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[ { "from": "human", "value": "Write me a song called I See Fire with the following description: The song ‘I See Fire’ was a song written by English song-writer Ed Sheeran. Jasmine Thompson covered this song and added it to her album ‘Another Bundle of Tantrums.\"\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOh, misty eye of the mountain below\nKeep careful watch of my brothers' souls\nAnd should the sky be filled with fire and smoke\nKeep watching over Durin's sons\n[Verse 1]\nIf this is to end in fire\nThen we should all die together\nWatch the flames climb high into the night\nCalling out father, oh, stand by and we will\nWatch the flames burn auburn on the mountain side\n[Instrumental]\n[Verse 2]\nAnd if we should die tonight\nWe should all die together\nRaise a glass of wine for the last time\nCalling out father prepare us as we will\nWatch the flames burn auburn on the mountain side\nDesolation comes upon the sky\n[Chorus]\nNow I see fire, inside the mountains\nI see fire, burning the trees\nAnd I see fire, hollowing souls\nAnd I see fire, blood in the breeze\nAnd I hope that you'll remember me [Bridge]\nI will cover my eyes\nFor if the dark returns then my brothers will die\nAnd as the sky is falling down it crashed into this lonely town\nAnd with that shadow on the ground, I hear my people screaming out\n[Outro]\nAnd I see fire, inside the mountains\nI see fire, burning the trees\nAnd I see fire, hollowing souls\nAnd I see fire burn auburn on the mountain side" } ]

[ { "from": "human", "value": "Write me a song called Latin Girl with the following description: “Latin Girl” is an unreleased song by Justin Bieber which was intended to be on his debut album My World 2.0. The full song leaked online with a tag in the beginning. Most versions on the internet have that part cut out, making the song slightly shorter. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOh, oh, oh, oh\nYeah-yeah\nShe's my Latin girl, she's my Latin girl\n[Verse]\nI was on the beach yeah, I was on vacation\nI was doing nothing, I was just sitting patient\nThen you walked by, you caught my eye\nI said \"Who's this girl? She's looking super fly\"\n[Pre-Chorus]\nHey miss beautiful, I've never seen you before\nAnd I would like to be the one to show you I am cool enough\nHey little momma, what you got on ya?\nLooking so good that I just want to telephone her\n[Chorus]\nShe's my Latin girl\nOoo, pretty lady, don't you think it's crazy?\nShe's my Latin girl\nOh, she tries to fight it but she knows she likes it\nShe's my Latin girl\nSaw what I see, then she's looking at me\nShe's my Latin girl\nYeah, yeah, yeah [Instrumental]\n[Pre-Chorus]\nHey miss beautiful, I've never seen you before\nAnd I would like to be the one to show you I am cool enough\nHey little momma, what you got on ya?\nLooking so good that I just want to telephone her\n[Chorus]\nShe's my Latin girl\nOoo, pretty lady, don't you think it's crazy?\nShe's my Latin girl\nOh, she tries to fight it but she knows she likes it\nShe's my Latin girl\nSaw what I see, then she's looking at me\nShe's my Latin girl\nYeah, yeah, yeah\n[Instrumental]\n[Chorus]\nShe's my Latin girl\nOoo, pretty lady, don't you think it's crazy?\nShe's my Latin girl\nOh, she tries to fight it but she knows she likes it\nShe's my Latin girl\nSaw what I see, then she's looking at me\nShe's my Latin girl\nYeah, yeah, yeah" } ]

[ { "from": "human", "value": "Write me a song called What If I Was White with the following description: Sticky Fingaz took part in Eminem’s track ”Remember Me?” (The Marshall Mathers LP, 2000), produced by Dr. Dre. In response, Eminem agreed to participate on Sticky’s Black Trash album.\nFredro Starr told on their recording process in SPTV’s “Tales of the Industry”:\n\n\n\n\nShot from the unreleased film, Black Trash: The Movie:\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Eminem, \nSticky Fingaz\n]\nYo I got an idea\nLet me go grab Sticky right quick\nHey yo Stick, Stick\nYo, Slim Shady\nYo, I just had like a nightma...\nWait, it wasn't like a nightmare\nIt was like a good drea...\nWell, it wasn't a good...\nWhat was it?\nHey, yo, I just had a crazy dream man\nWhat?\nYo, yo I dreamt I was white!\nOh shit!\n[Chorus: Eminem]\nWhat if he was white? What if he was white?\nWhat if he was white? What, if, he, white?\nWhat if he was white? What if he was\nWhite, white, white, white, white\nWhite, white, white, white, white?\n[Verse 1: Sticky Fingaz, (Eminem)]\nWhat if I was white skinned, the same color as cocaine?\nBlond hair, blue eyes, the whole shibang\nI know one thing: police wouldn't always be watching me\nPull me over for nothing, constantly jocking me\n(Can I get your autograph?)\nThe yellow cabs in the city would stop for me\nI wouldn't need collateral to buy property\nIf I was white, wouldn't matter if I was rich or poor\nSecurity wouldn't follow me around the store\n(Maybe he might have stole something)\nLike I'd steal something, because I'm black I rob\nAnd automatically assume I ain't got no job\nOn my own land, I feel like an immigrant\nIf I was white, I wouldn't have thought OJ was innocent\n(He did it) If I was white... [Chorus: Eminem]\nWhat if he was white? What if he was white?\nWhat if he was white? What, if, he, white?\nWhat if he was white? What if he was\nWhite, white, white, white, white\nWhite, white, white, white, white?\nWhat if he was white? What if he was white?\nWhat if he was white? What, if, he, white?\nWhat if he was white? What if he was\nWhite, white, white, white, white\nWhite, white, white, white, white?\n[Verse 2: Sticky Fingaz, \nEminem\n]\nIf I was white, it'd be a different world for me\nIf I was white, hm? What shade would I be?\nWould I be Redneck or Skinhead, preppy or high class?\nYou'd probably live in a trailer park and be white trash\n!\nIn any case, that be the ill shit right?\nBut there's a good and bad side of being white\nYou can't say the N-word without starting a fight (What's up, my nig​ger?)\nCouldn't dance to a beat, I'd have two left feet\nEven if I was white, probably still have a ghetto shit (How you doing?)\nIs it a myth or do I really have a little dick? (Nah, it's true!)\nIf I was white, I would probably listen to hard rock\nAnd cover my ears whenever I heard Hip Hop [Chorus: Eminem]\nWhat if he was white? What if he was white?\nWhat if he was white? What, if, he, white?\nWhat if he was white? What if he was\nWhite, white, white, white, white\nWhite, white, white, white, white?\nWhat if he was white? What if he was white?\nWhat if he was white? What, if, he, white?\nWhat if he was white? What if he was\nWhite, white, white, white, white\nWhite, white, white, white, white?\n[Verse 3: Sticky Fingaz (Eminem)]\nIf I was white I’d probably wouldn't even think the same\nI'd watch Tennis and Golf and bet on Hockey games (Red Wings, man)\nWear suit and ties and go to work everyday\nIf I was white I couldn't live around my way\nAnd there probably would of never even been an Onyx, shit\nI be somewhere sipping Vodka and Tonix\nSmoking on a Marlboro instead of a Newport\nI'd live in Long Island instead of New York\nIf I was white, I probably couldn't dunk\n'Cause everybody knows \nWhite Man Can't Jump\n (Nope!)\nAnd probably wouldn't be able to go to the weed spot\n'Cause all of the dreads would think I'm a cop [Chorus: Eminem]\nWhat if he was white? What if he was white?\nWhat if he was white? What, if, he, white?\nWhat if he was white? What if he was\nWhite, white, white, white, white\nWhite, white, white, white, white?\nWhat if he was white? What if he was white?\nWhat if he was white? What, if, he, white?\nWhat if he was white? What if he was\nWhite, white, white, white, white\nWhite, white, white, white, white?\n[Outro: Eminem]\nYo, what if I was white?" } ]

[ { "from": "human", "value": "Write me a song called Yesterday with the following description: Track nine on Listen featuring lead vocalist of the band Black Cards, Bebe Rexha. She also produced and gave backup vocals to “Hey Mama”, another song on the album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Bebe Rexha]\nBlack hearts, black days\nRaindrops on my window pane\nStreetlights, street life\nHot blood burning in my veins\n[Pre-Chorus: Bebe Rexha]\nHistory won't drag me down\nI say no, no, no, I say no, no, no\nIt's buried six feet underground\nLet it go, go, go, let it go\n[Chorus: Bebe Rexha]\nHey, hey, what you say?\nI've got no use for yesterday\nI'm gonna live, I'm gonna love right now\nAnd if tomorrow never comes\nI'm gonna stay forever young\nThese lungs of mine were made to scream and shout\nI said hey, hey, what you say?\nIt seems like trouble's on the way\nI'm gonna live, I'm gonna love right now\nIt's singing oh, oh oh oh\nI said hey, hey, what you say?\nI've got no use for yesterday [Verse 2: Bebe Rexha]\nTonight I got a new life\nI gotta get right and get it moving\nWhite lies left me snowblind\nBut now this time, I see right through it\n[Pre-Chorus: Bebe Rexha]\nHistory won't drag me down\nI say no, no, no, I say no, no, no\nIt's buried six feet underground\nLet it go, go, go, let it go\n[Chorus: Bebe Rexha]\nHey, hey, what you say?\nI've got no use for yesterday\nI'm gonna live, I'm gonna love right now\nAnd if tomorrow never comes\nI'm gonna stay forever young\nThese lungs of mine were made to scream and shout\nI said hey, hey, what you say?\nIt seems like trouble's on the way\nI'm gonna live, I'm gonna love right now\nIt's singing oh, oh oh oh\nI said hey, hey, what you say?\nI've got no use for yesterday" } ]

[ { "from": "human", "value": "Write me a song called Antisocial with the following description: On “Antisocial,” two thirds of Migos (Offset being absent) link up with the late Juice WRLD for an introspective and mellow cut about relationship issues and struggles with sobriety from several addictions.\nOriginally, the song was solely recorded by Juice and leaked in July 2018. Over one year later, in December 2019, another version of the song, this time featuring Lil Skies and Migos member Takeoff, leaked just days after Juice’s tragic passing. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Juice WRLD & \nBaka\n]\nDon't forget it, I ain't had love in a minute\nI was on the drugs for a minute, I'm sorry (Yeah)\n(\nMurda on the beat so it's not nice!\n)\nI ain't had love in a minute\nI been on drugs for a minute\nI ain't hit my plug in a minute (Going through it)\n[Chorus: Juice WRLD & \nTakeoff\n]\nI ain't had love in a minute (Oh-oh)\nI been on drugs for a minute (Oh-oh)\nI ain't hit my plug in a minute (Oh-oh)\nLately, I been drownin' in my feelings (Oh-oh, \nTakeoff\n)\n[Verse 1: Takeoff]\nWhen I'm in my feelings, I pour me some codeine just so I can feel it (Drank, lean)\nNo doctor, nurse, or pharmacy needed, the way I prescrip' it (Sip it)\nPray I don't get cursed, rebukin' the demons with the Holy Spirit (God)\nAnd I was makin' it work, before I had fame, I had to go get it (Did it)\nI'm down to run up some M&Ms, my niggas, you wit' it? (M&M)\nThe cash, the rack, thе bags, a few synonyms, my niggas, you get it? (Cheese)\nYou tryna fuck with Thе Rocket? What's in your pocket? Better come wit' it (Come wit' it)\nWord around town, there's a body 'hind me, first degree murder, had did it (Brrt)\nDon't know what you heard, but they lyin'\nIf I ain't the greatest, then who is you kiddin'? (Who?)\nI go and put on a piece of my jewelry, my definition of chillin' (Ice)\nAin't been in love in a minute, so, baby, I'm sorry if I lose the feeling (Sorry)\nThey want us to stop takin' drugs, but ain't nobody stopping the killin' (Why?) [Chorus: Juice WRLD, \nTakeoff\n & \nQuavo\n]\nI ain't had love in a minute (I ain't have love in a)\nI been on drugs for a minute (I been on drugs for a minute, \nhey, hey\n)\nI ain't hit my plug in a minute (I ain't hit my plug, yeah, \nwoo\n)\nLately, I been drownin' in my feelings (\nYeah, yeah\n)\n[Verse 2: Quavo]\nI was drownin' in a pint of lean\nI could see the demons in my sleep\nI was lookin' for the loyalty\nTakin' more drugs than Medellín\nI lost my dawg to Fentanyl, and I wasn't dissin' Lil Peep\nPop Smoke, rest in peace, wish I could put him under my wing\nFor my dawgs, give me a call, I'ma follow through\nI need the same in return when I call you\nJust look at what this world done came to\nIf we don't stick together, then we all lose\nWe can't explain it (No), the world rotatin' (Woah)\nWe can't stay patient, please give us an explanation (Yeah)\nBefore we go crazy, we need savin' (Savin')\n'Cause I think we all above rehabilitation (Woah)\nGet on your job (Job), you gotta get all your niggas involved\n'Cause breakin' the code like breakin' the law (Ayy)\nAntisocial, don't say what you saw, no (Nope)\nThey showin' you love, then please don't fall [Chorus: Juice WRLD & \nQuavo\n]\nI ain't had love in a minute (\nNo love, no\n)\nI been on drugs for a minute (\nOn drugs, yeah\n)\nI ain't hit my plug in a minute (\nHit my plug, no\n)\nLately, I been drownin' in my feelings (\nDrown\n)\nI ain't had love in a minute (\nOh-oh, no love, no\n)\nI been on drugs for a minute (\nOh-oh, on drugs, yeah\n)\nI ain't hit my plug in a minute (\nOh-oh, hit my plug, no\n)\nLately, I been drownin' in my feelings (\nOh-oh, drown\n)\nI ain't had love in a minute (\nOh-oh, ain't had no love\n)\nI been on drugs for a minute (\nOh-oh-oh-oh, I ain't had no love, no, no\n)\nLately, I been drownin' in my feelings (Oh-oh-oh-oh)\n[Outro: Quavo & \nJuice WRLD\n]\nNow I lay me down to sleep (\nOh-oh\n)\n(\nOkay, now-now let me-let me go over\n)\nPray the Lord my soul to keep (\nOh-oh-oh-oh\n)\nIf I die before I wake (\nOh-oh-oh-oh\n)\nJust walk me through the night, and walk me through the Heaven gate (\nOh-oh-oh-oh\n)\nJust walk me through the night, and walk me through the Heaven gate (\nOh-oh-oh-oh\n)" } ]

[ { "from": "human", "value": "Write me a song called Thirsty (Remix) with the following description: The album version of this song did not include Rich Homie Quan, and was a solo by Mariah Carey.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook: Mariah Carey]\nUh, you thirsty\nUh, you thirsty\nUh, you thirsty\nUh, you thirsty\n[Verse 1: Mariah Carey]\nChasing them bright lights\nEven change your name\nSay you a boss now\nAin't nothin' out your range\nWell, almost anything\n[Pre-Chorus: Mariah Carey]\nYou used to be Mr. 'All About We'\nNow you're just thirsty for celebrity\nBest thing that happened to your ass was me\nPull down them Tom Fords and act like you see\n[Chorus: Mariah Carey]\nYou, thirsty for a dream\nLeaving me drowning\nBoy there ain't no S.O.S\nFilled with discontent\nFinding you can't quench\nWhy you try so damn hard [Hook: Mariah Carey]\nUh, you thirsty\nUh, you thirsty\nUh, you thirsty\nUh, you thirsty\nUh, you thirsty\nUh, you thirsty\nUh, you thirsty\nUh, you thirsty\n[Verse 2: Rich Homie Quan]\nSomebody get this girl a glass of water\nI say she six nickels, not a dime past a quarter\nHer daddy question me why she thirsty, nigga ask your daughter\nBack up off me, you look a little salty\nSo thirsty, should drink coffee\nAnd you ain't really gotta keep hittin' my phone, I see every message\nTexting me asking where I'm going, baby girl stop stressin'\nThen I walked in like the man of the year with these thirsty girls in my section\nThese thirsty girls want a blessin'\nGet wet, you won't get shit from me\nNo defect, but you can get the D\nNo sequel, it's only one of me\nThat thirsty bitch she slit my tires\nIt got me on fire\nRich Homie Quan times Mariah, sing! [Bridge: Mariah Carey]\nBoss now, you're trying to be a boss now\nThinking you a boss now\nBoy you just looking thirsty now\nBoss now, you're trying to be a boss now\nThinking you a G now\nBoy you're just looking thirsty now\nYou know you thirsty\n[Outro: Mariah Carey]\nSee your name in lights\nAnd dream of fancy cars\nFlexing like stars\nYou don't know who you are\nThat VIP\nToo far for you to see\nOutside the club\n@-ing me constantly\nCan't get the re back\n'Cause boy you're thirsty" } ]

[ { "from": "human", "value": "Write me a song called The Corner with the following description: \nTrack 2 off of Common’s critically acclaimed album Be (2005)\nThe song features Kanye West and The Last Poets, the legendary spoken-word group that is considered to be the god-fathers of Hip-Hop.\nThe song’s lyrics deal with street corners in poor neighborhoods. The song’s beat contains samples from “You Make the Sun Shine” by The Temprees and “What It Is” by The Temptations. Because of the song’s gritty sound, some fans considered it to be a return to Common’s Resurrection days.\nThe video for the song was directed by Kanye West in Chicago. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Kanye West]\n[Intro: Common]\nUh, uh, uh, uh-uh-uh\nUh, uh, uh, uh-uh-uh\nUh, uh, uh, uh-uh-uh\nUh, uh, uh, uh-uh-uh\n[Verse 1: Common]\nMemories on corners with the fo's\n \nand the mo's\nWalk to the store for the rose, talkin' straightforward to hoes\nGot uncles that smoke, and some put blow up they nose\nTo cope with the lows, the wind is cold and it blows\nIn they socks and they soles, niggas holdin' they rolls\nCorners leave souls opened and closed, hopin' for mo'\nWith nowhere to go, niggas rollin' in droves\nThey shoot the wrong way, 'cause they ain’t knowin' they goals\nThe streets ain’t safe 'cause they ain’t knowin' the code\nBy the foes I was told: \"either focus or fold\"\nGot cousins with flows, hope they open some doors\nSo we can cop clothes and roll in a Rolls\nNow I roll in a Olds, with windows that don’t roll\nDown the roads where cars get broken and stole\nThese are the stories told by Stony and Cottage Grove\nThe world is cold, the block is hot as a stove\nOn the corners [Chorus: Kanye West]\nI wish I could give you this feelin'\nI wish I could give you this feelin', uh-uh\nUh-uh-ugh, on the corners, niggas robbin', killin'\nDyin', just to make a living, huh? (Huh?)\n[Post-Chorus: The Last Poets]\nWe overstated, we underrated, we educated\nThe corner was our time when time stood still and\nGators and snakeskins in\nYellow and pink and collared blue\nProfiles glorifying them\n[Verse 2: Common]\nStreet lights and deep nights, cats tryin' to eat right\nRidin' no-seat-bikes, with work to feed hypes\nSo they can keep sweet Nike's, they head and they feet right\nDesires of street life, cars and weed types\nIt’s hard to breathe nights, days are thief-like\nThe beasts roam the streets, the police is Greek-like\nGame at its peak, we speak and believe hype\nBang in the streets hats cocked left or deep right\nIt’s steep life, coming up where niggas is sheep-like\nRappers and hoopers, \nwe strive to be like\nG's with three stripes,\n seeds that need light\nCheese and recite, needs and BE strife\nThe corner, where struggle and greed fight\nWe write songs about wrong ‘cause it’s hard to see right\nLook to the sky, hopin' it will bleed light\nReality's a bitch, and I heard that she bites\nThe corner [Chorus: Kanye West]\nI wish I could give you this feelin'\nI wish I could give you this feelin', uh-uh\nUh-uh-ugh, on the corners, niggas robbin', killin'\nDyin', just to make a living, huh? (Huh?)\n[Post-Chorus: The Last Poets]\nUh, the corner was our magic, our music, our politics\nFires raised as tribal dances and war cries\nBroke out on different corners\nPower to the people\nBlack power\nBlack is beautiful\n[Verse 3: Common]\nBlack church services, murderers, Arabs servin' burgers\nAs cats with gold permanents move they bags as herbalists\nThe dirt isn’t just fertile, it’s people workin' and earnin' this\nThe curb getters go where the cash flow and the current is\nIt’s so hot that niggas burn to live\nThe furnace is, where the money movin', the determined live\nWe talk shit, play lotto, and buy German beers\nIt’s so black packed with \naction that's affirmative\nThe corners\n[Chorus: Kanye West]\nI wish I could give you this feelin'\nI wish I could give you this feelin', uh-uh\nUh-uh-ugh, on the corners, niggas robbin', killin'\nDyin', just to make a living, huh? (Huh?) [Post-Chorus: The Last Poets]\nThe corner was our \nRock of Gibraltar\n, \nour Stonehenge\nOur Taj Mahal, our monument\nOur testimonial to freedom, to peace, and to love\nDown on the corner" } ]

[ { "from": "human", "value": "Write me a song called R U That with the following description: In their first collaborative track (and Shenseea’s first all English rap song), “R U That,” Shenseea and 21 Savage outline in no uncertain terms what kind of relationships they want and ask their partners if they can fulfill this ideal.\nThe song was announced for the first time a mere 23 hours before its release via Shenseea’s Instagram live during Superbowl LVI, where she pinned:\nGonna drop another song, just because Featuring 21 Savage.\nThe song is also the fourth official single to Shenseea’s debut album, ALPHA. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Shenseea]\nWoah\nShenseea\nMmmm, yeah\n[Chorus: Shenseea]\nAre you that hitta that can fuck me right?\nAre you that hitta that can last all night?\nAre you that hitta and you won't tell lies?\nAre you that hitta? Are you that hitta?\nAre you that hitta with the funds on ten?\nAre you that hitta won't touch my friends?\nAre you that hitta live between my legs?\nAre you that hitta? Are you that hitta?\n[Verse 1: Shenseea]\nAre you that nigga in the street shit?\nAre you the type to finally turn me to a freak bitch?\nAre you the type like gonna lick it while I swallow it?\nAnd when my nookie good, you gonna follow it, yeah\nAre you the type who gonna spoil me?\nOr you gon' be another one that annoy me?\nSay that right now and I'll avoid it\nBut if you really down, then I'm on it\n[Bridge: Shenseea]\nIf you gettin' paid, then we gettin' paid (Oh, oh)\nIf you got it made, then I got it made (Oh, oh)\nEvery other night, every other day (Oh, oh)\nGive me what I want, give me what I need (Oh, oh)\nIf you gettin' paid, then we gettin' paid (Oh, oh)\nIf you got it made, then I got it made (Oh, oh)\nEvery other night, every other day (Oh, oh)\nGive me what I want, give me what I need (Oh, oh) [Chorus: Shenseea]\nAre you that hitta that can fuck me right?\nAre you that hitta that can last all night?\nAre you that hitta and you won't tell lies?\nAre you that hitta? Are you that hitta?\nAre you that hitta with the funds on ten?\nAre you that hitta won't touch my friends?\nAre you that hitta live between my legs?\nAre you that hitta? Are you that hitta?\n[Verse 2: 21 Savage]\nI'm that nigga, I can be whatever (21)\nAnytime you want, whenever you need (On God)\nShawty a hustler, the female version of me\nGot my bed wet, her nickname overseas (Shh)\nWe took a trip to the beach just to feel the breeze (21)\nKissin' on her neck but she can feel it in her knees (On God)\nTook her out to Paris and I spent a couple Gs\nI spent a couple more because she valuable to me (No cap)\nTryna find a woman, don't lie and don't cheat (21)\nHome cooked meal, make sure that I eat (21)\nAre you the type of girl stay down and don't leave? (21)\nRide from the bottom to the T-O-P (Straight up)\nAre you that bitch that'll fuck me right? (21)\nShawty gang gang, she gon' tap my knife (21)\nWe get pulled over, she gon' hold my pipe (21)\nGive me loyalty and you could be my wife (On God) [Chorus: Shenseea]\nAre you that hitta that can fuck me right?\nAre you that hitta that can last all night?\nAre you that hitta and you won't tell lies?\nAre you that hitta? Are you that hitta?\nAre you that hitta with the funds on ten?\nAre you that hitta won't touch my friends?\nAre you that hitta live between my legs?\nAre you that hitta? Are you that hitta?" } ]

[ { "from": "human", "value": "Write me a song called These Scars with the following description: On “These Scars,” Meek raps about moving on from his flex-heavy lifestyle and investing money to build a Monopoly, while Future touches on other lifestyle issues including “friends turned foes” and paparazzi spreading rumours.\nThe chorus features the voice of Guordan and shows the dark side of a luxury lifestyle. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Meek Mill]\nWhen I was on 'gram entertaining all the rap beefs\nWe was on the hood goin' to war on the backstreets\nBulletproof Caddy like who said they gon' get at me\nPull up in your hood, niggas running like a track meet\nNo more Rollies, I'm just buying more properties\nYoung niggas watching me, give 'em that game properly\nPast go twice, skip jail, build a monopoly\nDon't let 'em trick you outta your spot\nNigga you gotta be retardo if you could treat me out this new Gallardo\nSince I been gettin' it, ain't miss a season from Ricardo\nTisci when they see me, know me at Wells Fargo\nStill rappin' like it's no tomorrow\nSo I don't have to stand, let me borrow\nAnd let you in my circle, but that's coming with a cost though\nYou don't work, you gon' starve yo\nDime in the crib, tip-toeing on the marble\nRockin' all this ice, I'm just tryna hide my scars tho\nSomethin' 'bout that Wraith and them lights, how them stars glow\nGive me motivation, out in Miami, know the Haitians\nAll the hitters got the bitches and I'm MMG\nA legend on Collins how they gon' remember me\nYoung niggas\n[Chorus: Guordan Banks]\nThe land they gave us was always ours\nDon't close the door, you owe us more, uhh\nI know that it's hard to face reality, mm\nAnd when they changed, they were all surprised but me\nAnd we buy Wraiths to hide behind these stars, yeah\nAnd we rock all this ice just to hide these scars\nIf you never seen a dream fade away behind all these bars\nAnd only God can touch your soul behind all these bars, oh [Verse 2: Future]\nPatek on, iced out, yeah yeah (Yeah, yeah)\nHundred rounds, brrr, spend live by (Brr)\nDrankin' purple lean, fuck Moscato\nRidin' in them Wraiths like a shotta (Skrrt skrrt)\nSkipped out of school, whipped a deuce to a four\nChanel on my whore, got the marble on my floor\nTen mil' deal just to wear Diadora\nI secure the bag first round, that's of course\nCocaina white inside, that's a Porsche\nCame from the gutter, nigga trapping is a sport\nYoung nigga don't spray the drum in the court\nPass the Actavis, pop the seal like a cork\nThey running out of info, making rumors, what's your source?\nFriends turned to foes, niggas leavin' me no choice\nHoes gettin' exposed, make a nigga cut them short\nHit a few licks before I made it out of choice\n[Chorus: Guordan Banks]\nThe land they gave us was always ours\nDon't close the door, you owe us more, uhh\nI know that it's hard to face reality, mm\nAnd when they changed, they were all surprised but me\nAnd we buy Wraiths to hide behind these stars, yeah\nAnd we rock all this ice just to hide these scars\nIf you never seen a dream fade away behind all these bars\nAnd only God can touch your soul behind all these bars, oh" } ]

[ { "from": "human", "value": "Write me a song called Pure Grinding with the following description: “Pure Grinding” is one of two singles (alongside “For A Better Day”) released alongside the tracklist announcement of Avicii’s Stories.\nVocals are handled by uncredited singers Kristoffer Fogelmark and Earl St. Clair, singing about working toward the top – even if they’re not quite there yet. It’s a subversion of the “started from the bottom” trope.\nThe production takes harsher electro-house and funk influences. Avicii describes the song as so on his Levels podcast:\n[“Pure Grinding”] is a little bit different than what I would usually do, but the whole album is gonna be different.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Kristoffer Fogelmark]\nWorking my money 'til I get gold\nMonday-Friday mornin'\nWorking my money 'til I get gold\n'Cause I can't get enough\nWorking my money 'til I get gold\nMonday-Friday mornin'\nWorking my money 'til I get gold\n'Cause I can't get enough\n[Verse 1: Earl St. Clair]\nStarted out with nothing and I still got most of that\nThe world ain't give me much, I'm positive that's a fact\nEverybody said be cool, you be payin' your dues\nMake a long story short, I got nothin' to lose\nOh, yeah\n[Pre-Chorus: Earl St. Clair]\nWhen I get it, I ain't ever goin' back again\nWhen I get it, I ain't ever goin' back again\n100 percent, yeah, pure grindin'\nWhen I get it, I ain't ever goin' back again\nWhen I get it, I ain't ever goin' back again\n100 percent, yeah, pure grindin'\nOh, yeah [Chorus: Kristoffer Fogelmark]\nWorking my money 'til I get gold\nMonday-Friday mornin'\nWorking my money 'til I get gold\n'Cause I can't get enough\nWorking my money 'til I get gold\nMonday-Friday mornin'\nWorking my money 'til I get gold\n'Cause I can't get enough\n[Verse 2: Earl St. Clair]\nTry to make a dollar out of 15 cents\nBut I ain't understand how the money was spent\nMy mama told me, \"Boy you ain't got no sense\nIf we put it all together can we pay this rent?\" (No)\nI've been some places\nPlaces I never should've been\nI caught some changes\nChanges that made me who I am\n[Pre-Chorus: Earl St. Clair]\nWhen I get it, I ain't ever goin' back again\nWhen I get it, I ain't ever goin' back again\n100 percent, yeah, pure grindin'\nWhen I get it, I ain't ever goin' back again\nWhen I get it, I ain't ever goin' back again\n100 percent, yeah, pure grindin'\nOh, yeah [Chorus: Kristoffer Fogelmark]\nWorking my money 'til I get gold\nMonday-Friday mornin'\nWorking my money 'til I get gold\n'Cause I can't get enough\nWorking my money 'til I get gold\nMonday-Friday mornin'\nWorking my money 'til I get gold\n'Cause I can't get enough\nWorking my money 'til I get gold\nMonday-Friday mornin'\nWorking my money 'til I get gold\n'Cause I can't get enough" } ]

[ { "from": "human", "value": "Write me a song called Bitch Please II with the following description: “Bitch Please II” is a track from Eminem’s sophomore LP The Marshall Mathers LP. It’s a sequel to a Snoop Dogg track (featuring Xzibit and Nate Dogg) that appeared on his 1999 album No Limit Top Dogg, and features the aforementioned artists, plus Dr. Dre and Shady himself. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Snoop Dogg & \nDr. Dre\n]\nYeah, what up, Detroit?\nNu-uh, nu-uh nuh, no, he didn't (Ah)\nThey didn't do it again (What-what, you what?)\nYou shitted on these niggas two times, Dr. Dre?\nOh, fo' sho'\nUh-uh, naw, you smell that?\nThis is special right here\n (What-what, what-what-what?)\nYeah, it's a toast to the boogie, baby, uh\nTo the boogie-oogie-oogie\n (Aw, yeah)\nYa know, what's crackin', Dre?\n[Verse 1: Dr. Dre & \nSnoop Dogg\n]\nJust let me lay back and kick some old simplistic pimp shit on Slim's shit\nAnd start riots like Limp Bizkit\n (\nLimp Bizkit!\n)\nThrow on \"Guilty Conscience\" at concerts\nAnd watch mosh pits 'til motherfuckers knock each other unconscious (\nWatch out, nigga!\n)\nSome of these crowds that Slim draws\nIs rowdy as \nCrenshaw Boulevard\n when it's packed and full of cars\nSome of these crowds me and Snoop draw IS niggas from Crenshaw\nFrom Long Beach to South Central\nWhoa! Not these niggas again\nThese grown-ass ignorant men with hair-triggers again (\nShit!\n)\nYou and what army could harm me?\nD.R.E. and Shady with Doggy from Long Beach (\nWestside\n)\nCame a long way to makin' these songs play\nIt'll be a wrong move to stare at me the wrong way\nI got a long Uz' and I carry it all day\nSometimes it's like a nightmare just bein' Andre\nBut I… [Verse 2: Snoop Dogg & \nEminem\n]\nSomehow, some way\nHello, nigga! You know about Dogg-ay (Snoop Dogg)\nAnd let me cut these niggas up and show 'em where the fuck I'm comin' from\nI get the party crackin' from the shit that I be spittin', son\n (Yeah)\nHit-and-run, get it done, get the funds, split and run (Watch out)\nGot about fifty guns and I love\nAll of 'em the same, \nbang-bang\n (Word up)\nDamn, baby girl, what's your name? (What's your name?)\nI forgot, what'd you say it was? Damn, a nigga buzzed (Fucked up)\nHangin' in the club with my nephew Eminem\n (\nWhat's up, Slim?\n) What up, Cuz? (\nWhat up, Snoop?\n)\nThe Great White American Hope (Uh-huh)\nDone hooked up with the king\n of the motherfuckin' West Coast, baby\n[Chorus: Nate Dogg & \nSnoop Dogg\n]\nAnd you don't really wanna fuck with me\nOnly nigga that I trust is me\nFuck around and make me bust this heat\nThat's the devil, they always wanna dance\n[Verse 3: Xzibit]\nI'm the Head Nigga In Charge, I'm watchin' you move\nYou're found dead in your garage with ten o'clock news coverage\nGotta love it 'cause I expose the façade\nYour little lungs is too small to hotbox with God\nAll jokes aside, come bounce with us\nStandin' over you with a 12 gauge about to bust\nIt's like ashes to ashes and dust to dust\nI might leave in a bodybag, but never in cuffs\nSo who do you trust? They just not rugged enough\nWhen things get rough, I'm in the club shootin' with Puff\nBitch, please! You must have a mental disease\nAssume the position and get back down on your knees\nCome on [Chorus: Nate Dogg & \nSnoop Dogg\n]\nAnd you don't really wanna fuck with me\nOnly nigga that I trust is me\nFuck around and make me bust this heat\nThat's the devil, they always wanna dance\nAnd you don't really wanna fuck with me\nOnly nigga that I trust is me\nFuck around and make me bust this heat\nThat's the devil, they always wanna dance\n[Verse 4: Eminem & \nSnoop Dogg\n]\nAw, naw! Big Slim Dogg\nEighty pound balls (\nWhat?\n), dick six-inch long (\nMm\n)\nBack up in the heezy, baby!\nHe's Shady! (\nHe's so crazy!\n)\n (Ha-ha-ha)\nGive me the mic, let me recite 'til Timothy White\nPickets outside the Interscope offices every night\nWhat if he's right? I'm just a criminal\n \nmakin' a livin' off of the world's misery\nWhat in the world gives me the right to say what I like\nAnd walk around flippin' the bird?\nLivin' the urban life like a white kid from the burbs\nDreamin' at night of screamin' at Mom, schemin' to leave\nRun away from home and grow to be as evil as me\nI just want you all to notice me, and people to see\nThat somewhere deep down, there's a decent human being in me\nIt just can't be found, so the reason you've been seeing this me\nIs 'cause this is me now, the recent dude who's being this mean\nSo when you see me dressin' up like a nerd on TV\nOr heard the CD usin' the fag word so freely\nIt's just me bein' me; here, want me to tone it down?\nSuck my fuckin' dick, you faggot! You happy now?\nLook here:\nI start some trouble everywhere that I go (\nThat I go\n)\nAsk the bouncers in the club 'cause they know (\n'Cause they know\n)\nI start some shit, they throw me out the back door (\nThe back door\n)\nCome back and shoot the club up with a .44 (\nA .44\n) [Chorus: Nate Dogg & \nSnoop Dogg\n]\nAnd you don't really wanna fuck with me\nOnly nigga that I trust is me\nFuck around and make me bust this heat\nThat's the devil, they always wanna dance\nAnd you don't really wanna fuck with me\nOnly nigga that I trust is me\nFuck around and make me bust this heat\nThat's the devil, they always wanna dance\n[Outro: Xzibit]\n2001\n and forever\nSlim Shady, Dr. Dre\nSnoop Dogg, X to the Z\nNate Dogg\n, come on, yeah" } ]

[ { "from": "human", "value": "Write me a song called The Way I Feel with the following description: “The Way I Feel” is a track originally recorded for Miley’s 2013 album, Bangerz. For unknown reasons, it was left off of the album and passed off to Jennifer Hudson who release it under the title, “I Can’t Describe (The Way I Feel)”.\nIn October 2012, Miley was first pictured in the studio with Tyler, The Creator and the producer of the song, Pharrell Williams. Miley detailed how the song came together in a January 2013 article with Cosmopolitan.\nLow-quality snippets of the song had made it onto the internet, but the CDQ version of the song didn’t leak until October 9, 2017.\nFor a more in-depth overview of the song, check out the Genius article written by Chris Mench here. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Miley Cyrus]\nI can't describe\nThe way I feel, the way I feel\nOh, what a high\nThe way I feel, the way I feel\nI just can't put in words\nWhat I feel for you\nThe way I feel, the way I feel\nIt feels so good it hurts\nWhat you do\nThe way I feel, the way I feel\n[Verse 1: Miley Cyrus]\nI feel like I'm in love\nIt's too much hype, just because\nI feel like sayin' something that's for us\nThat defines what's in our hearts\n[Pre-Chorus: Miley Cyrus]\nDancin' and we're playin' around\nYou know you've got me\nAnd then the feelin' comes rainin' down\nAll over my body\nIt tingles here, tingles there\nOoh, it tingles everywhere\nThat's why I've never found\nThe way to describe it [Chorus: Miley Cyrus]\nI can't describe\nThe way I feel, the way I feel\nOh, what a high\nThe way I feel, the way I feel\nI just can't put in words\nWhat I feel for you\nThe way I feel, the way I feel\nIt feels so good it hurts\nWhat you do\nThe way I feel, the way I feel\n[Verse 2: Miley Cyrus]\nThis feels right, as the buzz\nAnd it don't describe when we uh\nYou feel my heartbeat thumpin' from your touch\nIn my life, you were my luck\n[Pre-Chorus: Miley Cyrus]\nDancin' and we're playin' around\nYou know you've got me\nAnd then the feelin' comes rainin' down\nAll over my body\nIt tingles here, tingles there\nOoh, it tingles everywhere\nThat's why I've never found\nThe way to describe it [Chorus: Miley Cyrus]\nI can't describe\nThe way I feel, the way I feel\nOh, what a high\nThe way I feel, the way I feel\nI just can't put in words\nWhat I feel for you\nThe way I feel, the way I feel\nIt feels so good it hurts\nWhat you do\nThe way I feel, the way I feel\n[Bridge: Miley Cyrus]\nThe morning\nHopefully at 10 o'clock we're both yawnin'\nRight now\nThink about it later, let's just both get down\n[Chorus: Miley Cyrus]\nI can't describe\nThe way I feel, the way I feel\nOh, what a high\nThe way I feel, the way I feel\nI just can't put in words\nWhat I feel for you\nThe way I feel, the way I feel\nIt feels so good it hurts\nWhat you do\nThe way I feel, the way I feel [Pre-Chorus: Miley Cyrus]\nDancin' and we're playin' around\nYou know you've got me\nAnd then the feelin' comes rainin' down\nAll over my body\nIt tingles here, tingles there\nOoh, it tingles everywhere\nThat's why I've never found\nThe way to describe it\n[Verse 3: Tyler, the Creator]\nUgh, you better ask for forgiveness now\nMe and Miley about to rip shit down\nAnd she bored of the misfits\nYou motherfuckers better hope that I can't fit this crown\nAnd how did we get this sound?\nGotta say thanks to P Willy\nFeel it gettin' island tsunami in Hawaii\nAnd the beaches say hey 'cause the Preme Free Willy\n[Chorus: Miley Cyrus]\nI can't describe\nThe way I feel, the way I feel\nOh, what a high\nThe way I feel, the way I feel\nI just can't put in words\nWhat I feel for you\nThe way I feel, the way I feel\nIt feels so good it hurts\nWhat you do\nThe way I feel, the way I feel" } ]

[ { "from": "human", "value": "Write me a song called Immortal with the following description: On “Immortal,” 21 Savage raps about his murderous tendencies while also name-dropping characters in the Mortal Kombat video game series.\nThe song was previewed in the Mortal Kombat 11 trailer that was released on December 6, 2018. It was originally speculated to appear on 21’s second studio album, i am > i was, which released two weeks after the trailer. However, this did not occur, and the track’s release date was undetermined.\nOn August 10, 2019, 21 teased the song’s imminent release, tweeting:\n\n\n\n\nThe track was finally released on Halloween 2019, nearly eleven months after it was first teased. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n21\nI feel like the motherfuckin' Grim Reaper\nThe biggest smoke blower\nPut a motherfuckin' chimney on my stick\n[Verse 1]\nBrand new MAK-90 with the drum attached (Drum)\nYou a shit talker, we got drums for that (On God)\nTryna fist fight? Boy, you dumb for that (Stupid)\nYou gon' get a bullet in your lung for that (Stupid)\nDraco get to kickin' like Liu Kang (21)\nF&N on me in the Mulsanne (Straight up, straight up)\nGlock 19 in the Blue Flame (Straight up, straight up)\nI was strapped when I slid inside your boo thang (On God)\n21 immortal, we'll never die (21)\nLoyal to my brothers (Yeah), I'll never lie (On God)\nCall me bird dog 'cause I cheat and I'm fly (Straight up)\nAnd I love winnin', I'm upset if it's a tie (On God)\nGet you off the ground just to knock you to the floor (Yeah)\nLet's go blow for blow (Yeah), let's go toe to toe (Straight up)\nWhen it's time to battle, they don't never ever show (21)\nWhen it's time to battle, I'm the first one at the door (21)\nAt the door with a Draco\nDon't nobody move, I don't wanna have to blow\nRappin' ass niggas get spinned at they show\nThat's why I need some help, I got a fetish for the smoke\nIt get fatal in the bottom, used to rumble in the den (21)\nHit him with a combo, gotta finish him (21)\nAK make you frown since you think you wanna grin (Straight up)\nSeems like all the models just be fallin' in my DMs (Yeah)\nCoolant on the TEC, it get hot like Scorpion (Hot)\nI'll burn his ass, lil' buster\nYou thought it was straight, I got some chemicals in this magazine\nI'll perm his ass (Mark ass nigga)\nWanna be a gangster, but he misguided (Bitch)\nI'll learn his ass (On God, nigga)\nHe went against me and they called 9-1-1 (21)\nThey had to infirm' his ass (You gon' be next, nigga)\n\"How many tops you done got popped?\" Whole bunch\n\"How many times you ran from the smoke?\" Nigga, not once\nEastside nigga fuckin' all the hoes, and I love guns\nAin't no fucking diamonds in my mouth, nigga, these gold fronts\nAnd we known to handle all the business, nigga, ASAP\nHad her at the \nslaughterhouse\n, how the fuck you cape that?\nAin't no body shots, nigga, you know I told him face that\nNow he in the ocean, heard they hit him in his wave cap\nYou took your shot and you missed it (21)\nI just beat it up and you kissed it (Ugh)\nTook the rap game and I milked it (Yeah)\nTook the rap beef and I killed it\nNeck all froze like Sub Zero, dawg (Straight up)\nHe wifed a thot, he a hero, dawg (Straight up)\nAll I care about is my dinero, dawg (On God)\nOnly thing I'm chasing is dineros, dawg (Straight up)\nDread-headed killer like Cyrax (21)\nBrought a gun to a fist fight like Jax (Pew-pew-pew-pew-pew)\nNah, fuck that, only thing scare me is a rat (Snitch)\nSlaughter Gang, pick your poison, dagger or the axe (Straight up)\nStand-up guy, they respect my mind (On God)\nIf you foul out, get a tech', my nine (Straight up)\nIf you ain't a hundred, don't text my line (Lil' bitch)\nIf you know you hatin', don't check my Live (Snitch) [Chorus]\nYou know I'm Slaughter Gang so the smoke is immortal\nAin't nothin' changed, I'll slaughter your daughter\nShe said she was a dime, but her friend was a quarter\nI had a threesome, then I flushed the rubber down the toilet\nShe tried to give me head, it was boring\nCodeine got a nigga snoring\nI wonder if she would've slept with the poor me\nSavage keep a Draco and it corn beef\n[Verse 2]\nChopper cut you up like Kitana (Ching-ching)\nMy chopper in the band, it's a drummer (Drumroll)\nRussell Westbrook, I was strikin' like the Thunder (Woah, woah)\nYou was somewhere runnin' 'round whinin' to your mama (21)\nY'all play conservative, we gon' send a blitz (Straight up)\nI'm the type to catch a tech', foul, hit him in his shit (On God)\nHe think he a made man, hit him in the head (Pussy)\nDon't you try to run now, hit him in the leg (Rraow)\nPeople wanna say the stuff I say, but they be scared (Pussy)\nJab turn a lightskin pretty boy red (21)\nIt's a fatality if you try to handle me (Yeah)\nReal top shotta, don't you ever try to ramp with me (On God)\nGot enough bullets that could kill your whole camp with me (Rrah)\nI was bad as hell in school, they even tried to counsel me (21)\nI don't like to talk, don't you try to tongue-wrestle me (On God)\nAnd my block good, you'll never get the best of me (Straight up) [Chorus]\nYou know I'm Slaughter Gang so the smoke is immortal\nAin't nothin' changed, I'll slaughter your daughter\nShe said she was a dime, but her friend was a quarter\nI had a threesome, then I flushed the rubber down the toilet\nShe tried to give me head, it was boring\nCodeine got a nigga snoring\nI wonder if she would've slept with the poor me\nSavage keep a Draco and it corn beef" } ]

[ { "from": "human", "value": "Write me a song called Fuck You Mean with the following description: “Fuck You Mean,” sometimes referred to as “What You Mean,” is an unreleased collaboration between Future and Metro Boomin. It leaked online on March 26, 2019.\nThe song was first previewed as part of a short clip entitled “FUTURE – Night Vision Ep. 1” a day before the release of Future’s self-titled album on February 27, 2017. The song didn’t appear on the project, however, and didn’t see an official release. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(Pluto)\nGot these diamonds on my teeth, yeah\nI got diamonds on my teeth, yeah\nI got diamonds on my teeth, yeah\n(\nIf Young Metro don't trust you, I'm gon' shoot you\n)\nIt's so hard getting sleep, yeah\nWhen you always getting geeked, yeah\nMoon rocks on my feet, yeah\nGot that Draco on the seat, yeah\nYeah\n[Verse 1]\nI'm from the bottom, you can get your door knocked\nWe'on't like to talk to cops, even in the road block\nI put in more work, went and bought a drop top\nNew millennium, please don't penny-pinch\nI made all the films, I was born a pimp\nI'm goin' off the M, I've been in the gym\nI've been liftin' money, Metro flippin' money\nPerky, sippin' muddy, I'm supposed to flood it\nI was over-busted, bust it down and flood it\nEverything was dirty, we so star studded\nI got pinky rings, got my ring finger\nGot my fur drippin', got my nigga sippin'\nDiamonds all over me, sauce all over me\nDrip all over me, you can't roll with me\nI got your ho with me, you can't roll with me\nGot your ho with me (Wassup?) [Chorus]\nLet my bitch try some codeine, she rock new Celine\nMade my dawg a millionaire, what the fuck you mean?\nShe just fucked a millionaire, what the fuck you mean?\nBussin' bales down in the bath, what the fuck you mean?\nI went crazy in the trap, what the fuck you mean?\nMy lil brother'll rob you now, what the fuck you mean?\nDrinkin' lean and poppin' tabs, what the fuck you mean?\nNumero uno in a lab, what the fuck you mean?\n[Verse 2]\nTied bandana round my head, they play with 'Tro they dead\nWe so icy on these meds, they so broke and scared\nRun my money up instead, like I'm on a tread\nPut your dawgy on a shirt, don't even call the meds\nWhen I'm on a Percocet I might try Qualitest\nUsually I be sippin' purple, I'm on pineapple red\nAll my family call me Pluto, don't you never forget\nDon't be fabricated, like I ain't play with the Pyrex\nDrop ten thousand on the ground, it's still in the wrapper\nI'm a boss, I got the crown, I'm still in the trap\nMoonwalkin' with the hammer, plugged in with the scammers\nKill first for Atlanta, serve first in Atlanta\nT-shirts in the Lambo, 35 and you can have 'em\nRob coke, you can't have it, gotta re-rock, little daddy [Chorus]\nLet my bitch try some codeine, she rock new Celine\nMade my dawg a millionaire, what the fuck you mean?\nShe just fucked a millionaire, what the fuck you mean?\nBussin' bales down in the bath, what the fuck you mean?\nI went crazy in the trap, what the fuck you mean?\nMy lil brother'll rob you now, what the fuck you mean?\nDrinkin' lean and poppin' tabs, what the fuck you mean?\nNumero uno in a lab, what the fuck you mean?\n[Verse 3]\nThe AP gold with the fish tank face\nOff the record got my young nigga straight\nStraight promethazine, straight Hydrocodeine\nPinky ring clean, straight up Billy Jean\nShout-out Screwed Up Clique, my OG's can't forget\nCuban links on my bitch, cuban links on my bitch\nHibernatin' with your bitch, ridin' round with the stick\nSearching 'round for a lick, a half a brick that's a split\nNo Metro ain't gon' switch it, he switchin' yo' bitch\nWith another yellow bad bitch, they ain't havin' money like this\nThey ain't havin' cash like this\nYou got a Rollie but it ain't this\nYou got an Audemar, it ain't this\nBuy a foreign car for my bitch\nGot the yacht, I'm with the shits\nGot the trap spot with the bricks\nG taught me how to fry fish\nWhite girl givin' Bill Clint'\nI'm Hank Aaron up to bat\nI'm throwin' slugs for these racks\nThis chopper tour Iraq\nI went up to Jupiter flashing\nI make it look good when I'm attackin'\nMy chain and my rosé a present\nI'm havin' my way with some peasants\nI told my jeweler \"Baguette it\" [Chorus]\nGot my bitch a lil codeine, she rock new Celine\nMade my dawg a millionaire, what the fuck you mean?\nShe just fucked a millionaire, what the fuck you mean?\nBussin' bales down in the bath, what the fuck you mean?\nI went crazy in the trap, what the fuck you mean?\nMy lil brother'll rob you now, what the fuck you mean?\nDrinkin' lean and poppin' tabs, what the fuck you mean?\nNumero uno in a lab, what the fuck you mean?\n[Outro]\nTied bandana round my head, they play with 'Tro they dead\nWe so icy on these meds, they so broke and scared\n(\nIf Young Metro don't trust you, I'm gon shoot you\n)" } ]

[ { "from": "human", "value": "Write me a song called Clouds with the following description: A shorter version of this song was shown first in the video Just Another Day Ep 42: Just Another Dad on Logic’s YouTube Channel BobbysWorld and later got uploaded as a separate video on the same channel.\nFor the final version a verse by Langston Bristol and an outro by Curren$y got added to the song. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Logic]\nI can give a fuck the shit you on\nBut I'm really tryna put you on\nFinally out this bitch, I'm finally gone\nLow-key I've been waitin' for so long (\nY— Y— Y— Y— Yeah\n)\nI can give a fuck the shit you on\nBut I'm really tryna put you on\nFinally out this bitch, I'm finally gone\nLow-key I've been waiting for so long\n[Verse 1: Logic]\nTake two, take one\nChillin' in the cut with my son and his baby mama\nI was gonna hit the road, but I'm staying longer\nDoing whatever the fuck I wanna do when I wanna do it\nPeople thinking they know it, but they never knew it\nWhat it be like, the spotlight, the hot takes and long nights\nYellin' at nobody and winning all of the wrong fights, it's alright\nI'm off like a flight, took a left, did it right, what a sight\nKnowing everything gon' be alright, likе K. Dot, 2015\nIt seem the art that I make over thеy heads like the Sistine\nIt really feel like ain't nobody ever listening\nThat's why I do it for me and the homies and nobody else\nMaking beats in my room by myself\nKinda funny how my last studio cost seven zeros\nBut I make the best shit when I'm all alone in my room\nCollege Park\n coming soon\nIn the dark going off to the tune of the 808 boom\nI stay with the trees like a baboon\nFlow kinda fast, but it's chill like a pocket full of valium\nHead up in the clouds, but I'm coming down soon, yeah [Chorus: Logic]\nI can give a fuck the shit you on\nBut I'm really tryna put you on\nFinally out this bitch, I'm finally gone\nLow-key I've been waitin' for so long (\nY— Y— Y— Y— Yeah\n)\nI can give a fuck the shit you on\nBut I'm really tryna put you on\nFinally out this bitch, I'm finally gone\nLow-key I've been waiting for so long\n[Verse 2: Langston Bristol]\nLow-key tryna get trophies with my dawgs (\nWoof\n)\nSurely, you'll see my face smilin' on the front of a billboard soon\nTruth is that I got a blueprint and I'm finna use it, nigga, let's get it\nI'm tryna get a brand new coupe, she gon' wonder where the roof at when she get in it\n(\nWheels spinnin'\n) While I'm on the e-way, I wish life was easy\nIf you a hater, then get the fuck up out the way\nI only hang with my teammates\nPass the ball to me, mane\n(\nMy niggas, they real, they trill, yeah, all them stick to the code\n)\n(\nIf you start fakin' over here\n), I look you dead in the soul and tell you\n[Chorus: Logic]\nI can give a fuck the shit you on\nBut I'm really tryna put you on\nFinally out this bitch, I'm finally gone\nLow-key I've been waitin' for so long (\nY— Y— Y— Y— Yeah\n)\nI can give a fuck the shit you on\nBut I'm really tryna put you on\nFinally out this bitch, I'm finally gone\nLow-key I've been waiting for so long [Outro: Curren$y]\nShe was in and out my suite all fashion week\nStudio up in here sweet, I was crashin' beats\n'Cause the paper don't sleep and my loved ones have needs\nAnd my son need everything I never had times three\nYou's a cold motherfucker, my homies always remind me\nThey lift me up like that bomb weed\nIn this pound never found seeds\nJust nugs, best buds, Bobby spoke of retirement\nThought all we'd get out of it was a best of\nOr a greatest hits, realized he could still make time for the fam\nBusy playin', but still make time for blazin' shit\nInspirational as a motherfucker, ask my brother\nHustles like no other, rose from my situ'\nRolls-Royces by the gutter\nBad bitch itchin' to sit her buns on the butter\nLike her, but I don't love her\nPush her to do better, but I don't shove her\nVersace bedsheets, watchin' Deep Cover\nGucci rollaway bag, Louis V duffel" } ]

[ { "from": "human", "value": "Write me a song called Bed of Lies with the following description: Nicki Minaj introduced this single at the 2014 MTV Europe Music Awards.\nThis track finally addresses rumors regarding her previous boyfriend, Safaree “SB” Samuels.\nCo-writer Skylar Grey, who wrote and sang the demo before Nicki Minaj got ahold of the song, said that one of her original verses ended up as the bridge but another verse she had written never came out. She revealed the lost verse to Genius during a 2016 interview:\nRemember when you promised me the world? / You led me on, I let you in, you led me to your room / When you said forevermore / You pulled the sheets over my eyes, I feel so used Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Skylar Grey]\nOh-oh-oh, yeah\n[Chorus: Skylar Grey]\nDo you ever think of me when you lie? (When you lie)\nLie down in your bed, your bed of lies\nAnd I knew better than to look in your eyes (In your eyes)\nThey only pretend you would be mine\nAnd, oh, how you made me believe (Oh)\nYou had me caught in every web that you weaved\nBut do you ever think of me when you lie? (When you lie)\nLie down in your bed, your bed of lies\n[Verse 1: Nicki Minaj]\nYou could never make eye contact\nEverything you got was based off of my contacts\nYou a fraud but I'ma remain icon-stat\nBalenciagas on my boots with a python strap\nYou was caught up in the rush and you was caught up in the thrill of it\nYou was with me way before I hit a quarter mil' in it\nPut you in the crib and you ain't never pay a bill in it\nI was killin' it, now you got me poppin' pills in it\nI told Baby hit you, I said, \"This nigga buggin'\"\n'Cause I was doin' it for us, I told 'em fuck the public\nCouldn't believe that I was home alone, contemplatin' overdosin'\nNo more coastin', no more toastin' over oceans [Pre-Chorus: Nicki Minaj]\nThey say you don't know what you got 'til it's gone\nThey say that your darkest hour come before your dawn\nBut there was something that I shoulda asked all along\nI'ma ask on the song\n[Chorus: Skylar Grey]\nDo you ever think of me when you lie? (When you lie)\nLie down in your bed, your bed of lies\nAnd I knew better than to look in your eyes (In your eyes)\nThey only pretend you would be mine\nAnd, oh, how you made me believe (Oh)\nYou had me caught in every web that you weaved\nBut do you ever think of me when you lie? (When you lie)\nLie down in your bed, your bed of lies\n[Verse 2: Nicki Minaj]\nI just figured if you saw me, if you looked in my eyes\nYou'd remember our connection and be freed from the lies\nI just figured I was something that you couldn't replace\nBut there was just a blank stare and I couldn't relate\nI just couldn't understand and I couldn't defend\nWhat we had, what we shared, and I couldn't pretend\nWhen the tears rolled down, it's like you ain't even notice 'em\nIf you had a heart, I was hopin' that you would show it some\nWhat the fuck you really tellin' me? What you tellin' me?\nI could tell you lyin', get the fuck out, don't yell at me\nI ain't mean to cut you, I ain't wanna catch a felony\nThis ain't \nHow To Be A Player,\n you ain't Bill Bellamy [Pre-Chorus: Nicki Minaj]\nThey say you don't know what you got 'til it's gone\nThey say that your darkest hour come before your dawn\nBut there was something that I shoulda asked all along\nI'ma ask on the song\n[Bridge: Skylar Grey]\nSo does she know I've been in that bed before? (Bed before)\nA thousand count and not a single thread of truth\nIf I was just another girl (Just another girl)\nThen I'm ashamed to say that I'm not over you\nThere's one thing I need to know\nSo call me when you're not so busy\nJust thinkin' of yourself (Thinkin' of yourself)\n[Chorus: Skylar Grey]\nDo you ever think of me when you lie? (When you lie)\nLie down in your bed, your bed of lies (Bed)\nAnd I knew better than to look in your eyes (In your eyes)\nThey only pretend you would be mine\nAnd, oh, how you made me believe (Oh)\nYou had me caught in every web that you weaved\nBut do you ever think of me when you lie? (When you lie)\nLie down in your bed, your bed of lies" } ]

[ { "from": "human", "value": "Write me a song called Burning in the Skies with the following description: \nBurning in the Skies is a song by American rock band Linkin Park. It was announced as the band’s third single from their fourth studio album A Thousand Suns, after The Catalyst and Waiting For The End. The music video for the single was directed by Joe Hahn, Linkin Park’s turntablist. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Mike Shinoda]\nI used the deadwood to make the fire rise\nThe blood of innocence burning in the skies\nI filled my cup with the risin' of the sea\nAnd poured it out in an ocean of debris\nOh\n[Chorus: Chester Bennington]\nI'm swimming in the smoke of bridges I have burned\nSo don't apologize, I'm losing what I don't deserve\nWhat I don't deserve\n[Verse 2: Mike Shinoda]\nWe held our breath when the clouds began to form\nBut you were lost in the beating of the storm\nAnd in the end, we were made to be apart\nLike separate chambers of the human heart\nNo\n[Chorus: Chester Bennington]\nI'm swimming in the smoke of bridges I have burned\nSo don't apologize, I'm losing what I don't deserve\nIt's in the blackened bones of bridges I have burned\nSo don't apologize, I'm losing what I don't deserve\nWhat I don't deserve [Guitar Solo]\n[Chorus: Chester Bennington]\nI'm swimming in the smoke of bridges I have burned\nSo don't apologize, I'm losing what I don't deserve\nThe blame is mine alone, for bridges I have burned\nSo don't apologize, I'm losing what I don't deserve\nWhat I don't deserve\nWhat I don't deserve, oh-woah\nWhat I don't deserve\n[Outro: Mike Shinoda]\nI use the deadwood to make the fire rise\nThe blood of innocence burning in the skies" } ]

[ { "from": "human", "value": "Write me a song called Shape with the following description: “Shape” is track number 9 on Tinie Tempah’s second studio album Demonstration, released on 4 November 2013. The song is produced by Diplo, also known for his work with Major Lazer. The song is about Tinie’s appreciation for the female figure.\n\nExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nLet me see your shape\nLet me see your shape\nLet me see your shape\nLet me see your shape\nBe the baddest chick in the universe\nShe gon do whatever it takes\nBe the baddest chick in the universe\nShe gon do whatever it takes\n[Verse 1: Tinie Tempah]\nLet me see your shape, let me see your shape\nI knew you was the one before I even saw your face\nI’m a hero in my ends and I ain’t never wore no cape\nI be putting on them pounds but I ain’t gaining no weight\nLet me see your shape, girl, you’re doing great\nHer lips around my (uh), said she’d only do it for Drake\nIf you play your cards right you can sip on some of this ace\nIf you play your cards right you can sip on some of this ace\nI got plenty more on my table, CEO of my label\nI get Arab money on Jewish bread, bitch we be making that bagel\nNo cameras on my table ’cause the consequence could be fatal\nWe got all your girlfriends in and now they’re acting grateful\nShe asking me for that cane, I said I won’t be able\nShe went to use the toilet and now she sounding nasal\nBefore my momma had me said she saw the angel Gabriel\nBefore my momma had me said she saw the angel Gabriel [Hook]\nLet me see your shape (shape)\nLet me see your shape (shape)\nLet me see your shape (shape)\nLet me see your shape (shape)\nBe the baddest chick in the universe\nShe can do whatever it takes\nBe the baddest chick in the universe\nShe can do whatever it takes\nLet me see your shape (shape)\nLet me see your shape (shape)\nLet me see your shape (shape)\nGirl you’re doing great\nBe the baddest chick in the universe\nShe can do whatever it takes\nBe the baddest chick in the universe\nShe can do whatever it takes\n[Verse 2: Big Sean]\nI'm with like 4-5 bad bitches, what a compilation\nHennessey, me, weed, what a combination\nI done had a bad day, tonight's a compensation\nNothing more important in the world than world domination\nGon' lick it up, cash flow picking up\nStill ain’t got no patience, baby, quick ain’t never quick enough\nIt seems like rich ain’t never rich enough, bitch I’m so nasty\nI’mma probably be 70 years old, happy I can still get it up\nDrive it on me like surprise, ooh, almost had me a stroke\nPoppin champagne so I’m sober, \nher tongue out, she gross, love it\nI’m OG connected though, presidential suite, presidential weed, respect my vote\nMe and Tinie Tempah doing numbers, we projected ho\nThese niggas talking shit, it really don’t affect us though\nI spent all my money on my outfit\n, do that mean that I’m shallow?\nI’ll take a bad bitch and skedaddle\nAnd she even showed me her tattoo when I said [Hook]" } ]

[ { "from": "human", "value": "Write me a song called Pray to the Lord with the following description: Lil Wayne’s heartfelt track off of The Drought is Over 3 examining how precious life is. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nBefore I sleep\nI pray to the Lord, my soul to keep\nAnd if I should die, before I wake\nI pray to the Lord, my soul to take\nFor goodness' sake\nBefore I sleep\nI pray to the Lord, my soul to keep\nAnd if I should die, before I wake\nI pray to the Lord, my soul to take\nFor goodness' sake\n[Verse 1]\nYeah, I wrote my will just the other week\nAnd what's funny, it was only one sheet\nAnd I know there's only one me\nBut I hope I am everything my son be\nI'm tryin' live right, stay on the drum beat\nBut I'm in the fast lane, in the front seat\nI wonder will I lose control of the Maserati\nAnd hit some tree, just being young me?\nIs there a heaven for G's and soldiers?\nI can't go to hell, 'cause I'd take over\nI feel it approaching, but I ain't scared\nI made that bed and I should rest in peace [Chorus]\nBefore I sleep\nI pray to the Lord, my soul to keep\nAnd if I should die, before I wake\nI pray to the Lord, my soul to take\nFor goodness' sake\nBefore I sleep\nI pray to the Lord, my soul to keep\nAnd if I should die, before I wake\nI pray to the Lord, my soul to take\nFor goodness' sake\n[Verse 2]\nYeah, and every time I see the sunshine\nI drop down and give thanks at least one time\nFeeling like I'm living on the front line\nI'm feeling like every second is crunch time\nI've had breakfast, will I make it to lunchtime?\nAnd I ain't joking so don't be looking for punchlines\nWill I be the next victim of a gun crime?\nI don't know the answer, that's why I brung mine\nRiding by myself late at night\nPistol on my lap at every single red light\nYeah, I made my bed right, so when I do I should sleep tight\nIn peace I rest [Chorus]\nBefore I sleep\nI pray to the Lord, my soul to keep\nAnd if I should die, before I wake\nI pray to the Lord, my soul to take\nFor goodness' sake\nBefore I sleep\nI pray to the Lord, my soul to keep\nAnd if I should die, before I wake\nI pray to the Lord, my soul to take\nFor goodness' sake\n[Verse 3]\nBury me a gangsta cause that's what I live\nDon't cry for me, I gave the best I could give\nI can only do me, so that's what I did\nAnd I cherish every breath of my kid\nAnd I don't want to go before she grow, that ain't cool\nBut in this game of life, I don't make the rules\nShit, so that's why I get twisted\nSo I can't feel it when it hits me\nAnd my moms don't need that on her\nBut I see death around the corner\nAnd if he so happens to make his way around the block\nYou gotta answer the door when he knock, believe that [Chorus]\nBefore I sleep\nI pray to the Lord, my soul to keep\nAnd if I should die, before I wake\nI pray to the Lord, my soul to take\nFor goodness' sake\nBefore I sleep\nI pray to the Lord, my soul to keep\nAnd if I should die, before I wake\nI pray to the Lord, my soul to take\nFor goodness' sake" } ]

[ { "from": "human", "value": "Write me a song called Faces with the following description: This is a song off Ed Sheeran and Yelawolf’s collaborative “The Slumdon Bridge EP”. Really sick song, with Ed Sheeran bringing in an awesome hook, and Yelawolf just being a goddamn country hardass mufucka. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Ed Sheeran]\nFaces change\nBut this place'll stay the same\nAnd I'll know when I'll go\nHome\n[Verse 1: Yelawolf]\nYeah, and I'm pickin' up another bag\nAnd I pack another knapsack\nThe airport's like a stop light to me\nSittin' on red, green light go\nCan't see my family\nMy family grew into a globe of friends and fans\nOr some may call 'em\nAnd it's on the stage I stand\nTo jam, rock, sing\nNo wakin' up to stop the dream\nI lived the life, signed a picture\nCause no dam could stop the stream\nOr flood gates, I'm in a fucked race\nAnd a pocket fulla culture condoms\nThey put you on the podium for first place\nBut on the block, they judge you on 'em\nSo\nWho got the South in a six-pack, and a shotgun just for show?\nI put the white boys back in gold teeth\nPut the hood in mossy oak\nI'm the\nChild of a deadbeat, so I gotta give the beat some life\nBeat me down with criticism\nBut at least the critic's write\nWith a broken pen, there they go again\nI'm a token man, I'm a rollin' gem\nLike a rollin' stone, I'm closin' in\nI'm goin' home, I'm home again\nBring it back up in the U.K\nWith a Dixie flag and a sixty sack\nCatfish Billy, hell, you say\nI'm just bein' blunt, homie\nKeep the grass\n(Now bumper sticker that, drop a rap and change me) [Hook: Ed Sheeran]\nYou changed me\nInto what I am now\nYou made me\nIt was something I was always gonna be\nIt seems these broken dreams don't lie\nAnd so now my broken wings will fly\n[Verse 2: Yelawolf]\nYeah, take one look\nBetter yea? Take two\nBut if I take that break, as a move you made\nThis dude you shape, will come take you back\nBack to the roots of bein'\nWithout a fuckin' pot to pee in\nOr a spot to sleep in\nHot or cold outside, it's not the season\nCuz I am not the reason\nThat the image you're used to seein'\nIs usually being fake, so to me the hate is meaningless\nMeaning yes, I'm different\nDifferently made\nAnd me screamin' the A\nIs not the difference in grades\nIt's the place I stayed\nCuz the schools were underpaid\nThe teachers taught, but to me they fought\nThe star that was underway\nIt was under Wayne, it was in my name\nMichael, \nM.W.A\nAtha\nAnd in trouble I stayed\nBreakin' out of this bubble they made\nPlayed with the dice, but I rolled that seven\nAnd I'll go back to heaven in a Chevrolet\nFuck the world with a tattooed hand\nCommitted to the words I say\nA blood-line's not a family-tree\nIt's a needle in my skin for all to see\nI ain't never got a spring-break tattoo drunk\nBut I drink and take the ink\n(Shirts off, you can't, you can't change me!) [Hook: Ed Sheeran]\nYou changed me\nInto what I am now\nYou made me\nIt was something I was always gonna be\nIt seems these broken dreams don't lie\nAnd so now my broken wings will fly" } ]

[ { "from": "human", "value": "Write me a song called She Needs Me with the following description: This is the fictional (maybe true) tale of Kendrick finding a girl who is perfect and has everything in place. Despite her success, she finds that she still needs Kendrick or so it seems. It’s later revealed in an interview that the real point of the song was that he actually needed her. She was able to be successful without him. Despite the fact that she loved him, she did extremely well for herself without him. So, it’s really more of He Needs Her.\nKendrick Lamar – She Needs Me / I am ((VIDEO))\nhttps://www.youtube.com/watch?v=BwjTqaBp1jQ Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOne time, reporting live, Compton, California\n[Verse 1: Kendrick Lamar]\nShe go to work, she go to school, her body smooth, no tattoos\nType of girl that’ll make your mother feel comfortable\nMy pops love her too, she’s compatible, she’s independent\nShe handle her business, she believe in God and no other religions\nShe's never in competition, when it comes to her friends, she's dependable\nShe set her own trends, a confidant, a mediator, so sweet, every flavor\nJust a conversation with her doing you a favor, look at her hips, I want to be her pager\nConservative, affirmative, actually she relaxing in sweats and bobby pins\nThe beauty of her, a blind man can see, a true queen and \nshe needs me\nShe needs me, she needs me, she needs me, she needs me\nThe beauty of her, swear to God, a blind man can see, a true queen and she needs me\n[Chorus: JaVonté]\nThat girl is smoking, and can you believe that I'm her focus?\nIt ain’t hard to see she got me open, and together we are roller-coasting on\n[Verse 2: Kendrick Lamar]\nFive years later, an accounting major, work at a firm\nAbundance of paper, she got a career, she look in the rear\nView mirror of a Mercedes that she can steer\nCall her boss, executive meetings, consecutive trips, vacational weekends\nDior reeking through her Prada dress, probably the only product of her pure success\nGot a promotion, now she own the building\nHeaded to the top like she on the building, real estate, property\nShe order tender steak, only one mouth to feed, funded a youth center\nInvested in some stock, doubled what she put in, then bought a restaurant\nOh what a girl, how great life can be, even though she got the world, \nshe needs me\nShe needs me, she needs me, she needs me, she needs me\nOh what a girl, wonder how her life can be, and though she got the world, she needs me [Chorus: JaVonté]\nThat girl is smoking, and can you believe that I'm her focus?\nIt ain’t hard to see she got me open, and together we are roller-coasting on\n[Verse 3: Kendrick Lamar]\nWe lose touch, separated, years pass, I’m outdated\nShe’s dating one of Hollywood’s famous entertainers, Denzel good\nPaparazzi spot ‘em out shopping, Tuesday morning brunch, Benihana's\nTabloids paint a picture of a perfect couple\nHeadline reads when a famous actor loves you, Emmy Awards, Academy too\nOn the red carpet, dress matching his suit, she holding his arm\nShe waves at her moms and wave at the world, got the world in her palms\nHead in the clouds, star gazing, caught her on the stage, a proposal was waiting\nHe bent down, got on one knee, she looked him in the eye and said she needs me\nShe needs me, she needs me, she needs me, she needs me\nEven if we seem to separate, eventually it’ll come to pass, and she’ll need me\nI need her, we need we\n[Chorus: JaVonté]\nThat girl is smoking, and can you believe that I'm her focus?\nIt ain’t hard to see she got me open, and together we are roller-coasting on" } ]

[ { "from": "human", "value": "Write me a song called Sermon with the following description: Released on the 7th October 2016, “Sermon” is the second single lifted from James' second studio album, Back From The Edge.\nThe song is about making your lover know that you are there for them, and throughout the song, James is telling her that she can lay all of her problems on him, because whatever she has done, he will always forgive her. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: James Arthur]\nYou don't have to say you're sorry\nOr redeem yourself to me, oh\nI'm not asking for confessions\nYou don't even have to speak, no\n[Pre-Chorus: James Arthur]\nI need you to feel that you're more than enough\nI already know you're deserving of love\nThere's not a question that you are the one that I need\n[Chorus: James Arthur]\nThese are my words\nThis is my voice\nThat is my sermon\nGive me your heart\nGive me your pain\nGive me your burden\n'Cause I can take anything that you can give\nForgiving everything that you did\nThese are my words\nThis is my voice\nThat is my sermon\nMy sermon, yeah, my sermon, yeah\nMy sermon, yeah, my sermon, yeah [Verse 2: James Arthur]\nOh, time to turn this wine to water, yeah\nTime to turn this gold to lead, oh\nTime to stop taking this for granted, oh\nGotta keep my family fed, for life\n[Pre-Chorus: James Arthur]\nI need you to feel that you're more than enough\nI already know you're deserving of love\nThere's not a question that you are the one I need\n[Chorus - James Arthur]\nThese are my words\nThis is my voice\nThat is my sermon\nGive me your heart\nGive me your pain\nGive me your burden\n'Cause I can take anything that you can give\nForgiving everything that you did\nThese are my words\nThis is my voice\nThat is my sermon\nMy sermon, yeah, my sermon, yeah\nMy sermon, yeah, my sermon, yeah [Verse 3: Shotty Horroh]\nI don't know nothin' about the service\nThe clergy do in the churches\nI never read the book, though I knew the pages were turnin'\nI tried to sing the hymns, but I couldn't think of the verses\nTried to confess my sins, but I didn't know how to word it\nBut this is my sermon, firstly I'm emotionally drained\nSelf-medicatin', hopin' I can cope with the pain\nI need a fix 'cause that'll fix whatever's broke in my brain\nWho am I kiddin'? No, I'm goin' insane\nI wrote some quotes on this page\nJust trying to reach you and I hope you relate\nWell, I'll probably just throw them away\n'Cause I don't know what to say\nI feel weak when I'm supposed to be brave\nI seem free, but I'm enclosed in a cage\nDo I continue to ponder over the past\nThinkin' I could've done it better?\nDo I whimper from the future\nAnd buckle under the pressure?\nOr do I step to the plate, and go take the chance with my life\nCome face to face with the darkness\nSo I can stand in the light, like…\n[Bridge: James Arthur]\nWhen I feel your love upon me\nI know that I am truly blessed\nSometimes you've gotta face the darkness\nTo step into the light again [Chorus/Outro]\nThese are my words\nMy voice\nThat is my sermon\nGive me your heart\nGive me your pain\nGive me your burden\n'Cause I can take anything that you can give\nForgiving everything that you did\nThese are my words\nThis is my voice\nThat is my sermon\nMy sermon, yeah, my sermon, yeah\nMy sermon, yeah, my sermon, yeah\nMy sermon, yeah, my sermon, yeah\nMy sermon, yeah, my sermon, yeah\nMy sermon, yeah, my sermon, yeah\nMy sermon, yeah, my sermon, yeah\nThat is my sermon" } ]

[ { "from": "human", "value": "Write me a song called Everybody On the Floor with the following description: Game teams up with Atlanta rap group Migos to rap about strip clubs and their spending habits. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Quavo]\nMigos!\nBongo, Bombay\n[Chorus: Quavo]\nFuck up some money some more\nI'm all in the club with your ho\nBad bitches on the pole\nAll this money on the floor\nMoney! Everybody on the floor\nEverybody on the floor\nEverybody on the floor\nEverybody on the floor\nFuck up some money some more\nI'm all in the club with your ho\nBad bitches on the pole\n50 thousand on the floor\nEverybody on the floor\nEverybody on the floor\nEverybody on the floor\nEverybody on the floor\n[Verse 1: Quavo]\nQuavo! Yeah, it's Migos and Game in the club, nigga\nOrder up a whole dub, nigga, if you're broke I can't fuck with yah\nNo way! Broke nigga, only real niggas in my section\nThank the Lord for my blessings, I'm drippin' dab, salad dressing\nWhen I'm in LA I feel like Blake Griffin\nShout out to my trap, niggas in the kitchen\nYou came in with your bitch, now you say she missin' (where?)\nQC the label and we independent, Quavo the lieutenant (Huncho)\nLook up in the air, it's a money shower\nLook down at my Rollie, can't tell the hour\nMy diamonds so wet, think I need a towel\n (Shine)\nI'm trappin' a bomb like the Twin Towers\nWhen you get money, it come with the power\nYoung nigga came from havin' the sour\n3 hoes in the shower\nBeat it, I kill it, call me Michael Myers [Chorus: Quavo]\nFuck up some money some more\nI'm all in the club with your ho\nBad bitches on the pole\nAll this money on the floor\nMoney! Everybody on the floor\nEverybody on the floor\nEverybody on the floor\nEverybody on the floor\nFuck up some money some more\nI'm all in the club with your ho\nBad bitches on the pole\n50 thousand on the floor\nEverybody on the floor\nEverybody on the floor\nEverybody on the floor\nEverybody on the floor\n[Verse 2: Takeoff]\nFuck up some money some more\nIn the club spillin' Actavis all on my Louboutin toe\nYoung Rich Nation that's the clothing\nYoung nigga run up a check like Usain Bolt\nMy wrist spinnin' in the pot like a merry go\nI got the game in the walls of Jericho\nYou niggas rookies and I'm a professional\nRoll up a Backwood and stuff it with cookie dough\nHop out the Bentley, Young Rich Nation\nDiamonds dancin' soon as a nigga hit the door\nThrowing up money like a coin toss\nI bet the bitches go in and hit the floor\nMy niggas, they dogs and they bark like chico\nWent to Puerto Rico, plug name Enriquo\nIt's my way, my nigga, but no Carlito\nNiggas try to bite the swag and I'ma take it back like repo\nWe put that flow in the industry\nYou niggas know and you better remember me\nI hear y'all bitch ass niggas gossipin'\nJust call me Elmo cause y'all niggas tickle me\n (Ha)\nAll these diamonds look refrigerated\nIt costs 30 thousand just to look at me\nDrinkin' Actavis, I put a pint off in a can\nNow we call that oil sheen (Takeoff) [Chorus: Quavo]\nFuck up some money some more\nI'm all in the club with your ho\nBad bitches on the pole\nAll this money on the floor\nMoney! Everybody on the floor\nEverybody on the floor\nEverybody on the floor\nEverybody on the floor\nFuck up some money some more\nI'm all in the club with your ho\nBad bitches on the pole\n5 thousand on the floor\nEverybody on the floor\nEverybody on the floor\nEverybody on the floor\nEverybody on the floor\n[Verse 3: The Game]\nUsed to get my chickens from Tijuana\nSo I been fucking with the Migos\nYeah nigga it’s killing season, I’m paid in full, I’m rico\nThey tryna hit me with the R.I.C.O, but I’m lowkey with them kilos\nThat 8-Ball's fat as Cee-Lo ‘til they barged in like Chico\nThey ain’t find shit but Nemo, had to take a break like free throws\nYou ain’t get your dick sucked today, that’s no neck, Benzino\nLeft eye in that peephole, got me sipping all on this Clicquot\nNiggas feel they Debo, put the Glock nine in your ego\nYeah I grew up whipping the baking soda\nHad to shave an onion just to make my quota\nI was playing ball, knocked out a cop\nCan’t talk about it ‘cause the case is open\nBusiness a game ‘til the rape is open\nTwo desert Eagles, that’s chain smoking\nYeah, niggas bark like niggas hard\nBut wanna sue a nigga when his face swollen\nHammer on 'em, too legit, Maserati with the kit\nI got 20-20 vision, I see diamonds on my wrist\nI see mami with the shit, and she pop it while she strip\nEverybody taking shots, I’m 2Pac up on the strip, nigga [Chorus: Quavo]\nFuck up some money some more\nI'm all in the club with your ho\nBad bitches on the pole\nAll this money on the floor\nMoney! Everybody on the floor\nEverybody on the floor\nEverybody on the floor\nEverybody on the floor\nFuck up some money some more\nI'm all in the club with your ho\nBad bitches on the pole\n50 thousand on the floor\nEverybody on the floor\nEverybody on the floor\nEverybody on the floor\nEverybody on the floor" } ]

[ { "from": "human", "value": "Write me a song called Go Off with the following description: Travis Scott, Quavo and Lil Uzi Vert collaborated on the theme song for the 8th installment of the Fast & Furious series called “The Fate of the Furious”.\nThe single was made available on streaming services on March 2, 2017 and it’s the second track on “The Fate of the Furious: The Album”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Quavo]\nYeah, yeah, yeah\nYeah, yeah, yeah (Yah)\nYeah, yeah, yeah (Ooh)\n[Chorus: Quavo & \nTravis Scott\n]\nOne more ride (Ride)\nOne more race (Race)\nWe go all out (All out)\nWe don't play\nOne more ride, one more race\nWe don't slow down, ain't no brakes\n (Ooh)\nI'ma go off (\nYah, yah\n)\nI'ma ride tonight (\nYah\n)\nIt don't matter what we face (Yah)\nI'ma go off (\nStraight up\n)\nI'ma ride tonight\n (Yah)\nI'm the master of my fate\n (Ooh)\nI'ma go off (Yah)\nI'ma go off\n (Go off)\nI'ma go off (Yah)\nI'ma go off\nYah, I gotta go now\n[Verse 1: Quavo]\nTakin' off and I'm ridin' on the road now\nHit the gas, no brakes, gotta go now\nPut my life on the line, yeah, it's on me\nBlood rushin' through my veins, no IV\nRide, switchin' lanes, you can't stop me\nYou can smell the propane when you pass me (Propane)\nRide for the gang because I'm the chief (Gang, gang)\nHelicopter hoverin', it's high speed\nChase, drive, straight (Drive)\nI'ma, race, to the, cake (Cake, drive)\nFlame, on it, no chain, on me (On me)\nAll of, us, became, homies [Chorus: Quavo & \nTravis Scott\n]\nOne more ride (Ride)\nOne more race (Race)\nWe go all out (All out)\nWe don't play\nOne more ride, one more race\nWe don't slow down, ain't no brakes\n (Ooh)\nI'ma go off (\nYah, yah\n)\nI'ma ride tonight (\nYah\n)\nIt don't matter what we face (Yah)\nI'ma go off (\nStraight up\n)\nI'ma ride tonight\n (Yah)\nI'm the master of my fate\n (Ooh)\nI'ma go off (Yah)\nI'ma go off\n (Go off)\nI'ma go off (Yah)\nI'ma go off\nYah, I gotta go now\n[Verse 2: Travis Scott]\nNine-nine, nine-nine (Yah)\nYou're rockin' with the ether child in overdrive (Yah, yah)\nYeah, yeah, I-5 to I-9\nWe go all night, yeah (\nOoh,\n straight up)\nDouble 0 speed, double 0 shift (Yah)\nI hit the fourth gear, hope I don't drift (Yah, yah)\nSouped up cars all around me (Yah, yah)\nHot-boxin' at a high speed (Yah, yah)\nOne lane drivin' (Ooh-ooh, yah)\nBad thing 'side me (Ooh-ooh, yah)\nOne more time on the road (It's lit)\nOne more time 'fore we go (Straight up) [Chorus: Quavo & \nTravis Scott\n]\nOne more ride (Ride)\nOne more race (Race)\nWe go all out (All out)\nWe don't play (Go off)\nOne more ride, one more race\nWe don't slow down, ain't no brakes\n (Ooh)\nI'ma go off (\nYah, yah\n)\nI'ma ride tonight (\nYah\n)\nIt don't matter what we face (Yah)\nI'ma go off (\nStraight up\n)\nI'ma ride tonight\n (Yah)\nI'm the master of my fate\n (Ooh)\nI'ma go off (Yah)\nI'ma go off\n (Go off)\nI'ma go off (Yah)\nI'ma go off\nYah, I gotta go now\n[Verse 3: Lil Uzi Vert]\nGotta go now (Go now)\nGotta go, swervin' in my whip can't slow down (Go, skrrr)\nDrivin' fancy cars, boy, I'm on the road now (Hmm)\nAutomatic start, my Vic take a code now (Now)\nYuh, rockstar, heavy metal, no guitar (Guitar)\nWhy you pay so much for yo' Nissan? Because it's GTR (R)\nFirst, I shift it, click it, burnin' rubber like I'm movin' dark (Yah)\nDrive at night, I chop my top so I can relate to the stars\nYeah, relate to the stars\nI'ma race you for a pink slip\nI got nitrous in my car so tell me what you thinkin'\nMy adrenaline start pumpin' so I been stopped blinkin' [Chorus: Quavo & \nTravis Scott\n]\nOne more ride (Ride)\nOne more race (Race)\nWe go all out (All out)\nWe don't play (Go off)\nOne more ride, one more race\nWe don't slow down, ain't no brakes\n (Ooh)\nI'ma go off (\nYah, yah\n)\nI'ma ride tonight (\nYah\n)\nIt don't matter what we face (Yah)\nI'ma go off (Yah)\nI'ma go off\n (Go off)\nI'ma go off (Yah)\nI'ma go off\nYah, I gotta go now" } ]

[ { "from": "human", "value": "Write me a song called Dreams with the following description: “Dreams” is an introspective track from Detroit MC Big Sean that appears on his project Finally Famous: The Mixtape. On the track, Sean discusses his goals and aspirations in the rap game, while reflecting on his rapping abilities and burgeoning career. Sean confirms that his primary motivation in the rap game is making money and becoming wealthy. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Big Sean]\nThat into it, spitta so intricate\nIf they ain't feeling him they get the boot like Timberland\nThey still hating, I reboot 'em like computers\nAnd let them know that your boy on the ball no hooping\nBut from downtown like a three-point shooter\nTo uptown they feel a nigga deeper than masseuses\nThe truth is I does this, spitting like I was toothless\nComing to you clearer than blueprints, I move in\nThey sleeping on me man and I ain't sheets\nBloodsuckers so I'm calling 'em leech\nI gotta eat and I'm hungry like I skipped breakfast, where's the ketchup?\nI'm tryna cop the Benz or Lexus for winter time\nSo I ain't gotta go head up to Enterprise\nJust to get my ass up in a ride\nBut nigga's can’t see me like they born with tinted eyes?\nTo me you little so to see you I got squinted eyes\nAnd I'm just tryna show all of y’all I'm a soulful dude\nCompared to me you got about as much sole as shoes\nAnd soul is food, to prove this ask your chick\nShe all on my dick cause I push it like a pool stick\nWho is this you’re asking?\nHe’s cold as Alaskans, I'm on point like assassins\nY’all as common as Jasmines and Ashleys\nAnd if you ask me you’re never gonna pass me, sheesh, I’m good [Hook: Big Sean]\nYeah, you really wanna talk about good I'm good\nYou r-really wanna talk about good I'm good\nJust a nigga out the hood\nWith dreams of being, dreams of being, dreams of being rich\n[Verse 2: Big Sean]\nAt a instant, fresh out the trenches\nPutting competitive nigga's back on they benches\nI make that money my apprentice\nCause it lift me up like benching\nYour baby girl wanna trap me like a prison but I can see through her like prisms\nAfter I'm hitting I'm dipping, banana split 'n gone\nAnd I'mma throw it to you harder than a quarterback\nWorking with a dime I'm just tryna get a quarter back\nWhipping up that crack music, you should order that\nEvery 16 is a quarter that you need to hit\nWell that's cool, I'm the number one pusher\nIf a nigga want heat I'm the number one cooker\nIf a nigga want beef I'm the number one butcher\nI-I-I wrap around that green like a Swisher\nMy intention of ends getting is hella high\nAnd y'all ain't getting your groove back like Stella di'\n[Hook x2]" } ]

[ { "from": "human", "value": "Write me a song called Roulette with the following description: In “Roulette,” Katy Perry discusses letting down her walls for a night. Her past lover comes back into her life and she takes it as a chance to enjoy herself. The game of roulette is very luck based, just like Katy’s night out on the town. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI'm uptight\nPlaying by the rules in this game of life\nThree hundred sixty-five days on the grind\nSomething's stirring, I might need to unwind\nThen, there's you\nTexting me a little bubble of trouble\nI've tried to ignore these thoughts that rumble\nI think I'm bored of being so careful\n[Pre-Chorus]\nBig city lights\nGot me flirting with fire\nTonight I'ma let my hair down\nHave a few rounds and just let go\n[Chorus]\nLike roulette, ooh-ooh\nWanna close my eyes and roll it with you\nLike roulette, oh-oh\nWanna lose control and forget with you\nLike roulette (\nAh, ah-ah-ah\n)\nLet's roll it (\nAh, ah-ah-ah\n)\n[Verse 2]\nThey say, \"Everything in moderation\"\nAnd sometimes, you got to give in to temptation\nSo I drop a pin to my location\nLet's roll the dice [Pre-Chorus]\nBig city lights\nGot me flirting with fire\nTonight I'ma let my hair down\nHave a few rounds and just let go\n[Chorus]\nLike roulette, ooh-ooh\nWanna close my eyes and roll it with you\nLike roulette, oh-oh\nWanna lose control and forget with you\nOh, like roulette (\nAh, ah-ah-ah\n)\nLet's roll it (\nAh, ah-ah-ah\n)\nLike roulette (\nAh, ah-ah-ah\n)\nLet's roll it (\nAh, ah-ah-ah\n)\n[Bridge]\nSo tonight, we test limits (\nTest limits\n)\nTake the safety off for a minute (\nFor a minute\n)\n'Cause my love's a bullet with your name written on it\nJust load it and spin it\n[Chorus]\nLike roulette, ooh-ooh\nWanna close my eyes and roll it with you (\nClose my eyes with you\n)\nLike roulette (Oh), ooh-ooh\nWanna lose control and forget with you (\nLose control, lose control\n)\nLike roulette (\nAh, ah-ah-ah\n)\nLet's roll it (\nAh, ah-ah-ah\n)\n(\nLet's roll it\n)\nLike roulette (\nAh, ah-ah-ah\n)\n(\nLike roulette\n)\nWanna close my eyes and roll it with you (\nAh, ah-ah-ah\n)\nLike roulette" } ]

[ { "from": "human", "value": "Write me a song called Artist Archive: Linkin Park with the following description: This page serves as an initial archive of online resources pertaining to Linkin Park. Examples of works contained within in this archive include:\n\nInterviews (magazines, radio, video)\nPhotoshoots\nAwards and accomplishments\nCritical reviews\nNotable references (official websites and social media posts)\n\nNote that this is currently a work in progress – for more information and/or to help contribute to this project please feel free to post in the forum or contact treflip directly. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Discography\nOne More Light (2017)\nThe Hunting Party (2014)\nRECHARGED (2013)\nLIVING THINGS (2012)\nA Thousand Suns (2010)\nMinutes to Midnight (2007)\nMeteora (2003)\nReanimation (2002)\nHybrid Theory (2000)\nFilmography\nAwards & Accomplishments\nInterviews\n2016\nARTICLE NAME, \nPUBLISHER NAME\n, DATE PUBLISHED\n2015 Linkin Park" } ]

[ { "from": "human", "value": "Write me a song called Saint with the following description: “Saint” is the sixth track from American rappers Travis Scott and Quavo’s 2017 collaborative album, Huncho Jack, Jack Huncho.\nIt is a braggadocious track from Travis and Quavo’s perspective about their rap career successes, their wealth, and their material gains. For the chorus, Travis borrows his flow from his version of MadeinTYO’s “Uber Everywhere”.\nPrior to its release, the song had not been previewed by either artist and was first revealed on the December 21, 2017, a day before the album’s release.\nThe song features a producer tag from Murda Beatz which is spoken by Canadian rapper Baka. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Travis Scott]\nYeah, yeah\nYeah, yeah\nYeah, yeah\nMurda on the beat, so it's not nice\n[Chorus: Travis Scott]\nYeah, mama built a saint (Saint, yeah)\nYeah, countin' up the O's, I thank (Thank, alright)\nYeah, lookin' at the O's I drank (Aw, it's lit)\nYou can't see that on the road, I blank\nYeah, mama built a saint (Saint, yeah)\nYeah, countin' up the O's, I thank (Thank, alright)\nYeah, lookin' at the O's I drank (Aw, it's lit)\nYou can't see that on the road, I blank\n[Verse 1: Quavo]\n(Huncho)\nWhat I bought (What you buy?)\nI'm just lookin' at this mansion I bought (Straight cash)\nIt just came with fifteen rooms and a vault (Fifteen)\nOcean in the back, top floor a loft (Woo), ayy\nWe gonna slide today (We gonna slide, slide, slide)\nShe drowning, swim in the Ace\nMob ties, no lace\n, putting young niggas in place (Mob ties)\nRemember back then I finessed on my face (Finesse)\nJanSport book bag and a throwaway (Gone) [Chorus: Travis Scott]\nYeah, mama built a saint (Saint, yeah)\nYeah, countin' up the O's, I thank (Thank, alright)\nYeah, lookin' at the O's I drank (Aw, it's lit)\nYou can't see that on the road, I blank\n[Verse 2: Travis Scott & \nQuavo\n]\nNah, lit ain't lit for me, yeah, yeah\nA four in Brisk, that's my cup of tea, yeah\nLook behind the blinds, nobody can see, yeah\nCollect the platinum hits like they jewelry, yeah\nI might charge you fifty thousand for the sauce (Sauce and drip)\nAce Ventura, Marino, I play with dolphins (Dolphins, splash)\nCount up the deads, no coffin (Coffins, deads)\nPullin' out that fire, out that arson\nA lot of jelly on this PJ, made it say 4K (Yah)\nYou niggas 'round runnin' down my juice, I ran it back, OJ (It's lit)\nRubber bands make 'em twerk, diamonds make 'em twerk (Pop it, pop it)\nOut in LIV every Sunday like you goin' to church\nFuck wrong with these niggas? (Ooh)\n[Chorus: Travis Scott]\nYeah, mama built a saint (Saint, yeah!)\nYeah, countin' up the O's, I thank (Thank, alright!)\nYeah, lookin' at the O's I drank (Aw, it's lit!)\nYou can't see that on the road, I blank" } ]

[ { "from": "human", "value": "Write me a song called Everytime with the following description: “Everytime” by Britney Spears is featured in Britney 2.0, the second episode of Season Four. It is sung by Marley, played by Melissa Benoist.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[MARLEY]\nNotice me, take my hand\nWhy are we strangers\nWhen our love is strong?\nWhy carry on without me?\nEvery time I try to fly, I fall\nWithout my wings, I feel so small\nI guess I need you, baby\nEvery time I see you in my dreams\nI see your face, it's haunting me\nI guess I need you, baby\nI make believe that you are here\nIt's the only way I see clear\nWhat have I done?\nYou seem to move on easy\nAnd every time I try to fly, I fall\nWithout my wings, I feel so small\nI guess I need you, baby\nAnd every time I see you in my dreams\nI see your face, you're haunting me\nI guess I need you, baby\nI may have made it rain\nPlease, forgive me\nMy weakness caused you pain\nAnd this song's my sorry Oh\nAt night, I pray\nThat soon your face will fade away\nEvery time I try to fly, I fall\nWithout my wings, I feel so small\nI guess I need you, baby\nAnd every time I see you in my dreams\nI see your face, you're haunting me\nI guess I need you, baby" } ]

[ { "from": "human", "value": "Write me a song called All This Time with the following description: Perhaps the most sincere love song released by OneRepublic, “All This Time” was presumably written for Ryan Tedder’s wife, Genevieve. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nSix on the second hand to New Years' resolutions\nAnd there's just no question what this man should do\nTake all the time lost, all the days that I cost\nTake what I took and give it back to you\n[Chorus]\nAll this time we were waiting for each other\nAll this time I was waiting for you\nWe got all these words, can't waste them on another\nSo I'm straight in a straight line running back to you\n[Verse 2]\nI don't know what day it is, I had to check the paper\nAnd I don't know the city, but it isn't home\nBut you say I'm lucky to love something that loves me\nBut I'm torn as I could be wherever I roam\nHear me say...\n[Chorus]\nAll this time we were waiting for each other\nAll this time I was waiting for you\nWe got all these words, can't waste them on another\nSo I'm straight in a straight line, running back to you\nYeah, oh, running back to you\nOh, running back to you, yeah [Bridge]\nOh, and we're just so far\nAnd we're just so far\nTo get back where you are\n[Chorus]\nAll this time we were waiting for each other\nAll this time I was waiting for you\nWe got all this love, can't waste it on another\nSo I'm straight in a straight line, running back to you\nI'm straight in a straight line, running back to you, yeah\nStraight in a straight line, running back to you" } ]

[ { "from": "human", "value": "Write me a song called The Heart Part 4 with the following description: On “The Heart Part 4,” Kendrick Lamar floats across four distinct beat changes, describing his industrious lifestyle while challenging his contemporaries. He finishes the song with the line “Y’all got ‘til April the 7th to get y’all shit together,” which is when TDE released the pre-order for his new album on iTunes. The song is Kendrick’s first single of 2017, which he initially teased in a now-deleted Instagram post the day before its release.\nThe sounds in the background at the beginning are present on DAMN.’s seventh track, titled “PRIDE.” The first beat switch at the 1:20 minute-mark is taken from track twelve, titled “FEAR.,” while the second transition at 1:38 is from track four, titled “ELEMENT.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nDon't tell a lie on me\nI won’t tell the truth 'bout you\nDon't tell a lie on me\nI won’t tell the truth 'bout you\n[Verse 1]\nThirty millions later, my future favors\nThe legendary status of a hip-hop rhyme savior\nTravel round the atlas in this spaceship\nCandy-coated, my day shift's\nBeen devoted to fuckin' up bundles of paper\nPi equals three-fourteen\nThe devil's pie is big enough to justify the whole thing\nWait up, lampin' in Jamaica\nThe clouds turnin', my thoughts turnin'\nBurnin’ castor oil, yo I been determined to make an earnin’\nThis seed in this soil is classified\nI'm satisfied when I strategize my kid’s future\nI ain't sanctified enough to say that I won't shoot ya\nI done vandalized the industry full circuit\nThe earthiest slash thirstiest nigga you know versus this\nScum of a land that transcend two surfaces\nThe richer the poorer, the bigger the picture\nThe more blood pours, but— [Chorus]\nDon't tell a lie on me\nI won’t tell the truth 'bout you\nDon't tell a lie on me\nI won't tell the truth 'bout you\n[Verse 2]\nMy fans can't wait for me to son ya punk-ass\nAnd crush ya whole lil' shit\nI'll Big Pun ya punk-ass, you a scared lil' bitch\nTiptoein' around my name, nigga, you lame\nAnd when I get at you, homie\nDon't you just tell me you was just playin'\n\"Oh, I was just playin', K-Dot\nC'mon, you know a nigga rock witchu, bro\n\"\nShut the fuck up, you sound like the last nigga I know\nMight end up like the last nigga I know\nOh, you don't wanna clash? Nigga, I know\nI put my foot on the gas, head on the floor\nHoppin' out before the vehicle crash, I'm on a roll\nYellin', \"One, two, three, four, five\nI am the greatest rapper alive\"\nSo damn great, motherfucker, I've died\nWhat you hearin' now is a paranormal vibe\nHouse on the hill, house on the beach, nigga (Facts)\nA condo in Compton, I'm still in reach, nigga (Facts)\nI'm fresh out the water, I'm 'bout to breach, nigga\nThe five-foot giant woke up out of his sleep, nigga\nOh yeah, oh yeah, mo' cars, mo' lears\nMo' bars, no peers, no scars, no fear—fuck y'all, sincere\nI heard the whispers, I curved the whispers\nYou know what the risk is\nEarthed in ditches, your body revertin' to stiffness\nThe whole world gone mad\nBodies is addin' up, market's about to crash\nNiggas is fake rich, bitches is fake bad\nBlacks that act white, whites that do the dab\nDonald Trump is a chump\nKnow how we feel, punk—tell him that God comin'\nAnd Russia need a replay button, y'all up to somethin'\nElectorial votes look like memorial votes\nBut America's truth ain't ignorin' the votes\nIt's blasphemy, how many gon' blast for me?\nI prophesized on my last song, you laughed at me\nBut when the shit get brackin', don't you ask for me\nHow many leaders gon' tell you the truth after me?\nG Malone, big bro, kudos to him\nI was two O's from a M, tryna be big as Em\nThirty millions later, my future favors\nThe legendary status of a hip-hop rhyme savior\nSalmon and capers, fame and lawsuits\nYou lookin' at me in Chucks, I'm lookin' at y'all suits\nMe and Top Dawg playin' rock-paper-scissors in court\nA real hustler lose money just to go get some more\nI said it's like that, dropped one classic, came right back\n'Nother classic, right back\nMy next album, the whole industry on a ice pack\nWith TOC, you see the flames\nIn my E-Y-E's—it's not a game\nAnd the whole world is goin' mad, daddy, it's sad, daddy\nMy only advice? Go and get you a bag, daddy\nLee Baca on trial tryna portray a boxer\nBeatin' up on my niggas while the CO's watch him\nTables turned, lesson learned, my best look\nYou jumped sides on me, now you 'bout to meet Westbrook\nGo celebrate witcha team and let victory vouch you\nJust know, the next game played I might slap the shit out you\nTechnical foul, I'm flagrant, I'm foul\nThey throwin' me out, you throw in the towel\nLook at the crowd, they— (Naw, I don't like that)\nLook at my smile, I'm smirkin'\nCalm but urgent (That ain't the style, fuck!)\nSo many verses, you live in denial (Fuck!)\nSo many verses, I never run out (What?)\nYou makin' him nervous, the music is loud\nHo, JAY-Z Hall of Fame, sit yo' punk-ass down!\n(Sit yo punk-ass down)\nSo that means you ain't bigger than rapping (What else?)\nSo that means no more playin' the back scenes (What else?)\nMy spot is solidified if you ask me (What else?)\nMy name is identified as \"That King\"\nI'll let y'all worry 'bout a list, I'm on some other shit\nA difference between accomplishments and astonishments\nYou know what time it is, ante up, this is in forever\nY'all got 'til April the 7th to get y'all shit together [Outro]\nLet's get it!\nLook, look!\nOn foenem" } ]

[ { "from": "human", "value": "Write me a song called Computerized with the following description: Leaked in 2014, “Computerized” is the perfect storm of rap, rock, and electronica, a collaboration between the biggest rapper in the world, Jay Z, and the biggest dance artist in the world, Daft Punk.\nHov had previously rapped with a twinge of disdain for ubiquitous technology, but here, he makes that theme explicit, arguing that we abbreviate our relationships and our lives through the constant use of phones and devices. Of course, this gels perfectly with Daft Punk’s major theme of blurring the lines between technology and humanity, expressed so well in songs like “Robot Rock” and “Technologic” (and, of course, in their costumes).\n\nRumours circling the track’s early leak placed Kanye West at the co-producer helm; however, despite his previous work with the Parisian duo on 2013’s Rap Genius album of the year Yeezus and 2007’s “Stronger,” Pitchfork confirmed that his involvement was exactly that, a rumour.\nIn 2016 it was revealed the track was recorded for Daft Punk’s TRON: Legacy soundtrack, after Walt Disney Records “tortured” the duo for a single. It was eventually deemed “too rooted in real life” for it to be appropriate, and so was never released. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced By Daft Punk]\n[Hook]\nComputerized\nComputerized\nComputerized\nEveryone will be...\nComputerized\n[Verse 1: Jay Z]\nShe says I'm cold\nOnly time I'm comfortable kissing is sending X and Os\nI send a message back to dispute this fact, but this I know\nI hope to find my love, like we used to before dial-up\nWhatever happened to our phone sex?\nRight now, can't think of anything we don't text\nI broke her heart on the email\nI'm so cold, I'ma just spare y'all the details\nI can't even tell y'all whats real\nI got an iTouch, but I can't feel\n[Hook]\nComputerized\nComputerized\nComputerized\nEveryone will be...\nComputerized [Bridge 1]\nPast was the word, now I'm living in the future\nPast was the word, now I'm living in the future\nPast was the word, now I'm living in the future\n[Verse 2: Jay Z]\nStart mackin' on my black berry\nShe got jealous I was tappin' on my Blackberry\nSo she didn't keep in touch\nAnd I can't tell the difference\nWe ain't see each other much\nAside from some late night texts\nA couple Os, a few Xs\nMy current feels just like my exes\nDifferent characters, same letters\nRed light, another message\nSpilling her heart out, what a mess this is\nP.S., this is B.S., I can't even spell it out\nAm I that unaffectionate?\n[Hook]\nComputerized\nComputerized\nComputerized\nEveryone will be...\nComputerized [Bridge 2: Jay Z]\nI don't know how I feel\nSomebody tell me what's real\nI don't know how I feel\nSomebody tell me what's real\nI don't know how I feel\nSomebody tell me what's real\nI don't know how I feel\nSomebody tell me what's real\nI don't know how I feel\nSomebody tell me what's real\nI don't know how I feel\nSomebody tell me what's real\n[Bridge 1]\nPast was the word, now I'm living in the future\nPast was the word, now I'm living in the future\nPast was the word, now I'm living in the future\nPast was the word, now I'm living in the future\nPast was the word, now I'm living in the future\nPast was the word, now I'm living in the future\nPast was the word, now I'm living in the future\n[Verse 3: Jay Z]\nShe said it got better and worser\nAnd it's supposed to be vice-versa\nI don't know, I kinda like this surf stuff\nWe used to see tears when we hurt stuff\nI guess it got faster but colder\nWe iChat, that's how she comes over\nThat's better than not seeing her\nAnd I'm so glad I'm serving her like Serena\nShe can YouTube in the arena\nAnd we close, no matter how many miles between us\nI told her, \"Welcome to the future\"\nThat's just how it is, I'm a user [Hook]\nComputerized\nComputerized\nComputerized\nEveryone will be...\nComputerized" } ]

[ { "from": "human", "value": "Write me a song called Numb with the following description: This song samples a line from Kanye West’s “Can’t Tell Me Nothing”.\nThis is also Rihanna’s and Eminem’s third time collaborating after their previous collaboration in “Love the Way You Lie”, “Love The Way You Lie, Pt. II”, then their fourth collaboration in Eminem’s The Marshall Mathers LP2, “The Monster”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Rihanna]\nEcstasy in the air\nI don't care\nCan't tell me nothing\nI'm impaired\nNo worse for wear\n[Chorus: Rihanna & \nKanye West\n]\n'Cause I'm going numb\nI'm going numb, I'm going numb\nI'm going numb, I'm going numb\n(\nLet the champagne splash, let that man get cash\nLet that man get past, let that man get cash\n)\nI'm going numb, I'm going numb\nI'm going numb, I'm going numb\nI'm going numb, I'm going numb\nI'm going numb, I'm going numb\n(\nLet the champagne splash, let that man get cash\nLet that man get past, let that man get cash\n)\nI'm going numb, I'm going numb\nI'm going numb, I'm going\n[Verse 2: Rihanna]\nCan't you see?\nAin't it clear\nI don't care\nGet closer to me\nIf you dare\nI double dare [Chorus: Rihanna & \nKanye West\n]\n'Cause I'm going numb\nI'm going numb, I'm going numb\nI'm going numb, I'm going numb\n(\nLet the champagne splash, let that man get cash\nLet that man get past, let that man get cash\n)\nI'm going numb, I'm going numb\nI'm going numb, I'm going numb\nI'm going numb, I'm going numb\nI'm going numb, I'm going numb\n(\nLet the champagne splash, let that man get cash\nLet that man get past, let that man get cash\n)\nI'm going numb, I'm going numb\nI'm going numb, I'm going\n[Verse 3: Eminem]\nI'm plastered (dry wall)\nLook me in my (eyeball)\nDo I look high? (no!)\nI love the way you lie girl\nYeah, yeah, yeah, come here dear\nI'm tryna get closer to you\nI'm motionin' you to pull over, boo\nI'm the siren that you hear (hear)\nI'm the butt police and I'm lookin' at your rear, rear, rear\nBut odds are I'ma end up in the back of a squad car\nBy the end of tonight, I'm a rock star\nGet your wind up, it's attack of the oddball\nHomie can you show me where the gosh darn bath salts are\n'Cause I'm sick of sniffin' asphalt\nEvery thought scarred got my pants off at the crosswalk\nIn suspenders and I can't feel my lips 'cause— [Chorus: Rihanna & \nKanye West\n]\n'Cause I'm going numb\nI'm going numb, I'm going numb\nI'm going numb, I'm going numb\n(\nLet the champagne splash, let that man get cash\nLet that man get past, let that man get cash\n)\nI'm going numb, I'm going numb\nI'm going numb, I'm going numb\nI'm going numb, I'm going numb\nI'm going numb, I'm going numb\n(\nLet the champagne splash, let that man get cash\nLet that man get past, let that man get cash\n)\nI'm going numb, I'm going numb\nI'm going numb, I'm going" } ]

[ { "from": "human", "value": "Write me a song called Lover (Remix) with the following description: The third single and title track from Taylor Swift’s seventh studio album, Lover was remixed featuring Canadian singer-songwriter Shawn Mendes and released on November 13th, 2019.\nSwift revealed what she called a “collaborashawn” through her social media platforms. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Taylor Swift]\nWe could leave the Christmas lights up 'til January\nAnd this is our place, we make the rules\nAnd there's a dazzling haze, a mysterious way about you, dear\nHave I known you 20 seconds or 20 years?\n[Chorus: Taylor Swift]\nCan I go where you go?\nCan we always be this close?\nForever and ever, ah\nTake me out, and take me home\nYou're my, my, my, my lover\n[Verse 2: Shawn Mendes \nwith Taylor Swift\n]\nWe could light a bunch of candles\nAnd dance around the kitchen, baby\nPictures of when we were young would hang on the wall\nWe would sit on the stoop\nI'll sing love songs to you when we're eighty\nSee, I finally got you now, honey,\n I won't let you fall\n[Chorus: Taylor Swift & Shawn Mendes, \nShawn Mendes\n]\nCan I go where you go?\nCan we always be this close?\nForever and ever, ah\nTake me out, and take me home (Forever and ever)\nYou're my, my, my, my \nlover [Bridge: Taylor Swift, \nShawn Mendes\n & \nBoth\n]\nLadies and gentlemen, will you please stand?\nWith every guitar string scar on my hand\nI take this magnetic force of a man to be my lover\nLook in my eyes, they will tell you the truth\nThe girl in my story has always been you\nI'd go down with the Titanic, it's true, for you,\n \nlover\nAnd you'll save all your \ndirtiest jokes for me\nAnd at every table, I'll save you a seat,\n lover (\nSave you a seat\n)\n[Chorus: Taylor Swift & Shawn Mendes, \nShawn Mendes\n & \nTaylor Swift\n]\nCan I go where you go? (\nCan I go where you go, baby?\n)\nCan we always be this close?\nForever and ever, ah\nTake me out, and take me home (\nForever and ever\n)\nYou're my, my, my, my\nOh, you're my, my, my, my\nDarling, you're my, my, my, my \nlover" } ]

[ { "from": "human", "value": "Write me a song called To Be Human with the following description: “To Be Human” is an anthemic song with a cinematic build up recorded by Australian artist Sia for the Original Soundtrack of the 2017 movie, Wonder Woman. It features English singer-songwriter, Labrinth.\nOn the song, Sia and Labrinth sing about what it truly means to be a human. The song directly relates to Gal Gadot’s character, Diana Prince, who is not a ‘human’ but has to adjust to the life of a human. Towards the end of the movie, Wonder Woman aka Diana Prince chooses love over hatred.\nThe song was released ahead of the film’s release on June 2, 2017. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Sia]\nUnder rich, relentless skies\nI've been setting highs\nI felt you walk right through me\nYou're the thing that I invoke\nMy old, persistent ghost\nSent to make me queazy\n[Pre-Chorus: Labrinth]\nAnd oh, it's hard now\nWith time, it works out\n[Chorus: Sia & Labrinth]\nTo be human is to love\nEven when it gets too much\nI'm not ready to give up\nTo be human is to love\nEven when it gets too much\nI'm not ready to give up\n[Verse 2: Sia]\nAll the tigers have been out\nI don't care, I hear them howl\nI let them tear right through me\nCan you help me not to care?\nEvery breath becomes a prayer\nTake this pain from me [Pre-Chorus: Labrinth]\nAnd oh, you're so far now\nSo far from my arms now\n[Chorus: Sia & Labrinth]\nTo be human is to love\nEven when it gets too much\nI'm not ready to give up\nTo be human is to love\nEven when it gets too much\nI'm not ready to give up\nTo be human\nTo be human\nTo be human\n[Bridge: Sia & Labrinth]\nJust 'cause I predicted this\nDoesn't make it any easier to live with\nAnd what's the point of knowin' it\nIf you can't change it? You can't change, can't change it\nJust 'cause I predicted this\nDoesn't make it any easier to live with\nAnd what's the point of knowin' it\nIf you can't change it? You can't change, can't change it\n[Chorus: Sia & Labrinth]\nTo be human is to love\nEven when it gets too much\nI'm not ready to give up\nTo be human is to love\nEven when it gets too much\nThere's no reason to give up [Outro: Sia]\nDon't give up" } ]

[ { "from": "human", "value": "Write me a song called Young with the following description: “Young,” the first track from Sam Smith’s third studio album Love Goes, tackles the immense pressure Smith felt during the beginning of their career.\nFollowing the track’s release, Smith sat down with Clara Amfo for an interview for BBC Sounds where they commented on the decision to put “Young” as the opening track:\nI wanted this to be an honest declaration before we get into the record, I want people to forgive me [for the mistakes I make, for being young].\nIn making this track Sam indicated also that they wanted “a chance to have fun.” This acapella song is the first of what they regarded as “little momentos,” experimenting with “different characters, different clothes”, so that each song is completely unique. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI want to be wild and young\nAnd not be afraid to lose\nCry on my own, me and my bottle\nThese are the things I choose\n[Chorus]\nBut they're watching me, judging me\nMaking me feel so used\nCan't you see that all I wanna do\nIs get a little wild, get a little high\nKiss a hundred boys and not feel like I'm tied to them\nIf you wanna judge me, then go and load the gun\nI've done nothing wrong, I'm young\n[Verse 2]\nOh-oh, oh-oh\nI wanna fight and fall off the tables\nThen wait to regret last night\nMy heavy heart pounds deep like a dagger\n'Cause I'm not afraid to bite\n[Chorus]\nBut they'rе watching me, judging me\nMaking me feel so usеd\nCan't you see that all I wanna do\nIs get a little wild, get a little high\nKiss a hundred boys and not feel like I'm tied to them\nIf you wanna judge me, then go and load the gun\nI've done nothing wrong, I'm young [Outro]\nGet a little wild, get a little high\nKiss a hundred boys and not feel like I'm tied to them\nIf you wanna judge me, then go and load the gun\nI've done nothing wrong, I'm young" } ]

[ { "from": "human", "value": "Write me a song called Intro III with the following description: On “Intro III,” NF talks about his old fears and describes the changes he has made to conquer them. At the end of the track, NF realizes that he can’t fully destroy his fear, because it is the root of most of his problems.\nNF described the track as the second part of 2015 title track, “Mansion” and how it’s a continuation of the third verse, which dealt with fear. “Intro III” was first announced through NF’s Twitter account, then confirmed by his song, “Outro.”\nListen to Intro III, trying to kill my fear\nThey’ll get that in a minute\nIn an Instagram Live, NF described that “Intro III” was the hardest song he has ever attempted to write, taking him over two weeks to finish the song. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse: Fear & \nNF\n]\nWhat, are you scared of me? That's embarassin'\nIf it wasn't for me, you would've never wrote \nTherapy\nI've been here for you, but how come you're never there for me?\nIt's a little bit twisted, but I miss when you and I had scary dreams\nI don't really wanna talk about it!\nWell, that's too bad now, Nate\nShut up!\nNow, where were we?\nWell, back in the day when\nYou and I had it all mapped out in the basement\nCryin' in your room like a baby\n\"I wish mom was here!\"\nWe all do so we wouldn't have to hear about it every single record\nYou don't really wanna change me\nYeah, I'm the one that made this happen\nDo you really wanna get rid of your main attraction?\nLet's pack our bags and go back to Gladwin now\nYeah, it's time for the third record\nAnd you know I got the content\nI don't wanna make you nervous\nBut it ain't like it used to be, we got a lotta people watchin'\nYou told me that you don't want me in your life, that's pretty hard to digest\nAnd I told you I'd leave when we die, and we ain't died yet\nTherapy Session\n was beautiful, Nate, but I'm wonderin' what's comin' next\nYeah, get that stupid hat off of your head when I'm talkin' to you, you hear what I said?\nYou don't like the prison I built you?\nYeah, you wanna know what the funny thing is?\nYou keep on talkin' to me like a stranger\nBut we've been together since you were a kid (Kid), yeah\nTook us from a no-name\nTold you everything was okay\nNow you tryna cut me out of it like I ain't never been a part of it\nI am the heart of it, I made this whole thing\nYeah, I put us on the dope stage, you must have no brain\nWhat's the point of having guns if you can't aim?\nWhat's the point of havin' blood with no veins?\nWhat's the point of havin' love with no pain?\nWhat I'm sayin' is me without you doesn't make any sense\nI know I'm intense and controlling, but you need to learn how to cope with it, that's just the way that it is\nIf you didn't want me to live in your house, you shouldn't have let me move in\nIt's comfortable here and I like it, I got my own room and everything, it don't get better than this\nYou say you wanna own your life, then wake up and take your own advice\nYou just mad 'cause you know I'm right\nYeah, I'm flattered you put me in \nMansion\n, but you shoulda told 'em right\nHold your hands on the coldest nights\nYou didn't tell 'em 'bout the times you and I used to hold the mic\nI mean, what are you, outta your mind?\n'Cause both of us will be, come on, let's go outside!\nIs this what you wanted?\nBoth of us out in the open? Let's do it then!\nI mean, why are you doin' this?\nI know that you're mad (That you're mad), but I'm not in the mood for this\nWe got a record to drop (Drop)\nSo why you actin' like I'm not a part of it?\nAye, where is my shovel at?\nProlly out back where it always is\nYou can't get rid of all of me!\nI'm the reason why—\nNah, shut up, I don't wanna hear another sentenc\ne\nHey, I'm NF\n\"Is it me or the fear talkin'?\" Ha! What a dumb question!\nYeah, it's real music 'til the day we die, right?\nYeah, ain't that the slogan, Nathan?\nThought I told you to keep your mouth shut\nI mean, so what? You know I never listen\nLet me guess: we gon' dig a hole, kill the track and prolly put a beat in it\nRap about it for like three minutes\nAyy, that's pretty deep, isn't it?\nWait a minute, you don't really think for a second that you're puttin' me in this?\nNo, of course not, just a little deeper then we'll go inside and we can stop diggin'\n (Woo)\nYou had me scared for a second, I thought we were diggin' my grave\n*thunk*\nWe did, what, you don't like bein' afraid?\nHere's a dose of your own medicine\nWhat, you don't like how it tastes?\nMy therapist told me don't bury my issues, but I'ma be honest, man, I'm feelin' great! (Great)\nI think it's only right we go back to where you were created\nI wrote a song for Johnny without you, but he ain't gon' like it, let's see how he takes it (Takes it)\nHe probably don't even remember us, does he?\nI wish I was buryin' anger\nBut both of us know I'ma need him for that song (That song), he still lives in the basement\nAlmost done, shoulda done this a year ago, I don't know why I waited\nYou know how I get, I put everything off in my personal life, you hear what I'm sayin'? (Sayin')\nThat was a joke (Joke), yeah, it's hilarious, ain't it?\nYou'll spend the rest of your life in my backyard or back of my mind—depends how you see it\nPut the shovel away, time to go back in the house now, you'll be out in a week\nTellin' me you want your room back, that's funny; what? You ain't got nowhere to sleep?\nI'ma just look out the window and laugh at you, this is crazy to me\n'Cause I thought you had me in prison this whole time, but I'm the one holdin' the keys\n (Holdin' the keys, holdin' the keys, holdin' the keys)" } ]

[ { "from": "human", "value": "Write me a song called Space Between with the following description: One of the only songs on the album that was taken back from the artist, “Space Between” is a slurred break up song. Which dances on the strong and gloomy waves of Sia’s voice. Preaching a hymn of entropy and dreadful loneliness– which, as we all know, Miss. Furler belts out beautifully.\nIn her appearance at Good Morning America on January 29th, Sia said that she felt seller’s remorse after giving the song to Rihanna. But Rihanna happily gave it back, when Sia asked for it.\nSpace Between has similarities with Sia’s past works including Cellophane from 1000 Forms Of Fear.\nA stripped down version of the song was also included in the Spotify Session EP . Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nA never ending sentence in my head\nWe lay hollow in the emptiness\nI'm too tired to push you from the bed\n[Pre-Chorus]\nNo more fighting, no more fighting\nThere's no more fighting for us\n[Chorus]\nFill the void in our bed\nThe space between is deafening\nOh, we don't bend, we're breaking\nThe space between is deafening\nThe space between is deafening\n[Verse 2]\nNo one's moving, we lack the courage to\nWe lay in stalemate, wishing the other would\nBut we're too tired, we let the embers cool\n[Pre-Chorus]\nNo more fighting, there's no more fighting\nThere's no more fighting for us\n[Chorus]\nFill the void in our bed\nThe space between is deafening\nOh, we don't bend, we're breaking\nThe space between is deafening [Bridge]\nNo more fighting, we've given up now\nSilence says more than words\nImagination cures loneliness\nWhen you become a prisoner\n[Chorus]\nFill the void in our bed\nThe space between is deafening\nOh, we don't bend, we're breaking\nThe space between is deafening" } ]

[ { "from": "human", "value": "Write me a song called Gd Up with the following description: Recorded in 2005, This song was not released until October 2011Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Wayne]\nWake your punk ass up for the two double oh five brother\nYoung Money, the future\n[Verse 1: Lil Wayne]\nHot boy in the building\nRock hard, hard rock hard body got it in the ceiling, yeah\nI got burners in the basement money in the mattress\nYo look at their faces, taste it\nYeah I'm nasty right\nBut my bapes so clean and white look like there's no laces\nBut I'm not your cow\nSo I dont walk around with my tongue out\nGot a little dough\nSo I can't walk around with my gun out\nSo I keep my gun in\nWaitin for you to come in\nI'm comin with that Bang Bang Bugaloo\nHey stop lookin at me, hater\nOr it's gonna be \"damn, I ain't look at you\"\nNow look at us, and if you is I bet you lookin up\nHow I come with Young Money in the clutch, like Mike\nMake me take your lunch money or brunch and your punch\nIts Weezy Church! [Hook: Lil Wayne]\nWell I was just ridin in my city ain't stoppin for a hater\nMake that get off my face if you ain't talkin about cake\nAnd if you're talkin to my boys get ya brains blowed out\nLike the top of every car we probably drive this summer\nWe G'd Up\nWe G'd Up\nYou know we G'd Up\nWe G'd Up\nYou know we\n[Verse 2: Curren$y]\nIt ain't a secret I got my cake up\nMy rims so big girls checkin their make-up in them\nYeah, the watchband on my Jacob the same color as my bapesters\nHarder than from Japan and I'm fittin to change my name to \"You-the-Man\"\nCause when I ride by girls tell me \"You the man\"\nYeah, Curren$y the hot spitter yes I am\nRockin the white polo and a pair of plaid pants\nI'm on the block in fly boy stance with my argyle socks and my white and green stans\nYeah, thats Adidas homie\nI'm chasin this paper cause I need this money\nLeft one of my girls alone, she's so lonely\nDon't even want to eat no more, she gettin' boney\nYeah, haters see me and say \"He's so phoney\"\nCause I left the price tag on my eveets with woodey [Hook: Lil Wayne]\nWell I was just ridin in my city ain't stoppin for a hater\nMake that get off my face if you ain't talkin about cake\nAnd if you're talkin to my boys get ya brains blowed out\nLike the top of every car we probably drive this summer\nWe G'd Up\nWe G'd Up\nYou know we G'd Up (Im G'd up homie)\nWe G'd Up (Maine for President)\nYou know we (Lets get it)\n[Verse 3: Mack Maine]\nI'm tryna cop a house in the East for my shop uptown\nRide up Apple and E and pop uptown\nWhen the time cats run and hide upton\nWhen I'm on tour the only time I'm not uptown\nNow don't be wiggin off that E and get F'd up\nThinkin that you're G'd up boy you better ease up\nWe bleed the hood, the hood bleed us\nBut every time we hit the hood, the people hollerin out \"Jesus\"\nBecome lil nasty, product of his environment\nMicky Dees firin, the postal wasn't hirin\nEveryday the boy went to sleep to the sirens\nAnd them people swingin round here and they inquirin\nWho that is supplyin all that love?\nI wouldn't of crept but I was hollerin out \"What up blood\"\nWhen your relative when I was hollenin \"What up cuz\" if necessary\nMy pa was a beast, its hereditary, chyea [Hook: Lil Wayne]\nWell I was just ridin in my city ain't stoppin for a hater\nMake that get off my face if you ain't talkin about cake\nAnd if you're talkin to my boys get ya brains blowed out\nLike the top of every car we probably drive this summer\nWe G'd Up\nWe G'd Up\nYou know we G'd Up\nWe G'd Up\nYou know we\n[Outro: Lil Wayne]\nYoung Money\n(Young Money boy)\nYoung Money\n(Young Money boys we so fly)\nWe the Future\n(Cash Money boy)\n(Cash Money boy)\nWell I was Just\nYoung Maine, Mack Mack Maine\nThe Hot Spitta, The Hot The Hot Spitta\nWizzle F. Baby, please say the baby\nIf not\n(haha)\nShut Up" } ]

[ { "from": "human", "value": "Write me a song called The Ride with the following description: “The Ride” is Drake’s way of steering the audience through three distinct stages in his career, all of which that detail the artist’s evolving outlook on wealth, fame, and fortune. “The Ride” is the last (outro) song on Drake’s 2012 sophomore album and a collaboration with Abel Tesfaye, who supplements the song with simplistic, yet melodic, background vocals. Surely one of the greatest pieces from two of Toronto’s biggest artist, this song will always serve as a glorious moment for all who forever rep OVOXO. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Drake]\nYeah\nI hate when, I hate when people say they feel me, man\nI hate that shit\nIt'll be a long time before y'all feel me\nIf ever\nFor real\n[Verse 1: Drake]\nYou won't feel me 'til everybody say they love you, but it's not love\nAnd your suit is oxblood\nAnd the girl you fuckin' hates you and your friends faded off shots of\nWhat you ordered to forget about the game that you on top of\nYour famous girlfriend ass keep gettin' thicker than the plot does\nAnd when you forget her, that's when she pop up\nAnd you got a drop, but you ride around with the top up\nOr get three SUVs for niggas dressed like refugees\nAnd deal with the questions about all your excessive needs\nAnd you do dinners at French Laundry in Napa Valley\nScallops and glasses of Dolce, that shit right up your alley\nYeah, you see a girl and you ask about her\nBitches smiling at you, it must be happy hour\nThey put the cloth across your lap soon as you sat down\nIt's feeling like you own every place you choose to be at now\nWalking through airport security with your hat down\n'Stead of gettin' a pat-down, they just keep on sayin' that they feel you, nigga, yeah\nIt's been too long\nBeen way too long [Chorus: The Weeknd]\nI've been faded too long, ooh\nI've been faded too long, ooh\nI've been faded too long, ooh\nWhy won't it stop? The ride\nWhy won't it stop? Ooh, the ride\n[Verse 2: Drake]\nYou won't feel me 'til you want it so bad, you tell yourself you're in it\nAnd tell the world around you that your paperwork is finished\nAnd steal your mother's debit card so you maintain an image\nAnd ride around in overpriced rental cars that ain't tinted\nYou need a minute? You got it\nYou know it's real when your latest nights are your greatest nights\nThe sun is up when you get home, that's just a way of life\nApartment 1503, some couches and paintings\nWhere you record with two others that want the same things\nYeah, it start to feel better than home feels\nAnd so you up there every night, you swear you gettin' close\nThat champagne money was for gas and phone bills\nBut shit, you 'bout to spend it on what matters most\nYou drop a couple songs in hopes that you could be the nigga\nAnd come out every night to let the city see they nigga\nTellin' stories that nobody relate to\nAnd even though they hate you\nThey just keep on tellin' you they feel you, nigga\nYeah\nIt's been too long, man [Chorus: The Weeknd & \nDrake\n]\nI've been faded too long, ooh\nI've been faded too long, ooh\nI've been faded too long, ooh\nWhy won't it stop? (\nYeah\n), the ride\nWhy won't it stop? (\nUh\n), ooh, the ride\n[Verse 3: Drake]\nI haven't been inside Terminal 1 and 3 in so long\nI'm drivin' right up to it now, make sure you got your coat on\nThat runway can be cold, especially after summer's rolled on\nAnd all you knew is alcohol and city lights and slow songs\nFor four months out the year, it's got you asking what's good at home?\nWhat's good at home?\nThe same hoes are still at it, I should've known\nMy young niggas poppin' M's and sippin' dirty Jones\nProblem children that all be reppin' October's Own\nBrand new girl and she still growin'\nBrand new \ntitties\n, stitches still showin'\nYeah, and she just prayin' that it heals good\nI'm 'bout to fuck and I'm just prayin' that it feels good\nI really don't know much, but, shit, I know a secret\nThey say more money, more problems, my nigga, don't believe it\nI mean, sure, there's some bills and taxes I'm still evadin'\nBut I blew six million on myself and I feel amazin'\nYoung money-maker, season-ticket holder\nSeason switching over\nI come through them bitches, still scorchin' as if I didn't notice\nYou niggas gettin' older, I see no threat in Yoda\nI'm out here messing over the lives of these niggas that couldn't fuck with my freshman floater\nLook at that fuckin' chip on your nephew's shoulder\nMy sophomore, I was all for it, they all saw it\nMy junior and senior will only get meaner\nTake care, nigga [Outro: The Weeknd]\nOoh\nI'm still faded, faded, faded (The ride)\nI'm still faded, faded, faded (Why won't it stop? Ooh, the ride)\nWhy won't it stop? The ride\nWhy won't it stop? Ooh, the ride" } ]

[ { "from": "human", "value": "Write me a song called ’Cuz I Can with the following description: “Cuz I Can” is a song written by Pink, Max Martin and Lukasz Gottwald for Pink’s fourth studio album, I’m Not Dead. The song was released as a promotional single on October 4, 2007.\nLyrically, the song is about Pink playing by nobody else’s rules but her own. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nHahaha\nWe're gonna rock n' roll\nRa, bruh\nAlright, I drink more than you\nI party harder than you do\nAnd my car's faster than yours too\nHuah!\n[Verse 1]\nP-I-N-K, P-I-M-P\nI'm back again\nI know ya'll missed me\nI'm so, so sick\nCan't handle it\nYeah, I talk shit\nJust deal with it\n[Pre-Chorus]\nMy rims are twenty-three inch\nAnd they're black on black\nNo, they're not his\nDiamonds all over my teefs\nYou can try and try, you can't beat me\n[Chorus]\nSo I'll cash my checks and place my bets\nAnd hope I'll always win\nEven if I don't, I'm fucked because I live a life of sin\nBut it's alright, I don't give a damn\nI don't play your rules, I make my own\nTonight, I'll do what I want\n‘Cuz I can\n(Ice cream, ice cream, we all want ice cream) [Verse 2]\nYou know I'm rare\nYou stop and stare\nYou think I care\nI don't\nYou talk real loud\nBut you ain't sayin' nothin' cool\nI could fit your whole house in my swimming pool (Haha)\n[Pre-Chorus]\nMy life's a fantasy\nThat you're not smart enough to even dream\nMy ice is making me freeze\nYou can try and try, you can't beat me\n[Chorus]\nSo I'll cash my checks and place my bets\nAnd hope I'll always win\nEven if I don't, I'm fucked because I live a life of sin\nBut it's alright, I don't give a damn\nI don't play your rules, I make my own\nTonight\nI'll do what I want\n‘Cuz I can (Ice cream, ice cream, we all want ice cream)\nYeah [Bridge]\nUh, break it down\n(It's tough times out here, you know what I'm saying, mmh)\nYeah, I'm super thick\nPeople say I'm much too chick\nCome and kiss the ring, you just might learn a couple things\nI'm tryna school ya dogs\nRuff, ruff, ruff, ruff, ruff, ruff, ruff\nI'm your worst nightmare\nBring it, we can take it there\nWhat, are you scared?\n[Chorus]\nSo I'll cash my checks and place my bets\nAnd hope I'll always win\nEven if I don't, I'm fucked because I live a life of sin, yeah\nBut it's alright (It's alright), I don't give a damn (I don't)\nI don't play your rules, I make my own\nTonight\nI'll do what I want\n‘Cuz I can (Ice cream, ice cream, we all want ice cream)\nYeah\nSo I'll cash my checks and place my bets\nAnd hope I'll always win (I, oh)\nEven if I don't, I'm fucked because I live a life of sin\nBut it's alright, I don't give a damn\nI don't play your rules, I make my own\nTonight\nI'll do what I want\n‘Cuz I can (Ice cream, ice cream, we all want ice cream)\nYeah" } ]

[ { "from": "human", "value": "Write me a song called Dressin’ Up with the following description: “Dressin' Up” is a song by American singer Katy Perry, about roleplay in the bedroom. The incomplete demo of the song originally appeared online two years prior to the release of Teenage Dream: The Complete Confection. The demo version features different production than the final version. It is the only song from the Teenage Dream era that’s never been performed live by the artist on any occasion. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nAh\nDressin' up, dressin' up, for you, for you\nDressin' up, dressin' up for you, for you\nAh\n[Verse 1]\nSaucer of milk (Saucer of milk), table for two\nYou wanna pet my kitty? You're such a dirty doggie\nIt’s your lucky night (Your lucky night), 'cause I'm in the mood\nOh, I'm feeling spicy, I'm feeling real naughty\n[Refrain]\nPick a part, you dream it up\nA dark vixen, \na Lolita\nOh boy, tell me your fantasy\nTonight's the night, I'm dressin' up for you\n[Verse 2]\nI can tell you're obsessed (Tell you're obsessed)\nBy your shortness of breath\nOoh, my Cookie Monster\n wants a taste test\nBe a good boy and I'll show you the rest\nOoh, my little voyeur wants to play explorer\n[Pre-Chorus]\nPick a part, you dream it up\nLibrarian, dominatrix\nOh, boy, tell me your fantasy\nTonight's the night (Tonight's the night) [Chorus]\nTonight I'm gonna come alive\nMake you forget about your nine-to-five\nAre you ready for your blood to rise?\nTonight's the night I'm dressin' up for you\n(Dressin' up)\n[Verse 3]\nYou're getting hot, so let's call the nurse\nOoh, I feel a fever, let's take your temperature\nBetter behave or a police officer\nWill have to hold you down, give you what you deserve\n[Pre-Chorus]\nPick a part, you dream it up\nUse your imagination\nOh, boy, I'll be your fantasy\nTonight's the night (Tonight's the night)\n[Chorus]\nTonight I'm gonna come alive\nMake you forget about your nine-to-five\nAre you ready for your blood to rise?\nTonight's the night, I'm dressin' up for you\nTonight, I'm gonna come alive\nMake you forget about your nine-to-five\nAre you ready for your blood to rise?\nTonight's the night, I'm dressin' up for you [Bridge]\nTied tight, tip, teasing\nPush, pull, pressure, pleasing\nBeads of sweat drip down your neck\nBreathing deep, gaining speed, 'bout to peak\nTrembling, trembling, trembling\n[Chorus]\nTonight I'm gonna come alive\nMake you forget about your nine-to-five\nAre you ready for your blood to rise?\nTonight's the night, I'm dressin' up for you\nTonight, I'm gonna come alive\nMake you forget about your nine-to-five\nAre you ready for your blood to rise?\nTonight's the night, I'm dressin' up for you (Oh)\n[Outro]\n(Dressin' up)\nI'm dressin' up for you (Oh, yeah)\nI'm dressin' up, I'm dressin' up, I'm dressin' up, I'm dressin' up\nI'm dressin' up for you (Oh)\nI'm dressin' up, I'm dressin' up for you" } ]

[ { "from": "human", "value": "Write me a song called Vizine with the following description: “Vizine” is the first track released from Ethika’s RGB 2 mixtape and was released onto their SoundCloud page in March 2018.\nOn the song, Lil Wayne talks about everything from his riches to taking a potential shot at Birdman. The Cash Money co-founder was hit with a $12 million foreclosure lawsuit regarding his Miami home in December 2017. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nWhy me? Oh why, oh why, oh why me?\nWhy do I look up and see my feet? Am I rising?\nBut why do my peak look like it's out of my reach?\nWhy can't I trust what I see?\n (\nMonstaBeatz\n)\n[Verse 1]\nMy-my scene just a crime scene\nGot the high beams and the sirens, yeah\nMy team, we divide teams\nTalkin' dirty money? Check the hygienes\nAll the dirty money get dry cleaned\nTalkin' dirty money, Sam Rothstein\nHad my goons kidnap your offsprings\nWhile I was working on my golf swing\nOoh, sweet dreams, sour nightmares\nIt's a cold world, I got an ice grill\nNo one man should have all that power\nIf he can't afford to pay the light bill\nI got a forcefield over my heartbeat\nThe window seal with no door key\nI'm poppin' pills to feel more me\nCut off the wings now I'm soaring\nAnd I never feel like poor me\nI'd rather feel like the old me\nI was born with wheels and I roll deep\nI could make the devil get cold feet\nDon't light the clove unless it's four leaf\nGet a pussy wetter than a coral reef\nOn my face, I tatted me a fleur-de-lis\nShould I get it covered with a coca leaf?\nI could tell you better than you showed me\nI could show you better than you told me\nI'm an OG up in OT\nAnd it's no sleep 'til it's roast beef\nI better not hear a Little Bo-Peep\nBetter go figure, better go deep\nPass no judgement, pass your weed\nI'm the GOAT nigga, no goatee [Chorus]\nWhy me? Oh why, oh why, oh why me?\nWhy do I look up and see my feet? Am I rising?\nBut why do my peak look like it's out of my reach?\nWhy can't I trust what I see?\n[Verse 2]\nMmm, \nsippin' on purple like it's herbal\nBad brown bitch, Lisa Turtle\nOn turbo, you don't wan' disturb him\nMomma put too much sugar in my Gerber\nDamn, I done dropped too many ashes on my turban\nI done seen so many titties on Bourbon\nLive a different kind of lifestyle\nDifferent color diamonds, got a nigga lookin' like sherbert\nStepped to the plate, knocked it out the park\nEat a nigga face like a tiger shark\nDressed in all red like Olajuwon\nMy niggas hit your safe like the Holocaust\nMy niggas catch a case, feel like I got Moss'd\nMy nigga treat the K just like a loft\nGot a lawyer and an agent but I'm the boss\nAnd my heart always racin' but never lost\nHello? I was the illest nigga on child support\nNow I'm lookin' at the Robb Report\nWent and looking at the final score\nBedroom got revolvin' doors\nBitches in and out smilin' more\nThan children smilin' at a carnival\nAin't got nothing in common but the common cold\nBig Bs nigga, honor roll\nHold up, I think I found the flow\nStarted from the bottom bitch\nNever been monogamous, never been monotonous\nNever been anonymous, money is \neunonymus\nAlways had accomplices, always had conglomerates\nAlways let the chopper clip stick out like a bottom lip\nYou runnin' out of time so you better know what time it is\nYou runnin' out of tears and you runnin' out of volunteers\nYoung Mula bitch, I die for the logo\nCocaine price low, call that a low blow\nTunechi like Pablo, kis in the rowboat\nTunechi in the yacht though, still don't showboat\nSippin' on the slowpoke, movin' like a tugboat\nSmokin' like a steamboat, fuckin' on a love boat\nBetter read the ransom note before you read the love note\nDon't know if it's sore throat, deep throat or cut throat [Chorus]\nWhy me? Oh why, oh why, oh why me?\nWhy do I look up and see my feet? Am I rising?\nBut why do my peak look like it's out of my reach?\nWhy can't I trust what I see?\n[Outro]\nOh why am I so kamikaze\nWhy can't I stay in my seat? I'm so hyphy\nTry me, why do I see these bloody bodies?\nWhy do I love what I see?\nWhy me? Oh why, oh why, oh why me?\nR.I.P\nIf you can't live in peace, then you can die in peace\nAs your eyes close and mines bleed, I need Vizine" } ]

[ { "from": "human", "value": "Write me a song called Giants with the following description: The seventh track from Imagine Dragons' fifth studio album, Mercury – Act 1, “Giants” is a song that both lyrically and vocally illustrates the struggles of becoming sober, acting as a warning of the dangers substance abuse can have.\nThe track is the second of six songs that ex-band member Andrew Tolman had a hand in penning. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nTake a hit of anything\nTo escape it all, I'm suffocating\nA sharpened blade of reality\nSometimes, I wanna hurt me\nI know it's hard to hear, but I'm\nWaitin' for the new year\nDon't wanna waste my life chasin' white\nTry to swim towards the light\n[Chorus]\nComin' up for air in the deepest of the deep ends\nI thought I learned it all, but boom, the plot thickens\nSleepin' with giants, I'm tip-toein' quietly\nFeelin' it all, it's sobriety\nLa-la-la-la-la-la-la\nGot so tired of feelin' numb\nLa-la-la-la-la-la-la\nWell, take a look what I've become\nSleepin' with giants, I'm tip-toein' quietly\nFeelin' it all, it's sobriety\n[Verse 2]\nWanna make you proud of me\nBut slowly, I am killing me\nPlaying with chemistry\nFloating to thе ceiling\nAlways rock 'n' roll 'til you die, you know, you been flyin'\nNow I'm shaking at night, sweating thе sheets out\nGrinding my teeth out\nBut still the world will glamorize it all [Chorus]\nComin' up for air in the deepest of the deep ends\nI thought I learned it all, but boom, the plot thickens\nSleepin' with giants, I'm tip-toein' quietly\nFeelin' it all, it's sobriety\nLa-la-la-la-la-la-la\nGot so tired of feelin' numb\nLa-la-la-la-la-la-la\nWell, take a look what I've become\nSleepin' with giants, I'm tip-toein' quietly\nFeelin' it all, it's sobriety\n[Bridge]\nIf I could leave one thing for you\nIt's exactly what not to do\nI'm so proud of you\nTake a look what I've become\nOh, take a look what I've\n[Chorus]\nComin' up for air in the deepest of the deep ends\nI thought I learned it all, but boom, the plot thickens\nSleepin' with giants, I'm tip-toein' quietly\nFeelin' it all, it's sobriety\nLa-la-la-la-la-la-la\nGot so tired of feelin' numb\nLa-la-la-la-la-la-la\nWell, take a look what I've become\nSleepin' with giants, I'm tip-toein' quietly\nFeelin' it all, it's sobriety" } ]

[ { "from": "human", "value": "Write me a song called I’m Good (Blue) with the following description: “I’m Good (Blue)” is a song by David Guetta and Bebe Rexha, becoming their second collaboration to feature only them together, with their first being 2014’s “Yesterday.” An early version of the song appeared online in May of 2021. The released version features newly recorded vocals from Rexha, as well as different instrumental production.\n“Blue (Da Ba Dee)” by Eiffel 65 is interpolated heavily, both instrumentally during the chorus, as well as the melody that Bebe Rexha sings the lyrics in. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nI'm good, yeah, I'm feelin' alright\nBaby, I'ma have the best fuckin' night of my life\nAnd wherever it takes me, I'm down for the ride\nBaby, don't you know I'm good, yeah, I'm feelin' alright\n'Cause I'm good, yeah, I'm feelin' alright\nBaby, I'ma have the best fuckin' night of my life\nAnd wherever it takes me, I'm down for the ride\nBaby, don't you know I'm good, yeah, I'm feelin' alright\n[Drop]\nDon't you know I'm good, yeah, I'm feelin' alright\n[Verse]\nYou know I'm down for whatever tonight\nI don't need the finer things in life\nNo matter where I go, it's a good time, yeah\nAnd I, I don't need to sit in VIP\nMiddle of the floor, that's where I'll be\nDon't got a lot, but that's enough for me, yeah\n[Chorus]\n'Cause I'm good, yeah, I'm feelin' alright\nBaby, I'ma have the best fuckin' night of my life\nAnd wherever it takes me, I'm down for the ride\nBaby, don't you know I'm good, yeah, I'm feelin' alright [Drop]\nI'm good\nGood\nI'm good\nDon't you know I'm good, yeah, I'm feelin' alright\n[Bridge]\nSo I just let it go, let it go\nOh, na-na-na-na-na\nNo, I don't care no more, care no more\nOh, na-na-na-na-na\nSo come on, let me know, let me know\nPut your hands up, na-na-na\nNo, baby, nothing's gonna stop us tonight\n[Chorus]\n'Cause I'm good, yeah, I'm feelin' alright\nBaby, I'ma have the best fuckin' night of my life\nAnd wherever it takes me, I'm down for the ride\nBaby, don't you know I'm good, yeah, I'm feelin' alright" } ]

[ { "from": "human", "value": "Write me a song called Save the Drama with the following description: “Save the Drama” is a plucky guitar-driven track that sees Chris adopt a Jamaican Patois accent to sing about a feisty woman who has caught his attention, asking her to keep their encounter drama free. In his verse, he raps about his alcohol of choice, hitting licks with his gang, and his women. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kevin Gates]\nOne, two, three\nAin't no sense in standin' on up after the club\nWe really not losin', bad women still choosin'\nKeep a million dollars worth of game in your ear\nI said Savignon, bill, and that shit that disappear\nCertainly not on me, was understood\nCan't explain it, the loudest language always been bad language\nDon't try to change (Chris!)\n[Verse 1: Chris Brown]\nGunshots (Yeah), you lots (Yeah)\nHennessy, I don't really like scotch (Ooh)\nAt the 'Don when I'm talkin' to the Dutch\nAnd I'm ridin' with the pockets like, \"Fam, you up?\" (Yeah!)\nDippers and the wait notes (Yeah!)\nBlack mask, we just hit a lick\nBetter keep your face down (Agh!)\nHuh, get loud when that kick sound (Bah!)\nIf you miss it, don't come, uh (Ow!)\nNo tops, no tops (Yeah)\nGo to collect, we in Paris when we shop\nYou gotta give the man props\nYour girl love the man lots (Haha), fuck it\nI'm on that pussy like a rumpa (Yeah)\nIf I tag a girl, she gotta have a bumper\nOh, that pussy got that fire like a dragon (Yeah)\nAnd I know she got that wagon from her mama (Yeah) [Chorus: Chris Brown]\nCall it a homicide, how she do\nThe guys and she make her mum jealous (Ow!)\nMake me terrified\nI can tell your skin 'cause you usin' your melanin (Oh!)\nOh, no, no, no, no\nLight another blunt, then we gon' light up the floor\nSmokin' all that ganja, you can smell through the door\nSex tape never, 'less she tell me record\nAnd I know where your head's at\nGot your attitude from your mother, oh\nAnd I'm the one who said that\nJust do me a favor and save the drama\n[Verse 2: Tracy T]\nGet the baddest bitch and treat her like the worst (Woah)\nPoppin' the Henny, trippin' if you fuck the pussy first (Woah)\nYou gon' fuck or I'm gon' fuck or you gon' fall in love\nI was gettin' that one fuck, I'm fuckin' with the plug\nBitches textin', I'm a dawg, she fetchin'\nBitch, I'm on, no flexin', fucked a hundred of her besties\nSaid that's just for that extra range shit to forget ya\nBodies under my belt, just to make it official\nI forget the hit mission, never forget the pistol\nDiggin' all the way in her, killin' and leavin' victims\nI got trust issues, I might think you trippin'\nReally I be trippin', rollin' with loads of Smith & Wessons\nThis the gang, bitch, you better catch it 'fore you be over-tested\nRather pull up in a Bentley, used to pull up in Chevys\nOn my counter, can't get enough\nOn my counter, ten paper cuts\nLike countin', can't get enough, nigga [Chorus: Chris Brown]\nCall it a homicide, how she do\nThe guys and she make her mum jealous (Ow!)\nMake me terrified\nI can tell your skin 'cause you usin' your melanin (Yeah!)\nOh, no, no, no, no\nLight another blunt, then we gon' light up the floor\nSmokin' all that ganja, you can smell through the door\nSex tape never, 'less she tell me record\nAnd I know where your head's at\nGot your attitude from your mother, oh\nAnd I'm the one who said that\nJust do me a favor and save the drama (Grab your!)\n[Verse 3: Kevin Gates]\nLikkle waist, gyal (Yeah!)\nLikkle waist, gyal (Yeah!)\nLick di poom-poom\nLike di taste, gyal (Brah!)\nI done made love in the strangest places (Oh, Lord)\nI'm a real plug, move thangs on the daily\nLike di man in the morn', I be safe (Yeah!)\nSmoke di ganja, mi *coughs* every day (Ah)\nI'm a rider, she a rider\nHold the Glock 9, right on sight her\nHit the high notes like Mariah\nI done feel electric when the vibe is right\nI'm a drug, I'ma get you high tonight\nFall in love with me, pussy mine tonight\nI could see you want me, pull you closely\nSound on silent, ignore the phone ring\nDeep breath, hands on knees, just get it\nReal small waist, fat ass, lil' titties\nEmail please, Gates don't do digits\nMouth on bling, just spent two million\nLaid back, low-key, big lean sippin'\nS63 coupe, yee, I'm whippin'\nHeroin trap, back street, move chickens\nNew boo thing on fleek, roof missin'\nChris B hit me, dip through, kick it\nStraps on lap, big shit I give her\nHat to the back, lot of tats, I'm chillin'\nMatter of fact, big racks, I get it\nKevin Gates don't hang, bae, stop slippin'\nBullshit make a real nigga lose interest [Chorus: Chris Brown]\nOh, no, no, no, no\nLight another blunt, then we gon' light up the floor\nSmokin' all that ganja, you can smell through the door\nSex tape never, 'less she tell me record\nAnd I know where your head's at\nGot your attitude from your mother, oh\nAnd I'm the one who said that\nJust do me a favor and save the drama" } ]

[ { "from": "human", "value": "Write me a song called Living Musical with the following description: “Living Musical” is the second song off of Imagine Dragons' first EP, Speak to Me. The song contains numerous folk elements, reminiscent of the band when the song was written – a band devoid of the majority of its members it has today.\nAs one of the band’s only love songs, “Living Musical” speaks of a love-at-first-sight romance and its encapsulating allure. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nIt all begins with a look in the eyes\nThat goes beyond the body into\nFeelings you tried to forget all about, a sudden attraction\nBetween two with a few of the mind that distracts\nOf the stars, that it builds, but it flies to the bottom\nBaby I'm blessed to be here\nBlessed to just bask in your presence, ooh\n[Pre-Chorus]\nAnd it's unexplainable, uncontainable\nIt's hard to be asked to have the confidence enough to move\nMy lips and speak\nMy eyes to yours\nWe connect for a moment\nIt seems to be a lifetime\n[Chorus]\nI wish I had a lifetime\nTo capture every moment of you\nEvery moment of you, ooh\nI wish I had a lifetime\nTo capture every moment of you\nEvery moment of you\n[Post-Chorus]\nCaptivating every sense\nExhilarating, feelings dance\nI'm just a fool\nFor a pretty girl with confidence, oh\nWho am I to beat the bush?\nI just want you, skip the mush\nBaby, be beautiful\n'Cause you're a living musical\nOh, whoa-oh-oh-oh, whoa-oh-oh-oh, whoa-oh-oh, whoa\nOh, whoa-oh-oh-oh, whoa-oh-oh-oh, whoa-oh-oh, whoa [Verse 2]\nShe was coughing on the coolers as she asked for my number\nI was living in a dream, feelings roll down like thunder\nI never met my match, melodic melodies mumble\nA cocky young thing meets a girl and I stumble\nFor the first time in my life I don't know where to start\nWith a brush in my hand I don't know when it's art\nWhen I laugh she must smile, when I smile she must laugh\nIs it possible that I'd go for a girl in my path?\n[Pre-Chorus]\nAnd it's unexplainable, uncontainable\nIt's hard to be asked to have the confidence enough to move\nMy lips and speak\nMy eyes to yours\nWe connect for a moment\nIt seems to be a lifetime\n[Chorus]\nI wish I had a lifetime\nTo capture every moment of you\nEvery moment of you, ooh\nI wish I had a lifetime\nTo capture every moment of you\nEvery moment of you [Post-Chorus]\nCaptivating every sense\nExhilarating, feelings dance\nI'm just a fool\nFor a pretty girl with confidence, whoa\nWho am I to beat the bush?\nI just want you, skip the mush\nBaby, be beautiful\n'Cause you're a living musical\nOh, whoa-oh-oh-oh, whoa-oh-oh-oh, whoa-oh-oh, whoa\nYeah, yeah\nWhoa, whoa-oh-oh-oh, whoa-oh-oh-oh, whoa-oh-oh, whoa\n[Bridge]\nOh, be easy on me baby; I'm a sensitive mess\nYou're a beautiful girl, nothing else, nothing less\nJust tell me what you're feeling what I know to be true\nAnd I'll give all that I have, baby, I'll give it all to you\n[Outro]\nCaptivating every sense\nExhilarating, feelings dance\nI'm just a fool\nFor pretty girl with confidence\nWho am I to beat the bush?\nI just want you, skip the mush\nBaby, be beautiful\n'Cause you're a living musical\nWhoa, whoa-oh-oh-oh, whoa-oh-oh-oh, whoa-oh-oh-oh\nYeah, yeah\nWhoa, whoa-oh-oh-oh, whoa-oh-oh-oh, whoa-oh-oh, whoa\nYeah, yeah\nWhoa, whoa-oh-oh-oh, whoa-oh-oh-oh, whoa-oh-oh, whoa" } ]

[ { "from": "human", "value": "Write me a song called Love Sex Magic (Demo) with the following description: “Love Sex Magic (Demo)“ is the demo version of Ciara’s song of the same name, which features Justin Timberlake. The demo originally appeared online for the first time back in 2010 and only features Timberlake’s vocals. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOne, two, three, go\nHere we go\n[Verse 1]\nYour touch is so magic to me\nThe strangest things can happen\nAnd the way that you react to me\nI wanna do something you can't imagine\nImagine if there was a million me's talkin' sexy to you like that\nYou think you can handle, boy\nIf I give you my squeeze and I need you to push it right back\n[Pre-Chorus]\nBaby, show me, show me what's your favorite trick\nThat you wanna use on me and I'll volunteer\nAnd I'll be flowin' and goin' till clothin' disappears\nAin't nothin' but shoes on me, oh baby\n[Chorus]\nAll night show with just you and the crowd\nDoin' tricks you never seen\nAnd I bet that I can make you believe\nIn love and sex and magic\nSo just let me drive my body around ya\nI bet you know what I mean\n'Cause you know that I can make you believe\nIn love and sex and magic [Verse 2]\nEverything ain't what it seems, I wave my hands and I got you\nAnd you feel so fly assistin' in me\nBut now it's my turn to watch you, I ain't gon' stop you\nIf you wanna crowd my neck, talk sexy to me like that\nJust do what I taught you, boy, when I give you my heat\nAnd I need you to push it right back\n[Pre-Chorus]\nBaby, show me, show me what's your favorite trick\nThat you wanna use on me and I'll volunteer\nAnd I'll be flowin' and goin' till clothing disappears\nAin't nothin' but shoes on me, oh baby\n[Chorus]\nAll night show with just you and the crowd\nDoin' tricks you never seen\nAnd I bet that I can make you believe\nIn love and sex and magic\nSo just let me drive my body around ya\nI bet you know what I mean\n'Cause you know that I can make you believe\nIn my love and sex and magic\n[Bridge]\nOhh\nThis is the part where we fall in love (Love, oh, sugar)\n(Oh) Let's slow it down so we fall in love (Oh)\nBut don't stop whatcha doin' to me\nUhh [Chorus]\nAll night show with just you and the crowd\nDoin' tricks you never seen\nAnd I bet that I can make you believe\nIn love and sex and magic\nSo just let me drive my body around ya\nI bet you know what I mean\n'Cause you know that I can make you believe\nIn my love and sex and magic\nAll night show with just you and the crowd\nDoin' tricks you never seen\nAnd I bet that I can make you believe\nIn love and sex and magic\nSo just let me drive my body around ya\nI bet you know what I mean\n'Cause you know that I can make you believe\nIn my love and sex and magic, oh" } ]

[ { "from": "human", "value": "Write me a song called Arrebenta* with the following description: Essa música foi confirmada pelos artistas, mas a data de lançamento não foi confirmada. Isso é uma prévia proveniente de serviços de streaming, PROs e mídia social. Atualizaremos esta página à medida que mais informações vierem à tona.\n\n“Arrebenta” é uma música funk da cantora brasileira Ludmilla com participação especial da rapper norte-americana Cardi B. A música foi gravada em outubro de 2019. Na mesma época, Cardi B canta uma prévia da faixa numa transmissão ao vivo em seu Instagram.\nLudmilla revela que antes da música ser criada, Cardi B a seguiu no Instagram e depois Ludmilla postou em seus stories um vídeo tendo um surto de alegria por causa disso. No vídeo em questão, Cardi respondeu Ludmilla na DM do Instagram, e Lud disse que ficou ainda mais louca. Em outro vídeo nos stories da cantora brasileira, ela chamou Cardi B para fazer uma música funk e até brincou com a letra da música. Depois, Cardi B respondeu esse vídeo dizendo que quer sim gravar um funk, mas que teria que ensinar tudo para Cardi, pois Cardi não conhece muito o funk, mesmo mostrando interesse em aprender. Depois, Ludmilla mandou a música para Cardi B e revelou que Cardi amou a música, mas que a rapper queria cantar no mesmo estilo que Ludmilla, até mesmo no idioma, chamando até de “muito talentosa” a Cardi B para Ludmilla. Nessa mesma entrevista, Ludmilla fala sobre a produção musical de Rennan da Penha na música.\n\nFoto de Ludmilla e Cardi B no Estúdio (Foto proveniente das redes sociais das cantoras)Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Letra da Prévia\n[Pré-Refrão: LUDMILLA]\n[...] e a garrafa na mão\nAs vadias se curvem e os homens no chão\nQuando eu bater a bunda, vai tremer seu coração\n[Refrão: LUDMILLA]\nSenta em câmera lenta\nMachucando no talento, Ludmilla te arrebenta\nMachucando no talento, Ludmilla...\nSenta em câmera lenta\nMachucando no talento, Ludmilla te arrebenta\nMachucando no talento, Ludmilla te arrebenta\n[Pós-Refrão: LUDMILLA]\nAi, caralho, ai, caralho, ai, ai, ai, ai\nAi, caralho, ai, caralho, ai, ai, ai, ai\n[Interlúdio: LUDMILLA]\nCardi B in the house\nCardi B in Brazil\n[Refrão: Cardi B]\nMachucando no talento, a Cardi B arrebenta\nMachucando no talento, a Cardi B arrebenta [Pós-Refrão: Cardi B]\nAi, caralho, ai, caralho, ai, ai, ai, ai\nAi, caralho, ai, caralho, ai, ai, ai, ai" } ]

[ { "from": "human", "value": "Write me a song called All I Do Is Win with the following description: “All I Do Is Win” is a standout track on DJ Khaled’s Victory. It features the autotune prowess of T-Pain on the chorus, the impressive flow of Ludacris, the rawness of Rick Ross and the swaggerific aloofness of Snoop Dogg.\nThe uplifting and motivational vibes given off, this proclaims it a track worthy of banging whilst going H.A.M. on the treadmill.\nNotable Appearances in Pop Culture :\n\nSeveral sports teams have used this as their theme song for home victories. It was most notably used by the Auburn Tigers football team during their 2010 national championship season. They played it during their pregame entrance and after every home game victory; they literally did not lose a game that year.\nPresident Obama stepped up to the podium with this track for his speech at the 2013 White House Correspondents' Association Dinner.\nEmma Stone blew the roof off in her “Lip Sync Battle” against Jimmy Fallon.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: DJ Khaled & \nT-Pain\n]\nDJ Khaled, \nhey!\nYeah,\n We The best!\n[Chorus: T-Pain & \nLudacris\n]\nAll I do is win, win, win, no matter what (What)\nGot money on my mind, I can never get enough ('Nough)\nAnd every time I step up in the building everybody hands go up\nAnd they stay there (There)\nAnd they say, \"Yeah!\" (Yeah!), and they stay there\n(Up, down, up, down, up, down)\n'Cause all I do is win (Win), win (Win), win\nAnd if you goin' in put your hands in the air, make 'em stay there (\nYeah, listen, Luda!\n)\n[Verse 1: Ludacris]\nLudacris goin' in on the verse\n'Cause I never been defeated and I won't stop now (Woo)\nKeep your hands up, get 'em in the sky\nFor the homies that didn't make it and my folks locked down (Woo)\nI never went nowhere (No), but they sayin' \"Luda's back\" (Yeah)\nBlame it on that conjure (Haa!), the hood call it Luda 'gnac\n (Ahh!)\nAnd I'm on this foolish track so I spit my foolish flow (Flow)\nMy hands go up and down (Down), like strippers' booties go (Wooo!)\nMy verses still be servin' (Yup), tight like a million virgins (Yup)\nLast time on the Khaled remix, now I'm on the original version\n (Yah!)\nCan't never count me out (No), y'all better count me in (Yo)\nGot twenty bank accounts, accountants count me in (Woo)\nMake millions every year (Yeah) the South's champion (Yeah)\n'Cause all I do, all I, all I, all I, all I do is [Chorus: T-Pain, \nLudacris\n & \nRick Ross\n]\nAll I do is win, win (\nAyy\n), win, no matter what (\nWooo\n)\nGot money on my mind, I can never get enough ('Nough)\nAnd every time I step up in the building everybody hands go up\nAnd they stay there (There)\nAnd they say, \"Yeah!\" (Yeah!), and they stay there\n(Up, down, up, down, up, down)\n'Cause all I do is win (\nWin\n), win (\nWin\n), win (\nWho?\n)\nAnd if you goin' in (\nBoss\n) put your hands in the air (\nBoss\n), make 'em stay there\n[Verse 2: Rick Ross, \nDJ Khaled\n & \nboth\n]\nSwervin' in my lo-lo, head on the swivel\nYou know serving me's a no-no\nClean as a whistle as I pull out in my Rolls Royce\nYellow bone passenger, they see it they say, \"Oh boy\", tell Khaled \"Back it up\"\nMy niggas call me loco, down for armed trafficking\nDon't make me pull that fo'-fo', ask you what you laughing at (What?)\nRepresent that mud life (Mud life)\nDirty money bitch you better get yo' mud right (Mud right)\nWe come together holdin' hands and holla \n\"Thug life\"\n (\"Thug Life\")\nWe all strapped in all black, it's like fuck life (Fuck life), \nall we do is win!\nYou ridin' to what (\nWhat\n) 'cause we ridin' tonight (\nTonight\n)\nNow she ridin' with me 'cause you wasn't ridin' her right, Ross!\n[Chorus: T-Pain]\nAll I do is win, win, win, no matter what (What)\nGot money on my mind, I can never get enough ('Nough)\nAnd every time I step up in the building everybody hands go up\nAnd they stay there (There)\nAnd they say, \"Yeah!\" (Yeah!), and they stay there\n(Up, down, up, down, up, down)\n'Cause all I do is win (Win), win (Win), win\nAnd if you goin' in put your hands in the air, make 'em stay there [Verse 3: Snoop Dogg]\nHeat in the kitchen, pot on the stove\nWater gettin' boiled, dope being sold\nSnoopy in the hoopty, system overload\nI been runnin' this rap game since I was twenty years old (What? What?)\nI hung with the worst of 'em, bust 'til I burst 'em up\nFloss 'em up, toss 'em up, \nHardaway, cross 'em up\nPardon me, I'm bossin' up, pressure up, bless you, bruh\nDon't mess with us, we like the U in the 80's\nBack to back, set a trap, hit the lick, hit it back\nHit the trick, jump the track, bitch, I want my money back\nTime and time again while I'm sippin' on this gin\nAl Davis said it best, \"Just win baby, win\"\n[Chorus: T-Pain]\nAll I do is win, win, win, no matter what (What)\nGot money on my mind, I can never get enough ('Nough)\nAnd every time I step up in the building everybody hands go up\nAnd they stay there (There)\nAnd they say, \"Yeah!\" (Yeah!), and they stay there\n(Up, down, up, down, up, down)\n'Cause all I do is win (Win), win (Win), win\nAnd if you goin' in put your hands in the air, make 'em stay there" } ]

[ { "from": "human", "value": "Write me a song called Bliss with the following description: For the second-to-last song on Kanye West Presents… Cruel Summer, G.O.O.D. Music labelmates John Legend and Teyana Taylor combine their complementary vocal qualities to create an extraordinary track that is pure “Bliss.” They seemingly pay subtle homage to Kanye’s October 2010 hit single, “Runaway,” during their verses. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Hudson Mohawke, co-produced by Kanye West]\n[Verse 1: Teyana Taylor]\nOoh baby, the day you stepped into my world\nYou noticed I'm that kind of girl\nWho loves her diamonds and white pearls\nOh-whoa, oh-whoa-oh\nSo tempt me\nTo jetset away in London, to sip on some tea\nYou surprise me with gifts from Tiffany\nOhhh (la la la la la la la la)\nI love the way we livin' boy\nBut my daddy say, \"You don't need that boy\"\nSo let's run away, let's run away, way-way\nMomma say I'm too young for love\nAnd lovin' you is all I'm thinkin' of\nMy heart tells me that you're the one\nIt's the feeling you give, it is\n[Chorus: Teyana Taylor]\nPure bliss\nLike you've got the key to my heart\nSimple as a touch and a kiss\nNever knew a feeling like this\nPure bliss, pure bliss\nNobody can tear us apart\nBaby it's as good as it gets (kiss kiss kiss)\nLoving you will never be hard\nThis is pure bliss [Verse 2: John Legend]\nI remember, when the pilot closed the door\nHe said, \"It's time for lift-off\"\nYou said, \"What'd you choose me for?\"\nDon't ever wonder, cause you deserve the best\nOnce you reach the top, you'll never question why you left\nOhh, my world is yours\nWhat you waitin' for?\nLet's run away, let's run away!\nOur friends, say we're crazy\nBut we can't listen, baby\nThey've never had it like this\nThey don't know what it is\n[Chorus: John Legend & Teyana Taylor]\nPure bliss\nLike you've got the key to my heart\nSimple as a touch and a kiss\nNever knew a feeling like this\nPure bliss, pure bliss\nNobody can tear us apart\nBaby, it's as good as it gets (kiss kiss kiss)\nLoving you will never be hard\nThis is pure bliss" } ]

[ { "from": "human", "value": "Write me a song called I’m Out Here with the following description: First Track of O.T`s Rhythm & Bricks [New Mixtape].\nO.T. Genasis has dropped his debut solo mixtape via Busta Rhymes' Conglomerate Records. After releasing his breakout hit, “CoCo,” last October, O.T. has stayed afloat with a few hot singles but hasn’t yet given fans a full project. Finally, Genasis' Rhythm & Bricks has arrived.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by KE]\n[Verse 1: O.T. Genasis]\nCame up on a lotta bread\nGotta slow down, I been gettin' a lotta head\nStill sellin' cocaine\nGirl goin' through my phone, I ain't storin' no names\nCatch me if you can, bitch\nWord around town, I'm the man, bitch\nSellin' all these grams, bitch\nGotta grip the money like I'm 'bout to eat a sandwich\n'Bout bring the Mazi out\nMoney dance, Imma bring the Ricky Bobby out\nLife in the fast lane\nSmoke weed, pop pills, drink a lotta champagne\nMet a bad bitch on Thursday\nTook the bitch down on Thursday\nNow she callin' my phone early\nOh you thirsty, damn girl, you thirsty\n[Hook: O.T. Genasis]\nLookin' for a thug? Right here\nLookin' for some love? Not here\nThe man with the money, right here\nBitch, I'm out here\nJust spent a hundred on my wrist, bitch, I'm out here\nSpent three-fifty for the whip, bitch, I'm out here\nAnd I got a brand new bitch, bitch, I'm out here\nBitch, I'm out here [Verse 2: Wiz Khalifa]\nOut here stuntin', out here hustlin'\nOut here cuffin' that bitch and she out here fuckin'\nOut here thuggin', out here puff a whole ounce\nTryna see that thing bounce, shake something\nOn the couch, yeah, break you off, yeah\nImma knock the pussy out, put it in her mouth, yeah\nFuck you mean, bitch, I'm out here\nDon't know where that pussy been so I ain't goin' down there\nI got mushrooms in my lemonade\nWest Coast bitches gang bangin'\nEast Coast girls rollin' Backwoods\nMy Down South girls love me cause I fuck 'em good\nAs you should\n[Hook: O.T. Genasis]\nLookin' for a thug? Right here\nLookin' for some love? Not here\nThe man with the money, right here\nBitch, I'm out here\nJust spent a hundred on my wrist, bitch, I'm out here\nSpent three-fifty for the whip, bitch, I'm out here\nAnd I got a brand new bitch, bitch, I'm out here\nBitch, I'm out here" } ]

[ { "from": "human", "value": "Write me a song called D’usse with the following description: The second single of Wayne’s long awaited and (most unlikely to be) final solo album. Features production from DJ Nasty and Lee Majors and is quite reminiscent of Tha Carter III days…\n\nIt’s safe to say he slays this track.\nTha Carter V be like -\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by DJ Nasty & Lee Majors]\n[Intro]\nThis motherfucking D’usse got me sweating and shit...\nWord to God\nHov, fuck with ya boy\nC5\n[Verse 1]\nOkay nigga, I got 'em, point 'em out and I got 'em\nLet 'em get a lil buzz, then we robbing for pollen\nWe ain't killing no minors, you niggas still in the minors\nAnd your bitch, we gonna blind her, can't pick us out of the lineup\nI swear lord knows I'ma murk one of these niggas\nShoot you in your earth, and get earthworms on me, nigga\nI been did my time, I'm getting better with time\nBut real niggas don't whine, we'll burn down your vineyard\nI been balling since cornrows, still ducking the narcos\nMy little niggas in war mode, you spark it up, we charcoal\nGot a bad bitch with long hair that have bad days when the mall closed\nI'm a big dog, big doghouse, make ashtrays out of dog bowls, yeah\nBlessings on top of sins, resting with topless twins\nPicture me broke but forgot to take the top off the lens\nIn the restaurant, I’m with Slim,\n wrestling with lobster limbs\nTalking about some M's, it's sounding like gospel hymns\nYes, lord [Interlude]\nWe on that D'usse, me and my nigga Euro\nTina turn up in this bitch\nWe got Lauren in this bitch\nSerena Pink in this bitch, better known as Pinky\nSteph in this bitch\nYah dig?\nWhat’s up Brandon!?\nLego!\n[Verse 2]\nHollygrove nigga, rest in peace, Lil Kevin\nRest in peace, Lil Beezy,\n rest in peace, Big Sausage\nThe world is mine, I am selfish\nI am a shark, fuck them shellfish\nEverybody in the building, well I left that bitch like Elvis\nNigga, please\nPops treated mom like Billie Jean\nLike hot sauce, I put it on everything\nI'ma give that fucking woman everything, everything\nHere we go, bitch I'm cool, Coolio\nShe say \"Tune, do me slow\"\nHow many fish did Hootie blow?\nI don't know, fuck who knows?\nI got a redbone with two golds\nAnd she snort too much of that Michael Jackson\nThat bitch gonna need a new nose\nI ain't got time for you hoes\nShit I only have two goals\nAnd that is \"Get Money, Get Money\"\nNow I'm riding 'round the city with the top off the Maybach\nLooking for a motherfucking spot we can skate at\nElvis left the building\n \nand I take these hoes to Graceland\nAnd I got more bounce, to the 28 grams\nI ain't stunting these niggas\nEyes look Chinese, Wayne-chung to these niggas\nWayne-chung bitch!\nMore than one bitch\nThis for my niggas, we shall overcome, bitch\nFrom New Orleans, niggas dying over dumb shit\nYou know we give the pastor hell, make the nun strip\nYeah I might have them bricks, call me Brick Cannon\nNina on my lap, what you want from Santa?\nI might get money, fuck bitches\nKill niggas and smoke weed\nI'm married to this real shit\nAnd I'm a wife beater, no sleeves\nDo it for my hood\nThat 44 ain't no good\nYou better bring that chopper\nCause we gonna have them choppers\nYeah I do it for my hood\nThat 45 ain't no good\nYou better bring the chopper\nCause we gonna have them choppers, nigga\nWe gonna have them choppers\nWe gonna have them choppers\nYou better bring the chopper\nCause we gonna have them choppers, yeah\nWe gonna have them choppers\nWe gonna have them choppers\nYou better bring the chopper\nCause we gonna have them choppers, nigga\nMula! [Outro]\nMy nigga Hood in this bitch\nStill on that D'usse\nShout out my nigga Lil Twist, my lil brother\nHe just passed out in the club the other night off that D'usse\nThrew up on the owner\nOwner talkin' about he wanted his money back\nHe wanted half of the money back\nTwist took all the money and left\nThat's some Young Money shit\nSoo Woo to the B gang\nRest in peace Cedar Frogg" } ]

[ { "from": "human", "value": "Write me a song called Perfect Symphony with the following description: Days after the song reached number 1 in United States, Australia, and his native country United Kingdom, Ed Sheeran collaborates with Italian tenor singer Andrea Bocelli for the second remix of the hit ballad-song “Perfect”. This version is a classical “remix” of & and samples the hit track that features Ed Sheeran singing in Italian at the third chorus with Andrea (which also sings in Italian in the second verse and second chorus). Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Ed Sheeran]\nI found a love for me\nOh darling, just dive right in and follow my lead\nWell, I found a girl, beautiful and sweet\nOh, I never knew you were the someone waiting for me\n'Cause we were just kids when we fell in love\nNot knowing what it was\nI will not give you up this time\nBut darling, just kiss me slow, your heart is all I own\nAnd in your eyes, you're holding mine\n[Chorus 1: Ed Sheeran]\nBaby, I'm dancing in the dark with you between my arms\nBarefoot on the grass, listening to our favourite song\nWhen you said you looked a mess, I whispered underneath my breath\nBut you heard it, darling, you look perfect tonight\n[Verse 2: Andrea Bocelli]\nSei la mia donna\nLa forza delle onde del mare\nCogli i miei sogni e i miei segreti molto di più\nSpero che un giorno, l'amore che ci ha accompagnato\nDiventi casa, la mia famiglia, diventi noi\nE siamo sempre bambini ma\nNulla è impossibile\nStavolta non ti lascerò\nMi baci piano ed io, torno ad esistere\nE nel tuo sguardo crescerò [Chorus 2: Andrea Bocelli]\nBallo con te, nell'oscurità\nStretti forte poi, a piedi nudi noi\nDentro la nostra musica\nTi ho guardato ridere e sussurrando ho detto:\n\"Tu stasera, vedi sei perfetta per me\"\n[Chorus 3: \nEd Sheeran\n & Andrea Bocelli]\nBallo con te\n, \nnell'oscurità\nStretti forte poi, a piedi nudi noi\nDentro la nostra musica\nHo creduto sempre in noi\nPerché sei un angelo e io ti ho aspettato\nQuanto ti ho aspettato\nPerché tu stasera\n, \nsei perfetta per me" } ]

[ { "from": "human", "value": "Write me a song called Let Me Know with the following description: “Let Me Know” was the lead single from Tamar Braxton’s album Calling All Lovers, though it was only included as a bonus track the deluxe edition of the album. The song which features rapper Future, interpolated Aaliyah’s cover of The Isley Brothers' “(At Your Best) You Are Love.” A music video was filmed for the song, and it reached #10 on the Billboard R&B charts. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Future]\nDo you love the way I do when I'm lovin' your body\nHey do you love the way I do when I'm lovin' your body\nHey do you love the way I do when I'm lovin' your body\nWhen I'm lovin' your body, when I'm lovin' your body\nDo you love the way I do when I'm lovin' your body\nHey do you love the way I do when I'm lovin' your body\nHey do you love the way I do when I'm lovin' your body\nWhen I'm lovin' your body, when I'm lovin' your body\n[Verse 1: Tamar Braxton]\nDo you feel it in your heart?\nDo you feel it in your soul?\nWhen you know when it's right\nYou don't let go, you don't let go\n[Refrain: Tamar Braxton]\nWe've been through so many things\nUps and downs and in betweens\nIf you need more love from me\nI'll give you more, just let me know\n[Pre-Chorus: Tamar Braxton]\nIt's that good lovin', make you run and go tell somebody\nSame love that put you through Hell sometimes (oh-whoah)\nYou don't give it up to nobody\nWhen you love somebody, when you love somebody [Chorus: Future]\nDo you love the way I do when I'm lovin' your body\nHey do you love the way I do when I'm lovin' your body\nHey do you love the way I do when I'm lovin' your body\nWhen I'm lovin' your body, when I'm lovin' your body\n[Verse 2: Tamar Braxton]\nNow when he breaks your heart\nLie to your face when you know\nWhen you cry and you cry and try\nYou try some more, you try some more\n[Refrain: Tamar Braxton]\nWe've been through so many things\nUps and downs and in betweens\nIf you need more love from me\nI'll give you more, just let me know\n[Pre-Chorus: Tamar Braxton]\nIt's that good lovin', make you run and go tell somebody\nSame love that put you through Hell sometimes (oh-whoah)\nYou don't give it up to nobody\nWhen you love somebody, when you love somebody\n[Chorus: Future]\nDo you love the way I do when I'm lovin' your body\nHey do you love the way I do when I'm lovin' your body\nHey do you love the way I do when I'm lovin' your body\nWhen I'm lovin' your body, when I'm lovin' your body [Bridge: Tamar Braxton]\nI feel a high, all this pure love\nAnd so your kisses makin' sure of\nAnd give it to you, get it good love\nTurn the lights down, it's goin' down\nAnd if you don't really like it fast\nWe can go deeper baby don't be scared\nLove again and again and again\nDo you want more? Let me know\n[Pre-Chorus: Tamar Braxton]\nIt's that good lovin', make you run and go tell somebody\nSame love that put you through Hell sometimes (oh-whoah)\nYou don't give it up to nobody\nWhen you love somebody, when you love somebody\nIt's that good lovin', make you run and go tell somebody\nSame love that put you through Hell sometimes (oh-whoah)\nYou don't give it up to nobody\nWhen you love somebody, when you love somebody\n[Chorus: Future]\nDo you love the way I do when I'm lovin' your body\nHey do you love the way I do when I'm lovin' your body\nHey do you love the way I do when I'm lovin' your body\nWhen I'm lovin' your body, when I'm lovin' your body" } ]

[ { "from": "human", "value": "Write me a song called Family with the following description: “Family” is a collaboration between American electronic music duo The Chainsmokers and Norwegian DJ and producer Kygo.\nThe song, which predominantly features The Chainsmokers' Drew Taggart on vocals and production from Kygo, explores the connection between friends and family, with the singer arguing that friendships can become as significant and important as those with blood relatives. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nFamily\n[Verse 1]\nI know water that's thicker than blood\nThat's deeper than love with my friends\nPeople come and some people go\nAnd some people ride 'til the end\n[Pre-Chorus]\nWhen I am blind, in my mind\nI swear they'd be my rescue, my lifeline\nI don't know what I'd do if I, if I'd survive\nMy brothers and my sisters in my life, yeah\n[Chorus]\nI know some people, they would die for me\nWe run together, they're my family\nWhen I get up, they gon' be high with me\nI'll say forever, my family\n[Post-Chorus]\nFamily\nI'll say forever, my family\nFamily\nI'll say forever, my family [Verse 2]\nStolen dreams took our, our childish days\nStill, ain't nothin' changed, now we're grown\nWe're still young, still got our mindless ways\nIn a timeless phase, kickin' stones\n[Pre-Chorus]\nWhen I am blind, in my mind\nI swear they'd be my rescue, my lifeline\nI don't know what I'd do if I, if I'd survive\nMy brothers and my sisters in my life, yeah\n[Chorus]\nI know some people, they would die for me (Die for me)\nWe run together, they're my family\nWhen I get up, they gon' be high with me (Gon' be high with me, yeah)\nI'll say forever, my family\n[Post-Chorus]\nFamily\nI'll say forever, my family\nFamily\nI'll say forever, my family\n[Chorus]\nI know some people, they would die for me (Die for me)\nWe run together, they're my family\nWhen I get up, they gon' be high with me (Gon' be high with me, yeah)\nI'll say forever, my family" } ]

[ { "from": "human", "value": "Write me a song called Roses Turn Blue with the following description: “Roses Turn Blue” continues the somber mood of the mixtape’s preceding track and sees Chris address his cheating ex-girlfriend. The “blue roses” symbolize how the once beautiful rose (their relationship) wilts and dies when it’s not tended to and cared for. The track’s piano instrumental is sampled from the theme song to the 1983 Japanese war drama, Merry Christmas Mr. Lawrence.\nAlthough confirming her collaboration with Chris in the near future, “Don’t Be Gone Too Long,” Ariana Grande took to Twitter to dispel rumors of her featuring on “Roses Turn Blue:”\n\n\nwait what is blue roses— Ariana Grande (@ArianaGrande) February 23, 2014\n\n\n\n\n\noh wait I just looked it up! lol sounds amazing. not the 1 I'm on though. But don't worry !!!!!! You'll know and hear sooner than you think— Ariana Grande (@ArianaGrande) February 23, 2014\n\n\n\n“Roses Turn Blue” was one of many tracks supposedly leaked by Chris' old manager, Tina Davis, who Chris publicly called out. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nGirl, I double dare you\nTo keep it all the way one hunnid with me if I'm your man\nNot gon' lie, I'm scared too\nI know you got somethin' to tell me 'cause you're fuckin' up your speech\nSo, baby, tell me where you were\nI'm sick and tired, I know you saw me callin'\nI think our shit has been over for a while now\n[Pre-Chorus]\nFeel so confused when you say that you don't need me, oh-woah\nIt's only you that's makin' you wanna leave me, oh\nWhere is the trust?\nI lost it when you let him fuck\nYeah, you did, yup\nSaid, girl, I lost it, lost it\nHow could you give it up?\n[Chorus]\n'Cause, girl, you did that one thing (One thing)\nIt's fucked up the way you did that one thing (Oh)\nAnd I don't care if you was drinkin', smokin' with your girls or feelin' it\nHow could you consider it? You so inconsiderate\nAlready made your bed, now lay it down and live in it\nStop actin' so innocent 'cause you be on that other shit (Yeah, yeah) [Verse 2]\nBaby, how can I compare you to a queen or a diamond in the rough?\nI'm scared too, can't even recognize you\nDon't wanna look at your face\nYou make me sick, I'ma throw up\nWhen roses turn blueish\nThat means your garden ain't true, yeah, true, yeah (Yeah, yeah)\nI know you let them eat it, yes, you did, yup\nTakin' food off my plate\n[Pre-Chorus]\nFeel so confused when you say that you don't need me, oh-woah\nIt's only you that's makin' you wanna leave me, oh\nWhere is the trust?\nI lost it when you let him fuck\nYeah, you did, yup\nSaid, girl, I lost it, lost it\nHow could you give it up? (Oh, yeah)\n[Chorus]\n'Cause, girl, you did that one thing (One thing)\nIt's fucked up the way you did that one thing\nAnd I don't care if you was drinkin', smokin' with your girls or feelin' it\nHow could you consider it? You so inconsiderate\nAlready made your bed, now lay it down and live in it\nStop actin' so innocent 'cause you be on that other shit [Bridge]\nOoh-ooh\nGirl, girl, you be on that other shit\nOoh, ooh (Oh, oh)\nYou be on that other shit\nOoh-ooh\nOh, girl, you be on that other shit\nOoh-ooh (Oh, oh, yeah)\n[Chorus]\n'Cause, girl, you did that one thing (One thing)\nIt's fucked up the way you did that one thing (I don't care)\nAnd I don't care if you was drinkin', smokin' with your girls or feelin' it\nHow could you consider it? You so inconsiderate\nAlready made your bed, now lay it down and live in it\nStop actin' so innocent 'cause you be on that other shit" } ]

[ { "from": "human", "value": "Write me a song called Talk Dirty (en Español) with the following description: This spanish version of “Talk Dirty” was uploaded on YouTube on March 3rd, 2014.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Letra de \"Talk Dirty (en Español)\"]\n[Intro: Jason Derulo, \nRie Abe\n]\nJason, haha\nJason Derulo\nHaha, get Jazzy on 'em\n[Verso 1: Jason Derulo]\nSúbete en este vuelo internacional\nSúbete aquí conmigo, vamos a volar\nYo sé cómo te gusta a ti de New York a Haití\nTengo tu perfume en mis labios, ya no me quiero ir\n[Pre-Estribillo: Jason Derulo]\nViajo al mundo, lo he visto todo, ese booty se explica solo\nY lo único que quiero entender es cuando\n[Estribillo: Jason Derulo]\nTalk dirty to me\nTalk dirty to me (What?)\nTalk dirty to me\nTalk dirty to me (What?)\nGet Jazzy on 'em\n[Verso 2: Jason Derulo]\nPuedes cantar mi canción, no habla inglés\nCorta la conversación, voy a lo que voy\nYo sé cómo te gusta a ti de Londres a Paris\nTengo tu perfume en mis labios, ya no me quiero ir [Pre-Estribillo: Jason Derulo]\nViajo al mundo, lo he visto todo, ese booty se explica solo\nY lo único que quiero entender es cuando\n[Estribillo: Jason Derulo]\nTalk dirty to me\nTalk dirty to me (Haha, what?)\nTalk dirty to me\nTalk dirty to me (What?)\nGet Jazzy on 'em\n[Puente: Jason Derulo, \n2 Chainz\n]\nUno: \"Tú amiga en Río\"\nDos: \"Quería conmigo\"\nTres: \"Hagamos un trío\"\nCuatro: \"Ooh, yeah\" (\n2 Chainz\n)\n[Verso 3: 2 Chainz]\nDos Cadenas\n, close to genius\nSold out arenas, you can suck my penis (Uh)\nGilbert Arenas, guns on deck (Deck)\nChest to chest, tongue on neck (Neck)\nInternational oral sex\nEvery picture I take, I pose a threat\nBought a jet, what do you expect?\nHer pussy so good I bought her a pet\nAnyway, every day I'm trying to get to it\nGot her saved in my phone under \"Big Booty\"\nAnyway, every day I'm trying to get to it\nGot her saved in my phone under \"Big Booty\" [Pre-Estribillo: Jason Derulo]\nViajo al mundo, lo he visto todo, ese booty se explica solo\nY lo único que quiero entender es cuando\n[Estribillo: Jason Derulo]\nTalk dirty to me (Hahaha)\nTalk dirty to me (Yeah, girl)\nTalk dirty to me (Talk to me)\nTalk dirty to me (What?)\nGet Jazzy on 'em\n[Outro: Rie Abe]\nWhat? I don't understand, haha" } ]

[ { "from": "human", "value": "Write me a song called Girl of My Dreams with the following description: “Girl of My Dreams” is a mellow, sexual R&B track in which Chris wants to take his time with the “girl of his dreams.” Snipe Young handles the production, who also produced “All On Me” from the album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nHey\nWoah\n[Verse 1]\nWould you mind if I take my time and admire you?\nCandlelight, a little wine to set the mood\nBaby, no, you won't have to do much\nAin't no pressure, we ain't gotta rush\nWanna know what's on your mind before we touch, touch\n[Chorus]\nSo do you mind if I take my time? (Time)\nBaby, we got all night (Night)\nI wanna love you right (Oh-oh, oh-oh)\nDo you mind if, if I take it slow? (Slow)\nWe got all night to grow\nAnd, baby, please just let me know\nBaby, let me know\n[Post-Chorus]\nYeah, it's all you gotta do, baby\nThat's all you got to do, baby\nOh-oh (Oh)\nCan you hear me, babe? [Verse 2]\nI know plenty have, in the past, took advantage of\nHow beautiful you are, they don't know about real love\nOh my God, girl, just stand right there\nThat lingerie and them curls in your hair\nI don't understand why he don't know what he had\nOoh, girl, I've been watchin' you, waitin' for tonight\nTake it off, leave it on, ooh, baby, I can't decide\nSo amazin'\n[Chorus]\nSo do you mind if I take my time? (Time)\nBaby, we got all night (Night)\nI wanna love you right (Oh-oh, oh-oh)\nDo you mind if, if I take it slow? (Slow)\nWe got all night to grow\nAnd, baby, please just let me know\nBaby, let me know\n[Post-Chorus]\nMy eyes on you, yeah\nWanna spend my life, my life with you\nDon't worry 'cause it's saved\nIt's saved for you (Uh), oh, yeah\n[Outro]\nSo do you mind if I take my time? (Time)" } ]

[ { "from": "human", "value": "Write me a song called Beat It Up with the following description: “Beat It Up” continues the sexual theme from the previous track and finds Chris urging his girl to send a booty call when she requires his services in the bedroom. It’s implied by the lyrics that this girl is only Chris' side-piece or “fuck buddy” as they’re not together but have a history of having sex.\n“Beat It Up” samples the opening instrumental from Janet Jackson’s September 1989 single, “Escapade.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Chris Brown, \nChris Brown & Tone Stith\n]\nYou know you got me fucked up\nI don't wanna, I don't wanna, I don't wanna touch nobody else\nPhysically, I'm so, so into you\nDaydream about us, even when I'm by myself, yeah-yeah-yeah-yeah\n[Pre-Chorus: Chris Brown]\nI know that we're not together, girl\nBut I know everythin' about your body\nGirl, you love it when I take my time and dive in\nMakes it better 'cause you know we only close friends\nSpread them legs, I'ma give it to ya all night, all night, all night\nI'ma have you screamin'\n[Chorus: Chris Brown & Tone Stith, \nChris Brown\n, \nTone Stith\n]\nCall when you need it 'cause you know I beat it up, \nup\n(\nYeah, I beat it up\n)\nYou know I beat it up, \nup\n (\nYeah\n)\nCall when you need it 'cause you know I beat it up, \nup\n(\nYeah, I beat it up\n)\nGirl, I'ma come through\n (\nYeah\n)\nI'ma put it down on you, I'ma beat it up\n (\nYeah\n)\nAh\n (\nYeah, I beat it up\n)\nYou know I beat it up, ah\n (\nYeah\n)\nCall when you need it 'cause you know I beat it up\nAh\n (\nYeah, I beat it up\n)\nGirl, I'ma come through\n (\nYeah\n)\nI'ma put it down on you, I'ma beat it up\n (\nYeah\n) [Verse 2: Chris Brown, \nChris Brown & Tone Stith\n]\nCatchin' feelings\nI don't wanna, I don't wanna, I don't wanna mess things up between us\nBut I love them feelings\nYou give me when I'm wrapped up in your \nlove\n[Pre-Chorus: Chris Brown]\nI know that we're not together (I know), girl (Yeah)\nBut I know everythin' about your body (But I know everything)\nGirl, you love it when I take my time and dive in (Oh)\nMakes it better 'cause you know we only close friends (Oh)\nSpread them legs, I'ma give it to ya all night, all night, all night\nI'ma have you screamin'\n[Chorus: Chris Brown & Tone Stith, \nChris Brown\n, \nTone Stith\n]\nCall when you need it 'cause you know I beat it up, \nup\n(\nYeah, I beat it up\n, \nyeah-yeah\n)\nYou know I beat it up, \nup\n (\nYeah\n)\nCall when you need it 'cause you know I beat it up, \nup\n (\nOh-oh-oh, woah, yeah\n, \nyeah, I beat it up\n)\nGirl, I'ma come through\n (\nYeah\n)\nI'ma put it down on you, I'ma beat it up\n (\nYeah\n)\nAh, ooh-woah\n (\nYeah, I beat it up\n)\nYou know I beat it up, ah\n (\nYeah\n)\nCall when you need it 'cause you know I beat it up (\nYou know\n)\nAh, no, no\n (\nYeah, I beat it up\n)\nGirl, I'ma come through\n (\nYeah\n)\nI'ma put it down on you, I'ma beat it up\n (\nOh, babe\n, \nyeah\n) [Bridge: Chris Brown]\nOh, I'ma beat\nI'ma beat it up, girl, girl\nYeah, yeah, ooh\n[Pre-Chorus: Chris Brown]\nI know that we're not together, girl (Oh)\nBut I know everythin' about your body (Your body, girl)\nGirl, you love it when I take my time and dive in (Woah)\nMakes it better 'cause you know we only close friends (Oh)\nSpread them legs, I'ma give it to ya all night, all night, all night (Oh-woah)\nI'ma have you screamin'\n[Chorus: Chris Brown & Tone Stith, \nChris Brown\n, \nTone Stith\n]\nCall when you need it 'cause you know I beat it up, \nup\n(\nYeah, I beat it up\n)\nYou know I beat it up (\nOh, baby\n), \nup\n (\nYeah\n)\nCall when you need it 'cause you know I beat it up, \nup\n (\nOh, I beat it up, yeah\n, \nyeah, I beat it up\n)\nGirl, I'ma come through\n (\nYeah\n)\nI'ma put it down on you, I'ma beat it up\n (\nYeah\n)\nAh, ayy, when you wake up in the mornin', girl\n (\nYeah, I beat it up\n)\nYou know I beat it up, ah\n (\nYeah\n, \noh, oh\n)\nCall when you need it 'cause you know I beat it up (\nYou know\n)\nAh\n (\nYeah, I beat it up\n, \noh\n)\nGirl, I'ma come through\n (\nYeah\n)\nI'ma put it down on you, I'ma beat it up\n (\nYeah\n) [Outro: Chris Brown]\nOh, woah" } ]

[ { "from": "human", "value": "Write me a song called Velvet with the following description: “Velvet” is an unreleased Carter 5 cut by Lil Wayne. It finds Wayne describing a raunchy situation with a lover, pitting her above other women that he simply sees as ‘hoes’. The track appeared on an early tracklist for Wayne’s Tha Carter V.\nThe song was first teased in July 2014 at Chris Brown and Quincy’s Kick'n It For Charity kickball event via car speaker. A CDQ snippet was later leaked on August 12, 2018, and the full song finally surfaced on September 10, 2019. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nMy nigga Hood just walked in this bitch\nAll I know is what she tell me and all she tell me is she love me\n(Turn the music up in my headphones please)\nUh\n[Verse 1]\nAll I know is what she tell me and all she tell me is she love me\nWell, call me a dummy, 'cause I believe all that she say\nMama didn't raise me this way, what I don't know won't hurt me\nSo I just continue to do it, I just continue to do you\n'Cause you got that ooh, ooh\nGot me in this bitch like ooh, ooh\nTeach me some new things, be my Guru\n[Chorus]\nI'm doin' this for the bald hair hoes, long hair hoes\nHoes, hoes, ain't nothin' but hoes\nThe nappy hair hoes, the good hair hoes\nHoes, hoes, ain't-\nI'm doin' this for the natural hair hoes, fake hair hoes\nHoes, hoes, ain't nothin' but hoes\nThose hoes ain't nothin but hoes\nNothin' but hoes compared to the woman that I chose\n[Verse 2]\nOh, now all them hoes mad\nAll them hoes mad, you got all them hoes mad\nThey see that you got me all in your hands\nYou should put me down and give them all autographs, that'd be dope\nTonight, a lot goin' down\n'Cause I'm goin' down, finna prove my crown\nAnd I won't stop until I hear the ooh, ah sound\nLord, I don't know what I'm doin'\nLord, I don't know what I'm doin'\nAll she know is what I tell her, all I tell her is I'm her's\nLord, I don't know what I'm doin'\nBut I mean every word\nYeah, Lord, I don't know what I'm feelin'\nBut it's a feelin' I deserve, yeah\nNow all my hoes mad, all my hoes mad\nI got all my hoes mad\nThey say, \"Tune, I'm never callin' your ass\"\nAnd I text 'em and say, \"You just caught in the past\"\nAnd that's, oh\nAll these hoes mad, all these hoes mad\nWe got all these hoes mad\nThey see how we makin' love, it's so grand\nA celebrity couple, they all know they fans of us both\nAnd we turn up, never turn down\nI pull her skirt down, first round, ooh\nShe a beast when her hair down\nHer feet like they never touched the ground\nI like her red, but she light brown with the perfect smile\nSame smile on our first child, whoa\nWait, wait Tune you need to slow down\nDon't forget it's still the first round\nI know, I know, but I just continue to do it\nI just continue to do you\nWhat is this voodoo?\nGot me in this bitch like, ooh, ooh\nSoundin' like I'm with the Zulu\nI just continue to-, I just continue to do it\nI just continue to do you\nYou got that ooh, ooh\nGot me in this bitch like, ooh, ooh\nTeach me some things, be my guru [Chorus]\nAnd this one goes out to the bald hair hoes, the long hair hoes\nHoes, hoes, ain't nothin' but hoes\nThe nappy hair hoes, the good hair hoes\nHoes, hoes\nI'm doin' this for the curly hair hoes, straight hair hoes\nHoes, hoes, ain't nothin' but hoes\nThose hoes ain't nothin' but hoes\nNothin' but hoes compared to the woman that I chose\n[Post-Chorus]\nUh, a lot goin' down\n'Cause I'm goin' down, finna move downtown\nI won't stop until I hear the ooh, ah sound\nYeah, I won't stop until I-\nI won't stop until I hear the ooh, ah sound\n[Verse 3]\nLord, I don't know what I'm doin'\nBut you know just what I'm doin'\nSo with that said I'ma keep doin', keep doin' just what I'm doin'\nMy homies ask me how I'm doin', I can't wait to say I'm good\nThey say, \"Be careful, she know what she doin'\nBut as long as you good then we good,\" that's my niggas\nNigga you hooked, you just don't know how happy you look\nYou a whole different person\nYou make it look worth it, you makin' me nervous and got these hoes shook\nBut fuck everyone, fuck the world, fuck everything\nIf she make you feel good, then you make her feel gooder\nI feel like Nina, she Nina brown sugar\nI'm high off of love, that's why she my pusher [Outro]\nAnd baby, tonight (Woo)\nA lot goin' down (Yeah)\n'Cause I'm goin' down, finna prove my crown (Yeah)\nI won't stop until I hear the ooh (I won't stop), ah\nAnd baby, tonight (Baby, tonight)\nA lot goin' down (Yeah)\n'Cause I'm goin' down, finna move downtown (Alright)\nI won't stop until I hear the ooh, ah sound\nYeah, Lord, I don't know what I'm doin'\nLord, I don't know what I'm doin'\nAll she know is what I tell her, and all I tell her is I'm her's (I'm yours baby)\nLord, I don't know what I'm doin'\nBut I meant every word (Every word, baby)\nLord, I don't know what I'm feelin'\nBut it's a feelin' I deserve, yeah\nNow all these hoes mad, all these hoes mad\nWe got all these hoes mad\nThey see how we makin' love, look so grand\nA celebrity couple, they all know they fans of us both (Yeah)\nI'm lovin' this shit, how hard do our kids feel confident, hell\nGirl, I can't believe that he lovin' that bitch\nThey didn't even believe love still exist, but we showed 'em, yeah\nHoes, ain't nothin but hoes (Nothin' but hoes)\nNothin' but hoes compared to the beautiful woman I chose\nVelvet" } ]

[ { "from": "human", "value": "Write me a song called Bad Girl with the following description: Song featuring the dynamic duo of RiRi and Breezy which was made for the film “Confessions of a Shopaholic”, but was ultimately excluded from the soundtrack. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Rihanna]\nI guess they know I'm bad\nBad\nI got a problem\nI need you to solve it\n[Verse 1: Rihanna]\nShopaholic's what they callin'\nMy addiction, my prescription\nGimme shoes and gimme bags\nHow much you want? I need 'em bad\n[Pre-Chorus: Rihanna]\nAll them girls be checkin' my bags\nWhile they be bitin' my swag\nI guess they know I'm bad\nBad (Bad)\n[Chorus: Rihanna]\nWhat a bad little girl I am (I got a problem, bad-bad)\nWhat a bad little girl I am (I need you to solve it, bad-bad)\nWhat a bad little girl I am (I got a problem)\nBad-bad, bad-bad, bad-bad, bad\nWhat a bad little girl I am (I got a problem, bad-bad)\nWhat a bad little girl I am (I need you to solve it, bad-bad)\nWhat a bad little girl I am (I got a problem)\nBad-bad, bad-bad, bad-bad [Verse 2: Rihanna]\nNeed no bargain, need no sale\nI want the best, I dress me well\nLove Cavalli dipped in Versace\nChic ain't cheap and everybody knows\n[Pre-Chorus: Rihanna]\nAll them girls be checkin' my bags\nWhile they be bitin' my swag (Yeah)\nI guess they know I'm bad (Bad, bad, bad)\nBad (Bad)\n[Chorus: Rihanna]\nWhat a bad little girl I am (I got a problem, bad-bad)\nWhat a bad little girl I am (I need you to solve it, bad-bad)\nWhat a bad little girl I am (I got a problem)\nBad-bad, bad-bad, bad-bad, bad\nWhat a bad little girl I am (I got a problem, bad-bad)\nWhat a bad little girl I am (I need you to solve it, bad-bad)\nWhat a bad little girl I am (I got a problem)\nBad-bad, bad-bad, bad-bad\n[Verse 3: Chris Brown, \nRihanna\n]\nShe a bad girl, a real shopaholic\nShe buyin' everythin' up, man, I can't call it\nAnd she a walkin' store, I'm talkin' 'bout her clothes\nI just pause, I'm in awe, 'cause she a fashion show\nReal Louis bags and breathe Gucci\nGot a wardrobe like she's starin' in a movie\nAnd she ain't even famous, but she got her own groupies\nShe got her own groupies\nSaid she got her own groupies (\nBad\n) [Chorus: Rihanna]\nWhat a bad little girl I am (I got a problem, bad-bad)\nWhat a bad little girl I am (I need you to solve it, bad-bad)\nWhat a bad little girl I am (I got a problem)\nBad-bad, bad-bad, bad-bad, bad\nWhat a bad little girl I am (I got a problem, bad-bad)\nWhat a bad little girl I am (I need you to solve it, bad-bad)\nWhat a bad little girl I am (I got a problem)\nBad-bad, bad-bad, bad-bad" } ]

[ { "from": "human", "value": "Write me a song called Like Friends Do with the following description: “Like Friends Do” is an unreleased song by Camila Cabello. This song is about Camila wanting to advance her relationship with a friend into a more romantic relationship.\nShe recorded this track when she was in girl group, Fifth Harmony. The song was first teased during an Instagram livestream on January 18, 2018. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nWe get drunk off hotel minibars\nWe get drunk off heartbeats in the dark\nAnd it's your hands on my legs ????\nAnd the way this could taste and this is how it starts\nFalling in love\nAnd we're singing 90's R&B\nAnd you ask me to be yours\nAnd I say “Friends nothing more”\nAnd you laugh and say to me\n[Pre-Chorus]\n“What are you afraid of?” Afraid of?\nI'm thinking falling in love, in love\nYou're the one I'll wait on, wait on\nI won't surrender\nWhat are you afraid of? Afraid of?\nI'm thinking falling in love, in love\nYou're the one I'll wait on, wait on\nI won't surrender\n[Chorus]\nSo you said: I'll sit straight on the couch like friends do\nAnd I'll stop touching your mouth like friends do\n'Cause I can't look at you quite like friends do\nLike friends do, like friends do\nAnd you don't say my name quite like friends do\nI kiss your neck, does it feel like friends do?\nSo baby say it again, I dare you, this feels like\nLike friends do? [Verse 2]\nWe built castle made of rose and gold\nAnd I'll be your blanket when it's cold\nSo use the scar on my chin, the way I bite my lip\nCause this is how it starts\nFalling in love\nWe don't hear the whispers on the streets\nI'll break off a piece of my heart hope you don't tear it apart\nWhen you laugh and say to me\n[Pre-Chorus]\nWhat are you afraid of? Afraid of?\nI'm thinking falling in love, in love\nYou're the one I'll wait on, wait on\nI won't surrender\nWhat are you afraid of? Afraid of?\nI'm thinking falling in love, in love\nYou're the one I'll wait on, wait on\nI won't surrender\n[Chorus]\nSo you said: I'll sit straight on the couch like friends do\nAnd I'll stop touching your mouth like friends do\n'Cause I can't look at you quite like friends do\nLike friends do, like friends do\nAnd you don't say my name quite like friends do\nI kiss your neck, does it feel like friends do?\nSo baby say it again, I dare you, this feels like\nLike friends do? [Bridge]\nAnd when all of this is said and done\nYou'll remember me, you'll remember us\nWhat Am I afraid of?\nFalling in love\nI'm the one you waited on\nI surrender, I surrender\n[Chorus]\nSo you said: I'll sit straight on the couch like friends do\nAnd I'll stop touching your mouth like friends do\n'Cause I can't look at you quite like friends do (like friends do, like friends do)\nLike friends do, like friends do\nAnd you don't say my name quite like friends do\nI kiss your neck, does it feel like friends do?\nSo baby say it again, I dare you, this feels like\nLike friends do?\nI'll sit straight on the couch like friends do\nAnd I'll stop touching your mouth like friends do\n'Cause I can't look at you quite like friends do\nLike friends do, like friends do, like friends do\n[Outro]\nI give up, I surrender\nBaby, I wanna be yours forever\nSo baby say it again, I dare you, this feels like\nLike friends do" } ]

[ { "from": "human", "value": "Write me a song called Stripes Like Burberry with the following description: Lil Uzi and Future harmonize over a outerworld-trap beat to open Pluto x Baby Pluto. The two rap about wanting to make their mothers proud so they don’t have to worry about them.\nUzi continues to rap about his life when he finally got money and his struggle to get attention, while Future raps about similar up-comings and having to commit some shootings due to people trying to get him. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Future & \nLil Uzi Vert\n]\nDJ Escomoe City, the coolest DJ on the motherfuckin' planet (\nOh\n)\nEscomoe free (\nOh\n)\n[Chorus: Lil Uzi Vert]\nI been lookin' at the sun, but can't worry\nI'm my mama oldest son, can't get buried\nI got stripes in these streets like Burberry\nI remember I ain't make a three, now I'm Curry\nI might pop a fuck nigga, yeah, like a wheelie, yeah\nI'm used to the murder, I'm from Philly\nMoney man, my money rubber bandin', shit get silly\nI used to drink the color purple, my plug named Celie\n[Verse 1: Lil Uzi Vert]\nTakin' out two hundred at a time, stacked to the ceiling\nI got me a brand-new coupe and I took off the ceiling\nThese boys not, uh, on my level, live on top of the building (Yeah)\nIn the penthouse playin' with a hundred like woah, I ain't got no feelings\nIn the penthouse playin' with a hundred like woah\nBig old bag like woah\nGet that cash like woah\nSnakes in the grass, got mowed\nEverything I say gon' go\nPlatinum Rollie, no gold\nFuck my girl fast and slow\nYou know how life goes\nMan, I got the bands, I can't worry\nYeah, I can end your whole history\nLooking in my eyes, you see a demon, flames like fury\nJust act like everybody in the game, she said that y'all can share me\nSee I got the foreign cars, my niggas got foreigns and you know they is not holdin' shit\nSee me pullin' up, that boy got a foreign and you know that bitch got the ownership\nAnd if I'm in the passenger seat, you know that I got a thirty clip\nAnd look at these niggas, they actin' like gangsters, but they really just on some phony shit\nSee, I been in the field for a long time\nBad bitches try to fuck on me, I remember when they ain't pay me no mind\nI remember when these boys tried to take me off my grind\nI remember when these boys said that I would be nothin'\nI remember when I had no money and I needed a lil' frontin'\nI remember before hundred percent, my boys got the work, had to cut it\nI remember I started runnin' this shit, you know I'm gonna keep runnin' it\nNiggas, they mad 'cause I'm still sixteen when it comes to this [Chorus: Lil Uzi Vert & \nFuture\n]\nI been lookin' at the sun, but can't worry\nI'm my mama oldest son, can't get buried\nI got stripes in these streets like Burberry\nI remember I ain't make a three, now I'm Curry\nI might pop a fuck nigga like a wheelie, yeah\nI'm used to the murder, I'm from Philly\nMoney man, my money rubber bandin', shit get silly\nI used to drink the color purple, my plug named Celie\nI been lookin' at the sun, I can't worry\nI'm my mama oldest son, can't get buried\nI got stripes in these streets like Burberry\nI remember I ain't make a three, now I'm Curry\nI might nail a bad, bad bitch like a hammer, yeah\nI'm used to the murders, I'm from Atlanta, yeah\nAll these bands I'm havin', bitch gettin' silly, yeah\nI just popped your bitch like a wheelie, yeah\n[Verse 2: Future]\nGot on baguetties like I been surfing, yes, I made it out that dirt\nFriends or foes, you never know, put your face on a shirt\nKnockin' it straight out the park, yeah, shopping as soon as we land\nSippin' on mud like a trap star, it's a gift, I count my blessings\nIn the penthouse playing with a hundred like woah\nBig old bag like woah\nHave a rack go attack like woah\nA whole lot of bitches on go\nA whole lot of bitches on go\nPlatinum chain on glow\nHow many niggas you drop this week?\nThey'll never let that go\nShit gettin' whacked, nigga tryna get bands\nStreets gettin' bloody for these bands\nToo corrupted, you can't be carin'\nHit him in the public, topped him, and ran\nFloodin' the ice 'cause the pain it take\nNeed a new safe to hide all this cake, yeah\nDue to the fact I hustle, I get litty\nPuttin' prices on your head like Frank Nitti, yeah\nNiggas get killed on camera in my city\nWhen I got them bands, I can't worry [Chorus: Future]\nI been lookin' at the sun, I can't worry\nI'm my mama oldest son, can't get buried\nI got stripes in these streets like Burberry\nI remember I ain't make a three, now I'm Curry\nI might nail a bad, bad bitch like a hammer, yeah\nI'm used to the murders, I'm from Atlanta, yeah\nAll these bands I'm havin', bitch gettin' silly, yeah\nI just popped your bitch like a wheelie, yeah\n[Outro: Future]\nAs long as I got these bands, ain't no worries\nMake your bitch my number one fan and rock my jersey\nAnd the way I shoot my shot, oh yes, I'm Curry\nI'm my mama oldest child, can't get buried\nAnd a nigga got more stripes in the streets than Burberry" } ]

[ { "from": "human", "value": "Write me a song called Hands in the Air with the following description: Miley has to went trough some struggle before being who she’s right now, in this song she’s proclaiming her love again, but this time is different, her to love us, her smilerz!\nShe wanna see all of us passin a good time with her and her new rave-chapter of her life. Now there are lot of people who support and love her, and she wanna see it with our hands in the air!\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Miley Cyrus]\nYeah, yeah\nLet me see your hands in the air\nYeah, yeah (Oh)\n[Verse 1: Miley Cyrus]\nI remember dreaming 'bout the things I do right now (Right now)\nLike I climbed onto a cloud, scared to look back down (Yeah)\nI remember when (Ayy)\nI was all alone (All alone)\nNobody 'round (Nobody 'round)\nTo hold me down (Hold me down)\nBut now you're here with me tonight\nLook at what you found\n[Pre-Chorus: Miley Cyrus]\nI was lonely for some time\nNow it's only you and I\nI won't live without your love tonight, tonight\n[Chorus: Miley Cyrus]\nI'm dancing to the sound of my words in the crowd\nToo high to come down\nSo let me see your hands in the air\nLet me see your hands in the air\nLet me see your hands in the air [Verse 2: Ludacris]\nIt's go hard or go home, and it ain't no looking back\nMy toughest enemy's in the mirror, would you look at that?\nI'm top five, dead or alive, one of the best to rhyme\nAnd if I ever take a seat, I stood the test of time\nEvery verse, every song, every feature I was on, better know that I abused it\nIf I die before my time, I'll still be living through my music\nI cracked the industry open, but still got this shit on lock\nEven on the highway up to Heaven, Luda still will be on top, hey\n[Chorus: Miley Cyrus]\nI'm dancing to the sound of my words in the crowd\nToo high to come down\nSo let me see your hands in the air\nLet me see your hands in the air\nLet me see your hands in the air\n[Bridge: Miley Cyrus]\nWhoa, whoa, whoa, ooh\nWhoa, whoa, whoa, ooh\nWhoa, whoa, whoa, ooh\nWhoa, whoa, whoa, ooh\nYeah, yeah, yeah, yeah, yeah, ooh\nYeah, yeah, yeah, yeah, yeah, ooh\n[Chorus: Miley Cyrus]\nI'm dancing to the sound of my words in the crowd\nToo high to come down\nSo let me see your hands in the air\nLet me see your hands in the air\nLet me see your hands in the air" } ]

[ { "from": "human", "value": "Write me a song called Cold with the following description: “Cold” is the second single released by Maroon 5, featuring rapper Future, from their sixth studio album. Adam Levine confirmed on Twitter that the song would make its live debut on The Ellen Show on February 15.\nFollowing the success of “Don’t Wanna Know” that peaked at number six on the Billboard Hot 100, Maroon 5 released “Cold,” which talks about how to deal with relationships and breakups. The song was released just in time for Valentine’s Day along with its music video the next day. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Adam Levine]\nCold enough to chill my bones\nIt feels like I don't know you anymore\nI don't understand why you're so cold to me\nWith every breath you breathe\nI see there's something going on\nI don't understand why you're so cold\n[Verse 1: Adam Levine]\nAre we taking time or a time out?\nI can't take the in-between\nAsking me for space here in my house\nYou know how to fuck with me\nActing like we're not together\nAfter everything that we've been through\nSleeping up under the covers\nHow am I so far away from you?\n[Pre-Chorus: Adam Levine]\nDistant, when we're kissing\nFeel so different\nBaby, tell me how did you get so\n[Chorus: Adam Levine]\nCold enough to chill my bones\nIt feels like I don't know you anymore\nI don't understand why you're so cold to me\nWith every breath you breathe\nI see there's something going on\nI don't understand why you're so cold, yeah [Post-Chorus: Adam Levine]\nWhoa, yeah\nWhoa, yeah\nI don't understand why you're so cold\n[Verse 2: Adam Levine]\nWhat you holdin' on, holdin' on for?\nIf you wanna leave, just leave\nWhy you wanna bite your tongue for?\nThe silence is killing me\nActing like we're not together\nIf you don't want this, then what's the use?\nSleeping up under the covers\nHow am I so far away from you?\n[Pre-Chorus: Adam Levine & \nJohn Ryan\n]\nDistant (\nOh\n), when we're kissing (\nYeah\n)\nFeel so different (\nYeah\n)\nBaby tell me how did you get so\n[Chorus: Adam Levine]\nCold enough to chill my bones\nIt feels like I don't know you anymore\nI don't understand why you're so cold to me\nWith every breath you breathe\nI see there's something going on\nI don't understand why you're so cold, yeah [Post-Chorus: Adam Levine & \nFuture\n]\nWhoa, yeah\nWhoa, yeah\nI don't understand why you're so cold, yeah\nSo tough, it’s a cold world\nWhoa, yeah\nSo tough, it’s a cold world\nWhoa, yeah\nSo tough, it’s a cold world\nI don't understand why you're so cold\n[Verse 3: Future & \nAdam Levine\n]\nNever thought that you were like this\nI took the tag off, and made you priceless\nI just spent half a mil' on a chandelier\nNow you tryna cut me off like a light switch, yeah\nTryna stay in our league\nSaying that you need some time to breathe\nThinking that I'm sleeping on the four-letter word\nBut the four-letter word don't sleep\nWe goin' two separate ways\nYou ain't been actin' the same\nYou gotta go, girl, where your heart used to be\nYou gold-dig every day\nI switched the four-door to the two-door\n'Cause I can't let my driver hear what you say\nGirl, I tried to give you space\nBaby, tell me how did you get so cold [Chorus: Adam Levine]\nCold enough to chill my bones\nIt feels like I don't know you anymore\nI don'\nt unde\nrstand why you're so cold to me\nWith every breath you breathe\nI see there's something going on\nI don't understand why you're so cold\n[Post-Chorus: Adam Levine & \nFuture\n]\nSo tough, it’s a cold world\nWhoa, yeah\nSo tough, it’s a cold world\nWhoa, yeah\nSo tough, it’s a cold world\nI don't understand why you're so cold, yeah\nSo tough, it’s a cold world\nWhoa, yeah\nSo tough, it’s a cold world\nWhoa, yeah\nSo tough, it’s a cold world\nI don't understand why you're so cold" } ]

[ { "from": "human", "value": "Write me a song called Gone Too Soon with the following description: “Gone Too Soon” was the ninth and final single released from Michael Jackson’s 1991 album , Dangerous. It’s actually a cover of a Dionne Warwick song, written by Larry Grossman and Buz Kohan, which she performed in 1983 as a tribute to Janis Joplin and Karen Carpenter.\nJackson recorded the song in 1990 as a tribute to his friend, Ryan White, who died of complications from AIDS the same year. A photograph of him walking with Jackson is depicted on the single’s cover. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nLike a comet\nBlazing 'cross the evening sky\nGone too soon\n[Verse 2]\nLike a rainbow\nFading in the twinkling of an eye\nGone too soon\n[Chorus]\nShiny and sparkly\nAnd splendidly bright\nHere one day\nGone one night\n[Verse 3]\nLike the loss of sunlight\nOn a cloudy afternoon\nGone too soon\n[Verse 4]\nLike a castle\nBuilt upon a sandy beach\nGone too soon [Verse 5]\nLike a perfect flower\nThat is just beyond your reach\nGone too soon\n[Chorus]\nBorn to amuse\nTo inspire, to delight\nHere one day\nGone one night\n[Verse 6]\nLike a sunset\nDying with the rising of the moon\nGone too soon\n[Outro]\nGone too soon" } ]

[ { "from": "human", "value": "Write me a song called Cheatin’ with the following description: The eleventh track from Lil' Kim’s Black Friday mixtape borrows heavily from the song “Man Down” originally featured on Rihanna’s fifth studio album Loud. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Big Mike]\nKimmy Blanco, What's up baby?\nCT got your back, you know what it is\nShout out to the whole Tri-State\nShout out to all the websites, shout out to all the blogs\nShout out to all the radio stations\nMost of all, shout out to the streets\n[Verse 1: Lil' Kim]\nIt was love at first sight, everthing was right\nI didn't know, him had another life with a kid and wife\nAnd he bought me a ring and he bought us both the same cars\nWhat started out as a simple love affair\nEnded with someone inside an electric chair\nAnd the same man that she was in love with's now in love with me\nI didn't mean to hurt her, could've been somebody's mom\nBut she took his heart when, she pulled out that gun\nRam pa-pa-pam, ram pa-pa-pam, ram pa-pa-pam, man down\nRam pa-pa-pam, ram pa-pa-pam, ram pa-pa-pam, man down\n[Hook: Rihanna]\nOh, mama, mama, mama I just shot a man down In central station, in front of a big ol' crowd\nOh, why? Oh, why?\nOh, mama, mama, mama I just shot a man down\nIn central station [Verse 2: Lil' Kim]\nI can't imagine what I'd do if I was in her show\n'Cause if he did this to me, I'd probably kill him too\n'Cause if he played me for a fool, I'd probably lose my cool\nAnd reach for my firearm\nI wish she didn't lay him down\nBut it's too late to turn back now\nDon't know what she was thinking\nBut I know what she was feeling\nAnd now he's no longer around\nI didn't mean to hurt him, could've been somebody's son\nBut she took his heart when, she pulled out that gun\nRam pa-pa-pam, ram pa-pa-pam, ram pa-pa-pam, man down\nRam pa-pa-pam, ram pa-pa-pam, ram pa-pa-pam, man down\n[Hook: Rihanna]\nOh, mama, mama, mama I just shot a man down\nIn central station, in front of a big ol' crowd\nOh, why? Oh, why?\nOh, mama, mama, mama I just shot a man down\nBut hear me now\n[Bridge: Lil Kim]\nI never thought she'd do it\nI never thought she'd do it\nI never thought she'd do it\nOh gosh\nWhy ever do she do it?\nWhy ever do she do it?\nWhy ever do she do it?\nWhy do she pull the trigger, pull the trigger, pull the trigger? Boom!\nAnd end this, end this life so soon\nPull the trigger, pull the trigger, pull the trigger, boom\nNow what you gon' do? Me say, what you gon' do?\nRam pa-pa-pam, ram pa-pa-pam, ram pa-pa-pam\nMe say one man down, oh god\nRam pa-pa-pam, ram pa-pa-pam, ram pa-pa-pam\nMe say one man down\nNow you are a criminal, criminal, criminal\nYes you are a criminal, criminal, criminal\nYes now somebody hold the gun, whilst she run out of town\nBefore it be another: one man down\nRam pa-pa-pam, ram pa-pa-pam, ram pa-pa-pam, man down\nRam pa-pa-pam, ram pa-pa-pam, ram pa-pa-pam, man down [Hook: Rihanna]\nOh, mama, mama, mama I just shot a man down\nIn central station, in front of a big ol' crowd\nOh, why? Oh, why?\nOh, mama, mama, mama I just shot a man down\nIn central station" } ]

[ { "from": "human", "value": "Write me a song called Just As I Am with the following description: In “Just As I Am,” the Prince of Bachata, Prince Royce, and R&B superstar Chris Brown croon to their lovers for them to accept them for who they are.\n“Just As I Am” was released as a single from Spiff TV’s upcoming album, The Union. However, the track also appeared on Royce’s 2017 album, FIVE. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Spiff TV]\nThe Union, Spiff TV\nThey gon' ask, I'ma tell 'em\nYeah, yeah, I did it\nC Breezy, Royce\n[Verse 1: Prince Royce]\nLove\nEscucha lo que voy a decir\nNada me importa\nSolo tenerte junto a mí\n[Pre-Chorus: Chris Brown, \nPrince Royce\n]\nAnd when you're not with me, you're in my heart (In my heart, ooh)\nNo matter the distance, I'm never too far from where you are\nPrometo estar desde hoy\n, I can\nSiempre a tu lado, no importa la razón\nY donde quiera que voy\nViajas en mi corazón\nCome to me as you are\n[Chorus: Chris Brown, \nPrince Royce\n]\nAccept me just as I am\nSo no one would have to change for nobody\nFrom the ground that I stand (Oh-woah)\nI'll give you all that I can with everything that I am\nI promise you that I can\nAcéptame como soy [Verse 2: Chris Brown, \nPrince Royce\n]\nLove\nYou gotta feel me when I say (I say)\nNothing else matters\nOh, I, I wanna please you every day\nEres para mí, oh\nY yo soy para ti, ooh, yeah (Ooh, yeah, yeah)\n[Pre-Chorus: Prince Royce, \nChris Brown\n]\nPrometo estar desde hoy, \nI can\nSiempre a tu lado no importa la razón (Eh)\nY donde quiera que voy (\nOh\n)\nViajas en mi corazón\nCome to me as you are\n[Chorus: Chris Brown, \nPrince Royce\n]\nAccept me just as I am (\nOh, baby\n)\nSo no one would have to change for nobody\nFrom the ground that I stand (Oh-woah)\nI'll give you all that I can with everything that I am\nI promise you that I can\n(\nSi te vas puedo morir\n)\nI-I-I promise you that I can\nHago lo que sea por tu amor\n, I can\n(\nSi te vas puedo morir\n) Oh-oh\nThe only thing you desire in a man [Bridge: Prince Royce, \nChris Brown\n]\nI want you, girl\nEstoy solo sin ti\nI want you, girl\nTú eres mi vida\nYou haunt my world\nNo puedo vivir sin ti\nYour love is all I need\n[Pre-Chorus: Prince Royce, \nChris Brown\n]\nPrometo estar desde hoy\nSiempre a tu lado no importa la razón\nI'll do whatever I can\nOoh, viajas en mi corazón\nCome to me as you are\n[Chorus: Chris Brown, \nPrince Royce\n, \nChris Brown & Prince Royce\n]\nAccept me just as I am (\nOh, baby\n)\nSo no one would have to change \nfor nobody\nFrom the ground that I stand\nI'll give you all that I can with everything that I am\nI promise you that I can\nAcéptame como soy\n, yeah" } ]

[ { "from": "human", "value": "Write me a song called Balm In Gilead with the following description: Gilead is a mountainous region east of the Jordan river. A ‘balm’ is a healing cream. The ‘Balm in Gilead’ is a reference to an Old Testament prophecy in which Jeremiah lamented over the spiritual health of Israel. The prophecy is considered a precursor to the birth of Jesus Christ some 600 years later.\nIs there no balm in Gilead; is there no physician there? why then is not the health of the daughter of my people recovered? -Jeremiah 8:22\n“Balm In Gilead” is an interpolation of a traditional African American spiritual by the name of “There is a Balm In Gilead”. The earliest version of the song can be found in Washington Glass’s hymn “The Sinner’s Cure” in 1854, although that hymn is believed to be largely based on a 1790 hymn by John Newton. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nThere is a balm in Gilead\nThere is a balm in Gilead\nThere is a balm in Gilead\nThere is a balm in Gilead\nThere is a balm in Gilead\nThere is a balm in Gilead\nThere is a balm in Gilead\nThere is a balm in—\n[Verse]\nOh, oh, oh, there is a balm in Gilead\nThere is a balm (Jesus is a balm in—)\nThere-ere-ere-ere is a balm (Jesus is a balm in—)\nThere is a balm (There is a balm in—)\nThere-ere-ere-ere is a balm (Jesus is a balm in—)\nThere is a balm (Jesus is a balm in—)\nThere-ere-ere-ere is a balm (Jesus is a balm in—)\nThere is a balm (There is a balm in—)\nThere-ere-ere-ere is a balm (Jesus is a balm in—)\nThere is a balm\nThere-ere-ere-ere is a balm\nThere is a balm (Oh, yeah)\nThere-ere-ere-ere is a balm (Jesus is a balm in—)\nThere is a balm\nThere-ere-ere-ere is a balm\nThere is a balm (Oh, yeah)\nThere-ere-ere-ere is a balm [Outro]\nThere is a balm in Gilead\nThere is a balm in Gilead\nThere is a balm in Gilead\nThere is a balm in—\nOh, oh, oh, there is a balm in Gilead\nOh, there is a balm" } ]

[ { "from": "human", "value": "Write me a song called On My Own with the following description: “On My Own” is an unreleased song between Dua Lipa and british rapper Tinie Tempah recorded in 2014, originally intended for Lipa’s self-titled debut album, but it was ultimately scrapped.\nThe song leaked in December 3rd, 2021, alongside many other unreleased tracks from Dua’s debut album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nNine-to-five in London town\nI know I'm ready\nThey talk about my dreams\nHere I'm in love already\nThirteen now, let's move out\nThe parents house, let's go alone\nFifteen then, and since then, I never look back home\n[Pre-Chorus]\nIn a world of my own\nI'm in the danger zone\nLiving in the madness, got no time for sadness\nGod, you're so loud\nI couldn't hear my mouth\nLiving with the motion, no control\nJust devotion\n[Chorus]\nI won't ever stop 'til I touch the sky\nWhoa, whoa\nI won't stand alone 'til I win the fight\nWhoa, whoa\n'Cause I've been on my own, I've been here alone\nAnd I've been on my own for too long\nI've been on my own, I've been here alone\nI've been on my own for too long\nToo long [Verse 2]\nBright city lights, they're shining bright\nThey're falling on me\nI'm drawn in like a firefly, can't see so clearly\nThe music good, the trees I was smoking heavy all night\nThrough eighteen now, don't look down\nDizzy heights for you now\n[Pre-Chorus]\nIn a world of my own\nI'm in the danger zone\nLiving for the high life, never have to think twice\nGod, you're so loud\nI couldn't hear my mouth\nLiving in the fast lane, this could be a game change\n[Chorus]\nI won't ever stop 'til I touch the sky\nWhoa, whoa\nI won't stand alone 'til I win the fight\nWhoa, whoa\n'Cause I've been on my own, I've been here alone\nAnd I've been on my own for too long\nI've been on my own, I've been here alone\nI've been on my own for too long [Verse 3]\nI'm in the city light, we yell our lines\nIf we can't fight late, then we doublin' our fines\n(Double, double)\nI'm gettin' money, but I'm doublin' my mind\nWhen I was gettin' it, I would double up on the credit\nBut now a fool gonna want a bath with it\nDo a song, have a joke, have a laugh with it\n(Laugh with it)\nI ain't out here sayin' what it's gonna be\nNo way, 'cause I'm back where I wanna be\nHeatwave will (Will)\nI'm mentally ill (Ill)\nLife, it looks good, but it's fallin' uphill\nYou're gettin' greedy\nWhen you forget the mil' (Yes)\nForget the pills, but remember bills\nFill this hole in this sky like a parachute\nI had a rugged heart when I never hollowed you\nSo when I had another you\nI was like \"Oh, god, gotta work hard\nLaugh when it's underused\"\n[Chorus]\n'Cause I've been on my own, I've been here alone\nI've been on my own for too long\nI've been on my own, I've been here alone\nI've been on my own for too long\nI've been on my own, I've been here alone\nI've been on my own for too long\nI've been on my own, I've been here alone\nI've been on my own for too long\nI've been on my own, I've been here alone (Oh-oh, oh-oh)\nI've been on my own for too long (Oh-oh, oh-oh)\nI've been on my own, I've been here alone (Oh-oh, oh-oh)\nI've been on my own for too long" } ]

[ { "from": "human", "value": "Write me a song called Money Bag with the following description: http://www.worldstarhiphop.com/videos/video.php?v=wshhvTK13HGv5XCDHvtjExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "(Chorus: French Montana)\nShawty bust it open then I bust her back\nNiggas talkin but we talkin cash\nPoppin bottles then we poppin tags\nYou know we came with the money bags\nShawty bust it open then I bust her back\nNiggas talkin but we talkin cash\nPoppin bottles and poppin tags\nYou know we came with the money bags\nCake, cake, cake, We came wit it\nYou know we came with the money bags\nCake, cake, cake, We came wit it\nYou know we came with the money bags\n[Verse 1: French Montana]\nShawty bust it open then I bust her back\nNiggas talkin, we talkin cash\nCall me AKK came wit it\nOld school money, Big Daddy Kane wit it\nShe throw it back, I’m throwin' stacks\nTold that bitch, take 3 days to count it back\nIf it’s real, tat my name on it\nThrow it, blue dot pour it\nSmoke like I grow it, dirty Sprite I pour it\nCoke Boys you know, pay like you owe em\nWhat you need I got, smoking weed, drinkin blue dot\nNever sober (Chorus: French Montana)\nShawty bust it open then I bust her back\nNiggas talkin but we talkin cash\nPoppin bottles then we poppin tags\nYou know we came with the money bags\nShawty bust it open then I bust her back\nNiggas talkin but we talkin cash\nPoppin bottles and poppin tags\nYou know we came with the money bags\nCake, cake, cake, We came wit it\nYou know we came with the money bags\nCake, cake, cake, We came wit it\nYou know we came with the money bags\n[Verse 2: Chinx]\nWe do this for real, you lame niggas playin wit it\nMenace to this shit, just like O-Dog and Caine wit it\nInside all white, like I put cocaine in it\nI just bend her over, scarecrow, no brain wit it\nWrist froze, I breeze in\nSo slick, I slide out\nHeaded to the Sean Combs honeycomb hideout\nYo bitch be tailgatin', killed that, no traces\nI just head shot it then pick up them shell cases\nSaint Nick, I came with the bag\nSlidin' down the chimney straight up on that ass\nAte her pussy out like a top with a slap\nLately I’ve been sober but I’m high up off the cash (Chorus: French Montana)\nShawty bust it open then I bust her back\nNiggas talkin but we talkin cash\nPoppin bottles then we poppin tags\nYou know we came with the money bags\nShawty bust it open then I bust her back\nNiggas talkin but we talkin cash\nPoppin bottles and poppin tags\nYou know we came with the money bags\nCake, cake, cake, We came wit it\nYou know we came with the money bags\nCake, cake, cake, We came wit it\nYou know we came with the money bags\n(Verse 3: Lil Durk)\nBust it open, pussy poppin' while I'm moaning\nWe takin shots of that Rose, turnin up to the morning\nBang Bros that bitch, we turn her out I don't want her\nWe just threw 20 thousand, we make it back in the morning\nCake cake shorty straight, bad bitch, ass fake\nBottom red model bitches, take em down, I’m the shit\nWhite Ghost, call it Casper, do the dash I be lit\nTryna rob you get licked\nTurnin up, turnin up\nI just wanna check up there like Nike do\nI’ve been chasin money since ‘92\nMoney bags shawty it’s what money do\nYou would do the same if you had money too (Chorus: French Montana)\nShawty bust it open then I bust her back\nNiggas talkin but we talkin cash\nPoppin bottles then we poppin tags\nYou know we came with the money bags\nShawty bust it open then I bust her back\nNiggas talkin but we talkin cash\nPoppin bottles and poppin tags\nYou know we came with the money bags\nCake, cake, cake, We came wit it\nYou know we came with the money bags\nCake, cake, cake, We came wit it\nYou know we came with the money bags" } ]

[ { "from": "human", "value": "Write me a song called Baby’s Coming with the following description: A song made by Kanye West with Go Getters before College Dropout dropped. It came as a surprise when it leaked on October 9th, 2016. It was found at a swapmeet on a cassette labeled Kanye + GG. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kanye West]\nI spit it\nI spit it so you could feel it\nYou know what I'm saying\nI'm saying I put my personality into it\n[Verse 1: Kanye West]\nThese hoes is all the same\nThey all want a nigga hollering out \"money ain't a thang\"\n'Bout pathetic as a player that lost his game\nHow a motherfuckin' hoe turn a pimp to a lame\nSee these sheets is like the street you gotta stay strapped up\nCause that's how these hoes'll get you wrapped up\nCalling you later saying what she crying about\nPut that bitch on now what she lying about\nTalking about how she late and how she eat a lot\nSee she eat a lot cause she smoke weed a lot\nWhy all the bogus hoes want to front on K\nWhy the fine hoes can't have one on the way\nI prolly tell her to keep it, it'll be our little secret\nBoniquan now my shorty looking fine: Puerto Rican\nAs long as she don't flip it tell her man that we creepin'\nWhat we doin' is all day\nWhen I hang up it ain't called hate its called wait\nWhen you get popped don't call me call Clayton\nThat's your man ain't it\nThat's the plan ain't it\nWhen she told me it was mine I damn near fainted [Hook: Kanye West & \nSample\n]\nI told you that I want you\nLet em put you on peep it though (\nThat I need you\n)\nI ain't even want to freak the hoe\nI’m gonna leave my man today\nI just stabbed the first time 'bout a week ago\nLet em put you on peep it though \n(He told me it is so done)\nI ain't even want to freak the hoe \n(So that you know now)\nI got your baby on the way\n[Verse 2: GLC]\nNow these hoes run gun I ain't finna say nothing\nShe tried to pop my pockets before I even got paid\nDon't trip, this bitch was a whip\nYou could learn something from her but you might get burned from her\nWe smoked a couple of dimes I hit it a couple of times\nNow she say she pregnant and its mine\nI'm thinking she was lying by the looks on her face\nBut she started paging me like every single day\nShe said her man going away the judge gave him three\nMust've thought she was gon' make a fool out of me\nTo bail this nigga out all she need was a G\nNow she must've came to me so I had to change the beat\nI said look hoe you must be crazy off that dope\nThat's when I snatched the rope then I kicked her on the floor\nAnd all that shit I bought you bitch I want it back\nYou lied to me return of the Mac [Hook: Kanye West & \nSample\n]\nI told you that I want you\nLet em put you on peep it though (\nThat I need you\n)\nI ain't even want to freak the hoe\nI’m gonna leave my man today\nI just stabbed the first time 'bout a week ago\nLet em put you on peep it though \n(He told me it is so done)\nI ain't even want to freak the hoe \n(So that you know now)\nI got your baby on the way\n[Verse 3: Rhymefest]\nAll y'all niggas is new with it\nI paid my dues with it\nGave hoes abortion loot they bought shoes with it\nSay they pregnant who's is it\nTell 'em you did it\nForcing these niggas out of abortion cheese\nPaid a couple of hundred now or later more than G's\n[?] have a kid by a lame ass broad\nI knocked up this girl I barely liked cause she bugged me\nShe ain't even cute, our baby prolly by ugly\nAnd I ain't happen to have that baby and your stomach doing having that\nHow much it cost to get rid of it? I give you half of that\nBut I didn't know that she was on the pill\nNeeded the money for her hair and her nails\nAnd her cell phone bill\nHoes'll get you its like getting robbed without a pistol\nWhat up on a nigga\nCome up on a nigga\nThen you wait a month like you not the one cause she ain't got no proof\nWhat happen nine months later when she was telling the truth [Hook: Kanye West & \nSample\n]\nI told you that I want you\nLet em put you on peep it though (\nThat I need you\n)\nI ain't even want to freak the hoe\nI’m gonna leave my man today\nI just stabbed the first time 'bout a week ago\nLet em put you on peep it though \n(He told me it is so done)\nI ain't even want to freak the hoe \n(So that you know now)\nI got your baby on the way\nI just stabbed the first time 'bout a week ago\nI told you that I want you\nLet em put you on peep it though (\nThat I need you\n)\nI ain't even want to freak the hoe\nI’m gonna leave my man today\nI just stabbed the first time 'bout a week ago" } ]

[ { "from": "human", "value": "Write me a song called FutureSex/LoveSound with the following description: “FutureSex/LoveSounds” is the first and title track off Justin Timberlake’s second album.\nThis steamy song about making love, has a new wave/power pop influence. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nFuture sex love sound\nYeah, oh\nOoh, hey\n[Verse 1]\nYou know what you want (Yeah)\nAnd that makes you just like me\nSee, everybody says you're hot, baby\nBut can you make it hot for me?\nSaid, if you're thinking 'bout holdin' back, don't worry, girl\n'Cause I'm gon' make it so easy\nSo slide a little bit closer to me, little girl\nSee, Daddy's on a mission to please\nWait a second\n[Chorus]\nShe's hopped up on me, I've got her in my zone\nHer body's pressed up on me, I think she's ready to blow\nMust be my future sex love sound\nAnd when it goes down, baby, all you gotta do is\nJust tell me which way you like that\n(All you gotta do is) Tell me which way you like that\nDo you like it like this? Do you like it like that?\nTell me which way you like that\n(Uh-huh, uh-huh) Tell me which way you like that [Verse 2]\nCan't stop, baby\nYou can't stop once you've turned me on\nAnd your enemy are your thoughts, baby\nSo just let 'em go\n'Cause all I need is a moment alone\nTo give you my tongue and put you out of control\nAnd after you let it in, we'll be skin to skin\nIt's just so natural\nWait a second\n[Chorus]\nShe's hopped up on me, I've got her in my zone\nHer body's pressed up on me, I think she's ready to blow\nMust be my future sex love sound\nAnd when it goes down, baby, all you gotta do is\nJust tell me which way you like that\n(All you gotta do is) Tell me which way you like that\nDo you like it like this? Do you like it like that?\nTell me which way you like that\n(Uh-huh, uh-huh) Tell me which way you like that\n[Bridge]\nFuture sex love sound\nFuture sex love sound\nFuture sex love sound\nFuture sex love sound\nNow, wait a second [Chorus]\nShe's hopped up on me, I've got her in my zone\nHer body's pressed up on me, I think she's ready to blow\nMust be my future sex love sound\nAnd when it goes down, baby, all you gotta do is\nJust tell me which way you like that\n(All you gotta do is) Tell me which way you like that\nDo you like it like that?\nTell me which way you like that\n(Uh-huh, uh-huh) Tell me which way you like that" } ]

[ { "from": "human", "value": "Write me a song called Intro (UKNOWBIGSEAN) with the following description: This track serves as the intro to Big Sean’s second mixtape Finally Famous Vol. 2: UKNOWBIGSEAN. On the track, Sean reaffirms his status in hip hop and joking asks whether he needs a true introduction given his celebrity status. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Yeah\nFinally Famous in this\nYeah\n(Chorus)\nDo I really need an intro\nCause dey know, dey know, dey know\nDo I really need an intro\nWho I am, Who I am, Who I am\nDo I really need an intro\nDey know, dey know, dey know\nDo I really need an intro\nWho I am, Who I am, Who I am\nAll I get is respect, as soon as I eject the vehicle\nI bet you cannot detect, the scratch of a defect\nFrom where the streets feast at, but made it out the belly of the beast without a C-sect\nI'm so straight up, I'm so erect\nHype off that action, I'm so direct\nI know it's a hundred thousand niggas up in Michigan\nDoing it, but where I lack in talent I make up for it in discipline\nAnd go hard, so hard til nobody else is on my sonar, radar, or lane cause I Bogart\nNowadays all we do is classic, Mozart\nOutta here, it would be polite to send a postcard\nI meant a post heart, yall niggas post hard\nSo lost co-star, coast off au revoir\nI mean look at all we been in\nAnd I look up in the mirror like boy you ain't even finished (Chorus)\nDo they really need my info, to show them what they in for\nI'm recognized like kinfolk, even when my brim low\nI come from where that life talk, where dat where dat knife talk\nD-town, be brown, more money than white chalk\nAnd on them nights how we grind til its light out\nGrind til the sunset, til my grandson set, yup\nYeah, man my kids gone have the good life\nGood days, good nights, and not the wish I could life\nStrongest survive it, they see he trying to make something outta nothing\nThey like damn he Macgyver\nDamn he go live, but too good to try and let up\nAnd im better than whoever put together\n(Chorus)" } ]

[ { "from": "human", "value": "Write me a song called Toot It and Boot It (50 Cent Remix) with the following description: Note: This is one of the many mixes of the original. Others include the G-Mix with 50 and Snoop Dogg, and another with Bay Area rapper Bobby Brackins. All versions include Ty$, however he is uncredited in the titles of both the original on The Real 4Fingaz/ITunes and the 50 mix.\nAccording to UrbanDictionary, to “Toot it and Boot it” is to have a one-night stand.\nThis is available as a free download off of thisis50.comExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: 50 Cent]\n(Fifty, yeah)\nNow we can play but you can’t stay\nYou gotta go\nYou gotta go\nNow we can play but you can’t stay\nYou gotta go\nYou gotta go\n[Hook: Ty$]\nI met her at the club\nThen I said wassup\nI took her to the crib\nYou know I fucked\nYeah toot it and boot it\nToot it and boot it\nToot it and boot it\nThat's why I toot and boot it\nWhoaa whoa, whoaa whoa, whoaa whoa, whoaa whoa\n[Verse 1: 50 Cent]\nFirst time I met her, I ain't know she was a freak\nNow I give her a girlfriend when she want something to eat\nShe likes her, I love us\nThem both my bitches, nigga don’t touch\nWe got an open relationship\nSo I fuck with whoever I wanna fuck with\nChampagne pop, the party it don’t stop\nAfter the after-party better ask somebody\nThen it’s back to the crib, this is the way I live\nShe toot it then I boot it out\nI chew another chick\nShe know how I get down\n2Pac I get around\nGive me California love right at the back of my truck [Hook]\n[Verse 2: YG]\nGirl let me toot that boot that stop acting stupid\nActing like you don't know me like who that\nWalked in the club but I'll fly things\nI'm in the back girl you know where to find me\nAnd I love how she think I'm cute\nAnd she don't even wanna tell me what she wanna do\nIt's me and my crew, her and her friends\nAnd they all trying to leave with us when the club ends\nAnd she toot it from the back and you know she made it clap\nAnd you know I run it back like\nOnly for one night\nAnd she know I'm on like a switch-on light\nHey girl I can have you feeling right\nI can supply the pipe\nJust make sure it's tight\nWe can do it all day only for one night\nAnd after that you gotta go\n[Hook]\n[Outro: YG]\nI toot it to the left, I toot it to the right\nFuck with me we gonna do it all night\nI seen a bad bitch I swing my hat back\nAnd after I hit it's on my back\nCause I toot it and boot it, and it made her feel stupid\nCause I toot it and boot it, and it made her feel stupid [Hook]" } ]

[ { "from": "human", "value": "Write me a song called F#@!in’ Backstabber with the following description: A song by the group Soul Intent.\nThis was on the mix tape Soul Intent, the band’s third and final mix tape.\nThe theme of the song would be continued on plain old “Backstabber” on Eminem’s first album, Infinte.\nThe backstabber in question is fellow Detroit rapper and collaborator) Champtown (wiki)\nVia the Metro Times:\nAround 1995, Em’ accused Champ[town] of trying to get into [his girlfriend] Kim’s pants. Champ and others interviewed say it wasn’t true. Their friendship ended.\nHowever, the skit that precedes this track exposed a secret phone conversation between Champtown & Kim where Champ shows interest in “gettin' together” with her, offering clues that Champ really was trying to steal Kim’s attention from Em.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: SlimKid 3]\nFuck it, friends or no friends\nI had enough bullshit to last me clear to the end\nFuck it, friends or no friends\nI had enough bullshit to last me clear to the end\nFuck it, friends or no friends\nI had enough bullshit to last me clear to the end\nFuck it, friends or no friends\nI had enough bullshit to last me clear to the end\n[Verse 1: Eminem]\nI should've been able to see that you were the one behind this\nBut I was blind as fuck to think that you\nWeren't the kind that stuck some one in the spine this\nIt was as if our friendship broke in half\nAnd I watch you turn everything into a game and joke and laugh\nAnd both of us know we can't discuss the situation like adults\nEach confrontation just results in accusations and insults\nSo I'ma just let it go for now, and leave you be\nIt's over now; what goes around comes back around\nBelieve you me, lay low for now; come here, you fuckin'…\n[Hook: Proof]\nCome here, you fuckin' backstabber!\nWhy I oughta beat a bitch nigga from the hood, haha\nCome here, you fuckin' backstabber!\nWhy I oughta beat a nigga that's up to no good, haha [Refrain: SlimKid 3]\nFuck it, friends or no friends\nI had enough bullshit to last me clear to the end\nFuck it, friends or no friends\nI had enough bullshit to last me clear to the end\n[Verse 2: Eminem]\nWhy don't you take a second to stop\nAnd think about what you done\nAnd you want to call that \"being a friend\"\nThat isn't what you want\nAll because of what, you run your mouth\nYou wanna prance around and gloat?\nLet's see how well you dance around\nWhen I got my hands around your throat\n'Cause it's a matter of time 'til I get my blows in\nAnd it won't be long\nYou shouldn't go walkin' around\nAnd stickin' your nose in where it don't belong\n'Cause every time you talked\nWhen you was stretchin' the truth\nThere's gonna be one more flyin' knuckle\nYou're gonna catch in the tooth\nLook it, come here, you fuckin'…\n[Hook: Proof]\nCome here, you fuckin' backstabber!\nWhy I oughta beat a bitch nigga from the hood, haha\nCome here, you little backstabber!\nWhy I oughta beat a nigga that's up to no good, haha [Refrain: SlimKid 3]\nFuck it, friends or no friends\nI had enough bullshit to last me clear to the end\nFuck it, friends or no friends\nI had enough bullshit to last me clear to the end\n[Verse 3: Eminem]\nCome here, you little double-crossing\nGoing-behind-my-back snitcher\nGood-for-nothin'-but-trouble-causin', instigatin' fact switcher\nYou were the least that I suspected\n'Til the puzzle fell into place with every piece that I selected\nBut I'll never let that crap happen again\nYou come back blabbin' again\nCatch it smack dab in the chin; that's for backstabbin' a friend\n'Cause every name in the book wouldn't be enough\nSo I just figured I'd say your name in the hook\nCheck it out, come here, you fuckin'…\n[Hook: Proof]\nCome here, you fuckin' backstabber!\nWhy I oughta beat a bitch nigga from the hood, haha\nCome here, you little backstabber!\nWhy I oughta beat a nigga that's up to no good, haha\n[Refrain: SlimKid 3]\nFuck it, friends or no friends\nI had enough bullshit to last me clear to the end\nFuck it, friends or no friends\nI had enough bullshit to last me clear to the end\nFuck it, friends or no friends\nI had enough bullshit to last me clear to the end\nFuck it, friends or no friends\nI had enough bullshit to last me clear to the end [Outro: Proof]\nBackstabbers don't live too long. Around my way friendships betrayed; in the hood you die for that!\nFor those that don't love this combat and verbally say this\nThis could relate to the death of a backstabber\nThats like the desire to \nmake total discombobulation and combustion of the neck\nThe backstabber for the female, \nyou skeezin' ass bitch nigga!\nSo remember, the backstabber always loses in the end\nA friend is a friend to the end\nF-R-I for Fri, E-N-D a friend for the end, yes, to eternity\nThe backstabber shall never flourish; take 'em out..." } ]

[ { "from": "human", "value": "Write me a song called Grindin’ with the following description: “Grindin'” is about the hard work NF puts into his music. Nate is constantly grinding and working on what he’s passionate about. He spends countless hours perfecting his music and always striving to be better. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: NF]\nOh yeah (oh yeah!)\nJust let me work, no, just let me work, no\nI'm out here grindin'\nYeah, I'm out here grindin' (woo!)\nI told 'em (oh yeah!) that I'm out here grindin'\nI'm out here gri—(hey, hey!)\n[Verse 1: NF]\nYou ain't never heard nothin' like this\nLet me work, show me where the mic is\nI'm on stage, black shirt, in my Timbs\nYou know how I do it, I ain't playin' with you, I've been grindin' Anybody tryna sleep on me better do somethin' with your eyelids\nI hear a lot of whinin', but I don’t hear a lot of rhymin', woo!\nEverybody got opinions, let it go into my ear and then I block that\nPut me on stage, I'ma rock that\nSayin' you the best? Stop that\nPhony, I am not that, yeah\nWhat are y'all doin' out here? What are y'all doin' out here?\nMaybe you should spend a little less time with the women in your arms and a little bit more with your career\nI ain't saying I'm the best, but I should be in the top ten; give me a list of names, I'ma top them\nI'm just playing with ya, I don't care where the top is\nLeave me at the bottom, let me work for it\nYou ain't never gonna find another rapper in the game and tell me that he works more\nTell me that he works more, nah!\nYou might see me with my hoodie up, I ain't leaving 'til I finish\nThis industry ain't nothing but a box, but I ain't gon' climb in it\nYou put me inside a room full of rappers, come back in five minutes\nI'ma be the only one still alive, with a note on my chest saying that I did it!\nYou do it for fame, we are way different\nY'all are looking weak, we ain't cooking in the same kitchen\nEverybody got a shirt with a stain in it\nSome of us'll never wear it out though, lemme get it!\nI guess I don't understand\nThis wasn't part of my plan\nSome of these people, they're thinking 'cause they heard the name that they really know who I am\nBring the beat down!\nI got no time for these Hollywood people, I'd rather give time to my fans\nYou'd rather chill with these women that like you for money\nBut I'd rather chill with my fam, yeah\nI'm out here grindin'\nI'm out here grindin'\nYeah, I see the mic but you looking like a pilot\nWhat's the point of a plane if you don't know how to fly it?\nYeah! [Chorus: NF]\nI'm out here grindin', okay okay okay\nI'm out here grindin', okay okay okay\nI'm out here grindin', okay okay okay\nI'm out here grindin', all I do is work, all I do is work\n[Verse 2: Marty]\nRise of the underdog, I don't like none of y'all\nI'm not like one of y'all\nI'm from the jungle, I run with the son of God\nYeah, what is you running for?\nThey should be running from me\nMost of my family, we don't even speak\nI'm getting married in 22 weeks\nAnd they still haven't said \"Hi\" or wanted to meet, huh?\nI'm not the type to complain\nIf we don't get it, we try it again\nAnd I'd die for the gang, Misfit my blood\nThey don't like us and we question they mom like\n\"Why did—why did you allow your kid to like bad music?\"\nWoo! Promise I do it (woo!)\nI'm tryna give you my everything\nI don't care what they are doing\nI'm tryna do what they couldn't do\nLaugh at the rappers you look up to\nDon't waste time with the centerfolds (ay!)\nI'm alive, it's a miracle (ooh)\nFreestylin' since middle school (woo!)\nI will battle the principal (woo!)\nWear all black like a funeral\nI'm doing me, I don't live for you (ayy!)\nGrindin'! [Chorus: NF & \nMarty\n]\nI'm out here grindin', okay okay okay\nI'm out here grindin', okay okay okay\nI'm out here grindin', okay okay okay\nI'm out here grindin', all I do is work, all I do is work\nI'm out here grindin', okay okay okay\nI'm out here grindin', okay okay okay\nI'm out here grindin', okay okay okay\nI'm out here grindin', all I do is work, all I do is work\nI'm grindin'\n[Outro: NF]\nOh yeah, oh yeah, oh yeah\nI'm out here, I'm out here grindin'\nAll I, all I, all I do is work\nAll I, all I, all I do is grind (woo!)" } ]

[ { "from": "human", "value": "Write me a song called Club Paradise with the following description: Club Paradise is the third of four songs that Drake dropped in anticipation for his upcoming album, Take Care. The chorus features backup vocals by The Weeknd.\nOn August 2, 2019, the song was re-released after Drake dropped Care Package on all major streaming platforms — a project he describes as “some of our most important moments together available in one place.” The release comes nearly six months after Drake re-released his breakout mixtape So Far Gone.\nBob Marley’s speech at the end of the original song is missing from the re-released version on Care Package, most likely due to Drake being unable to clear the sample from Marley’s estate.\nThis song shows Drizzy feeling melancholy about his success and the toll it’s taken on those he left behind. The title is a reference to Drake’s favorite strip club in Toronto.\n\nDrake’s 2012 headlining tour was called Club Paradise. He was accompanied by A$AP Rocky and Kendrick Lamar on the tour. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nHa, yeah\n[Verse 1]\nThey say that all your old girls got somebody new\nI said, \"Damn, really? Even Rosemary? Even Leann Sealy?\"\nThey said, \"Fucking right, they were the first to go\"\nIt's nothing personal\nIt's just that all them women that you slept on been working though\nThey've been saving up, new niggas came around, they been waking up\nWith \n\"I swear, you don't know this city anymore\nThey might have loved you before\nBut you're out here doing your thing, they don't know you\"\nAh, sure they do, they just not as sincere\nIt's crazy all the emotions forgot in a year\nShe like, \"Why you even give a fuck, you not even here?\"\nWell, out there there ain't nothing for me and I think I need to come home\n[Chorus]\nTell me, who did I leave behind?\nYou think it got to me, I can just read your mind\nYou think I'm so caught up in where I am right now\nUh, but believe I remember it all\n[Verse 2]\nI be with my nigga Chubbs, he in love with street shit\nNo wonder why I feel awkward at this Fashion Week shit\nNo wonder why I keep fucking up the double-cheek kiss\nAnd long for that ignorant Young Money Miami Beach shit\nCouple artists got words for me, that's never fun\nThey say it's on when they see me, that day don't ever come\nI'm never scared, they never real, I never run\nWhen all is said and done, more is always said than done\nAnd I was told once, things will change\nBy a nigga named Tip when my deal came\nTold me it's all good, even when it feel strange\nNow I'm that guy that know them strippers by their real names\nRochelle, Jordan\nThick bitches, they just talked me out of four grand\nHow'd a pile of kush become a mountain of truth?\nHow'd a bottle of wine become the fountain of youth?\nDamn, my biggest fear is losing it all\nRemember how I used to feel at the start of it\nAnd now I'm living a muhfucking fairy tale\nAnd still trying to keep you feeling a part of it\nYeah, just lie to my ears\nTell me it feel the same, that's all I've been dying to hear\nLights get low and that's when I have my brightest ideas\nAnd I heard my city feel better than ever, that's why I gotta come home [Chorus]\nTell me, who did I leave behind?\nYou think it got to me, I can just read your mind\nYou think I'm so caught up in where I am right now\nUh, but believe I remember it all\n[Verse 3]\nMy mother is back to who she was years ago\nIt's like a new page me and her are beginning on\nI wish she'd stop checking up on women I can't stand\n'Cause I got new girls I could use her opinion on\nShe thinks I've become a slave to the wealth\nBut I'd never break the promises I made to myself\nAnd I would never make up names for myself\nThen change the names that I just gave to myself\nCertain rappers would call me to say \"What up, though?\"\nI used to brag about it to my friends\nAnd now I'm feeling like all of these niggas cutthroat\nAnd maybe that's all they do is just pretend\nDamn, but I bought it though, I believed it\nYeah, I thought it and I achieved it\nYeah, so show me love, show me fuckin' love\n'Cause I thought it was all I needed\nYeah, clearly I was wrong about it all along\nAnd this'll be the year that I won't even feel shit\nThey trip off the amount of people that I brought along\nBut I'm just trying to be surrounded by some real shit\nNeed credentials for every one of these Toronto kids\nI promised they'd see it with me, we just trying to live\nI told 'em we about to get it and we finally did\nListen closely to my shit, I swear it's sounding like home [Chorus]\nTell me, who did I leave behind?\nYou think it got to me, I can just read your mind\nYou think I'm so caught up in where I am right now\nUh, but believe I remember it all\n[Outro: Bob Marley]\nWell, you see, the way I feel about the music, it can be copied, you know?\nBut, it’s not copy do it, it’s the feel, you know? It carry a feel\nWell, you ask plenty musicians – them know it, but them can't do it\nSome people still searching for this truth here" } ]

[ { "from": "human", "value": "Write me a song called Take 87 & A Half with the following description: “Take 87 & A Half” is the first song written and recorded by New Jacks. Eminem’s slower than usual rhymes accompany a drum performance by DJ Butter Finger as opposed to his usual sample-scratching cuts. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: MC Double M & \nDJ Butter Fingers\n]\nMC Double M\n and \nDJ Butter Fingers\nTake 87 and a half (Ready?)\nMan, where's my papers?\n[Verse 1: MC Double M]\nNew Jacks, meaning new don't mean jack\nNot concerned about a sucker and senseless crap\nNo time to waste time in this profession\nToo busy advancing, moving forward, progressin'\nAgility, ability, got to stay nimble\nMy rhymes are not basic, as basic's too simple\nMaking corrections to fit perfection\nBreaking rhymes and lines into different sections\nNew style intact, in fact rhymes are jam-packed\nBack to back, lines are being stacked\nEvery show that I go, suckers look at me mean\nI'm kicking ass fast and I'm splittin' the scene\nProvin' I'm not joking, fingers keep smokin'\nTalk shit to me and your jaw gets broken\nStep away from me, man, don't try to play the role\nOf a hero, 'cause that shit's gettin' old\nWanna battle me? That'll be an ignorant choice\nCause I'll pick up the mic, and take you out with my voice\nIf you act like a punk, then you're bound to get hurt\nCause I'ma grab you by your shirt and knock your dick in the dirt [Instrumental Break]\n[Verse 2: MC Double M & \nDJ Butter Fingers\n]\nJumpin' on a bandwagon, you missed your ride\nBut don't you know you just committed suicide?\nI'll mess you up like a champ, but we not in the ring\nWe on the stage so it's a whole different thing\nIf you're bigger than me and you're twice my size\nThen it's time for my .9 to be recognized\nConsider yourself dead if my face turns red\n'Cause I'ma fill your ass with twenty pounds of lead\nNot lookin' for trouble, but if it comes my way\nThat'll be the funnest part of my day\nYou ain't never gonna make it 'cause you're just too soft\nYou're fadin' like jeans after every wash\nYou're seekin' a beat that could move your feet\nAnd at the same time rhymes of the street\nWell shit, this is it, though it may be slow\nKnow it's got a lotta crack, it's a sellout show\nStanding room only, no place to sit\nBut you won't want to once the punchlines kick\nThey call me a klepto cause I stole the show\nYou said I wasn't no good, but you're in the front row\nDifference between us is I'm first and you're last\nSo take your whack rhymes, stick 'em up your ass\nY'all wanna bite? I'll give you something to chew\nI'll stick my dick down your throat and I'ma say, \"Fuck you\"\nYou wanna battle me? Man, you best forget it\nKeep running your mouth, I'ma put my fist in it\nI'll make you eat those words you just spoke\nShove 'em down your throat until you fuckin' choke\nAnd when you're gagging, gaspin' for breath\nI'ma hit you with a right and follow up with a left\nHere's another example, or better yet a sample\nOf the way I fight, my style is ample\nRiding down the block on the way to school\nSaw a sucker motherfucker thinking he was cool\nSucker flipped me off, I said \"Stop the car!\"\nMat said. \"\nShow 'em how bad you are\n\"\nJumped outta the ride, like a bat outta hell\nThe boy was terrified, I could just tell\nHe kinda figured that death was near\nSo he started swinging because of fear\nSucker kept swinging while I just ducked\nCame up with a right and the boy was fucked\nHe fell straight to the ground, he was probably dead\nBut I ain't stick around to see how bad the boy bled" } ]

[ { "from": "human", "value": "Write me a song called Wild Thoughts with the following description: DJ Khaled links up R&B singers Rihanna & Bryson Tiller for the fourth single released on 16th of June, 2017, off his studio album, Grateful.\nSampling Santana’s classic 1999 track, “Maria Maria,” the song finds Rihanna and Bryson singing to their lover on how they bring out “wild thoughts” when they’re together.\nThe song debuted on number 4 of the Billboard Hot 100 chart, and reached the Top 10 in other countries of Europe. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: DJ Khaled]\nAnother one\nWe The Best Music\nDJ Khaled\n[Verse 1: Rihanna]\nI don't know if you could take it\nKnow you wanna see me nakey, nakey, naked\nI wanna be your baby, baby, baby\nSpinnin' and it's wet just like it came from Maytag\nWhite girl wasted on that brown liquor\nWhen I get like this, I can't be around you\nI'm too lit to dim down a notch\n'Cause I could name some things that I'm gon' do\n[Chorus: Rihanna]\nWild, wild, wild\nWild, wild, wild thoughts\nWild, wild, wild\nWhen I'm with you, all I get is wild thoughts\nWild, wild, wild\nWhen I'm with you, all I get is wild thoughts\n[Interlude: DJ Khaled]\nLet's go [Verse 2: Rihanna]\nI hope you know I'm for the takin' (Uh)\nYou know this cookie's for the bakin'\nKitty, kitty, baby, give that thing some rest (You're the best)\n'Cause you done beat it like the '68 Jets (Uh)\nDiamonds ain't nothin' when I'm rockin' with ya\nDiamonds ain't nothin' when I'm shinin' with ya\nJust keep it white and black as if I'm your sister\nI'm too hip to hop around town out here with ya\n[Chorus: Rihanna]\nI know I get wild, wild, wild\nWild, wild, wild thoughts\nWild, wild, wild\nWhen I'm with you, all I get is wild thoughts\nWild, wild, wild\nWhen I'm with you, all I get is wild thoughts\n[Verse 3: Bryson Tiller]\nAyy, I heard that pussy for the takin'\nI heard it got these other niggas goin' crazy\nYeah, I'll treat you like a lady, lady (Ayy, then I'll)\nFuck you 'til you burned out, cremation ('Til you burned out)\nMake it cream, yeah, Wu-Tang (Wu-Tang)\nThrow that ass back, bouquet (Bouquet)\nCall me and I can get it juicy\nI can tell you're gone off the D'USSÉ (Oh yeah, yeah)\nCareful, mama, watch what you say (You say)\nYou talkin' to me like your new bae (New bae)\nGirl, you talkin' like you tryna do things\nNow that pipe got her runnin' like she Usain, baby\nYou made me drown in it, ooh, touché, baby\nI'm carrying that water, Bobby Boucher, baby\nAnd you know I'ma slaughter like I'm Jason\nBust it, why you got it on safety?\nWhite girl wasted on brown liquor (\nThat brown liquor\n)\nI probably shouldn't be around you (\nCan't be around you\n)\n'Cause you get \nwild, wild, wild\n (Wild)\nYou lookin' like there's nothin' that you won't do (What you wanna do?)\nAyy, girl, that's when I told you (That's when I told you) [Chorus: Rihanna]\nWhen I'm with you, all I get is wild thoughts\nWild, wild, wild\nWild, wild, wild thoughts\nWild, wild, wild\nWhen I'm with you, all I get is wild thoughts\nWild, wild, wild\nWhen I'm with you, all I get is wild thoughts\n[Outro: \nDJ Khaled\n & Rihanna]\nDJ Khaled\nWild, wild, wild\nWild, wild, wild\nWhen I'm with you, all I get is wild thoughts" } ]

[ { "from": "human", "value": "Write me a song called Little Richard Tribute (Live at the 63rd GRAMMY Awards) with the following description: The R&B super-duo Silk Sonic, composed of Bruno Mars and Anderson. Paak released their debut single “Leave the Door Open” on March 5th, 2021. Only nine days later, despite not being nominated, the duo appeared at the 63rd Grammy Awards performing their new single, as well as a tribute to rock forefather Little Richard. Richard had passed away in May of the previous year due to bone cancer, and the duo paid their respects with a medley of two of his most popular songs: “Long Tall Sally” and “Good Golly Miss Molly.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Part I: Long Tall Sally]\n[Intro: Anderson .Paak]\nOne! Two!\nOne! Two!\nOne, two, three, four!\n[Verse 1: Bruno Mars]\nGonna tell Aunt Mary 'bout Uncle John\nHe claim he has the misery but he has a lot of fun\n[Chorus: Bruno Mars]\nOh, baby\nYeah, baby\nWoo-hoo, baby\nI'm having me some fun tonight, yeah\n[Verse 2]\nWell, long tall Sally, she bittersweet\nShe got everything that Uncle John need\n[Chorus: Bruno Mars]\nOh, baby\nYeah, baby\nWoo-hoo, baby\nI'm having me some fun tonight, c'mon! [Part II: Good Golly Miss Molly]\n[Intro: Bruno Mars]\nGood golly, Miss Molly, you sure like to ball\nGood golly, Miss Molly, you sure like to ball\nWhen you're rockin' and a-rollin'\nI can't hear your mama call\n[Verse 1: Bruno Mars]\nFrom the early, early morning\nTo the early, early night\nWhen she caught her baby\nComin' in the House of Blue Lights\n[Chorus: Bruno Mars]\nGood golly, Miss Molly, you sure like to ball\nWhen you're rockin' and a-rollin'\nI can't hear your mama call, oww!\n[Verse 2: Bruno Mars]\nGoin' to the corner\nGonna buy a diamond ring\nWould she help me and a-kiss me?\nBaby, ting-a-ling-a-ling\n[Chorus: Bruno Mars]\nGood golly, Miss Molly, you sure like to ball\nWhen you're rockin' and a-rollin'\nI can't hear your mama call [Outro: Bruno Mars]\nWe love you, Little Richard!" } ]

[ { "from": "human", "value": "Write me a song called Seen the Light with the following description: In “Seen the Light,” Chris touches on life before fame and his upbringing, including being exposed to sex and drugs at a young age. Determined to not be another statistic, Chris prides his mother and God in helping him “see the light” and go from a “little boy from Tappahannock” to a household name in the music industry. Rapper and producer Rico Love assists on the track, who delivers a verse about his struggles.\n“Seen the Light” marks the first and only collaboration between Chris and Rico Love. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Rico Love]\n(\nI see the light\n)\nYo, uh, just feel real good right here, man\nIt's a good look, sugar bear, it's love\n(\nI see what's wrong\n)\nYoung Chris, Gucci what up?\n(\nSee all the things I've heard about\n)\nFrom the streets of V.A\nTalk to the whole world, man\n(\nSee all the things I've read about\n)\nGhetto America, talk to 'em, man (Uh, uh, uh, uh, uh)\n(\nI've seen the light\n)\n[Verse 1: Chris Brown]\nIt's been a struggle for me\nWondering why I can't get by with my life\nBut now I'm free\nAnd I done did some right and wrong but still I seen the light\nAnd I done been around the sex and drugs\nHustling but mama ain't raise no thug\nAnd it took a little to see\nHow real it could get and how this life wasn't meant for me 'cause I\n[Pre-Chorus: Chris Brown]\nSeen a lot of bad things on my block\nBut I ain't wanna be a victim of a gunshot\nI can't let nothing hold me down [Chorus: Chris Brown]\nSee all the things I heard about (Woo)\nSee all the things I've read about (Woah, oh)\nI seen the light (Yeah, yeah)\n[Verse 2: Chris Brown]\nIt's kinda hard for me\nTo stay away from all these girls and the haters, they don't like\nThat I'm fulfilling my dream\nBut I'm just tryna do my thing, my nigga, can't I live my life?\nI got the world on my shoulders (Shoulders)\nAnd I'm only getting older (Older)\nBut it's like it's getting colder\nI'm gon' make it but I can't take it sometimes\n[Pre-Chorus: Chris Brown]\nI came a long way from my block\nAnd I'm grateful for everything I got\nI didn't let nothing bring me down\n[Chorus: Chris Brown]\nSee all the things I heard about (Ooh, yeah)\nSee all the things I've read about\nI seen the light\n[Interlude: Chris Brown]\nAh, ah, ah-ah, ah\nWow, huh man, after all this, who woulda thought? (Yeah)\nAh, ah, ah-ah, ah\nLittle boy from Tappahannock, Virginia\nY'all know what I'm saying? Would make it all the way to the top [Verse 3: Rico Love]\nLife is vivid but seen through the eyes of a righteous spirit\nThey try to show us the light but we don't like to hear it (Don't like to hear it)\nMama told me I was bright but despite her lyrics\nA large heard across my sight, I had to fight to clear it (Uh, uh)\nLike a runner, a couple of summers, I often wondered if it\nReally was winter and that's when I heard the thunder\nA current was occurrin', it was stirrin' up my hunger\nBut I couldn't let the **** bury a ***** under (Don't let it)\nUsed to cry hopin' all of this would pass\nAnd then I learned to use my tears to water up the grass\nA part of my swag but apparently I've won\n'Cause I took my shades off and now I'm starin' at the sun\n(\nSee all the things I've heard about\n)\nI'm seein' the light, I'm seein' the light\nUh, realizin' that it's me in the light\n(\nSee all the things I've read about\n)\nI read about it (Read about it)\nHeard about it (Heard about it), and now I know (Woo!)\n(\nI've seen the light\n)\n[Verse 4: Chris Brown]\nI coulda did wrong\nI seen a lot of people hustle but I left them things alone\nI almost lost my friend to the struggle\nBut I guess that made me strong, made me strong\nI seen a whole lot of drama and it taught me how to fight\nTaught me how to fight\nAnd I thank God for my mama, she showed me what was right\nI coulda been in the dark, but thank God for the light\n(I seen the light) I seen the light [Chorus: Chris Brown]\nSee all the things I heard about\nAll the things I've heard about\nSee all the things I've read about\nI've read about it, I've read about it, oh\nI seen the light\nI see the light, I see the light" } ]

[ { "from": "human", "value": "Write me a song called On Fern Mallis with the following description: Following fashion week creator’s Fern Mallis criticism about Kanye West, he took to twitter to respond to her in an almost calm, meditative manner.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Since Fern Mallis, I just want you to understand that attempting to do clothing has been very difficult and I have encountered countless amounts of bigotry along the way. I have millions of ideas and I represent a new generation just trying to express themselves in a broken world. \nI don't call myself a designer as I was not allowed to go to Saint Martin's because I was too famous by the time I realized I wanted to design.\n Fame is often looked down upon in the design world so it's actually been something I had to overcome. All we have are our dreams and you can step on our dreams and ideas all you want but we won't stop fighting. We want to innovate and we will win someday. \nIf you wanna have a drink with me, book a table at the spotted pig when I'm back in NY" } ]

[ { "from": "human", "value": "Write me a song called A No No (Shawni Remix) with the following description: “A No No” is the third single from Mariah Carey’s fifteenth studio album, Caution. A new remix, featuring rapper Shawni, was officially released. This remix follows the second remix of the song, which features Stefflon Don. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Mariah Carey]\nOh\nNo\n[Verse 1: Shawni]\nTo all my exes need to tell you that I'm sorry (Sorry)\nThat I didn't leave you sooner\nI'm sorry I gave you more time than I shoulda\n'Cause I shoulda walked right by you that day\nWhen you told me I was cute\nShoulda smiled, said, \"Thank you\" and walked away\nBut it's something about the dudes that be rude and only rock the wheat Timbs\nThat ain't got no Snapple apple when they come, they off the Remy\nI mean really, I clearly needa be careful with myself\nNeeda be careful and watch my step 'cause I ain't fell for a real one yet\nYeah, I still ain't admit to my feelings, pretending my feelings ain't in it\nI admit it, I settle for less, and that is exactly what I been getting\nInstead of the man I know I deserve, I settle for boys that get on my nerves\nAnd then I be mad like, \"What is you doin'?\"\nMad at them when you the one choosin' and using 'em to feel that empty void\nThat only God's supposed to fill\nBut I go against his will, for the thrill of that fake love\nInstead of waiting on something real\nI just settle for them feelings that I feel, no deal\n[Verse 2: Mariah Carey]\nI ain't even mad, no, not like befo'\nOff with your head, now slither out the door\nSnakes in the grass, it's time to cut the lawn\nEd Scissorhands, AKA \"I cut you off\" (No)\nYou ain't gonna lie to my face no mo'\nHit me with \"I'm sorry,\" but I'm sorry, (No)\nNa-na-na-na-na-na-na-na-na-na (No)\nGet me Ed Shapiro on the phone\nCase closed\nOh, oh, oh [Pre-Chorus: Mariah Carey]\nYou shoulda known that it's bigger than you\nYou'll never know what I already knew\nAfter everything I already been through\nI can't waste no time, pay no 'tention to you\n[Chorus: Mariah Carey]\nI said no\nNo, no, no\nA no-no\nNo, no\nThat's a no-no\nNo, no\nI said no-no\nNo, no\n[Verse 2: Mariah Carey]\nYou came so close, you just don't know\nIrregardless of what transpired\nIt ain't even worthy of a slick reply\nEven if I was the last woman alive\nI would be like Ginger, you ain't Gilligan\nI really don't care, I'm in love with the island\nRockin' Dior 'cause it goes with my diamonds\nGot a pink gown Custom by Alaia\nI'll be on stage when the stadium light up [Pre-Chorus: Mariah Carey]\nYou shoulda' known that it's bigger than you\nYou'll never know what I already knew\nAfter everything I already been through\nI can't waste no time, pay no 'tention to you\n[Chorus: Mariah Carey]\nI said no\nNo, no, no\nA no-no\nNo, no\nThat's a no-no\nNo, no\nI said no-no\nNo, no\nI said no\n(I said no)\nA no-no\nNo, no\nThat's a no-no\nNo, no, I said no-no\nNo, no\nNo\n[Verse 3: Shawni]\nCare for me, care for me\nEven though it ain't true, they don't love me, they just love what I do\nBut ayy, I be lying when I say it too\nSo bae, I'm sorry that I didn't leave you sooner\nI'm sorry I gave you more time than I should've\n'Cause I knew I should've left you as a groupie 'stead of giving you my best\nI'm not sorry, had to cut you like a check\nWrite you off and level up like my yacht's top deck\n'Cause you was just disappearing, now I ride a jet [Chorus: Mariah Carey]\nI said no\n(I said no)\nA no-no\n(Look)\nI said no-no\nThat's a no-no\n(I said no)\nNo, no\nI said no-no\n(No)\n(No, no, no)\n(No, no, no)\n(No, no, no)\n(And I said no)\n(No, no, no)\n[Outro: Mariah Carey]\nParlez-vous français? I said non\nLemme translate it, I said no\nI can say it en español\nNo\n(No no no no)\nPortuguese for you não\nJapanese for you (iie)\n(I said no)\n(I said it)\n(I said no)\nI said no\nI think, I think that was it\nYep" } ]

[ { "from": "human", "value": "Write me a song called Take My Soul with the following description: On Take My Soul, what’s track number 8 of The Green Album: Get Rich Everything Else Is Nonsense, you can hear verses spit by Takeoff and Quavo. Number 3 of Migos, Offset is missing because to the time this song was recorded, he was probably still incarcerated. That would also explain why he’s featured on only one song of the whole album.\nThe beat was produced by Mike WiLL Made It, who has collaborated with Gucci Mane and Migos for multiple times.\nExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Quavo]\nMigo gang 30 deep, walking in the party\nI'm white boy wasted so I'm screaming “gnarly”\nWhy these hoes want to take my soul\nWhy these girls want to take my soul\nMigo gang 30 deep, walking in the party\nI'm white boy wasted so I'm screaming “gnarly”\nWhy these hoes want to take my soul\nWhy these girls want to take my soul\n[Verse 1: Quavo]\nNow lay me down to sleep, pray the lord my soul to keep\nHundred band juugs, I did a week\nFuck what you say don’t judge me\nIt’s niggas that sin every day, do whatever that go get the cake\nSome niggas they go move the weight\nSome niggas they just got make it shake\nMy life is a movie, my niggas they gooning\nPut 100 bands in their face, my nigga baffooning\nThat mean they go get it, the money, the power, respect\nI know that you dig it, my niggas is eating it\nBap Bap Baow, no witness, no forensics\nWhen I pull up in that Audi thing, your bitch get in it\nI ain’t being friendly, no pretending\nMe and Rel Money, we be balling just like Mike Finley\nI pull up on a bitch, hello kitty\nSipping lean, I’m leaning\nHoes say I’m silly, stacking money to the ceiling\nYoung Quavo, I'm different\nYeah, I just signed for a milly\nKra Kra Kra, banana peeling\nGone! [Chorus: Quavo]\nMigo gang 30 deep, walking in the party\nI'm white boy wasted so I'm screaming “gnarly”\nWhy these hoes want to take my soul\nWhy these girls want to take my soul\nMigo gang 30 deep, walking in the party\nI'm white boy wasted so I'm screaming “gnarly”\nWhy these hoes want to take my soul\nWhy these girls want to take my soul\n[Verse 2: Takeoff]\nMigo gang deep in the building\nWe flooding your city, Katrina, call FEMA\nThese bitches is fucking and sucking like leeches\nThe world full of devils, I wear Jesus pieces\nI’m walking with cash, I don’t carry visa\nMy bitches are Asian like Tila Tequila\nI’m whipping them babies, my wrist illegal\nAnd I keep the seven, I play with the Eagles\nThe water so cold, y’all finna turn fold\nLike you at the top just to get to the gold\nI’m draped up in gold, like a pharaoh\nI ride the phantom, like I’m a ghost\nPull out the MCM bag, got faces\nRide in the Bentley, they said I wouldn’t make it\nMy diamonds are Asian, I’m selling Caucasian\nWalk on the block, the block is Cajun\nI’m smoking like I’m a Jamaican (gas gas gas gas!)\nBitches gettin' their slavin' (whip whip whip whip!)\nBad city Baltimore, it’s the Ravens (brrrt)\nThink you gon rob me, boy you crazy (ra ra ra ra!)\nBITCH! [Chorus: Quavo]\nMigo gang 30 deep, walking in the party\nI'm white boy wasted so I'm screaming “gnarly”\nWhy these hoes want to take my soul\nWhy these girls want to take my soul\nMigo gang 30 deep, walking in the party\nI'm white boy wasted so I'm screaming “gnarly”\nWhy these hoes want to take my soul\nWhy these girls want to take my soul" } ]

[ { "from": "human", "value": "Write me a song called Trillionaire with the following description: On “Trillionaire,” Future and YoungBoy Never Broke Again reunite after YoungBoy’s March 2018 track, “Right or Wrong.” The two tell a “rags to riches” story, describing their come-up in the rap industry while also discussing their hometowns, gangs, and wealth. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Future & \nYoungBoy Never Broke Again\n]\nI was so high out my mind, I thought I wasn't gon' see tomorrow\nYeah\nStayin' ten toes down with my head up\n (\nWoah\n)\nTeezy on the beat (Teezy on the beat)\nMafia the dream, we just gon' chase it\nI was talkin' to, um, \nI was talkin' to Slime\n when I said, um\nI think I asked him do he think, do he think I could do seven\nThen he said \"Bro, you fuckin', is you fuckin' crazy?\" That nigga said, \"Hell yeah\"\nThen he said some other shit behind that\n[Verse 1: YoungBoy Never Broke Again & \nFuture\n]\nReportin' straight out of the slums (Slums)\nFrom rags to riches, I got me some bitches and I changed up how I come (Come)\nIn a drought when your pockets got mumps (Mumps)\nThese niggas believin' in nothin'\nRan up my sack, you know I ain't dumb\nWherever I'm goin', I pull up with somethin' (Doot-doot-doot)\n38, Atlanta, Lil Haiti (Haiti)\nWhere I'm from, it's hard to make it (Make it)\nI'll never let 'em take it (Take it)\nGrammys, I was nominated\n (Woah)\nTold that bitch that I'm leavin', so face it (Face it)\nGet a new ho and have me a baby (Baby)\nOut the jungle, I conquered and made it (I made it)\nIt still don't feel like I'm famous (Famous) [Refrain: Future & \nYoungBoy Never Broke Again\n]\nFeel like they don't feel me now, yeah (They don't feel me now)\nFill it up, stuntin', they see me now, yeah (Yeah, I'm stuntin', they see me now)\nI'm steps away, I can't stop now (I can't)\nNo, I won't let you waste my time (Yeah)\n[Chorus: Future & \nYoungBoy Never Broke Again\n]\nSurrounded by some millionaires (\nOh-woah\n)\nAnd I know I'ma be one when I walk off\nFeel like I can be a trillionaire (Oh-woah)\nYeah I'ma be the one that they talk 'bout\nYeah\n[Verse 2: Future]\nI'ma be the one they talk about\nI'ma be the one they envy, yeah\nHate it when you made it out the struggle\nLove to see a nigga in the trenches (Pluto)\nWent to sleep, had a few nightmares, nigga just left off a mission\nI'm the one paid my dues, dropped out of school, now I'm winnin'\nI had a girl with some red hair, made a nigga feel like Chapo (Freebandz)\nJust got off the phone with vato, know a young nigga gon' kill somethin'\nI wanna get me a mil' ticket, my young nigga wanna get his murders up\nGotta go get me a million, spend half of it on convertibles\nJumpin' off the porch, no daddy, had to go and get mine out the gutter\nCame up poor and ashy, now a nigga take care of my mother (Swear)\nWish I had a cure on sickle cell, hate to see my sister suffer (Got you)\nYou can never put a price on how much I love her [Chorus: YoungBoy Never Broke Again]\nSurrounded by some millionaires (Oh-woah)\nAnd I know I'ma be one when I walk off\nFeel like I can be a trillionaire (Oh-woah)\nYeah I'ma be the one that they talk 'bout\n[Refrain: Future & \nYoungBoy Never Broke Again\n]\nFeel like they don't feel me now (Like they don't feel me now)\nFlexed up, stuntin', they see me now, yeah (Yeah, I'm stuntin', they see me now)\nI'm steps away, I can't stop now (I can't)\nNo, I won't let you waste my time (Yeah)\n[Outro: Future]\nRepresent out the gutter, yeah, yeah\nFell in love with my \nCartier\n, yeah\nGo to war 'bout my brother, yeah, yeah\nI'll kill 'bout my brother, yeah, yeah\nUsed to sleep on the floor, yeah, yeah\nUsed to kick in the door, yeah, yeah\nI finesse with the bros, yeah, yeah" } ]

[ { "from": "human", "value": "Write me a song called What Time Does The Next Miracle Leave? with the following description: Frank Sinatra’s time-themed Trilogy album, a physically intrusive three-record set from 1980, divided each of its discs into “Past,” “Present” and “Future.” “What Time Does the Next Miracle Leave?”, written by longtime Sinatra arranger and collaborator Gordon Jenkins, is the lead-off track for the “Future” disc. It’s not so much a song as it is a prolonged, multi-part suite, just like Rush’s “2112”! Sinatra, perhaps sensing the mundane onset of time creeping into his late-period philosophy and slowly dissolving the last dog-eared remnants of youth sweet youth, is sitting out in his backyard admiring the expanse of the cosmos, when he suddenly lapses into a dream-like trance, fantasizing that once public space travel becomes a reality he’d like to take advantage of it and visit all the other planets in the solar system, besides Earth. He thoughtfully outlines his itinerary, along with some of the imagined traits, characterizations and symbolism of the netherworlds he encounters. Eager to increase tourist revenue, the planets happily oblige. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "My name is Francis Albert\n (Francis Albert Sinatra)\nAnd I sing love songs mostly after dark, mostly in saloons\nI've had some very good years\nI haven't missed a whole lot in those firecracker years\nAnd I don't want to miss a thing when the future appears\nI like to sit outside on a summer night with a drink in my hand\nAnd a little moonlit music on the stereo\nAnd look at the stars\nThen I get an urge to travel through that fabulous sky\nIf they can do it in the movies, why can't I?\n(\"Seats are now available on the Satellite Special leaving for Mercury, Venus, Pluto, Saturn, Jupiter, Uranus, Neptune.\")\nWhat time does the next miracle leave?\nI want to be on board\nSave me a seat by the window where I can see\nAll those marvelous things to be seen out there\n(Will the trees be green out there, or bare?)\nWhat time does the next miracle leave?\nLet's get this show on the road\nAnd when the satellite tours begin\nCount me in, count me in , count me in\nCount me in, count me in , count me in (\"Ten, nine, eight, seven, six, five, four, three, two, one.\")\nWhen I arrive at Venus, it will surely be spring\nAnd the girl I have waited for, will be waiting for me\nAnd she'll dance with me all the afternoon\nComfort me when the darkness falls\nAnd she'll still be there in the morning when I need her the most\nMaybe when I get to Venus, I will never be lonely again\n(\"The Satellite Special leaving for Jupiter, Saturn\")\n(Jupiter, Saturn)\nJupiter makes with the rain, Saturn makes with the crops\nA nicer trade was never made, and hopefully never stops\nIf Saturn's fields are dry, Jupiter won't stay fat\nSo Jupiter leaves his faucets on and that is that\n(\n\"Next stop, Pluto -- where the devil dwells, ha ha ha ha ha ha ha\"\n)\nPluto is a rotten place, an evil misbegotten place\nIt's Hades (It's Hades)\nFilled with graduates of the pen, a sordid flock of criminal men\nAnd ladies (Ladies?) (Ladies, ladies, ladies)\nIt's pure hell when your journey ends there\nBut you can bet your ass I'll meet a lot of friends there\n(\nWe did it our way\n) (\"Next stop, Mercury, Mercury, the messenger, Mercury the messenger\")\nMercury will lead us out to Neptune and his deep blue sea\n(And then) And then to Uranus (Uranus)\nUranus is heaven\n(Heaven, heaven)\n(How will you know, Francis, if it's really heaven?)\nHow will I know?\nI will know\nIf they meet me at the station with a cheese and tomato pizza\nWell done (well done),\n \nand a little red wine\n(\"The Satellite Special now leaving non-stop for earth, non-stop for earth\")\n(We'll be on board when the next miracle leaves\nIt's time we were gettin' on home)\nPlease let me off at the desert, where I can see\nAll those wonderful things to be seen down there\n(\nWill the trees be green down there, or bare?\n)" } ]

[ { "from": "human", "value": "Write me a song called Snitches & Rats with the following description: On “Snitches & Rats,” 21 Savage reunites with his cousin and fellow 4L member, Young Nudy. The East Atlanta duo express their disdain for snitches and rats. They detail how they retaliate violently when people in their circles are either untrustworthy or unloyal.\nThis song is preceded by the interlude of the same name, in which the LP’s narrator, Morgan Freeman, explains the differences between a snitch and a rat. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: 21 Savage & \nFuture\n]\nYeah, huh, ya, ya\nYa, ya, ya, ya\nYa, ya, ya (\nIf Young Metro don't trust you, I'm gon' shoot you\n)\n[Chorus: 21 Savage]\nSnitches and rats, snitches and rats\nSnitches and rats, they all get whacked (Pussy)\nHe told on his brother (Pussy), his brother told back (Pussy)\nThey say that they twins, we call them Siamese rats (On God)\nSnitches and rats (21), snitches and rats (21)\nWe snatchin' your jewelry (On God) and takin' your pack (Lil' bitch)\nSnitches and rats (Pussy), snitches and rats (Pussy)\nWe cut off his tail and put slugs in his hat (Facts)\n[Verse 1: 21 Savage]\nYou talk on the internet, we talk in the street (21)\nKel-Tec .223, like D-Wade, I love my heat (21)\nGlock 19 in the booth, it's on the seat (Pussy)\nBlack Air Force 1s in the field, thеm my cleats (Pussy)\nCaught a rap nigga down bad\nNow his ass in a body bag (Big facts)\nSound real tough when you makin' thеm songs\nWhere the fuck is your bodies at? (Pussy)\nSay you want smoke with that Big 4L (21)\nWhere the fuck is your 'partments at? (21)\nBeen stepped on them, they ain't talkin' 'bout shit (Pussy)\nThem niggas a welcome mat\nShawty was speakin' them facts (On God)\nShawty ain't talkin' to rats (On God)\nNiggas know Nudy my twin\nPlayin' with cuz, a nigga get whacked (Facts)\nYou ain't gon' slide, you a ho, dawg (Pussy)\nSpinned a nigga block, then we rode off (Pussy)\nYoung COUPE tryna up the score, dawg\nChevy was busy, so I took 4 God (21) [Chorus: 21 Savage & \nYoung Nudy\n]\nSnitches and rats, snitches and rats\nSnitches and rats, they all get whacked (Pussy)\nHe told on his brother (Pussy), his brother told back (Pussy)\nThey say that they twins, we call them Siamese rats (On God)\nSnitches and rats (21), snitches and rats (21)\nWe snatchin' your jewelry (On God) and takin' your pack (Lil' bitch)\nSnitches and rats (Pussy), snitches and rats (Pussy)\nWe cut off his tail and put slugs in his hat (\nSlime\n, facts)\n[Verse 2: Young Nudy]\nBlack and white gon' tell it, and you snitchin', pussy, I don't smell it\nReal convicted felon, strapped up, loaded, shit, this lethal weapon (Lethal)\nBless you pussy niggas with this weapon, send you straight to heaven\nMan, I pray to God you pussy niggas don't test me, I'm gon' bless you (For real)\nHope you niggas retaliate, don't tell them peoples or your mama (Damn)\nNiggas like to dry snitch when shit get real, wanna go tell they mama\nGot to keep this shit twenty-one hundred, don't you fold under pressure\nFuck your honor, you know they try to give you a hundred\nYeah, niggas be scared, they catchin' a hundred\nSnitches and rats, we gon' feed him a hundred (Word)\nI spent that money, blue cheese (Whew)\nAll these rap niggas gon' follow the cheese (Yeah)\nTrade ones with my brudda, the other shit, you know we bust 'em (We bust 'em)\nI don't fuckin' trust ya, if you ain't Metro, we gon' bust ya [Chorus: 21 Savage]\nSnitches and rats, snitches and rats\nSnitches and rats, they all get whacked (Pussy)\nHe told on his brother (Pussy), his brother told back (Pussy)\nThey say that they twins, we call them Siamese rats (On God)\nSnitches and rats (21), snitches and rats (21)\nWe snatchin' your jewelry (On God) and takin' your pack (Lil' bitch)\nSnitches and rats (Pussy), snitches and rats (Pussy)\nWe cut off his tail and put slugs in his hat (Facts)\n[Outro: 21 Savage]\nRoll the window down, squeeze\nFuck it, spin again while they grieve\n7.6, .223s\nWho copped deuces? Please" } ]

[ { "from": "human", "value": "Write me a song called Drop Dead Gorgeous with the following description: The 11th track off of Kanye’s I’m Good.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kanye West]\nWoo, hoo, woo, hoo, woo\nDamn, that girl fine\nThat girl fine\nThat girl is fine, haha, that girl fine\n[Chorus: Kanye West]\nTake notes while I take tokes to the marijuana smoke\nOne look and murder she wrote\nShe drop dead gorgeous, she drop dead\n[Verse: Kanye West]\nYeah, I got a girl that's Gucci'd down straight off the project porches (Yeah)\nPut her in a Porsche and made her look like a portrait (Yeah)\nPut her in Church clothes, made her look corporate\nWhile my construction worker hit a nigga with the forklift\nOr if I bring her to the studio\nYou seen me with that one girl, you like, ''K got all the hoes''\nGoddamn, she perfect, kill a nigga for her\nYes, I may look at the picture like ''Goddamn, she was worth it''\nMan, that's something to work with, make Billy D. nervous\nJewelry and D-R-E, even she look at the surface\nShe don't cook or clean or give head, she be sayin' ''Ow''\nDo that and you'll be saying, ''True that, true that''\n[Chorus: Kanye West]\nTake notes while I take tokes of the marijuana smoke (Uh)\nOne look and murder she wrote (What?)\nShe drop dead gorgeous (What?), she drop dead [Instrumental Bridge]\n[Chorus: Kanye West]\nShe drop dead gorgeous\nShe drop dead gorgeous\nShe drop dead gorgeous\nShe drop dead\nTake notes while I take tokes of the marijuana smoke\nOne look and murder she wrote\nShe drop dead gorgeous, she drop dead" } ]

[ { "from": "human", "value": "Write me a song called Lover (Piano/Vocal) with the following description: “Lover (Piano/Vocal)” is a song that can be found on all four of the Target Deluxe Editions of Taylor Swift’s seventh studio album, Lover. It is the final track on the album and is a stripped-back version of the third single, “Lover.” Taylor can be heard describing the writing process of the song in between her vocals, giving her thoughts on the song in more of a personal and in-the-moment way. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Spoken]\nWriting the song \"Lover\" was one of those magical experiences that you sometimes get to have as a songwriter. Um, I wrote it really quick in the middle of the night. As soon as I wrote it, I knew I wanted it to be the album title. And I knew that writing it kinda would depict the tone of the entire record. So it was a real catalyst for what this album turned into. And I wrote it alone, so I wanted to go in and play it for Jack Antonoff who I knew who would be the perfect person to produce it. And so I walked into the studio and I sat in the piano. And this is what happened So it is, it's basically, I don't see it as a piano. I think it's that like, kinda of, dreamy, guitary, throwback, but not like camp throwback, so\n.\n[Sung: Verse 1]\nWe could leave the Christmas lights up 'til January\nThis is our place, we make the rules\nAnd there's a dazzling haze, a mysterious way about you, dear\nHave I known you 20 seconds or 20 years?\n[Sung: Chorus]\nCan I go where you go?\nCan we always be this close forever and ever?\nAnd ah, take me out, take me home\nYou're my, my, my, my lover\n[Spoken]\nYeah, I love the walk down. I love the walk down. I was trying to figure out \"what the hell is gonna happen there\"\nSo the, so\n.\n[Sung]\nMy, my, my, my lover\n[Sung: Verse 2]\nWe could let our friends crash on the couches\nThis is our place, we make the call\nAnd I'm highly suspicious that everyone who sees you wants you\nI've loved you three summers now, honey, but I want 'em all [Sung: Chorus]\nCan I go where you go?\nCan we always be this close forever and ever?\nAnd ah, take me out, and take me home\nYou're my, my, my, my lover\n[Spoken]\nOkay and then I have this bridge thing that's um, essentially, Well, no I was, I did, I did it in this key, but it could be like a thing where it's like a key change. So it plays off of the walk down-ish. But it's, this is the melody of it, it goes, it's like\n[Sung: Bridge]\nLadies and gentlemen, will you please stand?\nWith every guitar string scar on my hands\nI take this magnetic force-\nOh, ****\nI take this magnetic force of a man to be my lover\nMy heart's been borrowed and yours has been blue\nAll's well that ends well to end up with you\nSwear to be overdramatic and true to my lover\nAnd you'll save all your dirtiest jokes for me\n[Spoken]\nWait, so goes...\n[Sung: Bridge]\nAnd you'll save all your dirtiest jokes for me\nAnd at every table, I'll save you a seat [Spoken]\nSo goes, and you, it goes\n...\n[Sung: Bridge]\nAnd you'll save all your dirtiest jokes for me\nMy heart's been borrowed your heart's been blue\nAll's well that ends well to end up with you\nSwear to be overdramatic\nSwear to be overdramatic and true to my lover\nAnd you'll save all your dirtiest jokes for me\nAnd at every table, I'll save you a seat\n[Spoken]\nYou like? Yeah! I've never, I never do these cords, but, I was really at the piano, like, hashing it out yesterday\n." } ]

[ { "from": "human", "value": "Write me a song called Fantasía with the following description: “Fantasía” es el tercer sencillo de Nibiru. Este fue lanzado horas antes de la salida del álbum e indica que es el primer capítulo de una historia llevada por Ozuna desde la salida de “Hasta Que Salga El Sol”.\nEn el video oficial se da una descripción de la trama:\nUna tormenta violenta de viento, polvo y humo azota una ciudad distópica. Encontramos a Ozuna mirando la ciudad fuera de la ventana mientras el mundo explosiona debajo. Enormes tormentas de polvo, alcanzan su planeta natal. Ozuna se da vuelta y descubre que la cara y el cabello de su esposa se han convertido en galaxias. Las estrellas que componen el cuerpo de su esposa comienzan a estallar una por una hasta que ella desaparece por completo. El sabe a dónde tiene que ir. Ozuna comienza su viaje por las calles y encuentra su moto espacial. Mientras viaja, la ciudad comienza a explotar, destruida por la tormenta y los rayos. Cuando llega la luz se aclara y encuentra una nave espacial, Ozuna se monta y comienza su viaje, su viaje hacia Nibiru (Un lugar ficticio que se encuentra en el espacio).\nLa historia continua en “Hasta Que Salga El Sol”, el capítulo dos de esta mini-serie. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Letra de \"Fantasía\"]\n[Intro]\nTú tiene' un control de acceso en tu corazón\nY yo no quiero hablarte de eso (Oh, oh, oh, oh)\nNi tú ni yo 'tamos pa' ese proceso, solo sexo (Solo sexo)\nY si tú quiere' tal vez regreso\nVen, dame un beso (Ven, dame un beso)\nQue se va la noche, se va corriendo (Woh-oh, oh-oh)\nHoy te confieso (Hoy te confieso)\nLa verdad, 'toy pa' ti, la verdad, no te miento\n[Coro]\nTengo fantasías con tu piel (Con tu piel)\nMe paso los día' extrañándote (-trañándote)\nTengo fantasías con tu piel (Con tu piel)\nMe paso los día' esperándote (-perándote)\nQue seas mía otra vez (Woh, oh)\n[Refrán]\nNo aguanto, trato, pero no aguanto (No aguanto)\nTenerte cuando no está' a mi lado\nDime cuánto tiempo, dime cuánto (Cuánto)\nMe dejarás aquí esperando (Oh, oh)\n[Pre-Coro]\nY paso por ti a la hora que sea (-ra que sea)\nTe das puesto sabiendo que me deseas (Me desea-a-as)\nVamos, que la noches nos espera\nEah-eah (Woh-oh, oh-oh) [Coro]\nTengo fantasías con tu piel (Con tu piel)\nMe paso los día' extrañándote (-trañándote)\nTengo fantasías con tu piel (Con tu piel)\nMe paso los día' esperándote (-perándote)\nQue seas mía otra vez (Woh, oh)\n[Verso]\nNunca pensé que yo te deseara\nQue en mi mente te quedara' y siempre te recordara, bebé\nMi fantasía, tú misma decía'\nQue nunca lo olvidaría', yo quisiera repetirlo otra ve' (Woh, oh)\nTengo a otra, pero no se compara\nCómo tú a mí me besaba', tu malicia me miraba y así\nNo sé lo que está' pensando\nYo aquí maquinando que sola yo te quiero pa' mí\n[Refrán]\nNo aguanto, trato, pero no aguanto\nTenerte cuando no está' a mi lado\nDime cuánto tiempo, dime cuánto\nMe dejarás aquí esperando\n[Coro]\nTengo fantasías con tu piel (Con tu piel)\nMe paso los día' extrañándote (-trañándote)\nTengo fantasías con tu piel (Con tu piel)\nMe paso los día' esperándote (-perándote)\nQue seas mía otra vez (Woh, oh) [Outro]\nJaja\nOzuna\n\"El Negrito 'e Ojos Claros\"\nGaby Music\nChris Jeday\nDímelo Vi\nWoh-oh, oh\nNibiru\n\"Diamond Ink\"\nHi Music Hi Flow\nDynell" } ]

[ { "from": "human", "value": "Write me a song called Dreaming Of Me with the following description: This is an unreleased song that Avicii chose not to include on his debut album “True”.\nThe release of this song would’ve marked the fifth song he would have released together with Audra Mae, the first four being “Addicted To You”, “Shame On Me”, “Long Road To Hell” and “Feeling Good”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "You're flying high\nBut I'm falling to pieces\nTrapped under your spell\nUntil it releases\nI'm drowning without your love\nOh, sweet suffocation\nAre you real?\nAre you real?\nAre you real?\nAre you real?\nAre you really my creation?\nWell there I go\nDreaming that dream again\nBut it seems so real, to taste, to feel this love I'm in\nI know you're out there somewhere dreaming of me\nI know you're out there dreaming of me\nI know you're out there somewhere dreaming of me\nI know you're out there dreaming of me\nHere I go" } ]

[ { "from": "human", "value": "Write me a song called Roots with the following description: “Roots\" is a track dedicated to the support they’ve received from their massive fanbase. The song interpolates common theme as to “Gold” and “Smoke and Mirrors”. In an inteview, Wayne Sermon (the guitarist) revealed that they had written “Roots” while they were touring for Smoke + Mirrors.\nImagine Dragons are trying to remind themselves that through their rise to fame and despite of all the great things that has happened to them, they still need to remember where they came from. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nDon't throw stones at me\nDon't tell anybody\n(Woah, woah, woah)\nTrouble finds me (Woah)\nAll the noise of this\nHas made me lose my belief\n(Woah, woah, woah)\n[Chorus]\nI'm going back to my roots\nAnother day, another door\nAnother high, another low\nRock bottom, rock bottom, rock bottom\nI'm going back to my roots\nAnother day, another door\nAnother high, another low\nRock bottom, rock bottom, rock bottom\nI'm going back to my roots\n[Verse 2]\nHad to lose my way\nTo know which road to take\n(Woah, woah, woah)\nTrouble found me (Woah)\nAll I look for was\nWashed away by a wave\n(Woah, woah, woah) [Chorus]\nI'm going back to my roots\nAnother day, another door\nAnother high, another low\nRock bottom, rock bottom, rock bottom\nI'm going back to my roots\nAnother day, another door\nAnother high, another low\nRock bottom, rock bottom, rock bottom\nI'm going back to my roots\n[Bridge]\nI know it's gotta go like this, I know\nHell will always come before you grow\nTrouble found me, trouble found me\nI know it's gotta go like this, I know\nHell will always come before you grow\nTrouble found me, trouble found me\n[Chorus]\nI'm going back to my roots\nAnother day, another door\nAnother high, another low\nRock bottom, rock bottom, rock bottom\nI'm going back to my roots\nAnother day, another door\nAnother high, another low\nRock bottom, rock bottom, rock bottom\nI'm going back to my roots" } ]

[ { "from": "human", "value": "Write me a song called All of the Lights with the following description: “All of the Lights” is the 4th single from Kanye West’s 5th studio album, My Beautiful Dark Twisted Fantasy.\nThe song is about Kanye’s qualms living as a celebrity with personal problems in the public eye. He conveys this through the image of lights and the story of a troubled family – domestic abuse, imprisonment, separation/divorce etc. The song serves as a literal story of troubles in the home, and also as a metaphor for Kanye’s struggles with fame and his relation to hip-hop.\nAlthough the song has contributions from 14 other renowned artists (including Drake, Alicia Keys, John Legend, and more), they are listed as additional vocalists in the liner notes. Rihanna is solely credited as the featured artist on the single.\nAfter its release, Kanye said that he had worked for over 2 years on the song, working with many other artists because he just couldn’t find the one. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Kanye West; Co-Produced by Jeff Bhasker]\n[Intro: Choir]\nAll of the lights\nLights, lights\nAll of the lights\n[Chorus: Rihanna]\nTurn up the lights in here, baby\nExtra bright, I want y'all to see this\nTurn up the lights in here, baby\nYou know what I need, want you to see everything\nWant you to see all of the lights\n[Post-Chorus: Elly Jackson & Rihanna]\nFast cars, shooting stars\nAll of the lights, all of the lights\nUntil it's Vegas everywhere we are (All of the lights)\nIf you want it, you can get it for the rest of your life\nIf you want it, you can get it for the rest of your life\n[Verse 1: Kanye West]\nSomethin' wrong, I hold my head\nMJ gone, our nigga dead\nI slapped my girl, she called the feds\nI did that time and spent that bread\nI'm heading home, I'm almost there\nI'm on my way, heading up the stairs\nTo my surprise, a nigga replacing me\nI had to take him to that ghetto university [Pre-Chorus: Kanye West]\n(All of the lights), lights\nCop lights, flashlights, spotlights\nStrobe lights, street lights (All of the lights, all of the lights)\nFast life, drug life, thug life\nRock life every night (All of the lights)\n[Chorus: Rihanna]\nTurn up the lights in here, baby\nExtra bright, I want y'all to see this\nTurn up the lights in here, baby\nYou know what I need, want you to see everything\nWant you to see all of the lights\n[Verse 2: Kanye West]\nRestraining order, can't see my daughter\nHer mother, brother, grandmother hate me in that order\nPublic visitation, we met at Borders\nTold her she take me back, I'll be more supportive\nI made mistakes, I bumped my head\nThem courts sucked me dry, I spent that bread\nShe need her daddy, baby, please\nCan't let her grow up in that ghetto university\n[Pre-Chorus: Kanye West]\n(All of the lights), lights\nCop lights, flashlights, spotlights\nStrobe lights, street lights (All of the lights, all of the lights)\nFast life, drug life, thug life\nRock life every night (All of the lights) [Chorus: Rihanna]\nTurn up the lights in here, baby\nExtra bright, I want y'all to see this\nTurn up the lights in here, baby\nYou know what I need, want you to see everything\nWant you to see all of the lights\n[Bridge: Kid Cudi]\nGettin' mine, baby\nGotta let these niggas know, yeah\nGettin' right, babe\nYou should go and get your own\nGettin' mine, baby\nGotta let these niggas know, yeah\nGettin' right, babe\nYou should go and get your own\n[Verse 3: Fergie, \nRihanna\n & \nDrake\n]\nUnemployment line, credit card declined\nDid I not mention I was about to lose my mind?\nAnd also was about to do that line\n'Kay, okay, you know we going all the way this time\nWe going all the way this time\nWe going all the way this time\nWe going all the way this time\nWe going all the way this time [Chorus: Choir]\nTurn up the lights in here, baby\nExtra bright, I want y'all to see this\nTurn up the lights in here, baby\nYou know what I need, want you to see everything\nWant you to see all of the lights\n[Outro: Alicia Keys & \nElton John\n]\nWoah, woah\n(\nI tried to tell you, but all I could say was oh\n)\nWoah, woah\n(\nI tried to tell you, but all I could say was oh\n)\nWoah, woah\n(\nI tried to tell you, but all I could say was oh\n)\nWoah, woah\n(\nI tried to tell you, but all I could say\n)" } ]

[ { "from": "human", "value": "Write me a song called Vibin’ with the following description: “Vibin’” is a tour exclusive, performed while on NF’s second Therapy Session Tour. Though Nate did say the song wouldn’t make it’s way onto Perception, the first verse can be found in the second verse of “My Life.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI told 'em I'm way up\nVibin', vibin'\nDon't you know that we way up\nVibin', vibin'\nThought I told you I'm way up\nVibin', vibin'\nDon't you know that we way up\n[Verse 1]\nLook, yeah\nYou told me life's what you make of it\nEvery moment—I take it in\nI'm not embarrassed to say that we've always had issues\nI'm embarrassed to say that we never took care of 'em, yeah\nPain will always find its way to the surface\nNo matter how deep we bury him\nGrowin' up, I felt like no one ever listened to me\nEventually, I took that out of relationships (woo!)\nI put my arm around you, and I mean it, I love you to death\nThese are the moments I know I'ma always hold onto and cherish 'em, yeah\nLife's about taking chances, making moves\nNot about what you did, it's what you do\nLife's about taking chances, making moves, yeah\n[Chorus]\nI said that we way up\nVibin', vibin'\nDon't you know that we way up\nVibin', vibin'\nTaught I told you I'm way up\nVibin', vibin'\nDon't you know that we way up\nVibin', vibin'\nI said that we way up\nVibin', vibin'\nDon't you know that we way up\nVibin', vibin'\nTaught I told you I'm way up\nVibin', vibin'\nDon't you know that we way up\nVibin', vibin' [Outro]\nVibin'" } ]

[ { "from": "human", "value": "Write me a song called Losing My Way with the following description: A fictional character (Bob) that is addicted to drugs and sees his life fall apart right in front of his eyes and tries to find God. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah, uhm\nYeah, uh, excuse me?\n[Verse 1]\nHi, my name is Bob and I work at my job\nI make forty-some dollars a day\nI used to be the man in my hometown\nUntil I started to lose my way\nIt all goes back to when I dropped outta school\nHavin' fun, I was livin' the life\nBut now I got a problem with that \nlittle white rock\nSee, I can't put down the pipe\n[Bridge]\nAnd it is breakin' me down, watchin' the world spin 'round\nWhile my dreams fall down, is anybody out there?\nIt is breakin' me down, no more friends around\nAnd my dreams fall down, is anybody out there?\n[Chorus]\nCan anybody out there hear me?\n'Cause I can't seem to hear myself\nCan anybody out there see me?\n'Cause I can't seem to see myself\nThere's gotta be a Heaven somewhere\nCan you save me from this hell?\nCan anybody out there feel me?\n'Cause I can't seem to feel myself\nLosin' my way (Oh)\nKeep losin' my way (Oh)\nKeep losin' my way\nCan you help me find my way?\nLosin' my way (Oh)\nKeep losin' my way (Oh)\nKeep losin' my way\nCan you help me find my way? [Verse 2]\nNow, you gotta understand I was a family man\nI woulda done anything for my own\nBut I couldn't get a grip on my new found itch\nSo I ended up all alone\nI remember where I was when I got my first buzz\nSee, I thought I was livin' the life\nAnd the craziest thing is I'll probably never know\nThe colour of my daughter's eyes\n[Bridge]\nAnd it is breakin' me down, watching the world spin 'round\nWhile my dreams fall down, is anybody out there?\nIt is breakin' me down, no more friends around\nAnd my dreams fall down, is anybody out there?\n[Chorus]\nCan anybody out there hear me?\n'Cause I can't seem to hear myself\nCan anybody out there see me?\n'Cause I can't seem to see myself\nThere's gotta be a Heaven somewhere\n(There's gotta be a Heaven somewhere)\nCan you save me from this hell? (Can you save me?)\nCan anybody out there feel me?\n'Cause I can't seem to feel myself\nLosin' my way (Yeah)\nKeep losin' my way (Losin' my way)\nKeep losin' my way (Keep losin' my way)\nCan you help me find my way? (Oh, yeah, yeah)\nLosin' my way (Losin' my way)\nKeep losin' my way (Keep losin' my way)\nKeep losin' my way\nSo, can you help me find my way? Mm [Interlude]\nOh my God, please forgive me (Father, hear me pray)\n'Cause I know I've done some wrong in this life (This life)\nIf I could do it all again (Do it all again)\nHave just one more chance, hey\nTo take all those wrongs and make them right, oh\n[Chorus]\nCan anybody out there hear me? (Oh)\n'Cause I can't seem to hear myself (Hey)\nCan anybody out there see me? (Can anybody out there see me?)\n'Cause I can't seem to see myself\nThere's gotta be a Heaven somewhere\n(There's gotta be a Heaven somewhere)\nCan you save me from this hell? (Hey)\nCan anybody out there feel me? (Feel me)\n'Cause I can't seem to feel myself (Feel me, hey)\nCan anybody out there hear me? (Can anybody out there hear me?)\n'Cause I can't seem to hear myself (I can't hear myself)\nCan anybody out there see me?\n'Cause I can't seem to see myself (I can't seem to see myself)\nThere's gotta be a heaven somewhere (There's gotta be a Heaven somewhere) (No, no, no)\nCan you save me from this hell? (Can you save me from this hell?)\n(Hey) Can anybody out there feel me?\n'Cause I can't seem to feel myself (Losin' my way)\nKeep losin' my way (Keep losin' my way)\nKeep losin' my way (Keep losin' my way)\nCan you help me find my way?\nLosin' my way (Losin' my way)\nKeep losin' my way (Keep losin' my way)\nKeep losin' my way\nSo can you help me find my way?\nYeah, yeah, yeah..." } ]

[ { "from": "human", "value": "Write me a song called High with the following description: For the first time, London pop-star Dua Lipa teams up with 18 year old producer from Chicago –Whethan. The dark soulful track with powerful bass notes has Dua channeling her sexy side asking her lover to “get a little high” with her. It was released on February 8th a day before the Fifty Shades Freed movie and album came out. In an interview with The Fader, Whethan said his inspiration for the song came from alternative and bedroom pop:\n“High” is a song that shows my alternative electronic direction and has the amazing Dua Lipa singing on it.\nThis is both of the artists' first songs for 2018. During an interview with Billboard, Dua said she was working on her sophomore album, which would include more of a soulful style. Whethan has been working on new music as well. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Dua Lipa]\nYou don't have to be so cautious if you practice what you preach\nCounting up the stacks on the counter, a fucking disease\nDon't ask me to be righteous if you practice what you teach\nCounting all your blessings the second you're down on your knees\n[Chorus: Dua Lipa]\nSo why, why\nDon't we get a little high, high?\n[Post-Chorus: Dua Lipa]\nDon't we get a little, get a little\nDon't we get a little high\nGet a little high, high\n[Verse 2: Dua Lipa]\nKeep my head under the water, pride buried in my chest\nNot counting all the minutes, the seconds, not holdin' my breath\nNow sinking from the surface, swimming in my lungs\nLosing all my vision, religion, I'm holding my tongue\n[Chorus: Dua Lipa]\nSo why, why\nDon't we get a little high, high?\n[Post-Chorus: Dua Lipa]\nDon't we get a little, get a little\nDon't we get a little high\nGet a little high, high [Bridge: Dua Lipa]\nDon't wanna pay attention to the writing on the wall\nPainted with aggression, and dripping when you call\nNot gonna learn my lesson, am I running out of time?\nSo, why, why, why?\n[Post-Chorus: Dua Lipa]\nDon't we get a little, get a little\nDon't we get a little high\nGet a little high, high" } ]

[ { "from": "human", "value": "Write me a song called Pistol On My Side (P.O.M.S.) with the following description: “Pistol On My Side” is the second single off of Swiss Beatz’ sophomore album, Poison. “Pistol On My Side” features rap legend Lil Wayne, as he spits ferocious bars throughout the entirety of the song. Swizz has repeatedly teased this track over the past couple of years, and this single is a perfect way to give Lil Wayne a spotlight as his long-awaited Tha Carter V is set to drop in the last quarter of 2018. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Swizz Beatz & \nLil Wayne\n]\nLet's pray for the people that we just lost (\nYeah\n)\nGoddammit! Say...\nWoo, woah\nOh\n[Chorus: Lil Wayne & \nSwizz Beatz\n]\nPistol on my side, trigger finger on the job (\nWhat?\n)\nPistol on my side, trigger finger on the job\nPistol on my side, leave a nigga on his side (\nWhat? What?\n)\nMr. Always High, but nigga, you can call me \"Slime\"(\nWhat? What?\n)\n[Verse 1: Lil Wayne & \nSwizz Beatz\n]\nDrippin' Evian, Fiji, I'm a water slide (\nWeezy\n)\nPockets fatter than a greedy nigga on a diet (\nDamn\n)\nNina on my side, but she say you can call her \"Nine\" (\nDamn\n)\nDivas on my side, so many they could form a line (\nYeah\n)\nStrippers on my side and I got 'em performin' live (\nYeah\n)\nHot girl in the bed and she prefer the warmer side\nPistol on my side, I'm talkin' 'bout the Army kind\nCita, that's my moms, only had her and father time (\nCome on\n)\nPistol on my side, you don't wanna hear it harmonize (\nSay what?\n)\nNumbers don't lie, the Number One Stun— never mind (\nGoddamn\n)\nTunechi in this bitch, eyes lookin' like Konnichiwa (\nWhat?\n)\nSwizzy on the beat, I'ma beat it like policía (\nWhat? Goddamn\n)\nBrr, brr, brr, man the Uzi needs speech lessons (\nAyy\n)\nPistol in my briefs, you don't wanna get this brief message\nHere we go\nOh, oh, y'all think it's a game? Damn\n (Yeah) [Chorus: Lil Wayne & \nSwizz Beatz\n]\nPistol on my side, trigger finger on the job (\nLet's work\n)\nPistol on my side, leave a nigga on his side (\nWhat? Oh\n)\nPistol on my side, talkin' 'bout the Army kind (\nShowtime's back\n)\nPistol on my side, leave a nigga on his side (\nShowtime\n)\n[Verse 2: Lil Wayne & \nSwizz Beatz\n]\nSwizzy on the beat, I beat your ass like policía (\nShowtime\n)\nTunechi in this bitch, eyes looking like Konnichiwa (\nWoo\n)\nPistol on my side, you don't want that thing to scream at ya (\nOh\n)\nLaughin' when you die, boy, my pistol a comedian (\nBrr\n)\nPistol on my side, now he lyin' like the media (\nWork\n)\nClips longer than encyclopedias, you're readin' 'em (\nWoo\n)\nDouble barrel, long barrel, short barrel, medium (\nBrr\n)\nWe ain't hittin' licks, we beatin' 'em and then repeatin' 'em (\nCome on\n)\nSugar in the coffee, sugar in the Morphine\nSugar sweet codeine, it ain't purple, then I'm barfing\nGang ride or die, like we sittin' on Harley's (\nRrrt\n)\nLet the thing talk like it's sittin' on Maury (\nBrrr\n)\nGood, good, too good, in my doobie, I can't be stressin' (\nBrrr\n)\nUgh, ugh, ugh, that bitch moody, you may leave a message\nPlll-plll-plll to his chest, give him three presses\nPistol in my briefs, you don't wanna get this brief message\n(\nHere we go, Weezy\n)\n[Chorus: Lil Wayne & \nSwizz Beatz\n]\nPistol on my side, trigger finger on the job (\nOh\n)\nPistol on my side, trigger finger on the job\nPistol on my side, trigger finger on the job\nPistol on my side, trigger finger on the job\nPistol on my side, trigger finger on the job\nPistol on my side, trigger finger on the job\nPistol on my side, trigger finger on the job\nPistol on my side, trigger finger on the job" } ]

[ { "from": "human", "value": "Write me a song called Space X / Alien with the following description: “Godzilla / Alien” is an unreleased leak from Kanye West. At one point in time, “Alien” appeared on an early tracklist for Kanye’s Yandhi project. However, as Yandhi was scrapped, the song seemed to remain unfinished. This demo of “Alien” appears unmastered in its current form and features mumbled vocals, as is typical of many Kanye demos. It leaked online on July 15, 2019, following the leaks of two other Yandhi tracks: “New Body” and “The Storm.”\nThe song comes in two parts: the first, “Godzilla,” later leaked in full as a Young Thug track, and the second part consists of “Alien.” Interestingly enough, another demo of the song by Kid Cudi also leaked, featuring Cudi’s vocals where Kanye’s were omitted. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Part I: Godzilla]\n[Intro]\nDear ones, we are looking to bring you enlightenment\nTo offer illumination in stormy skies\nWe are here as beings of light\nBenevolent, invested in humanity and her evolution\n[Chorus: Ant Clemons]\nTurned to a Mothra, bro, this that Godzilla\nTurned to a monster, more like Othello\nPhantom of the opera, it goes where it goes\nMy nightmares still haunt me (Dream)\nWhen I sleep, they haunt me\nWhen I sleep, they haunt me (Ooh)\nAnd my nightmares, they haunt me (Ooh ooh)\nBut I won't let 'em get the best of me (Yeah)\n[Part II: Alien]\n[Chorus: Kanye West]\nAlien, magical, flyin', and all\nBeing, I got her signed on\nBeam me up, I'm 'bout to sign off\nDumber now, need to take time off\nDumber now, I don't believe the time\nShould have gone, man, I believe they lyin' (Get a mic, huh)\nSign, do you believe in science?\nBigger sign, bet they gon' bleed now [Verse: Kanye West]\nAliens, double to sign off\nBetter time, 'bout to take time off\nI don't believe in time, I just believe in science\nOrder a bleeding nine, tell her, \"Don't leave tonight\"\nAlien, being 'bout to fly out\nTook her out, order her something with eyes out\nThey was done, we the one, we just on\nLouis thong, Lebanon, we become, what they done?\nDuh-na-na, duh, feel it, feel it, feel it\nThis ain't our planet, that's why I kill it\nKill it, animals, kill it, ozone, kill it\nBlood, spill it, somethin' you deal with\nAlien, took the time off, I just took time off\nFly up, a pyramid, dunked on, Vesuvius\nNo bro, serious, I'm dead, serious" } ]