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score to the Goddess, for here be a mystery. The fortunate numbers be: 3 and 5. For three added to two (the Perfect Couple) be five. And three and five be eight; eight and five be thirteen; thirteen and eight be twenty-one. The Fivefold Kiss is called 5, but there are 8 kisses, for there be 2 feet and 2 knees and genitals and 2 breasts and the lips. And 5 times 8 be two score. Also, fortunate numbers be 3, 7, 8, and 21, 3038 which total 40, or two score. For each man and woman hath ten fingers and ten toes, so each totals a score. And a perfect couple be two score. So a lesser number would not be perfect prayer. If more are required make it a perfect number, as four score or six score. Also there be Eight Elemental Weapons. [4] To make the anointing ointment, take some glazed pans filled half full with grease or olive oil. Put in one sweet mint, marjoram in another, ground thyme in a 3rd, and it you may have it, patchouli, dried leaves pounded. Place pans in hot water bath. Stir and cook for several hours, then pout into linen bags, and squeeze grease through into pans again, and fill up with fresh leaves. After doing this several times, the grease will be highly perfumed. Then mix all together and store in a well-corked jar. Anoint behind ears, throat, armpits, breasts, and womb. Also, for all ceremonies where the feet are kissed, they should also be anointed. B.4. The Priestess and the Sword (1953) It is said, "When a woman takes the main part in worship of the Male God, she must be girt with a sword." Note. This hath been explained as meaning that a man should be Magus representing the God, but if no one of sufficient rank and knowledge be present, a woman armed as a man may take his place. The sheath should be worn in a belt. She should carry the sword in hand, but if she has to use her hands, she should sheath the sword. Any other woman in the circle while this worship is performed shall be sword in hand. Those outside the circle only have the athame. A woman may impersonate either the God or the Goddess, but a man may only impersonate the God. B.5. The Warning (1953) Keep this book in your own hand of write. Let brothers and Sisters copy what they will, but never let this book out of your hands, and never keep the writings of another, for if it be found in their hand of write, they may well be taken and tortured. Each should guard his own writings and destroy them whenever danger threatens. Learn as much as you may by heart, and when the danger is past, rewrite your book. For this reason, if any die, destroy their book if they have not been able to, for, if it be fou nd, 'tis clear proof against them. "Ye may not be a Witch alone"; so all their friends be in danger of the torture. So destroy everything not necessary. If your book be found on you, 'tis clear proof against you. You may be tortured. Keep all thought of the cult from your mind. Say you had bad dreams, that a Devil caused you to write this without your knowledge. Think to yourself, "I Know Nothing. I Remember nothing. I have forgotten all." Drive this into your mind. If the torture be too great to bear, say, "I will confess. I cannot bear this torment. What do you want me to say? Tell me and I will say it." If they try to make you talk of the broth erhood, do not, but if they try to make you speak of impossibilities, such as flying through the air, consorting with the Devis, sacrificing children, or eating men's flesh, say, "I had an evil dream. I was not myself. I was crazed." Not all Magistrates are bad. If there be an excuse, they may show you mercy. If you have confessed aught, deny it afterwards. Say you babbled under the torture; you knew not what you did or said. If you be
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condemned, fear not. The Brotherhood is powerful. They may help you to escape if you are steadfast. If you betray aught, there is no hope for 3039 you, in this life, or in that which is to come. But, 'tis sure, that if steadfast you go to the pyre, drugs will reach you. You will feel naught, and you go but to Death and what lies beyond, the ecstasy of the Goddess. The same with the working Tools. Let them be as ordinary things that anyone may have in their homes. The Pentacles shall be of wax that they may be melted or broken at once. Have no sword unless your rank allows you one. Have no names or signs on anything. Write them on in ink before consecrating them and wash it off at once when finished. Never boast, never threaten, never say you wish ill to anyone. If any speak of the craft, say, "Speak not to me of such, it frightens me, 'tis evil luck to speak of it." B.6. Of the Ordeal of the Art Magical (1953) Learn of the spirit that goeth with burdens that have not honour, for 'tis the spirit that stoopeth the shoulders and not the weight. Armour is heavy, yet it is a proud burden and a man standeth upright in it. Limiting and constraining any of the senses serves to increase the concentration of another. Shutting the eyes aids the hearing. So the binding of the initiate's hands increases the mental perception, while the scourge increaseth the inner vision. So the initiate goeth through it proudly, like a princess, knowing it but serves to increase her glory. But this can only be done by the aid of another intelligence and in a circle, to prevent the power thus generated being lost. Priests attempt to do the same with their scourgings and mortifications of the flesh. But lacking the aid of bonds and their attention being distracted by their scourging themselves and what little power they do produce being dissipated, as they do not usually work within a circle, it is little wonder that they oft fail. Monks and hermits do better, as they are apt to work in tiny cells and coves, which in some way act as circles. The Knights of the Temple, who used mutually to scourge each other in an octagon, did better still; but they apparently did not know the virtue of bonds and did evil, man to man. But perhaps some did know? What of the Church's charge that they wore girdles or cords? B.7. The Eightfold Way. (1953) Eightfold Path or Ways to the Centre. 1 Meditation or Concentration. This in practice means forming a mental image of what is desired, and forcing yourself to see that it is fulfilled, with the fierce belief and knowledge that it can and will be fulfilled, and that you will go on willing till you force it to be fulfilled. Called for short, "Intent" 2 Trance, projection of the Astral. 3 Rites, Chants, Spells, Runes, Charms, etc. 4 Incense, Drugs, Wine, etc., whatever is used to release the Spirit. (Note. One must be very careful about this. Incense is usually harmless, but you must be careful. If it has bad aftereffects, reduce the amount used, or the duration of the time it is inhaled. Drugs are very dangerous if taken to excess, but it must be remembered that there are drugs that are absolutely harmless, though people talk of them with bated breath, but Hemp is especially dangerous, because it unlocks the inner eye swiftly an d easily, so one is tempted to use it more and more. If it is used at all, it must be with the strictest precautions, 3040
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to see that the person who uses it has no control over the supply. This should be doled out by some responsible person, and the supply strictly limited.) 5 The Dance, and kindred practices. 6 Blood control (the Cords), Breath Control, and kindred practices. 7 The Scourge. 8 The Great Rite. These are all the ways. You may combine many of them into the one experiment, the more the better. The Five Essentials: 1. The most important is "Intention": you must know that you can and will succeed; it is essential in every operation. 2. Preparation. (You must be properly prepared according to the rules of the Art; otherwise you will never succeed.) 3. The Circle must be properly formed and purified. 4. You all must be properly purified, several times if necessary, and this purification should be repeated several times during the rite. 5. You must have properly consecrated tools. These five essentials and Eight Paths or Ways cannot all be combined in one rite. Meditation and dancing do not combine well, but forming the mental image and the dance may be well combined with Chants. Spells, etc., combined with scourging and No. 6, followed by No. 8, form a splendid combination. Meditation, following scourging, combined with Nos. 3 and 4 and 5, are also very Good. For short cuts concentration, Nos. 5, 6, 7, and 8 are excellent. B.8. To Gain the Sight (1953) [1] This cometh to different people in diverse ways. 'Tis seldom it cometh naturally, but it can be induced in many ways. Deep and prolonged meditation may do it, but only if you be a natural, and usually prolonged fasting was also necessary. Of old monks and nuns obtained visions by long vigils, combined with fasting, flagellation till the blood came, and other mortifications of the flesh, and so undoubtedly had visions. In the East it is tried with various tortures, at the same time sitting in cramped postures, which retard the flow of blood, and these torments, long and continued, give good results. But in the Art we are taught an easier way to intensify the imagination, at the same time controlling the blood supply, and this may best be done by using the ritual. [2] Incense is also good to propitiate the Spirits, but also to induce relaxation and to help to build up the atmosphere which is neces-sary to suggestibility. (For our human eyes are so blind to what really is, that it is often necessary to suggest that it is there, before we may see it, as we may point out to another something at a distance before 3041 they may see it themselves. Gum mastic, aromatic rush roots, cinnamon bark, musk, juniper, sandalwood, and ambergris in combination are all good, but patchouli is best of all. And if you may have hemp, 'tis better still, but be very careful of this.
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[3] The circle being formed, all properly prepared, and the Rites done, and all purified, the aspirant should warlock and take his tutor round the circle, saluting the Mighty Ones, and invoke them to aid the operation. Then both dance round till giddy, invoking or using chants. Scourge. Then the Tutor should warlock very tightly, but not so to cause discomfort, but enough to retard the blood slightly. Again they should dance round, chanting, then scourge with light, steady, monotonous, slow strokes. lt is very good that the pupil may see them coming (this may be arranged from position, or if a big mirror is available, this can be used with excellent effect) as this has the effect of passes, and helps greatly to stimulate the imagination, and it is important that they be not hard, the object being not to do more than draw the blood to that part and so away from the brain. This with the tight warlocking, which should be warricked, slows down the circulation of the blood, and t he passes soon induce a drowsi ness and a stupor. The tutor should watch for this. As soon as the aspirant sleeps, the scourging should cease. The tutor should also watch that the pupil become not cold, and if they struggle or become distressed, they should be at once awakened. (Note: if it cannot be arranged for the pupil to see, the wand may be used, for a time, then return to scourging.) [4] Do not be discouraged if no results come after two or three attempts. It will come, when both are in the right state. When you get some result, then results will come more quickly. Soon some of the ritual may be shortened, but never neglect to invoke the Goddess, and the Mighty Ones, or to form the Circle and do everything rightly. And for good and clear results, it is ever better to do too much ritual than too little. [5] It hath been found that this practice doth often cause a fondness between aspirant and tutor, and 'tis a cause of better results if this be so. If for any reason it is undesirable that there be any great fondness between aspirant and tutor, this may be easily avoided, by both parties from the onset firmly resolving in their minds that if any doth ensue, it shall be that of brother and sister or parent and child. And it is for this reason that a man may only be taught by a woman and a woman by a man, a nd that man and man, and woman and woman, should never attempt these practices together. And may all the Curses of the Mighty Ones be on any who make the attempt.* [6] Remember, the Circle, properly constructed, is ever necessary to prevent the power released from being dissipated. It is also a barrier against any disturbances of mischievous forces, for to obtain good results you must be free from all disturbances. Remember that darkness, points of light gleaming amid the surrounding dark, incense, and the steady passes by a white arm are not stage effects. They are the mechanical implements which start the suggestions, which later unlocks the knowledge that it is p ossible to obtain the divine ecstasy, and so attain knowledge and communion with the Divine Goddess. When once you have attained this, Ritual is not needed, as you may attain the state of ecstasy at will, but till then, or if you having attained this yourself, and wish to bring a companion to this state of joy, ritual is best. 3042 B.9. Power (1953) Power is latent in the body and may be drawn out and used in various ways by the skilled. But unless confined in a circle it will be swiftly dissipated. Hence the importance of a properly constructed circle. Power seems to exude from the body via the skin and possibly from the orifices of the body; hence you should be properly prepared. The slightest dirt spoils everything, which shows the importance of thorough
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cleanliness. The attitude of mind has great effect, so only work with a spirit of reverence. A little wine taken and repeated during the ceremony, if necessary, helps to produce power. Other strong drinks or drugs may be used, but it is necessary to be very moderate, for if you are confused, even slightly, you cannot control the power you evoke. The simplest way is by dancing and singing monotonous chants, slowly at first and gradually quickening the tempo until giddiness ensues. Then the calls may be used, or even wild and meaningless shrieking produces power. But this method inflames the mind and renders it difficult to control the power, though control may be gained through practice. The scourge is a far better way, for it stimulates and excites both body and soul, yet one e asily retains control. The Great Rite is far the best. It releases enormous power, but the conditions and circumstances make it difficult for the mind to maintain control at first. It is again a matter of practice and the natural strength of the operator's will and, in a lesser degree, of those of his assistants. If, as of old, there were many trained assistants present and all wills properly attuned, wonders occurred. Sorcerors chiefly used the blood sacrifice; and while we hold this to be evil, we cannot deny that this method is very efficient. Power flashes forth from newly shed blood, instead of exuding slowly as by our method. The victim's terror and anguish add keenness, and even quite a small animal can yield enormous power. The great difficulty is in the human mind controlling the power of the lower animal mind. But sorcerers claim they have methods for effecting this and that the difficulty disappears the hig her the animal used, and when the victim is human disappears entirely. (The practice is an abomination but it is so.) Priests know this well; and by their auto-da-fs, with the victims' pain and terror (the fires acting much the same as circles), obtained much power. Of old the Flagellants certainly evoked power, but through not being confined in a circle much was lost. The amount of power raised was so great and continuous that anyone with knowledge could direct and use it; and it is most probable that the classical and heathen sacrifices were used in the same way. There are whispers that when the human victim was a willing sacrifice, with his mind directed on the Great Work and with highly skilled assistants, wonders ensued bu t of this I would not speak. B.10. Properly Prepared. (1953) Naked, but sandals (not shoes) may be worn. For initiation, tie hands behind back, pull up to small of back, and tie ends in front of throat, leaving a cable-tow to lead by, hanging down in front. (Arms thus form a triangle at back.) When initiate is kneeling at altar, the cable-tow is tied to a ring in the altar. A short cord is tied like a garter round the initiate's left leg above the knee, with ends tucked in. Another is tied round right ankle and ends tucked in so as to be out of the way while mov ing about. These cords are used to tie feet together while initiate is kneeling at the altar and must be long enough to do this firmly. Knees must also be firmly tied. This must be carefully done. If the aspirant complains of pain, the bonds must be loosened 3043 slightly; always remember the object is to retard the blood flow enough to induce a trance state. This involves slight discomfort, but great discomfort prevents the trance state; so it is best to spend some little time loosening a nd tightening the bonds until they are just right. The aspirant alone can tell you when this is so. This, of course, does not apply to the initiation, as then no trance is desired; but for the purpose of ritual it is good that the initiates be bound firmly enough to feel they are absolutely helpless but without discomfort. B.11. The Meeting Dance. (1953) The Maiden should lead. A man should place both hands on her waist,
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standing behind her, and alternate men and women should do the same, the Maiden leading and they dance following her. She at last leads them into a right-hand spiral. When the center is reached (and this had better be marked by a stone), she suddenly turns and dances back, kissing each man as she comes to him. All men and women turn likewise and dance back, men kissing girls and girls kissing men. All in time to music, it is a merry ga me, but must be practices to be done well. Note, the musicians should watch the dancers and make the music fast or slow as is best. For the beginners it should be slow, or there will be confusion. It is most excellent to get people to know each other at big gatherings. B.12. To Leave the Body. (1953) 'Tis not wise to strive to get out of your body until you have thoroughly gained the Sight. The same ritual as to gain the Sight may be used, but have a comfortable couch. Kneel so that you have your thigh, belly, and chest well supported, the arms strained forward and bound one on each side, so that there is a decided feeling of being pulled forward. As the trance is induced, you should feel a striving to push yourself out of the top of your head. The scourge should be given a dragging action, as if to drive or drag you out. Both wills should be thoroughly in tune, keeping a constant and equal strain. When trance comes, your tutor may help you by softly calling your name. You will probably feel yourself drawn out of your body as if through a narrow opening, and find yourself standing beside your tutor, looking at the body on the couch. Strive to communicate with your tutor first; if they have the Sight they will probably see you. Go not far afield at first, and 'ti s better to have one who is used to leaving the body with you. A note: When, having succeeded in leaving the body, you desire to return, in order to cause the spirit body and the material body to coincide, THINK OF YOUR FEET. This will cause the return to take place. B.13. The Working Tools (1953) There are no magical supply shops, so unless you are lucky enough to be given or sold tools, a poor witch must extemporize. But when made you should be able to borrow or obtain an Athame. So having made your circle, erect an altar. Any small table or chest will do. There must be fire on it (a candle will suffice) and your book. For good results incense is best if you can get it, but coals in a chafing dish burning sweet-smelling herbs will do. A cup if you would have cakes and wine, and a platter with the signs drawn into the same in ink, showing a pentacle. A scourge is easily made (note, the scourge has eight tails and five knots in each tail). Get a white-hilted knife and a wand (a 3044 sword is not necessary). Cut the marks with Athame. Purify everything, then consecrate your tools in proper form and ever be properly prepared. But ever remember, magical operations are useless unless the mind can be brought to the proper attitude, keyed to the utmost pitch. Affirmations must be made clearly, and the mind should be inflamed with desire. With this frenzy of will, you may do as much with simple tools as with the most complete set. But good and especially ancient tools have their own aura. They do help to bring about that reverential spirit, the desire to learn and develop your powers. For this reason witches ever try to obtain tools from sorcerers, who, being skilled men, make good tools and consecrate them well, giving them mighty power. But a great witch's tools also gain much power; and you should ever strive to make any tools you manufacture of the finest materials you can obtain, to the end that they may absorb your power the more easily. And of course if you may inherit or obtain another witch's tools, power will flow from them. It
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is an old belief that the best substances for making tools are those that have once had life in them, as opposed to artificial substances. Thus wood or ivory is better for a wand than metal, which is more appropriate for knives or swords. Virgin parchment is better than manufactured paper for talismans, etc. And things which have been made by hand are good, because there is life in them. B.14. Skyclad (1953) It is important to work naked from the start, so it becometh as second nature, and no thought of "I have no clothes" shall ever intrude and take your attention from the work. Also, your skin being so accustomed to unconfinement, when power is given off the flow is more easy and regular. Also, when dancing you are free and unconfined. . . . And the greatest of all, the touch of the body of your beloved thrills your inmost soul, and so your body gives out its utmost power; and then it is most important of all that there is not the slightest thing to divert the attention, for then the mind must seize and mold the power generated, and redirect it to the desired end with all the force and frenzy of the imagination. It has been said that no real knowledge may be gained our way, that our practices are such that they can only lead to lust; but this is not really so. Our aim is to gain the inner sight, and we do it the most natural and easy way. Our opponents' aim is ever to prevent man and woman from loving, thinking that everything that helps or even permits them to love is wicked and vile. To us it is natural, and if it aids the Great Work it is good. 'Tis true that a couple burning with a frenzy for knowledge may go straight to their goal, but the average couple have not this fire. We show them the way, our system of props and aids (i.e., magic ritual). A couple working with nothing but lust will never attain in any case; but a couple who love each other dearly should already be sleeping together, and the first frenzy of love will have passed, and their souls will already be in sympathy. If the first time or two they do stay a while to worship Aphrod ite, 'tis only a day or two lost, and the intense pleasure they obtain only leads them again to the mysteries of Hermes, their souls more attuned to the great search. Once they have pierced the veil they will not look back. This rite may be used as the greatest of magics if it be done with both partners firmly fixing their minds on the object and not thinking of sex at all. That is, you must so firmly fix your mind on your object that sex and all else are naught. You inflame your will to such an extent that you may create a strain on the astral such that events happen. 3045 C.1. A Revision of the Casting Procedure (1957) ALL ARE PURIFIED [1] Magus consecrates salt and water. [2] High Priestess kneels at Altar, takes up Sword, says, "I conjure thee, O Sword of Steel, to serve me as a defence in all Magical Operations. Guard me at all times against mine enemies, both visible and invisible. Grant that I may obtain what I desire in all things wherein I may use Thee, Wherefore do I bless Thee and invoke Thee in the names of Aradia and Cernunnos." Gives Sword to Magus. [3] Magus kneeling hands her vessel of consecrated Water and Aspergillum. He Casts the Circle, three circles, on the lines marked out, starting at the East and returning to the East. High Priestess follows, Asperging Circle (sprinkling it to purify it) and all present and finally herself. Then she goes round again censing it. (Everyone in the circle must be sprinkled and censed.) She returns vessel, etc., to Magus, who places them on altar, or convenient place, and hands her
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Sword [handwritten]. [4] She walks slowly round Circle, saying, "I conjure Thee, O Circle of Space, that thou be a Boundary and a Protection and a meeting place between the world of Men and that of the Dread Lords of the OUTER SPACES, that Thou be cleansed, Purified, and strengthened to be a Guardian and a Protection that shall preserve and contain THAT POWER which we so earnestly desire to raise within thy bounds this night, wherefore do I bless thee and entreat thee to aid me in the endeavor, in the names of Aradia and Cernun nos." Hands sword to Magus [handwritten]. [5] Magus then summons the Mighty Ones as usual. [6] High Priestess stands in front of Altar (which may be pushed back for this). High Priestess assumes Goddess position (arms crossed). Magus kneeling in front of her, draws pentacle on her body with Phallus-headed Wand, Invokes (Drawing down the Moon), "I Invoke and beseech Thee, O mighty MOTHER of all life and fertility. `By seed and root, by stem and bud, by leaf and flower and fruit, by Life and Love, do I invoke Thee' to descend into the body of thy servant and High Priestess (name)." (The Moon hav ing been drawn down, i.e., link established, Magus and all male officers give fivefold kiss; all others bow.) [7] High Priestess in Goddess position says, arms crossed, "Mother, Darksome and Divine,Mine the Scourge and Mine the Kiss,The Five-point Star of Love and Bliss; Here I charge ye in this Sign. (Opens out Arms to pentacle position) Bow before my Spirit bright (All bow) Aphrodite, Arianrhod,Lover of the Horned God, Queen of Witchery and Night. Diana, Brigid, Melusine, Am I named of old by men, Artemis and Cerridwen, Hell's dark mistress, Heaven's Queen. 3046 Ye who ask of me a boon, Meet ye in some hidden shade, Lead my dance in greenwood glade By the light of the full moon. Dance about mine altar stone, Work my holy magistry, Ye who are fain of sorcery, I bring ye secrets yet unknown. No more shall ye know slavery who tread my round the Sabbat night. Come ye all naked to the rite In sign that ye are truly free. Keep ye my mysteries in mirth, Heart joined to heart and lip to lip. Five are the points of fellowship That bring ye ecstasy on Earth. No other law but love I know; By naught but love may I be known, And all that liveth is my own: From me they come, to me they go.
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C.2. The Prose Charge (1957) THE CHARGE, to be read while the initiate stands, properly prepared before the Circle. [Magus]: Listen to the words of the Great mother, who was of old also called among men, Artemis, Astarte, Dione, Melusine, Aphrodite, Cerridwen, Diana, Arianrhod, Bride, and by many other names. [High Priestess]: "At mine Altars the youth of Lacedaemon in Sparta made due sacrifice. Whenever ye have need of anything, once in the month, and better it be when the moon is full. Then ye shall assemble in some secret place and adore the spirit of Me who am Queen of all Witcheries. There ye shall assemble, ye who are fain to learn all sorcery, yet who have not won its deepest secrets. To these will I teach things that are yet unknown. And ye shall be free from slavery, and as a sign that ye be really fre e, ye shall be naked in your rites, and ye shall dance, sing, feast, make music, and love, all in my praise.' "For mine is the ecstasy of the Spirit, and mine is also joy on earth. For my Law is Love unto all beings. "Keep pure your highest ideals. Strive ever towards it. Let naught stop you or turn you aside. "For mine is the secret which opens upon the door of youth; and mine is the cup of the Wine of Life: and the Cauldron of Cerridwen, which is the Holy Grail of Immortality. "I am the Gracious Goddess who gives the gift of Joy unto the heart of Man. "Upon Earth I give the knowledge of the Spirit Eternal, and beyond death I give peace and freedom, and reunion with those who have gone before. Nor do I demand aught in sacrifice, for behold, I am the Mother of all things, and my love is poured out upon earth." [Magus]: Hear ye the words of the Star Goddess, She in the dust of whose feet are the hosts of Heaven, whose body encircleth the universe. [High Priestess]: "I who am the beauty of the green earth; and the White 3047 Moon amongst the Stars; and the mystery of the Waters; and the desire of the heart of man. I call unto thy soul: arise and come unto me. "For I am the Soul of nature who giveth life to the Universe; `From me all things proceed; and unto me, all things must return.' Beloved of the Gods and men, thine inmost divine self shall be enfolded in the raptures of the infinite. "Let my worship be within the heart that rejoiceth, for behold: all acts of love and pleasure are my rituals; and therefore let there be Beauty and Strength, Power and Compassion, Honour and Humility, Mirth and reverence within you. "And thou who thinkest to seek me, know that thy seeking and yearning shall avail thee not unless thou know the mystery, that if that which thou seekest thou findest not within thee, thou wilt never find it without thee, for behold; I have been with thee from the beginning, and I am that which is attained at the end of desire." C.3. CAKES AND WINE. (1957) High Priestess seated on Altar, God position. Magus, kneeling, kisses her feet, then knees, bows with head below her knees, extends arms along her thighs, and adores. Magus fills cup and offers it to High Priestess, who, holding Athame between palms, places point in cup. Magus says: "As the Athame is the male, so the cup is the female, and conjoined they bring blessedness."
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High Priestess lays Athame aside, and takes Cup and drinks, gives Cup to server, who puts a little in each glass. Magus presents Pentacle with cakes to High Priestess, saying, "Oh Queen most secret, bless this food unto our bodies, bestowing health, wealth, strength, joy and peace, and that fulfillment of love that is perpetual happiness". High Priestess blesses them with Athame, takes Cake and eats, while the Magus gives her the Cup again and kisses knees and adores. All sit as Witches, and invite High Priestess to join them. C.4. The Sabbat Rituals (1957) Spring equinox The symbol of the wheel should be placed on the altar upright, decked with flowers, flanked with burning candles. The Cauldron, containing spirits, is in the east. Magus in west, High Priestess in east with Phallic wand or pinecone-tipped wand, or broomstick, or riding pole, broom upwards. High Priestess lights Cauldron, saying, "We kindle fire this day! In the presence of the Holy Ones:Without malice, without jealousy, without envy. Without fear of aught beneath the sun.But the High Gods. Thee we invoke: O light of life:Be thou a bright flame before us: 3048 Be thou a guiding star above us:Be thou a smooth path beneath us; Kindle thou in our hearts within,A flame of love for our neighbor, To our foes, to our friends, to our kindred all:To all men on this broad Earth. O merciful son of Cerridwen, From the lowest thing that liveth To the name that is highest of all." High Priestess draw pentacle upon Magus with wand, kiss, gives it to him. He does likewise. They lead the dance round the circle, all couples leaping burning fire. The last couple as the fire goes out should be well-purified three times, and each should give Fivefold Kiss to all of opposite sex. Cakes and wine. If the people will, the Cauldron dance can be done again, many times, or other games can be played. Summer Solstice Form circle. Invoke, Purify. Cauldron is placed before altar filled with water, wreathed with summer flowers. The people, men and women alternately, stand round circle. High Priestess stands in north, before Cauldron, holding raised wand, which should be Phallic or tipped with a pinecone (anciently the thyrsus) or a riding pole or a broomstick, invokes the sun. "Great One of Heaven, Power of the Sun, we invoke thee in thine ancient names, Michael, Balin, Arthur, Lugh, Herne. Come again, as of old, into this thy land. Lift up thy shining spear of light to protect us. Put
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to flight the powers of darkness, give us fair woodlands and green fields, blossoming orchards and r ipening corn. Bring us to stand upon thy hill of vision, and show us the path to the lovely realms of the gods." High Priestess draws invoking pentacle on Magus with wand. Magus comes forward sunwise and takes wand with kiss, plunges wand into Cauldron and holds it upright, saying, "The spear to the Cauldron, the lance to the Grail, spirit to flesh, man to woman, sun to earth." He salutes High Priestess over Cauldron, then rejoins people, still bearing wand. High Priestess takes aspergillum, stands by Cauldron, says, "Dance ye about the Cauldron of Cerridwen the Goddess, and be ye blessed with the touch of this consecrated water, even as the sun, the lord of light, arriveth in his strength in the sign of the waters of life." The people dance sunwise about the altar and Cauldron, led by Magus bearing wand. High Priestess sprinkles them lightly as they pass her. Ritual of cakes and wine. Any other dances, rites, or games as the Priestess and people wish. Autumn equinox 3049 The altar should be decorated with symbols of autumn, pine cones, oak sprigs, acorns, or ears of corn, and should have fire or burning incense on it as usual. After usual purification, the people stand round, men and women alternately. Magus at west of altar in God position. High Priestess stands at east of altar, facing him, and reads the incantation. "Farewell, O Sun, ever returning light. The hidden god, who ever yet remains. He departs to the land of youth, through the gates of death, to dwell enthroned, the judge of gods and man. The horned leader of the hosts of air. Yet, even as stand unseen about the circle the forms of the Mighty Lords of the Outer Spaces,. So dwelleth he, `the lord within ourselves'. So dwelleth he within the secret seed, the seed of new reaped grain, the seed of flesh, hidden in the earth, the marvellous seed of the stars. `In him is life, and life is the light of men [John 1:4],' that which was never born and never dies. Therefore the Wicca weep not, but rejoice." The High Priestess goes to the Magus with a kiss. He lays aside Athame and scourge, and kisses her. The High Priestess hands him her wand, which should be Phallic, or a branch tipped with a pinecone, Or a riding pole, or a broomstick (anciently the thyrsus). They lead the dance, she with a systrum or rattle, he with wand, the people falling in behind them, dancing three times round the altar. Then the candle game is played. Cakes and wine. Great Rite if possible. Dances and games.
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Winter Solstice Form circle in usual manner, invoking the Mighty Ones. The Cauldron of Cerridwen is placed in the circle at the south wreathed with holly, ivy, and mistletoe, with fire lighted within it. There should be no other light except for the candles on the altar and about the circle. After all are purified, the Moon should be drawn down. Then the High Priestess stands behind the Cauldron in pentacle position, symbolizing the rebirth of the sun. The people, man and woman alternately, stand round the circle. The Magus stands facing the High Priestess with a bundle of torches, or candles, and the book of words of the incantation. One of the officers stands beside him with a lighted candle, so that he may have light to read by. The people begin to slowly move round the circle sunwise. As each passes him the Magus lights his candle or torch from the fire in the Cauldron, which may be simply a candle, till all have lighted candles or torches. Then the people dance round slowly as he reads the 3050 incantation. (A real fire must now be kindled in the Cauldron.) Queen of the Moon, Queen of the Sun. Queen of the Heavens, Queen of the Stars. Queen of the Waters, Queen of the Earth. Who ordained to us the child of promise: It is the Great Mother who gives birth to him, He is the Lord of Life who is born again, Darkness and tears are set behind,And the star of guidance comes up early. Golden sun of hill and mountain illumine the land, illumine the world, illumine the seas, illumine the rivers,Grief be laid, and joy be raised. Blessed be the Great Mother, Without beginning, without ending, To everlasting, to eternity, I O. Evohe, Blessed be." The dance commences slowly, in rhythm with the chant, all taking up the call "I. O. Blessed be." The Priestess joins dance and leads them with a quicker rhythm. The cauldron with burning fire is pushed so that the dancers leap or step over it, in couples. Whichever couple is passing it as it goes out, should be well-purified, three times each, and may pay any amusing forfeit as the High Priestess may ordain. Sometimes the cauldron is relighted several times for this purpose. C.5 The Eightfold Path or Ways. (1957) 1. Meditation or concentration, actually by the firm knowledge that you can and will succeed -- forming a clear picture in your mind or your requirements. 2. Trance states, Clairvoyance, Projection of the Astral etc. 3. Drugs, Wine, Incense. 4. Dance, Performing Rites with a purpose. 5. Chants, Spells etc.
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6. Blood control (Cords etc), Breath control. 7. Scourge 8. The Great Rite N.B. The great thing is to combine as many of these paths into the one operation. No 1 must be in all -- for if you have no clear picture of what you wish and no certainty you will not succeed -- 'tis useless. No 2 can be combined with this easily. Nos 3, 4, and 5 are all good preliminaries- also 6 and 7; but No 3 is dangerous and therefore if possible should be avoided, except for incense, which is harmless if too much is not used. The best combination is Nos. 1, 4, 5 and 7, for small purposes, with no 8 if great force is necessary. Also a combination of 1, 6 and 7 is good 3051 if more can not be done; this if properly performed leads to No. 2. C.6. The First-Degree Initiation (1957) Draw Circle with Magic Sword or Athame. Sprinkle with Exorcised Water. Go round Circle with Magic Sword or Athame, Saying, "I conjure thee, O Circle of Power, that thou beest as a Boundary and a Protection to contain the magic power which I will raise within thy bounds. So do I bless thee, in the names of Aradia and Cernunnos." Go round, saying at East, South, West, and North, "I summon, stir, and call thee up, ye Mighty Ones of the East (South, West, North), to witness the rites and to guard the circle." Magus draws down Moon on High Priestess. Read Charge, then say, "O thou who standest on the threshold between the pleasant world of men and the dread domains of the lords of the outer spaces, hast thou the courage to make the assay?" (Place point of the Magic Sword or Athame to Postulant's heart.) "For I say verily it were better to rush on my blade and perish than to make the attempt with fear in thy heart." Postulant: "I have two perfect words: perfect love, and perfect trust." Say, "All who have are doubly welcome." Entering position: "I give you a third to pass you through this dread door." Gives it [kiss]. Lead Postulant sunwise to south of altar, and say, "O thou who hast declared intent to become one of us, hear then that which thou must know to do. Single is the race of men and of Gods; from a single source we both draw breath, but a difference of power in everything keeps us apart, for we are as nothing, but the Gods stay forever. Yet we can, in greatness of minds, be like the Gods, though we know not to what goal by day or in the night Fate has written that we shall run. Beyond all seas and Earth's la st boundaries, beyond the Spring of night and the Heavens' vast expanse, there lies a majesty which is the domain of the Gods. Thou who would pass through the Gates of Night and Day to that sweet place, which is between the worlds of men and the domains of the
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Lords of the outer spaces, know that unless there is truth in thy heart, thy every effort is doomed to failure. HEAR THEN THE LAW: that thou lovest all things in nature; that thou shalt suffer no person to be harmed by thy hands or in thy mind; that thou walkest humbly in the ways of men and the ways of the Gods. Also it is the law that contentment thou shalt learn, through suffering, and from long years and from nobility of mind and of purpose, FOR THE WISE NEVER GROW OLD. Their minds are nourished by living in the daylight of the Gods, and if among the vulgar some discoveries should arise concerning some maxims of thy belief in the Gods, so do thou, for the most part, keep silent. For there is a great risk that thou mayest straightway vomit up th at which thou hast not digested, and when someone shall say to thee, "Thou knowest naught," and it bites thee not, then knowest thou that thou hast begun the work. And as sheep do not bring their food to the shepherd to 3052 show how much they have eaten, but digesting inwardly their provender, bear outwardly wool and milk, even so, do not thou display the maxims to the vulgar, but rather the works that flow when they are digested. Now there is the ordeal." [This speech was added after about 1960.] Tie cord around Postulant's right ankle, leaving ends free; say, "Feet neither bound nor free." Leading postulant, proclaim at four quarters, "Take heed, ye Lords of the Watchtowers of the East (South, West, North), that (name) is properly prepared to be made a priestess and a witch." Three times round the Circle with Dance step and chant. Place Postulant in East; say, "Kneel." Postulant kneels. Strike eleven knells on bell; say, "Rise. In other religions the postulant kneels while the priest towers above him, but in the Art Magical we are taught to be humble, and so we kneel to welcome them, and we say: "Blessed be the feet that have brought you in these ways [kiss]; "Blessed be the knees that shall kneel at the sacred altar [kiss]; "Blessed be thy womb (or organ of generation), without which we would not be [kiss]; "Blessed be thy breasts, erected in beauty and in strength [kiss]; "Blessed be thy lips, which shall utter the sacred names [kiss]. "Before ye are sworn, art willing to pass the ordeal and be purified?" Postulant "I am." Take measure: height (tie knot); around head (tie knot); around heart (tie knot); around hips (tie knot). Prick postulant's thumb; catch blood on measure. Place measure on altar. Have postulant kneel, tie postulant's feet together, and secure cable tow to altar. Three strokes on bell. Say, "Art ready to swear that thou wilt always be true to the Art?" Postulant "I am." Strike seven times on bell and say, "Thou must first be purified."
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Scourge 3, 7, 9, 21. Say, "Ye have bravely passed the test. Art always ready to help, protect, and defend thy brothers and sisters of the Art?" Postulant "I am." "Then say after me: I, (name), in the presence of the mighty ones of the outer spaces, do of my own free will most solemnly swear that I will ever keep secret and never reveal the secrets of the Art, except it be 3053 to a proper person, properly prepared, within such a circle as I am in now, and that I will never deny the Secrets to such a person if they be vouched for by a brother or Sister of the Art. All this I swear by my hopes of a future life, and may my weapons turn against me if I break this my solemn oath." Loosen cords from ankles and from altar, and remove blindfold; assist to rise. "I hereby sign thee with the triple sign [the point-down triangle formed by touching the genitals, the right breast, the left breast, and the genitals again.] I consecrate thee with oil. I consecrate thee with wine. I consecrate thee with my lips, Priest (Priestess) and Witch." Remove Cords [kiss]. "I now present to you the working tools. First the magic sword. With this, as with the athame, thou canst form all magic circles, dominate, subdue, and punish all rebellious spirits and demons, and even persuade angels and good spirits. With this in your hand, you are ruler of the circle." [kiss] "Next I present to you the athame. This is the true witches' weapon, and has all the powers of the magic sword." [kiss] "Next I present the white-handled knife. Its use is to form all instruments used in the Art. It can only be used in a magic circle." [kiss] "Next I present the wand. Its use is to call up and control certain angels and genie to whom it would not be meet to use the sword or athame." [kiss] "Next I present the pentacle. This is for the purpose of calling up the appropriate spirits." [kiss] "Next I present the censer of incense. This is used to encourage and welcome good spirits, and to banish evil spirits." [kiss] "Next I present the scourge. This is a sign of power and domination. It is also used to cause purification and enlightenment, for it is written, `To learn you must suffer and be purified.' [kiss] Art willing to suffer to learn?" Postulant: "I am." "Next and lastly I present the cords. They are of use to bind the sigils of the art, also the material basis. Also they are necessary in the oath." [kiss] "I now salute you in the names of Aradia and Cernunnos, Newly made
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Priestess and Witch." Lead round and proclaim to four quarters, "Hear, ye Mighty Ones, (name) has been consecrated a priestess of the Goddess." Now present new Witch to coven members. All should kiss and hug new 3054 Witch as welcome into membership. To close circle proclaim to four quarters, "Ye Mighty Ones of the East (South, West, North), I thank you for attending and, ere ye depart for your lovely realms, I say hail and farewell." C.7. The Second-Degree Initiation (1957) Form Circle in usual manner, invoking the Mighty Ones at the Four Quarters. The Initiate should be properly prepared and bound with the Cords. All are purified, including Initiate. Circle once, proclaiming at the Four Quarters: "Hear Ye Mighty Ones, . . . (N), a duly consecrated Priestess and Witch is now properly prepared to be made a High Priest and Magus (High Priestess and Witch Queen)." Circle three times, with dance step and chant. Initiate then kneels before the Altar and is secured with the Cords. Priestess or Magus: "To attain to this sublime Degree it is necessary to suffer and be purified. Art willing to suffer to learn?" Initiate: "I am." Priestess or Magus: "I purify thee to take this great oath rightly". Strike three strokes upon the bell. Scourge 3, 7, 9, 21. "I now give thee a new name: . . ." [kiss] "Repeat thy new name after me, saying, `I, . . ., swear, upon my mother's womb and by mine honour among men and my brothers and sisters of the Art, that I will never reveal to any at all any of the secrets of the Art, except it be to a worthy person, properly prepared, in the center of a Magic Circle such as I am now in. This I swear by my hopes of salvation, my past lives and my hopes of future ones to come and I devote myself and my measure to utter destruction if I break this my solemn Oath.'" Kneel. Place Left Hand under Initiate's Knee and Right Hand on Head, thus forming Magic Link, saying: "I will all my power into thee." WILL. Loose, assist to rise. Consecrate: "I consecrate thee with oil [on genitals, right breast, left hip, right hip, left breast, genitals), I consecrate thee with wine, I consecrate thee with my lips, High Priest and Magus (High Priestess and Witch Queen)." Loose remaining cords. [kiss]
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"You will now use the working tools in turn, "First the Magic Sword (Form Circle) [kiss] 3055 "Second the Athame. (Form Circle) [kiss] "Third the White-Handled Knife (use) [kiss] "Fourth the Wand. (Wave to 4 Quarters) [kiss] "Fifth the Pentacle. (Show to 4 Quarters) [kiss] "Sixth the Censer. (Circle, cense) [kiss] "Seventh the Cords. (Use) [kiss] "Eighth the scourge: for learn, in witchcraft you must ever give as you receive, but ever triple. So where I gave thee 3, return 9; where I gave 7, return 21; where I gave 9, return 27; where I gave 21, return 63." (Use, 9, 21, 27, 63; i.e., 120 in all [kiss]) "Thou hast obeyed the law. But mark well, when thou receivest good, so equally art bound to return good threefold." The Priestess or Magus is then loosed from the cords and says: "Having learned thus far, you must know why the Wicca are called the Hidden Children of the Goddess". Then the Legend of the Goddess is either read or acted out. If it is possible to act it out, the new Initiate may take one of the parts. One of the Coven should act as Narrator, and another as Guardian of the Portal. The Priestess, or another woman, may act the part of the Goddess, and the Magus, or another man, may act the part of the God. The Priestess -- or whoever is taking the part of the Goddess -- takes off her necklace and lays it on the Altar. Then she goes outside the circle and is dressed in a veil and jewellery. The Magus -- or whoever is taking the part of the God -- is invested with a horned crown and girds on a sword, which he draws and stands in the God position with sword and scourge, by the altar. Narrator: "In ancient times our Lord, the Horned One, was, as he still is, the Consoler, the Comforter; but men knew him as the Dread Lord of Shadows -- lonely, stern, and hard. Now our Lady the Goddess had never loved, but she would solve all mysteries, even the mystery of Death -- and so she journeyed to the Nether Lands. The Guardians of the Portals challenged her:" (The Priestess -- or whoever is taking the part of the Goddess -- advances to the side of the Circle. Whoever is taking the part of the Guardian of the Portal challenges her with the Sword or Athame.) Narrator: "`Strip off thy garments, lay aside thy jewels, for naught may ye bring with ye into this our land'. So she laid down her garments and her jewels and was bound, as are all who enter the realms of Death the Mighty One". (The Priestess takes off the veil and the jewellery and lays them down outside the Circle. The Guardian of the Portal binds her with the Cords and brings her inside the Circle.) Narrator: "Such was her beauty that Death himself knelt and laid his sword and crown at her feet and kissed her feet." 3056
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(The Magus -- or whoever is playing the part of the God -- comes forward and lays the Horned Crown and the Sword at the Priestess's feet and kisses her feet) Narrator: "Saying, `Blessed be thy feet that have brought thee in these ways. Abide with me, but let me place my cold hand on thy heart'. And she replied, `I love thee not. Why dost thou cause all things that I love and take delight in to fade and die?' `Lady,' replied Death, `'Tis Age and Fate, against which I am helpless. Age causes all things to wither; but when men die at the end of time, I give them rest and peace and strength, so that they may return. But you, you are lovely. Return not; abide with me.' But she answered, `I love thee not.' Then said Death, `An you receive not my hand on your heart, you must receive Death's scourge.'" (The Magus rises and takes up the Scourge from the Altar.) Narrator: "`It is fate, better so,' she said, and she knelt." (The Priestess kneels before the altar, and the Magus uses the scourge 3, 7, 9, 21.) Narrator: "And Death scourged her tenderly, and she cried, `I feel the pangs of love'. And Death raised her, and said, `Blessed be,' and he gave her the Fivefold Kiss, saying, `Thus only may you attain to joy and knowledge'." (The Magus raises the Priestess, gives her the Fivefold Kiss and unties the cords) Narrator: "And he taught her all the Mysteries and gave her the necklace, which is the Circle of Rebirth." (The Magus takes the Priestess's necklace from the Altar and replaces it about her neck. The Priestess takes up the Sword and the Horned Crown from the floor, where the Magus placed them, and gives them back to him. Then he stands as before by the Altar, in the position of the God, and she stands by his side in the pentacle position, as Goddess) Narrator: "And she taught him the mystery of the sacred cup, which is the cauldron of rebirth. They loved and were one; and he taught her all the Magics. For there be three great mysteries in the life of man -- love, death, and resurrection in a new body -- and magic controls them all. To fulfill love you must return at the same time and place as the loved one, and you must meet and know and remember and love them again. But to be reborn you must die and be ready for a new body; to die you must be born; without love you may not be born -- and these be all the magics. And our Goddess ever inclineth to love and mirth and happiness, and guardeth and cheriseth Her hidden children in life; and in death she teacheth the way to have communion, and even in this world She teacheth them the Mystery of the Magic Circle, which is placed between the worlds." The Priestess or Magus then replaces the Sword, Crown, Scourge, etc., upon the Altar, and taking the new Initiate by the hand and holding the Athame in the other, passes once round the Circle, proclaiming at the Four Quarters, "Hear, Ye Mighty Ones, . . . hath been duly consecrated High Priest and Magus (or High Priestess and Witch Queen)." 3057 C.8. The Third-Degree Initiation (1957) Magus gives Fivefold Kiss.
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Magus: "Ere we proceed with this sublime degree, I must beg purification at thy hands." High Priestess binds Magus and ties him down to the altar. She circumambulates three times, and scourges Magus with three, seven, nine, and 21 strokes. She then unbinds him and helps him to his feet. Magus now binds the High Priestess and ties her down to the altar. He circumambulates, proclaiming to the four quarters, "Hear, ye mighty Ones, the twice consecrate and Holy (name), High Priestess and Witch Queen, is properly prepared and will now proceed to erect the Sacred Altar." Magus scourges High Priestess with three, seven, nine, and 21 strokes. Magus kisses her feet. "Ere I dare proceed with this sublime degree, I must again beg purification at thy hands." She binds and scourges him. Note: if High Priestess has not performed this rite before, he says, "Here I reveal to you a great mystery." [Kneel and place couch in position so as to face north.] Assist me to build As the Mighty One willed, An Altar of praise, From beginning of days, Thus doth it lie, Twixt the points of the sky, For thus it was placed When the Goddess embraced The Horned One, Her Lord, Who taught her the word, [Priestess lies down in such a way that her vagina is approximately at the center of the circle] Which quickened the womb, And conquered the Tomb. Be thus as of yore, The Shrine we adore, [kiss] The feast without fail, The life-giving Grail, [kiss] Before it uprear The Miraculous Spear, And invoke in this sign The Goddess divine. [kiss] Invoke: "Thou who at moon of night doth reign, Queen of the starry realm above, `Not unto Thee may we attain Unless Thine Image be of Love.'[kiss] 3058 By moon-rays silver shaft of power, By green leaf breaking from the bud, By seed that springeth into flower, By life that courseth in the blood.[kiss] By rushing wind and leaping flame, By flowing water and green earth, Pour us the wine of our desire
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From out Thy Cauldron of Rebirth. [kiss] Here may we see in vision clear The Secret Strange unveiled at length, The wondrous Twin-Pillars rear Erect in Beauty and in Strength. [kiss breasts] Altar of Mysteries manifold, The Sacred Circle's central point, Thus do I sign thee as of old, With kisses of my lips anoint. (Eightfold Kiss: 3 points, Lips, 2 Breasts and back to lips, & 5 points*, with oil, wine, & kisses) Open for me the Secret Way, The pathway of intelligence, Between the Gates of Night and Day, Beyond the bounds of time and sense. Behold the Mystery aright, The Five True Points of Fellowship, Here where the Lance and Grail unite, And feet and knees and breast and lips." Magus and High Priestess: "Encourage our hearts, Let thy Light crystallize itself in our blood, fulfilling us of Resurrection, for there is no part of us that is not of the Gods." (Exchange Names.) C.9. The Witches' Chant or Rune (1957) Darksome night and Shining Moon, East, then South, then West, then North, Harken to the Witches Rune: Here come I to call thee forth. Earth and Water, Air and Fire, Wand and Pentacle and Sword, Work ye unto my desire, Harken ye unto my word. Cords and Censer, Scourge and knife, Powers of the Witches Blade, Waken all ye into life, Come ye as the Charm is made: Queen of Heaven, Queen of Hell, 3059 Horned Hunter of the Night, Lend your power unto the Spell, Work my will by Magic Rite. If chant is used to reinforce a work already begun, end with this: By all the power of land and sea, by all the might of moon and sun, What is my will- "So mote it be,"What I do say- "It shall be done." C.10. Consecrating Tools (1957)
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(Note: if possible lay any new weapon touching an already consecrated one, Sword to sword, Athame to Athame, etc.) [1] Prepare Circle and purify. All tools must be consecrated by a man and a woman, both as naked as drawn swords; they must be purified, clean, and properly prepared. [2] Place tool on pentacle on altar. Magus sprinkles it with salt and water. Witch passes it through smoke of incense, replaces it on pentacle. Touching with already consecrated weapon, they say the First Conjuration. [2a] For sword or athame, say "I conjure thee, O Sword (or Athame) of Steel, that thou servest me for a strength and a defence in all magical operations, against all mine enemies, visible and invisible, in the names of Aradia and Cernunnos. I conjure thee anew by the Holy Names Aradia and Cernunnos, that thou servest me for a protection in all adversities, so aid me." [2b] For any other tool, say, "Aradia and Cernunnos, deign to bless and to consecrate this [tool], that it may obtain necessary virtue through thee for all acts of love and Beauty." [3] Again they sprinkle and cense, and say the Second Conjuration: [3a] For sword or athame, say, "I conjure thee, O Sword [Athame] of Steel, by the Great Gods and the Gentle Goddesses, by the virtue of the Heavens, of the Stars, of the Spirits who preside over them, that thou mayest receive such virtues that I may obtain the end that I desire in all things wherein I shall use thee, by the power of Aradia and Cernunnos." [3b] For any other tool, say, "Aradia and Cernunnos, bless this instrument prepared in thine honour." (For the scourge or cords, add, "That it may only serve for a good use and end, and to thy Glory.") [4] All instruments when consecrated should be presented to their User by giving the [point-down triangle] sign salute (if they are working in the 1st degree, or the sign of the higher degree if they are working that.) [5] Then the one who is not the owner should give the Fivefold Kiss to the owner. For the final kiss, the tool should be placed between the breasts, and the two workers should embrace for as long as they feel like, it being held in place by their bodies. The new owner should use it immediately, i.e., cast (trace) Circle with Sword or Athame, wave 3060 wand to 4 quarters, cut something with white-handled knife, etc. Cords and scourge should be used at once. The tool should be kept in as close connection as possible to the naked body for at least a month, i.e., kept under pillow, etc. When not in use, all tools and weapons should be put away in a secret place; and it is good that this should be near your sleeping place, and that you handle them each night before retiring. Do not allow anyone to touch or handle any of your tools until they are thoroughly impregnated with your aura; say, six months or as near as possible. But a couple working together may own the same tools, which will be impregnated with the aura of both. D.1 The Old Laws (1961) [A] The Law was made and Aredan of old. The law was made for the Wicca,
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to advise and help in their troubles. The Wicca should give due worship to the Gods and obey their will, which they Aredan, for it was made for the good of the Wicca, As the [5] Wicca's worship is good for the Gods, For the Gods love the Wicca. As a man loveth a woman, by mastering her, so the Wicca should love the Gods, by being mastered by them. And it is necessary that the Circle, which is the Temple of the Gods, should be truly cast and purified, that it [10] may be a fit place for the Gods to enter. And the Wicca should be properly prepared and purified, to enter into the presence of the Gods. With love and worship in their hearts they shall raise power from their bodies to give power to the Gods, as has been toughed us of old, [15] For in this way only may man have communion with the Gods, for the Gods cannot help man without the help of men. [B] And the High Priestess shall rule her Coven as representative of the Goddess, and the High Priest shall support her as the representative of the God, And the High Priestess shall choose whom she [20] will, if he have sufficient rank, to be her High Priest), For the God himself, kissed her feet in the fivefold salute, laying his power at the feet of the Goddess, because of her youth and beauty, her sweetness and kindness, her wisdom and Justice, her humility and generosity. So he resigned his lordship to her. But the Priestess should [25] ever mind that all power comes from him. lt is only lent when it is used wisely and justly. And the greatest virtue of a High Priestess is that she recognizes that youth is necessary to the representative of the Goddess, so that she will retire gracefully in favour of a younger woman, Should the Coven so decide in Council, For the true [30] High Priestess realizes that gracefully surrendering pride of place is one of the greatest of virtues, and t hat thereby she will return to that pride of place in another life, with greater power and beauty. [C] In the days when Witchdom extended far, we were free and worshipped in Alther Greatest Temples, but in these unhappy times [35] we must hold our sacred mysteries in secret. So it be Aredan, that none but the Wicca may see our mysteries, for our enemies are many, And torture looseth the tongues of many. It be aredan that each Coven shall not know where the next Coven bide, or who its members are, save the Priest and Priestess, [40] That there shall be no communication between them, save by the Messenger of the Gods, or the Summoner. Only if it be safe, may the Covens meet, in some safe place, for the great festivals. And while there, none shall say whence they come, or give their true names, to the end that, if any are tortured, in their agony, they can [45] not tell if 3061 they know not. So it be Aredan that no one may tell any not of the Craft who be of the Wicca, nor give any names, or where they bide, or in any way tell anything which can betray any to our foes, nor may they tell where the Covenstead be, or where is the Covendom, [50] or where be the meeting s or that there have been meetings. And if any break these laws, even under torture, The Curse of the Goddess shall be upon them, so they never reborn on earth, And may they remain where they belong, in the Hell of the Christians. [D] Let each High Priestess govern her Coven with Justice and [55] love, with the help of the advice of the elders, always heeding the advice of the Messenger of the Gods, if he cometh. She will heed all complaints of brothers, and strive to settle all differences among them, but it must be recognized that there be people who will ever strive to force others to do as they will. [60] They are not necessarily evil, and they often do have good ideas, and such ideas should be talked over in council. And if they will not agree with their brothers, or if they say, "I will not work under this High Priestess," it hath always been the old law to be convenient for the brethren, and to void disputes, any of the Third [65] may claim to found a new Coven because they live over a league from the
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Covenstead, or are about to do so. Anyone living within the Covendom wishing to form a new Coven, to avoid strife, shall tell the Elders of his intention and on the instant void his dwelling and remove to the new Covendom. Members of the old Coven may join the New one when it be formed, but if they do, must utterly void the old Coven. The Elders of the New and the Old Covens should meet in peace and brotherly love, to decide the new boundaries. Those of the Craft who dwell outside both Covendoms may join either indifferent, but not both, though all may, if the Elders [75] agree, meet for the Great Festivals, if it be truly in peace and brotherly love. But splitting the coven oft means strife, so for this reason these laws wer e made of old, And may the curse of the Goddess be on any who disregard them. So be it aredan. [E] If you would Keep a book let it be in your own hand of write. [80] Let brothers and sisters copy what they will, but never let the book out of your hands, and never keep the writings of another, for if it be found in their hand of write, they well may be taken and Engined. Each should guard his own writings and destroy it whenever danger threatens. Learn as much as you may by heart, and when danger is [85] past, rewrite your book an it be safe. For this reason, if any die, destroy their book if they hav e not been able to, for an it be found, 'tis clear proof against them, And our oppressors well know, "Ye may not be a witch alone" So all their kin and friends be in danger of torture. So ever destroy anything not necessary. [90] If your book be found on you. 'tis clear proof against you alone. You may be engined. Keep all thoughts of the Craft from your mind. Say you had bad dreams; a devil caused you to write it without your knowledge. Think to yourself, "I know nothing. I remember nothing. I have forgotten everything." Drive this [95] into your mind. If the torture be too great to bear, say, "I will confess. I cannot bear this torture. What do you want me to say? Tell me and I will say it." If they try to make yo u speak of the brotherhood, Do NOT, but if they try to make you speak of [100] impossibilities, such as flying through the air, consorting with the Christian Devil, or sacrificing children, or eating men's flesh, to obtain relief from torture, say, "I had an evil dream. I was not myself. I was crazed." Not all Magistrates are bad. If there [105] be an excuse they may show mercy. If you have confessed aught, deny it afterwards; say you babbled under torture, you knew not what you did or said. If you are condemned, 3062 fear not. The Brotherhood is powerful. They may help you to escape, if you stand steadfast, but if you betray aught, there is no hope for you, in this [110] life, or in that which is to come. Be sure, if steadfast you go to the pyre, Dwale will reach you. You will feel naught. You go but t o Death and what lies beyond, the ecstasy of the Goddess. [F] 'Tis probable that before you are engined, Dwale will reach you. [115] Always remember that Christians fear much that any die under torture. At the first sign of swoon, they cause it to be stopped, and blame the tormenters. For that reason, the tormenters themselves are apt to feign to torment, but do not, so it is best not to die at first. If Dwale reaches you, 'tis a sign that you have a friend somewhere. [120] You may be helped to escape, so despair not. If the worst comes, and you go to the pyre, wait till the flames and smoke spring up, bend your head over, and breath in with long breaths. You choke and die swiftly, and wake in the arms of the Goddess. [G] To void discovery, let the working tools [125] be as ordinary things that any may have in their houses. Let the Pentacles be of wax, so they may be broken at once. Have no sword unless your rank allows you one. Have no names or signs on anything. Write the names and signs on them in ink before consecrating them and wash it off immediately after. Do not Bigrave them, [130] lest they cause discovery. Let the colour of the hilts tell which is which.
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[H] Ever remember, ye are the Hidden Children of the Gods. So never do anything to disgrace them. Never boast, Never threaten, Never say you would wish ill to anyone. If you or any not in the Circle speak of the Craft, [135] say, "Speak not to me of such. It frightens me. 'Tis evil luck to speak of it." For this reason: the Christians have spies everywhere. These speak as if they were well affected, as if they would come to Meetings, saying, "My mother used to go to worship the Old Ones. I would that I could go myself."* To these ever deny all knowledge. [140] But to others ever say, "'Tis foolish men talk of witches flying through the air; to do so they must be light as thistledown," and "Men say that witches all be bleared-eyed old crones, so what pleasure can there be in witch meetings such as folk talk on?" Say, "Many wise men now say there be no such creatures." Ever [145] make it a jest, and in some future time, perhaps the persecution will die, and we may worship safely again. Let us all pray for that happy day. [I] May the blessings of the Goddess and the God be on all who keep these laws which are Aredan. [J] If the Craft hath any Appanage, let all brothers guard it, and help to keep it clear and good for the Craft, and let all justly guard all monies of the Craft. But if some brothers truly wrought it, 'tis right that they have their pay, an it be just, an this be not taking [5] money for the use of the Art, but for good and honest work. And even the Christians say, "A labourer is worthy of his hire." But if any brothers work willingly for the good of the craft without pay, 'tis but to their greater honour. So it be Aredan. [K] If there be any disputes or quarrels among the brethren, the [10] High Priestess shall straight convene the Elders and enquire into the matter, and they shall hear both sides, first alone, then together, and they shall decide justly, not favouring the one side or the other, ever recognizing that there be people who can never agree to work under 3063 others, but at the same time there be some people who [15] cannot rule justly. To those who ever must be chief, there is one answer, "Void the Coven and seek an other, or make a Coven of your own, taking with you those who will to go." To those who cannot rule justly, the answer be, "Those who cannot bear your rule will leave you," for none may come to meetings with those with whom they are at [20] variance; so, an either cannot agree, get hence, for the Craft must ever survive. So it be Aredan. [L] In the olden days when we had power, we could use our Arts against any who ill-treated any of the Brotherhood, but in these evil times, we may not do so, for our enemies have devised a burning [25] pit of everlasting fire, into which they say their God casteth all the people who worship him, except it be the very few who are released by their priests' spells and Masses, and this be chiefly by giving money and rich gifts to receive his favour, for their Alther Greatest God [Greatest God of all] is ever i n need of Money. [30] But as our Gods need our aid to make fertility for men and crops, So the God of the Christians is ever in need of man's help to search out and destroy us. Their priests tell them that any who get our help or our cures are damned to the Hell forever, so men be mad for the terror of it. But they make men [35] believe that they may scape this hell if they give victims to the tormenters. So for this reason all be forever spying, thinking, "An I can but catch one of the Wicca I will scape this fiery pit." But we have our hidels, and men searching long and not finding say, "there be none, or if they be, they be in a far country." [40] But when one of our oppressors die, or even be sick, ever is the
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cry, "This be Witches Malice," and the hunt is up again. And though they slay ten of their people to one of ours, still they care not; they have many thousands, while we are few indeed. So it is Aredan that none shall use the Art in any way to do ill [45] to any, howevermuch they have injured us. And for long we have obeyed this law, "Harm none" and nowtimes many believe we exist not. So it be Aredan that this law shall still continue to help us in our plight. No one, however great an injury or injustice they receive, may use the Art in any to do ill or harm any. [50] But they may, after great consultations with all, use the Art to prevent or restrain Christians from harming us and others, but only to let or constrain them and never to punish, to this end. Men say, "Such an one is a mighty searcher out and persecutor of Old Women whom he deemeth to be Witches, [55] and none hath done him Skith [harm], so this be proof they cannot, o r more truly, that there be none," For all know full well that so many folk have died because someone had a grudge against them, or were persecuted because they had money or goods to seize, or because they had none to bribe the searchers. And many have died [60] because they were scolding old women, so much so that men now say that only old women are witches, and this be to our advantage, and turns suspicion away from us. In England 'tis now many a year since a witch hath died the death, but any misuse of the power might raise the Persecution again; so never break this law, [65] however much you are tempted, and never consent to its being broken. If you know it is being broken in the least, you must work strongly against it, and any High Priestess or High Priest who consents to it must be immediately deposed, for 'tis the blood of the Brethren they endanger. Do good, an it be safe, and only if [70] it be safe, for any talk may endanger us. 3064 [M] And strictly keep to the Old Law, never accept money for the use of the art. It is Christian priests and sorcerers who accept money for the use of their Arts, and they sell Dwale and evil love spells and pardons to let men scape from their sins. [75] Be not as these. Be not as these. If you accept not money, you will be free of temptation to use the Art for evil causes. [N] You may use the Art for your own advantage, or for the advantage of the Craft, only if you be sure you harm none. But ever let the Coven debate the matter at length. Only if all are satisfied that none may be harmed [80] may the Art be used. If it is not possible to achieve your ends one way without harming any, perchance the aim may be achieved by acting in a different way, so as to harm none. May the Curse of the Goddess be on any who breach this law. So it be aredan. [O] 'Tis adjudged lawful an anyone need a house or land, an none will [85] sell, to incline the owner's mind to be willing to sell, provided it harmeth him not in any way, and that the full worth is paid, without haggling. Never bargain or cheapen anything which you buy by the Art. So it be Aredan. [P] It is the Old Law and the most important of all Laws [90] that no one may do or say anything which will endanger any of the Craft, or bring them in contact with the law of the land, or the Law of the Church or any of our persecutors. In any disputes between the brethren, no one may invoke any laws but those of the Craft, or any Tribunal but that of the Priestess and the Priest and the [95] Elders. And may the Curse of the Goddess be on any who so do. So it be Aredan. [Q] It is not forbidden to say as Christians do, "There be Witchcraft in the Land," because our oppressors of old made it Heresy not to believe in Witchcraft, and so a crime to deny it, which thereby put [100] you
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under suspicion. But ever say "I know not of it here, perchance they may be, but afar off. I know not where." But ever speak so you cause others to doubt they be as they are. Always speak of them as old crones, consorting with the Devil and riding through the air. But ever say, "But how may men ride through the air an they be not [105] as light as thistledown?" But the curse of the Goddess be on any who cast any suspicion on any of the Brotherhood, or speaks of any real meeting place, or where any bide. So it be Aredan. [R] Let the Craft keep books with the names of all Herbs which are good for man, and all cures, that all may learn. But keep [110] another book with all the Banes [poisons] and Apies. and let only the elders and trustworthy people have this knowledge. So it be Aredan. [S] And may the Blessings of the Gods be on all who keep these Laws and the Curses of both God and Goddess be on all who break them So it be Aredan. [The following two sections were added after 1960.] [T] Remember the Art is the secret of the Gods and may only be used in earnest and never for show or vainglory. Magicians and Christians may taunt us, saying, "You have no power. Do magic before our eyes. Then only will we believe," seeking to cause us to betray our Art before them. Heed them not, for the Art is holy, and may only be used in need. And the curse of the Gods be on any who break this law. [U] It ever be the way with women, and with men also, that they ever seek new love, nor should we reprove them for this, but it may be found to disadvantage the Craft, as so many a time it has happened that a High Priest or High Priestess, impelled by love, hath departed with their love; that is, they have left the coven. Now, if a High Priestess wishes to resign, she may do so in full Coven, and this resignation is 3065 valid. But if they should run off without resigning, who may know if they may not return w ithin a few months? So the law is, if a High Priestess leaves her coven, but returns within the space of a year and a day, then she shall be taken back, and all shall be as before. Meanwhile, if she has a deputy, that deputy shall act as High Priestess for as long as the High Priestess is away. If she returns not at the end of a year and a day, then shall the coven elect a new High Priestess. Unless there be a good reason to the contrary. The person who has done the work should re ap the benefit of the reward, Maiden and deputy of the High Priestess. D.2. The Verse Charge (1961) I the Mother, darksome and divine, Say to thee, Oh children mine (All ye assembled at mine Shrine), Mine the scourge and mine the kiss The five-point star of love and bliss Here I charge ye in this sign. (Assume Goddess position.) All ye assembled here tonight Bow before my spirit bright Aphrodite, Arianrhod, Lover of the Horned God, Mighty Queen of Witchery and night Astarte, Hecate, Ashtaroth, Dione, (Morrigan, Etain, Nisene), Diana, Brigid, Melusine, Am I named of old by men, Artemis and Cerridwen, Hell's dark mistress, Heaven's Queen. (Whene'er trouble comes anoon) All who would learn of me a Rune Or would ask of me a boon, Meet ye in some secret glade Dance my round in greenwood shade,
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by the light of the full moon. (In a place wild and lone) With the comrades alone Dance about my altar stone. Work my holy Magistry,Ye who are fain of sorcery, I bring ye secrets yet unknown. (Whate'er troubles come to thee), No more shall ye know slavery Who give due worship unto me, Who tread my round on Sabbat-night. Come ye all naked to the rite, In token ye be truly free. I teach the mystery of rebirth, Keep ye my mysteries in mirth Heart joined to heart, and lip to lip, Five are the points of fellowship That bring ye ecstasy on Earth. I ask no offerings, do but bow, No other law but love I know, 3066 By naught but love I may be known, All that liveth is mine own From me they come, to me they go. D.3. Casting and Charging (1961) [1] Forming Circle. Light candles. 1. Draw Circle with Magic Sword or Athame. 2. Sprinkle with consecrated water. 3. Cense. 4. Say, "I conjure thee, O Circle of Power, that thou be a Boundary and a Protection and a meeting place between the world of men and the realms of the Mighty Ones, A Guardian and a Protection that shall preserve and contain the Power which we shall raise within thee, Wherefore do I Bless and Consecrate thee." 5. Say "I summon, Stir, and Call Thee up, Ye Mighty Ones of the (East, South, West, North) To witness the Rites and to guard the Circle." [2] Closing Circle. Say, "Mighty Ones of the (East, South, West, North), I thank you for attending, and ere you depart for your lovely realms, I say Hail and Farewell." [3] Consecration of Water and Salt. Touch water with Athame, saying, "I exorcise thee, O Creature of Water, that thou cast out from thee all the impurities and uncleannesses of the spirits of the World of Phantasm, In the names of Aradia and Cernunnos." Touching Salt with Athame, say, "Blessings be upon this creature of Salt. Let all malignity and hindrance be cast forth hencefrom and let all good enter herein. Wherefore I bless thee that thou mayest aid me, In the names of Aradia and Cernunnos."
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[4] Drawing Down the Moon. "I invoke Thee and call upon Thee, Oh Mighty Mother of us All, Bringer of all Fruitfulness. By Seed and Root, by Stem and Bud, by Leaf and Flower and Fruit, by Life and Love, Do We invoke Thee to descend upon the body of Thy servant and Priestess (name)." High Priest and other men give Fivefold Kiss. Women all bow. D.4. Forming the Circle. (1961) FORMING THE CIRCLE. [1] Must have a man and a woman, properly prepared, i.e., naked. [2] Mark a circle nine feet across on the floor with chalk, etc. The best way is to get a string. Tie 2 loops four foot, six inches apart. Put one loop over a nail or something in the center. Put chalk in the 3067 other and run it round. If you can't make marks on the floor, put furniture, etc., round to form it. Have a table, etc., as an Altar, with all tools, etc., on it. Have a bowl of water, and some salt. [3] Place Athame on the bowl of water. Say, "I exorcise thee, O creature of Water, that thou cast out from Thee all the impurities and uncleannesses of the Spirits of the World of Phantasm in the name of Aradia and Cernunnos. But ever mind that Water purifies the body, but the scourge purifies the soul." [4] Then place Athame on the salt. Say, "Blessings be upon this creature of Salt. Let all malignity and hindrance be cast forth hencefrom, and let all good enter herein. Wherefore I bless thee that thou mayest aid me, in the name of Aradia and Cernunnos. [5] Then trace Circle on the lines you have marked out, starting at the East and returning to the East. (Always go round the circle with your Right hand to the Altar. Never go Widdershins.) Then put the Salt into the water. and go round the circle again, sprinkling it to purify it. Then go round again censing it. (Everyone in the circle must be sprinkled and censed.) [6] Then go to the East, Sword or Athame in hand. Draw an invoking pentacle in the Air, starting at the top and going to the lefthand corner, saying, "I summon, and call thee up, O Ye Mighty ones of the East, to guard the Circle and witness our rites." Then holding the point of sword or Athame upwards, do the same to the south, west, and north, and return to the center, to the south of the Altar. [7] Then each girl should bind her man, hands behind back and cable Tow to neck. He should kneel at altar, and be scourged. When all men are thus "purified," they purify the girls in turn. No one may be in the circle without being thus purified. [8] Then do whatever work wanted. [9] When closing the Circle, the High Priestess, or whoever she tells to do it, saying, "Hail, ye mighty ones of the East. I thank you for attending, and ere ye depart for your lovely realms, We say, Hail and Farewell." Bibliography These are books you should read in order to see the sources Gardner used
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to create these rituals. Crowley, Aleister. Magick in Theory and Practice. Castle, n.d. [ca. 1930] Gardner, Gerald B. High Magic's Aid. Michael Houghton, 1949. ------. Witchcraft Today. Jarrolds, 1954. ------. The Meaning of Witchcraft. Aquarian Press, 1959. Glanvil, Joseph, and Henry More. Saducismus Triumphatus: or, Full and Plain Evidence Concerning Witches and Apparitions. London: Lowndes, 3d ed., 1689. Scholar's Facsimiles, 1966. One of Murray's major sources 3068 of information. Leland, Charles Godfrey. Aradia: The Gospel of the Witches of Tuscany. Scribner's, 1897. Buckland Museum reprint, 1964. Mathers, S. L. MacGregor, ed. and trans. The Greater Key of Solomon. De Laurence, Scott, 1914. Murray, Margaret A. The Witch-Cult in Western Europe. Oxford University Press, 1921. Oxford paperback, 1962. ------. The God of the Witches. Oxford University Press, 1934. Doubleday Anchor, 1960. Regardie, Israel. The Golden Dawn: An Account of the Teachings, Rites, and Ceremonies of the Order of the Golden Dawn. 1937-1940. Hazel Hills, 2d ed., 1969. * Gardner appended this paragraph to the Craft Laws in the early 1960s. * Gardner appended this paragraph to the Craft Laws in the early 1960s. * These are shown by a drawing to be: genitals, left foot, right knee, left knee, right foot, and back to genitals. * My Lady Epona points out that this is precisely what Charles Cardell had claimed; that is, this paragraph is a response to Cardell, and so it was probably inserted into the Craft Laws after the run-in with the Cardells and Olive Green in 1959. This again is an indication that Gardner did not promulgate the Craft Laws as a document for the Book of Shadows until about 1960, when Mr. Q was initiated. ---------------------------------------------------------------------- ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3069 Classification: IT.IV.C.2.e Title: Symbolism Author: Grand Master of the Order of Shuti Temple of Set Date: December, XXIV Published: Dialogues I.3 (The section on "Neters" was published in issue I.4) Subject: Symbolism Reading List: 2L, 2V [copyright 1989, Temple of Set. Permission for electronic
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distribution by echo and on PODS has been given by the author. No not copy or distribute further without permission of the author or the Temple of Set.] The first session of the year-XXIV Order of Shuti Workshop discussed symbolism. While the study of symbolism itself is not a primary concern of the Order of Shuti, several of the Order's activities do involve working with forms of symbolism, or are discussed using various symbols. The symbols of the twin lion gods, Shu and Tefnut, who together are Shuti, are obviously of importance in understanding the activities of the Order. The topic of symbolism was therefore chosen for the introductory session of the workshop. Application In discussing this session and what would be discussed, the Grand Master stressed that symbolism wasn't to be discussed simply as an intellectual exercise, but that all participants should try to apply the Setian yardstick of "application" to this discussion. Each and every topic of this session (and all sessions in the workshop) should be measured by the questions of a) Can it be applied? b) Is it useful? c) Does it work? What is symbolism? One answer suggested by workshop participants is that symbolism is a language of the unconscious. It is a dynamic language in which one image, a single symbol, can conjure up archetypical impressions, complex or complete concepts and/or meanings, rather than being a structured language in which many words and/or several sentences are needed to put together an equivalent concept or meaning. Another purpose of symbolism offered by the participants is to serve as a metalanguage which has two levels or multiple levels of meaning. Each symbol or set of symbols can have one meaning to the initiated, and another meaning to the uninitiated. That symbol or 3070 set of symbols could also have /different/ meanings to the initiated, depending upon how the symbols are communicated, and how they are mixed with other symbols. A statement in a symbolic language could even have multiple meanings communicated at the same time to the same person. A lot of the symbols Setians use in our writings are like that. When we read through the _Scroll of Set_ or the jewelled Tablets, those of us who have been using the language of the Temple of Set for a while will see certain words, and will know just from the way the words are used that the author is writing symbolically as well as grammatically, and he therefore means "this type of thing". This symbolic use of language lets us add meaning to an article without adding substantially to the size of that article.
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Those who haven't been in the Temple of Set long enough to pick up on that symbolic use of language will miss almost all of that meaning on their first reading. This is one of the reasons why we all find it useful to reread past issues of the _Scroll_ and to reread Tablet articles. It enables us to read meaning in an article that we may have missed on an earlier reading. It sometimes happens that "unintended" meaning is found in an article during such a rereading. Even though the author may not have consciously intended to convey a certain meaning, that author's Higher Self may have influenced the writing in such a way as to symbolically give a specific message in the writing. These messages remain hidden except for those who can perceive and understand them. On the other side of the scale, if our writings are read by someone totally unfamiliar with occult symbolism, then the message can be totally lost, and the reader may never see it. Symbolism can be visual (examples are the Pentagram of Set, pictures of the Egyptian Neters, etc), and verbal (the closing we use on our letters, "Xeper and Remanifest", is a statement and reminder of our dedication to this Formula, a way of developing and keeping the habit of Xeper and Remanifestation going strong). Each Word itself is a symbol (Xeper, Indulgence, Thelema, etc.), as is each Neter (Shu, Tefnut, Sekhmet, Bast). A lot of principles can be used as symbols which have more meaning to the initiated than they do to those who just read about them in a dictionary. Visual and verbal/written symbols involve just one of our senses (sight). If you include verbal/spoken symbols, we then involve a second sense (hearing). We then asked the question, "Are there symbols which are perceived and communicated through each of our other senses?" The first examples offered by workshop participants were incense and music: Incense can bring about different emotions and responses through the sense of smell. Music can bring about different 3071 responses through the sense of hearing, in ways totally different than the verbal symbols do (the difference between right brained behavior and left brained behavior). Where does symbolism come from? When dealing with incense and music, we are leaving the mental processes and intellectual reactions that visual symbols will evoke, and going instead to the more reactive, bodily, reactions. We react to the smell of bodily feces with distaste because of the body's reaction to that sort of an input. We find the fragrance of a rose very pleasing. One of the reasons we use fragrant incenses during a ritual is to bring about bodily reactions which enhance a ceremony because of the smells and our reactions to the smells. The discussion of one question leads to another. We learn the reactions / interpretations / meanings of visual and verbal symbols
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(at least those discussed above). Do we also learn reactions to incenses and music, or are those reactions more innate? The first response was that our reactions and interpretations, even our likes and dislikes of music are learned. The example given was classical music, which strikes some people as very soothing and relaxing, and which is likely to put these people to sleep. But others who are aware of the intelligent dynamics and many other ingredients of classical music will find the same music very stimulating. (We believe that the workshop participant was thinking about the lighter classical pieces, such as "Tales from the Vienna Woods," and not the more active pieces such as "Night on Bald Mountain.") The second response disagreed with the first, pointing out that regardless of whether they are used in classical, modern, or any other form of music, harps and strings tend to evoke emotional (peaceful) moods, while drums are more primal and physical, evoking more active responses. The next example we discussed referred to the sense of smell. To a farmer, feces and fertilizer are pleasing and filled with promise, a smell of promised growth and life, a totally different reaction than most people will have (especially after scraping a dog's refuse off the bottom of one's shoe). Similarly, an inlander's first pleasant reaction to sea gulls on wing, grace in motion, can be compared to the reaction of those who live on the beach and have to live with the noise and the mess and the droppings left behind by those very same sea gulls. These examples tend to support the theory that we learn our interpretations of the sounds and smells around us. It seems from these examples that our reactions to inputs are learned, or at least they arise from our experiences. The question 3072 then becomes, can symbols have innate visceral responses, or is the response to a symbol necessarily a learned one? To look at innate responses, the original responses to stimuli, we necessarily looked at children. For instance, children generally have no innate response to feces, and will often eat them until they learn not to. They later learn to either react with disgust to feces, or to view them as fertilizer and the source of life. The first example of a possibly innate response brought to the discussion was that of the ephemeral beauty of a butterfly on the wing. None of the participants could envision any child's reaction other than awe and delight at such beauty (or at least none would admit to any other vision). This brought forth remarks concerning innate childish "awe", where almost everything is new and wonderful. Children as they begin to distinguish between the multiple events and objects in their world are simply delighted at the beauty and diversity they find around them. There is no "evil" during this time -- only the beauty of nature.
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Few of us have any reason to unlearn this initial response to the butterfly. These reactions can therefore be considered innate, stemming from the earliest days of our consciousness. Other reactions, unpleasant reactions and also more complex reactions, seem to be learned over time. Therefore, there's some of both types of reactions. People will have initial reactions to many meaningful symbols and inputs, but their reactions can be modified by their experience and training. This discussion raised yet more questions, for which no answers were attempted during this workshop. The questions were, how much of our symbolism is learned, and how much of our symbolism is innate? And if some form of consciousness or memory can survive from one life to another, then how much might be remembered from past lives? Symbols may or may not come to one's attention. An extremely visually-oriented person may not notice or respond to other types of symbols, such as a room's smell, or a background level of music, while those who are oriented towards those senses will respond to those inputs, but perhaps not to others. Symbolism may have personal and/or experiential meaning (such as the manure used to plant your garden or that you step in), or symbolism may be abstract (learned and used in writing, teaching, or jewelry, but not something that's impacted upon you in the past). This is the difference between a) the visceral response, which may be innate and may also be a learned response, modified through experience or training, and b) the mental response which must always be learned or developed. The Grand Master wishes to note that the discussion at this point 3073 had unintentionally left the strict topic of symbolism, and was dealing instead with experience and reaction to stimuli, on the unspoken assumption that these reactions applied to our use of symbolism. We feel this to be a valid assumption, since the pleasant reaction we have to a butterfly or to a unicorn extends to and impacts our use of those images as symbols. Those with differing reactions to sea gulls as described above would similarly have different reactions to Johnathon Livingston Seagull's story. Also, by concentrating on experience and reaction rather than symbolism, we temporarily lost sight of the most important measure of symbolism -- that of meaning. Yes, music has impact, but that music is symbol only if its impact includes meaning, such as the sense of freedom and power that accompanies the visual image of the "Flight of the Valkyries" and similar images of meaning those who are familiar with the movie will get from various pieces in the sound track from 2001. Likewise incense is symbol only if its impact includes meaning. That meaning may be supplied by the smell, or that meaning may be supplied by knowledge of the ingredients within the incense. Meaning may also be supplied by the words used during the censing of the chambre. Without some meaning, incense is not symbol, but only smell.
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Closely related to the sense of smell is the sense of taste, and it's fairly easy to see that certain tastes can have meaning as well. During Passover Seder, a ritual meal of thanksgiving and freedom (celebrating the Exodus), Jews will dip greens into salt water and eat the salty greens, to remind them of tears shed by the Jews in bondage. They will eat bitter herbs to remind them of the bitterness of slavery. Likewise, there can be kinesthetic symbols as well. We feel different when we hold a sword in ritual as opposed to when we hold a dagger. We feel different when we are standing up than we feel when we are sitting down, and different still when we are kneeling or laying down. We feel different in charged rooms, dry rooms, wet rooms, hot rooms, cold rooms, still rooms, breezy rooms. Uncontrolled, these latter experiences are just stimuli. Controlled and used meaningfully, these latter experiences can be symbols, manipulated and understood as such. How should symbolism be used? The first obvious use of symbolism is in the communication of ideas, whether written, spoken, or communicated through one or more other senses. Based on the idea that a single symbol can have a whole galaxy of meaning, a useful communications skill is the ability to use 3074 symbols in the proper places, in the proper ways, to communicate more meaning in a smaller package (with fewer words). Perhaps of greatest importance within the Temple of Set are the magical aeonic Words: Xeper, Remanifestation, and Xem, and the preceding Words of Indulgence and Thelema. By using these Words in writing or other forms of communication, we communicate the meanings associated with those Words. If I say the word "Xeper" to an initiate, it means something totally different than it would mean to someone off the street, and it means something totally different to a Setian than it would mean to an Egyptologist who /thinks/ he knows the Egyptian god Xepera. Our use of the Word is quite different and the symbol carries so much more meaning than just the word "Xeper" would carry in a modern Egyptian dictionary. This use of symbolism doesn't apply just to magical Words or Formulae, but applies to symbols of many different kinds, in many different uses. You'll sometimes find certain words capitalized in text, as are "Words" and "Formulae" above. When not overly used, this is a clear indication that the author wishes you to view these words with their symbolic meanings, rather than their normal meanings. During group ritual, certain words will be spoken more flamboyantly, perhaps louder, perhaps longer, and often with more gesturing. These words are then generally being used symbolically, with special meaning at least to the speaker, if not to other participants.
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Symbolism can also be used in Lesser Black Magic, as tools to influence certain people (singular or multiple) in certain ways. The magician (or politician or religious leader or arts director or other manipulator) will use lighting, music, fragrance, and other symbols in ways particular to their audience's response to the symbols. Symbolism can be used upon ourselves in a similar manner, to bring out responses from us that we want to bring out, as in ritual or as an aid to Xeper. Words which have become symbols to us can be used as a means of increased concentration, as a visual mantra or as a sensual mantra. Such mantras can be used in ritual, in nonritual meditation, or whenever we choose to remind ourselves of the principles carried within that symbol. Over time, some symbols can become richer and can carry more and more meaning to those people who work with the symbol. These symbols can become "magnetic", in that each use of the symbol brings forth yet another repetition of the symbol. Each reference brings forth a constellation of meaning, with one meaning and use leading to another. Each use of the symbol sparks, or attracts, another use of the symbol. 3075 In these cases the symbols will often be repeated over and over throughout a conversation or other communication, each time exercising one or more of those meanings, and through the course of the communication this symbol can almost hold or reflect an entire world view. This is the way the people influenced by the symbol see their world. At a political rally the symbol might be "America", "Democracy", or "the Party" (citizens of other countries may substitute those symbols meaningful in your domain). To some, the symbol might be "the Environment". The symbol "Xeper" has a similar impact within the Setian culture. Group consensus is important for communication through symbols. Different groups can have differing uses of symbols, and attempts to communicate between these groups using the symbols particular to one group (or those symbols which are viewed differently by different groups) can result in confusion or worse. Because Setians come from such diverse backgrounds, we have various communication problems related to these diverse backgrounds. Members from the O.T.O. may know all of the Qabalic correspondences, while members from the Wiccan background couldn't care less about the Qabalic attributions, and have correspondences which are totally different. Numerologists apply different meanings to their numbers than do the Qabalists. And all of these symbolic systems work. But very, very few of them work for all Setians. Qabalists within the Temple of Set who write articles and/or letters steeped in Qabalic symbolism find that very few others care enough about their symbols to wade through the text. Those from other backgrounds with intensive use of symbols similarly find
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difficulty communicating within the Temple of Set, since our symbolic vocabulary is so much less cohesive. This lack of similarity in symbolism affects not only written communication, but also ritual activity. Each pylon seems to develop its own pattern of symbolism, and inter-pylon rituals can at times be very difficult. Fitting many diverse magicians with their diverse backgrounds into one meaningful ceremony can be a challenge, a challenge faced at each Conclave, and at each activity like the Order of Shuti Workshop. Language of the Unconscious?{fn 1} The first question asked by the Grand Master was, "What is symbolism?" The first answer received was, "A language of the unconscious." Parts of the workshop's discussion might seem to support this definition, while others contradict it. So let the Grand Master speak: 3076 Symbols have many attributes. Among the more important of these attributes is their ability to cause reaction in their audience, visceral if not innate reactions, as discussed above. Elizabeth S. Helfman, in her book _Signs and Symbols around the World_, defines symbol as being: "anything that stands for something else." Look in your dictionary. Mine includes several definitions of symbol and symbolism, including: >> Symbol: 2: something that stands for or suggests something else by reason of relationship, association, convention, or accidental resemblance. 5: an act, sound, or object having cultural significance and the capacity to excite or objectify a response. >> Symbolism: 1: the art or practice of using symols esp. by investing things with a symbolic meaning or by expressing the invisible or intangible by means of visible or sensuous representations; as a: the use of conventional or traditional signs in the representation of divine beings and spirits, b: artistic imitation or invention that is a method of revealing or suggesting immaterial, ideal, or otherwise intangible truth or states. 2: a system of symbols or representations. Symbolism is an art, a practice, something which is done. It is used to communicate meaning. It is a language. Our visceral responses to symbolism may be unconscious, but if that's all there is, then have we received and/or responded to meaning? The transmission and communication of *Meaning* requires some form of consciousness. Let's use the word /Awake/ to mean the highest form of consciousness. Remember -- the capital letter indicates I'm using a symbol; Setian use of this specific symbol (Awake) most often refers to Ouspenski's heightened state of consciousness and awareness, a state of being totally awake.
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For simplicity, let's assign a whole range of various levels of conscious awareness to the name "conscious". This name can apply to heightened states of consciousness which those we would call Awake, those that barely miss being Awake, down to the almost somnabulent states in which most of mankind spends their day. Finally, I would call the preconscious state one of consciousness in this case, a state in which meaning can be received, interpreted, and acted upon, without the individual being "consiously" aware that this has happened. But if the individual's attention is brought to the subject, then the symbol and its meaning can be recalled and the process repeated without any difficulty. If symbols are generated and communicated, if they are transmitted and received, in one of these three states, then I believe we can correctly talk about symbolism, about language. However, if the generation and/or reception of the symbol is uncon 3077 scious, and/or totally unintended, then I propose that that instance is not an example of symbolism, not language or communication, but rather the accidental generation of and/or visceral response to sensory input. [Now let us return to the discussion as it took place in the workshop...] Planetary Symbol System? We know there are differences in the meanings of many symbols. "Patriotism" can be exceedingly important to a Republican and also to a Libertarian, but the meanings that this symbol will have can be quite different in many ways. This leads us to ask the question of whether there might perhaps be a "planetary symbol system" in which some symbols at least can be found commonly used in many or all cultures. The cross, square, circle, and most or all simple symbols have been found in use all over the earth. We therefore can ask whether their meanings are similar, or are the symbols used simply because they are simple geometric figures, but with meanings arbitrarily assigned by the individual cultures? One participant brought forth Ouspenski's example that "Table" has a function, an innate form or essence, which can be perceived beyond words, and beyond a learned experience. "Table" provokes an image, feeling, or essence that is evoked through a willed perception that extends beyond the actual set of tables that a person may have ever experienced. Ouspenski claims that at a certain state of consciousness the Aware individual can see this deeper meaning or essence, and that this deeper meaning or essence can be commonly perceived by all who reach this level of consciousness. Similar ideas were offered by Plato, and the concept of Platonic Forms is very prevalent throughout the Setian use of symbolism. We often speak of the Egyptian Neters as being Forms, the original or specific essence of an Ideal. This is certainly an area that needs deeper investigation. The workshop session discussion however left the topic of abstract Forms, and instead
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investigated the historic use of symbols in various cultures. Looking first at the more complex god forms, it seems each major culture has a "trickster" god: Coyote fills this niche in several Amerindian cultures, Loki in the Norse mythos, and Thoth (Hermes and Mercury) in the Egyptian (Greek and Roman) mythologies. The Trickster is that Spirit who makes you Think. He is the Spirit who is unpredictable in his actions or reactions, who gets himself and everyone else into trouble. In the process of doing so -- most often after everyone is already in trouble -- he makes people Think, and in the end he generally gets everyone out of trouble by thinking. 3078 To represent the Trickster, each culture used that type of symbol or god form which for them was most appropriate for that type of character. The coyote is a fairly independent and hard to track animal in America, requiring more than the usual amount of intelligence and stealth to catch. Monkeys similarly were appreciated for their seeming intelligence and playfulness, and so Egyptians assigned the Trickster attribute and the monkey's form to Thoth. The question becomes ... is this type of being, this symbol, something which is universal, cross-cultural, or is it something which happens in just a few cases, and many other societies never had any use for it? Jung was exploring this area. He defined specific symbols which he felt were common to many or all cultures. They were fairly common within his culture and Jung did manage to validate them with some cross-cultural study. We still need to ask how complete his studies were, how extensive and wide spread. Given people in extremely different environments, such as the Eskimo, Hawaiian, Indian, Tibetan, etc., cultures where the people have many different experiences, totally different social and physical environments, it can be expected that these people would have very different reactions to the symbols that Jung thought he had commonality on. Jung's _Man and his Symbol_ was recommended by one participant as containing documentation on his cross-cultural studies in this area. Not having access to any resource materials that would answer our questions at the time, the workshop session then proceeded into the topic of Egyptian Neters and the use of Neters in symbolism. Neters The Workshop discussion of Egyptian Neters started with a brief discussion of the Egyptian languages. The ancient Egyptians used three different written languages, the hieroglyphic, hieratic, and demotic. The demotic language was a mostly alphabetic language used for common communications among those who could read and write. Its
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primary uses were for social and business reasons. The hieratic language was a pictographic language related to the hieroglyphic, but in which the pictographs were abbreviated and simplified to speed writing. It was used for important state documents and many later religious texts. The hieroglyphic language was the most ornate of the three languages, the most ancient of the three languages, and the most symbolic. It was used for the most important religious and 3079 philosophical statements, and for the most important state declarations. Many of the symbols used to form the hieroglyphic language had assigned sounds, and many others did not. In addition to the sounds and symbols used to form words, the Egyptians used determinatives, signs added to specifically identify each word. Through the use of the determinative, it was impossible to mistake one written word for another, even if verbal sounds were the same, even if the letters used were the same. This use of a purely symbolic, picture-oriented language encouraged the ability in the learned ancient Egyptians to think with right brained methods while doing the left brain activity of reading. It also encouraged these educated and intelligent Egyptians to work with symbols as they worked with language. They were able to communicate ideas and ideals in a language particularly well suited to this purpose. Setians use the ancient Egyptian neters as symbols, representing aspects of the world, or aspects of the individual. We feel this is very close to the way the higher initiates of the ancient Egyptian Temples, the priests of the Temples, and the smarter pharaohs used and viewed their neters. The neters were concepts that could be communicated to and shared among the initiated, rather than being actual gods and goddesses. The common man may very well have believed in the literal existence of his many gods and goddesses, but we believe the elite of the Egyptian society understood that these neters were purely symbols. When the Egyptian elite paid homage to the neters, they paid homage to the aspects of the universe or of the self represented by those neters. One neter of obvious importance is Set. In dealing with this symbol, we try to identify the original meaning of the symbol, and try to eliminate the corruptions of the symbol imposed by the later rule of Osirian religion. Rather than take space here to discuss the corruptions and distortions that were applied to the symbol of the neter Set through the Osirian culture, we'll simply refer the interested student to appropriate books in the reading list: 2A, 2E, 2G, 2W, and 2AA. It is rather clear that the use and peripheral meanings of the neter Set changed over time. The study of Set must therefore include the careful consideration of the source of whatever writings are being studied. Fortunately most other Egyptian symbols/god forms did not change significantly over time, and such care need not be used in studying and working with them.
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The neters were used and viewed as symbols. But the Egyptian temples _were_ temples, and were recognized as religions, not simply as centers of enlightened philosophy. This brings up the question: Do/did the Egyptian Neters actually exist? Were these religions founded to worship or work with beings that actually 3080 existed? Or were they simply the creations of the ancient Egyptian priesthoods? Rather than tackle immediately the question of whether the Neters actually existed, workshop participants first chose to examine ... Egyptian Priesthoods The first statement made about these priesthoods was that each temple in Egypt taught a different area of philosophy or knowledge. Those temples dedicated to a major neter or god taught that their primal Form was the First Cause. These were the major temples of the land, and an initiate who studied at temple after temple would be presented with the opposing claims that each god was the god, The Creator. We noted in our discussion that the priesthoods of several of the "minor" neters did not make any such claims. Thoth as a single neter never seemed to be treated as the creator god; nor was Geb. However, many of the major neters were treated as creator gods, and many gods were intentionally combined into units (such as Amon-Thoth-Ra) in order to form a god which would be powerful enough to qualify as The creator god. Neters as Symbols We returned to discussing the neters as ways of viewing possibility and potentiality, and ways of viewing different aspects of the universe and of the individual. For example, Ra, the sun god, was a most pervasive and powerful being, since every single day, there he is in the sky. Ra was consistent, reliable, and therefore powerful. Similarly each force in nature was given a personality, because each force in nature has a personality (or seems to, to those who humanize such things). This is the basic principle behind most spirits of most animistic religions. These personalities are generally reliable. A rain cloud is going to rain; it isn't going to add to the day's heat. The Nile was not going to dry up -- it was going to overflow once a year, and deposit good, rich, fertile earth upon the ground. Each force of nature, each personality, was given a name, a face, and a story. The most powerful stories, faces, and names are those that belong to the creator gods. There are so many creator gods, that it's really difficult to pin down an actual order of precedence. This brings up the fact that there are many apparently conflicting stories within the Egyptian mythology. The Grand Master pointed out that in several Egyptian myths, Shu and Tefnut are self-created. In others they were created by tears of the master creator god (whoever he happened to be according to
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the story teller). In yet others they were created by the master god's masturbation. 3081 Shu and Tefnut by definition are the first male and female. The master god's masturbation in these latter stories was always male masturbation, but Shu is the first male. Shu and Tefnut begat Geb and Nut, but Nut was the all-pervasive universal sky that preceded the first god... This confusion is the result of centuries of Egyptian story telling, and while some of it appears to be contraditory, most of it is useful. We certainly must hesitate to consider this mythology as one consistent symbolism, and must be careful if we wish to communicate consistent meanings using these symbols, but we have found value in this mythology. Each story is a different way of looking at the world, a different way of looking at the first cause, and of looking at the symbols. By using these symbols, we can then indicate not only a symbol, but also which way we are looking at the world. Hence, if in ritual or other communication we call upon Ptah-Geb-Nu, we are calling upon the creator of the earth and sky, the god who created the physical universe. If instead we call upon the Neter Ra-Ptah-ankh, we are calling upon the god who brought light and life to this planet. Having discussed these differing views of the world as expressed by the many symbolic neters, we felt that this was a good point from which to launch into a discussion of one of the ways in which we look at Neters. Set, the prime source of intelligence and the ageless intelligence himself, is a wee bit complex for someone a mere 20 or even 200 years old to understand, regardless of whether we look at Set as an actually existing being or instead as a master symbol. So rather than try to encompass all of Set, intellectually or emotionally, rather than try to understand all of Set, we can work with neters which are facets of Set's being, facets of Set's symbolism. Each neter can be thought of as a specific element of Set. As examples, Shu is one set of symbolism, one set of ideas, that an initiate can work with to "get somewhere" with, to accomplish certain initiatory goals. Tefnut is another set of ideas, as is Geb, Isis, etc. Rather than trying to encompass and work with the entire universe simultaneously, grab whatever you can hold onto, work with that handful, study that symbol or symbols, and see what it leads to. We had originally intended to discuss whether or not the Neters might or might not exist in their own right. Having discussed the above, it seemed somewhat unimportant as to whether the Neters actually exist. That topic will be left for a later discussion. Bibliography While the following books and papers were not necessarily discussed 3082
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nor referenced during the workshop discussion (or in completing this article), the initiate interested in studying symbolism as a subject on its own would be well advised to begin with this bibliography. Additions to this bibliography are welcome, and should be sent to the Grand Master. (_RT_ entries are from _The Ruby Tablet of Set_.) Barrett, Ronald K., "Book of Opening the Way (Key #4)". _RT_ IT.II.A.5.b.(1).(d). Barrett, Ronald K., "Stele of Xem". _RT_ IT.II.A.4.a.(3). Cavendish, Richard, _The Black Arts_. 4C (TS-3). Crowley, Aleister, _The Book of Thoth_. 9L (TS-4). De Lubicz, Isha Schwaller, _Her-Bak_. 2L (TS-1). De Lubicz, Isha Schwaller, _Symbol and the Symbolique_. 2V (TS-4). Fisher, Leonard Everett, _Symbol Art: Thirteen Squares, Circles, and Triangles from Around the World_. NY: Four Winds Press, MacMillan Publishing Company, 1985. Helfman, Elizabeth S., _Signs and Symbols Around the World_. NY: Lothrop, Lee & Shepard Co., 1967. Jung, Carl G., _Man and his Symbols_. Garden City: Doubleday & Co., 1964, 1968. Also NY: Dell Publishing Co., 1968, and London: Aldus Books, 1964. Menschel, Robert, "Remanifestation: A Symbolic Syntheses", _RT_ IT.II.B.3.e.(2). Menschel, Robert, "Tarot Primer", _RT_ IT.II.B.3.e.(3). Norton, Lynn, "Golden Section Tarot Working", "Atu XV: The Devil", and "The Dialogue". _RT_ IT.II.A.3.k.(1), 4.h.(1), and 4.h.(2). Regardie, Israel, _777 and Other Qabalistic Writings of Aleister Crowley_. 9M (TS-4). Schaefer, Heinrich, _Principles of Egyptian Art_. 2R (TS-4). ========= Footnote: ========= 1. The Grand Master wishes to digress temporarily from the workshop's discussion, and to comment at this time on one of the first statements offered during this discussion. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3083 The God Set by Setnakt The best English study of Set is Te Velde's _Set, God of Confusion_ Brill 1977. If this particular text is unavailable through your library, I recommend a a short cheap and very reliable book by George Hart: _A Dictionary of Egyptian Gods and Goddesses_, Routledge & Kegan Paul, 1986. This very ambiguous god was alternately deified and demonized depending on the cultural/political currents running
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through Egypt. Allow me to present here a brief history of Set. Predynastically: Set was an important deity appearing in the art of the Hamitic peoples living in the Ombos and Naquada regions. Interestingly, his was the only god-figure not composed of parts from recognizable Earth animals. (The Hamitic speakers donated most of the terms to religious philosophy to the Egyptian langauge that seperate it from other Semitic languages including ba, ka, neter, etc. If somebody really wants to find the roots of the Egyptian religion, they should go up the Nile and do some serious anthropology among Hamitic speaking native cultures-- the roots of the Nile may hold keys to Egyptian thought that mute stones do not). Archaic Egypt: Set generally occupies a secondary role to his enemy Horus, champion of the people of the North (except in the 2nd dynasty when one pharaoh took a "Set" name rather than a Horus name.) Set is intimately connected with teaching astronomy,the methods of agriculture, medicine, and above all magic. He is said to have opened the mouth of the other gods, and is the patron of the sem ritual. His cult titles include "Great of Magic" and "Eternal". There is indeed evidence that Set is set apart from other gods to die (Bonnet's commentaries on the Pyramid texts). The astronomical cult, which placed the afterlife in the region of the Northern heavens -- particularly in and around the constellation of the Great Bear was replaced in the Fourth dynasty by a growing sun cult centering on Re and Horus. The great stellar monument that Imhotep designed were replaced by the solar pyramids of the Fourth and Fifth dynasty's. (Notably Cheops took no chances in the great Pyramid's design -- although outwardly a solar monument he had a hole bored through the stones aligned with the position of Alpha Draconis (a star in the Great Bear called Thuban = "the Subtle One" a Set cult title?) just in case that was where his ka was heading. During the next few dynasties (4 - 17), Set is generally ignored. His functions are absorbed into other gods. Thoth picks up the attributes of magic, Osiris picks up the attributes of Mysterious time _djet_ as opposed to exoteric time _neheh_. Set keeps his attributes a storm and stellar god, and gradually comes to be associated with all night fears -- nightmares, desert fiends, and bad animals such as the hippo and the jaguar of the South. He is mentioned in a famous 12th dynasty writing called _The Discourse of a man with his ba_ in which his solar aspect IAA is referred to. Bikka Reed has a great translations of this text. In the 18th dynasty a remarkable Pharoah Hatshepsut reintroduced the worship of Set by building a Temple dedicated to him and Horus the Elder at Ombos. This marked a strong interest in Set's eternal nature, for 3084 example in Hatshepsut is the prophecy (which she had placed in her tomb at Der el-Medina) that "She will not only enjoy the days of Horus, but the days of Set will be added to her span." She was also interested in the antinomian nature of the Set cult -- in fact she preformed one of the most scandalous acts available to a woman -- she acted as a man. This early feminist clearly found Set, a great archetype to Work with. Set was popular among her family until the Kingship of Akhenaton (may he be reborn forever drowning in the jaws of Sobek the crocodile god). The very militaristic pharaohs of the Nineteenth dynasty, who were probably descended form a family of Set priests at Tanis, delighted in
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Set both in his militaristic role and as God of Foreign places. Ramses II for example called himself the Son of Set. The Set cult too was very popular with foreigners coming to live in Egypt. His worship has always been connected with the outsider. The Twentieth Dynasty began by looking very favorably on this god, as is shown in the name of its founder Setnakt, "Set is Mighty." There is also considerable evidence that the set cult was favored among artisans of the time (see Romer's _Ancient Lives_, Henry Holt, 1984, and if you've got as copy of Stephen Quirk's _Ancient Egyptian Religion_ check out the beautiful Stella of Aapehty -- probably the most beautiful surviving example of Setian art). By the end of the Twentieth Dynasty, as the funerary cult of Osiris became the dominate force in popular Egyptian religion,more and more, Set as the murderer of Osiris became the Evil One. In fact by the Twenty Sixth dynasty it was a common practice to disfigure any representations of Set. He became --for all practical purposes the Christian devil. Some scholars have even derived the name Satan from Set-Hen, a cult title meaning the Majesty of Set, but I am dubious of this particular derivation. However Set was not down for the count. During the Ptolemaic period Set, merged with the Greek titan Typhon, became the figure for the _goes_ or sorcerer to use. After Hermes the most often invoked god in the Magical papyri is Set-Typhon. This entity was used to bring spirit helpers ( bird would fly down and announce that the magician was now under the protection of a god -- a popular Typhonic practice outside of Egypt as well see Morton Smith's _Jesus the Magician_). Set was also the god to invoke to send dreams, perform healings on the head or spinal column, and to cause enmity between enemies. There seems to be a few common threads running through the Set cult: the quest for immortality, antinomianism, and the practice of magic. Perhaps this is why Michael Aquino's current Temple of Set finds this figure so appealing as an archetype for the Left Hand Path. Like Hatshepsut before Aquino has Opened the Mouth of this ancient god, and the articulation of the Principle of Isolate Intelligence is available to us today. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3085 Sources and Resources for Asatru Organizations: The Asatru Alliance of Independent Kindreds P.O. Box 961; Payson AZ 85547 The Alliance is the linear descendent of the Asatru Free Assembly. They are a democratically run national confederation of independent kindreds who meet once a year in an Allthing to conduct business. It is essentially conservative and libertarian. "The Alliance is based upon the ancient model of tribal democracy known as the Thing, and member kindreds support a code of laws we feel necessary to preserve and protect Asatru from those who would dilute, subvert, or in any way harm our religion. Membership in the Alliance is encouraged for those who actively promote and believe in the Aesir and Vanir and our collective Heathen Heritage. Anyone interested in joining the Alliance should contact the kindred of choice for acceptance. There is no membership in the Alliance except through a kindred. Applicants must subscribe to the membership requirements of the kindred of choice and uphold the bylaws of the Asatru Alliance."
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The Ring of Troth P.O. Box 18812; Austin TX 78760 The Ring of Troth was founded by Edred Thorsson. He resigned in Spring of 2242 (Runic Reckoning - 1992 C.E.) and has been replaced by Prudence Priest, most well known as the editor of Yggdrasil. Due to the resignation of Thorsson and several other members of the High Rede (i.e. Board of Directors) the Ring is currently in reorganization, and it appears that it will emerge much stronger than before. The Ring is governed by an appointed High Rede of 9 persons who guide the national affairs of the Ring. They offer a number of programs include an Elder training program for prospective clergy, The Rune Ring for study of the magickal properties of the Runes from within a Germanic Pagan context, and recognition for local Kindreds. The Ring of Troth requires that "its members affiliate for cultural and religious reasons rather than for racial and political reasons. The use of the Ring of Troth as a platform for any type of political or racial propoganda will not be tolerated" Dues are $24 and include a subscription to Idunna. If one does not wish to join, Friends of the Troth may receive Idunna for $24 as well. Magazines: Vor Tru - $12/year. The Journal of the Asatru Alliance (see above address). Concentrates on community issues within the Alliance, news of kindreds, letters, etc. Idunna - $24/year. The journal of the Ring of Troth. Idunna concentrates on fairly heavy academic subjects, runelore, etc. Mountain Thunder - $15/year, 1630 30th St #266; Boulder CO 80301. Glossy covered and well put together. Usually excellent articles on relgious issues of Heathenry, scholarly stuff, reviews, and opinion. Uncle Thorr's Newsletter - $12/year, P.O. Box 080437; Staten Island NY 3086 10308-0005. Simple newsletter with ranting and raving from Uncle Thorr and company, news from NY, and articles on lifestyle, runes, and other topics. Kindreds: American Church of Theodish; 107 Court St, Suite 131; Watertown NY 13601 (Anglo Saxon Theodism) Am Church of Theodish West; 9353 Otto St; Downey CA 90241 Arizona Kindred; P.O. Box 961; Payson AZ 85547 (Asatru Alliance) Barnstokker Hearth; P.O. Box 1972; Seattle WA 98111-1972 Eagles Reaches; P.O. Box 382; Deer Park TX 77536 (Ring of Troth) Mountain Moot; P.O. Box 328; Elizabeth CO 80107 Nerthus Heart; 27 Gap Rd; Black Hawk CO 80422 Northern California Kindred; P.O. Box 445; Nevada City CA 95959 Norvegr Kindred; 219 Lewis St; Wash Court House OH 43160 Oak Rune Kindred; P.O. Box 3392; Galveston TX 77552
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Raven Kindred; P.O. Box 970; Amherst MA 01004-0970 Skelland Kindred; P.O. Box 7608; Clearwater FL 34618 Thorr's Hammer Kindred; 9461 Bella Vista Rd; Apple Valley CA 92308 Torwald Kindred; 1630 30th St #266; Boulder CO 80301 Vinland Kindred; P.O. Box 15431 PSS; Stamford CT 06901 Wulfing Kindred; P.O. Box 18237; Chicago IL 60618 (Asatru Alliance) Yggdrasil Kindred; 1709 West Midvale Village Dr; Tucson AZ 85476 Recommended Books: The Poetic Edda, Lee Hollander translation (basic mythology in an excellently translated poetic version.) The Prose Edda, Jean Young translation (basic mythology) The Norse Myths, Kevin Crossley Holland (basic mythology in modern language and retelling, excellent for readings or meditation) A Book of Troth by Edred Thorsson (Not my favorite author and not a book without many imperfections, but the only mass market book of the basic rituals of Asatru) The AFA Rituals, three volumes available from World Tree Books ($18 from World Tree) The original ritual volumes from the Asatru Free Assembly. 3087 Introduction to Ritual and Invocation Tape ($7 from World Tree Books) A basic cassette tape that goes through a ritual step by step, the other side is a variety of invocations and prayers. The last two are from World Tree Publications; P.O. Box 961; Payson AZ 85547 (checks payable to the O.F. of Arizona). World Tree is a service of the Asatru Alliance and carries a number of tapes and booklets as well as Thor's Hammers and statuary. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3088 ADF BASIC RITUAL NUMBER ONE by P.E.I. Bonewits, Sally Eaton and others Procession, lead by D1 and D2: D1: Ta muid anseo leis na Deithe a adhradh. D2: We are here to honor the Gods. D1: A Dheithe, an Airde, a Thabharthoiri ar Bheatha - eistigi agus freagairt orainn! D2: O Gods, High Ones, Givers of Life - hear and answer us! Processional song: We come from the mountains, Living in the mountains, Turn the world around. We come from the oceans,
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Living in the oceans, Turn the world around. We come from the fire, Living in the fire, Turn the world around. We come from the breezes, Living in the breezes, Turn the world around. Settling song: She changes everything she touches, And everything she touches changes. Tree Meditation: When e'er we stand in a sacred place Beneath the Sun's or Moon's bright face, In a circle's rim or shady grove, Our spirits go to the Gods we love. Let all our minds go clear and free, and form the image of a treee, A youthful sapling of the glade, Whose budding branches cast no shade. Around this tender, supple youth, Are seen its sturdy forbearers growth, Those forest Elders strong and wise, Who nurture those of lesser size. So close your eyes, and in your mind Become one of the spirit kind. Cast off your cares and disbelief, and enter tree from root to leaf. 3089 Relax and breathe and center will, Then let the peace within you swell Until it is a thing profound. Now send it deep in the ground. In every little tender root Feel water flow, and and then transmute; The sap will flow through ever vein, Our links to our ancestors regain. Now let the sap rise in a flood, And race to every branch and bud; Each branch extend into the air, Each leaf unfold in green so fair. The gentle zephers toss each bough, And to you calming breaths endow, While rays of golden summer light Give warmth and lend their power's might. Let water rise and fire descend, And lively air the branches bend;
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Thus firmly planted in the Earth, The elements give us rebirth. Now let the green entwine, And form our sacred grove devine. With branch and root our circle form, And magic from mundane transform. We all are rooted just the same, We feel the same supernal flame, We drink the water free to all, We hear the gentle airy call. Now let us feel our spirits surge, And into one great spirit merge To let the Lord and Lady know That we are ready below. And let us all link hand to hand, Before all of the gods we stand, And in this hallowed space we start To show all that is in our heart. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3090 Specifacation of ritiual: Invocation of Ogma the Gate Keeper, or Mannanon in English and Irish: (English by Sally Eaton, Irish by James Duran) (visualization is a triangle shaped iris opening) D1: A Oghma, a thiarna na nGeatai, a thiarna an Fheasa, oscail na geatai duinn. Ta muid ag siul i do lorg, ta' muid ag siul ar do bhealach. Scaoil duinn do theagasc taispeain duinn cen chaol a siul faidh muid slan. Molann muid thu mar gheall ar do chumhacht. Siuil linn a Oghma! or D1: A Mhanannon, a thiarna na nGeatai, a thiarna an Fheasa, oscail na geatai duinn. Ta muid ag siul i do lorg, ta' muid ag siul ar do bhealach. Scaoil duinn do theagasc taispeain duinn cen chaol a siul faidh muid slan. Molann muid thu mar gheall ar do chumhacht. Siuil linn a Mhanannon! D2: O Ogma, Lord of the Gates, Lord of Knowledge, open the ways for us. We walk in your footsteps, we walk your roads. Reveal to us your teaching, reveal to us the way to walk in safety. We praise you for the brightness of your power. Walk with us, Ogma! or D2: O Manannon, Lord of the Gates, Lord of Knowledge, open the ways for us. We walk in your footsteps, we walk your roads. Reveal to us your teaching, reveal to us the way to walk in safety. We praise you for the brightness of your power. Walk with us, Manannon! D1: Siuil linn a Oghma... D2: ...walk with us Ogma! D1: Siuil linn a Oghma... D2: ...walk with us Ogma!
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D1: Siuil linn a Oghma... D2: ...walk with us Ogma! or D1: Siuil linn a Mhanannon... D2: ...walk with us Manannon! D1: Siuil linn a Mhanannon... D2: ...walk with us Manannon! D1: Siuil linn a Mhanannon... D2: ...walk with us Manannon! ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3091 Chant: We invoke thee Ogma, Opener of every Gate We invoke thee Ogma, Opener of every Gate. You shall reach us, You shall teach us and reveal our fate. You shall reach us, You shall teach us and reveal our fate. (repeat nine times) or We invoke Manannon, Opener of every Gate We invoke Manannon, Opener of every Gate. You shall reach us, You shall teach us and reveal our fate. You shall reach us, You shall teach us and reveal our fate. (repeat nine times) Invoke Matron of Bards (Bridget nominally) O Bridget, our heart, Our brightest Queen; Cast your blessings unto us. We are your children, You are our mother; So harken unto us. You are the Cauldron now in our grove; Earth-Mother inspire us. O fire of love, O fire of life; Please Bridget, come to us! Triad invocations and consecrating of the waters: Nature: Fill main chalice with whiskey and secondary chalice with water. Hold them up and say: D2: O spirits of the old times and of this place, our companions, our teachers, hallow these waters. Share with us the renewal of the Earth. Share with us comfort, knowledge, and blessing. Speak to our hearts, that we may become one with you all...Behold the waters of life. D1: A sprideanna na seanaimsire, agus na haite seo, a chomhghuaillithe,a mhuinteori, beannaigi na h-uisci seo duinn. Roinnigi orainn athbheochan na Talun. Roinnigi orainn suaimhneas, eolas, agus beannacht. Labhraigi linn inar gcroi, le go mbeadh muid in aon bhall libhse...Seo iad uisci na beatha! Sip from each chalice and passes to D2 then to sunwise (left), saying: Behold the waters of life. Asperging song/chant (Fur and Feathers) for while waters being passed.
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Fur and feather and scale and skin, Different without, the same within. Many of body but one of soul, Through all creatures, the Gods made whole. (repeat nine times) 3092 Ancestors: D2: O people of the old times, our ancestors, our kindred, hallow these waters. Share with us the bond of life upon the Earth. Share with us comfort, knowledge, and blessing. Speak to our hearts, that we may become one with you all ... Behold the waters of life! D1: A sheana, a shinseara, a mhuintir, beannaigi n h-uisci seo duinn. Roinnigi orainn ceangal na beatha ar Talamh. Roinnigi orainn suaimhneas, eolas, agus beannacht. Labhraigi linn inar gcroi, le go mbeadh muid in aon bhall libhse .... Seo iad uisci na beatha! Asperging song/chant: It's the blood of the ancients, That runs through our veins. And the forms pass, But the Circle of Life remains. Gods as a whole: D2: O Gods of the old times, our mothers, our fathers, hallow these waters. Share with us your power to regenerate the Earth. Share with us comfort, knowledge, and blessing. Speak to our hearts, that we may become one with you all ... Behold the waters of life! D1: A Dheithe na seanaimsire, a mhaithreacha, a aithreacha, beannaigi na h-uisci seo duinn. Roinnigi orainn bhur gcumhacht le go nginfeadh muid an Domhan. Roinnigi orainn suaimhneas, eolas, agus beannacht. Labhraigi linn inar gcroi, le go mbeadh muid in aon bhall libhse ... Seo iad uisci na beatha! Asperging song/chant: Mother I feel You under my feet. Mother I hear your heart beat. Mother I feel You under my feet. Mother I hear your heart beat. Father I see You where the eagle flies. Spirit going to take me higher. Father I see You where the eagle flies. Spirit going to take me higher. Praise offerings and major power raising: The sacrifice: (see FESTNAME.TXT for diety names of holidays) D2: Our praise goes up with thee on the wings of eagles; our voices are carried up to thee on the shoulders of the winds. Hear now, o Name, o Name, we pray thee, as we offer up this
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sacrifice of life. Accept it we pray thee, and cleanse our hearts, giving to us of your peace and life. 3093 D1: Teann ar moladh suas chugat ar sciathain iolar; beitear ar nglortha suas chugat ar ghuailne na gaoithe. Eistigi anois, a..., an ..., mas e bhur dtoil e, agus sinn ag ofrail na h-iobairte seo ar son na beatha. Glacaigi lei, mas e bhur dtoil e, agus glanaigi ar gcroithe, ag roinnt arainn do chuid siochana is do bheatha. The Omen: D2: Have you accepted our sacrifice of life and human effort? D1: Give unto us an omen! Possible repitition of Praise offerings and Omen seeking, if needed. D1: Rejoice! The NAME and NAME have accepted our sacrifices! Meditation on personal needs: Repetition on group needs: done by D1 & D2 Induction of Receptivity: D1: Of what does the Earth-Mother give, that we may know of the continual flow and renewal of life? D2: The waters of life. D1: From whence do these waters flow? D2: From the bosom of the Earth-Mother, the ever changing All-Mot- her. D1: And how do we honor this gift that causes life? D2: By partaking of the waters of life. D1: Has the Earth Mother given forth of Her bounty? D2: She has. D1: Then give me the waters! Final consecration and sharing: D1: A NAME, an NAME, Eistigi agus freagairt orainn! Bean- naigi na h-uisci seo duinn. Muide do chlann, a mhol thu, agus anois iarrann muid ort leigheas, beannachtai, cumhacht agus tinfeadh... Seo iad uisci na beatha! D2: O NAME, O NAME, hear us and answer us! Hallow these waters! We your children have praised you, and now we ask from you healing, blessing, power and inspiration .... Behold the waters of life! Passing song/chant: Burn bright, flame within me, Kindled of eternal fire. Of the people I do be, And the people part of me, All one in many parts, A single fire of flaming hearts! Meditation on reception of blessings and reinforcement of group bonds:
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3094 Affirmation of success: D1: NAME and NAME have Blessed us! D2:Every time we invoke them, they become stronger and more alert to the needs of their people. D1: With joy in our hearts, let us return to the realm of mortals, to do the will of the Gods and our own. D2: Yet, before we leave, we must give thanks to those whom we invited here today. Thanking of the Entities involved: D2: O NAME and NAME, D1: A NAME, an NAME, D2: We thank you! D1: Go raibh maith agaibh! All: Go raibh maith agaibh! D2: O Gods and Goddesses of the old times, D1: A Dheithe na seanaimsiri - All: Go raibh maith agaibh! D2: O people of the old times, our ancestors, our kindred, D1: A sheana, a shinseara, a mhuntir - All: Go raibh maith agaibh! D2: O spirits of the old times, and of this place, D1: A sprideanna na seanaimsire, agus na haite seo - All: Go raibh maith agaibh! D2: O Bridget, Fire of Life and Fire of Love, Mother of Bards and Goddess of inspiration, we thank you. D1: A Bhrid, a Thine Bheatha agus a Thine Ghra, a Mhathair na Bardai agus Bheandia na Thinfeadh, go raith maith agat! Closing of the Gates: D2: O Ogma, Lord of the Gates, Lord of Knowledge, we thank you. Now let the Gates Between the Worlds be closed! D1: A Oghma, a Thairna na nGeatai, a Thairna an Fheasa, go raith maith agat. Anois biodh na geatai idir na saolta a druidte! or D2: O Mhannon, we thank you. Now let the Gates Between the Worlds be closed! D1: A Mannonon go raith maith agat. Anois biodh na geatai idir na saolta a druidte! 3095 Reversing the Tree meditation:
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Our sacred grove the Gods do love, The Earth beneath, the sky above, But now this ritual must end, Toward our home and hearthstone fend. Again we cleat our mind and heart; The branches shrink and pull apart. The roots untie and backward turn, And spirit fire less brightly burns. Let water sink, let fire go, Let gentle zephers homeward flow, And as if in a cleansing rain Become a single tree again. Then from this solitary tree Your soul breaks loose, a being free. Your body calls, your spirit flies, Returns, you slowly open your eyes. Libation: D1: To thee we return this portion of thy bounty, o NAME our Mother, even as we must someday return unto thee. Final Benediction: D1: Let us go out into the world, secure in the knowledge that our sacrifices have pleased the Gods and Goddesses, and that we go forth upon the Earth under their protection. D2: We have finished this ceremony! D1: So be it! All: Biodh se! Recessional song/chant: Walk with Wisdom Walk with wisdom from this hallowed place. Walk not in sorrow, our roots shall ere embrace. May Strength be your brother, and Honor be your friend. and Luck be your lover until we meet again. ***********************************************************************- From:THE DRUIDS PROGRESS, Report #6. The DRUIDS PROGRESS is published semiannually (Gods Willing) and is sent primarily to the subscribing members of ADF. For Further information write: ADF, PO Box 1022, Nyack, NY USA 10960-1022 (include a SASE). All Items accredited to "the Archdruid" have been written by and are (C) 1990 by P.E.I. Bonewits. All items created by other parties are (C) 1990 by them. All opinions expressed, save those specifically attributed to the Board of Trustees, are the opinions of the individuals expressing them and are Not official 3096 ADF policy. Reprint Procedure: Neopagan, Druidic, Medievalist and all cultural publications may reprint any material written by P.E.I. Bonewits, but his copyright notice must appear in full. If more than 250 words are excerpted, one cent per word should be donated to ADF.
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************************************************************************ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3097 PAGAN MANNERS OR Are There Any Dead Animals in The Soup? by Grey Cat, Members Advocate --------------------------------------------------------------------- I can hear the outraged screams already. there are people out there who believe that the very idea of "Pagan Manners" is a conflict in terms; that "manners" are outdated, dishonest and hypocritical. Well,think again. Manners constitute the only successful technique ever discovered by humankind to enable groups and individuals, holding moderately disparate views, customs or beliefs, to get along together. There are things more important than manners; but, without manners,its unlikely that a discussion will ever go to them. Pagan manners are fairly simple and have nothing to do with which fork you use or how to word an invitation. They have to do with respect for others' feelings and beliefs. They most specifically have to do with recognition of the fact that you should "judge not the path of your brother or sister for their path is sacred." Manners are also the only way of attempting to grant everyone the personal space which each of us needs. There have been a number of attempts to write down a list of "thou shalts" and "thou shalt nots" which will cover Pagan life. Here are several tries made by four different people: MY OWN OPINIONS 1. Never assume that you are invited to a ritual or a non public gathering just because your friend is invited. Have your friend call the group doing the event and ASK! (or call yourself). 2. When participating in a ritual led by a group of which you are nota member, ask ahead of time what will be done. SHould there be something in the explanation, or in the set-up of the ritual area which bothers you, just quietly don't participate in the ritual. 3. Ask the person(s) officiating at a ritual before you place anything in the ritual area; wear clothing or tools which might be considered unusual; or add private energy workings to the ritual being done. 4. Never just walk out of a cast ritual circle. Ask someone in the group sponsoring the ritual to cit you a door if your really and truly absolutely have to leave. 5. Don't make comments on the ritual, its leaders or the amount or quality of the energy raised during the ritual unless such opinions are asked for by the leaders. Save it for your friends, privately,after the ritual is over. 6. Vegetarians, Vegans, Strict Carnivores, Diabetics, and any others with very strong food preferences: no one minds your asking quietly and politely "Which dishes have meat (sugar, spices, hot pepper, etc.)in them?" When planning a meal for mixed Pagan/Wiccan groups, it is strongly suggested that at least some of the dishes be vegetarian, sug- ar-free, relatively non-spicy etc. At all times, within and without the ritual context, always provide an alternative to alcoholic beverages. 7. While many people have become far less secretive about their membership in a Pagan group, it is never, EVER, permissible to "blow someones cover". Do not ever call a friend or acquaintance by their Pagan name or mention their membership in a mundane situation. It is also bad manners - and a symptom of social climbing - to call an individual by his/her mundane name in a Pagan situation. It always reminds me of an extra calling John Wayne "The Duke" at a local bar. 8. Whether you drink, take drugs or indulge in other similar behavior is completely your own business. It is always wrong to urge such behavior on any other individual. The majority of serious Pagan groups absolutely do NOT allow anyone under the influence of drugs or alcohol to participate in ritual. Do not be offended of you are turned away for this reason. If you are taking a psycho-active drug for a medical reason it is very wise to check with the ritual leader(s) so they will understand and can advise 3098
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you if they feel the ritual might be harmful to you. 9. Just because most Pagans/Wiccans are under 40 and in reasonably good physical condition, never assume that everyone is. Rituals and gatherings should be planned so that those with physical problems aren't barred totally from participation. Particularly in ritual, be aware that many more people than you might think are "mobility disabled." Group ritual should take place in an accessible area and some thought should be given to designating a safe place for those not taking part in dancing to stand or sit. Please be alert to anyone to whom help would be welcome. Help them to find a campsite which minimizes walking - to the ritual area, to the privies, to the eating area - whatever. Help them pitch their camp. Don't make them feel unwelcome - most handicapped people have worked extra hard on their magickal skills and may be able to add a great deal to the power in ritual and to the success of the gathering. 10. When at any sort of gathering, please be thoughtful. Particularly please observe true quiet after midnight. No one minds if you and others want to stay up all night talking or whatever. Everyone else minds a great deal if you stay up talking and laughing loudly and/or drumming. Those hosting a gathering should take the responsibility of keeping the noise level very low in at least some of the sleeping areas - and designating it as a quiet area. 11. Do not allow yourself to get the idea that you know the One True,Right and Only Path! Even if you really do have the conviction that what someone else is doing is "wrong", "incorrect", "Left-hand path"or whatever, just don't talk about it. It is perfectly permissible to refrain from participating in the activities of those with whom you cannot feel comfortable. It is not acceptable to express the idea that they "shouldn't" be doing it. This is not to say that if you know of criminal behavior on the part of a so-called Pagan/Wiccan group you should not report it. We must also be responsible for cleaning up our own act. Paganism is glorified by its diversity. Please do not allow yourself to express judgement by categories. Whether or not you like or dislike blacks, Indians, Homosexuals, women, men, or whatever, keep it to yourself! If you really and truly cannot feel comfortable taking part in a ritual which isn't conducted according to the tradition you follow or if you cannot be pleasant in company mixed with groups you disapprove of, please just stay home. PAGAN/CRAFT ETIQUETTE by Soapbox Sam Listed below are not hard and fast rules, but some helpful guidelines for those who would function smoothly in a craft/Pagan environment. 1. Should you write to someone for information, always enclose an SASE (Self-addressed, Stamped Envelope). Many of us receive several inquiries a day. Sometimes just answering them, much less having to pay the postage and buy envelopes, is a time-consuming, expensive task! 2. Should your inquiry be about Pagan/Craft folks in your area, tell about yourself, and how you came to have our names and wrote to is -after all the Inquisition is alive and sick here in the heart of the Bible Belt. Do not expect names and addresses unless they are already"public". Most of us, even the "public" Pagan/Craft folks prefer to meet people slowly and carefully over a cup of coffee in a public place, before we start introducing you to our groups and our friends.Why should we risk when you have risked nothing? ((Sometimes I get mail that simply has a name and address on it and demand that I send the latest copy of my newslet- ter or the names and addresses/phone numbers of all Craft people in the writer's areas. One man sent me a letter raising hell because he has (according to him) sent me $0.33 in the mail and was waiting on the copy of my newsletter "I owed him"!Sadly, this type of letter is more common than not... his letter and 33 cents, is ever sent, was never received. 3099 Do I really have to explain to grown mature adults about sending money through the mails???)) 3. If you are invited to a gathering or festival, whether by written or oral invitation, before you invite others, get permission. Because of space, or other considerations, the number of
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people that can be accommodated might be limited, or certain individuals or groups may not be welcome because of personality conflicts and resulting disharmony. Also, if a weekend gathering is scheduled and you can only arrive for the ritual and then must leave, ask if that is OK...sometimes the ritual is the climax of the entire gathering, rather than an event in itself; in that case to show up only for the ritual not having been part of the entire event is to 'take-away' from the meaning of the whole for those who were there! 4. Always inquire what you should bring to any gathering. If you have received an official invitation, you should have been told. But,assume nothing! Ask if you need to bring food, robes, candles, drinks,eating utensils (forks, cups, plates, etc). It is unreasonable and rude to assume that an invitation to a gathering means that people just like yourselves, will expect you to come and eat their food, use their utensils and leave a mess for them to clean up after you have gone. If you cannot take food, then at least offer the gatherings sponsors a cash donation to help defray their cost. If you can't stay to help clean up afterwards, at least be considerate enough to get your own refuse to a garbage container. 5. To be invited to participate in another's ritual is NOT your right, but rather a privilege and an honor. If you are unfamiliar with their tradition, common courtesy demands that you at least inquire about enough informa- tion to participate in a positive fashion, and most certainly, make no assumptions about adding anything to the circle or placing your "special' crystals, totems, whatever in the circle or at a specific place within the circle without getting permission. Also, do not remove anything from a circle even should you feel it doesn't belong, without explaining why and getting permission. 6. It should not have to be said, but then neither should any of the above: If these Pagan/Craft rituals have no meaning in your life, and if you have just come for the fellow- ship, then enjoy the fellowship and please do not attend the ritual. The circle is a significant part of our entire way of life, not a reenact- ment of some past event just for the sake of the pageantry. When we can, we are pleased to share it with you, and we do so in Love and Light with Peace and Laughter. IDEAS FROM MERLIN THE ENCHANTER 1. Be Yourself... if you worry about what others think, then you won't think for yourself... and if you don't think for yourself, you may as well be dead! 2. Allow all others to be themselves... just because Joe Blow from kokomo has blue candles on his altar and you use only white ones, that doesn't mean he is the son of Satan. We must each one be allowed our own Pagan path in freedom, for if we cannot do that, then we have no freedom! 3. Let's stop all the silliness of who is and is not a Witch, and what one must do to be a witch. 4. Don't ask for someone's opinions unless you really want it! More Witch wars are started because someone asked for another's views and didn't like the answer they got! 5. Add a dose of good humor (the worst Witches are the ones that take everything so S-E-R-I-O-U-S-L-Y!) IDEAS FROM BEKET ASER EDITHSDATTERIt is necessary that we learn to be just plain adult about working together - or even, just existing on the same planet. 1. If you can't tolerate any slightest deviation from your own tradition, do not take part in public or cross-cultural rituals or gatherings. 2. If you have ideas of what should be in the ritual; or what should not - go to the planning meeting and express your opinions. 3. If you delegate a task to someone else - you have made it their job. The only thing you have to say is "Thank you". When and how they do it 3100 is their business so long as it is done at the moment it is required. 4. Appoint somebody to keep notes of the planning meetings - as things are said, not afterwards, or, inevitably, there will be disagreements about the ground rules. 5. Gossip : There are a few situations wherein it is legitimate to pass on "gossip". the following suggestions are not all inclusive but may serve to give guidelines for judging: a. When a major life change definitely is occurring to someone with whom you and the person to whom you pass on the information - frequently work. b.
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When you are acting as resource to help someone decrease a situation of disagreement. c. When you really plan to take positive action to alleviate the situation the gossip refers to. d. (This situation really does not occur all that often.) When warning someone about an individual whose practices are definitely undesirable for a reason other than that you don't like them. e. When you have truly accurate information to counteract damaging and inaccurate rumor. 6. When examining a situation to decide whether or not you, yourself,are under psychic attack, be sure to ask yourself if it couldn't be because being under attack makes you feel important. 7. Within the group or group structure, the High Priest and or High Priestess are generally entitled to your respect and a certain amount of deference. If they really, really don't know as much as you do, perhaps it is time that you take a fond and friendly leave of them/him/her and begin a group of your own. Obviously, group or group affairs are appropriate subjects for discussion among all the members, and the HP/S definitely should be willing to listen to reasonable suggestions. However, you joined the group in order to learn from its leaders; a year or two of study prob- ably doesn't qualify you to suddenly object to all their teachings, methods, and beliefs. Above all, it is inappropriate to try to stir up the whole group and "take over" the group. The leaders have put a good deal of time, patience, thought and teaching into building the group and giving it a good name - if you want to be Witch Queen of the Universe, start your own group from scratch and try to become good enough to earn status yourself. The goal is not big groups, it is the best possible groups. For group leaders: They need to be grown-up enough to know that everydisagreement isn't necessarily a personal attack. They need to developleadership skills to avoid confrontation and inflexibility. They needto know how to lead without dominating and they need an inten- seinterest in the health of the group. The HP/S needs to listen to theideas of the members and to use their ideas whenever posssible. Theyshould be able to explain rationally why certain ideas cannot be used. #30# 3101 Study of the Planetary Hours System ----------------------------------- by Andrew Kettle. 1994 Introduction. Neo-pagan witchcraft has no central leaders, so one of the questions that echos across the valleys of the traditions is; "Are there to many cooks spoiling the broth?" As most witches are fervent independants, and self-assertively so, each will have a differnt approach and opinion to such a simple observation. Underneath the whole landscape of debate however, are truths and basic historical facts being forgotten or distorted? In certain instances it would be deemed unavoidable in the present atmosphere of information scavenging, where medium communications reveal past lives and the knowledge from them to broaden the bookshelves of the many esoteric book shops. Be that as it may, studying the large expanse of existing wisdom, at times similiar to looking through water-glass, will relinquish many difficulties and contradictions. To some this would increase the mysticism,
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however when it is a matter of legitimacy where do we stand? Sample Text: from "What witches do", Stewart Farrar,1989, Phoenix Pub.,Wash. p.174. " Appendix 3. Planetary Hours. These are the traditionally accepted hours for operating spells which have planetary correspondences. Each day has a ruling planet; our days of the week in English are mostly named after the Teutonic forms of the planet-gods concerned. They are: Sunday, the Sun; Monday, the Moon; Tuesday, Mars (Tiw); Wednesday, Mercury (Woden); Thursday, Jupiter (Thor); Friday, Venus (Freya); Saturday, Saturn. The First hour after sunrise is ruled by the day's own planet, after which each hour is ruled by one of the other planets in the order Sun, Venus, Mercury, Moon, Saturn, Jupiter, Mars, and so on in rotation. Thus Monday's second daylight hour is ruled by Saturn, Tuesda's second by the Sun, etc. At sunset a new sequence starts with the fifth down the list from the day's planet: thus Monday's first hour from sunset is ruled by Venus, etc. The full list is as follows: " Disclaimer: I have it as a strong intention, to point out that this acticle is not to be taken as a personal attack of the above author or the publisher, or any other connecting party. I have used Stewart Farrar's text only as a example of the commonly published, and accepted, planetary hour concept. Example: Winter Solstice Timetable of Planetary Arrival and Departures for ================================================================= 3102 Eastern Australia (Brisbane area only) on the 22nd of June, 1994. ================================================================= Wednesday Time Planet Statis Planetary Hours ---- ------ ------ --------- ----- 2.30am Jupiter Set. Mars 3.40am Mars Rise. Sun 3.50am Pluto Set. Sun 4.54am Moon Set. Venus 5.14am Twilight start 6.37am Sun Rise. 6.55am Mercury Rise. 8.14am Neptune Set. Moon 8.25am Uranus Set. Moon 9.12am Venus Rise. Saturn 11.06am Saturn Set. Mars 1.32pm Jupiter Rise. Venus 2.29pm Mars Set. Mercury 3.21pm Pluto Rise. Moon 3.53pm Moon Rise. Moon 5.02pm Sun Set. 5.31pm Mercury Set. Jupiter 6.25pm Twilight End
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6.35pm Neptune Rise. Sun 6.46pm Uranus Rise. Sun 7.44pm Venus Set. Venus 10.23pm Saturn Rise. Saturn Hypothesis: My hypothesis is that the 'Planetary Hours' concept is a timetable, based primarily on simplicity, that was developed in a age when astronomic technology was largely unavailable, so resulting in such a system; that in our modern technological society, as a result of astronomic calculations being easily accessable, that a new system of 'Planetary hours' should be constructed upon 'Hours of Right Ascension/ Planets on the Meridian' where applicable or the highest point of ascension, when the planet is not true to the horizon. Conflict: As it can be deduced from the above table, certain planetary hours occur when the planet in question is not within the horizon. For example, the sun's planetary hours of 3am and 6pm are outside of 'daytime'; Mar's 2am is outside of 'Marstime'; the moon's 8am is external to 'Moontime'. As a principle, I would remark that it would be of assistance in rituals that the planet is in appearance and that the optimum time would be when the planet is directly above, the hour of Right Ascension/ Planet on the Meridan, or highest point of path through the hemispheres. If the 'worshipper' was to have a difficulty with the domineering effect of the planet being above them / on top of them, then a principle of welcoming the planet at rise and farewelling the planet at set are equally as valid. Continuing, this would establish only one planetary hour in each day, raising the question of practicality, though a rather 3103 erroneous matter, giving the examples hours of: Mars (9.04am) 9am planetary hour, Sun (11.49am) 11am planetary hour, Mercury (12.13pm) 12pm planetary hour, Venus (2.26pm) 2pm planetary hour, etc. To this end, computer programs and/or annual publications would easily create the availablity of the timetable, a future project for any publishing house or any number of the pagan/ witchcraft magazine to have as a regular cloumn, thus giving the practitioner the simplicity, not resorting to ill-advised system as an alternative. However, at this point it should be mentioned that, in accordance with general perception, the physical planet plays a symbolic role, that the planet is not the vehicle of magical properties, but a icon, much as the moon is not Aradia in person, but a mirror of her essence. Furthermore, it is an accepted belief that the full-moon is the time of 'Esbat', though in comparison the remaining planets are given an inaccurate timetable; a perplexing situation. Toward, the modernising approach in witchcraft it should be important to establish 'correct' instruction to ritual, upon the understanding that it would be a great disservice to entertain anything else but actuality; as the turmoil of the word 'wicca' has caused in the movement, now accepted by most as a redefined word, though all the same established upon false impressions, an unfortunate situation historically speaking. An accurate approach to the craft, that is slowly being supported as our cultures' resources and developing knowledge
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widely spreading with discussions and publications, will result in a detailed sweep and clean of the old misconceptions in the traditions and a polish to reflect the light of modern education. Conclusion: As with the modern approach of Planetary Hours, it should be every members directions in tune with open-minded, clear thinking not to accept a practice that is incorrect and to strive establishing a strengthed tradition on the foundations of accurate discovery of the originals of comprehension. Such an approach would wash out the '14th century mass illiterate' influence that customs have continued. Though it must be seen that without this assistance there would possible be no present existance of witchcraft, but a rectification of this knowledge is by no means an attack. Furthermore, it is suggested that a choice should always be based on truth and not mislead by mistaken presuption. --------------------------------------------------------------------- ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3104 By: Alex Rigel Source: "An ABC of Witchcraft", Doreen Valiente, 1973, Phoenix publishing inc., Wash. pp.203-4. "Initiations. When witchcraft became an underground organisation, the Craft of the Wise, it shared a characteristic common to all secret societies. Admission to it was by initiation. Such initiation required the newly admitted member to swear a solemn oath of loyalty. When witchcraft was punishable by torture and death, such an oath was a serious metter. Today, when witchcraft has become like Freemasonry, not a secret society but a society with secrets, the idea of initiationj still remains. Initiations into witch circles nowadays take varying forms, as they probably always did. However, the old idea that initiation must pass from the male to the female, and from the female to the male, still persists. A male with must be initiated by a woman, and a female witch by a man. This belief may be found in other forms, in traditional folklore. For instance, the words of healing charms are often required to be passed on from a man to a woman, or from a woman to a man. Otherwise, the charm will have no potency. There is also an old and deep-seated belief, both in Britian and in Italy, that witches cannot die until they have passed on thier power to someone else. This belief in itself shows that witchcraft has been for centuries an initiatory organisation, in which a tradition was handed on from one person to another. The exception to the rule that a person must be initiated by one of the opposite sex, occurs in the case of a witch's own children. A mother may initiate her daughter, or a father his son. In general, for their own protection, covens have made a rule that they will not accept anyone as a member under the age of 21. Witches' children are presented as babies to the Old Gods, and then not admitted to coven membership until they have reached their majority. This rule became general in the terms of persecution. Secrecy upon which people's lives depended was too great a burden for children's shoulders to bear. It is evident, from the stories of witch persecutions, that witch-hunters realised how witchcraft was handed down in families. Any blood relative of a convicted witch was suspect. The witch-hunting friar, Francesco-Maria Guazzo, in his 'Compendium Maleficarum' (Milan, 1608, 1626; English translation edited Montague Summers, London, 1929), tells us that "it is one among many sure and certain indications against those accused of witchcraft, if one of their
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parents were founded guilty of this crime". When the infamous Matthew Hopkins started his career as Witch-Finder General, the first victim he seized upon was an old woman whose mother had been hanged as a witch. There are a number of fragmentary accounts of old-time witch initiations, and from these a composite picture can be built up. The whole-hearted acceptance of the witch religion, and the oath of loyalty, were the main features. There was also the giving of a new name, or nick-name, by which the novice was henceforth to be known in the novice was given a certain amount of instruction, and, if the initiation took place at a Sabbat, as it often did, they were permitted to join in the feast and dancing that followed. In some cases, in the days of really fierce persecuation, a candidate was also required to make a formal renunciation of the official faith of the Christian Church, and to fortify this by some ritual act, such as trampling on a cross. This was to ensure that the postulant was no hypocritical spy; because such a one would not dare to 3105 commit an act which he or she would believe to be a mortal sin. Once the postulant had formally done such an act, they had in the eyes of the Church damned themselves, and abandoned themselves to hellfire; so it was a real test of sincerity, and an effective deterrent to those who wanted to run with the hare and hunt with the hounds. Such acts are not, however, to my knowledge, required of witches today. One of the ritual acts recorded as being part of a witch initiation is that described by Sir George Mackenzie, writing in 1699 about witchcraft in Scotland, in his book 'Laws and Customs of Scotland" (Edinburgh, 1699): "The Slemnity confest by our Witches, is the putting one hand to the crown of the Head, and another to the sole of the Foot, renouncing thier Baptism in that posture." Joseph Glanvill's book 'Sadducismus Triumphatus' (London, 1726), had a frontispiece of pictures illustrating various stories of mysterious happenings, and one of these old woodcuts shows a witch in the act of doing this. Her initiation is taking place out of doors, in some lonely spot between two big trees. With her are three other women, one of whom seems to be presenting her to the devil, who appears as the conventional figure of a horned and winged demon. In practice, however, the devil of the coven was a man dressed in black, who was sometimes called the Man in Black, for this reason. The "grand array" of the horned mask, etc, was only assumed upon special occasions. A variant of this ritual was for the Man in Black to lay his hand upon the new witch's head, and bid her to "give over all to him that was under his hand". This, too, is recorded from Scotland, in 1661. Information about the initiation of men into witchcraft is much less than that referring to women. However, here is an account from the record of the trial of William Barton at Edinburgh, about 1655, evidently partly in his words and partly in those of his accusers, which tells how a young woman witch took a fancy to him, and initiated him: One day, says he, going from my own house in Kirkliston, to the Queens Ferry, I overtook in Dalmeny Muire, a young Gentlewoman, as to appearance beautiful and comely. I drew near to her, but she shunned my company, and when I insisted, she became angry and very nyce. Said I, we are both going one way, be pleased to accept of a convoy. At last after much entreaty she grew better natured, and at length came to that Familiarity, that she suffered me to embrace her, and to do that which Christian ears ought not to hear of. At this time I parted with her very joyful. The next night, she appeared to him in that very same place, and after that which should not be named, he became sensible, that it was the devil. Here he renounced his baptism, and gave up himself to her service, and she called him her beloved and gave him this new name of John Baptist, and recieved the Mark.
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The Devil's amke was made much of by professional witch-hunters, being supposed to be an indelible make given by the devil in person to each witch, upon his or her initiation. However, it would surely have been very foolish of the devil to have marked his followers in this way, and thus indicated a means by which they mightalways be known. From the confused descriptions given at various times and places, it seems evident that the witch-hunters knew there was some ceremony of marking, but did not know what it was. In witchcraft ceremonies today, the new initiate is marked with oil, wine, or some pigment, such as charcoil. However, as Margaret Murray has pointed out, there is a possibility, judging by the many old 3106 accounts of small red or blue markings being given, the infliction of which was painful but healed after a while, that this may have been a tattoo mark. Ritual tattooing is a very old practice; and some relics of this survive today, in the fact that people have themselves tattooed with various designs 'for luck'. However, when persecution became very severe, it would have been unwise to continue this form of marking. The most up-to-date instance I have heard, of the marking of new initiates, is the practice of a certain coven in Britian today, which uses eyeshadow for this purpose; because it is available in pleasing colours, is easily washed off, and does no harm to the skin. One wonders what old-time witches would think of it! ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3107 By: Alex Rigel Source: "Lid Off The Cauldron. A wicca Handbook", Patrica Crowther, 1992, Samuel Weiser inc., Maine. pp.34- Initiation. To become a witch you must have a natural inclination to worship the Old Gods. It must be a feeling which springs from the heart and carries you on towards your goal, in exactly the same way it happened to the first witches thousands of years ago. The approach must be in this manner. Any other attitude, such as vulgar curiosity, a desire for power over others, or the selfish intention of using magic to gain material ends, will only end in failure and disillusion. The Old Gods are ancient archetypal images of the divine powers behind all Nature. They are the oldest gods known to man. Pictures of them are painted all over Europe and show the great influence they had, even at the Dawn of Time. Just because they are so old, is no reason to believe they are in any way 'out of date'. Our ancesstors were no fools: their way of life and their culture is gaining more and more respect as the years go by. Continuous discoveries about their skills and beliefs growing admiration and amazement. Their deities were a Mother Goddess and a Horned God, representing the twin forces of life: male and female, light and dark, positive and negative, Sun and Moon, etc. These complimentary aspects in nature are 'fact' and cannot be disputed. And, because the Gods are true representations of the divine powers behind all manifestation, they have endured through millennia, and will always endure. Unlike many other religions, where contact with divinity is sought through prayer and meditation, witchcraft teaches development of the soul through the Eight Paths of the Witches' Wheel. These ways are part of the Western Mystery Tradition. The West and the East are two very different places. Eastern religions teach their followers to look 'within' for enlightenment, and although the West uses this method in
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meditation, it is only 'one' of the Eight Paths. The Western mind looks 'outward' and seeks spiritual grace by helping others. Thus, the witches use their powers to help those in sickness or trouble. The Awakening can begin as an urge which rises from the depths of the soul. A state of boredom or despiration, which every human being comes to at some point of incarnation, can become as a beacon to the spirit. It is born to the struggling soul and to the complacent alike. Many lives may be endured before it is realized that the true self must take the initiative and begin to fight its own way out of the Cycles of Incarnation, which, without the control of the Higher Self, may continue indefinitely. Once the realization is born, and the quest begun, the soul is on its way from manhood to godhood. Regarding the Craft, it is wise to seek initiation from a 'genuine' coven. This is not as easy as it sounds, as genuine adherents do not seek converts, and therefore do not advertise for members. they believe that if a person is sincere and determined enough in their desire to belong to the Craft, they will, sooner or later, make contact. There are, however, various ways of speeding things up a little, such as contributing to one of the privately printed occult magazines, which are usually run by people 'in the know'. Or even placing a small advert in one of these papers. You can also write to the author of a book on the subject, and send the letter via the publishers. It might then be forwarded to a coven in your area, although I must add here that even if 3108 this happens, and you are invited to meet someone from a coven, it would not be indicative of entry. There are certain conditions which have to be fulfilled, such as blending in with the personalities of the members, having read widely on the subject, a willingness to submit to a waiting period, usually a year and a day, among others. Yet these conditions are valid ones; you cannot expect to be accepted quickly, but you will know that the witches you meet have undergone similar obstacles themselves. The ways of the witches are those of caution, especially where strangers are concerned. After all, who would admit a stranger to their home without an introduction, let alone to a temple of the Mysteries. Care must be taken, too, in finding a coven which is in close 'rapport' with your own life-style, culture and character. But, once contact is made, there is hope in finding a group where conditions, on both sides, can be fulfilled. Although some covens wear robes, the traditional way of working in the Circle, is to be sky-clad, or naked. When you are brought into the Craft, yoou enter as you were born, without clothes or ties of any kind. The first initiation is virtually an introduction to a new way of life. You are made a 'Child of the Goddess'; you are shown the tools of the Craft; told the ways of working magic, and made to swear an oath to keep the secrets of the Art. This is called the First Degree. The Second Degree is the initiation proper. Thsis involves the concept of symbolic death and symbolic resurrection, when you are re-born with the new magical personality. A new name (of your own choice) is given to you which represents the transformation, and by which, henceforth, you will be known when in the Circle. The drama of this mystery play implants its ideas firmly in the subconscious mind of the adherent, and the mystery, which is enacted on the material plane, sets the seal on the future. It is not to be supposed that by initiation and teaching you will automatically be 're-born'. A way will be shown, and knowledge imparted, yet the journey is always 'alone' and the true 'will' tested to the very brink of breaking point. In a sense, when initiation takes place it is very much like daring Fate to do its worst. One has taken a stand: "I announce to all creation that I will endure to progress." In witchcraft the soul develops a deeper understanding of 'being'. This entails practice, which is why the Craft has grades of advancement.
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The highest grade is the consummation of the mysteries, where ritual yields to what is termed, 'The Secret of the Silver Wheel'. There is also the imparting of certain 'secret' words, which, in themselves, convey very little, but their secret intention 'is' important and gently 'nudges' the aspirant onward. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3109 ASC's And Ritual This article by Anna appeared in Web of Wyrd, issue number 7. ***begins Altered States of Consciousness (ASCs) are an integral part of ritual. They can be defined as any mental state recognised by the individual as different from his or her normal waking consciousness. As such, the act of separating yourself from the mundane world, having a ritual bath or shower and preparing the ritual space, is enough to induce some sort of ASC in most people. Taking on a magical persona involves an ASC, as does invocation of godhead, dancing or chanting to raise power, meditation, scrying, and going through a guided visualisation or pathworking. The use of ASCs in magic and ritual has many benefits. By means of a guided visualisation or pathworking you can have experiences that would harm you or be impossible in the mundane world. For example, in a visualisation relating to fire you can stand in the midst of a roaring fire or become the flame itself; experiences which might deepen your understanding of the element fire. Another experience reached through ASCs is that of the god or goddess being called down upon you, something that enriches and enlivens your magical life. Entering an ASC is normally part of the process of stepping onto the astral plane, reaching the Otherworld, tapping racial memory or the collective unconscious, contacting inner guides or obtaining information from your own unconscious. To raise power, many enter an ASC by dancing, chanting or using breathing techniques. It's then much easier to focus your concentration, draw on energy, and let it flow through you and into the object of the spell. Simple ASCs shouldn't be forgotten. Being able to relax the first time you cast a circle in front of everyone might help you remember the words, and will certainly help you focus the power you need. Meditation is another fundamental skill in magical arts, one that is used at all stages. Some ASCs can help you find out more about yourself. By doing so, you can understand and remove the beliefs and blocks that prevent you from developing, from using your magical abilities to their full extent. These blocks are erected as part of the process of growing up. As an example, if you're told often enough as a child that the fairies that you see at the bottom of the garden don't exist, eventually you come to believe it. Understanding and getting rid of this belief twenty years later so that you can see the fairies again can be a long process, one which can be speeded up by techniques using certain ASCs. Like many things, ASCs are tools, often valuable, but also dangerous. One danger is not coming out properly at the end of a ritual. Being in an ASC can feel wonderful and it can be tempting to stay there. You see it happening at some of the New Age workshops, where people get a nice emotional spaced-out high from a session, and hang on to that feeling as long as they can - "workshop junkie". The problem is that in an ASC you do not always have full access to those parts of yourself needed to perform mundane tasks like driving a car, or doing your job satisfac- torily. Remaining in an ASC can be quite destructive if you need to
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function in the "normal" world. 3110 Occasionally an ASC can trigger what is known as an abreaction in someone. Entering the ASC removes the barrier the person has put between their conscious mind and a traumatic experience they've had. As a result the person suddenly goes through the experience again, bursting into tears, yelling with anger, shivering with fear, and so on. This sort of reaction needs to be dealt with therapeutically; telling the person to forget it only makes the experience and any problems it has caused, worse for them. Not only does the person controlling a group ASC experience need to be able to handle such abreactions, but he or she also needs to be able, when putting a new group into ASCs, to recognise individuals with borderline psychoses. The reason is that putting such people into an ASC, especially trance states, can push them over into a full-blown psychosis. For example, putting an epileptic into trance can trigger epileptic seizures. Control is an important aspect of ASCs. In a ritual, at least one person should remain in control, able to take over and bring the group out if anything goes wrong. That person makes sure that no-one is taken over by an entity which remains after the circle, and that no inappropriate suggestions are made. (In ASCs, especially trance states, you are much more suggestible, and might inadvertently pick up someone else's comment as a suggestion - after all, this is the principle upon which TV advertising is based.) They also make sure that everyone comes out and grounds properly at the end of the ritual. Another area where control is important is where an ASC is entered from another ASC. Pathworking, visualisation and scrying is often more intense, more meaningful, if done in circle. This is because when you start to do the pathworking or whatever from a mild ASC instead of your own normal waking state, you tend to go further or deeper, and thus gain more from the exercise. However, using drugs to enter an ASC before performing ritual is a completely different matter. Drugs leave you with no control over the first ASC you enter, so the outcome of entering a second one can be quite different from what you expected. The harder the drug, the bigger the problem is likely to be. A drug might, on a rare occasion, have a place in ritual, but only when the effect of the drug on the person taking it is known, there is a very good reason for its use, and someone else is available to deal with any problems that might arise. Drugs also sap the magical will and discipline by preventing you from learning how to achieve the results you desire by yourself, and encouraging you to be lazy. In the end your ritual work suffers. ASCs are a fundamental part of magical ritual. The basic arts - meditation, concentration and visualisation - all involve ASCs in some form. It is easy to get caught up with the glamour of something different, something that feels good, that is outside our normal experience and upbringing, and forget that, like most things, there is a negative side to ASCs. They are a tool; useful once you master them, but dangerous if misused. For many, ASCs have become the basis of their path to spiritual development. ***ends B*B Julia ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3111 The Betty Crocker Cult For the edification and entertainment of all, I am letting you all see one of the rarest pieces of modern ritual literature today. it is
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copyrighted 1993, M. Perrin, Jersey City, NJ. What Do Betty Crocker Cultists Believe? For all intents and purposes, Betty crocker Cultists believe whatever I, the Grand High Ladle, tell them to believe. The B.C.C. is a cult in the truest sense of the word, with one infallible leader, me. For indeed it was I, Badger Girl, who received the word of Betty, when I least expected it, right in the middle of an episode of the French Chef. Thrust as I was, right in the middle of pagan controversies of all stripes, it was clear to me that there was something missing in our community as a whole. That thing was the Kitchen. Not just food, you see, but the Kitchen, with all of its wondrous utensils, appliances and storage capacities. I knew this to be the answer to many of today's modern pagan problems. Betty told me so. "Go forth to the stove" said Betty, and go forth I did, taking most of the women (henceforth to be known as "Ladies") of Green Man Grove with me, as I hate to eat alone. And lo! Many splendid things did befall us as we cavorted amidst the Tupperware. Betty spoke to me as we did, and she sai, "Now you're cookin', kid!", and of course, She was right. Soon we all tired and Betty took advantage of the situation (as is Her way) to tell us of her many colleagues in the world of the "Other Kitchen." She spoke of Oscar Meyer, patron of fathers in the Kitchen, also She spoke of Lttle Debbie, Goddess of cellophane wrapped snack foods. the tale of the Pillsbury Doughboy (Poppin' Fresh, to the initiated), the God of phallic foods that go "Fuff" was revealed to us, as well as the story of Mrs. Paul, Queen of the Frozen Seas. Betty then bespoke of the twin deities of the most sacred barbecue flame, Lee & Perrin, and also of Aunt Jemima, keeper of the Holy Syrup (and it was good!). Finally Betty told us of that most well preserved of holy mean, Earl Tupper and we were silently awed by the miracle of the Burp Seal. Surely did Betty talk a blue streak that fateful day! Then Betty told me that She had chosen me to be Her Grand High Ladle on this earthly plane, and to gather around me all the minions I couls strongarm into the Cult. "You and your initiated minions shall be know to the world as "The Dash Board"!" said Betty. Betty then explained the hierarchy to be adhered to within the Cult. The lowest initiates being the "Cups" and all higher initiates gradually getting smaller and smaller until acheiving "pinchdom" if not actual "dashery." And so, I said unto Betty, "Sounds good to me!" and she seemed well pleased. This is how I became the Grand High Ladle. I am chosen by Betty to lead you to the Kitchen and getyou all cookin'. If you choose to follow, it will be by my say so and the approval of the Dash Board. The initiation will be grueling and with any luck, really intimidating. You seeker, may have finally come to the right place, then again, maybe not, only i can be the judge ofthat. Badger Girl, Grand High Ladle, BCC 3112 The Berserkir This letter appeared in Web of Wyrd number 7: With reference to the ongoing discussion of the berserkir or "bear shirts" Viking warrior clan. P G Foote and D M Wilson state in their book, "The Viking Achievement" (Sidgwick & Jackson UK 1970) that the berserkers worked themselves up into a frenzy which gave them super-
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normal strength and made them indifferent to blows. It was generally believed that they had magical powers, although they were regarded as inferior to the great heroes of the Viking sagas. The berserkir howled savagely as they went into battle, and Foote and Wilson speculate that these battle frenzies were the result of excessive alcoholic intake. According to Icelandic Law (Christian version) anyone who fell into a berserk frenzy was considered highly dangerous and could be classed as an outlaw from society. The following verse from the epic poem "Atlamal" circa 11th century CE is believed to contain a reference to the berserkir and their method of fighting, as well as to another warrior clan who wore wolf skins, and may be connected with lycanthropy! Full they were of fighters and flashing bucklers, western war lances and wound-blades Frankish; cried then the bear-pelted, carnage they had thoughts of, wailed then the wolf-coated and weapons brandished. It would seem the berserkir wore tunics of bearskin because the animal was their totem and they believed they could magically attain its strength. Their unorthodox fighting methods - akin to the "battle spasm" of Celtic warriors possessed by the god/desses of war - and the modern meaning of the term "to go berserk" suggest they were less than self-controlled but in fact fought, quite literally, like men possessed. Mike Howard ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3113 QUANTUM MECHANICS AND SOME SURPRISES OF CREATION Cross posted from I_UFO, by Glenda Stocks, again By Bill Moore Scanned from the CONTACT, June 14,1994, with permission. SYNTHESIS OF SCIENCE AND RELIGION [...] ... we will define this writing as simply an interesting look into quantum-statistical methods of simulating energy-informational processes. ... Boris Iskakov who was born in Magnitogorsk on November 14, 1934. He is a graduate of the Institute of Physical Engineering in Moscow. ... In this work he endeavors to synthesize elements of science and religion. Dr. Iskakov has recently been interrogated and we would share the interview with you. ... The interview comes from Russian documents so we will meander through the translations as best we can and at least you will be introduced to such as "leptons", etc. [...] [QUOTING] MATHEMATICAL TRANSFORMATIONS The equations of Schrodinger and Dirac, well known in quantum physics, describe the laws of the conservation of probability for
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fluxes of matter at the level of elementary particles of the microworld. By means of certain mathematical transformations I (Dr. Iskakov) obtained equivalent equations of a much broader applicability. They describe the laws of the conservation of probability for fluxes of matter, energy, and information. The equations have a deep philasophical meaning, which extends far beyond the interpretation of the Schrodinger and Dirac equations. An appropriate name for them is, in my view, suggested by a doctrine of Oriental philosophy--karma. In a narrow sense, it claims that every deed or thought, good or bad, receives due reward or retribution. In a broader sense, it denotes the principle of unity, integrity, and inter-conditionality and causality in the Universe. That is how I construe the term "equations of karma", which describe any cause-and-effect relationship. WHAT IS THE "EQUATION OF KARMA"? The study of psychic phenomena dictated the need to define the concept of the information-energy field. Its material medium, according to contemporary notions, may be a global lepton gas, consisting of extremely light particles, microleptons, with a mass of 10^-40 - 10^-30 g. Microleptons are much lighter than electrons and are capable af freely penetrating any body in the Universe. The gaps between atomic nuclei are for them just as spacious as are the holes in a fishing net for molecules of air. 3114 The idea of a microlepton gas appears to echo the 19th-century notion of the universal ether, but is scientifically much more complex and profound. What we are talking about in this case is no longer an ideal space-pervading fluid, but a quantum-granular structure of the space-time continuum, filled with whirling streams of polarized microleptons (including some virtually vacuum-born). Such an approach enables us to use the mathematical apparatus of quantum mechanics to describe the information-energy field. Moreover, relationships of a higher level of generalization are derived than the classical equations of Schrodinger. The new equations describe not only the movements of matter, but also the development of the totality of interconnections, signals, events, and processes. The special term introduced for such relationships is "equations of karma". As for karma, it is understood to mean a broad philosophical category of universal inter-conditionality, causality, and dependence in combination with the principle of the unity and integrity of the Universe. There are two equations of karma--the direct and the complex-conjugated: GS> (NOTE: I have substituted regular letters for the Dr.'s GS> symbols) AY=0; A'Y'=0; where the operators have the form A=2h^2V + i2h o/o t-9; A'=2h^2V - i2h o/o t-9. Here Y denotes the probability density wave (the wave function); V, the Laplace operator; 9, the potential energy density, and h, Planck's constant. These equations may be solved in the form of karma waves and anti-waves with quantization of probability waves. Connected with
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them are perturbations of the information-energy field, i.e., wave signals. In principle, such signals may propagate faster than light. The equations of karma make it possible to draw certain philosophical conclusions of fundamental significance. It follows from them that diffraction takes place not only in space but also in time. Any event is, so to speak, split in space-time. The propagation of a solitary signal is preceded by a series of pre- signals and followed by post-signals, both fading with distance. Perceptive analysts are able to use the first intimations of pre-signals to give a precise picture of a coming event. This is called scientific foresight. But there is also intuitive prevision. Centuries ago clairvoyants described events that are happening in our time. Pre-signals provide an explanation of relative proscopy--when a sensitive person learns about an event before others do. Such a person detects faint pre-signals that most people do not perceive. For instance, an explosion on the Sun may produce solar prominences extending for millions of kilometers. Two or three days later the "solar wind" reaches the Earth, causing powerful geomagnetic 3115 storms that affect everything living. During such periods, disease and mortality rates increase in all countries. This dependence of everything living upon solar catastrophes was proved several decades ago by Alexander Chizhevsky. Can we learn of the approaching "solar winds" in advance? It appears that we can. The solar wind has presignals: swift streams of solar photons an neutrinos, which reach the Earth in eight minutes. By detecting them it is possible to warn the medical services of all countries of an imminent geomagnetic storm two or three days in advance, ample time to take the necessary measures. From the theoretical standpoint the works of the eminent Russian researcher Anatoly Okhatrin are of definite interest. They confirm the idea of an ether or universal lepton gas, which contains full information about the material world. Clusters of the lightest par- ticles--microleptons--carry people's thoughts and feelings; these microleptons are capable of travelling in space and time at tremendous speeds. The speed of light is a limiting factor only for a continuous stream of speeds, the so-called continuum. However, greater speed levels, in excess of the speed of light, are possible for extremely weak signals. Okhatrin's experiments and calculations show that people's thoughts are carried by the lightest microleptons. And the equations of karma prove that they can travel much faster than light. This justifies the conclusion that humanity's potential in getting to understarnd the Universe is practically boundless. Up to now it was considered that our potential in the conquest of outer space is limited by what is known as the pessimistic radius of Poincare-Einstein. If we multiply the speed of light by the human life span, we arrive at the limit that even the most sophis- ticated spaceships cannot surpass. No generation of spacemen can explore the Universe beyond that radius [it says]. But from the equations of karma it follows that at the level of extremely weak signals we can reach out far beyond the Poincare-
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Einstein sphere. Material thought can travel to distant regions of the Universe at a speed greater than that of light. Man can obtain information about what is happening at any distance from him. This is a fundamental philosophical conclusion that allows humanity to look to the future with optimism. I arrived at this conclusion by considering the equations of karma. But then, many scientists before me have reflected on the synthesis of science and religion, among them the founders of quantum physics. What are termed the conjugated equations of Schrodinger and Dirac point to the possibility of the existence of anti-particles. Similarly, the conjugated equation of karma suggests that there can be anti-signals as well as anti-particles. More- over, this equation makes it possible to describe the spectrum of properties that these anti-signals possess. While ordinary signals travel along the river of time from the past via the present into the future, anti-signals travel in the opposite direction. They originate in the future and pass through the present into the past. 3116 This property of anti-signals stuns our imagination: certain particularly sensitive people and instruments can, it turns out, receive signals from the future. Previsions, predictions, and prophesies come under the scientific heading of absolute proscopy, which implies the acquisition of information about events that have not yet taken place. They have yet to occur, but sensitives already know about them. The problem is merely one of the threshold of sensitivity and the balance of signals and noise. Anti-signals come from the future at a faint and very faint level. Very few people can detect them. There is no violation here of the principle of causality. Rather, its interpretation becomes more sophisticated and more refined dialectically. According to the equations of karma, time in the microworld can reverse its direction, turning, as it were, into "anti time". From a single point it is possible to see both the past and the future of microparticles at the same time. We can receive information about the future only at the probability level. Only the strategic parameters of a human fate are pre-determined. But freedom of choice too is preserved: a person is free to take any decisions and bears full responsibility for them. A person shapes his or her destiny and pays for the consequences of those decisions. Thus, there is a predetermined part of the future, which a person cannot change, and there is a probable or variable part, for which he is responsible. Solving stationary equations can yield curious results. Waves emitted and absorbed by hundreds of biologically active points are superimposed on one another and form a series of standing waves, which surround the human body. The body turns out to be nothing more than a dense nucleus shrouded on all sides by a number of energy-information holograms. The shape of the first hologram follows that of the human body, but is enlarged and rounded, remotely resembling a spacesuit. Actually, this hologram contains all the information about the body and is carried by microleptons orbiting along the quantum shell, the boundary of the first hologram. The second hologram and its shell are larger and carry weakened information, which is more difficult to decipher. The same may be said of the third and subsequent shells. The more remote shells are more rounded in shape, changing from a spacesuit to an egg and then to a sphere. Our atomic-molecular body is "clad" in
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microlepton holograms, each of which carries complete but weakened information about the person, including his or her innermost thoughts and feelings, his or her mind and conscience. It may be said that the sum-total of these holograms is nothing short of a person's lepton soul. Ordinarily, people do not see the energy-information shells that surround them. But in certain conditions it is possible to make the first hologram glow, especially the part of it surrounding a person's head. The fact is that upper chakras, the most power-intensive, operate at the highest frequencies. Some people have a first quantum shell that can become visible. Estimates show that the energy of the first shell amounts to 3117 fractions of an electron-volt. This is quite enough for a faint glow in the optical range of the spectrum. But for the glow to become a reality a great deal of energy has to be pumped into the upper chakras. This means a person has to adopt a definite mode of life: overcome base passions, and make his or her thoughts, feelings, and deeds pure, lofty and inspired. It is in that case that the energy of the upper chakras causes the excitation of the first shell by fractions of an electron-volt, and a halo visible to other people appears around the head of such a person (for example, a saint). In Christian art, only part of the hologram around the head is usually portrayed as glowing. But in Buddhist temples, there are pictures showing the whole spacesuit-shaped hologram aglow. The most ancient Buddhist manuscripts speak of a person's seven bodies: one dense and six subtle. The first hologram is called the ethereal body; the second, the astral body; the third, the mental body, and so forth. The lepton hypothesis allows a larger number of holograms. Judging from the equations of karma, we humans are infinitely "larger" and our lives are infinitely longer than we are accustomed to think. This means that each person is a factor of Cosmic significance. Moreover, analysis reveals that inanimate objects as well as Homo Sapiens and other living beings have holograms of this kind. Consider the implications of this. If each body is present, at the information level, throughout the Cosmos, then in every small region of space-time there must be, if only super-weak, information about the entire Universe. Gautama Buddha's famous dictum states "everything is in everything" and, hence, "everything is in the small." In an expanded form this may be taken to mean that every point of space-time "knows" everything about all the other points. But if every zone of space "knows" everything, it is a most complete encyclopaedia, in infinite storage of knowledge about the Universe . All that is needed is to learn how to plug into this source of information, which can tell a person about anything and everything in the world. It follows from the lepton hypothesis that the soul is real and material. A human being, in the customary sense of the term, is nothing but a dense nucleus around which streams of leptons circulate. The totality of lepton shells is a cold bioplasma,
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which contains complete information about the nucleus. Thus, it can be termed a person's lepton soul. This notion has a quite precise materialistic content. According to the lepton concept, thoughts and feelings are material. They are carried by superweak pulses of electromagnetic and microlepton fields. Visual, audible, and other images, and all thoughts and feelings, exist in the form of clusters of superlight elementary particles. This brings to mind Plato's inspired guess that all eidoses, i.e., ideas or thoughts, exist autonomously, 3118 "float in the air" and recognize no boundaries. Plato intuitively arrived at that conclusion over two thousand years ago. Today we can put this into the language of mathematical formulae. We can measure the mass of a single human thought. Its weight varies from 10^-30 to 10^-40 g. To be sure, the opinion of sensitives and Okhatrin's experiments cannot serve as proof. Similar investigations have to be carried out at other laboratories. This will furnish the statistical data for reliable conclusions. If they confirm Okhatrin's findings, he will become the author of the greatest discovery of the latter half of the 20th century. Thoughts and feelings generated by human beings begin their independent existence in space and time. Both theory and experi- ments show that these eidoses are capable of exchanging information. What is most important of all is that one person's thoughts can occur to other people. Eidoses are like small living beings, but at the lepton level of matter. Thoughts and feelings are our offspring, who communicate with one another and with us in a language of super-weak signals. Estimates show that during a lifetime a person generates millions and even billions of eidoses. This makes it clear that we bear an enormous responsibility before the whole of humankind and before ourselves for what our offspring, i.e., our thoughts and feelings, will be like. When our offspring are noble eidoses of kindness, love, mercy, mutual assistance, truth, beauty, and harmony, we contribute to the health of humanity's leptonosphere. But when we beget malformed eidoses, i.e., evil, envious, cowardly, vain, and arrogant thoughts and feelings, we thereby pollute the leptonosphere we inhabit. Should the negative eidoses exceed a certain critical mass, humankind will be doomed. At present our survival depends to a great extent on the ecology of the spirit. Here we also come up against a legal problem. Mere criminal intent is not yet a crime at the atomic-molecular level, but when a person conceives, say, a murder, he or she spawns criminal eidoses, which contaminate humankind's leptonosphere. That is why when someone steers a nation or country onto a road leading to disaster, that person commits the gravest offence above all against the whole of humanity. Although economic and political catastrophe is still many years off, it has already taken place at the lepton level, in the public mind. The collapse of a vast State can contaminate humanity's leptonosphere to such a degree that humanity's very existence becomes threatened. And no clan, no state, nor coalition that conceived such a crime against other nations can survive. The lepton hypothesis can provide a scientific explanation of the
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essence of God. When congregations gather in their temples, they create eidoses of prayer, which assemble into a collective egregor-eidos of a deity. When millions of people worship it, the material deity eidos acquires tremendous energy at the lepton level of matter. There arises feedback: a believer not only supplies the deity with energy, but receives genuine assistance from it upon 3119 supplication. There exist eidoses of Christ, Buddha, and Allah, and they actually interact with their Worshippers when the latter tune into the proper frequencies. This is something like a deposit in a savings bank--it helps the client at at a time of need. The microlepton "savings bank" is not responsible for other banks' clients: there is no resonance correspondence between them. Alien gods hold no power over a flock--only their own God has such powers. Gods, thus, actually exist at the lepton level of matter. In fact, the world religions describe different aspects of one and the same Supreme Rational Being. All the people of the Earth worship a single God, but in His multiple manifestations. After the death of a person's atomic-molecular nucleus, his or her lepton holograms may take different courses. Some of them may likewise disintegrate. But this happens only to the holograms that are made up of the heavier microleptons. Estimates show that the relatively heavy holograms have a natural half-life of seven to nine days; their ninety-nine percent decay takes about forty days. Thus, the meaning of the funeral repast on the 9th and the 40th day (in accordarnce with the Orthodox faith) is that the living emit eidoses that recharge the dead person's soul with energy and information to help it undergo the necessary changes in the lepton world. Thanks to these rites, relatively heavy lepton holograms can survive much longer. A reliable supply of living people's thoughts and feelings can extend the life span of the heavy fractions of a dead person's soul from forty days to several millennia. As long as a person is remembered and his or her days of birth and death are observed, that person's soul is preserved almost intact, just as it was when the person was alive. One can communicate with it by means of special techniques known to mystics. The soul also has medium and light fractions. We cannot yet verify this experimentally, but there is reason to think that their half-lives and total decay periods are much longer than those of the heavy fractions. It is even quite possible that the lightest fractions live eternally--the soul is immortal according to all the world religions. So far science cannot confirm or deny this in strict terms. This problem remains unsolved and requires an experimental solution. [END OF QUOTING] (Hatonn's comments) The next most logical question might well be , "Isn't there any way to measure this lepton energy or aura?" Yes indeed and again the only ALLOWED presentation comes silently from Russia. There are two scientists--the engineer and inventor Uri Kravchenko and the physician Nikolai Kalashchenko--who have developed an original instrument: the phase aurometer. This is a highly sensitive instru- ment for the remote measurement of the electromagnetic radiation of any object, biological included. The instrument and the method are protected by a Certificate of Authorship issued in 1990. This
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is an easy-to-prove concept and because of this implication I will not introduce much about it other than generalities about which 3120 much has been shared. This is something which Dr. Young has already devised though he doesn't recognize it as this and I would think would remind our own "tinkerers" that this is nothing more than a measuring device or a production device for electro-magnetic fields MEASURED IN HERTZ. The particular phase aurometer in point is only for measurement or recordimhg a "patient's" own radiation by a contact-free method and has no impact whatever on the environment. BUT, LISTEN UP: THE APPLICATIONS OF THE PHASE AUROMETER CAN BE CONSIDERABLY EXPANDED FURTHER INTO, FOR EXAMPLE, DOWSING, TESTING FOLK HEALERS AND SENSITIVES AND SUCH SEEMINGLY DISTANT FIELDS AS AGRICULTURAL SELECTION OR CONSTRUCTION AND PERFORMANCE SUPERVISION. I am not going to publish this information in general format as above. However, I do ask that several of the attached "tinkerers" be supplied with the documentation. We need to introduce frequency upgrading into seed for crops, etc. This is easily done but someone has to do it and I cannot spend time educating those at random distance. So, please make sure that Dr. Young, Dr. Hoffman, Dr. James and Dr. Trelle are made privy to the document in point. Thank you. It will seem quite primitive to you ones--but sometimes simplicity is where we must RE-begin in order to conceptually change directions. I salute you for your patience. Origin: CRYSTAL CAVE "DAS MAGICAL TREFTPUNKT" 719-391-1092 (93:9900/0) ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3121 This article appeared in Web of Wyrd number 7 THE KNOTS OF DEATH by Alby Stone A number of Viking monuments feature a curious design known as the valknut, the "knot of the slain" or, more loosely, "the knot of death". On an 8th century CE picture stone from Hammers in Larbro, Gotland, it consists of three interlocking triangles. This stone, now in Stockholm's National Historical Museum, is divided into several panels; one of the central panels, in which the valknut occurs, depicts several motifs that suggest some sort of connection with the cult of Odin - an eagle, a flying figure - possibly a valkyrie - holding a ring, a man being hanged from a tree and a group of three warriors - with shields and upraised swords - led by a fourth man who seems to be holding a large bird of some kind. The valknut is adjacent to the eagle and below it are two men, one with a spear, who appear to be engaged in placing a corpse inside what looks like a burial mound. Between them and the hanged man is what appears to be another, smaller, valknut of the same design. This type can also be seen on a rather splendid golden ring discovered near Peterborough, Cambs, and currently on display at the British Museum in a cabinet labelled as containing Anglo-Saxon "secular" metalwork. Another picture stone from Gotland (Tangelgarda also in Larbro) has a panel showing a rider being welcomed by a woman holding a drinking horn with four men who are holding rings. The woman may be a valkyrie, a "chooser of the slain", one of whose functions was to serve ale to the Warriors in Valhalla, another pointer to the cult of Odin. The rider has
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a valknut behind his head and there are two more among his horse's legs. On this stone, which can also be seen at the Swedish Museum, the valknut is made up of a single line, interlaced to make three triangles. Similar to the Tangelgarda design, but slightly more rounded, is that carved onto one of several "hogback" monuments at Brompton, Yorkshire, and probably dating from the 10th century CE. The end-beasts of this particular hogback - these monuments are based on Viking Age houses (although to this eye they have more than a passing resemblance to long barrows) and the end-beasts are situated at what would be the gable ends - are easily identifiable as bears, again suggesting the cult of Odin, who was patron of the Warriors known as berserkr or "bear-shirts". The purpose of the hogbacks is uncertain; no graves have been found with them so they were certainly not tombstones. Hogbacks with undecorated ends at Lythe in Yorkshire exactly match the shafts of crosses found at the same site, indicating that the hogback formed a composite monument with a cross at each end. In this case the hogback is certainly a religious monument and it seems fair to suppose that the Brompton hogback and its fellows, and similarly ended hogbacks elsewhere, are also religious structures, albeit of a different faith. The Brompton hogback has five valknuts in a row. The Brompton style valknut also occurs on each of the four arms of the Gosworth Cross (Cumbria), on both faces. The shaft of the cross strangely enough has scenes from heathen myth, and the only remotely Christian looking scene, which has been rather desperately identified as the Crucifixion, seems to owe more to the rune-winning ordeal of Odin described in the heathen poem "Havamal" than it does to the New Testament. The same type of valknut appears on the shafts of crosses at Sockburn (Co Durham), Lastingham, Hawsker and Brompton (all North Yorks). On the last, three 3122 of these valknuts are arranged in a triangular pattern. A fourth type of valknut, rather different from those described so far, occurs on a stone cross from Andreas on the Isle of Man and is now in the Manx Museum, Douglas. This version is basically a simple knot "tied" in such a way as to retain the basic tripartite structure of the versions mentioned above. Unlike the others it is not a closed structure but its identity as a valknut, while mildly contentious, is not really in doubt. The scene in which it appears shows a man, evidently Odin, holding a spear pointing downward as he is devoured by a great wolf. An eagle perches on the man's shoulder and the valknut is at his side. The same design appears elsewhere, on a stone discovered in 1822 at Gosforth and now incorporated into the structure of the local church. It is between the back legs of a horse. On a picture stone from Alskog, in Gotland, it occurs twice among the eight legs of Odin's horse, Sleipnir. Despite this seeming wealth of examples and the diversity of styles the valknut itself has remained enigmatic. It seems to be associated with horses, particularly with the steed of Odin, and the cult of Odin in general. Motifs associated with the symbol include the hanged man, valkyries, bears, and the scene from Ragnarok on the Manx Cross, all indicating some connection with Odin. According to HR Ellis Davidson, the valknut also appears on the funeral ship excavated at Oseberg, Norway in 1904, and on the tapestry found in that vessel, indicating some sort of funerary association. The origin and meaning of the symbol are extremely difficult to discern, as is its association with Odin. Obviously it has a decorative value as distinct from its symbolic meaning. The valknut has been used as a motif by Scandinavian weavers since the Viking Age. Indeed, it is recognised as a traditional design in that part of the world quite apart from its alleged occurrence on the Oseberg tapestry. Davidson opines that it is related to the Celtic triskele, the three-legged symbol most familiar as
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the emblem of the Isle of Man and linked with the Irish God of the sea, Manannan. The triskele is essentially a variety of the swastika, a common enough cosmological symbol, but neither can be said to possess the characteristic interweaving of the valknut. While it may be unwise to dismiss a possible relationship between triskele and valknut, it must be said that any resemblance is purely superficial, lying solely in their tripartite structures. Structurally the valknut has more in common with the Celtic triple spiral motif which is also found on Old English and Pictish artifacts and much older objects. Unfortunately there is a dearth of hard evidence for the mythological or religious significance of the triple spiral, which tends to occur within wholly abstract or symbolic designs, but it occurs within funerary contexts and has been linked with the female principle by various scholars. The various types of valknut, their contexts aside, share two important characteristics: they are tripartite and they are constructed by interweaving or interlinking. Davidson also postulates a link with the bindings that occur in Norse tradition. The best known examples of this are probably the binding of Loki following his betrayal of Baldr; the binding of Baldr himself, a theme that found itself into Scandinavian and Old English interpre- tations of the Crucifixion; the binding of the wolf Fenrir; the ritual binding of sacrificial victims, as partly confirmed by the discovery of bound corpses in the peat bogs of northern Europe; and the Herjoturr or "war fetter", a kind of paralysis that Odin and the valkyries were said to be able to inflict upon unfavoured warriors in the heat of battle. To 3123 these we might add the hangman's noose characteristic of the double sacrifice - simultaneous hanging and stabbing - known to have been used in the cult of Odin and a method of ritual killing that accords with the condition of a number of bog corpses. One bog discovery, the severed head of a man discovered at Osterby in Denmark, is very interesting; the hair on the right side of the head is gathered into an elaborate knot that looks very much like a valknut. Tacitus, writing at about the time the Osterby man is believed to have met his end, about the 1st century CE, tells us that the warriors of the Suebi (a generic name for the Germanic tribes inhabiting the region now occupied roughly by north western Germany, Denmark and the Netherlands) tied their hair in such a knot, and a number of Roman monuments depict Germanic warriors with the same hairstyle. It would be reasonable to suppose that this hair-knot marked a warrior as a follower of an early form of Odin in his role of war god. (See the author's article on "Heretical Hairdos" in Talking Stick magazine Spring 1992 for a further discussion of pagan hairstyles and the symbolic significance.) The noose found around the neck of the Lindow Man unearthed from a peat bog in Cheshire a few years ago consists of a sliding knot in a cord knotted at each end, making a triple knot. A similar noose was found on a body in a peat bog at Borremose, Denmark but the noose found on another Danish corpse, from Tollund, is much simpler. Dr Anne Ross and Dr Don Robins, along with the Danish archaeologist Professor P V Glob, believe that these nooses are related to the Celtic torc, and note that a number of torcs seem to be designed to look like garrottes. They suggest that the corpses from Tollund and Borremose were sacrifices to Nerthus, a goddess mentioned by Tacitus, and that the torc was an attribute of that goddess. Tacitus also tells us that certain warriors of the Chatti wore iron collars that would not be removed until they had killed their first enemy, although many chose to wear them until they died. In their case the collar probably indicated they were dedicated to a god of war as opposed to a goddess of peace and plenty like Nerthus. It would be rash to state unequivocally that the collar and torc represent stylised versions of the noose or garrotte - but it is an
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attractive proposition. However, torcs and collars are not valknuts, and only the nooses found on Lindow Man and his Danish counterpart can possibly be construed as being such. It seems fairly certain that the valknut has a cultic or religious significance and a particular association with death, as it name alone indicates. The Andreas Cross shows the death of Odin, himself the Lord of the Dead Warriors of Valhalla, and on the Alskog stone the valknut appears by the feet of Sleipnir, the steed on which Odin, and also Heimdall, rode to the land of Hel. It is seen by the hanged man and in the funerary scene on the stone from Hammars and on the Tangalgarda stone the rider seems to be receiving a welcome to the realm of the dead. The scenes often include female figures who appear to be valkyries or maybe even the death goddess Hel herself. The presence of the valknut on Viking Age crosses in England and on the Brompton hogback hints at a retention of this element of heathen iconography among the adherents of the new cult. The valknut is certainly part of the iconography associated with Odin but that fact alone brings us no nearer to its meaning. Representations of Odin and scenes from myths pertaining to him are common enough and their components are usually readily identifiable. If the valknut does 3124 stem from the cult or mythology of Odin, then it must represent something that cannot be given a pictorial rendering, either because of a taboo or simply because it just cannot be pictured in anything but an abstract form. The form is tripartite and interwoven; the context is mortuary, Odinic and Otherworldly and it has both equine and feminine associations. This set of conditions is peculiar to the mythology of the World Tree and can be related to certain beings associated with it. The World Tree is Yggdrasill or "The Steed of the Fearful One", which makes it a doublet of Sleipnir. It has three roots which link the worlds together. According to Snorri Sturlson, each root leads to a well or spring; Hvergemir in Niflheim; Mimisbrunnr "in the direction of the frost ogres", and Urdabrunnr "in the sky", the Well at which the three Nornir gather to decide the fates of humans and gods alike. Now it is clear from a number of references that these three wells are in fact only one under three different names. A consideration of their locations clinches the argument. Hvergelmir is the primordial well, situated in the north, according to Snorri's account of the creation of the cosmos. The nature of the "frost ogres" means that they can also be located in the cold north, and the central point of the revolving sky is also in the north, at the Pole Star. The Nornir derive their collective name from an archaic word meaning "north" which also denotes "that which is below" (compare English nether, be-neath). The name of the goddess Nerthus (a goddess of the earth) reported by Tacitus may also be so derived. While the Nornir each have individual names in England, they go by the name allocated to the eldest in Norse Tradition. The elder of the three is called Urdr by the Norse, which is cognate with the Old English "wyrd", hence the three "weird sisters" of Shakespeare. Thus they are a three-in-one being in the same way as the Irish war goddesses known as the Morrigna. Like the other, inevitably triadic, Indo European fates, the Nornir spin and weave destinies. One of them is also named as a valkyrie. This brings us back to Odin, himself a shaper of destinies. In the "Gylfaginnning" section of Snorri's "Edda" he appears in a triadic guise and is credited with having taken a drink from the well at the centre of
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the world, one source of his wisdom. Odin acquired the wisdom of the runes while hanging on the World Tree and could obtain information from the dead. The latter - apart from those worthy fighters chosen to carouse in Valhalla until Ragnarok (the Twilight of the Gods) and those who ended up in the paradisal Odainsakr, or abode of the righteous dead, the hall Gimle - resided with the dread goddess Hel in the underground realm variously known as Niflhel, Niflheim or simply as Hel located in the far north. This goddess of the dead was said to be Loki's offspring, conceived and born while he was in the form of a mare following a dangerously mischievous escapade. Actually she can be traced back to proto-Indo-European times and her original name has been reconstructed as Kolyo, "the coverer". As Bruce Lincoln puts it in his book, "Death, War and Sacrifice" (1991), "Her domain is underground and she physically conveys her victims thence by fixing a snare or noose on their bodies and dragging them down. Her bonds regularly fall upon the foot or neck of the victim, the same places where domestic animals are fettered. The deceased are thus led 3125 away like animals by Death, in whose bonds they may struggle, but which they cannot escape, caught in her snares and dragged under." Lincoln presents an impressive body of evidence to support this summary, from Ancient Greece, Rome, Scandinavia, India and Iran. The theme has altered from place to place and from one age to another but the essence has remained. He also notes that the Middle High German term for a noose was "helsing", which he translates as "Hel's Sling". He argues that German sacrifice by hanging, generally related to Odin or Woden, was actually a ritual enactment of the seizing of the victim by the goddess of death. Given the mutual concerns of Odin, Hel and the Nornir, it seems to make little difference either way. In Old English texts the term "wyrd" is, despite its other connotations, frequently used to denote death rather than a structured and unfolding future that is suggested by the functions of the Nornir and their Greek and Roman counterparts. There is of course an intimate relationship between the two concepts and death is after all the fate of every being. Scandinavian myth makes it clear that there are only two things which the gods cannot avert; fate and death. In Norse myth the name of the senior Norn is Urdr, a word in Old Icelandic that can also denote a burial mound or cairn. "Beowulf" and other texts characterise wyrd as a weaving of webs but the word usually means nothing less than the moment of death, or at least the events leading up to death. The "Beowulf" motif is revealing, however; it has already been noted that the fates tend to be spinners or weavers and in this instance there is also the idea of a snare, which can refer back to the Indo-European goddess of death as described by Lincoln. Like Hel, the Nornir reside in the far north, at or near the celestial axis and like her they reside "below ground", where the World Tree has its roots. The Nornir determine life, span and the time of death, while Hel takes the dead to her cold bosom. All these characteristics are shared to some extent with Odin, as is their femininity, apparently adopted by Odin in order to engage in seidr - the natural magic of womankind. At the very least, Hel and the Nornir are closely related, perhaps even deriving from the same proto Indo-European goddess, and Odin has acquired some of their characteristics by virtue of his association with the cosmic centre, the structure of which reflects their own nature. If the valknut symbolises anything then, it is probably either wyrd, death, or perhaps even the Nornir themselves, who are more or less the same as wyrd anyway. Exactly when the valknut would have come to represent these is difficult to estimate. Certainly the examples here all date from the
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Viking Age and appear to range in time from about the 7th to the 10th centuries CE. I am not aware of any valknuts of a significantly earlier date. It is interesting that in England the use of the valknut seems to have died out with the establishment of Christianity and the consequent decline of heathenism. The Nornir are not represented pictorially anywhere in the Germanic world, which is rather surprising. A panel of the Franks Casket shows three hooded figures who might be intended as a likeness of that fateful trinity, but it is by no means certain. Until any conclusive artifacts come to light the truth of the matter must remain as uncertain as the workings of the Fates themselves. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3126 Memorial Day Ritual This is a copy of the script written for a Memorial Day and Warrior's Honor Ceremony performed at the Heartland Pagan Festival in 1992. It was written during the festival by She-Wolf and Gary Stanfield, and is the latest of a few editions. This ceremony was intended for participation by any persons who can accept the Wiccan ceremonial format and who have been or are likely to become touched deeply by war. Realistic acceptance, loving reconciliation, and emotional catharsis are the major themes. Fears, regrets, sympathies, feelings of caring, and grievings are dealt with intensely. Adventure, patriotism, the joy of battle, etc. are ignored. The setting is outdoors in mid-morning light in a clearing among trees. There is a fire in the center of the temple space and an altar at the northernmost point of the circle. MARTIAL HONOR CEREMONY 1. Defining of the Temple Space and Time. All participants form into a circle as a drum beats slowly and steadily (about one beat per second). When the time comes to start, the HPS breaks from the circle and begins to define its outer limits with a sword. After she has just begun, the priest raises an old, rust-marked sword into the air -- this cues the first speakers. Alternating male and female voices call out (one from each quarter as the HPS passes): "Thermopylae!" "Gettysburg!" "Desert Storm!" "Uncounted thousands of battles! Uncounted thousands of wars! Over uncounted thousands of years!" Then the HP puts down his sword as the HPS rejoins the circle. 2. Calling of the Quarters. The priestess, taking one step forward from her position next to the altar says: "Guardians of the East, Spirits of Air Breath of life, lost to those who have died attend our rite and protect this circle." "Guardians of the South, spirits of fire Heat of battle, warmth of living flesh
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attend out rite and protect our circle." "Guardians of the West, spirits of water Sweat of our bodies, blood that was spilled Attend our rite and protect our circle." 3127 "Guardians of the North, spirits of Earth Symbolized by salt, once the soldier's pay Earth to which we all return Attend our rite and protect our circle." HPS then asks attendees to sign themselves, sealing their auras. [This can be done with a pentagram, hammer sign, or other sigil]. She returns to her place by the altar. 3. Interdenominational Invocation of a War Deity. HP takes one step forward from his position next to the altar and says: "As we must accept the parts of our psyches associated with our pasts in war, we must honor deities of war in our pantheons. We honor you -- Athena, Indra, Woden, Mars, Morrigu, and many others. Please come to us now." Someone costumed and equipped to portray a war deity emerges from the circle to near the center of the temple space and says: "Now also honor those humans who were honorably involved in warfare: Those who were your enemies and those who were your friends; Those who volunteered and those who were pushed by circumstances; Those who were heroes and those who were just in it; Those who fought and those who only stood ready; Those who survived war and those who did not; Those uncounted millions of your times and of times past -- They have no need to be ashamed." "Do not admire mindless rape, plunder, nor terrorizing. Do not admire raids upon the defenseless -- although in war some predation is necessary." "And since there is no shame in being a victim of a mighty tide, you shall extend compassion to refugees and other civilian and military victims." "Raise your right fists into the air to salute honorable warriors and to civilian heroes and heroines." (War deity raises his/her right fist as this order is given. After the deity drops the salute, the others drop it also). "Give the salute of embrace to signify compassion for refugees and other victims." (War deity crosses his/her arms over his/her chest to signal the start of the salute of embrace and everyone else does as the war deity does. The war deity signals the end of the salute by dropping it).
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War deity returns to circle. 3128 5. Closing. HP: "We thank the war deities for their attendance." HPS: "Let us be mindful that sometimes the warrior is the victim also." "Spirits of air, we thank you for your attendance. Receive in peace the spirits of those who were raised on funeral platforms. We bid you hail and farewell." "Spirits of fire, we thank you for your attendance. Receive in peace those whose funeral pyres burned brightly. We bid you hail and farewell." "Spirits of water, we thank you for your attendance, Receive in peace those lost or buried at sea. We bid you hail and farewell." "Spirits of Earth, we thank you for your attendance. Receive in peace those buried in the earth. Mother earth, return to us again in new forms, if it be their will, the spirits of those who have fallen." "For those who have fallen!" (She pours wine on the fire in the center of the temple space). "And the bread of compassion for the victims of war." (She crumbles bread and drops it onto the ground). HP: "By this ceremony may each of us be strengthened -- deity, spirit, and living human alike." "Nor this circle is open, but not broken." "Please ground, and you may hug." ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3129 CELTIC WORKSHOP (Internet) This is an Upload of the first Celtic Workshop on Druids, Oghams and Divination. Each student was supposed to have already downloaded the Library 16 files Oghamd.txt (A table of Ogham correspondences), Fionnw.GIF ( A symbollic representation of Oghams in Circles.) and Ogham.GIF (A picture showing exactly how each tree Ogham symbol looked.) In additional to these files, messages were posted in the Section 15 message board for Ogham correspondence tables by Nigel Pennick, D.J. Conway, John Matthews, Murray Hope, Douglas Monroe and Edric Thorsson. A lot of information is contained in these files and messages and is essential for fully understanding the workshop and discussion. I recommend reading "The Celts" by Nora Chadwick for historical background on the Celts as a people. I recommend John Matthews book "Celtic Shamanism" and also Nigel Pennick's book "Magical Alphabets". More complete discussions of many of these topics are found in those works. Due to time constraints, All the prepared material did not get presented during the Workshop. I have included it here in it's entireity at the request of the participants and in the interest of completeness. Before starting the Workshop, we engaged in informal conversation with the first topic being the book "Life of a Druid Prince". Jehana asked if I had read this book.
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O'Dubh : Never read the book Jehana : It's basically an archeological/anthropological study of... one of those sacrificed humans they pulled out of a peat bog. SUZAN : hello Jehana! Jehana : with some interesting speculations as well. Hello suzan. Hail! O'Dubh : I saw an article on it with pictures in Scientific American I think. Merry Meet Again Maiden! Jehana : yes, i think they covered it there, too. O'Dubh : looks like UFOs are the talk of the town tonight. Jehana : And The Crone greets the Maiden! SUZAN : there was a great TLC special on an archeological find like that Jehana : suzan is still here. suzan? SUZAN : geesh! there are 27 people in that room! O'Dubh : yes it's a mad house over there SUZAN : oh just lurking around a bit sorry :) O'Dubh : I didn't get any advertising here. Jehana : too busy to stay there. O'Dubh : had to do it all myself. Jehana : rilla mentioned it to me when i logged in tonight. O'Dubh : everytime I log on here I'm bombarded with announcements but no Celtic Workshop!:( Hi Susan W!! Jehana : hey, celtic workshop!! Susan W.: Hi, just nosey, what's going on? Jehana : hello susan... odubh is about to do a celtic ../. druidic workshop. 3130 O'Dubh : We're gonna be talking about Celts, Druids and the like Jehana : is it workshop or discussion or both? Susan W.: Maybe I'll listen in for awhile, already been on over anhour. O'Dubh : I know how expen$ive it is! Jehana : same here. O'Dubh : Well I guess I'm gonna start Susan W.: What can I learn here? O'Dubh : You can learn Magick, Shamanism, Oghams, Divination But it won't happen overnight. Also Druid type stuff. There's a lot to cover. Jehana : (But it doesn't all require connect time) O'Dubh : that's right A lot of the files are in the library or message boards any way Maybe I should start. Jehana : ga O'Dubh : I'm going to upload the announcement first so you can see what we'll cover. Susan W.: great O'Dubh : Dia dhuit, a Kheltoi is ni Kheltoi! (Hello to all Celts and Non-Celts!) We are going to be having on-going Work Shops regarding Celtic Topics of Interest here in the NewAge Forum. I hope to draw you Celts and NonCelts alike out of the Groves and into the CO's! Time to share some of that Knowledge we've been hiding! I plan to touch on the following topics of interest:
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CLASS #1 Druids, Oghams, Divinations CLASS #2 Deities, Shamanism, Magick CLASS #3 History, Warriors, Geneologies (maybe your family name!) CLASS #4 Languages (Gaeilge, Gaelic, Welsh, Manx,Breton), Poetry, Prose I will basically upload files to the library, prior to the class, to provide a focal point for the discussions and a framework for building a Celtic Book of Shadows. We will flesh these frameworks out through discussions online. I, by no means, have all the answers on matters Celtic. But I truly believe that ALL of us, working together, can approach advance our knowledge and rediscover the True Celtic Way. Druids are especially welcome to attend so that our Celtic Knowledge may be "Illuminated"! I also hope that The Welsh Bards will grace us with the Songs of Taliesin. Other topics will be included based upon the desires and direction of the students and other participants. I see the way that the workshops will be conducted as: Susan W.: ? 3131 O'Dubh : Opening Remarks by Me. Presentation by a Speaker (not necessarily me). Questions and Answers. Group Open Discussion and Discovery. Summation and Assignments. The classes start this Monday night in Work Shop 1 of the NewAge Forum at 10 PM EST! See you there! Beannacht leat, (Blessed be) O'Dubh Susan W> ga Susan W.: Oh, sorry, thought my screen was stuck there. GA O'Dubh : OK That was the announcement and sorry if it was wrapping on your screens! Jehana : sorry, i do have to go; i will put this workshop on next monday's calendar. O'Dubh : I'll continue with the presentation Ce'ad Mi'le Failte! (100,000 Welcomes) Welcome to the Celtic Workshop! We will be investigating and sharing our knowledge of matters Celtic here. It is my hope that the researches and references I have will add to or compliment your own. I am, by no means, the final authority on these matters. Discussion and interaction, coupled with a shamanistic journey or two should fill in the gaps and illuminate us all. all
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Dean : hello O'Dubh : Tonight I hope to lay down a firm framework for our knowledge of Druids through a discussion of their Magickal writing, called Ogham, after Ogma - Sun Face, and through a discussion of their divination techniques. It is commonly thought that the Druids left no written records of their work. I disagree. Many references exist that contain the poems of Druids, stories about their Magicks, tales of their strategies, their secret lore, their Oghams, their invocations, their victories and their defeats. The major problems with using this information is that it is the product of a long (tho reliable) oral tradition that was finally written down by their antecedents the Culdean Monks of the Celtic Church. (Probably Druids in hiding). Some of the Irish manuscripts used as references on Druids are: The Book of Armaugh The Book of Ballymote (A primary source for Oghams) The Tain Bo Cuailgne 3132 The Book of the Dun Cow The Book of Invasions The Book of Leinster Many references to what Druids did are contained within the above books. Much of what Celts wrote was symbollic of deeper meanings. Each work can be interpreted on many levels. In modern times, Druidry is being studied by several major groups, ADF and OBVD to name just two. If we have any Druids present tonight, Please come forth and identify yourselves now. (well, since only us chickens are here!) Susan W.: . O'Dubh : I'll identify myself as a student of Wicca, Druids and Celts Susan W>Whatis your interest or area? Susan W.: I have no knowledge in this area . . I have been told a little bit by a friend. The extent . . . is that I understand this Wicca, Druid beliefs, are very old and are based on the powers of the earth? ga O'Dubh : yes the knowledge of Druids/Wiccans is based upon the Earth and it's power. The knowledge of the Oghams is tree knowledge applied as symbols in the use of Magick and Divination. I'll upload some info on each symbol or group of 5 symbols and show what their meanings are. The Druids were the shamans of the Celtic Clans. They carried the history, the culture and the geneologies of the Clan in their memories.
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To aid in remembering this information, Oghams were used, each Ogham being associated by its beginning sounds with the item to be remembered. This is similar to alliteration in today's writings.This led to an entire series of different types of Oghams. Tonight we will discuss tree oghams and Fionn's Wheel. Ogham BTW is pronounced "O Wam". It's one of those strange Gaelic things! I have listed the Oghams for those of you that haven't downloaded the Ogham GIF's or the Ogham Divination files in Library 16 yet. Each Ogham is listed by its ancient Gaelic name, then its modern Irish name and then its Welsh counterpart. The first group of 5 is from the North on Fionn's Wheel. (it is from the Book of Ballymote) 7th century Irish manuscript. 3133 Susan W.: . O'Dubh : Beth Beith Bedw Birch - The White Tree of Purification Protection against harm, physical and spiritual. Deal with/clear away the bad things of life. A new begining. Peasant. 24 December-20 January. White. Luis Caorthann Criafol Rowan - Tree of Life Protection against psychic attack. Develop powers of protection and foretelling. Used in Metal dowsing. Planted around stone circles. Peasant 21 January-17 February. Liath (grey). (also luisne or "red glare"). Fearn Fearno'g Gwernen Alder - "The Red Man" (pranksters, also help one escape the Otherworld) Used in fires to make swords. Frees the Earth from water. Used in Building Foundations because of this fire aspect. Protection in conflicts. Freedom from binding Magicks. 18 March-14April. Crimson or blood red. Saille Saileach Helgen White Willow or Sally Tree - The growth of lunar power and water. Linking and harmonizing. It's power is greatest at night unless the Moon is visable during the day. Susan W.: ? O'D O'Dubh : Tied to the Moon phases. Protection against diseases. Peasant. 15 April-12 May. Sodaith (Bright or fine). Nuin Fuinnseog Onnen The Black Ash - The Tree of Rebirth Links the World of Spirit to the physical. The passage way between the inner world and the outer realms. The keys to the future but only in time. First Chieftan Tree. 18 February-17 March Necht or clear in color.
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Yes Susan W? (I actually heard Susan W and responded at this point but have included the other uploaded information here for completeness). Huath Sceach gheal Ysbyddaden - The Hawthorn or Whitethorn The May Tree. The name means "Terrible" referring to the Destroyer aspect of the Goddess. Unlucky (especially to cut it except in May). (Bringing the blossoms in the house is also unlucky). Rags are tied to its branches as offerings. Protection against all ills Magickally. Peasant. 13 May-9 June. Purple (For the Hag/Underworld). Duir Dair Derwen Oak - The King of Trees The Oak King. Magickal strength. The doorway to inner knowledge. The ability to see the invisible or be invisible. 3134 The ability to bar or open the ways. 10 JUne-7 July. Black. Chieftan. Planted in Sacred Groves by the Druids. Tinne Cuileann Celyn Holly - "Fire" The Holly King. Balanced Strength and Power. Unification, Fatherhood, Rebirth. Fire, strength, boldness. Peasant. Temen (grey-green). Coll Coll Collen Hazel - "By the Power of Three Times Three" Discovery, Druidic Herald wands "Word Wisdom". Used as A Magick Shield in warfare (Fionn's Shield). Water Witching forked rods. Nut-Brown. Quert Aball Afall Crab Apple - Tree of Eternal Life Isle of Avalon. Five seeds/blossom petals. Apple-green or Mouse-Brown. Muin Muine Vine - "The Vernal Equinox" "The First Harvest". Chieftain, 2 September- 29 September. Mbracht (variegated). The Magickal ability to roam widely and to gather. Assimilation leading to inner development. Gort Eadhne'an Eiddew Ivy - "The Second Harvest" 30 September - 27 October. Gorm (blue). scarcity in unfavorable situations. Changes necessary for growth. All things are tied to the Earth. Transformation by being rooted in the Earth. Ngetal Giolcach Cawnen Reed - "The Tree of Scribes" Used to make pens and Welsh plagawd (paper). 28 October - 24 November. Thatching, mats, baskets. Insulation, Enclosure, Covering. Preserver of Knowledge, Maintainer of Order. Nglas (glass green or yellowish-green).
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Straif Drai'on Draenenwen Blackthorn - "Tree of Punishment and Strife" Peasant. Staves of Magickal Power. Draoi (Wizard), Drai' (Druid). Power in Visible and Invisible Worlds. Use to overcome resistance to One's will. Sorcha (bright colored) or purple-black. Ruis Trom Ysgaw Elder - "Tree of the Cailleach (Hag)" ru'isce (a violent attack, a blow, a throw). Irish Witches rode Elder sticks instead of brooms. Three fold aspects of Time, Existence, Goddess. Ogham of Timelessness or unity of all time. Balance in threes. Rocnat (roebuck red). 3135 Susan W.: How would you use this information, for example . . . the Native Americans use prayers for certain rituals, such as blessing your surroundings. How would you use that infor.? Ga O'Dubh : The information would be used in divinations and in casting spells. It would also be used to mark pathways for Spiritual journeys into the Celtic Otherworld. The first use of Oghams was on Birch, for instance, and it was interpreted by the Irish God Lugh to mean that a Magickal attack was going to be made upon his wife. Freepowder: hi all O'Dubh : He took precautions. Hi Freepowder !! we are underway with our workshop. Freepowder: I didn;t miss it? O'Dubh : I'm just telling Susan how Ogham information was used. It's happening right now. Anything missed will be in the library. Freepowder: out standing, but I can't stay long O'Dubh : Susan>Does that answer your question? Freepowder: GA Susan W.: So, he called upon the spirit of the Birch tree to protect him??? O'Dubh : He used the Magick of the Birch symbol to protect him and his wife. Birch was used to surround them and protect them from Magickal attack. Lugh's wife was in danger of being spirited away to the Underworld. Freepowder: (sorry) who are we talking about? Susan W.: Gottcha. :) Difference in interpretation. GA O'Dubh : The Celts were also shamanistic just like the Native Americans Ok Susan W.: ? O'Dubh : FP>We are talking about the use and meaning of Oghams and symbols of Magick. FP>GA Freepowder: in general? O'Dubh : Well I'm presenting the meaning for each Ogham as based upon the information handed down by the Irish Druidic Bards. Misty : Can you tell us a little about the shamanistic part of the Celts? Freepowder: ah! O'Dubh : Misty>I will cover that more fully next week but.... the Celts lived close to nature as did most peoples O'Dubh : in the past. They observed that they had to interact with it on a more personal basis than we do today.
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I am introducing symbols and diagrams to be O'Dubh : used in Magickal journeying. Misty : Ok, sounds good!! Freepowder: O'd> the Celts focused mainly on Trees & shrubs, while the NAIndians, Freepowder: focused more on animals , right? O'Dubh : FP>The Celts tied Oghams to everything... Birds, animals, shields, flowers you name it! Freepowder: ! O'Dubh : They even had a secret Hand Language! GA 3136 Misty : I've heard of that...how was that used? Freepowder: sounds like modern gang!>... Ogham was used like runes or tarot? ga O'Dubh : FP>one of the messages I posted has a direct correllation for Oghams and TArot! Susan W.: ? Freepowder: I missed it, been a heavy wkend GA O'Dubh : It's in Section 15. Susan >GA Susan W.: I had someone give me a shamanistic (N.Amer.) style drumming experience. .. in which I saw the trunk of a very large tree . . with a section that you could walk into . . . like the old forest located S. of Yosemite . . . what are those called again. ? Anyway GA Any meaning to that vision? O'D? Sequoia . that's it. O'D> GA SUZAN : O'D is having some trouble with his connection....... he will be right back..... Susan W.: ok I'm probably gonna split in a few . . . been on almost 2hrs. SUZAN : thanks for being patient Susan W.: What are your interests again Suzan? SUZAN : i am an astrologer Freepowder: Suzan> by the look of it we have just got started w/ this, right? Susan W.: Hi O'D Freepowder: welcome back O'D O'Dubh : Sorry about the line going down! Thanks guys! Freepowder: Mercury is retarded O'Dubh : So where were we? Freepowder: Sequoyah in vision Susan W.: Did you get I saw trees in a vision? O'Dubh : FP!>LOL probably what the prob is! Freepowder: GA O'Dubh : Susan>Yes Susan W.: Any importance? O'Dubh : I was telling how Celts/Druids saw all of life interconnected like the Oak limbs I believe your vision is telling you to look within yourself to see how you connect to the life around you perhaps you should go on a shamanistic journey. Freepowder: ? O'Dubh : Discover your inner truths. FP> ga Freepowder: Shamanistic Journey?...
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you mean like a vision quest? Misty : Did we lose him again? O'Dubh : Yes FP but along definate paths Susan W.: O'D> celtic style? O'Dubh : let me continue and I'll show you the map. Freepowder: GA O'Dubh : Susan>Definately Celtic style if that is what you feel closest 3137 to. Susan W.: Actually more N.Amer. style :) O'Dubh : Native American style is nice but I am a Celt. Susan W.: Tell me your way. O'Dubh : Watch and see !! they (the ways) may be closer than you know!:) Freepowder: O'Dubh : Ok I'm going to skip the Ogham meanings and go straight to the Wheel of the journeys. This is Fionn's wheel and is a GIF in Lib 16. Fionn's Wheel is a diagram found in the Book of Ballymote. It shows all 25 Oghams arranged around a series of concentric circles (in library 16 as fionnw.gif). This diagram can be used to divine paths necessary for "Pathworking", a very powerful shamanistic technique. I have identified the meanings of each Ogham on the paths (using the correspondences from Nigel Pennick mostly). Each Ogham's meaning can require at least a workshop of it's own to fully cover. I offer these here to show what can be done with Oghams: An Roth de an Bealach (The Wheel of the Ways) ___________________________________ Each path will be identified with it's Gaeilge/English name and the elements along the Ways. The Northern Path is first. (from outside to inside) ___________________________________ An Cosa'n do Sla'n (The Way of Protection) The White Tree of Purity The Tree of Life The Red Man The Moon The Keys to the Future ___________________________________ This is the first path on Fionn's wheel 0jim : hellod O'Dubh : It contains the first 5 Oghams B L F S N jim : hello O'Dubh : This path is first because it teaches the new student how to protect him/herself from Magickal harm. HELLO jIM Please standby jim : ok O'Dubh : this is a formal Workshop But join in !!! Any way, the first step was Purification, followed by gaining an ally in "the Red MAn", a being kind of like Coyote in Native American workings. The tree of life is there as well (this could be what Susan saw in her dream)
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The Moon represents the protection of the Goddess When the inner level is reached the student gains the keys of knowledge 3138 but not the wisdom to use them. Another journey must be made. That is the next path. ___________________________________ O'Dubh : This Path contains the Ogham EBA: An Roth de an Bealach (The Wheel of the Ways) ___________________________________ An Cosa'n de Fe'ile (The Way of Ritual) The Sacred Grove (Imbolc) ___________________________________ This path requires an understanding of the major Religious festivals of the Celtic year begining with Imbolc, The new beginings The festival of Brigit. Susan W.: ! O'Dubh : It also requires one to perform such a ritual Susan>ga Susan W.: O'D & all> sorry, but I gotta go. Thanks for the info. jim : ! O'Dubh : Susan> ok I'll continue and upload all this into the library. B*B jim>ga Susan W.: THanks, I'll check into it. Bye. jim : Thanks for the insight to PAGANISM. Get out of this stuff! Freepowder: ? O'Dubh : jim>not sure what you mean? jim : ! O'Dubh : jim>ga jim : you know! Druids, Pagans, Witches, stuff like that Misty : Get out??? jim : ! Scott : uh oh. O'Dubh : JiM>We are Druids, Pagans, Witches and stuff like that. jim : ! O'Dubh : You are well to listen in to the workshop. Jim>standby just a second. FP has a question FP>ga Freepowder: I thought Samhain was the beginning of the Celtic year? ga O'Dubh : FP>It's the begining of the Celtic year but not necessarily the begining of the study of Celtic religions. ga Freepowder: ? O'Dubh : FP>ga Freepowder: Imbolc... is the start of this path of wisdom?... or study on fionn wheel, right? O'Dubh : FP>The study of all the major festivals is the second path The symbol is actually the Grove. The most powerful Magick in the Druid rites Freepowder: ah! 3139
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O'Dubh : was The victory of life over death, the renewal of the wheel of the year, the marriage of the Crone to the Oak King or Cernnunos. That would not be an appropriate start point for begining the study of Druidic Magicks. (Before a student can begin Magickal work, the ability to shield and protect oneself must first be developed. This is why the first way studied is the way of protection. The next step to performing or learning occult wisdom would be in a protected environment, such as rituals or Circles. What better ritual for a fresh start than Imbolc which is symbollic of New Beginings and the Quickening of Life? Samhain is actually the end point of the year and represents the culmination of the Druidic Mysteries. Jim>I believe you had a question?ga jim : not really O'Dubh : ok jim : just watching and laughing O'Dubh : any other questions? Scott : ? Misty : So are you saying that Winter Solstice is the beginning of the wheel? O'Dubh : Jim>I suggest that you watch your behavior since the forum has some strict rules about jim : ? O'Dubh : putting down what others believe. Jim>ga jim : i'm not putting you down, just enjoying the show O'Dubh : Jim>Are you done? or do you have a question? jim : 1! ? O'Dubh : Jim>ga jim : soo sorry if i offended anyone, didn'y mean to got to go O'Dubh : Goodbye jim now to continue Freepowder: Slan leat J Scott : ? O'Dubh : the next path to aid us in becomming more enlightened is the Eastern path on the wheel. Misty : What about my question? Or did someone beat me to it? ******** Answer inserted by O'Dubh **************** (I completely missed Missy's question in all the confusion. The answer to Missy's question is that Samhain is the begining and the ending of the Celtic year. It is the time when the God of the Underworld marries the Crone aspect of the Goddess. The new God or the Sun is not yet reborn until the Winter Solstice. The Celts began their days at sundown. It is not surprising that they began their new year with the end of the last harvest. The period between Samhain and Imbolc is the dark part of the year and is therefore like the night before the day. During this period preparations were made for the onset of winter and the coming spring planting.) ****************************************************************** Michael : Whats up tonight? jim : \exit 3140 O'Dubh : Scott>ga jim : \exit O'Dubh : Jim> try /exit jim : thanks
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Scott : O'D did you say you were going to upload this lecture? I would really like to D/L it, but have to go to bed... O'Dubh : Scott>Yes I will and will add notes as I go ! Slan leat! Blessings Scott : Any idea what the file name will be? O'Dubh : It'll be celtws1.txt Freepowder: byer Scott : thanks for your time, Blessed Be. O'Dubh : Pressing on here and watching the clock. O'Dubh : This Path contains the next 5 Oghams H D T C Q: An Roth de an Bealach (The Wheel of the Ways) ___________________________________ An Cosa'n do Fios (The Way of Wisdom) The Cailleach The Oak King The Holly King The Three Times Three The Tree of Eternity ___________________________________ O'Dubh : This Path contains the Ogham OI: An Cosa'n do Gra' (The Way of Love) The Spindle of the Wheel (Beltaine) ___________________________________ ******** Additional Data inserted by O'Dubh ************** O'Dubh : This Path contains the next 5 Oghams M G NG STR R: An Cosa'n de Deis (The Way of Balance) The First Gathering The Second Harvest The Tree of Scribes The Tree of Punishment The Triple Goddess ___________________________________ O'Dubh : This Path contains the Ogham UI: An Cosa'n de an Fhi'rinne (The Way of Truth) The Ancient Knowledge (Lugnasadh) 3141 The Inner Mysteries ___________________________________ O'Dubh : This Path contains the next 5 Oghams A O U E I: An Cosa'n de an Saol (The Way of Life)
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The Tree of Regeneration The Tree of Continuous Fertility The Morning Dew The Preventer of Death The Tree of Life and Death ___________________________________ O'Dubh : This Path contains the Ogham AE: The Way between the Worlds The Sea (Samhain) **********End of inserted data *************** I will cover all of these and their meanings in the next Workshop, next Monday. Freepowder: ? O'Dubh : I'm putting them here to give everyone a chance to read and study them. FP>ga Freepowder: A bit off the Subj... if you find the time could you help with... Gaelic Pronounciation? O'Dubh : FP>Sure will and I'll put notes in the upload as well. Freepowder: thanks! Rilla/Sysop: Hi all! O'Dubh : I'm going to type the rest of the paths in now to speed things up. Hi Rilla! Freepowder: Hi rilla, Dai dhuit Rilla/Sysop: Dai dhuit! Did you learn what that meant ??? O'Dubh : Rilla>It means Hello. Rilla/Sysop: Just stopping bye to tell y'all goodnight! and hugs! O'Dubh : Gang I see that we will have to continue next week It's late and we still have about 2 hours to cover. Freepowder: ? Misty : I hate that. O'Dubh : I will post the rest of my lecture on the section 15 message board. FP>ga Freepowder: what time does this start?... and will it be in the Co notices? O'Dubh : It starts at 10 PM Est. Yes it should be. I have to get Rilla to do it. Freepowder: 7 PST O'Dubh : I was surprised it wasn't. 3142 FP>that's right 7PM PST. Freepowder: numbers hate me O'Dubh : I know I appreciate everyone being here. Misty : No prob.. O'Dubh : Next time we''ll cover how to make a shamanistic journey using the Oghams and Fionn's Wheel. Misty : See ya next time or probably sometime during the weekend. Freepowder: O'D, I appreciate you taking the time to put this on! O'Dubh : Beannacht leat! Thanks everyone!
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Hugs! Slan Freepowder: Sl'n leat! Misty : Night....*B*B* Freepowder: well, who's left? ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3143 What follows is the rest of My presentation concerning divination: O"Dubh : Western (read Druidic) meditation was usually done for divination and foretelling the future. This was called by the names: Tenm Laida, Dichetal Do Chennaib and Imbas Forosna. Tenm Laida (Illumination by Song) is an altered state usually achieved by chanting or singing of a repetitive pattern. This can also include drumming and dancing. These activities synchronize the body and mind to an external rhythm allowing us to cast off the chains of normal existence. This allows one to float at peace within the song (dance, beat, mantra, etc.) This is a strictly Druidic or Shamanistic practice even though it may look like TM. Dichetal Do Chennaib (Cracking open the Nuts of Wisdom) is a state achieved by relaxation and clearing the mind in a Ritual environment. It usually involved using some Magickal implement such as a knife, a sword or a staff to touch a subject (usually upon the head) or involved the handling an item so that the diviner could discover what secret knowledge was contained within it. This information could be events from a person's past life, a detailed history of who and what had happened to an object or how and why the subject was being hexed or spelled. I know this sounds like ESP but it was enhanced through Ritual and relaxation techniques. I believe that Dichetal Do Chennaib is the proper state for performing Ogham divinations as well. More on this later. Imbas Forosna (Illumination) was a form of altered state used by seers and bards to create or see visions. The Druid would be totally isolated from all sensory inputs, sounds, lights and feelings. This was usually a very dark room or a covering of hides. The Druid would attempt to float and relax. When in the proper state he/she would signal for the hides to be removed or he/she would open the door out of the Darkness. The sudden, instantaneous transition from Darkness to Light would cause him/her to see visions or to spontaneously utter poems, prophecies or to achieve a total Awareness of the secret Knowledge of their Surroundings. This sensory deprivation forced oneness upon them and caused them to become centered and to float. It was their Ultimate Meditation technique. The Druids also used music, colors, trees and numbers to alter their consciousness. They were familiar with the Pythagorean Mysteries and may have actually been the source of them! Druids shared IndoEuropean roots with the Indian Brahmans but I don't have any hard data to support any similarities in their practices.
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3144 O'Dubh : To perform an Ogham divination , one must be clear about the purpose or object of the divination before begining. Focus this purpose in your mind before starting meditation and/or Circle casting. I find that working within a Magickal Circle tends to prevent outside psychic influences but don't believe it's absolutely necessary to use a Circle. The form of divination is Dichetal Do Chennaib. What we will be doing is casting sticks or "fews" upon a casting cloth. The sticks are about finger length and size and carved with Oghams for each of the 25 symbols. (I prefer to work with woods that are the actual symbols used for each Ogham where possible. Obviously, some "Crane Bag" symbols are not trees and will have to be carved on some neutral wood or other substance, shells or rocks for instance. I use Ash or Oak for any substitutions.) The casting cloth is a representation of Fionn's Wheel and can be multicolored (as in the GIF), plain (Black and White) or just drawn on the floor or ground. I like to make the largest Circle about my height (in my case 6'2" but use what is suited to you). I orient the Wheel with the "B" Ogham to the North. I stand on the South side of the Wheel facing North about 3 feet back from the "M" Ogham. Place the Oghams in a bag and then randomly select 7 of them. Close your eyes, spin around three times while blanking your mind from everything but your purpose. At the end of the third spin toss the 7 "fews" into the air about 3 feet above your head and towards the center of the Wheel. Once they have settled out immediately read the arrangement of the sticks as a general impression only. Write this down. Also record the relative orientations and postions of the "fews" upon the Wheel. Pick up the cast sticks and return them to the bag. Repeat this process twice more so that a total of three readings is available. O'Dubh :You should now have three Wheel/Ogham Divination charts that have the relative positions of 21 Oghams on them. Interpret the Oghams based upon the correspondences I referenced previously. (This came from Nigel Pennick's Book "Magical Alphabets" with the actual meanings for the Oghams being from the Bardic/Druidic traditions as passed dowm by the Clan Bards of the O'Flahertys). I use the correspondences that "feel" right to me. You should do the same. No one set of correspondences is the absolutely right one to use. The above correspondences just hang together better in my own mind. The basic technique to reading the tale of the sticks is to read then deosil (clockwise) and from the outside to the inside. The "fews" towards the center represent the future and those towards the outside the past. Any sticks not on the Wheel are ignored. Crossed sticks conflict. Parallel sticks compliment or enhance. Sticks laying on Oghams of the Wheel have combined effects. The interpretation is not hard and fast. I read the symbols as a "story" that is dynamic. I take all three divinations together. If they have no correllation at all, I ignore the results and try again. Sometimes A divination is not possible. I'll try at least three times to get results. The relative agreement of each of the Three Wheel/Ogham charts determines the degree of confidence one can have in the readings, from utter certainty to total confusion! (reminds me of Sex for some reason but that's another story! I guess the point is that 3145
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such Powers and their use are not instantaneous or easy to realize at times. Sometimes its easy and other times impossible no matter how much you try!) This entire process of interpretation is very similar to: Palmistry, Tarot, Astrology or Runes. They are all basically taking seemingly random or (at least) uniquely individualized instances from a person's life and attempting to give meaning to such events based upon how they relate to Magickal symbols and patterns. What is actually occurring is that the left brain is gathering facts from the cast patterns that configure the mind and Spirit to allow the right brain to make the "Salmon leap" to intuitive insight or Illumination. This is Dichetal Do Chennaib or "cracking open the nuts of Wisdom" at its finest. After the divination is finished, dismiss your Circle and fold or erase your casting Wheel or cloth. Store them separately and away from normal life until they are to be used again. I recommend a wooden or cedar chest. Use whatever represents peace, quiet and solitude for you. O'Dubh : So what have we found from this discussion of Druids, Oghams and divination? We found that Information exists concerning Druid Oghams in the ancient 7th and 8th century writings of Irish monks-Druids. We disovered that Fionn's Wheel can be used as a divination casting cloth and as a "map" for "Pathworking". We suggested that the Ogham correspon- dences can identify unique ways to Magickal knowledge and insight. Most of this information came from oral Druid histories that were finally written down in the first millenia by the Druid remnant or Culdean Monks. I admit that some of my presentation has been colored by my interests in other forms of MAgick that have more readily available information, such as Runes, Tarot and Astrology. I have also made every effort to go to an ancient textural source or, at the very least, to a modern writer basing their work upon ancient verified Druidic works. In our future investigations into Druidic practices and Magick, I hope to continue using the same techniques to discover or rediscover the Mysteries of the inner Druidic Knowledge. ****************************************************************** Key words to look up and understand for this Workshop and the next: Shamanism, Pathworking, Magick, Oghams, Druids, Culdee, Celt, Fionn, Archetypes, Jung, Vision Quests, divination, meditation, Bards, Invocation, Circles, spirit guides. During the discussion of Fionn's wheel we will primarily address archetypes, symbols, Magick and Shamanism as well as Pathworking. CELTIC WORKSHOP (Internet) This is the second Celtic Workshop. We covered Pathworking using Fionn's Wheel and how Druids did Magick. (O'Dubhain - 28 Feb 1994) *SYSTEM* | Switching to Workshop/Seminar 1 Freepowder | heloooooo O'Dubhain | Hi! | Looks like just you and me! Freepowder | how many are we? O'Dubhain | Hi Tammy! 3146 Tammy | Hi!!! | I got my old man to give me 15 minutes. How generous!
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Freepowder | BRB, Hi tammy! Jee-ah guitch O'Dubhain | What a nice guy! | Ban jeeah Gwitch! Tammy | Sorry I won't be able to stay for the whole thing. O'Dubhain | heheheheeh! | That's ok you can download it later Nan | 'lo everyone O'Dubhain | Lo Nan! Sue Thornburg | Hello!!!!!!!!! Falcon | Hi All Freepowder | it's obvious that the Celts had a sense of humor, look at their spelling HI nan, Hi falc Sue Thornburg | FP> HAHAHAHA O'Dubhain | Hi Falcon! Hugs Sue Sue Thornburg | Will this be a formal CO, Odie? Falcon | Hi O'D O'Dubhain | Sue>It's semiformal! Freepowder | hi sue, the word for the day is *maismic* Wren | Hi, guys O'Dubhain | It's a workshop! Freepowder | hi wren Nan | maismic? Falcon | Sue Thornburg | Oooh, good, I'm wearing half of my tux. O'Dubhain | Hi wren Falcon | Hi Wren O'Dubhain | Lo Eric Let's get cranking folks Eric | LO OD Falcon | What is a workshop?? Freepowder | I'll be good, O'd, promise O'Dubhain | A Workshop is another word for a CO But since its a WOrkshop it's supposed to be hardere! Eric | and maismic?? O'Dubhain | ANYway Falcon | *maismic* O'Dubhain | The way this works to date is I talk about some subjects and we discuss them | then we maybe come up with some new ideas Sue Thornburg | Sounds terrific. :) O'Dubhain | It runs like a formal CO to begin Just put in a ? or a ! Fred McCandless | so toss out an idea O'Dubhain | If you have a comment or a question | OK | First last week | We talked about Druids Oghams and Divination. Fred McCandless | ? O'Dubhain | I placed a bunch of files in the library 16 to be used in the workshop. ok Fred>GA Fred McCandless | si O'Dubhain | Fred> Got a question? Wren | He's gone, O'd O'Dubhain | anyway the way it works is just like 3147 that! ok The files give you background on what we discuss. So the first question I would ask is.... Jehana Silverwing | hi odubh. | ust O'Dubhain | Why are we studying these subjects? | Hi Jehana!
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| I mean what are we going to get out of this | study? Nan | cause we like to waste $$ on CI$? O'Dubhain | ANyone want to volunteer an opinion? Falcon | ! O'Dubhain | Falcon>ga Falcon | I study things because they are there and I feel I should learn as much as I can Nan | ! O'Dubhain | Me too Falcon! | Nan>ga Nan | on a more serious note....I'm interested in learning about them because they are part of my heritage and the heritage of those around me O'Dubhain | That's a reason I study them too Nan. When I asked myself these questions I came up with some answers. Why study Oghams? The answer was because the Druids used them in Magick. David Pfeiffer | To add more to that Nan, being new here, I'd like to learn more about the history of the natural beliefs because they may be the only saving grace of this planet. O'Dubhain | They are symbols of Magick. David> That's a good one too. David Pfeiffer | Sorry to interrupt. O'Dubhain | The reason I study Magick is just that that's ok I study Magick of the Earth and of people and of the SPirit to find the keys to who I am How we relate to each other and to the Planet Jehana | i agree with david. O'Dubhain | This is a time that we are all coming together to save ourselves and our Planet The ancient Wisdom shows us a Way to do this Jehana O'Dubhain | We must look within for the Power of self-awareness For growth and harmony. The Oghams are the roadsigns on the Ways to this Wisdom David Pfeiffer | But the whole idea is not for ourselves. We are just as important as individuals as a leaf is to a tree. One leaf only holds so the tree may live. O'Dubhain | One map of this inner journey is Fionn's Wheel. Right again David. But we must start with ourselves. To have a tree one must have leaves. and branches and a trunk and roots as well as Life. It's all got to work together. The purpose of this workshop tonight is to determine the way that Fionn's Wheel shows us how to "Pathwork" to knowledge of ourselves. Nan | ? O'Dubhain | To show how Druids did this Yes Nan Nan | i think i know what you mean by "pathwork" but could you please give a brief definition so that i know we're thinking the same O'Dubhain | OK. Pathworking is basically an inner journey to discover Truths within ourselves Falcon | ? Nan | thanks O'Dubhain | It allows us to tap a "Higher" wisdom To 3148 know our totems and our Spirit guides. Yes Falcon ga. Falcon | What is Finion's Wheel? O'Dubhain | Fionn's Wheel is a representation of the Oghams laid out in Circles around a center. Like a Native American Medicine Wheel. It is pretty much the same thing for shamanistic purposes I uploaded a GIF of it into Lib 16 as FIONNW.GIF Falcon | thanks O'Dubhain | On it are the Ogham symbols for our journey. Wren | ?
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O'Dubhain | Each symbol represents an ability or a knowledge to be gained or understood, Wren ga Wren | Is there a book with the diagram? I can't see GIF's O'Dubhain | It's in the following books: "The Book of Ogham" by Edred Thorsson, "The Celtic Shaman" by John Matthews Jehana | will capture the gif. O'Dubhain | "The Book of Ballymote" by a 7th century Culddean Druid, Jehana also in Religion lib. Jehana | okay, odubh. Beth Campbell | send 2 what's Palyne? Is this a formal co? O'Dubhain | yes Beth? The way Druids worked Magick was by "becoming" or by actually changing reality A classic example of this is The Song of Amergin the Druid who aided the Gaels in defeating the Tuatha de Danaans. I quote from his song: | "I am the wind which breathes upon the sea. | I am the wave of the ocean. | I am the murmur of the billows. | I am the ox of the seven combats. | I am the vulture upon the rocks. | I am a beam of the Sun. | I am the fairest of plants. | I am a wild boar in valour. | I am a salmon in the water. | I am a lake in the plain. | I am a word of science. | I am a point of a lance in battle. | I am the God who created in the head the fire. | Who is it who throws light into the meeting | in the mountain? | Who announces the ages of the Moon? | Who teaches the place where couches the Sun? | If not I? Jehana | I think this song is a teaching ballad. O'Dubhain | I invoke the land of Ireland!" Jehana | by the way, whose translation is this? O'Dubhain | Yes it teaches and it invokes the power of the Land. This was the translation by Douglas Hyde. Jehana | okay, just simply because it is slightly different than the one i remembr. O'Dubhain | This Spell was used by the Druid to overcome the winds raised by the de Danaans in their battle for the Land. It is an example of the way a Druid would work. There are other tales of shamanistic workings by Druids Freepowder | ? O'Dubhain | Among these is "How the Tain was Recover- ed" Yes FP? Freepowder | you spoke of becoming, is Amergin actualy 3149 becoming... those things or, has he been in the past? Nan | or is it a metaphor? O'Dubhain | He is actually synchronizing himself with the spirit that controls these items. It is a series of symbols. It can be viewed metaphorically. But the fact is it got results. The wind died and the Gaels landed on Ireland. Freepowder | ok GA O'Dubhain | Present day shamans do the same thing. The story of the Tain was lost and had to be recovered. It had been written in Oghams on sticks and sent to Italy. None of the bards had a memory of the entire story, so they sent two men to recover the Oghams, Senchan and Muirgen. No one knew where to look for these Ogham sticks. So Muirgen decided to ask Fergus mac Roich (only one problem---Fergus
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was dead) So Muirgen slept on his grave and invoked the ghost of Fergus to reveal the entire story. The Spirit of Fergus appeared in a cloud and for three days recited the entire epic. Muirgen was able to go back to the Bards and tell the entire tale. This tale was written down and we have it today. This is an example of dream traveling to discover hidden knowledge Artemisia | ? O'Dubhain | yes Artemisia? Artemisia | sorry...computer fart O'Dubhain | hahahaha! ok Jehana | Sue Thornburg | Freepowder | O'Dubhain | mine was getting constipated! Freepowder | *maismic* Jehana | LTB? lettuce, tomato and bacon? O'Dubhain | haha! Nan | lol O'Dubhain | gotta be! Anyway the point is Druids did Magick in a lot of ways that has to be discovered again from studying these tales. Native Americans pass this kind of know- ledge down from teacher to student. We are not so lucky. We have to dig it out of books and figure out the symbolisms! Sue Thornburg | Unless we have an O'Dubh and a computer. :) Artemisia | :-) O'Dubhain | But not for speed typing!- or typos!:(To take a Journey on Fionn's Wheel, I suggest One study the Paths as outlined in Workshop #1 in Library 16 here as CLTWS1.TXT. Beth Campbell | Does this mean ... those who don't respect the past are doomed to repeat it? Jehana | only if it was a "bad" past . Freepowder | *maismic* Sue Thornburg | O'Dubhain | I think we all get our turn in the "barrel"! Jehana | sorry. O'Dubhain | The first Path according to my inner vision Beth Campbell | wrong choice of words (sorry) (must be mercury) going to repeat it O'Dubhain | and as based upon the Oghams in Nigel Pennicks "Magical Alphabets" is the Way of Protection. This Way has the Oghams B L F S N on it from the outside to the center. Each Ogham on this Path teaches us a Magickal ability. The first Ogham B stands for 3150 the tree Birch--The White Tree of Purity and Purification. Jehana | B is birch in the norse runes, too. O'Dubhain | It is used to protect and Purify us before we start our journey within. It was the first Ogham ever used. It warned Lugh that his wife was going to be abducted to the Underworld and it will serve to show us that we are protected. Life springs anew. To make such a journey one should meditate and cleanse oneself of all unclean and impure thoughts. Beth Campbell | (sounds like Eve and the Apple) O'Dubhain | Native Americans might do this in a "sweat lodge". more of a putting away of the mundane bagage of life. baggage that is ! Make an Out of Body (OOBE) type of Journey to a White tree shining against a totally Black Darkness. Use its image to purge your mind of distracting thoughts and go to the next level ---The Tree of Life. Upon this tree one learns to shield unwanted psychic energies and Magicks. This Ogham is "L" for Rowan. When one is floating in an OOBE one needs such shielding to travel safely.