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Australian common names include: broad leaf hopbush, candlewood, giant hopbush, narrow leaf hopbush, sticky hopbush, native hop bush, soapwood, switchsorrel, wedge leaf hopbush, and native hop. The Wiradjuri people of New South Wales use the name Bururr.
Additional common names include: aalii and ‘a‘ali‘i-ku ma kua and ‘a‘ali‘i ku makani in the Hawaiian language; akeake (New Zealand); lampuaye (Guam); mesechelangel (Palau); chirca (Uruguay, Argentina); Xayramad (Somalia); romerillo (Sonora, Mexico); jarilla (southern Mexico); hayuelo (Colombia); ch'akatea (Bolivia); casol caacol (Seri); ghoraskai (Afghanistan).
Taxonomy
Phylogenetic evidence supports D. viscosa being the sister species to D. camfieldii, a species endemic to a small portion of coastal New South Wales in Australia.
Subspecies and synonyms
There are several subspecies as follows:
Dodonaea viscosa subsp. angustifolia
Dodonaea viscosa subsp. angustissima
Dodonaea viscosa subsp. arizonica
Dodonaea viscosa subsp. cuneata
Dodonaea viscosa subsp. elaeagnoides
Dodonaea viscosa subsp. mucronata
Dodonaea viscosa subsp. spatulata
Dodonaea viscosa subsp. viscosa
Botanical synonyms
D. eriocarpa Sm.
D. sandwicensis Sherff
D. stenocarpa Hillebr.
Systematics
It has been identified that D. viscosa split into two intraspecific groups, known as groups I and II, in the Pleistocene, about 1.1–2.1 Ma (million years ago) (95% Highest Posterior Density, HPD). These two intraspecific groups are distributed differently within Australia. Group I plants are strandline shrubs growing from north-eastern Queensland to the New South Wales border. This clade has a number of genetically divergent lineages (I:a,b,c,d,e,f,g,). It is identified that subclade Ib shared a last common ancestor with subclade Ia in the mid-Pleistocene, 0.5–1.2 Ma.
Group I a: D. viscosa Pagan, D. viscosa ssp viscosa Yorkeys Knob Beach, D. viscosa ssp viscosa Trinity Beach, D. viscosa ssp viscosa Clifton Beach, D. viscosa ssp viscosa Wonga Beach, D. viscosa Tanzania2, D. viscosa ssp viscosa Airlie Beach, D. viscosa Virgin Islands.
Group I b: D. viscosa Maui Ulupalakua, D. viscosa, Hawaii Pohakuloa, D. viscosa Maui PoliPoli, D. viscosa Hawaii Kona, D. viscosa Hawaii Kauai.
Group I c: D. viscosa Arizona 1, D. viscosa Arizona 2, D. viscosa Mexico, D. viscosa Brazil, D. viscosa Columbia, D. viscosa Bolivia
Group I d: D. viscosa Taiwan 1, D. viscosa Taiwan 2, D. viscosa Japan, D. viscosa China, D. viscosa Tanzania1.
Group I e: D. viscosa Oman, D. viscosa South Africa1, D. viscosa India
Group I f: D. viscosa South Africa 3, D. viscosa South Africa 4, D. South Africa 2, D. viscosa New Caledonia 1, D. viscosa New Caledonia 2, D. viscosa Papua New Guinea
Group I g: D. viscosa ssp burmanniana 1, D. viscosa ssp burmanniana 2
The Group II of D. viscosa is present almost everywhere on the continent. Group II has at least three evolutionary lineages (II a, b and c), which distributions generally overlap. According to West these subspecies have morphological intergradation, particularly in the higher-rainfall regions of Australia, but not in the arid zone, where they generally overlap. There is also a hypothesis of ongoing gene flow between D. procumbens and D. viscosa's Group II resulting from hybridization events of two populations in central regions of South Australia. The Group II members are believed to have dispersed in the mid-Pleistocene (0.5–1.2 Ma) from mainland Australia to New Zealand.
Group II a: D. viscosa New Zealand South Island 2, D. viscosa New Zealand South Island 3, D. viscosa New Zealand South Island 1, D. viscosa New Zealand North Island 4, D. viscosa ssp angustissima 1, D.viscosa ssp angustissima 3, D. viscosa ssp angustissima 2.
Group II b: D. viscosa ssp spatulata, D. viscosa ssp cuneata, D. viscosa ssp angustifolia, D. procumbens, D. procumbens 2.
Group II c: D. biloba, D. viscosa ssp mucronata.
Description
D. viscosa is a shrub growing to tall, rarely a small tree to tall. The leaves are variable in shape: generally obovate but some of them are lanceolate, often sessile, long and broad, alternate in arrangement, and secrete a resinous substance. Many specimens have a pointed or rounded apex. Leaf base is extended. Leaf texture is leathery, tough, but also pliable. Midribs are medium becoming less visible close to the apex. Secondary veins are thin, generally indistinct; Veins: often 6 to 10 pairs, indifferently opposite, subopposite, and alternate, camptodrome. Venation branches from the midrib at different angles, which may vary from 12° to 70°. The basal veins are very ascending in some plants: the angle of divergence may be close to 45°. The basal secondary venation branches from a point near the base of the main vein and becomes parallel with the leaf margin, with the distance of 1 millimeter to 2 millimeters from the edges. Margins are usually toothed or undulating. The remaining secondary veins lay at regular intervals with flowers usually growing at the branches’ ends.
The flowers are yellow to orange-red and produced in panicles about in length. The flowers may be only male or female ones, and one plant bears either male or female flowers. However, sometimes they are observed to bear flowers of both sexes. The pollen is transported by anemophily. It is believed that the flowers lack petals during evolution to increase exposure to the wind. The fruit is a capsule broad, red ripening brown, with two to four wings.
Uses
The wood is extremely tough and durable. In New Zealand, where it is the heaviest of any native wood, the Māori have traditionally used it for making weapons, carved walking staves, axe-handles, and weights on drill shafts. D. viscosa is used by the people from the western part of the island of New Guinea, Southeast Asia, West Africa and Brazil for house building and as firewood. Its leaves may also be used as plasters for wounds.
Native Hawaiians made pou (house posts), laau melomelo (fishing lures), and ōō (digging sticks) from aalii wood and a red dye from the fruit.
The cultivar 'Purpurea', with purple foliage, is widely grown as a garden shrub. Dodonaea viscosa easily occupies open areas and secondary forest, and is resistant to salinity, drought and pollution. It can be used for dune stabilization, remediation of polluted lands and for reforestation. The plant is tolerant to strong winds, and therefore is commonly used as hedge, windbreak, and decorative shrub.
The Seri use the plant medicinally. It was also used to stimulate lactation in mothers, as a dysentery treatment, to cure digestive system disorders, skin problems and rheumatism in Africa and Asia. In New Guinea, people use it as incense for funerals. In the past D. viscosa was used instead of hops for beer brewing by Australians (as reflected in the name “hopbush”).
Cultivation
Dodonaea viscosa can be grown from seeds. However, pre-treatment of the seed in very hot water may be needed. The plant can also be cultivated by taking cuttings. Sometimes this method is also used to obtain female plants with their winged fruits for the aesthetic value. Hopbush can survive long dry periods and is easily cultivated without heavy feeding.
References
External links
Dodonaea viscosa. Bermuda Dept. of Conservation Services.
viscosa
Trees of Australia
Flora of Tasmania
Trees of New Zealand
Trees of the Southwestern United States
Flora of California
Trees of the Southeastern United States
Trees of Hawaii
Trees of Mexico
Flora of Northwestern Mexico
Trees of South Africa
Flora of the Tubuai Islands
Trees of Bermuda
Rosids of Western Australia
Flora of the Northern Territory
Flora of Queensland
Flora of New South Wales
Flora of South Australia
Sapindales of Australia
Plants described in 1760
Taxa named by Nikolaus Joseph von Jacquin
Garden plants of Australasia
Garden plants of North America
Ornamental trees
Shrubs
Drought-tolerant plants
The Church of the Transfiguration, also known as the Little Church Around the Corner, is an Episcopal parish church located at 1 East 29th Street, between Madison and Fifth Avenues in the NoMad neighborhood of Manhattan, New York City. The congregation was founded in 1848 by George Hendric Houghton and worshiped in a home at 48 East 29th Street until the church was built and consecrated in 1849.
The church was designed in the early English Neo-Gothic style; the architect has not been identified. The sanctuary is set back from the street behind a garden which creates a facsimile of the English countryside and which has long been an oasis for New Yorkers, who relax in the garden, pray in the chapel, or enjoy free weekday concerts in the main church. The complex has grown somewhat haphazardly over the years, and for this reason it is sometimes called the "Holy Cucumber Vine". The sanctuary had a guildhall, transepts, and a tower added to it in 1852, and the lych-gate, designed by Frederick Clarke Withers, was built in 1896. Chapels were added in 1906 (lady chapel) and 1908 (mortuary chapel). The Edwin Booth memorial stained glass window (1898) is by John LaFarge. Other stained glass windows are by Karl Stecher.
In 1967, the church was designated a New York City landmark, and it was listed on the National Register of Historic Places in 1973.
Early years
The church has been a leader of the Anglo-Catholic movement within the Episcopal Church from its founding. While this movement is often associated with elaborate worship, it also has stressed service to the poor and oppressed from its earliest days. In 1863, during the Civil War Draft Riots, Houghton gave sanctuary to African Americans who were under attack, filling up the church's sanctuary, schoolroom, library and vestry. When rioters showed up at the church, Houghton turned them away and dispersed them by saying, "You white devils, you! Do you know nothing of the spirit of Christ?"
Ties to the theater
Actors were among the social outcasts whom Houghton befriended. In 1870, William T. Sabine, the rector of the nearby Church of the Atonement, which is no longer extant, refused to conduct funeral services for an actor named George Holland, suggesting, "I believe there is a little church around the corner where they do that sort of thing." Joseph Jefferson, a fellow actor who was trying to arrange Holland's burial, exclaimed, "If that be so, God bless the little church around the corner!" and the church began a longstanding association with the theater.