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----- |
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--- 115860585 |
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This thread is for the discussion of music in the Western classical tradition. |
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>How do I get into classical? |
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This link has resources including audio courses, textbooks and selections of recordings to help you start to understand and appreciate classical music: |
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https://pastebin.com/NBEp2VFh |
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Old >>115748160 → |
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--- 115860807 |
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Let's settle it once and for all: |
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Who is the best conductor for Mahler? If you could have only one for his entire corpus. |
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--- 115861005 |
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>>115860807 |
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mahler himself, dumbass |
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--- 115862040 |
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>>115861005 |
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Yeah let me just whip out the recordings of Mahler. |
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--- 115862141 |
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>>115860807 |
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Walter. |
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--- 115862220 |
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>>115862040 |
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sure. |
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https://www.youtube.com/watch?v=uHP46f_ClCc [Embed] |
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--- 115862253 |
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>>115862220 |
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Nothing like a piano reduction of a symphony, aye? |
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--- 115862264 |
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>>115862253 |
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should have said more than just "recordings of mahler" and "best conductor" if you wanted someone who had recordings of their conducting, condescending faggot. |
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--- 115862295 |
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>>115862264 |
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Yeah it's not like I didn't already specify conducting. How about I condescend to your fucking fat mother's vagina? |
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--- 115862297 |
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>>115862295 |
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specified it the first time, not the second. cry about it. |
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--- 115862330 |
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>>115860807 |
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If I could keep only one set, it would probably be Gielen's. |
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--- 115862345 |
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>>115862330 |
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incredible stupidity |
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--- 115862529 |
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>>115862297 |
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What the fuck? You got caught being retarded and you’re trying to weasel out of it. How do you know that Mahler was the best conductor of Mahler even? I mean we can assume, but it’s not like you’ve seen him doing it. Anon called you out for bullshit and now you’re trying to get out of it by posting a recording of… not conducting? Fucking retard lol |
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--- 115862531 |
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Granados |
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https://www.youtube.com/watch?v=7dEIIihn-Ds [Embed] |
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--- 115862610 |
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>>115862529 |
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>How do you know that Mahler was the best conductor of Mahler even? |
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a very reasonable assumption based on his own interpretation of his music. it takes little imagination to extrapolate how the most important opera conductor of vienna at the turn of the century might have sounded just based off his own sloppy piano playing. such an idiot. |
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--- 115862924 |
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Rachmaninoff's vespers is the greatest sacred music work ever written |
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https://www.youtube.com/watch?v=XfDreatXYeU [Embed] |
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--- 115863630 |
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>>115862220 |
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>>115862264 |
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>>115862264 |
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>>115861005 |
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least retarded /mu/ user |
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>>115860807 |
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Walter |
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--- 115863641 |
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>>115863630 |
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most retarded idiot |
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--- 115863875 |
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Bach |
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https://youtu.be/GeLr4at9kq8?t=573 [Embed] |
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--- 115865275 |
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speaking of Walter why did no one ever rec me his 1956 recording of Mozart's requiem, it's incredible |
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--- 115867192 |
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Handel |
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https://www.youtube.com/watch?v=MMt1hkkiSv8 [Embed] |
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--- 115867866 |
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How does this make you feel? |
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https://www.youtube.com/watch?v=5UD9naHajk8 [Embed] |
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--- 115868667 |
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mozart |
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https://www.youtube.com/watch?v=h71c4u_95P8 [Embed] |
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--- 115869287 |
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>>115868667 |
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God the fortepiano sounds so fucking ugly |
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--- 115869371 |
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>>115867866 |
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>sad tim pool |
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--- 115869381 |
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>>115867192 |
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/classical/ frequently gets filtered by Handel |
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--- 115870853 |
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"[Handel] is the only person I would wish to see before I die, and the only person I would wish to be, were I not Bach." - J. S. Bach |
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And when Mozart heard this: |
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"Truly, I would say the same myself if I were permitted to put in a word" |
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"Handel understands effect better than any of us -- when he chooses, he strikes like a thunderbolt... though he often saunters, in the manner of his time, this is always something there." - Mozart |
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Upon hearing the 'Hallelujah Chorus' from Messiah, Joseph Haydn is said to have "wept like a child" and exclaimed: "He is the master of us all." |
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"Handel is the greatest composer that ever lived... I would uncover my head and kneel down on his tomb." - Beethoven |
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Beethoven, when asked to name the greatest composer ever, he is said to have responded: "Handel, to him I bow the knee." |
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In 1819, Beethoven told Archduke Rudolph: "not to forget Handel's works, as they always offer the best nourishment for your ripe musical mind, and will at the same time lead to admiration for this great man." |
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"Händel is the greatest and ablest of all composers; from him I can still learn." - Beethoven on his deathbed |
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--- 115872519 |
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>>115868667 |
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>Gardiner |
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Talentless hack. |
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--- 115873223 |
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>>115870853 |
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>The prosecutors have built an astonishing record. Several of Handel's works consist largely - in extreme cases, almost entirely - of systematic "borrowings", as they are euphemistically called. Israel in Egypt is among them. Of its twenty-eight choruses, eleven were based on pieces by other composers, some of them practically gobbled up whole. Three of the plagues choruses were based on a single cantata by Alessandro Stradella, a Roman composer whose music Handel encountered during his prentice years. |
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>More recently it has been discovered that no fewer than seven major works composed between 1733 and 1738 draw extensively on the scores of three old operas by Alessandro Scarlatti that Handel had borrowed from Jennens. |
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>Perhaps Handel's most brazen appropriation involved the "Grand Concertos" (concerti grossi), op. 6. They were composed in september and october of 1739 and rely heavily for thematic ideas on harpsichord compositions by Domenico Scarlatti, which had been published in London the year before. |
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>One of his critics was Johann Mattheson who openly and angrily accused Handel of copping a melody from one of his operas. Another was Jennens, who wrote to a friend that he had just received a shipment of music from Italy, and that "Handel has borrow'd a dozen of the pieces & I dare say I shall catch him stealing from them; as I have formerly, both from Scarlatti & Vinci". |
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>Sure enough, Handel rewrote the passages he had borrowed for his own recent operas so as to obscure his indebtedness to Vinci's. If the old defense - that borrowing carried no stigma - were correct, there would have been no reason for Handel to cover his tracks. And that may also explain why, of all the borrowings securely imputed to him, Handel altered the ones he made from Domenico Scarlatti the most. It may well have been because, of all the music he borrowed, Scarlatti's keyboard pieces were most likely to be recognized by the members of his own public |
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--- 115874398 |
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Piazzolla |
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https://www.youtube.com/watch?v=uQNHMUWASxE [Embed] |
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--- 115876488 |
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bump |
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--- 115876522 |
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Mikrokosmos arrived. The stuff at the very start is simpler than the etudes I've been messing with yesterday, but I'll play through everything at least once or twice in tempo. |
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--- 115878766 |
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>>115863875 |
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happy christmas to you too |
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--- 115880209 |
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>>115872519 |
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I like most of his vocal recordings. |
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--- 115880764 |
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>>115860807 |
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Abbado |
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--- 115880834 |
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>>115880764 |
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repugnant refuse |
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--- 115881186 |
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>>115860807 |
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Chailly. Haitink 2nd. |
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--- 115881582 |
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If I like a song and find out it's part of a 40 minute sonata, am I fucked or are there shorter versions for parts? |
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I might just cut/fade it. |
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--- 115881608 |
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>>115881582 |
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not sure what this has to do with /classical/, maybe try >>>/mu/ instead? |
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--- 115881694 |
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>>115881608 |
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>typing like he's on a phone |
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Very classical of you. |
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--- 115881703 |
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>>115881694 |
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not sure what this has to do with /classical/, maybe try >>>/mu/ instead? |
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--- 115883387 |
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Schumann |
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https://www.youtube.com/watch?v=PYlI5bQycHQ [Embed] |
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--- 115883968 |
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I am somewhat new to classical, and when I go to concerts I notice my attention is slipping frequently. My thoughts just wander off and I don't actively follow the music. |
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Is this normal? |
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Also I noticed that I seem to focus on the music better when I close my eyes, so I stop trying to follow the orchestra visually and just let myself be "surprised" by music. |
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Is this autism? |
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--- 115884052 |
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>>115883968 |
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not a trve classical nerd like most here, but similar experiences for both |
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--- 115884944 |
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>>115869381 |
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Normalfag but I usually listen to Messiah multiple times every year. |
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https://www.youtube.com/watch?v=2-QV_I-xseA [Embed] |
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>>115872519 |
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He did my favorite Figaro recording by far. |
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https://www.youtube.com/watch?v=fxm0lkoSMU4 [Embed] |
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And speaking of Bryn Terfel, I really like (((Mendelssohn's Elijah))) |
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https://www.youtube.com/watch?v=55iQWao-0FQ&list=PLURlcnatieVLjXQGBK26MNYrp23iI4cxB [Embed] |
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--- 115885242 |
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>>115860807 |
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Chailly has the best Mahler cycle, also with fantastic sound quality from the peak of the recording industry in the late 90s before it got destroyed by Napster and streaming |
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https://www.youtube.com/watch?v=C9Ouwdy_F7M [Embed] |
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--- 115885247 |
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>>115883968 |
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1. The performances could be mediocre. The only reason I don't fall asleep when I go to a bar with a shitty band playing is that the music is cranked up so loud. Sometimes I'll vastly prefer different performances by two GOOD musicians, much less a mediocre one. |
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2. You don't really understand the music. Personally, either I'm not smart enough of my ear never really got good enough to enjoy most classical music on first listen. I usually have to listen to music several times and pay attention to the structure to before I start to get it. Sometimes even have to watch an analysis of it, especially with later romantic and 20th century shit. |
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Haydn |
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https://www.youtube.com/watch?v=2eF0Q87zEWc [Embed] |
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--- 115885358 |
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>>115867192 |
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>handel sonata with piano playing the bass |
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--- 115885611 |
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Sometimes I find Czerny piano etudes strangely satisfying |
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https://www.youtube.com/watch?v=GMRfApcMZcQ [Embed] |
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https://www.youtube.com/watch?v=EUsIeeVBq48 [Embed] |
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https://www.youtube.com/watch?v=jKJWfUTmZeQ [Embed] |
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--- 115885708 |
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>>115885611 |
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https://www.youtube.com/watch?v=-OAK7uIvAHA [Embed] |
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I think you'll like this, anon. |
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--- 115885802 |
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>>115885611 |
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>https://www.youtube.com/watch?v=EUsIeeVBq48 [Embed] |
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has someone ever recorded something like this played with live real blast beat drums? |
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just piano and drums, that would be wonderful |
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--- 115885856 |
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something like the Motorhead Overkill beat would fit beautifully |
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--- 115885977 |
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>>115885708 |
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kek |
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not that autistic |
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--- 115886025 |
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>>115885802 |
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YES i could tell it was an april's fool before i checked what do i win |
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--- 115886240 |
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I just discovered the Chicago Brass Section, what are some good pieces to get totally blasted by that? |
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https://youtu.be/CCQxOIE-g0I?t=1400 [Embed] |
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--- 115886301 |
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>>115886240 |
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https://www.youtube.com/watch?v=5W-o5Y_GunU [Embed] |
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Fountains of Rome, midday fountain is usually good but CSO is kinda lacking in their recording idk.. just don't feel enough tuba. |
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--- 115887306 |
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Post bach arias that you like. Specific recordings would be nice. |
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https://youtu.be/3wl2vdgIb-o?t=869 [Embed] |
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Richter is king |
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--- 115887585 |
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i want marin marais to tie a fret around me and play my frenulum like it's a figured bass line |
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--- 115888104 |
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Wagner |
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https://m.youtube.com/watch?v=I8KRAWB7yck [Embed] |
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--- 115890316 |
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bump ad modum tubae https://www.youtube.com/watch?v=lEcbGXy5kxw [Embed] |
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--- 115890918 |
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>Martha Argerich is an Argentine classical concert pianist. Born and raised in Buenos Aires to Jewish-Spanish parents |
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>Her friend pianist Daniel Barenboim stated that when he contacted the Argentinian president Mauricio Macri in 2016, asking him to accept Syrian refugees into the country, it was also on behalf of Argerich.[43] |
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It's always a fucking jew |
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--- 115890940 |
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https://www.youtube.com/shorts/oGUK9RzRvHE |
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--- 115891649 |
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>>115887585 |
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Is that a fretless bass? |
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--- 115892253 |
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>>115891649 |
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That's a bass range Viola da Gamba, it has frets but only in the upper part |
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The instrument was generally played vertically, like a cello, with a bow, which you can see in his right hand. |
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People used to think that painting was kind of a joke, playing a viola da gamba in guitar position, but it seems like it was common for the smaller ones, like tenor viola da gamba. |
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a famous painting of the 1500s featuring that is Veronese's Wedding at Cana |
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--- 115892659 |
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>>115887306 |
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https://www.youtube.com/watch?v=lBGTujNJ7h0 [Embed] |
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https://www.youtube.com/watch?v=dQY-LgVdJuE [Embed] |
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https://www.youtube.com/watch?v=SnY4G2Z57-Y [Embed] |
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https://www.youtube.com/watch?v=ypULrx72-DY [Embed] |
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https://www.youtube.com/watch?v=bjmYgRm7Ef0 [Embed] |
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https://www.youtube.com/watch?v=jKHHG3IQnac [Embed] |
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--- 115892725 |
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https://youtu.be/Hh8vskF1k5c [Embed] |
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his movements are so smooth |
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--- 115892989 |
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>>115885247 |
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>>115883968 |
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Familiarize yourself with basic music theory and try to dissect what is happening at any point in a piece. Classical music can be difficult to appreciate without understanding the fundamentals first. Once you've grasped the basics you start to naturally listening for how a composer will play around with different ideas and how they each fit into a piece. Music theory for classical composition is surprisingly open-ended so you get a lot of variety with how you could apporach writing it, which makes it fun to try and figure out how one composer came up with something entirely unique using the same base building blocks as everybody else. |
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--- 115893078 |
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I'm reorganizing my collection tomorrow. what is your tagging system? |
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--- 115893233 |
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>>115891649 |
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It's the instrument the lady in blue is playing, these are all viola da gambas of different range |
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https://www.youtube.com/watch?v=0tL1FjrC2ic&list=RD0tL1FjrC2ic&start_radio=1 [Embed] |
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This is my favorite version of Bach's Passacaglia, even if the performers are hobbists and the harpsichord basso continuo can't be heard at all |
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--- 115893878 |
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>>115893233 |
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Gambists were always hobbysts who looked down on professional musicians. |
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--- 115894720 |
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Beethoven |
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https://www.youtube.com/watch?v=rI--cfRW7dk [Embed] |
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--- 115895687 |
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>>115892659 |
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Nice. I always preferred the slower aria in 51. Never listened to 114, i like that one a lot |
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https://youtu.be/m5i0rO0Z-wo?list=PLwa0pjRQ9jDQgi02wyJoOwGMWtplcQIuz&t=213 [Embed] |
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https://youtu.be/rWY02RC2LSQ?list=PLwa0pjRQ9jDQgi02wyJoOwGMWtplcQIuz&t=1 [Embed] |
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--- 115895842 |
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>>115883968 |
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imagine it's you playing/conducting the piece in front of a bunch of impressed friends |
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--- 115896861 |
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arvo part - symphony no.4 |
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anything by mahler |
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--- 115896939 |
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>>115883968 |
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Try to follow the music more. If it helps to close your eyes, just do that. I do this as well when the audience annoys me. Your instincts are right though. All composers are autistic. |
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--- 115896990 |
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>>115885242 |
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>>115862141 |
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>>115863630 |
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For some reason I didn't have Walter (age is a factor here) and Chailly, I'm downloading and will report back if they're better than Abbado. Somebody here recommended Bertini and he's pretty based as well. |
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--- 115897025 |
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>>115896990 |
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Can't hear the bells ringing at the end of No.2 for Walter so in the trash he goes. |
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--- 115897343 |
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lets get some actually interesting music in this thread instead of the same old harmonies we have been listening to for the past 400 years |
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https://www.youtube.com/watch?v=QPPsn8Nbei8 [Embed] |
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--- 115897425 |
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>>115897343 |
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more interesting than good |
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--- 115897490 |
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>>115883968 |
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are you white? |
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--- 115897686 |
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>>115897425 |
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its phenomenal right? How about some Bartok |
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https://www.youtube.com/watch?v=78Ik7hUcK4s [Embed] |
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--- 115898983 |
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>>115897343 |
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--- 115899247 |
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https://robertgreenbergmusic.com/download/richard-wagner-music/ |
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--- 115899331 |
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>>115899247 |
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thank you sister |
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--- 115899445 |
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Which composers are objectively good? I'm afraid everything I enjoy might actually be shit. |
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--- 115899456 |
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>>115892989 |
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>Familiarize yourself with basic music theory |
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I've already done that, I think? Read a few books and articles on music theory, been taught music history in school (especially recognising forms and styles). |
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>try to dissect what is happening at any point in a piece |
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Does that include recognising the tonality and specific chords? I can hear that a part is more sombre or more tense and such stuff... |
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>>115895842 |
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I stopped doing that a decade ago. I like gesturing while listening to classical at home though, but only for stuff I've already heard previously a few times. |
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>>115896939 |
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>Your instincts are right though. All composers are autistic. |
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I don't see how those two things are connected. The autism might be found only in myself. |
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--- 115900629 |
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Strauss |
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https://www.youtube.com/watch?v=tTEkFI6iHsY [Embed] |
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--- 115900815 |
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>>115899445 |
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Just stick to Bach to be really safe. He has enough pieces anyway. |
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--- 115901602 |
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>>115860807 |
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Walter before his heart attack is the easy choice if we're speaking strictly interpretively. His New York 1st, 2nd, and 5th are really fantastic despite their issues of sound quality. The really frustrating thing about the 2nd symphony is that it actually sounds like good early stereo for the first 4 movements and then sounds really bad in the last movement for whatever reason. They must have recorded the movements seperately and that one had shitty mics. |
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--- 115901631 |
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>>115890918 |
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Most famous performers of classical are Jewish, period. Well, these days it's mostly Asians, but in the past it was mostly Jews. |
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--- 115902245 |
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has anyone ever surpassed Richter's WTC on piano? |
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--- 115902360 |
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>>115902245 |
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Fischer, Richter is too robotic |
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--- 115903733 |
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Handel |
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https://www.youtube.com/watch?v=cSbTfDb4u4A [Embed] |
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--- 115903790 |
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>>115893878 |
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rightfully so, imagine doing music professionally lmao |
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--- 115903832 |
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>>115897686 |
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try Copland before he sold out |
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https://www.youtube.com/watch?v=QJec1XdObNg [Embed] |
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--- 115903939 |
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>>115892989 |
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I've been playing piano for 30 years, have a BA in Music Theory, have written a full piano sonata in classical style and used to write fugues for fun. My mind still wanders at classical concerts if the music is unfamiliar and doesn't have a hook I enjoy. The best way to improve my chances of enjoying a classical concert is to listen to the program ahead of time and learn as much about the works as I can. This is somewhat less true for the baroque and classical eras. But late romantic and 20th century tend to be very challenging for me without preparation. |
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--- 115904140 |
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>>115883968 |
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I just go to concerts to sleep, anon. You should too if you value your physical and mental health. |
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--- 115907015 |
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why is /classical/ so dead now |
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i miss all my classical frens :( |
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--- 115907095 |
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>>115907015 |
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maybe people had kids |
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--- 115908238 |
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>>115902360 |
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thank you hisster sister |
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--- 115908301 |
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can someone recommend me a minor key piano fugue with a cool theme that is not too hard to play and where the last voice sets in very "satisfyingly" in the bass? |
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the other voice(s) shouldn't stop while the last voice sets in like in bwv 847 for example. |
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--- 115908670 |
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>>115860807 |
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What's the verdict on Bernstein's? |
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--- 115908704 |
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>>115908670 |
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total trash |
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--- 115908787 |
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Maybe not the right place, but what are people's thoughts on Apple's new classical music app? |
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[spoiler]If that's off topic, then tell me about the last classical concert you went to[/spoiler] |
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--- 115909632 |
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>>115898983 |
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Kek. |
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--- 115909660 |
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>>115902360 |
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Based. But to be fair they're the two greatest recordings of the piece. |
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--- 115909682 |
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>>115908787 |
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It's not off topic, people have been mentioning it lately. Apparently it's fairly good. |
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--- 115910184 |
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Unironically, what is this? I have never heard anything similar. |
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https://www.youtube.com/watch?v=nHLoHZY4yGw [Embed] |
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--- 115910220 |
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>>115899456 |
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>Does that include recognising the tonality and specific chords? |
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More or less. Just listen beyond how it makes you feel and try to mentally deconstruct how the components that make up the piece you're listening to. Like is the harmony/melody leading up to somewhere or is it wallowing in place? What are the dynamics in different sections? How are individual voices playing into each other. etc.? |
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There is obviously more nuance to it but the more you intently listen, the more naturally the pattern recognition process will become. Also read the sheet music of the music you like and figure out what the composer did during certain sections that made it sound good. |
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>>115903939 |
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>My mind still wanders at classical concerts if the music is unfamiliar and doesn't have a hook I enjoy |
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No shit, if I don't particularly enjoy a piece, i will zone out too, but that goes for any music, not just classical. Mozart occasionally lost interest at his own rehearsals to sperg out and go full cat-boy mode and he was a savant, skill level doesn't say anything about whether you'll enjoy something. |
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--- 115910614 |
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>>115899247 |
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Worth reading? |
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--- 115910764 |
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>>115910614 |
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not at all |
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--- 115911035 |
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>>115910184 |
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Listen to polytonal music, especially American, lots of augmented harmonies which tend to crop up in that style |
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--- 115911142 |
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Charles Ives - A son of a gambolier (probably written when he was a student at Yale University). |
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https://www.youtube.com/watch?v=Ow1dznt-RrU [Embed] |
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--- 115911161 |
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>>115911142 |
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more interesting than good |
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--- 115911309 |
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>>115910764 |
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Damn, Greenberg got obliterated. |
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--- 115911494 |
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Which Romantic-or-earlier composers, if revived today, would enjoy rock music? |
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--- 115911801 |
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>>115911494 |
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not sure what this has to do with /classical/, maybe try >>>/mu/ instead? |
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--- 115912245 |
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>[Labelname] and Sons |
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--- 115912772 |
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>>115873223 |
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So he was Baroque Led Zeppelin? |
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--- 115912884 |
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>>115911801 |
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Anon! >>115912772 Anon! >>115912772 Post your super funny post totally-not-autistic-anon! |
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--- 115912906 |
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>>115912772 |
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not sure what this has to do with /classical/, maybe try >>>/mu/ instead? |
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>>115912884 |
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not sure what this has to do with /classical/, maybe try >>>/mu/ instead? |
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--- 115912974 |
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do you split your .cue files? |
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--- 115914519 |
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>>115910220 |
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>No shit, if I don't particularly enjoy a piece, i will zone out too |
|
Yeah well my point is more that if I went to a concert and heard Stravinsky's Symphony of Psalms for the first time there's a good chance I wouldn't follow it at all. But ever since I spent 6 months in a choir practicing it and learning about it, I'd have no problem paying attention to a live performance. |
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|
|
More generally, there's definitely skill involved when it comes to recognizing forms and their implications. To really appreciate a work in sonata form you should be able to identify the themes, recognize variations and distinguish them from transitions. To get the most out of a fugue you should be able to hear the subject when it's diminished, augmented, backwards or upside-down. This gets harder with late romantic and 20th century symphonies. |
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--- 115914666 |
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>>115901631 |
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Not really |
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--- 115914836 |
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>>115908787 |
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Has anyone tried IDAGIO? It's another classical music app. |
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--- 115914900 |
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>>115914836 |
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yeah i tried that one but just the free version and it's extremely limited with annoying ads |
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--- 115915070 |
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>>115914900 |
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Screw that then. I'll just wait for the Apple Classical one to come to android. |
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--- 115915559 |
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>Live in a big city |
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>Can only listen to post-1800 music live |
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I'll take what I can get, but I'd kill to be able to hear high quality Bach arrangements https://youtu.be/bXwHORPeOsg [Embed] |
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--- 115915789 |
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>>115914836 |
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I used both and apple is better. The Idagio app is so slow that I would need 2 minutes to go from starting the search to listening. Idagio also had less recordings last time I used it. |
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>>115915559 |
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in Germany it's almost the other way around. Seems like every town has their own Bachverein and if you want to hear some organ just go to church and the organist will most likely play Bach. |
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--- 115915969 |
|
Classical guitar history |
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>The guitar was not a respectable instrument, until Fernando Sor made it into one |
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>The guitar was not a respectable instrument before Dionisio Aguado, who was responsible for elevating the instrument's status |
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>Before Tarrega, the guitar was seen as a popular or folk instrument. He brought it to the concert stage |
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>Segovia was responsible for single-handedly popularizing the guitar on concert settings. Before Segovia, there was no classical guitar |
|
Is the historiography fucked up or does this thing get a reboot every time someone picks it up? |
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--- 115916141 |
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>>115915969 |
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It just means that classical guitar is still not a respectable instrument. |
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--- 115916295 |
|
Meaningless question, but do you ever binge various movements from different pieces rather than listening to a single work continuously, and if so how often? More in regards to long pieces like symphonies and such, not groups of things like preludes or studies. |
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--- 115916443 |
|
bjorling |
|
https://www.youtube.com/watch?v=wPEG914GATk [Embed] |
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--- 115916841 |
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>>115915969 |
|
classical guitarists were post-grunge shredders |
|
|
|
>practice all day every day to impress 50 people |
|
>overshadowed by every other kind of guitarist except in the eyes of classical guitarists |
|
>so little competition in the field that any of them who made it are considered greats |
|
>insist on needing a special guitar for their style of play |
|
>make boring music with excessive ornamentation, but lacking the complexity that made prior ornate music good |
|
--- 115916937 |
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>>115916841 |
|
>>overshadowed by every other kind of guitarist except in the eyes of classical guitarists |
|
That makes no sense, it was instrument played by peasants in taverns. |
|
>insist on needing a special guitar for their style of play |
|
It was the only kind of guitar that existed, other than the extinct baroque one. |
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--- 115916968 |
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>>115916937 |
|
quite insipid |
|
--- 115917027 |
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>>115916443 |
|
Wagner |
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https://www.youtube.com/watch?v=NauOM-tPRP4 [Embed] |
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--- 115919174 |
|
Schumann |
|
|
|
https://www.youtube.com/watch?v=sVUkJhEbJMk [Embed] |
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--- 115919744 |
|
Fugues seem to be where creativity goes to die in modern composition. I can't believe they've become nearly synonymous with counterpoint when only Bach wrote decent fugues, and most of his fugues are not particularly interesting relative to his corpus as a whole. |
|
|
|
That said, someone post a modern composer who is like Bach but does more than write soulless piano fugues, because I've already encountered many of that sort |
|
--- 115920014 |
|
>experienced pianist |
|
>getting tense joints everywhere when playing |
|
Fucking why |
|
--- 115920511 |
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>>115919744 |
|
|
|
These 2 by Piazzolla (not even sure if it can be considered classical) are the only modern fugues I enjoy |
|
|
|
https://www.youtube.com/watch?v=lfhytCKz4f0 [Embed] |
|
|
|
https://www.youtube.com/watch?v=7XdaFR6mIC4 [Embed] |
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--- 115920696 |
|
>>115919744 |
|
>only Bach wrote decent fugues |
|
>most of his fugues are not particularly interesting relative to his corpus as a whole. |
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--- 115920781 |
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>>115920696 |
|
He's right, fugues are a shit form of music. Merely a technical exercise. Good to know how to write them so that you can employ the techniques in other compositions, but not terribly interesting to listen to. |
|
|
|
Even most of the fugues Bach wrote were just etudes/studies. |
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--- 115920959 |
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>>115916141 |
|
True. |
|
The possibilities of the guitar were hugely expanded by the introduction of the electric guitar, yet Classical composers are still in current year too afraid to write for it because of its association with rock music. If not for the fucking Beatles we'd have electric guitar concertos and Sonatas for Electric Guitar by now. |
|
|
|
Not talking about metal shredding or pedal fuckery or some shit btw just a clean guitar through an amplifier. It has a beautiful tambor too. Look at Jazz guitar. Just imagine that sound with an orchestra. Would work perfectly. |
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--- 115920999 |
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>>115920959 |
|
i take the opinions of people who cannot spell timbre seriously |
|
--- 115921058 |
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>>115920999 |
|
I am almost 100% beyond doubt more knowledgeable and skilled in music, the topic at hand, than you |
|
--- 115921100 |
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>>115920959 |
|
|
|
I don't see why an electric guitar concerto wouldn't use all the pedals and distortions you could possibly use with a guitar. If you are going to do it dive completely into it. |
|
I'm not interested in classical music featuring a saxophone, if they intend to make the saxophone not sound like the instrument of Jazz and 80s sax solos. Otherwise keep on using trumpets and clarinets. |
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--- 115921102 |
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>>115921058 |
|
i take the claims of people who cannot spell timbre seriously |
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--- 115921144 |
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>>115920781 |
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Fugues or at least a fugal conception towards counterpoint is at the heart of like 80% of Bach's total writing. If you can't hear that then you are massively filtered. |
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--- 115921236 |
|
>>115921144 |
|
Yes, in fact I basically said that, but pure fugues are not great music for listening and aren't really meant for that. The technique in the context of a larger piece is great. |
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--- 115921360 |
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>>115921236 |
|
>t. counterpointlet |
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--- 115921483 |
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>>115921236 |
|
I love listening to Bach fugues because I get satisfaction that someone has similar ideas about amazing and profound musical architecture/structure as me. I can relate to Bach that this is the ultimate form in terms of expressing emotion in music. There are truly no more powerful moments for me than when he puts a major episode in a minor piece or vise versa, or when he strettos or combines different subjects together. Nothing else even comes close. |
|
|
|
https://youtu.be/eHqdyFvAhOw?t=358 [Embed] |
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--- 115921570 |
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>>115921360 |
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I "enjoy" listening to them in an intellectual sense but that's not the same as the enjoyment of a Mozart piece, for instance. Few who are not uber-dedicated classically trained keyboardists or the like would disagree with me, I think. |
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--- 115921591 |
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>>115921483 |
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Fair. To each his own. |
|
--- 115922321 |
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>>115919744 |
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https://www.youtube.com/watch?v=I-Z40SJg4GA [Embed] |
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--- 115922337 |
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>>115921570 |
|
I enjoy listening to Mozart very "intellectually" as well; the primary appeal of his music is the symmetry, clarity of form and idea, and counterpoint. I'm curious what is the "non-intellectual" way to enjoy the Mozart? |
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--- 115922386 |
|
>>115921236 |
|
https://www.youtube.com/watch?v=_W4PJUOeVYw [Embed] |
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I think the fugue is one of the most intense and interesting forms of music to listen to |
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--- 115922391 |
|
i'm always surprised at how many old women like classical music |
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--- 115922482 |
|
>>115919744 |
|
Bach saw the limitations stemming from the strict rules of counterpoint as a challenge and as a means of being more creative. |
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|
|
The issue with specifically modern composers writing fugues is because they aren't nearly as steeped in compositional limitations as the composers of the baroque era were, and writing in forms like the fugue requires both immense respect for the rules of counterpoint and the creativity to work around these rules without explicitly breaking them |
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--- 115922646 |
|
I like Schuricht a lot |
|
I just found a recording of Das Lied von der Erde from 1939 that is great, the singers are probably much better than any active heldentenor and alto. |
|
But something weird happens, in the Abschied a Nazi woman in the audience tells Deutschland Uber Alles |
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|
|
https://youtu.be/Iv3wVuRyQLI?t=3222 [Embed] |
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|
|
It made me realize that women always believe in what is popular. In puritanical times they are the most fanatical puritans, in victorian times the most fanatical victorians, in nazi times the most fanatical nazis, and in progressive times the most fanatical progressives. Witch hunt mindset. |
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--- 115922815 |
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>>115922321 |
|
BASED |
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BBBASED |
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--- 115923164 |
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>>115922646 |
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i like schuricht too |
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https://www.youtube.com/watch?v=vCQDh3hELbQ [Embed] |
|
--- 115923551 |
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neo-baroque music is the worst, they take the most entry-level music of the baroque period and copy the most superficial aspects of it like imitative counterpoint with none of the soul or any thought behind the actual pieces, really just tragic. |
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--- 115923590 |
|
>>115923551 |
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https://www.youtube.com/watch?v=dFEBTbNs4yk&vl=en [Embed] |
|
I like Grieg's Holberg Suite |
|
--- 115923659 |
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>>115920781 |
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>He's right, fugues are a shit form of music. Merely a technical exercise. |
|
You're retarded. Fugues are great and your "doesn't count if it's part of something else" distinction is arbitrary. There were many stylistic trends in the Classical and Romantic eras where straight-up standalone Bach-style fugues didn't fit too well. But there are still plenty of great ones (including two great ones in Brahms' Requiem). |
|
> Bach wrote were just ...studies |
|
I've never encountered anything Bach wrote that could be fairly called "just" anything. Everything he wrote was good. |
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>>115921236 |
|
Can't even come remotely close to agreeing with this. Even just listening to the WTC, the fugues are more substantial. They are consistently highly creative and expressive with lots of clever detail, beautiful passages and satisfying counterpoint. Bach's fugues tend to modulate freely as they don't have the kind of well-defined tonal structure typical of eg classical sonata form, but it's just as capable of producing beauty. |
|
>>115921570 |
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>Few who are not uber-dedicated classically trained keyboardists or the like would disagree with me, I think. |
|
tripling down on this dumbassery? |
|
All you need is patience and a good performance and maybe some repetition to gain appreciation. Anyone can listen to this fugue and enjoy how beautiful it is, even if they thinking about the impressive compositional skill it takes to write a fugue. |
|
https://www.youtube.com/watch?v=lJCpUW1Q1yc [Embed] |
|
|
|
>>115922337 |
|
>I'm curious what is the "non-intellectual" way to enjoy the Mozart? |
|
Mozart does tend to have a lot of catchy, memorable melodies and themes. He seems to think the only two options are "uber-dedicated classically trained keyboardist" and zfg normalfag who only knows Rondo Alla Turca and Fur Elise. |
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--- 115924022 |
|
>>115923659 |
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You're wrong and pretentious. And also low-IQ, sorry. |
|
|
|
Bach would think you're retarded for exalting so highly these etudes he wrote in 2 minutes for a book meant to demonstrate a tuning system and teach aspiring beginners. |
|
|
|
And yes, everyone who does this is wrong. |
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--- 115924059 |
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>>115923590 |
|
That's not really neo-baroque... I mean I guess it kinda technically counts because it's co-opting the dance suite but the musical material contained within is pure standard Romantic fare. |
|
I meant more stuff like this: |
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https://www.youtube.com/watch?v=86wr8JjzJ5Y [Embed] |
|
https://www.youtube.com/watch?v=5gnQYpq9eGg [Embed] |
|
Decent compositions to be sure but lacking the essence of Baroque music... more like a creatively bankrupt appropriation than the spiritually fulfilling music of the Baroque. Not even any ornaments. Reflects the spiritually dying essence of the 20th century in my opinion... |
|
--- 115924074 |
|
>>115924022 |
|
All he said was it's an enjoyable piece dude |
|
--- 115924127 |
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>>115924059 |
|
Fair... I think this goes for anybody trying to replicate music from an earlier time. You can try to emulate the sound but without actually being immersed in the culture of the period it just comes off as kind of shallow. |
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--- 115924137 |
|
>>115924022 |
|
>if a piece is used for instruction you can't enjoy it on artistic merit anymore!!! |
|
|
|
Bach would shit himself laughing at you. |
|
--- 115924330 |
|
>>115924137 |
|
No, he wouldn't. Composers of Bach's time did not even think of themselves as artists. They were craftsmen, and they crafted products for practical purposes, for education or enjoyment or religious service. He would find it extremely strange that people played the WTC or the Two-Part Inventions, and so on etc., for live concerts. Ergo he would probably agree with me. |
|
--- 115924409 |
|
>>115924266 |
|
>>115924330 |
|
The idea of the artist as craftsman and the idea of pieces of art having artistic merit beyond their immediate material applications do not conflict. |
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Also samefag. |
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--- 115924442 |
|
>>115924330 |
|
>people used to pray to Anubis in an Egyptian temple 3000 years ago |
|
>anon comes over |
|
>tourists are taking photos and looking at the frescoes |
|
>anon calls them idiots because they're not praying to Anubis |
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--- 115924648 |
|
>>115924409 |
|
Well, if we are discussing the viewpoint of Bach, which was the line of argumentation I was following after >>115924137 , then yes, it would conflict, as prior stated. |
|
|
|
If modern people believe that the WTC is "high art" regardless of its original function, then okay, but they are, in my opinion and that of Bach (which should be taken into consideration), wrong, though it is of course an exquisite piece of craftsmanship. |
|
|
|
But this is getting far from the original argument about the fugue, which I will restate is more of an academic exercise than a proper "piece of music", and musicologists would 100% beyond any doubt whatsoever complete agree with me one hunnid no cap. That's why Baroque went out of fashion in favor of Classical. If you enjoy it regardless on a "detached" "unintellectual" level, that's entirely fine, but I disagree. |
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--- 115924805 |
|
>>115924648 |
|
You are wrong not only in what you think Bach believed, but also what you think musicologists believe. |
|
Bach didn't just crank out fugues and canons passionlessly as an obligation to his patrons, whether they be the church, or whatever. |
|
https://flypaper.soundfly.com/write/bachs-worldview-was-way-different-from-ours/ |
|
Art back then was all about revealing the hidden beauties of the world, and in a way it's poetic that the fugue as a piece that is entirely set around the revelation and deep exploration of a theme was his primary method of doing so... |
|
Musicologists know this, and a cursory glance on any analysis of a fugue or other counterpoint-centric composition styles will reveal that they are not in fact only concerned with the technical correctness of the execution of the music, but the beauty of the melodic contour, andthe art of exploration... |
|
Classical has entirely different aims to this contrapuntal style.. It's like saying that Classical went out of fashion in favor of serialism, therefore serialism is a more proper "piece of music." Both have their own objectives; apples to oranges. |
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--- 115924920 |
|
>I am fascinated by the creative potential of “musical theology,” a pre-Enlightenment relic from the tradition in which J.S. Bach thrived. For Bach and his cronies [? as if Bach was The King of Music in his time], music theory was a direct extension and reflection of metaphysical and religious truths. The major chord, three notes in one sound, was the trinity; equal temperament (a practical approximation that detunes each note slightly from the mathematical ratios of just intonation) represented the sinning imperfections of humankind, a musical Fall from God-made purity. |
|
|
|
Complete and utter pretentious nonsense, not to mention simply egregiously historically incorrect on several fronts. Wagner and his insertion of German metaphysics into art music have been a disaster for the human race. |
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|
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The goal of music is to express music. |
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|
|
M. |
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--- 115925008 |
|
>>115921144 |
|
>Fugues or at least a fugal conception towards counterpoint is at the heart of like 80% of Bach's total writing. |
|
>fugal conception towards counterpoint |
|
What the fuck are you on about? Fugues derive from imitative counterpoint, not the other way around |
|
--- 115925014 |
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>>115924920 |
|
denying the influence of God on the music of the devout Lutheran Bach, are we? |
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--- 115925451 |
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>>115924442 |
|
>he doesn't pray to Anubis every night before bed |
|
ngmi |
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--- 115925543 |
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>>115903832 |
|
incredible! Thank you for this |
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--- 115925694 |
|
pleaee rec me recordings of Beethoven's piano concertos. I've only heard Vladar. |
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--- 115925701 |
|
>>115925014 |
|
what, you never read that one giant article that claimed Bach was an atheist? |
|
--- 115926054 |
|
Thoughts on Brian's Gothic Symphony? |
|
https://www.youtube.com/watch?v=CSfAA5UiR-8&t=2239s [Embed] |
|
--- 115927430 |
|
I have resigned myself to the Lord. Deliver me almighty one and forgive us our trespasses as we forgive those who trespass against us”. |
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|
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https://www.youtube.com/watch?v=P21qlB0K-Bs [Embed] |
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|
|
B. |
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--- 115927478 |
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>>115927430 |
|
>Deliver me almighty one and forgive us our trespasses as we forgive those who trespass among us”. |
|
Fixed |
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--- 115927638 |
|
Rec me some good looking classical singers (women) that have lots of video content. I would even watch full opera recordings with video if I liked them. Please. |
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--- 115927673 |
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>>115927478 |
|
amogus?????? |
|
--- 115927715 |
|
>>115924920 |
|
>The goal of music is to express music. |
|
Reminder that this is a programmatic statement just as much as saying 'the goal of music is to express religious truth' or 'drama'. Music is music. |
|
--- 115927733 |
|
>>115924648 |
|
>But this is getting far from the original argument about the fugue, which I will restate is more of an academic exercise than a proper "piece of music", and musicologists would 100% beyond any doubt whatsoever complete agree with me one hunnid no cap. |
|
You keep restating this and yet have no response to any counter-arguments except to dismiss as "pretentious." |
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>>115924805 |
|
Correct. |
|
These are just exercises: >>115885708 |
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--- 115927802 |
|
>>115924022 |
|
>pretentious |
|
No, just using the language required in response to your lazy and arrogant assertion. |
|
Do you claim the WTC Fugues aren't substantial? |
|
>Bach would think |
|
This fantasy is just you deflecting because you're unable to make a real argument to support your claim. |
|
>for a book meant to demonstrate a tuning system and teach aspiring beginners |
|
This can be true without supporting your claim they are not for listening. Based on observed reality, it's far more reasonable to conclude that any time Bach decided to write something, he diligently created something impressive to stand the test of time. |
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--- 115929412 |
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>>115925694 |
|
https://www.youtube.com/watch?v=8k-E_qWXYGE [Embed] |
|
--- 115930117 |
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>>115862924 |
|
Christ is risen. |
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--- 115930155 |
|
>>115860585 (OP) |
|
What classical would she mainly enjoy? |
|
--- 115930180 |
|
>>115930155 |
|
Probably would listen to Synthesia videos of Chopin Nocturne and say she's into classical music |
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--- 115930886 |
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>>115930155 |
|
thank you sister |
|
--- 115931664 |
|
what do we think of Abbado's 1982 Mahler 3? |
|
--- 115931740 |
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>>115931664 |
|
quite putrid |
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--- 115931794 |
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>>115931740 |
|
why is that? |
|
--- 115932407 |
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https://m.youtube.com/watch?v=0Tln9AQ5Lj8 [Embed] |
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--- 115932638 |
|
>>115924059 |
|
>Baroque |
|
Post baroque that is not Bach, I dare you. |
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--- 115932796 |
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>>115902245 |
|
Gulda |
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--- 115933107 |
|
>>115862924 |
|
the opening chorus of the St. Matthews passion is like 7 times better than this |
|
--- 115934070 |
|
>>115932638 |
|
https://www.youtube.com/watch?v=nfHZGYiKkAo [Embed] |
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https://www.youtube.com/watch?v=qeUcGD4rRRc [Embed] |
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https://www.youtube.com/watch?v=zokWqygsWQc [Embed] |
|
https://www.youtube.com/watch?v=b490Mb9CCDU [Embed] |
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https://www.youtube.com/watch?v=dMVI7z5GYRU [Embed] |
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https://www.youtube.com/watch?v=32mY6g6boM8 [Embed] |
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https://www.youtube.com/watch?v=4TxPhruLo4o [Embed] |
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https://www.youtube.com/watch?v=CpQw0UH-YV4 [Embed] |
|
https://www.youtube.com/watch?v=RmdlIpZBuqs [Embed] |
|
Side note, fuck, Lully hits hard... |
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--- 115934104 |
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>>115934070 |
|
he hit his foot hard with a stick |
|
--- 115934243 |
|
>>115860585 (OP) |
|
Does any prefer organ compositions to piano ones? I know, pretty autistic but it think it has a better timbre |
|
--- 115934279 |
|
>>115931794 |
|
very dumb |
|
--- 115934357 |
|
What was Bach like when he used 100% of his musical power? Or is he like the brain and he could not go past 20ù of his musical power? |
|
--- 115934420 |
|
>>115934243 |
|
What are your favorite organ pieces? |
|
For me, it's Merkel's sonatas https://www.youtube.com/watch?v=5qF1gUNlnY8 [Embed] |
|
https://www.youtube.com/watch?v=o9ORZr0WXvU [Embed] |
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--- 115934478 |
|
>>115932638 |
|
Baroque composed less than a century ago |
|
https://www.youtube.com/watch?v=5xZuA968cmE [Embed] |
|
https://www.youtube.com/watch?v=Uj1tvLV73_A [Embed] |
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--- 115934588 |
|
>>115920781 |
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You've won the retard olympics. |
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--- 115934636 |
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>>115926054 |
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It's my favorite symphony. |
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--- 115934650 |
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>>115934243 |
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Yes, organ is vastly superior to piano in every way |
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>unisons |
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>infinite sustain |
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>uses feet for more than just special effects |
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>wide variety of timbres built in without having to pour trash into the instrument |
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What's your favorite type of stop? Mine is flute. |
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>>115934420 |
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I know this is an entry level pick but it still stands up, also, anything by Reger is good. |
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https://www.youtube.com/watch?v=bF0e9CSQNXQ [Embed] |
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--- 115934670 |
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>>115934070 |
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you've made me realize that I don't like Baroque, only Bach |
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>>115934357 |
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>What was Bach like when he used 100% of his musical power? |
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https://youtu.be/Ih51HIyTW0Q?t=872 [Embed] |
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--- 115934751 |
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>>115926054 |
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sounds like a John Williams OST. 3/10 |
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--- 115934752 |
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Played on this beauty a month back. It had 12 stops for the pedal alone. |
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>>115934243 |
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Organ is king of instruments. Piano is an instrument for women. |
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>>115934420 |
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BWV 577 |
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>>115934650 |
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32' contra bombarde, have yet to play one one that has it. |
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--- 115934757 |
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>>115934650 |
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>anything by Reger is good |
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you should listen to Karg-Elert |
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>>115934650 |
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>favorite type of stop |
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I'd say reeds |
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--- 115934837 |
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>>115934752 |
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It could be powered manually. That's pretty unique. |
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--- 115934839 |
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>>115926054 |
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>110 minutes |
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why are symphonyfags like this? |
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--- 115934864 |
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>>115926054 |
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Check out this if you like Brian. |
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>https://www.youtube.com/watch?v=oE__Tyze3sk [Embed] |
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--- 115934868 |
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Baroque vs classical vs romantic is irrelevant. The only thing that matters is whether or not your melodies are uninspired goyslop or whether they're divinely inspired. And this is why Bach is the only good composer, baroque or otherwise. |
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https://youtu.be/E2j-frfK-yg?t=16 [Embed] |
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B. |
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--- 115934922 |
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>>115934752 |
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>32' contra bombarde, have yet to play one one that has it. |
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oh fuck yes, nothing even remotely compares to that earthquake contrabass |
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>>115934757 |
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>you should listen to Karg-Elert |
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Thanks for the rec, anon |
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--- 115935007 |
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>>115934839 |
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>t. short attention span chamber music zoomer |
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--- 115935016 |
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>>115924022 |
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>You're wrong and pretentious. And also low-IQ, sorry. |
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--- 115935202 |
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>>115930155 |
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She would probably be the type to only listen to Bach, Mozart and Beethoven and talk about how music is le mathematics and their sound is le classically inspired, rock bands do this a lot. |
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--- 115935219 |
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>>115873223 |
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Not like this, Handelsisters |
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--- 115935615 |
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>why yes, I do only consider performances that play all repeats when ranking or recommending "best version of" a piece |
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--- 115935638 |
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>>115934839 |
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no longer than the average movie, retard |
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--- 115935725 |
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>>115935007 |
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Being able to listen to garbage for almost 2 hours without a break is not something you should brag about |
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--- 115936746 |
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>>115934839 |
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They want to trick us into thinking that interesting has to be boring |
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--- 115938518 |
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where do i start with bach? |
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--- 115938543 |
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Listening to classical is like reading a comic book. I can imagine the movement of the panels and the music similarly. |
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--- 115938732 |
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>>115938518 |
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https://www.youtube.com/watch?v=SY7zXdy2tbc [Embed] |
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https://www.youtube.com/watch?v=ipNuUYGv1zQ [Embed] |
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--- 115939413 |
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>>115938732 |
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the (3) fugues of BWV 552 are good, but the prelude is even better |
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https://youtu.be/jr_jK-fzglM [Embed] |
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--- 115939578 |
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>>115938732 |
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>>115939413 |
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i started with the brandenburg concertos, i'm sorry |
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--- 115939976 |
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>>115939578 |
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that's actually what I would recommend starting with unless they really like vocal music |
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--- 115940486 |
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>>115860585 (OP) |
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Your favorite version of Mendelssohn's Violin Concerto in E minor? |
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--- 115940577 |
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I'm the pedo anon who likes Carl Nielsen, and right now, I think that VIVALDI REALLY IS THE BEST EVEEEEEEEEEEEEEEEEEEEEEEEEEEEEEER. |
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--- 115941336 |
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>>115938518 |
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Actually listening to him right now. The Organ works imo. It's a long compilation but worth it |
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--- 115941346 |
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>>115934650 |
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Might have to give me an idea what that is honestly. |
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--- 115941365 |
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>>115938518 |
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>>115941336 |
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I cannot for my life begin to enjoy Bach. I like Beethoven, Mozart, Mendelson, Bruckner, Mahler etc. almost any other old classical |
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I think I just am limited by my 105 iq |
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--- 115941406 |
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>>115902245 |
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I must admit as a Richter WTC enjoyer, that his recording is probably massively boosted by the recording quality, the same way the best porn is boosted by shitty video quality. |
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It gives an atmosphere that is simply unmatched. |
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--- 115941951 |
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What is the most emotionally complex piece in your opinion? I'm always impressed when one makes me feel happy and sad at once. It's sublime that people could illustrate such feelings in music. |
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