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[ { "from": "human", "value": "Write me a song called Say You Won’t Let Go with the following description: “Say You Won’t Let Go” is the first single from British singer-songwriter James Arthur’s second studio album, Back from the Edge. The song has peaked at No. 1 in several countries, including the United Kingdom, Australia, Indonesia, New Zealand and Sweden.\nThe song’s tender lyrics talk about falling in love with someone at first sight, and wanting to grow old with them. He talks about enjoying and loving her when she is young, and still wanting to be with her when she is old and grey, just as long as she “won’t let go.”\nTo show how serious he is about his love for her, he even expresses the desire to be with her after they both die.\nJames Arthur recently explained that a lot of the song came from imagination. “I wanted to write the type of song that guys would want to play for their girlfriends.”\nArthur said of this:\n[It’s] about looking at the future and spending your life with someone, even after death. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI met you in the dark, you lit me up\nYou made me feel as though I was enough\nWe danced the night away, we drank too much\nI held your hair back when you were throwin' up\n[Pre-Chorus]\nThen, you smiled over your shoulder\nFor a minute, I was stone-cold sober\nI pulled you closer to my chest\nAnd you asked me to stay over\nI said, \"I already told ya\nI think that you should get some rest\"\n[Chorus]\nI knew I loved you then, but you'd never know\n'Cause I played it cool when I was scared of letting go\nI knew I needed you, but I never showed\nBut I wanna stay with you until we're grey and old\n[Post-Chorus]\nJust say you won't let go\nJust say you won't let go\n[Verse 2]\nI'll wake you up with some breakfast in bed\nI'll bring you coffee with a kiss on your head\nAnd I'll take the kids to school, wave them goodbye\nAnd I'll thank my lucky stars for that night [Pre-Chorus]\nWhen you looked over your shoulder\nFor a minute, I forget that I'm older\nI wanna dance with you right now, woah\nAnd you look as beautiful as ever\nAnd I swear that every day, you'll get better\nYou make me feel this way somehow\n[Chorus]\nI'm so in love with you and I hope you know\nDarlin', your love is more than worth its weight in gold\nWe've come so far, my dear, look how we've grown\nAnd I wanna stay with you until we're grey and old\n[Post-Chorus]\nJust say you won't let go\nJust say you won't let go\n[Bridge]\nI wanna live with you even when we're ghosts\n'Cause you were always there for me when I needed you most\n[Chorus]\nI'm gonna love you till my lungs give out\nI promise till death we part, like in our vows\nSo, I wrote this song for you, now everybody knows\nThat it's just you and me till we're grey and old [Post-Chorus]\nJust say you won't let go\nJust say you won't let go\nJust say you won't let go\nOh, just say you won't let go" } ]

[ { "from": "human", "value": "Write me a song called I’ma Dog with the following description: A$AP Mob affiliate Marty Baller is finishing his upcoming MartyGraW project (set to be released in november 11), but before that, he shares a song called “I’m A Dog.” featuring A$AP Ferg and Migos. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Marty Baller]\nI got kitty on my breath and some cheese steak\nGirl I really want the head she said please wait\nI'm a doberman pinscher for the bitches\nIf she even breathe wrong I'mma ditch her\nBaby I'm a dog, baby I'm a dog\nIf I could fuck em all I'ma fuck em all\nBaby I'm a dog, baby I'm a dog\nIf I could fuck em all I'ma fuck em all\n[Verse 1: A$AP Ferg]\nMarty Baller show these motherfuckers how to ball\nI'ma ball hard like Chris Paul\nSwervin' in the street in a new Porsche\nMy nigga blow that loud, blow the windows off\nI got diamonds in my grill don't need no dental floss\nAnd I got three hoes like I'm Santa Clause\nAnd they all divas like Diana Ross\nAnd I just be going 'woo', cause I'm a dog\n[Chorus: A$AP Ferg]\nI got kitty on my breath and some cheese steak\nBabe, I really want the head she said please wait\nI'm a doberman pinscher for the bitches\nIf she even breathe wrong I'mma ditch her\nBaby I'm a dog, baby I'm a dog\nIf I could fuck em all I'ma fuck em all\nBaby I'm a dog, baby I'm a dog\nIf I could fuck em all I'ma fuck em all [Verse 2: Marty Baller]\nShe on my pokeballs\nI gotta catch em all\nAnd you know my bitches bad, she a barbie doll\nBig [?] I'm comin' through I gotta stand up tall\nChris Paul cross 'em all watch them niggas fall\nYeah I'm ballin' dunkin' on em call me John Wall\nI got that Cris now give me light\n call me Sean Paul\nJean Paul Gaultier I got my frames on\nAnd I had to throw my Alexander Wang on\n[Chorus: Marty Baller]\nI got kitty on my breath and some cheese steak\nGirl I really want the head she said please wait\nI'm a doberman pinscher for the bitches\nIf she even breathe wrong I'mma ditch her\nBaby I'm a dog, baby I'm a dog\nIf I could fuck em all I'ma fuck em all\nBaby I'm a dog, baby I'm a dog\nIf I could fuck em all I'ma fuck em all\n[Verse 3: Quavo]\nReally I'm a dog really I'm a dog\nQuavo Slim Thugga, I'm a boss hog\nIce on my neck I'm sick I got menopause\nTook yo hoe in a dress cause she wear no draws\nShe want me take her to the mall, I'm a dog cause I tell her na\nLil bitty bitch need a pause\nLil mama she lost in the sauce\nFlaws and all she make the birds sing like Diana Ross\nI put the plug in the phone, he breaking right in he takin right off\nI put the dope in her anus\nLil bitty bitch she better not cough\nIf she ever get caught I'm takin' right off cause she gonna talk [Verse 4: Takeoff]\nI got codeine on my breath just ate T-bone steak (actavis)\nAnd I'm all about my chips nigga Frito lays (stackin' it)\nPlay with the money like it is monopoly, run with it like it relay\nCall up Ferg whats the word\nMy niggas pull up like ándale" } ]

[ { "from": "human", "value": "Write me a song called The Requiem with the following description: The opening track of Linkin Park’s 2010 concept album A Thousand Suns. “The Requiem” serves as an atmospheric opening that sets the tone of what’s to come in the album (namely, themes of nuclear war). The lyrics are the same as those that appear in the 14th track The Catalyst, which adds further foreshadowing of what’s to come. This song segues directly into The Radiance, which in turn fades into Burning In The Skies.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOoh-ooh, ooh\nOoh-ooh, ooh\nOoh-ooh, ooh\nOoh-ooh\n[Chorus: Mike Shinoda]\nGod save us, everyone\nWill we burn inside the fires of a thousand suns?\nFor the sins of our hand, sins of our tongue\nThe sins of our father, the sins of our young\nGod save us, everyone\nWill we burn inside the fires of a thousand suns?\nFor the sins of our hand, sins of our tongue\nThe sins of our father, the sins of our young\n(Four, three, two, one)" } ]

[ { "from": "human", "value": "Write me a song called Watch My Shoes with the following description: Insanely hot track off of Lil Wayne’s 2009 mixtape No Ceilings. Straight lyricism, no hooks. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse]\nOK, No Ceilings, motherfucker, good morning\nDick in your mouth while you're yawning, I'm going in\nGudda, why they started me? Marley, why they started me?\nI bring it to your front door like you ordered me\nBack in this bitch, but a lot more rich\nOn my Papa Bear shit, need hot porridge\nGot a lot more shit than you can ever fathom\nA big-head nigga couldn’t even imagine\nThe shit I do, most doers never done\nI'ma fuck this beat, you bitch, ooh, you better cum\nBet I run this shit, I don't run from shit\nI still b-beat your ass like a fucking drumstick\nWeezy Fucking Baby, baby, make the ladies come quick\nThe money can’t fit in my pockets, but I'll bet that gun fit\nAnd I’m so unfit 'cause all I eat is rappers\nAnd these rappers ain't shit, I like my fast food faster\nSyrup got me slow like a turtle 'round this ho\nAnd I'm flyer than the highest-flying bird around this ho\nWhat's the word around this ho? You get served around this ho\nYeah, you get served like a fucking hors d'œuvre around this ho\nI don’t splurge around no ho, no, I don’t shine in front of no bitch\n'Cause after she get off my dick, I be like \"Find the front door, bitch\"\nI don't know why in the fuck your bitch keep coming by\nI done fucked your bitch a hundred times\nWhat the fuck your bitch got on her mind? My fucking dick\nI call her \"dickhead,\" \nspicy like a Big Red\nStrike you like a Bic head—your flow sick? My shit dead\nSillier than V.I.C. said, Soulja Boy and Arab\nYou should see my eleven-year-old daughter do they dance\nI call it the Nae-Nae dance\n, proud to be Nae-Nae’s dad\nGun on the waistline, leave you in the wasteland\nWe are not the same, I am a Martian, this is Space Jam\nNo Ceilings, R.I.P., Amen\nMotherfucking caveman, beating on my chest\nYoung Money, Cash Money, and I'm eating all the rest\nNigga, no offense, sorry if you're offended\nRiding high like I'm on 54 inches\nMan, I'd rather chill with 54 bitches\nCh—Chill like— Ch—Chill like an Eskimo\nL—Let's get more— Let's get more bitches\nAnd I be like, \"Let's get more bitches\"\nMr. Officer, stop arresting your bitches\nStop letting the messy hoes mess with your business\nMickey Mouse cheese, hip-hop Walt Disney\nSheesh, gosh, Oshkosh B’gosh\nSmoking on that Bob Marley, listening to Pete Tosh\nI—I—I do me; no, I do three\nAt a T... I-M-E\nWhy, when we say we Young Mula\nThe bitches leave y'all and relay-run to us\nAnd payday comes sooner than later 'round here\nAnd you see my sharks like they got some bait around here\nHey, you better stop the hate around there\nBefore Tommy, Mac, and Nina debate around there, yeah\nYou see it in my face, I don’t care\nWhole court hearing, trial, and the case around there\nI'm the best thing yet\n, I know I got that thing wet\nEverybody wan' be fly but don’t know where their wings at\nHuh, had to pause for a minute\nNow, I'm right back in it, like the drawers of the women\nOn a scale of one to ten-n, my girl be a twenty\nMy girl so bad, make a nigga think he sinnin'\nMy goons so gritty, my goons is so with me\nHaters gotta go on iTunes to go get me\nGators, matadors, baboons, and those grizzlies\nAll come out me when I'm on the micropho-N-E\nMic check, two-three; I am different like blue pee\nAnd my girls be half-naked like Betty Boop be\nLike a hoopty, man, the boy been riding\nAnd I ain't gassed up, 'cause I'm more like a hybrid\nYou think I'm stunting, but no, I'm just surviving\nAnd I been here, but my soul is just arriving\nLook up in the air, it's a crow, it's a robin\nNo Ceilings\n, full dose, I'm prescribing\nMedication free, and for meditation, we\nSmoke some better tastin' weed that you’ll ever taste or see\nS-H-A-R-P as a tack, hotter than\nRiding through the desert on a camel back, I done been\nRiding through wherever with the hammer strapped, I ain't lying\nI can do whatever if I'm planning that\nSo I got my guns, let's dance, like FannyPack\nAnd we cook the hard, cut the soft, and bring the whammys back\nMafio, bitch, where your motherfucking family at?\nCall my nigga Gudda if you trying to get your mammy back\nAll up in another nigga woman, I be ramming that\nSeeing through these see-through niggas like they're laminate\nHip-hop so contaminate, I swear, just examine it\nAnd I'm such a philanthropist, the God to these evangelists\nI dress so Los Angeles, but I love Miami, though\nI act so New Orl-e-ans,\n yes, I go pistachios\nThat means I go nuts on any beat they throw at me\nAnd the bitches is so at me, and you know what they throw at me\nHahaha! [Outro]\nNo—No Ceilings" } ]

[ { "from": "human", "value": "Write me a song called Billie Jean (Long Version) with the following description: This extended version of “Billie Jean” was supposedly meant to be on Thriller, but had to be edited due to the album’s length. Notably, it continues a minute after the album version fades out and has some vocals that were cut from the album. One line near the end of this version:\nYou know you ain’t (Not my lover)\nYou you you can’t\nwas often sung by Michael when he performed “Billie Jean”. The long version of “Billie Jean” was released as a 12\" single, and has appeared on some compilations. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nShe was more like a beauty queen from a movie scene\nI said, \"Don't mind, but what do you mean, I am the one\nWho will dance on the floor in the round?\"\nShe said I am the one\nWho will dance on the floor in the round\nShe told me her name was Billie Jean as she caused a scene\nThen every head turned with eyes that dreamed of bein' the one\nWho will dance on the floor in the round\n[Pre-Chorus 1]\nPeople always told me, \"Be careful of what you do\nDon't go around breakin' young girls' hearts\" (Hee-hee)\nAnd mother always told me, \"Be careful of who you love\nAnd be careful of what you do (Oh-oh)\n'Cause the lie becomes the truth\" (Oh-oh), hey-ey\n[Chorus]\nBillie Jean is not my lover, uh\nShe's just a girl who claims that I am the one (Oh, baby)\nBut the kid is not my son (Hoo)\nShe says I am the one (Oh, baby)\nBut the kid is not my son (Hee-hee-hee, no-no, hee-hee-hee, hoo)\n[Verse 2]\nFor forty days and for forty nights, the law was on her side\nBut who can stand when she's in demand? Her schemes and plans\n'Cause we danced on the floor in the round (Hee)\nSo take my strong advice\nJust remember to always think twice\n(Don't think twice) Do think twice! (A-hoo!)\nShe told my baby we'd danced 'til three, then she looked at me\nThen showed a photo of a baby cryin', his eyes were like mine (Oh, no)\n'Cause we danced on the floor in the round, baby (Ooh, hee-hee-hee) [Pre-Chorus 2]\nPeople always told me, \"Be careful of what you do\nAnd don't go around breakin' young girls' hearts\" (Don't break no hearts; hee-hee)\nBut she came and stood right by me\nJust the smell of sweet perfume (Ha-oh)\nThis happened much too soon (Ha-oh, ha-ooh)\nShe called me to her room (Ha-oh, hoo), hey-ey\n[Chorus]\nBillie Jean is not my lover (Hoo)\nShe's just a girl who claims that I am the one\nBut the kid is not my son\nNo-no-no, no-no-no-no-no-no (Hoo)\nBillie Jean is not my lover, uh\nShe's just a girl who claims that I am the one (Oh, baby)\nBut the kid is not my son (Oh, no, no)\nShe says I am the one (Oh, baby)\nBut the kid is not my son (No, hee-hee-hee, ah, hee-hee-hee)\n[Break]\nHee, hoo\n[Chorus]\nShe says I am the one, uh\nBut the kid is not my son (No-no-no, hoo, ohh)\nBillie Jean is not my lover, uh\nShe's just a girl who claims that I am the one (You know what you did to me, baby)\nBut the kid is not my son\nNo-no-no (No-no-no, ah), no-no-no-no (No-no-no)\nShe says I am the one (No)\nBut the kid is not my son (No-no-no-no) [Outro]\nShe says I am the one (You know what you did)\nShe says he is my son (Breakin' my heart, babe)\nShe says I am the one\nYeah, yeah, Billie Jean is not my lover, uh\nYeah, Billie Jean is not my lover, uh\nYeah, Billie Jean is not my lover, uh (She is just a girl)\nYeah, Billie Jean is not my lover, uh (She is just a girl; don't call me Billie Jean, hoo)\nBillie Jean is not my lover, uh (She is just a girl; she's not at the scene)\nBillie Jean is not (Hee), aaow, ooh\nYeah, Billie Jean is (Ooh)\nBillie Jean is (Ah!) (Hoo!)\n(Oh) Oh darlin'\nOh yeah (Oh babe)\n(Ooh) Oooh\n(Babe) Oh babe\n(Oh) Oh\n(Darlin') Oh babe\n(Ooh)\n(Oh darlin') Oh darlin' (Babe)\nYou know you ain't\nNot my lover (Hee!)\nYou know you can't\nNot my lover (Hee!) (Ooh!)\nNot my lover (Oh)\nNot my lover\nBillie Jean is not my lover (She is just a girl)\nBillie Jean is not my lover (She is just a girl)\nBillie Jean is not my lover (She is just a girl)\nBillie Jean is not my lover (She is just a girl)\nBillie Jean is\nBillie Jean is\nBillie Jean is not my lover" } ]

[ { "from": "human", "value": "Write me a song called You Can Cry with the following description: “You Can Cry” is the fifth single from Marshmello released in 2018. It was preceded by “Spotlight,” “Friends,” “Everyday,” and “Fly.”\nThe song marks the first time that the DJ has worked with rapper Juicy J and British singer James Arthur.\nMarshmello shared the song on Twitter shortly after midnight on May 4, 2018:\n\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: James Arthur]\nOh, you can cry on my shoulder\nEverything's alright\nAll the pain is finally over\nYou can close your eyes\n[Verse 1: Juicy J]\nListen to me, close your eyes baby, picture this:\nSunset, on the ocean, that's Pacific\nNew whips, new tiffs, now your wrist lit\nYou can get anything off your wish list\nEvery day is Christmas (I got you)\nLook, I promise you don’t wanna miss this (I got you)\nAll I got is bread like a biscuit (biscuit)\nGot a secret location, unlisted\nWe can get twisted (woo)\nI don’t wanna wait (hey)\nI don’t need a break (hey)\nYou just bring the gift (hey)\nI’ma bring the cake (uh-huh)\nGo for two rounds\nLight a spliff (uh-huh)\nYou laying next to a star, make a wish (a wish)\nI got somethin’ you can ride if you need a lift (yes sir)\nWhenever you with me, the problems don’t exist\nAnywhere you wanna go, scratch it off your list\nYou wouldn’t even wanna cry if you imagine this [Chorus: James Arthur & (Juicy J)]\nOh, you can cry on my shoulder\nEverything's alright (I got you)\nAll the pain is finally over\nYou can close your eyes\n[Verse 2: Juicy J]\nYou was up late night callin' (woo)\nI was up late night ballin' (woo)\nAlmost made you wanna throw the towel in (hey)\nAlmost made you wanna trade the style in (uh-oh)\nCountin' up hundreds by the thousands (uh-oh)\n100 stacks, run it back, Hester\nDouble up, one more time, no pressure (no pressure)\nI believe in you, so you next up\nI put diamonds in your cross, God bless ya\nYou put the work in (woo), you deserve that\nHard work pays off, I know you heard of that (heard of that)\nSlow it down, lemme show you how to work that (oh)\nThat coupe you was dreamin' 'bout, you can swerve that (it's yours)\nYou just gotta take a chance, take control of that\nYou just gotta chase the dream, get a hold of that (uh-huh)\nThen you put in overtime, nothing over that\nThen you do it one more time, gotta run it back\n[Chorus: James Arthur]\nOh, you can cry on my shoulder\nEverything's alright\nAll the pain is finally over\nYou can close your eyes [Interlude: Juicy J]\nYou can get anythin' you want\nYou know what I'm sayin'?\nYou want that over there? You want that over there?\nI got you\n[Chorus: James Arthur]\nOh, you can cry on my shoulder\nEverything's alright\nAll the pain is finally over\nYou can close your eyes" } ]

[ { "from": "human", "value": "Write me a song called Fucking With the Best with the following description: “Fucking With the Best” is a braggadocious track that sees Chris laugh at his competition and claim he’s the best to do it. The track features vocals from an unknown male rapper and it’s likely the track was recorded between 2009-2010.\n“Fucking With the Best” leaked online in October 2019. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nThere ain't never gon’ be the one me (Me)\nShawty, I'm all there is and that all it's gon’ be (Be)\nI ain't sayin' I'm the only thing that's gon' ever be (Be)\nAll I said is I'm all there is and there only one me (Yeah)\nPedal to the metal, popo lights on me (Me)\nFly through a residential with a whole live piece (Piece)\nI ain't slowin’ down, why the f***? No, me (Me)\nMy lights is-is suspended and them ****** on me (Me)\nMan, I got somewhere to go and where I need to be (Be)\nI hope you, hope you got suited up like me (Me)\n’Cause when I hit the throttle and the heat come out to follow\nI'm Michael J. Fox, say it’s all you gon' see (See)\nBack to the future in a plain white tee (Tee)\nA pair of Louis jeans and some all-white sneaks (Sneaks)\nIt's steppin' in the plane the look might beat (Beat)\nI’m tricky as some trigonometry times three (Yeah)\nTry me, yeah\n[Chorus: Chris Brown]\nY'all ******' with-with the best right now (Yeah!)\nAin't nobody worried 'bout you (Hey!)\nGotta get it off my chest right now (What?!)\nI-I-I ain't thinkin' 'bout you (Hey!)\nWe're laughin' at you, you, you (Hey!)\nWe're laughin' at you, you, you (Hey!)\nWe're laughin' at you, you, you (Hey!)\nWe're laughin' at you, you, you (Hey!) [Verse 2]\nKush got 'em high to get low then for a charter (Charter)\nTrain jumped off the track and your dadada can't stop it (Stop it)\nCatch it, they can't catch it (Catch it)\nBlock it, they can't block it (Block it)\nOnly thing you can do is sit your *** down and watch it (Yeah)\nYeah, I ran it now (I ran it now)\nMy head right (My head right)\nNo loose screws (No loose screws)\nThey all tight (Yeah)\nI'm all hood (I'm all hood)\nMy bark bites (My bark bites)\nI'm Hollywood (I'm Hollywood)\nLimelight (Yeah)\nI love the Carolinas like I love life (Yeah)\nThey carry 'round with me like a bad wife (Yeah)\nI told them (I told them)\nI had to (I had to)\nNow f*** whoever (Now f*** whoever)\nSee what a man'll do (Yeah)\nExcuse me (Excuse me)\nNaw, excuse you (Excuse you)\nI runned it (I runned it)\nAnd you too (Yeah)\nYouTube (Yeah)\nCheck your views (Yeah)\nJust put it up today, I would not lose [Chorus: Chris Brown]\nY'all ******' with-with the best right now (Yeah!)\nAin't nobody worried 'bout you (Hey!)\nGotta get it off my chest right now (What?!)\nI-I-I ain't thinkin' 'bout you (Hey!)\nWe're laughin' at you, you, you (Hey!)\nWe're laughin' at you, you, you (Hey!)\nL-L-Laughin' at you, you, you (Hey!)\nL-L-Laughin' at you, you, you (Hey!)" } ]

[ { "from": "human", "value": "Write me a song called Party Up the Street with the following description: “Part Up the Street” is the 5th track off of Miley Cyrus’s EP SHE IS COMING with rapper Swae Lee and producer Mike WiLL Made-It who has collaborated with Miley and Swae on projects before. While he has worked with Miley on her 2013 album Bangerz, this is the first time Miley and Swae have worked together. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Swae Lee]\nI'm sure that you know where I stand\nLead me on, do it while you still can\nParty up the street, even though there is no place to park\nParty up the street, and you know what happens after dark\nYou can see our feet from the street\nSince the garage was halfway open\nOur eyes didn't meet until we started rollin'\n[Chorus: Miley Cyrus & Swae Lee]\nParty up the street, even though there is no place to park\nParty up the street, and you know what happens after dark\n[Verse 2: Miley Cyrus & Swae Lee]\nThe way that you movin' your body, I want money\nSoon as I put it on you, you wanna guard me\nWe didn't come this close for nothing\nWe didn't come this far for nothing\n[Chorus: Miley Cyrus & Swae Lee]\nParty up the street, even though there is no place to park\nParty up the street, and you know what happens after dark\n[Bridge: Miley Cyrus & Swae Lee, \nMiley Cyrus\n]\nYou can count on me, okay\nYou and me, we can be okay\nWe can rock like an ocean wave\n(\nWe can rock, we can rock, we can rock, we can rock, babe\n)\nYou and me, we can be okay\n(\nYou and me, we can be okay\n)\nWe can go out with a bang [Chorus: Miley Cyrus & Swae Lee]\nParty up the street\n(The way that you movin' your body, I want money)\nParty up the street\n(The way that you movin' your body, I want money)\nParty up the street\n(The way that you movin' your body, I want money)\nParty up the street\n(The way that you movin' your body, I want money)\n[Outro: Miley Cyrus & Swae Lee]\nAnd you know what happens after dark\n(The way that you movin' your body, I want money)\nAnd you know what happens after dark\n(The way that you movin' your body, I want money)\nAnd you know what happens after dark\nYeah yeah\nAnd you know what happens after dark\nAnd you know what happens after dark\nAnd you know what happens after dark" } ]

[ { "from": "human", "value": "Write me a song called Mind Maze with the following description: The song is about losing your track and trying to find your way out of a situation in which it is a difficult choice between something. “Mind Maze” is the seventh track from Katy Perry’s Witness album.\nIn her Witness World Wide stream Katy said that this song is about how sometimes it’s hard to navigate this world, and she wonders if she just pushes the reset button and surrender to love, and surrender to loving herself, she would wonder if she’d still be able to have all the things that she dreamed of as Katheryn Hudson, and also having a delicate balance with them. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI'm losing all direction\nSlipping into quicksand\nI've shattered the illusion\nSeen behind the curtain\nI'm disenchanted\nDancing on a wire\nJuggling desire\nEvery hit gets harder\nWhen you're fighting without armor\nI'm disheartened\n[Pre-Chorus]\nDo I start over, rediscover?\nSubmit to the sweet surrender\n[Chorus]\nIt's a mind maze, all these head games\nCaught in a cage (Caught in a cage), a complex cage\nAm I a car on fire?\nWill I be devoured?\nI gotta free myself and get out of my own way\n[Verse 2]\nI used to be so sparkling\nBut now it's not so charming\nWhat used to stimulate me\nNow can barely wake me\nI'm unresponsive\nWill I find salvation?\nSome kind of moderation?\nSpinning all these plates is\nGonna be a challenge\nA delicate balance [Pre-Chorus]\nSo do I start over, rediscover?\nSubmit to the sweet surrender\n[Chorus]\nIt's a mind maze, all these head games\nCaught in a cage (Caught in a cage), a complex cage\nAm I a car on fire?\nWill I be devoured?\nI gotta free myself and get out of my own way\n[Refrain]\nGet out of my own way\nGet out of my own way\nGet out of my own way\n[Outro]\nSo do I start over, re-rediscover?\nI submit to your, your sweet surrender\nYour sweet surrender\nYour sweet surrender\nNo" } ]

[ { "from": "human", "value": "Write me a song called Dreaming Out Loud with the following description: The song was the title track of OneRepublic’s debut album, but was interestingly not included in the standard edition but only included as a bonus track. The song was from earlier years of OneRepublic’s career, before they signed to Mosley Music Group. It was included on their unreleased album before the album and the band were dropped by Columbia Records. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nWell hello sir, we look for Mondays\nConfident we'll get there someday\nPushing all the papers to a wealthy man\nMight I say, a beautiful tie you wear\nAnd how do you find such lovely polka dots and stripes these days?\n[Pre-Chorus]\nBreak all my thoughts hit the floor\nLike I'm making the score\nI'm the king of the world\nI'm a popular man\nCount by zeros to ten\nIf you can't, well, I can\nDon't let any one wake me\n[Chorus]\nI'm dreaming out loud\nDreaming out loud\nAnd all at once, so familiar it seems\nI'm dreaming out loud\nDreaming out loud\nCan't find a puzzle to fit into piece of apart of me\n[Verse 2]\nCurtain calls and sanctuaries\nActors in the cloth, they freak me out\nMocking my purpose, in the magazines\nFamous how they make you feel grand\nThey're always there to hold your hand\nIn times of trouble, they're best of friends [Pre-Chorus]\nBreak all my thoughts hit the floor\nLike I'm making the score\nI'm the king of the world\nI'm a popular man\nCount by zeros to ten\nIf you can't, well, I can\nDon't let any one wake me\n[Chorus]\nI'm dreaming out loud\nDreaming out loud\nAnd all at once, so familiar it seems\nI'm dreaming out loud\nDreaming out loud\nCan't find a puzzle to fit into piece of apart of me\n[Bridge]\nThey don't care what you say\nThey don't care what you think\nAll they care, what you do\nLong as you're on beat\nTake a look at yourself\n[Pre-Chorus]\nStorm tries to come and wreck my world\nNo, I won't let it\nStumble to escape, through anchored drapes, made of bedding [Chorus]\nI'm dreaming out loud\nDreaming out loud\nAnd all at once, so familiar it seems\nI'm dreaming out loud\nDreaming out loud\nCan't find a puzzle to fit into piece\nI'm dreaming out loud, out lout\nCan't find a puzzle to fit into piece of apart of me, yeah\n[Outro]\nWell hello sir, we look for Mondays" } ]

[ { "from": "human", "value": "Write me a song called Set Fire to the Rain with the following description: “Set Fire To The Rain” talks about a relationship coming to an end. Girl meets guy, he is wonderful and she falls really quickly. He tells her all of these amazing things, but really they were all a lie and now she is left with a broken heart. He continually tries to play games with her and no matter hard she fights, she will never win. Nothing she can do will fix the relationship.\nAs hard as she doesn’t want to let him go, she breaks it off in order to save herself for further heartbreak. The pain of breaking off a relationship with someone who means so much but is two-sided and not good to be with.\nThe title is an allusion to James Taylor’s “Fire and Rain,” but Adele approaches the same themes with a thug-feminist perspective.\nIn the US, the song hit #1, becoming her third consecutive number one from the album. She wouldn’t reach such heights again until her comeback single “Hello” debuted at number one with a shocking 1.12 million copies sold in one week – the largest ever recorded in the US. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Fraser T. Smith]\n[Verse 1]\nI let it fall, my heart\nAnd as it fell, you rose to claim it\nIt was dark, and I was over\nUntil you kissed my lips and you saved me\nMy hands, they were strong\nBut my knees were far too weak\nTo stand in your arms\nWithout falling to your feet\n[Pre-Chorus]\nBut there's a side to you\nThat I never knew, never knew\nAll the things you'd say\nThey were never true, never true\nAnd the games you'd play\nYou would always win, always win\n[Chorus]\nBut I set fire to the rain\nWatched it pour as I touched your face\nWell, it burned while I cried\n'Cause I heard it screamin' out your name\nYour name [Verse 2]\nWhen I lay with you\nI could stay there, close my eyes\nFeel you here forever\nYou and me together, nothing is better\n[Pre-Chorus]\n'Cause there's a side to you\nThat I never knew, never knew\nAll the things you'd say\nThey were never true, never true\nAnd the games you'd play\nYou would always win, always win\n[Chorus]\nBut I set fire to the rain\nWatched it pour as I touched your face\nWell, it burned while I cried\n'Cause I heard it screamin' out your name\nYour name\nI set fire to the rain\nAnd I threw us into the flames\nWhen we fell, somethin' died\n'Cause I knew that that was the last time\nThe last time [Bridge]\nSometimes, I wake up by the door\nThat heart you caught must be waitin' for you\nEven now, when we're already over\nI can't help myself from lookin' for you\n[Chorus]\nI set fire to the rain\nWatched it pour as I touched your face\nWell, it burned while I cried\n'Cause I heard it screamin' out your name\nYour name\nI set fire to the rain\nAnd I threw us into the flames\nWhen we fell, somethin' died\n'Cause I knew that that was the last time\nThe last time\n[Outro]\nOh\nOh, no\nLet it burn\nOh\nLet it burn\nLet it burn" } ]

[ { "from": "human", "value": "Write me a song called Runnin’ (Lose It All) with the following description: “Runnin' (Lose It All)” leaked unofficially on 26 August 2015 and is the first single released in advance of Naughty Boy’s follow-up to his debut album, Hotel Cabana.\nThe track features vocals by upcoming singer-songwriter Arrow Benjamin and pop star Beyoncé. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Beyoncé]\nThese four lonely walls have changed the way I feel\nThe way I feel, I'm standing still\nAnd nothing else matters now, you're not here\nSo where are you? I've been callin' you, I'm missin' you\n[Pre-Chorus: Beyoncé]\nWhere else can I go? Where else can I go?\nChasin' you, chasin' you\nMemories turn to dust, please don't bury us\nI got you, I got you\n[Chorus: Beyoncé]\nRunnin', runnin', runnin', runnin'\nRunnin', runnin', runnin'\nAin't runnin' from myself no more\nTogether we'll win it all\nI ain't runnin', runnin', runnin', runnin'\nRunnin', runnin', runnin'\nAin't runnin' from myself no more\nI'm ready to face it all\n[Post-Chorus: Beyoncé]\nIf I lose myself, I lose it all\n[Verse 2: Arrow Benjamin]\nI've outrun the fears that chased, they're standin' still\nI'm runnin' still, I'm runnin' still\nAnd every voice that cried inside my head, forever drives\nForever drives, I've killed the lights, oh [Pre-Chorus: Arrow Benjamin]\nWhere else can I go? And where else can I go?\nChasing you, chasing you, oh\n[Chorus: Arrow Benjamin, \nBeyoncé\n]\nRunnin', runnin', runnin', runnin'\nRunnin', runnin', runnin'\nAin't runnin' from myself no more\nTogether we'll win it all\nI ain't runnin', runnin', runnin', runnin'\nRunnin', runnin', runnin'\nAin't runnin' from myself no more\nI'm ready to face it all\n[Post-Chorus: Arrow Benjamin, \nBeyoncé\n]\nIf I lose myself, I lose it all\nIf I lose myself, I lose it all\nIf I lose myself, I lose it all\nIf I lose myself, I lose it all" } ]

[ { "from": "human", "value": "Write me a song called The Real Thing with the following description: A cover of the song originally performed by Australian singer Russell Morris.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1:]\nCome and see the real thing\nCome and see the real thing\nCome and see\nCome and see the real thing\nCome and see the real thing\nCome and see\n[Pre-hook 1:]\nIs there a meaning here?\nIs there a meaning here?\nDoes it really mean a thing?\nCome and see the real thing\nCome and see the real thing\nCome and see\nI am the real thing\n[Hook:]\nOo mama mow-mow (x4)\nOo mama mama mama mama mama mama mow\n[Verse 2:]\nTryin’ hard to understand it\nTryin’ hard to make things real\nTryin’ hard to understand it\nBut the real thing's just so sweet [Pre-hook 1]\n[Hook]\n[Interlude:]\nI am not seeing\nI am not feeling\nAhhhhh\n[Verse 3:]\nTryin' hard to make things happen\nWell, that's the way it's always been\nTryin' hard to make things happen\nWhen the real thing can be so thin\n[Pre-hook 2:]\nWell, there's a meaning here\nIs there a meaning here?\nDoes the real thing mean a thing?\nCome and see the real thing\nCome and see the real thing\nCome and see\nI am the real thing\n[Hook] [Interlude]\n[Hook] (4x)" } ]

[ { "from": "human", "value": "Write me a song called Growing Apart (To Get Closer) with the following description: “Growing Apart (To Get Closer)” is the second track on Kendrick Lamar’s first full-length mixtape, Overly Dedicated. It samples an obscure 1970s funk record by Bobby Cook & The Explosions titled “On The Way.” It also interpolates 1978’s “Hangin'” by little known Australian R&B group Stylus.\nThe track was produced by Tae Beast and features vocals from Jhené Aiko, who also released her own version in 2011, titled “Growing Apart Too.” The remix is the last track on Aiko’s Sailing Soul(s) project, with Lamar’s fourth verse now placed at the beginning of the song. It appropriately closes out the mixtape, beginning with the line:\nSo in conclusion…\nKendrick’s version fits with the themes of other songs on Overly Dedicated, such as “Opposites Attract (Tomorrow W/O Her)” and “Cut You Off (To Grow Closer),” which is the second to last track on the album—giving the project some chiastic structure. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Tae Beast]\n[Chorus: Jhené Aiko & \nKendrick Lamar\n]\nWhere are we going? Why are we slowing down?\nWhere are you going? We should be growing now\n(\nSmoke to it nigga, smoke to it nigga, oh\n)\nWhere are we going? Why are we slowing down?\nWhere are you going? We should be growing now\n[Verse 1: Kendrick Lamar]\nThat’s what she said to me, that place I used to call home\nIs just a bed to me\nAnd we don’t even sleep, neighbors can hear her weep\nMeanwhile I’m in these streets with everybody, I’m trying to get it\nAnd she know they got me, I watch her feelings watch me\nAs they staring with the saddest eyes of loneliness\nLook each other in the face and barely blink\nI tried to make it right, but the pen ran out of ink\nSo if my letters don’t reach you, I hope these lyrics in sync\n[Chorus: Jhené Aiko]\nWhere are we going? Why are we slowing down?\nWhere are you going? We should be growing now\n[Verse 2: Kendrick Lamar]\nThat’s what it said to me\nBut the place I call ambition now dead to me\nGone and forgotten, I’m off track like Dale Earnhardt\nMy liver rotten, alcoholic tripping\nFucking bad bitches and they got bad intentions\nClub night, guys and dolls\nBalling out but I'm 'bout to drop the ball\nI’m calling out for help, my engineer called\nTold me come to the studio, I wanna tell him, nah [Chorus: Jhené Aiko]\nWhere are we going? \nWhy are we slow\ning down?\nWhere are you going? We should be growing now\n[Verse 3: Kendrick Lamar]\nThat’s what he said to me\nBut that place we call Heaven unfair to me, only 144 can go\nSeven billion people on planet Earth today\nIs there something that I don’t know\nI know to follow Him rather following people\nOr follow vanity cause that means I’m following evil\nGuess I’m following evil, I should follow cathedral\nBlessings I need but live like I don’t need you\n[Chorus: Jhené Aiko]\nWhere are we going? Why are we slowing down?\nWhere are you going? We should be growing now\n[Verse 4: Kendrick Lamar]\nSo in conclusion\nWe all seem to stumble, planning our own demise\nForgetting the big picture and making it wallet size\nSo to what is important in my life, I apologize\nI promise to stay faithful, focused and sanctified\nWe all get distracted, the question is\nWould you bounce back or bounce backwards?\nWould you not know how to act or take action?\nIt’s just a part of life and if your vision’s impaired, you probably lose it all tonight [Outro: Jhené Aiko]\nTryna visualize how to get it right but my vision’s so blurry\nTryna slow it down, stay close to the ground, but we’re always in a hurry now\nAnd if I could make this world spin a little slower, then I would\nThen we could grow a little closer, I think we’re getting closer\nI think we’re getting closer" } ]

[ { "from": "human", "value": "Write me a song called Get ’Em High with the following description: A crowd-pleaser and smoking anthem, Kanye, Talib, and Common take turns flexing their skills. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kanye West]\nUh-uh, I'm tryna catch the beat\nUh, I'm tryna catch the beat\nI'm tryna catch the beat, uh-uh, uh-uh\nI'm tryna catch the beat\n[Chorus: Kanye West]\nN-now, th-th-throw your motherfuckin' hands\nGet 'em high\nAll the girls pass the weed to your motherfuckin' man\nGet 'em high\nNow I ain't never tell you to put down your hands\nKeep 'em high\nAnd if you're losin' your high, then smoke again\nKeep 'em high (Now, now, now, now)\n[Verse 1: Kanye West]\nMy flow is in the pocket like wallets, I got the bounce like hydraulics\nI can't call it, I got the swerve like alcoholics\nMy freshman year, I was going through hella problems\n'Til I built up the nerve to drop my ass up out of college\nMy teacher said I's a loser, I told her, \"Why don't you kill me?\nI give a fuck if you fail me, I'm gonna follow\nMy heart\", and if you follow the charts\nOr the plaques or the stacks, you ain't gotta guess who's back, you see?\nI'm so Chi that you thought I was bashful\nBut this bastard's flow will bash your skull\nAnd I will cut your girl like Pastor Tro'\nAnd I don't usually smoke, but pass the 'dro\nAnd I won't give you that money that you askin' for\nWhy you think me and Dame cool? We assholes\nThat's why we hear your music and fast forward\n'Cause we don't wanna hear that weak shit no mo' [Chorus: Kanye West]\nN-now, th-th-throw your motherfuckin' hands\nGet 'em high\nAll the girls pass the weed to your motherfuckin' man\nGet 'em high\nNow I ain't never tell you to put down your hands\nKeep 'em high\nAnd if you're losin' your high, then smoke again\nKeep 'em high (Now, now, now, now, now, \nYou've got mail\n)\n[Verse 2: Kanye West, \nSumeke Rainey\n & \nTalib Kweli\n]\nNow who the hell is this\nEmailing me at 11:26\nTelling me that she thirty-six, twenty-six plus double-d?\nYou know how girls on Black Planet be when they get bubbly\nAt NYU but she hail from Kansas\nRight now, she just lampin', chillin' on campus\nSent me a picture with her feelin' on Candice\nWho said her favorite rapper was the late great Francis\nW-H-I-T,\n \nit's getting late, mami\nYour screen saver say Tweet, so you got to call me\nAnd bring a friend for my friend, his name Kweli\nYou mean Talib? Lyrics stick to your rib\n (I mean)\nThat's my favorite CD that I play at my crib\n (I mean)\nYou don't really know him, why is you lyin'?\nYo, Kwe, she don't believe me, please pick up the line\nShe gon' think that I'm lyin', just spit a couple of lines\nThen maybe I'll be able to give her dick all the time\nAnd get her high (\nYeah\n), ow [Verse 3: Talib Kweli & \nCommon\n]\nI can't believe this nigga use my name for pickin' up dimes\nBut never mind\n, \nI need some tracks, you tryin' to pull tracks out\nAnd my rhymes is finna blow, you trying to blow backs out\nWell, okay, you twisted my arm, I'll assist with the charm\nAyo, ain't you meet that chick at that conference with your moms?\nHer sister the bomb, but she got the bougie behavior\nAlways got something to say like a OkayPlayer-hater\nAnyways, I don't usually fuck with the Internet\nOr chicks with birth control stuck to they arm like Nicorette\nYou really fuckin' that much or tryna get off cigarettes? (Keep 'em high)\nIf she think it's fly, she ain't met a real nigga yet (No)\nI apologize if I come off a little inconsiderate\nI got the Bubba Kush and her sister could get a hit of it, yeah\n (\nYo, yo\n)\n[Verse 4: Common]\nGet 'em high like noon or the moon\nOr a room filled with smoke, a hype filled with dope\nY'all assumed I was doomed, out of tune\nBut I still filled the notes with real nigga quotes\nReal rappers is hard to find like a remote\nControl, rap is out of\nUsed to, but still got love\nThat's why I abuse you who are not thugs\nRock clubs like Tiger Woods in the hood\nShould have my own reality show called \"Soul Survivor\"\nI stole on live-er niggas than you\nYou's a bitch, I got ones that are thicker than you\nHow could I ever let your words affect me?\nThey say hip-hop is dead, I'm here to resurrect me\nMarsha's too sexy to even make songs like these\nThat's why the raw don't know your name, like Alicia Keys\nToo many featured MCs, and producers is popular\nTwelve thousand spins, nobody got to coppin' a\nAlbum, \nhow come you the hot garbage of\nThe year? It's clear your image is looped up\nLabel got you souped up, tellin' you you sick\nWhen you a dick with a loose nut\nVideo hard to watch like Medusa\nEven your club record need a booster\n, chimped up\nWith a pimp cup, illiterate nigga, read the infra-\nRed across your head, \nI'm bred king like Simba\nBolder than Denver,\n \nI ain't a mad rapper\nJust a MC with a temper\nYou dancin' for money like Honey\n, \nI did this my way\nSo when the industry crash, I survive like Kanye\nSpittin' through wires and fires, MCs retirin'\nGot your hands up, get them motherfuckers higher, then [Chorus: Kanye West & \nCommon\n]\nN-now, th-th-throw your motherfuckin' hands\nGet 'em high (\nYeah\n)\nAll the girls pass the weed to your motherfuckin' man\nGet 'em high (\nMm-mm, uh-uh, uh\n)\nNow I ain't never tell you to put down your hands\nKeep 'em high (\nKeep 'em high, keep 'em high, uh-uh\n)\nAnd if you're losin' your high, then smoke again\nKeep 'em high" } ]

[ { "from": "human", "value": "Write me a song called Blah Blah Blah (Remix) with the following description: \nRich Homie Quan dropped this exclusive remix on Sway In The Morning. The remix to this track features Ty Dolla $ign, DeJ Loaf, and Fabolous.\nhttps://www.youtube.com/watch?v=DXVR-fUga7s Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook: Rich Homie Quan]\nIt was hard to hear at first\nI couldn’t understand what you sayin’\nAnd these bitches bound to get hurt\n‘Cause a lot of these niggas be playin’\nAnd I fuck with shorty on the low\nAnd I know she know I’m the man\nSo that extra shit gotta go\nShe probably don’t know that I fucked her friend\nIf she ask about it\nI’m a be like, “Blah blah blah blah”\nWhen she try to argue with me\nI be like, “Blah blah blah blah”\nTrying to get back with me\nI be like, “Hell nah nah nah”\nAnd we ain’t talking about no money\nI’m like, “Blah blah blah blah”\n[Verse 1: Fabolous]\nI said, nigga be talkin' that blah\n'Til you walk up with that blah, we ain't playin'\nHeard he got hit in his eye\nHeard he got bust in his mouth, see I'm sayin'?\nShorty gon' get on that D\nFirst she gon' get on her knees, she ain't prayin'\nTold her I'ma run it right back\nDog it ain't even like that, she ain't stayin'\nI ain't got no fuckin' time, 'less it's fuckin' time\nYou ain't with it, go, please don't waste my fuckin' time\nGot places to go, got people to see\nGot this kilo on my neck, I'm just keepin' it G\nNiggas dissin' for a listen, waitin' for a mention\nNiggas lose all respect tryna gain attention\nAll this extra shit, man I need choppers with extensions\nAnd all this work out here, you'd think we're waitin' on a pension, nigga [Hook: Rich Homie Quan]\nIt was hard to hear at first\nI couldn’t understand what you sayin’\nAnd these bitches bound to get hurt\n‘Cause a lot of these niggas be playin’\nAnd I fuck with shorty on the low\nAnd I know she know I’m the man\nSo that extra shit gotta go\nShe probably don’t know that I fucked her friend\nIf she ask about it\nI’m a be like, “Blah blah blah blah”\nWhen she try to argue with me\nI be like, “Blah blah blah blah”\nTrying to get back with me\nI be like, “Hell nah nah nah”\nAnd we ain’t talking about no money\nI’m like, “Blah blah blah blah”\n[Verse 2: Ty Dolla $ign]\nEvery time I talk to my baby mama\nShe like \"Blah, blah, blah, blah\"\nEvery time I fuck on my Spanish bitch\nShe call me papa\nEvery time I hit the club\nI came with all of my niggas\nThem niggas over there, they broke\nI take all of their bitches\nI spend all of this money\nThen get it right back in the morning\nGot that Sprite in my cup\nWith some of that you ain't even know it\nWash that zanny down with that Möet\nI be fucked up but I never show it\nBought 10 bottles, I ain't even pour up\nI just came to make the shit go up\nYeah, ball out on these hoes\nBars out on these hoes, I'll leave without these hoes\nThat's on my mama, that's on the game\nIt's so loud, I can't hear what you're sayin' [Hook: Rich Homie Quan]\nIt was hard to hear at first\nI couldn’t understand what you sayin’\nAnd these bitches bound to get hurt\n‘Cause a lot of these niggas be playin’\nAnd I fuck with shorty on the low\nAnd I know she know I’m the man\nSo that extra shit gotta go\nShe probably don’t know that I fucked her friend\nIf she ask about it\nI’m a be like, “Blah blah blah blah”\nWhen she try to argue with me\nI be like, “Blah blah blah blah”\nTrying to get back with me\nI be like, “Hell nah nah nah”\nAnd we ain’t talking about no money\nI’m like, “Blah blah blah blah”\n[Verse 3: Dej Loaf]\nI done made a hundred K this week\nLord, why they wanna hate on me?\nAll white, not a stain on me\nDiamonds dance like K.O.D\nPimp shit, should have a cane on me\nI'm in Saks, no c'est la vie\nI don't Tampa, that's 813\nThem niggas know I'm from the 313\nThis bitch think she fuckin' with me\nTell her body bag herself\nAnd I did this on my own\nI ain't ever ask for help\nFuck you mean? That's that cash you smelled\nTalk crazy, no pastors here\nMake a pussy do a backwards flip\nHallelujah yeah the pastor's here\nChoppers spit, ch-choppers out\nChopper style, hundred rounds\nGet on the ground, don't make a sound, yeah, yeah\nKeep runnin' your mouth, have them boys run in your house\nSilencer don't make a sound\nBlah, blah, blah, blah\nThese pussies off their mark [Hook: Rich Homie Quan]\nIt was hard to hear at first\nI couldn’t understand what you sayin’\nAnd these bitches bound to get hurt\n‘Cause a lot of these niggas be playin’\nAnd I fuck with shorty on the low\nAnd I know she know I’m the man\nSo that extra shit gotta go\nShe probably don’t know that I fucked her friend\nIf she ask about it\nI’m a be like, “Blah blah blah blah”\nWhen she try to argue with me\nI be like, “Blah blah blah blah”\nTrying to get back with me\nI be like, “Hell nah nah nah”\nAnd we ain’t talking about no money\nI’m like, “Blah blah blah blah”" } ]

[ { "from": "human", "value": "Write me a song called Without You with the following description: This song is explaining the struggle his life is without her at his side. He would go through anything and everything to make their relationship work. All the things he’s capable of doing are impossible, without her his life will never be the same. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI can't win, I can't reign\nI will never win this game\nWithout you\nWithout you\nI am lost, I am vain\nI will never be the same\nWithout you\nWithout you\n[Pre-Chorus]\nI won't run, I won't fly\nI will never make it by\nWithout you\nWithout you, uh\nI can't rest, I can't fight\nAll I need is you and I\nWithout you\nWithout you\n[Chorus]\nOh-oh-oh\nYou, you, you\nWithout\nYou, you, you\nWithout you [Verse 2]\nCan't erase, so I'll take blame\nBut I can't accept that we're estranged\nWithout you\nWithout you\nI can't quit now, this can't be right\nI can't take one more sleepless night\nWithout you\nWithout you\n[Pre-Chorus]\nI won't soar, I won't climb\nIf you're not here, I'm paralyzed\nWithout you\nWithout you\nI can't look, I'm so blind\nI lost my heart, I lost my mind\nWithout you\nWithout you\n[Chorus]\nOh-oh-oh\nYou, you, you\nWithout\nYou, you, you\nWithout you [Outro: Usher]\nI am lost, I am vain\nI will never be the same\nWithout you\nWithout you\nWithout you" } ]

[ { "from": "human", "value": "Write me a song called The Art of Letting Go with the following description: “The Art of Letting Go” was released as the second single off the album, on November 11, 2013.\nIt was met with general acclaim from contemporary music critics. It is an empowering, slow-burning and classic R&B ballad, with strong elements of gospel music. Its main instrumentation consists in the use of the piano, strings, and guitar.\nShe performed this song in the New Year’s Eve Special with Carson Daly on December 31st, 2013.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI'm making a statement of my own opinion\nJust a brief little reminder to help myself remember\nI no longer live in your dominion\nYou're just trifling, nothing more than a liability\nGot a bundle of your possessions\nOutside the kitchen window right now\nLetting go\n[Chorus]\nLetting go ain't easy\nOh, it's just exceedingly hurtful\n'Cause somebody you used to know (know)\nIt's flinging your world around\nAnd they watch, as you're falling down, down, down\nFalling down, baby\n[Verse 2]\nEvidently your words were merely lies\nReverberating in my ears\nAnd the echo won't subside\nThere's a deep deep loss of hope\nAnd the anger burns in me\nI hope you don't get no ideas about reuniting baby\n'Cause that's the last thing I truly need\nYour audacity is too much to be believed, so\nGo to Mimi on your contacts, press delete [Chorus]\nLetting go ain't easy\nOh, it's just exceedingly hurtful\n'Cause somebody you used to know (know)\nIt's flinging your world around\nAnd they watch (watch), as you're falling down, down\nDown, down\n[Bridge]\nBaby letting go, baby letting go\nAin't easy, ain't easy\nBaby letting go, baby letting go (Woah)\nAin't easy, ain't easy (No)\n[Chorus]\nBaby letting go, it's not easy oh\n'Cause somebody you used to know\nIt's flinging your world around\nAnd you know what? They watch (watch)\nAs you're falling (falling), as you're falling (falling)\nDown\nFall\nIt ain't easy baby" } ]

[ { "from": "human", "value": "Write me a song called New One with the following description: “New One” is an unreleased song by Justin Bieber that was leaked by Music Mafia on June 12, 2017.\nThe song was likely recorded in 2015; Justin talks about getting new cars, girls and the power of his money. The song has Middle Eastern-music vibes to it. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOh yeah, oh yeah, oh yeah\nOh, oh yeah, oh yeah\n[Chorus]\nI pull up in my new whip, baby, that's my new one\nYou ask me who my crew is, baby there's no new ones\nAnd I'm just saying \"deuces,\" I just need a new one\n(I, I just need a new one, I, I just need that brand new one, yeah)\n[Verse]\nThey just wanna play with me, they just wanna play with me\nJust got back from the Middle East\nMaybe just a little cheese, still wanna play with me?\nBack to the crib for two minutes, I got something to do\nYeah, you get it\nYeah I copped something new, a new get-up\nYeah, phone coming through, you keep your head up\nGotta have all the new kicks, better have all the new tricks\nAnd my bank go shit, gotta have all the new whips\nGotta have all the new chicks, my bad, I'm sick\nI never had a problem with a money clip\nPaper always glazed like a honey dip\nI was always raised like \"Honey, quit\"\nI'm just being funny with this funny ish [Chorus]\nI pull up in my new whip, baby, that's my new one\nYou ask me who my crew is, baby there's no new ones\nAnd I'm just saying \"deuces,\" I just need a new one\n[Bridge]\nOh yeah, oh yeah, oh yeah\nOh, oh yeah, oh yeah\n[Chorus]\nI pull up in my new whip, baby, that's my new one\nYou ask me who my crew is, baby there's no new ones\nAnd I'm just saying \"deuces,\" I just need a new one\n(I, I just need a new one, I, I just need that brand new one, yeah)" } ]

[ { "from": "human", "value": "Write me a song called Paper Tags with the following description: The first leak off Jadakiss' “Consignment” mixtape is “Paper Tags” featuring Wale, French Montana and fellow D-Blocker Styles P.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: French Montana]\nSippin' on that 'gnac\nRollin' off a bean\nShorty on her back\nI’m tryna get it in\n[Verse 1: Wale]\nNew whip, \npaper tags\n, save checks, spend the cash\nA young black nigga on a fucking rap\nBut that’s some bad luck years if you in the path of a jag\nGot much to say, hallelujah I do it\nIf pussy was music, I would have Lollapalooza groupies\nMontana, nigga stay schemin\n8G’s in my P's \nkilling Atrium\n[Verse 2: Jadakiss]\nV12,\n paper tags\nYou know I like mine in the paper bags (racks)\nCop and go, make it fast\nCut it with the \nRoxies\n, make it last\nTread mill then I’m in the sauna\nWhen you getting money you get caught up in the moment\nAll that sucker shit, real niggas don't condone it\nYou can get it, depending on how bad you want it\n[Chorus: French Montana]\nSippin' on that 'gnac\nRollin' off a bean\nShorty on her back\nI’m tryna get it in [\nBridge: French Montana\n]\nCocaine, \nD block\nDouble MG,\n we got the streets locked\nWe be high like a motherfucker\nOn some niggas that we ride like a motherfucker\nSipping on that 'gnac, rolling off a bean\nShawty on her back, I’m trying to get it in\n[Verse 3: Styles P]\nNew 9, paper tags, Staples Center but you ain’t where the Lakers at\nWaterproof Uzi when I take a bath\nMongoose nigga cut a motherfucking snake in half\nMontega, ton of it\nBig ass guns stand in front of it\nIt’s only real niggas I get blunted with\nI only give a fuck about the niggas I get hunneds with\n[Verse 4: Jadakiss]\nTriple beam, paper tags\nGive you the whole thing, just pay for half\nThink about it, do the math\nWired it to my account, screw the cash\nCoke is corporate\nGive them a good batch and they won’t get off it\nShop closed but they still open of it\nI ain’t satisfied till they close the coffin [Chorus: French Montana]\nSippin' on that 'gnac\nRollin' off a bean\nShorty on her back\nI’m tryna get it in\n[Bridge: French Montana]\nCocaine, \nD block\nDouble MG,\n we got the streets locked\nWe be high like a motherfucker\nOn some niggas that we ride like a motherfucker\nSipping on that 'gnac, rolling off a bean\nShawty on her back, I’m trying to get it in" } ]

[ { "from": "human", "value": "Write me a song called Celestial with the following description: For the 19th track on = (Equals)’s deluxe version, here is “Celestial” by Ed Sheeran–which is also a collaboration with world-known media franchise, Pokémon.\nInside of an light electronic-pop instrumental, Ed Sheeran sings about the ups and downs in an relationship, specifically long distance relationships that always come back for each other.\nIn the “Celestial” music video, Ed is living through a normal day, which soon turns into a cinematic animation, similar to the cover for the song. There are some Pokémon-themed easter eggs hidden in the music video, as well as he’s seen with Pokémon’s famous mascots Pikachu and Eevee, plus many more Pokémon. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYou see tonight, it could go either way\nHearts balanced on a razor blade\nWe are designed to love and break\nAnd to rinse and repeat it all again\n[Pre-Chorus]\nI get stuck when the world's too loud\nAnd things don't look up when you're goin' down\nI know your arms are reachin' out\nFrom somewhere beyond the clouds\n[Chorus]\nYou make me feel\nLike my troubled heart is a million miles away\nYou make me feel\nLike I'm drunk on stars and we're dancing out in the space\nCelestial\nCelеstial\n[Verse 2]\nI see the light shining through the rain\nA thousand colours in a brighter shadе\nNeeded to rise from the lowest place\nThere's silver lining that surrounds the grey [Pre-Chorus]\nWhen I get lost, will you come back around?\nThings don't look up when you're goin' down\nI know your arms, they are reachin' out\nFrom somewhere beyond the clouds\n[Chorus]\nYou make me feel\nLike my troubled heart is a million miles away\nYou make me feel\nLike I'm drunk on stars and we're dancing out in the space\nCelestial\nCelestial, oh\n[Bridge]\nWe were made to be nothin' more than this\nFindin' magic in all the smallest things\nThe way we notice, that's what really matters\nLet's make tonight go on and on and on\n(You make me feel) We were made to be nothin' more than this\nFindin' magic in all the smallest things\n(You make me feel) The way we notice, that's what really matters\nLet's make tonight go on and on and on\n[Chorus]\nYou make me feel\nLike my troubled heart is a million miles away\nYou make me feel\nLike I'm drunk on stars and we're dancing out in the space\nCelestial, ohh\nCelestial, ohh\nCelestial, ohh [Outro]\nWe were made to be nothin' more than this\nFindin' magic in all the smallest things (Celestial, ohh)\nThe way we notice, that's what really matters is\nMake tonight go on and on and on\nCelestial" } ]

[ { "from": "human", "value": "Write me a song called Time (Edit) with the following description: “Time (Edit)” is the fourth and final single off of NF’s 2019 album, The Search.\nNF uses the song to depict a relationship reaching a breaking point. Despite the fights and difficulties, time will heal things over if it was meant to be. The content of this track is similar to NF’s 2017 tracks, “If You Want Love” and “Lie,” which were also about relationships.\nThe track was originally teased via Instagram back in January, 2019, but was formally brought up on June 27, 2019. At the 1:49 mark of the “When I Grow Up” music video, a piece of paper was briefly in frame, showing:\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nEven if we both break down tonight\nAnd you say you hate me, and we go to bed angry\nI know everything will be alright\nI'll be here waiting, I promise I'm changing\nI just need...\n[Verse 1]\nA little time to show you I'm worth it\nI know that I can be a difficult person\nI'm a stress case, drive you up the wall when I'm workin'\nActually, I'm probably worse when I'm not, you don't deserve it\nMake you nervous 'cause you know I'ma break soon\nEvery time I do, I say somethin' that hurts you\nActin' like I'm gone, but we both in the same room\nI don't like to be wrong, which I know you relate to\nAnd I know I make you feel like you're at the end of your rope\nThat's when I look at you and tell you I'd be better alone\nJust the pride talkin', isn't it? 'Cause both of us know\nI'm the definition of \"wreck\" if you look into my soul\nComes out the most when I feel I'm in a vulnerable place\nMade a lot of mistakes I wish I knew how to erase\nWhen I'm afraid, might get distant and I push you away\nBut no matter the case, I'ma do whatever it takes even if—\n[Chorus]\nEven if we both break down tonight\nAnd you say you hate me, and we go to bed angry\nI know everything will be alright\nI'll be here waiting, I promise I'm changing\nI just need… [Post-Chorus]\nTime (Oh)\nI, I need time (Oh, oh)\nI just need time (Oh)\nI, I need time (Oh)\nTime (Oh), time (Oh)\n[Verse 2]\nYeah, way before I bought you the ring\nWe were fighting back and forth like you were wearin' the thing\nTwo passionate people not afraid to say what they think\nLead to passionate conversation when it's hard to agree\nYou know me well, sittin' on the edge of my seat\nLookin' at life, overanalyzin' everything\nAlways depressed, tryna find a better version of me\nSearching for somethin' I know's prolly right in front of my feet\nStubborn as me? Maybe not, but you're close to it\nGot a lot of issues, I'm tryin' to work through 'em\nGoing to therapy for you's somethin' that's worth doin'\nWhen I know you been there for me through all of my worst moments\nAnd I know it hurts knowing that I carry this weight on my chest\nMaking it difficult for me to open up and connect\nLot of regrets, I apologize for all of the stress\nThat's not what I meant to do, you know I love you to death even if—\n[Chorus]\nEven if we both break down tonight\nAnd you say you hate me, and we go to bed angry\nI know everything will be alright\nI'll be here waiting, I promise I'm changing\nI just need... [Post-Chorus]\nTime (Oh)\nI, I need time (Oh, oh)\nI just need time (Oh)\nI, I need time (Oh)\nTime (Oh), time (Oh)\nI just need time (Oh)\nI, I need time (Oh, oh)\nI just need time (Oh)\nI, I need time (Oh)\nTime (Oh), time (Oh)" } ]

[ { "from": "human", "value": "Write me a song called Sex With Society with the following description: Kendrick released this song online on June 3, 2011. It served as a warm up for his Section.80 album released later in the year, but was not featured on the final album.\nKendrick is basically saying in this song that he will make the most out of life, even when things are tough. To indicate this he uses the analogy of “life’s a bitch, but I'ma keep the pussy wet”.\nProduced by THC Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nThis, this, this\nShould be played at high volume\nPreferably in a residential\nLife’s a bitch, life’s a bitch\nBut I’mma keep the pussy wet (Yep)\nI’mma keep the pussy wet (Yep)\nI’mma keep the pussy wet (Yep)\nI’mma keep the pussy wet (Yep)\nMy dick hard, her pussy wet\n[Verse 1 - Kendrick Lamar]\nAnd I’m born with my dick in the earth\nYou can tell me how much am I worth\nI’mma die with my heart on my sleeve\nMany die on their hands and their knees\nAnd I’m takin’ whatever I need\nAnd I’m raping the government fees\nAnd you’re wasting your time\nAnd I’m speaking my mind on whatever I think\nAnd I think that I’m Richard Pryor\nWith priors of 32 fiends\nAnd that means that I hear for higher\nTell me why are you starin’ at me?\nMatta fact, man, your eyes is wired\nYou inspired by Kendrick the king\nMaybe it’s ’cause I’m living my dream\nMan, I sing what I’m living about\nAnd the words that come out of my mouth\nThey requires a random routine\nOf being organic granite\nThen my access is granted\nTo represent the shit that I conceive\nAnd I guarantee that I’mma bring\nMy mind, body, soul\nAnd I sold all these records off bein’ myself\nAnd I wish you can do the same thing, man\nIt’s easier than a stripper\nOr tyin’ a baby shoestring, you stringing along\nAnd really why you writing a song?\nYour passion for music is never in sync\nNo secret societies guided me to the world of unseen\nAnd they tell me life is a bitch, who gives a shit?\nYou'll get relief I’mma keep the pussy wet (Yep)\nI’mma keep the pussy wet (Yep)\nMy dick hard, her pussy wet\nI'mma keep the pussy wet (Yep)\n(Hi, ho!) I came\n(Bye, ho!) I went\n(Hi, ho!) I came\n(Bye, ho!) I went\n(Hi, ho!) I came\n(Bye, ho!) I went\n(Bitch-bitch-bitch-bitch-bitch-bitch-bitch-bitch-bitch, bitch, bitch, bitch)\n[Verse 2 - Kendrick Lamar]\nAnd I see that you envy of me\nEnemigos don’t prosper\nBetter yet, they do die eventually\nIf I’m at the event you will leave\n‘Cause you know and I know that\nI go ham even if Muslims is seen\nIn my rearview I’m near you\nBut I don’t hear you, can you at least breathe?\nWith an oxygen mask, and\nThe masses keep saying I’m speaking for them\nAnd if you can imagine my madness\nThen you can see where I’ve been\nAnd the places the Louis has been\nAnd I swear I been doing this when\nYou was in pajamas, watching B-Barney and Friends\nAnd you couldn’t harm me even with ten\nWeapons of your choice riding in\nArmy tanks, you shot blanks\nAnd I shot back, make your duplex bend\nWhat the fuck you think? If I don’t think\nThen I’m right back where the city sin\nWhat the fuck you drink?\nThinking I can’t write these raps in the Lions’ Den\nWhen I hear that you lyin’, then?\nIt’s murder she wrote, ain’t no hope\nYou go downhill, man, where’s your slope?\nGet thrown downhill tied to a rope\nTell the world to put intervals\nMan, I swear this the anecdote\nAnd they tell me that life is a bitch\nWho gives a shit when you know? [Hook]\nAnd I see that you envy of me\nDon’t prosper, better yet, they do die eventually\nCause you know and I know that I go ham even if Muslims is seen\nIn my rearview I’m near you\nBut I don't hear you, can you at least breathe?\n(Hi, ho!)\n(Bye, ho!)" } ]

[ { "from": "human", "value": "Write me a song called Selsun Blue with the following description: For the fourth track on Sorry For the Wait 2, Wayne uses the beat from Troy Ave’s track, “All About The Money” and murders it.\nSelsun Blue is a dandruff shampoo and Wayne metaphorically parallels the shampoo getting rid of dandruff to something getting rid of the “white”, as in cocaine.\nLater, on May 6th 2015, Wayne delivered the official visual for the single. It’s the fourth track of “S4TW2” to get a video.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook]\nGet rid of the residue\nGet rid of all the white, like Selsun Blue\nThis that Sorry 4 The Wait 2\nI'm so sorry, I feel terrible\nYeah, I know I keep on telling you\nLeggo\n[Verse]\nIt's all about the Young fuckin' Money\nIt's a war in these streets, I need a Humvee\nThat AK-47, that's my trusty\nGot some tricks up my sleeves, I need some cufflinks\nOh Lord, these niggas soft, these niggas fluffy\nAnother one bites the dust 'til his gums bleed\nOh Lord, Public Enemy, Chuck D\nMe with no money's like a bunny with no front teeth\nFuck me? It's fuck you if it's fuck me\nI hit the kush, blow it out like a bum knee\nWhere the haters? Point 'em out and ask 'em what's beef\nStack of hundred dollar bills in a scrunchie\nOh Lord, kamikaze, kidnappin' killers\nScreaming \"Fuck the other side!\"\nShe ride the dick, the dick gon' kill her, vehicular homicide\nOh Lord, \nI'm Sorry 4 The Wait, nigga\nI'm sorry for them other guys\nLay a nigga down, Nina sang his ass a lullaby\nWave your white flag all you want, bitch, I'm colorblind\nBad bitch with me got thunder thighs and her mother's eyes\nLi-li-li-lick my lollipop like it got gum inside\nMiami in the winter, Cali in the summertime\nMy bitch is independent, she don't ask me for a dime\nLove it when we makin' love, hate it when it's fuckin' time\nDisrespect the caterpillar, rave about the butterfly\nBullet ain't got no name, nigga, but you could get it customized\nRun up in your house, undisguised, why you look surprised?\nMotherfuckers better fuckin' hide, I feel like Mr. Hyde\nAthletes still gettin' jacked like they missin' tires\nOh Lord, one of the wildest B's in my hive\nI'll sting a bitch and die anytime\nHate it when the fuckin' police shut the session down\nWe just talkin', we just skatin', we just messin' round\nTell them niggas that be hatin' we ain't messin' round\nThey just barkin', they just fakin', they gon' settle down\nWe got bitches, we got beer, we got Bobby Brown\nSkatin' underneath the bridge, dead body found\nDo a trick over the body, hope he smilin' down\nDo a trick off of some stairs, land on solid ground\nGrizzly Gang in this bitch, check the grip tape\nNigga came on your bitch, ooh milkshake\nChop a cocaine brick like a sensei\nBreak the great white down to a fish plate\nWoo! Pockets on inflate\nGot the Yay locked down like Kim K\nI been sippin' codeine since 10K\nI be cussin' while I'm bustin', \"Die motherfuckers\"\nOh Lord [Hook]\nGet rid of the residue\nGet rid of all the white, like Selsun Blue\nIt's that Sorry 4 The Wait 2\nI'm so sorry, I feel terrible\nYeah, I know I keep on telling you" } ]

[ { "from": "human", "value": "Write me a song called All I Do Is Win with the following description: Zoey (Jane Levy) finds herself competing with her male colleagues for a leadership position at their tech company. They wish her good luck, but then Leif (Michael Thomas Grant) breaks into this DJ Khaled rap that shows Zoey that her co-workers don’t regard her as a serious candidate for the job.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "All I do is win, win, win no matter what\nGot money on my mind, I can never get enough\nAnd every time I step up in the building\nEverybody's hands go up\nAnd they stay there (There), and they say yeah (Yeah)\nAnd they stay there, up, down, up, down, up, down\n'Cause all I do is win (Win), win (Win), win\nAnd if you going in put your hands in the air, make 'em stay there\nAll I do is win, win, win no matter what\nGot money on my mind, I can never get enough\nAnd every time I step up in the building\nEverybody's hands go up" } ]

[ { "from": "human", "value": "Write me a song called Nice For What with the following description: The New Orleans bounce music-inflected “Nice For What” is Drake’s third single of 2018, coming after the Scary Hours EP which was released in January.\nThroughout the song, Drake speaks about female empowerment in the digital age. Women can be found trying to gain a following and live in the light, but that also comes with some resistance and hate. Despite what they go through, Drake shows that he understands and appreciates the hustle.\nIt was first teased by Lauryn Hill’s son, Joshua Marley on social media in early March of 2018 under the name “Showin' Off.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Big Freedia & \nLauryn Hill\n]\nI wanna know who mothafuckin' representin' in here tonight\nHold on, hold on\nI keep lettin' you back in\n (\nYou back in\n)\nHow can I explain myself?\n[Chorus: Lauryn Hill & \nDrake\n]\nCare for me, care for me, you said you'd care for me\nThere for me, there for me, said you'd be there for me\n(Lil Weezyana shit)\nCry for me, cry for me, you said you'd die for me\n(Murda on the beat)\nGive to me, give to me, why won't you live for me?\nCare for me, care for me, I know you care for me\n(A song for y'all to cut up to, you know?)\nThere for me, there for me, said you'd be there for me \n(Yeah)\nCry for me, cry for me, you said you'd die for me\nGive to me, give to me, why won't you live for me?\n[Verse 1: Drake]\nEverybody get your mothafuckin' roll on\nI know shorty and she doesn't want no slow song\nHad a man last year, life goes on\nHaven't let that thing loose, girl, in so long\nYou've been inside, know you like to lay low\nI've been peepin' what you bringin' to the table\nWorkin' hard, girl, everything paid for\nFirst-last, phone bill, car note, cable\nWith your phone out, gotta hit them angles\nWith your phone out, snappin' like you Fabo\nAnd you showin' off, but it's alright\nAnd you showin' off, but it's alright (\nAlright!\n)\nIt's a short life, yeah [Chorus: Lauryn Hill]\nCare for me, care for me, you said you'd care for me\nThere for me, there for me, said you'd be there for me\nCry for me, cry for me, you said you'd die for me\nGive to me, give to me, why won't you live for me?\n[Refrain: Drake]\nThat's a real one in your reflection\nWithout a follow, without a mention\nYou really pipin' up on these niggas\nYou gotta be nice for what to these niggas?\n[Verse 2: Drake]\nI understand, you got a hunnid bands\nYou got a baby Benz, you got some bad friends\nHigh school pics, you was even bad then\nYou ain't stressin' off no lover in the past tense\nYou already had them\nWork at 8 A.M., finish 'round five\nHoes talk down, you don't see 'em outside\nYeah, they don't really be the same offline\nYou know dark days, you know hard times\nDoin' overtime for the last month\nSaturday, call the girls, get 'em gassed up\nGotta hit the club, gotta make that ass jump\nGotta hit the club like you hit them mothafuckin' angles\nWith your phone out, snappin' like you Fabo\nAnd you showin' off, but it's alright\nAnd you showin' off, but it's alright (\nAlright!\n)\nIt's a short life [Bridge: Big Freedia & \nLetitia Wright\n]\nUh-huh (\nOh yeah\n)\nThese hoes (\nThey mad\n)\nYour boy (\nI had\n)\nI made (\nWatch the breakdown\n)\n[Chorus: Lauryn Hill]\nCare for me, care for me, you said you'd care for me\nThere for me, there for me, said you'd be there for me\nCry for me, cry for me, you said you'd die for me\nGive to me, give to me, why won't you live for me?\n[Breakdown: Drake]\nGotta make that jump, gotta make that, gotta, gotta make that\nGotta make that jump, gotta make that, gotta, gotta make that\nGotta, gotta, gotta g-g-gotta, g-g-gotta, gotta\nGotta, g-g-gotta, gotta, gotta make that jump, jump \n(Let's go)\nBend it over, lift it up, bend it over, lift it up\nMake that jump, jump\nBend it over, lift it up, bend it over, lift it up\nMake that jump, jump\nBend it over, over, over, over, over, lift it up\nMake that jump, jump\nBend it over, lift it up\n (Make that jump, jump)\nBend it over, lift it up\n (Make that jump, jump) [Refrain: Drake]\nThat's a real one in your reflection\nWithout a follow, without a mention\nYou really pipin' up on these niggas\nYou gotta be nice for what to these niggas?\nI understand\n[Chorus: Lauryn Hill]\nCare for me, care for me, you said you'd care for me\nThere for me, there for me, said you'd be there for me\nGive to me, give to me, why won't you live for me?\nCry for me, cry for me, you said you'd cry for me\n[Outro: Drake & \nLauryn Hill\n]\nGotta hit the club like you hit them, hit them, hit them angles\n(\nBlaqNmilD, you a genius, you diggin' me?\n)\nIt's a short life, yeah\nCry for me, cry for me, you said you'd die for me\nGive to me, give to me, why won't you live for me?" } ]

[ { "from": "human", "value": "Write me a song called Nakamura with the following description: “Nakamura” pays homage to Shinsuke Nakamura, a heavily respected and decorated pro wrestler signed to the WWE.\nThe song samples Nakamura’s theme song, “The Rising Sun,” on which the beat is based upon. Uzi’s floating hums make up a larger proportion of this song, creating an almost majestic and cinematic experience for their listeners.\nPictured: Shinsuke Nakamura\nUzi has previously expressed their opinion toward the WWE via an interview after performing “Just Wanna Rock” at WrestleMania 39:\nI wanted to get in the ring, I was ready to get in the ring\nThey have also hinted at making an in-ring debut at WrestleMania 40 in their hometown of Philadelphia. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nHuh\n[Verse 1]\nI'm too focused when it comes to the cash flow (Yeah)\nLost my mind, worried 'bout my last ho\nThey took all my last flows\nMakin' sure this time that I got the door closed (Woah)\nNow I'm back on (Woah)\n[Chorus]\nOh-oh-oh-oh, oh, oh-oh-oh\nOh-oh-oh, oh-oh\nOh-oh-oh-oh, oh, oh-oh-oh\nOh-oh-oh, oh-oh\nAyy, huh? Ayy\n[Verse 2]\nThey thought I fell off and they said I wouldn't be back on (Back on)\nHad to toughen up and gave myself a back bump (Back bump)\nMask off, fuck it, mask on\nI'ma go hard, this time, I'ma crack stone (Go hard)\nI'm like, \"Oh, God,\" this time, I'm a bogart\n (Yeah)\nLast year, I was way too friendly, now don't know ya (Yeah, woah)\nThey said I talk too much, but I thought I told ya (Shh)\nActions speak louder than words, this time, yeah, I showed ya (Woah)\nBought my girl a Birkin, Chanel, myself Goyard (Woah)\nI don't care 'bout these new rappers, I'm before y'all\nOn my bully, so I'm standing like a bulldog (Grr)\nI'm thе king of the ring\n, \nI could take all four of y'all (Woah)\nTake all four of y'all\nYou could think hе tough, but I got more heart\nI can't trust no one 'cause I ain't sure, ya\nI wanted this so much I broke down to the floor, yeah (Yeah) [Bridge]\nAyy, woah, woah\nYeah, yeah, it's Lil Uzi Vert\nI wanted this so much I broke down to the floor, yeah (Woah)\n[Verse 3]\nI put time and dedication into education (Ayy)\n(TDE) I ain't TDE, but I'm the top dawg (Woah)\nShe said, \"You goin' insane, you need a vacation\" (Huh?)\nI don't got go overseas to get your top off (Woah)\nGirl, you way too fake, you ain't on baecation\nShe tryna eat it up 'til she get lockjaw (Yeah)\nYou know I'm scarred just from all my old relations\nI don't want your love, getting hearts knocked off (Woah)\nWe not sellin' mid, we be gettin' flock off (Yeah)\nFeel like Nakamura jumpin' off the top dock (Woah)\nShe ain't let me in, but now she took the locks off (Woah)\nMade it all the way to the top, I got 'em shocked off (Let's go)\n[Chorus]\nOh-oh-oh-oh, oh, oh-oh-oh\nOh-oh-oh, oh-oh (Woah)\nOh-oh-oh-oh, oh (Yeah), oh-oh-oh\nOh-oh-oh, oh-oh (Woah)\n[Outro]\nThank you, thank you so much (Lil Uzi)\nAnd you know I really give this my all (Lil Uzi, ayy)\nI wouldn't be nothin' without none of you (Lil Uzi)\nI need all of you, not some of you (Lil Uzi)\n(Lil Uzi, ayy)" } ]

[ { "from": "human", "value": "Write me a song called Cry with the following description: “Cry” is featured in Choke, the eighteenth episode of Season Three. It is sung by Rachel (Lea Michele).\nRachel sings this song after she completely chokes during her NYADA audition, giving up hope. While this song plays, we also learn that Puck has failed his final exam and will not be graduating.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[RACHEL]\nIf anyone asks\nI'll tell them we both just moved on\nWhen people all stare\nI'll pretend that I don't hear them talk\nWhenever I see you\nI'll swallow my pride\nAnd bite my tongue\nPretend I'm okay with it all\nAct like there's nothing wrong\nIs it over yet?\nCan I open my eyes?\nIs this as hard as it gets?\nIs this what it feels like to really cry?\nCry!\nIf anyone asks\nI'll tell them we just grew apart (Tell them we just grew apart)\nAnd what do I care\nIf they believe me or not (They believe me or not)\nWhenever I feel\nYour memory is breaking my heart\nI'll pretend I'm okay with it all\nAct like there's nothing wrong Is it over yet?\nCan I open my eyes?\nIs this as hard as it gets?\nIs this what it feels like to really cry?\nCry!\nI'm talking in circles\nI'm lying, they know it\nWhy won't this just all go...\n...Away!\nIs it over yet?\nCan I open my eyes?\nIs this as hard as it gets?\nIs this what it feels like to really cry?\nCry!\nCry!" } ]

[ { "from": "human", "value": "Write me a song called Touch It with the following description: “Touch It” is a synth heavy pop track, and was released as part of her Dangerous Woman 10 day countdown on Instagram.\nThe song was premiered on Apple’s Beats 1 Radio, following the scheduled release of a new track daily until the release of the album.\nhttps://twitter.com/Beats1/status/732680249285185536?lang=en Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nHow do I make the phone ring?\nWhy do I even care?\nHow are you all around me, when you're not really there? (Hmm)\nWhen you're not really there? (Hey, yeah, mm)\nHow do I feel you on me, when you're not on my skin?\nWhy do you say you want me, then tell me you're not coming in?\nAh, yeah, baby, just come on in (Hmm, yeah)\n[Chorus]\n'Cause every time I'm with you, I go into a zone\nAnd I remember all the places you wanna go\nTake me all the way (\nOoh\n)\nAin't nobody gonna touch it, touch it, touch it\n'Cause every time I see you, I don't wanna behave\nI'm tired of being patient, so let's pick up the pace\nTake me all the way (\nOoh\n)\nAin't nobody gonna touch it, touch it, touch it\n[Verse 2]\nHow do you know I'm breathing, when I'm holding my breath?\nWhy don't we face the danger, just for the night and forget? (Oh-oh)\nBaby, let's just forget (No-oh)\nRemind me why we're taking a break\nIt's obviously insane\n'Cause we both know what we want\nSo why don't we fall in love?\nBaby, let's fall in love, oh-oh [Chorus]\n'Cause every time I'm with you, I go into a zone\nAnd I remember all the places you wanna go\nTake me all the way (\nOoh\n)\nAin't nobody gonna touch it, touch it, touch it\n'Cause every time I see you, I don't wanna behave\nI'm tired of being patient, so let's pick up the pace\nTake me all the way (\nOoh\n)\nAin't nobody gonna touch it, touch it, touch it\n[Refrain]\nOh, ain't nobody gonna, touch it, touch it, touch it\nBaby, ain't nobody gonna, touch it, touch it, touch it (Eh, no-bo-dy, bae)\nBaby, ain't nobody gonna, touch it, touch it, touch it (Oh)\nAin't nobody gonna touch it (Oh, no, eh-ey)\n[Bridge]\nRemind me why we're \ntaking a break\nIt's obviously insane\n'Cause we both know what we want\nSo why don't we fall in lo\nve?\nBaby, let's be in love\n[Chorus]\n'Cause every time I'm with you (Every time I'm with you, ah)\nI go into a zone\nAnd I remember all the places you wanna go (All the places you wanna go)\nTake me all the way (The way) (\nOoh\n)\nNo, ain't nobody gonna touch it, touch it, touch it\n(No, ain't nobody gonna) (Ain't nobody gonna)\n'Cause every time I see you, I don't wanna behave (See you, I don't wanna, behave)\nI'm tired of being patient, so let's pick up the pace\n(Patient, so let's pick up the pace)\nTake me all the way (The way, ooh) (\nOoh\n)\nAin't nobody gonna touch it, touch it, touch it (Ahh-ahh, ooh) [Outro]\n(Ooh-ooh-ooh-ooh)\nBaby, ain't nobody gonna (Baby)\nBaby, ain't nobody gonna (Ahh-ahh-ahh) (Woah, oh)\nBaby, ain't nobody gonna (Ooh-ooh) (Eh-ey)" } ]

[ { "from": "human", "value": "Write me a song called Dedicated with the following description: The third song on Mariah Carey’s 14th studio album, Me. I Am Mariah…The Elusive Chanteuse.\nThe song samples lyrics from Inspectah Deck’s verse on the Wu-Tang Clan’s Da Mystery of Chessboxin'. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Steve Stoute \n+ Mariah Carey\n]\nThat summer... the summer '88 is the best...\nBut that's your nostalgia though\n\"Just for the nostalgia,\" you gotta say\nThat's my most nostalgic moment of hip-hop music ever\nRight\n[Verse 1: Mariah Carey]\nI'll just sit right here and sing that good old school shit to ya\nI won't fool ya, I won't make you be my own\nOh baby you know, all that lovemaking we did, boy\nIt was so real I wanna feel that again\n[Pre-Chorus 1: Mariah Carey]\nLong lost friend from way back when\nEric B was president\nTell me where the melody went\nAnd if you still care, say yeah, yeah, yeah\nSing it like I used to do, this one is for me to you, oh\n[Chorus: Mariah Carey]\nLa di da di da di da\nThat's how you do it\nThat's how to make it okay\nOh baby you know\nMake love, that’s how you do it\nJust like you did it back then\nWell, this is dedicated to you [Verse 2: Mariah Carey]\nI'll just sit right here and sing that good old school shit to ya\nI won't fool ya, I won't make you be my own\nOh baby you know, all that love making we did\nBoy it was so real I wanna feel that again\n[Pre-Chorus 2: Mariah Carey]\nAnd all your friends from way back then\nTell me can you visualize\n36 Chambers high\nIt feels like we’re there, yeah yeah yeah\nRemix of a Fantasy\n, I hear ‘em singing back to me like\n[Chorus: Mariah Carey]\nLa di da di da di da\nThat's how you do it\nThat's how to make it okay\nOh baby you know\nMake love, that’s how you do it\nJust like you did it back then\nWell, this is dedicated to you\n[Verse 3: Nas]\nNah, we don’t wish today’s game was old again\nWe just wish it wasn’t full of Draconian, Babylonian, phony men\nFOH my summation fascinates, we have debates\nWho’s the greatest, living or passed away\nI ask MC, see what she has to say\nEric B or Master P, some see it differently\n‘87 meant to me? I try to describe it, you try to relive it\nI try to revive it, hoping that you get it, yeah\nSomething about \"La Di Da Di\" got inside our bodies\nSomething about \"My Adidas\" coming out the speakers\nUsed to do Doo-wop or the Pee-Wee Herman\nRest in peace Heavy D, \"Moneyearnin’ Mount Vernon\"\nLet’s go [Chorus: Mariah Carey]\nLa di da di da di da\nThat's how you do it\nThat's how to make it okay\nOh baby you know\nThis is dedicated to you\nThis is dedicated to you\nOh baby you know\n[Hook: Mariah Carey]\nThis is dedicated to you\nThis is dedicated to you\nThis is dedicated to you\nOh baby you know\n[Hook: Mariah Carey]\nThis is dedicated to you\nThis is dedicated to you\nThis is dedicated to you\nOh baby you know\n[Hook: Mariah Carey]\nThis is dedicated to you\nThis is dedicated to you\nThis is dedicated to you\nOh baby you know" } ]

[ { "from": "human", "value": "Write me a song called Dope New Gospel with the following description: “Dope New Gospel” is a track that shows Weezy talking to the man he sees in the mirror; himself. It highlights some of the ups and downs he has been through in his life. Some braggadocious Wayne is also shown on this song, calling himself a “hero” and “the best rapper alive,” as well as comparing himself to Michael Jackson.\nThis record features Nivea, Wayne’s ex-fiancé. The two got engaged in 2002 and broke up in 2003. They reconciled in 2007 but broke up again in 2010. Nivea is the mother to 1 of Wayne’s 4 children.\n2 days before Tha Carter V was released, Nivea confirmed that she is featured on a track on the album that also features Drake. However, it seems as if either Drake was cut out or it is a different song. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Wayne]\nMan in the mirror, my hero\nHe helped me center my ego\nWhen I think I'm bad like Michael\nHe bring me back down to Tito\nMan in the mirror\n,, my hero\nHe helped me see like a eagle\nHe helped me hear enemies cry wolf\nThen he see me take off my sheep clothes\n[Verse 1: Lil Wayne]\nHasta la vista, adios\nBeat the odds like mosquitoes\nKeep in mind I'm a negro\nSo my open mind got a screen door\nBitches wan' come play the lead role\nAnd end up with nothin' but B-roll\nSit on the dick in a C-4\nThen I come back with a cheat code\nPill bottle only half full\nBut fuck it, my nigga, I'm past good\nSexy bitch rubbin' my tats good\nBut before she do, bitch, wash yo' hands good\nI'm flexin' muscles that you can't pull\nYou can't make a fist 'cause I'm a handful\nI never really knew my dad good\nBut still grew up to be the big bad wolf\nYou always see me with the white cup\nSome people say that is a bad look\nBut take a good look at what you are lookin' at\nYou never know when it's your last look\nIt's written all over my face\nIt's tattooed, it can't be erased\nOne of a kind, I can't be replaced\nIn case that mirror breaks [Chorus: Nivea]\nWell it's been way too long\nAnd I wonder what it's been like\nTryna get back right with ya\n'Cause I've been on my own\nOr at least that's what it feels like\nWanna get back right with ya\nIt's been way too long\nAnd I wonder what it's been like\n[Post-Chorus: Lil Wayne]\nYeah, yeah, yeah, yeah\nMan in the mirror, my hero\nHe helped me center my evil\nI see the fire in his eyes\nBut he keep my blood temperature zero\nMan in the mirror, my 'migo\nCrème de la crème de la Créole\nCouple a cracks in the mirror\nEven through the cracks, I see no cracks in me though\n[Verse 2: Lil Wayne]\nDaytime start to turn black\nEverything stop like start to twirl\nThank God Weezy back\nOrder is restored, all is right with the world\nLast time become lost time\nNo free time, 'til I bought time\nNo tea time, no off time\nNo me time, on y'all time\nBlessings shower from the north side\nFrom the brightest flower out the darkest skies\nLove is blind but we caught eyes\nIt's a bumpy road but a joyride\nStill can't ignore my rappetite\nLike a hungry shark in a koi pond\nStill the motherfuckin' best rapper, a-live\nNigga, y'all died [Chorus: Nivea]\nWell it's been way too long\nAnd I wonder what it's been like\nTryna get back right with ya\n'Cause I've been on my own\nOr at least that's what it feels like\nWanna get back right with ya\nIt's been way too long\nAnd I wonder what it's been like\n'Cause I've been on my own\nOr at least that's what it feels like\nWanna get back right with ya\nYeah It's been way too long\nAnd I wonder what it's been like\n[Outro: Lil Wayne]\nMan in the mirror, my hero\nHe got me center my ego\nWhen I think I'm bad like Michael\nHe bring me back down to Tito\nIt's written all over my face\nTattoos that can't be erased\nOne of a kind, I can't be replaced\nIn case that mirror breaks" } ]

[ { "from": "human", "value": "Write me a song called All Alone with the following description: The 1st verse of the song is aimed at one of Wayne Ex girlfriends, while the 2nd one is dedicated to his former group, The Hot Boyz.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nListen up, Princess\n[Verse 1]\nI wake up in the morning\nTake a knee and thank God\nThen go to the mirror, look myself in the eye\nToday I didn't wake up with a woman on my side\nYesterday I didn't wake up with a woman on my side\nNeither the day before that, nor before that\nI just remember the moments, call me Kodak\nAnd know that I do miss ya\nBut it's your denial that I must hold against ya\nSince you've been gone, I've been all alone\nBut alone is steroids, cuz it made me strong\nGirl, hurr gone in the wind\nYou cheated on God's son\nBaby girl, that's a sin\nBut I forgive you\nBut I can't give you\nAnother chance, ma, you're in my rear-view\nAnd I put that ring on your finger\nI was all in\nBut now it's just a symbol of what could've been\nGoddamn [Bridge]\nAnd now I'm by myself, but (I like it)\nDamn, she left me all by myself, but (I like it)\n[Verse 2]\nYo, I love my niggas; no homo\nI swear I hope all get cheese like Digiorno\nIt's something 'bout the Hot Boyz that you don't know\nI gotta love for em that I don't show\nAnd B.G. been my nigga since the front door\nI hope Chopper City Records blow\nFa sho'\nAnd me and Juve never really got along\nBut you still would let yo nigga come get on yo hottest song\nDamn, I fuck wit ya for that\nI fuck with ya Lil Wack\nAnd me and Skip go back \n(Skip, whattup!)\nWhen you see a real nigga, you gotta tip yo hat\nAnd since I'm a real nigga, I do just that\nI had my own lawyer working on Turk's case\nAfter I heard him dissin me on the mixtape\nCause he's locked up, and I'm free\nHe got a lot more to worry about than me\nI ain't trippin\n[Outro]\nY'all niggas left me by myself, but I can't front (I like it)\nAnd so, now\nI've become the President of the spot y'all left me at\nA lot has changed, but, I can't font (I like it)" } ]

[ { "from": "human", "value": "Write me a song called Know You Miss Me with the following description: “Know You Miss Me” is a remix of sorts, of the rapper Travis Scott’s September 2016 song “sdp interlude,”. However, the lyrics are noticeably different – this is because they originate from the unreleased demo version of “sdp interlude”, and presumably the reason as to why this version of the song was never officially released, is due to the fact that in May 2017, low-quality snippets of the song surfaced on Reddit. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Chasinbens]\nI know you miss me\nAnd I ain't picking the phone no more that was last week\nTired of all your bullshit bitch get off me (Bitch get)\nSmoking lotta trees yeah bitch lotta broccoli\nI'm sorry (Yeah I'm sorry, yeah I'm sorry)\nYeah, yeah I'm sorry (Yeah I'm sorry)\nHad to smoke one drink one pop one\nGot the henny wanna shot yeah i got one\nYeah, yeah, yeah\n[Verse 2: Travis Scott]\nTaste good like soul food\nParked up outside in the old school\nThe new me back with the old you\nA dog always find his way back home and it's so true\nLater imma fall through and pop one\nYou know the motto's: \"Smoke some, drink some, pop one\"\nGot your hand on my Glock while your ass ride shotgun\nHigh high stakes, we risk it every day\nRide round around\nI know fuckin' ugly niggas just not fun\nHad to zero out the fade 'cause I'm not one, yeah, yeah\n[Bridge]\nSo smoke some, drink some, pop one (Lit)\nSmoke some, drink some, pop one (Lit)\nSmoke some, drink some, pop one (Lit)\nSmoke some, drink some, pop one (Lit)\nYeah [Chorus]\nSmoke some, drink some, pop one\nSmoke some, drink some, pop one (Ooh-ah)\nSmoke some, drink some, pop one\nSmoke some, drink some, pop one (Ooh-ah)\nSmoke some, drink some, pop one\nSmoke some, drink some, pop one (Ooh-ah)\nSmoke some, drink some, pop one\nSmoke some, drink some, pop one (Yeah)\nSmoke some, drink some, pop one\nSmoke some, drink some, pop one (Ooh-ah)\nSmoke some, drink some, pop one\nSmoke some, drink some, pop one (Yeah)\nSmoke some, drink some, pop one\nSmoke some, drink some, pop one\nSmoke some, drink some, pop one\nSmoke some, drink some, pop one\n[Verse 2: Travis Scott]\n(Yeah, yeah, yeah, yeah, alright)\nI'ma run through\nOn the front stoops all gettin', yeah\nRight, ball with it\nYeah, I'm in a cat call with it\nYeah, I made phone calls with it\nYeah, I made bank calls with it, yeah\nAnd H-town lately where you find me, yeah\nRide round city, no ID, yeah\nBack of the Benz where I find peace, yeah\nYeah, beats popular, I need options in\nFrom doo-wop and them [Outro: Chasinbens]\nI don't give no fuck ride through city with a buck\n(I don't give no fuck ride through city with a buck)\nI don't give no fuck ride through city with a buck\n(I don't give no fuck ride through city with a buck)\nI don't give no fuck ride through city with a buck\n(I don't give no fuck ride through city with a buck)\nI don't give no fuck ride through city with a buck" } ]

[ { "from": "human", "value": "Write me a song called Say It First with the following description: Sam Smith, in their interview with Zane Lowe for Beats 1 Radio, said that\nThis is the only happy love song I’ve ever written. My feelings were getting a lot stronger … it’s sad that I couldn’t say it first … and he never did … But I was in a most hopeful and beautiful place.\nIn response to Zane’s comment that ‘you seem to be protecting yourself’ Sam replied,\nIt’s not my time yet … I’m twenty-five. I didn’t meet gay people till I was eighteen. I’m very young in terms of love and romance. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI never feel like this\nI'm used to emptiness in my heart\nAnd in my arms\nYou're not what I'm used to\nYou keep me guessin' with things that you do\nI hope that they're true\n[Pre-Chorus]\n'Cause I'm never gonna heal my past\nIf I run every time it starts\nSo I need to know if I'm in this alone\n[Chorus]\nCome on, baby, say it first\nI need to hear you say those words\nIf I'm all that you desire, I promise there'll be fire\nI need to hear you say it first\nCome on, baby, do your worst\nI know you'll take me higher\nSo come on, darling\nIf you love me, say it first\nSay it, say it, say it\nWon't you say it to me?\nSay it, say it, say it\nWon't you say it to me? [Verse 2]\nI know you're right for me\nBut I'm waiting for everything in your world\nTo align with my world\nI think of you while I sleep\nI dream of what we could be if we grow\nTogether unfold\n[Pre-Chorus]\n'Cause I'm never gonna heal my past\nIf I run every time it starts\nSo I need to know if I'm in this alone\n[Chorus]\nCome on, baby, say it first\nI need to hear you say those words\nIf I'm all that you desire, I promise there'll be fire\nI need to hear you say it first\nCome on, baby, do your worst\nI know you'll take me higher\nSo come on, darling\nIf you love me, say it first\nSay it, say it, say it\nWon't you say it to me?\nSay it, say it, say it\nWon't you say it to me?\nSay it first\nSay it, say it, say it\nWon't you say it to me?\nSay it, say it, say it\nWon't you say it to me?\nCome on, baby, say it first\nI need to hear you say those words\nIf I'm all that you desire, I promise there'll be fire\nI need to hear you say it first\nCome on, baby, do your worst\nI know you'll take me higher\nSo come on, darling\nIf you love me, say it first\nSay it, say it, say it\nWon't you say it to me?\nSay it, say it, say it\nWon't you say it to me?\nSay it, say it, say it\nWon't you say it to me?\nSay it, say it, say it\nWon't you say it to me?" } ]

[ { "from": "human", "value": "Write me a song called Money in the Grave with the following description: “Money In The Grave” is a track that celebrates the Toronto Raptors' first NBA championship.\nOn the track, Drake and Rick Ross discuss their successes and how people will try to feed off of the rappers' images even after death. The song title is a reference to burying money with the artists in their coffin so others can’t take it.\nDrake, a global ambassador for the Raptors, announced on Instagram after the game that this track and “Omertà” would be released together in celebration. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Drake]\nYeah, okay\nLil CC on the beat, mmm\nYeah, yeah\n[Verse 1: Drake]\nI mean, where the fuck should I really even start?\nI got hoes that I'm keepin' in the dark\nI got my niggas 'cross the street livin' large\nThinkin' back to the fact that they dead\nThought my raps wasn't facts 'til they sat with the bars\nI got two phones, one need a charge\nYeah, they twins, I could tell they ass apart\nI got big packs comin' on the way\nI got big stacks comin' out the safe\nI got Lil Max with me, he the wave\nIt's a big gap between us in the game\nIn the next life, I'm tryna stay paid\nWhen I die, put my money in the grave\n[Chorus: Drake]\nWhen I die, put my money in the grave\nI really gotta put a couple niggas in they place\nReally just lapped every nigga in the race\nI really might tat \"Realest Nigga\" on my face\nLil CC let it slap with the bass\nI used to save hoes with a mask and a cape\nNow I'm like, \"Nah, love, I'm good, go away\"\nAin't about to die with no money, I done gave it [Verse 2: Drake]\nI was on top when that shit meant a lot\nStill on top like I'm scared of the drop\nStill on top and these niggas wanna swap\nNiggas wanna swap like it's Slauson or Watts\nI don't wanna change 'cause I'm good where I'm at\nMob ties, so I'm always good where I'm at\nWord to Junior, Jazzy, Baby J\nTell 'em when I die, put my money in the grave\n[Verse 3: Rick Ross]\nCouple figures, killers call and collect (Collect)\nShe fuck a nigga, then she on to the next (Next)\nReally livin' large, she in awe with a mack\nWhen you niggas thinkin' small in the mall with a rat (Rat)\nRoll with us if you really wanna get it (Get it)\nGo get a half a million in the Sprinter (Sprinter)\nPhone ringin', bitches know a big tipper (Tipper)\nI got the hookup and there's really no limit (Limit)\nDead broke is in you nigga DNA (DNA)\nRickey Smiley's in Decatur with the yé\nLil' nigga, just another state case\nBury my motherfuckin' Chase Bank, time to bounce (Bounce)\nGotta count on my allowance (Gotta count on my allowance)\nYou niggas snitches so I gotta reroute it (So I gotta reroute it)\nA nigga drippin' like I got a zillion dollars\nGot the trap jumpin' like Zion when I rebound it\nThen I'm out (Then I'm out)\nAnd I'll never talk about it (About it)\nThe homies quiet, but we all smoke the loudest (Loudest)\nRich niggas and I'm really bein' modest\n'Cause the way I do my deals, never treated like a artist\nWant the house (House)\nYou could DM my accountant\nMy per diem six figures and I'm countin'\nNine figures was the goal 'til I hit it\nThese niggas ain't livin', so bury mine with me\nRoss got it (\nMaybach Music\n) [Chorus: Drake]\nWhen I die, put my money in the grave\nI really gotta put a couple niggas in they place\nReally just lapped every nigga in the race\nI really might tat \"Realest Nigga\" on my face\nLil CC let it slap with the bass\nI used to save hoes with a mask and a cape\nNow I'm like, \"Nah, love, I'm good, go away\"\nAin't about to die with no money, I done gave it" } ]

[ { "from": "human", "value": "Write me a song called Ecstasy with the following description: “Ecstasy” is an unreleased collaboration between Travis Scott and The-Dream. It leaked online on February 7, 2018. The following day, The-Dream took to Instagram to express his thoughts about the song leaking:\n👀….. when u demo so many u forget, totally forgot about this record, needs to be fixed ASAP. 🔥\nJudging by The-Dream’s comments, the track simply appears to be a throwaway reference demo (hence the mumbling) that was never returned to. It’s thought to have been recorded sometime in late 2015 to early 2016. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Travis Scott]\nI know her exes, I got ecstasy, yeah\n[?], remember me, yeah\nMy name's Jacques, pour in the remedy, yeah\nAin't ready, yeah\nUhh, watch out for the enemy, yeah\nUh, uh, watch you don't come into me, yeah\n[?], yeah\n[?] him, I never know, never know, never know\n[Chorus: The-Dream]\nX, you know I got X\nI been here all day\nI'm tryna get sex\nI'm tryna get blessed\nI'm tryna get on you, shawty\nShow me what you do\n[Bridge: The-Dream]\nI'm just trynna put it in, get it in\nRide that shit like \n[?]\nMmm-mmm at the party\nOooh, baby, tell me how you holdin' up (oooh)\n[Chorus: The-Dream]\nX, you know I got X\nI been here all day\nI'm tryna get sex\nI'm tryna get blessed\nI'm tryna get on you, shawty\nShow me what you do [Outro: Travis Scott & \nThe-Dream\n]\nI know her exes, I got ecstasy, yeah\n[?], remember me, yeah\nMy name's Jacques, pour in the remedy, yeah\n[?], yeah\nUhh, watch out for the enemy, yeah\nUh, uh, watch you don't come into me, yeah\n[?], yeah\n[?] him, I never know, never know, never know\nOoohhh" } ]

[ { "from": "human", "value": "Write me a song called TEAR$ with the following description: “TEAR$” was released on SoundCloud by Post Malone in 2015. The track quickly blew up and currently has over 11.7 million plays on SoundCloud.\nPost Malone is describing how he can use his finances due to his insane wealth. “TEAR$” is his description of what it feels like for him living life without sadness from the money he possesses. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Post Malone]\nI wipe my tears with the money, yeah\nI wipe my tears with the money, yeah\nThat Supreme takes the pain away\nI wipe my tears with the money, yeah\nI wipe my tears with the money, yeah\nI wipe my tears with the money, yeah\nThat Supreme takes the pain away\nI wipe my tears with the money, yeah\n[Verse 1: Post Malone]\nWhat you know about me?\nY'all don't really know shit and I'm fuckin' your bitch right now (your bitch, fuckin' your bitch)\nAnd I really really hit the Palisades right now\nSupreme on my back and I'm whippin' the woo (skrr, skrr, skrr)\nMan, these bitches don't know, man these bitches don't know\nI'm swaggin' on these hoes and I pull up in that \"whoa\"\nAnd I pull up on that road, doin' hundred miles and hold\nMan, I poke another hole, I smoke another O\nAnd I pour another O and I smoke another, smoke another\nPull up on Fairfax, drop top (in the drop top)\nHop out into the 'preme store, top notch\nAlready bread jumpin' out the pockets\nAin't no worries, wipe my tears with my dollars, ayy\n[Chorus: Post Malone]\nI wipe my tears with the money, yeah\nI wipe my tears with the money, yeah\nThat Supreme takes the pain away\nI wipe my tears with the money, yeah\nI wipe my tears with the money, yeah\nI wipe my tears with the money, yeah\nThat Supreme takes the pain away\nI wipe my tears with the money, yeah [Verse 2: 1st]\nAyy, if I got an issue, I don't need no tissue (achoo, bless you)\nMy bitch started cryin', I bought her a Shih Tzu (woof)\nYou gotta do what you gotta do just to get through (just to get through)\nAnd if you play with my money, your mom gon' miss you (R.I.P.)\nI started throwin' a tantrum, so I copped me a Phantom\nAnd every time she gets mad, I throw the keys to the Jag\nBroke niggas call me materialistic (materialistic)\nWe do not ball the same, you're still learnin' how to pivot\n (still learnin' to pivot)\nAyy, since I got rich, I don't drink beer (nah)\nLeave the mall, leave a trail of tears\nI told my son don't have no fears\nIf he ever feels down, we can take off in the Lear\nWe could be gone tomorrow, love today (love today)\nAnd when that check hit my account, this what I say (this what I say)\n[Chorus: Post Malone]\nI wipe my tears with the money, yeah\nI wipe my tears with the money, yeah\nThat Supreme takes the pain away\nI wipe my tears with the money, yeah\nI wipe my tears with the money, yeah\nI wipe my tears with the money, yeah\nThat Supreme takes the pain away\nI wipe my tears with the money, yeah" } ]

[ { "from": "human", "value": "Write me a song called It’s You with the following description: BØRNS' delivers his take on ZAYN’s single It’s You.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nShe got, she got, she got\nHer own reasons\nFor talking to me\nAnd she don't, she don't, she don't\nGive a fuck about what I need\n[Pre-Chorus]\nAnd I can't tell you why\nBecause my brain can't equate it\nTell me your lies\nBecause I just can't face it\n[Chorus]\nIt's you, it's you\nIt's you\nIt's you, it's you\nIt's you\n[Verse 2]\nI won't, I won't, I won't\nCover the scars\nI'll let 'em bleed\nSo my silence\nSo my silence won't\nBe mistaken for peace\n[Pre-Chorus]\nAm I wrong\nFor wanting us to make it?\nTell me your lies\nBecause I just can't face it\n[Chorus]\nIt's you, it's you\nIt's you\nIt's you, it's you\nIt's you\n[Bridge]\nCould it be that it's a lesson\nThat I never had to learn?\nI looked at it like a blessing\nAnd now it's just a curse\nI don't know why\nI don't know why\n[Chorus]\nIt's you, it's you\nIt's you, it's you\nIt's you" } ]

[ { "from": "human", "value": "Write me a song called Breathe with the following description: “Breathe” is a country-pop song performed by American singer-songwriter Taylor Swift, featuring Colbie Caillat as the co-writer and backing vocals. The song was written by Swift and Caillat and produced by Nathan Chapman with Swift’s aid. It is the seventh track from Swift’s second studio album, Fearless released in 2008. The song was written about the end of a friendship. Musically, the song is driven by acoustic guitar.\nThe song received favorable responses from contemporary music critics. “Breathe” was nominated for the Grammy Award for Best Pop Collaboration with Vocals, but lost to Jason Mraz and Caillat’s “Lucky”. “Breathe” peaked at number eighty-seven on the Billboard Hot 100. Its appearance tied Swift with Hannah Montana (Miley Cyrus) for two records on the Billboard Hot 100. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Taylor Swift]\nI see your face in my mind as I drive away\n'Cause none of us thought it was gonna end that way\nPeople are people and sometimes, we change our minds\nBut it's killing me to see you go after all this time\n[Verse 2: Taylor Swift \nwith Colbie Caillat\n]\nMusic starts playing like the end of a sad movie\nIt's the kind of ending you don't really wanna see\n'Cause it's tragedy and it'll only bring you down\nNow, I don't know what to be without you around\n[Pre-Chorus: Taylor Swift \nwith Colbie Caillat\n]\nAnd we know it's never simple, never easy\nNever a clean break, \nno one here to save me\nYou're the only thing I know like the back of my hand\n[Chorus: Taylor Swift \nwith Colbie Caillat\n]\nAnd I can't \nbreathe\n without you, but I have to\nBreathe without you, but I have to\n[Verse 3: Taylor Swift \nwith Colbie Caillat\n]\nNever wanted this, never wanna see you hurt\nEvery little bump in the road, I tried to swerve\nBut people are people and sometimes, it doesn't work out\nNothing we say is gonna save us from the fall out [Pre-Chorus: Taylor Swift \nwith Colbie Caillat\n]\nAnd we know it's never simple, never easy\nNever a clean break, \nno one here to save me\nYou're the only thing I know like the back of my hand\n[Chorus: Taylor Swift \nwith Colbie Caillat\n]\nAnd I can't \nbreathe without you, but I have to\nBreathe without you but I have to\n[Bridge: Taylor Swift \nwith Colbie Caillat\n]\nIt's 2 A.M\n, feeling like I just \nlost a friend\nHope you know it's \nnot easy, easy for me\nIt's 2 A.M\n, feeling like \nI just lost a friend\nHope you know this ain't easy, easy for me\n[Pre-Chorus: Taylor Swift \nwith Colbie Caillat\n]\nAnd we know it's never simple, never easy\nNever a clean break, \nno one here to save me\n, oh-oh\n[Chorus: Taylor Swift \nwith Colbie Caillat\n]\nI can't \nbreathe without you, but I have to\nBreathe without you, but I have to\nBreathe \nwithout you, but I have to\n[Outro: Taylor Swift & Colbie Caillat]\nI'm sorry, I'm sorry (Mmm)\nI'm sorry, (Yeah, yeah) I'm sorry\nI'm sorry, I'm sorry\nI'm sorry" } ]

[ { "from": "human", "value": "Write me a song called Can’t Stop Partying with the following description: Cuomo wrote “Can’t Stop Partying” with Jermaine Dupri. Dupri wrote the lyrics and Cuomo added the chords and melodies which turn the song from an ordinary party anthem to a churning, dark song about a narrator that literally can’t stop partying… even at the cost of his own health. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Rivers Cuomo]\nI can't stop partying, partying\nI can't stop partying, partying\nI gotta have Patrón\n, \nI gotta have the beat\nI gotta have a lot of pretty girls around me\nOh, I can't stop partying, partying\nI can't stop, partying, partying\nI gotta have the cars, I gotta have the jewels\nAnd if you was me, honey, you would do it too\n[Verse 1: Rivers Cuomo]\nMonday to Sunday I hit all the clubs\nAnd now e'rybody know me when I pull up\nI got the real big posse with me, yeah I'm deep\nAnd if you lookin' for me I'm in VIP\nJust follow the smoke; \nthey're bringing bottles of the Goose\nAnd all the girls in the corner getting loose\nScrew rehab I love my addiction\nNo sleep, no sleep, I am always on a mission cause\n[Chorus: Rivers Cuomo]\nI can't stop partying, partying\nI can't stop partying, partying\nI gotta have Patrón, I gotta have the beat\nI gotta have a lot of pretty girls around me\nOh, I can't stop partying, partying\nI can't stop, partying, partying\nI gotta have the cars, I gotta have the jewels\nAnd if you was me, honey, you would do it too [Verse 2: Lil Wayne, \nLil Wayne & Rivers Cuomo\n]\nParty like tomorrow is my funeral\nGotta stop mixing alcohol with pharmaceuticals\nAnd the unusual is the fucking usual\nMan, my life is beautiful and my girls are mutual\nOkay bitches, Weezer and it's Weezy\nUpside down MTV\nPlease don't shoot me down because\nI'm an endangered species\nIt's the days of our lives but my night just started\nI pray the killer doesn't take the life of the party\n[Chorus: Rivers Cuomo]\nI can't stop partying, partying\nI can't stop partying, partying\nI gotta have Patrón, I gotta have the beat\nI gotta have a lot of pretty girls around me\nOh, I can't stop partying, partying\nI can't stop, partying, partying\nI gotta have the cars, I gotta have the jewels\nAnd if you was me, honey, you would do it too\n[Outro: Rivers Cuomo]\nOh\nCan't stop, can't stop the partying\nOh\nCan't stop, can't stop the partying\nOh\nCan't stop, can't stop the partying\nOh\nCan't stop, can't stop the partying" } ]

[ { "from": "human", "value": "Write me a song called Won’t Turn It Down with the following description: Atlanta teen R&B singer, Jacquees, teams up with his idol Chris Brown for “Won’t Turn It Down.” Chris Brown the current R&B/Pop star has been working close with Jacquees who some may consider the next big thing in the industry. Jacquees is currently working on releasing his 19 iTunes Album and they both just wanted to release this as a tease for the fans. – YouTube.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(\nDrumma Boy\n)\n[Verse 1: Jacquees]\nGive me your number\nDo you want me to call you?\nGirl, I want you like a alcoholic\nI'm so drunk, I'm so drowned\nPut you in a cup, let me pour that up\nThat Cali weed, roll it up, roll it up\nNow I been thinkin' 'bout the things that we gon' do tonight\nThinkin' 'bout the games I'ma play with you tonight\nWanna go first? Take off\nIf I bring you to the plate, will you play ball?\nI'ma hit it hard like a paintball\nLike a soldier, I'm 'bout to go AWOL, you horny\n[Pre-Chorus: Chris Brown, \nChris Brown & Jacquees\n, \nJacquees\n]\nShe wanna play? I'ma let her \nride, ride, ride it\nAll day, I'ma let her try, try, try, yeah (\nTry, yeah\n)\nGet ready, on your mark, get set, go (\nSet go\n)\nWhen I'm swimmin' in that, I'ma do the breaststroke, \nlet's go\n[Chorus: Jacquees, \nChris Brown\n, \nJacquees & Chris Brown\n]\nShe told me, \"Sing another love song, please\"\nShe got her hands on me like, ''Baby, I need Jacquees''\nGirl, it ain't nothin' in this world for free\nI gotta put it down before I wear the crown (\nCrown, crown\n)\nI won't turn it down, down\n (\nDown\n)\nNo, oh\nI won't turn it \ndown, down (Down)\nNo\nI won't turn it \ndown, down\nNo, no, no, no, no\nBaby, turn up\nWith this AK, I'm ready to bust, girl (Yeah, yeah, \nlook\n)\nBut I won't turn it down now (\nOkay\n) [Verse 2: Chris Brown]\nLook, they say you are what you eat (Huh, uh)\nFuck that, you are who you feed (Yeah)\nA-list, the pussy the greatest\nWhen I'm goin' raw dog, nigga, fuck a Plan B (Ah)\nUnderstand me?\nI got her singin' them high notes, she holdin' my GRAMMY (Yeah)\nI lick her like a laundromat when I'm eatin' them panties\nCome from the A, but she live in Miami (Ow!)\nAll the bitches in Hollywood, get this molly wood\nWeekdays be jumpin'\nBut the weekend, bring the freaks in\nI need a bitch straight up outta Bompton\nB's up, what up, five?\nWifebeater and them all-red 5's\nKill the pussy, I deal the pussy (Yeah)\nAnd girl, I'm 'bout to make that ass come alive\nHow you make it do that?\nGon' and ride this wave, bitch, like a du-rag\nZero to sixty through your neighborhood\nShout out to the homies with blue flags\nThis new Jag' got new tags\nOn top, nigga, where you at? (Hahaha)\nYou wanna tell me how to act, huh? (What?)\nNigga, this my movie (Yeah!) [Pre-Chorus: Jacquees]\nShe wanna play? I'ma let her ride, ride, ride it\nAll day, I'ma let her try, try, try, yeah\nGet ready, on your mark, get set, go\nWhen I'm swimmin' in that, I'ma do the breaststroke\n[Chorus: Jacquees, \nChris Brown\n, \nJacquees & Chris Brown\n]\nShe told me, \"Sing another love song, please\"\nShe got her hands on me (Hands on) like, ''Baby, I need Jacquees''\nGirl, it ain't nothin' in this world for free\nI gotta put it down (Crown) before I wear the crown (\nCrown, crown\n)\nI won't turn it down, down\n (\nDown\n)\nNo, oh\nI won't turn it \ndown, down (Down)\nNo\nI won't turn it \ndown, down\nNo, no, no, no, no\nBaby, turn up\nWith this AK, I'm ready to bust, girl (Yeah, yeah)\nBut I won't turn it down now\n[Outro: Jacquees]\nIf you give it up, that's when we gon' fall in love (That's when we)\nGive it up, that's when we gon' fall in love (Yeah)\nGive it up, that's when we gon' fall in love (Yeah)\nGive it up, give it up, girl" } ]

[ { "from": "human", "value": "Write me a song called That’s What Love Is with the following description: “That’s What Love Is” is the fifteenth song on Justin Bieber’s fifth studio album, Changes.\nOn the track, Bieber sings with a backing guitar instrumental about how much he admires the “greatness” that comes with being in a relationship, and how he has learned from being in love. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOoh, and I can feel you\nEven though I haven't touched you\nYeah, that's what love is\nThat's what true love is\nWouldn't want nobody else by my side\nOoh, and you can trust me\nAfter all the lies I told you\nYeah, that's what love is\nThat's what true love is\nDon't nobody else deserve my time\n[Verse 1]\nI reach out to you, but my hands can't hold enough\nEnough of your greatness\nYou teach me patience\nLike the best of our worlds collide\nNever understood what it meant\nIt meant to submit to love\nSo beyond what lust is\nHey, it's a blessing that you're in my life\nMake me look even better\nWhen we shine, we shine together\n[Chorus]\nYeah, that's what love is\nNow, that's what love is\nDon't nobody else deserve my eyes [Verse 2]\nWhen you demand my presence, it's hard to read the message\nI stay on the defense to take away your leverage\n'Til you put it in perspective\nCan't help but to respect it\nOh, now I know what love is\nI know what true love is\nYeah, down in my soul\nFar more than you know\nMy self-esteem gets low\nYou lift it right up through the ceiling, woah\n[Chorus]\nOoh, and I can feel you\nEven though I haven't touched you\nYeah, that's what love is\nNow, that's what love is\nWouldn't want nobody else by my side, no\n[Outro]\n(Oh-oh-oh, oh)\n(Oh-oh-oh-oh-oh, oh)\n(Ooh-ooh-ooh, ooh)\nThat's what love is (Ooh-ooh-ooh, ooh)\nThat's what love is (La-la-la, la, la, la)\nI appreciate you (Oh-oh-oh, oh, oh-oh-oh-oh-oh, oh)\nGod bless your maker, hey-hey (Ooh-ooh-ooh, ooh)\nThat's what love is (Ooh-ooh-ooh, ooh)\nThat's what love is (La-la-la, la, la, la)\nLook at this love" } ]

[ { "from": "human", "value": "Write me a song called STOP TRYING TO BE GOD with the following description: On “STOP TRYING TO BE GOD,” Travis cautions rappers to not develop a God complex and to remain true to their roots. The song features Kid Cudi’s signature hums, vocals from Philip Bailey and James Blake, and a harmonica performance by Stevie Wonder.\nThis was the first song to be conceptualized for the album and also the one that took the longest to complete—it was a year in the making and recorded across multiple studio sessions.\nTravis teased the collaboration between him and Stevie Wonder on his Instagram and expressed in a 2018 interview with Billboard that one of his goals for the album was to get a feature from Stevie Wonder:\nMy next album is going to have Stevie [Wonder]. Well, I’m trying. We’re talking.\nThe music video, which came out on August 7th, 2018, was directed by Dave Meyers and loaded with Biblical imagery, tying in with the song’s underlying concept. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nThis is the real action: the pot party, the trippers, the grasshoppers, the hip ones\nAll gathered in secrecy and flying high as a kite\n[Pre-Chorus: Kid Cudi & \nPhilip \nBailey\n]\nHmm-hmm\nJust know what this about\nHmm-hmm-hmm, hmm-hmm\nPalm trees, oceans, fresh air, that can break your heart\n[Chorus: Kid Cudi & \nPhilip Bailey\n]\nHmm-hmm (\nStop tryna be God\n)\nHmm-hmm, hmm-hm\nHmm-hmm (\nStop tryna be God\n)\nHmm-hmm (\nThat's not who you are\n)\nHmm-hmm (\nStop tryna be God\n)\nHmm-hmm (\nThat's just not your job\n)\nHmm-hmm (\nStop tryna be God, God\n)\n[Verse 1: Travis Scott]\nRide for it every night\nVisions and these angles tight\nTruth be told, I never try\nDiamonds are the wife of life\nAll three Rollies look alike (Hm)\nAfter two you get a hook-up price\nStripper never worked a nine-to-five (Hm)\nDelta and I ship it overnight (Hm)\nStop tryna be God Almighty (Hm)\nFuck the money, never leave your people behind, yeah\nIt's never love, no matter what you try\nStill can see it comin' down your eyes\n'Cause they did not create commandments (Ooh-ooh)\nWhen you hustle, always make it fancy (Ooh-ooh)\nThe signal's far from what you can be (Ooh-ooh)\n'Cause air traffic controls the landing, yeah, yeah, yeah, yeah [Chorus: Kid Cudi & \nPhilip Bailey\n]\nHmm-hmm (\nStop tryna be God\n)\nHmm-hmm, hmm-hm\nHmm-hmm (\nStop tryna be God\n)\nHmm-hmm (\nThat's not who you are\n)\nHmm-hmm (\nStop tryna be God\n)\nHmm-hmm (\nThat's just not your job\n)\nHmm-hmm (\nStop tryna be God, God\n)\n[Verse 2: Travis Scott]\nStop tryna play God Almighty\nAlways keep your circle tight\nI been wantin' shit my whole life\nI'm warning you, better not try to play God tonight\nIf I love her, I'ma pass on her\nFirst rule of war, you find an act on her\nYou can't win a trophy or a plaque off her\nBut never turn your back on her\n'Cause they did not create commandments\nWhen you hustle, always make it fancy\nThe signal's far from what you can be\n'Cause air traffic controls the landing, yeah, yeah, yeah, yeah\nYou won't succeed tryna learn me\nStick to the roads in my journey\nStay out of court when you got the attorney\nShe say she love, but want to really burn me [Chorus: Kid Cudi & \nPhilip Bailey\n]\nHmm-hmm (\nStop tryna be God\n)\nHmm-hmm, hmm-hm\nHmm-hmm (\nStop tryna be God\n)\nHmm-hmm (\nThat's not who you are\n)\nHmm-hmm (\nStop tryna be God\n)\nHmm-hmm (\nThat's just not your job\n)\nHmm-hmm (\nStop tryna be God, God\n)\n[Bridge: James Blake]\nIs it the complex of the saint\nThat's keepin' you so, so, so still still?\nIs it a coat of old paint\nThat's peelin' every day against our will?\nIs it too long since the last\nOpen conversation you had? Oh, no\nAnd did you see the void in the past?\nAnd can you ever see it comin' back?\nWell, can you always be a step ahead of it for me?\nWell, can you always be a step ahead of it for me?\n[Outro: James Blake, Kid Cudi & \nStevie Wonder\n]\nWoah-oh-oh\nWoah-oh-oh\nWoah-oh-oh\nWoah-oh-oh\nThat it?" } ]

[ { "from": "human", "value": "Write me a song called Awesome (Freestyle) Roseland Ballroom with the following description: Kanye premièred an as-of-yet untitled song, perhaps for his next album, at his May 15th, 2013 Adult Swim private show at the Roseland Ballroom in New York. Presumably, the track is about West’s girlfriend and baby momma, Kim Kardashian.\nInsiders suggest this isn’t the final cut but more of a freestyle version. Enjoy! Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYou don't need me to ever write\nI read your last message at least 1000 times\nAt least 1000, at least 1000 times\nAlright, alright, alright\nWhy did you ever listen to\nPeople trying to hate on you\nAt least you know that's nothing new\nStop everything you're doing now\n'Cause baby, you're awesome\nSo awesome\nYou look too good to be at work\nYou feel too good to ever hurt\nI hope you ready for tonight\nI'm gon cook, you'll be dessert\nYou can't be still\nYou gotta move, you gotta dance\nI gotta live, I gotta love\nI got a hope, I got a chance\nCause baby, you're awesome\nYou don't need to listen to your manager\nYou're way too hot for them to handle you\nBaby, not for nothing\nI know you're looking for something\nAnd I've got it\nWhy you fallin' on me\nCause I'd rather do nothing with you\nThan something with somebody new\nYeah, I'd rather do nothing with you\nThan something with somebody new\nStop everything you're doing now\nCause baby you're awesome\nDon't let nobody bring you down\nYou're so awesome\nYou're so out the park\nYou're so after dark\nYou're so sleepless nights, oh you feel so right\nOh, you nnannanaa\nI know you must be tired\nFrom running through my mind\nCan I come inside?\nCause baby you're awesome\nAlso, I'm also awesome, also\nI'm also awesome\nY'all know\nAnd I'd rather do nothing with you\nThan something with somebody new\nYeah, I'd rather do nothing with you\nThan something with somebody new\nStop everything you're doing now\nCause baby you're awesome\nDon't let nobody bring you down\nYou're so awesome\nYou're so out the park,\n you're so after time\nYou're so breaking ?, oh it feels so right" } ]

[ { "from": "human", "value": "Write me a song called Fuckin’ Problems (Original) with the following description: This track serves as the long lost original version of A$AP Rocky’s October 2012 hit track, “Fuckin' Problems,” which features a second verse from Kendrick Lamar. While the two versions share some similarities, this version also includes a different intro from Kendrick and a slightly altered chorus, which has Rocky repeating the final line instead of Drake.\nThis version was originally intended to appear on Kendrick’s sophomore album good kid, m.A.A.d city but was later repurposed for Rocky’s LONG.LIVE.A$AP. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kendrick Lamar]\nI remember, being young, dumb\nLooking for the next thrill\nAngry adolescents\nThree things on our minds: Money, murder, or you\n[Chorus: 2 Chainz, \nDrake\n & \nA$AP Rocky\n]\nI love bad bitches, that's my fuckin' problem\nAnd, yeah, I like to fuck, I got a fuckin' problem\nI love bad bitches, that's my fuckin' problem\nAnd, yeah, I like to fuck, I got a fuckin' problem\nI love bad bitches, that's my fuckin' problem\nAnd, yeah, I like to fuck, I got a fuckin' problem\nIf finding somebody real is your fuckin' problem\nBring yo' girls to the crib, maybe we could solve it\n[Verse 1: Kendrick Lamar]\nPicture perfect, uh huh\nAnd I paint a perfect picture, my intention's to get richer\nBut I ain't tryna split the profit with ya\nEvery pocket on me bleeds, I'm a selfish ass nigga\nMmm, deuces up, black coupes is us (Uh, huh)\nOr maybe the white on white, Ku and Klux\nHead all in the bathroom\nBeg for it, I'll be back soon\nFuckin' problem, fuck your problems\nI got my own but one ain't a dollar\nI got five phones for five different reasons\nLondon, Tasha, Mya, Keisha\nCourtney, blue-eyed devils with no Visas\nOverseas, high heels, wine and pizza\nOverdosed on bad bitches, I swear\nOne on both arm but need two pair, I beast [Chorus: 2 Chainz, \nDrake\n & \nA$AP Rocky\n]\nI love bad bitches, that's my fuckin' problem\nAnd, yeah, I like to fuck, I got a fuckin' problem\nI love bad bitches, that's my fuckin' problem\nAnd, yeah, I like to fuck, I got a fuckin' problem\nI love bad bitches, that's my fuckin' problem\nAnd, yeah, I like to fuck, I got a fuckin' problem\nIf finding somebody real is your fuckin' problem\nBring yo' girls to the crib, maybe we could solve it\n[Verse 2: Kendrick Lamar]\nYeah ho, this the finale\nMy pep talk turn into a pep rally\nSay she from the hood but she live inside in the valley now\nVaca'd in Atlanta, then she goin' back to Cali, mmm\nGot your girl on my line, world on my line\nThe irony, I fuck 'em at the same damn time\nShe eyeing me like a nigga don't exist\nGirl, I know you want this dick\nGirl, I'm Kendrick Lamar\nA.K.A. Benz-is-to-Me-Just-a-Car\nThat mean your friends-es need be up to par\nSee, my standards are pampered by threesomes tomorrow, mmm\nKill 'em all, dead bodies in the hallway\nDon't get involved, listen what the crystal ball say\nHalle Berry, hallelujah\nHolla back, I'll do ya, beast [Chorus: 2 Chainz, \nDrake\n & \nA$AP Rocky\n]\nI love bad bitches, that's my fuckin' problem\nAnd, yeah, I like to fuck, I got a fuckin' problem\nI love bad bitches, that's my fuckin' problem\nAnd, yeah, I like to fuck, I got a fuckin' problem\nI love bad bitches, that's my fuckin' problem\nAnd, yeah, I like to fuck, I got a fuckin' problem\nIf finding somebody real is your fuckin' problem\nBring yo' girls to the crib, maybe we could solve it" } ]

[ { "from": "human", "value": "Write me a song called All I Want for Christmas is You with the following description: “All I Want for Christmas Is You” by Mariah Carey is featured in Extraordinary Merry Christmas, the ninth episode of Season Three. It is sung by Mercedes (Amber Riley), with the New Direction Girls singing back-up, at the opening of the episode. Everyone is dancing and singing along with Mercedes as they decorate the room for Christmas.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[MERCEDES]\nI... don't want a lot for Christmas\nThere is just one thing I need\nI don't care about the presents\nUnderneath the Christmas tree\nI just want you for my own\nMore than you could ever know\nMake my wish come true\nAll I want for Christmas is you\nI don't want a lot for Christmas\nThere is just one thing I need\nDon't care about presents\nUnderneath the Christmas tree\nI don't need to hang my stocking\nThere upon the fireplace\nSanta Claus won't make me happy\nWith a toy on Christmas day\nI just want you for my own\nMore than you could ever know\nMake my wish come true\nAll I want for Christmas is you (You, baby)\nOh, I won't ask for much this Christmas\nI don't even wish for snow\nI'm just gonna keep on waiting\nUnderneath the mistletoe\nI won't make a list and send it\nTo the North Pole for Saint Nick\nI won't even stay awake to\nHear those magic reindeer click Cause I just want you here tonight\nHolding on to me so tight\nWhat more can I do?\nBaby, all I want for Christmas is you\nYou, baby\nOh yeah, all the lights are shining so brightly everywhere\nAnd the sound of children's laughter fills the air\nAnd everyone is singing\nI hear those sleigh bells ringing\nSanta, won't you bring me the one I really need?\nWon't you please bring my baby to me?\nOh, I don't want a lot for Christmas\nThis is all I'm asking for\nI just want to see baby\nStanding right outside my door\nOh, I just want you for my own\nMore than you could ever know\nMake my wish come true\nBaby, all I want for Christmas... is... you... (You, baby)\nYou... (All I want for Christmas is you, baby)\nOhh, ohh... (All I want for Christmas is you, baby)\nOoh, ooh... (All I want for Christmas is you, baby)\n(All I want for Christmas is you)\nAll I want for Christmas is you" } ]

[ { "from": "human", "value": "Write me a song called Paradise with the following description: “Paradise“ is a slow-moving track by Philadelphia rapper Lil Uzi Vert which finds him singing about the search for a better lifestyle. He melodically raps about his significant other, expensive items, and his goal to one day wake up in “paradise.“\nThe track found its place on Uzi’s second mixtape Luv is Rage in October 2015. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nYeah, paradise, yeah (Yeah)\nIt's somewhere that I never been before (Before)\nYeah, I just wanna be there when I wake up (Wake up)\nYeah, like you better with no makeup (Makeup, no, yeah)\nYeah, paradise, yeah (Yeah)\nIt's somewhere that I never been before (Before)\nYeah, I just wanna be there when I wake up (Wake up)\nYeah, like you better with no makeup (Makeup, no, yeah, yeah)\n[Verse 1]\nBaby, you like me, like the way you stay clean\nAlexander the Wang, Alexander McQueen\nYou doing your little thing, you rocking Balmain\nI'm rocking Mr. Completely, the 424 jeans\nI started touring (I started touring)\nMy life is the opposite of \"My life is oh-so boring\"\nYeah, you know so turnt up (Woo)\n[Chorus]\nParadise, yeah (Yeah)\nIt's somewhere that I never been before (Oh)\nYeah, I just wanna be there when I wake up (Wake up)\nYeah, like you better with no makeup (Makeup, no, yeah)\n[Verse 2]\nMy phone, ignore it (My phone, ignore it)\nWhen you be callin' (When you be callin')\nI started ballin' (I started ballin')\nYou stopped your stallin' (You stopped your stallin')\nThat Range, I park it, I drive a Rover\nI skrrt, I skrrt, yeah, I swerve and drive it just like I stole it\nAnd she right on my side 'cause she's the boldest\nOur style's the coldest, style's the coldest\nWe liplock until our lips are swollen\nLive in the moment, good times is golden (Yeah, yeah)\nI'm not gonna lie, you got me open, yeah (Yeah, woo, yeah)\nBut that's only in the moment, yeah (That's only in the moment) [Chorus]\nYeah, paradise, yeah (Yeah)\nIt's somewhere that I never been before (Before)\nYeah, I just wanna be there when I wake up (Wake up)\nYeah, like you better with no makeup (Makeup, no, yeah)\n[Outro]\nYeah, paradise, yeah\nIt's somewhere that I never been before\nYeah, I just wanna be there when I wake up\nYeah, like you better with no makeup" } ]

[ { "from": "human", "value": "Write me a song called On the Line with the following description: Written by Kenneth “Babyface” Edmonds & Michael Jackson in 1997, On The Line appeared as a limited edition single shortly after the “Ghosts” film done by Jackson. This track was produced by Babyface & was also meant to appear in the Spike Lee film “Get On The Bus” (1996) although it was not featured in the Soundtrack. On The Line was officially released in The Ultimate Collection (2004). Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nNo sense pretending it's over\nHard times just don't go away\nYou got to take that chip off your shoulder\nIt's time you open up, have some faith\nNothing good ever comes easy\nAll good things come in due time, yes it does\nYou got to have something to believe in\nI'm telling you to open your mind\n[Chorus]\nGotta put your heart on the line\nIf you wanna make it right\nYou've got to reach out and try\nGotta put your heart on the line\nIf you wanna get it right\nGotta put it all on the line\n[Verse 2]\nYou see yourself in the mirror\nAnd you don't like what you see, ooh\nAnd things aren't getting much clearer\nDon't you think it's time you go for a change, oh!\nDon't waste your time on the past, no, no\nIt's time you look to the future, oh\nIt's all right there if you ask\nThis time if you try much harder\nYou will be the best that you can be, ooh! [Chorus]\nGotta put your heart on the line\nIf you wanna make it right\nYou've got to reach out and try\nGotta put your heart on the line\nIf you wanna get it right\nGotta put it all on the line\n[Bridge]\nIf you wanna make it right (If you wanna make it right)\nAnd you wanna do it now (Do it now)\nThen you gotta learn to try (Then you gotta learn to try)\nAnd you'll make it work somehow (Make it work somehow)\nNo, nothing in life comes free\nAnd that's just the way it is, now\nYou gotta go for what you want\nYou gotta know what you've got to stand for\n[Chorus]\nGotta put your heart on the line\n(Gotta put it all, on the line, you and me)\nIf you wanna make it right (Hoo!)\nYou've got to reach out and try (Hoo! You and me!)\nGotta put your heart on the line\n(Gotta put it all, gotta put it all)\nIf you wanna get it right (Hoo, hoo, hee!)\nGotta put it all on the line (Hee!)\nGotta put your heart on the line\nIf you wanna make it right\nYou've got to reach out and try\nGotta put your heart on the line\nIf you wanna get it right\nGotta put it all on the line\nGotta put your heart on the line\nIf you wanna make it right\nYou've got to reach out and try\nGotta put your heart on the line\nIf you wanna get it right\nGotta put it all on the line" } ]

[ { "from": "human", "value": "Write me a song called Replacement Girl with the following description: “Replacement Girl”, featuring R&B singer Trey Songz, is the lead single off of Drake’s second mixtape Comeback Season. The music video for the song was featured on BET as the “New Joint of the Day”. Also, it is one of Drake’s first hit songs.\nMusic Video\nhttps://www.youtube.com/watch?v=bALk7WdD4e8 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Trey Songz]\nLadies make some noise if you wanna be my replacement\n[Verse 1: Drake & \nTrey Songz\n]\nLet me show you what it is\nI was birthed up top but was raised at the bottom of the map\nWhere the girls all thick and the hottest niggas rap\nIf you lookin' for the good then we got 'em in the trap like, \nooh wee\nTook 'em from white sneaks to \nLouis\nThis metaphor might sound a little confusin' but\nY'all don't really know me if you know me, yeah, yeah, yeah, yeah, yeah\nI done come all way from the Days Inn\nAnd all the hotels that I stayed in\nAnd I took my lifestyle from mediocre to good\nAnd now I say it's sittin' at amazin'\nGirls tryna SoHo lobby us\nHear 'em all screamin' then it's probably us\nBut I can't blame females\nFemales can't really ignore somethin' this obvious\nWhat you really expect when I strut through town?\nTwo or three days, I shut you down\nChilin' with the homie Trey Songz\nYou call him the prince, he rep two up, two down\nAnyone I know get used to me\nI'm far from the man that I used to be\nAnd I don't ever really kick game\nI know you find it impressive whenever you introduced to me\n'Cause I'm a good dude who take pride in that\nNeed good lovin' I'm providin' that\nUnderstand that I'm worldwide, you get it how you want it wherever you be residin' at\n'Cause I do things from the M-town\nTo the UK and from Spain back out to Texas\nThis album's for my fans, but, yo, this hook is for my exes [Chorus: Trey Songz]\nThis one is for you girl, you know who you are girl\nYou only show your face 'cause you know that I'm a star girl\nWhat you tryna to make it, don't ever mistake it\nGirl, my time is limited and I ain't tryna waste it all on you\nYou had a chance, now it's gone, gone for you\nOh, you had a man now you don't, now you don't\nBack to the basics, I think I made it\nLadies make some noise if you wanna be my replacement girl\n[Verse 2: Trey Songz]\nAin't ya never seen a youngin' so fly? (Probably not)\nLookin' for someone your type\nI done left behind the love of my life (She gone)\nTryna find another one tonight\nAnd if it's you baby, let yourself be seen\nDon't matter skirts, dresses or jeans\nI got that work, know what I mean\nAnd I'm flexin' on my ex if you know what I mean\n[Chorus: Trey Songz]\nThis one is for you girl, you know who you are girl\nYou only show your face 'cause you know that I'm a star girl\nWhat you tryna to make it, don't ever mistake it\nGirl, my time is limited and I ain't tryna waste it all on you\nYou had a chance, now it's gone, gone for you\nOh, you had a man now you don't\nBack to the basics, I think I made it\nLadies make some noise if you wanna be my replacement girl [Verse 3: Drake]\nWith the other dudes she get picked for some take out\nUntil they slip up and then they break out\nBut it's another story over here at Drake's house\n'Cause I'm dripped up and I'm draped out\nAnd I'm leaned back, scopin'\nLookin' for a woman that I should wife\nWho got just the right amount of loyalty\nYeah but is still anticipatin' us livin' the good life\nWe go LA, VA, NY, TO\nSunshine and that heatstroke\nAnd them fur hoods in that deep snow\nWe have breakfast in the bedroom\nBreak bread downstairs in the basement\nSince Jay and Kellz ain't doin' they thing no more\nGuess me and the boy Songz the replacement\n[Chorus: Trey Songz]\nThis one is for you girl, you know who you are girl\nYou only show your face 'cause you know that I'm a star girl\nWhat you tryna to make it, don't ever mistake it\nGirl, my time is limited and I ain't tryna waste it all on you\nYou had a chance, now it's gone, gone for you\nOh, you had a man now you don't , now you don’t\nBack to the basics, I think I made it\nLadies make some noise if you wanna be my replacement girl [Outro: Trey Songz]\nLet's go" } ]

[ { "from": "human", "value": "Write me a song called We Back Soon (Original) with the following description: Where did this Lil Wayne song come from? Nobody knows.. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Lil Wayne]\nSittin’ in a Ferrari, thinking ’bout money\nI swear I will go head up with all of y’all, bumper cars\nBullshit fly by me, I’m ducking all the bad vibes\nShoot you nine times just in case you got cat lives\nMy punchlines give you black eyes\nLike like, then kill yourself: 7 pounds\nI’ve been to hell and back, and made it back fine\nBlack diamonds killin’ them, black-on-black crime\nNow can I live and if I can, can I live it up\nI’mma squeeze life, just enough to fill a cup\nWell, shut the fuck up and steam the purp\nDrink it all, I’m dead, so I throw some ice in it\nAnd belch when I finish\n(‘cuse me, ‘cuse me)\n[Hook]\nI heard you got that good, ready for the take-off\nFire up that wood, let the jets blast off\nTo another World, right next to that white moon\nFly in the sky, tell em we’ll be back soon\n[Verse 2: Lil Wayne]\nUh, its the martian and I come for all\nI swear I will go head up with all y’all, bumper cars\nNigga I’m a slumber dog, millionaire, been there\nSmoke some kush and snap my fingers in case you got cat lives\nUh, so much for being settled down\nSuicide flow, go and kill ya self, Seven Pounds\nBlunt thick as Bobby Christina, high as Serena’s skirt\nOnly smoking that real grass, no arena turf\nNow can I live and if I can, I rep that dirty south\nAnd you haven’t seen cleaner dirt, you haven’t seen it worse\nSo shut the fuck up and steam the purp\nTell them haters “arrivederc”\nYeah I lost my mind, help me find it I will lead the search\nUhhh [Hook]\nI heard you got that good, ready for the take-off\nFire up that wood, let the jets blast off\nTo another World, right next to that white moon\nFly in the sky, tell em we’ll be back soon" } ]

[ { "from": "human", "value": "Write me a song called Never Lie with the following description: Registrated in ASCAP in january 2013 with Britney as the performer. The songwriter, Joseph Jeffrey Dandurand is a fairly new songwriter, so this gives speculation it’s a song recorded for the eigth album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI know I Never lie and baby come with me\nAnd I will never be the guy to be crazy\nHazy, swayze I m not dead if I put this too the test\n[Chorus]\nI, Never Lie\nBaby come with me and I will blow your mind\nAll night and if I make you cry\nCome with me and let me dry your eyes\n[Verse 1]\nTake my hand and lets go to the promised land\nTake your soul\nBecause I want you to know how much I love you so\nBaby take my hand because its time for us to go\nInside so I will do alright\nI'll give it to you until the morning light\nI will make you see sunshine\nGive you my love cause I.....\n[Chorus]\nBaby come with me and I will blow your mind\nAll night and if I make you cry\nCome with me and let me dry your eyes [Verse 2]\nAll night and every single day\nBaby get with me and I will never stray\nFrom the love that's true\nFrom my soul to my heart\nCuz I never lie and baby I will try and show you love\n[Chorus]\nI, Never Lie" } ]

[ { "from": "human", "value": "Write me a song called Everything Wonderful with the following description: This is a bonus song from the 2010 album “The Beginning” only released on the Super Deluxe version. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: will.i.am]\nHey\nThis is international\nSma-smasher\nHey hey hey\nHere we go\nHere we go\nHere we go\nHey!\n[Chorus: will.i.am]\nCome on, baby, here we go\nLeave your problems at the door\nAin't no worry here no more\nEverything is wonderful\n[Post-Chorus: will.i.am]\nEverything is wonderful\nEverything is wonderful\nEverything is wonderful\nEverything is wonderful\n[Verse 1: will.i.am]\nI ain't trying to be involved with none of that drama\nYou can keep them bad vibes keep your bad karma\nTryna get my zen on like the Dalai Lama\nIf you talking yin-yang pause like a comma\n'Cause I don't want nobody all up in my face with that bullshit\nI just wanna live my life, live my life in paradise\nI don't need no extra strife, I just wanna be alright [Bridge: will.i.am]\nI just wanna be alright\nI just wanna be alright\nI just wanna be alright\nI just wanna live my life\n[Chorus: will.i.am]\nCome on, baby, here we go\nLeave your problems at the door\nAin't no worry here no more\nEverything is wonderful\n[Post-Chorus: will.i.am]\nEverything is wonderful\nEverything is wonderful\nEverything is wonderful\nEverything is wonderful\n[Verse 2: apl.de.ap]\nI wanna live my life wanna let go\nI wanna lose myself on the dance floor\nI wanna reach your love wanna get close\nI wanna make you feel wonderful\nCome on, let's rock'n'roll like a rolling stone\nCome on, let's go, turbo o zone\nCome on, let's roll, come on and get gone\nAnd don't come with no problems leave them at home\nI don't want nobody all up in my face with that bullshit [Chorus: will.i.am, (Fergie)]\nCome on, baby, here we go (\nQu'est-ce que tu fais?\n)\nLeave your problems at the door (Qu'est-ce que tu fais?)\nAin't no worry here no more\nEverything is wonderful\nCome on, baby, here we go\nLeave your problems at the door\nAin't no worry here no more\nEverything is wonderful\n[Outro: will.i.am]\nAnd I don't want no motherficking drama\nYou can keep them bad vibes, keep your bad karma\nTryna get my zen on like the Dalai Lama\nAnd I don't want no motherficking drama\nI don't need no motherficking drama\nI don't need no motherficking drama\nYou can keep your bad vibes keep the bad karma\nI-I don't want-want no motherficking drama" } ]

[ { "from": "human", "value": "Write me a song called Love Goes with the following description: This is the title track, described by Clara Amfo when she interviewed Sam Smith for BBC Sounds, as “… so good, I love the ambition of this tune”.\nThe arrangement is markedly different from Sam’s other tracks, starting with a slow, thumping, spare beat, but developing into a fuller sound with a startling trumpet fanfare and ending in an energetic, almost triumphant flourish. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Labrinth]\nI hope you understand that I have to send you away\nYou may not understand, but I know that you will one day\nYou're broken, I know this\nAnd if you knew it, you would love me a whole different way\n[Chorus: Labrinth]\nBut that's how love goes, goes\nThat's how love goes, goes\nGoes, goes\nThat's how love goes\n[Verse 2: Sam Smith, \nLabrinth\n]\nI tried to change you, tried to make you into someone else (\nSomeone else\n)\nI guess the only one I'm foolin' is my stupid self\nYou're broken (\nOh\n), we know that (\nOh\n)\nAnd if you knew it, you won't fight me when I say farewell\n[Chorus: Sam Smith]\nThat's how love goes, goes\nThat's how love goes, goes\nGoes, goes\nThat's how love goes, goes\nGoes, goes\nThat's how love goes, goes\nGoes, goes\nThat's how love [Bridge: Sam Smith & Labrinth]\nSay that one day I'll be back\nDon't hold your breath\nJust know I own a place for you always\n[Chorus: Sam Smith]\n'Cause that's how love goes, goes\nThat's how love goes, goes (Goes)\nGoes, goes\nThat's how love goes, goes\nGoes, goes\nThat's how love goes, goes\nGoes, goes (Goes)\nThat's how love\n(Goes)\n[Outro: Labrinth, \nSam Smith\n]\nYeah, yeah\nOh, ooh\nThat's how love goes, yeah (\nOoh\n)\nWhoa" } ]

[ { "from": "human", "value": "Write me a song called 81 with the following description: “81” is a dynamic collaboration between rising hip-hop artist Travis Thompson and acclaimed rapper Logic. It’s the first single released for the upcoming collaboration album Wolves & White T’s with the album producer Jake One.\nThe track is an empowering anthem that embodies the relentless spirit of Travis Thompson and Logic, where the captivating chorus encourages listeners to claim their share in life while rejecting the notion of entitlement.\nThey emphasize that they run the world through hard work and dedication, proving that success is earned, not given. With their unwavering determination, they’ve been “wilding” since their youth and vow to continue the same passion until they reach the age of 81. This powerful message cements their status as influential figures in the hip-hop industry. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Travis Thompson]\nAh, yeah, yeah, yeah, yeah\nUh-huh, yeah\nTell on anyone, haha\nThis shit out of pocket, y'all\n[Verse 1: Travis Thompson]\nYou want the real, you're gon' get it\nI'm shootin' films, they extended (Uh-huh)\nGivin' life, Kama Sutra, I know they kill for position (They kill for it)\nStackin' bills independent and bein' willfully ignant (Fuck y'all)\nI hold grudges 'cause they're free, it's gon' always be tension\nWhere everyone who said they had my back and then just ran off (Pussy)\nAte my momma cooking, act like family, I can't stand y'all\nHad the vision since thirteen like Willie Randolph (Uh-huh)\nCan't slow up, it's people that we started with we can't call (Woo)\nTellin' bitches, \"Hands off, your fingers way too grubby\" (Get off me)\nSaid, \"You don't do pink ****? And you don't like 'em chubby?\"\nYeah, I heard that, parked the whip and curb tapped (Shee)\nSay it's off the dome, but we can tell you rehearsed that (You heard that shit)\nNever bought a Birk bag, if I ever do please murk Trav\nSo deep into my duffel, TSA gon' wanna search that, yeah\nI'm the cleanest little genius they would classify a dirtbag (I don't like that lie)\nPlan along like fuck 'em, brought their energy of Kurt back (Wait woah, you can't say that)\nWait, woah-woah, hatin'? Tell 'em go croak\nWorkin' on my own strain, I don't lie or blow smoke\nAin't booked, it's this a no go (Nah)\nCaptain got a boat load\nGrew up on menudo, skatin', runnin' from the cholos, real shit [Chorus: Travis Thompson]\nWant a piece? I tell 'em take you some (If you want something in this world you gotta take it)\n'Cause they run the world, we make it run (You can't stand around complacent)\nMade a little, I ain't made enough\nWildin' since a youngin', be the same until I'm eighty-one (The world don't owe you shit)\nWant a piece? I tell 'em take you some (You gotta fuckin' take it, man)\n'Cause they run the world, we make it run (You gotta have that killer mentality)\nMade a little, I ain't made enough\nWildin' since a youngin', be the same until I'm eighty-one\n[Verse 2: Logic & \nTravis Thompson\n]\nDo what you love from the heart and fuck all the bullshit\nI ain't finna look back on my life and regret\nBeen in love with music since the day that we met\nReady, set, get it, since ninety I've been committed to eighty-one, who fuckin' with it?\nCoastin', LA to New York, no, I ain't boastin'\nI got albums in the chamber, these rappers is all in danger\nThe Messiah, like I was born in a manger\nSP1200, beats in abundance, you scared to grow your talent, it's stuntin'\nI give it to whoever want it, Malibu's most blunted\nI'm rhymin' for not a reason \n(Don't be hatin')\nFuck appeasin' to the people\nLivin' life to the fullest, like ain't no sequel\n'Cause it might not be, so rock with me\nInk on the page, every day I feel my age\nI'm only thirty-three, that's forty-eight to go\nA lot more to do, a lot more to see\nIf I had advice to give, it'd probably be\nDo yourself and never try to be someone in the mirror that they can't see\nBut what do I know? I'm just reflectin'\nStraight to the heart like a lethal injection\nBehind bars like corrections\nLay down the law with no objections\nFuckin' with me, you gon' need witness protection, what [Chorus: Travis Thompson]\nWant a piece? I tell 'em take you some (Nobody owes you)\n'Cause they run the world, we make it run (A damn thing)\nMade a little, I ain't made enough\nWildin' since a youngin', be the same until I'm eighty-one (Handouts, give me this, give me that)\nWant a piece? I tell 'em take you some (Ain't no fuckin' handouts)\n'Cause they run the world, we make it run (You gotta put the fuckin' work in)\nMade a little, I ain't made enough\nWildin' since a youngin', be the same until I'm eighty-one\n[Outro]\nAnd then sometimes you gotta just fuckin' take shit, man\nFuckin' smash that shit, take that shit, go for it" } ]

[ { "from": "human", "value": "Write me a song called Favorite Girl (Acoustic) [Live] with the following description: Acoustic version of Canadian pop star Justin Bieber’s song Favorite Girl on his first acoustic album My Worlds Acoustic. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nLove you too\nAlright, can you turn on my guitar in my ears please? Thank you\nYou guys ready? Are you sure?\nAlright, let's go\n[Verse 1]\nI always knew you were the best, the coolest girl I know\nSo prettier than all the rest, the star of my show\nSo many times I wished, you'd be the one for me\nBut never knew it'd get like this, girl what you do to me?\n[Pre-Chorus]\nYou're who I'm thinking of\nAnd girl you ain't my runner up\nAnd no matter what\nYou're always number one\n[Chorus]\nMy prize possession, one and only\nAdore you, girl I want you\nThe one I can't live without\nThat's you, that's you\nYou're my special little lady\nThe one that makes me crazy\nOf all the girls I've ever known\nIt's you, it's you\nMy favorite, my favorite\nMy favorite, my favorite girl\nMy favorite girl [Verse 2]\nYou're always going out your way to impress these Mr. Wrongs\nBut you can be yourself with me, I'll take you as you are\nI know they said believe in love, it's a dream that can’t be real\nSo girl let's write a fairytale and show 'em how we feel\n[Pre-Chorus]\nYou're who I'm thinking of\nAnd girl you ain't my runner up\nAnd no matter what\nYou're always number one\n[Chorus]\nMy prize possession, one and only\nAdore you, girl I want you\nThe one I can't live without\nThat's you, that's you\nYou're my special little lady\nThe one that makes me crazy\nOf all the girls I've ever known\nIt's you, it's you\nWoah, I want you\nIt's you, it's you, oh\n[Interlude]\nYou know Dan right? Guitar solo Dan, let's go\nGive it up for Dan, @DanKanter\nMy favorite, my favorite\nMy favorite, my favorite girl\nMy favorite girl [Bridge]\nYou take my breath away with everything you say\nI just want to be with you, my baby my baby, oh\nPromise to play no games, treat you no other way\nThan you deserve cause you're the girl of my dreams, yeah\n[Chorus]\nMy favorite, my favorite\nMy favorite, my favorite girl\nMy favorite girl\nIt's you\n[Outro]\nThank you" } ]

[ { "from": "human", "value": "Write me a song called I Miss You with the following description: “I Miss You” came about during a solo writing session that Julia Michaels had been in for other artists. It was only up until now that she decided to let Clean Bandit have the song for their upcoming project.\nThe song is about missing a romantic partner of a relationship that recently ended. Julia doesn’t handle this collapse well and describes the ways in which she keeps memories about the person she’s still attached to and wishes to be near them.\nThe song marks the first time that Michaels has worked with Clean Bandit. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI know you're out in Cabo\nHanging with your brother\nWishin' that I was your bottle\nSo I could be close to your lips again\nI know you didn't call your parents\nAnd tell 'em that we ended\n'Cause you know that they'd be offended\nDid you not want to tell 'em it's the end?\n[Pre-Chorus]\nAnd I know we're not supposed to talk\nBut I'm getting ahead of myself\nI get scared when we're not\n'Cause I'm scared you're with somebody else\nSo, I guess that it's gone\nAnd I just keep lying to myself\nOh, I can't believe it, I\n[Chorus]\nI miss you, yeah, I miss you\nI miss you, yeah, I miss you, oh, I do\nI miss you, yeah, I miss you\nThough I'm tryin' not to right now\n[Verse 2]\nYou weren't a fan of pictures\nSo I hardly ever took 'em\nGot them saved in my mind from the bedroom\nSo that way I can't forget your skin\nSo I saved all the texts\nAll of the best over the years\nJust to remind myself of how good it is, or was [Pre-Chorus]\nAnd I know we're not supposed to talk\nBut I'm getting ahead of myself\nI get scared when we're not\n'Cause I'm scared you're with somebody else\nSo, I guess that it's gone\nAnd I just keep lying to myself\nOh, I can't believe it, I\n[Chorus]\nI miss you, yeah, I miss you\nI miss you, yeah, I miss you, oh, I do\nI miss you, yeah, I miss you\nThough I'm tryin' not to right now\n[Bridge]\nSo I saved all the texts\nAll of the best over the years\nJust to remind myself of how good it is\nYeah, I saved all the texts off of my ex\nMinus the tears\nJust to remind myself of how good it is, or was\n'Cause I\n[Chorus]\nI miss you, yeah, I miss you\nI miss you, yeah, I miss you, oh, I do\nI miss you, yeah, I miss you\nThough I'm tryin' not to right now\nI can't help it, I just\nThough I'm tryin' not to right now\nI can't help it, I just" } ]

[ { "from": "human", "value": "Write me a song called The Future of Music Is a Love Story with the following description: The Singer-Songwriter Says Artists and Fans Will Still Form Deep Bonds, but They Will Do It in New Ways\nviaExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Where will the music industry be in 20 years, 30 years, 50 years?\nBefore I tell you my thoughts on the matter, you should know that you're reading the opinion of an enthusiastic optimist: one of the few living souls in the music industry who still believes that the music industry is not dying…it's just coming alive\nThere are many (many) people who predict the downfall of music sales and the irrelevancy of the album as an economic entity. I am not one of them. \nIn my opinion, the value of an album is, and will continue to be, based on the amount of heart and soul an artist has bled into a body of work, and the financial value that artists (and their labels) place on their music when it goes out into the marketplace.\n \nPiracy, file sharing and streaming have shrunk the numbers of paid album sales drastically, and every artist has handled this blow differently\nIn recent years, you've probably read the articles about major recording artists who have decided to practically give their music away, for this promotion or that exclusive deal. My hope for the future, not just in the music industry, but in every young girl I meet…is that they all realize their worth and ask for it\nMusic is art, and art is important and rare. Important, rare things are valuable. Valuable things should be paid for. It's my opinion that music should not be free\n, and \nmy prediction is that individual artists and their labels will someday decide what an album's price point is\n. I hope they don't underestimate themselves or undervalue their art\nArrows Through the Heart\nIn mentioning album sales, I'd like to point out that people are still buying albums, but now they're buying just a few of them. They are buying only the ones that hit them like an arrow through the heart or have made them feel strong or allowed them to feel like they really aren't alone in feeling so alone. It isn't as easy today as it was 20 years ago to have a multiplatinum-selling album, and as artists, that should challenge and motivate us\nThere are always going to be those artists who break through on an emotional level and end up in people's lives forever. The way I see it, fans view music the way they view their relationships. \nSome music is just for fun, a passing fling (the ones they dance to at clubs and parties for a month while the song is a huge radio hit, that they will soon forget they ever danced to).\n Some songs and albums represent seasons of our lives, like relationships that we hold dear in our memories but had their time and place in the past\nHowever, some artists will be like finding \"the one.\"\n We will cherish every album they put out until they retire and we will play their music for our children and grandchildren. As an artist, this is the dream bond we hope to establish with our fans. I think the future still holds the possibility for this kind of bond, the one my father has with the Beach Boys and the one my mother has with Carly Simon\nI think forming a bond with fans in the future will come in the form of constantly providing them with the element of surprise. No, I did not say \"shock\"; I said \"surprise.\" I believe couples can stay in love for decades if they just continue to surprise each other, so why can't this love affair exist between an artist and their fans?\nIn the YouTube generation we live in, I walked out onstage every night of my stadium tour last year knowing almost every fan had already seen the show online. To continue to show them something they had never seen before, I brought out dozens of special guest performers to sing their hits with me. My generation was raised being able to flip channels if we got bored, and we read the last page of the book when we got impatient. We want to be caught off guard, delighted, left in awe. I hope the next generation's artists will continue to think of inventive ways of keeping their audiences on their toes, as challenging as that might be\nThere are a few things I have witnessed becoming obsolete in the past few years, the first being autographs. I haven't been asked for an autograph since the invention of the iPhone with a front-facing camera. \nThe only memento \"kids these days\" want is a selfie.\n \nIt's part of the new currency, which seems to be \"how many followers you have on Instagram.\"\nFan Power A friend of mine, who is an actress, told me that when the casting for her recent movie came down to two actresses, the casting director chose the actress with more Twitter followers. I see this becoming a trend in the music industry. For me, this dates back to 2005 when I walked into my first record-label meetings, explaining to them that I had been communicating directly with my fans on this new site called Myspace. \nIn the future, artists will get record deals because they have fans—not the other way around\nAnother theme I see fading into the gray is genre distinction. These days, nothing great you hear on the radio seems to come from just one musical influence. The wild, unpredictable fun in making music today is that anything goes. Pop sounds like hip hop; country sounds like rock; rock sounds like soul; and folk sounds like country—and to me, that's incredible progress. I want to make music that reflects all of my influences, and I think that in the coming decades the idea of genres will become less of a career-defining path and more of an organizational tool\nThis moment in music is so exciting because the creative avenues an artist can explore are limitless. In this moment in music, stepping out of your comfort zone is rewarded, and sonic evolution is not only accepted…it is celebrated. The only real risk is being too afraid to take a risk at all\nCelebrity Spotlight\nI predict that some things will never change. \nThere will always be an increasing fixation on the private lives of musicians, especially the younger ones.\n \nArtists who were at their commercial peak in the '70s, '80s and '90s tell me, \"It was never this crazy for us back then!\"\n And I suspect I'll be saying that same thing to younger artists someday (God help them). There continues to be a bad girl vs. good girl/clean-cut vs. sexy debate, and for as long as those labels exist, I just hope there will be contenders on both sides. Everyone needs someone to relate to\nAnd as for me? I'll just be sitting back and growing old, watching all of this happen or not happen, all the while trying to maintain a life rooted in this same optimism\nAnd I'd also like a nice garden" } ]

[ { "from": "human", "value": "Write me a song called You Want Me with the following description: “You Want Me” is an uptempo party track with Eurodance undertones and also features Chris' first stab at a British accent in a song. In the track, Chris is in a nightclub urging women to dance with him.\n“You Want Me” also features pitched vocals from Sevyn Streeter. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYou want me\nYou-You-You-You-You want me\n[Verse 1: Chris Brown]\nI bring the party\n(\nYou want me\n)\nGot just what you need to hit the floor\n(\nYou-You want me\n)\nGirl, I like your body\n(\nYou want me\n)\nYou wanna leave yo' man and I know it\n(\nYou-You want me\n)\n[Interlude: Se7en]\nSo give me an—\nYou want me\nYou-You want me\n(\nDJ Babey Drew\n)\nYou want me\nYou-You want me\nYou want me\nYou-You want me\n[Verse 2: Chris Brown]\nI-I bring the party\n(\nYou want me\n)\nGot just what you need to hit the floor\n(\nYou-You want me\n)\nI, girl, I bring the party\n(\nYou want me\n)\nGot just what you need to hit the floor\n(\nYou-You want me\n)\nGirl, I like your body\n(\nYou want me\n)\nYou wanna leave yo' man and I know it\n(\nYou-You want me\n) [Pre-Chorus: Se7en, \nChris Brown\n]\nSo give me an answer\nAh, you want me, don't you?\nGive me an answer\nYou got to move, you got to move, you got to move\nThere's no time to waste\nJust come on, girl\nThe time is now or never\nGirl, break me off, ooh, woah\n[Chorus: Chris Brown]\nAll the beautiful ladies in the party, I know you want me\nI'ma make ya go crazy, I just started, I know you want me\nI'm on the floor now, can't escape it, girl (You want me)\nI-I-I-I know you want me\nI-I-I-I know you want me\n[Verse 3: Chris Brown & Se7en]\nI bring the party\nGot just what you need to hit the floor\nGirl, I like your body\nYou wanna leave yo' man and I know it\n[Pre-Chorus: Se7en, \nChris Brown\n]\nSo give me an answer\nAh, you want me, don't you?\nGive me an answer\nYou got to move, you got to move, you got to move\nThere's no time to waste\nJust come on, girl\nThe time is now or never\nGirl, break me off, ooh, woah [Chorus: Chris Brown]\nAll the beautiful ladies in the party, I know you want me\nI'ma make ya go crazy, I just started, I know you want me\nI'm on the floor now, can't escape it, girl (You want me)\nI-I-I-I know you want me\nI-I-I-I know you want me\n[Instrumental Break]\n[Chorus: Chris Brown]\nAll the beautiful ladies in the party, I know you want me\nI'ma make ya go crazy, I just started, I know you want me\nI'm on the floor now, can't escape it, girl (You want me)\nI-I-I-I know you want me\nI-I-I-I know you want me" } ]

[ { "from": "human", "value": "Write me a song called Flower Child with the following description: A general theme of this song is taking things slow and taking the time to grow and appreciate, taking the time to overcome struggles and enjoy journeys. Roses are symbolic for this slow but steady growth, hence the name Flower Child.\nDrum loop sampled by producer Paul Boogie from the song Come Live With Me by Dorothy Ashby http://www.youtube.com/watch?v=_kdmVVQg7Bs Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Nitty Scott]\nPardon my Bohemian ways\nI know I act like I be stuck in a Bohemian daze\nYou said you love me, so don't rush me\nLove is patient and now you gotta trust me\nTo take form, like the canvas of the Grand Canyon\nProduct of a beautiful storm or an unborn\nCarried just below the heart\nQuietly preparing for his start\nLet me Michelangelo my Sistine Chapel\nYou know they say Rome wasn't built in a day\nAnd diamonds need a while before they hit the display\nSo I guess I see myself in a similar way\nI'm paced, like my momma in the kitchen whipping\nAlways mixing up and fixing\nBegged her for a taste and she said it wasn't ready\nShe stir it up slow and she cook it up steady\nThis is not a race track, living in the ASAP\nI'm just trying to do it justice when it play back\nSometimes I gotta stall the BPM\nSo I can weave these dreams and polish up these gems\nIn the end, I got love for the show biz\nBut sometimes you gotta stop and smell the roses\nKeeping up with the Kardashians and Joneses\nNah, I take my time and compose this [Hook: Kendrick Lamar]\nThey say greatness get better with time\nThey say concrete roses hard to find\nSit inside my room, and let these thoughts bloom\nIt's a secret garden in my mind\nFlower child\n[Verse 2: Nitty Scott]\nOkay, buffering, creativity suffering\nWhen you bustlin' hustlin' for the numbers and\nYou missed the journey if you climbed too fast\nThe beauty of the struggle when it comes to pass\nAmateurs swear they need a balancer\nI want that legendary like excalibur\nChasing calibers liberated as a bachelor\nTraveler, never falling victim to these calendars\nRough draft after rough draft\nNo staff, perfecting on my abstract craft\nAnd now they calling me celebrity\nOnly thing I give a damn about is my integrity\nThey play the game like checkers when I'm talking bout chess\nTryna do more when I'm talking bout less, I stress\nQuantity ain't always quality\nSo let me formulate my prophecy\n[Verse 3: Kendrick Lamar]\nWhen the lights get low and you notice I am the sun\nThe winter time was snow but only little you know\nI will still breathe, give me the keys\nI'm resuscitating the game, see me in CPR\nMy name is a gun cocked, gun shot\nDead and I won't stop\nGun cocked, gun shot\nHead in a pine box\nWith a dozen roses, hold this with a gift card\nGun cocked, gun shot\nFlowers on your momma's yard [Hook: Kendrick Lamar]\nThey say greatness get better with time\nThey say concrete roses hard to find\nSit inside my room, and let these thoughts bloom\nIt's a secret garden in my mind\nFlower child\n[Outro: Nitty Scott]\nThey say greatness gets better with time\nSo why expedite my prime?\nSee I'm just a lilac tied to the earth\nExuding the fragrance of light and birth\nSo respect my photosynthesis\nMy petals, my stems, full of nourishing flow\nYou thought this was a love song, but no\nI just need you to let me grow" } ]

[ { "from": "human", "value": "Write me a song called Outy When I Drive / Blamed with the following description: “Outy When I Drive/Blamed” adds another two-parter to Indigo, following four two-parters included on the standard edition. “Outy When I Drive” is an upbeat track that features pitched vocals from Chris on the chorus and sees him one-upping “broke niggas” who don’t share his wealth and expensive cars. The track features an uncredited verse from Yella Beezy, who Chris previously collaborated with on the July 2019 track, “Restroom Occupied.” Rich the Kid assists on both parts of the track, and marks their third and fourth collaboration together following March 2018’s “Drippin'.”\nIn “Blamed,” Chris warns his competition to not “play [him] to the left,” i.e. curve him, or else he’ll show them up by taking their women with no remorse. The track was initially previewed in March 2018 by Sage the Gemini, who also assisted on another two-parter on the standard edition, “Trust Issues / Act In.” but wasn’t credited. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Part I: O\nuty When I Drive\n]\n[Intro]\n(CashMoneyAP\n)\n(\nEverything foreign, nigga\n)\n[Verse 1: Rich The Kid]\nOoh (Ayy)\nBro nigga, she tell 'em, \"Back, back\" (Back, back)\nRunnin' around with the rat pack (Huh)\nThat ass too fat, tell her back, back (What?)\nAin't doing no talkin', the choppa got kickback (Blat)\nOoh, ooh\nShe won't be my boo (My boo)\nI was broke, now I got bitches in my coupe (Huh)\nOoh, me and Breezy, fifty hoes, by the group (By the group)\nThat's yo' bitch, she told a lie, ain't told the truth, ooh (Ain't told the truth)\nI get her gone\nFuck her once, she won't pick up the phone (What?)\nI send her home (Home)\nGive me the dome, give me the dome\n[Chorus: Chris Brown]\nHigh-y, high-y, high\nI'ma fly, I'ma flatline\nOuty when I drive\nBring me up, bitch, on both sides\nBroke niggas always minus, wearin' designer\nSee me, I beat it out the linin', it'll fuck ya spine up\nHigh-y, high-y, high\nYeah, baby (Flatline)\nOuty when I drive, flatline\nHigh-y, high-y, high\nYeah, baby (Flatline)\nOuty when I drive\nBitch, on both sides [Verse 2: Chris Brown]\nWhen I do the dash, bitch, I swear that they mouth wide\nHunnids, countin' cash in a pair of them Off-White's\nYou need to bring your ass over here\nIf your nigga wanna fight, bitch, come outside\nI'm off this Hennessy, too many shots\nDon't give a fuck\nAin't no excuses for bein' belligerent, just give me the bottle\nStop thinkin' about it, 'til I'm on the floor\nSwitchin' lanes, caught in the paint, off the backboard\nAin't no way I'ma change, pussy got me goin'\n[Chorus: Chris Brown]\nHigh-y, high-y, high\nI'ma fly, I'ma flatline\nOuty when I drive\nBring me up, bitch, on both sides\nBroke niggas always minus, wearin' designer\nSee me, I beat it out the linin', it'll fuck ya spine up\nHigh-y, high-y, high\nYeah, baby (Flatline)\nOuty when I drive, flatline\nHigh-y, high-y, high\nYeah, baby (Flatline)\nOuty when I drive\nBitch, on both sides [Verse 3: Yella Beezy]\nI say vroom, vroom\n808s gon' make your body shake\nLook, bitch, boom, boom\nAnd when I get you\nI'ma knock that pussy to the moon, moon\nIf he trippin', grab that Smith\nAnd I'ma knock his brain loose\nDo what you do\nThese hatin' niggas got it bad\nNigga talkin' tough until my lil' partner went shot his ass\nAnd if you mention me, then you gon' end up in a body bag\nLil' mama, I ain't tryna fuck if you ain't got a lot of ass\nI need a lot of that, yeah-yeah\n[Chorus: Chris Brown]\nHigh-y, high-y, high\nI'ma fly, I'ma flatline\nOuty when I drive\nBring me up, bitch, on both sides\nBroke niggas always minus, wearin' designer\nSee me, I beat it out the linin', it'll fuck ya spine up\nHigh-y, high-y, high\nYeah, baby (Flatline)\nOuty when I drive, flatline\nHigh-y, high-y, high\nYeah, baby (Flatline)\nOuty when I drive\nBitch, on both sides [Part II: Blamed]\n[Interlude]\nYour call cannot be completed as dialed\nPlease check the number and dial again\nOr dial 6-1-1\n[Intro: Chris Brown]\nDon't play me to the left\n'Fore I pull up with that thing on me\nI'm shootin', aimin' for the net\nAnd ain't nobody finna bang on me\n[Verse 1: Sage the Gemini]\nAyy, I just checked my bank account, I'm goin' dumb as fuck\nI point her in the right direction, tell her, \"Run it up\"\nI put her in the Louis now, nigga, want the 1's\nBut we don't fight\nI take this .40 off my waist just like a tummy tuck\nI don't speak much unless it's money, so (So)\nIf they don't know me personally, I don't take it personal\nThey love you when your wins high, let you know (Let you know)\nBut when your wins low, they treat you like a Urkel\nI learn that family don't always matter (Yeah, woah)\nI send these shots around your dome, now you silent (Yeah-yeah, yeah-yeah)\nAyy, I'm just tryna buy me a big place (Big place)\nI'm just tryna buy me a lawyer, help me beat the case\nI'm just tryna fuck you, let you lead the way (The way)\nAnd if we can't make it to the bed, do it on the way\n[Chorus: Chris Brown]\nDon't play me to the left, no\n'Fore I pull up with that thing all on me\nI'm shootin', aimin' for the net, oh\nAnd ain't nobody finna bang on me (No)\nI got your bitch, she comin' over (Woo!)\nShe gon' bring her friend too (Woo!)\nThey gon' pop and bend it over (Woo!)\nLike that pussy brand new\nGet her an Uber when it's over\nFuck that, just hop up in the coupe\nWhat you gon' do?\n'Cause you can't really put the blame on me (No)\n[Verse 2: Chris Brown]\nIf there's a problem, I'ma pop up, I'ma shoot out the roof\nYou need to stop it 'fore I make your mama really miss you\nAin't throwin' spirals, really big bullets and a couple missiles\nI hit your bitch up that Friday and I told her to choose\nShe told me, \"Yeah, we on for the nightcap\"\nI know your nigga won't like that\nGet his cap killed and his life jacked\n'Cause I don't take a day off\nHustle like every day is the Playoffs\nDamn right, we fuckin' winnin'\nDon't like me, fuck your feelings (Feelings)\nMoney up to the ceilin' (Ceilin')\nSmoke weed, I'm up there with it (There with it)\nLike murder, make a killin'\nSee murder for no limit\nWhite people in my business\nBlack women give me kisses\nWith all these snitches, it ain't safe no more (More)\nNiggas sayin' names and they showin' up to court (Court)\nI'ma take a shot, have one Newport\nBefore I light this bitch up and shoot it off the backboard\nYou got me fucked up\n[Chorus: Chris Brown]\nDon't play me to the left, no\n'Fore I pull up with that thing all on me\nI'm shootin', aimin' for the net, oh\nAnd ain't nobody finna bang on me (No)\nI got your bitch, she comin' over (Woo!)\nShe gon' bring her friend too (Woo!)\nThey gon' pop and bend it over (Woo!)\nLike that pussy brand new\nGet her an Uber when it's over\nFuck that, just hop up in the coupe\nWhat you gon' do?\n'Cause you can't really put the blame on me (No)\n[Verse 3: Rich The Kid]\n(Ooh, huh, huh, huh)\nI might slide in it (Slide in it)\nI like bad bitches (Bad)\nBentley 350's (Skrrt)\nI got three with me (Ooh)\nIt's a blame game (Blame game)\nLet my chains swang (Swang)\nI don't know her name (What?)\nAll these hoes the same (Yeah)\nShe want Chanel on her (Chanel)\nBirkin bags, she was rockin' Saint Laurent (Woah)\nI got the nail on her\nFuck her friend and she think I'ma tell her (Huh)\nIn my coupe, I got two\nNiggas mad I got the juice (Juice)\nI'ma smash on your boo (Smash)\nI got cash on me too\nShe won't play me to the left\nI'm a rich nigga to death (Death)\n'Cause she gon' pull up with the neck\nBoss up for a check (Check)\nKnow he want her\nShe got red bottoms on her (On her)\nIf I fuck her two times, she a goner (Huh)\n[Chorus: Chris Brown]\nDon't play me to the left, no\n'Fore I pull up with that thing all on me\nI'm shootin', aimin' for the net, oh\nAnd ain't nobody finna bang on me (No)\nI got your bitch, she comin' over\nShe gon' bring her friend too\nThey gon' pop and bend it over\nLike that pussy brand new\nGet her an Uber when it's over\nFuck that, just hop up in the coupe\nWhat you gon' do?\n'Cause you can't really put the blame on me (No)" } ]

[ { "from": "human", "value": "Write me a song called Tic Tac Toe with the following description: Another “lyrical mainstream joint” from Logic, “Tic Tac Toe” is about his recent success and dedication to music. This is one of the few songs that can be used in the Logic-Drake comparisons.\nHe samples The Weeknd’s masterful remix of “Dirty Diana” and speaks on his fangirls. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nI’m 'bout to get it right now\nAll these muhfuckers wonder how\nAll the pretty girls love the style\nAnd they wonder if he well endowed\nOn stage tryna feel my dick from the crowd\nI’m 'bout to get it right now\nAll these muhfuckers wonder how\nAll the pretty girls love the style\nAnd they wonder if he well endowed\nOn stage tryna feel my dick from the crowd\n[Verse 1]\nCome on, baby girl, tell me what you want, I got what you need\nSaid she independent, so don’t get offended if she leave\nI said I won’t get offended, \nI’ll just get some Fendi\nAnd repress my emotions in material shit that can be a distraction\nPussy and money, sometimes I feel the satisfaction\nTill I spend that bread and bust that nut and now I’m back, son\nAfter the damage is done\nRearrange the game and let 'em know your name\n[Chorus]\nRight now\nAll these muhfuckers wonder how\nAll the pretty girls love the style\nAnd they wonder if he well endowed\nOn stage tryna feel my dick from the crowd\nI’m 'bout to get it right now\nAll these muhfuckers wonder how\nAll the pretty girls love the style\nAnd they wonder if he well endowed\nOn stage tryna feel my dick from the crowd\n\"Sinatra\" [Verse 2]\nYou know the drill, come on, you know the deal\nIf my shorty acting up, I wife swap like Uncle Phil\nMoving at the speed of sound, let’s slow it down and keep it trill\nYeah, we keep it real, kill 'em with kindness and not the steel\nYeah, we livin' it up, you know that this is my everything, I’m never givin' it up\nAll the time, all the—all the time (yeah, we do)\nAnd now I feel like I wanna keep going, my cards never showing, don’t know what’s in-hand\nI love my fans, but this here girl want me, tell me I’m the man, I know I am\nBut never acknowledge it\nTouring the country, I'm loving these colleges\nTouching more pussy than a gynecologist\nStudy her body like I’m a biologist, with no apology\nBaby girl, follow me\nShe got low, blow my kiss of criminology\nAnd she be loving the way I be flowing\nAnd I know the infatuation is growing\nIf you catchin' feelings you better be slowin' it down\n(\"Slowin' it dow—\") slow it down, down\n'Cause we both know what happens when that love come around\nYou feelin' me, I’m feelin' you, I want you to be mine\nMaybe one day it will be, but I don’t have the time\n[Chorus]\nRight now\nAll these motherfuckers wonder how\nAll the pretty girls love the style\nAnd they wonder if he well endowed\nOn stage tryna feel my dick from the crowd\nI’m 'bout to get it right now\nAll these muhfuckers wonder how\nAll the pretty girls love the style\nAnd they wonder if he well endowed\nOn stage tryna feel my dick from the crowd [Verse 3]\nShorty say she love me and she know every word\nTo every song on every mixtape\n\"When your album droppin'? Tell me which date\nEverything you say to me, I can relate\nThe fact that we met right here, right now on this night, it must be fate\"\nNow I’ll be damned, time moves so fast\nCouple months back, I had a meeting with my last\nReminiscing 'bout love, discussing matters of the past\nLooking in them eyes, but I’m thinking 'bout that ass\nI took her for coffee, she took me for granted\nNow I show no emotion and my shorty can't stand it\nAnd now you know (And now you know)\nI’m on my grind, I keep my exes in line like tic-tac-toe\nAnd I finally got 'em all up out my vision\nHowever, I’m all they see when they turn on the television\n[Chorus]\nRight now\nAll these muhfuckers wonder how\nAll the pretty girls love the style\nAnd they wonder if he well endowed\nOn stage tryna feel my dick from the crowd\nRight now\nAll these muhfuckers wonder how\nAll the pretty girls love the style\nAnd they wonder if he well endowed\nOn stage tryna feel my dick from the crowd (\"\nSinatra\n\")" } ]

[ { "from": "human", "value": "Write me a song called Sangria Wine with the following description: “Sangria Wine” is a Latin-influenced track by singers Pharrell Williams and Camila Cabello, released on May 18, 2018. The pair have previously worked together on Camila’s hit single “Havana.”\nWe did one song called “Havana.” We also did another song called “Sangria Wine.” He’s so talented in every way and he inspires me so much as an artist, but also, he’s just a beautiful person. – Camila Cabello, on working with Pharrell Williams\nAfter the studio release, the track was first performed at the Billboard Music Awards 2018,, combined with hit “Havana,” which won Camila the Billboard Chart Achievement Award. Apple Music predicted that Sangria Wine is going to be the song of this summer.\nThe song was first performed live on April 9, 2018, the first stop of Camila’s Never Be the Same Tour alongside leaked, unreleased song “Scar Tissue”.\nCamila and Pharrell have been sitting on this track for a long period of time, with Camila explaining why in an interview:\nWe also did another song that I think is going to come out (in summer of 2018). ‘Cause it’s like a summer song. Yeah, it’s a summer vibe. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Pharrell Williams]\nHoney said she want somebody break her off proper \n(mhm)\nMan, she so relentless so nothing can stop her \n(woo)\nNever left the city \n(come on, man)\n but she swear she's a yardie\n \n(hey girl)\nBecause it's so awesome how she move her body \n(ow)\nShe do the sangria wine \n(woo),\n sangria wine (uh-huh)\nMoving side to side \n(woo),\n front and behind (uh-huh)\nSangria wine \n(woo),\n sangria wine (uh-huh)\nSangria wine \n(woo)\n, do the sangria wine (uh-huh)\n[Verse 1: Camila Cabello]\nMove it, I move it\nMove my body like it is a pipe\nTutti Frutti, is all that I got\nCounter-clockwise, I'm mixin' it up (mixin' it up)\nSip it, sip it, I'll bet that you blush\n[Pre-Chorus: Camila Cabello]\nYo sé, yo sé, yo sé, yo sé que tú quieres mi cuerpo, eh\nY quieres controlar mi mente, eh\nY todo el mundo quiere ser dueño de ella\nPero nadie puede, ¡ay!\n[Chorus: Pharrell Williams \nwith Camila Cabello\n]\nHoney said she want somebody break her off proper\nMan, she so relentless so nothing can stop her (woo)\nNever left the city (come on, man) but she swear she's a yardie (yeah!)\nBecause it's so awesome how she move her body\nShe do the sangria wine \n(woo)\n, sangria wine \n(uh-huh)\nMoving side to side \n(woo)\n, front and behind \n(uh-huh)\nSangria wine \n(woo)\n, sangria wine \n(uh-huh)\nSangria wine \n(woo)\n, do the sangria wine, yeah \n(uh-huh) [Bridge: Camila Cabello]\n(Uno)\n Wait a minute\n(Dos)\n Wait a second\n(Tres)\n ¿Qué, qué?\nTurbo sauce (woo!)\n[Verse 2: Camila Cabello]\nLet's float around like the fruit at the top (huh)\nIn Miami, where winters are hot\n[Pre-Chorus: Camila Cabello]\nYo sé, yo sé, yo sé, yo sé que tú quieres mi cuerpo, eh\nY quieres controlar mi mente, eh\nY todo el mundo quiere ser dueño de ella\nPero nadie puede, ¡ay! (noo)\n[Chorus: Camila Cabello,\n Pharrell Williams\n & \nBoth\n]\nHoney said she want somebody break her off proper\nMan, she so relentless so nothing can stop her\nNever left the city \n(come on, man)\n but she swear she's a yardie \n(hey darling)\n'Cause it's so awesome how I move my body\nShe do the sangria wine \n(woo)\n, sangria wine \n(uh-huh)\nMoving side to side \n(woo)\n, front and behind \n(uh-huh)\nSangria wine \n(woo)\n, sangria wine \n(uh-huh)\nSangria wine \n(woo)\n, do the sangria wine, yeah \n(uh-huh) [Outro]\n¿Qué, qué?" } ]

[ { "from": "human", "value": "Write me a song called We Don’t with the following description: This track is number 7 off of Lil Wayne’s fourth solo album Tha Carter. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Birdman]\nAy shawty, you know what I'm sayin'\nSome niggas palms be sweatin'\nSome niggas palms be itchy\nIt don't matter, a nigga just gotta get it\nYou know what I'm sayin', nigga\nWe built this shit from the ground up\nNigga, The Carter, nigga\nYou what I'm sayin'\nWe been around the world gettin' money nigga\nWe been to every ghetto, every neighborhood\nEvery project, nigga\nWe worldwide hustlas, nigga (Belie' that bitch)\nYou what I'm sayin'\nLets get them niggas, lets ride shawty\n[Verse 1: Birdman]\nIndictments, got us conspiracy for murder\nFive young niggas uptown servants\nWord, they bird curvin' for servin'\nLook, the worstest of the worst is shootin' out like they George Gervin\nBitch, and \nwe was raised in these war times\nJail also made men in these hard times\nAnd don't cry I'ma get mines so pray for me\nI'm on the block on the grind, mama pray for me\nSo nigga respect my G, respect my grind\nNigga respect how I eat, \nrespect my mind\nNigga respect this heat\nWhen these niggas out of line, nigga we dress up and creep\nWhoa, shawty I'mma blow they whole block\nFuckin' with a soldier, mastermind his own plot\nThird ward survivor, uptown madness\nKillin' is a hobby, jackin' is a habbit, bitch [Chorus: Lil Wayne]\nWe don't give a fizzuck my nigga we young and bizzuck\nWe'll fuck a nigga's shit up if nigga is fuckin' with us\nAnd then pump 'em make 'em lift up, hit 'em up and be out\nAnd we out for cash motherfuckin' money baby\nC'mon, we don't give a fizzuck my nigga we young and bizzuck\nWe'll fuck a nigga's shit up if nigga is fuckin' with us\nAnd then pump 'em make 'em lift up, hit 'em up and be out\nAnd we out for cash motherfuckin' money baby, c'mon\n[Verse 2: Lil Wayne]\nThe murder man, picture me lurkin'\nRight up behind ya curtains nine's squirtin'\nAnd you could hear it when it's hurtin'\nBut if I hear him hurtin' I'll walk over and merk him for certain\nI took over the circus\nCause I'mma act a clown if you put your feet down on my surface\nI walk around, fo' pound and surface\nTo spin ya ass around in circles, you urkel\nBlood run up out ya earth now you purple\nYour homeboy get it first, but you worst so\nNow you headed to the skies above\nAnd I'm go and get high with ya bitch in the club\nYeah, life's a bitch and death's her husband\nAnd you gonna have to meet him if you keep on fuckin' her\nAnd you gonna have to meet us if you keep on fuckin' up\nBut you don't want see them CMB blood knuckle up [Chorus: Lil Wayne]\nWe don't give a fizzuck my nigga we young and bizzuck\nWe'll fuck a nigga's shit up if nigga is fuckin' with us\nAnd then pump 'em make 'em lift up, hit 'em up and be out\nAnd we out for cash motherfuckin' money baby\nC'mon, we don't give a fizzuck my nigga we young and bizzuck\nWe'll fuck a nigga's shit up if nigga is fuckin' with us\nAnd then pump 'em make 'em lift up, hit 'em up and be out\nAnd we out for cash motherfuckin' money baby, c'mon\n[Verse 3: Lil Wayne]\nShoot him in his head so he remember\nBecause of that mama I'll be gone 'till November\nI be back next winter in a hummer on spinners\nThem niggas on the block say them boys gon' get 'em\nBut them niggas on the block don't know the toys come with him\nTell ya boy come and get me if I go he goin' with me\nI'm hoping y'all feel me, I told y'all what the dealy\nYa open up ya face I'mma open up the semi\nI open up ya kidneys now ya floatin' up the Missi-\nSsippi, river nigga play with deep water now ya swimmin'\nSilly, you play with me, Carter, now ya missin'\nReally, I shoot ya in ya head and make you feel it\nAnd even though I be the man with the millis\nWhen the shit go down I be the man with the millis\nBeef cranberry on the ceilin'\nThis is the Carter, bitch welcome to my buildin' c'mon [Chorus: Lil Wayne]\nWe don't give a fizzuck my nigga we young and bizzuck\nWe'll fuck a nigga's shit up if nigga is fuckin' with us\nAnd then pump 'em make 'em lift up, hit 'em up and be out\nAnd we out for cash motherfuckin' money baby\nC'mon, we don't give a fizzuck my nigga we young and bizzuck\nWe'll fuck a nigga's shit up if nigga is fuckin' with us\nAnd then pump 'em make 'em lift up, hit 'em up and be out\nAnd we out for cash motherfuckin' money baby, c'mon\n[Outro: Lil Wayne]\nWish a nigga would say something, [?]\nStandin' right here, guns out boy\nWeezy F, Birdman\nHolla back" } ]

[ { "from": "human", "value": "Write me a song called Maybach with the following description: “Maybach” centers around the Mercedes Maybach, owned by him or his friend, Drake.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI ain't about to play with these niggas feel me?\nI'm 'bout to get these bags ya dig?\nFuture, hold up, wassup\nGood drink, good drink\nWe ain't playing with these\nFreebandz, Freebandz\nI just be, I just be getting it\nI just be getting it\nI just be getting it\nYou know what I'm saying?\nShowing improvement\nGetting fetti ya dig?\n808 Mafia\n[Chorus]\nRiding low in a Maybach\nSpraying at you like an Arab\nStreets having you going crazy\nI got my young niggas going crazy\nMasked up nigga everyday\nGot the sharp stick with me everyday\nHalf a pound in the ash tray\nBurn it down nigga, why wait?\nBurn it down on good drink\nOn good drink, on good drink\nMoney long get your money long\nGet these yellow diamonds like a honeycomb\nRiding low like an esé\nGetting doped up that's everyday\nHermès on me every day\nKeep some Cartier on me every day [Verse 1]\nFuck a bitch in a big way\nAnd I hit her right on the staircase\nHit that mouth I go bareface\nWhen I'm in that mouth I go bareface\nPain pills took a double dose\nGotta bank roll with some iron on me\nThey told you I was real, real nigga\nThey wasn't lying on me\nI get better and better with time don't I?\nDrinking codeine like wine don't I?\nStep on the scene, got dimes on me\nIt's a dirty game, niggas dying in it\nThe black Range got her riding it\nHit her throat then dive in it\nFlip her over, switch sides in it\nNiggas switching sides, they some pie niggas\nThank God they ain't my niggas\nStacked tall I can hide in it\nSteal a car, used to ride in it\nHad to hotbox, had to ride in it\nForeign coupes now I ride in it\nJimmy Choo I just vibe in 'em\nI don't dab in 'em I just vibe in 'em\nBoss nigga win a fight with her [Refrain]\nI ain't never tryna be a side nigga\nNever tryna be a crab nigga\nTake a champagne bath nigga\nTake a real champagne bath nigga\nYou can hit him with that yopper now\nI'mma gon' head and pay the tab nigga\nYou the one talking down\nWhen a nigga turn around, tryna stab niggas\n[Chorus]\nRiding low in a Maybach\nSpraying at you like an Arab\nStreets having you going crazy\nI got my young niggas going crazy\nMasked up nigga everyday\nGot the sharp stick with me everyday\nHalf a pound in the ash tray\nBurn it down nigga, why wait?\nBurn it down on good drink\nOn good drink, on good drink\nMoney long get your money long\nGet these yellow diamonds like a honeycomb\nRiding low like an esé\nGetting doped up that's everyday\nHermès on me every day\nKeep some Cartier on me every day [Verse 2]\nStyrofoams and a Fanta on me\nFew racks with a hammer on me\nGotta move around cause them cameras on me\nGotta keep it cool when them cameras on me\nLive and learn and I'm still going\nMoney burn and I'm still going\nCount it up and I'm still going\nI just count it up and I'm still going\nHigh-Tech and I'm still pouring\nGot High-Tech and I'm still pouring\nDesigner-signer man it's all on me\nI got flawless diamonds and they all on me\nReal cash nigga ball with it\nGotta bend over in the stall wit it\nI'mma rich nigga so I fall in it\nReally it ain't none of y'all business\nThick shit, stand tall in it\nFlip her on her stomach then crawl in it\nVicodins have a ball with 'em\nPercocets have a ball with 'em\nPouring up, act a dog with it\nTaliban game AK\n, \nbig rings like MJ\nAudemar with a big face\n[Chorus]\nRiding low in a Maybach\nSpraying at you like an Arab\nStreets having you going crazy\nI got my young niggas going crazy\nMasked up nigga everyday\nGot the sharp stick with me everyday\nHalf a pound in the ash tray\nBurn it down nigga, why wait?\nBurn it down on good drink\nOn good drink, on good drink\nMoney long get your money long\nGet these yellow diamonds like a honeycomb\nRiding low like an esé\nGetting doped up that's everyday\nHermès on me every day\nKeep some Cartier on me every day\n[Outro]\nNever tryna be a side nigga\nNever tryna be a crap nigga\nTake a champagne bath nigga\nTake a real champagne bath nigga\nYou can hit him with that yopper now\nI'mma go ahead and pay the tab nigga\nYou the one talking down with 'em\nWhen a nigga turn around, tryna stab niggas" } ]

[ { "from": "human", "value": "Write me a song called Hostage with the following description: One of the earlier songs Sia composed for this album. She performed it as early as 2011 on tour following the release of We Are Born. http://www.youtube.com/watch?v=e_gX2bfjBhc\nThe song is co-written by Nick Valensi, guitarist for The Strokes, who played guitar on We Are Born. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYou bring me to life, then you shut me out\nYou keep me silent, when I should shout out\nYou make me cry and you make me \ncome\nYou are the cop and I'm on the run\n[Chorus]\nIt all begins with just one kiss\nI'm held hostage by your love\nPut me in cuffs, lock me up\nI'm held hostage by your touch\nThis prison is rough, but I can't get enough\nThe secret life of us keeps me in handcuffs\nDon't lock me up, don't you wanna free us?\nI'm held hostage by your love\n[Verse 2]\nThen you let me out, and I catch the sun\nYou give me a taste of you and no one\nBut you always leave, and again I’m alone\nThis secret burns, but I'm imprisoned\n[Chorus]\nIt all begins with just one kiss\nI'm held hostage by your love\nPut me in cuffs, lock me up\nI'm held hostage by your touch\nThis prison is rough, but I can't get enough\nThe secret life of us keeps me in handcuffs\nDon't lock me up, don't you wanna free us?\nI'm held hostage by your touch [Bridge]\nSecret life of lovers who have others under the covers\nAnd while you break my heart\nI'm a criminal in these parts\n[Chorus]\nIt all begins with just one kiss\nI'm held hostage by your love\nPut me in cuffs, lock me up\nI'm held hostage by your touch\nThis prison is rough, but I can't get enough\nThe secret life of us keeps me in handcuffs\nDon't lock me up, don't you wanna free us?\nI'm held hostage by your love\n[Chorus]\nIt all begins with just one kiss\nI'm held hostage by your love\nPut me in cuffs, lock me up\nI'm held hostage by your touch\nThis prison is rough, but I can't get enough\nThe secret life of us keeps me in handcuffs\nDon't lock me up, don't you wanna free us?\nI'm held hostage by your love" } ]

[ { "from": "human", "value": "Write me a song called NILE with the following description: “NILE” serves as the tenth track on Beyoncé’s specially curated The Lion King soundtrack. The project dropped on July 19, 2019, along with the film’s worldwide theatrical release.\nThis is the second collaboration between Beyoncé and Kendrick Lamar. The two previously worked on April 2016’s “FREEDOM,” from Beyoncé’s award-winning album Lemonade. They also performed the song at the 2016 BET Awards. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Kendrick Lamar & Beyoncé, \nKendrick Lamar\n]\nOne time, I took a swim in the Nile\nI swam the whole way, I didn't turn around\nMan, I swear\nIt made me relax when I came down\nI felt liberated like free birds, I'm stimulated now\nPlunging away 'less my body's on top\nAll of these currents might cost me my life right now\nWhen danger finds me, it follows with tides\nMany miles ahead of me, still I'm in stride\nShe said\n[Verse 1: Beyoncé]\nHey little buddy, where you goin'?\nI'm not sure, but I know I'm still in motion\nThis ain't regular, I seen regular\nThese streams may take me out to the ocean\n[Verse 2: Kendrick Lamar]\nTold myself if I dive in it without precaution of a lifejacket\nThen I'll dive in it 'til I am exhausted and I'm type lacking\nWaistline on four deep, senses on four deep\nFeel like there's four me\n[Chorus: Kendrick Lamar & Beyoncé, \nKendrick Lamar\n & \nBeyoncé\n]\nOne time, I took a swim in the Nile (\nOne time, I took in a swim in the Nile; one time\n)\nI swam the whole way, I didn't turn around\nMan, I swear (\nI swear, I swear\n)\nIt made me relax when I came down (\nWhen I came down\n)\nI felt liberated like free birds, I'm stimulated now (\nStimulated\n)\nPlunging away 'less my body's on top\n (\nStimulated, stimulated now\n; \nOn top\n)\nAll of these currents might cost me my life\n right now (\nRight now, right now\n)\nWhere danger finds me, it follows with tides\n (\nFollows with tides\n; \nstimulated right now\n)\nMany miles ahead of me\n, still I'm in stride\nThat's some good [Verse 3: Beyoncé]\nGot the Nile runnin' through my body\nLook at my natural, I'm so exotic\nDarker the berry, sweeter the fruit\nDeeper the wounded, deeper the roots\nNubian doused in brown, I'm lounging in it\nFountain of Youth, I said I'm drowning in it\n[Outro: Kendrick Lamar & Beyoncé, \nKendrick Lamar\n]\nI'm in the Nile, deep in denial\nI'm in the Nile, deep in denial\nThat's some good" } ]

[ { "from": "human", "value": "Write me a song called Otis (Freestyle) with the following description: Justin Bieber drops a rap on Power 106 FM over the Otis instrumental, except without the alias “Shawty Mane” (which I’m glad he got rid of…)\nIt’s rumored that Ludacris has been doing some of Bieber’s rhyme writing, though he denies it Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Justin Bieber]\nJustin Bieber\nDamn, damn, JB, where the hell you been?\nYeah, I got a new necklace, diamonds\nTwo big-face Rollies, no, I ain't lyin'\nMaking momma so proud that she cryin'\nYeah, you say I'm crazy? Guess that makes two\nBut I never knew that dreams really came true\nStarted playing drums when I was only 2\nNow we kick it in Japan: kung-fu\nSo I'm heading for the gold, I'm sweating\nI swear Otis Redding will be oh-so ready\nI already got ahead-y of the game, I'm with Kenny\nAnd we steady getting many, I mean money\nRiding in an all-black Benz with the all-black rims\nAnd we looking at some 10s through our all-black lenses\n(Wait...I'm not done)\n[Verse 2]\nI thanked Jesus at the awards, I'm never going to hell\nCall me Zack Morris, I'm saving you by the bell\nMy girl says I'm perfect, she just loves an imperfect person perfectly\nPersonally, I think she is perfectly perfect\nI get it done abundantly, she wants to get up under me\nI swear I got a hun' of these 'cause baby, I'm a money tree\nSo be my little honey, be my little-bitty bunny\nI got honeys all up on me, baby, I just get it done-y\nPossibly, you're probably thinking this type of swag is impossible\nAnd logically will probably, but you just take me lyrically\nTry to feel me spiritually, get out your mind literally\nThere's a bigger me inside this little me\nScreaming out I should make history\nI am like a mystery, hated by jealousy cause they envy me\nRun up on my enemies, see if they remember me\nSoon as they remember me, I wipe away their memory\nCan't you see the private jets flying over you?\nI ain't even notice, but my focus on my photos\nMight be bogus, no, they shouldn't be a photoshoot\nIt's funny how you wanna take my picture and\n \nit's like your first time\nPlaying with camera claiming that \"It's not mine\"\nJust calm down, you don't gotta hurry\nDon't be nervous, you don't gotta worry\nAnd my fans are like my glasses, yeah, without them, I'd be blurry" } ]

[ { "from": "human", "value": "Write me a song called You Rock My World with the following description: “You Rock My World” is the lead single from Jackson’s final studio album released in his lifetime,\nInvincible.\nProduced by Rodney Jerkins and Michael Jackson, this song has a laid-back style, reflecting how Jackson was getting older and starting to settle down (he was 42 at the time of recording).\nThe music video is in the style of a short movie, much like that of “Thriller” or “Black or White”, clocking in at over 13 minutes. It has a star-studded cast including Marlon Brando and Chris Tucker.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Chris Tucker & \nMichael Jackson\n]\nOh man! Look at that girl right there!\nGoodness gracious! Uh! That girl's fine, man!\nLook at it, she just too fine! She know she fine, too!\nShe is banging!\nShe's off the hook!\nShe looks good, you're right\nAhh-uh-uh-uh-uh, I bet you, can't nobody get that girl\nChris, I can get her\nYou can't get that girl, Mike\nI guarantee you can't get that girl!\nWatch me get that girl\nI bet you never-Neverland, you can't\nI can get her\nAll right! Shamone, then, shamone!\nWatch\nI don't think they're ready for this one\nDarkchild, I like that\n[Verse 1]\nMy life will never be the same\n'Cause girl, you came and changed\nThe way I walk, the way I talk\nAnd I cannot explain\nThe things I feel for you\nBut girl, you know it's true\nSo stay with me, fulfill my dreams\nI'll be all you'll need [Pre-Chorus]\nOh-oh-oh-oh-ooh, it feels so right (Girl)\nI've searched for the perfect love all my life (All my life)\nOh-oh-oh-oh-ooh, it feels like I (Like I)\nHave finally found a perfect love this time (See)\nAnd I finally found, come on, girl\n[Chorus]\nYou rocked my world, you know you did\nAnd everything I own, I give (You rocked my world)\nThe rarest love, who'd think I'd find\nSomeone like you to call mine (You rocked my world)\nYou rocked my world, you know you did (Girl)\nAnd everything I own, I give (Come on, girl)\nThe rarest love, who'd think I'd find\nSomeone like you to call mine\n[Verse 2]\nIn time, I knew that love would bring\nSuch happiness to me\nI tried to keep my sanity\nI've waited patiently\nAnd girl, you know it seems\nMy life is so complete\nA love that's true because of you\nKeep doing what you do [Pre-Chorus]\nOh, ooh, who'd think that I (Oh)\nHave finally found the perfect love I searched for all my life (Searched for all my life)\nOh-oh-oh, who'd think I'd find\n(Whoa-oh-oh)\nSuch a perfect love that's awesomely so right (Whoa, girl)\n[Chorus]\nYou rocked my world, you know you did (Come on, come on, come on, come on)\nAnd everything I own, I give\nThe rarest love, who'd think I'd find (Girl)\nSomeone like you to call mine (You rocked my world)\nYou rocked my world (You rocked my world), you know you did\nAnd everything I own, I give (Girl, girl, girl)\nThe rarest love, who'd think I'd find\nSomeone like you to call mine (Girl)\nYou rocked my world, you know you did (Oh)\nAnd everything I own, I give (You rocked my world)\nThe rarest love, who'd think I'd find\nSomeone like you to call mine\nYou rocked my world (Oh), you know you did\nAnd everything I own, I give (To rock my world)\nThe rarest love, who'd think I'd find\nSomeone like you to call mine\n[Bridge]\nAnd girl, I know that this is love\nI feel the magic all in the air\nAnd girl, I'll never get enough\nThat's why I always have to have you here, hoo [Chorus]\nYou rocked my world (You rocked my world), you know you did\nAnd everything I own, I give (Look what you did to me, baby, yeah)\nThe rarest love, who'd think I'd find\nSomeone like you to call mine (You rocked my world)\nYou rocked my world, you know you did (Know you did baby)\nAnd everything I own, I give ('Cause you rocked my world)\nThe rarest love, who'd think I'd find (Hoo, hoo)\nSomeone like you to call mine\nYou rocked my world\n(You rocked my world, you know you did)\nAnd everything I own, I give\nThe rarest love, who'd think I'd find (Hoo, hoo)\nSomeone like you to call mine\nYou rocked my world, you know you did\nAnd everything I own, I give\nThe rarest love, who'd think I'd find\nSomeone like you to call mine\nYou rock my world (You rock my world, you know you did)\nThe way you talk to me\nThe way you lovin' me\nThe way you, you give it to me\nYou rocked my world, you know you did\n(Give it to me)\n(Yeah, yeah, yeah, yeah, ooh)\nYou rocked my world (You rocked my world)\nYou know you did\n(You rocked my world, you rocked my world)\n(Come on, girl) You rocked my world (Come on, girl)\nYou know you did\n(Baby, baby, baby)\nAnd everything I own, I give\nThe rarest love, who'd think I'd find\nSomeone like you to call mine\nYou rocked my world, you know you did\nAnd everything I own, I give\nThe rarest love, who'd think I'd find\nSomeone like you to call mine" } ]

[ { "from": "human", "value": "Write me a song called Popular with the following description: The 8th track off Lil Wayne’s 2010 album I Am Not A Human Being.\nIt’s about how Wayne treats his girl(s), the main theme being how sleeping with him can make you popular…charming I know\nI think this song has a pretty good feel about it overall, though compared to Wayne’s previous work it’s quite mainstream Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Wayne]\nYeah!\nShe got that good good\nShe Michael Jackson bad\nI'm attracted to her wit her attractive ass\nShe got that good good\nShe Michael Jackson bad\nI'm-I'm attracted to her\n[Verse 1: Lil Wayne]\nUh!\nShe a monster, I’m her sponsor\nShe run through my head, Chris Johnson\nI’ma tackle her, get in back of her\nBust that open suck that pussy like the Dracula\nWhat your man doing? Tell him fall back\nThrow that pussy at me, baseball bat\nI kiss her where she point\nI make her lose her voice\nI see her when I want, call that viewers choice\nNumber one lover, she want none other\nDon't need another one when we got one another\nI take her out and then I take her down\nI beat it up twelve rounds\n[Bridge: Lil Wayne]\nShe-she got that good good\nShe got that got that good\nShe got, she got that got that\nShe got that good good\nShe Michael Jackson bad\nI'm attracted to her wit her attractive ass [Chorus: Lil Twist]\nOkay, I’m watching you baby\nAnd thinking about all of the things that I can do baby\nOn top of the world when I'm on top of you baby\nSpend the night with me and get popular baby, po-popular baby Okay, I’m watching you baby\nAnd thinking about all of the things that I can do baby\nOn top of the world when I'm on top of you baby\nSpend the night with me and get popular baby, po-popular baby\n[Verse 2: Lil Wayne]\nUh!\nShe a monster, but im a beast though\nTake her clothes off, with my teeth though\nI beat slow or I can hit it fast\nI do it how she ask, and I cum last\nI bust her ass, we tear it down\nThen I gotta split like James Brown\nIts all love, I come back around\nAnd if she back it up, then-then I back it down\nTell me something is you ready for me baby\nTake this beast up out my pants and let you pet it for me baby\nMy dick on professor Klump jump on this Eddie for me baby\nAnd when you fuck with me they give you credit for it baby yeah\n[Bridge: Lil Wayne]\nShe-she got that good good\nShe got that got that good\nShe got, she got that got that\nShe got that good good\nShe Michael Jackson bad\nI'm attracted to her wit her attractive ass [Chorus: Lil Twist]\nOkay, I’m watching you baby\nAnd thinking about all of the things that I can do baby\nOn top of the world when I'm on top of you baby\nSpend the night with me and get popular baby, po-popular baby Okay, I’m watching you baby\nAnd thinking about all of the things that I can do baby\nOn top of the world when I'm on top of you baby\nSpend the night with me and get popular baby, po-popular baby\n[Verse 3: Lil Wayne]\nUh!\nShe got that good good she Michael Jackson bad\nI’m attracted to her for her atractive ass\nSo pack your bags, I fly you in\nSoon as she land, we get it in\nShe love to put her legs around my neck\nI promise if I fuck her harder she gon' choke me to death ha\nAnd its always wet, don't know if she the best I ever had\nBut she's the best I had yet\n[Chorus: Lil Twist]\nOkay, I’m watching you baby (uh)\nAnd thinking about all of the things that I can do baby\nOn top of the world when I'm on top of you baby\nSpend the night with me and get popular baby, po-popular baby (yeah) [Outro: Lil Twist & Lil Wayne]\nHey and you get popular baby (Lil Twist)\nAnd like a cradle I'll be rockin' you baby (yeah)\nI feel good when I'm on top of you baby\nSo I'mma stay on top of you baby, hey\nYou`ll be popular baby\nI'll be rockin you baby\nI'm on top of you baby\nAnd I'mma stay on top of you baby hahaha\nYoung Mula baby" } ]

[ { "from": "human", "value": "Write me a song called ELEMENT. with the following description: On “ELEMENT.,” Kendrick asserts himself as the most dominant rapper in the game, taking his contemporaries to task and daring them to call him out on wax.\nKendrick delves into his personal journey of self-sacrifice and family tribulations that has so far accumulated in his life; how the struggles his family and himself have endured have influenced & carried him to where he stands today: at the top of the game.\nPrior to the album release, LeBron James jammed out to this song on his Instagram story. LeBron is a huge Kendrick fan, and was instrumental in the release of his last project, untitled unmastered.\nA music video, directed by Jonas Lindstroem, was released on June 27, 2017. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: \nKid Capri\n & Kendrick Lamar]\nNew Kung Fu Kenny\nAin't nobody prayin' for me\nY'all know, what happens on Earth stays on Earth\nHere we go!\nI don't give a fuck, I don't give a fuck\nI don't give a, I don't give a, I don't give a fuck\n[Verse 1]\nI'm willin' to die for this shit\nI done cried for this shit, might take a life for this shit\nPut the Bible down and go eye for an eye for this shit\nD-O-T my enemy, won't catch a vibe for this shit, ayy\nI been stomped out in front of my mama\nMy daddy commissary made it to commas\nBitch, all my grandmas dead\nSo ain't nobody prayin' for me, I'm on your head, ayy\nThirty millions later, know the feds watchin'\nAuntie on my Telegram like, \"Be cautious!\"\nI be hangin' out at Tam's, I be on Stockton\nI don't do it for the 'Gram, I do it for Compton\nI'm willin' to die for this shit, nigga\nI'll take your fuckin' life for this shit, nigga\nWe ain't goin' back to broke, family sellin' dope\nThat's why you maney-ass rap niggas better know [Chorus]\nIf I gotta slap a pussy-ass nigga, I'ma make it look sexy\nIf I gotta go hard on a bitch, I'ma make it look sexy\nI pull up, hop out, air out, made it look sexy\nThey won't take me out my element\nNah, take me out my element\n[Verse 2]\nI'm allergic to a bitch nigga, ayy\nAn imaginary rich nigga, ayy\nSeven figures ho, that's slimmer than my bitch figure, ayy\nGoin' digital and physical on all y'all, ayy\nBunch of criminals and money in my phone calls, ayy\nWe okay, we let the A1 fly\nRelocate, jump on the same G5\nCheckin' for me heavy 'cause I go, yeah, I go, yeah\nThey never been ready, yeah, I know, yeah, know, yeah\n100K spread across the floor, 'cross the floor, yeah\nNone of y'all fuckin' with the flow, yeah, the flow, yeah\nYears in the makin', and don't y'all mistake it\nI got 'em by a landslide, we talkin' about races\nYou know this'll never be a tie, just look at they laces\nYou know careers take off, just gotta be patient\nMr. One through Five, that's the only logic\nFake my death, go to Cuba, that's the only option [Chorus]\nIf I gotta slap a pussy-ass nigga, I'ma make it look sexy\nIf I gotta go hard on a bitch, I'ma make it look sexy\nI pull up, hop out, air out, made it look sexy\nThey won't take me out my element\nNah, take me out my element\n[Bridge]\nDamned if I do, if I don't (Yuh)\nGoddamn us all if you won't (Yuh)\nDamn, damn, damn, it's a goddamn shame\nYou ain't front in line, get out the goddamn way\n[Verse 3]\nNiggas thought they wasn't gonna see me, huh?\nNiggas thought that K-Dot real life\nWas the same life they see on TV, huh?\nNiggas wanna flex on me and be in L.A. for free, huh?\nNext time they hit the 10 freeway, we need a receipt, huh?\n'Cause most of y'all ain't real, most of y'all gon' squeal\nMost of y'all just envy, but jealousy get you killed\nMost of y'all throw rocks and try to hide your hand\nJust say his name and I promise that you'll see Candyman\nBecause it's all in your eyes, most of y'all tell lies\nMost of y'all don't fade, most of y'all been advised\nLast LP I tried to lift the black artists\nBut it's a difference 'tween black artists and wack artists [Chorus: Kendrick Lamar & \nKid Capri\n]\nIf I gotta slap a pussy-ass nigga, I'ma make it look sexy\nIt's the one and only, the world's greatest, the Kid Capri\nIf I gotta go hard on a bitch, I'ma make it look sexy\nI pull up, hop out, air out, made it look sexy\nThey won't take me out my element\nNah, take me out my element" } ]

[ { "from": "human", "value": "Write me a song called We’ll Be Fine with the following description: Track 8 off of Zay Davey’s Last Year In This EP is a statement of the current situation. Zay and his homies aren’t worried about anything and they know they’ll be fine.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Zay Davey]\nSee it used to be a struggle\nSince we made it safe from our seats will unbuckle\nIn our heads we would worry about trouble\nLike how would me make it chest deep beneath the rubble\nAnd now we look down on it like hubble\nAll the haters start to mumble because we scored they fumbled\nAnd now we just sit and chill\nAs we count the countless bills and we realize this is real\nWe're at the top to this game you jack and jilled\nNever pay for shit again always have free refills\nNever plain on breaking so there is no plan for rebuild\nWish i could keep this feeling forever that's how we feel\nSo if you're wondering if we'll be fine its yes\nAnd if my crew is down you ain't even gotta guess\nYou know i love my lifestyle so you think im blessed\nBeing at the top is perfect because there's no more stress\n[Hook: Drake]\nI'm trying to let go of the past\nShould we make this one a double you ain't even gotta ask\nBecause it's hard to say no\nYea it's hard to say no\nAre you down are you down\nYea you're all the way down every time\nAm i down am i down\nYea I'm all the way down we'll be fine [Verse 2: Lazy Shirts]\nI'm fine we're fine but yes of course we murder time\nThis beat's a corpse in the back of the room that's mine\nMess with you because you're dumb and we're just having fun\nDreams of making millions that's paper to the cieling\nAnd i ain't saying we the shit but if you gotta\nThen let them know to hit the road we taking over shows\nAnd like a penalty i got red flags\nIn the sky in disguise my boys ride\nI would look outside if you feel somebody's watching\nTick tock im knocking clocks in man screw a clock in\nThis the team and you could say we do it often\nZay Drizzy and Jerz we get it poppin\n[Verse 3: Zay Davey]\nYou can call me superman with an S upon my chest\nNever give rappers chances because I'm always at my best\nI keep the comp worried like game set and match\nAnd they wonder how they get out like where's the escape hatch\nDrake already said that we'll be fine\nNo more take out for us we wine and dine\nNever dull moments when living express line\nNow watch us do our thing no need for stars aligned\n[Hook: Drake]\nI'm trying to let go of the past\nShould we make this one a double you ain't even gotta ask\nBecause it's hard to say no\nYea it's hard to say no\nAre you down are you down\nYea you're all the way down every time\nAm i down am i down\nYea I'm all the way down we'll be fine [Verse 3: Jerzey]\nWe'll be fine got my fam and my homies\nWhat's the time gotta make sure my girl ain't lonely\nOh but i gotta remind dont forget that we the only\nGreatest ones in this last year in this cuz\nWe be getting rich can't even make a wish\nMan i swear it's like we run these kids we be throwing back our lids\nWhat we say is what we do even if it is\nSomething that's too cold for you because we dont care if you freeze in this\n[Hook: Drake]\nI'm trying to let go of the past\nShould we make this one a double you ain't even gotta ask\nBecause it's hard to say no\nYea it's hard to say no\nAre you down are you down\nYea you're all the way down every time\nAm i down am i down\nYea I'm all the way down we'll be fine" } ]

[ { "from": "human", "value": "Write me a song called I Love It with the following description: Drinking From The Sun’s lead single was their highest charting and selling track to date (this has since been topped by “Cosby Sweater”, the third single on Walking Under Stars).\nFor this track, the Hoods commissioned three unique music videos. During an AU Interview with Sosefina Fuamoli, DJ Debris stated:\nOne was directed by Nash Edgerton of Blue Tongue Films, who is Joel Edgerton’s brother; the other was filmed by an animation company called Animal Logic, and another one directed by an independent film-maker called Carl Allison in Melbourne. So three very different clips for the one song, which is different for us.\nThe three versions:\n\nBlue Tongue Version\nAnimal Logic Version\nCarl Allison & Nick Kozakis Version\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Suffa]\nI'm wonderin' where the day went (Day went)\nThe clouds have me shrouded in grey but\nI'm still out poundin' the pavement (Word)\nDrownin' the hurt by poundin' rounds in brown paper\nFounded a label, now I'm drownin' in paperwork\nBut now the crew I'm down with found an escape from work\nAnd I love it, 'cause that's what your hard work gets you\nMy heart bursts through my chest, I'm rescued\nSo forget what the rest do\nI'm blessed to do it with two of who are the best to do it\nDo I love it?\n[Verse 2: Pressure, \nSia\n]\nLook at our goals\nIf we never stood in the cold, we wouldn't evolve\nUsed to put my crooked foot in what I couldn't resolve\nBut took control now, hard work is good for the soul\nAnd I love it, growin' through life and stress\nKnowin' the fight is just half of self-imposin' our righteousness\nContract owners and licenses\nShowbiz in lights, we just searchin' for that moment of pricelessness (\nB-b-b-b-b-b-b-b-\n)\n[Chorus 1: Sia]\nB-Boys, I met you at the bus stop\nWe had nothin' but the tuck shop\nWe had school ties, the sky and the hilltops\nNow we're all grown up and it's still about hip-hop\nI love it, I love it [Verse 3: Suffa]\nFive days deep in the booth\nAnd spent Friday leapin' through loops\nThen spent the weekend sideways, seekin' the truth\nAnd I won't lie, they keep me on my toes these days\nBut I won't lie; hey, I beat 'em with the flow for days\n, 'cause\nI love it, a pen and pad's like a red\nRag to a bull, \nI see red like Leningrad\n (Come on)\nRaisin' a crowd from a vacant lot’s like, like how?\nRaisin' a brow on the face of God, right? Right now\n[Verse 4: Pressure, \nSia\n]\nAnd I love it, a life with no regret\nNo success without a price that owes a debt\nI roll the dice and despite the road ahead\nHope that in a crisis, I might just know the ledge\nBut I love it, like takeaway beer\nAnd a sunset to lay away our day-to-day fears\nSee, haters underrate us but this status takes years\nAnd it ain't where we at; it's how we made our way here (\nB-b-b-b-b-b-b-b-\n)\n[Chorus 1: Sia]\nB-Boys, I met you at the bus stop\nWe had nothin' but the tuck shop\nWe had school ties, the sky and the hilltops\nNow we're all grown up and it's still about hip-hop\nI love it, I love it [Verse 5: Suffa, \nPressure\n]\nAnd we can be in a\nHotel, worst part of town and\nSupport act, we ain't half as loud, but\nTwice as nice, you can ask the crowd, then\nWe passin' out in a departure lounge and\nI love it; I hug the road\nLike an old friend, like the world won't revolve\nUnless we're rollin' on it, it holds them on it (Uh, uh, uh, uh)\nIt's soul melodic and, oh, they want it, \ncome on\n (What? What? What?)\n[Verse 6: Pressure, \nPressure and Suffa\n]\nI love it\n, \nbeen chasin' the dream\nEvery day a new place, new faces and scene\nLivin' out a suitcase\n, few breaks in between\nThere's been very few days I'd lose faith in my team\nGot love far from home, through the winter and summer, no matter\nHow hard the road or the distance I cover\nEven bitter when I'm missin' my significant other\nI wouldn't trade it for the world, given another, 'cause I love it\n[Break: DJ Debris, \nSia\n]\nB-Boys…\n \n\"As f—\nA-As for me, see I just do how I love to do\"\n\"Lovin' it, yo, yo, I'm lovin' it\"\n\"I just do how I love to do\"\n (\nB-b-b-b-b-b-b-b-\n) [Chorus 2: Sia, \nPressure\n]\nB-Boys, I met you at the bus stop\nI love it, I love it\nWe had nothin' but the tuck shop\nI love it, I love it\nWe had school ties, the sky and the hilltops\nI love it, I love it\nNow we're all grown up and it's still about hip-hop\nI love it, I love it\n (\nCome on\n)\n[Outro: Pressure & \nSia\n (Suffa)]\nAdelaide (I love it), London (I love it)\nI love it, I love it\nMelbourne (I—I—I—), Sydney (I love it)\nT Dot (I love it), New York (I love it)\nZurich\n (Uh, cheah)\nI love it, I love it\n (I love it)" } ]

[ { "from": "human", "value": "Write me a song called Exit Row with the following description: For Wiz, girls are like movies that he got suckered into going to see but thinks he might not like (so he sits by the exit in case he gets bored and needs to go smoke a blunt!)Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Now I don’t mean to be rude\nBut every since I ran into you\nI’ve been thinking about things I wanna do\nI told you I’ve got a room, well\nYou said you tryna come through\nAnd if your girl trippin’ then bring her too!\nCause I, I ain't gon’ wait all night long\nAin’t gon’ wait all night long\nAin’t gon’ wait all night long\nCause I, I ain't gon’ wait all night long\nAin’t gon’ wait all night long\nAin’t gon’ wait all night long\nOne for the money, two for the show\nThree rooms, four chicks who brought pounds to smoke\nFive times in your city, now your town should know\nSix bottles waiting, Seven time\nAnd you know me, I’m VIP smoking tropical\nLove the way my diamond shining like Mop and Glo\nTake off, take off\nShe ready for take off\nThe more you wear to the club the more you gotta take off\nAnd I live fast like the brakes off\nBigger cake in my bank bitch, bake-off\nYour pockets on E, weight loss\nMy goons on top of the beef, steak sauce\nAnd when I’m in the club I blind them hoes like Ray Charles\nUsed to be your old lady but you got laid off Take off, take off\nShe ready for take off\nThe more you wear to the club the more you gotta take off\nNow I don’t mean to be rude\nBut every since I ran into you\nI’ve been thinking about things I wanna do\nI told you I’ve got a room, well\nYou said you tryna come through\nAnd if your girl trippin’ then bring her too\nCause I, I ain't gon’ wait all night long\nAin’t gon’ wait all night long\nAin’t gon’ wait all night long\nCause I, I ain't gon’ wait all night long\nAin’t gon’ wait all night long\nAin’t gon’ wait all night long" } ]

[ { "from": "human", "value": "Write me a song called White Iverson with the following description: Virtually unknown before this track, Post Malone took the Internet by storm with “White Iverson,” a song filled with basketball metaphors.\nIn an interview with XXL, Malone said the track’s success was unexpected:\nWhen I wrote it, I didn’t know that people [were] gonna fuck with it as much as I did. I didn’t plan on releasing it any time soon either, but it leaked somewhere and we just said ‘fuck it’ and recorded it.\nAllen Iverson was heralded as one of the greatest players of his time. In his prime, he was considered one of the best players in the NBA, as reflected by his winning of the Most Valuable Player award in 2001.\nPost explained his stage name at the Breakfast Club: Post is his real last name, and he made up the Malone part for practically no reason. However, Post has also said he got the idea for his stage name by entering his real name, Austin Post, into a rap name generator.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nDouble OT\nI'm a new three\n[Chorus]\nSaucin', saucin', I'm saucin' on you\nI'm swaggin', I'm swaggin', I'm swaggin', oh-ooh (Swaggin')\nI'm ballin', I'm ballin', Iverson on you (Swish, ooh, ayy)\nWatch out, watch out, watch out, yeah\nThat's my shot, that's my shot, that's my shot, yeah\nSpendin', I'm spendin' all my fuckin' pay\n[Verse 1]\nI got me some braids and I got me some hoes\nStarted rockin' the sleeve, I can't ball with no Joes\nYou know how I do it, Concords on my toes\n(This shit is hard) Oh\nI ain't rich yet, but you know I ain't broke, ah\nSo if I see it, I like it, buy that from the store, ah (Store, ah)\nI'm with some white girls and they love them the coca (Coca)\nLike they OT\nDouble OT like I'm KD,\n \nsmokin' OG (Smokin' OG)\nAnd you know me, in my 2-3s and my gold teeth (And my gold teeth)\nBitch, I'm smiling, bet you see me from the nosebleeds (Nosebleeds)\nI'm the new three and I change out to my new 3s (To my new 3s) [Pre-Chorus]\nWhite Iverson\nWhen I started ballin', I was young\nYou gon' think about me when I'm gone\nI need that money like the ring I never won, I won\n[Chorus]\nSaucin', saucin', I'm saucin' on you\nI'm swaggin', I'm swaggin', I'm swaggin', oh-ooh\nI'm ballin', I'm ballin', Iverson on you\nWatch out, watch out, watch out, yeah\nThat's my shot, that's my shot, that's my shot, yeah\nSpendin', I'm spendin' all my fuckin' pay\n[Verse 2]\nOoh, Stoney\nCigarettes and a headband\nCommas, commas in my head, man\nSlumped over like a dead man\nRed and black, 'bout my bread, man\nI'm the answer, never question\nLace up, learn a lesson\nBitch, I'm saucin' (Wow), I do this often, don't do no talkin' (No)\nMy options right when I walk in, jump all them Jordans (Ooh)\nI'm ballin', money jumpin'\nLike I'm Davis from New Orleans\nOr bitch, I'm Harden, I don't miss nothin'\nFuck practice, this shit just happens, know y'all can't stand it (Ayy)\nI have it, I never pass it, I work my magic\nHigh average, ball on these bastards, it makes me happy\nIt's tragic, I make it happen, and all y'all Shaqtin' [Pre-Chorus]\nWhite Iverson\nWhen I started ballin', I was young\nYou gon' think about me when I'm gone\nI need that money like the ring I never won, I won\n[Chorus]\nSaucin', saucin', I'm saucin' on you\nI'm swaggin', I'm swaggin', I'm swaggin', oh-ooh\nI'm ballin', I'm ballin', Iverson on you\nWatch out, watch out, watch out, yeah\nThat's my shot, that's my shot, that's my shot, yeah\nSpendin', I'm spendin' all my fuckin' pay\n[Outro]\nOoh-ooh\nOoh-ooh\nOoh-ooh\nOoh-ooh" } ]

[ { "from": "human", "value": "Write me a song called Devil’s Night Intro with the following description: Slim Shady gets unleashed for this introductory track. This solo effort sees him spitting as only he can, a two-minute barrage containing many celebrity namedropping, threatening devilish acts and touching on controversial topics once again.\nPrior to this mixtape’s release, D12 confirmed Eminem would feature on it. However, Em was noticeably absent from the project upon its release. D12 claimed Eminem “tried as much as he could, but he couldn’t make it in time to the release of the tape.”\nFans were reasonably disappointed so hours after the original release of the project, a reloaded version named The Devil’s Night Mixtape: Reloaded was published with a new track as the intro, containing solely Eminem rapping a capella for two minutes-circa.\nhttps://twitter.com/Eminem/status/660474702415052804 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse: Eminem]\nYou know it's devil's night\nThe way that I smash the face of a punk in\nMask of Jason is a fashion statement since\n \nDrunken\nMaster tapes been a basket case\nAnd if that's the case, then I'm dunkin'\nFascination with masturbation and humpin'\nLacerations and masking tape\nAnd I'm bumpin' some Masta Ace\nRoll up posin' as pastor Mase at a luncheon\nSee Andrea Yates, grab her face, then I'm punchin'\nCrack her fuckin' skull with an antique vase, kill her husband\nTo the back of the station wagon\nShe's dragged and placed in the trunk and\nNow I'm wanted for kidnappin', rape, and abduction\nSpread her legs like Land O'Lakes that I'm cuttin'\n'Til every fuckin' limb's either amputated or punctured\nDecapitated Christina Applegate and I rap like I'm agitated\nNo chill, but I'm half sedated\nA functioning addict — wait, I'm in London?\nBrains underwear? A pantywaist, classic case of disfunction\nAggravated assault, it was rap related, you activated a gunman\nThis game's over-saturated with junk and\nYou punks couldn't get a hit from a database with a thumbprint\nRazors and matches, path is laid for destruction\nPut Jason Mraz's face in his ass\nThen I'm snatchin' Anne Hathaway\nShe scratchin' like Jam Master Jay on the one's and\nTwo's,\n \nI slash away, then I'm dumpin'\nHer ass in a Lake Placid for alligators\nAfter I use the fuckin' tire thumper to bash her brains in for nothin'\nThe murder weapons, I stash 'em away on Runyon\nMan, the kind of balls that it has to take and the gumption\nLack of class displayed, but such a vast array in abundance\nOf sad disgraceful and bad distasteful redundance\nAnd, bitch, I'm hung like candy canes if you're wonderin'\nBalls come at you like batting cages\nI'm raw like Big Daddy Kane is, I'm comin'\nLike I'm ejaculatin' and nuttin'\nCome catch the clap like you're patty-cakin', lil' dumplin'\nOr brace yourself like a cast and be the last to make an assumption\nI'm back like I'm in the bathroom takin' a dump and\nIt's back in the day or somethin'\nI'll shit on you, Devil's Night — how's that for a introduction?" } ]

[ { "from": "human", "value": "Write me a song called Born to Make You Happy (Radio Edit) with the following description: “Born to Make You Happy” is a song recorded by American singer Britney Spears for her debut studio album, …Baby One More Time. A radio edit for the song was released, which is shorter in length (3:35) than the album version (4:03), and also completely removes the outro which would originally be found on the album version. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOh, my love\nOh, yeah, yeah\nOh, yeah\n[Verse 1]\nI'm sitting here alone up in my room\nI'm thinking 'bout the times that we've been through, oh, my love\nI'm looking at a picture in my hand\nTrying my best to understand\nI really wanna know what we did wrong\nWith a love that felt so strong\n[Pre-Chorus]\nIf only you were here tonight\nI know that we could make it right\n[Chorus]\nI don't know how to live without your love\nI was born to make you happy\n'Cause you're the only within my heart\nI was born to make you happy\nAlways and forever, you and me\nThat's the way our life should be\nI don't know how to live without your love\nI was born to make you happy [Verse 2]\nI know I've been a fool since you've been gone\nI'd better give it up and carry on, oh, my love\n'Cause living in a dream of you and me\nIs not the way my life should be\nI don't wanna cry a tear for you\nSo forgive me if I do (Ooh)\n[Pre-Chorus]\nIf only you were here tonight\nI know that we could make it right\n[Chorus]\nI don't know how to live without your love\nI was born to make you happy\n'Cause you're the only one within my heart\nI was born to make you happy\nAlways and forever, you and me\nThat's the way our life should be\nI don't know how to live without your love\nI was born to make you happy\n[Bridge]\n(Oh yeah)\nI'd do anything\nI'd give you my world\nI'd wait forever to be your girl (Just call out my name)\nJust call out my name (And I will be there) and I will be there (Ooh)\nJust to show you how much I care (Alright, ooh)\nI was born to make you happy, yeah (Ooh, ooh yeah) [Chorus]\nI don't know how to live without your love\nI was born to make you happy\n'Cause you're the only one within my heart\nI was born to make you happy\nAlways and forever, you and me\nThat's the way our life should be\nI don't know how to live without your love\nI was born to make you happy" } ]

[ { "from": "human", "value": "Write me a song called Please Say The Baby with the following description: Track 24 from The Dedication.\nlyrics transcribed by EvoLovE from LilWayneHQ\nhttp://www.lilwaynehq.com/forums/members/evolove-61431.html Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Lil Wayne]\nWeezy f baby\nBaby please say the baby\nI shouldn’t have to say that shit again\nAnd you should never make me\nIm a pimp, I even got a little swagger in my limp\nSee I was built for this shit\nAnd now im riding around the city with a pretty young hottie\nAnd size of the whip look like a human being body\nIm a trip, ive been repping hollygrove ask skip\nI ain't gotta front bout shit – on a nigga\nPiss a gallon on a bitch\nIm a handsome young guy with that all mac dick\nNow can we split ?\nGo to the tele not the crib, I ain't him\nSo hoe find another nigga\nYou won't find another nigga like this nigga lil weezy\nIf your friend tell you you right I bet I get her real easy\nLike bitch, you know who im is\nNow what it is\nMac maine holla at em\n[Chorus: Mack Maine]\nRatatat tat tat tat on you dog hoes\nRatatat tat tat tat on you dog hoes\nRatatat tat tat tee on you dog hoes\nRatatat tat tat tee on you dog hoes [2x] Take a seat while I spit it to the freaks\nNo time for lame shit\nRappers talking the same shit\nIm just saying though\nTrying to stack a lot of chips\nWhenever the hate come I pack mo clips\nIt ain't nothing for me to mac a chick\nBut I ain't like that homie you can keep that trick\nSee im money over bitches for real\nYall trickin and lickin\nIm big pimpin like nigga for real\nGive a fuck Ima say what I feel\nAnytime anywhere\nHave fame before I got my deal\nStill riding through the hood\nSmoke blunts with my niggas and bitches\nThat be up to no good\nChi town what up your boy ain't left\nAin't shit changed stay dougie to death\nPlus that cranberry range so sick\nYou ain't holla it then don’t holla now\nSuck my dick\n[Chorus: Mack Maine]\nRatatat tat tat tat on you dog hoes\nRatatat tat tat tat on you dog hoes\nRatatat tat tat tee on you dog hoes\nRatatat tat tat tee on you dog hoes [2x] Im beefing with a chick\nMy ex old lady\nAlways tryna fight a nigga when she see me in the club\nStarting to get sick of it, thinking bout calling the polices\nOn this crazy make em put her in them cuffs\nWhy? Cause ive had enough of that broad\nShe won't learn her lesson until she end up in the cop car\nYeah but I don’t want to take it that far\nBut I know she sue me if she end up with a cracked jaw\nMaine said her that will back her up\nMy mom said point her out she will smack her up\nTruth be told I guess im with her\nTalking all this shit I will probably end up right back with her\n[Chorus: Mack Maine]\nRatatat tat tat tat on you dog hoes\nRatatat tat tat tat on you dog hoes\nRatatat tat tat tee on you dog hoes\nRatatat tat tat tee on you dog hoes [2x]\n[Lil Wayne]\nChea rest in peace yella boy man\nYou don’t know nothing bout that\nThat’s that new Orleans shit\nMan so if you don’t understand this\nYou don’t feel this shit go to the next song man\nFuck you!\nRest in peace yella boy rest in peace soulja slim\nBut this my yella boy right now man\nHey I used to rap rap rap rap shit everyday\nAnother name of my rap is 3rd ward court day\nHolla back" } ]

[ { "from": "human", "value": "Write me a song called Confess with the following description: “Confess” is about Logic admitting to his actions that he is not fond of. Even though he doesn’t like the fact he made these mistakes, he isn’t gonna let them bring him down.\nThis doesn’t only apply to himself but also every person who has been in a similar situation like this. Logic wants everyone to focus on the positives in their lives more than the negatives.\nLogic initially teased this song on January 1, 2016 via Snapchat:\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI want what I want how I want when I want it\nI’ma keep it a hunnid, I’m blunted\nI don’t give a damn, I don’t give a fuck about another man\nFuck a brother man\nI’ma make it, make it rain like the weather man\nOld girl shoulda, shoulda got a better man\nAss fat, lookin' good in my letterman\nIn the hood I’m a better man\nWish a mothafucka would, would\nWhole life I been up to no good\nChange it all if I could\nRearrange my heart, the beat good but I can’t\nI’m a sinner, not a saint\nLayers to my life, no I can’t\nCover it up with paint\nKeep on livin', livin'\nLivin' on money and women\nAs soon as I’m in 'em, I’m out\nNow the truth never come out my mouth\nSpeak life when I come in her mouth, like\n[Refrain]\nI’m a dirty mothafucka, a waste of life, a waste of skin\nWanna repent, don’t know where to begin\nNext of kin don’t give a damn 'bout me\nI know God don’t give a damn 'bout me\nPeople try but don’t know 'bout me\nBut the Devil said that he want my soul\nBut the Devil said that he want my soul\nGive it to me right now\nGive it to me right now\nGive it to me right now\nGive it to me right now [Chorus]\nSomebody save me\nI need you to save me\nTo wash away my sins on high\n[Verse 2]\nI’d rather be a different man in another world\nThan work for the man in my universe\nWonder what it feel like to take flight\nMomma told me everything gon' be alright\nI mean my life can’t be off right\nBut come to think about it\nEverybody runnin' the world seem to be all white\nCan you mothafuckas see alright?\nI mean, I need it, I want it, I gotta have it\nEvery day tragic\nIf you’re from where I’m from, everyday ain’t magic\nOn this I know\nI been telling everybody I’ma give it a go, I know\nI been there before, feel it in my soul, oh I know!\nLove it or hate it, I made it\nI did it, I lived it\nWhile the whole world lookin' at the boy like whoa!\nBaptized in a ocean of Hennessey\nReally wonder what the remedy\nTell me, how the world gon' remember me?\nGot me feelin like the enemy\nLike I ain’t got no energy\nI been lookin' for an entity\nFeelin' like I need to chill, like I need a new amenity\nFuck all that [Refrain]\nI’m a dirty mothafucka, a waste of life\nA waste of skin\nWanna repent, don’t know where to begin\nNext of kin don’t give a damn 'bout me\nI know God don’t give a damn 'bout me\nPeople try but don’t know 'bout me\nBut the Devil said that he want my soul\nBut the Devil said that he want my soul\nGive it to me right now\nGive it to me right now\nGive it to me right now\nGive it to me right now\n[Chorus]\nSomebody save me\nI need you to save me\nTo wash away my sins on high\n[Bridge]\nI know my life was lived the wrong way\nI know I did you wrong in my own way\nBut it was the flashing lights that mesmerized\nThat hypnotized the only\nPart of me you loved\nPart of me that had the strength to rise above\nPart of me you know\nPart of me you love more than to let it go [Outro: Killer Mike]\nDear God, I just wanna know why\nWhy do you put us here?\nWhy do you put us below?\nWhy do you put us subservient?\nWhy do you put us below these evil motherfuckers?\nAnd then we crawl and we scratch our way out\nWe betray each other\nWe lie, we take from one another\nAnd we told you gon' forgive us at the end\nBut the state don't forgive us\nI'm locked up and half my friends\nAnd then when I get out, or I make it out\nI'm expected to somehow give back\nTo people who never wanted to see me escape\nI'm startin' to hate the man in the mirror\nAnd it's gettin' clearer\nThat society was designed to keep me on the bottom\nSo, if you real, if you're out there for real\nPlease explain to me why\nWhy do we suffer? Why do we die?\nAnd why do the people\nWho go against everything you ever said always get ahead?\nI've done so much wrong, I don't know if I can ever be right\nBut tonight, I am in this church\nAsking you to show yourself, to reveal yourself to me\nBecause I'm tired and I don't know what else to do\nSo black I'm blue, so brown I'm down\nI done been everywhere but up, and when I finally get up\nI am ravaged with guilt and pain and shame\nAnd all I wanna do is believe in you\nThe darker you are, the closer you are to dirt\nAnd they make sure it hurts\nAnd I am tired of hurtin', man\nI'm tired of bein' looked at, second guessed, doubted, feared\nSo if you out there, do something about this\n'Cause I can't take it no more\nHelp me" } ]

[ { "from": "human", "value": "Write me a song called Cant Help Falling In Love with the following description: On December 22nd 2017, Billie Eilish performed a brief ukulele cover of Elvis Presley’s “Can’t Help Falling In Love” via Jack Francis’s Instagram live. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Wise men say only fools rush in\nBut I can't help falling in love with you\nShall I stay?\nWould it be a sin\nIf I can’t help falling in love with you?\n-(Oh, here's when it gets hard)\nLike a- wait\nLike a river flows\nLike a river flows\n-(I'm just gonna not play it)\nSurely to the sea\nMy darling so it goes\nSome things are meant to be\nTake my hand, take my whole life too\nFor I can’t help falling in love with you" } ]

[ { "from": "human", "value": "Write me a song called BREAK MY SOUL (ACAPELLA VERSION) with the following description: Released alongside an instrumental version of the original single on July 21, 2022, an acapella version of “BREAK MY SOUL” was released. The acapella version only includes Beyoncé’s vocals, excluding Big Freedia’s. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nLa-la-la-la, la-la-la-la, la-la-la-la\nLa-la-la-la, la-la-la-la, la-la-la-la, la-la-la-la, la\n[Chorus]\nYou won't break my soul\nYou won't break my soul\nYou won't break my soul\nYou won't break my soul\nI'm tellin' everybody\nEverybody\nEverybody\nEverybody\n[Verse 1]\nNow, I just fell in love\nAnd I just quit my job\nI'm gonna find new drive\nDamn, they work me so damn hard\nWork by nine\nThen off past five\nAnd they work my nerves\nThat's why I cannot sleep at night\n[Pre-Chorus]\nI'm lookin' for motivation\nI'm lookin' for a new foundation, yeah\nAnd I'm on that new vibration\nI'm buildin' my own foundation, yeah\nHold up, oh, baby, baby [Chorus]\nYou won't break my soul (Na, na)\nYou won't break my soul (No-no, na, na)\nYou won't break my soul (No-no, na, na)\nYou won't break my soul (Na, na)\nI'm tellin' everybody (Na, na)\nEverybody\nEverybody\nEverybody\n[Verse 2]\nI'ma let down my hair 'cause I lost my mind\nBey is back and I'm sleepin' real good at night\nThe queens in the front and the doms in the back\nAin't takin' no flicks but the whole clique snapped\nThere's a whole lot of people in the house\nTryin' to smoke with the yak in your mouth\n(Good at night) And we back outside\nYou said you outside, but you ain't that outside\nWorldwide hoodie with the mask outside\nIn case you forgot how we act outside\n[Pre-Chorus]\nGot motivation (Motivation)\nI done found me a new foundation, yeah (New foundation)\nI'm takin' my new salvation (Oh, yeah, yeah, yeah, new salvation)\nAnd I'ma build my own foundation, yeah (Oh, yeah, yeah, yeah, oh, yeah, yeah, yeah)\nOh, baby, baby [Chorus]\nYou won't break my soul (You won't)\nYou won't break my soul (Break my soul)\nYou won't break my soul (You won't)\nYou won't break my soul (Break my soul)\nAnd I'm tellin' everybody (Everybody)\nEverybody (Everybody)\nEverybody (Everybody)\nEverybody, yeah\n[Verse 3]\nIf you don't seek it, you won't see it\nThat, we all know (Can't break my soul)\nIf you don't think it, you won't be it\nThat love ain't yours (Can't break my soul)\nTryin' to fake it, never makes it\nThat, we all know (Can't break my soul)\nYou can have the stress and not take less\nI'll justify love\nWe go round in circles, round in circles\nSearchin' for love (Round in circles)\nWe go up and down (Round in circles), lost and found\nSearchin' for love (Yeah)\nLooking for something that lives inside me\nLooking for something that lives inside me [Chorus]\nYou won't break my soul\nYou won't break my soul\nYou won't break my soul\nYou won't break my soul\nI'm tellin' everybody\nTellin' everybody\nEverybody\nEverybody\nYou won't break my soul\nYou won't break my soul, no, no\nYou won't break my soul\nYou won't break my soul\nAnd I'm tellin' everybody (Got motivation)\nEverybody (I done found me a new foundation, yeah)\nEverybody\nEverybody\n[Bridge]\nI'm takin' my new salvation (Yeah, yeah)\nAnd I'ma build my own foundation, yeah (Yeah, yeah)\nGot motivation (Got motivation)\nI done found me a new foundation, yeah (I done found me a new foundation, yeah)\nI'm takin' my new salvation (I'm takin' my new salvation)\nAnd I'ma build my own foundation, yeah (And I'ma build my own foundation, yeah)" } ]

[ { "from": "human", "value": "Write me a song called Just a Man with the following description: “Just A Man” describes Logic’s deep feelings, concerns, aspirations, past, and fact that he is just like you and me. He flows over a melodious beat sampling Frank Sinatra’s 1960’s song “My Kind Of Town.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYeah, this is my vision\nWritten without second thought or revision\nThe type of shit that affect you like an oncoming collision\nThat just make you freeze, drop to your knees and beg 'em\nPlease Lord, forgive me for gripping a semi now\nWhen searching for God all I ever do is stare up\nWhile Satan sending me women\nWearing nothing but they hair up\nGot the condom on the dresser, I can't wait to undress her\nWould you think lesser of me if I did it?\nCause I get lonely, I'm human, and boy it's been a minute\nFresh out the states, surrounded by women that wanna hit it\nBut should I take the pussy just cause I could get it?\nOr do I want something that's more committed?\nGod damn, it's hard to admit it\nAs you focus on the little things, the bigger ones will get you\nSo I minimize the negatives to see the bigger picture\nI get richer while you fuckers hate\nSo keep it up and watch a young brother elevate\nI'm black and white but racism I still cannot evade\nI never understood the concept, even to this day\nYou know we're all the same in the eyes of a blade\nBecause when men shed blood it's still the same shade\n[Hook]\nThat's why I'm just a man homie\nFlesh and blood, I'm just a man\nBut I don't think they understand homie\nI ain't perfect, I'm just a man\nYeah, y'all think I'm more than just a man [Verse 2]\nI contemplate on the daily if I'll survive and strive\nTo be the greatest lyricist dead or alive, I gotta prevail\nThat's my word like excel\nWent from a small town in West Deer Park to XXL\nNow we shopping at Louis V, back in the day it was Ross\nThey calling me the savior, hope they don't give me the cross\nNow that's the realest shit you ever heard\nNever in the streets but I was closer than the curb\nDo you feel me?—Whole world wanna kill me\nSigned a deal but I'm still me—in five years will I still be?\nEver since I was a youngin this is all I've ever wanted\nAlways kept it real while they perpetrated and fronted\nI was in the studio while they was gettin' blunted\nAlways have my doubts but deep down I knew I'd run it\nSportin' Armani like menage a trois that's double breasted\nA lot of time I've invested and never once have I rested\nFeeling nervous like when you getting tested\nThe game is over saturated, completely infested\nThe greatest story ever told, realest song ever written\nTo hell with a Plan B, motherfucker I ain't kiddin\nI''m just trying to get this money, I'm just trying to get paid\nThat's the type of mentality put careers in the grave\nFuck how much you made\nWhat's it worth if your memory fade?\nNow I ain't perfect, on occasion I'm strayed\nIt's been forever since I prayed and I guess today is the day\nSo I step in the booth and treat that shit like a confessional\nThinking back as I reminisce\nWondering; does God even exist?\nA man of faith but mentally I feel at risk\nWhat you want from me, where am I supposed to go?\nSeems like you never talk, tell me how I'm supposed to know?\nI'm just a man, I ain't perfect—is this life even worth it?\nIt's time to dig up the past so fuck it let's unearth it\nLike my childhood, living free like a child should\nRemember the time I opened the bedroom door crack?\nAnd saw my daddy smoking more crack?\nNo food in my house, we just couldn't afford that\nMomma drinking, sleeping until five\nBut she always seemed to get up whenever men arrived\nFeeling alone at like eleven\nSegregated from the other kids like it was 1957\nI've loved, I've hated, I've cried, I've died inside\nI've resurrected but don't neglect that I've modified\nI'm stronger, faster, better than ever before\nAnd everything I've been through can honestly assure\nI'm no less, no more [Hook]\nThat's why I'm just a man homie\nFlesh and blood, I'm just a man\nBut I don't think they understand homie\nI ain't perfect, I'm just a man\nY'all think I'm more than just a man" } ]

[ { "from": "human", "value": "Write me a song called Beat Goes On with the following description: Pharrell produced a first version of this song for her album “Hard Candy” but the song leaked long before the album release. He recycled the original beat, gave it to Busta Rhymes (“G-Stro” on Fast & Furious OST) and produced a new version while Kanye West added a verse on it. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Pharrell Williams]\nOh, mm\nWhat? Mhm\nLet's dance, again\n[Verse 1: Madonna]\nDon't sit there like some silly girl\nIf you wait too long, it'll be too late\nI'm not tellin' you something new\nThere ain't no time to lose (No time to lose)\nIt's time for you to celebrate\n[Refrain: Pharrell Williams & \nMadonna\n]\nSo get down (\nGet up\n), beep beep\nGotta get up outta your seat (\nLittle girl\n)\nGet down (\nIt's time\n), beep beep\nGotta get up outta your seat (\nYour world\n)\nGet down (\nYour life\n), beep beep\nGotta get up outta your seat (\nYour choice\n)\nGet down (\nIt's time\n), beep beep\nGotta get up outta your seat (\nLive it up\n)\n[Chorus: Madonna & Pharrell Williams]\nOn and on, on the beat goes\nOn and on, on the beat goes\nOn and on, on the beat goes\nOn and on, on the beat goes\nOn and on, on the beat goes\nOn and on, on the beat goes\nOn and on, on the beat goes\nOn and on, on the beat goes [Verse 2: Madonna]\nYou don't have the luxury of time\nYou have got to say what's on your mind\nYour head lost in the stars\nYou'll never go far (No time to lose)\nIt's time for you to read the signs\n[Refrain: Pharrell Williams, \nMadonna\n]\nSo get down (\nHere comes\n), beep beep\nGotta get up outta your seat (\nMy hand\n)\nGet down (\nTake it\n), beep beep\nGotta get up outta your seat (\nYou can\n)\nGet down (\nThe time\n), beep beep\nGotta get up outta your seat (\nIs now\n)\nGet down (\nI'll show\n), beep beep\nGotta get up outta your seat (\nYou how\n)\n[Chorus: Madonna & Pharrell Williams]\nOn and on, on the beat goes\nOn and on, on the beat goes\nOn and on, on the beat goes\nOn and on, on the beat goes\nOn and on, on the beat goes\nOn and on, on the beat goes\nOn and on, on the beat goes\nOn and on, on the beat goes [Post-Chorus: Madonna, \nPharrell Williams\n]\nSay what you like (\nSay what you like\n)\nDo what you feel (\nDo what you feel\n)\nYou know exactly who you are (\nYou know exactly who you are\n)\nThe time is right now, you got to decide (\nWoo\n)\nStand in the back or be the star (\nDon't sit in the back\n)\n[Refrain: Madonna, \nPharrell Williams\n]\nGet down (\nHere comes\n), beep beep\nGotta get up outta your seat (\nMy hand\n)\nGet down (\nTake it\n), beep beep\nGotta get up outta your seat (\nYou can\n)\nGet down (\nThe time\n), beep beep\nGotta get up outta your seat (\nIs now\n)\nGet down (\nI'll show\n), beep beep\nGotta get up outta your seat (\nYou how\n), on and on (On and on)\n[Bridge: Madonna, \nPharrell Williams\n, \nKanye West\n]\nI can't keep waiting for you (\nFor you\n)\nAnticipating that you've\nNo time to lose (\nFor you\n)\nI can't keep waiting for you (\nUh\n)\n[Verse 3: Kanye West, \nMadonna\n]\nHere's a impromptu, I want you\nNow I'm gon' to tell you what I want to (Uh-huh) do to you\nYour girlfriend, she wants to, beautiful\nJust flew in from Paris, voulez-vous?\nIn a city that don't snooze (\nI can't keep waiting for you\n)\nSchmooze amongst the who's whos\nAnd I use my celeb to get this one home\nWhy everything that feel good gotta be so wrong?\nGive me room now (\nHey\n)\nI'm like a vampire under full moon now (\nHey\n)\nAnd I don't know about you now (\nHey\n)\nBut I think I wanna try somethin' new now, see what it do now\nAnd when you sat down (\nHey\n), uh\n'Cause you was losing your breath now (\nHey\n), uh\n'Cause you be doing it to death now (\nHey\n)\nShe be doin' E to F now, what's left now?\nMr. West now (\nHey\n)\nCan you get any more fresh now? (\nHey\n)\nI think I just did, just now (\nHey\n)\nTalkin' my shit, that's how (\nHey\n)\nI'm a professional, I admit that (\nHey\n)\n\"Flashing Lights\", yo, I lived that\n (\nHey\n)\nFame is a drug, wanna hit that? (\nHey\n)\n'Cause I know exactly where to get that (\nHey\n)\nDid you get that? [Outro: Kanye West, \nMadonna\n, \nPharrell Williams\n]\nGet down, beep beep\nGotta get up off of your seat\nGet down, beep beep\nGotta get up off of your seat now\nOn and on\n (\nHey, hey\n)\nThe beat goes on and on\n'Cause they know exactly where to get that\nDid you get that? (\nLet's go\n)\nGet down, beep beep\nGotta get up out of your seat now\n (\nThe beat goes\n)\nGet down, beep beep\nGotta get up out of your seat now\n (\nThe beat goes\n)\nOn and on\n (\nHey, hey\n)\nThe beat goes, on and on\n (\nHey, hey\n)\nThe beat goes, on and on\n (\nHey, hey\n)\nOn and on\n (\nHey, hey\n)\nOn and on" } ]

[ { "from": "human", "value": "Write me a song called Umbrella (Live from SoHo) with the following description: Taylor performed a cover of Rihanna’s “Umbrella” on various tour dates when she was younger, including one Washington show in September 2007. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "When the sun shine, we shine together\nTold you I'll be here forever\nSaid I'll always be your friend\nTook an oath, I'mma stick it out to the end\nNow that it's raining more than ever\nKnow that we'll still have each other\nYou can stand under my umbrella\nYou can stand under my umbrella\n(Ella, ella, eh, eh, eh)\nUnder my umbrella\n(Ella, ella, eh, eh, eh)\nYou have my heart\nAnd we'll never be worlds apart\nI may be in magazines\nBut you'll still be my star\nBaby, ‘cause in the dark\nYou can't see shiny cars\nAnd that's when you need me there\nWith you I'll always share\nBecause\nWhen the sun shine, we'll shine together\nTold you I'll be here forever\nSaid I'll always be your friend\nTook an oath, I'mma stick it out till the end\nNow that it's raining more than ever\nKnow that we'll still have each other\nYou can stand under my umbrella\nYou can stand under my umbrella\n(Ella, ella, eh, eh, eh)\nUnder my umbrella\n(Ella, ella, eh, eh, eh)" } ]

[ { "from": "human", "value": "Write me a song called Anziety with the following description: “Anziety” is Logic’s depiction of what anxiety feels like. He shares his own story of his suffering so that people who feel the same way know they aren’t alone.\nIn a reply to a fan about anxiety, Logic tweeted:\n\n\n\n\nAnxiety is thought to be a villain in our lives, but Logic views it as a hero that makes us whole. We as humans need to experience highs and lows to truly live life to the fullest.\nThe title comes from a mistake that 6ix, the producer of this track made when titling the beat which he confirmed via Twitter:\n\n\n\n\nThis track was initially teased on December 2, 2016 via Logic’s Twitter:\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lucy Rose]\nEverything is fine, everything is so fine\nEverything is fine, everything is so fine\n'Cause I’m good, so good\n'Cause I’m good, so good, so good\nI wish you would, I wish you would\nI wish you would, I wish you would\nI wish you would, this is my life\nThis is my all, this is my all\nAnd now I’m happy, right now I’m happy, but sometimes\n[Chorus]\nI’ma get up in your mind right now\nI’ma get up in your, I’ma get it\nGon' get up, gon' get up\nGon' get up, get up, get up, get up\nI’ma get up in your mind right now\nMake you feel like dying right now\nI’ma make you pray to God\nTo the good old Lord for a sign right now\nTo the good old Lord\nI’ma get up in your mind right now\nMake you feel like dying right now\nI’ma make you pray to God\nTo the good old Lord for a sign right now\nTo the good old Lord [Verse 1]\n“I’ma make it some day some how” what you telling yourself\nBut you ain’t focused on what's important: mentality, health Everybody in the world only want one thing, what's that?\nInfinite power and a pocket full of wealth\nIts like ohhh I'ma bring it back to the basics\nNobody can erase it\nPeople in the street going ape shit\nBattling depression but nobody wanna say shit\nI'ma bring it back to the basics\nI'ma bring it back to the basics\nI'ma get up, get on\nThat’s what I been on\nFuckin' with your mind, tryna turn shit on\nBut they want to paint me as a villain\nEven though I’m here to open their mind\nThrough the rhyme of life\nI gotta open their mind and design the right time\nTo make a decision and get in 'em like an incision\n'Cause I'ma hit 'em and give 'em livin'\nThey wonder what I’m giving, I'ma never give in\nI gotta let everybody know\nI'm in their mind right now\n[Chorus]\nI’ma get up in your mind right now\nMake you feel like dying right now\nI’ma make you pray to God\nTo the good old Lord for a sign right now\nTo the good old Lord\nI’ma get up in your mind right now\nMake you feel like dying right now\nI’ma make you pray to God\nTo the good old Lord for a sign right now\nTo the good old Lord [Verse 2]\nI'ma bring it back to the basics\nNobody can erase it\nPeople in the street going ape shit\nBattling depression but nobody wanna say shit\nWhy nobody wanna say:\nI been living with this everyday\nWhy nobody wanna say:\nEverything will be ok\nI'ma bring it back to the basics\nEverything will be okay\nI remember somehow, someway\nI remember somehow, someway\nI remember somehow, someway\nI remember somehow, someway\n[Speech]\nIt was December of 2015 in sunny Los Angeles California in the heart of Hollywood\nI stood next to my wife in a line surrounded by hundreds of other people on our way to watch Star Wars\nWhen suddenly I was engulfed with fear and panic\nAs my body began to fade\nIn this moment my mind was full of clarity\nBut my body insisted it was in danger\nI looked around and I told myself I was safe, I was fine\nBut I was convinced that something was wrong\nBefore I knew it I felt as though I was going to\nFall and fade away\nMy body grew weak\nAnd soon enough I found myself in a hospital bed being told what I went through was anxiety\nI refused to believe this story\nI searched and searched for the cause of what had happened to me\nI began to feel detached from reality\nI felt as though I was seeing the world through a glass\nI got blood work done\nAnalysis of my mind and body to no avail\nThe doctor said it was anxiety\nBut how could it be anxiety?\nHow could anxiety make me physically feel off balance?\nHow could anxiety make me feel as though I was fading from this world and on the brink of death?\nDerealization\nThe sense of being out of one’s body\nI’m not here\nI’m not me\nI’m not real\nNothing is\nNothing but this feeling of panic\nNobody understands\nNobody knows the sufferings\nThis physical feeling\nIt can’t be anxiety\nIt can’t\nOr can it?\nCan it in fact be the mind controlling the body?\nYeah, of course\nI’m so in control of my mind and my body\nBut I’m subconsciously forcing myself into a state\nOf self bondage entangled by the ropes of my own mind\nI am unhappy\nNot with life\nBut with this feeling\nI am scared, I am human, I am a man\nBut I look in the mirror and I see a child\nI am an adult who recognize grown ups don’t really know shit\nAnd they never did\nAnd it scares me\nCause now I’m just a grown up who doesn’t know shit\nBut one thing is I do know this feeling, this horrible feeling is going to kill me\nNo, no this feeling\nThis anxiety is nothing\nI have anxiety\nJust like you, the person I wrote this for\nAnd together we will overcome this feeling\nWe will remember despite the attacks and constant feeling of our mind and body being on the edge\nThat we are alive\nAnd any moments we have free of this feeling we will not take for granted\nWe will rejoice in this gift that is life\nWe will rejoice in this day that we have been given\nWe will accept our anxiety and strive for the betterment of ourselves\nStarting with mental health\nWe will accept ourselves as we are\nAnd we will be happy with the person we see in the mirror\nWe will accept ourselves\nAnd live with anxiety" } ]

[ { "from": "human", "value": "Write me a song called Where Them Girls At with the following description: David Guetta enlists the aid of pop-rappers Nicki Minaj (who sung on “Turn Me On”) and Flo Rida (who previously collaborated with Guetta on “Club Can’t Handle Me”) for one wicked club banger. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Flo Rida]\nSo many girls in here, where do I begin? (Oh-oh)\nI seen this one, I'm bout to go in (Oh-oh)\nThen she said, \"I'm here with my friends\" (Oh-oh)\nShe got me thinking, and that's when I said\n\"Where them girls at, girls at?\" (Woo)\n\"Where them girls at, girls at?\" (Woo)\n\"Where them girls at, girls at?\" (Woo)\nSo go get them, we can all be friends (Woo)\n[Verse 1: Flo Rida]\nHey, bring it on, baby, all your friends\nYou're the shit and I love that body, body\nYou wanna ball, let's mix it, I swear you're good\nI won't tell nobody (Body)\nYou got a BFF, I wanna see that girl, it's all women invited (Vited)\nHairdos and nails, that Louis, Chanel all up in the party\nPresidents\n in my wallet, no rules, I'm 'bout it\nBlow the whistle for the hotties\nI got it, shawty, it's never too much, can't be doing too much\nTen to one of me, I can handle that love\nOutta of my reach, we can all get buzz\nHolla 'cause I'm free, no matter, it's no rush\n[Chorus: Nicki Minaj & \nFlo Rida\n & \nBoth\n]\nSo many boys in here, where do I begin? (Oh-oh)\nI see this one, I'm 'bout to go in (Oh-oh)\nThen he said, \"I'm here with my friends\"\nHe got to thinkin', and that's when he said\n\"Where them girls at\n, girls at?\" (Girls at) (Woo)\n\"Where them girls at\n, girls at?\" (Girls at) (Woo)\n\"Where them girls at\n, girls at?\" (Girls at) (Woo)\nSo go get them, we can all be friends\n (Woo) [Verse 2: Nicki Minaj]\nYo! It's PB! PB! \nWho's Peabo Bryson?\nTwo years ago, I renewed my license\nAnyway, why'd I start my verse like that?\nYou can suck a dick, you can suck on a ballsack\nNo, no, I don't endorse that, pause that, abort that\nJust the other day mi go a-London, saw dat\nKids inna di street, paparazzi, all dat\nHey hey, what can I say?\nDay day day da-day day\nComing through the club, all the girls in the back of me\nThis ain't football, why the fuck they tryna tackle me?\nReally, I peeped dude at the bar like really\nLooking like he wanna good time like really\nSaid he had got a friend for my home girl Lily, Lily, Lily, Lily\n[Chorus: Flo Rida \nwith Nicki Minaj\n]\nSo many girls in here, where do I begin? (Oh-oh)\nI seen this one, I'm bout to go in (Oh-oh)\nThen she said, \"I'm here with my friends\" (Oh-oh)\nShe got me thinking, and that's when I said\n\"Where them \ngirls at\n, girls at?\" \n(Girls at)\n (Woo)\n\"Where them \ngirls at\n, girls at?\" \n(Girls at)\n (Woo)\n\"Where them \ngirls at\n, girls at?\" \n(Girls at)\n (Woo)\nSo go get them, we can all be friends [Breakdown: \nNicki Minaj\n]\nDae-dae-dae-dae-dae-dae\nDae-dae-dae-dae-dae-dae-dae-dae-dae\nDae-dae-dae-dae-dae-dae\nDae-dae-dae-dae-dae-dae-dae-dae-dae\nDae-dae-dae-dae-dae-dae\nDae-dae-dae-dae-dae-dae-dae-dae-dae\nDae-dae-dae-dae-dae-dae\nDae-dae-dae-dae-dae-dae-dae-dae-dae\n[Bridge: Nicki Minaj]\nYo, where my girls at, girls, uhh-mmm-uhh\nYo, where my girls at, girls, uhh-mmm-uhh\nYo, where my girls at, uhh-mmm-uhh\nYo, where my girls tryna get to jumpin', jumpin', ju-jumpin'\n[Chorus: Flo Rida \nwith Nicki Minaj\n]\nSo many girls in here, where do I begin? (Oh-oh)\nI seen this one, I'm bout to go in (Oh-oh)\nThen she said, \"I'm here with my friends\" (Oh-oh)\nShe got me thinking, and that's when I said\n\"Where them \ngirls at\n, girls at?\" \n(Girls at)\n (Woo)\n\"Where them \ngirls at\n, girls at?\" \n(Girls at)\n (Woo)\n\"Where them \ngirls at\n, girls at?\" \n(Girls at)\n (Woo)\nSo go get them, we can all be friends" } ]

[ { "from": "human", "value": "Write me a song called Loving You with the following description: Trey Songz and Ty Dolla $ign first collaborated on Trigga with Dead Wrong. They’ve teamed up once again to create this bedroom banger about a certain girl who manages to capture Trey’s heart.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Trey Songz]\nWoo\nListen\n[Pre-Chorus: Trey Songz]\nI had too many girls, it's true (I know, I know)\nBut now you got me loving you (Yeah)\nI got 525,600 women (That's a lot)\nThey come around and we take 'em all down\nKick 'em out when we finish (Bye-bye)\nThey cool, but they not like you\nBaby girl, it's just different (Right)\nAnd I don't know what I'ma do (Damn)\n'Cause now you got me loving you\n[Chorus: Trey Songz]\nGot me loving you, got me loving\nNow you got me loving you, got me loving you\nNow you got me loving you (Ayy), got me loving\nNow you got me loving you (Ayy), got me loving you\n[Verse 1: Trey Songz]\nNew day, new taste (New taste)\nGot a new chick chillin' every second of the day (Second of the day)\nNo old hoes in the new place (No)\nHad your shawty over rollin' up a soufflé (Yeah!)\nSome how, some way (Some way)\nA nigga gonna change, mama prayin' every day (Uh huh)\nI told her I'ma do better\nAnd I knew better [Pre-Chorus: Trey Songz]\nI had too many girls, it's true (Ahh-ahh-ahh)\nBut now you got me loving you (Ahh-ahh-ahh)\nI got 525,600 women\nThey come around and we take 'em all down\nKick 'em out when we finish\nThey cool, but they not like you\nBaby girl, it's just different (Girl, you got me on what?)\nAnd I don't know what I'ma do\n'Cause now you got me loving you\n[Chorus: Trey Songz]\nGot me loving you, got me loving (Ayy)\nNow you got me loving you, got me loving you\n[Verse 2: Trey Songz]\nNew day, new face (New face)\nGot a couple just left, got a couple on the way (Couple on the way)\nNo solos, it's a group thing (Group thing)\nGotta hit 'em in a group 'cause they groupies ('Cause they groupies)\nSome how, some way (Some way)\nA nigga gonna change, mama prayin' every day (Prayin' every day)\nI told her I'ma do better (Yuh!)\nAnd I knew better\n[Pre-Chorus: Trey Songz]\nI had too many girls, it's true (It's true, but)\nBut now you got me loving you (Oh-oh-oh)\nI got 525,600 women\nThey come around and we take 'em all down\nKick 'em out when we finish\nThey cool, but they not like you\nBaby girl, it's just different\nAnd I don't know what I'ma do\n'Cause now you got me loving you [Chorus: Trey Songz]\nGot me loving you, got me loving (Ayy)\nNow you got me loving you, got me loving you\n[Verse 3: Ty Dolla $ign]\nGot me lovin' on your pretty ass, baby\nThat's why you my lady\nI ain't gon' lie, I fucked 'bout five hundred bitches last summer\nAin't none of them like my bae\nThey ain't gettin' money like bae\nNo, she ain't no boss like bae\nTired of these fake ass bitches\nYou should be somewhere with these fake ass niggas\n'Cause a real one knows what's real when they see it\nReal recognize real when you see it\nMy ex girl called, told her beat it\nAnd if I make you my girl, I ain't cheatin'\nIt's my pussy\nAnd it's your dick\nAnd we selfish\nAnd we so rich\nPostin' pictures, need to let these bitches know it 'cause you mine (Ooh yeah)\n[Pre-Chorus: Trey Songz & \nTy Dolla $ign\n]\nI had too many girls, it's true (\nToo many girls, it's true\n)\nBut now you got me loving you (\nGot me loving on you, ooh yeah\n)\nI got 525,600 women (\nSix hundred women, yeah, yeah\n)\nThey come around and we take 'em all down\nKick 'em out when we finish (\nYeah, yeah, yeah, yeah, yeah\n)\nThey cool, but they not like you\nBaby girl, it's just different (\nGirl, you\n)\nAnd I don't know what I'ma do (\nWhat I'ma do\n)\n'Cause now you got me loving you" } ]

[ { "from": "human", "value": "Write me a song called Say You Won’t Let Go (BBC Radio 1 Live Lounge) with the following description: Recorded at the BBC Radio Live Lounge, singer Camila Cabello and rapper Machine Gun Kelly covers James Arthur’s “Say You Won’t Let Go.”\nThis cover released shortly after the two artists collaborated on “Bad Things,” a single that would peak at number 4 on the Billboard Hot 100. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Machine Gun Kelly]\nI met you in the dark, you lit me up\nYou made me feel as though, I, I was enough\nWe danced the night away, we drank too much\nI held your hair back when you were throwing up\n[Pre-Chorus: Camila Cabello]\nThen you smiled over your shoulder\nFor a minute, I was stone cold, sober\nI pulled you closer to my chest\nAnd you asked me to stay over\nI said, I already told you\nI think that you should get some rest\n[Chorus: Camila Cabello]\nI knew I loved you then, but you'd never know\n'Cause I played it cool when I was scared of letting go\nI knew I needed you, but I never showed\nBut I wanna stay with you until we're grey and old\n[Post-Chorus: Camila Cabello]\nJust say you won't let go\nJust say you won't let go, yeah\n[Verse 2: Machine Gun Kelly]\nAnd I never thought for a minute\nIf you showed me a picture of my life now, that you wouldn't be in it\nTook me a couple months to say I loved you, but I meant it\nWhen I said it wasn't much of a romantic, but you get it\nDidn't really smoke, but when I rolled it up, you hit it\nAnd we lit it up, shotgunning our kisses\nI used to have someone at 3 AM that I could call\nNow it just rings and I don't get nothing at all, where you at, girl? [Pre-Chorus: Camila Cabello & \nMachine Gun Kelly\n]\nWhen you looked over your shoulder (\nYeah\n)\nFor a minute, I forget that I am older (\nYeah\n)\nI wanna dance with you right now, woah (\nRight now, hey\n)\nYou look as beautiful as ever (\nHey\n)\nAnd I swear that everyday you will get better (\nRight\n)\nYou make me feel this way somehow, yeah\n[Chorus: Camila Cabello]\nI knew I loved you then, but you'd never know\n'Cause I played it cool when I was scared of letting go\nI knew I needed you, but I never showed\nBut I wanna stay with you until we're grey and old\n[Post-Chorus: Camila Cabello]\nJust say you won't let go\n(\nYeah, say you won't let go\n)\nJust say you won't let go, yeah\n(\nAye, say you won't, say you won't go\n)\n[Bridge: Camila Cabello]\nI wanna live with you even when we're ghosts\n'Cause you were always there for me when I needed you most\nSo I wrote this song for you, now everybody knows\nThat it's just you and me until we're grey and old [Outro: Camila Cabello & \nMachine Gun Kelly\n]\nOh, just say you won't let go, ooh-ooh, nah\nJust say you won't let go, oh (\nYeah\n)\nOh, just say you won't let go (\nUh, say you won't, say you won't go\n)\nJust say you won't let go, yeah" } ]

[ { "from": "human", "value": "Write me a song called Outta My Hands (Loco) with the following description: “Outta My Hands (Loco)” is a bonus track from the international deluxe and Target edition of Selena Gomez' second solo album Revival, which was released on 9 October 2015. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI know you're loco\nBut it feels too good, yeah\nI know you're loco\n[Verse 1]\nThey say you shouldn’t sleep with\nSomeone crazier than you\nCr-Cr-Crazier than you\nNo one's crazier than you\nBut you're so irresistible\nI had to break the rules\nYour temper can be sexy\nI love it when you hate me\n[Chorus]\nIt’s out of my hands\nIt’s out of my hands\nIt’s out of my hands\nAnd into your arms again\nUh oh I know you’re loco\nUh oh I know you’re loco\nUh oh I know you’re loco\nBut feels too good, yo\n[Verse 2]\nThey say you shouldn’t sleep with\nSomeone crazier than you\nCr-Cr-Crazier than you\nNo one's crazier than you\nBut you’re so unforgettable\nI had to break the rules\nYour eyes are like a weapon\nThey’d kill me if I let ‘em [Chorus]\nIt’s out of my hands\nIt’s out of my hands\nIt’s out of my hands\nAnd into your arms again\nUh oh I know you’re loco\nUh oh I know you’re loco\nUh oh I know you’re loco\nBut feels too good, yo\n[Post-Chorus]\nI know you're loco\nBut it feels too good, yo\nUh oh, I know you're...\nUh oh, I know you're loco\nUh oh, I know you're...\n[Bridge]\nI just can't get enough of you\nI just can't get enough of you\nI just can't get enough of you, ooh\nI just can't get enough of you\nI just can't get enough of you\nI just can't get enough of you\n[Chorus]\nIt’s out of my hands\nIt’s out of my hands\nIt’s out of my hands\nAnd into your arms again\nUh oh I know you’re loco\nUh oh I know you’re loco\nUh oh I know you’re loco\nBut feels too good, yo [Outro]\nBut it feels too good, yeah\nUh oh, I know you're loco\nUh oh, I know you're...\nUh oh, I know you're loco\nBut it feels too good, yeah" } ]

[ { "from": "human", "value": "Write me a song called Wake Up with the following description: “Wake Up” is the lead single from Logic’s debut independent album, College Park.\nThe track details Logic’s journey and how he broke from a cycle of drugs, violence and more to live a fulfilling life. It also features frequent collaborator Lucy Rose, who ends the track with narration that recounts Logic’s life in Maryland. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Logic]\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\n[Verse: Logic]\nCan't get enough, no, I can't get enough\nTook another route, no, I never ended up in cuffs\nHad a gat in my hand, but I didn't wanna be that man\nLook in the mirror, couldn't see that man\nPick up the pen, never stick up to men\nOnly pick up the stick if I need to defend\nIf I did it back then, might've dropped dead\nKnow a nigga doin' life 'cause he a hothead\nI took a ride through my city the other day\nWonder what would have happened if it all went the other way\nJump in the whip, now I reminisce\nOn the days when \nI was runnin' 'round the Ave\nCould've never imagined the way that my life would have\nTurned out and all of the things that I have\nI ain't talkin' material, talkin' about my material\nThis shit that I'm writin', the shit that I been through\nI went through the worst, but I made it out\nLike the Alpha Omega, to show me which way it could go\nYeah, he laid it out\nInstead of just sittin' on the beach\nI'm reconnectin' with the streets\nThey wasn't payin' attention, I was prayin' for ascension\nNo need to mention my attention to detail\nHomie, we will prevail\nLot of motherfuckers wanna wake up every day\nThen they murder their own, but they know it's another way\nFuck all the violence and drugs in communities\nThis song right here is immunity\nThey call it the trap, 'cause they trapped\nAnd just take our money, then they don't give it back to us\nBlack man can't even get himself a bachelor\nDropped out of school then he picked up a spatula\n'Cause he never had a good role model, just a hood role model\nNow I know that's the old model\nWe breakin' that cycle\nI think I see the finish line\nGot a vision now, don't diminish mine\nLot of brothers in the hood doin' good\nAnd I know I see it all the time\nBut they only wanna push\nAll the drugs and all the crime on Channel 9\nFuck all that fallacy, this shit right here for my people\nPeople that strugglin', people work hard as they can\nBut they still don't feel equal\nTrust me, I know, I been there before\nTrust me, I know, that feelin' don't ever go [Chorus]\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\nEvery day I wake up, every day I wake up\n[Outro: Lucy Rose]\nAnd on a beautiful Autumn day in 2011\nLogic and his best friends drive through the slums of College Park in a Chevy Impala\nAround the streets of Prince George's county\nCruising through an unknown universe\nBeginning a journey that would inevitably alter the course\nOf not only their own\nBut the lives of millions of people around the world" } ]

[ { "from": "human", "value": "Write me a song called Record Store 1 (Skit) with the following description: In this track, Eminem calls a record store (specifically, the record store Fat Beats) to ask for his own album obnoxiously.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Dialogue: Eminem & Fat Beats Receptionist]\n**Dial tone**\n(Fat Beats)\nUm, I was wondering if you have, um, wha-what's his name?\nSli-Eminem, or Slim Shady\nCause a friend of mine's got the album (already?)\nYeah! (He bought it?)--The whole album\nI don't know if he bought it, I don't know if he got it off the internet\nI don't know, I don't know what the deal is (uh huh)\nI don't know, but he's got it, like--(Yeah, well we don't-we're not selling it)\nAww, well cause \nthe third, have you heard the third track?\n (No I haven't heard it)\nTh-the, okay, aw, I was wondering who produced it, the third track\nI don't know, cause the snare, the snare is like \"csh, csh, csh\"\n(Well I really don't know, I don't know the song)\nAw okay, alright\nWell if it-cause everybody's telling me they have it\nI don't, I don't know, is it--(Yeah I don't, I don't know where it's at either)\nOh okay, is Ka--(I have to take another call sir)\nOkay I didn't mean to hold you up I'm sorry (alright)\nFuck you!" } ]

[ { "from": "human", "value": "Write me a song called With You with the following description: “With You” is a soulful R&B track in which Chris bears his all and declares his love for his girl. The track serves as the third single from his sophomore album. The slow-driven acoustic guitar shares similarities to Beyoncé’s “Irreplaceable”.\n\n\n\n“With You” peaked at #2 on Billboard’s Hot 100 chart and stayed at #2 for four consecutive weeks. It did, however, gain the #1 spot in Brazil and New Zealand, as well as on Billboard’s Mainstream Top 40 chart and Rhythmic Songs chart. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI need you, boo\nI gotta see you, boo\nAnd the hearts all over the world tonight\nSaid the hearts all over the world tonight\nAnd I need you, boo (Oh)\nI gotta see you, boo (Hey)\nAnd the hearts all over the world tonight\nSaid the hearts all over the world tonight (Uh, uh)\n[Verse 1]\nHey, little mama, ooh, you're a stunner\nHot little figure, yes, you're a winner\nAnd I'm so glad to be yours\nYou're a class all your own\nAnd ooh, little cutie, when you talk to me\nI swear the whole world stops, you're my sweetheart\nAnd I'm so glad that you're mine\nYou are one of a kind and\n[Pre-Chorus]\nYou mean to me what I mean to you\nAnd together, baby, there is nothing we won't do\n'Cause if I got you, I don't need money, I don't need cars\nGirl, you're my all [Chorus]\nAnd oh, I'm into you\nAnd girl, no one else would do\n'Cause with every kiss and every hug\nYou make me fall in love\nAnd now I know I can't be the only one\nI bet there's hearts all over the world tonight\nWith the love of their life who feels\nWhat I feel when I'm\nWith you, with you, with you, with you, with you, girl\nWith you, with you, with you, with you, with you\n[Verse 2]\nOh, girl, I don't want nobody else\nWithout you, there's no one left then\nYou're like Jordan's on Saturday\nI gotta have you and I cannot wait now\nHey, little shawty, say you care for me\nYou know I care for you, you know that I'll be true\nYou know that I won't lie, you know that I would try\nTo be your everything, yeah\n[Pre-Chorus]\n'Cause if I got you, I don't need money, I don't need cars\nGirl, you're my all [Chorus]\nAnd oh, I'm into you (Into you)\nAnd girl, no one else would do (Won't)\n'Cause with every kiss and every hug (Hug)\nYou make me fall in love\nAnd now I know I can't be the only one (I know I can't be the only)\nI bet there's hearts all over the world tonight\nWith the love of their life who feels\nWhat I feel when I'm\nWith you, with you, with you, with you, with you, oh\nWith you, with you, with you, with you, with you, hey, hey\n[Bridge]\nAnd I will never try to deny that you are my whole life\n'Cause if you ever let me go, I would die so I won't front\nI don't need another woman, I just need your all or nothing\n'Cause if I got that then I'll be straight\nBaby, you're the best part of my day\nI need you, boo\nI gotta see you, boo\nAnd the hearts all over the world tonight (Hey, hey)\nSaid the hearts all over the world tonight (Ooh, ooh, ooh, yeah)\nThey need it, boo (They need it)\nThey gotta see their boo\nSaid there's hearts all over the world tonight\nHearts all over the world tonight [Chorus]\nOh, oh, I'm into you (I'm into you, baby)\nAnd girl, no one else would do\n'Cause with every kiss (Every kiss) and every hug (Every hug)\nYou make me fall in love (You make me)\nAnd now I know I can't be the only one (Can't be the only one)\nI bet there's hearts all over the world tonight\nWith the love of their life who feels\nWhat I feel when I'm\nWith you, with you, with you, with you, with you, girl\nWith you, with you, with you, with you, with you, oh\nWith you, with you, with you, with you, with you, with you\nOnly with you, with you, with you, with you, with you, babe, yeah" } ]

[ { "from": "human", "value": "Write me a song called Thank You with the following description: “Thank You” is the third collaboration between Logic and singer Lucy Rose. Most recently, her voice was featured during the intro of Logic’s 2017 track “Anziety” as the angel on his shoulder.\nThe track also includes voicemails from members of Logic’s fan group, the RattPack. He simply tweeted out that the line was open and and fans poured in responses:\n\n\n\n\nLogic’s 2012 track “World Wide” also featured voicemails from fans around the world showing support for him.\nThe album continues where Everybody left off, revealing that it is only the ending to the Young Sinatra series and not really Logic’s last album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Skit: Kevin Randolph & Steven Blum]\n[THALIA:]\nThis concludes the program—\n[KAI:]\nDamn man, we been walking forever...\n[THOMAS:]\nWell, Thalia's tracking system says we'll be there in just over an hour...\n[KAI:]\nShit, at least we got good walking music—or is that it?\n[THOMAS:]\n(\nlaughing\n)\nNo man, I'm queueing up the fourth album now—his final one...\n[KAI:]\nNigga, what the hell are you talkin' bout?\nMan, he has like a million albums!\n[THOMAS:]\nI mean the final Young Sinatra, the fourth one\n.\n[KAI:]\nAww, shit man, you had me trippin'!\nI was about to say... [THOMAS & \nLogic\n:]\n(\nYeah, yeah\n) Let's get back to this boom bap shit\n.\n[Intro: Logic]\nYeah, so we just gon' let this shit breathe one time\nShout-out my boy Henry right here in the studio\nAye, yeah—\nCheck, check, mic check, one, two\nAlright this is classic shit, yeah\n[Verse: Logic]\nI coulda never imagine that this shit here could happen\nWent from the basement to thirty million just off of rappin'\nYoung Sinatra, that boy that brought you so many classics\nAin't never comin' with nothin' less than the illest tactics\nThought the series was over, but we just gettin' started\nI won't ever leave this rap shit, no I can't depart it\nFrom the trap to the boom bap\nTo Young Sinatra to Tarantino\nWe know he do that\nBitch, I got the flame, who dat?\nI'm the new Kanye when they was like \"Who Kanye?\"\nI got that fire in my soul to make these classics, ayy\nI decided to write this letter on a private jet\n'Cause in many ways it still feel like I ain't made it yet\nFor every goal I attain, I set like ten more\nBut I had to take a break to write you, that's for sure\nTake a moment and celebrate how we all alive\nHad to write this letter here over a Nujabes vibe\nFuck that rapper shit, fuck a punchline\nThis for every single fan that know every single line\nSo I'm saying thank you for loving me\nFor setting me free and letting me be me [Chorus: Logic & \nLucy Rose\n]\nThank you, thank you\nFor letting me speak my mind\nAnd putting it all on the line\nThrough the sunshine and the rain\nThrough the good times and the pain\nAnd never staying the same\nAnd having the courage to change\nThrough the sunshine and the rain\nThrough the good times and the pain\nFor never staying the same\nAnd having the courage to change\nThank you, thank you\nFor letting me speak my mind\nAnd putting it all on the line\nThrough the sunshine and the rain\nThrough the good times and the pain\nFor never staying the same\nAnd having the courage to change\nThrough the sunshine and the rain\nThrough the good times and the pain\nFor never staying the same\nAnd having the courage to change\n[Interlude: The RattPack]\nAye, what's up Logic, big love out here from Jonathan U.S. Navy out here in Japan. Much love for my boy Oscar. Keep us going every day Yo, Logic I'm Shane E. from Pueblo, Colorado and I just can't since about 2014. I love every one of your projects\nIt's Yiana from Australia and honestly, I'm so excited for \nYoung Sinatra IV\n. You've been an amazing inspiration to me. I just wanna say thank you so much\nThis is Seif from Egypt. Yo, I love your music man. Everything about it's so inspirational. I just love the way you look at things and how real you are. I love listening to you. Take care, man\nYo, what up Logic. It's Max calling from Alberta, Canada. I just wanted to say your music has really inspired me and has always got me feeling up when times were down\nHey, Logic, it's Michael from Israel and I'm a really big fan of yours. I love you so much and I love your music. Keep doing what you're doing. Thank you very much\nDiego Sepúlveda from Puerto Rico. And your music to me helps me get through everything\nI'm Francis from Botswana, in Africa. Your music really means a lot to me, thank you for always being you, peace, love, and positivity\nHey, I'm Deborah from Hong Kong, and I just want to say that your music has lifted my soul in such tough times and it told me that anyone from anywhere could be anything they want to be\nMy name is Ali, I come from Jamaica. Yo, your music helped me through some whole heap of dark times. Down here in a third world country it's rough, but, hey your music helped me get through. Yeh, RattPack, RattPack for life yute, Young Sinatra yute, yeh\nHey, Logic it's Chester and I'm from Silver City, New Mexico and Paige, producer for him, from Silver City, Mexico. We love you! We love you Logic\nMy name is Abdulla, I'm from Palestine, I just want to say that your music is so inspiring to all the youth in the Middle East, and Asia, and all around the world\nIt's Eric Khaled from Canada, Alberta, Sturgeon Lake, little reserve, repping all my native homies\nIt's Katie from Portland, Maine, and each day I fall more in love with your message your music and everything about you. RattPack all day, every day, for life\nMy name is Muhammad and I'm from Amman, Jordan and I'd like to say that your music is a big inspiration for me\nHi, Logic, it's Amber from Ireland; I just wanted to say your music means fucking everything to me\nMy name is Tebogo Kodisang and I'm from South Africa\nWhat up, Logic? This is Dionisio from Mexico\nThis is Summer Sheers coming from Joliet, Illinois\nMy name's Habib from Singapore\nYo, what's up Logic. New York, Taiwan, I'm from Australia, man\nHi, Logic, my name's Alexandra I'm from Brooklyn, New York\nMy name's Issam, I'm from Israel\nMy name is July, I'm from Seattle\nMy name is Kinan Fayyad, I'm from Beirut, Lebanon\nI'm from New York\nI'm from Mexico\nLithuania\nMissouri\nNorthern California\nKenya\nAlbuquerque, New Mexico\nNorth Carolina\nTurkey, Istanbul\nNew York, Long Island\nVirginia\nFrom India\nMexico\nChile\nNebraska\nIceland\nBay Area\nBay Area, yeet, yeet!\nI'm from Brooklyn\nCalling from Serbia\nNashville, Tennessee\nFrom Dallas, Texas\nMiami\nBaltimore, Maryland\nLos Angeles\nFremont, California\nNorth Carolina\nFrom Zimbabwe\nFrom Wisconsin\nSan Antonio, Texas\nNew Jersey\nComin' from Maryland\nSouth Carolina\nChicago, Illinois\nSacramento\nYo, Logic, what's up? It's Tanner from Boise, Idaho. \nPLP. RattPack forever. Visionaries never fail\n[Outro: Logic]\nYeah, yeah\nShout out to all the fans\nAll my family, the RattPack all around the world\nI love you guys, man\nThank you, thank you so much for letting me do what I love every single day and spreading a positive message\nPeace, love, and positivity, baby\nYeah, yeah\n(Sinatra)" } ]

[ { "from": "human", "value": "Write me a song called Fashion! with the following description: “Fashion!” is about the love of transformation. To Gaga, fashion is more than just dressing up, it’s a vehicle for transforming. Fashion leaves Gaga feeling “on top of the world” and “en paradis”. It’s all about looking good and feeling fine. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lady Gaga]\n(Fashion)\nLooking good and feeling fine\nLooking good and feeling fine\nLooking good and feeling fine \n(\nSlay, slay\n)\nLooking good and feeling fine\nLooking good and feeling fine\nLooking good and feeling fine\n (Fashion)\n[Verse 1: Lady Gaga]\nStep into the room like it's a catwalk (Fashion)\nSinging to the tune, just to keep them talking (Fashion)\nWalk into the light, displayin' diamonds and pearls in my (Fashion)\nMarried to the night\nI own the world, we own the world\n[Chorus: Lady Gaga]\nLook at me now, I feel on top of the world in my (Fashion)\nLook at me now, I feel on top of the world in my (Fashion)\nLooking good and feeling fine\nLooking good and feeling fine\nLooking good and feeling fine (\nSlay, slay\n)\nLooking good and feeling fine\nLooking good and feeling fine\nLooking good and feeling fine (\nSlay, slay\n) [Verse 2: Lady Gaga]\nYou've got company, make sure you look your best (Fashion)\nMakeup on your face, a new designer dress (Fashion)\nThere's a life on Mars where the couture is beyond, beyond (Fashion)\nMarried to the stars\nI own the world, we own the world\n[Chorus: Lady Gaga]\nLook at me now, I feel on top of the world in my (Fashion)\nLook at me now, I feel on top of the world in my (Fashion)\nLooking good and feeling fine\nLooking good and feeling fine\nLooking good and feeling fine (\nSlay, slay\n)\nLooking good and feeling fine\nLooking good and feeling fine\nLooking good and feeling fine (Slay)\n(\nSlay, slay, slay, slay\n)\n[Bridge: Lady Gaga]\nI take it off, I put it on\nI feel alive when I transform\nBut this love's not material\nNow take it in and turn me on\nZip me up, it can't be wrong\n'Cause your new look's ethereal\nLooking good and feeling fine\nLooking good and feeling fine\nLooking good and feeling fine (\nSlay, \nslay\n)\nLooking good and feeling fine\nLooking good and feeling fine\nLooking good and feeling fine [Outro: will.i.am, \nLady Gaga\n, \nBoth\n]\nFashion, je me sens au paradis en\nFashion\n, donnez-moi Christian Louboutins, \nfashion\nLe monde est à moi, c'est la vie en \nfashion\nJe suis en haute couture en \nfashion\nFashion, fashion, f-fashion\nFashion, fashion\nFashion, fashion" } ]

[ { "from": "human", "value": "Write me a song called That’s Why You’re Beautiful with the following description: A different take for a Beyoncé track, “That’s Why You’re Beautiful” is one of the raw tracks on “I am…Sasha Fierce.” It tells a story of Beyoncé explaining all the reasons she loves her significant other, similar to reading wedding vows. Which would be ideal since she married JAY-Z the year this album was released. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nDiamonds used to be coal\nLook young 'cause they got soul\nThat's why they're beautiful\nAnd my heart used to be cold\n'Til your hands laid on my soul\nBaby, that's why you're beautiful\n[Chorus]\nI'm not wondering why\nThe sky's blue; that's not my business\nAll I know is I\nLook up and tell myself\n\"Be patient, love. That could be us.\"\n[Verse 2]\nLovers used to make love\nAnd died just to give us\nTheir piece of the beautiful\nRemember when we made love?\nLove\nWasn't it beautiful?\n[Chorus]\nDon't ask me why\nThe sky's blue; that's not my business\nAll I know is I\nLook up and tell myself\n\"Be patient, love. That could be us.\" [Bridge]\nDiamonds used to be coal (Be coal)\nLook young 'cause they got soul (got soul)\nAnd my heart used to be cold (be cold)\n'Til your hands laid on my soul\nSomebody's got to stay deep in love\nThat could be you\nThat's why we're beautiful\nThat's why you're beautiful\nOoh\n[Outro]\nWhy, why?\nThat's why you're beautiful\nThat's why you're beautiful\nThat's why you're beautiful" } ]

[ { "from": "human", "value": "Write me a song called M’$ with the following description: Track 15 off of Rocky’s second album At.Long.Last.A$AP produced by Da Honorable C.N.O.T.E. & Mike Dean.\nThis is the album version of the song. The single version released with a second Rocky Verse and no verse from Lil Wayne. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Da Honorable C.N.O.T.E. co-produced by Mike Dean]\n[Intro: Lil Wayne]\nP.O\nOne time for A$AP Yams\nLet's go\n[Verse 1: A$AP Rocky]\nWhat's this I see? Niggas tryna act like G's\nGot A$AP, got Fergy with me\nIt's a new day, no Black Eyed Peas\nThat's that shit, mhm, mhm, yeah, that's that shit\n(You ain't got no Flacko in your Serato?)\nMothafucka better blast that shit\nNiggas drink quarts of the Clicquot\nBitches sniff raw of the kilos\nFlacko makes sales of the perico\nShe knows, went to ATL for my C-Note\n'Member, I ain't ever have no home\nNow I got a penthouse and a beach home\nBack when I was rockin' least (2 Chainz!!!)\nI was trappin' off at least like three phones\nMe and Yams made the plan\nThen I paid myself and I gave myself advance\nWay before I became myself\nI'd like to thank myself because I made myself the man\nIt's like lately I ain't myself\nI'd rather hang myself before I play myself\nI tell her, \"throw on the dress with the pinstripes\"\nKnow the one that fit the booty all skin tight, that's right\nYeah, you that shit, mhm, mhm, yeah, move that shit\nFrontin' like you did it for the fellas\nGet all the bitches jealous when you do that shit\nBut my neck is gold, the rest is froze\nSex and hoes, best of both, girls and girls, perpetual\nSippin' slow, Texas throwed, \ncomma, I'm about decimals\nChill and get faded, I'm surprised that we made it\nYoung niggas know the sky's the limit\nAll I ever wanna do is chill and get shaded\nChill and get faded, shit, I'm surprised that we made it\nNowadays stress overrated\nAll I ever wanna do is chill and get shaded [Pre-Chorus: A$AP Rocky]\nI wanna see you take it all off\nAnd she just wanna make it harder\nAnd we just end up takin' longer\nCan't impress with them diamonds though, them diamonds\n[Chorus: A$AP Rocky]\nTalkin' about M's\nTalkin' bout M's, nigga, M's\nMake 'em talk about, make 'em talk about M's\nNigga, talkin' bout M's\nNigga, talkin' bout M's\nNigga, talkin' bout M's\nMake 'em talk about, talkin' bout M's, nigga\nTalkin' bout M's\n[Interlude: A$AP Rocky]\nIt's like lately all I ever seem to think about is M's, nigga\nTalkin' 'bout M's\nSee the same thing all up in my bank account\nM's, nigga, talkin' 'bout M's\nAnd my YouTube account say the same amount\nM's, nigga, talkin' 'bout M's\n[Verse 2: Lil Wayne]\nMoney talk and dogs bark\nI got a pocket full of stones in my stonewashed\nLambo, brand new Lambo\nWith tiger stripes on it call that bitch a golf cart\nI'm outchea, I'm so outchea, I swear niggas have no idea\nI swear niggas better wear riot gear\nCause I appear and pow loud and clear give 'em diarrhea, oh\nI re-up tonight, I'ma be up tonight, cookin' a key up tonight\nNiggas de-up I slide to the right, throw a three up in time\nPut a B up, let's fight, don't get beat up tonight\nFeet up in my European, I ride with me heater inside\nKill you and your dog then go put on a shirt that say PETA for life\nLike you sneeze you on tight, you got beef I got white\nYou got beef I got white, I got green, I got white\nI got pink, I got pints, I got lean, I got ice\nI got needles and pipes, I got clean, I got right\nI got mean, I got nice, that's that Tina and Ike\nI don't lean on her price, I don't cheat on her price\nTry to cheat on the dice, you get beat on the spot\nI get keys on the spot and I keep it on lock\nAnd I keep it up safe, what you keep in your safe?\nS'what I spent on my watch and I wave it like Ma$e\nBout to redo the face, get a see-through AK\nI eat seafood and steak\nBut girl, I'ma treat you like cake til I get a sweet tooth tooth ache\nBut wait let's talk about M's, not about them\nI love my BM's, I love my YM\n \nain't no more CM\nLet's pluck out the stems,\n let's fuck like a nymph\nShe walk out, she limp, it's dark and we dim, yeah\nWe dem niggas, handcuffing him niggas back up and skim niggas\nSee that we strapped up we cap up your brim nigga\nFill my cup up to the rim nigga, Tunechi" } ]

[ { "from": "human", "value": "Write me a song called This Love with the following description: The 11th track on 1989 finds Taylor using cyclical metaphors to ponder on the cycles of a relationship. Sometimes it’s good, sometimes it’s bad, but regardless, it’s still love. It also explores on the idea of fate — a quite common thread throughout Swift’s whole discography —: If a relationship is not supposed to happen at this point in time, you have to let the other person go, even if you don’t want to, and if it’s meant to be, they’ll eventually come back to your life.\nFollowing the release of 1989, Swift told Yahoo! that she considers “This Love” to be the first song in which she really experimented with different vocal recording styles. She goes on to explore more of that side of music in her following album: 2017’s reputation.\nAs documented by a Tumblr user, this was the first song Swift have written to 1989, right after she dropped her 2012 album Red, and started out with the chorus as a short poem written in her book.\nAdditionally, despite having writing credits in all of the songs in the album, “This Love” is the only one she wrote all by herself. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nClear blue water\nHigh tide came and brought you in\nAnd I could go on and on, on and on and I will\nSkies grew darker\nCurrents swept you out again\nAnd you were just gone and gone, gone and gone\n[Pre-Chorus]\nIn silent screams and wildest dreams\nI never dreamed of this\n[Chorus]\nThis love is good, this love is bad\nThis love is alive back from the dead, oh-oh, oh\nThese hands had to let it go free, and\nThis love came back to me, oh-oh, oh\nOh-oh, oh-oh, oh\n[Verse 2]\nTossing, turning\nStruggled through the night with someone new\nBaby, I could go on and on, on and on\nLantern, burning\nFlickered in my mind, only you\nBut you were still gone, gone, gone [Pre-Chorus]\nBeen losing grip on sinking ships\nYou showed up just in time\n[Chorus]\nThis love is good, this love is bad\nThis love is alive back from the dead, oh-oh, oh\nThese hands had to let it go free, and\nThis love came back to me, oh-oh, oh\nThis love left a permanent mark\nThis love is glowing in the dark, oh-oh, oh\nThese hands had to let it go free, and\nThis love came back to me, oh-oh, oh\n[Post-Chorus]\n(This love, this love, this love, this love, oh-oh, oh)\n(This love, this love, this love, this love, oh-oh, oh)\n(This love, this love, this love, this love, oh-oh, oh)\n(This love, this love, this love, this love)\n[Bridge]\nYour kiss, my cheek, I watched you leave\nYour smile, my ghost, I fell to my knees\nWhen you're young, you just run\nBut you come back to what you need [Chorus]\nThis love is good, this love is bad\nThis love is alive back from the dead, oh-oh, oh\nThese hands had to let it go free, and\nThis love came back to me, oh-oh, oh\n(This love) This love left a permanent mark\n(This love) This love is glowing in the dark, oh-oh, oh\n(This love) These hands had to let it go free, and\n(This love) This love came back to me, oh-oh, oh\n[Post-Chorus]\n(This love, this love, this love, this love, oh-oh, oh)\n(This love, this love, this love, this love, oh-oh, oh)\n(This love, this love, this love, this love)\nThis love, this love came back to me, oh-oh, oh" } ]

[ { "from": "human", "value": "Write me a song called What If I Kissed You with the following description: ‘What If I Kissed You’ is the second song Rita Ora worked on with Drake and StarGate after ‘R.I.P.’‘. and originally intended for release on her debut LP 'ORA’.\nThe song was passed on to fellow Roc Nation artist Bridget Kelly for her debut album ‘Something Different’. This album was shelved but Kelly released a version of the song on her mixtape ‘Time Flies’ called ‘Our Little Secret’.\nAs with ‘R.I.P.’ the track was originally pitched to Rihanna.\n\n\nExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "What if I kissed you right now\nHow would we explain it\nTrying to imagine how it might sound\nIf I just yelled out\nWhat if I kissed you right now\nWould it bring us any closer\nTake the weight off our shoulders\nTake me I'm yours\nAnd I don't really care who knows it\nCan we afford to be that open with all these emotions\nIf we were a secret how long could you keep it\nKeep it to yourself don't tell nobody else\nSomething away\n...away\nSomething away\nWith you... you...\nAnd you just be mine (just be mine)\nAnd you just be mine.. all mine\nAnd you just be mine (just, just be mine)\nAnd you just be mine.. all mine\nWhat if I kissed you right now...\nWould it bring us any closer\nTake a weight off of our shoulders\nTell on me\nI dont mind cause if they ask me about it I won't lie... ...admit that I'm yours\nI don't really care who knows it\nCan we afford to be that open with all these emotions\nIf we were a secret\nTell me could u keep it?\nKeep it your yourself don't tell nobody else\nSomething away\n...away\nSomething away\nWith you... you...\nAnd you just be mine (just be mine)\nAnd you just be mine.. all mine\nAnd you just be mine (just, just be mine)\nAnd you just be mine.. all mine\nWhat if I kissed you right now\nWhat if I kissed you right now\nJust be mine (just be mine)\nAnd u just be mine.. all mine\nAnd u just be mine (just, just be mine)\nAnd u just be mine.. all mine" } ]

[ { "from": "human", "value": "Write me a song called Project Baby with the following description: Kodak Black is establishing his place as the hottest new hip hop artist in the game. The 16 year old self proclaimed “Chosen One” of the streets grew up in the Golden Acres projects of Pompano Beach, FL.He began rapping at the age of twelve with the group Brutal Youngnz. His favorite rapper was Lil Boosie. Kodak was inspired not only by Boosie’s style, but also by his success. Kodak thought if Lil Boosie could become successful in his career and make a living rapping, he could do the same. As his experience with music progressed, he became affiliated with the Kolyons, a popular local group from Broward County. As a teenager growing up without a father, Kodak learned very early that he would have to hustle to survive. He started robbing as a way to provide for himself and his family. After several run ins with the law, he was placed in a juvenile detention center a total of three times in one year and finally placed on probation. It was then that he decided to put all his time and energy into his music career with the help of Dollaz N Dealz ENT. The CEO of Dollaz N Dealz, A.D. Julien, saw a star quality in Kodak Black that he had never seen before. Kodak was wise beyond his years and had the ability to light up a room with his presence. He decided to invest in Kodak Black’s solo career and signed him to the DND label. On December 25, 2013 Kodak Black dropped his first mixtape titled, “Project Baby.” The response from the streets was so overwhelming that Kodak and the DND family started gaining nationwide exposure. Gaining this level of success at the age of sixteen has only motivated Kodak Black to grind harder. As he continues to gain exposure, he continues to set more trends and breaks more records. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nAyy\nIt's Kodak man\nAnd when my mixtape drop I swear to God, y'all gon' be filthy\nProject baby\nOkay\n[Verse]\nLook, jit gon' hit a lick quick and he can rap (He can rap)\nHe play ball shoot them dice they like that (They like that)\nHow I tote that strap flippin' nicks they like that\nGot out here and since then, they been fucked up 'bout Lil Black\nKeep my pockets fat, I love 'em like that (I do)\nGet down see low game and crosstown and double back\nAyy Lil Kodak I'm from the corner\nI'm from the Noya\nFam taught me how to hold that pistol straight and put it on ya\nProject ho for a sight they put it on ya\nTrain 'em for some crip, suck ya up for some zona\nRalph Lauren Polo down Penny Loafers (Polo down nigga)\nLove robbing niggas I got tired of the popo\nBlowed basketball (Basketball)\nYou got me fucked up I blow this rap shit too\nI done got back in school they say it's the right move\nI do me and keep it cool\nSince a toddler, I was brought up with that bottom boy knowledge\nTurned a penny to a dollar\nWally taught me how to water whip, sticky palm olive was a jit\nLike, look at all dem bubbles at da bottom\nProject Rugrat, I'm where they slung at\nCopped the ounce dime bag by my nutsack\n8th-grade goonin', 9th-grade foolin', 10th-grade coolin'\nMight come out with a movie (Yeah)\nMiddle school, fool with that ball\nHigh school, can't tell me nothing at all (None)\n14 what I was shooting was not balls\n'Bout to be 16 they gon' know 'bout you boy\nHe a jit, but he ain't gone run up on ya like no jit\n'Cause he dead broke and he looking for a fix\nHe a fool with it but youngin he cool with it go to school with it\nHe gon' bring that tool in it\nCash for gold junky, ain't fucking 'round with no monkeys\nAin't fucking 'round with no beans\nAin't fucking 'round with no dummies\nThem cougars on me, oh them grown hoes wanna throw they coochie on me\nJust bring them social cards to 'em\nJust from out the projects, they look up to Lil Kodak\nI tell 'em (Take cover I'm 'bout to blow and they know that)\nGet ratchet with it ooh I love going on them missions\nBring that ratchet with me and they be like Kodak you tripping\n'Cause I popped a molly and I be happy on them missions\nI get real retarded, slap a nigga with that pistol\nMy nigga fam put that beast in me and I miss 'em\nJaw-locked, mouth all twisted on them mission\nJuvenile detention center, same lil' nigga\nFrom a loser to a winner I'm that same lil' nigga\nIn a stolo, ridin' round dolo\nDo all my shit solo! car smelling like dodo\nProject baby" } ]

[ { "from": "human", "value": "Write me a song called Ain’t That Funkin Kinda Hard On You? (We Ain’t Never Gonna Stop Remix) with the following description: Kendrick Lamar and Ice Cube remix the popular hit “Ain’t that Funking Kinda Hard On You?” by George Clinton.\nKendrick has remixed this before, the duo have collaborated before on “Wesley’s Theory.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Kendrick Lamar]\nTwo tears in a bucket I'll cry with ya, huh\nBut I can never lie with ya\nI can never afford not to afford\nI can never put my plans to the side with ya\nI can never see a red light\nLike a deer with a head light\nI freeze up when I re-up\nSee I really have patience\nIf you relatin', only the moment to complete us\nWhy you hate to work for it\nThe reason why I never went to work for it?\nSee a nine to five was so jive turkey\nBut when Thanksgiving came that check didn’t hurt me\nYou plead the fifth, I read the fifth amendment\nWe both criminals with bad intention\nThey say time heals all\nBut if I could short cut my success motherfunk all y'all\nWhat's up\n[Verse 2: George Clinton]\nBrothers be like\n\"George, ain't that funkin' kinda hard on you?\"\nI was hard when I started\nI'll be hard when I get through\nFor example if I had to sample some funk like you\nWould I be funky too?\nAnd another thing\nIt ain't so hard, it ain't so strange\nIf I could be funky like you\nIf I could be funky like you [Hook 1: ?]\nBrothers be yo like\n\"George, ain't that funkin' kinda hard on you?\"\nHe was hard when he started, said he going to be hard when he get through\nHe was hard he started, he going to be hard when he get through\n[Verse 3: Ice Cube and \nGeorge Clinton\n]\nBy the way I treat her\nYou know if I need her\nSee, Dr. Funkenstein\nThat's my spiritual leader\nSome suckers don't like it\nCause I'm a psychic\nAnd if you tricks don't like it\nHoe, you can dyke it\nIt's that self-made Kool-Aid\nLook what red and blue made\nTurned O'Shea into N.W.A\nTriple OG, ain't never sold a key\nAin't never did time, they still respect mine\nAsk all the nigga's, on the main line\nWho they favorite, and what he's made with\nPlayboy, I ain't nothing to play with\nI'm dangerous when it come to using this language\nMe and star child, we talk to strangers\nAll the real hoods are ready to bang this\nYou might not understand if you came from Cambridge\nI'm flesh and blood, that's hard as stainless\nYeah yeah\nIt's good to be hard\nIt's good to be hard, homie\nBut damn\nIt's hard to be good\nIt's hard to be good [Hook 2: George Clinton & (Kendrick Lamar)]\nBrothers be like\n\"George\"\n(Two tears in a bucket)\n\"ain't that funkin' kinda hard on you?\"\nI was hard when I started, I'll be hard when he get through\nBrothers be like\n\"George, ain't that funkin' kinda hard on you?\"\nI say, \"I was hard when I started, gon' be hard when he get through\"\n[Hook 1: ? & (Kendrick Lamar)]\nBrothers be yo like\n\"George\"\n(Two tears in a bucket)\n\"ain't that funkin' kinda hard on you?\"\nHe was hard when he started, and he'll be hard when he get through\n\"George, ain't that funkin' kinda hard on you?\"\nHe was hard when he started, and he'll be hard when he get through\nHe was hard when he started, and he gon be hard when he get through\n[Outro: ?, (?), \nKendrick Lamar\n & \nGeorge Clinton\n]\nAin't that funkin' kind hard on you?\nAin't that funkin kinda hard\nYeah\nAin't that funkin' kind hard on you?\nSince when did the funk become [?]\n(Baby, been funkin for so long)\nShit, ain't [?]\n(Hey-y-y-y)\nAin't that funkin' kind of hard on you?\nSee, Dr. Funkenstein\n(I'm still funkin' for fun)\nTwo tears and a bucket\nAin't that funkin' kinda hard on you?\n(I've been doing it from the start)\nAin't that funkin' kinda hard on you?\n(We ain't never gonna stop)\nTwo tears and a bucket\nAin't that funkin' kinda hard on you?\n(Never, never stop, no, no\nNever stop, no, no)\nAin't that funkin' kinda hard on you?\n(No, no\nNever stop\nNo, no, no\nNever, never, never stop)\nBrothers be like\n\"George, ain't that funkin' kinda hard on you?\"" } ]

[ { "from": "human", "value": "Write me a song called Black Widow (Demo) with the following description: “Black Widow\" is the demo version of Iggy Azalea’s song of the same name. This demo version features alternative lyrics in the verses. Clips from the demo appeared online on July 6, 2020. The full song leaked on July 8, 2020. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nI'm gonna love ya until you hate me\nAnd I'm gonna show ya what's really crazy\nYou should've known better than to mess with me harder\nI'm gonna love ya, I'm gonna love ya, gonna love ya\nGonna love ya like a black widow, baby (Baby, baby, baby)\n[Verse 1]\nI got my little black dress on, and some blood red nails\nYeah, I'm packed with poison\nGoing out for the kill\n'Cause I made a mistake\nYeah, I kissed a snake\nNow my hourglass shape's gonna seal your fate\n[Pre-Chorus]\nYou used to be thirsty for me\nBut now you wanna be set free\nBut this is the web, web that you weaved\nSo, baby, now rest in peace\n[Chorus]\nI'm gonna love ya until you hate me (Yeah)\nAnd I'm gonna show ya what's really crazy (Yeah)\nYou should've known better than to mess with me harder (Yeah)\nI'm gonna love ya, I'm gonna love ya, gonna love ya\nGonna love ya like a black widow, baby (Baby, baby, baby) [Verse 2]\nOh, little did you know\nWhen you cross the line\nThat I'ma triple Scorpio, with a wicked bite\nOoh, can you feel the sting?\nIt's paralyzing\nNow you're stuck with me\n'Cause you fucked with me\n[Pre-Chorus]\nYou used to be thirsty for me\nBut now you wanna be set free\nBut this is the web, web that you weaved\nSo, baby, now rest in peace\n[Chorus]\nI'm gonna love ya until you hate me (Yeah)\nAnd I'm gonna show ya what's really crazy (Yeah)\nYou should've known better than to mess with me harder (Yeah)\nI'm gonna love ya, I'm gonna love ya, gonna love ya\nGonna love ya like a black widow, baby (Baby, baby, baby)" } ]