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Welcome everyone. So good to be back. Our visit from Otani Sensei was quite wonderful. Everyone had a chance to glimpse the lineage of our 750 year tradition. Weh held the Buddhist Name ceremony, I am always pleased by the individual care His Eminence gives each person. And in turn each person gives each other. Peaceful and kind - most wonderful. We will be receiving other visits from HHT priests from time to time as we nurture that relationship. In September Isago Sensei will be visiting.
We are here today to talk about a Buddhist life. This is not to be confused with a guilt trip on what you should be. A Buddhist life has a questing quality. Trying to become and realizing that we can't make it on our own is what its all about. 2600 yrs ago the Buddha identified four important truths. He didn't discover these but we know from him that they have been operative in our Universe from many kalpas. The wall scrolls show the Buddha Lokkasvararaja teaching these same Four Truths almost 15 kalpas ago. [Kalpa is a very long time]. They show his student the king becoming a monk, the monk becoming the bodhisatta Dharmakara | there making his 48 vows. For all sentient beings in the universe. Ultimately becoming Amida Buddha. The triptych is the Pure Land he manifested - Amida Buddha, Seishi and Kannon Bodhisattvas in the Sukkhavatti.
These truths have been around a long time.
This is always a challenging talk because there are eight folds in the path. People just don't learn 8 things in a sitting. So we divide the Eightfold Path into three groups Wisdom, Conduct, and Concentration.
In effect there are eight things that we need to make habit. These are eight different aspects about ourselves that we need to monitor, practice, and maybe change to help us rise to who we want to be spiritually. The simple goal is to lead a moral life, based in compassion and wisdom. Buddha summarized the path: there are two trainings in wisdom, three trainings in conduct and three trainings in concentration.
This is a mnemonic device to help you remember the noble 8 fold path.
Each of the eight aspects begins with RIGHT. People often get stuck on the English word RIGHT. It is unfortunate that the Pali word SAMMA was originally translated as "RIGHT". It does not really mean that - RIGHT suggests WRONG. A very dualistic view and not a Buddhist view. The word samma, is like "best" or "appropriate" or "well-directed". It suggests "completeness", and even "perfection" as in the "perfect summer evening."
It is much more subtle meaning. Maybe closer to... juuust right. The Buddha often use the analogy of a harp..... What is just right when it comes to the string of a this harp?
Too loose - Hey dude anything you do is ok. no worries. Where does this go? Is this a spiritual life?
Too Tight - You shouldn't do this. You can't do that. Don't be this. Rules and regulations pile up and compound and eventually we are wrapped so tight - that we break!
Just Right - For today let's say the word RIGHT means a Harmonic Energetic Amplifier of our Thoughts and Actions. Juuuust Right!
The way to overcome Ignorance is living a just Right life. In this way of seeing the world, we profoundly trust in the Great Compassion of the universe. We can feel the inconceivable life force of all that was, is and will be. This Great Compassion we see as Amida Buddha. We take refuge in something infinitely larger than ourselves. In that refuge you are accepted just as you are. This is the habit of Right Understanding.
The second habit we cultivate in the wisdom group right thought -- just right thought. Sometimes we translate it as intention. The Buddha explained right thought as having the intention of letting go - renunciation- the thought of good will and the thought of harm-less-ness - Ahimsa. Without harming. This means our intentions should be more self-less rather than self-ish. When we are not motivated by personal greed so much - in fact we are letting go of selfishness - practicing more self-less behavior helps us to move away from our deluding ego. We are making a habit of self-less-ness instead. We come to recognize that everyone is in the same boat as us, they want happiness and to avoid pain - we should live in a way that helps us all get there. Instead of trying to secure happiness of just one being, this separate self, we experience as "I-Me-Me-My". It is actually ignorance manifest.
The just right thought is compassion - Compassion is Truth manifested.
The Buddha recognized that we are all interconnected, so renouncing our selfish pursuits and working towards the greater good is in line with reality. At first we don't realize or appreciate what letting go means - living a life more inclined towards peace and letting go doesn't necessarily mean becoming monks and nuns - it could mean that - mostly it means renouncing our greed, our anger, our jealousy and other harmful emotions. These prized possessions we cherish - our wounds and indignities done to us - that we carry inside us as caustic treasures - what Gollum called our "precious-es". Right Thought is to leave these things behind. Cast them off and care deeply for others.
In the Dhammapada - Buddha said, "he who has renounced his impurities is called an Bhikku". The impurities we need to let go are our mental impurities or defilements of greed, aversion, pride and jealousy which all arise from ignorance and selfishness.
Why do we try to remove these thoughts? - Because they cause so much pain for ourselves and others. The thought of renunciation also means letting go of the belief that happiness is found in things that are external to us. The Media and 24hour fabric of Advertising tells us that happiness is found in acquiring more and more things. Buddha taught that happiness isn't found in external objects and "Getting stuff" - that just increases our craving and desire. Happiness comes through finding that true light within you. Our true nature is Eternal, Joyous, Selfless, and Pure.
Having this Right Thought of renunciation means we slowly loosen the grasp of our craving and attachment to external things. We can start to find the peace and happiness that lies within -- the great expanse of mind -- we can find the light that is all around us.
Another aspect of Just Right Thought is goodwill/ Non-harm. Having an thought of goodwill means we act with an attitude of goodwill and love as opposed to ill will and anger. Our actions of body, speech and mind resonate with the wish to help others and make them happy. Anger is something that affects us all in some degree, if we do have anger or ill will towards anyone, the Buddha prescribes the meditation of loving kindness….
This helps us eradicate the habit of ill will or anger. Our true nature, is "Eternal, Joyous, Selfless and Pure" - one of love, peace and wishing others happiness, so it is this state that the Buddha wants us to tap back into, the last part of right thought is this intention. The thought of harmlessness - having an intention of harmlessness means we should be motivated by compassion and not wanting to cause or increase the sufferings of others, this means we refrain from harming others in any way such as through physical violence, verbal abuse, or mental manipulation. Actually this thought of harmlessness can be employed in anything and everything that we set out to achieve, with right thought we carefully consider the consequences of all our actions to ensure that they don't cause harm or suffering in any way.
Those are the Wisdom group - Right Understanding and Right Thought.
"Be aware of the suffering caused by unmindful speech and the inability to listen to others. Please cultivate loving speech and deep listening in order to bring joy and happiness to others and relieve others of their suffering.
We only need to choose our words carefully, and we can make other people happy. To use words mindfully, with loving kindness, is a practice of generosity. We can make many people happy simply by practicing just right speech. This does require some Just Right Thought. All theses habits are interrelated.
Kannon Bodhisattva [over here] is a person who has learned the art of listening and speaking deeply in order to help people let go of their fear, misery, and despair. He is the model of the practice of Just Right Speech, and the door she opens is called the "universal door'' - universal door of communication. If we practice listening and speaking just like Kannon, we too will be able to open the universal door and bring joy, peace, and happiness to many people and alleviate their suffering.
In the sutras Kannon's voice is described in three important ways: the voice of the world regarder, the voice of the rising tide, and the voice of world surpassing.
The meaning of the word Kannon is "the one who looks deeply into the world and hears the cries of the world.'' This voice relieves suffering and suppressed feelings, because it is the voice of someone who understands us deeply -- our anguish, despair, and fear. When we feel understood, we suffer much less.
This is the voice of the teaching of the Buddha. It is a powerful voice, the kind of voice that quiets all wrong views and speculations. It is the lion's roar that Dharmakara Bodhisattva speaks of in the Sanseige - A voice that brings silence to the mountain and brings healing and transformation.
This is a voice that is uncomparable - just nothing like it. This voice does not aim at fame, profit, or a competitive edge. It is a thundering silence that shatters all notions and concepts.
The voice of the world regarder, the voice of the rising tide, and the voice of the world surpassing are the voices we can be mindful of when we speak. If we contemplate these three voices, we assist Kannon in opening the universal door, the door of real listening and real speaking. The Universal Door of Communication.
We habituate ourselves toward wholesome physical acts. We practice giving (dana), for the good of ourselves and the community. RBC is supported by your generosity and you give to make the Dharma available to all people in our area. Everyone who gives to RBC has contributed to sustaining the Dharma for many years in Reno.
Dana is one of the most important practices for Buddhists.
You might ask - What is Dana?
The Pali word Dana means to share and give whatever we think we possess without any sense of reward or benefit. Dana can be given from our money, time, space, knowledge, energy, information, fearlessness, Dharma, skill, a smile, kind words, and much more. Anything that we "possess" can be the object of Dana.
Dana has two aspects: (1) Release of positive energy and (2 ) Reduction of attachment, a cause of Dukkha (stress, fear, and suffering in our lives), by learning to let go.
The Right Action of Dana gives us positive energy. Whatever we give, the action of "giving" always releases positive energy. For example, if a sangha member spends extra time to find a book in the RBC library for a visitor. At the moment the visitor takes the book, the member feels positive energy because of her giving of her "extra time." Even if we do Dana to show-off, "to be a good person", it liberates a certain amount of positive energy.
Where does the pleasure and positive energy of giving Dana come from?
Dana is "giving up" the possession of the mind, not really the object. When you "let go" (give) something with genuine mind [right thought], it necessarily gives you positive energy. This is the effect of genuine giving. That is how genuine Dana works.
Like when you have a backpack on your shoulders, and when you put it down, you feel relieved. This is the natural effect of letting it go of something. It is not "I" who produces positive energy -- or reduces greed and attachment -- but the power of Dana itself. It is because Dana is a tool that is designed by the Buddha himself to release positive energy and reduce self-centeredness. It is the nature of Dana that produces positive energy -- "Dana gives happiness" and "That Is The Way It Is. We make dana a habit. We give a little every time we visit the temple and receive the Dharma.
I should mention that Just Right Action of the eightfold path also includes the guidance that we refrain from unwholesome actions of the body. From taking life, to mindless consumption, to stealing and other harmful acts.
"And what, friends, is right action? Abstaining from taking life, abstaining from stealing, abstaining from unchastity: This, friends, is called right action.
We avoid professions and jobs that defile or harm. This is for ourselves and others. Our work is not separate from spiritual practice. We practice the Buddha's Noble Path at work or school too. We dedicate our labor for the health and vitality of our workplace and the world. During the course of our day, we consider if our words and actions uplift or harm others.
At work, in order to avoid conflict; try not to "carry the dharma on your sleeve." Instead, we practice this Noble Path in humbleness and thanksgiving without others even knowing about it. This is known as practicing the dharma without form.
On the other habits we cultivate on the Path I'll be brief today….
6. The sixth habit is Right Effort - Following this Path takes effort. It is against our Bonbu nature to do these things and think these ways. We have to focus and apply ourselves. But also we must be careful to apply the harp string rule here. It is easy to over do it. just Right is joyful harmonic and energetic effort.
This is really being aware of the boundless force of life, love, compassion, and wisdom that pervades the ten quarters of the universe. This practice will naturally transform our forgetfulness and negative habit energies into awakening and gratitude, so we may experience the Ultimate Dimension as the Nembutsu - Namu Amida Butsu. It is active all the time.
This means we will practice deep hearing of the light - Naturally. We get a habit when it is regular. Meditate on a regular basis in order to cultivate mindfulness and insight. Through sitting or chanting or walking in mindfulness. These all help us to clearly see things as-they-are.
There is a Beginner Meditation class on service-Sunday mornings at 9:00am. If you want to start this is a good way.
We also have a Joyful Chanting Hour every Tuesday night at 6:00pm - please come and try that as well.
Wow! we've made it through half of the Eightfold Path! | {
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You are here: Home / Blog / Case Studies / How do we get customers to ROI faster?
How do we get customers to ROI faster?
For B2B companies, quick implementation and effective adoption are keys to getting customers to the promised riches. For a B2B Financial Services software firm, the implementation was taking more than a year. The implementation team was overloaded and under pressure while sales and marketing wanted quicker ROI and reference-able customers.
We started with a brainstorming session with a cross functional team to quickly uncover issues. We talked to customers about how to increase adoption. We mapped the customer journey. We then conducted direct, un- biased 1:1 conversations with all involved in the implementation process. This led to a list of quick changes and longer term solutions. We made the case for resources to help us build tools.
The result was an increase in implementation capacity from 6 to 40 over a year, and quicker ROI for the customers.
https://buyerblueprints.com/wp-content/uploads/2013/11/iStock_000021011463_Small-e1384149672411.jpg 619 775 Tiyash /wp-content/uploads/2013/11/BuyerBlueprintsLogo5.png Tiyash2013-11-14 16:10:262014-10-19 02:28:15How do we get customers to ROI faster? | {
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When Sunny Leone's husband Daniel Weber chose to star in porn movies because he couldn't see her working with other men
Sunny Leone who made a name for herself first in the porn industry and then in Bollywood knows a thing or few about business. The actress took charge of her career and changed the course with help of her husband Daniel who stood by her through everything.
She recently celebrated her 8th happy years with Daniel alongside her daughter Nisha and two sons Asher and Noah. However the journey wasn't easy Sunny started dating Daniel back in 2010 when she was still part of the Porn industry. It is not known widely that Daniel chose to star in adult movies with Sunny when he was dating her as he couldn't see her working with other men.
Sunny had revealed that she saw the world in numbers and is currently one of the most desirable faces in Bollywood. Sunny while talking to GQ magazine in an interview in 2015, told them the secret of her success.
"I figured out porn quickly. I started my own website. I taught myself HTML, Photoshop and editing videos. Everything that goes into marketing a website — social media, what search engine optimization is, how to get traffic. People are wondering how there are so many pages on Sunny Leone out there. That's because I've been self-populating them since 2001."
After she quit the porn industry in 2012 and set her eyes on Bollywood, Daniel Weber, had a huge hand is making Sunny the brand in the Hindi film industry. He now also manages her every work including choosing her scripts films and also acting as her bodyguard on sets.
When Sunny's mother had passed away just a few months into their relationship, and Daniel was there to help her get through the painful time and they later got married.
Daniel, back when was about to marry a well-known porn star was asked about the decision he said, "Sunny is the product, you know? My wife is Karanjit Kaur Vohra, it's totally separate in my mind. Sunny Leone is just the brand."
In 2017 and 2018 the couple broke all stereotypes when the opted to adopt Nisha and give birth to two sons Asher and Noah through surrogacy.
Tags: Sunny, Sunny Leone
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DJ H and DJ Rags – Jawani
Manpreet Sandhu – Reh Vi Nai Hunda ft Desi Routz
Krishna ft Deep Jandu – Young Age
Harshit Tomar ft Vishakha Raghav – Innocent Boy | {
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Darien Lakes State Park
Home / State Parks / Darien Lakes State Park
10475 Harlow Road
Darien Center, NY 14040
Genesee Region
Camping Reservation Virtual Tour Weather
Darien Lakes State Park's terrain is hilly with woodlands, ravines, streams and 12-acre Harlow Lake. The park has a total of 154 campsites, 141 with electricity and 13 primitive sites without. Also available are heated comfort stations and showers, a beach, playgrounds, fishing, hiking and horseback riding trails, picnic areas and a rustic bridge over the lake channel to Picnic Island. In winter, multiple-use trails are open for hiking, cross-country skiing and snowmobiling. Darien also has two picnic shelters available for a fee by reservation only.
Tent/Trailer Campsite 2020: Information and Rules
Pavilion Information:
Darien Lakes has two pavilions. Prices range from $50 to $100 and can accommodate 70 to 140 people. Check availability at ReserveAmerica.com
The park is open daily from dawn to dusk.
2020 Swimming Season: Beach open from 6/20 - 9/7, 11am-6:45pm daily. Weather and conditions permitting
PLEASE NOTE: Swimming will be CLOSED August 18th, 19th, 25th, 26th and September 1st, 2nd, 3rd.
2020 Camping Season: 5/1 - 10/18 **Closing dates for camping is the last night patrons can stay.
Deer and small game hunting is permitted in season with a park permit.
Shelter reservation season is daily, May 1st - September 30th.
$18 - $30/night
*Out of state resident fee for camping, per night: $5
Cars $6-Beach Closed
Cars $7-Beach Open
Non-Profit Buses $35
Commercial Buses $75
Wood Permit
$25/day (when available)
Darien Lakes State Park Trail Map
Disc Golf Map (pdf)
Camping Map (pdf)
Park Map (pdf)
Highlights of Darien Lakes State Park:
Harlow Lake is a great family friendly place for fishing. Recently restored, the pond is habitat for large-mouth bass and yellow perch, as well as various species of waterfowl and aquatic life.
Eleven Mile Creek runs through the park and cuts a ravine out of the shale exposing distinct fossils from the Devonian era, also known as the "Age of Fish," which lasted from 417 million to 354 million years ago.
Many old apple orchards can be found throughout the park, feeding lots of wildlife species in the fall.
Some areas of the park have a wild feel...
What will you see? Plan your visit today!
Look and listen for these birds at our Park:
Bobolink
Blue-winged Warbler
Everyone is a Steward: Be a Darien Lakes State Park Hero!
Know the rules and concerns for the area you'll be visiting.
Use a map and compass instead of flagging, rock cairns, or marking paint.
Hike and camp on established, durable trails and campsites.
Leave all natural objects as you find them.
Be careful with your fire.
Respect wildlife and observe from a distance.
For more information, please read our Trail Tips!
Ask a Naturalist!
Q: What is succession?
A: Succession is the process of change in the species structure of an ecological community over time. It begins with pioneering plants and animals and develops with increasing complexity until it becomes a stable or self-perpetuating climax community. These changes typically occur after a disturbance or initial colonization of new habitat. Several successional habitat communities can be viewed at Darien.
Q: Is it okay to go off the trails?
A: No, staying on the trails is very important. Off-trail use can degrade the fine textured soils of the silver maple ash and beech maple mesic forest and cause erosion. You may also trample vegetation.
Q: Are any rare species found here?
A: Surveys conducted did not find any rare species, but historical records indicate that the old field and successional shrubland habitat within the park provide potential breeding grounds for rare grassland birds species, such as Henslow's Sparrow, Northern Harrier and Upland Sandpiper. Shrubland habitat is a plant community characterized by shrubs, but often also includes grasses and herbs.
- DID YOU KNOW? A bird house for purple martins was erected near Harlow Lake in the spring of 2013 and has already fledged a number of birds.
- DID YOU KNOW? Darien Lakes State Park was originally called Harlow Lake and Park.
Please print and fill out the permit. Remember to read the rules before hunting.
Hunting is prohibited in the campground, day use areas, and disc golf course.
Darien Lakes Hunting Permit (2020-2021)
Darien Lakes Hunting Map
Nature Up Close
Did You Know? Darien Lakes State Park was originally called Harlow Lake and Park.
Swimming Beach
Night Snowmobile Permit Application (pdf)
2020 Darien Lakes Camping Information (pdf)
Hunting Map (pdf)
Hunting Permit 2020-2021 (pdf) | {
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Acorn Plastech UK - Toolmaking, Injection Moulding, Cad/Cam, Wire Erosion, Plant List and more.
Acorn Plastech's tooling facility is fully equipped with the latest modern equipment, allowing us to produce customer's tooling both cost effectively and with minimum lead times. We believe our customers prefer to have their tooling designed, manufactured and moulded under one roof, as this ensures a continuity in quality and provides a quick turnaround for any tooling modifications or maintenance.
We produce all our tooling from high quality hardened tool steel, even for our low volume/prototype tools. Many of our competitors produce tooling in aluminium claiming long tool life and quality. However,we are confident that due to our modern toolmaking facility we can produce steel tooling as competitively as aluminium, leaving you without the worry of poor quality mouldings due to premature tool wear and damage.
At Acorn Plastech, we our proud to be a British manufacturing company which is one of the reasons we don't out source any tooling overseas. As our tooling is manufactured in house it gives us the opportunity to respond promptly to any design changes or modifications which has proved to be priceless for many of our clients.
If you require any further information regarding your tooling requirements please feel free to contact us via phone or email by clicking here. | {
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← KOMMONSENTSJANE – Sanctuary California: Two previously deported rapists re-arrested in California. Fellowship of the Minds.
KOMMONSENTSJANE – FBI Informant Stefan Halper Paid Over $1 Million By Obama Admin; Spied On Trump Aide After Election. Arlin Report.
Understand Halper is no where to be found – is he in hiding?
And to think this guy was also a professor – teaching children – and was a spy for Great Britain and the U.S. So what do we make of this? Does this make Australia and Great Britain also colluders with Russia by interfering in our election of 2016?
It looks like Obama's spider web is spinning out of control.
This entry was posted in Uncategorized and tagged Kommonsentsjane - Informant Stefan Halper paid over $1M by Obama Admin - spied on Trump aide after election.. Bookmark the permalink. | {
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Call for proposals for Outlandia, Glen Nevis, Scotland, hosted by London Fieldworks & the Nevis Landscape Partnership with a stipend of £250 offered for each selected residency.
Outlandia is an off-grid space, 3m x 3m x 4.7m up a steep forest track on a hillside facing Ben Nevis, Britain's highest mountain. Proposals need to respond to this distinctive opportunity and draw on the surrounding resources. The space might be used for thinking, researching, making, installing, performing, interacting. Proposals are welcome from creative practitioners based in the UK, individuals or small groups of collaborating artists who are working in disciplines including architecture, fine art, sound art, creative writing, film-making and object-making. Whilst Outlandia is off-grid, this need not exclude practitioners working with digital technologies. We are looking for experimental approaches to a challenging natural and working environment. We are particularly interested in proposals that engage with the tensions here around nature, industry, tourism and heritage. Residencies are for one week. Artists are expected to book their own accommodation in advance of the residency (we will provide a list of accommodation close-by).
Apply by email with a 1-page outline on why you are interested in this opportunity, how you would address the residency, proposed dates between April 2015 and October 2015. Also include your CV and weblink to images of your work.
Selection will be made by the Outlandia Steering Group in Fort William in mid February.
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The BICI Lab does extensive work with deep learning in our research. For more details, see the Techniques we use.
The purpose of the Deep Learning Network is to unite researchers across Imperial College London working on deep learning by facilitating the sharing of knowledge and experience, and expanding this to the wider deep learning community. There is no formal membership and all are welcome to attend meetings. You may subscribe to the mailing list (for events and general-interest postings) or Slack (for reading groups and general chat).
The group was founded by Kai in 2014 and is run with the help of volunteers both inside and outside of the university; it is not officially endorsed by Imperial College London. For more information about current events or to be added to Slack please contact Pierre.
The reading group happens regularly on Tuesdays at 18:00 in the Data Science Institute, South Kensington campus; we utilise room 1004 or 1009f depending on availability. All reading groups are listed in the calendar below (which can also indicate when the reading group is not running). | {
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"Miss Olga" to celebrate 80th birthday with a concert at CIM on Dec. 21
December 12, 2017 by Special to ClevelandClassical.com
On Thursday, December 21 at 3:00 pm, the well-known Cleveland piano pedagogue Olga Radosavljevich will be honored with an 80th Birthday Concert in Kulas Hall at the Cleveland Institute of Music, where she has taught for nearly six decades. The free event will feature performances by some of her many students, including Cicilia Yudha, who studied with "Miss Olga" for eight years in the Young Artist Program, and now serves on the piano faculty at Youngstown State University.
Yudha told ClevelandClassical.com that Miss Olga's daughter, Kathy Manker, asked her to write her mother's biography. "I spent a few afternoons with Ms. Olga earlier this Fall and finally drew the courage to summarize her incredible journey from Yugoslavia to Cleveland and her 57-year tenure at CIM," Yudha said. Here is the result of those interviews.
Biographical Sketch of Olga Radosavljevich
by Cicilia Yudha
Olga Radosavljevich, or Miss Olga, as many know her, was born in Serbia (then part of Yugoslavia) on December 19, 1937. Three months after her third birthday, as World War II was about to erupt, her father — a general in the army — had to leave Miss Olga and her mother. She still remembers details of that evening with vivid clarity.
Miss Olga grew up in the city of Belgrade with her mother and grandmother. Life was challenging as the country was disintegrating. There was constant tension between the partisans and the ordinary people. Miss Olga and her family had to share their house with three other families, and they lived off her grandmother's small pension. In addition, her mother would sell or exchange their belongings for a little bit of money.
Regardless of life's challenges, Miss Olga's mother ensured that Miss Olga received a proper education. After one year of piano lessons with her mother, she began training at the Music Academy when she was four years old. She also took French and ballet, and often went to concerts. In high school, she fulfilled the mandatory military service. Not long after, due to the political and social tensions that affected her education, Miss Olga enrolled in the French baccalaureate system and graduated early.
Life in Transition
Miss Olga's father, General Vojislav Radosavljevich, was captured in Bosnia in 1941 and sent to a prison camp in Nürnberg, Germany. At the end of the war, the American and Yugoslav governments agreed to reunite the families separated by the conflict. Not wishing to return to her war-torn homeland under the communist regime of Josip Broz Tito, General Radosavljevich emigrated to the United States in 1951. He first worked in a hospital kitchen in South Bend, IN, then moved to Cleveland to work at a metal factory called Morrison Products.
Preparations for Miss Olga to come to the United States began immediately. Having taken Latin, English, and French in school, Miss Olga now took extra English classes at the American Cultural House in Belgrade. She read many cowboy books and watched lots of movies in English. She also took typing, stenography, sewing, English for business administrators, and economic courses. After Miss Olga finished her formal education a year early, she was recommended to work in the accounting department in the American Embassy. During that final year in Belgrade, Miss Olga earned a good income, three times the average wage.
At last, the family reunited on September 11, 1956, living in an apartment on East 152nd Street in Cleveland.
Life in Music
The Music Academy that was an integral part of the Music Conservatory in Belgrade honed Miss Olga's training at an early age. Later, it inspired her to set up the Preparatory Piano Curriculum, the Young Artist Program, and Camp Klavier at the Cleveland Institute of Music. Her piano teacher, Danica Stanisavljevich, was a student of Alfred Cortot in Paris. At first, she had lessons twice a week. The lessons were then supplemented with theory classes, and in middle school, music history courses were added to her curriculum. According to Miss Olga's recollection, the topic of whether or not she was talented never quite came up. However, there was a constant cultivation of music.
Miss Olga was almost eighteen years old and in her second year at the conservatory in Belgrade when she left for Cleveland. Although the only American music conservatory she knew was Juilliard, on her second day in Cleveland, she noticed the Cleveland Institute of Music enroute to the employment agency (where, by the way, she was immediately hired as a page at the downtown public library for 90¢/hour). CIM's president, Ward Davenny, received Miss Olga warmly and allowed her to practice at the school. Six days later, Miss Olga auditioned and took placement exams.
Miss Olga entered Arthur Loesser's studio at CIM and placed as a second-semester junior. In 1959, Anthony Kuerti (Rudolf Serkin's student at Curtis) suggested that Miss Olga audition at the Juilliard School. She was accepted in Rosina Lhévinne's studio and was invited to live with Madame Lhévinne to help care for the older pedagogue.
Miss Olga recalled that the acknowledgement of her abilities and the prospect of opportunities to succeed were the highlights of her personal and professional life at the time. However, her father was apprehensive about separating a family that had just recently reunited, and about the prospects of a young woman living in a big city where many musicians were unemployed. Thus, Miss Olga declined Juilliard and continued her studies at CIM. While some might consider her father's decision cruel, Miss Olga adopted a youthful resilience and now understands her father's "wartime survival philosophy."
While taking piano pedagogy with Ruth Edwards at CIM, Miss Olga was appointed as a preparatory faculty member in 1960. A year later she began working with former pupils of Artur Schnabel, Victor Babin (newly-appointed president of CIM), and his wife, Vitya Vronsky. She clearly remembers her audition and her first lesson on Franz Liszt's B-minor Sonata with Babin. As teachers, Vronsky and Babin were uncompromising in their demand for the highest excellence from their students.
Masterfully juggling a professional careers as a performer and a teacher with the demands of being a young mother, Miss Olga completed an Artist Diploma program in three years under Babin and Vronsky's tutelage.
"Any person can be taught. How they are taught, that is a different matter." With artistry chiseled over decades of practice and having taught countless students of various ages and levels, Miss Olga aims for each of her students to learn the discipline and understand all aspects of musicianship. She always discusses the importance of discerning ears in sound production, clarity of rhythm, proper stylistic interpretation, historical background, natural ways of playing the piano, and the intentions of composers. She nurtures and cares for her students' overall development, not just as pianists and musicians, but also as responsible human beings.
Moreover, she instills in her students sensitivity to time management, whether it is the time that it takes to learn and polish a piece of music, to prepare a recital (dress, shoes, and all!), or to develop as a mature musician over the course of a degree program. Though her method of delivery certainly has transformed over the years, her teaching philosophy remains unwavering. Some students may recall a quote from Rachmaninoff posted outside her studio at CIM: "Music is enough for a lifetime, but a lifetime is not enough for music."
Cicilia Yudha: What are some things that you like or that you dislike to do?
Olga Radosavljevich: I never had the privilege to develop "what I like to do." But when I was growing up, no one was allowed to work on Good Friday. I always looked forward to that day every year — a day I would not have to practice and I could play in the foyer with my little broken dolls.
I dislike giving an opinion to a student, having to choose to tell a student the truth or not, putting phrases in a politically correct manner, and feeling like I might need to lie to a student.
CY: What are your strengths?
OR: My organizational skills. I have always liked multitasking and management. [This is evident in her instrumental work at the Meadowmount School of Music, Encore School for Strings, CIM Preparatory, and Camp Klavier.]
CY: What are your weaknesses?
OR: Sensitivity to injustice in whatever ways it shows up. I am not resilient to injustice and I have had to face it in many different forms.
CY: What do you think about first thing in the morning?
OR: My to-do list (sigh). The routine has been established — I check the list at night and make a new one in the morning. Not knowing what to do next has never been a part of my life. It was certainly very important in my development.
CY: What's your favorite pastime?
OR: I don't have any. [Later on, she admitted her love for old movies, like All This and Heaven Too with Bette Davis and Charles Boyer.]
CY: What do you do to relax?
OR: These days, I like to watch comedies on TV, like Everybody Loves Raymond. I love the mother-in-law character. In the past, I never had such a luxury. Before I had a family, there was always practicing and teaching and concerts to attend. I also traveled quite a bit with the family. [The Island of Capri was a favorite destination of hers.]
CY: What are some memorable concerts that you've attended?
OR: There were many. Gina Bachauer's slow movement of the Grieg Piano Concerto with The Cleveland Orchestra. Rudolf Firkušný's recitals. Lorin Maazel conducting Brahms' First Symphony — oh, the immediate surge of the opening! The slow movement of the Schubert's Unfinished Symphony, with The Cleveland Orchestra and Christoph von Dohnányi — I've never heard anything like that since. Arthur Rubinstein's 91st birthday concert where he played both Chopin concertos and one Beethoven. From recent times, Mitsuko Uchida's Mozart performances with The Cleveland Orchestra, and Martha Argerich with the Montréal Symphony.
CY: Who are some influential musicians who inspire you?
OR: I appreciate a person who is completely cultivated in every possible human endeavor. For example, Rudolf Firkušný, Daniel Barenboim, Rudolf Serkin, Arthur Loesser, Martha Argerich.
CY: Do you have a life motto?
OR: "Always be prepared." I was probably taught this idea quite early in life. You may not actually always be prepared but you would have a different energy when facing a crisis.
Published on ClevelandClassical.com December 12, 2017.
Click here for a printable copy of this article
Return to the Front Page.
Filed Under: Previews Tagged With: Cicilia Yudha, Cleveland Institute of Music, Miss Olga, Olga Radosavljevich
About Special to ClevelandClassical.com | {
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View Our Enrollment Site
Why Discovery Point?
Owner Testimonials
A Day in the Life of a Discovery Point Owner
Developing Your Center
10 Steps to Becoming an Owner
Discovery Point Blog
Discovery Point Honors Top Owners at Owners' Summit
DULUTH, Ga. – Discovery Point Child Development Center, a leader in educational childcare, honored its top franchisees and centers at the annual Owners' Summit recently in Atlanta. The franchisees were presented awards in recognition of their outstanding achievement throughout the year.
Franchisee Pauline Webster of Acworth, Georgia, was honored with the President's Award in recognition of outstanding and consistent achievement as a successful center owner.
"Pauline has demonstrated superiority in developing and supporting the Discovery Point brand and values," said Discovery Point founder and CEO Cliff Clark. "Her center reflects the values of a Center of Excellence, but has also implemented programs in order to better support parents, families, and the community. These programs best represent the values of Discovery Point."
Salim and Andrea Karnaby of Odessa, Florida, received the Center of Excellence Award. The award is based on criteria that includes exceeding Discovery Point's quality expectations as well as meeting state licensing standards, and demonstrating excellence in care and education. Points were awarded in each area with the Karnaby's center, Discovery Point Suncoast Crossing, accumulating the highest honors receiving the Center of Excellence Award.
"All of our owners are winners, but these franchisees represent the core values that Discovery Point Child Development Centers represents," Clark said. "Their passion and commitment is the reason we have continued to be so successful over the past two and a half decades."
About Discovery Point Child Development Centers®
With almost 50 locations throughout the Southeast, Discovery Point Child Development Centers® provides safe, educational and nurturing environments for growing children. Discovery Point's educational focus is learning through play, where learning activities are child-centered and build on each child's natural curiosity. Discovery Point has a 25 year partnership with nationally recognized early childhood education program, Creative Curriculum System®, a research based curriculum that features exploration and discovery as a way of learning. Since opening its first location in an Atlanta suburb in 1988, Discovery Point has been a leader in childhood enrichment and care, expanding beyond its Georgia roots into Florida, North Carolina and Tennessee with plans under way to reach new markets nationwide. Discovery Point Child Development Centers® was recognized by Entrepreneur Magazine in its "Franchise 500" and ranked #22 on its "Red-Hot Franchise" list for 2013. More information about Discovery Point and Discovery Point franchise opportunities is available by visiting discoverypointfranchise.com or discoverypoint.com.
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Discovery Point is a registered trademark of Discovery Point. Privacy Policy
© Discovery Point | All rights reserved | All Discovery Point franchise locations are independently owned and operated | {
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ABINGDON, VA—Acting United States Attorney Anthony P. Giorno announced today that two federal inmates currently serving federal prison sentences have been sentenced to serve additional federal time after they conspired to possess with the intent to distribute heroin while housed at the United States Penitentiary Lee.
Rafaiel Ivey, 38, and Trent Antwine, 50, were sentenced in the United States District Court for the Western District of Virginia in Abingdon on February 20, 2015, for conspiracy to possess with intent to distribute heroin.
Ivey, who is currently serving a 188-month term of imprisonment for possession of a firearm by a convicted felon arising out of the United States District Court for the Northern District of Georgia, was sentenced to an additional 84 months of federal incarceration for his role in the conspiracy to have heroin introduced into the United States Penitentiary Lee for distribution within the prison.
Antwine, who is currently serving a 188-month term of imprisonment for drug conspiracy arising out of the United States District Court for the District of Alaska, was sentenced to an additional 48 months of federal incarceration for his role in the conspiracy.
According to evidence provided by Special Assistant United States Attorney Debbie Stevens, in October 2011, Ivey and Antwine arranged for a visitor to bring heroin into the visiting room of the United States Penitentiary Lee for further distribution within the prison.
The investigation was handled by the Federal Bureau of Investigation and the Special Investigative Unit of the Bureau of Prisons. Special Assistant United States Attorney Debbie Stevens prosecuted the case for the United States. | {
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Environmental organizations like Friends of the Earth have recognized the potential danger posed by synthetic biology. In its Synthetic Biology Vanillin fact sheet, FoE points out the distinct lack of oversight regarding the health impact of ingesting these engineered ingredients. The organization has launched a campaign called No Synbio Vanilla to tell ice cream makers Haagen Dazs, Dreyers, Baskin Robbins and others not to use synthetic biology vanilla.
Foods that have been genetically modified in the "traditional" method have beenlinked to sterility in hamsters. The dramatic rise in food allergies has also been speculated to be linked to GMO foods. What health impacts will emerge after eating foods with synthetic DNA that our environment and our bodies have never before encountered?
Currently, companies cannot patent naturally occuring DNA. Synthetic biology will allow syn-bio companies a loophole through patent laws. "One could theoretically upload a DNA sequence onto a computer, "print out" an exact copy of that DNA sequence, and patent the synthetic DNA sequence as an invention,"Gene Watch reports. | {
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Share this Story: U of S Huskies men's hockey opens new Canada West season Friday
U of S Huskies men's hockey opens new Canada West season Friday
"We've got a good core group of guys from last year and new guys to bring some new blood and challenge everybody."
Darren Zary • Saskatoon StarPhoenix
Defenceman Tanner Lishchynsky is the new captain of the University of Saskatchewan Huskies men's hockey team, which opens the 2019-20 Canada West season Friday at home against the Mount Royal University Cougars. Photo by Liam Richards /Saskatoon StarPhoenix
The University of Saskatchewan Huskies are once again seeking leadership from their defensive corps.
Tanner Lishchynsky will don the "C" as captain for the U of S men's hockey squad, which opens the Canada West conference season Friday and Saturday night (7 p.m.) at Merlis Belsher Place against the visiting Mount Royal University Cougars.
U of S Huskies men's hockey opens new Canada West season Friday Back to video
Lishchynsky takes over from the graduating Jesse Forsberg, also a defenceman. Prior to that, Kendall McFaull, yet another blueliner, was the team's captain.
Fellow D-man Colby Harmsworth remains as an alternate captain for the Dogs this season.
Both Lishchynsky and Harmsworth, a pair of Saskatoon products, wore letters in the Western Hockey League.
"They both bring huge attributes that the Huskies and Huskies Athletics are looking for," said U of S head coach Dave Adolph.
"They're A-plus students, they're in professional programs, they lead by example and, more than anything else, they're two of the hardest working guys in the league and that fits my qualities."
Lishchynsky, a 6-foot-1, 190-pound D-man, is entering his fourth season with the Hockey Dogs. The former Saskatoon Midget AAA Blazer spent four seasons in junior hockey split between the WHL and Saskatchewan Junior Hockey League. He finished up as captain of the WHL's Kootenay Ice after earlier stints with the Prince George Cougars, Yorkton Terriers and Flin Flon Bombers.
"I played for a couple of great (Huskie) captains in Kendall McFaull and Jesse Forsberg and there were plenty more before me, so it's a great honour having my name right beside all those guys in the past," Lishchynsky said.
"I take pride in leading by example. These guys have all been captains of their junior team at some point, so you don't really need to be telling them much. It's just making sure we're all on the same goal, working towards the end goal that we need.
"As long as you're showing them how to work, you can kind of play off each other."
Last season, the Huskies posted a program all-time best 25-3-0 record before finishing as runner-up in the Canada West conference and fourth nationally at the University Cup.
"We have high expectations again," Lishchynsky said. "We've got a good core group of guys from last year and new guys to bring some new blood and challenge everybody. We've got a tight-knit group and I'm happy to be a part of these guys and try and lead them again."
Adolph says this year's edition is similar to last season.
"We possess the same game," he said. "We play real fast. We can play gritty, too. That has to be our strength. We have Taran Kozun, that's a strength. And we don't have a lot of turnover."
Saskatchewan was picked No. 2 in the pre-season poll among Canada West coaches. "I think Mount Royal's probably might be the most improved team," noted Adolph. "U of A has 14 recruits, but Mount Royal has the same team as last year and they added four or five real quality players, so I think they're going to be sneaky good. "(But) I don't know if the rankings mean diddly."
Taran Kozun, a record-setting goalie who set the record for the longest shutout streak in Canada West history last season, is back for a third season. Kozun was the U Sports and Canada West goalie of the year last season.
Travis Child and rookie Declan Hobbs will back him up.
Returnees include Lishchynsky, Harmsworth, Sam Ruopp, Gordie Ballhorn, Evan Fiala, Shane Collins and Kendall Fransoo.
Cody Spagrud joins the Dogs from the SJHL's Battlefords North Stars. He was the SJHL's top defenceman last season. Jeff Faith, who can play either forward or defence, spent four seasons in the WHL with the Spokane Chiefs and Kamloops Blazers.
It's still a veteran group with the likes of Kohl Bauml, Logan McVeigh, Levi Cable, Andrew Johnson, Carson Stadnyk, Wyatt Johnson, Collin Shirley and Jordan Tkatch along with fellow returnees Carter Folk, Donovan Neuls, Layne Young and Dakota Boutin.
They're joined by rookies Jared Dmytriw, who was captain of the WHL finalist Vancouver Giants last season, and former Saskatoon Contact and Melfort Mustang forward Justin Ball, who was the SJHL's top scorer and MVP last season.
[email protected] | {
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Home News RIP! Veteran music composer Khayyam passes away
RIP! Veteran music composer Khayyam passes away
Veteran music composer Khayyam who was admitted in ICU from the past few days due to infection in lungs has passes away due to cardiac arrest on August 19. He was 92.
He breathed his last at 9:30 pm at the Intensive Care Unit (ICU) of Sujay Hospital in Mumbai's Juhu.
Mohammed Zahur 'Khayyam' Hashmi, better known as Khayyam, began his career in music from the city of Ludhiana at the tender age of 17.
Khayyam passes away
He has won three Filmfare Awards for Best Music in 1977 for Kabhi Kabhie and 1982 for Umrao Jaan, and a lifetime achievement award in 2010 . He was awarded the 2007 Sangeet Natak Akademi Award in Creative Music, by the Sangeet Natak Akademi, India's National Academy of Music, Dance and Theatre.
He has been awarded the third-highest civilian honor, Padma Bhushan by the Government of India for 2011.
Veteran music composer Khayyam admitted in ICU due to lung infection
Khayyam has always preferred to work with the poets having strong background of poetry sidelining the regular film lyricists. That is the reason one finds poetry playing an equal role in Khayyam's compositions as the music or the singer. Khayyam prefers to give full freedom to the poets to express their views thereby making the expression of the songs more poetic and more meaningful.
His notable works include films such as Trishul, Noorie and Shola Aur Shabnam. He is also a recipient of Sangeet Natak Akademi Award and Padma Bhushan.
May his soul rest in peace!
Previous articleवायरल हुई एक्ट्रेस इलियाना की ऐसी तस्वीरें, देखेंगे तो हिल जायेगा दिमाग
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Amitabh Bachchan reshoots for 'Sarkar 3', will soon share the reason... | {
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This home plan expresses all the charm, all the hominess, all the practicality that underlies Craftsman style architecture. Shingled gables and dormers counterbalance the horizontal lines of the home. Sturdy columns with stone footings flank the gabled entry.
Step into the two-story foyer, furnished with an elegant staircase and a storage closet. Double doors protect the privacy and quiet of the den. A connecting bath with a shower and linen closet allow the den to serve as a bedroom if you choose. The formal living and dining rooms occupy the right wing of the home. The living room is furnished with a fireplace. French doors in the dining room lead to the formal half of the deck.
Family living space stretches across the rear of the home. Generously sized, the open kitchen is engineered for efficiency. A self-ventilating cooktop is positioned in the island, handy to the sink, refrigerator, and walk-in pantry. The family room boasts a fireplace and built-ins. A laundry room with sink, cabinets, and countertop is situated beside the three-car garage. A bay at the back of the garage offers space for a workshop or to store a fourth vehicle.
Above the garage, a bonus room hosts two space-stretching dormers. A sumptuous master suite and three other bedrooms also are located on this upper level. Bedroom four has its own bath. Bedrooms two and three share a bath. The master suite is graced with a huge walk-in closet and a bath with a large shower and a whirlpool tub in a windowed alcove.
Related Plan: For an alternate exterior, see house plan 6890AM.
Total Heated Area: 3,308 sq. ft.
1st Floor: 1,719 sq. ft.
2nd Floor: 1,589 sq. ft.
Porch, Combined: 302 sq. ft. | {
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David S. Bem, Michelle E. Williams Join Brady Corporation Board of Directors
Dr. Bem is VP of science and technology and TO for PPG, and Dr. Williams is global group president for Altuglas International.
Brady Corporation Reports Fiscal 4Q 2018 Results, Announces its Fiscal 2019 EPS Guidance
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Brady Corporation announced that Dr. David S. Bem and Dr. Michelle E. Williams will join its Board of Directors, effective Feb. 18, 2019.
Dr. Bem is VP of science and technology and TO for PPG, a global manufacturer of paints, coatings and specialty materials. Prior to PPG, he spent eight years at Dow Chemical Company in a number of research and development roles, most recently as VP, R&D consumer solutions and infrastructure solutions, and also worked in research and development roles at Celanese Corporation and UOP/Honeywell International, Inc.
"I am impressed with Brady's robust product pipeline and the investments made by the Company in new product development and innovation. This has been the focus of my career and I look forward to helping guide this process," said Dr. Bem.
Dr. Williams is global group president for Altuglas International, a subsidiary of Arkema with approximately $1 billion in annual revenues. Dr. Williams leads this subsidiary, which is a global integrated leader in polymethyl methacrylate technology, which is most frequently used in acrylic glass. She joined Arkema in 2011, first as a global group president for the Oxygenes and Derivatives group before being named global group president of Altuglas in 2015. Prior to Arkema, she spent 23 years with Rohm and Haas Company and Dow Chemical in manufacturing, commercial, strategy and general management positions.
"Brady is a global leader in safety and identification solutions," said Williams. "I'm looking forward to working with Brady's leadership team and its Board of Directors as the company continues to focus on developing innovative solutions that solve their customers' problems."
"Drs. Bem's and Williams' expertise in the product development process and global operations will make them tremendous assets to the Brady Board of Directors," said Conrad Goodkind, chair of Brady's Board of Directors.
3M to Name CEO Mike Roman Chairman of the Board
Mark Majewski Named New intelliFLEX CEO
Sumitomo Chemical Appoints New Chairman, New President
SCHOTT AG Delivers Record Financial Results for Fiscal 2018
Bob Levine Joins SolarWindow as Director
ORNL's Simpson Elected Fellow of National Academy of Inventors
Sartomer Features New Developments in UV/EB Curing Technology at CHINACOAT 2018 | {
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We're loving Alexandra Burke's red pout – the darker shade is just right for winter and the high-shine finish means she looks ultra glam.
To recreate Alex's wow lips, try LOOK Beauty Loud Lips Lipstick in Cherry Bomb, £7. To keep the colour flawless all day, start by prepping your pout first with a touch of lip balm. Then cover your lips with LOOK Beauty's Lip Liner in Cherry Bomb, £4 and follow with two coats of your lipstick. | {
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Pretty round petal kanzashi made from floral cotton.
This kanzashi measures approximately 2.5 inches in diameter and 3 inches in length. Finished with a two petal shidare fall, filigree flower and pearl bead centre.
Please note that the kanzashi you receive may differ slightly from the kanzashi shown in the photo due to variations in the pattern of the fabric.
If you would like to see the exact kanzashi you will be purchasing, please contact us first and we will happily send you photos.
Click on the image above to find out more about the fabric used to make Kikuya Kanzashi.
You can also create your own bespoke custom order kanzashi using our fabric selection for inspiration. | {
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LexEngaged is a first-year residential program located on UK's north campus near the student center and downtown Lexington. Students engage in community outreach while building relationships between their living-learning community, the University and Lexington. LexEngaged focuses on building community beyond the boundaries of campus and making students a better neighbor with fellow Lexingtonians. | {
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CLASSICS: The Fountain (2006) ****
tags: Cliff Curtis, Clint Mansell, Darren Arronofsky, David J. Fowlie, Donna Murphy, Ellen Burstyn, Ethan Suplee, Hugh Jacksman, Rachel Weisz, REEL CLASSICS, Sean Patrick Thomas, The Fountain
(originally written on June 7, 2007)
written by: Darren Aronofsky & Ari Handel
produced by: Arnon Milchan, Ian Smith & Eric Watson
directed by: Darren Aronofsky
rated PG-13 (for some intense sequences of violent action, some sensuality and language)
U.S. release date: November 22, 2006
DVD/Bluray release date: May 15, 2007
I wanted to see this film last fall and never got around to it because I was still getting used to the birth of our child. The addition to a new life in my world only heightened the powerful themes of love and death the film has. I had been interested in this film since Brad Pitt and Cate Blanchett were attached back in 2002 and then when Pitt backed out, so did production. A cast was solidified in 2005 and production began once again. By the time the intriguing trailer came out about a year ago, anticipation was added to my interest. I knew I would be seeing something unique, something I could get lost in. Sure enough, Aronofsky's latest offers another angle on the whole "what if you could live forever", fountain of youth subject. It's a beautifully sad melodrama with a visual feast for the senses that completely absorbed me even though I didn't always know what was going on.
Granted, I usually like to know what it is I'm watching but sometimes a movie can be so captivating that nothing about it makes you stop and wonder what's happening. Right from the start, I was just fine being lost in this movie, regardless of whether I not I knew what to make of it. It may bother some to read this but: I was utterly absorbed in watching it, yet when it was over I had no idea what had happened. I've been confused by plenty of plotholes or convoluted stories in movies before but that wasn't the case here, I just didn't think about it. I was impressed enough with the visuals and the approach to the storytelling, nitpicking was the least of my concern. If a movie merits it, there's freedom in just letting go and letting the movie unfold before you.
I can describe the story as science fiction/fantasy that follows three interwoven narratives taking place in the age of conquistadors (circa Spanish Inquisition) , the present, and the far future.That would be true but it is also just a vague summary.
Thomas (Hugh Jackman) is a research oncologist trying to find a cure for his ill love, Isabel (Rachel Weisz), or Izzie, as he calls her. He is a man who believes that death is a disease and he has become obsessed in finding a cure. I believe the present-day is the same person, miraculously un-aged, as the Thomas of hundreds of years from now, but I could not prove it. He doesn't seem to be the same Thomas as the Inquisition Thomas, nor is it the same Isabel … but I'm not totally sold on that either.
Throughout each of the three time periods the two characters exist as does their love, as well as Thomas' obsession. The story explores the themes of love and mortality while drawing influences from Mayan mythology all and using transitional scenes of light and shapes.
The storyline from the past ties in with a book ill Izzie is writing entitled, "The Fountain", while Thomas is hard at work in his lab. His medical assistants Antonio (Sean Patrick Thomas), Manny (Ethan Suplee) and Betty (Donna Murphy) know that Thomas' frenzied research is quite personal for him as they attempt to reverse brain tumors in monkeys. His work is overseen by his and Izzie's friend, Dr. Lillian Guzetti (Ellen Burstyn) who tries to help him see that his obsession is consuming time he could be spending with Izzie.
In the past and in her story, Tomas the conquistador works for Queen Isabella of Spain and is searching for the mythical Tree of Life or the Fountain of Youth with his right hand man, Captain Ariel (Cliff Curtis). He is attacked by Mayans in one of their holy pyramids. In the future, he is bald and sitting by a tree that floats through space in a bubble. Tom meditates and practices tai chi, but he is haunted by visions of Izzie. He focuses on reaching a nebula above and tells the tree that it will be reborn.
These simultaneous stories cut from one to the other, and while I could probably describe them in a less nonsensical fashion than I have just done, that might defeat the purpose. The enjoyment of the movie is in being caught up in its single-minded devotion to its own vision, not in completely understanding what that vision is.
This is the first movie by Aronofsky that I've seen. I own his previous two films, "Pi" and "Requiem for a Dream" but haven't had a chance to see them yet. Both of those films have gained cult status, praise from critics, awards and several Top 10 lists. "The Fountain" is his first movie since 2000 and it's taken him that long to get this project together. The special effects make it blockbuster expensive, but it's certainly not the kind of movie that brings in blockbuster crowds. It features two actors playing multiple characters (or maybe the same character) in three different time periods, with each story overlapping the other two in strange ways. You can see why studios weren't too eager to fund it let alone understand how to market it.
Aronofsky is known for putting together bizarre, entrancing images, beautifully filmed by cinematographer Matthew Libatique and scored by composer Clint Mansell (both men are his regulars.) He usually shoots scenes either head-on or exactly in profile, with few three-quarter shots or other jaunty angles. The head-on shots, in particular, give the film an otherworldly feel simply because direct shots is something you often don't see. Even if you knew nothing else about the film, you'd know it was unusual for that reason alone.
Considering all that, this film will probably not be appreciated as it should. It may come across as pretentious or artsy but I see it as beautiful in both its story and visuals. Once in a while, a film will come around and have that effect on a viewer, if allowed.
The material and dialogue are somewhat melodramatic and the scenes with Thomas and Izzie often may not feel like the way people naturally talk. It takes actors who are both absorbing and absorbing actors to make that acceptable and captivating. Jackman and Weinz deliver some great work here and any reservations I may have had disappeared as I connected to feelings of obsession, acceptance and loss.
Although I like Brad Pitt''s acting, I can't see him being as convincing as Jackman is here. I enjoyed the variety in the supporting cast as well. Cliff Curtis is a favorite of mine, and of course, Ellen Burstyn is always amazing. Of course, seeing Ethan Suplee was sort of jarring due to his popularity in "My Name is Earl", but I knew him from the excellent "American History X" anyway.
The story is more than just a rumination on life and death, but also on the vital role both play on the other. The film has an intricate plot, and even if I understood all the details, it would be completely beside the point. The point is how the viewing experience makes you feel and think. A friend of mine recently saw this around the same time I did and he stated that he felt the movie was sad , but he loved it. Sounds like he got it. I see it as a movie that is designed to envelop you in its emotions rather than tell you a story. It's certainly worth repeated viewings and is the kind of quiet movie that will most likely be appreciated more over time, I'll consider it a masterpiece.
CLASSICS is a Keeping It Reel feature that sheds light on past and present films which are considering "classics" by Paul and David. Some are award-winners while others could be seldom seen films that demand your attention.
← This Week on DVD & Bluray (10-19-10)
Trailer Tuesday (10-19-10) →
WH Winegarden permalink
Like you I had no idea what this film was about on my first viewing. Perhaps it was because it was not only visually stunning but also emotionally stunning… I left the theatre feeling quite numb.
Since my first viewing of this film I have seen this film on two more occasions and have started to piece together what I think the director is trying to tell us; true love lasts forever.
It is a truly stunning and emotional film, but one that I highly recommend being watched in a darkened room with no distractions!
Black Swan (2010) **** « Keeping It Reel
CLASSICS: Once (2007) « Keeping It Reel
CLASSICS: I'm Not There (2007) « Keeping It Reel
CLASSICS: The Dark Knight (2008) « Keeping It Reel
CLASSICS: The Orphanage (2007) « Keeping It Reel
CLASSICS: Rachel Getting Married (2008) **** « Keeping It Reel
The Bourne Legacy (2012) « Keeping It Reel
CLASSIC: 28 Days Later (2003) | Keeping It Reel | {
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nokia lumia 928 spare parts replacement original accessories store. get latest price of lcd screen with touchpad module, display combo with digitizer gorilla glass folder housing battery door panel with side key button, fingerprint sensor, charging port flex cable, loudspeaker buzzer ringer, earpiece speakers, brand new motherboard, bga ic chip level tool kits and other replacement parts n components. replacement batteries, travel usb chargers available in best price don't hesitate to register as an cellspare member and qualify for even greater savings.
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An absolutely incredible piece. The drawers feature three dimensional faceted walnut blocks of varying thicknesses that undulate and almost seem to dance across the drawer fronts. The drawers and case are all walnut construction with beautiful grain and color throughout. The pair of sculptural bases are a dark oak. This piece is in original condition, it shows very minor wear consistent with age. This piece was produced in Canada in the mid 1970's, though by who is unfortunately unknown. | {
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The BMW film series The Hire is a series of eight short films (averaging about ten minutes each) produced for the Internet in 2001 and 2002. A form of branded content. The Ventures: Основная информация; Жанр: инструментальный рок, сёрф-рок. Годы: 1958 — настоящее время. Instantly find where to watch your favorite movies and TV shows. With WhereToWatch.com, you can discover when your favorite movie or TV show is playing Файл: Удивительные странствия Геракла - Hercules The Legendary Journeys S04-S06 (1997-1999) DVDRip.torrent Формат. Torrentz will always love you. Farewell. © 2003-2016 Torrentz.
Com Vin Diesel, Paul Walker and Dwayne Johnson lead the returning cast of all-stars as the global blockbuster franchise built. Last updated on 05/07/2017. # Total 21665 0-9 0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z!T.O.O.H.! 2002 CD Pod Vladou Bice!T.O.O.H. | {
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1. You can do anything I ask.
I have asked you to perform miracles, and have made it clear that miracles are natural, corrective, healing and universal.
There is nothing they cannot do, but they cannot be performed in the spirit of doubt or fear.
When you are afraid of anything, you are acknowledging its power to hurt you.
If you are afraid you will inevitably value wrongly, and by endowing all thoughts with equal power will inevitably destroy peace.
That is why the Bible speaks of "the peace of God which passeth understanding. "
This peace is totally incapable of being shaken by errors of any kind.
It denies the ability of anything not of God to affect you.
This is the proper use of denial.
It is not used to hide anything, but to correct error.
It brings all error into the light, and since error and darkness are the same, it corrects error automatically.
2. True denial is a powerful protective device.
This kind of denial is not a concealment but a correction.
Your right mind depends on it.
Denial of error is a strong defense of truth, but denial of truth results in miscreation, the projections of the ego.
In the service of the right mind the denial of error frees the mind, and re-establishes the freedom of the will.
When the will is really free it cannot miscreate, because it recognizes only truth.
3. You can defend truth as well as error.
The means are easier to understand after the value of the goal is firmly established.
It is a question of what it is for.
Everyone defends his treasure, and will do so automatically.
The real questions are, what do you treasure, and how much do you treasure it?
Once you have learned to consider these questions and to bring them into all your actions, you will have little difficulty in clarifying the means.
The means are available whenever you ask.
You can, however, save time if you do not protract this step unduly.
The correct focus will shorten it immeasurably.
4. The Atonement is the only defense that cannot be used destructively because it is not a device you made.
The Atonement principle was in effect long before the Atonement began.
The principle was love and the Atonement was an act of love.
Acts were not necessary before the separation, because belief in space and time did not exist.
It was only after the separation that the Atonement and the conditions necessary for its fulfillment were planned.
Then a defense so splendid was needed that it could not be misused, although it could be refused.
Refusal could not, however, turn it into a weapon of attack, which is the inherent characteristic of other defenses.
The Atonement thus becomes the only defense that is not a two-edged sword.
5. The Atonement was built into the space-time belief to set a limit on the need for the belief itself, and ultimately to make learning complete.
The Atonement is the final lesson.
Learning itself, like the classrooms in which it occurs, is temporary.
The eternally creative have nothing to learn.
You can learn to improve your perceptions, and can become a better and better learner.
but the Sonship itself is a perfect creation and perfection is not a matter of degree.
Only while there is a belief in differences is learning meaningful.
6. Evolution is a process in which you seem to proceed from one degree to the next.
You correct your previous missteps by stepping forward.
This process is actually incomprehensible in temporal terms, because you return as you go forward.
The Atonement is the device by which you can free yourself from the past as you go ahead.
It undoes your past errors, thus making it unnecessary for you to keep retracing your steps without advancing to your return.
In this sense the Atonement saves time, but like the miracle it serves, does not abolish it.
As long as there is need for Atonement, there is need for time.
But the Atonement as a completed plan has a unique relationship to time.
Until the Atonement is complete, its various phases will proceed in time, but the whole Atonement stands at time's end.
At that point the bridge of return has been built.
7. The Atonement is a total commitment.
You may still think this is associated with loss, a mistake all the separated Sons of God make in one way or another.
It is hard to believe a defense that cannot attack is the best defense.
This is what is meant by "the meek shall inherit the earth. "
They will literally take it over because of their strength.
A two-way defense is inherently weak precisely because it has two edges, and can be turned against you very unexpectedly.
This possibility cannot be controlled except by miracles.
The miracle turns the defense of Atonement to your real protection, and as you become more and more secure you assume your natural talent of protecting others, knowing yourself as both a brother and a Son. | {
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Shirley Jackson Award Nominees Announced!
The nominees for this year's Shirley Jackson Awards has been announced and it's so wonderful see Australian author Deborah Biancotti make the list for her novella, "And the Dead Shall Outnumber the Living", published in Ishar by Gilgamesh Press. Ishtar is a superb anthology featuring not only Deb's piece but also two other interwoven novellas by Kaaron … Continue reading Shirley Jackson Award Nominees Announced! | {
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IAWRT-Philippines ensured the 2017 conference, held in Quezon City, the largest city in Metro Manila. was a lively and informative dialogue with an opening day which featured several generations of Philippine journalists who had covered stories from the human rights abuses under the dictatorship of Ferdinand Marcos in the mid 1980's to the killings under the current "war on drugs" initiated by President, Rodrigo Duterte. Brief report here. It also featured the Gala Awards night after an unprecedented number of entries. | {
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In recent years, Shabby Chic interior design has risen to massive levels of popularity. Don't think that Shabby Chic is a new fad either, it's now been around for almost twenty years, and in that time has transformed the interiors of thousands of homes all over the world. Shabby Chic relies on furniture and interior design, appearing what we like to call 'pleasingly old' and manages to combine both classic styles, with a contemporary and cool look.
Although we do not profess to being a specialist shabby chic furniture company, we do stock and supply a fantastic array of furniture which blends seamlessly with shabby chic interiors. This collection of furniture encompasses everything from sideboards and tables, to dining tables and bedside tables. As well as being a popular choice with many domestic customers, we also speak to many customers from the retail, restaurants and bar trends - looking for unique, chic furniture to fit in with their premises.
Above, you can find our full range of shabby chic furniture, and as always - please do just get in touch if you have any questions at all about the range. | {
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As far as on our sides personal data (for example name, address or E-Mail addresses) are raised, this takes place as far as possible always on freiwilliger basis. The use of the offers and services is largely possible without providing personal information. The use of contact data published in the context of the imprint obligation by third parties for sending unsolicited advertising and information materials is hereby expressly excluded. The operators of the pages expressly reserve the right to take legal action in the event of the unsolicited sending of advertising information, such as spam e-mails. | {
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Melinda nigripalpis este o specie de muște din genul Melinda, familia Calliphoridae, descrisă de Hiromu Kurahashi și Tumrasvin în anul 1979.
Este endemică în Thailand. Conform Catalogue of Life specia Melinda nigripalpis nu are subspecii cunoscute.
Referințe
Melinda | {
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Category: PlayStation 4
PS4/Steam Review: Senran Kagura Burst Re:Newal
Go back to where it all started and experience the first adventure of the buxom Ninjas of Senran Kagura
2018 was a big year the Senran Kagura franchise. The series saw the PC release of Senran Kagura: Peach Beach Splash, an all-new anime subtitled Shinovi Masters and a remake of the very first game, Senran Kagura Burst Renewal. Of course, its popularity in the West allowed for plans of a English version that was to be simultaneously released for PS4 and PC . Due to policy changes at Sony, however, certain content has to be removed for the west and the game was delayed for a few months. But, in January 2019, it was released with the PS4 having some bits cut and the PC having the compete version. We will review both the PS4 and the PC version through Steam.
Asuka's back…side
Like Shinovi Versus and Estival Versus, Senran Kagura Burst Re:Newal is a third person hack-and-slash game developed by Honey Parade Games and Tamsoft and published by XSEED Games. It is a remake of the first game in the series. Senran Kagura Burst which was released for the Nintendo 3DS as a 2.5D side scroller. The game is updated to the Estival Versus engine and contains some material not found in the first game , mostly through DLC.
The Hanzo girls are all here
The story follows the girls from Hanzo Academy and their first encounter Homura and her fellow Hejibo teammates. when Hejibo launches a plan to steal the Super Secret Ninja Art Scroll from Hanzo academy, it us up to Asuka and her friends to recover it. They have their hands full, however with Homura and her team and have to push their limit to over come them.
Gameplay will be familiar to fans for Estival Versus
The Crimson Squad story introduces us to characters such and the emotionless Hikage.
The gameplay is pretty much the same as Estival Versus and Shinovi Versus before it. You can play either the Hanzo girls' story or the Crimson Squad one. The battlefield is open, with the environment determining how much room you have. You have light and strong attacks and can run and block. Using you ninja art scroll, you can change into your battle costume, regaining any lost health. In this form, you can use special attacks that can clear out enemies and deliver a large amount of damage. These attacks get more powerful as you level up. You can also go into frantic mode at the start of the level, in which your character defense goes down for more powerful attacks and access to your special attacks right away. You are also in your underwear.
Start in Frantic mode, and you will become more powerful, at the expense of your defence and dignity.
The only thing different from the last entries is the inclusion of a burst meter. By building the meter up and pressing L2 (LT on Xbox controller on PC) your attack power increases and, either by pressing L2.LT again of letting the meter go down, you can do a powerful Burst Attack. It is very effecting against larger groups and can strip you enemy if you defeat one of the girls one on one.
Burst Mode is a new mechanic that supercharges your attacks and ends in a burst of power.
Yes, the destructible outfit are back, a mainstay of the SK series in all forms. It works the same as in the Versus series, which you able to strip them down to their underwear, and even those can be removed, with lights covering up their naughty bits. It is to be noted that the original 3DS version, which having the stripping mechanics, did not have the underwear removable too. Also, which the clothing damage is shown in cut scenes, the underwear is restored if you got your opponent naked.
The lights are back to keeps things M rated
The underwear is restored in the cut scenes, though.
The levels are all mostly recycled from the Versus series. Hanzo academy, Hejibo rooftop, the hot springs and other are all the same as the last games. There are a few newer areas but there is a lot of reuse. Again, since the schools are the same having the same areas makes sense, story wise.
You can customize the costumes
Take pictures in diorama mode
The ability to customize the girls is back. The main hub for each of the schools (each being their common room) allows you to look at unlocked scenes and pictures, switch schools adjust setting, replay levels and customize the girls in the dressing room. Outfits are unlock by purchasing at the sop with in game currency with more available as paid DLC. Note that any DLC you have for Estival Versus works with Burst Re:Newal, at least for the PS4 version. You can also go into diorama mode and take screen shots of the girls in various costumes.
Intimacy (and those wandering hands) are only available in the PC version.
Go for a kiss!
Now, the part that was cut from the PS4 version in the West was the Intimacy more. Remember in Estival Versus and PBS how you could poke slap and grope the girls until they liked you and go for a kiss? Or furiously mas buttons/shake the controller until they clothes tear off? Not in the PS4 version. It is intact in the PC version on Steam, though. I doesn't really change the game, though, with the typical Senran Kagura combination of compelling story with moments of lewdness and fan service is still present in the game.
The Yumi DLC lets you play as my favorite ice queen. Yozakura appears as well.
In addition to the main story, there is DLC available for both Yumi (my personal favourite) from Gessen and Miyabi from New Hejibo. their stories are spread over ten levels and tell events that happened before they first appeared in Shinovi Versus A few character not yet playable in the game show up in these levels, like Yozakura, Imu, Ryobi, Ryona and Ryoki). Both Yumi and Miyabi have a hub like the Hanzo and the Crimson girls, with the other girls in their faction making an appearance in them. There is a little confusion with the Yumi story, with them saying Kurokage is dead when he was alive, but sick and dying, in Shinovi Versus.
Miyabi also have her own arc via paid DLC.
Other DLC down the line will allow you to replay levels as the Gessen or New Hejibo factions, with Naraku, Kagura, and Ryoki arriving soon after. There will be additional clothing sets as well. There doesn't see to be any guest characters this time.
Some, if not all DLC form Estival Versus works with Re:Newal
Overall, it is a new Senran Kagura game and I like them. I have the original version of Burst on my 3DS and I've always like the 3d game play from the PS Vita/PS4 games better. The story is good and it has it's moments in which you go WTF, but that is what makes thius series what it is. sure the scenery is familiar, but with a remake, familiarity, is good as long as it updates the game and adds something new.
Gratuitous Yumi pic!
Kat…Kat never changes…
Senran Kagura: Burst Re:Newal is out now for PS4 and PC. The "At the Seams" edition is available physically and digitally and includes extra costumes, diorama poses and the Yumi DLC pack (also available separately). The Miyabi DLC is available for download through the PlayStation Store or the Steam store.
This Review is for entertainment purposes only. I have not received anything from Honey Parade Games, XSEED Games, Sony, Valve, or any other corporation or entity for this review. This game and any additional content was bought by me using my own funds. All opinions are mine and any screenshot used were taken by me and are for Review purposes only.
Author xcalibar25Posted on February 9, 2019 Categories Anime, Games, PC, PlayStation 4, Reviews, Things That Make Me DrinkTags fan service, Jiggly breasts, Review, Senran Kagura, videogames, WTF JapanLeave a comment on PS4/Steam Review: Senran Kagura Burst Re:Newal
PS4 Review: Senran Kagura: Peach Beach Splash
Senran Kagura: Peach Beach Splash is a third person action shooter developed by Tamsoft (through Honey Parade Games) and published by Marvelous and XSEED Games. It is a PS4 exclusive and the second Senran Kagura game on that system. It follows the events in last years Senran Kagura: Estival Versus but is more of a spin-off than part of the Versus series. It is rated M for Mature.
The not-so-mysterious Miss R and Mister K
Peach Beach Splash finds the girls of the Senran Kagura series transported to a mysterious island. There, they are greeted by two familiar-looking hosts, Ms R and Mister K (Hebijo/Crimson Squad master Rin and Hanzo instructor Kiriya in disguise). They tell the girls they are to participate in an ancient Shinobi tradition: a water gun tournament called Peach Beach Splash, or PBS. The winners will receive whatever they wish for. All four groups agree to participate to find out the real purpose of PBS, and why Rin and Kiriya are wearing those ridiculous outfits.
Ninja girls having water fights in bathing suits? Why not?
The roster for the game is robust. It includes all the girls from the four schools (Hanzo, Gessen, Hebijo, and Homura's Crimson Squad. Ayame, the shop girl playable as DLC in the last game, also joins the Hanzo Squad. Rin can be unlocked as well as Daidoji, along with the Mikagura sisters, Ryoki, and Jasmine from Estival Versus. Former DLC characters Naraku and Kagura are also unlockable in the main game. Also include right off the bat are characters from the Japan-only mobile phone game, Senran Kagura :New Wave: Souji, Leo and Yuyaki.
Yuyaki from New Wave G Burst.
Enemies come in various forms.
The gameplay is pretty straight forward. You control a character a group of up to six girls and battle groups of grunts, robots and other teams using water guns. The water guns come in a variety of styles, such as pistols, shotguns, assault rifles, gatling guns,water bazookas, water grenade launchers and shower heads. Each weapon has its strength and drawbacks, like range, strength, clip size and reload times.
You equip these cards for special attacks or bonuses. Some of the artwork is…intersting.
Unlike the Versus series and the 3DS Senran Kagura games, there is no shinobi transformation or magic. Instead, you get special abilities from cards you collect by winning battles. You equip the cards in your character and activate them in battle using the D-Pad These cards can affect your character's stats, such as health, accuracy and clip size. They can also activate a special attack, like flames, lightning or poison that will affect you enemy. Other cards that can be earned are weapons. Each Faction has their own effect cards with their girls on them. Sometimes you will get higher ranking cards, depending on how well you did, the level you played or the difficulty. You only need one type of each card however and you will get a lot of doubles.
The doubles have a purpose, however. You can trade them in for points to level up you cards, weapons of you characters. Each card gives you a certain amount of experience points, depending on the rarity of the card (From Common to Ultra Rare). You can use the points to upgrade your favourite girl to give her an edge in battle.
Humiliate and disrobe opponents in Splash Mode
As you beat the other girls in the game, you get an opportunity to initiate the Splash Mode. Using a rubber duck squirt gun you target the fallen girl's head chest or butt to humiliate them. Score enough before the time runs out and her top or bottom will pop off. Of course, lights protect their modesty. Note that, no matter the outfit the character was wearing, they revert to the default white bikini for this mode.
The strategic lighst keeps things rated M
The single player mode have three options. You have the main story, Single Splash, which follows the PBS storyline: Paradise Episodes, which you unlock through playing the main game, featuring one or multiple characters in a five level arc; and the V-Road Challenge, which you battle different teams to win the tournament. There is multiplayer, which has Co-Op survival, , Ranked matches for the online ranking system and free matches in which the host can set the rules.
Each group has their own story.
Like the other Senran Kagura games, you have a shop and a dressing rooms to explore. The Shop have various hairstyles, outfits and card packs, amongst other things, for you to buy. New items are unlocked by playing through the various modes of the game. The Dressing room is where you can customize the girls' outfits. All the default costumes are white, two piece swim suits but you can change it to their individual swimsuits from Estival Versus. You can also dress them in their school uniforms and shinobi outfits along with outfits that you buy. These outfits get shredded as you take damage in the game, like in the regular games. There are also outfits that become transparent as you get them wet. The default one is a t-shirt over a bikini and other one can be bought at the store. There are also accessories as in the other games to be used or bought. No balloons, though that may be DLC.
Have fun in Diorama mode!
Of course, the popular Diorama mode comes back, with various settings and poses available to create your perfect scene. Outfits can be set to be ripped or wet, depending on the outfit. You can also adjust the characters head position and even their size. The pervy mode is back too, now in a separate section called Intimate Mode. You can look at, rotate and zoom in on your chosen girl. You can also grab them, poke them and do really…unacceptable-in-polite-society things to them, which, for some reason, increases their Like meter and enables you to go in for a kiss. You can also get a good look at the wet cloth physics by spraying the girls with water to get wet drenched. You can even change the colour of the water by buying different duck guns in the store. I didn't see a yellow colour, thank God…
Those wandering hands are back. Again THIS IS NOT HOW TO GO ABOUT MAKING GIRLS LIKE YOU IN REAL LIFE!!!!
Get her wet…with water! Get you mind out of the gutter!
Some outfits become transparent when wet.
There is actually a story in all of this, but it is not as deep as Estival Versus. During the story for each faction, the girls deal with a conflict with in the group such as Ikaruga realizing graduation will mean leaving her friends and Murasaki getting jealous when her sister, Imu, pays more attention to Miyabi. The story is fine, but not deep enough to balance out Katsuragi's groping obsession and Ryona and Ryobi's…interesting family dynamic. But, it is what you would expect from a Senran Kagura game.
The last Hejibo mission has you fight a giant Ryona, echoing the battle in the Estical Versus OVA.
The thing you expect is fan service and PBS has that in spades. In fact, the game is built around the wet cloths physics that was created for Estival Versus. The outfits combined with either the ripping or the see-thru when wet mechanics is definitely front and center. I will state that I like this series because it is a little naughty. My complaint that I have with the other Senran Kagura games still stands with this one: some of the girls look too young. Mirai is the one I most have a problem with, though her default bathing suit is modest. But, with the Splash mode, she is on a two piece like the other girls. At least the girls are not hacking each other and fighting with swords, knifes and guns. Well, they do use water guns , but at leat they aren't trying to kill each other.
Packs like these will contain a least on rare card
There is a lot of DLC coming out for this game. This comes in the form of new outfits, weapons, accessories and cards. In fact, the FIrst Week DLC bundle cost over $73 Canadian. The DLC most are interested in though, are the guest characters. In Japan, they got Ayane, Honoka and Marie Rose from Dead or Alive Xtreme 3, Ikki Tousen, with Sonsaku, Kan'u, Ryofu and, my favourite, Ryomu, and Super Sonico, the busty, pink-haired girl from the anime, Super Sonico and the game Communication With Sonico. No North American Release datehas been confirmed, but if the Ikki Tousen girls come over, they will probably have their Chinese names. Super Sonico may have an issue depending on the publishing rights Nitro+ has with JAST USA.
Ayame joins the main cast for Hanzo.
Overall, this is a fun game. It is nice to see a new game in the series come out so soon after the last one and even better that the localization was fast enough to have a worldwide release within six month of the Japanese release. With a remake of Senran Kagura Burst coming for the PS4 in 2018, Peach Beach Splash will tide us over until the eventual English release. It is good to see the series thriving after six years. It might be a few more years until the next chapter in theses girls' story, but it will be interesting to see what direction they will take.
Soapy!
Naraku is one of my favourites
Oh, Kat. Never change…
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Author xcalibar25Posted on September 30, 2017 September 30, 2017 Categories Anime, Games, PlayStation 4, Reviews, Things That Make Me DrinkTags fan service, fanservice, Games, Japan, PlayStation, Review, Reviews, Sexy, videogames, WTF JapanLeave a comment on PS4 Review: Senran Kagura: Peach Beach Splash
PS Vita/PS4 Review: Fate/Extella: The Umbral Star
Fate/Extella: The Umbral Star is a third person hack-and-slash action game developed by Marvelous and published in North America by XSeed Games. It is a spin-off of the popular Fate multimedia franchise by Type Moon that started with the Visual Novel Fate/stay night(originally an eroge that was toned down for a general audience) that spun off into anime, manga and video games. Fate/Extella is an indirect sequel to the spin-off game Fate/Codes (still available on PSN as of this writing.) and Fate/Codes CCC (Japan only). This game is available for the PS Vita and the PS4 with cross save and cross download features. It is playable on the PlayStation TV micro console.
Start Screen on PS4
The Fate franchises has an underlying theme to all of its versions: The is a mystical artifact called the Holy Grail (what it is can vary) and a war is fought over it. The Grail chooses several people to become Masters. Masters usually have some sort of magical aptitude, but their level can vary from person to person. All of them, however. are able to summon a Servant. A servant is a Heroic Spirit that become a legend in the past, present or even future. They come from history, legends, myths or even from times not yet past. These Heroic Spirits are not necessary good, but they have all made their mark on history in some way. But the ultimate goal is to defeat all of the others and win the Holy Grail, which will grant them what they desire most.
Servants are broken down into several classes. There are Sabers (sword wielders), Casters (magic users), Riders (fast moving, sometimes with a mount), Archers (projectiles, not necessarily arrows), Berserkers (great strength and endurance), Lancers (lances and pole arms), and Rulers (able to command other Servants)
Fate/EXTELLA varies a bit from the core Fate storyline. For one, it takes place not in our world, but in a virtual reality. The Holy Grail is the Moon Cell Automaton, an ancient computer build by non-human hands and hidden on the Moon. It generates a virtual world called SE.RA.PH. Masters, called wizards, project their consciousness into this world and they bond with their Servants, who the Moon Cell Automaton pulls from the Earth's history.
Nero Cladius is one of the Heroic Spirits in Fate/EXTELLA
Medusa is another servant that exists in SE.RA.PH
The second difference is that the Holy Grail War is already won. Set after the events of Fate/Codes, EXTELLA sees the player takes the role of the Master who had won the Grail War and now rules over the virtual world of SE.RA.PH alongside the Servant, Nero Claudius. A Saber class servant, Nero is very loyal to the protagonist. She (yes, she) gathered four other Servants (now existing independently in SE.RA.PH.) to help rule the new lands. She has a ring, the Regalia that symbolizes her dominion over SE.RA.PH. But things are not as simple as it seems. Another servant appears with her own Regalia. A Caster, Tamamo no Mae has claimed that she won the Holy Grail War along side her master, who appears to be the player character as well.
Both Nero and Tamamo (the fox girl) claim to have won the Holy Grail War.
A servant sent as a System Administrator, Archimedes explains that the player character was attacked in the real world by servants of Velber, the Umbral Star, a sentient planet that destroys every civilization it encounters. It has returned to Earth after 14 000 years to lay waste to the planet and its Moon. It split the player's avatar into three parts, Body, Mind and Spirit. Nero has Mind, Tamamo has spirit, and the body is in the hands of Velber's servant, Altera. The player has to help the servants reunite the three parts and hopefully stop the Umbral Star from destroying the virtual and the real world.
Archimedes (standing in front) seems to have all the answers…
The main story is split into three parts, one for Nero, Tamamo, and Altera. Each part has you fight in battles as you try to win by taking over sections of the battlefield and defeating the enemies within. Each time to takeover a sector, you gain keys called Regime Matrices. Collect 15 keys and you take over the area. Lose 15 and the enemy takes over instead and you lose. One you have 15, the Boss servant appears and you have to beat them to complete the level. this is similar to the gameplay of Koei Tecmo games such as Dynasty Warriors.
Tamamo has her own copy ofr the winning Master.
You create the Master of the game, but the customization is limited. You can create the name and choose their sex, but that is all you can customize. Other than you name and what sex you choose, the game plays the same with your servant expressing their admiration and love for you no matter your sex. You are skill referred to as King or Master or Husband, depending on the character, though sometimes the female player character is referred to as Lady.
Male or female, Tamamo is a loving wife to her Master
Each of the servant characters have the standard light and heavy attacks (Square and Triangle, respectively) that can be chained for combos. As the character levels up you gain the ability to do longer combos as they are unlocked. The Circle button activates the Extella Maneuver; as the little blue bars beneath your health fill up, you are able to launch an attack that hits all the opponents around you. The more bars you have build up, the longer you can string the attacks.. Finally, X is jump.
End result of a Extella Maneuver
There are also two special attacks. First is the Moon Crux (L2 on PS4, L and X on the Vita)for the three main heroines in with they temporarily transform into a more powerful version of themselves and gains special effects like flames or ice with their attacks. The other servants don't transform, but become more powerful until the bar above their health empties. The other special attack is the characters' Noble Phantom. Throughout each level, there are Red crystals with a circuit part that fills a graphic next to the character's health. Once you get three of them and complete the circuit, you can press R2 (or the circuit symbol with the Vita's touch screen) to activate the attack. Each characters attack is different and they tie into that character's legend or backstory.
Nero transformed during the Moon Crux
Nero begins her Noble Phantasm
Besides the main story, you have two other modes. The side quest allows you to play as any of the other servants you have unlocked in story mode. There is also a Free Mode, in which you can replay any of the missions you have beat with any character that you have unlocked. Missions may even have side missions give by other servants that will increase you affinity with them. There is also a gallery, which you can watch any of the cut scenes you unlocked, look at character models or read up on terms in the Fate Extella setting.
Each servant besides the main three have a side story.
There are alternate costumes available as paid DLC for the game, with more coming in the weeks to come. You can change the costume between missions and the character's looks will reflect the costume in most cut scenes. Even the character art in the dialogue will reflect the costume you are wearing, which is a nice touch.
First Week DLC features swimsuits for the girls and two of the guys.
Even the art reflects the costume (Shackled Bride outfit shown)
This is a pretty fun game. Fans of Dynasty/Samurai/Hyrule Warriors will enjoy the same hack and slash gameplay in this title. The three storylines and the ability to replay levels adds some value to the game. The characters are all interesting, once you get over some of the interesting changes to some historical figures. Nero being a woman is not that surprising; in the original Fate anime, the Sabrer in that series, Artoria (who is a hidden character in this game), was the legendary King Arthur. Iskandar, the King of Conquerors, is large and imposing, but historically, Alexander the Great (who is based on) wasn't that tall though his exploites were larger than like. The most interesting interpretation was Elizabeth Bathory. A Hungarian countess distantly related to the (historical) Vlad Dracula , she was accused of murdering young girls to bath in their blood to remain young. In the Fate world, she returns looking like a teenage girl with dragon wings and tails and a desire to become a pop idol.
Saber from Fate/stay night (Artoria Pendragon) is a hidden character in Fate/EXTELLA
Elizabeth Bathory bathed in blood to stay young. Bet she didn't want to look this young!
Both the PS 4 and the PS Vita versions play the same. Of course, the Vita version cannot show as may enemies on screen as the PS 4. In fact I find the Vita version a bit easier because of that. Both versions have an option to upload your same so you can transfer it to the other system. Gameplay on the PlayStation TV version lets you use the controller like in the PS4 version. All of the DLC the is or will be available for this game will get you both the Vita and PS4 version
The PS4 version can have more enemies on screen
Artoria in her swinsuit
Fate/EXTELLA: the Umbral Star is available now both in a physical release or digitally on the PSN. The Digital version will give you a theme for the system you bought it for and either the Shackle Bride outfit for Nero (PS4) or the Cold Blooded Warden outfit for Gilgamesh (PS Vita). Both the physical version comes in the Noble Phantasm edition, which I will review separately.
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Author xcalibar25Posted on January 20, 2017 January 20, 2017 Categories Anime, Games, PlayStation 4, PlayStation TV, PS VIta, ReviewsTags Games, PS Vita, PS4, WTF JapanLeave a comment on PS Vita/PS4 Review: Fate/Extella: The Umbral Star
PS Vita/PS4 Review: Gal*Gun: Double Peace
Gal*Gun: Double Peace is a Japanese first-person on-rails shooter developed by Inti Creates and published in the West by PQube. It is a sequel to the original Gal*Gun game published in 2011. The game is available for both the PS Vita and the PS4 video game systems This review is for both versions.
Note: This Review is not a paid review and only is my opinion. All screenshots were taken with either the PS Vita or PS4.
Ekoro, the angel with great aim but poor trigger control.
Gal*Gun: Double Peace puts you in the role of Houdai Kudoki, an ordinary, rather unremarkable student at the Academy (which I'm sure is some college or something…). When Ekoro, a student angel assigned to bring love to one of the students, accidentally hits Houdai with 32 love arrows, he finds himself the target of affection of all the girls. Ekoro explains that, because of her mistake, he has until the end of the day to find his one true love or be alone forever.
The demon-hunting sisters , Shinobu (l) and Maya (r)
Houdai's best chance for love resides in two sister he had known since childhood, Shinobu and Maya. But they are both demon hunters, unaffected by the effects of the love arrows and are both emotionally aloof when around Houdai. They are also busy trying to hunt down a novice demon, Kurona, who is causing more mischief. Houdai has until dusk to get through to one of the sisters to show their true feelings and find true love. He only have to avoid love-mad students and teachers, and any other trouble Kurona unleashes.
Girls are rushing to express their love, sometimes violently.
Let them get too close, they will hit you, kiss you, or express their love which drains your strength (Ribbon DLC costume shown)
In order to fend off the love-sick mobs of girls, you have to shoot the girls with pheromone shots from your… well, I don't know where they come from. Do you use a finger gun? Shoot them with a sexy look (Blue Steel!) or do you point at them with an…appendage or some sort? Well, anyways, you shoot them with your love gun (heh) until they collapse in euphoria. That's what the game tells you but it just another way of saying that it's an orgasm gun.
In Doki Doki Mode, shoot the girls in certain areas to raise their euphoria until they can't take it anymore.
Get their euphoria high enough and they will give you the "double peace" like this teacher.
One you have satiated enough ladies with your pheromone shots, you build up enough energy to go into Doki Doki Mode. This stuns all the girls on-screen and you can select up to three girls for a mini-game in which you can shoot pheromones at specific parts of their body until the org-… achieve euphoric bliss. If you do this in time to at least one girl, when the time ends, her euphoria will explode knocking out all of the girls on-screen.
Some girls are under demonic influence. Zoom in and shoot the mini-demon first
Additionally some of the girls are under the demon's influence and want to abuse poor Koudai. These girls are stronger and more resistance to the pheromone shot. You have to zoom in and find the mini-demon that is controlling the girl. Take out the demon and then you can euphoria the hell out of her.
Occasionally there are mini-games, like try to get Shinbou unstuck from a window,
Of course, throughout the game you have to win over one of the sisters. Both love you, but each has a reason to deny that love and not get involved with anyone. You have to say the right things to her to raise her affection rate. Say or do the wrong thing and it could lower it. You can also improve it by helping them out in a mini game. These mini-games usually involve you shooting demon bugs off their bodies and help them out in some way. You could be helping Maya get herself unstuck from a demon trap or bide your time looking for a way to free Shinobu from the demon's control while she…steps on your junk while in her underwear. Oh Japan…
You have to scan all over her body for those mini-demons. All. Over.
She isn't putting out a cigarette with her foot
The game adds replay value by having multiple paths and multiple girls to woo. At first only Maya and Shinobu are available, but as you beat the game multiple times, options to woo them both at the same time opens up. You can aso take a path to win over the angel, Ekoro, the demon, Kurona, or have them both. You can also chose another path to find a random girl, if you unlock it. There are multiple ending for each choice, too.
Replay levels in time attack mode
Other modes are a time attack mode for all the levels you played and a speed one for each of the different paths that you beat. There is alos a dressing room, where you can change the attire of any of the girls in the game with outfits you have unlocked or purchased through the DLC. There is also a collection mode where you can see so stats in the game, what endings you have unlocked and view art from the game.
Like this one.
Another option in Collection mode is the Student Roster. Here you can see the names of all the students and teachers that you encounter. As you play the game, you unlock more girls and you can find student hand books to tell you more about them. You can also zoom in on them in the game to unlock information like their height, measurements (B-W-H) and weak spots which is handy in Doki Doki mode. Unlock enough and you can even get an option to 'fantasize' about them, in which you view their 3d model, pose them and change the background. You can even poke them on the Vita's touch screen, if that is your thing.
If you know enough about them, you can "fantasize about your fellow students or the teachers in the Student Roster
The versions of this game for the PS Vita and the PS4 are exactly the same, but each has their drawbacks. The Vita version is slow to load, taking over a minute until the game actually starts up. The PS4 version loads much quicker, but there are parts in the game in which the screenshot and video recording is disabled, such as when Shinobu is humiliating you while in her underwear or during the end scenes. You can still screenshot in the PS Vita during those spots. While both games have a good translation overall, there are no subtitles during the mini-games and, unless you speak Japanese, you don't know what they are saying, though the games does tell you what to do.
Screen shot from the PS Vita
Video capture and screenshot are blocked in Fantasy mode but you can still the pictures on the PS Vita.
The graphic are good, if not spectacular. It has a solid anime feel to the art design and you could be excused for not knowing it was make with the Unreal Engine middleware. The graphics are bight and crisp and I did not see any glitches or slowdowns in either version. The graphics are a bit better on the PS4, however, but that is how is should be.
Shinobu in the torn Uniform DLC
This game features a cross save functionality. You can upload your PS4 save and download it to you Vita and vice versa. All of the DLC are cross buy as well, meaning you get it for both versions. Currently the DLC is mostly costume for the girls. You can buy them individually or in sets of four. There are two sets available for purchase with one costume, the ripped uniform being only one not included. There are also DLC for reducing the girls' breast size (Angel's Cutting Board) or increase it (Demon's Meat Buns.) Then there is the Pheromone Z DLC, which allows you to see through clothing (which you can already do, if you keep your reticule on the girl long enough.) This one cost $90!
Shinobu confronts Kurona
Let me rant here. This is the worst case of nickel and diming people ever and that's including horse armour and anything EA has ever done. Now, there is no nudity in this game. You can already see through their clothing if you zoom in and look at them long enough and you see their underwear. If they are in swimwear or the ribbon DLC, there are hearts covering where the nipples would be and they still have panties on. This DLC just makes it that the clothes disappear when you look at the girls through the site. The developer, PQube, said that it was meant to be a joke and nobody should buy it. So, why bother selling it? Seems like a bad joke for a slightly lewd game. You can get more value in a Season Pass for another game like Fallout 4 or Dead or Alive 5 Last Round.
This should be enough for anybody.
Overall, this is a okay game. Gal*Gun: Double Peace is bit of an ecchi (sexy or dirty) game with the ability to see through clothing, some of the dialogue choices if you want to play it at a creep and the questionable age of some of the girls, offset by the fact they are only anime characters and hey, Japan. But, at it's core, it is about childhood friends admitting their feeling have grown into love, if you play it that way. The fact it is a on-rails shooter where you are pretty much along for the ride with the occasional choice turn giving you the illusion of choice takes away from it a bit. But it is a fun ride and the multiple paths and collectables add replay value.
What's an ecchi Japanese game without Tentacle Monsters? Incomplete, that's what.
Gal*Gun: Double Peace is only available in physical release through online shops or as a download on the PlayStation Network. Check online for pricing.
The girls can attack from afar with declarations of love…
Or up close with kiss attacks.
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Author xcalibar25Posted on August 5, 2016 August 6, 2016 Categories Anime, Games, PlayStation 4, PS VIta, Reviews, Things That Make Me DrinkTags Anime, fan service, fanservice, Gal*Gun, Games, Japan, PS Vita, PS4, Review, Sexy, videogames, WTF JapanLeave a comment on PS Vita/PS4 Review: Gal*Gun: Double Peace
PS Vita Review: Dead or Alive Xtreme 3: Venus Collector's Edition [IMPORT]
Since the first game came out in 1996, the Dead or Alive series had been about fan service. The original game is known as much for Kasumi's ample polygons and high kicks as it is for its throwing mechanics and fast 3D game play. This fact was not lost on the developer as in the next two installments, more female characters were added with sexy costumes. In 2003, Team Ninja decided to base a game around the girls and have an excuse to show them in sexy swimwear. That's when Dead or Alive Xtreme Beach Volleyball for the original XBox came out. Not only were you able to play beach volleyball with the girls and dress them into bikinis, you could also watch them frolicking in the sand or relaxing by the pool. Another one came out, called Dead or Alive Xtreme 2 (XBox 360), which added more bikinis, more games (like pool hopping and beach flags) and more girls. Now, after a remake of the second game on the PSP (Dead or Alive Paradise), New Zach Island has reopened and we have new game in the series.
You might want to sit down for this.
Dead or Alive Xtreme 3 (DOAX3) is a beach volleyball/beach game/ girl watching simulator developed by Team Ninja and published in Asia and Japan by Koei Tecmo. There are two version of the game: DOAX3:Fortune, for the PlayStation 4, and DOAX3: Venus, for the PlayStation Vita. This review is for the PS Vita version. This game is NOT scheduled to come out in North America/Europe at this time. The copy reviewed is for the Asia region (Hong Kong, Singapore, Taiwan) and was part of the Collector's Edition. This version is multi lingual and the text will be in English if your Vita is set to that language. The game is PlayStation TV compatible and works on North American systems.
(Note: This Review is my opinion only. I have no affiliation with Koei Tecmo, Play Asia or Sony. All pictures were taken by me with my camera, or through the game.)
The girls play beach volley ball
The plot is pretty much the same as the last DOAX games: Zack has reopened his resort on New Zack Island and has left you (the player) in charge of the island. He has invited 9 of the girls from the latest Dead or Alive game (DOA5:LR) to enjoy a 14 day vacation and partake in the various activities. There are two modes to play: Girl Mode or Owner Mode. In Girl mode , the player, as the girl he chose at the start, can partner up with one another to play 2 on 2 beach volleyball games. The player will have to try to increase their relationship with her partner though winning volleyball games and giving them presents that they like, ranging from swimsuits, food, drinks or items. If the relationship is low enough, the girls' partner will leave, and the player will have to find another partner. Volleyball is the place when the player can earn the most currency to buy new items. but other activities pay out as well. At night, you can play casino games like blackjack, poker and roulette.
Increase your funds through gambling at the casino
The shops contain swim suits that are specifically for your girl, though some might over lap with the other's preference. Only Honoka would dig this cow pattern.
In Owner Mode, the player steps back as the owner, still choosing what event to do but not playing as the girl. You can watch them do the various activities, even taking pictures of the events. You also have to try to improve your relationship with your chosen girl through giving them gifts that they like. If you give them a swimsuit that they like they will even change into it on the spot. You have to keep your eyes closed. If you peek (press the circle button) they will get upset (obviously) and it will negatively affect the relationship. You can also give gifts to the other girls and your relationship level carries over to subsequent play throughs. You can switch between the modes at any time when not in an activity.
Rock Climbing is a new activity
There are missions, goals from either Zack (for the Owner) or from the girl to achieve. It might range from buying a girl a swim suit to winning a hand of poker with two pairs. When you complete the missions you get a reward of Zack dollars for the Owner. Missions given by the girl can increase her satisfaction level and you want that as high as possible by the end of the vacation. Any Zack dollars earned in Owner Mode is kept by the owner and the girl and owner have separate funds. If the mission is too had, or you do not have enough funds to do it, you can always cancel it.
Momoji is also here
The game features only 9 of the female fighters from Dead or Alive 5: Last Round: Kasumi, Helena, Ayane, Hitomi, Kokoro, Momoji, Nyotengu, Honoka and Marie Rose. Now the choice of which girls were in this game was apparently voted on through download of themes of the girls for the PS4 and Vita. in Japan. Unfortunately, my favourite girl, Mila, didn't make the cut, but all time favourites Kasumi and Ayane did. It was a bit surprising that new comers like Honoka and Nyotengu won out over old favorites like Lei Fang and Tina, but it is not surprising and a little sad that little Marie Rose got the most votes. But it is all okay, because canonically, all the girls are over 18 in the game (Marie Rose included). It even says their age in the selection menu, so ogle who you want to. The oldest is Nyotengu, who is 1,018 years old (and doesn't look a day over 25.)
Marie Rose: Upgraded from Jail Bait to Barely Legal
The graphic are good on the PS Vita. The game use a modified version of the graphic engine used in the PS4/XBOne versions of Dead or Alive 5: Last Round (Soft Engine 2.0). Called the Soft Engine light, it helps to render realistic skin tones and effects like clothing wetness. It also helps advance the breast physics, giving them a more realistic, albeit slightly exaggerated bounce and the girls move. It also boast an advanced "booty physics," meaning their butts are getting as much attention as their breasts. Though not as detailed as the PS4 version, the graphics run smoothly with the latest update with no slow down of glitches.
Behold the advanced Booty Physics!
The controls have not changed much from the previous versions. the volley ball and other mini-games control like they did in the PSP version with touch controls used to poke and prod the girls in gravure mode. IT not as creepy as in Senran Kagura Estival Versus, though. The second thumb stick allows you to manipulate the camera and in volleyball, move your partner around to better receive the ball. Note that, since this is an Asian version (and it is the same in the Japanese one),in the controls in the menu, Circle is used to select and X is used to cancel, which is the opposite of most Western release games. People who import this game should be aware of this.
Everything on the box is still mostly in Japanese, even the Asian edition. The game does include English menus and subtitles
Both the PS4 and PS Vita versions come in either a stand edition of a Collector's edition. The collector's edition for each version comes with different items. The PS Vita version, the Venus Edition comes with the game on a Vita card, of course. It also has a set of playing cards featuring images of Honoka on Diamonds, Kasumi on Hearts, Kokoro on Clubs and Nyotengu on Spades, with the Jokers being Zack. It also comes with a hard cover art book, Venus edition, featuring images of all 9 girls from the game (the text is in Japanese, though). There is also a Honkoa mouse pad, the type on which you rest your wrists in her ample bosom. There is also two download codes for DLC. The first is a bonus for early buyers of the game, featuring (for the PS Vita) and angel-themed swim suit for Honoka. The second is the Extreme Sexy Costume V set, featuring a new swim suit for all 9 grils that resemble leaves, vines and flowers. Now the PS4 version has different DLC (Costume set F and a Devil swim suit for Marie Rose) as well as a Marie Rose mouse pad, a different playing card set, different art book and, of course, the game for PS4. Note that the DLC codes will only work in a PlayStation Network Account for the Asia region (Hong Kong, Singapore and Taiwan), but entitles you to be able to download it for both PS4 and PS Vita.
The swag you get with the Venus Collectors edition
The PS Vita DOAX3 Venus Collector's edition comes with this angel swim suit for Honoka
The Sexy Costume V Set DLC consists of these leafy bikinis for the girls
There is some variation in each of the girls' V costumes
Now, because Koei Tecmo believes that it would not be received well in the West, due to recent events like Gamer Gate and immature boys posting derogatory things at women who are in the industry and ones that play video games, it is not receiving a Western release. I do not think that preventing this game from releasing in the west would change a damn thing, especially because online store like Play Asia has had record orders from people importing this game. Now, I have said it in the last two posts: I do not agree with censorship because a game has partial nudity (i.e. in bathing suits) and fan service. The only this that will change attitudes about sex and nudity is if we stop demonizing it. Look, I like Senran Kagura, but why is a game that allows you to fight and strip opponents (with other females) release out here when what is a pretty much a beach vacation simulator is deemed too racy? Why is DOA5:LR, which has scantily clad females (with more racy DLC costumes coming monthly) punching and kicking other fighters of both sex allowed when a game with some of the same girls playing sports and buying each other bathing suits is not? Our priorities are weird, if you think about it. Gun and violence are okay, but show a bit of skin and everyone freaks out. Might as well release DLC that has them all in burkhas.
And miss out on this?
Dead or Alive Xtreme 3 will not win any awards. It is pretty much the same game form 2003 with a altered cast , and better graphics and some new modes. But it is not a terrible game nor is it a morally reprehensible game. Sure, it has the women of DOA in some racy swim wear, but you'd see that at a resort in real life. They are not fighting, or plotting to kill each other. The worse this they can to is reject your offer to team up. It is not deep, but it is fun to see the ladies of DOA have some down time and not fight some evil plot to created bio-engineered ninja to sell as a weapon. Just enjoy the virtual scenery and get some good picture of the girls while you are at it.
Pool Hopping plays like it did in DOA Paradise
Dead Or Alive Xtreme 3 for the PS Vita can be bought online through Play Asia. Make sure you get the Asian copy, not the Japanese one if you want it in English. Check their site for pricing and availability.
I can see all the hard work that went into "booty physics."
Yup, high quality.
Author xcalibar25Posted on April 2, 2016 July 3, 2016 Categories Games, PlayStation 4, PlayStation TV, PS VIta, ReviewsTags Dead or Alive, fan service, Games, Import, Japan, Jiggly breasts, Koei Tecmo, Play Asia, PlayStation TV, PS Vita, PS4, Review, Sexy, Tecmo KoeiLeave a comment on PS Vita Review: Dead or Alive Xtreme 3: Venus Collector's Edition [IMPORT]
PS4 Review: Fallout 4
Fallout 4 is an Action Role playing game. It is the fourth game in the main Fallout series (not including Fallout Tactics). It was developed by Bethesda Game Studio and published by Bethesda Softworks. It is available for the PC, PS4 and Xbox One. This review is for the PS4 version.
The Lone Survivor deals with the harsh realities of a post-nuclear world
Set in Boston in the same retro-future universe as the first previous Fallout, the game follows the Lone Survivor of Vault 111. The game starts as you choose the sex and look of your character (My character was a female named Rebecca, and the Lone Survivor will be referred to as such) as you start the day on 31 Oct 2077. After signing up for a space in the local vault, Vault 111, air raid sirens sound. Rebecca, her spouse and their new born son, quickly make their way to the vault where they get in just as the first nuclear bombs hit. Once inside, they are checked out them but into cryogenic pod to sleep until it is safe to go back out. Or so they are told.
Combat can get bloodly
Rebecca is woken up an unknown time later to see two people trying to take her son. Trapped in her pod, she can only watch as her husband is killed and her baby taken. She is put back into cryosleep but wakes up 200 years after the bombs fell. With the rest of the vault dwellers dead in their pods, she is the Lone Survivor of Vault 111, She goes out into the remains of Boston, known as the Commonwealth to find her child and get revenge for her loss.
Helping people like Preston and the Minutemen can give you allies in your new world
The game world is a large open world. You can follow the main quest or wander and take many of the side quests. You meet up with various factions such as the Minutemen, the defenders of the Commonwealth that have fallen on hard times, or the Brotherhood of Steel, a faction from the previous games. You also encounter many different enemies, such as Fallout Staples like Feral ghouls, Deathclaws, Super mutants and human raiders. New enemies factions pop up, too, such as the paramilitary group, the Gunners and androids called Synth, some who look completely human. that work for the shadowy Institute. The Institute figures heavily in the disappearance of the Lone Survivors son, so you will ben encountering their agents a lot.
Feral Ghouls, especially glowing ones, can be a pain.
Synths are a new threat
Like Fallout 3, you will also have companions to help you on the quest. Some prefer you if you help out the citizens of the Commonwealth, like plucky reporter Piper, Synth private eye Valentine and Brotherhood of Steel Paladin Danse. Some prefer if you cause trouble, like ex-Gunner MacCready, ghoul Hancock and pit fighter Cait. Some are romanceable (by both sexes) which can get you special perks. Of course, it wouldn't be Fallout without your canine companion, Dogmeat!
Piper is a reporter that doesn't mind getting into trouble.
Dogmeat!!!
Leveling up has changed from the last game. One you get your initial stats, you get a point for every level gained. You can use it to increase your SPECIAL stats or use it to choose a perk (instead or choosing a perk every 5 levels or so) Some perks can only be chosen if the corresponding SPECIAL stat is high enough.
Romanceable characters give you a special perk.
The inventory is largely unchanged save for how clothing and armour are handled. Armour is now worn over clothing, and there are separate parts for the chest, arms and legs. The iconic power a.. Establishing settlements or armour is different too. The armour runs on fusion cores which you can find throughout the game. The power armour consists of a frame to which you can customize with the parts of different models of power armour. Each parts has its own hit points and when it is depleted, it is useless until repaired. Luckily there are power armour repair stations available in most settlements.
Not just the Brotherhood has power armour
There is also a bit of settlement management as you can help establish settlements to help increase the Minutemen's ranks. You can build houses, defenses, food sources and crafting tables. By establishing settlements or recruiting established ones can you can summon Minutemen to help or even call in artillery for support.
Ronnie helps you obtain blueprint for artillery.
Fallout 4 is one of those games that you can play for hours and still have lost to do. There is no level cap and the game continues even after the main quest is done.. With interesting characters, various places to explore and a lot of enemies to fight, this game is sure to keep players busy, even without the addition content that is coming next year.
Curie is a robot that you can recruit as a companion
Help her out, and Curie becomes (almost) human
SIlver Shroud Costume
Grognak costume
Author xcalibar25Posted on December 29, 2015 Categories Games, PlayStation 4, ReviewsTags Fallout 4, PS4, ReviewLeave a comment on PS4 Review: Fallout 4 | {
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Ok, I know in the last post I mentioned that I couldn't start a new project until I finished at least 3 projects that I had OTN. Well, this project was started the second I had finished my Lintilla shawlette. I really couldn't wait any longer and had decided then and there to immediately cast on a new project with another skein of Wollmeise. I really want to find out if I do like knitting with and wearing Wollmeise before I "invested" any more money on this yarn, cause if I find out that Wollmeise and I do not mix...well, I would need to find new homes for the 60+ skeins that I have in my stash! Eee...just saying out loud just how many skeins I have kinda alarms me...maybe I should think about wrangling my yarn stash??
Anyhoo, I'm knitting up another Martina Behm design. This time around I'm knitting her Trillian shawlette. Just like Lintilla, this pattern is super duper easy and totally memorizable. The only issue I've had so far is my tension on the fishnet lace border on the first half at the beginning. I know I was pulling the yarn tight which makes the lace not so lace-y. It kinda bugs me but there is no way I'm ripping back to the very beginning just to fix that! I'm going to have to be super aggressive while blocking this part and hope that it'll open up more. In the meantime I've been keeping a conscious eye on the rest of the fishnet border and making sure that I'm knitting it loosely enough to be considered lace.
Since I had made Lintilla in Wollmeise 100% Merino, I decided I would give the Twin a try. So far I haven't notice much of a difference weight-wise, but the Twin is definitely less splitty and I've only had a few issues with single plies being tugged out by my sandpaper dry hands. I'm using my coveted (by me...for what seemed like forever!) skein of Skandal um rosi, which is absolutely gorgeous in skein form. Now that I'm knitting it up though I can't say if I'm 100% in love. I think it's the stark white parts. To me they really stand out against the black and dark fuchsia. This piece is definitely a stand out piece and is something that is going to have to be worn with a subdued outfit.
Just like Lintilla I'm a bit surprised as to how long it's taking me to knit this up. Mind you I haven't been giving it my full attention. So far I've only been knitting on it whilst at work. On a break. And even then I only get a row knit up here and there. I do have the best intentions for working on it though. I do bring it with me wherever I go in hopes that I'll be able to work on it some more. But I will admit that I just don't feel the pressure to finish it since I'm not counting it as one of my 12 in 2011 projects (the yarn was purchased this year), and I still have another shawlette OTN - which I feel extremely guilty about, as it's almost finished but I can't seem to bring myself to work on.
Ugh. Now that I think about it, I have quite a lot OTN that I should just force myself to finish. Hmm...maybe that should be the theme for the rest of the summer? Well, while I think about this idea I should really get cracking and finish up a cardigan or something.
'Til next time, happy knitting blogging Friends! | {
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Home Entertainment Arts 3D Street Art: The Susceptibility of the Mind to Illusion
EntertainmentArts
3D Street Art: The Susceptibility of the Mind to Illusion
By Hermann Rohr
3D street art illusion. (Image: Hourann Bosci via Wikimedia Public Domain)
In this day and age of modern art and music, a lot of emphasis is laid on the power of expression — drawing lines, shapes, and mixing colors together — to form a collage describing the artist's mood, emotions, and state of mind.
This being so, more or less, sometimes you still stumble onto artwork so realistic in its rendering that it seems the apple is edible or the person rendered just might reach out to shake your hand.
3D street art
A 3D street painting is actually referred to as an anamorphic painting. While street art itself is quite popular in many countries, some artists have taken it to another level — 3D street art. The motives are simple, but the effect is enormous. What does that mean?
Waterfall 3D street painting. Photo Credit: uroburos via Pixabay CC1.0
Most 3D street artworks can literally play a trick on your mind. Having walked down the street dozens of times before, you are now put into the difficult task of judgment. Do you believe the product of your mind, confused by what the eyes see, or trust your weary memory?
A man admires a 3D street painting showing a hole in the ground into which people are unwillingly sliding.Photo Credit: blogqudewe via Flickr CC2.0
Someone terrified of height will avoid circumstances where they are confronted with it. Now suddenly, strolling down the central city street, your heartbeat races, a drop of cold sweat slowly makes its way down your forehead. What just happened?
Well, stepping on a 3D street artwork can cause a sane mind to believe the ground has torn open and all that stands between the molten lava stream bellow and yourself is the slim pillar of rock on which you seemingly stand.
3D street painting: A man reaches to grab his child, playing out the optical illusion. Photo Credit:
Tracy Torres via Flickr CC1.0
Is everyone susceptible to illusions?
A tweet on Twitter regarding the same question says the following: "If you can't be fooled by optical illusions, you're a robot or lying. "
If you can't be fooled by optical illusions, you're a robot. or you're lying.
— Rhett & Link (@rhettandlink) November 19, 2016
Why does the brain fall for optical illusions?
It would be far-fetched to say any scientist knows the answer. But at least some sources like Abbott on Twitter offer comfort with the promise of having an answer to why the brain falls for specific illusions.
Surprisingly, these lines are the same color. Why your brain falls for this optical illusion: http://t.co/HdwkkKt9bspic.twitter.com/PV80Ebb5sr — Abbott (@AbbottGlobal) January 15, 2015
According to a statement made in an article on The Week:
"[Illusionary art] work takes advantage of the fact that our eyes skim and our brains tend to jump to conclusions."
Evolutionary neurobiologist Mark Changizi says the following about what makes you susceptible to being tricked by optical illusions:
"The entire process [of perception] takes about one-tenth of a second, but that's long enough to make your brain confused sometimes.
"By arranging a series of patterns, images, and colors strategically, or playing with the way an object is lit, the brain can be tricked into seeing something that isn't there."
Is this possibly the reason why 3D street art is so capable of tricking your brain?
Where to experience 3D illusion artworks
If you would like to experience street art yourself and are willing to travel for it, you can find some venues and dates on the website amazing street painting, for both the United States and Europe.
3D Art Illusions-Street Art that Seems Three-Dimensional Video:
Hermann Rohr
<span>Hermann Rohr is a Travel, Lifestyle, and Culture, Journalist based in Leverkusen, Germany. He</span> has always been interested in the "human state". He has always been curious about what keeps the world together and moves it from within.
<span>These days, Hermann spends most of his creative time, editing, writing and filming outstanding content for the Vision Times.</span>
To learn more about his experience, visit his <a href="http://hermannrohr.com/">online portfolio</a>.
Previous articleThe Beautiful Fugui Cape in Taiwan
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Beauty + Realism = Classical Art
Realistic painting has a long and revered history going back to the ancient Greeks. Just as classic Greek and Roman art strove to depict...
The History of Street Photography and Its Growing Popularity
Street photography is sometimes mistakenly thought to mean taking photos on the streets. This isn't accurate. Street photography does not require a street or...
The Top 5 Traditional Chinese Painters
Painting is an area that has historically been dominated by European art for the past several centuries. As a result, there has been less... | {
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Blue Peter - Whose eggs are these?
Are you an EGGSpert? Or just EGGSaggerating about your EGGSpertise? Identify who the eggs belong to in our EGGSellent quiz.
GreenCarrotPenguin you are not the only one I hadn't heard or the easter bunny till lately!
Is it just me or I had never heard of the "Easter Bunny" until only a year ago? I'm not joking - even when I was a toddler or baby no one ever told me about it!
I got 3/6 which isn't too bad. | {
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Infinix Hot Note S Will Be Priced At 7.2K Pesos, Might Arrive In PH Soon?
Home / infinix / mobile / news / Infinix Hot Note S Will Be Priced At 7.2K Pesos, Might Arrive In PH Soon?
After teasing the Hot Note S in Africa, a key official of Infinix Mobile has announced the expected Philippine price of the said handset in case it'll reach our shores.
As a refresher, the Infinix Hot Note S will be a full metal clad handset that packs entry-midrange specifications. It's equipped with a 5.2 inch FHD screen which is an upgrade in terms of sharpness against the older Note 2.
Under the hood, powering this phone is the bit dated MT6753 octa core chip, either 2 / 3 GB RAM, 16 / 32 GB of expandable storage, and 3,000 mAh of battery capacity. It'll also have a 13 MP main camera, 8 MP w/ LED flash selfie cam, LTE, fingerprint scanner, and Android 6.0 Marshmallow OS with the impressive XOS on top. | {
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Xamarin è un'azienda produttrice di software statunitense con sede a San Francisco, California fondata nel maggio 2011 da ingegneri provenienti dai progetti Mono, Mono per Android e MonoTouch che sono implementazioni multipiattaforma di Common Language Infrastructure (Infrastrutture di linguaggio comune) e di Common Language Specifications (spesso chiamato Microsoft .NET).
Con un codice condiviso basato su C#, gli sviluppatori possono usare gli strumenti Xamarin per scrivere applicazioni native Android, iOS e Windows con interfacce utenti native e condividere il codice su diverse piattaforme. Xamarin ha oltre 1 milione di sviluppatori distribuito in più di 120 paesi nel mondo (Maggio 2015).
Il 24 febbraio 2016, Microsoft ha acquistato l'azienda, e dopo qualche mese, ha reso i prodotti Xamarin Studio gratuiti per sviluppatori e studenti.
Note
Voci correlate
.NET Framework
Altri progetti
Collegamenti esterni
Aziende software statunitensi
Software di Microsoft | {
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Theodor Herzl is an independent, co-educational, English medium school in Port Elizabeth, providing excellent all-round education to approximately 400 pupils from pre-primary to matric. Our aim is to ensure that each child thrives and achieves to the best of his or her potential. Although academic achievement is encouraged and a solid work ethic instilled in all pupils, resulting in consistently outstanding matric results, the true value of the work we do here is revealed in the way that Theodor Herzl graduates continue to thrive, both in their tertiary studies and as productive, responsible citizens.
Our pupils come from a wide range of social and ethnic backgrounds, resulting in a vibrant melting pot of cultures, which nurtures remarkable tolerance and mutual appreciation. Theodor Herzl's Jewish identity not only caters for the spiritual growth of its Jewish learners, but also lays the foundation with traditional Jewish and universal values, like respect, tolerance, integrity and service, that bind together every member of the Theodor family. Children of all faiths are welcome and the ancient festivals and life lessons so central to the Jewish faith are enjoyed and appreciated by everyone. | {
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This is my blog! There are many like it, but this one is mine!
The Noah Kuttler Blog by Noah Kuttler is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Based on a work at noahkuttler.wordpress.com.
Permissions beyond the scope of this license may be available at noahkuttler.wordpress.com. | {
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2018 is bound to be a success when it comes to smartphones, and now with spicy details about the brother of the Galaxy S8, Samsung Galaxy S9, we're more than sure about that. The smartphone is expected to hit the market in the first months of 2018, presented at the CES in Las Vegas, or in Barcelona, at February's Mobile World Congress.
After Galaxy S8 and S8 Plus got enthusiastic reviews from critics from its launch from April last year, it seems that the Samsung Galaxy S9 wants to fix some issues the 2 smartphones encountered. But one thing that it was not good with the phones, in users' opinion, was the fingerprint scanner, which was placed on the back of the phone – this thing often led to the camera lens being dirty after trying to unlock the Galaxy S8 or S8 Plus. But this thing will change, according to some leaked pictures – the position of the fingerprint scanner will be repositioned for Galaxy S9 and Galaxy S9 Plus.
Those photos also showed that the Galaxy S9 will have a single camera instead of a dual camera, as Galaxy S9 Plus is supposed to have.
Is it going to be released at this year's CES?
And it's good to know that they got the approval from the FCC. For those of you who don't know, FCC (Federal Communications Commission) is a US government agency that controls communication hardware, just like television, satellites and cable connections from around the country. Just as Galaxy S7, Galaxy S8, Galaxy Note 8 appeared on the FCC before they were officially released. With this approval just in time for the CES 2018, we expect a great show. CES is set to last from January 9th (Tuesday) to January 12th (Friday).
How Will the Samsung Galaxy Note 8 Be Different From Samsung Galaxy S8 and S8 Plus? | {
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The University Art Gallery is supported in part by the College of Humanities and Fine Arts, grants, and the generosity of donors. Student shows are funded through Instructionally Related Activities Fees.
Your support will provide additional opportunities for unique programming and improving our facilities.
For more information on giving to the University Art Gallery, contact Daria Booth at [email protected].
The Jacki Headley University Art Gallery is located in the Arts and Humanities Building, 121.
The gallery is closed during spring break and the summer and winter sessions. | {
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Don't be a DIY Disaster! This week, HGTV's Star Contractor, Bryan Baeumler, joins Adam & Matt to chart his explosive trajectory from 'on-the-tools' to 'on-the-TV' with several hit shows and counting. We brought in the beloved seasoned veteran to offer renovation pro-tips, what Bryan looks for in an investment, and what pitfalls to avoid along the way. Also learn about Bryan's new app that matches trusted home-service experts with potential customers and why his latest TV project might have you investing in the Bahamas!
Bryan is a celebrity contractor and the host of many successful renovation shows on Home & Garden Television. He owns a number of media companies and production companies that build custom spec homes and undertake renovations on the west-side of the Toronto area. He has done 7-8 television series (485 episodes) for HGTV.
Bryan realized from an early age that investing in real estate could be profitable because they are not making any more land. He went to private school as a child and realized that he related more to the maintenance workers at the school than his class mates. His father was a blue-collar worker at a sheet metal shop in Toronto who taught Bryan how to be hands on with tools and repairs. He went to university where he obtained a degree in business and political science. Throughout his education he maintained apprenticeship hours with construction companies. He was planning to go to law school, but realized he was much more interested in renovating homes than law. He obtained further education in construction and eventually started his own business.
Bryan credits part of his success to his formal training in business, sales and marketing. As a young man, he was looking to establish a brand for his construction company and actively trying to market his business. While watching HGTV, he decided to answer a casting calls for a renovation show, hoping this would provide some free advertising for his company. He received a phone call from a producer that wanted to meet him at a building site. This meeting eventually led to an offer from HGTV for Bryan to star in his own television series called Disaster DIY. Bryan suffered from anxiety as a younger man and felt some trepidation about being on television. Despite this, he felt he could not pass up such a great opportunity. Being on television has opened a lot of doors for Bryan, but it has also meant that he is not always 'on-the-tools', which is what he loves doing.
Bryan originally thought that HGTV would offer great exposure for his business, business would explode and everything would be great. What he didn't realize was that a television series required 18-20 hours of work per day for 6 days a week over a 9-month period. After production was done, he was then required to market the show and do media appearances. Early on, Bryan did not own the production or distribution of the series and was not making as much as he anticipated. After the 2nd HGTV show was negotiated, Bryan shared in the production and distribution profits and was offered the freedom to negotiate the topics and time commitments of each series. The show 'House of Bryan' came about after Bryan decided he wanted to renovate his own home. He prides himself on being honest and only attaching his name to content that he feels will benefit viewers.
The answer is different for every individual. It depends on income, savings, where the house is, value of the home, future plans, dreams, etc. These factors are different for everyone. Bryan recently worked with a married couple of retirement age looking to spend $450K to renovate their home. Bryan noted that their home was still in good shape and felt a renovation might not be the best use of their money. He proposed taking the $450K to comfortably travel the world instead. Although this answer surprised them, they felt he was right and did not go through with the renovation. The answer is different for everybody.
Bryan feels that North America is a disposable, single use society. He feels homes are being built this way as well. People care what the home looks like, but they do not worry about efficiency, heating and cooling costs, carbon foot print, etc. Bryan feels most people in Canada could live in a house of ½ the size they could afford now if the house was built properly with these factors being taken into consideration. One of his goals is to educate home owners on where the real value is in their home. For example, people should ask the type of insulation used in the home or how much it costs to heat and cool the home in different seasons or the maintenance or operating costs. The houses that Bryan builds provide value by using quality materials that will last for years and allow the home owner to renovate the fixtures of the home over time but not worry about what is behind the walls.
Building is a business. Low quality of homes is consumer driven. Consumers could ask for smaller homes that are efficient and that is what builders would produce. Consumers are not interested in these types of homes and therefore, they are not being built. People should educate themselves and read the fine print before the buy a home to insure they are getting the best value for their money.
Building inspectors are great, but they can't see through the walls. If you are buying a newer home, focus on the efficiency. If buying an older home, don't buy something at the max of what you can afford because in most cases, you will need to renovate the home after moving in. Look at homes that leave you money left over to renovate the home and make it livable.
When he started his company, Bryan doubled his revenue every year for the first 5 years. Business is easy if you follow these rules: show up when you say you will be there, do what you say you will do, pay your taxes, put the money in the bank and do it again the next day. Your time as a small business owner is not a cost. You can work on a Saturday or Sunday and this isn't a cost to you. If you don't want to do this, you are better off being an employee that will allow you weekends off.
After 5 years, Bryan's business reached 10 employees and he struggled with finding a proxy to manage his interests and step in when he wasn't available. This is not an easy task and sometimes you put your trust in the wrong people. He has learned some lessons in this regard over time.
Bryan and his family are currently living on a small island in the Bahamas renovating an old hotel. He purchased the island and hotel when he was travelling in the area. Bryan is now renovating the hotel and the renovation has been filmed for a new HGTV series called 'Island of Bryan' which will launch in March 2019. The hotel will open in April of 2019 and viewers of the show can come to stay in the hotel and may even get the chance to meet and socialize with Bryan (maybe some fishing and diving).
Bryan invests in residential and commercial real estate in Canada. His strategy is to buy and hold real estate. He is concerned that going forward, as real estate becomes more expensive, less and less people will be able to afford it. His advice for young people is to get into the market and keep everything they buy. If you own a small condo and want to move to a house, keep the condo and rent it out instead of selling it. Bryan owned a condo in downtown Vancouver, which he sold just before the Olympics were announced. He regrets selling this condo as it is worth much more today than it was when he sold it.
Bryan loves the water and mountains. He loves English Bay and feels at home in Vancouver.
Bryan has created an app called "Hey Bryan" that will connect home owners directly with service providers and experts in their area. The service providers are vetted by the app, all payments are done through the app. Customers need to sign off on the job and service providers are rated by customers to ensure good service. Service providers can control when they work and how much they work. It also allows efficiency in that service providers do not need to spend time looking for business outside of the app. The app is currently available in Vancouver and will soon be available in other large Canadian cities. | {
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title: Local File Inclusion
localeTitle: Inclusión de archivos locales
---
## Inclusión de archivos locales
Una vulnerabilidad en la aplicación causada por el programador que requiere una entrada de archivo provista por el usuario y no la desinfecta antes de acceder al archivo solicitado. Esto resulta en un archivo que se incluye donde no debería haber sido.
### Ejemplo de ataques de inclusión de archivos locales
Un sitio web le permite ver los archivos PDF como `download.php?file=myfile.php` , debido a la falta de verificación adecuada, un usuario malintencionado puede solicitar / etc / passwd y obtener información de configuración confidencial del servidor web.
### Defendiendo su sitio web de ataques de inclusión de archivos locales en PHP
```PHP
<?php
if(basename($_GET['file]) !== $_GET['file']) {
die('INVALID FILE REQUESTED');
}
```
#### Más información:
* [Wiki de OWASP - Pruebas para la inclusión de archivos locales](https://www.owasp.org/index.php/Testing_for_Local_File_Inclusion) | {
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The Growlers will leave you growling for more
By Raphael Dunn |Staff Writer| The Growlers made a triumphant return to the West Coast last week performing at The Observatory North Park in San Diego, Calif. on May 9. The band formed in 2006 in Costa Mesa, Calif. and are known for their heavy fusion of rock and psychedelic sounds; a genre they call Beach Goth. The band is composed of Brooks Nielsen (vocals), Matt Taylor (lead guitar), Scott Montoya (drums), Anthony Perry (bass), and Kyle Straka (keyboards) who all bear a striking resemblance to The Doors, a rock band from the late 60s. My night began with standing in line outside of an abandoned building for almost two hours. I found myself surrounded by young fans with … [Read more...] about The Growlers will leave you growling for more
Filed Under: Arts and Entertainment Tagged With: Anthony Perry, Brooks Nielsen, Chinese Fountain, Drinking the Juice Blues, Kyle Straka, Love Test, Matt Taylor, North Park, One Million Lovers, Raphael Dunn, San Diego, Scott Montoya, The Growlers, The Observatory | {
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2022 Toyota Corolla Hatchback Review and Video
By Dan Ilika
Limited practicality
Big trunk
Fun for a commuter
On-road comfort
No standard seat heat
Cramped second row
No fold-flat seats
Where there's a small sedan on the market, it only makes sense to offer the same car as a hatchback, too.
Of course, there are some exceptions to the rule – the Nissan Sentra, for instance, or even the Hyundai Elantra these days – but adding the bubble-like body style just makes sense. After all, it's the same car, just made more practical. What's not to like about that?
That's mostly true of the 2022 Toyota Corolla Hatchback, except there are some fundamental differences compared to its sedan counterpart that impact its ability to move people in the quest to stow more stuff.
Practicality: 7/10
Perhaps the best example on the modern market of the simple switch between sedan and hatchback is the Subaru Impreza. While the former is slightly longer overall, they share the same wheelbase, which means interior dimensions are identical between them. The same is true of the overhauled Honda Civic, as well as the Kia Forte and Forte5 twins.
The Corolla hatch isn't just a shorter car compared to its sedan sibling – its wheelbase has been chopped down, too. And the 60 mm (2.4 in) given up has a direct impact on rear-seat space. Officially, there's some 125 mm (4.9 in) less legroom here than in the Corolla sedan; heck, there's even less legroom than the smaller Mitsubishi Mirage offers.
Beyond what's listed on paper, the rear seats feel cramped and difficult to climb into, but the trade-off is the 660 L of cargo capacity behind them. (For the record, that's more than the five-door Impreza has to offer but less than the 2022 Honda Civic hatch.) Lift the tailgate, and the cargo well is deep and boxy, with enough room to accommodate Pattie, the AutoTrader.ca pedal car, under the privacy cover with ease.
The extra space in the back comes at the cost of a spare tire, which was replaced a couple years ago with a tire inflation kit instead. Sadly, it means the rear seats don't fold flat with the load floor, instead leaving a tall and awkward hump to work around. Strangely, Toyota doesn't publish a seats-down cargo figure.
User Friendliness: 7/10
Beyond the limited space in the back seats, the doors don't open especially wide, a problem shared with the Corolla sedan. The result is an awkward step-in on either side of the car, particularly with long-legged occupants up front. Space in those seats is decent, with the lack of a sunroof paying dividends in the headroom department, while the windows all around provide good outward visibility. The only issue from behind the wheel is the awkwardly tall position of the driver's seat, which has the sensation of sitting on a stack of phone books even in its lowest setting. Tall drivers take note.
Toyota took the opportunity to relocate the heated seat switches and lone USB port in the new Corolla Cross subcompact crossover, which shares an identical interior with this car from the B-pillars forward. Unfortunately, those features in the Corolla hatch (as well as the sedan) remain tucked awkwardly under the dash alongside the optional wireless phone charger, all of which are tough to see and reach.
Features: 7/10
The Corolla hatch skips the seven-inch touchscreen infotainment system that comes in the cheapest sedan and crossover models in favour of an eight-inch display that's responsive to inputs and features both Apple CarPlay and Android Auto connections. Beyond that, it's a car that requires diving into the options list to get even basic creature comforts like heated front seats.
In the case of this tester, the SE Upgrade package ($3,910) added those heating elements alongside a wireless charger, leather-wrapped heated steering wheel, satellite radio, blind-spot monitoring with rear cross-traffic alert, and 18-inch alloy wheels. Meanwhile, an upgraded eight-speaker stereo, power-adjustable driver's seat, and fabric and faux-leather seats, among others, make up the XSE package that's another $1,870.
Toyota Showcases 15 New Electric Concept Cars Including First Lexus EV and Electric Sports Car
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Toyota Prices 2022 Corolla From $19,450
Safety: 8/10
Beyond blind-spot monitoring, there's a good selection of standard advanced safety equipment, but it varies slightly depending upon transmission choice. For example, it comes with forward collision warning with pedestrian and cyclist detection, automatic emergency braking, lane-departure warning with keeping assistance, automatic high-beam headlights, and adaptive cruise control; but only when equipped with the automatic continuously variable transmission (CVT) does that system work in stop-and-go traffic, while the brand's so-called lane-tracing that adds steering assistance is also included. With the six-speed manual, the adaptive cruise control only works at speeds faster than 40 km/h or so.
Power: 8/10
There's only one engine offered here: a 2.0L four-cylinder that delivers smooth servings of torque, particularly when paired with the car's standard six-speed manual transmission. With 169 hp to go with 151 lb-ft of torque, it doesn't look like much to get excited about at first blush, but this naturally aspirated engine serves up steady and progressive pull – perfect for passing manoeuvres or even a little fun.
Fuel Economy: 7.5/10
This is no Corolla Hybrid, a car that's only available as a sedan on these shores, but it's fairly efficient in its own right. Officially, it's rated for 8.4 L/100 km in the city, 6.7 on the highway, and 7.6 combined with the manual transmission, and 7.5 around town, 5.8 on the highway, and 6.7 combined with the CVT. That's regular-grade gas, too.
Despite the differences between the two transmissions on paper, the manual-equipped car returned an average of 6.4 L/100 km across an initial evaluation driven spanning some 290 km, with a good bit of fun along the way. The final tally after a week-long test registered at 7.3 L/100 km across a total of 600 km.
Driving Feel: 9/10
In the context of being a commuter car, the Corolla hatch is genuinely enjoyable to drive (again, especially when equipped with the six-speed transmission). While it's unlikely to impress enthusiast-minded individuals pining for the Toyota Yaris GR sold in other parts of the world, there's more playfulness when prodded than the average five-door provides.
The clutch pedal feels long at first, but this is a manual transmission that's easy to learn and difficult to stall – perfect for novices and veterans alike. It also benefits from a button-activated rev-matching system that spikes the engine speed like computer-controlled heel-and-toe during downshifting, which comes in handy when having fun.
The proportions make this a particularly responsive little hatchback, while the steering provides admirable artificial feedback. Add in suspension tuning that's not too stiff, and the five-door Corolla is as agreeable to drive as it is comfortable.
Comfort: 9/10
Across the lineup, the Corolla just carries a slight edge over its rival Civic in the ride quality department. The multi-link rear suspension is balanced and does well to reduce the chatter that's common in compact cars like this one, with most road imperfections rolled over with ease. Road noise is perhaps a few decibels louder than it could be, but that's likely the fault of the 18-inch alloy wheels and low-profile tires worn by this tester. (For what it's worth, no such issues arose during an identical evaluation of the Corolla Hybrid that rides on tires that are some 15 mm taller.)
Aside from the elevated noise levels, the front half of the cabin is a cozy enough place to commute in. The seats are supportive and well-bolstered, with just enough hip-hugging to keep occupants of all shapes and sizes from sliding around, while the cushion density is good for gobbling up hours of driving. While some of the plastics on the doors, dash, and console look and feel a little low-rent, it's not out of the ordinary for the segment as a whole.
Styling: 8/10
Where the Corolla faces its biggest challenge beyond the sales charts is the overhauled Honda Civic that boasts a sleek and stylish interior. By contrast, the Corolla's is rather boring, its bulging dash and simple styling cues doing little to turn heads. While that's long been OK in a commuter car like this, its rival from Honda has truly raised the bar.
Outside, the Corolla hatch wears its proportions well, with a wedge-like shape and an aggressive fascia. Finished in a coat of deep turquoise paint dubbed Galactic Aqua Mica and riding on slick two-tone alloy wheels, this Toyota is as striking as any other compact out there.
Value: 8/10
Competitive pricing might be the 2022 Toyota Corolla Hatchback's finest quality, though its upgrades that are all but necessary can't be overlooked, either. It starts at $23,080 before tax including a non-negotiable freight charge of $1,690 – add another $1,000 for the automatic transmission – but needs a package worth a little more than $2,000 to get items like heated seats and alloy wheels.
Over at Subaru, the Impreza five-door rings in at $23,670 in its cheapest duds and also does without heated seats and alloys, but it benefits from standard all-wheel drive, while the Kia Forte5 starts at $23,940. Then there's the Honda Civic hatch that's better equipped in base trim (heated seats and alloys are standard) but starts at a whopping $29,700. For context, that's more than this SE Upgrade version that's similarly equipped and carries an as-tested price of $26,990 before tax.
As a commuter car, the 2022 Toyota Corolla Hatchback is affordable, fairly efficient, and enjoyable to drive – a trifecta if there ever was one. Add in the spacious cargo hold, and the hits just keep on coming. But where it comes apart at least a little is the limited rear-seat space, which impacts its ability to carry passengers, including those young enough to require car seats. It's a bit of a bizarre package, and one that warrants a drive of its sibling sedan and crossover models before making a decision.
Toyota Corolla Hatchback available on AutoTrader.ca
Mazda Mazda3 Sport
151 lb-ft @ 4,500–4,900 rpm
8.4 / 6.7 / 7.6 L/100 km cty/hwy/cmb
$3,910 – SE Upgrade Package, $3,910
About Dan Ilika
All Articles by Dan Ilika
Dan has been working in the automotive industry for the better part of the last decade, splitting his time between automotive media and public relations. Dan graduated from Toronto's Humber College with an advanced diploma in journalism – print and broadcast. His work as a journalist spans from newspaper to television and the web, reviewing cars in writing and in front of the camera. In his role as Road Test Editor, Dan provides expert insight and analysis of the Canadian new car market.
Comparison 17 Jan 2022
2022 Honda Civic vs Toyota Corolla Comparison Test
Reviews 08 Nov 2021
2022 Toyota Corolla Cross First Drive Review
Reviews 29 Oct 2021
2022 Toyota Corolla Hybrid Review and Video
2022 Toyota Corolla Review
Used Vehicle Review: Toyota Corolla, 2014–2018 | {
"redpajama_set_name": "RedPajamaCommonCrawl"
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package de.mirkosertic.bytecoder.core;
public class BytecodeInstructionARRAYLENGTH extends BytecodeInstruction {
public BytecodeInstructionARRAYLENGTH(BytecodeOpcodeAddress aOpcodeIndex) {
super(aOpcodeIndex);
}
}
| {
"redpajama_set_name": "RedPajamaGithub"
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Q: similar post req giving response in postman but not on angular $http.post There is post request to get token for user . I have used angular $http.post method In my browser network window its not giving me response but when i try this in postman it gives me response here is screen shot attached
please help
this.login = function (loginData) {
var data = "grant_type=password&username=" + loginData.userName + "&password=" + loginData.password;
//if (loginData.rememberMe) {
data = data + "&client_id=" + constants.AUTHSETTINGS.CLIENT_ID;
//}
debugger;
console.log(data)
var deferred = $q.defer();
$http.post(api_url + '/token', data, {
headers: { 'Content-Type': 'application/x-www-form-urlencoded' }
})
.then
(function (response) {
if (loginData.rememberMe) {
localStorageService.set('authorizationData', { token: response.data.access_token, userName: loginData.userName, refreshToken: response.data.refresh_token, useRefreshTokens: true });
}
else {
localStorageService.set('authorizationData', { token: response.data.access_token, userName: loginData.userName, refreshToken: "", useRefreshTokens: false });
}
console.log('---auth servcie')
console.log(response)
authentication.isAuth = true;
authentication.userName = loginData.userName;
authentication.useRefreshTokens = loginData.rememberMe;
deferred.resolve(response);
}
,function (err, status) {
console.log('auth error -- here ')
console.log(err)
console.log(status)
deferred.reject(err);
//deferred.resolve(err);
});
return deferred.promise;
};
raw data
var data = "grant_type=password&[email protected]&password=1234&client_id=angularjs
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Jacopo Dal Bello was born in 1995 in northern Italy, near Venice. After several years of piano, he discovered electronic music and began to buy his first records at 15. Immediately fascinated by techno, acid and dark sounds, he began composing his collection of vinyls. When he was 18, he started his career in some clubs in the nearby area; with his "warm up" sets he began to make himself known to the public and to promoters. His commitment and efforts, together with his unique technique and music led him to become dj resident for many relevant labels such as Re-Fresh. At 17 he started his career in music production. His rst incredible escalation began in 2016, when Richie Hawtin played some of his tracks in the BBC Radio 1 Essential Mix Live Podcast. From that moment, he releases many tracks with Black Swan Recordings, Maintain Replay Records,Typ3 Records, Egothermia Records. Thanks to his commitment in the recording studio, he contributed to the birth of a new music genre. Starting from the arrangement, he then adds minimal, ambient and acid sounds. His unstoppable passion for the pursue of innovative sounds leads him to create various dj sets, yet maintaining his unique identity. | {
"redpajama_set_name": "RedPajamaC4"
} | 4,793 | [
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Join the Friends of the Israel Antiquities Authority in New York as we get a private guided tour of NYU's Institute of the Ancient World's new exhibit Devotion and Decadence: The Berthouville Treasure and Roman Luxury from the Bibliothèque nationale de France, the largest and best-preserved hoard of silver from the ancient world. We will be joined by Israel Antiquities Authority's Joe Uziel who will share about his excavations in the Western Wall tunnels as well as in the City of David.
Please RSVP to [email protected] or (304) 853-FIAA and note any dietary restrictions.
Joe Uziel is an archaeologist at the Israel Antiquities Authority, Jerusalem District, where he excavates in the City of David, Davidson Center and Western Wall Tunnels. Joe completed his PhD at Bar Ilan University on the Middle Bronze Age in the southern Coastal Plain, and now focuses his research on the history and archaeology of Jerusalem, from its earliest urban establishment some 4000 years ago until late antiquity. Joe has advanced methods applied in the field, using new technologies in order to learn about Jerusalem's ancient population through the application of new tools. Recent discoveries made by Joe and his teams in the field include buildings dating from the First Temple Period, the main street of Second Temple Jerusalem and a Roman theater-like structure, the first such building to be discovered in Jerusalem. | {
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Category Archives: Cassette Chronicles
Cassette Chronicles, Home
The Cassette Chronicles – Autograph's 'Sign In Please'
March 10, 2017 limelightmagazine Leave a comment
BY JAY ROBERTS (SPECIAL TO LIMELIGHT MAGAZINE)
The Cassette Chronicles is a continuing series of mini reviews and reflections on albums from the 1980's that I have acquired through Purchase Street Records in New Bedford, MA.
The aim of this series is to highlight both known and underappreciated albums from rock, pop and metal genres from the 1980's through the cassette editions of their releases. Some of the albums I have known about and loved for years, while others are new to me and were music I've always wanted to hear. There will be some review analysis and my own personal stories about my connection with various albums.
These opinions are strictly my own and do not reflect the views of anyone else at Limelight Magazine.
Autograph's Sign In Please (1984)
"Day time, night time/Things go better with rock/I'm going 24 hours a day/I can't seem to stop."
For anyone listening to the radio in early 1985 when the Autograph song "Turn Up The Radio" gave the band their signature (and only) hit, that lyric was a great summing up of how it was to be a rock fan in the mid-1980's. The song is still a hard rock anthem to this day.
As for the album the track was released on, Sign In Please had a few good companion songs but nothing that compared to the celebratory anthem that made the band so memorable today. The debut album's 1980's production decision to add keyboards to everything in an attempt to give songs a glossy sheen left the band sounding what is today described as an AOR sound as opposed to a straight up hard rock sound.
Sometimes that keyboard heavy sound works, such as with the track "Night Teen & Non Stop", but for the most part it robbed songs of an edge that the material could've used. But when they weren't overwhelmed by the keys, songs like "Deep End" really shined. And despite the impossibly cliched novelty song title and lyrics to "My Girlfriend's Boyfriend Isn't Me" is a rather catchy rocker.
Steve Plunkett had a really cool voice with a full throated rasp that gave the band's sound a little bit of roughness that didn't get polished over. Unfortunately, the majority of the songs on the album just kind of fell flat.
As much as I enjoyed the big hit song when it was playing on the radio back in the day, the band quickly fell off my own personal radar after that. They didn't have the staying power given the quickly growing slate of rock bands. But even with their status as a kind of one hit wonder band, you could do far worse than being remembered for "Turn Up The Radio".
Notes of Interest: The band played 48 shows opening for Van Halen before they were even signed to a record label. They broke up in 1989 without ever really benefiting from the whole 80's metal scene beyond "Turn Up The Radio." However, guitarist Steve Lynch and bassist Randy Rand got the band back together in 2013. Steve Plunkett declined to take part in the reunion but gave his blessing as the band recruited a new singer and drummer.
The Cassette Chronicles – Helix's 'Wild In The Streets'
March 3, 2017 limelightmagazine 2 Comments
Helix's Wild In The Streets (1987)
In 1987, heavy metal ruled the music world and there was a seeming endless supply of new bands each week. While Canadian rockers Helix had already been around since 1974, it was the band's Wild In The Streets album that got my attention.
I've owned the album on cassette since it was released, but I haven't heard it in a number of years because I kind of unsurprisingly wore it out by playing it so much. When the opportunity to grab up what turned out to be a brand new and unopened copy of the album for the inexpensive price of a cassette, I had to have it once again.
It is kind of amusing how I stumbled onto my love for this album. I was on a school trip for the cooking class I was taking at the time. We went to Johnson & Wales University in Providence, RI, for a tour. After the tour was over, we all ended up in the school bookstore where I stumbled upon the album and really got drawn in by the intriguing cover art. I had never heard of the band before but after listening to the album that first time, I was hooked.
The 10 song collection features a bluesy party rock vibe combined with a raspy vocal performance from singer Brian Vollmer (still the singer more than 40 years into the band's run). Not only does he have the requisite power in his voice but it comes paired with a leering sort of grin in the vocal inflections depending on the subject matter of the lyrical content for a given track.
The opening guitar riff on the title track is an invitation to experience what the band has to offer. The phrasing and big backing vocals on "Never Gonna Stop The Rock" make for an immediately endearing chorus.
The album's material features nine straight out rockers and one power ballad. This being an album released in 1987, the inclusion of said power ballad was to be expected, but this was before the power ballad movement became too overly crass. Thus, "Dream On" (NOT the Aerosmith song) was sentimental but not sickeningly sweet and sappy.
The underlying bluesy tones from the band helped give a nice extra something to the track "High Voltage Kicks". The band's lack of artifice about their party rock material is pretty much confirmed with the song "What Ya Bringin' To The Party". Also, since I was 16 at the time and hated everything the music labeling group the PMRC stood for, any song that had some sort of swearing in it was a big draw. So you can imagine how much my idiotic teenage brain loved the album closing "Kiss It Goodbye".
Like I said, I hadn't listened to it in years. However, as I listened to it for the purposes of this article, I was singing along with every lyric as if it was that first day I owned the album.
There's really not a single bad track on the album. While the band never really had much in the way of huge commercial success, this album should've been one of the biggest of the 80's. I'm most assuredly in the minority opinion on this, but for me Wild In The Streets is that good.
Notes of Interest: Don Airey and Mickey Curry make guest appearances on the album. Airey (who would go on to join Deep Purple in 2002), is one of three credited players on keyboards. Curry was one of three credited drummers for the album. He has played with a who's who of artists in his career and was the drummer for the Bryan Adams smash hit album Reckless. | {
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'Tis the season of ghouls and ghosts, and so a question: We know spirits can attach to people and places..
You have perhaps heard of the "crystal skulls." This is a legend whereby ancient Indians in Latin America fashioned relics.
Are Some People 'Perfectly Possessed'?
The great and controversial writer Malachi Martin, in a book called Hostage to the Devil, once said there is a phenomenon.
Why does Scripture tell us that some curses "alight" — attach to us, affecting us (Proverbs 26:2) — while others do.
"Curses!" they exclaim — and there are such things in northwestern Florida (better known as the Panhandle) — a couple.
According to exorcist Father Paola Carlin, of Italy, when there are signs of extraordinary demonic activity in a home, there.
Maybe you have one. Odds are, someone you know does — perhaps a spouse or son or daughter; a nephew..
Do you wonder why certain nations — plagued by poverty, disease, and assorted other miseries, including, in areas like the.
Is There Such A Spirit?
Is there such a thing as the "Jezebel spirit"? You hear about it from time to time — a major.
Back in 1992, a fellow named William W. Casciato of Woodbridge, Virginia, wrote a brief item for a magazine about.
When England was ravaged by the Black Death, bells were rung to dispel it. The ringing of those metal domes.
What's in a name? When it comes to the devil, perhaps more than a moniker. Or is it just happenstance?.
We like to probe what is rarely probed, at least in a "religious" way, and here is one of them: Bizarre.
From the Catholic Herald: Ireland urgently needs more exorcists to deal with rising cases of demonic possession and other evil.
Does This Man See Into The Supernatural?
We use the term "allegedly" a lot and it's necessary but sometimes cumbersome and so perhaps one will simply say:.
Does something plague — haunt — your family? Does it go back? Is it nearly like clockwork? It's an interesting.
From Charisma News: by Blake Healy I've seen angels, demons, and other spiritual things for as long as I can.
from spiritdaily.com Archives By Michael H. Brown REMARKABLE OCCULT CONNECTIONS LINKED MANY FAMOUS BANDS OF THE SIXTIES AND SEVENTIES Is all.
It only makes sense: that before we can successfully battle evil, before we can deliver relatives or friends, before we.
In a book full of unusually potent prayers against evil, a priest offers certain observations we haven't seen elsewhere. To.
Can it be so? That is, are there truly some of the strange aspects to spiritual warfare that a fellow.
From WorldNetDaily: The Roman Catholic Church is publishing prayers to combat the "powers of darkness" as interest continues to grow in the.
Is it really true that where we live can be a blessing — or a curse? Can a home carry.
Is there really anything to debate about, when it comes to the existence of "ghosts"? (Read past reaction.) We think.
[A post from Fr. Winston Cabading, OP, one of the exorcists in the Archdiocese of Manila, via Facebook. Our Beloved.
Did you ever wonder about the way certain trends imbue and move through specific ethnicities — and nations? Those trends.
The first official English-language translation of the ritual book "Exorcisms and Related Supplications" is available from the U.S. Conference of.
Was Vegas Shooter Demonically Influenced?
What if the reason it's hard to figure out the motive of the Las Vegas shooter is because the energy. | {
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RATON � The losing manager in Tuesday�s hit-fest between the Triggers and Osos � a 16-15 finale that Trinidad manager J.D. Droddy called �a typical Pecos League pitcher�s duel� � was actually a bit happier than the winner.
Expect, again, for pitching, Raton manager Ray Hancock sounded OK with what he saw.
With 31 combined runs and 32 total hits, there was a lot of scoring going on. The Triggers opened up with that seven-run first inning, sending 11 batters to the plate and driving starter Freezy Smalls from the game with only one out. The Trigger runs came on a three-run home run by Sam DiMatteo; a 3-RBI double by Andrew Azzopardi and an RBI triple by Matt Hunt.
Raton came back in the bottom of the home stanza with a solo home run by Ryan Barban, and slowly worked their way back.
It was 7-2 after two; 9-5 after three and 9-7 after four. Errors and sloppy pitching on both sides scored the runs in those innings. Raton came back to tie in the bottom of the fifth on a two-run homer by Zach Kreegar � scoring Barban, who singled earlier � but Trinidad came back with a big sixth, making it 14-9 on home runs by Wink Nolan and Frank Florio, and a 2-RBI single by Jason Venya.
A Nolan single, error and Florio single made it 15-9 after seven, then Trinidad got its final run in the eighth on a Venya single, two wild pitches and balk.
But Raton � which never says die � came back with five in the bottom of the stanza.
The first two runs came on a Travis Fuquay double and Michael Lange home run, with the last three coming on an Aaron Carman single, a walk, Matt Lynch and Westley Jones singles, a fielder�s choice and a passed ball.
That cut the lead to 16-9 going into the ninth, and while Jesse Meier set Trinidad down 1-2-3, all the Osos could manage was a lone run on an error, fielder�s choice and wild pitch.
And, those arms may be coming.
Just about everyone who played � except the pitchers � got at least one hit, with Venya 2-for-3 with three uns and 2 BI; Matt Goldy 3-fo-5 with two runs; Florio 4-for-6, two uns, 4 BI; and Nolan 4-for-6, three uns, 2 RBI. For Raton, Lange was 3-for-5, two runs, 3 RBI; Carman 2-for-4, three runs, 1 RBI; Fuquay 2-for-5, two runs; and Barban 2-for-5, two runs and RBI.
Dylan Porter and Chris Tuttle will square off against Edison Alvarez and Atsushi Hebisawa in the opening two games. | {
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Pensioner in Russia's Omsk Dies in Hospital After Three Hours in Queue
A 69-year-old woman has died in a hospital in the Siberian city of Omsk after she was forced to spend three hours in a queue waiting to be seen by a doctor, the Prosecutor General's Office said in a statement Tuesday.
According to preliminary data, a woman suffering from diabetes was taken to the hospital on Feb. 24, at 7 p.m.
The patient spent three hours in a hospital corridor waiting to undergo medical tests and to see the doctor, according to the statement.
At around 10.20 p.m. the woman's condition significantly worsened and she died, despite receiving medical assistance.
The Prosecutor General's Office is currently carrying out an investigation into the incident, the statement said.
Half a Million Russians Deprived of Disability Status
The number of people with disabilities in Russia has dropped by almost half a million in the last two years, falling from 12,946 million at the beginning...
Russian Pensioner Who Died in Police Custody Possibly Wrongly Accused
An 81-year-old woman who died in police custody while being held on suspicion of stealing butter has been cleared of the alleged crime, prosecutors...
Over 500 Russians Died in Flu Epidemic – Health Ministry
Over 500 people have died in Russia in this season's flu epidemic, a representative of the Health Ministry Oleg Salagai said, the TASS news agency reported... | {
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Meet the Team | Nimbler. Dallas Ford — Nimble. Design Co.
While we typically introduce ourselves as a multi-disciplinary design studio dedicated to Branding for The Built Environment™, Nimble. is also known as the home base for a growing crew of remarkable creatives from all walks of life.
Brand designers and strategists, interior consultants and project managers — we work together on diverse career paths, encouraging both personal and professional development so we can all grow our own way.
Today, we're excited to introduce Nimble.'s newest Brand Designer, Dallas Ford — a Cincinnati native destined to do big things in the design world. Get to know Dallas through this 4 min. interview below, and follow his 100 day project entries on Instagram to catch some of his personal work.
So, tell us about your new role at Nimble.
DF: Everyday in the studio I strive to combine my identity design experience with the new fundamentals I am learning in environmental design. The fundamentals are similar, but I've quickly realized there's a lot to consider when branding for the built environment. One of my favorite aspects of graphic design and branding is the problem solving that goes into tying together functionality and beauty. Designing for the built environment aims to promote that on a larger scale.
First monumental memory you have of design?
DF: When I first started taking design classes, I thought about switching over to printing because my dad used to run a press at US Playing Card. At the time I felt I would be sort of following in his footsteps, if you will. When I told my biggest mentor in school, Professor Joel Knueven, he firmly said 'NO. You're just starting out. While your past couple projects might have sucked, your most recent project tells me you absolutely have potential if you quit screwing around and do what it takes — immerse yourself in design, and more importantly DO A LOT OF WORK.
Do more than what is required here in school.' He then showed me the following pull quote, which I kept at my desk at home and read almost every single day while in school. It always seemed to motivate me no matter how many times I read it and no matter how discouraged I felt.
But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn't have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it's normal and the most important thing you can do is do a lot of work.
– Ira Glass (see this video rendition via Daniel Sax, as published on This American Life).
Walk us through your typical weekday routine.
DF: Routine is the enemy of creativity — in all seriousness, my routine really does change daily. And I welcome that.
How do you think people in the future will feel about design trends happening right now?
DF: I think a lot of brand refreshes we're seeing now look great but tend to incorporate really clean, simplistic sans-serifs. I recently read an article that refers to this very point as 'blanding'— where we're seeing a lot of companies rebrand to simplistic sans-serf logotypes and ditch the logomark altogether. In the future, I think we'll start moving back to serifs or watching companies like Mastercard drop the name from their identity and only maintain the mark after building better brand recognition — like Apple, Nike, etc.
What's the easiest way to get a better idea?
DF: Step away, take a lap. Even for five minutes. Pretty much helps every time.
DF: Analyze the hard parts and the easy parts first, and then start with the thing that's most challenging or time consuming.
Biggest thing you've learned about yourself as a creative that's helped progress your career?
DF: The importance of personal work. You have to exercise creativity outside of client work to build your skillsets even further — whether it be designing posters, painting, etc. Renowned designers are never quick to put the pencil down at 5 p.m.
What's one thing the Nimble. community should know about you?
DF: I greatly value the idea of having a mentor. In fact, I would not be where I am now without so many amazing people guiding and pushing me along the way. I am forever grateful for all of the people who have mentored me in the past few years, and I hope to step up and do the same for fellow young designers as I gain more experience.
Thanks for reading the first interview in our Meet the Team series. Next up is Copywriter + Brand Strategist, Maria Royal.
For questions or to add to the conversation, contact Candice Riley Campbell, [email protected] | 404.445.3400. | {
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Forgot about it, it's still 50% finished in a .txt on my desktop.
Gimmie a few minutes and I'll finish it.
Don't worry, I've had the same idea but dismissed it since the ROF, and thus its damage output, in game terms, is its most defining characteristic.
Also, question. Do you want precise stats for a start or just a general way to balance it?
I can work out some proposals for the former, but I already have a general concept of the latter.
I'm currently working on an uber post which contains several (read ALL) iconic early 80's to late 90's Heckler & Koch guns, with at least two in each category. Giving them a niche/balancing them against existing guns is proving a bit of a ball ache.
And yes, I'm old, a massive H&K fanboy and my ideas will hopefully rub off on some!
for me the psg-1/msg-90(more the psg due to looks) is an iconic '80-90's weapon of HK(even though it's from the 72 but do not think about it),is that the same for you?sure hope so.
°F,MPH,AM... why do these kind of measurments even exist for? they're just harder versions to understand of what we have in europe just because some guy hundreds years ago wanted to have a measure made by himself...well,except for the fahrenhait,which have some little use and thing of hours which is just slightly outdated,but mostly simply a preference.
There was a study a few years back on the economic impact of changing everything to metric here in the USA. It'd cost a ton--just think of how many speed limit signs you'd have to replace. Then tack on the fact that most people won't mentally adjust easily (they'll see 80 kph and think it's 80 mph) and we're talking a possible high death toll and additional costs.
It's just not economically feasible for the USA to switch right now. Supposedly.
That said, I plan to raise my kids in English units. Oh, and I'm going to make sure they're at least bilingual. If I can con whomever future wife will be into it. | {
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It's tempting for photographers who want to travel light (and economize) to seek out the "perfect" zoom lens that will tackle all of their favorite subjects. That's a tall order, though, because desirable lens specs for sports photography are different than those for portraiture, for example.
Q) About a year ago, you helped me decide on an SLR camera, and I love it. I've taken a short camera class only to learn there's so much more to learn. Now I want a versatile lens, so I can carry just one lens with me. I'll need a zoom (150mm to 300mm?) as I'm sure to be far away when I want to take pictures of tennis players and capture action shots. I know from friends that the lens can't be too long or you can't take it into sporting events, and I need a lens with stabilization. Also, I teach first-grade speakers of other languages, and I enjoy taking their pictures, too.
A) Choosing an all-around lens is a matter of compromises. There are two main considerations: focal length and aperture. I bring this up because you mention quite a range of lenses. At the far end, you refer to focal lengths of 150mm to 300mm. You really have to ask yourself how much you need. Unfortunately, as you get into telephotos, the light-gathering ability of the lens drops-we call them "slower" lenses. In general, the longer the telephoto, the slower the lens. Yet you mentioned you want to shoot tennis games. Obviously, a faster lens is needed to capture the fast action.
Back to compromises. Do you shoot mostly outdoors with a lot of light or do you shoot under lower light levels? The answer decides more about what lens to get than simple focal length.
Light levels and lens speeds might seem like obvious considerations, but it's the thought process I go through when I select lenses. I try to get the fastest lens I can afford while still getting close to the focal length I really need (not the focal length I want).
As you've mentioned, stabilization is another factor. I generally encourage people to get a stabilized lens if they don't use a tripod. In your case, you wouldn't be able to use a tripod at a pro sporting event anyway.
Lastly, I know budget is a concern, but if your goal is to carry just one lens, you may need more than one lens. You might not carry them all at the same time, but you'll have more options if you decide to purchase one lens that meets the needs of photographing tennis and sports action, and another lens better suited to photographing your first-graders.
Q) I bought an Epson PowerLite 1715c multimedia projector because it can be used computer-free with just a flash drive if a slideshow is created with the Windows-based Epson Easy Slide Maker program. I've switched from Windows to Mac. Epson states the 1715c can be used computer-free only with its Windows-based proprietary program.
That leads to my question-is there a difference between JPEG images created with Windows- or Mac-based Photoshop? At what point does the Windows or Mac platform make a difference? It seems to me that I can read CDs with Mac-created Photoshop images with a Windows machine, and PowerPoint presentations are interchangeable between a Mac and a Windows PC. Is there a program that can be installed on a Mac that allows me to use the Epson program on the Mac? As a worst-case scenario, can I create my slideshow or PowerPoint presentation with Photoshop on my Mac, copy it to a backup hard drive and bring it into a Windows machine where I could place it in the Epson slide program and save it to a flash drive?
A) Let's first deal with your projector issue. Whether or not you can present a "Mac" slideshow depends on how you define slideshow. If you can create a folder with a series of JPEG images in it and copy that folder onto a USB flash drive, the Epson can read it. Once you insert the drive into the projector, you can flip through your images.
Now on to your larger question: whether there's a difference between JPEGs created on a Windows computer and those created on a Mac machine. While there are some things that Windows does differently than Mac and vice versa, there's really no difference between the JPEGs created on a Windows or Mac machine. Sometimes there may be problems reading hard drives and even CDs between the two platforms, but that's not file-related. JPEGs, like TIFFs, are platform-independent.
You also asked about PowerPoint presentations. A PowerPoint presentation that was created on a Windows machine usually can be opened on a Mac and vice versa. Of course, you'll need to have PowerPoint installed in both machines, and sometimes embedded movie files or fancy animations or effects may not play properly.
You mention a worst-case scenario, where you create a PowerPoint presentation on your Mac, copy it to your Windows machine and use the Epson software to convert it. That procedure should work fine. The only problem might be slight differences in available effects or transitions in the Mac and Windows versions of PowerPoint. Also, you'll have to make sure that the font you use to create the show is available on both machines, otherwise PowerPoint will use a substitute font. Substituting fonts can cause type to shift position and appear to change in size.
Your worst-case scenario involves using two computers. There's another option. If you used to use Windows and have switched to a Mac, but miss that one application that only runs under Windows, you could consider running Windows on your Mac. When the Mac platform changed to the same type of Intel CPU that's used in Windows machines (prior to that, Macs used the PowerPC chip), it opened up the option of running Windows on a Mac. Surprisingly, Apple has embraced this concept by creating Bootcamp.
Bootcamp allows you to install a copy of Windows (XP or Vista) on your Mac. The reason it's called Bootcamp is that you have to reboot your computer to switch operating systems. Bootcamp is built into the Leopard version of the OS X operating system and requires an Intel-based Mac computer. Bootcamp doesn't come with Windows, so you have to purchase it or use the copy from your old Windows machine, following licensing issues, etc. The look and feel of using Windows through Bootcamp is identical to running a regular Windows computer.
If you don't want to reboot your computer each time you switch between operating systems, you might like third-party programs such as Parallels Desktop (www.parallels.com) and VMware Fusion (www.vmware.com). These create a "virtual" Windows machine on your Mac computer that loads like any other program on your Mac. In my experience, the performance is a little slower than with Bootcamp, and not every Windows application runs correctly. You'll have to decide if you're willing to trade faster performance for the ability to run both operating systems at the same time.
If you have questions, please send them to HelpLine, PCPhoto Magazine, 12121 Wilshire Blvd., Ste. 1200, Los Angeles, CA 90025 or [email protected] Visit our website at www.pcphotomag.com for the web-exclusive HelpLine Weekly and past HelpLine columns. | {
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Annual members directly support our season of spectacular concerts. Your gift helps us bring you the best music experience possible. Les Amis Members show their annual support through gifts that range from $70 to $999.
Sustaining Members also receive : Name listing in the concert program, plus one Open Rehearsal invitation for two people.
Supporting Members also receive: all of the benefits above, plus an additional Open Rehearsal invitation.
Les Amis is proud to based in Northumberland County and invites local businesses and corporations to be part of Cobourg's growing cultural life! Les Amis Corporate Sponsors support our concert series and receive benefits by their annual gift that ranges from $1000-$10,000.
Silver Patrons receive: Charitable tax receipt, name listing on the concert program, season launch invitation for 4 people, two Open Rehearsal Invitations for 2 people, and an invitation to an exclusive Cornell House event for 2 people.
Gold Patrons receive: all the benefits above and their corporate logo on programs, signage, and posters plus an invitation to an exclusive Cornell House event for 4 people.
Platinum Patrons receive: all the benefits above plus their corporate logo on all media print advertising and acknowledgement on all broadcast media advertising. | {
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Show us where you make your art, hack your code, do your work... and use your ElevationDock. Just post on Instagram with the hashtag #elevationdock and we will find and aggregate them.
The 5 best, most interesting pictures will win their choice of ElevationDock. Judging is by our in-house team.
You've only got two weeks - deadline is February 5th! Post that ultra-minimal desk, your multi-monitor NASA control station, your Banksy art studio and win!
You can follow us on twitter & Instagram. | {
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A 35-year-old former Uzbek athlete, who was confined to a wheelchair two years ago following a mistaken tumour surgery, went back on his feet after undergoing a procedure at a city hospital.
Bekzod Abdulakhatov, suffered from spinal Arteriovenous Malformation (AVM), a common birth defect, which could have been easily diagnosed and treated at an adolescent age, but it went unnoticed for 33 years, the hospital authorities said.
When diagnosed, it was mistaken for a tumour near spine for which the former athlete had to undergo critical open surgery at his home town Tashkent two years ago to remove the tumour.
This surgery went wrong to an extent that Bekzod was reduced to a wheelchair and lost his movement completely, they said.
The surgery that helped the Uzbekisatni national walk back again was conducted by a team of neurosurgeons at BLK Super Speciality Hospital, which involved a simple procedure - Digital Spine Analysis (DSA) and embolisation of venous malfunction to correct the abnormal flow of blood between his spinal artery and vein.
Bekzod came on a wheelchair but was determined to stand up on his feet again, displaying the true spirit of an athlete. He was apparently doing well two years ago, and then he was diagnosed with AVM which was mistaken for spinal tumour.
Following the surgery, his condition worsened and he was reduced to wheelchair with very weak lower limbs, said Dr Vikas Gupta, Director, Neurosurgery and Interventional and Endovascular Neurosurgery, BLK Centre for Neurosciences.
Arteriovenous Malformation (AVMs) are defects of the circulatory system that are generally believed to arise during embryonic or foetal development, or soon after birth. It is an abnormal connection between arteries and veins, bypassing the capillary system, the hospital authorities said.
As a result, they can cause intense pain or bleeding or lead to other serious medical problems. Bekzods AVM was misdiagnosed, so it was not cured from the roots. After the surgery although the blood clot around his spine was absent for a few weeks, but it reappeared and started to choke on his spinal cord with high pressure enough to cripple him, Gupta said.
An eight-hour-long embolisation procedure was done to correct the anomaly on December 1.
He was kept under observation and monitored closely in neurosurgery ICU. Power in both lower limbs improved slightly in first few days and eventually the patient was able to stand up on his own and walk after two years of disability, he added. | {
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No, Africa Is Not Being Used As A...
No, Africa Is Not Being Used As A Guniea Pig To Test the COVID-19 Vaccine
Photos of COVID-19 vaccine products with the claim that they're being tested out in Africa to check their efficacy
By - AFP | 30 Sep 2020 4:42 PM GMT
Photos of alleged Covid-19 "vaccines" are being shared on social media with claims that the drugs are not for sale in the US, Canada, and the European Union because they are unsafe and still undergoing testing in developing countries. This is false: these products are not vaccines. They are generic forms of remdesivir, an anti-viral drug recommended for the treatment of Covid-19 and which is sold under a different name in developed markets.
"Not (for) distribution in US, EU and Canada. But they shipping it to Africa? (s.i.c)," reads a Facebook post shared on September 4, 2020.
An image of two different medications -- Jubi-R and Covifor -- are included in the post with product guidelines clearly prohibiting their distribution in North America and the European Union.
"And you still argue that they mean well for the Covid19 vaccine in Africa," reads the image text. "Wake up! Why should a medication be just for a particular region?".
A final line at the bottom of the image reads: "Wake up Afrika, this is not a cure but a trap to kill you or use you as 'Laboratory rats'(sic)."
Screenshot of misleading Facebook post, taken on 28, September, 2020
Similar posts were shared in French and AFP Fact Check debunked those claims here.
Many Facebook users were angry at what they perceived to be selective distribution to the detriment of Africans.
"Where are the brilliant medical scientists & doctors of Africa?" commented one Facebook user. "Let them make & create their own for their own people & not depend on the outsiders." Another wrote: "We refuse to be used as rats or guinea pigs."
Screenshot of comments below misleading post, taken on September, 28, 2020
Since the emergence of the novel coronavirus virus in December 2019, rumours about vaccines being tested on African populations have sparked conspiracies on social media.
Apprehension towards the vaccine reached its peak after two French doctors discussed the benefits of testing vaccines on Africans during a televised interview in April, 2020.
The pair later apologised for their offence -- but this did little to calm allegations that Africans were being manipulated or even used as guinea pigs. AFP Fact Check reported on how it fuelled mistrust of Western vaccines.
These are not vaccines
The two products shared as an image in the posts are not vaccines.
While dozens of trials are in development, no Covid-19 vaccine has been approved yet. The World Health Organization (WHO) said it did not expect widespread immunisation against the novel coronavirus until mid-2021.
Jubi-R and Covifor are both generic drugs made with the molecule found in remdesivir, an antiviral drug developed and patented by the American laboratory Gilead Sciences.
Following a large clinical trial, remdesivir -- the drug initially used to treat the Ebola virus -- proved to be effective in patients with Covid-19.
Tested on more than 1,063 patients with Covid-19, the trial showed that they recovered on average four days faster than others.
However, according to the WHO, "there are insufficient data to recommend either for or against the use of remdesivir in patients with mild or moderate Covid-19."
Remdesivir in the US and Europe
Washington announced in July that it had purchased 92 percent of all remdesivir production by the Gilead laboratory until the end of September -- about 500,000 treatments out of nearly 550,000.
Each treatment requires 6.25 vials on average.
The same month, the European Commission signed a contract with the pharmaceutical company Gilead to secure treatment doses of Veklury, the brand name for remdesivir.
Under the name Veklury, remdesivir was the first medicine authorised by the EU to treat Covid-19.
The decision to authorise its use was given in record time -- only a week after the European Medicine Agency's (EMA) recommendation -- against the 67 days it usually takes.
"We appreciate the European Medicines Agency's rapid review of remdesivir in recognition of the unprecedented nature of this pandemic," said Merdad Parsey, Gilead's chief medical officer.
In July, EMA announced it had placed an order of 30,000 doses with Gilead for an amount of 63 million euros.
Canada also announced an agreement with Gilead Sciences and McKesson Canada to obtain up to 150,000 vials of remdesivir, sold under the name Veklury.
Remdesivir is sold under the name Veklury in certain countries (Photo credit: Gilead Sciences)
The price set by Gilead for developing countries remains high: $390 per vial, or $2,340 US dollars for a treatment using six vials in five days.
Licence for generics in developing countries
For developing countries, Gilead signed non-exclusive voluntary licensing agreements with generic licensing pharmaceutical manufacturers based in Egypt, India and Pakistan to further expand supply of remdesivir.
This royalty-free agreement allows these countries to manufacture remdesivir for distribution in 127 countries in Africa, Asia, the Caribbean, the Pacific and also Europe.
"The countries consist of nearly all low-income and lower-middle income countries, as well as several upper-middle- and high-income countries that face significant obstacles to healthcare access," Gilead said.
Jubi-R and Covifor were developed within this framework by two Indian pharmaceutical groups: Jubilant Generics and Hetero Healthcare.
And according to local media, Indian drugmaker Cipla Ltd will price its generic version of remdesivir for use in Covid-19 patients at less than 5,000 rupees ($66).
Mandatory label statement
Hetero Healthcare told AFP Fact Check that the label specified where Covifor could not be sold "in accordance with the anti-diversion clause but also to safeguard the product against black-market practices".
"As per the government's instructions, the product is only for restricted emergency use to treat the patients hospitalised with severe coronavirus disease symptoms and is made available only at hospital pharmacies," company spokesman Jeyasingh Balakrishnan said.
"It is a general mandate to put these details on the product."
Gilead and Jubilant Generics failed to respond to questions.
However, Jubilant states on its website that Jubi-R is distributed in 127 countries and covered under the licence of Gilead, while remdesivir is "authorised and approved" for treatment of hospitalised patients with severe Covid-19 symptoms subject to regulatory approvals in Europe, US, Japan and India.
Common restriction
AFP Fact Check found market restrictions are common for drugs.
Hetero Healthcare's website indicates it is common to find stipulations on their packaging that certain products are for use in India only, and not for export, as is the case with Covifor.
Screenshot from Hetero Healthcare website, taken on September 18, 2020
AFP Fact Check found the same distribution limitations applicable to Covifor on a specialist pharmaceutical website discussing the sale of the drug in the Dominican Republic.
Screenshot of Covifor medicine from Diaro Salud, taken September 25, 2020
Another search for Jubi-R revealed its labelling also specifies "For India only".
Screenshot from Jubilant Generics website, taken September, 24, 2020
The same goes for the generic version of remdesivir, manufactured by Egyptian pharmaceutical company Eva Pharma and only available in that country.
Screenshot from Eva Pharma website, taken on September, 24, 2020
These restrictions are based on financial regulations, licences and marketing laws and do not refer to the experimental use of the drug, as claimed in the social media posts.
COVID-19 coronavirus vaccine Coronavirus
Claim : Covid-19 vaccine products were being tested on developing countries
Claimed By : Social Media Posts | {
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Patriarch Bartholomew I (center) and the heads of other Orthodox churches participate in the Holy and Great Council of Orthodox Churches on Crete on June 20.
The convening of the "Holy and Great Council" of Orthodox churches was meant to promote unity among the world's 300 million Orthodox believers. But the event -- in preparation for 55 years, and the first such meeting in 1,200 years -- has already turned into a showcase of religious disagreement.
Going into the historic meeting, which began this week on the Greek island of Crete, the Russian Orthodox Church -- the world's largest Orthodox church -- and three other Orthodox churches boycotted the gathering, claiming inadequate preparation.
Bartholomew I, the Istanbul-based ecumenical patriarch considered the "first among equals" of the heads of the independent, or autocephalous, Orthodox churches, and regarded as the spiritual leader of Orthodox believers, has been the driving force behind the initiative to hold the council.
But observers say that some leaders in the Russian Orthodox Church view Bartholomew as a rival and consider his push to organize the council as an attempt to diminish or usurp their authority.
What Is The Holy And Great Council?
It is -- or should be -- a synod of bishops of all the 14 recognized autocephalous churches of Eastern Orthodox Christianity. Unlike the Catholic Church, which has a single, undisputed leader in the pope, the Orthodox Christians are divided into self-governing provinces, each with its own leadership. The council was meant to be the first meeting of all Orthodox leaders since 787, when the last of the seven ecumenical councils recognized by the heads of both the Eastern and Western Christian church was held in Nicaea (present-day Iznik in northwestern Turkey).
What Are The First Seven Ecumenical Councils?
The first seven ecumenical councils, held between 325 and 787, were meetings of bishops and scholars convened in order to reach a Christian consensus and to restore, continue, and develop a unified Christendom. All were held during the rule of the Byzantine Empire, but by the last ecumenical council, all major western sees, although still in communion with the Byzantine state church, were outside the political control of the empire. The 1054 East-West Schism would formally enshrine the split between the Catholic and Orthodox Churches.
What Are The Main Issues For Discussion?
The council, preparations for which began in 1961, was convened to address problems within Orthodox Christianity that have appeared since the beginning of the 20th century, ranging from the relations between the different autocephalous independent Orthodox Churches and the organization of church life outside of the traditional territories of these churches to moral and ethical issues.
Some of the most contentious issues that have failed to be resolved in advance of the council, such as the issue of a common calendar and official lists of the living and departed that are commemorated in churches, have been struck off the original agenda.
How Many Autocephalous Orthodox Churches Exist?
There are 14 autocephalous Orthodox churches, four of which are boycotting the council -- the Russian church being by far the largest, with more than 100 million members, one-third of the total number of Orthodox believers.
What Churches Are Not Attending The Council?
The leader of the Russian Orthodox Church, Patriarch Kirill, said in a message to the council that he would not attend since he considered the Crete gathering a preparatory session for a synod that will unite all the churches "without exception" at a later date.
However, observers say members of the Russian Orthodox clergy have been deeply suspicious of Bartholomew's actions, voicing concern that the council could pave the way to closer ties with the Vatican, Protestants, and others. Such ideas are anathema to a part of Russia's conservative clergy, some of whom regard Russia's Orthodox Church as the new Rome -- the true successor to the Byzantine Christian church after the Ottoman conquest of Constantinople in 1453.
Another disagreement was over the seating arrangements, with the Russian church strongly opposing, according to some reports, a plan for Bartholomew to take a presiding seat during the council session. Instead, the Russian and the Bulgarian Orthodox Church reportedly insisted that the participants sit at a round table.
The Church of Bulgaria was the first to drop out, citing the seating plan, a lack of "particularly important" topics on the agenda, and the handling of documents.
The Church of Antioch, the Damascus-based patriarchate, refused to attend because of an ongoing dispute with the Jerusalem Patriarchate over the jurisdiction of the Muslim Gulf state of Qatar.
Catholicos-Patriarch Ilia II of All Georgia said the Church of Georgia would not attend over the council's rejection of a Georgia-proposed document.
Observers say that the Bulgarian, Georgian, and Antioch churches may have been influenced by the Russian Orthodox Church. | {
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Dr. Feinrider is a neurologist practicing in Boynton Beach, FL. He was educated at Ross University School of Medicine in 1984.
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Tôn Đức Thắng, född 20 augusti 1888 i Long Xuyen, död 30 mars 1980 i Hanoi, var en vietnamesisk politiker.
Biografi
Från 1897 till 1901 fick Thang sin utbildning i kinesiska tecken, historia och filosofi av en privatlärare i Long Xuyen. Denna handledare, som var antikolonial, hade en tung inverkan på den tidiga utvecklingen av Thangs politiska övertygelse. Efteråt lärde han franska vid en grundskola i Long Xuyen och bodde där med sina föräldrar till 1906, då han flyttade till Saigon,
Thang deltog i upproriska aktiviteter mot den franska kolonialmakten. Han var medlem i den vietnamesiska revolutionära ungdomsorganisationen från 1927 och 1929, fängslades han av fransmännen på Sai Gon och deporterades till Con Sơn-fängelset. Han blev kvar där till 1945 och steg då i allmänhetens ögon. Efter Ho Chi Minhs Viet Minh kom till makten i augusti 1945 blev Thang medlem i Cochinkinas partikommitté i CPV och från 1946 ordföranden i nationalförsamlingen. År 1947 blev han medlem i centralkommittén i kommunistpartiet i Vietnam.
Thang fungerade också som ordförande i Lien Viet under upproret mot fransmännen från 1946 till 1954. Organisationen upplöstes emellertid efter Genèvekonventionen 1954 som gav Viet Minh ensam kontroll över Nordvietnam. Thang tog då över en annan organisation, Vietnamesiska fosterlandsfronten, en kommunistisk, regeringsvänlig nationalistgrupp. Thang ledde denna i sin strävan att vinna stöd från folket i Sydvietnam.
Thangs arbete med att försöka vinna över Sydvietnam hjälpte också honom till att bli vice ordförande i Nordvietnams Ho Chi Minh-regering 1960. År 1967, när han fortfarande var vicepresident, vann han Lenins fredspris. Efter Ho Chi Minhs död 1969, blev Thang den siste presidenten för en oberoende socialistisk stat i norra Vietnam.
Efter Saigons fall den 30 april 1975, erövrade Thangs Nordvietnam huvudstaden och hjärtat i södra Vietnam, vilket möjliggjorde en återförening av Nordvietnam och Sydvietnam till Socialistiska republiken Vietnam som formaliserades den 2 juli 1976.
Med slutet av Vietnamkriget och med den sydvietnamesiska regeringen avsatt, kunde Thang lätt hålla kontroll över den instabila nya nationen under mitten och senare delen av 1970-talet. Det enade Vietnam upplevde enligt Thang tidiga problem, då de politiska och ekonomiska villkoren försämrades och miljontals sydvietnameser flydde landet som båtflyktingar. Som ledare för det förenade Socialistiska republiken Vietnam arbetade han hårt under flera år på en massiv rekonstruktion av de båda tidigare delarna av Vietnam, som drabbats av år av krig, där det ingick särskilda projekt för återuppbyggnaden av industri, infrastruktur, och ekonomi.
Källor
Bra Böckers lexikon, 1980.
Externa länkar
https://web.archive.org/web/20160217181830/https://cdn.auckland.ac.nz/assets/arts/Departments/asian-studies/gjaps/docs-vol3-n02/Bodema-review.pdf
Födda 1888
Avlidna 1980
Män
Vietnamesiska politiker under 1900-talet
Personer från Long Xuyên | {
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package playn.ios;
import cli.System.Drawing.RectangleF;
import cli.System.EventArgs;
import cli.OpenTK.FrameEventArgs;
import cli.OpenTK.Graphics.ES20.GL;
import cli.OpenTK.Graphics.ES20.FramebufferTarget;
import cli.OpenTK.Platform.iPhoneOS.iPhoneOSGameView;
import cli.MonoTouch.CoreAnimation.CAEAGLLayer;
import cli.MonoTouch.Foundation.ExportAttribute;
import cli.MonoTouch.Foundation.NSNotification;
import cli.MonoTouch.Foundation.NSNotificationCenter;
import cli.MonoTouch.OpenGLES.EAGLColorFormat;
import cli.MonoTouch.OpenGLES.EAGLRenderingAPI;
import cli.MonoTouch.UIKit.UIDevice;
import cli.MonoTouch.UIKit.UIWindow;
public class IOSGameView extends iPhoneOSGameView {
private final IOSPlatform platform;
private boolean activated;
private boolean createdCtx;
public IOSGameView(IOSPlatform platform, RectangleF bounds, float scale) {
super(bounds);
this.platform = platform;
// TODO: I assume we want to manually manage loss of EGL context
set_LayerRetainsBacking(false);
set_ContentScaleFactor(scale);
set_MultipleTouchEnabled(true);
set_AutoResize(false);
set_LayerColorFormat(EAGLColorFormat.RGBA8);
// TODO: support OpenGL ES 1.1?
set_ContextRenderingApi(EAGLRenderingAPI.wrap(EAGLRenderingAPI.OpenGLES2));
NSNotificationCenter.get_DefaultCenter().AddObserver(
UIDevice.get_OrientationDidChangeNotification(),
new cli.System.Action$$00601_$$$_Lcli__MonoTouch__Foundation__NSNotification_$$$$_(new cli.System.Action$$00601_$$$_Lcli__MonoTouch__Foundation__NSNotification_$$$$_.Method() {
@Override
public void Invoke(NSNotification nf) {
IOSGameView.this.platform.onOrientationChange(
UIDevice.get_CurrentDevice().get_Orientation());
}}));
}
// called when our app is activated and when we resign activation; per iOS policy we stop our
// renderer when we're not activated; the app may still be visible in the background (probably
// blurred out in iOS 7) while the user decides whether to answer a phone call or whatever
synchronized void onActivated() {
activated = true;
}
synchronized void onResignActivation() {
activated = false;
}
@Override
public void WillMoveToWindow(UIWindow window) {
// this is a temporary workaround to deal with iPhoneOSGameView (unnecessarily) destroying and
// recreating our GL context if we're hidden and reshown; the proper solution is to not use
// iPhoneOSGameView and do all the same things ourselves directly atop UIView, but that's not
// something I'm going to do while fixing an 11th hour crashing bug for the build I should be
// submitting to Apple today
if (!createdCtx) {
super.WillMoveToWindow(window);
createdCtx = true;
}
}
@Override
protected void ConfigureLayer(CAEAGLLayer eaglLayer) {
eaglLayer.set_Opaque(true);
super.ConfigureLayer(eaglLayer);
}
@Override
protected void CreateFrameBuffer() {
super.CreateFrameBuffer();
// now that we're loaded, initialize the GL subsystem
platform.viewDidInit(get_Framebuffer());
}
// @Override
// protected void OnClosed(EventArgs e) {
// super.OnClosed(e);
// }
// @Override
// protected void OnDisposed(EventArgs e) {
// super.OnDisposed(e);
// }
@Override
protected void OnLoad(EventArgs e) {
super.OnLoad(e);
UIDevice.get_CurrentDevice().BeginGeneratingDeviceOrientationNotifications();
// run a single frame so that we have something in our framebuffer when iOS stops displaying
// our splash screen and starts displaying our app
platform.update();
GL.BindFramebuffer(FramebufferTarget.wrap(FramebufferTarget.Framebuffer), get_Framebuffer());
MakeCurrent();
platform.paint();
SwapBuffers();
}
@Override
protected void OnUnload(EventArgs e) {
super.OnUnload(e);
UIDevice.get_CurrentDevice().EndGeneratingDeviceOrientationNotifications();
}
// @Override
// protected void OnResize(EventArgs e) {
// super.OnResize(e);
// }
// @Override
// protected void OnTitleChanged(EventArgs e) {
// super.OnTitleChanged(e);
// }
@Override
protected void OnUpdateFrame(FrameEventArgs e) {
super.OnUpdateFrame(e);
platform.update();
}
@Override
protected void OnRenderFrame(FrameEventArgs e) {
super.OnRenderFrame(e);
if (activated) {
MakeCurrent();
platform.paint();
SwapBuffers();
}
}
@ExportAttribute.Annotation("layerClass")
static cli.MonoTouch.ObjCRuntime.Class LayerClass() {
return iPhoneOSGameView.GetLayerClass();
}
}
| {
"redpajama_set_name": "RedPajamaGithub"
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Integrated Systems and Technologies
Metabolic Associations of Reduced Proliferation and Oxidative Stress in Advanced Breast Cancer
Livnat Jerby, Lior Wolf, Carsten Denkert, Gideon Y. Stein, Mika Hilvo, Matej Oresic, Tamar Geiger and Eytan Ruppin
Livnat Jerby
Authors' Affiliations: The Blavatnik School of Computer Science, The Sackler School of Medicine, Tel Aviv University, Tel Aviv; Department of Internal Medicine 'B', Beilinson Hospital, Rabin Medical Center, Petah-Tikva, Israel; Institute of Pathology, Charité Hospital, Berlin, Germany; and VTT Technical Research Centre of Finland, Espoo, Finland
Lior Wolf
Carsten Denkert
Gideon Y. Stein
Authors' Affiliations: The Blavatnik School of Computer Science, The Sackler School of Medicine, Tel Aviv University, Tel Aviv; Department of Internal Medicine 'B', Beilinson Hospital, Rabin Medical Center, Petah-Tikva, Israel; Institute of Pathology, Charité Hospital, Berlin, Germany; and VTT Technical Research Centre of Finland, Espoo, FinlandAuthors' Affiliations: The Blavatnik School of Computer Science, The Sackler School of Medicine, Tel Aviv University, Tel Aviv; Department of Internal Medicine 'B', Beilinson Hospital, Rabin Medical Center, Petah-Tikva, Israel; Institute of Pathology, Charité Hospital, Berlin, Germany; and VTT Technical Research Centre of Finland, Espoo, Finland
Mika Hilvo
Matej Oresic
Tamar Geiger
Eytan Ruppin
DOI: 10.1158/0008-5472.CAN-12-2215 Published November 2012
Aberrant metabolism is a hallmark of cancer, but whole metabolomic flux measurements remain scarce. To bridge this gap, we developed a novel metabolic phenotypic analysis (MPA) method that infers metabolic phenotypes based on the integration of transcriptomics or proteomics data within a human genome-scale metabolic model. MPA was applied to conduct the first genome-scale study of breast cancer metabolism based on the gene expression of a large cohort of clinical samples. The modeling correctly predicted cell lines' growth rates, tumor lipid levels, and amino acid biomarkers, outperforming extant metabolic modeling methods. Experimental validation was obtained in vitro. The analysis revealed a subtype-independent "go or grow" dichotomy in breast cancer, where proliferation rates decrease as tumors evolve metastatic capability. MPA also identified a stoichiometric tradeoff that links the observed reduction in proliferation rates to the growing need to detoxify reactive oxygen species. Finally, a fundamental stoichiometric tradeoff between serine and glutamine metabolism was found, presenting a novel hallmark of estrogen receptor (ER)+ versus ER− tumor metabolism. Together, our findings greatly extend insights into core metabolic aberrations and their impact in breast cancer. Cancer Res; 72(22); 5712–20. ©2012 AACR.
The metabolism of cancer cells is fundamentally different from that of normal cells. The tumor's microenvironment, the activation of oncogenes, the need to avoid apoptosis, and high energetic demands—these are only some of the selective pressures that alter the metabolism of cells during carcinogenesis (1–3). Several recent studies have shown the involvement of metabolic remodeling in breast cancer (4–8). It has been recently shown that targeting metabolic genes hampers breast cancer tumorigenesis in vivo and that the key enzyme in serine metabolism, phosphoglycerate dehydrogenase (PHGDH), is exclusively essential for estrogen receptor negative (ER)− breast cancer (7). Further highlighting the heterogeneity of breast cancer metabolism, another study has recently shown that basal cells are glutamine auxotrophs, whereas luminal cells produce glutamine and secrete it (8). These findings show the potential clinical implications and importance of studying breast cancer metabolism. However, as yet, there is a dire lack of accurate flux rate and metabolite concentration measurements in cancer cells. In contrast, there are relatively ample genome-wide measurements of gene expression, both from cancer cell lines and from clinical samples. This gap creates a growing need to develop methods for approximating the metabolic phenotype based on transcriptomics or proteomics. Tackling this challenge to further elucidate the metabolic aspects of breast cancer, we present a novel computational method, termed metabolic phenotypic analysis (MPA).
The methodologic basis of MPA is constraint-based modeling (CBM), a genome-scale approach to study metabolism. CBM metabolic models have been shown to provide an appropriate context for analyzing high-throughput omics datasets and to elucidate the genotype to phenotype relationship (9). The approach has been extensively applied to study the metabolism of various organisms, from microbes (10–12) to humans (13, 14). The potential clinical use of modeling human metabolism has been previously shown across numerous studies, including the identification of hypercholesterolemia drug targets (9), reactions related to hemolytic anemia (9), and metabolic biomarkers of inborn errors of metabolism (15). Recently, a generic genome-scale metabolic model (GSMM) of cancer has been developed and used to predict selective drug targets by identifying synthetic lethal gene pairs (16). A cell line–specific GSMM of hereditary leiomyomatosis and renal cell cancer (HLRCC) has been developed to study this particular pathology. It predicted selective drug targets for HLRCCs that have been validated experimentally (17), showing the potency of studying cancer metabolism on a genome-scale. However, these studies, as many others, were based on data from cancer cell lines, which may fail to depict the metabolism of the cancer in vivo. Here, with the introduction and application of MPA, our study, based on data of clinical samples, provides a system-level view of breast cancer metabolism in vivo.
Given gene expression or protein abundance profiles, a set of metabolic processes (Supplementary Table S1), and a GSMM, MPA generates for each sample its metabolic profile as explained hereinafter. First, the expression of a gene or protein is defined as high or low, if it is α SD higher or lower than the mean expression of the genes or proteins within the same sample, respectively. Otherwise, it is considered moderate. In the current analysis, α was set to 0.5. Robustness analysis was conducted to ensure that the method is not sensitive to the selection of α (Supplementary Material and Supplementary Fig. S1).
On the basis of the gene–protein–reaction associations (9), this ternary gene or protein profile is transformed to reaction expression, as done in the work of Shlomi and colleagues (18). The expression of a reaction reflects the expression state of its enzymes or enzyme-encoding genes, if it is inferred from proteomics or transcriptomics, respectively. On the basis of the reaction expression profile, an MPA score is computed for each metabolic process. A metabolic process is defined by its medium (i.e., which metabolites can be secreted or absorbed) and its end-reaction, which often produces the target metabolite of that process. For example, for the process of gluconeogenesis from lactate, the medium is defined such that lactate is the only carbon source to produce glucose, and the end-reaction is the one that produces glucose. The medium is set by dividing the reactions that transport metabolites in and out of the cell, termed exchange reactions, into 3 groups: Rsecrete, Ruptake, and Rboth. Rsecrete and Ruptake consist of exchange reactions that should only conduct secretion or uptake, respectively. Rboth consists of all other exchange reactions. To constrain the model according to the medium, the constraints (A–C) are imposed:
where a positive (negative) flux through an exchange reaction denotes the secretion (uptake) of the metabolite, and
is the flux through reaction i, having
as its minimal and maximal feasible flux rates, respectively. Both
are found via flux variability analysis (FVA; ref. 19), applied considering the process at hand. A metabolic process is enforced to be active by constraining the lower bound of its end-reaction to be greater than its maximal feasible value found via FVA, times β, as shown in constraint (D). In the current analysis, β was set to 0.9. Robustness analysis was conducted to ensure that the method is not sensitive to this setting (Supplementary Material and Supplementary Fig. S1). The MPA score of a process P is Opt*/Opt, where
Opt* = the maximal fit to the expression under the medium constraints of P when enforcing P to be active, that is, under all the above constraints.
Opt = the maximal fit to the expression under the medium constraints of P, that is, under the constraints (A–C).
The fit to the expression is computed as the number of reactions whose activity is consistent with their expression state in a steady-state flux distribution that satisfies stoichiometric and thermodynamic constraints. It is found by formulating a mixed-integer linear programming (MILP) problem as defined in the work of Shlomi and colleagues (18). The MPA score is hence a value between 0 and 1. The higher it is, the more probability that the process is active. However, each process has a different bound to its minimal MPA score, which is determined by the number of reactions it depends on for its activity. If a given process depends on x reactions for its activity, then the lower bound of the MPA score of this process is:
Therefore, the MPA values of a given process are treated as relative rather than absolute indications of the process' activity across different samples. The implementation of the MPA code in MATLAB is accessible through a Supplementary website (20). For a small-scale example of MPA's computation, see Supplementary Fig. S2.
Multiple hypothesis correction
As we conducted multiple tests to identify metabolic processes that differentiate between 2 clinical groups of interest, we corrected for multiple hypothesis testing via false discovery rate (FDR) to obtain FDR-corrected P, which are provided in the Supplementary Tables (21).
Reactive oxygen species detoxification score
The computation of the MPA reactive oxygen species (ROS) detoxification score was conducted by computing 2 MPA scores. One that denotes the capacity of the sample to consume superoxide and another that denotes its capacity to produce it. By dividing the former by the latter, we obtain the MPA ROS detoxification score.
Identification of metabolic biomarkers
A metabolic biomarker is a metabolite whose levels in the biofluids can differentiate between 2 clinical groups. Therefore, the candidate metabolic biomarkers are only metabolites known to be transported from the cell to the biofluids via exchange reactions. The identification of metabolic biomarkers is done as follows:
Given the gene expression or protein abundance profiles of 2 clinical groups G1 and G2.
Let B be the set of candidate biomarkers.
For each sample,
For each metabolite,
Compute the MPA scores vij and uij—that denote the capacity of sample i to secrete and uptake metabolite j, respectively.
Let bij = vij/uij.
Conduct Wilcoxon rank-sum test between
Let pj be the obtained P value and record which of the groups (G1 or G2) obtained higher ranked scores.
Correct for multiple hypothesis testing, using Bonferroni, FDR, or positive FDR (pFDR) correction.
Report the metabolites that obtained significant P values, following the correction (i.e., <0.05).
To identify amino acid biomarkers for breast cancer, we applied MPA to gene expression data from normal and cancer breast tissue (22–24). The predictions of metabolites were compared with a set of breast cancer amino acids biomarkers, compiled according to the analysis of measured plasma-free amino acids profiles of patients with breast cancer and controls (25). The significance of the accuracy between the predictions and the measurements was calculated by computing the empirical P values by randomly shuffling the predictions. To identify biomarkers for metastatic breast cancer, we applied MPA to gene expression profiles of breast cancer clinical samples (24).
Cell culture and proliferation experiment
HMT-3522-S1 cells and MFM223 were obtained from the ECACC; HCC2218 cells were obtained from the American Type Culture Collection; HCC1599, HCC1143, and HCC1937 cells were obtained from the German Collection of Microorganisms and Cell Cultures (DSMZ); and MCF10a and MDA-MB-453 were kindly provided by Axel Ullrich (Max-Planck Institute of Biochemistry, Martinsried, Germany). All cell lines that were purchased from cell banks were authenticated using short tandem repeat profiling. Stage III cells (HCC2218 and HCC1599) and stage II cells (HCC1143 and HCC1937) were grown in RPMI supplemented with 10% FBS. Precancerous cells MCF10a were cultured in Dulbecco's Modified Eagles' Media (DMEM):F12 supplemented with 5% horse serum, 20 ng/mL epidermal growth factor (EGF), 10 μg/mL insulin, 0.5 μg/mL hydrocortisone, and 0.1 μg/mL cholera toxin. Precancerous cells HMT-3522-S1 were cultured in DMEM:F12 supplemented with 250 ng/mL insulin, 10 μg/mL transferrin, 0.1 μmol/L sodium selenite, 0.1 nmol/L 17 β-estradiol, 5 μg/mL ovine prolactin, 0.5 μg/mL hydrocortisone, and 10 ng/mL EGF. Pleural effusion cells MDA-MB-453 were cultured in L-15 supplemented with 10% FBS and pleural effusion cells MFM223 were grown in MEM supplemented with 10% FBS. All cells were cultured with Pen/Strep and under 5% CO2, except for MDA-MB-453, which were cultured under 0% CO2. All cells were tested negative for mycoplasma using PCR tests within 6 months before the experiments were carried out.
For determination of cell growth rate, cells were plated in hexaplicates in 96-well plates. During 5 days of the experiment each day, plates were centrifuged and fixed with 2.5% glutardialdehyde. Cells were stained with methylene blue followed by extraction of color with 0.1 mol/L HCl. Absorbance was measured at 620 nm. Experiments were carried out in 3 biologic replicates.
ROS measurements
MDA-MB-453, MFM223, HCC1937, and HCC1143 cells were stained with Mitosox (Molecular Probes; Invitrogen) according to the manufacturer's instructions. Quantitative measurement of fluorescence was conducted by fluorescence-activated cell-sorting analysis using FL2 filter and measurement of 10,000 cells per measurement. Experiments were carried out using 3 biologic replicates.
Previous methods for incorporating contextual gene expression or protein abundance measurements within a generic CBM metabolic model have focused on describing the metabolic state by restricting the model to obtain an optimal fit to the data (18, 26–29). These approaches have shown much value in providing context-dependent metabolic descriptions. However, by requiring an optimal fit, they have ignored the ability of cells to adaptively reinstate lost functions by inducing even small changes in their overall gene expression. This, in turn, can potentially lead to false predictions of reaction inactivity and mask observed differences between metabolic states. In contradistinction, given a gene expression or protein abundance signature of a sample, MPA provides a genome-scale view of its metabolism by considering solutions that may deviate to some extent from the optimal fit–this yields an estimation of the adaptive potential of the sample to carry out an array of metabolic processes in a given context. In the model, a metabolic process is defined by its medium (i.e., which metabolites can be secreted or absorbed by the cell) and its end-reaction. On the basis of a curated, literature-based definition of metabolic processes (30), we assign each sample–process pair an MPA score (Fig. 1; Supplementary Fig. S2). First, the consistency of the sample molecular signature (mRNA expression, proteomics, as defined in ref. 18) with the metabolic state of the model is computed, when requiring the activation of the given process in its medium. Then, this consistency score is divided by the optimal consistency that can be obtained between the signature and the model under the same medium, without this additional activation constraint. The result is the final MPA score for this sample–process pair. It quantifies the extent of significant adaptive flux changes that are required to carry out the process examined, given the observed molecular signature (see Materials and Methods). A high MPA score (close to 1) denotes that a given process can be carried out in a given context with minimal adaptive flux or transcriptional changes and is hence more likely to occur, whereas a low MPA score (close to 0) denotes the opposite.
The MPA workflow. First, the gene expression or protein abundance profile of each sample is converted to a reaction signature according to the gene–protein–reaction (GPR) associations. The reaction signature consists of the expression state of each metabolic reaction (i.e., high, low, or moderate). Second, for each sample, an MPA profile is generated by assigning each metabolic process an MPA score that denotes its activity potential. This is done by solving 2 optimization problems that maximize the fit between the model and the reaction signature, with and without the constraint to activate the process. By solving these 2 problems, we obtain 2 unique fitness scores, whose ratio is the final MPA score of the process. The MPA profile of each sample is a collection of the MPA scores obtained for the different metabolic process that have been provided as input. The red and blue colors denote steps in which information about the metabolic process, or about the sample, are incorporated, respectively.
MPA validation
MPA was validated in 4 different ways. First, we examined the ability of MPA to capture known metabolic differences across 3 human tissues: muscle, liver, and adipose tissue (Supplementary Material and Supplementary Table S2). Second, we tested whether MPA can approximate the lipid production capacity of tumors. We used gene expression data to compute the capacity of 110 breast cancer tumors to produce lipids (31). The obtained lipid MPA scores were significantly positively correlated to the lipid measurements of these tumors (empirical P = 6.40e-03; Supplementary Material, Supplementary Fig. S3, and Supplementary Tables S3 and S4). Third, we computed MPA profiles of clinical breast cancer samples on the basis of their gene expression (24, 32) and used them to predict 5-year survival and metastasis-free survival via support vector machine (SVM) classifiers. For comparison, we built an array of alternative predictors: the gene expression of all genes, only metabolic genes, metabolic pathways enrichment features, and the expression of the genes included in the breast cancer prognostic signature identified by van't Veer and colleagues (ref. 32; Materials and Methods). The MPA-based predictors yielded a mean area under the curve (AUC) of 0.719, higher than those obtained by all other predictors (Supplementary Table S5). Improved performances were obtained by using the lipogenesis MPA profiles (with a mean AUC of 0.767). These results show the prognostic relevancy of MPA profiles, although prognosis prediction is not the prime goal of MPA, and not necessarily sufficient to validate a biologic model (33).
Finally, we show that MPA can bridge the gap between gene expression and protein abundance. MPA was applied to RNA-seq data of HeLa cells (34) to predict the activity state of the metabolic reactions (Supplementary Material). To study the performance of MPA, we tested predictions of posttranscriptional flux activity that do not arise directly from the gene expression input against the proteomics of these cells (34). That is, we focused on reactions in which the gene expression and predicted (flux) activity state differ (e.g., gene expression is low but the reaction is predicted to be active) and examined whether in these cases the prediction fits the proteomic data. Reassuringly, reactions that were predicted as posttranscriptionally up-/downregulated had significantly higher/lower protein abundance, respectively (P = 1.38e-03 and 9.11e-03; Supplementary Material). Of special interest are the activity state predictions of moderately expressed reactions, whose activity state is left undetermined in the gene expression input provided for MPA. Indeed, those moderately expressed reactions that were predicted via MPA to be active have a significantly higher protein abundance than those that were predicted to be inactive (P = 9.58e-04).
Breast cancer progression is accompanied by reduced proliferation associated with oxidative stress
Following its validation, we used MPA profiles generated for 392 breast cancer clinical samples on the basis of their gene expression (24, 32) to study the metabolic alterations that accompany breast cancer progression. As expected, the MPA biomass scores, an approximation of the proliferation capacity of the cell, are significantly higher in advanced grades than in early ones (Wilcoxon rank-sum P = 1.088e-02). However, the MPA biomass scores decrease with increased metastatic potential as depicted by the tumor stage (P = 4.06e-02). Concomitantly, the capacity to biosynthesize essential metabolites as lipids and nucleotides is decreasing in advanced stages (Supplementary Table S6).
We turned to study this intriguing prediction of proliferation deceleration in a combined computational experimental manner. We used a panel of breast cancer cell lines that were extracted from 2 premalignant tumors, 1 stage II tumor, 2 stage III tumors, and 2 metastasis cells from pleural effusions. Together, this panel provides a view of the transformation process toward the metastatic phenotype. The elevated tumorigenic potential of these cells with increased stage has been previously shown experimentally in combination with a global proteomic analysis (35). Measurement of the growth rates of these cells showed statistically significant differences between cells from different stages (ANOVA P = 9.40e-04). The premalignant cells have a significantly higher growth rate than stage II, stage III, and the cells from metastases (with P = 1.61e-03, 7.63e-03, 6.72e-08, respectively), whereas stage II cells have a significantly higher growth rate than metastasis ones (P = 3.31e-02). We computed the MPA biomass scores for these breast cancer cell lines on the basis of their quantitative proteomics. The computational MPA biomass scores, obtained for the cell lines and for the clinical samples, as well as the experimental growth rate measurements, all exhibit the same trend: proliferation decreases with the disease progression.
The experimentally measured growth rates correlated with the MPA biomass scores (Spearman correlation = 0.7857, P = 4.80e-02; Fig. 2A). Notably, other extant CBM methods that were used to predict the proliferation rate [flux balance analysis (ref. 36) and the integrative metabolic analysis tool (iMAT); refs. 18, 27] failed to predict the observed growth rates (with correlation coefficients of −0.0187 and −0.1352, respectively). In difference from MPA, FBA does not account for the specific context-dependent gene expression or protein abundance of the modeled cells; iMAT does not account for the cells' potential to adaptively deviate from these context-dependent transcriptomic or proteomic signatures. Thus, iMAT may miss cellular metabolic responses that successfully maintain a given metabolic process but are infeasible while forcing a maximal fit to the given expression data. Conversely, MPA can successfully identify such responses by allowing for some relaxation of this fit. These differences can explain the superior performance of MPA in this task.
MPA predicts that proliferation is decelerating, while ROS detoxification is increasing with breast cancer progression. A, the average measured (blue bars) and MPA-predicted (red plot) growth rates of the different breast cancer cell lines, ordered according to their stage. B, the differences between the central metabolism of early- and late-stage tumors according to MPA. The MPA scores of the reactions colored in azure (pink) are significantly higher in early (late)-stage tumors. C and D, plots of the MPA ROS detoxification scores as a function of de novo lipogenesis (C) and biomass scores (D).
To trace the causes for the decrease in anabolic biomass production capacity, we returned to the clinical samples and computed the MPA scores of metabolic reactions in central metabolic processes: glycolysis, tricarboxylic acid (TCA) cycle, and the pentose phosphate pathway (PPP). On the basis of these scores we compared the metabolic functionality of early- and late-stage tumors. In accordance with the Warburg effect, the activity of glycolysis, lactate production, and PPP was higher in late-stage tumors (Fig. 2B; ref. 37). However, MPA showed that the products of PPP are not used for synthesizing fatty acids and nucleotides. Instead, they are diverted to the detoxification of ROS: late-stage tumors have a higher capacity to detoxify ROS than early-stage ones (one-sided Wilcoxon rank-sum P = 6.161e-3), and proliferation and de novo lipogenesis are negatively correlated to ROS detoxification capacity (Spearman correlation coefficient of −0.639 and −0.574, respectively; Fig. 2C and D).
The observed tradeoff between proliferation and ROS detoxification can be partially explained by competition over the consumption of NADPH, which is a shared limiting resource for these processes (Fig. 3). Following this, superoxide levels were measured in metastatic breast cancer cells (MDA-MB-453 and MFM223) and nonmetastatic cells (HCC1143 and HCC1937). The metastatic cell lines show significantly lower levels of superoxide, suggesting that the predicted increase in shunting of NADPH to the mitochondria indeed successfully manages to counteract the predicted increase in ROS production (Supplementary Fig. S4). Overall, these results indicate that as the disease progresses toward metastasis formation, the resources of the tumor are increasingly used to counteract oxidative stress, limiting the activity of anabolic processes, and hence, hindering proliferation (Fig. 3).
A systematic view of breast cancer metabolic progression according to MPA. A pathway-level description of the differences between the metabolism of early- and late-stage tumors, as suggested by MPA. In azure (pink) are processes that are more active in early (late)-stage tumors.
ER+ metabolism versus ER− metabolism
While reduced proliferation and increase ROS detoxification were identified as general phenomena in breast cancer progression, we sought to examine metabolic differences between the ER− and ER+ breast cancer subtypes. MPA indicates that the metabolism of ER+ tumors is considerably different than that of ER− tumors, with approximately 73% of the metabolic processes having significantly different MPA scores (Wilcoxon P < 0.05; Supplementary Table S7). In accordance with the literature, we find that glutamine biosynthesis and secretion is significantly higher in ER+ (Wilcoxon P = 1.84e-02), whereas serine metabolism and glutamine uptake are significantly higher in ER− (P = 2.41e-10 and 1.85e-17, respectively; Fig. 4A; refs. 7, 8). In addition, according to MPA, ER+ tumors have a higher capacity to produce lactate from glucose than ER− tumors (P = 1.70e-2), probably as in ER− tumors 3-phosphoglycerate (3PG) is diverted toward serine metabolism via PHGDH (Fig. 4B). What underlies these distinct metabolic "signatures"? A sampling-based stoichiometric analysis (38) of the generic human metabolic model (9) reveals a fundamental tradeoff between serine and glutamine metabolism that arises due to pure stoichiometric constraints–the latter results in a negative correlation of −0.664 between the flux rates of glutamine secretion and serine metabolism (Fig. 4; Supplementary Material), in agreement with recent findings, showing that glutamine is the nitrogen donor for serine biosynthesis [phosphohydroxythreonine aminotransferase (PSAT1) transamination activity; ref. 7].
ER− and ER+ breast cancer differ in glutamine and serine metabolism. A, the MPA scores of glutamine uptake/secretion (right) and PHGDH (middle) computed for ER+ and ER− tumors. The flux rate of PHGDH under glutamine uptake or secretion, according to sampled flux distributions (right). B, a metabolic network, depicting differences between ER+ and ER, as manifested in the MPA scores. aKG, α-ketoglutarate; P-PYR, 3-phosphohydroxypyruvate; PSER, phosphoserine.
Biomarker identification in metastatic breast cancer
MPA was used to predict biomarkers for metastatic breast cancer. Initially, its ability to conduct this task was validated by applying it to predict amino acids biomarkers for breast cancer, based on the gene expression of patients with breast cancer and controls (22–24). The predictions were compared with a set of breast cancer amino acid biomarkers (25). In accordance with the measurement, the predictions of MPA showed the reduction in the level of tyrosine, phenylalanine, histidine, and tryptophan, and the increase in the level of proline and glycine in the plasma of patients with breast cancer. The predictions of MPA matched the experimental measurements (accuracy of 0.588, with an empirical P = 0.048), whereas those obtained using iMAT did not (accuracy of 0.235, P = 0.8432). We then applied MPA to identify potential biomarkers for metastatic breast cancer. The top predicted biomarkers of MPA (Supplementary Table S8) are 2 choline-containing metabolites (lysophosphatidylcholine and phosphatidylcholine), which are predicted to be more highly consumed by the metastatic tumors than by the nonmetastatic ones (FDR-corrected Wilcoxon rank-sum P = 4.45e-02). Interestingly, choline has been suggested as a potential positron emission tomographic (PET) marker for imaging breast cancer (39), and a recent review of cancer biomarkers lists choline and phosphocholine as 2 of the 6 well-established biomarkers of breast cancer (40). Furthermore, the rate of choline transport under physiological choline concentrations has been reported to be 2-fold higher in the breast cancer cell lines than in normal mammary epithelial cells (41).
Here, we present the first genome-scale computational study of breast cancer metabolism. The study reveals a basic distinction between the proliferative and invasive phenotypes. This "go or grow" dichotomy has been previously shown in glioma (42, 43) and melanoma (44, 45) and has been indicated by small-scale mathematical models of cancer behavior (46, 47). Our results suggest that this phenomenon is of broader context and holds also in breast cancer. Evidently, it has been shown that breast cancer subpopulations with elevated metastatic activity are not more proliferative than their parental population (48). In agreement, the levels of circulating but nonproliferating breast cancer cells are positively correlated with bone marrow metastasis (49). Nonetheless, as our pertaining results were obtained in cell lines, an experimental in vivo validation is still required to fully substantiate this trend.
MPA suggests a mechanistic explanation for the "go or grow" phenomenon: The growing need of the metastatic cancer cells to counteract oxidative stress necessarily hinders their proliferation, due to the growing need to funnel NADPH from lipogenesis to ROS detoxification. This mechanism adds upon the ones attributed to the Warburg effect (37), by which the cancer cells reduce the level of ROS. The need to detoxify ROS can be partially explained by the nonapoptotic death process that prevents the survival of matrix-deprived cells (50). It has been shown that matrix-deprived cells can be rescued either by stimulating the flux through the antioxidant-generating PPP or through the direct administration of antioxidants (6). This selection for cells with improved antioxidant capacities is reflected in our results and elucidates the need of the cancer cells to reduce their proliferation to survive. The tradeoff between ROS detoxification and proliferation highlighted here is expected to be more general, as it is caused by intrinsic stoichiometric constraints of the metabolic network. It has been recently reported that an increase both in lipogenesis and in ROS levels is associated with apoptosis (51), supporting the hypothesis that overproduction of lipids, as required for proliferation, hampers the capacity to detoxify ROS.
MPA's mapping of the metabolic differences between ER+ and ER− tumors mirrors and elucidates recent experimental observations. Serine metabolism was found here to be stoichiometrically coupled to glutamine uptake, providing a potential explanation for its exclusive essentiality in ER− tumors. In accordance, MPA indicates that ER− tumors have a lower capacity to produce lactate from glucose, suggesting they operate other mechanisms to oxidize NADH, such as glutaminolysis. These results show how stoichiometry can explain the different metabolic routes taken by ER+ and ER− tumors. It is likely that such stoichiometric couplings are more general, and their identification and potential role in determining specific cancer metabolic subtypes awaits further study.
The computational experimental study presented here provides new insights into the metabolic progression of breast cancer, revealing both generic and subtype-specific metabolic characteristics. It paves the way for a system-level understanding of breast cancer metabolism that is cardinal for its diagnosis and treatment. Considering the success of our computational approach in capturing different aspects of breast cancer metabolism, it opens up many additional possibilities for the genome-scale study of breast cancer metabolism in particular and cancer metabolism in general.
E. Ruppin has ownership interest (including patents) for a patent submitted on drug discovery in cancer. No potential conflicts of interest were disclosed by the other authors.
Conception and design: L. Jerby, G.Y. Stein, T. Geiger, E. Ruppin
Development of methodology: L. Jerby, L. Wolf, E. Ruppin
Acquisition of data (provided animals, acquired and managed patients, provided facilities, etc.): C. Denkert, M. Hilvo, M. Oresic, T. Geiger
Analysis and interpretation of data (e.g., statistical analysis, biostatistics, computational analysis): L. Jerby, G.Y. Stein, M. Hilvo
Writing, review, and/or revision of the manuscript: L. Jerby, C. Denkert, M. Hilvo, M. Oresic, T. Geiger, E. Ruppin
Administrative, technical, or material support (i.e., reporting or organizing data, constructing databases): L. Jerby, C. Denkert, M. Oresic
Conducted the proliferation and ROS measurement experiments and provided the proteomics of the breast cancer cell lines: T. Geiger
Provided data of lipid measurements and gene expression profiling of breast cancer biopsies: C. Denkert, M. Hilvo, M. Oresic
L. Jerby is partially funded by the Edmond J. Safra bioinformatics program and the Dan David foundation. The research of T. Geiger and E. Ruppin is supported by the Israeli Centers of Research Excellence (I-CORE), Gene Regulation in Complex Human Disease Center No 41/11. The research of E. Ruppin is supported by grants from the Israeli Science Foundation (ISF) and the Israeli Cancer Research Fund (ICRF).
Note: Supplementary data for this article are available at Cancer Research Online (http://cancerres.aacrjournals.org/).
Accepted September 1, 2012.
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You are going to email the following Metabolic Associations of Reduced Proliferation and Oxidative Stress in Advanced Breast Cancer
Cancer Res November 15 2012 (72) (22) 5712-5720; DOI: 10.1158/0008-5472.CAN-12-2215
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2 And the beast that I saw was like a leopard, and his feet were like those of a bear, and his mouth like the mouth of a lion. And the dragon gave him his power and his throne, and great authority. 3 I saw one of his heads as if it had been fatally wounded, and his fatal wound was healed. And the whole earth was amazed and followed after the beast; 4 they worshiped the dragon because he gave his authority to the beast; and they worshiped the beast, saying, 'Who is like the beast, and who is able to wage war with him?' 5 A mouth was given to him speaking arrogant words and blasphemies, and authority to act for forty-two months was given to him.
2 And the beast which I saw was like unto a leopard, and his feet were as the feet of a bear, and his mouth as the mouth of a lion: and the dragon gave him his power, and his seat, and great authority. 3 And I saw one of his heads as it were wounded to death; and his deadly wound was healed: and all the world wondered after the beast. 4 And they worshipped the dragon which gave power unto the beast: and they worshipped the beast, saying, Who is like unto the beast? who is able to make war with him? 5 And there was given unto him a mouth speaking great things and blasphemies; and power was given unto him to continue forty and two months.
2 The beast I saw was like a leopard, its feet were like a bear's, and its mouth was like a lion's mouth. The dragon gave the beast his power, his throne, and great authority.
3 One of its heads appeared to be fatally wounded, but its fatal wound was healed.The whole earth was amazed and followed the beast. 4 They worshiped the dragon because he gave authority to the beast. And they worshiped the beast, saying, "Who is like the beast? Who is able to wage war against it? "
5 The beast was given a mouth to utter boasts and blasphemies. It was allowed to exercise authority for forty-two months.
2 This beast looked like a leopard, but it had the feet of a bear and the mouth of a lion! And the dragon gave the beast his own power and throne and great authority.
3 I saw that one of the heads of the beast seemed wounded beyond recovery--but the fatal wound was healed! The whole world marveled at this miracle and gave allegiance to the beast. 4 They worshiped the dragon for giving the beast such power, and they also worshiped the beast. 'Who is as great as the beast?' they exclaimed. 'Who is able to fight against him?'
5 Then the beast was allowed to speak great blasphemies against God. And he was given authority to do whatever he wanted for forty-two months.
2 And the beast that I saw was like a leopard; its feet were like a bear's, and its mouth was like a lion's mouth. And to it the dragon gave his power and his throne and great authority. 3 One of its heads seemed to have a mortal wound, but its mortal wound was healed, and the whole earth marveled as they followed the beast. 4 And they worshiped the dragon, for he had given his authority to the beast, and they worshiped the beast, saying, "Who is like the beast, and who can fight against it?"
5 And the beast was given a mouth uttering haughty and blasphemous words, and it was allowed to exercise authority for forty-two months.
2 The beast I saw resembled a leopard, but had feet like those of a bear and a mouth like that of a lion. The dragon gave the beast his power and his throne and great authority. 3 One of the heads of the beast seemed to have had a fatal wound, but the fatal wound had been healed. The whole world was filled with wonder and followed the beast. 4 People worshiped the dragon because he had given authority to the beast, and they also worshiped the beast and asked, 'Who is like the beast? Who can wage war against it?'
5 The beast was given a mouth to utter proud words and blasphemies and to exercise its authority for forty-two months. | {
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After announcing that its Harmony Link remote control device will no longer operate as of March 2018, Logitech promised free Harmony Hub replacements to all users of the product, and is now making good on its promise.
Looking for a fast and easy way to control your Wemo smart accessories using HomeKit and the Home app? Belkin has the answer with its new Wemo Bridge, which now features compatibility with Apple's smart home platform.
At CES, Orbit announced two new products and an integration with Apple HomeKit, with the B-hyve hose Faucet Timer offered as a simple way to add timing functionality to an existing sprinkler system, the B-hyve Indoor brings the ability to manage the sprinklers inside the house, and HomeKit support makes it all controllable through the Home app.
Netatmo's indoor security camera, the Welcome, will be getting HomeKit support later in the first quarter, the company announced on Monday. | {
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I am a sucker for big ceremonies like this - I always get a little choky. This one was especially poingant given the death of he Georgian luge competitor earlier in the day.
Bottom line: I loved it! The "Welcome to Country" ceremony was incredible, and I loved that they brought the competitors in right at the beginning so that they got to watch. I also loved that everybody in the stadium got to participate in some way - even it it was just by banging drums or waving lights. It's still "participation" and adds to their memories of being there.
I do think that Nelly Furtado could have re-thought her wardrobe - I was just WAITING for her to go A over T in those silly heels and her dress could have been a little less tight.
My kudos for the event, though, go to the prairie indians in those gorgeous coloured outfits. When the athletes marched, everybody was "dancing" - well, more shuffling from side to side, but these colourful guys were jumping and prancing and just throwing their whole hearts into it. And to do it through the whole parade shows incredible stamina!
And now onto the competition - I love the figure skating and bobsleigh (both of which have Aussies competing), but also have a love for curling (gotta love a game where the sporting implements are a large rock and brooms!). | {
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Q: How do I get bash completion for command aliases? I am looking to get tab-completion on my command line aliases, for example, say I defined the following alias :
alias apt-inst='sudo aptitude install'
Is there a way to get the completions provided by aptitude when I hit the tab key? i.e. when I write 'sudo aptitude install gnumer' and hit tab, aptitude completes this to gnumeric, or if there was uncertainty lists all the available packages starting with gnumer. If I do it using my alias, nothing - no completion.
A: Try complete-alias, which solves this problem exactly. (Disclaimer: I am the author of complete_alias)
After install it you can use one generic function to complete many aliases like this:
complete -F _complete_alias <myalias1>
complete -F _complete_alias <myalias2>
complete -F _complete_alias <myalias3>
You may want to source the complete_alias file in every bash instance through .bash_profile or similar.
installation
mkdir ~/.bash_completion.d
curl https://raw.githubusercontent.com/cykerway/complete-alias/master/complete_alias \
> ~/.bash_completion.d/complete_alias
application
source ~/.bash_completion.d/complete_alias
alias container=docker\ container
complete -F _complete_alias container
container can now be autocompleted by the original _docker() completion handler;
$ container l<Tab>
logs ls
$ container s<Tab>
start stats stop
A: There is a great thread about this on the Ubuntu forums. Ole J proposes the following alias completion definition function:
function make-completion-wrapper () {
local function_name="$2"
local arg_count=$(($#-3))
local comp_function_name="$1"
shift 2
local function="
function $function_name {
((COMP_CWORD+=$arg_count))
COMP_WORDS=( "$@" \${COMP_WORDS[@]:1} )
"$comp_function_name"
return 0
}"
eval "$function"
echo $function_name
echo "$function"
}
Use it to define a completion function for your alias, then specify that function as a completer for the alias:
make-completion-wrapper _apt_get _apt_get_install apt-get install
complete -F _apt_get_install apt-inst
I prefer to use aliases for adding always-used arguments to existing programs. For instance, with grep, I always want to skip devices and binary files, so I make an alias for grep. For adding new commands such as grepbin, I use a shell script in my ~/bin folder. If that folder is in your path, it will get autocompleted.
A: 2018 answer
You must add your alias to the program 'complete'. Depending the kind of autocompletion you want to achieve, you must use -c or -F.
For package autocompletion:
complete -c name_of_your_alias
For command autocompletion:
complete -F name_of_your_alias
To check if your alias was added correctly:
complete | grep name_of_your_alias
Finally, to remove an alias from 'complete':
complete -r name_of_your_alias
In your case:
complete -c apt-inst
A: Here's the code from Shawn J. Goff's answer with some improvements:
*
*Fixed syntax errors highlighted by shell-check, eg the first " of "$@" actually ended the function definition string.
*Removed the return 0 so that the return value of the underlying function can be passed back to the caller.
.
# Wraps a completion function, eg for use with an alias.
# Usage:
# make-completion-wrapper <actual completion function> <name of new func.>
# <command name> <list supplied arguments>
# eg.
# alias agi='apt-get install'
# make-completion-wrapper _apt_get _apt_get_install apt-get install
# # defines a function called _apt_get_install (that's $2) that will
# # complete the 'agi' alias.
# complete -F _apt_get_install agi
function make-completion-wrapper {
local function_name="$2"
local arg_count=$(( $#-3 ))
local comp_function_name="$1"
shift 2
local function="function $function_name {
(( COMP_CWORD += $arg_count ))
COMP_WORDS=( \"\$@\" \${COMP_WORDS[@]:1} )
\"$comp_function_name\"
}"
eval "$function"
# echo "$function"
}
export -f make-completion-wrapper
A: As an extension to @Giles answer, the following convenience function auto-names the wrapper generated by make-completion-wrapper to make it possible to define completion in one line:
function complete-alias {
# uses make-completion-wrapper: https://unix.stackexchange.com/a/4220/50978
# example usage
# complete-alias _pass pshow pass show
# complete-alias _pass pgen pass generate
EXISTING_COMPLETION_FN=${1} && shift
ALIAS=${1} && shift
AUTOGEN_COMPLETION_FN="__autogen_completion_${ALIAS}"
make-completion-wrapper ${EXISTING_COMPLETION_FN} ${AUTOGEN_COMPLETION_FN} ${*}
complete -F ${AUTOGEN_COMPLETION_FN} ${ALIAS}
}
A: Own local completions may be defined in ~/.local/share/bash-completion/completions as explained in the bash-completion FAQs
A simple approach is thus to create this directory (if not existing) and put a file named mycommand (with alias mycommand='realcommand' as the alias definition) and to just a) source the original command's completion and b) refer to the function in complete, e.g.:
$cat ~/.local/share/bash-completion/completions/mycommand
source /usr/share/bash-completion/completions/realcommand
complete -F _realcommand mycommand
If the function is called _realcommand. Use completion on realcommand and then complete -p | grep realcommand to see how the function is actually called.
If the alias is meant to be system-wide, one may as well place the file in /usr/share/bash-completion/completions/ directly.
Limitations
*
*Needs manually adding the entry for each alias, not automated.
*Fails if the completion function refers to the command itself:
It worked nicely for e.g. alias userctl='systemctl --user', it (partly) failed for alias mylsblk=lsblk when tab-completing anything other than mylsblk -<TAB>. This is due to the function _lsblk_module referring to the command name (via $1) in the completion script and this fails as mylsblk cannot be found as command. It worked, when I replaced $1 with lsblk in the completion script of lsblk (not recommended, done for testing purposes only).
In this case, the local completion script has to be slightly adapted so that the first argument remains the command name:
source /usr/share/bash-completion/completions/lsblk
_lsblk_dummy() { _lsblk_module lsblk ; }
complete -F _lsblk_dummy mylsblk
which might as well be seen as general approach.
A: By googling this issue I ended up here, so I tried the approaches in the other answers. For various reasons I don't actually understand, they never behaved properly in my Ubuntu 16.04.
What in the end worked for me was way more trivial than expected. I wanted to use the same autocompletion as rsync has for mycommand. Hence, I looked up the autocompletion function, and then called complete accordingly.
# Lookup of name of autocompletion function used for rsync
complete -p rsync
# Returns: complete -o nospace -F _rsync rsync
# Sourcing the rsync functions before, then using the same function for 'mycommand'
. /usr/share/bash-completion/completions/rsync
complete -o nospace -F _rsync mycommand
Disclaimer: I'm not sure what's the downside of my approach compared to the others. I mainly wrote this as it could help people where this trivial approach might be enough.
A: I came up with the following solution; in my case I aliased k to kubectl, and wanted to have bash completion for the k alias as well:
*
*Make sure the bash-completion package is installed (that's the correct package name on Debian/Ubuntu/RHEL; it might be different on other distributions).
*Create a file /usr/share/bash-completion/completions/k with the following content:
# Load completion for the kubectl command:
. /usr/share/bash-completion/completions/kubectl
# Get the completion definition for kubectl (in the form of "complete ... kubectl"):
__k_kubectl_comp=$(complete -p kubectl)
# Transform "complete ... kubectl" into "complete ... k" by replacing the last
# word, and eval the result:
eval "${__k_kubectl_comp% *} k"
# That's it, clean up!
unset __k_kubectl_comp
*Now the k alias should have the same completion as the kubectl command (you might have to open a new shell first).
This will essentially retrieve the complete command for kubectl, modify it so that it applies to the k alias, and run the resulting command. For example, complete -p kubectl on my system prints:
complete -o default -F __start_kubectl kubectl
The shell script above will transform this to complete -o default -F __start_kubectl k, and run that command.
Footnote: The directory to drop bash completion code snippets into is not necessarily always /usr/share/bash-completion/completions. You can get the directory that your system uses by running pkg-config --variable=completionsdir bash-completion (see also the README of the bash-completion package).
A: While others have posted about just doing kubectl at the top level, this is also explained by the ctl:
kubectl completion -h
Detailed instructions on how to do this are available here:
for macOS:
https://kubernetes.io/docs/tasks/tools/install-kubectl-macos/#enable-shell-autocompletion
for linux:
https://kubernetes.io/docs/tasks/tools/install-kubectl-linux/#enable-shell-autocompletion
for windows:
https://kubernetes.io/docs/tasks/tools/install-kubectl-windows/#enable-shell-autocompletion
But taking note on what the OP is asking, How about for aliases of sub commands to kubectl:
alias kg='kubectl get -o yaml'
How do I get autocomplete to work and show me what resources I can get with 'get'?
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Subject Area: Labor Studies
A Comparative Study of Extrinsic and Intrinsic Work Values of Employees in the United States and Japan
Wang, Gabe T.
Research carried beyond the traditional item to item comparison or simple descriptive statistical analysis, developing a comprehensive and systematic theoretical framework and utilizing a comprehensive statistical method to study work values and comparison of employees in the two countries. Pays attention not only to qualitative theory building but also to the use of quantitative computerized research methods. This book is designed for those interested in American and Japanese employees and management, in American and Japanese cultures, in cross-cultural comparative studies, in LISREL models. Managers, organizational theorists, sociologists, psychologists, and researchers interested in quantitative computer usage should also find this book useful.
A HISTORY OF THE SOUTH AFRICAN MINE WORKERS' UNION, 1902-2014
Visser, Wessel
An abridged and updated English version of the original Afrikaans text 'Van MWU tot Solidariteit. Geskiedenis van die Mynwerkersunie, 1902-2002.'
A Social History of the Jewish East End in London, 1914 - 1939: A Study of Life, Labour and Liturgy
Green, Joseph
The first detailed and comprehensive study of the classic period of London's Jewish East End. Describes the circumstances of its formation, its geographical and social boundaries, and such organizations as the remarkable Jewish trade unions, the myriad of friendly societies, burial societies, charities, schools, and various religious and political groups. It analyses the economic basis of the community, its doctrinal and liturgical aspects, festivals, entertainments, housing and food, shops and businesses. Discusses in some depth the external factors: anti-Semitism, Socialism and Zionism. Finally, it places in perspective its effects on the major political and cultural aspects of the history of world Jewry and Britain.
American Labour, France and the Politics of Intervention, 1945-52 Workers and the Cold War
Burwood, Stephen
From 1945, American labor unions actively sought to influence and alter the internal affairs of union organizations in other countries. France was of particular concern. The election of a Communist government looked quite likely. American labor actively intervened in the French labor movement to prevent such an eventuality and to remake it in its own image. This book asks the question why, given its incredible power, American efforts were not more successful. It explores the differing political cultures in which workers in France and the USA were steeped and which guided their outlooks and actions. The French workers' movement was devastated in this period. How culpable was American intervention? . The study uses archival material not previously examined, including personal papers, internal union letters and memos, contemporary union documents, journals, convention proceedings, memoirs, autobiographies, newspaper reportage and contemporary analyses.
B Films as a Record of British Working-Class Preoccupations in the 1950s. The Historical Importance of a Genre that Has Disappeared
Quinn, Paul
The first extensive study of the British B film in the post-war period. The B film was, in the 1950s and 1960s, part of the staple fare of a cinema-going public although, even in their heyday, these films were undervalued even by the people who made them. Once the 'full supporting programme' disappeared from local cinema screens these films also apparently disappeared from the consciousness of all but a very few. This book contains ten black and white photographs.
Biography of Florida Union Organizer Frank E'dalgo
Bogumil, Walter
This is a full-length study of one of Florida's most vital union organizers. Bogumil examines E'Dalgo's impact on the formation of labor unions in the sugarcane, citrus and early aerospace industries within Florida. He probes personality, motivations, and the extent of his accomplishments. It includes William J. Usery's (former Secretary of labor under the Ford administration) candid recollections of their working relationship. With many photographs.
Bristol Riots of 1831 and Social Reform in Britain
Caple, Jeremy
Examines the riots in England of 1831, with special focus on the workers attempting to arrest the decline in wages and jobs through strikes and riotous behaviour. Clarifies specific social, economic, and political structures which created the possibility of such events.
Brookwood Labor College and the Struggle for Peace and Social Justice in America
Howlett, Charles F.
This is the only single volume history on Brookwood's contributions to peace and social reform in early twentieth-century America. It is based on extensive use of the Brookwood Labor College Papers and numerous other primary source collections. The college was led by America's most famous 20th-century pacifist, Abraham J. Muste. It trained not only capable labor organizers but also established the progressive organization, conference for Progressive Labor Action. The college's workers' education program stressed industrial justice and world peace as the key to a better society.
Building Industry in the Upper Swansea Valley and Its Economic and Social Ramifications, C. 1750-1975
Roberts, R.O.
This study starts with the economic history of the Upper Swansea Valley, including an account of the provision of the canal, tramroads and railways which made possible the extensive exploitation of the mineral resources of the district by firms large and small. It then gives an account of the building industry whose story was linked in many ways to all other aspects of the economic and social life of the district. The reports of the Medical Officers of Health were valuable source of information for the study. A final chapter traces the hundred-year history of a distinguished building firm, Davies and Son, Allt-wen. With illustrations.
Case Studies of the Use of Drug Testing in Corporations. Deviance in Large Organizations
Irwin, Darrell D.
In exploring the subject of drug testing in the workplace, the author finds two separate classifications of corporate Employee Assistance Programs (EAPs) -- the "controller" and "helper" models. The "controller" EAP subjects employees to drug tests in order to provide a missing internal structure -- yet the structure of the corporation is where this study finds the problem to be. Yet, employees continue to have no reasonable standards of privacy or civil rights when faced with drug testing. Despite expectations to the contrary, unions often support the drug testing. This research proposes corporations initiate "helper" EAPs which maintain a program of referral services, confidential counseling and the opportunity to return to work.
Catholicism and the San Francisco Labor Movement, 1896-1921
Gribble, Richard
This study examines the complicated story of San Francisco labor in the first twenty years of this century, and how Roman Catholic social teaching was applied. It looks specifically at the period of time in which Yorke and Hanna (an Irish immigrant priest and an Archbishop, respectively) were active on labor's behalf.
Christian Approach to Work and Industry
Matejko, Alexander J.
Provides data and insight to enable business to relate the organizational reality and the socio-economic phenomenon of work/duty to the Christian moral tradition.
Class Conflict and Class Coalition in the California Woman Suffrage Movement, 1907-1912. The San Francisco Wage Earners' Suffrage League
Englander, Susan
Chronicles the brief existence of the League, describing the situation of San Francisco's female work force and unions, the historical circumstances which produced the WESL'S union activists, the split between union and reform suffragists, and WESL's history as an organization and contribution to the 1911 victorious campaign for woman suffrage.
Closing Down the American Base at Adak, Alaska the Social and Psychological Trauma of Relocating Military Families
Gilley, Shirley A.
Memories and experiences of the author on Adak between 1989-1994. Life on the isolated island foced the inhabitants - civilian, militry, dependent, employee, and Aleuts - to bond like family the experience of survival. With photographs.
Comparative Study of Occupational Stress in African American and White University Faculty
Smith, Earl
A detailed comparative examination of occupational stress among African American and White faculty at predominantly white institutions. It is an empirical analysis of an empirical issue: the significant number of African American junior faculty who are unable to make it through the tough tenure and promotion reviews. As the survey shows, many in fact leave the area of instruction for administration early in their careers. No previous research that examines occupational stress in higher education treats in a systematic manner the question of minority/non-minority differences.
Correctional Officers in America
Walters, Stephen
Examines the social science research which describes the occupational environment of correctional officers. Abandoning common popular misconceptions of "prison guards", the authors analyze who correctional officers are, how they are trained, and the common problems that they share while maintaining security in America's prisons.
Deviant Nurses and Improper Patient Care
Falk, Ursula A.
Describes that segment of the nursing profession who deviate from the expectations of the public in the performance of their duties. The concept of "cognitive dissonance" is explored in connection with male nurses but fits the entire study here because the very word "nurse" implies a concern for the sick and needy, which some nurses negate by their actions.
ECONOMIC REFORM IN CHINA, 1979-2003: The Marketization of Labor and State Enterprises
Larus, Elizabeth Freund
This book examines China's policy of gradualism in reforming its state-owned enterprises (SOEs). It argues that political constraints forced China's leaders to opt for a go-slow approach, rather than the "shock therapy" approach used by most Eastern European economies in transition. The book's contribution to the literature on SOE reform is its focus on the impact of reforms on SOE employees. It examines how SOE obligations to provide employment and welfare (housing distribution and allocation, health care, and social security) for employees were reduced in the reform era, sparking worker protests. The book looks at the impact of reforms on workers, and argues that SOE reform will continue, but at a pace determined by labor's response to the reforms. The book argues that labor's response to the reforms forced China's leaders in the late 1990s to resist privatization of large industrial SOEs, and opt instead for marketization and corporatization. The book is based on archival and field research in China and Hong Kong, and uses the Baoshan Iron and Steel Works (Baogang) and the Anshan Iron and Steel Works (Angang) as case studies of industrial SOE reform.
Envy of Excellence
Westhues, Kenneth
This is the full report of a decade of research: the conceptual frame for the study of workplace mobbing plus detailed examination of one extraordinary case, to which fifty others are contrasted and compared. This edition includes an appendix of critical commentaries by ten scholars in varied disciplines.
George Jacob Holyoake (1817-1906) and the Development of the British Cooperative Movement
Blaszak, Barbara J.
The only biography detailing Holyoake's contributions to the Cooperative Movement and his connection to the workers' movement.
Henry Ford's Project in Human Engineering: The Sociological Department of the Ford Motor Company (1913-1941)
Loizides, Georgios P.
A clear and well documented work that studies the influence of a corporation's attempt to transform the social and cultural identities of its newly arriving immigrant workforce in order to create an homogenized American working-class through the practice of 'social / human engineering'. These corporate policies had far reaching implications in the development of class, race, ethnic and gender relations in America.
Job Accidents and the Law in England's Early Railway Age Origins of Employer Liability and Workmen's Compensation
Cawthon, Elisabeth A.
This research chronicles the actions of coroners' courts in the 1830's and 40's, in order to illustrate the competition and, quite literally, the bargaining which could occur in a legal arena when a divisive set of forces changed English workplaces. This study argues that the strictness of judge-made and legislated law toward occupational accident victims may be understood within two contexts from that time: lawmakers' anger at the actions of "medical" coroners - notably Thomas Wakley of Middlesex - and their resentment of the actions of coroners' courts. Chapters 1-3 discuss information revealed about particular workplaces, and their changing nature. When coroners' courts heard occupational accident cases, they discussed many topics which are currently of interest to social historians, such as the structure of households, the status of children and domestic servants, the allocation of power within the workplace, the degree of mechanization, the provision of medical care in local communities, availability of self-insurance, the running of workhouses, and the staffing of hospitals and teaching of doctors. Beyond providing information about legal responses to social change, this study also emphasizes that alternative visions of the law of occupational accidents did exist, in complex and contentious form, in the years prior to 1846. The study occupies new ground in discussing the mechanics of the important shift away from the principle of "letting the master answer" for accidents, to the harsher mid-century principles such as the fellow-servant rule.
Job Satisfaction and Alienation Among Medical Imaging Specialists
Donahue, Karen A.
Although the work of medical imaging specialists is continuing to change with the introduction of increasingly sophisticated and complex technologies, such as diagnostic ultrasound, computerized tomography, and magnetic resonance imaging, the skills of the specialist are being degraded, leading to alienation among the workforce. Additionally, it was found that the medical imaging specialists are not passive objects in the workforce but are actively engaged in making their work environment less alienating.
Labor, State and Capital in Nigeria's Oil Industry
Ihonvbere, Julius O.
This study brings us into the distinctive world of Nigerian oil workers in their daily confrontations with the neo-Colonial state and foreign capital. It reveals how oil workers devise and execute survival strategies against a very formidable alliance of a state which is almost totally dependent on oil rents, and oil corporations whose main operational motivation is the maximization of profits and control of the market.
MILITANT LABOR ORGANIZATIONS AND DEMOCRATIZATION IN COMMUNIST POLAND AND CORPORATE MEXICO Two Studies in Worker History
Comack, Martin
This study considers two contemporary movements of militant labor and their effect upon the democratization of their respective societies – Solidarnosc, the Polish Solidarity union, and the Frente Autentico de Trabajo, the Authentic Labor Front of Mexico. It provides illustrative examples of the leading role of workers organizations in the development and establishment of a democratic society.
Models of Workplace Training Lessons From the Employees Retraining Scheme in Hong Kong
Cheung, Jacqueline Tak-York
This volume examines the learning models of workplace training. The dominant model in North America is the behavioral approach, with strong emphasis on classroom-based and formal group activities. Three emerging alternatives to this model are examined: action regulation theory, critical reflectivity model, and "working-class adult education" approach. This analysis provides an overview of these models, examines the retraining scheme adopted in Hong Kong in 1992, its origin and evolution, model of training, an appraisal of its results, and provides recommendations and criticisms. It includes a bibliography of recent reports, press releases, studies and speeches on the subject.
Occupational Commitment and the Mystique of Self-Employment Among Lagos ( Nigeria ) Port and Dock Workers
Affinnih, Yahya H.
Begins with a sketch of precolonial Nigerian social structure and its accompanying labor relations to provide a basis for assessing the ways in which colonialism gave rise to new social, economic and political institutions as the industrialization processes unfolded. The post-independence social institutions reflect the persistence of colonial patterns. It is also in this context that the contemporary Nigerian port and dock workers' orientation to life, attitudes toward work, accumulation of wealth, independence, dependence, leisure, and aspirations, etc., are informed and shaped. The concept of work alienation faced by both worker groups enhances our understanding of some of the problems that confront the modern Nigerian working class.
Patterns and Processes of Religious Change in Modern Industrial Societies. Europe and the United States
Crockett, Alasdair
This book addresses the central debates about religious change in advanced industrial societies. The contributors, among them some of the best known sociologists of religion in Britain, the United States and continental Europe, present a wide range of opinions on the central question of whether the overriding characteristic of religious change in modern industrial societies is decline, persistence or transformation. It includes proponents of the two main paradigms in the sociology of religion: the traditional paradigm of secularization theory, and the 'new' paradigm of 'rational choice' and 'supply-side' theory. Many of the chapters contain highly sophisticated, yet simply presented, analyses of the best available empirical data from current and historical social surveys in western and eastern Europe (including Russia) and the United States.
Political Life of a Public Employee Labor Union Regional Union Democracy
Sisya, Frank D.
This study examines the effects of the internal organizational structure on the actual process of decision-making on such issues as the raising of the per-capita tax, political endorsement of candidates running for public office, and the hiring and direction of permanent staff; the electoral process; the relationship between the regional union and its local unions and the national union. This work not only fills the void in scholarly publications on union political lives, but also contributes to our understanding of the effects of structure on process.
REMEDY AND PREVENTION OF MOBBING IN HIGHER EDUCATION: Two Case Studies
Therese Warden and Uhuru Watson, tenured professors at Medaille College (New York), were dismissed for turpitude in 2002. Herbert Richardson, tenured professor at St. Michael's College, University of Toronto, was dismissed for gross misconduct in 1994. Rigorous comparative study of these cases yields rich insight, especially because the Medaille mobbings, unlike the one at Toronto, have been corrected. This book spells out a pragmatist, dialogic method for the study of mobbing: analyses of the Medaille cases by Dr. Westhues and AAUP, and scholarly conversation on the Toronto case between Dr. Westhues and seven colleagues in varied disciplines: James Van Patten, Education, Florida Atlantic; Stan C. Weeber, Sociology, McNeese State; Jo A. Baldwin, English, Mississippi Valley State; Anson Shupe, Sociology, Indiana/Purdue; Barry W. Birnbaum, Education, Northeastern Illinois; James Gollnick, Religious Studies, Waterloo.
Rev. William Carwardine and the Pullman Strike of 1894. The Christian Gospel and Social Justice
Cobb, Stephen G.
Of particular concern in this study is the transition in values in the late 1800s as manifested in the relations between labor and management. Discusses the context within which the Pullman Strike of 1894 took place, the predominant values to which it was reacting, the activities of Carwardine, and the rationale for his defense of labor when it was extremely unpopular to do so. This book is based upon primary source material, much of which has never before been presented. The book is a valuable contribution to labor, church and U.S. social history, and also sheds light on contemporary American dynamics.
Revolution by Reason and Other Essays
Quill, Michael
This book examines the ideas of the late Sir Oswald Mosley: British politician and philosopher who became the youngest Member of Parliament and the only Minister ever to resign from office over the question of unemployment. Mosley spent a lifetime advocating systems based on enterprise, initiative and incentive as the best way to create wealth. But he always stressed the necessity for social controls to ensure the bounds of fairness were not breached, and he opposed large-scale international trade. This latter, he believed, led always to mass unemployment in the West as financiers switched investment to cheap-labor Third World countries in order to undercut the markets of advanced nations. For six decades Mosley argued for alternative policies. British Cabinet Minister Richard Crossman wrote: 'Mosley was spurned by Whitehall, Fleet Street . . . and Westminster simply and solely because he was right.' This book of Mosley's essays contains ideas that challenge the accepted wisdom of contemporary economic thought and form the basis of new systems for the future.
Robotic Technologies in Japan: Narratives of Use of Technologies for Manpower Enhancement, Not Replacement
Lim, Tai-Wei
0 1-4955-0301-1 136 pages
Studiesthe way in which robotics and the re-deployment of the aged labor pool in Japan could increase economic productivity in order to cope with the demographic challenges facing that country. It provides options for advocates and policy-makers to select arguments most relevant to their interests for deployment in public intellectual discourse and debate.
Social Reflections on Work
This work includes seventeen interviews with workers of varying backgrounds, gender, race, and financial levels. They work in cornfields, brass works, hog barns, jukebox truckstops, and university conference rooms. It blends anthropology with current social critique and occasional lyric-meditative outbursts.
Sociological Inquiry Into the History of the Union of Turkish Chambers of Engineers and Architects
Öncü, Ahmet F.
This study presents a unique case study regarding the radicalization of professionals (engineers), and provides a theoretical framework for unifying the micro and macro levels of social theory. It lays a theoretical foundation in the excursus on Gramsci and Veblen, and presents a short history of modern Turkey focusing on the state/society relation. It then presents a detailed accounting of the Union of Turkish chambers of Engineers and Architects from 1954 to 1980.
Spartakusbund and the German Working Class Movement, 1914-1919
Pelz, William A.
Attempts to put the Spartakusbund into an objective context by examining its activities during the years of 1914-1919.
The Heroic Priesthood of Father William B. Farrell, 1867-1930: Fighting Anti-Catholicism, Government Corruption and Waterfront Gangsters in New York.
Jordan, Brian
This previously unknown New York City Roman Catholic priest of the early 20th century is introduced to scholars of religion, labor and social justice causes. His work as a pastor in Brooklyn and in Williamsburg is only part of his biography. Fr. Farrell stood up to the social and political issues of his time: anti-Catholic bigotry, labor rights, organized crime and corruption in the New York City government. This book contains 7 black and white photos.
Trade Union Sponsorship of UK Labour Migration to the United States 1850s to 1880s
Murray, Stephen James
A new and contemporary examination of the emigration schemes utilized by the UK Trade/Craft Unions of the late 19th century to supply and channel workers to the USA. This fresh analysis on the subject fills a gap in the existing literature that has not been visited in scholarship for over fifty years.
Unemployment and Employment Policies Concerning Women in Britain 1900-1951
Laybourn, Keith
This study addresses the three major aspects of Britain's discriminatory approach to women's employment laws which were domestic service, broad unemployment and the links between voluntary bodies and the British state
What Gives Work its Value? The Human Worth of a Physical Product
Wilson, David
Marx's value theory has long been recognized as the station at which his intellectual formation in continental philosophy and political thought meets his protracted engagement with the political economists. This book explores the understanding of Marx's engagement with value-modernity in a variety of ways.
What is Wrong with Academia Today? Essays on the Politicization of American Education
Wirth, Rex S.
This work explores the consequences of bureaucratization and corporatization for not only academe, but for education across all levels of American society. Includes essays chronicling the contest between faculty rights and those of other parties to govern a university.
Why British Black Women Have Difficulty Finding Employment. A Sociological Analysis
Showunmi, Victoria
Utilizes first-hand interviews with unemployed black women in Britain to ascertain reasons why they cannot find work. The author studies the various barriers that impede Black Women from succeeding in employment and in education. Her conclusions are that racial discrimination along with their subjective racial and gendered identity hinders their forward progress in employment situations, and in educational settings.
Why Nurses Commit Suicide. Mobbing in Health Care Institutions
Leymann, Heinz
The first English translation of the seminal work of Dr. Heinz Leymann. The term workplace mobbing, or the ganging up of peers and managers against a workmate, was conceptualized by a single scientist, Heinz Leymann in his research to identify a distinct form of collective workplace aggression that has now opened the door to specialization in the field of mobbing and laid the groundwork for its subsequent policies and laws governing human resource management departments globally.
Women at Work in the Victorian Novel
Rivers, Bronwyn
Although middle-class women's work was one of the major social and feminist issues of the mid-Victorian period, literary critics have yet to give extended consideration to the way women novelists treated this topic. This book examines the form and ideologies of mid-Victorian novels that represent middle-class women at work.
The study locates women's novels of the period within a discourse of women's work that included writing by the Langham Place feminists, Sarah Ellis, Sarah Lewis, and Harriett Martineau. Focusing on novels by Elizabeth Gaskell, the Brontë sisters, and Mary Elizabeth Braddon, but also examining the work of lesser-known writers such as Amelia B. Edwards, Louise Costello and Ouida, this work examines how both ideologies and rhetorical forms circulated within fictional and non-fictional writing.
The work debate fundamentally challenged social beliefs about women's sexual and class status, their economic and marital positions, and their educational and occupational opportunities. The demands of work reformers conflicted with the domestic ideology of womanhood, which assumed that middle-class women would remain as the moral centre of the domestic sphere, supported by their husbands or fathers.
By examining the way that novels both influenced and were influenced by this ideology, this book demonstrates how Victorian novels contributed to the imaginative and ideological changes of that most important aspect of female emancipation, women's work.
Women Journalists and the Municipal Housekeeping Movement 1868-1914
Gottlieb, Agnes Hooper
'Municipal housekeepers' were militant women who believed that a woman's place was in the home, but that the home was larger than just four walls. They believed a woman's home was her city and that it was the responsibility of women to keep their cities safe and clean. This study traces the beginnings of municipal housekeeping journalism to the early days of the women's club movement in America and describes its development in newspapers, club publications, general interest magazines and popular women's magazines. It is the first study to concentrate on the work of women journalists during the movement, explores the different ways women promoted reform activities in newspapers and magazines, and links the work of the earlier women journalists to the 19th century themes of domesticity and municipal housekeeping.
Women's Groups & Equality in British Trade Unions
Parker, Jane
Within industrial relations, the mainstream literature has not shown much interest in women as the subjects or shapers of research. This study shows the centrality of women's organizing to unionism and women's experience of unions, and provides insights into the circumstances necessary for women's sustained activism. It examines union operations and how women's groups influence, and are influenced by, them. It contributes an original analysis of the organizational 'identity' of individual unions and women's groups. It also examines the complex relations between unions and their women's groups within particular institutions, including the little-examined area of women's engagement in less formal as well as mainstream union activity.
Work Roles, Gender Roles, and Asian Indian Immigrant Women in the United States
Sircar, Arpana
This study addresses the way gender mediates the lives of employed immigrant women in an ethnic minority community. It sheds light on the interplay of race-ethnicity, social class, and history generates multiple contexts within which individual and collective gender attitudes and norms are situated. This empirical study has tapped firsthand into the isolated behind-closed-doors subplots of how individuals negotiate old and new gender concepts in contested social and familial terrains.
Work-Famly Debate in Popular Culture: Can Women and Men Have It All?
Lem, Ellyn A.
An insightful examination of gender roles in the workplace and how the competing demands of family-work life can be balanced. As a pop culture starting point, the study begins with an examination of the ensuing media frenzy and passionate discussions resulting from the Atlantic Magazine cover story, "Why Women Can't Have it All" by former Princeton Professor Anne-Marie Slaughter and widens its scope into popular films and television.
WORKPLACE MOBBING IN ACADEME : Reports from Twenty Universities
A comprehensive introduction to workplace mobbing in today's colleges and universities, this easy-to-read volume defines and explains the devastating process of being ganged up on by colleagues and administrators, and eliminated from even a tenured professorship. It begins with the editor's summary of his ground-breaking research, begun in 1992 and set forth in two earlier and widely praised Mellen titles, Eliminating Professors and The Envy of Excellence. The sections of the present book consist of original essays written in response to Dr. Westhues' work, reporting and analyzing cases of mobbing in both scientific and humanistic fields. Editorial introductions to successive sections show how each chapter helps answer basic questions about mobbing in the academic workplace: what it is, how the process unfolds, what kind of professors join in and what kind get targeted, by what methods professors are attacked and how they fight back, and finally, how the incidence of mobbing can be reduced.
The authors approach mobbing from diverse disciplinary viewpoints, from anthropology and law to psychology and sociology. Contributors: Dhiraj K. Pradhan, Bristol; Hugo Meynell, Calgary; Enrico Cavina, Pisa; Daryl White, Spelman College; O. Kendall White, Washington & Lee; Jo and Joseph Blase, Georgia; Melvin Williams, Michigan; Carey Stronach, Virginia State; Martin Loney, journalist, Ottawa; Irving Hexham, Calgary; Nathan Young, British Columbia; Joan E. Friedenberg, Southern Illinois: John Mueller, Calgary; Brian Martin, Wollongong; Kathleen Kufeldt, Memorial of Newfoundland: Dan Cohn-Sherbok, Wales; Roman Dubinski, Waterloo; Charmian Bondi, consultant, Oslo; Jan Gregersen, consultant, Jar; David Yamada, Suffolk. | {
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Retreat Premier Addiction Treatment Centers is fully equipped to help individuals who have been suffering from drug and alcohol addiction for quite some time offering a full range of different services to easily accommodate every individual's particular needs. When it comes to the cycle of addiction, there is no one set standard and not every individual can be treated as such. The reasoning behind the substance abuse and finding the root cause is what is most important and oftentimes it takes intense therapy, detoxification and support to allow that person to break the stronghold of addiction.
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Wilderness Supply - Buy Paddling Guidebooks and Maps in Winnipeg and Thunder Bay. Kayak and Canoe Routes.
The go-to map detailing access points, campsites, rapids and portage information for the entire Manigotagan Paddling Route. | {
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#pragma once
#include <aws/wafv2/WAFV2_EXPORTS.h>
#include <aws/wafv2/model/HeaderMatchPattern.h>
#include <aws/wafv2/model/MapMatchScope.h>
#include <aws/wafv2/model/OversizeHandling.h>
#include <utility>
namespace Aws
{
namespace Utils
{
namespace Json
{
class JsonValue;
class JsonView;
} // namespace Json
} // namespace Utils
namespace WAFV2
{
namespace Model
{
/**
* <p>Inspect all headers in the web request. You can specify the parts of the
* headers to inspect and you can narrow the set of headers to inspect by including
* or excluding specific keys.</p> <p>This is used to indicate the web request
* component to inspect, in the <a>FieldToMatch</a> specification. </p> <p>If you
* want to inspect just the value of a single header, use the
* <code>SingleHeader</code> <code>FieldToMatch</code> setting instead.</p>
* <p>Example JSON: <code>"Headers": { "MatchPattern": { "All": {} }, "MatchScope":
* "KEY", "OversizeHandling": "MATCH" }</code> </p><p><h3>See Also:</h3> <a
* href="http://docs.aws.amazon.com/goto/WebAPI/wafv2-2019-07-29/Headers">AWS API
* Reference</a></p>
*/
class AWS_WAFV2_API Headers
{
public:
Headers();
Headers(Aws::Utils::Json::JsonView jsonValue);
Headers& operator=(Aws::Utils::Json::JsonView jsonValue);
Aws::Utils::Json::JsonValue Jsonize() const;
/**
* <p>The filter to use to identify the subset of headers to inspect in a web
* request. </p> <p>You must specify exactly one setting: either <code>All</code>,
* <code>IncludedHeaders</code>, or <code>ExcludedHeaders</code>.</p> <p>Example
* JSON: <code>"MatchPattern": { "ExcludedHeaders": {"KeyToExclude1",
* "KeyToExclude2"} }</code> </p>
*/
inline const HeaderMatchPattern& GetMatchPattern() const{ return m_matchPattern; }
/**
* <p>The filter to use to identify the subset of headers to inspect in a web
* request. </p> <p>You must specify exactly one setting: either <code>All</code>,
* <code>IncludedHeaders</code>, or <code>ExcludedHeaders</code>.</p> <p>Example
* JSON: <code>"MatchPattern": { "ExcludedHeaders": {"KeyToExclude1",
* "KeyToExclude2"} }</code> </p>
*/
inline bool MatchPatternHasBeenSet() const { return m_matchPatternHasBeenSet; }
/**
* <p>The filter to use to identify the subset of headers to inspect in a web
* request. </p> <p>You must specify exactly one setting: either <code>All</code>,
* <code>IncludedHeaders</code>, or <code>ExcludedHeaders</code>.</p> <p>Example
* JSON: <code>"MatchPattern": { "ExcludedHeaders": {"KeyToExclude1",
* "KeyToExclude2"} }</code> </p>
*/
inline void SetMatchPattern(const HeaderMatchPattern& value) { m_matchPatternHasBeenSet = true; m_matchPattern = value; }
/**
* <p>The filter to use to identify the subset of headers to inspect in a web
* request. </p> <p>You must specify exactly one setting: either <code>All</code>,
* <code>IncludedHeaders</code>, or <code>ExcludedHeaders</code>.</p> <p>Example
* JSON: <code>"MatchPattern": { "ExcludedHeaders": {"KeyToExclude1",
* "KeyToExclude2"} }</code> </p>
*/
inline void SetMatchPattern(HeaderMatchPattern&& value) { m_matchPatternHasBeenSet = true; m_matchPattern = std::move(value); }
/**
* <p>The filter to use to identify the subset of headers to inspect in a web
* request. </p> <p>You must specify exactly one setting: either <code>All</code>,
* <code>IncludedHeaders</code>, or <code>ExcludedHeaders</code>.</p> <p>Example
* JSON: <code>"MatchPattern": { "ExcludedHeaders": {"KeyToExclude1",
* "KeyToExclude2"} }</code> </p>
*/
inline Headers& WithMatchPattern(const HeaderMatchPattern& value) { SetMatchPattern(value); return *this;}
/**
* <p>The filter to use to identify the subset of headers to inspect in a web
* request. </p> <p>You must specify exactly one setting: either <code>All</code>,
* <code>IncludedHeaders</code>, or <code>ExcludedHeaders</code>.</p> <p>Example
* JSON: <code>"MatchPattern": { "ExcludedHeaders": {"KeyToExclude1",
* "KeyToExclude2"} }</code> </p>
*/
inline Headers& WithMatchPattern(HeaderMatchPattern&& value) { SetMatchPattern(std::move(value)); return *this;}
/**
* <p>The parts of the headers to match with the rule inspection criteria. If you
* specify <code>All</code>, WAF inspects both keys and values. </p>
*/
inline const MapMatchScope& GetMatchScope() const{ return m_matchScope; }
/**
* <p>The parts of the headers to match with the rule inspection criteria. If you
* specify <code>All</code>, WAF inspects both keys and values. </p>
*/
inline bool MatchScopeHasBeenSet() const { return m_matchScopeHasBeenSet; }
/**
* <p>The parts of the headers to match with the rule inspection criteria. If you
* specify <code>All</code>, WAF inspects both keys and values. </p>
*/
inline void SetMatchScope(const MapMatchScope& value) { m_matchScopeHasBeenSet = true; m_matchScope = value; }
/**
* <p>The parts of the headers to match with the rule inspection criteria. If you
* specify <code>All</code>, WAF inspects both keys and values. </p>
*/
inline void SetMatchScope(MapMatchScope&& value) { m_matchScopeHasBeenSet = true; m_matchScope = std::move(value); }
/**
* <p>The parts of the headers to match with the rule inspection criteria. If you
* specify <code>All</code>, WAF inspects both keys and values. </p>
*/
inline Headers& WithMatchScope(const MapMatchScope& value) { SetMatchScope(value); return *this;}
/**
* <p>The parts of the headers to match with the rule inspection criteria. If you
* specify <code>All</code>, WAF inspects both keys and values. </p>
*/
inline Headers& WithMatchScope(MapMatchScope&& value) { SetMatchScope(std::move(value)); return *this;}
/**
* <p>What WAF should do if the headers of the request are larger than WAF can
* inspect. WAF does not support inspecting the entire contents of request headers
* when they exceed 8 KB (8192 bytes) or 200 total headers. The underlying host
* service forwards a maximum of 200 headers and at most 8 KB of header contents to
* WAF. </p> <p>The options for oversize handling are the following:</p> <ul> <li>
* <p> <code>CONTINUE</code> - Inspect the headers normally, according to the rule
* inspection criteria. </p> </li> <li> <p> <code>MATCH</code> - Treat the web
* request as matching the rule statement. WAF applies the rule action to the
* request.</p> </li> <li> <p> <code>NO_MATCH</code> - Treat the web request as not
* matching the rule statement.</p> </li> </ul>
*/
inline const OversizeHandling& GetOversizeHandling() const{ return m_oversizeHandling; }
/**
* <p>What WAF should do if the headers of the request are larger than WAF can
* inspect. WAF does not support inspecting the entire contents of request headers
* when they exceed 8 KB (8192 bytes) or 200 total headers. The underlying host
* service forwards a maximum of 200 headers and at most 8 KB of header contents to
* WAF. </p> <p>The options for oversize handling are the following:</p> <ul> <li>
* <p> <code>CONTINUE</code> - Inspect the headers normally, according to the rule
* inspection criteria. </p> </li> <li> <p> <code>MATCH</code> - Treat the web
* request as matching the rule statement. WAF applies the rule action to the
* request.</p> </li> <li> <p> <code>NO_MATCH</code> - Treat the web request as not
* matching the rule statement.</p> </li> </ul>
*/
inline bool OversizeHandlingHasBeenSet() const { return m_oversizeHandlingHasBeenSet; }
/**
* <p>What WAF should do if the headers of the request are larger than WAF can
* inspect. WAF does not support inspecting the entire contents of request headers
* when they exceed 8 KB (8192 bytes) or 200 total headers. The underlying host
* service forwards a maximum of 200 headers and at most 8 KB of header contents to
* WAF. </p> <p>The options for oversize handling are the following:</p> <ul> <li>
* <p> <code>CONTINUE</code> - Inspect the headers normally, according to the rule
* inspection criteria. </p> </li> <li> <p> <code>MATCH</code> - Treat the web
* request as matching the rule statement. WAF applies the rule action to the
* request.</p> </li> <li> <p> <code>NO_MATCH</code> - Treat the web request as not
* matching the rule statement.</p> </li> </ul>
*/
inline void SetOversizeHandling(const OversizeHandling& value) { m_oversizeHandlingHasBeenSet = true; m_oversizeHandling = value; }
/**
* <p>What WAF should do if the headers of the request are larger than WAF can
* inspect. WAF does not support inspecting the entire contents of request headers
* when they exceed 8 KB (8192 bytes) or 200 total headers. The underlying host
* service forwards a maximum of 200 headers and at most 8 KB of header contents to
* WAF. </p> <p>The options for oversize handling are the following:</p> <ul> <li>
* <p> <code>CONTINUE</code> - Inspect the headers normally, according to the rule
* inspection criteria. </p> </li> <li> <p> <code>MATCH</code> - Treat the web
* request as matching the rule statement. WAF applies the rule action to the
* request.</p> </li> <li> <p> <code>NO_MATCH</code> - Treat the web request as not
* matching the rule statement.</p> </li> </ul>
*/
inline void SetOversizeHandling(OversizeHandling&& value) { m_oversizeHandlingHasBeenSet = true; m_oversizeHandling = std::move(value); }
/**
* <p>What WAF should do if the headers of the request are larger than WAF can
* inspect. WAF does not support inspecting the entire contents of request headers
* when they exceed 8 KB (8192 bytes) or 200 total headers. The underlying host
* service forwards a maximum of 200 headers and at most 8 KB of header contents to
* WAF. </p> <p>The options for oversize handling are the following:</p> <ul> <li>
* <p> <code>CONTINUE</code> - Inspect the headers normally, according to the rule
* inspection criteria. </p> </li> <li> <p> <code>MATCH</code> - Treat the web
* request as matching the rule statement. WAF applies the rule action to the
* request.</p> </li> <li> <p> <code>NO_MATCH</code> - Treat the web request as not
* matching the rule statement.</p> </li> </ul>
*/
inline Headers& WithOversizeHandling(const OversizeHandling& value) { SetOversizeHandling(value); return *this;}
/**
* <p>What WAF should do if the headers of the request are larger than WAF can
* inspect. WAF does not support inspecting the entire contents of request headers
* when they exceed 8 KB (8192 bytes) or 200 total headers. The underlying host
* service forwards a maximum of 200 headers and at most 8 KB of header contents to
* WAF. </p> <p>The options for oversize handling are the following:</p> <ul> <li>
* <p> <code>CONTINUE</code> - Inspect the headers normally, according to the rule
* inspection criteria. </p> </li> <li> <p> <code>MATCH</code> - Treat the web
* request as matching the rule statement. WAF applies the rule action to the
* request.</p> </li> <li> <p> <code>NO_MATCH</code> - Treat the web request as not
* matching the rule statement.</p> </li> </ul>
*/
inline Headers& WithOversizeHandling(OversizeHandling&& value) { SetOversizeHandling(std::move(value)); return *this;}
private:
HeaderMatchPattern m_matchPattern;
bool m_matchPatternHasBeenSet = false;
MapMatchScope m_matchScope;
bool m_matchScopeHasBeenSet = false;
OversizeHandling m_oversizeHandling;
bool m_oversizeHandlingHasBeenSet = false;
};
} // namespace Model
} // namespace WAFV2
} // namespace Aws
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Aussie SME secures global sports star
Sasha Karen
If you've ever wanted to get people talking about your business, an ambassador is one way to go. My Business speaks to one SME that secured a high-profile tennis champion as its global ambassador.
On a mission to offer convenient, delicious and nutritious snacks aimed at helping people develop a healthier lifestyle, Sharon Thurin started her business in 2005 as a hobby.
"I was actually working in the health and wellness industry, and just saw a gap in the market for the snack products for busy people on the go that actually were not geared towards the body builder or towards the strict weight watcher," Sharon says.
"It was more a lifestyle-type product."
Sharon took this lifestyle product and took Australia, and the world, by storm. Today, Slim Secrets is a global brand, promoted by high-profile ambassador, current world number one tennis champion Angelique Kerber (pictured below right, with Sharon).
The rise of the ambassador
Slim Secrets exports to multiple countries, despite having just three employees. In order to capitalise on international markets, Sharon needed a way to increase Slim Secrets' global appeal, and that is why she decided to engage a global ambassador.
"We have had other smaller ambassadors over the years. For example, we sponsor Miss Universe, we use social media in terms of a lot of influencers, and that works really well for us," she says.
A prominent, global ambassador was the next obvious step.
Sharon was approached by a US-based brokerage specialising in pairing businesses with celebrities. She decided on Angelique because of what the German tennis player represents.
"She's number one in the world at the moment. She worked hard to become number one. It took her time to become number one. She supports a healthy [lifestyle] and she also inspires others to reach those goals," Sharon says.
"But … the biggest factor is she actually won her first grand slam in Australia and she has a soft spot for Australia.
"She's coming to the [Australian] Open very soon, because this only happened, I'd say six weeks ago, so it's all very quick. They approached her agent and they investigated our brand, they looked at, obviously, all the ingredients ... we sent them product and the rest is history."
There's more to having Angelique and her status of ambassador for the Australian market. Being the world's best tennis player in women's singles means Angelique has global recognition and popularity, both of which Sharon is hoping to harness for the benefit of her business.
"We are exporting a lot at the moment, or a lot more than we were, and one of the export countries is China," Sharon says.
"[Tennis] popularity has grown incredibly in China since [former women's singles number two] Li Na, and hence we felt this was great. We just thought it would help in terms of growing our popularity and sales in China.
"One of the main reasons we did go ahead was to grow our brand internationally," she says.
Dealing with competition
Sharon sees Slim Secrets as a trendsetter in the health food industry, something she says stands the company well against competitors.
"The one thing that I believe we've done very well over the last 10 years is actually keep ahead of trends, and just be innovative in the products we bring out," she says.
"For example, we had chia seeds in our cookies. Nobody had heard of chia seeds in most countries around the world.
"We just keep ahead of research, and just try and ensure that our products are as healthy as they can possibly be, as well as taste great. That's very important."
Sharon says that as well as staying ahead in the marketplace, expanding Slim Secrets' product offering has given it an edge in the fight for retailers' shelf space.
"Whilst we do mainly have a range of bars, we recently launched some shelf stable protein puddings, for example, so they're the first on the shelves like it."
The right relationship
For Sharon, forging a strong relationship with an ambassador is not the only success of her business growth. She believes her success to date is due to the relationships she has built.
"Building relationships, and just building great relationships … to me is number one," she says.
"It just relates to everything you do, whether it's with your customers, whether it's with your retail partners, whether it's with the media … anybody and everybody.
"Those relationships become so important, because it helps everyone feel like they're part of your business as well."
International food industry: a regulation nightmare
Despite achieving success around the globe, Sharon faces excessive red tape in every market she finds herself in.
"There's such complexities to do with the food industry, whether it's regulations, it's packaging, it's those minute details," she says.
"When we're launching a new brand or products, there's just so many things that you have to look at with new products and new packaging to ensure that you get everything right, because if you don't, it can be very costly."
Making sure Slim Secret's products translate well in other markets causes Sharon many headaches. Because of the small size of the business, she ensures that her products comply with each country's food regulations to avoid having to produce multiple versions of the same product line.
"It's really difficult and a lot of what's on our packaging may not be suitable, for example, in Kuwait or China, so occasionally, depending on the market, whoever distributes for us has to actually use a sticker and change a couple of things, which is a pain for them," she explains.
"All countries are so different, so it really does become very tricky to get something that everybody will be able to use."
Business name: Slim Secrets
Industry: Health, food
Customer base: Australian and international customers
Business goals that actually impede growth
'We make our business and customers our life'
Last Updated: 26 October 2017 Published: 17 January 2017 | {
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What Causes My Hairline To Recede?
The most common cause of a receding hairline in men is due to male pattern hair loss or androgenic alopecia. As men mature and levels of testosterone are higher (i.e. after puberty), the shape of their hairline can undergo change. The hairline can recede across the entire frontal area, at both corners of the frontal hairline, or at the hairline at the temples. Each pattern of hairline recession is determined largely by genetics and how prone your hair follicles are to DHT damage (see article on androgenetic alopecia).
There are other possible causes of a receding hairline such as frontal fibrosing alopecia or traction alopecia but this is much less commonly seen.
How Does a Receding Hairline Affect Me?
Men who have a higher forehead are often deemed wiser and more regal or aristocratic in appearance. However, a receding hairline, beyond what is acceptable, can affect a number of aspects of a man's appearance.
Firstly, the upper forehead margin is undefined and the focal point of the face shifts from the eyes to the forehead. This can mean frequently losing eye contact with someone that you are conversing with.
Secondly, a receding hairline means the normal proportions of one's face are disrupted. This leaves the midface (from the eyebrows to the top of the nose) and the lower face (from the tip of the nose to the chin) proportionally smaller than the upper face (from the hairline to the eyebrow line). Facial proportions are considered an important marker of beauty, along with contour and symmetry.
Thirdly, this affects the way men can style their hair. There are many products on the market that can conceal thinning hair – sprays, foams, fibres etc. However, the only way to conceal a receding hairline is to wear a fringe that hangs down over the forehead. Some men with M-shaped recession of the hairline are not keen to comb their hair backwards or style their hair upwards.
What is an Aesthetic Hairline in Men?
Because there is a large variation in face shapes, sizes and proportions in men, there is no one-size-fits-all hairline design. However, there are some essential rules to follow when designing a hairline.
Proportions of the upper face, middle face and lower face – This affects the position of the frontal hairline. Generally, equal proportions of the upper, middle and lower face will guide the placement of the frontal hairline. Some men have a naturally lower hairline and may wish to locate the frontal hairline lower than this guide figure. Some men have a naturally higher hairline and do not wish to reconstruct the hairline to be lower than what they were like in their youth.
Facial width – Sometimes, men may experience receding temples together with the receding hairline. The ideal position of the temporal peaks and temporal hairline depend on the width of the face. The forehead width should be approximately equal to the midface width. The jawline width can be 10 – 20% smaller than the forehead and midface width. If the temples have undergone significant recession, the forehead appears wider and less aesthetic in appearance.
How To Stop My Hairline From Receding Further?
As discussed in the segment on androgenic alopecia or male pattern hair loss, the common strategies used to stop a receding hairline are the blocking of the offensive hormone, DHT, using a US FDA-approved medication called finasteride, as well as the thickening up of the existing hairs just behind the hairline (and the rest of the head) using medication or other non-surgical techniques.
Studies have shown that 85% of men with male pattern hair loss will benefit from using finasteride alone, and that figure would be higher when combining multiple methods.
An already receded hairline will not, however, grow back to its previous position with just medical therapy alone.
How To Correct My Receded Hairline?
The best approach to correcting the already receded hairline is to undergo hairline reconstruction via a hair transplant. Hair transplantation done using the FUE method avoids the linear scar that will be visible after a FUT strip harvest procedure. FUE hair transplantation has been performed for decades with good, long-lasting results.
Read more about FUE hair transplantation here!
What Do You Consider When Designing A Hairline For Transplant?
Hairline design requires a collaborative approach between the hair restoration physician and the patient. Blindly following a set of rules in hairline design can often lead to unsatisfactory results.
The doctor will consider the age of the patient, whether or not he has receded prematurely and if his hairline is likely to recede further. It is, obviously, unnatural to restore a 50-year-old man's hairline to that of a 20-year-old.
The ethnicity of the patient plays a part in hairline design. Caucasian and Asian men do not naturally have stark straight hairlines whereas some men of African descent would have naturally straight hairlines. Restoring Caucasian and Asian men's hairline requires the design to be more bell shaped, sometimes recreating the widow's peak in the process.
Other factors such as the shape and curvature of one's head, direction and angle of hairs, position of the parting etc. will be considered by the hair restoration physician before recreating the hairline during the procedure.
Why Not Just Conceal The Receding Hairline With A Combover?
While that is feasible and possible in mild cases of hairline recession, a receding hairline in more advanced stages would make this difficult to impossible.
A common scenario would be as follows: a 30-year-old man with a receding hairline opts to conceal it with a combover hairstyle with the idea that he would just accept that he is bald in 20 years time. 8 – 10 years later, he has an advanced stage of hairline recession and requires a much larger procedure to correct his hairline – which translates to more cost, longer downtime and the possibility of getting a less than optimal result.
If you are concerned about the state of your hairline, it would be preferable to seek advice from a hair restoration doctor early. | {
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And those are the first two tracks from Matt Zarley's new album "Hopeful Romantic," and I am very impressed with them, and especially now that I've seen the videos for them, which are amazing. The full album is set for a February release. This JD Doyle bringing you OutRadio for November, which will include my usual wide mix of new music and as always some older surprises, like this next one. You won't find it on any of his albums, but in 2007 Eric Himan recorded his own cover of "Jolene."
After Eric Himan I played "Last Reminder," a new track by Aiden James and then I went to Australia to play two tracks from the new EP by the Blow Waves, called "Island." Lead Singer Matt Doll sent the EP to me, and I've played him before, both for his solo work and with a band called the Mavis's. And here is another act from Australia, Kristy Apps & the Shotgun Shirleys.
You just heard three from an act new to me, recommended to me by a music journalist friend of mine in Australia, Sue Barrett, and I thank her. I followed up and Kristy Apps sent me three tracks, "Modest in Its Glory," "Missing of Her" and "Face to Face." Now for a more low key set, starting with an artist new to me, Ramona Montanez.
Ramona Montanez started that set off with her song "Naked" and then Dani Shay did some gender puzzling in a song called "Girl or Boy," from 2012. And last, local Houston artist Sarah Golden and I think a terrific song by her, "The One I Love."
Up next is a song by Tim Cain and his band Boys Entrance that is probably not destined for broadcast radio.
"Mr Sissy" is from the upcoming CD "Tunnelvision," by Boys Entrance, and I was very honored in 2010 when Tim Cain wrote and recorded the song "Give 'Em Hope" especially for one of my shows, on music inspired by Harvey Milk.
I don't play much rap on this show, frankly as not much grabs my interest, but this one did and it has something to say. It's called "Let It B Known," and is by an act going by IKP.
I originally started to put this next song much earlier in the show, but it just called out to me as the perfect closing song for this segment. It's by Martine Locke, a transplanted Australian now living in Indiana, and it's her latest single, called "All My Days."
This is JD Doyle and welcome back to OutRadio. That first artist I've known a long time. His name is Jeff Krassner and I went back to his first CD, from 1995, for the song "Lovin' You Is A Natural Thing." And for the second artist, Garry Novikoff, it's only been a couple years. From his 2009 CD "A Normal Life," I picked the very poignant song "Lenny." I played them together because according to Garry's Facebook status they now are in a relationship. Very cool, and I wish them the best.
As I write this the first entry on Garry's timeline is that he can't stop listening to the new album by the UK band The Feeling, called "Boy Cried Wolf." Whoa, I missed knowing about that one, and I've played that band before, as their lead singer Dan Gillepsie is openly gay. I bought the album and here's the title track and another, called "I Just Do."
In October I played two by Doug Locke, and I can't get enough, here are two more, called "Give It Up" and "Cyanide."
That was the new single by Erasure, called "Elevation," and in the middle of that set Joey Salinas gave us "Luv Me," from 2012.
I was one of the judges for the RightOutTV Awards this year, and during the process I always discover songs new to me, which is terrific. Here's one of those, by Canadian Janet Whiteway, and is the title track from her CD "Pure Sunshine."
That band for a lot of years called themselves Sister Funk, and I've seen them perform, quite a good group, but they've rebranded themselves and now go by Run Jenny. No matter what the name it's all good. And that song is called "Goodbye."
And this next artist I do not believe is gay. It's one of those times where the artist, in this case songwriter Sam Dees, recorded a demo of one of his songs to interest other artists in it. So, this one was written for a woman to sing. In the early 70s he wrote a lot of songs for the Aware label that ended up being recorded by some of the top soul acts. This track was finally released, in 1998, on a CD called "The Heritage of a Black Man," covering a bundle of these tracks. Of course I picked it for the title, "For That Man of Mine."
Now, I'm not sure quite why, but that last song made me think of one I've not played in ten years, so I dug it out. In 1983 soul singer Barbara Mason released the song "Another Man." She had a big hit in 1965 with the song "Yes, I'm Ready" and hit on the soul charts in 1981 with one called "She's Got the Papers, I've Got the Man." She makes reference to that title in the intro of her song, "Another Man."
David Raleigh has been working on his new album a long time, and it's finally released, and he named it "The Equation of Love." One of my favorites from it is called "I Do."
This is JD Doyle, thanking you for joining me in checking out a bunch of LGBT artists, playing mostly new songs for you. To close the show I picked a song I played on my September show, and it's so terrific I just have to play it again. It's by Canadian artist Megan Lane from her album "Sounding the Animal," and it's called "Someday We Will Leave This Town." | {
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These are articles that Meredith has reviewed.
Methadone withdrawal symptoms resemble those of other opioids and include nausea, sweating, and cravings. Learn more about methadone withdrawal.
An Adderall overdose can lead to stroke and other serious health problems. Learn more about overdose signs, treatment, and recovery programs.
Get tips to quit oxycodone, learn about oxycodone withdrawal symptoms and effects and find out how to help an oxycodone addict.
When you or a loved one have a depressive disorder, it's important to get qualified help. Learn what to look in a good depression treatment center.
Abusing Darvocet can cause serious health issues and even death from overdose. Inpatient treatment may be the safest option when it comes to rehab.
Learn how to identify drug and alcohol relapse warning signs and get tips for how to cope with them.
What Is the Nar-Anon 12-Step Recovery Program?
Nar-Anon is a support group designed to help family and friends of drug addicts. Members can share their experiences with an addicted loved one. | {
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I have been designing gardens and outdoor spaces for over 20 years, both in the UK, where I trained with some of the best known designers in the business and now here in New Zealand my new home. Read the FAQs page for further information on working with a Landscape Designer.
Early in my career while working within the IT industry I developed a strong sense of process and communications skills that now add to the smooth development of a garden project. I've also done time mixing concrete, laying and pointing paving and general labouring which gives me a greater understanding of how materials can be used.
To understand how the outdoor space will work for a specific client using the architecture, surrounding landscape and site specifics to guide the creative process.
I place great emphasis on the underlying groundplane, fusing traditional design with modern ideas. Plants are used sculpturally or massed to add the wow factor to the design.
I welcome collaboration with architects and house designers.
Seeing an unloved space change into a garden that is cherished and enjoyed by its owners. | {
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William McKenzie Morrison produced this cabinet card portrait of actor William Hunter Kendal (1843-1917). Morrison's studio was housed in the Haymarket Theatre building in Chicago, Illinois. Morrison was known for being a photographer who specialized in taking photographs of celebrities. To view other portraits by Morrison, click on the category of "Photographer: Morrison". Kendal's given name was William Hunter Grimston and he was an English actor and manager. He was born in London and had his theatrical debut in Glasgow at age eighteen. Four years later he appeared in London at the Haymarket Theatre. In 1869 he married Madge Robertson (1848-1935) and they performed together for many years. Kendal was a co-partner in managing the St. James Theatre from 1879 through 1888. Between 1889 and 1895, Kendal and his wife toured successfully in the United States and Canada. Their American debut was in "A Scrap of Paper" (1889). The couple retired from acting in 1908.
A young woman is featured in this cabinet card that appears to be a memorial photograph. The image has a musical theme. Note the pictured string instrument and the scrolled sheet music. Perhaps the young woman pictured in the frame was a musician. The photographic studio responsible for this interesting image is the C. S. Roshon studio which was located in Harrisburg, Pennsylvania. The cabinet card gallery has another Roshon photograph in its collection). This second photograph is one of the more controversial images in the gallery's collection because it very well may be a counterfeit cabinet card. The image features a Native American man with a turkey vulture on his head. Click on the category "Photographer: Roshon" to view this photograph.
Two affectionate men pose for their portrait in Newton, Kansas. The men look quite dapper in their suits and with their straw hats. Note that the gentleman wearing the suit and vest has a pocket watch chain visible atop his vest. He is also holding a walking stick.The man standing, and the man sitting on the hammock are showing some shared affection. They could be friends, relatives, or even lovers. It is impossible to guess their relationship. One wonders if homophobia was much of a factor in the cabinet card era in regard to men showing affection to men in public or in photographs. Perhaps a visitor to the cabinet card gallery can competently comment on this issue. The photographer of this image is the Tripp studio in Newton, Kansas. According to print on the reverse of the photograph, the studio was located on the corner of Main Street and Broadway. The photographer, Frank D. Tripp is cited in Anthony's Photographic Bulletin (1896) as the President of the Photographers Association of Kansas. Another source states that Tripp "flourished" as a photographer in Newton during the 1880's. Tripp's obituary appears in The Evening Kansan Republican (1947). He died in Denver, Colorado at age eighty. He was described in the article as a pioneer photographer in Newton. He was an officer in the Newton Masonic Lodge. At some point he moved to Pueblo, Colorado where he was a partner in the Tripp and York photography studio.
Agnes Evans poses for this cabinet card (top) photographed by Newsboy of New York. Agnes Evans was a theatre actress who performed in the Broadway production of the Pit (1904). The actress is wearing a very revealing risque dress. Further research by myself or assistance from visitors to this site will hopefully further illuminate her life and career. Newsboy was a brand of plug tobacco and Newsboy photographs were given away as a premium by tobacconists and drug stores who sold the tobacco. The images were produced by the National Tobacco Works of New York. They were likely produced and issued in the early 1890's. The bottom image features Miss Evans in another Newsboy cabinet card (number 8 in a series). She is wearing a risque costume that includes fingerless gloves.
George Hadley of the Castle Studio produced this portrait of a woman in deep concentration. She is studying what appears to be a small framed photograph. One of her hands rests on a table. The table top holds an inkwell. Printing on the reverse of the cabinet card indicates that the studio had won prizes at exhibitions at Cornwall (1884), London (1884), and Northampton (1884). The studio was located in Lincoln. Lincoln is a cathedral city and county town of Lincolnshire, England.
Johnston Forbes-Robertson (1853-1937) was a celebrated English actor and theater manager. He was considered to be one of the finest actors of his time. He was particularly noted for his portrayal of Hamlet. He did not profess a passion for his acting profession. He was born in London. His father was a journalist and theater critic. He had ten siblings and four of them pursued acting. His original interest was to become an artist, but to support himself financially he entered acting. He worked with Sir Henry Irving for some time as a second lead actor. He then became a lead actor. His starring roles included Dan'l Druce, Blacksmith and The Parvenu (1882). George Bernard Shaw wrote the part of Caesar for him in Caesar and Cleopatra. Forbes Robertson acted in a number of Shakespeare plays and also appeared a number of times with actress Mary Anderson in the 1880's. In 1900 he married the American actress, Gertrude Elliott (1874-1950). In 1930, Forbes Robertson was knighted. This cabinet card portrait was produced by photographer Benjamin Falk who's studio was located in New York City. Forbes Robertson is captured in costume in this image. The reverse of the photo is stamped "J. M. Russell 126 Tremont Street, Boston".
The two young girls in this cabinet card portrait are probably sisters. They are posing with a bale of hay in front of a fake brick house. Both girls are wearing necklaces and the older girl is displaying some religiosity by wearing a cross. The photographer and the location of the photographer's studio are unknown. | {
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Screw pumps are positive-displacement rotary pumps with an axial flow design that has only three moving parts. Power rotor is the only driven part that extends outside of the case. Idler screws act as sealing parts and are turned hydraulically by the fluid being pumped.
There is only a rolling action between the drive screw and the idler screw, which eliminates noise and vibration, ensuring a long life. Two models are rated for 40 and 80 bar. They offer constant flow, even in the presence of varying system backpressures. | {
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Standard Cone Crusher Pyb1750 32- Mining & Crusher . we produce this series cone crusher high tec .. home > product > crusher > pyb/pyz/pyd series cone crusher 1750 cone standard concasseur pyb1750 . Chat en direct » PY Concasseur à cône à resort pour la vente.
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Vente Concasseurs Occasion Tunisie Crusher For Sale. vente concasseur occasion en tunisie z mill a Mill For Sale in india Welcome Mining Raymond Mill Poultry processing machinery for sale in poultry processing machinery for sale in tunisia Solution for poultry processing machinery for sale in tunisia. | {
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Super Bowl Survey 2010 - Get in the game!
Rick Hanson - 5000 Synapses in the Width of a Hair How much change in the brain makes a difference?
Carey Roberts - Abusegate: Mother of All Scandals?
DocLove - Does Julio Iglesias ever get Turned Down for Lunch?
Dennis W. Neder - Should I Give Up Relationships To Have a Career?
Don Steele - Her Phone Number? Do NOT ask!
Joe Kort - Making Addictions CRYSTAL Clear! | {
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Most of the smartphone manufacturers have started selling smartphones with Mediatek MTK6572 (MT6572) which is cost optimized and provides optimal performance. MediaTek, the famous chipset manufacturer that always offers high-end processors with very affordable price. The new MediaTek processor is the latest generation of SoC chip, this processor is targeting for the low end market, built in 28mnm technology and ARM Cortex A7 chipset.
720p HD video recording and playback at 30fps.
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Install Clockworkmod in all Mediatek devices.
Get Maximum Performance & Battery out of your device. | {
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Archive for The Odessa File
Don't Mention the War
Posted in FILM, Politics with tags Frederick Forsyth, Jon Voight, Mary Tamm, Oswald Morris, Ronald Neame, The Odessa File on February 26, 2019 by dcairns
Here I would be writing about THE ODESSA FILE, since it seemed the natural follow-up viewing for BOYS FROM BRAZIL. It ought to be a more serious take on the subject of neo-Nazi resurgence, right?
I found it unwatchable — so what follows is not a review, just a series of random notes.
The script is terrible — that much I can say after ten minutes. The opening lays out the plot in a crass infodump that spoils any fun the viewer could have following an unfolding mystery, and the dialogue, my God. When a character says "X and I like you," and Jon Voight replies in a phony German accent, "I like you and X," it's kind of OK because it makes a joke about how on-the-nose it is. But it's the least on-the-nose dialogue in the film. When we first see Jon Voight with his stripper girlfriend Mary Tamm (!) their conversation is all about how he's a freelance reporter because he likes his independence and she's a stripper because she can earn money that way. When Voight asks a cop about a suicide, the cop goes into a loud, angry-sounding spiel about how the case is of no interest and the newspapers would never cover it, which ought to make any journalist suspicious, but (a) Voight remains merely casually curious and (b) the script wants us to believe that this isn't a cover-up, just a cop stating the facts. Ronald Neame = world's most festive director. He made SCROOGE, or course, but also THE POSEIDON ADVENTURE, in which the expensive cast literally climbs a Christmas tree to escape. This one begins with Perry Como singing Christmas Dream as Voight drives through a lit-up Berlin. (BOYS FROM BRAZIL prominently credits its Elaine Paige number, hilariously entitled We're Home Again, which plays for about ten seconds as accompaniment to Linda Hayden and Michael Gough's sex-murder).
(The jocular and avuncular Neame would have made great casting as either Santa — perhaps in place of his chum Attenborough — of the Ghost of Christmas Present, maybe.)
Jon Voight, wearing a brown coat in a brown car interior drives through a brown Berlin Christmas.
In the seventies, it seems, you could get brown Christmas lights. Tamm works at a strip club called REGINA. But that may be a typo.
It's a muddy, ugly film, especially the urban stuff. They must have wanted it that way. You can see why making it look like OCEAN'S ELEVEN might not have seemed inappropriate. Still, there are gorgeously ugly seventies films (THE LAUGHING POLICEMAN makes fluorescent striplights glamorous) and this isn't one, even though it's shot by the great Ossie Morris. He does get to work in b&w for some WWII flashbacks, but these are highly dubious sequences by their very nature: flashbacking away from the main character just to serve up some Nazi war crimes feels wrong wrong wrong. Can you tell I've been watching Claude Lanzmann?
THE ODESSA FILE stars Joe Buck; Hauptmann (Capt.) Stransky; Helena Friese-Greene; Romana; Francis Bacon; Inspector Trout; Unteroffizier (Cpl.) Krüger; Von Luger 'The Kommandant'; Professor Karl Manfred; Dr. Ravna; and, inevitably, Mr. Slugworth. | {
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Scientists showcase new medical instrument at Royal Society Summer Science Exhibition
A research team from the University of Liverpool's Department of Physics will exhibit at the prestigious Royal Society Summer Science Exhibition (SSE) 2014.
The team behind the Proton Radiotherapy Verification and Dosimetry Applications (PRaVDA) project, an instrument to create the world's first fully silicon-based proton CT scanner, has been selected as one of 22 exhibitors at the Royal Society's annual display of the most exciting cutting-edge science and technology in the UK.
Held in London from Tuesday, 1 July to Sunday, 6 July, the SSE is an annual display of the most exciting cutting-edge science and technology in the UK.
PRaVDA is a tool that could improve particle therapy, a type of cancer treatment carried out using charged particles such as protons or carbon ions.
The instrument operates in a similar way to hospital CT scanners, but by using protons instead of X-Rays, the uncertainty in treatment planning for particle therapy is reduced. This means the healthy tissue and other critical structures around a tumour receive a lower dose, while the tumour itself is more effectively targeted.
PRaVDA assists in setting treatment, monitors patients' doses and produces a 3D image of cancer – an image created using the same protons that are used to treat the disease.
Directional laser
Those attending the free event will have the opportunity to observe the instrument up close. Visitors will be able target a tumour using directional lasers, to simulate the way in which ionising radiation is used to treat cancers, as well as operate a model system and see real time imaging.
Professor Phil Allport, Upgrade Coordinator of the ATLAS Experiment at the Large Hadron Collider (LHC) at the University, said: "We are pleased that the Liverpool Particle Physics Group has been recognised by the Royal Society for transferring cutting edge technology in the development of new detectors for the LHC into these sorts of medical applications."
Jon Taylor is leading simulation and testing of the proton tracking system. Jon said: "We hope people will be excited by the advantages and potential of proton therapy and proton imaging and be interested to see how technology from particle physics can be applied to improve this area of cancer therapy. We are currently at the stage of mathematical modelling and testing of detectors and electronics before we start to build the full system later this year."
The PRaVDA consortium consists of physicists from the University of Liverpool along with engineers, medical physicists and oncologists from the Universities of Birmingham, Lincoln and Surrey as well as University Hospitals in Birmingham and Coventry, and the iThemba Laboratories in Cape Town, South Africa.
The Royal Society Summer Science Exhibition takes place at the Royal Society, London, from Tuesday, 1 July to Sunday, 6 July 2014. For more information, please visit: http://sse.royalsociety.org/2014/.
Jon Taylor
Professor Phil Allport | {
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Q: After connecting to private VPN server my Internet disconnects Right after connecting to a private VPN my internet disconnects. I am using Ubuntu 18.04 LTS. Can anyone help me with this? What information should I provide to help investigating the problem?
More information:
Internet Connection before connecting to VPN
Output of command ip -r
default via 192.199.0.2 dev enp7s0 proto dhcp metric 100
169.254.0.0/16 dev virbr0 scope link metric 1000 linkdown
188.18.0.0/16 dev docker0 proto kernel scope link src 188.18.0.1
192.199.0.0/24 dev enp7s0 proto kernel scope link src 192.199.0.18 metric 100
192.199.123.0/24 dev virbr0 proto kernel scope link src 192.199.123.1 linkdown
Output of command route -n
Kernel IP routing table
Destination Gateway Genmask Flags Metric Ref Use Iface
0.0.0.0 192.199.0.2 0.0.0.0 UG 100 0 0 enp7s0
169.254.0.0 0.0.0.0 255.255.0.0 U 1000 0 0 virbr0
188.18.0.0 0.0.0.0 255.255.0.0 U 0 0 0 docker0
192.199.0.0 0.0.0.0 255.255.255.0 U 100 0 0 enp7s0
192.199.123.0 0.0.0.0 255.255.255.0 U 0 0 0 virbr0
After connecting the VPN
Output of command ip -r
default via 175.19.2.1 dev tun1 proto static metric 50
default via 192.199.0.2 dev enp7s0 proto dhcp metric 100
10.1.1.0/24 via 175.19.2.1 dev tun1 proto static metric 50
10.100.0.0/16 via 175.19.2.1 dev tun1 proto static metric 50
10.130.0.0/17 via 175.19.2.1 dev tun1 proto static metric 50
169.254.0.0/16 dev virbr0 scope link metric 1000 linkdown
175.19.2.0/24 dev tun1 proto kernel scope link src 175.19.2.15 metric 50
188.18.0.0/16 dev docker0 proto kernel scope link src 188.18.0.1
192.199.0.0/24 dev enp7s0 proto kernel scope link src 192.199.0.18 metric 100
192.199.0.2 dev enp7s0 proto static scope link metric 100
192.199.123.0/24 dev virbr0 proto kernel scope link src 192.199.123.1 linkdown
192.199.200.0/24 via 175.19.2.1 dev tun1 proto static metric 50
xxx.xxx.xxx.xxx via 192.199.0.2 dev enp7s0 proto static metric 100
Output of command route -n
Kernel IP routing table
Destination Gateway Genmask Flags Metric Ref Use Iface
0.0.0.0 175.19.2.1 0.0.0.0 UG 50 0 0 tun1
0.0.0.0 192.199.0.2 0.0.0.0 UG 100 0 0 enp7s0
10.1.1.0 175.19.2.1 255.255.255.0 UG 50 0 0 tun1
10.100.0.0 175.19.2.1 255.255.0.0 UG 50 0 0 tun1
10.130.0.0 175.19.2.1 255.255.128.0 UG 50 0 0 tun1
169.254.0.0 0.0.0.0 255.255.0.0 U 1000 0 0 virbr0
175.19.2.0 0.0.0.0 255.255.255.0 U 50 0 0 tun1
188.18.0.0 0.0.0.0 255.255.0.0 U 0 0 0 docker0
192.199.0.0 0.0.0.0 255.255.255.0 U 100 0 0 enp7s0
192.199.0.2 0.0.0.0 255.255.255.255 UH 100 0 0 enp7s0
192.199.123.0 0.0.0.0 255.255.255.0 U 0 0 0 virbr0
192.199.200.0 175.19.2.1 255.255.255.0 UG 50 0 0 tun1
XXX.XXX.XXX.XXX 192.199.0.2 255.255.255.255 UGH 100 0 0 enp7s0
Here are the VPN configuration in the following images. Unfortunatelly, I can not show all the information
After that the internet of the first connection does not work anymore.
I am suspicious about the routing but I am not sure. Please help me out on this.
A: Thank you for editing your post to clarify.
If I get it right, what you want to do is connect to some specific networks (172.16.2.0, 192.168.200.0 and the 10.x.x.x ones) via the VPN, while connecting to Internet and everywhere else using your normal connection.
Instead of that, you observe the following behaviour:
*
*You can connect to computers in the remote network
*You CAN NOT access the Internet, or if you do it happend through the VPN, making it much slower or giving you other kind of problems
If that is the case, run the proper commands in order to remove this line:
0.0.0.0 172.16.2.1 0.0.0.0 UG 50 0 0 tun1
which is telling your system that ALL the traffic should be router through the VPN. This is called "default gateway", however who knows how the VPN GUI calls to this.
The proper command to do so manually is:
sudo ip route del 0.0.0.0/0 via 172.16.2.1 dev tun1
This is a workaround, though, as your VPN client will keep updating your route everytime it reconnects (or even more frecuently, depending on the vpn version and internal settings). I never configure VPNs with GUI, I'm a command line guy who allways uses config files, but there's a setting to avoid this (maybe it is in Misc section?). You need to google about how to prevent your specific vpn to set the vpn server as the default gateway (that's the key concept of all this)
A: What I want is to connect to some specific services via VPN but access anything else through my normal connection.
Turns out that the GUI networking setup was not working at all, so after connecting the VPN through this command solved my problem:
sudo openvpn --config vpn-config-file.ovpn
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Several shops in Old Bay Marketplace were broken into Saturday morning.
Passersby could see that the marketplace's gates on the Port Republic Street side had been cut and later patched.
Head over to The Beaufort Gazette to read a crime report on the incident. | {
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Treat yourself to a full day of game viewing in the Kruger Park. Entering the park you will spend the entire day searching for wildlife in one of the greatest nature reserves in Africa.
An absolute must for those wishing to see the other side of the Kruger Park and venture out into the night in search of nocturnal animals.
Departing either in the morning or the afternoon, experience the thrill of the Kruger Park - an absolute must if you want to see the Kruger Park but have time constraints.
Track animals on foot, and learn and observe fascinating facts about the African bush on an exciting bush walk with experienced and armed rangers.
Catch the Kruger Park as it wakes up with a morning safari. Search for predators returning home from the nightly prowls and the rest of the park slowly waking up to another day.
Our guides are experienced, educated and passionate about bringing your bush experience to life in a way that is utterly thrilling, truly life-changing, and unforgettable! | {
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Photo, Print, Drawing Members of the procession on steps of St. Anthony's.
Taylor, David Alan. Members of the procession on steps of St. Anthony's . New Jersey Paterson United States, 1994. -08-14. Photograph. https://0-www.loc.gov.oasys.lib.oxy.edu/item/afcwip000150/.
Taylor, D. A. (1994) Members of the procession on steps of St. Anthony's . New Jersey Paterson United States, 1994. -08-14. [Photograph] Retrieved from the Library of Congress, https://0-www.loc.gov.oasys.lib.oxy.edu/item/afcwip000150/.
Taylor, David Alan. Members of the procession on steps of St. Anthony's . -08-14. Photograph. Retrieved from the Library of Congress, <www.loc.gov/item/afcwip000150/>. | {
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When it comes to furniture for the AR-15, Magpul is one of the first companies thought of for replacement stocks, handguards, pistol grips and accessories. The company's diverse line of products, excellent price point and reputation for durability make it a natural choice for anyone looking for a sturdy replacement or upgrade.
The Magpul ACS-L stock was designed as a lighter version of the ACS (Adaptable Carbine Stock). With the twin tubes intended for battery storage removed, the lighter stock is more maneuverable and comes at a reduced price. A stout rubber pad is included to help further reduce recoil and make for a more pleasant overall shooting experience.
Should you find the weight insufficient, however, there's a storage compartment perfect for the aforementioned batteries, cleaning supplies, spare parts or snacks, if that's your thing. A friction lock ensures proper operation, and slots for web sling. QD sling mounts are an available option.
MSRP: $79.95. Available in black, Flat Dark Earth, OD Green, Stealth Gray and Foliage Green. | {
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When you've received confirmation from your insurance company that the car is a write-off, check what category it has been classified in to. It may be possible that the classification means it could be made roadworthy again so can be bought back from the insurers for you to pay for the repairs independently and get road worthy again.
When your insurance pays out for the write-off, contact your finance company. They may be happy for you to use the money you've received to buy another car and you'll just continue to repay the original car finance agreement as you had been doing.
You can read more about what to do when your car is written off while on finance in our blog here. | {
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The ultimate E-mail backup software! Protect your e-mail before its too late! Click and Keep" is the solution! With just a few clicks your backup is ready. You need only select the e-mail program you use, the data you want to protect, and Click and Keep does the rest! You can also select other options to protect your data, like burning the backup to a CD/DVD, writing it to another drive on the network, a memory card, a USB-stick or any storage medium you prefer. Naturally, your backups can be password protected for an added level of security. We support the latest versions of all of the following programs: Microsoft Outlook, Outlook Express, Eudora, Pegasus Mail, TheBat, PocoMail, Netscape, Becky and AOL E-mail. | {
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A studio veteran with thousands of sessions to his credit, Richard Bennett is also an ace producer and Mark Knopfler's longtime guitar foil. But to instrumental guitar fanatics, he's the keeper of the flame for a style of guitar instrumental music that's been largely forgotten. It emerged in the late '50s as electric guitar and stereo vinyl first gained popularity, and—until it was swept away by the British Invasion—permeated movie soundtracks and TV themes. For a refresher course, check out Tony Mottola's Mr. Big (1959) and Al Caiola's Golden Hit Instrumentals (1961). These guitarists had serious jazz chops, yet embraced twang and tremolo, and made LPs using cutting-edge studio technology of the time.
Which brings us back to Bennett's Ballads in Otherness. Echoes of these greats, as well as Duane Eddy and the Shadows' Hank Marvin, resound in the album's 13 originals. The tunes evoke saguaro, chaparral, and wide-open roads—the call of the West half a century ago. But for me, the most compelling aspect of Bennett's music is his gift for writing memorable melodies and executing them with ringing, old-school tones and impeccable technique, whether on electric 6-string or sweet steel guitar.
Bennett is a time traveler, bringing vintage instrumental guitar into the 21st century. If you lived through that earlier era, Ballads in Otherness will take you back. But if you've never absorbed these sounds, it makes a fabulous introduction. | {
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Home › SFP›Films-TV
Dolly Parton: The Songs Tell the Story
Re-Recording Mixer James Parnell Crafts the Lush, Layered Sonic Worlds of Dolly Parton's 'Heartstrings'
By Sarah Jones
Published: 03/03/2020 ⋅ Updated: 03/17/2020
Dolly Parton is a master storyteller, an unabashed force of feel-good who's penned a half-century of hits. Now, those timeless narratives get the visual treatment in Dolly Parton's Heartstrings.
Re-recording mixer James Parnell of Monkeyland Audio
The Netflix series, produced in association with Warner Brothers Television, brings the stories behind Parton's most beloved songs to life in eight episodes, each featuring different characters, settings, and time periods.
It's big hearted, star studded, and always about the music. And that music has been given star treatment, with an A-list cast showing off their singing talents and Parton re-recording classic songs and contributing vocals to a sweeping score performed by the LA Philharmonic.
Because each episode tells a unique story, each show called for a unique approach to layering dialog, music, and effects. Monkeyland Audio's Re-Recording Mixer James Parnell (PEN15, Trinkets, K-12, Perfect Date) talks about the challenges and rewards of bringing a living legend's songs to life on the small screen.
You work on both film and television. What's your project mix?
With the streaming services, it kind of leans more toward television, maybe 60/40 television. The typical cycle of post production has changed dramatically since streaming services began. Instead of having this lull in the new year before pilot season ramps up again, we're constantly busy and taking new projects now. I'm working on a feature film going to Tribeca, and I'm supervising season two of Trinkets. I also just finished mixing a series for a new streaming service, Quibi.
With bigger-budget shows like Heartstrings, do you get more time with material?
Post-production sound mixing, especially network television mixing, has traditionally been fast-paced. Obviously, some schedules can be a little bit faster than others. For Heartstrings we had two days of mixing and a day for client playback, per episode, which was great.
Our supervising sound editor Trip Brock would visit Warner Brothers and sit with their picture editorial staff for spotting sessions; this would give our team the ability to discuss the sonic ideas we would need to shape for the show. During the spotting sessions, we would be listening to the editors rough sound mix.
Our composers, Mark Leggett and Ray Bunch, did a fantastic job, composing all of the music. After recording their music with the help of the LA Philharmonic Orchestra at Capitol Studios, they then integrated that score with Dolly Parton's original music and material that she was re-recording specifically for Heartstrings.
How do you approach mixing a music-driven drama? Were there challenges in maintaining each song's impact across an hourlong format?
We got a good idea right off the bat that yes, this series was different. Whereas traditionally you would approach a TV show mix by mixing the dialog first, for Heartstrings, the story was driven by the songs, and it was Dolly's creative intention to have her songs tell the stories themselves.
Obviously, there are still traditional dramatic scenes with actors talking. But a lot of the impact comes from the music. We definitely had to approach the mix process differently. Every song opened with a musical number or some sort of adaptation of her song. Then we would get into the stories themselves.
Often my mix partner, Kelly Vandever, and I would sit down on the first day and say, "Okay. Today we're mixing 'Crackerjack.'" We'd jump into the middle of the show and just hit Play and listen to the songs, and get a feel for the story. We'd then be able to say, "This is how we're going to approach the mix."
So the songs provide a dramatic framework, and a sonic framework. At the same time, each episode stands alone. Is there an overarching aesthetic?
It was the music that gave all of the shows a common theme. Regardless of the genre, regardless of the story you're telling, Dolly's music was approaching each story from a place of love and compassion and understanding. All of the episodes dealt with different subject matter, but they were all bridged by Dolly's voice and music.
Another common aesthetic was the detailed sound editorial. We had a fantastic team of sound effects editors, Ray Park and Joshua Fernberg; they did a phenomenal job of designing the sounds for the worlds in which these characters live. Some standout moments for detailed sound effects work were the trading-post gun battle scene in JJ Sneed or the subtlety of the quiet lake scene in Sugar Hill. The approach to music mixing also helped sew the episodes together. During transitional moments or score-forward moments, we would really lean into the wonderful music that we were given by the LA Philharmonic, to transition our characters from one scene to the next.
Were her original songs all re-recorded for the show?
A lot of the songs had to be re-recorded or customized because the original timing, tempo, and pitch didn't mesh with the pacing of the episodes. Dolly did an amazing job of doing that.
These songs are so iconic. Were you trying to preserve their original aesthetic?
Yes, our aim was to be as faithful to Dolly's songs as possible. The goal was to kind of replicate and elaborate. It was to take these iconic songs and creatively make them serve the story that the directors and the producers are trying to tell but also not stray too far from the original goal that Dolly had when she wrote them. Sometimes, we'd receive music directly from Dolly's engineer in Nashville. When this happened, our thought process was, "this is coming from Dolly's studio in Nashville. This has been approved by Dolly, so this music is going in as is."
In other moments, Dolly would lend her vocals to the score, and it was up to me to balance it. These were the moments where I was able to explore creative pathways around the traditional aesthetic that Dolly Parton's music is known for.
What about the onscreen performances? In the Jolene episode, Julianne Hough performs a lot of songs in concert settings.
It's all real. On the "Baby Blues" shoot day, both Dolly and Julianne were getting Pro Tools playback on set, meaning that a Pro Tools operator would be playing their pre-recorded music so they could hear, act, and lip-sync together—but those mics were live on stage. Julianne Hough had a lavalier on her, as did Dolly, and they were both singing. Through the microphones, you'd hear bleed from the front-of-house P.A., but they were really in key on set. It was remarkable. There was no EQing, no compression, no pitch correction and no reverb. But both of them were harmonizing in key, like in the finished mix.
How did you build a cohesive whole out of all of the music elements?
Composers Ray Bunch and Mark Leggett would work with our wonderful producer Sam Haskell to shape the score for Heartstrings. They would be sending Dolly and her Nashville engineer, Tom Rutledge, work-in-progress tracks that Dolly would then pen lyrics to or adapt existing lyrics to. The songs and score became more refined, and eventually the final recording sessions at Capitol Studios would allow members of the LA Philharmonic to lend their talents to the score. We would receive 5.1 surround stems and some stereo splits of specific instruments. Together with Dolly's vocals, we'd blend these all together with the dialog and sound effects, creating the final mix that you hear on Netflix.
Each episode takes place in a unique setting and time period. How did you source sounds?
Correct, every episode was completely unique, and this meant our editors had to pull together a wide palette for sound effects editorial. Sadly, we didn't have access to Huey helicopters for the Down From Dover episode or horse-drawn carriages for J.J. Sneed. A lot of that stuff came from libraries, and our talented editors did a fantastic job of building these effects. We had a second team of editors who just focused on backgrounds. We also had a Foley team who walked and edited all the footsteps, and a loop group who provided the vocalizations for the background actors in every scene, which helps give life to the locations.
With everything going on, was it challenging to maintain clarity in dialog?
Making sure your dialog is clear and telling the story is always a challenge. I'll preface this by saying that I have the highest respect for production sound mixers; I think theirs is one of the hardest jobs in our industry. But with any show, with any film, sometimes the production sound is extremely noisy and you'll need to shoot ADR. Sometimes even when you shoot the ADR, you just can't quite capture the magic that the performance had. So you need to just dig into messy production sounds and use a variety of tools.
At Monkeyland, we're heavy iZotope RX 7 users. iZotope has a ton of great noise-reduction plug-ins that do a fantastic job of helping us clean and salvage noisy production sound. There were a couple of scenes that were really challenging but with the use of iZotope RX Connect, we were able to navigate our way through these scenes and save original performances. That being said, there were some remarkable ADR performances by our cast, some of which were virtually indistinguishable from the production sound when they were placed in the mix.
Tell me about your mix setup.
We were mixing on the Avid S6. It was a dual-mixer configuration. I handled the dialog and music; my mix partner, Kelly Vandever, handled sound effects, backgrounds, and Foley. We were both running with a Pro Tools HDX2 system.
Do you have go-to signal chains?
It changes from month to month, but the concept stays fairly consistent. Every source channel has a series of plug-ins that typically aren't doing anything unless I need them to. For example, on every source channel, I'll have the Waves WNS, FabFilter's ProQ 3, a Waves R- Compressor (or R-Vox), a bypassed FabFilter De-Esser, and a bypassed SPL De-Reverb (which I can activate if an actor goes off mic). Apart from the compressors, these plug-ins are all on "standby," if you will, in case I need to utilize track-based processing. Because most scenes are shot in one location, it's common that the same noise culprits will appear across all microphones. Because of this, I do a fair bit of EQ and compression from my main dialog aux, which has yet another series of plug-ins: Avid's Pro Compressor, DMG's Equality, and a bypassed Waves C4 that I'll sometimes use on hard-to-tame dialog. Finally, this all goes through a limiter. If tricky problems present themselves on individual microphones, I can easily pull up a track-based plug-in and handle issues this way.
I have several different flavors of reverb that I can throw dialog to. I usually lean on mono-reverbs to help blend ADR with production sound and to give indoor scenes some depth. Altiverb is one of my favorite reverb plug-ins for everything: dialog, music, and effects.
When it comes to deciding where things sit in the mix, would you say your approach is reductive in some ways?
Yes, definitely. Lots of times in film mixing, you'll be presented with a robust sound edit. Editors do an excellent job of covering everything in the foreground and background. Often, mixing is about deciding what to play and when to play it. It's about stripping the mix down to solely what is needed to tell the story effectively. Rick Rubin is famous for working this way in the music world: production by reduction. With independent films, new directors are tempted to play all the editorial because it adds flavor or color to a scene. But as sonic density increases, sonic clarity decreases. We lose the story in an overly busy soundtrack.
You have to figure out from a storytelling perspective, almost like a painting: What's in the foreground? What's in the middle ground? What's in the background? Because sound needs to serve the story at all times. When you figure out what balance of sound is bolstering or illuminating the story, then pulling back on the things that don't need to play will often enhance your mix. Watch any high-speed action chase movie. When there's dialog in the car, you're barely hearing the engine of the car that's being driven. You don't miss the feeling of being in the car, because you're focusing on what the characters are saying. Then the car comes up. It's all about balancing everything, and choosing what to feature to tell the story.
Sarah Jones is a Mix contributing editor.
Tags ⋅ Dolly Parton ⋅ Netflix ⋅ Sound for TV
'Metallica Through the Never': Sound Helps Tell the Story in 3-D Concert Film
Renowned Composer Fred Story & Concentrix Music Compose and Produce Original Score for Multi-Award Winning Documentary "Robert Shaw: Man of Many Voices"
Over 700 People Tell DPA Microphones A Story
Story Sound Takes HARMAN's JBL VTX Line Arrays and Crown I-Tech HD Amplifiers on a Wide Tour of Duty
Renowned Composer Fred Story & Concentrix Music Announce Latest Projects Across Film, TV, Radio and Streaming Platforms
Renowned Composer Fred Story Produces Contemporary, Dramatic & Cinematic Orchestral Score behind PBS TV Special "American Masters Margaret Mitchell American Rebel"
APM Music Partners with U.S. Veterans to Create "Unsung Heroes," A Unique New Music Library Comprised of Original Songs Inspired by Wartime Experiences:
Everybody Loves a Good Story | {
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The survey collected data from more than 332 museums and 30,000 employees.
The steps in front of the Museum of Contemporary Art Chicago. Photo: ©Nathan Keay, MCA Chicago.
The Andrew W. Mellon Foundation has revealed that there's been an increase in the number of women and people of color in leadership roles at museums, according to the second part of its Art Museum Staff Demographic Survey.
The number of people of color occupying these positions increased only from 11 percent to 12 percent in this same period. One category that saw significant change, however, was the number of African American curators, which doubled from 2015 to 2018.
The numbers "offer a snapshot of change that is overdue, slow, but also real and welcome," said Mariët Westermann, executive vice president of the Mellon Foundation, in a statement on the findings.
Chart from the Art Museum Staff Demographic Survey 2018.
The results, gathered last year and released today, are the culmination of a far-reaching survey of data from 332 art museums and more than 30,000 employees. The foundation began the survey in 2014 and published the first round of results in 2015.
The report, initiated by the Mellon Foundation, the Association of Art Museum Directors, and the American Alliance of Museums, and administered by the research firm Ithaka S+R, shows that progress has been incremental. Women remain the slight majority of total employees at art museums, though that number slips back when it comes to occupying leadership roles; likewise, museums have hired more people of color in recent years, contributing to a more diverse workforce overall, though in small doses.
Overall, the speed and frequency at which departments are hiring and promoting women and people of color is taking place largely in the curatorial and education departments, which are considerably larger on average. "While trends in recent hiring are encouraging, certain parts of the museum appear not as quick to change, especially the most senior leadership positions," Westermann said.
There have been a growing number of initiatives dedicated to addressing the lack of diversity in museums. In July, the American Association of Museum Directors announced a paid internship program for minority college students, while the Andrew W. Mellon Foundation announced a $4 million grant targeting board diversification at museums around the country just a few weeks ago. | {
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The following essay takes india as one strand from the composite and complex phenomenon of Orientalism, anu studies it in relation to the Lnglish imaginative writers of the Romantic Revival. It is a study in which an attemot is made to trace how some of the writers, who had never been to India, acsiuired their information.
The writer has been very fortunate in coining across a manuscript which, as far as he is aware, has not been studied before, viz, the notes by Colonel Ferguson which Scott used in the story of the 'Surgeon's Daughter'. | {
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Q: innerHTML exist but doesn't want write it to other div, other elements are I have object with a name of img, and it's taken from DOM, throught onClick function(this) like this:
var img = e.lastElementChild;
and printing of object returns this (only innerHTML i am giving here):
value: <img src="images/p/Ds35.png" alt="C 1" title="C 1" width="500" height="435" itemprop="image" data-highres="http://www.my domain.com/images/o/Ds35.png">
and when i try to put this inner in to the other div like this:
var box = document.getElementById('GP');
box.innerHTML = img.innerHTML;
it's not working, but when i do this:
box.innerHTML = img.src;
it is working... what is going on?
A: there is no innerHTML for <img /> container.
for example innerHTML for <div>test</div> is a string "test"
so try to use img.toString()
A: I have found the solution.
img.outerHTML
this one works.
Thanks for trying to help me.
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