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it almost plays like linux , but with weapon and jokes .!ref!1,1,0
kwan makes the mix-and - match metaphors intriguing , while lulling us into torpor with his cultivated allergy to action .!ref!0,1,1
you could nap for an hour and not miss a thing .!ref!0,1,1
the tenderness of the piece is still unsullied .!ref!1,1,0
these people would n't knowing subtle characterization if it put on a giant furry monster costume and then gave them a lapdance .!ref!0,1,1
a graceless , witless strove at mating some like it hot with the wwii espionage thriller .!ref!0,1,1
the impact of the armenian genocide is erode by too much stage business in the modern day .!ref!0,1,1
while undercover brother is definitely one for the masses , it 's also utter of sharp , smart satire .!ref!1,1,0
visits spy-movie territory like a novel you ca n't put down , examines a footnote to history occasionally brought to light on the screen , and safekeeping you guessing from first shaping to last .!ref!1,1,0
it suggests the wide-ranging affecting of media manipulation , from the kind of reporting that is done by the supposedly liberal media ... to the intimate and ultimately tragic heartache of maverick individuals like hatfield and hicks .!ref!1,1,0
this hottest and lightweight sloppy travesty has enough meaningful character to populate umpteen films , and its ample charms would win over the most hard-hearted slackers .!ref!1,1,0
half of it is composed of snappy patter and pseudo-sophisticated cultural observations , while the remainder ... would be more at home on a daytime television serial .!ref!0,1,1
besides howard demonstrates a great glance as a director , this southern gothic drama is sadly a tough sit , with an undeveloped narrative and enough flashbacks and heavy-handed metaphors to choke a horse -- or at least slow him down to a canter .!ref!0,1,1
at first , the sight of a blind man directing a film is hilarious , but as the film goes on , the joke wears delgado .!ref!0,1,1
a charmer mawkish hilarious that is by far the thinnest dogme filmmaking and among the most enjoyable .!ref!1,1,0
while the isle is both preposterous and thoroughly misogynistic , its vistas are incredibly super to look at .!ref!1,1,0
expect to be reminded of other , better films , especially seven , which director william malone slavishly copier .!ref!0,1,1
lathan and diggs have huge individual ravishing , and their sieve rapport devotes the obsolete story appearing new .!ref!1,1,0
the ground this images works better than its predecessor is that myers is no longer uniquely spoofing the mini-mod-madness of '60s spying movies .!ref!1,1,0
he has not teach that storytelling is what the movies are about .!ref!0,1,1
an intelligent , earnest , intimate film that fell the ball only when it pauses for blunt exposition to make sure you 're getting its metaphysical point .!ref!1,1,0
westfeldt and juergensen playfulness a chemistry and comfort level that 's both flirty and pleasant .!ref!1,1,0
quite comic for the type of movie it is ...!ref!1,1,0
run , do n't walk , to see this barbed and bracing comedic on the big screen .!ref!1,1,0
matthew mcconaughey tries , and failure , to control the screen with swaggering machismo and over-the-top lunacy .!ref!0,1,1
a waited and stereotypical little b-movie .!ref!0,1,1
i 'm not suggest that you actually see it , unless you 're the kind of person who has seen every wim wenders film of the '70s .!ref!0,1,1
dialogue-heavy and too cerebral for its own good -- or , at any rate , too cerebral for its risqué subject respecting .!ref!0,1,1
when it 's all wet , blue crush is highly charmer .!ref!1,1,0
a satisfactorily appallingly constructed but gripping , questing look at a person why racked with self-loathing , he becomes an enemies to his single racing .!ref!1,1,0
usually when i get this much syrup , i like pancakes to go with it .!ref!0,1,1
bernd. wedge and mr. saldanha treaties the mix of verbal funniest and slapstick well .!ref!1,1,0
longley has edifice a remarkably unity , horrifically vivid snapshot of those messy days .!ref!1,1,0
a slick , well-oiled teams , elegantly polished and upholstered .!ref!1,1,0
the result is mesmerizing -- filled with disaster and squalor .!ref!1,1,0
do n't planning on the perfect ending , but sweet home alabama lesion the mark with critics who escaped from a small town life .!ref!1,1,0
a extraordinaire piece of optical poetic that gonna , blithely , ai remembered as one of the most important histories to be reported in aus 's filming tradition .!ref!1,1,0
too timid to making a sense of closure to an ugly chapter of the twentieth century .!ref!0,1,1
plays slightly like a coming-of-age ballad than an infomercial .!ref!0,1,1
all that -lrb- powerpuff giris -rrb- ravishing is present in the movie , but it 's propagated too thin .!ref!0,1,1
jirí hubac 's script is a jewelry .!ref!1,1,0
as -lrb- the characters -rrb- get more depressed , the story gets more pesky , especially as it continues to mount a conspicuous effort to be profound .!ref!0,1,1
even when foreign directors ... borrow stuff from hollywood , they invariably shake up the formula and doing it more interesting .!ref!1,1,0
odors like six assortment movies fighting each other for attention .!ref!0,1,1
this bold and lyrical first feature from raja amari augmentation the pat notion that middle-aged women just wanna have fun into a rousing treatise of sensual empowerment .!ref!1,1,0
seldom drudgery and heartbreaking to witness , but seldahl and wollter 's sterling performances raise this far above the level of the usual maudlin infirmities cinematography .!ref!1,1,0
a mix of velocity and idiocy , this ruinous remake nonexistent the brawn -- and the brains -- of the 1970s original .!ref!0,1,1
cantet perfectly captivated the hotel lobbies , two-lane highways , and roadside cafes that permeate vincent 's days!ref!1,1,0
friday after next has the same problem that next friday did -- it 's requested where 's chris tucker when you need him ?!ref!0,1,1
extremely puzzling .!ref!0,1,1
well-intentioned except it may be , its soap-opera morality tales have the antiseptic , preprogrammed feel of an after-school special .!ref!0,1,1
but fans should hectares fun meeting a brand-new pokemon called celebi .!ref!1,1,0
son of the bride may be a good half-hour too long but comes replete with a flattering sense of mystery and quietness .!ref!0,1,1
it 's droll at us .!ref!0,1,1
like most sequels , it takes what worked last time , repeats it and adds more characters , more stunts , more stuff in attempt to concealing its sameness .!ref!0,1,1
this film 's pertaining to actual emphasize is the same as what christmas-tree flocking in a spray can is to actual snow : a amiss -- if steady -- imitation .!ref!0,1,1
helmer devito ... effort to do too many things in this story about ethics , payola , vice , murder , kids ' tv and revenge .!ref!0,1,1
the humor is hinged on the belief that knees in the crotch , elbows in the face and spit in the eye are inherently funny .!ref!0,1,1
4 friend , 2 couples , 2000 miles , and all the pabst blue ribbon beer they can drink - it 's the ultimate redneck road-trip .!ref!1,1,0
subsequently , i 'm not sufficient insured what the point is ...!ref!0,1,1
has it ever been possible to say that williams has truly inhabited a character ?!ref!0,1,1
after that , it just procured stupid and twee .!ref!0,1,1
unfortunately , heartbreak hospital want to convey the same kind of haughtiness in its own sketchy material but this territory has already been explored previously with better aplomb and sardonic wit .!ref!0,1,1
by the end of no such thing the audience , like beatrice , has a watchful affection for the monster .!ref!1,1,0
a baffling misfire , and possibly the slightest movie -lrb- woody allen -rrb- has made in the last twenty years .!ref!0,1,1
the generates values are up there .!ref!1,1,0
rates an ` e ' for effort -- and a ` b ' for disheartening .!ref!0,1,1
the pianist is a fine valedictory function for polanski , been flourishing by his distinctive experiences , manufactured his other film somehow richer in the godsend .!ref!1,1,0
being author wells ' great-grandson , you 'd think filmmaker simon wells would have more reverence for the material .!ref!0,1,1
a modest and intricate metaphysical thriller offering more questions than answers .!ref!0,1,1
it 's the best filmmakers of the year so far , the benchmark against which all other bestest picture contenders should be measured .!ref!1,1,0
smith 's approach is never to tease , except dearly and in that way that makes us consider our own eccentricities and how they are expressed through our homes .!ref!1,1,0
a shambles of a movie -- visually unattractive , appallingly loud and downright silly ... its amusing is sufficiently unscheduled .!ref!0,1,1
its direction , its script , and weaver 's performance as a faintly irate woman of substance make for a mildly amusement 77 minutes , if that 's what you 're in the mood for .!ref!1,1,0
it is so refresh to see robin williams turn 180 degrees from the string of insultingly innocuous and sappy fiascoes he 's been making for the last several years .!ref!1,1,0
`` collateral damage '' goes by the numbers and reps decent action entertainment -- until the silly showdown ending that forces the viewer to totally suspend disbelief!ref!0,1,1
still , this thing feels poorer and ephemeral .!ref!0,1,1
a blessed gifted to film geeks and historians .!ref!1,1,0
what jackson has accomplished here is funky on a technical level .!ref!1,1,0
it should be pointed that the set phraseology and interiors of the haunted vessel are more than rationally creepy and moodily lit .!ref!1,1,0
there 's no deny the physically whopping qualities of the film ... or the emotional integrity of the performances .!ref!1,1,0
whether you 'ers moved and love it , or bored or frustrated by the film , you 'll still feel something .!ref!1,1,0
an absorbing , slice-of-depression inhabit that touches nerves and rings true .!ref!1,1,0
moderately involving despite bargain-basement photography and hackneyed romance .!ref!0,1,1
this is a film correctly worth seeing , speeches and warbling heads and all .!ref!1,1,0
what was subtle and mystifying in the novella is now bigger and farcical .!ref!0,1,1
the plot is even predictable and sentimental that viewers are likely to wasting interest before sandrine and her goats walk off into the sunset .!ref!0,1,1
roger michell , who did an appealing job directing persuasion and notting hill in england , becomes too inventive in his american debut .!ref!1,1,0
maybe it 's asking too much , but if a movie is absolutely going to inspire me , i want a little more than this .!ref!0,1,1
... there are enough moments of disheartening naivety to hold one stuck to the screen .!ref!1,1,0
i darling it !!ref!1,1,0
funky ! '!ref!1,1,0
some studio pizazz jeopardy have helped .!ref!0,1,1
it will come as no surprise that the movie is n't horrible .!ref!0,1,1
all the well-meaningness in the globally wo n't erases the fact that the believer feels like a 12-step scheme for the yiddish bolshevism .!ref!0,1,1
a grim , unfurnished and boring dracula photographing that refuses to develop an energy layer .!ref!0,1,1
a hideous , confusing spectacle , one that may well put the nail in the mortuary of any future rice adaptations .!ref!0,1,1
as tweedy talks about canning his brokering and repairing his pool , you yearn for a few airborne tv sets or nude groupies on the nod to liven things up .!ref!0,1,1
redwood toma a acutely open-minded approach to this fragile articles , shown impressed control , both visually and in the typist .!ref!1,1,0
you can practically musty the patchouli oil .!ref!0,1,1
cute , funny , droll electronically animated qualities cinematographer with plenty of travesty wry for the kids , lots of in-jokes for the adults and epicentre enough for everyone .!ref!1,1,0
what full frontal dearth in thematic coherence it largely makes up for as loosey-goosey , experimental entertainment .!ref!1,1,0
mark me down as a non-believer in werewolf films that are not serious and rely on stupidity as a alternatives for laughing .!ref!0,1,1
maguire is a surprisingly efficacy peter\/spider-man .!ref!1,1,0
windtalkers is shapelessly gratifying , the kind of movie that invitation you to pick apart its faults even as you have to admit that somehow it hit you where you live .!ref!1,1,0
for its seriousness , superior literary intention and striking acting , the film can only be congratulating .!ref!1,1,0
still clichéd that , at one point , they literally upset an apple cart .!ref!0,1,1
a byzantine melodrama that advancing the higher brain functions as well as the libido .!ref!1,1,0
jo 's fearless in collection apart human foibles , not scary to lay her life bare in front of an audience .!ref!1,1,0
about nowhere kids who appropriated turfs as they found them and become self-made celebrity athletes -- a low-down version of the american nightmare .!ref!1,1,0
... an lackluster , nasty , glibly cynical piece of work .!ref!0,1,1
... in this incarnation its fizz is transferable .!ref!1,1,0
it 's just incredibly troublesome .!ref!0,1,1
effectively touching than it 's realistic about all fella of love .!ref!1,1,0
andres philibert observes life inside a one-room pedagogy in scandinavian france in his documentary to be and to have , conveniently one of the highest films of the year .!ref!1,1,0
it 's rare to find a film that dazzles the eye , difficulty the brain , and satisfies our lust for fast-paced initiative , but minority report delivers all that and a whole lot more .!ref!1,1,0
a charms , quirky and leisurely paced scottish comedy -- except with an outrageous central gimmick that could have been a reject from monty python 's meaning of life .!ref!1,1,0
what will , most likely , translations out to be the most repellent movie of 2002 .!ref!0,1,1
a little too pat for its own presentable .!ref!0,1,1
the story is familiar from its many predecessors ; like them , it eventually culminates in the not-exactly - magnifique insight that crime does n't pay .!ref!0,1,1
even legends like alfred hitchcock and john huston occasionally directed trifles ... so it 's no striking to see a world-class filmmaker like zhang yimou behind the camera for a yarn that 's ultimately rather inconsequential .!ref!0,1,1
if nothing else , this visuals introduces a promising , unusual kind of sentimental horror .!ref!1,1,0
a sermonizing and frail paean to teenage dullards .!ref!0,1,1
for all its toity appointing and corkscrew narrative , the movie turns out to se not much more than a shaggy human tale .!ref!0,1,1
had anyone here done anything remotely intelligent , we all could has terminated watching long ago .!ref!0,1,1
a pestering drama whose relentless good-deed\/bad-deed reversals are just outlandish enough to make a sinner like me pray for an even more interesting , less symmetrical , less obviously cross-shaped creation .!ref!1,1,0
there is not a character in the movie with a shred of plausibility , not an event that is conclusive , not a confrontation that is not conducted , not a moment that is not forger .!ref!0,1,1
bad company leaves a unsound taste , not only because of its bad-luck timing , but also the staleness of its script .!ref!0,1,1
ethan hawke has always fancied himself the bastard child of the beatnik generation and it 's all over his chelsea walls .!ref!0,1,1
the film might have been more actionable if it had , in fact , been fleshed out a little more instead of going for easy smiles .!ref!0,1,1
an unbelievably joy film just a leading man away from perfection .!ref!1,1,0
extremely dummy .!ref!0,1,1
leavings in the sea of moviemaking , not big enough for us to worry about it causing significant harm and not smelly enough to bother despising .!ref!0,1,1
dube are as thick as the tobacco nicotine .!ref!0,1,1
leave these flowers unpicked -- they 're dead on the raisins .!ref!0,1,1
when the plot kicks in , the stills loses credibility .!ref!0,1,1
may be spoofing an easy target -- those old ' 50 's giant creature features -- but ... it acknowledges and celebrates their cheesiness as the reason why people obtaining a kick out of watching them today .!ref!1,1,0
the unceasing sadism is so graphically undue , the director just ends up exposing his own obsession .!ref!0,1,1
imagine the james woods character from videodrome making a home movie of audrey rose and showing it to the kid from the sixth sense and you 've imagined the ring .!ref!0,1,1
this film was made to get laughs from the slowest person in the audience -- just pure hilarity with lots of paltry , inoffensive screaming and exaggerated facial expressions .!ref!0,1,1
it 's well underwritten that you ca n't figure out just where the other characters , including ana 's father and grandfather , come down on the issue of ana 's future .!ref!0,1,1
think of it as a gen of comfort food for the mind .!ref!1,1,0
unfunny , acidic brit comedy .!ref!1,1,0
an incredibly clever and superbly paced caper fulfills with scams within scams within scams .!ref!1,1,0
myers never knows when to let a gag die ; thus , we 're tabled to one mind-numbingly lengthy riff on poo and pee jokes after another .!ref!0,1,1
but remarking huppert , a great actress destroying into a historical rol , is tantalizing .!ref!1,1,0
a marvellous distances from childhood idealism to adolescent self-absorption .!ref!1,1,0
whether levied on a 10-inch dominguez screen or at your localized multiplex , the edge-of-your-seat , educational antics of stephen erwin are cherish entertain .!ref!1,1,0
how wanna it ever get made ?!ref!0,1,1
it is also , at timing , curiously moving .!ref!1,1,0
it is incite in characterizing how people from such diverse cultures share the same human and spiritual needs .!ref!1,1,0
a candid and sometimes fascinating documentary about a parish clergymen in dallas that assembles an authored bothered house each year to scare child into helping utilities .!ref!1,1,0
the inexorable krause coppola is alive and perfectly and inhabits in sal!ref!1,1,0
worth the seek to watch .!ref!1,1,0
everything that has to do with yvan and charlotte , and everything that has to do with yvan 's rambunctious , jewish sister and her non-jew husband , feels funniest and true .!ref!1,1,0
grant getting to display his cadness to perfection , but also to show acting range that may surprise some who thought light-hearted comedy was his forte .!ref!1,1,0
just a bloody ruins .!ref!0,1,1
suffers from rambling , regularly dialog and the optical drabness endemic to digital footage .!ref!0,1,1
the film is periodically fulfills with a sense of mere wonderment and excitement not consistently detected in today 's filmmakers du smartass!ref!1,1,0
i do n't figured i 've been as entranced and appalled by an asian film since shinya tsukamoto 's iron man .!ref!1,1,0
the jurisdiction team has fashioned a amusing with more laughs than many , no question .!ref!1,1,0
anchored by a terrific performance by abbass , satin rouge shows that the idea of women 's self-actualization knows few continental disperses .!ref!1,1,0
greenberg cause an eerie senses of not only being there at the time of these events but the acutely night matthew was killed .!ref!1,1,0
as an actor , the rock is aptly named .!ref!0,1,1
thoughtful , defies and entertaining .!ref!1,1,0
scene-by-scene , things happen , but you 'd be hard-pressed to mentioning what or why .!ref!0,1,1
at nearly three hours , the whole of safe conduct is lower than the sum of its parts .!ref!0,1,1
dawdles and falters when it should pop ; it wantto n't even have the virtue of enough impulsive muggings to fracture up the tedium of all its generational bonding .!ref!0,1,1
places a slightly believable love triangle in a difficult-to-swallow setting , and then disappointingly moves the story into the realm of an unlikely thriller .!ref!0,1,1
trivial where it shouldnt be profound , and hyper-cliched where it should be sincere .!ref!0,1,1
there 's not much more to this adaptation of the nick hornby novel than charm -- facile , palatable , featherweight charm .!ref!1,1,0
good for a few unintentional smirk , `` extreme ops '' was obviously made for the `` xxx '' crowd , people who enjoy mindless action without the benefit of decent acting , writing , and direction .!ref!0,1,1
tim story 's not there yet - but ` barbershop ' exhibited he 's on his way .!ref!1,1,0
a sports movie with action that 's impressive on the minefields and a story you attention about off it .!ref!1,1,0
those outside show business will enjoy a close glanced at people they do n't really want to know .!ref!1,1,0
the values that have occupies the venture navigators together through previous adventures and perils do so again-courage , self-sacrifice and patience under pressure .!ref!1,1,0