story_name
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| story_section
stringlengths 94
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| question
stringlengths 12
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| answer1
stringlengths 4
353
| answer2
stringclasses 1
value | local-or-sum
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the-three-crowns
|
next day , he went out after breakfast , and she sent the prince to the castle where the eldest sister was . the same thing happened there ; but when the giant was snoring , the princess wakened up the prince , and they saddled two steeds in the stables and rode into the field on them . but the horses ' heels struck the stones outside the gate , and up got the giant and strode after them . he roared and he shouted , and the more he shouted , the faster ran the horses , and just as the day was breaking he was only twenty perches behind . but the prince did n't leave the castle of seven inches without being provided with something good . he reined in his steed , and flung a short , sharp knife over his shoulder , and up sprung a thick wood between the giant and themselves . they caught the wind that blew before them , and the wind that blew behind them did not catch them . at last they were near the castle where the other sister lived ; and there she was , waiting for them under a high hedge , and a fine steed under her .
|
where did the second princess send the youngest prince to ?
|
the castle where the eldest sister was .
|
local
|
setting
|
explicit
| ||
the-three-crowns
|
next day , he went out after breakfast , and she sent the prince to the castle where the eldest sister was . the same thing happened there ; but when the giant was snoring , the princess wakened up the prince , and they saddled two steeds in the stables and rode into the field on them . but the horses ' heels struck the stones outside the gate , and up got the giant and strode after them . he roared and he shouted , and the more he shouted , the faster ran the horses , and just as the day was breaking he was only twenty perches behind . but the prince did n't leave the castle of seven inches without being provided with something good . he reined in his steed , and flung a short , sharp knife over his shoulder , and up sprung a thick wood between the giant and themselves . they caught the wind that blew before them , and the wind that blew behind them did not catch them . at last they were near the castle where the other sister lived ; and there she was , waiting for them under a high hedge , and a fine steed under her .
|
how were the youngest prince and the elder sister escape from the giant's castle ?
|
they left when the giant was sleeping .
|
local
|
action
|
implicit
| ||
the-three-crowns
|
next day , he went out after breakfast , and she sent the prince to the castle where the eldest sister was . the same thing happened there ; but when the giant was snoring , the princess wakened up the prince , and they saddled two steeds in the stables and rode into the field on them . but the horses ' heels struck the stones outside the gate , and up got the giant and strode after them . he roared and he shouted , and the more he shouted , the faster ran the horses , and just as the day was breaking he was only twenty perches behind . but the prince did n't leave the castle of seven inches without being provided with something good . he reined in his steed , and flung a short , sharp knife over his shoulder , and up sprung a thick wood between the giant and themselves . they caught the wind that blew before them , and the wind that blew behind them did not catch them . at last they were near the castle where the other sister lived ; and there she was , waiting for them under a high hedge , and a fine steed under her .
|
why did the giant wake up ?
|
the horses ' heels struck the stones outside the gate .
|
local
|
causal relationship
|
explicit
| ||
the-three-crowns
|
next day , he went out after breakfast , and she sent the prince to the castle where the eldest sister was . the same thing happened there ; but when the giant was snoring , the princess wakened up the prince , and they saddled two steeds in the stables and rode into the field on them . but the horses ' heels struck the stones outside the gate , and up got the giant and strode after them . he roared and he shouted , and the more he shouted , the faster ran the horses , and just as the day was breaking he was only twenty perches behind . but the prince did n't leave the castle of seven inches without being provided with something good . he reined in his steed , and flung a short , sharp knife over his shoulder , and up sprung a thick wood between the giant and themselves . they caught the wind that blew before them , and the wind that blew behind them did not catch them . at last they were near the castle where the other sister lived ; and there she was , waiting for them under a high hedge , and a fine steed under her .
|
what did the youngest prince use to escape from the giant ?
|
a short , sharp knife .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
next day , he went out after breakfast , and she sent the prince to the castle where the eldest sister was . the same thing happened there ; but when the giant was snoring , the princess wakened up the prince , and they saddled two steeds in the stables and rode into the field on them . but the horses ' heels struck the stones outside the gate , and up got the giant and strode after them . he roared and he shouted , and the more he shouted , the faster ran the horses , and just as the day was breaking he was only twenty perches behind . but the prince did n't leave the castle of seven inches without being provided with something good . he reined in his steed , and flung a short , sharp knife over his shoulder , and up sprung a thick wood between the giant and themselves . they caught the wind that blew before them , and the wind that blew behind them did not catch them . at last they were near the castle where the other sister lived ; and there she was , waiting for them under a high hedge , and a fine steed under her .
|
how did the youngest prince escape from the giant ?
|
flung a short , sharp knife over his shoulder , and up sprung a thick wood between the giant and themselves .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
next day , he went out after breakfast , and she sent the prince to the castle where the eldest sister was . the same thing happened there ; but when the giant was snoring , the princess wakened up the prince , and they saddled two steeds in the stables and rode into the field on them . but the horses ' heels struck the stones outside the gate , and up got the giant and strode after them . he roared and he shouted , and the more he shouted , the faster ran the horses , and just as the day was breaking he was only twenty perches behind . but the prince did n't leave the castle of seven inches without being provided with something good . he reined in his steed , and flung a short , sharp knife over his shoulder , and up sprung a thick wood between the giant and themselves . they caught the wind that blew before them , and the wind that blew behind them did not catch them . at last they were near the castle where the other sister lived ; and there she was , waiting for them under a high hedge , and a fine steed under her .
|
where did the eldest sister and the youngest prince go to ?
|
the castle where the other sister lived .
|
local
|
setting
|
explicit
| ||
the-three-crowns
|
next day , he went out after breakfast , and she sent the prince to the castle where the eldest sister was . the same thing happened there ; but when the giant was snoring , the princess wakened up the prince , and they saddled two steeds in the stables and rode into the field on them . but the horses ' heels struck the stones outside the gate , and up got the giant and strode after them . he roared and he shouted , and the more he shouted , the faster ran the horses , and just as the day was breaking he was only twenty perches behind . but the prince did n't leave the castle of seven inches without being provided with something good . he reined in his steed , and flung a short , sharp knife over his shoulder , and up sprung a thick wood between the giant and themselves . they caught the wind that blew before them , and the wind that blew behind them did not catch them . at last they were near the castle where the other sister lived ; and there she was , waiting for them under a high hedge , and a fine steed under her . but the giant was now in sight , roaring like a hundred lions , and the other giant was out in a moment , and the chase kept on . for every two springs the horses gave , the giants gave three , and at last they were only seventy perches off . then the prince stopped again , and flung the second knife behind him . down went all the flat field , till there was a quarry between them a quarter of a mile deep , and the bottom filled with black water ; and before the giants could get round it , the prince and princesses were inside the kingdom of the great magician , where the high thorny hedge opened of itself to everyone that he chose to let in . there was joy enough between the three sisters , till the two eldest saw their lovers turned into stone . but while they were shedding tears for them , seven inches came in , and touched them with his rod . so they were flesh , and blood , and life once more , and there was great hugging and kissing , and all sat down to breakfast , and seven inches sat at the head of the table .
|
why were the giants chasing after the prince and princesses ?
|
they were trying to escape .
|
summary
|
causal relationship
|
implicit
| ||
the-three-crowns
|
but the giant was now in sight , roaring like a hundred lions , and the other giant was out in a moment , and the chase kept on . for every two springs the horses gave , the giants gave three , and at last they were only seventy perches off . then the prince stopped again , and flung the second knife behind him . down went all the flat field , till there was a quarry between them a quarter of a mile deep , and the bottom filled with black water ; and before the giants could get round it , the prince and princesses were inside the kingdom of the great magician , where the high thorny hedge opened of itself to everyone that he chose to let in . there was joy enough between the three sisters , till the two eldest saw their lovers turned into stone . but while they were shedding tears for them , seven inches came in , and touched them with his rod . so they were flesh , and blood , and life once more , and there was great hugging and kissing , and all sat down to breakfast , and seven inches sat at the head of the table .
|
what did the youngest prince use to escape from the two giants ?
|
a second knife .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
but the giant was now in sight , roaring like a hundred lions , and the other giant was out in a moment , and the chase kept on . for every two springs the horses gave , the giants gave three , and at last they were only seventy perches off . then the prince stopped again , and flung the second knife behind him . down went all the flat field , till there was a quarry between them a quarter of a mile deep , and the bottom filled with black water ; and before the giants could get round it , the prince and princesses were inside the kingdom of the great magician , where the high thorny hedge opened of itself to everyone that he chose to let in . there was joy enough between the three sisters , till the two eldest saw their lovers turned into stone . but while they were shedding tears for them , seven inches came in , and touched them with his rod . so they were flesh , and blood , and life once more , and there was great hugging and kissing , and all sat down to breakfast , and seven inches sat at the head of the table .
|
why did the youngest prince use the second knife ?
|
it made a quarry appear .
|
local
|
causal relationship
|
implicit
| ||
the-three-crowns
|
but the giant was now in sight , roaring like a hundred lions , and the other giant was out in a moment , and the chase kept on . for every two springs the horses gave , the giants gave three , and at last they were only seventy perches off . then the prince stopped again , and flung the second knife behind him . down went all the flat field , till there was a quarry between them a quarter of a mile deep , and the bottom filled with black water ; and before the giants could get round it , the prince and princesses were inside the kingdom of the great magician , where the high thorny hedge opened of itself to everyone that he chose to let in . there was joy enough between the three sisters , till the two eldest saw their lovers turned into stone . but while they were shedding tears for them , seven inches came in , and touched them with his rod . so they were flesh , and blood , and life once more , and there was great hugging and kissing , and all sat down to breakfast , and seven inches sat at the head of the table .
|
where did the prince and princesses escape to after they got away from the giants ?
|
the kingdom of the great magician .
|
local
|
setting
|
explicit
| ||
the-three-crowns
|
but the giant was now in sight , roaring like a hundred lions , and the other giant was out in a moment , and the chase kept on . for every two springs the horses gave , the giants gave three , and at last they were only seventy perches off . then the prince stopped again , and flung the second knife behind him . down went all the flat field , till there was a quarry between them a quarter of a mile deep , and the bottom filled with black water ; and before the giants could get round it , the prince and princesses were inside the kingdom of the great magician , where the high thorny hedge opened of itself to everyone that he chose to let in . there was joy enough between the three sisters , till the two eldest saw their lovers turned into stone . but while they were shedding tears for them , seven inches came in , and touched them with his rod . so they were flesh , and blood , and life once more , and there was great hugging and kissing , and all sat down to breakfast , and seven inches sat at the head of the table .
|
why were the prince and princesses safe after they got into the kingdom of the great magician ?
|
the high thorny hedge opened of itself to everyone that he chose to let in .
|
local
|
causal relationship
|
explicit
| ||
the-three-crowns
|
next day , he went out after breakfast , and she sent the prince to the castle where the eldest sister was . the same thing happened there ; but when the giant was snoring , the princess wakened up the prince , and they saddled two steeds in the stables and rode into the field on them . but the horses ' heels struck the stones outside the gate , and up got the giant and strode after them . he roared and he shouted , and the more he shouted , the faster ran the horses , and just as the day was breaking he was only twenty perches behind . but the prince did n't leave the castle of seven inches without being provided with something good . he reined in his steed , and flung a short , sharp knife over his shoulder , and up sprung a thick wood between the giant and themselves . they caught the wind that blew before them , and the wind that blew behind them did not catch them . at last they were near the castle where the other sister lived ; and there she was , waiting for them under a high hedge , and a fine steed under her . but the giant was now in sight , roaring like a hundred lions , and the other giant was out in a moment , and the chase kept on . for every two springs the horses gave , the giants gave three , and at last they were only seventy perches off . then the prince stopped again , and flung the second knife behind him . down went all the flat field , till there was a quarry between them a quarter of a mile deep , and the bottom filled with black water ; and before the giants could get round it , the prince and princesses were inside the kingdom of the great magician , where the high thorny hedge opened of itself to everyone that he chose to let in . there was joy enough between the three sisters , till the two eldest saw their lovers turned into stone . but while they were shedding tears for them , seven inches came in , and touched them with his rod . so they were flesh , and blood , and life once more , and there was great hugging and kissing , and all sat down to breakfast , and seven inches sat at the head of the table .
|
how will the princesses feel after they escaped from the giants ?
|
joy .
|
summary
|
prediction
|
explicit
| ||
the-three-crowns
|
but the giant was now in sight , roaring like a hundred lions , and the other giant was out in a moment , and the chase kept on . for every two springs the horses gave , the giants gave three , and at last they were only seventy perches off . then the prince stopped again , and flung the second knife behind him . down went all the flat field , till there was a quarry between them a quarter of a mile deep , and the bottom filled with black water ; and before the giants could get round it , the prince and princesses were inside the kingdom of the great magician , where the high thorny hedge opened of itself to everyone that he chose to let in . there was joy enough between the three sisters , till the two eldest saw their lovers turned into stone . but while they were shedding tears for them , seven inches came in , and touched them with his rod . so they were flesh , and blood , and life once more , and there was great hugging and kissing , and all sat down to breakfast , and seven inches sat at the head of the table .
|
how did the princesses feel after they saw their princes turned into stone ?
|
sad .
|
local
|
feeling
|
implicit
| ||
the-three-crowns
|
but the giant was now in sight , roaring like a hundred lions , and the other giant was out in a moment , and the chase kept on . for every two springs the horses gave , the giants gave three , and at last they were only seventy perches off . then the prince stopped again , and flung the second knife behind him . down went all the flat field , till there was a quarry between them a quarter of a mile deep , and the bottom filled with black water ; and before the giants could get round it , the prince and princesses were inside the kingdom of the great magician , where the high thorny hedge opened of itself to everyone that he chose to let in . there was joy enough between the three sisters , till the two eldest saw their lovers turned into stone . but while they were shedding tears for them , seven inches came in , and touched them with his rod . so they were flesh , and blood , and life once more , and there was great hugging and kissing , and all sat down to breakfast , and seven inches sat at the head of the table .
|
why weren't the princesses happy anymore ?
|
the two eldest saw their lovers turned into stone .
|
local
|
causal relationship
|
explicit
| ||
the-three-crowns
|
but the giant was now in sight , roaring like a hundred lions , and the other giant was out in a moment , and the chase kept on . for every two springs the horses gave , the giants gave three , and at last they were only seventy perches off . then the prince stopped again , and flung the second knife behind him . down went all the flat field , till there was a quarry between them a quarter of a mile deep , and the bottom filled with black water ; and before the giants could get round it , the prince and princesses were inside the kingdom of the great magician , where the high thorny hedge opened of itself to everyone that he chose to let in . there was joy enough between the three sisters , till the two eldest saw their lovers turned into stone . but while they were shedding tears for them , seven inches came in , and touched them with his rod . so they were flesh , and blood , and life once more , and there was great hugging and kissing , and all sat down to breakfast , and seven inches sat at the head of the table .
|
what happened after seven inches came in and touched the two princes with his rod ?
|
they were flesh , and blood , and life once more .
|
local
|
outcome resolution
|
explicit
| ||
the-three-crowns
|
but the giant was now in sight , roaring like a hundred lions , and the other giant was out in a moment , and the chase kept on . for every two springs the horses gave , the giants gave three , and at last they were only seventy perches off . then the prince stopped again , and flung the second knife behind him . down went all the flat field , till there was a quarry between them a quarter of a mile deep , and the bottom filled with black water ; and before the giants could get round it , the prince and princesses were inside the kingdom of the great magician , where the high thorny hedge opened of itself to everyone that he chose to let in . there was joy enough between the three sisters , till the two eldest saw their lovers turned into stone . but while they were shedding tears for them , seven inches came in , and touched them with his rod . so they were flesh , and blood , and life once more , and there was great hugging and kissing , and all sat down to breakfast , and seven inches sat at the head of the table .
|
how did the princesses feel after their princes came back to life ?
|
happy .
|
local
|
feeling
|
explicit
| ||
the-three-crowns
|
when breakfast was over , he took them into another room , where there was nothing but heaps of gold , and silver , and diamonds , and silks , and satins ; and on a table there was lying three sets of crowns : a gold crown was in a silver crown , and that was lying in a copper crown . he took up one set of crowns , and gave it to the eldest princess ; and another set , and gave it to the second youngest princess ; and another , and gave it to the youngest of all ; and says he , ' now you may all go to the bottom of the pit , and you have nothing to do but stir the basket , and the people that are watching above will draw you up . but remember , ladies , you are to keep your crows safe , and be married in them , all the same day . if you be married separately , or if you be married without your crowns , a curse will follow -- mind what i say . '
|
what was lying on the table ?
|
three sets of crowns .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
when breakfast was over , he took them into another room , where there was nothing but heaps of gold , and silver , and diamonds , and silks , and satins ; and on a table there was lying three sets of crowns : a gold crown was in a silver crown , and that was lying in a copper crown . he took up one set of crowns , and gave it to the eldest princess ; and another set , and gave it to the second youngest princess ; and another , and gave it to the youngest of all ; and says he , ' now you may all go to the bottom of the pit , and you have nothing to do but stir the basket , and the people that are watching above will draw you up . but remember , ladies , you are to keep your crows safe , and be married in them , all the same day . if you be married separately , or if you be married without your crowns , a curse will follow -- mind what i say . '
|
what did seven inches do after he took the princes and princesses to another room ?
|
took up one set of crowns , and gave it to the eldest princess ; and another set , and gave it to the second youngest princess ; and another , and gave it to the youngest of all .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
when breakfast was over , he took them into another room , where there was nothing but heaps of gold , and silver , and diamonds , and silks , and satins ; and on a table there was lying three sets of crowns : a gold crown was in a silver crown , and that was lying in a copper crown . he took up one set of crowns , and gave it to the eldest princess ; and another set , and gave it to the second youngest princess ; and another , and gave it to the youngest of all ; and says he , ' now you may all go to the bottom of the pit , and you have nothing to do but stir the basket , and the people that are watching above will draw you up . but remember , ladies , you are to keep your crows safe , and be married in them , all the same day . if you be married separately , or if you be married without your crowns , a curse will follow -- mind what i say . '
|
what did seven inches warn to the princesses and princes ?
|
they can not marry without their crowns .
|
local
|
action
|
implicit
| ||
the-three-crowns
|
when breakfast was over , he took them into another room , where there was nothing but heaps of gold , and silver , and diamonds , and silks , and satins ; and on a table there was lying three sets of crowns : a gold crown was in a silver crown , and that was lying in a copper crown . he took up one set of crowns , and gave it to the eldest princess ; and another set , and gave it to the second youngest princess ; and another , and gave it to the youngest of all ; and says he , ' now you may all go to the bottom of the pit , and you have nothing to do but stir the basket , and the people that are watching above will draw you up . but remember , ladies , you are to keep your crows safe , and be married in them , all the same day . if you be married separately , or if you be married without your crowns , a curse will follow -- mind what i say . '
|
what did the princes and princesses need to do to return home ?
|
go to the bottom of the pit , and you have nothing to do but stir the basket , and the people that are watching above will draw you up .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
so they took leave of him with great respect , and walked arm - in - arm to the bottom of the draw - well . there was a sky and a sun over them , and a great high wall , covered with ivy , rose before them , and was so high they could not see to the top of it ; and there was an arch in this wall , and the bottom of the draw - well was inside the arch . the youngest pair went last ; and says the princess to the prince , ' i 'm sure the two princes do n't mean any good to you . keep these crowns under your cloak , and if you are obliged to stay last , do n't get into the basket , but put a big stone , or any heavy thing inside , and see what will happen . ' as soon as they were inside the dark cave , they put in the eldest princess first , and stirred the basket , and up she went . then the basket was let down again , and up went the second princess , and then up went the youngest ; but first she put her arms round her prince 's neck , and kissed him , and cried a little . at last it came to the turn of the youngest prince , and instead of going into the basket he put in a big stone . he drew on one side and listened , and after the basket was drawn up about twenty perches , down came it and the stone like thunder , and the stone was broken into little bits .
|
what did the youngest princess order her prince to do ?
|
keep these crowns under his cloak , and if he was obliged to stay last , do n't get into the basket , but put a big stone , or any heavy thing inside , and see what would happen .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
so they took leave of him with great respect , and walked arm - in - arm to the bottom of the draw - well . there was a sky and a sun over them , and a great high wall , covered with ivy , rose before them , and was so high they could not see to the top of it ; and there was an arch in this wall , and the bottom of the draw - well was inside the arch . the youngest pair went last ; and says the princess to the prince , ' i 'm sure the two princes do n't mean any good to you . keep these crowns under your cloak , and if you are obliged to stay last , do n't get into the basket , but put a big stone , or any heavy thing inside , and see what will happen . ' as soon as they were inside the dark cave , they put in the eldest princess first , and stirred the basket , and up she went . then the basket was let down again , and up went the second princess , and then up went the youngest ; but first she put her arms round her prince 's neck , and kissed him , and cried a little . at last it came to the turn of the youngest prince , and instead of going into the basket he put in a big stone . he drew on one side and listened , and after the basket was drawn up about twenty perches , down came it and the stone like thunder , and the stone was broken into little bits .
|
why did the youngest princess want her prince to put a big stone into the basket ?
|
she wanted to see if his brothers would do something bad to them .
|
local
|
causal relationship
|
implicit
| ||
the-three-crowns
|
so they took leave of him with great respect , and walked arm - in - arm to the bottom of the draw - well . there was a sky and a sun over them , and a great high wall , covered with ivy , rose before them , and was so high they could not see to the top of it ; and there was an arch in this wall , and the bottom of the draw - well was inside the arch . the youngest pair went last ; and says the princess to the prince , ' i 'm sure the two princes do n't mean any good to you . keep these crowns under your cloak , and if you are obliged to stay last , do n't get into the basket , but put a big stone , or any heavy thing inside , and see what will happen . ' as soon as they were inside the dark cave , they put in the eldest princess first , and stirred the basket , and up she went . then the basket was let down again , and up went the second princess , and then up went the youngest ; but first she put her arms round her prince 's neck , and kissed him , and cried a little . at last it came to the turn of the youngest prince , and instead of going into the basket he put in a big stone . he drew on one side and listened , and after the basket was drawn up about twenty perches , down came it and the stone like thunder , and the stone was broken into little bits .
|
what did the youngest prince do instead of going into the basket ?
|
put in a big stone .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
so they took leave of him with great respect , and walked arm - in - arm to the bottom of the draw - well . there was a sky and a sun over them , and a great high wall , covered with ivy , rose before them , and was so high they could not see to the top of it ; and there was an arch in this wall , and the bottom of the draw - well was inside the arch . the youngest pair went last ; and says the princess to the prince , ' i 'm sure the two princes do n't mean any good to you . keep these crowns under your cloak , and if you are obliged to stay last , do n't get into the basket , but put a big stone , or any heavy thing inside , and see what will happen . ' as soon as they were inside the dark cave , they put in the eldest princess first , and stirred the basket , and up she went . then the basket was let down again , and up went the second princess , and then up went the youngest ; but first she put her arms round her prince 's neck , and kissed him , and cried a little . at last it came to the turn of the youngest prince , and instead of going into the basket he put in a big stone . he drew on one side and listened , and after the basket was drawn up about twenty perches , down came it and the stone like thunder , and the stone was broken into little bits .
|
what happened after the youngest prince put in the big stone into the basket ?
|
he drew on one side and listened , and after the basket was drawn up about twenty perches , down came it and the stone like thunder , and the stone was broken into little bits .
|
local
|
outcome resolution
|
explicit
| ||
the-three-crowns
|
so they took leave of him with great respect , and walked arm - in - arm to the bottom of the draw - well . there was a sky and a sun over them , and a great high wall , covered with ivy , rose before them , and was so high they could not see to the top of it ; and there was an arch in this wall , and the bottom of the draw - well was inside the arch . the youngest pair went last ; and says the princess to the prince , ' i 'm sure the two princes do n't mean any good to you . keep these crowns under your cloak , and if you are obliged to stay last , do n't get into the basket , but put a big stone , or any heavy thing inside , and see what will happen . ' as soon as they were inside the dark cave , they put in the eldest princess first , and stirred the basket , and up she went . then the basket was let down again , and up went the second princess , and then up went the youngest ; but first she put her arms round her prince 's neck , and kissed him , and cried a little . at last it came to the turn of the youngest prince , and instead of going into the basket he put in a big stone . he drew on one side and listened , and after the basket was drawn up about twenty perches , down came it and the stone like thunder , and the stone was broken into little bits .
|
why was the stone broken into little bits ?
|
the basket was dropped back into the bottom of the well .
|
local
|
causal relationship
|
implicit
| ||
the-three-crowns
|
so they took leave of him with great respect , and walked arm - in - arm to the bottom of the draw - well . there was a sky and a sun over them , and a great high wall , covered with ivy , rose before them , and was so high they could not see to the top of it ; and there was an arch in this wall , and the bottom of the draw - well was inside the arch . the youngest pair went last ; and says the princess to the prince , ' i 'm sure the two princes do n't mean any good to you . keep these crowns under your cloak , and if you are obliged to stay last , do n't get into the basket , but put a big stone , or any heavy thing inside , and see what will happen . ' as soon as they were inside the dark cave , they put in the eldest princess first , and stirred the basket , and up she went . then the basket was let down again , and up went the second princess , and then up went the youngest ; but first she put her arms round her prince 's neck , and kissed him , and cried a little . at last it came to the turn of the youngest prince , and instead of going into the basket he put in a big stone . he drew on one side and listened , and after the basket was drawn up about twenty perches , down came it and the stone like thunder , and the stone was broken into little bits .
|
how did the youngest prince feel after he realized the stone broke into little bits ?
|
sad .
|
local
|
feeling
|
explicit
| ||
the-three-crowns
|
so they took leave of him with great respect , and walked arm - in - arm to the bottom of the draw - well . there was a sky and a sun over them , and a great high wall , covered with ivy , rose before them , and was so high they could not see to the top of it ; and there was an arch in this wall , and the bottom of the draw - well was inside the arch . the youngest pair went last ; and says the princess to the prince , ' i 'm sure the two princes do n't mean any good to you . keep these crowns under your cloak , and if you are obliged to stay last , do n't get into the basket , but put a big stone , or any heavy thing inside , and see what will happen . ' as soon as they were inside the dark cave , they put in the eldest princess first , and stirred the basket , and up she went . then the basket was let down again , and up went the second princess , and then up went the youngest ; but first she put her arms round her prince 's neck , and kissed him , and cried a little . at last it came to the turn of the youngest prince , and instead of going into the basket he put in a big stone . he drew on one side and listened , and after the basket was drawn up about twenty perches , down came it and the stone like thunder , and the stone was broken into little bits . well , the poor prince had nothing for it but to walk back to the castle ; and through it and round it he walked , and the finest of eating and drinking he got , and a bed of bog - down to sleep on , and long walks he took through gardens and lawns , but not a sight could he get , high or low , of seven inches . he , before a week , got tired of it , he was so lonesome for his true love ; and at the end of a month he did n't know what to do with himself . one morning he went into the treasure room , and took notice of a beautiful snuff - box on the table that he did n't remember seeing there before . he took it in his hands and opened it , and out seven inches walked on the table . ' i think , prince , ' says he , ' you 're getting a little tired of my castle ? ' ' ah ! ' says the other , ' if i had my princess here , and could see you now and then , i 'd never know a dismal day . ' ' well , you 're long enough here now , and you 're wanted there above . keep your bride 's crowns safe , and whenever you want my help , open this snuff - box . now take a walk down the garden , and come back when you 're tired . '
|
why did the youngest prince walk back to the castle ?
|
he could not return home .
|
summary
|
causal relationship
|
explicit
| ||
the-three-crowns
|
well , the poor prince had nothing for it but to walk back to the castle ; and through it and round it he walked , and the finest of eating and drinking he got , and a bed of bog - down to sleep on , and long walks he took through gardens and lawns , but not a sight could he get , high or low , of seven inches . he , before a week , got tired of it , he was so lonesome for his true love ; and at the end of a month he did n't know what to do with himself . one morning he went into the treasure room , and took notice of a beautiful snuff - box on the table that he did n't remember seeing there before . he took it in his hands and opened it , and out seven inches walked on the table . ' i think , prince , ' says he , ' you 're getting a little tired of my castle ? ' ' ah ! ' says the other , ' if i had my princess here , and could see you now and then , i 'd never know a dismal day . ' ' well , you 're long enough here now , and you 're wanted there above . keep your bride 's crowns safe , and whenever you want my help , open this snuff - box . now take a walk down the garden , and come back when you 're tired . '
|
what did the youngest prince see on the table ?
|
a beautiful snuff - box .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
well , the poor prince had nothing for it but to walk back to the castle ; and through it and round it he walked , and the finest of eating and drinking he got , and a bed of bog - down to sleep on , and long walks he took through gardens and lawns , but not a sight could he get , high or low , of seven inches . he , before a week , got tired of it , he was so lonesome for his true love ; and at the end of a month he did n't know what to do with himself . one morning he went into the treasure room , and took notice of a beautiful snuff - box on the table that he did n't remember seeing there before . he took it in his hands and opened it , and out seven inches walked on the table . ' i think , prince , ' says he , ' you 're getting a little tired of my castle ? ' ' ah ! ' says the other , ' if i had my princess here , and could see you now and then , i 'd never know a dismal day . ' ' well , you 're long enough here now , and you 're wanted there above . keep your bride 's crowns safe , and whenever you want my help , open this snuff - box . now take a walk down the garden , and come back when you 're tired . '
|
what happened after the youngest prince opened the beautiful snuff-box ?
|
seven inches walked on the table .
|
local
|
outcome resolution
|
explicit
| ||
the-three-crowns
|
well , the poor prince had nothing for it but to walk back to the castle ; and through it and round it he walked , and the finest of eating and drinking he got , and a bed of bog - down to sleep on , and long walks he took through gardens and lawns , but not a sight could he get , high or low , of seven inches . he , before a week , got tired of it , he was so lonesome for his true love ; and at the end of a month he did n't know what to do with himself . one morning he went into the treasure room , and took notice of a beautiful snuff - box on the table that he did n't remember seeing there before . he took it in his hands and opened it , and out seven inches walked on the table . ' i think , prince , ' says he , ' you 're getting a little tired of my castle ? ' ' ah ! ' says the other , ' if i had my princess here , and could see you now and then , i 'd never know a dismal day . ' ' well , you 're long enough here now , and you 're wanted there above . keep your bride 's crowns safe , and whenever you want my help , open this snuff - box . now take a walk down the garden , and come back when you 're tired . '
|
what did the youngest prince need to do if he needed seven inches help ?
|
open this snuff - box .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
well , the poor prince had nothing for it but to walk back to the castle ; and through it and round it he walked , and the finest of eating and drinking he got , and a bed of bog - down to sleep on , and long walks he took through gardens and lawns , but not a sight could he get , high or low , of seven inches . he , before a week , got tired of it , he was so lonesome for his true love ; and at the end of a month he did n't know what to do with himself . one morning he went into the treasure room , and took notice of a beautiful snuff - box on the table that he did n't remember seeing there before . he took it in his hands and opened it , and out seven inches walked on the table . ' i think , prince , ' says he , ' you 're getting a little tired of my castle ? ' ' ah ! ' says the other , ' if i had my princess here , and could see you now and then , i 'd never know a dismal day . ' ' well , you 're long enough here now , and you 're wanted there above . keep your bride 's crowns safe , and whenever you want my help , open this snuff - box . now take a walk down the garden , and come back when you 're tired . '
|
what did the youngest prince need to keep safe ?
|
his bride 's crown .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
the prince was going down a gravel walk with a quickset hedge on each side , and his eyes on the ground , and he was thinking of one thing and another . at last he lifted his eyes , and there he was outside of a smith 's gate that he often passed before , about a mile away from the palace of his betrothed princess . the clothes he had on him were as ragged as you please , but he had his crowns safe under his old cloak . then the smith came out , and says he , ' it 's a shame for a strong , big fellow like you to be lazy , and so much work to be done . are you any good with hammer and tongs ? come in and bear a hand , an i 'll give you diet and lodging , and a few pence when you earn them . ' ' never say't twice , ' says the prince . ' i want nothing but to be busy . ' so he took the hammer , and pounded away at the red - hot bar that the smith was turning on the anvil to make into a set of horse - shoes .
|
where was the youngest prince after he lifted his eyes ?
|
outside of a smith 's gate .
|
local
|
setting
|
explicit
| ||
the-three-crowns
|
the prince was going down a gravel walk with a quickset hedge on each side , and his eyes on the ground , and he was thinking of one thing and another . at last he lifted his eyes , and there he was outside of a smith 's gate that he often passed before , about a mile away from the palace of his betrothed princess . the clothes he had on him were as ragged as you please , but he had his crowns safe under his old cloak . then the smith came out , and says he , ' it 's a shame for a strong , big fellow like you to be lazy , and so much work to be done . are you any good with hammer and tongs ? come in and bear a hand , an i 'll give you diet and lodging , and a few pence when you earn them . ' ' never say't twice , ' says the prince . ' i want nothing but to be busy . ' so he took the hammer , and pounded away at the red - hot bar that the smith was turning on the anvil to make into a set of horse - shoes .
|
what did the smith ask the youngest prince to do ?
|
help him with his work .
|
local
|
action
|
implicit
| ||
the-three-crowns
|
the prince was going down a gravel walk with a quickset hedge on each side , and his eyes on the ground , and he was thinking of one thing and another . at last he lifted his eyes , and there he was outside of a smith 's gate that he often passed before , about a mile away from the palace of his betrothed princess . the clothes he had on him were as ragged as you please , but he had his crowns safe under his old cloak . then the smith came out , and says he , ' it 's a shame for a strong , big fellow like you to be lazy , and so much work to be done . are you any good with hammer and tongs ? come in and bear a hand , an i 'll give you diet and lodging , and a few pence when you earn them . ' ' never say't twice , ' says the prince . ' i want nothing but to be busy . ' so he took the hammer , and pounded away at the red - hot bar that the smith was turning on the anvil to make into a set of horse - shoes .
|
why did the youngest prince accept the smith's request ?
|
he did not have anything to do .
|
local
|
causal relationship
|
implicit
| ||
the-three-crowns
|
they had n't been long at work when a tailor came in , and he sat down and began to talk . you all heard how the two princess were loth to be married till the youngest would be ready with her crowns and her sweetheart . but after the windlass loosened accidentally when they were pulling up her bridegroom that was to be , there was no more sign of a well , or a rope , or a windlass , than there is on the palm of your hand . so the princes that were courting the eldest ladies would n't give peace or ease to their lovers nor the king till they got consent to the marriage , and it was to take place this morning . myself went down out of curiousity , and to be sure i was delighted with the grand dresses of the two brides , and the three crowns on their heads -- gold , silver , and copper , one inside the other . the youngest was standing by mournful enough , and all was ready . the two bridegrooms came in as proud and grand as you please , and up they were walking to the altar rails , when the boards opened two yards wide under their feet , and down they went among the dead men and the coffins in the vaults . oh , such shrieks as the ladies gave ! and such running and racing and peeping down as there was ! but the clerk soon opened the door of the vault , and up came the two princes , their fine clothes covered an inch thick with cobwebs and mould .
|
why did the two princes fall down during the wedding ?
|
they did not wait for the youngest princess to get back her crown and her prince .
|
local
|
causal relationship
|
implicit
| ||
the-three-crowns
|
so they took leave of him with great respect , and walked arm - in - arm to the bottom of the draw - well . there was a sky and a sun over them , and a great high wall , covered with ivy , rose before them , and was so high they could not see to the top of it ; and there was an arch in this wall , and the bottom of the draw - well was inside the arch . the youngest pair went last ; and says the princess to the prince , ' i 'm sure the two princes do n't mean any good to you . keep these crowns under your cloak , and if you are obliged to stay last , do n't get into the basket , but put a big stone , or any heavy thing inside , and see what will happen . ' as soon as they were inside the dark cave , they put in the eldest princess first , and stirred the basket , and up she went . then the basket was let down again , and up went the second princess , and then up went the youngest ; but first she put her arms round her prince 's neck , and kissed him , and cried a little . at last it came to the turn of the youngest prince , and instead of going into the basket he put in a big stone . he drew on one side and listened , and after the basket was drawn up about twenty perches , down came it and the stone like thunder , and the stone was broken into little bits . they had n't been long at work when a tailor came in , and he sat down and began to talk . you all heard how the two princess were loth to be married till the youngest would be ready with her crowns and her sweetheart . but after the windlass loosened accidentally when they were pulling up her bridegroom that was to be , there was no more sign of a well , or a rope , or a windlass , than there is on the palm of your hand . so the princes that were courting the eldest ladies would n't give peace or ease to their lovers nor the king till they got consent to the marriage , and it was to take place this morning . myself went down out of curiousity , and to be sure i was delighted with the grand dresses of the two brides , and the three crowns on their heads -- gold , silver , and copper , one inside the other . the youngest was standing by mournful enough , and all was ready . the two bridegrooms came in as proud and grand as you please , and up they were walking to the altar rails , when the boards opened two yards wide under their feet , and down they went among the dead men and the coffins in the vaults . oh , such shrieks as the ladies gave ! and such running and racing and peeping down as there was ! but the clerk soon opened the door of the vault , and up came the two princes , their fine clothes covered an inch thick with cobwebs and mould .
|
how did the basket drop down the well ?
|
the windlass loosened accidentally when they were pulling up her bridegroom that was to be .
|
summary
|
action
|
explicit
| ||
the-three-crowns
|
they had n't been long at work when a tailor came in , and he sat down and began to talk . you all heard how the two princess were loth to be married till the youngest would be ready with her crowns and her sweetheart . but after the windlass loosened accidentally when they were pulling up her bridegroom that was to be , there was no more sign of a well , or a rope , or a windlass , than there is on the palm of your hand . so the princes that were courting the eldest ladies would n't give peace or ease to their lovers nor the king till they got consent to the marriage , and it was to take place this morning . myself went down out of curiousity , and to be sure i was delighted with the grand dresses of the two brides , and the three crowns on their heads -- gold , silver , and copper , one inside the other . the youngest was standing by mournful enough , and all was ready . the two bridegrooms came in as proud and grand as you please , and up they were walking to the altar rails , when the boards opened two yards wide under their feet , and down they went among the dead men and the coffins in the vaults . oh , such shrieks as the ladies gave ! and such running and racing and peeping down as there was ! but the clerk soon opened the door of the vault , and up came the two princes , their fine clothes covered an inch thick with cobwebs and mould .
|
how did the youngest princess feel after her prince did not come back ?
|
sad .
|
local
|
feeling
|
implicit
| ||
the-three-crowns
|
they had n't been long at work when a tailor came in , and he sat down and began to talk . you all heard how the two princess were loth to be married till the youngest would be ready with her crowns and her sweetheart . but after the windlass loosened accidentally when they were pulling up her bridegroom that was to be , there was no more sign of a well , or a rope , or a windlass , than there is on the palm of your hand . so the princes that were courting the eldest ladies would n't give peace or ease to their lovers nor the king till they got consent to the marriage , and it was to take place this morning . myself went down out of curiousity , and to be sure i was delighted with the grand dresses of the two brides , and the three crowns on their heads -- gold , silver , and copper , one inside the other . the youngest was standing by mournful enough , and all was ready . the two bridegrooms came in as proud and grand as you please , and up they were walking to the altar rails , when the boards opened two yards wide under their feet , and down they went among the dead men and the coffins in the vaults . oh , such shrieks as the ladies gave ! and such running and racing and peeping down as there was ! but the clerk soon opened the door of the vault , and up came the two princes , their fine clothes covered an inch thick with cobwebs and mould .
|
how did the two princesses feel after their princes fell down ?
|
sad .
|
local
|
feeling
|
implicit
| ||
the-three-crowns
|
so the king said they should put off the marriage . ' for , ' says he , ' i see there is no use in thinking of it till the youngest gets her three crowns , and is married with the others . i 'll give my youngest daughter for a wife to whoever brings three crowns to me like the others ; and if he does n't care to be married , some other one will , and i 'll make his fortune . ' ' i wish , ' says the smith , ' i could do it ; but i was looking at the crowns after the princesses got home , and i do n't think there 's a black or a white smith on the face of the earth that could imitate them . ' ' faint heart never won fair lady , ' says the prince . ' go to the palace and ask for a quarter of a pound of gold , a quarter of a pound of silver , and a quarter of a pound of copper . get one crown for a pattern , and my head for a pledge , i 'll give you out the very things that are wanted in the morning . ' ' are you in earnest ? ' says the smith . ' faith , i am so , ' says he . ' go ! you ca n't do worse than lose . '
|
why did the king put off the marriage ?
|
the princes and princesses needed to find the remaining crowns .
|
local
|
causal relationship
|
implicit
| ||
the-three-crowns
|
so the king said they should put off the marriage . ' for , ' says he , ' i see there is no use in thinking of it till the youngest gets her three crowns , and is married with the others . i 'll give my youngest daughter for a wife to whoever brings three crowns to me like the others ; and if he does n't care to be married , some other one will , and i 'll make his fortune . ' ' i wish , ' says the smith , ' i could do it ; but i was looking at the crowns after the princesses got home , and i do n't think there 's a black or a white smith on the face of the earth that could imitate them . ' ' faint heart never won fair lady , ' says the prince . ' go to the palace and ask for a quarter of a pound of gold , a quarter of a pound of silver , and a quarter of a pound of copper . get one crown for a pattern , and my head for a pledge , i 'll give you out the very things that are wanted in the morning . ' ' are you in earnest ? ' says the smith . ' faith , i am so , ' says he . ' go ! you ca n't do worse than lose . '
|
why did the king offer the youngest princess as a wife if someone found the three crowns ?
|
the king wanted everyone to get married .
|
local
|
causal relationship
|
implicit
| ||
the-three-crowns
|
so the king said they should put off the marriage . ' for , ' says he , ' i see there is no use in thinking of it till the youngest gets her three crowns , and is married with the others . i 'll give my youngest daughter for a wife to whoever brings three crowns to me like the others ; and if he does n't care to be married , some other one will , and i 'll make his fortune . ' ' i wish , ' says the smith , ' i could do it ; but i was looking at the crowns after the princesses got home , and i do n't think there 's a black or a white smith on the face of the earth that could imitate them . ' ' faint heart never won fair lady , ' says the prince . ' go to the palace and ask for a quarter of a pound of gold , a quarter of a pound of silver , and a quarter of a pound of copper . get one crown for a pattern , and my head for a pledge , i 'll give you out the very things that are wanted in the morning . ' ' are you in earnest ? ' says the smith . ' faith , i am so , ' says he . ' go ! you ca n't do worse than lose . '
|
why couldn't the smith fulfill the king's request ?
|
no one could imitate the missing crowns .
|
local
|
causal relationship
|
implicit
| ||
the-three-crowns
|
so the king said they should put off the marriage . ' for , ' says he , ' i see there is no use in thinking of it till the youngest gets her three crowns , and is married with the others . i 'll give my youngest daughter for a wife to whoever brings three crowns to me like the others ; and if he does n't care to be married , some other one will , and i 'll make his fortune . ' ' i wish , ' says the smith , ' i could do it ; but i was looking at the crowns after the princesses got home , and i do n't think there 's a black or a white smith on the face of the earth that could imitate them . ' ' faint heart never won fair lady , ' says the prince . ' go to the palace and ask for a quarter of a pound of gold , a quarter of a pound of silver , and a quarter of a pound of copper . get one crown for a pattern , and my head for a pledge , i 'll give you out the very things that are wanted in the morning . ' ' are you in earnest ? ' says the smith . ' faith , i am so , ' says he . ' go ! you ca n't do worse than lose . '
|
what did the youngest prince order the smith to do ?
|
go to the palace and ask for a quarter of a pound of gold , a quarter of a pound of silver , and a quarter of a pound of copper .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
to make a long story short , the smith got the quarter of a pound of gold , and the quarter of a pound of silver , and the quarter of a pound of copper , and gave them and the pattern crown to the prince . he shut the forge door at nightfall , and the neighbours all gathered in the yard , and they heard him hammering , hammering , hammering , from that to daybreak ; and every now and then he 'd throw out through the window bits of gold , silver , and copper ; and the idlers scrambled for them , and cursed one another , and prayed for the good luck of the workman . well , just as the sun was thinking to rise , he opened the door , and brought out the three crowns he got from his true love , and such shouting and huzzaing as there was ! the smith asked him to go along with him to the palace , but he refused ; so off set the smith , and the whole townland with him ; and was n't the king rejoiced when he saw the crowns ! ' well , ' says he to the smith , ' you 're a married man . what 's to be done ? ' ' faith , your majesty , i did n't make them crowns at all . it was a big fellow that took service with me yesterday . ' ' well , daughter , will you marry the fellow that made these crowns ? ' ' let me see them first , father , ' said she ; but when she examined them she knew them right well , and guessed it was her true love that sent them . ' i will marry the man that these crowns came from , ' says she .
|
what did the neighbors hear the youngest prince doing ?
|
hammering .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
to make a long story short , the smith got the quarter of a pound of gold , and the quarter of a pound of silver , and the quarter of a pound of copper , and gave them and the pattern crown to the prince . he shut the forge door at nightfall , and the neighbours all gathered in the yard , and they heard him hammering , hammering , hammering , from that to daybreak ; and every now and then he 'd throw out through the window bits of gold , silver , and copper ; and the idlers scrambled for them , and cursed one another , and prayed for the good luck of the workman . well , just as the sun was thinking to rise , he opened the door , and brought out the three crowns he got from his true love , and such shouting and huzzaing as there was ! the smith asked him to go along with him to the palace , but he refused ; so off set the smith , and the whole townland with him ; and was n't the king rejoiced when he saw the crowns ! ' well , ' says he to the smith , ' you 're a married man . what 's to be done ? ' ' faith , your majesty , i did n't make them crowns at all . it was a big fellow that took service with me yesterday . ' ' well , daughter , will you marry the fellow that made these crowns ? ' ' let me see them first , father , ' said she ; but when she examined them she knew them right well , and guessed it was her true love that sent them . ' i will marry the man that these crowns came from , ' says she .
|
what did the prince do every now and then ?
|
threw out through the window bits of gold , silver , and copper .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
to make a long story short , the smith got the quarter of a pound of gold , and the quarter of a pound of silver , and the quarter of a pound of copper , and gave them and the pattern crown to the prince . he shut the forge door at nightfall , and the neighbours all gathered in the yard , and they heard him hammering , hammering , hammering , from that to daybreak ; and every now and then he 'd throw out through the window bits of gold , silver , and copper ; and the idlers scrambled for them , and cursed one another , and prayed for the good luck of the workman . well , just as the sun was thinking to rise , he opened the door , and brought out the three crowns he got from his true love , and such shouting and huzzaing as there was ! the smith asked him to go along with him to the palace , but he refused ; so off set the smith , and the whole townland with him ; and was n't the king rejoiced when he saw the crowns ! ' well , ' says he to the smith , ' you 're a married man . what 's to be done ? ' ' faith , your majesty , i did n't make them crowns at all . it was a big fellow that took service with me yesterday . ' ' well , daughter , will you marry the fellow that made these crowns ? ' ' let me see them first , father , ' said she ; but when she examined them she knew them right well , and guessed it was her true love that sent them . ' i will marry the man that these crowns came from , ' says she .
|
why did the youngest prince ask for gold, silver, and copper from the smith ?
|
he needed to pretend to make the crowns .
|
local
|
causal relationship
|
implicit
| ||
the-three-crowns
|
to make a long story short , the smith got the quarter of a pound of gold , and the quarter of a pound of silver , and the quarter of a pound of copper , and gave them and the pattern crown to the prince . he shut the forge door at nightfall , and the neighbours all gathered in the yard , and they heard him hammering , hammering , hammering , from that to daybreak ; and every now and then he 'd throw out through the window bits of gold , silver , and copper ; and the idlers scrambled for them , and cursed one another , and prayed for the good luck of the workman . well , just as the sun was thinking to rise , he opened the door , and brought out the three crowns he got from his true love , and such shouting and huzzaing as there was ! the smith asked him to go along with him to the palace , but he refused ; so off set the smith , and the whole townland with him ; and was n't the king rejoiced when he saw the crowns ! ' well , ' says he to the smith , ' you 're a married man . what 's to be done ? ' ' faith , your majesty , i did n't make them crowns at all . it was a big fellow that took service with me yesterday . ' ' well , daughter , will you marry the fellow that made these crowns ? ' ' let me see them first , father , ' said she ; but when she examined them she knew them right well , and guessed it was her true love that sent them . ' i will marry the man that these crowns came from , ' says she .
|
what did the youngest prince give to the smith ?
|
the three crowns he got from his true love .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
to make a long story short , the smith got the quarter of a pound of gold , and the quarter of a pound of silver , and the quarter of a pound of copper , and gave them and the pattern crown to the prince . he shut the forge door at nightfall , and the neighbours all gathered in the yard , and they heard him hammering , hammering , hammering , from that to daybreak ; and every now and then he 'd throw out through the window bits of gold , silver , and copper ; and the idlers scrambled for them , and cursed one another , and prayed for the good luck of the workman . well , just as the sun was thinking to rise , he opened the door , and brought out the three crowns he got from his true love , and such shouting and huzzaing as there was ! the smith asked him to go along with him to the palace , but he refused ; so off set the smith , and the whole townland with him ; and was n't the king rejoiced when he saw the crowns ! ' well , ' says he to the smith , ' you 're a married man . what 's to be done ? ' ' faith , your majesty , i did n't make them crowns at all . it was a big fellow that took service with me yesterday . ' ' well , daughter , will you marry the fellow that made these crowns ? ' ' let me see them first , father , ' said she ; but when she examined them she knew them right well , and guessed it was her true love that sent them . ' i will marry the man that these crowns came from , ' says she .
|
how did the youngest princess know that her prince sent the three crowns ?
|
she gave the three crowns to the prince .
|
local
|
action
|
implicit
| ||
the-three-crowns
|
to make a long story short , the smith got the quarter of a pound of gold , and the quarter of a pound of silver , and the quarter of a pound of copper , and gave them and the pattern crown to the prince . he shut the forge door at nightfall , and the neighbours all gathered in the yard , and they heard him hammering , hammering , hammering , from that to daybreak ; and every now and then he 'd throw out through the window bits of gold , silver , and copper ; and the idlers scrambled for them , and cursed one another , and prayed for the good luck of the workman . well , just as the sun was thinking to rise , he opened the door , and brought out the three crowns he got from his true love , and such shouting and huzzaing as there was ! the smith asked him to go along with him to the palace , but he refused ; so off set the smith , and the whole townland with him ; and was n't the king rejoiced when he saw the crowns ! ' well , ' says he to the smith , ' you 're a married man . what 's to be done ? ' ' faith , your majesty , i did n't make them crowns at all . it was a big fellow that took service with me yesterday . ' ' well , daughter , will you marry the fellow that made these crowns ? ' ' let me see them first , father , ' said she ; but when she examined them she knew them right well , and guessed it was her true love that sent them . ' i will marry the man that these crowns came from , ' says she .
|
why couldn't the smith marry the youngest princess ?
|
he was a married man .
|
local
|
causal relationship
|
explicit
| ||
the-three-crowns
|
to make a long story short , the smith got the quarter of a pound of gold , and the quarter of a pound of silver , and the quarter of a pound of copper , and gave them and the pattern crown to the prince . he shut the forge door at nightfall , and the neighbours all gathered in the yard , and they heard him hammering , hammering , hammering , from that to daybreak ; and every now and then he 'd throw out through the window bits of gold , silver , and copper ; and the idlers scrambled for them , and cursed one another , and prayed for the good luck of the workman . well , just as the sun was thinking to rise , he opened the door , and brought out the three crowns he got from his true love , and such shouting and huzzaing as there was ! the smith asked him to go along with him to the palace , but he refused ; so off set the smith , and the whole townland with him ; and was n't the king rejoiced when he saw the crowns ! ' well , ' says he to the smith , ' you 're a married man . what 's to be done ? ' ' faith , your majesty , i did n't make them crowns at all . it was a big fellow that took service with me yesterday . ' ' well , daughter , will you marry the fellow that made these crowns ? ' ' let me see them first , father , ' said she ; but when she examined them she knew them right well , and guessed it was her true love that sent them . ' i will marry the man that these crowns came from , ' says she .
|
how did the king feel after he saw the three crowns ?
|
happy .
|
local
|
feeling
|
implicit
| ||
the-three-crowns
|
to make a long story short , the smith got the quarter of a pound of gold , and the quarter of a pound of silver , and the quarter of a pound of copper , and gave them and the pattern crown to the prince . he shut the forge door at nightfall , and the neighbours all gathered in the yard , and they heard him hammering , hammering , hammering , from that to daybreak ; and every now and then he 'd throw out through the window bits of gold , silver , and copper ; and the idlers scrambled for them , and cursed one another , and prayed for the good luck of the workman . well , just as the sun was thinking to rise , he opened the door , and brought out the three crowns he got from his true love , and such shouting and huzzaing as there was ! the smith asked him to go along with him to the palace , but he refused ; so off set the smith , and the whole townland with him ; and was n't the king rejoiced when he saw the crowns ! ' well , ' says he to the smith , ' you 're a married man . what 's to be done ? ' ' faith , your majesty , i did n't make them crowns at all . it was a big fellow that took service with me yesterday . ' ' well , daughter , will you marry the fellow that made these crowns ? ' ' let me see them first , father , ' said she ; but when she examined them she knew them right well , and guessed it was her true love that sent them . ' i will marry the man that these crowns came from , ' says she .
|
why did the youngest princess decide to marry the man who made the crowns ?
|
she knew her prince sent them .
|
local
|
causal relationship
|
implicit
| ||
the-three-crowns
|
' well , ' says the king to the elder of the two princes , ' go up to the smith 's forge , take my best coaches , and bring home the bridegroom . ' he did not like doing this , he was so proud , but he could not refuse . when he came to the forge he saw the prince standing at the door , and beckoned him over to the coach . ' are you the fellow , ' says he , ' that made these crowns ? ' ' yes , ' says the other . ' then , ' says he , ' maybe you 'd give yourself a brushing , and get into that coach ; the king wants to see you . i pity the princess . ' the young prince got into the carriage , and while they were on the way he opened the snuff - box , and out walked seven inches , and stood on his thigh . ' well , ' says he , ' what trouble is on you now ? ' ' master , ' says the other , ' please let me go back to my forge , and let this carriage be filled with paving stones . ' no sooner said than done . the prince was sitting in his forge , and the horses wondered what was after happening to the carriage .
|
what did the king order the eldest prince to do ?
|
go up to the smith 's forge , take his best coaches , and bring home the bridegroom .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
' well , ' says the king to the elder of the two princes , ' go up to the smith 's forge , take my best coaches , and bring home the bridegroom . ' he did not like doing this , he was so proud , but he could not refuse . when he came to the forge he saw the prince standing at the door , and beckoned him over to the coach . ' are you the fellow , ' says he , ' that made these crowns ? ' ' yes , ' says the other . ' then , ' says he , ' maybe you 'd give yourself a brushing , and get into that coach ; the king wants to see you . i pity the princess . ' the young prince got into the carriage , and while they were on the way he opened the snuff - box , and out walked seven inches , and stood on his thigh . ' well , ' says he , ' what trouble is on you now ? ' ' master , ' says the other , ' please let me go back to my forge , and let this carriage be filled with paving stones . ' no sooner said than done . the prince was sitting in his forge , and the horses wondered what was after happening to the carriage .
|
why didn't the eldest prince recognize his youngest brother ?
|
the youngest brother wore shabby clothes .
|
local
|
causal relationship
|
implicit
| ||
the-three-crowns
|
' well , ' says the king to the elder of the two princes , ' go up to the smith 's forge , take my best coaches , and bring home the bridegroom . ' he did not like doing this , he was so proud , but he could not refuse . when he came to the forge he saw the prince standing at the door , and beckoned him over to the coach . ' are you the fellow , ' says he , ' that made these crowns ? ' ' yes , ' says the other . ' then , ' says he , ' maybe you 'd give yourself a brushing , and get into that coach ; the king wants to see you . i pity the princess . ' the young prince got into the carriage , and while they were on the way he opened the snuff - box , and out walked seven inches , and stood on his thigh . ' well , ' says he , ' what trouble is on you now ? ' ' master , ' says the other , ' please let me go back to my forge , and let this carriage be filled with paving stones . ' no sooner said than done . the prince was sitting in his forge , and the horses wondered what was after happening to the carriage .
|
why did the eldest prince pity the youngest princess ?
|
he believed the man was not a good fit for her .
|
local
|
causal relationship
|
implicit
| ||
the-three-crowns
|
' well , ' says the king to the elder of the two princes , ' go up to the smith 's forge , take my best coaches , and bring home the bridegroom . ' he did not like doing this , he was so proud , but he could not refuse . when he came to the forge he saw the prince standing at the door , and beckoned him over to the coach . ' are you the fellow , ' says he , ' that made these crowns ? ' ' yes , ' says the other . ' then , ' says he , ' maybe you 'd give yourself a brushing , and get into that coach ; the king wants to see you . i pity the princess . ' the young prince got into the carriage , and while they were on the way he opened the snuff - box , and out walked seven inches , and stood on his thigh . ' well , ' says he , ' what trouble is on you now ? ' ' master , ' says the other , ' please let me go back to my forge , and let this carriage be filled with paving stones . ' no sooner said than done . the prince was sitting in his forge , and the horses wondered what was after happening to the carriage .
|
why did seven inches appear in the carriage ?
|
the youngest prince summoned him .
|
local
|
causal relationship
|
implicit
| ||
the-three-crowns
|
' well , ' says the king to the elder of the two princes , ' go up to the smith 's forge , take my best coaches , and bring home the bridegroom . ' he did not like doing this , he was so proud , but he could not refuse . when he came to the forge he saw the prince standing at the door , and beckoned him over to the coach . ' are you the fellow , ' says he , ' that made these crowns ? ' ' yes , ' says the other . ' then , ' says he , ' maybe you 'd give yourself a brushing , and get into that coach ; the king wants to see you . i pity the princess . ' the young prince got into the carriage , and while they were on the way he opened the snuff - box , and out walked seven inches , and stood on his thigh . ' well , ' says he , ' what trouble is on you now ? ' ' master , ' says the other , ' please let me go back to my forge , and let this carriage be filled with paving stones . ' no sooner said than done . the prince was sitting in his forge , and the horses wondered what was after happening to the carriage .
|
what did the youngest prince want to fill the carriage with ?
|
paving stones .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
' well , ' says the king to the elder of the two princes , ' go up to the smith 's forge , take my best coaches , and bring home the bridegroom . ' he did not like doing this , he was so proud , but he could not refuse . when he came to the forge he saw the prince standing at the door , and beckoned him over to the coach . ' are you the fellow , ' says he , ' that made these crowns ? ' ' yes , ' says the other . ' then , ' says he , ' maybe you 'd give yourself a brushing , and get into that coach ; the king wants to see you . i pity the princess . ' the young prince got into the carriage , and while they were on the way he opened the snuff - box , and out walked seven inches , and stood on his thigh . ' well , ' says he , ' what trouble is on you now ? ' ' master , ' says the other , ' please let me go back to my forge , and let this carriage be filled with paving stones . ' no sooner said than done . the prince was sitting in his forge , and the horses wondered what was after happening to the carriage .
|
where did the youngest prince want to go back to ?
|
his forge .
|
local
|
setting
|
explicit
| ||
the-three-crowns
|
when they came into the palace yard , the king himself opened the carriage door , for respect to his new son - in - law . as soon as he turned the handle , a shower of small stones fell on his powdered wig and his silk coat , and down he fell under them . there was great fright and some laughter , and the king , after he wiped the blood from his forehead , looked very cross at the eldest prince . ' my lord , ' says he , ' i 'm very sorry for this accident , but i 'm not to blame . i saw the young smith get into the carriage , and we never stopped a minute since . ' ' it 's uncivil you were to him . go , ' says he to the other prince , ' and bring the young smith here , and be polite . ' ' never fear , ' says he . but there 's some people that could n't be good - natured if they tried , and not a bit civiller was the new messenger than the old , and when the king opened the carriage door a second time , it 's shower of mud that came down on him . ' there 's no use , ' says he , ' going on this way . the fox never got a better messenger than himself . '
|
how did the king feel after he opened the carriage ?
|
surprised .
|
local
|
feeling
|
implicit
| ||
the-three-crowns
|
when they came into the palace yard , the king himself opened the carriage door , for respect to his new son - in - law . as soon as he turned the handle , a shower of small stones fell on his powdered wig and his silk coat , and down he fell under them . there was great fright and some laughter , and the king , after he wiped the blood from his forehead , looked very cross at the eldest prince . ' my lord , ' says he , ' i 'm very sorry for this accident , but i 'm not to blame . i saw the young smith get into the carriage , and we never stopped a minute since . ' ' it 's uncivil you were to him . go , ' says he to the other prince , ' and bring the young smith here , and be polite . ' ' never fear , ' says he . but there 's some people that could n't be good - natured if they tried , and not a bit civiller was the new messenger than the old , and when the king opened the carriage door a second time , it 's shower of mud that came down on him . ' there 's no use , ' says he , ' going on this way . the fox never got a better messenger than himself . '
|
what happened after the king opened the carriage door ?
|
a shower of small stones fell on his powdered wig and his silk coat , and down he fell under them .
|
local
|
outcome resolution
|
explicit
| ||
the-three-crowns
|
when they came into the palace yard , the king himself opened the carriage door , for respect to his new son - in - law . as soon as he turned the handle , a shower of small stones fell on his powdered wig and his silk coat , and down he fell under them . there was great fright and some laughter , and the king , after he wiped the blood from his forehead , looked very cross at the eldest prince . ' my lord , ' says he , ' i 'm very sorry for this accident , but i 'm not to blame . i saw the young smith get into the carriage , and we never stopped a minute since . ' ' it 's uncivil you were to him . go , ' says he to the other prince , ' and bring the young smith here , and be polite . ' ' never fear , ' says he . but there 's some people that could n't be good - natured if they tried , and not a bit civiller was the new messenger than the old , and when the king opened the carriage door a second time , it 's shower of mud that came down on him . ' there 's no use , ' says he , ' going on this way . the fox never got a better messenger than himself . '
|
how did the king feel about the eldest prince after small stones fell on him ?
|
mad .
|
local
|
feeling
|
implicit
| ||
the-three-crowns
|
when they came into the palace yard , the king himself opened the carriage door , for respect to his new son - in - law . as soon as he turned the handle , a shower of small stones fell on his powdered wig and his silk coat , and down he fell under them . there was great fright and some laughter , and the king , after he wiped the blood from his forehead , looked very cross at the eldest prince . ' my lord , ' says he , ' i 'm very sorry for this accident , but i 'm not to blame . i saw the young smith get into the carriage , and we never stopped a minute since . ' ' it 's uncivil you were to him . go , ' says he to the other prince , ' and bring the young smith here , and be polite . ' ' never fear , ' says he . but there 's some people that could n't be good - natured if they tried , and not a bit civiller was the new messenger than the old , and when the king opened the carriage door a second time , it 's shower of mud that came down on him . ' there 's no use , ' says he , ' going on this way . the fox never got a better messenger than himself . '
|
who did the king order to bring the man to the palace ?
|
the second prince .
|
local
|
character
|
explicit
| ||
the-three-crowns
|
when they came into the palace yard , the king himself opened the carriage door , for respect to his new son - in - law . as soon as he turned the handle , a shower of small stones fell on his powdered wig and his silk coat , and down he fell under them . there was great fright and some laughter , and the king , after he wiped the blood from his forehead , looked very cross at the eldest prince . ' my lord , ' says he , ' i 'm very sorry for this accident , but i 'm not to blame . i saw the young smith get into the carriage , and we never stopped a minute since . ' ' it 's uncivil you were to him . go , ' says he to the other prince , ' and bring the young smith here , and be polite . ' ' never fear , ' says he . but there 's some people that could n't be good - natured if they tried , and not a bit civiller was the new messenger than the old , and when the king opened the carriage door a second time , it 's shower of mud that came down on him . ' there 's no use , ' says he , ' going on this way . the fox never got a better messenger than himself . '
|
why did the king order the second prince to bring the man back to the palace ?
|
the eldest son did not complete the task .
|
local
|
causal relationship
|
implicit
| ||
the-three-crowns
|
when they came into the palace yard , the king himself opened the carriage door , for respect to his new son - in - law . as soon as he turned the handle , a shower of small stones fell on his powdered wig and his silk coat , and down he fell under them . there was great fright and some laughter , and the king , after he wiped the blood from his forehead , looked very cross at the eldest prince . ' my lord , ' says he , ' i 'm very sorry for this accident , but i 'm not to blame . i saw the young smith get into the carriage , and we never stopped a minute since . ' ' it 's uncivil you were to him . go , ' says he to the other prince , ' and bring the young smith here , and be polite . ' ' never fear , ' says he . but there 's some people that could n't be good - natured if they tried , and not a bit civiller was the new messenger than the old , and when the king opened the carriage door a second time , it 's shower of mud that came down on him . ' there 's no use , ' says he , ' going on this way . the fox never got a better messenger than himself . '
|
what happened after the second prince tried to bring the man back ?
|
when the king opened the carriage door a second time , it 's shower of mud that came down on him .
|
local
|
outcome resolution
|
explicit
| ||
the-three-crowns
|
when they came into the palace yard , the king himself opened the carriage door , for respect to his new son - in - law . as soon as he turned the handle , a shower of small stones fell on his powdered wig and his silk coat , and down he fell under them . there was great fright and some laughter , and the king , after he wiped the blood from his forehead , looked very cross at the eldest prince . ' my lord , ' says he , ' i 'm very sorry for this accident , but i 'm not to blame . i saw the young smith get into the carriage , and we never stopped a minute since . ' ' it 's uncivil you were to him . go , ' says he to the other prince , ' and bring the young smith here , and be polite . ' ' never fear , ' says he . but there 's some people that could n't be good - natured if they tried , and not a bit civiller was the new messenger than the old , and when the king opened the carriage door a second time , it 's shower of mud that came down on him . ' there 's no use , ' says he , ' going on this way . the fox never got a better messenger than himself . '
|
how did the king feel after the second prince fail to bring the man back ?
|
furious .
|
local
|
feeling
|
implicit
| ||
the-three-crowns
|
so he changed his clothes , and washed himself , and out he set to the prince 's forge and asked him to sit along with himself . the prince begged to be allowed to sit in the other carriage , and when they were half - way he opened his snuff - box . ' master , ' says he , ' i 'd wish to be dressed now according to my rank . ' ' you shall be that , ' says seven inches . ' and now i 'll bid you farewell . continue as good and kind as you always were ; love your wife ; and that 's all the advice i 'll give you . ' so seven inches vanished ; and when the carriage door was opened in the yard , out walks the prince as fine as hands could make him , and the first thing he did was to run over to his bride and embrace her . every one was full of joy but the two other princes . there was not much delay about the marriages , and they were all celebrated on the one day . soon after , the two elder couples went to their own courts , but the youngest pair stayed with the old king , and they were as happy as the happiest married couple you ever heard of in a story .
|
what did the king decide to do after his sons failed ?
|
picked up the man by himself .
|
local
|
action
|
implicit
| ||
the-three-crowns
|
so he changed his clothes , and washed himself , and out he set to the prince 's forge and asked him to sit along with himself . the prince begged to be allowed to sit in the other carriage , and when they were half - way he opened his snuff - box . ' master , ' says he , ' i 'd wish to be dressed now according to my rank . ' ' you shall be that , ' says seven inches . ' and now i 'll bid you farewell . continue as good and kind as you always were ; love your wife ; and that 's all the advice i 'll give you . ' so seven inches vanished ; and when the carriage door was opened in the yard , out walks the prince as fine as hands could make him , and the first thing he did was to run over to his bride and embrace her . every one was full of joy but the two other princes . there was not much delay about the marriages , and they were all celebrated on the one day . soon after , the two elder couples went to their own courts , but the youngest pair stayed with the old king , and they were as happy as the happiest married couple you ever heard of in a story .
|
what did the youngest prince ask to do when the king came ?
|
to be allowed to sit in the other carriage .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
so he changed his clothes , and washed himself , and out he set to the prince 's forge and asked him to sit along with himself . the prince begged to be allowed to sit in the other carriage , and when they were half - way he opened his snuff - box . ' master , ' says he , ' i 'd wish to be dressed now according to my rank . ' ' you shall be that , ' says seven inches . ' and now i 'll bid you farewell . continue as good and kind as you always were ; love your wife ; and that 's all the advice i 'll give you . ' so seven inches vanished ; and when the carriage door was opened in the yard , out walks the prince as fine as hands could make him , and the first thing he did was to run over to his bride and embrace her . every one was full of joy but the two other princes . there was not much delay about the marriages , and they were all celebrated on the one day . soon after , the two elder couples went to their own courts , but the youngest pair stayed with the old king , and they were as happy as the happiest married couple you ever heard of in a story .
|
why did the youngest prince want to sit in the other carriage ?
|
he wanted to open the snuff - box .
|
local
|
causal relationship
|
implicit
| ||
the-three-crowns
|
so he changed his clothes , and washed himself , and out he set to the prince 's forge and asked him to sit along with himself . the prince begged to be allowed to sit in the other carriage , and when they were half - way he opened his snuff - box . ' master , ' says he , ' i 'd wish to be dressed now according to my rank . ' ' you shall be that , ' says seven inches . ' and now i 'll bid you farewell . continue as good and kind as you always were ; love your wife ; and that 's all the advice i 'll give you . ' so seven inches vanished ; and when the carriage door was opened in the yard , out walks the prince as fine as hands could make him , and the first thing he did was to run over to his bride and embrace her . every one was full of joy but the two other princes . there was not much delay about the marriages , and they were all celebrated on the one day . soon after , the two elder couples went to their own courts , but the youngest pair stayed with the old king , and they were as happy as the happiest married couple you ever heard of in a story .
|
what did the youngest prince do after they were half-way ?
|
opened his snuff - box .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
so he changed his clothes , and washed himself , and out he set to the prince 's forge and asked him to sit along with himself . the prince begged to be allowed to sit in the other carriage , and when they were half - way he opened his snuff - box . ' master , ' says he , ' i 'd wish to be dressed now according to my rank . ' ' you shall be that , ' says seven inches . ' and now i 'll bid you farewell . continue as good and kind as you always were ; love your wife ; and that 's all the advice i 'll give you . ' so seven inches vanished ; and when the carriage door was opened in the yard , out walks the prince as fine as hands could make him , and the first thing he did was to run over to his bride and embrace her . every one was full of joy but the two other princes . there was not much delay about the marriages , and they were all celebrated on the one day . soon after , the two elder couples went to their own courts , but the youngest pair stayed with the old king , and they were as happy as the happiest married couple you ever heard of in a story .
|
what did the youngest prince wish for ?
|
wish to be dressed now according to his rank .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
so he changed his clothes , and washed himself , and out he set to the prince 's forge and asked him to sit along with himself . the prince begged to be allowed to sit in the other carriage , and when they were half - way he opened his snuff - box . ' master , ' says he , ' i 'd wish to be dressed now according to my rank . ' ' you shall be that , ' says seven inches . ' and now i 'll bid you farewell . continue as good and kind as you always were ; love your wife ; and that 's all the advice i 'll give you . ' so seven inches vanished ; and when the carriage door was opened in the yard , out walks the prince as fine as hands could make him , and the first thing he did was to run over to his bride and embrace her . every one was full of joy but the two other princes . there was not much delay about the marriages , and they were all celebrated on the one day . soon after , the two elder couples went to their own courts , but the youngest pair stayed with the old king , and they were as happy as the happiest married couple you ever heard of in a story .
|
what advice did seven inches give to the youngest prince ?
|
continue as good and kind as you always were ; love your wife ; and that 's all the advice i 'll give you . ' .
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local
|
action
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explicit
| ||
the-three-crowns
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so he changed his clothes , and washed himself , and out he set to the prince 's forge and asked him to sit along with himself . the prince begged to be allowed to sit in the other carriage , and when they were half - way he opened his snuff - box . ' master , ' says he , ' i 'd wish to be dressed now according to my rank . ' ' you shall be that , ' says seven inches . ' and now i 'll bid you farewell . continue as good and kind as you always were ; love your wife ; and that 's all the advice i 'll give you . ' so seven inches vanished ; and when the carriage door was opened in the yard , out walks the prince as fine as hands could make him , and the first thing he did was to run over to his bride and embrace her . every one was full of joy but the two other princes . there was not much delay about the marriages , and they were all celebrated on the one day . soon after , the two elder couples went to their own courts , but the youngest pair stayed with the old king , and they were as happy as the happiest married couple you ever heard of in a story .
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what happened after the carriage door was opened ?
|
out walks the prince as fine as hands could make him .
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local
|
outcome resolution
|
explicit
| ||
the-three-crowns
|
so he changed his clothes , and washed himself , and out he set to the prince 's forge and asked him to sit along with himself . the prince begged to be allowed to sit in the other carriage , and when they were half - way he opened his snuff - box . ' master , ' says he , ' i 'd wish to be dressed now according to my rank . ' ' you shall be that , ' says seven inches . ' and now i 'll bid you farewell . continue as good and kind as you always were ; love your wife ; and that 's all the advice i 'll give you . ' so seven inches vanished ; and when the carriage door was opened in the yard , out walks the prince as fine as hands could make him , and the first thing he did was to run over to his bride and embrace her . every one was full of joy but the two other princes . there was not much delay about the marriages , and they were all celebrated on the one day . soon after , the two elder couples went to their own courts , but the youngest pair stayed with the old king , and they were as happy as the happiest married couple you ever heard of in a story .
|
what was the first thing the youngest prince did ?
|
run over to his bride and embrace her .
|
local
|
action
|
explicit
| ||
the-three-crowns
|
so he changed his clothes , and washed himself , and out he set to the prince 's forge and asked him to sit along with himself . the prince begged to be allowed to sit in the other carriage , and when they were half - way he opened his snuff - box . ' master , ' says he , ' i 'd wish to be dressed now according to my rank . ' ' you shall be that , ' says seven inches . ' and now i 'll bid you farewell . continue as good and kind as you always were ; love your wife ; and that 's all the advice i 'll give you . ' so seven inches vanished ; and when the carriage door was opened in the yard , out walks the prince as fine as hands could make him , and the first thing he did was to run over to his bride and embrace her . every one was full of joy but the two other princes . there was not much delay about the marriages , and they were all celebrated on the one day . soon after , the two elder couples went to their own courts , but the youngest pair stayed with the old king , and they were as happy as the happiest married couple you ever heard of in a story .
|
how did the other princes feel after the youngest prince came back ?
|
unhappy .
|
local
|
feeling
|
implicit
| ||
the-three-crowns
|
so he changed his clothes , and washed himself , and out he set to the prince 's forge and asked him to sit along with himself . the prince begged to be allowed to sit in the other carriage , and when they were half - way he opened his snuff - box . ' master , ' says he , ' i 'd wish to be dressed now according to my rank . ' ' you shall be that , ' says seven inches . ' and now i 'll bid you farewell . continue as good and kind as you always were ; love your wife ; and that 's all the advice i 'll give you . ' so seven inches vanished ; and when the carriage door was opened in the yard , out walks the prince as fine as hands could make him , and the first thing he did was to run over to his bride and embrace her . every one was full of joy but the two other princes . there was not much delay about the marriages , and they were all celebrated on the one day . soon after , the two elder couples went to their own courts , but the youngest pair stayed with the old king , and they were as happy as the happiest married couple you ever heard of in a story .
|
who stayed with the old king ?
|
the youngest pair .
|
local
|
character
|
explicit
| ||
the-three-crowns
|
so he changed his clothes , and washed himself , and out he set to the prince 's forge and asked him to sit along with himself . the prince begged to be allowed to sit in the other carriage , and when they were half - way he opened his snuff - box . ' master , ' says he , ' i 'd wish to be dressed now according to my rank . ' ' you shall be that , ' says seven inches . ' and now i 'll bid you farewell . continue as good and kind as you always were ; love your wife ; and that 's all the advice i 'll give you . ' so seven inches vanished ; and when the carriage door was opened in the yard , out walks the prince as fine as hands could make him , and the first thing he did was to run over to his bride and embrace her . every one was full of joy but the two other princes . there was not much delay about the marriages , and they were all celebrated on the one day . soon after , the two elder couples went to their own courts , but the youngest pair stayed with the old king , and they were as happy as the happiest married couple you ever heard of in a story .
|
what happened after the youngest prince came back ?
|
there was not much delay about the marriages , and they were all celebrated on the one day .
|
local
|
outcome resolution
|
explicit
| ||
story-of-princess-hase
|
many , many years ago there lived in nara , the ancient capital of japan , a wise state minister , by name prince toyonari fujiwara . his wife was a noble , good , and beautiful woman called princess murasaki ( violet ) . they had been married by their respective families according to japanese custom when very young , and had lived together happily ever since . they had , however , one cause for great sorrow , for as the years went by no child was born to them . this made them very unhappy , for they both longed to see a child of their own who would grow up to gladden their old age , carry on the family name , and keep up the ancestral rites when they were dead . the prince and his lovely wife , after long consultation and much thought , determined to make a pilgrimage to the temple of hase - no - kwannon ( goddess of mercy at hase ) . they believed , according to the beautiful tradition of their religion , that the mother of mercy , kwannon , comes to answer the prayers of mortals in the form that they need the most . surely after all these years of prayer she would come to them in the form of a beloved child in answer to their special pilgrimage , for that was the greatest need of their two lives . everything else they had that this life could give them , but it was all as nothing because the cry of their hearts was unsatisfied .
|
where was the ancient capital of japan ?
|
nara .
|
local
|
setting
|
explicit
| ||
story-of-princess-hase
|
many , many years ago there lived in nara , the ancient capital of japan , a wise state minister , by name prince toyonari fujiwara . his wife was a noble , good , and beautiful woman called princess murasaki ( violet ) . they had been married by their respective families according to japanese custom when very young , and had lived together happily ever since . they had , however , one cause for great sorrow , for as the years went by no child was born to them . this made them very unhappy , for they both longed to see a child of their own who would grow up to gladden their old age , carry on the family name , and keep up the ancestral rites when they were dead . the prince and his lovely wife , after long consultation and much thought , determined to make a pilgrimage to the temple of hase - no - kwannon ( goddess of mercy at hase ) . they believed , according to the beautiful tradition of their religion , that the mother of mercy , kwannon , comes to answer the prayers of mortals in the form that they need the most . surely after all these years of prayer she would come to them in the form of a beloved child in answer to their special pilgrimage , for that was the greatest need of their two lives . everything else they had that this life could give them , but it was all as nothing because the cry of their hearts was unsatisfied .
|
who was prince toyanari fujiwara ?
|
a wise state minister .
|
local
|
character
|
explicit
| ||
story-of-princess-hase
|
many , many years ago there lived in nara , the ancient capital of japan , a wise state minister , by name prince toyonari fujiwara . his wife was a noble , good , and beautiful woman called princess murasaki ( violet ) . they had been married by their respective families according to japanese custom when very young , and had lived together happily ever since . they had , however , one cause for great sorrow , for as the years went by no child was born to them . this made them very unhappy , for they both longed to see a child of their own who would grow up to gladden their old age , carry on the family name , and keep up the ancestral rites when they were dead . the prince and his lovely wife , after long consultation and much thought , determined to make a pilgrimage to the temple of hase - no - kwannon ( goddess of mercy at hase ) . they believed , according to the beautiful tradition of their religion , that the mother of mercy , kwannon , comes to answer the prayers of mortals in the form that they need the most . surely after all these years of prayer she would come to them in the form of a beloved child in answer to their special pilgrimage , for that was the greatest need of their two lives . everything else they had that this life could give them , but it was all as nothing because the cry of their hearts was unsatisfied .
|
what was prince toyanari fujiwara's wife like ?
|
noble , good , and beautiful .
|
local
|
character
|
explicit
| ||
story-of-princess-hase
|
many , many years ago there lived in nara , the ancient capital of japan , a wise state minister , by name prince toyonari fujiwara . his wife was a noble , good , and beautiful woman called princess murasaki ( violet ) . they had been married by their respective families according to japanese custom when very young , and had lived together happily ever since . they had , however , one cause for great sorrow , for as the years went by no child was born to them . this made them very unhappy , for they both longed to see a child of their own who would grow up to gladden their old age , carry on the family name , and keep up the ancestral rites when they were dead . the prince and his lovely wife , after long consultation and much thought , determined to make a pilgrimage to the temple of hase - no - kwannon ( goddess of mercy at hase ) . they believed , according to the beautiful tradition of their religion , that the mother of mercy , kwannon , comes to answer the prayers of mortals in the form that they need the most . surely after all these years of prayer she would come to them in the form of a beloved child in answer to their special pilgrimage , for that was the greatest need of their two lives . everything else they had that this life could give them , but it was all as nothing because the cry of their hearts was unsatisfied .
|
what was the couple's one cause for great sorrow ?
|
no child was born to them .
|
local
|
causal relationship
|
explicit
| ||
story-of-princess-hase
|
many , many years ago there lived in nara , the ancient capital of japan , a wise state minister , by name prince toyonari fujiwara . his wife was a noble , good , and beautiful woman called princess murasaki ( violet ) . they had been married by their respective families according to japanese custom when very young , and had lived together happily ever since . they had , however , one cause for great sorrow , for as the years went by no child was born to them . this made them very unhappy , for they both longed to see a child of their own who would grow up to gladden their old age , carry on the family name , and keep up the ancestral rites when they were dead . the prince and his lovely wife , after long consultation and much thought , determined to make a pilgrimage to the temple of hase - no - kwannon ( goddess of mercy at hase ) . they believed , according to the beautiful tradition of their religion , that the mother of mercy , kwannon , comes to answer the prayers of mortals in the form that they need the most . surely after all these years of prayer she would come to them in the form of a beloved child in answer to their special pilgrimage , for that was the greatest need of their two lives . everything else they had that this life could give them , but it was all as nothing because the cry of their hearts was unsatisfied .
|
what happened because no child was born to the couple ?
|
this made them very unhappy .
|
local
|
outcome resolution
|
explicit
| ||
story-of-princess-hase
|
many , many years ago there lived in nara , the ancient capital of japan , a wise state minister , by name prince toyonari fujiwara . his wife was a noble , good , and beautiful woman called princess murasaki ( violet ) . they had been married by their respective families according to japanese custom when very young , and had lived together happily ever since . they had , however , one cause for great sorrow , for as the years went by no child was born to them . this made them very unhappy , for they both longed to see a child of their own who would grow up to gladden their old age , carry on the family name , and keep up the ancestral rites when they were dead . the prince and his lovely wife , after long consultation and much thought , determined to make a pilgrimage to the temple of hase - no - kwannon ( goddess of mercy at hase ) . they believed , according to the beautiful tradition of their religion , that the mother of mercy , kwannon , comes to answer the prayers of mortals in the form that they need the most . surely after all these years of prayer she would come to them in the form of a beloved child in answer to their special pilgrimage , for that was the greatest need of their two lives . everything else they had that this life could give them , but it was all as nothing because the cry of their hearts was unsatisfied .
|
why did the couple hope for a child ?
|
gladden their old age , carry on the family name , and keep up the ancestral rites when they were dead .
|
local
|
causal relationship
|
explicit
| ||
story-of-princess-hase
|
many , many years ago there lived in nara , the ancient capital of japan , a wise state minister , by name prince toyonari fujiwara . his wife was a noble , good , and beautiful woman called princess murasaki ( violet ) . they had been married by their respective families according to japanese custom when very young , and had lived together happily ever since . they had , however , one cause for great sorrow , for as the years went by no child was born to them . this made them very unhappy , for they both longed to see a child of their own who would grow up to gladden their old age , carry on the family name , and keep up the ancestral rites when they were dead . the prince and his lovely wife , after long consultation and much thought , determined to make a pilgrimage to the temple of hase - no - kwannon ( goddess of mercy at hase ) . they believed , according to the beautiful tradition of their religion , that the mother of mercy , kwannon , comes to answer the prayers of mortals in the form that they need the most . surely after all these years of prayer she would come to them in the form of a beloved child in answer to their special pilgrimage , for that was the greatest need of their two lives . everything else they had that this life could give them , but it was all as nothing because the cry of their hearts was unsatisfied .
|
why did the prince and his lovely wife go to the temple of hase-no-kwannon ?
|
they believed the mother of mercy comes to answer the prayers of mortals in the from that they need the most .
|
local
|
causal relationship
|
explicit
| ||
story-of-princess-hase
|
many , many years ago there lived in nara , the ancient capital of japan , a wise state minister , by name prince toyonari fujiwara . his wife was a noble , good , and beautiful woman called princess murasaki ( violet ) . they had been married by their respective families according to japanese custom when very young , and had lived together happily ever since . they had , however , one cause for great sorrow , for as the years went by no child was born to them . this made them very unhappy , for they both longed to see a child of their own who would grow up to gladden their old age , carry on the family name , and keep up the ancestral rites when they were dead . the prince and his lovely wife , after long consultation and much thought , determined to make a pilgrimage to the temple of hase - no - kwannon ( goddess of mercy at hase ) . they believed , according to the beautiful tradition of their religion , that the mother of mercy , kwannon , comes to answer the prayers of mortals in the form that they need the most . surely after all these years of prayer she would come to them in the form of a beloved child in answer to their special pilgrimage , for that was the greatest need of their two lives . everything else they had that this life could give them , but it was all as nothing because the cry of their hearts was unsatisfied .
|
what did the couple ask for at the temple ?
|
a child .
|
local
|
action
|
explicit
| ||
story-of-princess-hase
|
many , many years ago there lived in nara , the ancient capital of japan , a wise state minister , by name prince toyonari fujiwara . his wife was a noble , good , and beautiful woman called princess murasaki ( violet ) . they had been married by their respective families according to japanese custom when very young , and had lived together happily ever since . they had , however , one cause for great sorrow , for as the years went by no child was born to them . this made them very unhappy , for they both longed to see a child of their own who would grow up to gladden their old age , carry on the family name , and keep up the ancestral rites when they were dead . the prince and his lovely wife , after long consultation and much thought , determined to make a pilgrimage to the temple of hase - no - kwannon ( goddess of mercy at hase ) . they believed , according to the beautiful tradition of their religion , that the mother of mercy , kwannon , comes to answer the prayers of mortals in the form that they need the most . surely after all these years of prayer she would come to them in the form of a beloved child in answer to their special pilgrimage , for that was the greatest need of their two lives . everything else they had that this life could give them , but it was all as nothing because the cry of their hearts was unsatisfied .
|
how did the couple feel because they did not have a child ?
|
sad .
|
local
|
feeling
|
implicit
| ||
story-of-princess-hase
|
so the prince toyonari and his wife went to the temple of kwannon at hase and stayed there for a long time , both daily offering incense and praying to kwannon , the heavenly mother , to grant them the desire of their whole lives . and their prayer was answered . a daughter was born at last to the princess murasaki , and great was the joy of her heart . on presenting the child to her husband , they both decided to call her hase - hime , or the princess of hase , because she was the gift of the kwannon at that place . they both reared her with great care and tenderness , and the child grew in strength and beauty .
|
what happened because prince toyonari and his wife prayed at the temple ?
|
a daughter was born at last to the princess murasaki .
|
local
|
outcome resolution
|
explicit
| ||
story-of-princess-hase
|
so the prince toyonari and his wife went to the temple of kwannon at hase and stayed there for a long time , both daily offering incense and praying to kwannon , the heavenly mother , to grant them the desire of their whole lives . and their prayer was answered . a daughter was born at last to the princess murasaki , and great was the joy of her heart . on presenting the child to her husband , they both decided to call her hase - hime , or the princess of hase , because she was the gift of the kwannon at that place . they both reared her with great care and tenderness , and the child grew in strength and beauty .
|
why was the child named hase-hime ?
|
she was a gift of the kwonnon at that place .
|
local
|
causal relationship
|
explicit
| ||
story-of-princess-hase
|
so the prince toyonari and his wife went to the temple of kwannon at hase and stayed there for a long time , both daily offering incense and praying to kwannon , the heavenly mother , to grant them the desire of their whole lives . and their prayer was answered . a daughter was born at last to the princess murasaki , and great was the joy of her heart . on presenting the child to her husband , they both decided to call her hase - hime , or the princess of hase , because she was the gift of the kwannon at that place . they both reared her with great care and tenderness , and the child grew in strength and beauty .
|
how did prince toyonari and his wife feel when they had a daughter ?
|
happy .
|
local
|
feeling
|
explicit
| ||
story-of-princess-hase
|
when the little girl was five years old her mother fell dangerously ill and all the doctors and their medicines could not save her . a little before she breathed her last she called her daughter to her , and gently stroking her head , said : " hase - hime , do you know that your mother can not live any longer ? though i die , you must grow up a good girl . do your best not to give trouble to your nurse or any other of your family . perhaps your father will marry again and some one will fill my place as your mother . if so do not grieve for me , but look upon your father 's second wife as your true mother , and be obedient and filial to both her and your father . remember when you are grown up to be submissive to those who are your superiors , and to be kind to all those who are under you . do n't forget this . i die with the hope that you will grow up a model woman . "
|
what happened when the little girl was five years old ?
|
her mother fell dangerously ill .
|
local
|
action
|
explicit
| ||
story-of-princess-hase
|
hase - hime listened in an attitude of respect while her mother spoke , and promised to do all that she was told . there is a proverb which says " as the soul is at three so it is at one hundred , " and so hase - hime grew up as her mother had wished , a good and obedient little princess , though she was now too young to understand how great was the loss of her mother . not long after the death of his first wife , prince toyonari married again , a lady of noble birth named princess terute . very different in character , alas ! to the good and wise princess murasaki , this woman had a cruel , bad heart . she did not love her step - daughter at all , and was often very unkind to the little motherless girl , saving to herself : " this is not my child ! this is not my child ! "
|
how did hase-hime grow up ?
|
as her mother had wished , a good and obedient little princess .
|
local
|
action
|
explicit
| ||
story-of-princess-hase
|
hase - hime listened in an attitude of respect while her mother spoke , and promised to do all that she was told . there is a proverb which says " as the soul is at three so it is at one hundred , " and so hase - hime grew up as her mother had wished , a good and obedient little princess , though she was now too young to understand how great was the loss of her mother . not long after the death of his first wife , prince toyonari married again , a lady of noble birth named princess terute . very different in character , alas ! to the good and wise princess murasaki , this woman had a cruel , bad heart . she did not love her step - daughter at all , and was often very unkind to the little motherless girl , saving to herself : " this is not my child ! this is not my child ! "
|
what did prince toyonari do after the death of his first wife ?
|
married again .
|
local
|
action
|
explicit
| ||
story-of-princess-hase
|
hase - hime listened in an attitude of respect while her mother spoke , and promised to do all that she was told . there is a proverb which says " as the soul is at three so it is at one hundred , " and so hase - hime grew up as her mother had wished , a good and obedient little princess , though she was now too young to understand how great was the loss of her mother . not long after the death of his first wife , prince toyonari married again , a lady of noble birth named princess terute . very different in character , alas ! to the good and wise princess murasaki , this woman had a cruel , bad heart . she did not love her step - daughter at all , and was often very unkind to the little motherless girl , saving to herself : " this is not my child ! this is not my child ! "
|
who was princess terute ?
|
a lady of noble birth .
|
local
|
character
|
explicit
| ||
story-of-princess-hase
|
hase - hime listened in an attitude of respect while her mother spoke , and promised to do all that she was told . there is a proverb which says " as the soul is at three so it is at one hundred , " and so hase - hime grew up as her mother had wished , a good and obedient little princess , though she was now too young to understand how great was the loss of her mother . not long after the death of his first wife , prince toyonari married again , a lady of noble birth named princess terute . very different in character , alas ! to the good and wise princess murasaki , this woman had a cruel , bad heart . she did not love her step - daughter at all , and was often very unkind to the little motherless girl , saving to herself : " this is not my child ! this is not my child ! "
|
what kind of heart did princess terute have ?
|
cruel , bad heart .
|
local
|
character
|
explicit
| ||
story-of-princess-hase
|
hase - hime listened in an attitude of respect while her mother spoke , and promised to do all that she was told . there is a proverb which says " as the soul is at three so it is at one hundred , " and so hase - hime grew up as her mother had wished , a good and obedient little princess , though she was now too young to understand how great was the loss of her mother . not long after the death of his first wife , prince toyonari married again , a lady of noble birth named princess terute . very different in character , alas ! to the good and wise princess murasaki , this woman had a cruel , bad heart . she did not love her step - daughter at all , and was often very unkind to the little motherless girl , saving to herself : " this is not my child ! this is not my child ! "
|
how did princess terute treat hase-hime ?
|
unkindly .
|
local
|
action
|
explicit
| ||
story-of-princess-hase
|
but hase - hime bore every unkindness with patience . she even waited upon her step - mother kindly and obeyed her in every way and never gave any trouble , just as she had been trained by her own good mother , so that the lady terute had no cause for complaint against her . the little princess was very diligent , and her favorite studies were music and poetry . she would spend several hours practicing every day , and her father had the most proficient of masters he could find to teach her the koto ( japanese harp ) , the art of writing letters and verse . when she was twelve years of age she could play so beautifully that she and her step - mother were summoned to the palace to perform before the emperor .
|
what were hase-hime's favorites studies ?
|
music and poetry .
|
local
|
action
|
explicit
| ||
story-of-princess-hase
|
but hase - hime bore every unkindness with patience . she even waited upon her step - mother kindly and obeyed her in every way and never gave any trouble , just as she had been trained by her own good mother , so that the lady terute had no cause for complaint against her . the little princess was very diligent , and her favorite studies were music and poetry . she would spend several hours practicing every day , and her father had the most proficient of masters he could find to teach her the koto ( japanese harp ) , the art of writing letters and verse . when she was twelve years of age she could play so beautifully that she and her step - mother were summoned to the palace to perform before the emperor .
|
why did hase-hime treat her step-mother kindly ?
|
she had been trained by her own good mother .
|
local
|
causal relationship
|
explicit
| ||
story-of-princess-hase
|
but hase - hime bore every unkindness with patience . she even waited upon her step - mother kindly and obeyed her in every way and never gave any trouble , just as she had been trained by her own good mother , so that the lady terute had no cause for complaint against her . the little princess was very diligent , and her favorite studies were music and poetry . she would spend several hours practicing every day , and her father had the most proficient of masters he could find to teach her the koto ( japanese harp ) , the art of writing letters and verse . when she was twelve years of age she could play so beautifully that she and her step - mother were summoned to the palace to perform before the emperor .
|
why did lady terute have no cause for complaint against hase-him ?
|
hase hime obeyed her in every way and never gave any trouble .
|
local
|
causal relationship
|
explicit
| ||
story-of-princess-hase
|
but hase - hime bore every unkindness with patience . she even waited upon her step - mother kindly and obeyed her in every way and never gave any trouble , just as she had been trained by her own good mother , so that the lady terute had no cause for complaint against her . the little princess was very diligent , and her favorite studies were music and poetry . she would spend several hours practicing every day , and her father had the most proficient of masters he could find to teach her the koto ( japanese harp ) , the art of writing letters and verse . when she was twelve years of age she could play so beautifully that she and her step - mother were summoned to the palace to perform before the emperor .
|
what instrument did hase-hime learn ?
|
the koto .
|
local
|
action
|
explicit
| ||
story-of-princess-hase
|
but hase - hime bore every unkindness with patience . she even waited upon her step - mother kindly and obeyed her in every way and never gave any trouble , just as she had been trained by her own good mother , so that the lady terute had no cause for complaint against her . the little princess was very diligent , and her favorite studies were music and poetry . she would spend several hours practicing every day , and her father had the most proficient of masters he could find to teach her the koto ( japanese harp ) , the art of writing letters and verse . when she was twelve years of age she could play so beautifully that she and her step - mother were summoned to the palace to perform before the emperor .
|
what happened because hase-hime played so beautifully ?
|
she and her step - mother were summoned to the palace to perform before the emperor .
|
local
|
outcome resolution
|
explicit
| ||
story-of-princess-hase
|
it was the festival of the cherry flowers , and there were great festivities at the court . the emperor threw himself into the enjoyment of the season , and commanded that princess hase should perform before him on the koto , and that her mother princess terute should accompany her on the flute . the emperor sat on a raised dais , before which was hung a curtain of finely - sliced bamboo and purple tassels , so that his majesty might see all and not be seen , for no ordinary subject was allowed to look upon his sacred face .
|
how did the festivities of the cherry flowers make the emperor feel ?
|
happy .
|
local
|
feeling
|
implicit
| ||
story-of-princess-hase
|
it was the festival of the cherry flowers , and there were great festivities at the court . the emperor threw himself into the enjoyment of the season , and commanded that princess hase should perform before him on the koto , and that her mother princess terute should accompany her on the flute . the emperor sat on a raised dais , before which was hung a curtain of finely - sliced bamboo and purple tassels , so that his majesty might see all and not be seen , for no ordinary subject was allowed to look upon his sacred face .
|
what did the emperor command ?
|
princess hase should perform before him on the koto .
|
local
|
action
|
explicit
| ||
story-of-princess-hase
|
it was the festival of the cherry flowers , and there were great festivities at the court . the emperor threw himself into the enjoyment of the season , and commanded that princess hase should perform before him on the koto , and that her mother princess terute should accompany her on the flute . the emperor sat on a raised dais , before which was hung a curtain of finely - sliced bamboo and purple tassels , so that his majesty might see all and not be seen , for no ordinary subject was allowed to look upon his sacred face .
|
why did the emperor sit behind a curtain of finely-sliced bamboo and purple tassels ?
|
no ordinary subject was allowed to look upon his sacred face .
|
local
|
causal relationship
|
explicit
|
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