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The August 1938 shipbuilding plan envisioned a total of 15 Project 23 @-@ class battleships , and this grandiose scheme was only slightly revised downward to 14 ships in the August 1939 plan . Eight of these were to be laid down before 1942 and the remaining six before 1947 . However , only four were actually laid down before the outbreak of World War II forced the Soviets to reassess their ambitious plans . On 19 October 1940 an order was issued , signed by Stalin and Molotov , that no new battleships would be laid down in order to concentrate on smaller ships ' building ( and also , probably , because more resources were required for the Army ) , one ship is to be scrapped , and priority should be given to only one of the three remaining battleships .
The Soviet shipbuilding and related industries proved to be incapable of supporting the construction of so many large ships at the same time . The largest warships built in the Soviet Union prior to 1938 were the 8 @,@ 000 @-@ metric @-@ ton ( 7 @,@ 874 @-@ long @-@ ton ) Kirov @-@ class cruisers , and even they had suffered from a number of production problems , but the Soviet leadership appeared to ignore the difficulties encountered in the construction of the Kirov class when ordering 14 much more ambitious ships . Construction of two more ships planned for Leningrad and Nikolayev had to move to the brand @-@ new Shipyard Nr. 402 in Molotovsk because the existing shipyards could not be expanded to handle so many large ships . Components for these two ships had to be manufactured at Leningrad and shipped via the White Sea – Baltic Canal to Molotovsk . Also , the turret shop at Nikolaev proved to be too poorly equipped to assemble the 406 mm mountings and the propeller shafts had to be ordered in 1940 from Germany and the Netherlands as the domestic plants were already overburdened with orders . Shipbuilding steel proved to be in short supply in 1940 , and a number of batches were rejected because they did not meet specifications . Armor plate production was even more problematic as only 1 @,@ 800 metric tons ( 1 @,@ 772 long tons ) of the anticipated 10 @,@ 000 metric tons ( 9 @,@ 842 long tons ) were delivered in 1939 , and more than half of that was rejected . Furthermore , the armor plants proved to be incapable of making cemented plates over 230 mm , and inferior face @-@ hardened plates had to substitute for all thicknesses over 200 millimeters ( 8 in ) .
Machinery problems were likely to delay the ships well past their intended delivery dates of 1943 – 44 . Three turbines were delivered by Brown Boveri in 1939 to Arkhangelsk for the Sovetskaya Rossiya , but the Kharkhovskii Turbogenerator Works never completed a single turbine before the German invasion in June 1941 . A prototype boiler was supposed to have been built ashore for evaluation , but it was not completed until early 1941 , which further complicated the production plan .
Construction of all three ships was ordered halted on 10 July 1941 , and the Sovetsky Soyuz was placed into long @-@ term conservation as the most advanced ship . However , all three were officially stricken from the Navy List on 10 September 1941 .
= = = Sovetsky Soyuz = = =
Sovetsky Soyuz ( Russian : Советский Союз — Soviet Union ) was formally laid down 15 July 1938 in Shipyard Nr. 189 ( Ordzhonikidze ) in Leningrad , although evidence suggests that construction actually began in January 1939 after her slipway was completed , the necessary cranes were in place , and working drawings had been completed . When the war began she was estimated to be 21 @.@ 19 % complete , with 15 @,@ 818 metric tons ( 15 @,@ 568 long tons ) of steel assembled on the slip . She was only lightly damaged by German air attacks and bombardments , and , as some material had been used during the Siege of Leningrad , she was estimated to be 19 @.@ 5 % complete after the end of the war . Some thought was given to completing her , but this was opposed as she was regarded as obsolete in light of the experience gained during the war . Stalin 's expressed desire to see one of the Project 23 @-@ class ships completed only delayed the decision to scrap her ; this was ordered on 29 May 1948 and was well underway by April 1949 .
= = = Sovetskaya Ukraina = = =
Sovetskaya Ukraina ( Russian : Советская Украина — Soviet Ukraine ) was laid down 31 October 1938 at Shipyard Nr. 198 ( Marti South ) in Nikolayev . When the war began she was 17 @.@ 98 % complete , with 13 @,@ 001 metric tons ( 12 @,@ 796 long tons ) assembled on the slipway . Some effort was made to launch the hull , but little work had been done to dredge the river at the foot of the slipway , and she was captured on 18 August 1941 , although retreating Soviet troops slightly damaged her hull . The Germans dismantled 200 feet ( 61 m ) of her bow and 100 feet ( 30 m ) of her stern for use in fortifications . They were forced to evacuate Nikolayev on 17 March 1944 and demolished the supporting blocks under her port side before they left , which gave her a list between 5 and 10 degrees and made her a total loss . She was ordered scrapped on 27 March 1947 .
= = = Sovetskaya Rossiya = = =
Sovetskaya Rossiya ( Russian : Советская Россия — Soviet Russia ) was laid down on 22 July 1940 in Shipyard Nr. 402 in Molotovsk . After the end of the war she was only 0 @.@ 97 % complete , with 2 @,@ 125 metric tons ( 2 @,@ 091 long tons ) of steel assembled . She was ordered scrapped on 27 March 1947 .
= = = Sovetskaya Belorussiya = = =
Sovetskaya Belorussiya ( Russian : Советская Белоруссия — Soviet Belorussia ) was laid down 21 December 1939 at Shipyard Nr. 402 in Molotovsk , but construction was suspended in mid @-@ 1940 when it was discovered that 70 @,@ 000 rivets used in her hull plating were of inferior quality . This fact probably influenced the decision to cancel her on 19 October 1940 . Material intended for her construction was used to construct a floating battery for the defense of Leningrad .
= Sang Pencerah =
Sang Pencerah ( The Enlightener ) is a 2010 Indonesian film directed by Hanung Bramantyo and starring Lukman Sardi , Zaskia Adya Mecca , and Slamet Rahardjo . It is a biopic of Ahmad Dahlan which describes how he came to found the Islamic organisation Muhammadiyah .
Sang Pencerah , produced to coincide with Muhammadiyah 's centenary , was announced in November 2009 . It was meant to be historically accurate , with much of the Rp . 12 billion ( US $ 1 @.@ 3 million ) budget paying for period costumes and sets . However , as documentation on the early years of Dahlan 's life is lacking , those scenes were fictionalised . Sang Pencerah marks the feature film debut of Ihsan Tarore and Giring Ganesha .
The film , released on 8 September 2010 during the Eid ul @-@ Fitr holiday , was meant to show different views of Islam ; however , it has also been interpreted as a critique of the current Muhammadiyah leadership . It was seen in theatres by over 1 million people – the only Indonesian film of 2010 to do so . It also received favourable critical reception , winning the 2011 Bandung Film Festival after being refused a nomination at the 2010 Indonesian Film Festival . However , some Muslim critics decried it as being too liberal .
= = Plot = =
Muhammad Darwis ( Ihsan Tarore ) is a youth in 19th @-@ century Kauman , Yogyakarta , and the son of Kyai Abubakar , the imam of the area 's mosque . Displeased with the mixture of Islam and animistic Javanese mysticism , which leads to poor Javanese spending exorbitant amounts of money on religious ceremonies , Darwis decides to go on the hajj to Mecca in Saudi Arabia . While there , he studies what he considers the true form of Islam over a period of five years .
Upon his return to Yogyakarta , Darwis ( now played by Lukman Sardi ) changes his name to Ahmad Dahlan and begins teaching Islam , preaching that prayers need only come from inner peace and do not require large donations or sacrifices . Conflict soon arises between Dahlan and the local kyais ( religious leaders ) after he shows that the direction in which they pray is wrong , pointing not to the Kaaba in Mecca but to Africa . The kyais , especially Cholil Kamaludiningrat ( Slamet Rahardjo ) , decry Dahlan as the leader of a cult and provoke a crowd of their followers to destroy the building next to Dahlan 's house used for studying prayer .
Dahlan continues to preach and teach , opening a school for native people , teaching Islam at a Dutch @-@ run school , and opening a small mosque ; he also marries his cousin , Siti Walidah . His actions , such as having his students sit on chairs instead of the traditional mats on the floor , lead to Kamaludiningrat decrying Dahlan as an unbeliever who is working to Westernise the local populace .
Despite continued resistance from Kamaludiningrat , Dahlan prevails and furthers his teaching . Together with Walidah , and the students Dirjo ( Abdurrahman Arif ) , Fahrudin ( Mario Irwinsyah ) , Hisyam ( Dennis Adishwara ) , Sangidu ( Ricky Perdana ) , and Sudja ( Giring Ganesha ) , he founds the progressive Islamic organisation Muhammadiyah , which preaches Islam without any influence from Javanese mysticism .
= = Production = =
The film announced in November 2009 . It was directed by Hanung Bramantyo , a Yogyakarta @-@ born Muslim filmmaker . Bramantyo , who had previously directed the Islamic @-@ themed Ayat @-@ Ayat Cinta ( The Verses of Love ; 2008 ) , considered Dahlan his favourite national hero ; he later told The Jakarta Post that he admired the kyai 's spirit . He also said that he had been wanting to make the film since he was a teenager . The film was meant to coincide with the 100 year anniversary of Muhammadiyah 's founding .
Bramantyo attempted to make his film as historically accurate as possible . However , as no documentation of Dahlan 's life before he went to Mecca exists , the scenes showing Dahlan 's youth were fictionalized . The script underwent 12 revisions before the film was completed . Much of the film 's budget of Rp . 12 billion ( US $ 1 @.@ 3 million ) was spent on costumes and sets to ensure accuracy . The crew restored several old buildings for their shots and custom @-@ ordered 19th @-@ century style traditional garments for their scenes .
Bramatyo cast his wife , Zaskia Adya Mecca , as Ahmad Dahlan 's wife Siti Walidah — Mecca also served as casting director , in charge of auditioning the supporting cast . Before filming began , Mecca attempted to research the biographies of Dahlan and his wife , as she and the other young actors did not know much about the couple . However , she found such research difficult as the libraries did not have the information she needed .
Lukman Sardi , who played Dahlan , was also unaware of his character 's historical biography before researching it ; he noted that he was not very confident in playing the role . Indonesian Idol winner Ihsan Tarore was cast as the young Ahmad Dahlan , while the lead singer of the band Nidji , Giring Ganesha , was cast as Dahlan 's protege Sudja ; it was the feature film debut for both . Giring also wrote a song for the film , titled " Allah Maha Suci " ( " Allah , the All @-@ Pure " ) , over a period of two days .
On set , Mecca , who was pregnant at the time of shooting , found her physical condition " perfect " for the role as Walidah had been a large woman . However , her pregnancy led to Bramantyo worrying about a potential miscarriage during a scene where Mecca had to ride a traditional carriage with wooden wheels , which shook violently when moving .
= = Themes = =
In a 2011 interview with the Jakarta Globe after the release of his controversial film ? , Bramantyo said that he had intended Sang Pencerah to use Dahlan 's life to examine different aspects of Islam . He meant for the film to show Islam as being a peaceful and truthful religion . Pramono , writing for Tempo , notes that the film presents a different side of Dahlan , who is usually portrayed as an old , bearded man who , in his opinion , seems neither modernist nor progressive .
Ahmad Muttaqin , a lecturer on comparative religious studies at Sunan Kalijaga Islamic University in Yogyakarta , sees the film as a critique of the current Muhammadiyah leadership , whom he describes as " narrow minded , intolerant , hav [ ing ] poor social respect , [ ... ] rigid and allergic to progress " .
= = Release and reception = =
Sang Pencerah was released on 8 September 2010 , over the Eid ul @-@ Fitr holiday ; the increase in film attendance over the holiday is similar to blockbuster season for Hollywood films . According to Bramantyo , Sang Pencerah was seen by 1 @.@ 1 million people while in theatres ; a report from The Jakarta Globe says 1 @.@ 2 million . It was the only Indonesian film of 2010 to sell over a million tickets .
Bramatnyo was accused of working for Muhammadiyah when creating the film , an accusation which he denied . He also was criticised by some Muslim groups , which considered him too liberal . The film was not nominated for best picture at the 2010 Indonesian Film Festival after several nominees threatened to withdraw if Sang Pencerah was nominated . Sang Pencerah later won best picture at the Bandung Film Festival , held in Bandung , West Java , on 6 May 2011 .
Triwik Kurniasari , reviewing for The Jakarta Post , praised Sardi and Rahardjo 's acting ; noting that Sang Pencerah was " a good film and a conduit for young people to learn about their national heroes " . Asep Saefudin , writing for Antara , himself a graduate from Muhammadiyah schools , viewed the film as being well put together and reflective of the issues faced by Islamic modernists in the early 1900s . Pramono praised the film 's acting , soundtrack , and plot , especially Dahlan 's portrayal as a human with emotions and flaws instead of being perfect in every way . He found Sang Pencerah 's greatest weakness to be the language spoken by in some scenes , as it mixed Indonesian with Javanese ( something not done during the period portrayed ) , and the film 's stars – neither of whom is Javanese – had inaccurate accents .
= Underneath ( The X @-@ Files ) =
" Underneath " is the twelfth episode of the ninth season of the American science fiction television series The X @-@ Files . The episode first aired in the United States on March 31 , 2002 on the Fox network . The episode was written and directed by executive producer John Shiban . The episode is a " monster @-@ of @-@ the @-@ week " episode , a stand @-@ alone plot which is unconnected to the mythology , or overarching fictional history , of The X @-@ Files . The episode earned a Nielsen rating of 4 @.@ 4 and was viewed by 4 @.@ 64 million households and 7 @.@ 3 million viewers . It received mixed reviews from critics .
The show centers on FBI special agents who work on cases linked to the paranormal , called X @-@ Files ; this season focuses on the investigations of John Doggett ( Robert Patrick ) , Monica Reyes ( Annabeth Gish ) , and Dana Scully ( Gillian Anderson ) . In this episode , Doggett is determined to find an error in the DNA evidence that freed the convicted Robert Fassl , the " Screwdriver Killer " , whom he nearly caught in the act 13 years earlier . In the end , it is revealed that Fassl has a mental condition that splits him into two parts : the religious innocent and the vengeful killer .
" Underneath " marked the directorial debut of Shiban , who had been a writer for the series for several seasons . Reportedly , the episode contained " so many problems " that the Fox executives nearly refused to allow the finished product to air . At the last minute , however , they relented , and allowed the episode to be aired later on in the season , several weeks after its intended air date . Shiban originally wanted to film the sewer scenes in Los Angeles ' actual sewer system , but due to the events of September 11 , a sewer mock @-@ up was built on Stage 11 at the Fox studios .
= = Plot = =
Thirteen years before the present , Robert Fassl ( W. Earl Brown ) sits in his van . He later approaches a home and claims to be there to repair the cable . As Fassl holds up a piece of paper to show it to the family who called for the repair , blood spatter splashes across the paper . He looks up and sees the house 's occupants with slit throats in pools of blood . Abruptly , two police officers burst into the house and apprehend Fassl . One of the officers who goes to check out the kitchen , turns to reveal he is John Doggett ( Robert Patrick ) as a young NYPD officer .
In the present , Monica Reyes ( Annabeth Gish ) discusses Fassl 's release — due to DNA evidence — with an outraged Doggett . Dana Scully ( Gillian Anderson ) confirms that the test results conclusively disprove Fassl as the killer . Meanwhile , in court , Fassl notices a mysterious Bearded Man . After being released , he stays in a room belonging to his lawyer , Jana Fain , where he clutches a Rosary beads and prays frantically . When the Bearded Man appears , Fassl begs for the man not to hurt her . While Fain is unharmed , Fassl learns that the housekeeper , Mrs. Dowdy , has gone missing . Fassl finds her body , cleans up the blood , and dismembers her remains to cover up what has happened .
Scully tells Doggett that while the DNA test disproves Fassl 's culpability , it implicates a possible blood relative ; Fassl , however , is an only child . Reyes proposes that the murders are being conducted by an entity rather than a person . Meanwhile , Fassl approaches Assistant District Attorney Damon Kaylor and begs to be sent back to prison . Kaylor refuses , but is killed by the Bearded Man . After hearing of Kaylor 's disappearance , Reyes theorizes that Fassl 's piety and his unwillingness to acknowledge his darker half has given him the unwanted ability to physically change into another , more violent person .
The Bearded Man demands that Fassl kill Fain , beating him up when he doesn 't comply . As she tends to Fassl , Fain first sees the Bearded Man in his place . While staking out Fain 's house , the agents see the Bearded Man flee . Doggett pursues the Bearded Man while Reyes finds Fain alive . In the pursuit , Reyes falls through into a sewer , where she finds the remains of the Bearded Man 's victims . After a struggle with the Bearded Man , Doggett ends up apprehending Fassl , much to his confusion . Reyes tries to remind him that it does not matter as long as the case is solved .
= = Production = =
" Underneath " was written and directed by executive producer John Shiban . This marked his directorial debut . According to Shiban , part of the inspiration for the episode was that the series production staff had " actually talked for some time about doing a Jekyll / Hyde story but never quite found a way to do it " until the idea to use DNA came into play . Another inspiration for the episode was the 1949 film The Third Man , which featured a climactic chase through a sewage system .
The episode , which explores John Doggett 's backstory as a New York City police officer , was described as containing similar themes as those " explored on the Millennium series . " The episode guest @-@ starred Arthur Nascarella , who was a friend of series co @-@ star Robert Patrick . Patrick was essential in getting Nascarella cast on the show ; he later joked " I stole [ Nascarella 's ] New York accent in Copland [ sic ] and I stole it to do The X @-@ Files , but I got him cast in The X @-@ Files show . "
As the ninth season progressed and the show 's ratings began to plummet , Fox became more and more actively involved in the show 's style and direction . Although " Underneath " was the twelfth episode aired , it was actually the ninth episode produced during the season ; reportedly , the episode contained " so many problems " that the Fox executives very nearly nixed the finished product . At the last minute , however , they relented , and allowed the episode to be aired later on in the season , several weeks after its intended air date .
Shiban originally wanted to film the sewer scenes in Los Angeles ' actual sewer system , but the Los Angeles Department of Water and Power vetoed the idea and stated that " there 's a moratorium on shooting there since September 11 " , a position that Shiban called " understandable . " In order to make up for this , series art director Corey Kaplan was tasked with building a sewer replica ; she used the blueprints from the 1952 version of Les Misérables as an inspiration . Eventually , a complete set was built on Stage 11 at the Fox studios .
= = Reception = =
" Underneath " first aired in the United States on March 31 , 2002 on the Fox network . The episode later debuted in the United Kingdom on February 2 , 2003 on BBC One . The episode earned a Nielsen household rating of 4 @.@ 4 , meaning that it was seen by 4 @.@ 4 % of the nation 's estimated households and was viewed by 4 @.@ 64 million households and over 7 @.@ 3 million viewers . " Underneath " was the 71st most watched episode of television that aired during the week ending March 31 .
The episode received mixed reviews from television critics . Jessica Morgan from Television Without Pity gave the episode a B – rating . John Keegan from Critical Myth gave the episode a negative review and called it " easily the worst of the season " . He awarded it a 4 out of 10 and concluded that , " We can only hope that none of the remaining episodes are Shiban @-@ related , and pray that he can do a much better job when he writes for Enterprise next season . " Robert Shearman and Lars Pearson , in their book Wanting to Believe : A Critical Guide to The X @-@ Files , Millennium & The Lone Gunmen , rated the episode three @-@ and @-@ a @-@ half stars out of five , and called the entry " solid and efficient " . The two complimented Shiban 's directorial efforts , noting that " as a director [ he ] makes ' Underneath ' shine " , but were critical of some of the " trademark X @-@ File moments " , citing " the surprise appearance of a face in the bathroom mirror " and " the climactic fight in a sewer " as examples . Shearman and Pearson , however , wrote positively of Shiban 's realistic depiction of Doggett . M.A. Crang , in his book Denying the Truth : Revisiting The X @-@ Files after 9 / 11 , wrote that the episode felt " very familiar " but was impressed with the production design on the sewer set .
= Islais Creek =
Islais Creek or Islais Creek Channel ( previously known as Du Vrees Creek , Islais Channel and Islais Swamp ) is a small creek in San Francisco , California . The name of the creek is derived from a Salinan Native American word " slay " or " islay " , the name for the Prunus ilicifolia wild cherries . Around the time of the Gold Rush , the area became an industrial hub , and the condition of the creek worsened . After the devastating earthquake in 1906 , the city decided to reclaim the creek using earthquake debris , reducing the waterbody to its present size . Though much of Islais Creek has been converted to an underground culvert , remnants still exist today at both Glen Canyon Park and Third Street . Several community organizations are dedicated to preserve these remnants , as they are important wildlife habitats .
= = Course = =
The historic Islais Creek , the largest body of water in the city covering an area of nearly 5 @,@ 000 acres ( 7 @.@ 813 sq mi ; 20 @.@ 234 km2 ) , had two main branches . One originated near the southern slope of Twin Peaks , slightly north of Portola Drive . It flowed downstream southeastward through the Glen Canyon Park paralleling Bosworth Street and eventually reaching the bottom of the Mission Street viaduct at I @-@ 280 . The other branch began at the intersection of Cayuga Avenue and Regent Street . It flowed generally eastward along Mission Street and reached the I @-@ 280 viaduct . Together , as a wider creek , it ran parallel to Alemany Boulevard and I @-@ 280 and emptied into the Islais Creek estuary , near Industrial Street and Oakdale Avenue . Precita Creek , a nearby creek that originated from Noe Valley , also joined Islais Creek at the César Chávez Boulevard and Evans Avenue intersection .
From its sources in the Glen Canyon , the entire creek stretched about 3 @.@ 5 miles ( 5 @.@ 6 km ) to the San Francisco Bay . The mouth was nearly 2 miles ( 3 @.@ 2 km ) wide , providing up to 85 % of the drinking water in San Francisco . Due to urban development , however , the watershed of Islais Creek has been reduced by roughly 80 % from its historical extent . A large number of neighborhoods in San Francisco today , such as Bernal Heights , Hunters Point , Visitacion Valley , parts of the Mission and Potrero Hill , was once covered by the extent of the creek .
In 2007 , the San Francisco Public Utilities Commission , which manages the city 's water , began investigating the possibility of " daylighting " underground portions of the creek . As of 2009 , remnants of the creek remain inside the Glen Canyon Park and a 1 @-@ mile ( 1 @.@ 6 km ) channel near Third Street where Islais Creek emptied into the bay .
= = History = =
The history of Islais Creek dates to the 18th century . The name Los Islais first appeared on Mexican maps in 1834 , named for the Islay cherries that grew wildly in the area . By 1850 , water from the creek was used by farmers to irrigate crops . The Gold Rush marked the decline of the creek as large numbers of gold rushers swarmed into the city .
A railroad trestle was built over the creek and tidal flats in the 1860s and in a lawsuit that went up to the California Supreme Court called The People of the State of California ex relatione The Board of State Harbor Commissioners VS . The Potrero And Bay View Railroad Company , Islais Creek was declared a non @-@ navigable waterway in 1883 .
In 1871 , the area along the creek became known as the city ’ s " New Butchertown " when more than 100 slaughterhouses opened . Since then , the condition of the creek deteriorated , literally becoming a dumping place of garbage , sewage , animal waste , and unsold meat products . The condition became so bad that the creek was commonly referred to as " Shit Creek " by San Franciscans , according to historian Karl Kortum .
After the 1906 earthquake , San Francisco Board of Supervisors voted to fill the creek with earthquake debris , reducing the creek to its present size . During World War II , it served as docking areas for large ocean @-@ going tugs . The area also located the largest copra coconut processing plant in the United States West Coast . In fact , the abandoned five @-@ story high copra crane , used to transport large amount of copras from ships to the plant as late as 1974 , still remains on the creek bank preserved as a historic landmark . In the 1950s , Islais Creek was home to the largest sardine canning industry in the world . The deteriorated condition of the creek gradually improved after the construction of a water treatment plant in 1970 . Today , the majority of the creek is covered and transformed into a culvert with its remnants flowing at Glen Canyon and near the bay .
Many local community organizations were set up to improve the condition of the creek and nearby areas . Friends of Islais Creek , established back in 1984 , and David Erickson , a local community figure , were committed to build a waterfront park in Islais Creek . The initial plan for a park was finally launched in 1988 with a $ 50 @,@ 000 grant from the State Department of Water Resources as well as community groups in The Bayview . With an additional of $ 100 @,@ 000 federal and local grants as well as supports from non @-@ profit organizations and governmental agencies , namely the Sierra Club , San Francisco Municipal Railway ( Muni ) , Department of Public Works , Public Utilities Commission , Port of San Francisco , and Caltrans , the park was finished in 1998 . Located adjacent to Pier 80 on the shores of the creek , the Muwekma Ohlone Park or the Muwekma Ohlone Sanctuary is named after the native inhabitants and has since became an important habitat for a wide array of wildlife , including the Pacific Chorus Frog and Mission blue butterfly .
On November 19 , 2001 , construction crews , while preparing to drill an electrical conduit ( consisting of six large 115kV electrical cables ) across the creek for the Muni Metro T Third Street light rail line , cracked the concrete sewer underground which carries more than 80 million gallons of sewage a day . The incident flooded the creek and its adjacent Muwekma Ohlone Park with sewage . The park had to be excavated to make way for the repairing of the sewer pipe . It was estimated that it would take more than $ 101 @,@ 660 to repair and $ 65 @,@ 000 for wildlife habitat restoration .