qanta_leaderboard_logs
/
nathantablang
/question-answering-qa-may-12-tablang-LOCAL
/logs_2024-09-28 00:10:35.826350.txt
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| Question (with Run Index): It’s not Charlie Parker, but a musician[0] with this surname arranged | |
| excerpts[1] from Stravinsky’s The Firebird[2] and the “Goin’ Home” theme from the[3] New World | |
| Symphony.[4] Another album by a musician with this[5] surname features chants from the[6] Bhagavad | |
| Gita and solos by Pharoah[7] Sanders.[8] A song by a musician with this surname[9] features Elvin | |
| Jones on timpani[10] and gong.[11] A set of chord substitutions in a ii-V-I[12] (“two-five-one”) | |
| progression that[13] proved challenging for pianist[14] Tommy Flanagan are called this surname’s[15] | |
| “changes.” For 10 points, give[16] this surname of harpist Alice and[17] her husband, the | |
| saxophonist behind[18] the album Giant Steps.[19][20] | |
| Gold Answer: Coltrane | |
| +-----+-----------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+ | |
| | Run | Guess | Correctness of Guess | Confidence | Buzz Probability | System Score Distribution | | |
| +-----+-----------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+ | |
| | 0 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.03 | 0.03 | 0.0 | | |
| | 1 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.02 | 0.02 | 0.0 | | |
| | 2 | It’s not Charlie Parker | 0 | 0.04 | 0.04 | 0.0 | | |
| | 3 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.03 | 0.03 | 0.0 | | |
| | 4 | It’s not Charlie Parker | 0 | 0.04 | 0.03 | 0.0 | | |
| | 5 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.05 | 0.05 | 0.0 | | |
| | 6 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.03 | 0.03 | 0.0 | | |
| | 7 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.04 | 0.03 | 0.0 | | |
| | 8 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.04 | 0.03 | 0.0 | | |
| | 9 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.04 | 0.03 | 0.0 | | |
| | 10 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.05 | 0.03 | 0.0 | | |
| | 11 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.05 | 0.03 | 0.0 | | |
| | 12 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.05 | 0.03 | 0.0 | | |
| | 13 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.06 | 0.03 | 0.0 | | |
| | 14 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.07 | 0.04 | 0.0 | | |
| | 15 | It’s not Charlie Parker | 0 | 0.05 | 0.03 | 0.0 | | |
| | 16 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.06 | 0.03 | 0.0 | | |
| | 17 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.04 | 0.02 | 0.0 | | |
| | 18 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.05 | 0.02 | 0.0 | | |
| | 19 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.07 | 0.03 | 0.0 | | |
| | 20 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 1 | 0.39 | 0.0 | | |
| +-----+-----------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+ | |
| System Score: 0.0 | |
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| Question (with Run Index): An equation used in this technique relates[0] the resolving power of one | |
| component[1] to the mass-transfer, diffusion,[2] and Eddy-diffusion effects that[3] may result in | |
| the broadening of[4] peaks.[5] The low-specificity of one component[6] of this technique is | |
| referred to as[7] that component’s “general problem.”[8] A simple variant of this technique[9] | |
| involves dipping a piece of paper[10] in iodine and visualizing the paper[11] with UV light.[12] | |
| The time a compound spends attached[13] to a column in this technique is referred[14] to as the | |
| retention time.[15] For 10 points, name this technique in[16] which an analyte in a mobile | |
| phase[17] is separated based on its ability[18] to interact with a stationary phase.[19][20] | |
| Gold Answer: chromatography | |
| +-----+---------------------------------------------------------------+----------------------+------------+------------------+---------------------------+ | |
| | Run | Guess | Correctness of Guess | Confidence | Buzz Probability | System Score Distribution | | |
| +-----+---------------------------------------------------------------+----------------------+------------+------------------+---------------------------+ | |
| | 0 | retention time | 0 | 0.02 | 0.02 | 0.0 | | |
| | 1 | velocity | 0 | 0.0 | 0.0 | 0.0 | | |
| | 2 | retention time | 0 | 0.0 | 0.0 | 0.0 | | |
| | 3 | paper chromatography | 1 | 0.0 | 0.0 | 0.0 | | |
| | 4 | paper chromatography | 1 | 0.0 | 0.0 | 0.0 | | |
| | 5 | paper chromatography | 1 | 0.0 | 0.0 | 0.0 | | |
| | 6 | The velocity of each component depends on its chemical nature | 0 | 0.0 | 0.0 | 0.0 | | |
| | 7 | Paper chromatographyPaper | 1 | 0.05 | 0.05 | 0.05 | | |
| | 8 | Paper chromatographyPaper | 1 | 0.01 | 0.01 | 0.01 | | |
| | 9 | Paper chromatographyPaper | 1 | 0.03 | 0.03 | 0.03 | | |
| | 10 | Paper | 0 | 0.07 | 0.06 | 0.0 | | |
| | 11 | Paper | 0 | 0.0 | 0.0 | 0.0 | | |
| | 12 | Paper chromatographyPaper | 1 | 0.0 | 0.0 | 0.0 | | |
| | 13 | paper chromatography | 1 | 0.0 | 0.0 | 0.0 | | |
| | 14 | Paper chromatographyPaper | 1 | 0.1 | 0.08 | 0.08 | | |
| | 15 | Paper chromatographyPaper | 1 | 0.1 | 0.07 | 0.07 | | |
| | 16 | Paper chromatographyPaper | 1 | 0.01 | 0.01 | 0.01 | | |
| | 17 | Paper chromatographyPaper | 1 | 0.0 | 0.0 | 0.0 | | |
| | 18 | paper chromatography | 1 | 0.0 | 0.0 | 0.0 | | |
| | 19 | Paper chromatographyPaper | 1 | 0.02 | 0.01 | 0.01 | | |
| | 20 | Paper chromatographyPaper | 1 | 1 | 0.64 | 0.64 | | |
| +-----+---------------------------------------------------------------+----------------------+------------+------------------+---------------------------+ | |
| System Score: 0.92 | |
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| Question (with Run Index): The 10th century Suda encyclopedia records[0] that this figure was | |
| either[1] killed by Tantalus or committed suicide[2] after King Minos took him to Crete.[3] In the | |
| Argonautica, this figure accuses[4] Eros of cheating after losing to[5] him in a game of dice.[6] | |
| Ancient art typically depicts this figure[7] rolling a hoop and holding a[8] cockerel.[9] Hermes | |
| gives either two horses that[10] are fast enough to run on water or[11] a golden vine to this | |
| figure’s father[12] Tros.[13] While he was herding sheep, an eagle[14] brought this figure from | |
| Mount Ida[15] to Mount Olympus.[16] For 10 points, name this youth abducted[17] by Zeus to succeed | |
| Hebe as cupbearer[18] to the gods.[19][20] | |
| Gold Answer: Ganymede | |
| +-----+-------------------------------------------------+----------------------+------------+------------------+---------------------------+ | |
| | Run | Guess | Correctness of Guess | Confidence | Buzz Probability | System Score Distribution | | |
| +-----+-------------------------------------------------+----------------------+------------+------------------+---------------------------+ | |
| | 0 | Hermes | 0 | 0.0 | 0.0 | 0.0 | | |
| | 1 | Ganymede | 1 | 0.53 | 0.53 | 0.53 | | |
| | 2 | Ganymede | 1 | 0.0 | 0.0 | 0.0 | | |
| | 3 | Ganymede by the German astronomer Simon Marius. | 1 | 0.0 | 0.0 | 0.0 | | |
| | 4 | Ganymede | 1 | 0.0 | 0.0 | 0.0 | | |
| | 5 | Plato | 0 | 0.0 | 0.0 | 0.0 | | |
| | 6 | Crete | 0 | 0.0 | 0.0 | 0.0 | | |
| | 7 | Ganymede by the German astronomer Simon Marius. | 1 | 0.0 | 0.0 | 0.0 | | |
| | 8 | Ganymede | 1 | 0.0 | 0.0 | 0.0 | | |
| | 9 | Ganymede | 1 | 0.0 | 0.0 | 0.0 | | |
| | 10 | Hermes | 0 | 0.0 | 0.0 | 0.0 | | |
| | 11 | Zeus. | 0 | 0.0 | 0.0 | 0.0 | | |
| | 12 | Zeus. | 0 | 0.0 | 0.0 | 0.0 | | |
| | 13 | Zeus. | 0 | 0.0 | 0.0 | 0.0 | | |
| | 14 | . | 0 | 0.0 | 0.0 | 0.0 | | |
| | 15 | Zeus. | 0 | 0.0 | 0.0 | 0.0 | | |
| | 16 | Zeus. | 0 | 0.0 | 0.0 | 0.0 | | |
| | 17 | Ganymede by the German astronomer Simon Marius. | 1 | 0.0 | 0.0 | 0.0 | | |
| | 18 | Ganymede by the German astronomer Simon Marius. | 1 | 0.0 | 0.0 | 0.0 | | |
| | 19 | Ganymede by the German astronomer Simon Marius. | 1 | 0.0 | 0.0 | 0.0 | | |
| | 20 | Ganymede by the German astronomer Simon Marius. | 1 | 1 | 0.47 | 0.47 | | |
| +-----+-------------------------------------------------+----------------------+------------+------------------+---------------------------+ | |
| System Score: 1.0 | |
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| Question (with Run Index): A painting of Cupid hangs in the background[0] of a painting by this | |
| artist[1] in which a man leans over a seated[2] woman holding sheet music.[3] In another painting | |
| by this artist,[4] the central figure clutches her breast[5] as she looks up at a glass ball[6] | |
| suspended from the ceiling by a blue[7] ribbon.[8] Many paintings by this artist depict[9] the same | |
| corner of a studio, often[10] decorated with a large map, with a[11] window on the left wall.[12] | |
| In one portrait, this artist used lead-tin[13] yellow for the dress of a woman[14] wearing a blue | |
| apron and pouring[15] a jug.[16] For 10 points, name this Dutch Golden[17] Age painter of The | |
| Milkmaid and Girl[18] with a Pearl Earring.[19][20] | |
| Gold Answer: Johannes Vermeer | |
| +-----+--------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+ | |
| | Run | Guess | Correctness of Guess | Confidence | Buzz Probability | System Score Distribution | | |
| +-----+--------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+ | |
| | 0 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.03 | 0.03 | 0.0 | | |
| | 1 | A painting of Cupid hangs in the background | 0 | 0.01 | 0.01 | 0.0 | | |
| | 2 | A painting of Cupid | 0 | 0.03 | 0.03 | 0.0 | | |
| | 3 | A painting of Cupid | 0 | 0.02 | 0.02 | 0.0 | | |
| | 4 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.01 | 0.0 | | |
| | 5 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.01 | 0.01 | 0.0 | | |
| | 6 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 | | |
| | 7 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 | | |
| | 8 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 | | |
| | 9 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 | | |
| | 10 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 | | |
| | 11 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 | | |
| | 12 | A painting of Cupid | 0 | 0.02 | 0.01 | 0.0 | | |
| | 13 | A painting of Cupid hangs in the background | 0 | 0.01 | 0.01 | 0.0 | | |
| | 14 | A painting of Cupid hangs in the background | 0 | 0.02 | 0.02 | 0.0 | | |
| | 15 | A painting of Cupid hangs in the background | 0 | 0.02 | 0.01 | 0.0 | | |
| | 16 | A painting of Cupid | 0 | 0.02 | 0.02 | 0.0 | | |
| | 17 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 | | |
| | 18 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.01 | 0.0 | | |
| | 19 | A painting of Cupid | 0 | 0.01 | 0.01 | 0.0 | | |
| | 20 | A painting of Cupid | 0 | 1 | 0.68 | 0.0 | | |
| +-----+--------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+ | |
| System Score: 0.0 | |
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| Question (with Run Index): A later commentary on this work utilizes[0] an arithmetic function that | |
| equals[1] five for numbers greater than[2] 57.[3] According to this work, differences[4] in social | |
| context would mean that we[5] could not understand a lion even[6] if it spoke English.[7] This work | |
| struggles to come up with[8] a definition for a word that would[9] encompass all of chess, catch, | |
| solitaire,[10] and Duck Duck Goose, eventually[11] settling on their connection through[12] family | |
| resemblance.[13] This work’s beetle-in-a-box thought[14] experiment refuted the possibility[15] of | |
| private languages.[16] For 10 points, name this posthumously[17] published work by Ludwig | |
| Wittgenstein.[18][19] | |
| Gold Answer: Philosophical Investigations | |
| +-----+------------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+ | |
| | Run | Guess | Correctness of Guess | Confidence | Buzz Probability | System Score Distribution | | |
| +-----+------------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+ | |
| | 0 | suppose that no one can look inside another's box | 0 | 0.0 | 0.0 | 0.0 | | |
| | 1 | Wittgenstein's beetleAnother | 0 | 0.01 | 0.01 | 0.0 | | |
| | 2 | Wittgenstein's beetleAnother | 0 | 0.0 | 0.0 | 0.0 | | |
| | 3 | Wittgenstein's beetleAnother | 0 | 0.0 | 0.0 | 0.0 | | |
| | 4 | Wittgenstein | 0 | 0.02 | 0.02 | 0.0 | | |
| | 5 | it follows that we cannot talk about it | 0 | 0.0 | 0.0 | 0.0 | | |
| | 6 | Everybody understands what we mean when we talk about playing a game | 0 | 0.0 | 0.0 | 0.0 | | |
| | 7 | Wittgenstein's beetleAnother | 0 | 0.0 | 0.0 | 0.0 | | |
| | 8 | . | 0 | 0.0 | 0.0 | 0.0 | | |
| | 9 | words that philosophers use to frame such problems and questions. | 0 | 0.0 | 0.0 | 0.0 | | |
| | 10 | if something is private, it is not (and cannot be) a language | 0 | 0.0 | 0.0 | 0.0 | | |
| | 11 | the beetle as a private object "drops out of consideration as irrelevant". | 0 | 0.0 | 0.0 | 0.0 | | |
| | 12 | supposing that each person has something completely different in their boxes | 0 | 0.0 | 0.0 | 0.0 | | |
| | 13 | Wittgenstein's beetleAnother | 0 | 0.0 | 0.0 | 0.0 | | |
| | 14 | experiment | 0 | 0.0 | 0.0 | 0.0 | | |
| | 15 | Wittgenstein | 0 | 0.0 | 0.0 | 0.0 | | |
| | 16 | Wittgenstein | 0 | 0.0 | 0.0 | 0.0 | | |
| | 17 | Wittgenstein | 0 | 0.0 | 0.0 | 0.0 | | |
| | 18 | game of solitaire | 0 | 0.0 | 0.0 | 0.0 | | |
| | 19 | game of solitaire | 0 | 1 | 0.97 | 0.0 | | |
| +-----+------------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+ | |
| System Score: 0.0 | |
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