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invincible is a wonderful movie .
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a gentle and engrossing character study .
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stands as one of the year 's most intriguing movie experiences , letting its imagery speak for it while it forces you to ponder anew what a movie can be .
1
like dickens with his passages , mcgrath crafts quite moving scenes throughout his resolutely dramatic variation on the novel .
1
if the real-life story is genuinely inspirational , the movie stirs us as well .
1
in addition to gluing you to the edge of your seat , changing lanes is also a film of freshness , imagination and insight .
1
wiseman reveals the victims of domestic abuse in all of their pity and terror .
1
the additional storyline is interesting and entertaining , but it does n't have the same magical quality as the beginning of the story . i like the new footage and still love the old stuff .
1
( wendigo is ) why we go to the cinema : to be fed through the eye , the heart , the mind .
1
holm . . . embodies the character with an effortlessly regal charisma .
1
the best animated feature to hit theaters since beauty and the beast 11 years ago .
1
narc is a no-bull throwback to 1970s action films . it zips along with b-movie verve while adding the rich details and go-for-broke acting that heralds something special .
1
is truth stranger than fiction ? in [ screenwriter ] charlie kaufman 's world , truth and fiction are equally strange , and his for the taking .
1
it 's usually a bad sign when directors abandon their scripts and go where the moment takes them , but olympia , wash . , based filmmakers anne de marcken and marilyn freeman did just that and it 's what makes their project so interesting .
1
it remains to be seen whether statham can move beyond the crime-land action genre , but then again , who says he has to ?
1
a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films
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the camera soars above the globe in dazzling panoramic shots that make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm .
1
effectively feeds our senses with the chilling sights and sounds from within the camp to create a completely numbing experience .
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it 's funny , as the old saying goes , because it 's true .
1
another in-your-face wallow in the lower depths made by people who have never sung those blues .
0
it confirms fincher 's status as a film maker who artfully bends technical know-how to the service of psychological insight .
1
very well written and directed with brutal honesty and respect for its audience .
1
taylor appears to have blown his entire budget on soundtrack rights and had nothing left over for jokes .
0
'blue crush ' swims away with the sleeper movie of the summer award .
1
so beautifully acted and directed , it 's clear that washington most certainly has a new career ahead of him if he so chooses .
1
rymer does n't trust laughs -- and does n't conjure proper respect for followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects .
0
even the imaginative gore ca n't hide the musty scent of todd farmer 's screenplay , which is a simple retread of the 1979 alien , with a plucky heroine battling a monster loose in a spaceship .
0
this one is strictly a lightweight escapist film .
1
combines sharp comedy , old-fashioned monster movie atmospherics , and genuine heart to create a film that 's not merely about kicking undead * * * , but also about dealing with regret and , ultimately , finding redemption .
1
a movie like the guys is why film criticism can be considered work .
0
when the fire burns out , we 've only come face-to-face with a couple dragons and that 's where the film ultimately fails .
0
an affable but undernourished romantic comedy that fails to match the freshness of the actress-producer and writer 's previous collaboration , miss congeniality .
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legendary irish writer brendan behan 's memoir , borstal boy , has been given a loving screen transferral .
1
full of bland hotels , highways , parking lots , with some glimpses of nature and family warmth , time out is a discreet moan of despair about entrapment in the maze of modern life .
1
it winds up moving in many directions as it searches ( vainly , i think ) for something fresh to say .
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brown 's saga , like many before his , makes for snappy prose but a stumblebum of a movie .
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has all the values of a straight-to-video movie , but because it has a bigger-name cast , it gets a full theatrical release .
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seems content to dog-paddle in the mediocre end of the pool , and it 's a sad , sick sight .
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do n't plan on the perfect ending , but sweet home alabama hits the mark with critics who escaped from a small town life .
1
a refreshingly authentic coming-of-age tale .
1
directed without the expected flair or imagination by hong kong master john woo , windtalkers airs just about every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length .
0
flat , but with a revelatory performance by michelle williams .
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places a slightly believable love triangle in a difficult-to-swallow setting , and then disappointingly moves the story into the realm of an improbable thriller .
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. . . creates a visceral sense of its characters ' lives and conflicted emotions that carries it far above . . . what could have been a melodramatic , lifetime channel-style anthology .
1
light years/ several warp speeds/ levels and levels of dilithium crystals better than the pitiful insurrection . which is n't to say that it 's the equal of some of its predecessors .
1
my thoughts were focused on the characters . that is a compliment to kuras and miller . if i had been thinking about the visual medium , they would have been doing something wrong .
1
those of you who are not an eighth grade girl will most likely doze off during this one .
0
the plan to make enough into M-^Qan inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller ' has flopped as surely as a soufflM-i gone wrong .
0
though the violence is far less sadistic than usual , the film is typical miike : fast , furious and full of off-the-cuff imaginative flourishes .
1
it 's a beautiful film , full of elaborate and twisted characters - and it 's also pretty funny .
1
ramsay , as in ratcatcher , remains a filmmaker with an acid viewpoint and a real gift for teasing chilly poetry out of lives and settings that might otherwise seem drab and sordid .
1
there 's a reason the studio did n't offer an advance screening . `` the adventures of pluto nash `` is a big time stinker .
0
a riveting profile of law enforcement , and a visceral , nasty journey into an urban hades .
1
a dreary indulgence .
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the story and structure are well-honed . fresnadillo 's dark and jolting images have a way of plying into your subconscious like the nightmare you had a week ago that wo n't go away .
1
boasts eye-catching art direction but has a forcefully quirky tone that quickly wears out its limited welcome .
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if you 're in the mood for a bollywood film , here 's one for you .
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an uncomfortable movie , suffocating and sometimes almost senseless , the grey zone does have a center , though a morbid one .
1
lisa rinzler 's cinematography may be lovely , but love liza 's tale itself virtually collapses into an inhalant blackout , maintaining consciousness just long enough to achieve callow pretension .
0
manages to be wholesome and subversive at the same time .
1
generally , clockstoppers will fulfill your wildest fantasies about being a different kind of time traveler , while happily killing 94 minutes .
1
it is most remarkable not because of its epic scope , but because of the startling intimacy it achieves despite that breadth .
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the film has an infectious enthusiasm and we 're touched by the film 's conviction that all life centered on that place , that time and that sport .
1
your appreciation of it will depend on what experiences you bring to it and what associations you choose to make .
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the pianist is the film roman polanski may have been born to make .
1
a big , loud , bang-the-drum bore .
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not sweet enough to liven up its predictable story and will leave even fans of hip-hop sorely disappointed .
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. . . with the gifted pearce on hand to keep things on semi-stable ground dramatically , this retooled machine is ultimately effective enough at achieving the modest , crowd-pleasing goals it sets for itself .
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robin williams departs from his fun friendly demeanor in exchange for a darker unnerving role .
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when a movie asks you to feel sorry for mick jagger 's sex life , it already has one strike against it .
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the film has a few cute ideas and several modest chuckles but it is n't exactly kiddie-friendly alas , santa is more ho-hum than ho-ho-ho and the snowman ( who never gets to play that flute ) has all the charm of a meltdown .
0
little more than a frothy vanity project .
0
stay away . far away .
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eight crazy nights is a showcase for sandler 's many talents .
1
it will grip even viewers who are n't interested in rap , as it cuts to the heart of american society in an unnerving way .
1
sc2 is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit , yet it 's geared toward an audience full of masters of both .
0
thirty years ago , it would have been groundbreaking . now it 's just tired .
0
they should have called it gutterball .
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began life as a computer game , then morphed into a movie -- a bad one , of course .
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even die-hard fans of japanese animation . . . will find this one a challenge .
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the reason i found myself finally unmoved by this film , which is immaculately produced and has serious things to say , is that it comes across rather too plainly as allegory .
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a one-trick pony whose few t & a bits still ca n't save itself from being unoriginal , unfunny and unrecommendable .
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feel bad for king , who 's honestly trying , and schwartzman , who 's shot himself in the foot .
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even when it drags , we are forced to reflect that its visual imagination is breathtaking
1
vividly conveys both the pitfalls and the pleasures of over-the-top love .
1
reign of fire never comes close to recovering from its demented premise , but it does sustain an enjoyable level of ridiculousness .
0
teen movies have really hit the skids .
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a meatballs for the bare-midriff generation .
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koury frighteningly and honestly exposes one teenager 's uncomfortable class resentment and , in turn , his self-inflicted retaliation .
1
not counting a few gross-out comedies i 've been trying to forget , this is the first film in a long time that made me want to bolt the theater in the first 10 minutes .
0
the setting turns out to be more interesting than any of the character dramas , which never reach satisfying conclusions .
0
laced with liberal doses of dark humor , gorgeous exterior photography , and a stable-full of solid performances , no such thing is a fascinating little tale .
1
feels like the work of an artist who is simply tired -- of fighting the same fights , of putting the weight of the world on his shoulders , of playing with narrative form .
0
just too silly and sophomoric to ensnare its target audience .
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it has its moments of swaggering camaraderie , but more often just feels generic , derivative and done to death .
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it 's at once laughable and compulsively watchable , in its committed dumbness .
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this is not a retread of `` dead poets ' society . ``
1
the film is a travesty of the genre and even as spoof takes itself too seriously .
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somehow both wildly implausible and strangely conventional .
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writer-director ritchie reduces wertmuller 's social mores and politics to tiresome jargon .
0