
227 |
+
[729.000 --> 729.900] forward.
|
228 |
+
[729.900 --> 734.000] When we don't like things, we tend to move the hands away.
|
229 |
+
[734.000 --> 735.800] Guys, only cards.
|
230 |
+
[735.800 --> 739.000] So as we look at player number three, I'm often asked about
|
231 |
+
[739.000 --> 741.800] players who shuffle their chips.
|
232 |
+
[741.800 --> 744.600] What you're really doing is self-suiting.
|
233 |
+
[744.600 --> 747.400] And this just helps you to make it through the game.
|
234 |
+
[747.400 --> 750.800] And that's really all we're looking for.
|
235 |
+
[750.800 --> 752.600] Oh, come on.
|
236 |
+
[752.600 --> 755.200] OK, so we'll stop right there.
|
237 |
+
[755.200 --> 758.400] Player number five is sitting there, arms crossed.
|
238 |
+
[758.400 --> 760.400] You don't see a lot of activity.
|
239 |
+
[760.400 --> 763.900] That doesn't mean he's not transmitting a lot of information.
|
240 |
+
[763.900 --> 768.400] On down the line, I want to see where those thumbs of his are
|
241 |
+
[768.400 --> 772.400] because he holds them very close when nothing's going on.
|
242 |
+
[772.400 --> 776.000] But does that change as the game evolves?
|
243 |
+
[776.000 --> 777.300] If you're looking at non-verbals, it's
|
244 |
+
[777.300 --> 780.700] often useful to look at them at double the speed because all
|
245 |
+
[780.700 --> 784.200] the non-verbals that are critical jump out at you as though
|
246 |
+
[784.200 --> 786.200] it were a caricature.
|
247 |
+
[786.200 --> 790.800] All right, so stop right there.
|
248 |
+
[790.800 --> 794.300] The woman in position number four, you see her head moving
|
249 |
+
[794.300 --> 795.800] around quite a bit.
|
250 |
+
[795.800 --> 800.400] Player number three, you see a lot of activity with his hands.
|
251 |
+
[800.400 --> 804.400] When we look at player number five, now his hands are fully
|
252 |
+
[804.400 --> 805.000] out.
|
253 |
+
[805.000 --> 808.400] This is as far as we've seen them before.
|
254 |
+
[808.400 --> 811.200] At this point, we know that he's engaged and that he's
|
255 |
+
[811.200 --> 812.700] interested.
|
256 |
+
[812.700 --> 815.400] Now, the game is out in the open.
|
257 |
+
[815.400 --> 820.300] 75% to 80% of the information we need is sitting out there.
|
258 |
+
[820.300 --> 823.500] What you often see is everybody's looking at their own cards
|
259 |
+
[823.500 --> 827.100] or looking at the community cards rather than looking around.
|
260 |
+
[827.100 --> 830.200] You should be looking around to see what was the reaction
|
261 |
+
[830.200 --> 833.700] because you're going to see that reaction again.
|
262 |
+
[833.700 --> 838.100] In poker, we used to say that you can have a poker face,
|
263 |
+
[838.100 --> 841.700] but I encountered you can't have a poker body.
|
264 |
+
[841.700 --> 846.100] Somewhere, it's going to be revealed.
|
265 |
+
[846.100 --> 850.200] When I was in college in the early 70s, there were really no
|
266 |
+
[850.200 --> 853.200] courses on non-verbal communications.
|
267 |
+
[853.200 --> 857.400] You quickly realize that to a great extent, it's really about
|
268 |
+
[857.400 --> 859.600] what you can interpret from behavior.
|
269 |
+
[859.600 --> 863.100] And so we talk about non-verbels because it matters,
|
270 |
+
[863.100 --> 866.100] because it has gravitas, because it affects how we
|
271 |
+
[866.100 --> 867.600] communicate with each other.
|
272 |
+
[867.600 --> 871.600] When it comes to non-verbels, this is no small matter.
|
273 |
+
[871.600 --> 877.600] We primarily communicate non-verbaly, and we always will.
|
transcript/reality_5igB7uDN4Tc.txt
ADDED
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|
1 |
+
[0.000 --> 2.000] Hello there.
|
2 |
+
[2.000 --> 29.300] I'm G.B. and today I am going to
|
3 |
+
[29.300 --> 36.300] help you fall asleep.
|
4 |
+
[36.300 --> 46.300] Now I want you to make yourself comfortable.
|
5 |
+
[47.300 --> 66.300] I'm going to start wiping your face with my hands
|
6 |
+
[66.300 --> 81.300] to smooth out all the difficulties of the day.
|
7 |
+
[81.300 --> 90.300] Anything that might be troubling you or causing your stress
|
8 |
+
[90.300 --> 100.300] to smooth out the clean canvas for you to sleep.
|
9 |
+
[100.300 --> 109.300] Relax, relax, relax, relax.
|
10 |
+
[109.300 --> 116.300] I'm going to focus on and move on today.
|
11 |
+
[116.300 --> 126.300] I'm going to focus on some light sounds.
|
12 |
+
[126.300 --> 137.300] A lot of this will be usual, though I will narrate it as I go.
|
13 |
+
[186.300 --> 196.300] I'm going to focus on the light sounds.
|
14 |
+
[197.300 --> 206.300] Very good.
|
15 |
+
[206.300 --> 216.300] Easy.
|
16 |
+
[216.300 --> 226.300] I'm going to focus on the light sounds.
|
17 |
+
[226.300 --> 234.300] I'm going to focus on the light sounds.
|
18 |
+
[234.300 --> 244.300] I'm going to focus on the light sounds.
|
19 |
+
[244.300 --> 252.300] I'm going to focus on the light sounds.
|
20 |
+
[253.300 --> 257.300] Back and forth.
|
21 |
+
[257.300 --> 265.300] This is concentrated smoothing.
|
22 |
+
[265.300 --> 276.300] It's almost like buffing or I'm looking for it.
|
23 |
+
[276.300 --> 283.300] Now your brow polishing.
|
24 |
+
[283.300 --> 286.300] That's what I'm looking for.
|
25 |
+
[286.300 --> 299.300] I'm concentrated in polishing of the brow area.
|
26 |
+
[299.300 --> 314.300] Bend your eyes.
|
27 |
+
[314.300 --> 317.300] Very good.
|
28 |
+
[317.300 --> 329.300] Now over your nose.
|
29 |
+
[329.300 --> 344.300] Over your mouth.
|
30 |
+
[344.300 --> 354.300] And under your chin.
|
31 |
+
[354.300 --> 357.300] Up on your brow.
|
32 |
+
[357.300 --> 372.300] So we start to smooth you out.
|
33 |
+
[372.300 --> 374.300] This is your forehead.
|
34 |
+
[374.300 --> 379.300] We'll go down to your brow in a moment.
|
35 |
+
[379.300 --> 385.300] Sorry for the speaking.
|
36 |
+
[385.300 --> 389.300] Now over your brow.
|
37 |
+
[389.300 --> 395.300] I'm going to take this one a little bit slower.
|
38 |
+
[395.300 --> 400.300] Make sure it's working.
|
39 |
+
[400.300 --> 405.300] I see it all melting away in a good way.
|
40 |
+
[405.300 --> 414.300] All the ridges and tension that you build up during your day, during your week, during even the month of the year.
|
41 |
+
[415.300 --> 421.300] It's good to concentrate on both areas.
|
42 |
+
[421.300 --> 424.300] And release them.
|
43 |
+
[424.300 --> 427.300] Have you relaxed?
|
44 |
+
[427.300 --> 432.300] So now I'm going to go over your eyes.
|
45 |
+
[432.300 --> 436.300] Good.
|
46 |
+
[436.300 --> 439.300] Very good.
|
47 |
+
[439.300 --> 446.300] Good.
|
48 |
+
[446.300 --> 454.300] Now over your nose.
|
49 |
+
[455.300 --> 461.300] Okay.
|
50 |
+
[461.300 --> 472.300] Under your nose.
|
51 |
+
[473.300 --> 479.300] Your mouth.
|
52 |
+
[479.300 --> 486.300] Under your chin.
|
53 |
+
[487.300 --> 493.300] And under your chin.
|
54 |
+
[493.300 --> 501.300] Fantastic.
|
55 |
+
[501.300 --> 505.300] Good.
|
56 |
+
[506.300 --> 508.300] Okay.
|
57 |
+
[508.300 --> 524.300] Now I'm going to press the buttons.
|
58 |
+
[524.300 --> 535.300] And each button has a different purpose.
|
59 |
+
[535.300 --> 539.300] It's a good you to know what they are.
|
60 |
+
[539.300 --> 541.300] I know.
|
61 |
+
[541.300 --> 546.300] So I'm just going to press all of them.
|
62 |
+
[547.300 --> 553.300] Okay.
|
63 |
+
[553.300 --> 560.300] Okay.
|
64 |
+
[561.300 --> 567.300] Okay.
|
65 |
+
[567.300 --> 574.300] Good.
|
66 |
+
[574.300 --> 582.300] You should be feeling better, but about now.
|
67 |
+
[582.300 --> 586.300] Okay.
|
68 |
+
[586.300 --> 589.300] Now there's one right here.
|
69 |
+
[589.300 --> 592.300] And here.
|
70 |
+
[592.300 --> 595.300] That might need to be switched on.
|
71 |
+
[595.300 --> 600.300] And this can be switched off.
|
72 |
+
[600.300 --> 604.300] Turn this up.
|
73 |
+
[604.300 --> 607.300] And this down.
|
74 |
+
[607.300 --> 614.300] And set this to maximum.
|
75 |
+
[614.300 --> 621.300] This one should be lowered about, I would say about, there.
|
76 |
+
[621.300 --> 625.300] Notice that feel?
|
77 |
+
[625.300 --> 628.300] Okay.
|
78 |
+
[628.300 --> 633.300] Just go to your nose.
|
79 |
+
[633.300 --> 636.300] Now I'm going to do a little bit of programming.
|
80 |
+
[636.300 --> 642.300] It's simply a series of button pressing.
|
81 |
+
[642.300 --> 649.300] And the programming that you might be used to.
|
82 |
+
[649.300 --> 654.300] Okay.
|
83 |
+
[654.300 --> 667.300] I think there's a few more adjustments that I can make.
|
84 |
+
[667.300 --> 677.300] And across here.
|
85 |
+
[677.300 --> 681.300] Good.
|
86 |
+
[681.300 --> 688.300] Okay.
|
87 |
+
[688.300 --> 695.300] Okay.
|
88 |
+
[695.300 --> 699.300] Now.
|
89 |
+
[699.300 --> 702.300] Okay.
|
90 |
+
[702.300 --> 707.300] Just take this.
|
91 |
+
[707.300 --> 714.300] I'm going to take a few more things.
|
92 |
+
[714.300 --> 720.300] Don't worry.
|
93 |
+
[720.300 --> 724.300] You want me to take these?
|
94 |
+
[724.300 --> 729.300] You won't miss them.
|
95 |
+
[729.300 --> 736.300] You should feel better and the more I block away.
|
96 |
+
[736.300 --> 739.300] Okay.
|
97 |
+
[739.300 --> 743.300] There we go.
|
98 |
+
[743.300 --> 746.300] I think I see one over here.
|
99 |
+
[746.300 --> 750.300] Got it.
|
100 |
+
[750.300 --> 754.300] So I'm certain there's one on the other side as well.
|
101 |
+
[754.300 --> 757.300] Yes.
|
102 |
+
[757.300 --> 764.300] Okay.
|
103 |
+
[764.300 --> 771.300] I'm going to snap those away.
|
104 |
+
[771.300 --> 774.300] So I pull the string.
|
105 |
+
[774.300 --> 779.300] And then go it away.
|
106 |
+
[779.300 --> 784.300] Pull it away.
|
107 |
+
[784.300 --> 788.300] Pull it away.
|
108 |
+
[789.300 --> 794.300] And then go it away.
|
109 |
+
[794.300 --> 797.300] Pull the string.
|
110 |
+
[797.300 --> 800.300] Go it away.
|
111 |
+
[800.300 --> 805.300] Pull the string.
|
112 |
+
[805.300 --> 808.300] Pull the string.
|
113 |
+
[808.300 --> 812.300] Go it away.
|
114 |
+
[812.300 --> 819.300] Okay.
|
115 |
+
[819.300 --> 825.300] And.
|
116 |
+
[825.300 --> 834.300] One over here.
|
117 |
+
[834.300 --> 836.300] Okay.
|
118 |
+
[836.300 --> 846.300] And there's a few more things to be picked out.
|
119 |
+
[846.300 --> 850.300] And another more of that light.
|
120 |
+
[850.300 --> 855.300] Maybe a little bit off.
|
121 |
+
[855.300 --> 860.300] Okay.
|
122 |
+
[866.300 --> 869.300] Very good.
|
123 |
+
[869.300 --> 876.300] Now I'm going to warm my hands up.
|
124 |
+
[896.300 --> 903.300] Okay.
|
125 |
+
[903.300 --> 904.300] Okay.
|
126 |
+
[904.300 --> 906.300] Getting a lot warmer.
|
127 |
+
[906.300 --> 907.300] Just good.
|
128 |
+
[907.300 --> 913.300] I need them to be not cold.
|
129 |
+
[913.300 --> 914.300] Okay.
|
130 |
+
[927.300 --> 931.300] Okay.
|
131 |
+
[931.300 --> 937.300] This will help us move you out.
|
132 |
+
[937.300 --> 946.300] Okay.
|
133 |
+
[946.300 --> 969.300] Especially with my thumbs to be warm.
|
134 |
+
[969.300 --> 976.300] Okay.
|
135 |
+
[976.300 --> 979.300] Okay.
|
136 |
+
[979.300 --> 987.300] Okay.
|
137 |
+
[987.300 --> 989.300] Here.
|
138 |
+
[989.300 --> 992.300] And here.
|
139 |
+
[992.300 --> 994.300] Do you notice a difference?
|
140 |
+
[994.300 --> 995.300] Okay.
|
141 |
+
[996.300 --> 999.300] I'm going to do a couple of tests.
|
142 |
+
[999.300 --> 1000.300] Not really tests.
|
143 |
+
[1000.300 --> 1002.300] Just a observation.
|
144 |
+
[1002.300 --> 1003.300] Really.
|
145 |
+
[1003.300 --> 1007.300] You can't get it wrong.
|
146 |
+
[1007.300 --> 1014.300] What I'm going to do is just have you follow some end motions.
|
147 |
+
[1014.300 --> 1016.300] I'm seeing how you react.
|
148 |
+
[1016.300 --> 1019.300] Okay.
|
149 |
+
[1019.300 --> 1024.300] So I'm going to start up here.
|
150 |
+
[1024.300 --> 1027.300] I just want you to follow it.
|
151 |
+
[1027.300 --> 1029.300] You can keep your head still.
|
152 |
+
[1029.300 --> 1043.300] But if you're more comfortable moving your head, that's fine too.
|
153 |
+
[1043.300 --> 1046.300] Okay.
|
154 |
+
[1046.300 --> 1050.300] Okay.
|
155 |
+
[1050.300 --> 1057.300] I'm going to start up here.
|
156 |
+
[1057.300 --> 1064.300] I just want you to follow the movement.
|
157 |
+
[1064.300 --> 1066.300] Okay.
|
158 |
+
[1066.300 --> 1068.300] Let's just hand.
|
159 |
+
[1068.300 --> 1071.300] I'm going to start up here.
|
160 |
+
[1071.300 --> 1079.300] I just want you to follow the movement.
|
161 |
+
[1080.300 --> 1086.300] Very good.
|
162 |
+
[1101.300 --> 1108.300] Perfect.
|
163 |
+
[1108.300 --> 1115.300] Okay.
|
164 |
+
[1115.300 --> 1122.300] Now if you could just react to a gentle about to move, that's not easy.
|
165 |
+
[1122.300 --> 1123.300] Okay.
|
166 |
+
[1123.300 --> 1130.300] Ready.
|
167 |
+
[1130.300 --> 1137.300] Okay.
|
168 |
+
[1137.300 --> 1142.300] Good.
|
169 |
+
[1142.300 --> 1149.300] Goodie, got me.
|
170 |
+
[1149.300 --> 1153.300] Bob.
|
171 |
+
[1153.300 --> 1158.300] Good job.
|
172 |
+
[1158.300 --> 1161.300] Bob.
|
173 |
+
[1161.300 --> 1168.300] Okay.
|
174 |
+
[1168.300 --> 1186.300] Now what you want to do, think I'm going to open.
|
175 |
+
[1186.300 --> 1193.300] This one.
|
176 |
+
[1193.300 --> 1198.300] Very good.
|
177 |
+
[1198.300 --> 1204.300] So it seems like you're responding well to the end movements.
|
178 |
+
[1204.300 --> 1208.300] So I'd like to do a couple more of that's okay with you.
|
179 |
+
[1208.300 --> 1209.300] Fantastic.
|
180 |
+
[1209.300 --> 1212.300] All right.
|
181 |
+
[1212.300 --> 1216.300] Just a few of this around your head.
|
182 |
+
[1216.300 --> 1219.300] Just relax.
|
183 |
+
[1219.300 --> 1226.300] You actually don't have to do anything.
|
184 |
+
[1242.300 --> 1249.300] Okay.
|
185 |
+
[1249.300 --> 1256.300] Okay.
|
186 |
+
[1256.300 --> 1263.300] Okay.
|
187 |
+
[1263.300 --> 1270.300] Okay.
|
188 |
+
[1286.300 --> 1293.300] Okay.
|
189 |
+
[1293.300 --> 1300.300] Okay.
|
190 |
+
[1300.300 --> 1307.300] Okay.
|
191 |
+
[1307.300 --> 1314.300] Interesting.
|
192 |
+
[1314.300 --> 1321.300] Okay.
|
193 |
+
[1321.300 --> 1325.300] Interesting.
|
194 |
+
[1325.300 --> 1328.300] Okay.
|
195 |
+
[1328.300 --> 1333.300] I'll let you come back to you.
|
196 |
+
[1333.300 --> 1335.300] We're moving a few things.
|
197 |
+
[1335.300 --> 1338.300] Goodbye.
|
198 |
+
[1338.300 --> 1343.300] Just let me drop them out.
|
199 |
+
[1343.300 --> 1350.300] They should release quickly.
|
200 |
+
[1350.300 --> 1360.300] They should be relaxed.
|
201 |
+
[1360.300 --> 1365.300] Breathe lighter.
|
202 |
+
[1365.300 --> 1367.300] You see them.
|
203 |
+
[1367.300 --> 1374.300] More comfortably.
|
204 |
+
[1374.300 --> 1381.300] Okay.
|
205 |
+
[1381.300 --> 1388.300] Okay.
|
206 |
+
[1388.300 --> 1395.300] Okay.
|
207 |
+
[1395.300 --> 1402.300] Okay.
|
208 |
+
[1402.300 --> 1409.300] Okay.
|
209 |
+
[1409.300 --> 1419.300] Very good.
|
210 |
+
[1419.300 --> 1421.300] Very good.
|
211 |
+
[1421.300 --> 1423.300] No.
|
212 |
+
[1423.300 --> 1425.300] We're moving on.
|
213 |
+
[1425.300 --> 1429.300] There's something a little different.
|
214 |
+
[1429.300 --> 1432.300] I'm going to draw something in front of you.
|
215 |
+
[1432.300 --> 1433.300] No.
|
216 |
+
[1433.300 --> 1437.300] If your eyes are closed, you can give them closed.
|
217 |
+
[1437.300 --> 1441.300] And it was giving your best.
|
218 |
+
[1441.300 --> 1444.300] Breathe out.
|
219 |
+
[1444.300 --> 1448.300] I'll let you know what it was.
|
220 |
+
[1448.300 --> 1458.300] I'll start with a shape too.
|
221 |
+
[1458.300 --> 1466.300] A square.
|
222 |
+
[1466.300 --> 1468.300] A circle.
|
223 |
+
[1468.300 --> 1477.300] A small b-1, a best.
|
224 |
+
[1477.300 --> 1486.300] A triangle.
|
225 |
+
[1486.300 --> 1495.300] An oval.
|
226 |
+
[1495.300 --> 1505.300] A heart.
|
227 |
+
[1505.300 --> 1514.300] A rectangle.
|
228 |
+
[1514.300 --> 1516.300] A star.
|
229 |
+
[1516.300 --> 1527.300] Now it's time for letters.
|
230 |
+
[1527.300 --> 1537.300] A G.
|
231 |
+
[1537.300 --> 1547.300] An R.
|
232 |
+
[1547.300 --> 1557.300] An M.
|
233 |
+
[1557.300 --> 1559.300] Okay.
|
234 |
+
[1559.300 --> 1565.300] I'm not sure if I'm doing them correctly.
|
235 |
+
[1565.300 --> 1568.300] Okay.
|
236 |
+
[1568.300 --> 1576.300] Let's try this one.
|
237 |
+
[1576.300 --> 1585.300] A B.
|
238 |
+
[1585.300 --> 1592.300] One more time.
|
239 |
+
[1592.300 --> 1602.300] A D.
|
240 |
+
[1602.300 --> 1603.300] Yes.
|
241 |
+
[1603.300 --> 1607.300] Just like this.
|
242 |
+
[1607.300 --> 1609.300] A Y.
|
243 |
+
[1609.300 --> 1620.300] Good.
|
244 |
+
[1620.300 --> 1627.300] A sloppy S.
|
245 |
+
[1627.300 --> 1643.300] I'm going to add a little bit of an oasis.
|
246 |
+
[1643.300 --> 1650.300] And small adjustments.
|
247 |
+
[1650.300 --> 1657.300] A B.
|
248 |
+
[1657.300 --> 1663.300] A B.
|
249 |
+
[1663.300 --> 1667.300] A B.
|
250 |
+
[1667.300 --> 1670.300] A B.
|
251 |
+
[1670.300 --> 1678.300] A B.
|
252 |
+
[1678.300 --> 1683.300] Okay.
|
253 |
+
[1683.300 --> 1688.300] You should be feeling much better.
|
254 |
+
[1688.300 --> 1690.300] Good.
|
255 |
+
[1690.300 --> 1693.300] Good.
|
256 |
+
[1693.300 --> 1700.300] Well, you could come back to the beginning.
|
257 |
+
[1700.300 --> 1707.300] If you need more adjustments or assistance.
|
258 |
+
[1707.300 --> 1715.300] Good.
|
259 |
+
[1715.300 --> 1724.300] Good night for now.
|
260 |
+
[1724.300 --> 1729.300] Sleep well.
|
261 |
+
[1729.300 --> 1736.300] Sleep well.
|
262 |
+
[1736.300 --> 1742.300] Sleep well.
|
transcript/reality_8UYeLtTHu7E.txt
ADDED
@@ -0,0 +1,30 @@
|
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1 |
+
[0.000 --> 2.500] Moves, what are you going to give us some of the moves?
|
2 |
+
[2.500 --> 6.700] I mean, we start off with like a center energy kind of thing.
|
3 |
+
[6.700 --> 8.700] Oh, there he is. Look at that. Look at the fingers.
|
4 |
+
[8.700 --> 10.100] Get a close up on the fingers.
|
5 |
+
[10.100 --> 11.700] We kind of like fix our hands.
|
6 |
+
[11.700 --> 16.000] And you want to move it around and you kind of play with the quality of the fingers.
|
7 |
+
[16.000 --> 19.000] We're going to take it off the ground and actually feel the energy.
|
8 |
+
[19.000 --> 20.000] And you can...
|
9 |
+
[20.000 --> 22.000] I can't walk over it or pull it.
|
10 |
+
[22.000 --> 23.000] I can't break it.
|
11 |
+
[23.000 --> 26.000] Give me a little of like what a scarlet witch spell would be.
|
12 |
+
[26.000 --> 28.000] Well, I love a twitch. I always think that's pretty.
|
13 |
+
[28.000 --> 29.900] Oh, like that's like you're really worth it.
|
14 |
+
[29.900 --> 32.400] Yeah, that's like that's me doing my job.
|
15 |
+
[32.400 --> 33.400] Yeah.
|
16 |
+
[33.400 --> 35.400] This is what I do at work.
|
17 |
+
[35.400 --> 37.400] That's what I look like.
|
18 |
+
[37.400 --> 38.900] So say you were going to move that.
|
19 |
+
[38.900 --> 40.400] Show me the move for that.
|
20 |
+
[40.400 --> 43.400] I mean, she could move it just by doing something like that.
|
21 |
+
[43.400 --> 46.400] And I always try to twitch my fingers and my hands a bit.
|
22 |
+
[46.400 --> 46.900] Okay.
|
23 |
+
[46.900 --> 48.900] Because it just looks better.
|
24 |
+
[48.900 --> 50.900] Very great.
|
25 |
+
[50.900 --> 51.900] Like I said, say I was going to...
|
26 |
+
[51.900 --> 52.900] It looks like there's tension.
|
27 |
+
[52.900 --> 54.400] Like there's actually something happening.
|
28 |
+
[54.400 --> 55.900] Yeah, it does. Oh, that's crazy.
|
29 |
+
[55.900 --> 57.400] And I know that you have...
|
30 |
+
[57.400 --> 60.400] The mystery of my Marvel character, the scarlet witch.
|
transcript/reality_AHIpwpYOrNk.txt
ADDED
@@ -0,0 +1,296 @@
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1 |
+
[0.000 --> 12.380] Who has an expression?
|
2 |
+
[12.380 --> 13.840] Alicia.
|
3 |
+
[13.840 --> 20.020] Okay, let's see.
|
4 |
+
[20.020 --> 26.280] It amazes me how men think taking a woman out on a date or giving her gifts is the only
|
5 |
+
[26.280 --> 30.360] thing they have to do the sealed deal.
|
6 |
+
[30.360 --> 33.800] I find this attitude disturbing and disrespectful.
|
7 |
+
[33.800 --> 36.400] Chan was being so arrogant.
|
8 |
+
[36.400 --> 38.800] What are your thoughts?
|
9 |
+
[38.800 --> 42.720] Um, it's true.
|
10 |
+
[42.720 --> 46.720] That goes, but you know, they want to, oh, why pay for this?
|
11 |
+
[46.720 --> 49.960] So, you know, we're going to go back to my place and blah, blah, blah, or we could go
|
12 |
+
[49.960 --> 50.960] to your place.
|
13 |
+
[51.360 --> 57.400] I mean, they just already got the whole night plan because, you know, they went out and,
|
14 |
+
[57.400 --> 62.520] you know, bought dinner or paid for a date or whatever it is.
|
15 |
+
[62.520 --> 66.280] Um, and oh, and you got a gift?
|
16 |
+
[66.280 --> 70.640] Like I could, I could get you that Applebee's, but I went out my way to get you a gift.
|
17 |
+
[70.640 --> 75.360] I'm like Applebee's on my Lord and some flowers.
|
18 |
+
[75.360 --> 78.120] I guess I'm supposed to have my legs up an air over that.
|
19 |
+
[78.120 --> 84.840] I mean, flowers and Applebees, um, it is disturbing and disrespectful.
|
20 |
+
[84.840 --> 89.720] We out on a date to get to know each other, to see how we vibe, not to see, you know, how
|
21 |
+
[89.720 --> 94.880] quick I'm going to give it up or even if I'm going to give it up pretty much.
|
22 |
+
[94.880 --> 96.040] And I don't know.
|
23 |
+
[96.040 --> 103.160] I wouldn't even go on a date personally, um, when anybody, I'm not really interested in.
|
24 |
+
[103.160 --> 108.600] Um, yeah, uh, it says, Chad was being so arrogant.
|
25 |
+
[108.600 --> 109.600] He was.
|
26 |
+
[109.600 --> 110.840] He was really sure of himself.
|
27 |
+
[110.840 --> 116.400] He just knew today was the day, you know, he took her out that morning.
|
28 |
+
[116.400 --> 117.400] He planned on.
|
29 |
+
[117.400 --> 121.560] He was going to get the afternoon delight, turned it into the nighttime.
|
30 |
+
[121.560 --> 125.840] He had that whole day planned for Malia, okay?
|
31 |
+
[125.840 --> 127.440] And he just knew about it.
|
32 |
+
[127.440 --> 130.320] Again, that's why I was like, I was proud of her.
|
33 |
+
[130.320 --> 134.960] She stood, you know, even though she did it in a kind of a playful way, but it was serious
|
34 |
+
[134.960 --> 137.760] enough to where he's like, oh, wait, hold on.
|
35 |
+
[137.760 --> 144.240] I might actually have to, um, do something else, you know, and, uh, almost like a proposal.
|
36 |
+
[144.240 --> 145.640] You got everybody's attention.
|
37 |
+
[145.640 --> 148.240] I don't know why people felt they need to start recording.
|
38 |
+
[148.240 --> 149.240] That was weird.
|
39 |
+
[149.240 --> 152.480] Um, cause they're not celebrities, but whatever.
|
40 |
+
[152.480 --> 155.400] They're just like, yeah, we're going to catch this moment.
|
41 |
+
[155.400 --> 159.880] Um, but yeah, I'm proud that she stood, you know, stood her ground.
|
42 |
+
[159.880 --> 163.680] And she, she didn't like give into that.
|
43 |
+
[163.680 --> 168.120] So my, my thought, I don't know, it is disturbing.
|
44 |
+
[168.120 --> 175.080] It's a little disrespectful, um, that they think, you know, and it only have to be sex,
|
45 |
+
[175.080 --> 179.760] just like they have ownership of you sometimes, you know, he didn't even try, he didn't even
|
46 |
+
[179.760 --> 184.160] tell, you know, ask her out yet and he's just like, yeah, you're my girl and blah, blah,
|
47 |
+
[184.160 --> 185.160] blah.
|
48 |
+
[185.160 --> 189.400] He had all this, you know, in the bag and hadn't even asked her yet.
|
49 |
+
[189.400 --> 194.560] And it's like really, bro, you don't know she's talking to somebody.
|
50 |
+
[194.560 --> 195.560] You could be with it.
|
51 |
+
[195.560 --> 198.240] Girl, is that a chapstick rapper?
|
52 |
+
[198.240 --> 199.240] She funny.
|
53 |
+
[199.240 --> 200.240] Anything she could rap a rip up.
|
54 |
+
[200.240 --> 201.240] I know that's right.
|
55 |
+
[201.240 --> 202.480] Let me find something to rip.
|
56 |
+
[202.480 --> 205.040] Did you guys ever see it over here?
|
57 |
+
[205.040 --> 211.520] No, but, um, anyways, yeah, he was being very arrogant.
|
58 |
+
[211.520 --> 215.680] It was a little, that's why I think in the beginning, I said, you know, channins, wow,
|
59 |
+
[215.680 --> 220.000] tail, um, in this, in this, like it's coming out.
|
60 |
+
[220.000 --> 223.560] It's coming out, you know, you see little bits and pieces, what he's snapping here and
|
61 |
+
[223.560 --> 224.560] there and crazy looks.
|
62 |
+
[224.560 --> 228.120] Just a little by little, chapter by chapter, a little more and more.
|
63 |
+
[228.120 --> 229.920] Disney grow is coming out.
|
64 |
+
[229.920 --> 235.960] And so, um, yeah, those are my scatter thoughts.
|
65 |
+
[235.960 --> 239.160] Y'all put it together, figure something out.
|
66 |
+
[239.160 --> 240.160] Put it together.
|
67 |
+
[240.160 --> 242.200] Like she's trying to say something.
|
68 |
+
[242.200 --> 243.200] I don't know.
|
69 |
+
[243.200 --> 244.200] There it is.
|
70 |
+
[244.200 --> 245.200] I'm not scattered.
|
71 |
+
[245.200 --> 246.600] It actually made clear sense.
|
72 |
+
[246.600 --> 247.600] So shut up.
|
73 |
+
[247.600 --> 249.640] Don't talk about my friend like that.
|
74 |
+
[249.640 --> 251.880] I'm going to have to.
|
75 |
+
[251.880 --> 253.120] You always read a foot.
|
76 |
+
[253.120 --> 254.120] Don't talk about that.
|
77 |
+
[254.120 --> 256.520] That's my friend, Curie A too.
|
78 |
+
[256.520 --> 259.120] Y'all put talking about my friend like that.
|
79 |
+
[259.120 --> 263.080] I'm like, okay, I have to roll up on you.
|
80 |
+
[263.080 --> 268.440] You know, I ain't opening the door.
|
81 |
+
[268.440 --> 269.440] How about that?
|
82 |
+
[269.440 --> 272.360] Oh, we'll find a way in.
|
83 |
+
[272.360 --> 279.360] I'm going to.
|
84 |
+
[279.360 --> 290.440] Well, I feel like, I feel like men in chance, I guess I'll say tax bracket.
|
85 |
+
[290.440 --> 297.560] Um, they, they expect women to act a certain way, especially if they know a woman has never
|
86 |
+
[297.560 --> 302.960] been treated a certain way in a relationship or they will do certain things thinking that
|
87 |
+
[302.960 --> 307.560] it's going to get them draws down because this is the best thing that they've ever seen.
|
88 |
+
[307.560 --> 310.760] You know, and they forgot the cheesy bread at home.
|
89 |
+
[310.760 --> 311.760] So.
|
90 |
+
[311.760 --> 312.760] They're free lashes.
|
91 |
+
[312.760 --> 313.760] Maybe.
|
92 |
+
[313.760 --> 314.760] Maybe.
|
93 |
+
[314.760 --> 315.760] Maybe.
|
94 |
+
[315.760 --> 316.760] And that's not so.
|
95 |
+
[316.760 --> 317.760] Oh, Marinara.
|
96 |
+
[317.760 --> 318.760] Sorry.
|
97 |
+
[318.760 --> 319.760] Right.
|
98 |
+
[319.760 --> 325.760] And, and, and that led me when I had that thought I, I've, it led me to another thought of men,
|
99 |
+
[325.760 --> 330.760] um, specifically target certain women that have had.
|
100 |
+
[330.760 --> 335.760] And certain things that have happened to them because everything that they do was going
|
101 |
+
[335.760 --> 338.320] to be better than this is the best thing she's ever seen.
|
102 |
+
[338.320 --> 343.320] You know, so I'm as long as he's a step above that, there's no way she can complain because
|
103 |
+
[343.320 --> 347.120] she didn't been through all this stuff in her past and she's, she's had it here.
|
104 |
+
[347.120 --> 352.240] So he, he won't raise the bar any higher and be the best that he can be because he's
|
105 |
+
[352.240 --> 355.520] being better than anybody that she's ever had to.
|
106 |
+
[355.520 --> 358.880] You know, so that made me think about that too with Chan.
|
107 |
+
[358.880 --> 362.480] Even though I don't feel like he quite thinks about Malia like that because they're in this
|
108 |
+
[362.480 --> 363.480] real city, right?
|
109 |
+
[363.480 --> 366.320] So she's already, they're already, they're both in this same tax practice.
|
110 |
+
[366.320 --> 372.680] So that's not, that's not the case here, but I have seen that, you know, where men will
|
111 |
+
[372.680 --> 374.880] do that to women.
|
112 |
+
[374.880 --> 380.680] But yeah, I just, I think men in general, they expected you do certain things that a woman's
|
113 |
+
[380.680 --> 383.920] going to put out, you know, she never had to use before.
|
114 |
+
[383.920 --> 384.920] She's never had.
|
115 |
+
[384.920 --> 386.400] She's never had to do a five star restaurant before.
|
116 |
+
[386.400 --> 387.400] Oh, I know him.
|
117 |
+
[387.400 --> 388.400] Pan, he's going to be down tonight.
|
118 |
+
[388.400 --> 389.400] I know.
|
119 |
+
[389.400 --> 392.400] So you know, just a little bit.
|
120 |
+
[392.400 --> 396.680] But I think earlier in the book, it talks about how Chan had women just throwing themselves
|
121 |
+
[396.680 --> 397.680] at him.
|
122 |
+
[397.680 --> 403.200] So he hasn't really got a woman of value that has some standards about herself saying,
|
123 |
+
[403.200 --> 405.680] oh, no, sir, we're going to take this slow.
|
124 |
+
[405.680 --> 406.680] I'm going to get to know you.
|
125 |
+
[406.680 --> 409.400] You're going to get to know me, you know, and then we're going to decide what this is
|
126 |
+
[409.400 --> 414.880] going to be together instead of her trying to get the bag, I guess they say.
|
127 |
+
[414.880 --> 419.480] You know, secure the bag.
|
128 |
+
[419.480 --> 421.880] Cure that bag, baby.
|
129 |
+
[421.880 --> 422.880] Yeah.
|
130 |
+
[422.880 --> 423.880] Yeah.
|
131 |
+
[423.880 --> 434.320] Yeah, I think like you said, here, he's not used to being with somebody where they don't
|
132 |
+
[434.320 --> 437.760] just kind of fall in line with Malia.
|
133 |
+
[437.760 --> 439.760] She's like, no, we're going to have to talk about this.
|
134 |
+
[439.760 --> 443.840] I can't have myself thinking that this is something that it's not.
|
135 |
+
[443.840 --> 445.800] And then I'm, you know, horribly disappointed.
|
136 |
+
[445.800 --> 451.120] I don't know why some people, I'm going to say abusive people because I think women can
|
137 |
+
[451.120 --> 452.280] do this too.
|
138 |
+
[452.280 --> 456.120] You think because you give gifts to somebody or you've done something nice for them, then
|
139 |
+
[456.120 --> 458.320] that automatically gives you access to some of his life.
|
140 |
+
[458.320 --> 459.320] Chan was being very arrogant.
|
141 |
+
[459.320 --> 464.600] He was having a tentative tantrum, a temperate tantrum in his mind because he's like, you
|
142 |
+
[464.600 --> 465.600] always hurt.
|
143 |
+
[465.600 --> 466.800] She making me do all this.
|
144 |
+
[466.800 --> 469.320] What is she really making you do that so hard though?
|
145 |
+
[469.960 --> 473.320] Like when I hear people get so fustered and so upset about something that somebody's
|
146 |
+
[473.320 --> 476.280] making them do it and then you're like, well, what is it that they're really asking you
|
147 |
+
[476.280 --> 478.960] to do that's so hard.
|
148 |
+
[478.960 --> 479.960] Usually it's nothing.
|
149 |
+
[479.960 --> 482.240] It's just your arrogant and your about hole.
|
150 |
+
[482.240 --> 484.920] So you just don't want to do what the bare minimum is.
|
151 |
+
[484.920 --> 489.400] Yeah, there was no reason to have an attitude because she's like, you need to formally ask
|
152 |
+
[489.400 --> 490.400] me.
|
153 |
+
[490.400 --> 491.400] He's not used to that.
|
154 |
+
[491.400 --> 493.200] He's used to being able to lead with his wallet.
|
155 |
+
[493.200 --> 496.800] Yeah, and I can get you into this Beyonce Renaissance concert.
|
156 |
+
[497.800 --> 498.800] Don't worry about it.
|
157 |
+
[498.800 --> 502.200] You know, he's used to being able to lead with what he could do for somebody and folks
|
158 |
+
[502.200 --> 507.720] are like, oh my god, he said some women, it takes a little bit more than just what you
|
159 |
+
[507.720 --> 508.720] can do.
|
160 |
+
[508.720 --> 512.240] Some flowers, a nice bracelet or a watch or a necklace.
|
161 |
+
[512.240 --> 513.480] Some people really do value.
|
162 |
+
[513.480 --> 517.360] You show it up and be an authentic and be the man that you said that you were.
|
163 |
+
[517.360 --> 518.360] That's that.
|
164 |
+
[527.800 --> 530.920] So the next question is mine.
|
165 |
+
[530.920 --> 536.160] It says, when Chan got on one knee to ask her out at the waterfront in front of all those
|
166 |
+
[536.160 --> 538.560] people, I would have died.
|
167 |
+
[538.560 --> 542.560] Why does Chan seem to think that everything has to be this big grand gesture?
|
168 |
+
[542.560 --> 544.440] Question mark.
|
169 |
+
[544.440 --> 546.560] He really didn't do all that.
|
170 |
+
[546.560 --> 547.920] Did you find that annoying too?
|
171 |
+
[547.920 --> 550.040] I thought it was funny.
|
172 |
+
[550.040 --> 555.040] But I also know about like you had said something before about your dad and how when he gets
|
173 |
+
[555.040 --> 563.120] upset or he gets scared instead of him just acting normal, he'll like really lash out in
|
174 |
+
[563.120 --> 564.120] a big way.
|
175 |
+
[564.120 --> 568.640] I felt like that was Chan's way of kind of like, it wasn't like he was lashing out to
|
176 |
+
[568.640 --> 570.720] be mean or disrespectful to her.
|
177 |
+
[570.720 --> 573.600] But I feel like he was kind of called out like, listen, you're not going to keep calling
|
178 |
+
[573.600 --> 574.600] me a girl.
|
179 |
+
[574.600 --> 575.840] You haven't formally asked me.
|
180 |
+
[575.840 --> 576.840] You need to ask me.
|
181 |
+
[576.840 --> 579.840] He could have just taken her hand like, okay, so will you be my girlfriend?
|
182 |
+
[579.840 --> 581.800] He's like, okay, so I got to do all that.
|
183 |
+
[581.800 --> 583.120] Let me show you something.
|
184 |
+
[583.120 --> 585.040] He had to get all of his need.
|
185 |
+
[585.040 --> 588.080] Malia from the moment I met you and I knew you were special.
|
186 |
+
[588.080 --> 589.080] Nobody else liking it.
|
187 |
+
[589.080 --> 591.040] People were like, my God, what's going on?
|
188 |
+
[591.040 --> 592.040] He's got a proposal.
|
189 |
+
[592.040 --> 594.480] You know, they're grabbing their rolls up.
|
190 |
+
[594.480 --> 598.800] You know, all this and just for him to ask, you know, could you be my girlfriend?
|
191 |
+
[598.800 --> 601.840] You know, and she's like fine, I'm with the shit.
|
192 |
+
[601.840 --> 603.600] So yeah, I'll be your girlfriend.
|
193 |
+
[603.600 --> 607.320] You know, I be, but he really didn't have to do all of that.
|
194 |
+
[607.320 --> 608.720] Really, really extra.
|
195 |
+
[608.720 --> 610.360] But I feel like he's one of them.
|
196 |
+
[610.360 --> 614.160] He seems like to be like the kind of person that when he's challenged, he has to show back
|
197 |
+
[614.160 --> 617.240] up in some kind of big way.
|
198 |
+
[617.240 --> 619.240] So she definitely challenged him.
|
199 |
+
[619.240 --> 624.600] Okay, let me show you what I, it wasn't necessary, but it worked.
|
200 |
+
[624.600 --> 625.600] One of y'all's thoughts.
|
201 |
+
[625.600 --> 628.040] I read that the same way.
|
202 |
+
[628.040 --> 634.680] I felt like he was like, oh, okay, he wanted to test her gangster.
|
203 |
+
[634.680 --> 636.320] You gonna call me out?
|
204 |
+
[636.320 --> 637.320] Okay.
|
205 |
+
[637.320 --> 639.320] I'm gonna make a big show of it.
|
206 |
+
[639.320 --> 646.400] I was almost, like it was cute, but then I kind of saw like some sarcasm in it.
|
207 |
+
[646.400 --> 652.120] Like, okay, then you want to be official and then got on one knee and then to say something
|
208 |
+
[652.120 --> 653.600] like, will you be my girl?
|
209 |
+
[653.600 --> 657.840] Now, if I was one of those patrons thinking, you know, especially if I don't hold it in
|
210 |
+
[657.840 --> 658.840] my hand, right?
|
211 |
+
[658.840 --> 659.840] Pull out my phone.
|
212 |
+
[659.840 --> 665.840] The guy I'm about to catch this special engagement for somebody, only to sell it to them.
|
213 |
+
[665.840 --> 669.760] I'm thinking I'm about to catch this special engagement.
|
214 |
+
[669.760 --> 671.280] And then he's like, will you be my girl?
|
215 |
+
[671.280 --> 674.160] I feel like the hell what are you doing?
|
216 |
+
[674.160 --> 675.160] I'm for it.
|
217 |
+
[675.160 --> 683.360] Like, so I read that the same way like he made it this big gesture, you know, kind of
|
218 |
+
[683.360 --> 686.320] not to embarrass her, but just to kind of be sarcastic.
|
219 |
+
[686.320 --> 691.520] Like, okay, he's already calling her Empress.
|
220 |
+
[691.520 --> 692.520] You know what I mean?
|
221 |
+
[692.520 --> 694.960] So he's like, let's just be extra about it then.
|
222 |
+
[694.960 --> 699.280] I'm going to be extra and then got on his knee and did all that.
|
223 |
+
[699.280 --> 704.320] Um, me like, if it would have happened to me, I'd have been like, come on, bro.
|
224 |
+
[704.320 --> 705.720] Now, do you really?
|
225 |
+
[705.720 --> 706.720] That's what we're doing.
|
226 |
+
[706.720 --> 710.320] And then I want to find some way to match that, you know, me, you know, we'd be one
|
227 |
+
[710.320 --> 713.880] up in each other the whole day.
|
228 |
+
[713.880 --> 720.000] But, um, yeah, he didn't need to do all that, but I saw why he did it.
|
229 |
+
[720.000 --> 722.280] I don't think it was like so much romance.
|
230 |
+
[722.280 --> 726.440] I think it was sarcasm like, oh, you want me to make you, you my girl.
|
231 |
+
[726.440 --> 729.640] You said you have to be on some Shakespeare type stuff.
|
232 |
+
[729.640 --> 730.640] That's so out.
|
233 |
+
[730.640 --> 731.640] Yeah.
|
234 |
+
[731.640 --> 733.640] Yeah, that's how I picked them on.
|
235 |
+
[733.640 --> 734.640] I'm sorry.
|
236 |
+
[734.640 --> 735.640] Okay, Chan.
|
237 |
+
[735.640 --> 737.640] Again, Chan's wild.
|
238 |
+
[737.640 --> 738.640] So.
|
239 |
+
[738.640 --> 739.640] Mm-hmm.
|
240 |
+
[739.640 --> 742.480] What are your thoughts, Curie?
|
241 |
+
[742.480 --> 744.880] Since she needed to be formally asked.
|
242 |
+
[744.880 --> 745.880] Team.
|
243 |
+
[745.880 --> 746.880] With that energy.
|
244 |
+
[746.880 --> 747.880] Right.
|
245 |
+
[747.880 --> 748.880] I thought it was cute.
|
246 |
+
[748.880 --> 752.080] I thought it was some nice little, you know, playful banter.
|
247 |
+
[752.080 --> 753.080] She challenged him.
|
248 |
+
[753.080 --> 754.080] Okay, what are we doing then?
|
249 |
+
[754.080 --> 756.000] He's like, okay, I'm going to show you.
|
250 |
+
[756.000 --> 757.240] I'm going to make this grand gesture.
|
251 |
+
[757.240 --> 760.720] And I think I think Chan is a grand gesturing guy.
|
252 |
+
[760.720 --> 763.480] I mean, he got tracking devices, surveillance teams.
|
253 |
+
[763.480 --> 767.040] I mean, Chan brings that to work.
|
254 |
+
[767.040 --> 768.040] She's got the bills.
|
255 |
+
[768.040 --> 769.040] Right.
|
256 |
+
[769.040 --> 772.600] Chan is always on a hundred, you know, we got the computer set up at home, washing
|
257 |
+
[772.600 --> 774.000] her with the showers.
|
258 |
+
[774.000 --> 777.480] When she takes a number two, I mean, he's always on one hundred.
|
259 |
+
[777.480 --> 778.480] He bringing it.
|
260 |
+
[778.480 --> 779.480] So.
|
261 |
+
[779.480 --> 782.040] I think he's always going to be a grand care.
|
262 |
+
[782.040 --> 785.600] I mean, he showed up at speed dating.
|
263 |
+
[785.600 --> 787.200] You know, he's he's just going to be there.
|
264 |
+
[787.200 --> 789.640] He's going to do the most every single time.
|
265 |
+
[789.640 --> 796.160] But in a classy way, you know, so I loved it.
|
266 |
+
[796.160 --> 799.160] It was a really cute scene.
|
267 |
+
[799.160 --> 808.360] I was trying to get to the next corner.
|
268 |
+
[808.360 --> 810.160] No, it wasn't cute scene, but he was sorry.
|
269 |
+
[810.160 --> 812.760] I was definitely pleased to see you.
|
270 |
+
[812.760 --> 819.000] You know, I feel like to be honest with anybody who knows us like, we're like all three,
|
271 |
+
[819.000 --> 823.520] but we're so sarcastic way that we joke and have fun with each other and others.
|
272 |
+
[823.520 --> 828.440] And some people might see that and be like, wow, so I've learned like that type of humor.
|
273 |
+
[828.440 --> 832.320] It's really reserved for the people that I know, no, because other folks, they just won't
|
274 |
+
[832.320 --> 833.320] get it.
|
275 |
+
[833.320 --> 834.320] They'd be like, that was just so really.
|
276 |
+
[834.320 --> 838.320] He was just like, you know, you know, right?
|
277 |
+
[838.960 --> 839.960] Right.
|
278 |
+
[839.960 --> 841.480] We're sarcastic.
|
279 |
+
[841.480 --> 845.680] We like, so I definitely say like his gesture was super sarcastic, but it was cute though,
|
280 |
+
[845.680 --> 846.680] too.
|
281 |
+
[846.680 --> 848.520] So I was like, we still going to get that kiss though.
|
282 |
+
[848.520 --> 849.520] Mm-hmm.
|
283 |
+
[849.520 --> 850.520] You want to kiss.
|
284 |
+
[850.520 --> 854.000] Might as well give you a little tongue in front of the older people, honey, bring back
|
285 |
+
[854.000 --> 855.520] that spark in their relationship.
|
286 |
+
[855.520 --> 859.560] I mean, since we got everybody's attention, let's keep it for a year.
|
287 |
+
[859.560 --> 864.120] So they're honest for our audience here.
|
288 |
+
[864.120 --> 866.120] On the channel.
|
289 |
+
[868.320 --> 869.320] Yeah.
|
290 |
+
[869.320 --> 870.320] Yeah.
|
291 |
+
[870.320 --> 871.320] Yeah.
|
292 |
+
[871.320 --> 872.320] Yeah.
|
293 |
+
[872.320 --> 873.320] Yeah.
|
294 |
+
[873.320 --> 874.320] Yeah.
|
295 |
+
[874.320 --> 875.320] Yeah.
|
296 |
+
[875.320 --> 876.320] Yeah.
|
transcript/reality_FqrcLcpHyG4.txt
ADDED
@@ -0,0 +1,93 @@
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1 |
+
[0.000 --> 18.760] gonna
|
2 |
+
[18.760 --> 23.920] гор,uego eternity leads.
|
3 |
+
[23.920 --> 26.280] I wasn't expecting an eyehadows.
|
4 |
+
[26.280 --> 34.260] Come on, create a new example, and I love it.
|
5 |
+
[34.260 --> 41.980] There are the two cy lunar incarnation準備, right?
|
6 |
+
[41.980 --> 44.120] Yes, there are.
|
7 |
+
[44.120 --> 48.400] Look and I can see we've got couple more partners in here, so they have a few friends
|
8 |
+
[48.400 --> 50.200] This looks very different.
|
9 |
+
[50.200 --> 51.720] It is different.
|
10 |
+
[51.720 --> 53.280] It's very nice.
|
11 |
+
[53.280 --> 55.720] Thanks.
|
12 |
+
[55.720 --> 58.400] Wow, I must say I'm very impressed.
|
13 |
+
[58.400 --> 59.560] You are very clean.
|
14 |
+
[59.560 --> 60.560] Did it have made come?
|
15 |
+
[60.560 --> 62.080] No.
|
16 |
+
[62.080 --> 65.000] Adrenaline makes me clean.
|
17 |
+
[65.000 --> 66.000] Congratulations.
|
18 |
+
[71.200 --> 72.440] I just want to talk to you.
|
19 |
+
[72.440 --> 74.680] And I'm so sorry about how things went the other night
|
20 |
+
[74.680 --> 76.040] when I saw you.
|
21 |
+
[76.040 --> 80.400] Just been so frustrated and I know you have been to in so many.
|
22 |
+
[80.400 --> 84.320] He said, she said, stupid rumors and this and that.
|
23 |
+
[84.320 --> 88.400] And I can swear to you on my life and to God
|
24 |
+
[88.400 --> 91.520] and to everything that I really had nothing to do with that.
|
25 |
+
[91.520 --> 93.480] But did Spencer?
|
26 |
+
[93.480 --> 96.720] I mean, I don't know if Spencer had anything to do with that.
|
27 |
+
[96.720 --> 97.880] You're lying to me.
|
28 |
+
[97.880 --> 98.880] I'm not lying.
|
29 |
+
[98.880 --> 102.000] If Spencer did anything, I'm sorry on his behalf.
|
30 |
+
[102.000 --> 103.200] I can't control Spencer.
|
31 |
+
[103.200 --> 104.680] I have nothing to do with the Spencer.
|
32 |
+
[104.680 --> 106.840] No, he did it, though, Heidi.
|
33 |
+
[106.840 --> 110.440] Don't look at me and tell me that you don't know because you know.
|
34 |
+
[110.440 --> 112.040] I think I had an idea what was going on.
|
35 |
+
[112.040 --> 114.080] I think that you know that Spencer did this.
|
36 |
+
[114.080 --> 116.200] I think you don't want to believe it because you love him.
|
37 |
+
[116.200 --> 119.520] And I understand that because sometimes when you love people,
|
38 |
+
[119.520 --> 121.840] you want to believe they're good.
|
39 |
+
[121.840 --> 123.120] Lauren, he's not bad.
|
40 |
+
[123.120 --> 124.640] He's not bad.
|
41 |
+
[124.640 --> 127.240] He did this to me and you want me to say he's a good person?
|
42 |
+
[127.240 --> 129.040] Yeah, but really?
|
43 |
+
[129.040 --> 132.920] I really, really wish you could know how bad it was.
|
44 |
+
[132.920 --> 134.440] I mean, I wish I could take it back.
|
45 |
+
[134.440 --> 136.800] You don't think that I miss you as a friend.
|
46 |
+
[136.800 --> 139.480] You don't think that I wish that none of this happened.
|
47 |
+
[139.480 --> 141.680] I had no idea anything was happening.
|
48 |
+
[141.680 --> 142.880] I really had no idea.
|
49 |
+
[142.880 --> 143.880] You did it.
|
50 |
+
[143.880 --> 146.320] Sometimes whether you did something or you did nothing,
|
51 |
+
[146.320 --> 147.800] it's just as bad.
|
52 |
+
[147.800 --> 149.000] I'm not Spencer.
|
53 |
+
[149.000 --> 151.640] And I can't control Spencer.
|
54 |
+
[151.640 --> 155.360] How can you hate someone so much that you literally
|
55 |
+
[155.360 --> 157.680] want to make them wish they were dead?
|
56 |
+
[157.680 --> 161.320] Spencer doesn't hate you.
|
57 |
+
[161.320 --> 162.760] I'm so sorry if this is the person.
|
58 |
+
[162.760 --> 164.320] I'm so sorry about all this.
|
59 |
+
[164.320 --> 168.720] I went around and made calls and made an effort to make sure
|
60 |
+
[168.720 --> 170.480] that everyone would hear these things about me.
|
61 |
+
[170.480 --> 173.600] This is the person that you want to marry
|
62 |
+
[173.600 --> 175.520] and spend the rest of your life with.
|
63 |
+
[175.520 --> 177.520] And you have to live with that.
|
64 |
+
[177.520 --> 179.760] Lauren, I love Spencer.
|
65 |
+
[179.760 --> 180.600] Good.
|
66 |
+
[180.600 --> 181.440] And I'm so sorry.
|
67 |
+
[181.440 --> 185.520] You really must love him to stick by him through all this.
|
68 |
+
[185.520 --> 187.960] I'm not saying Spencer's an angel.
|
69 |
+
[187.960 --> 189.200] Why didn't come here to fight with you?
|
70 |
+
[189.200 --> 189.800] I really didn't.
|
71 |
+
[189.800 --> 192.520] I just came here to say, I really am sorry for all
|
72 |
+
[192.520 --> 193.360] that you've been through.
|
73 |
+
[193.360 --> 196.280] And I'm so sorry for things that have happened this way.
|
74 |
+
[196.280 --> 197.720] And I really appreciate that.
|
75 |
+
[197.720 --> 199.320] It was really hard for you to apologize.
|
76 |
+
[199.320 --> 200.160] I understand that.
|
77 |
+
[200.160 --> 201.640] And I really do appreciate it.
|
78 |
+
[204.600 --> 207.840] But the only thing really that there is to do
|
79 |
+
[207.840 --> 211.120] is to forgive and forget.
|
80 |
+
[211.120 --> 212.000] So I really do.
|
81 |
+
[212.000 --> 214.840] I want to forgive you.
|
82 |
+
[214.840 --> 216.080] And I want to forget you.
|
83 |
+
[220.760 --> 221.600] Yeah.
|
84 |
+
[221.600 --> 223.160] Well, this is great seeing you.
|
85 |
+
[223.160 --> 224.400] You probably looks great.
|
86 |
+
[224.400 --> 225.840] And I hope you have a great life.
|
87 |
+
[225.840 --> 229.280] So have a great night, Lauren.
|
88 |
+
[260.280 --> 263.280] Cheers.
|
89 |
+
[263.280 --> 267.200] Give a lollywood.
|
90 |
+
[267.200 --> 268.200] Good trade, you.
|
91 |
+
[268.200 --> 270.400] Maybe I was really hurt by you, bro.
|
92 |
+
[270.400 --> 271.720] Trying to make me look bad.
|
93 |
+
[271.720 --> 273.000] Stephanie, get out of here.
|
transcript/reality_GEFDiQOVL9k.txt
ADDED
@@ -0,0 +1,83 @@
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|
1 |
+
[0.000 --> 4.000] Ladies and gentlemen, I am very excited about my musical guest tonight.
|
2 |
+
[4.000 --> 9.600] BTS, pause for screaming fans, because BTS isn't just a band.
|
3 |
+
[9.600 --> 12.400] They're a global phenomenon.
|
4 |
+
[12.400 --> 16.800] They've sold millions of albums. They've been streamed billions of times
|
5 |
+
[16.800 --> 20.400] and played du-pac stadiums all around the world. They're so influential.
|
6 |
+
[20.400 --> 24.000] They're the reason I got this haircut.
|
7 |
+
[24.000 --> 28.600] They've even helped spread trends from Korea, like this hand gesture right here, okay?
|
8 |
+
[28.600 --> 31.000] That little hand gesture, you see that? Hello?
|
9 |
+
[31.000 --> 35.000] Where you use your thumb and your index finger to create a tiny little heart, okay?
|
10 |
+
[35.000 --> 39.400] By the way, the only this part is the heart. If your heart has this part down here,
|
11 |
+
[39.400 --> 41.800] that's a problem. Seek help.
|
12 |
+
[41.800 --> 46.600] And tonight, I'm thrilled to announce that BTS has agreed to give a late show
|
13 |
+
[46.600 --> 51.800] an exclusive look at a whole bunch of new hand gestures that all the cool kids
|
14 |
+
[51.800 --> 54.600] are going to be using next. Jim?
|
15 |
+
[54.600 --> 57.400] Hi, this is Aaron from BTS.
|
16 |
+
[57.400 --> 63.400] A few years ago, we helped popularize finger hearts, a symbol that means love and affection.
|
17 |
+
[63.400 --> 66.600] But that's only what many popular gestures we use.
|
18 |
+
[66.600 --> 70.600] And tonight, me and the boys and BTS are going to teach you the rest.
|
19 |
+
[70.600 --> 72.600] What's going on?
|
20 |
+
[74.600 --> 80.200] Heart is just one of the important organs you can communicate with your fingers.
|
21 |
+
[80.200 --> 85.000] For example, this are Candace and
|
22 |
+
[85.000 --> 87.800] this is Long Intense.
|
23 |
+
[87.800 --> 92.200] This is a V, this is Storm and Name V,
|
24 |
+
[92.200 --> 95.800] but it also means Peace or even better.
|
25 |
+
[95.800 --> 99.800] If you add a finger, this is a pizza.
|
26 |
+
[99.800 --> 105.000] Looks delicious, but remember to not eat your fingers.
|
27 |
+
[105.000 --> 109.000] This one means I'm going out for a nice walk
|
28 |
+
[109.000 --> 111.800] and this means that I'm going for a run
|
29 |
+
[111.800 --> 115.800] and this means forget running. I just got a new pogostek.
|
30 |
+
[115.800 --> 117.000] And this means,
|
31 |
+
[117.000 --> 119.800] Help! That guy stole my pogostek!
|
32 |
+
[119.800 --> 121.800] This is a simple one.
|
33 |
+
[121.800 --> 127.000] This means, hey, you have some food on your face.
|
34 |
+
[127.000 --> 130.200] This one means, live long and prosper.
|
35 |
+
[130.200 --> 134.200] I invented it and Star Trek learned it from me.
|
36 |
+
[134.200 --> 135.800] How is that possible?
|
37 |
+
[135.800 --> 139.800] Because Star Trek takes place in the future.
|
38 |
+
[140.600 --> 143.800] This one is very helpful. It goes like this.
|
39 |
+
[152.600 --> 155.800] That means, the better is going to fate,
|
40 |
+
[155.800 --> 159.800] but important is your base coach.
|
41 |
+
[159.800 --> 161.800] I'm sure you already know.
|
42 |
+
[161.800 --> 164.800] Rock, paper, scissors.
|
43 |
+
[164.800 --> 166.800] But not a lot of people know.
|
44 |
+
[166.800 --> 170.800] There are other moves you can make like paper shredder
|
45 |
+
[170.800 --> 172.800] with this paper.
|
46 |
+
[172.800 --> 174.800] And then, Jamsa.
|
47 |
+
[174.800 --> 178.800] Everybody knows this one, which is giving a person
|
48 |
+
[178.800 --> 181.800] and money ears is cute.
|
49 |
+
[181.800 --> 184.800] But this is called the double bunny.
|
50 |
+
[184.800 --> 188.800] It's stronger, more powerful, dangerous.
|
51 |
+
[188.800 --> 192.800] Beware of double bunny, fear of double bunny.
|
52 |
+
[192.800 --> 195.800] For this one, you need two people.
|
53 |
+
[195.800 --> 197.800] One makes a TV set.
|
54 |
+
[197.800 --> 201.800] And the other one puts a little man inside.
|
55 |
+
[201.800 --> 204.800] It means, late night TV holds TV and Kobe.
|
56 |
+
[204.800 --> 206.800] But use this one carefully,
|
57 |
+
[206.800 --> 212.800] because it actually has the power to someone's TV and Kobe.
|
58 |
+
[212.800 --> 215.800] Hey, somebody call for me?
|
59 |
+
[215.800 --> 219.800] Nope. We are just showing people the hand gestures.
|
60 |
+
[219.800 --> 223.800] Dammit, Jim. Again, you know I have a shoulder knight.
|
61 |
+
[223.800 --> 226.800] I'm 16 hour plane ride back from Korea.
|
62 |
+
[226.800 --> 228.800] Sorry, Steven.
|
63 |
+
[228.800 --> 229.800] Repeat, say.
|
64 |
+
[229.800 --> 230.800] Come on.
|
65 |
+
[230.800 --> 234.800] And finally, this hand gesture is one of my favorites.
|
66 |
+
[234.800 --> 238.800] It means our new single butter is available now on streaming platforms
|
67 |
+
[238.800 --> 240.800] and in stores everywhere.
|
68 |
+
[240.800 --> 243.800] This butter looks delicious.
|
69 |
+
[243.800 --> 246.800] Oh, do not eat your fingers, Steven.
|
70 |
+
[253.800 --> 255.800] I'm not eating your fingers.
|
71 |
+
[255.800 --> 257.800] I'm not eating your fingers.
|
72 |
+
[257.800 --> 259.800] I'm not eating your fingers.
|
73 |
+
[259.800 --> 261.800] I'm not eating your fingers.
|
74 |
+
[261.800 --> 263.800] I'm not eating your fingers.
|
75 |
+
[263.800 --> 265.800] I'm not eating your fingers.
|
76 |
+
[265.800 --> 267.800] I'm not eating your fingers.
|
77 |
+
[267.800 --> 269.800] I'm not eating your fingers.
|
78 |
+
[269.800 --> 271.800] I'm not eating your fingers.
|
79 |
+
[271.800 --> 273.800] I'm not eating your fingers.
|
80 |
+
[273.800 --> 275.800] I'm not eating your fingers.
|
81 |
+
[275.800 --> 277.800] I'm not eating your fingers.
|
82 |
+
[277.800 --> 279.800] I'm not eating your fingers.
|
83 |
+
[279.800 --> 281.800] I'm not eating your fingers.
|
transcript/reality_K13aKgQP6DE.txt
ADDED
@@ -0,0 +1,44 @@
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[0.000 --> 16.720] Suscribe!
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[30.000 --> 32.240] I'm gonna go back to the
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[32.240 --> 34.240] next video.
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[34.240 --> 36.240] I'm gonna go back to the next video.
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[36.240 --> 38.240] I'm gonna go back to the next video.
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[38.240 --> 40.240] I'm gonna go back to the next video.
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[40.240 --> 42.240] I'm gonna go back to the next video.
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[42.240 --> 44.240] I'm gonna go back to the next video.
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[44.240 --> 46.240] I'm gonna go back to the next video.
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[46.240 --> 48.240] I'm gonna go back to the next video.
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[48.240 --> 50.240] I'm gonna go back to the next video.
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[50.240 --> 52.240] I'm gonna go back to the next video.
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[52.240 --> 54.240] I'm gonna go back to the next video.
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[54.240 --> 56.240] I'm gonna go back to the next video.
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[56.240 --> 58.240] I'm gonna go back to the next video.
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[58.240 --> 59.920] I'm gonna go back to the next video.
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[59.920 --> 61.920] I'm gonna go back to the next video.
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[61.920 --> 63.920] I'm gonna go back to the next video.
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[63.920 --> 65.920] I'm gonna go back to the next video.
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[65.920 --> 67.920] I'm gonna go back to the next video.
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[67.920 --> 69.920] I'm gonna go back to the next video.
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[69.920 --> 71.920] I'm gonna go back to the next video.
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[71.920 --> 73.920] I'm gonna go back to the next video.
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[73.920 --> 75.920] I'm gonna go back to the next video.
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[75.920 --> 77.920] I'm gonna go back to the next video.
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[77.920 --> 79.920] I'm gonna go back to the next video.
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[79.920 --> 81.920] I'm gonna go back to the next video.
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[81.920 --> 83.920] I'm gonna go back to the next video.
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[83.920 --> 85.920] I'm gonna go back to the next video.
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[85.920 --> 87.920] I'm gonna go back to the next video.
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[87.920 --> 89.920] I'm gonna go back to the next video.
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[89.920 --> 91.920] I'm gonna go back to the next video.
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[91.920 --> 93.920] I'm gonna go back to the next video.
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[93.920 --> 95.920] I'm gonna go back to the next video.
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[95.920 --> 97.920] I'm gonna go back to the next video.
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[97.920 --> 99.920] I'm gonna go back to the next video.
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[99.920 --> 101.920] I'm gonna go back to the next video.
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[101.920 --> 103.920] I'm gonna go back to the next video.
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[103.920 --> 105.920] I'm gonna go back to the next video.
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[105.920 --> 107.920] I'm gonna go back to the next video.
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[107.920 --> 109.920] I'm gonna go back to the next video.
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[109.920 --> 111.920] I'm gonna go back to the next video.
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[111.920 --> 113.920] I'm gonna go back to the next video.
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[113.920 --> 115.920] I'm gonna go back to the next video.
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transcript/reality_LoB0n8lMYQQ.txt
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1 |
+
[0.000 --> 2.000] Okay, please.
|
2 |
+
[2.000 --> 8.000] We pray for Prince Ali.
|
3 |
+
[8.000 --> 11.000] Live action Aladdin is hanging out in Turkey.
|
4 |
+
[11.000 --> 16.000] Who make way for Prince Ali because Saper seems to have become a laden?
|
5 |
+
[16.000 --> 17.000] Yes, it's true.
|
6 |
+
[17.000 --> 21.000] Corona seems to want Inki to do exactly what he was doing.
|
7 |
+
[21.000 --> 28.000] Dempsey seems to be the reasonable one and now and Statler just goes back and forth with the anxiety that seems to be kind of fleeting.
|
8 |
+
[28.000 --> 36.000] But first, let's get started with Josh and Lily who by all accounts seem to never be able to stop fighting.
|
9 |
+
[36.000 --> 39.000] But before we do that, make sure you comment, like, subscribe, hit the bell for notifications.
|
10 |
+
[39.000 --> 42.000] I definitely appreciate all the support.
|
11 |
+
[42.000 --> 48.000] Let's hop right in because Josh's brother has come to visit and they seem to not be able to get on the same page with anything.
|
12 |
+
[48.000 --> 54.000] Although Josh has not even tried to learn the language so it possibly could be a little bit of a language barrier.
|
13 |
+
[54.000 --> 55.000] But let's see where we're at.
|
14 |
+
[55.000 --> 62.000] I'm sure there's a dozen guys out there if not hundreds who would love to have somebody who take me away bring me to their house.
|
15 |
+
[62.000 --> 65.000] That's five stories with a glass elevator.
|
16 |
+
[65.000 --> 66.000] Man, card revoked.
|
17 |
+
[66.000 --> 67.000] My God.
|
18 |
+
[67.000 --> 75.000] This is the one he was talking about the whole time. He's like, I feel so like wrong because I can't make any money after getting on a visa where he can't work.
|
19 |
+
[75.000 --> 84.000] And now his brother's talking about how I swear there's like a dozen guys out here who would love to be swept away and just be a stay at home random gold digger person.
|
20 |
+
[84.000 --> 87.000] No, that is not the instinct of a man.
|
21 |
+
[87.000 --> 95.000] Now, I'm not saying that it doesn't ebb and flow sometimes and certainly the wife, woman, whoever, significant other can't work.
|
22 |
+
[95.000 --> 100.000] But at the same time, as a man, your instinct is to protect and care for your family.
|
23 |
+
[100.000 --> 103.000] So it's going against every instinct for Josh to not work.
|
24 |
+
[103.000 --> 106.000] Now, at the same time, he went over there and made that decision.
|
25 |
+
[106.000 --> 113.000] But it's an interesting comment from his brother to say all these men out there, yeah, and they'd be worthless man children like Josh's right.
|
26 |
+
[113.000 --> 116.000] So it's not really getting anywhere.
|
27 |
+
[116.000 --> 120.000] The fact is he claims he wants to work, but he probably is happy with the situation.
|
28 |
+
[120.000 --> 125.000] What bothers him is that she keeps talking about money and let's be frank.
|
29 |
+
[125.000 --> 129.000] She's not going to stop because it bothers her even though she agreed initially.
|
30 |
+
[129.000 --> 134.000] I'm hoping that I hope to kind of help our relationship a little bit.
|
31 |
+
[134.000 --> 135.000] What?
|
32 |
+
[135.000 --> 139.000] He may be able to explain things to Lily that I can't.
|
33 |
+
[139.000 --> 147.000] Because all the sudden he speaks Chinese or Mandarin, why the hell would you think your brother is going to be able to come over there and explain things that you can?
|
34 |
+
[147.000 --> 151.000] Dude, it's one thing to have your brother there for support. I get it. That's great that he's there.
|
35 |
+
[151.000 --> 157.000] But when you're like basically having him come over and expecting him to fix all the issues you have, your relationship's done.
|
36 |
+
[157.000 --> 164.000] It's over with. You might as well call it quits. You might as well leave that mansion with the elevator and say, well, we gave it a fighting shot.
|
37 |
+
[164.000 --> 173.000] Because it ain't going nowhere and all you're doing is trying to grasp it, straws right now and hold on to the meal ticket that you've ran into even though she makes you feel guilty for it.
|
38 |
+
[173.000 --> 181.000] You might as well go. Go back, get your man in card back, work, become a man again, and then maybe you have something to offer.
|
39 |
+
[181.000 --> 190.000] But right now you're just worthless. You're worthless. Yes, she gives you a hard time. Maybe that's kind of wrong, but at the same time, what are you contributing here?
|
40 |
+
[190.000 --> 196.000] Nothing. And I don't care that you can't because the fact is you should have had a plan for this to begin with.
|
41 |
+
[196.000 --> 201.000] Instead, you're over there. You're not bothering to learn the language. You're talking about communication issues.
|
42 |
+
[201.000 --> 210.000] If she was in the United States and she wasn't, didn't know any English, I'd say she should learn the language. However, she knows more English than you know Chinese.
|
43 |
+
[210.000 --> 212.000] Dude, get it together.
|
44 |
+
[212.000 --> 213.000] Money, money, money.
|
45 |
+
[213.000 --> 214.000] Okay.
|
46 |
+
[214.000 --> 215.000] Money, money, money.
|
47 |
+
[215.000 --> 222.000] When we meet, I know you poor people. You tell me you have no money.
|
48 |
+
[222.000 --> 226.000] When we meet, I know you'll poor people.
|
49 |
+
[226.000 --> 233.000] I mean, at least she's honest. She's like, I know you ain't have no money. But so she's trying to make the argument is that I already knew you didn't have any money.
|
50 |
+
[233.000 --> 236.000] But in reality, she does bring up the money issue a lot.
|
51 |
+
[236.000 --> 245.000] In here, she said, you know, dinner last night was 500. Now, how that translates to American, I don't know because I don't know how Chinese won.
|
52 |
+
[245.000 --> 250.000] I believe it's the one is when it comes to the exchange rate. I don't know.
|
53 |
+
[250.000 --> 260.000] But I'm sure it wasn't cheap, whatever the eight. So she does keep bringing up money. That being said, what do you think was going to happen when he was going to have to rely on someone else for money and not be able to work for like three years?
|
54 |
+
[260.000 --> 270.000] I mean, this was just inevitable. Now, she did know it. So I think in some level, she's okay with you not having a job, but not completely. And you're going to continue to deal with that.
|
55 |
+
[270.000 --> 277.000] You better get on the street there and try to do some under the table stuff on how that works in China. But you better find some some odd jobs or something.
|
56 |
+
[277.000 --> 281.000] But I do thank you for ruining Jared's life tonight.
|
57 |
+
[281.000 --> 292.000] Oh, wow, the last thing she says, look at his face. Look at his face. The last thing he says is thank you for ruining Jared's night tonight, sweetie.
|
58 |
+
[292.000 --> 303.000] Now, in her defense, she was doing exactly what Josh said he was trying to do, which was the brother come over and kind of try to help them work through some of these things.
|
59 |
+
[303.000 --> 314.000] That's what she was trying to do. I'd time to bring it up while they're driving, but she was she was trying to bring up some of these issues and be like, what's going on? What do you think? So really he doesn't have a leg to stand on there.
|
60 |
+
[314.000 --> 322.000] But the interesting part about this is the only way this relationship is going to change is if you improve communication and how do you improve communication?
|
61 |
+
[322.000 --> 332.000] You might want to start learning the language of the country you live in. Now learning Chinese or Mandarin, I don't know the you know the territories and where each one is spoken or how different they are.
|
62 |
+
[332.000 --> 340.000] I don't know, but I guarantee it's not an easy language. That being said, you've been with her for however long now.
|
63 |
+
[340.000 --> 358.000] You were separated for eight months before you actually came over there. So should you be fluent? No, but could you have learned some of it? And if you really cared or really were passionate about coming and living over there, you probably would have learned a little bit more than you know, because I have not heard you once speak to her in Chinese.
|
64 |
+
[358.000 --> 375.000] She's always speaking you in English and it's kind of impressive that she knows as much she does, but I'm not hearing you do the same. So if you really want to change something, then why don't you start actually showing that you care by learning her language as she has clearly done on some level.
|
65 |
+
[375.000 --> 385.000] Now, Sarper and she kind of continue to have problems considering the fact that now he's lying about things and he lies about the most simple things such as making a therapy appointment.
|
66 |
+
[385.000 --> 402.000] And it's clear what he's doing because you know, he gets really shift the eye and he kind of looks around. You can tell he's lying. The question is, why are you lying about something so petty? She comes back into the apartment and now all of a sudden you think it's a good idea to lie about the most petty thing? Probably not going to go well.
|
67 |
+
[402.000 --> 432.000] Did you really make a therapy appointment? Did you, but long, long pause. No. No, I did not. I am sorry. Like what the hell, man? Like, so he told her he did make a therapy appointment. Clearly, you know, when you hear him and see his body language when he was doing it before, when he actually said it, it looked like something was up. She knew immediately something was up. And then it's like, part of the point was that, you know, I'm sorry, I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry
|
68 |
+
[432.000 --> 442.560] I'm sorry. He ran over there and promised to me that I would have had me date down and there, as far as I could not even approach him because I wanted to know him I would have麻jored.
|
69 |
+
[442.560 --> 450.880] The war let me know how many years did I find as many options as possible. He wrote that messages by John Paycock to me. He wrote that book and then I even big win him chapter 3, and so I went through this hole.
|
70 |
+
[450.880 --> 455.560] How is this going to continue when your whole thing is I went, I did this big gesture of
|
71 |
+
[455.560 --> 460.920] throwing away my bottles, throwing away my black book of checkmarks which is weird.
|
72 |
+
[460.920 --> 465.000] But throw it all away, burned it, and then you're going to lie about something so petty.
|
73 |
+
[465.000 --> 468.040] Like this is not going to help your relationship.
|
74 |
+
[468.040 --> 474.340] And if you ever want trust, lying about the most minor of things, it's not good.
|
75 |
+
[474.340 --> 479.440] And it's just going to lead to what more major things are you lying about, sir?
|
76 |
+
[479.440 --> 481.440] I'm just saying maybe more and I just like to.
|
77 |
+
[481.440 --> 482.440] Ah, yeah.
|
78 |
+
[482.440 --> 488.840] I saw her face that hopeful look and I thought that it's because in a moment that I can say
|
79 |
+
[488.840 --> 489.840] pink lie.
|
80 |
+
[489.840 --> 492.840] What is a pink lie?
|
81 |
+
[492.840 --> 495.920] A pink lie is that supposed to be less than a white lie?
|
82 |
+
[495.920 --> 499.040] You know, white lies like a, oh, do I look fat in this dress?
|
83 |
+
[499.040 --> 501.120] No, that's what I say, a white lie is.
|
84 |
+
[501.120 --> 503.680] Now I would argue that even that is like just be honest.
|
85 |
+
[503.680 --> 509.320] I mean, maybe, you know, be honest about things all around because if you're not, it
|
86 |
+
[509.320 --> 511.000] just leads to bigger things.
|
87 |
+
[511.000 --> 517.240] But when a pink lie is this a, is this a translation issue or is that something he created?
|
88 |
+
[517.240 --> 521.440] So he's saying in the moment, I see her like this and I just think, oh, let me do this.
|
89 |
+
[521.440 --> 525.240] That is where you run into problems because if you will lie about something like that,
|
90 |
+
[525.240 --> 527.600] like the whole, it's just a white lie thing.
|
91 |
+
[527.600 --> 529.720] That's a myth if you're willing to lie.
|
92 |
+
[529.720 --> 533.480] If you have a problem with lying, that's just a myth because if you're willing to lie
|
93 |
+
[533.480 --> 537.360] about these minor things, what's going to happen if something major comes or something
|
94 |
+
[537.360 --> 541.280] you really don't want to tell somebody, you're going to lie about that too.
|
95 |
+
[541.280 --> 544.600] You're not going to lie about something so petty like making a therapy appointment and
|
96 |
+
[544.600 --> 548.520] then you're going to be honest about the major stuff like, I don't know, you lost a job
|
97 |
+
[548.520 --> 551.800] or you spend all the rent money on gambling at the casino.
|
98 |
+
[551.800 --> 556.040] I don't know what he does or, or you know, he's spent all his money on anabolic steroids.
|
99 |
+
[556.040 --> 557.040] That's probably it.
|
100 |
+
[557.040 --> 559.080] He's got to be honest with that about some point.
|
101 |
+
[559.080 --> 563.680] She might be okay with that, but you know, either way, the bigger lies are going to come.
|
102 |
+
[563.680 --> 564.680] Okay, please.
|
103 |
+
[564.680 --> 575.920] The most traditional live action Aladdin is hanging out in Turkey.
|
104 |
+
[575.920 --> 579.880] Who would have thought with his bride, she kind of, although she don't look much like
|
105 |
+
[579.880 --> 582.720] Jasmine, but hey, who am I to judge?
|
106 |
+
[582.720 --> 585.200] What the holy hell is this guy?
|
107 |
+
[585.200 --> 589.400] He goes on to say that the most traditional looks of the Ottoman Empire, let's see what
|
108 |
+
[589.400 --> 590.400] he says.
|
109 |
+
[590.400 --> 591.400] Let's see.
|
110 |
+
[591.400 --> 592.400] Look at the Ottoman Empire.
|
111 |
+
[592.400 --> 593.400] Okay.
|
112 |
+
[593.400 --> 597.080] So, the Sultan, see, is straight out of Aladdin.
|
113 |
+
[597.080 --> 603.320] If I didn't know any better, I'd say that was him minus the looking like Aladdin in
|
114 |
+
[603.320 --> 607.320] the face, but the outfit straight out of Aladdin.
|
115 |
+
[607.320 --> 608.320] What is he?
|
116 |
+
[608.320 --> 614.320] This guy, he may be a crap human being in a lot of aspects, but this guy needs his own
|
117 |
+
[614.320 --> 615.320] reality show.
|
118 |
+
[615.320 --> 618.000] I mean, just it's just entertainment value through the roof.
|
119 |
+
[618.000 --> 621.920] Not a great person in a relationship, but a entertainment value through the roof.
|
120 |
+
[621.920 --> 625.160] I'm angry in a situation.
|
121 |
+
[625.160 --> 627.600] So I want to change.
|
122 |
+
[627.600 --> 628.600] Okay.
|
123 |
+
[628.600 --> 631.880] But if you want to help me, you have to trust me.
|
124 |
+
[631.880 --> 637.640] Even if you find a girl, real girl in the closet, you have to trust me.
|
125 |
+
[637.640 --> 642.560] Even if you find a real girl in the closet, you have to trust me that it was by accident
|
126 |
+
[642.560 --> 645.280] is what he says, dude, dude.
|
127 |
+
[645.280 --> 646.280] You cannot be said.
|
128 |
+
[646.280 --> 648.240] I mean, you know what the sad part is?
|
129 |
+
[648.760 --> 652.640] He seems like he's joking because he's laughing, but I think he's serious.
|
130 |
+
[652.640 --> 656.640] Like if you ever find a girl in the closet, setting it up now, it's an accident.
|
131 |
+
[656.640 --> 661.280] It wasn't me that you got to trust me when I make up whatever lie excuse I do to try
|
132 |
+
[661.280 --> 662.280] to sell it.
|
133 |
+
[662.280 --> 663.280] You got to trust me.
|
134 |
+
[663.280 --> 664.480] I'm pretty sure he's serious.
|
135 |
+
[664.480 --> 665.920] And that needs to be an episode on here.
|
136 |
+
[665.920 --> 668.840] If they haven't, how much of this they're actually formulating.
|
137 |
+
[668.840 --> 672.400] If they haven't formulated that episode yet, they are missing a mark.
|
138 |
+
[672.400 --> 675.720] They're missing the mark because talk about ratings.
|
139 |
+
[675.720 --> 676.720] See in that crap.
|
140 |
+
[676.800 --> 680.480] Yeah, keeping the eyes on the TV will definitely happen.
|
141 |
+
[680.480 --> 682.800] The problem with them has always been trust.
|
142 |
+
[682.800 --> 685.920] The problem with them has always been stupid petty fights.
|
143 |
+
[685.920 --> 687.520] Now is it going to last?
|
144 |
+
[687.520 --> 689.280] No, it's not going to last.
|
145 |
+
[689.280 --> 691.560] But does it continue to be entertaining?
|
146 |
+
[691.560 --> 692.560] Absolutely.
|
147 |
+
[692.560 --> 697.360] And I will continue to watch Turkish Aladdin and, you know, want to be Kardashian all
|
148 |
+
[697.360 --> 700.320] day because it is just entertaining to the max.
|
149 |
+
[700.320 --> 701.600] So got to love it.
|
150 |
+
[701.600 --> 706.120] Now Corona seems to not have been happy with how her meeting to go to an Icelandic
|
151 |
+
[706.120 --> 710.360] college to be a midwife went, even though she never even considered that she might actually
|
152 |
+
[710.360 --> 715.040] have to know the language or, you know, might actually take a process to get into the school.
|
153 |
+
[715.040 --> 717.160] And now she's kind of bothered by that.
|
154 |
+
[717.160 --> 719.560] And how he reacts even bothers her more.
|
155 |
+
[719.560 --> 722.600] The problem is, is she justified in that?
|
156 |
+
[722.600 --> 726.840] Let's hear her logic when he's trying to say trying to calm, trying to soothe, trying
|
157 |
+
[726.840 --> 730.000] to be like, hey, you know, maybe it is something that happens slow.
|
158 |
+
[730.000 --> 731.760] Good things happen slow.
|
159 |
+
[731.760 --> 732.760] She doesn't take that well.
|
160 |
+
[732.920 --> 735.200] It's not like I got in the first time I applied.
|
161 |
+
[735.200 --> 736.200] Yeah.
|
162 |
+
[736.200 --> 738.360] Oh, took me years to get in.
|
163 |
+
[738.360 --> 738.880] OK.
|
164 |
+
[738.880 --> 740.600] I think I'm running out of patience.
|
165 |
+
[740.600 --> 741.360] OK.
|
166 |
+
[741.360 --> 745.720] It just, does she not have any self awareness?
|
167 |
+
[745.720 --> 748.880] She's sitting here saying it took her years to get into the States.
|
168 |
+
[748.880 --> 753.720] Finally, when she gets in, she all the sudden decides to up and move to Iceland for a guy
|
169 |
+
[753.720 --> 758.680] who seems to like her, but really wants to be more of a casual relationship, still trying
|
170 |
+
[758.680 --> 760.360] to get to know each other.
|
171 |
+
[760.360 --> 764.240] And you expect to just hop in and be like, oh, I finally got accepted to the school in
|
172 |
+
[764.240 --> 765.240] the States.
|
173 |
+
[765.240 --> 766.880] I'll get right accepted over here.
|
174 |
+
[766.880 --> 769.240] What kind of entitlement crap is that?
|
175 |
+
[769.240 --> 770.240] Lady.
|
176 |
+
[770.240 --> 771.240] You go over there.
|
177 |
+
[771.240 --> 773.120] I'm sure there's plenty of other people on a wait list for that.
|
178 |
+
[773.120 --> 777.480] And then when he doesn't react the way you want him to, it bothers you.
|
179 |
+
[777.480 --> 779.720] What kind of crap logic do you have here?
|
180 |
+
[779.720 --> 783.240] The smartest thing for you to do would have been to go at the school that you had been waiting
|
181 |
+
[783.240 --> 785.000] to get to and finish it there.
|
182 |
+
[785.000 --> 788.600] And if your relationship lasts, it'll last throughout your time in college.
|
183 |
+
[788.600 --> 792.160] And then maybe you can move over there and figure out how to be a midwife over there
|
184 |
+
[792.160 --> 795.120] once you go to college in the States or something of that nature.
|
185 |
+
[795.120 --> 798.960] Instead, you want to be mad because it's not going your way.
|
186 |
+
[798.960 --> 799.960] Serious problem.
|
187 |
+
[799.960 --> 805.280] There is a thin line between coming off very like chill and confident that things will
|
188 |
+
[805.280 --> 808.080] work out and just not giving a damn.
|
189 |
+
[808.080 --> 810.920] Oh, I don't need him to just tell me everything is going to be okay.
|
190 |
+
[810.920 --> 811.920] Oh, okay.
|
191 |
+
[811.920 --> 813.920] And he told me how it's going to be okay.
|
192 |
+
[813.920 --> 815.200] What plans can we make?
|
193 |
+
[815.200 --> 816.200] What can we do?
|
194 |
+
[816.200 --> 817.200] Because.
|
195 |
+
[817.200 --> 818.200] He did.
|
196 |
+
[818.200 --> 819.200] He told you what you could do.
|
197 |
+
[819.200 --> 820.440] You know what he told you?
|
198 |
+
[820.440 --> 822.360] You can work at a hospital as a nurse.
|
199 |
+
[822.360 --> 823.360] You can maybe two years.
|
200 |
+
[823.360 --> 824.600] You can keep rolling with it.
|
201 |
+
[824.600 --> 825.600] You can get in there.
|
202 |
+
[825.600 --> 827.040] It's not going to be that long.
|
203 |
+
[827.040 --> 828.480] That's what he told you.
|
204 |
+
[828.480 --> 830.080] What else do you want him to do to fix it?
|
205 |
+
[830.080 --> 834.160] You want him to tell you that he can bribe the official to get you in there when you don't
|
206 |
+
[834.160 --> 836.160] understand the language?
|
207 |
+
[836.160 --> 840.280] Well, he did exactly what you want him to do.
|
208 |
+
[840.280 --> 844.360] You have a serious problem because you're not, you're just lying.
|
209 |
+
[844.360 --> 846.000] You're saying, I want him to do this.
|
210 |
+
[846.000 --> 847.000] He does it.
|
211 |
+
[847.000 --> 848.640] He even do what I wanted to do.
|
212 |
+
[848.640 --> 849.960] What kind of crap is that?
|
213 |
+
[849.960 --> 854.880] You're just bitter because it didn't go exactly how you had it in your head, which was not
|
214 |
+
[854.880 --> 858.480] the smart thing because even you said, I didn't read too deep because you know, it was in
|
215 |
+
[858.480 --> 859.480] nice land.
|
216 |
+
[859.480 --> 862.000] So, you know, I thought it was okay.
|
217 |
+
[862.000 --> 863.320] But guess what?
|
218 |
+
[863.320 --> 866.440] You probably should have done a little bit more research when you're talking about operating
|
219 |
+
[866.440 --> 870.880] your whole life to do something that you've wanted to do your whole life and thinking
|
220 |
+
[870.880 --> 872.120] it would just go okay.
|
221 |
+
[872.120 --> 876.360] You think you would have really looked into that to make sure everything would have been
|
222 |
+
[876.360 --> 878.600] laid out and happened the way you thought it would.
|
223 |
+
[878.600 --> 880.840] So you wouldn't have any surprises like this.
|
224 |
+
[880.840 --> 883.440] And now you're going to take it out on your boyfriend.
|
225 |
+
[883.440 --> 885.480] Yeah, that's not going to end well.
|
226 |
+
[885.480 --> 887.680] And this is why the relationship is not going to last.
|
227 |
+
[887.680 --> 889.480] I'm surprised it's lasted this long.
|
228 |
+
[889.480 --> 891.280] And we haven't seen them as much.
|
229 |
+
[891.280 --> 894.760] And that might be because there wasn't as much a footage to shoot because maybe she was
|
230 |
+
[894.760 --> 896.680] only there for a couple of weeks.
|
231 |
+
[896.680 --> 899.320] So it's going to be interesting to see how it actually plays out.
|
232 |
+
[899.320 --> 900.880] I don't see how she's going to stay there.
|
233 |
+
[900.880 --> 902.400] She's going to want to go to her school.
|
234 |
+
[902.400 --> 903.840] He's going to be fed up with the crap.
|
235 |
+
[903.840 --> 905.480] And they're not going to last.
|
236 |
+
[905.480 --> 907.520] So that's about how it's going to finish.
|
237 |
+
[907.520 --> 911.000] But probably they'll length it out to the end of the season.
|
238 |
+
[911.000 --> 912.920] Fun though, tons of fun.
|
239 |
+
[912.920 --> 917.120] Stattler and Dempsey seem to not be able to get past two days without fighting because
|
240 |
+
[917.120 --> 919.240] they're stuck in a van.
|
241 |
+
[919.240 --> 920.720] Stattler doesn't want to be there.
|
242 |
+
[920.720 --> 922.440] Dempsey's trying to enjoy the fun.
|
243 |
+
[922.440 --> 926.720] And Stattler wants to hide behind her quote unquote anxiety when it's always an excuse
|
244 |
+
[926.720 --> 930.440] of well, if you see me getting there, then maybe just don't mess with me.
|
245 |
+
[930.440 --> 932.760] But she gets there with anything she decides.
|
246 |
+
[932.760 --> 937.120] And then sometimes she doesn't like, it's magical how Dempsey wasn't on the plane.
|
247 |
+
[937.120 --> 943.320] And she was okay with that in a tube, you know, 30,000 feet or whatever planes fly at.
|
248 |
+
[943.320 --> 944.800] And you know, she's okay with that.
|
249 |
+
[944.800 --> 946.680] Not super like freaking out on the plane.
|
250 |
+
[946.680 --> 950.840] But when she's on a boat, which, you know, you got a chance on a boat because you can
|
251 |
+
[950.840 --> 955.080] tread water, then yet she's freaking out in front of Dempsey.
|
252 |
+
[955.080 --> 956.560] Seems a little convenient to me.
|
253 |
+
[956.560 --> 958.560] And you reaching the point of.
|
254 |
+
[958.560 --> 959.560] Yeah.
|
255 |
+
[959.560 --> 961.080] I'm over my limit.
|
256 |
+
[961.080 --> 962.080] Oh.
|
257 |
+
[962.080 --> 963.080] Yeah.
|
258 |
+
[963.080 --> 966.120] Maybe not the time to come and try to talk to me and figure it out.
|
259 |
+
[966.120 --> 969.120] And I need you to not be offended by it.
|
260 |
+
[969.120 --> 970.120] Okay.
|
261 |
+
[970.120 --> 971.200] You don't get to say that.
|
262 |
+
[971.200 --> 977.840] Like, you don't get to be just extremely off-putting and rude as Dempsey tells her and then
|
263 |
+
[977.840 --> 981.960] say, I need you to not be offended by that.
|
264 |
+
[981.960 --> 986.960] I need you to just accept my mean girl tactics.
|
265 |
+
[986.960 --> 989.400] I'm going to need that from you.
|
266 |
+
[989.400 --> 993.440] I don't know where the entitlement comes from for real.
|
267 |
+
[993.440 --> 997.920] But you know, now I know why none of your relationships worked out because, uh, full display.
|
268 |
+
[997.920 --> 1000.120] Come in and try to talk to you and you.
|
269 |
+
[1000.120 --> 1001.120] Oh, okay.
|
270 |
+
[1001.120 --> 1003.120] But pass the point of no return.
|
271 |
+
[1003.120 --> 1004.120] What?
|
272 |
+
[1004.120 --> 1008.560] I'm sorry for coming and talk to you when you were past the point of no return.
|
273 |
+
[1008.560 --> 1012.400] She was rude to her that whole time telling her, basically, leave me alone.
|
274 |
+
[1012.400 --> 1013.400] I'm looking at the horizon.
|
275 |
+
[1013.400 --> 1015.600] I'm doing all this and she's like, what is going on here?
|
276 |
+
[1015.600 --> 1017.640] This is ridiculous how quickly it's flipped.
|
277 |
+
[1017.640 --> 1021.160] Yeah, I'm sorry for coming to talk to you past the point of no return.
|
278 |
+
[1021.160 --> 1025.800] I hate to break it to you, but there is going to be a bunch of convenient points of no
|
279 |
+
[1025.800 --> 1026.960] return with statler.
|
280 |
+
[1026.960 --> 1031.960] Anytime she's a little upset, it's going to be a panic attack and the point of no return.
|
281 |
+
[1031.960 --> 1035.920] She uses that as an excuse to be not, not so nice.
|
282 |
+
[1035.920 --> 1039.680] You know, I could say some choice words, but I'm not going to, but to be a mean girl,
|
283 |
+
[1039.680 --> 1041.080] in essence, she uses it.
|
284 |
+
[1041.080 --> 1043.760] It's an excuse with uncomfortable.
|
285 |
+
[1043.760 --> 1047.600] Maybe she has some mild anxiety, but in reality, she's using it as an excuse.
|
286 |
+
[1047.600 --> 1052.960] It's great that Dempsey gets over conflict really quickly, but in order for this to work,
|
287 |
+
[1052.960 --> 1057.520] I need someone who is going to be able to handle my panic attacks.
|
288 |
+
[1057.520 --> 1058.520] Oh, really?
|
289 |
+
[1058.520 --> 1061.080] Because my anxiety isn't something that's just going to go away.
|
290 |
+
[1061.080 --> 1062.080] Okay.
|
291 |
+
[1062.080 --> 1066.520] I need her to be supportive in such a different way, or else this isn't going to work out.
|
292 |
+
[1066.520 --> 1067.520] She's not my person.
|
293 |
+
[1067.520 --> 1068.880] Do you see what she did there?
|
294 |
+
[1068.880 --> 1071.040] She completely flipped it.
|
295 |
+
[1071.040 --> 1075.520] After Dempsey had apologized and said, I'll try to be more noticing of when you're at
|
296 |
+
[1075.520 --> 1076.520] that point.
|
297 |
+
[1076.520 --> 1081.000] She flipped it and is now saying, well, if she's not going to do this, I don't know if
|
298 |
+
[1081.000 --> 1085.360] I, if she can't accept me, you know, my anxiety is not going away or anything like that.
|
299 |
+
[1085.360 --> 1087.360] No, because you use it as an excuse.
|
300 |
+
[1087.360 --> 1091.000] And if she can't accept that and be supportive, then I don't know if she's not my person.
|
301 |
+
[1091.000 --> 1094.160] I'm like, you are never going to have a person.
|
302 |
+
[1094.160 --> 1097.360] If she's willing to stick it out with you, you better stick with her or you're going to
|
303 |
+
[1097.360 --> 1098.680] be alone forever.
|
304 |
+
[1098.680 --> 1103.360] Because this crap you're doing right here just ain't going to fly with 99% of people.
|
305 |
+
[1103.360 --> 1106.840] And then when you take it really quick, act like you're like, it's just crazy how she
|
306 |
+
[1106.840 --> 1108.600] was going to leave me and all that.
|
307 |
+
[1108.600 --> 1110.960] And then as soon as she's like, okay, I'm sorry, I'll try to do better.
|
308 |
+
[1110.960 --> 1112.680] Which she had no reason to apologize.
|
309 |
+
[1112.680 --> 1115.880] Then you flip it and say, well, I don't know if I can be with her.
|
310 |
+
[1115.880 --> 1116.880] You know what that is?
|
311 |
+
[1116.880 --> 1121.320] That's you taking the upper hand and basically like, well, maybe I'll leave you first.
|
312 |
+
[1121.320 --> 1122.840] Ha ha.
|
313 |
+
[1122.840 --> 1125.120] Like does that seem like a healthy relationship?
|
314 |
+
[1125.120 --> 1126.120] No.
|
315 |
+
[1126.120 --> 1128.120] Dempsey needs to get the hell away from this chick.
|
316 |
+
[1128.120 --> 1130.040] I'm telling you right now because she crazy.
|
317 |
+
[1130.040 --> 1131.920] I mean, look, she crazy.
|
318 |
+
[1131.920 --> 1133.040] That's a crazy face right there.
|
319 |
+
[1133.040 --> 1134.880] That is a crazy face.
|
320 |
+
[1134.880 --> 1135.880] Get out now.
|
321 |
+
[1135.880 --> 1137.880] Now we're love for one another.
|
322 |
+
[1137.880 --> 1139.560] It's got us this far.
|
323 |
+
[1139.560 --> 1143.160] And the problems that we've had, we've worked through it.
|
324 |
+
[1143.160 --> 1144.160] Nope.
|
325 |
+
[1144.160 --> 1146.400] I'm not ready to put plans into place.
|
326 |
+
[1146.400 --> 1147.400] Nope.
|
327 |
+
[1147.400 --> 1148.920] But yeah, I would like to get married.
|
328 |
+
[1148.920 --> 1150.080] Oh, dude.
|
329 |
+
[1150.080 --> 1151.080] Nope.
|
330 |
+
[1151.080 --> 1152.080] No, no, no, no.
|
331 |
+
[1152.080 --> 1155.160] And see, now she has already let it go.
|
332 |
+
[1155.160 --> 1157.480] And then saying, yeah, we can work through things.
|
333 |
+
[1157.480 --> 1158.720] No, you can't.
|
334 |
+
[1158.720 --> 1160.080] You apologize.
|
335 |
+
[1160.080 --> 1163.560] She gave you a half ass apology because she was like afraid you were actually going to
|
336 |
+
[1163.560 --> 1164.560] walk.
|
337 |
+
[1164.560 --> 1165.560] Wouldn't even a real apology.
|
338 |
+
[1165.560 --> 1166.560] And you came back and were like, look, I'm sorry.
|
339 |
+
[1166.560 --> 1168.400] I tried to do better or more genuine apology.
|
340 |
+
[1168.400 --> 1171.160] And then she quickly flipped it in an interview and said, I don't know what I'm going to
|
341 |
+
[1171.160 --> 1172.160] be with her.
|
342 |
+
[1172.160 --> 1176.640] And yet here she is saying, well, I just, yeah, I could see getting married and everything.
|
343 |
+
[1176.640 --> 1177.640] No.
|
344 |
+
[1177.640 --> 1179.160] Run for your damn life.
|
345 |
+
[1179.160 --> 1180.160] Take your van.
|
346 |
+
[1180.160 --> 1181.160] Enjoy your time.
|
347 |
+
[1181.160 --> 1182.720] Meet some cool people.
|
348 |
+
[1182.720 --> 1183.880] Meet some friends.
|
349 |
+
[1183.880 --> 1189.960] And drop her like a sack of potatoes because damn, you are up for some misery in life.
|
350 |
+
[1189.960 --> 1193.800] It's reassuring to hear that Dempsey is excited about marriage.
|
351 |
+
[1193.800 --> 1194.800] OK.
|
352 |
+
[1194.800 --> 1200.200] But it's also a lot to think about because you know, we are having some speed bumps.
|
353 |
+
[1200.200 --> 1202.280] You're the speed bump.
|
354 |
+
[1202.280 --> 1204.200] Y'all aren't having speed bumps.
|
355 |
+
[1204.200 --> 1205.920] You are the speed bump.
|
356 |
+
[1205.920 --> 1211.760] You are the problem that this is the zero self awareness show I swear.
|
357 |
+
[1211.760 --> 1215.600] There's one person in every couple who has absolutely no self awareness doesn't know
|
358 |
+
[1215.600 --> 1219.280] how to handle themselves and just tries to blame everyone else.
|
359 |
+
[1219.280 --> 1222.000] He's the one statler is the one.
|
360 |
+
[1222.000 --> 1226.240] You are the problem until you accept that and start to actually work on yourself and
|
361 |
+
[1226.240 --> 1229.920] actually come off as genuine and be like, look, I'm sorry for the way I treated you and
|
362 |
+
[1229.920 --> 1230.920] everything like that.
|
363 |
+
[1230.920 --> 1231.920] I really didn't mean it.
|
364 |
+
[1231.920 --> 1233.760] I was a little uncomfortable.
|
365 |
+
[1233.760 --> 1235.440] Then OK, you can work through that.
|
366 |
+
[1235.440 --> 1238.520] But no, you're, I don't know if I can be with her because she didn't accept my massive
|
367 |
+
[1238.520 --> 1244.560] anxiety that's, you know, if not completely fake is a little bit fake, you know, because
|
368 |
+
[1244.560 --> 1245.640] you're a little bit uncomfortable.
|
369 |
+
[1245.640 --> 1250.840] You're hiding behind the, the saying of I have anxiety, the diagnosis of anxiety is
|
370 |
+
[1250.840 --> 1255.100] too common these days for that crap and it's too convenient for her for me to think it's
|
371 |
+
[1255.100 --> 1256.100] genuine.
|
372 |
+
[1256.100 --> 1260.520] So run for your life, Debsy for sure.
|
373 |
+
[1260.520 --> 1263.200] But there you, I don't know, we will see.
|
374 |
+
[1263.200 --> 1264.200] I don't know.
|
375 |
+
[1264.200 --> 1267.720] All I know is if there's compromise, it ain't going to be on statlers and it's going to
|
376 |
+
[1267.720 --> 1271.720] be on Debsy's end and that is sad because she's the happy, go lucky person that is going
|
377 |
+
[1271.720 --> 1274.440] to be miserable trying to make it work.
|
378 |
+
[1274.440 --> 1279.000] So let's hope for the best, but we'll see.
|
379 |
+
[1279.000 --> 1281.160] None of these couples are doing well.
|
380 |
+
[1281.160 --> 1285.680] All it is good for is entertainment value because the fact is is we are not seeing a whole
|
381 |
+
[1285.680 --> 1289.280] lot of progress in any of these relationships.
|
382 |
+
[1289.280 --> 1292.520] But you never know, we got a few, if you episodes left I'm sure.
|
383 |
+
[1292.520 --> 1294.000] So we'll see what happens.
|
384 |
+
[1294.000 --> 1295.000] Thank you for joining me.
|
385 |
+
[1295.000 --> 1297.280] Make sure you comment, like, subscribe, hit the bell for notifications.
|
386 |
+
[1297.280 --> 1299.560] I appreciate the support and I will see y'all next time.
|
transcript/reality_Mh47wWr_Hbw.txt
ADDED
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1 |
+
[0.000 --> 7.000] Hello friends, I'm your Vitamita Benjamin girl. Are you tired, run down, listless? Do you poop out at parties?
|
2 |
+
[10.000 --> 14.000] Are you unpopular? The answer to all your problems is in this little bottle.
|
3 |
+
[15.000 --> 16.000] Now you pick up the bottle.
|
4 |
+
[17.000 --> 19.000] Oh, little higher. That's right.
|
5 |
+
[20.000 --> 24.000] The answer to all your problems is in this little bottle. Vitamita Benjamin.
|
6 |
+
[24.000 --> 29.000] Vitamita Benjamin contains vitamins, meat, vegetables and minerals.
|
7 |
+
[30.000 --> 33.000] Yes, with Vitamita Benjamin, you can spoon your way to hell.
|
8 |
+
[34.000 --> 36.000] All you do is take a tablespoonful after every meal.
|
9 |
+
[37.000 --> 38.000] Now you take some.
|
10 |
+
[42.000 --> 43.000] It's so tasty too.
|
11 |
+
[55.000 --> 57.000] It's just like candy.
|
12 |
+
[60.000 --> 68.000] No, no, no, no. Look, you're supposed to like the stuff. You've got to smile. Be happy. I'll try it again.
|
13 |
+
[75.000 --> 76.000] It's so tasty too.
|
14 |
+
[76.000 --> 77.000] It's just like candy.
|
15 |
+
[78.000 --> 79.000] Nope, once more.
|
16 |
+
[92.000 --> 94.000] It's so tasty too.
|
17 |
+
[97.000 --> 98.000] It's just like candy.
|
18 |
+
[99.000 --> 101.000] That's going to be fine. You just go ahead.
|
19 |
+
[104.000 --> 105.000] Okay.
|
20 |
+
[107.000 --> 116.000] So why don't you join the thousands of happy-peppy people and get a great big bottle of Vitamita Benjamin tomorrow? That's Vitamita Benjamin.
|
21 |
+
[129.000 --> 137.000] Well, this is easy. Yeah, we can handle this, okay?
|
22 |
+
[137.000 --> 138.000] Okay?
|
23 |
+
[157.000 --> 159.000] Listen, I don't like it. I think it's...
|
24 |
+
[164.000 --> 166.000] I think we're fighting on the game.
|
25 |
+
[167.000 --> 169.000] I think we're fighting on the game.
|
26 |
+
[187.000 --> 188.000] Here she comes.
|
27 |
+
[198.000 --> 199.000] Fine, you're doing splendidly.
|
28 |
+
[208.000 --> 210.000] Split it up a little.
|
29 |
+
[228.000 --> 230.000] I'm going to do it.
|
30 |
+
[237.000 --> 240.000] Good morning, sir. What can I get started for you today?
|
31 |
+
[241.000 --> 242.000] It's a passion set.
|
32 |
+
[242.000 --> 243.000] What's that?
|
33 |
+
[245.000 --> 247.000] Three empty lots.
|
34 |
+
[247.000 --> 249.000] Would you care for a pastry?
|
35 |
+
[252.000 --> 253.000] Moka.
|
36 |
+
[253.000 --> 255.000] Three Moka lattes.
|
37 |
+
[258.000 --> 260.000] Double chocolate chip muffin.
|
38 |
+
[260.000 --> 261.000] Yep.
|
39 |
+
[266.000 --> 269.000] You had three palm-and-cartney CDs.
|
40 |
+
[269.000 --> 273.000] I love the Beatles' taste for my life.
|
41 |
+
[274.000 --> 275.000] Something.
|
42 |
+
[278.000 --> 280.000] Assassination. Hey, for him Lincoln!
|
43 |
+
[281.000 --> 284.000] You and me, gone.
|
44 |
+
[284.000 --> 285.000] Shoot.
|
45 |
+
[287.000 --> 288.000] Three shots.
|
46 |
+
[288.000 --> 290.000] Hello.
|
47 |
+
[290.000 --> 292.000] I'm a little slow down there.
|
48 |
+
[293.000 --> 296.000] Alright, so three lattes, three Moka lattes.
|
49 |
+
[296.000 --> 299.000] Double chocolate chip muffin and three shots.
|
50 |
+
[299.000 --> 301.000] No assassinations.
|
51 |
+
[301.000 --> 303.000] Oh, and three palm-and-cartney CDs.
|
52 |
+
[304.000 --> 306.000] That's going to be 68-12.
|