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you can tell almost immediately that welcome to collinwood is n't going to jell .
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anxious to use artificial life to improve the world , rosetta stone , ( tilda swinton ) , a bio-geneticist creates a recipe for cyborgs and uses her own dna in order to breed three self replicating automatons , part human , part computer named ruby , olive and marine ( also played by tilda swinton ) .
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beginning with the world trade center 's north tower afire and billowing dense smoke , and ending on the vast expanse of ash-brown debris the following morning , the first 24 hours documents `` ground zero `` in the immediate aftermath of the terrorist attacks on september 11 , 2001 .
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it is a dark comedy that challenges the traditional ideas of marriage and questions the societal values of money and sex .
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george discovers both the princess and the truth behind her strange disappearance .
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the film sounds like the stuff of lurid melodrama , but what makes it interesting as a character study is the fact that the story is told from paul 's perspective .
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now , it 's up to kimberly , along with the help of flight 180 junkie thomas burke , clear rivers , and the mortician william bloodworth , kimberly must find a way to stop death before it 's to late . . .
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after losing his and young son to divorce , he finds no alternative but to kidnap the boy inevitably dragging him through a harrowing journey of grief and as he learns to accept himself .
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from the late master filmmaker krzysztof kieslowski comes 'heaven ' , the first installment of a trilogy .
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the plot is very clever , but boyd weighs it down with too many characters and events , all intertwined and far too complicated to keep track of .
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her constant groans and howls of amorous pleasure turn ted 's domain of conquest and libidinous triumph into a nightmare world of bachelorman-interruptus .
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in 8 minutes we go into the life of a little boy who tries to get away with not doing his task .
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under the pressure of her psychological assaults , sam 's do-gooder vaneer cracks and his true nature is revealed .
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offers a gentle summer fantasy for both grown-ups and little ones .
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an empty exercise , a florid but ultimately vapid crime melodrama with lots of surface flash but little emotional resonance .
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. . . if it had been only half-an-hour long or a tv special , the humor would have been fast and furious -- at ninety minutes , it drags .
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the x potion gives the quickly named blossom , bubbles and buttercup supernatural powers that include extraordinary strength and laser-beam eyes , which unfortunately do n't enable them to discern flimsy screenplays .
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however , the enemy terrorists learn of his secret identity and kidnap his girlfriend/fiancee ( gabriel macht ) .
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the ridiculed home secretary is slowly coming to life , but in his way stands a paranoid defense secretary .
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what better place for a writer to pick up a girl ?
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. . . while dark water is n't a complete wash ( no pun intended ) , watched side-by-side with ringu , it ultimately comes off as a pale successor .
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chelsea walls is a case of too many chefs fussing over too weak a recipe .
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what if hitler did n't die in berlin at the end of the war ?
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too restrained to be a freak show , too mercenary and obvious to be cerebral , too dull and pretentious to be engaging . . . the isle defies an easy categorization .
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the adventures of pluto nash is a whole lot of nada .
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welcoming the challenge , roger guides nick through the city 's wild nightlife for an all-night crash course , only to realize that he -- the adult -- still has something to learn about what women , and men , really want .
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i have a confession to make : i did n't particularly like e . t . the first time i saw it as a young boy . that is because - damn it ! - i also wanted a little alien as a friend !
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the crew traveled with the band to their homes in obninsk , russia and to their music conservatories in moscow , documenting how these two girls and five boys became so adept at playing american country music .
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nice balance between real emotions and cute movie moments with a hilarious love scene .
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louiso lets the movie dawdle in classic disaffected-indie-film mode , and brother hoffman 's script stumbles over a late-inning twist that just does n't make sense .
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the venezuelans say things like `` si , pretty much `` and `` por favor , go home `` when talking to americans . that 's muy loco , but no more ridiculous than most of the rest of `` dragonfly . ``
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his plan goes awry , however , when the group is forced to work for a drug ring .
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its audacious ambitions sabotaged by pomposity , steven soderbergh 's space opera emerges as a numbingly dull experience .
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when she begins to question his sanity , she decides to take her chances on her own , only to run into another pair , who on the surface appear to be escaped prisoners on the run .
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he must fend off beings that seek to gain control over the mysterious black mass .
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samira makhmalbaf 's new film blackboards is much like the ethos of a stream of consciousness , although , it 's unfortunate for the viewer that the thoughts and reflections coming through are torpid and banal
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but when fred is fired , the well runs dry , and our heroes come up with a new plan : make their own `` adult `` film .
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capitalizing on his fame as the star of `` hogan 's heroes , `` bob crane ( greg kinnear ) dove into the freewheeling spirit of the 60s and 70s with relish , having affairs with numerous women .
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an intelligently made ( and beautifully edited ) picture that at the very least has a spark of life to it -- more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch .
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this is a third-person story now , told by hollywood , and much more ordinary for it .
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even if you 're an elvis person , you wo n't find anything to get excited about on this dvd .
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but when he realizes that he has to deal with what has got to be god 's most arduous task , listening and answering prayers .
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bravely explores the psychic damage inflicted on jean-luc by a withholding , then absent parent .
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there 's something fishy about a seasonal holiday kids ' movie . . . that derives its moment of most convincing emotional gravity from a scene where santa gives gifts to grownups .
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after gruelling training sessions , the three succeed in robbing the bank , but things go haywire .
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movie fans , get ready to take off . . . the other direction .
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she 's telling her story because she wants to set the record straight , to correct the lies in natalie 's book , which became a bestseller .
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the film intercuts between two days , two years apart .
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phillip noyce and all of his actors -- as well as his cinematographer , christopher doyle -- understand the delicate forcefulness of greene 's prose , and it 's there on the screen in their version of the quiet american .
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he awakes to what appears to be the next morning only to find that he is one year into the future and is an escaped convict for the murder of his fianc & # 233 ; e .
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thirty years ago he was a poor worker who left his girlfriend to pursuit his dream of success .
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big-shot executive robert stiles ' car is damaged when parked at the lodge .
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as the boyfriend also becomes obsessed , it becomes apparent that something more is happening .
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the asylum material is gripping , as are the scenes of jia with his family .
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the pair wave farewell in the airport and yoyo returns to hong kong to further her studies , while cheung continues to write his unfinished dissertation .
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when fowler introduces pyle to his beautiful young vietnamese mistress phuong ( hai yen ) the three become swept up in a tempestuous love triangle that leads to a series of startling revelations and finally - murder .
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nevertheless , carlos puts his artistic aspirations on hold to take over the store and care for his father .
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wanders all over the map thematically and stylistically , and borrows heavily from lynch , jeunet , and von trier while failing to find a spark of its own .
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it is that rare combination of bad writing , bad direction and bad acting -- the trifecta of badness .
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behind in rent , losing any real day jobs they have , they plan a bank robbery .
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believing himself capable of understanding people from the other side of the track , michael fails to recognize that the ex-con is manipulating him and so sets off a catastrophic chain of events in the community .
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working in secret , the progressive group organised the 1959 theatre boycott to end segregation in movie theatres in hamilton .
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the soviet union has collapsed and armenia is on the verge of her independence .
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as charming , humorous and heimisch as its nomadic subjects .
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a film within a film , this is a contemporary story of the making of a historical epic about the armenian holocaust between 1915 and 1918 .
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the result is solemn and horrifying , yet strangely detached .
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beautiful , gentle people of all color of skin surround her and care about her .
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as janice , eileen walsh , an engaging , wide-eyed actress whose teeth are a little too big for her mouth , infuses the movie with much of its slender , glinting charm .
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the angst-ridden , affluent slacker characters are more grating than engaging .
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a beguiling splash of pastel colors and prankish comedy from disney .
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there 's no denying how nice it is to see veteran actors bob hoskins , michael caine and helen mirren interacting with each other on screen .
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sinks so low in a poorly played game of absurd plot twists , idiotic court maneuvers and stupid characters that even freeman ca n't save it .
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for the most part , the film does hold up pretty well .
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soon , they discover that their x-laced escapades are to be interrupted by zombies and monsters that attack them on the ground , from the air , and in the sea , ruled by an evil entity in the house of the dead . . .
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if the movie is finally stuck halfway been cinema and prose , miller proves that it 's not an unfertile place to linger .
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beautifully shot sequences episodically shift back and forth from the past to the present .
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guru gulab is married to vikrant 's stepsister preeti ( preeti jhangiani ) .
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once there , she finds more than she expected .
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a waterlogged version of 'fatal attraction ' for the teeny-bopper set . . . a sad , soggy potboiler that wastes the talents of its attractive young leads .
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a period story about a catholic boy who tries to help a jewish friend get into heaven by sending the audience straight to hell .
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certain that there 's only one way to find out the truth , rachel returns to the hospital .
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their letter has been received in whitehall and merton corroborates their heroic story .
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when rodney is hired to kill a blackmailer who has dirt on a u . s . congressional candidate , it 's just another dead body for a fat wad of cash .
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for all its brilliant touches , dragon loses its fire midway , nearly flickering out by its perfunctory conclusion .
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however due to roxie 's new found fame , velma is forgotten about .
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purely propaganda , a work of unabashed hero worship , it is nonetheless -- and likely inadvertently -- a timely and invaluable implicit reminder of the role that u . s . foreign policy has played in the rise of castro .
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so riddled with unanswered questions that it requires gargantuan leaps of faith just to watch it plod along .
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the best of the pierce brosnan james bond films to date .
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the title trapped turns out to be a pretty fair description of how you feel while you 're watching this ultra-manipulative thriller .
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gangster no . 1 is solid , satisfying fare for adults .
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in late summer 1973 , michael skid , the son of a well-to-do judge , returns home and rents a dilapidated farm .
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brosnan 's finest non-bondish performance yet fails to overcome the film 's manipulative sentimentality and annoying stereotypes .
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as well as a study of mepe 's demise ; an american made dam that stopped the flow of the river which fishermen depended on for survival .
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the film follows haris , a hip , handsome afghan-american artist who shows his work at a downtown manhattan art gallery .
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an exhaustive investigation into the roots and after-effects of the revolutions and counter-revolutions that rocked france , the u . s . , china , latin america and czechoslovakia in 1967 and 1968 .
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they are living eye-witnesses of the end of an era : 800 years of the death penalty in europe .
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crush could be the worst film a man has made about women since valley of the dolls .
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the filmmakers wisely decided to let crocodile hunter steve irwin do what he does best , and fashion a story around him .
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a few months later , both parties realize their mistake and find out that 'getting back what you had ' is not so easy .
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as alex begins to dictate his tale of a romantic love triangle to the charming yet somewhat opinionated stenographer , emma challenges his ideas at every turn .
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