text
stringlengths 0
33k
|
|---|
Consider these cases, old and new, and you will observe the operation of a general tendency. Everywhere there was one big thing that served six purposes; everywhere now there are six small things; or, rather (and there is the trouble), there are just five and a half. Nevertheless, we will not say that this separation and specialism is entirely useless or inexcusable. I have often thanked God for the telephone; I may any day thank God for the lancet; and there is none of these brilliant and narrow inventions (except, of course, the asbestos stove) which might not be at some moment necessary and lovely. But I do not think the most austere upholder of specialism will deny that there is in these old, many-sided institutions an element of unity and universality which may well be preserved in its due proportion and place. Spiritually, at least, it will be admitted that some all-round balance is needed to equalize the extravagance of experts. It would not be difficult to carry the parable of the knife and stick into higher regions. Religion, the immortal maiden, has been a maid-of-all-work as well as a servant of mankind. She provided men at once with the theoretic laws of an unalterable cosmos and also with the practical rules of the rapid and thrilling game of morality. She taught logic to the student and told fairy tales to the children; it was her business to confront the nameless gods whose fears are on all flesh, and also to see the streets were spotted with silver and scarlet, that there was a day for wearing ribbons or an hour for ringing bells. The large uses of religion have been broken up into lesser specialities, just as the uses of the hearth have been broken up into hot water pipes and electric bulbs. The romance of ritual and colored emblem has been taken over by that narrowest of all trades, modern art (the sort called art for art's sake), and men are in modern practice informed that they may use all symbols so long as they mean nothing by them. The romance of conscience has been dried up into the science of ethics; which may well be called decency for decency's sake, decency unborn of cosmic energies and barren of artistic flower. The cry to the dim gods, cut off from ethics and cosmology, has become mere Psychical Research. Everything has been sundered from everything else, and everything has grown cold. Soon we shall hear of specialists dividing the tune from the words of a song, on the ground that they spoil each other; and I did once meet a man who openly advocated the separation of almonds and raisins. This world is all one wild divorce court; nevertheless, there are many who still hear in their souls the thunder of authority of human habit; those whom Man hath joined let no man sunder. |
This book must avoid religion, but there must (I say) be many, religious and irreligious, who will concede that this power of answering many purposes was a sort of strength which should not wholly die out of our lives. As a part of personal character, even the moderns will agree that many-sidedness is a merit and a merit that may easily be overlooked. This balance and universality has been the vision of many groups of men in many ages. It was the Liberal Education of Aristotle; the jack-of-all-trades artistry of Leonardo da Vinci and his friends; the august amateurishness of the Cavalier Person of Quality like Sir William Temple or the great Earl of Dorset. It has appeared in literature in our time in the most erratic and opposite shapes, set to almost inaudible music by Walter Pater and enunciated through a foghorn by Walt Whitman. But the great mass of men have always been unable to achieve this literal universality, because of the nature of their work in the world. Not, let it be noted, because of the existence of their work. Leonardo da Vinci must have worked pretty hard; on the other hand, many a government office clerk, village constable or elusive plumber may do (to all human appearance) no work at all, and yet show no signs of the Aristotelian universalism. What makes it difficult for the average man to be a universalist is that the average man has to be a specialist; he has not only to learn one trade, but to learn it so well as to uphold him in a more or less ruthless society. This is generally true of males from the first hunter to the last electrical engineer; each has not merely to act, but to excel. Nimrod has not only to be a mighty hunter before the Lord, but also a mighty hunter before the other hunters. The electrical engineer has to be a very electrical engineer, or he is outstripped by engineers yet more electrical. Those very miracles of the human mind on which the modern world prides itself, and rightly in the main, would be impossible without a certain concentration which disturbs the pure balance of reason more than does religious bigotry. No creed can be so limiting as that awful adjuration that the cobbler must not go beyond his last. So the largest and wildest shots of our world are but in one direction and with a defined trajectory: the gunner cannot go beyond his shot, and his shot so often falls short; the astronomer cannot go beyond his telescope and his telescope goes such a little way. All these are like men who have stood on the high peak of a mountain and seen the horizon like a single ring and who then descend down different paths towards different towns, traveling slow or fast. It is right; there must be people traveling to different towns; there must be specialists; but shall no one behold the horizon? Shall all mankind be specialist surgeons or peculiar plumbers; shall all humanity be monomaniac? Tradition has decided that only half of humanity shall be monomaniac. It has decided that in every home there shall be a tradesman and a Jack-of-all-trades. But it has also decided, among other things, that the Jack of-all-trades shall be a Jill-of-all-trades. It has decided, rightly or wrongly, that this specialism and this universalism shall be divided between the sexes. Cleverness shall be left for men and wisdom for women. For cleverness kills wisdom; that is one of the few sad and certain things. |
But for women this ideal of comprehensive capacity (or common-sense) must long ago have been washed away. It must have melted in the frightful furnaces of ambition and eager technicality. A man must be partly a one-idead man, because he is a one-weaponed man--and he is flung naked into the fight. The world's demand comes to him direct; to his wife indirectly. In short, he must (as the books on Success say) give "his best"; and what a small part of a man "his best" is! His second and third best are often much better. If he is the first violin he must fiddle for life; he must not remember that he is a fine fourth bagpipe, a fair fifteenth billiard-cue, a foil, a fountain pen, a hand at whist, a gun, and an image of God. |
* * * |
III |
THE EMANCIPATION OF DOMESTICITY |
And it should be remarked in passing that this force upon a man to develop one feature has nothing to do with what is commonly called our competitive system, but would equally exist under any rationally conceivable kind of Collectivism. Unless the Socialists are frankly ready for a fall in the standard of violins, telescopes and electric lights, they must somehow create a moral demand on the individual that he shall keep up his present concentration on these things. It was only by men being in some degree specialist that there ever were any telescopes; they must certainly be in some degree specialist in order to keep them going. It is not by making a man a State wage-earner that you can prevent him thinking principally about the very difficult way he earns his wages. There is only one way to preserve in the world that high levity and that more leisurely outlook which fulfils the old vision of universalism. That is, to permit the existence of a partly protected half of humanity; a half which the harassing industrial demand troubles indeed, but only troubles indirectly. In other words, there must be in every center of humanity one human being upon a larger plan; one who does not "give her best," but gives her all. |
Our old analogy of the fire remains the most workable one. The fire need not blaze like electricity nor boil like boiling water; its point is that it blazes more than water and warms more than light. The wife is like the fire, or to put things in their proper proportion, the fire is like the wife. Like the fire, the woman is expected to cook: not to excel in cooking, but to cook; to cook better than her husband who is earning the coke by lecturing on botany or breaking stones. Like the fire, the woman is expected to tell tales to the children, not original and artistic tales, but tales-- better tales than would probably be told by a first-class cook. Like the fire, the woman is expected to illuminate and ventilate, not by the most startling revelations or the wildest winds of thought, but better than a man can do it after breaking stones or lecturing. But she cannot be expected to endure anything like this universal duty if she is also to endure the direct cruelty of competitive or bureaucratic toil. Woman must be a cook, but not a competitive cook; a school mistress, but not a competitive schoolmistress; a house-decorator but not a competitive house-decorator; a dressmaker, but not a competitive dressmaker. She should have not one trade but twenty hobbies; she, unlike the man, may develop all her second bests. This is what has been really aimed at from the first in what is called the seclusion, or even the oppression, of women. Women were not kept at home in order to keep them narrow; on the contrary, they were kept at home in order to keep them broad. The world outside the home was one mass of narrowness, a maze of cramped paths, a madhouse of monomaniacs. It was only by partly limiting and protecting the woman that she was enabled to play at five or six professions and so come almost as near to God as the child when he plays at a hundred trades. But the woman's professions, unlike the child's, were all truly and almost terribly fruitful; so tragically real that nothing but her universality and balance prevented them being merely morbid. This is the substance of the contention I offer about the historic female position. I do not deny that women have been wronged and even tortured; but I doubt if they were ever tortured so much as they are tortured now by the absurd modern attempt to make them domestic empresses and competitive clerks at the same time. I do not deny that even under the old tradition women had a harder time than men; that is why we take off our hats. I do not deny that all these various female functions were exasperating; but I say that there was some aim and meaning in keeping them various. I do not pause even to deny that woman was a servant; but at least she was a general servant. |
The shortest way of summarizing the position is to say that woman stands for the idea of Sanity; that intellectual home to which the mind must return after every excursion on extravagance. The mind that finds its way to wild places is the poet's; but the mind that never finds its way back is the lunatic's. There must in every machine be a part that moves and a part that stands still; there must be in everything that changes a part that is unchangeable. And many of the phenomena which moderns hastily condemn are really parts of this position of the woman as the center and pillar of health. Much of what is called her subservience, and even her pliability, is merely the subservience and pliability of a universal remedy; she varies as medicines vary, with the disease. She has to be an optimist to the morbid husband, a salutary pessimist to the happy-go-lucky husband. She has to prevent the Quixote from being put upon, and the bully from putting upon others. The French King wrote-- |
"Toujours femme varie Bien fol qui s'y fie," |
but the truth is that woman always varies, and that is exactly why we always trust her. To correct every adventure and extravagance with its antidote in common-sense is not (as the moderns seem to think) to be in the position of a spy or a slave. It is to be in the position of Aristotle or (at the lowest) Herbert Spencer, to be a universal morality, a complete system of thought. The slave flatters; the complete moralist rebukes. It is, in short, to be a Trimmer in the true sense of that honorable term; which for some reason or other is always used in a sense exactly opposite to its own. It seems really to be supposed that a Trimmer means a cowardly person who always goes over to the stronger side. It really means a highly chivalrous person who always goes over to the weaker side; like one who trims a boat by sitting where there are few people seated. Woman is a trimmer; and it is a generous, dangerous and romantic trade. |
The final fact which fixes this is a sufficiently plain one. Supposing it to be conceded that humanity has acted at least not unnaturally in dividing itself into two halves, respectively typifying the ideals of special talent and of general sanity (since they are genuinely difficult to combine completely in one mind), it is not difficult to see why the line of cleavage has followed the line of sex, or why the female became the emblem of the universal and the male of the special and superior. Two gigantic facts of nature fixed it thus: first, that the woman who frequently fulfilled her functions literally could not be specially prominent in experiment and adventure; and second, that the same natural operation surrounded her with very young children, who require to be taught not so much anything as everything. Babies need not to be taught a trade, but to be introduced to a world. To put the matter shortly, woman is generally shut up in a house with a human being at the time when he asks all the questions that there are, and some that there aren't. It would be odd if she retained any of the narrowness of a specialist. Now if anyone says that this duty of general enlightenment (even when freed from modern rules and hours, and exercised more spontaneously by a more protected person) is in itself too exacting and oppressive, I can understand the view. I can only answer that our race has thought it worth while to cast this burden on women in order to keep common-sense in the world. But when people begin to talk about this domestic duty as not merely difficult but trivial and dreary, I simply give up the question. For I cannot with the utmost energy of imagination conceive what they mean. When domesticity, for instance, is called drudgery, all the difficulty arises from a double meaning in the word. If drudgery only means dreadfully hard work, I admit the woman drudges in the home, as a man might drudge at the Cathedral of Amiens or drudge behind a gun at Trafalgar. But if it means that the hard work is more heavy because it is trifling, colorless and of small import to the soul, then as I say, I give it up; I do not know what the words mean. To be Queen Elizabeth within a definite area, deciding sales, banquets, labors and holidays; to be Whiteley within a certain area, providing toys, boots, sheets, cakes and books, to be Aristotle within a certain area, teaching morals, manners, theology, and hygiene; I can understand how this might exhaust the mind, but I cannot imagine how it could narrow it. How can it be a large career to tell other people's children about the Rule of Three, and a small career to tell one's own children about the universe? How can it be broad to be the same thing to everyone, and narrow to be everything to someone? No; a woman's function is laborious, but because it is gigantic, not because it is minute. I will pity Mrs. Jones for the hugeness of her task; I will never pity her for its smallness. |
But though the essential of the woman's task is universality, this does not, of course, prevent her from having one or two severe though largely wholesome prejudices. She has, on the whole, been more conscious than man that she is only one half of humanity; but she has expressed it (if one may say so of a lady) by getting her teeth into the two or three things which she thinks she stands for. I would observe here in parenthesis that much of the recent official trouble about women has arisen from the fact that they transfer to things of doubt and reason that sacred stubbornness only proper to the primary things which a woman was set to guard. One's own children, one's own altar, ought to be a matter of principle-- or if you like, a matter of prejudice. On the other hand, who wrote Junius's Letters ought not to be a principle or a prejudice, it ought to be a matter of free and almost indifferent inquiry. But take an energetic modern girl secretary to a league to show that George III wrote Junius, and in three months she will believe it, too, out of mere loyalty to her employers. Modern women defend their office with all the fierceness of domesticity. They fight for desk and typewriter as for hearth and home, and develop a sort of wolfish wifehood on behalf of the invisible head of the firm. That is why they do office work so well; and that is why they ought not to do it. |
* * * |
IV |
THE ROMANCE OF THRIFT |
The larger part of womankind, however, have had to fight for things slightly more intoxicating to the eye than the desk or the typewriter; and it cannot be denied that in defending these, women have developed the quality called prejudice to a powerful and even menacing degree. But these prejudices will always be found to fortify the main position of the woman, that she is to remain a general overseer, an autocrat within small compass but on all sides. On the one or two points on which she really misunderstands the man's position, it is almost entirely in order to preserve her own. The two points on which woman, actually and of herself, is most tenacious may be roughly summarized as the ideal of thrift and the ideal of dignity |
Unfortunately for this book it is written by a male, and these two qualities, if not hateful to a man, are at least hateful in a man. But if we are to settle the sex question at all fairly, all males must make an imaginative attempt to enter into the attitude of all good women toward these two things. The difficulty exists especially, perhaps, in the thing called thrift; we men have so much encouraged each other in throwing money right and left, that there has come at last to be a sort of chivalrous and poetical air about losing sixpence. But on a broader and more candid consideration the case scarcely stands so. |
Thrift is the really romantic thing; economy is more romantic than extravagance. Heaven knows I for one speak disinterestedly in the matter; for I cannot clearly remember saving a half-penny ever since I was born. But the thing is true; economy, properly understood, is the more poetic. Thrift is poetic because it is creative; waste is unpoetic because it is waste. It is prosaic to throw money away, because it is prosaic to throw anything away; it is negative; it is a confession of indifference, that is, it is a confession of failure. The most prosaic thing about the house is the dustbin, and the one great objection to the new fastidious and aesthetic homestead is simply that in such a moral menage the dustbin must be bigger than the house. If a man could undertake to make use of all things in his dustbin he would be a broader genius than Shakespeare. When science began to use by-products; when science found that colors could be made out of coaltar, she made her greatest and perhaps her only claim on the real respect of the human soul. Now the aim of the good woman is to use the by-products, or, in other words, to rummage in the dustbin. |
A man can only fully comprehend it if he thinks of some sudden joke or expedient got up with such materials as may be found in a private house on a rainy day. A man's definite daily work is generally run with such rigid convenience of modern science that thrift, the picking up of potential helps here and there, has almost become unmeaning to him. He comes across it most (as I say) when he is playing some game within four walls; when in charades, a hearthrug will just do for a fur coat, or a tea-cozy just do for a cocked hat; when a toy theater needs timber and cardboard, and the house has just enough firewood and just enough bandboxes. This is the man's occasional glimpse and pleasing parody of thrift. But many a good housekeeper plays the same game every day with ends of cheese and scraps of silk, not because she is mean, but on the contrary, because she is magnanimous; because she wishes her creative mercy to be over all her works, that not one sardine should be destroyed, or cast as rubbish to the void, when she has made the pile complete. |
The modern world must somehow be made to understand (in theology and other things) that a view may be vast, broad, universal, liberal and yet come into conflict with another view that is vast, broad, universal and liberal also. There is never a war between two sects, but only between two universal Catholic Churches. The only possible collision is the collision of one cosmos with another. So in a smaller way it must be first made clear that this female economic ideal is a part of that female variety of outlook and all-round art of life which we have already attributed to the sex: thrift is not a small or timid or provincial thing; it is part of that great idea of the woman watching on all sides out of all the windows of the soul and being answerable for everything. For in the average human house there is one hole by which money comes in and a hundred by which it goes out; man has to do with the one hole, woman with the hundred. But though the very stinginess of a woman is a part of her spiritual breadth, it is none the less true that it brings her into conflict with the special kind of spiritual breadth that belongs to the males of the tribe. It brings her into conflict with that shapeless cataract of Comradeship, of chaotic feasting and deafening debate, which we noted in the last section. The very touch of the eternal in the two sexual tastes brings them the more into antagonism; for one stands for a universal vigilance and the other for an almost infinite output. Partly through the nature of his moral weakness, and partly through the nature of his physical strength, the male is normally prone to expand things into a sort of eternity; he always thinks of a dinner party as lasting all night; and he always thinks of a night as lasting forever. When the working women in the poor districts come to the doors of the public houses and try to get their husbands home, simple minded "social workers" always imagine that every husband is a tragic drunkard and every wife a broken-hearted saint. It never occurs to them that the poor woman is only doing under coarser conventions exactly what every fashionable hostess does when she tries to get the men from arguing over the cigars to come and gossip over the teacups. These women are not exasperated merely at the amount of money that is wasted in beer; they are exasperated also at the amount of time that is wasted in talk. It is not merely what goeth into the mouth but what cometh out the mouth that, in their opinion, defileth a man. They will raise against an argument (like their sisters of all ranks) the ridiculous objection that nobody is convinced by it; as if a man wanted to make a body-slave of anybody with whom he had played single-stick. But the real female prejudice on this point is not without a basis; the real feeling is this, that the most masculine pleasures have a quality of the ephemeral. A duchess may ruin a duke for a diamond necklace; but there is the necklace. A coster may ruin his wife for a pot of beer; and where is the beer? The duchess quarrels with another duchess in order to crush her, to produce a result; the coster does not argue with another coster in order to convince him, but in order to enjoy at once the sound of his own voice, the clearness of his own opinions and the sense of masculine society. There is this element of a fine fruitlessness about the male enjoyments; wine is poured into a bottomless bucket; thought plunges into a bottomless abyss. All this has set woman against the Public House--that is, against the Parliament House. She is there to prevent waste; and the "pub" and the parliament are the very palaces of waste. In the upper classes the "pub" is called the club, but that makes no more difference to the reason than it does to the rhyme. High and low, the woman's objection to the Public House is perfectly definite and rational, it is that the Public House wastes the energies that could be used on the private house. |
As it is about feminine thrift against masculine waste, so it is about feminine dignity against masculine rowdiness. The woman has a fixed and very well-founded idea that if she does not insist on good manners nobody else will. Babies are not always strong on the point of dignity, and grown-up men are quite unpresentable. It is true that there are many very polite men, but none that I ever heard of who were not either fascinating women or obeying them. But indeed the female ideal of dignity, like the female ideal of thrift, lies deeper and may easily be misunderstood. It rests ultimately on a strong idea of spiritual isolation; the same that makes women religious. They do not like being melted down; they dislike and avoid the mob. That anonymous quality we have remarked in the club conversation would be common impertinence in a case of ladies. I remember an artistic and eager lady asking me in her grand green drawing-room whether I believed in comradeship between the sexes, and why not. I was driven back on offering the obvious and sincere answer "Because if I were to treat you for two minutes like a comrade you would turn me out of the house." The only certain rule on this subject is always to deal with woman and never with women. "Women" is a profligate word; I have used it repeatedly in this chapter; but it always has a blackguard sound. It smells of oriental cynicism and hedonism. Every woman is a captive queen. But every crowd of women is only a harem broken loose. |
I am not expressing my own views here, but those of nearly all the women I have known. It is quite unfair to say that a woman hates other women individually; but I think it would be quite true to say that she detests them in a confused heap. And this is not because she despises her own sex, but because she respects it; and respects especially that sanctity and separation of each item which is represented in manners by the idea of dignity and in morals by the idea of chastity. |
* * * |
V |
THE COLDNESS OF CHLOE |
We hear much of the human error which accepts what is sham and what is real. But it is worth while to remember that with unfamiliar things we often mistake what is real for what is sham. It is true that a very young man may think the wig of an actress is her hair. But it is equally true that a child yet younger may call the hair of a negro his wig. Just because the woolly savage is remote and barbaric he seems to be unnaturally neat and tidy. Everyone must have noticed the same thing in the fixed and almost offensive color of all unfamiliar things, tropic birds and tropic blossoms. Tropic birds look like staring toys out of a toy-shop. Tropic flowers simply look like artificial flowers, like things cut out of wax. This is a deep matter, and, I think, not unconnected with divinity; but anyhow it is the truth that when we see things for the first time we feel instantly that they are fictive creations; we feel the finger of God. It is only when we are thoroughly used to them and our five wits are wearied, that we see them as wild and objectless; like the shapeless tree-tops or the shifting cloud. It is the design in Nature that strikes us first; the sense of the crosses and confusions in that design only comes afterwards through experience and an almost eerie monotony. If a man saw the stars abruptly by accident he would think them as festive and as artificial as a firework. We talk of the folly of painting the lily; but if we saw the lily without warning we should think that it was painted. We talk of the devil not being so black as he is painted; but that very phrase is a testimony to the kinship between what is called vivid and what is called artificial. If the modern sage had only one glimpse of grass and sky, he would say that grass was not as green as it was painted; that sky was not as blue as it was painted. If one could see the whole universe suddenly, it would look like a bright-colored toy, just as the South American hornbill looks like a bright-colored toy. And so they are--both of them, I mean. |
But it was not with this aspect of the startling air of artifice about all strange objects that I meant to deal. I mean merely, as a guide to history, that we should not be surprised if things wrought in fashions remote from ours seem artificial; we should convince ourselves that nine times out of ten these things are nakedly and almost indecently honest. You will hear men talk of the frosted classicism of Corneille or of the powdered pomposities of the eighteenth century, but all these phrases are very superficial. There never was an artificial epoch. There never was an age of reason. Men were always men and women women: and their two generous appetites always were the expression of passion and the telling of truth. We can see something stiff and quaint in their mode of expression, just as our descendants will see something stiff and quaint in our coarsest slum sketch or our most naked pathological play. But men have never talked about anything but important things; and the next force in femininity which we have to consider can be considered best perhaps in some dusty old volume of verses by a person of quality. |
The eighteenth century is spoken of as the period of artificiality, in externals at least; but, indeed, there may be two words about that. In modern speech one uses artificiality as meaning indefinitely a sort of deceit; and the eighteenth century was far too artificial to deceive. It cultivated that completest art that does not conceal the art. Its fashions and costumes positively revealed nature by allowing artifice; as in that obvious instance of a barbering that frosted every head with the same silver. It would be fantastic to call this a quaint humility that concealed youth; but, at least, it was not one with the evil pride that conceals old age. Under the eighteenth century fashion people did not so much all pretend to be young, as all agree to be old. The same applies to the most odd and unnatural of their fashions; they were freakish, but they were not false. A lady may or may not be as red as she is painted, but plainly she was not so black as she was patched. |
But I only introduce the reader into this atmosphere of the older and franker fictions that he may be induced to have patience for a moment with a certain element which is very common in the decoration and literature of that age and of the two centuries preceding it. It is necessary to mention it in such a connection because it is exactly one of those things that look as superficial as powder, and are really as rooted as hair. |
In all the old flowery and pastoral love-songs, those of the seventeenth and eighteenth centuries especially, you will find a perpetual reproach against woman in the matter of her coldness; ceaseless and stale similes that compare her eyes to northern stars, her heart to ice, or her bosom to snow. Now most of us have always supposed these old and iterant phrases to be a mere pattern of dead words, a thing like a cold wall-paper. Yet I think those old cavalier poets who wrote about the coldness of Chloe had hold of a psychological truth missed in nearly all the realistic novels of today. Our psychological romancers perpetually represent wives as striking terror into their husbands by rolling on the floor, gnashing their teeth, throwing about the furniture or poisoning the coffee; all this upon some strange fixed theory that women are what they call emotional. But in truth the old and frigid form is much nearer to the vital fact. Most men if they spoke with any sincerity would agree that the most terrible quality in women, whether in friendship, courtship or marriage, was not so much being emotional as being unemotional. |
There is an awful armor of ice which may be the legitimate protection of a more delicate organism; but whatever be the psychological explanation there can surely be no question of the fact. The instinctive cry of the female in anger is noli me tangere. I take this as the most obvious and at the same time the least hackneyed instance of a fundamental quality in the female tradition, which has tended in our time to be almost immeasurably misunderstood, both by the cant of moralists and the cant of immoralists. The proper name for the thing is modesty; but as we live in an age of prejudice and must not call things by their right names, we will yield to a more modern nomenclature and call it dignity. Whatever else it is, it is the thing which a thousand poets and a million lovers have called the coldness of Chloe. It is akin to the classical, and is at least the opposite of the grotesque. And since we are talking here chiefly in types and symbols, perhaps as good an embodiment as any of the idea may be found in the mere fact of a woman wearing a skirt. It is highly typical of the rabid plagiarism which now passes everywhere for emancipation, that a little while ago it was common for an "advanced" woman to claim the right to wear trousers; a right about as grotesque as the right to wear a false nose. Whether female liberty is much advanced by the act of wearing a skirt on each leg I do not know; perhaps Turkish women might offer some information on the point. But if the western woman walks about (as it were) trailing the curtains of the harem with her, it is quite certain that the woven mansion is meant for a perambulating palace, not for a perambulating prison. It is quite certain that the skirt means female dignity, not female submission; it can be proved by the simplest of all tests. No ruler would deliberately dress up in the recognized fetters of a slave; no judge would appear covered with broad arrows. But when men wish to be safely impressive, as judges, priests or kings, they do wear skirts, the long, trailing robes of female dignity The whole world is under petticoat government; for even men wear petticoats when they wish to govern. |
* * * |
VI |
THE PEDANT AND THE SAVAGE |
We say then that the female holds up with two strong arms these two pillars of civilization; we say also that she could do neither, but for her position; her curious position of private omnipotence, universality on a small scale. The first element is thrift; not the destructive thrift of the miser, but the creative thrift of the peasant; the second element is dignity, which is but the expression of sacred personality and privacy. Now I know the question that will be abruptly and automatically asked by all that know the dull tricks and turns of the modern sexual quarrel. The advanced person will at once begin to argue about whether these instincts are inherent and inevitable in woman or whether they are merely prejudices produced by her history and education. Now I do not propose to discuss whether woman could now be educated out of her habits touching thrift and dignity; and that for two excellent reasons. First it is a question which cannot conceivably ever find any answer: that is why modern people are so fond of it. From the nature of the case it is obviously impossible to decide whether any of the peculiarities of civilized man have been strictly necessary to his civilization. It is not self-evident (for instance), that even the habit of standing upright was the only path of human progress. There might have been a quadrupedal civilization, in which a city gentleman put on four boots to go to the city every morning. Or there might have been a reptilian civilization, in which he rolled up to the office on his stomach; it is impossible to say that intelligence might not have developed in such creatures. All we can say is that man as he is walks upright; and that woman is something almost more upright than uprightness. |
And the second point is this: that upon the whole we rather prefer women (nay, even men) to walk upright; so we do not waste much of our noble lives in inventing any other way for them to walk. In short, my second reason for not speculating upon whether woman might get rid of these peculiarities, is that I do not want her to get rid of them; nor does she. I will not exhaust my intelligence by inventing ways in which mankind might unlearn the violin or forget how to ride horses; and the art of domesticity seems to me as special and as valuable as all the ancient arts of our race. Nor do I propose to enter at all into those formless and floundering speculations about how woman was or is regarded in the primitive times that we cannot remember, or in the savage countries which we cannot understand. Even if these people segregated their women for low or barbaric reasons it would not make our reasons barbaric; and I am haunted with a tenacious suspicion that these people's feelings were really, under other forms, very much the same as ours. Some impatient trader, some superficial missionary, walks across an island and sees the squaw digging in the fields while the man is playing a flute; and immediately says that the man is a mere lord of creation and the woman a mere serf. He does not remember that he might see the same thing in half the back gardens in Brixton, merely because women are at once more conscientious and more impatient, while men are at once more quiescent and more greedy for pleasure. It may often be in Hawaii simply as it is in Hoxton. That is, the woman does not work because the man tells her to work and she obeys. On the contrary, the woman works because she has told the man to work and he hasn't obeyed. I do not affirm that this is the whole truth, but I do affirm that we have too little comprehension of the souls of savages to know how far it is untrue. It is the same with the relations of our hasty and surface science, with the problem of sexual dignity and modesty. Professors find all over the world fragmentary ceremonies in which the bride affects some sort of reluctance, hides from her husband, or runs away from him. The professor then pompously proclaims that this is a survival of Marriage by Capture. I wonder he never says that the veil thrown over the bride is really a net. I gravely doubt whether women ever were married by capture I think they pretended to be; as they do still. |
It is equally obvious that these two necessary sanctities of thrift and dignity are bound to come into collision with the wordiness, the wastefulness, and the perpetual pleasure-seeking of masculine companionship. Wise women allow for the thing; foolish women try to crush it; but all women try to counteract it, and they do well. In many a home all round us at this moment, we know that the nursery rhyme is reversed. The queen is in the counting-house, counting out the money. The king is in the parlor, eating bread and honey. But it must be strictly understood that the king has captured the honey in some heroic wars. The quarrel can be found in moldering Gothic carvings and in crabbed Greek manuscripts. In every age, in every land, in every tribe and village, has been waged the great sexual war between the Private House and the Public House. I have seen a collection of mediaeval English poems, divided into sections such as "Religious Carols," "Drinking Songs," and so on; and the section headed, "Poems of Domestic Life" consisted entirely (literally, entirely) of the complaints of husbands who were bullied by their wives. Though the English was archaic, the words were in many cases precisely the same as those which I have heard in the streets and public houses of Battersea, protests on behalf of an extension of time and talk, protests against the nervous impatience and the devouring utilitarianism of the female. Such, I say, is the quarrel; it can never be anything but a quarrel; but the aim of all morals and all society is to keep it a lovers' quarrel. |
* * * |
VII |
THE MODERN SURRENDER OF WOMAN |
But in this corner called England, at this end of the century, there has happened a strange and startling thing. Openly and to all appearance, this ancestral conflict has silently and abruptly ended; one of the two sexes has suddenly surrendered to the other. By the beginning of the twentieth century, within the last few years, the woman has in public surrendered to the man. She has seriously and officially owned that the man has been right all along; that the public house (or Parliament) is really more important than the private house; that politics are not (as woman had always maintained) an excuse for pots of beer, but are a sacred solemnity to which new female worshipers may kneel; that the talkative patriots in the tavern are not only admirable but enviable; that talk is not a waste of time, and therefore (as a consequence, surely) that taverns are not a waste of money. All we men had grown used to our wives and mothers, and grandmothers, and great aunts all pouring a chorus of contempt upon our hobbies of sport, drink and party politics. And now comes Miss Pankhurst with tears in her eyes, owning that all the women were wrong and all the men were right; humbly imploring to be admitted into so much as an outer court, from which she may catch a glimpse of those masculine merits which her erring sisters had so thoughtlessly scorned. |
Now this development naturally perturbs and even paralyzes us. Males, like females, in the course of that old fight between the public and private house, had indulged in overstatement and extravagance, feeling that they must keep up their end of the see-saw. We told our wives that Parliament had sat late on most essential business; but it never crossed our minds that our wives would believe it. We said that everyone must have a vote in the country; similarly our wives said that no one must have a pipe in the drawing room. In both cases the idea was the same. "It does not matter much, but if you let those things slide there is chaos." We said that Lord Huggins or Mr. Buggins was absolutely necessary to the country. We knew quite well that nothing is necessary to the country except that the men should be men and the women women. We knew this; we thought the women knew it even more clearly; and we thought the women would say it. Suddenly, without warning, the women have begun to say all the nonsense that we ourselves hardly believed when we said it. The solemnity of politics; the necessity of votes; the necessity of Huggins; the necessity of Buggins; all these flow in a pellucid stream from the lips of all the suffragette speakers. I suppose in every fight, however old, one has a vague aspiration to conquer; but we never wanted to conquer women so completely as this. We only expected that they might leave us a little more margin for our nonsense; we never expected that they would accept it seriously as sense. Therefore I am all at sea about the existing situation; I scarcely know whether to be relieved or enraged by this substitution of the feeble platform lecture for the forcible curtain-lecture. I am lost without the trenchant and candid Mrs. Caudle. I really do not know what to do with the prostrate and penitent Miss Pankhurst. This surrender of the modern woman has taken us all so much by surprise that it is desirable to pause a moment, and collect our wits about what she is really saying. |
As I have already remarked, there is one very simple answer to all this; these are not the modern women, but about one in two thousand of the modern women. This fact is important to a democrat; but it is of very little importance to the typically modern mind. Both the characteristic modern parties believed in a government by the few; the only difference is whether it is the Conservative few or Progressive few. It might be put, somewhat coarsely perhaps, by saying that one believes in any minority that is rich and the other in any minority that is mad. But in this state of things the democratic argument obviously falls out for the moment; and we are bound to take the prominent minority, merely because it is prominent. Let us eliminate altogether from our minds the thousands of women who detest this cause, and the millions of women who have hardly heard of it. Let us concede that the English people itself is not and will not be for a very long time within the sphere of practical politics. Let us confine ourselves to saying that these particular women want a vote and to asking themselves what a vote is. If we ask these ladies ourselves what a vote is, we shall get a very vague reply. It is the only question, as a rule, for which they are not prepared. For the truth is that they go mainly by precedent; by the mere fact that men have votes already. So far from being a mutinous movement, it is really a very Conservative one; it is in the narrowest rut of the British Constitution. Let us take a little wider and freer sweep of thought and ask ourselves what is the ultimate point and meaning of this odd business called voting. |
* * * |
VIII |
THE BRAND OF THE FLEUR-DE-LIS |
Seemingly from the dawn of man all nations have had governments; and all nations have been ashamed of them. Nothing is more openly fallacious than to fancy that in ruder or simpler ages ruling, judging and punishing appeared perfectly innocent and dignified. These things were always regarded as the penalties of the Fall; as part of the humiliation of mankind, as bad in themselves. That the king can do no wrong was never anything but a legal fiction; and it is a legal fiction still. The doctrine of Divine Right was not a piece of idealism, but rather a piece of realism, a practical way of ruling amid the ruin of humanity; a very pragmatist piece of faith. The religious basis of government was not so much that people put their trust in princes, as that they did not put their trust in any child of man. It was so with all the ugly institutions which disfigure human history. Torture and slavery were never talked of as good things; they were always talked of as necessary evils. A pagan spoke of one man owning ten slaves just as a modern business man speaks of one merchant sacking ten clerks: "It's very horrible; but how else can society be conducted?" A mediaeval scholastic regarded the possibility of a man being burned to death just as a modern business man regards the possibility of a man being starved to death: "It is a shocking torture; but can you organize a painless world?" It is possible that a future society may find a way of doing without the question by hunger as we have done without the question by fire. It is equally possible, for the matter of that, that a future society may reestablish legal torture with the whole apparatus of rack and fagot. The most modern of countries, America, has introduced with a vague savor of science, a method which it calls "the third degree." This is simply the extortion of secrets by nervous fatigue; which is surely uncommonly close to their extortion by bodily pain. And this is legal and scientific in America. Amateur ordinary America, of course, simply burns people alive in broad daylight, as they did in the Reformation Wars. But though some punishments are more inhuman than others there is no such thing as humane punishment. As long as nineteen men claim the right in any sense or shape to take hold of the twentieth man and make him even mildly uncomfortable, so long the whole proceeding must be a humiliating one for all concerned. And the proof of how poignantly men have always felt this lies in the fact that the headsman and the hangman, the jailors and the torturers, were always regarded not merely with fear but with contempt; while all kinds of careless smiters, bankrupt knights and swashbucklers and outlaws, were regarded with indulgence or even admiration. To kill a man lawlessly was pardoned. To kill a man lawfully was unpardonable. The most bare-faced duelist might almost brandish his weapon. But the executioner was always masked. |
This is the first essential element in government, coercion; a necessary but not a noble element. I may remark in passing that when people say that government rests on force they give an admirable instance of the foggy and muddled cynicism of modernity. Government does not rest on force. Government is force; it rests on consent or a conception of justice. A king or a community holding a certain thing to be abnormal, evil, uses the general strength to crush it out; the strength is his tool, but the belief is his only sanction. You might as well say that glass is the real reason for telescopes. But arising from whatever reason the act of government is coercive and is burdened with all the coarse and painful qualities of coercion. And if anyone asks what is the use of insisting on the ugliness of this task of state violence since all mankind is condemned to employ it, I have a simple answer to that. It would be useless to insist on it if all humanity were condemned to it. But it is not irrelevant to insist on its ugliness so long as half of humanity is kept out of it |
Subsets and Splits