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FAR AI 20

[ "Im gonna make this short and sweet because i don't think there is much you can really tell someone about this show who has never seen it other than its hilariously funny and unique, for me its possibly the funniest show ever.<br /><br />You have to really watch it to understand its humour and it took me a few episodes to really get into it but once your in there is no getting back out. For example the way Hydes character always wants to see his friends get in some sort of trouble the more it happens the funnier it becomes.<br /><br />Its all round classic I mean the cast, the writers, the director, its just a recipe for success. One actor i think who always gets a hard time is Ashton Kutcher but i mean he's great in this show i don't think its possible for the the character Kelso to have been played by anyone else, it takes someone very smart to play someone that stupid. All the main characters are great and it wouldn't be a worth while review if i didn't mention the stone cold fox Mila Kunis, now thats a spicy meet a ball ha ha all joking aside amazing show." ]

[ "Probably New Zealands worst Movie ever made<br /><br />The Jokes They are not funny. Used from other movies & just plain corny The acting Is bad even though there is a great cast<br /><br />The story is Uninteresting & Boring Has more cheese then pizza huts cheese lovers pizza kind of like the acting Has been do 1,000 times before<br /><br />I watched this when it came on TV but was so boring could only stand 30 minutes of it. <br /><br />This movie sucks<br /><br />Do not watch it, <br /><br />Watch paint dry instead" ]

[ "Finally got to see this classic TV movie on an unofficial disc recorded from an old VHS, it is a classic piece of horror. Its a pity more of this neglected corner of horror in terms of official releases on DVD and VHS ... the TV horror movie. Recommended for all fans of the 70's TV movie much like trilogy of terror. Those interested should get the book on the subject by David Deal - Television Fright Films of the 70's. Email me for a chance to see it.....its fabulous to see it again.<br /><br />It does have it problems like many TV movies they have to be rather inventive in the effects dept and even at 70 mins it can seem to drag possibly we are all used to more modern editing but still great stuff and far better than many theatrical frights released today." ]

[ "The movie is just plain fun....maybe more fun for those of us who were young and fans of \"The Ramones\" around the time the film was made. I've watched the film over and over, by myself and with friends, and it is still fresh and funny. At the risk of being too serious, the concept of being a big fan of a certain band is timeless, and high school students boredom with drudgery of some classes is just as timeless.<br /><br />And, the film has some gem lines/scenes.....references to how our \"permanent record\" in high school will follow us through life. (Let me assure you I've been out of high school for, uhhh, some years and it's not following me).....the famous \"static\" line (\"I'm getting some static\".....\"Not as much as you're going to get\", as Principal Togar approaches).....the school board member who is so decrepit he's attended by nurses....the Nazi Hall Monitors love for a \"body search\" ......Principal Togar announcing, \"I give you the final solution\", and burning the Ramones records (note: records were what came before CD's) ....and of course Joey Ramone noting, \"Things sure have changed since we got kicked out of high school\", followed by Togar asking \"Do your parents know you're Ramones?\"<br /><br />Just one piece of advice.....don't look up where the stars are now.....Joey Ramone sadly died young. Dey Young, who was a major hottie in the film, today reminds us we all age....PJ Soles career never advanced as we might have expected......... Marla Rosenfield, as one the other students, apparently appeared only in this film (one of my male friends dies over her every time we watch the film), though I submit her performance was more than adequate and should have brought her more teen film roles. And, does anyone know what happened to DJ Don Steele? <br /><br />So, watch and enjoy.....don't think....just have FUN!" ]

[ "Although it's an R rated movie, I really doubt that you'll really enjoy it unless you're a teenager<br /><br />Why? Because there's no real plot, no character development,no funny jokes. <br /><br />The only thing that this movie has plenty of is nudity. Tons and tons of naked or almost naked chicks (pretty nice ones I might add) to feast your eyes on.<br /><br />I really can't understand why this movie has the American Pie title since it's only a bad combination between an erotic movie and a comedy without succeeding in being either of them.<br /><br />My suggestion is to watch this movie only if you want to see some naked chicks, but you're too shy to rent/buy an erotic movie. <br /><br />Gave it 1/10 for the 2 smiles i had in the entire movie and another 2/10 for the nice chicks" ]

[ "While returning from a Christmas Eve shopping trip, an abused suburban housewife (Basinger) finds herself in a fight for survival after a disagreement with a group of delinquent youths takes a violent turn.<br /><br />Suffering the indignity of a straight to DVD release here in the U.K., Susan Montford's directorial debut will perhaps not be given the recognition it deserves. This is a shame, as the standard of the writing, directing and acting is very good indeed, and certainly surpasses the quality of your average straight to DVD flick.<br /><br />Kim Basinger gives her best performance in some time as the downtrodden wife of an abusive husband (Craig Sheffer). While Sheffer is not really given anything more to do than be a threatening presence, it is in their brief scenes together that Basinger connects - showing painful vulnerability yet hinting at the rage that will eventually boil over in her confrontations with the youths. It's a truly great, understated performance, her transformation from victim to aggressor is seamlessly played.<br /><br />Lukas Haas I initially thought was miscast, as he (along with the other three youths) just did not seem much of a threat. However, had all four youths been more physically imposing, the later scenes in which Basinger turns the tables against them would not have worked at all. The fact that these are four average men, albeit slightly unhinged, is the key to why the film works as well as it does.<br /><br />Apart from a few pacing issues during the latter half of the movie and a couple of cheesy lines here and there, what we have here is a great thriller that actually leaves the viewer with something to think about when the film is over. Some may be put off by the slow - burn nature of the opening scenes, or the abrupt ending. Others by the at times brutal violence. I say give it a chance, it's certainly more deserving of your time than Saw V." ]

[ "*McCabe and Mrs. Miller* takes place in the turn-of-the-century Pacific Northwest. Into a soggy, muddy mining camp John McCabe (a hirsute Warren Beatty) comes barging, full of cigar smoke and big ideas about building a proper saloon/whorehouse for the town, replete with a trio of the sorriest whores in movie history. He also comes with an unearned reputation as a gunslinger: too shameful about this to blatantly advertise it, but not exactly afraid to use it in order to assert alpha-male credentials amongst the locals. And thus he wrangles the boys into building his saloon at the rate of 15 cents an hour.<br /><br />It looks to be a rather sorry operation until Mrs. Miller (Julie Christie) shows up on a startling contraption that's half-railroad car, half-automobile (where did Altman find that thing?). Mrs. Miller immediately takes on McCabe as a business partner, with the aim of classing up the new joint with proper whores and an insistence that all visitors take a bath before entering. Noting that McCabe doesn't know how to add, she also insists on handling the accounts. It's not clear what McCabe's function will be.<br /><br />The plot thickens when a pair of oily representatives from the mining company show up in town and offer McCabe to buy him out for five grand. McCabe tells them to buzz off -- he's holding out for fifteen thousand. The company finds negotiation distasteful, so they hire a trio of assassins to simply kill McCabe . . . though how they think they can get away with murdering a man in broad daylight in the center of town is as unclear as McCabe's function in the whorehouse partnership. (Excusing this whopping plot hole on the grounds that the locals would be too cowed to talk doesn't cut the mustard when one considers that any reward-money offered by the local Marshal would be pretty tempting.) <br /><br />*McCabe and Mrs. Miller*, purportedly \"classic Seventies cinema\", should be a lot better than it is. The movie tells a pretty good story; the main characters have the potential to be interesting. There are some striking scenes, especially one involving what looks to be a 14-year-old stone-cold killer. But it's really, really hard to enjoy a movie when you can hardly hear what anyone is saying and when you can hardly see what anyone is doing. Once again, this director hijacks his own movie with sheer barnyard laziness and sloppiness. According to the trivia-sheet here on IMDb, the movie's editor griped to Altman that the sound was muddy; Altman disagreed; and when everyone said the sound was muddy after the movie's release, Altman blamed the editor. (Nice.) Along with the bad sound, the movie has an atrocious look. Only Robert Altman can hire a world-class DP like Vilmos Zsigmond and make a movie that looks as if they sprayed the camera lenses with dirty dishwater. Reviewers here who praise the \"dark brown glow\" of this picture have GOT to be kidding me. The interiors are shot through what appears to be a dark scum. The exterior photography is even worse: it's as if Altman placed 500 fog machines behind the copious trees. During the climactic stretch, when Beatty is dodging the assassins while the local church is on fire, Altman insists on pretty much wholly obscuring the view with an animated snow-fall that reminds one of a Rankin-Bass Christmas special.<br /><br />Look -- I can't watch a movie under these conditions. Get back to me when you learn how to place boom mikes, when you remove all that annoying \"Altman-esque\" overlapping dialog, and when you wipe the lenses with some Windex, or something. 3 stars out of 10." ]

[ "Gayniggers from Outer Space is pretty much summed up by its name. Running only 27 minutes long, it describes a spaceship of gay blacks that come to Earth to free the men from women. While I see a little significance to the plot, it also is really illogical. Granted, its meant to be a comedy/spoof on society and science fiction. I found myself laughing several times, so it succeeds there.<br /><br />The special effects are horrible. When the spaceship is floating above the Earth, you can see stars zoom by for no apparent reason. The asteroids shown in the beginning look fake, the equipment on the ship is illogical, there are several misspellings in the text, the actors are unconvincing, the characters are messed up; in general, the whole thing doesn't take itself seriously. If you get past all the aspects that make it a bad movie, its very accessible and easy to see through to the end. Some parts are hilarious. But overall, the only thing that you are left remembering is that it was one of the most ridiculous concepts ever.<br /><br />Seeing that its a short film and has some funny aspects, its not the worst thing to see. But its illogical and holds little long-term value. I can't really recommend it; if you do watch it, do so for the unique concept, not the quality." ]

[ "A serial killer dies in a snowstorm and gets mutated into Frosty the Snowman's evil twin. Then goes on a killing spree. Interesting plot. Sounds scary. And it is scary. If you're five years old. Otherwise, it's kind of cheesy. I saw it on cable and I'm glad I didn't pay money to see it. It has all the charm and style of a low-budget movie which may become a cult film. I'm sure it has a loyal fan base somewhere. I'm just not in it. Even though I didn't like the movie as a whole, there were some scenes I found amusing. Such as the bathtub scene and the post-explosion scene with the Picasso reference. It was also enjoyable to watch the many ways the heroes try to kill Jack and he just doesn't seem to want to die. In short, \"Jack Frost\" is a good low-budget B-movie comedy, but a bad low-budget B-movie horror." ]

[ "Like many Americans, I was first introduced to the works of Hayao Miyazaki when I saw \"Spirited Away.\" I fell in love with the film and have seen it many times. Now I am on a search to see every film by Miyazaki. One of his earlier works is \"Castle in the Sky.\" Although it's still enjoyable, it's not as good as \"Spirited Away\" (though comparing this or any film to his 2002 masterpiece is perhaps unfair).<br /><br />A young boy named Pazu (James Van Der Beek) is working in a mine late one night, when he sees a girl fall slowly from the sky. When she wakes up the next morning, she introduces herself as Sheeta (Anna Paquin). But Sheeta has a secret, and before he knows it, Pazu is pulled into an adventure that will lead him into danger with pirates, the army and a lost floating city.<br /><br />Going into a film by Hayao Miyazaki means you can expect one thing: a sense of wonder and magic. Many filmmakers have tried, but no one can create a sense of magic and awe like Miyazaki. Watching a film by Miyazaki is like experiencing a fantastic dream from your childhood.<br /><br />Because the film is animated, dubbing the film does not pose much of a problem because it is next to impossible to determine whether or not the lip movements match up to the words. It also helps that the translated dialogue is well-written and voiced by talented actors. The voice acting is varied. James Van Der Beek fares best. He brings an irresistible enthusiasm and excitement to the role of Pazu that is perfect for the character. Anna Paquin is nearly as good as Sheeta. She's frightened by the events going on around her, but she knows what she has to do. Mark Hamill is unrecognizable as the evil Muska. He's dangerous and wants something from Sheeta, and will do anything to get it. The other voices are bad. Cloris Leachman is awful as Dola. Leachman may have won an Oscar for \"The Last Picture Show,\" but she's annoying as the pirate leader. Leachman gives the character an obnoxious squawk that's nearly always monotonous. It's so bad it nearly ruins the film! Jim Cummings is an effective voice-over actor, but he's miscast as the general.<br /><br />I would definitely recommend seeing \"Castle in the Sky.\" I'll probably end up buying it myself. But even though it's not as good as \"Spirited Away,\" it's still pretty good." ]

[ "Eddie Izzard is nothing short of a comedic genius, and this is Eddie at his very best. His material is extremely witty and hilarious, and his delivery is some of the best ever witnessed on stage. Instead of insulting the audience's intelligence, he relies on it to draw humor from his wardrobe preferences, Hitler, the moon landing, and the British. With so many memorable laughs, one can't help but repeat some of his lines. Forever more, \"Do you have a flag?\" should be considered one of the funniest lines ever delivered in a standup routine. Every fan of top notch standup comedy needs to see \"Dress to Kill\". By far the best British standup comedian I've ever witnessed, Eddie Izzard has struggled for success off of the live stage. However, his lack of commercial success in film should not be indicative of how extremely talented he genuinely is. \"Dress to Kill\" is a treasure, one that luckily has found its way to home video, and can and should be enjoyed again and again." ]

[ "Tintin and I recently aired as an episode of PBS's P.O.V. series. It's based on a taped interview of Georges Remi a.k.a. Herge, Tintin's creator, from 1971 in which in discusses his various experiences publishing his popular character, first in a Catholic newspaper, then in his own series of comic books. Awesome sweeping views of various comic pages and surreal images of Herge's dreams. I first encountered Tintin in the pages of Children's Digest at my local elementary school library reading The Secrets of the Unicorn. My mom later got a subscription to CD and I read the entire Red Rackham's Treasure every month in 1978. I remember seeing some Tintin comic books in a local book store after that but for some reason I didn't get any probably because I was 12 and I thought I was outgrowing them. I do have Breaking Free, a book written and drawn by J. Daniels, published in 1989, six years after Herge's death. Haven't read it yet. This film also covers the artist's personal life as when he left his first wife after his affair with a colorist in his employ (whom he later married). Her name is Fanny and she is interviewed here. If you love Tintin and his creator, this film is definitely worth a look. Update: 9/4/07-I've now read Breaking Free. Tintin and The Captain are the only regular characters that appear here and they are tailored to the anti-capitalist views of Mr. Daniels with Tintin portrayed as a rabble rouser with a chip on his shoulder who nevertheless cares for The Captain who he's staying with. The Captain here is just trying to make ends meet with a wife and daughter that he loves dearly. They and other construction workers vow to strike after a fellow employee dies from a faulty equipment accident. The whole thing takes place in England with working-class cockney accents intact. Not the kind of thing Herge would approve of but an interesting read nonetheless. Oh, yes, dog Snowy only appears in the top left corner of the cover (which has Tintin running over the police!) and the dedication page." ]

[ "I give this movie 7 out of 10 because the villains were interesting in their roles and the unknown batwoman creates an interesting \"guess who\" game. The movie, however, needs more Robin in it. He appeared in the movie in the beginning and sporadically throughout the rest. I always thought the new animated series did little justice to the neat new Robin character, let alone Knightwing. This movie just continues that bad tradition. The movie spends too much time on Bruce Wayne and his romance which wouldn't be so bad in one movie if the romance wasn't so unbelievable. It is still a good movie if you are a Batman fan and I would recommend watching it." ]

[ "This is the story of two guys who found a copy of 'Funky Monkey.' Finding this seemed odd at the time figuring that there are still posters for the movie at the local Cineplex Odeon. After seeing such classics as 'Every Which Way But Loose' and 'Project X,' these two guys figured movies with monkeys are awesome.<br /><br />These guys were in for a long ride as they watched this movie. There was some monkey that was replaced by a Stunt MAN when action sequences were required. It was apparent that the monkey wasn't trained in the school of Shakespearean acting. Perhaps replacing the monkey with Ben Affleck might have helped the guys thought.<br /><br />Maybe a strong sidekick would help like a Jackie Chan or heck maybe even Hulk Hogan. Luckily this movie had amazing martial artist and Jet Li look-a-like Matthew Modine. While some might argue that Matthew Modine doesn't come close to Jet Li, camera tricks prove that he is every bit as good. When it becomes obvious that an untrained chimp can't handle the movie, the movie leans on Matthew Modine to be the real star.<br /><br />Did I mention that there is some dorky kid that develops a bond with Modine and the monkey? Is there a possibility that the kid learns confidence and even picks up a girl in this movie? Even Matthew Modine should get jealous with this one (because using the pick-up line 'I'm second fiddle to a monkey' doesn't seem to work with the ladies.)<br /><br />Shortly after watching this movie the two guys got a phone call from Matthew Modine telling them 'Seven days.'" ]

[ "If you like films that are totally bizarre, then this one is for you! Abdullah is one mean mother, with a passion for strangling people and eating ham. You should check this film out, just for a laugh. It is a low budget sci-fi, musical, comedy, cannibalistic, classic. If you get bored of the film half way through you should persevere, just for the sake of seeing the aliens, which are nothing more than little toy robots, but in my opinion are the films highlight. \"I'm the Big Meat Eater, pass me" ]

[ "I should have figured that any movie with the Poltergeist lady in it isn't going to be good. It actually starts out okay, but during the first murder scene you find out that the movie you're watching is a movie inside of a movie. There's people sitting in a movie theatre watching that movie. One girl in the audience is so annoying that I would have turned around and strangled her. A bit strange, but far from good." ]

[ "I saw \"Rachel's Attic,\" thinking that I would be in for an enjoyably visceral, ride. However, it was not to be the case. Visceral, yes, but enjoyable? That would be a big, fat, no! In fact, the only reason that I gave it a \"3,\" is due to the fact that Gunnar Hansen appears (ever so briefly) as one of the film's reprehensible characters. How they ever lured Mr. Hansen into this piece of...work, I'll never know. The story idea is interesting but poorly executed. The direction is pedestrian and the acting is mediocre. The only thing that is worse than that, are the special effects. YIKES!!! I've seen better effects in a grade school play. Give it up, Mr. W, it's time for a career change...I hear they're hiring at Mel's Diner! There are very few, well made, Inde movies coming out of Michigan...and \"Rachel's Attic\" isn't one of them." ]

[ "Fragmentaric movie about a couple of people in Austria during a heatwave. This kind of movie has been done more often, and most of all, better. The stories don't really have anything to do with each other, apart from the pathetic finale: 'people are cruel'. Ugly flesh, unpleasant people and a movie that goes on way too long without really making a point... Ultra-realistic? Hardly... Boring? Indeed. Not even gorgeous Franzisca Weiss can save this one! 3/10" ]

[ "SPOILERS<br /><br />Tom and Jerry is a classic cartoon, with a flawless idea, and almost every single short is a gem. While I must say that this is definitely an inferior short compared such other classic Tom and Jerry shorts, there is not way you can hate this cartoon. Sure, it is understandable to say that this is one of the worst of the first Tom and Jerry episodes, and I can say that I agree, but the fact of the matter is that all Tom and Jerry episodes are great, but some are just better than others. Well, this would fit into \"others.\" <br /><br />Here is the plot of Fraidy Cat. Tom is listening to an old scary radio broadcast, and becomes easily frightened. Jerry observes how scared he is, and tries to scare him even more than he already is. He creates scary dilemmas for Tom, and Tom becomes scared out of his wits, and his lives. Jerry then puts a sheet over a vacuum cleaner and controls it, thus making it look like the vacuum is a ghost. Tom finds out that Jerry did all of this, and chases him. Tom then accidentally bites the house maid. However, at the end Jerry ends up the one becoming scared after he sees his reflection in a flour cup.<br /><br />Overall, this is far from the best Tom and Jerry short out there, but this is still a fun and entertaining piece of time. It makes me wish that there was more cartoons like this. The slapstick and gags in this that make Tom and Jerry famous are as good as ever in this short, but it felt like something was missing in this. It felt slower than most Tom and Jerry shorts. Anyway, this is a good short that does not quite live up to some other Tom and Jerry cartoons, but it is still nice.<br /><br />7/10" ]

[ "When I watch a low budget film I know what to expect. I expect the acting not to be as good (budget reasons), I expect the lighting not to be as good (budget reasons)I expect the sound not to be as good (budget again). Stop judging these low budget movies like a big budget film!!! I'm a filmmaker myself so I understand the budget constraints on a low budget film. Stealing locations, shots etc... the list goes on and on. I don't want to say all the acting was bad. Jose Rosete, Chris Angelo, Victor Zaragoza are good. Raul Martinez is a natural. Not sold on Carl Washington yet. He has to understand that every line is not important, some are throw away lines. I say if a film makes you want to see what happens next, it's a good film. I liked this movie. I gave it an 8. I wanted to see what was gonna happen next. Great job Quiroz brothers!" ]

[ "Having read the reviews for this film, I understandably started watching it with a great deal of doubt in my mind that it would actually be any good. However, this is one of the best films i have seen in a long time. The majority of reviews that i had read, said that the complicated plot made it too hard to follow. And whilst some parts do leave you confused, the ending ties up so many loose ends that you feel like kicking yourself because you've missed so much. It's not like \"Lock, Stock...\" or \"Snatch\", in the sense that it isn't that funny (in fact, it's pretty dark), and it is a lot more intelligent, in the way that you see parts of scenes from different viewpoints (and, in one of the best scenes of the film, Jason Statham spends five minutes in a lift having an argument with himself). The way in which it is similar to the two films i just mentioned, is that it is full of memorable characters, specifically Statham, who gives a fantastic performance as the lead, and Ray Liotta, who spends most of the film in Speedos, but gives a great performance none the less. If you've got time, and have time afterwards to think about the film, and even watch it again, you really start to see all the symbolism and hints that are laid out through the film. I think it's fantastic, and that Guy Ritchie is a director on top of his game." ]

[ "..Oh wait, I can! This movie is not for the typical film snob, unless you want to brush up on your typical cinematic definitions, like \"continuity editing\" and \"geographic match\". I couldn't tell where I was in this movie. One second they're in the present, next minute their supposedly in the 70's driving a modern SUV and wearing what looked like to me as 80's style clothing. I think. I couldn't pay long enough attention to it since the acting was just horrible. I think it only got attention because it has a 3d which I did not watch. If you're a b-movie buff, and by b-movie I mean BAD movie, then this film is for you. It's home-movie and all non-sense style will keep you laughing for as long as you can stay awake. If your tastes are more for Goddard and Antonioni, though, just skip this one." ]

[ "This film was pretty good. I am not too big a fan of baseball, but this is a movie that was made to help understand the meaning of love, determination, heart, etc.<br /><br />Danny Glover, Joseph Gordon-Levitt, Brenda Fricker, Christopher Lloyd, Tony Danza, and Milton Davis Jr. are brought in with a variety of talented actors and understanding of the sport. The plot was believable, and I love the message. William Dear and the guys put together a great movie.<br /><br />Most sports films revolve around true stories or events, and they often do not work well. But this film hits a 10 on the perfectness scale, even though there were a few minor mistakes here and there.<br /><br />10/10" ]

[ "I think it's one of the greatest movies which are ever made, and I've seen many... The book is better, but it's still a very good movie!" ]

[ "I just realised I've been using IMDb for years now and I've never reviewed my favourite film. By favourite I don't mean something I like for now, I mean this film is so supernaturally perfect that there is never another animated experience going to touch it. This is obvious because I am never going to be a child again; I saw this film on ITV in the early nineties. I was 12 which is the age group this film is directed at, I'm also male, the gender that this film is intended for (the overwhelming majority of Miyazaki's protagonists are female). Consequently this film indelibly inspired my childhood psychology and I am forever indebted to Carl Macek (sp?) for producing the English dub of this film which is far superior to the Di$ney production which is not even funny - I've never even been able to watch that one - of course subtitled is the only way ultimately however the Macek version is SO good (the voices almost exactly corresponding to the original Japanese actors) that this version is available on the Japanese DVD! It's not available on any distribution in an English-speaking country. Go figure.<br /><br />There are hundreds of competent reviews so I'm going to put some trivia here, not that I'm the definitive archive of information for this film.<br /><br />First up I'd like to agree with the reviewer who stated that you need 20 out of 10 to review Miyazaki's films - they are so in their own league that they make almost the whole catalogue on IMDb combined pale into insignificance.<br /><br />The fascinating story with this film is that Miyazaki based the countryside around Slag's Ravine (Pazu's town area) on the Welsh mining communities. He visited Wales for a few months in the early 80s (might be late 70s) just after one of the great mining strikes. Being an avid supporter of the student socialist movements in the sixties he felt their plight. The fight between the townsfolk and the pirates at the beginning serves to illustrate this empathy with the working man. The countryside and the clouds especially in this film remind me of where I grew up as his film depicts a fantasised version of the rolling hills of the midwest British Isles.<br /><br />The island is of course from Swift's genius satirical novel of the eighteenth century - the story in Swift's book is, deliberately, ridiculous. In Castle in The Sky, Miyazaki weaves together myths such as Atlantis and the Tower of Babel - I think the architecture in addition is based on Peruvian ruins though I'm not sure, someone told me that.<br /><br />Anyone who gets round to reading this review and who likes this film REALLY will want to check out Miyazaki's epic series Mirai Shounen Conan - Future Boy Conan - based on the short sci fi novel 'The Incredible Tide' by Alexander key (novel is available online). Conan is basically a prototype for Laputa's Pazu and Shita. In addition you may not be familiar with his earlier work for Masterpiece Theatre - some of his key frame animation. He also did key frame for Sherlock Hound - this has some of the finest backgrounds I've ever seen too. Also check out Miyazaki and Takahata's first feature film Horus Prince of the Sun (1968) - amazing by today's standards in fact. What else... Gauche the Cellist and The Flying Ghost Ship - though they're pretty rare.<br /><br />This film is such a gift, I don't know what we'd do without it with all this other crap storytelling around, this is like an oasis. Arigatou Miyazaki-sensei!" ]

[ "Excellent film dealing with the life of an old man as he looks back over the years. Starting around 1910, he reminisces about his boy and young adulthood; his family, friends, romances, etc. Very nostalgic piece with a bittersweet finale....\"all things in life come together as one, and a river runs through it. And that river haunts me.\" Worth seeing." ]

[ "This movie is a lot like the movie Hostel, except with *BAD* acting and not much suspense. The gore elements are there, but you don't really feel anything for the characters, making the violence not very effective. Some parts are just strange... like forcing a snake down someones throat. What's up with that? Is that supposed to be scary or gory? It's just kind of stupid. As for torture, there really isn't any (except for the guy getting blow-torched in the beginning, which they don't show anyway). The main bad guy keeps saying \"make them die slowly\", yet the butcher kills them all very fast. The deaths are all relatively quick. Yes, I did watch the \"unrated\" version. So, overall, not the worst gore movie I've seen, but not at all good either. You won't miss anything if you skip this one." ]

[ "As said before, the visual effects are stunning. They're breathtaking. I personally use Blender and graphics like that are not easy AT ALL. But that's all this movie is. Not only is the plot confusing, but the overall conflict is not clear. For example, in the first scene, Proog and Emo are trying to run away from who knows what. The conflict seems to be between man and nature here. Later, when they enter the room of the bottomless pit, Proog explains that \"one step out of place and (you're dead)\". Here, there's a more precise conflict between the careless man and nature. As the movie progresses, it's clear that a conflict exists between man and nature. But suddenly, a conflict exists between man and man when Proog, out of nowhere, murders Emo. Proog immediately changes from being a caring guardian looking after a lost child to being a \"sick man\". He betrays us. Not only is this depressing, but we don't care because the conflict between the character's thoughts and actions is not developed. It's not a story about someone, through struggle, emerging stronger. It's depressing and has not point because there's no great truth about the human soul or about the world brought to light like a great drama does. In my opinion, the movie is severely underdeveloped in all aspects. However, the graphics are stunning, but a movie is so much more than mere eye candy. There's no truth, no struggle and a bad surprise ending. In conclusion, an underdeveloped movie without a point. ...but the graphics are good." ]

[ "Cary Grant and Myrna Loy are perfectly cast as a middle class couple who want to build the house of their dreams. It all starts out with reasonable plans and expectations, both of which are blown to bits by countless complications and an explosion of the original budget.<br /><br />There are many great laughs (even if the story is somewhat thin) sure to entertain fans of the stars or the late 1940s Hollywood comedy style. A definite highlight comes when a contractor goes through a run down of all expenses, which must have sounded quite excessive to a 1948 audience. As he makes his exit, he assures the client (Grant) that perhaps he could achieve a reduction of $100.00 from the total...or at least $50.00...but certainly $25.00. Hilarious!" ]

[ "I saw this film in the worst possible circumstance. I'd already missed 15 minutes when I woke up to it on an international flight between Sydney and Seoul. I didn't know what I was watching, I thought maybe it was a movie of the week, but quickly became riveted by the performance of the lead actress playing a young woman who's child had been kidnapped. The premise started taking twist and turns I didn't see coming and by the end credits I was scrambling through the the in-flight guide to figure out what I had just watched. Turns out I was belatedly discovering Do-yeon Jeon who'd won Best Actress at Cannes for the role. I don't know if Secret Sunshine is typical of Korean cinema but I'm off to the DVD store to discover more." ]

[ "Four great stories from master Robert Bloch, adapted to the screen by the best actors in the field in the early Seventies, are the base of this excellent Amicus' production. This was a kind of movie very popular in the Sixties till the mid-Seventies and it's one of my favorite type of horror movies. This one in particular shines for the episode Sweets to the Sweet, where Christopher Lee is stalked by his evil little girl child, heiress to her mother tradition. Great fun from start to finish, and good to very good are also the other three episodes (with the last one a bit on the comic side, but with the great addition of Ingrid Pitt, the most famous vampress of the English cinema." ]

[ "...cause they're both pretty lousy. I think the best part of the movie is the horrendously imperial picture of Faye Dunaway at the top of the stairs. She looks like she could very easily step out of that picture, rip someone to bloody pieces, and calmly re-enter the portrait looking as if nothing had happened. Now, you know a movie's in trouble when part of the set furnishings manages to attract your attention.<br /><br />I admit, I paid $30 for the DVD just so I could see Faye Dunaway in a contemporary horror movie. I know what you're thinking--30 bucks right down into a gaping black hole. And you would be absolutely correct. This movie sucks. There, it's right out in the open. I was expecting some actual scares, and I waited and waited and waited. None came. The raven (probably a crow in makeup) didn't scare me, seeing small pieces of internal organs didn't scare me, and even Faye didn't scare me. I'm not that brave, I know, so it must be the movie itself that is the trouble. What's more, Jennifer wasn't scared either. Her internal organs were literally falling apart and she seemed more peeved than anything. Her life was rapidly coming to a close and she's worried about attaining more money. Honey, you can't take money where you're going!!! \"I need money,\" she continually says, completely ignoring the fact that her lungs have collapsed and ceased to function.<br /><br />Meanwhile, I spent the whole blasted movie wondering what was up with the grandmother (Faye). I was suspicious at first, Faye playing a grandmother and all, and I was still suspicious at the end. There is another relative living in the house that Jennifer and Mary Ellen the Grandmother-From-Hell are forced to share temporarily, and I'm guessing she is of the same generation as said grandmother. Here's the weird part--the relative looks like she's just endured her eight hundredth birthday party. Mary Ellen looks like she's just gotten a face-lift from a renowned surgeon. Face-lifts can't work miracles, but I think Faye's appearance is important to the rice-paper plot. SPOILER!!! It seems that the family is plagued by an illness that affects bad acting...sorry, my little joke. Seriously though, there's all illness that causes their organs to fail and ultimately disintegrate. Yuck, huh? Interestingly enough, Mary Ellen is still alive and all her organs are intact. How did she avoid the Family Curse? Something's up with her, obviously.<br /><br />Another reason for mourning the loss of my thirty dollars--this movie features one of my all-time movie pet peeves. I refer to the double ending. This movie ends twice. I absolutely hate it when that happens, and in this movie it feels like the director shot the ending, didn't like it, and forget to remove it during editing. I guess it's supposed to be scary, but it is only if you're a film editor.<br /><br />There is one perk to this debacle, though, and it's one of the reasons I bought the DVD. The \"filmmaker\" commentary features Faye Dunaway, and I wanted to see how she acted when she didn't have lines to recite. Guess what--the movie sucked so bad I wasn't able to sit through it again. Drat." ]

[ "Hi:<br /><br />I heard about lost from a co-worker that had obvious differences of opinion on entertainment, he loved it. Well I watched an episode or 2 in the early seasons and was bored, so I tuned it out. After a few years I stumbled upon lost; bored with the current sci-fi fare. Wow was I surprised. Can you say gravity well, damn I got sucked in. The pace and scripting are very good, some of the flash forward/backs are so so with the lamer characters, but over all good. My favorite characters are Ben, Locke, Jacob, Richard Alpert, Sayid Jarrah, Sawyer, Hurley, Daniel Faraday, Jin & Wife, Walt, Charlie, Desmond, and Jack's dad. Jack and Michael definitely are immature asshats, very spoiled and immature. Kate 1 step above them, Juliet was way more classy than Kate. Mr. Eko way under-rated and on the level of Charlie if not more, too bad they both died. The guy dressed in black talking to Jacob (way back) is a genuine curiosity. As a whole great, very layered series: looking for more.<br /><br />regards" ]

[ "By now you should already know about this film, the Jessica Simpson \"bomb\" that pretty much went straight to video (limited, anemic theatrical run). Basically, Ms. Simpson's Katie travels from a small town in Oklahoma to visit her boyfriend, to surprise him, only to find him in bed with another woman. She is stranded, but has one friend (Rachel Leigh Cook, whom I wish we saw more often in film), who lets her stay. Katie ends up getting a job via two conniving co-workers (Penelope Ann Miller and the always amusing Andy Dick) who are just using Katie to get the president of the firm (Larry Miller) ousted. This is strictly a b movie, its not meant to be profound. Jessica Simpson is not a great actress by any means, but she is pretty much beautiful and never truly annoying. The film is watchable in that its not an abomination, but its throwaway fluff. In a cameo, Penny Marshall is funny (a subtle in-joke about Milwaukee made me chuckle), and there is a funny scene involving Norwegian priests (don't read too much into this). So, not horrible, but easy to skip. Your safe bet is to watch it on television if it ever does. Again, not good, but not a profound disaster." ]

[ "This movie is a perfect example of an excellent book getting ruined by a movie. Jacob Have I Loved is quite possibly the worst film that I have ever seen. There is no storyline, plots disappear, and the editing is awful. To top it all off, the music is straight from a synthesizer and sounds unbelievably terrible. Bridget Fonda's acting is decent, but everyone else's acting is totally amateur. I would suggest this movie to someone who is studying to be a producer as a study on how not to produce a movie as it is chock full of bad cut-scenes, bad transitions and acting that should have been re-shot! Read the book and don't waste your time with this film." ]

[ "Excellent P.O.W. adventure, adapted by Eric Williams from his own book (a paperback copy of which forms part of my father's library) that was inspired by true events; it may well be the first film of its kind and, therefore, has a lot to answer for – not just similarly stiff-upper-lipped examples such as ALBERT, R.N. (1953; which I'll be watching presently), THE COLDITZ STORY (1955) and DANGER WITHIN (1959) but higher-profile releases from the other side of the Atlantic, namely STALAG 17 (1953) and THE GREAT ESCAPE (1963). This, then, sets the basis pretty solidly: British soldiers interned in a German camp devise an ingenious plan of escape, borrowing a page from Greek legend – burrowing from under a vaulting horse used during physical exercise and in full view of their captors! Actually, the film is neatly split into two halves: the first deals with the slow process of digging the tunnel, culminating in the escape itself, while the latter stages depict their fortunes outside the camp as they try to make it to neutral Sweden. Typically of these British films, the cast showcases several established (Leo Genn), current (Anthony Steel) and up-and-coming (Peter Finch, David Tomlinson and Bill Travers) stars, to say nothing of innumerable reliable character actors (Anthony Dawson, Bryan Forbes, Michael Goodliffe and Walter Gotell). The three leads/escapees are Genn, Steel and Tomlinson: while the first two stick together, the latter goes his own way – only to run into the others on reaching safety. As can be expected, the narrative involves plenty of suspense and excitement; as with most male-centered P.O.W. sagas, too, female interest is kept to the barest minimum. Director Lee didn't have a lengthy career – with this and the somewhat similar (albeit with a change of both setting and viewpoint) A TOWN LIKE ALICE (1956) his most noteworthy achievements – but he certainly milked every gripping situation in this case (even if, reportedly, delays in filming saw Lee quitting his post prematurely…leaving producer Ian Dalrymple with the task of tying up loose ends!). Anyway, worth special mention is the exquisite lighting (particularly during night-time sequences) throughout." ]

[ "This is a gem of a movie not just for people who like fun and quirky premises, but who love the history and traditions of Sci-Fi and Classic Hollywood movies. Each alien of the Martian crew is the embodiment of a classic Sci-Fi character or member of Hollywood royalty and it's pure pleasure watching them bounce of each other and the residents of Big Bean." ]

[ "Yes AWA wrestling how can anyone forget about this unreal show. First they had a very short interviewer named Marty O'Neil who made \"Rock n Roll\" Buck Zumhofe look like a nose tackle. Then it was Gene Okerland who when he got \"mad as the wrestler\" would say either \"Were out of time\" or \"Well be right back\" acting like he was mad but actually sounding forced. After he went to the WWF Ken Resneck took over even though his mustache looked like week old soup got stuck to it was a very fine interviewer who \"Georgeous\" Jimmy Garvin called mouse face which made me fall off my chair laughing. After he jumped ship then Larry Nelson came on board which he was so bad that Phyllis George would of been an improvement! Then there's Doug McLeod the best wrestling announcer ever who made every match exciting with his description of blows! Then he was offered more pay by the Minnesota North Stars hockey team. At ringside who can forget Roger Kent who's mispronouncing of words and sentences were historic Like when a wrestler was big \"Hes a big-on!\" punched or kicked in the guts \"right in the gussets\"or when kicked \"He punted him\" or \"the \"piledriver should be banned\" after Nick Bockwinkle used it on a helpless opponent.(Right Roger like you care!) After he left to greener money(WWF) they had Rod Trongard who's announcing style was great but different. Like when a wrestler scraped the sole of his boot across another guys forehead he'd say\"Right across the front-e-lobe\" or when a wrestler is in trouble \"Hes in a bad bad way\". He also would say AWA the baddest,toughest,meanest, most scientific wrestlers are here right in the AWA!(No extra money Verne Gagne!) After he left(WWF) Larry(Wheres Phyllis?!) Nelson took over and I would talk to someone else or totally ignore him.(WWE wisely didn't take him!) Also Greg Gagne had the ugliest wrestling boots I ever saw a yellow color of something I don't want to say.Also when hes looking for the tag he looks like he wants to get it over with so that he can run to the nearest restroom! Jumpin Jim Brunzell was such a great dropkick artist that you wonder why Greg was ever his partner. Jerry Blackwell(RIP)was also a superstar wrestler but you wonder why Verne had himself win against him.(Puhleeeeze!) Then when Vince McMahon would hire Gagnes jobbers, he would make most of them wrestle squash matches. I like to see the Gagne family say wrestlings real now!" ]

[ "I have to say although I despise these kind of shows, shock horror, I'm a girl, I feel I have to express my opinion. I had seen Dirty Sanchez before I saw Jackass and think it way surpasses Jackass in terms of programme making. Story lines and interviews are inter weaved to create a more interesting show. I saw a few minutes of Jackass movie the other night and couldn't believe how poorly put together it was, everything just put in a line joke after joke with no relation between anything. It must have been the quickest easiest show to edit ever, shockingly amateur. While drinking puke isn't really my thing, as far as a substantial entertainment show goes, Dirty Sanchez is way out of Jackass's league." ]

[ "I really hate this retarded show, it SUCKS! big time, and personally I think it is insulting to fairy kind (if you believe in fairies that is); I mean the people who had come up with such crap 'ought to have their heads examine huh? and also there is a LOT of craziness (the evil school teacher, which I think is getting really old) and also stupidity (the boy's parents and fairy godfather) in this show - two of the things that I dispised and loathe in the WHOLE world (especially stupidity).<br /><br />Overall, I say that this show is so f*****' annoying and should not be seen by prying eyes at ALL (it would make'em bleed to death)!" ]

[ "This excellent drama had me in suspense the whole time. I could not take my eyes off the screen for one second because every word kept connecting the pieces to this puzzling murder. This movie really touched me because it showed how sad and hard life can be. I really did cry in the end (which I don't want to give away!) It also let me realize how cruel and sickening people can be when it comes to murder. <br /><br />The cast was also very good. The only bad cast member was the actress who played Anne Marie. The actress did a great job, but the director didn't. I say this because he found someone who didn't look a single bit like Anne Marie Fahey herself." ]

[ "I wanted to watch this movie, but one bizarre ridiculous scene after another forced me to shut it off. Character's don't seem to react to anything. Consider this: Heath Ledger is walking a night (through a cemetery I believe) when he is attacked by spirits, which he drives away. Once past this ordeal he calmly walks away and meets up with a friend that saw it all. When asked what happen he says blandly \"attacked by demons, nothing serious.\", as if this is only a little more exciting than a flat tire.<br /><br />I shut it off when they go to ask something-a demon or something, I stopped caring-a ques ion. The answer can only be rented out of someone with the energy of their death, and the priest watch in what appears to be vague annoyance as a man is strung up and hung and they ask his thrashing, dying body question.<br /><br />0 out of **** stars." ]

[ "i saw this movie last night and even after a couple of beers the only giggle this movie got out of me was when i realized that i was actually watching it. in a word, it is unfunny. UNfunny. i totally believe the trivia tidbit about jack black apologizing for making this garbage. i can't believe that barry levinson didn't just toss this script when he read the first page. moreover, i can't believe that i watched more than ten minutes of it.<br /><br />i gave it 3 out of 10* because i love to see christopher walken make terrible movies for the paycheck. also, the horse \"corky,\" by merely existing as a character in this movie, is actually quite ridiculous." ]

[ "It was the tag-line \"in the tradition of American Pie\" that fooled me into renting this movie. What I got was a piece of junk in the style of Jackass, with the major difference that compared to this Jackass the Movie seems like a Citizen Kane.<br /><br />This movie made me regret that I rewarded other movies with 1 out of 10, because now I can't go beneath that. This one makes quite some bad movies look like cinematic feats.<br /><br />I actually turned it off after 45 minutes, and that's something I very rarely do. But it was just too plain boring, stupid, uninteresting and unnecessary.<br /><br />Can't believe some people actually reward this with 10 out of 10. What did your parents do? Drop you on the head when you were just a child? Or was it the very first movie you ever saw, so you got nothing to compare it to? Are you still a virgin and are breasts all you ever think off? Something must be wrong, at least.<br /><br />My advice: stay clear of this one. Even if your in the mood for a simple movie that doesn't require thinking, choose something else, or you'll regret it for sure." ]

[ "I have decided to not believe what famous movie critics say. Even though this movie did not get the best comments, this movie made my day. It got me thinking. What a false world this is.<br /><br />What do you do when your most loved ones deceive you. It's said that no matter how often you feed milk to a snake, it can never be loyal and will bite when given a chance. Same way some people are such that they are never grateful. This movie is about how selfish people can be and how everyone is ultimately just thinking about oneself and working for oneself. <br /><br />A brother dies inadvertently at the hands of a gangster. The surviving brother decides to take revenge. Through this process, we learn about the futility of this world. Nothing is real and no one is loyal to anyone.<br /><br />Amitabh gave the performance of his life. The new actor Aryan gave a good performance. The actress who played the wife of Amitabh stole the show. Her role was small but she portrayed her role so diligently that one is moved by her performance. Chawla had really great face expressions but her role was very limited and was not given a chance to fully express herself.<br /><br />A great movie by Raj Kumar Santoshi. His movies always give some message to the audience. His movies are like novels of Nanak Singh (a Punjabi novelist who's novels always had a purpose and targeted a social evil) because they have a real message for the audience. They are entertaining as well as lesson-giving." ]

[ "The husband-and-wife team of Bennie Fields and Blossom Seeley were huge stars in vaudeville, yet they made very few films. As is the case for some other performers of their era (George M. Cohan, Fanny Brice, Gertrude Lawrence) the most accessible piece of film footage for Fields and Seeley is the biopic ABOUT them, in which they're portrayed by other actors: 'Somebody Loves Me', starring Betty Hutton and that inimitable song-and-dance man Ralph Meeker.<br /><br />In their heyday, Fields and Seeley were so hugely popular that another husband-and-wife vaudeville act -- Jesse Block and Eve Sully -- achieved nearly as much stardom performing an almost identical act, effectively becoming the \"second-team\" Fields and Seeley. Offstage, though, there was a major difference in the couples' living arrangements. Fields and Seeley lived in hotel suites, paying room-service rates for every meal they ate, and eventually running out of money. Block and Sully lived modestly and invested their earnings wisely, ending in comfortable retirement.<br /><br />The first 30 seconds of this Vitaphone short are occupied by two spats-wearing pianists. Apparently these two men had some slight name value of their own in 1930, although I've never heard of them. Finally, Fields and Seely rush in and start performing. They both have plenty of pep, and she's fairly attractive.<br /><br />I was annoyed that both performers keep making movements as if they're about to break into a dance, but they never quite do so until the third of the three songs they perform in this short. When they finally start hoofing, the results are not impressive.<br /><br />I was delighted to have this opportunity to see these two major performers doing their vaude act. Now that I've seen it, I understand why they never became stars in movie musicals. My rating for this one: just 4 out of 10, and I'll stick with Block and Sully." ]

[ "I am an avid fan of violent exploitation cinema, who would never attack a film for being violent or disturbing. I consider \"Cannibal Holocaust\" a masterpiece and will always defend controversial films like \"Day Of The Woman\" or \"Last House on the Left\" as genuine classics. Anyone who browses through my other user comments will notice that I am actually very pro-violence/gore when it comes to films. However, I do think that there should be at least some point to the violence. This piece of crap doesn't have any point whatsoever. The first film in the notorious \"Guinea Pig\" series, \"The Devil's Experiment\" (1985) is widely controversial, but, as opposed to many other controversial films, this stinker has nothing at all to be recommended for. I must say that, before seeing any of the Guniea-Pig films, I already had a feeling that I would hate this one, knowing what it was about. Due to its status as one of the most controversial films around, however, I decided I had to see it. I am very glad I didn't waste any money on this pile of crap, and I sure wish I hadn't wasted my time with it either.<br /><br />This thing's story (I don't even want to call it a 'film'): It doesn't have one. Three scumbags torture a woman to death for some excruciating 40 minutes. That's it. There is no artistic value, no 'shocking' story, no suspense; nothing. Simply the disbelief that a film that shows NOTHING except for a woman being tortured for no reason enjoys an enormous cult-following. It IS disturbing, I give it that. Of course it is disturbing to watch a torture video for 40 minutes. What is more disturbing, however, is the fact that many people actually seem to regard this pile of garbage as some kind of masterpiece. I really cannot figure why. The fact that the gore effects look realistic cannot be the reason, I hope. The girl who plays the victim isn't a very good actor, and reacts very calm to all the torture. That makes the film look less realistic, which is, in this single case, a good thing. This is a film that is sickening; not for its gore, but for its redundancy, its existence for the sole purpose of showing 40 minutes of torture.<br /><br />I strongly oppose any form of censorship. Since this is 100% fake and nobody got hurt during its production, it IS legitimate to make such a film. However, I cannot think of a single reason why anyone would like this, other than the morbid desire to watch suffering and the enjoyment of torture. This film's sequel \"Flowers of Flesh and Blood\" gained notoriety when actor Charlie Sheen mistook it for an actual snuff film and informed the FBI. Fortuneately, the film turned out to be fake. Overall, \"The Devil's Experiment\" is a fake torture/snuff film that seems to have the sole purpose of looking as close to a real snuff film as possible.<br /><br />\"The Devil's Experiment\" is one of the worst films I have ever had the misfortune of sitting through. Don't torture yourself by giving this piece of crap a try for its controversial status. Do yourself a favor and avoid it. Zero stars out of 10, I wish there was a negative scale in order to appropriately rate this pile of crap." ]

[ "Okay, first of all I got this movie as a Christmas present so it was FREE! FIRST - This movie was meant to be in stereoscopic 3D. It is for the most part, but whenever the main character is in her car the movie falls flat to 2D! What!!?!?! It's not that hard to film in a car!!! SECOND - The story isn't very good. There are a lot of things wrong with it.<br /><br />THIRD - Why are they showing all of the deaths in the beginning of the film! It made the movie suck whenever some was going to get killed!!! Watch it for a good laugh , but don't waste your time buying it. Just download it or something for cheap." ]

[ "For months preceding the release of this movie you saw it advertised in all sorts of print media, so I patiently waited for its video release to see what all the hype was about. After it was over I had to apologize to my roommate for occupying the VCR for the last hour and a half to watch such a horrible movie. It essentially fails because it is a character based movie about unredeemable characters. With the possible exception of Amanda Peet (whose only redeemable quality is that she is Amanda Peet) you cannot stand any of them. The film relies on its dialogue which is sophomoric, moronic, and crude. The only slightly amusing character is Eric, whose portrayal of the sole married member of a group of friends is dead on. The final twist, designed to make you laugh at the three main characters, only instead inspires the same kind of resentment towards Peet. All in all, only rent if you are desperate or possess a dark sense of humor." ]

[ "\"The Garden of Allah\" is a prime example of \"popular women's literature\", turn of the XXth century style, combining all the power of unbridled erotic and exotic reveries with the stimulating glamour of fake mysticism and the sado-masochistic bite of Catholic guilt. Just as Jane Eyre couldn't really be happy until her castle burned down around her and her lover was permanently maimed for his sins, or the heroine of \"Rebecca\" couldn't find true fulfillment in her marriage until her lordly husband was put on trial for the murder of his first wife (and her castle burned down around her), or poor Psyche couldn't leave well enough alone and had to extract Cupid's secret at all costs, Domini, the devout Catholic heroine of this piece of tripe, can only find true sexual realization by inadvertently marrying a man who has renounced his sacred religious vows. Like all such narratives aiming to stimulate the female reader and induce the vapours, this one relies on the oldest tricks in the book: basic misunderstandings and the inability to express one's true feelings at the right place and at the right time until it is too late. The logic is that any ultimate sexual ecstasy can be indulged in as long as one is willing to eventually pay a high enough price for it in atonement in the last act. It is Paul Claudel reduced to beauty salon magazine standards. Oh well... It could have been much worse and it often was...<br /><br />Without the religious overtones, the film's plot is that of your basic porn flick: Oversexed monk driven mad by abstinence escapes to the desert where he has a few rolls in the dunes with a romantic, shapely but naive Catholic heiress before reintegrating his monastery, all passion spent, leaving her to clean up his mess. And I really resent another commentator's comparison with Anatole France's \"Thais\", a sophisticated novel whose intention was to make fun of the whole concept of Catholic sexual repression, some of which transpired in Massenet's opera of the same name, thankfully.<br /><br />But what makes this picture unique in the annals of commercial female eroticism, of course, is the enormous constellation of talents gathered under one banner to make this cinematic wet dream come to shimmering, vibrant life. Imperishable Technicolor photography that will outlive us all, a truckload of worthy character actors (including one cute dog), a music score by Max Steiner that seems determined to accomplish the \"composed film\" that Michael Powell (who, ironically, had a bit part in the 1927 silent version) always dreamed about, tittering at times on the brink of dissonance but always coming through in splendid symphonic, operatic exoticism, a dream-like atmosphere where material considerations are no object, characters travel as if by magic from one spot to the next, dialog is sparse, vague and suggestive, the art direction is close to celestial, flower arrangements appear in the humblest hut or tent, the heroine's wardrobe is inexhaustible and all the male characters are either aristocrats, saints, doomed but horny sinners, mystics or poets.<br /><br />Ahh... Hollywood! The MGM DVD presentation of this film is bare bones but impeccable. The bit rate is very high throughout, the colour registration is almost always perfect and the 2.0 mono sound truly does justice to Max Steiner's score and to Boyer's penultimate confession.<br /><br />A historical note on this sort of \"women's subject\": The following year (1937), Julien Duvivier, visibly inspired by \"The Garden of Allah\", directed \"Carnet de Bal\", where a very similar clothes-horse butter-won't-melt-in-her-mouth heroine (widowed after taking care of an ailing husband in the exotic remoteness of some impossibly romantic Alpine lakeside villa) wants to discover what she has missed by looking up the male dancers in her first dance book. She finds them all in time, only to realize that whatever feeling there was at one point between her beaus and herself were either misunderstood, overestimated or else had lifelong tragic consequences. It was Duvivier's cynical way of telling us to beware of impossibly idealistic notions and that we all need to grow up sooner or later." ]

[ "This is one of my favorite films of all time. Al Pacino acting is at its best and the story is excellent. Too bad it didn't do to well in the 80's when it was first released because people didn't get a chance to experience this classic." ]

[ "A film written and directed by Neil Young, \"Greendale\" is little more than an 87-minute music video set to a doxen or so of the songwriter's works. In lieu of dialogue, the film relies exclusively on Young's lyrics, which are heavily laced with sociopolitical commentary, to tell the \"story\" while actors act out the scenes.<br /><br />Given the hammy performances and the shoddy graininess of the picture, the effect is the equivalent of Young blowing up some of his own home movies and releasing them for public consumption. Although there is allegedly a \"story\" running through the film, we really have no idea what is going on thanks mainly to the unpolished look of the film, the lack of dialogue and the amateurish ineptitude of the acting. All we get for eighty-seven minutes is a bunch of aging hippies cavorting silently through an incoherent narrative while Young's songs play endlessly on the soundtrack. The whole thing turns into a tedious exercise in self-indulgence. \"Greendale\" gives off-Hollywood, low budget movie-making a bad name." ]

[ "<br /><br />I really liked this film. One of those rare films that Hollywood Really does not make anymore. William H Macy Is Just great as the hit man with a soul, and Neve Campbell is just flat out fantastic as the woman who puts his life on the track of redemption.<br /><br />If you have a chance, see this film. It earns it's praise" ]

[ "\"Girlfight\" is much more of a coming-of-age-story than it is a fight flick. And what a relief to have one in an urban school, with naturalistic, realistic Latinos and believable use of Brooklyn project settings. <br /><br />It made me realize that virtually all Hollywood high school movies are set in luxurious suburbia or small towns. (Even the somewhat comparable \"Love and Basketball\" which focused on teen African-Americans was set in suburbia.) While these kids share some of the same peer problems, those issues shrink compared to the other struggles of these kids, where high school graduation could be the major accomplishment of their lives.<br /><br />The feminist element here is riveting in its originality, as you hold your breath to see if she can have a relationship--and a victory-- on her terms. A lots of audience sympathy goes to the guy who is challenged to rise to a gender-bending-expectations situation.<br /><br />The movie does drag a bit here and there, but this is no cheap thrills \"Rocky\" fight movie, as the practices and fights have complex outcomes, and all the relationships--especially with fathers and father-figures-- take more center stage than the center ring. <br /><br />There were lots of interesting music credits listed at the end, but I hadn't really noticed the songs.<br /><br />(originally written 10/7/2000)" ]

[ "It occurs to me that some of the films that have been banned during the course of cinema history were actually very important and very good films. I'd like to argue that instead of banning challenging, controversial movies the censors should consider banning films that are so bad that they pose a threat to your IQ and your sanity. If they were to do so one of the first films to be quickly hidden away would undoubtedly be \"Stroker Ace\". This film is awful with a capital 'A'. It is the worst film Burt Reynolds ever starred in.... quite a feat for for a man with \"Cannonball Run II\", \"Cop And A Half\" and \"Rent-A-Cop\" on his CV!<br /><br />The wafer-thin story introduces us to successful stock car racer Stroker Ace (Reynolds), a man who loves fast cars and fast women. He gets stuck in a demeaning contract with crooked promoter Clyde Torkle (Ned Beatty). The contract requires him to do some humiliating promotional work for a new chain of fast food restaurants, such as dressing up as a giant chicken. Thrown into the mix are Lugs (Jim Nabors), Ace's dim-witted pal, and Pembrook Feeney (Loni Anderson), a bimbo with a brain fractionally smaller than a pea who is wooed by Ace.<br /><br />Hal Needham, the director of this low-grade garbage, was formerly a stuntman and he made numerous films that relied on his expertise in staging spectacular stunts and car chases/races. Some of these films were OK, like \"Hooper\" and \"Stunts Unlimited\", but with \"Stroker Ace\" he reaches a career nadir. The characters are so stupid that you actually feel pity for the actors playing them. Anderson especially is saddled with such a dumb role that it makes you grind your teeth with despair. The humour is weak and infantile throughout, and the stunts and race sequences are unremarkable. Even the out-takes during the closing credits (which can be found in all the Reynolds-Needham collaborations) are generally unfunny, which gives the impression that maybe the film wasn't much fun to make. \"Stroker Ace\" is a stinker of considerable magnitude." ]

[ "this was one of the most moving movies i have ever seen. i was about 12 years old when i watched it for the first time and whenever it is on TV i my eyes are glued to it. the acting and plot are amazing. it seems so true to reality and it touches on so many controversial topics. i recommend this movie to anyone interested in a good drama." ]

[ "When I was six yo, I learned about a series called \"Los Campeones\", and even if I was just a kid I did everything I need to convince my parents to let me watch \"The Champions\" and \"the Avengers\" once every week. I think that was the Golden Age of English series... (I already own the complete cycle of \"The Prisoner\"!) but lasted also a few years later with \"The Tomorrow People\", \"the Worst Witch\" (I just me, or this is \"Harry Potter\" in girl, of course, before As much as I want \"The Campions\" to be in Zone 1 or Zone 4, I'm also waiting for \"Dr. Who\" (pack the whole series in a set of, uhm, maybe 300 DVD's, please, I couldn't expend more for it, 8), \"People of Tomorrow\", and several other 'low budget', but great stories to be available within my reached zones. I speak and understand English, but not all my relatives do, including my parents, whom introduced me into these great stories... I hope someday, someone could feel the attraction of these series and then could sell them as I originally view them... Dubbed or subtitled, but in the same format I saw them. Remember, Zone 1 or 4 are OK with my TV set!" ]

[ "I'm not going to bag this film for all the myriad technical f|u|c|k|u|p|s, it would take two days to outline how the whole thing isn't even remotely possible. Others have pointed out all the relevant stupidities already.<br /><br />Given all that, I still could have sort of enjoyed it, if only they hadn't included all the maudlin, nauseating, infuriating, Disneyesque sentimental crap, which is so out of place anywhere, but nowhere more than out in space, where the tiniest mistake can mean instant death.<br /><br />The \"crew\", as well as the \"real\" astronaut were equally guilty of putting all their fatuous nonsense ahead of everything else. It completely ruined any value the production may have had left.<br /><br />I'm surprised NASA let this garbage out so that so many people would get so much misinformation about something so important to them. If you haven't seen this yet, save yourself the irritation. Watch Apollo 13 again. At least that tried to be sort of real." ]

[ "Star Wars: Episode 4 .<br /><br />the best Star Wars ever. its the first movie i ever Sean were the bad guys win and its a very good ending. it really had me wait hing for the next star wars because so match stuff comes along in this movie that you just got to find out more in the last one. whit Al lot of movies i always get the feeling that it could be don bedder but not whit this one. and i Will never ever forget the part were wader tels Luke he is his father.way too cool. also love the Bob feat figure a do hes a back ground player. if you never ever Saw a star wars movie you go to she this one.its the best.<br /><br />thanks Lucas" ]

[ "An executive, very successful in his professional life but very unable in his familiar life, meets a boy with down syndrome, escaped from a residence . Both characters feel very alone, and the apparently less intelligent one will show to the executive the beauty of the small things in life... With this argument, the somehow Amelie-like atmosphere and the sentimental music, I didn't expect but a moralistic disgusting movie. Anyway, as there were some interesting scenes (the boy is sometimes quite a violent guy), and the interpretation of both actors, Daniel Auteil and Pasqal Duquenne, was very good, I decided to go on watching the movie. The French cinema, in general, has the ability of showing something that seems quite much to life, opposed to the more stereotyped American cinema. But, because of that, it is much more disappointing to see after the absurd ending, with the impossible death of the boy, the charming tone, the happiness of the executive's family, the cheap moral, the unbearable laughter of the daughters, the guy waving from heaven as Michael Landon... Really nasty, in my humble opinion." ]

[ "Formula flick of guy who wants girl, guy who will lie to get next to girl, guy who will get best friend to help in outrageous way (comedus reliefus, no?) to help deceive girl, etc. This one's been done to death, and with rare exception of a few z-rated outings, it's been done better.<br /><br />Stale plot aside, the leads are attractive and there's a couple of good moments. Jonathon Schaech has done better, and his acting here came close to being phoned in. Not a complete loss, but nothing new here in this tepid affair." ]

[ "After Racism, Rural exodus -also known as migration from the country side- is another socio-political issue of the 1960s. WestSide Story had dealt with Racism by a love feast in an artistic view. Now, Midnight Cowboy deals with rural exodus by a friendship tragedy in a psychological view. It has a deeply grievous ending that we witness one of the two companions of fate passing away.<br /><br />Director John Schlesinger skillfully deliver us the deepest secret thoughts, dreams, fantasies, fears and evaluations of two New York City scums. While the handsome Joe Buck(Voight) dreams of all the beautiful women of the world begging him to share a wild love fantasy, the poor Ratso Rizzo(Hoffman) dreams of a better and healthier life in clean and sunny Florida. Accordingly, Joe becomes a hustler to turn his fantasies into reality; and Ratso becomes a snatcher to collect enough money to migrate into Florida. Besides Ratso helps Joe to find his way to do whatever he can. They begin sharing everything in life. They share food, they share medicine, they share an uninhabited home, they share their earnings and thus they share a destiny. Regrettably as the story progresses, Joe realizes that being handsome is not the only thing to make all the beautiful women begging him to have fun; and moreover Ratso cannot see Florida since his heart fails defeated to his disease whilst he was on the bus taking him there.<br /><br />The Might is always right, and the Feeble has no right in the daylight. Thence, \"Midnight\" gives the factual sight.<br /><br />Despite the tragedy, there is no melodrama in Midnight Cowboy. Every aspect of each character is the reality of the poor who bear their inevitable fate. Thanks to this, Midnight Cowboy is a provocative view of a socio-political issue, the rural exodus." ]

[ "This film seems to be completely pointless. There is no reason why anything that happens in it happens, as if it was written by a small child who got bored halfway through and thought \"how can I wrap this up?\". And what were Jared Harris and Christopher Walken thinking? Did they do it for a bet? I couldn't tell you the plot, I'm not entirely sure there is one to be quite frank, but if there is it didn't register. Jared and his bird go to Ireland after she falls down the stairs while lashed up, as you do. They go to a house with a very annoying small girl in it, meet Christopher Walken who has dug up some ancient woman preserved in peat. He brings her back to life for no other reason than it continues the story and she shows her gratitude by immediately icing him. From then on it all gets a bit silly. A couple of hours of my life that I'd like back!" ]

[ "This movie is probably the worst I have seen. Bad acting, bad script, bad everything. Comparing it to mainly two other movies in the same genre and from approximately the same time is interesting. Both Cyborg (Van Damme, 1989) and Nemesis (Olivier Gruner, 1993) are much better and seems more robust in both story and directing and still it's Albert Pyun who has directed these two as well!<br /><br />The story is not original. The world has become a terrible place, possibly due to an environmental disaster or a nuclear war, and people live under medieval circumstances. A special breed of robots (cyborgs) live on human blood and there's the story... The cyborgs need to get a lot of humans to fulfill there \"prophecy\" and the humans need someone to stop them. One girl together with a robot (Kris Kristofferson) built by the creator of the cyborgs has been appointed by destiny to save mankind.<br /><br />In this movie the director tries some Hong-Kong stylish fighting scenes with the participants flying high and leaping far. The movie fails miserably in this attempt.<br /><br />I recommend this film with the only reason that most people will get a new \"worst ever\" movie to relate to. And to fans of the genre I recommend \"Cyborg\" since I think it's a very underestimated movie with quite a high entertaining factor. And if you can't stand Van Damme then check out \"Nemesis\".<br /><br />I rated this movie 1/10." ]

[ "I found the one and only comment about this movie entirely uninformative and altogether too harsh, so I have decided to write my own. I first saw this movie when it came out and have caught it a few times more since then. First of all let me say that, overall, the things that this movie gets RIGHT are what make it worthwhile. It doesn't matter that it has some low budget quirks and other faults. It is worth watching. The idea of basing a movie on Walt Whitman's visit a restrictive, narrow-minded Anglo-Canadian community in Southern Ontario and bringing people to life is a brilliant mis-en-scene. The movie is about the kind of humanizing catalysis Whitman inspired in people. And in that sense it is exactly accurate. The acting - especially by Rip Torn (Whitman) and Colm Feore as the doctor - is very good. The scripting and dialogue are strong and pay proper attention to the mores and inflections of the time. Overall, what's not to like? Besides, name another film in which Whitman is brought so vividly to life?" ]

[ "Who actually created this piece of crap this is the worst movie i have ever seen in my life it is such a waste of time and money. I hate it how they create low budget sequels featuring D-Lister actors and a storyline so similar to the 1st one.<br /><br />I found this movie in the bargain bin sitting right next to Wild Things 2 and Death To The Supermodels for $2.99 what a fool i was to actually think that this could be good instead i watched in disgust as poor acting stereotypes ripped of the storyline and script from the 1st one.<br /><br />Whoever thought that this straight-to-video production was actually even a half decent film you must be on crackd or something because I think what pretty much most of the people who've seen this film thinks WHAT A LOAD OF CRAP!!!!" ]

[ "I bought this a year or more ago for $2 (yep, $2), left it on the shelf for ages, now watching DVDs while holed up with a cold.<br /><br />This is a haunting movie. Brilliant performances by all involved, especially the 6yo boy (about the only smiles you get in this movie).<br /><br />Plot reminds me of perhaps my favourite movie ever, Grosse Pointe Blank, but obviously that's lighthearted, this is heavy hearted.<br /><br />As a psychologist, a clinical and forensic psychologist, a shiver went up my spine when the identity of the new contract was revealed. Scary stuff! Brilliant work all round.<br /><br />Pete" ]

[ "This movie is a 90 minute Ramones concert with brief periods of stupidity and absolute boredom. What kind of high school is this anyway?<br /><br />Unless you are a major Ramones fan, DO NOT and I repeat DO NOT waste your time like I did. This is utterly unwatchable from start to finish. This movie should be called Ramone Fever. Everyone appears to like them in this movie. There is not a plot to be found in this flick. As far as teen comedies go, you are scraping the bottom of the barrel with this one." ]

[ "\"I hate those stories that begin with a funeral, but I'm afraid this one begins the day we buried George. Not that we buried him. In the interests of the environment we had him incinerated.\" So speaks Elizabeth (Judi Dench), George's widow. She's led a comfortable, predictable life with George. She has two grown children and a 12-year-old grandchild. But when she was 15 and in school, in the midst of World War II, she played the sax at night in an all-girl (almost all-girl) band called The Blonde Bombshells. The 'almost\" was because the drummer was Patrick, a charming rogue who had no desire to fight and possibly be killed. With a yellow wig, a long red dress and makeup, Patrick looked almost as good as the others. <br /><br />One afternoon after the funeral, Elizabeth finds herself in the attic of her home playing the sax she had put away. She used to practice, but only when George was out of the house on the golf course. Then two things happen. Her granddaughter, amazed at how good Elizabeth is, starts talking about how the Blonde Bombshells could be reunited and play at her school dance. Then Elizabeth encounters Patrick (Ian Holm), now just as much an aging oldster as Elizabeth, and just as much attracted to her as he was more than 50 years ago. (He also was attracted to all the other members of the Bombshells. The roses that would appear on his bass drum had a special meaning that attested to his affection.) Well, why not see if the other band members can be located, and why not give it a shot for a reunion performance at her granddaughter's school? <br /><br />Why not? One member of the band is gaga. One is dead. One is in jail. One has found salvation with the Salvation Army. One they can find no trace of. One is last known to be in the States. One is a professional singer and has no intention of doing a school gig, even for a reunion. But one by one Elizabeth and Patrick bring together the surviving members of the Bombshells. We don't know if enough of them can be found. The rehearsals more often than not turn into off-key shambles. While they do this, we share Elizabeth's flashbacks of what life was like when she and Patrick were young in war-time London, playing in the band while the bombs were falling. As terrible as it was, it was the most exciting time of their lives. When the night of Elizabeth's granddaughter's dance arrives, of course, the Blonde Bombshells, filled with jitters and renewed friendship, blow the youngsters away. Afterwards, Elizabeth informs us that the Bombshells are continuing to play at gigs, and that she and Patrick have no plans to get married...but see nothing wrong with a little fooling around. <br /><br />This is sentimental hogwash, expertly done, and not bad at all. What makes it work are the skill and charm of Judi Dench and Ian Holm. When I hear the term, \"warm-hearted comedy,\" I usually cringe unless the actors are first-rate. Dench and Holm are wonders to watch as they take something as light-weight and predictable as this script and turn it into something that charms us. Then there's the \"old broad\" gambit that's fun if you remember the old broads. Among the Blonde Bombshells are Leslie Caron, Joan Sims, Olympia Dukakis, Billie Whitelaw and Cleo Laine. Laine sings three numbers and almost over-balances the production. She is so strong and unique a jazz talent that while she's singing the program nearly becomes the Cleo Laine Show. Another attractive feature is the number of great WWII songs played in strong swing." ]

[ "1928 is in many ways a \"lost year\" in motion pictures. Just as some of the finest films of the silent era were being made in every genre, sound was coming in and - while reaping great profits at the box office - was setting the art of film-making back about five years as the film industry struggled with the new technology.<br /><br />\"Show People\" is one of the great silent era comedies. The film shows that William Haines had comic skills beyond his usual formula of the obnoxious overconfident guy who turns everyone against him, learns his lesson, and then redeems himself by winning the football game, the polo game, etc. This movie is also exhibit A for illustrating that Marion Davies was no Susan Alexander Kane. She had excellent comic instincts and timing. This film starts out as the Beverly Hillbillies-like adventure of Peggy Pepper (Marion Davies) and her father, General Marmaduke Oldfish Pepper, fresh from the old South. General Pepper has decided that he will let some lucky movie studio executive hire his daughter as an actress. While at the studio commissary, the Peppers run into Billy Boone (William Haines), a slapstick comedian. He gets Peggy an acting job. She's unhappy when she finds out it is slapstick, but she perseveres. Eventually she is discovered by a large studio and she and Billy part ways as she begins to take on dramatic roles. Soon the new-found fame goes to her head, and she is about to lose her public and gain a royal title when she decides to marry her new leading man, whom she doesn't really love, unless fate somehow intervenes.<br /><br />One of the things MGM frequently does in its late silent-era films and in its early sound-era films is feature shots of how film-making was done at MGM circa 1930. This film is one of those, as we get Charlie Chaplin trying to get Peggy's autograph, an abundance of cameos of MGM players during that era including director King Vidor himself, and even a cameo of Marion Davies as Peggy seeing Marion Davies as Marion Davies arriving at work on the lot. Peggy grimaces and mentions that she doesn't care for her. Truly a delight from start to finish, this is a silent that is definitely worth your while. This is one of the films that I also recommend you use to introduce people to the art of silent cinema as it is very accessible." ]

[ "How they got Al Pacino to play in this movie is beyond me. This movie is absolutely terrible. I discovered, after reading some of the other reviews, that a couple of people actually enjoyed this film, which deeply puzzles me, because I do not see how anyone in their right mind could possibly enjoy a movie as awful as Revolution. It's not just that it's a bad movie, with a lame plot and overall strangeness that is extremely unpleasant, but it seems as if the filmmakers were either mentally retarded (which is a very possible explanation as to why this movie sucks like it does, though it probably still sucks even compared to other films made by retards) or deliberately made every illogical decision to make this movie suck as much as possible. For example, we see Donald Sutherland running around with a huge, fat ugly mole on his face. He does not normally have a mole. The mole does not add to his character. It is extremely ugly and distracting. It's not like Robert De Niro's mole; it's much worse. Why the hell has he got that mole? It's as if the filmmakers just said, \"Let's see, how could we make this movie even worse than it already is? I know, let's give Mr. Sutherland a giant, ugly-ass mole right on his face.\"<br /><br />Another example of the filmmakers' stupidity is the character Ned. We see, for the first three-quarters of the movie, young Ned. At one point, \"six months later\" appears on the screen. We see Ned again, and it is, of course, the same actor playing the boy. Five minutes later, \"three weeks later\" appears on the screen, and all of a sudden we've got a different actor playing as the now older Ned. What, do they think we're idiots? Good God! Again, it's like the filmmakers are saying, \"How can we possibly make it any worse? I don't think we can...Oh wait! I just had a terrible idea!\" I know a kid doesn't grow much in half a year, which is fine, but he at least grows more than he does in three weeks. Just don't get another actor to play Ned, or at least get him to play the five minutes when he's three weeks younger. Furthermore, the kid who plays the \"older\" Ned does not look any older than \"young\" Ned. As a matter of fact, he just looks completely different, much skinnier, and no taller or older than the original actor, which is very confusing, as I, like any rational human being, thought at first that it was a new and different character.<br /><br />What, did the first kid die while they were filming the movie? Because he was in it for the first hour and a half, and then all of a sudden, three weeks later, the guy from Lock Stock and Two Smoking Barrels is playing Ned for the last five minutes of the movie. And even if the original actor did die, the filmmakers should have at least gotten an actor who looks like him to play the remainder of his role, and re-shoot the measly five minutes of \"six months later\" scenes. Better yet, just scrap the movie completely, never finish it and never release, never even tell anybody about it, because by that point they should have realized that their movie sucks and in finishing it they would only waste more money and time and succeed in making one of the worst movies of all time.<br /><br />I'm not saying that this movie is so bad you shouldn't watch it; it's so bad that you SHOULD watch it, just to see how badly it sucks. It's terrible, terrible." ]

[ "I was born in 1982. Most of my childhood memories are in the extreme late 80's and 90's. I watched the Groove Tube for the first time in 2001, when I was 19.<br /><br />And I found it hilarious.<br /><br />So for anybody who thinks that something \"dated\" can't be quite funny 30 years later....think again! It's funny even if you have no idea what the 70's were like, and the thought of bell-bottom pants make you cringe. Who can argue with a Bozo the Clown type who reads adult literature? There is plenty to laugh at. The scrotal puppet show at the end is the best." ]

[ "This is my first CG animated film that I've ever seen. Usually, the look of other animated films made me reticent to see them. Not Ice Age. I wanted to see it the moment I saw the trailer with Scrat, the hilarious sabertooth squirrel.<br /><br />Ice Age was sporadically funny and overall fun film to watch. The story is basically an animated version of Three Men and a Baby, set 20,000 years in the past. The visuals were great. Simply beautiful. It's one thing to create convincing aninmation, it's another thing altogether to create visually arresting stuff and Ice Age is great to look at with its stylized visuals. Blue Sky Studios is a company to look out for in the future." ]

[ "This is a beautiful film. The true tale of bond between father and son. This is by far, Tom Hanks at his finest. Tom Hanks is really out of the box in this movie. He usually has the nice guy roles. Yet in this film,he comes off in this film as a bit gritty, but still emerges smelling like a rose, even until the very last scene, the assassination of his character. The cast of this movie was well put together. I also love the part when there is total silence when Tom Hanks' character shoots and kills all of the men in Mr. Rooney's group. There is something chilling and yet profound about no sound in that scene, just simply emotion. I love the look on John Rooney, Paul Newman's character's face when he realizes even before seeing him, that it is Tom Hanks's character getting revenge, and he knows his fate has come. The first time I saw this movie I was blown away and knew I had to go out and get the video and I since have, adding it to my collection of my all time favorite movies.<br /><br />Tom Hanks is my favorite actor, so this film has a special place in me." ]

[ "This is an above average Jackie Chan flick, due to the fantastic finale and great humor, however other then that it's nothing special. All the characters are pretty cool, and the film is entertaining throughout, plus Jackie Chan is simply amazing in this!. Jackie and Wai-Man Chan had fantastic chemistry together, and are both very funny!, and i thought the main opponent looked really menacing!, however the dubbing was simply terrible!. The character development is above average for this sort of thing!, and the main fight is simply fantastic!, plus some of the bumps Jackie takes in this one are harsh!. There is a lot of really silly and goofy humor in this, but it amused me, and the ending is hilarious!, plus all the characters are quite likable. It's pretty cheap looking but generally very well made, and while it does not have the amount of fighting you would expect from a Jackie Chan flick, it does enough to keep you watching, plus one of my favorite moments in this film is when Jackie (Dragon) and Wai-Man Chan(Tiger), are playing around with a rifle and it goes off!. This is an above average Jackie Chan flick, due to the fantastic finale, and great humor, however other then that it's nothing great, still it's well worth the watch!. The Direction is good. Jackie Chan does a good job here with solid camera work, fantastic angles and keeping the film at a fast pace for the most part. The Acting is very good!. Jackie Chan is amazing as always, and is amazing here, he is extremely likable, hilarious, as usual does some crazy stunts, had fantastic chemistry with Wai-Man Chan, kicked that ass, and played this wonderful cocky character, he was amazing!, i just wished they would stop dubbing him!. (Jackie Rules!!!!!). Wai-Man Chan is funny as Jackie's best friend, i really liked him, he is also a very good martial artist. Rest of the cast do OK i guess. Overall well worth the watch!. *** out of 5" ]

[ "This early Pia Zadora vehicle followed a familiar Harold Robbins formula: ambitious main character wallows in decadence while pursuing the path to the top of some randomly chosen but glamorous world, in this case the movie industry. But despite being so formulaic as to be completely predictable, this movie manages at the same time to be completely unbelievable. Zadora (to call her inexperienced as an actress is to be charitable) never convinces as a screenwriter. One would expect a movie about movie-making to have some insights into its own industry and creative process. But the script gives her none of the qualities which make writers interesting movie characters: observance, skill with words, a love-hate relationship with one's own creative abilities. Her character is as empty as a donut hole. And this is just a taste of the incompetence on display here. The cinematography is so murky that it is sometimes hard to see what is happening. And the scenes never really hang together, so everything seems like a succession of random moments at bad Hollywood parties. Avoid." ]

[ "This movie was a disappointment. I was looking forward to seeing a good movie. I am the type of person who starts a movie and doesn't turn it off until the end, but I was forcing myself not to turn it off. <br /><br />Theonly reason why I didn't turn it off was because I am a huge Christian Slater fan and I wanted to see him act in it. I was really speechless after I finished watching the movie. <br /><br />This movie was one of the worst movies that I have seen in my life. Thank you Christian Slater for putting some humor into it. If you hadn't been in this movie I would of been bored out of my mind.<br /><br />I also agree that Anthony Hopkins needs to stick to acting. By the time the movie was over I didn't even get the plot. I was both confused and annoyed." ]

[ "What an inspiring movie, I laughed, cried and felt love. For a true story,it does give you hope and that miracles do happen. It has a great cast. Ellen Burstyn, Samantha Mathis, Jodelle Ferland(she's 4 or 5yrs. old) what a actress. Its on Showtime. A Must See Movie!! :)=" ]

[ "Well after three times through I still have no idea what this movie is about because, quite honestly, it failed to generate any real interest or concern. But here it goes: A bunch of too old to be teen Teen Actors dressed in horrifying latter 1980's fashions (did WE look like that too??) decide it would be a really good idea to get in a motorboat and go visit the abandoned Alcatraz after one of them has nightmares of people being slaughtered in various horrifying ways that manage to rip off POLTERGEIST, THE EVIL DEAD, and Freddy Kreuger in one fell swoop. The dimwit even envisions himself being roasted over an open fire with some deformed freak slicing off strips of tenderloin. Good thing it was only a dream or it might have hurt, and good thing his dreams had a decent special effects budget. Mine are usually pretty lame: Girls, model space ships, blowing things up with a bazooka, etc.<br /><br />Once on the Alcatraz island they find themselves in a Slasher movie, and meet up with Tony Basil, who cannot help but break into a couple dance poses at times and had her own lighting crew (complete with a smoke machine for that 1980's smoky haze infused light look, which I kind of miss). And such reminded me that Ms. Basil helped choreograph David Byrne of the Talking Heads for some of his videos and performances. This of course has nothing at all to do with the film but kept popping into mind as the movie posed very little to actually think about. It sort of happens, and you can either watch or keep working on your page markup with it on the TV set off to the side. But since the film isn't really interesting, you'll keep deciding to finish one last thing instead of wasting time, the movie will keep ending, and you'll find yourself wondering what you missed every time you realize the end credits are starting to roll again, dammit ...<br /><br />*SOME* 1980's Teen Horror movies can survive such specialized viewing: Umberto Lenzi's GHOSTHOUSE, CHOPPING MALL & it's Killbots, the hard to ignore NIGHT OF THE CREEPS and the over-the-top SLEEPAWAY CAMP all come to mind. They are films that, like them or not, demand your attention and usually pay off with some good gore or T&A, and typos in your work as evidence that you were watching the TV instead of your keyboard. I am sure that HELL ISLAND (as the British version I glommed onto is titled) does indeed have some good stuff in there, but frankly I don't care. And nothing is more annoying that encountering art of any genre that doesn't inspire admiration, some decent dislike or even good old honest hatred for it. The film is content with simpering away 80-whatever minutes of time and never really accomplishing anything more than being a sometimes distraction in spite of my best efforts to try and give it a chance, but no dice.<br /><br />There is some offbeat production design going on, the use of lighting is striking at times, and the occasional outburst of mayhem will probably keep fans of 1980's Teen Horror interested. The rest of you be warned though: YOU WILL WONDER IF YOU DRESSED LIKE THAT IN 1987, and the answer is probably more hideous than anything which happens on screen. Try to watch it as a free rental if possible so that if disappointed you aren't stuck with the damn thing: Movies like this take up valuable shelf space that is often at a commodity these days, what with the world coming to an end & all ..." ]

[ "Let's start by the simple lines. From the viewer's side, there a couple of good \"director details\", some points of view at the movie scenes that are nice. The special effects are good enough, a good acting/good scenery also. But the story is way too simple. It shows how a elite Army bomb squad unit lives, acts and sometimes dies. It shows the drama of living in war. In my movie experience as a serious action movie \"addicted\" guy, I missed that click that gets my eyes and mind stuck on the screen. One of the things that need to be present in a movie in order to I consider it a good one is the ability of immerse the viewer in the movie reality and time. It didn't happened to me. I stayed \"conscious\", for the entire movie.<br /><br />Honestly speaking, I think that this movie gained its place in fame based on the \"subconscious\" appeal of American patriotism, a healthy and genuine feeling, but not the adequate use as a movie fame generator. More than a movie about war, it grows its popularity based on that.<br /><br />A simple thought: if this was a world war II or I movie, only changing time, with everything remained the same, would it be this awarded? Sure not. Why? Because there are great ones that elevate the bar way to high.<br /><br />Compared against its rivals in the Oscars, I don't think that all of the prizes it won are correctly awarded." ]

[ "This film is mediocre at best. Angie Harmon is as funny as a bag of hammers. Her bitchy demeanor from \"Law and Order\" carries over in a failed attempt at comedy. Charlie Sheen is the only one to come out unscathed in this horrible anti-comedy. The only positive thing to come out of this mess is Charlie and Denise's marriage. Hopefully that effort produces better results." ]

[ "If I could give it a zero, I'd change my mind and give it a -10 instead. Absolutely horrible movie with no movie plot, doesn't make sense of what is happening. Just PLAIN BORING. Please don't waste your money on this one. Pleaseee!!! This movie could have done so well if it truly depicted the real zodiac killer's story, but nopes, I didn't feel anything but disgust while watching it. Do yourself a favor and rent some classic movies instead, its better to watch a movie you've already seen like 3-4 times than watch this crap! I don't understand why people even bother to make such movies when they know its not going to do well. Zodiac killer should be called 'Boriac killer' instead!!!" ]

[ "It's easy to make really general comments about a film like this. The fact that it's one of the only remaining Japanese films from this era causes people to say that it \"started Japanese cinema\" and was \"unlike anything the west ever made.\" The latter of these two comments is particularly false as Kinugasa himself admitted to ripping off \"Caligari\" on more than one occasion. But style was meant to be imitated, and doesn't take away from this film's importance. What we have here is experimental themes and composition built on already established visual styles, opening the doors for a truly brilliant layering of narratives and realities. For this purpose, the madhouse is the ideal setting, and the writers knew this. This is a landmark film, and every effort should be made to track it down.<br /><br />5 out of 5 - Essential" ]

[ "October Sky is a highly lauded movie, and it¡¦s easy to see why. The story is easy to comprehend and many turning points are gripping, the actors and actresses do fairly good jobs, especially Jake Gyllenhaal and Chris Cooper, the hero finally gets what he wants, and it¡¦s a true story. Frankly I think the director¡¦s achievement is not comparable to the sparks and heat the original story generates. We don¡¦t see any special narrative or cinematography; the power of the movie relies much on the riveting plot and tough situation the young hero is trapped in that most audience will find themselves identify with the characters. We feel Homer¡¦s desire to earn his father¡¦s recognition and create his own future, and his resilience wins our respect. ¡§October Sky¡¨ reminds me of a later 2001 Japanese production of mini series ¡§Rocket Boy,¡¨ which might owe some of the inspiration from this movie. Actually these two works shot from two different cultures provide interesting comparison. When October Sky unfolds a story of a young man crying out loud to claim his right over his own destiny, ¡§Rocket Boy¡¨ offers a more compromised description that could sometimes constitute an acrid criticism of modern society. Starring the outstanding actor Yuji Oda, ¡§Rocket Boy¡¨ focuses on three men as ordinary as can be: a travel agent who has a dream of becoming an astronaut, a boastful advertising agent who is on the brink of being torn apart by his inferiority complex resulted from the extreme success of his father and older brother (like what Homer feels in his family), and a food company employee who is about to getting married but scared of this idea. The collected social consciousness superimposes its definition of success on its constituents and steps further to force them suffocate their dreams by claiming them ¡§impossible.¡¨ To compensate for his lost ideal, Kobayashi (Yuji) works in the tour operator because it¡¦s called ¡§Galaxy.¡¨ When his client fails him and his girlfriend decides to leave him, he finally finds strength from his father¡¦s words, who had determined to be a sailor but later found life on the sea less attractive as he had presumed. ¡§But I don¡¦t regret it,¡¨ his father told Kobayashi, ¡§at least I tried.¡¨ It is his father¡¦s confession that encourages him to resign his job and apply for astronautships despite the fact that he hurts his legs and needs to move around on a wheelchair. Kobayashi¡¦s effort finally fails, and he goes back to the travel agency. But his ¡§crazy¡¨ courage inspires his friends, and everyone loves him more. Just before the end of the series, Kobayashi is on the job as a guide of a space camp meant to let children learn more about astronauts. After the tour is over we see him leaning against a tree, unfolding a sheet of poster he tears from the bulletin board that says: ¡§Astronauts Wanted for 2004.¡¨ Kobayashi looks at the piece of paper and laughs and laughs, just like a kid looking at his ticket to Disneyland. Kobayashi may never get what he wants, but he dares his destiny and ¡§just does it.¡¨ This series is so heart-gripping not because the hero exhibits any heroic deeds, but his ordinariness and unstoppable urge to realize his dream which make us wonder and envy. Unlike Dilbert or other sarcastic writings, this show enlightens us and teaches us something. Homer and Kobayashi both have the dream, and they do what they can despite other people¡¦s opinions. I recommend other IMDB users to see the Japanese TV series. If you are a nine-to-fiver, you will feel more touched. I feel sorry that IMDB doesn¡¦t have its data, maybe you can ask somebody from Japan to help you." ]

[ "Most people who have seen this movie thinks that it is the best movie ever made. I disagree but this movie is very very good. Tony is a bad ass guy and knows that he's intimidating and uses it to get ahead. It's about him and how he goes from washing dishes to having a huge house and a office with cocaine all over the desk. If you want a family movie then this isn't the way to go but if you want mobsters and vengeance and stuff like that then you'll like it." ]

[ "This was truly dreadful! It had a terrible storyline, was poorly acted, and was like an amateur remake of evil dead but not nearly as good.<br /><br />It took all my tenacity to make it through this one, it's a good job I didn't have to visit the toilet else I doubt I would have come back! This one makes Hammer House of Horror look like a big screen Hollywood epic. <br /><br />The only value to this movie was the never ending supply of beautiful women. Not a bad one among them! <br /><br />If you want to letch with your friends after a night on the beer then this one's for you ... else avoid it like the plague!" ]

[ "that's incredible! Fidani (who he was also a spiritist) was one of the cheapest director of all the world. This movie stole the original title of Leone's \"Duck you sucker!\" but tell the boring story of a Pinkerton agent against the killer \"Testa di Ferro\" (the improbable Gordon Mitchell, a stuntman). All is poor and crazy in this pelicula filmed into the dear landscapes of Lazio. The story is bad and crazy at the same time. Fidani was not able and ingenuos at the same time. Into the story happened some kind of crazy illogical things (like the discussion into the Sheriff's house and the demential appearance of Butch Cassidy !?!?!?!?!? yes, really Butch Cassidy,who is portrayed like an idiot). Terribles nuit americaine, absurd comportaments, illogic plot, bad acting and a fugace appearance by one of the most rewarded anchorman in the story of italian television, Renzo Arbore. Ah, of course: Klaus Kinski. Yes is great and terrible, but i'm sure he was in it only for money an for playing with iron horses) 2 of 10 but...DON'T MISS IT!!!!!" ]

[ "The whole Biker Movie genre has to be made up of the worst films ever made. This one delivers a lot of fighting, generous amounts of blood, bikers fighting Indians, and a shanty town that gets blown up and torn down one shack at a time. The acting is beyond terrible. What ever happened to Robert Walker, Jr.? At one point he was in some major studio productions, and then he just faded away. This movie really blows, but if you have not seen a Biker movie in a long time, it is a good one to watch. At the end of the movie, you should feel a bit trashy for having watched it!" ]

[ "I've been largely convinced to write this review for a number of reasons:<br /><br />1) This is, without doubt, the worst film i've ever seen 2) Unless it gets more reviews it will not be listed in the all time worst films list - which it deserves to be 3) I was kinda lucky - i paid five pound for it. i've seen it in shops for 15 pound. DON NOT PAY THAT MUCH FOR THIS FILM! You will be very angry 4) There are a lot of films out there in the horror genre that are not given a fair rating (in my opinion) and giving this film a higher rating than them is criminal<br /><br />The plot summary: a guy with no friends meets a tramp who promises the world - well, the magic ability to appear to everybody else like somebody else. Our hero cunningly turns into a teenage girl and joins their gang - sitting on swings, baby-sitting. He kills them one by one until he is tracked and found by the police.<br /><br />Why is it so bad? To begin with the acting is VERY VERY bad. Someone else compared it to a school production. No, this is worse than any acting i've seen on a school stage.<br /><br />I've bought a number of these previously banned films from the DVD company vipco and not been as disappointed as i was at this. okay, the acting is bad but the film fails to deliver in every other sense. What was the point in making this film when there isn't even any gore! okay, no gore. What else can a film like this offer? Breats? No, not even any titillation!<br /><br />it's true this film may have a certain charm in its unique naffness but any potential buyer/watcher of this film should be fairly advised that this film is, at best, worth only one out of ten." ]

[ "The Dereks did seem to struggle to find rolls for Bo after \"10\".<br /><br />I used to work for a marine park in the Florida Keys. One day, the script for \"Ghosts Can't Do It\" was circulating among the trainers in the \"fish house\" where food was prepared for the dolphins. There was one scene where a -dolphin- supposedly propositions Bo (or Bo the dolphin), asking to \"go make eggs.\" Reading the script, we -lauuughed-...<br /><br />We did not end up doing any portion of this movie at our facility, although our dolphins -were- in \"The Big Blue!\"<br /><br />This must have been very close to the end of Anthony Quinn's life. I hope he had fun in this film, as it certainly didn't do anything for his legacy." ]

[ "It makes one wonder how this show is still on the air. There's been one couple that has stayed together, married, and has children, but everyone else has broken up. What's the point of continuing this? The show can be entertaining at the beginning. You see all the girls swooning over one man, that almost all of them like instantly. It's just like in real life! The girls start to take sides, bitch one another out, and show their true selves (or so we think). But that one man is left to decide who to pick that he thinks he can marry and live happily ever after.<br /><br />What is true love exactly? How can you fall for someone when you're forced to pick them? This show is unbelievable. You thought dating online was bad, but people have to go on TV to find love? It's not realistic. How could a girl be with a man when he is going out with several others, making out with them? None of these questions are answered, and finally when the show ends, you know there won't be a happy ending in the future. For all we know, everything is scripted." ]

[ "Another movie to suffer without an adventure to run, no enigma to solve. Just an illness man, acting like an animal. No a good reason to take this journey. Pitt and Lewis are great actors; magnificent Michelle Forbes but a weak David Duchovny performance..." ]

[ "In Iran women are prohibited from attending live sporting events because of the fear that they will be \"corrupted\" by bad language, close proximity to thousands of men, and the fact that there are no toilet facilities for women in the antiquated stadiums. Based on an actual incident involving the daughter of the director, Jafar Panahi's Offside follows six girls, disguised as men, who are refused entry into the soccer match in 2005 between Iran and Bahrain, a match that will decide whether or not Iran goes to the World Cup. In a departure from the bleak, minimalist films we have been accustomed to from Iran over the last ten years, Offside is an exuberant comedy that has a patriotic fervor and a universal appeal but contains enough subversive social commentary to warrant its prohibition from screenings in Iran.<br /><br />Shot with a digital camera using non-professional actors who are more than up to the task, the girls try to sneak into Azadi Stadium in Tehran but are arrested and placed in a holding area outside of the stadium. They are guarded by three young army conscripts (Safdar Samandar, Mohammed Kheir-abadi, and Masoud Kheymeh-kaboud) who express ambivalence about their task but are pledged to follow the rules. The women are soccer enthusiasts, not political activists and cheer for Iran's victory but this does not deter the soldiers from detaining them while they wait for the girls to be transported to the Vice Squad and an uncertain future.<br /><br />Outspoken rather than acting like victims, they continually question the soldiers about the rationale behind the restrictions, making their absurdity quite obvious. Although they can hear the crowd noise, the women cannot see the action but achieve a minor victory when they persuade one of the soldiers to provide a running commentary on the game. One of the funniest sequences takes place when a female \"prisoner\" is escorted to the men's room by a soldier. The young recruit then must cope with a near riot when he has to prevent anyone else from using the facilities while the girl is still inside.<br /><br />Little by little, to paraphrase Adlai Stevenson, that which unites them turns out to be greater than that which divides them and the unlikely antagonists rally behind their country and root for the victory that will send Iran to the World Cup. Although the point is made early and often and the film sags a bit in the middle, Offside makes a telling point about a society where a political elite with a medieval social mentality has to contend with an growing group of educated and politically astute citizens. One can only hope that world pressure and the awakening of its own people will force the Ayatollahs to come to terms with the 21st century." ]

[ "This is how I feel about the show.<br /><br />I started watching the show in reruns in 2001.<br /><br />I enjoy the show but it had too many faults.<br /><br />I HATE THE MICHELLE & JOEY CHARACTERS!<br /><br />Stealing story lines from old TV shows. They even stole from \"The Partirdge Family.\" Then in 1 episode \"The Partridge Family\" was mentioned.<br /><br />Actors playing different roles in different episodes. MTV Martha Quinn the most notable doing this, especially when she played herself in 1 episode.<br /><br />The Michelle character COULD NOT take a joke but then they had this little kid act out \"revenge\" to her sisters for a joke by them on her.<br /><br />Story lines that came & went in 1 episode. Joey getting the TV show with Frankie & Annette, never heard from it again after that. Danny all of a sudden playing the guitar. 1 episode he is coaching soccer, 1 episode he is coaching softball/baseball. 1 game & you are out huh Danny? <br /><br />Jesse & Joey keep getting jobs REALLY QUICKLY with no experience. Only in a TV show.<br /><br />I did like the D.J. & Stephanie characters. Wish Jodie Sweetin could have learned from Candace Cameron Bure & had a clean NON drug adult life." ]

[ "WARNING! Don't even consider watching this film in any form. It's not even worth downloading from the internet. Every bit of porn has more substance than this wasted piece of celluloid. The so-called filmmakers apparently have absolutely no idea how to make a film. They couldn't tell a good joke to save their lives. It's an insult to any human being. If you're looking for a fun-filled movie - go look somewhere else.<br /><br />Let's hope this Mr. Unterwaldt (the \"Jr.\" being a good indication for his obvious inexperience and intellectual infancy) dies a slow/painful death and NEVER makes a film again.<br /><br />In fact, it's even a waste of time to WRITE ANYTHING about this crap, that's why I'll stop right now and rather watch a good film." ]

[ "I had the privilege of seeing this film at a preview screening years ago, and outside the theater I was confronted by a camera crew from a local TV station looking for comments on the film. At the time, the only words that escaped my mouth were \"Awesome. Just awesome.\" I like to think I can articulate myself a little better than that, but at the time I was somewhat incapable of doing so.<br /><br />The story is intriguing and thought provoking, and the acting is first rate from all the principals. This film was the first one that Terry Gilliam directed that he didn't have a hand in the writing credit for. Back with Universal after his long, arduous battle with them over \"Brazil\", Terry had achieved what he wanted most; the \"final cut\". Terry is a master craftsman, and each shot is like a beautifully conceived painting that has been constructed carefully with determination and conviction. It is only justice that such an individual should be unfettered in his attempts to convey a concept. Unfortunately, limitations still exist in such arrangements.<br /><br />The Universal Collector's Edition DVD of this film is simply amazing, although most of the bonus features aren't listed on the box. It contains among other things, a director/producer audio commentary and an informative and extremely interesting 90 minute documentary on the making of the film called \"The Hamster Factor and Other Tales of 12 Monkeys\". It tells of some of the creative pitfalls in filmmaking, including a test of mettle when preview screenings tested poorly, striking the team with feelings of self-doubt and despair. Fortunately, for all of us, they decided to change very little about the film and released it to an enormous success. <br /><br />" ]

[ "\"Plan B\" is strictly by-the-numbers fare except for one thing. I surprisingly found it to be rather insulting.<br /><br />Jon Cryer is the \"star\" of this film and plays his usual, smarmy, egotistical, snotty character that was actually endearing in \"Pretty In Pink\" and has NOT been amusing ever since. Grating doesn't even begin to describe his performance. Ricky (Mark Matheisen) is a muscular, blonde, struggling actor who (gasp!) is only worried about his hair and getting laid. Talk about a stock character...ugh. At least the other three characters are somewhat engaging. Lisa Darr and Lance Guest play a grounded, optimistic, caring couple who are struggling to conceive. Since they are not whiny drama queens, however, their roles are apparently considered boring and they aren't given enough screen time. Sara Mornell rounds out the cast by playing Gina, your usual nice and good-looking young woman who just can't seem to find the right partner in love. I've seen this character a million times before but at least her performance overcomes some of the shortfalls caused by the predictability of her situation.<br /><br />What startled me about this film was its juvenile promotion of stereotypes. They introduced a Russian character for the sole purpose of mocking him and making fun of the way he talked. He was portrayed as being wild, ignorant and amazingly shallow. They were just getting warmed up though for the usual nonsense about gays. Gina decides to be gay for a while since she isn't having any luck with guys. Honestly. That wasn't that bad except they really went overboard when Gina brought a lesbian to a Christmas party her friends were throwing. Her lesbian date had very short hair (like I'm sure all lesbians do). She also got quite upset (like I'm sure all lesbians do) when Gina had the nerve to put on lipstick(!). Finally, her date goes around the party hitting on just about every woman there and mouths off when Gina expresses her disappointment. Of course, we all know how gay people can't stay faithful for so much as a couple of hours much less months or even years, right? (Please note the sarcasm in that statement. Thank you.)<br /><br />This film was based on a tired and predictable premise to begin with but Cryer's unlikable performance combined with the idiotic stereotyping sinks this movie to the lower depths of cinema. 2/10" ]

[ "This film is awful. Give me the dentist anytime! Can you believe that one of the main TV stations here in Arabia had this as their Christmas film! I can only assume they expected to entertain the crowds with Dudley Moore rather than this. The last time I looked at my hot water bottle it had more acting, better plot, more drama and a lot more interest than this waste of celluloid. Don't even watch it if you're drunk!" ]

[ "I watched 'Envy' two nights ago, on DVD, at a friends house. The premise of this film is quite promising, Jack Black and Ben Stiller in a comedy with a lot of potential, but it completely fails to deliver. I watched it with about five friends and no-one laughed for the entire film. The jokes (which are few and far between) are NOT funny in any way... the story line is crap, and they never answer the question... WHERE DOES THE SH*T GO? Of course the answer to that is NO ONE CARES. This film lacks any sort of comedy value, and as a few other users have said the only thing that makes it even almost worth watching is Christopher Walken as the J-man. None of the characters are developed, the plots so thin it's nearly transparent - and is that song throughout the film supposed to be funny??" ]

[ "TESS OF THE STORM COUNTRY is possibly the best movie of all of Mary Pickford's films. At two hours, it was quite long for a 1922 silent film yet continues to hold your interest some 80 years after it was filmed. Mary gives one of her finest performances at times the role seems like a \"greatest hits\" performance with bits of Mary the innocent, Mary the little devil, Mary the little mother, Mary the spitfire, Mary the romantic heroine, etc. characteristics that often were used throughout a single film in the past. The movie is surprisingly frank about one supporting character's illegitimate child for 1922 and at one point our Little Mary is thought the unwed mother in question! If the Academy Awards had been around in 1922, no doubt the Best Actress Oscar for the year would have been Mary's." ]