Question: What share of Arab productions have come from Egypt?

Answer: three quarters

Egyptian cinema became a regional force with the coming of sound. In 1936, Studio Misr, financed by industrialist Talaat Harb, emerged as the leading Egyptian studio, a role the company retained for three decades. <hl> For over 100 years, more than 4000 films have been produced in Egypt, three quarters of the total Arab production.[citation needed] Egypt is considered the leading country in the field of cinema in the Middle East. <hl> Actors from all over the Arab World seek to appear in the Egyptian cinema for the sake of fame. The Cairo International Film Festival has been rated as one of 11 festivals with a top class rating worldwide by the International Federation of Film Producers' Associations.

Egyptian cinema became a regional force with the coming of sound. In 1936, Studio Misr, financed by industrialist Talaat Harb, emerged as the leading Egyptian studio, a role the company retained for three decades. For over 100 years, more than 4000 films have been produced in Egypt, <hl> three quarters <hl> of the total Arab production.[citation needed] Egypt is considered the leading country in the field of cinema in the Middle East. Actors from all over the Arab World seek to appear in the Egyptian cinema for the sake of fame. The Cairo International Film Festival has been rated as one of 11 festivals with a top class rating worldwide by the International Federation of Film Producers' Associations.


Question: What elements mix for Egyptian music?

Egyptian music is a rich mixture of indigenous, Mediterranean, African and Western elements. It has been an integral part of Egyptian culture since antiquity. The ancient Egyptians credited one of their gods Hathor with the invention of music, which Osiris in turn used as part of his effort to civilise the world. Egyptians used music instruments since then. Contemporary Egyptian music traces its beginnings to the creative work of people such as Abdu El Hamouli, Almaz and Mahmoud Osman, who influenced the later work of Sayed Darwish, Umm Kulthum, Mohammed Abdel Wahab and Abdel Halim Hafez whose age is considered the golden age of music in Egypt and the whole Middle East and North-Africa. Prominent contemporary Egyptian pop singers include Amr Diab and Mohamed Mounir.

Answer: indigenous, Mediterranean, African and Western

<hl> Egyptian music is a rich mixture of indigenous, Mediterranean, African and Western elements. <hl> It has been an integral part of Egyptian culture since antiquity. The ancient Egyptians credited one of their gods Hathor with the invention of music, which Osiris in turn used as part of his effort to civilise the world. Egyptians used music instruments since then. Contemporary Egyptian music traces its beginnings to the creative work of people such as Abdu El Hamouli, Almaz and Mahmoud Osman, who influenced the later work of Sayed Darwish, Umm Kulthum, Mohammed Abdel Wahab and Abdel Halim Hafez whose age is considered the golden age of music in Egypt and the whole Middle East and North-Africa. Prominent contemporary Egyptian pop singers include Amr Diab and Mohamed Mounir.

Egyptian music is a rich mixture of <hl> indigenous, Mediterranean, African and Western <hl> elements. It has been an integral part of Egyptian culture since antiquity. The ancient Egyptians credited one of their gods Hathor with the invention of music, which Osiris in turn used as part of his effort to civilise the world. Egyptians used music instruments since then. Contemporary Egyptian music traces its beginnings to the creative work of people such as Abdu El Hamouli, Almaz and Mahmoud Osman, who influenced the later work of Sayed Darwish, Umm Kulthum, Mohammed Abdel Wahab and Abdel Halim Hafez whose age is considered the golden age of music in Egypt and the whole Middle East and North-Africa. Prominent contemporary Egyptian pop singers include Amr Diab and Mohamed Mounir.


Question: Who is credited with invention of music by ancient Egyptians?

Answer: Hathor

Egyptian music is a rich mixture of indigenous, Mediterranean, African and Western elements. It has been an integral part of Egyptian culture since antiquity. <hl> The ancient Egyptians credited one of their gods Hathor with the invention of music, which Osiris in turn used as part of his effort to civilise the world. <hl> Egyptians used music instruments since then. Contemporary Egyptian music traces its beginnings to the creative work of people such as Abdu El Hamouli, Almaz and Mahmoud Osman, who influenced the later work of Sayed Darwish, Umm Kulthum, Mohammed Abdel Wahab and Abdel Halim Hafez whose age is considered the golden age of music in Egypt and the whole Middle East and North-Africa. Prominent contemporary Egyptian pop singers include Amr Diab and Mohamed Mounir.

Egyptian music is a rich mixture of indigenous, Mediterranean, African and Western elements. It has been an integral part of Egyptian culture since antiquity. The ancient Egyptians credited one of their gods <hl> Hathor <hl> with the invention of music, which Osiris in turn used as part of his effort to civilise the world. Egyptians used music instruments since then. Contemporary Egyptian music traces its beginnings to the creative work of people such as Abdu El Hamouli, Almaz and Mahmoud Osman, who influenced the later work of Sayed Darwish, Umm Kulthum, Mohammed Abdel Wahab and Abdel Halim Hafez whose age is considered the golden age of music in Egypt and the whole Middle East and North-Africa. Prominent contemporary Egyptian pop singers include Amr Diab and Mohamed Mounir.


Question: What artist are considered the golden age of Egyptian music?

Answer: Abdu El Hamouli, Almaz and Mahmoud Osman, who influenced the later work of Sayed Darwish, Umm Kulthum, Mohammed Abdel Wahab and Abdel Halim Hafez

Egyptian music is a rich mixture of indigenous, Mediterranean, African and Western elements. It has been an integral part of Egyptian culture since antiquity. The ancient Egyptians credited one of their gods Hathor with the invention of music, which Osiris in turn used as part of his effort to civilise the world. Egyptians used music instruments since then. <hl> Contemporary Egyptian music traces its beginnings to the creative work of people such as Abdu El Hamouli, Almaz and Mahmoud Osman, who influenced the later work of Sayed Darwish, Umm Kulthum, Mohammed Abdel Wahab and Abdel Halim Hafez whose age is considered the golden age of music in Egypt and the whole Middle East and North-Africa. <hl> Prominent contemporary Egyptian pop singers include Amr Diab and Mohamed Mounir.

Egyptian music is a rich mixture of indigenous, Mediterranean, African and Western elements. It has been an integral part of Egyptian culture since antiquity. The ancient Egyptians credited one of their gods Hathor with the invention of music, which Osiris in turn used as part of his effort to civilise the world. Egyptians used music instruments since then. Contemporary Egyptian music traces its beginnings to the creative work of people such as <hl> Abdu El Hamouli, Almaz and Mahmoud Osman, who influenced the later work of Sayed Darwish, Umm Kulthum, Mohammed Abdel Wahab and Abdel Halim Hafez <hl> whose age is considered the golden age of music in Egypt and the whole Middle East and North-Africa. Prominent contemporary Egyptian pop singers include Amr Diab and Mohamed Mounir.


Question: What is more contemporary Egyptian Pop Singer?

Answer: Amr Diab and Mohamed Mounir

Egyptian music is a rich mixture of indigenous, Mediterranean, African and Western elements. It has been an integral part of Egyptian culture since antiquity. The ancient Egyptians credited one of their gods Hathor with the invention of music, which Osiris in turn used as part of his effort to civilise the world. Egyptians used music instruments since then. Contemporary Egyptian music traces its beginnings to the creative work of people such as Abdu El Hamouli, Almaz and Mahmoud Osman, who influenced the later work of Sayed Darwish, Umm Kulthum, Mohammed Abdel Wahab and Abdel Halim Hafez whose age is considered the golden age of music in Egypt and the whole Middle East and North-Africa. <hl> Prominent contemporary Egyptian pop singers include Amr Diab and Mohamed Mounir . <hl>

Egyptian music is a rich mixture of indigenous, Mediterranean, African and Western elements. It has been an integral part of Egyptian culture since antiquity. The ancient Egyptians credited one of their gods Hathor with the invention of music, which Osiris in turn used as part of his effort to civilise the world. Egyptians used music instruments since then. Contemporary Egyptian music traces its beginnings to the creative work of people such as Abdu El Hamouli, Almaz and Mahmoud Osman, who influenced the later work of Sayed Darwish, Umm Kulthum, Mohammed Abdel Wahab and Abdel Halim Hafez whose age is considered the golden age of music in Egypt and the whole Middle East and North-Africa. Prominent contemporary Egyptian pop singers include <hl> Amr Diab and Mohamed Mounir <hl>.

Prominent contemporary Egyptian pop singers include <hl> Amr Diab and Mohamed Mounir <hl> .


Question: What is the oldest era in Egypt?

Egypt has one of the oldest civilisations in the world. It has been in contact with many other civilisations and nations and has been through so many eras, starting from prehistoric age to the modern age, passing through so many ages such as; Pharonic, Roman, Greek, Islamic and many other ages. Because of this wide variation of ages, the continuous contact with other nations and the big number of conflicts Egypt had been through, at least 60 museums may be found in Egypt, mainly covering a wide area of these ages and conflicts.

Answer: prehistoric

Egypt has one of the oldest civilisations in the world. <hl> It has been in contact with many other civilisations and nations and has been through so many eras, starting from prehistoric age to the modern age, passing through so many ages such as; Pharonic, Roman, Greek, Islamic and many other ages. <hl> Because of this wide variation of ages, the continuous contact with other nations and the big number of conflicts Egypt had been through, at least 60 museums may be found in Egypt, mainly covering a wide area of these ages and conflicts.

Egypt has one of the oldest civilisations in the world. It has been in contact with many other civilisations and nations and has been through so many eras, starting from <hl> prehistoric <hl> age to the modern age, passing through so many ages such as; Pharonic, Roman, Greek, Islamic and many other ages. Because of this wide variation of ages, the continuous contact with other nations and the big number of conflicts Egypt had been through, at least 60 museums may be found in Egypt, mainly covering a wide area of these ages and conflicts.


Question: How many museums are found in Egypt?

Answer: at least 60

Egypt has one of the oldest civilisations in the world. It has been in contact with many other civilisations and nations and has been through so many eras, starting from prehistoric age to the modern age, passing through so many ages such as; Pharonic, Roman, Greek, Islamic and many other ages. <hl> Because of this wide variation of ages, the continuous contact with other nations and the big number of conflicts Egypt had been through, at least 60 museums may be found in Egypt, mainly covering a wide area of these ages and conflicts. <hl>

Egypt has one of the oldest civilisations in the world. It has been in contact with many other civilisations and nations and has been through so many eras, starting from prehistoric age to the modern age, passing through so many ages such as; Pharonic, Roman, Greek, Islamic and many other ages. Because of this wide variation of ages, the continuous contact with other nations and the big number of conflicts Egypt had been through, <hl> at least 60 <hl> museums may be found in Egypt, mainly covering a wide area of these ages and conflicts.


Question: What are some examples of Ages in Egypt?

Answer: Pharonic, Roman, Greek, Islamic

Egypt has one of the oldest civilisations in the world. <hl> It has been in contact with many other civilisations and nations and has been through so many eras, starting from prehistoric age to the modern age, passing through so many ages such as; Pharonic, Roman, Greek, Islamic and many other ages. <hl> Because of this wide variation of ages, the continuous contact with other nations and the big number of conflicts Egypt had been through, at least 60 museums may be found in Egypt, mainly covering a wide area of these ages and conflicts.

Egypt has one of the oldest civilisations in the world. It has been in contact with many other civilisations and nations and has been through so many eras, starting from prehistoric age to the modern age, passing through so many ages such as; <hl> Pharonic, Roman, Greek, Islamic <hl> and many other ages. Because of this wide variation of ages, the continuous contact with other nations and the big number of conflicts Egypt had been through, at least 60 museums may be found in Egypt, mainly covering a wide area of these ages and conflicts.


Question: What is koshari?

Some consider koshari (a mixture of rice, lentils, and macaroni) to be the national dish. Fried onions can be also added to koshari. In addition, ful medames (mashed fava beans) is one of the most popular dishes. Fava bean is also used in making falafel (also known as "ta'meyya"), which may have originated in Egypt and spread to other parts of the Middle East. Garlic fried with coriander is added to mulukhiyya, a popular green soup made from finely chopped jute leaves, sometimes with chicken or rabbit.

Answer: mixture of rice, lentils, and macaroni

<hl> Some consider koshari (a mixture of rice, lentils, and macaroni ) to be the national dish. <hl> Fried onions can be also added to koshari. In addition, ful medames (mashed fava beans) is one of the most popular dishes. Fava bean is also used in making falafel (also known as "ta'meyya"), which may have originated in Egypt and spread to other parts of the Middle East. Garlic fried with coriander is added to mulukhiyya, a popular green soup made from finely chopped jute leaves, sometimes with chicken or rabbit.

Some consider koshari (a <hl> mixture of rice, lentils, and macaroni <hl>) to be the national dish. Fried onions can be also added to koshari. In addition, ful medames (mashed fava beans) is one of the most popular dishes. Fava bean is also used in making falafel (also known as "ta'meyya"), which may have originated in Egypt and spread to other parts of the Middle East. Garlic fried with coriander is added to mulukhiyya, a popular green soup made from finely chopped jute leaves, sometimes with chicken or rabbit.

Some consider koshari (a <hl> mixture of rice, lentils, and macaroni <hl> ) to be the national dish.


Question: What can be added to koshari?

Answer: Fried onions

Some consider koshari (a mixture of rice, lentils, and macaroni) to be the national dish. <hl> Fried onions can be also added to koshari. <hl> In addition, ful medames (mashed fava beans) is one of the most popular dishes. Fava bean is also used in making falafel (also known as "ta'meyya"), which may have originated in Egypt and spread to other parts of the Middle East. Garlic fried with coriander is added to mulukhiyya, a popular green soup made from finely chopped jute leaves, sometimes with chicken or rabbit.

Some consider koshari (a mixture of rice, lentils, and macaroni) to be the national dish. <hl> Fried onions <hl> can be also added to koshari. In addition, ful medames (mashed fava beans) is one of the most popular dishes. Fava bean is also used in making falafel (also known as "ta'meyya"), which may have originated in Egypt and spread to other parts of the Middle East. Garlic fried with coriander is added to mulukhiyya, a popular green soup made from finely chopped jute leaves, sometimes with chicken or rabbit.


Question: What is a polular green soup of Egypt?

Answer: mulukhiyya

Some consider koshari (a mixture of rice, lentils, and macaroni) to be the national dish. Fried onions can be also added to koshari. In addition, ful medames (mashed fava beans) is one of the most popular dishes. Fava bean is also used in making falafel (also known as "ta'meyya"), which may have originated in Egypt and spread to other parts of the Middle East. <hl> Garlic fried with coriander is added to mulukhiyya , a popular green soup made from finely chopped jute leaves, sometimes with chicken or rabbit. <hl>

Some consider koshari (a mixture of rice, lentils, and macaroni) to be the national dish. Fried onions can be also added to koshari. In addition, ful medames (mashed fava beans) is one of the most popular dishes. Fava bean is also used in making falafel (also known as "ta'meyya"), which may have originated in Egypt and spread to other parts of the Middle East. Garlic fried with coriander is added to <hl> mulukhiyya <hl>, a popular green soup made from finely chopped jute leaves, sometimes with chicken or rabbit.

Garlic fried with coriander is added to <hl> mulukhiyya <hl> , a popular green soup made from finely chopped jute leaves, sometimes with chicken or rabbit.


Question: What beans are used to make falafel?

Answer: Fava bean

Some consider koshari (a mixture of rice, lentils, and macaroni) to be the national dish. Fried onions can be also added to koshari. In addition, ful medames (mashed fava beans) is one of the most popular dishes. <hl> Fava bean is also used in making falafel (also known as "ta'meyya"), which may have originated in Egypt and spread to other parts of the Middle East. <hl> Garlic fried with coriander is added to mulukhiyya, a popular green soup made from finely chopped jute leaves, sometimes with chicken or rabbit.

Some consider koshari (a mixture of rice, lentils, and macaroni) to be the national dish. Fried onions can be also added to koshari. In addition, ful medames (mashed fava beans) is one of the most popular dishes. <hl> Fava bean <hl> is also used in making falafel (also known as "ta'meyya"), which may have originated in Egypt and spread to other parts of the Middle East. Garlic fried with coriander is added to mulukhiyya, a popular green soup made from finely chopped jute leaves, sometimes with chicken or rabbit.


Question: What is the most popular sport in Egypt?

Football is the most popular national sport of Egypt. The Cairo Derby is one of the fiercest derbies in Africa, and the BBC picked it as one of the 7 toughest derbies in the world. Al Ahly is the most successful club of the 20th century in the African continent according to CAF, closely followed by their rivals Zamalek SC. Al Ahly was named in 2000 by the Confederation of African Football as the "African Club of the Century". With twenty titles, Al Ahly is currently the world's most successful club in terms of international trophies, surpassing Italy's A.C. Milan and Argentina's Boca Juniors, both having eighteen.

Answer: Football

<hl> Football is the most popular national sport of Egypt. <hl> The Cairo Derby is one of the fiercest derbies in Africa, and the BBC picked it as one of the 7 toughest derbies in the world. Al Ahly is the most successful club of the 20th century in the African continent according to CAF, closely followed by their rivals Zamalek SC. Al Ahly was named in 2000 by the Confederation of African Football as the "African Club of the Century". With twenty titles, Al Ahly is currently the world's most successful club in terms of international trophies, surpassing Italy's A.C. Milan and Argentina's Boca Juniors, both having eighteen.

<hl> Football <hl> is the most popular national sport of Egypt. The Cairo Derby is one of the fiercest derbies in Africa, and the BBC picked it as one of the 7 toughest derbies in the world. Al Ahly is the most successful club of the 20th century in the African continent according to CAF, closely followed by their rivals Zamalek SC. Al Ahly was named in 2000 by the Confederation of African Football as the "African Club of the Century". With twenty titles, Al Ahly is currently the world's most successful club in terms of international trophies, surpassing Italy's A.C. Milan and Argentina's Boca Juniors, both having eighteen.


Question: What is one of the toughest derbies in the world, run in Egypt?

Answer: The Cairo Derby

Football is the most popular national sport of Egypt. <hl> The Cairo Derby is one of the fiercest derbies in Africa, and the BBC picked it as one of the 7 toughest derbies in the world. <hl> Al Ahly is the most successful club of the 20th century in the African continent according to CAF, closely followed by their rivals Zamalek SC. Al Ahly was named in 2000 by the Confederation of African Football as the "African Club of the Century". With twenty titles, Al Ahly is currently the world's most successful club in terms of international trophies, surpassing Italy's A.C. Milan and Argentina's Boca Juniors, both having eighteen.

Football is the most popular national sport of Egypt. <hl> The Cairo Derby <hl> is one of the fiercest derbies in Africa, and the BBC picked it as one of the 7 toughest derbies in the world. Al Ahly is the most successful club of the 20th century in the African continent according to CAF, closely followed by their rivals Zamalek SC. Al Ahly was named in 2000 by the Confederation of African Football as the "African Club of the Century". With twenty titles, Al Ahly is currently the world's most successful club in terms of international trophies, surpassing Italy's A.C. Milan and Argentina's Boca Juniors, both having eighteen.


Question: In terms of international trophies, whos is the most successful club?

Answer: Al Ahly

Football is the most popular national sport of Egypt. The Cairo Derby is one of the fiercest derbies in Africa, and the BBC picked it as one of the 7 toughest derbies in the world. <hl> Al Ahly is the most successful club of the 20th century in the African continent according to CAF, closely followed by their rivals Zamalek SC. <hl> Al Ahly was named in 2000 by the Confederation of African Football as the "African Club of the Century". With twenty titles, Al Ahly is currently the world's most successful club in terms of international trophies, surpassing Italy's A.C. Milan and Argentina's Boca Juniors, both having eighteen.

Football is the most popular national sport of Egypt. The Cairo Derby is one of the fiercest derbies in Africa, and the BBC picked it as one of the 7 toughest derbies in the world. <hl> Al Ahly <hl> is the most successful club of the 20th century in the African continent according to CAF, closely followed by their rivals Zamalek SC. Al Ahly was named in 2000 by the Confederation of African Football as the "African Club of the Century". With twenty titles, Al Ahly is currently the world's most successful club in terms of international trophies, surpassing Italy's A.C. Milan and Argentina's Boca Juniors, both having eighteen.


Question: What was the last international competition Egypt hosted?

Egypt has hosted several international competitions. the last one was 2009 FIFA U-20 World Cup which took place between 24 September - 16 October 2009. On Friday 19 September of the year 2014, Guinness World Records has announced that Egyptian scuba diver Ahmed Gabr is the new title holder for deepest salt water scuba dive, at 332.35 metres. Ahmed set a new world record Friday when he reached a depth of more than 1,000 feet. The 14-hour feat took Gabr 1,066 feet down into the abyss near the Egyptian town of Dahab in ther Red Sea, where he works as a diving instructor.

Answer: 2009 FIFA U-20 World Cup

Egypt has hosted several international competitions. <hl> the last one was 2009 FIFA U-20 World Cup which took place between 24 September - 16 October 2009. <hl> On Friday 19 September of the year 2014, Guinness World Records has announced that Egyptian scuba diver Ahmed Gabr is the new title holder for deepest salt water scuba dive, at 332.35 metres. Ahmed set a new world record Friday when he reached a depth of more than 1,000 feet. The 14-hour feat took Gabr 1,066 feet down into the abyss near the Egyptian town of Dahab in ther Red Sea, where he works as a diving instructor.

Egypt has hosted several international competitions. the last one was <hl> 2009 FIFA U-20 World Cup <hl> which took place between 24 September - 16 October 2009. On Friday 19 September of the year 2014, Guinness World Records has announced that Egyptian scuba diver Ahmed Gabr is the new title holder for deepest salt water scuba dive, at 332.35 metres. Ahmed set a new world record Friday when he reached a depth of more than 1,000 feet. The 14-hour feat took Gabr 1,066 feet down into the abyss near the Egyptian town of Dahab in ther Red Sea, where he works as a diving instructor.


Question: Who holds Guiness record for Deepest salt water scuba dive?

Answer: Ahmed Gabr

Egypt has hosted several international competitions. the last one was 2009 FIFA U-20 World Cup which took place between 24 September - 16 October 2009. <hl> On Friday 19 September of the year 2014, Guinness World Records has announced that Egyptian scuba diver Ahmed Gabr is the new title holder for deepest salt water scuba dive, at 332.35 metres. <hl> Ahmed set a new world record Friday when he reached a depth of more than 1,000 feet. The 14-hour feat took Gabr 1,066 feet down into the abyss near the Egyptian town of Dahab in ther Red Sea, where he works as a diving instructor.

Egypt has hosted several international competitions. the last one was 2009 FIFA U-20 World Cup which took place between 24 September - 16 October 2009. On Friday 19 September of the year 2014, Guinness World Records has announced that Egyptian scuba diver <hl> Ahmed Gabr <hl> is the new title holder for deepest salt water scuba dive, at 332.35 metres. Ahmed set a new world record Friday when he reached a depth of more than 1,000 feet. The 14-hour feat took Gabr 1,066 feet down into the abyss near the Egyptian town of Dahab in ther Red Sea, where he works as a diving instructor.


Question: How deep did Gabr dive?

Answer: 1,066 feet down

Egypt has hosted several international competitions. the last one was 2009 FIFA U-20 World Cup which took place between 24 September - 16 October 2009. On Friday 19 September of the year 2014, Guinness World Records has announced that Egyptian scuba diver Ahmed Gabr is the new title holder for deepest salt water scuba dive, at 332.35 metres. Ahmed set a new world record Friday when he reached a depth of more than 1,000 feet. <hl> The 14-hour feat took Gabr 1,066 feet down into the abyss near the Egyptian town of Dahab in ther Red Sea, where he works as a diving instructor. <hl>

Egypt has hosted several international competitions. the last one was 2009 FIFA U-20 World Cup which took place between 24 September - 16 October 2009. On Friday 19 September of the year 2014, Guinness World Records has announced that Egyptian scuba diver Ahmed Gabr is the new title holder for deepest salt water scuba dive, at 332.35 metres. Ahmed set a new world record Friday when he reached a depth of more than 1,000 feet. The 14-hour feat took Gabr <hl> 1,066 feet down <hl> into the abyss near the Egyptian town of Dahab in ther Red Sea, where he works as a diving instructor.


Question: In what body of water did Gabr dive?

Answer: Red Sea

Egypt has hosted several international competitions. the last one was 2009 FIFA U-20 World Cup which took place between 24 September - 16 October 2009. On Friday 19 September of the year 2014, Guinness World Records has announced that Egyptian scuba diver Ahmed Gabr is the new title holder for deepest salt water scuba dive, at 332.35 metres. Ahmed set a new world record Friday when he reached a depth of more than 1,000 feet. <hl> The 14-hour feat took Gabr 1,066 feet down into the abyss near the Egyptian town of Dahab in ther Red Sea , where he works as a diving instructor. <hl>

Egypt has hosted several international competitions. the last one was 2009 FIFA U-20 World Cup which took place between 24 September - 16 October 2009. On Friday 19 September of the year 2014, Guinness World Records has announced that Egyptian scuba diver Ahmed Gabr is the new title holder for deepest salt water scuba dive, at 332.35 metres. Ahmed set a new world record Friday when he reached a depth of more than 1,000 feet. The 14-hour feat took Gabr 1,066 feet down into the abyss near the Egyptian town of Dahab in ther <hl> Red Sea <hl>, where he works as a diving instructor.

The 14-hour feat took Gabr 1,066 feet down into the abyss near the Egyptian town of Dahab in ther <hl> Red Sea <hl> , where he works as a diving instructor.


Question: What millennium did Mosaic start?

Mosaic has a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman kingdom in Sicily in the 12th century, by eastern-influenced Venice, and among the Rus in Ukraine. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique. Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics.

Answer: the 3rd millennium BC

<hl> Mosaic has a long history, starting in Mesopotamia in the 3rd millennium BC . <hl> Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman kingdom in Sicily in the 12th century, by eastern-influenced Venice, and among the Rus in Ukraine. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique. Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics.

Mosaic has a long history, starting in Mesopotamia in <hl> the 3rd millennium BC <hl>. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman kingdom in Sicily in the 12th century, by eastern-influenced Venice, and among the Rus in Ukraine. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique. Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics.

Mosaic has a long history, starting in Mesopotamia in <hl> the 3rd millennium BC <hl> .


Question: What kind of mosaic were made in Tiryns?

Answer: Pebble mosaics

Mosaic has a long history, starting in Mesopotamia in the 3rd millennium BC. <hl> Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. <hl> Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman kingdom in Sicily in the 12th century, by eastern-influenced Venice, and among the Rus in Ukraine. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique. Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics.

Mosaic has a long history, starting in Mesopotamia in the 3rd millennium BC. <hl> Pebble mosaics <hl> were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman kingdom in Sicily in the 12th century, by eastern-influenced Venice, and among the Rus in Ukraine. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique. Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics.


Question: Who besides the Romans did the Jewish people get influenced by?

Answer: Byzantine

Mosaic has a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. <hl> Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman kingdom in Sicily in the 12th century, by eastern-influenced Venice, and among the Rus in Ukraine. <hl> Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique. Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics.

Mosaic has a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the <hl> Byzantine <hl> Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman kingdom in Sicily in the 12th century, by eastern-influenced Venice, and among the Rus in Ukraine. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique. Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics.


Question: When did mosaic fall out of fashion?

Answer: the Renaissance

Mosaic has a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman kingdom in Sicily in the 12th century, by eastern-influenced Venice, and among the Rus in Ukraine. <hl> Mosaic fell out of fashion in the Renaissance , though artists like Raphael continued to practise the old technique. <hl> Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics.

Mosaic has a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman kingdom in Sicily in the 12th century, by eastern-influenced Venice, and among the Rus in Ukraine. Mosaic fell out of fashion in <hl> the Renaissance <hl>, though artists like Raphael continued to practise the old technique. Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics.

Mosaic fell out of fashion in <hl> the Renaissance <hl> , though artists like Raphael continued to practise the old technique.


Question: The Norman kingdomwas in what italian city state?

Answer: Sicily

Mosaic has a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. <hl> Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman kingdom in Sicily in the 12th century, by eastern-influenced Venice, and among the Rus in Ukraine. <hl> Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique. Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics.

Mosaic has a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman kingdom in <hl> Sicily <hl> in the 12th century, by eastern-influenced Venice, and among the Rus in Ukraine. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique. Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics.


Question: The pebble mosaics found at Tiyns are from what age?

Bronze age pebble mosaics have been found at Tiryns; mosaics of the 4th century BC are found in the Macedonian palace-city of Aegae, and the 4th-century BC mosaic of The Beauty of Durrës discovered in Durrës, Albania in 1916, is an early figural example; the Greek figural style was mostly formed in the 3rd century BC. Mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the food left on a floor after a feast and of a group of doves drinking from a bowl. Both of these themes were widely copied.

Answer: Bronze age

<hl> Bronze age pebble mosaics have been found at Tiryns; mosaics of the 4th century BC are found in the Macedonian palace-city of Aegae, and the 4th-century BC mosaic of The Beauty of Durrës discovered in Durrës, Albania in 1916, is an early figural example; the Greek figural style was mostly formed in the 3rd century BC. <hl> Mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the food left on a floor after a feast and of a group of doves drinking from a bowl. Both of these themes were widely copied.

<hl> Bronze age <hl> pebble mosaics have been found at Tiryns; mosaics of the 4th century BC are found in the Macedonian palace-city of Aegae, and the 4th-century BC mosaic of The Beauty of Durrës discovered in Durrës, Albania in 1916, is an early figural example; the Greek figural style was mostly formed in the 3rd century BC. Mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the food left on a floor after a feast and of a group of doves drinking from a bowl. Both of these themes were widely copied.


Question: The Beauty of Durres is in what country?

Answer: Albania

<hl> Bronze age pebble mosaics have been found at Tiryns; mosaics of the 4th century BC are found in the Macedonian palace-city of Aegae, and the 4th-century BC mosaic of The Beauty of Durrës discovered in Durrës, Albania in 1916, is an early figural example; the Greek figural style was mostly formed in the 3rd century BC. <hl> Mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the food left on a floor after a feast and of a group of doves drinking from a bowl. Both of these themes were widely copied.

Bronze age pebble mosaics have been found at Tiryns; mosaics of the 4th century BC are found in the Macedonian palace-city of Aegae, and the 4th-century BC mosaic of The Beauty of Durrës discovered in Durrës, <hl> Albania <hl> in 1916, is an early figural example; the Greek figural style was mostly formed in the 3rd century BC. Mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the food left on a floor after a feast and of a group of doves drinking from a bowl. Both of these themes were widely copied.


Question: The famous artists Sosus was from what area?

Answer: Pergamon

Bronze age pebble mosaics have been found at Tiryns; mosaics of the 4th century BC are found in the Macedonian palace-city of Aegae, and the 4th-century BC mosaic of The Beauty of Durrës discovered in Durrës, Albania in 1916, is an early figural example; the Greek figural style was mostly formed in the 3rd century BC. Mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. <hl> Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the food left on a floor after a feast and of a group of doves drinking from a bowl. <hl> Both of these themes were widely copied.

Bronze age pebble mosaics have been found at Tiryns; mosaics of the 4th century BC are found in the Macedonian palace-city of Aegae, and the 4th-century BC mosaic of The Beauty of Durrës discovered in Durrës, Albania in 1916, is an early figural example; the Greek figural style was mostly formed in the 3rd century BC. Mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of <hl> Pergamon <hl> by name, describing his mosaics of the food left on a floor after a feast and of a group of doves drinking from a bowl. Both of these themes were widely copied.


Question: When was the Greek figure style mostly formed?

Answer: the 3rd century BC

<hl> Bronze age pebble mosaics have been found at Tiryns; mosaics of the 4th century BC are found in the Macedonian palace-city of Aegae, and the 4th-century BC mosaic of The Beauty of Durrës discovered in Durrës, Albania in 1916, is an early figural example; the Greek figural style was mostly formed in the 3rd century BC . <hl> Mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the food left on a floor after a feast and of a group of doves drinking from a bowl. Both of these themes were widely copied.

Bronze age pebble mosaics have been found at Tiryns; mosaics of the 4th century BC are found in the Macedonian palace-city of Aegae, and the 4th-century BC mosaic of The Beauty of Durrës discovered in Durrës, Albania in 1916, is an early figural example; the Greek figural style was mostly formed in <hl> the 3rd century BC <hl>. Mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the food left on a floor after a feast and of a group of doves drinking from a bowl. Both of these themes were widely copied.

Bronze age pebble mosaics have been found at Tiryns; mosaics of the 4th century BC are found in the Macedonian palace-city of Aegae, and the 4th-century BC mosaic of The Beauty of Durrës discovered in Durrës, Albania in 1916, is an early figural example; the Greek figural style was mostly formed in <hl> the 3rd century BC <hl> .


Question: When was the famous mosaic "The Beauty of Durres" created?

Answer: the 4th-century BC

<hl> Bronze age pebble mosaics have been found at Tiryns; mosaics of the 4th century BC are found in the Macedonian palace-city of Aegae, and the 4th-century BC mosaic of The Beauty of Durrës discovered in Durrës, Albania in 1916, is an early figural example; the Greek figural style was mostly formed in the 3rd century BC. <hl> Mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the food left on a floor after a feast and of a group of doves drinking from a bowl. Both of these themes were widely copied.

Bronze age pebble mosaics have been found at Tiryns; mosaics of the 4th century BC are found in the Macedonian palace-city of Aegae, and <hl> the 4th-century BC <hl> mosaic of The Beauty of Durrës discovered in Durrës, Albania in 1916, is an early figural example; the Greek figural style was mostly formed in the 3rd century BC. Mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the food left on a floor after a feast and of a group of doves drinking from a bowl. Both of these themes were widely copied.


Question: What common artform is far more prestigious than mosaic?

Greek figural mosaics could have been copied or adapted paintings, a far more prestigious artform, and the style was enthusiastically adopted by the Romans so that large floor mosaics enriched the floors of Hellenistic villas and Roman dwellings from Britain to Dura-Europos. Most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire; no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in places such as Carthage, and can still be seen in the extensive collection in Bardo Museum in Tunis, Tunisia.

Answer: paintings

<hl> Greek figural mosaics could have been copied or adapted paintings , a far more prestigious artform, and the style was enthusiastically adopted by the Romans so that large floor mosaics enriched the floors of Hellenistic villas and Roman dwellings from Britain to Dura-Europos. <hl> Most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire; no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in places such as Carthage, and can still be seen in the extensive collection in Bardo Museum in Tunis, Tunisia.

Greek figural mosaics could have been copied or adapted <hl> paintings <hl>, a far more prestigious artform, and the style was enthusiastically adopted by the Romans so that large floor mosaics enriched the floors of Hellenistic villas and Roman dwellings from Britain to Dura-Europos. Most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire; no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in places such as Carthage, and can still be seen in the extensive collection in Bardo Museum in Tunis, Tunisia.

Greek figural mosaics could have been copied or adapted <hl> paintings <hl> , a far more prestigious artform, and the style was enthusiastically adopted by the Romans so that large floor mosaics enriched the floors of Hellenistic villas and Roman dwellings from Britain to Dura-Europos.


Question: Which culture adapted the use of mosaics for large ground coverings in their villas?

Answer: the Romans

<hl> Greek figural mosaics could have been copied or adapted paintings, a far more prestigious artform, and the style was enthusiastically adopted by the Romans so that large floor mosaics enriched the floors of Hellenistic villas and Roman dwellings from Britain to Dura-Europos. <hl> Most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire; no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in places such as Carthage, and can still be seen in the extensive collection in Bardo Museum in Tunis, Tunisia.

Greek figural mosaics could have been copied or adapted paintings, a far more prestigious artform, and the style was enthusiastically adopted by <hl> the Romans <hl> so that large floor mosaics enriched the floors of Hellenistic villas and Roman dwellings from Britain to Dura-Europos. Most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire; no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in places such as Carthage, and can still be seen in the extensive collection in Bardo Museum in Tunis, Tunisia.


Question: Most names of Roman mosaic workers are what nationality?

Answer: Greek

<hl> Greek figural mosaics could have been copied or adapted paintings, a far more prestigious artform, and the style was enthusiastically adopted by the Romans so that large floor mosaics enriched the floors of Hellenistic villas and Roman dwellings from Britain to Dura-Europos. <hl> Most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire; no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in places such as Carthage, and can still be seen in the extensive collection in Bardo Museum in Tunis, Tunisia.

<hl> Greek <hl> figural mosaics could have been copied or adapted paintings, a far more prestigious artform, and the style was enthusiastically adopted by the Romans so that large floor mosaics enriched the floors of Hellenistic villas and Roman dwellings from Britain to Dura-Europos. Most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire; no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in places such as Carthage, and can still be seen in the extensive collection in Bardo Museum in Tunis, Tunisia.


Question: Often regular everyday craftsman were most likely what?

Answer: slaves

Greek figural mosaics could have been copied or adapted paintings, a far more prestigious artform, and the style was enthusiastically adopted by the Romans so that large floor mosaics enriched the floors of Hellenistic villas and Roman dwellings from Britain to Dura-Europos. <hl> Most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire; no doubt most ordinary craftsmen were slaves . <hl> Splendid mosaic floors are found in Roman villas across North Africa, in places such as Carthage, and can still be seen in the extensive collection in Bardo Museum in Tunis, Tunisia.

Greek figural mosaics could have been copied or adapted paintings, a far more prestigious artform, and the style was enthusiastically adopted by the Romans so that large floor mosaics enriched the floors of Hellenistic villas and Roman dwellings from Britain to Dura-Europos. Most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire; no doubt most ordinary craftsmen were <hl> slaves <hl>. Splendid mosaic floors are found in Roman villas across North Africa, in places such as Carthage, and can still be seen in the extensive collection in Bardo Museum in Tunis, Tunisia.

Most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire; no doubt most ordinary craftsmen were <hl> slaves <hl> .


Question: Carthage and Tunisia are in what general area?

Answer: North Africa

Greek figural mosaics could have been copied or adapted paintings, a far more prestigious artform, and the style was enthusiastically adopted by the Romans so that large floor mosaics enriched the floors of Hellenistic villas and Roman dwellings from Britain to Dura-Europos. Most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire; no doubt most ordinary craftsmen were slaves. <hl> Splendid mosaic floors are found in Roman villas across North Africa , in places such as Carthage, and can still be seen in the extensive collection in Bardo Museum in Tunis, Tunisia. <hl>

Greek figural mosaics could have been copied or adapted paintings, a far more prestigious artform, and the style was enthusiastically adopted by the Romans so that large floor mosaics enriched the floors of Hellenistic villas and Roman dwellings from Britain to Dura-Europos. Most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire; no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across <hl> North Africa <hl>, in places such as Carthage, and can still be seen in the extensive collection in Bardo Museum in Tunis, Tunisia.

Splendid mosaic floors are found in Roman villas across <hl> North Africa <hl> , in places such as Carthage, and can still be seen in the extensive collection in Bardo Museum in Tunis, Tunisia.


Question: What type of mosaic uses small tesserae?

There were two main techniques in Greco-Roman mosaic: opus vermiculatum used tiny tesserae, typically cubes of 4 millimeters or less, and was produced in workshops in relatively small panels which were transported to the site glued to some temporary support. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting. Often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site. There was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work.

Answer: opus vermiculatum

<hl> There were two main techniques in Greco-Roman mosaic: opus vermiculatum used tiny tesserae, typically cubes of 4 millimeters or less, and was produced in workshops in relatively small panels which were transported to the site glued to some temporary support. <hl> The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting. Often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site. There was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work.

There were two main techniques in Greco-Roman mosaic: <hl> opus vermiculatum <hl> used tiny tesserae, typically cubes of 4 millimeters or less, and was produced in workshops in relatively small panels which were transported to the site glued to some temporary support. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting. Often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site. There was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work.


Question: What were small panel mosaics known as?

Answer: emblemata

There were two main techniques in Greco-Roman mosaic: opus vermiculatum used tiny tesserae, typically cubes of 4 millimeters or less, and was produced in workshops in relatively small panels which were transported to the site glued to some temporary support. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting. <hl> Often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. <hl> The normal technique was opus tessellatum, using larger tesserae, which was laid on site. There was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work.

There were two main techniques in Greco-Roman mosaic: opus vermiculatum used tiny tesserae, typically cubes of 4 millimeters or less, and was produced in workshops in relatively small panels which were transported to the site glued to some temporary support. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting. Often small panels called <hl> emblemata <hl> were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site. There was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work.


Question: What was the name of the mosaic technique that used larger tesserae?

Answer: opus tessellatum

There were two main techniques in Greco-Roman mosaic: opus vermiculatum used tiny tesserae, typically cubes of 4 millimeters or less, and was produced in workshops in relatively small panels which were transported to the site glued to some temporary support. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting. Often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. <hl> The normal technique was opus tessellatum , using larger tesserae, which was laid on site. <hl> There was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work.

There were two main techniques in Greco-Roman mosaic: opus vermiculatum used tiny tesserae, typically cubes of 4 millimeters or less, and was produced in workshops in relatively small panels which were transported to the site glued to some temporary support. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting. Often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was <hl> opus tessellatum <hl>, using larger tesserae, which was laid on site. There was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work.

The normal technique was <hl> opus tessellatum <hl> , using larger tesserae, which was laid on site.


Question: What was the benefit of using small pieces to create a mosaic?

Answer: very fine detail

There were two main techniques in Greco-Roman mosaic: opus vermiculatum used tiny tesserae, typically cubes of 4 millimeters or less, and was produced in workshops in relatively small panels which were transported to the site glued to some temporary support. <hl> The tiny tesserae allowed very fine detail , and an approach to the illusionism of painting. <hl> Often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site. There was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work.

There were two main techniques in Greco-Roman mosaic: opus vermiculatum used tiny tesserae, typically cubes of 4 millimeters or less, and was produced in workshops in relatively small panels which were transported to the site glued to some temporary support. The tiny tesserae allowed <hl> very fine detail <hl>, and an approach to the illusionism of painting. Often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site. There was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work.

The tiny tesserae allowed <hl> very fine detail <hl> , and an approach to the illusionism of painting.


Question: Why were black and white pieces used in most italian mosaics?

Answer: cheaper than fully coloured work

There were two main techniques in Greco-Roman mosaic: opus vermiculatum used tiny tesserae, typically cubes of 4 millimeters or less, and was produced in workshops in relatively small panels which were transported to the site glued to some temporary support. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting. Often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site. <hl> There was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work . <hl>

There were two main techniques in Greco-Roman mosaic: opus vermiculatum used tiny tesserae, typically cubes of 4 millimeters or less, and was produced in workshops in relatively small panels which were transported to the site glued to some temporary support. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting. Often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site. There was a distinct native Italian style using black on a white background, which was no doubt <hl> cheaper than fully coloured work <hl>.

There was a distinct native Italian style using black on a white background, which was no doubt <hl> cheaper than fully coloured work <hl> .


Question: Which caesar hired builders to construct the Domus Aurea?

In Rome, Nero and his architects used mosaics to cover some surfaces of walls and ceilings in the Domus Aurea, built 64 AD, and wall mosaics are also found at Pompeii and neighbouring sites. However it seems that it was not until the Christian era that figural wall mosaics became a major form of artistic expression. The Roman church of Santa Costanza, which served as a mausoleum for one or more of the Imperial family, has both religious mosaic and decorative secular ceiling mosaics on a round vault, which probably represent the style of contemporary palace decoration.

Answer: Nero

<hl> In Rome, Nero and his architects used mosaics to cover some surfaces of walls and ceilings in the Domus Aurea, built 64 AD, and wall mosaics are also found at Pompeii and neighbouring sites. <hl> However it seems that it was not until the Christian era that figural wall mosaics became a major form of artistic expression. The Roman church of Santa Costanza, which served as a mausoleum for one or more of the Imperial family, has both religious mosaic and decorative secular ceiling mosaics on a round vault, which probably represent the style of contemporary palace decoration.

In Rome, <hl> Nero <hl> and his architects used mosaics to cover some surfaces of walls and ceilings in the Domus Aurea, built 64 AD, and wall mosaics are also found at Pompeii and neighbouring sites. However it seems that it was not until the Christian era that figural wall mosaics became a major form of artistic expression. The Roman church of Santa Costanza, which served as a mausoleum for one or more of the Imperial family, has both religious mosaic and decorative secular ceiling mosaics on a round vault, which probably represent the style of contemporary palace decoration.


Question: When did figure wall mosaics become the highest form of artistic expression?

Answer: the Christian era

In Rome, Nero and his architects used mosaics to cover some surfaces of walls and ceilings in the Domus Aurea, built 64 AD, and wall mosaics are also found at Pompeii and neighbouring sites. <hl> However it seems that it was not until the Christian era that figural wall mosaics became a major form of artistic expression. <hl> The Roman church of Santa Costanza, which served as a mausoleum for one or more of the Imperial family, has both religious mosaic and decorative secular ceiling mosaics on a round vault, which probably represent the style of contemporary palace decoration.

In Rome, Nero and his architects used mosaics to cover some surfaces of walls and ceilings in the Domus Aurea, built 64 AD, and wall mosaics are also found at Pompeii and neighbouring sites. However it seems that it was not until <hl> the Christian era <hl> that figural wall mosaics became a major form of artistic expression. The Roman church of Santa Costanza, which served as a mausoleum for one or more of the Imperial family, has both religious mosaic and decorative secular ceiling mosaics on a round vault, which probably represent the style of contemporary palace decoration.


Question: The church of Santa Costanza is in what country?

Answer: Rome

<hl> In Rome , Nero and his architects used mosaics to cover some surfaces of walls and ceilings in the Domus Aurea, built 64 AD, and wall mosaics are also found at Pompeii and neighbouring sites. <hl> However it seems that it was not until the Christian era that figural wall mosaics became a major form of artistic expression. The Roman church of Santa Costanza, which served as a mausoleum for one or more of the Imperial family, has both religious mosaic and decorative secular ceiling mosaics on a round vault, which probably represent the style of contemporary palace decoration.

In <hl> Rome <hl>, Nero and his architects used mosaics to cover some surfaces of walls and ceilings in the Domus Aurea, built 64 AD, and wall mosaics are also found at Pompeii and neighbouring sites. However it seems that it was not until the Christian era that figural wall mosaics became a major form of artistic expression. The Roman church of Santa Costanza, which served as a mausoleum for one or more of the Imperial family, has both religious mosaic and decorative secular ceiling mosaics on a round vault, which probably represent the style of contemporary palace decoration.

In <hl> Rome <hl> , Nero and his architects used mosaics to cover some surfaces of walls and ceilings in the Domus Aurea, built 64 AD, and wall mosaics are also found at Pompeii and neighbouring sites.


Question: When was the Domus Aurea constructed?

Answer: 64 AD

<hl> In Rome, Nero and his architects used mosaics to cover some surfaces of walls and ceilings in the Domus Aurea, built 64 AD , and wall mosaics are also found at Pompeii and neighbouring sites. <hl> However it seems that it was not until the Christian era that figural wall mosaics became a major form of artistic expression. The Roman church of Santa Costanza, which served as a mausoleum for one or more of the Imperial family, has both religious mosaic and decorative secular ceiling mosaics on a round vault, which probably represent the style of contemporary palace decoration.

In Rome, Nero and his architects used mosaics to cover some surfaces of walls and ceilings in the Domus Aurea, built <hl> 64 AD <hl>, and wall mosaics are also found at Pompeii and neighbouring sites. However it seems that it was not until the Christian era that figural wall mosaics became a major form of artistic expression. The Roman church of Santa Costanza, which served as a mausoleum for one or more of the Imperial family, has both religious mosaic and decorative secular ceiling mosaics on a round vault, which probably represent the style of contemporary palace decoration.

In Rome, Nero and his architects used mosaics to cover some surfaces of walls and ceilings in the Domus Aurea, built <hl> 64 AD <hl> , and wall mosaics are also found at Pompeii and neighbouring sites.


Question: The imperial family of Rome used the church of Santa Costanza as what?

Answer: a mausoleum

In Rome, Nero and his architects used mosaics to cover some surfaces of walls and ceilings in the Domus Aurea, built 64 AD, and wall mosaics are also found at Pompeii and neighbouring sites. However it seems that it was not until the Christian era that figural wall mosaics became a major form of artistic expression. <hl> The Roman church of Santa Costanza, which served as a mausoleum for one or more of the Imperial family, has both religious mosaic and decorative secular ceiling mosaics on a round vault, which probably represent the style of contemporary palace decoration. <hl>

In Rome, Nero and his architects used mosaics to cover some surfaces of walls and ceilings in the Domus Aurea, built 64 AD, and wall mosaics are also found at Pompeii and neighbouring sites. However it seems that it was not until the Christian era that figural wall mosaics became a major form of artistic expression. The Roman church of Santa Costanza, which served as <hl> a mausoleum <hl> for one or more of the Imperial family, has both religious mosaic and decorative secular ceiling mosaics on a round vault, which probably represent the style of contemporary palace decoration.


Question: In what area of Italy is the largest collection of mosaics in the world?

The mosaics of the Villa Romana del Casale near Piazza Armerina in Sicily are the largest collection of late Roman mosaics in situ in the world, and are protected as a UNESCO World Heritage Site. The large villa rustica, which was probably owned by Emperor Maximian, was built largely in the early 4th century. The mosaics were covered and protected for 700 years by a landslide that occurred in the 12th Century. The most important pieces are the Circus Scene, the 64m long Great Hunting Scene, the Little Hunt, the Labours of Hercules and the famous Bikini Girls, showing women undertaking a range of sporting activities in garments that resemble 20th Century bikinis. The peristyle, the imperial apartments and the thermae were also decorated with ornamental and mythological mosaics. Other important examples of Roman mosaic art in Sicily were unearthed on the Piazza Vittoria in Palermo where two houses were discovered. The most important scenes there depicted Orpheus, Alexander the Great's Hunt and the Four Seasons.

Answer: Sicily

<hl> The mosaics of the Villa Romana del Casale near Piazza Armerina in Sicily are the largest collection of late Roman mosaics in situ in the world, and are protected as a UNESCO World Heritage Site. <hl> The large villa rustica, which was probably owned by Emperor Maximian, was built largely in the early 4th century. The mosaics were covered and protected for 700 years by a landslide that occurred in the 12th Century. The most important pieces are the Circus Scene, the 64m long Great Hunting Scene, the Little Hunt, the Labours of Hercules and the famous Bikini Girls, showing women undertaking a range of sporting activities in garments that resemble 20th Century bikinis. The peristyle, the imperial apartments and the thermae were also decorated with ornamental and mythological mosaics. Other important examples of Roman mosaic art in Sicily were unearthed on the Piazza Vittoria in Palermo where two houses were discovered. The most important scenes there depicted Orpheus, Alexander the Great's Hunt and the Four Seasons.

The mosaics of the Villa Romana del Casale near Piazza Armerina in <hl> Sicily <hl> are the largest collection of late Roman mosaics in situ in the world, and are protected as a UNESCO World Heritage Site. The large villa rustica, which was probably owned by Emperor Maximian, was built largely in the early 4th century. The mosaics were covered and protected for 700 years by a landslide that occurred in the 12th Century. The most important pieces are the Circus Scene, the 64m long Great Hunting Scene, the Little Hunt, the Labours of Hercules and the famous Bikini Girls, showing women undertaking a range of sporting activities in garments that resemble 20th Century bikinis. The peristyle, the imperial apartments and the thermae were also decorated with ornamental and mythological mosaics. Other important examples of Roman mosaic art in Sicily were unearthed on the Piazza Vittoria in Palermo where two houses were discovered. The most important scenes there depicted Orpheus, Alexander the Great's Hunt and the Four Seasons.


Question: Who most likely lived in the large villa rustica?

Answer: Emperor Maximian

The mosaics of the Villa Romana del Casale near Piazza Armerina in Sicily are the largest collection of late Roman mosaics in situ in the world, and are protected as a UNESCO World Heritage Site. <hl> The large villa rustica, which was probably owned by Emperor Maximian , was built largely in the early 4th century. <hl> The mosaics were covered and protected for 700 years by a landslide that occurred in the 12th Century. The most important pieces are the Circus Scene, the 64m long Great Hunting Scene, the Little Hunt, the Labours of Hercules and the famous Bikini Girls, showing women undertaking a range of sporting activities in garments that resemble 20th Century bikinis. The peristyle, the imperial apartments and the thermae were also decorated with ornamental and mythological mosaics. Other important examples of Roman mosaic art in Sicily were unearthed on the Piazza Vittoria in Palermo where two houses were discovered. The most important scenes there depicted Orpheus, Alexander the Great's Hunt and the Four Seasons.

The mosaics of the Villa Romana del Casale near Piazza Armerina in Sicily are the largest collection of late Roman mosaics in situ in the world, and are protected as a UNESCO World Heritage Site. The large villa rustica, which was probably owned by <hl> Emperor Maximian <hl>, was built largely in the early 4th century. The mosaics were covered and protected for 700 years by a landslide that occurred in the 12th Century. The most important pieces are the Circus Scene, the 64m long Great Hunting Scene, the Little Hunt, the Labours of Hercules and the famous Bikini Girls, showing women undertaking a range of sporting activities in garments that resemble 20th Century bikinis. The peristyle, the imperial apartments and the thermae were also decorated with ornamental and mythological mosaics. Other important examples of Roman mosaic art in Sicily were unearthed on the Piazza Vittoria in Palermo where two houses were discovered. The most important scenes there depicted Orpheus, Alexander the Great's Hunt and the Four Seasons.

The large villa rustica, which was probably owned by <hl> Emperor Maximian <hl> , was built largely in the early 4th century.


Question: What caused the mosaics at the villa rustica to be protected for centuries?

Answer: a landslide

The mosaics of the Villa Romana del Casale near Piazza Armerina in Sicily are the largest collection of late Roman mosaics in situ in the world, and are protected as a UNESCO World Heritage Site. The large villa rustica, which was probably owned by Emperor Maximian, was built largely in the early 4th century. <hl> The mosaics were covered and protected for 700 years by a landslide that occurred in the 12th Century. <hl> The most important pieces are the Circus Scene, the 64m long Great Hunting Scene, the Little Hunt, the Labours of Hercules and the famous Bikini Girls, showing women undertaking a range of sporting activities in garments that resemble 20th Century bikinis. The peristyle, the imperial apartments and the thermae were also decorated with ornamental and mythological mosaics. Other important examples of Roman mosaic art in Sicily were unearthed on the Piazza Vittoria in Palermo where two houses were discovered. The most important scenes there depicted Orpheus, Alexander the Great's Hunt and the Four Seasons.

The mosaics of the Villa Romana del Casale near Piazza Armerina in Sicily are the largest collection of late Roman mosaics in situ in the world, and are protected as a UNESCO World Heritage Site. The large villa rustica, which was probably owned by Emperor Maximian, was built largely in the early 4th century. The mosaics were covered and protected for 700 years by <hl> a landslide <hl> that occurred in the 12th Century. The most important pieces are the Circus Scene, the 64m long Great Hunting Scene, the Little Hunt, the Labours of Hercules and the famous Bikini Girls, showing women undertaking a range of sporting activities in garments that resemble 20th Century bikinis. The peristyle, the imperial apartments and the thermae were also decorated with ornamental and mythological mosaics. Other important examples of Roman mosaic art in Sicily were unearthed on the Piazza Vittoria in Palermo where two houses were discovered. The most important scenes there depicted Orpheus, Alexander the Great's Hunt and the Four Seasons.


Question: How long is the hunting scene at the villa rustica?

Answer: 64m

The mosaics of the Villa Romana del Casale near Piazza Armerina in Sicily are the largest collection of late Roman mosaics in situ in the world, and are protected as a UNESCO World Heritage Site. The large villa rustica, which was probably owned by Emperor Maximian, was built largely in the early 4th century. The mosaics were covered and protected for 700 years by a landslide that occurred in the 12th Century. <hl> The most important pieces are the Circus Scene, the 64m long Great Hunting Scene, the Little Hunt, the Labours of Hercules and the famous Bikini Girls, showing women undertaking a range of sporting activities in garments that resemble 20th Century bikinis. <hl> The peristyle, the imperial apartments and the thermae were also decorated with ornamental and mythological mosaics. Other important examples of Roman mosaic art in Sicily were unearthed on the Piazza Vittoria in Palermo where two houses were discovered. The most important scenes there depicted Orpheus, Alexander the Great's Hunt and the Four Seasons.

The mosaics of the Villa Romana del Casale near Piazza Armerina in Sicily are the largest collection of late Roman mosaics in situ in the world, and are protected as a UNESCO World Heritage Site. The large villa rustica, which was probably owned by Emperor Maximian, was built largely in the early 4th century. The mosaics were covered and protected for 700 years by a landslide that occurred in the 12th Century. The most important pieces are the Circus Scene, the <hl> 64m <hl> long Great Hunting Scene, the Little Hunt, the Labours of Hercules and the famous Bikini Girls, showing women undertaking a range of sporting activities in garments that resemble 20th Century bikinis. The peristyle, the imperial apartments and the thermae were also decorated with ornamental and mythological mosaics. Other important examples of Roman mosaic art in Sicily were unearthed on the Piazza Vittoria in Palermo where two houses were discovered. The most important scenes there depicted Orpheus, Alexander the Great's Hunt and the Four Seasons.


Question: Where in Sicily were the "Orpheus," and the "Four Seasons" discovered?

Answer: Piazza Vittoria in Palermo

The mosaics of the Villa Romana del Casale near Piazza Armerina in Sicily are the largest collection of late Roman mosaics in situ in the world, and are protected as a UNESCO World Heritage Site. The large villa rustica, which was probably owned by Emperor Maximian, was built largely in the early 4th century. The mosaics were covered and protected for 700 years by a landslide that occurred in the 12th Century. The most important pieces are the Circus Scene, the 64m long Great Hunting Scene, the Little Hunt, the Labours of Hercules and the famous Bikini Girls, showing women undertaking a range of sporting activities in garments that resemble 20th Century bikinis. The peristyle, the imperial apartments and the thermae were also decorated with ornamental and mythological mosaics. <hl> Other important examples of Roman mosaic art in Sicily were unearthed on the Piazza Vittoria in Palermo where two houses were discovered. <hl> The most important scenes there depicted Orpheus, Alexander the Great's Hunt and the Four Seasons.

The mosaics of the Villa Romana del Casale near Piazza Armerina in Sicily are the largest collection of late Roman mosaics in situ in the world, and are protected as a UNESCO World Heritage Site. The large villa rustica, which was probably owned by Emperor Maximian, was built largely in the early 4th century. The mosaics were covered and protected for 700 years by a landslide that occurred in the 12th Century. The most important pieces are the Circus Scene, the 64m long Great Hunting Scene, the Little Hunt, the Labours of Hercules and the famous Bikini Girls, showing women undertaking a range of sporting activities in garments that resemble 20th Century bikinis. The peristyle, the imperial apartments and the thermae were also decorated with ornamental and mythological mosaics. Other important examples of Roman mosaic art in Sicily were unearthed on the <hl> Piazza Vittoria in Palermo <hl> where two houses were discovered. The most important scenes there depicted Orpheus, Alexander the Great's Hunt and the Four Seasons.


Question: What scenes are depicted on the Zliten mosaic?

In 1913 the Zliten mosaic, a Roman mosaic famous for its many scenes from gladiatorial contests, hunting and everyday life, was discovered in the Libyan town of Zliten. In 2000 archaeologists working in Leptis Magna, Libya, uncovered a 30 ft length of five colorful mosaics created during the 1st or 2nd century AD. The mosaics show a warrior in combat with a deer, four young men wrestling a wild bull to the ground, and a gladiator resting in a state of fatigue, staring at his slain opponent. The mosaics decorated the walls of a cold plunge pool in a bath house within a Roman villa. The gladiator mosaic is noted by scholars as one of the finest examples of mosaic art ever seen — a "masterpiece comparable in quality with the Alexander Mosaic in Pompeii."

Answer: gladiatorial contests

<hl> In 1913 the Zliten mosaic, a Roman mosaic famous for its many scenes from gladiatorial contests , hunting and everyday life, was discovered in the Libyan town of Zliten. <hl> In 2000 archaeologists working in Leptis Magna, Libya, uncovered a 30 ft length of five colorful mosaics created during the 1st or 2nd century AD. The mosaics show a warrior in combat with a deer, four young men wrestling a wild bull to the ground, and a gladiator resting in a state of fatigue, staring at his slain opponent. The mosaics decorated the walls of a cold plunge pool in a bath house within a Roman villa. The gladiator mosaic is noted by scholars as one of the finest examples of mosaic art ever seen — a "masterpiece comparable in quality with the Alexander Mosaic in Pompeii."

In 1913 the Zliten mosaic, a Roman mosaic famous for its many scenes from <hl> gladiatorial contests <hl>, hunting and everyday life, was discovered in the Libyan town of Zliten. In 2000 archaeologists working in Leptis Magna, Libya, uncovered a 30 ft length of five colorful mosaics created during the 1st or 2nd century AD. The mosaics show a warrior in combat with a deer, four young men wrestling a wild bull to the ground, and a gladiator resting in a state of fatigue, staring at his slain opponent. The mosaics decorated the walls of a cold plunge pool in a bath house within a Roman villa. The gladiator mosaic is noted by scholars as one of the finest examples of mosaic art ever seen — a "masterpiece comparable in quality with the Alexander Mosaic in Pompeii."

In 1913 the Zliten mosaic, a Roman mosaic famous for its many scenes from <hl> gladiatorial contests <hl> , hunting and everyday life, was discovered in the Libyan town of Zliten.


Question: When was the Zliten mosaic discovered?

Answer: 1913

<hl> In 1913 the Zliten mosaic, a Roman mosaic famous for its many scenes from gladiatorial contests, hunting and everyday life, was discovered in the Libyan town of Zliten. <hl> In 2000 archaeologists working in Leptis Magna, Libya, uncovered a 30 ft length of five colorful mosaics created during the 1st or 2nd century AD. The mosaics show a warrior in combat with a deer, four young men wrestling a wild bull to the ground, and a gladiator resting in a state of fatigue, staring at his slain opponent. The mosaics decorated the walls of a cold plunge pool in a bath house within a Roman villa. The gladiator mosaic is noted by scholars as one of the finest examples of mosaic art ever seen — a "masterpiece comparable in quality with the Alexander Mosaic in Pompeii."

In <hl> 1913 <hl> the Zliten mosaic, a Roman mosaic famous for its many scenes from gladiatorial contests, hunting and everyday life, was discovered in the Libyan town of Zliten. In 2000 archaeologists working in Leptis Magna, Libya, uncovered a 30 ft length of five colorful mosaics created during the 1st or 2nd century AD. The mosaics show a warrior in combat with a deer, four young men wrestling a wild bull to the ground, and a gladiator resting in a state of fatigue, staring at his slain opponent. The mosaics decorated the walls of a cold plunge pool in a bath house within a Roman villa. The gladiator mosaic is noted by scholars as one of the finest examples of mosaic art ever seen — a "masterpiece comparable in quality with the Alexander Mosaic in Pompeii."


Question: How long was the mural discovered in Libya?

Answer: 30 ft

In 1913 the Zliten mosaic, a Roman mosaic famous for its many scenes from gladiatorial contests, hunting and everyday life, was discovered in the Libyan town of Zliten. <hl> In 2000 archaeologists working in Leptis Magna, Libya, uncovered a 30 ft length of five colorful mosaics created during the 1st or 2nd century AD. <hl> The mosaics show a warrior in combat with a deer, four young men wrestling a wild bull to the ground, and a gladiator resting in a state of fatigue, staring at his slain opponent. The mosaics decorated the walls of a cold plunge pool in a bath house within a Roman villa. The gladiator mosaic is noted by scholars as one of the finest examples of mosaic art ever seen — a "masterpiece comparable in quality with the Alexander Mosaic in Pompeii."

In 1913 the Zliten mosaic, a Roman mosaic famous for its many scenes from gladiatorial contests, hunting and everyday life, was discovered in the Libyan town of Zliten. In 2000 archaeologists working in Leptis Magna, Libya, uncovered a <hl> 30 ft <hl> length of five colorful mosaics created during the 1st or 2nd century AD. The mosaics show a warrior in combat with a deer, four young men wrestling a wild bull to the ground, and a gladiator resting in a state of fatigue, staring at his slain opponent. The mosaics decorated the walls of a cold plunge pool in a bath house within a Roman villa. The gladiator mosaic is noted by scholars as one of the finest examples of mosaic art ever seen — a "masterpiece comparable in quality with the Alexander Mosaic in Pompeii."


Question: The mosaics uncovered in Libya were from which century?

Answer: 1st or 2nd century AD

In 1913 the Zliten mosaic, a Roman mosaic famous for its many scenes from gladiatorial contests, hunting and everyday life, was discovered in the Libyan town of Zliten. <hl> In 2000 archaeologists working in Leptis Magna, Libya, uncovered a 30 ft length of five colorful mosaics created during the 1st or 2nd century AD . <hl> The mosaics show a warrior in combat with a deer, four young men wrestling a wild bull to the ground, and a gladiator resting in a state of fatigue, staring at his slain opponent. The mosaics decorated the walls of a cold plunge pool in a bath house within a Roman villa. The gladiator mosaic is noted by scholars as one of the finest examples of mosaic art ever seen — a "masterpiece comparable in quality with the Alexander Mosaic in Pompeii."

In 1913 the Zliten mosaic, a Roman mosaic famous for its many scenes from gladiatorial contests, hunting and everyday life, was discovered in the Libyan town of Zliten. In 2000 archaeologists working in Leptis Magna, Libya, uncovered a 30 ft length of five colorful mosaics created during the <hl> 1st or 2nd century AD <hl>. The mosaics show a warrior in combat with a deer, four young men wrestling a wild bull to the ground, and a gladiator resting in a state of fatigue, staring at his slain opponent. The mosaics decorated the walls of a cold plunge pool in a bath house within a Roman villa. The gladiator mosaic is noted by scholars as one of the finest examples of mosaic art ever seen — a "masterpiece comparable in quality with the Alexander Mosaic in Pompeii."

In 2000 archaeologists working in Leptis Magna, Libya, uncovered a 30 ft length of five colorful mosaics created during the <hl> 1st or 2nd century AD <hl> .


Question: The gladiator mosaic is on par with the Alexander mosaic in which city?

Answer: Pompeii

In 1913 the Zliten mosaic, a Roman mosaic famous for its many scenes from gladiatorial contests, hunting and everyday life, was discovered in the Libyan town of Zliten. In 2000 archaeologists working in Leptis Magna, Libya, uncovered a 30 ft length of five colorful mosaics created during the 1st or 2nd century AD. The mosaics show a warrior in combat with a deer, four young men wrestling a wild bull to the ground, and a gladiator resting in a state of fatigue, staring at his slain opponent. The mosaics decorated the walls of a cold plunge pool in a bath house within a Roman villa. <hl> The gladiator mosaic is noted by scholars as one of the finest examples of mosaic art ever seen — a "masterpiece comparable in quality with the Alexander Mosaic in Pompeii ." <hl>

In 1913 the Zliten mosaic, a Roman mosaic famous for its many scenes from gladiatorial contests, hunting and everyday life, was discovered in the Libyan town of Zliten. In 2000 archaeologists working in Leptis Magna, Libya, uncovered a 30 ft length of five colorful mosaics created during the 1st or 2nd century AD. The mosaics show a warrior in combat with a deer, four young men wrestling a wild bull to the ground, and a gladiator resting in a state of fatigue, staring at his slain opponent. The mosaics decorated the walls of a cold plunge pool in a bath house within a Roman villa. The gladiator mosaic is noted by scholars as one of the finest examples of mosaic art ever seen — a "masterpiece comparable in quality with the Alexander Mosaic in <hl> Pompeii <hl>."

The gladiator mosaic is noted by scholars as one of the finest examples of mosaic art ever seen — a "masterpiece comparable in quality with the Alexander Mosaic in <hl> Pompeii <hl> ."


Question: Around what century were mosaics adapted for Christian churches?

With the building of Christian basilicas in the late 4th century, wall and ceiling mosaics were adopted for Christian uses. The earliest examples of Christian basilicas have not survived, but the mosaics of Santa Constanza and Santa Pudenziana, both from the 4th century, still exist. The winemaking putti in the ambulatory of Santa Constanza still follow the classical tradition in that they represent the feast of Bacchus, which symbolizes transformation or change, and are thus appropriate for a mausoleum, the original function of this building. In another great Constantinian basilica, the Church of the Nativity in Bethlehem the original mosaic floor with typical Roman geometric motifs is partially preserved. The so-called Tomb of the Julii, near the crypt beneath St Peter's Basilica, is a 4th-century vaulted tomb with wall and ceiling mosaics that are given Christian interpretations. The Rotunda of Galerius in Thessaloniki, converted into a Christian church during the course of the 4th century, was embellished with very high artistic quality mosaics. Only fragments survive of the original decoration, especially a band depicting saints with hands raised in prayer, in front of complex architectural fantasies.

Answer: the late 4th century

<hl> With the building of Christian basilicas in the late 4th century , wall and ceiling mosaics were adopted for Christian uses. <hl> The earliest examples of Christian basilicas have not survived, but the mosaics of Santa Constanza and Santa Pudenziana, both from the 4th century, still exist. The winemaking putti in the ambulatory of Santa Constanza still follow the classical tradition in that they represent the feast of Bacchus, which symbolizes transformation or change, and are thus appropriate for a mausoleum, the original function of this building. In another great Constantinian basilica, the Church of the Nativity in Bethlehem the original mosaic floor with typical Roman geometric motifs is partially preserved. The so-called Tomb of the Julii, near the crypt beneath St Peter's Basilica, is a 4th-century vaulted tomb with wall and ceiling mosaics that are given Christian interpretations. The Rotunda of Galerius in Thessaloniki, converted into a Christian church during the course of the 4th century, was embellished with very high artistic quality mosaics. Only fragments survive of the original decoration, especially a band depicting saints with hands raised in prayer, in front of complex architectural fantasies.

With the building of Christian basilicas in <hl> the late 4th century <hl>, wall and ceiling mosaics were adopted for Christian uses. The earliest examples of Christian basilicas have not survived, but the mosaics of Santa Constanza and Santa Pudenziana, both from the 4th century, still exist. The winemaking putti in the ambulatory of Santa Constanza still follow the classical tradition in that they represent the feast of Bacchus, which symbolizes transformation or change, and are thus appropriate for a mausoleum, the original function of this building. In another great Constantinian basilica, the Church of the Nativity in Bethlehem the original mosaic floor with typical Roman geometric motifs is partially preserved. The so-called Tomb of the Julii, near the crypt beneath St Peter's Basilica, is a 4th-century vaulted tomb with wall and ceiling mosaics that are given Christian interpretations. The Rotunda of Galerius in Thessaloniki, converted into a Christian church during the course of the 4th century, was embellished with very high artistic quality mosaics. Only fragments survive of the original decoration, especially a band depicting saints with hands raised in prayer, in front of complex architectural fantasies.

With the building of Christian basilicas in <hl> the late 4th century <hl> , wall and ceiling mosaics were adopted for Christian uses.


Question: What Christian church besides the Santa Costanza was built in the 4th century?

Answer: Santa Pudenziana

With the building of Christian basilicas in the late 4th century, wall and ceiling mosaics were adopted for Christian uses. <hl> The earliest examples of Christian basilicas have not survived, but the mosaics of Santa Constanza and Santa Pudenziana , both from the 4th century, still exist. <hl> The winemaking putti in the ambulatory of Santa Constanza still follow the classical tradition in that they represent the feast of Bacchus, which symbolizes transformation or change, and are thus appropriate for a mausoleum, the original function of this building. In another great Constantinian basilica, the Church of the Nativity in Bethlehem the original mosaic floor with typical Roman geometric motifs is partially preserved. The so-called Tomb of the Julii, near the crypt beneath St Peter's Basilica, is a 4th-century vaulted tomb with wall and ceiling mosaics that are given Christian interpretations. The Rotunda of Galerius in Thessaloniki, converted into a Christian church during the course of the 4th century, was embellished with very high artistic quality mosaics. Only fragments survive of the original decoration, especially a band depicting saints with hands raised in prayer, in front of complex architectural fantasies.

With the building of Christian basilicas in the late 4th century, wall and ceiling mosaics were adopted for Christian uses. The earliest examples of Christian basilicas have not survived, but the mosaics of Santa Constanza and <hl> Santa Pudenziana <hl>, both from the 4th century, still exist. The winemaking putti in the ambulatory of Santa Constanza still follow the classical tradition in that they represent the feast of Bacchus, which symbolizes transformation or change, and are thus appropriate for a mausoleum, the original function of this building. In another great Constantinian basilica, the Church of the Nativity in Bethlehem the original mosaic floor with typical Roman geometric motifs is partially preserved. The so-called Tomb of the Julii, near the crypt beneath St Peter's Basilica, is a 4th-century vaulted tomb with wall and ceiling mosaics that are given Christian interpretations. The Rotunda of Galerius in Thessaloniki, converted into a Christian church during the course of the 4th century, was embellished with very high artistic quality mosaics. Only fragments survive of the original decoration, especially a band depicting saints with hands raised in prayer, in front of complex architectural fantasies.

The earliest examples of Christian basilicas have not survived, but the mosaics of Santa Constanza and <hl> Santa Pudenziana <hl> , both from the 4th century, still exist.