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FACT RATED MEDIA PVT LTD 2

This is a bad movie. Not one of the funny bad ones either. This is a lousy bad one. It was actually painful to watch. The direction was awful,with lots of jumping around and the green and yellow hues used throughout the movie makes the characters look sickly. Keira Knightly was not convincing as a tough chick at all,and I cannot believe Lucy Liu and Mickey Rourke signed on for this criminal waste of celluloid. The script was terrible and the acting was like fingernails across a chalkboard. If you haven't seen it,don't. You are not missing anything and will only waste two hours of your life watching this drivel .I have seen bad movies before and even enjoyed them due to their faults. This one is just a waste of time.

This is an excellent movie and I wish that they would put it out on DVD for people to purchase. It is difficult to try to catch it on TV all the time. As you do not know when one of the stations will decide to air it. Can someone tell me what file company make it so I can write to them and see if they will release it to the public? I only caught the last hour and a half yesterday and I only got to see it once last year. My sisters and I are all looking for it in every store that sells any videos. John Denver is an excellent singer and actor and the plot line is great. They put out some much older movies and I think that is great but there are quite a few that they have not put out and I think if we could contact the producers and voice our requests we might get some of them put out on DVD.

This movie is simply not worth the time or money spent. Full of clichés and a plot that makes absolutely no sense ! I cant believe that so many people have given this awful movie a 10. My guess is they are stooges of the movie maker. <br /><br />If I could give this movie a zero, I would. Too bad IMDb doesn't allow that. <br /><br />The only reason I watched it because I went with a friend who really wanted to see it. Whats sad is that I never had great expectations from this movie to begin with and yet I felt short changed. Take my word, don't waste your $8 on this piece of trash. The only entertainment I got out of the movie was making fun of the directors name. In all, highly NOT RECOMMENDED !

putting aside the "i'm so sure"s and "totally gnarly"s this is one of the sweetest and lifelike romances portrayed on film. deborah foreman (where is she now?) as julie and nicolas cage as randy are as classic as romeo and juliet, tony and maria, jake and samantha... you can't help but fall in love with them. plus the soundtrack - the plimsouls, sparks, the furs, the flirts, and of course, modern english - is also outstanding. for fans of films about young love, i'd equally recommend the recent film all the real girls by david gordon green.

It started out with an interesting premise. I always like Civil War stuff and ancient secret societies. The more the film progressed, the more I realized that this was a B movie at best. In the latter half, it quickly became a C movie, then D, then F, then "I wish that this wasn't a rental so that I could put it in the microwave!" I can't say that the acting in all cases was awful, just most. The writing, however... I never read the book. Maybe the book is well written. The screenplay was written by a 10 year old. It was ridiculously shallow, the dialog drab and uninteresting, the characters about as interesting as a 5 pound bag of fertilizer. I really hated this movie, as did my wife. I am a Christian and I have no problem with movies that promote or support Christianity. This movie did a great disservice to the cause. Awful, terrible, worthless. If you liked it, I strongly recommend Superman 4.

A film that is so much a 30's Warners film in an era when each studio had a particular look and style to their output, unlike today where simply getting audiences is the object.<br /><br />Curitz was one of the quintessential Warners house directors working with tight economy and great efficiency whilst creating quality, working methods that were very much the requirements of a director at Warners, a studio that was one of the "big five" majors in this era producing quality films for their large chains of theatres.<br /><br />Even though we have a setting of the upper classes on Long Island there is the generic Warners style embedded here with a narrative that could have been "torn from the headlines". Another example is the when the photographers comment on the girls legs early in the film and she comments that "They're not the trophies" gives the film a more working mans, down to earth feel, for these were the audiences that Warners were targeting in the great depression. (ironically Columbia and Universal were the two minors under these five majors until the 50's when their involvement in television changed their fortunes - they would have made something like this very cheaply and without the polish and great talent) Curtiz has created from an excellent script a film that moves along at a rapid pace whilst keeping the viewer with great camera angles and swift editing.<br /><br />Thank heavens there is no soppy love interest sub-plot so the fun can just keep rolling along.

I got this DVD well over 2 years ago and only decided to watch it yesterday. I don't know why it took me so long as I do like the Inspector Gadget show and even the new Gadget and the Gadgetinis. While it may have a bright color pallet and all the technical sophistication of a modern animated movie, there are some old things missing that bog this Gadget right down the toilet.<br /><br />First of all the classic Inspector Gadget theme song and music is completely absent. The composer tries to compromise by doing a score that sounds similar but it's still just no good enough. The Gadget-mobile is now a talking car, not a car that can turn into a van. Plus it looks a lot cuter and rounder instead of being plain cool. Penny no longer has her computer book and she and Brain hardly make an appearance at all.<br /><br />The plot is non-existent. There's something about a transformation formula and Doctor Claw using for some never revealed evil but that's all I got. What the deal was with the short/giant Italian guy I will never know. It had nothing to do with anything.<br /><br />And if the title is anything to go by, his last case is wrapped up in no way whatsoever. And he stays on the force so why it's called 'last case' is a mystery also.<br /><br />I wasn't impressed at all. This is an affront to a great animated show that is strangely absent on DVD, but don't let that prompt you into buying whatever Inspector Gadget DVDs you can. I sold this mere seconds after finally watching it. No kid will like or appreciate this and no fan of the old show with tolerate it.

This episode of Buffy was one of my personal favorites. Also number three of Joss' personal favorites as well. The episode featured very little dialogue and despite that the good folks at the Emmy's decided it merited a nomination. Unfortunately it didn't win. When Hush first premiered it received about 6 million viewers, which was the highest rated episode of season four. That should tell you something. Even though there was very little talking it managed to intrigue people enough to tune in. Those gentlemen characters (who were played my mimes) were some of the scariest creatures the show has produced (or any network TV show I've seen). Nothing is creepier then a bunch of silver teethed men coming at you with a scalpel while smiling away. I think that despite the lack of dialogue the actors did a fantastic job on the episode.

Bulletproof is quite clearly a disposable film. The kind where bullet riddled good guys and bad guys are splatted everywhere, so much so that you really aren't supposed to see them as human. The yawns between the lines from Wayans and Sandler are extensive indeed. They try hard but , alas and alack, persona itself does not a good film make. Jimmy Caan plays a nifty villain but he's always had that redneck edge at the ready. My favorite's scene is the repeated clips of a TV ad in which Caan reveals the virtues of America can be shown to the world by having 2 cars in every garage. Aside from that it's a buddy movie with guns for brains. Pass on this one.

I think this movie was made as good as it could have been. With only 4 months and a 52000$ budget - I'm surprised this wasn't worse. If you are not to care about the CG or special effects, this movie is great.<br /><br />Okay, the movie is not that well made (I'm sure it could have been but, you try to do better in only 4 months) but the story is good and the movie is rather exciting.<br /><br />DOn't trust me when I say that this movie is good, cause I also find the 1933 King Kong to be good.<br /><br />I must confess that I didn't watch the complete movie either... I might have fast forwarded some minutes here and there...

I gave this 4 stars because it has a lot of interesting themes many here have already mentioned. From the domestic violence, to sexuality and many of the taboos therein. Outside of the gore I really would not call this horror so much as I would science fiction.<br /><br />It's bleak, depressing and hopeless. While I don't mind a less than cheery ending, I'm really very tired of the "humans suck" cliché that's central to every movie. I know you can't get a liberal arts degree today without bowing to the alter of self-hatred as a member of the human race, but how's 'bout as a writer/director we pretend we are different than everyone else in the pack and notice that the ALIENS KILLING THE HUMAN RACE are evil! Right now, if you are reading this and believe that humanity deserves to die, just go out, find a lake and swim 'til your arms are tired. This way you won't be around to direct the next film or write the next book telling me I deserve to die for being alive. It's silly, not thoughtful, and boring.

One of my all time favourite films, ever. Just beautiful, full of human emotion, wit, humour, intelligence. The story grows, as does the lesson of life, just a wonderful film in so many ways.<br /><br />The cast are also fantasic..... a great selection of the finest British talent around. I loved them all for every diverse element brought into the film.<br /><br />Italy has to be one of the most romantic places to form a story such as this, - everything about this film works.<br /><br /> I love it :)

This is a really mediocre film in the vein of "Buckaroo Banzai." The cast runs around like "Mad Max" wannabes, and they seem to be sharing a joke that they do not want to share with the audience. Wheeler-Nicholson is one of the those guilty pleasure actresses you are delighted to stumble across in films, but she isn't worth the price of rental. Space Maggot starts an electrical fire, and burns a vote of 4.

being a high school student,i have to take a health class. this year, the topic is drugs. we learn about the harm they can cause a person. from what we talk about, i still believe and know that drugs can really mess a person up. anyway, my teacher wanted us to watch this. naturally, we groan and start to sleep, but like the rest of my class, i actually did enjoy this movie. it was totally real, and not sugar coated at all. the characters were amazing and believable. even the plot was outstandingly realistic and believable. what i liked about this movie mainly was how it got the point of the effect's drugs can take on an abuser, and the consequences the person has to deal with. everyone reassures themselves that nothing bad will happen to them. well lets get serious. anything can happen in a small town, even to your best friend, like Sam and Chris. this movie shows it. a person can really learn a lot from watching this. it was pretty effective.

This movie is good for entertainment purposes, but it is not historically reliable. If you are looking for a movie and thinking to yourself `Oh I want to learn more about Custer's life and his last stand', do not rent `They Died with Their Boots On'. But, if you would like to watch a movie for the enjoyment of an older western film, with a little bit of romance and just for a good story, this is a fun movie to watch.<br /><br />The story starts out with Custer's (Errol Flynn) first day at West Point. Everyone loves his charming personality which allows him to get away with most everything. The movie follows his career from West Point and his many battles, including his battle in the Civil War. The movie ends with his last stand at Little Big Horn. In between the battle scenes, he finds love and marriage with Libby (Olivia De Havilland).<br /><br />Errol Flynn portrays the arrogant, but suave George Armstrong Custer well. Olivia De Havilland plays the cute, sweet Libby very well, especially in the flirting scene that Custer and Libby first meet. Their chemistry on screen made you believe in their romance. The acting in general was impressive, especially the comedic role ( although stereotypical) of Callie played by Hattie McDaniel. Her character will definitely make you laugh.<br /><br />The heroic war music brought out the excitement of the battle scenes. The beautiful costumes set the tone of the era. The script, at times, was corny, although the movie was still enjoyable to watch. The director's portrayal of Custer was as a hero and history shows this is debatable. Some will watch this movie and see Custer as a hero. Others will watch this movie and learn hate him.<br /><br />I give it a thumbs up for this 1942 western film.

This movie has made me upset! When I think of Cat in the hat. Im thinking of cat in the hat books. You know, the one from a few years back that parents read to thier children. Well, I though that this movie would be a lot like that! But much to my suprise was nothing like the books! Insted it is more like young adult humor movie. In one part cat is talking to a gardening tool (hoe) cat talks to it like it is his hoe (agin adult humor). the naming of his car I all so though was a little untastful for a kids movie. under the rating you'll find: mild cude humor and some double-entendres. I think in short this means adult humor. I wish I could return this movie! wal-mart said they wouldn't because the movie has been opened. If you are thinking about buying this I suggest that maybe rent before you buy.

Mickey Rourke hunts Diane Lane in Elmore Leonard's Killshot It is not like Mickey Rourke ever really disappeared. He has had a steady string of appearances before he burst back on the scene. He was memorable in: Domino, Sin City, Man on Fire, Once Upon a Time in Mexico, and Get Carter. But in his powerful dramatic performance in The Wrestler (2008), we see a full blown presentation of the character only hinted at in Get Carter. Whenever we get to know him, Rourke remains a cool, but sleazy, muscle bound slim ball.<br /><br />This is an Elmore Leonard story, and production. Leonard wrote such notable movies as taunt western thriller 3:10 to Yuma, Be Cool, Jackie Brown, Get Shorty, 52 Pick-Up, and Joe Kidd. This means that we get tough guys, some good, some not so good.<br /><br />It also means we get tight, realistic plots with characters doing what is best for them in each situation, weaving complications into violent conclusions. Killshot is no different. Tough, slim ball killer Rourke stalks unhappily married witness Lane. Think History of Violence meets No Country for Old Men. It is not as intense, bloody or gory as those two, but it is almost as good. If you like those two, including David Croneberg's equally wonderful Eastern Promises, you will like Killshot also.<br /><br />Director John Madden has not done a lot of movies. His last few were enjoyable, if not successful: Proof, Captain Corelli's Mandolin and Shakespeare in Love.<br /><br />Diana Lane hasn't had a powerful movie role since she and Richard Gere gave incredible performances in Unfaithful. Lately she is charming and appealing in romantic stories such as Nights in Rodanthe, Must Love Dogs, and Under the Tuscan Sun. Here she is right on mark, balancing her sexy appeal with reserved tension.<br /><br />This is a small part for Rosario Dawson. Yet Dawson does a good job with it. You see a lot more of Lane, including an underwear scene to rival Sigourney Weaver in Aliens and Nicole Kidman in Eyes Wide Shut.<br /><br />While you are in the crime drama section, also pick up Kiss, Kiss, Bang, Bang, and Gone Baby Gone, and Before the Devil Knows Your Dead. The last has wonderful performances by Phillip Seymour Hoffman, Ethan Hawke, Marisa Tomei and Albert Finney.<br /><br />Killshot flopped at the box office. More is our luck. It is certainly worth a 3-4 dollar rental, if you like this genre. 6/20/2009

"Müllers Büro" is a movie which many will watch and enjoy until the end, while others will stop watching it within five minutes. It is a parody of detective movies with all the twists and turns; the action takes place only at night in the dark corners of a city which resembles Batman's Gotham City (look carefully at the streets, buildings, the police car chasing the criminals, etc.). It is also a parody of musicals with its really funny characters such as Müller's secretary and Vitasek's (the actor playing Müller's assistant) lover who do their best to sing, albeit not very successfully.<br /><br />The spaces occupied by the characters have their own presence in the film such as the decadent Blue Box (there is a real club with this name in Vienna) where one can see a sailor hitting on a girl in the background, Müller's apartment with the black paint smeared on the walls and the dirty kitchen, Müller's bureau with the sweet picture of his assistant, etc.<br /><br />The humorous moments in the movie are many and include "flat in the face" type of humor such as Müller farting in his assistant's face, the prostitute charging Müller extra for orgasm, the ridiculous outfits of the female thugs of Montana, etc.<br /><br />A legendary film from the 80's especially for those interested in Austrian or German-speaking cinema.

Peter Sollett has created an endearing portrait about real people living in poverty in the Lower East Side of New York, or Loisaida, as it's known by the locals.<br /><br />Mr. Sollett's heart is in the right place as he examines this dysfunctional family, that is typical of the different 'inner cities' of the country. Mr. Sollett accentuates the positive in the story he presents. These are basically good kids, the children of parents that have left them and whose grandmother has taken under her wing. <br /><br />Instead of presenting his characters as losers, Mr. Sollett shows a positive side they all have. These kids are not into drugs, or are stealing because they are poor. Had this story been done by Hollywood we would have seen a parade of stereotypes, instead of children that are struggling, but deep down inside, they are not defeated.<br /><br />Victor Rasuk, as Victor Vargas, was a revelation. He is a natural. So is July Marte. Her character shows us a no nonsense girl who will not be fooled or driven to do anything she doesn't want to do. Altagracia Guzman, as the grandmother is excellent. She conveys her frustration at not being able to steer her grandchildren into the things she believes in and that are so important to her. <br /><br />All in all, this was an excellent picture thanks to Peter Sollett.

The long list of "big" names in this flick (including the ubiquitous John Mills) didn't bowl me over to the extent that I couldn't judge the film on its actual merits. It is FULL of stereotypes, caricatures, and standard, set scenes, from the humble air-ace hero to the loud-mouthed yank flyer. The music track was such that at one point, about an hour before the end, I thought the film was over: loud, rising crescendo, grand flourish and finish then silence, but then the movie continued! I found no real storyline, haphazard writing, but smartly-pressed uniforms and the pretty Jean Simmons (pre-nose job) with a rousing little ditty. I cannot say that this picture has any of the ingredients which make a film great. I found it maudlin, mawkish and minor.

I love the Jurassic Park movies, they are three of my all time favorite movies.<br /><br />And I hate this game, if there was one game I wish I never own for the Super Nintendo was this one.<br /><br />How can a game based on a classic movie be just too awful? And to make it worst, I was scare of this game when I was a kid.<br /><br />How dumb was that but then again I was a kid when this game was first out.<br /><br />The game play in this game is just odd. One minute it's a action game and then it's a shooter. What in the world is wrong with making up your mind when making a video game.<br /><br />The Sound in the game is just terrible to listen.<br /><br />The music is just too sick to listen to.<br /><br />The Controllers in the game don't work most of the time.<br /><br />Jurassic Park the game is just a waste of time and money and won't be a classic.<br /><br />Avoid at all cost

utterly useless... having been there, done that with the subject matter i have to say this captures the clubbing atmosphere in absolutely no respect. It may have done so had the characters not just been mouthpieces for incredibly dire, unrealistic drivel. So many cringe-worthy scenes that would put The Office to shame (not a compliment to this film). It also may have helped to have some semblance of a story, a point, a message, a commentary, anything. Seriously, Kevin & Perry Go Large had more to say on the subject than this film (term used very loosely in this case). There should be minus numbers reserved for films like this. -10 (extra turd)

Wild Rebels is fun in a bad way, but also frustrating due to the actual good, or at least workable, elements in the story. It deals with a race car driver (Steve Alaimo) who gets mixed up in a group of bikers called Satan's Angels, who hang around a lot until they decide to rob a bank. Meanwhile Alaimo also gets recruited by the cops to report back to them what the Angels are up to and where they'll rob next. It's not even that the film is really too 'dated', though it does of course carry the significantly crude and stupid music in the film (from the band on stage in one scene, to Alaimo "performing" if you could call that drek that, to the regular generic score). <br /><br />It's just that there's not more care taken by the filmmaker into putting a little more logic, direction, and better actors for the parts. As it is I didn't have a major disliking towards the film, as I did with the Hellcats, but it almost left me a little indifferent to it all, too. What could come through as being unpredictable only comes through with stupid things like the name of the Florida town ('Citrusville' ho-ho). So it's not completely un-worthy then of its Mystery Science Theater 3000 status as of late. The commentary is good on the movie, even if once or twice I almost wanted to hear what the characters on screen were saying in case it might have some worth. Wild Rebels might be more of a good time if you've got a six-pack and low expectations, but as it is I wouldn't watch it again.

I`ve seen this movie twice, both times on Cinemax. The first time in it`s unrated version which is soft-core porn at it`s best and the second time in a trimmed down (cut all the sex and most of the nudity out) version which was entertaining in a typical beach movie sort of way. The unrated version has a tremendous sex scene with Nikki Fritz, a dude and a bottle of oil which is out of this world (no pun intended). Unfortunately, in the trimmed version that scene is almost completely chopped out, as are all the other sex scenes. Rated or unrated it is still fun to watch all the siblings of bigger stars (Stallone, Sheen, Travolta, etc;) trying to act. We also get appearances by B-queen Linnea Quigley and Burt Ward (Robin from the old Batman series).

If this is someone's "favorite" movie, they need some serious help. There is nothing funny or clever about this crapfest. I haven't seen the original movie this is the remake of (some 1950s film), but it simply has to be better than this newer bastardization.<br /><br />A major gets kicked out of the military for being a fringe element, and winds up teaching children at an ROTC school. Unfortunately, the major is Daman Wayans... so the children are in for a world of annoying, humorless asininity. Can Wayans whip these losers into shape? Can they get him to become a little more human? The film bombs as most Wayans films do, with only a few sparkling moments. William Hickey gets about one minute of screen time, fair too little. This charming old man (known best to me as a "Tales from the Crypt" actor, known best to you as Uncle Louis from "Christmas Vacation") shines every moment he's on screen, which isn't much here.<br /><br />Bam Bam Bigelow also makes an appearance as a biker, which fits him perfectly. I wouldn't mind slightly more Bam Bam, but I think he carried the role of "biker" about as far as it could be carried for a military film.<br /><br />And then there's the attractive teacher, who someone falls for Major Payne even though he treats the kids poorly, has no social skills and is simply impossible to convert into someone you would want to spend time with. She must either be incredibly stupid or incredibly desperate. I'm not sure which (though it would seem "stupid" since the movie makes it clear she gets out of the house often enough).<br /><br />Wayans had one shining moment: a dance sequence where he performs a series of moves (including a very nice "robot"), and with the help of music from 2 Live Crew. This scene was enjoyable but hardly made up for anything else that made this film dog spittle.<br /><br />Seriously, avoid this film. If you want to see a film a bout a loser who helps loser kids become heroes, rent or buy "Ernest Goes to Camp". At least he's a lovable loser, and actually funny. Maybe if Major Payne had fought a badger I'd feel better, but he didn't. Forget Payne, forget Wayans... you can do so much better.

I concur with the other users comment. Hard to believe that this movie actually came out in 1994 because it screams mid 80's. I think it is dubbed because the sound and the picture don't always match up. If anyone can truly say this is a good movie, they need to be locked up. It is so sad how money has so much power over people that they will do anything to get it. I feel I lost intelligence from watching this. I used to have a little respect for Chuck Norris before I watched this but now I just feel bad. I bought this as part of a 3 movie pack for $9.99 and I can honestly say I would have been better off literally throwing the money away. Forgive me Jesus.

I have just recently purchased collection one of this awesome series and even after just watching three episodes, I still am mesmerized by sleek styling of the animation and the slow, yet thoughtful actions of the story-telling. I am still a fan.....with some minor pains.<br /><br />Though this installment into the Gundam saga is very cool and has what the previous series had-a stylish satiric way of telling about the wrongs of war and not letting go of the need to have control or power over everything(sound familiar?), I have to say that this one gets a bit too mellow-dramatic on continuing to explain the lives of the main characters and their incessant need to belly-ache about every thing that happens and what they need to do to stop the OZ group from succeeding in their plans(especially the character called Wufei...I mean he whines more than an American character on a soap opera. Get a counselor,will ya?)<br /><br />Besides for the over-exaggerated drama(I think that mostly comes from the dubbing of the English voice actors), this series is still very exciting and will still captivate me once again. I mean it can always be worse. It could be like the recent installment, SEED......eeeewwww, talk about mellow-dramatic....I'll chat about that one later.

I've seen my share of Woody Allen's movies, and while they're not always great, you can usually be sure you're going to be entertained. Probably the last really good ones were Bullets Over Broadway ('94) and Mighty Aphrodite ('95) - since then the ones I've seen have been patchy but watchable. And so when I was invited to see the new Woody Allen movie Melinda and Melinda, which I wasn't even aware had been released yet, I went along happily. I hadn't really heard much about it so I hoped I would be pleasantly surprised.<br /><br />What I got was definitely the worst Woody Allen movie I've seen. The premise is over-explained, the cast is terrible, the script is slow and lifeless. Too many scenes said nothing and yet were stretched out, I assume to fill out what would have otherwise become a 15 minute short film.<br /><br />I don't mind the concept behind this film - two directors discuss how a simple situation could be interpreted as a comedy or a tragedy, and obviously the film proceeds to show us that, by playing out both scenarios. The problem is neither of these 'two films' are any good at all. The comedy isn't funny and the tragedy isn't very tragic. It seems like Allen came up with a good idea but then ran out of steam, or time, to actually complete the film.<br /><br />The general level of acting is notably bad also - Will Ferrell is the only one who brings anything to the table, and it's basically a Woody Allen impression. Previously good actors like Chloe Sevigny just come off as annoying, and the worst of the bunch is Radha Mitchell as Melinda (which is a shame, because her character is in nearly every scene!).<br /><br />To be fair to the actors, the script they are working with is lacking if not non-existent. Definitely a long way from the Allen we know and love from classics like Manhattan or Annie Hall.

Although the premise of the movie involves a major "coincidence," the actors all do a creditable job and look great bringing the story to life. I found myself rooting for the characters played by Mary Tyler Moore and Christine Lahti, empathizing with both, and wanting them to reconcile. Sam Waterston and Ted Danson are fine in their roles as well, doing a decent job with the stereotypical buddy relationship. While the story tends to leap through time, occasionally leaving the audience perhaps a little hungry for missing detail, it still flows and avoids any real confusion. This interesting storyline has all the elements for a good "chick flick."

I saw this movie, and the play, and I have to add that this was the most touching story that I had ever seen. Until I saw this movie I was unaware of how awful life was and probably still is for the South African children and adults that were and are living in that era. It brought tears to my eyes and much sadness to my heart that any human being should have to struggle like that just to stay alive, And to bring the children right out of that area and teach them to act and preform and turn them loose to tell their own story is simply amazing. This simply surpass a five star, I rate it a ten. Thank You Mr. Mbongeni Ngema for such a astonishing story. Although it has been 12 years since this story has been told, it is still one that lays heavy in my heart.If there is a VHS, or DVD out there on the play, Please notify me ASAP.Thank You. PS There was nothing wrong with the kids wanting to bring awareness of their problems and conditions to the attention of other countries in hopes that some one would have a heart and offer assistance.

And nothing wrong in that! Heartily endorse the comments of boblipton and Snow Leopard.<br /><br />I'm thrilled to find this movie is available on US DVD - I've only ever seen it through once - I persuaded the Goethe Institute here in London to show it in their Conrad Veidt season some years ago - and long to see it again.<br /><br />Barrymore is resplendent when engaged, as in this movie, possibly because of the prick of having a renowned German actor as a foil. And Veidt is such a wonderful scene stealer (doesn't he pick his nose at one point?) This is one of the seminal films to connect 'Dr Jekyll' with '20th Century', 'Grand Hotel' or 'Midnight'; and 'The Cabinet of Dr Caligari' or 'The Student of Prague' with 'The Spy in Bladk', 'Contraband' and 'Casablanca'.<br /><br />See it!

I've seen this amusing little 'brit flick'many times. The only problem is Its currently unavailable on video or DVD. I'ts certainly a contender for a DVD release. The much missed Richard Jordan plays 'pinky' an Ex-pat American, whose Just been released from prison,he finds himself A job as an Electrician in a bank, it all goes well until he finds Himself Embroiled in a bank heist with his ex cronies, David Niven Plays the mastermind Ivan, Its an enjoyable little romp, hopefully studio canal or anchor bay, will come to the Rescue. Look out for john Rhys Davies Before he struck it big with 'shogun' Raiders of the lost Ark 'Lord Of The Rings' In a small role as a barrister,

I'm not sure this film could ever match the first one, even if it starred the original seven (notwithstanding the fact that four were killed). It just doesn't have the spark and chemistry. All the actors seem tired and look as if they are just going through the motions to get their paychecks.<br /><br />It's interesting how Yul Brynner is "magnificent" in the original film but stiff and unconvincing in this sequel. Yet when he stars in Westworld and Futureworld in the 1970s his character (in the same matching black pants, shirt and hat) evokes the same mystery and presence of the 1960 film's Chris Adams.<br /><br />There's nothing in this 1966 flick to make it worth watching, even on cable.

Beautiful film, pure Cassavetes style. Gena Rowland gives a stunning performance of a declining actress, dealing with success, aging, loneliness...and alcoholism. She tries to escape her own subconscious ghosts, embodied by the death spectre of a young girl. Acceptance of oneself, of human condition, though its overall difficulties, is the real purpose of the film. The parallel between the theatrical sequences and the film itself are puzzling: it's like if the stage became a way out for the Heroin. If all american movies could only be that top-quality, dealing with human relations on an adult level, not trying to infantilize and standardize feelings... One of the best dramas ever. 10/10.

The 20th animated Disney classic is often criticized by many people as "mediocre" or poor in quality, but it is a great movie.<br /><br />Too bad that "The Aristocats" doesn't get the deserved credit. I personally see it as one of my favorite Disney classics.<br /><br />Despite being extremely underrated, it is one of the funniest Disney classics. It is full of hilarious (some of them, hysterical) moments.<br /><br />Edgar, the greedy butler, is the villain of the movie but he is a perfect comic relief. He's one of my favorite Disney villains because he is so funny.<br /><br />Every scene with Edgar and the hound dogs Napoleon and Lafayette chasing him are among the most hilarious you'll ever see, especially the one when Edgar drives his motorcycle into the river and around the bridge, with the dogs chasing him. That is hysterical!<br /><br />But the classic humor doesn't just come from Edgar or the hound dogs. Other characters have their moments as well.<br /><br />About the quality subject, it isn't perfect, but remains on a high level. Even after Walt Disney's death those artists knew how to keep faithful to Walt's spirit and "The Aristocats" is one of those examples. They don't make them like this nowadays!<br /><br />As usual, legendary Disney actors voice the characters. In this case, we have Phil Harris, Sterling Holloway, Paul Winchell, Eva Gabor and Pat Buttram.<br /><br />The characters are cool in general: Thomas O'Malley, Duchess and her 3 kittens, the mouse Roquefort, the alley cats, the English geese, the hound dogs and the horse. The human characters are included as well: the eccentric and kind retired Opera singer Madame Adelaide Bonfamille, the comic Madame's old lawyer Georges Hautecourt and Edgar himself!<br /><br />About the soundtrack, it has some nice and catchy songs such as Thomas O'Malley's theme (but I can't remember its name), "Everybody Wants to be a Cat" and "The Aristocats" (sung by Maurice Chevalier), for example.<br /><br />This movie takes place in Paris (France), in the year of 1910. Above all, this is a joyful, nice and very pleasant movie. A timeless classic which is often underestimated and forgotten, but very worthy.<br /><br />This should definitely be on Top 250.

I'm not going to say that this movie is horrible, because I have seen worse, but it's not even halfway decent. <br /><br />The plot is very confusing. I couldn't really figure out what was happening and where things were going. When the movie was over, I was left scratching my head. I watched through to the end of the credits to see if they had something after them that may clear things up, but once the credits were over, that was it. I felt like I was jarred from one weak plot point to another throughout the whole movie, with little or no transition between the two. <br /><br />Character development is very shallow. I couldn't figure out when somebody was angry or had a grudge against someone. I couldn't tell if half of the characters were just supposed to be drunk, stoned, mentally challenged or they just had a bad actor to portray them. This film seems to be based around stereotypes (to it's credit, they are hard to avoid using when you are making a film about a singer in a rock band), which SHOULD make character development easier, since so many other films have already illustrated the suffering of an abused child, or the trials of a heroin addict trying to come clean. Stereotypes are easy to depict, which would explain why so many bad films tend to overuse stereotypical characters. This film, on the other hand, uses stereotypical characters left and right, but then tries to keep them as incomprehensible as possible.<br /><br />Another problem with the characters is that they seemed to be dismissed with no explanation. I guess that's OK because so little time was spent developing the characters that I really didn't get a chance to know any of them, so I never really missed any of them.<br /><br />And last but not least was Sadie's singing. It's awful. The music backing her up is not prize winner, but it is usually drowned out by the screeches that are released from Sadie's vocal cords. I swear that there's one point in the movie where she sings a song for at least 10 minutes. I seriously thought I was going to have to turn it off during this howl-a-thon.<br /><br />As a whole, this movie is confusing. Characters are ill-developed, Georgia's acting is wooden and stiff, Sadie's character is yanked from one bad situation to another, with no back story or explanation. The music was unbearable, and I can think of no good reasons to see this film unless you have a thirst for cinematic pain.

Appalling, shallow, materialistic nonsense. How women (and gay men?) can enjoy this rubbish is beyond me. No self-respecting man would ever want to be with one of these neurotic gold diggers. What is even more concerning is that so many reviewers say they relate to the women on the show. If that is the future of women, Lord help us all. Showing your independence and being respected as equals with men should not be about spreading your legs every three seconds with a different man. I think this demeans women and does not do them justice. But this review is no rant against women. Fans of this show say it is "hilarious" and "rivoting" but every time I have watched this show I have just struggled to stay awake. Despite the narrative of the reporter woman, at no point in this show is there even anything close to something that could be considered a rational thought. So, it's not entertaining, and it's not informative, so why would you bother watching it? One out of ten stars.

A throwback to the "old fashioned" Westerns of the 30s and 40s (such as DODGE CITY), DALLAS has a number of things going for it: Gary Cooper at his coolest, blazing Technicolor photography by Ernest Haller (GONE WITH THE WIND) and a pulse-pounding Max Steiner (KING KONG, GWTW, DODGE CITY et al.) score. In addition, there is a masquerade, mistaken identity, a faked death and more hair-breath escapes than a Republic serial. As always, Cooper defines what it is to be a man under pressure. Forget the 50s angst Western... this is pure entertainment!

We sat through this movie thinking why is this or that scene in the movie, what does this have to do with the plot? We hoped that by the end everything would be slightly more clear. It was not to be.<br /><br />I think the director in a fit of pique threw the script up in the air and then some minor (and vengeful) underling reassembled it randomly with no regard to the scene being filmed (possibly with scissors and glue-stick).<br /><br />The film's motifs include: Communism bad? Nihilism bad? Poor parenting bad? Threesomes bad? TV bad? Coherent scripting bad? Deconstructionism good? It's really not clear.<br /><br />Finally, no German water taxi would EVER have an unchained staircase that would let passengers fall in to the water. The abundant quantity of "achtung" signs everywhere is testament to this fact.

On the back burner for years (so it was reported) this television reunion of two of the most beloved characters in sitcom history started off badly - and went straight downhill from there. Mary Richards (Mary Tyler Moore) and her best friend Rhoda Morgenstern (Valerie Harper) meet in New York after a long estrangement and catch up on each other's lives. What a novel concept! But, sad to relate, nothing worth talking about (let alone making a movie about) has happened to either of them in the intervening years. So, instead, the script contents itself with throwing out one hoary old plot device after another (most having to do with older women in the workplace), while completely missing the quirky charm and sophistication that made the original show a winner. The supporting cast is instantly forgettable, the humor is nonexistent, and the chemistry which Moore and Harper once had together is gone. Moore allegedly stalled this project for years, waiting for "just the right script" before committing herself. If this was the one she considered "right", what on earth were the ones she turned down like? It's not the age of the characters that does this in (for time inevitably marches on), but the almost complete lack of imagination coupled with a blatant disregard for the elements that made the series work. At one time this was intended as a pilot but, all to obviously, it failed to generate any interest among potential sponsors. Or for that matter, among potential audiences. Quickly and mercifully forgotten, the film is a travesty and an insult to a classic.

**Could be considered some mild spoilers, but no more than in anyone else's review of this film.**<br /><br />I knew that nothing could conceivably live up to the absolute brilliance of the original "Carrie," which was more of a film about social criticism than it was about setting the gym on fire. Carrie White was "victim" epitomized, and her story conveyed the helplessness that the truly exploited must feel.<br /><br />Whoever conceived the "Rachel" character for "The Rage" must have completely missed the subtleties of "Carrie." For the audience to genuinely share the victim's rage, s/he must be a sympathetic character-- a true outcast who is more a victim of circumstance than of his/her own vices. Rachel is entirely too unpleasant to convey any sort of the emotional depth and connection of Sissy Spacek's "Carrie." And she looks and acts like she should be right along-side the 'attractive and popular brigade' that she ends up torching. She, like the rest of them, has a soul that is every bit as corrupt, whereas Carrie was a complete innocent.<br /><br />It just doesn't work. There's no satisfaction in seeing the pretty children-- not even the "Home Improvement" boy-- getting offed in this movie's climactic scene. And it's so unnecessarily gory! There was no actual bloodshed seen in the burning gym! <br /><br />And there is one person in particular that this movie should NOT have had the audacity to kill off... but I won't say who it is. If you've seen the original "Carrie," it's the sort of character who dies unjustly.<br /><br />At least they DID create the connection to Carrie appropriately; it's explained as it should have been. But that, and the arm tattoo, which was done rather nicely, is just about the only thing this movie has going for it.<br /><br />Yet another hideous "Scream" knock-off, and it taints the reputation of one of the most compelling films ever made. <br /><br />Rating: 1 out of 10. I wasn't expecting much, but I was still horribly disappointed. An unsympathetic character, a series of irritating pop-culture references thrown in for no good reason, and an ending scene that pales in comparison to "Carrie"'s gravestone shocker.

Better than average World War II-era "who-dun-it" featuring Warner Baxter as a former gangster who suffered amnesia and has been reborn as a psychiatrist now known as Robert Ordway who helps both the police and criminals who want to go straight. Crime Doctor's Courage is the fourth in the series of ten and also involves a victim who might have some mental problems. The link to "courage" is not particularly clear.<br /><br />This entry revolves around the death of fortune hunter Gordon Carson whose two previous wives have under mysterious circumstances and who in turn dies in a locked room under conditions that resemble suicide but Dr. Ordway labels murder. Hillary Brooke plays the part of widow Kathleen Carson who is involved with Anthony Caruso - a mysterious Spanish dancer whose act includes his sister that disappears on stage. As a mystery novelist, Jerome Cowan is a good supporting actor as is Lloyd Corrigan as an aficionado in crime.<br /><br />Spooky houses with creaking doors, caskets in the cellar, and suspects that are never seen in daylight add to the air of suspense. The set for the dance sequence is quite elaborate and the ballet music very good. Direction, production design, and photography stand out. The exterior shots and costumes suggest more affluence rather than normally found in the average "B" detective thriller.<br /><br />Strongly recommended.

I had high hopes for this movie. The theater monologue is great and Nic Balthazar is a very interesting man, with a lot of experience and knowledge when it comes to movies. <br /><br />I am a fan of a lot of Belgian movies, but this movie is bad. It's completely unbelievable that actors who are 34 are suddenly playing the roles of teenagers. The "linguistic games" were hideous and over the top. Nothing about the film seemed real to me. The ending was way too deus ex machina for me.<br /><br />I am very disappointed and think I wasted an hour and a half of my life.

I am not a big fan of Rajnikant in the first place, but Baba was a huge disappointment. In between an awful storyline, the action and songs were only mediocre. The storyline becomes very preachy. Instead of running for office like NTR or MGR, Rajni almost appeared to be running as Tamil Nadu's next big guru. My wife tells me that since this film came out, Rajni swore off doing any more movies!<br /><br />We were lucky initially to have bought Babu (an oldie by Sivajiganeshan) online by accident when trying to buy this one....that was a great film, which made up for having bought this dud...except it makes Baba look even worse by comparison!<br /><br />Bryan

Truly a disgusting, vile film, with only a small amount of real humour.<br /><br />The character of the father in particular is vulgar in the extreme (intentionally so, obviously), and portrayed in the most pathetic, seedy manner.<br /><br />My wife and I found this film horribly upsetting, with absolutely no redeeming features at all. Frankly, I wish I had never seen it.<br /><br />I consider this British effort to be a sick and gross embarrassment.<br /><br />Those who enjoyed this film have an ability I totally lack: that of rejoicing in a display of deep depravity and squalor.<br /><br />The producers should be ashamed of themselves.

Obabakoak is a bunch of short stories with an only common point: the little Vasque town of Obaba. In this film, the director tries to explain some of these stories by using a young reporter as a continuum. The result is a strange film, as it has any main character (the movie spends about 20 min. to each tale) other than the town of Obaba. Any story is really well explained and the fact is that they result very boring. It was by far the best film of the year in Spain, but, well, that's not saying too much. The only good thing of the film is the precious scenarios. It is filmed in a very precious valley and it is more enjoyable to spend the time watching the scenario rather than being aware of the story.

The entire civilized world by now knows that this is where Emil Sitka says his immortal "Hold hands, you lovebirds." But Shemp Howard, Professor of Music, steals the show. Watch him tutoring Dee Green as she fractures the "Voices of Spring." Watch Shemp as he shaves by a mirror suspended from the ceiling by a string. Watch him as he gets walloped by Christine McIntyre. Watch him, and you will laugh and learn. Moe is no slouch either. Watch him as he attempts to induce a woman to sit on a bear trap. Larry, as usual, is the Zen master of reaction. All in all, one of the very best Stooge shorts. You won't find one weak moment.

I'm a huge fan of war movies, and, as a Vietnam combat vet, have some experience with the technical details. I worked with the bomb guys more than once and have nothing but respect for them. Other vets, and Iraq vets in particular, have summarized the inaccuracies in this movie very well. Poetic license is one thing, but this movie is a complete fantasy, and fails badly because of it. No bomb disposal unit, or any unit, would ever have tolerated this rogue operator for more than 5 minutes. Military units prize conformity and discipline for a reason;it saves lives. The opening scene particularly annoyed me. The guy with the cell phone would have been shot immediately. Yelling, "Stop dialing" is not an effective deterrent. It got worse from there. The scenes with the sniper were particularly egregious. As others have noted, your average EOD guy doesn't know jack about being a sniper, and to think any Arab sniper is that good really stretches the imagination. Kidnapping an Arab businessman for some form of personal revenge just wouldn't happen. Somebody might shoot him, but this kind of risk-taking is limited to the movies. I could go on, but, as I said, others have pointed these things out in detail. This is not a good movie, and if it wins any awards at all, it's a further reflection of why "La La land" is so named.

All right, here's the deal: if you're easily offended then you might want to stay far, far away from this one. There are some painfully funny moments in the movie, but I probably blushed about as much as I laughed. Actually, I probably blushed MORE than I laughed. And if I wasn't literally blushing on the outside, then I was blushing on the inside. If there is absolutely nothing in this movie that embarrasses you then you simply have no shame. Whether that's a badge of honor or not is in the eye of the beholder I suppose.<br /><br />I will not deny that I laughed quite a bit, but this is a movie that I simply cannot give a blanket recommendation due to its subject matter. If I were to say, "This movie is hilarious, go check it out!" and some sweet, little old church-going lady heads to the theater and has a heart-attack during one of the graphically explicit sex situations, well, that's just something I don't need on my conscience.<br /><br />So how raunchy is it? Hmm, try about 100 times worse than The Wedding Crashers. Honestly. My mom would've walked out during the first scene. I feel it's my duty to at least warn you of what to expect.<br /><br />There is some cleverly intelligent comedy here, but that's what I come to expect from the man (Judd Apatow) who had a hand in both Freaks and Geeks and Undeclared. I'm all for making fun of Michael McDonald; the only man whose hair and beard are white enough to give Kenny Rogers a run for his money. Paul Rudd proclaiming, "If I hear Ya Mo Be There one more time I'll Ya Mo burn this place down," is hilarious, but it's one of those things that the majority of the audience won't appreciate.<br /><br />And when we see a quick 3-second flashback of Steve Carrell singing along to Cameo's Word Up, I laughed for a good two minutes after the joke was over, whereas most everybody chuckled and then forgot about it.<br /><br />Strangely enough, despite the raunch, there's an admirable moral to the story. The movie doesn't portray Carrell as some freaky loser just because he's a virgin. He's really portrayed as a likable, admirable character. Sure, he's a little weird. After all, he has a framed Asia poster, "more videogames than an Asian kid," and a toy collection that features the Million Dollar Man's BOSS, but we're never led to believe that there's actually anything wrong with the fact that he's a virgin. As odd as it may seem, there's a bit of an "it's OK to wait" message.<br /><br />But man, oh man, please be warned that this pushes its R rating about as far as it can go. That was certainly Apatow's intention. According to him, he just let some of the guys (particularly Rogen and Malco) improv and talk the way they normally talk, all in an effort to find lots of new ways to be dirty. If you can handle that or talk that way yourself, then you'll love the movie.<br /><br />I'm not a big fan of excessive profanity and sex jokes. I find that subtle, clever humor is much more entertaining than about 200 uses of the f-word or fratboy sex discussions. But that's me. Like I said, there are some absolutely hysterical moments here, but you have to ask yourself if they're worth sitting through one of the most vulgar movies you're likely to ever see at the theater. I just don't know how interested most women will be in what's discussed by men while playing poker. Honestly ladies, you might not want to know. If you've ever been curious why some girls think guys are gross, well, this gives you a good idea.<br /><br />There you go - my humble, honest take on what to expect. Be that your guide. It definitely should not be seen with your Sunday School class, mama, grandmama, any family members of the opposite sex, children of any age, or anybody who is easily offended by excessive profanity or explicit sex discussion. If you'd see it with any of the above then you apparently do not have any concept of what it means to be uncomfortable.

Saw this a couple times on the Sundance Channel several years ago and received a nice cinematic jolt to the system. A semi-surreal yet hard edged take on modern media culture (or the lack of it), focusing on some seriously wacked, way-beyond-the-Hollywood-fringe dwellers. It had an amusing early performance from Mark Ruffalo, and some memorable cinematography from the DP who did the Polish Brothers movies. There was a savage umcompromising humor and a weirdly original feel to it that definitely set it apart. This film had cult classic written all over it, and I'm surprised it's not yet out on DVD. <br /><br />Hopefully soon.

If you liked the first two films, then I'm sorry to say you're not going to like this one. This is the really rubbish and unnecessary straight to video, probably TV made sequel. The still idiotic but nice scientist Wayne Szalinski (Rick Moranis) is still living with his family and he has his own company, Szalinski Inc. Unfortunately his wife wants to get rid of a statue, Wayne is so stupid he shrinks his statue and himself with his brother. Then he shrinks his wife and sister-in-law too. Now the adults have to find a way to get the kids of the house to get them bigger. Pretty much a repeat of the other two with only one or two new things, e.g. a toy car roller coaster, swimming in dip, etc. Pretty poor!

There was nothing remotely funny about this movie. It makes fun of various sports movies and clichés but nothing about it is remotely funny. Most of the movies they parody doesn't even fit in with the film and are really only their so they can be in it. Non The main actor was well cast in it but that's really the only good thing about this film. Also the various cameos in it were kind of cool to see but i have no idea why they would waste their time being in this piece of garbage. Thank goodness I only spent $4 on it as this is not something worth spending money on. ONly watch if you have absolutely nothing to do or just want to waste an hour and 30 minutes.

I love this film, it is excellent and so funny, Ben is FIT and i wouldn't mind meeting him on holiday!! I rate this film a 10 because its gr8 and i hope they never re make it because it would never be the same. Funny bit is wen Andre is looking at the moon,and he shouts at Nicole to 'come outside and look at the moon' that bit always makes me laugh and never gets old. Another thing is Nicole looks a lot older then 14... but shes a gr8 actress. But i need help with something Does n e 1 no the name of the song played at the end wen Nicole and Andre are dancing??? Its really bugging me because i want 2 no what it is because its a nice song!!

Darling Lili is a mixture of Perfection and Magic! The Stars; Julie Andrews & Rock Hudson could not have done a better attempt if they tried. It's full of all the magic that a young lady wishes for and it makes it seem as if it can all really happen to you. The brilliance of the Director; Blake Edwards is shown to be at his best. He was truly capturing the woman he loved on screen!<br /><br />The blend of each song, went perfectly with the moment in the film. The Film opened with Julie Andrews singing Whistling Away In The Dark and closed with the same Song by Andrews.<br /><br />For A Film Of This Excellence To Have Been Such A Failure When It Was Released, Is A Total Shock...<br /><br />As It Is: "Inspirational...Purely....Inspirational!" ~One Of Andrews Most Memorable Lines In This Film!

Good grief! While I still maintain that Manos: The Hands of Fate is the worst piece of mental torture available, Hobgoblins came awfully close. This...this...thing insults the audience at every opportunity.<br /><br />At least films like Space Mutiny and Future War can be enjoyed on mst3k, this one was a struggle to get through. I was literally writhing on the couch in anguish. This thing managed to embarrass me - alone!<br /><br />Even if you are a die-hard MST3K fan and have made it your mission to see every single experiment, think twice about seeing this one.<br /><br />It's that bad.

If you haven't figured out what is going to happen in this film in the first five minutes then give it a couple more minutes. Lilia is a widow. She has been left on the shelf for too long and she wants to burst out. She has a teenage daughter which only highlights that she is not getting any younger. While checking up on her daughter she discovers a world she never dared...the cabaret, where she can belly dance in skimpy sequined outfits while men throw money at her. The film is very misogamist. It's portrayal of men is dismal. Which is rather odd as Lilia stoops to jiggle around for them, not for money, but just for the hell of it. When she succeeds in arousing them it makes her feel like a woman again. She does not wish to connect with them but she is addicted to the attention. The other dancers all are mostly aging women who look like men in drag and realize their time in the spotlight is short-lived. Not short enough I say. She does find romance, however brief , with you guessed it....No surprises here we didn't see coming. Though the ending is good you realize that it could have ended no other way. Maybe this film just isn't targeting my demographic- 30 Male

First of all. I do not look down on Americans. I know lots of people that are intelligent people from the USA. But this Movie is so utterly bad, that i just had to comment on it.<br /><br />First of all...Movies are mostly far from the truth. This movie is no exception. Lots of scene's are so incredibly false. For example the departure of the 2 space ships. You see them drop off the full tanks in space. Just a small distance from each other. Remember what caused the space shuttle to explode in the past ? Just a tinsy winsy part that came off. In here it is just common to drop fuel tanks that are as big if not bigger then the whole ship. What idiot would let 2 spaceships lift up and do that at the same time ??? Second of it is that the Russian station is a piece of (s)crap. I hate to bring this up to you, but astronauts nowadays go to Russia. Since their equipment is much more reliable then NASA's. The Space Shuttle is retired. And NASA uses it just to pay off the bills. And there is no better alternative for it. And the list of whoppers goes on and on. This is truly an insult to people that do take space travel serious. And i know half as much as these guys do. But the most annoying part ( read: the whole movie ) is the Propaganda and patriot crap that u get choked with. MY GOD !!!! I thought i was looking at a CNN business commercial for like an hour. The actors solve their petty problems by shooting at each other, giving the middle finger to everyone they come face to face with, start up fights, ignore the police, etc, etc... But when it comes to their love for their country and sacrificing their lives, suddenly everyone stands in line to commit suicide for it ( bomb detonator ) ?? Maybe i lack the feeling of being a true "Patriot", that can sing the national anthem backwards in Swahili. Whilst riding with George Bush behind the steering wheel of a golf cart, driving in circles until the battery is empty. But this movie was too much for me too handle. And when i finally got hold and pulled the flag pole and fabric of the American flag out of my hiney. I realised that i was glad this movie was finally done. I do not know why so much good actors participated in this narrow minded, stereotyping, propaganda movie. But i pity them. This represents a country where you can get away with murder if you have money or power. As long as "Uncle Sam" thinks you are a good patriot. Where everyone is happy as long as it is another country that has been devastated, no one cares.

The sort of "little" film which studios used to excel at but seldom make anymore. Sort of a "soul" version of the more well-known "The Last Of The Blonde Bombshells". Ian McShane is excellent as a DJ and aficionado of soul music who becomes obsessed with the idea of re-uniting the members of a classic soul group, and the film follows his exploits as well as those of the group members; a cast which includes such genuine musical talent as Isaac Hayes, as well as acting stalwarts Taurean Blacque, Derrick O'Connor and Antonio Fargas. Not meant to be an epic by any means, this is nonetheless a chunk of solid gold.

I do not like Himesh Reshamiya. I do not like his singing too. But his songs are a craze in India, especially among commoners. Now when he ventured to become an actor – that was a big joke! What guts he has to reap as much as he can in his prime time. I did never want to see this movie. But one thing changed it. The movie becoming a super-duper hit! After 2 weeks, Aap Ka Saroor has raked box office collection of 14 crores – compared to Apne that has collected 7 crores in the same 2 weeks. If I can sit through Apne and Rajnikant's absurd Sivaji – I should give this movie also a try to understand what stuff this movie has got that made it such a big hit? The story is about the real life singer Himesh Reshamiya (HR) who has gone to Germany for a concert and falls in love with Riya (Hansika Motwani). A German lawyer Ruby (Mallika Sherawat) loves Himesh. Now Himesh is arrested for a murder. The mission of Himesh (in last 40 minutes) after he runs away from jail is to prove himself innocent and find the real murderer.<br /><br />Let me say that Himesh has nothing in him to become a hero. He tries hard but fails miserably. He is pathetic. I was thinking what could have made the movie click so much? Let me find something positive.<br /><br />First, the saving grace of the movie is the script till the point Himesh runs away from the jail. (But after that the movie nose dives into unbearable stupid limits) Second, the songs of the movie are good, catchy, crowd puller numbers. Third, Mallika Sherawat – she looks gorgeous and acts well too, as the second lady. I can imagine fans of Mallika coming to see the movie just for her. Fourth, the cinematography of the movie is pleasing – especially the German locales, are a treat to watch for the eye. Fifth, the major portion of the story is a love story between Himesh and Riya – with clichéd dialogues that would probably connect to young crowd. Sixth, the Director Prashant Chadha has done a decent job in covering the pathetic acting skills of Himesh as much as possible with shots that don't need Himesh to act much.<br /><br />The heroine Hansika Motwani looks like a small budget film heroine. Raj Babbar is wasted in a small role. Overall the movie is a below average.<br /><br />I was thinking throughout the movie – what if the same movie script was done with Salmaan as the main lead. I think it would have had been a much better affair. May be then I would have given the movie 6 out of 10. But now… (Stars 4.5 out of 10)

Even for a tired movie model as the nature vs. man cycle that prevailed so predominantly in the 1970s, ants falls miserably short of being even somewhat effective(though entertaining for reasons it was not intending). It is sooooo preposterous. Apparently these ants that are bulldozed near an inn have been eating poisonous waste for decades and have now adapted by emitting poisonous bites - hundreds of these bites being fatal. Watching actors of some notoriety clumsily fall amidst tiny black specks is painfully funny in a not-so-good-but very-bad way. So many scenes just look ludicrous: a boy trying to fall in a dumpster whilst being attacked, Suzanne Sommers crying out in horror while lounging in bed, Robert Foxworth and Lynda George breathing through pieces of wallpaper, Bernie Casey faking a gam leg, and the list goes on and on. The peril shown ranges from ants crawling from a drain to black lines of ants all over the walls. The cast for the film is not bad on paper, but none of these actors seem to believe in the material. Poor Myrna Loy has to sit in a wheelchair through this horror. I hope she found a good use for the money, for it is obvious that was the ONLY reason a woman of her pedigree would be in this nonsense. Although it is quite a bad film, it is watchable - once for me, and does have many of those seventies bad film qualities - start-studded actors embarrassing themselves, that made-for-TV feel, and the dreaded creatures of nature reeking vengeance on man. This time man must push his hand into a pile of ants to be affected. Really quite dreadful.

Ghillie a remake of the Telugu "okkadu' is thankfully a clarified version of the original. It packs the same punch and Dharani true to his cinematic brilliance delivers it with style and panache. A flagging Vijay's career with the entry of the likes of Surya and Vikram on the fray, got the much needed uplift with this movie. This might well prove to be the best movie Vijay has ever been on, considering the choices he has been making since then. The hard-working actor seems to have lost his bearing what with talented new entrants being accepted both by the industry and public alike.<br /><br />The tightly snug script, which runs at, a neck-break speed revolves around Velu, a willful youngster aspiring to make a mark in the game of Kabaddi( a popular game among boys in India). The events following the chance encounter with Muthupandi, his rescue of the girl in distress and how he juggles with the aspirations of his friends and his own forms the fulcrum and end of the movie. Vijay fits as a 'T' into the role and essays a subdued and believable portrayal of the boy next door.<br /><br />Trisha has more than a stereotyped Tamil heroine mantle to play. The role is far more complex than just a girl in trouble. With limited dialog's, Trisha exploits her occasional muted expressions and subtle vulnerability to add color to the role. This is a classic case of a cover page girl coming-of-age to become a professional actress. Trisha became my personal favorite after this movie.<br /><br />The movie ends on predictable lines, although one has to credit the Director for keeping the audience guessing on many things including Trisha's change in decision to leave the country. Prakash Raj deserves a word of praise for providing the perfect counter-weight for Vijay's role. His almost indomitable stature in the role of a villain and the apparent chinks in the hero's armor form a perfect ploy for keeping the audience guessing.<br /><br />Overall this is a great movie that deserves at least a single viewing. I give it a clear 8 out of 10.

The only reason I give it a 2 is that filmography is so stylized these days such that it has at least something to comment on.<br /><br />This film is asinine. It's like so many other 21st century grind house fodder. The gore is gratuitous and simply revolting. I didn't care about any of the characters, but I did care that some cretin bothered to pen this crap: I'd complain about the money I spent, but my date and I wisely left after 40 minutes and went to an adjoining theater to watch the adventurous and entertaining "Live Free or Die Hard," which probably got a much higher rating from me simply because I endured the utter poop of "Captivity" for 40 minutes.

This is a big step down after the surprisingly enjoyable original. This sequel isn't nearly as fun as part one, and it instead spends too much time on plot development. Tim Thomerson is still the best thing about this series, but his wisecracking is toned down in this entry. The performances are all adequate, but this time the script lets us down. The action is merely routine and the plot is only mildly interesting, so I need lots of silly laughs in order to stay entertained during a "Trancers" movie. Unfortunately, the laughs are few and far between, and so, this film is watchable at best.

A Vow to Cherish is a wonderful movie. It's based on a novel of the same title, which was equally good, though different from the film. Really made you think about how you'd respond if you were in the shoes of the characters. Recommended for anyone who has ever loved a parent, spouse, or family member--in other words, EVERYONE!<br /><br />Though the production isn't quite Hollywood quality--no big special effects--still, the values and ideals portrayed more than make up for it. And the cast did a wonderful job of capturing the emotional connections between family members, and the devastation that occurs when one of them becomes ill.<br /><br />You don't want to miss this!

The title suggests that this movie is a sequel to "An American werewolf in London". None of the characters from the previous movie return and aren't even mentioned in this movie by name. So as a sequel, AAwiP fails, one would say.<br /><br />I dare to say the opposite.<br /><br />An American werewolf in Paris is a charming, effective horror movie. It's one of the better werewolf films I have seen in a long time too. And I have seen quite my share, such as An American werewolf in London, The Howling, Wolfen, The Wolfman and the Underworld trilogy.<br /><br />The story tells of three Americans visiting Paris on a vacation. At the top of the Eifel Tower one of them saves a woman trying to commit suicide. What starts out as a romantic relationship slowly turns into a nightmare when the dark secrets that lurk in the city are revealed...<br /><br />I really liked the acting in this film. Especially the two stars of the movie: the woman who tried to commit suicide and the guy who saves her. They have good chemistry together. But the other two Americans also play their roles nicely. I didn't really find anything annoying about the acting, so thumbs up for that! <br /><br />The effects on the werewolves are nice. It doesn't look too cheap or fake to me. Of course, the opinions are divided about this subject. But let's just say that I wasn't disappointed.<br /><br />There's also a good amount of humor in this movie. There are some really funny scenes you will probably remember for a long time.<br /><br />So, to sum it up, An American werewolf in Paris might not be a direct sequel to it's predecessor, but it's still an enjoyable movie. Perfect for fans of werewolves! 7 out of 10 stars!

please, future writers, producers, directors - learn from this movie!<br /><br />never before have i seen such a bold and original tale created for the big movie screen. bold, because the script constantly made a step so many fantasy movies safely avoided - a step to something new, creative and daring. just when you think 'oh, i've seen this before' or 'i am sure this is what will happen now' - StarDust would make an unexpected twist and involve you more and more into the story.<br /><br />the actors are great - even the smallest part is performed with such talent it fills me with awe for the creators of this movie. Robert De Niro is gorgeous and performs with such energy that he simply steals the show in each scene he's in. Michelle Pfeiffer is the perfect witch, and Claire Danes a wonderful choice for the innocent and loving 'star', Yvaine. Other big names make outstanding roles. I had the filling everyone is trying to give his best for this movie. But once again, the story by Neil Gaiman, all the little things he 'invented' for this universe - simply outstanding.<br /><br />I watched this movie at a pre-screening today, a day before the official release, and do hope it will have huge success. There is so much humor, but also tense moments as well as lovely tender scenes. The look in the eyes of Yvaine, the 'frivolities' of Captain Shakespeare, the passion of Lamia the witch - impressive, unforgettable<br /><br />For me this is the number one entertaining movie of 2007, watch it and enjoy it<br /><br />11/10 - Outstanding<br /><br />peace and love

Once again, we are fortunate to see a gorgeous opening scene where the artists' work has been fully restored and we see this old-time grocery store on a street corner with the snow gently falling. Inside are the rich colors of all the merchandise, from produce to canned and boxed goods to medicine to candy, etc.<br /><br />In essence, this is a story of those goods "coming to life," such as the animals on the labels of items, or a pie, or even a pack of cigarettes.<br /><br />The whole "show" is narrated by "Jack Bunny," a Jack Benny impersonator, with music from conductor Leopold Stokowski, who was in so many Looney Tunes animated shorts I have lost count. A lot of the humor is topical, so it pays to know who "Little Egypt" and other characters. The Busby Berkeley-type "aqua" number with bathing suited-sardines coming out of the can, and the tomato can-can dance were both clever! <br /><br />All of the above, and more, was in the first half of this slightly longer-than-normal length cartoon. The second half was about a King Kong-type which escapes from the "Animal Crackers" box and terrorizes everyone. That part was not much, and ended on a somewhat stupid note. So..... an "A" for the first half, a "D" for the second, making it about a C-plus or B-minus overall.

Henry Fool surprised me. I didn't expect it to entertain and amuse as well, or as strongly, as it did. Fay Grim continues to surprise in that it provides solid continuation to a story that seems not to need it. Once the viewer watches the first 20 minutes of the movie, however, it becomes blindingly aware that this is one of the BEST sequels to brilliant indie film. At least as good as Ginger Snaps Back, if not better.<br /><br />I am a little disappointed that Jeff Goldblum's part is so small, but I'm happy he is a part of this short run. He is convincing and delightful as Agent Fulbright. Also a delight is Liam Aiken who quite aptly portrays Ned Grim, the son of Fay and Henry.<br /><br />This movie is a pleasure for so many reasons. I am pleased, for example, to discover that Henry isn't really the loser he seems (by the end of Fool), and to further discover that he is, in fact, a genius...well, that really is a lovely stroke of the pen.<br /><br />I am hoping they do a third...like the end of the trilogy. It seems to be missing. They should entitle it Ned Fool Grim and it should be Liam looking for his father, to validate the awesome change in his mother, and the sense of near-genius he himself feels welling inside him. Assuming, of course, that Fay continues withholding many of the most important facts from her son, concerning his father. It feels like it needs to be done. I'd buy it.<br /><br />Even with more action, this is still not an action flick. It is more drama and intrigue...a mystery, of sorts. I'll watch it often.<br /><br />It rates an 8.3/10 from...<br /><br />the Fiend :.

So tell me - what serious boozer drinks Budweiser? How many suicidally-obsessed drinkers house a fully stocked and barely touched range of drinks in their lonely motel room that a millionaire playboy's bachelor-pad bar would be proud to boast? And what kind of an alcoholic tends to drink with the bottle held about 8 inches from his hungry mouth so that the contents generally spill all over his face? Not to mention wasting good whisky by dousing your girlfriend's tits with it, just so the cinema audience can get a good eyeful of Elisabeth Shue's assets.<br /><br />Cage seems to be portraying the most attention-seeking look-at-me alcoholic ever to have graced the screen while Shue looks more like a Berkely preppy slumming it for a summer than some seasoned street-walker. She is humiliated and subjugated as often as possible in this revolting movie with beatings, skin lacerations, anal rape and graphic verbal abuse - all of it completely implausible and included apparently only to convey a sense of her horribly demeaned state and offer the male viewers an astonishingly clichéd sentimental sexual fantasy of the 'tart-with-a-heart'.<br /><br />Still - I did watch it to the end, by which time I was actually laughing out loud as Shue's tough street hooker chopped carrots in the kitchen wanly, pathetically smiling while Cage - all eyes popping and shaking like like a man operating a road drill in an earthquake - grimaced and mugged his way through the final half-hour...

at first I had the reaction a lot of people left with after seeing this: that shots of fat people sunbathing, etc were cheap shots in a way. OK so he's doing diane arbus meets. . . whatever. . . but it wasn't long before I realized that this wasn't being done in a dehumanizing way, as the images unfold I felt that the problem was entirely the audience's: we are conditioned by Hollywood and also movies from just about everywhere actually to feel that to watch people above a certain age behave in a sexual way is something unseemly, something that ought not to be shown. if this were all the film offered it would be a great deal. however, the story of the woman with the abusive boyfriend and his drunk friend really hits like a ton of bricks: very eloquent storytelling, incredible performances, and to think the scene was improvised. that blonde guy is a genius actor. finally I want to contradict those who say this film is all about how pathetic all these people are. the old man who is on the make with the woman who finally dances for him is completely an a OK character that breaks that mold, so don't oversimplify the film by overlooking him. yes his dog gets killed. this ain't a rosy picture of the world but it's not . . . completely hopeless. anyway I felt really grateful to the filmmaker for making such a beautiful film all in all. I wouldn't say each of the threads were as strong as the strongest, but I say this movie basically kicks ass and would highly recommend it. . .

One of my absolute favorite childhood films. The Chipmunk adventure packs incredible fun geared for young and old alike. The animation is lively and colorful and the film itself boasts some of the best songs ever put in an animated feature. Who could forget the dynamic "Boys/Girls of Rock n' Roll", the exciting "Diamond Dolls", and the heartrending "My Mother"? <br /><br />This should be considered a nostalgic classic animated gem from the eighties. It's too bad they don't make them like this anymore. Most animated films today resort to violence, crude humor, or sentimental mush... except of course the folks from Pixar.<br /><br />BOTTOM LINE: An amazing and unforgettable adventure for all ages.

It's this sort of movie that you try and imitate. By attempting to realise something... then flying through the air almost immediately. I'd like to do that and I know you would too!<br /><br />Great stuff!

A lot of people give this movie a lot of crap, and all of it's really undeserved. People give this movie a hard time either because it's such a sick subject or they harp on some technical aspect of the movie no one else observes when they watch it. If, just by looking at the cover, you think this movie will make you uncomfortable...DON'T WATCH IT! However, you'd be missing out on one of the better cinematic experiences of the late 1990's, despite what anyone else says.<br /><br />Dee Snider is wonderful here as Captain Howdy, the depths of insanity he plumbs to play this character has to be beyond words, and is much farther than any one of us would have to be willing to go. The acting here is wonderful. The film itself beautifully shot. The subject may be a bit too much for many to swallow, but it's still well worth your time. If you haven't seen this movie, check it out.

Today I found "They All Laughed" on VHS on sale in a rental. It was a really old and very used VHS, I had no information about this movie, but I liked the references listed on its cover: the names of Peter Bogdanovich, Audrey Hepburn, John Ritter and specially Dorothy Stratten attracted me, the price was very low and I decided to risk and buy it. I searched IMDb, and the User Rating of 6.0 was an excellent reference. I looked in "Mick Martin & Marsha Porter Video & DVD Guide 2003" and – wow – four stars! So, I decided that I could not waste more time and immediately see it. Indeed, I have just finished watching "They All Laughed" and I found it a very boring overrated movie. The characters are badly developed, and I spent lots of minutes to understand their roles in the story. The plot is supposed to be funny (private eyes who fall in love for the women they are chasing), but I have not laughed along the whole story. The coincidences, in a huge city like New York, are ridiculous. Ben Gazarra as an attractive and very seductive man, with the women falling for him as if her were a Brad Pitt, Antonio Banderas or George Clooney, is quite ridiculous. In the end, the greater attractions certainly are the presence of the Playboy centerfold and playmate of the year Dorothy Stratten, murdered by her husband pretty after the release of this movie, and whose life was showed in "Star 80" and "Death of a Centerfold: The Dorothy Stratten Story"; the amazing beauty of the sexy Patti Hansen, the future Mrs. Keith Richards; the always wonderful, even being fifty-two years old, Audrey Hepburn; and the song "Amigo", from Roberto Carlos. Although I do not like him, Roberto Carlos has been the most popular Brazilian singer since the end of the 60's and is called by his fans as "The King". I will keep this movie in my collection only because of these attractions (manly Dorothy Stratten). My vote is four.<br /><br />Title (Brazil): "Muito Riso e Muita Alegria" ("Many Laughs and Lots of Happiness")

It amazes me that someone would actually consider spending some money on a movie like this. Really. Let's forget for a second that the plot doesn't even give a single hint of originality... Most of the movies today are based on other movies' stories, so a "simple" lack of originality is not that big a deal. <br /><br />But I can hardly believe that none of the guys involved in the movie had never even got on a plane before shooting this. Because, let's be honest, that would be the only excuse to come up with something so ridiculous. To be sincere I think a 6-years-old child with a fake camera could have come up with something technically much more believable. Some examples following.<br /><br />The scene that really drove me crazy is when the engines turn off when they regain control of the plane. When they have to turn them on again the guy on the radio says something like "Ok, push the 1 and 2 buttons on the dashboard". Now, those are not buttons. They should not be pushed, they should actually be pulled up and toward the pilot. That's something only plane-addicted would know, you say? Wrong. The next scene you can see their fingers pushing the "buttons"... And of course the so called "buttons" don't move at all! Not even a single millimeter! (And note that I haven't even mentioned the fact that aircraft engines are not like cars engine, that you just turn the key and the magic happens... You have to do quite a complicated procedure to turn them on...) Come on guys! You could have faked the movements at least!! Not to mention the hilarious final impact, where the plane crashes against every single thing along the runway (Light poles along the runway? What where they thinking?!)... And the wings don't even get ripped off! It happened to me too, once... Except the plane was made of Lego! What about the flight attendant? She's actually so skilled that she perfectly knows where the "aux 1" and "aux 2" fuses are, in the middle of the wires behind the cockpit. Should we mention, then, the guy that can drive an ambulance _and_ fly a plane behind the ambulance using his computer? And how did he turn the other airplane engines on?<br /><br />Really, I could go on hours with this stuff. This is the dumbest movie I've ever come across, and I'm including garbage like Alone In The Dark and other stuff in the list. Want to do yourself a favor? Don't watch it.

Cedric Klapisch's movie L'AUBERGE ESPAGNOLE is easy, breezy charm wrapped in nostalgia for our younger years and attractive youths. At its core, it's the feature-length presentation of the long-running MTV reality soap opera known as "The Real World" in which, as its motto goes: "This is the 'true story' of seven strangers picked to live in a house and have their lives taped... so watch what happens when people stop being polite and start getting real." This is exactly what happens -- minus the cameras planted at every minuscule corner of the house in Barcelona, Spain, where Xavier (Romain Duris) comes to stay, having to learn Spanish to fill into his job's requirements. An outsider in many ways, he slowly forms a camaraderie with his house-mates who come from all corners of Europe except America... this is a movie in which the only American shown is an unlikable character with whom Wendy (the adorable Kelly Reilly) is having an affair with ("Only for sex," she confesses, since she has her own boyfriend who makes a late but dazed appearance.). Throughout his stay there, he tries to maintain a long-distance relationship with his girlfriend played by Audrey Tautou while he begins a tentative flirtation with the wife of the owner of the Spanish house where he is staying at and gets some advice from a lesbian house-mate (Cecile de France) as to how to seduce a woman. A sweet little feature that presents a moment in time that twenty-somethings will never see again, L'AUBERGE ESPAGNOLE is forgettable fun containing within itself the threshold into the "real world" experienced through Xavier's eyes.

Hitchcock would be proud of this movie. Even when nothing happens, it is suspenseful. Director David Lynch overuses a few cheap thrill tricks here and there, but he intersperses them with other cinematographic techniques to keep it from becoming obtuse.<br /><br />Altogether surreal, this movie is like waking up and remembering most of a dream but not enough to make it sensible. I am still trying to figure it all out and will probably have to see it again to catch things I missed and which may help me understand it better. It is a very detailed plot that very slowly comes together, so you must be patient and pay attention. Get your bathroom trip out of the way before it starts. And yet, the plot is overshadowed by the theme, the mood, the character development, and the filming techniques.<br /><br />The dual roles of the main actress, Naomi Watts, showcase her enormous talent. That is, when I could get my eyes off of her co-star. What an acting pair.<br /><br />Lynch surprises throughout the movie with unusual camera angles, the length/timing of editing cuts, jumping back and forth between scenes. Combined with smart use of music and sounds, it all helps to build suspense in our minds, doubtless a major objective of the director. Well, he kept me on the edge of my seat, even had me talking to the actors to be careful here, and not be so naive there. You know, the kind of stuff you want to smack your kids for doing at the movies.

i am working at a video store so i got to see this one for free- thank god, had i paid for it my review would be less forgiving.<br /><br />well, the major idea of the film (geeky girl takes bloody revenge) isn't all that original, there are several parallels to "carrie" (playing a mean practical joke on a loser, except for one nice girl that is actually sorry for her, tamaras and carries bad family background). i still think it's a fun idea for trashy teen horror flick unfortunately they didn't take much advantage of the potentials that are here and rather put an emphasis on all the wrong things.<br /><br />what worked: i liked the actress that played tamara. she looked great (when she was hot) and her catty lines were fun ("Sean can't come to the phone. he's f**king patrick!").<br /><br />what didn't work: the whole wicca thing was silly. i generally prefer rational explanations (she could have ploted the whole thing with her teacher or one of the boys to get her revenge). there were a lot of logical wholes and the gore looked really bad (when the boy is cutting of his ear and his tongue- please!!!)<br /><br />the whole idea wasn't bound for Oscar buzz, but i just think they wasted the comedic and the suspenseful potential they had. it was bearable but far from good!

Yes, this bizarre feature was written by John Sayles. Shot in Toronto, it's yet another '80s era feature about the dangers of the urban jungle, where the police fear to go and the homeless and the criminal classes are the only inhabitants. Into this mix comes the myth of Wild Thing, a feral young man raised by a bag lady after his parents were murdered by a dirty cop on the take (Maury Chaykin) and Chopper, the local crime lord (Robert Davi). Stir in the local do-gooders (priest Sean Hewitt and clueless social worker Kathleen Quinlan), and you have a recipe for some rather unexciting action sequences. Davi is the standout amongst the cast, and cinematographer Rene Verzier does a pretty good job. Otherwise this is a rather lumpen action pic that won't satisfy action fans and will leaves Sayles' admirers slack-jawed.

Absolutely one of the worst movies I have ever seen! The acting, the dialog, the manuscript, the sound, the lighting, the plot line. I actually can't say anything positive about this, although I enjoy Swedish movies. The fighting scenes are so ridiculous that it's impossible to take it seriously. And when the lead character just happens to loose his shirt, while dodging bullets in a strip bar, I'm not sure if it's supposed to be a joke, or if someone really thinks these are ingredients in a good film?! Regina Lund is the only half descent actor, but she disappears in a flood of laughable pronunciations and unbelievable reactions. It leaves you horrified that someone actually spent time and money on something like this...

"Plots With A View" of 2002 is a delightful little comedy like only the British could do it. The film's sense of humor is both mildly morbid and black and yet very lovable and sometimes very slapstick-ish. It's the only film by director Nick Hurran I've seen so far, and while I am not intending to watch any of his other films at the moment (I'm not a big fan of romantic comedies), this one is highly enjoyable and very funny. The film takes place in a little town in Wales, where Betty Rhys-Jones (Brenda Blethyn) is married to the town's drunken and adulterous major (Robert Pugh). The local mortician Boris (Alfred Molina) has been desperately in love with Betty since their childhood, but has always been too shy to confess his love to her. Apart from being desperately in love, Boris has some other problems, as the eccentric American mortician Frank Featherbed (Christopher Walken) has opened a funeral flourishing business in the same town... The film's odd, very British wit should amuse everybody with a sense of humor, and the story sometimes becomes quite bizarre. Also, "Plots With A View" profits from a wonderful cast. Brenda Bethlyn, who has already proved herself to be a funny lady in 2000's "Saving Grace", plays the lead, and she is once again very funny, and very lovable in her role. Alfred Molina, who plays her shy admirer, delivers a great performance as always, and Robert Pugh fits perfectly in the role of Betty's sleazy husband. Beautiful Naomi Watts is also great as the husband's 'secretary', I'm becoming a bigger fan with every film I see her in. The greatest role, however, is played by the incomparable Christopher Walken (one of my favorite actors). Walken is brilliant as he always is in the role of the eccentric Mortician who arranges funerals that are quite unorthodox. Overall, "Plots With A View" is a vastly entertaining little British Comedy that I highly recommend!

I like many others saw this as a child and I loved it and it horrified me up until adulthood, I have been trying to find this movie and even been searching for it to play again on TV someday, since it originally played on USA networks. Does Anyone know where to buy this movie, or does anyone have it and would be willing to make a copy for me? Also does anyone know if there is a chance for it to be played on TV again? Maybe all of us fans should write a station in hopes of them airing it again. I don't think they did a good job of promoting this movie in the past because no one really knows about, people only know of the Stepford wives and Stepford husband movies. No one is familiar with the fact that there was a children version. Maybe they should also do a re-make of it since they seem to be doing that a lot lately with a lot of my favorite old thriller/horror flicks. Well if anyone has any input Please I Beg Of You write me with information. Thanks Taira [email protected]

I am an actor,producer, director and what i am about to say are facts. This project was the worst film in movie making history. From producer to director and the edit of this so called film is a joke and i mean a BIG joke. Why would Blockbuster released such crap? I take my work very serious and this film is an insult to my profession. Was the director trying to make a bad movie? I don't think so. I seen bad Zombie movies, but this takes the cake the Coffie and everything on the damn table. THIS MOVIE SUCKS!!! I really hate to talk bad about other filmmakers because i am one myself, but please consider in taking up a different profession. I respect the fact that you completed a movie, but i have to ask you " WERE YOU SMOKING CRACK ", I mean the makeup on your girls, the scary Zombies, what were you thinking. To the whole nation, if i could have voted Zero i would have. WORST FILM IN MOVIE MAKING HISTORY!!!

Good movies are original, some leave a message or touch you in a certain way, but sometimes you're not in the mood for that. <br /><br />I wanted something simple, no thinking just plain action when I watched this one. It started of good and was quite entertaining, so why a bad review. Well in the end the movie lost it's credibility. The storyline wasn't that cheesy at all, the action was not too special but overall good, acting was OK, so more than enough to satisfy my needs. But all got ruined because things happened that were over the top, and it left me with a bad feeling. They should have put a little more effort in making everything credible and would have gotten a 7 in the "no thinking just plain action" category. So in conclusion if you know you'll get irritated because things are happening that seem completely illogical: don't watch! otherwise I'd say go ahead...

Its incredible to me that the best rendition of this amazing story remains a cartoon made by Walt Disney in the 1940s, but its true. Here another clumsy attempt sputters confuses and alienates would be viewers with admirable effectiveness while successfully antagonizing those of us who have actually read the story. Irving's original work is short by any measure and making a feature length film is bound to be a challenge. One can either completely rewrite the story a la Tim Burton which is a discussion for another time, or pad the bust-line of the old girl with unintended detail. The latter is what is attempted here, and if I may say, pitifully so. Unimaginative and thoroughly modern new facets to character personalities such as religious zealotry in Crane or wanderlust in good old Bram Bones ruin the story's intent and betray a severe lack of talent by the filmmakers. By the time the tale's famous climax approached, I had completely lost interest. Its the kind of film where you expect to see a stagehand smoking in the background.

What a drawn out painful experience.<br /><br />That's over two hours of my life I will never get back.<br /><br />This Film Festival Director's delight - is awash with overuse of the long slow shot....however - that's not the only thing that makes a script.<br /><br />Avoid this movie at all costs.

Well, I have not much to say about this film except that it was a truly wonderful film. Natalie Portman is absolutely fantastic as the daughter in this lovely mother-daughter relationship film. <br /><br />Beautiful film.

Ladies and Gentlemen, may we present the worst of all Disney remakes. Although the name of this movie is "That Darn Cat", it should have been "That Darn Teen" or "FBI Agent". The cat didn't get any real good scenes, Ricci's character was more annoying than funny, Doug E. Doug didn't get any good lines, even Dean Jones's cameo role couldn't save this movie! The only really good characters were the town's only two auto mechanics, but their scenes were only brief. In all, I'd say that if you are considering watching this movie, go get something more intelligent like a Barney video.

saw this movie and totally loved it the characters are great . it is definitely my kind of movie you do not get bored in this movie i love independent films they are so much more rewarding. my husband and i really enjoyed Jay's style. if you are an open minded person who loves thought provoking films and loves conversation after it's over you will love this film. it is definitely thought provoking.the film definitely will step on some toes but who cares those people will probably not go to see this movie. it is amazing to see the characters evolve . Jay Floyd has really captured both sides of the table. Applause applause Jay i hope you are working on another movie.

I waited for this movie to play in great anticipation. Assuming it would be more accurately portrayed like the movie, "The Christmas Box" based on the book by Richard Paul Evans. I sent out many emails to friends and family asking them to please watch this show, hoping they would better understand a tiny amount of my "new" life. After seeing this movie I was so disappointed. As a mother who lost her only child in November 2003 and REALLY knowing the pain, I had hoped that this movie would shed light to parents who "think" they understand the grief a parent goes through who has lost a child. This movie was a very light hearted movie and the silliness of Diane Keaton was a slap in the face to parents who have buried a child. It was VERY unrealistic from start to stop. I had a few calls after the movie, each call the same, "That was so off the mark and made it appear that in a short time you are back on the road and listening to songs on the radio and life is back" What a bunch of bull! It is clear that the director and Keaton have never lost a child because neither would have EVER made the movie to be so off the mark. I guess that's Hollywood.

Have you ever wondered what would happen if a couple of characters from Beverly Hills 90210 were thrown into a Thai jail?If so, this is your movie. This is Midnight Express for the MTV crowd. That would be ok, but the story was poorly executed. Contrived plot twists, poor dialogue and unresolved issues abound. This slight film did not earn the right to be as cryptic as it ends up being. Potential spoiler and impossibly preposterous plot line-the faux tension filled moment when the hotel employee discovers the girls do not have a room there and is about to kick them out. (This moment is innappropriately played with the same solemnity and gravity as the moment when they are arrested at gunpoint). Later the same hotel employee is somehow found-and Bangkok is a big city, mind you, Ive been there- and testifies against the girls, as if a couple of free Mai Tais warrant 40 years in prison. C'mon. Rent Another Day in Paradise instead.

Since there have been so many reviews of this fine film I will write in a list form and attempt to address issues that have not been discussed.<br /><br />1. Dana Andrews was 38 during the filming of this movie. His character according to the screenplay was in his mid 20s. Andrews, a highly underrated actor, did brilliantly play a character who was supposed to be much younger. <br /><br />2. Fredric March like all GREAT actors needs at times to be restrained by the director to avoid over-the-top acting. He was mugging for the cameras when he was drunk on the night after his arrival and also the next morning when he was checking out his hang over in his mirror. <br /><br />3. Dana Andrews was superb as he was in "Laura," "The Ox-Bowl Incident," "A Walk in the Sun," "The Purple Heart" and many other films. Why did Fredric March win the Academy Award and why was Dana Andrews not even nominated for his outstanding performance? <br /><br />4. Harold Russell gave the best performance I have ever seen by a non actor. <br /><br />5. I realize this was the 1940s but Dana Andrews seemed to have no romantic interest in his exceptionally attractive wife (Virginia Mayo).<br /><br />6. Ray Teal, who played the right wing bigot, years later became famous for portraying the sheriff on "Bonanza."<br /><br />7. The professor from the south wrote that the film was slow moving, boring and poorly acted. The professor more than likely is uninformed about classic films. The beauty and significance of these ageless classics is that they are slow moving character studies that avoid profanity, excessive violence and gratuitous sex.<br /><br />***I was surprised that zero out of 3 people found my review useful.

Alien was excellent. Many writers tried to copy it. They all did a bad job (or almost). But Dead Space is the worst Alien copy. Because of the bad actors, the bad special effects, the BAD scenario and other bad stuff (it would take about 3 pages to tell everything that is bad in this film. The movie wasn't very long and this is a very good thing (the only one). You cannot laugh because it is too serious...that is a bad thing because, in almost each B-series sci-fi film, you can laugh during the whole time. It can be terrific sometimes, but instead of watching this stupidity, just watch Alien or Event Horizon...these are much better!!! I give it 1 out of 5.

OK, this doesn't compare to the explosive tempo of the first part's opening sequence; nor to its visual shock value; nor, for that matter, to the melancholic suspense of the second installment. No, it's surprisingly and refreshingly different (apart, of course, from the two main actors). The tongue-in-cheek futuristic scenario drives the characters towards each other across genres and languages with an almost gravitational force. The moment of impact-conclusion is your choice of: a)Shakespearean metaphor of life and humanity in a cartoon costume; b)sublimation of violence into homo-erotics; c)humorous detonation of an impossible buildup. Everything up to then is even less unequivocal.<br /><br />Highly recommended to indiscriminate movie buffs who don't mind following foie gras with a hot dog; caution to those with more refined palates.

This movie was a masterpiece of human emotions and experience. I think that a lot of people get caught up in Leland's apparent mental illness as the storyline, but I was drawn into the relationships of many of the characters and what they reveal about the force of human emotions. Much of the message of the movie is that we never know the good without the bad, which is a little cliché, but what makes this movie so good and so original is that it very eloquently portrays the crushing and devastating force that the bad can have, whether you see the bad everywhere like Leland, or are experiencing the utter helplessness of unrequited love or a relationship that just isn't going to work no matter how bad you want it to. This movie captures how helpless relationships and emotions can make you feel better than any movie I've seen, and it is as depressing a movie as it is good.

The man who gave us Splash, Cocoon and Parenthood gave us this incoherent muddle of cliched characters, poor plotting, you've-got-to-be-kidding dialogue and melodramatic acting? I guess everybody has a bad day at the office now and then. He's allowed.

There's hardly anything at all to recommend this movie. Chase Masterson is always nice to look at and actually can act, though her role in this clunker is a waste. Unfortunately the rest of the cast ranges from bad to mediocre. In a lot of films like this someone will shine through the material and you make a note of them for future reference. No such luck here. Creature Unknown" a clichéd monster-on-the-loose flick with the kids getting knocked off one after the other. The monster is a man in a rubber suit which hearkens back to the days of Paul Blaisdell. So bad it's good! The rest of the show is just so bad it's bad. A little humor might have made this more palatable, but everyone plays the deadly dull material straight up. There is a twist or two at the end, but by then you won't care anymore.

Now here is a film that if made in Australia would have easily been a comedy. Sadly and annoyingly, here it is, flaccid and cheesy and overbaked from Lala land. How did the di-erector get it so wrong? Well, mainly by being serious about a job so hilariously startling that nobody in their right mind could take seriously. Unless of course they were a nerdy lonely gay cliché (but somehow cute)...or is that cliché piled upon cliché. No value in the story that almost seems like a prequel to Gus Van Sant's GERRY..... and with a title like THE FLUFFER how is it all such a lead weight? Well this auteur must have soooooo mad that he didn't get to Burt and BOOGIE first that he had to make his own. Convoluted and undeveloped apart from the 'unrequited love's a bore' theme left over from a faded Streisand lyric, we have only moody beefcake and TV serial level storyline left. The un necessary fourth act of this overlong turgid drama is truly terrible as the film wanders off like the Gerries into to desert and gets stuck there. In Oz in the late 90s some 20 somethings made a similar but actually hilarious film called MONEYSHOT. Originally filmed as THE VENUS FACTORY it too suffered from an auteur more awful than Orson so they re-filmed half of it, got a ruthless TV editor to chop it up and down down to 72 minutes and hey-presto..comedy, tonight! A lesson there in when bad films turn good by lightening up. I guess THE FLUFFER stiffed on release and after seeing it not perform, I can understand why.

My interest in Dorothy Stratten caused me to purchase this video. Although it had great actors/actresses, there were just too many subplots going on to retain interest. Plus it just wasn't that interesting. Dialogue was stiff and confusing and the story just flipped around too much to be believable. I was pretty disappointed in what I believe was one of Audrey Hepburn's last movies. I'll always love John Ritter best in slapstick. He was just too pathetic here.

The first hour or so of the movie was mostly boring to say the least. However it improved afterwards as the Valentine Party commenced. Apart from the twist as to the identity of the killer in the very end, the hot bath murder scene was one of the few relatively memorable aspects of this movie. The scene at the garden with Kate was well shot and so was the very last scene (the 'twist'). In those scenes, there was some genuine suspense and thrills and the hot bath murder scene had a nasty (the way slashers should be) edge to it. The earlier murders are frustratingly devoid of gore.