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[ { "from": "human", "value": "Write me a song called Crazy Since The 80's with the following description: Track number 16 from Wiz’s debut studio album “Show and Prove” released in 2006. Produced by Johnny Juliano. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook]\nCan't compare, I been going crazy since the 80's fucker\nCan't compare, I been going crazy since the 80's fucker\nCan't compare, I been going crazy since the 80's fucker\nCrazy since the 80’s fucking, crazy since the 80’s fucking\nCan't compare, I been going crazy since the 80's fucker\nCan't compare, I been going crazy since the 80's fucker\nCan't compare, I been going crazy since the 80's fucker\nCrazy since the 80’s fuckin, crazy since the 80’s\n[Verse 1]\nIf you wondering who it is I'm the youngest in charge\nBack with another one of them classic ones, fuck with the boy\nSay you tired of hired help come and fuck with the boss\nNiggas say \"Man you winning\" fuck it I tell 'em of course\nI get love like a star, units move, cake appear\n412 PGH you hatin' cause we cakin' here\nAsk around you'll hear about the noise the youngin's making here\nHit 'em with that 'Oh No', now I'm record breaking here\nSee this that slow flow you heard of\nSeeing mo dough and re-ing more dro to burn up\nKeep it low though before the po-po swerve up\nPull us to the side and them homos search us\nGotta keep the work up, cause I was taught supply-demand\nSmoking putting Pistolvania on the map cause I'm the man\nHustle hard plus the ladies love the nasty flow, scrappy know\nSo why you hate me? Cause he crazy since the 80's (fucker) [Hook]\n[Verse 2]\nYeah it’s young Wiz ain’t nobody do it how I done it son\nKilled ‘em with the first and gotta hit 'em with another one\nNot quite the remix, you see this G-Shit?\nFor you to Pittsburgh ditty-bop to the beat with\nFresh with my A-1’s, keep a leaning fitted cap\nFor those who sick of rap thank God ya niggas back\nA lot of niggas wack and that’s just sad to see\nWe in a marathon you cats are lapped to me\nKhalifa still the same, ain’t nothing change but my change\nAnd my foot got a lil deeper up in the game\nIt’s hard seeing through all this reefer up in my brain\nLet the trunk bang while you weaving and switching them lanes\nHope if you in the club let ‘em know you moving through\nTo pop something, roll something, man do what you do\n18, making major moves that’s why they hate me brother\nPlus I’m getting cakey I been crazy since the 80’s fucker\n[Hook]\n[Verse 3]\nLet me make it clear, when that cake appear\nIma make more in one day than most niggas make a year\nI put my time in, (what you doin’ man?) nothing but grinding\nMoving these units they coming back for what I’m supplying\nI’m from the Steel-City, ya’ll niggas still lost\nI’m the youngest in charge spittin' that real raw\nMy dutchies real long plus I work real hard\nFuck a battle dog I’ll show you how to make a real song\nOr how to switch states, get cake from a mixtape\nCouple hundred-thousand off my face from Myspace\nYou’ll be frustrated from tryna keep up with my pace\nHow I control the track you fools get over-lapped\nYou’ll get left in the dust just cause you lesser than us\nAnd coming at the kid? Simply said it’s just pressing ya luck\nSee I was hungry on this grind when you was lazy brother\nSo why you hate me? I been crazy since the 80’s fucker [Hook]" } ]

[ { "from": "human", "value": "Write me a song called Neva CHange with the following description: This is a lovely song about Q’s feelings about the world never changing; by acknowledging his own faults. He sees it’s very hard to change. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nAh, yeah, yeah\nAh, yeah, yeah\nAh, yeah, yeah\nAh, yeah, yeah, yeah, yeah\n[Refrain: ScHoolboy Q]\nHoes ain't callin'\nThe cocaine rock\nWorld keep spinnin'\nThe block stay hot\nThe block stay hot\nThe block stay hot\nWorld keep spinnin'\n[Verse 1: ScHoolboy Q]\nThank God for the game\nMy TV screen off the chain\nMy bitch, she off the chain\nI came from the grain\nThe sidewalk chalk (Yeah)\nThe block stay hot\nParanoid, the cop that keep my gear in park\nPull me out the car to give me black thought\nBut fuck it, this shit's all kinda player\nThis shit my mama flavor\nThis that raised by your granny, pistols and Now & Laters\nYour pops was way too busy, missin' your mom's labor\nGrew up just like your daddy to packin' baggies in alleys\nTo where the streets is your family\nGettin' burnt by the same cop\nGo to jail for a year and come home, two of your niggas dropped\nYou know how that feelin' feel, in the field, when it's gettin' real\nMore bullets to go around, come jump in this water, nigga\nYou still with your mama livin', thirty with no ambition\nYour kid got no pot to piss in\nYou sayin' some nigga fake\nYou're selfish and sad, nigga you're lame (And go on)\nYou hatin' on another man's success, because\nThe nigga blessed and wouldn't let you finesse\nYou got the game all twisted\nYou're leechin' worse than these ladies, your inner nigga ain't aging\nReason the hood stay shady [Chorus: SZA]\nWho you do when you want?\nBoy, think you got this\nNo one here, on your own\nStuck in the same spot\nWhat do you do? What do you do?\nHoes ain't callin' like you want\nOnly ones you got passed\nNo one here, on your own\nStuck in the same spot\nWhat do you do? What do you do?\nOoh, ooh, ooh, ooh\n[Refrain: ScHoolboy Q]\nHoes ain't callin'\nThe cocaine rock\nWorld keep spinnin'\nThe block stay hot\n[Verse 2: ScHoolboy Q]\nReally wit' it for real\nWe fuckin' hoes for real\nGettin' paper for real, nigga\nI play for the bills, nigga\nI really sold pills\nSmokin' weed for my ills\nBreakin' weed in my whip\nJust got an ounce on a bitch\nStill our motive be commas\nAnd still my life isn't promised\nStill nervous as drivers\nYou see them lights get behind us\nThey pull me out for my priors\nWon't let me freeze 'fore they fire\nYou say that footage a liar\nThey want my flow in the dryer\nI'm at the top aimin' higher\nMy lawyers stay on retainer\nWhen white folks point the finger\nPlace my neck on that hanger\nShit, no wonder we riot\nNiggas still killin' niggas\nChild support killin' niggas\nCops enslavin' us niggas\nLittle girls killin' mothers\nThey treat their kid like a brotha\nFathers stuck with them lifers\nKept it real with his niggas, but left his kid for the suckas\nShit, no wonder we bang\nDamn shame, mane, some things will never change [Chorus: SZA]\nWho you do when you want?\nBoy, think you got this\nNo one here, on your own\nStuck in the same spot\nWhat do you do? What do you do?\nHoes ain't callin' like you want\nOnly ones you got passed\nNo one here, on your own\nStuck in the same spot\nWhat do you do? What do you do?\nOoh, ooh, ooh, ooh\n[Outro]\nLa, la-la-la\nLa-la, la, la\nLa, la, la, la-la-la\nLa-la-la\nLa-la, la, la, la, la\nLa-la-la-la\nLa-la-la-la\nLa-la-la-la\nLa-la-la-la\nLa-la, la, la" } ]

[ { "from": "human", "value": "Write me a song called Baby You with the following description: Another track dispelling Game’s claim no features, Jason Derulo drops by for a hook and a verse.\nThe entire song is about his ex-girlfriend and mother of two of his children, Tiffney Cambridge. Game has admitted before he blames himself for the break up, and here he seems to confess he still thinks about what could have been. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nBaby, baby\nBaby you, baby\n[Verse 1: The Game]\nBaby you know you got me goin' crazy\nYou run around my head like these waves\nYeah baby you, you know that you the one that I adore\nThe one I introduced to Tom Ford at dinner\nThat was you, you'se the one I fell in love with\nThe one I move these drugs with but now you on some fuck shit\nAnybody but you\nI ain't figured that you would be the one to cut me\nLeave me on the floor fuckin' bloody, God damn\nBaby you, you had me fooled the whole time\nNow you got me in King of Diamonds givin' these hoes time\nGirl, baby you, I can't blame you though\nWhen you see the door, you see the door\nNow listen, baby you\n[Chorus: Jason Derulo]\nEvery time I decide to leave you all in the past\nBaby I be, thinking 'bout you on the long drive, yeah\nAnd you ain't no one to make me feel unsatisfied, no, uh\nBut baby you, you got me going, uh\nBut you got me going, you got me going, uh\nBut you got me, you got me, you got me\nYou got me, you got me, yeah\nYou got me, you got me, you got me\nYou got me, you got me\nBaby you, yeah, oh [Verse 2: The Game]\nTell me how you think we livin' how we live?\nLike you the one that put us in these cribs\nNot me but baby you\nLike I ain't gettin' money for these shows\nI guess you think I'm trippin' on these hoes\nThey fans but look at you\nWho in them Celine bags? Who in them Giuseppes?\nLouboutins, wanna bet me? I win 'cause it's you\nYou begged me to get on that show\nI ain't want it but you did, I'm a real nigga, I did it for you\nYou don't see Swizz and Alicia\nKim K and Kanye, arguin' all the time\nIt's just you\n, \nI begged you to marry me\nHalf a million dollars out my safe down the drain\nBut fuck it 'cause that was you\nDamn we got some beautiful kids\nBut you never say it somethin' we did\nI guess your baby daddy you\nRegardless of the shit we go through\nI got Jason in the booth, 2 AM singin' shit about you\n[Chorus: Jason Derulo]\nEvery time I decide to leave you all in the past\nBaby I be, thinking 'bout you on the long drive, yeah\nAnd you ain't no one to make me feel unsatisfied, no, uh\nBut baby you, you got me going, uh\nBut you got me going, you got me going, uh\nBut you got me, you got me, you got me\nYou got me, you got me, yeah\nYou got me, you got me, you got me\nYou got me, you got me\nBaby you, yeah, oh [Verse 3: Jason Derulo]\nBlood is money and I spent it on ya\nAin't it funny how it ended, oh yeah?\nYou said you'd go down for the last time\nBut we both know it's not the last but I saved mine, uh\nLong as you going down\nI'ma tell you what you want to hear, uh\nWell you got me, you got me, you got me\nYou got me, you got me, yeah, oh\nI'ma tell you baby, you got me, you got me, you got me\nYou got me, you got me (you got me, you get me)\nWhat you need a ring for?\nWhen you got me baby, yeah, yeah\nDon't listen to what your friends say\nDon't listen to what the people say\nDon't listen to the blogs baby\n'Cause they full of shit, oh, oooooh\n[Outro: Jason Derulo]\nOoh, ooooh, hey\nYeah baby, yeah baby" } ]

[ { "from": "human", "value": "Write me a song called Mine with the following description: “Mine” is the lead single from Taylor’s third studio album Speak Now.\nIt tells the story of a girl whose parents' failed marriage has caused her to take a pessimistic view on love. Over time she falls in love with someone who convinces her to start believing in love again, but she still fears that something will go wrong.\nThis song is rumored to be about the late Glee actor, Cory Monteith. The pair hung out briefly between January and April 2010, and were pictured bowling with Selena Gomez.\n\nThe hidden message for the track is “Toby” which is in reference to her music video co-star, Toby Hemingway. The pair never had a romantic relationship, with Taylor stating that she picked him after spotting him wear her lucky number 13 on a t-shirt in his movie, The Covenant. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOh-oh, oh-oh\nOh-oh, oh-oh\n[Verse 1]\nYou were in college working part time waitin' tables\nLeft a small town, never looked back\nI was a flight risk with a fear of falling\nWonderin' why we bother with love if it never lasts\n[Pre-Chorus]\nI say, \"Can you believe it?\"\nAs we're lyin' on the couch\nThe moment I could see it\nYes, yes, I can see it now\n[Chorus]\nDo you remember, we were sittin' there by the water?\nYou put your arm around me for the first time\nYou made a rebel of a careless man's careful daughter\nYou are the best thing that's ever been mine\n[Verse 2]\nFlash forward and we're takin' on the world together\nAnd there's a drawer of my things at your place\nYou learn my secrets and you figure out why I'm guarded\nYou say we'll never make my parents' mistakes [Pre-Chorus]\nBut we got bills to pay\nWe got nothing figured out\nWhen it was hard to take\nYes, yes, this is what I thought about\n[Chorus]\nDo you remember, we were sittin' there by the water?\nYou put your arm around me for the first time\nYou made a rebel of a careless man's careful daughter\nYou are the best thing that's ever been mine\nDo you remember all the city lights on the water?\nYou saw me start to believe for the first time\nYou made a rebel of a careless man's careful daughter\nYou are the best thing that's ever been mine\n[Post-Chorus]\nOh-oh, oh-oh\n[Bridge]\nAnd I remember that fight, 2:30AM\nAs everything was slipping right out of our hands\nI ran out crying and you followed me out into the street\nBraced myself for the goodbye\n'Cause that's all I've ever known\nThen you took me by surprise\nYou said, \"I'll never leave you alone\" [Chorus]\nYou said, \"I remember how we felt sitting by the water\nAnd every time I look at you, it's like the first time\nI fell in love with a careless man's careful daughter\nShe is the best thing that's ever been mine\"\n[Post-Chorus]\nHold on, make it last\nHold on, never turn back\n(Hold on) You made a rebel of a careless man's careful daughter (Make it last)\n(Hold on) You are the best thing that's ever been mine (Hold on)\n[Outro]\nYes, yes, do you believe it? (Hold on)\nYes, yes, we're gonna make it now (Hold on)\nYes, yes, I can see it\nYes, yes, I can see it now" } ]

[ { "from": "human", "value": "Write me a song called The Watcher with the following description: This is the first song on Dr. Dre’s second album, 2001, and he uses it to reflect on the changes he’s observed since his last album.\nWritten by Eminem per the album liner and confirmed by The D.O.C., Em released a freestyle over the same beat in the following months.\nThree years later, an official sequel came out when Jay-Z released “The Watcher 2” with a similar beat and a feature from Dr. Dre. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Dr. Dre]\nThings just ain't the same for gangstas\nTimes is changin', young niggas is agin'\nBecoming OG's in the game and changin'\nTo make way for these new names and faces\nBut the strangest things can happen from rappin'\nWhen niggas get wrapped up in image and actin'\nNiggas get capped up and wrapped in plastic\nZipped up in bags—when it happens, that's it\nI've seen 'em come, I've watched 'em go\nWatched 'em rise, witnessed it, and watched 'em blow\nWatched 'em all blossom and watched 'em grow\nWatched the lawsuits when they lost the dough\nBest friends and money: I lost 'em both\nWent and visited niggas in the hospital\nIt's all the same shit all across the globe\nI just sit back and watch the show (The watcher)\n[Chorus: Eminem & Knoc-turn'al]\n'\nCause everywhere that I go\nAin't the same as befo' (The watcher)\nPeople I used to know\nJust don't know me no mo' (The watcher)\nBut everywhere that I go\nI got people I know (The watcher)\nWho got people they know\nSo I suggest you lay low\n (I'm watching) [Verse 2: Dr. Dre]\nI moved out of the hood for good—you blame me?\nNiggas aim, mainly, at niggas they can't be\nBut niggas can't hit niggas they can't see\nI'm out of sight now, I'm out of they dang reach\nHow would you feel if niggas wanted you killed?\nYou'd probably move to a new house on a new hill\nAnd choose a new spot, if niggas wanted you shot\nI ain't a thug—how much 2Pac in you you got?\nI ain't no bitch, neither\nIt's either my life or your life and I ain't leavin', I like breathin'\n'Cause nigga, we can go round for round\nClip for clip—shit, four-pound for pound\nNigga, if you really want to take it there, we can\nJust remember that you fuckin' with a family man\nI got a lot more to lose than you\nRemember that when you wanna come and fill these shoes\n (The watcher)\n[Chorus: Eminem & Knoc-turn'al]\n'Cause everywhere that I go\nAin't the same as befo' (The watcher)\nPeople I used to know\nJust don't know me no mo' (The watcher)\nBut everywhere that I go\nI got people I know (The watcher)\nWho got people they know\nSo I suggest you lay low (I'm watching) [Verse 3: Dr. Dre]\nThings just ain't the same for gangstas\nCops is anxious to put niggas in handcuffs\nThey wanna hang us, see us dead, or enslave us\nKeep us trapped in the same place we was raised in\nThen, they wonder why we act so outrageous\nRun around stressed out and pull out gauges\n'Cause every time you let the animal out cages\nIt's dangerous to people who look like strangers\nBut now, we got a new era of gangstas\nHustlers and youngsters livin' amongst us\nLookin' at us now, callin' us busters\nCan't help but reminisce back when it was us\nNigga, we started this gangsta shit!\nAnd this the motherfuckin' thanks I get?\nIt's funny how time flies\nI'm just having fun, just watchin' it fly by\n (The watcher)\n[Chorus: Eminem & Knoc-turn'al]\n'Cause everywhere that I go\nAin't the same as befo' (The watcher)\nPeople I used to know\nJust don't know me no mo' (The watcher)\nBut everywhere that I go\nI got people I know (The watcher)\nWho got people they know\nSo I suggest you lay low (I'm watching) [Outro: Knoc-turn'al]\nThe watcher\nI'm watching\nThe watcher\nThe watcher" } ]

[ { "from": "human", "value": "Write me a song called Omen (Acoustic) with the following description: The original of this song, performed with Disclosure was first heard as part of their 2015 album, Caracal, and then issued as lead single. This slower version, available as a download, as a track on the ‘Drowning Shadows’ edition of ‘In the Lonely Hour’ and on YouTube, has Sam Smith singing with spare backing instruments and a completely different mood.\nSam Smith had vocal training since childhood and through his teenage years with jazz singer and songwriter Joanna Eden. Her influence can be seen in Sam’s performance, with his vocal versatility, his ability to explore unusual chord prgressions and improvise variations. The pace is much slower than Disclosure’s, in which Sam sings it as a dance number, but here showcases his wide vocal range and remarkable voice. This is a more specialised version that will appeal to jazz fans.\nDetailed annotations of the lyric can be found on the page for the Disclosure version. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nHmm, I'm feeling something, something different\nWhen you left, the picture changed\nI was blinded, I'd not envisioned\nThe same face in a different frame\n[Pre-Chorus]\nIt's an omen, caught my baby crying\nSaw the silver lining\nIt must be an omen\nNeeded you to show me\nWithout you I am lonely\n[Chorus]\nMy mind would rule my heart\nI didn't pay attention to the light in the dark\nIt left me torn apart\nBut now I see your tears as an omen\n[Refrain]\nOh-Oh-Oh-Oh\nOmen\nOh-Oh-Oh-Oh\nOmen\n[Verse 2]\nYou were waiting, I was vacant\nYou left before my eyes\nThen it hit me, you're relocating\nAnd I need you by my side [Pre-Chorus]\nIt's an omen, caught my baby crying\nSaw the silver lining\nIt must be an omen\nNeeded you to show me\nWithout you I am lonely\n[Chorus]\nMy mind would rule my heart\nI didn't pay attention to the light in the dark\nIt left me torn apart\nBut now I see your tears as an omen\n[Outro]\nOh-Oh-Oh-Oh\nOmen, oh\nOh-Oh-Oh-Oh\nOmen, oh\nOh-Oh-Oh-Oh\nOmen, oh\nOh-Oh-Oh-Oh\nOmen" } ]

[ { "from": "human", "value": "Write me a song called Work Hard with the following description: 1 day before the first anniversary of Culture, the Migos continue to use their flow in their work with production assisted by DJ Durel and Dun Deal.\n“Work Hard” talks about their troubled upbringing and talks about the struggles they had to endure before becoming one of the biggest acts in the rap industry. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nDun Deal on the Track\n[Chorus: Quavo]\nDropped out of school, I didn't graduate (oh no)\nBut I still got the M's on my plate (oh, oh yeah)\nMama ain't really have a good job (oh no, mama)\nBut now she ain't never gotta have no job (no, no)\n'Cause I work hard for mine, yeah (work hard, work hard, work)\n'Cause I work hard for mine (work hard, work hard, work hard, oh yeah, yeah)\n[Verse 1: Quavo]\nWhen I go hard anything goes (hard)\nWalk in with the chains, Quavo Django (chains)\nI-85 on the Banshee (skrrt skrrt)\nHad to park it 4 by 4, Mercedes Jeep\nWide body check (wide), wide body check (yeah)\nAnswer all the calls (yeah), 'cause it might be the check (brr)\nWe will never fall (yeah), as long as on the head (yeah)\nCalled my best dog just to ship out all the meds\nI'ma handle all business (yeah), I'ma handle all business (for real)\nI'ma take care my mama (mama), and if I ever have children (woo)\nLord knows, Lord willing (God), can't go back to the system (nah)\nIf I ever get a feelin' (uh), I'ma hide all the millions (woo)\nPark the Benz and the Bentley (woo), designer belt game, Fendi (designer)\nPut ya bitch in the blender (splash), now she think she work the milly (M&Ms)\nY'all niggas too silly (ha), these niggas too envy (jealous)\nTake 'em back to beginnin' (back), gang gang been winnin' (woo, gang) [Chorus: Quavo]\nDropped out of school, I didn't graduate (you know I didn't graduate)\nBut I still got the M's on my plate (the M&M way)\nMama ain't really have a good job (let's have a field day)\nBut now she ain't never gotta have no job (no way, no way, no way)\n'Cause I work hard for mine, yeah (work hard, work hard, work)\n'Cause I work hard for mine (work hard, work hard, work hard)\n[Verse 2: Takeoff]\nWhen I go hard I play hardcore (hard)\nAnd I got that white, ain't talkin' chalk board (white)\nCount it\nThat's the sound of Benjamins, my thumb sore\nPull up and get pressed (pressed), laser on the TEC (TEC)\nDiamonds drippin' wet (wet), you just got finessed (finessed)\nWhen I say I'm fresh, don't need no stylist to get dressed (no)\nHeard he asked for smoke, don't need the game to get you pressed\nI'ma serve 'em with the TEC (brr), and it's the gang fuck the rest (fuck 'em)\nI get the bag make it stretch (stretch), and none of my niggas ain't goin' for that\nMy niggas up now but you say you next, look and then see what's the catch (catch)\nAll my dogs but we don't do fetch (nah), unless I put some on ya head (Takeoff)\n[Chorus: Quavo]\nDropped out of school I didn't graduate (you know I didn't graduate)\nBut I still got the M's on my plate (the M&M way)\nMama ain't really have a good job (let's have a field day)\nBut now she ain't never gotta have no job (no way, no way, no way)\n'Cause I work hard for mine, yeah (work hard, work hard, work)\n'Cause I work hard for mine (work hard, work hard, work hard) [Verse 3: Offset]\n(Woo, woo, woo, Offset)\nWorked hard, bought my mom a third car (work, work)\nLeft my heart in my grandma's graveyard (grandma, hey)\nI'm in the Blues Clues, Bentley Avatar (Blues Clues)\nAin't no flaw, board on the jet eatin' caviar (no flaw, phew)\nNascar, drivin' it fast like a Nascar (skrrt skrrt)\nThis not a Jaguar (argh), I'm with the remix and bath salts (remix)\nWe see what your stash about (stash), dope in the cabin route (hey)\nFeel like I'm passin' out (whew), but they keep the cash en route (racks)\nI got my kids to feed, they think that I'm Hercules (think that I'm Superman)\nI don't got no time to sleep, I gotta subscribe to be (I cannot sleep)\nOpen your eyes and see a hunnid mil' lottery (woo, woo, phew)\nI put my hood on my back 'cause I know they depend on me (facts)\n[Chorus: Quavo]\nDropped out of school, I didn't graduate (you know I didn't graduate)\nBut I still got the M's on my plate (the M&M way)\nMama ain't really have a good job (let's have a field day)\nBut now she ain't never gotta have no job (no way, no way, no way)\n'Cause I work hard for mine, yeah (work hard, work hard, work)\n'Cause I work hard for mine (work hard, work hard, work hard)\n[Outro: Quavo]\nWork hard, work hard, work hard" } ]

[ { "from": "human", "value": "Write me a song called Work with the following description: On “Work,” Rihanna seeks a deep, meaningful connection, however the male character she sings to (played by Drake) is only interested in sex. This narrative is similar to Rihanna and Drake’s previous collaborations, 2010’s “What’s My Name?” and 2011’s “Take Care.”\nRihanna sings in Jamaican Patois throughout, which she spoke about in Vogue’s April 2016 cover story:\nYou get what I’m saying, but it’s not all the way perfect. Because that’s how we speak in the Caribbean.\nOn “Work” co-star Drake, Rihanna added: “Everything he does is so amazing. We would go to in the Caribbean and just dance and drink and smoke and flirt.”\nSnippets of “Work” began to circulate in January 2016 after the pair were spotted shooting a music video in an L.A. mall. On January 26th, Power 106 DJ Justin Credible tweeted that the collaboration between Drake and Rihanna would be coming sooner than anticipated.\nOne of the song’s producers, Allen Ritter, told Genius that the song originally came together at a pool party at Drake’s house.\nBoth official “Work” videos were released on February 22, 2016. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Rihanna]\nWork, work, work, work, work, work\nHe said me haffi\nWork, work, work, work, work, work\nHe see me do mi\nDirt, dirt, dirt, dirt, dirt, dirt\nSo me put in\nWork, work, work, work, work, work\nWhen you ah guh\nLearn, learn, learn, learn, learn?\nMe nuh cyar if him\nHurt, hurt, hurt, hurt, hurting\n[Verse 1: Rihanna]\nDry! Me ah desert him\nNuh time to have you lurking\nHim ah go act like he nuh like it\nYou know I dealt with you the nicest\nNuh body touch me, you nuh righteous\nNuh badda, text me in a crisis\nI believed all of your dreams, adoration\nYou took my heart and my keys and my patience\nYou took my heart on my sleeve for decoration\nYou mistaken my love I brought for you for foundation\nAll that I wanted from you was to give me\nSomething that I never had\nSomething that you've never seen\nSomething that you've never been\nMmmmm\nBut I wake up and act like nothing's wrong\nJust get ready fi [Chorus: Rihanna]\nWork, work, work, work, work, work\nHe said me haffi\nWork, work, work, work, work, work\nHe see me do mi\nDirt, dirt, dirt, dirt, dirt, dirt!\nSo me put in\nWork, work, work, work, work, work\nNer, ner, ner, ner, ner, ner\nWhen yuh ago learn, learn, learn, learn, learn, learn?\nBefore the tables turn, turn, turn, turn, turn, turn\n[Verse 2: Rihanna]\nBeg you something, please\nBaby, don't you leave\nDon't leave me stuck here in the streets, uh-huh\nIf I get another chance to\nI will never, no, never neglect you\nI mean, who am I to hold your past against you?\nI just hope that it gets to you\nI hope that you see this through\nI hope that you see this true\nWhat can I say?\nPlease recognize I'm tryin', babe\nI have to [Chorus: Rihanna]\nWork, work, work, work, work, work\nHe said me haffi\nWork, work, work, work, work, work\nHe see me do mi\nDirt, dirt, dirt, dirt, dirt, dirt\nSo me put in\nWork, work, work, work, work, work\nWhen you ah guh\nLearn, learn, learn, learn, learn?\nMe nuh cyar if him\nHurt, hurt, hurt, hurt, hurting\n[Verse 3: Drake \nwith Rihanna\n]\nYeah, okay\nYou need to get done, done, done, done at work, come over\nWe just need to slow the motion\nDon't give that away to no one\nLong distance, I need you\nWhen I see potential, I just gotta see it through\nIf you had a twin, I would still choose you\nI don't wanna rush into it if it's too soon\nBut I know you need to get done, done, done, done\nIf you come over\nSorry if I'm way less friendly\nI got niggas tryna end me, oh (Yeah)\nI spilled all my emotions tonight, I'm sorry\nRollin', rollin', rollin', rollin', rollin'\nHow many more shots until you're rollin'?\nWe just need a face-to-face\nYou could pick the time and the place\nYou spent some time away\nNow you need to forward \nand give me all the [Chorus: Rihanna & \nDrake\n]\nWork, work, work, work, work, work\nHe said me haffi\nWork, work, work, work, work, work\nHe see me do mi\nDirt, dirt, dirt, dirt, dirt, dirt\nSo me put in\nWork, work, work, work, work, work\nWhen you ah guh\nLearn, learn, learn, learn, learn?\nMe nuh cyar if him\nHurt, hurt, hurt, hurt, hurting\n[Outro: Rihanna]\nMmmmm, mmmmm\nMmmmm, mmmmm\nWork, work, work, work, work, work\nMmmmm, mmmmm\n[Click here to learn more about the making of \"Work\"]\n[Produced by Boi-1da]" } ]

[ { "from": "human", "value": "Write me a song called White Dress with the following description: “White Dress” is featured on the soundtrack for RZA’s movie, The Man with the Iron Fists. Speaking to MTV about it, he said:\nKanye’s a dope lyricist, but what he did on this particular song it’s like, it ain’t 16 bars, he’s going like how Ghostface goes, it’s like 40 bars. Just going, he’s going, he’s killing it.\nMore recently, he gave the folks over at Complex a more in-depth look break down of it:\n\nThe Kanye track was actually written for the film. I invited Kanye into the editing room, and I showed him the scene [where Lucy Liu’s character comes around the corner wearing a gown], and it already had the music underneath the scene. And I wanted him to write a song for it. He came in to see the scene, and he loved it. And he was like, ‘Yo, I’m gonna bless it. Trust me.’\nSo I took the track, which was more score [at first], and not as elaborate as what we ended up with, it was more just the soul Stax sound that we had. [I gave him the track], and I sent him away. We would communicate every few months, because it took about eight months to get all this music together.\nAnd about six months in, I was inside what’s called the sound stage. See, some of these songs are in the movie itself. Some are not. This is in the movie. But the only way to get it in the movie is to have it in by a certain day, because the movie closes [production]. And about one week before the movie closed, Kanye sent the song.\nWe were happy, because we already had a version of the scene without it. But I emailed him one more time, because he had told me the verse maybe a month earlier, and said he didn’t finish it, but was like, ‘I’m goin’ in, I’m goin’ in.’ And then, when he finished it and sent it to me, I was like, ‘Oh yeah, he went in.’ I think he [rapped] great on that song.\nIf my time allows me, I’m gonna try to slip down there to Hawaii to hook up with him.\n\nYe himself said that he, “tried to make it Ghostface long.”\n\nSubsequently, RZA released an alternate version with a different sound -bed and featuring Wu-Tang affiliate Tru James of Stone Mecca. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nJust me and you, girl\nWoah-oh\nJust me and you, girl\nWoah-oh\n[Verse 1]\nTryin' to sneak upstairs to your apartment\nAren't you a sight for red eyes?\nI just flew in and slipped in on your left side\nJust a satin gown, you asleep with no make-up\nI'm just tryna be inside you 'fore you wake up\n[Chorus]\nJust me and you, girl\nWoah-oh\nJust me and you, girl\nWoah-oh\n[Verse 2]\nWe had problems but that's all in the past\nEverybody got problems, baby, algebra class\nI remember I used to do things that'd make you laugh\nLike orderin' a girl drink in a masculine glass\nYou like piña coladas, getting caught in the rain\nOr rockin' flannels all summer like Kurt Cobain\nOr that Dolce Gabbana with a few gold chains\nAnd you the type of girl that probably deserve a new last name, but\nThey never let us do our thing\nEverybody lying on who I bang\nWe was on fire but they blew our flame\nAin't no denyin', baby, you have changed\n'Cause now your high heels clicking, your lip gloss glisten\nYour hips start switching, you're pissed off, tripping\n'Cause even when we kissin', baby girl, it feel different\nFriends all diss him like, \"No, he didn't?\nNo, he didn't, is you talking 'bout Kitten?\nIs that bitch still stripping?\nTrying get a pair of Christians?\"\nI swear to God that they got you going crazy\nBut you play it off and say, \"How's work, baby?\" Well\nSome of the models is too coked up to walk straight\nBut seem to still love the man that they all hate\nBut, babe, I call you back and say, \"You say that always\"\nAnd kept me on the phone and demanded they all wait\nSee, she knew about all my lies the whole time\nAnd my credit's so bad, I can't get no one to cosign\nI would've thought she would've bust through the door cryin'\nBut she upped and left a nigga and she ain't give me no sign, now\nShe back in the club in a tight dress\nWith dreams of someday wearing a white dress\nSeen with some lame, it's a miracle that\nShe'll talk to a nigga with a ten-year-ago swag\nPlus, I don't like none of her girlfriends\nQuote unquote, \"'Cause her girlfriends got girlfriends\"\nOn the phone, hollin' that \"Niggas is whatever\"\nLet's fly to Euro and make this the best summer ever\nNow she headed to Rome, Rome is the home\nRome is where she act like she ain't got no fuckin' phone\nI accept that I was wrong, except a nigga grown\nSo I can't bitch and moan, in a session gettin' stoned\nSo a nigga had to hop on a plane, a bus and a train\nTo try to come and talk and explain\nRented the whole bottom floor for a candlelight dinner\nTurned the lights out and put my candle right in her\nAnd told her, \"Even though I met you in a club in a tight dress\nAt first sight, I could picture you in a white dress\"\nThirty-foot train, diamond from Lorraine\nJust to make up for all the years and the pain\nFamily on both sides, I'm so glad you came\nAunty couldn't make it? Oh, no, that's a shame\nWeddin' in June, what could be better?\nLet's fly to Euro and make this the best summer ever\nTake the very last car of the Eurostar\nTell the conductor, \"Just drive so far\"\nTold some of your friends and they wasn't excited?\nWell, we gon' tour the countryside and they won't be invited\nWe will not be disturbed by the fussin' and fightin'\nTell Peaches light the herb 'cause we just reunited\nLet's make a move from these herds, go somewhere private\nI'm talkin' just me and you and the plane and the pilot, uh [Chorus]\nJust me and you, girl\nWoah-oh\nJust me and you, girl\nWoah-oh" } ]

[ { "from": "human", "value": "Write me a song called Miss Cleo with the following description: Lil Uzi pays tribute to the TV psychic Youree Dell Harris aka Miss Cleo and deals with success that is easy to go along with it;\nThe track was initially named “Water on My Diamonds” and was released on Soundcloud with “Grow Up” and “Woke Up Thankful”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI got my nina, don't need her\nRest in peace Miss Cleo\n'Cause she know I'm just gon' read her\nRest in peace to Cleo\nI got my nina, don't need her\nRest in peace Miss Cleo\n'Cause she know I'm just gon' read her\nRest in peace to Cleo\nThat-that-that-that-that, that be Maaly Raw!\n[Hook]\nYea I'm walkin' with them racks\nYea I'm walkin' with them stacks\nWatch I make it right back\nAnd my uzi all black\nWalk around with the MAC\nIt was really nice to know ya\nBut I see right through ya\nNow my crib got a pool\nNow a nigga livin' cool\nWater, water on my jewels\nPhillip Lim on my shoes\nYeah, I'm a winner not a loser\nIt was really nice to know ya\nI can see right through ya [Verse 1]\nYeah, mix it up in a double cup\nCuz gettin' so screwed up\nLife gettin' so screwed up\nDiamonds hittin', they look blue ya\nYou got rhinestones, you can't fool us\nBrought my side bitch, I'ma put up\nMix my young bitches with cougars\nFool us, no you can not fool us\nYeah, talk to my shooter\nThey say they need some more ruler\nShe better follow my rule\nDiamonds so cool like a cooler\nYeah, thumb through the money, right through it\nAll of my money is blue ya\nWhat's her name don't know she new\nYea don't have a DJ Clue\nCounting money help my mood\nYea you know\nMister diamond wet like boat\nY'all always copy my flow\nAdam Sandler with my clique like remote\nPut 'em on pause\nDiamonds they wet like a boat\nDiamonds they wet like a boat\nDiamonds they wet like a boat\nCountin' this money keep goin'\nWatch me, I’m hittin' my shoulder\nWatch me, I’m hittin' my shoulder\nWatch me, I’m hittin' my shoulder [Hook]\nYea I'm walkin' with them racks\nYea I'm walkin' with them stacks\nWatch I make it right back\nAnd my uzi all black\nWalk around with the MAC\nIt was really nice to know ya\nBut I see right through ya\nNow my crib got a pool\nNow a nigga livin' cool\nWater, water on my jewels\nPhillip Lim on my shoes\nYeah, I'm a winner not a loser\nIt was really nice to know ya\nI can see right through ya\n[Verse 2]\nSpending that money at Dovers\nThis is a Range not a Land Rover\nI keep it clean\nInside peanut butter outside mint green\nI never been overseas\nBut got some girls from overseas\nYea you know what I mean\nFly 'em first class so I can uhm just see 'em\nOne night with me she just want to leave him\nI told her that she really should keep him\nCause he hold her down and he good people\nShe said her love for me is not equal\nWe are the same but I'm just a little higher like Bugatti and Beetle\nKnow I told you I would never leave you\nOk hit that thing right in that fetal\nMe and my boys walk across the street with them suits on feel like The Beatles\nI heard you chain was a rental\nI love my ring like I'm Smeagol\nYea I stay sharp like a needle\nYea I'm so high like an eagle\nI pulled up in that two seater\nPut my cousin in a Bimmer\nI got money I don't need her\nRest in peace Miss Cleo\n'Cause she know I'm just gon' read her\nRest in peace to Cleo\nUsed to set it off in Neiman's\nWhip it up now they fiendin'\nNowadays I fight my demons\nDrink soda like Kel got dreads like Kenan [Hook]\nYea I'm walkin' with them racks\nYea I'm walkin' with them stacks\nWatch I make it right back\nAnd my uzi all black\nWalk around with the MAC\nIt was really nice to know ya\nBut I see right through ya\nNow my crib got a pool\nNow a nigga livin' cool\nWater, water on my jewels\nPhillip Lim on my shoes\nYeah, I'm a winner not a loser\nIt was really nice to know ya\nI can see right through ya" } ]

[ { "from": "human", "value": "Write me a song called Power (Saturday Night Live Version) with the following description: The original cut of “POWER” became famous in part for Kanye’s stinging diss of NBC’s flagship comedy program Saturday Night Live, so when it was announced that Kanye would be performing on SNL everyone was giddy in anticipation to hear the rhymes on the show. Instead, this verse was used as a replacement to the original second verse. These bars are probably no longer relevant to Ye, though, for he’s performed on SNL on more than one occasion.\nhttps://www.youtube.com/watch?v=xuhl6Ji5zHM\nhttps://www.youtube.com/watch?v=cc92gEMHKpM Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kanye West]\nI'm living in that 21st century, doing something mean to it\nDo it better than anybody you ever seen do it\nScreams from the haters got a nice ring to it\nI guess every superhero need his theme music\n[Chorus: Kanye West]\nNo one man should have all that power\nThe clock’s ticking, I just count the hours\nStop tripping, I'm tripping off the power\n(21st-century schizoid man)\n[Verse 1: Kanye West]\nThe system broken, the school's closed, the prison's open\nWe ain't got nothing to lose, everybody, we rollin’\nHuh? everybody, we rollin’\nWith some light-skinned girls and some Kelly Rowlands\nIn this white man world, we the ones chosen\nSo goodnight, cruel world, I'll see you in the morning\nHuh? I'll see you in the morning\nThis is way too much, I need a moment\n[Chorus: Kanye West]\nNo one man should have all that power\nThe clock's ticking, I just count the hours\nStop tripping, I'm tripping off the power\nUntil then, fuck that, the world's ours\nAnd they say, and they say\nAnd they say, and they say\nAnd they say, and they say\n(21st-century schizoid man) [Verse 2]\nThe brown hero, \nlive from Ground Zero\nMachine gun flow, made of ghetto Ross Perot\nAnd this is disestablishmentarianism\nWith my night goggles on, yeah, military vision\nAnd it’s still a very Christian way to think about livin’\nWhen you prayin’ for freedom ’cause your mind been in prison\n‘Cause they tryin’ to control every single big decision\nYou ain’t effin’ the system, then why the eff is you livin’?\nLook, dawg, you can cop whatever suits you on\nThree-piece, cuff links and the accoutrements\nThey been feedin’ us ish without the nutrients\nSo I’m back with another hit to let the truth be known\nAnd your boy still fresh with the Gucci on\nThem Italians sure know how to make what the moulies want\nAnd they really can’t take what dude be on\nBut I be on the same thing ’til you prove me wrong\n[Chorus: Kanye West]\nAy—ay—ay no one man should have all that power\nThe clock's ticking, I just count the hours\nStop tripping, I'm tripping off the powder\n'Til then, fuck that, the world’s ours\nAnd they say, and they say\nAnd they say, and they say\nAnd they say, and they say\n(21st-century schizoid man) [Verse 3: Kanye West]\nColin Powells, Austin Powers\nLost in translation with a whole fuckin' nation\nThey say I was the abomination of Obama's nation\nWell, that's a pretty bad way to start the conversation\nAt the end of the day, goddamnit, I'm killing this shit\nI know damn well y'all feeling this shit\nI don't need your pussy, bitch, I'm on my own dick\nI ain't gotta power trip, who you goin' home with?\nHow Ye doing? I'm survivin'\nI was drinkin' earlier, now I'm drivin'\nWhere the bad bitches, huh? Where you hidin'?\nI got the power make your life so excitin'\n[Outro: Kanye West & \nDwele\n]\nNow this will be a beautiful death\nI'm jumping out the window, I'm letting everything go\nI'm letting everything go\nMmm, now this will be a beautiful death\nI'm jumping out the window, I'm letting everything go\nI'm letting everything go\nNow this will be a beautiful death\nJumping out the window, letting everything go\nLetting everything go\nYou got the power to let power go?\n(21st-century schizoid man)" } ]

[ { "from": "human", "value": "Write me a song called Slave II with the following description: “Slave II” is a proclamation by Logic that he deserves to be in this position of the rap game. He contrasts his life from struggling in poverty, to signing a record deal and performing for the masses.\nThe song’s beat is an alternated version of Bryson Tiller’s “Rambo” due to complications with Def Jam. The song goes in-depth about Logic’s state in the game and feeling like a slave, or worker, for hip-hop and the expectations of others. Logic’s own hit, “Nikki”, is sampled—a song about another type of slavery: addiction.\nThe fact that “Slave II” comes before “Slave” on the mixtape could be an allusion to Quentin Tarantino’s non-linear storytelling in his movie Pulp Fiction. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nEast side, west side, we ride, we die, everyone knows\nEveryone knows, everyone knows\nEast side, west side, we ride, we die, everyone knows\nEveryone knows, everyone knows deez nuts\n[Verse 1]\nTell me what you know about forty days, forty nights\nNo lights, all for this\nTell me what you know about sleeping outside\nNo ride in the wintertime, all for this\nTell me what you know about commas in the bank\nLookin' in the mirror, yeah, I did all of this\nX you out, you get solved with this\nEverybody know I...\n[Interlude]\nI'm a slave\nI'm a slave\nYou a slave (Yeah)\nYou a slave (Alright)\nI'm a slave for this shit\nI'm a slave (Yeah)\nYou a slave (Alright)\nI'm a slave\nYou got to slave for this shit [Verse 2]\nWalk inside of Def Jam\nStep on the president table and dap 'em up with the left hand\n'Cause I'm countin' money with the right\nIn a different city every night\nAnd I'm sellin' records like it's white\nIt's another day, another flight\nParis in the morning, L.A. at night\nWhat a beautiful sight\nNow tell me who be fuckin' with me, alright?\nEverybody know I'm livin' this life\nEveryone know I got the baddest wife\nThis shit right here, everybody gonna like\nHold up, I know what I, know what I like\nTell me why everybody in the pipe\n'Cause I'm the only one doin' it right\nI'm a rap genius like Rob Markman\nSpent a couple of million on my new apartment\nDown in Manhattan, that's a multi-million dollar view\nAnd I got it from rappin'\nDamn everyone nappin' on the boy, heh, shit\nI'm not a mad rapper, but what?\nI'm angrier than Kanye\nAngrier than Kanye when he talkin' about clothes\nThat's a fashion line\nAnd my last album went number one\nSo what that mean?\nI did better than you, you, you\nSold way more than that pop bitch\nAnd I dare Def Jam to drop this\nI just drop hits\nCheck the Instagram fam\nI got fifty-thousand people in the crowd, singin' out loud\nEvery word, that's every lyric\nYou can hate, shit, just stop actin' like you don't hear it\nThis shit right here for the party\nThat album that comin', that's shit for the spirit, woo! [Outro]\n5-0 triple-0" } ]

[ { "from": "human", "value": "Write me a song called Rush with the following description: On this dancehall-like track, Rihanna describes the “Rush” she gets whenever she’s with her man. It’s unlike anything she has experienced before and she loves it.\nKardinal Offishall provides the male perspective, rapping about how he provides that feeling that all the women crave, Riri included. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kardinal Offishall & \nRihanna\n]\nYeah\nStar time now\nMiss Rihanna\nKardinal Offishall (\nYeah, yeah, yeah, yeah\n)\nCelebrity face (\nYeah\n)\nThe gyal dem rush to feel the ill touch\nGyal dem ball and gyal dem a scream\nThey think it a love, but a lust\nThat's why a bad gyal beside me is a must for I bust\nShe's the angel of me conscious\nYo, yo, yo\n[Verse 1: Rihanna & \nKardinal Offishall\n]\nNever thought that I could feel something so strong (\nAh, ha\n)\nI wanna hold onto this moment before it's gone\nI wanna hold your body close, it's callin' to me (\nAh, ha\n)\nAnd when I look into your eyes, I'm likin' what I see (\nHow you mean?\n)\nBoy, don't hold back from me (\nHe, he\n)\nJust give me everything you got (\nEveryting gyal\n)\nI wonder I can keep\nI know you're gonna keep it hot\n[Chorus: Rihanna & \nKardinal Offishall\n]\nI catch a rush, boy\nWhenever we touch, I go crazy (\nCrazy, crazy\n)\nI'm feeling you, baby\nI trip like this, boy\nWhenever we kiss, I can't take it\nYou know I can't fake it (\nHuh, no, no\n) [Verse 2: Kardinal Offishall]\nYo, yo, yo\nWhen I'm back with the boys and I knowin' that\nDon't watch my face my gyal, you know I'm coming back\nMost of mi gyal them slide off easy like a thunderclap\nWhen I see you from the back, you know me need all a dat\nYo, yo, yo\n[Verse 3: Rihanna]\nDon't even know your name\nBut this feels so right (\nYuh dun know, ah, ha\n)\nIt's like I've known you boy for all of my life\nDon't need to say a word\nWe both understand (\nAh, ha, we know what it is\n)\nAnd my eyes are telling you\nCatch me if you can (\nWatch me now\n)\nI'm falling faster now\nYou know you got me where you want\nToo late I can't slow down\nNo way we're ever gonna stop\n[Chorus: Rihanna & \nKardinal Offishall\n]\nI catch a rush, boy\nWhenever we touch, I go crazy (\nCrazy, crazy\n, I go crazy)\nI'm feeling you baby (Feeling you baby)\nI trip like this, boy\nWhenever we kiss, I can't take it (\nNo, no\n)\nYou know I can't fake it [Bridge: Rihanna & \nKardinal Offishall\n]\nYou know I can't take it\nYou know I can't take it\nNo, no, no (\nHeh\n)\nMy girl turn it around and cock it out\nAnd come a little close so you feel what I'm 'bout here\nYou know I can't take it\nYou know I can't take it\nNo, no, no (\nCho\n)\nMy girl, tun it around an bring it near\nLet me show you a thing weh ago done ya career, yeah\n[Bridge: Rihanna & \nKardinal Offishall\n]\nI'm falling faster now (\nHa, ha\n)\nYou know you got me where you want\nToo late, I can't slow down\nNo way we're ever gonna stop\n[Chorus: Rihanna & \nKardinal Offishall\n]\nI catch a rush, boy (Oh-oh, ooh-woah)\nWhenever we touch, I go crazy (\nCrazy, crazy\n, I go crazy)\nI'm feeling you, baby (Feeling you baby)\nI trip like this boy\nWhenever we kiss, I can't take it (\nNo, no\n, I can't take it)\nYou know I can't fake it (No, I can't fake it)\nI catch a rush, boy\nWhenever we touch, I go crazy (Catch a rush boy)\nI'm feeling you, baby" } ]

[ { "from": "human", "value": "Write me a song called Sad Beautiful Tragic with the following description: Taylor wrote this song on a ukulele on her tour bus after a show of the Speak Now World Tour, reflecting on a relationship that was “sad, beautiful and tragic.” It is speculated that it is about Taylor Lautner, but there is some reason to believe it could possibly be about Jake Gyllenhaal. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nLong handwritten note deep in your pocket\nWords, how little they mean when you're a little too late\nI stood right by the tracks, your face in a locket\nGood girls, hopeful they'll be and long they will wait\n[Chorus]\nWe had a beautiful magic love there\nWhat a sad, beautiful, tragic love affair\n[Verse 2]\nIn dreams, I meet you in warm conversation\nWe both wake in lonely beds, different cities\nAnd time is taking its sweet time erasing you\nAnd you've got your demons, and darling, they all look like me\n[Chorus]\n'Cause we had a beautiful magic love there\nWhat a sad, beautiful, tragic love affair\n[Bridge]\nDistance, timing\nBreakdown, fighting\nSilence, the train runs off its tracks\nKiss me, try to fix it\nCould you just try to listen?\nHang up, give up\nAnd for the life of us we can't get back [Breakdown]\nA beautiful, magic love there\nWhat a sad, beautiful, tragic\nBeautiful, tragic, beautiful\n[Chorus]\nWhat we had, a beautiful magic love there\nWhat a sad, beautiful, tragic, love affair\nWe had a beautiful magic love there\nWhat a sad, beautiful, tragic love affair" } ]

[ { "from": "human", "value": "Write me a song called Keep Your Head Up with the following description: Keep Your Head up is an uplifting song reminiscent of Keep the Faith, On the Line and Man in the Mirror. However, along with eleven other songs purportedly recorded by Jackson in the Cascios' residence in 2007, its vocals have been questioned by Jackson’s family members and some of his fans as being that of an impersonator.\nMany fans who have doubted the authenticity of these songs have attributed the vocals to Jason Malachi, with some vocals sampled from Jackson’s previous songs. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nShe's lookin' for a job and to find a place to stay\nShe's lookin' for the hope in the empty promisin'\nShe's workin' two jobs, keepin' alive\nShe works in a restaurant night and day\nShe waits her life away\nShe wipes the tears away\n[Pre-Chorus]\nShe cries inside every time she feels this way\nAnd she's dyin' inside every time her baby cries, no\n[Chorus]\nKeepin' your head up to the sky\nKeepin' your mind on stayin' alive\nGive me your wings so we can fly\n(Keep your head up, tonight)\nKeepin' your head up to the sky\nOr we can just rise up, tell me now\nGive me your wings so we can fly\n[Verse 2]\nWe're killin' up the life in the birds and the trees\nAnd we're suckin' up the air in the earth from under me (It's never too late)\nI can't even breathe (Just lean)\nI can't even see (On me)\nKeep your head up, don't give up today\nHow long can we wait?\nI wish that love would come today [Pre-Chorus]\nAll you need is love\nTell you I know it's coming soon\nAnd all you need is just a moment, want it to\nKeep your head up\n[Chorus]\nKeepin' your head up to the sky\nKeepin' your mind on stayin' alive\nGive me your wings so we can fly\nFly away, fly away, fly away (Keep your head up, tonight)\nKeepin' your head up to the sky\nAn' we can just rise up, tell me now\nGive me your wings so we can fly, oh, my\n[Bridge]\nEverybody say that time is borrowed\nAnd hangin' down your head just ain’t no good\nAnd if you dare to rise above tomorrow\nJust give yourself a chance\nFight your circumstance\nRise and do it again\n[Chorus]\nKeepin' your head up to the sky\nKeepin' your mind on stayin' alive\nGive me your wings so we can fly (yeah-yeah, yeah-yeah)\nKeepin' your head up to the sky (ho-oh-oh)\nAn' we can just rise up, tell me now\nGive me your wings so we can fly\nKeepin' your head up to the sky (I need your love, I need you now)\nKeepin' your mind on stayin' alive\n(I need your light from here today, I need you now)\nGive me your wings so we can fly (yeah-yeah)\nKeepin' your head up to the sky (I need your love, I need you now)\nAn' we can just rise up, tell me now\n(I need your light from here today, I need you now)\nGive me your wings so we can fly [Outro]\nKeep your head up\nGo 'n shine in this blind old world today, today (O-oh-oh)\nKeep your head up\nGo 'n shine in this blind old world today, today\nKeep your head up\nThe ol' sun's gonna rise on us today, today\nGo 'n shine in this blind old world today, today (O-oh-oh)\nKeep your head up (I need your love, I need you now)\nGo 'n shine in this blind old world today, today (I need your light from here today)\nI need you now\nGo 'n shine in this blind old world today, today\nHo-oh-oh\nKeep your head up" } ]

[ { "from": "human", "value": "Write me a song called Red Carpet with the following description: “Red Carpet” is an unreleased Young Thug & Future track. The song boasts a dark voice in the background and grimey 808s. The song is produced by Wheezy and was leaked June 6, 2019.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Future]\nYeah, foreign coupe, it's a Maybach\nOh no, I got attached\nOh no, I got attached\nDouble up on it\n(\nWheezy beats\n)\n[Hook: Future]\nDouble up the bet (Woah, woah)\nOr go against the odds (Woah)\nGirl, put it on your tongue (Woah, woah)\nAnd make it dissolve (Woah, woah)\nWhen you pull up in a jet (Pull up in a jet)\nAnd you're sitting in a 'Rarri (Pull up in a 'Rarri)\nI was counting up a check (I was countin' up a rack)\nI was sending it in the 'Rarri (I was sitting in a Ferarri)\nI was sitting in a 'Rarri (I was sitting in a Ferarri)\nI was clutching on the carbon (I was clutching on 'em)\nGotta put in the work for it (Put it in and work for it)\nLike y'all already got it (Y'all already got it)\nI go to the dirt for ya (I go to the dirt for ya)\nMy niggas, I got 'em (My niggas, I got 'em)\nI'ma pour this syrup for you (Pour all this syrup for you)\nThen I hit the red carpet (Yeah, yeah)\n[Verse 1: Young Thug]\nRed diamonds your mask (Yeah)\nFinna take this blue dolphin (Yeah)\nI got some clothes from Japan\nI got too much sauce, yeah (Too much sauce)\nI'm throwin' up a 'Rarri, yeah\nMy shit gon' cost ya, yeah (Woo)\nAnd I ran it down but she ain't flexed up, now she bossy, yeah (Hah, aye)\nAPs for you, baby (Yeah, yeah)\nHublots for you, baby (Light up in the dark)\nNow, shawty ride dick so good like she never walked (What)\nHah, got some head in a 'Rarri (Head in a 'Rarri)\nMotor ain't playing in the 'Rarri\nPull up, skrrt, nigga solve it (Skrrr)\nHollerin' whoop, it ain't nothin' (Woo)\nGo ahead and drink it (Woo)\nIt might win you something (Win you something)\nPray for me on Sunday (Yeah, yeah)\nLeave a little bit of Molly (Hey) [Hook: Future]\nDouble up the bet (Woah, woah)\nOr go against the odds (Woah)\nGirl, put it on your tongue (Woah, woah)\nAnd make it dissolve (Woah, woah)\nWhen you pull up in a jet (Pull up in a jet)\nAnd you're sitting in a 'Rarri (Pull up in a 'Rarri)\nI was counting up a check (I was countin' up a rack)\nI was sending it in 'Rarri (I was sitting in a Ferarri)\nI was sitting in a 'Rarri (I was sitting in a Ferarri)\nI was clutching on the carbon (I was clutching on 'em)\nGotta put in the work for it (Put it in and work for it)\nLike y'all already got it (Y'all already got it)\nI go to the dirt for ya (I go to the dirt for ya)\nMy niggas, I got 'em (My niggas I got 'em)\nI'ma pour this syrup for you (Pour all this syrup for you)\nThen I hit the red carpet (Yeah, yeah)\n[Open Verse]\n[Hook: Future]\nDouble up the bet (Woah, woah)\nOr go against the odds (Woah)\nGirl, put it on your tongue (Woah, woah)\nAnd make it dissolve (Woah, woah)\nWhen you pull up in a jet (Pull up in a jet)\nAnd you're sitting in a 'Rarri (Pull up in a 'Rarri)\nI was counting up a check (I was countin' up a rack)\nI was sending it in 'Rarri (I was sitting in a Ferarri)\nI was sitting in a 'Rarri (I was sitting in a Ferarri)\nI was clutching on the carbon (I was clutching on 'em)\nGotta put in the work for it (Put it in and work for it)\nLike y'all already got it (Y'all already got it)\nI go to the dirt for ya (I go to the dirt for ya)\nMy niggas, I got 'em (My niggas I got 'em)\nI'ma pour this syrup for you (Pour all this syrup for you)\nThen I hit the red carpet (Yeah, yeah)" } ]

[ { "from": "human", "value": "Write me a song called Aftershock with the following description: Aftershock is a song by Demi Lovato which is on the Japanese deluxe edition of her third album, Unbroken. It features production from Dreamlab and was written by Amy Pearson, Leah Haywood and Daniel James.\nAftershock is a club banger relating the effects of love to that of an Aftershock. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nBeat's so heavy, make my head get hazy\nBig boots, make the ground shake crazy\nBody so hot, feel like they tase me\nKill the lights, watch the crowd get shady\nGirls getting tricky, move 'round like elastic\nBoys turned on, you can see all the static\nCharge it up, make it automatic\nStop the press, hear the kick go manic\n[Pre-Chorus]\nI feel you move closer to me\nAll the signals peaking\nCrank up my electricity 'til I overload\n[Chorus]\nLove struck\nMy heart is overheating and it won't stop\nI try to slow the beating, but you're so hot\nThe tremors keeps repeating and I tell my self keep breathing\nBut I'm caught in your aftershock\nHit me like an earthquake\nFeel like my heaven and earth shake\nLove struck\nThe tremors keeps repeating and I tell myself keep breathing\nBut I'm caught in your aftershock [Verse 2]\nBass so thick, you can see the sound wave\nBubbly spilling like it's your birthday\nAnthems blasting, now make the ground sway\nPut your hands up, shout \"Pon de replay\"\n[Pre-Chorus]\nI feel you move closer to me\nAll the signals peaking\nCrank up my electricity 'til I overload\n[Chorus]\nLove struck\nMy heart is overheating and it won't stop\nI try to slow the beating, but you're so hot\nThe tremors keeps repeating and I tell my self keep breathing\nBut I'm caught in your aftershock\nHit me like an earthquake\nFeel like my heaven and earth shake\nLove struck\nThe tremors keeps repeating and I tell myself keep breathing\nBut I'm caught in your aftershock\n[Interlude]\nHey, in your aftershock\nHey [Bridge]\nYour lips conduct electric flow\nYour kiss vibrates me head to toe\nYour touch is glowing in the dark\nThose neon eyes send me ablaze, oh whoa\n[Chorus]\nLove struck\nMy heart is overheating and it won't stop\nI try to slow the beating, but you're so hot\nThe tremors keeps repeating and I tell my self keep breathing\nBut I'm caught in your aftershock\nHit me like an earthquake\nFeel like my heaven and earth shake\nLove struck\nThe tremors keeps repeating and I tell myself keep breathing\nBut I'm caught in your aftershock, yeah\nWhoa, in the aftershock" } ]

[ { "from": "human", "value": "Write me a song called Never Be Your Woman with the following description: Wiley raps about the hardship of staying faithful to one woman when you’re successful, especially when on tour.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Emeli Sandé]\nWell I guess what they say is true\nI could never be the right kinda girl for you\nI could never be your woman\nI could never be your woman\nI could never be your woman\n[Verse 1: Wiley]\nYo, out every night, I'm in the spotlight\nWith another girl knowing that it's not right\nAin't gonna work, stop trying\nHad enough this time, you're not lying\nThough you're feeling the pain but you're not crying\nCan't take me I'm on another page\nWhere the babes wanna take me home\nI was out all night didn't make it home\nThat's more lying\nPull up in the Aston, get out the car\nQuick jump the queue, no hiding\nFlash (Flash)\nLettin' everybody know I got cash\nShow-off, burp when dining\n8 diamond rings they're all shining\nBare designers plus I'm designing\nBlock everybody out when I'm writing\nI'm on a hype ting [Chorus: Emeli Sandé]\nWell I guess what they say is true\nI could never be the right kinda girl for you\nI could never be your woman\nI could never be your woman\nI could never be your woman\n[Verse 2: Wiley]\nLeave the country, no warning\nClub swimming, women swarming\nSee a new ting, get talking\nGet acquainted, start walking\nThat's when I start promising the world\nEven though I got a women at home that's past talking\nAnd I wanna get past talking\nI got a yard but let's go to your crib\nAir Freshener\nWild orchid\nWhat would he get? If she caught him\nHe would get a punch in the face like Norbit\nTurn around, ignore him\nLook away like you never saw him\nTo hold me down might be awkward\nSighted with another woman in Shoreditch\nIt's my house, I pay the mortgage [Chorus: Emeli Sandé]\nWell I guess what they say is true\nI could never be the right kinda girl for you\nI could never be your woman\nI could never be your woman\nI could never be your woman\nWell I guess what they say is true\nI could never be the right kinda girl for you\nI could never be your woman\nI could never be your woman\nI could never be your woman" } ]

[ { "from": "human", "value": "Write me a song called Black or White with the following description: “Black or White” by Michael Jackson is featured in Michael, the eleventh episode of Season Three. It is sung by the New Directions, with solos from Artie (Kevin McHale), Kurt (Chris Colfer), Mercedes (Amber Riley), Rachel (Lea Michele), and Santana (Naya Rivera).\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[ARTIE]\nOw, ow\nI took my baby on a Saturday bang\nBut is that girl with you?\nYes, we're one and the same\n[RACHEL]\nNow I believe in miracles\nAnd a miracle has happened tonight\nHee, ah\n[ARTIE with RACHEL & NEW DIRECTIONS]\nBut, if you're thinking about my baby\nIt don't matter if you're black or white\n[ARTIE]\nOoh\n[KURT]\nThey print my message in the Saturday sun\nI had to tell them I ain't second to none\n[MERCEDES (with SANTANA)]\nAnd I told about equality\nAin't it true, either you're (wrong or you're right) [SANTANA (ARTIE)]\nWoo (Uh)\n[ARTIE with RACHEL & NEW DIRECTIONS]\nBut, if you're thinking about my baby\nIt don't matter if you're black or white\n[ARTIE]\nHee\nDon't bet\n[RACHEL]\nHeehee\n[SANTANA with NEW DIRECTIONS]\nI am tired of this devil\nI am tired of this stuff\nI am tired of this business\nSo, when the going get rough\nI ain't scared of your brother\nI ain't scared of no sheets\nI ain't scared of nobody\nGirl, when the going get mean\n[ARTIE]\nProtection for gangs, clubs, and nations\nCausing grief in human relations\nIt's a turf war on a global scale\nI'd rather hear both sides of the tale\nSee, it's not about races, just places, faces\nWhere your blood comes from is where your space is\nI've seen the bright get duller\nI'm not going to spend my life being a color [KURT (with MERCEDES)]\nDon't tell me you agree with me\nWhen I saw you kicking (Dirt in my eye)\n[ARTIE with RACHEL, SANTANA, and NEW DIRECTIONS]\nBut, if you're thinking about my baby\nIt don't matter if you're black or white\nI said if you're thinking of being my baby\nIt don't matter if you're black or white\n[ARTIE with MERCEDES & NEW DIRECTIONS]\nI said if you're thinking of being my brother\nIt don't matter if you're black or white\n[SANTANA]\nYeah, yeah, yeah\nWoo\n[RACHEL]\nBlack or white\n[ARTIE with NEW DIRECTIONS, (NEW DIRECTIONS), {with SANTANA}, \n(RACHEL)\n, \nSANTANA\n, \n(Artie)\n]\nIt's black, it's white (Oh, oh, oh)\n{It's tough for you to get by} (Yeah, yeah, yeah)\nIt's black, it's white \n(Yeah)\n \n(Woo)\n(It's tough for you to get by) \nYeah, yeah\nIt's black, it's white\n, woo\nIt's tough for you to get by (Yeah, yeah, yeah) \n(Black or white)\nIt's black, it's white \n(Woo)\n(It's tough for you to get by)\nIt's black, it's white, \nwoo, come on\nIt's tough for you to get by (Yeah, yeah, yeah)\nIt's black, it's white \n(Woo)\n, \n(Oooh)\n(It's tough for you to get by)\nIt's black, it's white\nIt's tough for you to get by (Yeah, yeah, yeah)\nIt's black, it's white \n(Woo)" } ]

[ { "from": "human", "value": "Write me a song called Juicy Booty with the following description: On “Juicy Booty”, the duo of Chris Brown & R. Kelly get on their freaky side, praising the ass of their significant other while Jhené Aiko sings about throwing hers back on her man. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Roger Troutman]\nKnows how to party\nKnows how to party\nIn the city\nKeep it rocking\nKeep it rocking\n[Verse 1: Chris Brown]\nWhatever I said (Woo)\nTo make you take your love away from me (Don't do it, baby)\nI take it back (Yeah)\nAnd whatever I did (Did)\nJust tell me how to fix it and I'll do that (Okay)\n'Cause I need you back (Yeah, yeah)\nEver since you've been gone, I've been runnin' through\nAll these girls, they don't compare to you (Compare)\nThe way you throw that shit back (Back)\nThing so fat but they don't do it like you (Fat)\nAnd girl, I know it's wrong (Ooh)\nBut I'm still stuck on you\nThe way you used to look in your jeans before I took 'em off (Yeah, ow!)\n[Chorus: Chris Brown, \nChris Brown & R. Kelly\n, \nJhené Aiko\n, \nR. Kelly\n]\nJuicy\nSaid I wanna get to know your \njuicy booty tonight\nSo show me that\n (\nShow me that\n), \nso show me that\n (\nShow me that\n)\nGirl, I'm tryna make you juicy (\nJuicy\n, \nyeah-yeah\n)\nJuicy booty, girl, tonight\nSo turn around, turn around, turn around, turn around, turn around [Verse 2: Jhené Aiko]\nOoh, you got this pussy so juicy (Uh)\nGot me ready to do anythin' and everythin' that you say (Yeah)\nAnd it is an honor 'cause you got a huge thang (Haha)\nAnd if you could get it in, put it in, touché\nI ain't never scared, oh-wee\nI like the way that you keep it up all night\nYou make me feel it in places that I've never felt this way inside\nThat dick the greatest of all time\nYou are the greatest of all time\nI like to give you a hard time\nTell me again that it's all mine\nSo juicy, ayy\nGimme that, gimme that, gimme that\nGimme that, gimme that, gimme that\n[Chorus: Chris Brown, \nChris Brown & R. Kelly\n, \nR. Kelly\n]\nJuicy\nSaid I wanna get to know your \njuicy booty tonight\nSo show me that, so show me that\nGirl, I'm tryna make you juicy (\nJuicy\n)\nJuicy booty, girl, tonight\nSo turn around, turn around, turn around, turn around, turn around\n[Verse 3: R. Kelly]\n(All these fellas say)\nMost of these cats can't talk that money (Nope) like I do\nAnd most of these cats, when it comes to these bitches (Nope), ain't got a clue\nMost of the time, you can find me laid up with a couple models\nMost of the time, you can find me in the club poppin' these bottles\nWho cares about tonight when I own the future?\nSo baby girl, ride out with me in that future\nI make that booty my point of view (Point of view)\nCome and see life from my point of view (My point of view)\nI am a freak, hope that you are too (You are too)\nCrib in the hills, what you wanna do? (Ayy)\nSmokin' and sippin' on everythin' (Ayy)\nWe gon' get high 'til we touch the moon (Touch the moon)\nSo turn around and introduce me to that [Chorus: Chris Brown & R. Kelly, \nR. Kelly\n]\nJuicy\nSaid I wanna get to know your\n juicy booty tonight\nSo show me that, so show me that\nGirl, I'm tryna make you juicy, yeah\n (\nJuicy\n)\nJuicy booty, girl, tonight\nSo turn around, turn around, turn around, turn around, turn around\n[Bridge: R. Kelly, \nChris Brown\n, \nR. Kelly & Chris Brown\n]\nAll the fellas say, \"Oh, girl\" (\nYeah\n)\nBaby, I can't get you off my mind\n'Cause that ass so fat when you do it like that\nThen you make me say, \n\"Oh, girl\"\nWhen you're in front and I'm behind\n (Ooh)\nCan I get you back?\nAnd when you come (When you come, don't, don't)\nDon't forget that ass (Ass)\nNo, no, no, no\n[Outro: Jhené Aiko]\nOh, yeah\nOh, woah\nOoh, juicy\nYeah-yeah-yeah-yeah\nYeah-yeah-yeah-yeah-yeah\nOoh, you know I want that—" } ]

[ { "from": "human", "value": "Write me a song called That’s Love with the following description: Marc E. Bassy drops a new track, collaborating with Ty Dolla $ign. ‘That’s Love’ has a smooth, old school style, which finds the two singers duetting over a guitar-driven production by Nic Nac.\n“It was inspired by a fight that my roommates got in. Everyone’s been in a fiery relationship where your love for one another is tested in an explosive and volatile way. I’ve been around that situation too many times, myself. It’s also about making it through the mess.”\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Marc E. Bassy]\nGirl you knock my drink right out my fucking hand\nGive me attitude when I'm lapmed up with my friends\nGirl you got that fire, see it in your eyes\nBut you always let me know you on my side\nGirl I came home late last night, you was on my head\nTell me that I gotta get more than just the bread\nYou never let me skate, not even just an inch\nBut you’re always there every time I'm in a pinch\n[Hook: Marc E. Bassy & Ty Dolla $ign]\nBaby that’s love\nBaby that’s love\nBaby that’s love\nBaby that’s love\nYou hold me down, I hold you down\nBaby we fight, we never burn out\nI stay around, long as you down\nI know you know what I’m talking about\nBaby that’s love\nBaby that’s love\n[Verse 2: Ty Dolla $ign]\nLove must be the reason you never doubt me\nLove must be the reason you ain't cheat when I went to the County\nLove must be the reason why you still here patient\nAfter I lied to your face, that's just cause I didn't want you to go\nLove must be the reason ‘cause I know I don’t deserve ya\nBut our love strong, baby keep holdin’ on to each other\nFirst time you let a nigga hit [?] ain't have on a rubber\nHell no nah girl I ain't never wearin’ one\nYou love my daughter, baby we can have my first son\nI ain’t fuckin' 'round with you girl, one hundred\nAnd if there’s ever a doubt in your mind\nAnd you need to be reminded, put on this song\nGirl this is your song\nRemix so I put that dollar sign on [Hook: Marc E. Bassy & Ty Dolla $ign]\nBaby that’s love\nBaby that’s love\nBaby that’s love\nBaby that’s love\nYou hold me down, I hold you down\nBaby we fight, we never burn out\nI stay around, long as you down\nI know you know what I’m talking about\nBaby that’s love\nBaby that’s love" } ]

[ { "from": "human", "value": "Write me a song called Ayo Technology with the following description: ‘'Ayo Technology’‘ is the fourth single from this album and was released on July 24, 2007. This song did incredibly well and peaked at #5 on the Billboard Hot 100. The music video for the song was premiered by BET on August 2, 2007.\nThe title was originally ‘'Ayo Pornography’‘ then renamed to ’‘Ayo Technology’‘ then changed to ’‘She Wants it’‘ and finally back to ’‘Ayo Technology’‘ which remained the official title. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: 50 Cent]\nSomethin' special\nUnforgettable\n50 Cent (Cent)\nJustin ('tin)\nTimbaland ('land)\nGoddamn, damn\n[Bridge: 50 Cent]\nShe, she, she want it, I wanna give it to her\nShe know that it's right here for her\nI wanna see her break it down (Yeah)\nI'm ballin', throwing money 'round\n[Verse 1: 50 Cent]\nShe a working girl, she work the pole\nShe break it down, she take it low\nShe fine as hell, she 'bout the dough\nShe doing her thing out on the floor\nHer money-money, she make it, make it\nLook at the way she shake it, shake it\nMake you wanna touch it, make you wanna taste it\nHave you lusting for it, going crazy, face it\nNow don't stop, get it, get it\nThe way she shake it make you wanna hit it\nThink she double-jointed from the way she split it\nGot your head fucked up from the way she did it\nShe so much more than you used to\nShe know just how to move to seduce you\nShe gon' do the right thing and touch the right spots\nAnd dance in your lap 'til you ready to pop [Bridge: 50 Cent & Justin Timberlake; \nJustin Timberlake\n]\nShe always ready, when you want it, she want it\nLike a nympho,\n the info, I'll show you where to meet her\nOn the late night, 'til daylight, the club jumping\nIf you want a good time, she gon' give you what you want\nLet me talk to you\n[Pre-Chorus: Justin Timberlake]\nBaby, you're so new-age, you're like my new craze\nLet's get together, maybe we can start a new phase\nThis smoke's got the club all hazy\nSpotlights don't do you justice, baby\nWhy don't you come over here?\n[Chorus: Justin Timberlake]\nYou got me saying, \"Ayo!\" I'm tired of using technology\nWhy don't you sit down on top of me?\nAyo! I'm tired of using technology\nI need you right in front of me\nOoh, she wants it, ugh, ugh, she wants it\nOoh, she wants it (So) I gotta give it to her\nOoh, she wants it, ugh, ugh, she wants it\nOoh, she wants it (So) I gotta give it to her\n[Post-Chorus: Timbaland]\nYour hips, your thighs\n, they got me hypnotized\nLet me tell you\nYour hips, your thighs\n, they got me hypnotized\nLet me tell you\nYour hips, your thighs\n, they got me hypnotized\nLet me tell you\nYour hips, your thighs\n, they got me hypnotized\nLet me tell you, girl [Verse 2: 50 Cent]\nGot a thing for that thing she got\nThe way she make it tick, the way she make it pop\nI make it rain for her so she don't stop\nI ain't got to move, I can sit and watch\nIn the fantasy, it's plain to see\nJust how it be, her and me\nBackstroking, sweat soaking all into my satin sheets\nWhen she ready to ride, I'm ready to roll\nI'll be in this bitch 'til the club close\nWatching her do her thing on all fours\nNow that—that there should be 'gainst the law\n[Bridge: 50 Cent, \n50 Cent & Justin Timberlake\n; \nJustin Timberlake\n]\nFrom side to side, left to right\n, break it down, down, down\nKnow I like when you're hype and you throw it all around\nDifferent style, \ndifferent mood\n, damn, I like the \nway you move\nGirl, you got me \nthinking 'bout all the things I'll do to you\nLet's get it poppin', shawty, we could switch positions\nFrom the couch to the counters in my kitchen\nLet me talk to you\n[Pre-Chorus: Justin Timberlake]\nBaby, you're so new-age, you're like my new craze\nLet's get together, maybe we can start a new phase\nThis smoke's got the club all hazy\nSpotlights don't do you justice, baby\nWhy don't you come over here? [Chorus: Justin Timberlake]\nYou got me saying, \"Ayo!\" I'm tired of using technology\nWhy don't you sit down on top of me?\nAyo! I'm tired of using technology\nI need you right in front of me\nOoh, she wants it, ugh, ugh, she wants it\nOoh, she wants it (So) I gotta give it to her\nOoh, she wants it, ugh, ugh, she wants it\nOoh, she wants it (So) I gotta give it to her\n[Post-Chorus: Timbaland]\nYour hips, your thighs\n, they got me hypnotized\nLet me tell you\nYour hips, your thighs\n, they got me hypnotized\nLet me tell you\nYour hips, your thighs\n, they got me hypnotized\nLet me tell you\nYour hips, your thighs\n, they got me hypnotized\nLet me tell you, girl" } ]

[ { "from": "human", "value": "Write me a song called Into It with the following description: With “sharp and catchy production,” “Into It” is “the sexiest tune” of Camila Cabello’s debut self-titled album.\nThis track was first announced during an Instagram livestream on August 4th, 2017. Official Charts considered it to be the “real gem” of the record, while Uproxx picked “Into It” as the 16th best pop song in 2018 so far.\nIn an interview with Beats1, Camila talked about the song;\nThe track was something I forever working on. I just tried every single possibility… It [the album] ends with this new chapter, ‘cause once you’re done with all the stuff you’re bummed out about, you have all this room to feel the more fun stuff.\nAccording to producer Louis Bell, the track is all about Camila showing her fun side:\n[This song] was a chance for her to be playful and flirty and show that side of her and not feel like there’s any limitations of how her album could sound. We didn’t have anything else that sounded like that. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nOoh, I'm not a psychic\nBut I see myself all over you (Ooh)\nOoh, I'm sick on you, sick on you\nBut you're the medicine, too (Ooh)\n[Pre-Chorus]\nThe gravity can't hold us, your hands are outer space\nI can't make sense of nothing and words just get in the way\nThis couch is getting smaller, but it's my favorite place\nDon't even ask the question, you know what I'm gonna say\n[Chorus]\nI'm into it\nWhatever trouble that you're thinking, I could get into it\nI see a king-sized bed in the corner, we should get into it\nAll of the things I wanna do to you is infinite\nI mean, if you're into it, I'm into it\n[Verse 2]\nOoh, I'm holding my, holding my breath\nUntil I'm turning blue (Yeah, yeah)\nOoh, don't save me, don't save me, don't save me\nI'll fall into you, fall into you\n[Pre-Chorus]\nThis couch is getting smaller, but it's my favorite place\nDon't even ask the question, you know what I'm gonna say [Chorus]\nI'm into it\nWhatever trouble that you're thinking, I could get into it\nI see a king-sized bed in the corner, we should get into it\nAll of the things I wanna do to you is infinite\nI mean, if you're into it, I'm into it\nI'm into it, I'm into it\nWhatever trouble that you're thinking\nI could get into it (I'm into it)\nI see a king-sized bed in the corner\nWe should get into it (I'm into it)\nEnough of the conversation, baby, let's get into it (I'm into it)\nI mean, if you're into it, I'm into it\n[Pre-Chorus]\nThe gravity can't hold us, your hands are outer space\nI can't make sense of nothing, oh\nThis couch is getting smaller, but it's my favorite place\nDon't even ask the question\nYou know what I'm gonna say \n(Say, baby)\n[Chorus]\nI'm into it\nWhatever trouble that you're thinking, I could get into it \n(Thinking, I...)\nI see a king-sized bed in the corner, we should get into it \n(Into it, yeah)\nAll of the things I wanna do to you is infinite \n(Everything is infinite)\nI mean, if you're into it, I'm into it \n(If you're into it)\nI'm into it, I'm into it [Outro]\nI'm into it, oh na na, I'm into it\nI'm into it, oh na na, I'm into it\nI'm into it, oh na na, I'm into it\nI'm into it, if you're into it, I'm into it" } ]

[ { "from": "human", "value": "Write me a song called One Whole Day with the following description: Famous TikToker Dixie D'Amelio continues her musical career with “One Whole Day” which features American rapper Wiz Khalifa. On the track, Dixie and Wiz discuss the mixtures of relief and sadness they feel after a break-up.\nThe track was initially teased through a post on Wiz Khalifa’s Instagram on November 13, 2020, shortly followed by a repost from D'Amelio. Dixie later revealed the cover art and release date of the single on her Twitter page on November 30, 2020.\nAlthough the track leaked in its entirety two weeks prior to the official release date, the leak did not effect the single’s official release on December 4, 2020. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Dixie D'Amelio]\nWe'd be laying in my bed\nAnd you'd randomly get up and leave\nYou would make a lot of time\nFor anyone other than me\nThe more that I gave, the more you held back\nNow I am emotionally starved\nYou're stuck on your ex, you're stuck in the past\nTruth is that you really broke my heart\n[Chorus: Dixie D'Amelio]\nFor one day, one day\nI was really, really, really, really sad\nFor one day, one whole day\nI missed you really, really, really, really bad\nAnd a single tear trickled down my face\nWhile I threw your shit in the fireplace\nI was really, really, really, really sad\nFor one day, one whole day\n[Verse 2: Dixie D'Amelio]\nI woke up and it was strange (I woke up and it was strange)\nAll that I felt was relieved\nNo more feeling second best (No more feeling second best)\nI'm cringing at those memories\nLike the time that you left me alone at the party\nWhen I didn't even know anybody\nTruth is that you really broke my heart\nReally broke my heart [Chorus: Dixie D'Amelio]\nFor one day, one day\nI was really, really, really, really sad\nFor one day, one whole day\nI missed you really, really, really, really bad\nAnd a single tear trickled down my face\nWhile I threw your shit in the fireplace\nI was really, really, really, really sad\nFor one day, one whole day\n[Post-Chorus: Dixie D'Amelio & \nWiz Khalifa\n]\nOne whole day, ah-ah, ah, ah\nOne whole day\nOne whole day, ah-ah, ah, ah (\nOkay\n)\nOne whole day (One whole day)\n[Verse 3: Wiz Khalifa]\nBreak up, make up, I wake up, bake up\nQuit your cryin', why you messin' up your makeup?\nLate night, I stay up tryna get my money way up\nSoon as I do some wrong, you approach me the day of\nYou tell me it's over and you're done and you can't take no more\nYou're walking out the door and I'm here like \"What you waitin' for?\"\nJust tryna get the truth, I ain't tryna be confrontational\nBefore you make a decision, I'ma just let you stay for (Uh) [Chorus: Dixie D'Amelio & \nWiz Khalifa\n]\nFor one day (\nYeah\n), one day\nI was really, really, really, really sad\nFor one day, one whole day\nI missed you really, really, really, really bad\nAnd a single tear trickled down my face\nWhile I threw your shit in the fireplace\nI was really, really, really, really sad\nFor one day, one whole day\n[Post-Chorus: Dixie D'Amelio & \nWiz Khalifa\n]\nOne whole day, ah-ah, ah, ah (\nIt's young Khalifa, man\n)\nOne whole day\nOne whole day, ah-ah, ah, ah (\nI'm tryna make you plain\n)\nOne whole day (One whole day)" } ]

[ { "from": "human", "value": "Write me a song called Tunechi’s Room with the following description: Weezy’s remix of Drake’s Marvin’s Room is the OFFICIAL million billionth remix of the song..\nMarvin’s room is a recording studio where Marvin Gaye recorded, the reason for its name. Drake, Lil Wayne, Jojo and many more have recorded in the studio. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse]\nUh\nDana text me and say she wanna see me\nThen sent a picture of her in the mirror\nNo clothes on, of course\nShe want that dope dick, hello, world, I'm the dope dealer\nI love it when she talk crazy\nThat dick make her walk crazy\nAnd last time was awesome\nAll the lines, we crossed 'em\nI ain't a killer, but don't push me\nI O. J. Simpson that pussy\nHa, yeah, that's the shit\nPussy taste so good, make you smack your lips\nI don't know about you, but I'm a beast with mine\nShe say she waitin' for the Carter 69, ha\nHa, \nI told her, \"Sorry for the wait\"\nI value her time like an Audemars Piguet\nAnd we gon' stay current like the water in a lake\nYeah, we gon' fuck around like we fuckin' in a circle\nHa, \npardon the slur, that's the purple\nIt feels so real like it's virtual\nAny kind of position, she's versatile\nAnd she take it every way except personal, haha\nYeah, that's my bitch\nPussy wetter than a wishin' well, I wish\nI was in it right now instead of makin' this song\nHut one, hut two, I run it in the end zone\nDon't trip when I say I can't see ya\nAnd she say she workin' on her career\nSmoke got our eyes lookin' like we're from Korea\nWe floatin', \nbut I'ma rock the boat like Aaliyah\nRIP,\n shorty got me\nAnd shorty knows I fucks with her, hard body\nShorty fine by me, spend some time by me\nIt's a jungle out there, come and climb my tree\nI know what's on your mind, fine\nYeah, we can do whatever that is\nShe tell me that it's mine, I say, \"Fine\"\nShit, I was taught to live and let live\nSo go and live it up, baby, giddy-up, baby\nIt's your world, ain't tryna interrupt, but maybe\nWe movin' too fast, but, fuck it, let's crash\nOne day we gonna have to leave our love in the past\nBut for now it feel lovely, it feel great\nI slide her: safe\n, ha\nYeah, yeah, all that good shit\nNo, I ain't a player, I just play it by the bullshit\nI know what I'm doin', and she love how I do it\nShe throw that ass back and she never over-do it\nHa, she call me \"baby\" and I call her \"bae\"\nSorry for the wait, Carter 4 on the way\nAugust 29 [Outro]\nHahahaha\nYeah\nFuck with me Drizzy\nGone ([?])" } ]

[ { "from": "human", "value": "Write me a song called U.O.E.N.O (Extended Remix) with the following description: The extended remix to the controversial track including Rick Ross' “date rape” lyrics. Produced by Childish Major, this track brings a lot of talent together including ASVP Rocky, Wiz Khalifa, and Rocko Tha Don. Just rich niggas talking bout how much shit they got and do that we don’t even know bout. On Rocko’s 2013 mixtape Gift of Gab 2. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by: Childish Major]\n[Intro: Future]\nU.O.E.N.O it\nOl' high class niggas\nThis shit sound crazy\nFly shit only\nYou know what I'm sayin'?\n[Chorus: Future]\nThis a thousand dollar pair of shoes and you don't even know it\nThis a thousand dollar cup of lean and you don't even know it\nThis a half a million dollar car, you don't even know it\nI came up from bottom, you don't even know it\nMy niggas all ride with me on, you don't even know it\nGot killers with me right now, you don't even know it\nThis a million dollar watch nigga, you don't even know it\nGot a million dollar crib nigga, you don't even know it\n[Verse 1: Rocko]\nAy that monster truck, sit tall as fuck, it's so big can't even tow it\nDon't like snakes keep my grass cut, so low can't even mow it\nSip Dom Perri', little high glow, no no we don't do Moet\nIf it ain't P.J., no Rose from me ho, so don't even pour it\nSpecks on Tom Ford, button-down Michael Kors\nAlways on like the refrigerator, I'm plugged in, ho, you know it\nAP and that PK, wear a Breitling when I'm bored\nGot a Masterpiece and a 41-millimeter, and you ain't even know it\nKeep the .45 in my pocket: ain't gon' show it 'til I have to pop it\nThen you gone know it, damn who shot you, they don't even know it\nHawks game fuckin' floor it, TV seat front row it\nRocko Da Don CEO it, ain't gotta rap and you know it [Chorus: Future]\nThis a thousand dollar pair of shoes and you don't even know it\nThis a thousand dollar cup of lean and you don't even know it\nThis a half a million dollar car, you don't even know it\nI came up from bottom, you don't even know it\nMy niggas all ride with me on, you don't even know it\nGot killers with me right now, you don't even know it\nThis a million dollar watch nigga, you don't even know it\nGot a million dollar crib nigga, you don't even know it\n[Verse 2: Rick Ross]\nThat nigga sold you that re-rock, you ain't even know it\nI die over these Reeboks, you ain't even know it\nPut Molly all in her champagne, she ain't even know it\nI took her home and I enjoyed that, she ain't even know it\nGot a hundred acres I live on, you ain't even know it\nGot a hundred rounds in this AR, you ain't even know it\nGot a bag of bitches I play with, on cloud 9 in my spaceship\nZoned out but he stay fresh from Zone 1 through Zone 6\nBricks all in my blood, birds all in my dreams\nBoats all in my yard, lemon pepper my wings\nI'm bout to get you fuck niggas wacked, you ain't even know it\nYour main nigga bout to turn his back, you ain't even know it\n[Chorus: Future]\nThis a thousand dollar pair of shoes and you don't even know it\nThis a thousand dollar cup of lean and you don't even know it\nThis a half a million dollar car, you don't even know it\nI came up from bottom, you don't even know it\nMy niggas all ride with me on, you don't even know it\nGot killers with me right now, you don't even know it\nThis a million dollar watch nigga, you don't even know it\nGot a million dollar crib nigga, you don't even know it [Verse 3: A$AP Rocky]\nBeen rich for 'bout a year now, you ain't even know it\nHad a long talk with my accountant, I ain't even blow it\nThe whole game bit my shit, you ain't even know it\nA$AP on the remix, you ain't even know it\nI say these niggas, need lord - got a crib they can't even afford\nIn the club lookin' all bored\nShow 'em your money, you ain't even throw it\nAnd that crib you don't even own it\nThat lean, you ain't even pour it\nEvery bad bitch dream about my dick, you ain't even know it\nShe poppin' and droppin' it lower\nDroppin' it down to the floor\nGive you the feeling it's yours, hoping you, score, you ain't even know her\nShe asked about my journey as she sat upon my lap\nI said \"I'm fresh up out the slums but I ain't never going back\"\nYou ain't know?\n[Chorus: Future]\nThis a thousand dollar pair of shoes and you don't even know it\nThis a thousand dollar cup of lean and you don't even know it\nThis a half a million dollar car, you don't even know it\nI came up from bottom, you don't even know it\nMy niggas all ride with me on, you don't even know it\nGot killers with me right now, you don't even know it\nThis a million dollar watch nigga, you don't even know it\nGot a million dollar crib nigga, you don't even know it [Verse 4: Wiz Khalifa]\nWe've got a lot of marijuana\nIf you see me you got a problem\nRun up on me like you want it\nGuaranteed we're gonna solve it\nThey'll be thinkin' someone shot him\nHit him with a bottle\nI'mma let a nigga have it\nStarted from the bottom\nNow my diamonds looking autumn\nAnd police don't even caught him\nIt's a milli if you call him, presidential rollie\nIt's a ticket if you want it\nAnd I'll show you lil' niggas you can get it if you want it\nU-O-E-N-O...\nThat good weed you don't even blow\nSee I drank so much Bombay in here tonight, can't even drive\nAnd that head feel so good to me that I can't even lie\nSee me all up on the curb, you think I'm drunk when I'm swerving\nSee you ask how much it cost, you niggas got a lot of nerve\nSo much money\nAll the motherfuckin' bottles up in here I got nervous\nOrder more, car service - Phantom Rolls Royce curtains\nRoll one more and that's curtains\nYoung Khalifa, that's curtains\nIn Taylor Gang we worship\n[Chorus: Future]\nThis a thousand dollar pair of shoes and you don't even know it\nThis a thousand dollar cup of lean and you don't even know it\nThis a half a million dollar car, you don't even know it\nI came up from bottom, you don't even know it\nMy niggas all ride with me on, you don't even know it\nGot killers with me right now, you don't even know it\nThis a million dollar watch nigga, you don't even know it\nGot a million dollar crib nigga, you don't even know it\n[Verse 5: 2 Chainz]\nGot tats all on my skin, up to my forehead\nTryna hide all this pain, I don't wanna show it\nI'm about my dollars, I Creflo it\nWhat's the use of havin' that ass if you ain't gon' throw it? (tell 'em)\nI say throw that ass (throw that ass...)\nGot the city on my back right now, I'mma need shoulder pads\nIn every photograph I take - picture\nNiggas know I got them priors - Richard\nJealous niggas I despise - pistol\nAnd if she a cutie-pie, I'll eat you\nGot half a key in my car, you don't even know it\nI don't have a key to my car, that bitch foreign\nAmmunition on me, I Rambo it\nWatch me swag over this beat, I'm flamboyant\n[Chorus: Future]\nThis a thousand dollar pair of shoes and you don't even know it\nThis a thousand dollar cup of lean and you don't even know it\nThis a half a million dollar car, you don't even know it\nI came up from bottom, you don't even know it\nMy niggas all ride with me on, you don't even know it\nGot killers with me right now, you don't even know it\nThis a million dollar watch nigga, you don't even know it\nGot a million dollar crib nigga, you don't even know it\n[Verse 6: Future]\nI'm turned up every day, you don't even know it\nGot your bitch with me right now, you don't even know it\nWe turn up in the club, you don't even know it\nGot a hundred bottles comin', you don't even know it\nWe came up from nothin', you don't even know it\nDrive a half a million dollar car, you don't even know it\nThis a thousand dollar pair of shoes, you don't even know it\nGot a bitch that speak no English, she don't even know it\n[Chorus: Future]\nThis a thousand dollar pair of shoes and you don't even know it\nThis a thousand dollar cup of lean and you don't even know it\nThis a half a million dollar car, you don't even know it\nI came up from bottom, you don't even know it\nMy niggas all ride with me on, you don't even know it\nGot killers with me right now, you don't even know it\nThis a million dollar watch nigga, you don't even know it\nGot a million dollar crib nigga, you don't even know it" } ]

[ { "from": "human", "value": "Write me a song called Bad News with the following description: Along with “Say You Will”, “Bad News” is one of the more instrumental tracks on 808s & Heartbreak.\nThe first two minutes features Kanye’s vocals. The song then shifts into instrumental territory with an orchestrated version of the main melody, followed by a refrain of bare drumming and low octave harmonics. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nDidn't you know I was waiting on you?\nWaiting on a dream that'll never come true\nDidn't you know I was waiting on you?\nMy face turned to stone when I heard the news\nWhen you decide to break the rules?\n'Cause I just heard some real bad news\n[Verse 2]\nPeople'll talk like it's old news\nI played it off and act like I already knew\nLet me ask you how long have you known dude\nYou played it off and act like he's brand new\nWhen you decide to break the rules?\n'Cause I just heard some real bad news\n[Refrain]\nReal bad news\nReal bad news\nReal bad news\n[Bridge]\nOh, you just gon' keep another, no, you won't\nOh, you just gon' keep it like you never knew\nOh, you just gon' keep another love for you [Verse 3]\nOh, you just gon' keep it like you never knew\nWhile I'm waiting on a dream that'll never come true\nOh, you just gon' keep it like you never knew\nMy face turned to stone when I heard the news\nWhat's on the news?\nChannel cruise\n[Instrumental Outro]" } ]

[ { "from": "human", "value": "Write me a song called Rubber Burner with the following description: Weezy and Juelz' take on the instrumental from T.I.’s song Ride Wit Me. The chorus that is used is a compilation of various lines throughout T.I.’s verses in the song.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: T.I. & \nJuelz Santana\n]\nRubber burnin, turnin corners, beatin like a congo\nRubber burnin, turnin corners, beatin like a congo\nA drop top, flip flop, shine thats the chrome glow\nBlowin 'dro on twenty-fo', livin how the song go\nRubber burnin, turnin corners, beatin like a congo\nRubber burnin, turnin corners, beatin like a congo\nA drop top, flip flop, shine thats the chrome glow\nBlowin 'dro on twenty-fo', livin how the song go\nRubber burnin\nYea yea yea yea we keep that\nRubber burnin\nYea yea yea yea we stayin'\nDrop top, flip flop, shine thats the chrome glow\nBlowin 'dro on twenty-fo', livin how the song go\n[Verse 1: Juelz Santana]\nStraight off the lot's how I get mine\nPick mine\nCar clean lookin' like it just been spit shined\n24 inches on his rims big\nBout the size of a 2 year old kid (ya digg)\nPlus, U-turnin' in that S550\nLook like I'm U-turnin' in a jet\nWhy did he do that\nWhen he just came through\nWhy did he come back\nI'm just frontin' how you, how you?\nDiva on my side while the tires burnin'\nI be burnin'\nI'm schoolin' these niggas that's what you call higher learning\nSo listen up grab a chair, have a seat\nCrack a beer, smoke a blunt\nWatch me the captains here\nLouis Vuitton sneaks on the pedal\nDo 100 for a mile like my feet went to sleep on the pedal\nAnd no longer am I gonna pop tags off my clothes\nDudes need to know I spent big cash on my clothes\nNo cash on my hoes, just pass all my hoes\nTo my niggas let 'em hit it then they get passed on some mo'\nGot my system amped up and it's rattling the trunk\nNiggas know how I get down they just glad it ain't the pump\nBangin' [Chorus: T.I.](x2)\nRubber burnin, turnin corners, beatin like a congo\nRubber burnin, turnin corners, beatin like a congo\nA drop top, flip flop, shine thats the chrome glow\nBlowin 'dro on twenty-fo', livin how the song go\nRubber burnin\nRubber burnin\nDrop top, flip flop, shine thats the chrome glow\nBlowin 'dro on twenty-fo', livin how the song go\n[Verse 2: Lil Wayne]\nYeah, I can't feel my face\nCocky in the coupe but they love it\nSittin' on buttons, a pair of 20 somethings\nTires so skinny like I'm sitting on nothing\nLeather so soft like I'm sitting on muffins\nBeating up the block knocking pictures off the wall\nBaby I can drop the top and we can talk to the Lord\nAnd you know I got the stash spot, not!\nCause where I'm from you need your gats out, and cocked\nYea, back out the driveway spoiler banging\nI'm shittin' on 'em need toilet training\nA big baller can't guard me baby, I mean it\nWhy the girls gotta double team me\nSittin' sideways yea I'm leanin'\n, I go hard\n20 G's in each back pocket 'case I fall\nI'm stuntin' check my past I get that cash\nIn the Phantom with Louisiana plates on the ass [Chorus: T.I.]\nRubber burnin, turnin corners, beatin like a congo\nRubber burnin, turnin corners, beatin like a congo\nA drop top, flip flop, shine thats the chrome glow\nBlowin 'dro on twenty-fo', livin how the song go\nRubber burnin\nRubber burnin\nDrop top, flip flop, shine thats the chrome glow\nBlowin 'dro on twenty-fo', livin how the song go" } ]

[ { "from": "human", "value": "Write me a song called Sinister with the following description: Cordae links up for the first time with hip-hop legend Lil Wayne on the boom-bap cut “Sinister,” the second single from his sophomore album, From a Birds Eye View, following the solo track “Super”.\nAn accompanying music video for the song was released on the same day of the official release, December 3rd, 2021, and pays tribute to the Black Panther movement through reproductions of different images and symbols, while Cordae wears a similar outfit to the one founders Huey P. Newton and Bobby Seale became known for.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Cordae]\nYeah, alright, my flow sinister\nThis ain't rap music, this straight literature\nSmall-minded nigga, all your ideas miniature\nThey tend to hate on ya when they can't get rid of ya\nI ain't goin' nowhere, twenty year career minimum\nCall Hit-Boy for beats, ask for ten of 'em\nI don't follow trends, my nigga, I swing the pendulum\nIf the bitch bad, good dick, shit, I'm gon' give her some\n[Verse 1: Cordae]\nLet's reflect times, I try to collect minds\nFrom complex rhymes and, by the way, shoutout Tech N9ne, uh\nGo and shut the fuck up, just let me talk, nigga (Shut the fuck up)\nI'm a time bomb that's waitin' to go off, nigga\nQuitе nuclear, amazin' what fame could do to ya\nToo peculiar, although I'm truly a Rеnaissance starter\nMy mind divine, this shit take me a lot farther\nGrowing up, shit, I really had beef with my father\nBut why bother explainin' my feelings?\nTry harder, but either way, they gon' paint you the villain (Yeah)\nEight months with no phone, dawg, we aimin' for brilliance\nHi-Level\n maintain in the building, nigga, we makin' a killin', woo (\nOh\n)\n[Chorus: Cordae & \nLil Wayne\n]\nYeah, alright, my flow sinister\nThis ain't rap music, this straight literature\nSmall-minded nigga, all your ideas miniature\nThey tend to hate on ya when they can't get rid of ya\nA wise man told me that silence never betrayed him\nKeep your mouth shut, 'cause niggas got ultimatums (\nYeah\n)\nStupid situations, the tongue often creates 'em (\nYeah\n)\nThe motor mouth nigga is usually causin' mayhem [Verse 2: Lil Wayne]\nLil' Tune flow sinister, I'ma finish ya\nMany men gon' need ministers, I'm amen-in' 'em\nEnemies, \nI'm the enema, I'ma shit on them\nJust like my keys, drop my genitals on her dental work\nMy thots I keep confidential or it's consequential\nOur philosophies unidentical, I'm not into ya\nMy Siamese brother Benjamin, it's how I stick to him\nThese diamond B's all VVs, I call em' Vivica\nSkatin' underneath a bridge, stay hustlin' as it is\nMake money, feed the kids, ain't nothin' in the fridge\nWake up, repeat the sins, eight blunts, I needed ten\nStay muddy 'til the lid, eight-hundred, eat a dick\n[Chorus: Cordae, \nLil Wayne\n, \nCordae & Lil Wayne\n]\nYeah, alright, my flow sinister (\nYeah\n)\nThis ain't rap music, this straight literature (\nMula\n)\nSmall minded nigga, all your ideas miniature (\nYeah\n)\nThey tend to hate on ya when they can't get rid of ya\nI ain't going nowhere, twenty year career minimum\nCall Hit-Boy for beats, \nask for ten of 'em\nI don't follow trends my nigga\n, I swing the pendulum\nIf the bitch bad, good dick, shit, \nI'm gon' give her some\n[Outro: Cordae]\nYeah, alright, my flow sinister\n(Yeah, yeah)\nYeah, alright, my flow sinister\nHuh, yeah, alright, my flow sinister\nNever lied in my rhymes, you can go ask Jennifer\nThat's my mom's name, I create and find change\nMy mind frame ensures that forever I reign, motherfucker" } ]

[ { "from": "human", "value": "Write me a song called Video Phone (Extended Remix) with the following description: Video Phone is a song and the eight single from “I Am… Sasha Fierce” (2008), the third solo album by Beyoncé. The song was released in 2009 as an extended remix featuring Beyoncés good friend and pop singer Lady Gaga. It peaked at #1 on the Billboard Dance Charts and won the award for “Video Of The Year” at the 10th annual BET Awards in 2010. The remix was added to the tracklist of the 2009 deluxe edition of “I Am… Sasha Fierce”. Video Phone describes an outrageous flirt and the process of recording a sex tape on a mobile phone. The song was produced in the music style “crunk”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Beyoncé]\nUh, uh, uh, uh\nUh, uh, uh, uh\nUh, uh, uh, uh\nShawty, whatcho name is?\n[Pre-Chorus: Beyoncé]\nThem hustlas keep on talkin'\nThey like the way I'm walkin'\nYou saying that you want me?\nSo press record, I’ll let you film me\n[Chorus: Beyoncé]\nOn your video phone (Make a cameo)\nTape me on your video phone (I can handle you)\nWatch me on your video phone (On your video, video)\nIf you want me, you can watch me on your video phone\n[Verse 1: Beyoncé]\nI love how you approach me\nFresh white, with your pants, hanging grown man low\nEverything you sayin' soundin’ good to me\nNo need to convince me anymore\nSwagger, it's right, one blade is tight\nAnd I smell your cologne in the air\nBaby, you doin' somethin' right\nYou just cancelled every other man here\nYou say you love my bag, and the color of my nails\nYou can see that I got it goin' on\nI wanna make sure you remember me\nSo I'm gon' leave my number on your video phone\nI got no time for frontin'\nI know just what I’m wantin'\nIf it's gonna be you and me\nWhen I call, they better see me on your video screen [Pre-Chorus: Beyoncé]\nThem hustlas keep on talkin'\nThey like the way I'm walkin'\nYou saying that you want me?\nSo press record, I’ll let you film me\n[Chorus: Beyoncé]\nOn your video phone (Make a cameo)\nTape me on your video phone (I can handle you)\nWatch me on your video phone (On your video, video)\nIf you want me, you can watch me on your video phone\n[Verse 2: Lady Gaga & \nBeyoncé\n]\nYou're my phone star\nAnd I'm happy when my lights flashin'\n'Cause you on my receiver (Oh)\nHubba, hubba\nHoney, baby is so sexy that he should win an Oscar (Oh)\nAnd when you miss me\nJust remember that I always got you with me (Oh)\nI'll be your Gene, you'll be my Brando\nI'mma put you in my movie if you think that you can handle\n(Can you handle it?) Whoa\nI know you like that\n (Can you handle it?)\nTurn you into a star? I got it like that\n (Can you handle it?)\nBaby, don't fight it\n (Tell 'em, B)\n'Cause when I miss your call, I hit you right back\nOn my video phone\n (You like what you see?) [Pre-Chorus: Lady Gaga]\nThem hustlas like my fashion (You wanna video me?)\nThey like the way I'm walkin' (You like what you see?)\nYou sayin' that you want me (Go on and video me)\nSo press record, I'll let you film me\n[Chorus: Beyoncé & \nLady Gaga\n]\nOn your video phone (Make a cameo)\nTape me on your video phone, oh\n (I can handle you)\nWatch me on your video phone, oh\n (On your video, video)\nIf you want me, you can watch me on your video phone\n[Bridge: Lady Gaga]\nCan you handle it?\nCan you handle it? (Tell 'em, B)\nCan you handle it?\nCan you handle it?\nYou like what you see? (Can you handle it?)\nYou wanna video me? (Can you handle it?)\nYou like what you see? (Can you handle it?)\nGo on and video me (Can you handle it?)\nYou like what you see? (Can you handle it?)\nYou wanna video me?\n[Verse 3: Beyoncé]\nYou know them G's, they be hollerin', 'specially them hot ones\nBrooklyn, Atlanta, Houston, to New Orleans\nWhen they see me, they be like \"Yo B, let me call you\"\nYou breakin' my focus, boy, you cute and you ballin'\nYou like it when I shake it?\nShawty on a mission, what your name is?\nWhat? You want me naked?\nIf you likin' this position you can tape it\nOn your video phone [Pre-Chorus: Beyoncé]\nHustla keep on talkin'\nYou like the way it's poppin'\nYou sayin' that you want me\nPress record and baby, film me\n[Chorus: Beyoncé]\nOn your video phone (Make a cameo)\nTape me on your video phone (I can handle you)\nWatch me on your video phone (On your video, video)\nIf you want me, you can watch me on your video phone\n[Outro: Beyoncé]\nUh, uh, uh, ah, uh\nUh, uh, uh, ah, uh\nVideo phone" } ]

[ { "from": "human", "value": "Write me a song called Illusion with the following description: The song “Illusion” is track fourteen off of One Direction’s album Four.\nDuring a google hangout with the band, Liam Payne confirmed that this song is about his relationship with his (now ex-) girlfriend, Sophia Smith, though he didn’t actually write the song. In the hangout, he joked that Niall had done so, but later clarified that that was a joke and that it was written by long-time 1D collaborator, Julian Bunetta.\n\nThere’s a song on the album which is completely about Soph, it’s called “Illusion” and funnily enough, I didn’t write it.\nI was having a chat with Julian, we were both talking about our girlfriends and I left him at it and he wrote all the words based on mine and Soph’s relationship. It’s all based on things about us.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: All]\nTell me you believe in love\nIt's not an illusion\nYeah\n[Verse 1: Liam]\nI've been thinking 'bout the nights and the dangerous tricks\nPeople play on the eyes of the innocent (\nYeah\n)\nI could turn a lot of hearts into breaks with smoke\nAnd mirrors disappearing right in front of them (\nYeah\n)\n[Pre-Chorus: Harry]\nBut believe me (\nYeah\n)\nI'm not trying to deceive ya (\nYeah\n)\nI promise falling for me won't be a mistake\n[Chorus: All]\nNo, baby, this is not an illusion\nI've really got my heart out on my sleeve (\nYeah\n)\nOh, baby, this is not an illusion\nThere's magic between you and me\nNo, baby, this is not an illusion\nYou really got me lifted off my feet\nSo, tell me you believe in love\n'Cause it's not an illusion to me [Verse 2: Liam]\nYou don't ever have to worry 'bout me\n'Bout how the cards fall, I'm all that you need tonight (\nYeah\n)\nI would never turn your heart into broken parts\nYou don't have to think twice looking in my eyes (\nYeah\n)\n[Pre-Chorus: Louis]\nCan't you see it? (\nYeah\n)\nI'm not trying to mislead ya (\nYeah\n)\nI promise falling for me won't be a mistake\n[Chorus: All, \nHarry\n]\nNo, baby, this is not an illusion\nI've really got my heart out on my sleeve (\nYeah\n)\nOh, baby, this is not an illusion\nThere's magic between you and me\nNo, baby, this is not an illusion\nYou really got me lifted off my feet\nSo, tell me you believe in love (\nTell me you believe in love\n)\n'Cause it's not an illusion to me\n[Bridge: Niall]\nYou can tie me up in chains, you can throw away the key\nBut there's no trap doors, I'm not gonna leave\nYou're the truth I can't explain, you're the only one I see\nIt's not an illusion to me [Chorus: All, \nZayn\n, \nHarry\n]\nNo, baby, this is not an illusion\nI've really got my heart out on my sleeve (\nYeah\n)\nOh, baby, this is not an illusion (\nThis is not an illusion\n)\nThere's magic between you and me\nNo, baby, this is not an illusion (\nThis is not an illusion, yeah\n)\nYou really got me lifted on my feet (\nReally got me off my feet\n)\nSo, tell me you believe in love (\nTell me you believe in love\n)\n'Cause it's not an illusion to me\n[Outro: Zayn, \nAll\n]\nBelieve in love\nSo, tell me you believe in love\n'Cause it's not an illusion" } ]

[ { "from": "human", "value": "Write me a song called Tom’s Diner with the following description: Legendary 75-year old Italian producer Giorgio Moroder was approached by Britney Spears to team up and cover Suzanne Vega’s “Tom’s Diner”.\nShe wanted to redo ‘Tom’s Diner’ — that was something she wanted to do — and she asked me if I was interested in producing it and having it on my album, and I loved the idea.\nMoroder talks more about the production in this interview with Yahoo! Music. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Refrain: Britney Spears]\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\n[Verse 1: Britney Spears]\nI am sitting in the morning\nAt the diner on the corner\nI am waiting at the counter\nFor the man to pour the coffee\nAnd he fills it only halfway\nAnd before I even argue\nHe is looking out the window\nAt somebody coming in\n[Refrain: Britney Spears]\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\n[Verse 2: Britney Spears]\n\"It is always nice to see you,\"\nSays the man behind the counter\nTo the woman who has come in\nShe is shaking her umbrella\nAnd I look the other way\nAs they are kissing their hellos\nI'm pretending not to see them\nInstead, I pour the milk\n[Refrain: Britney Spears]\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\n[Bridge: Giorgio Moroder]\nEverybody's welcome\nCome on, come on in\nSit yourself down\nThe funnies never ends\nLove is the drug\nThat makes you want to drink\nTill the morning after [Verse 3: Britney Spears]\n(I o-o) I open up the paper\nThere's a story of an actor\nWho had died while he was drinking\nIt was no one I had heard of\nAnd I'm turning to the horoscope\nLooking for the funnies\nWhen I'm feeling someone watching me\nAnd so I raise my head (So I raise my head, so I raise my head)\n[Refrain: Britney Spears]\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da\nDa-da-da-da, da-da-da-da\nDa-da-da-da-da-da-da-da" } ]

[ { "from": "human", "value": "Write me a song called I Still Believe with the following description: “I Still Believe” was originally released by R&B vocalist Brenda K. Starr in 1988. The then-18-year-old Mariah, who sang backup for Starr, is actually on the original track.\n\nMariah released her cover of “I Still Believe” as part of her first Greatest Hits compilation, humbly called 1s (Sony, 1998). She recorded the song as a tribute to Starr, who accelerated Mariah’s breakthrough by famously passing along the teenage singer’s demo to Tommy Mottola, CBS Records chief. Mottola signed Mariah to her first record deal with Sony, managed the release of her best-selling debut album in 1990, and, three years later, married her.\n\nIn the accompanying music video, Mariah recreates her idol Marilyn Monroe’s famous overseas visit to perform for American troops.\n\nhttps://www.youtube.com/watch?v=OAZG2duVte4 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYou look in my eyes\nAnd I get emotional inside\nI know it's crazy\nBut you still can touch my heart\nAnd after all this time\nYou'd think that I\nI wouldn't feel the same\nBut time melts into nothing\nAnd nothing's changed\n[Chorus]\nI still believe\nSomeday you and me\nWill find ourselves in love again\nI had a dream\nSomeday you and me\nWill find ourselves in love again\n[Verse 2]\nEach day of my life\nI'm filled with all the joy I could find\nYou know that I\nI'm not the desperate type\nIf there's one spark of hope\nLeft in my grasp\nI'll hold it with both hands\nIt's worth the risk of burning\nTo have a second chance [Pre-Chorus]\nNo, no, no, no, no, no, I need you, baby\nI still believe that we can be together\nWhoa, oh, no, no, no, ooh\nIf we believe that true love never has to end\nThen we must know that we will love again, mmm\nOhh\n[Chorus]\nI still believe\nSomeday you and me\nWill find ourselves in love again (Oh baby, yeah, yeah)\nI had a dream, you and me\nWill find ourselves in love again, yeah\nI still believe (Ooh baby, I do)\nSomeday you and me (Just give me one more try)\nIn love again, yeah\nI had a dream (I miss your love)\nSomeday you and me (Mmm, mmm)\nWill find ourselves in love again (Ahh, ahh, oh)\nI still believe\nSomeday you and me\nWill find ourselves in love again\nI had a dream" } ]

[ { "from": "human", "value": "Write me a song called Christian Dior Denim Flow with the following description: In late August 2010, Kanye announced that he would be releasing new tracks every weekend until Christmas in the form of a free music away titled GOOD Friday. On this eighth release in the series we witness another monster collaboration as Kanye teams up with some familiar faces, G-Unit’s very own Punch.Line.King Lloyd Banks, Pusha T, Kid CuDi, John Legend, and Ryan Leslie.\n\nIn Complex’s ranking of all G.O.O.D. Fridays entries, “Christian Dior Denim Flow” ranked #1. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Kid Cudi, John Legend, Ryan Leslie & Kanye West]\nI got the world in my hands, the master plan\nBut I don't know why I keep callin', why I keep\nAll of these girls at my shows, they lovin' me\nBut I don't know why I keep callin',\n why I keep callin' you, hey\n[Bridge: Kanye West]\nAll the models to the floor right now\nAll the models to the floor right now, what, huh?\nAll the models to the floor right now\nAll the models to the floor right now, huh?\n[Verse 1: Kanye West]\nI'm in my \nChristian Dior\n with a \nVeronica Webb\nNoemie Lenoir\n, \nChanel,\n \nSessilee Lopez\nArlenis Sosa,\n \nSelita Ebanks\nGrew up on Mobb Deep and speak that Jourdan Dunn language\nMake a phone call out to Joan Smalls\nI wonder how it feel in Lara Stone's walls?\nJessica Gomes, y'all, I would damage her\nAnd see if Jessica Stam got the stamina\nI'm in the car with Leo and the Benz swerve\nI heard Bar\n \nwas friends with Esti Ginzburg\nCoco Rocha, Kate Mimosa\nAlessandra Ambrosio, Anja Rubik\n \nand Olga\nKurylenko, tell her I'm very single\nAbbey Lee too, I'm a freak, boo\nI'm wilding, I'm on a thousand\nI wanna see Irina Shayk next to Doutzen [Chorus: Kid Cudi, John Legend, Ryan Leslie & Kanye West]\nI got the world in my hands, the master plan\nBut I don't know why I keep callin', why I keep\nAll of these girls at my shows, they lovin' me\nBut I don't know why I keep callin',\n why I keep callin' you, hey\n[Interlude: Kanye West]\nChristian Dior denim flow\nI told her I'm tryin' to eat out, so what we goin' to dinner fo'?\n[Verse 2: Pusha T]\nMiami nights, on the search for some T and A\nTryin' to hide what's obvious to see in me\nWe conversate a bit about your DNA\nAnd my salmon-colored suit from the VMAs\nOh, you was watchin'? Who the fuck wasn't?\nMe, skip across that stage in five dozen\nYuuugh! Six grand for a minute's time\nItalian Vogue styled a nigga for a minute-rhyme\nLet's be clear, and let's be fair\nThe best thing in music's being offered here\nIt's a round table full of bosses here\nStill giving you it all like the coffin's near\n[Chorus: Kid Cudi, John Legend, Ryan Leslie & Kanye West]\nI got the world in my hands, the master plan\nBut I don't know why I keep callin', why I keep\nAll of these girls at my shows, they lovin' me\nBut I don't know why I keep callin',\n why I keep callin' you, hey [Bridge: Kanye West]\nAll the models to the floor right now\nAll the models to the floor right now, what, huh?\nAll the models to the floor right now\nAll the models to the floor right now, huh?\n[Chorus: Kid Cudi, John Legend, Ryan Leslie & Kanye West]\nI got the world in my hands, the master plan\nBut I don't know why I keep callin', why I keep\nAll of these girls at my shows, they lovin' me\nBut I don't know why I keep callin',\n why I keep callin' you, hey\n[Verse 3: Ryan Leslie]\nIt's time for a lesson in model behavior\nDamn, look at all the bad bitches I gave you\nMan, I can see the flaws to your flavor\nLook like Wonder Woman and still need a savior\nMaybe it's a billionaire, maybe it's that cocaine\nI done seen drugs and money run the whole game\nA good girl lost in the city life\nAgent Provocateur, hold them titties right\nI'm haute couture of hoes galore\nGive my girl a Newport 'cause she's smoking yours\nI'm the authority of model seniority\nThey call me \"Les\" but they all need more of me [Verse 4: Lloyd Banks]\nUgh, handcraft material, champagne for cereal\nShawty stole my heart, criminal, my lucky charm, ugh\nFly clothes and Lear shows take the stuff we on\nStuff all my problems in that bong, and I'm puffin' strong\nI been locked in my way of thinkin', now my cuffs are gone\nMust've been the liquor talkin, I'm beggin' the cups, c'mon (C'mon)\nMight come off as irregular, I come in custom form\nT-G-I-F, GT breeze, my hustler's poem (Yeah)\nMy sound's full-grown, reminds me of my favorite chronic (Kush)\nBall like a SuperSonic, make the haters vomit (Ugh!)\nNigga, make some money ‘fore you make a comment\nI meant to snap a while ago, but who knows where the time went?\nProbably dime chicks, whips with a Diddy\nNow I'm back like a nine-milli, running New York City\nSee me clearly through the storm, the world's mine\nSits pretty in my palm, Chandon as we continue on\n[Chorus: Kid Cudi, John Legend, Ryan Leslie & Kanye West]\nI got the world in my hands, the master plan\nBut I don't know why I keep callin', why I keep\nAll of these girls at my shows, they lovin' me\nBut I don't know why I keep callin',\n why I keep callin' you, hey\n[Verse 5: Kid Cudi]\nNiggas think they know, only got half of the story\nThey don't really know what's in my head fuckin' with me\nHow can I be better? I could start with just the basics\nDior, Dior galore, I love the cut\nI seem to have forgotten that I'm off the looney\nTo the people who don't know Cud, know what?\nRose gold presidential on my bony wrist\nTook my ma to Chanel, held Elsie, the stunner\nShe got haters, some in the fam made us\nBut they don't really matter, we escape 'em with our paper\nHey ya, I'm on my André 3000\nI'm all good now, a nigga don't need no counseling\nWoke up in the room and my mojo was active\nLooks from the hoes that were more than likely passive\nBack when–let me not reflect on the old shit\nI'm on to the new act, on to my new script\nBitches better have they thoughts before approachin'\nI done heard it all, baby, save it for them other niggas\nDoin' things off-beat for a living\nHaters copy, I'm the image, hey\nHaters copy, I'm the image" } ]

[ { "from": "human", "value": "Write me a song called Hot 97 Interview on “Control” with the following description: Kendrick’s guest verse on Big Sean’s “Control” flipped the hip-hop world on it’s head. He finally addressed the impact of his words on Hot 97’s morning radio show.\nExcerpts via The Fader\nExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "On the response to the line \"I’m the king of New York\":\nIt made me go back here and feel like I probably gotta dumb down my lyrics nowadays, for people to take it way out of context the way they did… \nThe main heads that really understood the context of the line was the actual kings of New York, the cats that I sat down with this past week.\n They’re not understanding that it’s not about the culture, it’s not about what side we on, it’s about being great as Biggie, as Pac, the two cats that I referenced… \nI feel like I’m a student.\n I’m a student of the work that they did. When I put down 20 years in the game, I can eventually plant my foot and have that same type of legacy… I never take the history behind what Pac laid or what BIG laid.\nOn Kendrick’s king of rap, Snoop Dogg:\nTo keep it 100 with you, \nSnoop will always be number one, and I’m from the West Coast, and he gave me that.\n But out of respect for my big homie, I understand it. He laid down. I only got one album out homie. One album out. I got years to be doing this. At the end of the day, Snoop will always be my big homie and the legends that came before me they will always stand tall where they’re at. But I can’t stop myself from wanting to be great just like them.\nOn East/West rivalry in 2013:\nI feel as though you have certain cats that are really gonna take it to the next level and make it a rivalry thing and try to bring back that whole thing. No that’s old school homie. We black men out here trying to uplift the culture. \nMy first sold out show was in New York\n…I respect the legends in the game. I respect people that done it before me, people that lost their lives over this. Because of what they laid down, I’m gonna try to go ten times harder and breathe it and live it. That’s the point of the whole verse, what I was trying to convey through that verse. All the ignorance behind it, you can kill that noise. It’ll never be like that again, two coast rivalry. Not on my behalf." } ]

[ { "from": "human", "value": "Write me a song called Come & Get It with the following description: “Come & Get It” is a song recorded by American singer Selena Gomez for her debut solo album Stars Dance.\nThe song was written by Ester Dean, M.S. Eriksen, and T.E. Hermansen and was produced by Stargate. Meanwhile, the vocals were produced by Dreamlab. The song features elements of electropop and even Indian music.\nGomez stated:\nI just remember recording it and being in the studio and just thinking of how the place I was in and what I was going through and I was just so excited about it and I wanted it to be the first single. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nWhen you're ready come and get it\nNa-na-na-na, na-na-na-na, na-na-na-na\nWhen you're ready come and get it\nNa-na-na-na, na-na-na-na, na-na-na-na\nWhen you're ready, when you're ready\nWhen you're ready come and get it\nNa-na-na-na, na-na-na-na, na-na-na-na\n[Verse 1]\nYou ain't gotta worry, it's an open invitation\nI'll be sitting right here real patient\nAll day, all night, I'll be waiting standby\nCan't stop, because I love it\nHate the way I love you\nAll day, all night\nMaybe I'm addicted for life, no lie\n[Pre-Chorus 1]\nI'm not too shy to show I love you\nI got no regrets\nI love you much too much to hide you\nThis love ain't finished yet\nThis love ain't finished yet\nSo baby, whenever you're ready [Chorus]\nWhen you're ready come and get it\nNa-na-na-na, na-na-na-na, na-na-na-na\nWhen you're ready come and get it\nNa-na-na-na, na-na-na-na, na-na-na-na\nWhen you're ready, when you're ready\nWhen you're ready come and get it\nNa-na-na-na, na-na-na-na, na-na-na-na\n[Verse 2]\nYou got the kind of love that I want, let me get that\n(\nLet me get that, yeah\n)\nAnd baby, once I get it, I'm yours, no take-backs\nGon' love you for life, I ain't leaving your side\nEven if you knock it, ain't no way to stop it\nForever, you're mine\nBaby, I'm addicted, no lie, no lie\n[Pre-Chorus 2]\nI'm not too shy to show I love you\nI got no regrets\nSo baby, whenever you're ready\n[Chorus]\nWhen you're ready come and get it\nNa-na-na-na, na-na-na-na, na-na-na-na\nWhen you're ready come and get it\nNa-na-na-na, na-na-na-na, na-na-na-na\nWhen you're ready, when you're ready\nWhen you're ready come and get it\nNa-na-na-na, na-na-na-na, na-na-na-na [Bridge]\nThis love will be the death of me\nBut I know I'll die happily\nI'll know, I'll know, I'll know\nBecause you love me so\nYeah\n[Chorus]\nWhen you're ready come and get it\nNa-na-na-na, na-na-na-na, na-na-na-na\nWhen you're ready come and get it\nNa-na-na-na, na-na-na-na, na-na-na-na\n(\nI'm gonna get it, yeah, yeah\n)\nWhen you're ready, when you're ready\nWhen you're ready come and get it\n(\nWhen you're ready, when you're ready\nCome and get it, get it\n)\nNa-na-na-na, na-na-na-na, na-na-na-na" } ]

[ { "from": "human", "value": "Write me a song called This One’s For You with the following description: French DJ David Guetta teams up with Swedish singer Zara Larsson to make a song which is for all of us. “This One’s For You” is the official soundtrack to the UEFA EURO 2016 in France.\n\nOn June 10, 2015, it was revealed that David Guetta would be producing the official UEFA EURO 2016 anthem. Fans around the world were asked to sing parts of the song, recorded via a special app – more than one million fans participated. These recordings are featured in the song, which will be performed at the opening and closing ceremonies of the competition and played during the TV broadcasts. The fan recordings will also be played in the stadiums everytime a goal is scored. The track was released on May 13, 2016, one month ahead of the tournament. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Zara Larsson]\nMmm-mmm, oh\n[Verse 1: Zara Larsson]\nWe're born to fly\nSo let's keep livin' 'til it all falls down\nLet's close our eyes\nAnd let the moment drown the whole world out\n[Chorus: Zara Larsson]\nWe're in this together\nHear our hearts beat together\nWe stand strong together\nWe're in this forever\nThis one's for you\nThis one's for you (Yeah-yeah, eh)\n[Drop: David Guetta]\n[Verse 2: Zara Larsson]\nWavin' colored flags\nWe won't surrender, there's no standin' down (No standin' down)\nLove's a playin' field (Uh huh)\nIt's full of winners, we're breakin' new ground\n[Chorus: Zara Larsson]\nWe're in this together (Together)\nHear our hearts beat together\nWe stand strong together (Mmm)\nWe're in this forever (Forever)\nThis one's for you (Ooh)\nThis one's for you (Oh, yeah, yeah) [Drop: David Guetta]\n[Bridge: Zara Larsson]\nMmh, together\nWoah, woah\nOooooh\n[Chorus: Zara Larsson]\nWe're in this together (We're in this together)\nHear our hearts beat together (Yeah, yeah)\nWe stand strong together\nWe're in this forever (Ooh, oh, woah, yeah)\nThis one's for you" } ]

[ { "from": "human", "value": "Write me a song called Drank N Cranberry with the following description: The fifth track off of $ign Language, Ty gets Casey Veggies to lay down a verse on this one.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nD.R.U.G.S\n[Chorus: Ty Dolla $ign]\nDrank mixed with cranberry\nHoes in my Blackberry\nHoes in my iPhone\nHoes wherever I go\nDrank mixed with cranberry\nDrank mixed with cranberry\nDrank mixed with cranberry\nDrank mixed with cranberry\n[Verse 1: Ty Dolla $ign]\nDrank mixed with cranberry\nGot a square bitch and she scary\nOnly took her to my hood\nSeen my pistol and got shook (you scared)\nSee the money, got sprung\nBlood ain't thicker than cum\nI'm fucking with my enemies sister\nBust all in her tummy\nI ain't gon' brag about money\nMost you niggas broke\nI ain't gonna talk about bitches\nYou ain't got no hoes\nYou ain't got no hoes\nI fucked your bitch without a condom\nIt was me, 3D and Krondon, sippin' [Chorus: Ty Dolla $ign]\nDrank mixed with cranberry\nHoes in my Blackberry\nHoes in my iPhone\nHoes wherever I go\nDrank mixed with cranberry\nDrank mixed with cranberry\nDrank mixed with cranberry\nDrank mixed with cranberry\n[Bridge: Ty Dolla $ign & \nCasey Veggies\n]\nAnd now I'm leaning on your baby momma, oh, oh, yeah\nAnd now I'm leaning on your baby momma, oh, ooh, \nyeah\nStraight up\n[Verse 2: Casey Veggies]\nI prefer the dome, being honest, baby girl did the honors\nI'm street smart and she a college girl\nThat stayed down when I was grindin'\nPatron shots to the stomach, sprint race to the money\nCome party with a real nigga right at my house, we clubbin'\nRight at my house, we fucking, I play my Macbook\nThen beat it from the back\nCome back to it, I leave it where it's at\nI fly to the city cause I need it where I'm at\nI'm Westside with my name known\nHer chest out, she trained to go\nBoy tried to snatch my main ho\nNigga gotta try to match my bankroll like, \"Whoa!\"\nI done seen a lot of girls in the city\nAct brand new and turn model\nTurn out, look on the internet\nAhe was in a video doing porno, she go\nNo stop, shout out to the girls that like on top\nFor a young boy that made it from the bottom\nWe live one life, so I'm drinking out the bottle like, \"Oh!\" [Chorus: Ty Dolla $ign]\nDrank mixed with cranberry\nHoes in my Blackberry\nHoes in my iPhone\nHoes wherever I go\nDrank mixed with cranberry\nDrank mixed with cranberry\nDrank mixed with cranberry\nDrank mixed with cranberry\n[Bridge: Ty Dolla $ign]\nAnd now I'm leaning on your baby momma, oh, oh, yeah\nAnd now I'm leaning on your baby momma, oh, ooh" } ]

[ { "from": "human", "value": "Write me a song called Delicious with the following description: “Delicious” is an unreleased song by Dua Lipa recorded in 2019. The track was originally intended for her sophomore second studio album, Future Nostalgia, but it was ultimately scrapped.\nA snippet first appeared online on February 17, 2021, alongside snippets of fellow unreleased songs, “What I Like” and “Naked”. A longer snippet has appeared later on July 18, 2021.\nThe full song leaked a couple days later on July 20, 2021. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nUh, uh, uh\nUh, uh, uh, uh\n[Verse 1]\nTake me, you got me up all night\nThe feeling I can’t hide\nYou’re something I can’t stop cravin’\nBaby, you got me up all night\nYou know that I can’t lie\nYou’re something I can’t stop cravin’\n[Pre-Chorus]\nDelicious and nutritious\nAnd I just can’t let you go, no, no\nI just can’t let you go, no, no\nI just can’t let you go\nYou’re my diet, I’m delighted\nLike a yummy Romeo\nLi-li-li-like a Romeo, no, no\nI just can’t let you go\n[Chorus]\nI’m never gonna let you go\nWhen you’re talking that sweet to me\nWhenever I hear the words\nYou’re so delicious, so I try to not let it show\nGot me weak in the knees\nWhenеver I hear the words\nYou’rе so delicious, baby\nYou’re so delicious, baby [Verse 2]\nLately you got my attention\nI don’t need to mention\nYou know what I got on my mind\nBaby, you know that it felt right\nThe moment we locked eyes\nThere’s something I can’t stop cravin’\n[Pre-Chorus]\nDelicious and nutritious\nAnd I just can’t let you go, no, no\nI just can’t let you go, no, no\nI just can’t let you go\nYou’re my diet, I’m delighted\nLike a yummy Romeo\nLi-li-li-like a Romeo, no, no\nI just can’t let you go\n[Chorus]\nI’m never gonna let you go\nWhen you’re talking that sweet to me\nWhenever I hear the words\nYou’re so delicious, so I try to not let it show\nGot me weak in the knees\nWhenever I hear the words\nYou’re so delicious, baby [Bridge]\n(You’re so delicious)\nWhenever I hear the words\nYou’re so delicious, baby\n(You’re so delicious)\nWhenever I hear the words\nYou’re so delicious\n[Chorus]\nI’m never gonna let you go\nWhen you’re talking that sweet to me\nWhenever I hear the words\nYou’re so delicious, so I try to not let it show\nGot me weak in the knees\nWhenever I hear the words\nYou’re so delicious, baby\nNever gonna let you go\nWhen you’re talking that sweet to me\nWhenever I hear the words\nYou’re so delicious, so I try to not let it show\nGot me weak in the knees\nWhenever I hear the words\nYou’re so delicious, baby\nYou’re so delicious, baby\n(You're so delicious)\nYou're so delicious [Outro]\nUh, uh, uh\nUh, uh, uh, uh" } ]

[ { "from": "human", "value": "Write me a song called Pray with the following description: “Pray” is the second track from Jay-Z’s tenth studio album American Gangster.\nIn the track Hov delivers a semi-biographical narrative, which largely emphasizes the context in which he was brought up in: capitalist America and its symptoms – ghettos, poverty, violence and drugs. He explores the impact it had on his community and the impact on him personally; where both are trying to protect themselves from the stain of sin.\nPuff Daddy’s production samples “New Earth” by Hank Marvin, and Beyoncé is an uncredited feature on the introduction. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Beyoncé]\nDeliver me from my enemies, oh God\nDefend me from all that rise up against me\nDeliver me from the work of iniquity\nAnd save me from the Bloody Men\n[Verse 1: Jay-Z]\nLook, mind state of a gangster from the 40s\nMeets the business mind of Motown's Berry Gordy\nTurned crack rock into a chain of 40/40's\nSorry, my jewelry's so gaudy\nSlid into the party with my new pair of Mauris\nAmerica, meet the gangster Shawn Corey\n\"Hey, Young World,\" wanna hear a story?\nClose your eyes and you can pretend you're me\nI'm cut from the cloth of the Kennedys\nFrank Sinatra having dinner with the Genovese\nThis is the genesis of a nemesis\nMother America's not witnessed since\nThe Harlem Renaissance birthed Black businesses\nThis is the tale of lost innocence\nAs the incense burn\nAnd the turntables turn and that Al Green plays\nI see my mother's afro\nAs Mama taps her toes, as she rolls her J's\nAnd my papa just left the house\nIn search of the killer of my Uncle Ray\nAnd she's trying to calm her nerves\nAs I observe, this is just one day\nAnd what tomorrow has in store, we can never be sure\nSo all we can do is pray [Break: Beyoncé]\nBecause of your strength\nWhile I walked upon thee\nFor God is my defense\nPray for me!\n[Verse 2: Jay-Z]\nAs I head to my homeroom\nI observe the ruins, dope needles on the ground\nI hear a car go, \"Vroom\"\nDrug dealer in the BM with the top down\nAs the girls start to giggle\nI ask, \"Why you laugh?\" They say, \"You're too little\"\n\"One day, you'll understand when you become a man\nAbout things you have to get you\"\nFast-forward, freeze-frame on my pistol\nFistful of dollars, ignorance is so blissful\nI didn't choose this life, this life chose me\nAround here, it's the shit that you just do\nI just left school\nThe same BM is pulled over by the boys dressed blue\nThey had their guns drawn, screaming, \"Just move!\" (\"Don't move!\")\n\"Or is there something else you suggest we can do?\"\nHe made his way to the trunk, opened it like, \"Huh?\"\nA treasure chest was removed\nCops said he'll be back next month\nWhat we call corrupt, he calls paying dues\nNow, when the rules is blurred—\nAs they is and were—what am I to do?\nBut pray? Pray the Lord forgive me\nPray He guides me by for what I'm 'bout to go through\nPray [Break: Beyoncé]\nDeliver me in thy righteousness\nAnd cause me to escape\nAnd climb thine air unto me\nSave me thine Lord\nPray for me!\n[Verse 3: Jay-Z]\nGeah... Anywhere there's oppression\nThe drug profession flourishes like beverages, refreshing\nAhh! Sweet taste of sin\nEverything I seen made me everything I am\nBad drug dealer or victim, I beg\nWhat came first? Moving chickens or the egg?\nThis is why I be so fresh\nI'm tryna beat life 'cause I can't cheat death\nTreat shame with shamelessness\nAim stainlesses at anuses\nYou know the game this is?\nMove coke like Pepsi,\n \ndon't matter what the brand name is\nI stand behind mine\nEverything I do, I'm a man behind mine\nI'm not an angel, I'm sure\nBut every night before I lay, I drop my knees to the floor\nAnd I pray [Outro: Beyoncé]\nThe name shall endure forever\nThe name shall be continued as long as the sun\nPray for me!\nMen shall be blessed in Him\nAll nations shall call Him blessed\nIn Your name, I pray\nPray for me!\nLord bless us" } ]

[ { "from": "human", "value": "Write me a song called Lovely (Ricky Remedy Remix) with the following description: Ricky Remedy’s remix of “lovely” is an atmospheric, quick paced rework of Eilish and Khalid’s original haunting track— featuring bombastic drops, electronic elements, and alternate vocal mixing. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nRicky Remedy, yeah\n[Verse 1: Billie Eilish & Khalid]\nThought I found a way\nThought I found a way out (Found)\nBut you never go away (Never go away)\nSo I guess I gotta stay now\n[Pre-Chorus: Billie Eilish & Khalid]\nOh, I hope some day I'll make it out of here\nEven if it takes all night or a hundred years\nNeed a place to hide, but I can't find one near\nWanna feel alive, outside I can't fight my fear\n[Chorus: Billie Eilish with Khalid]\nIsn't it lovely, all alone\nHeart made of glass, my mind of stone\nTear me to pieces, skin to bone\nHello, welcome home\n[Verse 2: Khalid with Billie Eilish]\nWalking out of time\nLooking for a better place (Looking for a better place)\nSomething's on my mind\nAlways in my head space [Pre-Chorus: Billie Eilish & Khalid]\nBut I know someday I'll make it out of here\nEven if it takes all night or a hundred years\nNeed a place to hide, but I can't find one near\nWanna feel alive, outside I can't fight my fear\n[Chorus: Billie Eilish with Khalid]\nIsn't it lovely, all alone\nHeart made of glass, my mind of stone\nTear me to pieces, skin to bone\nHello, welcome home\n[Outro: Khalid, Billie Eilish, Khalid & Billie Eilish]\nWoah, yeah\nYeah, ah\nWoah, woah\nHello, welcome home" } ]

[ { "from": "human", "value": "Write me a song called Flowers with the following description: Following up OTTR another Big Jerm-produced track by the “weed trio of hip-hop”Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Wiz Khalifa]\nYeah, play me something aight\nI don't want no, um, no\nOh-oh-ohh, ohh\n[Chorus: Wiz Khalifa]\nWe in the party burning up that weed smoke\nSmell us everywhere that we go\nWhen niggas try to tell us, we like \"Hold up, roll up\"\nAnd them bitches ain't coming if they can't\nWe in the party burning up that weed smoke\nSmell us everywhere that we go\nWhen niggas try to tell us, we like \"Hold up, roll up\"\nAnd them bitches ain't coming if they can't\n[Verse 1: Wiz Khalifa]\nKeeping it G and sticking to the plan\nOf getting rich and burying all my money in the desert sand\nWasn't no stroke of luck, I played my hand\nMan I’ve been up here for hours, fingers tired from rolling every gram\nAnd now my cheese ain't just American,\n cause I get overseas money\nEverywhere I go, somebody scream for me\nLooking out the window, my hotel room in Vegas\nThinking, \"How the fuck could you hate this?\"\nHalf of these people ain't real niggas shapeshift\nThats why I’m smoking O.G. til I’m weightless, yeah\nAnd my homies are Taylor Gang\nWe rolling up papers and yeah of course they gon hate\nBut fuck what they say cause we gon stay the same\nHigher than hell, flyer than Delta\nNiggas try and fail, think it's time you fired everyone hired to help ya\nGetting all this bread, wanna know why, I could tell ya\nOther than that, yeah [Chorus: Wiz Khalifa]\nWe in the party burning up that weed smoke\nSmell us everywhere that we go\nWhen niggas try to tell us, we like \"Hold up, roll up\"\nAnd them bitches ain't coming if they can't\nWe in the party burning up that weed smoke\nSmell us everywhere that we go\nWhen niggas try to tell us, we like \"Hold up, roll up\"\nAnd them bitches ain't coming if they can't\n[Verse 2: Curren$y]\nYeah, O.G. got first seasons of BAPE, BBC\nMake cake from CDs, \nmixtape shit for free\nEither way I go 100% all game\n48 minutes, no bench sitting at all, mane\nY’all may have thought stoners would fall off schedule\nBut we ahead of you due to these medical power laws\nPreserve jars open, herb in the bars I'm quoting\nAnd the times I ain't, on hemp pages, I wrote it\nFor your speakers to smoke it\nNow pan on them lenses and focus on the dopest\nIn the Mitchell and Ness Marino, see how far back I’ve been quoted\nAnd they hoe suckas know that from Spitta they styles stolen\nI ain't mad though, I’m glad though\nThought I’d feel a little bit different being a dad yo, yeah bro\nWiz smoked out the BET Awards, I wrapped up my Jet Life tour\nThat's why them bitches roll that weed for us, nigga [Chorus: Wiz Khalifa]\nWe in the party burning up that weed smoke\nSmell us everywhere that we go\nWhen niggas try to tell us, we like \"Hold up, roll up\"\nAnd them bitches ain't coming if they can't\nWe in the party burning up that weed smoke\nSmell us everywhere that we go\nWhen niggas try to tell us, we like \"Hold up, roll up\"\nAnd them bitches ain't coming if they can't\n[Verse 3: Big Sean]\nThey wanna roll like me\nCause I’m living life like it's no police or I’m overseas\nI’m watching no smoking signs just rolling weed\nCause it’s the motherfucking life when you roll with G’s (boi)\nDissing these bitches, you entertained\nYou tell her you love her too, I tell her she’s out her brain\nI’m on the road to the millies, I started on Penny Lane\nNow the bandwagon is packed, you might could hop on the train\nAt the top, so now her top all off\nI never pay hoes, I only pay cops off\nAnd tell these niggas they gotta take that disguise off\nI’m from Detroit, we eat you little hoes alive with hot sauce\nFucking bitch, I might come a little tardy though\nFatty rolled, Chris Farley smoke\nYou niggas rolling up Barley bro, I’m all-green as the safari’s go\nYou bitches already know [Chorus: Wiz Khalifa]\nWe in the party burning up that weed smoke\nSmell us everywhere that we go\nWhen niggas try to tell us, we like \"Hold up, roll up\"\nAnd them bitches ain't coming if they can't\nWe in the party burning up that weed smoke\nSmell us everywhere that we go\nWhen niggas try to tell us, we like \"Hold up, roll up\"\nAnd them bitches ain't coming if they can't" } ]

[ { "from": "human", "value": "Write me a song called You Don’t Know Weezy with the following description: Weezy goes in over Jay-Z ft M.O.P- U Don’t Know (Remix)\nThis is a freestyle off The Suffix , this is the third song off the 2005 mixtape.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Wayne]\nI get high, high, high, high\nWord\n[Verse 1: Lil Wayne]\nI do this when I wanna, mama\nI hustle when it;s hotter, money, gun, weed, and a water bottle\nI'm the coolest in the sauna mama\nI ain't sweating it, I'm betting it, I'll make it back tomorrow, Mama\nI got corner honor, ain't been to court since 2004\nLooks like I got it going, your honor\nI'm a lone rider, grind for my own dollars\nThey was in front, but I'm blowing by 'em, [?]\nI'm on hoes like cornrows, open toes\nFake titties, yes, I bought both of those\nHold your nose, I'm the shit, can't be flushed\nI got the toilet stopped up, call the plumber up\nMy stomach stuffed—that's right, I'm eating\nI smoke the best weed, look like I'm sleeping\nCook it by this evening, off it by the morning\nProfessional dope boy, my office is The Carter\n[Sample]\nYou don't know what you're doing\n[Verse 2: Lil Wayne]\nYes, I do, and I do it better than most\nMy competitive drive knock a nigga off the road, yeah\nLock and load, pull the triggers and roll, yeah\nThe bigger your mouth, the bigger the hole, yeah\nWe figured 'em out, them niggas is hoes\nYeah, they lawn chairs, baby, quicker to fold\nBut me—I'm quick on my toes, I remember the code\nYou need a pass for the hood, watch me get through the tolls, shit\nI been through the cold, I shot through the fire\nStill rock too much ice, should've got you a visor\nI pull up, the bitches flock and admire\nFresh, like I just stepped out of a dryer\nYes! No fret, I got the lock of a lion\nIt's Eagle Street, ho, the whole block is behind me, yeah\nStay low, the cops is spying\nBut they could never figure out the rocket science\nNo pocket knife, no pocket iron, yeah\nPots and pans make the pockets wider\nDig 'em a hole, let the property hide 'em\nBuild a house and throw a party over your dead body\nNever said I'll never fail, but never dropped an assignment\nGotta finish what you start or the cops'll find it\nDinner in the park, yeah, may seem cool\nBut me—I'd rather not let them see my food\nI'm staying strapped like Fila shoes\nBet I bust the motherfucker 'til the enemy move, c'mon!\nIt's my game, nigga, get in and lose\nY'all niggas never do what I do, I do me! [Sample]\nYou don't know what you're doing" } ]

[ { "from": "human", "value": "Write me a song called Hit the Lights with the following description: “Hit The Lights” is the third single released from When the Sun Goes Down by Selena Gomez & The Scene. In this song, Selena sings about forgetting your regrets, to stop holding back, and to live in the moment. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nIt's the boy you never told, \"I like you\"\nIt's the girl you let get away\nIt's the one you saw that day on the train\nBut you freaked out and walked away\nIt's the plane you wanna catch to Vegas\nThings you swear you'll do before you die\nIt's the city of love that waits for you\nBut you're too damn scared to fly\n[Chorus]\nHit the lights\nLet the music move you\nLose yourself tonight\nCome alive\nLet the moment take you\nLose control tonight\nHit the lights\nLet the music move you\nLose yourself tonight\nCome alive\nLet the moment take you\nLose control tonight\n[Verse 2]\nIt's the time that you totally screwed up\nStill, you're tryna get it out your brain\nIt's the fight you had when you didn't make up\nIt's the past that you're dying to change\nIt's all the money that you're savin'\nWhile the good life passes by\nIt's all the dreams that never came true\n'Cause you're too damn scared to try [Chorus]\nHit the lights\nLet the music move you\nLose yourself tonight\nCome alive\nLet the moment take you\nLose control tonight\nHit the lights\nLet the music move you\nLose yourself tonight\nCome alive\nLet the moment take you\nLose control tonight\n[Refrain]\nIt's a mad, mad world, gotta make an escape\nIt's a perfect world when you go all the way\nHit the lights\nLet the music move you\nLose yourself tonight\n[Bridge]\nSo let's go, go, go, go all the way\nYeah, let's go, go, go, go night and day\nFrom the floor to the rafters\nPeople, raise your glasses\nWe could dance forever [Chorus]\nHit the lights\nLet the music move you\nLose yourself tonight (\nLose yourself tonight\n)\nCome alive\nLet the moment take you\nLose control tonight\n[Refrain]\nIt's a mad, mad world, gotta make an escape\nIt's a perfect world when you go all the way\nHit the lights\nLet the music move you\nLose yourself tonight" } ]

[ { "from": "human", "value": "Write me a song called Your World with the following description: “Your World” sees Chris in love with somebody unattainable who won’t let him in. Chris also claims that all of the luxuries and beautiful locations in the world, such as Toyko and New York don’t compare to this girl.\n“Your World” was released on the Japanese deluxe edition of Fortune. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYour world, I wanna live in it\nYour world, I wanna live in it\nYour world, I wanna live in it\nYour world, your world\n[Verse 1]\nI've been chillin' on the beach down in Mexico\nStarin' at the lights up in Tokyo\nDancin' in Spain as the rain falls down\nI've been in New York City where they never sleep\nFirst-class flights on my way to Greece\nI've been everywhere and back around\n[Pre-Chorus]\nSee I've been to London\nI've been through France\nAnd all that means nothin'\nIf you don't give me a chance\n[Chorus]\n'Cause it's your world, yeah, it's your world\nThat I've never been until you let me in\n'Cause in my world, yeah, in my world\nI will never win until you let me into your world [Verse 2]\nI can't stop thinkin' 'bout you every night\nPicturin' your body layin' next to mine\nWhat's it gonna take for you to open up?\nOh, tell me\n'Cause I wanna know everythin' about your world\nI wanna be there when you need me, girl\nI wanna be more than a fool in love (Fool in love)\n[Pre-Chorus]\nSee I've been to London (Hey)\nI've been through France (Hey)\nBut all that means nothin'\nIf you don't give me a chance\n[Chorus]\n'Cause it's your world, yeah, it's your world\nThat I've never been until you let me in\n'Cause in my world, yeah, in my world\nI will never win until you let me into your world\n[Bridge]\nBaby, let me dive into your ocean (Let me dive)\nLet me wish upon your shootin' star (Shootin' star)\nWe gotta put this thing in motion\nBring our two worlds to the same heart [Breakdown]\nYour world, I wanna live in it (Oh)\nYour world, I wanna live in it (Oh-oh)\nYour world, I wanna live in it\nYour world, come on, girl\n[Chorus]\n'Cause it's your world, yeah, it's your world\nThat I've never been until you let me in\n'Cause in my world, yeah, in my world\nI will never win until you let me into your world\n'Cause it's your world, yeah, it's your world\nThat I've never been until you let me in\n(I wanna go, baby, let me go there)\n(And breathe in your beautiful air)\n'Cause in my world (In my world), yeah, in my world (In my world, I will never win)\nI will never win until you let me into your world\n[Outro]\nYour world, I wanna live in it (I wanna live in it)\nYour world, I wanna live in it (Just need to live in it)\nYour world, I wanna live in it (I wanna live in it)\nYour world (Your world), your world (Your world)\nYour world, I wanna live in it (Oh)\nYour world, I wanna live in it (Oh-oh)\nYour world, I wanna live in it (Oh-woah-oh)\nYour world, your world, your world" } ]

[ { "from": "human", "value": "Write me a song called Waka Waka (This Time for Africa) with the following description: Waka Waka (This Time For Africa) is a song by Colombian singer Shakira, featuring the South African Freshlyground. It was the 2010 FIFA World Cup official song, leading to some controversy because it wasn’t sung by a South African native.\nNevertheless, it hit number one in many countries' record charts across the world and was number 38 on the Hot 100 in the US. The track features two samples: the first an instrumental of a South African guitar, the second the chorus, which is from Golden Sounds' song, “Zangaléwa.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nO-o-oh, e-e-e-e-e-eh!\nViva Africa \n(\nOtra, otra\n)\nViva Africa \n(\nOtra, otra\n)\nViva Africa \n(\nOtra, otra\n)\nViva Africa \n(\nOtra, otra\n)\n[Verse 1: Shakira]\nYou're a good soldier, choosing your battles\nPick yourself up and dust yourself off, get back in the saddle\nYou're on the front line, everyone's watching\nYou know it's serious, we're getting closer, this isn't over\n[Pre-Chorus: Shakira]\nThe pressure's on, you feel it\nBut you got it all, believe it\nWhen you fall get up, oh, oh\nIf you fall get up, eh, eh\nTsamina mina zangalewa\n'Cause this is Africa\n[Chorus: Shakira]\nTsamina mina, eh, eh\nWaka waka, eh, eh\nTsamina mina zangalewa\nThis time for Africa [Verse 2: Shakira]\nListen to your God, this is our motto\nYour time to shine, don't wait in line, \ny vamos por todo\nPeople are raising their expectations\nGo on and feed them, this is your moment, no hesitations\n[Pre-Chorus: Shakira]\nToday's your day, I feel it\nYou paved the way, believe it\nIf you get down, get up, oh, oh\nWhen you get down, get up, eh, eh\nTsamina mina zangalewa\nThis time for Africa\n[Chorus: Shakira]\nTsamina mina, eh, eh\nWaka waka, eh, eh\nTsamina mina zangalewa\nAnawa-a-a\nTsamina mina, eh, eh\nWaka waka, eh, eh\nTsamina mina zangalewa\nThis time for Africa\n[Verse 3: \nZolani\n]\nAwabuye lamajoni, ipikipiki mama wa A to Z\nBathi susa lamajoni, ipikipiki mama from East to West\nBathi waka waka mah, eh, eh\nWaka waka mah, eh, eh\nZonk' izizwe mazibuye\n'Cause this is Africa [Bridge]\nTsamina mina\nAnawa-a-a\nTsamina mina\nTsamina mina\nAnawa-a-a\n[Chorus: Shakira]\nTsamina mina, eh, eh\nWaka waka, eh, eh\nTsamina mina zangalewa\nAnawa-a-a\nTsamina mina, eh, eh\nWaka waka, eh, eh\nTsamina mina zangalewa\nThis time for Africa\n[Post-Chorus: Shakira]\nDjango, eh, eh\nDjango, eh, eh\nTsamina mina zangalewa\nAnawa-a-a\nDjango, eh, eh\nDjango, eh, eh\nTsamina mina zangalewa\nAnawa-a-a [Outro: Shakira]\nThis time for Africa\nThis time for Africa\nWe're all Africa (\nZama qhela\n)\nWe're all Africa (\nKwela kwela\n)\nZama qhela" } ]

[ { "from": "human", "value": "Write me a song called Numb / Encore with the following description: A mash-up between Jay-Z’s “Encore“ and Linkin Park’s “Numb“ from the MTV Mash Ups show. They both enjoyed it so much they released a full EP of 6 songs, of which this was the most successful.\nAt that point in time, back in 2004, Jay-Z had just ‘retired’ and was reflecting on how he changed the game and how much he would be missed. Linkin Park’s verses take the opposite perspective, reflecting on how sometimes you’re not good enough and can’t make everyone happy. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Mike Shinoda & \nJay-Z\n]\nYeah\nThank you, thank you, thank you, you're far too kind!\n (Whoo!)\nAh, uh, whoo, yeah! Ready?\nWhoo, whoo, whoo!\nLet's go!\n[Chorus: Jay-Z & \nChester Bennington\n & \nKanye West\n]\n(\nCan I get a encore, do you want more?\n)\nCookin' raw with the Brooklyn boys\nSo for one last time I need y'all to roar\nUh, uh, uh, uh (\nYeah\n)\nNow, what the hell are you waiting for?\nAfter me, there shall be no more\nSo for one last time, nigga, make some noise\n[Post-Chorus: Mike Shinoda]\nGet 'em Jay!\n[Verse 1: Jay-Z]\nWho you know fresher than Hov? Riddle me that\nThe rest of y'all know where I'm lyrically at\nCan't none of y'all mirror me back, yeah, hearin' me rap\nIs like hearin' G Rap in his prime, I'm\nYoung H.O., rap's Grateful Dead\n'Bout to take over the globe, now break bread\nI'm in Boeing jets, Global Express\nOut the country but the blueberry still connect\nOn the low but the yacht got a triple deck\nBut when you Young, what the fuck you expect? Yep, yep!\nGrand openin', grand closin'\nGoddamn, your man Hov cracked the can open again\nWho you gon' find doper than him?\nWith no pen, just draw off inspiration-tion\nSoon you gon' see you can't replace him-him\nWith cheap imitations for these generations [Chorus: Jay-Z & \nChester Bennington\n & \nKanye West\n]\nCan I get an encore? Do you want more?\nCookin' raw with the Brooklyn boys\nSo for one last time I need y'all to roar\nUh, uh, uh, uh (\nYeah\n)\nNow, what the hell are you waiting for?\nAfter me, there shall be no more\nSo for one last time, nigga, make some noise\nWhat the hell are you waiting for?\n[Verse 2: Jay-Z & \nMike Shinoda\n]\nLook what you made me do, look what I made for you\nKnew if I paid my dues, how will they pay you?\nWhen you first come in the game, they try to play you\nThen you drop a couple of hits, look how they wave to you (\nLook how they wave to you\n)\nFrom Marcy to Madison Square\nTo the only thing that matters in just a matter of years (\nYeah\n)\nAs fate would have it, Jay's status appears\nTo be at an all-time high, perfect time to say goodbye\nWhen I come back like Jordan\nWearin' the 45, it ain't to play games with you\nIt's to aim at you, probably maim you\nIf I owe you I'm blowin' you to smithereens\nCocksucker\n, take one for your team\nAnd I need you to remember one thing (\nOne thing\n)\nI came, I saw, I conquered\nFrom record sales, to sold-out concerts\nSo, motherfucker, if you want this encore\nI need you to scream, 'til your lungs get sore (\nCome on\n) [Verse 3: Chester Bennington & \nMike Shinoda\n]\nI'm tired of being what you want me to be\nFeeling so faithless, lost under the surface\nDon't know what you're expecting of me\nPut under the pressure of walking in your shoes\n(\nCaught in the undertow, just caught in the undertow\n)\nEvery step that I take is another mistake to you\n(\nCaught in the undertow, just caught in the undertow\n)\nAnd every second I waste is more than I can take!\n[Chorus: Chester Bennington & \nJay-Z\n]\nI've become so numb, I can't feel you there\nBecome so tired, so much more aware\nI'm becoming this, all I want to do\nIs be more like me and be less like you\nI've become so numb\nCan I get a encore? Do you want more? (More, more, more)\nI've become so numb\nSo for one last time I need y'all to roar\nOne last time I need y'all to roar" } ]

[ { "from": "human", "value": "Write me a song called One Dance (Remix) with the following description: On this sultry remix of Drake’s “One Dance,” Bieber uses Drake’s flow and some of his lyrics, while putting his own twist on others. He replaces Hennessy on the hook with 1942, a premium Tequila made by Don Julio, the same Don Julio he mentioned on Travi$ Scott’s “Maria I’m Drunk.”\nThis song was teased during a party in Monaco the weekend before it dropped. It marks the third time Justin has remixed one of Drake’s hits. Last year, he remixed “Hotline Bling,” and in 2013 was part of the “Trust Issues” remix.\nThe song premiered on OVO Sound Radio Episode 23.\nhttps://twitter.com/Beats1/status/739228513027297280 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kyla]\nBaby, I like your style\n[Verse 1: Justin Bieber]\nLips on your neck\nWe're never too close now\nNothin' like you and me\nI don't know your name\nBut I'm sure that you know me\nFell in love with the music\nThe feelin' is mutual\nLovin' the way you move on me\nSkin's so soft, hands on my face to be directed\nAnd you're all that I can see\nYou give the baddest one in here a run for their money\nAnd when this song comes on, you know, that\n[Chorus: Justin Bieber]\nI need a one dance\n1942 in my hand\nOne more time 'fore I go\nBody lockin', put a hold on me\nI need a one dance\n1942 in my hand\nOne more time 'fore I go\nBody lockin', put a hold on me [Verse 2: Justin Bieber]\nYou know, I like that you're wild\nSo make your way over here right now\nWe only got a little while\nJust thinkin' out loud\nCelebrate life with me, babe\nDon't be in a rush to go now\nOh, girl\n[Chorus: Justin Bieber]\nI need a one dance (One dance)\n1942 in my hand\nOne more time 'fore I go\nBody lockin', put a hold on me\nI need a one dance (Yeah)\n1942 in my hand\nOne more time 'fore I go ('Fore I go)\nBody lockin', put a hold on me (Hold on me)\n[Outro: Justin Bieber]\nYeah, yeah, yeah\nOne more dance is all I need\nOne more dance is all I need\nOh, oh, oh" } ]

[ { "from": "human", "value": "Write me a song called Darkness with the following description: “Darkness” is the lead single from Eminem’s surprise album, Music to Be Murdered By. It was released with its music video alongside the album.\nIt has become common for rappers to metaphorically compare the words they spit to weapons and their performances to murders. Here, Em both takes this convention to extremes and inverts it. While the beginning of the song might lead listeners to believe they are simply hearing an account of an artist’s pre-performance anxiety, à la “Lose Yourself,” it is eventually revealed that the narrator is Stephen Paddock, the murderer responsible for the deadliest mass shooting in U.S. history. As a result, a disturbing allegory is revealed that compares high-profile killings to an artist’s performance.\nThe song ends with a compilation of overlayed news clips from various shootings that have occurred in the United States in recent years, suggesting that Em is attempting to bring further awareness to America’s ongoing gun problems. He even has a quote on his website that states, “WHEN WILL THIS END? WHEN ENOUGH PEOPLE CARE.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI don't wanna be alone, I don't wanna be\n[Chorus]\nI don't wanna be alone in the darkness\nI don't wanna be alone in the darkness\nI don't wanna be alone in the darkness anymore\n(\nHello, darkness, my old friend\n)\n[Verse 1]\nHere I am, alone again\nCan't get out of this hole I'm in\nIt's like the walls are closin' in\nYou can't help me, no one can\nI can feel these curtains closin'\nI go to open 'em\nBut something pulls 'em closed again\n(\nHello, darkness, my old friend\n)\nFeels like I'm loathing in Las Vegas\nHaven't got the vaguest why I'm so lost\nBut I'd make you this small wager\nIf I bet you I'll be in tomorrow's paper\nWho would the odds favor?\n(\nHello, darkness, my old friend\n)\nI'm so much like my father, you would think that I knew him\nI keep pacin' this room, Valium, then chase it with booze\nOne little taste, it'll do\nMaybe I'll take it and snooze, then tear up the stage in a few\n(\nHello, darkness, my old friend\n)\nFuck the Colt 45, I'ma need somethin' stronger\nIf I pop any caps, it better be off of vodka\nRound after round after round, I'm gettin' loaded (Haha)\nThat's a lot of shots, huh? (Double entendre)\n(\nHello, darkness, my old friend\n) [Chorus]\nAnd I don't wanna be alone in the darkness (Yeah)\nI don't wanna be alone in the darkness\nI don't wanna be alone in the darkness anymore\n(\nHello, darkness, my old friend\n)\n[Verse 2]\nNow I'm starin' at the room service menu off a benzo\nI can hear the music continue to crescendo\nI can see the whole fuckin' venue from my window\nThat's when you know you're schizo\n(\nHello, darkness, my old friend\n)\n'Cause I keep peekin' out the curtain from the hotel\nThe music is so loud\nBut it's almost as though I don't hear no sound\nI should get ready for the show now\nWait, is this the whole crowd? I thought this shit was sold out\n(\nHello, darkness, my old friend\n)\nBut it's only the opening act, it's early, don't overreact\nThen something told me relax\nAnd just hope for the show to be packed\nDon't wanna hit the stage before they fill each row to the max\n'Cause that'd be totally wack\nYou can't murder a show nobody's at\n(\nHello, darkness, my old friend\n)\nBut what if nobody shows? Panic mode\n'\nBout to snap and go motherfuckin' wacko at any second\n'Bout to cancel the show just as fans below rush the entrance\nPlan is a go to wreck shit,\n \ncameras in all directions\n(\nHello, darkness, my old friend\n)\nThe press is 'bout to go ape shit, bananas on all the networks\nCommando with extra clips, I got ammo for all the hecklers\nI'm armed to the teeth\n, \nanother Valium, fall off the bed\nHit the ground and crawl to the dresser\nAlcohol on my breath as I reach for the scope\n(\nHello darkness, my old friend\n)\nI'm blackin' out, I'm all out of meds\nWith them benzodiazepines gone\nNow it's just magazines sprawled out on the floor\nFuck the media, I'm goin' all out, this is war\n(\nHello, darkness, my old friend\n) [Chorus]\nAnd I don't wanna be alone in the darkness (Yeah)\nI don't wanna be alone in the darkness\nI don't wanna be alone in the darkness anymore\n(\nHello, darkness, my old friend\n)\n[Verse 3]\nPeople start to show up, time to start the show up\nIt's 10:05 PM and the curtain starts to go up\nAnd I'm already sweatin', but I'm locked and loaded\nFor rapid fire spittin' for all the concert-goers\nScopes for sniper vision, surprise from out of nowhere\nAs I slide the clip in from inside the hotel\nLeanin' out the window, going Keyser Söze\nFinger on the trigger, but I'm a licensed owner\nWith no prior convictions, so law says sky's the limit\nSo my supply's infinite, strapped like I'm a soldier\nGot 'em hopping over walls and climbing fences\nSome of them John Travolta, staying alive by inches\n(\nHello, darkness, my old friend\n)\nCops are knockin', oh fuck, thought I blocked the entrance\nGuess show time is over\nNo suicide note, just a note for target distance\nBut if you'd like to know the reason why I did this\nYou'll never find a motive, truth is I have no idea\nI am just as stumped, no signs of mental illness\nJust tryin' to show ya the reason why we're so fucked\n'Cause by the time it's over, won't make the slightest difference\n(\nHello, darkness, my old friend\n) [Chorus]\nAnd I don't wanna be alone in the darkness\nI don't wanna be alone in the darkness\nI don't wanna be alone in the darkness anymore\n(\nHello, darkness, my old friend\n)\n[Outro]\nYeah, we do have some breaking news from the Associated Press right now\nJust gonna bring that up because we are hearing—\n(\nI've come to talk with you again\n)\nWe have told you that the shooter is dead\nAnd we have just learned that police are saying that the Las Vegas shooter killed himself\n(\nHello, darkness, my old friend\n)\nThat is the bartender there at Mandalay Bay and I believe we're going to hear more from her\n(\nI've come to talk with you again\n)\nYeah, we just wanted to share that with you\nYou can see behind me here, this is what he looks like\n(\nHello, darkness, my old friend\n)\nNow we did just tell you that police just earlier...\nMetro was telling us that he killed himself inside the hotel room\n(\nI've come to talk with you again\n)\nGood morning, as we come to you on the air\n(\nHello, darkness, my old friend\n)\nWe bring you breaking news, a school shooting (Crushing news)\nAnother school shooting (Eleven people dead)\nReports of a number of fatalities, and this time it is in Santa Fe, Texas\n(\nI've come to talk with you again\n)\nThat is just outside Galveston (That no one saw coming)\nA mass shooting at a Southern Californian school (A suspect has been...)\n(\nHello, darkness, my old friend\n)\nWe are following breaking news this morning\nAnother deadly school shooting\nThis one in Santa Fe, Texas, that's just outside Houston\n(\nI've come to talk with you again\n)\nTwenty-six killed and twenty others wounded (Houston affiliate is reporting)\nAt least nine people have been killed (Somber words, making it the deadliest shooting in Texas history)\n(\nHello, darkness, my old friend\n)\nFive people dead\nThe attacker opening fire outside the church during a morning worship session\nHe unloaded the chaotic and terror, making his way inside (Five people killed in a workplace shooting, dozens of officers)\n(\nI've come to talk with you again\n)\nThis, a deadly shooting at a food festival in Northern California\n(\nHello, darkness, my old friend\n)\nThree people so far dead\nBreaking news (Fifteen wounded)\nA deadly shooting at a newspaper office in Annapolis (A gunman opened fire)\n(\nI've come to talk with you again\n)\nNewly-released surveillance video shows the moments leading up to a mass shooting in Dayton, Ohio\nAuthorities say the shooter..." } ]

[ { "from": "human", "value": "Write me a song called Nevermore with the following description: “Nevermore” is the eighth track on Queen’s second studio album, Queen II. Its is similar in both tone and concept to Queen’s “Love Of My Life”, a song released about a year after “Nevermore”.\nThis brief piano ballad details the speaker’s distress after a breakup. At one minute and fifteen seconds, it’s also among the shortest songs in the Queen catalog, behind A Night At The Opera’s 1:07 Lazing on a Sunday Afternoon, and Made In Heaven’s four second track, “Yeah.” The shortest instrumental tracks however are Queen II’s opening cut “Procession”, (1:13), and A Night At The Opera’s closing track, “God Save The Queen.” (1:15).\nThe use of “nevermore” was inspired by Edgar Allan Poe’s narrative poem, “The Raven” in which there is repetition of the word, nevermore. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Segue: Verse 1]\nThere's no living in my life anymore\nThe seas have gone dry\nAnd the rain stopped falling\nPlease don't you cry anymore (Ahh)\nCan't you see?\nListen to the breeze\nWhisper to me, please\nDon't send me to the path\nOf nevermore\n[Verse 2]\nEven the valleys below\nWhere the rays of the sun\nWere so warm and tender\nNow haven't anything to grow (Ahh)\nCan't you see?\nWhy did you have to leave me?\n(Nevermore, nevermore)\nWhy did you deceive me?\n(Nevermore, nevermore)\nSend me to the path\nOf nevermore (Ahh)\nWhen you say you didn't love me\nAnymore (Aahh)\n(Ahh) [Outro]\nNevermore\nNevermore" } ]

[ { "from": "human", "value": "Write me a song called Drive with the following description: Drive is a song that talks about moving forward, and despite what you’re told, you KNOW you have your head on your shoulders, and you’re doing fine, so keep going, Drive. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nGet me right, all it takes is silent night\nI want my eyes to see these lights\nHold, hold, hold on, hold, hold on\nBut when it comes it goes\nI am on my knees, oh, forgive me\nGet me right, look at these people flying kites\nThey seem to live forgotten nights\nHold, hold, hold on, hold, hold on\nBut when it comes it goes\nI am on my knees, oh, forgive me\n[Chorus]\nDrive, I got my head on aright\nI got my people strapped tight\nI got my head on aright, oh\nI, I got my head on aright\nI got my people strapped tight\nI got my head on aright, oh\n[Verse 2]\nOh, get me right, all it takes is starry nights\nI want my eyes to see these lights\nHold, hold, hold on, hold, hold on\nBut when it comes it goes\nI am on my knees, oh, forgive me\nGet me right, look at these seagulls in the air\nThey seem to yell just like we care\nHold, hold, hold on, hold, hold on\nBut when it comes it goes\nI am on my knees, oh, forgive me [Chorus]\nDrive, I got my head on aright\nI got my people strapped tight\nI got my head on aright, oh\nI, I got my head on aright\nI got my people strapped tight\nI got my head on aright, oh\nDrive, I got my head on aright\nI got my people strapped tight\nI got my head on aright, oh\nI, I got my head on aright\nI got my people strapped tight\nI got my head on aright, oh" } ]

[ { "from": "human", "value": "Write me a song called Red Carpet (Like a Movie) with the following description: A real laid back track off Deal Or No Deal. Wiz and Kev (now known as Chevy Woods) rap about their new found success and of course, weed and girls. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Wiz Khalifa]\nYea\nGettin more scrill, deal or no deal, uh\nYea, Chevy Baggs\nHeavy hustle, course the gang, uh\n[Verse 1: Wiz khalifa]\nOn, and on, and on, and on, and\nWe just drink and smoke until the morning\nYou're homegirl's texting you, ignoring them\nHit the weed, giggle a little, then you get horny\nI hit the weed, get on my mission, and then I'm goin' in\nKnowin damn well they got boyfriends\nTil they get the front door, asking which floor I'm on\nI'm at the top, polo socks and pajamas on\nShe smoke chronic, know the lyrics to all my songs\nIt's like I died and went to heaven, me and all my dogs\nThat's why we sip champaign til the bottles gone\nRoll weed on ya, take the bitches, I don't follow y'all\n[Hook]\nI can never make up this if I wanted to\nIt's real talk what I'm saying to you\nI don't wanna wake up, knowing just one thought of you\nGot me fallen I can't get up (get up)\nSo will you co-star with me?\nCuz my life is like a movie [Verse 2: Wiz Khalifa]\nChampagne parties in my hotel\nHer friends don't even smoke, but they diggin' the smell\nEx-boyfriend ringin' ya cell\nBut every effort to save you's to no avail\nNuthin' but starter's on my team nigga coach Phil\nAnd all we do is get high and watch the Adult Swim\nRelatively fly like a meteor or spaceship\nParty every night, and early morning get wasted\nAll the way 100 you others niggas are make-shift\nRoll that rapper weed, you smoke and don't wanna taste it\nLets face it\nShe wanna fly where the planes is\nGot her testin' out all of my trees, myth blazers\nChampagne before we hit the papers\n[Hook x2]\n[Verse 3: Kev tha Hustla]\nWe stay smokin' that la-la-la\nEasy rider, joint roller, my 9-5\nYou can prolly smell it in the car when we ridin' by\nMore like all the way up, we ain't kinda high\nWe more than fly, introduce you to the gang members\nThat's taylor, like blood, no gang members\nNo names enter, and now you on champagne land\nI'm on an island of hard liquor\nIt be fans, joint lit, and guitar pickers\nGoin' nowhere for awhile, I got good snickers\nNow you wanna mingle, heard young single\nBig face chips baby, stack my pringles\nYou call it tight, I say well-fit\nAnd we ain't takin' no prisoners, now you jealous\nIn ya state please make sure the weed great\nFresh produce, purple and green crates\nGroove, crisp bills in my jean pants\nTelly room prolly doin' the Uncle Snoop dance, yea [Hook x2]" } ]

[ { "from": "human", "value": "Write me a song called All Too Well (10 Minute Version) (Taylor’s Version) [From The Vault] with the following description: Widely regarded as one of Swift’s best songs, “All Too Well” sees her picking up shards of memories after a gut-wrenching breakup. She jumps through time to reflect on her best and worst memories with her ex, making the listener feel as though they were there with the couple.\nSwift told Pop Dust that she began writing the song in a soundcheck for her 2011 tour in support of Speak Now. Co-writer Liz Rose explained that the song was initially 10-15 minutes long before she helped Swift pare it down, and Swift shared some of the original lyrics in a deluxe edition of her 2019 album, Lover.\nMelodically, this version of “All Too Well” is more subdued than the version we hear on the album. This change is evident throughout the song. This version begins with a saccharine melody before building up to a steady drum beat, while the original is heavily backed by guitar.\nLyrically, the songs are also different. This ten minute version is more vitriolic and bitter, while the album version is bittersweet. The metaphors in Verse 3 are reminiscent of folklore/evermore era Taylor, rather than Red era, with comparisons to bolder themes like death and tragedy rather than just the specific memories present in the original.\nMany believe Swift took inspiration from her relationship with actor Jake Gyllenhaal — the secret message “Maple Lattes” is hidden in the song’s liner notes, and the two shared those coffees in November 2010. In a 2015 interview with Howard Stern, Gyllenhaal claimed to not know that Swift wrote a song about him, though she seemingly told Vulture he reached out to her after hearing the album.\n“All Too Well” was the fourth song to contribute to Swift’s “Track Five pattern,” a pattern fans have noted where she puts one of the most emotive songs on an album as the fifth track. Previous examples were “Cold As You,” “White Horse,” and “Dear John.”\nAs a tribute to her fans and the massive impact this song had on her personal and professional life, Swift wrote and produced a short film for the song, starring Sadie Sink and Dylan O'Brien. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI walked through the door with you, the air was cold\nBut somethin' 'bout it felt like home somehow\nAnd I left my scarf there at your sister's house\nAnd you've still got it in your drawer, even now\n[Verse 2]\nOh, your sweet disposition and my wide-eyed gaze\nWe're singin' in the car, getting lost upstate\nAutumn leaves fallin' down like pieces into place\nAnd I can picture it after all these days\n[Pre-Chorus]\nAnd I know it's long gone and\nThat magic's not here no more\nAnd I might be okay, but I'm not fine at all\nOh, oh, oh\n[Chorus]\n'Causе there we arе again on that little town street\nYou almost ran the red 'cause you were lookin' over at me\nWind in my hair, I was there\nI remember it all too well\n[Verse 3]\nPhoto album on the counter, your cheeks were turnin' red\nYou used to be a little kid with glasses in a twin-sized bed\nAnd your mother's tellin' stories 'bout you on the tee-ball team\nYou taught me 'bout your past, thinkin' your future was me\nAnd you were tossing me the car keys, \"Fuck the patriarchy\"\nKeychain on the ground, we were always skippin' town\nAnd I was thinkin' on the drive down, \"Any time now\nHe's gonna say it's love,\" you never called it what it was\n'Til we were dead and gone and buried\nCheck the pulse and come back swearin' it's the same\nAfter three months in the grave\nAnd then you wondered where it went to as I reached for you\nBut all I felt was shame and you held my lifeless frame [Pre-Chorus]\nAnd I know it's long gone and\nThere was nothing else I could do\nAnd I forget about you long enough\nTo forget why I needed to\n[Chorus]\n'Cause there we are again in the middle of the night\nWe're dancin' 'round the kitchen in the refrigerator light\nDown the stairs, I was there\nI remember it all too well\nAnd there we are again when nobody had to know\nYou kept me like a secret, but I kept you like an oath\nSacred prayer and we'd swear\nTo remember it all too well, yeah\n[Bridge]\nWell, maybe we got lost in translation, maybe I asked for too much\nBut maybe this thing was a masterpiece 'til you tore it all up\nRunnin' scared, I was there\nI remember it all too well\nAnd you call me up again just to break me like a promise\nSo casually cruel in the name of bein' honest\nI'm a crumpled-up piece of paper lyin' here\n'Cause I remember it all, all, all [Verse 4]\nThey say all's well that ends well, but I'm in a new hell\nEvery time you double-cross my mind\nYou said if we had been closer in age, maybe it would've been fine\nAnd that made me want to die\nThe idea you had of me, who was she?\nA never-needy, ever-lovely jewel whose shine reflects on you\nNot weepin' in a party bathroom\nSome actress askin' me what happened, you\nThat's what happened, you\nYou who charmed my dad with self-effacing jokes\nSippin' coffee like you're on a late-night show\nBut then he watched me watch the front door all night, willin' you to come\nAnd he said, \"It's supposed to be fun turning twenty-one\"\n[Verse 5]\nTime won't fly, it's like I'm paralyzed by it\nI'd like to be my old self again, but I'm still tryin' to find it\nAfter plaid shirt days and nights when you made me your own\nNow you mail back my things and I walk home alone\nBut you keep my old scarf from that very first week\n'Cause it reminds you of innocence and it smells like me\nYou can't get rid of it\n'Cause you remember it all too well, yeah\n[Chorus]\n'Cause there we are again when I loved you so\nBack before you lost the one real thing you've ever known\nIt was rare, I was there\nI remember it all too well\nWind in my hair, you were there\nYou remember it all\nDown the stairs, you were there\nYou remember it all\nIt was rare, I was there\nI remember it all too well [Verse 6]\nAnd I was never good at tellin' jokes, but the punch line goes\n\"I'll get older, but your lovers stay my age\"\nFrom when your Brooklyn broke my skin and bones\nI'm a soldier who's returning half her weight\nAnd did the twin flame bruise paint you blue?\nJust between us, did the love affair maim you too?\n'Cause in this city's barren cold\nI still remember the first fall of snow\nAnd how it glistened as it fell\nI remember it all too well\n[Outro]\nJust between us, did the love affair maim you all too well?\nJust between us, do you remember it all too well?\nJust between us, I remember it (Just between us) all too well\nWind in my hair, I was there, I was there (I was there)\nDown the stairs, I was there, I was there\nSacred prayer, I was there, I was there\nIt was rare, you remember it all too well\nWind in my hair, I was there, I was there (Oh)\nDown the stairs, I was there, I was there (I was there)\nSacred prayer, I was there, I was there\nIt was rare, you remember it (All too well)\nWind in my hair, I was there, I was there\nDown the stairs, I was there, I was there\nSacred prayer, I was there, I was there\nIt was rare, you remember it\nWind in my hair, I was there, I was there\nDown the stairs, I was there, I was there\nSacred prayer, I was there, I was there\nIt was rare, you remember it" } ]

[ { "from": "human", "value": "Write me a song called Red with the following description: “Red” is the continuation of “Burgundy”—the album’s previous track—and also deals with Chris' girl playing games with him. In the track, he alludes to the album’s title track, “‘Cause I see the color purple.” The track also includes Neil Armstrong’s first words when he landed on the moon in 1969.\n“Red” is the final color-themed track on Indigo. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Neil Armstrong]\nThat's one small step for man\nOne giant leap for mankind\nColumbia, Columbia, this is Houston AOS, over\n(Columbia)\n[Verse 1: Chris Brown]\nCan I? Wait, can I? Should I?\nRewind, just remind me that I'm down\nKnocked down\nAnd it's your year\nI should have realized, realized, from the beginnin'\nYou right, you right with that, baby (Huh)\nGuess I know you better\nGirl, nobody else matters\n[Pre-Chorus: Chris Brown]\nIf you stay away from me too long, I\nI might swim for it\nIf you keep your love from me, girl, I might\nI'ma just keep goin'\n'Round and 'round in circles\nCould you stop fuckin' with my head?\n'Cause I see the color purple\nDon't break my heart [Chorus: Chris Brown]\nDon't wanna see\nRed, red (Don't wanna see)\nRed\nDon't wanna see, see\nRed\nEyes turnin' blood red\nI don't want this, bringin' out a part of me\n(Don't wanna see, see)\n[Verse 2: Chris Brown]\nDon't wanna go back and forth, back and forth\nAnd you know it's a waste of time, baby\nTo get through to you, oh-woah\nYou keep arguin' always 'bout the same thing\nBut you don't mean it, no-no\nAnd I can't believe that you be so cold\nYou can't even keep a low pro'\n[Pre-Chorus: Chris Brown]\nIf you stay away from me too long, I (Stay away from me)\nI might swim for it\nIf you keep your love from me, girl, I might\nI'ma just keep goin' (Ooh)\n'Round and 'round in circles\nCould you stop fuckin' with my head? (Head)\n'Cause I see the color purple (Ooh)\nDon't break my heart (Ooh) [Chorus: Chris Brown]\nDon't wanna see\nRed, red (Baby, I don't wanna see)\n(Don't wanna see)\nRed (Ooh-ooh-ooh)\nDon't wanna see, see\nRed (Ooh-ooh-ooh)\nEyes turnin' blood red\nI don't want this, bringin' out a part of me\n(Don't wanna see, see)\n[Guitar Solo: Xeryus L. Gittens]\n[Chorus: Chris Brown]\nDon't wanna see\nRed, red\n(Don't wanna see)\nRed (Ooh-ooh-ooh)\nDon't wanna see, see\nRed (Ooh-ooh-ooh)\nEyes turnin' blood red\nI don't want this bringin' out a part of me (Yeah)\n(Don't wanna see, see)\n[Outro: Chris Brown]\nBringin' out a part of me\nOoh\nRed" } ]

[ { "from": "human", "value": "Write me a song called Hit Tha Flo with the following description: The 5th track on Wiz Khalifa’s debut album Deal Or No Deal.Expand -11Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook]\nIt's goin' down, it's goin' down\nWatch her hit tha flo', watch her hit tha flo'\nYeah it's goin' down, it's goin' down\nWatch her hit tha flo', watch her hit tha flo'\n[Intro: Wiz Khalifa]\nYeaaaahh bitch\nYou know what it is\nIt's Wizzle man\nTaylor Gang or die\nHeavy Hustle in this bitch\nYea, hahaha\nYup, yea\n[Verse 1: Wiz Khalifa]\nThe way lil shorty go\nI'm tryna think where I should take her\nWatch her hit tha flo'\nI'm out here spending all this paper\nBustin' cigarillos down\nI blow it by the acre\nIf you lookin' this good\nWell shit I wanna meet your maker\nTake her\nTo my home\nSay hello to my neighbors\nShe my biggest fan\nI see her man just tryna save her\nPut it in her mouth\nAnd now my taste she's tryna savor\nShorty saying Khalifa Man\nShould have his own flavor\nHaters wanna be me\nBut can't walk in my Chuck Taylor's\nAll black eleven's\nMac-11 with the laser\nMami keep on shaking it\nLike she a salt shaker\nHand on the ground\nEverybody around [Hook]\nYeah it's goin' down, it's goin' down\nWatch her hit tha flo', watch her hit tha flo'\nYeah it's goin' down, it's goin' down\nWatch her hit tha flo', watch her hit tha flo'\n[Verse 2: Wiz Khalifa]\nHey\nA lot of niggas hate\nBut all the bitches wanna do me\nWizzle L. Jackson\nYeah my life is like a movie\nHeavy Hustle Gang\nSwisher Sweets with the jacuzzi\nProbably fucked your girl\nYou don't like it, nigga sue me\nShawty from the hood\nBut in the club she actin' bougie\nBody like a centerfold\nBoy look at that loody\nMy ink got her gone\nWanting to know who tattoos me\nHead game righteous\nSaid she'd like to ride, yeah\nDJ play my song\nWhen it come on she get excited\nBefore I leave the club\nI put her number in my Sidekick\nSwagger on some different shit\nShe tell me that she like it\nWatch her break it down\nI ain't playin' around [Hook]\nYeah it's goin' down, it's goin' down\nWatch her hit tha flo', watch her hit tha flo'\nYeah it's goin' down, it's goin' down\nWatch her hit tha flo', watch her hit tha flo'" } ]

[ { "from": "human", "value": "Write me a song called Single Again with the following description: In “Single Again,” Big Sean celebrates independence from relationships. It features former-girlfriend and TWENTY88 collaborator Jhené Aiko and Ty Dolla $ign. The track also arrives on the heels of his first official song of 2019, “Overtime.”\nHours before the song’s release, Sean expressed his desire to be single again, saying: “I never knew that I didn’t know how to be alone in life.”\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Big Sean]\nYeah, what happens when it's too good to throw away?\nYou either let it go bad or go away\n(I need to pray)\n[Pre-Chorus: Big Sean & Ty Dolla $ign]\nTake my time (\nPart two\n), take my time, I'ma take my time\nNa-na-na-na-na-na-na (Look)\nNa-na-na-na-na-na-na (Uh)\n[Chorus: Big Sean]\nI'm single again (Single again)\nTold her we'll be better off friends (Uh)\nBaby, I should just focus on me (On me)\nAnd slow down, don't rush romance\nI'm single again (Single again)\nTold 'em that we better off friends (Off friends)\nBlaming you is just so easy (Woah)\nBut maybe the problem's me\nI'm single again (Single again)\nGuess that's just the way it's gon' be (Gon' be)\nMaybe I should spend this time on me (On me)\nMaybe I should spend this cash on me (On me)\n[Verse 1: Big Sean]\nInstead of blaming all my old girls when I leave (What?)\nInstead of calling up these fake hoes that I don't need (What?)\nOld relationships turn to new déjà vus\nGot me feeling like, \"I don't fuck with you\"\nOh nah, nah, that's the old me\nYou fucking with the new me (Yeah)\nHonestly, all the disrespect had damn near ruined me (Damn near)\nAll the trust gone, seems like all you say is, \"Prove it to me\" (Straight)\nAnd you know I suck at lying, don't, don't do it to me (Don't)\nMaybe 'cause my mom had never worked it out with my dad (Damn)\nMaybe 'cause he had insecurities and she had 'em back (Uh-huh)\nMaybe 'cause single parent love was all I ever had\nWho knows? (Who knows?) [Chorus: Big Sean & Jhené Aiko, \nBig Sean\n]\nI'm single again (\nSingle again\n)\nTold her we'll be better off friends (\nOff friends\n)\nMaybe I should just focus on me (\nOn me\n)\nAnd slow down, don't rush romance\nI'm single again (\nSingle again\n)\nTold 'em that we better off friends (\nOff friends\n)\nBlaming you is just so easy (\nUh-huh\n)\nBut maybe the problem's me (\nStraight up\n)\nI'm single again (\nSingle again\n)\nGuess that's just the way it's gon' be (\nYeah, yeah\n)\nMaybe I should spend this time on me (\nOn me\n)\nMaybe I should spend this cash on me\n[Post-Chorus: Big Sean & Jhené Aiko]\nTake my time, take my time, I'ma take my time\nTake my time, I'ma take my time, yeah\nEven if I'm late, I'ma take my time\n[Verse 2: Big Sean & \nTy Dolla $ign\n]\nWhat have you done for yourself?\nWhat have you done for your mental health? \n(Yeah, yeah)\nI even tried the drugs and they didn't help\nShort term fix, that breaks everything else \n(Oh, oh)\nAnd my bros keep throwing me these random girls in stallions\nI need the best advice, went across the street to Khaled \n(Oh)\nHe said the major key is to be strong on your own\nLose your other half, you're never off balance \n(Oh)\nLookin' for the love in somebody else\nThat I probably should've gave to myself\nCycles I need to break in myself\nIf I'm alone, I'm second to no one else, so \n(Yeah) [Chorus: Big Sean & \nTy Dolla $ign\n]\nI'm single again \n(Oh)\nTold her we'll be better off friends \n(Better off friends)\nMaybe I should just focus on me \n(On me)\nAnd slow down, don't rush romance\nI'm single again\nTold 'em that we better off friends \n(Oh, yeah)\nBlaming you is just so easy \n(Oh)\nBut maybe the problem's me \n(Ooh)\nI'm single again\nGuess that's just the way it's gon' be \n(Way)\nMaybe I should spend this time on me \n(Way)\nMaybe I should spend this cash on me \n(Ooh)\n[Post-Chorus: Big Sean]\nTake my time, take my time, I'ma take my time, yeah\nTake my time, I'ma take my time, yeah\nEven if I'm late, I'ma take my time\n[Outro: Big Sean & \nTy Dolla $ign\n]\nYeah\nStay on this grind\n(Oh, oh, ayy)\n(Dolla $ign)\n(Oh)" } ]

[ { "from": "human", "value": "Write me a song called Too Original with the following description: Track off Major’s third album Peace Is the Mission.\nThe music video was released in September, 23.\nhttps://www.youtube.com/watch?v=qPL3NLsP__k Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nAss move, Kingston massive, we ready?\nLondon massive, we ready?\nTrinidad massive, we ready?\nAfrican massive, we ready, so...\n[Verse 1: Elliphant]\nI'mma blaze high 'til the day I die\nSweat the shit out, every tear, every lie\nHey, anybody wanna dance with me?\nSipping on my rum in the corner still, ah\nSo we all groove to the morning break\nNow we go banana in a sugar shack\nBring the, bring the, Bring the base up, make a blasta block\nSelecta gonna feed us with a well-cocked rock\nSee me, see me, see me, I'm a bim, see me swing\nTing tangue swinging like a tingeling\nI'm a twang my body 'til the problems gone\nDrop baba juice, make it goddamn strong\nSee me rocking out, going tribal style\nDance like a chicken, flap tiger wild\nAh, flap tiger wild\n[Chorus: Jovi Rockwell & \nElliphant\n]\nOh no, no no\nToo original fi dem \npawdie\nOh no, no no\nDem frighten all true dem saw mi\nDance like a chicken flap tiger wild [Verse 2: Elliphant]\nCome, come closer, tell a secret, boy\nDip you like a dumplin in a cup of soy\nMan a crispy, don't mean to be ruff\nBut I really can't stay, nah, can't get enough\nPuff, puff, puff, and I'm back to di heat\nLoving it, living 128 beat, hey\nNah shake your meat\nEnemy or friend is not an option, ah\nWe all the same, when we go dancing stars\nSimsalabim, nah, I'm a norden gyal\nBim bim sala, kicking dreadlock style\nHunt the reflection from a disco ball\nMayham rumble 'til I drop and fall\nPump up bumble bee\nSweaty, honey\n[Chorus: Jovi Rockwell & \nElliphant\n]\nOh no, no no\nToo original fi dem \npawdie\nOh no, no no\nDem frighten all true dem saw mi\nDance like a chicken flap tiger wild\n[Outro]\nOh: Jovi Rockwell & \nElliphant\n no, no no\nI just wanna shine\nJust like the diamonds ina di sky\nAnd I really don't care\nI love to watch the smoke dance in the air\nHoist the metal[?] to yuh hands, mon, in the house right now, hands, mon\nHoist the beat[?] to everybody who has a whistle\nJovi haffi whistle, yuh hear dem whistling\nWait up buddy\nTurn it up, turn it up, turn it up, turn it up, lighter!\nDance like a chicken flap tiger wild\nOnly spirits with all us muhfrees[?] rockin' the house right now\nYuh dun know?\n[?] rock shit out fi you and yours\nYou rockin' with the best\nNumber one sound, gyal, sound system in di world\nMajor Lazer sound, it's raw\nI love to watch the smoke dance in the air" } ]

[ { "from": "human", "value": "Write me a song called So What with the following description: “So What” is a pop-rock song, written during a separation between P!nk and her husband Carey Hart.\nFunnily enough, Hart features in the video for this song, because by the time P!nk’s “Funhouse” album was nearing release, P!nk and Carey were back together, but P!nk decided to keep this track in as she felt it was important due to its emotional subject matter.\nP!nk and Carey continued to be on and off with each other until they took part in marriage counselling and have now been together solidly since February 2010, and had their first child together, Willow, in June 2011, who went on to appear in the music video for P!nk’s 2013 single “True Love”.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nNa-na-na-na-na-na-na, na-na-na-na-na-na\nNa-na-na-na-na-na-na, na-na-na-na-na-na\n[Verse 1]\nI guess I just lost my husband\nI don't know where he went\nSo I'm gonna drink my money\nI'm not gonna pay his rent (Nope)\nI got a brand new attitude\nAnd I'm gonna wear it tonight\nI wanna get in trouble\nI wanna start a fight\nNa-na-na-na-na-na-na, I wanna start a fight\nNa-na-na-na-na-na-na, I wanna start a fight\n[Chorus]\nSo, so what? I'm still a rock star\nI got my rock moves\nAnd I don't need you\nAnd guess what? I'm havin' more fun\nAnd now that we're done\nI'm gonna show you tonight\nI'm alright, I'm just fine\nAnd you're a tool, so\nSo what? I am a rock star\nI got my rock moves\nAnd I don't want you tonight [Post-Chorus]\nUh, check my flow, uh\n[Verse 2]\nThe waiter just took my table\nAnd gave it to Jessica Simp— (Shit)\nI guess I'll go sit with drum boy\nAt least he'll know how to hit (Oops)\nWhat if this song's on the radio?\nThen somebody's gonna die\nI'm gonna get in trouble\nMy ex'll start a fight\nNa-na-na-na-na-na-na, he's gonna start a fight (Huh)\nNa-na-na-na-na-na-na, we're all gonna get in a fight\n[Chorus]\nSo, so what? I'm still a rock star\nI got my rock moves\nAnd I don't need you\nAnd guess what? I'm havin' more fun\nAnd now that we're done\nI'm gonna show you tonight\nI'm alright (I'm alright), I'm just fine\nAnd you're a tool, so\nSo what? I am a rock star\nI got my rock moves\nAnd I don't want you tonight [Bridge]\nYou weren't there, you never were\nYou want it all, but that's not fair\nI gave you life, I gave my all\nYou weren't there, you let me fall\n[Chorus]\nSo, so what? I'm still a rock star\nI got my rock moves\nAnd I don't need you\nAnd guess what? I'm havin' more fun\nAnd now that we're done (We're done)\nI'm gonna show you tonight\nI'm alright (I'm alright), I'm just fine (I'm just fine)\nAnd you're a tool, so\nSo what? I am a rock star (Oh)\nI got my rock moves\nAnd I don't want you tonight (I don't want you tonight)\n[Post-Chorus]\nNo, no\nNo, no\nI don't want you tonight\nYou weren't there\n[Chorus]\nI'm gonna show you tonight (I'm gonna show you tonight)\nI'm alright (I'm alright), I'm just fine\nAnd you're a tool, so\nSo what? I am a rock star\nI got my rock moves\nAnd I don't want you tonight (I don't want you tonight) [Outro]\nWoo-hoo\nBa-da-da-da-da-da" } ]

[ { "from": "human", "value": "Write me a song called UN DÍA (ONE DAY) with the following description: “UN DIA (ONE DAY)” junta por primera vez a la británica Dua Lipa con los reggaetoneros J Balvin y Bad Bunny. Meses antes la colaboración ya había sido registrada en ASCAP con el título alternativo de “Plateado”.\nLa temática se centra en el desahogo por parte de los intérpretes ante una decepción amorosa. La respuesta que dan es que la pareja que tenían pronto lamentará haber terminado la relación y buscará una reconciliación. El beat emplea sonidos bastante veraniegos, algo que los reggaetoneros refuerzan con varias líneas y referencias a playas y sitios caribeños.\nEl 21 de julio de 2020, la canción fue oficialmente confirmada por los artistas, al igual que la portada y la fecha de lanzamiento, día en que se publicó un adelanto en las cuentas de Instagram de J Balvin, Tainy y Dua Lipa. Previamente, en el mes de mayo de 2020, se había filtrado información sobre esta canción, incluida una parte del coro cantado por Dua Lipa. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Letra de \"UN DÍA (ONE DAY)\"]\n[Intro: Dua Lipa, \nJ Balvin\n & \nBad Bunny\n]\nYou know that sometimes I think about us now and then\nBut I never wanna fall again, ah\nYo no te quisiera olvidar\n (\nEh-eh\n)\nPero contigo es todo o na'\n (\nEh\n-eh\n)\nYeah-yeah\n[Pre-Coro: Dua Lipa]\nYou're deep in the water, yeah, you're drownin' us\nYou question my love like it's not enough\nBut I hate that you know, you know, you know\nYou got me tied up\nYou regret it now, but it's your mistake\nWhat makes you think that my mind will change?\nAnd you hate that you know, you know, you know\nYou know you messed up\n[Coro: Dua Lipa]\nOne day you'll love me again\nOne day you'll love me for sure\nOne day you'll wake up feelin' how I've been feelin'\nBaby, you'll knock at my door\nOne day you'll love me again\nHug me again till the end\nOne day you'll beg me to try\nOne day you'll realize I'm more than your lover\nI'm more than your lover, I'm your friend [Verso 1: J Balvin]\nAcércate un poquito na' má'\nQue yo quiero que te quedes conmigo\nDeja a tus amiga' allá atrás, que no' vamos en un viaje escondido'\nNo' vamo' pa' Turks and Caicos\nY ahí calmamo' las ganas (Las ganas)\nSuéltate conmigo, mamá (Mamá)\nQue ya no hay marcha atrás\nUna noche sin ti\nNo es tan fácil, baby\nQue yo soy pa' ti (Soy pa' ti)\nY tú eres pa' mí (Tú eres pa' mí)\n[Puente: J Balvin]\nNunca me dejes de querer\nOh, na-na-na\nContigo por siempre, baby\nNo quiero dejarte esta vez\n[Coro: Dua Lipa]\nOne day you'll love me again\nOne day you'll love me for sure\nOne day you'll wake up feelin' how I've been feelin'\nBaby, you'll knock at my door\nOne day you'll love me again\nHug me again till the end\nOne day you'll beg me to try\nOne day you'll realize I'm more than your lover\nI'm more than your lover, I'm your friend [Verso 2: Bad Bunny]\nYeah, yeah, yeah\nYo sé que estoy en tu corazón, quizá en el fondo\nOtra baby me escribe, nunca le respondo (No)\nLa vida da vuelta' y el mundo es redondo\nY yo voy a que te beso de nuevo en London\nO si no en Marbella (¡Wuh!)\nEncima de la arena viendo la' estrella' (Yeh)\nYo sé que ni la' ola' han borra'o mi huella (Yeh)\nPero tu pichaera e' lo que me atropella\nSol, playa y en la arena, vamo' allá (¡Wuh!)\nBaby, no te quede' callá'\nYo sé que tú quiere' guayar conmigo\nOtra vez me tienes en depresión\nFumando en la habitación, eh\nPero yo sé que\n[Coro: Dua Lipa & \nBad Bunny\n, \nAmbos\n]\nOne day\n you'll love me again\n (\n¡Wuh!\n)\nOne day you'll love me for sure\nOne day you'll wake up feelin' how I've been feelin'\nBaby, you'll knock at my door\nOne day you'll love me again\nHug me again till the end\nOne day you'll beg me to try\nOne day you'll realize I'm more than your lover\nI'm more than your lover, I'm your friend [Outro: Dua Lipa, \nJ Balvin\n & \nBad Bunny\n]\nBaby, eh\n (Ay-ay-ay-ay-aye)\nOne day you'll love me again\nOne day you'll realize I'm more than your lover\nI'm more than your lover, I'm your friend\nJ Balvin, man\nBad Bunny, baby\nTainy\nLatino Gang\n (\nYeah\n)\nLa Familia" } ]

[ { "from": "human", "value": "Write me a song called On Sight with the following description: “On Sight” was a strategic move for Kanye. Instead of putting a catchy song like “Blood On The Leaves” at the beginning as he has done in the past with songs like “Good Morning”, “Say You Will” and “Dark Fantasy” he opts for a more rough introduction to convey his anger and frustration that is a recurring theme throughout Yeezus.\nKanye explained it best in an interview with Big Boy at Power 106 Los Angeles:\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Benji B, Daft Punk, Kanye West & Mike Dean]\n[Verse 1: Kanye West]\nYeezy season approachin'\nFuck whatever y'all been hearin'\nFuck what, fuck whatever y'all been wearin'\nA monster about to come alive again\nSoon as I pull up and park the Benz\nWe get this bitch shaking like Parkinson's\nTake my number and lock it in\nIndian hair, no moccasins\nIt's too many hoes in this house of sin\nReal nigga back in the house again\nBlack Timbs all on your couch again\nBlack dick all in your spouse again\nAnd I know she like chocolate men\nShe got more niggas off than Cochran,\n \nhah!\n[Chorus: Kanye West]\nOn sight, on sight\n[Bridge: Kanye West]\nHow much do I not give a fuck?\nLet me show you right now 'fore you give it up\nHow much do I not give a fuck?\nLet me show you right now 'fore you give it up [Interlude: Holy Name of Mary Choral Family]\nOh, He'll give us what we need\nIt may not be what we want\n[Verse 2: Kanye West]\nBaby girl tryna get a nut\nAnd her girl tryna give it up\nChopped 'em both down\nDon't judge 'em, Joe Brown\nOne last announcement\nNo sports bra, let's keep it bouncin'\nEverybody wanna live at the top of the mountain\nTook her to the 'Bleau, she tried to sip the fountain\nThat's when David Grutman kicked her out\nBut I got her back in and put my dick in her mouth\n[Chorus: Kanye West]\nOn sight, on sight\n[Interlude: Kanye West]\nUh-huh\nUh-huh\nUh-huh\nUh-huh\n[Outro: Kanye West]\nRight now\nI need right now\nRight now\nI need, I need right now\nRight now\nI need, I need right now" } ]

[ { "from": "human", "value": "Write me a song called When Christmas Comes Around with the following description: Released as the X Factor’s winner’s single, “When Christmas Comes Around” is the debut single by Matt Terry, who won the 13th series of the X Factor on the 11th December 2016.\nThe song, written by Ed Sheeran and Amy Wadge, has Terry wishing his former lover would love him again at Christmas time, the time to be with family and your loved ones. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nWinter days, turn to grey, put the headlights on\nSnow and rain, wiped away, I can't keep my eyes on the road\nWhen I'm driving home\nI got tears, running down, burning in my eyes and\nYou and I, heated by the flicker of a lighter glow\nAnd I let it go\n[Pre-Chorus]\nBut I just got here\nI know it's been a while darling, dear\nThere's been a change in the time of year\nWhen the frost bites the snow\nAnd Christmas comes around\n[Chorus]\nFor the down-and-outs\nAnd broken lay-abouts\nWhat will they do now?\nWhen Christmas comes around\nWe were so in love\nTill I messed it up\nBut who will love me now?\nWhen Christmas comes around\n[Verse 2]\nFamily asking me, why I let you go\nTelling me, its a mistake\nI'm telling them that I know\nBut I can't call you\nYou're in a space, better place\nLoving on a new man\nI don't blame you at all\nYou did all that you can, I know [Pre-Chorus]\nBut I just got here\nI know it's been a while darling, dear\nThere's been a change in the time of year\nWhen the frost bites the snow\nAnd Christmas comes around\n[Chorus]\nFor the down and outs\nAnd broken lay-abouts\nWhat will they do now?\nWhen Christmas comes around\nWe were so in love\nTill I messed it up\nBut who will love me now?\nWhen Christmas comes around\n[Bridge]\nAnd I'm sick of all the songs\nThe Christmas sing-alongs\nThe merry and the cheer\n'Cause I don't feel like that this year\nAll the bells are out of sync\nAnd my soul is on the brink\nSo I'll have myself a drink, and sing\nWhen Christmas comes around [Chorus + Outro]\nFor the down-and-outs\nAnd broken lay-abouts\nWhat will they do now?\nWhen Christmas comes around\nWe were so in love\nTill I messed it up\nBut who will love me now?\nWhen Christmas comes around\nWho will love me now?\nWhen Christmas comes around" } ]

[ { "from": "human", "value": "Write me a song called High School with the following description: “High School” is a song by Nicki Minaj from the re-release of Minaj’s second studio album Pink Friday: Roman Reloaded – The Re-Up, which features guest vocals from Lil Wayne.\nThe first verse is a continuation from the song, “Hood Story” off Nicki’s mixtape, Playtime is Over. She confirmed this in an interview. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Nicki Minaj]\nHe said he came from Jamaica, he owned a couple acres\nA couple fake visas 'cause he never got his papers\nGave up on love, fucking with them heart breakers\nBut he was gettin' money with the movers and the shakers\nHe was mixed with a couple things, ball like a couple rings\nBricks in the condo and grams to Sing Sing\nLeft arm, baby mother tatted\nFive year bid up north when they ratted\nAnyway, I felt him, helped him, put him on lock, seat belt him\nTook him out to Belgium, welcome\nBitches this pretty, that's seldom\nThis box better than the box he was held in\nI'm Momma Dee in that order, I call him Daddy like daughters\nHe like it when I get drunk, but I like it when he be sober\nThat's top of the toppa, I never fuck with beginners\nI let him play with my pussy then lick it off of his fingers\nI'm in the zone\n[Chorus: Nicki Minaj & (Lil Wayne)]\nThey holler at me, but it's you\nYou, this ain't high school\nMe and my crew, we can slide through\nGive it to you whenever you want\nPut it wherever you want\nBaby, it's yours\nAnywhere, everywhere\nBaby, it's your world, ain't it? (Alright)\nBaby, it's your world, ain't it? (Uh) [Verse 2: Lil Wayne]\nShe got a nigga at home, and one on the side\nBest friend is a dyke, they fucked around a few times\nHer and her momma alike, so all they do is fight\nI tell her make me some money, she tell me, \"Make me a wife\"\nI tell her, \"Bitch, you crazy, fuck wrong with you?\"\nAnd excuse my French, but I'm a long kisser\nAnd then she try to tell me I'm the only one that's hittin'\nAnd I say, \"What about them niggas?\" She say, \"What about them niggas?\"\nYou right, what you doing tonight?\nPut on something tight, don't judge me, I get life\nShe love me like a brother, but fuck me like a husband\nPussy like a oven, too hot to put my tongue in\nAll I had to do is rub it, the genie out the bottle\nPussy so wet, I'ma need goggles\nShe tell me that's it's mine, I tell her stop lyin'\nMine and who else? She say worry 'bout yourself\nLil Tune\n[Chorus: Nicki Minaj]\nThey holler at me, but it's you\nYou, this ain't high school\nMe and my crew, we can slide through\nGive it to you whenever you want\nPut it wherever you want\nBaby, it's yours\nAnywhere, everywhere\nBaby, it's your world, ain't it?\nBaby, it's your world, ain't it? [Outro: Nicki Minaj]\nI know you want it, boy\nI see you tryin'\nJust keep on pushin'\nI'ma let you slide in\nJust close your eyes and\nThis horizon\nIt's ready, come get you some\nYeah, yeah, yeah, yeah" } ]

[ { "from": "human", "value": "Write me a song called Hey Mama with the following description: “Hey Mama” is the fourth single from David Guetta’s sixth studio album, Listen. The beat is a pop/EDM collaboration with Afrojack. The song also features Nicki Minaj, who both sings and raps. Bebe Rexha sings the chorus. Meanwhile, the post-chorus includes a sample of Alan Lomax’s song “Rosie”.\nCover Art:\n\nWhen the song was first released, the song had a different cover art, due to Bebe Rexha not originaly being credited.\n\nCheck out the official video:\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Refrain: Alan Lomax, \nAlan Lomax & Bebe Rexha\n, \nNicki Minaj\n]\nBe my woman, girl, I'll \nbe your man\nBe my woman, girl, I'll \nbe your man\n (\nYo\n)\n[Verse 1: Nicki Minaj]\nYes, I'll be your woman, yes, I'll be your baby\nYes, I'll be whatever that you tell me when you're ready\nYe-Ye-Yes, I'll be your girl, forever your lady\nYou ain't ever gotta worry, I'm down for you, baby (Uh)\n[Pre-Chorus: Nicki Minaj]\nBest believe that when you need that\nI'll provide that, you will always have it (Ha-Have it)\nI'll be on deck, keep it in check\nWhen you need that, I'ma let you have it\n[Chorus: Bebe Rexha]\nBeatin' my drum like \"Dum, di-di, day\"\nI like the dirty rhythm you play\nI wanna hear you callin' my name\nLike \"Hey, mama-ma-ma, hey, mama-ma\"\nBangin' the drum like \"Dum, di-di, day\" (\nHey\n)\nI know you want it in the worst way\nI wanna hear you callin' my name\nLike \"Hey, mama-ma-ma, hey, mama-ma\" (\nHey\n) [Refrain: Alan Lomax, \nAlan Lomax & Bebe Rexha\n]\nBe my woman, girl, I'll \nbe your man\nBe my woman, girl, I'll \nbe your man\n[Verse 2: Nicki Minaj]\nYes, I do the cookin', yes, I do the cleanin'\nPlus, I keep the na-na real sweet for your eatin'\nYes, you be the boss, and yes, I be respectin'\nWhatever that you tell me, 'cause it's game you be spittin', oh\n[Pre-Chorus: Nicki Minaj]\nBest believe that (Oh) when you need that (Oh)\nI'll provide that, you will always have it (Ha-Have it)\nI'll be on deck, keep it in check\nWhen you need that, I-I'ma let you have it\n[Chorus: Bebe Rexha]\nBeatin' my drum like \"Dum, di-di, day\"\nI like the dirty rhythm you play\nI wanna hear you callin' my name\nLike \"Hey, mama-ma-ma, hey, mama-ma\"\nBangin' the drum like \"Dum, di-di, day\" (\nHey\n)\nI know you want it in the worst way\nI wanna hear you callin' my name\nLike \"Hey, mama-ma-ma, hey, mama-ma\" (\nHey\n) [Refrain: Alan Lomax, \nAlan Lomax & Bebe Rexha\n, \nNicki Minaj\n]\nBe my woman, girl, I'll \nbe your man\nBe my woman, girl, I'll \nbe your man\n (\nYeah, yeah\n)\n[Verse 3: Nicki Minaj]\nWhole crew got the juice, yo' **** game the truth\nMy screams is the proof, them other dudes get the deuce\nWhen I speed in the coupe, leavin' this interview\nIt-It-It ain't nothin' new, I been **** with you\nNone of them **** ain't takin' you\nJust tell them to make a \"U,\" huh\nThat how it be, I come first like debuts, huh\nSo, baby, when you need that\nGive me the word, I'm no good, I'll be bad for my baby\n[Bridge: Nicki Minaj]\n(So I) Make sure that he's gettin' his share\n(So I) Make sure that his baby take care\n(So I) Make sure I'm on my toes, on my knees\nKeep him pleased, rub him down, be a lady and a freak, oh\n[Chorus: Bebe Rexha]\nBeatin' my drum like \"Dum, di-di, day\"\nI like the dirty rhythm you play\nI wanna hear you callin' my name\nLike \"Hey, mama-ma-ma, hey, mama-ma\"\nBangin' the drum like \"Dum, di-di, day\" (\nHey\n)\nI know you want it in the worst way\nI wanna hear you callin' my name\nLike \"Hey, mama-ma-ma, hey, mama-ma\" (\nHey\n) [Refrain: Alan Lomax, \nAlan Lomax & Bebe Rexha\n]\nBe my woman, girl, I'll \nbe your man\nBe my woman, girl, I'll \nbe your man" } ]

[ { "from": "human", "value": "Write me a song called Nina with the following description: In this track, Weezy raps about his relationship with a promiscuous and protective lover, named Nina.\nOf course these lyrics are a combination of Wayne bragging about himself, and more subtly an allegory with “Nina” symbolizing Wayne’s gun.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nNow it was me and Lil CC and we was chilling by ourselves\nBoth of us just popped a pill and now I'm feeling myself\nAll these cuts on my wrist, it's like I'm killing myself\nDiamond cuts is what I mean, I'm so hot, I might melt\nOnly in your bitch mouth, nigga, what you talking 'bout?\nYou ain't talking 'bout shit if you ain't talking bout this\nDon't worry 'bout me, worry 'bout my bitch\nDon't worry 'bout me, worry 'bout my bitch\n[Hook]\nI got a bitch named Nina, and Nina so slutty\n'Cause she'll do him and every one of his buddies\nSay, she'll do him and every one of his buddies, yeah\nShe'll do him and every one of his buddies\nProtection off-safety, I look straight ahead\n\"I got them niggas, Weezy\"—that's what the .380 said\n\"I got them niggas, Weezy\"—that's what the .380 said\nThat's what the .380 said, that's what the .380 said\n[Verse 2]\nMan y'all ain't ready\nI'll take on the world, and it's just me and Lil Terry\nAnd we hold court like Mason Perry\nOops, I meant Perry Mason, the weed got me dyslexic\nI’ve been hungry since I entered and I ain’t looking for an exit\nEat or get ate, and you looking like breakfast\nYou done took it too far, now don't stretch it\nDamn, my bitch sexy [Bridge]\nAnd my bitch slutty\n'Cause she'll do him and everyone of his buddies, yeah\nShe'll do him and everyone of his buddies\nYeah, she'll do him and every one—man...\n[Hook]\nI got a bitch named Nina, and Nina so slutty\n'Cause she'll do him and every one of his buddies\nSay, she'll do him and every one of his buddies, yeah\nShe'll do him and every one of his buddies\nProtection off-safety, I look straight ahead\n\"I got them niggas, Weezy\"—that's what the .380 said\n\"I got them niggas, Weezy\"—that's what the .380 said\nThat's what the .380 said, that's what the .380 said\n[Verse 3]\nIn the back of the 'Bach\nIt's just me and my little brother, bitch, we call him Lil' Snack\nUm, why we call him that? 'Cause he like to eat snacks\nAnd I like to eat rappers like he like to eat snacks\nI call em \"emcee snacks\"; you emcees wack\nHow 'bout your funeral? Let me emcee that! Haha\nThree emcee facts:\nMy name's Dwayne Michael Carter—DMC's back! Hehe\nNigga, walk this way\nAnd I'ma paint your ass like an art display\nI'm really rich—I just talk this way\nAnd maybe if you get rich, you would talk this way\nSee, right now I'm talking foreign, you dig? I'm talking foreign\nLeave a hole in the boy big enough to park a car in\nYou're on, but you ain't on it—I'm mo' on like Warren\nMove, boom! Now my bitch talking for me [Bridge]\nDamn, and she's so slutty\n'Cause she'll do him and every one of his buddies\nSay, she'll do him and every one of his buddies\nMan, she'll do him and every one of his buddies\n[Hook]\nGot a bitch named Nina, and Nina so slutty\nShe'll do him and every one of his buddies\nSay, she'll do him and every one of his buddies, yeah\nShe'll do him and every one of his buddies\n[Outro]\nProtection off-safety, I look straight ahead\n\"I got them niggas, Weezy\"\n\"I got them niggas, Weezy\"\n\"I got them niggas, Weezy\"\nThat what Weezy Baby said\nHaha\nYou got something to tell me?" } ]

[ { "from": "human", "value": "Write me a song called Bringin’ On the Heartbreak with the following description: “Bringin' on the Heartbreak” was originally sung by Def Leppard in 1981.\nMariah’s version of the song peaked at #11 in Belgium and the song’s remixes peaked at #5 on Billboard’s dance music chart in 2003. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nGypsy, sittin' lookin' pretty\nA broken rose and laughin' eyes\nYou're a mystery\nAlways runnin' wild\nLike a child without a home\nYou're always searchin'\nSearchin' for a feelin'\nBut it's easy come and easy go\n[Pre-Chorus 1]\nOh — I'm sorry, but it's true\nYou're bringin' on the heartache\nTakin' all the best of me\nOh, can't you see?\nYou got the best of me\nWhoa, can't you see?\n[Chorus]\nYou're bringin' on the heartbreak\nBringin' on the heartache\nYou're bringin' on the heartache\nBringin' on the heartache\nCan't you see?\nOh [Verse 2]\nYou're such a secret\nMisty eyed and shady\nBaby, how you hold the key\nOh, you're like a candle\nYour flame slowly fadin'\nBurnin' out and burnin' me\nCan't you see?\nJust tryin' to say to you\n[Pre-Chorus 2]\nYou're bringin' on the heartache\nTakin' all the best of me\nOh, can't you see?\nYou got the best of me\nOh, can't you see?\n[Chorus]\nYou're bringin' on the hearbreak\nBringin' on the heartache\nYou're bringin' on the heartbreak\nBringin' on the heartache\nCan't you see?\nCan't you see?\nNo, no, no [Chorus 2]\nYou got the best of me\nOh, can't you see?\nYou got the best of me\nOh, can't you see?\nYou're bringin' on the heartbreak\nBringin' on the heartache\n[Post-Chorus]\nYou're bringin' on the heartbreak\nYou're bringin' on the heartache\nYou're bringin' on the heartbreak\nBringin' on the heartache\nYou're bringin' on the heartbreak\nBringin' on the heartache\n[Outro]\nYou're bringin' on the heartbreak\nYou're bringin' on the heartbreak" } ]

[ { "from": "human", "value": "Write me a song called Eyes Open with the following description: “Eyes Open” is one of two songs Taylor wrote for the soundtrack of the first Hunger Games movie, but it is not included in the film. The song appears to be about Katniss’s relationship with the Capitol, and serves as a warning for her not to trust anyone.\nTaylor teased the song at a concert in Auckland prior to its release, performing it on an acoustic guitar to give fans a feel for the track. It debuted on Billboard Top 100 at number 19 and was received with general critical acclaim from contemporary critics.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nEverybody's waiting\nEverybody's watching\nEven when you're sleeping\nKeep your eyes open\n[Verse 1]\nThe tricky thing is yesterday we were just children\nPlaying soldiers, just pretending\nDreaming dreams with happy endings\nIn backyards, winning battles with our wooden swords\nBut now we've stepped into a cruel world\nWhere everybody stands and keeps score\nKeep your eyes open\n[Chorus]\nEverybody's waiting for you to break down\nEverybody's watching to see the fallout\nEven when you're sleeping, sleeping\nKeep your eyes open\nKeep your eyes open\nKeep your eyes open\n[Verse 2]\nSo here you are, two steps ahead and staying on guard\nEvery lesson forms a new scar\nThey never thought you'd make it this far\nBut turn around (Turn around)\nOh, they've surrounded you, it's a showdown (Showdown)\nAnd nobody comes to save you now\nBut you got something they don't\nYeah, you got something they don't [Pre-Chorus]\nYou just gotta keep your eyes open\n[Chorus]\nEverybody's waiting for you to break down\nEverybody's watching to see the fallout\nEven when you're sleeping, sleeping\nKeep your eyes open\nKeep your eyes open\nKeep your eyes—\n[Bridge]\nKeep your feet ready, heartbeat steady\nKeep your eyes open\nKeep your aim locked, the night goes dark\nKeep your eyes open\n(Keep your eyes open)\n(Keep your eyes open)\n(Keep your eyes open)\n(Keep your eyes open)\n[Chorus]\nEverybody's waiting for you to break down\nEverybody's watching to see the fallout\nEven when you're sleeping, sleeping\nKeep your eyes open\nKeep your eyes open\nKeep your eyes open\nKeep your eyes open\nKeep your eyes open" } ]

[ { "from": "human", "value": "Write me a song called All I Want with the following description: In “All I Want,” Chris lays it all on the table for his girl and assures her he’s committed to only her.\nThe track features oft collaborator Tyga, who most recently included Chris on two tracks on his June 2019 album, Legendary. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Chris Brown]\nNext time, when you look at me (Oh)\nThrow it back when you look at me (Oh, yeah)\nNext time, when you look at me (Oh-woah)\n[Verse 1: Chris Brown]\nIs it on? Is it on 'til it's gone?\nIf they put me in the cuffs, if I'm locked behind the wall\nIf I never ever balled, if I ever lose it all\nAnd my pockets gettin' small, would you treat me like they tall?\nI gotta know, you make a wish, I check it off the list\nDon't gotta ask for kiss, went and tell to your lips\nSaid that I ain't spendin' time, I put it on your wrist\nSo go and tell your ex a real nigga took his bitch\n[Pre-Chorus: Chris Brown]\nWord, for most men, these hoes a dream come true\nBut a dream girl is the girl that dreams of you\nI got everything I need, all I want is you\nThat’s why a nigga still cuffin' when the season's through\nYeah\n[Chorus: Chris Brown, \nTyga\n]\nAll I want is you\nAll that I want is you\nAll I want is you\nAll that I want is you\nAll I want is you\nAll that I want is you\nAll I want is you\nAll that I want is you (\nYeah\n) [Verse 2: Tyga]\nMan, that pussy powerful (Ayy), I fly you from Toronto (Ayy)\nCome and live in L.A., we could see LeBron play (Swish)\nAnd we sit, floor seat\nTom Ford to your feet (Yeah)\nDiamonds like a weddin' ring and your lashes on fleek (Yeah)\nI'm a top dog, so I gotta get the top suite (Yeah, yeah)\nSweet, sweet, sugar cane, she gon' let me have a piece (Ayy)\nTry to keep it lowkey, but they always want the tea (Yeah)\nBabe, don't wake me up, she said, \"It feel like a wet dream\"\nGot you all iced out (Ice, ice)\nYeah, and your skin beautiful, what you need a tan for?\nTurn the lights down (Lights out)\nYeah, I know you think I'm playin', no, that was just the same (Yeah)\n[Chorus: Chris Brown, \nTyga\n]\nAll I want is you (\nAgh\n)\nAll that I want is you (\nYeah\n)\nAll I want is you\nAll that I want is you\nAll I want is you\nAll that I want is you\nAll I want is you\nAll that I want is you\n[Verse 3: Chris Brown]\nI pull your panties to the side, is it mine?\nMy pride aside, I'm tryna find the jewels hidden inside\nExplore your mind, ain't one of these niggas just tryna hit it and slide\nStarted as a fling (Yeah), politicin' with a ting (Yeah)\nWoulda locked her like the bing, but her finger got a ring\nJust a puppet on a string, but I woulda gave you wings\nBackyard with the swing, cash money with the bling\nBaby daddy from the 'burbs\nHe a bird, heard he lookin' for me too\n'Cause of you, I won't give him what he deserves\nPlus you gave him your heart, don't break your word\nAnd if life is tryna teach me a lesson, just know I've learned (I've learned), word [Chorus: Chris Brown]\nAll I want is you\nAll that I want is you\nAll I want is you\nAll that I want is you (All I want is you)\nAll I want is you ('Cause all I want is you)\nAll that I want is you (You, want is you)\nAll I want is you (Ooh, I want it)\nAll that I want is you (Yeah)\n[Outro: Chris Brown]\nNext time, when you look at me (Oh)\nThrow it back when you look at me (Oh, yeah)\nNext time, when you look at me (Oh-woah)\nI'ma show you how it's goin' down\nSince when me and you met, it was goin' down\nWhen you hop up in the bed, it was goin' down\nThis how me and you flex, now it's goin' down\nYou know how it's goin' down" } ]

[ { "from": "human", "value": "Write me a song called Iraq with the following description: On “Iraq,” Detroit rapper Big Sean teams up with Dustly McFly to boast about their marksmanship skills. On the track, the two artists discuss their willingness to resort to weapons and murder their opposition. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook]\nIraq in this bitch, Iraq [I turn the club to]\nIraq in this bitch/Iraq in this bitch\n[One call] Iraq in this bitch\nIraq in this bitch Iraq in this bitch\n[You better get down] Iraq in this bitch\nIraq in this bitch, Iraq [You better get down]\nIraq in this bitch//Iraq in this bitch\nIraq in this bitch\n[Verse 1: Big Sean]\nNow why why why/Would you compare me to you\nIf you think we're equal/Then bitch, you are remedial\nRemember who you're speaking to/Call it egotistical\nBut I am one of one, Yup and there is not a sequel, sequel\nSoon as I approach in/Please do not approach him\nOr you will need a little more than Ibuprofen (B.I.G.)\nPlease try and test us/One hand gesture\nWe'll fill they ass with lead like standardized testing, testing\nAnd you already know where I live\nHow could I make it out that bitch being a bitch\n(I know) I'mma drink glass after glass\n(I know) I tend to act for ass over ass\nBet a stack I'll make your bitch come over\nThere's diamonds on deck like a nigga playing poker\nI hear them niggas talkin' but bet all they do is look\nSee, to you I'm Mr. Big but to him, I'm Mr. Bush, Bitch. Look, bitch [Hook]\n[Verse 2: Dustly McFly]\nSuccess brings envy\nI gotta watch out for these jealous thugs\nSo I am working with these mags like editors\nI went from trapping to rapping to make a extra buck\nBut now I keep that shotty by me like a Elmer Fudd\nMcFly shitting, I know the haters smell us\nI make it hard to breathe they need oxygen inhalers\nI'm so froze I need a double sweater//I got two softball hoes\nAnd every time I run home, they give me double headers\nYou can't come to my city talking absurd\nAnd don't take it from me, just ask Young Berg\nSo if I snatch your bitch, you better get to walking\nYou think you cute? You probably look better in a coffin\nFlight leer ice gear, Phantom, I just must steer\nLittle nigga just build a buzz/You just had a light year\nAnd I am sick of all of this hating shit\nHad 'em dumping like a bad ass relationship\n[Hook]" } ]

[ { "from": "human", "value": "Write me a song called Holiday with the following description: “Holiday” is a chill, old school California hip-hop type song about pleasing a lover for the rest of their life. Fittingly, It features Snoop Dogg, one of the most iconic California hip-hop artists ever.\nJohn Legend and Takeoff from Atlanta rap trio Migos also appear. Takeoff thus becomes the only member of Migos to be the sole member of Migos on a track from this album. Both Quavo and Offset appear together on “Slide.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Snoop Dogg]\nLook, open your eyes, déjà vu\nIn ways I knew my focus remains on you\nI'm so true, I love that, 'cause who woulda knew?\nLBC, me? Do what it do\nQuestion? Is your bathwater ready for ya? (For ya)\n'Cause I could be the man for ya (For ya)\nBaby, are your bills paid?\nWere those dinner reservations made?\nThe whistles, the bells, how 'bout your hair?\nWhat about your nails?\nSee, I can have it done for ya (Yeah)\nLooks like I'm the one for ya (Yeah)\nI'll crack the whip and get a little action in here, my dear\nBut first, relax a bit, the questions and answers are clear\n[Chorus: John Legend]\nA holiday\nWhat you wanna do? Want to do with you (Ah, ah, ah)\nLet's make everyday a holiday (Ooh)\nWhat you wanna do? Want to do with you\n[Verse 2: Takeoff]\n(Takeoff!) Smile at you (Smile) I got my eyes on you (Eyes)\nI wanna climb on you\nCan I ride with you? (Can I?) Touch the sky with you? (Phew)\nA-huh-huh-huh-huh\nSay the place and we go where you wanna go (Where?)\nShe say Rodeo, I say I'm thinking 'bout Tokyo (Tokyo)\nWith the top gone, won't turn up the stereo (Stereo)\nSinging every word of my song that's on radio (Aye)\nI'ma roll one, I know that you don't smoke (I know)\nSit back, let your mind float (Phew) never give up hope (No)\nAnd if ya got a problem, let me know (Let me know)\nI try my best to keep you close\nThe life we in, no boss to match 'em on the ropes (Ooh)\nIf I'm top ten, to win I gotta be the GOAT (GOAT)\nI feel like when I step in (What?) gotta make an announcement\nBut y'all know (But y'all know) [Chorus: John Legend]\nA holiday\nWhat you wanna do? Want to do with you (Ah, ah, ah)\nLet's make everyday a holiday (Ooh)\nWhat you wanna do? (Aye, baby) Want to do with you\nLet's make everyday a holiday\nWhat you wanna do? (Aye, aye) Want to do with you (Ah, ah, ah)\nLet's make everyday a holiday (Ooh)\nWhat you wanna do? Want to do with you (Ooh)\nLet's make everyday a holiday (Don't you wanna)\n[Outro: John Legend]\nAhhhh, yeah, whoa, yeah, uh\nI wanna make everyday, make it a day, ayy" } ]

[ { "from": "human", "value": "Write me a song called Goodbye with the following description: Off the second independent album by rapper Wiz Khalifa, released November 24, 2009 on Rostrum Records Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook: Wiz Khalifa]\nYeah\nIt's young Khalifa, man\nMy weed good\nFingernails clean now\nI don't do nothing but peel money and touch bitches\n(Tell 'em, go home cause I'ma go hard)\nSo tell 'em go hard\nI'ma go hard or I'ma go home\nSo that's what I'ma do, hahaha\nYeah\n(Tell 'em, go home cause I'ma go hard)\nJuliano on the track\nTell 'em, go home cause I'ma go hard\nI'ma go hard or I'ma go home\nI haven't been there you know in so long\nSo goodbye\n[Verse 1: Wiz Khalifa]\nI worked for everything I own\nDare a nigga try and take it\nSpent 300 on the frames\nJust for blocking out you haters\nSwear they're in my way\nThey in my rear view mirror\nIf a nigga act stupid\nI'mma let him get his issue\nEverything designer\nAnd my back seats recline\nI got a thing for livin' good\nAnd blowing money like it's tissue\nBut niggas see you eating\nGet to starving for a plate\nWell, you don't give it when they hate\nThat's why my niggas keep a biscuit\nIt's no gimmick\nI talk it how I live it\nSo when nigga cross the finish\nGotta push it to the limit\nGot a mom and little sister\nI plan on taking care of\nLost my uncle this year\nA couple niggas in the system\nSo I roll\nNo telling where I'm landing\nBut I know something\nThat I'm going towards some money\nI can see you niggas slacking\nEveryday I'm on my job\nYoung Khalifa going hard\n'Til the I'm last man standing [Hook: Wiz Khalifa]\nTell 'em, go home cause I'ma go hard\nGo hard or I'ma go home\nI ain't been there you know in so long\nSo goodbye\nTell 'em, go home cause I'ma go hard\nGo hard or I'ma go home\nAnd I ain't been there you know in so long\nSo goodbye\n[Verse 2: Wiz Khalifa]\nGot my eyes on this money\nAnd some good weed burning\nWhere I'm from you gotta grind\nGoing hard is not an option\nNow these niggas acting jealous\nCause they feel like they ain't shining\nAnd they little shit stop\nWhen this big shit popping\nProbably be a fiend\nGotta keep it in my system\n60-box of cigarillos\nCause I blow it by the onion\nPay a couple bills\nSend some paper to my young'n\n'Cause he just like Steve Francis\nHe be playing with them rockets\nWhipping on the wheel\nGot my peddle to the metal\n'Bout to hit another city\nAin't no point in getting settled\nStraight onto the plane\nAin't been home in so long\nNiggas think it's my cologne\nBut that's money that you smelling\nI act like my father\nCan't stand my older brother\nGot some niggas doing years\nCause of funny niggas telling\nNigga, I'm a keep grinding\n'Til the day that I expire\nI be running through the fire\n'Til I'm the last man standing [Hook: Wiz Khalifa]\nTell 'em, go home cause I'ma go hard\nI'ma go hard or I'ma go home\nI haven't been there you know in so long\nSo goodbye\nTell 'em, go home cause I'ma go hard\nI'ma go hard or I'ma go home\nI haven't been there you know in so long\nSo goodbye" } ]

[ { "from": "human", "value": "Write me a song called Woman Like Me (Remix) with the following description: After a legendary performance at the 39th BRIT Awards, which received mostly positive reviews from music critics and becoming the first girlgroup to win the British Video of the Year since London-based All Saints at the 18th ceremony in 1998, the British girlgroup Little Mix flips off the original version of the lead single “Woman Like Me” originally featuring Trinidadian-born American rapper Nicki Minaj from their fifth studio album LM5 into a remix with a guest verse from South London emcee, Ms Banks. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Jesy]\nI always say what I'm feelin'\nI was born without a zip on my mouth\nSometimes, I don't even mean it\nIt takes a little while to figure me out\n[Pre-Chorus: Leigh-Anne]\nI like my coffee with two sugars in it\nHigh heels and my jewellery dripping\nDrink and I get all fired up (Hey, hey, hey)\nInsecure, but I'm workin' with it\nMany things that I could get rid of\nAin't about to give it up\n[Chorus: Jade, \nPerrie\n, \nJess Glynne\n]\nI made a few mistakes, I regret it nightly\nI broke a couple hearts that I wear on my sleeve\nMy momma always said, \"Girl, you're trouble,\" and\nAnd now I wonder, could you fall for a woman like me?\nAnd every time we touch, boy, you make me feel weak\nI can tell you're shy and I think you're so sweet\nSpendin' every night under covers, and\nStill I wonder, could you fall for a woman like me?\n(\nA woman\n)\n[Post-Chorus: All, \nJess Glynne\n]\nWoman like me, like a woman like me\nLa-la-la, woman like me, like a woman like me (\nA woman\n)\nLa-la-la, woman like me, like a woman like me\nLa-la-la, woman like me, like a woman like me [Verse 2: Jesy]\nAnd, baby, just be mine for the weekend\nWe can get a takeaway and sit on the couch\nOr we could just go out for the evenin'\nHopefully end up with you kissin' my mouth, ayy, ayy\n[Pre-Chorus: Leigh-Anne, \nLeigh-Anne & Perrie\n]\nYou got them blue jeans with a rip up in them\nMy hair with your fingers in it\nLove it when you turn me on\n'Yoncé with a little bit of\n\"Love Drunk\" in the middle with it\nGet down to our favorite song\n[Chorus: Jade, \nPerrie\n, \nJess Glynne\n]\nI made a few mistakes, I regret it nightly\nI broke a couple hearts that I wear on my sleeve\nMy momma always said, \"Girl, you're trouble,\" and\nAnd now I wonder, could you fall for a woman like me?\nAnd every time we touch, boy, you make me feel weak\nI can tell you're shy and I think you're so sweet\nSpendin' every night under covers, and\nStill I wonder, could you fall for a woman like me?\n(\nA woman\n)\n[Post-Chorus: All, \nJess Glynne\n]\nWoman like me, like a woman like me\nLa-la-la, woman like me, like a woman like me (\nA woman\n)\nLa-la-la, woman like me, like a woman like me\nLa-la-la, woman like me, like a woman like me [Bridge: Ms Banks]\nBoss chick, lookin' like a lick, tell them girls to split\nI'm the one to set it off, I ain't who she messin' with\nMight stop for a couple pics, but don't put me in the mix\nReal spit, it's Ms Banks and Little Mix (Woah)\nGot my hips from my mother and my attitude from my daddy\nIf you can't hack it, baby, I can show you the door gladly\nCall me a goodie, but really a baddie\nSmall lil' waist and I got me a fatty\nMs Banks breaking the bank\nBoy, if you want me, you gotta get at me, uh\n[Breakdown: All]\nWoman like me, like a woman like me\nLa-la-la, woman like me, like a woman like me\n[Chorus: Jade, \nPerrie\n, \nJesy\n, \nLeigh-Anne\n]\nI made a few mistakes, I regret it nightly (\nI made a few mistakes, I regret it nightly\n)\nI broke a couple hearts that I wear on my sleeve\nMy momma always said, \"Girl, you're trouble,\" and\nAnd now I wonder, could you fall for a woman like me? (\nLike a woman like me, yeah\n)\nAnd every time we touch, boy, you make me feel weak\nI can tell you're shy and I think you're so sweet\n (\nSo sweet\n)\nSpendin' every night under covers, and\nStill I wonder, could you fall for a woman like me?\n (\nFall for a woman, for a woman like me\n) [Outro: All, \nJesy\n, \nJade\n, \nLeigh-Anne\n]\n(La-la-la, woman like me, like a woman like me)\nNa-na-na-na-na\n, \nlike a woman like me, like me\n(La-la-la, woman like me, like a woman like me)\nFall for a woman like me\n, \nna-na-na-na-na\n(La-la-la, woman like me, like a woman like me)\nI said, a woman like, woman like\n (\nWoman like me, yeah\n)\n(La-la-la, woman like me, like a woman like me)\nA woman like me" } ]

[ { "from": "human", "value": "Write me a song called Back on Road with the following description: “Back on Road” is a celebratory anthem about getting back on the path of success—fitting, considering Gucci Mane was out of prison a mere 10 days after the release of this song.\nThe collaboration between Drake and Gucci Mane is interesting, considering Gucci’s past history of dissing Drake. However, the most recent time Gucci dissed Drake was in the fall of 2013. Gucci later apologized on Twitter:\n\n\n\n\nDrake has previously showd Gucci love, notably on “Digital Dash”:\nGucci get out it’s a problem\nIt’s not the first collaboration between Drake and Gucci Mane, as they previously worked together on two tracks from the latter’s 2009 mixtape The Cold War: Guccimerica, Street Cred and In My Business.\nThis is the third song Guwop released in the first few days of June, following “First Day Out Tha Feds” and his collaboration with G.O.O.D Music on “Champions.” The song premiered on June 4 during Episode 23 of OVO Sound Radio. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Drake & \nGucci Mane\n]\nZone, zone\nZone six\n (\nSix\n)\nIt's my nigga though\nGuwop\n[Chorus: Drake & \nGucci Mane\n]\nI got money that I saved then I'm back on road\nGet my jewelry out the safe 'cause I'm back on road (\nYeah\n)\nI still do these hoes the same when I'm back on road\nIf you wasn't there for me when I was all alone\nThen, bitch, don't expect no love when I'm back\n[Verse 1: Gucci Mane]\nI'm just an East Atlanta nigga with a body on his belt\nI done had a million beefs but I ain't never call for help\nI'll take a nigga bricks and I done took a nigga re-up\nPut that pistol on your partner, made him piss all on himself (Oh yeah)\nGot your bitch so pissy drunk, that she done threw up on herself (Yeah)\n'Fore I send her back to you, she gon' have Guwop on her breath (Guwop)\nI'm the last real nigga left, I'm on an island by myself\nI'm my only competition, so I'm battlin' with myself (It's Gucci)\nFacin' prison, drug addiction, it's like I'm battlin' with myself\nI done shook off all my demons, now I'm back to myself\n (Yeah)\nYou didn't keep it real, nigga, so just keep it to yourself ('Self)\nWaitin' on Gucci Mane to call you, nigga, better not hold your breath (Guwop) [Chorus: Drake & \nGucci Mane\n]\nI got money that I saved then I'm back on road\nGet my jewelry out the safe 'cause I'm back on road (\nBurr\n)\nI still do these hoes the same when I'm back on road\nIf you wasn't there for me when I was all alone\nThen, bitch, don't expect no love when I'm back\n[Verse 2: Gucci Mane]\nThese niggas fakin' like they happy, but they mad I'm home (Home)\nI'm the 2K16 Al Capone\nI slap a nigga with a strap and then I throw him a hunnid (I know)\nHe be like, \"Fuck goin' to trial, man, just throw me the money\"\n (Throw me)\nCan't eat, can't sleep, man, I miss these streets\nMuhammad Ali, and the streets miss me\nI went from trappin' on the block to niggas trappin' for me (Skrrt)\nI left the trappin' went to rap, thought you'd be happy for me (Huh?)\nAnd then your jealousy turned to hate, and you wrote a statement on me (Uh)\nBut when they let me out them gates, my bitch was waitin' on me\n (Mwah)\nSee, I ain't mad at you, homie, we ain't got no beef (No)\nBut I ain't got no rat for you, I know you must love cheese\n (Pussy)\n[Chorus: Drake]\nI got money that I saved then I'm back on road\nGet my jewelry out the safe 'cause I'm back on road\nI still do these hoes the same when I'm back on road\nIf you wasn't there for me when I was all alone\nThen, bitch, don't expect no love when I'm back" } ]

[ { "from": "human", "value": "Write me a song called Gucci Gang (Mega Remix) with the following description: On March 13, 2018, Lil Pump reportedly inked a new deal with Warner Bros. and four days later the Florida rapper debuted a remix of his breakthrough hit “Gucci Gang.”\nPremiered on the return episode of OVO Sound Radio, the jam-packed guest list features 21 Savage, Gucci Mane, Bad Bunny, J Balvin, Ozuna, and French Montana. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: 21 Savage, \nLil Pump\n, \nFrench Montana\n & \nGucci Mane\n]\n21, Gucci gang (\nLil Pump\n)\nSavage wear a whole lot of Gucci, man (\nMontana\n)\nSavage got a whole lot of shooters, man (\nBrr, brr\n)\nSavage got shooters on the roof, man (\nGucci gang\n)\nSavage got shooters in the booth, man (\nOoh\n)\nThat's it right there, Gnealz\nNigga talkin' crazy 'bout who, mane?\nShot a pussy nigga in his tooth, mane\n(\nGucci gang, Gucci gang, Gucci gang\n)\nOoh, Bi-Bighead on the beat\nLil Pump, Guwop\n[Chorus: Lil Pump]\nGucci gang, Gucci gang, Gucci gang, Gucci gang (Gucci gang)\nGucci gang, Gucci gang, Gucci gang (Gucci gang)\nSpend three racks on a new chain (Yuh)\nMy bitch love do cocaine, ooh (Ooh)\nI fuck a bitch, I forgot her name (Brr, yuh)\nI can't buy a bitch no wedding ring (Ooh)\nRather go and buy Balmains (Brr)\nGucci gang, Gucci gang, Gucci gang (Gucci gang)\nGucci gang, Gucci gang, Gucci gang, Gucci gang (Gucci gang)\nGucci gang, Gucci gang, Gucci gang (Gucci gang)\nSpend three racks on a new chain (Huh?)\nMy bitch love do cocaine, ooh (Yrr)\nI fuck a bitch, I forgot her name, yuh (Yuh, yuh)\nI can't buy no bitch no wedding ring, ooh (Nope)\nRather go and buy Balmains, ayy (Brr)\nGucci gang, Gucci gang, Gucci gang (Gucci gang) [Verse 1: Gucci Mane]\n(Lil Pump)\nCall me El Gato Guwop or Mustafa the 3rd\nBack in the day they was callin' me Ray\nRun with the yay, drum on the K\nFuck with Lil Pump, you get shot in the face\nGucci the gang so we watchin' the snakes (Gucci)\nMade me eight mil' so I bought her a Wraith (Mwah)\nTwo shows in a day, brick on the plate\nL.A. to the A then it's back to the Bay\nGucci gang, eskimo, froze like the North Pole (Brr)\nJumpin' out the whip just to pose in my Gucci robe (Wop)\nWoke up in the picture, Bam Bam Bigelow\nGucci Mane a gigolo, diamonds in my Figaro\nOh, you know what, bro? I ain't even know\nWalkin' out the Gucci store, 'bout to spend a hundred so\nLil' bitty bitch, with a big booty though\nShe a dancer but a grade A student though\nPump went to Harvard, well fuck it, I'm goin' to Yale (Wop)\nFree Meek Mill, free all my niggas in jail (Jail)\nGucci to death, I'm really a gang by myself (Gucci gang)\nFeelin' myself, tuck in my shirt, show off my belt, Gucci (It's Gucci)\n[Chorus: Lil Pump]\nGucci gang, Gucci gang, Gucci gang, Gucci gang (Gucci gang)\nGucci gang, Gucci gang, Gucci gang (Gucci gang)\nSpend three racks on a new chain (Huh?)\nMy bitch love do cocaine, ooh (Brr)\nI fuck a bitch, I forgot her name, yuh (Yuh, yuh)\nI can't buy no bitch no wedding ring, ooh (Nope)\nRather go and buy Balmains, ayy (Brr)\nGucci gang, Gucci gang, Gucci gang (Gucci gang) [Verse 2: Bad Bunny]\nSerpiente' de cascabele', cabrone', hay nivele'\nGucci, Gucci, tú me ha' visto en la tele, ah\nYa no son seta', son L, ah\nCon este phillie ya van dos (Dos), me tiran to' los bandos (Prr)\nY yo con putas chingando ya me siento en Bang Bros (¡Uh!)\nYeh, están pa' los tiempo' y latarle lo' Dickies (Dickies)\nTu jeva llama pa' Krippy (Krippy)\nBellaca, me pide un Whisky (Whisky, Whisky)\nYeh, el sushi se come con palo' 'e Supreme\nA la cama le agotamo' el spring (Huh)\nNo sea' chota, no me tire' screenshot' (¡No!)\nCapsuleando en el tapón (Wuh)\nGucci gang y a vece' Louis Vuitton\nAndo en las Mercedes por si quieres pon\nSiempre flow Biggie con el bastón, dímelo, Lil Pump (Yeh)\nLa cartera con la' avispa' (Prr)\nLa Uzi que bota chispa, brr, y otro se fue de la lista\nGucci gang, Gucci gang, Gucci gang, Gucci gang\nGucci gang, Gucci gang, Gucci gang, yeh\nTengo una nota cabrona, yeh\nDio' proteja mis neurona', ah\nChingando por Barcelona, wuh\nBlanquita pero culona\nEl bicho me lo lesiona (Jah)\nGucci gang, Gucci gang, Gucci gang, ah [Chorus: Lil Pump]\nGucci gang, Gucci gang, Gucci gang, Gucci gang (Gucci gang)\nGucci gang, Gucci gang, Gucci gang (Gucci gang)\nSpend three racks on a new chain (Huh?)\nMy bitch love do cocaine, ooh (Brr)\nI fuck a bitch, I forgot her name, yuh (Yuh, yuh)\nI can't buy no bitch no wedding ring, ooh (Nope)\nRather go and buy Balmains, ayy (Brr)\nGucci gang, Gucci gang, Gucci gang (Gucci gang)\n[Verse 3: 21 Savage]\nGucci gang, Louis gang, Fendi gang\nSavage wear a whole lot of mothafuckin' anything\nFuck a wedding ring, side bitch, main bitch\nYour bitch, his bitch, Savage fuckin' everything\nGot a snake on my collar, I ain't rockin' no diamonds\nY'all lil' niggas poppin', that's chump change\nGot an FN and a Draco\nBut I still fucked around and hit him with the lil' pump, mane\nI Saint Laurent my garments, lil' bitch, pardon me\nYou still stay with your mama, lil' bitch, pardon me\nI run through the money like it grow on trees\nYou can't afford new hair, you like to hold on weave\nDouble cup red, huh, just to match my 'Rari, huh\nI don't even drive it, spent a quarter just to park it\nGucci on my daughter, and she still a toddler\nShe can barely talk, but she know that her dad a baller\n[Chorus: Lil Pump]\nGucci gang, Gucci gang, Gucci gang, Gucci gang (Gucci gang)\nGucci gang, Gucci gang, Gucci gang (Gucci gang)\nSpend three racks on a new chain (Huh?)\nMy bitch love do cocaine, ooh (Brr)\nI fuck a bitch, I forgot her name, yuh (Yuh, yuh)\nI can't buy no bitch no wedding ring, ooh (Nope)\nRather go and buy Balmains, ayy (Brr)\nGucci gang, Gucci gang, Gucci gang (Gucci gang)\n[Verse 4: J Balvin]\nDesde Medellín a Milano (Milano)\nBotella 'e Champagne en mi mano (En mi mano)\nA veces hasta perdiendo gano\nSi yo estoy ahí, tú estás segundo plano (Plano, plano)\nNo juego fútbol (Wuh)\nPero llego a Madrid y me recibe Cristiano (Cristiano)\nFui el artista de Obama este año y eso que en verdad no soy ni americano (Wuh)\nDel Maybach pa'l avión se siente cabrón\nCobrar pa' mí ya es diversión (Ching, ching)\nGucci el pantalón\nY si quiere' un auspicio háblame de un millón (Million)\nDinero como un talibán (Ah)\nYo no sé a qué banco es que ustedes van (Ping)\nQuieren comprar, pero no les da\nSi no tienes todo Gucci, no eres Gucci gang (Gang)\nTantas modelo' que ya parezco una revista (Eh)\nTú dándole like y yo que estaba bloqueándola del Insta ('Tá bloquea', wuh, wuh)\nSolamente sé realista ('Tamo' claro')\nTú no eres Gucci gang aunque de Gucci te vista' (Jajaja)\n[Chorus: Lil Pump & \nFrench Montana\n]\nGucci gang, Gucci gang, Gucci gang, Gucci gang (Gucci gang)\nGucci gang, Gucci gang, Gucci gang (Gucci gang)\nSpend three racks on a new chain (Huh?)\nMy bitch love do cocaine, ooh (Brr)\nI fuck a bitch, I forgot her name, yuh (yuh, yuh)\nI can't buy no bitch no wedding ring, ooh (Nope)\nRather go and buy Balmains, ayy (Brr)(\nHaan\n)\nGucci gang, Gucci gang, Gucci gang (Gucci gang)\n[Verse 5: French Montana]\n(Haaan, Montana!)\nGot a lil' pump under the Gucci, mane (Ayy)\nGucci gang, Gucci gang, Gucci gang (Ayy) (Gucci gang)\nWas yellin' \"Ha\" way before Juvi', mane (Ayy, ayy)\nGucci gang, Gucci gang, Gucci gang (Ayy, ayy)\nGucci gang, Gucci gang\nKufi gang, diamonds all blue like Hoover gang\nNipsey, Snoop and them\nGucci gang, boomerang, made the block hot\nCame through, went popped down south of Gucci Mane\nFrench had the franchise\nWith a Franchize Boyz white tee, you ain't like me (Haaan)\nNah, you ain't like me\nYou ride the wave, you ain't like me\nCop some chains, you ain't like me\nMade a hook, you ain't like me\nBills ain't bills, a nigga like me\nBefore the Gucci gang was the Gucci Mane (Mane)\nCouldn't see my life through a Gucci frame (Frame)\nSeven pills, Act' in my system (Haaan)\nThey gave Max life in the system (Haaan)\nServin' raw like sushi gang (Haaan)\nThrow you off a Wyclef like Fugee gang\n (Woo)\n[Chorus: Lil Pump]\nGucci gang, Gucci gang, Gucci gang, Gucci gang (Gucci gang)\nGucci gang, Gucci gang, Gucci gang (Gucci gang)\nSpend three racks on a new chain (Huh?)\nMy bitch love do cocaine, ooh (Brr)\nI fuck a bitch, I forgot her name, yuh (Yuh, yuh)\nI can't buy no bitch no wedding ring, ooh (nope)\nRather go and buy Balmains, ayy (Nrr)\nGucci gang, Gucci gang, Gucci gang (Gucci gang)\n[Chorus: Ozuna]\nGucci gang, Gucci gang, Gucci gang, Gucci gang\nGucci gang, Gucci gang, Gucci gang\nLa corta la guardo en el M6\nTe la pongo en la cara como Scarface\nGucci gang, Gucci gang, Gucci gang, Gucci gang\nGucci gang, Gucci gang, Gucci gang\nYo nunca le bajo, pa' ustedes no hay break\nY con el AK te hacemo' el fade\n[Verse 6: Ozuna]\nHoy se viste Gucci to' la banda\nY hay un pa'l de loco' que hay que darle una parranda\nYo los dejo, dicen que ello' mandan\nPero me ven de frente y se me ablandan\nPorque tú puede' frontear lo que tú quiera'\nHasta los panas mío' visten Gucci allá adentro en la nevera\nVeinte pa' los topo' 'e la' escalera'\nTú le' preguntaste y te dijeron \"Ozu', el nene 'e la disquera\"\nGucci gang, los míos es pa'lante, nunca se van\nDos cincuenta el Richard Mille, la cubana en diaman'\nQue me vieron las babys y se mojan\nYo les canto bonito y si hay que darle', se les dan\nTú lo sabe' que\n[Chorus: Ozuna]\nGucci gang, Gucci gang, Gucci gang, Gucci gang\nGucci gang, Gucci gang, Gucci gang, eh\nLa corta la guardo en el M6\nTe la pongo en la cara como Scarface\nGucci gang, Gucci gang, Gucci gang, Gucci gang\nGucci gang, Gucci gang, Gucci gang\nYo nunca le bajo, pa' ustedes no hay break\nY con el AK te hacemo' el fade\n[Chorus: Remy Ma]\nGucci gang, Gucci gang, Gucci gang, Gucci gang (Gucci gang)\nGucci gang, Gucci gang, Gucci gang (Gucci gang)\nSpend three racks on a Cuban (Yeah)\nMy nigga trap move cocaine (Brr)\nSince he met me, he forgot her name (Yeah)\nYou a side chick, no weddin' ring (Uh)\nGot a $10,000 pair of Yves Saints\nGucci gang, Gucci gang, Gucci gang\n[Verse 7: Remy Ma]\nGucci gang (Yah)\n, \nPucci posse (Yah)\nLouis league (Yah), Fendi fam\nHit the red carpet in a pink fur\nWhy? Just so I could Killa Cam\nD Squared squad, Moschino mob\nThis fashion, skin caramel\nGirl, I got so many boy bags, I'm kingpin\nChanel Cartel, yeah, yeah\nYou don't want smoke, no cigarettes (Cigarettes)\nI'm a pretty bitch from the projects (Yeah)\nHe ain't pop pills since we met (Fuck 'em)\nTold him in my bra I got a Percocet (Yeah)\nAll these hoes screamin' they the best yet (What?)\nNone of them ain't touch Rem' yet (Nope)\nHad your man open with a sex text (True)\nTax time only time you cash checks (Yeah)\n[Chorus: Remy Ma]\nGucci gang, Gucci gang, Gucci gang, Gucci gang (Gucci gang)\nGucci gang, Gucci gang, Gucci gang (Gucci gang)\nSpend three racks on a Cuban (Yeah)\nMy nigga trap move cocaine (Brr)\nSince he met me, he forgot her name (Yeah)\nYou a side chick, no weddin' ring (Uh)\nGot a $10,000 pair of Yves Saints\nGucci gang, Gucci gang, Gucci gang" } ]

[ { "from": "human", "value": "Write me a song called UFO (Remix) with the following description: Timbaland announced he will be releasing the original Andre 3000 version of UFO as a “remix” of the edited one “soon” on instagram. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Tink + Timbaland]\nI gotta catch my flight, alright, alright, yeah\nI can't be there somebody everyday\nShe said she found somebody and they hate me\nAnd I'm gettin' the feelin' that she friendly creep\n(Boy give me a call back)\nThat's what the message said\nNow she stuck in my head\nShe said I never did\n(Boy give me a call back)\nShe could be in a launcher\nShe bout to break my heart, she bout to break my heart\n[Hook: Timbaland & Future]\nI think my girl might be cheating on the low\nShe say she need her space and she say she need to go\nOh man, I think my girl might be cheating on the low\nI really hate to say it, but tonight I need to know\nNeed to know, are you fucking other niggas? UFO, UFO\nAre you fucking other niggas? UFO, UFO\nAre you fucking other niggas? UFO, UFO\nAre you fucking other niggas? UFO, UFO\nI think my girl might be cheating...UFO, UFO\n[Verse 1: Timbaland (Tink)]\nShe say she want somebody she can talk to\nI always say I will but I never do\nShe says he need somebody she can count on\nAnd when she dial my number, I don't pick it up\nAlright, alright, girl\nNow I gotta catch my flight\nAlright, alright, girl\nI can't be that somebody\nEvery day she say she find somebody and it ain't me\nAnd I'm getting the feeling that she finna creep\n(Boy give me a call back)\nThat's what the message said\nThat shit stuck in my head\nShe said I never did\n(Boy give me a call back)\nShe could be in his arms\nShe 'bout to break my heart\nShe 'bout to break my heart [Hook: Timbaland & Future]\nI think my girl might be cheating on the low\nShe say she need her space and she say she need to go\nOh man, I think my girl might be cheating on the low\nI really hate to say it, but tonight I need to know\nNeed to know, are you fucking other niggas? UFO, UFO\nAre you fucking other niggas? UFO, UFO\nAre you fucking other niggas? UFO, UFO\nAre you fucking other niggas? UFO, UFO\nI think my girl might be cheating...UFO, UFO\n[Verse 2: Andre 3000]\nFuck that, double back\nPark my car next to a puddle that\nFor everything that Andre 3000 it would irritate me\nBut I would rather see\nMy lover back\nSo I ran like hot bubble bath\nTo learn if my lover's laugh had come in rap\nBut bought this new hovercraft\nIt felt so bad\nSo I ran up the stairs and I stand with my peoples\nPull off her panties while she was still packin'\nShe responded like how I would have wanted\nIf I were leavin' and I'm ac'in\nI said \"woman tell me what is goin' on the air between us\nAnd I love you\"\nLord had conveyed it, the meanin' to me\nAnd I mean it, Sabrina and Venus shoot\nShe keep up that record cause she wanna to keep scores\nFuck those habits\nLike me and you those damn habits\nFlip back on a mattress\nAnd I will need answer the phone right away\nIf that I think we gone [Hook: Timbaland & Future]\nI think my girl might be cheating on the low\nShe say she need her space and she say she need to go\nOh man, I think my girl might be cheating on the low\nI really hate to say it, but tonight I need to know\nNeed to know, are you fucking other niggas? UFO, UFO\nAre you fucking other niggas? UFO, UFO\nAre you fucking other niggas? UFO, UFO\nAre you fucking other niggas? UFO, UFO\nI think my girl might be cheating...UFO, UFO\n[Verse 3: Tink]\nHe could be alone with a dancer\nHear it in his tone when he answer\nFour or five hoes in a week\nBut if I go out to cheat\nThen I have no standards\nBut tonight I'mma leave\nFind me someone in these streets\nFrequent them slowly and not feel emotion\nCause he would do the same to me no doubt\nSo I'mma get even, I never believed in you telling me a lie\nI'mma get busy and find me a nigga to lay with tonight\nPimpin' ain't nothing but game, treat all these niggas the same\nNiggas and women, we all lie about how we living\nWe all lie about where we staying\nWe all lie about who we laying, we all do\nWe all lie about who we cuffing\nWe all lie about who we fucking, we all do\nBaby don't worry about me, I be on the run like B\nYou ain't gotta hide your face cause I'm probably in the room right next to your suite [Hook: Timbaland & Future]\nI think my girl might be cheating on the low\nShe say she need her space and she say she need to go\nOh man, I think my girl might be cheating on the low\nI really hate to say it, but tonight I need to know\nNeed to know, are you fucking other niggas? UFO, UFO\nAre you fucking other niggas? UFO, UFO\nAre you fucking other niggas? UFO, UFO\nAre you fucking other niggas? UFO, UFO\nI think my girl might be cheating...UFO, UFO" } ]

[ { "from": "human", "value": "Write me a song called Face It Alone with the following description: Days before the public debut of this renewed song from the 1988 recording sessions for The Miracle, Queen Instagrammed and tweeted “the rediscovered Queen song drops as a worldwide single release, this Thursday October 13 at 11.15AM BST/ 6.15AM EDT/ 3.15AM PDT”.\nQueen founders Brian May and Roger Taylor explained on the BBC News that this recording came as a surprise,\nYes, we did find a little gem from Freddie, that we’d kind of forgotten about. And it was. It’s wonderful. Actually, it was real discovery. It’s from the Miracle Sessions.\nDuring the broadcast, Brian May elaborated,\nIt was kind of hiding in plain sight. We looked at it many times and thought, oh no, we can’t really rescue that. But in fact, we went in there again and our wonderful engineering team went, okay, we can do this and this. It’s like kind of stitching bits together.”\nBrian and Roger describe the song as beautiful, touching, and passionate. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nWhen something so near and dear to life\nExplodes inside\nYou feel your soul is set on fire\nWhen something so deep and so far and wide\nFalls down beside\nYour cries can be heard\nSo loud and clear\n[Chorus]\nYour life is your own\nYou're in charge of yourself\nMaster of your home\nIn the end\nIn the end\nYou have to face it all alone\n[Guitar Solo]\n[Verse 2]\nWhen something so dear to your life\nExplodes inside\nYou feel your soul is burned alive (Burned alive)\nWhen somethin’ so deep and so far and wide\nFalls down beside\nYour cries can be heard\nSo loud and clear [Chorus]\nYour life is your own\nYou're in charge of yourself\nMaster of your home\nIn the end\nIn the end\nYou have to face it alone\n[Outro]\nWhen the moon has lost its glow\nWhen the moon has lost its glow\n(Da-da-da, da, da, da-doh)\nWhen the moon has\nWhen the moon has lost its glow\n(Da-da-da, da, da, da-doh)\nWhen the moon\nWhen the moon has lost its glow\nYou have to face it all alone" } ]

[ { "from": "human", "value": "Write me a song called Is It Love? with the following description: This is the first song on Kendrick Lamar’s overlooked EP, the Kendrick Lamar EP.\nHe reminsices upon the life he once lived, and the life he wants now.\nThis contains a sample from Telepopmusik Ft Angela Mccluskey “Don’t look back” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Angela McCluskey & \nKendrick Lamar\n]\nSit still, and close your eyes (\nSmoke to it\n)\nWhat's behind the other door, oh\nNo more silence (\nNo more silence\n)\nDon't kill this thing we got called love (\nDon't shoot\n)\nJust searching for the perfect shot\n[Chorus: Angela McCluskey]\nWhen love comes calling, don't love back\nWhen love comes calling, don't look away\nWhen love comes calling, don't look back\nWhen love comes calling, don't look away\n[Verse 1: Kendrick Lamar]\nI used to write rhymes, all day and all night\nWhile you were playing PlayStation, my pencil was erasing lines\nMy conscious only knew whats half tight\nAt 3:14, it's time to give me a slice, my nigga\nThis is a dog's fight, my nigga\nThe soundtrack to life, my nigga\nKendrick Lamar, his momma called him that\nHe watched \nHouse Party\n, and ate Apple Jacks\nSold Sega games, his cousin sold crack\nHe pumped Reeboks, his uncles pumped packs\nPump, fake, jumpshot, ball hit the back\nBoard dreams of being pointguard was off limits jack\nThat's because that's these Compton streets was built not to win\nYou killed the nigga, I stole a bible, is that a sin?\nPardon me though, I'm searching for answers\nThe good kid from the ugly city\n, that's mad that he's handsome\nWhere is the love? [Chorus: Angela McCluskey & \nKendrick Lamar\n]\nWhen love comes calling, don't love back\nWhen love comes calling, don't look away\nWhen love comes calling (\nWhere is the love?\n), don't look back\nWhen love comes calling, don't look away\n[Verse 2: Kendrick Lamar]\nGive me rings, give me chains, mane\nGive me a blue Benz, red Porsche, red Range\nGive me black bitches, white hoes, new clothes\nA mansion with marble floors and security codes\nThen give me some land, or maybe I'll land a, G5\nClearport, say hello to the man\nGive me awards, grammies, and let the crowd applaud\nMy name 'til they strain the veins in they vocal cords\nGive me fame and fortune, me and Trump on golf courses\nWith that being said, give me Tiger sports endorsements\nGive me billboards, whatever that people will kill for\nManahattan and 40/40, no 40's but rose poured\nGive me vanity, give me Kurt Cobain sanity\nGive me a city where Channel 7 newscasters cameras be\nGive me horror like Amity,\n no, give me the charts\nAnd if you ever renege, I'll still give you Kendrick Lamar, this is me\nAnd that's love\n[Chorus: Angela McCluskey]\nWhen love comes calling, don't love back\nWhen love comes calling, don't look away\nWhen love comes calling, don't look back\nWhen love comes calling, don't look away [Outro: Kendrick Lamar]\nNow everybody smoke to it, for this is, the celebration" } ]

[ { "from": "human", "value": "Write me a song called LOST with the following description: On “LOST,” the final song on Quavo’s debut solo album, Quavo pairs up with G.O.O.D. Music legend, Kid Cudi. On this deep track, we see Quavo really open up and talk about what it’s like to be famous, praying to God that he does not allow the money and fame to consume him and become “lost”.\nKid Cudi, known for revolutionizing the hip-hop scene by not being afraid to talk about deep and emotional topics, such as mental health, continues with Quavo’s theme of feeling “lost” in the fame. Both rappers open up and talk about a more personal side of the rap industry. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Quavo]\nHope I don't get lost (Ooh-ooh, ooh)\nHope I don’t get lost (Get lost, lost)\nLost, in a world (Lost)\nIn this world, they divide us all (In this world, world)\nIn this world, they divide us all (In this world, divide)\nOh yeah (Divide, oh yeah, woo)\nI hope the money don't diminish y'all (Yeah)\nI hope the money (Woo, the money)\nDon’t diminish y'all (Hey, ooh)\nYeah (Yeah, woo-hoo)\nHey\n[Verse 1: Quavo]\nMy team came from the bottom on the rise, yeah (Yeah)\nGod, please don't get me lost in this ride, yeah (Skrr, hoo)\nWent to sleep, I had a dream of that \nfishscale\n (Fishy)\nWoke up, then put it right on the street at retail (Retail)\nLifestyle, it get crazy, it get brazy yeah (Brazy)\nMy bitch mad at me, the days get rainy, yeah (Oh)\nShe always try to leave, she say I'm too player (Oh)\nOh, you lost in the sauce? I hope you get well (Get well)\nAccomplish all my goals, congratulate me, yeah (Yeah)\nGot the five-end guard with me, that's for safety, yeah (Yeah)\nMake me wanna take all the Percocet pills (Percy)\nTold Danny hit my phone when the check clears (Brr) [Verse 2: Kid Cudi]\nI'm inside my soul, feel the weight on me (My soul)\nBuilt to carry the load, feel this weight on me (Yeah)\nSlide out, hit the road for my sanity (Mmm)\nThis how it fuckin' goes in my galaxy\nAfter midnight (Midnight)\nAnd my mind runs (And my mind runs)\nWith the demons on my back (Yeah)\n'Til the day comes (’Til the day comes)\nBeen through it all my life (Yeah)\nAnd I feel numb (Feel so numb)\nGot the demons on my back\n’Til the day comes ('TIl the day comes)\nSee, in my mind, I’m trapped in my mind\nBut I know I'll find a way (Find a way)\nSee, in my mind, I'm trapped in my mind\nBut I know I'll find a way\nSurvivin’ now (Ooh)\nAnd find a way (Hmm)\n[Verse 3: Quavo]\nHotbox in the coupe, don't nothin' move I say (Skrr, skrr)\nYou gon' get lost if you try to make a move my way (Move)\nBad bitch gonna hit you with a move if you won't play (Get 'em)\nYou let the money get to your head, made me go the other way (That way, go)\nGo to the top this season (Woo)\nLet 'im get a rack, he need it (Rack)\nEating on the drug, she teathin' (Eat it up)\nIt's Migo Gang, believe me (Migo)\nThe gang over everything, that's what I pledge allegiance (Gang)\nTake care my family, I know my mama need me (Mama)\nTold my niggas in the pen I'm on, they didn't believe it (Brr)\nThen they call back, they see me on TV (TV)\nHope I don't get lost (No)\nIn this million dollar vault (Yeah)\nI don't want to take a loss (No)\nYou don't wanna get involved (Yeah) [Chorus: Quavo]\nHope I don't get lost (Ooh-ooh, ooh)\nHope I don't get lost (Get lost, lost)\nLost, in a world (Lost)\nIn this world, they divide us all (In this world, world)\nIn this world, they divide us all (In this world, divide)\nOh yeah (Divide, oh yeah, woo)\nI hope the money don't diminish y'all (Yeah)\nI hope the money (Woo, the money)\nDon't diminish y'all (Hey, ooh)\nYeah (Yeah, woo-hoo)\nHey\n[Outro]\nDon't get lost in the way, don't\nDon't get lost in the way, don't\nDon't get lost in the way, don't\nDon't get lost in the way" } ]

[ { "from": "human", "value": "Write me a song called Listen (From ”Dreamgirls”) with the following description: “Listen” was a new song written for the film adaptation of the hit Broadway musical Dreamgirls. In the film, Beyoncé plays the character of Deena Jones, who sings the song to her husband/manager Curtis Taylor as an ultimatum: “I’ve had enough of your shit and I will leave you if you keep this crap up.”\nThe song was nominated for an Oscar, but only three writers are eligible for the award and the Oscar committee determined that Beyoncé’s contribution was the smallest; thus, she was sadly (but not wrongly) deprived the everlasting title of “Academy Award® nominee”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nListen\nTo the song here in my heart\nA melody I start\nBut can't complete\n[Verse 2]\nListen\nTo the sound from deep within\nIt's only beginning\nTo find release\n[Pre-Chorus]\nOh, the time has come for my dreams to be heard\nThey will not be pushed aside and turned\nInto your own, all 'cause you won't\nListen\n[Chorus]\nListen, I am alone at a crossroads\nI'm not at home in my own home\nAnd I've tried and tried to say what's on my mind\nYou should have known, oh\nNow I'm done believin' you\nYou don't know what I'm feelin'\nI'm more than what you made of me\nI followed the voice you gave to me\nBut now I've gotta find my own [Verse 3]\nYou should have listened\nThere was someone here inside\nSomeone I thought had died\nSo long ago\n[Pre-Chorus]\nOh, I'm screamin' out and my dreams will be heard\nThey will not be pushed aside or worked\nInto your own, all 'cause you won't\nListen\n[Chorus]\nListen, I am alone at a crossroads\nI'm not at home in my own home\nAnd I've tried and tried to say what's on my mind\nYou should have known, oh\nNow I'm done believin' you\nYou don't know what I'm feelin'\nI'm more than what you made of me\nI followed the voice you gave to me\nBut now I've gotta find my own\n[Bridge]\nI don't know where I belong\nBut I'll be moving on\nIf you don't, if you won't [Chorus]\nListen to the song here in my heart\nA melody I start, but I will complete, oh oh\nNow I'm done believin' you\nYou don't know what I'm feelin'\nI'm more than what you made of me\nI followed the voice you think you gave to me\nBut now I've gotta find my own\n[Outro]\nMy own" } ]

[ { "from": "human", "value": "Write me a song called Don’t Judge Me with the following description: “Don’t Judge Me” is a single released by Ty Dolla $ign on October 18, 2017 to promote his album Beach House 3, which dropped on October 27.\nThe video features a barrage of people who are typically ‘judged’ in society: a single teen mom, strippers, and gang members. The premise of the the song is telling others not to judge others by what they see, because there’s no way to tell what they’re really going through Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Swae Lee]\nDon't judge me\nEarDrummers\n[Chorus: Ty Dolla $ign]\nOn the liqs right now don't judge me\nRight now, off a bean don't judge me\nI might pop a seal in the morning\nLately, I've been goin' through a lot of things\nOn the liqs right now don't judge me\nBlow the whole pound, don't judge me, yeah\nI don't want it if it ain't a two-piece, yeah\nLately, I've been goin' through a lot of things\n[Verse 1: Ty Dolla Sign]\nLately, I've been goin' through a lot of things, yeah\nCame up from the mud to the finer things, yeah\nI can't trust no one, I can't trust nobody now\nOnly thing they want, only thing they want is money now\nRollie flood the VVS\n, 50 on my neck\nMade a mil' out of nothing, made it all out of nothing\nGucci like yeah, Saint Laurent like yeah\nDiamonds all VVS\n, day ones right here\n[Chorus: Ty Dolla $ign]\nOn the liqs right now don't judge me\nRight now I'm off a bean don't judge me\nI might pop a seal in the morning\nLately, I've been goin' through a lot of things\nOn the liqs right now don't judge me\nBlow the whole pound, don't judge me, yeah\nI don't want it if it ain't a two-piece, yeah\nLately, I've been goin' through a lot of things [Verse 2: Future]\nI've been on the liqs, don't judge me (don't judge me)\nLet me have a threesome if you love me (you love me)\nDon't you look at me like you can't trust me (you can't trust me)\nLately, I've been going through some things (lately I've been goin' through)\nI've been doing drugs, don't judge me (don't you judge me)\nRight now, on the mud, don't judge me (I'm on a yeah)\nLet me have my fun with this two-piece, yeah\nThat shiny molly got me Chinese\n[Chorus: Ty Dolla $ign]\nOn the liqs right now don't judge me\nRight now off a bean don't judge me\nI might pop a seal in the morning\nLately, I've been goin' through a lot of things\nOn the liquor right now don't judge me\nBlow the whole pound, don't judge me, yeah\nI don't want it if it ain't a two-piece, yeah\nLately, I've been goin' through a lot of things\n[Verse 3: Swae Lee]\nI can squeeze like three in the front seat (front seat)\nFerrari just forgot about the back seats (back seat)\nLiquored down there, yeah, don't judge me (Judge me)\nShe said, one day you're gonna love me (love me)\nHard work pays off, trust me (Pays off)\nSober as I am, don't touch me (Touch me)\nSeeming like the drugs is saying flush me\nEvery day, I plan on getting lucky\nChase more cuz' my niggas on a high streak\nSo, we need five tables in Hibachi\nI might put it on her in a hurry\nPaid in full, so I'm not guilty [Chorus: Ty Dolla $ign]\nOn the liqs right now don't judge me\nRight now off a bean don't judge me\nI might pop a seal in the morning\nLately, I've been goin' through a lot of things\nOn the liqs right now don't judge me\nGot a whole pound, don't judge me, yeah\nI don't want it if it ain't a two-piece, yeah\nLately, I've been goin' through a lot of things\n[Outro: Future]\nGo ahead, some lies on your face\nWhat about him, you didn't love him anyway\nLook how much you made\nGoes for you but not look shit, you got tricks up your sleeve\nTake you to the Hills to fuck on your face\nLove you more than the drugs that I take\nNeglection from the underworld got you virally\nStill falling from the same game you fell for privately\nYou ought to be where you say you are, but roses don't grow overnight\nYou took a few bites, I didn't think you was aight\nI'll try to get over in my afterlife, this life right here ain't aight\nI don't even know how I fell for your type, but, this shit aight" } ]

[ { "from": "human", "value": "Write me a song called Hey There with the following description: “Hey There” is a trap slow-jam about love, basketball, and oral sex. It’s the fourth track on Dej Loaf’s 2015 mixtape #AndSeeThatsTheThing, featuring Future spitting out his signature autotuned rhymes.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Future]\nFuture Hendrix\nDeJ Loaf, I got you, baby\nYou got what I want (that's right)\nYou got what I want (yeah yeah)\nAnd I got what you need\nHey there, hey there\nFreeband gang\nWhat we doin', what we doin'?\n[Chorus: DeJ Loaf and Future]\nHey there, hey there (yeah, yeah baby)\nHey there, hey there (try to turn up on 'em)\nHey there, hey there (I see you lookin' good)\nHey there, hey there (Fuck these hoes, nigga)\nHey there (Aye what we doin'?)\nHey there (Aye what we doin' then?)\nHey there, hey there (Aye what we doin' baby?)\n(Aye what we doin' then?)\n[Verse 1: DeJ Loaf]\nI still taste you on my lips, yeah yeah I do\nLast night we made love until the sun came\nI know it's hard when I leave, I'm not with you\nBut when I'm gone, hold it down, you're my love thing\nYou be doin' it, that one and two, that four thing\nLet's slow it down a bit, I'll hit you with that foreplay\nHop on top, I start to ride you, that's that horseplay\nStrip for my baby, bitch we ballin', that's that sports play\nI love you, I love you\nI feel it all in my stomach\nYou a monster, baby, baby I want you\nI'm starin' you in the eyes and tellin' you that I want it\nNo shame in my game, I'm a feind, I'm a junkie\nYou need a line of my love, put this pussy all on you\nI got you bumpin' and grindin', got me screamin' and moanin'\nWho's knockin' at the door? My legs locked right now [Chorus: DeJ Loaf and Future]\nHey there, hey there (yeah, yeah baby)\nHey there, hey there (try to turn up on 'em)\nHey there, hey there (I see you lookin' good)\nHey there, hey there (Fuck these hoes, nigga)\nHey there (Aye what we doin'?)\nHey there (Aye what we doin' then?)\nHey there, hey there (Aye what we doin' baby?)\n(Aye what we doin' then?)\n[Verse 2: Future]\nI ain't tryna spare you, baby, ain't no tire in my trunk\nI get to come at you at least a hundred times out the month\nSoon as you wake, baby, ride on me, just for breakfast\nPaparazzi wastin' time if they're tryna catch us\nI done hit her with a new wave, she go crazy about the D\nAnd say fuck the earth, it's us against everybody\nYou on a team now, baby, yeah Pat Riley\nYou with a king now, it's only right you shine like a queen\n[Bridge: Future]\nAnd I still taste you on my lips, oh yeah I do\nWhen we make love we on the top of the moon\nBut that oh, oh say my name now\nPut my nose in that pussy, give you head now\nShe know I get that moola, man trappin' is a habit\nWe ballin' every night, baby, woah Kemosabe\nAin't no shame in my game, I'm a fiend, I'm a addict\nWhoever knockin' at the door, I told 'em I got to have it\nWhat's poppin'? [Chorus: DeJ Loaf and Future]\nHey there, hey there (yeah, yeah baby)\nHey there, hey there (try to turn up on 'em)\nHey there, hey there (I see you lookin' good)\nHey there, hey there (Fuck these hoes, nigga)\nHey there (Aye what we doin'?)\nHey there (Aye what we doin' then?)\nHey there, hey there (Aye what we doin' baby?)\n(Aye what we doin' then?)\n[Bridge: Future]\nAnd I still taste you on my lips, oh yeah I do\nWhen we make love we on the top of the moon\nBut that oh, oh say my name now\nPut my nose in that pussy, give you head now\nShe know I get that moola, man trappin' is a habit\nWe ballin' every night, baby, woah Kemosabe\nAin't no shame in my game, I'm a fiend, I'm a addict\nWhoever knockin' at the door, I told 'em I got to have it\nWhat's poppin'?" } ]

[ { "from": "human", "value": "Write me a song called Two Blunts with the following description: Released for the holidaze —4/20, The Game recruits one of the biggest stoners in the world, Wiz Khalifa, to express his love for the excellent herb Mary Jane. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Lorina Chia]\nI got two blunts\nTwo blunts I got two blunts\nTwo blunts I got two blunts\nLight it up, go and light it up\nOne time for the Buddha\nWith the two blunts, I got two blunts\nTwo blunts I got two blunts\nLight it up, go and light it up\nOne time for the Buddha\nWith the two blunts, I got two blunts\n[Verse 1: The Game]\nYou know I'm faithful to the ganja, ganja\nAnd I'm in love with marijuana, juana\nI'm gettin' head in the sauna, sauna\nWhile I'm listenin' to The Chronic\nYou got that good weed, breathe\nAnd we can smoke a blunt a piece\nShe tryna smoke up all my weed\nI told her roll up two of these\nIt got me feelin' so high, high\nFeel like I'm a god, god\nOh can we touch the sky, sky high\nBaby we can fly, fly\nCan we just smoke [Chorus: Lorina Chia]\nTwo blunts we got two blunts\nLight it up, won't you light it up\nOne time for the Buddha\nWith the two blunts, we got two blunts\nTwo blunts I got two blunts\nLight it up, go and light it up\nOne time for the Buddha\nWith the two blunts, we got two blunts\nTwo blunts I got two blunts\nLight it up, go and light it up\nOne time for the Buddha\nWith the two blunts, we got two blunts\n[Verse 2: Wiz Khalifa]\nNever too much, never too much\nI roll you one, roll my crew one\nAs soon as I'm done, light the new one\nFuck about the cops, they won't do nothin'\nA couple pounds, I just grew some\nNever leave the crib without my jewels on\nYou ain't got that pack, you gotta move on\nGirl I got the fire, my shit too strong\nDamn I don't smoke by the gram\nI'ma roll up an eighth, take that straight to the face\nAnd if you ain't goin' inhale what you even do it for?\nI'm tryna get you higher than you ever been before\nI'm just at the crib chillin' with your bitch and [Chorus: Lorina Chia]\nTwo blunts I got two blunts\nLight it up, go and light it up\nOne time for the Buddha\nWith the two blunts, we got two blunts\nTwo blunts I got two blunts\nLight it up, go and light it up\nOne time for the Buddha\nWith the two blunts, we got two blunts\nTwo blunts I got two blunts\nLight it up, go and light it up\nOne time for the Buddha\nWith the two blunts, we got two blunts\n[Bridge: Lorina Chia]\nTwo blunts, two blunts, two blunts\nWon't you smoke with me\nGot two blunts, two blunts, two blunts\nSmoke with me\nI got two blunts\n[Chorus: Lorina Chia]\nTwo blunts I got two blunts\nLight it up, go and light it up\nOne time for the Buddha\nWith the two blunts, I got two blunts\nTwo blunts I got two blunts\nLight it up, go and light it up\nOne time for the Buddha\nWith the two blunts, I got two blunts\nTwo blunts I got two blunts\nLight it up, go and light it up\nOne time for the Buddha\nWith the two blunts, I got two blunts" } ]

[ { "from": "human", "value": "Write me a song called Que Me Quedes Tú with the following description: “Que Me Quedes Tú” is a soft rock song written and performed by Shakira for her 2001 breakthrough English album Laundry Service. She released it as the only promotional single from the album. It was also included on her first Spanish greatest hits album, “Grandes Éxitos”.\n“Que Me Quedes Tú” was written by Shakira and composed by her and longtime friend Luis Fernando Ochoa. It was released as a digital single in December 2002, reaching the number-one spot on the Billboard Hot Latin Tracks chart, becoming very successful throughout the Spanish-speaking market. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Letra de \"Que Me Quedes Tú\"]\n[Verso 1]\nQue se arruinen los canales de noticias\nCon lo mucho que odio la televisión\nQue se vuelvan anticuadas las sonrisas\nY se extingan todas las puestas de sol\nQue se supriman las doctrinas y deberes\nQue se terminen las peliculas de acción\nQue se destruyan en el mundo los placeres\nY que se escriba hoy una última canción\n[Coro]\nPero que me quedes tú\nY me quede tu abrazo\nY el beso que inventas cada día\nY que me quede aquí después del ocaso\nPara siempre tu melancolía\nPor que yo, sí, que dependo de tí\nY si me quedas tú\nMe queda la vida\n[Verso 2]\nQue desaparezcan todos los vecinos\nY se coman las sobras de mi inocencia\nQue se vayan uno a uno los amigos\nY acribillen mi pedazo de conciencia\nQue se consuman las palabras en los labios\nQue contaminen todo el agua del planeta\nO que renuncien los filántropos y sabios\nY que se muera hoy hasta el último poeta [Coro]\nPero que me quedes tú\nY me quede tu abrazo\nY el beso que inventas cada día\nY que me quede aquí después del ocaso\nPara siempre tu melancolía\nPor que yo, yo, sí, sí, que dependo de tí\nY si me quedas tú\nMe queda la vida\n[Instrumental]\n[Coro]\nPero que me quedes tú\nY me quede tu abrazo\nY el beso que inventas cada día\nY que me quede aquí después del ocaso\nPara siempre tu melancolía\nPor que yo, yo, sí, sí, que dependo de tí\nY si me quedas tú\nMe queda la vida" } ]

[ { "from": "human", "value": "Write me a song called No Strings Attached with the following description: This instrumentalmay sound familiar to you.\nIt was featured in the episode “New Kids on the Blecch” of the hit TV show The Simpsons.\nCheck out the making of that episode here:\nhttps://www.youtube.com/watch?v=MhYJlUWHFGAExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: JC, \nAll\n]\nBaby, you're not the only one\nOh, ooh ooh\nOh yeah, yeah\nHey yeah\n[Verse 1: JC]\nI see the things he does to you\nAll the pain that he puts you through\nAnd I see what's really going on\nStaying out at night while you're by the phone\n[Pre-Chorus: JC \nwith Justin\n, \nAll\n]\nTake it from me\nIt's a lesson to be learned\nEven the good guys get burned\nTake it from me\nSee I would give you love\nThe kind of love that you've only dreamed of...\n[Chorus: All]\nBaby, you're not the only one\nYou don't have to be afraid to fall in love\nAnd I know that you've hurt in the past\nBut if you want it, here's my heart\nNo strings attached [Verse 2: Justin \nwith JC\n, \nJC\n]\nHe doesn't give you \nthe kind of attention\nThat a girl like you needs \n(that a girl like you needs)\n'Cause he always looks around\nHis eyes wander 'round\nHe doesn't see you like I see, yeah\n[Pre-Chorus: \nAll\n, Justin \nwith JC\n \n& Chris\n]\nTake it from me\nIt's a lesson to be learned\nEven the good guys get burned\nTake it from me\nBaby, \nI would give you love\nThe kind of love that you'd only dreamed of, yeah\n[Chorus: All, \nJustin\n]\nBaby, you're not the only one\n(Baby, you're the only one)\nYou don't have to be afraid to fall in love\nAnd I know that you've hurt in the past\n(Hurt in the past)\nBut if you want it, here's my heart\n(Here's my heart)\nNo strings attached\n[Middle 8: JC \nwith Justin\n, \nAll\n]\nTake it from me\nIt's a lesson to be learned\nEven the good guys get burned\nTake it from me\nSee I would give you love\nThe kind of love that you've only dreamed of\nSo if you want to take a chance with me... Lance:\n Ah...\nJoey:\n Ah...\nJustin:\n Ah...\nJC:\n Ah...\nChris:\n Ah... (\nJC:\n Oh, oh oh)\n[Bridge: All, \nJC\n & \nJustin\n]\nIf you \n(baby)\n take a chance with me\n(Take a chance with me)\nI'll be everything you need \n(everything you need)\nBecause it's our destiny... \n(oh)\n[Chorus: All, \nJustin\n & \nJC\n]\nBaby, you're not the only one\n(Baby, you're not the only one)\nYou don't have to be afraid to fall in love\n(To be, to be afraid)\nAnd I know that you've hurt in the past\n(Hurt in the past)\nBut if you want it, here's my heart\n(Here's my heart)\nNo strings attached \n(oh oh)\nBaby, you're not the only one\n(Baby, you're not the only one)\nYou don't have to be afraid to fall in love\n(You don't have to be afraid)\nAnd I know that you've hurt in the past\n(Know that you're hurting)\nBut if you want it, here's my heart\n(If you want, here's my heart)\nNo strings attached" } ]

[ { "from": "human", "value": "Write me a song called Ompton with the following description: A parody of Kendrick Lamar’s music and current album “good kid, m.A.A.d city”.\nThe voice of Kendrick Lamar is done by “Fatt Kidd”, co-owner of the YouTube account “FilnoBEP”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nThis is King Kendrick Lamar\nKendrick Lamar, the best rapper\nEspecially if you never heard music before 2010\n[Verse 1]\nI be the new DMC\nWhen I'm crying up on the beat\nI'm not the king of New York\nI'm lying straight through my teeth\nI take a bit of the meat\nAnd I put it between a bun\nAnd I eat it it's really fun\nI go on a burger run\nI'm from Compton\nBut I'm supposed to say Bompton\nI know someone in my hood\nLike \"Fxck Kendrick I'll stop em\"\n\"Soon as I get around him\"\nI'm going 'round and 'round\nI merry go 'til I vomit\nI got ears like comic\nSo when I'm in a cartoon\nDon't laugh like I'm retarded\nI got ears like a fan\nAnd they just wave like I farted\nTry'na block out the smell\nOf dead bodies and homi's\nWhen you take your last breath\nYou turn your drawers to a potty\nI killed Jay on a song\nThey acted like it didn't happen\nSoon as I did \"Control\"\nNow they wanna start rapping\nAll these niggas is hype\nBut I ain't impressing Phil Jackson\nGot the Brian McKnight fade\nCause my hair started napping\nCrips asked me my set\nI turned around and I ran\nMama keep calling me\nCause she still need her van\nI got sneakers like Vans\nMy Vans looking like sneakers\nBroke the screen on my phone\nNow I can't see when you tweet us\nI'm in love with Aaliyah\nSo me and Drake gon' relate\nWhen twin cousins named Fist and Hand\nGo blam when they see ya'\nDon't talk to my old lady\nI feel like Usher and Kellz\nYou can have Sherane\nI know that her pussy smells\nCompton" } ]

[ { "from": "human", "value": "Write me a song called Smell Like Money with the following description: “Smell Like Money” starts with Wayne spitting a fiery a cappella verse. It isn’t until the 14 lines in that Da Honourable C.N.O.T.E.’s heavy, cinematic beat drops.\nBecause Wayne’s first begins with “Here I go on that C5” some speculate that this is either a reject from his upcoming Carter V album, or even a preview.\nChainz then comes in on the second part of the song with his own slow verse and matches Wayne’s classic punchline rap. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Lil Wayne]\nHere I go, here I go, this that C5\nBitch, I’m back, with that crack like panty lines, asinine\nI get blow like dandelions, fuck more hoes than advertised\nThey say, \"Tune, you’re dead wrong,\" I say wrong had to die\nPussy nigga don’t keep it real no more\nDrug dealers changed, but the high stay the same\nPrices go up, but the high stay the same\nGotta watch for undercovers like crying in the rain\nChillin’ in the crib with the lock on the door\nLayin’ on the couch with the Glock on the floor\nWithin arm reach, security, alarm breach\nI just cut off the lights, hope I don’t shoot my hoe\nI eat so much shrimp\nI smoke so much hemp\nThe world too small, it feel like four walls\nYou see, I got holes punched in\nMy chances are cold cut thin\nBut I still took ‘em, and nigga, we made it\nT, roll that killer, weed up in the swisher\nAnd make it as fat as a pig in a blanket\nMy BFF is Benjamin Franklin\nThey cry for help, we get ‘em a hankie\nAin’t nothing sweet but the shit that we drinkin’\nThe bitches we bangin’, the cinnamon danish\nThe penalty's pending, shit is restraining\nIt is a shame, but niggas is shameless\nNiggas is assholes\nOr enemas, finna get anal\nInjury, time out, I just blew my mind out\nBut still I’m maintaining\nReal gangsta shit, it get dangerous\nYou talking money and guns, two languages\nI throw niggas from off of the plane I’m in\n\"Oh, my God, it’s rainin' men\"\nSaid the weatherman to the anchorman\nI send hella cash to the bank I’m with\nWhat you do it for if it ain’t for this?\nI watch my step so much, I’m starting to feel like my ankles’ wrist\nCold hearted, starting to feel like I’m in Anchorage when I think of this\nAnd rude awakenings get taken in like fragrances [Hook: Lil Wayne & \n2 Chainz\n]\nBitch, I smell like money, dopeman cologne (\nyeah\n)\nI say, bitch, I smell like money (\nmoney\n), that’s that dopeman cologne (\ntote!\n)\nAnd if he ain’t getting money, don’t love him, leave his broke ass alone (\nyeah\n)\nI say if he ain’t getting money, leave his stank ass alone\n‘Cause bitch, I smell like money (\nyeah\n)\nI smell like money\nWhen you this rich, they call it wealthy\nShit, they gotta call it somethin’\nYeah, Lord, I done got too rich for stuntin’, damn\nBut not for thuggin’\nThat’s right bitch I smell like money (\nmoney\n), money (\nmoney\n)\nYou smell me coming\n[Verse 2: 2 Chainz]\nYeah, 2 Chainz, uh\nTotin’ double barrels in a horse and carriage\nAin’t scared of nothing except God and marriage\nThrough the concrete grew a rose petal\nIf trapping was a sport, I’d have a gold medal\nI steal her, like Jerome Bettis\nCall me Trill Cosby, I might spike my own beverage\nParallel park in front of Neiman Marcus\nHe ain’t never fly, nigga, like an ostrich\nThey say ain’t nothing for free, but please free my partners\nMight have a swag contest and give out free Versaces\nYeah, lobster rolls for an appetizer\nBad red bitch give me a lap-etizer\nI’m in my Rolls Royce because it’s black and wiser\nAnd don’t get in the way, my nig, this rapid fire\nBrrr, stick ‘em, I’m a victim of being a victim\nCodeines, Xanax, and liquor\nPrescriptions and couple pistols\nGot clean Molly with the crystals\nMiddle finger to the judicials\nFork and a pot is my utensils\nHad a threesome with two sisters\nI get head and you kiss her\nI don’t never call and you miss her\nI got every gun except a missile\nI paid attention to the minister\nMy silhouette is sinister\nOnly child with trust issues\nYou couldn’t walk a mile in my hoop shoes\nMe and Tune, two loose screws\nTwo parts in my box cut, my pop wouldn’t even pop up\nLast night I prayed to God and asked for him to make a drop truck\nPolo T and ice watch, moccasins without socks\nAnd I smell like money, I can count a hundred thousand with the lights off\nWoo! Yeah [Outro: Lil Wayne & \n2 Chainz\n]\nI say, bitch, I smell like money, that’s that dopeman cologne (\nyeah\n)\nAnd if he ain’t getting money, don’t love him, leave his broke ass alone (\nyeah\n)\nI say if he ain’t getting money, leave his stank ass alone\n‘Cause, bitch, I smell like money" } ]

[ { "from": "human", "value": "Write me a song called Kill Me a Mutha with the following description: From the album Second Round’s on Me.Expand -3Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Obie Trice & \nScarface sample\n]\nI told you, don't fuck with me\nStupid fuck, look at you now\nYeah, haha\nHave you noticed, like\nWhen niggas go to the club, it's always\nIt's one knucklehead nigga always mean, muggin' and shit\nHeh, he wanna, he wanna have contact with me\nHave contact with men, all these bitches in here\nFaggot ass, these for them hard head niggas man\n[Verse 1]\nNow I don't wanna come across as a boss some type of mafia\nBut these are my thoughts, they awful, I won't argue with ya\nBut see, I got a cause, a clause, that I live by\nKeep the heater close because I don't want to die\nYou see, I'm from Detroit where they dump 'em off in coffins\nAnd often there's assorted men where bullets holes departed him\nAnd I don't want no parts of them, crazy complications\nSo I keep the heater cocked up in case of confrontation\nAnd I would just be fakin' if I said I wouldn't erase him\nIf he blatantly tried to take away God's creation\n[Hook]\nI'll kill me a muthafucka\nRunning up on me, may he rest in peace once released\nI'll kill me a muthafucka\nYeah, look at ya now, for runnin' ya mouth\nYa stretched on the ground\nI'll kill me a muthafucka\nAin't no way you can stop it, on that hot shit\nWe can get it poppin'\nI'll kill me a muthafucka\nI told you, don't fuck with me\nStupid fuck, look at you now [Verse 2]\nNow I'm riding through the city in a Range with no tints\nJust to show these muthafuckas yes, I am a resident\nI ain't stack up my pennies just to move out the city\nSo if you got a problem with me you should know where to get me\nNiggas kills me, portrayin' that thug\nMy nigga you's a crack baby, go smoke on some drugs\nBefore that hot piece of slug make you where you ain't budging\nDon't even nudge him, it's over for cousin, he caught a dozen\nJust for fucking with the wrong animal\nAnimated no more, off to hell\nYes I'll\n[Hook]\nI'll kill me a muthafucka\nRunning up on me, may he rest in peace once released\nI'll kill me a muthafucka\nYeah, look at ya now, for runnin' ya mouth\nYa stretched on the ground\nI'll kill me a muthafucka\nAin't no way you can stop it, on that hot shit\nWe can get it poppin'\nI'll kill me a muthafucka\nI told you, don't fuck with me\nStupid fuck, look at you now [Verse 3]\nWhen I'm down in ATL\nStat Quo keep my fo'fo'\nSo shawty know Obie for real\nWhen I'm chillin' in LA\nDre keep my AK, so I'm like an esse\nWhen bangin' that steel\nWhen I'm out in NYC\n50 hold artillery for me\nWatch me shut down son and dunny\nListen, O-bizzle hold the Tek-nizzle\nHolding ya neck if you disrespect Bizzle\nSizzle up tissue, missles will not miss you\nMaybe ya momma, when that pistol uplifts you\n[Hook]\nI'll kill me a muthafucka\nRunning up on me, may he rest in peace once released\nI'll kill me a muthafucka\nYeah, look at ya now, for runnin' ya mouth\nYa stretched on the ground\nI'll kill me a muthafucka\nAin't no way you can stop it, on that hot shit\nWe can get it poppin'\nI'll kill me a muthafucka\nI told you, don't fuck with me\nStupid fuck, look at you now" } ]

[ { "from": "human", "value": "Write me a song called If I Got You with the following description: Surviving in a foreign world and finding someone who gets him, “If I Got You” is the 9th song on Zayn’s sophomore album, Icarus Falls. This song features a pop-R&B sound that is often present in his music.\nThis song uses space and alien metaphors to describe the feeling of not fitting in with the general population. Zayn finds another person who doesn’t fit in, or has also fallen from space. With this person, he doesn’t need to fit in with everyone else. This unnamed person is presumed to be Gigi Hadid, Zayn’s current girlfriend and mother to his only child, Khai Malik.\nIn the verses, Zayn describes never wanting to leave this person and he will go wherever this person wants to go no matter what. In the chorus, he solidifies the feeling of being an outcast and the euphoria he now has because he has found someone that makes him feel at home. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nThink I'm from space\nMy soul fell down\nI found the Earth\nNot leaving now\nI know your face\nThink you fell too\nAnd ain't no place now, if I got you\n[Verse 1]\nAnywhere, anywhere\nAnywhere you go\nAnywhere you go\nRound the universe\nI'll be there, I'll be there\nWherever you go, wherever you go, babe\n[Chorus]\nThink I'm from space\nMy soul fell down\nI found the Earth\nNot leaving now\nI know your face\nThink you fell too\nAnd it's my place now, if I got you\nIf I got you, baby\nYou, baby\nYou, baby [Verse 2]\nI don't care, I don't care\nWherever you been\n'Cause now you're with me\nFloating through the night\nFeels like we're dancing\nIs this the feeling\nThe feeling of falling in love?\n'Cause I know that we met before, babe\n[Chorus]\nThink I'm from space\nMy soul fell down\nI found the earth\nNot leaving now\nI know your face\nThink you fell too\nAnd it's my place now, if I got you\nIf I got you, baby\nYou, baby\nYou, baby\nYou, baby\nYou, baby\nThink I'm from space\nMy soul fell down\nI found the earth\nNot leaving now\nI know your face\nThink you fell too\nAnd it's my place now, if I got you\nIf I got you, baby\nYou, baby\nYou, baby\nYou, baby\nYou, baby" } ]

[ { "from": "human", "value": "Write me a song called Studio Ambience at Night: Malibu with the following description: On this track, Logic teases a song off his upcoming album which is now confirmed to be the track “AfricAryaN” off his third studio-album Everybody.\nLogic had previously teased this song in an interview with Rolling Stone:\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nChattering\n[Chorus]\nFeeling all this shit\nAnd yes I know that when I'm low\nThere's so much further I can go\nAnd so I look up to the sky\nOh my, oh my\n[Refrain]\n(Oh my, oh my) Oh my, oh my\n(Oh my, oh my) Oh my, oh my\n(Oh my, oh my) Oh my, oh my\n(I said oh)\n[Verse]\nI feel the Aryan in my blood, it's scarier than a Blood\nBeen looking for holy water now I'm prayin' for a flood\nFeel like time passing me by, slower than a slug\nWhile this feelin' inside of my body's seepin' like a drug\nWill you hug me, rub me on the back like a child\nTell me you love me, need me\nPromise me you'll never leave\nEven though my daddy you know he [Outro]\nWait a minute, is that—?\nAyy, who's playin' that? You playin' that?\n6ix you can't be playin' that, that's the album shit dawg!" } ]

[ { "from": "human", "value": "Write me a song called Super Soaker* with the following description: This is a 2017-2018 era Playboi Carti and Lil Uzi Vert track from the anticipated 16*29 mixtape. The song was previewed on Snapchat by Bloody Dior on March 6, 2018. According to its header on Snapchat, the video was recorded in January 2018. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Lyrics from Snippet\n[Playboi Carti]\n… feelin' like the [?], had to get Dior, yeah\nGot your bitch in that Corvette, she, yeah, she rock Dior, yeah\nIn that bitch with that lil' ratchet, man, go hit the floor (Uh, yeah)\n[Lil Uzi Vert]\n… yes\nNiggas aging, try to be me less\nMade your bitch ride my dick, Super Soaker, whoa (Super Soaker)\nIf you want her, fuck nigga, keep her closer (Keep her closer)" } ]

[ { "from": "human", "value": "Write me a song called Eminem vs Kuniva (Freestyle Battle) with the following description: Rare footage of Eminem in 1996 battling Kuniva at Maurice Malone’s Hip-Hop Shop in Detroit. Proof hosted the Saturday afternoon MC battles from 1994-1999. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Kuniva]\nCheck my vocals 'cause you know what I'm about\nYou're best to play like O.J. Simpson and just stab out\nWhy did you enter? You didn't comprehend\nSee this is a battle for MCs who think they might win\nBut fuck the battle, let's take it to the streets\n'Cause you a pussy, oh well, if you are what you eat\nNow you can go get your crew [?] you now\n[?] me wrong [?] and all this shit gon' be blew out\nClaiming you jumped out bitch\nNigga we bust in the bitch, you talk more shit than Reggie Miller\nNever spent nothing more, nothing less\nThe first single that you drop is \"I wanna be fresh\"\n[Verse 2: Eminem]\nAny rapper sayin' those kind of rhymes\nIn this day and age, in this period of time\nTrying to battle Eminem is worse than David Starr\nTrying to battle Proof, Eye-Kyu, B-Flat and Bizarre\n[?] that's why you beg to differ me\nYou ain't got no style plus you lack delivery\nNot to brag, I don't mean to boast\nLook, my face is pale, but you look like you seen a ghost\n[?]\nYou're that bitch, you couldn't slip up in the zone\nIf I put banana peels around this fucking microphone\nSo get a bull dozer, start from bottom to top\nAnd take this building down 'cause that's the only way you're wrecking shop" } ]

[ { "from": "human", "value": "Write me a song called Bammer with the following description: “Bammer” is Wiz Khalifa’s rendition of the classic San Francisco weed anthem “Don’t Give Me No Bammer” by RBL Posse, the first single from their debut album A Lesson to Be Learned.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOkay\n(\nMustard on the beat, ho\n)\n[Chorus]\nDon't give me no bammer weed\nWe don't smoke that shit, it's TGOD\nDon't give me no bammer weed\nWe don't smoke that shit, it's TGOD\nDon't give me no bammer weed\nWe don't smoke that shit, it's TGOD\nDon't give me no bammer weed\nWe don't smoke that shit, it's TGOD (Okay)\n[Verse 1]\nRidin', slidin', dippin', vibin'\nBitch, get high, come and live this life\nI'm a rich nigga, I could fuck a rich bitch twice\nI'm a rich nigga, I could fuck a rich nigga wife\nMake her roll this joint when she get inside\nYou be home on your own, but your friends ain't shy\nBustdown Rollie, make my wrist hit bright\nYou gon' hit this J, you gon' get this pipe\nHit it 'til the mornin', I'ma miss this flight\nGood daytime, you a freak at night\nHoes get mad, better keep that bite\nWhen you live like me, you don't see that price\nWant that bag, don't need likes\nOG swag, don't need stripes\nOnly gas, that's only right\nSmokin' tree my only vice [Chorus]\nDon't give me no bammer weed (Okay)\nWe don't smoke that shit, it's TGOD\nDon't give me no bammer weed\nWe don't smoke that shit, it's TGOD\nDon't give me no bammer weed\nWe don't smoke that shit, it's TGOD\nDon't give me no bammer weed\nWe don't smoke that shit, it's TGOD\n[Verse 2]\nDon't give me no bammer joint\nIf it's in my bag, know the grass on point\nOnly real ones roll big doinks\nKinda into her friend, if she want, she can join\nRolled up when she heard my voice\nShe comin' with me, she ain't got no choice\nSix D'USSÉ\n, no Rolls-Royce\nJust bought a Corvette, just sold my Porsche\nOnly hit one time, she callin'\nNo NBA team, we ballin'\nDon't take 'em on trips, don't spoil 'em\nNew that, new this, need all 'em\nNew whip, new paint like Rodman\nNo brake, straight gas, you stallin'\nDon't take no breaks, I'm dialed in\nSee me, big smoke like fireman [Chorus]\nDon't give me no bammer weed\nWe don't smoke that shit, it's TGOD\nDon't give me no bammer weed\nWe don't smoke that shit, it's TGOD\nDon't give me no bammer weed\nWe don't smoke that shit, it's TGOD\nDon't give me no bammer weed\nWe don't smoke that shit, it's TGOD" } ]

[ { "from": "human", "value": "Write me a song called Fingerprints with the following description: “Fingerprints” is a song in which Katy sings that she is determined to make her mark upon the world and be remembered. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nVoted most likely\nTo end up on the back of a milk box drink\nLooks like I'm letting 'em down\n'Cause $7.75\nIsn't worth an hour of my hard-working time\nWhen you can't afford half the **** they advertise\nOh, I'm worth more than a X\nMore than a toe-tagged generation full of regrets\nOh, I won't settle, no, oh\nOh, I can't settle\n[Pre Chorus]\nI wanna break the mold, wanna break the stereotype\nFist in the air, I'm not going down without a fight\n[Chorus]\nIt's my life\nAnd I'm not sitting on the sidelines watching\nIt pass me by\nI'm leaving you my legacy, I\nGotta make my mark, I gotta run it hard\nI want you to remember me\nI'm leaving my fingerprints\nI'm leaving my fingerprints\nI'm leaving my fingerprints on you [Verse 2]\nRepresenting you and me\nDon't you wanna go down in history?\nRather than end up begging on the streets\nTrading under-table favors for a place to sleep\n'Cause I'm worth more than this\nSo stop writing prescriptions for more Ritalin\nI can focus my attention\n[Pre Chorus]\nI wanna break the mold, wanna break the stereotype\nFist in the air, I'm not going down without a fight\n[Chorus]\nIt's my life\nAnd I'm not sitting on the sidelines watching\nIt pass me by\nI'm leaving you my legacy, I\nGotta make my mark, I gotta run it hard\nI want you to remember me\nI'm leaving my fingerprints\nI'm leaving my fingerprints\n[Bridge]\nDon't give up\nBut don't give in\nBuild your house on the rock\nOh, not in the sand, in the sand,\n \nin the sand, in the sand [Chorus]\nIt's my life\nAnd I'm not sitting on the sidelines watching\nIt pass me by\nI'm leaving you my legacy, I\nI gotta make my mark, I gotta run it hard\nI want you to remember me\nIt's my life\nAnd I'm not sitting on the sidelines watching (I want you to remember me)\nIt pass me by\nI'm leaving you my legacy, I\nI gotta make my mark, I gotta run it hard\nI want you to remember me\n'Cause I'm leaving my fingerprints\nI'm leaving my fingerprints\nI-I'm leaving my fingerprints in the end" } ]

[ { "from": "human", "value": "Write me a song called Hold On We’re Going Home with the following description: “Hold On We’re Going Home” is a cover by the band OurR, that was released on their Youtube and Soundcloud accounts before they debuted officially.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI got my eyes on you\nYou're everything that I see\nI want your hot love and emotion endlessly\nI can't get over you\nYou left your mark on me\nI want your hot love and emotion endlessly\n[Pre-Chorus]\n'Cause you're a good girl and you know it\nYou act so different around me\n'Cause you're a good girl and you know it\nI know exactly who you could be\n[Chorus]\nJust hold on, we're going home\nJust hold on, we're going home\nIt's hard to do these things alone\nJust hold on, we're going home\n[Bridge]\nYou're the girl, you're the one\nGave you everything I loved\nI think there's something, baby\nI think there's something, baby\nYou're the girl, you're the one\nGave you everything I loved\nI think there's something, baby\nI think there's something, baby [Pre-Chorus]\n'Cause you're a good girl and you know it\nYou act so different around me\n'Cause you're a good girl and you know it\nI know exactly who you could be\n[Chorus]\nJust hold on, we're going home\nJust hold on, we're going home\nIt's hard to do these things alone\nJust hold on, we're going home" } ]

[ { "from": "human", "value": "Write me a song called ***Flawless with the following description: The hard-hitting eleventh track from Bey’s self-titled record, “Flawless” is among Beyoncé’s most experimental and influential records. Perhaps the most culturally relevant track on Beyoncé, “Flawless” is largely responsible for pushing the word “feminism” back into the mainstream, and the ubiquitous “I woke up like this” is also the doing of this track.\nMusically, Bey expands on a track she had released earlier in 2013, the Hit-Boy-produced “Bow Down / I Been On”.\nThe original single attracted criticism for what some people felt was Beyoncé’s counter-feminist stance in using the term “bitches”. Bey clarifies her intentions on the album version, incorporating a section from Chimamanda Ngozi Adichie’s TEDxEuston Talk “We Should All Be Feminists.”\nChimamanda Ngozi Adichie (born 15 September 1977) is a writer from Nigeria. She has been called “the most prominent” of a “procession of critically acclaimed young anglophone authors that is succeeding in attracting a new generation of readers to African literature”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: \nStar Search excerpt\n]\nYour challengers are a young group from Houston\nWelcome Beyoncé, Lativia, Nina, Nicky, Kelly, and Ashley\nThe hip-hop-rappin' Girls' TYME!\nPart I: \"Bow Down\"\n[Chorus]\nI'm out that H-Town, comin', comin' down\nI'm comin' down, drippin' candy on the ground\nH-H-Town-Town, I'm comin' down\nComin' down, drippin' candy on the ground\n[Verse 1: Beyoncé & \nJAY-Z\n]\nI know when you were little girls\nYou dreamt of being in my world\nDon't forget it, don't forget it\nRespect that, bow down, bitches (\nCrown\n)\nI took some time to live my life\nBut don't think I'm just his little wife\nDon't get it twisted, get it twisted\nThis my shit, bow down, bitches\n[Bridge: Beyoncé & \nJAY-Z\n]\nBow down, bitches, bow, bow down, bitches (\nCrown\n)\nBow down, bitches, bow, bow down, bitches (\nCrown\n)\nH-Town vicious, H-H-Town vicious\nI'm so crown-crown, bow down, bitches [Chorus]\nI'm out that H-Town, comin', comin' down\nI'm comin' down, drippin' candy on the ground\nH-H-Town-Town, I'm comin' down\nComin' down, drippin' candy on the ground\nPart II: ***Flawless\n[Intro: Chimamanda Ngozi Adichie & \nBeyoncé\n]\nWe teach girls to shrink themselves, to make themselves smaller\nWe say to girls: \"You can have ambition, but not too much\nYou should aim to be successful, but not too successful\nOtherwise, you will threaten the man\"\nBecause I am female, I am expected to aspire to marriage\nI am expected to make my life choices always keeping in mind that marriage is the most important (\nC-Candy on the ground\n)\nNow, marriage can be a source of joy and love and mutual support (\nDum-da-dee-da\n)\nBut why do we teach girls to aspire to marriage and we don't teach boys the same? (\nDo-da-da, do-do, do-do-do-da\n)\nWe raise girls to see each other as competitors\nNot for jobs or for accomplishments, which I think can be a good thing (\nCom-com-comin' down, drippin' candy on the ground\n)\nBut for the attention of men\nWe teach girls that they cannot be sexual beings in the way that boys are\n (\nDum-da-de-da\n)\nFeminist: A person who believes in the social, political, and economic equality of the sexes (\nDo-da-da, do-do, do-do-do-da\n)\n[Chorus: Beyoncé]\nYou wake up (Flawless), post up (Flawless)\nRiding 'round in it (Flawless), flossin' on that (Flawless)\nThis diamond (Flawless), my diamond (Flawless)\nThis rock (Flawless),\n \nmy Roc (Flawless)\nI woke up like this, I woke up like this\nWe flawless, ladies, tell 'em\nI woke up like this, I woke up like this\nWe flawless, ladies, tell 'em\nSay, \"I look so good tonight\"\nGoddamn, goddamn\nSay, \"I look so good tonight\"\nGoddamn, goddamn, goddamn [Bridge: Beyoncé]\nMy mama taught me good home-trainin'\nMy daddy taught me how to love my haters\nMy sister told me I should speak my mind\nMy man make me feel so goddamn fine, I'm flawless\n[Chorus: Beyonce]\nYou wake up (Flawless), post up (Flawless)\nRiding 'round in it (Flawless), flossin' on that (Flawless)\nThis diamond (Flawless), my diamond (Flawless)\nThis rock (Flawless),\n \nmy Roc (Flawless)\nI woke up like this, I woke up like this\nWe flawless, ladies, tell 'em\nI woke up like this, I woke up like this\nWe flawless, ladies, tell 'em\nSay, \"I look so good tonight\" (\nRight, right, right, right\n)\nGoddamn, goddamn\nSay, \"I look so good tonight\" (\nRight, right, right, right\n)\nGoddamn, goddamn, goddamn\n[Outro: \nStar Search excerpt\n]\nThe judges give champion Skeleton Crew 4 stars, a perfect score\nThe challenger, Girls' TYME, receives... 3 stars\nSkeleton Crew, champions once again\nCongratulations, we'll see you next week" } ]

[ { "from": "human", "value": "Write me a song called Take Me to the Light (Demo) with the following description: “Take Me To The Light” is a collaboration between Francis and the Lights, Kanye West and Bon Iver that was released as a YouTube loosie on September 4, 2019. This is an early, solo version of the track by Kanye West that leaked online on October 8, 2019.\nAs is typical with many demos, the track finds Kanye mumbling as he attempts to lay down reference vocals. The track was recorded during sessions for Kanye’s 2018 release, ye; some elements of the track were later interpolated into “I Thought About Killing You” and “Sh'Diah” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kanye West & \nBon Iver\n]\nFor the lot in the silver\nThe universe align\nI don't wanna look into the past\nI know\n[Verse 1: Kanye West & \nBon Iver\n]\nWanna speed in being, we don't need the time (\nFrom a fountain in silver\n)\nWe don't need to fight, we ain't gotta lie (\nI would let you know\n)\nYou ain't gotta lie, I could feel your light (\nTo a fine line\n)\nI could take and lie, I am taking signs (\nAll that emotion\n)\nTake it for the might, take it for the might (\nDo you run? Does the conscience build up\n)\nAll up in a mine, all up in a line (\nI'll be the last to know\n)\nOh no, it's in the sky, waitin' for the fright (\nTo a fine line\n)\nI got more than I wanna want the time (\nHe’ll be last, yeah, he'll be last\n)\n[Chorus: Kanye West & \nBon Iver\n]\nYou still take me to the light every time \n(Ooh-ooh, ooh-ooh, ooh)\nYou take me to the light every time\nAnd the stars will align every time\nYou ain't lyin' \n(Ooh-ooh, ooh-ooh, ooh)\nYou ain't lyin', you ain't lyin'\nYou take me to the light every time \n(Oh, oh, oh)\n[Verse 2: Kanye West & \nBon Iver\n]\nYou know, scenic burst, I know what running for your mind (\nFrom a fountain in silver\n)\nYou ain't sayin' 'fore you die, you all crazy, you was mine (\nI'll be the last to know\n)\nYou could summon in my vine, I was fun in your prime (\nTo a fine line\n)\nI need sun all with my vine, I got motherfuckin' mind\nKeep it rational\nKeep it classy though\nKeep it national\nKeep 'em gassin' on 'em\nTo a fine line in silver\nThere's a fine line\nKeep it national\nThere's a fine line, baby [Chorus: Kanye West & \nBon Iver\n]\nAnd you still take me to the light every time \n(Ooh-ooh, ooh-ooh, ooh)\nYou still take me to the light every time \n(Oh, oh, oh)\nIt seem like our stars align every time\nYou ain't lyin' \n(Ooh-ooh, ooh-ooh, ooh)\nYou ain't lyin', you ain't lyin'\nYou gon' take me to the light every time \n(Oh, oh, oh)\n[Verse 3: Kanye West]\nAyy, don't stop, wanna see, okay, uh\nNigga, I was, I was born, nigga, DOA, uh\nNiggas treatin' lot of shit but I don't see your face, uh\nTake a step on the throne, we gon' beat the base, uh\nTake a stage, take the throne, we can take the stage, uh\nMake a stage, make 'em lay, make it on the stage, uh\nPlay for maze on the day for a paper chase, uh\nTake the stage, make it pay, make it face for face" } ]

[ { "from": "human", "value": "Write me a song called Broads with the following description: In what is ultimately a deconstruction of black male misogyny, the Big Tymers have come up with the most ludicrously misogynistic lines in all of rap\nIn the third verse, Baby even refers to the sad, nihilistic roots of his attitude towards women\nHowever, parts of the song (Manny Fresh’s ginseng reference, Baby’s “Main Ho”) reveal a certain tendresse for the right kind of woman Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Manny Fresh]\nSee these broads, I like 'em and shit\nWish I could give all these hoes a picture-of-my dick\nSee I like em and psyche em, then I get in the win\nI might just need you and leave you at a quarter past ten, but\nI ain't gonna lie, your pussy was good\nBut your mouth is better so I wish you would\nWork your way down to the diznick\nIt feels so good when you do the liznick\nYou got me doing push-ups and I'm taking ginseng\n(Let's get ready to rumble!) In the middle of the ring\nYou got my dick hard like a '57 Chevy\nRocked up, ya cocked up, cause I'm ready\nTo go up in ya, let that other nigga send ya\nCards and shit while you suckin' my dick\nI like you a little bit more than I'm diggin' my shirt\nYa little pretty ass dick suckin' expert, beeyoch!\n[Chorus: Lil Wayne]\nSee I love these broads but I toss em up quick\nEvery trick that I get, they get flipped through the clique\nSee I love these broads but I toss em up quick\nEvery trick that I get, they get flipped through the clique\n[Verse 2: Birdman]\nThese broads, nigga, I wish that I could love 'em all\nThese broads, nigga, I wish that I could fuck 'em all\nThese broads, I let these hoes just drive my car\nBut these hoes know one thing: that I'm a superstar\nThese hoes get out of line, I'ma show 'em I'm a hog\nAnd now that I'm rich, I show these hoes that they ain't shit\nAnd every ho I fuck with, I make suck my dick\nIt ain't no secret, I know these hoes about my money, shit\nBut I tell a ho quick, that she ain't shit\nMy main ho Clare, I don't make her suck my dick\nI might just get loose and wanna kiss my bitch\nBut now that I got a daughter, I'm supposed to be light on a bitch\nBut I'm gonna be hard on these hoes for life, shit\nI'm a true U-P-T player for life, shit\nBut I'ma say it again, I don't love no bitches\nI about my money, nigga, and fucking these bitches [Chorus: Lil Wayne]\nSee I love these broads but I toss em up quick\nEvery trick that I get, they get flipped through the clique\nSee I love these broads but I toss em up quick\nEvery trick that I get, they get flipped through the clique\n[Verse 3: Birdman]\nNow I done been here for 25 years\nI understand one thing: that life is a bitch\nI done lost my ma and my pa, my brother and my sister all up in one year\nI understand one thing, I gotta ball 'til I fall\nAnd show these hoes that money ain't no thang, dawg\nSee, I tell a bitch that she ain't shit\nAnd at the same time ask that ho to suck my dick\nSee, I don't take money and mix with no bitch\nCause one thing, these hoes would lose they mind and get lost quick\nIt ain't no secret, I make these hoes think I'll pay their shit\nBut I keep it real and I pay my nigga's shit\nI say, \"fuck a ho,\" and make these hoes back up\nI keep it real and fuck with niggas who'll act up\nAnd kick in your front door, your ho told my nigga where your dope\nNow you stuck out like a ho!\nAnd my niggas done hit a lick from your bitch\nAnd all you hoes mad cause we done hit your shit\n[Chorus: Lil Wayne]\nSee I love these broads but I toss em up quick\nEvery trick that I get, they get flipped through the clique\nSee I love these broads but I toss em up quick\nEvery trick that I get, they get flipped through the clique [Outro: Birdman, \nLil Wayne\n]\nBirdman: Now that was beautiful \nBaby\n. How you love that? Wassup wassup, me, with these bitches\nI like gettin' my dick sucked, that's the only way I can get it. What's happenin'\nDawg, I like to get full of that enema and Kool-Aid, go all night\nYeah, I get full of the Crystal, that shit get a nigga hot. Bitch know one thing: she fucking with Baby, she gonna scuff her knees up, it's just like that. On the other hand, Lil One, what's happenin', what you workin' with, what's in your pockets foo?\nI'm playing with about, 15\nWell, if he got 15 then you know I got 45. Wassup. Cadillac wassup boy? Uptown for life. Drivin' nothing but new cars and fuckin these broads. We pimp with our nose closed now boy! We about to have big thangs! Pretty broads! Nothing but new cars! It's all gravy, baby, believe that. Hot Boyz...it don't stop till the casket drop. \nIt ain't gonna move unless the paper move" } ]

[ { "from": "human", "value": "Write me a song called The Intro with the following description: This song is originally Wiz Khalifa’s “The Intro”. It was just an instrumental on the O.N.I.F.C. album. Sixela loved the beat & wanted to add lyrics for it. She thought it would be the perfect intro for her mixtape “Before Anything.”\n\n\nExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "SIXELA: \"Ladies & Gentlemen\nYou are now listening to the 'Before Anything' mixtape starring Sixela Aviles. Patience Is A Virtue, yet Time Is of The Essence!\"\n[V1]:\nI should be happy bout what I got\nCuz foreign countries think I got a lot\nI got some family members from Brazil\n& they all think that my equipment is ill\n& all of my swag is super trill\nMy lil cousin asked me How Do I Feel?\nI told lil man, to keep it real\nI feel so blessed like I just copped a deal\nBut I ain't even famous\nIn fact I'm on that 'lame' shit\nWhen it come to my country they think I'm on that 'gay' shit\nBut when it come to my city, the bitches show me titties\n& the niggas steady pressing' replay on my straight hits!\nThat's ironic\nIn ten years, i'll be iconic\nRollin up fast just like sonic\nSmoking on chronic\nAll in your electronics" } ]

[ { "from": "human", "value": "Write me a song called Desires with the following description: “Desires” is Drake and Future’s second collaboration of 2020, following January’s “Life Is Good.”\nOn August 29, 2019, Future teased a snippet of this track via his Instagram Story. On December 20, 2019, a second snippet surfaced online. A demo of the song, thought to be titled “I Know,” was leaked on January 4, 2020.\nOn January 31, 2020, an official version of the track was released on the OVO SoundCloud page. The official version featured two additional verses from Drake. The track appeared under the title “DESIRES LEAK 2020 SUPER FUTURE DRAKE,” indicating that Drake and Future were aware of the demo’s leak.\nThe song was eventually placed on Drake’s fifth mixtape, Dark Lane Demo Tapes. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Drake]\nD. Hill\n (\nD. Hill\n)\nAyy\n[Chorus: Drake]\nI should've put you somewhere where no one could find you\nMansion out in the sticks with nothin' around you\nKaty, Texas, Dallas, Texas, you know, a different environment (Ayy)\n'Cause you got desires, I know, I know, I know\n'Cause you got desires, I know, I know, I know\n'Cause you got desires\n[Verse 1: Future]\nYou got that fire and I'm not a liar\nYou had me down on my knees every day, had to talk with Messiah\nI'm in that 8 and that 1 and that 2, this a different Ferrari, yeah\nI tried to pay all your loans off and cop you a driver, yeah\nI had you stayin' too close to the city, you actin' too vulnerable livin' this life\nI should've moved you away from Houston before I copped you all this ice\nYou wanna be my number one, you're not actin' like the main thing\nI let you play my number two, you barely made the second string\n[Chorus: Drake]\nI should've put you somewhere where no one could find you (Ayy)\nMansion out in the sticks with nothin' around you\nKaty, Texas, Dallas, Texas, you know, a different environment (Ayy)\n'Cause you got desires, I know, I know, I know\n'Cause you got desires, I know, I know, I know\n'Cause you got desires [Verse 2: Drake]\nAyy\nSelf-control has never been your thing\nDon't think it'll help if there's a ring with a rock in it\nWhere I'm from, they serve the soda clean (Clean, clean)\nYou come from a city where there's lean with the rocks in it\nHow the fuck you keep so many secrets?\nHow you goin' vegan, but still beefin' with me again?\nHow the fuck you've seen so many beaches?\nTickets to them places don't come cheap, and\nI see you back in Turks\nRemember who took you there first and don't you forget it\nGot you a whip, but then you got back on your shit\nI had to tell Eric go get it\nI'm always movin' too fast, the feeling don't last\nI feel like you take me for granted\nProbably my fault for the way that I handle it\n[Chorus: Drake]\nI should've put you somewhere where no one could find you (Ayy)\nMansion out in the sticks with nothin' around you\nKaty, Texas, Dallas, Texas, you know, a different environment (Ayy)\n'Cause you got desires, I know, I know, I know (Ayy)\n'Cause you got desires, I know, I know, I know (Ayy)\n'Cause you got desires [Verse 3: Drake]\nOoh, shawty, you tried it\nVoice gettin' filled with entitlement\nWhy would you tell me those lies? And\nWhy would you make it so bold to my face?\nWhy are your stories all over the place?\nWhole lotta secrets friends don't keep safe\nWhere did your friends all go? (Woo)\nI can't solve your problems\nYou say your problems never needed solvin'\nI was too good to you, should've stayed solid\nNice guys always finish off where they started\nDéjà vu, you wanted things and you got 'em\nDéjà vu, I wanted smoke and I got it\nDéjà vu, déjà\nDéjà\n[Outro: \nMark Robinson\n & Drake]\nAlright, so unfortunately, I'm still here (Hahaha)\nBut, you know, if you're here, it's still up\nIn the building\nAnd you just wanna hear some chune, some music\nI think, you know, you found the right spot\nI'm outside in an AMG\nRight outside, TT\nYou know, shout out my brother Drake, for you know\n \n(Too turnt, baby girl, you know me)\nPopping this off real quick" } ]

[ { "from": "human", "value": "Write me a song called Maps (Remix) with the following description: Maroon 5 enlists rapper Big Sean for the remix of their top ten single “Maps”, which was released as the lead single from their fifth album V.\nHe drops one new verse on the song. The rest of the song is left unchanged, with the exception of the omission of the last bridge and hook repetition.\nIt’s the first time either of the artists have worked together. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Big Sean]\nI'm sipping champagne 'til we throw it up\nI drinked enough for both of us\nYou talking way, way too fast for me now\nSo pour up everything to slow it all up\nI talked about this \"finally famous\" lifestyle way back, baby when we was growing up\nMade a few plays now everything that we talked about showing up, and I could chauffeur up\nBut I still get lost on the map to your heart\nSo far gone let's take it back to the start\nTo the part where we carved our name in the bark\nPreserved all the feelings like it came in the jar\nI guess life ain't no picnic basket\nPut four years in and came out a bachelor\nThis time around how does me and you sound\nCause honestly to me it sounds mixed and mastered\nRight?\n[Verse 2: Maroon 5]\nI miss the taste of a sweeter life\nI miss the conversation\nI'm searching for a song tonight\nI'm changing all of the stations\nI like to think that we had it all\nWe drew a map to a better place\nBut on that road I took a fall\nOh baby why did you run away? [Pre-Hook: Maroon 5]\nI was there for you\nIn your darkest times\nI was there for you\nIn your darkest night\n[Hook: Maroon 5]\nBut I wonder, where were you?\nWhen I was at my worst\nDown on my knees\nAnd you said you had my back\nSo I wonder, where were you?\nAll the roads you took came back to me\nSo I'm following the map that leads to you\nThe map that leads to you\nAin't nothing I can do\nThe map that leads to you\nFollowing, following, following to you\nThe map that leads to you\nAin't nothing I can do\nThe map that leads to you\nFollowing, following, following\n[Verse 3: Maroon 5]\nI hear your voice in my sleep at night\nHard to resist temptation\nCause something strange has come over me\nNow I can't get over you\nNo, I just can't get over you [Pre-Hook: Maroon 5]\nI was there for you\nIn your darkest times\nI was there for you\nIn your darkest night\n[Hook: Maroon 5]\nBut I wonder, where were you?\nWhen I was at my worst\nDown on my knees\nAnd you said you had my back\nSo I wonder, where were you?\nAll the roads you took came back to me\nSo I'm following the map that leads to you\nThe map that leads to you\nAin't nothing I can do\nThe map that leads to you\nFollowing, following, following to you\nThe map that leads to you\nAin't nothing I can do\nThe map that leads to you\nFollowing, following, following" } ]

[ { "from": "human", "value": "Write me a song called ​iSpy (Remix) with the following description: Kyle surprises fans with a remix to his hit single “iSpy”, including an unexpected feature from Kodak Black.\nThe remix keeps the same chorus and refrain as heard in the original song, but Kyle changes a few lines in his verse to shout out Kodak and talk about the original single.\nSome of the changes include:\n\nI got Tunnel Vision and these niggas out of focus\nThis went hella platinum, nigga it was just a throwaway\nMy album so cold when it drop, it’s gonna be a motherfucking snow day\nI got a selfie with Oprah, but I still ain’t gonna post it\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: KYLE]\nI ain't been gettin' high...\nWell, maybe a little, baby, I don't wanna lie\nI know when you text me girl, I don't always reply\nWell, you're not an angel either, you can't even fly\nI notice, you think that you know shit\nAll this shade that's coming at me, I wonder who throws it\nI got tunnel vision and these niggas out of focus\nSuper Duper Sniper gang, don't get hit with the scope, kid, oh shit\nOtay, pray them niggas go away\nAlways hella clowns around it look like Cirque Du Soleil\nThis went hella platinum, nigga, it was just a throwaway\nMy album so cold when it drop, it's gonna be a motherfucking snow day\nAyy, boy is good and he knows it, he don't say it, he shows it\nI'm just like DeRozan, if I shoot it, it goes in\nI'm in Cali just coastin', get 'em so wet they need coasters\nI got a selfie with Oprah, but I still ain't gonna post it\nAnd I'm in my happy place posted, I ain't frown since '06\nI ain't cried since '01, \nthey freed Lil Kodak, the kids back let's throw somethin'\nYou can come back to mine though, your friend ain't cute, but it's fine though\nWe gon' end on a high note\n[Chorus: KYLE]\nI spy with my little eye\nA girlie I can get 'cause she don't get too many likes\nA curly-headed cutie I can turn into my wife\nWait, that means forever, ever, hold up, never mind\nOh, I...I spy with my little eye\nA girlie I can get 'cause she don't get too many likes\nA curly-headed cutie I can turn into my wife\nWait, that means forever, ever, hold up, never mind [Refrain: KYLE & \nKodak Black\n]\nOh, I, I spy with my little eye\nI spy, I spy with my little eye\nOh, I, I spy with my little eye\nI spy, I spy with my little eye\n(\nOoh-ah\n) Oh, I...\n[Verse 2: Kodak Black]\nI could spot you from a hundred miles away, ayy\nI can see you through my Jim Maui shades, ayy\nWhen I pull up, I’m in a black Audi A8, ayy\nLeave your man ‘cause he ain’t nothin’ like me, babe\nI’ve been trying to get out my bubble ‘cause I ain’t never wanting to be linking up\nI don’t ever wanna be doing features\nI stay far away from these people\nSaid she love me, but I don’t believe her\nYeah I want you, but I don’t need ya\nEven when I ain't lookin’, I see ya\nYou can’t even see me, but I see ya\nI’m just chilling, smokin' reefer\nDropping codeine in a liter\nI got more stripes than a Zebra\nI’m a Gemini, she’s a Libra\nPulling stunts like Evel Knievel\nOnce I freak her, I’ma delete her\nI was just talking to Auntie Rita\nTold her “Stay out here ‘cause we need ya”, ayy, ayy\nI ain’t stalking, but I see ya over there, yeah\nYeah, I’m watching 'cause this Sniper Gang for real, yeah\nHit the dentist, and I’ll put diamonds in my grill, yeah\nDon’t think I'm soft girl, I’m just showing you how I feel\nAyy, yeah, yeah, yeah, booted up on a pill\nAyy, yeah, yeah, yeah, can see ya from over here\nAyy, yeah, baby girl, I can see you in a lift\nSee you riding in a spliff\nI put VV’s on your ear, ayy [Chorus: KYLE]\nI spy with my little eye\nA girlie I can get 'cause she don't get too many likes\nA curly-headed cutie I can turn into my wife\nWait, that means forever, ever, hold up, never mind\nOh, I... I spy with my little eye\nA girlie I can get 'cause she don't get too many likes\nA curly-headed cutie I can turn into my wife\nWait, that means forever, ever, hold up, never mind\n[Refrain: KYLE]\nOh, I, I spy with my little eye\nI spy, I spy with my little eye\nOh, I, I spy with my little eye\nI spy, I spy with my little eye\nOh, I..." } ]