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down, you can almost tell WHO did a picture before you see their name |
at the bottom of the screen. Some of the ASCII Artists you've |
probably seen at one time or another here on GEnie are TARGON, |
PHOENIX, TSUEX, and RIKROK. All of these people have very individual |
styles. Some pictures look like drawings with ASCII characters, some |
look more like paintings. They're all delightful. |
Holiday pictures are my favorites. I can find samples from |
newspapers, comic books, coloring books, art books, and sometimes from |
my own imagination. Most of the time I need a pattern, even if the |
finished product doesn't look anything like the original. It gives me |
an idea of where to go first. :) |
5. Choosing Characters, or "Which characters do I want to use?" |
First of all, your choice of characters depends on what effect you're |
looking for. If you are "sketching" with ASCII characters, you'll |
want to pay special attention to the following keys: |
/ ` " ' \ , . _ - = ~ ^ ; | |
Notice that all of these characters have been entered on the same |
line, but many are in different positions on that line. The |
apostrophy is higher on the line than the comma, for instance. Keep |
this in mind as you "sketch" because sometimes that small difference |
is enough to make or break your picture. |
If you are going for a more filled in look, such as I do in my |
pictures, you will also want to keep in mind the relative value of the |
characters as far as light and shade go. Look at the following |
characters: |
@ # $ & X % > / ; : |
Notice that when you are using a dark background, light letters, that |
the @ and # keys provide a lot of light. You would use these |
characters to highlight your work. The : and ; let much less light |
through, so those would be the characters you shade with. If you are |
working on a reverse screen, with a light background/dark characters, |
the opposite would hold true. |
Keep in mind, too, that for detail work there are several characters |
that are very similar, but subtly different, and can add just the |
right amount of contrast to get the effect that you want. For |
instance: |
S $ : ; % X 0 O |
One more thing that will help you get the look you want is the |
relative height of capital and lower case letters. When you need a |
line to taper a bit, using a lower case letter is sometimes the |
perfect "bridge" between high and low characters. For instance: |
S s X x O o @ a |
To taper these lines even further, when a very gradual decrease is |
wanted, use both of these methods, somtimes using them more than once. |
For instance: |
Ss,..,sS or -=*@*=- or .,%,. |
SSss,,..,,ssSS or ..,,;;|;;,,.. |
Also remember that what is low on one line can be the perfect bridge |
for something high on the line directly under. This is especially |
helpful when you're creating signatures of some kind... For instance: |
,;;;, |
;; .;' ;; |
`;, |
. `';,. .;. ;. ,;;;, .;. .;;;. |
';. ;; ;; ;; ',,. ;; ;; ;; |
,;;;.;; ;; ;; ;; . ;; ;; ;;'' |
;; ';;;;' `;;';;' ';;;' ';. `;;;' |
`;;;;' |
6. Small pictures, or "Good things come in small packages." |
VERY small pictures can be a lot of fun to do. Just remember that |
with those tiny ASCII pictures, a LOT is left to the imagination. |
Sometimes a suggestion of what you're looking for is the best you can |
do. For instance, the following was done on only two lines: |
~|_ |
(_)\_ |
It's certainly no photograph, but most people will recognize this as a |
wheelchair. Another fun use for tiny ASCII graphics are for signing |
off e-mail, especially during the holidays. For instance, during the |
Christmas season, I like to sign letters off with one of the |
following: |
<\oOo/> |
### ### |
### ### |
/\ |
//\\ |
///\\\ |
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