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upon his arrival he hears talk about monroe hutchen ( snipes ) who is the top ranked prison boxing champ 10 years running .
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an offbeat horror tale about a group of five college friends on vacation at a remote mountain cabin when one contracts a flesh-eating virus .
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for those in search of something different , wendigo is a genuinely bone-chilling tale .
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subjective
part of the film 's cheeky charm comes from its vintage schmaltz .
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though he tried to maintain a life of solitude , he is soon entangled with an artist who is struggling with a personal tragedy and an overly-friendly cuban hot dog vendor .
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a powerful , compelling and intelligent if imperfect work . . . a film of enormous ambition which realizes its aims more often than not .
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subjective
this is not a retread of `` dead poets ' society . ``
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ritchie may not have a novel thought in his head , but he knows how to pose madonna .
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when carlitos is released after doing 2 years of `` hard time `` , he attempts to redeem himself and sets an example for his 5 year-old son .
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ritchie 's film is easier to swallow than wertmuller 's polemical allegory , but it 's self-defeatingly decorous .
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subjective
viewed on its own terms , treasure planet is better-than-average family entertainment , but true fans of the stevenson 's novel will likely prefer disney 's more faithful 1950 live-action swashbuckling classic .
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it has been a year since johnny and wayne created the ultimate bra for samantha 's company .
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however , when novak 's book is a complete success , catcher finds himself being blown off by her !
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been there , done that , liked it much better the first time around - when it was called the professional .
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subjective
characterisation has been sacrificed for the sake of spectacle .
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subjective
just as steven spielberg directed stanley kubrick 's 'a . i . ' ,
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a sexy , peculiar and always entertaining costume drama set in renaissance spain , and the fact that it 's based on true events somehow makes it all the more compelling .
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these two facts cause a chain of events that changes not only her life , but also that of her friends in a brutal way . . .
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while the subject 's appeal is limited and the film 's 106-minute running time excessive , viewers who do respond to the pic will find it raw , real and cathartic .
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speaks eloquently about the symbiotic relationship between art and life .
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it picked me up , swung me around , and dropped me back in my seat with more emotional force than any other recent film .
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if you 're able to go , relax and lower your expectations , you might be carried away by it .
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land , people and narrative flow together in a stark portrait of motherhood deferred and desire explored .
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less about shakespeare than the spawn of fools who saw quentin tarantino 's handful of raucous gangster films and branched out into their own pseudo-witty copycat interpretations .
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as asked in the first movie , what sort of people name their son gay m . focker ?
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set in 1989 , during the historical week in which the berlin wall came tumbling down .
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so mind-numbingly awful that you hope britney wo n't do it one more time , as far as movies are concerned .
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the young man keeps searching and finds an oasis of freedom in a sunflower field .
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mitch ( michael paloma ) , our leading man , is an ex-desert storm hero with a lot of bad luck .
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at the end of the movie , my 6-year-old nephew said , `` i guess i come from a broken family , and my uncles are all aliens , too . `` congrats disney on a job well done , i enjoyed it just as much !
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subjective
this is the kind of movie during which you want to bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness .
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subjective
[ fiji diver rusi vulakoro and the married couple howard and michelle hall ] show us the world they love and make us love it , too .
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when the fire burns out , we 've only come face-to-face with a couple dragons and that 's where the film ultimately fails .
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jolynn is convinced her clock is ticking and is dead set on making dave hear it -- and on making dave do the laundry .
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his intricate paintings of the devil and his elaborate journal entries depicting encounters with him led sigmund freud to diagnose him as one of the first known schizophrenics .
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awara paagal deewana is an action comedy , which revolves around a dentist who accidentally gets trapped into underworld and goes in for a roller coaster ride .
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and so he does , at the risk of exposing the ugly truth beneath his false facade .
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assigned to the vicious in-club slaying of a promising young rap act , the two detective delve into the recording industry where they hope to find answers - ideally ones that also come with property buyers or auditions .
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it 's endearing to hear madame d . refer to her husband as 'jackie ' -- and he does make for excellent company , not least as a self-conscious performer .
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could use a little more humanity , but it never lacks in eye-popping visuals .
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more concerned with sade 's ideas than with his actions . the movie achieves as great an impact by keeping these thoughts hidden as . . . [ quills ] did by showing them .
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talk to her is so darned assured , we have absolutely no idea who the main characters are until the film is well under way -- and yet it 's hard to stop watching .
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if there was any doubt that peter o'fallon did n't have an original bone in his body , a rumor of angels should dispel it .
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subjective
a mawkish , implausible platonic romance that makes chaplin 's city lights seem dispassionate by comparison .
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peralta captures , in luminous interviews and amazingly evocative film from three decades ago , the essence of the dogtown experience .
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film ca n't quite maintain its initial momentum , but remains sporadically funny throughout .
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years after escaping to the wastelands outside the city , claire , one of the few people left who is not an addict , returns looking for the one man who still matters to her .
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they then took over a pub in glenrowan , where they basically held a party , waiting for a train full of police to derail at a part of the track that they tore up .
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it is a timely film and a transporting one .
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subjective
unlike his directorial efforts , la femme nikita and the professional , the transporter lacks besson 's perspective as a storyteller .
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an unintentional parody of every teen movie made in the last five years .
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martha is rich in contradictions , her tightly wound personality running counter to the sensual pleasure she offers others through her art .
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having never been a huge fan of dickens ' 800-page novel , it surprised me how much pleasure i had watching mcgrath 's version .
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[ while the last metro ] was more melodramatic , confined to a single theater company and its strategies and deceptions , while tavernier is more concerned with the entire period of history .
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. . . comes alive only when it switches gears to the sentimental .
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by candidly detailing the politics involved in the creation of an extraordinary piece of music , [ jones ] calls our attention to the inherent conflict between commerce and creativity .
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in the early years , mitra is repeatedly punished as the warden tries to break her .
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levi , is an ex-navy man and an animal rights activist who returns home to find the war at home harder to fight than anything he 's ever encountered , but what and who is he fighting for ?
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enter stella ( theron ) , a beautiful nerves-of-steel safecracker , who joins charlie and his former gang when they follow the backstabber to california , where they plan to re-steal the gold by tapping into los angeles ' traffic control system , manipulating signals and creating one of the biggest traffic jams in la history .
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but his mentor and `` trainer `` joe ( chazz palminteri ) , a shady hustler who decides how and who johnny plays , is holding him back from his dream .
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a quirky family parks its trailer on a texas desert and tries to build the golf course of the father 's dreams .
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no film could possibly be more contemptuous of the single female population .
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and could going through with it destroy their marriages and friendships ?
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the limited sets and small confined and dark spaces also are homages to a classic low-budget film noir movie .
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subjective
crazy jones is the story of finnigan jones , a depressed , semi-suicidal leaf-blower with tourette 's syndrome ( t . s . ) .
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harris commands the screen , using his frailty to suggest the ravages of a life of corruption and ruthlessness .
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. . . a ho-hum affair , always watchable yet hardly memorable .
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shows that jackie chan is getting older , and that 's something i would rather live in denial about
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in this vivid , emotionally complex ensemble piece , korean writer-director jeong jae-eun portrays this extraordinary turning point in every woman 's life .
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haruna passes her days looking at the sea , her beautiful face is bandaged .
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just about all of the film is confusing on one level or another , making ararat far more demanding than it needs to be .
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huppert 's superbly controlled display of murderous vulnerability ensures that malice has a very human face .
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after a drastic confrontation with the 'normal ' outside world that results in fighting and panic , the group breaks up .
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one is found in the city 's landfill site , and the other is horrifically murdered on a public bus .
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she tells him , and they go to the sonogram appointment together .
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it helps in establishing connections , for instance between the strangely german kulturfilm and the film avant-garde of la sarraz .
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a little judicious editing would have helped a lot , but the talented cast matches the film 's ambitions and compensates for its modest budget .
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the aaa of action , xxx is a blast of adrenalin , rated eee for excitement . and vin diesel is the man .
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chep 's growing love for fran makes him willing to prowl the dark streets at night in search of items for her .
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brings awareness to an issue often overlooked -- women 's depression .
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the whole thing plays like a tired tyco ad .
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he indeed is douglas ( timothy bottoms ) , a perfect look-a-like .
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as his friends , family and representatives come to his aid , scotty 's inability to write propels his life into a direction from which he may not be able to regain control .
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it 's clear why deuces wild , which was shot two years ago , has been gathering dust on mgm 's shelf .
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subjective
it will take a strong stomach for the ordinary viewer to maintain an appetite for pinochet apologetics after this litany of suffering .
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but things did not work as he planned , until . . .
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en este ambiente de violencia y pesimismo , salva y & # 193 ; ngel , dos p & # 237 ; caros de barrio , se ganan la vida mendigando en el metro para sus patatas bravas y sus verm & # 250 ; s de grifo .
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after a glamorous -- but short-lived -- career as a movie star , evans tried out producing .
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the chase is on - the russians , whose dna code it is that mattie has in her backpack , and a group of terrorists compete to get the code from the person they all assume has it , gerry .
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munnabhai starts wooing komal but she is in love with raja ( ajay devgan ) , a local vagabond doing nothing except working in a bowling alley as a bouncer .
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i complain all the time about seeing the same ideas repeated in films over and over again , but the bourne identity proves that a fresh take is always possible .
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after being arrested , a young street-racing addict attempts to avoid the pitfalls of his illegal pastime .
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upon sighting a small , previously not there , diner , he pulls in to find help .
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underachieves only in not taking the shakespeare parallels quite far enough .
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with his signature sense of angry humour , activist filmmaker michael moore sets out to explore the roots of this bloodshed .
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the kind of history lesson that you would n't mind seeing again and again , no matter the format .
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a well-crafted film that is all the more remarkable because it achieves its emotional power and moments of revelation with restraint and a delicate ambiguity .
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smart and fun , but far more witty than it is wise .
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it 's as if a bored cage spent the duration of the film 's shooting schedule waiting to scream : `` got aids yet ? ``
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feels a little too carefully crafted to be absolutely truthful , but nonetheless yields rich food for thought about the pains of the creative process and the insecurities of the artistic temperament .
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