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+[{"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Home from the Civil War, where he fought for the Union army, John Willoughby now lives in the western town of Kittreck Wells with wife Nora and their 7-year-old son, Petey. An appeal for help from Marshal Russell comes when a band of former Confederate soldiers are seen pulling a robbery in a neighboring town. John, who hates all rebels, agrees to go, against his wife's wishes that all his fighting must end.\nMeanwhile, the Rebels, Bedloe Mason and his sons Gray, Wesley, Cain and Frank, decide to ride into Kittreck Wells to replenish their dwindling water supply. Bedloe sends Gray, Frank and Wesley into town while he and Cain await their return. Petey Willoughby, who shares his father's dislike of rebels, aims and fires a cap pistol at them. Startled by the sound, Wesley Mason shoots and kills the boy. As the brothers mount their horses and gallop out of town, Gray, not having been witnessing the shooting, hesitates, then catches up to the others. \nWhen they reach Bedloe and Cain, Gray, angered by his brother's recklessness, appeals to his father and brothers that Wesley has to go back to face the consequences. Wesley is dead-set against this and the others take his side. Gray rides off alone to learn the fate of the boy, but Wesley ambushes his brother by throwing a knife into his back. After strapping his brother's unconscious body onto his horse, Wesley sets the animal loose. He then returns to camp and reports that Gray refused to listen to reason, but will meet the family at Oak Fork in three days. That night, John finds the wandering horse bearing Gray's body and takes him home.\nWesley lies to his father that Gray will meet them in the next town. Gray's horse wanders into town, where John and Nora remove the wounded man from the saddle and take him into their home. John is still determined to learn who killed the child, and an eyewitness accuses Gray of being one of the gang. Nora has to stop her husband from attacking Gray with an axe.\n", "labels": "What are the first names of the two people who wait for the return of Gray, Frank and Wesley?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-1f7331728dba458b92fdfe555090dbce"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Home from the Civil War, where he fought for the Union army, John Willoughby now lives in the western town of Kittreck Wells with wife Nora and their 7-year-old son, Petey. An appeal for help from Marshal Russell comes when a band of former Confederate soldiers are seen pulling a robbery in a neighboring town. John, who hates all rebels, agrees to go, against his wife's wishes that all his fighting must end.\nMeanwhile, the Rebels, Bedloe Mason and his sons Gray, Wesley, Cain and Frank, decide to ride into Kittreck Wells to replenish their dwindling water supply. Bedloe sends Gray, Frank and Wesley into town while he and Cain await their return. Petey Willoughby, who shares his father's dislike of rebels, aims and fires a cap pistol at them. Startled by the sound, Wesley Mason shoots and kills the boy. As the brothers mount their horses and gallop out of town, Gray, not having been witnessing the shooting, hesitates, then catches up to the others. \nWhen they reach Bedloe and Cain, Gray, angered by his brother's recklessness, appeals to his father and brothers that Wesley has to go back to face the consequences. Wesley is dead-set against this and the others take his side. Gray rides off alone to learn the fate of the boy, but Wesley ambushes his brother by throwing a knife into his back. After strapping his brother's unconscious body onto his horse, Wesley sets the animal loose. He then returns to camp and reports that Gray refused to listen to reason, but will meet the family at Oak Fork in three days. That night, John finds the wandering horse bearing Gray's body and takes him home.\nWesley lies to his father that Gray will meet them in the next town. Gray's horse wanders into town, where John and Nora remove the wounded man from the saddle and take him into their home. John is still determined to learn who killed the child, and an eyewitness accuses Gray of being one of the gang. Nora has to stop her husband from attacking Gray with an axe.\n", "labels": "What are the names of the rebels who Petey aims and fires a cap pistol at?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-1f7331728dba458b92fdfe555090dbce"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Home from the Civil War, where he fought for the Union army, John Willoughby now lives in the western town of Kittreck Wells with wife Nora and their 7-year-old son, Petey. An appeal for help from Marshal Russell comes when a band of former Confederate soldiers are seen pulling a robbery in a neighboring town. John, who hates all rebels, agrees to go, against his wife's wishes that all his fighting must end.\nMeanwhile, the Rebels, Bedloe Mason and his sons Gray, Wesley, Cain and Frank, decide to ride into Kittreck Wells to replenish their dwindling water supply. Bedloe sends Gray, Frank and Wesley into town while he and Cain await their return. Petey Willoughby, who shares his father's dislike of rebels, aims and fires a cap pistol at them. Startled by the sound, Wesley Mason shoots and kills the boy. As the brothers mount their horses and gallop out of town, Gray, not having been witnessing the shooting, hesitates, then catches up to the others. \nWhen they reach Bedloe and Cain, Gray, angered by his brother's recklessness, appeals to his father and brothers that Wesley has to go back to face the consequences. Wesley is dead-set against this and the others take his side. Gray rides off alone to learn the fate of the boy, but Wesley ambushes his brother by throwing a knife into his back. After strapping his brother's unconscious body onto his horse, Wesley sets the animal loose. He then returns to camp and reports that Gray refused to listen to reason, but will meet the family at Oak Fork in three days. That night, John finds the wandering horse bearing Gray's body and takes him home.\nWesley lies to his father that Gray will meet them in the next town. Gray's horse wanders into town, where John and Nora remove the wounded man from the saddle and take him into their home. John is still determined to learn who killed the child, and an eyewitness accuses Gray of being one of the gang. Nora has to stop her husband from attacking Gray with an axe.\n", "labels": "What are the names of the rebels who take Wesley's side?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-1f7331728dba458b92fdfe555090dbce"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Home from the Civil War, where he fought for the Union army, John Willoughby now lives in the western town of Kittreck Wells with wife Nora and their 7-year-old son, Petey. An appeal for help from Marshal Russell comes when a band of former Confederate soldiers are seen pulling a robbery in a neighboring town. John, who hates all rebels, agrees to go, against his wife's wishes that all his fighting must end.\nMeanwhile, the Rebels, Bedloe Mason and his sons Gray, Wesley, Cain and Frank, decide to ride into Kittreck Wells to replenish their dwindling water supply. Bedloe sends Gray, Frank and Wesley into town while he and Cain await their return. Petey Willoughby, who shares his father's dislike of rebels, aims and fires a cap pistol at them. Startled by the sound, Wesley Mason shoots and kills the boy. As the brothers mount their horses and gallop out of town, Gray, not having been witnessing the shooting, hesitates, then catches up to the others. \nWhen they reach Bedloe and Cain, Gray, angered by his brother's recklessness, appeals to his father and brothers that Wesley has to go back to face the consequences. Wesley is dead-set against this and the others take his side. Gray rides off alone to learn the fate of the boy, but Wesley ambushes his brother by throwing a knife into his back. After strapping his brother's unconscious body onto his horse, Wesley sets the animal loose. He then returns to camp and reports that Gray refused to listen to reason, but will meet the family at Oak Fork in three days. That night, John finds the wandering horse bearing Gray's body and takes him home.\nWesley lies to his father that Gray will meet them in the next town. Gray's horse wanders into town, where John and Nora remove the wounded man from the saddle and take him into their home. John is still determined to learn who killed the child, and an eyewitness accuses Gray of being one of the gang. Nora has to stop her husband from attacking Gray with an axe.\n", "labels": "What is the name of the next town that Wesley lies to his father about Gray meeting them there?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-1f7331728dba458b92fdfe555090dbce"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Home from the Civil War, where he fought for the Union army, John Willoughby now lives in the western town of Kittreck Wells with wife Nora and their 7-year-old son, Petey. An appeal for help from Marshal Russell comes when a band of former Confederate soldiers are seen pulling a robbery in a neighboring town. John, who hates all rebels, agrees to go, against his wife's wishes that all his fighting must end.\nMeanwhile, the Rebels, Bedloe Mason and his sons Gray, Wesley, Cain and Frank, decide to ride into Kittreck Wells to replenish their dwindling water supply. Bedloe sends Gray, Frank and Wesley into town while he and Cain await their return. Petey Willoughby, who shares his father's dislike of rebels, aims and fires a cap pistol at them. Startled by the sound, Wesley Mason shoots and kills the boy. As the brothers mount their horses and gallop out of town, Gray, not having been witnessing the shooting, hesitates, then catches up to the others. \nWhen they reach Bedloe and Cain, Gray, angered by his brother's recklessness, appeals to his father and brothers that Wesley has to go back to face the consequences. Wesley is dead-set against this and the others take his side. Gray rides off alone to learn the fate of the boy, but Wesley ambushes his brother by throwing a knife into his back. After strapping his brother's unconscious body onto his horse, Wesley sets the animal loose. He then returns to camp and reports that Gray refused to listen to reason, but will meet the family at Oak Fork in three days. That night, John finds the wandering horse bearing Gray's body and takes him home.\nWesley lies to his father that Gray will meet them in the next town. Gray's horse wanders into town, where John and Nora remove the wounded man from the saddle and take him into their home. John is still determined to learn who killed the child, and an eyewitness accuses Gray of being one of the gang. Nora has to stop her husband from attacking Gray with an axe.\n", "labels": "What is the name of the person John and Nora remove from the saddle?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-1f7331728dba458b92fdfe555090dbce"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: As Opeth's primary songwriter and lyricist, vocalist/guitarist Mikael \u00c5kerfeldt heads the direction of Opeth's sound. He was influenced at a young age by the 1970s progressive rock bands King Crimson, Yes, Genesis, Camel, P.F.M., Hawkwind, and Gracious, and by heavy metal bands such as Iron Maiden, Slayer, Death, Black Sabbath, Deep Purple, Celtic Frost, King Diamond, Morbid Angel, Voivod, and, most importantly, Judas Priest. \u00c5kerfeldt considers Judas Priest's Sad Wings of Destiny (1976) the best metal album of all time, and notes that there was a time when he listened only to Judas Priest. While warming up before Opeth concerts, \u00c5kerfeldt frequently sings \"Here Come the Tears\" from Judas Priest's third album Sin After Sin (1977). \u00c5kerfeldt later discovered progressive rock and folk music, both of which had a profound impact on the sound of the band.Opeth's distinct sound mixes death metal with progressive rock. Steve Huey of AllMusic refers to Opeth's \"epic, progressive death metal style\". Ryan Ogle of Blabbermouth described Opeth's sound as incorporating \"the likes of folk, funk, blues, '70s rock, goth and a laundry list of other sonic oddities into their trademark progressive death style.\" In his review of Opeth's 2001 album Blackwater Park, AllMusic's Eduardo Rivadavia wrote, \"Tracks start and finish in seemingly arbitrary fashion, usually traversing ample musical terrain, including acoustic guitar and solo piano passages, ambient soundscapes, stoner rock grooves, and Eastern-tinged melodies\u2014any of which are subject to savage punctuations of death metal fury at any given moment.\" \u00c5kerfeldt commented on the diversity of Opeth's music:\nI don't see the point of playing in a band and going just one way when you can do everything. It would be impossible for us to play just death metal; that is our roots, but we are now a mishmash of everything, and not purists to any form of music. It's impossible for us to do that, and quite frankly I would think of it as boring to be in a band that plays just metal music. We're not afraid to experiment, or to be caught with our pants down, so to speak. That's what keeps us going.\nMore recently, Opeth have abandoned their death metal sound resulting in a mellower progressive rock sound. When talking about Heritage, guitarist Fredrik \u00c5kesson stated:\nIn the beginning it took me a little while to get used to the new idea of the sound, not having any screaming vocals and stuff like that.  But I think the album was necessary for us to do. Maybe the band wouldn't have continued if we hadn't done Heritage.  I think the old Opeth fans understand this album. There's always going to be some haters, but you can't be loved by everyone. Opeth has always been about not repeating ourself. A lot of people don't think Heritage is metal but I think it's metal to go somewhere people don't expect. It doesn't mean we're not embracing the past sound of Opeth.\n", "labels": "What is the last name of the person who was influenced at a young age by 1970s progressive rock bands?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fe5b298ca2914a82b29d69819bd7e56b"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: As Opeth's primary songwriter and lyricist, vocalist/guitarist Mikael \u00c5kerfeldt heads the direction of Opeth's sound. He was influenced at a young age by the 1970s progressive rock bands King Crimson, Yes, Genesis, Camel, P.F.M., Hawkwind, and Gracious, and by heavy metal bands such as Iron Maiden, Slayer, Death, Black Sabbath, Deep Purple, Celtic Frost, King Diamond, Morbid Angel, Voivod, and, most importantly, Judas Priest. \u00c5kerfeldt considers Judas Priest's Sad Wings of Destiny (1976) the best metal album of all time, and notes that there was a time when he listened only to Judas Priest. While warming up before Opeth concerts, \u00c5kerfeldt frequently sings \"Here Come the Tears\" from Judas Priest's third album Sin After Sin (1977). \u00c5kerfeldt later discovered progressive rock and folk music, both of which had a profound impact on the sound of the band.Opeth's distinct sound mixes death metal with progressive rock. Steve Huey of AllMusic refers to Opeth's \"epic, progressive death metal style\". Ryan Ogle of Blabbermouth described Opeth's sound as incorporating \"the likes of folk, funk, blues, '70s rock, goth and a laundry list of other sonic oddities into their trademark progressive death style.\" In his review of Opeth's 2001 album Blackwater Park, AllMusic's Eduardo Rivadavia wrote, \"Tracks start and finish in seemingly arbitrary fashion, usually traversing ample musical terrain, including acoustic guitar and solo piano passages, ambient soundscapes, stoner rock grooves, and Eastern-tinged melodies\u2014any of which are subject to savage punctuations of death metal fury at any given moment.\" \u00c5kerfeldt commented on the diversity of Opeth's music:\nI don't see the point of playing in a band and going just one way when you can do everything. It would be impossible for us to play just death metal; that is our roots, but we are now a mishmash of everything, and not purists to any form of music. It's impossible for us to do that, and quite frankly I would think of it as boring to be in a band that plays just metal music. We're not afraid to experiment, or to be caught with our pants down, so to speak. That's what keeps us going.\nMore recently, Opeth have abandoned their death metal sound resulting in a mellower progressive rock sound. When talking about Heritage, guitarist Fredrik \u00c5kesson stated:\nIn the beginning it took me a little while to get used to the new idea of the sound, not having any screaming vocals and stuff like that.  But I think the album was necessary for us to do. Maybe the band wouldn't have continued if we hadn't done Heritage.  I think the old Opeth fans understand this album. There's always going to be some haters, but you can't be loved by everyone. Opeth has always been about not repeating ourself. A lot of people don't think Heritage is metal but I think it's metal to go somewhere people don't expect. It doesn't mean we're not embracing the past sound of Opeth.\n", "labels": "What is the last name of the person who was influenced by King Crimson?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fe5b298ca2914a82b29d69819bd7e56b"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: As Opeth's primary songwriter and lyricist, vocalist/guitarist Mikael \u00c5kerfeldt heads the direction of Opeth's sound. He was influenced at a young age by the 1970s progressive rock bands King Crimson, Yes, Genesis, Camel, P.F.M., Hawkwind, and Gracious, and by heavy metal bands such as Iron Maiden, Slayer, Death, Black Sabbath, Deep Purple, Celtic Frost, King Diamond, Morbid Angel, Voivod, and, most importantly, Judas Priest. \u00c5kerfeldt considers Judas Priest's Sad Wings of Destiny (1976) the best metal album of all time, and notes that there was a time when he listened only to Judas Priest. While warming up before Opeth concerts, \u00c5kerfeldt frequently sings \"Here Come the Tears\" from Judas Priest's third album Sin After Sin (1977). \u00c5kerfeldt later discovered progressive rock and folk music, both of which had a profound impact on the sound of the band.Opeth's distinct sound mixes death metal with progressive rock. Steve Huey of AllMusic refers to Opeth's \"epic, progressive death metal style\". Ryan Ogle of Blabbermouth described Opeth's sound as incorporating \"the likes of folk, funk, blues, '70s rock, goth and a laundry list of other sonic oddities into their trademark progressive death style.\" In his review of Opeth's 2001 album Blackwater Park, AllMusic's Eduardo Rivadavia wrote, \"Tracks start and finish in seemingly arbitrary fashion, usually traversing ample musical terrain, including acoustic guitar and solo piano passages, ambient soundscapes, stoner rock grooves, and Eastern-tinged melodies\u2014any of which are subject to savage punctuations of death metal fury at any given moment.\" \u00c5kerfeldt commented on the diversity of Opeth's music:\nI don't see the point of playing in a band and going just one way when you can do everything. It would be impossible for us to play just death metal; that is our roots, but we are now a mishmash of everything, and not purists to any form of music. It's impossible for us to do that, and quite frankly I would think of it as boring to be in a band that plays just metal music. We're not afraid to experiment, or to be caught with our pants down, so to speak. That's what keeps us going.\nMore recently, Opeth have abandoned their death metal sound resulting in a mellower progressive rock sound. When talking about Heritage, guitarist Fredrik \u00c5kesson stated:\nIn the beginning it took me a little while to get used to the new idea of the sound, not having any screaming vocals and stuff like that.  But I think the album was necessary for us to do. Maybe the band wouldn't have continued if we hadn't done Heritage.  I think the old Opeth fans understand this album. There's always going to be some haters, but you can't be loved by everyone. Opeth has always been about not repeating ourself. A lot of people don't think Heritage is metal but I think it's metal to go somewhere people don't expect. It doesn't mean we're not embracing the past sound of Opeth.\n", "labels": "What is the last name of the person who was influenced by Camel?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fe5b298ca2914a82b29d69819bd7e56b"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: As Opeth's primary songwriter and lyricist, vocalist/guitarist Mikael \u00c5kerfeldt heads the direction of Opeth's sound. He was influenced at a young age by the 1970s progressive rock bands King Crimson, Yes, Genesis, Camel, P.F.M., Hawkwind, and Gracious, and by heavy metal bands such as Iron Maiden, Slayer, Death, Black Sabbath, Deep Purple, Celtic Frost, King Diamond, Morbid Angel, Voivod, and, most importantly, Judas Priest. \u00c5kerfeldt considers Judas Priest's Sad Wings of Destiny (1976) the best metal album of all time, and notes that there was a time when he listened only to Judas Priest. While warming up before Opeth concerts, \u00c5kerfeldt frequently sings \"Here Come the Tears\" from Judas Priest's third album Sin After Sin (1977). \u00c5kerfeldt later discovered progressive rock and folk music, both of which had a profound impact on the sound of the band.Opeth's distinct sound mixes death metal with progressive rock. Steve Huey of AllMusic refers to Opeth's \"epic, progressive death metal style\". Ryan Ogle of Blabbermouth described Opeth's sound as incorporating \"the likes of folk, funk, blues, '70s rock, goth and a laundry list of other sonic oddities into their trademark progressive death style.\" In his review of Opeth's 2001 album Blackwater Park, AllMusic's Eduardo Rivadavia wrote, \"Tracks start and finish in seemingly arbitrary fashion, usually traversing ample musical terrain, including acoustic guitar and solo piano passages, ambient soundscapes, stoner rock grooves, and Eastern-tinged melodies\u2014any of which are subject to savage punctuations of death metal fury at any given moment.\" \u00c5kerfeldt commented on the diversity of Opeth's music:\nI don't see the point of playing in a band and going just one way when you can do everything. It would be impossible for us to play just death metal; that is our roots, but we are now a mishmash of everything, and not purists to any form of music. It's impossible for us to do that, and quite frankly I would think of it as boring to be in a band that plays just metal music. We're not afraid to experiment, or to be caught with our pants down, so to speak. That's what keeps us going.\nMore recently, Opeth have abandoned their death metal sound resulting in a mellower progressive rock sound. When talking about Heritage, guitarist Fredrik \u00c5kesson stated:\nIn the beginning it took me a little while to get used to the new idea of the sound, not having any screaming vocals and stuff like that.  But I think the album was necessary for us to do. Maybe the band wouldn't have continued if we hadn't done Heritage.  I think the old Opeth fans understand this album. There's always going to be some haters, but you can't be loved by everyone. Opeth has always been about not repeating ourself. A lot of people don't think Heritage is metal but I think it's metal to go somewhere people don't expect. It doesn't mean we're not embracing the past sound of Opeth.\n", "labels": "What is the last name of the person who was influenced by P.F.M.?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fe5b298ca2914a82b29d69819bd7e56b"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: As Opeth's primary songwriter and lyricist, vocalist/guitarist Mikael \u00c5kerfeldt heads the direction of Opeth's sound. He was influenced at a young age by the 1970s progressive rock bands King Crimson, Yes, Genesis, Camel, P.F.M., Hawkwind, and Gracious, and by heavy metal bands such as Iron Maiden, Slayer, Death, Black Sabbath, Deep Purple, Celtic Frost, King Diamond, Morbid Angel, Voivod, and, most importantly, Judas Priest. \u00c5kerfeldt considers Judas Priest's Sad Wings of Destiny (1976) the best metal album of all time, and notes that there was a time when he listened only to Judas Priest. While warming up before Opeth concerts, \u00c5kerfeldt frequently sings \"Here Come the Tears\" from Judas Priest's third album Sin After Sin (1977). \u00c5kerfeldt later discovered progressive rock and folk music, both of which had a profound impact on the sound of the band.Opeth's distinct sound mixes death metal with progressive rock. Steve Huey of AllMusic refers to Opeth's \"epic, progressive death metal style\". Ryan Ogle of Blabbermouth described Opeth's sound as incorporating \"the likes of folk, funk, blues, '70s rock, goth and a laundry list of other sonic oddities into their trademark progressive death style.\" In his review of Opeth's 2001 album Blackwater Park, AllMusic's Eduardo Rivadavia wrote, \"Tracks start and finish in seemingly arbitrary fashion, usually traversing ample musical terrain, including acoustic guitar and solo piano passages, ambient soundscapes, stoner rock grooves, and Eastern-tinged melodies\u2014any of which are subject to savage punctuations of death metal fury at any given moment.\" \u00c5kerfeldt commented on the diversity of Opeth's music:\nI don't see the point of playing in a band and going just one way when you can do everything. It would be impossible for us to play just death metal; that is our roots, but we are now a mishmash of everything, and not purists to any form of music. It's impossible for us to do that, and quite frankly I would think of it as boring to be in a band that plays just metal music. We're not afraid to experiment, or to be caught with our pants down, so to speak. That's what keeps us going.\nMore recently, Opeth have abandoned their death metal sound resulting in a mellower progressive rock sound. When talking about Heritage, guitarist Fredrik \u00c5kesson stated:\nIn the beginning it took me a little while to get used to the new idea of the sound, not having any screaming vocals and stuff like that.  But I think the album was necessary for us to do. Maybe the band wouldn't have continued if we hadn't done Heritage.  I think the old Opeth fans understand this album. There's always going to be some haters, but you can't be loved by everyone. Opeth has always been about not repeating ourself. A lot of people don't think Heritage is metal but I think it's metal to go somewhere people don't expect. It doesn't mean we're not embracing the past sound of Opeth.\n", "labels": "What is the last name of the person who was influenced by Gracious?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fe5b298ca2914a82b29d69819bd7e56b"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: As Opeth's primary songwriter and lyricist, vocalist/guitarist Mikael \u00c5kerfeldt heads the direction of Opeth's sound. He was influenced at a young age by the 1970s progressive rock bands King Crimson, Yes, Genesis, Camel, P.F.M., Hawkwind, and Gracious, and by heavy metal bands such as Iron Maiden, Slayer, Death, Black Sabbath, Deep Purple, Celtic Frost, King Diamond, Morbid Angel, Voivod, and, most importantly, Judas Priest. \u00c5kerfeldt considers Judas Priest's Sad Wings of Destiny (1976) the best metal album of all time, and notes that there was a time when he listened only to Judas Priest. While warming up before Opeth concerts, \u00c5kerfeldt frequently sings \"Here Come the Tears\" from Judas Priest's third album Sin After Sin (1977). \u00c5kerfeldt later discovered progressive rock and folk music, both of which had a profound impact on the sound of the band.Opeth's distinct sound mixes death metal with progressive rock. Steve Huey of AllMusic refers to Opeth's \"epic, progressive death metal style\". Ryan Ogle of Blabbermouth described Opeth's sound as incorporating \"the likes of folk, funk, blues, '70s rock, goth and a laundry list of other sonic oddities into their trademark progressive death style.\" In his review of Opeth's 2001 album Blackwater Park, AllMusic's Eduardo Rivadavia wrote, \"Tracks start and finish in seemingly arbitrary fashion, usually traversing ample musical terrain, including acoustic guitar and solo piano passages, ambient soundscapes, stoner rock grooves, and Eastern-tinged melodies\u2014any of which are subject to savage punctuations of death metal fury at any given moment.\" \u00c5kerfeldt commented on the diversity of Opeth's music:\nI don't see the point of playing in a band and going just one way when you can do everything. It would be impossible for us to play just death metal; that is our roots, but we are now a mishmash of everything, and not purists to any form of music. It's impossible for us to do that, and quite frankly I would think of it as boring to be in a band that plays just metal music. We're not afraid to experiment, or to be caught with our pants down, so to speak. That's what keeps us going.\nMore recently, Opeth have abandoned their death metal sound resulting in a mellower progressive rock sound. When talking about Heritage, guitarist Fredrik \u00c5kesson stated:\nIn the beginning it took me a little while to get used to the new idea of the sound, not having any screaming vocals and stuff like that.  But I think the album was necessary for us to do. Maybe the band wouldn't have continued if we hadn't done Heritage.  I think the old Opeth fans understand this album. There's always going to be some haters, but you can't be loved by everyone. Opeth has always been about not repeating ourself. A lot of people don't think Heritage is metal but I think it's metal to go somewhere people don't expect. It doesn't mean we're not embracing the past sound of Opeth.\n", "labels": "What is the last name of the person who was influenced by Slayer?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fe5b298ca2914a82b29d69819bd7e56b"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: As Opeth's primary songwriter and lyricist, vocalist/guitarist Mikael \u00c5kerfeldt heads the direction of Opeth's sound. He was influenced at a young age by the 1970s progressive rock bands King Crimson, Yes, Genesis, Camel, P.F.M., Hawkwind, and Gracious, and by heavy metal bands such as Iron Maiden, Slayer, Death, Black Sabbath, Deep Purple, Celtic Frost, King Diamond, Morbid Angel, Voivod, and, most importantly, Judas Priest. \u00c5kerfeldt considers Judas Priest's Sad Wings of Destiny (1976) the best metal album of all time, and notes that there was a time when he listened only to Judas Priest. While warming up before Opeth concerts, \u00c5kerfeldt frequently sings \"Here Come the Tears\" from Judas Priest's third album Sin After Sin (1977). \u00c5kerfeldt later discovered progressive rock and folk music, both of which had a profound impact on the sound of the band.Opeth's distinct sound mixes death metal with progressive rock. Steve Huey of AllMusic refers to Opeth's \"epic, progressive death metal style\". Ryan Ogle of Blabbermouth described Opeth's sound as incorporating \"the likes of folk, funk, blues, '70s rock, goth and a laundry list of other sonic oddities into their trademark progressive death style.\" In his review of Opeth's 2001 album Blackwater Park, AllMusic's Eduardo Rivadavia wrote, \"Tracks start and finish in seemingly arbitrary fashion, usually traversing ample musical terrain, including acoustic guitar and solo piano passages, ambient soundscapes, stoner rock grooves, and Eastern-tinged melodies\u2014any of which are subject to savage punctuations of death metal fury at any given moment.\" \u00c5kerfeldt commented on the diversity of Opeth's music:\nI don't see the point of playing in a band and going just one way when you can do everything. It would be impossible for us to play just death metal; that is our roots, but we are now a mishmash of everything, and not purists to any form of music. It's impossible for us to do that, and quite frankly I would think of it as boring to be in a band that plays just metal music. We're not afraid to experiment, or to be caught with our pants down, so to speak. That's what keeps us going.\nMore recently, Opeth have abandoned their death metal sound resulting in a mellower progressive rock sound. When talking about Heritage, guitarist Fredrik \u00c5kesson stated:\nIn the beginning it took me a little while to get used to the new idea of the sound, not having any screaming vocals and stuff like that.  But I think the album was necessary for us to do. Maybe the band wouldn't have continued if we hadn't done Heritage.  I think the old Opeth fans understand this album. There's always going to be some haters, but you can't be loved by everyone. Opeth has always been about not repeating ourself. A lot of people don't think Heritage is metal but I think it's metal to go somewhere people don't expect. It doesn't mean we're not embracing the past sound of Opeth.\n", "labels": "What is the first name of the person who considers Judas Priest's Sad Wings of Destiny the best metal album of all time?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fe5b298ca2914a82b29d69819bd7e56b"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: As Opeth's primary songwriter and lyricist, vocalist/guitarist Mikael \u00c5kerfeldt heads the direction of Opeth's sound. He was influenced at a young age by the 1970s progressive rock bands King Crimson, Yes, Genesis, Camel, P.F.M., Hawkwind, and Gracious, and by heavy metal bands such as Iron Maiden, Slayer, Death, Black Sabbath, Deep Purple, Celtic Frost, King Diamond, Morbid Angel, Voivod, and, most importantly, Judas Priest. \u00c5kerfeldt considers Judas Priest's Sad Wings of Destiny (1976) the best metal album of all time, and notes that there was a time when he listened only to Judas Priest. While warming up before Opeth concerts, \u00c5kerfeldt frequently sings \"Here Come the Tears\" from Judas Priest's third album Sin After Sin (1977). \u00c5kerfeldt later discovered progressive rock and folk music, both of which had a profound impact on the sound of the band.Opeth's distinct sound mixes death metal with progressive rock. Steve Huey of AllMusic refers to Opeth's \"epic, progressive death metal style\". Ryan Ogle of Blabbermouth described Opeth's sound as incorporating \"the likes of folk, funk, blues, '70s rock, goth and a laundry list of other sonic oddities into their trademark progressive death style.\" In his review of Opeth's 2001 album Blackwater Park, AllMusic's Eduardo Rivadavia wrote, \"Tracks start and finish in seemingly arbitrary fashion, usually traversing ample musical terrain, including acoustic guitar and solo piano passages, ambient soundscapes, stoner rock grooves, and Eastern-tinged melodies\u2014any of which are subject to savage punctuations of death metal fury at any given moment.\" \u00c5kerfeldt commented on the diversity of Opeth's music:\nI don't see the point of playing in a band and going just one way when you can do everything. It would be impossible for us to play just death metal; that is our roots, but we are now a mishmash of everything, and not purists to any form of music. It's impossible for us to do that, and quite frankly I would think of it as boring to be in a band that plays just metal music. We're not afraid to experiment, or to be caught with our pants down, so to speak. That's what keeps us going.\nMore recently, Opeth have abandoned their death metal sound resulting in a mellower progressive rock sound. When talking about Heritage, guitarist Fredrik \u00c5kesson stated:\nIn the beginning it took me a little while to get used to the new idea of the sound, not having any screaming vocals and stuff like that.  But I think the album was necessary for us to do. Maybe the band wouldn't have continued if we hadn't done Heritage.  I think the old Opeth fans understand this album. There's always going to be some haters, but you can't be loved by everyone. Opeth has always been about not repeating ourself. A lot of people don't think Heritage is metal but I think it's metal to go somewhere people don't expect. It doesn't mean we're not embracing the past sound of Opeth.\n", "labels": "What is the first name of the person who sings \"Here Come the Tears\" from Judas Priest's third album Sin After Sin?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fe5b298ca2914a82b29d69819bd7e56b"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: As Opeth's primary songwriter and lyricist, vocalist/guitarist Mikael \u00c5kerfeldt heads the direction of Opeth's sound. He was influenced at a young age by the 1970s progressive rock bands King Crimson, Yes, Genesis, Camel, P.F.M., Hawkwind, and Gracious, and by heavy metal bands such as Iron Maiden, Slayer, Death, Black Sabbath, Deep Purple, Celtic Frost, King Diamond, Morbid Angel, Voivod, and, most importantly, Judas Priest. \u00c5kerfeldt considers Judas Priest's Sad Wings of Destiny (1976) the best metal album of all time, and notes that there was a time when he listened only to Judas Priest. While warming up before Opeth concerts, \u00c5kerfeldt frequently sings \"Here Come the Tears\" from Judas Priest's third album Sin After Sin (1977). \u00c5kerfeldt later discovered progressive rock and folk music, both of which had a profound impact on the sound of the band.Opeth's distinct sound mixes death metal with progressive rock. Steve Huey of AllMusic refers to Opeth's \"epic, progressive death metal style\". Ryan Ogle of Blabbermouth described Opeth's sound as incorporating \"the likes of folk, funk, blues, '70s rock, goth and a laundry list of other sonic oddities into their trademark progressive death style.\" In his review of Opeth's 2001 album Blackwater Park, AllMusic's Eduardo Rivadavia wrote, \"Tracks start and finish in seemingly arbitrary fashion, usually traversing ample musical terrain, including acoustic guitar and solo piano passages, ambient soundscapes, stoner rock grooves, and Eastern-tinged melodies\u2014any of which are subject to savage punctuations of death metal fury at any given moment.\" \u00c5kerfeldt commented on the diversity of Opeth's music:\nI don't see the point of playing in a band and going just one way when you can do everything. It would be impossible for us to play just death metal; that is our roots, but we are now a mishmash of everything, and not purists to any form of music. It's impossible for us to do that, and quite frankly I would think of it as boring to be in a band that plays just metal music. We're not afraid to experiment, or to be caught with our pants down, so to speak. That's what keeps us going.\nMore recently, Opeth have abandoned their death metal sound resulting in a mellower progressive rock sound. When talking about Heritage, guitarist Fredrik \u00c5kesson stated:\nIn the beginning it took me a little while to get used to the new idea of the sound, not having any screaming vocals and stuff like that.  But I think the album was necessary for us to do. Maybe the band wouldn't have continued if we hadn't done Heritage.  I think the old Opeth fans understand this album. There's always going to be some haters, but you can't be loved by everyone. Opeth has always been about not repeating ourself. A lot of people don't think Heritage is metal but I think it's metal to go somewhere people don't expect. It doesn't mean we're not embracing the past sound of Opeth.\n", "labels": "What is the full name of the person who wrote a review for Blackwater Park?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fe5b298ca2914a82b29d69819bd7e56b"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: As Opeth's primary songwriter and lyricist, vocalist/guitarist Mikael \u00c5kerfeldt heads the direction of Opeth's sound. He was influenced at a young age by the 1970s progressive rock bands King Crimson, Yes, Genesis, Camel, P.F.M., Hawkwind, and Gracious, and by heavy metal bands such as Iron Maiden, Slayer, Death, Black Sabbath, Deep Purple, Celtic Frost, King Diamond, Morbid Angel, Voivod, and, most importantly, Judas Priest. \u00c5kerfeldt considers Judas Priest's Sad Wings of Destiny (1976) the best metal album of all time, and notes that there was a time when he listened only to Judas Priest. While warming up before Opeth concerts, \u00c5kerfeldt frequently sings \"Here Come the Tears\" from Judas Priest's third album Sin After Sin (1977). \u00c5kerfeldt later discovered progressive rock and folk music, both of which had a profound impact on the sound of the band.Opeth's distinct sound mixes death metal with progressive rock. Steve Huey of AllMusic refers to Opeth's \"epic, progressive death metal style\". Ryan Ogle of Blabbermouth described Opeth's sound as incorporating \"the likes of folk, funk, blues, '70s rock, goth and a laundry list of other sonic oddities into their trademark progressive death style.\" In his review of Opeth's 2001 album Blackwater Park, AllMusic's Eduardo Rivadavia wrote, \"Tracks start and finish in seemingly arbitrary fashion, usually traversing ample musical terrain, including acoustic guitar and solo piano passages, ambient soundscapes, stoner rock grooves, and Eastern-tinged melodies\u2014any of which are subject to savage punctuations of death metal fury at any given moment.\" \u00c5kerfeldt commented on the diversity of Opeth's music:\nI don't see the point of playing in a band and going just one way when you can do everything. It would be impossible for us to play just death metal; that is our roots, but we are now a mishmash of everything, and not purists to any form of music. It's impossible for us to do that, and quite frankly I would think of it as boring to be in a band that plays just metal music. We're not afraid to experiment, or to be caught with our pants down, so to speak. That's what keeps us going.\nMore recently, Opeth have abandoned their death metal sound resulting in a mellower progressive rock sound. When talking about Heritage, guitarist Fredrik \u00c5kesson stated:\nIn the beginning it took me a little while to get used to the new idea of the sound, not having any screaming vocals and stuff like that.  But I think the album was necessary for us to do. Maybe the band wouldn't have continued if we hadn't done Heritage.  I think the old Opeth fans understand this album. There's always going to be some haters, but you can't be loved by everyone. Opeth has always been about not repeating ourself. A lot of people don't think Heritage is metal but I think it's metal to go somewhere people don't expect. It doesn't mean we're not embracing the past sound of Opeth.\n", "labels": "What is the name of the band that Mikael \u00c5kerfeldt was a member of?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fe5b298ca2914a82b29d69819bd7e56b"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: As Opeth's primary songwriter and lyricist, vocalist/guitarist Mikael \u00c5kerfeldt heads the direction of Opeth's sound. He was influenced at a young age by the 1970s progressive rock bands King Crimson, Yes, Genesis, Camel, P.F.M., Hawkwind, and Gracious, and by heavy metal bands such as Iron Maiden, Slayer, Death, Black Sabbath, Deep Purple, Celtic Frost, King Diamond, Morbid Angel, Voivod, and, most importantly, Judas Priest. \u00c5kerfeldt considers Judas Priest's Sad Wings of Destiny (1976) the best metal album of all time, and notes that there was a time when he listened only to Judas Priest. While warming up before Opeth concerts, \u00c5kerfeldt frequently sings \"Here Come the Tears\" from Judas Priest's third album Sin After Sin (1977). \u00c5kerfeldt later discovered progressive rock and folk music, both of which had a profound impact on the sound of the band.Opeth's distinct sound mixes death metal with progressive rock. Steve Huey of AllMusic refers to Opeth's \"epic, progressive death metal style\". Ryan Ogle of Blabbermouth described Opeth's sound as incorporating \"the likes of folk, funk, blues, '70s rock, goth and a laundry list of other sonic oddities into their trademark progressive death style.\" In his review of Opeth's 2001 album Blackwater Park, AllMusic's Eduardo Rivadavia wrote, \"Tracks start and finish in seemingly arbitrary fashion, usually traversing ample musical terrain, including acoustic guitar and solo piano passages, ambient soundscapes, stoner rock grooves, and Eastern-tinged melodies\u2014any of which are subject to savage punctuations of death metal fury at any given moment.\" \u00c5kerfeldt commented on the diversity of Opeth's music:\nI don't see the point of playing in a band and going just one way when you can do everything. It would be impossible for us to play just death metal; that is our roots, but we are now a mishmash of everything, and not purists to any form of music. It's impossible for us to do that, and quite frankly I would think of it as boring to be in a band that plays just metal music. We're not afraid to experiment, or to be caught with our pants down, so to speak. That's what keeps us going.\nMore recently, Opeth have abandoned their death metal sound resulting in a mellower progressive rock sound. When talking about Heritage, guitarist Fredrik \u00c5kesson stated:\nIn the beginning it took me a little while to get used to the new idea of the sound, not having any screaming vocals and stuff like that.  But I think the album was necessary for us to do. Maybe the band wouldn't have continued if we hadn't done Heritage.  I think the old Opeth fans understand this album. There's always going to be some haters, but you can't be loved by everyone. Opeth has always been about not repeating ourself. A lot of people don't think Heritage is metal but I think it's metal to go somewhere people don't expect. It doesn't mean we're not embracing the past sound of Opeth.\n", "labels": "What is the name of the band that was said to be a mishmash of everything?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fe5b298ca2914a82b29d69819bd7e56b"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: In May 1962 A Child of Our Time received its Israel premiere in Tel Aviv. Tippett says that this performance was delayed because for a while there were local objections to the word \"Jesus\" in the text. When it came about, among the audience was Herschel Grynszpan's father who, Tippett wrote, was \"manifestly touched by the work his son's precipitate action 25 years earlier had inspired.\" The performance, by the Kol Yisrael Orchestra with the Tel Aviv Chamber Choir, was acclaimed by the audience of 3000, but received mixed reviews from the press. The Times report noted contrasting opinions from two leading Israeli newspapers. The correspondent for Haaretz had expressed disappointment: \"Every tone is unoriginal, and the work repeats old effects in a most conventional manner\". Conversely, according to the Times report, HaBoker's critic had \"found that the composition had moved everyone to the depths of his soul ... no Jewish composer had ever written anything so sublime on the theme of the Holocaust.\"Despite its successes in Europe A Child of Our Time did not reach the United States until 1965, when it was performed during the Aspen Music Festival, with the composer present. In his memoirs Tippett mentions another performance on that American tour, at a women's college in Baltimore, in which the male chorus and soloists were black Catholic ordinands from a local seminary. The first significant American presentations of the work came a decade later: at Cleveland in 1977 where Prince Charles, who was visiting, delayed his departure so that he could attend, and at Carnegie Hall, New York, where Colin Davis conducted the Boston Symphony Orchestra and the Tanglewood Festival Chorus. Reviewing this performance for The New York Times, Donal Henahan was unconvinced that the work's \"sincerity and unimpeachable intentions add[ed] up to important music\". The spirituals were sung with passion and fervour, but the rest was \"reminiscent of a familiar pious sermon\" in which the words were only intermittently intelligible. Meanwhile, the work had achieved its African debut, where in 1975 Tippett observed a performance with an improvised orchestra which incorporated the Zambian Police Band. The Zambian president, Kenneth Kaunda, was present, and entertained the composer afterwards.\n", "labels": "What is the name of the composer who was present when A Child of Our Time was performed during the Aspen Music Festival?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fa079e3c035442c8822170028367b78b"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: In May 1962 A Child of Our Time received its Israel premiere in Tel Aviv. Tippett says that this performance was delayed because for a while there were local objections to the word \"Jesus\" in the text. When it came about, among the audience was Herschel Grynszpan's father who, Tippett wrote, was \"manifestly touched by the work his son's precipitate action 25 years earlier had inspired.\" The performance, by the Kol Yisrael Orchestra with the Tel Aviv Chamber Choir, was acclaimed by the audience of 3000, but received mixed reviews from the press. The Times report noted contrasting opinions from two leading Israeli newspapers. The correspondent for Haaretz had expressed disappointment: \"Every tone is unoriginal, and the work repeats old effects in a most conventional manner\". Conversely, according to the Times report, HaBoker's critic had \"found that the composition had moved everyone to the depths of his soul ... no Jewish composer had ever written anything so sublime on the theme of the Holocaust.\"Despite its successes in Europe A Child of Our Time did not reach the United States until 1965, when it was performed during the Aspen Music Festival, with the composer present. In his memoirs Tippett mentions another performance on that American tour, at a women's college in Baltimore, in which the male chorus and soloists were black Catholic ordinands from a local seminary. The first significant American presentations of the work came a decade later: at Cleveland in 1977 where Prince Charles, who was visiting, delayed his departure so that he could attend, and at Carnegie Hall, New York, where Colin Davis conducted the Boston Symphony Orchestra and the Tanglewood Festival Chorus. Reviewing this performance for The New York Times, Donal Henahan was unconvinced that the work's \"sincerity and unimpeachable intentions add[ed] up to important music\". The spirituals were sung with passion and fervour, but the rest was \"reminiscent of a familiar pious sermon\" in which the words were only intermittently intelligible. Meanwhile, the work had achieved its African debut, where in 1975 Tippett observed a performance with an improvised orchestra which incorporated the Zambian Police Band. The Zambian president, Kenneth Kaunda, was present, and entertained the composer afterwards.\n", "labels": "What year did the piece that premiered in Israel in 1962 premiere in Africa?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fa079e3c035442c8822170028367b78b"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: In May 1962 A Child of Our Time received its Israel premiere in Tel Aviv. Tippett says that this performance was delayed because for a while there were local objections to the word \"Jesus\" in the text. When it came about, among the audience was Herschel Grynszpan's father who, Tippett wrote, was \"manifestly touched by the work his son's precipitate action 25 years earlier had inspired.\" The performance, by the Kol Yisrael Orchestra with the Tel Aviv Chamber Choir, was acclaimed by the audience of 3000, but received mixed reviews from the press. The Times report noted contrasting opinions from two leading Israeli newspapers. The correspondent for Haaretz had expressed disappointment: \"Every tone is unoriginal, and the work repeats old effects in a most conventional manner\". Conversely, according to the Times report, HaBoker's critic had \"found that the composition had moved everyone to the depths of his soul ... no Jewish composer had ever written anything so sublime on the theme of the Holocaust.\"Despite its successes in Europe A Child of Our Time did not reach the United States until 1965, when it was performed during the Aspen Music Festival, with the composer present. In his memoirs Tippett mentions another performance on that American tour, at a women's college in Baltimore, in which the male chorus and soloists were black Catholic ordinands from a local seminary. The first significant American presentations of the work came a decade later: at Cleveland in 1977 where Prince Charles, who was visiting, delayed his departure so that he could attend, and at Carnegie Hall, New York, where Colin Davis conducted the Boston Symphony Orchestra and the Tanglewood Festival Chorus. Reviewing this performance for The New York Times, Donal Henahan was unconvinced that the work's \"sincerity and unimpeachable intentions add[ed] up to important music\". The spirituals were sung with passion and fervour, but the rest was \"reminiscent of a familiar pious sermon\" in which the words were only intermittently intelligible. Meanwhile, the work had achieved its African debut, where in 1975 Tippett observed a performance with an improvised orchestra which incorporated the Zambian Police Band. The Zambian president, Kenneth Kaunda, was present, and entertained the composer afterwards.\n", "labels": "What was the full name of the conductor at Carnegie Hall who performed the piece that received mixed reviews after its Tel Aviv performance?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fa079e3c035442c8822170028367b78b"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: In May 1962 A Child of Our Time received its Israel premiere in Tel Aviv. Tippett says that this performance was delayed because for a while there were local objections to the word \"Jesus\" in the text. When it came about, among the audience was Herschel Grynszpan's father who, Tippett wrote, was \"manifestly touched by the work his son's precipitate action 25 years earlier had inspired.\" The performance, by the Kol Yisrael Orchestra with the Tel Aviv Chamber Choir, was acclaimed by the audience of 3000, but received mixed reviews from the press. The Times report noted contrasting opinions from two leading Israeli newspapers. The correspondent for Haaretz had expressed disappointment: \"Every tone is unoriginal, and the work repeats old effects in a most conventional manner\". Conversely, according to the Times report, HaBoker's critic had \"found that the composition had moved everyone to the depths of his soul ... no Jewish composer had ever written anything so sublime on the theme of the Holocaust.\"Despite its successes in Europe A Child of Our Time did not reach the United States until 1965, when it was performed during the Aspen Music Festival, with the composer present. In his memoirs Tippett mentions another performance on that American tour, at a women's college in Baltimore, in which the male chorus and soloists were black Catholic ordinands from a local seminary. The first significant American presentations of the work came a decade later: at Cleveland in 1977 where Prince Charles, who was visiting, delayed his departure so that he could attend, and at Carnegie Hall, New York, where Colin Davis conducted the Boston Symphony Orchestra and the Tanglewood Festival Chorus. Reviewing this performance for The New York Times, Donal Henahan was unconvinced that the work's \"sincerity and unimpeachable intentions add[ed] up to important music\". The spirituals were sung with passion and fervour, but the rest was \"reminiscent of a familiar pious sermon\" in which the words were only intermittently intelligible. Meanwhile, the work had achieved its African debut, where in 1975 Tippett observed a performance with an improvised orchestra which incorporated the Zambian Police Band. The Zambian president, Kenneth Kaunda, was present, and entertained the composer afterwards.\n", "labels": "What was the last name of the critic who was unconvinced that the piece that was performed in Cleveland in 1977 was \"...important music.\"?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fa079e3c035442c8822170028367b78b"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: In Bad, Jackson's concept of the predatory lover is seen on the rock song \"Dirty Diana\". The lead single \"I Just Can't Stop Loving You\" is a traditional love ballad, and \"Man in the Mirror\" is a ballad of confession and resolution. \"Smooth Criminal\" is an evocation of bloody assault, rape and likely murder. AllMusic's Stephen Thomas Erlewine states that Dangerous presents Jackson as a paradoxical person. The first half of the record is dedicated to new jack swing, including songs like \"Jam\" and \"Remember the Time\". It was the first Jackson album in which social ills became a primary theme; \"Why You Wanna Trip on Me\", for example, protests world hunger, AIDS, homelessness and drugs. Dangerous contains sexually charged songs such as \"In the Closet\". The title track continues the theme of the predatory lover and compulsive desire. The second half includes introspective, pop-gospel anthems such as \"Will You Be There\", \"Heal the World\" and \"Keep the Faith\". In the ballad \"Gone Too Soon\", Jackson gives tribute to Ryan White and the plight of those with AIDS.HIStory creates an atmosphere of paranoia. In the new jack swing-funk rock tracks \"Scream\" and \"Tabloid Junkie\", and the R&B ballad \"You Are Not Alone\", Jackson retaliates against the injustice and isolation he feels, and directs his anger at the media. In the introspective ballad \"Stranger in Moscow\", Jackson laments his \"fall from grace\"; \"Earth Song\", \"Childhood\", \"Little Susie\" and \"Smile\" are operatic pop songs. In the \"D.S.\", Jackson launched a verbal attack against the lawyer Tom Sneddon, who had prosecuted him in both child sexual abuse cases. He describes Sneddon as an antisocial white supremacist who wanted to \"get my ass, dead or alive\". Sneddon said he had not listened to the song. Invincible was produced by Rodney Jerkins. It includes urban soul tracks such as \"Cry\" and \"The Lost Children\", ballads such as \"Speechless\", \"Break of Dawn\", and \"Butterflies\" and mixes hip hop, pop, and R&B in \"2000 Watts\", \"Heartbreaker\" and \"Invincible\".\n", "labels": "What is the name of the album with the lead single \"I Just Can't Stop Loving You\"?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-b8109cbaad9c46b2bf0157df45fc9c94"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: In Bad, Jackson's concept of the predatory lover is seen on the rock song \"Dirty Diana\". The lead single \"I Just Can't Stop Loving You\" is a traditional love ballad, and \"Man in the Mirror\" is a ballad of confession and resolution. \"Smooth Criminal\" is an evocation of bloody assault, rape and likely murder. AllMusic's Stephen Thomas Erlewine states that Dangerous presents Jackson as a paradoxical person. The first half of the record is dedicated to new jack swing, including songs like \"Jam\" and \"Remember the Time\". It was the first Jackson album in which social ills became a primary theme; \"Why You Wanna Trip on Me\", for example, protests world hunger, AIDS, homelessness and drugs. Dangerous contains sexually charged songs such as \"In the Closet\". The title track continues the theme of the predatory lover and compulsive desire. The second half includes introspective, pop-gospel anthems such as \"Will You Be There\", \"Heal the World\" and \"Keep the Faith\". In the ballad \"Gone Too Soon\", Jackson gives tribute to Ryan White and the plight of those with AIDS.HIStory creates an atmosphere of paranoia. In the new jack swing-funk rock tracks \"Scream\" and \"Tabloid Junkie\", and the R&B ballad \"You Are Not Alone\", Jackson retaliates against the injustice and isolation he feels, and directs his anger at the media. In the introspective ballad \"Stranger in Moscow\", Jackson laments his \"fall from grace\"; \"Earth Song\", \"Childhood\", \"Little Susie\" and \"Smile\" are operatic pop songs. In the \"D.S.\", Jackson launched a verbal attack against the lawyer Tom Sneddon, who had prosecuted him in both child sexual abuse cases. He describes Sneddon as an antisocial white supremacist who wanted to \"get my ass, dead or alive\". Sneddon said he had not listened to the song. Invincible was produced by Rodney Jerkins. It includes urban soul tracks such as \"Cry\" and \"The Lost Children\", ballads such as \"Speechless\", \"Break of Dawn\", and \"Butterflies\" and mixes hip hop, pop, and R&B in \"2000 Watts\", \"Heartbreaker\" and \"Invincible\".\n", "labels": "What is the last name of the person who describes Sneddon as an antisocial white supremacist?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-b8109cbaad9c46b2bf0157df45fc9c94"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: In 1987, Trent Reznor played keyboard in a Cleveland, Ohio band called the Exotic Birds, then managed by John Malm Jr. Reznor and Malm became friends, and when Reznor left the Exotic Birds to work on music of his own, Malm informally became his manager. At the time, Reznor was employed as an assistant engineer and janitor at Right Track Studios,  in Cleveland; he asked studio owner Bart Koster for permission to record some demos of his own material for free during unused studio time. Koster agreed and allowed Reznor to use it whenever it was empty, commenting that it cost him \"just a little wear on [his] tape heads\". While completing the early recordings, Reznor was unable to find a band that could articulate the material as he desired. Instead, inspired by Prince, Reznor played all the instruments, except drums, himself. This role remains Reznor's on most of the band's studio recordings, though he has occasionally involved other musicians and assistants. Nine Inch Nails' debut was at the Phantasy Theater in Lakewood, Ohio on October 21, 1988 as part of the Pretty Hate Machine Tour Series. In 1988, after playing its first shows supporting Skinny Puppy, Reznor's ambition for Nine Inch Nails was to release one 12-inch single on a small European label. Several labels responded favorably to the demo material and Reznor signed with TVT Records. Nine selections from the Right Track demos recorded live in November 1988, collectively known as Purest Feeling, were later released in revised form on the band's first full-length studio release, Pretty Hate Machine (1989). The overall sound on Purest Feeling is lighter than that of Pretty Hate Machine; several songs contain more live drumming and guitar work throughout, as well as a heavier use of samples from films.Reznor coined the name \"Nine Inch Nails\" because it \"abbreviated easily\", rather than for \"any literal meaning\". Other rumored explanations have circulated, alleging that Reznor chose to reference Jesus' crucifixion with nine-inch spikes, or Freddy Krueger's nine-inch fingernails. The English letters NIN are also noted for their resemblance to the modern Hebrew characters of the Tetragrammaton.  The Nine Inch Nails' logo, which consists of the letters [NI\u0418] set inside a border, was designed by Reznor and Gary Talpas, and first appeared on the music video for Nine Inch Nails' debut single, \"Down in It\", and was inspired by Tibor Kalman's typography on the Talking Heads album Remain in Light. Talpas, a native of Cleveland, would continue to design Nine Inch Nails packaging art until 1997.\n", "labels": "What is the first name of the person who was friends with John?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fc75c4a445504954a74906d5cadb757e"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: In 1987, Trent Reznor played keyboard in a Cleveland, Ohio band called the Exotic Birds, then managed by John Malm Jr. Reznor and Malm became friends, and when Reznor left the Exotic Birds to work on music of his own, Malm informally became his manager. At the time, Reznor was employed as an assistant engineer and janitor at Right Track Studios,  in Cleveland; he asked studio owner Bart Koster for permission to record some demos of his own material for free during unused studio time. Koster agreed and allowed Reznor to use it whenever it was empty, commenting that it cost him \"just a little wear on [his] tape heads\". While completing the early recordings, Reznor was unable to find a band that could articulate the material as he desired. Instead, inspired by Prince, Reznor played all the instruments, except drums, himself. This role remains Reznor's on most of the band's studio recordings, though he has occasionally involved other musicians and assistants. Nine Inch Nails' debut was at the Phantasy Theater in Lakewood, Ohio on October 21, 1988 as part of the Pretty Hate Machine Tour Series. In 1988, after playing its first shows supporting Skinny Puppy, Reznor's ambition for Nine Inch Nails was to release one 12-inch single on a small European label. Several labels responded favorably to the demo material and Reznor signed with TVT Records. Nine selections from the Right Track demos recorded live in November 1988, collectively known as Purest Feeling, were later released in revised form on the band's first full-length studio release, Pretty Hate Machine (1989). The overall sound on Purest Feeling is lighter than that of Pretty Hate Machine; several songs contain more live drumming and guitar work throughout, as well as a heavier use of samples from films.Reznor coined the name \"Nine Inch Nails\" because it \"abbreviated easily\", rather than for \"any literal meaning\". Other rumored explanations have circulated, alleging that Reznor chose to reference Jesus' crucifixion with nine-inch spikes, or Freddy Krueger's nine-inch fingernails. The English letters NIN are also noted for their resemblance to the modern Hebrew characters of the Tetragrammaton.  The Nine Inch Nails' logo, which consists of the letters [NI\u0418] set inside a border, was designed by Reznor and Gary Talpas, and first appeared on the music video for Nine Inch Nails' debut single, \"Down in It\", and was inspired by Tibor Kalman's typography on the Talking Heads album Remain in Light. Talpas, a native of Cleveland, would continue to design Nine Inch Nails packaging art until 1997.\n", "labels": "What is the first name of the person who was employed as an assistant engineer and janitor at Right Track Studios?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fc75c4a445504954a74906d5cadb757e"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: In 1987, Trent Reznor played keyboard in a Cleveland, Ohio band called the Exotic Birds, then managed by John Malm Jr. Reznor and Malm became friends, and when Reznor left the Exotic Birds to work on music of his own, Malm informally became his manager. At the time, Reznor was employed as an assistant engineer and janitor at Right Track Studios,  in Cleveland; he asked studio owner Bart Koster for permission to record some demos of his own material for free during unused studio time. Koster agreed and allowed Reznor to use it whenever it was empty, commenting that it cost him \"just a little wear on [his] tape heads\". While completing the early recordings, Reznor was unable to find a band that could articulate the material as he desired. Instead, inspired by Prince, Reznor played all the instruments, except drums, himself. This role remains Reznor's on most of the band's studio recordings, though he has occasionally involved other musicians and assistants. Nine Inch Nails' debut was at the Phantasy Theater in Lakewood, Ohio on October 21, 1988 as part of the Pretty Hate Machine Tour Series. In 1988, after playing its first shows supporting Skinny Puppy, Reznor's ambition for Nine Inch Nails was to release one 12-inch single on a small European label. Several labels responded favorably to the demo material and Reznor signed with TVT Records. Nine selections from the Right Track demos recorded live in November 1988, collectively known as Purest Feeling, were later released in revised form on the band's first full-length studio release, Pretty Hate Machine (1989). The overall sound on Purest Feeling is lighter than that of Pretty Hate Machine; several songs contain more live drumming and guitar work throughout, as well as a heavier use of samples from films.Reznor coined the name \"Nine Inch Nails\" because it \"abbreviated easily\", rather than for \"any literal meaning\". Other rumored explanations have circulated, alleging that Reznor chose to reference Jesus' crucifixion with nine-inch spikes, or Freddy Krueger's nine-inch fingernails. The English letters NIN are also noted for their resemblance to the modern Hebrew characters of the Tetragrammaton.  The Nine Inch Nails' logo, which consists of the letters [NI\u0418] set inside a border, was designed by Reznor and Gary Talpas, and first appeared on the music video for Nine Inch Nails' debut single, \"Down in It\", and was inspired by Tibor Kalman's typography on the Talking Heads album Remain in Light. Talpas, a native of Cleveland, would continue to design Nine Inch Nails packaging art until 1997.\n", "labels": "What is the first name of the person whose role remains playing all the instruments except the drums himself?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fc75c4a445504954a74906d5cadb757e"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: In 1987, Trent Reznor played keyboard in a Cleveland, Ohio band called the Exotic Birds, then managed by John Malm Jr. Reznor and Malm became friends, and when Reznor left the Exotic Birds to work on music of his own, Malm informally became his manager. At the time, Reznor was employed as an assistant engineer and janitor at Right Track Studios,  in Cleveland; he asked studio owner Bart Koster for permission to record some demos of his own material for free during unused studio time. Koster agreed and allowed Reznor to use it whenever it was empty, commenting that it cost him \"just a little wear on [his] tape heads\". While completing the early recordings, Reznor was unable to find a band that could articulate the material as he desired. Instead, inspired by Prince, Reznor played all the instruments, except drums, himself. This role remains Reznor's on most of the band's studio recordings, though he has occasionally involved other musicians and assistants. Nine Inch Nails' debut was at the Phantasy Theater in Lakewood, Ohio on October 21, 1988 as part of the Pretty Hate Machine Tour Series. In 1988, after playing its first shows supporting Skinny Puppy, Reznor's ambition for Nine Inch Nails was to release one 12-inch single on a small European label. Several labels responded favorably to the demo material and Reznor signed with TVT Records. Nine selections from the Right Track demos recorded live in November 1988, collectively known as Purest Feeling, were later released in revised form on the band's first full-length studio release, Pretty Hate Machine (1989). The overall sound on Purest Feeling is lighter than that of Pretty Hate Machine; several songs contain more live drumming and guitar work throughout, as well as a heavier use of samples from films.Reznor coined the name \"Nine Inch Nails\" because it \"abbreviated easily\", rather than for \"any literal meaning\". Other rumored explanations have circulated, alleging that Reznor chose to reference Jesus' crucifixion with nine-inch spikes, or Freddy Krueger's nine-inch fingernails. The English letters NIN are also noted for their resemblance to the modern Hebrew characters of the Tetragrammaton.  The Nine Inch Nails' logo, which consists of the letters [NI\u0418] set inside a border, was designed by Reznor and Gary Talpas, and first appeared on the music video for Nine Inch Nails' debut single, \"Down in It\", and was inspired by Tibor Kalman's typography on the Talking Heads album Remain in Light. Talpas, a native of Cleveland, would continue to design Nine Inch Nails packaging art until 1997.\n", "labels": "What is the first name of the person that allowed Trent to use the studio when it was empty?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fc75c4a445504954a74906d5cadb757e"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: In 1987, Trent Reznor played keyboard in a Cleveland, Ohio band called the Exotic Birds, then managed by John Malm Jr. Reznor and Malm became friends, and when Reznor left the Exotic Birds to work on music of his own, Malm informally became his manager. At the time, Reznor was employed as an assistant engineer and janitor at Right Track Studios,  in Cleveland; he asked studio owner Bart Koster for permission to record some demos of his own material for free during unused studio time. Koster agreed and allowed Reznor to use it whenever it was empty, commenting that it cost him \"just a little wear on [his] tape heads\". While completing the early recordings, Reznor was unable to find a band that could articulate the material as he desired. Instead, inspired by Prince, Reznor played all the instruments, except drums, himself. This role remains Reznor's on most of the band's studio recordings, though he has occasionally involved other musicians and assistants. Nine Inch Nails' debut was at the Phantasy Theater in Lakewood, Ohio on October 21, 1988 as part of the Pretty Hate Machine Tour Series. In 1988, after playing its first shows supporting Skinny Puppy, Reznor's ambition for Nine Inch Nails was to release one 12-inch single on a small European label. Several labels responded favorably to the demo material and Reznor signed with TVT Records. Nine selections from the Right Track demos recorded live in November 1988, collectively known as Purest Feeling, were later released in revised form on the band's first full-length studio release, Pretty Hate Machine (1989). The overall sound on Purest Feeling is lighter than that of Pretty Hate Machine; several songs contain more live drumming and guitar work throughout, as well as a heavier use of samples from films.Reznor coined the name \"Nine Inch Nails\" because it \"abbreviated easily\", rather than for \"any literal meaning\". Other rumored explanations have circulated, alleging that Reznor chose to reference Jesus' crucifixion with nine-inch spikes, or Freddy Krueger's nine-inch fingernails. The English letters NIN are also noted for their resemblance to the modern Hebrew characters of the Tetragrammaton.  The Nine Inch Nails' logo, which consists of the letters [NI\u0418] set inside a border, was designed by Reznor and Gary Talpas, and first appeared on the music video for Nine Inch Nails' debut single, \"Down in It\", and was inspired by Tibor Kalman's typography on the Talking Heads album Remain in Light. Talpas, a native of Cleveland, would continue to design Nine Inch Nails packaging art until 1997.\n", "labels": "What is the first name of the person whose ambition for Nine Inch Nails was to release one 12-inch single on a small European label?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fc75c4a445504954a74906d5cadb757e"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: In 1987, Trent Reznor played keyboard in a Cleveland, Ohio band called the Exotic Birds, then managed by John Malm Jr. Reznor and Malm became friends, and when Reznor left the Exotic Birds to work on music of his own, Malm informally became his manager. At the time, Reznor was employed as an assistant engineer and janitor at Right Track Studios,  in Cleveland; he asked studio owner Bart Koster for permission to record some demos of his own material for free during unused studio time. Koster agreed and allowed Reznor to use it whenever it was empty, commenting that it cost him \"just a little wear on [his] tape heads\". While completing the early recordings, Reznor was unable to find a band that could articulate the material as he desired. Instead, inspired by Prince, Reznor played all the instruments, except drums, himself. This role remains Reznor's on most of the band's studio recordings, though he has occasionally involved other musicians and assistants. Nine Inch Nails' debut was at the Phantasy Theater in Lakewood, Ohio on October 21, 1988 as part of the Pretty Hate Machine Tour Series. In 1988, after playing its first shows supporting Skinny Puppy, Reznor's ambition for Nine Inch Nails was to release one 12-inch single on a small European label. Several labels responded favorably to the demo material and Reznor signed with TVT Records. Nine selections from the Right Track demos recorded live in November 1988, collectively known as Purest Feeling, were later released in revised form on the band's first full-length studio release, Pretty Hate Machine (1989). The overall sound on Purest Feeling is lighter than that of Pretty Hate Machine; several songs contain more live drumming and guitar work throughout, as well as a heavier use of samples from films.Reznor coined the name \"Nine Inch Nails\" because it \"abbreviated easily\", rather than for \"any literal meaning\". Other rumored explanations have circulated, alleging that Reznor chose to reference Jesus' crucifixion with nine-inch spikes, or Freddy Krueger's nine-inch fingernails. The English letters NIN are also noted for their resemblance to the modern Hebrew characters of the Tetragrammaton.  The Nine Inch Nails' logo, which consists of the letters [NI\u0418] set inside a border, was designed by Reznor and Gary Talpas, and first appeared on the music video for Nine Inch Nails' debut single, \"Down in It\", and was inspired by Tibor Kalman's typography on the Talking Heads album Remain in Light. Talpas, a native of Cleveland, would continue to design Nine Inch Nails packaging art until 1997.\n", "labels": "What was the first name of the person who signed with TVT Records?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fc75c4a445504954a74906d5cadb757e"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: In 1987, Trent Reznor played keyboard in a Cleveland, Ohio band called the Exotic Birds, then managed by John Malm Jr. Reznor and Malm became friends, and when Reznor left the Exotic Birds to work on music of his own, Malm informally became his manager. At the time, Reznor was employed as an assistant engineer and janitor at Right Track Studios,  in Cleveland; he asked studio owner Bart Koster for permission to record some demos of his own material for free during unused studio time. Koster agreed and allowed Reznor to use it whenever it was empty, commenting that it cost him \"just a little wear on [his] tape heads\". While completing the early recordings, Reznor was unable to find a band that could articulate the material as he desired. Instead, inspired by Prince, Reznor played all the instruments, except drums, himself. This role remains Reznor's on most of the band's studio recordings, though he has occasionally involved other musicians and assistants. Nine Inch Nails' debut was at the Phantasy Theater in Lakewood, Ohio on October 21, 1988 as part of the Pretty Hate Machine Tour Series. In 1988, after playing its first shows supporting Skinny Puppy, Reznor's ambition for Nine Inch Nails was to release one 12-inch single on a small European label. Several labels responded favorably to the demo material and Reznor signed with TVT Records. Nine selections from the Right Track demos recorded live in November 1988, collectively known as Purest Feeling, were later released in revised form on the band's first full-length studio release, Pretty Hate Machine (1989). The overall sound on Purest Feeling is lighter than that of Pretty Hate Machine; several songs contain more live drumming and guitar work throughout, as well as a heavier use of samples from films.Reznor coined the name \"Nine Inch Nails\" because it \"abbreviated easily\", rather than for \"any literal meaning\". Other rumored explanations have circulated, alleging that Reznor chose to reference Jesus' crucifixion with nine-inch spikes, or Freddy Krueger's nine-inch fingernails. The English letters NIN are also noted for their resemblance to the modern Hebrew characters of the Tetragrammaton.  The Nine Inch Nails' logo, which consists of the letters [NI\u0418] set inside a border, was designed by Reznor and Gary Talpas, and first appeared on the music video for Nine Inch Nails' debut single, \"Down in It\", and was inspired by Tibor Kalman's typography on the Talking Heads album Remain in Light. Talpas, a native of Cleveland, would continue to design Nine Inch Nails packaging art until 1997.\n", "labels": "What are the first names of the two people who designed the Nine Inch Nails logo?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-fc75c4a445504954a74906d5cadb757e"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: The helmet was discovered by looters in August 1936, in the modern-day city of Homs. Known as Emesa at the start of the first century AD, the city was at the eastern edge of the Roman Empire, and ruled by the Emesene dynasty, a client kingdom of the Romans. Nearly 2,000 years later, the looters\u2014digging near the former site of a monument to Sampsiceramus\u2014found a complex of rich tombs, and removed the grave goods. Their looting was uncovered because small golden plaques, adorning the burial shroud of the body in tomb 11, flaked off when disturbed. The next morning, children noticed these gold flakes mixed in with the earth and brought them to a bazaar, where it came to the attention of the police; it ultimately led to the arrest of the looters, and the confiscation of the grave objects. The objects, including the helmet, were then secured for the state collection by Emir Djaafar Abd el-Kader, curator of the National Museum of Damascus\u2014even as merchants, eager to capitalise on the stories, hawked modern forgeries and unrelated ancient objects said to come from the tombs of Emesa.The prompt intervention of el-Kader, who investigated the finds and interrogated the looters, allowed the finds to be recovered and well-understood. He also led further excavations, as did the French archaeologists Daniel Schlumberger and Henri Seyrig. The tomb in which the helmet was found\u2014labelled tomb number 1, of the 22 in the complex\u2014was a pitted grave with two chambers, one upper and one lower. The lower chamber, constituting the proper tomb, had soil for a floor and rock for walls; it measured 2.2 by 1.25 m (7 ft 3 in by 4 ft 1 in), and was 1.72 m (5 ft 8 in) high. Between five and seven eroded basalt beams were placed over the opening connecting the lower chamber with the upper, which was then backfilled to surface level.Tomb 1 included a rich assortment of objects. As well as the helmet, it contained a gold funerary mask; a gold and turquoise bracelet; an ornate gold ring with a royal bust in relief; a gold ring with carnelian intaglio; a gold appliqu\u00e9 with a sheep's head and a bird's head; a star-shaped fibula; a gold hook; a small tongue of gold; a spearhead decorated with gold; a silver vase; and a triangle of glass. The looters may have been incorrect in also attributing 19 gold plaques to the tomb, as these were seemingly identical to those from tomb 11. Decorations from the sarcophagus included fragmentary silver rings; 22 gold leaves in repouss\u00e9; six masks of Medusa; four rectangles adorned with a lion; four Victories; and eight busts of Apollo. According to Mohammed Moghrabi, who looted tomb 1, the helmet was found next to the skull.\n", "labels": "What is the number designation of the tomb where they found gold appliqu\u00e9 with a sheep's head?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-155b65643e9d44d2bc6e000e98dcffd6"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: The helmet was discovered by looters in August 1936, in the modern-day city of Homs. Known as Emesa at the start of the first century AD, the city was at the eastern edge of the Roman Empire, and ruled by the Emesene dynasty, a client kingdom of the Romans. Nearly 2,000 years later, the looters\u2014digging near the former site of a monument to Sampsiceramus\u2014found a complex of rich tombs, and removed the grave goods. Their looting was uncovered because small golden plaques, adorning the burial shroud of the body in tomb 11, flaked off when disturbed. The next morning, children noticed these gold flakes mixed in with the earth and brought them to a bazaar, where it came to the attention of the police; it ultimately led to the arrest of the looters, and the confiscation of the grave objects. The objects, including the helmet, were then secured for the state collection by Emir Djaafar Abd el-Kader, curator of the National Museum of Damascus\u2014even as merchants, eager to capitalise on the stories, hawked modern forgeries and unrelated ancient objects said to come from the tombs of Emesa.The prompt intervention of el-Kader, who investigated the finds and interrogated the looters, allowed the finds to be recovered and well-understood. He also led further excavations, as did the French archaeologists Daniel Schlumberger and Henri Seyrig. The tomb in which the helmet was found\u2014labelled tomb number 1, of the 22 in the complex\u2014was a pitted grave with two chambers, one upper and one lower. The lower chamber, constituting the proper tomb, had soil for a floor and rock for walls; it measured 2.2 by 1.25 m (7 ft 3 in by 4 ft 1 in), and was 1.72 m (5 ft 8 in) high. Between five and seven eroded basalt beams were placed over the opening connecting the lower chamber with the upper, which was then backfilled to surface level.Tomb 1 included a rich assortment of objects. As well as the helmet, it contained a gold funerary mask; a gold and turquoise bracelet; an ornate gold ring with a royal bust in relief; a gold ring with carnelian intaglio; a gold appliqu\u00e9 with a sheep's head and a bird's head; a star-shaped fibula; a gold hook; a small tongue of gold; a spearhead decorated with gold; a silver vase; and a triangle of glass. The looters may have been incorrect in also attributing 19 gold plaques to the tomb, as these were seemingly identical to those from tomb 11. Decorations from the sarcophagus included fragmentary silver rings; 22 gold leaves in repouss\u00e9; six masks of Medusa; four rectangles adorned with a lion; four Victories; and eight busts of Apollo. According to Mohammed Moghrabi, who looted tomb 1, the helmet was found next to the skull.\n", "labels": "What is the number designation of the tomb that had soil for a floor and rock for walls?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-155b65643e9d44d2bc6e000e98dcffd6"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: The helmet was discovered by looters in August 1936, in the modern-day city of Homs. Known as Emesa at the start of the first century AD, the city was at the eastern edge of the Roman Empire, and ruled by the Emesene dynasty, a client kingdom of the Romans. Nearly 2,000 years later, the looters\u2014digging near the former site of a monument to Sampsiceramus\u2014found a complex of rich tombs, and removed the grave goods. Their looting was uncovered because small golden plaques, adorning the burial shroud of the body in tomb 11, flaked off when disturbed. The next morning, children noticed these gold flakes mixed in with the earth and brought them to a bazaar, where it came to the attention of the police; it ultimately led to the arrest of the looters, and the confiscation of the grave objects. The objects, including the helmet, were then secured for the state collection by Emir Djaafar Abd el-Kader, curator of the National Museum of Damascus\u2014even as merchants, eager to capitalise on the stories, hawked modern forgeries and unrelated ancient objects said to come from the tombs of Emesa.The prompt intervention of el-Kader, who investigated the finds and interrogated the looters, allowed the finds to be recovered and well-understood. He also led further excavations, as did the French archaeologists Daniel Schlumberger and Henri Seyrig. The tomb in which the helmet was found\u2014labelled tomb number 1, of the 22 in the complex\u2014was a pitted grave with two chambers, one upper and one lower. The lower chamber, constituting the proper tomb, had soil for a floor and rock for walls; it measured 2.2 by 1.25 m (7 ft 3 in by 4 ft 1 in), and was 1.72 m (5 ft 8 in) high. Between five and seven eroded basalt beams were placed over the opening connecting the lower chamber with the upper, which was then backfilled to surface level.Tomb 1 included a rich assortment of objects. As well as the helmet, it contained a gold funerary mask; a gold and turquoise bracelet; an ornate gold ring with a royal bust in relief; a gold ring with carnelian intaglio; a gold appliqu\u00e9 with a sheep's head and a bird's head; a star-shaped fibula; a gold hook; a small tongue of gold; a spearhead decorated with gold; a silver vase; and a triangle of glass. The looters may have been incorrect in also attributing 19 gold plaques to the tomb, as these were seemingly identical to those from tomb 11. Decorations from the sarcophagus included fragmentary silver rings; 22 gold leaves in repouss\u00e9; six masks of Medusa; four rectangles adorned with a lion; four Victories; and eight busts of Apollo. According to Mohammed Moghrabi, who looted tomb 1, the helmet was found next to the skull.\n", "labels": "What is the full name of the person whose actions allowed the finds to be recovered and well-understood?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-155b65643e9d44d2bc6e000e98dcffd6"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: The helmet was discovered by looters in August 1936, in the modern-day city of Homs. Known as Emesa at the start of the first century AD, the city was at the eastern edge of the Roman Empire, and ruled by the Emesene dynasty, a client kingdom of the Romans. Nearly 2,000 years later, the looters\u2014digging near the former site of a monument to Sampsiceramus\u2014found a complex of rich tombs, and removed the grave goods. Their looting was uncovered because small golden plaques, adorning the burial shroud of the body in tomb 11, flaked off when disturbed. The next morning, children noticed these gold flakes mixed in with the earth and brought them to a bazaar, where it came to the attention of the police; it ultimately led to the arrest of the looters, and the confiscation of the grave objects. The objects, including the helmet, were then secured for the state collection by Emir Djaafar Abd el-Kader, curator of the National Museum of Damascus\u2014even as merchants, eager to capitalise on the stories, hawked modern forgeries and unrelated ancient objects said to come from the tombs of Emesa.The prompt intervention of el-Kader, who investigated the finds and interrogated the looters, allowed the finds to be recovered and well-understood. He also led further excavations, as did the French archaeologists Daniel Schlumberger and Henri Seyrig. The tomb in which the helmet was found\u2014labelled tomb number 1, of the 22 in the complex\u2014was a pitted grave with two chambers, one upper and one lower. The lower chamber, constituting the proper tomb, had soil for a floor and rock for walls; it measured 2.2 by 1.25 m (7 ft 3 in by 4 ft 1 in), and was 1.72 m (5 ft 8 in) high. Between five and seven eroded basalt beams were placed over the opening connecting the lower chamber with the upper, which was then backfilled to surface level.Tomb 1 included a rich assortment of objects. As well as the helmet, it contained a gold funerary mask; a gold and turquoise bracelet; an ornate gold ring with a royal bust in relief; a gold ring with carnelian intaglio; a gold appliqu\u00e9 with a sheep's head and a bird's head; a star-shaped fibula; a gold hook; a small tongue of gold; a spearhead decorated with gold; a silver vase; and a triangle of glass. The looters may have been incorrect in also attributing 19 gold plaques to the tomb, as these were seemingly identical to those from tomb 11. Decorations from the sarcophagus included fragmentary silver rings; 22 gold leaves in repouss\u00e9; six masks of Medusa; four rectangles adorned with a lion; four Victories; and eight busts of Apollo. According to Mohammed Moghrabi, who looted tomb 1, the helmet was found next to the skull.\n", "labels": "What is the first name of the person who led further excavations, as did the French archaeologists Daniel Schlumberger and Henri Seyrig?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-155b65643e9d44d2bc6e000e98dcffd6"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: The helmet was discovered by looters in August 1936, in the modern-day city of Homs. Known as Emesa at the start of the first century AD, the city was at the eastern edge of the Roman Empire, and ruled by the Emesene dynasty, a client kingdom of the Romans. Nearly 2,000 years later, the looters\u2014digging near the former site of a monument to Sampsiceramus\u2014found a complex of rich tombs, and removed the grave goods. Their looting was uncovered because small golden plaques, adorning the burial shroud of the body in tomb 11, flaked off when disturbed. The next morning, children noticed these gold flakes mixed in with the earth and brought them to a bazaar, where it came to the attention of the police; it ultimately led to the arrest of the looters, and the confiscation of the grave objects. The objects, including the helmet, were then secured for the state collection by Emir Djaafar Abd el-Kader, curator of the National Museum of Damascus\u2014even as merchants, eager to capitalise on the stories, hawked modern forgeries and unrelated ancient objects said to come from the tombs of Emesa.The prompt intervention of el-Kader, who investigated the finds and interrogated the looters, allowed the finds to be recovered and well-understood. He also led further excavations, as did the French archaeologists Daniel Schlumberger and Henri Seyrig. The tomb in which the helmet was found\u2014labelled tomb number 1, of the 22 in the complex\u2014was a pitted grave with two chambers, one upper and one lower. The lower chamber, constituting the proper tomb, had soil for a floor and rock for walls; it measured 2.2 by 1.25 m (7 ft 3 in by 4 ft 1 in), and was 1.72 m (5 ft 8 in) high. Between five and seven eroded basalt beams were placed over the opening connecting the lower chamber with the upper, which was then backfilled to surface level.Tomb 1 included a rich assortment of objects. As well as the helmet, it contained a gold funerary mask; a gold and turquoise bracelet; an ornate gold ring with a royal bust in relief; a gold ring with carnelian intaglio; a gold appliqu\u00e9 with a sheep's head and a bird's head; a star-shaped fibula; a gold hook; a small tongue of gold; a spearhead decorated with gold; a silver vase; and a triangle of glass. The looters may have been incorrect in also attributing 19 gold plaques to the tomb, as these were seemingly identical to those from tomb 11. Decorations from the sarcophagus included fragmentary silver rings; 22 gold leaves in repouss\u00e9; six masks of Medusa; four rectangles adorned with a lion; four Victories; and eight busts of Apollo. According to Mohammed Moghrabi, who looted tomb 1, the helmet was found next to the skull.\n", "labels": "What contained a gold funerary mask?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-155b65643e9d44d2bc6e000e98dcffd6"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: The helmet was discovered by looters in August 1936, in the modern-day city of Homs. Known as Emesa at the start of the first century AD, the city was at the eastern edge of the Roman Empire, and ruled by the Emesene dynasty, a client kingdom of the Romans. Nearly 2,000 years later, the looters\u2014digging near the former site of a monument to Sampsiceramus\u2014found a complex of rich tombs, and removed the grave goods. Their looting was uncovered because small golden plaques, adorning the burial shroud of the body in tomb 11, flaked off when disturbed. The next morning, children noticed these gold flakes mixed in with the earth and brought them to a bazaar, where it came to the attention of the police; it ultimately led to the arrest of the looters, and the confiscation of the grave objects. The objects, including the helmet, were then secured for the state collection by Emir Djaafar Abd el-Kader, curator of the National Museum of Damascus\u2014even as merchants, eager to capitalise on the stories, hawked modern forgeries and unrelated ancient objects said to come from the tombs of Emesa.The prompt intervention of el-Kader, who investigated the finds and interrogated the looters, allowed the finds to be recovered and well-understood. He also led further excavations, as did the French archaeologists Daniel Schlumberger and Henri Seyrig. The tomb in which the helmet was found\u2014labelled tomb number 1, of the 22 in the complex\u2014was a pitted grave with two chambers, one upper and one lower. The lower chamber, constituting the proper tomb, had soil for a floor and rock for walls; it measured 2.2 by 1.25 m (7 ft 3 in by 4 ft 1 in), and was 1.72 m (5 ft 8 in) high. Between five and seven eroded basalt beams were placed over the opening connecting the lower chamber with the upper, which was then backfilled to surface level.Tomb 1 included a rich assortment of objects. As well as the helmet, it contained a gold funerary mask; a gold and turquoise bracelet; an ornate gold ring with a royal bust in relief; a gold ring with carnelian intaglio; a gold appliqu\u00e9 with a sheep's head and a bird's head; a star-shaped fibula; a gold hook; a small tongue of gold; a spearhead decorated with gold; a silver vase; and a triangle of glass. The looters may have been incorrect in also attributing 19 gold plaques to the tomb, as these were seemingly identical to those from tomb 11. Decorations from the sarcophagus included fragmentary silver rings; 22 gold leaves in repouss\u00e9; six masks of Medusa; four rectangles adorned with a lion; four Victories; and eight busts of Apollo. According to Mohammed Moghrabi, who looted tomb 1, the helmet was found next to the skull.\n", "labels": "What tomb did the looters attribute 19 gold plaques to?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-155b65643e9d44d2bc6e000e98dcffd6"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Phaedra is a poor Greek sponge diver on the island of Hydra. She works from the boat of her boyfriend, Rhif, an illegal immigrant from Albania. She accidentally finds an ancient Greek statue of a boy riding a dolphin on the bottom of the Aegean Sea. Her efforts to sell it to the highest bidder lead her to two competing individuals: Dr. James Calder, an honest archaeologist who will surrender it to Greek authorities, and Victor Parmalee, an aesthete and an unscrupulous dealer with a history of trying to acquire works of art stolen by the Nazis from their owners.\nCalder and Parmalee each try to win Phaedra's cooperation. She works in concert with Parmalee, while developing feelings for Calder. When she seems to waver, Rhif decides to make the deal with Parmalee work. The film reaches a happy conclusion, with virtue rewarded, the statue celebrated by the people of Hydra, and Phaedra and Calder in each other's arms. Parmalee, a man with no apparent national loyalties or heritage, sets course for Monte Carlo.\n", "labels": "Who is dating an illegal immigrant?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-f1a98cad1fd243e2a4f107da5bf62e9f"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Phaedra is a poor Greek sponge diver on the island of Hydra. She works from the boat of her boyfriend, Rhif, an illegal immigrant from Albania. She accidentally finds an ancient Greek statue of a boy riding a dolphin on the bottom of the Aegean Sea. Her efforts to sell it to the highest bidder lead her to two competing individuals: Dr. James Calder, an honest archaeologist who will surrender it to Greek authorities, and Victor Parmalee, an aesthete and an unscrupulous dealer with a history of trying to acquire works of art stolen by the Nazis from their owners.\nCalder and Parmalee each try to win Phaedra's cooperation. She works in concert with Parmalee, while developing feelings for Calder. When she seems to waver, Rhif decides to make the deal with Parmalee work. The film reaches a happy conclusion, with virtue rewarded, the statue celebrated by the people of Hydra, and Phaedra and Calder in each other's arms. Parmalee, a man with no apparent national loyalties or heritage, sets course for Monte Carlo.\n", "labels": "What is the first name of the person that Phaedra worked in concert with?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-f1a98cad1fd243e2a4f107da5bf62e9f"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Phaedra is a poor Greek sponge diver on the island of Hydra. She works from the boat of her boyfriend, Rhif, an illegal immigrant from Albania. She accidentally finds an ancient Greek statue of a boy riding a dolphin on the bottom of the Aegean Sea. Her efforts to sell it to the highest bidder lead her to two competing individuals: Dr. James Calder, an honest archaeologist who will surrender it to Greek authorities, and Victor Parmalee, an aesthete and an unscrupulous dealer with a history of trying to acquire works of art stolen by the Nazis from their owners.\nCalder and Parmalee each try to win Phaedra's cooperation. She works in concert with Parmalee, while developing feelings for Calder. When she seems to waver, Rhif decides to make the deal with Parmalee work. The film reaches a happy conclusion, with virtue rewarded, the statue celebrated by the people of Hydra, and Phaedra and Calder in each other's arms. Parmalee, a man with no apparent national loyalties or heritage, sets course for Monte Carlo.\n", "labels": "What is the first name of the person that Rhif tries to make a deal work with?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-f1a98cad1fd243e2a4f107da5bf62e9f"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Phaedra is a poor Greek sponge diver on the island of Hydra. She works from the boat of her boyfriend, Rhif, an illegal immigrant from Albania. She accidentally finds an ancient Greek statue of a boy riding a dolphin on the bottom of the Aegean Sea. Her efforts to sell it to the highest bidder lead her to two competing individuals: Dr. James Calder, an honest archaeologist who will surrender it to Greek authorities, and Victor Parmalee, an aesthete and an unscrupulous dealer with a history of trying to acquire works of art stolen by the Nazis from their owners.\nCalder and Parmalee each try to win Phaedra's cooperation. She works in concert with Parmalee, while developing feelings for Calder. When she seems to waver, Rhif decides to make the deal with Parmalee work. The film reaches a happy conclusion, with virtue rewarded, the statue celebrated by the people of Hydra, and Phaedra and Calder in each other's arms. Parmalee, a man with no apparent national loyalties or heritage, sets course for Monte Carlo.\n", "labels": "What is the first name of Phaedra's new love interest?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-f1a98cad1fd243e2a4f107da5bf62e9f"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: The Clinic is set in the year 1978 (six years prior to the advent of DNA testing). A young mother-to-be, Beth, is traveling with her fianc\u00e9 Cameron. After narrowly avoiding an accident on the road, they stop at a motel in the small town of Montgomery. Cameron goes for a midnight stroll and comes back to find his fianc\u00e9e missing. After a quick search, Cameron calls the local police. Following the arrival of the police, Cameron attacks the motel owner out of frustration and the authorities arrest him. He later attempts to escape and is killed in a car crash.\nBeth later awakens naked in an abandoned warehouse, lying in a bath tub filled with ice and water. She discovers a C-section scar on her abdomen and realizes her baby has been stolen. She also finds a white smock with the Roman numeral DCVIII written on the breast. Alone and afraid for her child, Beth wanders outside of the facility where she finds three other mothers who have also been kidnapped and had their unborn children surgically removed. The group finds another woman, barely alive, with her womb surgically opened, who declares her child to be \"blue.\".\n", "labels": "What are the names of the two people who narrowly avoid an accident?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-f8786cfae5d444449e3ca9a2d52b049a"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: The Clinic is set in the year 1978 (six years prior to the advent of DNA testing). A young mother-to-be, Beth, is traveling with her fianc\u00e9 Cameron. After narrowly avoiding an accident on the road, they stop at a motel in the small town of Montgomery. Cameron goes for a midnight stroll and comes back to find his fianc\u00e9e missing. After a quick search, Cameron calls the local police. Following the arrival of the police, Cameron attacks the motel owner out of frustration and the authorities arrest him. He later attempts to escape and is killed in a car crash.\nBeth later awakens naked in an abandoned warehouse, lying in a bath tub filled with ice and water. She discovers a C-section scar on her abdomen and realizes her baby has been stolen. She also finds a white smock with the Roman numeral DCVIII written on the breast. Alone and afraid for her child, Beth wanders outside of the facility where she finds three other mothers who have also been kidnapped and had their unborn children surgically removed. The group finds another woman, barely alive, with her womb surgically opened, who declares her child to be \"blue.\".\n", "labels": "What is the name of the person Cameron finds missing?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-f8786cfae5d444449e3ca9a2d52b049a"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: The band's third album, Fables of the Reconstruction (1985), demonstrated a change in direction. Instead of Dixon and Easter, R.E.M. chose producer Joe Boyd, who had worked with Fairport Convention and Nick Drake, to record the album in England. The band members found the sessions unexpectedly difficult, and were miserable due to the cold winter weather and what they considered to be poor food; the situation brought the band to the verge of break-up. The gloominess surrounding the sessions worked its way into the context for the album's themes. Lyrically, Stipe began to create storylines in the mode of Southern mythology, noting in a 1985 interview that he was inspired by \"the whole idea of the old men sitting around the fire, passing on ... legends and fables to the grandchildren\".They toured Canada in July and August 1985, and Europe in October of that year, including The Netherlands, England (including one concert at London's Hammersmith Palais), Ireland, Scotland, France, Switzerland, Belgium and West Germany. On October 2, 1985, the group played a concert in Bochum, West Germany, for the German TV show Rockpalast. Stipe had bleached his hair blond during this time. Fables of the Reconstruction performed poorly in Europe and its critical reception was mixed, with some critics regarding it as dreary and poorly recorded. As with the previous records, the singles from Fables of the Reconstruction were mostly ignored by mainstream radio. Meanwhile, I.R.S. was becoming frustrated with the band's reluctance to achieve mainstream success.For its fourth album, R.E.M. enlisted John Mellencamp's producer Don Gehman. The result, Lifes Rich Pageant (1986), featured Stipe's vocals closer to the forefront of the music. In a 1986 interview with the Chicago Tribune, Peter Buck related, \"Michael is getting better at what he's doing, and he's getting more confident at it. And I think that shows up in the projection of his voice.\" The album improved markedly upon the sales of Fables of the Reconstruction and reached number 21 on the Billboard album chart. The single \"Fall on Me\" also picked up support on commercial radio. The album was the band's first to be certified gold for selling 500,000 copies. While American college radio remained R.E.M.'s core support, the band was beginning to chart hits on mainstream rock formats; however, the music still encountered resistance from Top 40 radio.Following the success of Lifes Rich Pageant, I.R.S. issued Dead Letter Office, a compilation of tracks recorded by the band during their album sessions, many of which had either been issued as B-sides or left unreleased altogether. Shortly thereafter, I.R.S. compiled R.E.M.'s music video catalog (except \"Wolves, Lower\") as the band's first video release, Succumbs.\n", "labels": "What was the name of the R.E.M. album that reached number 21 on the Billboard album chart?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-29671fbe63644364838f2dda5d0ebd16"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: The band's third album, Fables of the Reconstruction (1985), demonstrated a change in direction. Instead of Dixon and Easter, R.E.M. chose producer Joe Boyd, who had worked with Fairport Convention and Nick Drake, to record the album in England. The band members found the sessions unexpectedly difficult, and were miserable due to the cold winter weather and what they considered to be poor food; the situation brought the band to the verge of break-up. The gloominess surrounding the sessions worked its way into the context for the album's themes. Lyrically, Stipe began to create storylines in the mode of Southern mythology, noting in a 1985 interview that he was inspired by \"the whole idea of the old men sitting around the fire, passing on ... legends and fables to the grandchildren\".They toured Canada in July and August 1985, and Europe in October of that year, including The Netherlands, England (including one concert at London's Hammersmith Palais), Ireland, Scotland, France, Switzerland, Belgium and West Germany. On October 2, 1985, the group played a concert in Bochum, West Germany, for the German TV show Rockpalast. Stipe had bleached his hair blond during this time. Fables of the Reconstruction performed poorly in Europe and its critical reception was mixed, with some critics regarding it as dreary and poorly recorded. As with the previous records, the singles from Fables of the Reconstruction were mostly ignored by mainstream radio. Meanwhile, I.R.S. was becoming frustrated with the band's reluctance to achieve mainstream success.For its fourth album, R.E.M. enlisted John Mellencamp's producer Don Gehman. The result, Lifes Rich Pageant (1986), featured Stipe's vocals closer to the forefront of the music. In a 1986 interview with the Chicago Tribune, Peter Buck related, \"Michael is getting better at what he's doing, and he's getting more confident at it. And I think that shows up in the projection of his voice.\" The album improved markedly upon the sales of Fables of the Reconstruction and reached number 21 on the Billboard album chart. The single \"Fall on Me\" also picked up support on commercial radio. The album was the band's first to be certified gold for selling 500,000 copies. While American college radio remained R.E.M.'s core support, the band was beginning to chart hits on mainstream rock formats; however, the music still encountered resistance from Top 40 radio.Following the success of Lifes Rich Pageant, I.R.S. issued Dead Letter Office, a compilation of tracks recorded by the band during their album sessions, many of which had either been issued as B-sides or left unreleased altogether. Shortly thereafter, I.R.S. compiled R.E.M.'s music video catalog (except \"Wolves, Lower\") as the band's first video release, Succumbs.\n", "labels": "What was R.E.M's first album to be certified gold for selling 500,000 copies?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-29671fbe63644364838f2dda5d0ebd16"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Oklahoma is the 20th-largest state in the United States, covering an area of 69,899 square miles (181,040 km2), with 68,595 square miles (177,660 km2) of land and 1,304 square miles (3,380 km2) of water. It lies partly in the Great Plains near the geographical center of the 48 contiguous states. It is bounded on the east by Arkansas and Missouri, on the north by Kansas, on the northwest by Colorado, on the far west by New Mexico, and on the south and near-west by Texas. Much of its border with Texas lies along the Southern Oklahoma Aulacogen, a failed continental rift. The geologic figure defines the placement of the Red River.\nThe Oklahoma panhandle's Western edge is out of alignment with its Texas border. The Oklahoma/New Mexico border is 2.1 miles (3.4 km) to 2.2 miles (3.5 km) east of the Texas line. The border between Texas and New Mexico was set first as a result of a survey by Spain in 1819. It was then set along the 103rd meridian. In the 1890s, when Oklahoma was formally surveyed using more accurate surveying equipment and techniques, it was discovered the Texas line was not set along the 103rd meridian. Surveying techniques were not as accurate in 1819, and the actual 103rd meridian was approximately 2.2 miles (3.5 km) to the east. It was much easier to leave the mistake than for Texas to cede land to New Mexico to correct the surveying error. The placement of the Oklahoma/New Mexico border represents the true 103rd meridian.\nCimarron County in Oklahoma's panhandle is the only county in the United States that touches four other states: New Mexico, Texas, Colorado, and Kansas.\n", "labels": "What geologic figure defines the placement of the Red River?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-ed2f4ac0a2f24143b9f297f624027bb2"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Oklahoma is the 20th-largest state in the United States, covering an area of 69,899 square miles (181,040 km2), with 68,595 square miles (177,660 km2) of land and 1,304 square miles (3,380 km2) of water. It lies partly in the Great Plains near the geographical center of the 48 contiguous states. It is bounded on the east by Arkansas and Missouri, on the north by Kansas, on the northwest by Colorado, on the far west by New Mexico, and on the south and near-west by Texas. Much of its border with Texas lies along the Southern Oklahoma Aulacogen, a failed continental rift. The geologic figure defines the placement of the Red River.\nThe Oklahoma panhandle's Western edge is out of alignment with its Texas border. The Oklahoma/New Mexico border is 2.1 miles (3.4 km) to 2.2 miles (3.5 km) east of the Texas line. The border between Texas and New Mexico was set first as a result of a survey by Spain in 1819. It was then set along the 103rd meridian. In the 1890s, when Oklahoma was formally surveyed using more accurate surveying equipment and techniques, it was discovered the Texas line was not set along the 103rd meridian. Surveying techniques were not as accurate in 1819, and the actual 103rd meridian was approximately 2.2 miles (3.5 km) to the east. It was much easier to leave the mistake than for Texas to cede land to New Mexico to correct the surveying error. The placement of the Oklahoma/New Mexico border represents the true 103rd meridian.\nCimarron County in Oklahoma's panhandle is the only county in the United States that touches four other states: New Mexico, Texas, Colorado, and Kansas.\n", "labels": "What two states have their border along the Southern Oklahoma Aulacogen?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-ed2f4ac0a2f24143b9f297f624027bb2"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Work to the designs of William Kent on the park commenced in 1729, several years before the house was constructed. This event was commemorated by the construction in 1730 of the obelisk, 80 feet (24 m) in height, standing on the highest point in the park. It is located over half a mile to the south and on axis with the centre of the house. An avenue of trees stretches over a mile south of the obelisk. Thousands of trees were planted on what had been windswept land; by 1770 the park covered 1,500 acres (6.1 km2). Other garden buildings designed by Kent are, near the far end of the avenue the Triumphal Arch, designed in 1739 but only completed in 1752 and the domed doric temple (1730\u20131735) in the woods near the obelisk. Above the main entrance to the house within the Marble Hall is this inscription:\nTHIS SEAT, on an open barren Estate\nWas planned, planted, built, decorated.\nAnd inhabited the middle of the XVIIIth Century\nBy THO's COKE EARL of LEICESTER\nUnder Coke of Norfolk, the great-nephew and heir of the builder, extensive improvements were made to the park and by his death in 1842 it had grown to its present extent of over 3,000 acres (12 km2). As well as planting over a million trees on the estate Coke employed the architect Samuel Wyatt to design over a number of buildings, including a series of farm buildings and farmhouses in a simplified neo-classical style and, in the 1780s, the new walled kitchen gardens covering 6 acres (24,000 m2). The gardens stand to the west of the lake and include: A fig house, a peach house, a vinery, and other greenhouses. Wyatt's designs culminated in c. 1790 with the Great Barn, located in the park half a mile south-east of the obelisk. The cost of each farm was in the region of \u00a31,500 to \u00a32,600: Lodge Farm, Castle Acre, cost \u00a32,604 6s. 5d. in 1797\u20131800. The lake to the west of the house, originally a marshy inlet or creek off the North Sea, was created in 1801\u20131803 by the landscape gardener William Eames.\nAfter his death, Coke was commemorated by the Coke Monument, designed by William Donthorne and erected in 1845\u20131848 at a cost to the tenants of the estate of \u00a34,000. The monument consists of a Corinthian column 120 feet (37 m) high, surmounted by a drum supporting a wheatsheaf and a plinth decorated with bas-reliefs carved by John Henning, Jr. The corners of the plinth support sculptures of an ox, sheep, plough and seed-drill. Coke's work to increase farm yields had resulted in the rental income of the estate rising between 1776 and 1816 from \u00a32,200 to \u00a320,000, and had considerable influence on agricultural methods in Britain.\n", "labels": "What is the first name of the person who designed garden buildings near the far end of the avenue?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-604fdcd6df2b446e836870dbef342eb5"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Work to the designs of William Kent on the park commenced in 1729, several years before the house was constructed. This event was commemorated by the construction in 1730 of the obelisk, 80 feet (24 m) in height, standing on the highest point in the park. It is located over half a mile to the south and on axis with the centre of the house. An avenue of trees stretches over a mile south of the obelisk. Thousands of trees were planted on what had been windswept land; by 1770 the park covered 1,500 acres (6.1 km2). Other garden buildings designed by Kent are, near the far end of the avenue the Triumphal Arch, designed in 1739 but only completed in 1752 and the domed doric temple (1730\u20131735) in the woods near the obelisk. Above the main entrance to the house within the Marble Hall is this inscription:\nTHIS SEAT, on an open barren Estate\nWas planned, planted, built, decorated.\nAnd inhabited the middle of the XVIIIth Century\nBy THO's COKE EARL of LEICESTER\nUnder Coke of Norfolk, the great-nephew and heir of the builder, extensive improvements were made to the park and by his death in 1842 it had grown to its present extent of over 3,000 acres (12 km2). As well as planting over a million trees on the estate Coke employed the architect Samuel Wyatt to design over a number of buildings, including a series of farm buildings and farmhouses in a simplified neo-classical style and, in the 1780s, the new walled kitchen gardens covering 6 acres (24,000 m2). The gardens stand to the west of the lake and include: A fig house, a peach house, a vinery, and other greenhouses. Wyatt's designs culminated in c. 1790 with the Great Barn, located in the park half a mile south-east of the obelisk. The cost of each farm was in the region of \u00a31,500 to \u00a32,600: Lodge Farm, Castle Acre, cost \u00a32,604 6s. 5d. in 1797\u20131800. The lake to the west of the house, originally a marshy inlet or creek off the North Sea, was created in 1801\u20131803 by the landscape gardener William Eames.\nAfter his death, Coke was commemorated by the Coke Monument, designed by William Donthorne and erected in 1845\u20131848 at a cost to the tenants of the estate of \u00a34,000. The monument consists of a Corinthian column 120 feet (37 m) high, surmounted by a drum supporting a wheatsheaf and a plinth decorated with bas-reliefs carved by John Henning, Jr. The corners of the plinth support sculptures of an ox, sheep, plough and seed-drill. Coke's work to increase farm yields had resulted in the rental income of the estate rising between 1776 and 1816 from \u00a32,200 to \u00a320,000, and had considerable influence on agricultural methods in Britain.\n", "labels": "What is the full name of Coke of Norfolk's great-uncle?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-604fdcd6df2b446e836870dbef342eb5"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Work to the designs of William Kent on the park commenced in 1729, several years before the house was constructed. This event was commemorated by the construction in 1730 of the obelisk, 80 feet (24 m) in height, standing on the highest point in the park. It is located over half a mile to the south and on axis with the centre of the house. An avenue of trees stretches over a mile south of the obelisk. Thousands of trees were planted on what had been windswept land; by 1770 the park covered 1,500 acres (6.1 km2). Other garden buildings designed by Kent are, near the far end of the avenue the Triumphal Arch, designed in 1739 but only completed in 1752 and the domed doric temple (1730\u20131735) in the woods near the obelisk. Above the main entrance to the house within the Marble Hall is this inscription:\nTHIS SEAT, on an open barren Estate\nWas planned, planted, built, decorated.\nAnd inhabited the middle of the XVIIIth Century\nBy THO's COKE EARL of LEICESTER\nUnder Coke of Norfolk, the great-nephew and heir of the builder, extensive improvements were made to the park and by his death in 1842 it had grown to its present extent of over 3,000 acres (12 km2). As well as planting over a million trees on the estate Coke employed the architect Samuel Wyatt to design over a number of buildings, including a series of farm buildings and farmhouses in a simplified neo-classical style and, in the 1780s, the new walled kitchen gardens covering 6 acres (24,000 m2). The gardens stand to the west of the lake and include: A fig house, a peach house, a vinery, and other greenhouses. Wyatt's designs culminated in c. 1790 with the Great Barn, located in the park half a mile south-east of the obelisk. The cost of each farm was in the region of \u00a31,500 to \u00a32,600: Lodge Farm, Castle Acre, cost \u00a32,604 6s. 5d. in 1797\u20131800. The lake to the west of the house, originally a marshy inlet or creek off the North Sea, was created in 1801\u20131803 by the landscape gardener William Eames.\nAfter his death, Coke was commemorated by the Coke Monument, designed by William Donthorne and erected in 1845\u20131848 at a cost to the tenants of the estate of \u00a34,000. The monument consists of a Corinthian column 120 feet (37 m) high, surmounted by a drum supporting a wheatsheaf and a plinth decorated with bas-reliefs carved by John Henning, Jr. The corners of the plinth support sculptures of an ox, sheep, plough and seed-drill. Coke's work to increase farm yields had resulted in the rental income of the estate rising between 1776 and 1816 from \u00a32,200 to \u00a320,000, and had considerable influence on agricultural methods in Britain.\n", "labels": "What is the first name of the person whose designs culminated in c. 1790 with the Great Barn?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-604fdcd6df2b446e836870dbef342eb5"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Makeba married Carmichael in March 1968; this caused her popularity in the US to decline markedly. Conservatives came to regard her as a militant and an extremist, an image which alienated much of her fanbase. Her performances were cancelled and her coverage in the press declined despite her efforts to portray her marriage as apolitical. White American audiences stopped supporting her, and the US government took an interest in her activities. The Central Intelligence Agency began following her, and placed hidden microphones in her apartment; the Federal Bureau of Investigation also placed her under surveillance. While she and her husband were travelling in the Bahamas, she was banned from returning to the US, and was refused a visa. As a result, the couple moved to Guinea, where Carmichael changed his name to Kwame Tour\u00e9. Makeba did not return to the US until 1987.Guinea remained Makeba's home for the next 15 years, and she and her husband became close to President Ahmed S\u00e9kou Tour\u00e9 and his wife, Andr\u00e9e. Tour\u00e9 wanted to create a new style of African music, and all musicians received a minimum wage if they practised for several hours every day. Makeba later stated that \"I've never seen a country that did what S\u00e9kou Tour\u00e9 did for artists.\" After her rejection from the US she began to write music more directly critical of the US government's racial policies, recording and singing songs such as \"Lumumba\" in 1970, (referring to Patrice Lumumba, the assassinated Prime Minister of the Congo), and \"Malcolm X\" in 1974.\n", "labels": "What are the names of the persons who moved to Guinea?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-25595cca215c47ababfec9ba1bf14cb6"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Makeba married Carmichael in March 1968; this caused her popularity in the US to decline markedly. Conservatives came to regard her as a militant and an extremist, an image which alienated much of her fanbase. Her performances were cancelled and her coverage in the press declined despite her efforts to portray her marriage as apolitical. White American audiences stopped supporting her, and the US government took an interest in her activities. The Central Intelligence Agency began following her, and placed hidden microphones in her apartment; the Federal Bureau of Investigation also placed her under surveillance. While she and her husband were travelling in the Bahamas, she was banned from returning to the US, and was refused a visa. As a result, the couple moved to Guinea, where Carmichael changed his name to Kwame Tour\u00e9. Makeba did not return to the US until 1987.Guinea remained Makeba's home for the next 15 years, and she and her husband became close to President Ahmed S\u00e9kou Tour\u00e9 and his wife, Andr\u00e9e. Tour\u00e9 wanted to create a new style of African music, and all musicians received a minimum wage if they practised for several hours every day. Makeba later stated that \"I've never seen a country that did what S\u00e9kou Tour\u00e9 did for artists.\" After her rejection from the US she began to write music more directly critical of the US government's racial policies, recording and singing songs such as \"Lumumba\" in 1970, (referring to Patrice Lumumba, the assassinated Prime Minister of the Congo), and \"Malcolm X\" in 1974.\n", "labels": "What is the name of the person whose fanbase was alienated by her image as a militant and extremist?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-25595cca215c47ababfec9ba1bf14cb6"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Makeba married Carmichael in March 1968; this caused her popularity in the US to decline markedly. Conservatives came to regard her as a militant and an extremist, an image which alienated much of her fanbase. Her performances were cancelled and her coverage in the press declined despite her efforts to portray her marriage as apolitical. White American audiences stopped supporting her, and the US government took an interest in her activities. The Central Intelligence Agency began following her, and placed hidden microphones in her apartment; the Federal Bureau of Investigation also placed her under surveillance. While she and her husband were travelling in the Bahamas, she was banned from returning to the US, and was refused a visa. As a result, the couple moved to Guinea, where Carmichael changed his name to Kwame Tour\u00e9. Makeba did not return to the US until 1987.Guinea remained Makeba's home for the next 15 years, and she and her husband became close to President Ahmed S\u00e9kou Tour\u00e9 and his wife, Andr\u00e9e. Tour\u00e9 wanted to create a new style of African music, and all musicians received a minimum wage if they practised for several hours every day. Makeba later stated that \"I've never seen a country that did what S\u00e9kou Tour\u00e9 did for artists.\" After her rejection from the US she began to write music more directly critical of the US government's racial policies, recording and singing songs such as \"Lumumba\" in 1970, (referring to Patrice Lumumba, the assassinated Prime Minister of the Congo), and \"Malcolm X\" in 1974.\n", "labels": "What is the name of the person in whose apartment the Central Intelligence Agency placed hidden microphones?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-25595cca215c47ababfec9ba1bf14cb6"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Makeba married Carmichael in March 1968; this caused her popularity in the US to decline markedly. Conservatives came to regard her as a militant and an extremist, an image which alienated much of her fanbase. Her performances were cancelled and her coverage in the press declined despite her efforts to portray her marriage as apolitical. White American audiences stopped supporting her, and the US government took an interest in her activities. The Central Intelligence Agency began following her, and placed hidden microphones in her apartment; the Federal Bureau of Investigation also placed her under surveillance. While she and her husband were travelling in the Bahamas, she was banned from returning to the US, and was refused a visa. As a result, the couple moved to Guinea, where Carmichael changed his name to Kwame Tour\u00e9. Makeba did not return to the US until 1987.Guinea remained Makeba's home for the next 15 years, and she and her husband became close to President Ahmed S\u00e9kou Tour\u00e9 and his wife, Andr\u00e9e. Tour\u00e9 wanted to create a new style of African music, and all musicians received a minimum wage if they practised for several hours every day. Makeba later stated that \"I've never seen a country that did what S\u00e9kou Tour\u00e9 did for artists.\" After her rejection from the US she began to write music more directly critical of the US government's racial policies, recording and singing songs such as \"Lumumba\" in 1970, (referring to Patrice Lumumba, the assassinated Prime Minister of the Congo), and \"Malcolm X\" in 1974.\n", "labels": "What is the name of the person who recorded and sang songs such as \"Lumumba\" and \"Malcom X,\" which were reportedly more directly critical of the US government's racial policies?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-25595cca215c47ababfec9ba1bf14cb6"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Makeba married Carmichael in March 1968; this caused her popularity in the US to decline markedly. Conservatives came to regard her as a militant and an extremist, an image which alienated much of her fanbase. Her performances were cancelled and her coverage in the press declined despite her efforts to portray her marriage as apolitical. White American audiences stopped supporting her, and the US government took an interest in her activities. The Central Intelligence Agency began following her, and placed hidden microphones in her apartment; the Federal Bureau of Investigation also placed her under surveillance. While she and her husband were travelling in the Bahamas, she was banned from returning to the US, and was refused a visa. As a result, the couple moved to Guinea, where Carmichael changed his name to Kwame Tour\u00e9. Makeba did not return to the US until 1987.Guinea remained Makeba's home for the next 15 years, and she and her husband became close to President Ahmed S\u00e9kou Tour\u00e9 and his wife, Andr\u00e9e. Tour\u00e9 wanted to create a new style of African music, and all musicians received a minimum wage if they practised for several hours every day. Makeba later stated that \"I've never seen a country that did what S\u00e9kou Tour\u00e9 did for artists.\" After her rejection from the US she began to write music more directly critical of the US government's racial policies, recording and singing songs such as \"Lumumba\" in 1970, (referring to Patrice Lumumba, the assassinated Prime Minister of the Congo), and \"Malcolm X\" in 1974.\n", "labels": "What is the name of the person who conservatives came to regard as a militant and an extremist?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-25595cca215c47ababfec9ba1bf14cb6"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: The four officers were taken aback by Taylor's searing words and felt they had been humiliated. A decade after the incident, K\u1ef3 described Taylor as \"the sort of man who addressed people rather than talked to them\", referencing the confrontation. Karnow said \"For the sake of their own pride, they [the Vietnamese officers] resented being treated in ways that reminded them of their almost total dependence on an alien power. How could they preserve a sense of sovereignty when Taylor, striving to push them into 'getting things done', behaved like a viceroy?\" However, Thi also took a perverse pleasure in riling Taylor. He was seen by a CIA officer soon after, grinning. When asked why he was happy, Thi said \"Because this is one of the happiest days of my life ... Today I told the American ambassador that he could not dictate to us.\" Nevertheless, Taylor's conduct had rankled the officers, stirring their latent sense of nationalism and anti-Americanism; Kh\u00e1nh would exploit this to strengthen his fragile position in the junta.Kh\u00e1nh's quartet of delegates responded to Taylor in a circumlocutory way. They remained calm and did not resort to direct confrontation. K\u1ef3 said the change was necessary, as \"the political situation is worse than it ever was under Di\u1ec7m\". K\u1ef3 explained that the situation mandated the dissolution of the council, saying \"We know you want stability, but you cannot have stability until you have Unity.\" He claimed some HNC members were disseminating coup rumors and creating doubt among the population, and that \"both military and civilian leaders regard the presence of these people in the High National Council as divisive of the Armed Forces due to their influence\". K\u1ef3 further accused some of the HNC members of being communist sympathizers and cowards who wanted to stop the military from strengthening. He promised to explain the decision at a media conference and vowed that he and his colleagues would return to purely military roles in the near future. Thi\u1ec7u added \"I do not see how our action has hurt the H\u01b0\u01a1ng government ... H\u01b0\u01a1ng now has the full support of the Army and has no worries from the High National Council, which we have eliminated.\" Cang said \"It seems ... we are being treated as though we were guilty. What we did was only for the good of the country.\"When Taylor said the moves detracted from H\u01b0\u01a1ng and Suu's powers, the officers disagreed and said they supported the pair in full and that H\u01b0\u01a1ng had approved of the HNC's dissolution. Taylor was unimpressed by the reassurances, concluding with \"I don't know whether we will continue to support you after this ... You people have broken a lot of dishes and now we have to see how we can straighten out this mess.\" Taylor's deputy, U. Alexis Johnson felt the discussion had become counterproductive and was increasing the problem. He suggested that should the generals feel unwilling to alter their position immediately, they should refrain from actions that would preclude a later change of heart. He proposed they merely announce the removal of certain members of the HNC rather than the dissolution of the entire body, hoping the HNC could be reconstituted with figures they deemed to be more satisfactory. The four officers did not give a clear answer to Johnson's idea, indicating they had not made a concrete decision by saying \"the door is not closed\".\n", "labels": "What was the name of the person who was seen by a CIA officer?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-ff8bc9074859414db6cf9b7e863d297d"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: The four officers were taken aback by Taylor's searing words and felt they had been humiliated. A decade after the incident, K\u1ef3 described Taylor as \"the sort of man who addressed people rather than talked to them\", referencing the confrontation. Karnow said \"For the sake of their own pride, they [the Vietnamese officers] resented being treated in ways that reminded them of their almost total dependence on an alien power. How could they preserve a sense of sovereignty when Taylor, striving to push them into 'getting things done', behaved like a viceroy?\" However, Thi also took a perverse pleasure in riling Taylor. He was seen by a CIA officer soon after, grinning. When asked why he was happy, Thi said \"Because this is one of the happiest days of my life ... Today I told the American ambassador that he could not dictate to us.\" Nevertheless, Taylor's conduct had rankled the officers, stirring their latent sense of nationalism and anti-Americanism; Kh\u00e1nh would exploit this to strengthen his fragile position in the junta.Kh\u00e1nh's quartet of delegates responded to Taylor in a circumlocutory way. They remained calm and did not resort to direct confrontation. K\u1ef3 said the change was necessary, as \"the political situation is worse than it ever was under Di\u1ec7m\". K\u1ef3 explained that the situation mandated the dissolution of the council, saying \"We know you want stability, but you cannot have stability until you have Unity.\" He claimed some HNC members were disseminating coup rumors and creating doubt among the population, and that \"both military and civilian leaders regard the presence of these people in the High National Council as divisive of the Armed Forces due to their influence\". K\u1ef3 further accused some of the HNC members of being communist sympathizers and cowards who wanted to stop the military from strengthening. He promised to explain the decision at a media conference and vowed that he and his colleagues would return to purely military roles in the near future. Thi\u1ec7u added \"I do not see how our action has hurt the H\u01b0\u01a1ng government ... H\u01b0\u01a1ng now has the full support of the Army and has no worries from the High National Council, which we have eliminated.\" Cang said \"It seems ... we are being treated as though we were guilty. What we did was only for the good of the country.\"When Taylor said the moves detracted from H\u01b0\u01a1ng and Suu's powers, the officers disagreed and said they supported the pair in full and that H\u01b0\u01a1ng had approved of the HNC's dissolution. Taylor was unimpressed by the reassurances, concluding with \"I don't know whether we will continue to support you after this ... You people have broken a lot of dishes and now we have to see how we can straighten out this mess.\" Taylor's deputy, U. Alexis Johnson felt the discussion had become counterproductive and was increasing the problem. He suggested that should the generals feel unwilling to alter their position immediately, they should refrain from actions that would preclude a later change of heart. He proposed they merely announce the removal of certain members of the HNC rather than the dissolution of the entire body, hoping the HNC could be reconstituted with figures they deemed to be more satisfactory. The four officers did not give a clear answer to Johnson's idea, indicating they had not made a concrete decision by saying \"the door is not closed\".\n", "labels": "What was the name of the person who claimed some HNC members were disseminating coup rumors and creating doubt among the population?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-ff8bc9074859414db6cf9b7e863d297d"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: The four officers were taken aback by Taylor's searing words and felt they had been humiliated. A decade after the incident, K\u1ef3 described Taylor as \"the sort of man who addressed people rather than talked to them\", referencing the confrontation. Karnow said \"For the sake of their own pride, they [the Vietnamese officers] resented being treated in ways that reminded them of their almost total dependence on an alien power. How could they preserve a sense of sovereignty when Taylor, striving to push them into 'getting things done', behaved like a viceroy?\" However, Thi also took a perverse pleasure in riling Taylor. He was seen by a CIA officer soon after, grinning. When asked why he was happy, Thi said \"Because this is one of the happiest days of my life ... Today I told the American ambassador that he could not dictate to us.\" Nevertheless, Taylor's conduct had rankled the officers, stirring their latent sense of nationalism and anti-Americanism; Kh\u00e1nh would exploit this to strengthen his fragile position in the junta.Kh\u00e1nh's quartet of delegates responded to Taylor in a circumlocutory way. They remained calm and did not resort to direct confrontation. K\u1ef3 said the change was necessary, as \"the political situation is worse than it ever was under Di\u1ec7m\". K\u1ef3 explained that the situation mandated the dissolution of the council, saying \"We know you want stability, but you cannot have stability until you have Unity.\" He claimed some HNC members were disseminating coup rumors and creating doubt among the population, and that \"both military and civilian leaders regard the presence of these people in the High National Council as divisive of the Armed Forces due to their influence\". K\u1ef3 further accused some of the HNC members of being communist sympathizers and cowards who wanted to stop the military from strengthening. He promised to explain the decision at a media conference and vowed that he and his colleagues would return to purely military roles in the near future. Thi\u1ec7u added \"I do not see how our action has hurt the H\u01b0\u01a1ng government ... H\u01b0\u01a1ng now has the full support of the Army and has no worries from the High National Council, which we have eliminated.\" Cang said \"It seems ... we are being treated as though we were guilty. What we did was only for the good of the country.\"When Taylor said the moves detracted from H\u01b0\u01a1ng and Suu's powers, the officers disagreed and said they supported the pair in full and that H\u01b0\u01a1ng had approved of the HNC's dissolution. Taylor was unimpressed by the reassurances, concluding with \"I don't know whether we will continue to support you after this ... You people have broken a lot of dishes and now we have to see how we can straighten out this mess.\" Taylor's deputy, U. Alexis Johnson felt the discussion had become counterproductive and was increasing the problem. He suggested that should the generals feel unwilling to alter their position immediately, they should refrain from actions that would preclude a later change of heart. He proposed they merely announce the removal of certain members of the HNC rather than the dissolution of the entire body, hoping the HNC could be reconstituted with figures they deemed to be more satisfactory. The four officers did not give a clear answer to Johnson's idea, indicating they had not made a concrete decision by saying \"the door is not closed\".\n", "labels": "What was the name of the person who promised to explain the decision at a media conference and vowed that he and his colleagues would return to purely military roles in the near future?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-ff8bc9074859414db6cf9b7e863d297d"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: The four officers were taken aback by Taylor's searing words and felt they had been humiliated. A decade after the incident, K\u1ef3 described Taylor as \"the sort of man who addressed people rather than talked to them\", referencing the confrontation. Karnow said \"For the sake of their own pride, they [the Vietnamese officers] resented being treated in ways that reminded them of their almost total dependence on an alien power. How could they preserve a sense of sovereignty when Taylor, striving to push them into 'getting things done', behaved like a viceroy?\" However, Thi also took a perverse pleasure in riling Taylor. He was seen by a CIA officer soon after, grinning. When asked why he was happy, Thi said \"Because this is one of the happiest days of my life ... Today I told the American ambassador that he could not dictate to us.\" Nevertheless, Taylor's conduct had rankled the officers, stirring their latent sense of nationalism and anti-Americanism; Kh\u00e1nh would exploit this to strengthen his fragile position in the junta.Kh\u00e1nh's quartet of delegates responded to Taylor in a circumlocutory way. They remained calm and did not resort to direct confrontation. K\u1ef3 said the change was necessary, as \"the political situation is worse than it ever was under Di\u1ec7m\". K\u1ef3 explained that the situation mandated the dissolution of the council, saying \"We know you want stability, but you cannot have stability until you have Unity.\" He claimed some HNC members were disseminating coup rumors and creating doubt among the population, and that \"both military and civilian leaders regard the presence of these people in the High National Council as divisive of the Armed Forces due to their influence\". K\u1ef3 further accused some of the HNC members of being communist sympathizers and cowards who wanted to stop the military from strengthening. He promised to explain the decision at a media conference and vowed that he and his colleagues would return to purely military roles in the near future. Thi\u1ec7u added \"I do not see how our action has hurt the H\u01b0\u01a1ng government ... H\u01b0\u01a1ng now has the full support of the Army and has no worries from the High National Council, which we have eliminated.\" Cang said \"It seems ... we are being treated as though we were guilty. What we did was only for the good of the country.\"When Taylor said the moves detracted from H\u01b0\u01a1ng and Suu's powers, the officers disagreed and said they supported the pair in full and that H\u01b0\u01a1ng had approved of the HNC's dissolution. Taylor was unimpressed by the reassurances, concluding with \"I don't know whether we will continue to support you after this ... You people have broken a lot of dishes and now we have to see how we can straighten out this mess.\" Taylor's deputy, U. Alexis Johnson felt the discussion had become counterproductive and was increasing the problem. He suggested that should the generals feel unwilling to alter their position immediately, they should refrain from actions that would preclude a later change of heart. He proposed they merely announce the removal of certain members of the HNC rather than the dissolution of the entire body, hoping the HNC could be reconstituted with figures they deemed to be more satisfactory. The four officers did not give a clear answer to Johnson's idea, indicating they had not made a concrete decision by saying \"the door is not closed\".\n", "labels": "What was the full name of the person who proposed they merely announce the removal of certain members of the HNC rather than the dissolution of the entire body?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-ff8bc9074859414db6cf9b7e863d297d"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: For thousands of years, salmon was a reliable food source for Native Americans living along the Rogue. Salmon migrations were so huge that early settlers claimed they could hear the fish moving upstream. These large runs continued into the 20th century despite damage to spawning beds caused by gold mining in the 1850s and large-scale commercial fishing that began shortly thereafter. The fishing industry fed demands for salmon in the growing cities of Portland and San Francisco and for canned salmon in England.\n By the 1880s, Robert Deniston Hume of Astoria had bought land on both sides of the lower Rogue River and established such a big fishing business that he became known as the Salmon King of Oregon. His fleet of gillnetting boats, controlling most of the anadromous fish population of the river, plied its lower 12 miles (19 km). During his 32-year tenure, Hume's company caught, processed, and shipped hundreds of tons of salmon from the Rogue. Upriver commercial fishermen also captured large quantities of fish. On a single day in 1913, Grants Pass crews using five drift boats equipped with gill nets caught 5,000 pounds (2,300 kg) of salmon.In 1877, in connection with his commercial fishery, Hume built a hatchery at Ellensburg (Gold Beach), which released fish into the river. In its first year of operation, Hume collected 215,000 salmon eggs and released about 100,000 fry. After the first hatchery was destroyed by fire in 1893, Hume built a new hatchery in 1895, and in 1897 he co-operated with the United States Fish Commission in building and operating an egg-collecting station at the mouth of Elk Creek on the upper Rogue. In 1899, he built a hatchery near Wedderburn, across the river from Gold Beach, and until the time of his death in 1908 he had salmon eggs shipped to it from the Elk Creek station.Based on variations in the size of the yearly catch, Hume and others believed his methods of fish-propagation to be successful. However, as salmon runs declined over time despite the hatcheries, recreational fishing interests began to oppose large-scale operations. In 1910, a state referendum banned commercial fishing on the Rogue, but this decision was reversed in 1913. As fish runs continued to dwindle, the state legislature finally closed the river to commercial fishing in 1935.As of 2010, the Oregon Department of Fish and Wildlife (ODFW) operates the Cole M. Rivers Hatchery near the base of the dam at Lost Creek Lake, slightly upstream of the former Rogue\u2013Elk Hatchery built by Hume. It raises rainbow trout (steelhead), Coho salmon, spring and fall Chinook salmon, and summer and winter steelhead. The United States Army Corps of Engineers (USACE) built the hatchery in 1973 to offset the loss of fish habitat and spawning grounds in areas blocked by construction of the Lost Creek Dam on the main stem and the Applegate and Elk Creek dams on Rogue tributaries. It is the third-largest salmon and steelhead hatchery in the United States.\n", "labels": "What is the first name of the person whose company caught, processed, and shipped hundreds of tons of salmon from the Rogue?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-6255fce6f33946f598d59c3c0d61e204"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: For thousands of years, salmon was a reliable food source for Native Americans living along the Rogue. Salmon migrations were so huge that early settlers claimed they could hear the fish moving upstream. These large runs continued into the 20th century despite damage to spawning beds caused by gold mining in the 1850s and large-scale commercial fishing that began shortly thereafter. The fishing industry fed demands for salmon in the growing cities of Portland and San Francisco and for canned salmon in England.\n By the 1880s, Robert Deniston Hume of Astoria had bought land on both sides of the lower Rogue River and established such a big fishing business that he became known as the Salmon King of Oregon. His fleet of gillnetting boats, controlling most of the anadromous fish population of the river, plied its lower 12 miles (19 km). During his 32-year tenure, Hume's company caught, processed, and shipped hundreds of tons of salmon from the Rogue. Upriver commercial fishermen also captured large quantities of fish. On a single day in 1913, Grants Pass crews using five drift boats equipped with gill nets caught 5,000 pounds (2,300 kg) of salmon.In 1877, in connection with his commercial fishery, Hume built a hatchery at Ellensburg (Gold Beach), which released fish into the river. In its first year of operation, Hume collected 215,000 salmon eggs and released about 100,000 fry. After the first hatchery was destroyed by fire in 1893, Hume built a new hatchery in 1895, and in 1897 he co-operated with the United States Fish Commission in building and operating an egg-collecting station at the mouth of Elk Creek on the upper Rogue. In 1899, he built a hatchery near Wedderburn, across the river from Gold Beach, and until the time of his death in 1908 he had salmon eggs shipped to it from the Elk Creek station.Based on variations in the size of the yearly catch, Hume and others believed his methods of fish-propagation to be successful. However, as salmon runs declined over time despite the hatcheries, recreational fishing interests began to oppose large-scale operations. In 1910, a state referendum banned commercial fishing on the Rogue, but this decision was reversed in 1913. As fish runs continued to dwindle, the state legislature finally closed the river to commercial fishing in 1935.As of 2010, the Oregon Department of Fish and Wildlife (ODFW) operates the Cole M. Rivers Hatchery near the base of the dam at Lost Creek Lake, slightly upstream of the former Rogue\u2013Elk Hatchery built by Hume. It raises rainbow trout (steelhead), Coho salmon, spring and fall Chinook salmon, and summer and winter steelhead. The United States Army Corps of Engineers (USACE) built the hatchery in 1973 to offset the loss of fish habitat and spawning grounds in areas blocked by construction of the Lost Creek Dam on the main stem and the Applegate and Elk Creek dams on Rogue tributaries. It is the third-largest salmon and steelhead hatchery in the United States.\n", "labels": "What is the first name of the person who collected 215,000 salmon eggs and released about 100,000 fry?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-6255fce6f33946f598d59c3c0d61e204"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Travis Bickle, a 26-year-old honorably discharged U.S. Marine, is a lonely, depressed young man living in isolation in New York City. He takes a job as a taxi driver to cope with his chronic insomnia, driving passengers every night around the city's boroughs. He also frequents the porn theaters on 42nd Street and keeps a diary in which he consciously attempts to include aphorisms, such as \"You're only as healthy as you feel.\"\nTravis becomes infatuated with Betsy, a campaign volunteer for Senator and presidential candidate Charles Palantine. After watching her interact with fellow worker Tom through her window, Travis enters to volunteer, as a pretext to talk to her, and takes her out for coffee. On a later date, he naively takes her to see a pornographic film, which offends her, and she goes home alone. His attempts at reconciliation by sending flowers are rebuffed, so he berates her at the campaign office, before being kicked out by Tom.\nTravis is disgusted by the sleaze, dysfunction, and prostitution that he witnesses throughout the city. His worldview is furthered when an adolescent prostitute and runaway, Iris, enters his taxi, attempting to escape her pimp, Sport. Sport drags Iris from the taxi and throws Travis a crumpled $20 bill, which continually reminds Travis of her and the corruption that surrounds him. A similarly influential event occurs when an unhinged passenger gloats to Travis of his intentions to murder his wife and her lover. Travis confides in fellow taxi driver Wizard about his thoughts, which are beginning to turn violent; however, Wizard assures him that he will be fine, leaving Travis to his own destructive path.\n", "labels": "What is the first name of the person who works with Tom?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-a59450aadc9f48a8bc80ab9a1dd4edd1"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Travis Bickle, a 26-year-old honorably discharged U.S. Marine, is a lonely, depressed young man living in isolation in New York City. He takes a job as a taxi driver to cope with his chronic insomnia, driving passengers every night around the city's boroughs. He also frequents the porn theaters on 42nd Street and keeps a diary in which he consciously attempts to include aphorisms, such as \"You're only as healthy as you feel.\"\nTravis becomes infatuated with Betsy, a campaign volunteer for Senator and presidential candidate Charles Palantine. After watching her interact with fellow worker Tom through her window, Travis enters to volunteer, as a pretext to talk to her, and takes her out for coffee. On a later date, he naively takes her to see a pornographic film, which offends her, and she goes home alone. His attempts at reconciliation by sending flowers are rebuffed, so he berates her at the campaign office, before being kicked out by Tom.\nTravis is disgusted by the sleaze, dysfunction, and prostitution that he witnesses throughout the city. His worldview is furthered when an adolescent prostitute and runaway, Iris, enters his taxi, attempting to escape her pimp, Sport. Sport drags Iris from the taxi and throws Travis a crumpled $20 bill, which continually reminds Travis of her and the corruption that surrounds him. A similarly influential event occurs when an unhinged passenger gloats to Travis of his intentions to murder his wife and her lover. Travis confides in fellow taxi driver Wizard about his thoughts, which are beginning to turn violent; however, Wizard assures him that he will be fine, leaving Travis to his own destructive path.\n", "labels": "What is the last name of the person who volunteers because he is interested in Betsy?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-a59450aadc9f48a8bc80ab9a1dd4edd1"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Travis Bickle, a 26-year-old honorably discharged U.S. Marine, is a lonely, depressed young man living in isolation in New York City. He takes a job as a taxi driver to cope with his chronic insomnia, driving passengers every night around the city's boroughs. He also frequents the porn theaters on 42nd Street and keeps a diary in which he consciously attempts to include aphorisms, such as \"You're only as healthy as you feel.\"\nTravis becomes infatuated with Betsy, a campaign volunteer for Senator and presidential candidate Charles Palantine. After watching her interact with fellow worker Tom through her window, Travis enters to volunteer, as a pretext to talk to her, and takes her out for coffee. On a later date, he naively takes her to see a pornographic film, which offends her, and she goes home alone. His attempts at reconciliation by sending flowers are rebuffed, so he berates her at the campaign office, before being kicked out by Tom.\nTravis is disgusted by the sleaze, dysfunction, and prostitution that he witnesses throughout the city. His worldview is furthered when an adolescent prostitute and runaway, Iris, enters his taxi, attempting to escape her pimp, Sport. Sport drags Iris from the taxi and throws Travis a crumpled $20 bill, which continually reminds Travis of her and the corruption that surrounds him. A similarly influential event occurs when an unhinged passenger gloats to Travis of his intentions to murder his wife and her lover. Travis confides in fellow taxi driver Wizard about his thoughts, which are beginning to turn violent; however, Wizard assures him that he will be fine, leaving Travis to his own destructive path.\n", "labels": "What is the first name of the person who is offended by the pornographic film?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-a59450aadc9f48a8bc80ab9a1dd4edd1"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Travis Bickle, a 26-year-old honorably discharged U.S. Marine, is a lonely, depressed young man living in isolation in New York City. He takes a job as a taxi driver to cope with his chronic insomnia, driving passengers every night around the city's boroughs. He also frequents the porn theaters on 42nd Street and keeps a diary in which he consciously attempts to include aphorisms, such as \"You're only as healthy as you feel.\"\nTravis becomes infatuated with Betsy, a campaign volunteer for Senator and presidential candidate Charles Palantine. After watching her interact with fellow worker Tom through her window, Travis enters to volunteer, as a pretext to talk to her, and takes her out for coffee. On a later date, he naively takes her to see a pornographic film, which offends her, and she goes home alone. His attempts at reconciliation by sending flowers are rebuffed, so he berates her at the campaign office, before being kicked out by Tom.\nTravis is disgusted by the sleaze, dysfunction, and prostitution that he witnesses throughout the city. His worldview is furthered when an adolescent prostitute and runaway, Iris, enters his taxi, attempting to escape her pimp, Sport. Sport drags Iris from the taxi and throws Travis a crumpled $20 bill, which continually reminds Travis of her and the corruption that surrounds him. A similarly influential event occurs when an unhinged passenger gloats to Travis of his intentions to murder his wife and her lover. Travis confides in fellow taxi driver Wizard about his thoughts, which are beginning to turn violent; however, Wizard assures him that he will be fine, leaving Travis to his own destructive path.\n", "labels": "What is the last name of the person who sends Betsy flowers?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-a59450aadc9f48a8bc80ab9a1dd4edd1"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Travis Bickle, a 26-year-old honorably discharged U.S. Marine, is a lonely, depressed young man living in isolation in New York City. He takes a job as a taxi driver to cope with his chronic insomnia, driving passengers every night around the city's boroughs. He also frequents the porn theaters on 42nd Street and keeps a diary in which he consciously attempts to include aphorisms, such as \"You're only as healthy as you feel.\"\nTravis becomes infatuated with Betsy, a campaign volunteer for Senator and presidential candidate Charles Palantine. After watching her interact with fellow worker Tom through her window, Travis enters to volunteer, as a pretext to talk to her, and takes her out for coffee. On a later date, he naively takes her to see a pornographic film, which offends her, and she goes home alone. His attempts at reconciliation by sending flowers are rebuffed, so he berates her at the campaign office, before being kicked out by Tom.\nTravis is disgusted by the sleaze, dysfunction, and prostitution that he witnesses throughout the city. His worldview is furthered when an adolescent prostitute and runaway, Iris, enters his taxi, attempting to escape her pimp, Sport. Sport drags Iris from the taxi and throws Travis a crumpled $20 bill, which continually reminds Travis of her and the corruption that surrounds him. A similarly influential event occurs when an unhinged passenger gloats to Travis of his intentions to murder his wife and her lover. Travis confides in fellow taxi driver Wizard about his thoughts, which are beginning to turn violent; however, Wizard assures him that he will be fine, leaving Travis to his own destructive path.\n", "labels": "What is the last name of the person who feels he is surrounded by corruption?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-a59450aadc9f48a8bc80ab9a1dd4edd1"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: As the musical prelude climaxes, Woglinde and Wellgunde are seen at play in the depths of the Rhine. Flosshilde joins them after a gentle reminder of their responsibilities as guardians of the gold. They are observed by the Nibelung dwarf Alberich who calls out to them: \"I'd like to draw near if you would be kind to me\". The wary Flosshilde cries: \"Guard the gold! Father warned us of such a foe\". When Alberich begins his rough wooing the maidens relax: \"Now I laugh at my fears, our enemy is in love\", says Flosshilde, and a cruel teasing game ensues. First, Woglinde pretends to respond to the dwarf's advances but swims away as he tries to embrace her. Then Wellgunde takes over, and Alberich's hopes rise until her sharp retort: \"Ugh, you hairy hunchbacked clown!\" Flosshilde pretends to chastise her sisters for their cruelty and feigns her own courtship, by which Alberich is quite taken in until she suddenly tears away to join the others in a mocking song. Tormented with lust, Alberich furiously chases the maidens over the rocks, slipping and sliding as they elude him, before he sinks down in impotent rage. At this point the mood changes: as a sudden brightness penetrates the depths, a magical golden light reveals, for the first time, the Rhinegold on its rock. The maidens sing their ecstatic greeting to the gold, which rouses Alberich's curiosity. In response to his question Woglinde and Wellgunde reveal the gold's secret: measureless power would belong to the one who could forge a ring from it. Flosshilde scolds them for giving this secret away, but her concerns are dismissed\u2014only someone who has forsworn love can obtain the gold, and Alberich is clearly so besotted as to present no danger. But their confidence is misplaced; in his humiliation Alberich decides that world mastery is more desirable than love. As the maidens continue to jeer his antics he scrambles up the rock and, uttering a curse on love, seizes the gold and disappears, leaving the Rhinemaidens to dive after him  bewailing their loss.\n", "labels": "What are the names of the people who are the guardians of the gold?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-625af7b1da114a89a18b53bca08f6951"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: As the musical prelude climaxes, Woglinde and Wellgunde are seen at play in the depths of the Rhine. Flosshilde joins them after a gentle reminder of their responsibilities as guardians of the gold. They are observed by the Nibelung dwarf Alberich who calls out to them: \"I'd like to draw near if you would be kind to me\". The wary Flosshilde cries: \"Guard the gold! Father warned us of such a foe\". When Alberich begins his rough wooing the maidens relax: \"Now I laugh at my fears, our enemy is in love\", says Flosshilde, and a cruel teasing game ensues. First, Woglinde pretends to respond to the dwarf's advances but swims away as he tries to embrace her. Then Wellgunde takes over, and Alberich's hopes rise until her sharp retort: \"Ugh, you hairy hunchbacked clown!\" Flosshilde pretends to chastise her sisters for their cruelty and feigns her own courtship, by which Alberich is quite taken in until she suddenly tears away to join the others in a mocking song. Tormented with lust, Alberich furiously chases the maidens over the rocks, slipping and sliding as they elude him, before he sinks down in impotent rage. At this point the mood changes: as a sudden brightness penetrates the depths, a magical golden light reveals, for the first time, the Rhinegold on its rock. The maidens sing their ecstatic greeting to the gold, which rouses Alberich's curiosity. In response to his question Woglinde and Wellgunde reveal the gold's secret: measureless power would belong to the one who could forge a ring from it. Flosshilde scolds them for giving this secret away, but her concerns are dismissed\u2014only someone who has forsworn love can obtain the gold, and Alberich is clearly so besotted as to present no danger. But their confidence is misplaced; in his humiliation Alberich decides that world mastery is more desirable than love. As the maidens continue to jeer his antics he scrambles up the rock and, uttering a curse on love, seizes the gold and disappears, leaving the Rhinemaidens to dive after him  bewailing their loss.\n", "labels": "Who tries to embrace Woglinde?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-625af7b1da114a89a18b53bca08f6951"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: As the musical prelude climaxes, Woglinde and Wellgunde are seen at play in the depths of the Rhine. Flosshilde joins them after a gentle reminder of their responsibilities as guardians of the gold. They are observed by the Nibelung dwarf Alberich who calls out to them: \"I'd like to draw near if you would be kind to me\". The wary Flosshilde cries: \"Guard the gold! Father warned us of such a foe\". When Alberich begins his rough wooing the maidens relax: \"Now I laugh at my fears, our enemy is in love\", says Flosshilde, and a cruel teasing game ensues. First, Woglinde pretends to respond to the dwarf's advances but swims away as he tries to embrace her. Then Wellgunde takes over, and Alberich's hopes rise until her sharp retort: \"Ugh, you hairy hunchbacked clown!\" Flosshilde pretends to chastise her sisters for their cruelty and feigns her own courtship, by which Alberich is quite taken in until she suddenly tears away to join the others in a mocking song. Tormented with lust, Alberich furiously chases the maidens over the rocks, slipping and sliding as they elude him, before he sinks down in impotent rage. At this point the mood changes: as a sudden brightness penetrates the depths, a magical golden light reveals, for the first time, the Rhinegold on its rock. The maidens sing their ecstatic greeting to the gold, which rouses Alberich's curiosity. In response to his question Woglinde and Wellgunde reveal the gold's secret: measureless power would belong to the one who could forge a ring from it. Flosshilde scolds them for giving this secret away, but her concerns are dismissed\u2014only someone who has forsworn love can obtain the gold, and Alberich is clearly so besotted as to present no danger. But their confidence is misplaced; in his humiliation Alberich decides that world mastery is more desirable than love. As the maidens continue to jeer his antics he scrambles up the rock and, uttering a curse on love, seizes the gold and disappears, leaving the Rhinemaidens to dive after him  bewailing their loss.\n", "labels": "What is the name of the person who said \"Ugh, you hairy hunchbacked clown?\"?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-625af7b1da114a89a18b53bca08f6951"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: As the musical prelude climaxes, Woglinde and Wellgunde are seen at play in the depths of the Rhine. Flosshilde joins them after a gentle reminder of their responsibilities as guardians of the gold. They are observed by the Nibelung dwarf Alberich who calls out to them: \"I'd like to draw near if you would be kind to me\". The wary Flosshilde cries: \"Guard the gold! Father warned us of such a foe\". When Alberich begins his rough wooing the maidens relax: \"Now I laugh at my fears, our enemy is in love\", says Flosshilde, and a cruel teasing game ensues. First, Woglinde pretends to respond to the dwarf's advances but swims away as he tries to embrace her. Then Wellgunde takes over, and Alberich's hopes rise until her sharp retort: \"Ugh, you hairy hunchbacked clown!\" Flosshilde pretends to chastise her sisters for their cruelty and feigns her own courtship, by which Alberich is quite taken in until she suddenly tears away to join the others in a mocking song. Tormented with lust, Alberich furiously chases the maidens over the rocks, slipping and sliding as they elude him, before he sinks down in impotent rage. At this point the mood changes: as a sudden brightness penetrates the depths, a magical golden light reveals, for the first time, the Rhinegold on its rock. The maidens sing their ecstatic greeting to the gold, which rouses Alberich's curiosity. In response to his question Woglinde and Wellgunde reveal the gold's secret: measureless power would belong to the one who could forge a ring from it. Flosshilde scolds them for giving this secret away, but her concerns are dismissed\u2014only someone who has forsworn love can obtain the gold, and Alberich is clearly so besotted as to present no danger. But their confidence is misplaced; in his humiliation Alberich decides that world mastery is more desirable than love. As the maidens continue to jeer his antics he scrambles up the rock and, uttering a curse on love, seizes the gold and disappears, leaving the Rhinemaidens to dive after him  bewailing their loss.\n", "labels": "What are the names of the people Flosshilde pretends to chastise?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-625af7b1da114a89a18b53bca08f6951"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Rachmaninoff's choral symphony The Bells reflected the four-part progression from youth to marriage, maturity, and death in Poe's poem. Britten reversed the pattern for his Spring Symphony\u2014the four sections of the symphony represent, in its composer's words, \"the progress of Winter to Spring and the reawakening of the earth and life which that means.... It is in the traditional four movement shape of a symphony, but with the movements divided into shorter sections bound together by a similar mood or point of view.\"The gestation of Shostakovich's Thirteenth Symphony, Babi Yar, was only slightly less straightforward. He set the poem Babi Yar by Yevgeny Yevtushenko almost immediately upon reading it, initially considering it a single-movement composition. Discovering three other Yevtushenko poems in the poet's collection Vzmakh ruki (A Wave of the Hand) prompted him to proceed to a full-length choral symphony, with \"A Career\" as the closing movement. Musicologist Francis Maes comments that Shostakovich did so by complementing Babi Yar's theme of Jewish suffering with Yevtushenko's verses about other Soviet abuses: \"'At the Store' is a tribute to the women who have to stand in line for hours to buy the most basic foods,... 'Fears' evokes the terror under Stalin. 'A Career' is an attack on bureaucrats and a tribute to genuine creativity\". Music historian Boris Schwarz adds that the poems, in the order Shostakovich places them, form a strongly dramatic opening movement, a scherzo, two slow movements and a finale.In other cases, the choice of text has led the composer to different symphonic structures. Havergal Brian allowed the form of his Fourth Symphony, subtitled \"Das Siegeslied\" (Psalm of Victory), to be dictated by the three-part structure of his text, Psalm 68; the setting of Verses 13\u201318 for soprano solo and orchestra forms a quiet interlude between two wilder, highly chromatic martial ones set for massive choral and orchestral forces. Likewise, Szymanowski allowed the text by 13th-century Persian poet Rumi to dictate what Dr. Jim Samson calls the \"single tripartite movement\" and \"overall arch structure\" of his Third Symphony, subtitled \"Song of the Night\".\n", "labels": "What is the last name of the person that inspired the symphony that was reversed by Britten?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-75a039c807ab4ca1a429af1bbbe49ec5"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Rachmaninoff's choral symphony The Bells reflected the four-part progression from youth to marriage, maturity, and death in Poe's poem. Britten reversed the pattern for his Spring Symphony\u2014the four sections of the symphony represent, in its composer's words, \"the progress of Winter to Spring and the reawakening of the earth and life which that means.... It is in the traditional four movement shape of a symphony, but with the movements divided into shorter sections bound together by a similar mood or point of view.\"The gestation of Shostakovich's Thirteenth Symphony, Babi Yar, was only slightly less straightforward. He set the poem Babi Yar by Yevgeny Yevtushenko almost immediately upon reading it, initially considering it a single-movement composition. Discovering three other Yevtushenko poems in the poet's collection Vzmakh ruki (A Wave of the Hand) prompted him to proceed to a full-length choral symphony, with \"A Career\" as the closing movement. Musicologist Francis Maes comments that Shostakovich did so by complementing Babi Yar's theme of Jewish suffering with Yevtushenko's verses about other Soviet abuses: \"'At the Store' is a tribute to the women who have to stand in line for hours to buy the most basic foods,... 'Fears' evokes the terror under Stalin. 'A Career' is an attack on bureaucrats and a tribute to genuine creativity\". Music historian Boris Schwarz adds that the poems, in the order Shostakovich places them, form a strongly dramatic opening movement, a scherzo, two slow movements and a finale.In other cases, the choice of text has led the composer to different symphonic structures. Havergal Brian allowed the form of his Fourth Symphony, subtitled \"Das Siegeslied\" (Psalm of Victory), to be dictated by the three-part structure of his text, Psalm 68; the setting of Verses 13\u201318 for soprano solo and orchestra forms a quiet interlude between two wilder, highly chromatic martial ones set for massive choral and orchestral forces. Likewise, Szymanowski allowed the text by 13th-century Persian poet Rumi to dictate what Dr. Jim Samson calls the \"single tripartite movement\" and \"overall arch structure\" of his Third Symphony, subtitled \"Song of the Night\".\n", "labels": "What is the full name of of the composer who let one of his symphony's be dictated by Psalm 68?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-75a039c807ab4ca1a429af1bbbe49ec5"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Rachmaninoff's choral symphony The Bells reflected the four-part progression from youth to marriage, maturity, and death in Poe's poem. Britten reversed the pattern for his Spring Symphony\u2014the four sections of the symphony represent, in its composer's words, \"the progress of Winter to Spring and the reawakening of the earth and life which that means.... It is in the traditional four movement shape of a symphony, but with the movements divided into shorter sections bound together by a similar mood or point of view.\"The gestation of Shostakovich's Thirteenth Symphony, Babi Yar, was only slightly less straightforward. He set the poem Babi Yar by Yevgeny Yevtushenko almost immediately upon reading it, initially considering it a single-movement composition. Discovering three other Yevtushenko poems in the poet's collection Vzmakh ruki (A Wave of the Hand) prompted him to proceed to a full-length choral symphony, with \"A Career\" as the closing movement. Musicologist Francis Maes comments that Shostakovich did so by complementing Babi Yar's theme of Jewish suffering with Yevtushenko's verses about other Soviet abuses: \"'At the Store' is a tribute to the women who have to stand in line for hours to buy the most basic foods,... 'Fears' evokes the terror under Stalin. 'A Career' is an attack on bureaucrats and a tribute to genuine creativity\". Music historian Boris Schwarz adds that the poems, in the order Shostakovich places them, form a strongly dramatic opening movement, a scherzo, two slow movements and a finale.In other cases, the choice of text has led the composer to different symphonic structures. Havergal Brian allowed the form of his Fourth Symphony, subtitled \"Das Siegeslied\" (Psalm of Victory), to be dictated by the three-part structure of his text, Psalm 68; the setting of Verses 13\u201318 for soprano solo and orchestra forms a quiet interlude between two wilder, highly chromatic martial ones set for massive choral and orchestral forces. Likewise, Szymanowski allowed the text by 13th-century Persian poet Rumi to dictate what Dr. Jim Samson calls the \"single tripartite movement\" and \"overall arch structure\" of his Third Symphony, subtitled \"Song of the Night\".\n", "labels": "Who's symphony did a music historian claim had a strongly dramatic opening movement due to the placement of the poems that inspired it?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-75a039c807ab4ca1a429af1bbbe49ec5"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Rachmaninoff's choral symphony The Bells reflected the four-part progression from youth to marriage, maturity, and death in Poe's poem. Britten reversed the pattern for his Spring Symphony\u2014the four sections of the symphony represent, in its composer's words, \"the progress of Winter to Spring and the reawakening of the earth and life which that means.... It is in the traditional four movement shape of a symphony, but with the movements divided into shorter sections bound together by a similar mood or point of view.\"The gestation of Shostakovich's Thirteenth Symphony, Babi Yar, was only slightly less straightforward. He set the poem Babi Yar by Yevgeny Yevtushenko almost immediately upon reading it, initially considering it a single-movement composition. Discovering three other Yevtushenko poems in the poet's collection Vzmakh ruki (A Wave of the Hand) prompted him to proceed to a full-length choral symphony, with \"A Career\" as the closing movement. Musicologist Francis Maes comments that Shostakovich did so by complementing Babi Yar's theme of Jewish suffering with Yevtushenko's verses about other Soviet abuses: \"'At the Store' is a tribute to the women who have to stand in line for hours to buy the most basic foods,... 'Fears' evokes the terror under Stalin. 'A Career' is an attack on bureaucrats and a tribute to genuine creativity\". Music historian Boris Schwarz adds that the poems, in the order Shostakovich places them, form a strongly dramatic opening movement, a scherzo, two slow movements and a finale.In other cases, the choice of text has led the composer to different symphonic structures. Havergal Brian allowed the form of his Fourth Symphony, subtitled \"Das Siegeslied\" (Psalm of Victory), to be dictated by the three-part structure of his text, Psalm 68; the setting of Verses 13\u201318 for soprano solo and orchestra forms a quiet interlude between two wilder, highly chromatic martial ones set for massive choral and orchestral forces. Likewise, Szymanowski allowed the text by 13th-century Persian poet Rumi to dictate what Dr. Jim Samson calls the \"single tripartite movement\" and \"overall arch structure\" of his Third Symphony, subtitled \"Song of the Night\".\n", "labels": "What is the full name of the doctor that commented on a symphony written by a man who based it on works of a 13th century poet?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-75a039c807ab4ca1a429af1bbbe49ec5"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: A 1945 Life article estimated that before the Hiroshima and Nagasaki bombings \"probably no more than a few dozen men in the entire country knew the full meaning of the Manhattan Project, and perhaps only a thousand others even were aware that work on atoms was involved.\" The magazine wrote that the more than 100,000 others employed with the project \"worked like moles in the dark\". Warned that disclosing the project's secrets was punishable by 10 years in prison or a $10,000 ($113,000 today) fine, they saw enormous quantities of raw materials enter factories with nothing coming out, and monitored \"dials and switches while behind thick concrete walls mysterious reactions took place\" without knowing the purpose of their jobs.Oak Ridge security personnel considered any private party with more than seven people as suspicious, and residents\u2014who believed that US government agents were secretly among them\u2014avoided repeatedly inviting the same guests. Although original residents of the area could be buried in existing cemeteries, every coffin was reportedly opened for inspection. Everyone, including top military officials, and their automobiles were searched when entering and exiting project facilities. One Oak Ridge worker stated that \"if you got inquisitive, you were called on the carpet within two hours by government secret agents. Usually those summoned to explain were then escorted bag and baggage to the gate and ordered to keep going\".\nDespite being told that their work would help end the war and perhaps all future wars, not seeing or understanding the results of their often tedious duties\u2014or even typical side effects of factory work such as smoke from smokestacks\u2014and the war in Europe ending without the use of their work, caused serious morale problems among workers and caused many rumors to spread. One manager stated after the war:Well it wasn't that the job was tough ... it was confusing. You see, no one knew what was being made in Oak Ridge, not even me, and a lot of the people thought they were wasting their time here. It was up to me to explain to the dissatisfied workers that they were doing a very important job. When they asked me what, I'd have to tell them it was a secret. But I almost went crazy myself trying to figure out what was going on.\nAnother worker told of how, working in a laundry, she every day held \"a special instrument\" to uniforms and listened for \"a clicking noise\". She learned only after the war that she had been performing the important task of checking for radiation with a geiger counter. To improve morale among such workers Oak Ridge created an extensive system of intramural sports leagues, including 10 baseball teams, 81 softball teams, and 26 football teams.\n", "labels": "What teams were included in the Oak Ridge intramural sports leagues?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-71da36320d5e412ebbf2b42cf3c686a5"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Kurtwood Smith plays Myron Castleman, an everyman stuck in a loop that forces him to constantly relive the same hour of his life over and over, being the only person aware of this. During one loop, he discovers that a scientist named Nathan Rosenbluth has predicted an event that matches his experience. Castleman calls him and explains what is going on, however, Rosenbluth is highly skeptical of his claims. Over the next loops, Myron struggles to get into contact with Rosenbluth again, and in the process becomes frustrated to the point of screaming at his secretary and throwing his suitcase into traffic. Eventually, he does manage to talk to Rosenbluth, who initially dismisses Myron as crazy until Myron describes the transition as the scientist had predicted (including the phrase \"Consciousness is an independent variable,\" which is central to Rosenbluth's theories). The professor sadly informs Castleman that there is nothing that can be done, causing Myron to become hysterical and shoot himself. There is a brief pause until Myron finds himself back at the beginning of the loop, realizing that he is trapped for eternity.\n", "labels": "What is the full name of the person who discovers a scientist who has predicted an event that match their experience?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-ca98d9e906014c81b8fe8e1274e58880"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Kurtwood Smith plays Myron Castleman, an everyman stuck in a loop that forces him to constantly relive the same hour of his life over and over, being the only person aware of this. During one loop, he discovers that a scientist named Nathan Rosenbluth has predicted an event that matches his experience. Castleman calls him and explains what is going on, however, Rosenbluth is highly skeptical of his claims. Over the next loops, Myron struggles to get into contact with Rosenbluth again, and in the process becomes frustrated to the point of screaming at his secretary and throwing his suitcase into traffic. Eventually, he does manage to talk to Rosenbluth, who initially dismisses Myron as crazy until Myron describes the transition as the scientist had predicted (including the phrase \"Consciousness is an independent variable,\" which is central to Rosenbluth's theories). The professor sadly informs Castleman that there is nothing that can be done, causing Myron to become hysterical and shoot himself. There is a brief pause until Myron finds himself back at the beginning of the loop, realizing that he is trapped for eternity.\n", "labels": "What is the full name of the person who informs Castleman that their is nothing that can be done?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-ca98d9e906014c81b8fe8e1274e58880"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Kurtwood Smith plays Myron Castleman, an everyman stuck in a loop that forces him to constantly relive the same hour of his life over and over, being the only person aware of this. During one loop, he discovers that a scientist named Nathan Rosenbluth has predicted an event that matches his experience. Castleman calls him and explains what is going on, however, Rosenbluth is highly skeptical of his claims. Over the next loops, Myron struggles to get into contact with Rosenbluth again, and in the process becomes frustrated to the point of screaming at his secretary and throwing his suitcase into traffic. Eventually, he does manage to talk to Rosenbluth, who initially dismisses Myron as crazy until Myron describes the transition as the scientist had predicted (including the phrase \"Consciousness is an independent variable,\" which is central to Rosenbluth's theories). The professor sadly informs Castleman that there is nothing that can be done, causing Myron to become hysterical and shoot himself. There is a brief pause until Myron finds himself back at the beginning of the loop, realizing that he is trapped for eternity.\n", "labels": "What is the first name of the person that Rosenbluth is skeptical of?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-ca98d9e906014c81b8fe8e1274e58880"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Kurtwood Smith plays Myron Castleman, an everyman stuck in a loop that forces him to constantly relive the same hour of his life over and over, being the only person aware of this. During one loop, he discovers that a scientist named Nathan Rosenbluth has predicted an event that matches his experience. Castleman calls him and explains what is going on, however, Rosenbluth is highly skeptical of his claims. Over the next loops, Myron struggles to get into contact with Rosenbluth again, and in the process becomes frustrated to the point of screaming at his secretary and throwing his suitcase into traffic. Eventually, he does manage to talk to Rosenbluth, who initially dismisses Myron as crazy until Myron describes the transition as the scientist had predicted (including the phrase \"Consciousness is an independent variable,\" which is central to Rosenbluth's theories). The professor sadly informs Castleman that there is nothing that can be done, causing Myron to become hysterical and shoot himself. There is a brief pause until Myron finds himself back at the beginning of the loop, realizing that he is trapped for eternity.\n", "labels": "What are the two professions that Nathan Rosenbluth is described as?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-ca98d9e906014c81b8fe8e1274e58880"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Kurtwood Smith plays Myron Castleman, an everyman stuck in a loop that forces him to constantly relive the same hour of his life over and over, being the only person aware of this. During one loop, he discovers that a scientist named Nathan Rosenbluth has predicted an event that matches his experience. Castleman calls him and explains what is going on, however, Rosenbluth is highly skeptical of his claims. Over the next loops, Myron struggles to get into contact with Rosenbluth again, and in the process becomes frustrated to the point of screaming at his secretary and throwing his suitcase into traffic. Eventually, he does manage to talk to Rosenbluth, who initially dismisses Myron as crazy until Myron describes the transition as the scientist had predicted (including the phrase \"Consciousness is an independent variable,\" which is central to Rosenbluth's theories). The professor sadly informs Castleman that there is nothing that can be done, causing Myron to become hysterical and shoot himself. There is a brief pause until Myron finds himself back at the beginning of the loop, realizing that he is trapped for eternity.\n", "labels": "What is the full name of the person who discovers that a scientist has predicted an event that matches his experience?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-ca98d9e906014c81b8fe8e1274e58880"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Kurtwood Smith plays Myron Castleman, an everyman stuck in a loop that forces him to constantly relive the same hour of his life over and over, being the only person aware of this. During one loop, he discovers that a scientist named Nathan Rosenbluth has predicted an event that matches his experience. Castleman calls him and explains what is going on, however, Rosenbluth is highly skeptical of his claims. Over the next loops, Myron struggles to get into contact with Rosenbluth again, and in the process becomes frustrated to the point of screaming at his secretary and throwing his suitcase into traffic. Eventually, he does manage to talk to Rosenbluth, who initially dismisses Myron as crazy until Myron describes the transition as the scientist had predicted (including the phrase \"Consciousness is an independent variable,\" which is central to Rosenbluth's theories). The professor sadly informs Castleman that there is nothing that can be done, causing Myron to become hysterical and shoot himself. There is a brief pause until Myron finds himself back at the beginning of the loop, realizing that he is trapped for eternity.\n", "labels": "What is the first name of the person whose suitcase is thrown into traffic?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-ca98d9e906014c81b8fe8e1274e58880"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: While flying a routine mission for the U.S. Navy from his aircraft carrier, an emergency causes Lieutenant Robin \"Rob\" Crusoe to eject from his F-8 Crusader into the ocean. Crusoe drifts on the ocean in an emergency life raft for several days and nights until landing on an uninhabited island. Crusoe builds a shelter for himself, fashions new clothing out of available materials, and begins to scout the island, discovering an abandoned Japanese submarine from World War II. Scouring the submarine, Crusoe also discovers a NASA astrochimp named Floyd, played by Dinky.Using tools and blueprints found in the submarine, Crusoe and Floyd construct a Japanese pavilion, a golf course, and a mail delivery system for sending bottles containing missives to his fiancee out to sea.\nSoon after, Crusoe finds that the island is not entirely uninhabited when he encounters a beautiful island girl, whom he names Wednesday. Wednesday recounts that due to her unwillingness to marry, her chieftain father, Tanamashuhi, plans to sacrifice her and her sisters to Kaboona, an immense effigy on the island with whom he pretends to communicate.\nThe day Tanamashu arrives on the island, Crusoe uses paraphernalia from the submarine to combat him, culminating in the destruction of the Kaboona statue.\nAfter the battle, Crusoe and Tanamashu make peace. But when Crusoe makes it known that he does not wish to marry Wednesday, he is forced to flee to avoid her wrath. Pursued by a mob of irate island women, Crusoe is spotted by a U.S. Navy helicopter and he and Floyd narrowly escape with their lives. Large crowds turn out for their arrival on an aircraft carrier deck, but Floyd steals all the limelight.\n", "labels": "Besides Floyd, what does Rob find on the Japanese sub?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-f0e99b1d81ff4c70a9c3a7dded1b00d0"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: While flying a routine mission for the U.S. Navy from his aircraft carrier, an emergency causes Lieutenant Robin \"Rob\" Crusoe to eject from his F-8 Crusader into the ocean. Crusoe drifts on the ocean in an emergency life raft for several days and nights until landing on an uninhabited island. Crusoe builds a shelter for himself, fashions new clothing out of available materials, and begins to scout the island, discovering an abandoned Japanese submarine from World War II. Scouring the submarine, Crusoe also discovers a NASA astrochimp named Floyd, played by Dinky.Using tools and blueprints found in the submarine, Crusoe and Floyd construct a Japanese pavilion, a golf course, and a mail delivery system for sending bottles containing missives to his fiancee out to sea.\nSoon after, Crusoe finds that the island is not entirely uninhabited when he encounters a beautiful island girl, whom he names Wednesday. Wednesday recounts that due to her unwillingness to marry, her chieftain father, Tanamashuhi, plans to sacrifice her and her sisters to Kaboona, an immense effigy on the island with whom he pretends to communicate.\nThe day Tanamashu arrives on the island, Crusoe uses paraphernalia from the submarine to combat him, culminating in the destruction of the Kaboona statue.\nAfter the battle, Crusoe and Tanamashu make peace. But when Crusoe makes it known that he does not wish to marry Wednesday, he is forced to flee to avoid her wrath. Pursued by a mob of irate island women, Crusoe is spotted by a U.S. Navy helicopter and he and Floyd narrowly escape with their lives. Large crowds turn out for their arrival on an aircraft carrier deck, but Floyd steals all the limelight.\n", "labels": "What did Robin and the astrochimp build that makes it possible for Robin to communicate with his fiancee?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-f0e99b1d81ff4c70a9c3a7dded1b00d0"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: While flying a routine mission for the U.S. Navy from his aircraft carrier, an emergency causes Lieutenant Robin \"Rob\" Crusoe to eject from his F-8 Crusader into the ocean. Crusoe drifts on the ocean in an emergency life raft for several days and nights until landing on an uninhabited island. Crusoe builds a shelter for himself, fashions new clothing out of available materials, and begins to scout the island, discovering an abandoned Japanese submarine from World War II. Scouring the submarine, Crusoe also discovers a NASA astrochimp named Floyd, played by Dinky.Using tools and blueprints found in the submarine, Crusoe and Floyd construct a Japanese pavilion, a golf course, and a mail delivery system for sending bottles containing missives to his fiancee out to sea.\nSoon after, Crusoe finds that the island is not entirely uninhabited when he encounters a beautiful island girl, whom he names Wednesday. Wednesday recounts that due to her unwillingness to marry, her chieftain father, Tanamashuhi, plans to sacrifice her and her sisters to Kaboona, an immense effigy on the island with whom he pretends to communicate.\nThe day Tanamashu arrives on the island, Crusoe uses paraphernalia from the submarine to combat him, culminating in the destruction of the Kaboona statue.\nAfter the battle, Crusoe and Tanamashu make peace. But when Crusoe makes it known that he does not wish to marry Wednesday, he is forced to flee to avoid her wrath. Pursued by a mob of irate island women, Crusoe is spotted by a U.S. Navy helicopter and he and Floyd narrowly escape with their lives. Large crowds turn out for their arrival on an aircraft carrier deck, but Floyd steals all the limelight.\n", "labels": "From whom does Floyd steal the limelight?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-f0e99b1d81ff4c70a9c3a7dded1b00d0"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: While flying a routine mission for the U.S. Navy from his aircraft carrier, an emergency causes Lieutenant Robin \"Rob\" Crusoe to eject from his F-8 Crusader into the ocean. Crusoe drifts on the ocean in an emergency life raft for several days and nights until landing on an uninhabited island. Crusoe builds a shelter for himself, fashions new clothing out of available materials, and begins to scout the island, discovering an abandoned Japanese submarine from World War II. Scouring the submarine, Crusoe also discovers a NASA astrochimp named Floyd, played by Dinky.Using tools and blueprints found in the submarine, Crusoe and Floyd construct a Japanese pavilion, a golf course, and a mail delivery system for sending bottles containing missives to his fiancee out to sea.\nSoon after, Crusoe finds that the island is not entirely uninhabited when he encounters a beautiful island girl, whom he names Wednesday. Wednesday recounts that due to her unwillingness to marry, her chieftain father, Tanamashuhi, plans to sacrifice her and her sisters to Kaboona, an immense effigy on the island with whom he pretends to communicate.\nThe day Tanamashu arrives on the island, Crusoe uses paraphernalia from the submarine to combat him, culminating in the destruction of the Kaboona statue.\nAfter the battle, Crusoe and Tanamashu make peace. But when Crusoe makes it known that he does not wish to marry Wednesday, he is forced to flee to avoid her wrath. Pursued by a mob of irate island women, Crusoe is spotted by a U.S. Navy helicopter and he and Floyd narrowly escape with their lives. Large crowds turn out for their arrival on an aircraft carrier deck, but Floyd steals all the limelight.\n", "labels": "What is the last name of the person who names someone Wednesday?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-f0e99b1d81ff4c70a9c3a7dded1b00d0"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: On October 18, 2010, Dylan released Volume 9 of his Bootleg Series, The Witmark Demos. This comprised 47 demo recordings of songs taped between 1962 and 1964 for Dylan's earliest music publishers: Leeds Music in 1962, and Witmark Music from 1962 to 1964. One reviewer described the set as \"a hearty glimpse of young Bob Dylan changing the music business, and the world, one note at a time.\" The critical aggregator website Metacritic awarded the album a Metascore of 86, indicating \"universal acclaim\". In the same week, Sony Legacy released Bob Dylan: The Original Mono Recordings, a box set that for the first time presented Dylan's eight earliest albums, from Bob Dylan (1962) to John Wesley Harding (1967), in their original mono mix in the CD format. The CDs were housed in miniature facsimiles of the original album covers, replete with original liner notes. The set was accompanied by a booklet featuring an essay by music critic Greil Marcus.On April 12, 2011, Legacy Recordings released Bob Dylan in Concert \u2013 Brandeis University 1963, taped at Brandeis University on May 10, 1963, two weeks prior to the release of The Freewheelin' Bob Dylan. The tape was discovered in the archive of music writer Ralph J. Gleason, and the recording carries liner notes by Michael Gray, who says it captures Dylan \"from way back when Kennedy was President and the Beatles hadn't yet reached America. It reveals him not at any Big Moment but giving a performance like his folk club sets of the period... This is the last live performance we have of Bob Dylan before he becomes a star.\"The extent to which his work was studied at an academic level was demonstrated on Dylan's 70th birthday on May 24, 2011, when three universities organized symposia on his work. The University of Mainz, the University of Vienna, and the University of Bristol invited literary critics and cultural historians to give papers on aspects of Dylan's work. Other events, including tribute bands, discussions and simple singalongs, took place around the world, as reported in The Guardian: \"From Moscow to Madrid, Norway to Northampton and Malaysia to his home state of Minnesota, self-confessed 'Bobcats' will gather today to celebrate the 70th birthday of a giant of popular music.\".\n", "labels": "What is the first name of the person who  released Volume 9 of his Bootleg Series in October 2010?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-a59767d9365449ffbbcdba352df81994"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: On October 18, 2010, Dylan released Volume 9 of his Bootleg Series, The Witmark Demos. This comprised 47 demo recordings of songs taped between 1962 and 1964 for Dylan's earliest music publishers: Leeds Music in 1962, and Witmark Music from 1962 to 1964. One reviewer described the set as \"a hearty glimpse of young Bob Dylan changing the music business, and the world, one note at a time.\" The critical aggregator website Metacritic awarded the album a Metascore of 86, indicating \"universal acclaim\". In the same week, Sony Legacy released Bob Dylan: The Original Mono Recordings, a box set that for the first time presented Dylan's eight earliest albums, from Bob Dylan (1962) to John Wesley Harding (1967), in their original mono mix in the CD format. The CDs were housed in miniature facsimiles of the original album covers, replete with original liner notes. The set was accompanied by a booklet featuring an essay by music critic Greil Marcus.On April 12, 2011, Legacy Recordings released Bob Dylan in Concert \u2013 Brandeis University 1963, taped at Brandeis University on May 10, 1963, two weeks prior to the release of The Freewheelin' Bob Dylan. The tape was discovered in the archive of music writer Ralph J. Gleason, and the recording carries liner notes by Michael Gray, who says it captures Dylan \"from way back when Kennedy was President and the Beatles hadn't yet reached America. It reveals him not at any Big Moment but giving a performance like his folk club sets of the period... This is the last live performance we have of Bob Dylan before he becomes a star.\"The extent to which his work was studied at an academic level was demonstrated on Dylan's 70th birthday on May 24, 2011, when three universities organized symposia on his work. The University of Mainz, the University of Vienna, and the University of Bristol invited literary critics and cultural historians to give papers on aspects of Dylan's work. Other events, including tribute bands, discussions and simple singalongs, took place around the world, as reported in The Guardian: \"From Moscow to Madrid, Norway to Northampton and Malaysia to his home state of Minnesota, self-confessed 'Bobcats' will gather today to celebrate the 70th birthday of a giant of popular music.\".\n", "labels": "What is the full name of the giant of popular music that the Bobcats celebrated?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-a59767d9365449ffbbcdba352df81994"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Many recreational activities are available along the chain. The Mono Basin National Scenic Area visitor center is located near Mono Lake just off U.S. Route 395. A bookstore, an information desk staffed by USDA Forest Service Rangers, and museum exhibits help to orient visitors. The Mono Lake Committee has a staffed office and visitor information center in Lee Vining on the corner of U.S. Route 395 and 3rd Street. Information on camping, hiking, guided and self-guided tours can all be obtained at either location.\nU.S. 395 is a scenic route that roughly parallels the Mono\u2013Inyo Craters volcanic chain. California State Route 120 provides access to the northern and eastern parts of the Mono Domes, including Panum Crater. Mammoth Scenic Loop (also called Dry Creek Road), provides access to the Inyo Crater lakes and some of the Inyo domes.The town of Mammoth Lakes, located near the southern end of the chain and Mammoth Mountain, is the largest populated area nearby. Mammoth Mountain Ski Area is located nearby and gondola rides can be taken year-round (weather permitting) to the mountain's summit. The summit of Mammoth Mountain provides panoramic views of the craters and domes of the Mono\u2013Inyo volcanic chain, Mono Lake, the Sierra Nevada and Long Valley Caldera.\nMono Lake itself has its own set of activities, including walking tours among towers of tufa, boat tours of the lake, and birdwatching opportunities. The lake is too salty to support any fish, but fishing is possible in streams that feed Mono Lake. Additional activities include hiking around and on the craters and domes, and mountain biking outside of the Scenic Area boundaries.\n", "labels": "Where can information on camping, hiking, guided and self-guided tours can all be obtained?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-6c02bf492e854d08bc2ee2d7cd669b1f"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Many recreational activities are available along the chain. The Mono Basin National Scenic Area visitor center is located near Mono Lake just off U.S. Route 395. A bookstore, an information desk staffed by USDA Forest Service Rangers, and museum exhibits help to orient visitors. The Mono Lake Committee has a staffed office and visitor information center in Lee Vining on the corner of U.S. Route 395 and 3rd Street. Information on camping, hiking, guided and self-guided tours can all be obtained at either location.\nU.S. 395 is a scenic route that roughly parallels the Mono\u2013Inyo Craters volcanic chain. California State Route 120 provides access to the northern and eastern parts of the Mono Domes, including Panum Crater. Mammoth Scenic Loop (also called Dry Creek Road), provides access to the Inyo Crater lakes and some of the Inyo domes.The town of Mammoth Lakes, located near the southern end of the chain and Mammoth Mountain, is the largest populated area nearby. Mammoth Mountain Ski Area is located nearby and gondola rides can be taken year-round (weather permitting) to the mountain's summit. The summit of Mammoth Mountain provides panoramic views of the craters and domes of the Mono\u2013Inyo volcanic chain, Mono Lake, the Sierra Nevada and Long Valley Caldera.\nMono Lake itself has its own set of activities, including walking tours among towers of tufa, boat tours of the lake, and birdwatching opportunities. The lake is too salty to support any fish, but fishing is possible in streams that feed Mono Lake. Additional activities include hiking around and on the craters and domes, and mountain biking outside of the Scenic Area boundaries.\n", "labels": "What has activities that include hiking around and on the craters and domes??", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-6c02bf492e854d08bc2ee2d7cd669b1f"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Many recreational activities are available along the chain. The Mono Basin National Scenic Area visitor center is located near Mono Lake just off U.S. Route 395. A bookstore, an information desk staffed by USDA Forest Service Rangers, and museum exhibits help to orient visitors. The Mono Lake Committee has a staffed office and visitor information center in Lee Vining on the corner of U.S. Route 395 and 3rd Street. Information on camping, hiking, guided and self-guided tours can all be obtained at either location.\nU.S. 395 is a scenic route that roughly parallels the Mono\u2013Inyo Craters volcanic chain. California State Route 120 provides access to the northern and eastern parts of the Mono Domes, including Panum Crater. Mammoth Scenic Loop (also called Dry Creek Road), provides access to the Inyo Crater lakes and some of the Inyo domes.The town of Mammoth Lakes, located near the southern end of the chain and Mammoth Mountain, is the largest populated area nearby. Mammoth Mountain Ski Area is located nearby and gondola rides can be taken year-round (weather permitting) to the mountain's summit. The summit of Mammoth Mountain provides panoramic views of the craters and domes of the Mono\u2013Inyo volcanic chain, Mono Lake, the Sierra Nevada and Long Valley Caldera.\nMono Lake itself has its own set of activities, including walking tours among towers of tufa, boat tours of the lake, and birdwatching opportunities. The lake is too salty to support any fish, but fishing is possible in streams that feed Mono Lake. Additional activities include hiking around and on the craters and domes, and mountain biking outside of the Scenic Area boundaries.\n", "labels": "Information on camping, hiking, guided and self-guided tours can all be obtained at which locations?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-6c02bf492e854d08bc2ee2d7cd669b1f"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: An elderly veteran visits the Normandy American Cemetery and Memorial with his family. At a tombstone, he falls to his knees with emotion. The scene then shifts to the morning of June 6, 1944, as American soldiers land on Omaha Beach as part of the Normandy Invasion. They suffer heavy losses in assaulting fortified German defensive positions. Captain Miller of the 2nd Ranger Battalion leads a breakout from the beach. Elsewhere on the beach, a dead soldier lies face-down in the bloody surf; his pack is stenciled Ryan, S.\nIn Washington, D.C., at the U.S. War Department, General George Marshall learns that three of the four sons of the Ryan family were killed in action and that the fourth son, James, is with the 101st Airborne Division somewhere in Normandy. After reading Abraham Lincoln's Bixby letter aloud, Marshall orders Ryan brought home.\nThree days after D-Day, Miller receives orders to find Ryan and bring him back. He chooses seven men from his company\u2014T/Sgt. Horvath, Privates First Class Reiben and Caparzo, Privates Mellish and Jackson, T/4 medic Wade\u2014plus T/5 Upham, an interpreter from headquarters. They move out to Neuville, where they meet a squad of the 101st engaged against the enemy. Caparzo is killed by a German sniper who is then killed by Jackson. They locate a Private James Ryan but he is not the right one. From passing soldiers, Miller learns that Ryan is defending an important bridge in Ramelle.\nNear Ramelle, Miller decides to neutralize a German machine gun position at a derelict radar station, despite his men's misgivings. Wade is killed in the skirmish. At Upham's urging, Miller declines to execute a surviving German soldier, and sets him free. Losing confidence in Miller's leadership, Reiben declares his intention to desert, prompting a confrontation with Horvath. Miller defuses the standoff by disclosing his civilian career as a high school English teacher, about which his men had set up a betting pool; Reiben decides to stay.\n", "labels": "Which soldier is killed by a German sniper?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-91ba0890838c44068dd426937e7cd186"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: With the Anglican church, as a strong and continuous link in the history of the Anglican church in Australia. As a leader in the development of the Anglo-Catholic tradition in the Anglican church in Australia. With considerable numbers of important Sydney families, as represented in its memorials and with families who have celebrated rites of passage (baptisms, weddings and funerals) in the church. With the historical community generally as an acknowledged part of the history of Australia. With those who value the heritage values of the built environment, as an acknowledged \"icon\" of the early 19th century heritage. As the traditional church of the legal fraternity in Sydney. For its long and active association with the staff and patients of Sydney Hospital. With many of the Governors of New South Wales and their families as the vice-regal parish church. With the families, friends and military and defence organisations associated with those commemorated in the war memorials. With the organists, choirmasters, chorister and organ builders who have been associated with the musical life of the church and city. With its parishioners, past and present, who have maintained a worshipping community in the church from 1824 to the present day and who from the 20th century onwards represent a significant link between the city church and a non-resident congregation.The place has potential to yield information that will contribute to an understanding of the cultural or natural history of New South Wales.\nThe church, its crypt and curtilage have the potential to yield information relating to all periods of construction and use of the building from 1819 to the present, including original construction and fabric. As a site with some archaeological potential which may yield information relating to all periods of construction and use of the building from 1819 to the present.The place possesses uncommon, rare or endangered aspects of the cultural or natural history of New South Wales.\nSt James' Church contains rare aspects of NSW's cultural history:\nSt James' Church is the oldest church in the City of Sydney and has been in continuous use for its original purpose since 1824. The church is an integral part of the most extensive surviving group of Macquarie period buildings in Australia, once part of Macquarie's construction of official Sydney in the eastern part of Sydney. The form and construction of the crypt are unique in a Greenway building. The painted Children's Chapel is unique in Australia and the work is a rare surviving example of the mural art of the Turramurra painters, an unusual 20th century collaborative partnership of artists. The church contains a rare collection of 19th century marble memorials. The church has in its collections rare items of movable heritage including early colonial furniture, church plate, paintings and a vice-regal funeral hatchment.\n", "labels": "What is the name of the place that contains a rare collection of 19th century marble memorials?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-35a2fcf8486b4190a769f83d23366acd"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: CFB Winnipeg is a Canadian Forces Base at the Winnipeg International Airport. The base is home to flight operations support divisions and several training schools, as well as the 1 Canadian Air Division and Canadian NORAD Region Headquarters. 17 Wing of the Canadian Forces is based at CFB Winnipeg; the Wing has three squadrons and six schools. It supports 113 units from Thunder Bay to the Saskatchewan/Alberta border, and from the 49th parallel north to the high Arctic. 17 Wing acts as a deployed operating base for CF-18 Hornet fighter\u2013bombers assigned to the Canadian NORAD Region.The two 17 Wing squadrons based in the city are: the 402 (\"City of Winnipeg\" Squadron), which flies the Canadian designed and produced de Havilland Canada CT-142 Dash 8 navigation trainer in support of the 1 Canadian Forces Flight Training School's Air Combat Systems Officer and Airborne Electronic Sensor Operator training programs (which trains all Canadian Air Combat Systems Officer); and the 435 (\"Chinthe\" Transport and Rescue Squadron), which flies the Lockheed C-130 Hercules tanker/transport in airlift search and rescue roles, and is the only Air Force squadron equipped and trained to conduct air-to-air refuelling of fighter aircraft.Canadian Forces Base Shilo (CFB Shilo) is an Operations and Training base of the Canadian Forces located 35 kilometres (22 mi) east of Brandon. During the 1990s, Canadian Forces Base Shilo was designated as an Area Support Unit, acting as a local base of operations for Southwest Manitoba in times of military and civil emergency. CFB Shilo is the home of the 1st Regiment, Royal Canadian Horse Artillery, both battalions of the 1 Canadian Mechanized Brigade Group, and the Royal Canadian Artillery. The Second Battalion of Princess Patricia's Canadian Light Infantry (2 PPCLI), which was originally stationed in Winnipeg (first at Fort Osborne, then in Kapyong Barracks), has operated out of CFB Shilo since 2004. CFB Shilo hosts a training unit, 3rd Canadian Division Training Centre. It serves as a base for support units of 3rd Canadian Division, also including 3 CDSG Signals Squadron, Shared Services Unit (West), 11 CF Health Services Centre, 1 Dental Unit, 1 Military Police Regiment, and an Integrated Personnel Support Centre. The base currently houses 1,700 soldiers.\n", "labels": "How many people are housed at the based that is home of the 1st Regiment, Royal Canadian Horse Artillery?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-a321c398b9fc4c5b9e8a8deb8e538070"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: CFB Winnipeg is a Canadian Forces Base at the Winnipeg International Airport. The base is home to flight operations support divisions and several training schools, as well as the 1 Canadian Air Division and Canadian NORAD Region Headquarters. 17 Wing of the Canadian Forces is based at CFB Winnipeg; the Wing has three squadrons and six schools. It supports 113 units from Thunder Bay to the Saskatchewan/Alberta border, and from the 49th parallel north to the high Arctic. 17 Wing acts as a deployed operating base for CF-18 Hornet fighter\u2013bombers assigned to the Canadian NORAD Region.The two 17 Wing squadrons based in the city are: the 402 (\"City of Winnipeg\" Squadron), which flies the Canadian designed and produced de Havilland Canada CT-142 Dash 8 navigation trainer in support of the 1 Canadian Forces Flight Training School's Air Combat Systems Officer and Airborne Electronic Sensor Operator training programs (which trains all Canadian Air Combat Systems Officer); and the 435 (\"Chinthe\" Transport and Rescue Squadron), which flies the Lockheed C-130 Hercules tanker/transport in airlift search and rescue roles, and is the only Air Force squadron equipped and trained to conduct air-to-air refuelling of fighter aircraft.Canadian Forces Base Shilo (CFB Shilo) is an Operations and Training base of the Canadian Forces located 35 kilometres (22 mi) east of Brandon. During the 1990s, Canadian Forces Base Shilo was designated as an Area Support Unit, acting as a local base of operations for Southwest Manitoba in times of military and civil emergency. CFB Shilo is the home of the 1st Regiment, Royal Canadian Horse Artillery, both battalions of the 1 Canadian Mechanized Brigade Group, and the Royal Canadian Artillery. The Second Battalion of Princess Patricia's Canadian Light Infantry (2 PPCLI), which was originally stationed in Winnipeg (first at Fort Osborne, then in Kapyong Barracks), has operated out of CFB Shilo since 2004. CFB Shilo hosts a training unit, 3rd Canadian Division Training Centre. It serves as a base for support units of 3rd Canadian Division, also including 3 CDSG Signals Squadron, Shared Services Unit (West), 11 CF Health Services Centre, 1 Dental Unit, 1 Military Police Regiment, and an Integrated Personnel Support Centre. The base currently houses 1,700 soldiers.\n", "labels": "What is the full name of the batalion that has operated out of the base that was designated as an Area Support Unit since 2004?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-a321c398b9fc4c5b9e8a8deb8e538070"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Soon after the US enters World War II, Steve Britt, a former World War I flying ace, arrives at Thunderbird Field, looking for a job as a civilian primary flight instructor. The base commander is an old friend, Lt. Col. \"Mac\" MacDonald, working with Squadron Leader Barrett (Reginald Denny, himself a World War I aerial observer), who is in charge of the Royal Air Force cadets at the base.\nSteve says he wants the job because he is too old for combat and the war will be won by pilots trained on bases like Thunderbird, but it is soon clear that he chose this base because his former girlfriend, Kay Saunders, lives nearby with her grandfather, retired Colonel Cyrus \"Gramps\" Saunders, also a close friend of Steve's.\nSteve immediately flies to their ranch and performs stunts over a water tank where Kay is bathing, blowing her robe away and then dropping her his flying coveralls. When he lands, she seems miffed, but responds to his passionate kiss of greeting. Kay is still very fond of him, but no longer deeply in love.\nSteve is introduced to the new class of RAF cadets, including Peter Stackhouse, whose father Steve knew. Mac warns Steve to \"wash them out fast\" if cadets cannot meet the requirements. Peter flies clumsily and is sick from acrophobia. After three such failures, Steve tries to persuade Peter to transfer, but Peter is confident he can overcome what he calls his \"conditional reflex\", and asks for more time.\n", "labels": "Who picks a base because it is close to his girlfriend?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-340ea62ec45b4062ba7a36dfb4cd7829"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Soon after the US enters World War II, Steve Britt, a former World War I flying ace, arrives at Thunderbird Field, looking for a job as a civilian primary flight instructor. The base commander is an old friend, Lt. Col. \"Mac\" MacDonald, working with Squadron Leader Barrett (Reginald Denny, himself a World War I aerial observer), who is in charge of the Royal Air Force cadets at the base.\nSteve says he wants the job because he is too old for combat and the war will be won by pilots trained on bases like Thunderbird, but it is soon clear that he chose this base because his former girlfriend, Kay Saunders, lives nearby with her grandfather, retired Colonel Cyrus \"Gramps\" Saunders, also a close friend of Steve's.\nSteve immediately flies to their ranch and performs stunts over a water tank where Kay is bathing, blowing her robe away and then dropping her his flying coveralls. When he lands, she seems miffed, but responds to his passionate kiss of greeting. Kay is still very fond of him, but no longer deeply in love.\nSteve is introduced to the new class of RAF cadets, including Peter Stackhouse, whose father Steve knew. Mac warns Steve to \"wash them out fast\" if cadets cannot meet the requirements. Peter flies clumsily and is sick from acrophobia. After three such failures, Steve tries to persuade Peter to transfer, but Peter is confident he can overcome what he calls his \"conditional reflex\", and asks for more time.\n", "labels": "Who seems miffed by the flyover?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-340ea62ec45b4062ba7a36dfb4cd7829"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Martin O'Donnell confirmed Halo 3's soundtrack would see a commercial release in a Bungie podcast. O'Donnell also stressed that the soundtrack would not be released at or near the release date of the game on September 25, 2007. The soundtrack was officially announced on October 17, 2007.\nThe score to the game was used extensively for marketing purposes, even before the release of the game. The first piece heard was entitled \"Finish the Fight\", and was used in the announcement trailer for Halo 3 at Electronic Entertainment Expo 2006. This piece was accented with O'Donnell's well-known Halo theme, which now included a trumpet fanfare and heavy brass section; O'Donnell stated \"I want the viewer to have a feeling of anticipation and wonder for the first fifty seconds or so, up until Master Chief is revealed and they realize that it's Cortana trying to tell them something.\" The track opens with a piano section written by Matt Daspit, uncharacteristic for the series at that point; O'Donnell suspected \"no [other announcement at E3] would start with a piano\", thus grabbing attention. O'Donnell designed the opening to lull the listener into a sense of suspense, then wonder; \"I want them to feel pride and longing the moment Master Chief walks out of the smoke.\" he said. \"I want them to be left with that, 'I can hardly wait to play this game' feeling\". Another reworked theme from Halo was used as the background music for the Halo 3 E3 2007 trailer; O'Donnell later offered this track for free online.In addition to the music composed by O'Donnell and Salvatori, the announcement of the Halo 3 Soundtrack was followed with a call for entries to all artists or bands to submit their own original song to be included on the final CD. The submissions were judged by O'Donnell, producer Nile Rodgers, and other artists including Steve Vai. Rodgers stated that more than 21,000 songs were entered, and at least 30% were \"amazing\"; the winner was Greg Haupt and his band Princeton, whose song \"LvUrFR3NZ\" appears as the final track on the second disc.\n", "labels": "What was the date Halo 3's soundtrack was released?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-c6723ece2d6f4ddba0b09778748a7294"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Martin O'Donnell confirmed Halo 3's soundtrack would see a commercial release in a Bungie podcast. O'Donnell also stressed that the soundtrack would not be released at or near the release date of the game on September 25, 2007. The soundtrack was officially announced on October 17, 2007.\nThe score to the game was used extensively for marketing purposes, even before the release of the game. The first piece heard was entitled \"Finish the Fight\", and was used in the announcement trailer for Halo 3 at Electronic Entertainment Expo 2006. This piece was accented with O'Donnell's well-known Halo theme, which now included a trumpet fanfare and heavy brass section; O'Donnell stated \"I want the viewer to have a feeling of anticipation and wonder for the first fifty seconds or so, up until Master Chief is revealed and they realize that it's Cortana trying to tell them something.\" The track opens with a piano section written by Matt Daspit, uncharacteristic for the series at that point; O'Donnell suspected \"no [other announcement at E3] would start with a piano\", thus grabbing attention. O'Donnell designed the opening to lull the listener into a sense of suspense, then wonder; \"I want them to feel pride and longing the moment Master Chief walks out of the smoke.\" he said. \"I want them to be left with that, 'I can hardly wait to play this game' feeling\". Another reworked theme from Halo was used as the background music for the Halo 3 E3 2007 trailer; O'Donnell later offered this track for free online.In addition to the music composed by O'Donnell and Salvatori, the announcement of the Halo 3 Soundtrack was followed with a call for entries to all artists or bands to submit their own original song to be included on the final CD. The submissions were judged by O'Donnell, producer Nile Rodgers, and other artists including Steve Vai. Rodgers stated that more than 21,000 songs were entered, and at least 30% were \"amazing\"; the winner was Greg Haupt and his band Princeton, whose song \"LvUrFR3NZ\" appears as the final track on the second disc.\n", "labels": "What is the name of the track that Matt Daspit wrote the opening piano section?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-c6723ece2d6f4ddba0b09778748a7294"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Martin O'Donnell confirmed Halo 3's soundtrack would see a commercial release in a Bungie podcast. O'Donnell also stressed that the soundtrack would not be released at or near the release date of the game on September 25, 2007. The soundtrack was officially announced on October 17, 2007.\nThe score to the game was used extensively for marketing purposes, even before the release of the game. The first piece heard was entitled \"Finish the Fight\", and was used in the announcement trailer for Halo 3 at Electronic Entertainment Expo 2006. This piece was accented with O'Donnell's well-known Halo theme, which now included a trumpet fanfare and heavy brass section; O'Donnell stated \"I want the viewer to have a feeling of anticipation and wonder for the first fifty seconds or so, up until Master Chief is revealed and they realize that it's Cortana trying to tell them something.\" The track opens with a piano section written by Matt Daspit, uncharacteristic for the series at that point; O'Donnell suspected \"no [other announcement at E3] would start with a piano\", thus grabbing attention. O'Donnell designed the opening to lull the listener into a sense of suspense, then wonder; \"I want them to feel pride and longing the moment Master Chief walks out of the smoke.\" he said. \"I want them to be left with that, 'I can hardly wait to play this game' feeling\". Another reworked theme from Halo was used as the background music for the Halo 3 E3 2007 trailer; O'Donnell later offered this track for free online.In addition to the music composed by O'Donnell and Salvatori, the announcement of the Halo 3 Soundtrack was followed with a call for entries to all artists or bands to submit their own original song to be included on the final CD. The submissions were judged by O'Donnell, producer Nile Rodgers, and other artists including Steve Vai. Rodgers stated that more than 21,000 songs were entered, and at least 30% were \"amazing\"; the winner was Greg Haupt and his band Princeton, whose song \"LvUrFR3NZ\" appears as the final track on the second disc.\n", "labels": "What album did the song LvUrFR3NZ appear on?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-c6723ece2d6f4ddba0b09778748a7294"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Zohan Dvir is a superhuman Israeli counter-terrorist for the IDF who has grown tired of the everlasting conflicts in his country and dreams of becoming a hairstylist at Paul Mitchell's. During his next mission against an Palestinian terrorist group led by his arch-enemy, superhuman Fatoush \"Phantom\" Hakbarah, Zohan fakes his own death and smuggles himself onto a plane to New York City, cuts his hair, and adopts the alias \"Scrappy Coco\". Following his \"success\" at killing Zohan, Phantom opens a muchentuchen restaurant chain.\nAfter his arrival in America, Zohan befriends Michael by helping him against a bullying motorist, and is taken in by him and his mother, Gail. He also meets a fellow Israeli named Oori, who owns an electronics store, at a disco; Oori recognizes Zohan but vows to keep his identity a secret. After being refused by Paul Mitchell's and other hairstyling salons due to his lack of experience, Zohan is taken by Oori to an area in lower Manhattan populated with Middle Eastern immigrants, including Palestinians and Israelis. Zohan attempts to land a job in a struggling salon of a Palestinian woman named Dalia. Dalia initially allows Zohan to sweep the floors, but after losing one of her employees, she allows him to be a stylist when he pleases a senior lady with an exceptional haircut and back room sexual service. Zohan's reputation spreads rapidly among the elderly women of lower Manhattan, causing Dalia's business to prosper, which upsets Grant Walbridge, a corporate magnate who has been trying to buy out all the local tenants on the block so that he can build a rollercoaster mall.\n", "labels": "What is the pseudonym of Zohan Dvir?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-83b19c8f609a44ff9140a8fcce92422a"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Zohan Dvir is a superhuman Israeli counter-terrorist for the IDF who has grown tired of the everlasting conflicts in his country and dreams of becoming a hairstylist at Paul Mitchell's. During his next mission against an Palestinian terrorist group led by his arch-enemy, superhuman Fatoush \"Phantom\" Hakbarah, Zohan fakes his own death and smuggles himself onto a plane to New York City, cuts his hair, and adopts the alias \"Scrappy Coco\". Following his \"success\" at killing Zohan, Phantom opens a muchentuchen restaurant chain.\nAfter his arrival in America, Zohan befriends Michael by helping him against a bullying motorist, and is taken in by him and his mother, Gail. He also meets a fellow Israeli named Oori, who owns an electronics store, at a disco; Oori recognizes Zohan but vows to keep his identity a secret. After being refused by Paul Mitchell's and other hairstyling salons due to his lack of experience, Zohan is taken by Oori to an area in lower Manhattan populated with Middle Eastern immigrants, including Palestinians and Israelis. Zohan attempts to land a job in a struggling salon of a Palestinian woman named Dalia. Dalia initially allows Zohan to sweep the floors, but after losing one of her employees, she allows him to be a stylist when he pleases a senior lady with an exceptional haircut and back room sexual service. Zohan's reputation spreads rapidly among the elderly women of lower Manhattan, causing Dalia's business to prosper, which upsets Grant Walbridge, a corporate magnate who has been trying to buy out all the local tenants on the block so that he can build a rollercoaster mall.\n", "labels": "Which country does Scrappy Coco travel to?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-83b19c8f609a44ff9140a8fcce92422a"}, {"text": "Definition: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.\nInput: Passage: Zohan Dvir is a superhuman Israeli counter-terrorist for the IDF who has grown tired of the everlasting conflicts in his country and dreams of becoming a hairstylist at Paul Mitchell's. During his next mission against an Palestinian terrorist group led by his arch-enemy, superhuman Fatoush \"Phantom\" Hakbarah, Zohan fakes his own death and smuggles himself onto a plane to New York City, cuts his hair, and adopts the alias \"Scrappy Coco\". Following his \"success\" at killing Zohan, Phantom opens a muchentuchen restaurant chain.\nAfter his arrival in America, Zohan befriends Michael by helping him against a bullying motorist, and is taken in by him and his mother, Gail. He also meets a fellow Israeli named Oori, who owns an electronics store, at a disco; Oori recognizes Zohan but vows to keep his identity a secret. After being refused by Paul Mitchell's and other hairstyling salons due to his lack of experience, Zohan is taken by Oori to an area in lower Manhattan populated with Middle Eastern immigrants, including Palestinians and Israelis. Zohan attempts to land a job in a struggling salon of a Palestinian woman named Dalia. Dalia initially allows Zohan to sweep the floors, but after losing one of her employees, she allows him to be a stylist when he pleases a senior lady with an exceptional haircut and back room sexual service. Zohan's reputation spreads rapidly among the elderly women of lower Manhattan, causing Dalia's business to prosper, which upsets Grant Walbridge, a corporate magnate who has been trying to buy out all the local tenants on the block so that he can build a rollercoaster mall.\n", "labels": "What is the first name of the person that loses an employee?", "task_name": "task001_quoref_question_generation", "task_category": "question_generation", "id": "task001-83b19c8f609a44ff9140a8fcce92422a"}]
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