triplets
list | passage
stringlengths 654
2.68k
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stringlengths 5
48
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int64 0
68
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list | __index_level_0__
int64 2
103k
|
|---|---|---|---|---|---|
[
"Red Corn Band",
"has part(s)",
"Jonathan Joss"
]
| Find the relation between <e1>Red Corn Band<\e1> and <e2>Jonathan Joss<\e2>.
Jonathan Joss (born December 22, 1965) is an American actor. He is best known for portraying the voice of John Redcorn from season 2 to 13 of the animated series King of the Hill, and for his recurring role as Chief Ken Hotate in Parks and Recreation. Born in San Antonio, Texas, Joss is of Spanish, Comanche and White Mountain Apache descent. He attended McCollum High School and later enrolled at Texas State University – San Marcos (then Southwest Texas State University) but left before graduating. Joss later attended San Antonio College, before graduating from Our Lady of the Lake University with a degree in theater and speech. Joss is also a musician, and performs as part of the Red Corn Band, an alternative blues group which has won a Grammy Award for Best Native American Music Album. | has part(s) | 10 | [
"Red Corn Band",
"Jonathan Joss"
]
| 64,494 |
[
"McCollum High School",
"located in the administrative territorial entity",
"Texas"
]
| Find the relation between <e1>McCollum High School<\e1> and <e2>Texas<\e2>.
Jonathan Joss (born December 22, 1965) is an American actor. He is best known for portraying the voice of John Redcorn from season 2 to 13 of the animated series King of the Hill, and for his recurring role as Chief Ken Hotate in Parks and Recreation. Born in San Antonio, Texas, Joss is of Spanish, Comanche and White Mountain Apache descent. He attended McCollum High School and later enrolled at Texas State University – San Marcos (then Southwest Texas State University) but left before graduating. Joss later attended San Antonio College, before graduating from Our Lady of the Lake University with a degree in theater and speech. Joss is also a musician, and performs as part of the Red Corn Band, an alternative blues group which has won a Grammy Award for Best Native American Music Album. | located in the administrative territorial entity | 3 | [
"McCollum High School",
"Texas"
]
| 64,498 |
[
"Jonathan Joss",
"educated at",
"McCollum High School"
]
| Find the relation between <e1>Jonathan Joss<\e1> and <e2>McCollum High School<\e2>.
Jonathan Joss (born December 22, 1965) is an American actor. He is best known for portraying the voice of John Redcorn from season 2 to 13 of the animated series King of the Hill, and for his recurring role as Chief Ken Hotate in Parks and Recreation. Born in San Antonio, Texas, Joss is of Spanish, Comanche and White Mountain Apache descent. He attended McCollum High School and later enrolled at Texas State University – San Marcos (then Southwest Texas State University) but left before graduating. Joss later attended San Antonio College, before graduating from Our Lady of the Lake University with a degree in theater and speech. Joss is also a musician, and performs as part of the Red Corn Band, an alternative blues group which has won a Grammy Award for Best Native American Music Album. | educated at | 25 | [
"Jonathan Joss",
"McCollum High School"
]
| 64,499 |
[
"Red Corn Band",
"award received",
"Grammy Award for Best Native American Music Album"
]
| Find the relation between <e1>Red Corn Band<\e1> and <e2>Grammy Award for Best Native American Music Album<\e2>.
Jonathan Joss (born December 22, 1965) is an American actor. He is best known for portraying the voice of John Redcorn from season 2 to 13 of the animated series King of the Hill, and for his recurring role as Chief Ken Hotate in Parks and Recreation. Born in San Antonio, Texas, Joss is of Spanish, Comanche and White Mountain Apache descent. He attended McCollum High School and later enrolled at Texas State University – San Marcos (then Southwest Texas State University) but left before graduating. Joss later attended San Antonio College, before graduating from Our Lady of the Lake University with a degree in theater and speech. Joss is also a musician, and performs as part of the Red Corn Band, an alternative blues group which has won a Grammy Award for Best Native American Music Album. | award received | 28 | [
"Red Corn Band",
"Grammy Award for Best Native American Music Album"
]
| 64,501 |
[
"Jonathan Joss",
"award received",
"Grammy Award for Best Native American Music Album"
]
| Find the relation between <e1>Jonathan Joss<\e1> and <e2>Grammy Award for Best Native American Music Album<\e2>.
Jonathan Joss (born December 22, 1965) is an American actor. He is best known for portraying the voice of John Redcorn from season 2 to 13 of the animated series King of the Hill, and for his recurring role as Chief Ken Hotate in Parks and Recreation. Born in San Antonio, Texas, Joss is of Spanish, Comanche and White Mountain Apache descent. He attended McCollum High School and later enrolled at Texas State University – San Marcos (then Southwest Texas State University) but left before graduating. Joss later attended San Antonio College, before graduating from Our Lady of the Lake University with a degree in theater and speech. Joss is also a musician, and performs as part of the Red Corn Band, an alternative blues group which has won a Grammy Award for Best Native American Music Album. | award received | 28 | [
"Jonathan Joss",
"Grammy Award for Best Native American Music Album"
]
| 64,504 |
[
"King of the Hill",
"characters",
"John Redcorn"
]
| Find the relation between <e1>King of the Hill<\e1> and <e2>John Redcorn<\e2>.
Jonathan Joss (born December 22, 1965) is an American actor. He is best known for portraying the voice of John Redcorn from season 2 to 13 of the animated series King of the Hill, and for his recurring role as Chief Ken Hotate in Parks and Recreation. Born in San Antonio, Texas, Joss is of Spanish, Comanche and White Mountain Apache descent. He attended McCollum High School and later enrolled at Texas State University – San Marcos (then Southwest Texas State University) but left before graduating. Joss later attended San Antonio College, before graduating from Our Lady of the Lake University with a degree in theater and speech. Joss is also a musician, and performs as part of the Red Corn Band, an alternative blues group which has won a Grammy Award for Best Native American Music Album. | characters | 47 | [
"King of the Hill",
"John Redcorn"
]
| 64,505 |
[
"San Antonio College",
"located in the administrative territorial entity",
"Texas"
]
| Find the relation between <e1>San Antonio College<\e1> and <e2>Texas<\e2>.
Jonathan Joss (born December 22, 1965) is an American actor. He is best known for portraying the voice of John Redcorn from season 2 to 13 of the animated series King of the Hill, and for his recurring role as Chief Ken Hotate in Parks and Recreation. Born in San Antonio, Texas, Joss is of Spanish, Comanche and White Mountain Apache descent. He attended McCollum High School and later enrolled at Texas State University – San Marcos (then Southwest Texas State University) but left before graduating. Joss later attended San Antonio College, before graduating from Our Lady of the Lake University with a degree in theater and speech. Joss is also a musician, and performs as part of the Red Corn Band, an alternative blues group which has won a Grammy Award for Best Native American Music Album. | located in the administrative territorial entity | 3 | [
"San Antonio College",
"Texas"
]
| 64,506 |
[
"San Antonio College",
"located in the administrative territorial entity",
"San Antonio"
]
| Find the relation between <e1>San Antonio College<\e1> and <e2>San Antonio<\e2>.
Jonathan Joss (born December 22, 1965) is an American actor. He is best known for portraying the voice of John Redcorn from season 2 to 13 of the animated series King of the Hill, and for his recurring role as Chief Ken Hotate in Parks and Recreation. Born in San Antonio, Texas, Joss is of Spanish, Comanche and White Mountain Apache descent. He attended McCollum High School and later enrolled at Texas State University – San Marcos (then Southwest Texas State University) but left before graduating. Joss later attended San Antonio College, before graduating from Our Lady of the Lake University with a degree in theater and speech. Joss is also a musician, and performs as part of the Red Corn Band, an alternative blues group which has won a Grammy Award for Best Native American Music Album. | located in the administrative territorial entity | 3 | [
"San Antonio College",
"San Antonio"
]
| 64,507 |
[
"Ken Hotate",
"performer",
"Jonathan Joss"
]
| Find the relation between <e1>Ken Hotate<\e1> and <e2>Jonathan Joss<\e2>.
Jonathan Joss (born December 22, 1965) is an American actor. He is best known for portraying the voice of John Redcorn from season 2 to 13 of the animated series King of the Hill, and for his recurring role as Chief Ken Hotate in Parks and Recreation. Born in San Antonio, Texas, Joss is of Spanish, Comanche and White Mountain Apache descent. He attended McCollum High School and later enrolled at Texas State University – San Marcos (then Southwest Texas State University) but left before graduating. Joss later attended San Antonio College, before graduating from Our Lady of the Lake University with a degree in theater and speech. Joss is also a musician, and performs as part of the Red Corn Band, an alternative blues group which has won a Grammy Award for Best Native American Music Album. | performer | 35 | [
"Ken Hotate",
"Jonathan Joss"
]
| 64,510 |
[
"Ken Hotate",
"present in work",
"Parks and Recreation"
]
| Find the relation between <e1>Ken Hotate<\e1> and <e2>Parks and Recreation<\e2>.
Jonathan Joss (born December 22, 1965) is an American actor. He is best known for portraying the voice of John Redcorn from season 2 to 13 of the animated series King of the Hill, and for his recurring role as Chief Ken Hotate in Parks and Recreation. Born in San Antonio, Texas, Joss is of Spanish, Comanche and White Mountain Apache descent. He attended McCollum High School and later enrolled at Texas State University – San Marcos (then Southwest Texas State University) but left before graduating. Joss later attended San Antonio College, before graduating from Our Lady of the Lake University with a degree in theater and speech. Joss is also a musician, and performs as part of the Red Corn Band, an alternative blues group which has won a Grammy Award for Best Native American Music Album. | present in work | 31 | [
"Ken Hotate",
"Parks and Recreation"
]
| 64,511 |
[
"Jonathan Joss",
"part of",
"Red Corn Band"
]
| Find the relation between <e1>Jonathan Joss<\e1> and <e2>Red Corn Band<\e2>.
Jonathan Joss (born December 22, 1965) is an American actor. He is best known for portraying the voice of John Redcorn from season 2 to 13 of the animated series King of the Hill, and for his recurring role as Chief Ken Hotate in Parks and Recreation. Born in San Antonio, Texas, Joss is of Spanish, Comanche and White Mountain Apache descent. He attended McCollum High School and later enrolled at Texas State University – San Marcos (then Southwest Texas State University) but left before graduating. Joss later attended San Antonio College, before graduating from Our Lady of the Lake University with a degree in theater and speech. Joss is also a musician, and performs as part of the Red Corn Band, an alternative blues group which has won a Grammy Award for Best Native American Music Album. | part of | 7 | [
"Jonathan Joss",
"Red Corn Band"
]
| 64,512 |
[
"Jonathan Joss",
"notable work",
"Ken Hotate"
]
| Find the relation between <e1>Jonathan Joss<\e1> and <e2>Ken Hotate<\e2>.
Jonathan Joss (born December 22, 1965) is an American actor. He is best known for portraying the voice of John Redcorn from season 2 to 13 of the animated series King of the Hill, and for his recurring role as Chief Ken Hotate in Parks and Recreation. Born in San Antonio, Texas, Joss is of Spanish, Comanche and White Mountain Apache descent. He attended McCollum High School and later enrolled at Texas State University – San Marcos (then Southwest Texas State University) but left before graduating. Joss later attended San Antonio College, before graduating from Our Lady of the Lake University with a degree in theater and speech. Joss is also a musician, and performs as part of the Red Corn Band, an alternative blues group which has won a Grammy Award for Best Native American Music Album. | notable work | 33 | [
"Jonathan Joss",
"Ken Hotate"
]
| 64,513 |
[
"Francesco De Masi",
"educated at",
"San Pietro a Maiella Conservatory"
]
| Find the relation between <e1>Francesco De Masi<\e1> and <e2>San Pietro a Maiella Conservatory<\e2>.
Francesco De Masi (11 January 1930 – 6 November 2005) was an Italian conductor and film score composer. He studied composition at the San Pietro a Maiella Conservatory in Naples, under the guidance of Achille Longo, his uncle. De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's Lo squartatore di New York (The New York Ripper). De Masi also scored several action films, such as Enzo G. Castellari's Quel maledetto treno blindato (The Inglorious Bastards), but he is best remembered for his work on spaghetti westerns. Unlike most other composers, De Masi started writing western scores slightly earlier than the genre's most influential musician, Ennio Morricone. As De Masi's music was less influenced by Morricone, his style had a distinctive sound. Many of his songs were performed by the low - voiced member of the I Cantori Moderni choir, Ettore " Raoul " Lovecchio. De Masi was also very interested in classical music. He taught at the Santa Cecilia Conservatory, also conducting the conservatory's orchestra. In an interview, De Masi listed Palestrina, Karlheinz Stockhausen, Ravel and Shostakovich as his main classical influences. De Masi died of cancer at the age of 75. | educated at | 25 | [
"Francesco De Masi",
"San Pietro a Maiella Conservatory"
]
| 64,701 |
[
"Lo squartatore di New York",
"composer",
"Francesco De Masi"
]
| Find the relation between <e1>Lo squartatore di New York<\e1> and <e2>Francesco De Masi<\e2>.
Francesco De Masi (11 January 1930 – 6 November 2005) was an Italian conductor and film score composer. He studied composition at the San Pietro a Maiella Conservatory in Naples, under the guidance of Achille Longo, his uncle. De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's Lo squartatore di New York (The New York Ripper). De Masi also scored several action films, such as Enzo G. Castellari's Quel maledetto treno blindato (The Inglorious Bastards), but he is best remembered for his work on spaghetti westerns. Unlike most other composers, De Masi started writing western scores slightly earlier than the genre's most influential musician, Ennio Morricone. As De Masi's music was less influenced by Morricone, his style had a distinctive sound. Many of his songs were performed by the low - voiced member of the I Cantori Moderni choir, Ettore " Raoul " Lovecchio. De Masi was also very interested in classical music. He taught at the Santa Cecilia Conservatory, also conducting the conservatory's orchestra. In an interview, De Masi listed Palestrina, Karlheinz Stockhausen, Ravel and Shostakovich as his main classical influences. De Masi died of cancer at the age of 75. | composer | 50 | [
"Lo squartatore di New York",
"Francesco De Masi"
]
| 64,702 |
[
"Lo squartatore di New York",
"director",
"Lucio Fulci"
]
| Find the relation between <e1>Lo squartatore di New York<\e1> and <e2>Lucio Fulci<\e2>.
Francesco De Masi (11 January 1930 – 6 November 2005) was an Italian conductor and film score composer. He studied composition at the San Pietro a Maiella Conservatory in Naples, under the guidance of Achille Longo, his uncle. De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's Lo squartatore di New York (The New York Ripper). De Masi also scored several action films, such as Enzo G. Castellari's Quel maledetto treno blindato (The Inglorious Bastards), but he is best remembered for his work on spaghetti westerns. Unlike most other composers, De Masi started writing western scores slightly earlier than the genre's most influential musician, Ennio Morricone. As De Masi's music was less influenced by Morricone, his style had a distinctive sound. Many of his songs were performed by the low - voiced member of the I Cantori Moderni choir, Ettore " Raoul " Lovecchio. De Masi was also very interested in classical music. He taught at the Santa Cecilia Conservatory, also conducting the conservatory's orchestra. In an interview, De Masi listed Palestrina, Karlheinz Stockhausen, Ravel and Shostakovich as his main classical influences. De Masi died of cancer at the age of 75. | director | 51 | [
"Lo squartatore di New York",
"Lucio Fulci"
]
| 64,703 |
[
"Quel maledetto treno blindato",
"composer",
"Francesco De Masi"
]
| Find the relation between <e1>Quel maledetto treno blindato<\e1> and <e2>Francesco De Masi<\e2>.
Francesco De Masi (11 January 1930 – 6 November 2005) was an Italian conductor and film score composer. He studied composition at the San Pietro a Maiella Conservatory in Naples, under the guidance of Achille Longo, his uncle. De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's Lo squartatore di New York (The New York Ripper). De Masi also scored several action films, such as Enzo G. Castellari's Quel maledetto treno blindato (The Inglorious Bastards), but he is best remembered for his work on spaghetti westerns. Unlike most other composers, De Masi started writing western scores slightly earlier than the genre's most influential musician, Ennio Morricone. As De Masi's music was less influenced by Morricone, his style had a distinctive sound. Many of his songs were performed by the low - voiced member of the I Cantori Moderni choir, Ettore " Raoul " Lovecchio. De Masi was also very interested in classical music. He taught at the Santa Cecilia Conservatory, also conducting the conservatory's orchestra. In an interview, De Masi listed Palestrina, Karlheinz Stockhausen, Ravel and Shostakovich as his main classical influences. De Masi died of cancer at the age of 75. | composer | 50 | [
"Quel maledetto treno blindato",
"Francesco De Masi"
]
| 64,704 |
[
"Quel maledetto treno blindato",
"country of origin",
"Italian"
]
| Find the relation between <e1>Quel maledetto treno blindato<\e1> and <e2>Italian<\e2>.
Francesco De Masi (11 January 1930 – 6 November 2005) was an Italian conductor and film score composer. He studied composition at the San Pietro a Maiella Conservatory in Naples, under the guidance of Achille Longo, his uncle. De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's Lo squartatore di New York (The New York Ripper). De Masi also scored several action films, such as Enzo G. Castellari's Quel maledetto treno blindato (The Inglorious Bastards), but he is best remembered for his work on spaghetti westerns. Unlike most other composers, De Masi started writing western scores slightly earlier than the genre's most influential musician, Ennio Morricone. As De Masi's music was less influenced by Morricone, his style had a distinctive sound. Many of his songs were performed by the low - voiced member of the I Cantori Moderni choir, Ettore " Raoul " Lovecchio. De Masi was also very interested in classical music. He taught at the Santa Cecilia Conservatory, also conducting the conservatory's orchestra. In an interview, De Masi listed Palestrina, Karlheinz Stockhausen, Ravel and Shostakovich as his main classical influences. De Masi died of cancer at the age of 75. | country of origin | 36 | [
"Quel maledetto treno blindato",
"Italian"
]
| 64,705 |
[
"Quel maledetto treno blindato",
"director",
"Enzo G. Castellari"
]
| Find the relation between <e1>Quel maledetto treno blindato<\e1> and <e2>Enzo G. Castellari<\e2>.
Francesco De Masi (11 January 1930 – 6 November 2005) was an Italian conductor and film score composer. He studied composition at the San Pietro a Maiella Conservatory in Naples, under the guidance of Achille Longo, his uncle. De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's Lo squartatore di New York (The New York Ripper). De Masi also scored several action films, such as Enzo G. Castellari's Quel maledetto treno blindato (The Inglorious Bastards), but he is best remembered for his work on spaghetti westerns. Unlike most other composers, De Masi started writing western scores slightly earlier than the genre's most influential musician, Ennio Morricone. As De Masi's music was less influenced by Morricone, his style had a distinctive sound. Many of his songs were performed by the low - voiced member of the I Cantori Moderni choir, Ettore " Raoul " Lovecchio. De Masi was also very interested in classical music. He taught at the Santa Cecilia Conservatory, also conducting the conservatory's orchestra. In an interview, De Masi listed Palestrina, Karlheinz Stockhausen, Ravel and Shostakovich as his main classical influences. De Masi died of cancer at the age of 75. | director | 51 | [
"Quel maledetto treno blindato",
"Enzo G. Castellari"
]
| 64,706 |
[
"San Pietro a Maiella Conservatory",
"located in the administrative territorial entity",
"Naples"
]
| Find the relation between <e1>San Pietro a Maiella Conservatory<\e1> and <e2>Naples<\e2>.
Francesco De Masi (11 January 1930 – 6 November 2005) was an Italian conductor and film score composer. He studied composition at the San Pietro a Maiella Conservatory in Naples, under the guidance of Achille Longo, his uncle. De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's Lo squartatore di New York (The New York Ripper). De Masi also scored several action films, such as Enzo G. Castellari's Quel maledetto treno blindato (The Inglorious Bastards), but he is best remembered for his work on spaghetti westerns. Unlike most other composers, De Masi started writing western scores slightly earlier than the genre's most influential musician, Ennio Morricone. As De Masi's music was less influenced by Morricone, his style had a distinctive sound. Many of his songs were performed by the low - voiced member of the I Cantori Moderni choir, Ettore " Raoul " Lovecchio. De Masi was also very interested in classical music. He taught at the Santa Cecilia Conservatory, also conducting the conservatory's orchestra. In an interview, De Masi listed Palestrina, Karlheinz Stockhausen, Ravel and Shostakovich as his main classical influences. De Masi died of cancer at the age of 75. | located in the administrative territorial entity | 3 | [
"San Pietro a Maiella Conservatory",
"Naples"
]
| 64,707 |
[
"Enzo G. Castellari",
"notable work",
"Quel maledetto treno blindato"
]
| Find the relation between <e1>Enzo G. Castellari<\e1> and <e2>Quel maledetto treno blindato<\e2>.
Francesco De Masi (11 January 1930 – 6 November 2005) was an Italian conductor and film score composer. He studied composition at the San Pietro a Maiella Conservatory in Naples, under the guidance of Achille Longo, his uncle. De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's Lo squartatore di New York (The New York Ripper). De Masi also scored several action films, such as Enzo G. Castellari's Quel maledetto treno blindato (The Inglorious Bastards), but he is best remembered for his work on spaghetti westerns. Unlike most other composers, De Masi started writing western scores slightly earlier than the genre's most influential musician, Ennio Morricone. As De Masi's music was less influenced by Morricone, his style had a distinctive sound. Many of his songs were performed by the low - voiced member of the I Cantori Moderni choir, Ettore " Raoul " Lovecchio. De Masi was also very interested in classical music. He taught at the Santa Cecilia Conservatory, also conducting the conservatory's orchestra. In an interview, De Masi listed Palestrina, Karlheinz Stockhausen, Ravel and Shostakovich as his main classical influences. De Masi died of cancer at the age of 75. | notable work | 33 | [
"Enzo G. Castellari",
"Quel maledetto treno blindato"
]
| 64,709 |
[
"Lucio Fulci",
"notable work",
"Lo squartatore di New York"
]
| Find the relation between <e1>Lucio Fulci<\e1> and <e2>Lo squartatore di New York<\e2>.
Francesco De Masi (11 January 1930 – 6 November 2005) was an Italian conductor and film score composer. He studied composition at the San Pietro a Maiella Conservatory in Naples, under the guidance of Achille Longo, his uncle. De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's Lo squartatore di New York (The New York Ripper). De Masi also scored several action films, such as Enzo G. Castellari's Quel maledetto treno blindato (The Inglorious Bastards), but he is best remembered for his work on spaghetti westerns. Unlike most other composers, De Masi started writing western scores slightly earlier than the genre's most influential musician, Ennio Morricone. As De Masi's music was less influenced by Morricone, his style had a distinctive sound. Many of his songs were performed by the low - voiced member of the I Cantori Moderni choir, Ettore " Raoul " Lovecchio. De Masi was also very interested in classical music. He taught at the Santa Cecilia Conservatory, also conducting the conservatory's orchestra. In an interview, De Masi listed Palestrina, Karlheinz Stockhausen, Ravel and Shostakovich as his main classical influences. De Masi died of cancer at the age of 75. | notable work | 33 | [
"Lucio Fulci",
"Lo squartatore di New York"
]
| 64,710 |
[
"I Cantori Moderni choir",
"has part(s)",
"Ettore \" Raoul \" Lovecchio"
]
| Find the relation between <e1>I Cantori Moderni choir<\e1> and <e2>Ettore " Raoul " Lovecchio<\e2>.
Francesco De Masi (11 January 1930 – 6 November 2005) was an Italian conductor and film score composer. He studied composition at the San Pietro a Maiella Conservatory in Naples, under the guidance of Achille Longo, his uncle. De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's Lo squartatore di New York (The New York Ripper). De Masi also scored several action films, such as Enzo G. Castellari's Quel maledetto treno blindato (The Inglorious Bastards), but he is best remembered for his work on spaghetti westerns. Unlike most other composers, De Masi started writing western scores slightly earlier than the genre's most influential musician, Ennio Morricone. As De Masi's music was less influenced by Morricone, his style had a distinctive sound. Many of his songs were performed by the low - voiced member of the I Cantori Moderni choir, Ettore " Raoul " Lovecchio. De Masi was also very interested in classical music. He taught at the Santa Cecilia Conservatory, also conducting the conservatory's orchestra. In an interview, De Masi listed Palestrina, Karlheinz Stockhausen, Ravel and Shostakovich as his main classical influences. De Masi died of cancer at the age of 75. | has part(s) | 10 | [
"I Cantori Moderni choir",
"Ettore \" Raoul \" Lovecchio"
]
| 64,712 |
[
"Francesco De Masi",
"employer",
"Santa Cecilia Conservatory"
]
| Find the relation between <e1>Francesco De Masi<\e1> and <e2>Santa Cecilia Conservatory<\e2>.
Francesco De Masi (11 January 1930 – 6 November 2005) was an Italian conductor and film score composer. He studied composition at the San Pietro a Maiella Conservatory in Naples, under the guidance of Achille Longo, his uncle. De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's Lo squartatore di New York (The New York Ripper). De Masi also scored several action films, such as Enzo G. Castellari's Quel maledetto treno blindato (The Inglorious Bastards), but he is best remembered for his work on spaghetti westerns. Unlike most other composers, De Masi started writing western scores slightly earlier than the genre's most influential musician, Ennio Morricone. As De Masi's music was less influenced by Morricone, his style had a distinctive sound. Many of his songs were performed by the low - voiced member of the I Cantori Moderni choir, Ettore " Raoul " Lovecchio. De Masi was also very interested in classical music. He taught at the Santa Cecilia Conservatory, also conducting the conservatory's orchestra. In an interview, De Masi listed Palestrina, Karlheinz Stockhausen, Ravel and Shostakovich as his main classical influences. De Masi died of cancer at the age of 75. | employer | 38 | [
"Francesco De Masi",
"Santa Cecilia Conservatory"
]
| 64,713 |
[
"Francesco De Masi",
"notable work",
"Lo squartatore di New York"
]
| Find the relation between <e1>Francesco De Masi<\e1> and <e2>Lo squartatore di New York<\e2>.
Francesco De Masi (11 January 1930 – 6 November 2005) was an Italian conductor and film score composer. He studied composition at the San Pietro a Maiella Conservatory in Naples, under the guidance of Achille Longo, his uncle. De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's Lo squartatore di New York (The New York Ripper). De Masi also scored several action films, such as Enzo G. Castellari's Quel maledetto treno blindato (The Inglorious Bastards), but he is best remembered for his work on spaghetti westerns. Unlike most other composers, De Masi started writing western scores slightly earlier than the genre's most influential musician, Ennio Morricone. As De Masi's music was less influenced by Morricone, his style had a distinctive sound. Many of his songs were performed by the low - voiced member of the I Cantori Moderni choir, Ettore " Raoul " Lovecchio. De Masi was also very interested in classical music. He taught at the Santa Cecilia Conservatory, also conducting the conservatory's orchestra. In an interview, De Masi listed Palestrina, Karlheinz Stockhausen, Ravel and Shostakovich as his main classical influences. De Masi died of cancer at the age of 75. | notable work | 33 | [
"Francesco De Masi",
"Lo squartatore di New York"
]
| 64,714 |
[
"Francesco De Masi",
"notable work",
"Quel maledetto treno blindato"
]
| Find the relation between <e1>Francesco De Masi<\e1> and <e2>Quel maledetto treno blindato<\e2>.
Francesco De Masi (11 January 1930 – 6 November 2005) was an Italian conductor and film score composer. He studied composition at the San Pietro a Maiella Conservatory in Naples, under the guidance of Achille Longo, his uncle. De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's Lo squartatore di New York (The New York Ripper). De Masi also scored several action films, such as Enzo G. Castellari's Quel maledetto treno blindato (The Inglorious Bastards), but he is best remembered for his work on spaghetti westerns. Unlike most other composers, De Masi started writing western scores slightly earlier than the genre's most influential musician, Ennio Morricone. As De Masi's music was less influenced by Morricone, his style had a distinctive sound. Many of his songs were performed by the low - voiced member of the I Cantori Moderni choir, Ettore " Raoul " Lovecchio. De Masi was also very interested in classical music. He taught at the Santa Cecilia Conservatory, also conducting the conservatory's orchestra. In an interview, De Masi listed Palestrina, Karlheinz Stockhausen, Ravel and Shostakovich as his main classical influences. De Masi died of cancer at the age of 75. | notable work | 33 | [
"Francesco De Masi",
"Quel maledetto treno blindato"
]
| 64,715 |
[
"Ettore \" Raoul \" Lovecchio",
"part of",
"I Cantori Moderni choir"
]
| Find the relation between <e1>Ettore " Raoul " Lovecchio<\e1> and <e2>I Cantori Moderni choir<\e2>.
Francesco De Masi (11 January 1930 – 6 November 2005) was an Italian conductor and film score composer. He studied composition at the San Pietro a Maiella Conservatory in Naples, under the guidance of Achille Longo, his uncle. De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's Lo squartatore di New York (The New York Ripper). De Masi also scored several action films, such as Enzo G. Castellari's Quel maledetto treno blindato (The Inglorious Bastards), but he is best remembered for his work on spaghetti westerns. Unlike most other composers, De Masi started writing western scores slightly earlier than the genre's most influential musician, Ennio Morricone. As De Masi's music was less influenced by Morricone, his style had a distinctive sound. Many of his songs were performed by the low - voiced member of the I Cantori Moderni choir, Ettore " Raoul " Lovecchio. De Masi was also very interested in classical music. He taught at the Santa Cecilia Conservatory, also conducting the conservatory's orchestra. In an interview, De Masi listed Palestrina, Karlheinz Stockhausen, Ravel and Shostakovich as his main classical influences. De Masi died of cancer at the age of 75. | part of | 7 | [
"Ettore \" Raoul \" Lovecchio",
"I Cantori Moderni choir"
]
| 64,716 |
[
"Belmopan",
"located in the administrative territorial entity",
"Cayo District"
]
| Find the relation between <e1>Belmopan<\e1> and <e2>Cayo District<\e2>.
Belmopan () is the capital city of Belize. Its population in 2010 was 16,451. Although the smallest capital city in the continental Americas by population, Belmopan is the third - largest settlement in Belize, behind Belize City and San Ignacio. Founded as a planned community in 1970, Belmopan is one of the newest national capital cities in the world. Since 2000 Belmopan has been one of two settlements in Belize to hold official city status, along with Belize City. Belmopan is located in Cayo District at an altitude of above sea level. Belmopan was constructed just to the east of the Belize River, inland from the former capital, the port of Belize City, after that city's near destruction by Hurricane Hattie in 1961. The government was moved to Belmopan in 1970. Its National Assembly Building is designed to resemble a Pre - Columbian Maya temple. | located in the administrative territorial entity | 3 | [
"Belmopan",
"Cayo District"
]
| 64,859 |
[
"Belize",
"capital",
"Belmopan"
]
| Find the relation between <e1>Belize<\e1> and <e2>Belmopan<\e2>.
Belmopan () is the capital city of Belize. Its population in 2010 was 16,451. Although the smallest capital city in the continental Americas by population, Belmopan is the third - largest settlement in Belize, behind Belize City and San Ignacio. Founded as a planned community in 1970, Belmopan is one of the newest national capital cities in the world. Since 2000 Belmopan has been one of two settlements in Belize to hold official city status, along with Belize City. Belmopan is located in Cayo District at an altitude of above sea level. Belmopan was constructed just to the east of the Belize River, inland from the former capital, the port of Belize City, after that city's near destruction by Hurricane Hattie in 1961. The government was moved to Belmopan in 1970. Its National Assembly Building is designed to resemble a Pre - Columbian Maya temple. | capital | 1 | [
"Belize",
"Belmopan"
]
| 64,860 |
[
"Hurricane Hattie",
"country",
"Belize"
]
| Find the relation between <e1>Hurricane Hattie<\e1> and <e2>Belize<\e2>.
Belmopan () is the capital city of Belize. Its population in 2010 was 16,451. Although the smallest capital city in the continental Americas by population, Belmopan is the third - largest settlement in Belize, behind Belize City and San Ignacio. Founded as a planned community in 1970, Belmopan is one of the newest national capital cities in the world. Since 2000 Belmopan has been one of two settlements in Belize to hold official city status, along with Belize City. Belmopan is located in Cayo District at an altitude of above sea level. Belmopan was constructed just to the east of the Belize River, inland from the former capital, the port of Belize City, after that city's near destruction by Hurricane Hattie in 1961. The government was moved to Belmopan in 1970. Its National Assembly Building is designed to resemble a Pre - Columbian Maya temple. | country | 4 | [
"Hurricane Hattie",
"Belize"
]
| 64,867 |
[
"Belmopan",
"continent",
"Americas"
]
| Find the relation between <e1>Belmopan<\e1> and <e2>Americas<\e2>.
Belmopan () is the capital city of Belize. Its population in 2010 was 16,451. Although the smallest capital city in the continental Americas by population, Belmopan is the third - largest settlement in Belize, behind Belize City and San Ignacio. Founded as a planned community in 1970, Belmopan is one of the newest national capital cities in the world. Since 2000 Belmopan has been one of two settlements in Belize to hold official city status, along with Belize City. Belmopan is located in Cayo District at an altitude of above sea level. Belmopan was constructed just to the east of the Belize River, inland from the former capital, the port of Belize City, after that city's near destruction by Hurricane Hattie in 1961. The government was moved to Belmopan in 1970. Its National Assembly Building is designed to resemble a Pre - Columbian Maya temple. | continent | 5 | [
"Belmopan",
"Americas"
]
| 64,870 |
[
"National Assembly Building",
"located in the administrative territorial entity",
"Belmopan"
]
| Find the relation between <e1>National Assembly Building<\e1> and <e2>Belmopan<\e2>.
Belmopan () is the capital city of Belize. Its population in 2010 was 16,451. Although the smallest capital city in the continental Americas by population, Belmopan is the third - largest settlement in Belize, behind Belize City and San Ignacio. Founded as a planned community in 1970, Belmopan is one of the newest national capital cities in the world. Since 2000 Belmopan has been one of two settlements in Belize to hold official city status, along with Belize City. Belmopan is located in Cayo District at an altitude of above sea level. Belmopan was constructed just to the east of the Belize River, inland from the former capital, the port of Belize City, after that city's near destruction by Hurricane Hattie in 1961. The government was moved to Belmopan in 1970. Its National Assembly Building is designed to resemble a Pre - Columbian Maya temple. | located in the administrative territorial entity | 3 | [
"National Assembly Building",
"Belmopan"
]
| 64,871 |
[
"Belize City",
"continent",
"Americas"
]
| Find the relation between <e1>Belize City<\e1> and <e2>Americas<\e2>.
Belmopan () is the capital city of Belize. Its population in 2010 was 16,451. Although the smallest capital city in the continental Americas by population, Belmopan is the third - largest settlement in Belize, behind Belize City and San Ignacio. Founded as a planned community in 1970, Belmopan is one of the newest national capital cities in the world. Since 2000 Belmopan has been one of two settlements in Belize to hold official city status, along with Belize City. Belmopan is located in Cayo District at an altitude of above sea level. Belmopan was constructed just to the east of the Belize River, inland from the former capital, the port of Belize City, after that city's near destruction by Hurricane Hattie in 1961. The government was moved to Belmopan in 1970. Its National Assembly Building is designed to resemble a Pre - Columbian Maya temple. | continent | 5 | [
"Belize City",
"Americas"
]
| 64,874 |
[
"Belize River",
"continent",
"Americas"
]
| Find the relation between <e1>Belize River<\e1> and <e2>Americas<\e2>.
Belmopan () is the capital city of Belize. Its population in 2010 was 16,451. Although the smallest capital city in the continental Americas by population, Belmopan is the third - largest settlement in Belize, behind Belize City and San Ignacio. Founded as a planned community in 1970, Belmopan is one of the newest national capital cities in the world. Since 2000 Belmopan has been one of two settlements in Belize to hold official city status, along with Belize City. Belmopan is located in Cayo District at an altitude of above sea level. Belmopan was constructed just to the east of the Belize River, inland from the former capital, the port of Belize City, after that city's near destruction by Hurricane Hattie in 1961. The government was moved to Belmopan in 1970. Its National Assembly Building is designed to resemble a Pre - Columbian Maya temple. | continent | 5 | [
"Belize River",
"Americas"
]
| 64,878 |
[
"San Ignacio",
"continent",
"Americas"
]
| Find the relation between <e1>San Ignacio<\e1> and <e2>Americas<\e2>.
Belmopan () is the capital city of Belize. Its population in 2010 was 16,451. Although the smallest capital city in the continental Americas by population, Belmopan is the third - largest settlement in Belize, behind Belize City and San Ignacio. Founded as a planned community in 1970, Belmopan is one of the newest national capital cities in the world. Since 2000 Belmopan has been one of two settlements in Belize to hold official city status, along with Belize City. Belmopan is located in Cayo District at an altitude of above sea level. Belmopan was constructed just to the east of the Belize River, inland from the former capital, the port of Belize City, after that city's near destruction by Hurricane Hattie in 1961. The government was moved to Belmopan in 1970. Its National Assembly Building is designed to resemble a Pre - Columbian Maya temple. | continent | 5 | [
"San Ignacio",
"Americas"
]
| 64,881 |
[
"Americas",
"has part(s)",
"Belize"
]
| Find the relation between <e1>Americas<\e1> and <e2>Belize<\e2>.
Belmopan () is the capital city of Belize. Its population in 2010 was 16,451. Although the smallest capital city in the continental Americas by population, Belmopan is the third - largest settlement in Belize, behind Belize City and San Ignacio. Founded as a planned community in 1970, Belmopan is one of the newest national capital cities in the world. Since 2000 Belmopan has been one of two settlements in Belize to hold official city status, along with Belize City. Belmopan is located in Cayo District at an altitude of above sea level. Belmopan was constructed just to the east of the Belize River, inland from the former capital, the port of Belize City, after that city's near destruction by Hurricane Hattie in 1961. The government was moved to Belmopan in 1970. Its National Assembly Building is designed to resemble a Pre - Columbian Maya temple. | has part(s) | 10 | [
"Americas",
"Belize"
]
| 64,882 |
[
"National Assembly Building",
"located in the administrative territorial entity",
"Cayo District"
]
| Find the relation between <e1>National Assembly Building<\e1> and <e2>Cayo District<\e2>.
Belmopan () is the capital city of Belize. Its population in 2010 was 16,451. Although the smallest capital city in the continental Americas by population, Belmopan is the third - largest settlement in Belize, behind Belize City and San Ignacio. Founded as a planned community in 1970, Belmopan is one of the newest national capital cities in the world. Since 2000 Belmopan has been one of two settlements in Belize to hold official city status, along with Belize City. Belmopan is located in Cayo District at an altitude of above sea level. Belmopan was constructed just to the east of the Belize River, inland from the former capital, the port of Belize City, after that city's near destruction by Hurricane Hattie in 1961. The government was moved to Belmopan in 1970. Its National Assembly Building is designed to resemble a Pre - Columbian Maya temple. | located in the administrative territorial entity | 3 | [
"National Assembly Building",
"Cayo District"
]
| 64,888 |
[
"University of Otago",
"located in the administrative territorial entity",
"Dunedin"
]
| Find the relation between <e1>University of Otago<\e1> and <e2>Dunedin<\e2>.
The Robert Burns Fellowship, established in 1958 as a bicentennial celebration, is claimed to be New Zealand's premier literary residency. The list of past fellows includes many of New Zealand's most notable writers. The award was established by an anonymous group (thought to have been instigated by Charles Brasch) to be awarded each year to " writers of imaginative literature, including poetry, drama, fiction, autobiography, biography, essays or literary criticism. "The position is based at the University of Otago in Dunedin, New Zealand. It provides a year's salary along with accommodation and an office for a writer in and around the university. Terms are for one year, although this may be extended to a second year in rare cases. The Robert Burns Fellowship is named after Scotland's national poet Robert Burns. Dunedin is the city in New Zealand with the highest proportion of people of Scottish descent, and one of its founding fathers was Burns's nephew Thomas Burns. To commemorate the 50th anniversary of the fellowship, a book - Nurse to the imagination : Fifty years of the Robert Burns Fellowship - was launched in October 2008, along with commemorations to coincide with Dunedin's 2008 Arts Festival. | located in the administrative territorial entity | 3 | [
"University of Otago",
"Dunedin"
]
| 64,979 |
[
"Thomas Burns",
"country of citizenship",
"New Zealand"
]
| Find the relation between <e1>Thomas Burns<\e1> and <e2>New Zealand<\e2>.
The Robert Burns Fellowship, established in 1958 as a bicentennial celebration, is claimed to be New Zealand's premier literary residency. The list of past fellows includes many of New Zealand's most notable writers. The award was established by an anonymous group (thought to have been instigated by Charles Brasch) to be awarded each year to " writers of imaginative literature, including poetry, drama, fiction, autobiography, biography, essays or literary criticism. "The position is based at the University of Otago in Dunedin, New Zealand. It provides a year's salary along with accommodation and an office for a writer in and around the university. Terms are for one year, although this may be extended to a second year in rare cases. The Robert Burns Fellowship is named after Scotland's national poet Robert Burns. Dunedin is the city in New Zealand with the highest proportion of people of Scottish descent, and one of its founding fathers was Burns's nephew Thomas Burns. To commemorate the 50th anniversary of the fellowship, a book - Nurse to the imagination : Fifty years of the Robert Burns Fellowship - was launched in October 2008, along with commemorations to coincide with Dunedin's 2008 Arts Festival. | country of citizenship | 29 | [
"Thomas Burns",
"New Zealand"
]
| 64,980 |
[
"Robert Burns",
"country of citizenship",
"Scottish"
]
| Find the relation between <e1>Robert Burns<\e1> and <e2>Scottish<\e2>.
The Robert Burns Fellowship, established in 1958 as a bicentennial celebration, is claimed to be New Zealand's premier literary residency. The list of past fellows includes many of New Zealand's most notable writers. The award was established by an anonymous group (thought to have been instigated by Charles Brasch) to be awarded each year to " writers of imaginative literature, including poetry, drama, fiction, autobiography, biography, essays or literary criticism. "The position is based at the University of Otago in Dunedin, New Zealand. It provides a year's salary along with accommodation and an office for a writer in and around the university. Terms are for one year, although this may be extended to a second year in rare cases. The Robert Burns Fellowship is named after Scotland's national poet Robert Burns. Dunedin is the city in New Zealand with the highest proportion of people of Scottish descent, and one of its founding fathers was Burns's nephew Thomas Burns. To commemorate the 50th anniversary of the fellowship, a book - Nurse to the imagination : Fifty years of the Robert Burns Fellowship - was launched in October 2008, along with commemorations to coincide with Dunedin's 2008 Arts Festival. | country of citizenship | 29 | [
"Robert Burns",
"Scottish"
]
| 64,983 |
[
"Robert Burns",
"country of citizenship",
"Scotland"
]
| Find the relation between <e1>Robert Burns<\e1> and <e2>Scotland<\e2>.
The Robert Burns Fellowship, established in 1958 as a bicentennial celebration, is claimed to be New Zealand's premier literary residency. The list of past fellows includes many of New Zealand's most notable writers. The award was established by an anonymous group (thought to have been instigated by Charles Brasch) to be awarded each year to " writers of imaginative literature, including poetry, drama, fiction, autobiography, biography, essays or literary criticism. "The position is based at the University of Otago in Dunedin, New Zealand. It provides a year's salary along with accommodation and an office for a writer in and around the university. Terms are for one year, although this may be extended to a second year in rare cases. The Robert Burns Fellowship is named after Scotland's national poet Robert Burns. Dunedin is the city in New Zealand with the highest proportion of people of Scottish descent, and one of its founding fathers was Burns's nephew Thomas Burns. To commemorate the 50th anniversary of the fellowship, a book - Nurse to the imagination : Fifty years of the Robert Burns Fellowship - was launched in October 2008, along with commemorations to coincide with Dunedin's 2008 Arts Festival. | country of citizenship | 29 | [
"Robert Burns",
"Scotland"
]
| 64,986 |
[
"Robert Burns Fellowship",
"located in the administrative territorial entity",
"Dunedin"
]
| Find the relation between <e1>Robert Burns Fellowship<\e1> and <e2>Dunedin<\e2>.
The Robert Burns Fellowship, established in 1958 as a bicentennial celebration, is claimed to be New Zealand's premier literary residency. The list of past fellows includes many of New Zealand's most notable writers. The award was established by an anonymous group (thought to have been instigated by Charles Brasch) to be awarded each year to " writers of imaginative literature, including poetry, drama, fiction, autobiography, biography, essays or literary criticism. "The position is based at the University of Otago in Dunedin, New Zealand. It provides a year's salary along with accommodation and an office for a writer in and around the university. Terms are for one year, although this may be extended to a second year in rare cases. The Robert Burns Fellowship is named after Scotland's national poet Robert Burns. Dunedin is the city in New Zealand with the highest proportion of people of Scottish descent, and one of its founding fathers was Burns's nephew Thomas Burns. To commemorate the 50th anniversary of the fellowship, a book - Nurse to the imagination : Fifty years of the Robert Burns Fellowship - was launched in October 2008, along with commemorations to coincide with Dunedin's 2008 Arts Festival. | located in the administrative territorial entity | 3 | [
"Robert Burns Fellowship",
"Dunedin"
]
| 64,990 |
[
"Frédéric Talgorn",
"place of birth",
"Toulouse"
]
| Find the relation between <e1>Frédéric Talgorn<\e1> and <e2>Toulouse<\e2>.
Frédéric Talgorn (born 2 July 1961 in Toulouse, France) is a French composer for film and television. He studied music at the Paris Conservatoire where his teachers included Sabine Lacoraet and Yvonne Loriod, but he completed his studies on his own. In 1987 he moved to the United States where he began to compose film music. He also wrote the official music to accompany the Olympic flame for the 1992 Winter Olympic Games. Notable film scores include Edge of Sanity (1989), (1990), Robot Jox (1990), Fortress (1992) and The Temp (1993). He also has an extensive catalogue of concert music, and has often conducted his own works in concert and recording sessions. He has also conducted and recorded film scores of others with the Royal Scottish National Orchestra. | place of birth | 19 | [
"Frédéric Talgorn",
"Toulouse"
]
| 65,116 |
[
"Frédéric Talgorn",
"country of citizenship",
"France"
]
| Find the relation between <e1>Frédéric Talgorn<\e1> and <e2>France<\e2>.
Frédéric Talgorn (born 2 July 1961 in Toulouse, France) is a French composer for film and television. He studied music at the Paris Conservatoire where his teachers included Sabine Lacoraet and Yvonne Loriod, but he completed his studies on his own. In 1987 he moved to the United States where he began to compose film music. He also wrote the official music to accompany the Olympic flame for the 1992 Winter Olympic Games. Notable film scores include Edge of Sanity (1989), (1990), Robot Jox (1990), Fortress (1992) and The Temp (1993). He also has an extensive catalogue of concert music, and has often conducted his own works in concert and recording sessions. He has also conducted and recorded film scores of others with the Royal Scottish National Orchestra. | country of citizenship | 29 | [
"Frédéric Talgorn",
"France"
]
| 65,117 |
[
"Frédéric Talgorn",
"educated at",
"Paris Conservatoire"
]
| Find the relation between <e1>Frédéric Talgorn<\e1> and <e2>Paris Conservatoire<\e2>.
Frédéric Talgorn (born 2 July 1961 in Toulouse, France) is a French composer for film and television. He studied music at the Paris Conservatoire where his teachers included Sabine Lacoraet and Yvonne Loriod, but he completed his studies on his own. In 1987 he moved to the United States where he began to compose film music. He also wrote the official music to accompany the Olympic flame for the 1992 Winter Olympic Games. Notable film scores include Edge of Sanity (1989), (1990), Robot Jox (1990), Fortress (1992) and The Temp (1993). He also has an extensive catalogue of concert music, and has often conducted his own works in concert and recording sessions. He has also conducted and recorded film scores of others with the Royal Scottish National Orchestra. | educated at | 25 | [
"Frédéric Talgorn",
"Paris Conservatoire"
]
| 65,118 |
[
"Frédéric Talgorn",
"country of citizenship",
"French"
]
| Find the relation between <e1>Frédéric Talgorn<\e1> and <e2>French<\e2>.
Frédéric Talgorn (born 2 July 1961 in Toulouse, France) is a French composer for film and television. He studied music at the Paris Conservatoire where his teachers included Sabine Lacoraet and Yvonne Loriod, but he completed his studies on his own. In 1987 he moved to the United States where he began to compose film music. He also wrote the official music to accompany the Olympic flame for the 1992 Winter Olympic Games. Notable film scores include Edge of Sanity (1989), (1990), Robot Jox (1990), Fortress (1992) and The Temp (1993). He also has an extensive catalogue of concert music, and has often conducted his own works in concert and recording sessions. He has also conducted and recorded film scores of others with the Royal Scottish National Orchestra. | country of citizenship | 29 | [
"Frédéric Talgorn",
"French"
]
| 65,119 |
[
"Fortress",
"composer",
"Frédéric Talgorn"
]
| Find the relation between <e1>Fortress<\e1> and <e2>Frédéric Talgorn<\e2>.
Frédéric Talgorn (born 2 July 1961 in Toulouse, France) is a French composer for film and television. He studied music at the Paris Conservatoire where his teachers included Sabine Lacoraet and Yvonne Loriod, but he completed his studies on his own. In 1987 he moved to the United States where he began to compose film music. He also wrote the official music to accompany the Olympic flame for the 1992 Winter Olympic Games. Notable film scores include Edge of Sanity (1989), (1990), Robot Jox (1990), Fortress (1992) and The Temp (1993). He also has an extensive catalogue of concert music, and has often conducted his own works in concert and recording sessions. He has also conducted and recorded film scores of others with the Royal Scottish National Orchestra. | composer | 50 | [
"Fortress",
"Frédéric Talgorn"
]
| 65,122 |
[
"The Temp",
"composer",
"Frédéric Talgorn"
]
| Find the relation between <e1>The Temp<\e1> and <e2>Frédéric Talgorn<\e2>.
Frédéric Talgorn (born 2 July 1961 in Toulouse, France) is a French composer for film and television. He studied music at the Paris Conservatoire where his teachers included Sabine Lacoraet and Yvonne Loriod, but he completed his studies on his own. In 1987 he moved to the United States where he began to compose film music. He also wrote the official music to accompany the Olympic flame for the 1992 Winter Olympic Games. Notable film scores include Edge of Sanity (1989), (1990), Robot Jox (1990), Fortress (1992) and The Temp (1993). He also has an extensive catalogue of concert music, and has often conducted his own works in concert and recording sessions. He has also conducted and recorded film scores of others with the Royal Scottish National Orchestra. | composer | 50 | [
"The Temp",
"Frédéric Talgorn"
]
| 65,124 |
[
"Edge of Sanity",
"composer",
"Frédéric Talgorn"
]
| Find the relation between <e1>Edge of Sanity<\e1> and <e2>Frédéric Talgorn<\e2>.
Frédéric Talgorn (born 2 July 1961 in Toulouse, France) is a French composer for film and television. He studied music at the Paris Conservatoire where his teachers included Sabine Lacoraet and Yvonne Loriod, but he completed his studies on his own. In 1987 he moved to the United States where he began to compose film music. He also wrote the official music to accompany the Olympic flame for the 1992 Winter Olympic Games. Notable film scores include Edge of Sanity (1989), (1990), Robot Jox (1990), Fortress (1992) and The Temp (1993). He also has an extensive catalogue of concert music, and has often conducted his own works in concert and recording sessions. He has also conducted and recorded film scores of others with the Royal Scottish National Orchestra. | composer | 50 | [
"Edge of Sanity",
"Frédéric Talgorn"
]
| 65,126 |
[
"Robot Jox",
"composer",
"Frédéric Talgorn"
]
| Find the relation between <e1>Robot Jox<\e1> and <e2>Frédéric Talgorn<\e2>.
Frédéric Talgorn (born 2 July 1961 in Toulouse, France) is a French composer for film and television. He studied music at the Paris Conservatoire where his teachers included Sabine Lacoraet and Yvonne Loriod, but he completed his studies on his own. In 1987 he moved to the United States where he began to compose film music. He also wrote the official music to accompany the Olympic flame for the 1992 Winter Olympic Games. Notable film scores include Edge of Sanity (1989), (1990), Robot Jox (1990), Fortress (1992) and The Temp (1993). He also has an extensive catalogue of concert music, and has often conducted his own works in concert and recording sessions. He has also conducted and recorded film scores of others with the Royal Scottish National Orchestra. | composer | 50 | [
"Robot Jox",
"Frédéric Talgorn"
]
| 65,129 |
[
"1992 Winter Olympic Games",
"instance of",
"Olympic"
]
| Find the relation between <e1>1992 Winter Olympic Games<\e1> and <e2>Olympic<\e2>.
Frédéric Talgorn (born 2 July 1961 in Toulouse, France) is a French composer for film and television. He studied music at the Paris Conservatoire where his teachers included Sabine Lacoraet and Yvonne Loriod, but he completed his studies on his own. In 1987 he moved to the United States where he began to compose film music. He also wrote the official music to accompany the Olympic flame for the 1992 Winter Olympic Games. Notable film scores include Edge of Sanity (1989), (1990), Robot Jox (1990), Fortress (1992) and The Temp (1993). He also has an extensive catalogue of concert music, and has often conducted his own works in concert and recording sessions. He has also conducted and recorded film scores of others with the Royal Scottish National Orchestra. | instance of | 2 | [
"1992 Winter Olympic Games",
"Olympic"
]
| 65,132 |
[
"Yvonne Loriod",
"employer",
"Paris Conservatoire"
]
| Find the relation between <e1>Yvonne Loriod<\e1> and <e2>Paris Conservatoire<\e2>.
Frédéric Talgorn (born 2 July 1961 in Toulouse, France) is a French composer for film and television. He studied music at the Paris Conservatoire where his teachers included Sabine Lacoraet and Yvonne Loriod, but he completed his studies on his own. In 1987 he moved to the United States where he began to compose film music. He also wrote the official music to accompany the Olympic flame for the 1992 Winter Olympic Games. Notable film scores include Edge of Sanity (1989), (1990), Robot Jox (1990), Fortress (1992) and The Temp (1993). He also has an extensive catalogue of concert music, and has often conducted his own works in concert and recording sessions. He has also conducted and recorded film scores of others with the Royal Scottish National Orchestra. | employer | 38 | [
"Yvonne Loriod",
"Paris Conservatoire"
]
| 65,133 |
[
"Sabine Lacoraet",
"employer",
"Paris Conservatoire"
]
| Find the relation between <e1>Sabine Lacoraet<\e1> and <e2>Paris Conservatoire<\e2>.
Frédéric Talgorn (born 2 July 1961 in Toulouse, France) is a French composer for film and television. He studied music at the Paris Conservatoire where his teachers included Sabine Lacoraet and Yvonne Loriod, but he completed his studies on his own. In 1987 he moved to the United States where he began to compose film music. He also wrote the official music to accompany the Olympic flame for the 1992 Winter Olympic Games. Notable film scores include Edge of Sanity (1989), (1990), Robot Jox (1990), Fortress (1992) and The Temp (1993). He also has an extensive catalogue of concert music, and has often conducted his own works in concert and recording sessions. He has also conducted and recorded film scores of others with the Royal Scottish National Orchestra. | employer | 38 | [
"Sabine Lacoraet",
"Paris Conservatoire"
]
| 65,134 |
[
"Frédéric Talgorn",
"notable work",
"Fortress"
]
| Find the relation between <e1>Frédéric Talgorn<\e1> and <e2>Fortress<\e2>.
Frédéric Talgorn (born 2 July 1961 in Toulouse, France) is a French composer for film and television. He studied music at the Paris Conservatoire where his teachers included Sabine Lacoraet and Yvonne Loriod, but he completed his studies on his own. In 1987 he moved to the United States where he began to compose film music. He also wrote the official music to accompany the Olympic flame for the 1992 Winter Olympic Games. Notable film scores include Edge of Sanity (1989), (1990), Robot Jox (1990), Fortress (1992) and The Temp (1993). He also has an extensive catalogue of concert music, and has often conducted his own works in concert and recording sessions. He has also conducted and recorded film scores of others with the Royal Scottish National Orchestra. | notable work | 33 | [
"Frédéric Talgorn",
"Fortress"
]
| 65,136 |
[
"Frédéric Talgorn",
"notable work",
"The Temp"
]
| Find the relation between <e1>Frédéric Talgorn<\e1> and <e2>The Temp<\e2>.
Frédéric Talgorn (born 2 July 1961 in Toulouse, France) is a French composer for film and television. He studied music at the Paris Conservatoire where his teachers included Sabine Lacoraet and Yvonne Loriod, but he completed his studies on his own. In 1987 he moved to the United States where he began to compose film music. He also wrote the official music to accompany the Olympic flame for the 1992 Winter Olympic Games. Notable film scores include Edge of Sanity (1989), (1990), Robot Jox (1990), Fortress (1992) and The Temp (1993). He also has an extensive catalogue of concert music, and has often conducted his own works in concert and recording sessions. He has also conducted and recorded film scores of others with the Royal Scottish National Orchestra. | notable work | 33 | [
"Frédéric Talgorn",
"The Temp"
]
| 65,137 |
[
"Frédéric Talgorn",
"notable work",
"Edge of Sanity"
]
| Find the relation between <e1>Frédéric Talgorn<\e1> and <e2>Edge of Sanity<\e2>.
Frédéric Talgorn (born 2 July 1961 in Toulouse, France) is a French composer for film and television. He studied music at the Paris Conservatoire where his teachers included Sabine Lacoraet and Yvonne Loriod, but he completed his studies on his own. In 1987 he moved to the United States where he began to compose film music. He also wrote the official music to accompany the Olympic flame for the 1992 Winter Olympic Games. Notable film scores include Edge of Sanity (1989), (1990), Robot Jox (1990), Fortress (1992) and The Temp (1993). He also has an extensive catalogue of concert music, and has often conducted his own works in concert and recording sessions. He has also conducted and recorded film scores of others with the Royal Scottish National Orchestra. | notable work | 33 | [
"Frédéric Talgorn",
"Edge of Sanity"
]
| 65,138 |
[
"Frédéric Talgorn",
"notable work",
"Robot Jox"
]
| Find the relation between <e1>Frédéric Talgorn<\e1> and <e2>Robot Jox<\e2>.
Frédéric Talgorn (born 2 July 1961 in Toulouse, France) is a French composer for film and television. He studied music at the Paris Conservatoire where his teachers included Sabine Lacoraet and Yvonne Loriod, but he completed his studies on his own. In 1987 he moved to the United States where he began to compose film music. He also wrote the official music to accompany the Olympic flame for the 1992 Winter Olympic Games. Notable film scores include Edge of Sanity (1989), (1990), Robot Jox (1990), Fortress (1992) and The Temp (1993). He also has an extensive catalogue of concert music, and has often conducted his own works in concert and recording sessions. He has also conducted and recorded film scores of others with the Royal Scottish National Orchestra. | notable work | 33 | [
"Frédéric Talgorn",
"Robot Jox"
]
| 65,139 |
[
"John MacDonald",
"child",
"Angus Óg"
]
| Find the relation between <e1>John MacDonald<\e1> and <e2>Angus Óg<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | child | 18 | [
"John MacDonald",
"Angus Óg"
]
| 65,427 |
[
"Stewart Kings",
"country",
"Scotland"
]
| Find the relation between <e1>Stewart Kings<\e1> and <e2>Scotland<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | country | 4 | [
"Stewart Kings",
"Scotland"
]
| 65,432 |
[
"Stewart Kings",
"country",
"Scottish"
]
| Find the relation between <e1>Stewart Kings<\e1> and <e2>Scottish<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | country | 4 | [
"Stewart Kings",
"Scottish"
]
| 65,433 |
[
"Angus Óg",
"father",
"John MacDonald"
]
| Find the relation between <e1>Angus Óg<\e1> and <e2>John MacDonald<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | father | 26 | [
"Angus Óg",
"John MacDonald"
]
| 65,434 |
[
"Battle of Bloody Bay",
"location",
"Mull"
]
| Find the relation between <e1>Battle of Bloody Bay<\e1> and <e2>Mull<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | location | 15 | [
"Battle of Bloody Bay",
"Mull"
]
| 65,436 |
[
"James III",
"country of citizenship",
"Scotland"
]
| Find the relation between <e1>James III<\e1> and <e2>Scotland<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | country of citizenship | 29 | [
"James III",
"Scotland"
]
| 65,438 |
[
"John MacDonald",
"position held",
"Lords of the Isles"
]
| Find the relation between <e1>John MacDonald<\e1> and <e2>Lords of the Isles<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | position held | 27 | [
"John MacDonald",
"Lords of the Isles"
]
| 65,439 |
[
"James IV",
"country of citizenship",
"Scotland"
]
| Find the relation between <e1>James IV<\e1> and <e2>Scotland<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | country of citizenship | 29 | [
"James IV",
"Scotland"
]
| 65,440 |
[
"Angus Óg",
"country of citizenship",
"Scotland"
]
| Find the relation between <e1>Angus Óg<\e1> and <e2>Scotland<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | country of citizenship | 29 | [
"Angus Óg",
"Scotland"
]
| 65,441 |
[
"James IV",
"father",
"James III"
]
| Find the relation between <e1>James IV<\e1> and <e2>James III<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | father | 26 | [
"James IV",
"James III"
]
| 65,443 |
[
"James III",
"country of citizenship",
"Scottish"
]
| Find the relation between <e1>James III<\e1> and <e2>Scottish<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | country of citizenship | 29 | [
"James III",
"Scottish"
]
| 65,444 |
[
"Western Isles",
"located in the administrative territorial entity",
"Scottish"
]
| Find the relation between <e1>Western Isles<\e1> and <e2>Scottish<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | located in the administrative territorial entity | 3 | [
"Western Isles",
"Scottish"
]
| 65,445 |
[
"Western Isles",
"located in the administrative territorial entity",
"Scotland"
]
| Find the relation between <e1>Western Isles<\e1> and <e2>Scotland<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | located in the administrative territorial entity | 3 | [
"Western Isles",
"Scotland"
]
| 65,446 |
[
"Isles",
"located in the administrative territorial entity",
"Scottish"
]
| Find the relation between <e1>Isles<\e1> and <e2>Scottish<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | located in the administrative territorial entity | 3 | [
"Isles",
"Scottish"
]
| 65,447 |
[
"Mull",
"located in the administrative territorial entity",
"Scotland"
]
| Find the relation between <e1>Mull<\e1> and <e2>Scotland<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | located in the administrative territorial entity | 3 | [
"Mull",
"Scotland"
]
| 65,448 |
[
"Ross",
"located in the administrative territorial entity",
"Scottish"
]
| Find the relation between <e1>Ross<\e1> and <e2>Scottish<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | located in the administrative territorial entity | 3 | [
"Ross",
"Scottish"
]
| 65,449 |
[
"Angus Óg",
"country of citizenship",
"Scottish"
]
| Find the relation between <e1>Angus Óg<\e1> and <e2>Scottish<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | country of citizenship | 29 | [
"Angus Óg",
"Scottish"
]
| 65,450 |
[
"Western Isles",
"part of",
"Isles"
]
| Find the relation between <e1>Western Isles<\e1> and <e2>Isles<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | part of | 7 | [
"Western Isles",
"Isles"
]
| 65,452 |
[
"Mull",
"located in the administrative territorial entity",
"Scottish"
]
| Find the relation between <e1>Mull<\e1> and <e2>Scottish<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | located in the administrative territorial entity | 3 | [
"Mull",
"Scottish"
]
| 65,453 |
[
"Isles",
"has part(s)",
"Western Isles"
]
| Find the relation between <e1>Isles<\e1> and <e2>Western Isles<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | has part(s) | 10 | [
"Isles",
"Western Isles"
]
| 65,454 |
[
"James IV",
"country of citizenship",
"Scottish"
]
| Find the relation between <e1>James IV<\e1> and <e2>Scottish<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | country of citizenship | 29 | [
"James IV",
"Scottish"
]
| 65,455 |
[
"James III",
"child",
"James IV"
]
| Find the relation between <e1>James III<\e1> and <e2>James IV<\e2>.
John of Islay (or John MacDonald) (1434 – 1503) was a late medieval Scottish magnate. He was Earl of Ross and the 4th Lord of the Isles as well as being Mac Domhnaill, chief of Clan Donald. John would however prove to be the last of the Lords of the Isles, overmighty subjects of the Stewart Kings of Scotland and virtual kings in their own right in the Western Isles. His struggle for power with King James III of Scotland ended in humiliation, following which his illegitimate son Angus Óg rebelled against his rule. In a bitter civil war, John's fleet of galleys met those of Angus sometime in the early 1480s off the coast of Mull at the Battle of Bloody Bay, in which John's cause was defeated. After Bloody Bay he became an inconsequential figure ; and Angus continued to dominate the affairs of Clan Donald up until his murder in 1490. In 1493 James IV brought the Lordship of the Isles to an end. John died unlamented in 1503, having witnessed the almost complete destruction of his family inheritance. | child | 18 | [
"James III",
"James IV"
]
| 65,456 |
[
"League of Automatic Music Composers",
"has part(s)",
"Rich Gold"
]
| Find the relation between <e1>League of Automatic Music Composers<\e1> and <e2>Rich Gold<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | has part(s) | 10 | [
"League of Automatic Music Composers",
"Rich Gold"
]
| 65,735 |
[
"League of Automatic Music Composers",
"has part(s)",
"Jim Horton"
]
| Find the relation between <e1>League of Automatic Music Composers<\e1> and <e2>Jim Horton<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | has part(s) | 10 | [
"League of Automatic Music Composers",
"Jim Horton"
]
| 65,736 |
[
"The Hub",
"notable work",
"Stuck Note"
]
| Find the relation between <e1>The Hub<\e1> and <e2>Stuck Note<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | notable work | 33 | [
"The Hub",
"Stuck Note"
]
| 65,737 |
[
"League of Automatic Music Composers",
"has part(s)",
"John Bischoff"
]
| Find the relation between <e1>League of Automatic Music Composers<\e1> and <e2>John Bischoff<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | has part(s) | 10 | [
"League of Automatic Music Composers",
"John Bischoff"
]
| 65,738 |
[
"League of Automatic Music Composers",
"has part(s)",
"Tim Perkis"
]
| Find the relation between <e1>League of Automatic Music Composers<\e1> and <e2>Tim Perkis<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | has part(s) | 10 | [
"League of Automatic Music Composers",
"Tim Perkis"
]
| 65,739 |
[
"The Hub",
"has part(s)",
"Tim Perkis"
]
| Find the relation between <e1>The Hub<\e1> and <e2>Tim Perkis<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | has part(s) | 10 | [
"The Hub",
"Tim Perkis"
]
| 65,742 |
[
"Scot Gresham-Lancaster",
"country of citizenship",
"American"
]
| Find the relation between <e1>Scot Gresham-Lancaster<\e1> and <e2>American<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | country of citizenship | 29 | [
"Scot Gresham-Lancaster",
"American"
]
| 65,744 |
[
"The Hub",
"has part(s)",
"John Bischoff"
]
| Find the relation between <e1>The Hub<\e1> and <e2>John Bischoff<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | has part(s) | 10 | [
"The Hub",
"John Bischoff"
]
| 65,745 |
[
"John Bischoff",
"country of citizenship",
"American"
]
| Find the relation between <e1>John Bischoff<\e1> and <e2>American<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | country of citizenship | 29 | [
"John Bischoff",
"American"
]
| 65,747 |
[
"Stuck Note",
"performer",
"The Hub"
]
| Find the relation between <e1>Stuck Note<\e1> and <e2>The Hub<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | performer | 35 | [
"Stuck Note",
"The Hub"
]
| 65,748 |
[
"The LAB",
"located in the administrative territorial entity",
"San Francisco"
]
| Find the relation between <e1>The LAB<\e1> and <e2>San Francisco<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | located in the administrative territorial entity | 3 | [
"The LAB",
"San Francisco"
]
| 65,749 |
[
"Clocktower",
"located in the administrative territorial entity",
"New York"
]
| Find the relation between <e1>Clocktower<\e1> and <e2>New York<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | located in the administrative territorial entity | 3 | [
"Clocktower",
"New York"
]
| 65,750 |
[
"Network Muse Festival",
"location",
"San Francisco"
]
| Find the relation between <e1>Network Muse Festival<\e1> and <e2>San Francisco<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | location | 15 | [
"Network Muse Festival",
"San Francisco"
]
| 65,752 |
[
"The Hub",
"has part(s)",
"Chris Brown"
]
| Find the relation between <e1>The Hub<\e1> and <e2>Chris Brown<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | has part(s) | 10 | [
"The Hub",
"Chris Brown"
]
| 65,755 |
[
"The Hub",
"has part(s)",
"Scot Gresham-Lancaster"
]
| Find the relation between <e1>The Hub<\e1> and <e2>Scot Gresham-Lancaster<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | has part(s) | 10 | [
"The Hub",
"Scot Gresham-Lancaster"
]
| 65,756 |
[
"The Hub",
"has part(s)",
"Mark Trayle"
]
| Find the relation between <e1>The Hub<\e1> and <e2>Mark Trayle<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | has part(s) | 10 | [
"The Hub",
"Mark Trayle"
]
| 65,758 |
[
"Rich Gold",
"part of",
"League of Automatic Music Composers"
]
| Find the relation between <e1>Rich Gold<\e1> and <e2>League of Automatic Music Composers<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | part of | 7 | [
"Rich Gold",
"League of Automatic Music Composers"
]
| 65,759 |
[
"Jim Horton",
"part of",
"League of Automatic Music Composers"
]
| Find the relation between <e1>Jim Horton<\e1> and <e2>League of Automatic Music Composers<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | part of | 7 | [
"Jim Horton",
"League of Automatic Music Composers"
]
| 65,760 |
[
"John Bischoff",
"part of",
"League of Automatic Music Composers"
]
| Find the relation between <e1>John Bischoff<\e1> and <e2>League of Automatic Music Composers<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | part of | 7 | [
"John Bischoff",
"League of Automatic Music Composers"
]
| 65,761 |
[
"Tim Perkis",
"part of",
"League of Automatic Music Composers"
]
| Find the relation between <e1>Tim Perkis<\e1> and <e2>League of Automatic Music Composers<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | part of | 7 | [
"Tim Perkis",
"League of Automatic Music Composers"
]
| 65,762 |
[
"Scot Gresham-Lancaster",
"notable work",
"Stuck Note"
]
| Find the relation between <e1>Scot Gresham-Lancaster<\e1> and <e2>Stuck Note<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | notable work | 33 | [
"Scot Gresham-Lancaster",
"Stuck Note"
]
| 65,765 |
[
"Chris Brown",
"part of",
"The Hub"
]
| Find the relation between <e1>Chris Brown<\e1> and <e2>The Hub<\e2>.
The Hub is an American " computer network music " ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham - Lancaster, Mark Trayle and Phil Stone. " The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. "The Hub grew from the League of Automatic Music Composers : John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. Perkis and Bischoff modified their equipment for a performance at The Network Muse Festival in 1986 at The LAB in San Francisco. Instead of creating an ad - hoc wired connection of computer interaction, they decided to use a hub - a general purpose connection for network data. This was less failure - prone and enabled greater collaborations. The Hub was the first band to do a telematic performance in 1987 at the Clocktower in New York. Since this work represents some of the earliest work in the context of the new live music practice of Networked music performance, they have been cited as the archetypal network ensemble in computer music. The Hub's best - known piece, Stuck Note by Scot Gresham - Lancaster has been covered by a number of network music bands, including MiLO- the Milwaukee Laptop Orchestraand BiLE- the Birmingham Laptop Ensemble. They have collaborated with Rova Saxophone Quartet, Nick Collins, Phill Niblock, and Alvin Curran. They currently perform around the world after a multi - year hiatus, ending in 2004. | part of | 7 | [
"Chris Brown",
"The Hub"
]
| 65,766 |
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