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|---|---|---|---|---|---|
Company About Us Management Business Units Corporate Responsibility WarnerMedia Investments Strategy
Newsroom Press Releases Press Contacts Media and Identity Materials
Careers Working With Us Search For Jobs
Coming 2020
Introducing WarnerMedia's highly anticipated streaming service.
WarnerMedia Names Upcoming Direct-to-Consumer Service HBO Max
WarnerMedia Announces New Organizational Model and Leadership Team
Statement from WarnerMedia CEO John Stankey Announcing Plans for Direct-to-Consumer Streaming Service
WarnerMedia and Criterion Collection Announce New Chapter for the Beloved Criterion Films Collection
AT&T Acquires Full Ownership of Otter Media
AT&T Financial Reports
WarnerMedia unveils smarter way for advertisers at first-ever Upfront
Sundays at 9 p.m. ET/PT
Watch the season finale on Sunday at 9 p.m. ET/PT
Catch Liverpool FC's preseason games on B/R Live
WarnerMedia scores 191 Emmy Award nominations and HBO sets a single-season record with 137 nominations
HBO's Generation Z drama "Euphoria" quickly renewed for season 2
The Batman 80th Mural Art Series has landed on the Warner Bros. lot
We've got the scoop on all things WarnerMedia at Comic-Con!
WarnerMedia Blog
Tuesdays at 10:30 p.m. ET/PT
New episodes Sundays at 10 p.m. ET/PT
Inside Evil with Chris Cuomo
This wildlife photographer wants to show the "soul" of animals to emphasize their "beauty and fragility" to humans https://cnn.it/2XP2UcT
Based on the kidnapping and murders which led to the outbreak of war in Gaza, and the many whose lives that were forever changed. A story of true events, Our Boys, premieres Monday, August 12.
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WarnerMedia Tweets
New episodes Sundays at 9 p.m. ET/PT
Mao Mao, Heroes of a Pure Heart
Mondays at 6:10 p.m. ET/PT
© 2019 Warner Media, LLC. All Rights Reserved.
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After a tragedy off Dungeness in January 1873 the demand for a steam life-ship to supplement the Rye and Dungeness sailing and pulling life-boats intensified. The Hobart-bound sailing ship Northfleet was at anchor two miles off Dungeness in Hythe Bay on the night of 22nd January 1873 when she was run down by the Spanish steamer Murillo which was showing no lights, and which made off down-channel after the ramming. Besides a cargo of railway iron the Northfleet was carrying more than 400 emigrants, some of them women and children, of whom some 350 were drowned.
Sir Edward Watkin, Chairman of the South Eastern Railway Company, wrote to 'The Times' appealing for the government to establish a life-ship for cruising off Dungeness, but nothing came of the idea. Just over five years later in May 1878, a further tragedy occurred near the same place when two German warships Grosser Kurfurst and Koening Wilhelm were in collision. The Grosser Kurfurst sank with the loss of 300 lives, but still nothing was done.
In the year 1887, the Golden Jubilee of the reigning Queen, Sir Edward Watkin decided to mark the occasion by having a steam life ship provided by the South Eastern Railway. Samuda Bros. of Poplar built this unusual craft, which arrived at Folkestone Harbour on Wednesday July 6th 1887. Her official name was 'Jubilee Life Saving Ship No.1', she was 123.5 feet long 20 feet wide and had a tonnage of 141 tons gross. Her life-saving equipment included lifelines and lifebuoys around her rails and a 'resuscitation cabin' containing a large bath with hot waster laid on.
The Jubilee was never called upon to fulfil her primary purpose. There were occasions when she might have done so, had she been afloat or at hand and not in Boulogne loading perishable goods. Twelve years later, soon after the formation of the South Eastern & Chatham Railway Company, on 1st January 1899 the Jubilee was sold.
Folkestone. At 5am the tow parted and the stricken vessel was swept towards the shore off Brewers Hill, Sandgate. The captain dropped both anchors which halted the drift, but the seas cascaded over the vessel and she began to sink so the crew took to the rigging. Rocket apparatus was at once brought into use by the coastguards, but their efforts failed. In the meantime the Sandgate Lifeboat 'Meyer de Rothschild' had been taken upwind to Hythe and was launched about 9.30 am, but she only got a short distance before she turned completely over losing a crew member by the name of Fagg. Attempts with the rocket apparatus carried on all day until the supply of rockets ran out. About 8 pm the wind abated and a volunteer lifeboat crew from Folkestone finally reached the Benvenue; 27 survivors were snatched to safety and taken to Folkestone harbour, where large crowds cheered their arrival. The captain of the Benvenue and an apprentice were both drowned.
Just eight days after the disaster a public meeting was held at the Folkestone Town Hall. A lifeboat committee was formed in accordance with the wishes of the local residents, the Chairman elected was Councillor Stephen Penfold.
Early in 1892 the Royal National Lifeboat Institution decided to form a lifeboat station at Folkestone and move the Seabrook station to Hythe.
The Folkestone Lifeboat House was built opposite the Bathing Establishment just east of the Leas Lift. Tenders were received in July from eight local builders, the tender from Hayward and Paramor was accepted for £659. The lifeboat provided was 38 feet long 8 feet wide and rowed 12 oars double banked; it was to be fitted with three water-ballast tanks, provided with plugs and pumps by means of which water could be readily admitted or pumped out, it was also in possession of the latest improvements in the way of self-righting, self-ejecting water etc. Like all the modern self-righting lifeboats this boat will promptly self-right if capsized with all the crew and gear in, masts up and sails set. It was furnished with a transporting and loading carriage. The cost of the boat, carriage and equipment £900 was defrayed by Miss Curling of Denmark Hill, London and as desired by her, it was named the 'J McConnel Hussey.' Her official number was 343 and she was built by William T. Ellis of Lowestoft. The boat arrived in December 1893 and the formal inauguration of the lifeboat establishment took place on 25th July 1894.
The J. McConnel Hussey was stationed at Folkestone from December 1893 to March 1903 in which time she made four launches and saved ten lives.
In March 1903 Folkestone received its second lifeboat the 'Leslie'. She was built at Thames Iron Works (Blackwall), her official number was 508. The building of the vessel was funded by a legacy from Miss K. S. Skinner of Brighton. She was another pulling and sailing boat 35 feet long with a 8 feet 6 inch beam, she was fitted with a centre board and rowed 10 oars.
From 1903 until the station closed in 1930 the Leslie was launched on service 21 times saving 16 lives.
Folkestone was going to have a new motor lifeboat provided and partly maintained by the City of Nottingham and named after the City. But by the time the boat was ready the lifeboat institution had decided to station the boat at Hythe and close the Folkestone station, this was due to a number of reasons.
Dover had a new motor lifeboat in January 1930, also Dungeness had a motor lifeboat, these boats had a greater range than the old sailing and pulling boats. This meant two stations between Dover and Dungeness were not necessary. The second reason being the Folkestone station could not be used one hour before low water until one hour after low water, this was due to the obstruction caused by the Church Rocks.
The City of Nottingham arrived at Hythe on 11th January 1930 and the Folkestone station closed as a service station on 16th October 1930.
The lifeboat at Folkestone remained on exhibition in the boathouse until 7th May 1936 when the boathouse was surrendered to the landlords agent and later demolished.
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Q: My express js api cannot read my given property It does not read the res.body.signatureRequestId property for my Express js server.
How should I submit the property to avoid the error in type error? I shared my error log, json response, express js code with below.
Error log:
{
account: {
account_id: 'aaa',
email_address: '[email protected]',
is_locked: false,
is_paid_hs: false,
is_paid_hf: false,
quotas: {
templates_left: 0,
documents_left: 2,
api_signature_requests_left: 0
},
callback_url: 'https://hellosigntest.info/api/callback',
role_code: null
},
resHeaders: {
'access-control-allow-headers': 'Authorization, Origin, X-Requested-With, Content-Type, Accept',
'access-control-allow-methods': 'GET, POST, OPTIONS',
'access-control-allow-origin': '*',
'content-type': 'application/json',
date: 'Fri, 10 Apr 2020 10:01:26 GMT',
p3p: 'CP="NOP3PPOLICY"',
server: 'Apache',
'strict-transport-security': 'max-age=15768000',
'user-agent': 'HelloSign API',
vary: 'Accept-Encoding',
'x-ratelimit-limit': '2000',
'x-ratelimit-limit-remaining': '1999',
'x-ratelimit-reset': '1586512887',
'content-length': '329',
connection: 'Close'
},
statusCode: 200,
statusMessage: 'OK'
}
Hello API Event Received
TypeError: Cannot read property 'signature_request_id' of undefined
at /Desktop/nodejs/helloSignDemo/routes/index.js:50:54
at Layer.handle [as handle_request] (/Desktop/nodejs/helloSignDemo/node_modules/express/lib/router/layer.js:95:5)
at next (/Desktop/nodejs/helloSignDemo/node_modules/express/lib/router/route.js:137:13)
at Route.dispatch (/Desktop/nodejs/helloSignDemo/node_modules/express/lib/router/route.js:112:3)
at Layer.handle [as handle_request] (/Desktop/nodejs/helloSignDemo/node_modules/express/lib/router/layer.js:95:5)
at /Desktop/nodejs/helloSignDemo/node_modules/express/lib/router/index.js:281:22
at Function.process_params (/Desktop/nodejs/helloSignDemo/node_modules/express/lib/router/index.js:335:12)
at next (/Desktop/nodejs/helloSignDemo/node_modules/express/lib/router/index.js:275:10)
at Function.handle (/Desktop/nodejs/helloSignDemo/node_modules/express/lib/router/index.js:174:3)
at router (/Desktop/nodejs/helloSignDemo/node_modules/express/lib/router/index.js:47:12)
Events posted to your callback url will be formatted as a JSON string contained in the json POST param. The complete detail for the event object can be found in the event section of the API reference page. Here is an example of an event that could be received:
{
"account_guid": "aaa", // DEPRECATED: use reported_for_account_id instead
"client_id": null, // DEPRECATED: use reported_for_app_id instead
"event": {
"event_time": "1348177752",
"event_type": "signature_request_sent",
"event_hash": "aaa",
"event_metadata": {
"related_signature_id": "aaa",
"reported_for_account_id": "aaa",
"reported_for_app_id": null
}
},
signature_request: {
signature_request_id: 'aaaaa',
test_mode: true,
title: 'PDF Sign via Node Server',
original_title: 'PDF Sign via Node Server',
subject: 'PDF Sign via Node Server',
message: 'Please sign this pdf.',
metadata: {},
created_at: 1586507276,
is_complete: false,
is_declined: false,
has_error: false,
custom_fields: [],
response_data: [],
signing_url: 'https://xxxcom/aaa',
signing_redirect_url: null,
final_copy_uri: '/v3/signature_request/final_copy/aaa',
files_url: 'https://api.hellosign.com/v3/signature_request/files/aaa',
details_url: 'https://app.hellosign.com/home/manage?guid=aaa',
requester_email_address: '[email protected]',
signatures: [ [Object] ],
cc_email_addresses: [],
template_ids: null
}
}
routes/ index js :
const express = require('express');
const router = express.Router();
const hellosign = require('hellosign-sdk')({ key: 'key' });
const fs = require('fs');
hellosign.account.update({
callback_url: process.env.HOST_URL+'/api/callback'
}).then((res) => {
// handle response
console.log(res)
}).catch((err) => {
// handle error
console.log(err)
});
router.post('/sign',(req,res)=>{
const opts = {
test_mode: 1,
title: 'PDF Sign via Node Server',
subject: 'PDF Sign via Node Server',
message: 'Please sign this pdf.',
signers: [
{
email_address: '[email protected]',
name: 'xxx'
}
],
files: ['nda.pdf']
};
hellosign.signatureRequest.send(opts).then((res) => {
// handle response
console.log(res)
}).catch((err) => {
// handle error
console.log(err)
});
});
router.post('/callback',(req,res)=>{
res.send('Hello API Event Received');
res.send(res.body);
try {
hellosign.signatureRequest.download(res.body.signatureRequestId, { file_type: 'zip' }, (err, res) => {
const file = fs.createWriteStream('files.zip');
res.pipe(file);
file.on('finish', () => {
file.close();
});
});
}catch (e) {
console.log(e)
}
});
router.get('/', (req, res) => {
res.send("Server is listening...")
});
module.exports = router;
index.js
const express = require('express');
const app = express();
app.use(express.json());
app.use(express.urlencoded({extended:true}));
app.use('/api',require('./routes/index'));
app.listen(process.env.PORT,function(){
console.log("Started on PORT "+process.env.PORT);
});
A: The res.body property is not populated by default. To get it populated from your POST data, you need an appropriate middleware that will read the body of the request, parse it and place the parsed results into req.body.
Express has a few middleware functions built-in that you can use as shown below:
app.use(express.json()); // for json body
app.use(express.urlencoded({extended:true})); // for form encoded body
app.use(express.text()); // for plain text body
You need to use middleware that matches the content-type of your POST request. That middleware will then populate the req.body property.
From the Express documentation:
req.body
Contains key-value pairs of data submitted in the request body. By default, it is undefined, and is populated when you use body-parsing middleware such as express.json() or express.urlencoded().
As you can see in the documentation, req.body is undefined unless you have an appropriate middleware that matches in the incoming content-type and runs before your request handler.
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Each week, Eddie and Jason research current events, each from different sources and angles, to present well-researched facts and offer their unique commentary. Sometimes they'll sit with panelists and guests, from musicians to politicians. This show doesn't take itself too seriously but strives to be informative. With humor and delivery similar to The Daily Show, It's News To Us is a dissection of the biggest headlines, American politics, and pop-culture.
If you are interested in podcast advertising and The It's News To Us with Eddie and Jason podcast, contact us now.
|
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What Types of Files Can I Send with eFax?
With eFax®, you can send faxes by simply adding your fax documents as attachments — including virtually all standard file types — to a new email message.
The standard file transfer format for faxes is TIFF, but eFax offers many more options. Below is a list of the more than 170 standard file formats that eFax supports.
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YICCA 21/22
Selected artists
opening photo gallery
Final exhibition
The jury
Galleries & Institutions
Yicca Network
YICCA
YICCA ART NEWS
YICCA ART SHOP
YICCA PROJECT
Nello Taietti
Currently president of the Luciana Matalon Foundation, he is the founder of Milarte, an art gallery in the heart of Brera in Milan. Over the years he has organized several exhibitions of painting, sculpture, photography and various cultural events (with a strong fondness for Japanese culture), as well as concerts and theater performances. From an early age he devoted himself to painting and sculpture and he writes poems, but his greatest passion is photography.
Nartwork
Nartwork was founded by Rossella Bellan, Giulia Mazzilli and Antonietta Panico with the aim of promoting and value any form of art by supporting the cultural heritage and the works of contemporary artists. Nartwork organizes a variety of different national and international exhibitions and contests. Furthermore, Nartwork publishes catalogues and brochures for artists and art-centres and works as a training centre in collaboration with public and private organizations. Exhibitions curated by Nartwork : Group exhibition "Metamorfosi creative" from 15th to 26th February 2019 at the exhibition rooms of Fondazione Valenzi, inside Maschio Angioino,in Naples (Italy). Group exhibition "Irrealta' Visibili" from 24th May until 4th of June 2019 at the exhibition room of Fondazione Valenzi, inside Maschio Angioino, in Naples (Italy). Group exhibition "Mindfulness" from 11th to 17th October 2019 at Hoxton 253 in London (UK). Solo exhibition By Antonio Corbo "Contaminazioni" from 18th to 29th of October 2019, at the exhibition rooms of Fondazione Valenzi, inside Maschio Angioino,in Naples (Italy). Group exhibition "Scandagli" from 10th to 20th January 2020, at the exhibition rooms of Fondazione Valenzi, inside Maschio Angioino,in Naples (Italy). Group exhibition "Transizioni Moderne" from 31st October to 5th November 2020 at Centro d'Arte San Vidal, in Venice (Italy).
Domenico De Chirico
Curator and editor Domenico de Chirico, born in Bari in 1983, lives and works in Milan. From 2011 until 2015 he taught courses in Fashion and Art, Visual Culture, and Trend Research at Milan's European Institute of Design. He collaborates with numerous international galleries, artists and magazines. In 2016 he has been appointed as artistic director of DAMA Fair, Turin.
Luigi Pedrazzi
Born in Modena, he graduated in law from the Università Statale di Milano. Journalist for the cultural page of the newspaper "IL Giorno" from 1986 to 1988 Head of press office and assistant to the artistic direction of the Smeraldo Theater in Milan from 1988 to 1995 Since 1996 he has been the artistic director of the ARTEUTOPIA association which carries out numerous exhibitions with public and private bodies including the exhibition cycle "Visioni di Fine Millennio" at the Palazzo Bagatti Valsecchi in Milan. with the Regione Lombardia and the Provincia of Milan, Star Wars Show with Lucas Film and the Milan Triennale, "La Fornarina di Raffaello" with the Soprintendenza of Rome and Palazzo Barberini, City of Guitar, Arengario of Monza, Storm in Venice - Chiesa della Misericordia , Venice, etc.(www.arteutopia.it) From 2000 to 2006 he was director of the Musei of P.ta Romana in Milan Since 2006 he has been the artistic director of the Galleria Arteutopia in Milan Since 2019 he has been artistic director of the multicultural space Arteutopia-Apres coup Arte in Milan.
Agnès Violeau
Agnès Violeau (b.1976) is a Paris-based freelance exhibition curator and art critic. Her research relates partly to the potential of language and the performative territories. After she graduated in museology and art history at the Ecole du Louvre and Cambridge University, she was director of project space Site Odéon5 and chief curator at Le Point Éphémère (Paris). She co-founded the art and literature magazine J'aime beaucoup ce que vous faites publishing under-contruction projects, which led to the Fiction / Performed Readings cycle at the Fondation d'entreprise Ricard (Paris). She curated the performance program at Espace culturel Louis Vuitton (Paris) and at Maison de l'Amérique Latine. Following exhibitions in particular: "La Part du blanc – Nemours, Opalka, Parmiggiani" (2001, Paris); "Extra-light – Armleder, Verjux, Violette" (2008, Point Ephémère, Paris); "Signs of Life" (Nuit Blanche, Montreal, 2012); "Experienz, live art platform" (Wiels, Brussels, 2013); "Something Less, Something More" (The French National protocol-based Collections, 2014, Palais de Tokyo) etc. In 2015 and 2016, she is amongst others consultant for the Nouveau Festival at Centre Pompidou, Paris; guest performance curator of the programm Jeunes Commissaires at Deutsches Ackitectur Zentrum is Berlin with performative exhibition "A space is a space is a space"; awarded curator in residency at Fire Station (Dublin). In 2017 she did a curation for "Verbo - Performing Art Festival" 2016 at Galeria Vermelho, Sao Paulo. In 2018, she is appointed Satellite Curator at Jeu de Paume (Paris), CAPC (Bordeaux) and Museo Amparo (Puebla, Mexico). Since 2013, she teaches Contemporary Museology and Curating (Paris, Shanghai).
Leila Topić
Leila Topić works as a curator in Zagreb's Museum of Contemporary Art (MSU), in charge of three collections: film and video, photography and media art. "I perceive my curatorial practice primarily as a process of research and exploration within the wider context of socially engaged cultural production and reflections of social reality. I am especially interested in exploring recent, emancipatory artistic practices (criticism of art systems and the artistic position on the labour market, feminist research, relationship between popular culture and high-brow art thus media/ sound art). Within my practice, I try to comprehend and articulate the new logic / optics of contemporary artistic production whose roots spread freely, all the while either destroying or rediscovering history and memory ''arranged'' in a modernistic manner focusing on the complex East-West/Centre-Periphery relations within the international art system. Throughout the last two decades, we have stood witness to new models of representation in contemporary art, which have caused disquiet, deviations and jolts. The protective net of the classical Western discipline of art history finally gave way under the load of ''slanted'' views or ''lateral'' approaches (Duchamp himself once concluded that a clock, when viewed from the side, cannot tell the time) and caused the widening of lacunes.The shift in the usual point of view which I advocate changes the viewed idea/term / model itself and leads to a slide, shift and movement of sense and meaning. The acknowledgement and articulation of multiple side–views allows the infiltration of the intermedial, intertextual, multilingual, narrative, referential, fictional, borderline, allegoric or ludic – while the fullness of differences and the simultaneity of opposites are the expected result of my curatorial practice. At the same time, i am trying to raise issues on identity - having in mind specific geopolitical context that I'm working in, by confronting it with the emerging global paradigms."
Rivoli2 - Milan
L'Associazione Iniziative Culturali Rivoli2, istituita nell'ottobre del 2018 è legata nella continuità della sua attività all'omonima Fondazione e nasce con l'obiettivo di contribuire allo sviluppo culturale, alla conoscenza delle arti, alla loro diffusione, all'educazione al bello e all'approfondimento delle tematiche culturali, etiche ed artistiche. Le sue attività sono orientate alla diffusione della giovane arte e alla sua promozione oltre che al sostegno per la ricerca delle nuove forme di espressione inerenti al panorama contemporaneo. L'Associazione si propone di stringere partnership, di promuovere e organizzare progetti in sinergia con le realtà pubbliche come Enti e Istituzioni sia in ambito territoriale che internazionali per richiederne i patrocini e la collaborazione. L'Associazione inoltre ha nei suoi intenti di coinvolgere personaggi di rilievo in ambito culturale e di confrontarsi con realtà omologhe in Italia e all'estero. Ai progetti proposti o promossi dall'Associazione si affiancheranno attività di diffusione della cultura in collaborazione con Accademie, Università, altre Associazioni e soggetti esterni (open studio, tavole rotonde, azioni pubbliche, performance, studio visit, workshop).
Douglas Heingartner
Douglas Heingartner is a journalist and critic based in Amsterdam, where we writes for publications including The New York Times, The Economist, Frieze, Wired, Flash Art, and The Village Voice.
Elodie Evers
After studying cultural science and art history, Elodie Evers completed the extra occupational course Cultures of the Curatorial at the Hochschule für Grafik und Buchkunst in Leipzig. Before becoming a curator at the Kunsthalle Düsseldorf in 2009, she worked in the curatorial office at the at the KW Institute for Contemporary Art in Berlin and realised as a freelance curator the transcultural exchange project SICE in Sarajevo, Bosnia and Herzegovina. Her curatorial activities include exhibitions with Yüksel Arslan; Peter Land; Matt Connors; Chris Martin; Joao Maria Gusmao & Pedro Paiva; Hans-Peter Feldmann as well as the thematic group shows "Anton Voyls Fortgang" (with Guy de Cointet, Channa Horwitz and Henri Chopin), "First we make the rules, then we break the rules" (with Simon Evans und Öyvind Fahlström), "Spaces of Remembrance" (with Kader Attia, Mircea Cantor, Dominique Gonzales-Foerster, Cyprien Gaillard, Anri Sala, Tatiana Trouvé) and "Real Presences" (with Marcel Broodthaers, Tacita Dean, Cerith Wyn Evans, Stephen Prina, Hernik Olesen, Kirsten Pieroth, Susanne M. Winterling).
Áron Fenyvesi
Áron Fenyvesi is a Budapest (HU) based curator and art writer. Since 2011 he is the leading curator of the Trafó Gallery, which focuses on central-eastern european art. He is a member, and ex-secretary of the Studio of Young Artists' Association, Budapest and a member of the board of AICA, section Hungary. Fenyvesi was nominated for the Lorenzo Bonaldi EnterPrize in 2009, and he curated many exhibtions in Hungary focusing on the local emerging art scene - including shows which were located in the Ernst Museum, Budapest; Studio Gallery, Budapest; Art Gallery, Paks; and the Institute of Contemporary Art – Dunaújváros. His most recent shows include Donumenta 2010 – Aktuelle Kunst aus Ungarn, which was held in Regensburg, Germany. One of his latest publications is an interview with the Elmgreen & Dragset artist duo, and a catalogue for Ádám Kokesch.
Sveva Manfredi Zavaglia
I am Art Curator, Art Consultant, International Cultural Management and Museum Counsellor. The interest in 20 years of my work is focused on new international art practices, installations especially regarding the participation of art in public spaces. I want to create a constantly approaching work of art as a tool essential to the understanding of the contemporary world, to create a dialogue between Italian art and the International, to demonstrate common values and points of contact. I'm created and curated more then 50 exhibitions -solo and group exhibitions- of Contemporary Art in State Italian Museums, Art Organizations, Festivals, Universities, Cultural Centers of Embassies, Institutional and international Foundations with excellent relations. (Curatorial, Education, Texts, Communications, Exhibition Management, Facilities and conversant of museum protocols.) Now, I have some Art project in Italy, England, France, Belgium and USA, where I curated some exhibitions. I have been also Judge of competition of Art, writing contests and organized Auctions for no profit. My aim is to encourage and to improve the cultural and the artistic exchange between outstanding artists originating from different historical backgrounds. In 2005, I founded the Art & Communication, a non-profit association for the support, promotion and dissemination of Contemporary Art. From 2014, I writes and publishes texts on contemporary arts, and writes cultural interviews for Rome Central Magazine. Mentions: 2014 "Presidential Gold Medal" for the project "the table of Alliance". 2013 "Plaque of Distinction from Embassador of Austria" for "1700 years of the Battle of Costantino"
Ece Pazarbaşı
Ece Pazarbaşı works and walks on the merged borderline of curatorial practice and artistic research as her main profession. With 13 years of experience in the curatorial and art management field, she has realized many projects. In April 2013 she had the privilege to take part in Olafur Eliasson's Institution for Spatial Experiments with a special grant. Among her recent positions are artistic collaborator of Tell Me What You Eat and I tell you where you live, Mobile Community Kitchen project together with Erik Göngrich, Wilhelm Hack Museum, Ludwigshafen (2014); curator of 'Walk Over the City' soundwalk series in Istanbul (2013); Istanbul Coordinator for New Museum – New York's Ideas City (2012): Istanbul; curator of "Silent Shape of Things" at ARTER Istanbul (2012); in Berlin she co-curated "12/12" and "Turkish Art Nice and Simple" exhibitions at Tanas Berlin (2011-2012) together with René Block. She will be curating 5th Short Video Biennial at P74 Gallery, Ljubljana (2015). Between 2001-2003 she acted as assistant director at Proje4L-Istanbul Museum of Contemporary Art and between 2002-09 she was the executive assistant to director of the Platform Garanti Contemporary Art Center.
Breda Škrjanec
Born in 1960 in Ljubljana, Slovenia. In 1987 she graduated from the Faculty of Arts, receiving her BA in art history and sociology. Continuing her studies she earned an MA from the Faculty of Arts, Department of Arts History. She then joined the International Centre of Graphic Arts where, she currently holds the position of museum counsellor and curator of the print and artist publications collections. She has curated more than 40 exhibitions of modern and contemporary Slovene and international art, she was three times curator of Graphic Biennial in Ljubljana. She writes and publishes texts on contemporary arts. Website: mglc-lj.si
Isabella Ellaheh Hughes
Isabella Ellaheh Hughes is an independent curator and critic, based between Dubai and Honolulu, serving as the Dubai Editor for ArtAsia- Pacific and an Editorial Correspondent for Ibraaz. She has contributed essays and interviews to a number of catalogues, in addition to Frieze, Persianesque, Contemporary Practices and Brownbook. As a writer, curator and cultural producer, Hughes focuses on contemporary art from the Middle East, Asia and the Pacific. She has a deep interest in the rise of transculture and the global nomad artist, the role of public art in society and genres of new media and interactive contemporary art. Website: isabellahughes.com
Roberto Borghi
Roberto Borghi (Como 1972) is a curator of contemporary art exhibitions and a cultural journalist. His journalistic activity focuses on contemporary art and theater and on the cultural industry in Italy. As a curator and author of texts for catalogs and collections of essays, he mainly investigated the abstract avant-gardes of the early twentieth century and their influence on the art of the second half of the century. He collected his writings on this subject in the volume The symbol is not neutral published in 2014 by Edizioni Lorenzelli, a publishing house born from the reference gallery of abstract painting in Italy, Lorenzelli Arte. He also studied the relationship between art and nature on the one hand, and art and writing on the other, in the Italian art scene of the second half of the twentieth century.
Thomas Andersen
Lives and work as a curator, producer and photographer in Copenhagen, Denmark. During the past 10 years, Thomas has been wide around in contemporary art. As a curator he produced a danish contribution to the 10 th Istanbul Biennale, and besides various exhibitionprojects in Copenhagen, he has also curated exhibitions in Shanghai, New York & Sao Paolo with contemporary danish artist. The art-film-projects, such as "Yellow Waste Blue Heaven" has been screened at The National Gallery of Denmark, Centre Pompidou Paris, Pera Museum Istanbul, etc. Website: thomasandersen.nu
Francesca Anfosso
Francesca Anfosso is a curator and a gallerist based in Rome. She is the owner of the 28 Piazza di Pietra - fine art gallery. The Gallery is situated in the centre of Rome, at number 28 in Piazza di Pietra. The space is born with the purpose of creating, within this unique location, a new hub dedicated to Art and culture. The project is conceived as an interaction centre, with the aim of allowing a dynamic mix of idea generation and artistic production. The intent of the gallery is to promote contemporary Art and its multiple expressions with a particular focus on the photographic medium both locally and on an international level.
Carlotta Zarattini
Born in Italy (1985) and raised in Lugano, Switzerland, she received a degree in Italian Literature and History at the University of Bologna, Italy. In 2009, she moved to New York City to attend the Documentary Photography and Photojournalism program at the International Center of Photography. In 2011 she was selected to be part of the Eddie Adams Workshop in 2011. Currently enrolled in the 2-years photography program at the Accademia di Belle Arti di Brera, Milano. She has contributed to publications and clients such as The New York Times, The Wall Street Journal, Fader Magazine, Club Milano. Recipient of the Internazionale's special mention at the Italian Fnac Prize 2012. Finalist at the Inge Morath Award 2012. Website: carlottazarattini.com
Daina Maja Titonel
Daughter of painter Angelo Titonel and art historian Lela Djokic, Daina Maja Titonel (Rome, 1970) took a degree in mathematics at La Sapienza University in Rome before starting out on her career as Project Manager for Microsoft, where she worked for 4 years. In 2000 she was co-founder of the Nuova Galleria Campo dei Fiori, an art gallery in Rome specialized in Italian art of the 19th and 20th century. She organized over twenty exhibitions devoted to artists of that period, edited various art publications and took part in the foremost Italian art fairs (Palazzo Venezia, Milano Internazionale Antiquariato, Gotha, Modenantiquaria, etc.). Alongside these activities, which continued for ten years, in 2006 she began curating shows of contemporary art, seeking in the selected works, especially paintings, the quality found in the great masters of the Novecento. In 2013 she opened her own gallery, MAC Maja Arte Contemporanea, acting as artistic director and exhibition curator. To date she has organized over 40 shows of contemporary artists. In 2016 she was one of the co-founders of the first edition of Rome Art Week, managing relationships and contacts with private galleries, Foundations, Academies and Institutes of Culture. In 2018 the Hungarian Academy commissioned her to curate the show "Una, nessuna e centomila".
Gelateria Sogni di Ghiaccio
Gelateria Sogni di Ghiaccio is an artist run space created and directed by Filippo Marzocchi and Mattia Pajè. It is divided into two separate areas, in which one is dedicated to studio practice and artistic research, while the other one acts as a space for exhibitions, collaborations and discussions. The direction of the project is an extension of Marzocchi and Pajè individual artistic practice. Gelateria Sogni di Ghiaccio is a space dedicated to experimentation and freedom.
Gaweł Kownacki
Born in 1977 in Krakow (Poland). Artist, freelanced curator, producer and organizor of cultural events. Studied graphics and photography at the Academy of Fine Arts in Krakow and photography at the University in Essen. Graduated from The Andrzej Wajda Masters Course of Film Directing. Co-founder and Chairman of Foundation Artists – Innovation – Theory (F.A.I.T.) that was established in 2005 to encourage new approaches to the visual arts, promoting the idea of innovation in the artistic practice as well as theoretical interpretation. Realize his exhibitions in the style of subjective curating doing shows as "The worst photos you have ever taken" (F.A.I.T. 2006), "East's Desires" (Outpost Gallery, Norwich, 2006), Demi Volte – Jakub Julian Ziółkowski (F.A.I.T. 2007), Collapse – Stefan Burger, (F.A.I.T. 2008), "Subjective history of disco music" – performance in privat apartment, (Krakow, 2010) or creating subversive intervensions such as "Galeriests" (Art Review 2009-2010). Interested in coleraltions between visual arts and film. Working on a series of creational documentary movies presenting the icons of contemporary art in Poland in order to discover new strategies.
Tevž Logar
Tevž Logar currently works as an independent curator and collaborates with different institutions and galleries. Between 2009 and 2014 he worked as artistic director of Škuc Gallery in Ljubljana, Slovenia. He has curated many group and solo exhibitions in various galeries and museums. Selected projects include: exhibition and publications Jerman (2008), Ulay: Become (2009), Vadim Fishkin: Light Matters (2011, 2013), Alban Muja: I never knew how to explain (2013, 2014); solo exhibitions Societe Realiste: One-way World (2010), Tanja Ostojić: Body, Politics, Agency... (2012), Bas Jan Ader: The World Was Young When Gravity Fell (2012) (co-curated); international group exhibitions Broken Down Walls of the Crimson Salon (2010), Displaced Divisions (2010), Disobedience, in the eyes of anyone who has read history, is man's original virtue (2010), NSK Folk Art (2011), Accretions (2011) (co-curated), Fragments of Unspoken Thoughts (2012) (co-curated); Only to Melt, Trustingly, Without Reproach (2013) (co-curated), What if Time Stood Still (2014), Tensions (2014),.... At the 55th Venice Bienial Logar curated the project of Jasmina Cibic For Our Economy and Culture for Slovenian Pavilion. In 2009, Logar already worked as assistant commissioner of the Slovenian Pavilion at the 53rd Venice Biennial. Between 2009 and 2014 he has been lecturing on the history of the 20th century art at the Academy of Visual Arts in Ljubljana (AVA). Recently, he also worked as a screenwriter on a full-length feature documentary Project Cancer, Ulay's journal from November to November. He is also a co-founder of Ulay Foundation in Amsterdam. In 2014 he was nominated for ICI Independent Vision Curatorial Award. He regularly publishes texts and lectures on contemporary visual art. Logar lives and works in Berlin.
Violeta Janeiro Alfageme
Curator and researcher. Her work articulates practices of collaborative nature.Reflects the possibilities of the community making through projects that explore alternatives in the production, reception and channeling of art. She has worked as a Curatorial fellow at the Guggenheim Museum in NY, Cultural Coordinator at the Consulate of Spain in Shanghai with the AECID. She has been Assistant Curator in the Spanish Pavilion at the 57th Venice Biennial. She is currently developing her PhD thesis at the University of Santiago de Compostela. Some recent projects are: Continuous Movement, in Hangar Centro de investigación artística, Lisboa (2017); Exercises Around the Concept of Post-truth in the independent space Salón, Madrid (2017); Forms of Friendship in the gallery The Goma, Madrid (2016). She has made presentations on The Conditions of Artistic Production in Relation to the Socio-political Context at Kunsthall Trondheim, Norway (2017) and The Body to Body of the Community at La Verdi, Buenos Aires (2017). Curatorial residences at Ses Dotze Naus, Ibiza (2016) and CIA, Buenos Aires (2017). She writes for the magazine Codigo in Mexico. In January 2018 inaugurates Creación y pueblo at the Center del Carme, Valencia.
Claire Breukel
Born in South Africa, Claire Breukel began her career curating the 2002 Cape Town Month of Photography biennale and the Vision Photography Festival before being introduced to Miami by the Rubell Family Collection. In Miami, Breukel was Executive Director of Locust Projects, a renowned alternative non-profit, and participated in a number of art-related boards including as Vice Chair of Miami Beach Art in Public Places. Following this she became nomadic in her role as Coordinator of PUMAVision and Curator of PUMA.Creative, developing the arts specifically within Africa and the Caribbean region. As an independent curator and writer, Breukel is interested in contemporary art that falls outside of conventional modes of exhibition. She has curated exhibitions in South Africa, New York, Miami, Vienna, and El Salvador and writes for ArtPulse, Arte Aldia, Eikon and weekly for online blog Hyperallergic. She is currently establishing Dirty Pink 305, a project exploring the voice of artistic practice in Miami and works as a creative advisor for Downtown Miami as well as Bal Harbour public Art commission. Breukel lives and works between New York and Miami.
Brad Clark
Brad Clark is a Journalist, Writer and Curator that writes for various magazines and publications around the subjects of contemporary Fine Art, Graphic Design, Photography and Modern Aesthetic Theory. Brad studied initially at Colchester Sixth Form and then some time at Goldsmiths and the University of East London (Docklands) where he studied History of Art, specialising in Linguistics and Semiotics, History of Design and the Consumption and Business practices of Fine Art. His passion for Contemporary Fine Art has led him to create Broken Vault, an Agency that seeks to support and offer advice to emerging artists, giving them the opportunity to develop, grow, exhibit and ultimately sell their work in perhaps the worlds most vibrant and buoyant art market, London.
Coline Milliard
Coline Milliard is an art writer based in London. She is UK Editor for Modern Painters and ARTINFO, Managing Editor for ibraaz.org and London correspondent for art press. She is a regular contributor to Art Monthly and has also written for Frieze, Art Review, The International Herald Tribune, Afterall Online, MAP, Artnet Magazine, Contemporary, Flash Art International, Untitled, Metropolis M, Numéro and Art in America. Coline is a member of AICA, the International Association of Art Critics. She holds MAs in Curating Contemporary Art (Royal College of Art, London) and Art History (Université Paris 1 Panthéon-Sorbonne). She is founding co-editor of Catalogue, the first contemporary art magazine designed to act as a platform for interaction between the English and French-speaking art worlds. Read online: www.cataloguemagazine.com.
Alessandra Prandin
Born in Venice, Paris based "explorer", independent curator and visual arts consultant. She holds a degree in Contemporary Literature at the University of Bologna and the Université Paris-IV Sorbonne and a MA Phil in Contemporary Art History from University of Bologna and University of California - Los Angeles, where she focused on the history of photography. She was on the founding board of curatorial collective about:blank (Paris). Over the years she has worked with private art foundations and public institutions (Musée du Louvre, Fondation Cartier, Paris, Iris Foundation) and as an independent curator she has organised a number of exhibitions and live talks (with Chantal Pontbriand) and has worked closely with artists Melik Ohanian on a number of projects and exhibitions (Armenian Pavilion at the Venice Biennial, Datcha Project, Marcel Duchamp Prize). In 2013 she was the director of the art program at New Holland Festival (Iris Foundation – Saint Petersburg). Since 2012 she works as a teaching assistant for Contemporary Arts and practices at the Academy of Architecture (Mendrisio – Switzerland). She's currently in charge of Territoires Extra art project, a partnership with La Criée Art Center in Rennes, Passerelle Contemporary Art Centre (Brest) and the French Ministry of Culture (Bretagne).
Lorenzo Bruni
Lorenzo Bruni is an independent critic and curator, lives and works in Florence. Since 2005 he has been the art director of Via Nuova, Florence, for which he created "La distanza è una finzione", a cycle of group shows involving more than 30 artists, different for nationality and generation, such as Ian Kiaer, Mark Manders, Marinella Senatore, Koo Jong-A, Martin Creed, Cristian Jankowsky, Paolo Parisi, Roman Ondak, Rossella Biscotti, Jacopo Miliani, Marco Raparelli, Carsten Nicolai, Luca Francesconi, Nedko Solakov and Matteo Rubbi. His latest projects include the group show on the notion of performativity at the Astuni Public Studio (Bologna, 2010); the cycle of exhibitions and his collaboration with the international convention on the theme of the archive at the Monash University (Prato, 2009). Other two projects, both in 2008, are Il viaggio di Sarah at the Biennial of Bulgaria in Varna and What is my name? for the HISK of Gent in Belgium, on an analyse about a particular form of conceptual art of romantic type, from seventies till now. This Project involved 18 international artists, such as Rirkrit Tiravanija, James Lee Byars, José Dávila, Jonathan Monk, Maurizio Nannucci. He currently contributes to the magazines Arte e Critica and Flash Art.
Serge Klymko
Serge Klymko is a curator, cultural manager and journalist, working both independently and as a part of Visual Culture Research Center collective. His curatorial inquiry lays at the crossroads of visual and performance art, music curating and cultural projects ranging from art & politics debate panels to urban activism, musique concrete concerts and fashion. Working with established, emerging or underground artists, Serge is constantly focused on shifting of conventional art dispositives and reflecting on sociopolitical dimension of an artistic oeuvre. In the last 5 years he has curated a number of cultural and art projects in Kyiv, Moscow, Warsaw, Tbilisi and Vienna. He is a founder of VCRC project space and a co-founder of DIYstvo urban festival. Serge worked as an editor for culture for various magazines. Holds MA in Cultural Studies, lives in Kyiv, Ukraine.
Consuelo Hernandez
Art curator and owner of the Hernandez Art Gallery founded in 2012. After several years of work experience in the culture area in the diplomatic field he decided to open an art gallery in Milan for the promotion of young emerging Italian and non-Italian artists. The mission of the gallery is also to make Latin American art known in Italy, becoming a point of reference in the Milanese artistic and cultural panorama.
Marta Jovanovic
"Jovanovic is truly an artist of the twenty-first century. She can no longer call one country home, after living in Europe, the Middle East and North America. Her practice moves effortlessly between performance, sculpture, video and installation. She is interested in the legacy of feminism, but she also has deep admiration for her male forbears. Are these contradictory stances? They should not be. For identity today is a shifting and transforming process, rather than a fixed state. We have learned from the achievements as well as the mistakes of earlier feminist thought—prescribing what is a liberated feminism from what is not is a futile process. What is more enlightening is to understand that the post-feminist condition allows for a personal quantification of identity, one that is not forced or assigned. This is what our feminist predecessors fought for so bitterly—for our generation to have freedom to make our own choices about our bodies, our art, our lives." Dr. Kathy Battista – Marta Jovanovic: Performing the Self (2013). StudioMartaJovanovic - www.m-art-a.net
Andrés Galeano
Born in Spain in 1980 and lives in Berlin and Barcelona. He holds a Philosophy degree at the Universtiy of Barcelona, a Photography diploma at the Freie Fotoschule Stuttgart and a Sculpture/Free Art degree at the Kunsthochschule Weißensee Berlin. He works with drawing, photography, video, installation and performance and has realized exhibitions and performances throughout Europe, Latin America and Canada. Selected solo shows: Art Rotterdam (2015), YIA Art Fair (Paris, 2014), Art Brussels (Brussels, 2014), Pavlovsdog (Berlin, 2014), Grimmuseum (Berlin, 2013). Selected group shows: Altered Status, Goethe-Institut (Barcelona, 2015), Present Indicatiu, Fabra i Coats (Barcelona, 2014), 4th Thessaloniki Biennale of Contemporary Art (Thessaloniki, 2013), Presume, Kunstraum Kreuzberg/Bethanien (Berlin, 2012), Creacions al vol, espai f (Mataró, 2012), Alle 7 del mattino il mondo è ancora in ordine, 'O (Milan, 2009). Selected performances: M:ST Festival (Calgary, 2014). In 2011 he was awarded with Mart Stam prize by the KHB Berlin and in 2014 was finalist of the Miquel Casablacas prize in Barcelona. www.andresgaleano.eu.
Claudio Zamengo - Imagoars
Imagoars cultural association was born in 2009 thanks to a group of artists and art enthusiasts promoting events into the sphere of Art with the purpose of showing and promoting high-quality artistic expressions, from painting to sculpture, from installations to performances. Its activity is aimed at enlarging the knowledge of Art and spreading it through its different languages. Art is not seen as the pure reproduction of the physical world nor as the devastation of our shared satisfying aesthetic equilibrium. Instead, by proposing a new approach towards it, Imagoars conceives it as a contribution for the growth of human sensitivity in order to create a better quality of life inside a shared common ground, namely a "common-city", more opened and tolerating towards diversity.
Leigh Markopoulos is the chair of the Graduate Program in Curatorial Practice located on the San Francisco campus of California College of the Arts. Formerly the director of Rena Bransten Gallery in San Francisco, Markopoulos came to San Francisco to take up the position of deputy director of the CCA Wattis Institute for the Arts. Prior to that she was exhibition organizer at the Serpentine Gallery in London, and at the Hayward Gallery. She has curated numerous exhibitions and has organized over 50 shows ranging from solo shows of Richard Artschwager, Dan Flavin, and Brice Marden to major group exhibitions such as Monuments for the USA and IRREDUCIBLE: Contemporary Short Form Video. Markopoulos is also the Director of the Steven Leiber Trust, which comprises an extensive collection of artist's books, ephemera, multiples and unique works representing art movements from the 1960s to the 1990s and including Conceptual Art, Fluxus, Minimalism, Concrete Poetry and Mail Art. A regular contributor to various online and prints journals, Markopoulos is currently writing an extended article on Ulay's contribution to performative photography, as well as editing a catalogue on the work of John Paul Ramirez.
David Ayala-Alfonso
David Ayala-Alfonso is a Chicago-based curator, artist and researcher, who works as editor in chief for {{em_rgencia} journal on contemporary art. Ayala-Alfonso has published books, book chapters and articles on Colombian art history, arts education, independent spaces, performance and artistic interventions in the public realm. He has also been curator of different exhibitions in Bogota, New York and London. As part of Group 0,29, he has produced various intervention projects and traveling exhibitions in the Americas. Recently, he has been awarded the Fulbright Grant and the ICI-Dedalus Award for Curatorial Research. Website: davidayala.info
Milica Cirovic
Milica Cirovic (Belgrade 1984) graduated at the Academy of Fine Arts in Rome in 2017. In her art she uses her body in order to question the problems of identity, gender and sexuality through the use of photography and video. She was a winner of the 5th edition of the ORA Prize, selected for YICCA Prize in 2019 and the finalist in the photography section in the international competition for COMBAT Prize in 2014. In 2015 she exhibits at the Codice Italia Academy (56° Biennale of Art in Venice) in the section dedicated to the emerging artists from Italian academies, which was curated by Vincenzo Trione at historical Palazzo Grimani. In 2019 she had her work exposed in Hungarian Academy in Rome as a part of exhibition One, none and hundred thousand, curated by Maja Daina Titonel. During her artistic itinerary she was selected for workshops where she worked with artists such as Antoni Muntadas and Antonio Biasiucci.
Anabelle Rodriguez
Anabelle Rodriguez is an independent curator and visual arts consultant for collectives, institutions, and organizations throughout Philadelphia and New York City. She is the Founding Director of the ~curARTorial LAB, currently housed at The Malkovich in Crane Arts Old School. Since 1999 Anabelle has curated more than fifty exhibitions of modern & contemporary art, and most recently of street and public art. In 2011 she was Biennale Researcher for the Indianapolis Museum of Art during the 54th Biennale di Venezia, and since her return to the US she is Chief Curator of Diálogo 365, the largest showcase of Latin American, US Latino, and Caribbean art in Philadelphia. Anabelle is a Future Faculty Fellow at Temple University, where she is working on a Ph.D. thesis in Visual Anthropology. Her education includes the Smithsonian Institution's Latino Museum Studies Program, and BA degrees in the Hi story of Art & Architecture and The Visual Arts from Brown University. Rodriguez is an Adjunct Professor of Art History at The University of the Arts, and of Cultural Anthropology at Drexel University in Philadelphia, Pennsylvania (US).
Giovanni Rendina
Giovanni Rendina (1991) is an independent curator. He read drama, art and music studies at Bologna University before studying for his MA in Curating & Collections at the Chelsea College of Art UAL, London (2015–2016). Rendina carried out a year long curatorial traineeship at the Mahler & Lewitt Studios in Spoleto assisting the program curator and directors in all aspects of running the organisation. His professional experience also includes assistant curatorial work at Chelsea Space, London. In 2016 he co-curated the Exhibition Use/User/Used at Zabludowicz Collection, London. In March 2017, he curated the show "A SLUMP" at Gelateria sogni di Ghiaccio, Bologna, inviting the London based artist Andrew Mealor. In July 2017 he curated Mattia Pajè's Installation "Do you come here often?" In Spoleto supported by the Mahler & LeWitt Studios and part of Viaggiatori sulla Flaminia. His practice focuses on art as "organised leisure".
Mathieu Mercier
Born in France, in Conflans-Sainte-Honorine in 1970, Mathieu Mercier graduated in the Ecole nationale supérieur of Bourges and in the Institut des hautes études en arts plastiques in Paris. After winning the Prix Marcel Duchamp in 2003, he exposed at the Centre Georges Pompidou; the overall work of Mathieu Mercier was shown at the Musée d'Art Moderne de Ville de Paris / ARC in 2007 and at the Kunsthalle Nuremberg in 2008. He is represented by galleries Mehdi Chouakri (Berlin), Massimo Minini (Brescia) and Lange Pult (Zurich). Since the beginning of his career, Mathieu Mercier is reflecting on the definition of the place of the object in both industry of consumption and in the field of art. His research resulted in a constant questioning about the symbolic and utilitarian features of the objects.
Noah Stolz (1976) lives between Locarno and Geneva. In 2004 he notes the activities of space for contemporary art La Rada in Locarno and in 2009 he became its co-curator, managing the program with Patrick Gosatti. Besides the activities of La Rada, he works as an independent curator, as a producer of experimental and art films, he looks after offsite exhibitions and writes for magazines such as Mousse, Kaleidoskope, Kunst-Bulletin, Art Collector. Since 2010 he curates with Patrick Gosatti the programming of visual arts at the festival Les Urbanes. Since 2009 he is member of Federal Comission of Art.
Zorana Đaković
Graduated from the Faculty of Philology at the Department for French language and Litterature. Obtained M.A. degree at the University of Arts in Belgrade in the field of management in culture and mediation in Balkans. Currently finishing also the studies of Art history. Work in the Cultural Centre of Belgrade (www.kcb.org.rs) as coordinator for the international cooperation and program coordinator of Podroom gallery within same institution. Participated in trainings, workshops and courses abroad and in Serbia focused on financing and economy of contemporary art, mediation, diplomacy and art, cultural management, pedagogy, art education etc. She is a member of the curators' network and IKT network. Working as free lance journalist, translator and ceramist. In 2006 for four months worked in development department in the Contemporary Art Centre P.S.1 in New York. From 2004, the year when the biggest exhibition of contemporary visual arts in Serbia, the October Salon became international until last year I've been its coordinator closely working with different curators. Professionally I'm interested in providing enough public space for the artists, groups and art projects that are clearly critical toward proper contemporaneity. Since 2012 I'm coordinating the program of the Podroom gallery within Cultural Centre of Belgrade that is focused on the collaborating projects, international cooperation, video, film and animation.
Irene Aristizábal
Irene Aristizábal is Head of Exhibitions at Nottingham Contemporary where she has curated solo exhibitions by Danh Vo, Carol Rama and Asco. She holds an MA in Curating Contemporary Art from the Royal College of Art, London, and an MA in Art History and Aesthetics from Paris 8 University. In 2010 she was the recipient of the H+F Curatorial Grant and worked as guest curator at the FRAC Nord Pas de Calais, Dunkirk. In 2005-2006 she co-directed the not-for-profit space Bétonsalon in Paris. She has curated numerous exhibitions, including: Revisiting Time at La Plateforme and FRAC Nord Pas de Calais (Dunkirk), You Are Not Alone at Miro Foundation (Barcelona), How do you know what it looks like? at Form Content (London), and Interferencia at the Museum of Health Sciences (Bogota). Website: nottinghamcontemporary.org
Michael Corbin
Michael K. Corbin is the creator and owner of ArtBookGuy.com which is an online contemporary art magazine that features art news, artist interviews, gallery happenings, artist projects, blogs, museum exhibitions and more. The mission and motto of ArtBookGuy focus on the accessibility of contemporary art. Art For All People. Website: artbookguy.com
Sara Liuzzi
Born in 1978, Sara is an art historian with a degree in Conservation of Cultural Heritage from the University of Siena, in Arezzo, with thesis in History of Contemporary Art: "Studio Azzurro", she has studied and worked professionally in Arezzo (Tuscany), Milan and London. She has several years of experience in the modern and contemporary art field as an Assistant to the Director of various major galleries, and museums, as well working independently as chief curator and coordinator of many exhibitions. In addition she has been employed as an art consultant, and as journalist and then editor in chief of content for publications. She has collaborated with several galleries in Italy and London, she has liaised extensively with auction houses, private collectors, institutions, museums, foundations, fairs and directly with artists. She attended several courses for curators with the most important Italian art critics and historians, in the most important schools of art as the Central Saint Martins, the College of Art & Design of London.
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2022 YICCA Contest
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This means that over time, they struggle to expand and even one small shock could result in them having to close their business. It is because of structural inequalities that women are and continue to exist at a position of disadvantage. In this regard, the on-going maldivuan COVID pandemic has been a disruption of unprecedented proportions.
Earnings from such work is extremely volatile as it is entirely dependent on market forces. Women find that it is a daily part of their lives to be harassed on the streets.
But on average they earn less than half the salaries of men in the workplace, [7] possibly as a consequence of a higher Male education levels a few decades ago. A majority of these home-based workers are self employed business owners who run a small business out of their homes. They have less access to social protections and are the majority of single-parent households.
But amidst the confusion and discomfort lies great clarity. Tourism in the Maldives s for a direct According to the FAO Fuck me 53559 xxx, women for 84 percent of home-based workers in the Maldives. Across the globe, women earn less, save less, hold less secure woomen and are ma,divian likely to be employed in the informal sector.
Mariyam Mohamed L and Khady Hamid of Uthema Maldives; Mariyam Mohamed is a gender and development professional who has been working in the social development sector primarily working on gender equality and social justice for the last 15 years. One in two women reveal they were unable to undertake income generating activities due to domestic duties such as childcare, cooking, cleaning and other household chores.
Without a concerted effort to address the unique situation of and challenges that they face; it is likely that they will fall through the cracks. Additionally, concerns about sexual harassment, personal safety and maldivian women stigma and taboos associated with working in a male-dominated industry makes it harder for women to enter it.
But all is not lost. It is time that we step forward and call out persisting inequalities for what they are and push the powers that be to address those factors as the country builds back for a better post-COVID future. The informal sector is especially prevalent for women who are engaged in home-based income generating activities and rural women who engage in traditional livelihood activities such as rope making, thatch weaving, coconut maldivian women making, making rihaakuru fish paste etc.
In Maldives, after a full month of a complete lock down, anecdotal evidence indicates that women are spending a lot more time tending to children, making meals, cooking and cleaning.
Women in the maldives
The introduction of tourism to inhabited islands under the banner of guesthouse tourism has not necessarily changed this status quo. Even though the Maldives is a percent Muslim country for nearly a thousand years, there is no record of stoning, or execution for murder unlike most other Islamic or Non-Islamic nations across the world. Additionally, policy makers have failed to incorporate local community voices into tourism policy making processes. Some women accomplish all this while still working from home.
Through this great pause, we gained and continue to gain clarity on a lot of things. A woman pictured cooking on a traditional 'dharu ma,divian, using firewood. Share this story.
Despite this, there has not been a concerted mapdivian made to facilitate things for small-scale female entrepreneurs. Little to maldiviian action is taken against people who harass women on the road and the of maldivian women assaults and rapes is on the increase. Additionally, the lack of recognition given to this work means that women who engage in such work are also left out of social benefit schemes such as pensions and other social safety nets.
Limited time-use data collected as part of the Household Income and Expenditure Survey of indicates that on average, Maldivian women spend six hours daily on unpaid domestic and care work, compared to only three hours for men. Prostitution in the Maldives is illegal.
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As of women only ed for three out of 14 government ministers, five out of 85 lawmakers and six out of more than judges. While employment in guesthouses may not require relocation, it is likely that the lack of flexible working arrangements, competitive remuneration, professional development opportunities and societal gender roles, all serve to discourage women from seeking employment in guest houses. This means that, on average, these women are working a lot more, perhaps doubly so, during this Baxley ga swingers. The picture of Maldivian women that is painted through makdivian new found lucidity is an image of existing economic maldivian women social vulnerability that will exacerbate with the COVID crisis.
Only 3 percent of men outside the labour force mzldivian the same reasons for not participating. As many as 68 percent and maldivian women percent of Maldivian women surveyed, as part of a COVID initial assessment conducted by the UN Women, reported they were now spending a lot more time on unpaid domestic work and unpaid care work, respectively. However, the current COVID pandemic threatens to reverse the limited gains made during mzldivian past years, as it will exacerbate the existing gender inequalities, This assessment is backed by UN Women and numerous other organizations.
Homosexuality is illegal. The cumbersome and tedious application process New Missoula Montana sex cam girls income support through the COVID relief package are far removed from the realities of informal sector and home-based workers. Furthermore, the development trajectory of the country in recent years have caused ificant destruction to the natural resources or restricted access to natural resources that these women depend on for their livelihood.
Maldivian women are more vulnerable now than ever before
However, there is plenty that we can infer from looking at labour force participation figures or by simply examining the lives of, well, naldivian much every single Maldivian woman we know. The case of mass tourism development on local islands mentioned in the section and also mega infrastructure development is an example of this. Both divorced men and women face no stigma, and historically women also has the right to initiate divorce.
Khady Hamid is a development practitioner interested in exploring the intersections of gender, sustainability and human rights. Infact, compared to their male counterparts, statistics indicate a larger portion of local women go on to pursue higher education. They are painful, confusing and full of anxiety.
Access to credit this is compounded by societal limitations that prevent women from registering assets to their name and building business skills remains as challenges. All of this means that their capacity to absorb economic shocks is, therefore, less than that of men. As we talk about building back better, there is no doubt that economic recovery packages and plans must take into maldkvian above mentioned realities of most Maldivian women.
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I TATTI STUDIES IN ITALIAN RENAISSANCE HISTORY
Venice's Most Loyal City
Civic Identity in Renaissance Brescia
Stephen D. Bowd
7 halftones
HISTORY: Europe: Western
See all: I Tatti Studies in Italian Renaissance History
By the second decade of the fifteenth century Venice had established an empire in Italy extending from its lagoon base to the lakes, mountains, and valleys of the northwestern part of the peninsula. The wealthiest and most populous part of this empire was the city of Brescia which, together with its surrounding territory, lay in a key frontier zone between the politically powerful Milanese and the economically important Germans. Venetian governance there involved political compromise and some sensitivity to local concerns, and Brescians forged their distinctive civic identity alongside a strong Venetian cultural presence.
Based on archival, artistic, and architectural evidence, Stephen Bowd presents an innovative microhistory of a fascinating, yet historically neglected city. He shows how Brescian loyalty to Venice was repeatedly tested by a succession of disasters: assault by Milanese forces, economic downturn, demographic collapse, and occupation by French and Spanish armies intent on dismembering the Venetian empire. In spite of all these troubles the city experienced a cultural revival and a dramatic political transformation under Venetian rule, which Bowd describes and uses to illuminate the process of state formation in one of the most powerful regions of Renaissance Italy.
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Q: Annual school events How would you call these kind of events organized by schools at the end of the year generally in June where children (6 to 12 years old) sing, dance or act?
In French we say :
"Fête annuelle de l'école"
"Kermesse de l'école"
A: My first instinct would be to say "school pageant," but my vocabulary is old-fashioned and I don't really know 21st-century popular culture; "pageant" might be exactly the wrong word at this point in history. "Christmas pageants" used to be a staple of schools, but aren't so common anymore; "beauty pageants" are common and could give connotations to the word "pageant" that are horribly wrong in this context.
"Spring Program" is Kristina Lopez' recommendation for this. The term sounds vague and anodyne to my ear, but it might be a better suggestion than mine; the hearer wouldn't learn much about what the event was, but at least he or she wouldn't come out with an incorrect or embarrassing impression.
In this context, "pageant" refers (or formerly referred) to a theatrical performance or series of performances, not depicting a single story or organized into acts and scenes, probably performed by amateurs, in which the quality of the performance is much less important than the fact of participating in it. (Apparently these evolved from the medieval mystery plays.) If this isn't something exclusively theatrical, or if it has competitive elements, "pageant" is not appropriate no matter how archaic your vocabulary may be.
Note that all this is an answer in the US context; from other answers here, it sounds like "school fête" would be perfectly comprehensible in England. (And Wales, Cornwall, and Scotland? Ireland? All of Great Britain? Everywhere in the world that spells "color" with a "u"?)
(This has been edited to reflect Kristina Lopez' and Choster's comments. Thanks!)
A: How about "Talent Show" or "Annual Talent Show" to emphasize that it's a recurring event?
A: *
*Fête is also used in English to mean approximately the same thing. (England)
*Summer Fair is also used to mean a celebration or gathering.
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There's a lot going on for your little ones at the Patterson!
Wednesdays we feature Mr Kent's Storytime from 10:30-about 11:30. There's lots of fun with books, songs, fingerplays, puppets and what is in the Mystery Bag? The letter monster brings us a new letter each week, so be ready to think of words that start with that letter!
We have a nice selection of picture books and also non-fiction works, as well as graphic novels for Junior and Young Adult readers. There are puzzles, games and, of course, Legos to stimulate little minds. Children can also play with the puppets on the puppet tree!
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Home > Our Hackney > Harold Pinter's Clapton: an historical perspective >
By Julia Lafferty
As a local resident and member of the local amenity group, The Hackney Society, I have been asked to say a few words giving a heritage dimension to today's event commemorating Harold Pinter.
Samuel Pepys, writing in his diary in 1666, portrayed the Clapton area as a veritable Garden of Eden, a refuge from the densely populated, claustrophobic and plague ridden City of London. He described escaping from the City's dirty, crowded streets to the rural peace and quiet of Hackney, where cows grazed in open fields, watercress was grown and fruit harvested. On his visits, Pepys frequented the Mermaid Tavern in Mare Street, which had its own pleasure gardens and bowling alley, and he recorded that he 'played shuffle board, ate cream and good cherries'.
Pepys first glimpsed orange trees growing in the gardens of Brooke House in Clapton, an aristocratic residence formerly in the ownership of Henry VIII which survived into the 20th century, and this old mansion house would have formed part of the streetscape with which the young Harold Pinter would have been familiar. Brooke House was demolished by the local authority in the 1950s to make way for a secondary school and the site is now occuped by B6 College, around the corner from Thistlewaite Road.
In the 18th century, Daniel Defoe, writing in 1722, described how Hackney was remarkable for being the retreat of so many wealthy citizens, wryly suggesting that Hackney contained many more private carriages than it did Christian souls.
All this was to change dramatically during the course of the 19th century when the big houses and green fields began to give way to the development of mass housing for the middle classes which came to dominate the area from the 1860s onwards.
Hackney had long been known for its thriving communities of non-conformist religious worshippers and dissenters. It was in Hackney that French Protestants, escaping from persecution in their home country, set up residence. There were chapels for amongst others Independents, Baptists, Unitarians, Wesleyan and Primitive Methodists. Clapton also had New College, established in the late 1780s, where students from all religious denominations could study. It was at New College in 1792 that Tom Paine was guest of honour, soon after he had published the second part of The Rights of Man.
A plaque now marks the location in Thistlewaite Road, less than a hundred yards from the former Pinter residence, of Hackney's first synagogue built in the 1770s in the grounds of Clapton House for a wealthy Jewish merchant who had settled in the neighbourhood.
So it was understandable that during the last quarter of the 19th century and into the 20th century, Hackney also became a haven for Jewish immigrants escaping from Russian pograms and then Nazi persecution, amongst whom were Harold Pinter's grandparents.
By the time that the young Harold Pinter attended Hackney Downs Grammar School in the 1940s, the Jewish population in Hackney had swelled to over 50,000, many of whom lived in Clapton and Stamford Hill. Although the middle classes had moved on to pastures new, Hackney still had educational institutions where working class children could gain an excellent education. Hackney Downs School was one such place, and it was here that Harold forged friendships which were to endure throughout his adult life. Lady Antonia has been quoted as saying 'I don't think Harold would accept anything, except the laws of cricket, without question',and Michael Billington, in his biography of Harold Pinter, said that what bound these friends together was 'a passion for intellectual discovery and argument about ideas'. This spirit of independence and intellectual enquiry was developed by Harold's experiences at Hackney Downs School.
The School had been founded in 1876 by the Grocers' Company. By the 1940s, the School had an over 50% Jewish intake and a fine record for academic achievement. Amongst its many distinguished ex-pupils, Hackney Downs produced four life peers, two university vice-chancellors and two famous actor/playwrights in Harold Pinter and Steven Berkoff. It was at Hackney Downs that Harold's potential was recognised by his English teacher Joseph Brearley. Joe Brearley encouraged and nurtured his talented student and introduced Harold to his own passion for English poetry and drama. Fifty years later, when Harold received the David Cohen British Literature Prize, he would recall that 'Joe Brearley fired my imagination, I can never forget him'.
In commemorating Harold Pinter today, we would also say that as a playwright, author, screenwriter, poet and actor, Harold Pinter's work will continue to inspire successive generations and 'fire their imagination'.
We are proud that Clapton Pond will now bear a plaque in his memory. We will never forget him.
Julia Lafferty
on the occasion of the unveiling by Lady Antonia Fraser of the plaque commemorating Harold Pinter at 19 Thistlewaite Road, Clapton on 22 September 2012
Lady Antonia was then presented with the Hackney Society publication Hackney: An uncommon history in five parts, in which five different contributors give their own perspectives of Hackney history from 1612 to 2012.
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The biggest selling point of going with a expert Junk Treatment and Dumpster Rental business is that you get to sit back relax learning the job will be done right in addition to professionally! The key lies in not falling for the people fly simply by night providers that feature low-cost prices on the phone. They may noise good threatened, but the difficulties only commence when you conclude the call. They can not arrive, they may boost the price when they do come out there. If you have ever moved, this type of method will ring a bell to you. It could even worsen, they may 't be insured. They might damage the one you have, or your neighbors' property or home. They could receive injured in addition to sue an individual. If almost everything goes very good at your web site, your issues are not over, when they depart. Then there is the issue of getting rid of your throw away, are they carrying it out properly, could they be adhering to your dumping bylaws in your area or could they be illegally dropping your throw away and crap. If the guy with his pick-up can't be found YOU COULD BE Kept LIABLE. How does one avoid the entice? Schools also collect many old crap that may not be needed. Universities tend to store them inside their basement as well as other storage area. Older couches, recliners, desks, personal computers and watches, etc. could be overloading your storage space. Renting a dumpster is a great solution to remove all the unwanted junk in a rapid manner. In picking a Construction Dumpster Rental in Edmore, MI company, find out how lengthy you can keep your dumpster at one rate. When you need to extend enough time find out the purchase price ahead of time.
Regardless of what project you're planning to take on, picture all of the materials that you are going to always be taking out of the house. Imagine older appliances, older cabinetry, it mat be the old flooring. In each one of these simple cases, you've to do something with the items that you happen to be removing.
Another reason you might consider Construction Dumpster Rental in Edmore, MIs is if you plan in doing design on your house or office building. Almost all areas don't allow the dropping of lumber, nails or any other similar throw away. These items can easily almost always be put within the dumpster to always be hauled away from when needed. Many garbage bin rentals allow for your dumping associated with hazardous throw away as well and can utilize disposal bins because of this on the driveway.
Every construction project consists of a ton of rubbish and stones. You can enjoy buy and sanitation during a construction project using a design Construction Dumpster Rental in Edmore, MI. Excellence in addition to beautification does not have to appear like demolition and devastation during the process. Superiority in every design process is quite possible only using proper rubbish removal through the home in addition to premises.
These kind of commercial dumpsters most often have a whole conclude opening regarding dragging points into the big box, plus an beginning in the leading so that roofing workers, as an illustration, can just get rid of shingles in addition to old roofing wood directly into the dumpster, saving work. Some are totally open on top. when The rental charges will be determined after you proceed to the website, and can depend on the length of your rubbish heap, precisely what is in it, no matter whether recyclables have to always be separated -- and even can be split up, how long you need the dumpster regarding, and how large it is.
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Louis Vuitton's World Tour line is apart of the Fall 2016 collection and features the iconic Monogram coated canvas revamped with Nicolas Ghesquiere's take on vintage hotel stickers. The Louis Vuitton Zippy Wallet is the best all-in-one accessory you will ever need. With its roomy capacity and multiple slots, this wallet makes for a very functional wallet or clutch. A timeless classic you will love forever. Retail price is $905.
The exterior coated canvas remains clean and beautiful throughout. The hardware remains bright and shiny. The interior leather is clean and overall in excellent condition.
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As of today, the video is close to two million views. Russian Orthodox Church spokesman Vladimir Legoyda previously claimed Sokolovsky was not arrested for playing Pokémon Go but instead for making a video provocative to the religious.
Is the new health care act boon or bane?
The CIA and the South Korean intelligence service, "hotbed of evils in the world, hatched a vicious plot to hurt the supreme leadership of the DPRK", the news agency said, using the initials for North Korea's formal name. The U.S. House of Representatives overwhelmingly approved legislation on Thursday to tighten sanctions on North Korea by targeting its shipping industry and companies that do business with the reclusive state.
Lavrov is familiar with the Russian hacking and meddling line, having denied his government's involvement in trying to influence the outcome of the election in favor of Trump. Putin and Trump already had discussed a July meeting during a phone call in the past week. "You're kidding! You're kidding". Trump insisted that wasn't the case.
Before moving on, here are a few takeaways from a the decisive Game 4 between the Warriors and Jazz. Curry entered the game averaging 26.7 points in the playoffs, but Thompson had struggled against the Jazz. Even so, Hayward emerged as an All-Star and All-NBA candidate while Gobert improved offensively and dominated defensively. They're first in rebounds, first in blocks, first in deflections, first in points allowed and No.
That was the second Korean summit. Moon Jae-in used his victory speech as an opportunity to reiterate his commitment to peace between the South and North of the Korean peninsula. North Korea has conducted two nuclear tests and test-fired almost 30 missiles since a year ago. Moon's victory reverses more than a decade of conservative rule that has seen strong ties with the US, which maintains about 28,500 servicemembers in South Korea.
Open Russia, l'organizzazione fondata dall'ex oligarca e capo della Yukos Mikhail Khodorkovsky fa sapere che anche quattro attivisti russi sono stati fermati dalla polizia mentre portavano alla procura generale di Mosca oltre due milioni di firme - raccolte in forma digitale - per chiedere l'apertura di un'indagine sulle presunte persecuzioni dei gay in Cecenia .
Trump met today with Foreign Minister Sergey Lavrov of Russian Federation, following on the visit of Secretary of State Rex Tillerson to Moscow last month", it read . presidential election. The US, along with some European allies, has imposed several rounds of economic sanctions on Russian Federation in response to what they called the annexation of Crimea and destabilising activities in eastern Ukraine.
In a stunning development, Trump on Tuesday fired FBI Director James Comey, whose agency is investigating alleged Russian interference in the 2016 US presidential election and the possibility Trump associates may have colluded with Moscow. "Was he fired?" Lavrov asked. The reporter answered "yes". Officials said that Vladimir Putin had requested the meeting, a quid-pro-quo for his recent face-to-face with Secretary of State Rex Tillerson in Moscow.
The conversations were intercepted by USA intelligence agencies. Michael Flynn's failure to disclose meetings with Kislyak eventually led to his departure as national security advisor and made the Russian diplomat a virtual household name.
Soon, the hashtag #AkhileshInsultsMartyrs began trending on Twitter . After an outrageous loss in Uttar Pradesh Election, Former Chief Minister Akhilesh Yadav has become active nowadays and trying to gain the attention of the general public.
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This year's Garden Day SA 2018 is taking place on Sunday 21 October.
Celebrate all things green, growing and garden-related during this year's Garden Day SA 2018, which takes place on Sunday 21 October.
Whether you're an avid gardener, a houseplant enthusiast, a succulent queen or a lover of fragrant blooms, Garden Day SA gives South Africans the opportunity to come together and celebrate their gardens in all shapes and sizes.
Since its inception in 2016, Garden Day SA has been encouraging people of all ages and from all walks of life to take a breather and enjoy their gardens with friends and family either at home or in their cities.
From delighting in the fynbos growing on your doorstep to spending the day at your neighbourhood's urban farm, Garden Day SA is all about taking a moment to appreciate everything green and growing.
This year's Garden Day SA takes place on Sunday 21 October, and the build-up has already begun with rich inspiration, great ideas and vibrant Instagram posts – most of which feature magnificent flower crowns, which have become synonymous with the Garden Day SA celebrations.
If you're in Cape Town or Johannesburg, register for this year's free flower crown-making workshops, which are being held on Saturday 20 October at Oranjezicht City Farm Market in Granger Bay and The Neighbourgoods Market in Braamfontein. Here you'll be able to express your creativity with an array of supplied materials and expert guidance from some great green fingers.
Other Garden Day SA events in the Western Cape include a lunch with Chef Bertus Basson at his vegetable garden in Jamestown, a picnic and rose picking at the Langkloof Rose Festival in Wellington, and a botanical fynbos tasting at the Company's Garden in Cape Town.
Events in Gauteng include a picnic and high tea at The Herb Farm in Midrand, a decor and flower design workshop and lunch in Pretoria, and a lunch and talk with gardening author Jane Griffiths in Muldersdrift.
Love plants? Find five houseplant Instagram accounts to inspire, here.
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Actually found some STEPS GOING DOWN! (initially).
These are NOT paintings – they are life-size terra-cotta figures sculpted to depict Pope Gregory IX giving the Franciscan Father General a Papal Bull of canonization while cardinals, bishops and ambassadors of kings and princes look on.
The entranceway to the chapel was dark and so it was initially hard to see but when I focussed I almost backed out thinking I was interrupting an actual religious service – that's my shadow in the foreground of the last picture. These figures were so lifelike, so well-formed that at any moment I expected them to start moving and speaking – and that frankly creeped me out.
Giampiero was so MUCH better in person – did I mention that he is an actor and has been in many movies? A matinée idol for sure!!
More adventures to come. Stay Tuned! CIAO!
This entry was tagged BASILICA, CLOISTER, HAND SIGNALS, HIKING, ITALY, LAKE ORTA, MADONNA DEL SASSO, NORTHERN LAKES, NUNNERY, SACRO MONTE DI VARESE, SAN GUILIO, SANCTUARY, TRAVEL, trekking, VOWS OF SILENCE. Bookmark the permalink.
Thanks Marie- I really appreciate your comments!
Always so nice reading Your blog.
Giampiero- grazie! I so wanted to show a video of your Italina gestures lecture – so that people who weren't on the tour could see how funny and wonderful you are!
Once again you take us away with you.
Keep enjoying this fabulous journey !
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Cleanfire™ Pacific pellets are known for their high heat and low ash content. Not only are they tested at the mill to ensure super-low ash and high BTU, but they're also certified through independent third-party labs to ensure the highest quality. Cleanfire™ Pacific pellets are sourced from the Western forests of North America, and include material recycled from standing deadwood. Ash residue ranges from 0.3% - 0.5%, which means CleanFire™ Pacific pellets meet the PFI super-premium ranking for ash content, and the heat output typically ranges from 8200 – 8400 BTU/pound.
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Home » Other Sports » Geeta, Babita Phogat support cousin Vinesh and other wrestlers in protest against WFI
Geeta, Babita Phogat support cousin Vinesh and other wrestlers in protest against WFI
The Asian Games and Commonwealth Games gold medallist broke down while speaking to reporters on Wednesday, as more than 30 wrestlers, including Olympic medallists Sakshi Malik and Bajrang Punia, staged a protest at the Jantar Mantar here. Vinesh said she was subjected to mental harassment by Brij Bhushan Sharan Singh, adding that she had even contemplated suicide.
On Thursday morning, Geeta Phogat and Babita Phogat tweeted their support to the protesting wrestlers who have demanded the removal of the WFI president.
"The wrestlers of our country have done a very courageous work to bring out the truth about what happens to the players in WFI and it is the duty of all our countrymen to support the players in the fight for this truth and to get justice for them," Geeta wrote in a tweet on Thursday.
Her young sister, Babita too raised her voice in a tweet, "I stand with all my fellow players in this matter of wrestling. I assure all of you that I will work to raise this issue with the government at every level and the future will be decided according to the feelings of the players," she wrote.
Earlier, the Olympians Bajrang Punia, Sakshi Malik, Vinesh Phogat and other top Indian grapplers, who are protesting against the WFI, spent Wednesday night at a temple in Chandni Chowk in Old Delhi.
"All wrestlers were awake till late in the night. They were discussing further plans for the agitation. They were sharing messages on social media, requesting more wrestlers and people of India to join them at Jantar Mantar on Thursday," sources told IANS.
"Some senior SAI (Sports Authority of India) officials also met them at the temple. This morning they ate prasad and left for Jantar Mantar to continue their protest."
On Wednesday, the Sports Ministry had sought an explanation from the WFI "within the next 72 hours" on the allegations levelled by the wrestlers against the federation and its chief.
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Bhopal: Madhya Pradesh Congress president Kamal Nath during a meeting #Gallery
Lakhimpur Kheri case: UP govt opposes Union minister's son's bail in SC
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Moshupa – miasto w Botswanie, w dystrykcie Southern. W 2008 liczyło 21 539 mieszkańców.
Bibliografia
World Gazetteer
Miasta w dystrykcie Southern
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Holland wants us to 'Give the Dutch Justice Minister more power on the islands'
THE HAGUE – Should the Dutch Minister of Justice gain more power on the islands? CDA MP Chris van Dam wants Aruba, Curaçao and especially Sint-Maarten to think seriously about this.
In your motion you state that the islands are too small to be able to do law enforcement yourself. The Minister of Justice in Aruba finds that nonsense.
"I hear from policemen on the islands that it's always a job to deal with people you know. What your sister or niece is married to. You have different levels of government in the Netherlands. Not on Aruba, Curaçao and Sint Maarten. That is a huge problem. "
"The police used to drive a Saab in the municipality of Leerdam. Why? Because a local car dealer knew the police chief. What impression does that make with other car dealers? That is no longer possible. In the Netherlands there is now more distance. "
"There is a prison in Almelo and it is not managed locally, but by the Minister of Justice in The Hague. It also applies to police cars that they do not determine in Enschede which dealer can deliver that car, which earns a little money from it. "
Do you want the Dutch Minister of Justice to have some sort of final responsibility to be able to intervene on the islands if necessary?
"Yes. You should create preconditions together, so that he can at least ensure that prisons, police forces and investigators can function properly. "
"The point is that authority and management are separated. Authority is: are we going to tackle bicycle theft or burglaries today? You make that decision on the island. Management is: ensuring that the system functions properly. How do you ensure that prisons are in order and that the police have good cars? "
Former Prime Minister Gerrit Schotte and former minister George Jamaloodin have been prosecuted and tried in Curaçao. There is now a criminal case against States member Theo Heyliger in Sint-Maarten and a parliamentarian has recently been arrested. Politicians are also being prosecuted on Aruba. The legal system works great?
"And who does that? This is done thanks to the Fight and Undermining Team that André Bosman (VVD) and Ronald van Raak (SP) have established there. "
Without the initiative of the two Dutch MPs, these criminal cases would not have succeeded. Is that what you are actually saying?
"That's right. Absolutely not, never, no way! There was a lot of hesitation in that period about whether you should do that, because it was the ruling party. I have deep respect for my former colleagues at the Public Prosecution Service (OM) in Curaçao, who have investigated and brought a case against all resistance in that case. If the Dutch influence had not been there .. "
Give us – the Netherlands – the chance and let us prove that we can help you. Is that your message?
"Give us a chance? No, look for the cooperation with the Netherlands on this point. I also realize that there must be consensus. It is on a voluntary basis, but I hope the islands will take that help. The only option available to The Hague for intervention is through the Statute. And that is only when you really sink through the ice. "
And that is far from being the case on St Maarten, says State Secretary Raymond Knops (Kingdom Relations) of your own CDA.
"I agree less with the State Secretary there. I have serious concerns. People are sent home again because the cells are full. And people build cells in the courtyard of the prison, which reduces the air time of the prisoners. This is at the expense of quality. "
Suppose the islands agree with your plan. The Dutch Justice Minister will be given more responsibilities. What do residents see change?
"That you are treated fairly when you make a declaration. That people at the Public Prosecution Service do not have to fear for the political party in the government. But also that plans made by one government are not thrown in the trash by a new government. Ultimately, that citizens regain confidence in the police. "
And then the House of Representatives also gets a stronger role when it comes to law enforcement on the islands.
"Absolutely. And I also understand that it is very sensitive. "
That some people think you are rather colonial?
"But I think critics think so anyway. Why am I doing this? Because I want to be the boss on the islands? Not at all. But I also have a responsibility to look at the Kingdom. And I see these islands as a family. "
"Do you think I'm working in a colonial way? Then I say: I also have serious criticism and concerns about the rule of law in the Netherlands. That in the municipality of The Hague there is a suspicion of corrupt councilors. I still have enough hair on my head and I would like to pull them all out. From pure misery. "
And yet people will say: there is a Dutch interest behind this. For example, that certain beloved politicians who would not be pro-Dutch disappear into prison.
"I fully understand that sentiment. But I don't want anything to do with that. It must be done independently. The Public Prosecution Service must always be separate from Dutch politics, but also from Aruban, Curaçao and Sint-Maarten politics. "
"I wish the islands would ask for law enforcement assistance, as they did with regard to the Venezuelan refugees and have received 23 million for that. I would like that. And I think residents are waiting for this. So time to have that discussion. "
New Video The Wrath Of Nadika
11 kilos cocaine found on naval ship Johan de Witt. Just returned from Curacao
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Diagnostic Medical Sonographers
Also called: Diagnostic Medical Sonographer, Registered Diagnostic Medical Sonographer (RDMS), Sonographer, Ultrasonographer
In the military: see titles from the Air Force, Coast Guard, or Navy.
In the Air Force: Aerospace Medical Service; Aerospace Medical Service Craftsman, Allergy/Immunization Technician; Aerospace Medical Service Helper, Independent Duty Medical Technician; Aerospace Medical Service Superintendent; Dental Assistant Journeyman, Dental Hygienist; Diagnostic Imaging Craftsman, Diagnostic Medical Sonography; Diagnostic Imaging Journeyman; Diagnostic Radiologist, Body Imaging; Diagnostic Radiologist, Special Procedures; Health Services Management Superintendent
In the Coast Guard: Health Services Technician
In the Navy: Advanced X-ray Technician; Ultrasound Technologist
Using sound to see... like a bat's flight through darkness... that's the short way to explain the science of sonography. Diagnostic medical sonographers use special equipment to direct safe, high-frequency sound waves towards a particular part of the body. The echoes of those waves are collected and turned into moving images that reveal inner body structures. These images are known as sonograms or ultrasounds. The sonographer selects particular images, and records them for a physician to use when making a diagnosis, or for monitoring pregnancies or medical conditions. Sonographers may specialize in obstetrics and gynecology, or in a specific area of the body such as the abdomen, heart, or the circulatory system. Diagnostic medical sonographers need good interpersonal skills to calm anxious patients and explain the process in a reassuring way. Sonographers' duties include keeping patient records, adjusting and maintaining equipment, and preparing work schedules. Most work in hospitals and clinics or doctors' offices. To enter the field, credentials may be earned at either the associate's or bachelor's degree level, or by earning a one-year certificate from a college or hospital. Most employers prefer to hire sonographers with a professional certification. When a patient's condition isn't just skin-deep, diagnostic medical sonographers bring what's beneath the surface... to light.
Produce ultrasonic recordings of internal organs for use by physicians. Includes vascular technologists.
Observe screen during scan to ensure that image produced is satisfactory for diagnostic purposes, making adjustments to equipment as required.
Observe and care for patients throughout examinations to ensure their safety and comfort.
Provide sonogram and oral or written summary of technical findings to physician for use in medical diagnosis.
medicine and dentistry
reading work related information
understanding people's reactions
changing what is done based on other people's actions
make general rules or come up with answers from lots of detailed information
People interested in this work like activities that include ideas, thinking, and figuring things out.
Medical procedure coding software
MEDITECH software
associate's degree or
certificate after high school
New job opportunities are very likely in the future.
Cardiovascular Technologists & Technicians
Neurodiagnostic Technologists
Nuclear Medicine Technologists
Radiation Therapists
Radiologic Technologists & Technicians
See more details at O*NET OnLine about diagnostic medical sonographers.
Veterans' Assistance
Find careers by military code
Diagnostic Medical Sonographers by U.S. Department of Labor, Employment and Training Administration is licensed under a Creative Commons Attribution 4.0 International License.
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fullybooked2017
PAST TIMES – OLD CRIMES
NINE ELMS . . . Between the covers
ate Marshall lectures in criminology at a university in the south west of England, but when she speaks to her students it is not as an academic, making judgments based purely on the research of others; neither does she approach the subject as an outsider, albeit one who is well read and well prepared. Fifteen years earlier, when she was a humble detective constable with London's Metropolitan Police, she brought to justice one of the country's most prolific and perverted serial killers. In doing so, she paid a heavy price; only skilled surgeons prevented her death from terrible injuries, but her career – and personal reputation – were both beyond saving.
Fifteen years on, the former police officer dubbed The Nine Elms Cannibal is serving multiple life sentences in a secure mental institution, and Kate Marshall, if not exactly dining out on her experiences, uses her involvement in the case as part of the course she delivers. She lives alone and while not exactly lonely, she is a changed woman from her days as part of London's police force. She battles alcoholism, but with the support of Alcoholics Anonymous and, in particular, a local AA member called Myra, Kate sips her iced tea and pretends it contains a hefty shot of Jack Daniels.
Kate Marshall has a rather distinctive connection with The Nine Elms Cannibal, aka Peter Conway, but to elaborate further would be to spoil your fun. Suffice it to say that when a series of copycat killings – young women found dead with savage bite marks on their bodies – Kate is drawn into the investigation despite the misgivings of some police officers, who are only too aware of her back-story.
Of course the new killer can't be Peter Conway – he is held under Hannibal Lecter – style restraints in prison, but what is his mother – author of a best-selling lurid true crime book called No Son Of Mine – up to? Is she acting as malignant go-between, a conduit between her son and an admirer who seems to have studied Conway's modus operandi, and is proving the old adage that imitation is the sincerest form of flattery?
ith her research assistant Tristan Harper, Kate tries to reassemble the pieces of an increasingly complex puzzle, but it is not until events take a spectacular turn that she comes face to face with both the apprentice New Elms Cannibal – and his master – in a fast and furious finale which is not for the faint of heart.
Author Robert Bryndza is British, but lives and works in Slovakia. He has a successful series featuring Detective Erika Foster already under his belt. Nine Elms is published by Sphere, and will be out on 9th January.
I have an unopened hardback copy of Nine Elms up for grabs. Watch the Fully Booked Twitter feed for a prize draw competition – coming soon.
Fully Booked on Facebook
Fully Booked Posts
|
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Galway | Anti-War / Imperialism
A bird's eye view of the vineyard
Russian Foreign Minister Sergey Lavrov ? annual Q&A press conference in Moscow Mon Jan 18, 2021 09:58 | amarynth
Russian Foreign Minister Sergey Lavrov's annual press conference in Moscow, summing up the results of Russian diplomacy and foreign policy during 2020. Please forward the video to time marker 19:40.
Why doesn?t Syria retaliate to Israeli attacks? Nasrallah?s response Sun Jan 17, 2021 22:35 | The Saker
source: https://resistancenews.org/... Interview with Hezbollah Secretary General, Sayed Hassan Nasrallah, on May 26, 2020, on the occasion of the commemoration of the 20th anniversary of the Liberation of South Lebanon,
China Newsbrief and Sitrep Sun Jan 17, 2021 15:39 | amarynth
By Godfree Roberts ? selected from his extensive weekly newsletter : Here Comes China You can get it here: https://www.herecomeschina.... We start the regular sitrep with Godfree's new book Why
The American Brumaire Sun Jan 17, 2021 11:34 | amarynth
by Francis Lee for the Saker Blog During the late nineteenth century, the United States was the world?s most advanced capitalist country. According to orthodox (and I emphasise orthodox) Marxist theory this should have
Washington?s Bastille Sat Jan 16, 2021 18:13 | amarynth
by Jimmie Moglia for the Saker Blog Trump?s supporters, having found the vanity of conjecture and inefficacy of expectations, resolved to prove their own existence, if not by violence, at
The Saker >>
GAAW Bulletin June 2013
galway | anti-war / imperialism | opinion/analysis Wednesday June 12, 2013 23:30 by Galway Alliance Against War
1. FROM SOLDIER TO RESISTER – JOE GLENTON – TO SPEAK IN GALWAY
2. GAAW PAIR CHARGED OVER PEACE ACTION AT SHANNON
3. IRISH BACKING FOR BRITISH NUCLEAR POWER PROGRAMME
4. IS THE WAR IN SYRIA OVER OR ABOUT TO BEGIN?
5. PEACE PROCESS: COLUMBIA
6. MORE WARS IN AFRICA: SUDAN & SOUTH SUDAN – A (Thomas C.) MOUNTAIN VIEW
GALWAY ALLIANCE AGAINST WAR
JUNE 2013 BULLETIN
GAAW EVENT
PUBLIC MEETING & BOOK LAUNCH
FROM SOLDIER TO RESISTER
JOE GLENTON, EX-BRITISH SOLDIER,
THURSDAY 20th JUNE @ 8pm
RICHARDSON'S EYRE SQ., GALWAY
Soldier Box: Why I Won't Return to the War on Terror
http://www.versobooks.com/books/1428-soldier-box
GAAW SUPPORTED EVENT IN DUBLIN
BOOK LAUNCH: Soldier Box: Why I Won't Return to the War on Terror
CONNOLLY BOOKS
EAST ESSEX ST, TEMPLE BAR, DUBLIN
SATURDAY 22nd JUNE @ 2.30pm
SPEAKERS: JOE GLENTON
ROGER COLE (PANA)
(RTD) COMMANDANT EDWARD HORGAN (Vets for Peace Ireland)
SPONSORED BY PEACE AND NEUTRALITY ALLIANCE
FROM SOLDIER TO RESISTER – JOE GLENTON – TO SPEAK IN GALWAY
Joe Glenton went to jail rather than return to Afghanistan to fight in a war he did not believe in. Next Thursday evening at 8pm in Richardson's Eyre Square, Galway, he will give his eyewitness account of the "War on Terror" on the killing fields of Afghanistan. Joe will also have words of warning for any young Irishmen, who believe there is a worthwhile career in the British armed forces, or who naively believe that going to fight in Afghanistan is some kind of thrilling adventure. Joe is now an active member of Veterans for Peace London.
GAAW PAIR CHARGED OVER PEACE ACTION AT SHANNON
Margaretta D'Arcy and Niall Farrell have received court summonses from the Gardaí. They are to be charged that they "on 7th day of October 2012 at Shannon airport….did interfere with the proper use of that airport by going on the runway without permission contrary to ….the Air Navigation and Transport Act…"
Fancy that! They interfered "with the proper use" of Shannon warport. Margaretta and Niall would suggest that they went on the runway to highlight the improper use of the airport. They were participating in an international week of action against killer drones, which are probably transported freely through Shannon. And they went on the runway to mark the 11th anniversary of the Afghanistan war and the turning of Shannon's civil airport into a military base for the USA. Another irony of the charge is that under the Air Navigation and Transport Act the Irish state has the power to search all planes. Consecutive obsequious Irish governments have refused to search US military and CIA planes unless they might upset their Washington masters.
The court case has been adjourned from its initial date in July, but when it takes place it is the intention of Ms D'Arcy not to conduct a "defence" but – what our beloved President Michael D. Higgins has called for – "a conversation" in the court concerning the US military hub at Shannon. Margaretta is expected to arrive laden with wheelbarrow loads of evidence. It will be a conversation not to be missed!
IRISH BACKING FOR BRITISH NUCLEAR POWER PROGRAMME
The Radiological Protection Institute of Ireland (RPII) has produced a report stating that a new nuclear power programme in Britain will cause negligible risk to the Irish population ... this is no surprise coming from the people who did nothing to warn people about the extent of the pollution from Fukushima , but instead , considered it to be a danger to the future of nuclear power . The report , which will have little effect outside Ireland , is a flawed document designed to thwart political interference from ministers and officials opposed to nuclear development near to Irish coasts. This is important as the UK government lied over Irish claims that uranium dumped in the Irish sea would account for the leukaemias caused by Sellafield discharges , after the 'Windscale Laundry' scandal, whereby a journalist counted the headstones in a local graveyard and found an inexplicably high number of child mortalities which turned out to be a leukaemia cluster . The UK government admitted to this uranium discharge recently proving Irish concerns to have been correct. As long as nuclear power has existed it has enjoyed the protection of bodies we are told are there to protect us , such as the RPII . The new report :
1) Fails to look at weather data from actual pollution events , such as the Chernobyl cloud which crossed Britain before coming to Ireland.
2) Uses only safety assessment data from the licensees, prejudiced and only considering plant design standards based on engineering judgement. It does not consider unseen, or variable data, such as operator error and natural disasters, which account for the three major disasters since the 1950's .
3) Doesn't take into account that it is an unproved design, never before operated in the US or Europe , a cheap and dirty version of a PWR , stripped of design features to keep down costs , and given the green light by Euratom radiological standards to cause more pollution than past designs in normal operation .
However, this report will do nothing to assuage the fears of investors who have begun to see nuclear as a dodgy option. What will help the British nuclear new-build will be the acceptance of EU directives on nuclear waste disposal by the Irish government , which will open the door for nuclear waste disposal in Ireland and clear away legal objection to power station development in Britain . Watch this space for more news on this.
Wayne Jones ex WANA, FOE, SIZEWELL B OBJECTOR
IS THE WAR IN SYRIA OVER OR ABOUT TO BEGIN?
The Belfast Nobel Peace Prize Laureate, Mairead Maguire, described the war that has raged for some two years in Syria as a "proxy war": a war carried out on behalf of the West and its allies in the Middle East: Saudi Arabia, Qatar, Turkey and Israel. Mairead Maguire's report of a visit to Syria and Lebanon is essential reading. Some will try to fob it off as being naïve, but Maguire is no innocent abroad. Prof. Michel Chossudovsky is of a like mind with the Belfast peace activist. However, he warns: "The war is over unless of course the West decides to continue this war e.g. with a no fly zone. That would be an extremely dangerous option at this stage because Syria has an advanced air defense system."
There is a danger the West, having seen its proxies defeated, will implement a no fly zone – to protect civilian life, you understand. Is that why Washington has sent F16s and Patriot Missiles to the Jordanian border with Syria? Or maybe a no fly zone could be justified because the Assad forces have used WMD, as the Foreign Minister of France's regime has been touting. All these excuses sound so familiar – and they should, as these same lies were used to invade Iraq and Libya.
Syria is different, it has allies: Iran, Russia and of course Hezbollah. A direct intervention by the West could have global consequences.
Belfast Nobel Peace Prize Laureate Mairead Maguire reports on a visit to Lebanon and Syria!
http://www.globalresearch.ca/report-on-syria-nobel-peac...36569
http://www.globalresearch.ca/humanitarian-crisis-in-syr...38250
PEACE PROCESS: COLUMBIA
In GAAW's May 2013 Bulletin we looked at the on-going peace process between the Turkish Government and the Kurdistan Workers' Party, the PKK. Despite the present upheavals in Turkey, there is no sign of any disruption to these peace developments.
This month we want to look at another "trouble spot"; Columbia where the government is in peace negotiations with the guerrilla force, the FARC - the Revolutionary Armed Forces of Colombia. In the summer of 2012 President Santos of Colombia publicly announced that he is seeking a peace settlement with the FARC. Over several months now the Santos regime has held peace talks with representatives of FARC in Havana.
Below we present the most recent analysis of this peace process by James Petras. It is not an optimistic one. Prof Petras questions whether the true goal of President Santos' peace gesture is to win the peace or actually to defeat the FARC.
Washington and the Breakdown of the Colombia-Venezuela -FARC Peace Process byJames Petras : http://petras.lahaine.org/?p=1941
(As many will recall Jim Petras, an expert on Latin American affairs, addressed a GAAW meeting last month. Over the past almost 5 decades he has worked in South America, having advised Venezuela's Hugo Chavez and Chile's Salvador Allende. )
MORE WARS IN AFRICA: SUDAN & SOUTH SUDAN - A (Thomas C.) MOUNTAIN VIEW
Two years after the secession of South Sudan from Sudan conflict has once again broken out between these two neighbours. The clashes have led to a mass exodus of thousands of refugees terrorised at the prospect of falling victim to either of the armies or to a rebel or paramilitary group.
The focal point of this violence is along the oil rich border between these two states. Last Thursday, 6th June, the UN was reporting renewed fighting between rebel groups and the Sudanese army. Khartoum believes the support for these rebels comes from the South Sudan capital, Dschuba. This may well be the case.
On the other hand, Thomas C. Mountain, the Intrepid Reporter, (http://www.intrepidreport.com) probably sees the blame lying closer to Washington. Writing back in January 2012 he had no doubts that disruption of oil production in this politically unstable area achieved two of the USA's goals: To disrupt the only Chinese-owned oil fields in Africa; To destabilise the Sudanese Government by the loss of the huge funds it accrues from supplying the infrastructure to transport the oil.
The more one reads Mountain's reports the more horrific and sinister developments in Sudan and East Africa appear: http://www.intrepidreport.com/archives/4535 ; http://www.intrepidreport.com/archives/5776
According to Counterpunch: "Thomas C. Mountain is the only independent western journalist in the Horn of Africa, living and reporting from Eritrea since 2006."
He certainly is independent and does not have his head turned by Hollywood celebrities: George Clooney: CIA's "Volunteer" Spokesman for Horn of Africa
http://blackagendareport.com/content/george-clooney-cia...frica
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In a recent book, the academic Vadim Rossman argues that it can be a smart move, under certain circumstances.
"Egypt needs a new capital like a hole in the head." These were the words of the Cairo-based urban planner David Sims last year when the Wall Street Journal asked about the Egyptian government's plan to relocate its capital to a desert locale 28 miles from Cairo. Sims's reaction to such a move is not uncommon. Analysts often deride relocated capital cities, describing them as failed utopian experiments or misguided vanity projects of authoritarian rulers. It doesn't help that some of these new cities are awkwardly built from scratch, such as Brasilia—known for its barren, unwalkable streets—or Naypyidaw, Myanmar, reportedly a glaringly lit ghost town.
Rossman spoke with CityLab about his recent book, Capital Cities: Varieties and Patterns of Development and Relocation, in which he explores this interest—as well as how governments can learn from past failures and successes.
You argue that our expectations of new capital cities are often too high. Can you explain?
It's unrealistic to expect a new, planned city to become functional right away. It takes at least a century for such a city to become successful. Washington, D.C., for instance, wasn't a flourishing metropolis for many years. Pierre L'Enfant's master plan was completed only at the turn of the 20th century—about 100 years after D.C. was founded. It was the same for St. Petersburg, the city I live in. It only became successful after about 100 years, in the early 19th century. The Russian historian Nikolay Karamzin called St. Petersburg a "brilliant mistake" in that it was a miserable city to live and work in for generations—but it persevered, and was critical to the formation of Russian identity.
Your book also chronicles sensible reasons for moving capital cities. What are some of the most important?
Much of the reasoning behind moving a capital has to do with balance. For instance, throughout history we see rulers using a new capital city to unite different areas. In ancient Egypt, King Menes merged upper and lower Egypt into one kingdom in 3150 BCE, and he placed the capital of Memphis in the middle. In the late 16th century, Poland and Lithuania united. The capital was later moved from Krakow to Warsaw, as Warsaw sat between Krakow and Grodno, the de facto capital on Lithuanian territory at the time.
Other types of balance—economic, ethnic, religious—are also an impetus. For example, when the Nigerian government moved the capital from Lagos to Abuja in 1990, it did so in part because the country is roughly divided into a Christian south and a Muslim north. Lagos is in the south, and Abuja is in the middle of the country, so the idea was that moving the capital closer to the north would help bridge the division.
And Lagos is typical of capital cities, especially in the developing world, in that it holds much of the country's population as well as its resources. That creates an unequal relationship between the capital and the provinces. A goal of placing the seat of government elsewhere is to achieve more equal access to the public goods associated with capital cities.
Let's look at a specific example. What makes Brasilia a success, despite the many critiques about its lack of livability?
Critics often describe Brasilia as alienating to live in and a failed utopian city, but this is only part of the story. The government wanted to economically integrate the interior of the country, which was very isolated from coastal cities such as Rio de Janeiro. In building Brasilia, a system of roads was developed so that much of the interior was integrated, and Brazil even became an exporter of agricultural products such as soybeans. Brasilia also gave the country a higher status in the region: it is a capital for all of South America. In response, Argentina has considered moving its capital from Buenos Aires to the interior, to Patagonia.
Is the study of capital cities at risk of being outdated in an era of globalization and transnationalism?
The idea of nation states as a dying phenomenon has been tossed around for years. If it is correct, capital city location becomes a dead topic. But more than 40 countries are currently debating whether to move their capital cities; this tells you that the nation and nationalism are still very much alive. And it's important to understand that countries in Africa, Asia, and Latin America started their process of nation building recently. Those living in the West may see capital cities as a foregone conclusion—Vienna or Paris are unlikely to be supplanted, after all—but this is not the case in other places.
What advice do you have for governments that are considering moving their capitals?
New capital cities whose locations provide balance and inclusivity on as many levels as possible—territorial, economic, ethnic, religious—are likely to be more successful and to contribute to the success of the state as a whole. A new capital city has to be realistic, as well. Egypt's plan for a new capital is not a bad idea in itself. But because the government wants to make it flashy and glamorous, it likely won't be beneficial for the people—many of whom live in poverty. It would be better to build a simpler administrative capital that would match the nation's economic situation and provide more opportunities to Egyptians.
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Roberts Communications Network Selects CPI for Antenna, Satellite Products
By Michael Balderston 17 May 2017
PLANO, TEXAS—Communications & Power Industries' (CPI) ASC Signal Division has been tapped by Roberts Communications Network to provide seven satellite antenna systems for its new teleport in Las Vegas.
The ASC Signal Division will provide Roberts with three 9.3 meter C-band systems, as well as four 7.6 meter Ku- and C-band systems, all of which feature four-port feeds. Roberts is also utilizing CPI's Satcom & Medical Products Division for satellite communication amplifiers.
Roberts Communications is a Las Vegas-based provider of satellite and terrestrial communications services. It will make its new teleport live as of Nov. 1.
Roberts Communications Network
|
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The lolo Archive is a file-based repository appropriate for data which you rarely access but for which you want to ensure long-term safekeeping and fast, convenient retrieval. The following diagram illustrates the data center environment in which lolo Archive resides.
The lolo Archive is part of the integrated, scalable scientific computing infrastructure operated by UW-IT, including Hyak, the lolo Collaboration File System, and a high performance research network, supporting fast data transfers among these systems and between them, campus and the Internet.
Storage may be purchased in 1TB increments up to 1PB or more.
Evaluation accounts are available upon request.
Periodic Regular Maintenance is scheduled to match the Hyak system maintenance schedule.
Hyak will be offline from 9:00 a.m. to 5:00 p.m. for scheduled maintenance the second Tuesday of every month. Every third month, the maintenance window will last from 9:00 a.m. to 9:00 a.m. the following morning.
Storage may be purchased in 1TB increments. Billing is based on the storage allocated, not the capacity consumed. Billing is monthly.
Price subject to change annually on July 1st. Mid-year rate reductions are possible when customers purchase 200TB or more. Rates are the same for all customers.
lolo Support responds to problem reports in one to four hours; response can be escalated if there is a critical problem. Our goal is always to minimize user downtime by responding as quickly as possible.
Planned maintenance windows match the Hyak system (8 hours during business hours on the 2nd Tuesday of every month).
Please see the Lolo User Documentation for more information.
lolo is a word in Chinook Jargon meaning "the whole thing" and "to carry," depending on the application of accents. Written in lower case, lolo also represents a binary string (decimal 10).
Chinook Jargon is the trade language of the Pacific Northwest, incorporating terms from the Chinook and Chehalis and other local languages, as well as French and English. We've chosen words from Chinook Jargon for the names of systems in the UW research cyberinfrastructure to emphasize their role in supporting the broad range of UW research users and our ties to our place between the mountains and Salish Sea.
|
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package rx.util.functions;
/**
* @deprecated
*/
@Deprecated
public interface ActionN extends rx.functions.ActionN, Action {
}
|
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Remembering Michael Urick
Alums recall his love of music, Hawaiian shirts and his knack for bolstering his students' confidence
Michael Urick speaks to the faculty at his retirement luncheon on May 29. Urick passed away this March. He taught English at McCallum for more than 30 years. His obituary post elicited a long list of fond memories from his former students and colleagues.
Mia Terminella, staff reporter
Filed under Features, MACulty at Work
Sometimes the simplest gestures have the most profound impact.
Don't stress out because it's not worth it. It seems like there is little drama every day, but it's not enough to ruin your life."
— Michael Urick
Ezra Ferrell learned this in her senior English class when turning in a poetry project. For the final assignment, students were required to go up in front of the class and present the idea behind their work. After presenting, students placed the final product in a bin. When Ferrell went to put her paper in the bin, however, her teacher, Michael Urick, placed his hand directly over it so Ferrell would have to place the poem directly in his hand. While the presentations resumed, Urick read the entirety of Ferrell's two-page poem, wiping away a few tears. After class ended, Urick stopped Ferrell and said he knew that she was going to do great things.
"I will never, ever forget that," Ferrell said. "The memory has helped me through hard times. I think about him every time I see a Hawaiian shirt."
File photo from the Knight archive
When Urick was in high school, he had a job working concert stage security. "I enjoyed working on stage with bands like Led Zeppelin ZZ Top, The Allman Brothers…and many others," he said. File photo from the Knight archive.
Urick, former McCallum English teacher, passed away this March. He retired this past June after teaching English for more than 30 years at McCallum. He told The Shield last May that he loved every day of his teaching career.
Alum Hunter Townsend said that Urick was the first person she saw truly get excited about anything she had written."
"I told myself I would keep teaching until I reached retirement or hated it, but I haven't hated it yet," he said.
Urick said in the same interview that his favorite memory from teaching was seeing his students graduate and move on with their lives. He said his greatest lesson from three decades working in education was the value in taking it easy.
"Don't stress out because it's not worth it," he said. "It seems like there is little drama every day, but it's not enough to ruin your life."
Urick left a lasting impression on generations of McCallum students and colleagues. The response to his obituary post on the MacJournalism Facebook page reached 27,910 Facebook users after being shared 290 times. The post garnered 125 comments and 398 reactions. All of these numbers are record numbers for the Facebook account. When followers were asked to share stories and remembrances of Urick, the responses kept on coming and coming.
Many remembered his fondness for Hawaiian shirts, which he once described as "subtle, but still flashy enough to catch a kid's attention."
Others described his love of music. Still, others spoke of how he inspired confidence in the way he responded to the work they submitted in his class.
Alum Hunter Townsend, for example, said that Urick was the first person she saw truly get excited about anything she had written. Townsend wrote about going for a run in the middle of the night, and Urick's feedback has stuck in her mind.
"I can vividly remember the moment he handed the paper back to me," Townsend said, "and how he was smiling when he said he felt like he had been running right alongside me."
File photo from Knight archive
Michael Urick and fellow English teachers Jeff Meyer and Bill Staples sing a satirical tribute to the female teachers at the annual department Christmas Party in 1997. File photo from the Knight archive.
According to McCallum alumni, Urick's actions were small but meaningful. Many also remarked that Urick taught them even more about life than about English. Alum Juestin Franklin said that Urick would always say, "Stay the person you are, and never let the world change you," a message that he said has stuck with him.
Urick's impact was not limited to his students. English teacher Diana Adamson said that Urick made his mark in life through his good nature and sense of humor. She also talked about how Urick's interests shined through when she talked to him.
"He had a lot of interests outside of school that would be surprising to people," Adamson said. "Like music, God, he knew a lot about music."
Adamson in particular emphasized Urick's devotion to his teaching.
"He really did do his best, even when he got older and was sick," Adamson said. "He still came in, and his dedication was the most important thing."
Another one of Urick's former colleagues, Carol Graham, knew Urick for more than 40 years.
Their paths first crossed during the '70s and '80s in the Austin music and nightclub scene, then crossed again when Graham was teaching Urick's stepson at Lamar, and then once again two years later in 1997 when the two became coworkers at McCallum. Graham took Urick's previous position as the DTLT, or "technology liaison" for the school.
Urick and former U.S. government teacher Chris Fairman display their whipped cream covered faces after being pied in the face at a fall pep rally in 1998. File photo from the Knight archive.
"There were all of the Hawaiian shirts, the shared love of fishing, talking about old Austin and our shared students," Graham said.
I think about him every time I see a Hawaiian shirt."
— Alum Ezra Ferrell
She described Urick as a Renaissance man, saying he experienced many careers and reinvented himself multiple times. She also said he was very well-read, a lover of music and art and cared deeply about many individuals.
Urick's compassion touched many. When asked what they would say to Urick now, many responded by thanking him for teaching them to believe in themselves.
"May your soul find peace as you move on into the next journey," Graham said. "May God bring comfort and strength to all who have shared in your Earthly journey."
Alum Florence Briceno wishes that "the perpetual light shine upon him," and she would like to thank Urick "for four years of dedication in teaching life's lessons."
SAD NEWS: Former McCallum language arts teacher Michael Urick, who retired last June, has died. Urick, who taught English for more than 30 years, told The Shield last May that he loved every day of his teaching career. "I told myself I would keep teaching until I reached retirement or hated it, but I haven't hated it yet." Urick also said that his favorite memory from teaching was seeing his students graduate and get on with their lives. His greatest lesson learned over three decades in the classroom: "Don't stress out because it's not worth it. It seems like there is little drama every day, but it's not enough to ruin your life." File photo from 2018 Knight.
A post shared by McCallum Journalism (@macjournalism) on Mar 14, 2019 at 10:13am PDT
The Shield's Abigail Salazar interviewed Michael Urick prior to his retirement at the end of the 2017-2018 school year. The interview, originally published in May of 2018, is included below.
The Shield: What accomplishment in teaching fills you with pride?
Michael Urick: Well, I loved every day of it. I told myself I would keep teaching until I reached retirement or hated it, but I haven't hated it yet.
TS: What's the worst thing about being a teacher?
MU: All the homework: grading all the homework and keeping up with the grades and deadlines.
TS: If you could pass wisdom to your students, what would you share?
MU: Keep learning.
TS: Do you see any differences between your morning classes and your afternoon classes?
MU: The afternoon ones are more tired than the morning ones. The mornings one are kind of shaking themselves awake.
TS: What are your retirement plans?
MU: I'm just not going to work. I'm probably going to go on vacation for a while and relax. I would travel to Mexico because I love their beaches.
TS: Is there anything you would miss from McCallum?
MU: The kids. They keep me feeling young.
TS: Do you have a favorite memory from teaching?
MU: Going to graduation and seeing the kids that I have taught get on with their lives.
TS: Why did you become a teacher?
MU: I've always been a teacher in some way or another; it seems like a natural thing for me.
TS: Since you're an English teacher, what's your favorite book that you had your students read?
MU: My favorite book is Dante's Inferno because it's hard to read, it's like literature boot camp. It teaches everything within that one book.
TS: What's the most important thing you learned about being a teacher?
MU: Don't stress out, because it's not worth it. It seems like there is little drama every day, but it's not enough to ruin your life.
TS: What is the most satisfying thing about teaching?
MU: Seeing kids move on year after year. Seeing them improving and getting out of high school and doing greater things.
TS: What are the challenges of teaching?
MU: Being prepared every day, but after 30 years I'm kind of used to it.
TS: Your first year of being a teacher, what was the scariest thing?
MU: Scrambling out enough materials through every day. I started making these notebooks of lessons plans every year, and now I have 30 years of lesson plans.
TS: How would you describe yourself?
MU: Laid-back.
TS: Any advice for anyone you decides to become a teacher?
MU: Plan ahead in life, plan ahead in your work.
—interview by Abigail Salazar
2 Responses to "Remembering Michael Urick"
Ivy Golyzniak on April 29th, 2019 3:08 pm
This article is so beautiful. Glad it has so much attention, it's much deserved.
Luca Snowhorn on May 8th, 2019 12:06 pm
I really enjoyed reading this piece. I could feel how many people cared about Michael Urick. He seemed a man with many wise words. This article I think showed all of the wonderful qualities of Urick and the quote "Don't stress out because it's not worth it. It seems like there is little drama every day, but it's not enough to ruin your life." made me love him even more and I think was very important to add because it showed a sense of his character. Thank you for writing this lovely piece, I really enjoyed reading.
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Add Festival
Stages and other entertainment
Perform at the festival
Volunteer or work
Drugs and security
Bloodstock Radio
Page was last changed Jan 16th, 2019 @ 20:40:23
Bloodstock Open Air Festival is a three day heavy metal festival in the Midlands, having evolved from its indoor beginnings in 2001 into the outdoor event it is now.
With 3 days of heavy metal bands, DJ's and a capacity of about 8000, this ever growing festival is definitely holding its own and worth checking out if you want something different and seriously heavy!
You can buy tickets for Bloodstock here.
Early rumours suggest Sabaton
2013 headliners include King Diamond, Lamb Of God, Anthrax and more, click here to view the full line-up.
Bloodstock boasts the best part of 100 bands across four stages, showcasing the best in metal from our UK Underground to top International acts along with comedy, karaoke, a mini fairground, the Serpents Lair VIP bar (a fest within a fest for ale, cider and perry drinkers) and more, all wrapped up within the camaraderie and atmosphere that truly sets them apart from the rest.
This is a good festival for experts of Heavy Metal who prefer something different to the line-ups of the more mainstream choices like Download and Sonisphere.
There are three stages at Bloodstock each with a special history and musical importance attached to them.
The Ronnie James Dio Stage
Metal God Ronnie James Dio and his former Black Sabbath band members were scheduled to play at Bloodstock 2010, unfortunately Dio passed away on May 16th 2010.
In honour of Dio's legacy, the main stage has been permanently dubbed the Ronnie James Dio Stage.
The Sophie Lancaster Stage
Backing the worthy cause of S.O.P.H.I.E (Stamp Out Prejudice, Hatred and Intolerance Everywhere), the second stage at Bloodstock is named in loving memory of the late Sophie Lancaster.
In 2007, Sophie and her boyfriend were viciously attacked because of the way that they were dressed. Attacked in a local park in Bacup, Lancashire, Sophie later died in hospital due to the severe injuries she received in the attack.
In a bid to raise awareness to the prejudice that alternative subcultures face, The Sophie Lancaster Foundation was set up, with Bloodstock amongst others playing a big part in raising money for the cause.
New Blood Stage
Formely known as the unsigned stage, the New Blood is a vital boost for new metal bands to showcase their sound to the metal crowd.
Those who play on the New Blood stage also appear at Wacken Open Air in Germany and Metal Camp in Slovenia, due to a deal that Bloodstock has with it's partners.
Aside from the music there is also plenty of food areas, bars, stalls and heavy metal karaoke.
Bloodstock is also known to book comedy acts as part of the lineup.
And there is also a signing tent, which can be found near the Ronnie James Dio Stage. A chance to meet your favourite band and gain that important signature and photo, you must bare in mind that Rock Society members and VIP campers will get priority queuing
A weekend pass will cost you £131 for four days, this are available from the official website.
There is a deposit scheme for weekend tickets, where if an initial payment which runs as follows:
Goers will have until 7th Jan to sign up to the scheme, with initial payment taken when they sign up.
Initial payment is £39.25
Second is £46 and will taken on 31st March
The final is £39.75 to be taken 1st May.
Visit the official website for details.
Be the first to contribute! log in and add some advice.
If you would like to travel by car, why not save some money with Blabla Car - the ultimate car sharing website for UK and Europe!
Big Green Coach are the official andexclusive travel partner to Bloodstock, and will be travelling from the following destinations: Birkenhead, Bournemouth, Bridgend, Bristol, Cardiff, Carlisle, Chester, Glasgow, Gloucester, Lancaster, Leeds, Liverpool, London, Manchester, Middlesborough, Newcastle, Newport, Oxford, Preston, Sheffield, Southampton, Stockport, Sunderland, Swansea, Warrington and Worcester.
If you don't wish to camp at the event, many B&B's and Hotels can be found in close by areas.
Lichfield and Burton On Trent are the closest towns, however you can also stay in the surrounding bigger cities of Derby, Stoke, Coventry, Leicester or Birmingham, whose distance varies from 20-25 miles from the site.
There are four campsites ASGARD, HEL, MIDGARD and VALHALLA.
HEL campsite is the quiet campsite and ideal for families and those wanting to stay clear of the late night revellers. There is a policy of no noise after 12 midnight and anyone who feels the need to cause a disturbance after this time will be immediately ejected from this campsite.
There will be designated barbecue areas in each of the main campsites. We only allow the use of disposable BBQ's, however you are fine to bring camping stoves that use hard fuel such as Hexamine blocks. The BBQ areas will be kept clean and tidy by a dedicated team of people throughout the weekend.
Gas appliances of any kind, naked flames, ie candle torches, Fires or fire juggling equipment, paraffin or oil lamps will not be allowed on site.
CASH MACHINES: There are plenty onsite, which also accept foreign card.
24 Hour Cloakroom, with £4 a hour phone charge
You can take your own food and alcohol to the campsite but not the arena. Both can be purchased once inside the arena, with a wide selection of catering stands. There is a festival pub, The Bloodstock Arms, as well as a late bar inside one of the tents. Chilled beer can be bought in the campsite, which is cheaper than buying it in the arena. Free drinking water is also available in the campsites.
Inspired by the peak days of Donnington's Monsters of Rock, Organisers Paul Gregory and Vince Brotheridge met when Paul was searching for a partner to build the website.
From 1st December 2012, leading rock station TotalRock will become Bloodstock Radio, read more on this story here.
2011/ Graham Young: "Still only around 100 quid for a ticket, you get a lot more for that value than you would at Download"
2012's Bloodstock included Behemoth, Dimmu Borgir, Alice Cooper and Orange Goblin. For a list for the full line-up, click here. The fancy dress theme was Goblins, Demons and Trolls. The festival was streamed on the Dailymotion website.
For 2011, Motorhead were Sunday headliners, and W.A.S.P. were Friday headliners and Immortal Saturday headliner (both festival exclusives) with Rhapsody Of Fire their special guests.
The line-up also included Devin Townsend Project, Kreator, Napalm Death, Ihsahn, Nevermore, Morbid Angel, Exodus, Coroner, The Defiled, Skeletonwitch, Therion, Triptykon, Angelwitch, Lawnmower Deth, October File, The Rotted, and At The Gates also confirmed. Plus HammerFall, Poisonblack, Byfrost, Deadly Circus Fire, Primevil, Grave Digger, and The Sirens
For details on past line ups click here
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Carls Bernsten is a womenswear brand with the ambition to create comfortable easy wear with a colourful palette and graphic design.
Our quest is to simplify everyday clothing decisions through relevant, timeless and versatile fashion that meet the many needs of the modern woman.
We are dedicated to a carefully curated wardrobe of the now, creating garments that are minimalistic in shape, but bold in attitude.
The brand was founded in 2016 by Johanna Carls Bernsten and the head office is situated in Stockholm, Sweden.
Four collections are released annually, with three drops per collection, offering retailers new products every four weeks.
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This is a great idea! I wouldn't have thought to glue the loose ends inside the container. Great tip! I really need to get some drop cloths to have on hand for projects. I almost put something in the trash the other day, then immediately needed it. :) I can't wait to see your laundry room. I just know it's going to be lovely. :) Have a great day!
Great idea Selene! Congrats on your 100th post!! I could listen to you ALL day!
|
{
"redpajama_set_name": "RedPajamaC4"
}
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Luxe retreats to local immersion. Here are the three must-dos for Kenya incentives.
The state of Madhya Pradesh in India has embarked on a Jungle Book campaign that showcases the country's most stunning and biodiverse areas to groups.
|
{
"redpajama_set_name": "RedPajamaC4"
}
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Andy Courson, M.D. of the Houston Center for Facial Plastic Surgery- Kingwood is pleased to offer his interested patients the brow or forehead lift. And though this kind of surgery may not be the first thing that comes to mind when it comes to anti-aging signs, it certainly offers plenty of aesthetic benefits! This surgical procedure has the capability of transforming the overall look of the eyebrows and forehead, to bring about a more youthful and alert appearance or to refresh a tired look.
This procedure can also minimize forehead creases that develop across the upper part of the bridge of the nose as we age. Further desired and achievable effects include improving "frown lines" or reposition a low and sagging brow line.
Facial plastic surgeons, like Dr. Courson, may use an endoscope or medical video device, and other surgical instruments to perform this surgery. During the process, Dr. Courson places small incisions within the hairline which enable him to reposition, alter, or remove the tissue and muscle beneath the skin. He is also able to correct the source of visible creases and furrows in the forehead. Incisions in the hairline help conceal minimal scarring. In many cases, an open brow lift is the better, longer lasting option for a patient. With this technique, incisions are placed above, or just at the hairline to achieve a more significant and more permanent lift. Incisions are still well camouflaged and are virtually invisible once healing has occurred. The decision between an open and endoscopic technique depends on the desires of the patient, degree of aging or descent of the brow, and the level of the hairline. Often the brow lift is done in conjunction with upper eyelid surgery to fully rejuvenate the brow-eyelid complex.
Diminishes folds, droops, sags, and creases across the forehead and brow line.
Reverses the age-old tired and angry look on one's face.
Provides years of lasting results.
Opens up the eyes for a more alert and bright-eyed look.
Offers a naturally tailored look that best fits your appearance.
|
{
"redpajama_set_name": "RedPajamaC4"
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package it.hysen.springmvc.security.oauth2;
import org.springframework.security.config.annotation.web.builders.HttpSecurity;
import org.springframework.security.oauth2.config.annotation.web.configuration.ResourceServerConfigurerAdapter;
import org.springframework.security.oauth2.config.annotation.web.configurers.ResourceServerSecurityConfigurer;
import org.springframework.security.oauth2.provider.error.OAuth2AccessDeniedHandler;
//@Configuration
//@EnableResourceServer
public class ResourceServerConfiguration extends ResourceServerConfigurerAdapter {
private static final String RESOURCE_ID = "rest_api";
@Override
public void configure(HttpSecurity http) throws Exception {
http.anonymous().disable().requestMatchers().antMatchers("/api/**").and().authorizeRequests()
.antMatchers("/api/**").access("hasRole('ADMIN')").and().exceptionHandling()
.accessDeniedHandler(new OAuth2AccessDeniedHandler());
}
@Override
public void configure(ResourceServerSecurityConfigurer resources) {
resources.resourceId(ResourceServerConfiguration.RESOURCE_ID).stateless(false);
}
}
|
{
"redpajama_set_name": "RedPajamaGithub"
}
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Following on from a host of previous successful projects for Stranded, we were asked to address all of their hair packaging. They needed a suite of different styles of packaging that would work together but that would also have their own individual identity, falling under a series of new sub-brands. The new packaging also needed to be an extension of the other branded items we'd worked on.
We delivered new set of exciting ranges that would set the precedent for all of Stranded's competitors. These new designs combined bold typography with clean and simple layouts which when used with some of our stunning beauty photography, created packaging designs with a real impact.
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I never imagined I would be making phallic looking symbols out of sand with my grandmother and mother-in-law, but that's what we did this morning during our two hour Hartalika pooja (prayer). This festival is for women to celebrate the day Lord Shiva accepted the green and golden goddess, Gauri (a form of Goddess Parvati) as his wife. Lord Shiva and Gauri represent the divine masculine and divine feminine energy of the universe, their souls inseparable.
Each of us made Lord Shiva and Gauri with five handfuls of sand, on this day our husbands become Lord Shiva and so we are actually making idols of our husbands as the God. Lord Shiva is usually worshiped in the form of a Shiva linga, some scholars consider this to be a representation of the divine male energy (the phallus) which produced the seed which created the universe, whilst others find this extremely offensive and see it as an auspicious symbol (a literal translation of the Sanskirt word linga) of the formless and omnipotent Lord Shiva. Gauri, the divine feminine, is placed besides Lord Shiva as small quarts stones found in the same sand.
We then preformed a, what seemed to me, complicated pooja. There were lots of placing flowers, removing flowers, throwing rice, curd, a variety of leaves, cotton and water. Each item having its own significance.The quartz stones of Gauri were adorned with small manglesutras, sindoor and bangles, she was even given some coal for her eyes. A left handed person, like myself, can find a pooja difficult because everything should be done with the right hand, I had to be corrected several times. Grandma chanted mantras throughout and told the story of Hartalika.
Gauri loved Lord Shiva very deeply, she lived many lives of suffering, waiting and longing to be united with him. In one of these lives, her father was a King and had found her a husband, but she refused as she had vowed to love only Lord Shiva. Gauri's best friend went with her into a thick forest so Gauri could not be marred against her will. There they stayed, living a simple life of penance and prayer, waiting for Gauri's true love to come.
Lord Shiva saw this and he came to cave where the two women were living and finally married Gauri. That day, overjoyed, Gauri and her best friend observed a fast for Lord Shiva. So, not only is this festival about romantic love, it also honours the love and loyalty between female friends.
Today, women fast and stay up all night together as a tribute to the many life times of penance and austerity that Gauri, and her friend, endured so Gauri and Lord Shiva could be married. After all, wouldn't we all do anything for the our friends?
Alfonso was very well behaved and sat behind me the entire time, he did very well for his first pooja. Tomorrow we will immerse the three Lord Shiva idols (our husbands) in the nearby lake before welcoming Lord Ganesh (the son of Lord Shiva and Gauri) into our home (Ganesh Chathurthi starts tomorrow!).
Happy Hartalika! May true love and friendship overcome all obstacles and hardships.
Thanks for sharing your rich and fascinating life!
you seem to be enjoying the festival season..
Thanks for posting with pics! I love traditions like this, no matter how strange they may seem, along with the stories behind.
So very interesting. This tradition is completely unknown to me. And you know so much about hinduism. For us (south Karnataka) today was a pooja for Ganesha's mother (forgot her name). Lots of prayers, lots of house decorations, lots of guests and sweets. And tomorrow Ganesh Chathurthi begins at 7am. We have to go and collect clay made Ganesha idol which is custom made for the family by same person since many years.
Thank you so much, my husband tells me a lot of detail, he knows all the stories, and then I go off and research further. Ganesh's mother is Gauri so we were worshiping the same Goddess!!
That is so lovely that you Lord Ganesh is custom made by the same person, a lovely tradition!!!
I hope you are enjoying Ganesh Chathurthi!!
Nice pictures and lovely stories behind them. I think you've been learning a lot about Indian culture. And as your regular reader, I have also learnt a lot along with your lovely journey in India. Thanks for sharing Lauren!
P.S Alfonso is so cute:).
Thank you for sharing! I enjoy reading your blog and hope to see India one of these days!
This one is new to me! You look lovely as always. We celebrated Ganesh Chathurthi today with a small pooja. Also there is no festival where men have to undergo any form of discomfort for women so don't hold your breath (or they will make a pooja out of that too!).
Hahaha, holding your breath pooja, haha! I hope you are having a great Ganesh Chathurthi!!
Really interesting to learn about this festival! 😀 You look absolutely flawless, really really lovely photos! I especially love the photo where Alfonso is creeping up behind you looking like he is ready to play with your saree!
Thank you soo much, Hanna!! Yesss, he did have a couple of attempts at playing with the sareee hehe.
Yes, it really can overcome EVERYTHING!
Hey…do you aim to celebrate all the Hindu (Maharashtrian) festivals throughout your entire life? You stay with your in-laws because of which you are guided very well (and probably forced sometimes 😉 ) to celebrate the festivals. What will you do when you will stay in South India as you mention in your blog?
We are moving to South India but will practice the festivals, my husband has all the knowledge of how to celebrate them and everything. I thought that Rakshabandhan was about celebrating males also?
I really like all your blogs. Because you write from heart. I also like because you study and find out the reason behind the customs. Also there is no any festival or day when men fast for women but there should be. Also woman wear all symbols to show she's married. Funnily we say man's face is enough to show he is married. But this all came due to the fact that Indian culture is Men dominated but now a days its reducing everyday. Indian laws are so in favor of women if they are implemented correctly women will be much more stronger.
Although there is no specific festival during which men fast for their wives, some men do fast during other festivals. I remember a few times when my husband fasted all day and once even waited for me to be able to break the fast (usually women do this). I've never fasted for my husband or anyone yet, but we live in the UK (still – not sure how the things will turn out after the Scottish Independence Referendum in September ;)), and not being Indian I am not sure about all the festivals and when they take place.
Another thing is that my husband keeps telling me that Indian law is constructed in such a way that it favours women in most circumstances. For example if a property is bought by a woman, then she doesn't have to pay as much tax than a man would have. As a result, many properties are legally owned only by wives in many Indian families, which is also the case in the family of my parents-in-law, even though only my husband's father earns money.
Your husband is sooooo sweet!!! Thank you so much for your lovely comment and information.
I have also been told that Indian law does favour womem!! Sadly, society is general does not (obviously with exceptions).
Thank you so much, Phebe!!
Shiva Parvati love story transcends time and space. They were the world's first love marriage couple. They were also world's first "Power Couple". Parvati is the loving wife and doting mother but when demons create trouble she takes the form of fierce Kali to slay them. At that time Shiva has to pacify her. According to Shiva, without Parvati Shiva is not Shiva but merely a Shava (dead body) without Parvati. Some time Shiva forgets that he has a family. He goes to the cremation ground, smears himself with the ashes of dead bodies and goes into deep meditation. Only Parvati can take him out of this state. They understand each other perfectly well. Therefore, girls in India are told to worship Shiva on Mondays to get a husband like him.
Parvati's mother major grudge about Shiva was that he was shabby forest dweller. On the day of the marriage, gods decorated Shiva with fine clothes and jeweler which Shiva wore reluctantly because he was not used to them. Parvati's mother was mesmerized by Shiva's beauty. Shiva is always beautiful, the beauty lies in the eyes of the beholder.
Once kali became uncontrollable after slaying demon. Shiva laid down in her way. When kali put her foot on Shiva, she realized her mistake and drew her tongue out. This moment has been immortalized in numerous idols and pictures of goddess kali.
Those who talk about how patriarchal Indian marriages are, should look at Shiva Parvati marriage based on mutual respect, understanding and love.
Thank you so much for another great comment! I really love the story of Shiva and Parvati. I recently bought a book with many of the Hindu tales, although my husband knows most of them very well, it's always nice to read on paper (and via your comments).
Hinduism believes that it the female force Adi Shakti which is controlling the universe. It is the female part of of Lord Shiva. At the the time of creation of universe, it got separated from Shiva and became what we know as "Mother Nature". This creative energy flows in every atom of the universe so the cycle of creation and destruction goes on endlessly. The story of Shiva and Parvati shows that man and women are incomplete without each other and sustain creation and balance in the universe, the contribution of both is absolutely necessary.
Here are a few mythological videos. Most of them are from a TV serial "Devo Ke Dev Mahadev" (god of gods mahadev or Lord Shiva). It is based on the events in the life of Lord Shiva. You can catch it at 8.00 PM every evening from Monday to Friday on Life Ok Channel. It gives great knowledge about the life of Lord Shiva in an entertaining way. It is great to know about your culture and spirituality. The language is a little archaic but I guess you can always ask your husband for translation.
Thank you so much for the explanation and videos!
To get a deeper understanding of East(India) vs West Belief system, I would recommend an interesting bestseller book called "Being Different" (http://beingdifferentbook.com/) by renowned Indo-american author Rajiv Malhotra (http://rajivmalhotra.com/) to get deeper insights about India and its culture.
The book is very well researched and thorough. It will help you to get more clarity on Indian Culture/belief system.
Thank you so much for reading, I will definitely check out that book!!
Thank you so much again, I hope you are well!
Well ! Men have festivals too. They are usually called 'Deeksha'. Like Ayyappa (famous in South India) or Shiva. It usually lasts for 45 days and it has hard set of rules which you can never imagine of (Never look into mirror or comb your hair, never have s*** with your wife or even think about it, roam around without footwear, wake up before sun rises, Eat just one time a day, Never touch your wife in her ******, Never speak bad, Never exhibit/get angry over anything, Never call anyone by their name, and a LOT). I guess your husband is a Brahmin, just like me, ask him about this. Moreover, any Brahmin has to do everyday pooja three times a day, which we call 'Sandhya Vandan', which is the most and very important pooja done to Sun God. It automatically puts you into half contribution irrespective of you helping him or not.
May God bless you couple.
I hope you are having a great day, thanks again!
YouTube search for a song called TU RAJA KI RAJ DULARI from the movie "oye lucky lucky oye". It's an old folk song. Gauri arrives in front of shiva and demands that he wed her. What follows is shiva questioning her whether she can handle him. The lyrics are metaphorical and their translations are metaphorical too. I guess you'll find this funny.
किसी साहूकार के (यहाँ 'से' के अर्थ में प्रयुक्त) ब्याह करवाले, मैं खाली सोटे वाला सूं.
A ruffian with head lice is not what girly dreams are made of!
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Annual Survey: Nearly Half of Homeless Have a Disability or Chronic Health Condition
by Andrew Cangiano August 1, 2016
NEW BRUNSWICK, NJ—Middlesex County's homeless rate has decreased nearly 24% over the last year, according to a recently released report on homelessness statewide.
The Point in Time County (PITC) survey, conducted annually across the state by Monarch Housing Associates, reported that overall New Jersey's homeless rate has decreased 12% since 2015.
According to this year's report, the number of homeless reported in Middlesex County reached a five-year low of 457.
"We can attribute some of the reduction to the collaboration shown in Middlesex County to develop a true system to end homelessness," said Melyssa Lewis, director of the county office of Human Services.
Lewis highlighted some of the efforts the county has made to address homelessness, including:
a leasing program which provides rental assistance to homeless individuals and families with disabilities, using Federal Housing and Urban Development (HUD) homelessness funding
the allocation by the County Board of Chosen Freeholders of $1 million annually towards the development of affordable housing and $100,000 annually to the Veterans Housing Assistance Program
a new system for addressing the needs of homeless persons called Coordinated Assessment. This process has phases, from screening individuals for shelter placement to then prioritizing individuals for the most appropriate placement in permanent housing
"The most significant finding [of the PIT survey] is that Middlesex County has seen a steady decrease in the overall number of homeless individuals and families over the past five years," Lewis said.
"This is likely due to a combination of factors including a better system approach to homelessness, the addition of permanent supportive housing units through both tenant-based and project-based units, and a stronger focus on securing mainstream resources and increasing the income of homeless households."
But the survey also found that nearly half of the County's reported homeless (46%) identified as having a disability–such as mental health issues, a substance abuse disorder, a physical or developmental disability–or a chronic health condition such as HIV/AIDS.
"Generally, individuals with disabilities who are homeless have a low fixed income, which makes most rental housing in Middlesex County unaffordable for them," Lewis said. "The subsidies offered through the vouchers, combined with supportive services, are still in need."
While the statistics on homelessness in the county appear to be moving in a positive direction, Staci Berger, the director of a statewide association for affordable housing, said the picture in New Jersey is still very concerning.
Berger, President and CEO of the Community Development Network of New Jersey, points to the report's finding that "unsheltered" homelessness in the state has increased 48% since 2015.
Unsheltered is defined as having a night time residence that is not normally used for sleeping arrangements, such as a car, park, abandoned building, bus or train station, airport or camping ground.
"Women, men and children living outside went up by 50 percent in one of the richest states in one of the richest nations in the world," Berger said. "It shows that the [homelessness] problem is far from being solved."
"It's one number that should jump out at people as extremely problematic," she added.
Berger noted that the PIT survey data is not the most reliable information due to the fact that it only looks at figures taken from one day during the year, as she pointed out that this year's survey was taken right after a major blizzard.
The count, which took place on January 26 of this year, was conducted at various locations throughout the county and state, including Elijah's Promise Soup Kitchen in New Brunswick.
New Brunswick has several locations that are designed to provide shelter for those in need, including Ozanam House, a men's shelter which is run by Catholic Charities, as well as Promise House, which includes 10 apartments designated for those who are homeless and have a disability.
During extremely cold nights, designated "code blue" a limited number of people are allowed to stay at the Elijah's Promise Soup Kitchen.
In addition, there is a rotating schedule of churches and other houses of worship which open themselves up as temporary shelters during the winter months.
Andrew Cangiano
Sports Reporter at New Brunswick Today
[email protected]
Experienced journalist and educator who loves writing about local issues and social justice. Also a big fan of Rutgers sports.
More by Andrew Cangiano
Previous Missing Somerset Man Found Dead in Delaware River
Next 20-Year-Old Charged With Lighting House on Fire in Highland Park
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Search engine optimization (SEO) scares most people. This is the mysterious aspect of Internet marketing that confuses anyone outside their specialized field. No matter how much you learn about SEO, there will always be something new that will come up and you will have to learn some more. This is mostly because search engine algorithms keep on changing. There are also so many trends you have to keep up with. To avoid the confusion, most people choose to work with SEO service providers. This is a good way to go.
There is some degree of peace that comes with hiring the most competent SEO service providers. Even so, it is important to note that the service providers will not disclose everything to you. The purpose of this post is to educate you on some of the things most service providers will be reluctant to tell you about.
SEO is not something you learn in school. Although some background in analytics or marketing will be useful, you can learn everything you need to know about search engine optimization online. How good you are in SEO will depend on your experience and the tools you have mustered. You should also note that search engine marketing lives online and it relies on the impulses of major search engines like Yahoo, Google and Bing.
It has been estimated that on a daily basis, Google may change its algorithm by more than once. With that in mind, there is no way any expert, regardless of their experience and training, can keep up with this level of variability. It is the duty of dedicated individuals to keep tabs on the ever changing SEO scene.
This is an obvious point considering how the likes of Google change their algorithms. In addition to changing their algorithms, search engines will further not offer full disclosure on their ranking factors. This means trial and error has to play some part when optimizing a website. Even the most experienced SEOs only understand the main ranking factors. They work around these factors to help their clients achieve a better ranking.
It is very important that you stay away from experts who offer guarantees in SEO. Nobody knows what needs to be done to achieve a certain level. Instead of offering guarantees, the SEO expert should explain the strategies he will use to help you achieve your desired ranking.
Some people still feel that once they build a great website, potential customers will come running. This cannot be further from the truth. The market is more competitive now. Although great content is crucial to your success in SEO, you will have to do more than come up with remarkable content. Quality content will help you increase your overall SEO performance but it will be useless if no one can find your content.
Once your website is set up, you will then need to signal the relevance of your content to Google. This is the key to getting the relevant readers/customers to your website. This means adding relevant keywords to your content and creating an attractive link profile.
As aforementioned, no one can guarantee high ranking in search engine optimization. The service provider should discuss the things he will do to help you achieve the desired results and not just guarantee results within a specific period of time. Always avoid an SEO who guarantees the top spot on Google or any other search engine.
Anyone who claims they can get your business to the front page is simply lying. The best an SEO can do is use the best SEO practices and hope for the best. You should also note that some of the experts who guarantee results may end up using banned strategies. You might get the results you need with this option but the results will be short-lived.
Keywords are what signal to search engines that your content is relevant. However, search engines are smarter today. Keyword stuffing will only hurt your ranking and annoy readers. Keyword research is the first thing that should be done. You should then create high quality content that is designed to answer the questions of your target audience. Focus on content that answers the most searched questions.
Most SEOs will not inform you of most of the aforementioned points. They will simply tell you what you want to hear. With time, you might realize that there is a huge problem with your ranking results and this is when the SEOs will start disclosing some of the aforementioned points. The more you know before hiring an SEO the better. You want to work with someone that gives you full disclosure.
Frank Lin is an SEO expert and an avid blogger covering SEO topics. He has been in SEO for over a decade now. To learn more about him and keep tabs on his recommendations, you should connect with him on LinkedIn.
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Arts, Sciences and Engineering
Hajim School of Engineering & Applied Sciences
Meet the Deans
Academic Department Directory
Rochester Curriculum
Student Essentials
Graduate Calendar
Housing (ResLife)
AS&E Sitemap
AS&E Intranet
ATTENTION: OUR ACADEMIC HONESTY POLICY HAS CHANGED
This is the old policy for classes taken during and before Summer 2015.
Need the current policy? Starts Fall 2015.
The University of Rochester takes academic honesty and integrity seriously. We would like to educate all members of the University community about the nuances of this sometimes complex issue.
In the related resources section, students can learn how to avoid academic dishonesty and what they should know if they are accused of academic dishonesty. Faculty can find information about how to apply the policy in their courses and what they should do if they suspect academic dishonesty.
Both faculty and students can test their knowledge of the College's academic honesty policy by taking our academic honesty quizzes:
Honesty Quiz #1 (consists of questions related to the academic honesty policy and board procedures)
Honesty Quiz #2 (consists of scenarios where one must decide whether certain acts are dishonest)
The College Board on Academic Honesty consists of eleven faculty members from the College appointed by the dean of the College and a pool of undergraduate College students selected by the All Campus Judicial Council (ACJC). One faculty member serves as chair of the board. The chair oversees the administration of the board and reviews all forms and cases submitted to the board. Each case is normally heard by four board members—three faculty members (or a designated representative) and one undergraduate student.
The College Board on Academic Honesty is responsible for reviewing all cases of suspected academic dishonesty by College students or in College courses.
The College Honesty Policy, voted on and approved by the Faculty Council, requires all faculty to report suspected dishonesty to the board, either through an Academic Dishonesty Short Form Incident Report that allows them to address the matter directly or by forwarding a case to the board for a hearing using the Academic Dishonesty Long Form Incident Report. These forms, along with the College Honesty Policy, are available for downloading at the links below.
All questions and concerns regarding academic honesty in the College should be addressed to the board via this link.
Undergraduate education at Rochester builds on the principle that excellence requires freedom. Honesty and integrity are prerequisites of this freedom. Academic honesty in the advancement of knowledge requires that all students and instructors respect the integrity of one another's work and recognize the importance of acknowledging and safeguarding intellectual property.
As members of an academic community, students and faculty assume certain responsibilities. One of these responsibilities is to engage in honest communication. Academic dishonesty is a serious violation of the trust upon which an academic community depends. The College Academic Honesty Policy is both an articulation of the kinds of behaviors that violate this trust and the means by which that trust is safeguarded and restored.
Graduate Student Policy: The College Board on Academic Honesty handles cases involving undergraduate students in the College exclusively. Incidents of suspected academic dishonesty involving graduate students in the College must be handled according to the policy and procedures given on pages 35-38 of the Graduate Studies Bulletin.
Academic Dishonesty Incident Report - Short Form
Academic Dishonesty Incident Report - Long Form
Honesty Overview
[email protected]
AS&E
Copyright © 2013 — 2019. All rights reserved.
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Religious Services Directory
All St. Thomas Real Estate
Sat January 18, 2020 10:20 PM
Home News Local news Senate President Says Courts Have Final Say on Elections Law
Senate President Says Courts Have Final Say on Elections Law
Source staff
Senate President Myron Jackson
The courts have the final say on what the law means, Senate President Myron Jackson said in a response to minority senators who want the Senate to weigh in on whether Senate candidate Kevin Rodriquez or special election victor Janelle Sarauw should be seated to represent St. Thomas/St. John.
The issue arises in the wake of confusion and legal dispute over the 2016 senatorial election and a subsequent special election. The St. Thomas/St. John Board of Elections certified candidate Kevin Rodriquez as one of the seven winners for that district, based upon his vote total. But a Sarauw, who finished just behind him in the vote count, challenged his eligibility in court. The challenge revealed he had filed court papers in another state claiming residency there shortly prior to the election. The V.I. Supreme Court ruled Rodriquez was estopped – legally prevented from claiming to be a lawful V.I. resident because of his filing sworn documents in another district.
A special election to fill the seat was held April 8 and Sarauw won. But the St. Thomas/St. John board has so far declined to certify the results out of confusion over whether they need to decertify Rodriquez first or if the Legislature, which is given authority to determine who is qualified to be a candidate, needs to act.
Thursday, Sens. Tregenza Roach, Janette Millin Young and Dwayne DeGraff requested a legislative legal opinion to determine what action the Legislature should take if the Board of Elections does not certify the results of the 2017 Special Election.
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In a statement, Jackson said the three are "misleading the public into believing the 32nd Legislature could have stripped the local and federal courts of their authority to determine the dispute" over Rodriquez' eligibility.
"Senator-Elect Janelle K. Sarauw and Brigette Berry initiated their action against Mr. Rodriquez and others prior to the formation of the 32nd Legislature of the Virgin Islands. Therefore, the Superior Court of the Virgin Islands and later the Supreme Court of the Virgin Islands had the authority to consider the issues raised in that action, and their authority was continuous and ongoing even after the 32nd Legislature was formed," Jackson said in a statement.
"Any effort by the 32nd Legislature to insert itself in the dispute by seating Mr. Rodriquez would have resulted in two co-equal branches of government addressing the same issue concerning Mr. Rodriquez's qualifications and ability to serve. The second round of litigation that would have most surely ensued when any Virgin Islands taxpayer challenged the seating of Mr. Rodriquez would have further muddled an already complicated controversy," he said.
More lawsuits over the same issue raised in Sarauw's suit would cause the vacant seat in the St. Thomas-St. John district to remain vacant long after the time allotted for calling a special election, Jackson said.
"Senator Roach, in his public announcement of a routine internal request for a legal opinion, neglects to tell the public that the courts have spoken. The Virgin Islands Supreme Court, the highest court of this territory, held that Mr. Rodriquez is judicially estopped from asserting he was a resident of the Virgin Islands for at least three consecutive years preceding the general election. The District Court of the Virgin Islands then concluded that no court, including the District Court, could force the 32nd Legislature to seat Mr. Rodriquez. Finally, the Third Circuit Court of Appeals denied Mr. Rodriquez's request to stop the special election and later denied his request to stop the certification of the special election," Jackson said.
"Therefore, there is no impediment to the certifying the special election. The Board of Elections needs to do the job it is statutorily mandated to do, which is to certify the special election," he concluded.
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More than three million Caribbean people suffered the permanent or temporary loss of their homes because of adverse weather events in recent years, and the numbers appear to be escalating dramatically. #visource #usvi #news ... See MoreSee Less
UNICEF: Hurricanes Are Scattering Caribbean Families | St. Thomas Source
More than three million Caribbean people have suffered the permanent or temporary loss of their homes because of adverse weather events in recent years, and the numbers appear to be escalating dramati
This is so unfortunate
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No matter what type of propeller you are using on your multi-rotor, it needs to be balanced to dampen vibration. You might say, why is this important if you are not using camera, but you will find that your tricopter fly much smoother when the props are balanced and it minimizes stress on the motor and tail servo. I'm using a tool from dealextreme.com or hobbyking to do so… it a Carbon Fiber Propeller Balancer (Maglev).
This balancer works by tightening a conic screw around a axel to fix the propeller and then "hang" the setup between 2 magnets for minimal friction.
Most props will be heavier in one side than the other, making one side hit the ground.
The heavy site needs to be sanded to remove material to get the propeller into balance. Some prefer to tape the prop to add weight to the opposite site, but I find sanding the inside of the prop better as it does not come loose over time.
|
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The internet is evolving like never before. Millions of people are using this platform to do various tasks. It is not wrong if I say the world can survive without the basic needs, but can't survive without the internet.
One term also evolves with the rise of internet, and that's "bot". These bots are behaving like real humans and performing several tasks. If you know something about bots, then you have definitely heard about Discord bots. If not, it's OK. Most people may have no idea on this. Now let's find out more about it with us.
You can create or join "servers". There are two types of servers: public and private. Most of the groups are public which you can join directly. You just have to search for the topic like "cryptocurrency". Then you can play by the platform and interact with other members. However, some of them are private. Only when you are invited can you join these servers through related invitation links.
Each server again broke down into "channels". These are small spaces for specific discussions on one topic. You can find almost every topic and people interested in it. Some businesses also approach the Discord bots to add some extra functionalities.
Then what about the music lovers? The cool thing is, you can play your favorite music on Discord.
Go to Discord Bot List website in a web browser and you can see a garden of Discord bots. You will find an option named "Music" below the search bar, then you can search for music bots you want on the search bar.
After choosing the option, you will see a list of options. The music bots are listed in order from the most to least popular. A few popular bots are MedalBot, Astolfo, Dank Memer and Sinon.
Tap on the "View" option to learn more about the bot. This opens the features and the commands of this Discord bot which will be needed to use to play music later. Then write these commands in a note for they may be useful for you in the future.
Tap on the "Invite" option so that you will get the invitation link. This will lead you to a login screen. You have to sign in here by entering your user name or email ID and password. Then click on the "Login". Then you are on the bot site after this step.
After that, it will show you the list of servers and you have to select a server. Choose the server name in which you want to install the music bot for Discord.
Tap on the "Authorize". On the next screen, a CAPTCHA screen will appear for verification purpose. After that, it will add the Discord bot to your Discord server.
Now it is on your mobile. Open Discord app whose icon seems like a bluish background with a white game controller inside. Usually, you can find this app in the app drawer.
Tap on the menu in the left top corner. In the next screen, you will see a list of servers. This list is very long so that you can find almost every category of servers here.
Tap on the server from the list of servers on which you have installed the Discord bot. As I have discussed earlier, every server is again divided into many channels. So a list of channels on that server will appear.
Tap on a voice channel to join them. Note that, you can only listen to music on voice channels.
Now are you ready to rock? Type the Discord bot commands to play the music. You may wonder where the commands are? Well, the Discord bots commands are listed on the Discord website. The commands vary according to which Discord bot you are using. Don't worry about the commands for all are listed clearly on the Discord Bots website. Now the music will start playing on that particular Discord bot.
So, now you may have got your answer against your query – how to play music on Discord? Certainly with awesome Discord music bots! This step-by-step guide will help you to successfully play music on Discord with these Discord bots. What if you don't know the name of a song you just heard before? Maybe you can learn how to find songs by humming online with web/mobile apps.
What is your favorite Discord music bots? Do you know any other popular music bots for Discord? Then feel free to share your comment with us bellow.
|
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Our intimate garden oasis, created with all natural materials and encircling the outdoor pool with tropical flowers, citrus trees, and bougainvillea, is reserved exclusively for guests. The historic 14th century Charterhouse of San Giacomo and lush woods, the turquoise Mediterranean, Mount Solaro, and the Castiglione hill all form the scenic backdrop to our crystalline pool.
Just a few sun loungers await for complete privacy, and pool towels are provided to guests.
Stop for a light lunch: choose our popular spaghetti tossed with island lemons or with fresh tomatoes and basil, or from our selection of salads, sandwiches, toasted panini, cheese and charcuterie platters, and fresh fruit. Unwind at sunset with a cool cocktail or one of our custom fruit juice drinks or granita, prepared fresh to order with all-natural ingredients.
Annamaria welcomes our guests with a smile and her skill as a massage therapist is guaranteed to help visitors unwind and leave the stress of their daily life behind so they can slow down and savor the relaxed pace of the island of Capri.
Fit and workout during your stay in Capri at Athena Gym - New Generation, just few steps from the hotel.
Free entrance for our guests.
|
{
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Maidstone Grammar School for Girls is a very successful selective girls' school with a mixed sixth form. Ofsted judge us to be outstanding and our examination results reflect this. We are a happy, thriving community, with a long standing tradition of excellence in all that we do.
This is an exciting opportunity to work with our outstanding team in an excellent school. We are looking for a committed Assistant Headteacher to join our current leadership team.
The successful candidate will be quick thinking, articulate and a creative leader.
energy, enthusiasm and a commitment to securing excellence in all that you do.
Full details and an application pack are available from the school's website. Applicants should complete our application form and email, along with covering letter, to the Headteacher's PA. If you require any additional information please contact Ms Starns, PA to the Headteacher.
Thank you for the interest you have shown in working with us. Please note that we are unable to facilitate pre-interview tours of the school.
|
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Just a note to say thanks for the great service.
beautiful and the workmanship is exemplary.
We're very pleased with ever aspect of this transaction and the product.
Thanks again for the information you provided.
Thank you so much for the past product that I ordered from you.
Thank you so much for the past product that I ordered from you. I appreciate all you have done and am pleased with your service.
I just wanted to let you know, the blinds were installed yesterday and look outstanding!
Thank you for the prompt delivery of my faux wood blind order.
Thank you for the prompt delivery of my faux wood blind order. they were all installed this weekend and they look awesome. I have recommended your company to several friends , hope they will follow through and do business with your company. I was very happy.
Just wanted to let you know I recieved my other blind and it fits and works perfect.
Just wanted to let you know I recieved my other blind and it fits and works perfect. Thank you so much. I have bought 15 blinds from you and all of my windows have blinds on them now and even though I am out of windows I will definitely tell all my friends about about your blinds and how beautiful they are and very easy to put up. They really help keep the cold out and I appreciate what you did, thank you again.
Thank you Blind Chalet for a wonderful job on my shades.
Thank you Blind Chalet for a wonderful job on my shades. They are perfect for my studio and your ability to jockey color requests from me, email, and my husband was beyond the call of duty. The color was perfect. We could not be happier. I'm almost ready to re-shade my entire house and look forward to ordering from you.
Thanks for all of your help! We really like the blinds. We'll definitely give you guys some word-of-mouth advertising.
Again, thank you for your timely response and for the congrats as well!
Again, thank you for your timely response and for the congrats as well! I have really enjoyed doing business with your company and will definitely be referring you to my new in-laws for their blind purchase.
|
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Q: Can i revert back to syncdb after installing SOUTH I installed SOUTH and migrated few apps. now i want to go back to syncDB and uninstall SOUTH.
Can i go back
A: Yes.
*
*Stop your server.
*First, backup your database to be on
the safe side.
*Execute:
./manage.py sqlclear south | ./manage.py dbshell
(this is
probably buggy on windows. Use copy
and paste instead of the pipe.)
*Remove south from your
INSTALLED_APPS settings.
|
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layout: default
id: 2016-08-23-Loria-Enrica
surname: Loria
name: Enrica
university: University of Trento
date: 23/08/2016
aboutme:
from: Italy
research_topic: Gamification for Smart Cities and Communities
abstract:
advisor: Marconi Annapaola
keywords:
website:
img: loria.jpg
email: eloria<i class="fa fa-at" aria-hidden="true"></i>fbk.eu
alt: Enrica Loria
modal-id: stud88
---
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Cristina Lopez, Trademark Administrator
Trademark Administrator
[email protected]
Cristina has extensive experience preparing and filing trademark applications, responses to office actions, assignments, renewals, statements of use, Section 8 and 15 affidavits and other maintenance filings. She routinely works with the firm's IP attorneys to conduct and analyze preliminary, foreign and comprehensive trademark searches to determine the availability of proposed trademarks and to draft opinion letters. She also reviews clients' advertisements, product samples and marketing materials to prove use of a mark and, when necessary, corresponds with foreign agents regarding status of a trademark application.
Cristina was a trademark specialist in the New York office of a major international law firm. She also previously served as a senior trademark paralegal in the intellectual property department of the New York office of another major international law firm and managed the intellectual property department of a law firm in the Dominican Republic.
Fordham University School of Law (LL.M., 2008)
in intellectual property and technology
Universidad Autonoma de Santo Domingo (Bachelor of Laws, 1999)
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The Voice of the Guitar
Milos Karadaglic
On WCRB In Concert with the Celebrity Series of Boston, guitarist Miloš joins members of the 12 Ensemble for an evening of chamber pieces spanning from the genuis of Bach to 20th-century Spanish pieces and arrangements of modern rock songs, all available on demand.
This concert is no longer available on demand.
Miloš, guitar
Members of the 12 Ensemble
Eloisa-Fleur Thom, violin
Alessandro Ruisi, violin
Matthew Kettle, viola
Max Ruisi, cello
Toby Hughes, double bass
On the program:
BACH Goldberg Variations: Aria
BOCCHERINI Guitar Quintet No. 4: Fandango
GRANADOS Las Doce danzas españolas: Andaluza Danza No. 5 and Oriental Danza No. 2
FALLA El sombrero de tres picos: "Danza del Molinero"
FALLA arr. Thom Siete canciones populares españolas: "Nana"
ALBÉNIZ Suite Españolas No. 1: "Asturias"
ANON. Spanish Romance
PIAZZOLLA Libertango
VILLA-LOBOS Prelude No. 1
PUJOL Suite del Plata No. 1: "Milonga"
SÁVIO Batucada
PIAZZOLLA Histoire du Tango: "Cafe, 1930"
SIMON The Sound of Silence
RADIOHEAD Street Spirit (Fade Out)
LENNON-MCCARTNEY Yesterday
LENNON-MCCARTNEY Eleanor Rigby
LENNON-MCCARTNEY The Fool on the Hill
HARRISON Here Comes the Sun
Recorded on March 6, 2020 at New England Conservatory's Jordan Hall.
Miloš previews the concert with WCRB's Brian McCreath (transcript below):
CS-200306-Milos-edit.mp3
Learn more about Miloš from NPR Music.
See the program notes.
Learn more about this concert.
Learn more about the Celebrity Series of Boston and see upcoming events.
INTERVIEW TRANSCRIPT:
Brian McCreath (BMcC) [00:00:00] I'm Brian McCreath at the New England Conservatory, and I'm here with Miloš. And I'm going to ask you to say your last name for me, Miloš, because it's an interesting one and and you're better equipped than I am.
Miloš Karadaglic (MK) [00:00:10] It's Karadaglic. And actually, it means "from Montenegro" in Turkish. And it's an interesting surname that not many people have. And also the reason why it's a Turkish surname is because in the 19th and early 20th century, the Ottoman Empire was all around Montenegro and some of my ancestors had to leave the core of Montenegro, which was the only independent country in the Balkans for 500 years, to the part which was ruled by the Turks and the way that the Turks called them as a result of being from Montenegro is "karadag," which in Turkish means Montenegro. And then it became Karadaglic, which means "from Montenegro." It's an interesting history of the name.
BMcC [00:00:54] That's actually, that's fantastic.
MK [00:00:56] Actually, that's why I never dropped it. I mean, I use my first name as my kind of artist name and all of that, but my surname is always somewhere to be read because I'm very proud of my surname.
BMcC [00:01:08] I think you should be. Absolutely. Well, the thing about your background, "from Montenegro," is that you're also of an age where Montenegro went through very difficult times during your lifetime, during your youngest years. And so I'm curious about what that kind of upbringing meant for you as a musician. You saw difficulty around you, like most of us in the United States probably can't imagine. And so as a musician, how does that memory, how do those times inform what you do with your art?
MK [00:01:47] It's very hard thing to say because I don't remember anything else and I don't remember anything better. So I, I can't really compare it to a situation here or anywhere else. But what I think it does, it brings you to this incredible place where music becomes such a wonderful escape. And it creates incredible energy at a time when energy around is not so fantastic, and one of the most important memories of me as a musician was picking up the guitar and just playing for my family, and then for friends, when they would come around. And seeing that even if there are, you know, during that time we had electricity cuts, we had not so much, um, there was nothing in shops or anything like that. It was a very, very strange, strange time. But it didn't matter because the moment I would pick up the guitar and play for people, something would change. The energy would change. The light in people's eyes would change. And it gave me a tremendous amount of understanding of what the power of music is very, very early on. So I really believe if I was born anywhere else, I maybe wouldn't have been a musician because I don't think I would have had that sort of a strong experience. And those experiences, they make you stronger and maybe even better because they give you the sense of purpose and meaning.
BMcC [00:03:19] When you were young, you moved to London and that's where you've been pretty much ever since, I think. And so, again, thinking about your background, and I believe you still have very strong connections to your homeland, to Montenegro. But how has London and your life there affected your own sense of Montenegro and where you've come from? It's such a different place.
MK [00:03:43] I moved to London when I was 17 years old in the year of 2000, and really at that time it was like landing on Mars. Montenegro is a small country of six hundred thousand people. At that time, not many people were visiting. It was very, very unspoiled and pure. And if I think of my childhood there, it was the happiest childhood because there was so much-- everything was about family and these beautiful surroundings, and it was about the sea and going down to the seaside for months and going to school, playing music. It was wonderful. And then I was in London, this fierce city of eight, nine million people. At the Royal Academy of Music, where everybody was great, where I had to almost start from the beginning. And it was a shock to the system. But without going to London, I wouldn't be here tonight. London gave me the tools to make the music I had inside myself. London gave me the opportunities to achieve things in my career and to be in the right place at the right time, and build what I have built. And I'm very proud of that. So, as they say, it's a bit of luck and a lot of hard work, but a bit of luck is what sometimes makes the difference.
BMcC [00:05:02] Your program is called The Voice of the Guitar. And I think for a lot of people, and I'll count myself in this as well. I mean, I was a professional musician, yet even me, I listen to the guitar and it's such a beautiful inviting sound almost every time. But the difference between really, really good guitar playing and great guitar playing, I'm not sure that a lot of us know quite what to listen for. What is it that we're hearing? What are the ways that a guitar can ascend beyond sort of the normal? What is it that a guitar does? And, you know, to the degree you can, how do you do that?
MK [00:05:42] Paramount for me musically is always to make the guitar sound like a voice. To keep the line. No matter what is going on in the texture of the music, that the line always cuts through and that the line is phrased in the same way how you would sing it. I listened to many, many, many singers when I was a student and I listened to more singers than I ever listened to guitar players. And for me it's always been a priority to find that magical color and the magical sound, no matter what. And I love taking risks musically. I have never been a safe player. I love exploring the colors in any given moment that I am given the opportunity to do so. And, you know, sometimes you hit the wall and sometimes it results into the most wonderful thing that you remember for a long time.
But what makes all of that click, and meaningful, is the fact to know that a live performance is not a recording. That a live performance is an unrepeatable moment in time, that you are making the music that you will never make again, that the audience that is in the hall, the place where you are playing, the acoustics, the mood of how you are feeling in that moment, is all part of that magic. And putting pressure on that is always wrong. And that's something that I've learned, learned over the years of touring and playing. And that's why I love playing live, because it's just something that happens, and that's it. It's a bit like a butterfly. It just lives for a very short time.
BMcC [00:07:32] That's terrific. Speaking of learning things, of taking risks, you've been pretty up front in talking with people about a period of time when things seemed to really become so challenging for you that you weren't able-- you almost couldn't continue playing the guitar. You had to take time off, I guess, because there was basically overwork, that your muscles had just simply been pushed too far. I guess my question is, that I wonder, certainly, I'm curious about your process of working through that, but I'm even more curious about what that has done to your playing since then, to your sense of the music you are communicating. What are you now telling people that you weren't telling them before that incident through your music?
MK [00:08:21] That period was probably the most important education in my personal and musical life. The reason why I had to stop playing was, yes, at first a physical injury in my hand, due to me asking from my body too much. Um, and I'm a very, very stubborn and very directional person. And sometimes my my body couldn't follow. So, it found a very clever way to stop me, in order for me to then understand how everything works and to understand that that there is not just one path, that there are so many paths and that music is never something that we should take for granted. And for me, music always came so easily. And at the time, when I was playing so many concerts and traveling and recording and really doing a lot, and I'm so proud of that period, anyhow. But in that time, I was just always going forward, always pushing and never really taking care of myself or recharging those reserves of creativity and strength and what I really needed to make the music that I had inside myself. And to face such an obstacle where you are really, really not able to play at all is the worst nightmare you can possibly live. And there were days when I just felt it was a nightmare, that I would just wake up out of it.
But I'm very grateful that that test, that challenge that I was facing, brought me actually closer to music than ever before, because it was the music that I needed to to discover in that purest sense in order to find my fingers again. And the process of doing that was very grueling and very difficult, and I met so many people on the way, colleagues and medical professionals, but in the end, no one could help me except I could help myself. That's why it's the experience that I put very much in my music today. I'm much more accepting of the moment. I'm much more at peace with myself, that whatever happens in a concert, it's meant to happen. I'm much more connected with what I'm trying to achieve in any given moment. As I said before, I take more risks. I enjoy that very much. It gives me so much in return. And I've also kind of been allowed to experiment more with my musical horizons and go into slightly different types of repertoire for a bit and then combine them with very serious solo recital programs, and I'm just having a lot of fun right now.
BMcC [00:11:43] I think that the program that you have, this program, "Voice of the Guitar," is so wide ranging. And when I look at the program, without having even heard it yet, you know, we have some things that we would think of as guitar standards, things that we love to hear on the guitar. Boccherini, these things, and then also Radiohead and Beatles songs. What's the relationship of those? Does one really feed the other in some particular way?
MK [00:12:16] There is really no instrument that more comfortably sits between the worlds of classical and mainstream. Guitar is somehow always the glue in any music when it comes to popular music and being exposed to more popular music, going to concerts, having time to actually live a bit of a life, I realize that there is so much good music out there and so much music can be brought to the world of guitar without any compromise or any shame, because at music college, we're always so wary of even playing a popular classical piece yet alone taking a pop piece because everyone then accuses you of crossover. But I think there is nothing wrong with crossover, if crossover means that you are taking your art and your skill into a different genre and then bringing that genre home to you. And that's the idea behind a lot of these pieces. And for me, that all started with the Beatles project, because that was something that I really wanted to do. I thought that the songs of the Beatles are not less important or valuable than the songs of Schubert, that they will be there for many generations to come. So finding a way and working with composers like Sergio Assad, who is a fantastic guitarist and such a wonderful man, uh, we worked so hard on bringing those pieces to us, and then making the arrangements with strings and opening it up.
And "The Voice of the Guitar" is really a party. It's a party for me and for everyone. It's the pieces that I have loved, that have marked different times in my musical journey. A lot of it is popular, famous. It's the sort of thing that makes some people smile, some people think, "Oh, my God, this is all popular stuff. Why is he doing that?" But I'm OK with that because it feels right. This tour has been great. We've had amazing response. And very often we have to remember that when we are playing in in places that are not Boston or New York, that a lot of people don't really know any of the repertoire. They might recognize it from somewhere. They might recognize it from a movie or a commercial, but they don't necessarily know that it's a classical guitar piece. So including it there and using that to educate a new generation of listeners is also important. And it's always been important to me.
BMcC [00:14:56] Well, it's been many years since you were here in Boston for the first time, when you played over at Longy School of Music in Cambridge. And I know a lot of people have been waiting for you to come back. So it's great to have you back in Boston, Miloš Karadaglic. I appreciate your time today. And thanks for thanks for spending some time with me.
MK [00:15:12] It's wonderful to talk to you. And I am so happy to be back in Boston because it's a really, really special place, and I am so excited about tonight.
EpisodesMilos Karadaglic12 EnsembleJohann Sebastian BachLuigi BoccheriniEnrique GranadosManuel de FallaIsaac AlbenizAstor PiazzollaHeitor Villa-LobosThe Beatles
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But 32 years ago, in 1986, Chinese people mainly saw the outside world only by watching television at home-starting with Yue-Sai Kan's One World.
The 15-minute show, which aired twice a week in Chinese and later in English, was the first travel program on Chinese TV. It brought Western society to an audience of 300 million Chinese.
Viewers saw the pyramids in Egypt, the Acropolis in Greece, the River Thames in Britain, baseball games in the United States, and much more. The show was also packed with ideas and issues.
The show lasted a year, running for 48 episodes on China Central Television, the State broadcaster, and covering 14 countries. It made Kan the most-watched TV personality in the country.
The most remarkable part, Kan said, was that so many Chinese had not seen anything about the outside world before her program. It changed "the vision and mindset" of the Chinese people, she said.
"During my trips to China in the past year, I have been greeted with such great hospitality and affection, as if I were a returning relative or a long-separated friend," Kan wrote in her memoirs, also titled One World.
The book, published in 1987, came after Ai Zhisheng, then minister of radio, television and film, asked her to write about how she made the TV program.
"He said, 'We don't know how to make TV shows. This book will teach the Chinese people how to,'" she recalled. At the time, CCTV broadcast for just six hours a day, "so that's one of the most outstanding things I'd heard", she added.
Before the One World TV show received a green light from the authorities, Kan had to do three pilot shows. She wore a shirt and black jacket and little makeup, trying to "be very polite" and following the style of Chinese broadcast journalists of the day.
Kan recalled that, after watching the pilots, Ai asked her, "Did you dress like that in the US?" He encouraged her to present the program like she would in the US, "because we want to learn from you".
"That's amazing, you know," Kan said with a grin.
The show made Kan a household name. Her trademark haircut-known as the Yue-Sai hairdo-and her Western makeup and clothes fascinated people in the '80s, when women dressed in a similar style and looked the same, with short haircuts and no makeup.
"It was really an alien idea to smear lipstick on your lips. Only actresses at that time used lipstick. Now it's as common as adding toothpaste to your toothbrush in the morning," she said in an interview at her New York apartment.
Kan launched her first cosmetics products under her Yue-Sai brand in September 1992 in Shanghai, two years after she had registered a company in Shenzhen, Guangdong province.
The product launch at Shanghai No 1 Department Store was so crowded with people wanting to see Kan that police found it virtually impossible to maintain control. The event had to be moved to a bigger venue, Hualian Department Store, where Kan was able to talk with fans and show them how to apply the makeup.
Sales on the first day hit 20,000 yuan (about $3,600 at the time).
The potential for China's cosmetics market was released with the country's opening-up. Kan's company expanded from three stores in Shanghai to more than 800 in 250 cities across China, becoming No 1 in both market share and sales for years.
"We were doing 10 times the business anyone else was in the department stores. The impact was very big. And it empowered women," Kan said.
She went on to select 30 people from 1,200 applicants for a course teaching them makeup skills. They became China's first beauty advisers, doing makeovers for customers and sharing makeup tips while selling cosmetics.
Like the TV program, Kan's cosmetics influenced millions of Chinese, well before the arrival of the internet.
Kan said the reasons for the changes in society were simple.
The key word is "ready", Kan said, adding that she was simply in the right place at the right time.
"People were curious. People were ready, and I happened to be the person to do it. Everything was just right," she said. "If I were to produce a new TV program now, it would not have the same impact. If I launched a cosmetics line today, it would not be as impactful. It would be very successful, but it wouldn't have that impact.
Kan is also credited as being the first TV journalist to connect East and West with the creation of her award-winning weekly show Looking East, which aired in the US. The program was her first major production and the first of its kind to introduce American audiences to Asian cultures in countries including Thailand, Malaysia and Singapore.
Having observed that the West didn't know much about Asia, particularly China, Kan believed it was her duty to help the United States and China get to know each other better. She also produced and hosted a documentary in 1988 called Journey Through a Changing China.
Starting from her hometown in Guilin, in the Guangxi Zhuang autonomous region, she crisscrossed northward to Shanghai and Hangzhou, in Zhejiang province, until she reached Harbin in the northeastern province of Heilongjiang. Footage was shot in each city she visited, to display people's daily lives and how they had changed during reform and opening-up.
The one-hour documentary aired on June 22, 1988, on WUSA-TV in Washington.
Kan's efforts to be a bridge between China and the US were recognized in a Senate Congressional Record, and she was given the title of citizen ambassador. The record entry dated July 27, 1988, said the documentary was "exceptional in its scope and subject".
"Kan opened doors in her documentary to places most of us have only read about," Senator Daniel K. Inouye wrote in the record. "Her charming, insightful and loving portrait of China gave me a new perspective toward the changes now occurring in that ancient land.
Looking back, Kan said she felt her role, and that of the media as a whole, was to educate.
In the early 1980s, Kan looked different with her lipstick and self-styled hairdo in the eyes of Chinese women. But today, in her eyes, Chinese women look modern, and they no longer dress differently to Western women.
Kan said China has changed a lot, as now its manufacturers are up-to-date. For years, they worked for brands from other countries, such as France and Italy. Today, she said, Chinese companies have their own brands.
"Because they're so used to producing goods for the outside world, they know well what the outside world is asking for. All of a sudden, you see a lot of brands coming out of China that are quite chic," Kan said.
To bring Chinese fashion to the West and introduce emerging designers and artists to the US, Kan created the China Fashion Gala in New York. The past three galas have highlighted couture designer Guo Pei, fashion photographer Chen Man and designer Grace Chen, to name a few.
Funds raised through the gala are used for scholarships for Chinese students to attend the Fashion Institute of Technology in New York.
Kan's own charity has also built schools and libraries, and provided scholarships to underprivileged students in high schools and universities in China, including in her native Guilin, where she lived until she was 2 years old. Her family first moved to Hong Kong and then the US.
In March, she returned for the first time to where she was born, a Qing Dynasty-style building called Yanshan Garden, which has been made into a picturesque park.
Kan said she was happy to see the development that has taken place in her hometown and across China.
"The next period for China will be extraordinary. President Xi Jinping will be able to fulfill his mission, fulfill his vision, too," she said, referring to China's goal to become a moderately well-off country by 2020 as well as Xi's commitment at the Boao Asia Forum on China to further opening-up. "I'd bet on China," she said.
Previous Post (China-127) Nothing to hide if you have HIV…live or die, swim or drown! In China today!
Next Post (America-69) AUG 27, 2018 GRADUATION NIGHT AT TACOMA COMEDY ACADEMY FOR ME!
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The Sonata is a full-size spinning wheel that folds and packs away, making it perfect for travelling or if you're just a little short on space. All parts are made form solid timber turned and moulded to give the classic look, while the double treadle action makes it easy to use with either one or both feet. The positioning of the flyer is at normal working height and of conventional design, while being fully supported at each end so there is no possibility of accidental damage. This design also allows the quick change to a jumbo flyer which is available as an optional extra, together with t high speed flyer.
The specially designed carry bag makes transportation easy, taking just 5mins to pack away. Once folded away the bag gives you the option to carry it by hand or as backpack.
This is one of the very few folding wheels that when in use looks like a normal wheel. For those who want portability with traditional wheel design this is the one to have.
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Hello there. I don't know what time it is where you are but it's late here in the Land of Hats.
Hattingdon has hit the hay… so to speak. While it's quiet I put together an eye catching tote bag. It is one of those all over print bags, so I can make the image of Hattingdon as big as I want. I chose the Eve Hattingdon classic hat silhouette in black.
On the reverse, I put Hattingdon's notable quote, "You can never be too rich, too beautiful or have too many hats" in black decorative lettering. And her name below in all caps.
It turned out so cute I thought you might want one. No doubt when I walk out with mine someone will try to buy it from me which so often happens when I am out with anything Hattingdon on it. Even clothing!
I made this great tote in the custom gift shop Hattingdon uses — at Zazzle.com — so you can change it up just about any way you can imagine it.
If you want another Hattingdon® design on it, shoot me an email with the design name and I'll whip it up for you and send you a direct link. Browse available designs here in our Galleries.
Here's how my bag looks.
It costs in the neighborhood of $24.00 for the medium size you see pictured here.
I have gifted several of these totes. They print up beautifully and are nice and sturdy. Here's more about the bag.
A classic tote with a modern twist: all-over-print which allows for 100% customization, bringing the basic tote to the next level. Your next shopping trip just got a little more earth-friendly and a lot more stylish!
Doesn't Hattingdon look sweet in her basic black classic hat with her jazzy new mane on this handy tote? I'll take that as a yes. Bye for now!
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Home Bollywood News Kangana Ranaut to direct her biopic soon: Will characters on Hrithik Roshan, Karan Johar feature in it?
You can call Kangana Ranaut as controversy Queen. Lately, the actress has been in news for slamming Bollywood bigwigs including Karan Johar for not supporting 'Manikarnika: The Queen of Jhansi'. She is also upset with Alia Bhatt, who she had invited for a special screening of 'Manikarnika' but the latter couldn't make it. It is to be noted that the Kangana Ranaut starrer has made close to Rs 100 crore so far. On many occasions, Kangana has revealed her life struggle and many of you would be waiting for her biopic. Aren't you?
"How can I show my journey without people, I can't be walking Alone. But we will not be taking any names. The idea is to project me and my life with all its highs and lows. In the end, it is the story of an achiever, a girl from the mountains who came into Bollywood with any connections in the industry or even a godfather, and went on to carve a niche for herself against all odds, with some memorable films like Gangster, Tanu Weds Manu and its sequel, Fashion, Queen and more recently Manikarnika, bagging three National Awards along the way," the beautiful actress added.
Now, it would be interesting to see if the characters on ace filmmaker Karan Johar and Hrithik Roshan will feature in the film or not.
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Are You A Startup Company Looking For A Website?
The need for a well-rounded website has accentuated with the growing popularity of online presence. Websites have become the new bridges that manage to attract a huge chunk of audiences from all across the world. It apparently increases the online visibility of the business, making it easy to grow and flourish. Almost every businessman wishes to create an online identity that is not only impressive but also manages to win the trust of the audiences. How about laying your hands on an outsourced web solution? It is indeed one of the fruitful options that could be considered. When you outsource your work, you get to tone down your overall expenses, lets you save your time and energy and also considerably cuts down the amount of risk that the project will be carrying. These were some of the prominent benefits that the company would be entitled. Well, what about the website? How does outsourcing improve your website's performance? At innovins we have the best website developers in Mumbai.
Are You A Startup Company Looking For A Website? Here are the 7 Points justifying the importance of web outsourcing for your website. Let me walk you through some of the promising reasons that justify the fact that web outsourcing services indeed proves to be a boon for your website. Read on to find out about them.
A well to do outsourcing company would be loaded with the manpower that is qualified and skilled enough to produce results that are par excellence. As these companies come into existence solely for providing exceptional web solutions, they meticulously choose manpower to contribute to the web development services. These skillful and qualified manpower is sure to craft websites that have an outstanding performance at an economically justified price. Unlike your limited in-house experts, the outsourcing company has a pool of experts creating websites that stand true to your needs and requirements. We are the top most ranking website development company in Mumbai.
A favorable company will be efficient in providing results that have assured quality. As you get to lay your hands on a bunch of experienced and well to do team you will be entitled to quality work when it comes to a fully functional website. With a bunch of professionals working on your website, the quality is expected to be flawless and authentic. At innovins we have the best website designers in Mumbai.
Apart from keeping in mind all the latest tools and technologies, the current market trends of every industry is equally taken care of. The professionals make themselves aware of the current trends prevailing in the market. Therefore, when you are outsourcing your work you need not worry about keeping up with the pace of change in technology or the market trends. We are the top most ranking website designing company in Mumbai.
Final Note : Above-mentioned are some of the promising reasons that will encouage you to outsource your web services to an esteemed web development company. Having said this, if you are a startup looking for a website that will set the path of success for your business, opting for web outsourcing services would indeed be an ideal choice. An outsourced website would be the perfect choice that would perfectly fit in your budget.
Why Are Future Startups Accompanied With Mobile Applications?
|
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Working with Zodiac and Embraer on the E2 project exercised all of Aerofoam group disciplines, seat covers, cushions and thermoform plastics.
When Zodiac approached us with their client, we knew we were creating something special. The brief this time was to produce a turnkey interior using all of our disciplines.
It was a great challenge not only in meeting the customer' expectations but in managing multiple teams all working towards the same deadline.
Everything within the plane was mandated to be lightweight but high quality.
Jim Barrett VP commented "the concept Embraer have embarked on is genuinely ground breaking and combining lightweight advanced materials while keeping them comfortable for the customer was an interesting challenge".
Our seat cushion team worked with Embraer to produce arguably their most comfortable cushion yet. The benchmark was set high, with one of the lowest pressure map goals we have seen in the industry so far. It was important to the client that the seat cushion was comfortable for both male and female and a variety of different body types. Our final solution passed pressure mapping with flying colours and looks like being one of the most comfortable aircraft seats flying today.
Our Interiors team worked with the teams of engineers to build comfort and comfort plus dress covers featuring a new type of hybrid lamination system to ensure maximum repeatability and consistency. The new process gives the final customer almost unlimited choice, while keeping the designers within a sandbox to ensure production speed and efficiency whilst maximising style.
Our Aeroplastics division created one of the most advanced tray tables with bi-fold mechansism and a true fit. The closeness of fit and finish combined with the longevity we know it will bring will make flying on the E2 a world class experience.
|
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Brownish grey are dominant on this Patio Extension 41 Stunning Outdoor Extension Cord Cover Snapshot due to table below. Then grey & greyish browncolor scheme is make it perfect. Combination beetween charcoal grey, cool grey, light blue grey, light grey blue, dark beige are wraping around the room.
Below is the table contains color information of Patio Extension 41 Stunning Outdoor Extension Cord Cover Snapshot.
|
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FSX Multiplayer Carrier Ops Session Info - Please read ALL the HELP sections. You will save yourself a LOT of time.
An older dude, as you can see. I got interested in flying about age 12. Psst.. don't tell the Navy that was me shooting my BB gun at the F-9F's about 100 feet above my house... while on final at the NAS base in Texas.
I joined CAP when I was 14 and highly recommend that to any of you younger folks. I trained on the LINK trainer.. ground school.. and flew mostly in the L-4 Birddog. During those 4 years.. I flew in many "sorties" of many downed aircraft and lost boats.
I never did get my "ticket"... due to getting married early and college. However, I have also flown the C-172, C-182. I have been lucky to ride "shotgun" the back seat of a T-33 for about 8hrs and also take the controls of a C-119 flying boxcar.. back in the day.
Been using flight sim for some time. However, it wasn't until last year that I started flying in multisessions. I truely enjoy flying with other people and have a love for carrier ops.
Yes.. I fly other planes.. LOL I keep the aicarrier2 session open.. because.. others also enjoy it... simple as that. However, dont be suprised if you see me in FSX Blue Angels or Military Only sessions.. as well as bush and mountain flying or any other intresting session.
Can you share with me whats needed Sandpro! If you can walk me through it I could see what I can do. I also joined CAP at a young age and still with them. This is an Awesome site. Please Keep the TS up as long as possible. We can work this through. Im back in the Country from Diego Garcia and Singapore.
Just a query on the TacPac I queried if it caused much of a hit on system resources and we did not really get to talk about it. I have an I7 2.8GH with 12GB how do you think this set up will manage the full TP installation??
Would just like to say thanks for all of the help. I really appreciate the time you took to show me just how much I didn't know! I'm just now getting to know your site and I'm sure I'll be giving you a call. Thanks again!
LTNS, I have been out of the loop for a while werking some crazy hours and I see a lot has changed on your site!
Hi Sir, great achievements. Me too, I love carriers ops.
|
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Q: Accessing arrays using pointers I came across the below code snippet in a project and was not sure how value of variable "response" is computed. Here as we can see, pic_data holds two one dimensional arrays but "response" access both the single dimensional array as two dimensional array.
Can anyone please explain how this works?
Note: below code is not full fledged code snippet of a larger code block.
#define MAX 100
#define MAXBUF 100
u32 response;
u32 index;
typedef struct {
u16 flag;
u16 status;
} __attribute__ ((packed)) register;
typedef struct
{
register *rq[MAX];
u64 buf[MAXBUF];
}Data;
Data *pic_data;
void getres(Data *pic_data) {
response = *((u32*)&(pic_data->rq[index][pic_data->buf[index]]));
}
A: That line isn't accessing a 2D array, it's accessing a 1D array of pointers, and then dereferencing the pointer it gets out.
Let's break it down into steps. Starting with:
response = *((u32*)&(pic_data->rq[index][pic_data->buf[index]]));
We can rewrite as:
register *r = pic_data->rq[index]; // figure out which element of 'rq' to use
u64 offset = pic_data->buf[index]; // figure out what offset to use from 'buf'
response = *(u32 *)&r[offset]; // get the right register and extract value
// into a 32-bit word
Editorial note: register is a reserved word, don't use it as a type name. Your function paramater pic_data also shadows the global variable of the same name. Be careful out there!
|
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using namespace DVGui;
using namespace TSyntax;
//=============================================================================
class ExpressionField::SyntaxHighlighter : public QSyntaxHighlighter
{
const Grammar *m_grammar;
public:
bool m_open;
SyntaxHighlighter(QTextDocument *parent)
: QSyntaxHighlighter(parent), m_grammar(0), m_open(true)
{
}
~SyntaxHighlighter()
{
}
void setGrammar(const Grammar *grammar) { m_grammar = grammar; }
void highlightBlock(const QString &text)
{
Parser parser(m_grammar);
std::vector<SyntaxToken> tokens;
Parser::SyntaxStatus status = parser.checkSyntax(tokens, text.toStdString());
int nextPos = 0;
for (int i = 0; i < (int)tokens.size(); i++) {
QTextCharFormat fmt;
int pos = tokens[i].m_pos;
int length = tokens[i].m_length;
int type = tokens[i].m_type;
nextPos = pos + length;
switch (type) {
case TSyntax::Unknown:
fmt.setForeground(Qt::black);
break;
case TSyntax::Number:
fmt.setForeground(QColor(0x50, 0x7d, 0x0));
break; // number
case TSyntax::Constant:
fmt.setForeground(QColor(0x50, 0x7d, 0x0));
break; // constant
case TSyntax::Variable:
fmt.setForeground(QColor(0x0, 0x88, 0xc8));
break; // var
case TSyntax::Operator:
fmt.setForeground(QColor(50, 0, 255));
break; // infix
case TSyntax::Parenthesis:
fmt.setForeground(QColor(50, 50, 255));
break; // braket
case TSyntax::Function:
fmt.setForeground(QColor(0x0, 0x50, 0x7d));
break; // fname
case TSyntax::Comma:
fmt.setForeground(QColor(50, 20, 255));
break; // f ;
case TSyntax::UnexpectedToken:
fmt.setForeground(QColor(0xdc, 0x0, 0x0));
break; // expression not found
case TSyntax::Eos:
fmt.setForeground(QColor(255, 127, 0));
break; // EOS
case TSyntax::Mismatch:
fmt.setForeground(QColor(255, 0, 0));
break; // token mismatch
default:
fmt.setForeground(QColor(127, 127, 255));
break;
}
if (type == 4)
fmt.setToolTip("Infix");
if (length == 0)
length = 1;
setFormat(pos, length, fmt);
}
}
};
//=============================================================================
class MyListView : public QListView
{
QLabel *m_tooltip;
public:
MyListView() : QListView()
{
setObjectName("SuggestionPopup");
setStyleSheet("#SuggestionPopup {background-color:#FFFFFF; border:1px solid black;}");
setWindowFlags(Qt::Popup);
setMouseTracking(true);
m_tooltip = new QLabel(0, Qt::ToolTip);
//Stesso stile del popuop che lo contiene.
m_tooltip->hide();
m_tooltip->setObjectName("helpTooltip");
m_tooltip->setAlignment(Qt::AlignLeft);
m_tooltip->setIndent(1);
m_tooltip->setWordWrap(false);
}
void showEvent(QShowEvent *)
{
showToolTip(currentIndex());
}
void hideEvent(QHideEvent *)
{
m_tooltip->hide();
}
void currentChanged(const QModelIndex ¤t, const QModelIndex &previous)
{
showToolTip(current);
QListView::currentChanged(current, previous);
}
void showToolTip(const QModelIndex &index)
{
if (!index.isValid()) {
m_tooltip->hide();
return;
}
QVariant data = model()->data(index, Qt::ToolTipRole);
if (!data.isValid()) {
m_tooltip->hide();
return;
}
QRect rect = visualRect(index);
m_tooltip->setText(data.toString());
QPoint pos = viewport()->mapToGlobal(QPoint(-m_tooltip->sizeHint().width(), rect.top()));
m_tooltip->setGeometry(QRect(pos, m_tooltip->sizeHint()));
m_tooltip->show();
}
protected:
void resizeEvent(QResizeEvent *e)
{
QListView::resizeEvent(e);
if (m_tooltip->isVisible())
showToolTip(currentIndex());
}
};
//=============================================================================
ExpressionField::ExpressionField(QWidget *parent)
: QTextEdit(parent), m_editing(false), m_grammar(0), m_syntaxHighlighter(0), m_completerPopup(0), m_completerStartPos(0)
{
setFrameStyle(QFrame::StyledPanel);
setObjectName("ExpressionField");
setLineWrapMode(NoWrap);
setVerticalScrollBarPolicy(Qt::ScrollBarAlwaysOff);
setHorizontalScrollBarPolicy(Qt::ScrollBarAlwaysOff);
setTabChangesFocus(true);
// setSizePolicy(QSizePolicy(QSizePolicy::Expanding,QSizePolicy::Fixed));
connect(this, SIGNAL(textChanged()), this, SLOT(onTextChanged()));
#ifdef MACOSX
setFixedHeight(23);
#else
setFixedHeight(20); // +40);
#endif
m_completerPopup = new MyListView();
QStandardItemModel *model = new QStandardItemModel();
m_completerPopup->setModel(model);
m_completerPopup->setFocusPolicy(Qt::NoFocus);
m_completerPopup->setFocusProxy(this);
m_completerPopup->installEventFilter(this);
connect(
m_completerPopup, SIGNAL(clicked(const QModelIndex &)),
this, SLOT(insertCompletion(const QModelIndex &)));
m_syntaxHighlighter = new SyntaxHighlighter(document());
}
ExpressionField::~ExpressionField()
{
delete m_syntaxHighlighter;
}
void ExpressionField::showEvent(QShowEvent *e)
{
QTextEdit::showEvent(e);
}
void ExpressionField::hideEvent(QHideEvent *e)
{
QTextEdit::hideEvent(e);
}
void ExpressionField::setExpression(std::string expression)
{
setPlainText(QString::fromStdString(expression));
}
std::string ExpressionField::getExpression() const
{
return toPlainText().toStdString();
}
bool ExpressionField::event(QEvent *e)
{
if (e->type() == QEvent::ToolTip) {
QHelpEvent *helpEvent = static_cast<QHelpEvent *>(e);
// openCompletionPopup();
} else if (e->type() == QEvent::ShortcutOverride) {
e->accept();
return true;
}
//else
return QTextEdit::event(e);
}
void ExpressionField::keyPressEvent(QKeyEvent *e)
{
// setStyleSheet("background-color: cyan");
if (e->key() == Qt::Key_Return || e->key() == Qt::Key_Enter) {
m_editing = false;
emit expressionChanged();
} else if (e->key() == Qt::Key_F10) {
setAutoFillBackground(true);
QPalette p = palette();
p.setColor(QPalette::Base, Qt::cyan);
p.setColor(QPalette::Background, Qt::cyan);
setPalette(p);
update();
setStyleSheet("#ExpressionField {background-color:cyan;}");
} else if (e->key() == Qt::Key_F11) {
m_completerPopup->installEventFilter(this);
QRect cr = cursorRect();
QSize size(100, 200);
QPoint pos = mapToGlobal(QPoint(cr.left(), cr.top() - size.height()));
m_completerPopup->setGeometry(QRect(pos, size));
m_completerPopup->show();
QTextEdit::keyPressEvent(e);
} else {
QTextEdit::keyPressEvent(e);
if (m_completerPopup->isVisible()) {
updateCompleterPopup();
} else if (Qt::Key_A <= e->key() && e->key() <= Qt::Key_Z || std::string("+&|!*/=?,:-").find(e->key()) != std::string::npos) {
openCompleterPopup();
}
setFocus();
}
}
bool ExpressionField::eventFilter(QObject *obj, QEvent *e)
{
if (e->type() == QEvent::KeyPress) {
QKeyEvent *keyEvent = static_cast<QKeyEvent *>(e);
switch (keyEvent->key()) {
case Qt::Key_Return:
case Qt::Key_Enter:
insertCompletion(m_completerPopup->currentIndex());
return true;
case Qt::Key_Left:
case Qt::Key_Right:
event(keyEvent);
m_completerPopup->hide();
return true;
case Qt::Key_Escape:
m_completerPopup->hide();
return true;
case Qt::Key_Down:
case Qt::Key_Up:
return false;
default:
event(e);
return true;
}
} else if (e->type() == QEvent::MouseButtonPress) {
m_completerPopup->hide();
event(e);
return true;
} else if (e->type() == QEvent::ShortcutOverride) {
e->accept();
return true;
}
return QObject::eventFilter(obj, e);
}
void ExpressionField::onTextChanged()
{
if (!m_editing) {
m_editing = true;
// setStyleSheet("background: rgb(250,200,200)");
}
}
void ExpressionField::focusInEvent(QFocusEvent *e)
{
m_syntaxHighlighter->m_open = true;
m_syntaxHighlighter->rehighlight();
QTextEdit::focusInEvent(e);
}
void ExpressionField::focusOutEvent(QFocusEvent *e)
{
m_syntaxHighlighter->m_open = false;
m_syntaxHighlighter->rehighlight();
QTextEdit::focusOutEvent(e);
}
void ExpressionField::onCursorPositionChanged()
{
}
void ExpressionField::openCompleterPopup()
{
int n = computeSuggestions();
if (n < 2)
return;
if (updateCompleterPopup())
m_completerPopup->show();
}
bool ExpressionField::updateCompleterPopup()
{
int start = m_completerStartPos;
int pos = textCursor().position();
std::string text = getExpression();
if (m_suggestions.empty() || start < 0 || start > pos || pos > (int)text.length()) {
if (m_completerPopup->isVisible())
m_completerPopup->hide();
return false;
}
QStandardItemModel *model = new QStandardItemModel();
std::string prefix = toLower(text.substr(start, pos - start));
int prefixLength = prefix.length();
int count = 0;
for (int i = 0; i < (int)m_suggestions.size(); i++) {
std::string item = m_suggestions[i].first;
if ((int)item.length() >= prefixLength && toLower(item.substr(0, prefixLength)) == prefix) {
QStandardItem *item = new QStandardItem();
item->setData(QString::fromStdString(m_suggestions[i].first), Qt::EditRole);
if (m_suggestions[i].second != "")
item->setData(QString::fromStdString(m_suggestions[i].second), Qt::ToolTipRole);
model->appendRow(item);
count++;
}
}
if (count == 0) {
if (m_completerPopup->isVisible())
m_completerPopup->hide();
return false;
}
m_completerPopup->setModel(model);
m_completerPopup->setCurrentIndex(model->index(0, 0));
QTextCursor cursor(textCursor());
cursor.setPosition(m_completerStartPos);
QRect cr = cursorRect(cursor);
int w = m_completerPopup->sizeHintForColumn(0) + m_completerPopup->verticalScrollBar()->sizeHint().width() + 5;
int h = (m_completerPopup->sizeHintForRow(0) * qMin(7, model->rowCount()) + 3) + 3;
QSize size(w, h);
QPoint popupPos = mapToGlobal(QPoint(cr.left(), cr.bottom() + 3));
m_completerPopup->setGeometry(QRect(popupPos, size));
return true;
}
int ExpressionField::computeSuggestions()
{
m_completerStartPos = -1;
m_suggestions.clear();
std::string text = getExpression();
int pos = textCursor().position();
int start = pos;
if (start > 0) {
start--;
while (start > 0) {
char c = text[start - 1];
if (isascii(c) && isalpha(c) || c == '_' || c == '.' && (start - 2 < 0 || isascii(text[start - 2]) && isalpha(text[start - 2]))) {
} else
break;
start--;
}
}
if (start >= (int)text.length())
return 0;
m_completerStartPos = start;
text = text.substr(0, start);
TSyntax::Parser parser(m_grammar);
parser.getSuggestions(m_suggestions, text);
return (int)m_suggestions.size();
}
void ExpressionField::insertCompletion()
{
if (!m_completerPopup->isVisible())
return;
QModelIndex index = m_completerPopup->currentIndex();
if (!index.isValid())
return;
QString item = m_completerPopup->model()->data(index, Qt::EditRole).toString();
QTextCursor tc = textCursor();
int pos = tc.position();
// tc.movePosition(m_completionStartPos, QTextCursor::KeepAnchor);
tc.insertText(item);
m_completerPopup->hide();
}
void ExpressionField::insertCompletion(const QModelIndex &index)
{
if (index.isValid()) {
QString item = m_completerPopup->model()->data(index, Qt::EditRole).toString();
QTextCursor tc = textCursor();
int pos = tc.position();
if (pos - m_completerStartPos >= 1)
tc.movePosition(QTextCursor::Left, QTextCursor::KeepAnchor, pos - m_completerStartPos);
tc.insertText(item);
}
m_completerPopup->hide();
}
void ExpressionField::setGrammar(const Grammar *grammar)
{
m_grammar = grammar;
m_syntaxHighlighter->setGrammar(grammar);
};
|
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So much has changed since I wrote that passage in my book 'Eat, Sleep, Cycle.' Though only three years ago, it felt then that raising awareness of plastic in our environment was like shouting into the void. But now, it's mainstream, thanks in large part to Sir David Attenborough and Blue Planet. It's normal to refuse a carrier bag at a supermarket. Some of my friends are giving up plastic for Lent. PG Tips have pledged to stop using plastic in their tea bags. Wetherspoons provides an alternative to plastic straws. It's no longer the preserve of the hippy to demand unpackaged goods. I took part in PlasticFreebruary, the aim of which was to not accrue any single-use plastic for the month. I kept notes as I went, and here are my conclusions.
Bread: I couldn't buy supermarket bread, and I didn't like the bakers' loaf, so I've started making my own. This will stick, I think; it's delicious, cheap, and gives me an amazing sense of achievement. Helps that I work from home so I can keep an eye on it as it rises.
Refills: It's so much easier to buy store-cupboard staples (lentils, dried fruit, nuts, snacks, rice etc) from whichever shop is closest (living on a boat, that is constantly changing), but I will make an effort to get refills from now on. I'm fortunate that there are two shops in Bath and plenty in Bristol that have a large range of refills, including herbs and spices.
Fruit and vegetables: only loose veg in paper bags will make it into my shopping basket from now on, with the exception of the occasional bag of spinach – I can't live without spinach. The local market probably sells it loose, so I'll look out for that. It tends to be the seasonal stuff that is unpackaged, which is a double positive – though sprouts can get boring after a while, eating local is a great way to reduce my impact upon the environment as well as put my cooking and inventiveness skills to the test.
Butter: if I ate dairy, I could buy real butter in greaseproof paper and keep it in a good old-fashioned dish at home. Unfortunately, vegan spreads come in a plastic container. I tried spreading coconut oil (comes in a glass jar) on my morning toast, but being rock solid (it is winter after all), it just didn't work to my satisfaction. Anna 0, plastic 1.
Toilet and kitchen roll: ecoleaf use biodegradable packaging made from potato starch. This is a more expensive brand but it's worth it – our money has power, and by spending it on what I believe in, I am increasing demand. Perhaps if those brands become more mainstream, they will also become cheaper.
Hummous: this is a staple of my vegan diet, so to avoid the disposable plastic pots it comes in, I have started to make my own: one can of drained chick peas, several splashes of lemon juice, large pinch of salt, squeeze of garlic paste, a tablespoon of tahini, and lots of olive oil. Cheaper, really easy, and just as delicious.
Tea: I tried tea leaves because of the plastic used to seal a tea bag. But this won't last – the 'leaves' are so powdery that they seep out of the holes in my strainer. It's a pain to make and it's not great to drink. Anyway, the leaves themselves come in a plastic bag, so I'm not convinced I'm using less plastic by not buying tea bags. The bags that don't use plastic (e.g. stapled bags) come individually wrapped in paper/plastic, or are really expensive. The good news is that PG Tips, the UK's biggest supplier of tea, has said their bags will be made from 100% plant-based material by the end of the year. Hopefully all retailers will follow suit.
Crisps: I have really missed crisps, oat cakes, crackers, and all the things I usually snack on. The packaging of these goods is either plastic or an amalgamation of plastic and foil, and is non-recyclable. I limit my diet anyway (no animal products) so I don't want to forgo everything I enjoy, meaning I'll soon be back to my pre-challenge consumption levels of snacks, and the packaging will inevitably (unfortunately) end up in the bin.
Carrier bags: I always refuse a carrier bag when asked anyway, and take a reusable bag with me when I go shopping.
And that's it. My shopping list is always pretty simple – without animal products, plastic is not quite so essential. My bin takes ages to fill as I put most of my waste in the recycling or compost. Although now it's March, I've gone shopping for crisps. Loads of crisps. And crumpets. Pasta. Oat cakes. My shopping bag is full of plastic. I feel bad, but I want the crisps. Sorry.
There's no denying that plastic is a remarkable invention. It is durable, waterproof, cheap to produce, and keeps food fresh. The energy used to make and recycle plastic goods is far lower than that of other materials such as tin and glass. But the trouble is, we don't manage it properly. Plastics discarded into the environment gradually break down and infiltrate our eco systems, stifling our oceans and being ingested by plankton, fish, and ultimately, us. Plastic is everywhere and it never goes away. We merrily put our plastic waste out to be recycled, thinking we are doing our bit, but much of it goes straight to landfill. The answer is possibly not to rely on companies, councils and individuals to step up their levels and capacity for recycling. It's possibly not to seek alternatives that take a greater amount of energy to produce. It is more likely the simple answer: stop using it in the first place. And with that in mind, I'll conclude with the final sentence of that chapter in my book: 'Recycle' is such a buzz word these days; whatever happened to 'reuse' or 'reduce'? We have made a promising start – let's hope that the tide of change will continue to turn against plastic waste.
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EAGAN, MN - March, 2012 - Ironwood Electronics' new high performance socket - SF-BGA656A-B-64F allows 0.8mm pitch, 23x23mm body, 28X28 array LG's XD™ Engine to be socketed and operate without compromising performance in demanding HDTV applications. XD engine is a technology used in LG HDTV to enhance picture quality. In addition to providing de-interlacing and up-scaling, XD™ Engine also provides increased black levels and brightness of various aspects of the picture along with analog and MPEG noise reduction.
The Giga-snaP™ BGA socket adapter pair consists of SF-BGA656A-B-64F, patented female BGA sockets with machined pins epoxy over molded into an assembly that matches the male pin LS-BGA656A-61 adapter. The RoHS compliant SF-BGA656A-B-64F BGA socket is soldered to a PCB using standard soldering methods without warping which results in reliable connection to PCB. Both BGA socket and adapter are constructed with high temperature FR-4 body assuring match with target PCB's and preventing failures that occur due to CTE mismatch. LS-BGA656A-61 BGA adapter, to which the user attaches a target 656 ball LG's BGA chip or other compatible chip, is plugged into the female BGA socket on the board, thereby chip is interconnected and the system is ready to go.
The BGA socket adapters have the same solder ball types as the IC they are emulating. The Giga-snaP BGA socket adapters require half the force of conventional adapters at 20 pounds for the 656 pin device. The electrical path of the Giga-snaP™ BGA socket adapters is a high priority performance issue with the physical length from the top connection point on the male adapter to the solder ball on the female socket is 4.5 mm. This is the shortest connection length by far for machined pin sockets, therefore providing better transmission of high frequency signals. These adapters passed environmental tests (MIL-STD) and qualified for HDTV applications. The 0.8mm Giga-snaP™ BGA socket adapter line is available in many different pin counts and customs can be delivered in days.
Pricing for the SF-BGA656A-B-64F @qty1 = $161.00 each with reduced pricing available depending on quantity required.
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IPhone Application Development Today, according to the Q3 2013 research it's seen as the primary cellular software with more than 500 million iOS marketed till time and in the period it'd seemed iOS acquired a massive reputation and 000 iOS based apps implemented. With iOS (iPhone, iPad) the-world are at your fingertips having its reach to numerous people of most countries and demographics using the Apple App Store. Whether you want to acquire buyer- associated information, raise brand awareness and proposal, extend your area reach with social media or boost income through best essays review in- purchases, our iphone app development service with finest cellular app-developers is upto the duty. Combined our iOS portable app developers have now been working to get a whole of 4+ decades with Objective-C and iOS. We've focused to a clientele across industries, establishing and deploying enterprise apps – professional, or in house programs to the market. Our iPhone Request Development providers are recognized for the love of a excellent layout and we usually stay in the recognize when it comes for traits and the newest technologies in the market guaranteeing your custom iPhone application is both future centric with earlier, and backward compatible gadgets. In addition to this, our programs authorized about the first upload are got by our significant expertise in working with the Apple Assessment Workforce. From giving high-tech programs to the food industry to enterprise and economic applications your Custom iPhone App Improvement workforce has done it-all. Thus be assured, you are in hands that are excellent.
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Palestinian woman tries to stab passers-by in suspected Jerusalem terror attack
A woman attempted to stab passers-by at a popular promenade in Jerusalem on Friday in a suspected terror attack, police and an ambulance service said.
The woman, reported to be a Palestinian from East Jerusalem, tried to stab people at the Armon Hanatziv promenade several times with a knife, United Hatzalah said in a statement. One man suffered very mild injuries and did not require medical treatment.
She was wrestled to the ground by civilians before police took her into custody.
Police said that a suspected stabbing attack had taken place, without immediately offering additional details.
The Ynet news site interviewed Itzik Itach, who it identified as one of the people who grabbed the assailant.
Read More: Times of Israel
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Q: Design pattern for corner-case logic without switch and conditional statements I have a class with many switch statements in it. The code looks very ugly to me but I can't figure out how to fix it. If somebody could suggest a design pattern or a trick that cleans this up that would be great. Below is a abbreviated version of the Class with some annotations for context.
/**
* Slides a desktop Notification from the edge of the screen into the desktop by some margin.
*/
public class SlideManager extends NotificationManager {
// Location enum provided below for reference:
/*public enum Location {
NORTH, NORTHEAST, EAST, SOUTHEAST, SOUTH, SOUTHWEST, WEST, NORTHWEST
}*/
private Location m_loc; // the corner / edge of the screen where the Notification should appear
// A Screen abstracts away the padding logic.
// The idea was that you would just give it a padding and I could reuse
// it later in all my NotificationManagers to give me the x and y for a Notification Location later.
private Screen m_standardScreen;
private Screen m_noPaddingScreen;
// the direction that the Notification should slide in from.
// For instance, if we had our Notification show up on the center east side of the screen,
// it should slide in from the edge towards the west until it was a suitable margin away from the edge of the screen.
private SlideDirection m_direction;
private double m_slideSpeed;
// this is a flag to signal when the user has overridden the default SlideDirection calculation.
// If the user constructs the SlideManager without calling setSlideDirection later,
// this will be false. However, if the user does setSlideDirection
// we want to avoid changing that automatically if the user later calls setLocation.
private boolean m_overwrite;
public enum SlideDirection {
NORTH, SOUTH, EAST, WEST
}
{
m_standardScreen = Screen.standard();
m_noPaddingScreen = Screen.withPadding(0);
m_slideSpeed = 300;
m_overwrite = false;
}
public SlideManager() {
m_loc = Location.NORTHEAST;
recalculateSlideDirection();
}
public SlideManager(Location loc) {
m_loc = loc;
recalculateSlideDirection();
}
/**
* Sets the location where the Notifications show up.
* If the user has not explicitly given a SlideDirection, this will also recalculate the SlideDirection.
* For example, if the user moves the Notification spawn location from East to West
* we want to change the SlideDirection from West to East, respectively.
*
* @param loc
*/
public void setLocation(Location loc) {
m_loc = loc;
if (!m_overwrite)
recalculateSlideDirection();
}
/**
* Sets the direction that the Notification should slide in from.
*
* @param slide
*/
public void setSlideDirection(SlideDirection slide) {
m_direction = slide;
m_overwrite = true;
}
private void recalculateSlideDirection() {
switch (m_loc) {
// The tricky part is when the user wants the Notification to appear in a corner of the screen.
// If this weren't the case, it would make no sense for a user to set
// his own SlideDirection because the SlideDirection for Location.
// EAST would always be West, Location.NORTH would always be SOUTH, etc.
// But for the (literal) corner cases I want to somehow give a way for the user to have a preference.
// For example, in the top right corner the Notification could either slide in from the right or from the top.
// By default I choose the top, but I want the user to be able to change this and also have that choice remembered if the Location changes.
case NORTHWEST:
m_direction = SlideDirection.SOUTH;
break;
case NORTH:
m_direction = SlideDirection.SOUTH;
break;
case NORTHEAST:
m_direction = SlideDirection.SOUTH;
break;
case EAST:
m_direction = SlideDirection.WEST;
break;
case SOUTHEAST:
m_direction = SlideDirection.NORTH;
break;
case SOUTH:
m_direction = SlideDirection.NORTH;
break;
case SOUTHWEST:
m_direction = SlideDirection.NORTH;
break;
case WEST:
m_direction = SlideDirection.EAST;
break;
}
}
/*
When a Notification is added it should slide in from the edge towards an area slightly off the edge.
*/
@Override
protected void notificationAdded(Notification note, Time time) {
int noPaddingX = m_noPaddingScreen.getX(m_loc, note);
int noPaddingY = m_noPaddingScreen.getY(m_loc, note);
int standardX = m_standardScreen.getX(m_loc, note);
int standardY = m_standardScreen.getY(m_loc, note);
Slider slider = null;
double frequency = 50;
double slideDelta = m_slideSpeed / frequency;
// How would I abstract this?
switch (m_direction) {
case NORTH: {
note.setLocation(standardX, noPaddingY);
slider = new Slider(note, m_direction, 0, -slideDelta, standardX, standardY);
}
break;
case SOUTH: {
note.setLocation(standardX, noPaddingY);
slider = new Slider(note, m_direction, 0, slideDelta, standardX, standardY);
}
break;
case EAST: {
note.setLocation(noPaddingX, standardY);
slider = new Slider(note, m_direction, slideDelta, 0, standardX, standardY);
}
break;
case WEST:
note.setLocation(noPaddingX, standardY);
slider = new Slider(note, m_direction, -slideDelta, 0, standardX, standardY);
break;
}
Timer timer = new Timer((int) frequency, slider);
timer.start();
note.show();
}
/*Slides a Notification from its current location to a desired location with fixed deltaX's and deltaY's. It needs the SlideDirection to know which end values to check for stopping.*/
public class Slider implements ActionListener {
private Notification m_note;
private SlideDirection m_dir;
private double m_deltaX;
private double m_deltaY;
private double m_stopX;
private double m_stopY;
private double m_x;
private double m_y;
public Slider(Notification note, SlideDirection dir, double deltaX, double deltaY, double stopX, double stopY) {
m_note = note;
m_dir = dir;
m_deltaX = deltaX;
m_deltaY = deltaY;
m_stopX = stopX;
m_stopY = stopY;
m_x = note.getX();
m_y = note.getY();
}
@Override
public void actionPerformed(ActionEvent e) {
m_x += m_deltaX;
m_y += m_deltaY;
// another ugly heap of conditionals. Is there a way to abstract away the stopping logic?
if (m_dir == SlideDirection.SOUTH) {
if (m_y >= m_stopY) {
m_y = m_stopY;
((Timer) e.getSource()).stop();
}
} else if (m_dir == SlideDirection.NORTH) {
if (m_y <= m_stopY) {
m_y = m_stopY;
((Timer) e.getSource()).stop();
}
} else if (m_dir == SlideDirection.EAST) {
if (m_x >= m_stopX) {
m_x = m_stopX;
((Timer) e.getSource()).stop();
}
} else if (m_dir == SlideDirection.WEST) {
if (m_x <= m_stopX) {
m_x = m_stopX;
((Timer) e.getSource()).stop();
}
}
m_note.setLocation((int) (m_x), (int) (m_y));
}
}
}
Obviously, having two switchs and a conditional chain means something is wrong. My initial thought was to make some kind of a SlideVector class where I could give it a SlideDirection and it would calculate the translations and handle the end cases. What are the pros/cons of this approach? Is a HashMap of any use in this case? Are there any other ways I can approach this problem?
A: Look at the strategy pattern. You can move all your switch statements into a different class. Your class will have an instance of this translation class that will have a method to which you feed the state (all the information) and it will create the output for you.
In recalculateSlideDirection you can use fall through to save on lines (although ehh, it's not going to save you a lot).
Another option for notificationAdded is to define an interface and create a hashmap that will map the m_direction to an implemention of that interface. So you basically will just have a HashMap< SlideDirection, IYourInterface> yourMap...
And so you will basically call yourMap.get(n_direction).action(); and this will replace your switch statement.
|
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|
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2019-04-09 23:50:59 CBH99 20 Congratulations! You've been online for 839 Hours!
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As simple as it may seem, it should be noted that cleaning your home takes time, energy, effort and so on. In line with this, no matter how tedious you perform the usual tasks, there are cases when it may not be enough and you may need a more thorough cleaning. This is where professional house cleaning in Singapore comes in handy. With this particular service, you just have to sit back, relax, and be rest assured that your house will be deeply cleaned; without you needing to do extra dusting, vacuuming, and others.
Simply put, they can make your life easier and so much more! In addition to all these, there is a myriad of other benefits that house cleaning services in Singapore bring. Continue reading for details.
Professional house cleaning in Singapore service providers is made up of trained personnel who use specialized tools that include vacuum cleaners, sponges, dusters, and so forth. On top of these, they also use distinctive cleaning solutions to ensure that harmful bacteria and contaminants are effectively and efficiently eliminated in the process.
Healthy indoor air is a must if you want to achieve optimum health and well-being. Unfortunately, though it seems easy, it should be noted that achieving such an attribute can be a challenge sometimes due to the presence of dust, dirt, allergens, contaminants, pathogens, and others. This is most true with older houses since, on top of the abovementioned elements, they may also include asbestos fibers. The good news is they can be easily addressed with professional house cleaning service in Singapore. Afterward, you can achieve healthy, clean, and fresh indoor air.
This can be very beneficial if you live with elderly individuals or young kids because you can rest assured that their health is not compromised in any way possible.
Carpets and rugs are worthwhile investments since they can boost the aesthetic qualities of your home. Unfortunately, they can also be the breeding ground of dust mites that feed on dead skin from people and/or pets. Failure to address them can wreak havoc on your household since they can trigger asthma attacks. Favorably, professional house cleaning in Singapore includes the use of high-powered vacuum and other similar cleaners to remove dust mites, together with their waste products.
Modern families in Singapore and basically most parts of the world live very busy lives. That being said, with professional cleaning service, you can have more time to spend with family and friends or for some rest and relaxation.
These are only some of the notable benefits of professional house cleaning in Singapore. As you can see, a clean household is not the only thing that it can deliver, it can also bring out a healthy home, allow you to achieve more free time, and so much more. Yes, it's going to prompt you to shell out a certain amount, but you can rest assured that it's going to be worth it due to the endless benefits that it brings.
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Today, D.I.R.E. is proud to have the right answer for property leasing who needs a comprehensive approach to finding homes (villas, apartment), lands/plots and buildings, offices/shops in Dubai, while remaining focused on their core businesses.
The company present reputation is based on hard work, integrity and professionalism and our efforts are continuously focused in providing excellent real estate solutions and business services.
As we become front-row spectators to our noble nation's rapid ascend in almost all respects of economic progress, we are indeed honored to play a vital role in fueling the strength of the property development sector through inspiration and innovation, which encapsulates our real estate philosophy.
DIRE has evolved and grown exponentially as one of the leading total solutions providers in real estate sector. With our continuing expansion plans, our focus now lies in further intensifying our operations within Dubai.
Dubai International Real Estate was established in July 01, 1994, with the key objective of diversifying and globalizing the real estate in Dubai. DIRE is continuously developing its services to determine the best property for your needs, budget and requirements.
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Авл Корнелий Косс ():
Авл Корнелий Косс (консул 428 года до н. э.)
Авл Корнелий Косс (консул 413 года до н. э.)
Авл Корнелий Косс — диктатор в 385 году до н. э. (возможно, одно лицо с предыдущим)
Авл Корнелий Косс (военный трибун 369 года до н. э.)
Авл Корнелий Косс Арвина
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Newcastle manager Alan Pardew was handed a seven-match ban by the English Football Association (FA) on Tuesday for head-butting an opposing player during a Premier League match.
The FA said Pardew will serve a three-match stadium ban before being suspended from standing on the touchline for the other four games.
The governing body fined Pardew £60 000 and warned him about his future conduct.
Pardew has been sanctioned already by Newcastle, accepting a formal warning and a fine of £100 000 pounds following his confrontation with Hull midfielder David Meyler on March 1.
"As I have made clear, I deeply regret the incident and again wholeheartedly apologise to all parties for my conduct, which I understand was not acceptable," Pardew said in a statement released by Newcastle after the FA hearing. "I will accept the punishment handed down by the FA today."
Pardew is the first Premier League manager to receive a stadium ban. Earlier this season, then-Blackpool manager Paul Ince received a five-match stadium ban from the FA for violently shoving a fourth official during a rant filled with profanity.
Meyler initially barged into Pardew as he looked to retrieve the ball for a throw-in in the 72nd minute of the game at KC Stadium.
Pardew squared up to Meyler and moved his head in the direction of the player's face, then was sent to the stands.
Pardew apologised to Hull and Meyler after the match. Police said no criminal action will be taken against him.
It is the latest touchline incident involving the hot-headed Pardew, who was banned for two matches last season for pushing a linesman and was warned about his conduct in January after abusing Manchester City manager Manuel Pellegrini in the technical area.
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When I first began using Taskstream's Accountability Management System (AMS) in 2010, I believed the implications for our developing assessment and continuous improvement processes would be magical: assessment genies would load data, obtain constituent buy-in, and ensure ongoing engagement. While I'm still waiting for the genies to arrive (Note: they don't exist, a community of engaged participants is essential!), we've discovered a variety of ways to utilize the system to support programmatic assessment, functional assessment, strategic planning, accreditation, and continuous improvement. We have also built virtual exhibit rooms, a repository for policies and handbooks, and an area for the board of trustees. We do not have the Learning Achievement Tool companion system, but I'll talk to the genies about that later.
For those that are unfamiliar with AMS, we are managing all of these processes using 'workspaces'. Workspaces are essentially the backbone of AMS and provide us with dedicated spaces to establish a common framework, specify requirements, and collaborate with individuals across the institution. We have the ability to customize each workspace template for a specific need (e.g., programmatic assessment, strategic planning). I'll share more details and examples on these later.
Our most recent experiment with AMS is for tracking and reporting compliance for the Northwest Commission on Colleges and Universities (NWCCU). The NWCCU recently revised regional accreditation guidelines to fit around the concept of "Core Themes." Core Themes are manifestations of the institution's mission. The fulfillment of identified objectives, outcomes, indicators, and targets associated with Core Themes ultimately demonstrate mission fulfillment. Piece of cake, right?!
Once we defined our four core themes (Developing Evidence-Based Practitioners, Elevating Clinical Inquiry Proficiency, Ensuring Educational Quality, and Nurturing Student Success) and the 70 associated indicators, it wasn't long after that we opted to utilize AMS to demonstrate fulfilment over time. We replicated a simple workspace template we're currently using for strategic plan tracking which focuses on operational outcomes rather than the cyclical assessment process. Coupled with our existing workspaces for programmatic and functional area assessment and continuous improvement, this new area provides a central, summative repository for our Core Themes efforts.
Within the Core Themes Tracking workspace, we've identified the Core Themes, objectives, and outcomes as a "standing item". "Developing Evidence-based Practitioners" is our first Core Theme and the objectives are included in the description and the outcomes are immediately following. The Provost, who is our Accreditation Liaison Officer, primarily manages this workspace. Participants engaged in data collection include a diversity of individuals with assessment responsibilities, including program directors, faculty, staff, and the University Administration.
Our 70 indicators each have one or more targets. Indicators may include items such as student learning outcome achievement and accompanying rubrics, survey data, publication data, professional licensure pass rates, etc.
I have included a simple example below related to this first Core Theme in which case Exit Interview Survey Data is the indicator and the target level is 80% agreement regarding the students' enhanced ability to synthesize evidence-based principles into realistic practice settings. We opted to break this down by individual programs (when there were at least three respondents) as well as provide an institutional mean. We also attached the institutional survey summary as an exhibit. Because we were in compliance for 2014, there is no follow-through action required beyond continued monitoring. However, should the score fall below 80%, a specific action would take that place and indicate the program or functional area accountable for that improvement. That program or functional area would include this within its own assessment and continuous improvement workspace.
I anticipate as we add additional years of data that we will need to convert the narrative to an attachment and include only the institutional mean in the narrative. For now, though, this will be more convenient for readers to explore without clicking for additional attachments.
We continue to find new uses for AMS in managing our data, processes, and the communication thereof. A willingness to experiment with the system and make changes has improved our overall effectiveness in achieving and demonstrating mission fulfillment. In that regard, we've had plenty of "learning experiences" along the way! Below are just a few we recognized from this project.
AMS has character limitations for some narrative areas. When utilizing the same workspaces over a long period, be prepared to transition narratives into attachments. A narrative ideally will include the date of entry and a few summary sentences that reference an attachment/evidence.
Like any new process, the buy-in and results take time. Thirty-two academic measures and 70 total measures (many of which are new) add to workloads in terms of learning a new process and collecting the appropriate data. Occasionally findings will reveal the measurement or target level is not quite right and needs to be modified – fortunately, that's why we go through these processes! For example, we realized that it was not only unrealistic, but inappropriate to expect 90% of students would complete a course deliverable at 85% or higher on the course rubric. This was both contrary to minimum pass rates and excluded any deliverable that might be graded on a unique scale. By changing this expectation to "80% or equivalent on a scoring rubric" we provided the flexibility to support broader performance standards and grading scales (e.g., a pass/fail scale for a reflective practicum) while still supporting the high academic performance we expect of our graduate students. Demonstrating flexibility both helps obtain buy-in and supports accreditation efforts towards continuous improvement.
Consistent coding is essential. Our coding scheme for the Core Themes workspace is lengthy, but it makes sense to us. Ensure all your items follow a coding scheme so you can better track and communicate your findings. For example, you might number each of your primarily items (e.g., outcomes or Core Themes) as 1, 2, etc. The next layer would include 1.1, 1.2, 2.1, 2.2, 2.3, and so forth for each assessment item or measure underneath the respective outcome. If you need additional layers, consider including the alphabet (e.g., 1.1A, 1.1B) to demonstrate the relationship.
Dr. Jessica Egbert is Vice President of Institutional Effectiveness and Community Engagement with Rocky Mountain University of Health Professions, a healthcare graduate institution in Provo. In her role, Dr. Egbert directs systematic assessment and continuous improvement processes to enhance institutional effectiveness via achievement of performance-driven outcomes. She also supports the development and documentation of the University's comprehensive strategic plan, accreditation-related activities, and other strategic initiatives. Dr. Egbert serves as a University representative to the community, supporting community, strategic, and service-related efforts.
She has over 20 years of expertise in informatics, planning and assessment, and project management in healthcare and education. Dr. Egbert holds a baccalaureate degree in psychology, a master's degree in education with an instructional technology emphasis, and a doctorate of philosophy in educational leadership. Her current research interests are in non-cognitive factors of hybrid doctoral education, on which she has recently published in the International Journal of Web-based Learning and Teaching Technologies.
Dr. Egbert has presented nationally on data-driven assessment, planning, institutional effectiveness, and accreditation. She is a community advocate and served on the Utah Valley Chamber of Commerce Women's Business Network Board of Directors for five years, including serving as Chair for two years, and has served on the Utah Valley Chamber of Commerce Board for several years, including as Vice Chair of the Education Committee and presently serving as Chair of the Strategic Planning Committee. She also serves as the Co-Chair of the Provo City Strategic Plan Steering Committee. She has served on the Board of Directors of the Central Utah Chapter of the American Red Cross for two-and-a-half years and currently serves as Chapter Board Chair. Additionally, Dr. Egbert is a Board member with the Utah Women in Higher Education Network.
In 2014, she was included as one of the "Fab 40" in Utah Valley Magazine and is the recipient of numerous performance and service recognitions award. An extrovert by day and introvert by night, her favorite things are her amazing hubby, her snuggly dogs, inspiring powerchicks, excessive ice cream, and the occasional shark encounter.
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Drip Harder è un mixtape collaborativo dei rapper statunitensi Lil Baby e Gunna, pubblicato il 5 ottobre 2018 dalla Capitol Records e Motown Records.
Accoglienza
Drip Harder debutta alla quarta posizione della Billboard Hot 100, confermando la buona alchimia di Lil Baby e Gunna dopo i numerosi riconoscimenti di Drip Too Hard, singolo anticipatore dell'album. L'aggregatore di recensioni professionali Metacritic assegna al disco un punteggio medio pari a 76 su 100, caratterizzato da un generale gradimento. La testata musicale Rolling Stone ha manifestato apprezzamento per il progetto, definendo ben riuscite diverse tracce, oltre a ritenere meritato il successo dei due rapper di Atlanta. Pitchfork ha invece riconosciuto come positivo il proposito dei due artisti di collaborare a dun progetto corposo, nel quale si sono potuti mettere in risalto in una sana competizione reciproca, dando anche una ventata d'aria fresca ad una ristagnante scena hip hop di Atlanta.
Tracce
Crediti adattati da Apple Music.
Classifiche
Classifiche settimanali
Classifiche di fine anno
Classifiche di fine decennio
Note
Collegamenti esterni
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Dirty Hand Tools is well known for designing some of the best outdoor power equipment tools on the market, and Dirty Hand Tools Gas Log Splitter is no exception. With a capacity to split logs up to 25-inches in length, powerful engine and tons of amazing features, it's all you need to enjoy splitting softwoods and several hardwoods. In this article, we walk you through everything you need to know about Dirty Hand Tools Gas Log Splitter to help you make an informed purchase decision before you can place your order.
The robust machine features a 196cc EPA/CARB approved engine and 22 tons of splitting force, which makes it one of the most reliable gas log splitter available on the market. The powerful engine and excellent splitting force makes your work easier, letting you split types of soft wood and a number of hardwoods. In fact, most users claim that it splits virtually anything thrown at it.
Vertical splitting lets you have full control of hard to handle rounds. Dirty Hand Tools 100171 Gas Log Splitter easily flips to the vertical splitting position with just a pull of a pin, enabling you to split large and heavy logs in no time.
The professional grade log splitter feature 10.9 second cycle time, down and back and an auto return valve that retracts the cylinder with just a simple tap, allowing for hands-free movement as you prepare for the next split or for moving other logs.
The built-in log cradle holds your logs in place for splitting. The machine also features a conveniently placed log catcher that effectively holds logs and decreases lifting, letting you get through your projects faster as well as with less strain on your body.
• The 2 Stage 13-GPM Pump works great.
• It's offered at a reasonable and affordable price.
• You can use a garden mower to move it around your property.
• Easy to set up, but you might need a little help, (especially when assembling hydraulic cylinder to frame).
• The engine always starts on the first pull and runs smoothly.
• It comes with an instruction manual or booklet with more information on how to set it up/ use it.
• When dirt, bark and other contaminants load up in the channel near the back, they can be hard to remove.
Q. Do I need a forklift to get the log splitter off the delivery truck?
A. No. The delivery truck features a hand forklift for placing the machine on the lift gate for lowering and moving it off the lift gate.
Q. Does it come with hydraulic fluid?
This depends on the store from where you buy it from. Some will deliver the machine with engine oil and hydraulic fluid while others don't.
Q. Does the engine return to idle on a complete stroke?
The engine features a manual throttle that always stays where it's set. A traditional governor maintains its speed. So when the machine is in use, the engine runs where you have set the throttle and will decrease in rpm if it's under a heavy load, until the governor brings the rpm back up.
Dirty Hand Tools Gas Log Splitter looks sturdy & durable and will serve you for many years. The powerful machine is easy to operate/use, no special skills needed. If you're concerned with return on your investment, don't hesitate to place your order on this amazing tool. The well made, heavy duty and affordable log splitter will pay for its self after a few days of operations.
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Saint Werenfried (or Werenfrid, Werenfridus; died ) was an English Benedictine monk, priest and missionary among the Frisians.
His intercession is thought to relieve the pain of arthritis and to help gardeners.
His feast day is 14 August.
Life
Werenfried was a Benedictine monk.
He was probably born in Northumbria and spent time in Ireland before becoming a missionary.
He worked with Saint Willibrord of Echternach to convert the Frisians to Christianity.
He died around 780 at Arnhem, what is now the Netherlands.
His coffin was placed in a boat that was washed down the Rhine and came to rest in Elst.
The Overbetuwe municipal coat of arms depicts this event.
The tomb of St. Werenfried in the 8th century church in what is now Elst attracted pilgrims who wanted release from arthritic pain, or who wanted to become better gardeners.
The church where Werenfridus was originally buried has been called Werenfriduskerk since 1483.
In 1944 the original Werenfriduskerk was destroyed, but after the Second World War the church was rebuilt.
Today a small museum has been set up under the church , because the church appears to have been built on two large Gallo-Roman temples.
Monks of Ramsgate account
The monks of St Augustine's Abbey, Ramsgate, wrote in their Book of Saints (1921),
Butler's account
The hagiographer Alban Butler ( 1710–1773) wrote in his Lives of the Fathers, Martyrs, and Other Principal Saints, under November 7,
O'Hanlon's account
John O'Hanlon (1821–1905) in his Lives of the Irish saints wrote,
Notes
Sources
Northumbrian saints
780 deaths
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layout: post #
title: 205 Emocions # Generat automàticament
date: 2018-02-25 # Data
description: # Argument
keywords: emocions # Paraules clau
coments: # Comentaris
---
Els dos antídos <br />
per superar <br />
el **dubte** i <br />
la **por**, son <br />
el **valor** i <br />
la **confiança**. <br />
<small>Bryan Traci</small>
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I know the PA421A or PA821A can be used to combine the RF outputs of PSM transmitters. Can either device also be used to combine the outputs of wireless mic receiving antennas? And if so, is there DC bias on the RF inputs to power remote RF amps like the UA830?
Here is the concept: There are four separate rooms on four different floors of a building. The client want to use the same wireless mic transmitters in any of the four rooms. In each room, I will place two antennas (for diversity reception). Each antenna cable run will be about 200 feet so I will use low loss cable (RG213U) and place a UA834 at each antenna. The eight antenna cable runs terminate in the equipment room, feeding into two PA821A units - one unit for the "A" antennas and one unit for the "B" antennas. (This assumes that DC bias is available to power the UA834 amps.) The RF output of each PA412A feeds a Shure UA844+SWB RF distro amp - and this feeds the multiple Shure ULXD receivers.
Yes, this concept will work. Note that the PA421A and PA821A were designed to combine transmitter outputs which provide far stronger RF signals than receiving antennas. Thus when the PA421A or PA821A is used as a receiver antenna combiner, the RF signal/noise ratio will be degraded compared to when the device is used as intended.
The PA412A or PA821A must be internally modified to activate the RF amps, as the RF amps will shut down if the incoming RF signals are too weak. (This would be typical when connected to receiving antennas.) Contact Shure Applications Engineering to obtain the modification document. This modification makes all RF amps"Always On."
A) The RF amp shut down feature is implemented to reduce the amount of heat within the PA412A/PA821A chassis.
B) Earlier versions of the PA421 or PA821 do not require this modification.
DC bias is NOT provided on the PA421A or PA821A RF inputs. Consider using the Shure UABIAST if it is necessary to power external RF amps like the Shure UA834. The UABIAST can deliver up to 400mA @ 12 VDC.
Or the PA421A or PA821A can be modified by a skilled electronics technician to provide 15 Vdc bias on the RF inputs. Contact Shure Applications Engineering to obtain the modification document. The modification states a current capacity of up to 660mA at 15 VDC.
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Il VII World Grand Prix di pallavolo femminile si è svolto dal 13 al 29 agosto 1999. Dopo la fase a gironi che si è giocata dal 13 al 22 agosto, la fase finale, a cui si sono qualificate le prime tre squadre nazionali classificate nella fase a gironi, più la Cina, paese ospitante, si è svolta dal 27 al 29 agosto a Yu Xi, in Cina. La vittoria finale è andata per la seconda volta alla Russia.
Squadre partecipanti
Asia
Europa
America
Formazioni
Fase a gironi
Primo week-end
Macao
Genting
Secondo week-end
Fengshan
Manila
Classifica
Fase finale
Finali 1º e 3º posto
Risultati
Podio
Campione
Russia(Secondo titolo)
Secondo posto
Brasile
Terzo posto
Cina
Classifica finale
Premi individuali
Pallavolo nel 1999
World Grand Prix di pallavolo femminile
|
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Some scarf color ways seem to be inspired straight by nature.. the coloring of the little acorn is so similar to one of my winter favorites, the Brides de Gala 90 Dip Dye. As mentioned before, black and brown are one of my favorite color combinations, and since so many of you commented or emailed me expressing enjoyment of the black pants/roll neck series, I am accessorising this trusted canvas again today, with accents in chocolate, mocca, dark honey and ebene.
Oh my! This is just stunning.
Oh that is beautiful, I really need to pick up a brown scarf to make my brown collar work so well with black.
Wow! What a beautiful outfit! Love both looks but the one with the blazer is "superbe"!!!!!
Thank you for continuing the "different looks series". Looking forward to more.... Big orange hugs right back to you, M.
You have that special gift.....and reminding us all that rotation of accessories is the key to a million gorgeous looks!!
"shopping our closets"! AND you prove the point to perfection!!
Always fun to find your blog!!
This is a simply wonderful outfit .Who would imagine that black and grown could look so gorgeous .
I do think you suit the colours so well , they give you a luminosity not everyone will find there.
Also, as ever you are pairing with some very delicious little pieces of jewellery from Hermes, and that seems to bring everything up a notch .
I did buy a Farandole which is great, and worth every penny . But I have a problem getting over the hurdle of paying high prices for the non-precious pieces . I wish I could do though , when I see your photos ! A tiny word of encouragement may help please !
Loving this series MaiTai! I also love the black and brown combination, so chic! Stylish, elegant yet warm for a winter's day. The nature photos are also a wonderful touch.
Bonjour Ms BdG! She always looks spectacular. Black and brown are great on you. Gosh makes me wish I could wear black, but I just can't.
Great look!! You always make me reconsider things, ;-). I have a BdeG Dip Dye in the plum color, but I haven't worn it yet, and it's actually in a pile of H items that I felt should find a happier home. Maybe not. I've been eyeing a black Clic for years, and I suppose I could get the cost per wear down so low that it would seem a bargain overall. Hmmmm.
The dip dyes add a different textural note to your style challenge too! This BdG is perfect for you and I do like the initiating collage photo of acorns and leaves.
The Vivienne Files yesterday highlights a site where a photo or image you select becomes the basis of a colour palette: you have mastered this already!
Oh, how I LOVE pairing black and brown! And you look absolutely stunning, dear MaiTai. Everything is done to such perfection!
This is why I had been so disenchanted with the past two seasons. I would love to see more classic styles like the BdG again. Seriously, H, are you listening???
LAURA: if you want to part with your BdG, please contact MaiTai. I would be interested, and positively giddy, seriously, over the top giddy, of the prospect of getting my hands on a BdG dip dye.
weave and spin, thanks so much!
Dear Paula, so lovely to having you joining us here. Combining the things we own into new looks is so much fun, love shopping my closet!
Thank you, my dear Melusine, so nice to hear you enjoyed the post. Have a lovely rest of the week!
Warm BdG twin hugs to you, my dearest msT! Perhaps you could try wearing black with a scarf in a cowboy knot, it can be an ideal 'buffer'.
Bonjour Myriam, un grand merci pour votre appréciation!
Dear Laura, it sounds as if your BdG might be finding a new and loving home soon! Agree with you on the clic maths!
A million thanks for the wonderful link, dear pussywillow, what a fun and useful site! I know I'll be spending many hours playing color games over there..
Dear CS, hope your DipDye dreams will come true one day soon. Thank you for the lovely comment, and toasting with you to black and brown, and classic scarf designs. Hope H is listening!
Hi MaiTai, the fur collar is beautiful. Can you tell me what the measurements are?
time to be happy. I've read this post and if I could I want to suggest you few interesting things or tips.
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|
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Eine Teardrop-Attacke ist ein Angriff auf einen Computer, der eine bestimmte Eigenschaft des IP-Protokolls ausnutzt.
Der Teardrop-Angriff erzeugt eine Reihe von IP-Fragmenten mit überlappenden Offset-Feldern. Werden diese Fragmente beim Zielcomputer zusammengefügt, kann er abstürzen oder neu starten.
Dieser Typ eines Denial-of-Service-Angriffs nutzt die Möglichkeit, dem IP-Layer im TCP/IP-Stack ein übergroßes Paket zu senden, welches zu groß für den nächsten Hop/Router ist.
Teardrop-Angriffe nutzen Schwachpunkte bei der Wiederherstellung von IP-Paketfragmenten aus. Während der Datenübertragung über das Netzwerk werden häufig IP-Pakete in kleine Teile aufgesplittet. Jedes Fragment sieht dabei wie das ursprüngliche IP-Paket aus, mit dem Unterschied, dass es ein Offset-Feld enthält, das beispielsweise aussagt "dieses Fragment überträgt die Bytes der Positionen 200–400 des ursprünglichen (nicht fragmentierten) IP-Pakets".
Diese DoS-Attacke blockiert durch die Sendung von IP-Fragmenten den Zielrechner. Es werden fragmentierte IP-Pakete mit einer negativen Fragment-Länge versendet. Ältere Versionen der IP-Fragment-Routinen überprüfen dies nicht und liefern für jedes solche Paket eine Fehlermeldung.
Die Teardrop-Angriffe betrafen Windows 95 und Windows NT zuerst im Jahr 1997. Microsoft hat damals ein Bugfix herausgegeben, welches mehrmals erneuert wurde.
Einzelnachweise
Referenzen
Amrit Tiwana: Web Security. Digital Press, Boston u. a. MA 1999, ISBN 1-555-58210-9, Seite 65 Online.
Weblinks
Fehlerbeschreibung auf insecure.org
Sicherheitslücke
|
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Reliable, delicious, fantastic menu chances that keep things exciting. Perfect for the family or just dining for one.
Trying to order a prepared meal and the website will only direct me to the weekly kids. VERY frustrating.
Worst app I have ever used! Clunky and non-intuitive. Munchery can't get their app programming right and they fail with bland, uninspired meals that are equivalent to frozen microwave meals that are grossly overpriced (e.g., $22 for noodles!?). Don't waste your money or time with this service.
Food is good, but a subscription is lame.
I was gifted my first meal and it was quite yummy. But you have to be a subscriber. That's just great if you are a regular customer, but we all know how subscriptions are. Use them until they aren't relevant and then they just siphon your money in the background. I don't need a subscription to order other food, why should this be different? There are too many options out there. I really wanted to like these guys too.
The meal delivery is very convenient, and it makes my life a lot easier. There are many options for gluten-free meals, which I require, however there is no way to indicate that you have food allergies in your account, so if you miss the opportunity to customize your order you might just end up with a bunch of wasted food and money. Hoping they'll add this simple attribute to their service, the other meal services I have used have this feature, and it goes a long way toward customer satisfaction.
Food used cheap ingredients, small portions. Much worse than restaurant food. Also expensive for the quality.
The portions were decent and the food was good. However, for the price, there are many other delivery companies that are less and is the reason Munchery closed up Seattle and many other locations. They are losing millions of dollars and this was the nail in the coffin for them.
My daughter and I tried this for three nights because I have been in the hospital and unable to cook. The food is fairly edible and quite pricey. I wish I could attach a picture of tonight's dinner which, in the original photo a beautiful chicken breast with Polenta and fennel sausage; What came was a spoonful of horrible looking polenta and a chicken wing. I think the price for this was about $17 plus delivery for one person!
Hidden policies and terrible customer service. This app is essentially to scam you out of money from referrals.
I subscribe to the weekly pre-made meal deliveries. The food is good and the price is right. However, I'm searching for a new service. To begin, both the app and the website are full of bugs. I once changed my delivery address online (on time and did everything right according to customer service) and my package delivered to the wrong address. Second, you have to choose your meals each week by a certain date. Their FAQ says they are usually online up to two weeks in advance. Instead, you never know when they will be posted (it's completely inconsistent), so you have to constantly check the website every week throughout the week. (Convenient? A time saver? No.) Finally, I've had two instances in only three months where my delivery was flat out cancelled (due to a holiday or weather issues) and there was absolutely no notification (I know I didn't miss it because customer service acknowledged they hadn't sent one). I subscribe because I work crazy hours. If I have to plan dinner, I need to know in advance. If it's last minute, then I end up having to order out (which costs more money). So, the fact that I could come home expecting my food to be there and it's not, is completely ridiculous. Mistakes and issues happen, but in each case, Munchery knew in advance and could have alerted their customers. When they received my complaint, they did absolutely nothing to rectify it - to top it off. To sum it up, I'm still a subscriber. I would love to remain one because the product itself (the food and pricing) is great. But I really want them to fix (and give a crap) about these problems. If and when I find another service like this, I will be switching unless these issues are fixed.
Surprised at the good amount of lobster. Mac n cheese was creamy and was not a one trick pony. It was a sophisticated cheese blend and spices that was very satisfying. The salad was extremely fresh. Will reorder more!
Sometimes it doesn't work correctly. The calendar aspect will glitch. I'll pick one day and then go to check out a different day but it won't load the new menu it'll load the same menu from the previous day I was looking at.
Someone shipped a dark pattern peppering the app with unnecessary animations. The result is intrusive and appear to slow things down (even if that may not be technically true). Wondering if this update was driven by ego v what helps customers order, get help, and update their preferences. Feels like a terrible direction to head in Munchery Team.
love the healthy food options. dreaming of the app to be optimized for iPhone X display.
I tried Munchery because I had heard good reviews. Unfortunately we are so picky at our house that it just didn't work out for us. That's not why I am giving it the low review however. We have tried everything to cancel our subscription since September. Going online, e-mailing customer service and we can only figure out how to suspend service for weeks so we have to constantly go back and adjust. We have heard nothing back from our e-mails and that is the most frustrating part.
Updated 2/16 I got some silly apology from Munchery who still refuses to give me a full refund for this meal. This is a terrible policy. They should've just given me my money back instead of making me nickel and dime and haggle with them to get $30 of my $81 refunded. What a joke. AVOID MUNCHERY! Yesterday I ordered my first meal from Munchery. It was almost 40 minutes late and there is no way to contact the driver directly if they are lost. I ordered the coffee rubbed steak which was incredibly overdone and dry. I went to customer service four times for refund and could only get them to give me back $30 of the $71 it cost me for a meal for three people. I would not ever recommend this to anyone!
Bring back delivery address bar.
Please bring back ability to quickly edit delivery address. It was removed on last upgrade and I was told I have to first add items to cart then go into "more" to change address to default. This doesn't make sense in that's it's unnecessarily clunky AND Munchery has different dinner items in different areas.
D Great service, very reliable!
This service is fantastic! The people who delivered the food are all very nice! It always comes in the window promised. Sometimes the food can be a little salty, but they are working on providing even healthier options! Very well worth a try.
I searched for a service like Munchery for a long time. I wanted fresh prepared meals that tasted like excellent home cooking. Munchery is now part of my routine- I'm so thankful for this convenient and friendly service. It allows me to eat healthier, spend less, and feel better.
Love it and find it indispensable.
I have been a user so it's just about the time the service started here in Los Angeles. I'm fortunate enough to live in an area where they are met with lots of competition, yet Munchery is one of if not the best food and meal delivery service available. Our use them often. I subscribe to the monthly plan. I find that their food exceeds the expectations from what you see and read on the menu. I find that the prices are quite reasonable. Flavor is great, selection is wide ranging in the options are healthy fresh, new. They have the best delivery people. I am so tired of getting multiple calls of other delivery people trying to figure out how to get into the building or find my apartment in the building or just clueless or want me to come down to the street to get my order. Munchery comes and they come on time! Friendly staff and good support service to back it up. No negative, none! They have their limits like can't order test early afternoon or on weekends for that day but I'm learning to live with that advance planning business. LOL Good job guys! Please keep up the great work and don't lose the passion and what you do. The app is great and matches the quality of the service.
The account page loads forever and I can't cancel or email them while that keep charging me! Help!
Sadly, it seems like Munchery is going the way of Sprig which is to say a dramatic decline in quality of the food which will probably lead to failure. Bummer. The last three times we've ordered the food has been bad. One item was described as Kale something but it turned out to be a giant pile of onions with a few flakes of kale. A tiny piece of chicken was hard, rubbery and had a weird flavor. Just generally yucky. Sad to see you go, Munchery. It was fun while it lasted.
The food is good but I feel like I got tricked into a monthly membership just by ordering. Lame.
Maybe I missed something, didn't always work this way I thought the membership was optional. Now I feel like I was tricked into signing up for the membership just by ordering food again. I don't order that often, it feels like I am being fleeced to see a fee removed from my bank account when I have not ordered In a while.
Forced me to sign up monthly membership (or yearly) before I could confirm my first order Didn't show me total cost in the app The texted link to my invoice asked for password that hadn't ever been asked for or created Returned to app and said I had nothing ordered I think my food is still on its way but not sure Had heard great things about Munchery but have not enjoyed with the digital user experience I just wanted to quickly and easily order my dinner. Nothing more.
Salmon dinner was very good but high in sodium. I'll look for low sodium options.
Blocked from ordering via app???
My family enjoys the meal kits especially. They're much easier (faster) than a blue apron type of kit, and taste great.
Why can't I see the weekly menu anymore? I don't always have time to order before the cutoff time, so removing this feature is disappointing. I also like to plan my meals for the week beforehand but don't want to buy the minimum of 4 meals a week they offer for their weekly plan.
Charging a monthly service fee for mediocre food that is already overpriced is where Munchery really fails. Stick with regular delivery, save yourself the steps needed to warm it up, get better quality, and save some money!!
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Many of the environments that these vehicles operate in are too harsh for most fire protection systems and would cause continuous false alarms.
However, Reacton® have a tried and tested system that is ideally suited to this application.
The wide range of extinguishing mediums and technologies mean we can provide total coverage from fire protection, engine shutdown, battery isolation and remote actuation & monitoring.
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An indirect presidential election (officially the 2nd Federal Convention) was held in West Germany on 17 July 1954. The government parties and the opposition SPD renominated incumbent Theodor Heuss. Against his wishes, the Communist Party of Germany nominated Alfred Weber. Heuss was reelected on the first ballot with about 85% of the vote.
Composition of the Federal Convention
The President is elected by the Federal Convention consisting of all the members of the Bundestag and an equal number of delegates representing the states. These are divided proportionally by population to each state, and each state's delegation is divided among the political parties represented in its parliament so as to reflect the partisan proportions in the parliament.
Source: Eine Dokumentation aus Anlass der Wahl des Bundespräsidenten am 18. März 2012
Results
Note:1. In addition to the two formally nominated candidates President of the Reich Karl Dönitz, Prince Louis Ferdinand of Prussia, Marie Elisabeth Lüders, Prince Ernest Augustus of Hanover, Franz-Josef Wuermeling, and Chancellor Konrad Adenauer received one vote each.
References
Presidential election
1954
West German presidential election
West German presidential election
Theodor Heuss
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I fondly remember the time I was forced to face one of my greatest fears, leaving home and traveling into the unknown. I had never done anything remotely resembling such a journey before, never even thought about it. In fact, until this point in my life, I had never even admitted to myself I was afraid of reaching outside my comfort zone. I just told myself that I was content with life as it always had been, and that was that. So, when a good friend and mentor asked if I would join a Children's HopeChest team to run a summer camp for orphans in Ivanovo, my first reaction was to laugh at such a preposterous idea.
For weeks I never gave the possibility any serious thought, until I learned both my brother and my best friend, two of the most important people in the world to me, had joined the team traveling to Russia. Late one night after learning this, I realized my previously perceived contentment for what it actually was...fear. I was so afraid of leaving the wall of comfort that I spent most of my life carefully constructing around myself. And I was forced to face that question like never before.
After that point I feel like the term "kicking and screaming" was the best way to describe my preparation for that trip. I always possessed an endless string of excuses to avoid mission trips when presented the opportunity before, but it seemed this time I had finally run out them.
I still wonder exactly how that mentor ended up convincing me to get on that plane. The one thing I am certain about is that it was only because of a firm push from the Lord that it happened, and I now thank him every day for that. I can't even begin to list all the ways that trip–and the friends I made–reshaped my life and continue mold it to this day. Beyond having to opportunity to spend three weeks with some of the most fun and inspiring people I will ever meet, I have also been blessed to see the ten Russian teens, whom I spent most of my time with, grow into wonderful young adults. I have even been so blessed to reunite with several of those kids and call them my friends to this day.
One way that trip will always impact my life personally though, is the way it has changed how I view fear. Until then I had viewed fear as something ultimately negative, something to be avoided at all costs. So I surrounded myself with things safe and familiar, and I built those walls to hide from all the frightening things life may throw at me. But our fear is not such a negative thing, depending on how we react to it. Fear can serve as a guide; it exists to be faced not hidden from.
Now days, when an opportunity arises that I know is goo, and I feel that familiar push from God, I imagine all of the opportunities and growth I avoided before traveling to Ivanovo a decade ago. Then I think of all the relationships and experiences I might have missed out on since. Then, I try my very best to run, not from the fear, but towards it.
The first time I met George Steiner, I told him this story, and I still think about how he smiled fondly at me and said, "It's amazing how we all seem to have a story of how we were pushed into this ministry rather unwillingly." I realized then I was never alone in my fear. Even those who seem to be the bravest among us are battling it.
Often times, when I can convince myself to run towards the thing that scares me rather than away, I quickly realize there was nothing to be afraid of, only joy at finally following the path I am supposed to. Other times, things aren't so smooth. But even in those times we can take comfort knowing that God is running towards the fear, right beside us.
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Good Living Room Ideas 2018 Modern #8 - 175 was posted in July 19, 2018 at 12:51 am. If you want to use this photo as your desktop wallpaper, you can tap the download link beneath or you may just right click on the image at the top and choose "Save Image As" to save the Good Living Room Ideas 2018 Modern #8 - 175 or by select the "Set Desktop Background As" choice if your internet browser has the capability. If you were no able to grab the the most beautiful photo you are hoping for, you shall go for "Search Column" at top right or browse more image wallpapers which you want. This picture has the file size is 33kB and the dimension of 700x525. Good Living Room Ideas 2018 Modern #8 - 175 has been viewed by 20 viewers and it is an attachment from Living Room Ideas 2018 Modern.
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ICSs were, and continue to be, designed to meet reliability, safety, and regulatory requirements. Cyber securing the ICS system consists not only of securing the OT networks but also the instrumentation, actuators, drives, analyzers, and controllers which often are serial-based before the conversion to Ethernet communications. Level 1 sensors, other field devices, and their communication protocols are generally not cyber secure. Additionally, it is often not possible to tell the difference between a malicious cyber compromise and an unintentional equipment failure. Moreover, the sensing/control loop will continue to operate even if the Ethernet network is not available. Consequently, there is a need to understand what is happening at the Level 1 layer in addition to what is happening with the OT networks.
Level 0 — Physical process — Defines the actual physical processes.
Level 1 — Intelligent devices — Sensing and manipulating the physical processes. Process *sensors, analyzers, actuators and related instrumentation.
Level 2 — Control systems — Supervising, monitoring and controlling the physical processes. Real-time controls and software; DCS, human-machine interface (HMI); supervisory and data acquisition (SCADA) software.
Level 3 — Manufacturing operations systems — Managing production work flow to produce the desired products. Batch management; manufacturing execution/operations management systems (MES/MOMS); laboratory, maintenance and plant performance management systems; data historians and related middleware. Time frame: shifts, hours, minutes, or seconds.
In far too many instances, the cyber security focus has been exclusively at the levels 2-4 because these levels generally use commercial-off-the-shelf (COTS) technology and Ethernet communications. This is the technology that most IT organizations (end-users and vendors) are familiar with and have available training and cyber security tools. The cyber impacts at the Level 2-4 levels are generally short-term denial-of-service events unless they are used to compromise the Level 1 devices or the Level 0 process. Conversely, Level 1 devices are well-known to the Operations and Maintenance staff but generally not to IT and security staffs or governmental policy makers.
– They use embedded systems with basic security (password protection) or have no cyber security.
– Field communication protocols such as wired and wireless HART, Profibus, Foundation Fieldbus, and others have been demonstrated to be cyber vulnerable.
– They rely on physical security such as Failsafe Jumpers (Write-Protected) as many of these devices will be located in hazardous zones. In case of incidents most people will be reticent to enter these areas. Consequently, Operations may introduce insecure ways/practices for connecting these devices.
– Many devices are now IP-based and/or have wireless capabilities.
– Many devices traverse multiple layers and write data back to systems in Levels 2, 3, or 4.
– Cyber threats can result in common cause failures that can defeat defense-in-depth strategies.
In the late 1980s and early 90s while at EPRI researching sensor health monitoring and response time testing, I found common-cause, non-detectable failures in pressure, level, and flow sensors used in nuclear safety and other critical applications. I also found sensor validity issues with ultrasonic feedwater flow measurements, vertical-shaft pump vibration measurements, and pulverized coal flow measurements. The remote, on-line calibration used to detect some of these types of failures also can be cyber vulnerable. Compromising Level 1 devices, whether intentionally or unintentionally, can impact the physics of the process thereby causing physical damage and/or personal injury with attendant long term consequences. There have been a number of major disasters where issues with Level 1 field instrumentation played a significant role. In fact, many of the unintentional ICS cyber incidents that have damaged equipment and/or killed people were a direct result of the Level 1 devices being unintentionally or maliciously compromised. Examples of major Level 1 instrumentation-related catastrophes include the Taum Sauk reservoir/dam failure, the Texas City refinery explosion, and the Three Mile Island core melt. However, few technologies exist to monitor Level 1 devices for security considerations. Because of the lack of ICS cyber forensics, it may not be possible to know whether Level 1 failures are malicious or unintentional though the impacts could be the same. Consequently, there is a great need to understand the authenticity and validity of Level 1 field device input/response to the Level 2-4 controllers and HMIs.
This is not a new issue. The cyber security of field devices was specifically identified in my cyber security roadmap, presentations, and papers since 2000. Specifically, I wrote a paper on the ICS cyber security roadmap for the November 2000 issue of Power Engineering, "Electronic Security Technology Roadmap".
– The March 21-22, 2017 Microsoft IOT conference in San Jose where Microsoft made it clear that sensors were assumed to be authenticated and secure. According to Microsoft, secure, authenticated sensors are the first part of assuring the IOT cloud would be secure. Unfortunately, many commercial and industrial process instrumentation, actuators and drives are neither authenticated nor secure, making cloud security questionable for ICS applications.
– The April 2017 Power Engineering article, "The Growing Cyber Threat to the Energy Sector", by Claroty demonstrated the importance of situational awareness of the OT networks while simply assuming the sensor input was correct. The article used a power plant as an example to demonstrate that plant components could be damaged over time by modifying critical system setpoints. In the mid-1990s while at EPRI, I was researching the impact of calibration drift on power plant components. Consequently, I performed a study of fossil-fueled power plants examining the impact of pressure and temperature sensor calibration drift on heat rate and plant component lifetime. The study showed that pressure sensor variations may not have much impact, but temperature sensor drift could have a significant impact on plant heat rate (fuel use) and component lifetime. However, the 2017 Power Engineering article does not address the sensor accuracy/compromise issues, and assumes that the input signals are accurate.
– 3eTi held a March 30, 2017 webinar on deep packet inspection for OT networks. Their deep packet inspection for sensors was to determine if the reading was out of design range. However, as with Stuxnet the sensor readings can be within design range and still be used to damage the process. Additionally, Level 1 devices were out-of-scope for the 3eTI deep packet inspection program.
– The ExxonMobil OpenGroup Automation Initiative covers the entire control loop except for the Level 1 field devices. The Initiative assumes valid sensor input and valid actuator/drive response.
– There are two companies that I am aware of, Siga and Mission Secure, Inc., addressing the validity (and implicitly authentication) of Level 1 devices by examining the electrical signal characteristics over time. The approach of validating Level 1 devices by examining electrical signals addresses sensor anomalies whether malicious or unintentional. This approach is similar to noise analysis that has been used for years in root cause analyses. Additionally, by inspecting electrical signals rather than packets, cyber threats to the Level 1 situational awareness are eliminated. Siga's system is currently installed in a major water utility and will soon be installed in a building control application as well as in some combustion turbine controls. Mission Secure has their system installed in a large energy company's facility. Siga has a video showing the system being used to identify malicious and unintentional sensor issues. In the video, the malicious case was changing setpoints and the unintentional case was inadvertently opening a valve. As mentioned above, either case could be malicious or unintentional as forensics most likely cannot tell the difference but the impact is the same.
Failure or compromise of Level 1 devices can, and have, resulted in major catastrophic failures. Consequently, there needs to be more focus on securing and having situational awareness of Level 1 devices. Securing Level 1 devices requires an understanding of the devices and processes. A better understanding of Level 1 devices can help secure the IOT cloud as well as make facilities more reliable, safer, and secure.
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TFO is by far the largest outlet of timber look porcelain tiles in Sydney. All products are at a fraction of the prices you would pay elsewhere. Most outlets offer you last years' styles, discontinued tiles, and end of line products. However, we at TFO offer you the latest and the best floorboard tiles – all for outlet prices. Our range of Italian and Spanish wood look tiles is extensive.
We at Tile Factory Outlet carry the latest Timber Look Floor Tiles from big brand manufacturers. Sophisticated ink-jet technology is used to produce wood look tiles or also known as floorboard tiles, or wood look tiles. Products that not only look like timber, they feel like real timber.
Wood look tiles are the latest trend in flooring and wall coverings. The natural beauty of real timber inspires tile designers all over the world to create exquisite wood look tiles.
Timbers such as cedar, cherry, chestnut, ash, beech, birch, blackbutt, blue gum, ebony, jarrah, oak, and mahogany just to name a few.
We at TFO are continuously updating our huge range of tiles. Just arrived is a superb collection of Timber Look Tiles from Versace Ceramics.
This exquisite range of wood look tiles was inspired by an ancient Japanese technique. The technique of slightly charring the surface with fire to preserve the wood. Combining the best designers and the best technology, the Italians have produced these exquisite Timber Look Tiles that are just stunning.
Timber look tiles come in plank formats, just like natural timber flooring. Ranging in sizes of; 200×600, 200×900, 200×1200, and 250x1600mm and now up to 250x3000mm. These latest wood look tiles are exquisite with each piece varying just like natural timber. For a modern look, you can choose from the beautiful white washed looks, elegant greys, blues, and anthracites to stunning blacks.
Alternatively, for a natural floorboard tiles look choose beiges, creams, light, medium and dark browns to deep walnut colours. Also, all these latest styles allow you to create your perfect living space.
Our range of Wood Look TIles is just as varied as the natural timbers available from around the world. TFO stocks approximately 350,000m2 of tiles and stone for same-day pickup. This means there is no need to wait 6 weeks for your tiles to arrive. We also cater for all your requirements, whatever your style, we have a product to suit you. Modern, traditional, retro, classic, Hampton style, we have them all with new products arriving every week. Along with using wood look tiles for your floors, you can also use them to create feature walls. Use them in bathrooms, living rooms and on external walls to create a feeling of textured luxury. Timber tiles can be laid in traditional patterns such like real timber. Or, alternatively try bold patterns such as herringbone, double herringbone, brick-bond or lay them diagonally. You can make your own style statement easily with timber tiles.
Timber look porcelain tiles or some people refer to them as floorboard tiles are produced by a mechanical process. Resulting in floorboard tiles which have the beauty and feel of natural timber. Unfortunately, natural floorboard timber plank flooring requires a lot of maintenance and is susceptible to wear and tear. However, floorboard tiles made from porcelain which is durable, frost resistant and scratch resistant. Additionally, floorboard look tiles do not fade even in the strongest sunlight, even our Australian sun. Also, timber tiles can survive floods and most importantly are non-combustible. When they are properly installed and maintained, timber look floor tiles have a longer lifespan. Greater than many other flooring options.
Timber Look tiles are known for their sustainability, functionality, and durability. This cuts down on the periodic costs of removal and replacement of real timber. In addition, timber look floor tiles are virtually maintenance free. This means that after you lay them, clean them with warm water as they do not require any harsh detergents, strippers, or cleaners.
With so many Timber Look Tiles to choose at the best prices in Sydney, you might feel overwhelmed in deciding. So, why not come to TFO where our experienced sales team will help you make the right choice. Our team can also help with measuring plans, offer design options, and assist you with organizing transport.
We at TFO have a model of high volumes and low margins. Furthermore, this has propelled us to become the largest single tile store in Australia. Allowing us to pass on the lowest prices possible to you. We offer Spanish timber look floor tiles starting from $16 m2. With Italian and Spanish timber look floor tiles at some of the lowest prices in the Sydney market.
In conclusion, at TFO we offer first quality timber look tiles for the best prices in the Sydney market. So, to save thousands on your tiles, come and visit us today. Or, you can buy online now at our online tile store. Remember to VISIT us…. or pay the PRICE!
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Lord Foster delivers RFAC Trust lecture on the future of UK infrastructure
Royal Fine Art Commission Trust in Annual Lecture, Speeches November 16, 2016 November 16, 2016 325 Words
Lord Foster of Thames Bank OM today (9 November 2016) delivered the first Lord St John of Fawsley Commemoration Lecture, organised by the Royal Fine Art Commission Trust at Manchester Town Hall. Entitled 'Designing the Future: Starting in the North', the lecture illustrated how the cities of the north, once the engines of the Industrial Revolution, could again drive growth and innovation in the country.
Speaking about Manchester, Lord Foster said: "As the first modern industrial city in the world, nineteenth-century Manchester was highly influential, characterised by intelligent design, innovation and civic pride that encouraged investment in infrastructure. The Victorians were not ashamed to think big; between 1830 and 1850, over 7,000 miles of railway track were laid in the UK – an investment which forms the backbone for our trade and travel until now. This was an era that thrived on connectivity and invested in long-term planning."
He also emphasised how the UK's design and engineering industries were contributing to infrastructural growth in other countries around the world, and how the UK was 'missing out' on tapping this valuable resource because of its short-sighted infrastructure planning strategies: "The same optimistic belief in the future, and its embodiment in creating infrastructure for generations to come, is in evidence today but regrettably far from our shores. The common denominator that links our past heritage and emerging futures elsewhere is primarily one of an attitude of mind. It is ironic that one of our prime exports – design and engineering skills – continues to fuel investment and growth globally, while being restricted by the lack of planning, indecision and short-termism in the UK."
His appeal to the decision-makers was to "recognise the challenges that we face as a nation today, and take the lessons from our own history, which have provided a blueprint for growth in the rest of the world."
The lecture was organised by The Royal Fine Art Commission Trust in honour of its founding chairman, Lord St John of Fawsley (1929-2012)
Dame Zaha Hadid – a eulogy
Ideas Competition / Turn your Small Change into Big Money
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Q: I short circuited my iPhone 5 through audio jack Long story short, I short circuited my second most expensive asset through a usb-male-audio-male. I'm devastated. I'm not rich. I was still giddy about saving a dozen dollars during black friday sales.
I understand basic elements of circuits. So I want to fix it myself.
I suspect that the battery is down. And I suspect some excessive current protection mechanism was triggered.
The battery can be replaced easily.
So my question is that what might have been broken, and how to fix them.
If you can kindly share your knowledge, I will be grateful.
A: a reset solved the problem
Try a reset, press the top and and home button at the same time
I found this solution by sarri at fixit
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• Manufactured using our computerized MasterWeave™ tufted process.
• 24 colors available with up to 6 colors per mat.
• Static dissipative nylon yarn with StainStopper™ Technology.
• Yarn dyed with Perma-Dye™ dying technology for vibrant color.
• 100% Nitrile rubber backing for increased slip and skid resistance.
• Certified "high traction" by the National Floor Safety Institute.
• Available in High Resolution 31.2 oz and Standard 26 oz per sq. yard weights.
STANDARD SIZES: 2'x3', 3'x4', 3'x5', 3'x10', 4'x6', 4'x8', 5'x8' and 5'x10'.
AVAILABLE BACKING: Smooth, Universal Cleats and Suction.
Suction backed mats are not available in 5'x10' or special size mats.
• Manufactured on a state-of-the-art digital printer.
• Up to 25 base colors and up to 300 accent colors to choose from.
• Pantone™ color matching is also available.
• Reproduction of fine detail, fades and 3-D images.
STANDARD SIZES: 2'x3', 3'x4', 3'x5', 3'x10', 4'x6', 4'x8', 5'x8', 5'x10', 6'x10' and 6'x12'.
SPECIAL SIZES: Up to 40'.
Suction backed mats are not available in 5'x10', 6'x10' or special size mats.
• Manufactured on our new, four-color process digital printer with the ability to print photographic quality images with almost ten times the resolution of our current printers.
• Mats offer unlimited color options and Pantone™ color matching at no additional cost.
• Images are permanently dyed directly into a three-dimensional nylon carpet using Perma-Dye™ technology and treated with StainStopper™ for long-term colorfastness.
• An extremely plush carpet pile allows for enhanced detail and clarity for all images.
• Designed for high traffic, indoor applications, Classic Impressions HD mats are manufactured with a 100% rubber backing for slip and skid resistance. Certified "high traction" by the National Floor Safety Institute.
• This mat is fully launderable and has a 100% Nitrile Rubber backing that is guaranteed to lay flat and will not crack or curl.
• SuperScrape™ Impressions mats are produced by molding a digitally printed thermo-plastic material into durable Nitrile rubber.
• New circular surface cleats make this mat multi-directional so it effectively scrape trough dirt and grime off shoes from any angle.
• Improved photographic quality images have unlimited colors and offer excellent tones and shades with unparalleled detail and clarity.
• Manufactured with anti-static Nitrile rubber, SuperScrape Impressions mats will not crack or curl.
SPECIAL SIZES: Are not available for this product.
• Created using a unique inlay process that can be include up to 18 colors per mat at no additional charge.
• 100% UV Resistant polypropylene fabric for indoor and outdoor use.
• Molded rubber backing resists curling and cracking in all types of weather.
• Earth-Friendly rubber backing has up to 20% recycled content.
• Available in Classic rubber border or fashion fabric border.
• Up to 18 attractive colors to choose from.
Standard Sizes: 2'x3', 3'x4', 3'x5', 3'x10', 3'x12', 3'x16', 3'x20', 4'x6', 4'x8', 4'x10', 4'x16', 4'x20', 6'x8', 6'x12', 6'x16', 6'x20'. Not all colors are available in 6' widths. Visit Mountville.com for color selection.
SPECIAL SIZES: Custom sizes up to 60'. Not available in 5' widths.
AVAILABLE BACKING: Cleated and smooth.
• Fully launderable anti-fatigue mat.
• 100% Nitrile rubber for superior grease and oil resistance.
• Treated with an antimicrobial agent to guard against degradation from microrganisms, reducing the possibility of mats being the source of odors.
• Anti-static properties allow for use around sensitive electronic equipment.
• Connector clips available for ComfortFlow only.
STANDARD SIZES: 2'x3', 3'x5', 3'x9', 4'x6'.
SPECIAL SIZES: Custom sizes are not available.
COMFORT FLOW™ BACKING STYLE: Alternating bars, with holes.
COMFORT SCRAPE™ BACKING STYLE: Alternating bars, without holes.
• Fully launderable, anti-fatigue mat is made from durable closed-cell Nitrile foam rubber and is resistant to grease, oil and chemicals.
• Edges are beveled for easier floor to mat transition.
• Textured surface offers superior slip and skid resistance.
• Anti-microbial treatment reduces odors by inhibiting the growth of germs and bacteria.
• Available with or without drainage holes.
SPECIAL SIZES: Available in 3' or 4' widths, up to 75' in length.
BACKING TYPE: Closed-cell Nitrile foam rubber.
Reduce the high cost* of Slip and Fall Accidents with Suction Backed™ Mats. These mats stay in place on smooth surface floors, making them ideal for Supermarkets, Health Care Facilities and any other building with smooth floors. Even when carts and buggies are rolled across Suction Backed Mats, the mats stay in place. In addition, Suction Backed Mats feature a soil and moisture grabbing nylon carpet that provides a cleaner, safer floor for your customers and employees. All of this adds up to saving you money!
ClassicMats™ provide both stylish beauty and functionality by protecting floors and keeping a clean, fresh appearance.
ClassicMats™ feature a wide variety of traditional color styling that complement most color schemes and are protected by our legendary StainStopper™ technology. These mats are backed with 100% Nitrile Rubber.
MessageMats™ provide an important message while capturing tracked in dirt and moisture, thereby reducing floor maintenance, slips and falls.
MessageMats™ are available in a variety of themes, including Safety, Quality, Greeting and Supermaket mats. MessageMats™ can be produced using the MasterWeave "Sewn-in" process or by Digitally Printing onto the mat.
Now you can have the quality and superb function of a Mountville entrance mat along with a tailored, upscale appearance with Curved Corners™. It's the same mat that has always worked hard and looked great but now it can look even better! Curved Corners improve the aesthetics, giving the mat more of a retail look, and is available at no extra charge on all of Mountville's carpeted mat lines.
Try Curved Corners on your next mat order. You'll see the positive reaction and hear the compliments your customers will pay them!
• Durable 100% Nitrile rubber mat provides a slip-resistant surface.
• Molded tread surface cleats effectively scrape tough dirt and grime off of shoes, keeping soil below foot level.
• Grease resistant Nitrile rubber.
• Available with Solid Black borders and four OSHA-approved safety striped borders in Green, Orange, Red and Yellow.
STANDARD SIZES: 3'x5', 3'x10' and 4'x6'.
AVAILABLE BACKING: Grease Resistant: available in Smooth backing.
• Durable polypropylene surface is suitable for indoor or outdoor use.
• "Water Dam" border is designed to hold dirt and moisture.
• Raised nubs trap dirt and moisture below foot level and are resistant to crushing, maintaining high performance and extending product life.
• Highly absorbent fabric allow mats to hold up to 1.5 gallons of water per square yard, keeping it off carpets and floors.
STANDARD SIZES: 2'x3', 3'x4', 3'x5', 3'x8', 3'x10', 3'x12', 3'x16', 3'x20', 4'x6', 4'x8', 4'x10', 4'x12', 4'x16', 4'x20', 6'x8', 6'x12', 6'x16'and 6'x20'.
Not all colors are available in 6' widths.
SPECIAL SIZES: Custom Sizes up to 60'. Not ava ilable in 5' widths.
AVAILABLE BACKING: Smooth and Cleated.
• Mat surface is made from 100% recycled PET drinking bottles and rubber backing is made with up to 20% recycled tires.
• Durable polypropylene face is suitable for indoor or outdoor use.
• Raised nubs hold dirt and moisture below foot level and are resistant to crushing, maintaining high performance and extending product life.
• Available in rubber or fashion borders.
STANDARD SIZES: 2'x3', 3'x4', 3'x5', 3'x8', 3'x10', 3'x12', 3'x16', 3'x20', 4'x6', 4'x8', 4'x10', 4'x12', 4'x16', 4'x20', 6'x8', 6'x12', 6'x16' and 6'x20'.
SPECIAL SIZES: Additional sizes up to 60' are available.
Not available in 5 foot widths.
HALF OVAL SIZES: 3'x1.8', 4'x2.3' and 6'x3.3'. HALF OVAL - ONE END SIZES: 3'x5.5', 3'x10', 3'x13.9', 3'x17.7', 3'x21.6', 4'x5.9', 4'x10.5', 4'x14.4', 4'x18.2', 4'x22', 6'x7', 6'x11.6', 6'x15.4', 6'x19.3' and 6'x23.1'.
HALF OVAL - TWO END SIZES: 3'x7.1', 3'x11.5', 3'x15.5', 3'x19.4, 3'x23.2, 4'x8', 4'x12.4', 4'x16.2', 4'x20.3', 6'x10.1', 6'x14.8', 6'x18.6' and 6'x22.4'.
SPECIAL SIZES: Additional sizes up to 67' are available.
• Solution-dyed fabric provides superior colorfastness and bleach resistance.
• "Water Dam" borders trap liquids, keeping floors dry and sanitary, while the raised surface keeps shoes dry. Polypropylene fabric dissipates moisture and the antimicrobial treatment controls odor-causing bacteria.
• Mats are fully launderable which ensures mats are kept clean and sanitary.
• Heavy-duty rubber backing keeps mats in place.
STANDARD SIZES: Urinal Mat - 20"x17", Commode Mat - 21"x24" and Sink Mat - 3'x5'.
|
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Q: detect pause and 'done' button's click on iphone for jwplayer7 How can I detect pause and 'done' buttons's click on iphone, when video plays within native player ? Need to detect this for jwplayer cause am using this player for videos. I did research, checked this With an HTML5 video element on the iphone, how can I detect the difference between "pause" and "done"? but it doesn't worked for me.
A: There is no event listener for the done button. When the player is not fullscreen and in a paused or idle playback state, the user is no longer watching video:
jwplayer().getFullscreen() // returns false
jwplayer().getState() // returns "paused" or "idle"
You could try listening for the fullscreen event and checking the state:
jwplayer().on('fullscreen', function(e) {
console.log('fullscreen changed:', e.fullscreen, 'state:', this.getState());
});
For the paused button, prior to version 7.2 jwplayer did not forward paused events from the video tag. This issue has been fixed.
jwplayer().on('pause', function(e) {
console.log('paused fullscreen:', this.getFullscreen());
});
|
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With the growing popularity of the Web, there is an increasing need for programs that can download information and manipulate it according to user requirements. This article documents a Java program that harvests information from a Web site.
accepts a ticker symbol on its command line, then downloads historical information from Yahoo's Web site to a file.
class to manipulate information that has been downloaded into memory.
is the class that does all the work (see Listing 1). First, the program retrieves a five-year weekly history of the ticker's stock price.
Listing 1. Source code for Download_hist.java.
In the lines shown above, five years are subtracted from the current system date/year.
String with parameters required by the site — the URL class is extremely useful for this kind of networking, since it significantly simplifies the programmer's work.
variable is given in the format shown below.
to the downloaded information follows.
Sort the file so the last line in the original download becomes the first line.
into individual lines as shown below.
will return the next line. In order to skip the first line, you may skip over the first token.
method will be true if there are any other tokens left; use this loop through all the tokens (lines) until the end.
, are used to indicate the positions of the ',' character.
, because they are to be discarded.
class is effective in parsing the String into tokens and then manipulating them. This program is easily adapted to harvesting other specific kinds of information from the Web.
Sharath Sahadevan is a senior software engineer with MasterCard International in St. Louis. His team supports the MasterCard Settlement Account Management application. He has a bachelor's degree in electrical and electronics engineering from P.S.G College of Technology, India (1990). When not working, he enjoys spending time with his family, as well as playing tennis, cricket, basketball, and chess.
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Creation for Freespace: Dance in Alternative Space
Workshop Leaders and Speakers
Creation for Freespace: Dance in Alternative Space Highlight
Temporary Title, 2015 Photo: Peter Greig
at Taipei Fine Arts Museum Photo Courtesy of the artist and Taipei Biennale
Xavier Le Roy & Scarlet Yu Photo Courtesy of Taipei Biennale 2016
In January 2018, West Kowloon teams with internationally acclaimed French independent artist Xavier Le Roy to present Dance in Alternative Space, the first dance and movement programme in our Creation For Freespace series. Working with guest dance artist Scarlet Yu, Le Roy will lead two professional workshops exploring different aspects of dance work, contemporary performance and live action in public spaces, using two of his live-action exhibition works as examples – Workshop 1: Based on Temporary Title, 2015 and Workshop 2: Based on Retrospective – and addressing the following questions: In Public: How Do Situations Choreograph Artworks? How Do Artworks Choreograph Situations? Both workshops are open to dance and theatre professionals and artists from other fields.
The programme also includes a free Public Forum where Xavier Le Roy and Scarlet Yu share thoughts on current issues related to contemporary movement in Asia. Details
Xavier Le Roy is an independent artist. His works produce situations that question the relationships between spectators, visitors and performers, and attempt to reconfigure the dichotomies that exist between notions of object and subject, public and private, and animal and human. See full bio
Born in Hong Kong, Scarlet Yu is an independent dance artist and choreographer currently based in Europe. Her works create choreographed one-on-one situations based on autobiographical material and memory, and the notion of the body as archive. Since 2014, Yu has collaborated with Xavier Le Roy on a number of projects. See full bio
In Public: How Do Situations Choreograph Artworks? How Do Artworks Choreograph Situations?
As a place for experiencing art in public, the theatre organises time and space to allow certain kinds of exchanges. Other public spaces, such as exhibition halls, galleries, concert halls, libraries, shopping malls, parks or even street corners produce other kinds of exchanges. When artists create works for public spaces, the conditions and conventions of the space play a major part in shaping and choreographing the work. While the context may affect the work more than expected or desired, its specificities can also be useful for the eventual artistic transformation.
The workshops in this programme invite participants to reflect on how works are shaped for public performance. Through collaboration, discussion, performance and contemplation, participants will explore the questions "How Do Situations Choreograph Artworks? How Do Artworks Choreograph Situations?", and share thoughts on how situations can become tools for creating works with performative elements.
As the basis for exchange, each workshop will use, analyse and re-enact elements of existing live-action exhibition works. Participants will be encouraged to explore differing modes of performance and ways of addressing the public, as well as conditions for the reception of performances.
Participants will learn and interpret movements, words and actions, and be involved in the development of situations where each member of the group alternately performs and acts as spectator or visitor for the performance of others.
Workshop 1:
Based on Temporary Title, 2015 22 to 26 January 2018 10:00am–1:00pm,
2:00pm–5:00pm Details
27 January 2018 10:00am–1:00pm
Based on Retrospective
29 January to 3 February 2018 10:00am–1:00pm,
Venue Support:
Supporting Organisation:
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A method for performing shoulder arthroplasty or hemiarthroplasty is provided. The method includes generating navigational reference information relating to position and orientation of a body part forming at least a portion of the shoulder joint. The reference information may be stored in a computer. Navigational references are attached to the body part and an object. Information is received regarding the position and orientation of the object with respect to the body part and the object is navigated according to this information. The body part may be modified using the object and the modification may be displayed on a monitor associated with the computer. The navigational references may be used to track a shoulder arthroplasty trial component. Information is received regarding the position and orientation of the trial component with respect to the body part. This information is used to navigate the trial component to the body part.
RELATED APPLICATION The present application claims priority to U.S. Provisional Serial No.
60/564,162, entitled "Image Guided Surgery for Shoulder Arthroplasty," filed on April 21 , 2004, the contents of which are incorporated herein by reference.
FIELD OF THE INVENTION The invention relates to computer-aided surgery, and more particularly relates to methods, systems, and apparatuses for providing computer-aided surgical navigation systems for shoulder arthroplasty.
BACKGROUND Many surgical procedures require a wide array of instrumentation and other surgical items. Such items may include, but are not limited to: sleeves to serve as entry tools, working channels, drill guides and tissue protectors; scalpels; entry awls; guide pins; reamers; reducers; distractors; guide rods; endoscopes; arthroscopes; saws; drills; screwdrivers; awls; taps; osteotomes, wrenches, trial implants and cutting guides. In many surgical procedures, including orthopedic procedures, it may be desirable to associate some or all of these items with a guide and/or handle incorporating a navigational reference, allowing the instrument to be used with a computer-aided surgical navigation system. Several manufacturers currently produce computer-aided surgical navigation systems. The TREON™ and ION™ systems with FLUORONAV™ software manufactured by Medtronic Surgical Navigation Technologies, Inc. are examples of such systems. The BrainLAB VECTORVISION™ system is another example of such a surgical navigation system. Systems and processes for accomplishing computer-aided surgery are also disclosed in USSN 10/084,012, filed February 27, 2002 and entitled "Total Knee Arthroplasty Systems and Processes"; USSN 10/084,278, filed February 27, 2002 and entitled "Surgical Navigation Systems and Processes for Unicompartmental Knee Arthroplasty"; USSN 10/084,291 , filed February 27, 2002 and entitled "Surgical Navigation Systems and Processes for High Tibial Osteotomy"; International Application No. US02/05955, filed February 27, 2002 and entitled "Total Knee Arthroplasty Systems and Processes"; International Application No. US02/05956, filed February 27, 2002 and entitled "Surgical Navigation Systems and Processes for Unicompartmental Knee Arthroplasty"; International Application No. US02/05783 entitled "Surgical Navigation Systems and Processes for High Tibial Osteotomy"; USSN 10/364,859, filed February 11 , 2003 and entitled "Image Guided Fracture Reduction," which claims priority to USSN 60/355,886, filed February 11 , 2002 and entitled "Image Guided Fracture Reduction"; USSN 60/271 ,818, filed February 27, 2001 and entitled "Image Guided System for Arthroplasty"; and USSN 10/229,372, filed August 27, 2002 and entitled "Image Computer Assisted Knee Arthroplasty", the entire contents of each of which are incorporated herein by reference as are all documents incorporated by reference therein. These systems and processes use position and/or orientation tracking sensors such as infrared sensors acting stereoscopically or other sensors acting in conjunction with navigational references to track positions of body parts, surgery-related items such as implements, instrumentation, trial prosthetics, prosthetic components, and virtual constructs or references such as rotational axes which have been calculated and stored based on designation of bone landmarks. Sensors, such as cameras, detectors, and other similar devices, are typically mounted overhead with respect to body parts and surgery-related items to receive, sense, or otherwise detect positions and/or orientations of the body parts and surgery-related items. Processing capability such as any desired form of computer functionality, whether standalone, networked, or otherwise, takes into account the position and orientation information as to various items in the position sensing field (which may correspond generally or specifically to all or portions or more than all of the surgical field) based on sensed position and orientation of their associated navigational references, or based on stored position and/or orientation information. The processing functionality correlates this position and orientation information for each object with stored information, such as a computerized fluoroscopic imaged file, a wire frame data file for rendering a representation of an instrument component, trial prosthesis or actual prosthesis, or a computer generated file relating to a reference, mechanical, rotational or other axis or other virtual construct or reference. The processing functionality then displays position and orientation of these objects on a rendering functionality, such as a screen, monitor, or otherwise, in combination with image information or navigational information such as a reference, mechanical, rotational or other axis or other virtual construct or reference. Thus, these systems or processes, by sensing the position of navigational references, can display or otherwise output useful data relating to predicted or actual position and orientation of surgical instruments, body parts, surgically related items, implants, and virtual constructs for use in navigation, assessment, and otherwise performing surgery or other operations. Some of the navigational references used in these systems may emit or reflect infrared light that is then detected by an infrared camera. The references may be sensed actively or passively by infrared, visual, sound, magnetic, electromagnetic, x-ray or any other desired technique. An active reference emits energy, and a passive reference merely reflects energy. Some navigational references may have markers or fiducials that are traced by an infrared sensor to determine the position and orientation of the reference and thus the position and orientation of the associated instrument, item, implant component or other object to which the reference is attached. In addition to navigational references with fixed fiducials, modular fiducials, which may be positioned independent of each other, may be used to reference points in the coordinate system. Modular fiducials may include reflective elements which may be tracked by two, sometimes more, sensors whose output may be processed in concert by associated processing functionality to geometrically calculate the position and orientation of the item to which the modular fiducial is attached. Like fixed fiducial navigational references, modular fiducials and the sensors need not be confined to the infrared spectrum — any electromagnetic, electrostatic, light, sound, radio frequency or other desired technique may be used. Similarly, modular fiducials may "actively" transmit reference information to a tracking system, as opposed to "passively" reflecting infrared or other forms of energy. Navigational references useable with the above-identified navigation systems may be secured to any desired structure, including the above-mentioned surgical instruments and other items. The navigational references may be secured directly to the instrument or item to be referenced. However, in many instances it will not be practical or desirable to secure the navigational references to the instrument or other item. Rather, in many circumstances it will be preferred to secure the navigational references to a handle and/or a guide adapted to receive the instrument or other item. For example, drill bits and other rotating instruments cannot be tracked by securing the navigational reference directly to the rotating instrument because the reference would rotate along with the instrument. Rather, a preferred method for tracking a rotating instrument is to associate the navigational reference with the instrument or item's guide or handle. Computer-aided surgical navigation systems have been developed for various surgeries, but currently none exists for shoulder arthroplasty or hemiarthroplasty that includes features according to the present invention. One of the leading causes for revision after shoulder arthroplasty is misalignment of the implant. Currently, instrumentation design limits alignment of the humeral resection to average values for inclination and version. While some instrumentation designs allow for adjustability of inclination and offset, assessment is still made qualitatively. Also, surgeons often use visual landmarks, or "rules of thumb," which can be misleading due to anatomical variability. Another problem arising in shoulder arthroplasty is that surgeons cannot resurface the glenoid due to a lack of exposure. Exposure in shoulder arthroplasty is limited due to the extensive amount of soft tissue surrounding the shoulder compartment. Because of this problem, surgeons may be able to perform only a hemiarthroplasty in which only the humeral head is replaced. Yet another problem unique to shoulder arthroplasty is the difficulty in determining the thickness of the scapula. Such a determination is necessary to prevent breakthrough during preparation of the glenoid. In fracture situations, it is difficult to determine the inferior/superior position of the humeral head due to the absence of landmarks. Malpositioning of the humeral head can lead to instability of the shoulder and even dislocation. The surgeon also relies on instrumentation to predict the appropriate size for the humerus and the glenoid instead of the ability to intraoperatively template the appropriate size of the implants for optimal performance. Another challenge for surgeons is soft tissue balancing after the implants have been positioned. Releasing some of the soft tissue attachment points can change the balance of the shoulder; however, the multiple options can be confusing for many surgeons. In revision shoulder arthroplasty, many of the visual landmarks are no longer present, making alignment and restoration of the joint line difficult. Thus, what is needed are systems and processes that allow a surgeon to use patient-specific measurements to determine proper alignment of implants and appropriate revision in shoulder arthroplasty. Also needed are systems and processes that assist in the appropriate placement of shoulder arthroplasty components and in the evaluation of that placement. Systems and methods for performing soft tissue balancing in shoulder arthroplasty are also needed. Also needed are systems and methods that address some or all of the problems mentioned above.
SUMMARY Some embodiments of the invention include a method for performing shoulder arthroplasty or hemiarthroplasty surgical operations on portions of a shoulder joint. The method includes: (a) attaching at least one first navigational reference capable of being tracked by a navigational sensor to a body part forming at least a portion of the shoulder joint, (b) generating navigational reference information relating to position and orientation of the body part, (c) storing at least some of the navigational reference information in a computer, (d) attaching at least one second navigational reference capable of being tracked by a navigational sensor to a surgical instrument, (e) receiving information from the navigational sensor regarding the position and orientation of the surgical instrument with respect to the body part, and (f) navigating the surgical instrument relative to the body part according to the position and orientation information. Other embodiments of the invention include a method for performing shoulder arthroplasty or hemiarthroplasty surgical operations on portions of a shoulder joint. The method includes: (a) attaching at least one first navigational reference capable of being tracked by a navigational sensor to a body part forming at least a portion of the shoulder joint, (b) generating navigational reference information relating to position and orientation of the body part, (c) storing at least some of the navigational reference information in a computer, (d) attaching at least one second navigational reference capable of being tracked by a navigational sensor to a surgical instrument, (e) receiving information from the second navigational sensor regarding the position and orientation of the surgical instrument with respect to the body part, (f) navigating the surgical instrument relative to the body part according to the position and orientation information, (g) modifying the body part using the surgical instrument, (h) generating and displaying on a monitor associated with the computer information regarding the modification of the body part, (i) tracking a trial component using at least one of the navigational sensors, (j) receiving information from at least one of the navigational sensor regarding the position and orientation of the trial component with respect to the body part, (k) generating and displaying on the monitor associated with the computer a visual image of the trial component properly positioned and oriented relative to the body part, and (I) navigating the trial component relative to the body part and attaching the trial component to the body part according to the image. Some embodiments of the invention include a method for performing shoulder arthroplasty or hemiarthroplasty surgical operations on portions of a shoulder joint. The method includes: (a) attaching at least one first navigational reference capable of being tracked by a navigational sensor to a body part forming at least a portion of the shoulder joint, (b) generating navigational reference information relating to position and orientation of a body part forming at least a portion of the shoulder joint, (c) storing at least some of the navigational reference information in a computer, (d) attaching at least one second navigational reference capable of being tracked by a navigational sensor to a surgical instrument, (e) receiving information from the second navigational sensor regarding the position and orientation of the surgical instrument with respect to the body part, (f) navigating the surgical instrument relative to the body part according to the position and orientation information, (g) modifying the body part using the surgical instrument, (h) generating and displaying on a monitor associated with the computer information regarding the modification of the body part, (i) tracking a prosthetic component using at least one of the navigational sensors, (j) receiving information from at least one of the navigational sensor regarding the position and orientation of the prosthetic component with respect to the body part, (k) generating and displaying on the monitor associated with the computer a visual image of the prosthetic component properly positioned and oriented relative to the body part, and (I) navigating the prosthetic component relative to the body part and attaching the prosthetic component to the body part according to the image. Some embodiments of the invention include a method for performing shoulder arthroplasty or hemiarthroplasty surgical operations on portions of a shoulder joint. The method includes: (a) attaching at least one first navigational reference capable of being tracked by a navigational sensor to a humerus forming at least a portion of the shoulder joint, (b) generating navigational reference information relating to position and orientation of the humerus, (c) storing at least some of the navigational reference information in a computer, (d) attaching at least one second navigational reference capable of being tracked by a navigational sensor to a humeral reamer, (e) receiving information from the navigational sensor regarding the position and orientation of the humeral reamer with respect to the humerus, and (f) navigating the humeral reamer relative to the humerus according to the position and orientation information. Other embodiments of the invention include a method for performing shoulder arthroplasty or hemiarthroplasty surgical operations on portions of a shoulder joint; the method includes: (a) attaching at least one first navigational reference capable of being tracked by a navigational sensor to a glenoid fossa forming at least a portion of the shoulder joint, (b) generating navigational reference information relating to position and orientation of the glenoid fossa, (c) storing at least some of the navigational reference information in a computer, (d) attaching at least one second navigational reference capable of being tracked by a navigational sensor to a glenoid reamer, (e) receiving information from the navigational sensor regarding the position and orientation of the glenoid reamer with respect to the glenoid fossa, and (f) navigating the glenoid reamer relative to the glenoid fossa according to the position and orientation information. Some embodiments of the invention include a method for performing shoulder arthroplasty or hemiarthroplasty surgical operations on portions of a shoulder joint. The method includes: (a) attaching at least one first navigational reference capable of being tracked by a navigational sensor to a humerus forming at least a portion of the shoulder joint, (b) generating navigational reference information relating to position and orientation of the humerus, (c) storing at least some of the navigational reference information in a computer, (d) attaching at least one second navigational reference capable of being tracked by a navigational sensor to a humeral reamer, (e) receiving information from the navigational sensor regarding the position and orientation of the humeral reamer with respect to the humerus, (f) navigating the humeral reamer relative to the humerus according to the position and orientation information, and (g) attaching a cutting block to the humeral reamer. Some embodiments of the invention include a method for performing shoulder arthroplasty or hemiarthroplasty surgical operations on portions of a shoulder joint. The method includes: (a) attaching at least one first navigational reference capable of being tracked by a navigational sensor to a humerus forming at least a portion of the shoulder joint, (b) generating navigational reference information relating to position and orientation of the humerus, (c) storing at least some of the navigational reference information in a computer, (d) attaching at least one second navigational reference capable of being tracked by the navigational sensor to a humeral reamer, (e) receiving information from the navigational sensor regarding the position and orientation of the humeral reamer with respect to the humerus, (f) navigating the humeral reamer relative to the humerus according to the position and orientation information, (g) attaching a cutting block to the humeral reamer, (h) attaching at least one third navigational reference capable of being tracked by the navigational sensor to the cutting block, and (i) positioning the cutting block in at least one rotational degree of freedom through a range motion with infinite positions in the range; and at least one translational degree of freedom through a range of motion with infinite positions in the range, (j) receiving continuous information from the navigational sensor regarding the position and orientation of the cutting block with respect to the humerus or the humeral reamer, wherein the information comprises rotational information in at least one degree of freedom and translational information in at least one degree of freedom. Some embodiments of the invention include a computer-aided surgical navigation system for performing shoulder arthroplasty or hemiarthroplasty. The system includes: (a) a sensor adapted receive information regarding position and orientation of at least one reference; (b) a reference adapted to be mounted to a body part forming at least a portion of the shoulder joint; (c) a reference adapted to be mounted to a surgical instrument for use in performing shoulder arthroplasty or hemiarthroplasty; (d) a processor adapted to receive and store information from the sensor in order to track a position and orientation of the at least one surgical reference with respect to the body part; and (e) a monitor adapted to receive information from the processor in order to display at least some of the navigational reference information and the at least one surgical reference. In some embodiments of the invention, the body part is the humerus. In other embodiments, the body part is the glenoid. In some embodiments, the surgical instrument is a reamer, a resection guide, a cutting block or a probe. In some more particular embodiments, the surgical instrument is a humeral reamer or a glenoid reamer.
BRIEF DESCRIPTION OF THE DRAWINGS FIG. 1 is schematic view showing an environment for using a computer- aided surgical navigation system according to some embodiments of the invention in a shoulder arthroplasty or semiarthroplasty. FIG. 2 is view of the shoulder, including a humerus and a scapula to which navigational references according to some embodiments of the invention have been attached. FIG. 3 shows navigation and placement of a humeral reamer according to some embodiments of the present invention. FIG. 4 shows navigation and placement of a resection guide and a cutting block according to some embodiments of the present invention. FIG. 5. shows the navigation and reaming the glenoid surface in preparation for a prosthetic glenoid component according to some embodiments of the invention. FIG. 6 shows navigation and placement of a humeral trial component on a humerus according to some embodiments of the invention. FIG. 7 shows navigation and placement of a drill guide on the glenoid surface according to some embodiments of the invention. FIG. 8 shows navigation and placement of a glenoid trial component on a glenoid fossa according to some embodiments of the invention.
DETAILED DESCRIPTION This invention will now be described more fully with reference to the drawings, showing preferred embodiments of the invention. However, this invention can be embodied in many different forms and should not be construed as limited to the embodiments set forth. Systems and processes according to some embodiments of the invention use computing capacity, including stand-alone and/or networked, to determine and/or store data regarding spatial aspects of surgically related items and virtual constructs or references, including body parts, implements, instrumentation, trial components, prosthetic components and anatomical, mechanical and rotational axes of body parts. Any or all of these may be physically or virtually connected to or incorporate any desired form of mark, structure, component, or other fiducial or reference device or technique which allows position and/or orientation of the item to which it is attached to be sensed and tracked, preferably in three dimensions of translations and varying degrees of rotation as well as in time, if desired. Systems and processes according to some embodiments of the invention employ computing means to calculate and store references axes of body components such as in shoulder arthroplasty, for example the anatomical axis of the humerus and the retroversion reference axis. From these axes such systems track the position of the instrumentation and osteotomy guides so that bone resections will locate the implant position optimally, usually aligned with the anatomical axis. Furthermore, during trial reduction of the shoulder, the systems provide feedback on the balancing of the soft tissue in a range of motion and under stresses and can suggest or at least provide more accurate information than in the past about which ligaments the surgeon should release in order to obtain correct balancing, alignment and stability. Systems and processes according to some embodiments of the present invention can also suggest modifications to implant size, positioning, and other techniques to achieve optimal kinematics. They can also include databases of information regarding tasks such as ligament balancing, in order to provide suggestions to the surgeon based on performance of test results as automatically calculated by such systems and processes. FIG. 1 is a schematic view showing an environment for using a computer- aided surgical navigation system according to some embodiments of the present invention in a surgery on a shoulder, in this case a shoulder arthroplasty. Systems and processes according to some embodiments of the invention can track various body parts such as humerus 101 and scalpula 102 to which navigational sensors 100 may be implanted, attached or associated physically, virtually or otherwise. Navigational sensors 100 may be used to determine and track the position of body parts, axes of body parts, implements, instrumentation, trial components and prosthetic components. Navigational sensors 100 may use infrared, electromagnetic, electrostatic, light sound, radio frequency or other desired techniques. The navigational sensor 100 may be used to sense the position and orientation of navigational references 104 and therefore items with which they are associated. A navigational reference 104 can include fiducial markers, such as marker elements, capable of being sensed by a navigational sensor in a computer-aided surgical navigation system. The navigational sensor 100 may sense active or passive signals from the navigational references 104. The signals may be electrical, magnetic, electromagnetic, sound, physical, radio frequency, optical or visual, or other active or passive technique. For example in one embodiment, the navigational sensor 100 can visually detect the presence of a passive-type navigational reference. In an example of another embodiment, the navigational sensor 100 can receive an active signal provided by an active- type navigational reference. The surgical navigation system can store, process and/or output data relating to position and orientation of navigational references 104 and thus, items or body parts, such as 101 and 102 to which they are attached or associated. In the embodiment shown in FIG. 1 , computing functionality 108 such as one or more computer programs can include processing functionality, memory functionality, input/output functionality whether on a standalone or distributed basis, via any desired standard, architecture, interface and/or network topology. In one embodiment, computing functionality 108 can be connected to a monitor 114 on which graphics and data may be presented to a surgeon during surgery. The monitor 114 preferably has a tactile interface so that the surgeon may point and click on monitor 114 for tactile screen input in addition to or instead of, if desired, keyboard and mouse conventional interfaces. Additionally, a foot pedal 110 or other convenient interface may be coupled to computing functionality 108 as can any other wireless or wireline interface to allow the surgeon, nurse or other user to control or direct functionality 108 in order to, among other things, capture position/orientation information when certain components are oriented or aligned properly. Items 112 such as trial components, instrumentation components may be tracked in position and orientation relative to body parts 101 and 102 using one or more navigational references 104. Computing functionality 108 can, but need not, process, store and output on monitor 114 various forms of data that correspond in whole or part to body parts 101 and 202 and other components for item 112. For example, body parts 101 and 102 can be shown in cross-section or at least various internal aspects of them such as bone canals and surface structure can be shown using fluoroscopic images. These images can be obtained using an imager 113, such as a C-arm attached to a navigational reference 104. The body parts, for example, humerus 101 and scapula 102, can also have navigational references 104 attached. When fluoroscopy images are obtained using the C-arm with a navigational reference 104, a navigational sensor 100 "sees" and tracks the position of the fluoroscopy head as well as the positions and orientations of the humerus 101 and scapula 102. The computer stores the fluoroscopic images with this position/orientation information, thus correlating position and orientation of the fluoroscopic image relative to the relevant body part or parts. Thus, when the humerus 101 and corresponding navigational reference 104 move, the computer automatically and correspondingly senses the new position of humerus 101 in space and can correspondingly move implements, instruments, references, trials and/or implants on the monitor 114 relative to the image of humerus 101. Similarly, the image of the body part can be moved, both the body part and such items may be moved, or the on-screen image otherwise presented to suit the preferences of the surgeon or others and carry out the imaging that is desired. Similarly, when an item 112, such as a stylus, cutting block, reamer, drill, saw, extramedullary rod, intramedullar rod, or any other type of item or instrument, that is being tracked moves, its image moves on monitor 114 so that the monitor 114 shows the item 112 in proper position and orientation on monitor 114 relative to the humerus 101. The item 112 can thus appear on the monitor 114 in proper or improper alignment with respect to the mechanical axis and other features of the humerus 101 , as if the surgeon were able to see into the body in order to navigate and position item 112 properly. The computing functionality 108 can also store data relating to configuration, size and other properties of items 112 such as joint replacement prostheses, implements, instrumentation, trial components, implant components and other items used in surgery. When those are introduced into the field of position/orientation sensor 100, computing functionality 108 can generate and display overlain or in combination with the fluoroscopic images of the body parts 101 and 102, computer generated images of joint replacement prostheses, implements, instrumentation components, trial components, implant components and other items 112 for navigation, positioning, assessment and other uses. Instead of or in combination with fluoroscopic, MRI or other actual images of body parts, computing functionality 108 may store and output navigational or virtual construct data based on the sensed position and orientation of items in the surgical field, such as surgical instruments or position and orientation of body parts. For example, monitor 114 can output a resection plane, anatomical axis, mechanical axis, anterior/posterior reference plane, medial/lateral reference plane, rotational axis or any other navigational reference or information that may be useful or desired to conduct surgery. In the case of the reference plane, for example, monitor 114 can output a resection plane that corresponds to the resection plane defined by a cutting guide whose position and orientation is being tracked by navigational sensors 100. In other embodiments, monitor 114 can output a cutting track based on the sensed position and orientation of a reamer. Other virtual constructs can also be output on monitor 114, and can be displayed with or without the relevant surgical instrument, based on the sensed position and orientation of any surgical instrument or other item in the surgical field to assist the surgeon or other user to plan some or all of the stages of the surgical procedure. In some embodiments of the present invention, computing functionality 108 can output on monitor 114 the projected position and orientation of an implant component or components based on the sensed position and orientation of one or more surgical instruments associated with one or more navigational references 104. For example, the system may track the position and orientation of a cutting block as it is navigated with respect to a portion of a body part that will be resected. Computing functionality 108 may calculate and output on monitor 114 the projected placement of the implant in the body part based on the sensed position and orientation of the cutting block, in combination with, for example, the mechanical axis of the humerus and/or the shoulder, together with axes showing the anterior/posterior and medial/lateral planes. No fluoroscopic, MRI or other actual image of the body part is displayed in some embodiments, since some hold that such imaging is unnecessary and counterproductive in the context of computer aided surgery if relevant axis and/or other navigational information is displayed. Additionally, some systems use "morphed" images that change shape to fit data points or they use generic graphics or line art images with the data points displayed in a relatively accurate position or not displayed at all. If the surgeon or other user is dissatisfied with the projected placement of the implant, the surgeon may then reposition the cutting block to evaluate the effect on projected implant position and orientation. Additionally, computer functionality 108 can track any point in the navigational sensor 100 field such as by using a designator or a probe 116. The probe also can contain or be attached to a navigational reference 104. The surgeon, nurse, or other user touches the tip of probe 116 to a point such as a landmark on bone structure and actuates the foot pedal 110 or otherwise instructs the computer 108 to note the landmark position. The navigational sensor 100 "sees" the position and orientation of navigational reference 104 "knows" where the tip of probe 116 is relative to that navigational reference 104 and thus calculates and stores, and can display on monitor 114 whenever desired and in whatever form or fashion or color, the point or other position designated by probe 116 when the foot pedal 110 is hit or other command is given. Thus, probe 116 can be used to designate landmarks on bone structure in order to allow the computer 108 to store and track, relative to movement of the navigational reference 104, virtual or logical information such as retroversion axis 118, anatomical axis 120 and mechanical axis 122 of scapula 102, humerus 101 and other body parts in addition to any other virtual or actual construct or reference. Systems and processes according to some embodiments of the present invention can communicate with suitable computer-aided surgical systems and processes such as the BrainLAB VectorVision system, the OrthoSoft Navitrack System, the Stryker Navigation system, the FluoroNav system provided by Medtronic Surgical Navigation Technologies, Inc. and software provided by Medtronic Sofamor Danek Technologies. Such systems or aspects of them are disclosed in U.S. Patent Nos. 5,383,454; 5,871 ,445; 6,146,390; 6,165,81 ; 6,235,038 and 6,236,875, and related (under 35 U.S.C. Section 119 and/or 120) patents, which are all incorporated herein by this reference. Any other desired systems and processes can be used as mentioned above for imaging, storage of data, tracking of body parts and items and for other purposes. These systems may require the use of reference frame type fiducials which have four, and in some cases five elements, tracked by sensors for position/orientation of the fiducials and thus of the body part, implement, instrumentation, trial component, implant component, or other device or structure being tracked. Such systems can also use at least one probe which the surgeon can use to select, designate, register, or otherwise make known to the system a point or points on the anatomy or other locations by placing the probe as appropriate and signaling or commanding the computer to note the location of, for instance, the tip of the probe. These systems also may, but are not required to, track position and orientation of a C-arm used to obtain fluoroscopic images of body parts to which fiducials have been attached for capturing and storage of fluoroscopic images keyed to position/orientation information as tracked by the sensors. Thus, the monitor can render fluoroscopic images of bones in combination with computer generated images of virtual constructs and references together with implements, instrumentation components, trial components, implant components and other items used in connection with surgery for navigation, resection of bone, assessment and other purposes. FIGS. 2-7 are various views associated with shoulder arthroplasty surgery processes according to one embodiment of the invention. FIG. 2 shows a human shoulder, as well as the corresponding the corresponding humerus 101 and scapula 102, to which navigational references 104 have been rigidly attached in accordance with this embodiment of the invention. Attachment of navigational references 104 preferably is accomplished using structure that withstands vibration of surgical saws and other phenomenon which occur during surgery without allowing any substantial movement of navigational references 104 relative to the body part being tracked by the system. Systems and processes according to various embodiments of the invention can be used with cloud of points-type, registration-type, and other surgical location and preparation techniques and methods. For example, in one prosthetic installation procedure, a surgeon can designate a center of rotation of a patient's humeral head for purposes of establishing the mechanical axis and other relevant constructs relating to the patient's humerus according to which prosthetic components can ultimately be positioned. Such center of rotation can be established by articulating the humerus 101 within the glenoid 103 or a prosthesis to capture a number of samples of position and orientation information and thus in turn to allow the computer to calculate the average center of rotation. The center of rotation can be established by using a probe 116 associated with a navigational reference 104, and designating a number of points on the humeral head and thus allowing the computing functionality 108 to calculate the geometrical center or a center that corresponds to the geometry of points collected. Additionally, graphical representations such as controllably sized circles displayed on the monitor can be fitted by the surgeon to the shape of the humeral head on planar images using tactile input on monitor 114 to designate the centers according to that graphic, such as are represented by the computing functionality 108 as intersection of axes of the circles. Other techniques for determining, calculating or establishing points or constructs in space, whether or not corresponding to bone structure, can be used in accordance with the invention. In another example, a navigational sensor 100 can be used in designation or registration of items that will be used in surgery. Registration simply means ensuring that the computing functionality 108 knows which body part, item or construct corresponds to which navigational reference or references 104, and how the position and orientation of the body part, item or construct is related to the position and orientation of its corresponding navigational reference or references 104 attached to an impactor or other component which is in turn attached to an item. Such registration or designation can be done before or after registering bone or body parts. In one instance, a technician can designate with a probe 116 an item such as an instrument or component 112 to which a navigational 104 reference is attached. A navigational sensor associated with a computer-aided surgical navigational system can "see" the 100 position and orientation of the navigational reference 104 attached to the item and also the position and orientation of the navigational reference 104 attached to the probe 116 whose tip is touching a landmark on the item 112. The technician can designate onscreen or otherwise the identification of the item 112 and then activates the foot pedal 110 or otherwise instructs the computing functionality 108 to correlate the data corresponding to such identification, such as data needed to represent a particular cutting block component for a particular shoulder implant product, with the navigational reference 104 attached to the component. The computer has then stored identification, position and orientation information relating to the navigational reference 104 for the component correlated with the data such as configuration and shape data for the item 112 so that upon registration, when the navigational sensor 100 can track the item 112 and navigational reference 104 in the infrared field, the monitor 114 can show the cutting block component moving and turning, and properly positioned and oriented relative to the body part or navigational information such as axes which are also being tracked. Similarly, the mechanical axis and other axes or constructs of body parts can also be "registered" for tracking by the system. Again, the computer-aided surgical navigational system can employ a fluoroscope to obtain images of the patient's humerus and scapula, including the coracoid process, acromion and glenoid, or other body parts, and/or it can allow generation of navigational information regarding such parts, such as for example, generation of anatomical axis 120 information which can be displayed with the position and orientation of devices, components and other structures connected to navigational references 104. In the case of obtaining images, the system can correlate such fluoroscopic images with the position and orientation of the C-arm and the patient anatomy in real time as discussed above with the use of one or more navigational references placed on the body parts before image acquisition and which remain in position during the surgical procedure. Using these axes and constructs and/or images and/or the probe, the surgeon can select and register in the computing functionality 108 the center of the humeral head and elbow in orthogonal views, usually anterior/posterior and lateral, on a touch screen. The surgeon can use the probe 116 to select any desired anatomical landmarks or references at the operative site of the shoulder or on the skin or surgical draping over the skin, as on the elbow. These points can be registered in three-dimensional space by the system and can be tracked relative to the navigational references 104 on the patient anatomy which are preferably placed intraoperatively. Although registering points using actual bone structure is one preferred way to establish the axis, a cloud of points approach by which the probe is used to designate multiple points on the surface of the bone structure can be employed, as can moving the body part and tracking movement to establish a center of rotation as discussed above. Once the center of rotation for the humeral head and the epicondylar axis have been registered, the computer can calculate, store, and render, and otherwise use data for, the mechanical axis of the humerus. Any desired axes or other constructs can be created, tracked and displayed, in order to model and generate images and data showing any desired static or kinematic function of the shoulder for any purposes related to shoulder arthroplasty. After the mechanical axis and other rotation axes and constructs relating to the humerus and scapula are established, instrumentation can be properly oriented to resect or modify bone in order to fit trial components and implant components properly according to the embodiments shown in FIGS. 6-7. Instrumentation such as, for instance, cutting blocks, to which navigational references 104 are mounted, can be employed as shown in FIG. 4. The system can then track instrumentation as the surgeon manipulates it for optimum positioning. In other words, the surgeon can "navigate" the instrumentation for optimum positioning using the system and the monitor. In this manner, instrumentation may be positioned according to the system of this embodiment in order to align the osteotomies to the mechanical and rotational axes or reference axes on an extramedullary rod that does not violate the canal, on an intramedullary rod, or on any other type of rod. The monitor 114 can then also display the instrument such as the cutting block and/or the implant relative to the instrument and the rod during this process, in order, among other things, to select the proper size of implant and perhaps implant type. As the instrument moves, the flexion/extension and internal/external rotation of the relative component position can be calculated and shown with respect to the referenced axes; in the preferred embodiment, this can be done at a rate of six cycles per second or faster. The instrument position is then fixed in the computing functionality 108 and physically and the bone resections are made. Systems and processes according to embodiments of the invention can be used to track a humeral reamer to create a virtual anatomical axis of the humerus. The anatomical axis can be stored and subsequently used by the computer. FIG. 3 shows orientation of an humeral reamer 124 to which a navigational reference 104 is attached. The surgeon views the monitor 114 which has an image of the humeral reamer 124 overlain on or in combination with the humerus 101 fluroroscopic image as the two are actually positioned and oriented relative to one another in space. Computer-aided surgical navigation systems according to embodiments of the invention may also be used to determine the degree of humeral head retroversion, if any. The retroversion reference axis may be determined by determining the orientation of the proximal articular surface or the humerus with respect to the epicondylar axis of the elbow. This information may be used to control rotation. Once the humeral reamer 124 has been placed, instrumentation can be positioned as tracked in position and orientation by navigational sensor 100 and displayed on monitor 114. Thus, as shown in FIG. 4, a resection guide 128 and a cutting block 126 of the sort used to establish the humeral anterior cut, with its navigational reference 104 attached, is introduced into the field and positioned on the reamer. Because the cutting block 126 corresponds to a particular implant product and can be adjusted and designated on screen to correspond to a particular implant size of that product, the computing functionality 108 can generate and the monitor 114 can display a graphic of the cutting block 126 and a humeral component overlain on the fluoroscopic image. The surgeon can thus navigate and position the cutting block 126 on monitor 114 using not only images of the cutting block 126 on the bone, but also images of a corresponding humeral component which will be ultimately installed. The surgeon can thus adjust the positioning of the physical cutting block 126, and secure it to the reamer 124 in order to resect the anterior of the humerus 101 in order to optimally fit and position the ultimate humeral component being shown on the monitor 114. Other cutting blocks and other resections may be positioned and made similarly on the humerus 101. In some embodiments of the invention, the cutting block 126 may be navigated as it moves in six degrees of freedom: three translational and three rotational. For each rotational degree of freedom, the cutting block 126 may be tracked as it moves through a range motion with infinite positions in the range. Likewise, for each translational degree of freedom, the cutting block 126 may be tracked as it moves through a range of motion with infinite positions in the range. In some embodiments, the system receives continuous information from the navigational sensor 100 regarding the position and orientation of the cutting block 126 with respect to the humerus 101 or the humeral reamer 124, wherein the information comprises rotational information in at least one degree of freedom and translational information in at least one degree of freedom. The information may be displayed on the monitor 114, allowing the surgeon immediate and detailed information for positioning the cutting block 126. In a similar fashion, instrumentation may be navigated and positioned on the glenoid fossa 103 of the scapula 102 and as tracked by navigational sensor 100 and on monitor 114 by images of the cutting block and the implant component. As shown in FIG. 5 in a total shoulder arthroplasty, a glenoid reamer may be navigated to determine the depth, position and angle of reaming. Subsequently, navigated glenoid instruments are then used to prepare the glenoid to receive a glenoid component trial. Any appropriate glenoid component or component trial may be used, for example, an all-polyethylene glenoid component with three pegs or one keel or with a metal back. Such glenoid components generally have three screw holes on the glenoid base. Depending on the type of glenoid component used, a drill guide 138 or a keel reamer guide may be used to prepare the glenoid for the glenoid component. A navigated drill guide 138 is shown in FIG. 7. Once resection and modification of bone has been accomplished, implant trials can then be installed and tracked by the system in a manner similar to navigating and positioning the instrumentation, as displayed on the monitor 114. Thus, a humeral component trial and a glenoid component trial may be placed as navigated on monitor 114 using computing functionality 118 generated overlays corresponding to the trials. During the trial installation process, and also during the implant component installation process, instrument positioning process or at any other desired point in surgical or other operations according to the invention, the system can transition or segue from tracking a component according to a first navigational reference to tracking the component according to a second navigational reference. Thus, as shown in FIG. 6, the trial humeral component 134 is mounted on an impactor 132 to which is attached a first navigational reference 104. The trial component 134 is installed and positioned using the impactor 132. The computing functionality 108 tracks the position and orientation of the trial component 134 relative to the navigational reference 104 on the impactor 132 (such as by prior registration of the component 134 attached to the impactor) so that it can generate and display the image of the humeral trial component 134 on monitor 114 overlaid on the fluoroscopic image of the humerus 101. At any desired point in time, before, during or after the trial component 134 is properly placed on the humerus 101 to align with anatomical axis and according to proper orientation relative to other axes, the system can be instructed by foot pedal 110 or otherwise to begin tracking the position of the trial component 134 using the second navigational reference 104 attached to the humerus 101 rather than the one attached to the impactor 132. According to the preferred embodiment, the navigational sensor 100 "sees" at this point in time both the navigational references 104 on the impactor 132 and on the humerus 101 so that it already "knows" the position and orientation of the trial component 134 relative to the first navigational reference 104 on the impactor 132 and is thus able to calculate and store for later use the position and orientation of the trial component 134 relative to the second navigational reference 104 on the humerus 101. Once this "handoff happens, the impactor 132 can be removed and the trial component 134 tracked with the navigational reference 104 on the humerus 101 as part of or moving in concert with the humerus 101. Similar handoff procedures may be used in any other instance as desired in accordance with the present invention. FIG. 6 shows the placement of a humeral trial component 134 attached to humerus 101. The trial component 134 is attached via impactor 132. As explained above, both the humerus 101 and the impactor 132 have navigational references 104 attached that may be used in tracking and navigating trial component 134. Similarly, as shown in FIG. 8, a glenoid trial component 136 can be placed on the glenoid 103 and then registered using a probe. A probe may be used to designate features on the glenoid trial component 136 of known coordinates, such as rotational alignment to the glenoid axis, the flexion/extension angle and the version/retroversion angle. As the probe is placed onto each feature, the system is prompted to save that coordinate position so that the system can match the glenoid trial component's 136 feature's coordinates to the saved coordinates. The system then tracks the glenoid trial component 136 relative to the anatomical reference frame. The system may also indicate the fit of the glenoid keel or pegs within the glenoid before bone preparation is performed to insure that breakthrough to the posterior aspect of the scapula 102 does not occur. FIG. 8 shows the placement of a glenoid trial component 136 attached to a glenoid 103. Once the trial components are installed, the surgeon can assess alignment and stability of the components and the joint. During such assessment, in trial reduction, the computing can display on monitor 114 the relative motion between the trial components to allow the surgeon to make soft tissue releases and changes in order to improve the kinematics of the shoulder. The system can also apply rules and/or intelligence to make suggestions based on the information such as what soft tissue releases to make if the surgeon desires. The system can also display how the soft tissue releases are to be made. During this assessment, the surgeon may conduct certain assessment processes such as external/internal rotation, rotary laxity testing, range of motion testing (external rotation, internal rotation and elevation) and stability testing (anterior, posterior and inferior translation). Thus, in the external/internal rotation test, the surgeon can position the humerus at the first location and press the foot pedal. He then positions the humerus at the second location and once again presses the foot pedal so that the computing functionality has registered and stored two locations in order to calculate and display the rotation and whether it is acceptable for the patient and the product involved. If not, the computer can apply rules in order to generate and display suggestions for releasing ligaments or other tissue, or using other component sizes or types. Once the proper tissue releases have been made, if necessary, and alignment and stability are acceptable as noted quantitatively on screen about all axes, the trial components may be removed and actual components navigated, installed, and assessed in performance in a manner similar to that in which the trial components were navigated, installed, and assessed. At the end of the case, all alignment information can be saved for the patient file. This is of great assistance to the surgeon due to the fact that the outcome of implant positioning can be seen before any resectioning has been done on the bone. The tracking and image information provided by systems and processes according to the present invention facilitate telemedical techniques, because they provide useful images for distribution to distant geographic locations where expert surgical or medical specialists may collaborate during surgery. Thus, systems and processes according to the present invention can be used in connection with computing functionality 108 which is networked or otherwise in communication with computing functionality in other locations, whether by PSTN, information exchange infrastructures such as packet switched networks including the Internet, or as otherwise desire. Such remote imaging may occur on computers, wireless devices, videoconferencing devices or in any other mode or on any other platform which is now or may in the future be capable of rending images or parts of them produced in accordance with the present invention. Parallel communication links such as switched or unswitched telephone call connections may also accompany or form part of such telemedical techniques. Distant databases such as online catalogs of implant suppliers or prosthetics buyers or distributors may form part of or be networked with computing functionality 108 to give the surgeon in real time access to additional options for implants which could be procured and used during the surgical operation. The above methods and techniques are provided by way of example only, and other embodiments of the present invention can be used with other surgical location and preparation techniques and methods. Changes and modifications, additions and deletions may be made to the structures and methods recited above and shown in the drawings without departing from the scope or spirit of the invention and the following claims.
1. A method for performing shoulder arthroplasty or hemiarthroplasty surgical operations on portions of a shoulder joint, the method characterized by: (a) attaching at least one first navigational reference capable of being tracked by a navigational sensor to a body part forming at least a portion of the shoulder joint; (b) generating navigational reference information relating to position and orientation of the body part; (c) storing at least some of the navigational reference information in a computer; (d) attaching at least one second navigational reference capable of being tracked by a navigational sensor to a surgical instrument; (e) receiving information from the second navigational sensor regarding the position and orientation of the surgical instrument with respect to the body part; (f) navigating the surgical instrument relative to the body part according to the position and orientation information; (g) modifying the body part using the surgical instrument; (h) generating and displaying on a monitor associated with the computer information regarding the modification of the body part; (i) tracking a prosthetic component using at least one of the navigational sensors; (j) receiving information from at least one of the navigational sensor regarding the position and orientation of the prosthetic component with respect to the body part; (k) generating and displaying on the monitor associated with the computer a visual image of the prosthetic component properly positioned and oriented relative to the body part; and (I) navigating the prosthetic component relative to the body part and attaching the prosthetic component to the body part according to the image.
2. The method of claim 1 , further characterized in that the surgical instrument comprises at least one of the following: a reamer, a resection guide, a cutting block and a probe.
3. The method of claim 1 , further characterized in that the body part is the humerus.
4. The method of claim 3, further characterized in that the information received from the navigational sensor comprises information regarding the anatomical axis of the humerus.
5. The method of claim 1 , further characterized in that the body part is the glenoid fossa.
6. The method of claim 5, further characterized in that the information received from the navigational sensor comprises the epicondylar axis of the humerus and the information received is used to determine the retroversion reference axis.
7. The method of claim 1 , further characterized in that the prosthetic component comprises at least one of the following: a humeral component and a glenoid component.
8. The method of claim 1 , further characterized in that the navigational reference information is generated by an imager.
9. The method of claim 8, further characterized in that the imager comprises one of the following: a C-arm fluoroscope, a CT scanner, MRI equipment, ultrasound equipment, laser scanning equipment and a probe.
10. The method of claim 1 , further characterized in that the prosthetic component is a trial component.
11. The method of claim 10, further characterized by: (a) removing the trial component from the joint; and (b) navigating a prosthetic component using posting and orientation information regarding the trial component.
12. The method of claim 1 or 11 , further characterized by: (a) performing soft tissue balancing tests while the computing means continues to track the navigational sensor; (b) using data generated by the computer to assess alignment and stability of the joint with the trial component attached; and (c) releasing soft tissue to adjust alignment and stability.
13. A computer-aided surgical navigation system for performing shoulder arthroplasty or hemiarthroplasty, the system characterized by: (a) a sensor adapted receive information regarding position and orientation of at least one reference; (b) a reference adapted to be mounted to a body part forming at least a portion of the shoulder joint; (c) a reference adapted to be mounted to a surgical instrument for use in performing shoulder arthroplasty or hemiarthroplasty; (d) a processor adapted to receive and store information from the sensor in order to track a position and orientation of the at least one surgical reference with respect to the body part; and (e) a monitor adapted to receive information from the processor in order to display at least some of the navigational reference information and the at least one surgical reference.
14. The system of claim 13, further characterized in that the body part is the humerus.
15. The system of claim 13, further characterized in that the body part is the glenoid.
16. The system of claim 14, further characterized in that the surgical instrument is a humeral reamer.
17. The system of claim 15, further characterized in that the surgical instrument is a glenoid reamer.
|
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Waldensian Review No 126 Summer 2015 - Page 8
played in the river that runs through it, the children skimming stones. We went into the main church in Torre; the children noticed that it was simple, like our home church. The Collegio dei Barbi in Angrogna caught their imaginations, looking in the rooms and seeing how the people lived and studied. Another afternoon we went to the Waldensian museum and were pleased to discover that they now had a choice of languages on headphones that we could listen to at our own pace – our daughter is obviously a faster listener than our son. It was interesting for them to hear the history of the Valleys and the Waldensians explained to them, and it raised lots of questions about why people do not tolerate each other and why people have to live their lives in secret. To lighten the mood we went in search of ice-cream and found a new gelateria that had artisan ice-cream; we sat outside feeling very content in the sunshine. The weather was beautiful for the whole of our stay and we spent time just being together, sitting on the terrace outside the rooms in the sunshine under clear blue skies. It was an ideal way to introduce the children to Italy. Sue Thomason Revisiting the Waldensian Valleys, 13 years on Our first visit to the Waldensian valleys was in 2002; we were fresh from university, keen to do some voluntary work, and we were in Torre Pellice to attend an Italian language and Waldensian culture crash course, prior to spending a year at La Noce children's centre in Sicily. Little did we dream then that we would be returning 13 years later, this time fluent in Italian, members of the Waldensian committee and accompanied by our baby son! It was the arrival of our son Zachariah, and the resulting opportunity of time away from work offered by maternity leave, which gave us the idea to spend a month in Italy – and where better than renewing our acquaintance with the Waldensian heartland? During our month-long stay we enjoyed sampling everyday life in Torre Pellice – plenty of cappuccini under shady porticoes, shopping at the Friday market and pleasant walks around town with the baby in the pram. But perhaps of most interest was revisiting sites of Waldensian importance and seeing them with fresh eyes. The mysterious atmosphere of the Gheisa d'la Tana, the natural cave in Val d'Angrogna where Waldensian congregations may have met in secret, the beautiful surroundings of the College of the Barba in Pra del Torno where mediaeval itinerant preachers were trained. Being there in person we could see how the defensible position of the Angrogna valley helped the community there to resist so many attacks – an advantage not available to other Waldensian communities across Italy, who were subsequently wiped out. History was vividly brought to life in this striking location. Our visit was not just about history though – we were pleasantly surprised by the lively services of worship we attended, and the vibrant feel in these historic communities. We attended an Ascension Day service, held in the 6
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How to buy Global WAN solutions?
Is your business about to buy a Global WAN solution?
Rising up to the challenge of understanding the latest Global WAN solutions, associated security and Cloud services is a daunting task.
Software-based WAN services, MPLS, VPLS, Metro Ethernet, Virtual leased lines and Internet VPN forms the basis of hybrid WAN connectivity. Layer on security and cloud access, IT Managers must carefully consider architecture and service provider partnerships; this is abundantly clear. Download our step-by-step WAN procurement tutorial.
There are multiple core areas to consider if your business is to ensure applications perform and maintain a level of user and company-wide security. On a global basis, covering all solution areas is a formidable task.
The free workshop at your office.
Techtarget writer Robert Sturt will visit your office for a 2 hour session on 'everything WAN procurement'.
The workshop will cover aspects such as MPLS vs VPLS vs SD WAN, resiliency and diversity, application pefromance and the ultimate step-by-step IT Managers process checklist.
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Workshops have been attended by Permira, Royal British Legion, CDC Global and more.
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Understanding WAN solutions - SD WAN vs MPLS vs VPLS vs Internet VPN.
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Setting your budget - How do you achieve costs vs. the best in class design?
Do most designs result in hybrid capability? The Is MPLS dead? No, MPLS is a component of all good network solutions and architecture.
core of your offices may well be based on one particular technology, other requirements are often better served by hybrid solutions. An Enterprise often consists of data centre, remote users, extranet clients and temporary office location requirements. In most instances, it is not necessarily the case that all requirements will benefit from one particular solution or service. This outcome is especially true for multinational Enterprise business due to the nature of meeting the need for disparate locations.
SD WAN is creating huge buzz centred around cost saving and the ability to provide a single platform to support multiple connectivity services. While the promise of SD WAN is certainly capable of delivering the holy grail of WAN solutions, the reality is different depending on the supported features of any given provider or network.
Where the Global Enterprise is concerned, cost savings based on the use of low-cost multiple Internet connectivity is, on paper at least, a viable solution. The day to day operation of applications, support and security must meet certain parameters to ensure the success of a global business.
Imagine a scenario with multiple ISP connectivity offering differing Service Level Agreements, traffic performance, fix times and so on. Difficult to manage?
In order to achieve cost savings, the provider will often leverage multiple ISPs within each region. An Internet solution based on more than one network is never predictable and often results in poor latency and jitter which has the potential to impact application performance. In addition, there are support implications of using this strategy as ISPs will vary from the perspective of Service Level Agreements and their individual fix times. Security is less of a concern as packets are encrypted to the highest level when traversing pubic Internet connectivity.
Is MPLS dead? No, MPLS is a component of all good network solutions and architecture.
Layer 3 MPLS and Layer 2 VPLS remain the only WAN services to offer end to end privacy (without encryption) and Quality of Service (QoS) to support applications end to end. In many respects, SD WAN is a technology to leverage Internet connectivity whereas MPLS or VPLS forms the basis of key office connectivity where predictable SLAs are a must-have component of global architecture.
Above all else, SD WAN is a very capable technology to support applications across the Internet but there are a number of areas to consider.
Designing for WAN solutions vs application performance.
The Cloud and Virtualisation, rather than applications in the traditional sense, are changing the way in which network design is architected. In order to maintain levels of service, the sensitivity to application performance is growing alongside the need to maximise uptime through resilience and diversity.
WAN procurement is becoming ever more complex as providers are offering the full stack of capability including server, hosting and security. The need is to not only buy circuits but to also consider the overall solution end to end from user through to end application.
If the network becomes congested or CPU/memory is low on visualised machines, user experience will be degraded.
True Resiliency and Diversity across the WAN.
I've lost count of the designs which look great on a Visio but serve no practical use when the goal is to create network designs with no single point of failure.
In the WAN diagram below, the use of two different service providers is utilised to avoid a single point of failure. While this design makes logical sense, the practical day to day operation may result in downtime. This issue here is that neither provider is aware of their counterparts circuit routing. With this in mind, the design will contain multiple points of circuit commonality this creating single points of failure.
The only method of achieving no single point of failure (subject to survey) is to order a true diverse service such as Open Reach RA02. With a diverse product, tail circuit engineers survey and install circuits with the intent of avoiding points of failure. RA02 is a national product, the in-country variant will require analysis.
Setting budgets for Global WAN services.
Global WAN solution providers are few and far between compared to their national counterparts. With this said, there is no shortage of providers 'suggesting' they have true International capability. The reality is that there really is only a handful of telco's positioned to offer end to end Global capability ranging from BT Global Services to the likes of Verizon Business and AT&T. Over and above telco's, aggregators and Virtual Network Operators are able to offer overlay support for telco networks.
Setting budgets depends on your reach. In some instances, certain telco circuits are maddeningly expensive in particular regions due to their network growth strategy. It is fairly normal for regions within Global network design to stand out as particularly expensive when compared to the majority of connections.
Working with the provider allows all parties to make an informed decision as to specific requirements across strategy, technical, business requirements and budget vs. Connectivity type. In some cases, NNI (Network to Network Interconnects) may be viable, in others using Global Internet might be a further option.
The complexity when designing Global WAN solutions surrounds end to end network performance, i.e. latency and jitter. What is the impact of network performance of introducing an NNI connection or Internet VPN? Will support and fix times remain acceptable?
An article on routing protocols from Cisco.
An article on encryption over the Internet - IPVPN.
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The Print Shop is a self-supporting unit and charges a fee for most services. Please provide your Cost Center number, and please specify departmental delivery location. Also please allow a minimum of 5-10 working days for printing and delivery. You should receive a confirmation email after your submission.
Check out this service request I found in the Palm Beach State College service catalog. https://servicedesk.palmbeachstate.edu/TDClient/Requests/ServiceDet?ID=26273 Print Shop Work Order Provides all types of printing, copying and bindery services to College faculty and staff.
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Today Prayer Time in Saida. Current Sunni / Fiqh Hanafi Namaz Time of Saida are.
Saida Prayer Timings - Today 20 April 2019 Saida Namaz Timings are Fajar 04:52 am, Zuhr 12:58 pm, Asr 05:41 pm, Maghrib 07:35 pm & Isha 09:06 pm. Today Islamic Date is 15 Shaban 1440 in Saida, Algeria. The prayer times are different every day in Saida, A complete 7 days Namaz Time schedule and monthly calendar of Saida Namaz timings is given on this page for your information.
It is very convenient and accurate way to find the exact Saida Namaz time for people who do not have access to the mosque or Azan clock. You can also download or print the Prayer timings of Saida for your convenience, specially in the areas where Muslims do not hear the Azan from Mosque. These timings are updated regularly according to the calculation of University of Islamic Sciences, Karachi, Fiqa Hanafi (Sunni). These timings are (Fiqa Hanfi) Sunni Namaz Timings in Saida. For Shia Namaz timings in Saida, Click here.
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The southern part of the San Andreas fault is "locked, loaded and ready to roll," according to Thomas Jordan, director of the Southern California Earthquake Center.
Jordan issued the warning during a keynote speech at the National Earthquake Conference in Long Beach, Calif. Wednesday, reports Fox 11.
"The pressure has been building on that part of the fault without being relieved for more than a hundred years," he said.
Parts toward the southeast of the San Andreas fault haven't moved since about 1680, according to the report.
"The springs on the San Andreas system have been wound very, very tight," Jordan said.
The San Andreas fault runs almost the entire length of California, close to 800 miles, but it is the section close to Los Angeles that concerns scientists the most.
The center released a simulation Wednesday showing the shaking that Los Angeles and the surrounding area might experience in a magnitude 8.0 earthquake.
The L.A. Times cited a 2008 U.S. Geological Survey report, which warned that a 7.8-magnitude quake on the southern San Andreas fault could cause more than 1,800 deaths and 50,000 injuries.
LiveScience notes that the San Andreas fault is divided into three legs with the middle leg regarded as a "benign barrier" between the more seismically active northern and southern parts.
However, a study released in 2014 found areas in the middle leg where rocks lock, creating strain that could become strong earthquakes.
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Medium THC
Delightful earthy blend
600 to 700 g/m2
Fast and strong with a good balance of brain and brawn, a real zinger.
Super Lemon Haze's unique psychoactive effect brings an incredibly intense high, especially for novice users. Its 20% THC punch may not be as strong as some other plants, but it nevertheless delivers a devastating blow that's too much for many to handle. Its parents are Super Silver Haze and Lemon Skunk. The former combines th
Super Lemon Haze Feminized by Kyle Kushman
STRAIN PROFILE Super Lemon Haze Feminized
Yield Indoor 600 - 700 g/m2
Yield Outdoor 800 - 1000 gr/plant
Flowering Time 8-10 Weeks
Effects Creative Energetic Euphoric Focused Hungry Relaxed Uplifted
Flavor Cheese Earthy Pepper Pungent Spicy Sweet
Super Lemon Haze's unique psychoactive effect brings an incredibly intense high, especially for novice users. Its 20% THC punch may not be as strong as some other plants, but it nevertheless delivers a devastating blow that's too much for many to handle.
Its parents are Super Silver Haze and Lemon Skunk. The former combines the genetics of several legendary strains, and its uplifting and revitalizing psychoactive properties helped it to dominate the High Times Cannabis Cup for three consecutive years (1997-99). The latter brings new and enhanced traits including the addition of a zesty lemon taste to its flavor profile.
Super Lemon Haze is a vigorous producer, and using feminized seeds from Homegrown Cannabis Co. can improve the yield even further, since all plants will be fertile, nug-producing females.
Growing Super Lemon Haze Feminized Seeds
Super Lemon Haze seeds is not a pushover at all, and is resistant to mold, mildew, pests, and disease. Still, it's quite tricky to grow, especially for beginners. Those with a bit of experience in cannabis cultivation should have no trouble bringing it from seed to harvest.
It thrives exceptionally well in a SOG setup using either soil or hydroponics. With extensive lateral branching, it has multiple bud sites that allow it to produce a massive yield in the range of 2 to 2.3 ounces per square foot after a flowering period of 9 to 10 weeks. It'll almost certainly need some extra support for the branches and stems to prevent them from breaking under the weight of the flowers.
Growing it indoors is a rewarding experience, but it reaches its true potential outside, in an area with plenty of sunlight. Harvest time comes at the end of October or first week of November, and each plant can produce between 28 and 35 ounces of buds.
Super Lemon Haze is appealing for a number of reasons, from its awesome genetics, to its great taste, to its medicinal and recreational applications. But perhaps the most important thing is the fact it's virtually impossible to find another variety that gives this much bang for your buck.
Super Lemon Haze has a delightful earthy scent blended with a sweet citrus undertone. There are hints of cheese, spice, and pepper, and the flavor is a similar affair, with musky notes and a hint of tropical fruits.
A perfect wake-and-bake strain, Super Lemon Haze ushers in an energetic buzz that quickly clears the head of cobwebs. It heightens the senses and proves focus, which means that it can be a great way to boost creativity and motivation if used moderately. Along with the mental stimulation comes a desire to chat and socialize with friends. It also has sufficient Indica genes for a soothing body stone that gradually becomes more pronounced and blends perfectly with the cerebral high.
As with most other strains, it may cause cottonmouth and dry eyes and in some cases it can lead to headaches and dizziness. It used excessively, it can be quite overwhelming, and may cause some users to fall into deep introspection. If you're susceptible to anxiety or paranoia then it may make these issues worse.
Super Lemon Haze's high THC content ensures a euphoric mental high that's great for relieving stress. Its uplifting qualities have made it a popular choice for those suffering from depression and similar conditions. Its CBD content may prove useful in the treatment of chronic conditions causing aches and pains. Some people also use this plant to combat fatigue throughout the day.
Along with the energetic buzz, it may also promote a healthy appetite, and it's not uncommon for people to feel extremely hungry a short while after smoking it. For this reason, it could be of high value to patients undergoing treatments such as chemotherapy, which have a tendency to reduce the appetite.
Feminized Super Lemon Haze Seeds
The heritage of several legends lives on in Super Lemon Haze. Its distinct blend of physical and mental effects has brought joy and comfort to countless people over the years. Now, smokers can keep a big stash stored safely at home thanks to these feminized seeds from Homegrown Cannabis Co. Under optimal conditions, the plant breezes through the vegetative period, and once it transitions to the flowering stage, it takes only 9 to 10 weeks before it's ready to fill up the shelves.
reviews (1) questions
Date (Newest - Oldest)
Date (Oldest - Newest)
Rating (Low - High)
Rating (High - Low)
Heavy Harvest
These girls give every inch with no wasted space. Thick nugs and a great head rush. Go the full 10 weeks in flower for the harvest to be sticky and resinous.
|
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16939,
492,
1285,
9578,
88,
20955,
198,
5067,
311,
220,
7007,
342,
3262,
17,
198,
33274,
323,
3831,
449,
264,
1695,
8335,
315,
8271,
323,
293,
68668,
11,
264,
1972,
1167,
5248,
627,
19841,
52310,
473,
10033,
596,
5016,
42111,
3104,
2515,
12716,
459,
17235,
19428,
1579,
11,
5423,
369,
72645,
3932,
13,
11699,
220,
508,
4,
49590,
21004,
1253,
539,
387,
439,
3831,
439,
1063,
1023,
11012,
11,
719,
433,
38330,
28421,
264,
33318,
12523,
430,
596,
2288,
1790,
369,
1690,
311,
3790,
13,
11699,
6699,
527,
7445,
15347,
473,
10033,
323,
52310,
4923,
3200,
13,
578,
4846,
33511,
270,
198,
19841,
52310,
473,
10033,
57401,
1534,
555,
31359,
50275,
1543,
198,
790,
88840,
72050,
7445,
52310,
473,
10033,
57401,
1534,
198,
56,
-100
] |
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