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Reception
Contemporary reviews of the work were not universally positive. Writing in the American The New Republic magazine, George Soule expressed his disappointment in the book, writing that it "puzzled and saddened me. It seemed on the whole dull. The allegory turned out to be a creaking machine for saying in a clumsy way things that have been said better directly". Soule believed that the animals were not consistent enough with their real-world inspirations, and said, "It seems to me that the failure of this book (commercially it is already assured of tremendous success) arises from the fact that the satire deals not with something the author has experienced, but rather with stereotyped ideas about a country which he probably does not know very well".
The Guardian on 24 August 1945 called Animal Farm "a delightfully humorous and caustic satire on the rule of the many by the few". Tosco Fyvel, writing in Tribune on the same day, called the book "a gentle satire on a certain State and on the illusions of an age which may already be behind us". Julian Symons responded, on 7 September, "Should we not expect, in Tribune at least, acknowledgement of the fact that it is a satire not at all gentle upon a particular State – Soviet Russia? It seems to me that a reviewer should have the courage to identify Napoleon with Stalin, and Snowball with Trotsky, and express an opinion favourable or unfavourable to the author, upon a political ground. In a hundred years perhaps, Animal Farm may be simply a fairy story; today it is a political satire with a good deal of point". Animal Farm has been subject to much comment in the decades since these early remarks.
Between 1952 and 1957, the CIA, in an operation codenamed Aedinosaur, sent millions of balloons carrying copies of the novel into Poland, Hungary and Czechoslovakia, whose air forces tried to shoot the balloons down.
Time magazine chose Animal Farm as one of the 100 best English-language novels (1923 to 2005); it also featured at number 31 on the Modern Library List of Best 20th-Century Novels. It won a Retrospective Hugo Award in 1996 and is included in the Great Books of the Western World selection.
Popular reading in schools, Animal Farm was ranked the UK's favourite book from school in a 2016 poll.
Animal Farm has also faced an array of challenges in school settings around the US. The following are examples of this controversy that has existed around Orwell's work:
The John Birch Society in Wisconsin challenged the reading of Animal Farm in 1965 because of its reference to the masses revolting.
New York State English Council's Committee on Defense Against Censorship found that in 1968, Animal Farm had been widely deemed a "problem book".
A censorship survey conducted in DeKalb County, Georgia, relating to the years 1979–1982, revealed that many schools had attempted to limit access to Animal Farm due to its "political theories".
A superintendent in Bay County, Florida, banned Animal Farm at the middle school and high school levels in 1987.
The Board quickly brought back the book, however, after receiving complaints of the ban as "unconstitutional".
Animal Farm was removed from the Stonington, Connecticut school district curriculum in 2017.
Animal Farm has also faced similar forms of resistance in other countries. The ALA also mentions the way that the book was prevented from being featured at the International Book Fair in Moscow, Russia, in 1977 and banned from schools in the United Arab Emirates for references to practices or actions that defy Arab or Islamic beliefs, such as pigs or alcohol.
In the same manner, Animal Farm has also faced relatively recent issues in China. In 2018, the government decided to censor all online posts about or referring to Animal Farm. However, the book itself, as of 2019, remains sold in stores. Amy Hawkins and Jeffrey Wasserstrom of The Atlantic stated in 2019 that the book is widely available in Mainland China for several reasons: censors believe the general public is unlikely to read a highbrow book, because the elites who do read books feel connected to the ruling party anyway, and because the Communist Party sees being too aggressive in blocking cultural products as a liability. The authors stated: "It was – and remains – as easy to buy 1984 and Animal Farm in Shenzhen or Shanghai as it is in London or Los Angeles". An enhanced version of the book, launched in India in 2017, was widely praised for capturing the author's intent, by republishing the proposed preface of the First Edition and the preface he wrote for the Ukrainian edition.
Analysis
Animalism
Snowball, Napoleon, and Squealer adapt Old Major's ideas into "a complete system of thought", which they formally name Animalism, an allegoric reference to Communism, not to be confused with the philosophy of Animalism. Soon after, Napoleon and Squealer partake in activities associated with the humans (drinking alcohol, sleeping in beds, trading), which were explicitly prohibited by the Seven Commandments. Squealer is employed to alter the Seven Commandments to account for this humanisation, an allusion to the Soviet government's revising of history to exercise control of the people's beliefs about themselves and their society.
The original commandments are:
Whatever goes upon two legs is an enemy.
Whatever goes upon four legs, or has wings, is a friend.
No animal shall wear clothes.
No animal shall sleep in a bed.
No animal shall drink alcohol.
No animal shall kill any other animal.
All animals are equal.
These commandments are also distilled into the maxim "Four legs good, two legs bad!" which is primarily used by the sheep on the farm, often to disrupt discussions and disagreements between animals on the nature of Animalism.
Later, Napoleon and his pigs secretly revise some commandments to clear themselves of accusations of law-breaking. The changed commandments are as follows, with the changes bolded:
Eventually, these are replaced with the maxims, "All animals are equal, but some animals are more equal than others", and "Four legs good, two legs better" as the pigs become more anthropomorphic. This is an ironic twist to the original purpose of the Seven Commandments, which was supposed to keep order within Animal Farm by uniting the animals together against the humans and preventing animals from following the humans' evil habits. Through the revision of the commandments, Orwell demonstrates how simply political dogma can be turned into malleable propaganda.
Significance and allegory
Orwell biographer Jeffrey Meyers has written, "virtually every detail has political significance in this allegory". Orwell himself wrote in 1946, "Of course I intended it primarily as a satire on the Russian revolution ... [and] that kind of revolution (violent conspiratorial revolution, led by unconsciously power-hungry people) can only lead to a change of masters [–] revolutions only effect a radical improvement when the masses are alert". In a preface for a 1947 Ukrainian edition, he stated, "for the past ten years I have been convinced that the destruction of the Soviet myth was essential if we wanted a revival of the socialist movement. On my return from Spain [in 1937] I thought of exposing the Soviet myth in a story that could be easily understood by almost anyone and which could be easily translated into other languages".
The revolt of the animals against Farmer Jones is Orwell's analogy with the October 1917 Bolshevik Revolution. The Battle of the Cowshed has been said to represent the allied invasion of Soviet Russia in 1918, and the defeat of the White Russians in the Russian Civil War. The pigs' rise to preeminence mirrors the rise of a Stalinist bureaucracy in the USSR, just as Napoleon's emergence as the farm's sole leader reflects Stalin's emergence. The pigs' appropriation of milk and apples for their own use, "the turning point of the story" as Orwell termed it in a letter to Dwight Macdonald, stands as an analogy for the crushing of the left-wing 1921 Kronstadt revolt against the Bolsheviks, and the difficult efforts of the animals to build the windmill suggest the various Five Year Plans. The puppies controlled by Napoleon parallel the nurture of the secret police in the Stalinist structure, and the pigs' treatment of the other animals on the farm recalls the internal terror faced by the populace in the 1930s. In chapter seven, when the animals confess their non-existent crimes and are killed, Orwell directly alludes to the purges, confessions and show trials of the late 1930s. These contributed to Orwell's conviction that the Bolshevik revolution had been corrupted and the Soviet system become rotten.
Peter Edgerly Firchow and Peter Davison contend that the Battle of the Windmill, specifically referencing the Battle of Stalingrad and the Battle of Moscow, represents World War II. During the battle, Orwell first wrote, "All the animals, including Napoleon" took cover. Orwell had the publisher alter this to "All the animals except Napoleon" in recognition of Stalin's decision to remain in Moscow during the German advance. Orwell requested the change after he met Józef Czapski in Paris in March 1945. Czapski, a survivor of the Katyn Massacre and an opponent of the Soviet regime, told Orwell, as Orwell wrote to Arthur Koestler, that it had been "the character [and] greatness of Stalin" that saved Russia from the German invasion.
Other connections that writers have suggested illustrate Orwell's telescoping of Russian history from 1917 to 1943, including the wave of rebelliousness that ran through the countryside after the Rebellion, which stands for the abortive revolutions in Hungary and Germany (Ch. IV); the conflict between Napoleon and Snowball (Ch. V), parallelling "the two rival and quasi-Messianic beliefs that seemed pitted against one another: Trotskyism, with its faith in the revolutionary vocation of the proletariat of the West; and Stalinism with its glorification of Russia's socialist destiny"; Napoleon's dealings with Whymper and the Willingdon markets (Ch. VI), paralleling the Treaty of Rapallo; and Frederick's forged bank notes, parallelling the Hitler-Stalin pact of August 1939, after which Frederick attacks Animal Farm without warning and destroys the windmill.
The book's close, with the pigs and men in a kind of rapprochement, reflected Orwell's view of the 1943 Tehran Conference that seemed to display the establishment of "the best possible relations between the USSR and the West" – but in reality were destined, as Orwell presciently predicted, to continue to unravel. The disagreement between the allies and the start of the Cold War is suggested when Napoleon and Pilkington, both suspicious, each "played an ace of spades simultaneously".
Similarly, the music in the novel, starting with "Beasts of England" and the later anthems, parallels "The Internationale" and its adoption and repudiation by the Soviet authorities as the anthem of the USSR in the 1920s and 1930s.
According to Masha Gessen, the metamorphosis of the eighth commandment ("some animals are more equal") was likely inspired by similar change of a party line which declared all Soviet people equal: the Russian nation and language suddenly became "first among equals" in official CPSU publications in 1936–1937.
Adaptations
Stage productions
In 2021, during pandemic restrictions, the National Youth Theatre toured a stage version of Animal Farm; this run included outdoor performances on a farm at Soulton Hall.
A solo version, adapted and performed by Guy Masterson, premiered at the Traverse Theatre Edinburgh in January 1995 and has toured worldwide since.
A theatrical version, with music by Richard Peaslee and lyrics by Adrian Mitchell, was staged at the National Theatre London on 25 April 1984, directed by Peter Hall. It toured nine cities in 1985.
A new adaptation written and directed by Robert Icke, designed by Bunny Christie with puppetry designed and directed by Toby Olié opened at the Birmingham Repertory Theatre in January 2022 before touring the UK.
Films
Animal Farm has been adapted to film twice. Both differ from the novel and have been accused of taking significant liberties, including sanitising some aspects.
Animal Farm (1954) is an animated film, in which Napoleon is eventually overthrown in a second revolution. In 1974, E. Howard Hunt revealed that he had been sent by the CIA's Psychological Warfare department to obtain the film rights from Orwell's widow, and the resulting 1954 animation was funded by the agency.
Animal Farm (1999) is a live-action TV version that shows Napoleon's regime collapsing in on itself, with the farm having new human owners, reflecting the collapse of Soviet communism.
Andy Serkis is directing an upcoming animated film adaptation.
Radio dramatisations
A BBC radio version, produced by Rayner Heppenstall, was broadcast in January 1947. Orwell listened to the production at his home in Canonbury Square, London, with Hugh Gordon Porteous, amongst others. Orwell later wrote to Heppenstall that Porteous, "who had not read the book, grasped what was happening after a few minutes".
A further radio production, again using Orwell's dramatisation of the book, was broadcast in January 2013 on BBC Radio 4. Tamsin Greig narrated, and the cast included Nicky Henson as Napoleon, Toby Jones as the propagandist Squealer, and Ralph Ineson as Boxer.
Comic strip
In 1950, Norman Pett and his writing partner Don Freeman were secretly hired by the Information Research Department (IRD), a secret wing of the British Foreign Office, to adapt Animal Farm into a comic strip. This comic was not published in the UK but ran in Brazilian and Burmese newspapers.
See also
Information Research Department
Authoritarian personality
History of Soviet Russia and the Soviet Union (1917–1927)
History of the Soviet Union (1927–1953)
Ideocracy
New class
Anthems in Animal Farm
Animals, an album based on Animal Farm
Books
Gulliver's Travels was a favourite book of Orwell's. Swift reverses the role of horses and human beings in the fourth book. Orwell brought to Animal Farm "a dose of Swiftian misanthropy, looking ahead to a time 'when the human race had finally been overthrown."