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FAR AI 9

[ "How can you tell that a horror movie is terrible? when you can't stop laughing about it of course! The plot has been well covered by other reviewers, so I'll just add a few things on the hilarity of it all.<br /><br />Some reviews have placed the location in South America, others in Africa, I thought it was in some random island in the Pacific. Where exactly does this take place, seems to be a mystery. The cannibal tribe is conformed by a couple of black women some black men, and a man who looks like a young Frank Zappa banging the drums... the Devil God is a large black man with a terrible case of pink eyes.<br /><br />One of the \"freakiest\" moments in the film is when, \"Pablito\" find his partner hanging from a tree covered in what seems to be an orange substance that I assume is blood, starts screaming for minutes on and on (that's actually funny), and then the head of his partner falls in the ground and \"Pablito\" kicks it a bit for what I assume is \"shits n' giggles\" and the eyes actually move...<br /><br />But, of course, then the \"freak\" is gone when you realize the eyes moved because the movie is just bad...<br /><br />I hadn't laughed like this in a loooong while, and I definitely recommend this film for a Sunday afternoon with your friends and you have nothing to do... grab a case of beers and start watching this film, you'll love it! If you are looking for a real horror or gore movie, though... don't' bother." ]

[ "There are some elements that save this movie from being a total catastrophe, but are overshadowed with bad acting, plot holes, deus ex machina thrown ins, stupid dialogs, weak script, and predictable clichés...<br /><br />What we have here is a horror movie with a storyline that goes nowhere for most of the time. A group of unlikely heroes including a black guy that gets it first (yeah, that cliché seems to be still very much alive even in Finland), seem to have trouble trying to exit a mysteriously empty hospital. There are shrieking ghosts (very imaginative), zombies (at one point I thought at least they didn't use zombies, but they came), and Finnish glam-rock band with demonic make-up on, getting in their way. There is also some time-shift doodle present, but it adds up nothing to the storyline. Autistic girl and a hobo seem to have some deeper understanding of a situation, but they never spell it out to the viewer, or their confused friends. Their lines consist only of profound life lesson thoughts like: \"What happens will happen...\" or \"Light can't live in the darkness...\" or the ominous \"I need a red crayon... red crayon.\" So all this characters (including worried father and sweet doctor in distress types) end up doing is running around them dark floors, and from or mistakenly to the demons. Occasionally a ghost or a group of zombies show up, and if it seems a demon keyboardist can't spot a group of six people coming towards it, waving a flashlight and conversing, it was just pretending. And apparently this demon can break through walls without much hassle, but opening elevator door is beyond its capabilities.<br /><br />In the end we even get a \"it was all a dream\" sequence twist. Or maybe it wasn't. Oh, boy I wish this movie was, and that kind that makes time seem to move faster so it all plays out in just 10 minutes or so..." ]

[ "It's all about Mitzi. I loved her in this. And didn't she look fantastic?! I love these Lifetime Sunday afternoon popcorn movies. This is like one of those nailbiters where they always go to commercial at the most annoying times. The Richard character was completely creepy. I've dated guys like that. Well, not totally like that lol. I wish Zack hadn't have gotten killed. He was a cutie and very easy on the eyes. I LOVE these stalker type stories. It always makes me get up and make sure my doors are locked. My husband doesn't usually like these types of movies but actually sat through the entire thing with me and actually enjoyed it. I can't wait to see what Mitzi does next!" ]

[ "Zane and Beringer will keep you on the edge of your seats. I don't typically go for military/war movies, but this was worth my time.<br /><br />It was serious, but it was also humorous. Beringer's character proved to be heroic and honest. No matter what, you know that he's got your back.<br /><br />Zane's character developed throughout the film. He wasn't just a suit, he definitely proved that he could be a hero and handle a gun.<br /><br />The ending through me a little though. It didn't really go with the action throughout the film, but I'm glad that I saw it, nonetheless.<br /><br />It's worth checking out." ]

[ "If I have to give this movie a score on a linear scale, then I have to give it a low score 3/10.<br /><br />But it was entertaining, and there are several good things to say about the movie.<br /><br />The psychiatrist candidate James Bishop is assigned to St. Andrews Hospital for his resident, and is exited and eager to \"change the world\".<br /><br />From the beginning of the movie you know that the hospital is hiding an evil truth, but James thinks he can make a difference and doesn't recognise this evil. <br /><br />The story builds fairly well, you know all the time that there is a truth in what the patients are telling about some resident evil, and wonder when and how James will discover this. Also when the break comes, James is in a way hunted by the evil, and you feel some suspense until \"the fight\" is over.<br /><br />Add an innocent beautiful girlfriend that arrives at the worst possible time and other standard horror elements, and you get the picture.<br /><br />The character buildup is actually fairly good, you are introduced to most of the people that gets killed, some of them you \"get to know\".<br /><br />The film sets an unpleasant scene, this is also done fairly well. There are mysteries that are unveiled - in an acceptable way.<br /><br />The main character, James is very believable - the story about an eager student starting to work is good in this setting.<br /><br />What kills this movie is: * Stupid special effects - a modern version of \"Plan 9 from outer space\"-type bad (the evil monster looks like a red scarecrow) * Some bad acting (or probably very few takes when filming) - The main characters sometimes acts badly, and somtimes good. * The sound is at times very cheap.<br /><br />I kept thinking \"I could make a movie like this with my home video camera\" throughout the film." ]

[ "If you want Scream or anything like the big-studio horror product that we get forced on us these days don't bother. This well-written film kept me up thinking about all it had to say. Importance of myth in our lives to make it make sense, how children interpret the world (and the violence in it), our ransacking of the environment and ignorance of its history and legends.. all here, but not flatly on the surface. You could technically call it a \"monster movie\" even though the Wendigo does not take physical form until the end, and then it's even up to you and your beliefs as to what's happening with the legendary spirit/beast. Some standard thriller elements for those looking just for the basics and the film never bores, though in fact the less you see of the creature, the better. Fessenden successfully continues George Romero's tradition of using the genre as parable and as a discussion forum while still keeping us creeped out." ]

[ "I viewed the movie together with a homophobic friend, my wife and her female friend. So I had views from all kinds of directions. Mainly, the film made me laugh, the sexual tension was not really there and the only noticeable actors were Tudor Chirila and Maria Popistasu. Yes, I do think she played her role well, even if the script was not appropriate. There were good Romanian actors around, they just didn't have complex roles. I applaud Puya's entering the movie business. I don't know why, but I think he's a good guy, I just hope he'll be a good actor.<br /><br />The wife loved the movie, though, and I think there might have been chords being played and to which I had no ear for. If the film tried to present uncommon sexual behaviors and their consequences in todays Romania, then it failed miserably. There were no consequences. Just imagine that the girls are actually a boy and a girl, and the same story becomes just a boring, uninteresting plot.<br /><br />I have no idea why it got all those BAFTA awards. In my book, it should have gotten the \"Better luck next time\" award. (bafta=good luck in Romanian)." ]

[ "Oscar Wilde's comedy of manners, perhaps the wittiest play ever written, is all but wrecked at the hands of a second-rate cast. Sanders is, as one would expect, casually, indolently brilliant in the role of Lord Darlington, but the rest of the cast makes the entire procedure a waste of time. Jean Crain attempts a stage accent in alternate sentences and the other members of the cast seem to believe this is a melodrama and not a comedy; indeed, the entire production has bookends that reduce it to tragedy -- doubtless the Hays office insisted. Preminger's direction seems to lie mostly in making sure that there are plenty of servants about and even the music seems banal. Stick with the visually perfect silent farce as directed by Lubitsch or even the 2004 screen version with Helen Hunt as Mrs. Erlynne; or try reading the play for the pleasure of the words. But skip this version." ]

[ "When I think about this movie, all the adjectives that come to mind somehow relate to the physical appreciation of the world. Texture, smell, color, that's how I think this movie should be judged in terms of. See the rich golden tones surrounding the young concubine asleep by the fireplace, or the sweltering turkish bath, and let it flood your senses with impressions of spice, coarse cloth, smooth skin, scented oils, flickering flames, satin rustle. Don't just watch and listen, be absorbed, let the droning voice of the storyteller mesmerize you." ]

[ "While William Shater can always make me smile in anything he appears in, (and I especially love him as Denny Crane in Boston Legal), well, this show is all about glitz and dancing girls and screaming and jumping up and down.<br /><br />It has none of the intelligence of Millionaire, none of the flair of Deal or No Deal.<br /><br />This show is all about dancing and stupid things to fill in the time.<br /><br />I watched it of course just to check it out. I did watch it for over 45 minutes, then I had to turn it off.<br /><br />The best part of it was William Shatner dancing on the stage. He is a hoot!!! unfortunately, this show WILL NOT MAKE IT.<br /><br />That's a given" ]

[ "I was so disgusted by this film, I felt obligated to warn off others. This film has no story, plot or hint of purpose. The film starts after the standard \"lets be scary\" movie intro, which by now every film watcher has become accustomed. So we can ignore the beginning completely. We are soon introduced to the main actress and from this point it becomes clear to all that you have just wasted your hard earned and would be better off watching static. (Unless you have seen white noise - EEK) Acting is a DISGRACE and all of them should return to the travelling pantomime from where they came. Having said that, even the best actors in the world would struggle to make this film remotely watch able. Their poor performances merely contribute to the disaster. Senseless violence and what I can only assume is the written word of yet another junked up \"eccentric\" writer, who probably considers himself to be an artist, has resulted in a film which will test your patience. It was not until my fellow watcher turned to me and said, \"We have been watching this for 45 mins\" did I realise that this film is as thin and tasteless as a cup of tea without a tea bag. Clearly something was missing and unfortunately it wasn't the audience. Rather than suggest what the film is missing, let me tell you what it has: Dumb Blonde (surprise surprise), Victims, bad-monster-guy-thing, about 2 mins of storyline which is stretched over hours, days, weeks, months... and credits.<br /><br />Want a silver lining? Well, the blonde girl is a bit saucy looking in some of the scenes, but expect to want to see her face ripped off for the rest of the film!" ]

[ "OK - as far as the 2 versions of this movie. There were 2 people involved in the making - John Korty and Bill Couterie (George was just the producer - he really didn't have any kind of say so in the film - just helped with money) - the 'Adult' version was made possible by Bill Couterie. John Korty didn't like or approve this version (as it was done behind his back). Thanks to Ladd films going under, they didn't advertise this movie and threw all their advertising cash for \"The Right Stuff\", hoping it would pull them through;... and it didn't. SO, this movie never really had a chance. When \"Twice\" made it to cable (HBO) - they showed the reels with Bill's version and John threatened to sue if it was shown anymore (did you notice how the 'adult' version wasn't on for very long?). Showtime got the 'clean' version. The version on the videotape and laser-disc is the version approved by John (who holds more power than Bill). It's a pity, really, as the 'adult' version is actually better and DOES make more sense. But it's VERY doubtful that it will ever be released in that version onto DVD (or any other format short of bootleg). Sorry to disappoint everyone. I know all this info as I used to be the president of the Twice Upon A Time Fan Club (still have numerous items from the movie - used to own a letter-boxed version of the 'adult' version, but it was stolen - only have a partial HBO copy of it now). 8 stars to the 'adult' version - 5 to the 'clean' version. Any other questions, just ask." ]

[ "This is the best of Shelley Duvall's high-quality \"Faerie Tale Theatre\" series. The ugly stepsisters are broadway-quality comedy relief, and Eve Arden is the personification of wicked stepmotherhood. Jennifer Beals does an excellent job as a straight Cinderella, especially in the garden scene with Matthew Broderick's Prince Charming. Jean Stapleton plays the fairy godmother well, although I'm not sure I liked the \"southern lady\" characterization with some of the lines. Steve Martin's comedy relief as the Royal Orchestra Conductor is quintessential Martin, but a tiny bit misplaced in the show's flow.<br /><br />As is customary with the series, there are several wry comments thrown in for the older children (ages 15 and up). With a couple of small bumps, the show flows well, and they live happily ever after. Children up to age 8 will continue to watch it after the parents finally get tired of it -- I found 3 times in one day to be a little too much." ]

[ "This movie was made for fans of Dani (and Cradle of Filth). I am not one of them. I think he's just an imitator riding the black metal bandwagon (still, I'm generally not a fan of black metal). But as I was carrying this DVD case to pay for it, I convinced myself, that the less authentic something is the more it tries to be convincing. Thus I assumed I'm in for a roller-coaster ride of rubber gore and do-it-yourself splatter with a sinister background. Now, that is what I do like.<br /><br />I got home and popped it in. My patience lasted 15 minutes. AWFUL camera work and DISGUSTING quality. And that was then (2002), that it looked like it was shot using a Hi8 camcorder. I left it on the shelf. Maybe a nice evening with beer and Bmovies would create a nice setting for this... picture. <br /><br />After a couple of months I got back to it (in mentioned surroundings) and saw half. Then not only the mentioned aspects annoyed me. My disliking evolved. I noticed how funny Dani (1,65m; 5'5\" height) looked in his platform shoes ripping a head of a mugger apart. (Yes, ripping. His head apparently had no skull.) I also found that this movie may have no sense. Still, I haven't finished it yet, so I wasn't positive.<br /><br />After a couple more tries I finally managed to finish this flick - a couple of months back... (Yes, it took me 5,5 years.) So - Dani in fact was funny as Satan/Manson/super-evil-man's HELPER and the movie DID NOT make sense. See our bad person employs Dani to do bad things. He delivers. Why? Well I guess he's just very, very bad. As a matter of fact they both are and that is pretty much it.<br /><br />We have a couple of short stories joined by Dani's character. My favourite was about a guy, who STEALS SOMEONE'S LEG, because he wants to use it as his own. Yeah, exactly. <br /><br />The acting's ROCK BOTTOM. The CGI is the worst ever. I mean Stinger beats it (and, boy, is Stinger's CGI baaaaad). The story has no sense. And the quality is... Let's just say it is not satisfying. The only thing that might keep you watching is the unmotivated violence and gore. Blood and guts are made pretty well. Why, you can actually see that the movie originated there and then moved on. (Example - Dani 'The Man' Filth takes a stuffed cat - fake as can be - and guts it... and then eats what fell out. Why? We never know. We do know, however, that this cat must have been on illegal substances, as his heart is almost half his size.)<br /><br />You might think, after my comment that this movie is so bad it's good, but it's just bad. Cradle of Filth fans can add 3 points. I added one for gore." ]

[ "One of the best of the Fred Astaire and Giner Rogers films. Great music by Irving Berlin. Solid support from Randolph Scott, Harriet Nelson, Lucille Ball, Betty Grable, Frank Jenks, and Astrid Allwyn.<br /><br />Terrific songs include \"Let Yourself Go,\" \"Let's Face the Music,\" and \"Putting All My Eggs in One Basket.\" The last song is introduced by Astaire playing a jazzy piano and then a cute dance with Rogers. Rogers also sings \"Let Yourself Go\" with Grable among the backup singers.<br /><br />Harriet Nelson (then Hilliard) sings two nice songs and plays Rogers' mousy sister. \"Get Thee Behind Me\" is a song that sticks with you for days. She also sings \"But Where Are You?\" Snappy and fast paced, this entry in the Astaire-Rogers series is one of the better ones. The classic and amazing beautiful finale, \"Let's Face the Music and Dance\" is among the best-known of their numbers. Rogers wears one of the great dresses in movie history.... a shimmering sequined number that swirls around her legs as she dances (weighted hem) and is also slightly see through. Just gorgeous. This is the number that Steve Martin and Bernadette Peters re-created in Pennies from Heaven.<br /><br />Randolph Scott seems an odd choice as Astaire's pal but he also appeared in their Roberta with Irene Dunne. Luckily he does not attempt to sing or dance. It seems that Grable and Ball would have had bigger parts in 1936 but they have a few scenes and make little impact. Allwyn has the bigger role but is only OK.<br /><br />Rogers has one of her best solo numbers in the series with \"Let Yourself Go\".... Jazzy and thumping, it's a great song.<br /><br />Fun all the way, although I got tired of \"We Joined the Navy\" after the third time...." ]

[ "I saw this bomb when it hit theaters. I laughed the whole time. Why? Because the stupidity of it seemed to have made me go insane. I look back on it and realize there was not ONE funny thing in the whole movie. At leat nothing intentional. It IS awfully funny that Lizzie cn chew a piece of Nurplex and become a gigantic, carnivorous demon...yet her itty-bitty little dress is perfectly intact, despite the fact that she is now hundreds of times larger than she was when she first put it on. Or the kind of movie in which a man can be shocked with a defibulator and only fall unconcious, and return to conciousness without ANY medical attention. And don't let me get started on the ridiculous fate of the \"villain\" that they decided they needed to create \"conflict.\" Uh huh.<br /><br />To the person complaining about Disney only targetting kids-The raunchy parts of this film seems to disprove that statement. Do we really need Daryl Hannah accusing Jeff Bridges of having kinky video tapes? You do if you're Disney and you're out of ideas for making the movie appeal to the above-8 crowd without writing a more intelligent script! I am thoroughly convinced that Disney pays off the ratings board so it's movies can get away with murder and still get family-friendly ratings.<br /><br />What a waste of the DVD format." ]

[ "This movie maybe really bad, but it is alot of fun. The bad acting and poor direction enhance the film's hystericalness. The twins are very funny in their Conanesque roles. If you go into this film expecting the first Conan or Excalibur, than you will hate it. If you watch it while in a good mood and accept it as good, dumb fun you will have a good time. Watch for the scene where they try to hang the brothers, its funniest scene in the film. I wish Mystery Science Theatre 3000 would have done this!!" ]

[ "I wasn't aware of Steve McQueen in 1958. I only knew that I was extremely frightened about going to see this film. (I'd been devastated by the movie \"Trantula\" at age seven . . . but I was ten now). The 1st scene where the Blob crawls up the farmer's probing stick and engulfs his hand was enough to make me want to leave the theater. But I stayed and suffered through each of our monster's attacks. I felt such horror when Steve and his girl barely made it out of the doctor's office (poor doc), and even more when The Blob entered a movie theater and devoured a large portion of the audience . . . so many in fact that IT oooooozzzzzzed out of the front doors, too huge now to fit through just one. It seemed indestructible and unlimited in growth potential, and when it trapped poor Steve in a sieve-like diner, he seemed like a sure dinner to be. <br /><br />To say that the Blob was cold would be a modern day description, but in the end, better icy than scaring and mentally rupturing little kids.<br /><br />I remember walking home that evening with my uncle Nick, trying to act brave. He knew I was in trouble, and when I got into bed that night I could not only feel the Blob in the room, but when I summoned up the courage to look down at the floor, there the red pulsating, heart-like hungry dude sat, waiting for me to try and get up and go to the bathroom. It took months to recover. <br /><br />I'm 57 years old now . . . I've made it.<br /><br />Of course The Blob wasn't destroyed." ]

[ "After seeing You've Got Mail and feeling disappointed, I decided to see the original movie which inspired this one, The Shop Around the Corner. I was amazed at this movie. It's a true gem and from this moment one of my favorite movies of all times. The acting is so perfect, the story is so beautiful, that if you haven't seen it, I wish to urge you to see it today. I'm not against re-makes and sometimes I like the new version more than the original one, but this time have to admit that You've Got Mail is a poor adaption of this classic. Don't miss it, go to your video store and rent The Shop Around the Corner today!" ]

[ "Kareena Kapoor in a bikini hmmmmmmmm.<br /><br />Akshay Kumar...<br /><br />Anil Kapoor....<br /><br />Maybe Saif....<br /><br />Kareena Kapoor in a bikini.....<br /><br />Good Banner..<br /><br />Kareena Kapoor in a bikini.....<br /><br />Not one good reason not to see this movie....<br /><br />Or so i thought ........Didnt these people make JBJ...<br /><br />Why o Why did i forget that.<br /><br />For all the criticism the first half of the movie isn't that bad...<br /><br />There is some intrigue and YOU FEEL A SORT OF IRRITATION MIXED WITH EXCITEMENT THAT I FELT WHEN SEEING GUY RITCHIE MOVIES LIKE LOCK STOCK AND SNATCH.<br /><br />Kareena Kapoor is sizzling in a very skinny model sort of way.<br /><br />Akshay Kumar is Akshay Kumar as only he can be.<br /><br />Anil Kapoor is annoying but kind of funny, YOU ALMOST FORGET THAT MOST OF THE TIME YOU CANNOT UNDERSTAND HIM.<br /><br />Saif is sidey ala Main Khiladi.. once again.<br /><br />There is the occasional laugh and a few chuckles, and a few goosebumps during the kareena-saif love story (kareena in the rain, behind me on my bike hmmmmmmm).<br /><br />BUT MOSTLY THIS HALF PROMISES MORE THAN IT DELIVERS.....<br /><br />WHICH MAKES THE SECOND HALF ALL THE MORE UNBEARABLE....<br /><br />There was almost a cheer when the interval came not only because because of the wet kareena because of what people thought were the things to come.<br /><br />INSTEAD WE WERE TREATED TO MIND NUMBING TORTURE WHICH IS DIFFICULT TO PUT IN WORDS.<br /><br />Saif suddenly seam like a comic sidekick...<br /><br />SUDDENLY THE SEXY KAREENA LOOKS ANOREXIC, YOU REALISE THAT THE SECOND LAST FLOOR IS NOW EMPTY AND HER FACE LOOKS TO BIG FOR HER BODY ( only girls can notice this and make other guys notice the second last floor was my observation).<br /><br />ANIL KAPOOR AND HIS SIDEKICKS GET ON YOUR NERVES.<br /><br />Akshay Kumar is the only one who carries off the madness to some extent but even he become intolerable after a while.<br /><br />ALL THE WHILE YOU ARE SUBJECTED TO ONE ABSURDITY AFTER THE OTHER.<br /><br />WHY??!! WHAT??!!! WHEN?!!! WHERE?!!! WHAT HAVE I DONE TO DESERVE THIS...<br /><br />A collective gasp went trough the audience before every song in the second half, which were ordinary even without the movie around it.<br /><br />Cannot relieve the trauma anymore....<br /><br />CONCLUSION.<br /><br />THIS MOVIE STARTS OF AS A BUZZ WHICH YOU FEEL COULD EVEN TURN OUT TO A HIGH BUT ENDS UP SLOWLY MOVING TOWARDS A HEADACHE AND THEN RAPIDLY TURNS INTO A FULL BLOWN MIGRAINE ATTACK.<br /><br />Please don't watch this movie for any reason other than academic interest.<br /><br />+s Cast, Akshay Kumar, first half.<br /><br />+/-s what, when, how, who to much confusion.(need a book to fill this).<br /><br />+s cast, the whole second half (need many pages to fill this).<br /><br />total 3/10 (im trying to avoid the 1s and 2s too not seem to extreme but make no mistake this movie is unwatchable no matter how decent the first half is)." ]

[ "Quick and simple, I love this movie.<br /><br />As some others have mentioned, I also, am not from the south, don't really care for country music and have never worn a cowboy hat. (I've never drove around in a car with a dead body in my trunk either, but I love \"Goodfellas.\") This is just great film making. Shot in a 2.35 aspect ratio and beautifully transfered to DVD. (The VHS was 1.33 full screen). And yes, a solid 5.1 mix for your viewing pleasure. What can you say about this movie?<br /><br />It's just a great love/hate story set in Texas, with great performances. Travolta is fantastic. Next to \"Pulp Fiction\", it's the best thing he's done. It's been in my top 5 for 25 years!!<br /><br />Check this one out!!! It's a 10 !!!!" ]

[ "A longtime fan of Bette Midler, I must say her recorded live concerts are my favorites. Bette thrills us with her jokes and brings us to tears with her ballads. A literal rainbow of emotion and talent, Bette shows us her best from her solid repertoire, as well as new songs from the \"Bette of Roses\" album. Spanning generations of people she offers something for everyone. The one and only Divine Diva proves here that she is the most intensely talented performer around." ]

[ "I'll tell you a tale of the summer of 1994. A friend and I attended a Canada Day concert in Barrie, and it was a who's who of the top Canadian bands of the age. We got there about 4am, waited in line most of the morning, and when the doors opened at 9am, we were among the first inside the gates. We then waited and waited in the hot sun, slowly broiling but we didn't care, because the headliners were among our favourites. At one point, early in the afternoon, I sat down and dozed off with my back to the barrier. I was awakened to my shock and dismay by a shrieking girl wearing a Rheostatics t-shirt. This is the reason I have hated the Rheostatics to this day. There's nothing reasonable, nor taste-determined, nor really anything except their fandom. Snotty of me, isn't it? So, I, in my hatred of the band, have denied myself the delight that is Whale Music.<br /><br />Desmond Howl had it all. It's hard to say what he's lost, since he lives in a fantastic mansion wedged between the ocean and the mountains (the BC region where the movie was shot is breathtaking). The life most of us dream of is dismantled by dreams, phantoms, and his own past, until the day a teenaged criminal breaks in...and, trite as it sounds, breaks him out.<br /><br />Canadian cinema suffers from several problems. Generally, a lack of money, as well as an insufferable lack of asking for help (as if somehow the feature would cease to be Canadian) leads to lower production values than American or British films, and most people don't like to watch anything that sounds or looks like, well, not like an American film. Next, Canadian screenwriters often seem so caught up in being weird that they lose sight of how to tell a good story, and tell it well. Third, they seem to think that gratuitous nudity (often full-frontal) makes something artistic. I'm sure anyone who watches enough Canadian movies, especially late at night on the CBC, knows exactly what I'm talking about. It's almost like a \"don't do this\" handbook exists out there somewhere and Canadian film-makers threw it out a long time ago.<br /><br />In the 90s and 00s, however, some films (such as Bruce McDonald's work and the brilliant C.R.A.Z.Y.) have broken this mold, and managed to maintain what makes them Canadian, while holding onto watchable production values and great stories. Whale Music is such a film, on the surface. Deeper than just its Canadian-isms, it's a deeply moving story of a man who's lost his grip, through grief and excess, who is redeemed by music then by love. And that redeems even the Rheostatics. :)" ]

[ "First, it takes a full half hour to get Hackman out of jail and to start doing the job. What a waste of time, we all know Hackman is getting out to do some job for his masters, why waste almost a third of the movie on these sequences. Then Hackman stays in a hotel and the story arc again goes nowhere, simply proving to us that Hackman is under close watch and anything he says or does is know by the masters. Again, another 20 minutes. Then more wasted time showing the reunion with his wife. All of this should have taken 10-15 minutes at most simply as a set-up for the real action, intrigue and plot twists. By the time the real action gets going, I was so bored that I just wanted the movie to end. Hackman is great as usual, and the other actors as well, but this is a dud of the first magnitude." ]

[ "Did anyone read the script. This has to be some of the worst writing and directing of the entire year. Three great actors, Paul Giamatti, Rachel Weisz and Miranda Richardson couldn't pull this one out. About two-thirds it looked like Giamatti eyes were saying, I can't believe I signed the contract. It's not the worst movie I ever saw, but it's on the really really bad Christmas movie list. Not enough lines, but what else can be said? Okay, the movie just doesn't move with Vaughn's con-man dialogue, his character is just a creepy guy that you just can't get past. It was just a lackluster walk through, that no one seemed to be able to get into." ]

[ "Matt Saunders (Luke Wilson) thinks he has found the perfect woman in Jenny Johnson (Uma Thurman), who seems like a quiet but pretty woman, though he soon learns that she's needy and possessive, oh, and she's also the superhero G-Girl, though you wouldn't know it from the things she does to Matt after he freaks out and breaks up with her.<br /><br />A promising premise is ruined by a mediocre execution. My Super Ex-Girlfriend is still an enjoyable comedy however it relies too much on cheap sex jokes and it ends up being a forgettable experience. What went wrong? The cast and the director could not overcome the weakness of the script and I didn't like the way they played it out. I was expecting the guy to be a jerk and it could have been a female fantasy revenge film. However, they made the guy likable and they made the superhero a psycho. It just wasn't very fresh and after about forty minutes, the film wore out it's welcome. Sure, there were a few funny lines however the weak middle and horrible ending kept it from really breaking out.<br /><br />Director Ivan Reitman has lost his touch. After a successful run in the eighties and early nineties, he started making crap like Evolution and Father's Day. I wouldn't say My Super Ex-Girlfriend is a complete bust but I don't give him credit for any of the quality the movie holds, which isn't too much. Don Payne did an awful job with the screenplay. The majority of the jokes were lame and most of the supporting characters were just one-note. He also kept reusing a lot of the same jokes making the thing really tedious at times.<br /><br />A few of the actors were good enough to save the film. Uma Thurman was great as G-Girl and she had many funny lines. Luke Wilson was a bit pale and not very interesting. I don't think he makes for an appealing leading man and he's better in supporting roles like in The Family Stone. Anna Faris was just doing her \"Scary Movie\" routine and it's getting a little old. She needs a challenge or at least some better scripts. Wanda Sykes is either hit or miss for me. She was great in Monster-In-Law and she was bad in Clerks 2. Here, she is just annoying and doesn't bring anything to the movie. Eddie Izzard was alright, nothing special. Rainn Wilson was just annoying and not funny. Overall, I was disappointed with the movie. It wasn't awful yet it had so much potential and the final result was just so average. Rating 5/10" ]

[ "A simple movie in the beginning, a simple movie in the end. It does have that un-ending and pretending cliche, but, most tv movies have that any ways.<br /><br />Christopher Reeve does a good job as being an ex-con/drifter. The marriage between her and the woman he works for, I feel is a bit queer, but, I believe for the time period it is set in, that it is believable none-the-less.<br /><br />Now, I saw the edited 'tv' version, even tho the movie was made and showed on 'tv', I find that a bit queer as well. But, I feel if I saw the entirety of the piece, I would give it more-in-likely the same rating.<br /><br />J.T. Walsh does a nice job, not his best role, but, still....a nice job.<br /><br />7/10" ]

[ "A charming, funny film that gets a solid grade all around. I saw a screener of this film recently at work. It was so nice to see this film in contrast with all the crappy horror movies I see every day. So much so, that I figured I'd write in. Not sure if this film is going to theaters, but I hope it does. Its a nice film to see with friends, its a charmer, and has some funny jokes. The acting was terrific (especially Howard Hessman and Larry Dorf. The directing was pretty good (not a film that needed to be over-directed). What really makes this film stand out I think is the writing. It was like Neil Simon, Seinfeldish, and the banter between characters is smart and has a nice rhythm. As an aspiring screenwriter, I notice those things! (I'm a dork). Anyway, a really cute film that I recommend." ]

[ "Despite its budget limitations, this is a great film, proof that effort and imagination can overcome lack of cash. The opening, in which cave-paintings seem to show how some dinosaurs at least survived into the age of human beings, is a nice red herring. After that, a meteor comes down into a lake and causes heat which, in turn, causes the hatching of a frozen dinosaur egg (maybe the cave-paintings suggest instead that this isn't the first time such a thing has happened). When the prehistoric beast appears, it's a well-animated Plesiosaur which is soon causing disappearances in the local area. Alright, so it's not Jurassic Park, but it's still genuine entertainment for fans of monster movies." ]

[ "I first saw Ice Age in the Subiaco Cinemas when it came out, back in '02. I was only 13 at the time, but even then I liked it. It had some sort of warmth.<br /><br />We've had it on video for a number of years now and no matter how many times you watch it, it never gets boring. This is because of the one element which makes it different from all of the other 3D animations made at the time - The characters have no particular 'home' which they leave. They are nomads, and that's really refreshing and uplifting to watch.<br /><br />Also, each individual character on the surface, appear to be just putting up with each other, but they're really all good friends. As well, all of the characters have their own charms (even the bad guys). Sid the sloth is charming in his annoying, over-affectionate and naive sort of way. Manny is adorable in his depressed, reclusive character, and so on and so forth.<br /><br />Another great point about the movie is the beauty of the animation. All the environments and characters were modeled originally by clay, giving the film an artistic edge.<br /><br />Another aspect that adds to the feel of the movie, is that gender means very little. There are hardly any female characters, but you don't really realize that until after you watch it a few times and even then it has little effect on the way you view the film. Due to this, there's also no mention of a nuclear family which would really be pathetic in a setting like the ice age.<br /><br />All in all, Ice Age is a great movie and is proof on how much effort was put into 3d animations before Shrek 2 and The Incredibles came out." ]

[ "Long before Tim LaHaye and Jerry B. Jenkins would shake the world of the Christian subculture (and make millions in the process) with the LEFT BEHIND books, MARK IV Pictures, the Christian film distribution company of the Billy Graham evangelistic association, gave us this masterwork. What I love most about this genre is its incredible attention to detail, sitting in a living room. Instead of taking us to the dramatic scenes of this \"post-rapture\" tribulation, we sit in the living room, hearing about it on the news because the filmmakers can't afford to show it. The film's premise is grounded in Pre-Millenial, pre-Tribulation eschatalogy, believing that Christ comes once for the secret taking of the true church, and then comes again at the end of the seven years of hell on earth. What used to terrify me in junior high now makes me laugh. The intriguing adventures of Patty and her journey throughout the tribulation (and two of the film's three sequels) tells her remarkable story of unbelief and ultimately damnation. I hate to admit it, but I still thoroughly enjoy watching this. It even has the SAME EXACT score of Monty Python and the Holy Grail. I think I'm the only person in history to make that observation." ]

[ "Two thirds of nearly 2,000 IMDb users who have voted on this film have rated it at 8, 9 or 10 and one user reports wearing out six videotapes (Was this a record, or merely a faulty VCR?). Although the film is primarily intended as a period piece it clearly has a quite unusual fascination. But for some reason I imagined it as largely whimsy and until recently never felt the urge to watch it. My mind was changed by Elizbeth Von Arnim's original book. My wife loves reading but her sight no longer allows her to read much so she borrowed it in talking book form. Such books are usually irritating to a companion who is busy with other things, but I gradually came to appreciate that this one was seductively soothing, although in no way syrupy, and was also very well written. I realised my wife would enjoy watching the film, and so decided to buy her the videotape. I am now very glad that I did, and would certainly recommend its purchase to anyone else who appreciates a quiet reflective work with no fireworks but with well constructed character development and a very successful pre-Mussolini Italian atmosphere. The story is set in the immediate post WW1 period and starts with two married London ladies who decide to pool their savings and enjoy a holiday together, away from their families, in a rented villa in Italy. Force of circumstances lead to this couple being joined by two others with very different characters and backgrounds. Its theme is essentially no more than the interactions that take place as their holiday progresses, not only between these four very disparate mature ladies, but also with the occasional male visitor. If you want action, thrills, dramatic sex scenes, natural or man-made disasters, or Harlequin style romances this would not be the film for you. But IMDb users have collectively and very emphatically demonstrated that none of these are necessary for a film to prove highly rewarding to watch, and if you care to give it a try you may, as I did, come to rank it among your much loved films.<br /><br />It is fairly rare for me to watch a film of a book with which I am already familiar. In many cases I find this takes some of the pleasure away from watching the film, but here there is such a strong visual appeal in the setting that I actually found my pleasure augmented by the anticipation of seeing the next segment of the book, effectively unrolled before my eyes. (Perhaps Italy itself has some part in this, the last time I had this experience was when I was watching tales from Boccaccio's Decameron on TV.) Generally films of books tend to increase the dramatic level of the original work to ensure that the filmed version has an even wider appeal, but here if anything it is reduced in order to keep the viewers attention on the gradual character development rather than on any background events. This works very well, although changes from the book are few and basically the film remains true to the original story. Great credit is due to the Director, Mike Newell, and all members of the cast, particularly those well known British Actresses who play the four principal ladies." ]

[ "I went to go see this at the Esquire Theatre in Cincy, OH, and - I hate my life now.<br /><br />Christopher Reeves would have been a more believable boxer.<br /><br />As a film it was painful, but seeing Bret Carr in person was to see desperation at its pinnacle.<br /><br />My favorite part of the movie was seeing BC slammed in the face with what appeared to be a \"C\" battery. The jury is still out on this. It was from a dildo and it was in slow-mo. Yep.<br /><br />\"Shoot the left side of the face only...people become famous by demanding things!\" - Bret Carr B. Carr donned a Chicken Suit for a bit of reverse psychology, roaming the streets of Clifton bashing his own film. He should. This is correct to bash the film.<br /><br />My soul felt chafed after this movie.<br /><br />Bret Carr is not charismatic enough to be the leader of a cult, or smart enough for that matter. That is the feeling you get from the What the Bleepesque trickle of brainwashed, impressionable neo-yuppies that came to see this Bret Carr Piece of Work.<br /><br />It's an emotionally draining experience just thinking about writing about this film, so goodbye.<br /><br />-Anonymous" ]

[ "Men of Honor has many great aspects to it. Good action sequences, plenty of \"feel good\" scenes, a good musical score, but the part that really makes the movie is the great acting. Mostly by Robert Deniro. The story of Men of Honor is focused about Carl Brashear played by Cuba Gooding Jr. who wants to be the first African American deep sea diver in the navy. It chronicles his rough struggle from being a poor farmer to getting into diving school and even further. It is a good story, but it seems like it has been done many times before. A person, against all of the odds, won't give up until they accomplish their goals that they set for some sentimental reason many years ago. It could happen, but a lot of the struggles the Brashear faces in the movie are questionable including the C.O. of the diving school tampering with his final test. However, all of that is made up for the scene when Robert Deniro finally enters the movie. Deniro plays Mater Chief Sunday who is the teacher at the diving school Brashear is attending. As soon as Deniro come in he omits this vibe of extreme arrogance that you can't hate unless you have incredible wilpower. Before the movie ends, Deniro gives off multiple speeches that would have you laughing at how cool he is but you are too stunned at the way he punches them out. In the end you must doubt some of the aspects of the film, but admit it, if it was all the truth, it would have you snoozing it your seat by the first twenty minutes." ]

[ "Everything is idyllic in Suburbia when the little family moves in, as the father have got a new job in a computer company there. But no paradise would be complete without its snake. Strange things happens as the family joins the local country club without the husband, as it certainly holds secrets. The father is not a joiner, but pressure is on him to join, as everyone who is anything in the neighborhood and at work are members. Robert Urich's good guy part is a bit tepid, but Joanna Cassidy as good natured housewife turning nasty sizzles. Suspenseful and well-made chiller with a bitchy Susan Lucci as club chairperson. Look out for cult favorite Michael Berryman in a bit part as a valet. The movie captures the sense of paranoia and the special effects final is worth waiting for. I have seen this movie quite a few times." ]

[ "The performances were superb, the costumes delivered a unique feeling for the period and being a Victorian Living Historian, I was impressed with the accuracy of weaponry and attention to detail.<br /><br />I wouldn't say you need any knowledge of the Kelly saga to stay with the flow of this movie but to comprehend the happenings and attitudes of the time you will require a bit of basic historical knowledge. Do not expect, as some rather silly people do, any of the characters to have the Auzzie accent as we know it, it was, at that time, a country during infancy.<br /><br />OK, the story had some elements of fiction but these are required for a wider following of the film. Gregor Jordan said in the extra feature on the DVD that he wanted his movie to 'inspire an interest', and that is exactly what happened with me so this movie gets the thumbs up here.<br /><br />See it and you WILL NOT be sorry" ]

[ "...because 99 out of 100 times, the producers lied through their teeth (or someone else's) to get you to rent or buy their *mercifully censored*.<br /><br />Shock-O-Rama Cinema proves the truth of this yet one more time with the release of \"Feeding the Masses,\" a possibly well-intentioned but utterly inept and dismal entry into the zombie genre. Folks, this is not only low-budget film-making, this is VERY low-budget film-making by a bunch of people who--I'm sorry, I know they have families who love them--will never, ever be in Variety in any significant fashion. This is one baaaaaaaaaad mooin' pitcher, folks, and not just because it's cheap.<br /><br />The acting is mediocre, but I don't blame the actors; they had no direction. They had no direction because the script was a half-baked zombie fantasy with no sense of real cinematic storytelling. Characterization is thin at best, no thanks to weak dialogue and soporific direction. Have I mentioned yet that the script and the direction are pretty lame? They are. There's no drama, no tension, no great character moments, nothing. The whole premise of government suppression of the media is squandered on sophomoric \"commercial breaks\" and an undramatic storyline that defies rational analysis and awkwardly shambles to its ridiculous finish. Syd Fields would not be pleased.<br /><br />How could the government suppress the truth of a virulent zombie epidemic when the reality of it would be apparent everywhere? Why would they give it more than a cursory try? In this day and age of cellphone cameras with wireless access, what could they possibly hope to accomplish for more than a day or so at best? Now, if they were covering something up, like their own culpability....but \"Feeding the Masses\" never explores such possibilities. Instead, it dwells on absurdity and poorly staged events to dig for laughs and/or significance, praying its audience won't notice the near total lack of production value beyond basic film-making equipment. Did anyone in this film get paid? I hope the actors did, if only for their time wasted on career blind alleys like this one; at least the techies got to rack up some legitimate work experience.<br /><br />Even zombie fans will find little to gain from \"Feeding the Masses.\" The gore is remarkably tame for no-budgeters of its rank, and there are no distinctive set pieces or memorable effects. They're all eminently forgettable, in fact. KNB has nothing to fear.<br /><br />Even junk like the Aussie stillbirth \"Undead\" was miles ahead of \"Feeding the Masses.\" Sorry, guys, back to the drawing boards, and take your deceptive marketing with you." ]

[ "I hired this movie expecting a few laughs, hopefully enough to keep me amused but I was sorely mistaken. This movie showed very minimal moments of humour and the pathetic jokes had me cringing with shame for ever hiring it... Aimed at an age group of 10-15, this movie will certainly leave viewers outside of these boundaries feeling very unsatisfied. Worth no more than 3 votes highly unrecommended for anyone not wanting to waste 2 hours of their lives." ]

[ "Within the first few minutes of this Dutch thriller, we learn that Krabbe is a gay alcoholic writer who sleeps sans underwear, fantasizes about murdering his roommate, tries to steal a magazine from a news stand, and lusts after a studly young man he meets at the train station. And he's the hero of this nonsensical movie that is all dressed up (except for Krabbe in at least one scene too many) but has nowhere to go. The basic plot is very simple but is dragged out to nearly two hours before reaching a pointless conclusion. Verhoeven has a nice visual flair but resorts to scenes of wild hallucinations, overt symbolism, and gratuitous gore when he runs out of ideas." ]

[ "Think of a no-budget version of China Syndrome being directed by a film student who idolizes John Woo and you'll get 'Power Play.' The idea was good, but the execution, acting, and dialog absolutely killed it, not to mention ridiculous amounts of violence and disaster sequences that was used to compensate for lack of substance and development of the more interesting parts of the movie.<br /><br />This is the story of a reporter investigating the disappearance of three members of a guerrilla activist group who mysteriously went missing after they broke into the offices of a power plant that is suspected to be causing a frenzy of earthquake. The rather cavalier reporter, going up against what should've been a more ruthless bunch of company execs, is chased around town (along with anyone he speaks to) in order to \"clean\" whatever conclusive evidence might remain of the plant's faults.<br /><br />Unfortunately, there is no real sense of emergency because the characters interact with much hesitancy, coupled with idiotic dialog and a lot of horrible acting. Not to mention, the viewer, who may only be attracted to the movie for it's action genre appeal, is forced to endure a mounting body count and ridiculous amounts of violent shoot em-ups plus earthquake disaster scenes. All of the focus was put in the wrong place to apologetically compensate for the lack of direction and more interesting sequence of events that should've propelled the story. It might've been much better had the filmmakers focused more on a thriller, and paid greater attention to developing the corruption aspects of this story. Creepy villains, a naive reporter, and those who attempt to alert the reporter of the wrong-doing afoot. It is formulaic, but at least it would've been entertaining." ]

[ "I enjoy watching people doing breakdance, especially if they do it as well as in the best scenes of this movie which takes you to a disco club called \"Roxy\". Especially at Christmas time, because there also appears a \"MC Santa Claus\".<br /><br />Even if this is an old film, and even if I have videotaped it from TV, when the State Movie Archive of Finland showed this in the summer of 2004 on their own big screen, I went there to check it out. It's much more enjoyable on big screen than on TV.<br /><br />Even if many people here think that watching this on big screen is a waste of money for the ticket cost, I disagree with this and I think that when I paid my ticket, I got the money's worth by seeing this, as it is on big screen, especially seated on front row of the cinema, an unforgettable experience, and much better than just on video." ]

[ "This is a film which had eluded me thus far but, now that I've watched it, emerges as one of the major entries in the noir style. As usual with the DivX format, the viewing was far from ideal – marred by the occasional video and (mostly) audio glitches – but, given that the film is still unavailable on R1 DVD, this will have to do for the moment. Since the film's reputation is quite high within the genre itself, I assume that the reason behind this oversight is because it does not have a well-known actor in the lead.<br /><br />Anyway, the belated entrance of the film's nominal star – Franchot Tone – packs quite a wallop (especially as he is shown to be the villain from the first)! Tone was a underrated actor – he was rarely given meaty roles, and this may well be his best (making his paranoiac both fascinating and believably dangerous). The female lead – Ella Raines, who would later feature in BRUTE FORCE (1947) as well as Siodmak's own THE SUSPECT (1944) and THE STRANGE AFFAIR OF UNCLE HARRY (1945) – is quite lovely and capably takes on the role of the distraught secretary out to prove her convicted boss (Alan Baxter) innocent of his wife's brutal murder. Other key supporting parts are essayed by Thomas Gomez as the initially bullying but ultimately sympathetic police investigator, and Elisha Cook Jr. – the genre's quintessential fall guy – as an ill-fated \"ladies' man\" of a percussionist.<br /><br />Like BRUTE FORCE's Jules Dassin, Siodmak was on a noir roll at this point in his career and this film definitely benefits from his superb direction – all tilted angles and terrific set-pieces, including the justly celebrated jazz sequence in which Cook manically beats on his drums in a sexual frenzy brought on by the sluttishly-attired Raines (who is putting on an act to get his attention and eventually drive him to confess that he withheld evidence at the inquest which could spring her resigned lover from jail). Another great, lengthy sequence is the one in which Raines follows a bartender (another uncooperative witness) around the streets of New York – which results in his being mowed down by a car! <br /><br />Notable, too, is the trial sequence – which is entirely depicted through the audience's reaction so that judge, jury, witnesses and D.A. are never actually seen (although the judge's voice is recognizably that of veteran character actor Samuel S. Hinds). The centerpiece of the film is the scene in which Gomez and Tone discuss the nature of the criminal involved, with the inspector's put down of the latter as mentally insane giving the initially smug Tone \"dizzy spells\". The suspenseful climax finds Raines alone with Tone in his apartment, where she discovers evidence of his guilt – and he confesses to having had an affair with Baxter's wife, but killed her when she wouldn't desert her husband for him.<br /><br />By the way, I hit upon a little goof in the film: while the story is clearly set in 1943, I noticed that during the taxi cab ride towards the beginning of the film – in which Alan Curtis escorts the titular lady to the theater – the establishing shot of New York (comprising clearly of stock footage) features a marquee promoting Laurel and Hardy's 1938 musical comedy, SWISS MISS! Incidentally, famed mystery writer Cornell Woolrich wrote the original novel on which this was based using a pseudonym." ]

[ "I enjoyed Still Crazy more than any film I have seen in years. A successful band from the 70's decide to give it another try. They start by playing some gigs in some seedy European venues, with hilarious results. The music is fantastic, the script and acting are terrific. The characters are spot on, especially the lead singer with the high heavy metal voice, makeup and personality problems. The concert at the end was unreal. Go and see it, preferably in a cinema with a good sound system :)" ]

[ "This for me was a wonderful introduction to the talents and beauty of Marion Davies. She is not only gorgeous but hilarious in this film. (I believe that Lucille Ball may have modeled her later career on Davies' style, that could be termed \"zany beauty\".) Vidor's direction is light but sure-handed, the story is a chestnut of course but the acting is marvelously contemporary, and the star-watching element for fans of the silent era, with many cameos, adds to the overall fun. It combines the elements of slapstick with adult drama and good old timeless romance quite well. For all movie fans who have a knee-jerk reaction to watching silent films, sit through this one and it may change your attitude. <br /><br />" ]

[ "Although George C. Scott is the only actor in this version of ACC without a British accent, he more than makes up for it with his over-the-top and larger-than-life interpretation of Ebenezer Scrooge.<br /><br />Particularly effective is when he confronts Bob Cratchit in his office at the movie's end. As Scott stands before a large window, sunlight casts a glowing mantle over him; all you can see is his silhouette. Augmented by Scott's voice, a ponderous growl, the effect is galvanizing...much like Marlon Brando's first scene in APOCALYPSE NOW. \"The Horror,\" indeed! <br /><br />However, as they say, the very thing that works for you can also work against you. Because Scott displays such gleeful ferocity throughout the movie, it proves infectious. To put it another way, the \"before\" Scrooge is almost as charismatic as the \"after,\" even though he really shouldn't be. It's what you might call the \"Doctor Smith\" effect, since Jonathan Harris used a very similar approach when playing that role and numerous other heavies (stage and screen alike).<br /><br />Actually, I myself don't consider Scott's glib rage a liability. But other \"Christmas Carol\" purists might. See the film and judge for yourselves." ]

[ "Poor Whoopi Goldberg. Imagine her at a friend's dinner party, and she adds a comment to the in-depth political discussion going on. People just look at her and say, \"Oh what would YOU know, you were the star of 'Theodore Rex'\". How could anyone take her seriously after she lowered herself to be the star of this appalling piece of crap? Even little kids would be cringing in horror at this Thing. It reminded me of a particularly bad episode of 'Sigmund And The Sea Monsters'. Actually, come to think of it, 'Sigmund' was vastly superior to this.<br /><br />And however did it get made? By plying the producer with an illegal substance before telling him about it? Watch this hideous abomination at your own peril." ]

[ "I loved this movie! It was all I could do not to break down into tears while watching it, but it is really very uplifting. I was struck by the performance of Ray Liotta, but especially the talent of Tom Hulce portraying Ray's twin brother who is mentally slow due to a tragic and terrible childhood event. But Tom's character, though heartbreaking, knows no self pity and is so full of hope and life. This is a great movie, don't miss it!!" ]

[ "When I saw the Exterminators of year 3000 at first time, I had no expectations for that movie. Although, it wasn't so bad as I was thought. It's kind of Italian version of Roadwarrior, with cast, that is almost famous in Italy, including Venantino Venantini. Behind the story is Elisa Briganti and Dardano Sacchetti, who are also responsible for story of Zombie flesh-eaters. You can also see other links to Italian horror movies: Luca Venantini plays the role of Tommy, and you can see that kid in Paura nella citta dei morti viventi (City of the living dead AKA Gates of hell) as John Robbins and in Cannibal apocalypse as the role of Mary's brother. Quite entertaining movie, with some dull parts." ]

[ "Well then, what is it?! I found Nicholson's character shallow and most unfortunately uninteresting. Angelica Huston's character drained my power. And Kathleen Turner is a filthy no good slut. It's not that I \"don't get it\". It's not that I don't think that some of the ideas could've lead to something more. This is a film with nothing but the notion that we're supposed to accept these ideas, and that's what the movie has going for it. That Nicholson falls for Turner is absurd, but then again, it is intended to be so. This however does not strike me as a.)funny, or b.)...even remotely interesting!!! This was a waste of my time, so don't let the hype get the best of you...it is a waste of your time! With all that being said, the opening church sequence is quite beautiful..." ]

[ "I caught the last half of this movie on cable one night and was struck by just how morbid it was. Even when one of the two victims is at his most deteriorated, the camera keeps going. the lingering shots of his corpse being uncovered and his concentration-camp figure being zipped into a body bag are both moving and depressing. don't watch this movie if your already depressed. then again don't watch it if your feeling really good." ]

[ "\"Ghost of Dragstrip Hollow\" was one of the many '50s movies about hot-rodding teens encountering the supernatural. In this case, the teens can't pay the rent for their hangout and get evicted. With nowhere else to go, they decide on an apparently haunted house. As you may have guessed, once they arrive, some weird things start happening. And there's a twist at the end.<br /><br />There's nothing in this movie that you haven't seen in other movies, but it's nice entertainment nonetheless. My favorite character was the foul-mouthed parrot. Well, let me rephrase that: he didn't talk like a character in a Quentin Tarantino movie, but he said things that we don't expect out of a bird. The movie's pure hokum, but harmless." ]

[ "By God, it's been a long time since I saw this. Probably about 18 years ago?<br /><br />The movie tells us (kids) all about human blood and the circulatory system. Very professionally put together--Disney-style animation, plus human actors--it was directed by Frank Capra, for pete's sake!<br /><br />Kind of an overkill. I wonder if the very high production value is worth what amounts to a film-strip's worth of information on the human body? But boy will those kids watching it learn: even now I can clearly remember Dr. Baxter being challenged by Hemo himself to name what common material most resembles human blood, to which the Doctor immediately answers \"sea water.\"" ]

[ "This movie is totally wicked! It's really great to see MJH in a different role than her Sabrina character! The plot is totally cool, and the characters are excellently written. Definitely one of the best movies!!" ]

[ "This was a movie that I hoped I could suggest to my American friends. But after 4 attempts to watch the movie to finish, I knew I couldn't even watch the damn thing to close. You are almost convinced the actual war didn't even last that long. Other's will try to question my patriotism for criticizing a movie like this. But flat out, you can't go from watching Saving Private Ryan to LOC. Forget about the movie budget difference or the audience - those don't preclude a director from making an intelligent movie. The length of the movie is not so bad and the fact that it is repetitive - they keep attacking the same hill but give it different names. I thought the LOC was a terrible terrain - this hill looked like my backyard. The character development sequences (the soilders' flashbacks, looking back to their last moments, before being deployed) should have been throughout the movie and not just clumped into one long memory. To this day, I have yet to watch the ending. But there was a much better movie (not saying much) called Border." ]

[ "Most successful comic book movies usually depend on having villains that are bigger than life, ready to jump off the screen and strangle you alive with a smile or a demented line or two of dialog. The Tim Burton Batmans had it, as did (in an even more grotesque manner) Sin City. With Dick Tracy producer/director/star Warren Beatty piles on the villains until it becomes part of the framework. Like a boisterous homage to 1930s gangster pictures- only this time meant for kids as opposed to the darker Bonnie and Clyde- Dick Tracy is filled, joyfully, with archetypes and bright, primary colors, where the criminals carry tommy guns and are formed on their faces to shape their personalities. Villains like The Stooge, Shoulders, Lips, The Brow, Mumbles, the Blank, Pruneface, Spud. Chester Gould gave the names to his characters that fit their profiles, and gave his hero a jaw that could cut glass. The film is a continuation of sight gags that are perfectly taken seriously.<br /><br />If, at the time, movies like Batman and (underrated) Teenage Mutant Ninja Turtles were darker depictions of reality within a comic-book outline, Dick Tracy is more 'old-school'. It's a story of cops and crooks, or rather A cop, detective Tracy as he tries to bust Big Boy (Al Pacino, in what is arguably his BIGGEST performance to date, and in a sense the one that makes sense for his grandiose style), but with no such luck. There's also a little kid, called simply the Kid (Charlie Korsmo, who somehow brings more spunk to this little kid than would've been imagined), and Tracy's love interest in Tess. And then there's the nightclub 'dame' (Madonna, who probably doesn't give any kind of great acting performance, but maybe that suits the role fine, and she sings excellently when called upon), who wont testify unless Tracy admits feelings he doesn't have for her. Then there's convoluted dealings with taking Tracy down, and a mysterious masked figure with a scraggly voice.<br /><br />Meantime, as if doing an impersonation of a Howard Hawks film in a splash of visual effects and bigger explosions, Dick Tracy adds on the wink-and-nod comedy and the action like its syrup on a tall stack of pancakes. It's a wonder to look at this world, which is created in ways that have a fascination to them that had they been done today would just be simply by proxy of computers (i.e. Sin City, which can be justifiably compared to Beatty's film). We're driven through this world in great big shots and then thrust in the plot line, or whatever there is of it, in big editing montages with camera angles that seem to come out of those little tilted panels in the comics of old. I'm almost reminded of the Cotton Club during these sequences, as story, music, detail, and a few BIG punches and gun-shots go a long way to revealing what needs to be said, which, actually, isn't more than it needs to. And there's a heap-load of catchy dialog from the script (one of my favorites: \"the enemy of my enemy is... my enemy\", plus any of Pacino's references to other figures in quotes).<br /><br />Revisiting this after seeing it for the first time in the movie theater (and only remembering little bits), Dick Tracy is a hard-boiled fantasy to the finest degree. It's filled with good cheer for the kids, and with some pretty good action squared away without some of the more sinister intent of its cousin comic-book movies (i.e. PG-13 fare), and for the adults its throw-back central done with panache and a solid feeling for the unsubtle. Even Dustin Hoffman hams it up, and he barely says an audible word!" ]

[ "I watched this movie recently together with my sister who likes the performances of Sophia Loren. I'm a person who they call a Cultural Barbarian. I hate art in any kind of shape or form. Rambo is more my kind of movie, action, kills, blood, horror. If you recognize yourself in this avoid this movie like the plague. No one dies, no action, no nudity, nothing of the kind. Let me give you a résumé in a few sentences. It starts out with 5 minutes in black and white Nazi propaganda. Every Italian in a housing block attends a parade in honor of Hitler, except for a housewife, an anti fascist and a caretaker. The housewife who is cheated by her husband, meets the anti fascist. She falls in love with him, wants to make love to him, but the anti fascist is gay. Despite of this they make love with each other. At the end of the day, the housewife reads a book from her gay lover, and the guy himself is deported by agents. The end. You want an even shorter résumé? BORING... That short enough? The guy should have used his gun in the beginning of this movie and shoot himself, to save the audience from this atrocity. On a side note my sister loved this movie. Like I said, I'm a Cultural Barbarian..." ]

[ "I haven't laughed this hard at a movie in a long time. I got to go to an advance screening, and was thrilled because I had been dying to see it. I had tears in my eyes from laughter throughout a lot of the movie. The audience all shared my laughter, and was clapping and yelling throughout most of the movie.<br /><br />Kudos to Steve Carrell(who I had already been a fan of). He proves in this movie his tremendous talent for comedy. He has a style that I haven't seen before. And Catherine Keener is excellent as always. Thank God there wasn't a cameo from Will Ferrell(love him, but saw him too much this summer).<br /><br />There were parts of comedic genius in this movie. Partly thanks to Carrell, and partly thanks to the writing(also Carrell). The waxing scene and the speed dater with the \"obvious problem\" were absolutely hysterical.<br /><br />I will definitely go see '40 Year Old Virgin' when it's released. My advice: go to see it for huge laughs and an incredibly enjoyable movie on top of it." ]

[ "THE ODD COUPLE (3+ outta 5 stars)<br /><br />Like most people I will always feel that Jack Klugman and Tony Randall are the definitive \"Odd Couple\". Their incredible work on the TV series from the early to mid-70s was a highwater mark for television at the time... easily surpassing the stage and screen versions of the tale. Nonetheless, how can you go wrong with a Jack Lemmon/Walter Matthau pairing? Matthau is in especially good form as Oscar, the slob. Lemmon takes a bit of getting used to as Felix, particularly if you have previously seen Tony Randall's outstanding performance. The script is good... definitely Neil Simon's best. (I will go on record here as stating that Neil Simon is probably one of the worst, most over-rated playwrights of American theatre.) The storyline is simple: Felix, a neat freak and newly separated from his wife moves in with Oscar, the slob who needs some help saving money for alimony payments. Their living arrangement becomes much like a marriage as well, culminating in some amusing tiffs and spats. Lots of fun and some great one-liners." ]

[ "If you want Scream or anything like the big-studio horror product that we get forced on us these days don't bother. This well-written film kept me up thinking about all it had to say. Importance of myth in our lives to make it make sense, how children interpret the world (and the violence in it), our ransacking of the environment and ignorance of its history and legends.. all here, but not flatly on the surface. You could technically call it a \"monster movie\" even though the Wendigo does not take physical form until the end, and then it's even up to you and your beliefs as to what's happening with the legendary spirit/beast. Some standard thriller elements for those looking just for the basics and the film never bores, though in fact the less you see of the creature, the better. Fessenden successfully continues George Romero's tradition of using the genre as parable and as a discussion forum while still keeping us creeped out." ]

[ "Roman Polanski masterfully directs this sort of a variation on the same theme as Repulsion. I can't imagine there is one honest movie goer not able to acknowledge the fine director in Le Locataire, yet both parts of the dyptic may not be thoroughly satisfactory to most people, myself included.<br /><br />Polanski is very good at making us feels the inner torture of his characters (Deneuve in Repulsion and himself in Le Locataire), starting with some lack of self-assurance soon to turn gradually into psychological uneasiness eventually blossoming into an irreversible physical malaise. The shared ordeal for the characters and audience is really dissimilar from the fright and tension of horror movies since there's no tangible supernatural element here. While horror movies allow for some kind of catharsis (be it cheap or more elaborate) Polanski sadistically tortures us and, if in his latter opus the dark humour is permanent, we are mostly on our nerves as opposed to on the edge of our seats.<br /><br />Suspense, horror, all this is a matter of playing with the audience's expectations (alternatively fooling and fulfilling them), not literally with people's nerves. In my book Rosemary's Baby is a far greater achievement because sheer paranoia and plain rationality are in constant struggle: the story is about a couple moving in a strange flat, while we are forced to identify with a sole character. What's more if the fantasy elements are all in the hero's mind the situation is most uncomfortable since we, the viewers, are compelled to judge him, reject him while we have been masterfully lured (\"paint 'n lure\") into being him." ]

[ "Cinematography--Compared to 'The Wrestler,' a degree of verite and cinematic skill that disarms the viewer, and then hypnotizes as well.<br /><br />Acting--The dialogue is minimal, but the pauses and silence poignant.<br /><br />Story--The conflict in a 'balkanized' Denmark is volatile, as we saw recently jihad murders in the Netherlands and riots in France. While I harbor no love for Islam, the departure from the West from Christian values holds no cause for celebration.<br /><br />The director of this film managed to mirror the two societies in a way that belabored neither, emphasizing the development of Aicha as an individual who became a champion, not so much in the ring, but to all those around her. Even her worst . . . I will stop here to avoid the spoiler." ]

[ "THE RINGMASTER stars Jerry Springer as a TV talkshow host called Jerry , but it`s not THE JERRY SPRINGER SHOW , his guests are trailer trash , but not the trailer trash you get on THE JERRY SPRINGER SHOW, they attack one another , but not like on.....What is the point of making a movie about THE JERRY SPRINGER show and pretending it`s not THE JERRY SPRINGER SHOW ? And on top of that this is a very boring film" ]

[ "Daniel Day Lewis in My Left Foot gives us one of the best performances ever by an actor. He is brilliant as Christy Brown, a man who has cerebral palsy, who then learned to write and paint with his left foot. A well deserved Oscar for him and Brenda Fricker who plays his loving mother. Hugh O'Conner is terrific as the younger Christy Brown and Ray McAnally is great as the father. Worth watching for the outstanding performances." ]

[ "As others have mentioned, this movie is similar to THE FLY (both versions) and the lesser known sci-fi flick ALTERED STATES. The big difference is that those two movies were well made by people who knew what they were doing and were good at it. METAMORPHOSIS did not have these advantages. METAMORPHOSIS is a potentially interesting science fantasy story that had the wrong people in charge of it and the wrong actors playing the roles.<br /><br />The story follows scientist Dr. Peter Houseman (Gene LeBrock), an obsessed man working on a genetic cure to aging and death. When the university he works for threatens to cut funding, he decides to inject the anti-aging serum into himself. As a result, Dr. Houseman spends the rest of the movie slowly turning into a lizard. And oh yes, watching the good doctor go through the process of becoming that lizard is a great joy. It really is so bad that it's good. Some of the lines are classic: \"What WAS it?\" \"A nightmare...from the past!\"<br /><br />Many of the reviews that I've read for this point up how stupid and ridiculous the last five minutes of this movie are. I'm just going to go ahead and spoil it: the good doctor goes from being a shuffling half-man, half-lizard thing to being what appears to be a man in a rejected Godzilla costume, when the police finally gun him down. In the final scene, some obnoxious kid is seen with a little pet lizard which he claims will never die, and the movie's heroine, Sally Donnelly (Catherine Baranov) evidently decides that the little lizard is the final incarnation of Dr. Houseman. The camera then gives us a close-up of the lizard's face; this is, I assume, the director's way of showing us that the lizard is EVIL. Yes, it is goofy, but I fell over laughing so I can't complain.<br /><br />I watched this movie because it was a part of the Chilling Classics 50 Movie Megapack that I purchased. I'm sure many of those who are reading this did exactly the same thing, as the 50 pack is the only way to see this movie on DVD. If you have recently bought the boxed set and haven't watched this movie yet, it really is worth your time, even if I did just ruin the ending for you. It might also be possible to find this movie online for free." ]

[ "This is one of the few films where I consider the film rendition to be an improvement on the original book. The story is clear, accessible, amusing and interesting and the musical numbers are without a doubt exceptional. I adored the cyclical rendition of 'The old home guard' and the charming 'Portobello Road', a great combination of early animation + real actors techniques which, though dated do not detract from the charm of the piece. The background of the Second World War worked well and was not omitted as the film got under way, which so often happens in 'evacuee' stories.<br /><br />An often far too underrated film, it produces no end to enjoyment for people of all ages. The performances from the actors are exceptionally well done and the entire text is neatly tied together and well designed. Guaranteed to put a smile on your face!" ]

[ "Suraj Barjatya is best in movies on marriage. And here he is; back to his basics on Vivaah. As the story goes this is a story from engagement to marriage. A movie you can watch with your entire family around you. A movie you will hate watching alone. The story is simple, but the music is good, cinematography is excellent, direction is best, everything about the movie has a class of its own. There are a lot of scenes which will make you cry and am sure if you are watching the movie with your sweetheart, you both are definitely going to hold each others hand till the end of the movie.<br /><br />Shahid & Amrita jodi has given us hit movies earlier like Ishq Vishq, & Shikhar. Though Shikhar was a good movie it wasn't accepted well by the public.A truly Shahid & Amrita film." ]

[ "Cybil Richards directs another Full Moon/Surrender Cinema masterpiece of erotica. This time Jacqualine Lovell (dressed in rather fetching silver outfit) is tasked with destroying all evidence of sexual activity. However she can't resist watching the tapes and she kinda likes them. The sex scenes are well filmed and set to a superb soundtrack (at least for this sort of film). The cast are largely awful and mainly very average looking too. Jacqueline Lovell is her exceptionally attractive self and between viewing the sex files she manages to expose her chest and fumble a little down below. She also fits in a little lesbian activity. To be honest Lovell deserves so much better than this kind of fare. Here she looks great naked but actually is much more appealing in her silver attire narrating the 'drama'. Utterly rubbish movie with Lovell and soundtrack the only real redeeming features. Mediocre even for Surrender's output and clearly a new budget low for them also." ]

[ "I just watched The Convent for the second time. I had enjoyed it previously and figured it would make for a good drunken Friday night film, some gore, some style, bit of humour and suchlike. I was saddened to find that I could no longer appreciate it much. It seemed like someone had set out to revisit cheeseball epics like Night of the Demons for a modern audience but lost the things that made the original worthwhile. For the record I'm not even a huge fan of Night of the Demons, but there were some things I really dug about it. The Convent does the cheese but the not the goodness so much. Apart from the main girl (likeable performance from Joanna Canton), the goth girl and a sweet cameo from Adrienne Barbeau pretty much all the characters were excruciatingly unlikeable, festering at the absolute lowest levels of moronic, offensive jockhood. The film is then gravely hampered by the complete lack of gratuitous nudity which means that, given the awful dialogue, it is difficult to watch the characters and harder to appreciate the good points of the film. The evil nuns are original in design and get lots of good scenes, though not scary their certainly kinda cool, and the film also fields a fair amount of neat gore. Towards the end, when Adrienne Barbeau is on the scene the film becomes quite entertaining cause all the obnoxious people are dead and its an evil nun bashing frenzy. The stylised direction also occasionally yields good results, although sometimes the camera just moves too fast. All in all, this was a film where for me the shining good points just can't make up for the things I hated. Those more fond of this kind of film may well enjoy it a lot more, but for me it wasn't a good time." ]

[ "This film illustrates the worst part of surviving war, the memories. For many soldiers, men and women alike, returning home can be the beginning of real problems. I am reminded of my father and his brothers returning from WWII. For one of my uncles the war was never over. He survived the D-Day invasion, something akin to the first 20 minutes of Saving Private Ryan. For him the memories not only lingered but tortured him. He became an alcoholic as did several of my cousins, his sons. Jump ahead 60 years and place the soldiers in a different war, in a different country, the result is the same. When I saw this at the KC FilmFest, I was reminded that there are somethings about war that never change. The idealistic young men and women are not spared the emotional torment of what happened in Iraq, and especially if you are against the war you will come away with more compassion for the soldiers there trying to do what they believe or have been told is right.<br /><br />The tag line from the Vietnam war film Platoon says it all. \"The First Casualty of War is Innocence.\"" ]

[ "A singularly unfunny musical comedy that artificially tries to marry the then-cutting edge rock 'n' roll explosion with the middle-class sensibilities of a suburban sitcom. The result is a jarringly dated mish-mash that will satisfy none of the audience that went for the music, but will at least keep their parents sated.<br /><br />A quick glance at the promo write-up on the back of the video release should give some idea of the content. Tom Ewell is a drunken agent, overplayed with so little comic ability you almost expect him to bellow \"hi honey, I'm home!\" The blurb sites him as \"So funny in 'The 7 Year Itch'\". It sounds almost like an excuse. What other film would sell itself on the fact that a leading player was good in something else? It reads like \"So funny in 'The 7 Year Itch' ... but he's rubbish in this\".<br /><br />Mansfield, a beautiful girl with rumoured 50-inch assets, is, unfortunately, a bargain basement Monroe with all the acting ability and comic timing of a rotting haddock. Her wooden delivery combined with Ewell's OTT double-takes make this a comedy partnership from Hell. For her part, the sell gives us: \"[Jayne Mansfield] whose more obvious talents are the cause of many of the film's biggest laughs!\" As you can see, a movie sold on the idea that it's lead has a big chest is not the most sophisticated of things. Most of this \"humour\" is men literally falling over themselves, their glasses cracking upon site of Mansfield, etc. Only the Freudian nightmare of a milk bottle overflowing casts doubt upon its \"U\" certificate.<br /><br />For the musical side, the most adenine of players are chosen. Would you really care to see Eddie Fontaine offer: \"I love your eyes, I love your lips, they taste even better than potato chips\" in a song called \"Cool It, Baby\"? Only the incendiary Little Richard breaks out of the MOR, though is forced to sing some of his more dad-friendly songs in a four-minute sequence. And how come all the acts sing without a single microphone? Attempted satires on the industry are broad and childlike in their conception.<br /><br />Technically, the picture was quite advanced, with special effects (including a ghost-like Julie London) and deluxe color (Which now looks flat and artificial. In fact, with its reds that bleed and fake-looking flesh tones, it resembles a colorised movie). Direction, though, isn't outstanding, and the sound quality is also quite poor.<br /><br />Perhaps it comes down to it being so old. A time when men still smoked on screen, sickeningly cute child actors made adult remarks and black servants only got to cook and dance. (All of which happen here). Yet Some Like It Hot, The African Queen, Ben Hur and many, many more stand as examples of films from the period that can still be enjoyed today, so the \"good at the time\" argument doesn't really stand up. At its heart The Girl Can't Help It is a cynical and patronising venture that doesn't bear close inspection. 4/10.<br /><br />" ]

[ "Personally I think this show looks pretty cheaply made. Some of the actors are terrible. They over do it & seem fake. I can always tell how it's going to end within the first 10 minutes or less of watching because they make it so transparently clear. It's not very well written either. I love to watch it to laugh at it. You know the saying \"It's so bad that it's good?\" Well, that saying applies to this show. I also like to watch just to see if I'm right when I guess how it's all going to end. So far I've been right every time. It's like a little game that I play. It's nice when you are bored & you feel like laughing at something." ]

[ "Awful. This thriller should have buried. What a piece of crap. Terrible writing, characters are less than believable. Horrible Schlock!! Stick some B- stars in a terribly written POS to try and give it a little credit, but it fails miserably. If I didn't have to write ten lines about this movie I would have given it a word word review, it starts with 'sh' and ends with 'it'.<br /><br />Horrible ending, retarded. Who writes this crap. The ending of this film is so contrived, weak it's as if they had no idea what to do with this story line, or they just ran out of money. Most likely due to the number of cameos in this movie. It's a good thing that these actors are on the way out, because this would be a career killer. Good thing for them that hardly anyone will see it. At least no one important, like future investors. It could have ended a thousand different ways, but as it is, I feel cheated out of my precious time.<br /><br />Don't bother with this one, you will feel like you wasted time you can never get back." ]

[ "This movie is horrible- in a 'so bad it's good' kind of way.<br /><br />The storyline is rehashed from so many other films of this kind, that I'm not going to even bother describing it. It's a sword/sorcery picture, has a kid hoping to realize how important he is in this world, has a \"nomadic\" adventurer, an evil aide/sorcerer, a princess, a hairy creature....you get the point.<br /><br />The first time I caught this movie was during a very harsh winter. I don't know why I decided to continue watching it for an extra five minutes before turning the channel, but when I caught site of Gulfax, I decided to stay and watch it until the end.<br /><br />Gulfax is a white, furry creature akin to Chewbacca, but not nearly as useful or entertaining to watch. He looks like someone glued a bunch of white shag carpeting together and forced the actor to wear it. There are scenes where it looks like the actor cannot move within, or that he's almost falling over. Although he isn't in the movie that much, the few scenes are worth it! Watch as he attempts to talk smack to Bo Svenson, taking the Solo-Chewbacca comparison's to an even higher level! <br /><br />I actually bought this movie just because of that character, and still have it somewhere! <br /><br />Gulfax may look like sh!t, but he made this movie!!! The only reason I've never seen the sequel, or even sought it out, was because of his absence! Perhaps should there be a final film, completing the trilogy, Gulfax will make a much-anticipated return!" ]

[ "This was a very enjoyable film. A humorous, but poignant look at family, and the obligations that come with it. The story of a man who comes home from his life in the city to his fathers bath house in a small Chinese village. There he learns to appreciate, even cherish the very things he left home to get away from. The film is as visually beautiful as it is emotionally beautiful." ]

[ "I was going to say this was the worst gay-themed film I've ever seen, but I can honestly say this is the worst film if any genre I've ever seen.<br /><br />You know you're in trouble when a movie starts with a \"personal note\" from the Director, asking for the audience's \"understanding\" for the \"many challenges\" facing a first-time Director. The audio track is so bad in many scenes it's almost impossible to follow the dialogue, and this from a DVD version. Bad lighting, bad sets, bad photography, poor script, generally bad acting all add up to make this \"film\" unwatchable. I did make it through to the bad ending after several attempts, and immediately gave away the DVD I foolishly purchased. I'm sure there are many challenges facing a first-time Director. But, don't try to palm off this lame attempt as a finished product. I see from IMDb details that this was not only the first Directing attempt of Richard Natale, but also the only. That's the one positive thing I can say about this alleged \"movie\"." ]

[ "Yes, the first \"Howling\" was a classic. A rather good werewolf movie that I admit started slowly, but gained momentum along the way to have a rather good finish then the anchorwoman changed into a cute werewolf only to be gunned down on camera. Yes that made for an entertaining horror movie to be sure...well forget all of that as this movie has nothing to do with that film. Oh sure, they kind of make it out that the anchor woman is the same and that her brother or something is wanting to find out what and why things went down as they did, but they go from the little cozy retreat from the first movie to Transylvania or somewhere here where they must battle evil magician werewolves or something. I often wonder what in the world Christopher Lee was doing in this movie, however I read the trivia here where it says he had never been in a werewolf movie before, but still read the script before you take a role. Maybe you could have gotten into \"An American Werewolf in London\" hell that could have been possible. It was set in London after all. Heck, werewolves do not seem to figure much into this movie except for a rather bizarre and prolonged sex scene. In fact, the most memorable death in this movie for me was when the one gal started talking loudly and this one dude's ear's started bleeding." ]

[ "I'm a big fan of Morgan Freeman. 'The Shawshank Redemption' ranks at the top of my all-time favorite movies. But I have to admit that I have often wondered about his choice of roles. So many of his titles were big budget clichés with no heart. '10 Items Or Less' for me marks the return of Freeman to a role that truly showcases his considerable acting talents.<br /><br />Freeman plays an unnamed, formerly big time Hollywood actor who hasn't worked in several years. He has been offered a part in an unspecified indi picture for which he is doing some research at a grocery store in a poor neighborhood in LA. After being stranded there by his flaky driver, Freeman is offered a ride home by checkout girl Scarlet (Paz Vega), whom he has semi-befriended. Before she can take him home, however, Scarlet has a big job interview she needs to get to, and Freeman agrees to tag along in exchange for the ride.<br /><br />The movie follows Scarlet and Freeman to several locations, but the movie is really just a character piece about the interactions between the two. Freeman is the quintessential disconnected Hollywood type who hasn't heard of Target, and doesn't know his own telephone number or even what day of the week it is. He spouts wisdom from the Dalai Lama filtered thru his 'the whole world is but a stage' mentality, and repeatedly calls Scarlet's job interview an 'audition'. And yet he has a way with people, a way of affecting them that extends beyond his fame. He is a fan of humanity. He studies them, asks incessant questions about them, and delights in their quirks where others would simply be annoyed. In Scarlet, he sees the stubborn, proud loner that he was; he sees the man he used to be.<br /><br />Scarlet, for her part, displays a fierce pride and sharp tongue that serve to hide her own insecurities about herself. Vega plays the role with a connection to Freeman that skates the line between an almost daughterly love and physical attraction, although she plays it beautifully and it's not at all as creepy as it sounds. But even as she feels her connection to Freeman grow, Scarlet has a keen eye for the reality of their different worlds and cuts thru Freeman's Hollywood bull*hit with a sharp pragmatism that refuses to accept anything but the truth.<br /><br />The movie is smart, funny, and well written, with dialogue that is simple but effective. I read one IMDb review that said the lines were 'stilted', which I think is a misinterpretation of realistic human speech. There are no big soliloquies here, no deep soul searching moments. And so the trick is, I think, to show how people in ordinary, everyday life can forge connections with one another. And I think Freeman and Vega pull it off beautifully, painting a picture of a bond between two people that glitters like sun on the ocean, ethereal and elusive. Long after it's gone it lives on in your memories, tantalizing you with what might have been. OK, that was a bit flowery, but I really did like the performances and the movie. I would definitely recommend it." ]

[ "This was a great movie! Even though there was only about 15 people including myself there it was great! My friend and I laughed a lot. My mom even enjoyed it. There was two middle aged women there and a mid 20 year old there and they seemed to enjoy it. I love the part where Corky and Ned are like both liking Nancy and stuff its cute lol. And when she gets her roadster and Ned is there. Yeah This was a great movie even thought people underestimated it lol. Go See it i bet you'll enjoy it!! I really enjoyed it and so did my friend. <br /><br />People were so tough on this movie and they hadn't even seen it. I bet next time they will give the movie and actresses a chance. They all did a great job in my opinion. But if you have young kids its still appropriate. I will probably take my 7 year old niece to watch it too." ]

[ "For Daniel Auteuil, `Queen Margot' was much better. For Nastassja Kinski, `Paris, Texas' was much better. The biggest disappointments were from Chris Menges (`CrissCross' and `A World Apart' cannot even be compared with this one), and Goran Bregovic for use of a version of the same musical theme from `Queen Margot' for this movie (Attention to the end of the film). If this was an American pop movie, I would not feel surprised at all; but for a European film with more independent actors and director, a similar common approach about child abuse with no original insight is very simple-minded and disappointing. There are those bad guys who kidnap and sell the underage people. There are those poor children who hate people selling them and wait to be saved by someone. And finally, there is that big hero who kills all the bad guys and saves these poor children from bad guys. Every character is shown in simple black and white terms: the good versus the evil. Plus, from the very beginning, I could understand how the story would end. Is this the end of the history of child sexual abuse? I believe that the difficult issue of child molestation and paedophilia is much more complex than how it is portrayed in this not very original movie. I think this movie was not disturbing, but very disappointing." ]

[ "When his in-laws are viciously murdered by a gang of thugs, a young deputy is ordered to escort his mute friend, forced to take the rap by the gang, to Tucson for trial and ending up having to face the real killers along the way.<br /><br />The Decoy is a real-life decoy sent to video stores to lure you away from better films! It's talky, illogical, slow, and ultimately very boring.<br /><br />There's some good costumes, sets, and photography but nothing else is good about this vanity project from writer/director/producer/star Justin Kreinbrink, who apparently had too much money on his hands.<br /><br />They used to make westerns like this, that were under an hour long. Trim this of about half it's length and you might have something watchable." ]

[ "Erroll works for The Department of Public Safety and his job is to check up on sex offenders. Sometimes he pushes the line at his job and beats on the sex offenders. I don't blame him but his boss is ready for him to retire so along comes Allison. Erroll is now training her to do his job and it's like job shadowing. Allison is somewhat naive about the job in the beginning but she doesn't realize how much danger she really is and it's all Erroll's fault. He starts to go to far with his obsession of finding a missing girl when his job isn't to be a police officer.<br /><br />It's a fairly decent movie about a crazy guy who pushes the boundaries and works outside his \"scope of practice.\" Erroll did do a good job but at the sake of the safety of Allison. It has some good mystery to it too and just when I had it figured out, there was more to it." ]

[ "I read in the papers that W.Snipes was broke so no wonder he would take parts in low budget projects like The Contractor.He is just the next action star to join a growing club:the penniless action stars of the 90s (Van Damme,Segal,Lundgren,Snipes). Here he stars the lead in a cheap action flick which was shot in Bulgaria( we are supposed to believe that the location is London, like only a complete moron would buy that)The story is the one of 1000 other movies: retired special forces good guy gets hired by the government again to do a wet job- after that government wants to get rid of him- good guy gets away after killing bad guys (was that a spoiler? guess not!) The star of the movie: the little girl (Eliza Bennett) outperforms everybody else of the cast!!!One star is for her plus one star for eye candy Lena Headey, makes 2 stars. Only for die hard Snipes fans!Everybody else:avoid!" ]

[ "I am surprised at IMDb's low rating of this movie. With all due respect, its low rating is representative of the IQ level of those who rated it so poor. They would rather see a movie with cheap thrills, a bigger budget, and more gore.<br /><br />The first misconception by people is that this is a horror film. It is not, nor does the film mislead you into believing it is one. It is a psychological thriller. It is for people who actually want an intellectual experience when watching a movie. Reel.com's review is the perfect example of how I feel about this movie. All the other negative reviews doesn't make much sense. It's almost as if trying to make an original movie for a change- very rare these days- is something bad and not worth it.<br /><br />I will reveal some spoilers for the morons who said it was boring and didn't make sense. Martha was brainwashing herself and performing experiments on herself to be a caring mother while she really was an evil Nazi who would kill without warning. The evidence is all in the pudding and the fact that at first viewing, we sympathize with this cold-blooded monster for the duration of the movie is a testament to the film's direction and writing.<br /><br />I definitely feel that this movie should at least be rated in the 6's range on originality alone. I recommend this movie for the people on the other end of the IQ scale- aka smart people- since this movie is obviously being butchered by those who would rather watch Scream or Freddy's Nightmare.<br /><br />Kudos to the acting as well. For such a low budget film, you are amazed that this movie didn't hit your local cinema with the great direction, writing, and acting. Please don't be fooled by the rating by IMDb. This movie is worth it. I actually recommend buying the film since a first viewing on a rent will not do this justice." ]

[ "The movie has a great written genre story. It features all of the usual Columbo ingredients; The way Lt. Columbo approaches and bonds to his suspect, the way the mystery unravels for him, Columbo's dog, the cat and mouse play, which is great in this one and luckily as well some good relieving humor, mostly involving the Columbo character. It's all written despite the fact that it doesn't even have a truly original concept. Columbo hunting down a detective/murder novel writer had been done more than once before in a Columbo movie.<br /><br />It's also an extremely well directed movie from James Frawley, who after this directed 5 more Columbo movies, in the '70's and '80's. He provided the movie with style and some truly great and memorable sequences.<br /><br />It's one of the slower moving Columbo movies, despite not having a too long running time. This style and approach doesn't always work out well for a Columbo movie but in this movie it does, which is perhaps not in the least thanks to the acting performances of the movie.<br /><br />Most Columbo movie either starred a big well known star or a star from the early days of film-making, as the movie its murderer. This movie stars the rather unknown 81 year old Ruth Gordon. She didn't starred in an awful lot of movies throughout her career but she is still well known to some, mostly for her role in \"Rosemary's Baby\", which also won her an Oscar. She had a realistic and somewhat unusual style of acting, which some people might not like though. It earned her 4 more Oscar nominations throughout her career, prior to her win for \"Rosemary's Baby\", in 1969. She has some great interaction as well with Peter Falk in their sequences together.<br /><br />The movie also stars a still young G.D. Spradlin. I say young because I only know him from his latest productions out of his career, despite the fact that he already was 57 at the time of this Columbo production. He is still alive but retired from acting, ever since 1999.<br /><br />An even better than usual Columbo movie entry.<br /><br />8/10" ]

[ "I have never seen anything as awful as this movie for quite some time. The movie was boring, long long and awful plot. The special effects sucks like hell - It's like watching a movie back in 1999. It's a total waste of an hour and a half of my time. Matthew Settle's performance was quite bad. I saw him in Band of Brothers playing Lt.Speirs, he wasn't THAT bad. In fact not bad at all. But in this film, his acting wasn't convincing enough, it was quite bad and there wasn't any chemistry between the rest of the crew either. Plus, his eyes seems empty like he's not feeling it. It surprised me, really, because he was good in Band of Brothers.<br /><br />Anyway, don't even bother to watch this movie. It's a big big BIG waste of time. Even if you had to kill an hour or two, get something else to do besides watching this movie. Trust me, you'll regret it!" ]

[ "In my humble opinion, this version of the great BDWY musical has only two things going for it - Tyne Daly and the fact that there is now a filmed version with the original script. (OK Vanessa Williams is good to watch.)But to me that's all there is. Most of the cast seem to be walking through the show - Chynna Phillips has no idea who Kim really is and no wonder people walk over Harry McAfee when it's played by George Wendt who looks like he'd rather be back on a bar stool in Boston. Jason Alexander is passable, but that wig has to go and I saw better dancing in Bugsy Malone. As I mentioned, it's good to have a version of the stage script now, but I hope the young out there, who have never seen a musical, DON'T judge them all by this." ]

[ "Finally I got to see the infamous \"Ice Age\". Apart from maybe not being as dead funny as I'd hoped for after seeing the brilliant teaser there is not a bad word I can say about it. Sure, it's not as glamorous as a Disney production(besides, it is Fox's 1st attempt at a full length CG movie) but it's got immense heart and on some occasions(like the look in Manfred's eyes after we see the sad glimpse of his past) I found myself on the verge of tears. But when they reunited the baby with its father I just couldn't hold them in anymore. A movie that has no trouble walking on the thin line of sappy and cliché and manages to bring more than the best out of it; the end result being one of the most touching animated creations I have ever seen. Great funny looking characters that quickly grow on you(and great voice talents as well) and many funny memorable scenes, especially from Scrat's behalf make the movie more than enough reason to give it a go. Plus the Dodo scene, which is my personal favorite funny scene of 2002.<br /><br />I honestly don't get it, but for some reason it really looks like CG animation will be taking the upper hand in the future. But if it just means that there will be more movies like this one (and who can forget Pixar's creations) then I don't really mind, at least for now. 9/10" ]

[ "Lion King 1 1/2 is a very fun and addictive sequel. Don't expect the production values of a theatrical release, but do expect the highest quality of direct to video release.<br /><br />It is set up as Timon & Pumba begin watching the original Lion King in a darkened theater and abruptly switch tracks and begin narrating their own story. This is done with frequent comedic interruptions. For example, during one particular tense moment a home shopping commercial pops on and a chagrined Pumba realizes he has sat on the remote. These little moments pepper the movie, and whether you find them entertaining or not will greatly depend on your sense of humor. If you are particularly bothered by movies that deliberately remind the viewer is watching a movie, than this may not be your cup of tea.<br /><br />Animation is the best they've invested in the Disney DTV line, and is integrated almost seamlessly with the original material. The newer, independent material uses a lot of the artistic style of the original. The voice talents are all well performed, though I couldn't help thinking of Marge Simpson every time I heard Julie Kavner.<br /><br />Many of the jokes in the movie will be well recognized by viewers as recycled over the generations, but are presented more with the familiarity of comfortable quirks of old friends than annoyingly repetitive.<br /><br />The music has made me realize how much I enjoyed and miss a good musical integrated with a Disney feature. The toe-tapping opening feature of 'Dig A Tunnel' is well choreographed and hilarious. Timon and Pumba's take on the Lion King's opening sequence and their introduction to paradise are also amusing. The only problem was the reprise of the 'Dig A Tunnel' at the end of the movie, switching its lyrics and tune from defeatist to uplifting.<br /><br />Story line is pretty well done, and the integration of new plot elements is done almost perfectly, though the final bit during the hyena chased stretched the storyline credibility a little. The new story doesn't seem to handle saccharine or emotionally charged moments to well, and does better when it is resorting to full comedy. <br /><br />Overall, worth purchasing. If you like all the bonus features that come with a typical 2-disc set, then go for it. For the penny pincher who still is willing to invest on a good flick, wait until it drops four or more dollars and go rent it right away. <br /><br />Damion Crowley." ]

[ "I love the 80s slasher flicks and I remember when \"Silent Night/Deadly Night\" was pulled from our theaters, I was very disappointed, so I was very excited to see some of these on Fear.net. You Better Watch Out was what I've come to expect of these types of movies. The quality of the special effects were laughable by today's standards, the character development too long, but all in all it was laugh out loud funny! <br /><br />The scenes where he loses it because Santa, aka dad, is feeling up his mom and later when the mob is actually shown lighting torches - not flashlights as you would in the 80s, but real torches! - really tickled my funny bone. However, the scenes where he was checking on the kids in his neighborhood gave me a creepy feeling of a different nature. I also enjoyed trying to figure out who some of these character actors were. It took me awhile to figure out that the main character was the lovable teddy bear on Brothers." ]

[ "Motocrossed was fun, but it wasn't that great. I guess I just didn't understand a lot of the Motocross racing \"lingo\" (and there was A LOT of that in the film)! The plot wasn't what I expected from the Disney Channel previews, so that could account for some of my disappointment." ]

[ "This film is about a male escort getting involved in a murder investigation that happened in the circle of powerful men's wives.<br /><br />I thought \"The Walker\" would be thrilling and engaging, but I was so wrong. The pacing is painfully and excruciatingly slow, that even after 40 minutes of the film nothing happens much. Seriously, the first hour could be condensed into ten minutes. That's how slow it is.<br /><br />The fact that it lacks any thrills or action scenes aggravates the boredom. It's almost shocking that even argument scenes are so plain and devoid of emotion. Maybe it is because of the stiff upper lip of the higher social class? <br /><br />It's sad that \"The Walker\" becomes such a boring mess, despite such a strong cast. Blame it on the poor plot and even worse pacing." ]

[ "\"Tapeheads\", a scrappy, intermittently funny spoof of the music video business, might have been the perfect comedic short, and stars John Cusack and Tim Robbins are effortlessly in the swing of the nonsensical chaos involved. They play two semi-savvy security guards in Los Angeles who start their own company, Video Aces, making hilarious videos for groups, parties, and one deathbed star. It's too bad the filmmakers had to invent a dim side-plot to pad the running time (shenanigans involving a crooked politician and his henchmen which doesn't do much except take away from the movie's primary strength, sending-up the music culture of the late-'80s). Still, Cusack and Robbins create a couple of originals here: nerdy but loose, street-smart without being hipsters or posers, these guys are on the same nutty wavelength, and they never put each other down. They're the real thing in buddy-comedies. *1/2 from ****" ]

[ "I found a DVD of \"I Dream Of Jeanie\" in the $1.00 bin at Wal-Mart. When I saw that it was the \"story of Stephen Foster\", being a musician and music educator, I had to see it. I had no idea what year it was made for it did not say on the cover, just that it was a remake of 1939's \"Sewanee River\". Bill Shirley's portrayal of the composer is sometimes painful, sometimes laughable. The man has NO testosterone and is a wimp all the way through! I have a difficult time believing Stephen Foster thought music publishers were doing him a favor by publishing his songs...without paying him for them! In addition to that ridiculous notion, there is a nearly 20 minute segment of Ray Middleton and his black-faced \"Christy Minstrels\" performing Stephen Foster's songs that was difficult to watch, to say the least. I can hardly believe anyone would consider this movie appropriate to resurrect in our current time. It is an embarrassment and should remain forgotten. Fortunately, Stephen Foster's songs will NEVER be forgotten....also, Eileen Christy's portrayal of Jeanie was certainly the highest point in this lowest point of Hollywood history." ]

[ "The first thing I thought after watching \"Mystery Men\" was how could this movie be so unpopular? I found this movie so adorable and funny that it's status as a bomb defies logic. Well, I hope that in the future it becomes a cult hit, and you can count me amoung it's fans.<br /><br />Simply put, and without giving too much away, this movie does for comic books what \"the Princess Bride\" did for fairy tales and \"Who Framed Roger Rabbit?\" did for classic cartoons. That should give you a more accurate idea of the tone of the movie then the marketing commitee it was unfortunately signed to (this is one of those cases like \"the Iron Giant\" where the studio had no clue what it had on it's hands). Rent it the next time you're in the mood for something a little offbeat. You won't listen to the BeeGees in the same light ever again." ]

[ "I really enjoyed Girl Fight. It something I could watch over and over again. The acting was Fantastic and i thought Michelle Rodriguez did a good job in the film. Very convincing might I say. The movie is showing how women should stand up for what they want to do in life. She had so much compassion and yet so much hate at the same time. Dealing with a ignorant dad didn't really help her much. Even though he loved her he was really hateful. Her mother died when she was younger and that also put some sadness in the role. The love story was a part that i really enjoyed in the movie also. I felt the passion the y had for one another. Then again drama sets in and then its like she is choosing between her boyfriend and her life long dream. I thought it ended just right. It was the kind of ending where you have to decide what happened in the future for them.For all you people who likes a movie based on a sport with a good plot i 'd suggest that you check this one out" ]

[ "Documentaries of this kind are often very opinionated. This film seems to take all opinions out and let the viewer decide what to do with the information provided. It is sad the conditions these poor people have to work in, this film does a great job of showing the ugly side of sweat shops. The film Mardi Gras: Made in China was a good way of showing the world how something as petty as beads for a celebration can effect the lives of so many people in another country.<br /><br />I had to watch this film for an English class where we spent our time talking about sweat shops and how some people are trying to eliminate them and this film helped get the topic rolling. It was a great, very informative movie and I'd recommend anyone see it, it kinda opens your eyes." ]

[ "Wow... what would you do with $33m? Let me give you a choice; you can either a) shred it and flush it down the toilet or b)make a film based on the premise of Whoopi Goldberg as a hard nut futuristic cop partnered with a rubber dinosaur who uses terms like \"I didn't butt trumpet\" and blows raspberries on the basis that this is funny. That's right, you would choose the option that has more merit - flushing down the toilet.<br /><br />This has to be seen to be believed. I cannot even find the words to describe how bad this film is. It doesn't even fit into the \"so bad - it's good\" category. I actually have it on the television as I write - and whilst watching I felt the need to come onto IMDb and register my disgust.<br /><br />Considering Jurassic Park was made a couple of years before, how on earth did they think that audiences would any longer tolerate a man dressed in a rubber suit? WG should have simply walked and damn the consequences. Everyone concerned will go to hell for this criminal waste of money.<br /><br />I have to stop writing - I am about to implode." ]

[ "My god this movie is awfully boring. I am a big fan of Gina Gershon, when I rented this movie I expected a romantic drama, and some great performance from Gershon. Gershon is great as always, but she is not right actress for this role, she is too good for Rade Serbedzija. The romance between Gershon and Serbedzija's characters is too unconvincing. And I absolutely hated Serbedzija's character (a wonman organizer), he is not charming in anyway in the movie. How did Dr. Lauren Graham (Gershon) is beyond my comprehension. Maybe Sean Connery, Robert DeNiro or Harrison Ford would have done a better job on this role, but they don't have the European-ish looking I guess. Any way, I was so bored druing the movie. If you are looking for a good Gina Gershon movie, check out Bound, her best film so far. If you are looking for a romantic film about a younger woman and an older man, try some Harrison Ford or Sean Connery movies. Gina Gershon is so underrated, and she deserves better chance than this, I wish her to make better choice in the future." ]

[ "I saw this movie in its own time period, when having a baby out of wedlock not only ruined your life, but stamped your child as a bastard. In these days of 'single mothers' that may seem very far-fetched, but it was very true. And I'm not crazy about laughing at someone who is stammering, either. Between these two problems I had difficulty finding this movie funny. At that time I didn't know who had directed it or what a marvelous reputation he had. I did know who Betty Hutton was, and she just made me nervous because she was so frenetic. I loved \"Bringing Up Baby\", but I find this movie just embarrassing. I'm sure the punch at some church functions probably was spiked, but I was the one needing a drink after watching this again. The idea the girl would have to be drunk in order to 'get married' and get pregnant just added to the misery. An entire town could turn on you under these circumstances, so the outcome of this movie is really the funny part. Of course, shoot me, I don't like \"It's a Wonderful Life\" either." ]

[ "This is not the worst film I have seen of Peter Greenaway but it is close. That dishonor goes to the even worse Pillow Book. This director's films of 3 I have seen I find them all to be miserable. Like The Cook...,whatever positive cinematic flourishes he displays, are totally unredeemed by the repugnancy of his material and overall presentation." ]