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is n't a very involving one
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simpler , leaner
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pointless extremes
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a poignant comedy that offers food for thought .
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consistent with the messages espoused in the company 's previous video work
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... hokey art house pretension .
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because both are just actory concoctions , defined by childlike dimness and a handful of quirks
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( hell is ) looking down at your watch and realizing serving sara is n't even halfway through .
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are complex and quirky , but entirely believable
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a potentially trite and overused concept
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... is a man who uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows
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impart a message without bludgeoning the audience over the head
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closed
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an energetic , violent movie with a momentum that never lets up
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struggling to give themselves a better lot in life than the ones
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useless
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allows his cast the benefit of being able to give full performances ... while demonstrating vividly that the beauty and power of the opera reside primarily in the music itself
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faltering half-step
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... portrays young brendan with his usual intelligence and subtlety , not to mention a convincing brogue .
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intricately constructed
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a fantastically vital movie
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sensitive and
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survival wrapped in the heart-pounding suspense of a stylish psychological thriller
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the master of disguise is awful .
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entertaining and , ultimately ,
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those gimmicks
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, barbershop is tuned in to its community .
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to be wholesome and subversive at the same time
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fail
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has appeal beyond being a sandra bullock vehicle or a standard romantic comedy
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combustible mixture
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dry and
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pleasing verisimilitude
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affable if not timeless , like mike raises some worthwhile themes while delivering a wholesome fantasy for kids .
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works beautifully
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to its last-minute , haphazard theatrical release
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putters along looking for astute observations and coming up blank
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a touching , sophisticated film that almost seems like a documentary in the way it captures an italian immigrant family on the brink of major changes .
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the masterful british actor ian holm
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above superficiality
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be intriguing
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stars schticky chris rock and stolid anthony hopkins , who seem barely in the same movie .
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absurd collection
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nothing can detract from the affection of that moral favorite : friends will be friends through thick and thin
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too safe
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is an actress works as well as it does because ( the leads ) are such a companionable couple .
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of virtually plotless meanderings
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'll still be glued to the screen
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of boring
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captures all the longing , anguish and ache , the confusing sexual messages and the wish to be a part of that elusive adult world .
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likely to find compelling
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made on the cheap
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has been awarded mythic status in contemporary culture
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great scares and
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nor a cliché left unsaid
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giddy and provocative sexual
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the most highly-praised disappointments i
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unconvincing
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a few good ideas
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unbearable when it is n't merely offensive
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see `` simone , '' and consider a dvd rental instead
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delivers roughly equal amounts of beautiful movement and inside information .
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tasty
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the spectacle of small-town competition
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terrific role
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is there a group of more self-absorbed women than the mother and daughters featured in this film
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viewed as pure composition and form --
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the performances are amiable and committed , and the comedy more often than not hits the bullseye .
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problems and
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dissing the film that they did n't mind the ticket cost
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unrecoverable life
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so much that he refuses to evaluate his own work
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one of his most daring , and complicated , performances
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, festival in cannes offers rare insight into the structure of relationships .
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misfire that even tunney ca n't save
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vivid characters
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watch these two together again
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undergo radical changes when it suits the script
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a finely tuned mood
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self-consciously flashy camera effects , droning house music
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a minor film with major pleasures from portuguese master manoel de oliviera ...
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'' is one of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original .
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you want the story to go on and on
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assumes that not only would subtlety be lost on the target audience , but that it 's also too stupid to realize that they 've already seen this exact same movie a hundred times
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brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination
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is part of the fun
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overwrought
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sterling
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tells a deeper story
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that thrusts the audience into a future they wo n't much care about
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uneasily
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the characters in swimfan seem motivated by nothing short of dull , brain-deadening hangover .
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a backbone
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the hook
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suck the audience in
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strangely moved by even the corniest and most hackneyed contrivances
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even more haunting than those in mr. spielberg 's 1993 classic
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a solid , spooky entertainment worthy of the price of a ticket
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courageous scottish lady
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feel like you were n't invited to the party
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