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A number of ancient texts mention the Eshmun Temple and its location . The Phoenician inscriptions on the sarcophagus of Eshmunazar II , a Sidonian king , commemorate the construction of a " house " for the " holy prince " Eshmun by the king and his mother , queen Amashtart , at the " Ydll source by the cistern " . Dionysius Periegetes , an ancient Greek travel writer , identified the Eshmun temple by the Bostrenos River , and Antonin de Plaisance , a 6th @-@ century AD Italian pilgrim recorded the shrine as near the river Asclepius fluvius.Strabo and other Sidonian sources describe the sanctuary and its surrounding " sacred forests " of Asclepius , the Hellenized name of Eshmun , in written texts .
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Located about 40 kilometres ( 25 mi ) south of Beirut and 2 kilometres ( 1 @.@ 2 mi ) northeast of Sidon , the Eshmun Temple sits on the southern bank of the modern Awali river , previously referred to as Bostrenos or Asclepius fluvius in ancient text . Citrus groves , known as Bustan el @-@ Sheikh ( Arabic : بستان الشيخ , the grove of the Sheikh ) , occupy the ancient " sacred forests " of Asclepius and are a favorite summer picnic location for locals .
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= = Architecture and description = =
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Built under Babylonian rule ( 605 – 539 BC ) , the oldest monument at the site is a pyramidal building resembling a ziggurat that includes an access ramp to a water cistern . Fragments of marble column bases with Torus moldings and facetted columns found east of the podium are also attributed to the Babylonian era .
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The pyramidal structure was superimposed during Persian rule by a massive ashlar podium constructed from heavily bossed limestone blocks that measured more than 3 metres ( 9 @.@ 8 ft ) across by 1 metre ( 3 @.@ 3 ft ) thick , which were laid down in courses 1 @-@ metre ( 3 @.@ 3 ft ) high . The podium stands 22 metres ( 72 ft ) high , runs50 metres ( 160 ft ) into the hillside , and boasts a 70 @-@ metre ( 230 ft ) wide façade . The terrace atop of the podium was once covered by a Greco @-@ Persian style marble temple probably built by Ionic artisans around 500 BC . The marble temple has been reduced to a few remaining stone fragments due to theft .
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During the Hellenistic period , the sanctuary was extended from the base of the podium across the valley . To the east base of the podium stands a large chapel , 10 @.@ 5 by 11 @.@ 5 metres ( 34 ft × 38 ft ) , dating to the 4th century BC . The chapel was adorned with a paved pool and a large stone throne carved of a single block of granite in the Egyptian style ; it is flanked by two sphinx figures and surrounded by two lion sculptures . The throne , attributed to the Sidonian goddess Astarte , rests against the chapel wall , which is embellished by relief sculptures of hunting scenes . The once important Astarte basin lost its function during the 2nd century AD and was filled with earth and statue fragments . The west base contains another 4th century BC chapel — centered on a bull protome topped capital — that remains preserved at the National Museum of Beirut .
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Widely known as the " Tribune of Eshmun " because of its shape , the altar of Eshmun is a white marble structure dating to the 4th century BC . It is 2 @.@ 15 metres ( 7 @.@ 1 ft ) long by 2 @.@ 26 metres ( 7 @.@ 4 ft ) wide and 2 @.@ 17 metres ( 7 @.@ 1 ft ) tall . Unearthed in 1963 by Maurice Dunand , it stands on a limestone socleplated with marble blocks that rest against a retaining wall . The altar is adorned with Hellenistic style relief sculptures and is framed by decorative moldings , one of which divides the altar into two distinct registers of symmetrical composition . The upper register portrays 18 Greek deities , including two charioteers surrounding the Greek god Apollo , who is depicted playing a cithara ( a type of lyre ) . The lower register honors Dionysus , who leads his thiasos ( his ecstatic revenue ) in a dance to the music of pipe and cithara players . The Tribune is displayed at the National Museum of Beirut .
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Northeast of the site , another 3rd century BC temple stands adjacent to the Astarte chapel . Its 22 @-@ metre ( 72 ft ) façade is built with large limestone blocks and displays a two @-@ register relief decoration illustrating a drunken revelry in honor of Dionysus , the Greek god of wine . Among the temple reliefs , one shows a man attempting to seize a large rooster which was the common sacrificial animal for Eshmun @-@ Asclepius .
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The Eshmun Temple complex comprises an elaborate hydraulic installation channeling water from " Ydll " spring that is made up of an intricate system of water canals , a series of retaining basins , sacred ablution basins and paved pools . This system demonstrates the importance of ritual ablutions in Phoenician therapeutic cults .
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Later vestiges date from the Roman epoch and include a colonnaded road lined with shops . Of the large marble columns bordering the Roman street only fragments and bases remain . The Romans also built a monumental staircase adorned with mosaic patterns that leads to the top of the podium . To the right of the Roman road , near the entrance of the site stands a nymphaeum with niches where statues of the nymphs once stood . The floor of the nymphaeum is covered by a mosaic depicting the Maenads . Across the colonnaded road , facing the nymphaeum , are the ruins of a Roman villa ; only the villa 's courtyard has survived along with the remains of a mosaic depicting the four seasons . To the right of the processional Roman staircase stands a cubic altar , also of Roman construction . Other Roman period structures include two columns of a great portico leading to pools and other cultic installations .
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= = Function = =
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Eshmun 's cult enjoyed a particular importance at Sidon as he was the chief deity after 500 BC . Aside from the extramural sanctuary at Bustan el @-@ Sheikh , Eshmun also had a temple within the city . The extramural Eshmun Temple was associated with purification and healing ; ritual lustral ablutions were performed in the sanctuary 's sacred basins supplemented by running water from the Asclepius River and the " Ydll " spring water which was considered to have a sacred character and therapeutic quality . The healing attributions of Eshmun were combined with his divine consort Astarte 's fertilizing powers ; the latter had an annex chapel with a sacred paved pool within the Eshmun sanctuary . Pilgrims from all over the ancient world flocked to the Eshmun Temple leaving votive traces of their devotion and proof of their cure . There is evidence that from the 3rd century BC onwards there have been attempts to Hellenize the cult of Eshmun and to associate him with his Greek counterpart Asclepius , but the sanctuary retained its curative function .
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= = Artifacts and finds = =
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Apart from the large decorative elements , carved friezes and mosaics which were left in situ , many artifacts were recovered and moved from the Eshmun Temple to the national museum , the Louvre or are in possession of the Lebanese directorate general of antiquities . Some of these smaller finds include a collection of inscribed ostraca unearthed by Dunand providing rare examples of cursive Phoenician writing in the Phoenician mainland . One of the recovered ostracon bears the theophoric Phoenician name " grtnt " which suggests that veneration of the lunar @-@ goddess Tanit occurred in Sidon .
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A number of fragmented votive life @-@ size sculptures of little children lying on their side and holding a pet animal or a small object were also recovered at the temple site ; among the best known of these is a sculpture of a royal child holding a dove with his right hand ; the boy 's head is shaved , his torso is bare and his lower body is wrapped in a large cloth . The socle of this sculpture is inscribed with a dedication from Baalshillem , the son of a Sidonian king to Eshmun , which illustrates the importance of the site to the Sidonian monarchy . These votive sculptures appear to have been purposely broken after dedication to Eshmun and then ceremoniously cast into the sacred canal , probably simulating the sacrifice of the sick child . All of these sculptures represent boys . A31.5 cm × 27 cm ( 12 @.@ 4 in × 10 @.@ 6 in ) limestone bust of a Kouros dating from the 6th century BC was found at the site , but unlike the archaic Greek kouroi this figure is not bare .
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Among the notable finds is a golden plaque showing a snake curling on a staff , a Hellenic symbol of Eshmun. and a granite altar bearing the name of Egyptian Pharaoh Achoris uncovered in the Eshmun sanctuary . This gift attests to the good relations between the Pharaoh and the kings of Sidon .
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The repute of the sanctuary was far reaching . Cypriot pilgrims from Paphos left marks of their devotion for Astarte on a marble stele inscribed both in Greek and Cypriot syllabary at Astarte 's shrine ; this stele is now in the custody of the Lebanese directorate general of antiquities .
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= = Pillaging = =
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Treasure hunters have sought out the Eshmun Temple since antiquity ; around 1900 artifacts bearing Phoenician inscriptions from the temple site found their way to Beirutine antiquities markets where they stirred the interest of the Ottoman authorities and prompted a series of archeological digs . During the civil war , upon a request from then Lebanese director general of antiquities Maurice Chehab , Maurice Dunand moved more than 2000 artifacts from Sidon to a subterranean chamber at the Byblos crusader castle , 30 kilometres ( 19 mi ) north of Beirut . In 1981 , the depot was looted and around 600 sculptures and architectural elements were stolen and smuggled out of Lebanon . Rolf Stucky , ex @-@ director of the Institute of Classical Archeology of Basel affirmed during a conference in Beirut in December 2009 the successful identification and return of eight sculptures to the Lebanese national museum .
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= Wilhelm Busch =
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Heinrich Christian Wilhelm Busch ( 15 April 1832 – 9 January 1908 ) was a German humorist , poet , illustrator and painter . He published comic illustrated cautionary tales from 1859 , achieving his most notable works in the 1870s . Busch 's illustrations used wood engraving , and later , zincography .
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Busch drew on contemporary parochial and city life , satirizing Catholicism , Philistinism , strict religious morality and bigotry . His comic text was colourful and entertaining , using onomatopoeia , neologisms and other figures of speech , and led to some work being banned by the authorities .
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Busch was influential in both poetry and illustration , and became a source for future generations of comic artists . The Katzenjammer Kids was inspired by Busch 's Max and Moritz , one of a number of imitations produced in Germany and the United States . The Wilhelm Busch Prize and the Wilhelm Busch Museum help maintain his legacy . His 175th anniversary in 2007 was celebrated throughout Germany . Busch remains one of the most influential poets and artists in Western Europe .
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= = Family background = =
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In the late 18th century Johann Georg Kleine , Wilhelm Busch 's maternal grandfather , settled in the small village of Wiedensahl . There , in 1817 , he bought a thatched half @-@ timbered house , where Wilhelm Busch was to be born about 15 years later . Amalie Kleine , Johann 's wife and Wilhelm Busch 's grandmother , kept a shop in which Busch 's mother Henriette assisted while her two brothers attended high school . When Johann Georg Kleine died in 1820 , his widow continued to run the shop with Henriette .
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At the age of 19 Henriette Kleine married surgeon Friedrich Wilhelm Stümpe . Henriette became widowed at the age of 26 , with her three children to Stümpe dying as infants . About 1830 Friedrich Wilhelm Busch , the illegitimate son of a farmer , settled in Wiedensahl after completing a business apprenticeship in the nearby village of Loccum . He took over the Kleine shop in Wiedensahl , which he completely modernised .
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= = Life = =
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= = = Childhood = = =
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Wilhelm Busch was born on 15 April 1832 , the first of seven children to the marriage of Henriette Kleine and Friedrich Wilhelm Busch . His six siblings followed shortly after : Fanny ( 1834 ) , Gustav ( 1836 ) , Adolf ( 1838 ) , Otto ( 1841 ) , Anna ( 1843 ) and Hermann ( 1845 ) ; all survived childhood . His parents were ambitious , hard @-@ working and devout Protestants who later , despite becoming relatively prosperous , could not afford to educate all three sons . Busch 's biographer Berndt W. Wessling suggested that Friedrich Wilhelm Busch invested heavily in his sons ' education partly because his own illegitimacy held significant stigma in rural areas .
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The young Wilhelm Busch was a tall child , but with a rather delicate and graceful physique . The coarse boyishness of his later protagonists " Max and Moritz " was rare in his childhood . He described himself in autobiographical sketches and letters as sensitive and timid , as someone who " carefully studied apprehension " , and who reacted with fascination , compassion and distress when animals were killed in the autumn . He described the " transformation to sausage " as " dreadfully compelling " , leaving a lasting impression ; pork nauseated him throughout his life .
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In the autumn of 1841 , after the birth of his brother Otto , Busch 's education was entrusted to the 35 @-@ year @-@ old clergyman Georg Kleine , his maternal uncle at Ebergötzen , this probably through lack of space in the Busch family home , and his father 's desire for a better education than the small local school could provide , where 100 children were taught within a space of 66 m2 ( 710 sq ft ) . The nearest convenient school was located in Bückeburg , 20 km ( 12 mi ) from Wiedensahl . Kleine , with his wife Fanny Petri , lived in a rectory at Ebergötzen , while Busch was lodged with an unrelated family . Kleine and his wife were responsible and caring , exercised a substitute parental role , and provided refuge for him in future unsuccessful times .
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Kleine 's private lessons for Busch were also attended by Erich Bachmann , the son of a wealthy Ebergötzen miller . Both became friends , according to Busch the strongest friendship of his childhood . This friendship was echoed in the 1865 story Max and Moritz . A small pencil portrait by the 14 @-@ year @-@ old Busch depicted Bachmann as a chubby , confident boy , and showed similarities with Max . Busch portrayed himself with a " cowlick " , in the later " Moritzian " perky style .
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Kleine was a philologist , his lessons not held in contemporary language , and it is not known for certain all subjects Busch and his friend were taught . Busch did learn elementary arithmetic from his uncle , although science lessons might have been more comprehensive , as Kleine , like many other clergymen , was a beekeeper , and published essays and textbooks on the subject — Busch demonstrated his knowledge of bee @-@ keeping in his future stories . Drawing , and German and English poetry , were also taught by Kleine .
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Busch had little contact with his natural parents during this period . At the time , the 165 km ( 103 mi ) journey between Wiedensahl and Ebergötzen took three days by horse . His father visited Ebergötzen two to three times a year , while his mother stayed in Wiedensahl to look after the children . The 12 @-@ year @-@ old Busch visited his family once ; his mother at first did not recognize him . Some Busch biographers think that this early separation from his parents , especially from his mother , resulted in his eccentric bachelorhood . In the autumn of 1846 , Busch moved with the Kleine 's to Lüthorst , where , on 11 April 1847 , he was confirmed .
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= = = Study = = =
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In September 1847 Busch began studying mechanical engineering at Hanover Polytechnic . Busch 's biographers are not in agreement as to why his Hanover education ended ; most believe that his father had little appreciation of his son 's artistic inclination . Biographer Eva Weissweiler suspects that Kleine played a major role , and that other possible causes were Busch 's friendship with an innkeeper , Brümmer , political debates in Brümmer 's tavern , and Busch 's reluctance to believe every word of the Bible and catechism .
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Busch studied for nearly four years at Hanover , despite initial difficulties in understanding the subject matter . A few months before graduation he confronted his parents with his aspiration to study at the Düsseldorf Art Academy . According to Bush 's nephew Hermann Nöldeke , his mother supported this inclination . His father eventually acquiesced and Busch moved to Düsseldorf in June 1851 , where , to his disappointment at not being admitted to the advanced class , he entered preparatory classes . Busch 's parents had his tuition fees paid for one year , so in May 1852 he traveled to Antwerp to continue study at the Royal Academy of Fine Arts under Josephus Laurentius Dyckmans . He led his parents to believe that the Academy was less regimented than Düsseldorf , and had the opportunity to study old masters . At Antwerp he saw for the first time paintings by Peter Paul Rubens , Adriaen Brouwer , David Teniers and Frans Hals . The pictures aroused his interest , but made him doubt his own skills . Eventually , in 1853 , after suffering heavily from typhus , he abandoned his Antwerp studies and returned penniless to Wiedensahl .
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= = = Munich = = =
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Busch was ravaged by disease , and for five months spent time painting and collecting folk tales , legends , songs , ballads , rhymes and fragments of regional superstitions . Busch 's biographer Joseph Kraus saw these collections as useful additions to folklore , as Busch noted the narrative background to tales and the idiosyncrasies of storytellers . Busch tried to release the collections , but as a publisher could not be found at the time they were issued after his death . During the Nazi era Busch was known as an " ethnic seer " .
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After Busch had spent six months with his uncle Kleine at Lüthorst , he expressed an aim to continue study in Munich . This request caused a rift with his father who , however , eventually funded this move ; - see for comparison Busch 's illustrated story of Painter Klecksel . Busch 's expectations of the Munich Academy of Fine Arts were not met . His life became aimless ; there were occasional return visits to Lüthorst , but contact with his parents had been broken off . In 1857 and 1858 , as his position seemed to be without prospects , he contemplated emigration to Brazil to keep bees .
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Busch made contact with the artist association Jung München ( Young Munich ) , met several notable Munich artists , and wrote and provided cartoons for the Jung München newspaper . Kaspar Braun , who published the satirical newspapers Münchener Bilderbogen ( Picture Sheets from Munich ) and Fliegende Blätter ( Flying Leaves ) , proposed a collaboration with Busch . This association provided Busch with sufficient funds to live . An existing self @-@ caricature suggests that at this time he had an intense relationship with a woman from Ammerland . His courtship with a seventeen @-@ year @-@ old merchant 's daughter , Anna Richter , whom Busch met through his brother Gustav , ended in 1862 . Busch 's biographer , Diers , suggests that her father probably refused to entrust his daughter to an almost unknown artist without regular income .
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In his early Munich years Busch 's attempt to write libretti , which are almost forgotten today , were unsuccessful . Up to 1863 he worked on two or three major works ; the third was composed by Georg Kremplsetzer . Busch 's Liebestreu und Grausamkeit , a romantic opera in three acts , Hansel und Gretel and Der Vetter auf Besuch , an opera buffa of sorts , were not particularly successful . There was a dispute between Busch and Kremplsetzer during the staging of Der Vetter auf Besuch , leading to the removal of Busch 's name from the production ; the piece was renamed Singspiel von Georg Kremplsetzer .
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In 1873 Busch returned several times to Munich , and took part in the intense life of the Munich Art Society as an escape from provincial life . In 1877 , in a last attempt to be a serious artist , he took a studio in Munich . He left Munich abruptly in 1881 , after he disrupted a variety show and subsequently made a scene through the effects of alcohol The 1878 nine episode illustrated tale Eight Sheets in the Wind describes how humans behave like animals when drunk . Busch 's biographer Weissweiler felt the story was only superficially funny and harmless , but was a study on addiction and its induced state of delusion .
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= = = Publication of Max and Moritz = = =
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Between 1860 and 1863 Busch wrote over one hundred articles for the Münchener Bilderbogen and Fliegende Blätter , but he felt his dependence on publisher Kaspar Braun had become constricting . Busch appointed Dresden publisher Heinrich Richter , the son of Saxon painter Ludwig Richter , as his new publisher — Richter 's press up to that time was producing children 's books and religious Christian devotional literature . Busch could choose themes , although Richter raised some concerns regarding four suggested illustrated tales that were proposed . However , some were published in the 1864 as Bilderpossen , proving a failure . Busch then offered Richter the manuscripts of Max and Moritz , waiving any fees . Richter rejected the manuscript as sales prospects seemed poor . Busch 's former publisher , Braun , purchased the right to Max and Moritz for 1 @,@ 000 gulden , corresponding to approximately double the annual wage of a craftsman .
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For Braun the manuscript was fortuitous . Initially the sales of Max and Moritz were slow , but sales figures improved after the 1868 second edition . Overall there were 56 editions and more than 430 @,@ 000 copies sold up to Busch 's death in 1908 . Despite at first being ignored by critics , teachers in the 1870s described Max and Moritz as frivolous and an undesirable influence on the moral development of young people .
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= = = Frankfurt = = =
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Increasing economic success allowed Busch to visit Wiedensahl more frequently . Busch had decided to leave Munich , as only few relatives lived there , and the artists ' association was temporarily disbanded . In June 1867 Busch met his brother Otto for the first time , in Frankfurt . Otto was working as a tutor to the family of a wealthy banker and industrialist , Kessler . Busch became friends with Kessler 's wife , Johanna , a mother of seven and an influential art and music patron of Frankfurt . She regularly opened salons at her villa , frequented by artists , musicians and philosophers . She believed Busch to be a great painter , a view supported by Anton Burger , a leading painter of the Kronberger Malerkolonie , the Kronberg @-@ based group of painters . While his humorous drawings did not appeal to her , she supported his painting career . At first she established an apartment and studio for Busch in her villa , later providing him with an apartment nearby . Motivated by Kessler 's support and admiration , and introduction to the cultural life of Frankfurt , the ' Frankfurter Years ' were the most artistically productive for Busch . At this time he and Otto discovered the philosophical works of Arthur Schopenhauer .
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Busch did not remain in Frankfurt . Towards the end of the 1860s he alternated between Wiedensahl and Lüthorst , and Wolfenbüttel where his brother Gustav lived . The association with Johanna Kessler lasted five years , and after his return to Wiedensahl in 1872 they communicated by letter . This contact was interrupted between 1877 and 1891 , after which it was revived with the help of Kessler 's daughters .
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= = = Later life = = =
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Biographer Weissweiler does not dismiss the possibility that Busch 's increasing alcohol dependence hindered self @-@ criticism . He refused invitations to parties , and publisher Otto Basserman sent him to Wiedensahl to keep his alcohol problem undetected from those around him . Busch was also a heavy smoker , resulting in symptoms of severe nicotine poisoning in 1874 . He began to illustrate drunkards more often .
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Dutch writer Marie Anderson corresponded with Busch . More than fifty letters were exchanged between January and October 1875 in which they discussed philosophy , religion and ethics . Although only one Anderson letter survives , Busch 's letters are in manuscripts . They met in Mainz in October 1875 , after which he returned to Basserman at Heidelback in a " horrible mood " . According to several people at the time , Busch 's failure to find a wife was responsible for his conspicuous behaviour . There is no evidence that Busch had a close relationship with any woman after that with Anderson .
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Busch lived with his sister Fanny 's family after her husband Pastor Hermann Nöldeke 's death in 1879 . His nephew Adolf Nöldeke remembers that Busch wanted to move back to Wiedensahl with the family . Busch renovated the house , which Fanny looked after even though he was a rich man , and became " father " to his three young nephews . She would , however , have preferred to live in a more urban area for the education of her sons . For Fanny and her three sons , Busch could not replace their former idyllic life . The years around 1880 were psychically and emotionally exhausting for Busch , who was still reliant on alcohol . He would not invite visitors to Wiedensahl ; because of this Fanny lost contact with her friends in the village , and whenever she questioned his wishes , Busch became furious ; Even his friends Otto Friedrich Bassermann , Franz von Lenbach , Hermann Levi and Wilhelm von Kaulbach were not invited ; he would meet them in Kassel or Hanover .
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Busch stopped painting in 1896 and signed @-@ over all publication rights to Bassermann Verlag for 50 @,@ 000 gold marks . Busch , now aged 64 , felt old . He needed spectacles for writing and painting , and his hands trembled slightly . In 1898 , together with his aging sister Fanny Nöldeke , he accepted Bassermann 's suggestion to move into a large parsonage in Mechtshausen . Busch read biographies , novels and stories in German , English and French . He organized his works and wrote letters and poems . Most of the poems from the collections Schein und Sein and Zu guter Letzt were written in 1899 . The following years were eventless for Busch . He developed a sore throat in early January 1908 , and his doctor detected a weak heart . During the night of 8 – 9 January 1908 Busch slept uneasily , taking camphor , and a few drops of morphine as a tranquilizer . Busch died the following morning before his physician , called by Otto Nöldeke , came to assist .
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= = Work = =
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During the Frankfort period Busch published three self @-@ contained illustrated satires . Their anti @-@ clerical themes proved popular during the Kulturkampf . Busch 's satires typically did not address political questions , but exaggerated churcheyness , superstition and philistine double @-@ standards . This exaggeration made at least two of the works historically erroneous . The third illustrated satire , Father Filucius ( Pater Filucius ) , described by Busch as an " allegorical mayfly " , has greater historical context .
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= = = Max and Moritz = = =
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In German Eine Bubengeschichte in sieben Streichen , Max and Moritz is a series of seven illustrated stories concerning the mischievous antics of two boys , who are eventually ground @-@ down and fed to ducks .
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= = = Saint Antonius of Padua and Helen Who Couldn 't Help It = = =
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In Saint Antonius of Padua ( Der Heilige Antonius von Padua ) Busch challenges Catholic belief . It was released by the publisher Moritz Schauenburg at the time Pope Pius IX proclaimed the dogma of papal infallibility that was harshly criticized by Protestants . The publisher 's works were heavily scrutinized or censored , and the state 's attorney in Offenburg charged Schauenberg with " vilification of religion and offending public decency through indecent writings " — a decision which affected Busch . Scenes of Antonius accompanied by a pig being admitted to heaven , and the devil being shown as a half @-@ naked ballet dancer seducing Antonius , were deemed controversial . The district court of Düsseldorf subsequently banned Saint Antonius . Schauenburg was acquitted on 27 March 1871 in Offenburg , but in Austria the satire 's distribution was prohibited until 1902 . Schauenburg refused to publish further Busch satires to avoid future accusations .
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Busch 's following work , Helen Who Couldn 't Help It ( Die fromme Helene ) , was published by Otto Friedrich Bassermann , a friend whom Busch met in Munich . Helen Who Couldn 't Help It , which was soon translated into other European languages , satirizes religious hypocrisy and dubious morality :
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Many details from Helen Who Couldn 't Help It criticizes the way of life of the Kesslers . Johanna Kessler was married to a much older man and entrusted her children to governesses and tutors , while she played an active role in the social life of Frankfurt .
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The character of Mr. Schmock — the name based on the Yiddish insult " schmuck " — shows similarities with Johanna Kessler 's husband , who was uninterested in art and culture .
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In the second part of Helen Who Couldn 't Help It Busch attacks Catholic pilgrimages . The childless Helen goes on a pilgrimage , accompanied by her cousin and Catholic priest Franz . The pilgrimage is successful as later Helen gives birth to twins , who resemble Helen and Franz . Franz is later killed by a jealous valet , Jean , for his interest in female kitchen staff . The now widowed Helen is left with only a rosary , prayer book and alcohol . Drunk , she falls into a burning oil lamp . Finally , Nolte coins a moral phrase , echoing the philosophy of Schopenhauer :
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Pater Filucius ( Father Filucius ) is the only illustrated satire of this period suggested by the publisher . Also aimed at anti @-@ Catholic taste and buyers , it criticizes the Jesuit Order . Kraus felt it was the weakest of all three anti @-@ clerical works . Some satires refer to contemporary events , such as Monsieur Jacques à Paris during the Siege of 1870 ( Monsieur Jacques à Paris während der Belagerung von 1870 ) . Busch biographer Manuela Diers declares the story " tasteless work , drawing on anti @-@ French emotions and mocking the misery of French people in Paris , which is occupied by Prussian troops " . It depicts an increasingly desperate French citizen who at first eats a mouse during the German siege , then amputates his dog 's tail to cook it , and finally invents an explosion pill which kills his dog and two fellow citizens . Weissweiler believes that Busch wrote with irony . In Eginhard and Emma ( 1864 ) , a fictional family story that takes place in the Charlemagne era , he criticizes the Holy Roman Empire and calls for a German empire in its place ; in The Birthday or the Particularists ( Der Geburtstag oder die Partikularisten ) he satirizes the anti @-@ Prussian sentiments of his Hanover countrymen .
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