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[ { "from": "human", "value": "Write me a song called Stay Away with the following description: Stay Away is a speculative title based on a common word from the snippet.\nThe song was first shared by Charlie Puth that was shared on an Instagram Live with Jacob Collier on December 4, 2020. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Lyrics from Snippet\n[Chorus]\nOh, I think it's best we stay, stay away from each other\n'Cause we can’t be just occasional lovers\nEven though I love the pain\nEven though I wanna stay\nIt's best we stay, stay away from each other\n[Verse 1]\nHey, here's something that I never thought that I would say\nTo a person who is beautiful in every way\nBut your love ain't doing it for me no more, baby, no more, baby\nYeah\n[Pre-Chorus]\nOh, I had plans for our whole life\nNow it's looking like I don't know where I'll be\nOh, I was hoping for a whole life\nBut I guess it's just not our reality, so I think it's\n[Chorus]\nBеst that we stay, stay away from each other\n'Causе we can't be just occasional lovers\nEven though I love the pain\nEven though I wanna stay\nIt's best we stay, stay away from each other [Verse 2]\nHey\nSo I'm sorry if I'm coming off a little bit cold\nI'm just trying to protect my heart and my soul\n'Cause I know that I can't keep on going on, baby, on, baby\nYeah\n[Pre-Chorus]\nOh, I had plans for our whole life\nNow it's looking like I don't know where I'll be\nOh, I was hoping for a whole life\nBut I guess it's just not our reality, so I think it's\n[Chorus]\nBest we stay, stay away from each other\n'Cause we can't be just occasional lovers\nEven though I love the pain\nEven though I wanna stay\nIt's best we stay, stay away from each other\n[Bridge]\nOh, I know that it's hard to hear\nBut I can't keep pretending that I don't care\nWhen I do, oh, I do\nAnd I know that you feel the same\nBut sometimes love ain't enough to make it stay [Chorus]\nBest we stay, stay away from each other\n'Cause we can't be just occasional lovers\nEven though I love the pain\nEven though I wanna stay\nIt's best we stay, stay away from each other\n[Outro]\nStay away from each other\nStay away from each other" } ]

[ { "from": "human", "value": "Write me a song called Pornography with the following description: “Pornography” serves as the lead track off of Travi$ Scott’s highly anticipated 2015 album, Rodeo.\nThe song includes narration by one of Scotts label heads, T.I.. The narration is reminiscent of Common’s on Kid Cudi’s Man on the Moon: The End of Day. Travis is a self confessed Cudi “stan.”\nThe song contains a sample from “Expectation” (1976) performed by ACHE.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Part I]\n[Intro: T.I.]\nNine light years away, just outside of the Kepler solar system\nWe find ourselves consumed and utterly mesmerized\nWith a story of a young rebel against the system\nRefusing to conform or comply to the ways of authority\nHe chose the mood of \"Fuck this shit\"\nAt that moment, the one known as Jacques turned to Scott\nChose to jump off his mama porch leading the stampede of lost souls\nIn the middle of their metamorphosis, not quite through with their journey\nAin't made it to wherever the fuck they gon' be in life\nBut wherever it is, it's better than here, so fuck you, and fuck this\n[Chorus: Travis Scott]\nNo monogamy, ménage with me\nPornography surrounding me\nYou get high with me, you come down with me\nThat's all I need in my fantasy\nAll these flashing lights—, lights—, lights—\nGive you some of me, you want all of me\nAnd get high with me and come down with me\nYeah, that's all I need in my fantasy\n[Bridge: Travis Scott]\nYou remind me of my ex, crazy love\nWe designed our love around the drugs\nWe both in this club, we both tryna fuck\nI'ma rub a dub, tryna get a nut [Chorus: Travis Scott]\nNo monogamy, ménage with me\nPornography surrounding me\nYou get high with me, you come down with me\nThat's all I need in my fantasy\nAll these flashing lights blinding me\nGive you some of me, you want all of me\nAnd get high with me and come down with me\nYeah, that's all I need in my fantasy\n[Segue: T.I.]\nThe story of the bastard was never told\nThe soul of a bastard was never sold\nWill he survive, or will he fold up?\nLiving like a bronco, lifestyle wild and untamed\nSits at the top, a long list of no named\nMisfits can't wait to get a chance to say \"Fuck you\"\nTo the ones who said \"Fuck you\"\n'Til you doing yo' thing, codeine and cocaine cartels\nWho leads the charge of this young mob?\n\"La Flame,\" he hears in his head, \"The world is yours\" (Yours, yours)\n[Part II]\n[Chorus: Travis Scott]\nWake up, nigga, gotta get the cake up, nigga\nNiggas in the bushes in the farms, might gotta rake up a nigga\nI'm way too antsy 'cause my ambition's too frantic\nI might need to move to Atlantis 'cause my mind too outlandish [Verse: Travis Scott]\nIt's the rodeo, time to get started\nHouston nigga goin' James Harden\nThey was wildin' on us niggas in the projects\nWonder why a nigga went cold-hearted\nThey wanna put my soul up on an auction\nBut I'ma make 'em take the fall like August\nAnd they gon' vote me right in on my caucus\nAnd I'ma show these niggas how to get lawless\nWhy your hands out, asking could you hold one?\nWho do I owe? Nigga, no one\nThey bigging you up but you low down\nAnimated acting frozen\nI got porno pics, wish I can post them\nStackin' Franklins, I can't fold 'em\nNiggas askin' for the old him\nBut I'm way too young to be the old him\nI'ma make this shit crack Lamar Odom\n'Til I climb to the top of the podium\n[Chorus: Travis Scott]\nSo wake up, nigga, gotta get the cake up, nigga\nNiggas in the bushes, niggas on the farm, might gotta rake up a nigga\nI'm way too antsy 'cause my ambition's too frantic\nI might move out to Atlantis 'cause my mind too outlandish [Post-Chorus: Travis Scott]\nWe gon' rule the world, we gon' rule the world\nWe gon' rule the world, hmm\nNever gonna stop, never gonna stop, never ever gonna stop it!\n[Outro: T.I.]\nLa Flame says, \"Let your ambition carry you\"" } ]

[ { "from": "human", "value": "Write me a song called Computers (Freestyle) with the following description: With Bobby Shmurda and crew still facing a host of charges and behind bars, Migos releases a track “Computers,” off the upcoming Shmigo Gang mixtape. While this is a freestyle track, expect more from this duo on the SHMIGO GANG tape. Another Shmigo track was released with this track and its called What You Talmbout.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: \nBobby Shmurda\n & Takeoff]\nAh ah ah its your boy Bobby Shmurda aka I think that I'm Tom Cruise man\nStraight out the motherfuckin tombs, man Ah ah ah\nFree all my real niggas, ya heard, SHMIGO!\nShmigo\nFree my nigga Bobby man\nFree my nigga Rowdy man\nHuh?\nShmigo Gang\n[Verse 1: Takeoff & \nOffset\n]\nDabbing in Maison Margiela\nGet popped like a kettle, Hit you in your cerebellum\nI'm seeing stars in my panamera\nWe went through the pain, but we never let up\nYellow corvette mustard, lambo red ketchup\nMillions that, nigga I'm a walking vegetable\nThese niggas be biting and I'm getting fed up\nGot your bitch at my condo with both of her legs up\nThese niggas be talking behind computers with a gun emoji\nNow he think he a shooter\nEating Benihana, take a trip to Punta Cana\nFuck it, I might land in Bermuda\nThirty thirty, I got thirty rounds\nThe shotty make a nigga lose pounds\nHarriet Tubman, money underground\nYou niggas is sick and we got the crown\nDiamonds and pearls for my girl\nIt's a man's world, I feel like James Brown\nSmoking power at the Trump tower\nNigga gassing, laughing, watching Richard Pryor\nFuck a job I don't get paid by the hour\nCan't be from the block, I heard you a coward\nWhen you got money it come with the power\nI am the supplier, grip money like pliers\nStay with my Glock 40 its extended\nCan't wait to pull it, trigger finger itching\nFork in the pot, lets go fishing\nMy momma always told me don't be trusting bitches\nHit em with it, hit em with it, hit em with it\nLook at these diamonds like Sonny Liston\nMigos fighting in the crowd\nLooking like Ron Artest versus the Pistons [Verse 2: Quavo]\nQuavo!\nFree my nigga Bobby Bitch\nHoes in the lobby bitch\nAt the age of 17, I hit my first lick\nTwelve coming hit the fence you better jump the ditch\nYou don't wanna get caught with the dirty stick\nTold that bitch to suck my dick, I don't want no kiss\nWhen I got my first M, I bust down my wrist\nWhen I got my first sem, I emptied the clip\nBad bitch fuck with a bad boy call her Lil Kim\nHakeem Olajuwon, above the rim\nWhen I go to DC (Pow) I thought it was him\nThen I land in Bahamas, order up some shrimp\nThe plug wanna meet up in Bahamas, told him make it quick\nThe money keep calling, tell it come in\nFree Shmigo Gang, Bobby and Free Rowdy\n[Outro: Rowdy Rebel]\nAh ah ah ho, Its ya boy Rowdy man\nShmigos ATL man, Shmigo Gang man\nAh ah ah ho, Yea yea yea Rowdy" } ]

[ { "from": "human", "value": "Write me a song called Bottom of the Ocean with the following description: This chillwave-ambient breezy pop slow jam details Cyrus' break down and further growth from a break-up. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nIt's been in the past for a while\nI get a flash, and I smile\nAm I crazy?\nStill miss you, baby\nIt was real, it was right\nBut it burned too hot to survive\nAll that's left is all these ashes\n[Chorus]\nWhere does love go?\nI don't know\nWhen it's all said and done\nHow could I be losing you forever\nAfter all the time we spent together?\nI have to know why I had to lose you\nNow, you've just become\nLike everything I'll never find again\nAt the bottom of the ocean\n[Post-Chorus]\nDa-da-do\nDa-da-do-do\nDa-da-do-do-do-do-do\nDa-da-da-do-do-do-do [Verse 2]\nIn a dream, you appeared\nFor a while, you were here\nSo I keep sleeping\nJust to keep you with me\nI'll draw a map, connect the dots\nWith all the memories that I got\nWhat I'm missing, I'll keep reliving\n[Chorus]\nWhere does love go?\nI don't know\nWhen it's all said and done\nHow could I be losing you forever\nAfter all the time we spent together?\nI have to know why I had to lose you\nNow you've just become\nLike everything I'll never find again\nAt the bottom of the ocean\n[Spoken Interlude]\nThis is it\nLet go\nBreathe\n[Bridge]\nYou don't have to love me for me to, baby, ever understand\nJust know, I love the time that we both had\nAnd I don't ever wanna see you sad; be happy\n'Cause I don't wanna hold you\nIf you don't wanna tell me you love me, babe\nJust know, I'm gonna have to walk away\nI'll be big enough for both of us to say\nBe happy [Outro]\nDa-da-do\nDa-da-do-do (\nBe happy, be happy\n)\nDa-da-do-do-do-do-do\nDa-da-da-do-do-do-do\nBe happy\nMmm\nBe happy" } ]

[ { "from": "human", "value": "Write me a song called Give It to Me with the following description: There were a number of controversies at the time of “Give It To Me”’s release involving Timberlake, Timbaland and Nelly Furtado. Producer Scott Storch accused Justin & Timbaland of not crediting him for Justin’s hugely popular song “Cry Me A River,” the Nipplegate controversy involving Timberlake and Janet Jackson, Prince’s 2006 comments about Timberlake, and perceived tension between Fergie & Furtado all had people wondering who this song was about. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Timbaland]\nIs it goin'? Is it goin'?\nIs it goin'? Is it going?\nI don't know what you're lookin' for\nOh, yeah, boy, come on\n[Verse 1: Nelly Furtado]\nI'm the type of girl that look you dead in the eye, eye\nI'm real as it comes, if you don't know why I'm fly\nI seen you to try switch it up, but girl, you ain't that dope\nI'm the Wonder Woman, let me go get my rope\nI'm a supermodel\n \nand mommy — sí, mami\nAmnesty International, got Bangkok to Montauk on lock\nLove my ass and my abs in the video for \"Promiscuous\"\nMy style is ri-dic-dic-diculous-ulous-ulous\n[Chorus: Nelly Furtado]\nIf you see us in the club, we'll be actin' real nice\nIf you see us on the floor, you'll be watchin' all night\nWe ain't here to hurt nobody (So give it to me, give it to me, give it to me)\nWanna see you work your body (So give it to me, give it to me, give it to me)\n[Verse 2: Timbaland]\nWhen Timbo' is in the party, everybody put up they hands\nI get a half a mil' for my beats, you get a couple grand\nNever gon' see the day that I ain't got the upper hand\nI'm respected from Californ-I-A way down to Japan\nI'm a real producer, and you just a piano man\nYour songs don't top the charts — I heard 'em, I'm not a fan\nNiggas talkin' greasy, I'm the one that gave them they chance\nSomebody need to tell 'em that they can't do it like I can [Chorus: Nelly Furtado]\nIf you see us in the club, we'll be actin' real nice\nIf you see us on the floor, you'll be watchin' all night\nWe ain't here to hurt nobody (So give it to me, give it to me, give it to me)\nWanna see you work your body (So give it to me, give it to me, give it to me)\n[Verse 3: Justin Timberlake]\nCould you speak up and stop mu-mumbling? I don't think you came in clear\nWhen you're sittin' on the top, it's hard to hear you from way up here\nNow I saw you tryna act cute on TV,\n \n\"Just let me clear the air...\"\nWe missed you on the charts last week — damn, that's right, you wasn't there\nNow, if s-sexy never left, then why is everybody on my shit?\nDon't hate on me just because you didn't come up with it\nSo if you see us in the club, go on and walk the other way\n'Cause our run will never be over — not, at least, until we say (Uh)\n[Chorus: Nelly Furtado]\nIf you see us in the club, we'll be actin' real nice\nIf you see us on the floor, you'll be watchin' all night\nWe ain't here to hurt nobody (So give it to me, give it to me, give it to me)\nWanna see you work your body (So give it to me, give it to me, give it to me)\n[Break: Nelly Furtado & \nJustin Timberlake\n]\nOh... (\nDamn, improve\n)\nOh... (\nDamn, improve\n)\nOh... (\nDamn, improve\n)\nOh... (\nDamn, improve\n)\nOh... (\nDamn, improve\n)\nOh... (\nDamn, improve\n)\nOh... (\nDamn, improve\n)\nOh... (\nDamn, improve\n) [Chorus: Nelly Furtado]\nIf you see us in the club, we'll be actin' real nice\nIf you see us on the floor, you'll be watchin' all night\nWe ain't here to hurt nobody (So give it to me, give it to me, give it to me)\nWanna see you work your body (So give it to me, give it to me, give it to me)\nIf you see us in the club, we'll be actin' real nice\nIf you see us on the floor, you'll be watchin' all night\nWe ain't here to hurt nobody (So give it to me, give it to me, give it to me)\nWanna see you work your body (So give it to me, give it to me, give it to me)" } ]

[ { "from": "human", "value": "Write me a song called Dress with the following description: “Dress” is the first of two Target exclusive songs on the deluxe version of Heartbreak Weather, Niall Horan’s sophomore album.\nOn March 13, Horan answered a question about this song on Twitter, stating that “Dress” was a personal song to him, but that it isn’t exactly a call back to “Black and White”.\n\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI keep staring at that little white number\nYou left here in the summer\nHanging in my wardrobe\nDo you still want it?\nDo you still want it?\nI know that I did you a disservice\nI'm calling 'cause I'm nervous\nI know that we don't talk\nI know that it's on purpose\nDo you still want it?\n[Pre-Chorus]\nBut I'm holding on\n[Chorus]\nMaybe it's time to put your dress away\nOr leave it out\nMaybe it's time that I give you space\nBut I just wanna see it\nBack on your body\nWatch you dance around and\nTell you I'm sorry\nMaybe it's time to put your dress away\nEven if I don't want to, babe [Verse 2]\nI keep staring at that little white number\nThe one in the picture\nWhen we lose our temper\nYou'd look at it for hours\nBut do you still want it?\nYou smile on the staircase when I open the door\nKissing on the couch\nMake up in the drawer\nDarling, do you still want it?\n[Pre-Chorus]\nBut I'm holding on\n[Chorus]\nMaybe it's time to put your dress away\nOr leave it out\nMaybe it's time that I give you space\nBut I just wanna see it\nBack on your body\nWatch you dance around and\nTell you I'm sorry\nMaybe it's time to put your dress away\nEven if I don't want to, babe\n[Bridge]\nLa-la-la-la la la-la la\nLa-la-la-la la la-la la\nLa-la-la-la la la-la la\nLa-la-la-la la la-la la\nI know, you know, we both want it, babe\nI know, you know, we both want it, babe [Chorus]\nBut I just wanna see it\nBack on your body\nWatch you dance around and\nTell you I'm sorry\nMaybe it's time to put your dress away\nEven though I don't wanna, babe" } ]

[ { "from": "human", "value": "Write me a song called Hold Me Closer with the following description: Little less than a year since the end of her thirteen-year-long conservatorship, Britney Spears makes her long-awaited return to music with “Hold Me Closer,” her first ever collaboration with Sir Elton John.\nThe track also marks the first time Spears stepped into the studio in over four years. Although the late 2020 super deluxe edition of her ninth studio album included two new tracks, they had been previously recorded years prior.\n“Hold Me Closer” reworks two of John’s hits, 1971’s “Tiny Dancer”—which includes the lyric that gives the new single its title—and 1992’s “The One”, and follows the same style his collaboration with English singer Dua Lipa, “Cold Heart”, had previously mashed up other of his best-selling songs a year earlier.\nThe news of Elton and Britney working together were first reported by Page Six in late July 2022. They also revealed that “Tiny Dancer” was the song being reworked, and that it would be coming out the following month.\nTwo weeks later, Elton John shared on his Instagram a picture with the phrase “Hold Me Closer” and two emojis: a rocket (referencing his song “Rocket Man”) and a red rose. Fans immediately linked this information to the news of him possibly working with Spears, who constantly shares pictures of her on Instagram for a collection called “Project Rose”. John later formally announced the release of the song on August 19, confirming the rumors. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Elton John]\n(Hold me closer)\n(Hold me closer)\n(Hold me closer)\n(Hold me closer)\n[Verse 1: Elton John & Britney Spears, \nElton John\n]\nI saw you dancin' out the ocean\nRunnin' fast along the sand\nA spirit born of earth and water\nFire flyin' from your hands (\nOh\n)\n[Chorus: Elton John & Britney Spears, \nBritney Spears\n]\nHold me closer, tiny dancer\nCount the headlights on the highway\nLay me down in sheets of linen\nYou had a busy day today, \noh\n[Post-Chorus: Elton John & \nBritney Spears\n]\nHold me closer\nHold me closer (\nHold me closer\n)\nHold me closer\nHold me closer\n[Verse 2: Elton John, \nBritney Spears\n & \nBoth\n]\nThere are caravans we follow\nDrunken nights in dark hotels\n, \nba\nb\ny\n (\nYeah\n)\nWhen chances breathe between the silence\nWhere sex and love no longer gel, \noh [Chorus: Elton John & Britney Spears, \nBritney Spears\n]\nHold me closer, tiny dancer\nCount the headlights on the highway (\nYeah\n)\nLay me down in sheets of linen\nYou had a busy day today\n[Post-Chorus: Elton John & \nBritney Spears\n]\nHold me closer\nHold me closer (\nBaby, baby\n)\nHold me closer\nHold me closer (\nOh, yeah\n)\n[Outro: Elton John & \nBritney Spears\n]\n(Hold me closer)\n(Hold me closer) \nHold me closer\n(Hold me closer) \nMe closer, me closer\n(Hold me closer) \nMm, yeah" } ]

[ { "from": "human", "value": "Write me a song called Last Goodbye with the following description: This track was originally supposed to be released with “Bangerz,” but ended up being pulled off the last minute, and later leaked. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nMmmm, yeah\nGoodbye\n[Verse 1]\nWe never said that we would be perfect\nWe only said that we'd try\nAnd when you said that we were forever\nI guess it's just another lie\nLetting me slip right through your fingers\nI hope you know it's real this time, yeah\nYou know that I said I'd never come home for a last goodbye, yeah\n[Chorus]\nI don’t wanna let you go if you still love me\n'Cause I don’t wanna see you cry, yeah\nBut it feels like you and I are dying\nAnd there’s no one that can save our lives, yeah\nAnd I know we're sick and tired of fighting\nSick and tired of being sick and tired, yeah\nBut I know that you're gonna want me to come home for a last goodbye\n[Post-Chorus]\nOh-oh-oh-oh-oh, aye\nBye-ye-ye, oh-oh-oh-oh-oh [Verse 2]\nLaying in the dark with you against me\nI can't even open my eyes\n'Cause the pain has outweighed the pleasure\nDon't think I can take another night\nHow has my best friend become such a stranger?\nIt seemed like everything was fine\nWe've already been through this twice\nAnd I'm never coming home for a last goodbye\n[Chorus]\nI don’t wanna let you go if you still love me\n'Cause I don’t wanna see you cry, yeah\nBut it feels like you and I are dying\nAnd there’s no one that can save our lives, yeah\nAnd I know we're sick and tired of fighting\nSick and tired of being sick and tired, yeah\nBut I know that you're gonna want me to come home for a last goodbye\n[Post-Chorus]\nOh-oh-oh-oh-oh, aye\nBye-ye-ye, oh-oh-oh-oh-oh\n[Breakdown]\nOh-oh-oh, oh-oh-oh, oh-oh-oh-oh-oh, yeah\nOh-oh-oh, oh-oh-oh, oh-oh-oh-oh-oh, yeah [Chorus]\nI don’t wanna let you go if you still love me\n'Cause I don’t wanna see you cry, yeah\nBut it feels like you and I are dying\nAnd there’s no one that can save our lives, yeah\nAnd I know we're sick and tired of fighting\nSick and tired of being sick and tired, yeah\nBut I know that you're gonna want me to come home for a last goodbye\n[Post-Chorus]\nOh-oh-oh-oh-oh, aye\nBye-ye-ye, oh-oh-oh-oh-oh\n[Outro]\nYou let me down\nI gave you up\nI took you back\nI guess I can't blame ya for this when I told myself\nI’ll never say that last goodbye\nI'll never say...\nThat last goodbye" } ]

[ { "from": "human", "value": "Write me a song called Magic with the following description: Future narrates his departure from the famed Magic City strip club in Atlanta (“voila!”) Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nFishtailing out the parking lot leaving Magic\nTwo bad bitches and I got 'em out of Magic\nThe way I made the work disappear, call it magic\nSipping on the purple and the yellow drinking magic\nFishtailing out the parking lot leaving Magic\nTwo bad bitches and I got 'em out of Magic\nThe way I made the work disappear, call it magic\nSipping on the purple and the yellow drinking magic\nVoilà magic, voilà magic, voilà magic, voilà magic\n[Verse 1]\nOn my way to Aspen, I forgot to do my taxes\nCall up my accountant, he gon' make it do magic\nHad to get a driver just to drop me at the airport\nWay I smoked the blunts man I burned 'em up like Newport\nFifty thousand dollars on superstar attire\nK.E. and Young Future bringing them fire\nAll this damn cash make a bitch wanna retire\nGotta drop a half a brick if you wanna put me on a flyer\nExcuse me but my lingo crazy\nSee these diamonds ain't none of 'em fugazi\nTwo bad bitches wanna fuck me to Grady's\nA young G in a brand new Mercedes\nTurn out the lot I'mma do a 180\nFor the haters I'mma go ahead and do it 360\nDrinking on a Sprite got lean all in it\nI'm a Astronaut nigga better trust my pimping [Chorus]\nFishtailing out the parking lot leaving Magic\nTwo bad bitches and I got 'em out of Magic\nThe way I made the work disappear, call it magic\nSipping on the purple and the yellow drinking magic\nFishtailing out the parking lot leaving Magic\nTwo bad bitches and I got 'em out of Magic\nThe way I made the work disappear, call it magic\nSipping on the purple and the yellow drinking magic\nVoilà magic, voilà magic, voilà magic, voilà magic\n[Verse 2]\nBillionaire boy that's true inspiration\nLearned the Astronaut Kid, no such thing as limitation\nFlying down 20 in the motherfucking spaceship\nJust left Magic in the motherucking basement\nTwo bitches trailing in a Bimmer out of Germany\nGotta thing for me, they wanna sing for me\nThey like my energy, I'm an embassy\nI know tricks like Criss Angel\nI don't trick but I could make you famous\nYou could disappear from your past life\nYou will re-appear and go outta sight\nI'm Pluto talkin', Jimmy walking when you walking\nI used to be fly but now I'm hawking\nI was an Earthling now im SciFi\nWallah, I stay high\nMy bitches on they high horse\nI double back like two cups\nAnd crawl out in that new Porsche" } ]

[ { "from": "human", "value": "Write me a song called No Brainer with the following description: “No Brainer” is a collaboration by producer DJ Khaled for his album Father of Asahd. It features Justin Bieber, Chance The Rapper and Quavo, who also appeared in “I’m The One” from Khaled’s 2017 album Grateful.\nIn many ways, “No Brainer” acts as a sequel to “I’m The One” from Khaled’s previous album, Grateful, both in terms of his collaborators and in terms of the track’s theme.\nQuavo first teased the track on Instagram. A day prior to the song’s release, Apple Music teased the track in a promotional video featuring Kevin Hart as the voice of Asahd Khaled:\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: DJ Khaled]\nWe the Best Music!\nAnother one!\nDJ Khaled!\n[Chorus: Justin Bieber & \nDJ Khaled\n]\nYou stick out of the crowd, baby, it's a no-brainer\nIt ain't that hard to choose\nHim or me, be for real, baby, it's a no-brainer\nYou got your mind unloose\nGo hard and watch the sun rise\nOne night'll change your whole life\nOff top, drop-top, baby it's a no-brainer\nPut 'em up if you with me\nYeah, yeah-eah, yeah, yeah-eah-eah\nIn the middle, woah\nWoah-woah-oah, oh, oh-oh, ooh\nPut 'em high\nPut 'em high\nYeah-eah-eah, yeah, yeah-eah-eah\nBoth arms, yeah\nWoah-woah-oah, oh, oh-oh, ooh\nPut 'em high\n[Verse 1: Quavo]\nQuavo!\nMama told you don't talk to strangers (Mama, mama, mama!)\nBut when you're ridin' in the drop, you can't explain it (Skrrt, skrrt, skrrt-skrrt)\nWhat you been waitin' on this whole time? (Yeah)\nI blow the brains outta your mind (Ooh)\nAnd I ain't talkin' 'bout physically (No)\nI'm talkin' 'bout mentally (Talkin' 'bout mentally)\nShe lookin', she look like she nasty (She lookin')\nShe lookin', she look like she classy (She lookin')\nShe lookin', just look at her dancin' (Look at her)\nShe lookin', I took her to the mansion (Yeah, yeah) [Chorus: Justin Bieber & \nDJ Khaled\n]\nYou stick out of the crowd, baby, it's a no-brainer\nIt ain't that hard to choose\nHim or me, be for real, baby, it's a no-brainer\nYou got your mind unloose\nGo hard and watch the sun rise\nOne night'll change your whole life\nOff top, drop-top, baby it's a no-brainer\nPut 'em up if you with me\nYeah, yeah-eah, yeah, yeah-eah-eah\nIn the middle, woah\nWoah-woah-oah, oh, oh-oh, ooh\nPut 'em high\nPut 'em high\nYeah-eah-eah, yeah, yeah-eah-eah\nBoth arms, yeah\nWoah-woah-oah, oh, oh-oh, ooh\nPut 'em high\n[Verse 2: Chance The Rapper]\nDon't look rich, I ain't got no chain (Huh)\nNot on the list, I ain't got no name\nBut we in this bitch, bitch, I'm not no lame\nAnd I keep it Ben Franklin, I'm not gon' change\nLot of these hoes is messy (Messy)\nI just want you and your bestie\nY'all don't gotta answer for whenever you text me\nIt's multiple choice and they all wanna test me\nShe ch-ch-ch-ch-choosin' the squad\nShe tryna choose between me, Justin, Qua' and Asahd\nShe told me that she love that I make music for God\nI told her I would love to see that **** applaud [Chorus: Justin Bieber & \nDJ Khaled\n]\nYou stick out of the crowd, baby, it's a no-brainer\nIt ain't that hard to choose\nHim or me, be for real, baby, it's a no-brainer\nYou got your mind unloose\nGo hard and watch the sun rise\nOne night'll change your whole life\nOff top, drop-top, baby it's a no-brainer\nPut 'em up if you with me\nYeah, yeah-eah, yeah, yeah-eah-eah\nIn the middle, woah\nWoah-woah-oah, oh, oh-oh, ooh\nPut 'em high\nPut 'em high\nYeah-eah-eah, yeah, yeah-eah-eah\nBoth arms, yeah\nWoah-woah-oah, oh, oh-oh, ooh\nPut 'em high\n[Verse 3: Justin Bieber]\nWalked down, had me sittin' up\nDemanded my attention, had to give it up\nLook like somebody designed you\nDrop-dead gorgeous, you make me wanna live it up\nYour presence is critical\nMovin' my soul, yeah, you're spiritual\nThey hate it when you notice me\nLike everybody else invisible (Ooh)\nBreakin' all the rules (Oh-oh)\nSo above the law (So above the law)\nI'll be your excuse (Damn right)\nUh, and you won’t go wrong, no [Chorus: Justin Bieber & \nDJ Khaled\n]\nYou stick out of the crowd, baby, it's a no-brainer (No-brainer)\nIt ain't that hard to choose\nHim or me, be for real, baby, it's a no-brainer\n(No-brainer)\nYou got your mind unloose\nGo hard and watch the sun rise (Rise)\nOne night'll change your whole life\nOff top, drop-top, baby it's a no-brainer (Oh, no)\nPut 'em up if you with me\nYeah, yeah-eah, yeah, yeah-eah-eah\nIn the middle, oh (Yeah, in the middle)\nWoah-woah-oah, oh, oh-oh, ooh\nPut 'em high (Put 'em high)\nPut 'em high\nYeah-eah-eah, yeah, yeah-eah-eah\nBoth arms, yeah (Both sides in here)\nWoah-woah-oah, oh, oh-oh, ooh\nPut 'em high (Put 'em high)\n[Outro: DJ Khaled & \nJustin Bieber\n]\nIt's We The Best Music\nWay high\nIt's Father of Asahd\nAnother one" } ]

[ { "from": "human", "value": "Write me a song called Human with the following description: “Human” is centered around the concept of someone who’s lost touch with God turning to Him only during a bad experience, with God in return trying to sympathize with their pain.\nIn response to the person, God asks how it feels to be “Human,” almost as if He doesn’t genuinely know due to Jesus being the Son and human embodiment of God.\nWith all of the band members being Christians, Tedder said on Twitter that he thought the song would be risky, even sacrilegious. However, with Kutzle’s father being a pastor, he looked into Scripture, and gave the song the all go.\nhttps://twitter.com/OneRepublic/status/784440676536684544\nThe album was actually entitled “Human” at one point, which would have been even more convenient since the album was created to encompass the human experience. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYesterday I talked to God, we had a conversation\nTold him that I’m sorry I lost communication\nBut I just, I just needed some holiness\nI said that the things that I’ve been trying end up in frustration\nLife ain’t what it seems in any situation\nThen he said, he said the strangest thing\n[Chorus]\nHe said, \"How does it feel to be human\nDoes some of the best plans you make get ruined?\nDo people curse you when flowers ain’t blooming?\nHow does it feel?\"\nHe said, \"How does it feel to be human?\nIf I could for one day I just might do it\nDance 'til the sun comes up to my music\nHow does it feel?\nHow’s it feel?\"\n[Verse 2]\nYesterday I talked to God, we had a conversation\nI asked him why this life is a crazy combination\nOf numbers, numbers, numbers we can’t read\nYeah for sure I got some friends but we got complications\nMost of us are happy with some medication\nBut I could, I could really use some wings [Chorus]\nHe said, \"How does it feel to be human\nDoes some of the best plans you make get ruined?\nDo people curse you when flowers ain’t blooming?\nHow does it feel?\"\nHe said, \"How does it feel to be human?\nIf I could for one day I just might do it\nDance 'til the sun comes up to my music\nHow does it feel?\nHow’s it feel?\"\n\"How does it feel to be human?\nIf I could for one day I just might do it\nDance 'til the sun comes up to my music\nHow does it feel?\nHow’s it feel?\"\n(Just one day)\nHow does it feel to be human\n\"How does it feel to be human?\nIf I could for one day I just might do it\nDance 'til the sun comes up to my music\nHow does it feel?\nHow’s it feel?\"" } ]

[ { "from": "human", "value": "Write me a song called Arose with the following description: On the introspective album closer “Arose”, Eminem details how he nearly died in 2007 due to an overdose on pills. He catalogues his thought process in what could have been his dying moments: his mind floats to his daughters, brother, and mother, and all their wonderful milestones that he would have missed had that been his final day on Earth. He also sees his late friend and close collaborator, Proof, in hallucinations.\nAt the end of the song, the beat switches back to “Castle”, continuing the theme of ‘rewinding the tape’, and Em gives thanks for the second chance that the nurses gave him. He also recaps on his discography since the incident, reminding listeners that this happened ten years ago and he’s released several albums since.\nThis song samples “The Rose”, a song recorded by Bette Midler for the 1979 film of the same title. Written by Amanda McBroom, this track is about taking chances in the face of adversity and insecurities. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Part I: Arose]\n[Verse 1]\nIf I could rewind time like a tape\nInside a boombox,\n \none day for every pill or Percocet that I ate\nCut down on the Valium, I'da heard everything\nBut death is turning so definite—wait!\nThey got me all hooked up to some machine\nI love you, Bean, didn't want you to know I was struggling\nFeels like I'm underwater submerged like a submarine\nJust heard that nurse say, my liver and kidneys aren't functioning\nBeen flirtatious with death, skirt-chasing, I guess\nIt's arrivederci, same nurse, just heard say they're unplugging me\nAnd it's your birthday, Jade, I'm missing your birthday\nBaby girl, I'm sorry, I fucking hate when you hurt, Hai\nAnd sweeties, thank you for waiting to open gifts\nBut, girls, you can just open 'em\nDad ain't making it home for Christmas\nWish I had the strength to just blow a kiss\nI go to make a fist, but I can't make one, I'm frozen stiff\nI yell, but nothing comes out, I'm crying inside, I shout\nMy vocal cords won't permit me, I scream, but it's not aloud\nYou put your arm around Momma to calm her, wow\nI just thought about the aisle I'll never get to walk us down\nNever see you graduate in your caps and gowns\nIt's 'bout to be 2008, how's this happening now?\nI've got so much more to do\nAnd, Proof, I'm truly sorry if I let you down, but this tore me in two\nThe thought of no more me and you\nYou gave me shoes, Nikes like new for me for school\nDoody, I'm trying, but you, you were the glue that binded\nSo many things—time, I'd give anything to rewind it\nI had to walk down my halls and constantly be reminded\nBy pictures all on my walls and I couldn't sleep at night 'cause\nThat image burned in my brain of you on that table\nMe falling across your body, not able to stand to save you\nGod, why did you take him?\nI'm tryna keep his legacy alive, but I'm dying, where's Nathan?\nLittle ladies, be brave, take care of your mother\nSmile pretty for pictures, always cherish each other\nI'll always love ya, and I'll be in the back of your memory\nAnd I know you'll never forget me\nJust don't get sad when remembering\nAnd, little bro, keep making me proud\nYou better marry that girl 'cause she's faithfully down\nAnd when you're exchanging those sacred vows\nJust know that if I could be there, I would\nAnd should you ever see parenthood, I know you'll be good at it\nOh, almost forgot to do something, thank my father too\nI actually learned a lot from you\nYou taught me what not to do\nAnd, Mom, wish I'd have had the chance\nTo have one last heart-to-heart honest and open talk with you\nDoody, I see you, I go to walk to you\nAnd I can feel my soul leave my body and float across the room\nNurses lean over the bed, pulling tubes out\nThen the sheet over my head, shut the room down\nGirls, please don't get upset\nI see them cheeks soaking and wet\nAs you squeeze hold of my neck, so forcibly, don't wanna let\nMe go, pillow drenched, emotional wrecks\nWith every second, each closer to death\nBut suddenly I feel my heart begin to beat slow\nThen a breath, machines go (*beep beep beep*)\nMust've guessed the cheat codes to this shit\nI'm tryna rewind time like a tape\nFind an escape, make a beeline, try and awake\nFrom this dream, I need to re-find my inner strength\nTo remind me, even if a steep climb I must take\nTo rewrite a mistake, I'm rewinding the tape\n[Part II: Castle Extended]\n[Verse 2]\n(I don't want it!)\nI'll put out this last album, then I'm done with it\nOne hundred percent finished, fed up with it\nI'm hanging it up, fuck it!\nExcuse the cursing, baby, but just know\nThat I'm a good person, though they portray me as cold\nAnd if things should worsen, but I bet you they won't\nI'm pledging to throw this methadone in the toilet\nShred these old letters I wrote\nAll that old pathetic loathing, closing credits can roll\nI'm proud to be back\nI'm 'bout to, like a rematch, outdo \nRelapse\nWith \nRecovery\n, \nMathers LP2\nHelp propel me to victory laps\nGas toward 'em and fast forward the past\nConsider them last four minutes as\nThe song I'da sang to my daughters\nIf I'da made it to the hospital less than two hours later, but I fought it\nAnd came back like a boomerang on 'em\nNow a new day is dawnin'\nI'm up, Tuesday, it's mornin'—now I know (Haha)\n(*\nToilet flush\n*)" } ]

[ { "from": "human", "value": "Write me a song called #BDAY with the following description: “#BDAY” is a single off Tank’s Sex, Love & Pain II that’s meant to be a club banger. Tank talked about the song with Rated R&B saying:\n“We started singing this birthday hook and it was kinda like, ‘This would be kind of cool—a birthday song.‘ There hasn’t been a birthday song in a while–an R&B one and a cool one.”\nThe song features Siya (who is signed to Tank’s label), Sage The Gemini, and Chris Brown. It’s yet another collaboration between Tank and Brown who previously worked together on songs like 2013’s “Lay Your Head Back” and “Shots Fired,” as well as 2009’s Grammy nominated “Take My Time.” Tank also told Rated R&B that Brown was only supposed to sing the hook but insisted on getting on the second verse. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Chris Brown, \nTank\n]\nGirl, it's your birthday (\nBirthday\n) in here (\nIn here\n) tonight (\nTonight\n)\nGirl, it's your birthday (\nBirthday\n) in here (\nIn here\n) tonight (\nTonight\n)\nGive it to me, go\n[Verse 1: Siya, \nTank\n]\nGo, go, go, shawty it's your bday\nYou and your girls takin' shots like a relay\nI know y'all only come around when the bottles out\nShit, I only come around when the models out\nSo-so-so what's your sign, baby?\nYou a Cancer or Gemini, baby?\nYou a freak, do you do it for the Vine, baby?\nI'm just tryna figure out if we can vibe, baby (\nR&B money\n)\n[Verse 2: Tank]\nI don't wanna waste no time\nI just wanna help you celebrate\n'Cause I don't meet 'em like you every day\nBlow them candles out and get down to the cake\nI don't wanna waste no time\nBaby girl, I know this what you like\nGet it in the air, we can take flight\nIt's a special day, it's only right, girl\n[Pre-Chorus: Tank]\nOoh, woah, since you walked through the doors, it's been like\nOoh, woah, let me show you what it's for\n'Cause I'll give you all I got and won't look back\nWhat I do today, you gon' remember that [Chorus: Chris Brown, \nTank\n]\n'Cause it's your birthday (\nBirthday\n) in here (\nIn here\n) tonight (\nTonight\n, oh)\nGirl, it's your birthday (\nBirthday\n) in here (\nIn here\n) tonight (\nTonight\n, oh)\nGive it to me, go, babe (\nGo, babe\n), go, babe (\nGo, babe\n), go, babe (\nGo, babe\n)\nCan you get low, babe? (\nLow, babe\n) Low, babe (\nLow, babe\n), low, babe (\nLow, babe\n)\n[Verse 3: Chris Brown]\nI see you sittin' with your man, but you over there starin' at me, oh\nI'm already makin' plans, baby, I know what your gift gon' be\nYou know I'm the truth, huh, I do all the things you wanna do, huh\nWe should let you loose huh, strip you down to your birthday suit, huh\n[Pre-Chorus: Tank, \nChris Brown\n]\nOoh, woah, \nsince you walked through the doors, it's been like\nOoh, woah, let me show you what it's for\n'Cause I'll\n give you all I got and won't look back (\nI won't look back\n)\nWhat I do today, you gon' remember that (\nHey, yeah\n)\n[Chorus: Chris Brown, \nTank\n]\n'Cause it's your birthday (\nBirthday\n) in here (In here) tonight (\nTonight\n, oh)\nGirl, it's your birthday (\nBirthday\n) in here (\nIn here\n) tonight (\nTonight\n, oh, go, baby)\nGive it to me, go, babe (\nGo, babe\n, oh-oh-oh-oh), go, babe (\nGo, babe\n), go, babe (\nGo, babe\n)\nCan you get low, babe? (\nLow, babe\n) Low, babe (\nLow, babe\n), low, babe (\nLow, babe\n)\n[Verse 4: Sage the Gemini, \nTank\n]\nYeah, yeah, uh\nI feel like your man know your future (Hey)\nHe know that if he leave you alone, I'ma seduce ya\nWalk around talkin' 'bout karma is a bitch\nBut if I ever say Karma, I'ma end it with the Sutra (Ooh-wee)\nHappy birthday, yeah, we gon' get along (Check)\nHere's a bag of nothin', gon' put it on (Hey)\nWhat about your ex? You ain't finna check your phone\nShe respond like, \"Who?\" I'm like shit, Mike Jones\nAll the models out, spent a check and bring the bottles out (Yeah)\nPass 'em out, what shot you want? Count it out (Hey)\nWildin' out like Nick Cannon in NY (\nOoh\n)\nAnd we gon' get right 'cause [Chorus: Chris Brown, \nTank\n, \nChris Brown & Tank\n]\n'Cause it's your \nbirthday\n (\nBirthday\n) \nin here\n (In here) tonight (\nTonight\n, oh)\nGirl, it's your \nbirthday\n (\nBirthday\n) in \nhere\n (\nIn here\n) tonight (\nTonight, oh\n, oh)\nGive it to me, go, babe (\nGo, babe\n), go, babe (\nGo, babe, hey\n), go, babe (\nGo, babe, baby, can you get low for me?\n)\nCan you get low, babe? (\nLow, babe, babe\n) Low, babe (\nLow, babe, babe\n), low, babe (\nLow, babe, babe, yeah\n)\n[Interlude: Tank]\nSo it is your birthday?\nI need to see ID, you could be lyin' and shit like\nPoppin' bottles and buyin' all this shit, make it really\nI'm talkin', I'm not talkin' about it's your birthday month\nI'm talkin' about it's your birthday in here, tonight\nYou bullshittin'\nHuh, turn up\nThat R&B money\n[Bridge: Tank]\nGet it on the floor, girl, 'cause the ballers in here\nGet it on the floor, girl, show me that it's real\nGet it, girl, get it, gon' get it, girl\nGet it, girl, get it, gon' get it, girl\nGet it on the floor, girl, 'cause the ballers in here\nGet it on the floor, girl, show me that it's real\nGet it, girl, get it, gon' get it, girl\nIt's your birthday, gon' get it, gon' get it, girl\nShow me that it's really your birthday in here\nShow me that it's really your birthday in here\nGon' get it, gon' get it, girl\nGon' get it, gon' get it, girl [Outro: Tank]\nIt's your birthday\nTwerkin' it, twerk, twerk, twerk that ass\nFor me, yeah, oh\nAll up in your birthday suit, yeah\nAll the shit that I'm gon' do, yeah\nOh, oh, yeah" } ]

[ { "from": "human", "value": "Write me a song called VIRGO’S GROOVE with the following description: “Virgo’s Groove” is one of the most sex-influenced tracks on the album. Beyoncé’s zodiac sign is a Virgo since she was born on September 4.\nAs one of the three earth signs, who are considered the most grounded out of them all, Virgos' sex life rely heavily on physical touch and closeness to someone. They are known to be really lusty, sensual, have high libido and are considered best in bed when they’re with someone they love, trust and have some sort of connection with. Even though Virgos are considered patient lovers, Bey’s expressing the tension she feels as she can’t wait no more. She and her lover don’t have time like they used to, so she’s calling him to come, as her excitement is getting bigger and taking over her.\nThis is the third time Beyoncé is mentioning Virgo in her music, previously done on her debut album Dangerously in Love with track 14 called “Gift from Virgo” and mentioning the sign in her song “Signs.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nBaby, come over (Ooh, yeah)\nBaby, come over (Ooh)\n[Pre-Chorus]\nBaby, come over (Baby, come over)\nCome be alone with me tonight\nAll these emotions (All these emotions)\nIt's washin' over me tonight, ah\n[Chorus]\nRight here, right now\nIced up, bite down\nBaby, lock in right now\nI want it right here, right now\nCuddled up on the couch\nMotorboat, baby, spin around\nSlow-mo comin' out my blouse\nI want it right here, right now\n[Verse 1]\nThere's nothin' that I want as much as I want you\nA psychic hit me, told me we got shit to do\nWe ain't got time like we used to\nBut we still shine like we used to\nAnd we still grind like we used to\nAnd we cut ties when we need to\nBut I need more you on me and me on you, oh [Refrain]\nI can be the one that takes you there\nAnd I need more nudity and ecstasy, oh\nOn this magic ride, woo, yeah, yeah, yeah\n (Oh, oh)\nBaby, you can hit this, don't be scared\nBaby, you can hit this, don't be scared\n (\nYeah, yeah\n)\nIt's only gonna get you high\n[Pre-Chorus]\nBaby, come over\nCome be alone with me tonight\nAll these emotions\nIt's washin' over me tonight, oh\n[Chorus]\nRight here (Right here), right now (Right now)\nIced up (Iced up), bite down (Bite down)\nBaby, lock in (Lock in) right now (Right now)\nI want it right here (Right here), right now (Right now)\nCuddled up (Cuddled up) on the couch (On the couch)\nMotorboat (Motorboat), baby, swerve around (Swerve around)\nSlow-mo (Slow-mo) comin' out my blouse (Out my blouse)\nI want it right here (Right here), right now (Right now)\n[Post-Chorus]\nBaby, come over\nI can be the one that take you there\nI can be the one that takes you there\n (Ooh-oh)\nOn this magic ride, woo\nBaby, come over (\nYeah, yeah, yeah\n)\nBaby, you can hit this, don't be scared\nBaby, you can hit this, don't be scared\n (Ooh-oh)\nIt's only gonna get you high\nBaby, come over\nCome and move me through the night\nBring all those emotions (Ooh)\nAnd show me how you feel inside\nBaby, come over (Baby, come over)\nCome be alone with me tonight\nAll these emotions (All these emotions)\nIt's washin' over me tonight, uh [Verse 2]\nYeah, your hands\nYour hands so strong when they grippin' on me\nYeah, so dance\nAll night long to the throb, baby, feel the beat\nYeah, don't you leave\nYeah, me\nDon't you leave\nSo use me (Use me)\nPursue me (Pursue me)\nKiss me where you bruise me (Bruise me)\nOoh-wee, ooh-wee\nTaste me (Taste me), that fleshy part\nI scream so loud, I curse the stars\n[Interlude]\nYou don't need no excuse\nTo touch somebody (Touch me)\nTo love somebody (Love me)\nTo trust somebody (Will you trust me?)\nUh, go ahead and hug somebody\n'Cause I can see the light in you\nEverybody want somebody (I want you)\nEverybody got somebody (I got you)\nSo come over and want my body 'cause (You are) [Bridge]\nUh, uh, you are (You are)\nThe love of my life (The love of my life)\nYeah, yeah, yeah, yeah (My life)\nYou're my life, baby, you're the love of my life (You are)\nOh, baby, keep me warm\nOoh, he bring me back to life (You are)\nOoh, you make me lose my pride\nOoh, that lovin' keep me high (The love of my life)\nThat's why I love you, baby (Uh, woo, woo)\nThat's why I trust you, baby (Trust you, baby)\nIf you got somebody, love somebody\nLove somebody, baby\n[Outro]\nYou're the love of my life\nYou're the love of my life\nYour love keeps me high\nYour love gives me life\nYour love, your love\nGood lord, baby, don't you ever switch it up\nTalk to me nice (Nice)\nYou're the love of my life\nOf my life\nYou're the love of my life\nBaby, you're the love of my life\nYou're the love of my life\nBaby, love me, love me, love me\nAnd, baby, let me love you back\nTouch me, touch me, please me\nKiss me, boy\nYou're the only love of my life\nYou are\nYeah, you are, yeah\nYou are\n(The love of my life)\n(My life)" } ]

[ { "from": "human", "value": "Write me a song called Let It Rock with the following description: “Let It Rock” is the debut single of Kevin Rudolf. It was released in 2008 as a lead single from his first studio album In the City. The single features Lil Wayne, who was on the roll of his career, having just dropped Tha Carter 3, one of the best albums of the 2000s.\nThe song got into the US top 5 and sold 4 MILLION copies worldwide.\nOfficial Video:\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Electronic Voice]\nLet it rock\nLet it rock\nLet it rock\n[Verse 1: Kevin Rudolf]\nI see your dirty face, hide behind your collar\nWhat is done in vain, truth is hard to swallow\nSo you pray to God to justify the way\nYou live a lie, live a lie, live a lie\nAnd you take your time\nAnd you do your crime\nWell, you made your bed\nI made mine\n[Chorus: Kevin Rudolf]\nBecause when I arrive, I, I'll bring the fire\nMake you come\n alive, I can take you higher\nWhat this is, forgot, I must now remind you\nLet it rock, let it rock, let it rock\n[Verse 2: Kevin Rudolf]\nNow the son's disgraced, he who knew his father\nWhen he cursed his name, turned and chased the dollar\nBut it broke his heart, so he stuck his middle finger\nTo the world, to the world, to the world\nAnd you take your time\nAnd you stand in line\nWell, you'll get what's yours\nI got mine [Chorus: Kevin Rudolf]\nBecause when I arrive, I, I'll bring the fire\nMake you come alive, I can take you higher\nWhat this is, forgot, I must now remind you\nLet it rock, let it rock, let it rock\n[Verse 3: Lil Wayne]\nYeoaw!\nWayne's World, Planet Rock\nPanties drop, and the tops\nAnd she gonna rock 'til the camera stop\nAnd I sing about angels like Angela (Rock!)\nAnd Pamela (Rock!) and Samantha (Rock!)\nAnd Amanda and Tamara,\n \nménage à moi\nI'm in here like, \"Bitch, what's up?\"\nMechanic, me, I can fix you up\nI can dick you up, I can dick you down\nShorty, we can go wherever, just pick a town\nAnd my jewelry is louder than an engine sound\nBig-ass rocks like on the ground\nDirty like socks that's on the ground, Weezy\n[Chorus: Kevin Rudolf]\nBecause when I arrive, I, I'll bring the fire\nMake you come alive, I can take you higher\nWhat this is, forgot, I must now remind you\nLet it rock, let it rock, let it rock\nBecause when I arrive, I, I'll bring the fire\nMake you come alive, I can take you higher\nWhat this is, forgot, I must now remind you\nLet it rock, let it rock, let it rock\nJust let it rock, let it rock, let it rock\nLet it rock\nLet it rock [Verse 4: Lil Wayne]\nI'm back like I forgot somethin', I'm somethin'\nRuling rock rubbin' rap running\nMiles like I'm trying to get a flat stomach\nLike Wayne the personal trainer\nMy aim is perfect, I'll bang ya\nPeriod, like the reminder\n[Outro: Kevin Rudolf]\nAnd I wish I could be as cruel as you\nAnd I wish I could say the things you do\nBut I can't and I won't live a lie\nNo, not this time" } ]

[ { "from": "human", "value": "Write me a song called Notepad with the following description: “Notepad” is a song in which Nate uses perfect personification by writing a letter to his best friend: his notepad. His notepad was his best and truest friend, having been with him through the years and helping him cope with his emotions – inevitably bringing him to where he is today.\nThe video for the song was released on July 9, 2015 and has garnered more than 20 million views since its release. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYou and I, we've been through a lot together\nAnd I look back and I just, uh, I appreciate all the times that...that we had together, you know?\nI remember just goin' down in my room and, you know, dealin'... tryna deal with some things\nAnd you've always been there for that\nAlways, just me and you\n[Verse 1]\nYou and I been best friends, ever since I was a young kid\nEverything we did, where has time went?\nGot a lot of years comin' up ahead of us and ever since we met\nI knew we'd get somewhere, but the fact is I ain't really, I ain't really know when\nI don't really know how either, but I can feel the goosebumps, my skin writin'\nI've been waitin' for the moment, you and I can make it happen\nLot of people thinkin' we ain't gonna make it rappin'\nI ain't got a problem with 'em though, they don't even matter\nWe ain't lookin' for the people tryna say that we the baddest\nNo, I never liked that\nCame a long way, never did it for the money\nWe ever make it big, I'ma give it to the family\nLookin' back now everything is lookin' funny\nYou and I in the room writin', up late when the mood strikes us\nWe don't care if they do like us\nWritin' songs for the haters we ain't even got yet\nFreestylin'? Somebody turn the mic up\nTalkin' 'bout things we don't really understand\nTalkin' 'bout things we don't really comprehend-\nMe and you tryna get it, we ain't quittin' 'til the end\nNow I'm standin' on stage tryna give it to the fans, yah! [Interlude]\nWe took that karaoke machine from my room and, uh, we put it up to the CD player and played the instrumentals\nAnd, man, we've come a long way\nA long way\n[Verse 2]\nI made a lot of mistakes, you've been there for the whole thing\nHelp me with the drama\nRappin' in the car outside daily\nWe don’t care if it’s the winter, we don’t care if it's the summer\nI remember writin' raps with the curse words\nI just wanna hear it, seems like everybody does it\nDid it for awhile wasn't into all the cussin'\nTried to find who I was, bein' everything I wasn't, real life, yeah!\nGot a lot of anger, you know where I'm at, put it all over the pages\nAnd wrote it into raps, said that we could be amazin'\nIf I give us a chance now I'm lookin' round like yeah, look at where we at\nLook at where we at now, we ain't made it yet\nBut they can hear us in the background comin'\nSome are gonna hate it, some are gonna love it\nI'ma put it in His hands and let God do the judgin', yeah\nRemember me and you, always had you in the backpack\nTook you into school writin' on you like it's nothin', a lot of people in the room\nSee me scribble on a page but they ain't got a clue, nah, they ain't got a clue\nWe at the beginnin'\nHopin' someday you and I can say we made it and we did it\nYou ain't nothin' but a notepad to me, who you kiddin'?\nI'm just runnin' out of space, I'll be back in a minute\nTurn the page, homie [Interlude]\nYou know what’s crazy is\nThis just started as somethin' that was an escape for us, you know?\nAnd now I look around and there’s a lot of people out there goin' through the same things, you know, we've been through\nNow this music we write is actually makin' an impact, it’s crazy\n(Oh oh, oh oh)\n(Oh oh, oh oh)\n(Oh oh, oh oh)\n(Oh oh, oh oh)\n[Outro]\nNF Real Music" } ]

[ { "from": "human", "value": "Write me a song called 10 Years with the following description: “10 Years” is an unreleased throwaway by Future and Young Thug, recorded during sessions for their collaborative mixtape, SUPER SLIMEY, that finds the duo exploring their drug habits. The full track leaked online on October 13 2019. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Young Thug]\nYeah\nAyy, guess what I been doin'?\nHold on, I'ma put you down as soon as the beat drop (Yeah)\nRight here\n[Pre-Chorus: Young Thug & \nFuture\n]\nI been drinkin' lean 10 years consistently\nI been poppin' pills 10 years consistently\nBreakin' all the rules, won't give 'em decency\nShe said fuck her soft, give her some decency\nI bought 20 tabs on the regular (Yeah)\nReal street nigga, but I ain't regular (Yeah)\nDrinkin' on lean, Lord of the Rings, ga-ga-gasoline (On God)\nBaddies on my schedule, my bitch say \"Sir, yes sir\"\n[Chorus: Young Thug, \nFuture\n & \nBoth\n]\nI been drinkin' lean 10 years, consistency (\nSyrup\n)\nI been poppin' beans 10 years, consistency (\nThat syrup\n)\nBend that bitch right over like I'm Hercules (\nOoh\n)\nI been drinkin' lean consistently\nI been drinkin' lean 10 years, consistent lean\nI been drinkin' lean 10 years, consistent lean\nI been drinkin' lean 10 years, consistent lean\n (Ayy)\n[Verse 1: Future]\nOoh, my ice stay biting\nWoah, I'm strapped like lightning\nWhole lot of jewels, ooh, a whole lot of jewels, ooh, ooh (On god)\nRe-up, T up the cash with my feet up (Yeah), oh\nPut a whole pint in a 16 liter (Suit up), ooh\nFirst off, we was at our worst off\nPull a bitch dress up, nigga make it squirt off\nHold up, they could never touch us\nThey could never search us, geeked off acid (Acid)\nHold up, they never approached us\nThey never robbed us, hold up, they cappin' (Brrr)\nI done got too geeked up, I done start talkin' to myself, I'm ahead of myself [Chorus: Young Thug, \nFuture\n & \nBoth\n]\nI been drinkin' lean 10 years, consistent lean\nI been drinkin' lean 10 years, consistent lean\nI been drinkin' lean 10 years, consistent lean\n (Ayy)\n[Verse 2: Young Thug]\nI turned the Bentley to cream, spray a nigga with the oil sheen\nI been drinkin' purple lean, mix it with a lil' codeine\nPanoramic, yeah, I heard you ratted\nThey'll turn off on all of your partners\nI gave that bitch Gucci for nothing\nI saw you through Gucci binoculars\nI blowed off the roof with no chopper\nExtended clip for the rasta\nDevilish chain for a rockstar\nI made the gang in a roster\nRed and blue flags like a cop car\nYou know they gon' move if I call 'em\nI pass all the swoo to my partners\nI pass all the swoo to my partners\nYou pull your pants down and get caught\nYou play with my shit, you'll get popped\nI didn't fuck your bitch, I got top\nYour bitch with my dawg, she gettin' tossed\nI done made myself a big boss\nSyracuse diamonds cost a loft\n36 tick-tocks, Gunna Gunna crip walk\n12 chains spaced out, fucked her at Ritz, top (Woo)\nI'm a gangster, got big nuts (Yeah)\nI ain't gotta push it up (Woo)\nI ain't callin' none of this luck\nIn Slime We Trust [Chorus: Young Thug & \nFuture\n & \nBoth\n]\nI been drinkin' lean 10 years consistently\nI been poppin' pills 10 years consistently\nBreakin' all the rules, won't give 'em decency\nShe said fuck her soft, give her some decency\nI been drinkin' lean 10 years, consistent lean\nI been drinkin' lean 10 years, consistent lean\nI been drinkin' lean 10 years, consistent lean\n (Ayy)" } ]

[ { "from": "human", "value": "Write me a song called Just Don’t Give a Fuck with the following description: Eminem details his writing process for this track in his lyrics book Angry Blonde:\n“Just Don’t Give a Fuck” was a song that I wrote when I was staying at my mother’s house. It was around the time that Hailie was born. She wasn’t even a year old yet. All of kinds of shit- not being able to provide for my daughter, my living situation, etc., just started building up so much that I had just had it. “Just Don’t Give a Fuck” was actually the second song where people that knew me was were like ‘What the fuck are you talking about?’ See, I didn’t normally talk about stuff like that… I soon found myself doing things that I normally didn’t do. Like getting into drugs and drinkin'. I was reeeaaally fucked up. I was sick of everything . Kim and I had Hailie, my producers FBT were just about to give up on me, we weren’t paying rent to my moms, and just a whole bunch of other horrible shit was going on.\"\nThis song was also on the Slim Shady EP before being repackaged with an altered instrumental for Eminem’s debut solo album.\nIn the clean version of the album, the title was changed to “Just Don’t Give”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Jeff Bass]\n[Intro: Frogg Dogg]\nWoah, a-get yo' hands in the air\nAnd get to clappin' 'em and, like, back and forth\nBecause-a this is what you thought it wasn't\nIt be's the brothers representin' the Dirty Dozen\nI be the F-R-O, the double G\nAnd check out my man, he goes by the name of, er, uh\n[Verse 1: Eminem, \nFrogg Dogg\n]\nSlim Shady, brain dead like Jim Brady\nI'm a M-80, you little like that Kim lady\nI'm buzzin', Dirty Dozen, naughty rotten rhymer\nCursin' at you players worse than Marty Schottenheimer\nYou wacker than the motherfucker you bit yo' style from\nYou ain't gon' sell two copies if you press a double album\nAdmit it, fuck it, while we comin' out in the open\nI'm doin' acid, crack, smack, coke, and smokin' dope then\nMy name is Marshall Mathers, I'm an alcoholic (\nHi, Marshall\n)\nI have a disease and they don't know what to call it\nBetter hide your wallet 'cause I'm comin' up quick to strip yo' cash\nBought a ticket to yo' concert just to come and whip yo' ass\nBitch, I'm comin' out swingin' so fast it'll make yo' eyes spin\nYou gettin' knocked the fuck out like Mike Tyson\n (Pssh)\nThe proof is in the puddin', just ask DeShaun Holton\nI'll slit yo' motherfuckin' throat worse than Ron Goldman [Chorus: Eminem]\nSo when you see me on yo' block with two Glocks\nScreamin', \"Fuck the world\" like 2Pac\nI just don't give a fuck\nTalkin' that shit behind my back, dirty mackin'\nTellin' your boys that I'm on crack\nI just don't give a fuck\nSo put my tape back on the rack\nGo run and tell your friends my shit is wack\nI just don't give a fuck\nBut see me on the street and duck\n'Cause you gon' get stuck, stole, and snuffed\n'Cause I just don't give a fuck\n[Verse 2: Eminem]\nI'm nicer than Pete, but I'm on a search to crush a milkbone\nI'm everlastin', I melt vanilla ice like silicone\nI'm ill enough to just straight up diss you for no reason\nI'm colder than snow season when it's twenty below freezin'\nFlavor with no seasoning, this is the sneak preview\nI'll diss yo' magazine and still won't get a weak review\nI'll make yo' freak leave you, smell the Folgers crystals\nThis is lyrical combat, gentlemen, hold your pistols\nWhile I form like Voltron and blast you with my shoulder missiles\nSlim Shady, M&M was the old initials (Bye-bye)\nExtortion, snortin', supportin' abortion\nPathological liar, blowin' shit outta proportion\nThe looniest, zaniest, spontaneous, sporadic\nImpulsive thinker, compulsive drinker, addict\nHalf animal, half man\nDumpin' yo' dead body inside of a fuckin' trash can\nWith more holes than an afghan [Chorus: Eminem]\nSo when you see me on yo' block with two Glocks\nScreamin', \"Fuck the world\" like 2Pac\nI just don't give a fuck\nTalkin' that shit behind my back, dirty mackin'\nTellin' your boys that I'm on crack\nI just don't give a fuck\nSo put my tape back on the rack\nGo run and tell your friends my shit is wack\nI just don't give a fuck\nBut see me on the street and duck\n'Cause you finna get stuck, stole, and snuffed\n'Cause I just don't give a fuck\n[Verse 3: Eminem]\nSomebody let me out this limousine (Hey, let me out)\nI'm a caged demon\nOn stage screamin' like Rage Against the Machine\nI'm convinced I'm a fiend\nShootin' up while this record is spinnin'\nClinically brain-dead, I don't need a second opinion\nFuck droppin' a jewel, I'm flippin' a sacred treasure\nI'll bite yo' motherfuckin' style just to make it fresher\nI can't take the pressure, I'm sick of bitches\nSick of naggin' bosses bitchin' while I'm washin' dishes\nIn school, I never said much, too busy havin' a head rush\nDoin' too much rush, had my face flushed like red blush\nThen I went to Jim Beam, that's when my face grayed\nWent to gym in eighth grade, **** the women's swim team\nDon't take me for a joke, I'm no comedian\nToo many mental problems got me snortin' coke and smokin' weed again\nI'm goin' up over the curb, drivin' on the median\nFinally made it home but I don't got the key to get in [Chorus: Eminem]\nSo when you see me on yo' block with two Glocks\nScreamin', \"Fuck the world\" like 2Pac\nI just don't give a fuck\nTalkin' that shit behind my back, dirty mackin'\nTellin' your boys that I'm on crack\nI just don't give a fuck\nSo put my tape back on the rack\nGo run and tell your friends my shit is wack\nI just don't give a fuck\nBut see me on the street and duck\n'Cause you finna get stuck, stole, and snuffed\n'Cause I just don't give a fuck\n[Outro: Eminem]\n(Shit, fuck everybody)\nOutsiderz, Pacewon, Young Zee (Fuck the entire world)\nD.U\n." } ]

[ { "from": "human", "value": "Write me a song called Freedom with the following description: “Freedom” is an anthem dedicated to black women. The song brings Beyoncé’s visual album to an apex with the scene ‘hope’ and features the mothers of Trayvon Martin, Michael Brown, and Eric Garner pictured with photos of their deceased sons.\nThroughout the song, Beyoncé alludes to herself as a force of nature who can empower other women like herself to break free of the bonds society places on them. She addresses her struggle with infidelity as a black woman, as well as alluding to the history of slavery inflicted upon African-Americans, including current issues and the Black Lives Matter movement. Beyoncé and her writers, musicians, and producers sonically reference the musical memories of all those periods.\nBeyoncé is joined by Kendrick Lamar in their first ever collaboration. While Beyoncé focuses on women’s issues, Kendrick continues to touch on institutionalized racism, a major theme of his critically acclaimed 2015 album To Pimp A Butterfly. However, Kendrick also brings women to the forefront, alluding to 2Pac’s “Dear Mama” and “Ride 4 Me” while sending a message of empowerment to his own mother.\nIn Kendrick’s verse, he employs a style of writing that counts down from ten to five, before switching to a syllable count to further the countdown. This gives the impression that Kendrick is counting down towards something significant. Within context of the song (and the final bars of the verse), Kendrick is likely counting down to freedom from oppression. Yasiin Bey employs a similar writing style on “Mathematics.”\nAlong with issues affecting black women, social equality justice are major motifs of this song.\nProducer Just Blaze told the Rap Radar podcast that Beyoncé came to him with the “Let Me Try” sample by Kaleidoscope and an already completed demo. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Beyoncé]\nTryna rain, tryna rain on the thunder\nTell the storm I'm new\nI'ma walk, I'ma march on the regular\nPainting white flags blue\nLord, forgive me, I've been running\nRunning blind in truth\nI'ma rain, I'ma rain on this bitter love\nTell the sweet I'm new\n[Pre-Chorus: Beyoncé]\nI'm telling these tears, \"Go and fall away, fall away,\" oh\nMay the last one burn into flames\n[Chorus: Beyoncé]\nFreedom! Freedom! I can't move\nFreedom, cut me loose! Yeah\nFreedom! Freedom! Where are you?\n'Cause I need freedom, too!\nI break chains all by myself\nWon't let my freedom rot in hell\nHey! I'ma keep running\n'Cause a winner don't quit on themselves\n[Verse 2: Beyoncé]\nI'ma wade, I'ma wave through the waters\nTell the tide, \"Don't move\"\nI'ma riot, I'ma riot through your borders\nCall me bulletproof\nLord, forgive me, I've been runnin'\nRunnin' blind in truth\nI'ma wade, I'ma wave through your shallow love\nTell the deep I'm new [Pre-Chorus: Beyoncé]\nI'm telling these tears, \"Go and fall away, fall away,\" oh\nMay the last one burn into flames\n[Chorus: Beyoncé]\nFreedom! Freedom! I can't move\nFreedom, cut me loose!\nFreedom! Freedom! Where are you?\n'Cause I need freedom, too!\nI break chains all by myself\nWon't let my freedom rot in hell\nHey! I'ma keep running\n'Cause a winner don't quit on themselves\n[Verse 3: Kendrick Lamar]\nTen Hail Marys, I meditate for practice\nChannel 9 news tell me I'm movin' backwards\nEight blocks left, death is around the corner\nSeven misleadin' statements 'bout my persona\nSix headlights wavin' in my direction (Come on)\nFive-O askin' me what's in my possession\nYeah, I keep runnin', jump in the aqueducts\nFire hydrants and hazardous\nSmoke alarms on the back of us\nBut mama, don't cry for me, ride for me\nTry for me, live for me\nBreathe for me, sing for me\nHonestly guidin' me\nI could be more than I gotta be\nStole from me, lied to me, nation hypocrisy\nCode on me, drive on me\nWicked, my spirit inspired me, like yeah\nOpen correctional gates in higher desert (Yeah)\nOpen our mind as we cast away oppression (Yeah)\nOpen the streets and watch our beliefs\nAnd when they carve my name inside the concrete\nI pray it forever reads [Chorus: Beyoncé]\nFreedom! Freedom! I can't move\nFreedom, cut me loose!\nFreedom! Freedom! Where are you?\n'Cause I need freedom, too!\nI break chains all by myself\nWon't let my freedom rot in hell\nHey! I'ma keep running\n'Cause a winner don't quit on themselves\n[Outro: Kendrick Lamar]\nWhat you want from me?\nIs it truth you seek? Oh, father, can you hear me?\nWhat you want from me?\nIs it truth you seek? Oh, father, can you hear me?\nHear me out\n[Spoken: Hattie White]\nI had my ups and downs, but I always find the inner strength to pull myself up. I was served lemons, but I made lemonade\n." } ]

[ { "from": "human", "value": "Write me a song called This Can’t Be Life with the following description: On “This Can’t Be Life” Jay-Z, Beanie Sigel and Scarface present their most pensive and mournful selves, openly wondering if there’s any point to living through pain. Scarface’s heart-breaking guest verse is often thought of as one of the best of all-time.\nThe beat is the first-ever produced by Kanye West for his big brother. It is a West soul-sampling classic, built around Harold Melvin and the Bluenote’s “I Miss You.” The drums are sampled directly from Dr. Dre’s “Xxplosive.”\nKanye West discussed the process of creating and pitching this beat in his song “Last Call.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Jay-Z]\nGeah.. whassup?\nTo all my street niggas, project niggas\nReal niggas, worldwide\nLet's reflect, everybody got a story\nWe all ghetto B, here's mine\nGeah\n[Verse 1: Jay-Z]\nSee I was, born in sewage, born to make bomb music\nFlow tight like I was born Jewish\nUsed the streets as a conduit\nI kept arms .38 longs inside my mom's Buick\nAt any given moment Shawn could lose it, be on the news\nIron cuffs - arms through it, or stuffed with embalming fluid\nShit, I'm going through it - mom dukes too\nTears streaming down her pretty face, she got her palms to it\nMy life is getting too wild\nI need to bring some sort calm to it\nBout to lose it voices screaming \"Don't do it!\"\nIt's like '93, '94,\n \n'bout the year\nThat Big and Mack dropped and \nIllmatic\n rocked\nOutta every rag drop, \nand the West had it locked\nEverybody doing them, \nI'm still stretching on the block\nLike \"Damn, I'ma be a failure\"\nSurrounded by thugs, drugs, and drug paraphernalia\nCops, courts, and their thoughts is to derail us\nThree-time felons in shorts with jealous thoughts\nTrying to figure where your mail is\nGuesstimate the weight you selling\nSo they can send shots straight to your melon; wait!\nIt gets worse, baby momma water burst\nBaby came out stillborn, still I gotta move on\nThough my heart still torn, life gone from her womb\nDon't worry, if it was meant to be, it'll be soon [Chorus: Jay-Z]\nThis can't be life, this can't be love\nThis can't be right, there's gotta be more, this can't be us\nThis can't be life, this can't be love\nThis can't be right, there's gotta be more, this can't be us\n[Verse 2: Beanie Sigel]\nChill dog\nSecond oldest born, from Michelle Brown my mother\nHell bound, grew with two sisters and one brother\nPop wasn't around, so many stories that's another\nI'm thinking \"Damn, how my older sister gon' make me tougher?\"\nWhen steel sharpens steel, I'ma keep it real\nI'm tired of trying to hide my pain behind the syrups and pills\nDead to the world, stretched out like a corpse for real\nY'all niggas thinking what y'all reading in \nThe Source\n is real\nWhat my life like, you looking at the source, it's real\nWhat your life like? Mine dog, of course it's real\nPassing judgment, you niggas second-guessing Beans\n'Cause you don't eat swine don't make you Mu'min\nDog you know a couple suras, out the Qur'an\nI guess you all on your din and I ain't on mine\nStop that Akki, 'fore I send shots through your body\nMake 'em feel \nhell on earth\n before Allah drop me\nI feel the line's drawn here, nutting more can stop me\n'Til them feds pick me up, or them boys pop me\nThere's only three things that make Mack not act like Beans\nAmatullah Tisha, Po Aldin, Samir Amin\nMy seeds dog, \ngotta teach 'em that before I leave, dog\nShit I know that I'ma see 'em when I leave, dog\nI come back in the afterlife\nLike fuck it, I done touched hell twice; what's the meaning? [Chorus: Jay-Z]\nThis can't be life, this can't be love\nThis can't be right, there's gotta be more, this can't be us\nThis can't be life, this can't be love\nThis can't be right, there's gotta be more, this can't be us\n[Verse 3: Scarface]\nLife.. yeah.. uhh..\nNow as I walk into the studio to do this with Jig'\nI got a phone call from one of my nigs\nSaid my homeboy Reek, he just lost one of his kids\nAnd when I heard that I just broke into tears\nAnd see in the second hand; you don't really know how this is\nBut when it hits that close to home you feel the pain at the crib\nSo I called mine, and saddened my wife with the bad news\nNow we both depressed, counting our blessings 'cause Brad's two\nPraying for young souls to laugh at life through the stars\nLoving your kids just like you was ours\nAnd I'm hurting for you dog; but ain't nobody pain is like yours\nI just know that heaven'll open these doors\nAnd ain't no bright side to losing life; but you can view it like this\nGod's got open hands homie, he in the midst.. of good company\nWho loves all and hates not one\nAnd one day you gon' be with your son\nI could've rapped about my hard times on this song\nBut heaven knows I woulda been wrong\nI wouldn'ta been right, it wouldn'ta been love\nIt wouldn'ta been life, it wouldn'ta been us\nThis can't be life [Chorus: Jay-Z]\nThis can't be life, this can't be love\nThis can't be right, there's gotta be more, this can't be us\nThis can't be life, this can't be love\nThis can't be right, there's gotta be more, this can't be us\nThis can't be life..." } ]

[ { "from": "human", "value": "Write me a song called Nigo Hilfiger with the following description: Song all about Tommy Hilfiger and A Bathing Ape (also known as Bape) – a brand which was founded by Nigo.\nThis song was released via Lil Uzi Vert’s Soundcloud on 23 August 2015.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nSkurrt, skurrt, skurrt, skurrt, boo\nAye, someone call the \nboat man\n, aye, Lil Uzi\nAye, aye, oh that Plugg, skurrt!\n[Hook]\nIf it ain't really bout money (On me)\nI don't know why the fuck you talkin' (Save it)\nI fuck that bitch with a condom, aye (No)\nI fuck her sister no condom, aye (Yeah)\nI fuck that bitch with a condom, aye\nI fuck her sister no condom, aye\nBoxers be Bathing Ape, Tommy, aye\nTold you be Bathing Ape, Tommy, aye\nUzi Gang that be the army, aye\nUzi Gang that be the army, aye\nUzi Gang that be the army, aye\nUzi Gang that be the army, aye\nAll of my boxers be Tommy, aye\nThat shit be Bathing Ape, Tommy, aye\nLeft my old bitch kinda salty, aye\nTold that lil' bitch do not call me, aye\n[Verse 1]\nUzi Gang that be the army, aye\nTold that lil' bitch do not call me, aye\nHit a nigga with a Tommy, aye\nAll of my boxers be Tommy, aye\nSome of my boxers they Bathing Ape\nMost of my boxers be Tommy, aye\nTold that lil' bitch do not call me, aye\nTold that lil' bitch do not call me, aye\nSmokin' that gas till I'm fallin', aye\nGettin' these hunnids I'm ballin', aye\nWhy you lil' bitch keep on callin', aye\nOver my way and she stalkin', aye\nWhy these niggas they be hatin', aye\nSwervin' that whip and they walkin', aye\nLil Uzi go super saiyan\nThat nigga just be evolving [Bridge]\nIf it ain't really bout money (On me)\nI don't know what the fuck you talkin'\nI fuck that bitch with a condom, aye\nI fuck her sister no condom, aye\nI'll beat your ass like I'm Ronda\nAsian bitch with ass like bumble\nBathing Ape be my pajamas\nChopper on me like Rambo\n[Hook]\nIf it ain't really bout money (On me)\nI don't know what the fuck you talkin'\nI fuck that bitch with a condom, aye\nI fuck her sister no condom, aye\nI fuck that bitch with a condom, aye\nI fuck her sister no condom, aye\nBoxers be Bathing Ape, Tommy, aye\nTold you be Bathing Ape, Tommy, aye\nUzi Gang that be the army, aye\nUzi Gang that be the army, aye\nUzi Gang that be the army, aye\nUzi Gang that be the army, aye\nAll of my boxers be Tommy, aye\nThat shit be Bathing Ape, Tommy, aye\nLeft my old bitch kinda salty, aye\nTold that lil' bitch do not call me, aye [Verse 2]\nLil' bitch do not cause a scene, aye\nI swear to god It's not Maury, aye\nFuckin' all up on your bitch, aye\nWhen I'm in New York with Bari, aye\nShe play with my dick like Atari, skurrt\nTwenty one, not tryna call me, skurrt\nLook at my phone, got all these bitches, I feel like Mike Lowrey (damn!)\nBrittney that still be my barbie, aye\nRockstar like stop throwin' party, aye\nSometimes I feel like she Lita, aye\nSometimes I feel like Jeff Hardy, aye\nDon't be a hater cause all of my skaters say \"Lil Uzi you gnarly\", aye\nI mix the Visvims with Bape, aye\nYou still rockin' old Ed Hardy, aye\nI mix the lobster with steak, aye\nLook at my plate and you starving, aye\nI feel like I'm DMX\nWhen I'm in the pussy slippin and fallin', aye\nAsk that lil' bitch if she an artist, aye\nCause that lil' bitch keep on drawlin', aye\nI get that bitch on a boot, aye\nShe said \"I don't do this often\"\n[Hook]\nIf it ain't really bout money (On me)\nI don't know what the fuck you talkin'\nI fuck that bitch with a condom, aye\nI fuck her sister no condom, aye\nI fuck that bitch with a condom, aye\nI fuck her sister no condom, aye\nBoxers be Bathing Ape, Tommy, aye\nTold you be Bathing Ape, Tommy, aye\nUzi Gang that be the army, aye\nUzi Gang that be the army, aye\nUzi Gang that be the army, aye\nUzi Gang that be the army, aye\nAll of my boxers be Tommy, aye\nThat shit be Bathing Ape, Tommy, aye\nLeft my old bitch kinda salty, aye\nTold that lil' bitch do not call me, aye" } ]

[ { "from": "human", "value": "Write me a song called NASA with the following description: Future teams up with French Montana to deliver the new unreleased single “NASA,” which samples Ginuwine’s 1996 track, “Pony”\nThe topic of the song follows the two rappers expectations from their potential ride-or-die chicks. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Future & \nGinuwine\n]\nEsco\nSomeone who knows how to ride\nSuper\nLurk all over and through you baby\nYeah\nLet's do it, let's do it\n[Verse 1: Future & \nFrench Montana\n]\nMedusa mink rugs on the plugs with the juice baby\nHeating up the pool and it's wintertime, blood, baby\nReally big wrist, 20 karat no Fugazi\nSitting courtside bet 100 on LeBron, baby (100 on LeBron baby)\nSomeone who knows how to ride\nI been doin' numbers in the jungle wit' the savages\nImma put in work until that time and leave my legacy\nI been makin' moves you can't infiltrate my embassy\nSomeone who knows how to ride...\nNever go against 'em never go against the fam'\nIt ain't incidental why you do it for the 'gram\nYou can't see the work I'm puttin' in while I'm prayin'\nIf you can see the vision you won't never understand\nSomeone who knows how to ride...\nI'm tryna count this money\n...Without even falling off\nPut you outta commision ain't no time for no credits \n(ay, ay)\n(Ain't no time for no credits\n) [Verse 2: French Montana]\nHope, when it hit the fan you gon' lie for me\nHope, every time you see me win you gon' smile for me\nI buy the whole dealer if you run a mile for me\nCrocodile bags never turn your tears crocodile for me (roll-up)\nFuck her when my nerves turn super poles\nNow I couldn't dodge the box every time I saw her\nShe mad I had to leave her for the paper and I know it\nTook her to the hill with german shepherd with the foreign car\nShorty gotta man but fuck me like a pornstar (ouu)\nGet me in the mood everything to gain nothin' to lose (ay, ay, aye)\nOuu, baby\n[Outro: \nGinuwine\n]\nSomeone who knows how to ride\nWithout even falling off\nLurk all over and through you baby\nLet's do it, let's do it\nSomeone who knows how to ride\nWithout even falling off\nLurk all over and through you baby\nLet's do it, let's do it\nSomeone who knows how to ride\nWithout even falling off\nLurk all over and through you baby\nLet's do it, let's do it" } ]

[ { "from": "human", "value": "Write me a song called Jump Out the Window with the following description: On “Jump out the Window,” Big Sean describes a close friend in an abusive relationship. He wants to save her from the disrespect and degradation of her false lover, and he’s ready to take a chance with her.\n3 months after official release, Big Sean released the music video for “Jump out the Window” on 7th May 2017. In the music video, Big Sean finds himself as a cartoon character in a video game, where he is pictured in a series of events throughout the video game as he attempts to save his close friend from this abusive relationship.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Big Sean & Jeremih]\nI think I’m ready to jump out the window\nAnd turn that nigga that you with right back into your friend, though\nWe already wasted too much time\nAnd your time is the only thing I wish was mine\nSo yeah, oh yeah, I think I’m ready to jump out the window\n[Verse 1]\nStraight up, straight up, look\nKnow ya momma didn’t raise you to take no disrespect, yeah\nI feel, I feel like real queens know how to keep the game in check, yeah\nYou cried on my phone the whole night\nThat time he crossed the line yeah, yeah, yeah\n(Oh I was there) I went to straighten his ass out\nAnd you told me never mind yeah, yeah, yeah\nThe question isn't, \"Do he love ya?\" The question is, \"Do ya love yourself?\"\nYou give the best advice to your friends and not take it for yourself\nRemember when you used to come through and hit the Mario Kart\nAnd you always picked the princess\nI realized you was princess way back then\nWe the best thing that never happened, but\n[Chorus]\nI think I'm ready to jump out the window\nAnd turn that nigga that you with right back into your friend though\nWe already wasted too much time\nAnd your time is the only thing I wish was mine\nSo yeah, oh yeah, I think I'm ready to jump out the window [Verse 2]\nYou been up at night, sleep deprivation\nWhat's the hesitation? What's ya reservation?\nYou been trippin', trippin' with no destination\nYou need separation, you need recreation\nY'all been arguing every other day\nYa friends gotta step in and break it up like chill, chill, chill\nIt's no need to turn this into Kill Bill, look\nFunny we ran into each other while we leaving\nYou walked in with a perm\nAnd now yo' hair look like The Weeknd's\nI know that you been needin' clarity\nDon't mean to sit ya down and turn this into therapy\nBut you gave too much time to that boy charity, hear me\n[Chorus]\nI think I'm ready to jump out the window\nAnd turn that nigga that you with right back into your friend, though\nWe already wasted too much time\nAnd your time is the only thing I wish was mine\nSo yeah, oh yeah, I think I'm ready to jump out the window\n[Outro]\nLook, I don't mean to sound like the jealous type\nBut you oughta know (oughta know)\nI think me and you should get together sometimes\nOn the low low low\nSometimes I wonder if you even know\nHow much you worth, I gotta know\nSometimes I wonder if you even know\nHow much you worth, I gotta know\nI don't mean to sound like the jealous type\nBut you oughta know (oughta know)\nI think me and you should get together sometimes\nOn the low low low\nSometimes I wonder if you even know\nHow much you worth, I gotta know\nSometimes I wonder if you even know\nHow much you worth I gotta know\nI gotta know, I gotta know, I gotta know\nI think I'm ready to jump out the window\nThis one's for you, you, you, you, you, you, you" } ]

[ { "from": "human", "value": "Write me a song called Believe (Unreleased) with the following description: Leaked/Unreleased song in 2011 from pop sensation Justin Bieber, not to be confused by the title track on his second album in 2012. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nIt's like every time you fall\nNo one's gonna lend you a helping hand, oh\nWondering will you spend your life facing four walls\nLike standing in quicksand, oh\n[Pre-Chorus]\nDon't let your guard down, hold your head up\nLife comes at you fast, gotta stay strong\nI know what you can be cause underneath\nYou've had wings all along\n[Chorus]\nAnd you've been travelling the same road for a long time\nFeels like you're burning rubber going nowhere fast\nI mean to tell you there's no limit to what you can do\nYou just gotta believe" } ]

[ { "from": "human", "value": "Write me a song called Hop Off a Jet with the following description: “Hop Off a Jet” is a track from frequent collaborators Young Thug and Travis Scott, featuring the two brag about lavish lifestyles such as flying private airplanes, owning expensive cars, and wearing flashy jewelry. This is the third track on which the two appear together (on the deluxe), following “The London” and “Hot (Remix).”\nTravis was teased as a feature on a track of the deluxe version in the initial reveal of the record’s updated edition, with Thug captioning his Instagram post:\nDeluxe out Friday… FT.\n*r**** ***t*\n*u**a Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Young Thug & \nFuture\n]\nWheezy outta here\nEverything we do, we own\n[Chorus: Young Thug & \nTravis Scott\n]\nFuck a cab, let's hop off a jet\n (Woo, let's go, \nhop off a jet\n)\n'Bout to hop off the jet (Hop off the jet, \nhop off the jet\n)\nI put the glow on her wrists (Yeah), I got that glow on my bitch (Yeah)\nI keep the drum on the TEC, hop out the Cullinan, baby (Skrrt)\nWon't you tell me that you tried?\nHop in a McLaren, please, let's just ride\nHop in a McLaren, zoom\nBaby, tell me why you starin', zoom, yeah\n[Verse 1: Travis Scott & \nYoung Thug\n]\nHop, hop right on a jet, uh (\nYeah\n)\nWay more smoother than a plane, yeah\nWay more quicker than a 'Vette, uh (\nYeah\n)\nTeach you how to flex, pick a chain, yeah \n(Hop off a jet)\nBad bitch out of Marquette (\nWoo\n)\nTook her out of school for the brain, yeah\nShe came around with the set\nNah, really ain't no savin' \n(Hop on the jet)\nGotta keep her mind on deck\nSet, check, off X, Tech mix, stress less\nI live careless, status atlas\nI pulled up global, uh\nI get booked, don't write books since Barnes and Noble\nTop two total\nOwner next top two logos (\nWoo\n)\nFlex, yes, she text mess', right on my top ten\nSee you frequent in a place I done been\nYou come decent, then you leave lookin' bent\nGot wet, we can dip (\nWoo, woo\n) [Chorus: Young Thug & \nTravis Scott\n]\nFuck a cab, let's hop on a jet\n (Yeah, jet, \nhop off a jet\n)\nLet's hop on a jet\n ('Bout to hop off a motherfuckin' what? \nHop on the jet\n)\nI put the glow on her wrists, I got that glow on my bitch\nI keep the drum on the TEC, hop out the Cullinan, baby\nWon't you tell me that you tried?\nHop in a McLaren, please, let's just ride\nHop in a McLaren, zoom\nBaby, tell me why you starin', zoom, yeah (Tell me why you starin')\n[Verse 2: Young Thug]\nPackin' that Smith & Wesson when I crave (Wait)\nHop in a big body Maybach and it's glazed (Woo)\nTell me why the fuck do you slay? (Ooh)\nWhy you killin' bitches with no grave? \n(Yeah, hop off a jet)\nI got a 'Vette, breakin' her neck \n(Yeah, woo, hop off a jet)\nDrum on the TEC, engraved headrest \n(Hop off a jet)\nJust watered my wrist, baguettes, woah, you know I'm a vet (Vet)\nHop off the jet with an A and a K and a three-headed snake (Yeah, yeah, hop off a jet)\nAll of the coupes exotic and I'm ducked off with your bae (Yeah, yeah), yeah\nI told you my niggas don't like you, you niggas get **** (Yeah, yeah), yeah\nHad to tell these lil' niggas my wrist and my ankle a lake, yeah (Yeah, yeah)\nHad to tell 'em they bitch can come get on my shit and just stay, when I hop off the jet\n[Chorus: Young Thug & \nTravis Scott\n]\nLet's hop off a jet\n (Let's go, \nhop off a jet\n)\nWhen I hop off the jet (When I hop off the jet, \nhop off the jet\n)\nI put the glow on her wrists, I got that glow on my bitch\nI keep the drum on the TEC, hop out the Cullinan, baby\nWon't you tell me that you tried?\nHop in a McLaren, please, let's just ride\nHop in a McLaren, zoom\nBaby, tell me why you starin', zoom, yeah" } ]

[ { "from": "human", "value": "Write me a song called Dragonstone with the following description: From HBO:\nJon Snow organizes the defense of the North. Cersei tries to even the odds. Samwell discovers crucial information. Daenerys comes home. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "EPISODE 1 - DRAGONSTONE\nINT. THE TWINS - BANQUET HALL\nThe Freys are all gathered in the hall. WALDER FREY sits at the high table. WALDER slams his cup down on the table twice. The room grows silent. WALDER stands.\nWALDER FREY: You're wonder why I brought you all here. After all, we just had a feast. Since when does old Walder give us two feasts in a single fortnight?\nThe Freys laugh.\nWALDER FREY: Well, it's no good being lord of the Riverlands if you can't celebrate with your family. That's what I say!\nThe Freys cheer and slam their fists on their tables. WALDER snaps his fingers at a servant girl. The girl begins serving flasks of wine.\nWALDER FREY: I've gathered every Frey who means a damn thing so I can tell you my plans for this great house now that winter has come. But first, a toast! No more of that Dornish horse piss! This is the finest Arbor gold! Proper wine for proper heroes!\nThe Freys cheer. WALDER raises his glass.\nWALDERY FREY: Stand together!\nThe Freys stand in unison.\nALL: Stand together!\nThe Freys drink. WALDER holds his cup to his lips but does not drink. The \nservant girl\n picks up her cup and motions to drink.\nWALDER: Not you. I'm not wasting good wine on a damn woman.\nWALDER addresses the hall again.\nWALDER: Maybe I'm not the most pleasant man. I'll admit it. But I'm proud of you lot. You're my family, the men who helped me slaughter the Starks at the Red Wedding.\nThe Freys cheer.\nWALDER: Yes, yes. Cheer. Brave men, all of you. Butchered a woman pregnant with her babe. Cut the throat of a mother of five. Slaughtered your guests after inviting them into your home. But you didn't slaughter every one of the Starks.\nSome of the Freys groan.\nWALDER: No, no, that was your mistake. You should have ripped them all out, root and stem.\nThe Freys choke, cough, and spit up blood.\nWALDER: Leave one wolf alive and the sheep are never safe.\nThe Freys collapse and die. WALDER takes hold of his own face and removes it, revealing ARYA's face. ARYA turns to the \nservant girl\n.\nARYA: When people ask you what happened here, tell them the North remembers. Tell them winter came for House Frey.\nARYA walks through the hall, staring at the Frey bodies. She smiles and exits.\nTITLE SEQUENCE\nEXT. BEYOND THE WALL\nThe wind blows over the tundra. A dark cloud starts forming on the horizon, growing larger until it consumes everything. A white walker rides into view, accompanied by several other white walkers. The army of the dead files through the darkness. An undead giant walks into view. Zoom on the giant's eye.\nCUT TO: CASTLE BLACK - EXTERIOR GATE\nBRAN is lying in his sled. His eyes are pure white. They wash to their normal color. MEERA is standing in front of him, holding the ropes to the sled. The gate rises. DOLOROUS EDD walks through the gate, accompanied by several members of the Night's Watch.\nEDD: You wildlings?\nMEERA: I'm Meera Reed, daughter of Howland Reed. This is Brandon Stark, son of Ned Stark.\nEDD: How do I know that's true?\nBRAN raises his head and stares at EDD.\nBRAN: You were at the Fist of the First Men. You were at Hardhome. You've seen the Army of the Dead. You've seen the Night King. He's coming for us. For all of us.\nEDD pauses and looks down, then looks to his men.\nEDD: Okay, come on. Let's get them inside.\nTwo Night's Watch men sheathe their swords, approach BRAN's sled, grab the ropes, and pull him inside the gate. MEERA follows. EDD lingers and stares out into the wild, then turns on his heel and walks through the gate. The gate closes behind him.\nINT. WINTERFELL - MAIN HALL\nJON SNOW stands at the high table. SANSA and DAVOS sit at his sides. BRIENNE, PODRIC, TORMUND, PETYR BAELISH, YOHN ROYCE, LYANNA MORMONT, ROBETT GLOVER, and the lords of the northern houses are in attendance.\nJON: I want every northern maester to scour their records for any mention of dragonglass. Dragonglass kills white walkers. It's more valuable to us now than gold. We need to find it, we need to mine it, we need to make weapons from it. Everyone aged 10 to 60 will drill daily with spears, pikes, bow and arrow.\nROBETT: It's about time we taught these boys of summer how to fight.\nThe northern lords laugh.\nJON: Not just the boys.\nBRIENNE looks at JON.\nJON: We can't defend the North if only half the population is fighting.\nROBETT stands.\nROBETT: You expect me to put a spear in my granddaughter's hand?\nLYANNA stands.\nLYANNA: I don't plan on knitting by the fire while men fight for me. I might be small, Lord Glover, and I might be a girl, but I am every bit as much a Northerner as you.\nROBETT: Indeed you are, my lady. No one has questioned--\nLYANNA: And I don't need your permission to defend the North.\nDAVOS smiles. LYANNA turns to JON.\nLYANNA: We'll begin training every man, woman, boy, and girl on Bear Island.\nThe men pound their tables and shout in agreement. ROBETT nods at LYANNA. ROBETT and LYANNA sit.\nJON: While we're preparing for attack, we need to shore up our defenses. The only thing standing between us and the Army of the Dead is the Wall and the Wall hasn't been properly manned in centuries. I'm not the king of the Free Folk.\nJON looks at TORMUND. TORMUND turns and looks at JON.\nJON: But if we're going to survive this winter together...\nTORMUND grunts and stands.\nTORMUND: You want us to man the castles for you?\nThe men murmur.\nJON: Last time we saw the Night King was at Hardhome. The closest castle to Hardhome is Eastwatch-by-the-Sea.\nTORMUND: Then that's where I'll go. Looks like we're the Night's Watch now.\nTORMUND sits.\nJON: If they breach the wall, the first two castles in their path are Last Hearth and Karhold.\nYOHN stands.\nYOHN: The Umbers and the Karstarks betrayed the North. Their castles should be torn down with not a stone left standing.\nSANSA: The castles committed no crimes. And we need every fortress we have for the war to come. We should give the Last Hearth and Karhold to new families, loyal families who supported us against Ramsay.\nALL: Aye!\nYOHN sits.\nJON: The Umbers and the Karstarks have fought beside the Starks for centuries. They've kept faith for generation after generation.\nSANSA: And then they broke faith.\nJON: I'm not going to strip these families of their ancestral homes because of the crimes of a few reckless sons.\nSANSA: So there's no punishment for treason and no reward for loyalty?\nThe hall goes silent.\nJON: The punishment for treason is death. Smalljon Umber died on the field of battle. Harald Karstark died on the field of battle.\nSANSA: They died fighting for Ramsay. Give the castles to the families of the men who died fighting for you.\nThe men chatter and pound the tables.\nJON: When I was Lord Commander of the Night's Watch I executed men who betrayed me. I executed men who refused to follow orders. My father always said, \"The man who passes the sentence should swing the sword,\" and I have tried to live by those words. But I will not punish a son for his father's sins, and I will not take a family home away from a family it has belonged to for centuries. That is my decision, and my decision is final.\nJON stares at SANSA. SANSA looks away. JON addresses the hall.\nJON: Ned Umber.\nNED UMBER, a boy, stands.\nJON: Alys Karstark.\nALYS KARSTARK, a young woman, stands. NED and ALYS approach the high table.\nJON: For centuries, our families fought side by side on the battlefield. I ask you to pledge your loyalty once again to House Stark, to serve as our bannermen and come to our aid whenever called upon.\nNED and ALYS unsheathe their swords and kneel.\nJON: Stand.\nNED and ALYS stand.\nJON: Yesterday's wars don't matter anymore. The North needs to band together, all the living north. Will you stand beside me, Ned and Alys, now and always?\nNED & ALYS: Now and always!\nThe men cheer and pound the tables.\nCUT TO: WINTERFELL - WALKWAY\nJON walks briskly along the walkway. SANSA follows him.\nJON: You are my sister, but I am king now.\nSANSA: Will you start wearing a crown?\nJON: When you question my decisions in front of the other lords and ladies, you undermine me.\nSANSA: So I can't question your decisions anymore?\nJON: Of course you can, but--\nSANSA: Joffrey never let anyone question his authority. You think he was a good king?\nJON stops walking. SANSA walks past him, then stops and turns to face him.\nJON: Do you think I'm Joffrey?\nSANSA: You're as far from Joffrey as anyone I've ever met.\nJON: Thank you.\nJON stares out at the yard below.\nSANSA: You're good at this, you know.\nJON: At what?\nSANSA: At ruling.\nJON sighs.\nJON: No.\nSANSA: You are. You are. They respect you, they really do, but you have to--\nJON chuckles.\nSANSA: Why are you laughing?\nJON continues walking. SANSA follows.\nJON: What did father used to say? Everything before the word \"but\" is horse shit.\nSANSA: He never said that to me.\nJON: No. No, he never cursed in front of his girls.\nSANSA: Because he was trying to protect us. He never wanted us to see how dirty the world really is, but Father couldn't protect me and neither can you. Stop trying.\nJON: All right, I'll stop trying to protect you and you stop trying to undermine me.\nSANSA: I'm not trying to undermine you.\nSANSA grabs JON's arm and spins him to face her.\nSANSA: You have to be smarter than Father. You need to be smarter than Robb. I loved them, I miss them, but they made stupid mistakes, and they both lost their heads for it.\nJON: And how should I be smarter? By listening to you?\nSANSA: Would that be so terrible?\nMAESTER WOLKAN approaches.\nWOLKAN: A raven from King's Landing, Your Grace.\nWOLKAN hands a bound note to JON, then bows and leaves. JON unravels the note.\nJON: \"Cersei of House Lannister, First of Her Name, Queen of the Andals and the First Men, Protector of the Seven Kingdoms--\"\nSANSA: What does she want?\nJON: Come to King's Landing. Bend the knee or suffer the fate of all traitors.\nSANSA: You've been so consumed with the enemy to the north, you've forgotten about the one to the south.\nJON: I'm consumed with the Night King because I've seen him. And believe me, you'd think of little else if you had, too.\nSANSA: We still have a wall between us and the Night King. Theres nothing between us and Cersei.\nJON: There's a thousand miles between us and Cersei. Winter is here. The Lannisters are a southern army. They've never ranged this far north.\nSANSA: You're the military man, but I know her. If you're her enemy, she'll never stop until she's destroyed you. Everyone who's ever crossed her, she's found a way to murder.\nJON: You almost sound as if you admire her.\nSANSA: I learned a great deal from her.\nEXT. KING'S LANDING - RED KEEP COURTYARD\nCERSEI walks atop a mural of Westeros painted on the floor. The painter is completing it. JAIME enters and walks towards CERSEI, then looks at the mural and nods at the painter. The painter puts down his brush and exits.\nJAIME: What is this?\nCERSEI: Its what we've been waiting for our whole lives. It's what Father trained us for, whether he knew it or not.\nJAIME: He knew it. Made me memorize every damn city, town, lake, forest, and mountain.\nCERSEI: It's ours now, we just have to take it.\nCERSEI turns to face JAIME.\nCERSEI: You've been quiet since you came home. Are you angry with me?\nJAIME: No, not angry.\nCERSEI: Are you afraid of me?\nJAIME: Should I be?\nCERSEI: Daenerys Targaryen has chosen Tyrion to be her Hand. Right now, they're sailing across the Narrow Sea, hoping to take back her father's throne. Our little brother, the one you love so much, the one you set free, the one who murdered our father and our first-born son, now he stands beside our enemies and gives them counsel. He's out there somewhere at the head of an armada. Where will they land?\nJAIME: Dragonstone.\nJAIME approaches the depiction of Dragonstone in the mural and stands over it.\nJAIME: They have deep-water ports for the ships. Stannis left the castle unoccupied, and that's where she was born.\nCERSEI: Enemies to the east.\nCERSEI walks towards Dorne on the mural.\nCERSEI: Enemies to the south--Ellaria Sand and her brood of bitches.\nCERSEI walks towards Highgarden on the mural.\nCERSEI: Enemies to the west--Olenna, the old cunt. Another traitor.\nCERSEi walks towards the North on the mural.\nCERSEI: Enemies to the north. Ned Stark's bastard has been named King in the North and that murdering whore Sansa stands beside him. Enemies everywhere. We're surrounded by traitors. You're in command of the Lannister army now. How do we proceed?\nJAIME: Winter is here. We can't win a war if we can't feed our men and our horses. The Tyrells have the grain, the Tyrells have the livestock.\nCERSEI: Will the Tyrell bannermen stand alongside a Dothraki horde and Unsullied slave soldiers?\nJAIME: If they think Daenerys will win. No one wants to fight on the losing side. Right now, we look like the losing side.\nCERSEI: I'm the Queen of the Seven Kingdoms.\nJAIME: Three kingdoms, at best. I'm not sure you understand how much danger we're in.\nCERSEI: I understand we're in a war for survival. I understand whoever loses dies. I understand whoever wins could launch a dynasty that lasts a thousand years.\nJAIME: A dynasty for whom? Our children are dead. We're the last of us.\nCERSEI: A dynasty for us, then.\nJAIME: We never talked about Tommen.\nCERSEi turns and walks to a nearby table and pours herself a glass of wine.\nCERSEI: There's nothing to say.\nJAIME: Our baby boy killed himself.\nCERSEI: He betrayed me. He betrayed us both. Should we spend our days mourning the dead--mother, father, and all our children?\nJAIME: Cersei--\nCERSEI: I loved them. I did. But they're ashes now and we're still flesh and blood. We're the last Lannisters, the last ones who count.\nJAIME: Even Lannisters can't survive without allies. Where are our allies now? You saw what happened to Walder Frey and his family.\nCERSEI: I heard. How could we ever trust a man like that?\nJAIME: We couldn't. He was a useless, old coward, but the Freys supported us. Now they're all dead. Whoever killed them is no friend of ours. We need allies. Stronger, better allies. We can't win this war alone.\nCERSEI: You think I listened to Father for 40 years and learned nothing?\nCUT TO: KING'S LANDING - BLACKWATER BAY\nShips bearing the kraken sigil of House Greyjoy are sailing into port. CERSEI and JAIME watch the boats from the shore, escorted by GREGOR CLEGANE and several other guards.\nJAIME: The Greyjoys? You invited the Greyjoys to King's Landing?\nCERSEI: Not all of them.\nJAIME: Well, it looks like all of them.\nCERSEI: I invited Euron Greyjoy, the new King of the Iron Islands. You said yourself we needed stronger, better allies. There you are.\nJAIME: How are they better allies? How are they different from the Freys? They both broke their promises and murdered their former friends as soon as it suited them.\nCERSEI: So does everyone when it suits them. Unlike the Freys, they have ships. And they're good at killing.\nJAIME: They're not good at anything. I know the Ironborn. They're bitter, angry little people. All they know how to do is steal things they can't build or grow themselves.\nCERSEI: Euron Greyjoy didn't come here for that.\nJAIME: Oh, what did he come here for, then?\nCERSEI: A queen.\nCERSEI exits, followed by GREGOR and the guards.\nCUT TO: KING'S LANDING - RED KEEP GREAT HALL\nCERSEI sits on the Iron Throne, flanked by JAIME and GREGOR. EURON GREYJOY stands at the foot of the throne. Guards line the hall.\nEURON: The moment I was chosen Lord of the Iron Islands, they turned on me. Their own uncle. They stole my best ships and ran. Sailed the right across the world and gave them to the Dragon Queen so she could bring her armies here to attack you.\nEURON points at CERSEI.\nEURON: It's nothing compares to the treason you suffered at the hands of a family members, from what I hear. But still, it bothers me. Murdering them would make me feel a lot better. And since it appears that all our treasonous family members are fighting for the same side, I thought we rightful monarchs could murder them together.\nEURON starts walking up towards the throne. GREGOR takes a step towards him. EURON stops walking and looks up at him.\nJAIME: You're not a rightful monarch, though, are you?\nEURON smiles and walks backwards off the steps. GREGOR returns to his previous position.\nJAIME: The Greyjoys rebelled agains the throne for the right to be monarchs, but as I recall, you were soundly defeated. Come to mention it, weren't you the one who started that rebellion by sailing to Casterly Rock and burning the Lannister fleet? You certainly caught us there. Very smart move on your part. Of course, we all made it to the Iron Islands anyway. I was there.\nEURON: I remember very well. I saw you. I heard so much talk. The best in the world. No one can stop him. I didn't believe it, to be honesty. But I must say, when you rushed through the breach and started cutting people down...it was glorious. Like a dance.\nJAIME: The people I was cutting down were your own kin.\nEURON: The place was getting crowded. I enjoyed watching it. I truly did.\nJAIME: And I enjoyed killing Greyjoys.\nEURON: A good thing for me. If you hadn't crushed us, I wouldn't have gone into exile. If I hadn't done that, I wouldn't be the greatest captain on the 14 seas.\nCERSEI: If not the most humble.\nEURON: You're not humble. You're the queen of a great nation. You don't care about the Iron Islands. They're nothing but rocks and bird shit and--and a lot of very unattractive people. The Iron Fleet, on the other hand, that's something else entirely. It's the greatest armada Westeros has ever seen. With the Iron Fleet, you own the seas. You can defeat the invaders of the east and the pretenders of the north and south.\nCERSEI: What do you want in return?\nEURON: Ever since I was a little boy, I wanted to grow up and mary the most beautiful woman in the world. So here I am, with a thousand ships and two good hands.\nEURON raises his arms. JAIME's face twists.\nCERSEI: I decline your proposal.\nEURON: Why?\nCERSEI: You're not trustworthy. You've broken promises to allies before and murdered them at the nearest opportunity. You murdered your own brother.\nEURON: You should try it. Feels wonderful.\nEURON chuckles. JAIME looks at CERSEI.\nEURON: I don't expect you to trust me outright. You need proof of my honest intentions. In my experience, the surest way to a woman's heart is with a gift. A priceless gift. I won't return to King's Landing until I have that for you.\nEURON turns and exits the Great Hall.\nINT. OLDTOWN - CITADEL LIBRARY\nSAMWELL TARLY places books on the shelves.\nCUT TO: OLDTOWN - CITADEL BEDROOM\nSAM retrieves a bedpan from beneath one of the beds. He gags.\nCUT TO: OLDTOWN - CITADEL TOILET\nSAM opens the lid of the toilet. He coughs, empties a bedpan, then cleans out a bedpan.\nCUT TO: OLDTOWN - CITADEL LIBRARY\nSAM is carry a stack of books. A maester walks by and places another book on top of the pile as he passes. SAM grunts and sighs.\nCUT TO: OLDTOWN - CITADEL CAFETERIA\nA number of maesters are gathered for a meal. SAM pours soup into their bowls.\nCUT TO: OLDTOWN - CITADEL LIBRARY\nSAM places books on the shelves. He looks at a gate.\nCUT TO: OLDTOWN - CITADEL BEDROOM\nSAM retrieves a bedpan from beneath one of the beds. He gags.\nCUT TO: OLDTOWN - CITADEL CAFETERIA\nSAM pours soup into a maester's bowl.\nCUT TO: OLDTOWN - CITADEL TOILET\nSAM opens the lid of the toilet. He empties a bedpan and sighs.\nCUT TO: OLDTOWN - CITADEL LIBRARY\nA maester places a book on top of the pile SAM is carrying. SAM places books on the shelves.\nCUT TO: OLDTOWN - CITADEL TOILET\nSAM empties a bedpan.\nCUT TO: OLDTOWN - CITADEL CAFETERIA\nSAM pours soup into a maester's bowl.\nCUT TO: OLDTOWN - CITADEL BEDROOM\nSAM retrieves a bedpan from beneath one of the beds.\nCUT TO: OLDTOWN - CITADEL TOILET\nSAM gags. He pours water and places down a bedpan.\nCUT TO: OLDTOWN - CITADEL CAFETERIA\nSAM pours soup into a maester's bowl.\nCUT TO: OLDTOWN - CITADEL TOILET\nSAM empties a bedpan. He retches. He pours water and cleans a bedpan.\nCUT TO: OLDTOWN - CITADEL CAFETERIA\nSAM pours soup into a maester's bowl.\nCUT TO: OLDTOWN - CITADEL TOILET\nSAM pours water and places down a bedpan.\nCUT TO: OLDTOWN - CITADEL CAFETERIA\nSAM pours soup into a maester's bowl.\nCUT TO: OLDTOWN - CITADEL TOILET\nSAM opens the toilet and empties a bedpan. He places down a bedpan and pours water.\nCUT TO: OLDTOWN - CITADEL LIBRARY\nSAM places books on the shelves. A maester places a book on top of the pile he's carrying. He puts more books on the shelves.\nCUT TO: OLDTOWN - CITADEL INFIRMARY/CAFETERIA/TOILET\nSAM continues his duties.\nCUT TO: OLDTOWN - CITADEL LIBRARY\nSAM wipes his brow. He stares at the gate, then looks over his shoulder, then back at the gate. He walks over to the gate, takes hold of the bars, and looks through. The gate rattles. He focuses on an open book. He hears a chain rattling, hurries to a bookshelf,\nand pretends to be placing a book on it. A maester comes around the corner, walks down past him to the gate, unlocks it, enters, and locks it behind him. SAM watches him.\nCUT TO: OLDTOWN - CITADEL ARCHMAESTER'S LAB\nARCHMAESTER MARWYN is performing an autopsy. SAM stands on the other side of the table, watching.\nMARWYN: Ah, Maester Weyland. A drinker's liver if ever I saw one.\nMARWYN removes the liver and hands it to SAM.\nMARWYN: Weigh that.\nSAM walks over to the scales.\nMARWYN: The triumph of transitory pleasures. Mankind's curse.\nSAM puts the liver on one side of the scale and places weights on the other side.\nSAM: Archmaester, I was wondering...\nMARWYN: What's the weight?\nSAM: Um, 147.\nMARWYN walks over to an open ledger, picks up a quill, and writes the number 147.\nSAM: I was wondering if you had considered my proposition.\nMARWYN: I don't remember your proposition.\nSAM: I asked you if, in light of what I've seen in the North, if I could have access to the restricted area of the library.\nMARWYN: That area is reserved for maesters. Are you a maester?\nSAM: No.\nMARWYN: Not a very strong proposition, is it?\nMARWYN hands SAM the heart. SAM takes it to the scales.\nSAM: Archmaester, with respect, I've seen them--the Army of the Dead. The white walkers. W was sent here to learn how to defeat them, but everyone in the Citadel, those who will even talk to me, they all doubt the walkers ever existed in the first place.\nMARWYN: Everyone in the Citadel doubts everything. It's their job. But the tales of the Long Night can't be pure fabrication. Too many similarities from unconnected sources.\nSAM: Sources in the restricted area?\nMARWYN: The very same. And the simplest explanation for your grating obsession with the white walkers is that you're telling the truth and that you saw what you say you saw.\nSAM: So, you believe me.\nMARWYN: I do. You'll finish weighing that heart?\nSAM: That makes you the only person south of the Twins who does.\nMARWYN: We're not \nlie\n the people south of the Twins. And we're not like the people north of the Twins. In the Citadel, we lead different lives for different reasons. We are this world's memory, Samwell Tarly. Without us, men would be little better than dogs. Don't remember any meal but the last, can't see forward to any but the next. And every time you leave the house and shut the door, they howl like you're gone forever. When Robert's Rebellion was raging, people \nthat\n the end was near. The end of the Targaryen dynasty. \"How will we survive?\" When Aegon Targaryen turned his eye westward and flew his dragons to Blackwater Rush--\"The end is near! How will we survive?\" And thousands of year before that, during the Long Night, we can forgive them for thinking it truly was the end. But it wasn't. None of it was. The Wall has stood through it all. And every winter that ever came has ended.\nMARWYN closes the ledger.\nMARWYN: Be a good lad. Clean this up.\nMARWYN exits. SAM stares at the body.\nCUT TO: OLDTOWN - CITADEL BEDROOM\nSAM rolls in a cart of clean bedpans. He walks over to a sleeping maester and grabs a ring of keys fro his bedside table.\nCUT TO: OLDTOWN - CITADEL LIBRARY\nSAM opens the gate, steps through, and closes it behind him.\nHe grabs several books and stuffs them in a satchel.\nEXT. WINTERFELL - COURTYARD\nBRIENNE and PODRIC are sparring. POD missteps and BRIENNE hits him on the back with her sword. He grunts.\nBRIENNE: Nope.\nThey reset. POD advances and they exchange several sword blows but POD missteps again and BRIENNE tags him on the behind. POD grunts.\nBRIENNE: Nope.\nTORMUND approaches and stares at BRIENNE. BRIENNE looks at him. POD catches her off guard and tags her shoulder with his blade. She punches him in his gut and tosses him in the snow. TORMUND looks at POD.\nTORMUND: You're a lucky man.\nPETYR BAELISH and SANSA stand on a walkway above the courtyard, watching BRIENNE and POD.\nPETYR: I've heard she beat the Hound in single combat. She's a very impressive woman.\nSANSA: What do you want, Lord Baelish?\nPETYR: I want you to be happy. I want you to be safe.\nSANSA: I am safe. I'm at home, surrounded by friends. I have Brienne to protect me from anyone who would harm me.\nPETYR: What about happy? Why aren't you happy? What do you want that you do not have?\nSANSA: At the moment, peace and quiet.\nBRIENNE walks up the stairs. PETYR motions to speak.\nSANSA: No need to seize the last word, Lord Baelish. I'll assume it was something clever.\nPETYR looks at BRIENNE.\nPETYR: My lady.\nPETYR looks at SANSA.\nPETYR: My lady.\nPETYR walks down the steps and into the courtyard.\nBRIENNE: Why is he still here?\nSANSA sighs.\nSANSA: We need his men. Without the Vale, Ramsay Bolton would still hold this castle. Littlefinger saved us.\nBRIENNE nods and watches PETYR walk across the courtyard.\nBRIENNE: He wants something.\nSANSA: I know exactly what he wants.\nEXT. RIVERLANDS - FOREST\nARYA is riding a horse through the forest. She happens upon a group of Lannister soldiers sitting by a fire.\nMAN (singing): He rode through the streets of the city / Down from his hill on high / O'er the winds and the steps and the cobble / He rode to a woman's sigh / For she was his secret treasure / She was his shame and his bliss / And a chain and a keep are nothing / Compared to a woman's kiss / For hands of gold are always cold / But a woman's hands are warm / For hands of gold are always cold / But a woman's hands are--\nARYA's horse neighs. The men turn to look at her. One stands.\nARYA: That's a pretty song. I've never heard it before.\nMAN: It's a new one.\nMAN #2: Are you hungry? We've got some rabbit.\nARYA: I don't want to steal your food.\nMAN #3: You're not stealing, we're offering. Come on, it's gonna be a cold night.\nARYA dismounts her horse, leads it nearer to the fire, and ties it reigns off on a tree. She approaches the camp.\nMAN #3: You heading south?\nARYA: King's Landing.\nMAN #2: Poor girl.\nThe men chuckle.\nARYA: Not so bad, is it?\nMAN #3: Depends on your taste, I guess. If you like your streets covered in shit and pig's blood, it's the town for you.\nThe men chuckle.\nMAN #2: All my life, I wanted to see the Red Keep, the Sept of Baelor, the Dragonpit. Then when I finally make it, they wouldn't let me within a mile of the Red Keep, the Sept of Baelor's blown to hell, and the Dragonpit is a damn ruin.\nMAN #3: The people who live there, they'd skin you alive if they could make two coppers off your hide.\nMAN: Worst place in the world.\nARYA: What are you doing in the Riverlands?\nMAN #3: There's been some trouble with the Freys up at The Twins, so we're part of the army that's been sent to keep the peace.\nMAN #2: Here you go. Guests first.\nMAN #2 passes ARYA a cooked rabbit.\nARYA: Oh, no, I couldn't. You don't have enough.\nMAN #2: My mother always told me to be kind to strangers. Strangers will be kind to you.\nARYA pulls some meat of the rabbit's bone and eats it.\nARYA: You're a long way from home. I'm sure you've had some adventures, though.\nMAN #2: Yeah, endless adventures. They'll be singing about us for a thousand years.\nThe men laugh.\nMAN #3; The truth is when we left home, we couldn't wait to get away. But now we've been gone a while, we can't wait to get home.\nMAN #2: I just think about my dad out there on his boat all alone. I ought \no\n be out there with him.\nMAN #3: My wife's just had our first baby.\nARYA: Boy or girl?\nMAN #3: Oh, who knows? You think soldiers get ravens with news from home?\nThe men laugh.\nMAN #3: I hope it's a girl.\nARYA: Why?\nMAN #3: Girls take care of their papas when their papas grow old. Boys just go off to fight in someone else's wars.\nMAN #2: Are you old enough to drink?\nARYA nods. MAN #2 passes a skin of wine to ARYA. She uncorks it and drinks.\nMAN #2: It's blackberry wine. I made it myself.\nARYA: It's really good.\nMAN #3: So, why is a nice girl on her own heading to King's Landing?\nARYA drinks.\nARYA: I'm going to kill the queen.\nThe men fall silent, then everyone laughs.\nCUT TO: RIVERLANDS - FARM\nThe farm is covered in snow and the wind howls. SANDOR CLEGANE, THOROS OF MYR, BERIC DONDARRION, and several other members of the Brotherhood Without Banners ride into view.\nTHOROS: Bad night to be outdoors.\nSANDOR: You've got real powerful magic to figure that out. Did the Lord of Light whisper that in your ear? \"It's snowing, Thoros. It's windy. It's gonna be a cold night.\"\nTHOROS: You're a grouchy old bear, aren't you, Clegane? You want some rum?\nTHOROS holds out a skin of rum to SANDOR.\nSANDOR: Don't like that shit. It's too sweet.\nTHOROS: Why are you always in such a foul mood?\nSANDOR: Experience.\nThe horses all stop.\nBERIC: This seems like a good place to spend the night.\nThey all stare at a nearby farmhouse.\nSANDOR: These people don't want us here.\nBERIC: Seems deserted to me. No livestock. No smoke coming from the chimney.\nBERIC urges his horse onward. The others follow.\nSANDOR: I don't like the look of it.\nTHOROS dismounts his horse.\nTHOROS: For a big, hard man, you scare easy.\nSANDOR: I'll tell you what doesn't scare me: bald cocksuckers like you. You think you're fooling anyone with that top knot? Bald cunt.\nTHOROS smiles.\nTHOROS: Come on. Maybe they've got some ale hidden away.\nSANDOR: \nThey don't\n.\nCUT TO: RIVERLANDS - FARMHOUSE (DAY)\nSome of the Brothers enter the farmhouse, followed by THOROS.\nTHOROS: See if there's a larder. They always leave something behind.\nThe Brothers rummage around the farmhouse. SANDOR enters.\nHe stares at two skeletons in the corner, one adult-sized and the other child-sized. BERIC enters, sees the skeletons, and walks up beside SANDOR.\nBERIC: How do you think it ended for them?\nSANDOR: With death.\nBERIC: Girl died in her father's arms. Both of them covered in blood and a knife at their feet. I'd say they were starving. And rather than letting his little girl suffer, he ended it for both of them.\nSANDOR: Doesn't matter now.\nBERIC: No, doesn't matter now.\nSANDOR sits at the table. BERIC joins him. SANDOR bites into a hunk of bread. THOROS starts a fire in the fireplace.\nSANDOR: I've known you a long time, Dondarrion.\nBERIC: Aye. I think the first time we met was at that tournament--\nSANDOR: And I always thought you were dull as dirt.\nBERIC chuckles.\nSANDOR: You're not bad. I don't hate you. Don't like, but you're not bad.\nBERIC: Thank you, Clegane. That warms the heart.\nSANDOR: But there's nothing special about you.\nBERIC: You're right about that.\nSANDOR: So why does the Lord of Light keep bringing you back? I've met better men than you, and they've been hanged from crossbeams, or beheaded, or just shat themselves to death in a field somewhere. None of them came back. So, why you?\nBERIC: You think I don't ask myself that? Every hour of every day? Why am I here? What am I supposed to do? What does the Lord see in me?\nSANDOR: And?\nBERIC: I don't know. I don't understand our Lord.\nSANDOR: Your Lord.\nBERIC: I don't know what He wants from me. I only know that He wants me alive.\nSANDOR: If he's so all-powerful, why doesn't he just tell you what the fuck he wants?\nTHOROS: Clegane.\nSANDOR looks at THOROS, who is kneeling by the fire.\nTHOROS: Come over here. Don't worry. The fire won't bite. I want to show you something.\nSANDOR: It's my fucking luck I end up with a band of fire worshippers.\nBERIC: Aye. Almost seems like divine justice.\nSANDOR: There's no divine justice, you dumb cunt. If there was, you'd be dead...and that girl would be alive.\nSANDOR stands and walks closer to the fire.\nSANDOR: What do you want?\nTHOROS: Look into the flames.\nSANDOR: I don't want to look in the damn flames.\nTHOROS: You saw me bring him back from the dead after you cut him down. Don't you want to know what gave me the power?\nSANDOR: I keep asking and no one wants to tell me.\nTHOROS: We can't tell you. Only the fire can tell you.\nSANDOR approaches the fire and looks into it.\nTHOROS: What do you see?\nSANDOR: Logs burning.\nTHOROS: Keep looking. What do you see?\nSANDOR's face twists.\nSANDOR: Ice. A wall of ice. The Wall.\nTHOROS: What else?\nSANDOR: It's where the Wall meets the sea. There's a castle there.\nThe fire crackles.\nSANDOR: There's a mountain. Looks like an arrowhead. The dead are marching past.\nBERIC stands and approaches the fire.\nSANDOR: Thousands of them.\nBERIC: Do you believe me now, Clegane? Do you believe we're here for a reason?\nCUT TO: RIVERLANDS - FARMHOUSE (NIGHT)\nThoros wakes to the sound of shoveling. He picks up his sword and a lantern and exits the farmhouse. SANDOR is outside digging a grave.\nTHOROS: What the hell are you doing, Clegane?\nSANDOR plants his shovel in the ground.\nSANDOR: Burying the dead.\nSANDOR walks over to the body of the child, lifts it up, kneels down, and places it in the hole.\nTHOROS: You knew these people.\nSANDOR: Not really.\nSANDOR stands, walks over to the body of the adult, lifts it up, kneels down, and places it in the hole. Then he stands and starts shoveling dirt into the hole. THOROS plants his sword in the ground and puts down his lantern, then picks up a shovel and begins helping SANDOR bury the bodies. When they're finished,\nthey stand over the grave.\nSANDOR: We ask the Father to judge us with mercy. We ask the Mother to... Fuck it, I don't remember the rest. I'm sorry you're dead. You deserved better. Both of you.\nSANDOR tosses down his shovel and exits. THOROS watches him leave.\nINT. OLDTOWN - HOUSE\nSAM is sitting at the table, reading. GILLY is in the corner with LITTLE SAM. She holds a doll up to him. He reacts and she laughs.\nLITTLE SAM: Mom.\nGILLY turns to SAM.\nGILLY: You should really sleep, Sam.\nSAM: The dead don't.\nGILLY stands, carries a book over to the table, and sits.\nGILLY: \"Legends of the Long Night.\"\nGILLY opens the book.\nSAM: The Targaryens used dragonglass to decorate their weapons without even knowing what the First Men used it for.\nSAM sighs and turns the page. There is a diagram of a knife on the page. He turns the page again. There is a map on the page. SAM looks more closely at the map.\nGILLY: What is it?\nSAM: It's a map of Dragonstone. The Targaryens built their first stronghold there when they invaded Westeros.\nSAM points to a section of the map depicting a cave surrounded by a black mass.\nGILLY: That's dragonglass?\nSAM: A mountain of it. Beneath the ground. Stannis told me, but I didn't think... This is important. Jon needs to know.\nSAM grabs a quill and begins writing.\nCUT TO: OLDTOWN - CITADEL QUARANTINE CELLS\nSAM wheels a cart along the hall. He removes a bowl from a folded-out plank in the door beside him and folds the plank back up. He puts the bowl on the cart and pushes it further down the hall. He approaches the next door, picks up the bowl, and folds in the plank. A man can be heard vomiting and coughing inside. SAM puts the bowl on the cart and pushes it further down the hall. He approaches the next door and reaches for the bowl, but a hand lurches out from the hole in the door and grabs the bowl. SAM jumps backwards and gasps. The arm of the person behind the door is covered in grayscale, revealing it belongs to JORAH MORMONT. JORAH drops the bowl on the floor.\nJORAH: Has she come yet?\nSAM: Who?\nJORAH: The Dragon Queen. Daenerys Stormborn.\nSAM: Haven't heard anything.\nJORAH pulls his hand back inside the cell. SAM approaches and folds up the plank.\nEXT. DRAGONSTONE - BAY\nDAENERYS TARGARYEN, TYRION LANNISTER, VARYS, MISSANDEI, and GREY WORM are in a rowboat, looking out at the castle as they approach. A number of ships are anchored in the water behind them. DROGON, RHAEGAL, and VISERION fly overhead.\nCUT TO: DRAGONSTONE - BEACH\nEveryone gets out of the rowboat. DAENERYS walks on ahead. She kneels down and presses her palm to the sand, then stares up at the castle and walks further down the beach. The others follow. They climb the steps and approach a gate flanked by two statues of dragon heads. Two Unsullied approach the gate and push it open, revealing a walkway up to the castle. DAENERYS, TYRION, MISSANDEI, GREY WORM, and VARYS walk through the gates and up the walkway. They enter the foyer. A tapestry bearing the stag sigil of House Baratheon is hanging off to the side. DAENERYS approaches it and tears it down. DAENERYS approaches a set of doors. Two Unsullied open them for her. She enters the throne room, followed by the others. VARYS and MISSANDEI stop following her. GREY WORM starts to continue onward but MISSANDEI puts her hand on his chest to stop him. DAENERYS approaches the throne and stares at it. TYRION looks around the hall. DAENERYS ascends the steps but walks past the throne into the Chamber of the Painted Table. TYRION follows. DAENERYS walks alongside the table and runs her fingers across it. TYRION walks alongside the table opposite her and stares at the dragon carvings on the wall. DAENERYS stands at the head of the table and stares down at the map of Westeros. TYRION looks at her.\nDAENERYS: Shall we begin?\nCREDITS" } ]

[ { "from": "human", "value": "Write me a song called The Ringer with the following description: “The Ringer” sees Eminem continuing his criticism of the state of hip-hop in 2018, focusing especially on mumble rappers, some of whom he calls out by name like Lil Xan and Lil Pump.\nThe song also continues themes he explored on 2018’s “Chloraseptic (Remix).” Specifically, Eminem criticizes the double standards of the public towards him in the wake of his 9th album, Revival. Critics are rewarded for pushing negative views about him, but should he retaliate, he falls further in their esteem.\nFinally, Em also takes aim at Donald Trump again, pointing out that the President has yet to answer his 2017 BET Hip-Hop Awards Cypher Verse as well as several other missives he sent on Revival.\nThe title of the song is also a reference to the movie The Ringer. In the film, the protagonist pretends to be mentally disabled in order to enter and win the Special Olympics. Em is basically saying he’s stooping to the level of the mumble rappers to beat them at their own game. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n*Plane crash*\nYeah (\nIlla, Illa, Illa\n)\nYo, I'm just gonna write down my first thoughts, and see where this takes me, ’cause I feel like I wanna punch the world in the fuckin' face right now\nYeah\n[Verse]\nLet me explain just how to make greatness\nStraight out the gate, I'm ’bout to break it down\nAin't no mistakes allowed,\n but make no mistake, I'm 'bout\nTo rape the alphabet, I may raise some brows\nIf I press the issue just to get the anger out (Brrr!)\nFull magazine could take Staples out\nSavage but ain't thinkin' 'bout no bank account\nBut bitch, I'm off the chain like Kala Brown\nMotherfucker, shut the fuck up when I’m talkin’, lil' bitch\nI’m sorry, wait, what's your talent? Oh, critiquin'\nMy talent? Oh, bitch, I don't know who the fuck y’all are\nTo give a sub-par bar or even have an opinion of you\nYou mention me, millions of views, attention in news\nI mention you, lose-lose for me, win-win for you\nBillions of views, your ten cents are two\nSkim through the music to give shit reviews\nTo get clicks, but bitch, you just lit the fuse\nDon't get misconstrued, business as us'\nShit-list renewed, so get shit to do\nOr get dissed 'cause I just don't get\nWhat the fuck half the shit is that you're listenin' to\nDo you have any idea how much I hate this choppy flow\nEveryone copies though? Prob'ly no\nGet this fuckin' audio out my Audi, yo, adiós\nI can see why people like Lil Yachty, but not me though\nNot even dissin', it just ain't for me\nAll I am simply is just an emcee\nMaybe \"Stan\" just isn't your cup of tea (Get it?)\nMaybe your cup's full of syrup and lean\nMaybe I need to stir up shit, preferably\nShake the world up if it were up to me\nPaul wants me to chill, y'all want me to ill\nI should eat a pill, probably I will\nOld me killed the new me, watch him bleed to death\nI breathe on the mirror, I don't see my breath\nPossibly I'm dead, I must be possessed\nLike an evil spell, I'm E-V-I-L (\"Evil\" spelled)\nJam a Crest Whitestrip in the tip of my dick\nWith an ice pick, stick it in a vise grip\nHang it on a spike fence, bang it with a pipe wrench\nWhile I take my ball sack and flick it like a light switch\nLike Vice President Mike Pence\nBack up on my shit in a sidekick as I lay it on a spike strip\nThese are things that I'd rather do than hear you on a mic\nSince nine tenths of your rhyme is about ice and\nJesus Christ, man, how many times is\nSomeone gonna fuck on my bitch? (Fuck my side chick!)\nYou won't ever see Em icy\nBut as cold as I get on the M-I-C\nI polarize shit, so the Thames might freeze\nAnd your skull might split like I bashed you upside it\nBitch, I got the club on smash like a nightstick (Yeah)\nTurn down for what?\nI ain't loud enough, nah, turn the Valium up (\nIlla, Illa, Illa\n)\n'Cause I don't know how I'm gonna get your mouths to shut\nNow when it doesn't matter what caliber\nI spit at, I'll bet a hundred thousand bucks\nYou'll turn around and just be like, \"Man, how the fuck\nSourpuss gonna get mad just 'cause his album sucks?\nAnd now he wants to take it out on us\" (Ooouuu)\nBut last week, an ex-fan mailed me a copy\nOf \nThe Mathers LP\n to tell me to study\nIt'll help me get back to myself and she'll love me\n \n(Ooouuu)\nI mailed the bitch back and said if I did that\nI'd just be like everyone else in the fucking industry\nEspecially an effing \nRecovery\n clone of me (NFing)\nSo finger-bang, chicken wang, MGK, Igg' Azae'\nLil Pump, Lil Xan imitate Lil Wayne\nI should aim at everybody in the game, pick a name\nI'm fed up with bein' humble\nAnd rumor is I'm hungry, I'm sure you heard rumblings\nI heard you wanna rumble like an empty stomach\nI heard your mumblin' but it's jumbled in mumbo-jumbo\nThe era that I'm from will pummel you, that's what it's comin' to\nWhat the fuck you're gonna do when you run into it?\nI'm gonna crumble you and I'll take a number two\nAnd dump on you, if you ain't Joyner\nIf you ain't Kendrick or Cole or Sean, then you're a goner\nI'm 'bout to bring it to anyone in this bitch who want it\nI guess when you walk into BK you expect a Whopper\nYou can order a Quarter Pounder when you go to McDonald's\nBut if you're lookin' to get a porterhouse you better go get \nRevival\nBut y'all are actin' like I tried to serve you up a slider\nMaybe the vocals shoulda been auto-tuned\nAnd you woulda bought it\nBut sayin' I no longer got it\n'Cause you missed a line and never caught it\n'Cause it went over your head, because you're too stupid to get it\n'Cause you're mentally retarded, but pretend to be the smartest\nWith your expertise and knowledge, but you'll never be an artist\nAnd I'm harder on myself than you could ever be regardless\nWhat I'll never be is flawless, all I'll ever be is honest (\nIlla, Illa, Illa\n)\nEven when I'm gone they're gonna say I brought it\nEven when I hit my forties like a fuckin' alcoholic\nWith a bottle full of malt liquor\nBut I couldn't bottle this shit any longer\nThe fact that I know that I'ma hit my bottom\nIf I don't pull myself from the jaws of defeat and rise to my feet\nI don't see why y'all even started with me\nI get in beefs, my enemies die\nI don't cease fire 'til at least all are deceased\nI'm east side, never be caught slippin'\nNow you see why I don't sleep, not even a wink, I don't blink\nI don't doze off, I don't even nod to the beats\nI don't even close my fuckin' eyes when I sneeze\n\"Aw, man! That BET cypher was weak, it was garbage\nThe Thing ain't even orange—oh my God, that's a reach!\"\nShout to all my colorblind people\nEach and everyone of y'all, if you call a fire engine green\nAquamarine, or you think water is pink\n\"Dawg, that's a date\" — \"Looks like an olive to me\"\n\"Look, there's an apple!\" — \"No, it's not, it's a peach!\"\nSo finger-bang, Pootie Tang\nBurger King, Gucci Gang, dookie, dang\nCharlamagne gonna hate anyway, doesn't matter what I say\nGive me Donkey of the Day\nWhat a way for 2018 to get underway\nBut I'm gonna say everything that I wanna say\nWelcome to the slaughterhouse, bitch! (Yeah)\nInvite 'em in like a One A Day\nI'm not done (Preach!)\n'Cause I feel like the beast of burden\nThat line in the sand, was it even worth it?\n'Cause the way I see people turning's\nMakin' it seem worthless, it's startin' to defeat the purpose\nI'm watchin' my fan base shrink to thirds\nAnd I was just tryin' to do the right thing, but word\nHas the court of public opinion reached a verdict\nOr still yet to be determined?\n'Cause I'm determined to be me, critiqued or worshipped\nBut if I could go back, I'd at least reword it\nAnd say I empathize with the people this evil serpent\nSold the dream to that he's deserted\nBut I think it's workin'\nThese verses are makin' him a wee bit nervous\nAnd he's too scurred to answer me with words\n'Cause he knows that he will lyrically get murdered\nBut I know at least he's heard it\n'Cause Agent Orange just sent the Secret Service\nTo meet in person to see if I really think of hurtin' him\nOr ask if I'm linked to terrorists\nI said, \"Only when it comes to ink and lyricists\"\nBut my beef is more media journalists\n(Hold up, hold up, hold up)\nI said, my beef is more meaty, a journalist\nCan get a mouthful of flesh\nAnd yes, I mean eating a penis\n'Cause they've been pannin' my album to death\nSo I've been givin' the media fingers\nDon't wanna turn this to a counseling sesh\nBut they've been puttin' me through the ringer\nSo I ain't ironin' shit out with the press\nBut I just took this beat to the cleaners" } ]

[ { "from": "human", "value": "Write me a song called Traffic Jam (Easy Bake Remix) with the following description: This song is a remix to the latter half of “Easy Bake” from Jay Rock’s 90059. This track features a new verse by Kendrick, while SZA & Jay Rock’s parts remain unchanged.\nThe song was released on November 25th, 2015. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Radio Interlude]\n...and this is WTOP Radio and I'm your host DJ Turn-Up\nI don't turn down nuttin' but my collar\nI ain't turnin' down no money\nAnd I ain't turnin' down no mothafuckin' fade\nNow bitch if you're pushin' up the street with your orangutan-lookin' ass, take some advice and bang SZA ya flat-foot bitch\n[Intro: SZA]\nItchin' for a climax lasting past 11:30\nDo you got it like that, do you really got it like that?\nItchin' for a purpose, I can't seem to scratch the surface\nI ain't got it like that, do I really got it like that?\nYou keep talkin' 'bout time, I got none\nYou can find me where\nThe sun don't never end and the waves don't part\nYou don't pay enough of my rent, don't start\nI got big dreams and you got quick scheme to get rich quickly\nAnd I don't wanna waste another hour\nReally need to take another shower\nDirty for you\n[Verse 1: Kendrick Lamar]\nBig business, big booty bitches, black on black Benz's\nBacking out the back to back my engine, backpack with gats in it\nBackflip my dollars and bend Impalas, my arm whistling\nPalm flipping, middle finger, fuck y'all, I let it linger\nPlush wall and marble floor, ghetto Commodore singing\nTours for my whores swinging, on my heart swore\nI pour plenty more semen, or explore cunnilingus\nDummy tore through that boy for pointing fingers\nHoney you're a PS4, my game change seasons\nAnd my name explain visas, I defame your name easy\nWe aim and keep squeezing, bitch my lane say no treason\nMy chains say no cubic, all y'all look stupid (stupid!)\nBig dog, three phone call log stupid (stupid!)\nI'm Chris Paul, West Coast, All-Star stupid!\nThe mantra, the holy trinity, baby your sponsor\nMy concert and your facility, via del Compton\nAnd Watt's finest! [Verse 2: Jay Rock]\nNow this that big shell fishscale\nBMX on the ramp with the fishtail\nPegs on the front, we gon' get there\nWe four deep at a swap meet, don't need a 5th wheel\nThis bitch steal whoever if situations get real\nThis that fresh out the bounty, bustin' knuckles\nGet buckled if you ever try to knock the hustle\nShow your hands, watch how I shuffle (No cuts)\nAnd show you why they hate more niggas than Uncle Ruckus\nRollin' up that boondock, some call it moon rock\nGotta keep that bass in my step, dope in a tube sock\nGotta do what I do to remain on\nSo all a nigga need is good love when I come home\nCause the baby's gotta eat, baby the rent's been due lately\nAnd I just caught a hot one, I ain't tryna go too crazy\nFugazi, not me, me and my niggas not sweet\nGive you thug passion, how you walkin' around knock-kneed\nI'm the silver bullet movin' at top speed\nShow you how to get it and get away with it scott-free!" } ]

[ { "from": "human", "value": "Write me a song called Lovers on the Sun with the following description: This song is sung by Sam Martin. It has reached top 40 in most countries but barely reached Bubbling Under Hot 100 in the US. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Sam Martin]\nLet's light it up, let's light it up\nUntil our hearts catch fire\nThen show the world a burning light\nThat never shined so bright\nWe'll find a way, we'll find a way\nTo keep the cold night\nFrom breaking in over the walls\nInto the wild side, the hunger satisfied\n[Chorus: Sam Martin]\nWe're burning up\nWe might as well be lovers on the sun\nWe might as well be lovers on the sun\nWe might as well be lovers on the sun\n[Drop: David Guetta & Avicii]\n[Verse 2: Sam Martin]\nWe'll never know, we'll never know\nWhat stands behind the door\nBut I got a feeling\nIt's a feeling that's worth dying for\nJust close your eyes, and hold your breath\nBecause it feels right\nWe'll keep it moving till we make it to the other side\nAnd let's enjoy the ride! [Chorus: Sam Martin]\nWe're burning up\nWe might as well be lovers on the sun\nWe might as well be lovers on the sun\nWe might as well be lovers on the sun\n[Drop: David Guetta & Avicii]\n[Outro: Sam Martin]\nLet's light it up, let's light it up\nUntil our hearts catch fire\nAnd show the world, a burning light\nThey've never shined so bright" } ]

[ { "from": "human", "value": "Write me a song called Shit God Damn with the following description: In “Shit God Damn,” Chris and Sean are in the V.I.P. section of the club with beautiful women. In Chris' verse, he flaunts his chauffeur and his ability to pick up women, stating that there’s “a line around the block” to get a piece of him. The title itself may be a loose reference to Funkadelic’s 1975 track, “Get Off Your Ass and Jam.”\n“Shit God Damn” marks the first collaboration between Chris and Detroit rapper Big Sean. Sean also assists on “What U Doin” on In My Zone 2. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Big Sean, \nDJ Drama\n, \nChris Brown\n]\nI do it, BIG\nI'm in my zone, baby\nSean Don (\nOh\n)\nC Breezy (\nOh, look\n)\nBoing (Wassup, wassup)\n[Chorus: Chris Brown, \nBig Sean\n]\nI got 'em like \nshit, goddamn\nAnd the club's jumpin', let the party begin\nI got 'em like (\nOh\n) \nshit, goddamn\nV.I.P., that's our section (\nDJ Babey Drew\n)\nI got 'em like \nshit, goddamn\nAnd shawty, you can bring all your friends (\nBoing, boing. boing\n)\nWe got 'em like (\nI do it\n), \nshit, goddamn\nWe got 'em like (\nI do it\n), \nshit, goddamn, goddamn, goddamn\n[Verse 1: Chris Brown, \nBig Sean\n]\nGot the chauffeur just to open the doors (\nWhat? What?\n)\nI'm fly (\nHaha, I'm fly\n), and I know it (\nI know it\n), oh-woah (\nHer too\n)\nYou make me yodel-le-he-hoo\n'Cause you bad, yes, I know it (\nBoing, boing, boing, boing\n)\nGirl, you got that fire, need to break me off\nGet closer to my bed, then you take it off\nAnd I'm the flyest nigga in here, knock it off (Off, off)\nSee me and Sean came for the ladies (\nCame for the ladies\n)\nIt's about to get crazy (\nIt's about to get crazy\n), in here\nAnd there's a line around the block\nAll the single ladies, you'll be taken by me [Chorus: Chris Brown, \nBig Sean\n]\nI got 'em like \nshit, goddamn\nAnd the club's jumpin', let the party begin\nI got 'em like (\nOh\n) \nshit, goddamn, goddamn\nV.I.P., that's our section (\nWoo\n)\nI got 'em like \nshit, goddamn\nAnd shawty, you can bring all your friends (\nBoing, boing, boing\n)\nWe got 'em like (\nI do it\n), \nshit, goddamn\n (\nBIG\n)\nWe got 'em like (\nI do it\n), \nshit, goddamn, goddamn, goddamn\n(\nThat bitch is so nasty\n)\n[Verse 2: Big Sean]\nNow I got a hundred thousand dollars and girls (What? What?)\nBoth legal (Haha)\nPatrón chillin' on rocks like the bald eagle (I do it)\nOoh, it's about to get drastic (Yeah)\nAss is like the number one draft pick (Boing)\nI does this shit historically\nNo wonder why they recorded me (Boing, boing)\nI'm important as these imported drinks that they p-pour for me (Boing, boing, ha)\nYour wifey is a whore to me\nI break her, break her off then send her back like she got a warranty (I do it)\nBust it open, girl, let me see somethin' (Somethin')\nHer and her friend ask what time it is, three-somethin', duh (Duh)\nIt's just me and C Breezy (Breezy)\nLife's a bitch 'cause a ho is too easy\nI'm blowin' oh-oh-oh-oh\nI'm smokin' loudly, boy\nJust blew four Os, I'm outty, boy\nI got this shit so cloudy, boy (Look)\nAll these hoes up in my truck, that shit look like a lobby, boy (Boing, boing, boing)\nBut you don't, you don't, you don't know nothing 'bout that, boy [Chorus: Chris Brown, \nBig Sean\n]\nI got 'em like \nshit, goddamn\n (\nHaha, do ya?\n)\nAnd the club's jumpin', let the party begin\nI got 'em like (\nOh\n) \nshit, goddamn, goddamn\nV.I.P., that's our section (\nWoo\n)\nI got 'em like \nshit, goddamn\nAnd shawty, you can bring all your friends (\nBoing, boing, boing\n)\nWe got 'em like (\nI do it\n), \nshit, goddamn\nWe got 'em like (\nI do it, oh\n), \nshit, goddamn, goddamn, goddamn\n[Outro: DJ Drama]\nShorty, cut it out\nYou know you like when we talk that shit" } ]

[ { "from": "human", "value": "Write me a song called Come Together with the following description: On “Come Together,” Chris connects with fellow R&B singer, H.E.R. for a smooth duet in which they croon for their respective love interests to “come together” for the night.\n“Come Together” marks the second collaboration between Chris and H.E.R. following April 2018’s “Focus (Remix).”\n“Come Together” samples One Way’s April 1984 track, “Don’t Stop.” The sample was made popular thanks to Nelly’s June 2000 track, “Luven Me.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Chris Brown]\nStay the night, fall in love, it's on the table\nIf you know what I mean, don't be afraid, oh\nLay your cards front of me, if you're able\nAnd you might (Might), might get what you want tonight ('Night)\n[Pre-Chorus: Chris Brown, \nH.E.R.\n]\nI can't say that I never dreamed of touchin' on you\nAin't that what wild dreams are made of? (Ooh, \noh yeah\n)\nSo many feelings involved\nWe can't pretend, don't play it off\nI wanna feel everythin', I want you, woah\n[Chorus: Chris Brown]\nAnd I want you, babe\nOoh, and I can't lie (Yeah)\nAnd I want you, babe\nIf we could, then we should just\nCome together, babe\n[Verse 2: H.E.R., \nChris Brown\n, \nH.E.R. & Chris Brown\n]\nYou and I, it's alright, it's perfect timin' (\nOh, for it\n)\nYou've been waitin', and I'm anxious for you to dive in (\nMe too\n, uh)\nI'm doin' for you what I wouldn't do for anybody\nSo you might (\nI might\n), might get what you want to\nnight [Pre-Chorus: H.E.R., \nChris Brown\n, \nH.E.R. & Chris Brown\n]\nI won't say that I never dreamed of touchin' on you (\nOn you\n)\nAin't that what wild dreams are made of? \nYeah\nSo many feelings involved\nWe can't pretend, \ndon't take it \noff\nI wanna feel everything, \nI want you\n, oh\n[Chorus: Chris Brown & H.E.R., \nH.E.R.\n, \nChris Brown\n]\nAnd I want you, babe (\nWant you, baby\n)\nOoh, and I can't lie (\nYeah\n)\nAnd I want you, babe (\nWoo\n)\nIf we could, then we should just\nCome together, babe\n[Bridge: Chris Brown & H.E.R., \nChris Brown\n]\nWe should (\nCome\n), come together, baby (\nOh, please come\n)\nOh, so don't, don't make me wait, wait\nWe on the same page, you know ain't nothin' in the way, babe\nThe way that I want you, you\n[Chorus: Chris Brown & H.E.R., \nChris Brown\n]\nAnd I want you, babe (\nWant you too, but don't tell, no\n, babe)\nOoh, and I can't lie (\nOoh, no\n)\nAnd I want you, babe (\nBaby\n)\nIf we could (\nCould\n), then we should (\nShould\n) just\nCome together, babe [Outro: Chris Brown]\nOoh, ooh\nCome together, babe\nCome, oh, yeah" } ]

[ { "from": "human", "value": "Write me a song called Guns Blazing with the following description: On “Guns Blazing” Em reunites with Dr. Dre to trade verses and take shots at their partners. Dre’s verse seems to be directed toward his wife, Nicole Young, who he divorced this year, while the subject of Em’s verse is a woman named Michelle.\nThis marks the first Dr. Dre feature on an Eminem album since 2009’s Relapse and Relapse: Refill. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Sly Pyper & \nDr. Dre\n]\nIt's time to face the music\nA stay of execution\nNo more distribution\n(\nThe fuck you doin'?\n)\n[Chorus: Sly Pyper & \nDr. Dre\n]\nYou did this to me\nI'm right back on my bullshit, right back out in these streets\nJust remember that you did this to yourself (\nYeah, you did it to yourself\n)\nNow you gotta suffer the consequences\nBack up to bat and swingin' for the fences\n (Remember that)\n[Verse 1: Dr. Dre & \nSly Pyper\n]\nLet's make one thing clear, here, here, my dear\nMy resolute for this year\nNo pollution, fresh air\nMy solution, long hair with a fat ass, I'm deadass\nMile high club 'til I jеt lag\nRothstein flow, \nCasino\nAnd you're just like Gingеr, we know\nSingle negro, I don't need your (\nDouble standards and hypocrisy\n)\nAnd that fake handholdin' on Father's Day\nYou a different motherfucker when you're not with me\nBeen sleepin' with the enemy, mockery\nIt's like I'm John F. Kennedy, shots at me\nYes, I'm president of debauchery\nNone of that bullshit ever got to me\n'Cause your pillow Brillo, ditto\nBreakin' this shit down little by little\nI ain't got time for the fuckin' pom-poms\nShoulda never let this dog out of that kennel [Refrain: Sly Pyper, \nDr. Dre\n & \nBoth\n]\nWastin' time, debatin' 'bout\nWho I'm with when I'm not around\nJust don't forget\n \nwho you fuckin' wit'\nWhen steppin' on\n \nhallowed ground\n[Chorus: Sly Pyper & \nEminem\n]\n(\n'Cause\n) You did this to me (\nYeah, I'm\n)\nRight back on my bullshit, right back out in these streets\nJust remember that you did this to yourself (\nYeah, you did it to yourself\n)\nBut now you gotta suffer the consequences\n(\nAnd \"sorry\" isn't gonna help, nah\n)\n[Verse 2: Eminem & \nSly Pyper\n]\nHow many times have I got burnt and tried to act like I'm not hurt? (What?)\nOr take you back and we not work, like clockwork\nThis shit is agony, you're draggin' me, Glocks burst\nJust remember, you drawed first\nYou ain't toe taggin' me, ho-bag, any blowback, you deserve\nGet the bozack, bitch (Yeah), my soul's blackening\nSo actually, this could've been a lot worse (Why?)\nI could've name-dropped you in my verse (Yeah)\nBut out of respect for your daughter\nI won't blow your spot up 'cause your toddler\nDoes not deserve to get caught up in our dirt (Damn)\nAnd good luck with her father\nBitch, you're stuck with him now, ha-fuckin'-ha\nWord to the doctor, these are wounds you cannot nurse\nHope it's drivin' you bonkers, that I'm not yours (\nOh no\n, woo)\nGuess I must've got wise, you are not sly\nJust 'cause you can make up an on-the-spot lie\nI'm comin' out, guns blazin', shots fired\n'Hand sani', I'm cutting off 'tize' (Ties)\nBitch, everything you own's in a box, bye\nGuess it's back to the trailer and pot pies\nHope I pull up to the window at Popeyes\nOne day and you'll be servin' me hot fries 'cause (\nYou did this to me\n)\nTaste of your own medicine\nYou shedded skin, yeah, you reptilian bitch\nOff of your knees (Yeah), beggin' for forgiveness\nYeah, look at you, marry him again, bitch\nYou ain't Em's bitch, you're just regular him's bitch\nWe will never be together again, ever\nAnd when you're in bed with him and you wish you was with me\nJust remember that [Chorus: Sly Pyper, \nEminem\n & \nBoth\n]\nYou did this to\n me (\nYeah, now\n)\nI'm right back on my bullshit, right back out in these streets (\nLook what you did\n)\nJust remember that you did this to yourself (\nYeah, you did it to yourself\n)\nBut now you gotta suffer the consequences\n(\nAnd \"sorry\" isn't gonna help\n)\nRemember that (\nMichelle\n) you did this to me (\nYeah\n)\nI'm right back on my bullshit, right back out in these streets (\nFuck around and make you famous\n)\nJust remember that you did this to yourself (\nYeah, you did it to yourself\n)\nBut now you gotta suffer the consequences (Oh no)\n(\nSo when I'm hittin' someone else and you're\n)\n[Refrain: Sly Pyper, \nDr. Dre\n & \nBoth\n]\nWastin' time, debatin' 'bout\nWho I'm with when I'm not around\nJust don't forget\n \nwho you fuckin' wit'\nWhen steppin' on\n \nhallowed ground" } ]

[ { "from": "human", "value": "Write me a song called Flawless with the following description: “Flawless” is an uptempo R&B ballad that progresses to an EDM track after the chorus. In the track, Chris admires a girl’s physical beauty stating that she’s “flawless” and should love herself for who she is, inside and out. The track leaked online on June 16, 2019 following a snippet being posted just four days earlier. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse]\nWhen you look into the mirror\nTell me what you see starin' right back at you\nEyelashes, lipgloss and glitter\nThere's more to you underneath the surface\nSo look deeper, hearts in your eyes\nThere's a beautiful girl inside\nAnd I need her to stop hidin'\nGirl, you're perfect, don't need a disguise\n[Chorus]\nYou're beautiful in and out, have you noticed?\nYou're beautiful in and out, you're flawless\nI love, I love you the way you are\nI love, I love you the way you are\nYou're beautiful in and out, have you noticed?\nBeauty's not just skin deep\nDeeper than I can see\nI want you to love who you are\nGirl, you're flawless\nEverybody get down on the beat\n[Drop]\n[Verse]\nWhen you look into the mirror\nTell me what you see starin' right back at you\nEyelashes, lipgloss and glitter\nThere's more to you underneath the surface\nSo look deeper, hearts in your eyes\nThere's a beautiful girl inside\nAnd I need her to stop hidin'\nGirl, you're perfect, don't need a disguise [Chorus]\nYou're beautiful in and out, have you noticed?\nYou're beautiful in and out, you're flawless\nI love, I love you the way you are\nI love, I love you the way you are\nYou're beautiful in and out, have you noticed?\nBeauty's not just skin deep\nDeeper than I can see\nI want you to love who you are\nGirl, you're flawless\nEverybody get down on the beat\n[Drop]" } ]

[ { "from": "human", "value": "Write me a song called Problem with the following description: “Problem” was the first single off of Ariana Grande’s sophomore album, My Everything. It’s an uptempo dance-pop/R&B song with a retro-feel thanks to its use of saxophone loops. The song features a spoken intro and a rapped verse by Iggy Azalea and uncredited, whispered-vocals on the chorus from rapper (and ex-Grande-flame) Big Sean.\n\n\n\n\n“Problem” received acclaim from music critics for its throwback sound and 90’s influence, with Rap-Up calling it an “infectious horn-heavy jam.” Grande told Billboard that the song “represents the feeling of being absolutely terrified to re-approach a relationship that’s gone sour – but you want to more than anything.” She also confirmed that the narrative is based on her relationship with an ex: “In the song, it ends on a sappy, negative note, but in [real] life, we’re hoping it’s going to end on a positive one. I feel like it’s all very honest and human.”\nThe song debuted at number three on the Billboard Hot 100, selling 438,000 copies in its first week and earning Grande her biggest digital song sales week ever. The song peaked at number two, surpassing “The Way” as her biggest hit single in the United States. “Problem” also made British chart history upon its debut as the first song to top the charts in Britain based on both sales and streaming. The music video won “Best Pop Video” at the 2014 MTV Video Music Awards, and the song itself won “Best Song” at the 2014 MTV Europe Music Awards. The song is featured in the video game Just Dance 2015. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Ariana Grande, \nIggy Azalea\n]\n(Mm-hmm-mm) \nUh-huh!\n(Ha-ha-ha, ha) \nIt's Iggy Iggz!\nI got one more problem with you girl\n(One less, one less problem, n-)\n \nHey!\n[Verse 1: Ariana Grande]\nHey, baby, even though I hate ya\nI wanna love ya (I want yo-o-ou)\nAnd even though I can't forgive ya\nI really want to (I want yo-o-ou)\nTell me, tell me, baby\nWhy can't you leave me?\n'Cause even though I shouldn't want it\nI gotta have it (I want yo-o-ou)\n[Pre-Chorus: Ariana Grande]\nHead in the clouds\nGot no weight on my shoulders\nI should be wiser and realize that I've got\n[Chorus: Big Sean, \nAriana Grande\n]\nOne less problem without ya\nI got one less problem without ya\nI got one less problem without ya\nI got one less, one less problem, no\nOne less problem without ya\nI got one less problem without ya\nI got one less problem without ya\nI got one less, one less problem, no [Verse 2: Ariana Grande]\nI know you're never gonna wake up\nI gotta give up (But it's yo-o-ou)\nI know I shouldn't ever call back\nOr let you come back (But it's yo-o-ou)\nEvery time you touch me\nAnd say you love me\nI get a little bit breathless\nI shouldn't want it (But it's yo-o-ou)\n[Pre-Chorus: Ariana Grande]\nHead in the clouds\nGot no weight on my shoulders\nI should be wiser and realize that I've got\n[Chorus: Big Sean, \nAriana Grande\n]\nOne less problem without ya\nI got one less problem without ya\nI got one less problem without ya\nI got one less, one less problem, no\nOne less problem without ya\nI got one less problem without ya (\nOoh, babe\n)\nI got one less problem without ya (\nOoh, woah\n)\nI got one less, one less problem, no\n[Interlude: Iggy Azalea]\nIt's Iggy Iggz!\nUh, what you got? [Verse 3: Iggy Azalea]\nSmart money bettin' I'll be better off without you\nIn no time I'll be forgettin' all about you\nYou sayin' that you know, but I really, really doubt you\nUnderstand, my life is easy when I ain't around you\nIggy Iggy, too biggie to be here stressin'\nI'm thinkin' I love the thought of you more than I love your presence\nAnd the best thing now is probably for you to exit\nI let you go, let you back, I finally learned my lesson\nNo half-steppin', either you want it or you just playin'\nI'm listenin' to you knowin' I can't believe what you sayin'\nThere's a million you's baby boo, so don't be dumb\nI got ninety-nine problems but you won't be one,\n \nlike what?\n[Bridge: Ariana Grande]\nMmm, nah (One less, one less problem, no)\nMmm, yeah (One less, one less problem, no)\n[Pre-Chorus: Ariana Grande]\nHead in the clouds\nGot no weight on my shoulders\n \n(One less, one less problem, no)\nI should be wiser and realize that I've got (One less, one less problem, no)\n[Chorus: Big Sean, \nAriana Grande\n, \nIggy Azalea\n]\nOne less problem without ya (\nBabe\n)\nI got one less problem without ya (\nNo, babe\n)\nI got one less problem without ya (\nOoh\n)\nI got one less, one less problem, no\n (\nOoh, baby\n)\nOne less problem without ya (\nYeah, I got\n)\nI got one less problem without ya (\nWoo, hey!\n)\nI got one less problem without ya\nI got one less, one less problem, no babe\n (\nWoo\n)\nOne less problem without ya (\nUh\n, \nhey\n)\nI got one less problem without ya (\nWithout you\n)\nI got one less problem without ya (\nI got one less, one less, yeah\n)\nI got one less, one less problem, no\n (\nAh, no yeah\n) [Produced by Max Martin, Shellback, and Ilya]" } ]

[ { "from": "human", "value": "Write me a song called A$AP Ferg with the following description: “A$AP Ferg” is the fourth track on NAV & Metro Boomin’s collaborative album Perfect Timing. This track is NAV, Metro Boomin, and rising star Lil Uzi Vert’s ode to Harlem rapper and A$AP Mob member A$AP Ferg. It also references A$AP Ferg’s hit song “Work (Remix)” featuring French Montana, Trinidad James, ScHoolboy Q and fellow A$AP Mob member, A$AP Rocky.\nIn addition to claiming they put in work to make it from the bottom, Uzi & NAV boastfully rap about getting women and being some of the first people to start the current fashion and car trends in hip-hop.\nA snippet of the song was posted on July 19, 2017 on NAV’s Instagram. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Uzi Vert, NAV \n& \nFuture\n]\nIf Young Metro don't trust you, I'm gon' shoot you\nTell me what it's worth\nTell me what it's worth\nTell me what it's worth\nTell me what it's worth\nTell me what it's worth\nTell me what it's worth\n[Chorus: Lil Uzi Vert]\nTell me what it's worth\nTell me what it's worth\nI came from the dirt, know I put in work\nLike I'm A$AP Ferg, like I'm A$AP Ferg\nKnow I put in work\nKnow I put in work\nKnow I put in, yeah\nKnow I put in, yeah\nKnow I put in work\nDiamonds different colors, so my neck look like Starburst\nKicked it one time, with your girlfriend\nAnd she fucked me for a purse\nI could hit that thing forever, when I'm on the perc\n[Verse 1: NAV & \nLil Uzi Vert\n]\nI used to put in work\nNow my young boys do the dirt \n(\nbrown boy)\nFully automatic, pull up hit you with a burst\nPut you on a shirt, you a lil' boy, you a smurf\nShe used to put me down, and now she lifting up her skirt\nPull up and I swerve, leave her feelings hurt\nShe fucked me for a purse, she fucked me for a XO shirt\nI see you wearing Off-White, but you know, I bought it first\nI seen you post a picture, and I had to change my shirt\nI can't punch him in his face, he gonna sue me now\nTook your bitch to Nobu, fuck me for some sushi now\nI hit it once, and now I can't stand her now\nThey pay me fifty thousand, just to stand around [Chorus: Lil Uzi Vert]\nYeah, what it's worth\nTell me what it's worth\nI came from the dirt, know I put in work\nLike I'm A$AP Ferg, like I'm A$AP Ferg\nKnow I put in work\nKnow I put in work\nKnow I put in, yeah\nKnow I put in, yeah\nKnow I put in work\nDiamonds different colors, so my neck look like Starburst\nKicked it one time, with your girlfriend\nAnd she fucked me for a purse\nI could hit that thing forever, when I'm on the perc\n[Verse 2: Lil Uzi Vert]\nHeard you got that AP swerve, that was my watch first\nHeard you got that Lambo', skrrt, that was my drive first\nChopper beat that bitch to spurs, clip hang to the curb\nThat girl know, I put in work, like I'm A$AP Ferg\nYour girlfriend say, I'm handsome\nFuck any girl, so random\nRock any clothes, I'm random\nI rock that Demna right on my sandal\nDon't give me the top then cancel\nMy momma said these niggas can't stand you\nAnd I'm laughing right to the bank\nAll my chains on like I'm Shabba Ranks [Chorus: Lil Uzi Vert]\nTell me what it's worth\nTell me what it's worth\nI came from the dirt, know I put in work\nLike I'm A$AP Ferg, like I'm A$AP Ferg\nKnow I put in work\nKnow I put in work\nKnow I put in, yeah\nKnow I put in, yeah\nKnow I put in work\nDiamonds different colors, so my neck look like Starburst\nKicked it one time, with your girlfriend\nAnd she fucked me for a purse\nI could hit that thing forever, when I'm on the perc\n[Outro: NAV]\nI came up from the dirt, yeah\nI came up from the dirt, yeah\nPut in work like A$AP Ferg, yeah\nYou're getting on my nerves, yeah\nNo pancakes, I want syrup, yeah\nMix some molly with the percs, yeah\nDiss me take you off this earth, yeah\nI came up from the dirt, yeah\nI came up from the dirt, yeah\nCame up from the dirt, yeah\nCame up from the dirt, yeah\nPut in work like A$AP Ferg, yeah\nI got Vs on all my shirts\n, yeah\nNo pancakes, I want syrup, yeah\nMix some molly with the percs, yeah\nDiss me take you off this earth, yeah\nI came up from the dirt, yeah\nI came up from the dirt, yeah" } ]

[ { "from": "human", "value": "Write me a song called Black Culture with the following description: “Black Culture” Is an unreleased Beyoncé song, which leaked online in 2009. According to Rap-Up, the song was intended for Beyoncé’s third solo album, I Am… Sasha Fierce, but did not make the final track listing. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nParty the people, the people the party\nIt's popping no sitting around\nI see you looking, you looking I see you\nI look at what you started now\n[Pre-Hook]\nLet's hook up\nCome on give some of the that stuff\nLet me freshin' it with no ruff (let's go)\nLet's hook up, when we start we won't stop\nBaby, baby don't stop\nCome on give me some of that stuff (let's go)\n[Hook]\nI am, Black Culture\nI am, Black Culture\nI am, Black Culture\nI am, Black Culture\n[Verse 2]\nParty the people, the people the party\nIt's popping no sitting around\nI see you looking you looking I see you\nI look at what you started now [Pre-Hook]\nLet's hook up\nCome one give some of the that stuff\nLet me freshin' it up little one on one with no ruff (let's go)\nLet's hook up, when we start we won't stop\nBaby, baby don't stop\nCome on give me some of that stuff (let's go)\n[Hook]\nYou are, Black Culture\nYou are, Black Culture\nYou are, Black Culture\nYou are, Black Culture\n[Pre-Hook]\nLet's hook up\nCome on give some of the that stuff\nLet me freshin' it up little one on one with no ruff (let's go)\nLet's hook up, when we start we won't stop\nBaby, baby don't stop\nCome on give me some of that stuff (let's go)\n[Pre-Hook]\nLet's hook up\nCome on give some of the that stuff\nLet me freshin' it up little one on one with no ruff (let's go)\nLet's hook up, when we start we won't stop\nBaby, baby don't stop\nCome on give me some of that stuff (let's go) [Hook]\nWe are, Black Culture\nWe are, Black Culture\nWe are, Black Culture\nWe are, Black Culture\nWe are, Black Culture\nWe are, Black Culture\nWe are, Black Culture\nWe are, Black Culture" } ]

[ { "from": "human", "value": "Write me a song called 34+35 (Remix) with the following description: For her first release of 2021, Ariana links with Doja Cat and Megan Thee Stallion for the remix of her October 2020 hit, “34+35.”\nA low-quality snippet of the track surfaced on file-sharing websites on October 30, 2020. Later, on November 7, 2020, Doja Cat recited her verse via an Instagram Live held by the artist.\nThe remix was officially announced on January 13, 2021, after Ariana posted a teaser for the track and hinted that there would be two featured guests on it. While it was known that Doja would be on the remix because of her earlier revelation of her verse, the feature from Megan came unexpectedly after she commented on Ariana’s announcement of the remix with sideways-looking emojis.\nThe official music video was released on February 12th, 2021, almost a month after the song’s release. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Ariana Grande]\nHmm\n[Verse 1: Ariana Grande]\nYou might think I'm crazy\nThe way I've been cravin'\nIf I put it quite plainly\nJust gimme them babies\nSo what you doin' tonight?\nBetter say, \"Doin' you right\" (Yeah)\nWatchin' movies, but we ain't seen a thing tonight (Yeah)\n[Pre-Chorus: Ariana Grande]\nI don't wanna keep you up (You up)\nBut show me, can you keep it up? (It up)\n'Cause then I'll have to keep you up\nShit, maybe I'ma keep you up, boy\nI've been drinkin' coffee (I've been drinkin' coffee; coffee)\nAnd I've been eatin' healthy (I've been eatin' healthy; healthy)\nYou know I keep it squeaky, yeah (You know I keep it squeaky)\nSavin' up my energy (Yeah, yeah, saving up my energy)\n[Chorus: Ariana Grande]\nCan you stay up all night?\nFuck me 'til the daylight\nThirty-four, thirty-five (Yeah, yeah, yeah, yeah)\nCan you stay up all night? (All night)\nFuck mе 'til the daylight\nThirty-four, thirty-five (Yeah, yеah, yeah, yeah) [Verse 2: Doja Cat, \nAriana Grande\n & \nBoth\n]\nCan we stay up all night? Fuck a jet lag\nYou bring your fine ass and overnight bag\nAdd up the numbers or get behind that\nPlay and rewind that, listen, you'll find that\nI want that six-nine without Tekashi\nAnd I want your body and I'll make it \nobvious\nWake up the neighbors, we got an audience\nThey hear the clappin', but we not applaudin' 'em (Yeah, yeah)\nSix o'clock and I'm crushin'\nThen it get to seven o'clock, now he want it (Uh)\nWhen it hit eight o'clock, we said, \"Fuck it\"\nForget your girl, pretend that \nI'm her\nCome make the cat purr, come make my back hurt, ayy\nMakin' that squirt and rain and shower and spray (\nAh\n)\nNow that's perfect, baby, we don't sleep enough\nBut I'ma keep you up if you can keep it up (\nBaby\n)\n[Chorus: Ariana Grande]\nCan you stay up all night? (All night)\nFuck me 'til the daylight (Daylight)\nThirty-four, thirty-five (Yeah, yeah, yeah, yeah)\nCan you stay up all night? (Can you stay?)\nFuck me 'til the daylight (Can you stay?)\nThirty-four, thirty-five (Yeah, yeah, yeah, yeah) [Verse 3: Megan Thee Stallion]\nAyy, rock you like a baby, but you know I'm 'bout to keep you up\n (Ah)\nWelcome to my channel, and today I'm 'bout to teach you somethin' (Teach you somethin')\nI can make it pop, legs up like a can-can (Bow, bow)\nWake the neighbors up, make it sound like the band playin' (Mwah, bow)\nBitch, let me get cute (Yeah)\nHe's about to come through (He about to come through)\nI've been in the shower for 'bout a whole hour (Yeah, yeah)\nHe finna act a dog in it so he get the bald kitty (Yeah, yeah)\nNetflix or Hulu? Baby, you choose (You choose)\nI'm up like Starbucks, three pumps, ooh (Pumps, ooh)\nThis pussy good for your health, call it superfood (Superfood)\nWhen I'm by myself, DIY like it's YouTube (Ah, ah)\nBad, bad bitch, all the boys wanna spank me (Spank me)\nLeft him on read, girlfriend need to thank me (Thank me)\nMake his toes point, ballerina, no tutu\nBaby, I'm the best, I don't know what the rest do (Hey, hey, hey, yeah)\nDive in that water like a private island\nThirty-four, thirty-five, we can sixty-nine it (Ah)\nAnd I been a bad girl, but this pussy on the good list (Good list)\nI hope you ain't tired, we ain't stoppin' 'til I finish, ah (Hey, hey, yeah)\n[Chorus: Ariana Grande]\nCan you stay up all night?\nFuck me 'til the daylight (Yeah, yeah)\nThirty-four, thirty-five (Yeah, yeah, yeah, yeah)\n(Thirty-four, thirty-five)\nCan you stay up all night? (Do you know what that means?)\nFuck me 'til the daylight (Do you know what that means?)\nThirty-four, thirty-five (Yeah, yeah, yeah, yeah)\nYeah, yeah, yeah [Outro: Ariana Grande]\nMeans I wanna \"69\" with you\nNo shit\nMath class\nNever was good" } ]

[ { "from": "human", "value": "Write me a song called Vigilante Shit with the following description: “Vigilante Shit” follows the topic of a woman who’s seeking revenge. Swift and the subject of the song ostensibly obtain their revenge – instead of getting sad, they get even.\nThe themes of this song heavily parallels Swift 2020’s track “no body, no crime”, which also sees her involved in vigilantism.\nMusically, this song continues with heavy synths reverberating, never quite building to its climax. The sultry, building tune creates a dreamy atmosphere similar to that of “Dress” or “Call It What You Want”, but the subject matter is considerably darker. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nDraw the cat eye sharp enough to kill a man\nYou did some bad things, but I'm the worst of them\nSometimes I wonder which one'll be your last lie\nThey say looks can kill and I might try\nI don't dress for women\nI don't dress for men\nLately, I've been dressin' for revenge\n[Chorus]\nI don't start shit, but I can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nI don't dress for friends\nLately, I've been dressin' for revenge\n[Verse 2]\nShe needed cold, hard proof, so I gave her some\nShe had the envelope, where you think she got it from?\nNow she gets the house, gets the kids, gets the pride\nPicture me thick as thieves with your ex-wife\nAnd she looks so pretty\nDrivin' in your Benz\nLately, she's been dressin' for revenge\n[Chorus]\nShe don't start shit, but she can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nShe don't dress for friends\nLately, she's been dressing for revenge [Bridge]\nLadies always rise above\nLadies know what people want\nSomeone sweet and kind and fun\nThe lady simply had enough\n[Verse 3]\nWhile he was doin' lines and crossin' all of mine\nSomeone told his white-collar crimes to the FBI\nAnd I don't dress for villains\nOr for innocents\nI'm on my vigilante shit again\n[Chorus]\nI don't start shit, but I can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nI don't dress for friends\nLately, I've been dressin' for revenge" } ]

[ { "from": "human", "value": "Write me a song called Dead Rappers with the following description: On “Dead Rappers,” California rapper ScHoolboy Q enlists the help of fellow Top Dawg Entertainment rapper Kendrick Lamar for a boastful team up. On the track, the rappers boast about their expensive material possessions and privileged lifestyles, while also warning their opposition of their abilities. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: ScHoolboy Q]\nHey , yo\nGuess who's bizack still hit a crack him off loads\nCocaine spit throat be the stove\nStay running on these tracks and the mic be the soles\nBe cautious real spitters so you might get exposed\nCopycats spitting all these facts\nWithout your life attached not understanding where your life is at\nYou got your boy confused though I'm not convinced\nWould tell you washed up, but your flow is drenched\nLet me clear my throat let me spit these quotes\nAnd tell you Q, Jay Rock, Dot, we run the coast\nI'm so addicted, and so is Lifted\nSo restricted, now your flow evicted\nFake niggas see through you like eyelashes\nEyeglasses like Kobe nigga, no passes\nMy breed, knowing that you can't make 'em\nYou can't break 'em, so peace As-salamu alaykum\n[Chorus: Kendrick Lamar]\nGoodbye, I know the rapper dead\nI'm on my murder job again in the morning\nThis 187 on the line I know the rapper dead\nThat means another record label is mourning\nSo you can run but you cannot hide\nCause when I see 'em I'mma kill 'em\nWhen I see 'em I'mma kill 'em\nMortician got a feeling with embalming fluid\nCause when I see 'em I'mma kill 'em\nWhen I see 'em I'mma kill 'em\nLyrical homicide best believe I do [Verse 2: Kendrick Lamar]\nYo Q, these niggas think they cute\nTalking louder than the trumpet, when I see 'em where the fluke?\nYour opinion something moving like pew pass by 'em, hog tie 'em For the revenue, bullets peer through the bulletproof\nLook what the iron do scope now I'm eyeing you\nSilencer, now my iron grew I en route\nLearn, of the flow first to realize these rap guys\nShit on 'em then throw them to the flies bombs like Al-Ca-ter\nRide on my enemies, homicide\nText like a referee, give you free shot for any penalty\nDrop metaphors, nouns and verbs plenty similes\nServe like a waitress and you don't want seconds courtesy\nOff K Dot, the son of 2Pac\nBiggies nephew Big L said I was special\nNow let's do, lunch over these beats\nEven Punch said I was sweet\nPunchlines and kick hot rhymes 'till I'm burning my feet\nOuch\n[Chorus: Kendrick Lamar]\nGoodbye, I know the rapper dead\nI'm on my murder job again in the morning\nThis 187 on the line I know the rapper dead\nThat means another record label is mourning\nSo you can run but you cannot hide\nCause when I see 'em I'mma kill 'em\nWhen I see 'em I'mma kill 'em\nMortician got a feeling with embalming fluid\nCause when I see 'em I'mma kill 'em\nWhen I see 'em I'mma kill 'em\nLyrical homicide best believe I do [Verse 3: ScHoolboy Q ]\nWait I got it uh known for spitting knowledge uh\nHomages like tuition, they pay it like it's college uh\nWait professor uh, well how I spit it this semester\nLook I'm sending MC's on a stretcher\nThese bitches uh, all because my lyrical conversation\nGot these bitches begging for penetration\nHumiliation, Rappers they will know I demolish ya\nSpit you to a coma Dot finish 'em\n[Verse 4: Kendrick Lamar ]\nUh, wait, Diminish ya preach like a ministerCompetition naw they pussy get the vinegar\nGet in the ass like animals imitators get plenty of\nPropane, hotter when winter come, some insane\nDope mane, bee's the studio, You ain't lived here\nEver since I done came, record me yoooo\nYour own momma wouldn't do that\nShe rather throw herself in the dumpster than listen to trash" } ]

[ { "from": "human", "value": "Write me a song called Nobody with the following description: For those who recognize the hook from Biggie’s iconic “You’re Nobody (Til Somebody Kills You)”, you’ll instantly realize that Ross is on his Biggie flow. Rozay breaks down street stories seen through his point of view.\nBacked by none other than Biggie’s partner in crime, Diddy. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Diddy]\n[Intro: Diddy]\nYou wanted to fuckin' walk around these roaches. These niggas is roaches. These niggas is mere motherfuckin' mortals. I'm tryna push you to supreme bein'. You don't wanna motherfuckin'... You don't wanna embrace your destiny, you wanna get by\nYou don't wanna go into the motherfuckin' dark where it's lonely. You can't handle the motherfuckin', the pain of the motherfuckin' not knowin' when the shit is gonna stop\n[Chorus: French Montana]\nMomma's tryna save me but she don't know I'm tryna save her\nMan, them niggas tried to play me, man, 'til I got this paper\nYou're nobody 'til somebody kills you\n[Verse 1: Rick Ross]\n\"Blast for me\" – the last words from my nigga\nOn the pavement, born killers, body shivers\nDrug money, dollar figures\nHustlers movin' out of rentals, \nart of war is mental\nHavin' sushi down in Nobu\nStrapped like an Afghan soldier, nowhere to go to\nSo it's bang, no survivors\nOnly riders on my rider, murder rate rises\nStalkin' niggas on their IG's,\n never; I be\nStill solo, Under Armour still Polo\nNo wire, on fire\nMy desire for fine things made me a liar, a shooter\nGettin' high feelin' like it's vodou\nNine lives, SK with the cooler\nMakaveli in the 'Rari, still B-I double G, I, E\nI pray you smoke with me\nGo to bed with a kilo like Casino\nJanet Reno,\n \nwe all we got the creed of Nino\nPretty cars in the driveway\nIf you cut it then you sideways, double up, crime pays [Chorus: French Montana]\nMomma's tryna save me but she don't know I'm tryna save her\nMan, them niggas tried to play me, man, 'til I got this paper\nYou're nobody 'til somebody kills you\n[Interlude: Diddy]\nYou fuckin' wanna walk around with these niggas? What the fuck is their culture? Where the fuck is their souls at? What defines you? These niggas with these fuckin' silly looks on their faces. You wanna walk around with them or you wanna walk with God, nigga? Make up your goddamn mind\n[Verse 2: Rick Ross]\nI'm from where the streets test you\nNiggas mix business and pleasure\n where the cocaine measure\nThe narcotics is our product\nThe by-product, you walk up on me, I cock it\nNew Mercedes as it peels off\nNothin' penetrates the steel doors, \ngang signs, see 'em all\nI said my prayer as I'm countin' sheep\nNever really athletic, but I play for keeps,\n \ndo you feel me?\nThe mortician, the morgue fillin' with more snitches\nWe kill 'em and takin' their bitches\n, \nR.I.P\nChinchillas on a winter night\nBlack bottles when I'm feelin' like, you wanna know what winners like\nAnd I'm never on that tour bus\nJust a decoy for niggas, the PJ's for two of us\nCiroc boys down to die for Diddy\nMy niggas ride for less, keep it real, homie, made me filthy\nTouch mine, until it's even: kill\nLike I'm knowin' every heathen will, \nclosed the deal with Steven Hill\nWe Magic City of the networks\nCut a nigga cast off,\n how my nigga net worths [Chorus: French Montana]\nMomma's tryna save me but she don't know I'm tryna save her\nMan, them niggas tried to play me, man, 'til I got this paper\nYou're nobody 'til somebody kills you\n[Outro: Diddy]\nFuck, y'all wanna talk about fuckin' jewelries and Bentley's and Hublot's and fuckin' art that niggas ain't got on their fuckin' walls and fuckin' mansions niggas ain't got. Niggas can't even pay the IRS, let alone their fuckin' staff, nigga. You gotta tell the truth, man.\n \nThe truth'll set you free, son, the truth will set you free" } ]

[ { "from": "human", "value": "Write me a song called Maria I’m Drunk (Demo) with the following description: “Maria I’m Drunk” appears on Travis Scott’s Rodeo, complete with features from Young Thug and Justin Bieber. This is an early version of the song with an extended intro and alternate Travis verse on “Drunk”. It leaked online on June 12, 2019.\nThis version of the song was teased in early 2015 on Travis’s Snapchat story, featuring an extra verse on “Maria” that didn’t make the album version of the song. This demo also features an extra verse on “Drunk” and production elements that were cut from the final track. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Part 1: Maria]\n[Intro: Travis Scott]\nI don't mind if you don't wanna come over\n[Verse 1: Travis Scott]\nMade it to L.A., yeah\nFinally in L.A., yeah\nLookin' for the weed though\nTryna make my own dough\nCallin' for Maria\nLost without Maria\nMight dive in a marina (Uh, ooh, oh)\n[Refrain: Travis Scott]\nSo trust me, baby, trust me\nTrust me, baby, trust me\nTrust me, baby, trust me\nI don't mind\nTrust me, baby, trust me\nTrust me, baby, trust me\nTrust me, baby, trust me\nI don't mind\n[Verse 2: Travis Scott]\nThem summers in Miami (Them summers in Miami)\nRidin', bumpin' Max B (Ridin' out)\nThen I had to hit road\nAnd now I'm finally back home\nBallin' on Maria (I'm ballin' on Maria)\nI'm lost without Maria (I'm lost without Maria)\nI might dive in, I might swim off in marina\nI might do it, I might do it, you remember [Refrain: Travis Scott]\nTrust me, baby, trust me\nTrust me, baby, trust me\nBaby, trust me, baby, trust me\nBaby, I don't mind\nTrust me, trust me\nTrust me, trust me\nTrust me, trust me\nYeah, I don't mind\nOh, mm, whoa\n[Part 2: I'm Drunk]\n[Intro: Young Thug & \nTravis Scott\n]\nTravis Scott\nOh no, ohh\nThugger Thugger, nigga\n(Ayy)\n[Chorus: Young Thug & \nTravis Scott\n]\nCall your friends, let's get drunk (Let's get drunk, ayy)\nCall your friends, let's get drunk\n(Call your friends and let's get drunk)\nCall your friends and let's get drunk\n(\nCall your friends and let's get drunk\n)\nCall your friends, let's get drunk (Hey)\nCall your friends, let's get drunk\nCall your friends, let's get drunk\n(\nCall your friends and let's get drunk\n)\nCall your friends, let's get drunk\n(\nCall your friends and let's get drunk\n) [Verse 1: Travis Scott & \nYoung Thug\n]\n12 more hours left for us in a day\n(\nCall your friends and let's get drunk\n)\nI've been drinkin' all day, I've been floatin' all day\n(\nHey, ooh, call your friends and let's get drunk, hey\n)\nBring your ass over here now, you know where, how I stay\nI've been gone for some time now, I just want a lil' taste (\nYeah\n)\nMix it, mix it, pour (\nLean, lean\n)\nDrinkin', sippin' slow (\nSlow it down, bae\n)\nLean so cold now, froze\nFroze, froze\n(\nAyy, ayy, ayy, ayy, ayy, ayy, ayy, chee, chee, chee\n)\nCome on over, get drunk, yeah\n(\nChee, chee, chee, chee, chee\n)\nSlide by, flyin' through the hill (\nAyy\n)\nRidin' by, you know how it is (\nAyy\n)\nHow I'm finna [?] end up in a minute since I got a ticket (\nWhoa, whoa, whoa\n)\nI'm the problem and the problem fixer (\nWhat?\n)\nI'm the governor and the politician, you know (\nAyy\n)\nI been gettin' hammered since the go\nI'ma grab your curves, you grab my fro (\nSkrt, skrt\n)\nYeah, whoa (\nWhat?\n)\nCall your friends to get drunk (\nBrrt\n)\nI need me a blunt (\nHere\n)\nOne, two, three and I'm buzzed (\nOne, two, three, ayy\n)\nIf you mind, pay us up (\nSkrrt, skrrt\n)\nAll this all for some drugs (\nWhat?\n)\nOh (\nFuck 'em\n)\nYeah (\nAyy\n) [Chorus: Young Thug, \nTravis Scott\n & \nBoth\n]\nCall your friends, let's get drunk\nCall your friends, let's get drunk\n(\nCall your friends and let's get drunk\n)\nCall your friends, let's get drunk (Pull up, baby, ayy)\n(\nCall your friends and let's get drunk\n)\nCall your friends, let's get drunk\nCall your friends, let's get drunk\n(\nCall your friends and let's get drunk\n)\nCall your friends, let's get drunk (Sheesh)\n(\nCall your friends and let's get drunk\n)\n[Verse 2: Young Thug]\nCaress lil mama for weed and she did it for free\n(Call your friends and let's get drunk)\nYeah, that thing wet, baby, I need skis (Skrrt)\n(Call your friends and let's get drunk, hey)\nYeah, I need to skeet\nYeah, oh (Ayy)\nRun it back, pull her tracks (Ayy)\nThen I'ma speed race in that (Skrrt)\nLil mama still got my back (Ayy)\nPull down your pants, I want crack (Yeah)\nI'm growing weed, this ain't trees (Bitch, uh-uh)\nMy bitch brown like Hennessy (Bitch)\nBig blood like Freddy in dreams (Bitch)\nDressed in a tie like the Dean (Bitch)\nDrunk and in love with my baby\nBaby, do not go fast, go slow, wait (Skrrt, skrrt, skrrt, skrrt)\nTell me, tell me information, I got rank (Tell me)\nLet's take a shot together then lay up like planks (Ayy, ayy)\nNever ever do I wanna leave my little lady (Ayy)\nPatrón down, back down, they got a plan 'fore that boy wake (Yeah)\nTold God if I get a iced out watch I won't be late (I promise)\nEvery time I try to stick it in all the way\nBaby girl be like, \"Ayy, ayy, ayy, ayy, ayy\"\nAyy, ayy\n[Chorus: Young Thug]\nCall your friends, let's get drunk (Hol' up)\nCall your friends, let's get drunk\n(Call your friends and let's get drunk)\nCall your friends, let's get drunk\n(Call your friends and let's get drunk)\nCall your friends, let's get drunk (Ayy)\nCall your friends, let's get drunk\nCall your friends, let's get drunk\n(Call your friends and let's get drunk)\nCall your friends, let's get drunk\n(Call your friends and let's get drunk)\nCall your friends, let's get drunk, ayy\n[Outro: Young Thug]\nCall your friends and let's get drunk\nCall your friends and let's get you drunk, hey" } ]

[ { "from": "human", "value": "Write me a song called With or Without You with the following description: Imagine Dragons' rendition of “With or Without You” by U2 was first performed at the Las Vegas Hard Rock Café on January 21st, 2010. Only a single, low-quality recording of this performance is known to exist.\nThe song was later performed at the Sentrum Scene in Oslo, Norway on November 7th, 2013. Before the song played, Dan often talked about the significance of the song during his adolescence. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nSee the stone set in your eyes\nSee the thorn twist in your side\nAnd I wait for you\nSleight of hand and twist of fate\nOn a bed of nails she makes me wait\nAnd I wait without you\n[Chorus]\nWith or without you\nWith or without you\n[Verse 2]\nThrough the storm, we reach the shore\nYou give it all but I want more\nAnd I'm waiting for you\n[Chorus]\nWith or without you\nWith or without you, oh-no\nI can't live with or without you\n[Refrain]\nAnd you give yourself away\nAnd you give yourself away\nAnd you give, and you give\nAnd you give yourself away [Verse 3]\nMy hands are tied\nMy body's bruised she's got me with\nThere's nothing to win\nAnd there's nothing left to lose\n[Refrain]\nAnd you give yourself away\nAnd you give yourself away\nAnd you give, and you give\nAnd you give yourself away\n[Chorus]\nWith or without you\nWith or without you, oh-no\nI can't live with or without you\nAlright we gotta be heard, help me out\n[Bridge]\nOhh-oh-oh-oh, ohh-oh-oh-oh\nOhh-oh-oh-oh, oh-whoa\nOo-oo-oo-oo, oo-oo-oo-oo\n[Outro]\nWith or without you\nWith or without you, oh-no\nI can't live with or without you\nOne more time, here we go\nOhh-oh-oh-oh, ohh-oh-oh-oh\nOhh-oh-oh-oh, oh-whoa\nWith or without you" } ]

[ { "from": "human", "value": "Write me a song called She Bumped Her Head with the following description: “She Bumped Her Head” is track 5 from Young Thug & Chris Brown’s collaboration mixtape, Slime & B, and it features Gunna. The song was first previewed by Thug on his Instagram story on May 27, 2019, almost an entire year before the mixtape released. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Young Thug]\n(\nMakers\n)\nI'll pull up on 'em, pull up\nYeah\nShit, I'll get it, no cap\n(\nRun that back, Turbo\n)\nSEX\n[Chorus: Young Thug & Chris Brown, \nYoung Thug\n, \nChris Brown\n]\nMy lil' shawty had bumped her head\nAnd I steady been whippin' her (\nSEX\n)\nIf I roll up the Maybach windows\nWe don't care 'bout the listeners (\nShh\n)\nI don't know what a nigga told you\nBut he should've told you I'm killin' him (\nShould've told\n)\nI be draped in Margielas\nAnd I don't need credentials (\nDon't need 'em\n, \ndon't need credentials, baby\n)\nIf a nigga can't put that shit on (\nWhat?\n)\nGotta get off the premises (\nBeat it\n, \njust gotta go\n)\nI just came from the crack of the dawn (\nWhy?\n)\n'Cause a nigga was travelin' (\nNo cap\n)\nHad to put all my young niggas on\nAin't no jewelry we sharing (\nNo jewelry\n)\nHad to rock the two-tones on the same day\n'Cause these niggas been trippin' (\nBoth us got 'em, fool\n) [Verse 1: Young Thug]\nI triple up, pour my cup and it's all 'Tussin\nMy coupe got nitro and all dustin' (Yeah)\nWe smokin' these niggas like kush\nYeah, when we fuck on these hoes, make 'em gush (Woo)\nPop out the Bentley Mulsanne, head to Tootsies\nI fuck on your ho and she say that my pussy\nI wet paper napkin, I'm wipin' my dick off\nThis Actavis slushin', my ho drink that Cristal\nShe wrapped in saran, dressed fresh as she can\n'Cause I just been playin' with these bands (Racks)\nI open my hand, there's nothin' but bands\nNow YSL big as Japan (On God)\nI head dropped in the Lam', ducked fast as I can\n'Cause I was gettin' trailed by a van (Skrrt)\nI'm poppin', my mama, my bitch\nAnd even my baby mama whip a sedan (Woo)\nI just spent some bands, spent five hundred grand\nI'm waitin' on these bags to land (Racks)\nI'm cool as a fan, you play with my man\nAnd we come and takin' your land\nI took YSL from here to the can\nAnd it got niggas waitin' to land (Slatt)\nI told all my niggas, \"Sit back, it's a scam\"\nWhen these niggas go on a rant [Chorus: Young Thug & Chris Brown, \nYoung Thug\n, \nChris Brown\n]\nMy lil' shawty had bumped her head\nAnd I steady been whippin' her (\nSEX\n)\nIf I roll up the Maybach windows\nWe don't care 'bout the listeners (\nShh\n)\nI don't know what a nigga told you\nBut he should've told you I'm killin' him (\nShould've told\n)\nI be draped in Margielas\nAnd I don't need credentials (\nDon't need 'em\n, \ndon't need credentials, baby\n)\nIf a nigga can't put that shit on (\nWhat?\n)\nGotta get off the premises (\nBeat it\n, \njust gotta go\n)\nI just came from the crack of the dawn (\nWhy?\n)\n'Cause a nigga was travelin' (\nNo cap\n)\nHad to put all my young niggas on\nAin't no jewelry we sharing (\nNo jewelry\n)\nHad to rock the two-tones on the same day\n'Cause these niggas been trippin'\n[Verse 2: Gunna]\nSpent a whole hunnid racks on the plain Jane\nThat's a cool pretty penny, you lil' bitty bitches\nKnow me by my first and my last name\nI done went got the riches, I'm out your division\nI'm fuckin' these hoes in the backstage\nNo, I don't do no kisses\nShe know I just tip her and send her on home like a Backpage\nI been playin' with this ice, look like \nIce Age\nI just got me a rose gold chain, it remind me of Moët\nGot the Louis V shirt and belt and chain, should've seen how I wore it (Yeah, yeah)\nI call the slimes that'll pull up with the things that'll kill all the noise\nAfter U.S., now I'm headed out to Spain, I got foreign lil' whores\nThat biscotti, I smoke it like a train, smell that shit in my kidney\nI got lil' shawty inside a Mulsanne, she don't know it's a Bentley (No, no)\nShe asked me for a lil' help on her back end and you know that I did it\nFound the old check and I went to go cash it, lotta money we gettin' [Chorus: Young Thug & Chris Brown, \nYoung Thug\n, \nChris Brown\n]\nMy lil' shawty had bumped her head\nAnd I steady been whippin' her (\nSEX\n)\nIf I roll up the Maybach windows\nWe don't care 'bout the listeners (\nShh\n)\nI don't know what a nigga told you\nBut he should've told you I'm killin' him (\nShould've told\n)\nI be draped in Margielas\nAnd I don't need credentials (\nDon't need 'em\n, \ndon't need credentials, baby\n)\nIf a nigga can't put that shit on (\nWhat?\n)\nGotta get off the premises (\nBeat it\n, \njust gotta go\n)\nI just came from the crack of the dawn (\nWhy?\n)\n'Cause a nigga was travelin' (\nNo cap\n)\nHad to put all my young niggas on\nAin't no jewelry we sharing (\nNo jewelry\n)\nHad to rock the two-tones on the same day\n'Cause these niggas been trippin' (\nBoth us got 'em, fool\n)\n[Verse 3: Chris Brown]\nI ordered two more two-tones\nCallin' my plug on two phones\nLambos, six-fours, got it offset, it's sittin' low\nMy shit stainless, don't put your fingers on it\nNo, these ain't no finger waves, bitch, this ain't Tony! Toni! Toné!\nI feel like Kurt Cobain, hit the brain with the shotgun\nYeah, my niggas do it for me, I never shot one\nAnd watch her get on her knees, give me that rug burn\nI told her I got five on me, send me the wire (Ooh)\n[Chorus: Young Thug & Chris Brown, \nYoung Thug\n, \nChris Brown\n]\nMy lil' shawty had bumped her head\nAnd I steady been whippin' her (\nYeah\n, \nSEX\n)\nIf I roll up the Maybach windows\nWe don't care 'bout the listeners (\nNo,\n \nshh\n)\nI don't know what a nigga told you\nBut he should've told you I'm killin' him (\nKillin' him\n, \nshould've told\n)\nI be draped in Margielas (\nOoh-ooh\n)\nAnd I don't need credentials (\nDon't need 'em\n, \ndon't need credentials, baby\n)\nIf a nigga can't put that shit on (\nWhat?\n)\nGotta get off the premises (\nBeat it, girl,\n \njust gotta go\n)\nI just came from the crack of the dawn (\nOh\n)\n'Cause a nigga was travelin' (\nNo cap\n, \nwe ain't cappin'\n)\nHad to put all my young niggas on\nAin't no jewelry we sharing (\nOoh, yeah\n, \nno jewelry\n)\nHad to rock the two-tones on the same day (\nOoh, yeah\n)\n'Cause these niggas been trippin' (\nOoh, yeah,\n \nboth us got 'em, fool\n)\n[Outro: Gunna]\nThat biscotti, I smoke it like a train, smell that shit on my pores\nThis my lil' shawty first time inside the Lam', she can't open the doors\nI do not fuck with you disloyal niggas, thought the world could be yours\nCross out the double and hit him with a triple, it ain't no other choice" } ]

[ { "from": "human", "value": "Write me a song called Enemies with the following description: “Enemies” denotes the feeling of not obtaining the desired relationship with another. In this new single, Lauv wants to forget about past scars in a previous relationship and stitch them up as best as possible. Even though he is aware that their relationship may never be what it used to be, he wishes for her to not see him as an enemy.\n“Enemies” is number eight in Lauv’s complete playlist I met you when I was 18, leading on after the ballad, ‘The Story Never Ends’. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI thought we said we're good\nWas I misunderstood?\nYou lookin' at me so cold\nAfter all that we've been through\nHow could you pretend?\nI'm someone that you don't know\n[Pre-Chorus]\nI'm so sick of planning all my nights, nights\n'round avoiding you, it's gotta end\nWe don't have to love again or try, try\nBut can you tell me\n[Chorus]\nOh, why do we, we have to be\nEnemies, enemies?\nForget all the scars, all that they are\nMemories, memories\nOh, I know it hurts 'cause I feel it too\nBut after all, all that we been through, yeah\nOh, why do we, we have to be\nEnemies, enemies?\n[Verse 2]\nYou see me walkin' towards\nYou're headed for the door\nWhy is your shoulder so cold?\nI know it's hard to speak\nWith all our history\nBut that don't mean you should go [Pre-Chorus]\nI'm so sick of planning all my nights, nights\n'round avoiding you it's gotta end\nWe don't have to love again or try, try\nBut can you tell me\n[Chorus]\nOh, why do we, we have to be\nEnemies, enemies?\nForget all the scars, all that they are\nMemories, memories\nOh, I know it hurts 'cause I feel it too\nBut after all, all that we been through\nOh, why do we, we have to be\nEnemies, enemies?\n[Bridge]\nOh, tell me why did, why did we\nThrow away the love we had?\nAnd tell me why do, why do we\nLove to make it hurt so bad\nYeah, I know that we can't be friends\nBut after all the things we been\nOh, why do we, we have to be enemies? Oh\n[Chorus]\nOh, why do we, we have to be\nEnemies, enemies?\nForget all the scars, all that they are\nMemories, memories\nOh, I know it hurts 'cause I feel it too\nBut after all, all that we been through, yeah\nOh, why do we, we have to be\nEnemies, enemies?" } ]

[ { "from": "human", "value": "Write me a song called Walking the Wire with the following description: “Walking the Wire” possesses the signature Imagine Dragons bass-heavy, meaningful, pulse racing sound. The track is about overcoming hardships and struggles in a rocky relationship. Knowing that they can succeed means they can get higher up.\nThe track was released as the second and last promotional single in preparation for the release of their album Evolve. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nDo you feel the same when I'm away from you? (Oo-ooh, oo-ooh)\nDo you know the line that I'd walk for you? (Oo-ooh, oo-ooh)\nWe could turn around or we could give it up\nBut we'll take what comes, take what comes\n[Verse 2]\nOh, the storm is ragin' against us now (Oo-ooh, oo-ooh)\nIf you're afraid of falling, then don't look down (Oo-ooh, oo-ooh)\nBut we took the step, oh, we took the leap\nAnd we'll take what comes, take what comes\n[Pre-Chorus]\nFeel the wind in your hair\nFeel the rush way up here\n[Chorus]\nWe're walkin' the wire, love\nWe're walkin' the wire, love\nWe couldn't be higher, up\nWe're walkin' the wire, wire, wire\n[Verse 3]\nThere's nights we had to just walk away (Oo-ooh, oo-ooh)\nAnd there's tears we'll cry, but those tears will fade (Oo-ooh, oo-ooh)\nIt's a price you pay when it comes to love\nAnd we'll take what comes, take what comes [Pre-Chorus]\nFeel the wind in your hair\nFeel the rush way up here\n[Chorus]\nWe're walkin' the wire, love\nWe're walkin' the wire, love\nWe couldn't be higher, up\nWe're walkin' the wire, wire, wire\n[Bridge]\nSo look out down below\nLook out down below\nLook out down below\nWalkin' the wire, wire, wire\nSo look out down below\n[Verse 4]\nOh, I'll take your hand when thunder roars\nAnd I'll hold you close, I'll stay the course\nI promise you from up above\nThat we'll take what comes, take what comes, love\n[Chorus]\nWe're walkin' the wire, love\nWe're walkin' the wire, love\nWe couldn't be higher, up (Couldn't be, couldn't be)\nWe're walkin' the wire, wire, wire [Outro]\nSo look out down below\nLook out down below\nLook out down below\nWalkin' the wire, wire, wire\nSo look out down below\nWe're walkin' the wire\nWe're walkin' the wire\nWe're walkin' the wire, wire, wire" } ]

[ { "from": "human", "value": "Write me a song called Hold Up with the following description: “Hold Up” is an unreleased song by rapper 21 Savage, produced by frequent-collaborator Metro Boomin and Southside.\nThe song was leaked by Music Mafia on April 20, 2018. Its origins are unknown, though it’s possible that it was recorded during the Savage Mode or Issa Album sessions. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n21, 21\n21, 21\nGood head make a nigga toes curl (hol' up)\nSouthside\nAn' I'm still flexin' on my old girl (hol' up)\nMetro Boomin want some more, nigga\nI'm in the studio and I got hoes there (21, 21)\n[Chorus]\nHol' up, bitch, you on some guap\nHol' up, bitch, I need some top\nHol' up, bitch, I'm in a drop\nHol' up, bitch, I'm in a drop\nHol' up, bitch, I'm rich as fuck\nHol' up, bitch, I'm 'bout my bucks\nHol' up, bitch, I see his ?\nHol' up, bitch, them diamonds, yup\nHol' up, bitch, watch where you step\nHol' up, bitch, I got that chop'\nWaitin' on me to wife you, ah\nBitch, you bet' not hold your breath\nHol' up, bitch, you bet' not tell\nIf I fuck you, bitch, you bet' not tell\n[Verse]\nIf I fuck you bitch, you lucky\nI need a thick, brown-skin bitch like Buffy\nI need a bad bitch to suck me up\nI need a bad bitch to lick it up\nWhat, what?\nNeed a gnat, gnat\nTook the rubber off and skeeted on her butt, butt\nFucked her best friend, she like, \"So what?\"\nI'm a real skreet nigga, you a whole duck\nI'm in 9th Ward, nigga, doin' donuts\nI'm in paradise, nigga, doin' donuts\nPDE and Slaughter Gang and, nigga, we goin' nuts\nAll that pillow-talkin', nigga, get you ripped up [Chorus]\nHol' up, bitch, you on some guap\nHol' up, bitch, I need some top\nHol' up, bitch, I'm in a drop\nHol' up, bitch, I'm in a drop\nHol' up, bitch, I'm rich as fuck\nHol' up, bitch, I'm 'bout my bucks\nHol' up, bitch, I see his [?]\nHol' up, bitch, them diamonds, yup\nHol' up, bitch, watch where you step\nHol' up, bitch, I got that chop'\nWaitin' on me to wife you, ah\nBitch, you bet' not hold your breath\nHol' up, bitch, you bet' not tell\nIf I fuck you, bitch, you bet' not tell" } ]

[ { "from": "human", "value": "Write me a song called Famous (Original Version) with the following description: This track serves as the original version of Kanye West’s February 2016 hit, “Famous.” The unreleased version features a feature from Chicago rapper Chance the Rapper, who also appeared on The Life of Pablo track, “Ultralight Beam.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Rihanna + (Kanye West)]\nMan I can understand how it might be\nKinda hard to love a girl like me\nI don't blame you much for wanting to be free\nI just wanted you to know\n(Swizz told me let the beat rock)\n[Verse 1: Kanye West + (Swizz Beatz)]\nFor all my Southside niggas that know me best\nI feel like me and Taylor might still have sex\nWhy? I made that bitch famous (God damn)\nI made that bitch famous\nFor all the girls that got dick from Kanye West\nIf you see 'em in the streets give 'em Kanye's best\nWhy? They mad they ain't famous (God damn)\nThey mad they're still nameless (Talk that talk, man)\nHer man in the store tryna try his best\nBut he just can't seem to get Kanye fresh\nBut we still hood famous (God damn)\nYeah we still hood famous\n[Hook: Rihanna + (Swizz Beatz)]\nI just wanted you to know\nI loved you better than your own kin did\nFrom the very start\nI don't blame you much for wanting to be free\n(Wake up, Mr. West! Oh, he's up!)\nI just wanted you to know [Verse 2: Chance the Rapper]\nGood God\nMidwest coast back nigga\nAnd don't say nigga unless of course you black nigga\nFree country they say that shit in Tennessee\n'Cause I got all they white daughters drinking Hennessy\nI'ma go to Sal's, put some niggas on a wall\nI might go to Oz take some niggas off the wall\nGot the key to the city, the streets on lock\nTryna take 'em to the top, they say Chano so involved\nI know\nKing Dolo, 3rd, even the group solo\nIt's been that way since my shirt had 2 polos\nWe the kids they keep in the back\nI'm in love with my city, bitch I sleep in my hat\nI'm a free agent, go and do the math\nUnderdog of underground, Tubman with the path\nThey askin' bout the help and all I do is laugh\nI say God my only boss, even Moses had a staff\n[Bridge: Sister Nancy + (Swizz Beatz)]\nBam bam, bam bam\nBam bam dilla, bam bam\n'ey what a bam bam\n(How you feeling right now? Let me see your lighters in the air)\nBam bam dilla, bam bam\nBam bam eh\nBam bam, bam bam\n(Let me see your middle finger in the air)\nBam bam, bam bam\nBam bam dilla, bam bam\n(Let me see you act up in this motherfucker)\n'ey what a bam bam\nBam bam dilla, bam bam\n(How you feelin', how you feelin, how you feelin' in this mother fucker, god damn)\nBam bam\n(One thing you can't do is stop us now)\nBam bam, bam bam\nBam bam dilla, bam bam\n(You can't stop the thing now)\n'ey what a bam bam\n(Man it's way too late, it's way too late, it's way too late you can't fuck with us)\nBam bam dilla, bam bam\nBam bam, bam bam\nBam bam, bam bam\n(To the left, to the right)\nBam bam dilla, bam bam\n(I wanna see everybody hands in the air like this)\n'ey what a bam bam\nBam bam, bam bam\nBam bam dilla, bam bam [Outro: Nina Simone]\nI just wanted you to know\nI loved you better than your own kin did\nFrom the very start\nI don't blame you much for wanting to be free\nI just wanted you to know\n[Produced by Kanye West, Charlie Heat, Havoc & Noah Goldstein]" } ]

[ { "from": "human", "value": "Write me a song called Speed Demon with the following description: The Thrill of being behind the wheel and going 100+ MPH without anyone or anything in your way. Even if the law is right behind you and asking you to pullover-YOU WILL NOT STOP OR SLOW DOWN\nThis song is all about having that addiction to speed.\n…A Need for Speed.\n\nOn Your Marks\nGet Set…\nGO!\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Refrain]\nCho! Cho!\nCho! Oh!\nCho! Cho!\nCho!\n[Verse 1]\nI'm headed for the border, it's on my mind\nAnd nothing really matters, I've got to be on time\nLook in the view mirror, is he hot on my tracks?\nIs he getting nearer?, I feel some heat is on my back\n[Chorus]\n(Speed demon) Speedin' on the freeway, gotta get a leadway\n(Speed demon) Doing it on the highway, gotta have it my way\n(Speed demon) Mind is like a compass, I'm stopping at nothing\n(Speed demon, he say) Pull over, boy, and get your ticket right\n[Refrain]\nCho!\n[Verse 2]\nAin't nothing gonna stop me, ain't no stop and go\nI'm speeding on the midway, I gotta really burn this road\n[Chorus]\n(Speed demon) Speedin' on the freeway, gotta get a leadway\n(Speed demon) Doing it on the highway, gotta have it my way\n(Speed demon) Mind is like a compass, I'm stopping at nothing\n(Speed demon, he say) Pull over, boy, and get your ticket right [Refrain]\nCho!\n[Bridge]\nSpeed demon, you're the very same one\nWho said the future's in your hands, the life you save could be your own\nYou're preaching 'bout my life like you're the law\nGonna live each day and hour like for me there's no tomorrow\nGo! Go!\nGo! Ow!\n[Refrain]\nCho! Oh!\nCho! Cho!\nCho!\n[Chorus]\n(Speed demon) Speedin' on the freeway, gotta get a leadway\n(Speed demon) Got fire in my pocket, I just lit a rocket\n(Speed demon) Just pull over, boy, and get your ticket right\n(Speed demon) Pull over, boy, and get your ticket right\n(Speed demon) Just pull over, boy, and eat your ticket\nPull over, boy, pull over, boy, and get your ticket right (Ooh!)\n[Outro]\nUh! Ah!\nC'mon! Hoo!\nGet your ticket right, ah\nPull over, boy\nGet your ticket right\nPull over, boy\nPull over, boy, and get your ticket\nEat your ticket, get your ticket\nEat your, get your\nHoo! Aah!\nOoh!\nGet your ticket right, ah\nHoo!\nOoh!" } ]

[ { "from": "human", "value": "Write me a song called Erase Your Social with the following description: In “Erase Your Social,” Lyle Leduff and Don Cannon team up for a slow beat, while Uzi raps regarding issues with social media and former friends.\nThe beat samples “Cufool – Pocket Love,” which was uploaded to Looperman, on December 24, 2011. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(\nCannon\n)\n[Pre-Chorus]\nKnow I walk with the racks on me\nBad bitch want back back and you know she throw that ass on me\nI don't want that girl 'cause she want me 'cause the cash on me\nYeah, you know she cappin', homie\nDreadlock, that cap on me\n[Chorus]\nBack then, they napped on me\nNow they all just act homie\nNow I'm hot, they all on me\nPull out the Snapchats on me\nI ain't got no Snapchat, homie\nI think it's too personal\nThat's what I got Twitter for\nInstagram, I'll bag your ho\nBack then, they napped on me (What?)\nNow they all just act homie (Chee)\nNow I'm hot, they all on me (What?)\nPull out the Snapchats on me (Ayy)\nI ain't got no Snapchat, homie (No)\nI think it's too personal (What?)\nThat's what I got Twitter for (Yeah)\nInstagram, I'll bag your ho (Yeah)\nBack then, they napped on me (What?)\nNow they all just act homie (Chee)\nNow I'm hot, they all on me (What?)\nPull out the Snapchats on me (Ayy)\nI ain't got no Snapchat, homie (No)\nI think it's too personal (What?)\nThat's what I got Twitter for (Yeah)\nInstagram, I'll bag your ho (Yeah) [Verse]\nLike, flex on you haters (Huh?), hi haters (Yeah)\nThis is my world so it's all in my favor (Yeah)\nI like all girls, yeah, all type of flavors\nBut that don't matter 'cause I just got my baby, psyche\nPull up right there in Mercedes (Skrrt)\nWater, water like the Navy (Uh)\nFuck that girl 'til the sun down\nNumber one like I'm McGrady (That way)\n[Refrain]\nBoy, you said that you made me (Yeah)\nGo ahead, make another one\nDo what I want 'cause I'm trustin' none (Huh)\nI'ma love her 'til the love is done\nTook your girl\n, she ain't try to run\nHit from the back so her legs get numb (Yeah)\nHit from the back so long (Yeah) that my own legs startin' to get numb\n[Bridge]\nSuckin' me up, give me brain, now she dumb\nTell her it's repercussions (What?)\nPlay her just like a drum\nMake in a night what you make in a month\n[Chorus]\nBack then, they napped on me (Huh? What?)\nNow they all just act homie (Chee)\nNow I'm hot, they all on me (What?)\nPull out the Snapchats on me (Ayy)\nI ain't got no Snapchat, homie (No)\nI think it's too personal (What?)\nThat's what I got Twitter for (Yeah)\nInstagram, I'll bag your ho (Yeah)\nBack then, they napped on me (What?)\nNow they all just act homie (Chee)\nNow I'm hot, they all on me (What?)\nPull out the Snapchats on me (Ayy)\nI ain't got no Snapchat, homie (No)\nI think it's too personal (What?)\nThat's what I got Twitter for (Yeah)\nInstagram, I'll bag your ho (Yeah) [Refrain]\nBoy, you said that you made me (Huh?)\nGo ahead, make another one (Yeah)\nDo what I want 'cause I'm trustin' none\nI'ma love her 'til the love is done (Yeah)\nTook your girl, she ain't try to run\nHit from the back so her legs get numb\nHit from the back so long that my own legs startin' to get numb (Skrrt)\n[Pre-Chorus]\nKnow I walk with the racks on me (Yeah)\nBad bitch want back back and you know she throw that ass on me (Yeah, yeah)\nI don't want that girl 'cause she want me 'cause the cash on me (Huh?)\nYeah, you know she cappin' homie (What?)\nDreadlock, that cap on me (Yeah)\n[Chorus]\nBack then they napped on me (What?)\nNow they all just act homie (Chee)\nNow I'm hot, they all on me (What?)\nPull out the Snapchats on me (Ayy)\nI ain't got no Snapchat, homie (No)\nI think it's too personal (What?)\nThat's what I got Twitter for (Yeah)\nInstagram, I'll bag your ho (Yeah)\nBack then they napped on me (What?)\nNow they all just act homie (Chee)\nNow I'm hot, they all on me (What?)\nPull out the Snapchats on me (Ayy)\nI ain't got no Snapchat, homie (No)\nI think it's too personal (What?)\nThat's what I got Twitter for (Yeah)\nInstagram, I'll bag your ho (Yeah)\nBack then they napped on me (What?)\nNow they all just act homie (Chee)\nNow I'm hot, they all on me (What?)\nPull out the Snapchats on me (Ayy)\nI ain't got no Snapchat, homie (No)\nI think it's too personal (What?)\nThat's what I got Twitter for (Yeah)\nInstagram, I'll bag your ho (Yeah) [Outro]\nI ain't gon' lie\nThe baddest girls do be on Snapchat\nI'm finna make one" } ]

[ { "from": "human", "value": "Write me a song called Real Sisters with the following description: “Real Sisters” is the eighth track on Beast Mode and track sixteen on DS2. It was originally released on December 31st, 2014.\nThe official music video followed later on July 9, 2015. It shows Future pulling off a large drug heist with the help from some sexy sisters.\nhttps://www.youtube.com/watch?v=AiPrHaGJsT8 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nThis that new wave (\nZaytoven\n)\nFuture Hendrix, yeah, oh\nOh, that's your, that's your, that's your, shit\nHuh, hey, yeah (Hey)\n[Chorus]\nSay you getting throwed, I'm tryna pour up with you (Pour up)\nOh, that's your best friend? I'm tryna fuck her with you (I swear)\nFirst met the bitches, they said they real sisters (Okay)\nI don't give a fuck if they was real sisters (I swear)\nFuck around with me, try to dodge bullets (Slatt, slatt)\nServe a pack of chickens in a Dodge Hemi\n \n(Freebandz)\nFuck around with me, try to dodge bullets (I swear)\nFuck around with me, I fuck twin sisters\n[Verse 1]\nShit, whipping up a key, tryna dodge prison (Yeah)\nTrapping in the street in some Margielas (Atlanta)\nPay attorney fees with that Godzilla (I swear)\nSell that heroin in the trap, I'm a dog nigga\nBlack Amigo Gang, got them bales on us (Bales)\nWay before the fame I had a bail on me\nTwenty thousand off a juug, ain't got a scale on me (Juug)\nReal shooters, they'll sit in jail for me (I swear)\nKill the judge, nigga, 'fore they tell on me (Slatt)\nAnd fuck a plug, nigga, I'm tryna take something (Fuck 'em)\nFinessed him out that cash, say he raped something\nI'm in Little Mexico, on the real, we 'bout to take something (Check) [Chorus]\nSay you getting throwed, I'm tryna pour up with you (Pour up)\nOh, that's your best friend? I'm tryna fuck her with you (I swear)\nFirst met the bitches, they said they real sisters (Okay)\nI don't give a fuck if they was real sisters (I swear)\nFuck around with me, try to dodge bullets (Slatt, slatt)\nServe a pack of chickens in a Dodge Hemi\n \n(Freebandz)\nFuck around with me, try to dodge bullets (I swear)\nFuck around with me, I fuck twin sisters\n[Verse 2]\nHublot on a nigga so she down for me (Yeah)\nStanding on the stage with them rounds on me (Them rounds on us)\nI serve a lot of chickens and I'm innocent\nI'm riding with that white, dodging penitentiary (Yeah)\nMiddle fingers always to the po-po (Fuck 'em)\nI done fell in love with the Lambo (I swear)\nI been taking mollies, rockin' Tommy (Rockin' Tommy)\nTom Ford, nigga walking like a zombie (Whatever)\nStanding in the trenches screaming murder (Whatever)\nYou need to take that nigga off and try to serve 'em (I swear)\nShe got Chanel dripping off her, I'm 'bout to murk her \n(Freebandz)\nAnd I can tell the way she talk, them bitches thirsty (Yeah, hey)\n[Chorus]\nSay you getting throwed, I'm tryna pour up with you (Pour up)\nOh, that's your best friend? I'm tryna fuck her with you (I swear)\nFirst met the bitches, they said they real sisters (Okay)\nI don't give a fuck if they was real sisters (I swear)\nFuck around with me, try to dodge bullets (Slatt, slatt)\nServe a pack of chickens in a Dodge Hemi\n \n(Freebandz)\nFuck around with me, try to dodge bullets (I swear)\nFuck around with me, I fuck twin sisters [Outro]\nSlatt, slatt\nFreebandz\nI swear" } ]

[ { "from": "human", "value": "Write me a song called Scholarships with the following description: “Scholarships” are monetary grants provided for a student’s education, usually awarded to those who excel in a particular field, including academia, arts, and sport.\nDrake and Future received scholarships from the University of Freeband Gang-October’s Very Own (U of FBGOVO) for their achievements in ballin' outta control. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Future]\nYeah\nUh\nFuture\nWakin' (\nMetro Boomin want some more, nigga\n)\n[Chorus: Future]\nI wake up on a daily basis\nI count this money up, I'm already rich\n \n(Freebandz)\nI go so hard with these riches\n \n(Freebandz)\nI fell in love with this dodie (I did)\nI fell in love with the Rollie (Yeah)\nI wake up, pray every morning (Pray)\nThese demons, they callin' my soul (Hold up)\nI said fuck all of you hoes (Hold up)\nI'm ballin' outta control (I'm ballin')\nI'm ballin' outta control (Let's ball)\n[Post-Chorus: Future]\nIf I could give everything back to you\nAll this passion I got, all I ever need (All that)\nFor me to move on and succeed (All that)\nFor me to move on and succeed (All that)\nJealousy, envy, and greed (Hah)\nToo much of this shit, I don't need it [Verse 1: Future]\nI turned on the gas with a nickel-plated (I did)\nI sit back and laugh 'cause these niggas traitors (Hahaha)\nMentally, none of this shit can faze me (Mentally)\nMentally, none of this shit can faze me (Yeah)\nI came out the trenches, I really made it (I really did)\nI came out the gutter, I really made it (Sure I did)\nI stack up the butter, I gotta save it\n \n(Freebandz)\nStack up the cheddar, you gotta save it (Gang)\nShoot out the carbine, no lovey-dovey (Facts)\nThese bitches, they lookin' for hubby-hubby (Hubby-hubby)\nI'm lookin' for paper in any city (I swear)\nI got a bitch located in every city\nGotta have them sticks on us in every city (I swear)\nTake the private 'cause lately, out here, we gettin' it (Yeah)\nSpent like seven-hundred thousand on both the Bentleys (Skrrt)\nI got love for the city, I jugg and get it (Yeah)\n[Chorus: Drake & \nFuture\n]\nI wake up on a daily basis\nI count the money, man, I'm already rich\nI go so hard with these riches\nI fell in love with the dodie\nI fell in love with the Rollie\nWake up and pray every morning\nDemons, they callin' my soul (\nHold up\n)\nI said fuck all of you hoes (Hold up)\nI'm ballin' outta control (I'm ballin')\nI'm ballin' outta control (Let's ball out)\nI'm ballin' outta control (I'm ballin')\nI'm ballin' outta control (Let's—) [Verse 2: Drake]\nI need acknowledgement (Need it)\nIf I got it, then tell me I got it then (Tell me)\nI'm ballin' outta control (Ballin')\nKeep on receiving the scholarships (Woo)\nMayor comin' to the house (Woo)\nNigga, please, watch your mouth (Watch it)\nI'm the one without a doubt (Watch it), yeah\nAnd I rock Kentucky blue on these hoes\nDrafted, I'm gettin' choosed by these hoes\nUsually, they just leave when we done\nI don't wan' share no room with these hoes\nMetro gon' make it boom on these hoes\nAnd me, I just stick and move on these hoes\nWe got that purple rain for the pain\nMy niggas, we ain't change, we ain't change, yeah\n[Chorus: Future]\nI wake up on a daily basis\nI count this money up, I'm already rich\n \n(Freebandz)\nI go so hard with these riches\n \n(Freebandz)\nI fell in love with this dodie (I did)\nI fell in love with the Rollie (Yeah)\nI wake up, pray every morning (Pray)\nThese demons, they callin' my soul (Hold up)\nI said fuck all of you hoes (Hold up)\nI'm ballin' outta control (I'm ballin')\nI'm ballin' outta control (Let's ball out)\nI'm ballin' outta control (I'm ballin')\nI'm ballin' outta control (Let's—)" } ]

[ { "from": "human", "value": "Write me a song called Purple Pills with the following description: This song is the first single from D12’s debut album Devil’s Night.\nAt the time, most MC’s rapped about selling drugs or smoking weed, while D12 were happy to sample everything available on the street, or in the medicine cabinet.\nA clean version of this song called “Purple Hills” was made for the radio due to the explicit drug & sexual references.\nhttps://www.youtube.com/watch?v=Ktkbbs8CJ1I Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Eminem]\nUh\nYo, yo, yo, yo\n[Chorus: Eminem]\nI take a couple uppers\nI down a couple downers\nBut nothin' compares\nTo these blue and yellow purple pills\nI been to mushroom mountain\nOnce or twice, but who's countin'?\nBut nothin' compares\nTo these blue and yellow purple pills\n[Verse 1: Eminem]\nCool, calm, just like my mom\nWith a couple of Valium inside her palm\nIt's Mr. Mischief with a trick up his sleeve\nTo roll up on you like Christopher Reeves\nI can't describe the vibe I get\nWhen I drive by six people and five I hit (Whoops!)\nAw shit, I started a mosh pit\nSquashed a bitch and stomped her foster kids\nThese \nshrooms\n make me hallucinate\nThen I sweat 'til I start losin' weight\n'Til I see dumb shit start happenin'\nDumber than Vanilla Ice tryin' to rap again\nSo bounce, bounce! Come on, bounce!\n*Gunshots* I said come on, bounce!\nEverybody in the house with a half an ounce (Me!)\nNot weed, I meant coke; dumb-ass, sit down! (Oh)\nWe don't bullshit, better ask around\nD12 throws the bombest bash in town\nBizarre, your mom is passin' out\nGet her ass on the couch 'fore she crashes out (Come on) [Verse 2: Kuniva, \nKon Artis\n (& Eminem)]\nFuck that, someone help Denaun\nHe's upstairs naked with a weapon drawn\nHey Von, you see me steppin' on these leprechauns?\nIt gotta be acid 'cause the X is gone\nYeah, I took 'em all, dawg, \nwith some Parmesan\nAnd I think my arm is gone — No, it's probably numb\nYoung, dumb, and full of cum\nAnd I think he 'bout to swallow his tongue\nScary-ass, it was a false alarm\nYou think I'm 'bout to die when I just got on?\nWell, stop actin' stupid; you so high\nThat you might wake up with a guy on some new shit\nYeah, I think I did too much\n (Huh-uh)\nThis substance equals cuffs\n (Huh-uh)\nRed pills, blue pills, and green\nBig pills — (That's ill!) — Mescaline\n[Chorus: Eminem]\nI take a couple uppers\nI down a couple downers\nBut nothin' compares\nTo these blue and yellow purple pills\nI been to mushroom mountain\nOnce or twice, but who's countin'?\nBut nothin' compares\nTo these blue and yellow purple pills [Bridge: Eminem]\nDirty Dozen, eighty of us\nShady brothers, ladies love us\nThat's why our baby mothers\nLove us but they hate each other\nThey probably wanna take each other\nOut and date each other\nSome, some, some\nSomethin'... I don't know\n[Verse 3: Proof & \nBizarre\n]\nPop pills, pills I pop\nPop two pills, on stilts I walk\nSnort two lines that were filled with chalk\nThought I was incredible and killed the Hulk\nI wanna roll away like a rollerblade\nUntil my eyes roll back in my skull for days\nAnd when I'm old and gray look for dope to smoke?\nNo? Okey-doke, I'm packin' my nose with coke\n(*Coughing*) Am I supposed to choke?\nHad an accident when the Trojan broke\nAh, poor baby, born by a whore lady\nNow I gotta strangle an {infant} (\nYou're crazy!\n)\n[Verse 4: Swift, \nBizarre\n (& Eminem)]\nI pop four E's at one time\nAnd I don't need water when I'm swallowin' mine\n(\nHey, you got any shrooms?\n) Does Bizarre smoke crack?\nWe can't get jobs, 'cause our arms show tracks\nWhy the hell you niggas think I rap?\nWe do it just to get your company hijacked\nIf you like smack, then I might too\n(\nSwift, chill!\n) I just wanna get high like you\nAnd I don't give a damn if they white or blue (Huh-uh)\nSpeed, shrooms, down the Valiums (Huh-uh)\nEven smoke weed out of vacuums\nI just copped some and I'm goin' back soon [Chorus: Eminem]\nI take a couple uppers\nI down a couple downers\nBut nothin' compares\nTo these blue and yellow purple pills\nI been to mushroom mountain\nOnce or twice, but who's countin'?\nBut nothin' compares\nTo these blue and yellow purple pills\n[Verse 5: Bizarre]\nI'm at a rave, lookin' like a slave\nHigh off chronic\nGin and tonic demonic\nBody smell like vomit\nPussy poppin', acid droppin'\nDope-heady guy\nHeroin mescaline\nPencil leads, wanna try?\nBlue pills, golden seals\nGot Bizarre actin' ill\nDrugs kill (\nYeah, right\n)\nBitch, I'm for real!\nShut yo' mouth, you dirty slut\nYou know you want it in your butt\nI'll put it in your cunt\nLet Bizarre nut!\n[Chorus: Eminem]\nI take a couple uppers\nI down a couple downers\nBut nothin' compares\nTo these blue and yellow purple pills\nI been to mushroom mountain\nOnce or twice, but who's countin'?\nBut nothin' compares\nTo these blue and yellow purple pills\n[Bridge: Eminem]\nDirty Dozen, eighty of us\nShady brothers, ladies love us\nThat's why our baby mothers\nLove us but they hate each other\nThey probably wanna take each other\nOut and date each other\nSome, some, some\nSomethin'... I don't know" } ]

[ { "from": "human", "value": "Write me a song called Trampoline with the following description: Former One Direction member ZAYN hops on SHAED’s multi-platinum smash hit “Trampoline” and lends his vocals in a popular remix.\nZAYN teased the remix through Twitter on September 23, 2019. It is ZAYN’s first song since May 2019. The remix was released over a year and a half after the track’s original release.\n\n\nTRAMPOLINE.— zayn (@zaynmalik) September 23, 2019\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: ZAYN]\nDreams, dreams, dreams\n[Verse 1: Chelsea Lee, \nZAYN\n & \nBoth\n]\nI've been havin' dreams\nJumpin' on a trampoline\nFlippin' in the air\nI never land, just float there\nAs I'm looking up (\nAs I'm looking up\n)\nSuddenly the sky erupts (\nSky erupts\n)\nFlames alight the trees, spread to fallin' leaves\nNow they're right upon me\n[Chorus: Chelsea Lee & ZAYN]\nWait, if I'm on fire\nHow am I so deep in love?\nWhen I dream of dyin'\nI never feel so loved\n[Verse 2: ZAYN, \nChelsea Lee\n & \nBoth\n]\nI've been havin' dreams (\nAh\n)\nSplashin' in a summer stream (\nAh\n)\nTrip and I fall in\n (\nAh\n)\nI wanted it to happen\n (\nAh, ah, ah\n)\nMy body turns to ice (\nMy body turns to ice, ah\n)\nCrushin' weight of paradise (\nParadise, ah\n)\nSolid block of gold\n (\nAh\n), \nlying in the cold\n (\nAh\n)\nI feel right at home\n (\nAh, ah, ah\n) [Chorus: Chelsea Lee & ZAYN, \nZAYN\n]\nWait, if I'm on fire\nHow am I so deep in love? (\nIn love\n)\nWhen I dream of dyin' (\nDyin'\n)\nI never feel so loved (\nSo loved\n)\nWait, if I'm on fire (\nSo loved\n)\nHow am I so deep in love? (\nSo loved\n)\nWhen I dream of dyin' (\nSo loved\n)\nI never feel so loved\n[Bridge: Chelsea Lee, \nZAYN\n & \nBoth\n]\n(Ah, ah)\nI never feel so loved\nSo loved\n (Ah)\nSo loved\n (Ah, ah, ah)\nLa, la-la, la-la\nI've been havin' dreams\n (Ah)\nLa, la-la, la-la, la-la\nJumpin' on a trampoline\n (Ah)\nLa, la-la, la-la\nFlippin' in the air\n (Ah)\nLa, la-la, la-la, la (Ah)\nI never land, just float there\n (Ah, ah, ah)\n[Chorus: Both, \nZAYN\n, \nChelsea Lee\n]\nWait, if I'm on fire\nHow am I so deep in love?\nWhen I dream of dyin' (\nDyin'\n)\nI never feel so \nloved\n (\nSo loved\n)\nWait, if I'm on fire (\nSo loved\n)\nHow am I so deep in love? (\nDeep in love\n, \nso loved\n)\nWhen I dream of dyin' (\nSo loved, so loved\n)\nI never feel so loved (\nSo loved\n)" } ]

[ { "from": "human", "value": "Write me a song called Winner circle with the following description: Kanin and Kendrick Lamar link up on the boastful anthem “Winner Circle.” On the track, the artists brag about their newfound fame and fortune, while also reflecting on the journey they underwent to make it to the top.\nThis track marks the first collaboration between the two artists. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Kanin]\nMama said, mama said, mama said\nBoy you a star\nLivin in a place with a bad mind state\nWhere a lot of good niggas don’t make it that far\nLot of good niggas didn’t lost they lives\nThese niggas didn’t lost they minds\nFor a piece of the pie\nEverybody try to get rich fore they die\nUh, fuck any nigga tryna stop mines\nEject any nigga tryna waste time\nBitch you fuckin with a gifted mind\nEat these niggas like pork rinds\nFuck these hoes like one time\nBut bitch niggas ain’t one time\nSeen this shit too many times\nSo I grab my balls, got on the grind\nNo I’m getting paid and livin life\nLivin life in the winner circle\nCus I suffered much, suffered much\nCold world on color purple\nPuffin on that color purple\nPockets green like Ninja Turtle\nTurnt up when I’m off the herb\nBut jump through the hurdles when I use my verbals\nFuck you fake niggas talkin bout\nFuck these lame niggas lookin at?\nI’m in a circle full of real niggas\nAnd when I take this bitch you can’t have it back\nIt’s called hijack, hijack\nTDE where the riders at\nTHC, we got pounds of that\nFuckin around in our circle, riders [Chorus: Kanin]\nWe livin life in the winner circle\nAin’t no fake niggas allowed\nWe livin life in the winner circle\nI’m gon make my mama proud\nWe livin life in the winner circle\nAin’t no fake niggas allowed\nWe livin life in the winner circle\nI’m gon make my mama proud\n[Verse 2: Kendrick Lamar]\nLife never did seem like it seen some life in me\nLights in the cloud that read\n, \n\"Little nigga just use yo head you might can be\nJust like Mike on the mic\", Jordan\nYou’re recording more than twice a week\nThat’s not enough if you’re nice as thee Eminems\nYou mimic them legends but your work ethic is quite petite\nEverything you like somehow retreat\nFrom the page I’m so impatient\nPacin back and forth my sleeping pattern is getting badder than insomniacs\nI’m a zombie at the studio, Can you ponder that?\nI soon will blow like an arsonist\nAll I wanna do is be heard uh\nAll I ever do is strike nerves (Huh!)\nA lot of fuck niggas and a lot of fuck bitches\nThat’s one thing that I observe (Uh!)\nCus when you doin you, everybody seem cool\nTil you fuck around, get a blessing\nAnd you look in the mirror, see the same old nigga\nBut everybody around you stressin'\nI ain’t ask nobody for nothing\nI went and got it my own nigga it’s nothin\nAnd if you don’t condone or respect that\nThen step back off my nuts nigga it’s fuck ya\nI got a an appetite for more supper\nAnd I lack advice for these suckers\nAnd I sacrifice what I made, God bless my days while I’m in this circle\nRidin [Chorus: Kanin]\nWe livin life in the winner circle\nAin’t no fake niggas allowed\nWe livin life in the winner circle\nI’m gon make my mama proud\nWe livin life in the winner circle\nAin’t no fake niggas allowed\nWe livin life in the winner circle\nI’m gon make my mama proud" } ]

[ { "from": "human", "value": "Write me a song called Picture Me Rollin’ with the following description: “Picture Me Rollin'” is a g-funk track heavily inspired by ‘90s West Coast rap, with references littered throughout. Its title borrows from 2pac’s February 1996 track “Picture Me Rollin'” and it interpolates Warren G and Nate Dogg’s classic April 1994 single, “Regulate,” as well as Dr. Dre’s March 1995 single “Keep Their Heads Ringing.”\nDespite not being released as a single, “Picture Me Rollin'” peaked at #50 on the Hot R&B/Hip-Hop Songs chart. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nGettin' lifted, feelin' right\nDouble cup, dirty Sprite\nBaddest bitch, you know she mine\nBut you know I don't love ‘em\nAnd you know I don't cuff ‘em, no\n[Pre-Chorus]\nOn the Westside tryna feel the breeze\nOn a mission tryna fuck with OHB\nShe say she fell in love with the G in me\nAnd she lovin', she lovin'\nYou know I got the homies parked right outside\nI'm in the blood red Lambo', yellin', \"What up, five?\"\nGot the killers and them bitches that be ready to ride\n'Cause they lovin', they lovin'\n[Chorus]\nPicture me rollin'\n6-4 sittin' on track\nPicture me rollin'\nTop down, switchin' lanes\nPicture me rollin'\nFrom V.A. to L.A\nPicture me rollin'\nPicture me rollin' (Aw yeah), aw yeah [Verse 2]\nRolled my weed up for the night (I'm tryna smoke), aw yeah\nSee them clouds, you know we high (Too fucked), woah, yeah\nIf you don't smoke girl, it's alright (And I ain't worried 'bout a damn thing)\nThat's more for me so I don't mind (I don't mind), oh-oh\n[Pre-Chorus]\nOn the Westside tryna feel the breeze (Oh)\nOn a mission tryna fuck with OHB\nShe say she fell in love with the G in me\nAnd she lovin', she lovin'\nYou know I got the homies parked right outside\nI'm in the blood red Lambo', yellin', \"What up, five?\" (Woo!)\nGot the killers and them bitches that be ready to ride\n'Cause they lovin', they lovin'\n[Chorus]\nPicture me rollin'\n6-4 sittin' on track\nPicture me rollin'\n (Oh)\nTop down, switchin' lanes (Switchin' lanes, oh)\nPicture me rollin'\nFrom V.A. to L.A\nPicture me rollin' (Rollin')\nPicture me rollin' (Aw yeah), aw yeah [Bridge]\nAll night long (All night long)\nPlay it if this your song (Got them dirties sittin')\nAll night long\nPlay it if this your song (Oh)\nAll night long (Oh)\nPlay it if this your song (Oh)\nAll night long (All night long)\nPlay it if this your song\n[Chorus]\nPicture me rollin'\nForgiatos on the Wraith\n6-4 sittin' on track (Oh-oh)\nPicture me rollin'\nFrom Virginia to the Bay\nTop down, switchin' lanes (Haha)\nPicture me rollin'\nPrivate jet on the red eye\nFrom V.A. to L.A\nPicture me rollin'\n500\nPicture me rollin' (Aw yeah), aw yeah\n(What's brackin'? Hey!)\n[Outro]\nWhole bunch of money in the safe (Woah)\nI got a chopper outside for a rainy day \n(500)\nA dirty, dirty A, I keep it on my waist\nCall me the baker man, I'm makin' all the cake (Gang!)\nI got a bitch with an attitude problem\nI know she crazy but I know that pussy awesome\nTop down, ridin' 'round, nigga, who are you?\nI got ups, bitch, what can Brown do for you?\nPicture me rollin' (Hey!), aw yeah" } ]

[ { "from": "human", "value": "Write me a song called Special with the following description: On “Special,“ SZA discusses her own insecurities and regrets about a man, which is also a recurring theme on her debut album, Ctrl. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI wish I was that girl from that Gucci store\nShe never wore any makeup and she owns couture\nI got pimples where my beauty marks should be\nI got dry skin on my elbows and knees\nI never liked her, wanted to be like her\nHate how you look at her 'cause you never saw me\nLike I was an art piece, like I was an ordinary girl\n[Chorus]\nI wish I was special\nI gave all my special\nAway to a loser\nNow I'm just a loser\nI used to be special\nBut you made me hate me\nRegret that I changed me\nI hate that you made me\nJust like you\nJust like you\n[Verse 2]\nI wanted to be thick, now I wanna be thin\nHeard Pilates is in, bash your windows out\nYou gon' hear my mouth, you could kick me out\nYou say I'm too wild, you gon' hate me now\nBoy, you got me fucked up, now I'm gettin' fucked up\nThinkin' 'bout us fucking, why you'd have to fuck her?\nI don't wanna see you, why'd you have to treat me\nLike I was an ordinary girl? [Chorus]\nI wish I was special\nI gave all my special\nAway to a loser\nNow I'm just a loser\nI used to be special\nBut you made me hate me\nRegret that I changed me\nI hate that you made me\nJust like you\nJust like you\n[Outro]\n(Just like you)\n(Just like you)\n(Just like you)\n(Just like you)" } ]

[ { "from": "human", "value": "Write me a song called Creepers with the following description: “Creepers” is the only song on Cruel Summer that features one performer, in this case, Kid Cudi, who is no longer a member of G.O.O.D. Music.\nAround the line, “They deal it for real,” the melody seems to briefly interpolate “Teleport 2 Me, Jamie” by WZRD, Cudi’s project with Dot Da Genius. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nYeah, I see you hatin' over there\nSee you jockin' over there, see you lookin' at my girl over here\nWhy you worried 'bout the girl over here?\nKeep your eyes over there, it is creepy when you stare\nCome on, hey, I see you hatin' over there\nI see you jockin' over there, think about your own life\nWhy you talkin' 'bout the young hippy?\nI'm just doin' my thang, if you know what I mean, get it right\nAnd they think they know\nAnd they think they know the deal, for real\nI'm just doin' my thang, if you know what I mean, get it right\nAnd they think they know\nAnd they think they know the deal, for real\nI'm just doin' my thang, if you know what I mean, yo\n[Verse]\nI don't love who I am so I'm workin' on a fix\nI don't need a bitch tryna tear my mind on my grip\nIf I had one wish, it'd be to have more wishes, duh\nFuck tryna make it rhyme\nThrow them stones, with your bitch ass\nCutting me deep and even though I bleed\nI stand alone, alone I'll be\nHeart of a lion still shinin' in this sucka ass\nWorkin', workin', workin', for inner peace\nFightin' for the freedom of my soul, I can hear the speech\nYeah I mumble while I'm trippin on so many pills\nHah, they figured that they know a nigga [Chorus]\nYeah, I see you hatin' over there\nSee you jockin' over there, see you lookin' at my girl over here\nWhy you worried 'bout the girl over here?\nKeep your eyes over there, it is creepy when you stare\nCome on, hey, I see you hatin' over there\nI see you jockin' over there, think about your own life\nWhy you talkin' 'bout the young hippy?\nI'm just doin' my thang, if you know what I mean, get it right\nAnd they think they know\nAnd they think they know the deal, for real\nI'm just doin' my thang, if you know what I mean, get it right\nAnd they think they know\nAnd they think they know the deal, for real\nI'm just doin' my thang, if you know what I mean, yo" } ]

[ { "from": "human", "value": "Write me a song called Thank You Note to 40 with the following description: Drake thanks long-time producer Noah “40” Shebib in a heartfelt post to Instagram ahead of the release of his 4th studio album, VIEWS.\nhttps://www.instagram.com/p/BEw5_2oDQGL/ Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Before we do this I just wanna say thanks man. Thank you for the years you spent working with some of Toronto's true legends honing your craft. \nThanks you for dropping everything to work with me after we met and realized we had something special.\n Thank you for pushing yourself despite the fact you should be resting to achieve an end goal that we are both obsessed with. Thank you for listening to me vent and talking me off ledges. \nThank you for talking me out of sending every good song I make to someone else 😂.\n Thank you for reminding me that we set out to do something more than just have the biggest song in the club or the biggest song of the month. \nThank you for building SOTA.\n Thank you for caring about the people in this city as much as I do. Thank you for a lifetime of hard work and surreal moments. This story would have gone a lot different without you. Thank you 40 (aka DB40 aka Cuarenta aka Bibber aka My brother). Text me when you are ready to start the next one 😂😂😂 \n@ovo40" } ]

[ { "from": "human", "value": "Write me a song called Celebrities Counting Down To “What Do You Mean?” with the following description: Read the song lyrics here:\nhttps://genius.com/Justin-bieber-what-do-you-mean-lyrics/\nJustin Bieber is posting pictures of all his celebrity friends promoting his new single “What Do You Mean?” on his Instagram. The single comes out on August 28th, but the lyrics have been revealed beforehand.\nRallying celebrities around your new release is becoming pretty popular: Taylor Swift did it with multiple posters on Twitter for her “Bad Blood” music video, and Madonna followed suit for her “Bitch I’m Madonna.”\nWe have the full list of all celebrities counting down to Justin Bieber’s “What Do You Mean?” release. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "30 Days: Ryan Seacrest\n29 Days: Ruby Rose\n28 Days: James Corden, Mariah Carey\n27 Days: J Balvin\n26 Days: Lil Dicky\n25 Days: Kylie Jenner\n24 Days: Shaquille O'Neal\n, Travi$ Scott\n23 Days: Ashley Benson\n22 Days: Ariana Grande\n, iHeartRadio\n21 Days: The Fat Jew\n20 Days: Halsey\n19 Days: Big Sean\n18 Days: Little Mix, Beats By Dre\n17 Days: Ed Sheeran\n16 Days: Fifth Harmony, Madison Beer\n15 Days: Luke Bryan, Meghan Trainor, Richard A Arnold\n14 Days: Alanis, CL, \nvery cute dog\n13 Days: Tony Hawk, Christina Perri\n12 Days: Hilary Duff, twenty one pilots, Rudy Mancuso\n11 Days: Tori Kelly, Ryan Sheckler\n10 Days: Usher, Hailee Steinfeld, Matt Lauer and Savannah Gunthrie\n9 Days: Martin Garrix, John Leguizamo, \nJack & Jack, Skate Maloley and Sam Wilkinson\n8 Days: Ellen DeGeneres, \nDougThePug\n, Ashton Kutcher, Dan and Shay, Jon M. Chu and Jem The Movie, Xenia Deli\n7 Days: Chris Martin\n, \nCarly Rae Jepsen\n, Gigi Hadid\n6 Days: King Bach,\n G-Dragon, Elvis Duran, Tyler Oakley\n5 Days:\n \nBen Stiller,\n Joel Houston, Kendall Jenner\n4 Days: \nJason Derulo,\n Little Big Town, Larry King, Kate Hudson, Cody Simpson\n3 Days: Cauet, Mark Wahlberg, Chris Paul, \nMicheal Bublé\n, \nMaejor Ali\n2 Days: Florida Georgia Line, Jiff Pom, Jaden Smith, Steven Tyler, Todrick Hall, Kevin Hart, Miley Cyrus, Calvin Klein\n1 Day: Rory Kramer, Marnie The Dog, Alec Baldwin, Skrillex, Jaxon Bieber, \nMartha Stewart,\n Beliebers of the world! 10 Hours:\n Florido, Britney Spears" } ]

[ { "from": "human", "value": "Write me a song called Gimme That (Remix) with the following description: “Gimme That (Remix)” was released as the third single from Chris' debut album, and features rapper Lil Wayne. This track marks the first collaboration between the duo, and the beginning of a long-standing friendship and partnership; with Chris and Wayne collaborating frequently in future albums.\n“Gimme That (Remix)” peaked at #15 on Billboard’s Top 100 chart and spent a total of 20 weeks in the charts. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Wayne, \nScott Storch\n, \nChris Brown\n]\nWoo\n(Storch!)\nWhat it is, folk? \nOh\nThis right here is the sixteen-year-old phenom, Chris Breezy (\nS. Dot\n)\nOoh, woah\nMe, myself, I'm the twenty-three-year-old CEO, \noh\n, who?\n[Verse 1: Lil Wayne, \nScott Storch\n]\nYoung Carter, harder than them other boys (Yeah)\nI ain't even frontin', baby, I could take a summer off (Yeah)\nI could break a woman off (Yep), I could take the stomach off (Yeah)\nOne of my trucks, now I'm ridin' in the goods (Oh)\nLine it on up, guarantee you get served (Yeah)\nLil' Chris, said run it, so I ran and told her (Oh)\nI'm a Cash Money youngin', Birdman Junior\nJust a president, lookin' for a moniker (Yeah)\nChris Brown is in the building\n[Verse 2: Chris Brown]\nThe young boy just turned sixteen and I got (Uh)\nSix four's and hot bikes that I rock (Uh)\nKeep three or four sweeties on my clock (Uh)\nBut all that swinging in that bikini just make 'em vicious\nSlow all the traffic down to a complete stop (Uh)\n'Cause you speaking that slang that I talk (Uh)\nThat sassy tempo with that walk (Uh)\nMay be the reason that all these teenies may never see me [Chorus: Chris Brown]\nMomma you may be three years older but you hot (Gimme that)\nYou be talking like you like what I got (Gimme that)\nI know you like it how I lean in the 'lac\nYou could be in the back saying, \"Gimme, gimme, gimme\"\nMomma you may be three years older but you hot (Gimme that)\nYou be talking like you like what I got (Gimme that)\nI know you like it how I lean in the 'lac\nYou could be in the back saying, \"Gimme, gimme, gimme\"\n[Verse 3: Chris Brown, \nScott Storch\n]\nMa, take a break, let me explain to you (Woo)\nWhat your body got a young boy ready to do (Woo)\nIf you take a chance to let me put them thangs on you\nI could show you why I make them straight A's at school\nI'm a hustler, trust my frame and age\nGot you thinking that I'm just too young to turn your page\nI can picture us switching lanes\nIn the coupe, with you on the phone screaming my name (\nChris!\n)\n[Chorus: Chris Brown]\nMomma you may be three years older but you hot (Gimme that, hot)\nYou be talking like you like what I got (Yeah, gimme that)\nI know you like it how I lean in the 'lac\nYou could be in the back saying, \"Gimme, gimme, gimme\" (Oh)\nMomma you may be three years older but you hot (Hot, gimme that)\nYou be talking like you like what I got (Hey, gimme that)\nI know you like it how I lean in the 'lac (Ooh)\nYou could be in the back saying, \"Gimme, gimme, gimme\" (Ooh, oh) [Bridge: Chris Brown, \nLil Wayne\n]\nWo-womp-womp-wo-womp-womp-wo-womp-wo-womp\nYeah\n, girl, you serious and I been watching you (\nYou already\n)\nWo-womp-womp-wo-womp-womp-wo-womp-wo-womp (\nYeah\n)\nThis what your body's saying\nWo-womp-womp-wo-womp-womp-wo-womp-wo-womp\nHey, yeah (\nYou already\n)\nWo-womp-womp-wo-womp-womp-wo-womp-wo-womp\nHmm, get 'em\n (Woo!)\n[Verse 4: Lil Wayne, \nChris Brown\n]\nOkay, Weezy baby, baby, what it do? I'm tryna holla at cha (Yeah)\nI ain't upset, but I'll blind you if I smile at ya (Haha)\nYou rockin' with young Chris and the best rapper (Yeah)\nSo leave your phone, bring your friends, let the rest happen (Yeah)\nA lil' Patrón, a lil' Hen', I'm on Cavalli vodka (Check)\nI'm in Cavalli jeans (Check), got on Cavalli boxers (Check)\nI'm fresher than a newborn (Yeah, yeah)\nAnd um, I can work you out like a futon (Yeah, yeah)\nAnd um, you can leave your birthday suit on (Yep)\nI'ma leave my boots on (Yep), I'ma leave my jewels on (Yep)\nNever know what you want (Haha), I'ma leave that tool on (Yeah)\nNever know who home, I learned that from a Biggie song (Yeah)\nOn to a new one (Come on), some like a redbone (Yeah)\nOoh, I think she like me, she got me on a ringtone\nAnd I told her, \"Get yours, girl, and don't you stop\"\nNow gimme that funk, that gushy stuff (\nOh!\n Yeah) [Chorus: Chris Brown]\nMomma you may be three years older but you hot (Three years older, gimme that)\nYou be talking like you like what I got (Oh, gimme that)\nI know you like it how I lean in the 'lac\nYou could be in the back saying, \"Gimme, gimme, gimme\" (You could be in the back, yeah)\nMomma you may be three years older but you hot (Ooh, gimme that)\nYou be talking like you like what I got (Yeah, gimme that)\nI know you like it how I lean in the 'lac\nYou could be in the back saying, \"Gimme, gimme, gimme\"\n[Outro: Chris Brown]\nV.A.! Yeah, ha\nYeah, ma, don't be fronting like you don't know what's going on\nAight, yeah" } ]

[ { "from": "human", "value": "Write me a song called Baller Alert with the following description: Actor and comedian Kevin Hart A.K.A Chocolate Droppa has been making some noise in the Rap world lately but he takes the next step by releasing a full song.\nThe versatile man combines forces with Migos and T.I. for his new single ‘Baller Alert’ which you can stream in full below. This is basically a slightly updated version of Tip and Quavo’s earlier released version of the same name done for Champs Sports. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Quavo & \nKevin Hart\n]\nWe know game\nWe know game!\nWe know game\nWe know game\nY'all thought, y'all thought we was a game, bitch\nWe know game\nDrop that beat!\n[Pre-Hook: Quavo & \nKevin Hart\n]\nBall player shit, ball, ball player shit\nBall player shit, ball, ball player shit\nWe know game\nOh this it\nBall player shit, ball, ball player shit\nBall player shit, ladies, we 'bout to give up your plan\nBall player shit, ball, ball player shit\nWe know game\n[Chorus: Quavo]\nBaller alert, baller alert\nBaller alert, baller alert\nBaller alert, baller alert\nBaller alert, baller alert\n[Verse 1: Quavo]\nGotta make sure that my chains go with all my clothes\nGotta make sure that my cars match all my clothes\n(Skirt, skirt, skirt, skirt, skirt)\nWith the Draco\nQuavo huncho\n can go places that you can’t go\nSo traditional\nKeep the same bowls, same stove, that’s the way it go\nAin’t this what you here for? (hold up, hold up, wait)\nNow they say they want that Migo flow\nTalk about bands and Kilos\nTalk about break it down reload\nTalk about re-up and re-up (re-up)\nTalk about gassin' your Jeep up (vroom)\nTalking bout backin' that Jeep up (beep)\nTalking bout fallin' and gettin' up (ay)\nMy pockets they doing sit-ups (sit-ups)\nI be right back, got a pick-up (poof)\nThey say it's cheaper to leave em (cheaper)\nBaller alert on my beeper (verrrrp)\nCappin’ is cheaper (cappin’)\nLeave it to Beaver (leave it to B)\nOG like Kobe (OG)\nOG like Jeter (I’m a OG)\nI ring your block (run it like who?)\nQuavo A Peterson [Chorus: Quavo]\nBaller alert, baller alert\nBaller alert, baller alert\nBaller alert, baller alert\nBaller alert, baller alert\n[Verse 2: T.I.]\nFlexin' my athleticism\nThey ought to show this shit on television\nAtlanta Falcon hoodie bomber\nYour girl, she tryna get under my Under Armour\nKick it pimpin,’ no extra points\nThey invitation, no hesitation\nShe accept to make it to my celebration\nSee I'm ballin' hard with no sport agent\nNeed free agent, at least three, maybe four\nHit yo city lit everywhere we go\nThrow it, I’ma make the catch incredible\nLike Brandon Marshall\nA coffee colored shawty with me everywhere\nAsk me do I run it, hell yeah\nDrippin' sauce all over everything\nI’m a real king, you a lil something\nBoy, don’t make me pull the rings out the vault\nI be showin' off and ain’t even gotta talk\nShawty let me hit the hole like Marshall Faulk\nOr maybe Barry Sanders\nGot some cheerleaders, no love handles, okay\nAin’t nothin' really, you betta MVP me, Von Miller\nQuick as Cam Newton, Superman jukin'\nPoppin’ champagne at the pro game\nWhen I told them I'ma win the whole thing\nIt ain’t no thing (hey)\nBaby, champion is my first name ya [Pre-Chorus: Quavo]\nBall player shit, ball, ball player shit\nBall player shit, ball, ball player shit\nWe know game\nBall player shit, ball, ball player shit\nBall player shit, ball, ball player shit\nWe know game\n[Chorus: Quavo]\nBaller alert, baller alert\nBaller alert, baller alert\nBaller alert, baller alert\nBaller alert, baller alert\n[Verse 3: Takeoff]\nGotta keep the Draco because this world cold\nThe streets a PS4, I know the cheat code\nGotta make sure that those rose match my \nApple bros\nGotta make sure that my wardrobe matches with all my hoes\nTell that boy to stop acting bold before I wipe his nose\nI love the kitchen so much went and bought a stove\n[Verse 4: Offset]\nGo buy that lil bitch a purse\nBallin' that shit don’t even hurt (ball)\nPull up a Maybach or Hearse (Maybach)\nGo back and do your research (research)\nYou cuff her I put her to work (working her)\nCall me a Lamb I skirt (skirt)\nBallin' like Kendrick Perk\nThen I pop a half of a perc\nWraith, Wraith, Wraith, Wraith\nLook at the way that they hate\nWe know the game like Peyton (We know the game)\nFuck her don’t come to the date\nI took an eighth to the face (eighth)\nI caught an arsenics case (case)\nBecause there is a bomb in my safe (boom)\nDiamonds that hit the bitch face (whoa)\nShe feel like she done got maced [Chorus: Quavo & Offset]\nBaller alert\nBaller alert (Ball player)\nBaller alert (Ball player)\nBaller alert (Ball player)\nBaller alert (Ball player)\nBaller alert (Ball player)\nBaller alert (Ball player)\nBaller alert (oh)\nWe know game\n[Outro: Kevin Hart]\nYou've been alerted! You've been alerted, bitch! Brrrrp, brrrrp! Is that a bird or is that one of them chirp alarms? I don't know which one... Brrrrp, brrrrp! Cause that could be an alarm too! It don't have to be a bird... I'm just lookin' for clarity on my side. Either way, we fine. Either way... the message is... the message has been given! Baller alert, brrrrp, brrrp!! Or... or... git, git, git! The question is: What now?" } ]

[ { "from": "human", "value": "Write me a song called I Lived with the following description: “I Lived” is the fifth track on Native. It was also the last song covered on the Fox comedy-drama, Glee.\nFrontman Ryan Tedder has stated in an interview with Radio.com that nothing on the album is fiction; these songs are based on personal experiences.\n“I Lived” is a love letter dedicated to Ryan’s son, Copeland Cruz, who was born August 2nd, 2010.\n\ngif source\nYou know, it’s like a wish for somebody. Like, I wish this for you, I wish that for you.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nHope when you take that jump, you don't fear the fall\nHope when the water rises, you built a wall\nHope when the crowd screams out, it's screaming your name\nHope if everybody runs, you choose to stay\nHope that you fall in love and it hurts so bad\nThe only way you can know is give it all you have\nAnd I hope that you don't suffer but take the pain\nHope when the moment comes, you'll say:\n[Chorus]\nI, I did it all\nI, I did it all\nI owned every second that this world could give\nI saw so many places, the things that I did\nWith every broken bone I swear I lived\n[Verse 2]\nHope that you spend your days but they all add up\nAnd when that sun goes down hope you raise your cup\nI wish that I could witness all your joy and all your pain\nBut until my moment comes, I'll say:\n[Chorus]\nI, I did it all\nI, I did it all\nI owned every second that this world could give\nI saw so many places, the things that I did\nWith every broken bone I swear I lived [Bridge]\n(With every broken bone) I swear I lived\n(With every broken bone) I swear I\n[Chorus]\nI, I did it all\nI, I did it all\nI owned every second that this world could give\nI saw so many places, the things that I did\nWith every broken bone I swear I lived\nI swear I lived" } ]

[ { "from": "human", "value": "Write me a song called Everybody Dies with the following description: “Everybody Dies” is the third single to be released from Logic’s second 2018 project, Young Sinatra IV.\nThroughout the track, Logic raps about his come up and how everyone should live their best life while they are alive because everybody does die. The second verse clarifies that while doing as people do as they please, nobody should sacrifice being a good person and doing the right thing.\nLogic takes fans on a nostalgia trip in this track thanks to the “you are watching a master at work” sample of Doug Copsey’s narration from the documentary, Bruce Lee: A Warrior’s Journey, which Logic used twice in 2012. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah, fuck that shit\n[Chorus]\nYou are watching a master at work \n(Yeah)\nThis what you all been waitin' for, ain't it?\nRap game owe me, I been waitin' for the payment\nAll these lil rappers come and go, wonder where they went\nTen years and runnin', we came up from the basement\n(\nYou are watching a master–\n)\nThis what you all been waitin' for, ain't it?\nRap game owe me, I been waitin' for the payment\nAll these lil rappers come and go, wonder where they went\nTen years and runnin', we came up from the basement\n[Verse 1]\nGrew up broke as fuck, rich folks was adjacent\nMaryland, starin' out the window for motivation\nI remember Lil Bobby, Lil B\nMan I wish that I could be a dog in a rich family\nOh how nice would that shit be, my life a catastrophe\nNow my shit a masterpiece, No Limit like Master P\nNow I am the master, see, that's the way it has to be\nMy life is a movie, I'm so glad God casted me\nI am not top ten, more like top three\nI am not two 'cause nobody could top me\nGet the pussy wet like Jodeci, you know it's me\nI can't seem to put my finger on it like a rotary\nBut somethin's missin' from the game, when I'm gone, oh it's me\nI feel sorry for these rappers comin' up, woe is me\nI just took a hiatus and wrote a novel, motherfucker\nI got more verses than the Holy Bible, motherfucker\n'Cause I'm sittin' on five, unreleased albums\nGreatest of all time, no lyin', that's the outcome\nI do it for the boom bap, the trap and the radio\nFuck a fake fan, steppin' to me, try to play me, ho\nI make music for every genre, every occasion\nMy shit is amazin', I'm blazin', it's insane\nGoing crazy in the gym, goin' in gains\nHad a lot of dark nights, but bitch I been Bane\nI was born in the darkness like Rick James, bitch\nSippin' scotch with Chappelle after the Grammys\nSaid them countries wasn't shit holes, they prolly wanna ban me\n'Cause I say the shit that others won't, prolly can't stand me, uh\nLike these rappers claim to hate me, but they stan me\nI said these rappers claim to hate me, but they motherfuckin' stan me\nThey hate what I represent, but bitch, I am me\nThey hate what I represent, but bitch, I am me\nThere's nothin' but legendary shit that be goin' on, the phenomenon [Chorus]\nYou are watching a master– at work\nThis what you all been waitin' for, ain't it?\nRap game owe me, I been waitin' for the payment\nAll these lil rappers come and go, wonder where they went\nTen years and runnin', we came up from the basement\nThis what you all been waitin' for, ain't it?\nRap game owe me, I been waitin' for the payment\nAll these lil rappers come and go, wonder where they went\nTen years and runnin', we came up from the basement\n[Verse 2]\nI got my rap and I got my gat\nYeah they got my back, but I won't bust back\nUnless I need, this world is greed, I lead by example with ample\nEducation, my lyricism is here to imprison your vision\nThe fallacy society has rejected, I'm here to protect it\nEverybody di–dies deep within this world we live in, and not everybody tries, but everybody lies\nYou can't take– money with you when you die so spend it and don't look back like an addict in recovery\nBut also don't blow it, you know it, don't be a coward, but don't be too heroic\nLive your li-life to the fullest, don't push it or pull it\nDon't murder others 'cause you disagree with they beliefs\nWe all the same underneath\nI had some shit I had to get off of my chest in that first verse\nBut this verse come first when it comes to importance of message\n(Do what you love, do what you love)\nDo what you love, do what you- do it, do it\n(Do what you love, do what you love)\nDon't do it, don't do it, that's society\n(Don't do it, don't do it, do it, do it, do it)\nBreak free from the cycle, don't be scared to walk like Michael on the moon\nRattPack be the platoon, so much more is comin' soon\nYeah I've been goin', I'm already knowin', know Bobby been flowin'\nMy shit get around like a woman that's hoin'\nMy body been growin', my mind been growin'\nI'm already knowin' that I'm gon' die one day, you gon' die one day, we all 'gon die one day\nGod already got the date set, so live your life, live yo' life\nYeah you live it, that's a bet, 'cause if you ain't fulfilled in the end\nYou gon' be filled with regret, bet [Chorus]\nThis what you all been waitin' for, ain't it?\nYou are watching a master at work\nRap game owe me, I been waitin' for the payment\nAll these little rappers come and go, wonder where they went\nTen years and runnin', we came up from the basement\nThis what you all been waitin' for, ain't it?\nRap game owe me, I been waitin' for the payment\nAll these little rappers come and go, wonder where they went\nTen years and runnin', we came up from the basement\n[Outro]\nYou are watching a ma– master at work\nLogic" } ]

[ { "from": "human", "value": "Write me a song called Overnight with the following description: “Overnight” is an unreleased Jason Derulo song which leaked online on April 5, 2019. It is unknown if the song was intended for an album. The song is the same as Jake Miller’s song “Overnight” with some alternate lyrics, which suggests Derulo’s version is most likely a demo, with the song ultimately being recorded and released by MIller. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI know sometimes you wanna go and give up\nGirl, why you wanna argue when I'm fucked up?\nIs it cause the sex is better when we make up?\nGirl, you wanna beat it up before you fall asleep?\nMaking words I hate [?] until you love me\nAnd you'll be feeling better in the morning\n[Chorus]\nThey say change takes time\nBut baby, we can fix it overnight\nIf you let me try\nThen baby, we can fix it overnight, overnight\nOh, overnight\n[Verse 2]\nThe tide is coming faster, we should slow down\nYour tongue is tied, I don't know what to say now\nUntil we have the time to work it all out, no, no, no\nGirl, when we crash and burn, we burn this all down\nYou know it's getting late, we might as well now\nI'll make it better by the time the sun's out, oh, oh\n[Chorus]\nThey say change takes time\nBut baby, we can fix it overnight\nIf you let me try\nThen baby, we can fix it overnight, overnight\nOh, overnight\nYeah, yeah, ooh, yeah\nBaby, we can fix it overnight [Bridge]\nBaby, we can fix it if you want to\nLet our bodies do the talking when we had to\nYou know you got me, you know I got you\nYou got a problem? We can take it to the bedroom\nBaby, we can fix it if you want to\nLet our bodies do the talking when we had to\nYou know you got me, I know I got to\nYou got a problem? We can take it to the bedroom\n[Chorus]\nThey say change takes time\nBut baby, we can fix it overnight (baby, we can fix it)\nIf you let me try (Let me, let me try, baby)\nThen maybe we can fix it overnight, overnight\n(Baby, we can fix it, fix it)\nOh, overnight\nBaby, we can fix it" } ]

[ { "from": "human", "value": "Write me a song called Moment of Clarity Freestyle with the following description: First song from the ‘Prefix’ mixtape. Lil Wayne uses Jay-Z’s ‘Moment of Clarity’ instrumental Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1 : Lil Wayne]\nFix, Nigga\nChange mind sporadically, same time compatibly\nWayne Carter, graduate, bang bang academy\nChange my reality, thank God for grabbin' me\nSort of like him, cause they can't stop the wrath of me\nBut, Hell have no fury, Neither I\nI would walk up in the Devil's Kitchen, eat a pie\nGreedy eye, never full, getting fat\nAnd bitch I got an itch, so don't let me catch you with the scra-scra-\nScratch y'all niggas off the face of the Earth\nEven Mase came back for the money outta church\nSo with that on my mission for that money, I'mma work\nMy divine intervention might be in that woman's purse\nTryna find a better system, but I'm running out of perks\nBaby daughter tummy irks, then daddy heart hurts\nSo daddy pop at 'em until they heart burst\nFor my baby girl candy I make her starburst\n9/11 was a fucking shame, I done saw worse like\nWhat if that bullet would have hit my heart first\nLife, would it be different, I be still fuckin' 'round with death\nCause I got shot after that, and after that I grab the empty case\nAnd then tried to throw that bitch back at they faces, Cita I made it\nMy nigga Reel was on the ground like \"naw\", I got up and looked around, and grabbed the spot like \"ahhh...\"\nI\"m hard to kill, hardy har, cut the music back up and keep the party goin'\nFuck 'em, and I don't need no crease, I'm a motherfucking gangster off Eagle Street\nI don't need the Hot Boys, I still keep my heat\nAnd I ain't gotta Sqad Up, I still keep my feet\nThey call me Michelangelo, you paint them so street\nBut you remove that wallpaper, bet that sheet-rock weak, (haha)\nAnd you and I know what's goin' on, you probably riding to a different song\nI'm probably riding on some different chrome, I'm probably high in a different zone\nBut when I'm off, we can get it on\nI take no days off catch that shit for my friend\nI clock out when I punch in, I'm shootin\nReel you ain't gotta block out, it's goin' in 'em\nThem rats stop hatin' on the snake, the boy venom\nThe cat like Payton for the Lakers gon' win 'em\nI'm certified stamp, I'm a champion\nLike Buju Banton, I shoot you nine times like you was 50\nBut you won't be as likely as 50, I light me some Piffy\nLight hella bright on the Infi, like what nigga, like me or lift me\nI don't duck I be right in the city, for them bucks\nI take me a flight, and come and get right, right in ya city\nYup, I'm just like Diddy, and nothing like Puff yeah\nI'm something like city, he something like Young Wizzy\nMy Nike's is spiffy, I'm hardly a Gotti\nI'm slightly a Nitti, all of a Carter\nBitch niggas never bitch me, bum niggas never ditch me\nShit I gotta get me, man I'm raw, slip me\nThank God for granting me this moment of clarity, this moment of honesty\nAin't no more squad in me, unh" } ]

[ { "from": "human", "value": "Write me a song called ​i SHYNE with the following description: “i SHYNE” is the first collaboration between Lil Pump and DJ Carnage and the second single from Carnage’s upcoming sophomore album, titled Battered Bruised & Bloody. On the track, Lil Pump boasts about his jewelry, drugs, sex, and other recurring topics in his music.\nThe title of the song and the SoundCloud cover art are reminiscent of the Nickelodeon show iCarly. Lil Pump once said on Twitter and Instagram that he wants to have sex with Miranda Cosgrove, the actress who plays the main character of iCarly, even going as far as to make a cake for her. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nLil Pump\nAyy, ayy, ayy, chyeah\nAyy, Lil Pump, chyeah\nEsskeetit\n[Chorus]\nLook at my neck shine (ice)\nLook at my wrist shine, chyeah (ooh)\nMy diamonds might make you blind, chyeah (ooh, chyeah)\nLet 'em in five at a time, ooh (brr)\nI just be smokin' on dope, chyeah\nAll of my diamonds on froze, ooh (brr, brr)\nLouis down head to my toe, chyeah\nI just might buy the store, uh, chyeah (oh)\nLook at my neck shine, chyeah (ice)\nLook at my wrist shine, chyeah\nFuck a bitch two times, chyeah\nPussy was too fire, ooh (brr)\nNo, I cannot lie, ooh\nLook at my neck shine, chyeah, chyeah\nLook at my wrist shine (brr)\nI think I got too high, ooh\n[Verse 1]\nLook at my neck shine\nGucci goggles on so I got four eyes, yeah\nSmokin' on gelato, yeah I got it from Dubai\nFendi on, bitch, Louis all on bowtie\nFuck five hoes in a day, yeah, I can't lie\nSmash her and her sister at the same time\nTell her bust it open, gotta do it on FaceTime\nFuck a nine to five, I eat the booty in the daytime, ooh\nLook at my wrist, I'm like, \"Ooh, damn\"\nShe suck my dick off the Instagram (uh)\nCold, so you know who I am, chyeah\nLeft wrist cost a hunnid bands, ooh\nPop a bean, now her brain open\nRight wrist so wet it look like the ocean\nWhen your girl gave me top, told her I had to focus\nLil Pump saved the rap game like a poet, woah\n(Esskeetit) [Chorus]\nLook at my neck shine (ice)\nLook at my wrist shine, chyeah (ooh)\nMy diamonds might make you blind, chyeah\nLet 'em in five at a time, ooh\nI just be smokin' on dope, chyeah\nAll of my diamonds on froze, ooh (brr, Lil Pump)\nLouis down head to my toe, chyeah\nI just might buy the store, chyeah\nLook at my neck shine, chyeah (ice)\nLook at my wrist shine, chyeah\nFuck a bitch two times, chyeah\nPussy was too fire, ooh (brr)\nNo, I cannot lie, ooh\nLook at my neck shine, chyeah\nLook at my wrist shine (brr)\nI think I got too high (Lil Pump)\n[Verse 2]\nDrop top coupe when I ride around\nPlayin' Lil Pump and your ass catch a hunnid rounds\nCan't pull up to the weed shop, you ain't got a pound\nTake a look, I bust down like wow, ow\nCome in the city, I bank out now\nAnd my neck worth like two hunnid thou'\nAnd they just mad 'cause I made my own sound (ooh)\nJump off the roof and my fans goin' wild\n(Esskeetit) [Chorus]\nLook at my neck shine (ice)\nLook at my wrist shine, chyeah (ooh)\nMy diamonds might make you blind, chyeah (chyeah)\nLet 'em in five at a time, ooh\nI just be smoking on dope, chyeah\nAll of my diamonds on froze, ooh (brr, Lil Pump)\nLouis down head to my toe, chyeah\nI just might buy the store, chyeah\nLook at my neck shine, chyeah (ice)\nLook at my wrist shine, chyeah\nFuck a bitch two times, chyeah\nPussy was too fire, ooh (brr)\nNo, I cannot lie, ooh\nLook at my neck shine, chyeah\nLook at my wrist shine (brr)\nI think I got too high" } ]

[ { "from": "human", "value": "Write me a song called No Make-Up (Her Vice) with the following description: Kendrick doesn’t think girls need make-up to look sexy – just a brain…\nThe first of three songs dedicated to a prostitute named Keisha that Kendrick sympathizes with. Followed by Keisha’s Song and verse two of Sing About Me\n\n\nThe reliance on makeup shown also serves as a parallel to other substances that are constantly abused like alcohol and drugs. The makeup represents how people cover themselves up instead of facing the real world similarly to how people will will attempt to drink away their pain instead of facing things head on. Kendrick shows this through the bridge:\nLadies and gentlemen\nAnd you ain’t gotta get drunk to have fun\nYou ain’t gotta get drunk to have fun\nYou ain’t gotta get drunk to have fun Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Sounwave]\n[Chorus: Colin Munroe]\nI love the way you put it on your eyes\nThe roses on your face light up the sky\nThose lips are colorful all of the time\nAnd girl, that's fine, but I wanna know, do you mind?\nNo makeup today, no makeup today, today\nNo makeup today, no makeup today\nAnd girl, that's fine, but I wanna know, do you mind?\n[Verse 1: Kendrick Lamar]\nI know she 'bout to ask me how she look\nI tell her beautiful and how long it took\nFor you to put it on, it was early in the morn'\nShe resembled a model out of a MAC book\nConcentrating on the way the eyeliner thickens\nI stand behind her and try to figure her vision\nOf prettiness, the wittiness of colors on her skin tone\nHer complexion in a direction I've outgrown\nDamn girl, why so much?\nYou 'bout to blow your cover when you cover up\nDon't you know your imperfections is a wonderful blessing?\nFrom Heaven is where you got it from\nI love your smile, you can do it without style\nFrom your lips all the way to your eyebrows\nIt's the beauty in her, but when the makeup occur\nI don't see it, all I see is a blur [Chorus: Colin Munroe]\nI love the way you put it on your eyes\nThe roses on your face light up the sky\nThose lips are colorful all of the time\nAnd girl, that's fine, but I wanna know, do you mind?\nNo makeup today, no makeup today, today\nNo makeup today, no makeup today\nAnd girl, that's fine, but I wanna know, do you mind?\n[Verse 2: Kendrick Lamar & \nAlori Joh\n]\nI know she 'bout to ask me how she look\nI tell her beautiful and how long it took\nFor you to put it on, it was early in the morn'\nShe resembled a model out of a MAC book\nConcentrating on the way my eye\nliner thickens\nHe stand behind me and try to\n figure her vision\nOf prettiness, the wittiness of colors on my skin tone\nMy complexion in a direction\n I've outgrown\nI feel like it's not enough\nI can never put on too much makeup\nYeah, I know\n your imperfections, \nI be constantly stressing\nFrom him is where I get it from, they tell me I need to\nSmile \nat least once in a while\nI hate my lips, my nose, my\n eyebrows\nIt's the beauty in me, but what he don't see\nIs that I had a black eye—\n to be continued, eleven [Bridge: Kendrick Lamar]\nLadies and gentlemen\nAnd you ain't gotta get drunk to have fun\nYou ain't gotta get drunk to have fun\nAnd you ain't gotta get drunk to have fun\nYou ain't gotta get drunk to have fun\n[Chorus: Colin Munroe]\nI love the way you put it on your eyes\nThe roses on your face light up the sky\nThose lips are colorful all of the time\nAnd girl, that's fine, but I wanna know, do you mind?\nNo makeup today, no makeup today, today\nNo makeup today, no makeup today\nAnd girl, that's fine, but I wanna know, do you mind?" } ]

[ { "from": "human", "value": "Write me a song called On The Way with the following description: Download 28 Grams here!\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Metro Boomin]\n[Intro]\nWe on the way! Just know (x3)\nWhen the streets get dry, we on the way\nIt's on the way, it's on the way, it's on the way\nThey trying to stay, they trying to stay, they trying to stay\nDon't be late (Taylor Gang what's up?)\n(Metro boomin want some more nigga)\n D Kelly!\nCannon, Cannon, Cannon\n[Hook]\nI smoke by the pound and I roll to the face (Hey!)\nI go out of town and take it on a plane (Shit! Oh!)\nThey know that I got it, it's all that I said\nThat pack on the way, that pack on the way (Go, go!)\nMan, that pack on the way, that pack on the way (Killem, killem, oh!)\nThat pack on the way, man that pack on the way (Damn!)\nThey know that I got it, it's all that I said (Go, go!)\nThat pack on the way, that pack on the way\n[Verse 1]\nSaid you been smoking a blunt, that was back in the day (Way back!)\nI had it, I got it, I roll it then smoke to the face (Yoo!)\nI make sure I smoke in the bed cause I smoke every day (Yeah nigga, every day! Ayee!)\nI hopped in my ride and I head to another new place (Another one!)\nI get on the plane then I'm rocking an animal (Alright get this shit nigga)\nSeen the price of my jeans and it ain't understandable (Whoa! Shit)\nI rap what you thinking and I'm smoking, I'm drinking\nNiggas is sinking, all you little niggas need beatings\nSo I told 'em, a joint i'ma roll it\nHer ass i'ma hold it, and mind i'ma mould it (Mould!)\nI came and got chosen, Her man didn't notice\nAnd I be like hold up, don't go no where (Noo!)\nTrying to get a photo (Noo!), thats a no-no [Hook]" } ]

[ { "from": "human", "value": "Write me a song called I Could Be the One (Radio Edit) with the following description: This song was released under various names such as Nicktim, Fuck School, and Stranger, along with many others before it was officially released. The song is a collaboration between Swedish DJ Avicii (Tim Bergling) and Dutch DJ Nicky Romero (Nicky Rotteveel). The song has uncredited vocals from Swedish singer Noonie Bao. The single became both DJ’s first UK chart topping song beating out the ever popular Harlem Shake by Baauer. The song has two different spectrum’s of the EDM scale colliding resulting in a catchy feel good track. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nDo you think about me when you're all alone?\nThe things we used to do, we used to be\nI could be the one to make you feel that way\nI could be the one to set you free\nDo you think about me when the crowd is gone?\nIt used to be so easy, you and me\nI could be the one to make you feel that way\nI could be the one to set you free\n[Refrain]\nI could be the one to make you feel that way\nI could be the one to set you free\nI could be the one to make you feel that way\nI could be the one to set you free\n[Verse 2]\nWhen you need a way to beat the pressure down\nWhen you need to find a way to breathe\nI could be the one to make you feel that way\nI could be the one to set you free\nIf you wanna see me when the crowd is gone\nIt used to be so easy, can't you see?\nI could be the one to make you feel that way\nI could be the one to set you free [Refrain]\nI could be the one to make you feel that way\nI could be the one to set you free\nI could be the one to make you feel that way\nI could be the one to set you free\n[Refrain]\nI could be the one to make you feel that way\nI could be the one to set you free\nI could be the one to make you feel that way\nI could be the one to set you free" } ]

[ { "from": "human", "value": "Write me a song called Circus with the following description: “Circus” is a song recorded by Britney Spears for her sixth studio album of the same name. It was released on 2nd December 2008 as the second single of the album.\nIn the track Britney compares her life to the chaos and grandiose of a traditional circus.\nIt was very well received by contemporary critics, with reviewers complimenting Spears' confident persona, while praising its electronic production.\n“Circus” was a commercial success, peaking inside the top-ten in Australia, Canada, Denmark, New Zealand, and Sweden, while reaching top-twenty positions in many European countries. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Britney Spears]\nThere's only two types of people in the world\nThe ones that entertain and the ones that observe\nWell, baby, I'm a put-on-a-show kinda girl\nDon't like the backseat, gotta be first (\nOh, oh\n)\n[Refrain: Britney Spears & \nClaude Kelly\n]\nI'm like the ringleader, I call the shots (\nCall the shots\n)\nI'm like a firecracker, I make it hot\nWhen I put on a show\n[Pre-Chorus: Britney Spears]\nI feel the adrenaline movin' through my veins\nSpotlight on me and I'm ready to break\nI'm like a performer, the dance floor is my stage\nBetter be ready, hope that you feel the same\n[Chorus: Britney Spears]\nAll eyes on me in the center of the ring\nJust like a circus\nWhen I crack that whip, everybody gon' trip\nJust like a circus\nDon't stand there watchin' me, follow me\nShow me what you can do\nEverybody let go, we can make a dance floor\nJust like a circus [Verse 2: Britney Spears]\nThere's only two types of guys out there\nOnes that can hang with me and ones that are scared\nSo, baby, I hope that you came prepared\nI run a tight ship, so beware\n[Refrain: Britney Spears & \nClaude Kelly\n]\nI'm like the ringleader, I call the shots (\nI call the shots\n)\nI'm like a firecracker, I make it hot\nWhen I put on a show\n[Pre-Chorus: Britney Spears]\nI feel the adrenaline movin' through my veins\nSpotlight on me and I'm ready to break\nI'm like a performer, the dance floor is my stage\nBetter be ready, hope that you feel the same\n[Chorus: Britney Spears]\nAll eyes on me in the center of the ring\nJust like a circus\nWhen I crack that whip, everybody gon' trip\nJust like a circus\nDon't stand there watchin' me, follow me\nShow me what you can do\nEverybody let go, we can make a dance floor\nJust like a circus [Breakdown: Britney Spears]\nLet's go\nLet me see what you can do\nI'm runnin' this (Like-like-like-like a circus)\nYeah, like a what? (Like-like-like-like a circus)\n[Chorus: Britney Spears]\nAll eyes on me in the center of the ring\nJust like a circus\nWhen I crack that whip, everybody gon' trip\nJust like a circus\nDon't stand there watchin' me, follow me\nShow me what you can do\nEverybody let go, we can make a dance floor\nJust like a circus\nAll eyes on me in the center of the ring\nJust like a circus\nWhen I crack that whip, everybody gon' trip\nJust like a circus\nDon't stand there watchin' me, follow me\nShow me what you can do\nEverybody let go, we can make a dance floor\nJust like a circus" } ]

[ { "from": "human", "value": "Write me a song called Wassup with the following description: Track from the ‘09 mixtape Flight School. An acapella/beatbox freestyle over the tune of Soulja Boy’s Turn My Swag On. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah\nSome old school shit\nWhen uhh, you be at the lunch table\nThis that right here\n[Verse 1]\nUh yeah\nI put my team on\nNow we in the game\nBut I remember days when I ain't have no one to lean on\nI learned to hold my own\nThey sayin' the skys the limit\nTake a hundred dollar bill and make a paper plane\nAnd try to make a name\nAnd when you're done giving your all\nYou give your everything\nYou got what it takes\nI told the world my song\nThey lovin' it\nYou can't tell me nothin', cause my whole clique's stuntin'\nBoy wassup\n[Hook]\nYeah, yeah\nYeah, yeah [Verse 2]\nSo where you goin', your life's on a road\nFrom the party to the plane and your name's in the light show\nYou find your way back home\nAway from all the pressure and that women tryin' to stress you\nFind a new one\nYou've reached a new phase\nThey got you lookin' at tomorrow like a new state\nAnd not a new day\nTo some it may seem wrong\nBut fuck it, cause I'm good weed puffin'\nAnd my whole team stuntin'\nBoy wassup\n[Hook]\nYeah, yeah\nYeah, yeah\n[Verse 3]\nThen I hop up out the bed\nGrab my iPhone\nPut some kush in the swisher\nRoll one up\nWhen you live the star life\nGotta go hard, so you workin' all night\nSleep when the sun come up [Hook]\nYeah, yeah\nHa, ha, ha\nYeah\nOkay" } ]

[ { "from": "human", "value": "Write me a song called Ain’t That Funkin’ Kinda Hard on You? (Louie Vega Remix) with the following description: The long-awaited George Clinton X Kendrick Lamar team-up is here. Clinton enlists the rapper for a sped-up, jacked-up remix to “Ain’t That Funkin' Kinda Hard On You?” from Funkadelic’s 2014 album First Ya Gotta Shake the Gate. Kendrick and George have previously collaborated “Wesley’s Theory”, the opening song of Lamar’s album To Pimp A Butterfly.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: George Clinton]\nAin't that funkin' kinda hard on you?\nAin't that funkin' kinda hard on you?\n[Verse 1: George Clinton]\nBrothers be like\n\"George, ain't that funkin' kinda hard on you?\"\nI was hard when I started\nI'll be hard when I get through\nFor example if I had to sample some funk like you\nWould I be funky too?\nAnd another thing\nIt ain't so hard, it ain't so strange\nIf I could be funky like you\n[Hook: George Clinton]\nBrothers be like\n\"George, ain't that funkin' kinda hard on you?\"\nI say, I was hard when I started\nGoing hard when I get through\nWait a minute, stop, act up, give them the dumb face\nI don't think you heard me\nIt ain't too hard to get, it ain't hard to get with\nIf you got heart to do\nWhat it takes to make you funky too\nBrothers be like\n\"George, ain't that funkin' kinda hard on you?\"\nI was hard when I started\nGo hard when I get through [Hook: George Clinton]\nI don't think you heard me\nBrothers be like\n\"George, ain't that funkin' kinda hard on you?\"\nI was hard when I started\nAnd I'll be hard when I get through\nBrothers be like\n\"George, ain't that funkin' kinda hard on you?\"\nHe was hard when he started\nI'll be hard when he get through\nBrothers be like\n\"Ain't that funkin', ain't that funkin', ain't that funkin'?\"\n[Verse 2: Kendrick Lamar]\n(Yo, George!\nThey say they want some more!)\nTwo tears in a bucket I'll cry with ya, huh\nBut I can never lie with ya\nI can never afford not to afford\nI can never put my plans to the side with ya\nI can never see a red light like a deer with a head light\nI freeze up when I re-up\nSee I really have patience\nIf you relatin', only the moment to complete us\nWhy you hate to work for it\nThe reason why I hate to wait for it?\nSee a nine to five was so jive turkey\nBut when Thanksgiving came that check didn’t hurt me\nYou plead the fifth, I read the fifth amendment\nWe both criminals with bad intention\nThey say time heals all\nBut if I could short cut my success motherfunk all y'all\n(Straight up) [Verse 3: George Clinton]\nAin't that funkin' kinda hard on you?\nAin't that funkin' kinda hard on you?\nI'll be hard when I get through\nAin't that funkin' kinda hard on you?\nI was hard when I started\nAnd I'll be hard when I get through\nAin't that funkin' kinda hard on you?\nBrothers be like\n\"George, ain't that funkin' kinda hard on you?\"\nI say, I was hard when I started\nGoing hard when I get through\n(Ain't that funkin' kinda hard on you?)\nWait a minute, stop act up, give them the dumb face\nI don't think you heard me\n(He was hard when he started)\nIt ain't too hard to get, it ain't hard to get with\n(And will be hard when he get through)\nIf you got the heart to do\nWhat it takes to make you funky too\nBrothers be like\n\"George, ain't that funkin' kinda hard on you?\"\nI was hard when I started\nGoing hard when I get through\nI don't think you heard me\n(Brothers be like\n\"George, ain't that funkin' kinda hard on you?\")\n(He was hard when he started\nAnd he'll be hard when get through\nBrothers be like\n\"George, ain't that funkin' kinda hard on you?\"\nHe was hard when he started\nAnd he'll be hard when get through\nBrothers be like\n\"Ain't that funkin', ain't that funkin', ain't that funkin'?\"" } ]

[ { "from": "human", "value": "Write me a song called Ronald Reagan Era (His Evils) with the following description: Kendrick once again vividly paints the dystopian picture of Compton, while simultaneously telling us that he’s on the good lists of all the local gangs. Ab-Soul provides the song with additional ad-libs and lines.\nThe “Ronald Reagan Era” refers to the era when the hood became overrun with crack. As Juelz Santana would say, Kendrick can tell you what the 80s was like… Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Ash Riser]\nWe're far from good, not good from far\nNinety miles per hour down Compton Boulevard\nWith the top down, screamin', \"We don't give a fuck\"\nDrink my forty-ounce of freedom while I roll my blunt\n'Cause the kids just ain't alright\n[Interlude: Ab-Soul]\nOh shit, nigga\nSomethin' 'bout to happen\nNigga, this shit, nigga, this sound like thirty keys under the Compton court building\nHope the dogs don't smell it\n[Verse 1: Kendrick Lamar]\nWelcome to vigilante, '80s, so don't you ask me\nI'm hungry, my body's antsy, I rip through your fuckin' pantry\nPeelin' off like a Xanny, examine my orchestra\nGranny said when I'm old enough, I'll be sure to be all I can be\nYou niggas Marcus Camby, washed up\nPussy, fix your panties, I'm Mr. Marcus, you gettin' fucked, uh\nYou ain't heard nothin' harder since Daddy Kane\nTake it in vain,\n \nVicodins couldn't ease the pain\nLightning bolts hit your body, you thought it rained\nNot a cloud in sight, just the shit that I write\nStrong enough to stand in front of a travelin' freight train, are you trained?\nTo go against Dracula, draggin' the record industry by my fangs\nAK clips, money clips, and gold chains\nYou walk around with a P90 like it's the '90s\nBullet to your temple, your homicide'll remind me [Chorus: Kendrick Lamar & \nRZA\n]\nThat Compton Crip niggas ain't nothin' to fuck with\nBompton Pirus ain't nothin' to fuck with\nCompton éses ain't nothin' to fuck with\nBut they fuck with me, and bitch, I love it\nWoop-di-woop, woop-di-woop-woop, woop-di-woop\nWoop-di-woop, woop-di-woop-woop\n \n(\nCalifornia Dungeons\n)\nWoop-di-woop, woop-di-woop-woop, woop-di-woop\nWoop-di-woop, woop-di-woop-woop\n \n(\nCalifornia Dungeons\n)\n[Verse 2: Kendrick Lamar]\nLet's hit the county buildin', gotta cash my check\nSpend it all on a forty-ounce to the neck\nAnd in retrospect, I remember December being the hottest\nSquad cars, neighborhood wars, and stolen Mazdas\nI tell you motherfuckers that life is full of hydraulics\nUp and down, get a six-four, better know how to drive it\nI'm drivin' on E with no license or registration\nHeart racin', racin' past Johnny because he's racist\n1987, the children of Ronald Reagan\nRake the leaves off your front porch with a machine blowtorch\n \n(I'm really out here, my nigga)\nHe blowin' on stress, hopin' to ease the stress\n \n(Like, really out here)\nHe coppin' some blow, hopin' that it can stretch\nNewborn massacre\nHoppin' out the passenger with calendars 'cause your day comin'\nRun him down and then he gun him down, I'm hopin' that you fast enough\nEven the legs of Michael Johnson don't mean nothin', because [Chorus: Kendrick Lamar & \nRZA\n]\nCompton Crip niggas ain't nothin' to fuck with\nBompton Pirus ain't nothin' to fuck with\nCompton éses ain't nothin' to fuck with\nBut they fuck with me, and bitch, I love it\nWoop-di-woop, woop-di-woop-woop, woop-di-woop\nWoop-di-woop, woop-di-woop-woop\n \n(\nCalifornia Dungeons\n)\nWoop-di-woop, woop-di-woop-woop, woop-di-woop\nWoop-di-woop, woop-di-woop-woop\n \n(\nCalifornia Dungeons\n)\n[Refrain: Kendrick Lamar & \nAb-Soul\n]\nCan't detour when you at war with your city, why run for it?\nJust ride with me, just die with me, that gun store right there\nWhen you fight, don't fight fair, 'cause you'll never win\n(\nRight, I had the yopper, and I tore they ass up\n)\nCan't detour when you at war with your city, why run for it?\nJust ride with me, just die with me, that gun store right there\nWhen you fight, don't fight fair, 'cause you'll never win, yeah, yeah, yeah\n[Bridge: Kendrick Lamar]\nWoah, woah, woah-woah-woah-woah\nWoah, woah, woah-woah-woah-woah\nWoah, woah, woah-woah-woah-woah\nWoah, woah, woah-woah-woah-woah\n[Outro: Ab-Soul]\nWe really out here, my nigga\nYou niggas don't understand, my nigga\nI'm off a pill and Rémy Red, my nigga\nTrippin', my nigga" } ]

[ { "from": "human", "value": "Write me a song called Get Used to It with the following description: “Get Used to It” sees Justin tap into his sensitive side and show his concern and care for his girl in the form of constantly checking in on her and being there for her.\nEarlier in the year, the demo version of the song leaked which was written and performed by Poo Bear—who has assisted Bieber on the hit “Where Are Ü Now”—with Justin singing the chorus; but with the release of Purpose, Justin now sings the whole song with added production in the form of a bouncy beat in the chorus. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nSubjected to my system\nReflecting on the days\nWhen we used to be just friends\nProtected both our interest\nOur trust was in a bank\nThat's where our hearts were safe\n[Pre-Chorus]\nAnd then we got closer\nSeparated from my ex\nSo we got closer\nOh, in every visit\nFeelings got stronger\nNow this is out our hands\nOur love is here to stay\n[Chorus]\nSo get used to me checking in\nAll day\nGet used to me falling through\nJust to see your face\nThere ain't a moment\nI won't need your brace\nGet used to me touching you\nGet used to me loving you\nOh get used to it, eh\nOh get used to it, eh\nOh get used to it, oh and oh\nGet used to me holding you\nGet used to me woeing you\nOh get used to it [Verse 2]\nAnd I'ma April shower you\nForever if I May\n'Til your flowers bloom in June\nMake sure that our fireworks\nBe your 4th of July\nFor life\nAs long as you stand right by my side\n[Pre-Chorus]\nKeep growing closer\nThroughout October\nOh counting down, it's almost Christmas Eve\nOh seven days shy of New Year's Eve\nThen we'll be celebrating\n[Chorus]\nSo get used to me checking in\nAll day\nGet used to me falling through\nJust to see your face\nThere ain't a moment\nI won't need your brace\nGet used to me touching you\nGet used to me loving you\nOh get used to it, eh\nOh get used to it, eh\nOh get used to it, oh and oh\nGet used to me holding you\nGet used to me woeing you\nOh get used to it [Bridge]\nI ain't going nowhere\nI ain't going nowhere, oh no\nI ain't going nowhere\nI ain't going nowhere, oh no\nPut your faith in me\nI'll be all you need, I swear\nYeah yeah\nI'm gonna be right here, yeah\n[Chorus]\nSo get used to me checking in\nAll day\nGet used to me falling through\nJust to see your face\nThere ain't a moment\nI won't need your brace\nGet used to me touching you\nGet used to me loving you\nOh get used to it, eh\nOh get used to it, eh\nOh get used to it, oh and oh\nGet used to me holding you\nGet used to me woeing you\nOh get used to it [Vamp]\nI know you getting used to it\nI know you getting used to it\n(Get used to it)\nI know you getting used to it\nI know you getting used to it\n(Oh get used to it)" } ]

[ { "from": "human", "value": "Write me a song called Boy Problems with the following description: “Boy Problems” serves as the fourth single and 6th track from Carly Rae Jepsen’s third studio album E•MO•TION.\nThe music video dropped on April 8, 2016.\nThe song features a spoken intro from singer-songwriter Sia, who co-wrote the song with Jepsen along with Greg Kurstin and Tavish Crowe. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Sia]\nListen, just leave or stay, but I'm done listening to it\n[Verse 1]\n\"If you're gonna go then go,\" \nshe said to me on the phone\n\"So tired of hearin' all your boy problems\nIf you're gonna stay then stay, he's not gonna change anyway\nSo tired of hearin' all your boy problems\"\n[Pre-Chorus]\nAnd I know she's right and I should not be offended\nYeah, I know what it looks like from the outside\nI know she's right and I should not be offended\nYeah, I know what it looks like from the outside, from the outside\n[Chorus]\nBoy problems, who's got 'em?\nI've got 'em too (Na na na na na)\nBoy trouble, we've got double\nDon't know what to do (Na na na na na)\nI think I broke up with my boyfriend today and I don't really care\nI've got worse problems (Than 'I broke up with my boyfriend')\nI think I broke up with my boyfriend today and I don't really care\nI've got worse problems (Than 'I broke up with my boyfriend', yeah)\n[Verse 2]\n\"Carly, you gotta let it go!\" She said to me on the phone\n\"So tired of hearin' all your boy problems\nIt could be the perfect day, he'll just make it rain anyway\nSo tired of hearin' all your boy problems\" [Pre-Chorus]\nAnd I know she's right and I should not be offended\nYeah, I know what it looks like from the outside\nI know she's right and I should not be offended\nYeah, I know what it looks like from the outside\nFrom the outside\n[Chorus]\nBoy problems, who's got 'em?\nI've got 'em too (Na na na na na)\nBoy trouble, we've got double\nDon't know what to do (Na na na na na)\nI think I broke up with my boyfriend today and I don't really care\nI've got worse problems (Than 'I broke up with my boyfriend')\n(Na na na na na)\nI think I broke up with my boyfriend today and I don't really care\nI've got worse problems (Than 'I broke up with my boyfriend', yeah)\n[Bridge]\nWhat's worse, losing a lover or losing your best friend?\nOh-oh-oh-oh-oh\nWhat's worse is when you discover you're not good for each other\nShe's been giving, you've been taking, taking, taking\n[Chorus]\nBoy problems, who's got 'em?\nI've got 'em too (Na na na na na)\nBoy trouble, we've got double\nDon't know what to do (I don't know what to do, na na na na na)\nI think I broke up with my boyfriend today and I don't really care\nI've got worse problems (Than 'I broke up with my boyfriend')\n(Na na na na na)\nI think I broke up with my boyfriend today and I don't really care\nI've got worse problems (Than 'I broke up with my boyfriend', yeah, na na na na na) [Outro]\nBoy problems, who's got 'em? I've got 'em too\nBoy trouble, we've got double, don't know what to do\nBoy problems, who's got 'em? I've got 'em too\nBoy trouble, we've got double, don't know what to do\nBoy problems, who's got 'em? I've got 'em too" } ]

[ { "from": "human", "value": "Write me a song called Never So Big with the following description: Never So Big is a song that is part of the concept album by David Byrne & Fatboy Slim on the life of former First Lady of the Philippines Imelda Marcos.\nNever So Big is meant to be an ode to Imelda Marcos’s servant, Estrella Cumpas, the woman who raised her after Imelda’s mother died during her childhood, and their complicated relationship. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "People ask me if I knew you\nI tell them it's true\nYou were just a simple schoolgirl\nWhen I took care of you\nOne is never so big\nAs when one stoops down\nTo help someone in need\nGet their feet on the ground\nI gave up everything\nTo give you both a start\nAnd in my time of need\nCould you open your heart?\nDon't make me beg, don't turn away\nShe always said you'd help someday\nCan I get a message through to you?\nAre you the girl that I once knew?\nWhat was I thinkin' of?\nWhat am I doin' here?\nWhat was I thinkin' of?\nWhat am I doin' here?\nWoo, hoo, woo, hoo, woo, hoo\nWoo, hoo, woo, hoo, woo, hoo It's your old hometown\nThere's the park and the tree\nAnd the house where we lived\nAt the end of the street\nIt's a crazy idea\nCould I get through to you?\nIt won't take very long\nJust a minute or two\nNever so big, never so tall\nNever so big when you are small\nNever so big, never so tall\nNever so big, when you are small\nYou never know\nWhere love is found\nGod only knows\nWhere we are bound\nWoo, hoo, woo, hoo, woo, hoo\nWoo, hoo, woo, hoo, woo, hoo\nWoo, hoo, woo, hoo, woo, hoo\nWoo, hoo, woo, hoo, woo, hoo\nPeople ask me if I knew you\nI tell them it's true\nYou were just a simple schoolgirl\nWhen I took care of you Never so big, never so tall\nNever so big when you are small\nNever so big, never so tall\nNever so big, when you are small\nWhat was I thinkin' of?\nWhat am I doin' here?\nWhat was I thinkin' of?\nWhat am I doin' here?\nWoo, hoo, woo, hoo, woo, hoo\nWoo, hoo, woo, hoo, woo, hoo\nWoo, hoo, woo, hoo, woo, hoo\nWoo, hoo, woo, hoo, woo, hoo" } ]

[ { "from": "human", "value": "Write me a song called Chase Our Love with the following description: “Chase Our Love” is a carefree track that sees Chris wanting to take his girl on romantic trips to London and Paris. Not only can they literally go to these foreign destinations, the track is a metaphor for how great their love is for each other, that it could take them to amazing places. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nWe can jet, believe it, I know that you want\nAnd yes, there's a feeling we both need to know\n[Refrain]\nLet us start now, it's that time\nSo let's travel and see the life\n[Pre-Chorus]\n(And I'm) Gonna take you out anywhere you wanna go now\n(Tell me you'll ride) To the town where we both can party now (Now, now, n-n-now)\n[Chorus]\nDrink in London, dance in Paris\nLet's chase our love, let's chase our love\nShout real loud now and let them hear us\nLet's chase our love, let's chase our love\nTonight, night, night, night, night, night, night\nTonight, night, night, night\nLet's chase our love, let's chase our love\nTonight, night, night\nTonight, night, night\n[Verse 2]\nIf it's evening, we'll party 'til morning [Refrain]\nLet us start now, it's that time\nSo let's travel and see the life\n(I'll watch it shine, shine, shine, shine, sh-sh-shine)\n[Chorus]\nDrink in London, dance in Paris\nLet's chase our love, let's chase our love\nShout real loud now and let them hear us\nLet's chase our love, let's chase our love\nTonight, night, night, night, night, night, night\nTonight, night, night, night\nLet's chase our love, let's chase our love\nTonight, night, night\nTonight, night, night" } ]

[ { "from": "human", "value": "Write me a song called Angel Numbers / Ten Toes with the following description: “Walking 10 Toes” was teased by Chris on Instagram on November 2nd, along with a video of the photoshoot for the 11:11 album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[\nPart I: Angel Numbers\n]\n[Verse]\nI lost my way, somewhere in another galaxy (\n'Xy\n)\nToo much to take, these memories end in tragedy (\n'Gy\n)\nAnd all of these places, all of these faces\nI didn't wanna let you down (Down)\nAnd all these mistakes of mine, I can't replace it\nI gotta move on somehow\n[Chorus]\nHealing energy on me\nBaby, all I really need's one thing\nHealing energy on me\nBaby, can you make a wish for me?\nHealing energy on me\nWhеn it's 11:11, I need it\nHealing energy on mе\nBaby, can you make a wish for me?\n[Post-Chorus]\n11:11, oh\n11:11\nWhen it's 11:11, I need it\n[\nPart II: Ten Toes\n] [Intro]\nOoh, ooh\nAnxiety\nDon't let the pressure get to your head\nYou know we play for keeps\nDon't let it go over your head\n[Verse 1]\nHeavy stepper, I got too much weight on this\nYou can see the diamonds, don't complain on this (Me)\nWe was hustlin', you niggas got no say on this (No)\nI'm just bein' honest\nI'm movin' steady (Shoot)\nYou can't buy success, ain't got no sale on it\nYou know that God did, he never gon' fail on us\nToo much paper, got me thinkin' I'ma save all this\nI know the opps want it, they love this\nTwo-tone, got the bussdown like woah (Woah)\nThe streets crazy, they don't love me no more (Ooh)\nNot one for pressure, but I'll bang for my bros (Bros)\nWalkin' in Giuseppe, I be ten on my toes\n[Chorus]\nWelcome all the smoke (Smoke, smoke, smoke, ski)\nMama, pray for me so I won't fold (Fold)\nWalkin' ten toes\nI be paranoid, but nobody knows (Woah)\nAnxiety\nDon't let the pressure get to your head (Head)\nYou know we play for keeps (For keeps)\nDon't let it go over your head [Verse 2]\nSteady, movin' onto greater (Ghetto, ghetto)\nNever thought that I'd be ready (Ready)\nShe let me, I let her keep her things (Keep)\nShe told me, \"Why didn't you just fight for it?\"\nAll these baddies, had too many (Many)\nI promised that I would have died for it\nYou just had to fuckin' let me (Let me)\nNow I'm married to the game, I'm in that\nNo more chains, I'ma buy me some gold (Woah)\nThree babies, tryna make room for some more (Ooh)\nLife learnin' lessons 'cause you reap what you sow (Grow)\nWalkin' in Giuseppe, I be ten on my toes\n[Chorus]\nYou know I welcome all the smoke (Smoke, smoke, smoke, ski)\nMama, pray for me so I won't fold (Fold)\nWalkin' ten toes (Ten toes)\nI be stressin' out, but nobody knows (Yeah, yeah)\nAnxiety (Anxiety)\nDon't let the pressure get to your head (Don't let it get to your head)\nYou know we play for keeps (We play, we play, we play)\nDon't let it go over your head\nKnow we welcome all the\nWelcome all the smoke (Welcome all the smoke, ooh)\nMama, pray for me so I won't fold (Fold)\nWalkin' ten toes (Ten toes)\nI be paranoid, but nobody knows (Yeah)\nAnxiety (Anxiety, yeah, oh)\nDon't let the pressure get to your head (Don't let it get to your head, don't let it)\nYou know we play for keeps (We play, we play, we play, play for keeps)\nDon't let it go over your head [Outro]\nSteady (Ooh)\nOh-woah\nJust fight for it" } ]

[ { "from": "human", "value": "Write me a song called Takeaway with the following description: “Takeaway” is a collaboration between American DJ and production duo The Chainsmokers and American musician Illenium, featuring Lennon Stella as a vocalist.\nThe song name was accidentally revealed by The Chainsmokers through an Instagram story in February 2018.\nThe original snippet of the song, with Sorana having the female vocals, was played live at Ultra Miami 2019 during the closing performance from the Chainsmokers, and Illenium was brought on stage to help debut it live. However the finalised and extended version played later at Ultra Europe 2019 replaced Sorana with Lennon Stella, who will be supporting The Chainsmokers on their upcoming World War Joy tour.\nOn July 17, the track, and its subsequent music video, was teased. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lennon Stella]\nYour heart for takeaway, yeah, yeah, yeah-yeah\nYour heart for takeaway, yeah, yeah, yeah-yeah\nYour heart for takeaway, yeah-yeah, yeah-yeah\nYour heart for takeaway, yeah, yeah, yeah-yeah\n[Verse 1: Lennon Stella & Andrew Taggart]\nHey, hey, hey\nWhere do you think you're going?\nIt's so late, late, late, what's wrong?\nI said, \"I can't stay, do I have to give a reason?\"\nIt's just me, me, me, it's what I want\n[Pre-Chorus: Lennon Stella & Andrew Taggart]\nSo how did we get here?\nThree weeks now, we've been so caught up\nBetter if we do this on our own\n[Chorus: Lennon Stella & Andrew Taggart]\nBefore I love you, na-na-na\nI'm gonna leave you, na-na-na\nBefore I'm someone you leave behind\nI'll break your heart so you don't break mine\nBefore I love you, na-na-na\nI'm gonna leave you, na-na-na\nEven if I'm not here to stay\nI still want your heart [Post-Chorus: Lennon Stella]\nYour heart for takeaway, yeah, yeah, yeah-yeah\nYour heart for takeaway, yeah, yeah, yeah-yeah\nYour heart for takeaway, yeah-yeah, yeah-yeah\nYour heart for takeaway, yeah, yeah, yeah-yeah\n[Drop]\nYour heart for takeaway\n(\nYour heart for takeaway, yeah-yeah, yeah-yeah\n)\nYour heart for takeaway, yeah, yeah, yeah-yeah\n[Verse 2: Lennon Stella & Andrew Taggart]\nFate, fate, fate\nIs that what came between us?\nOr did we do this on our own?\n[Pre-Chorus: Lennon Stella & Andrew Taggart]\nSo how did we get here?\nI'm asking myself why I'm so caught up\nBetter if we do this on our own\n[Chorus: Lennon Stella & Andrew Taggart]\nBefore I love you, na-na-na\nI'm gonna leave you, na-na-na\nBefore I'm someone you leave behind\nI'll break your heart so you don't break mine\nBefore I love you, na-na-na\nI'm gonna leave you, na-na-na\nEven if I'm not here to stay\nI still want your heart [Post-Chorus: Lennon Stella]\nYour heart for takeaway, yeah, yeah, yeah-yeah\nYour heart for takeaway, yeah, yeah, yeah-yeah\nYour heart for takeaway, yeah-yeah, yeah-yeah\nYour heart for takeaway, yeah, yeah, yeah-yeah\n[Drop]\nYour heart for takeaway\n(\nYour heart for takeaway, yeah-yeah, yeah-yeah\n)\nYour heart for takeaway, yeah, yeah, yeah-yeah\n[Chorus: Andrew Taggart]\nBefore I love you, na-na-na\nI'm gonna leave you, na-na-na\nBefore I'm someone you leave behind\nI'll break your heart so you don't break mine\nBefore I love you, na-na-na\nI'm gonna leave you, na-na-na\nEven if I'm not here to stay\nI still want your heart" } ]

[ { "from": "human", "value": "Write me a song called Handle It with the following description: Chris Brown, Lil Yachty, and Dej Loaf finally team up for what’s bound to be the next song on your late-night playlist. “Handle It” mixes spacey synths and bouncy 808s for a late night vibe for all three artists to croon over.\nMost of the song is written by upcoming R&B singer Toni Romiti. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: DeJ Loaf, \nDeJ Loaf & Chris Brown\n, \nChris Brown\n]\nSay you can handle liquor, but can you handle me? (No)\nDrunk all night\n drinkin' that Hennessy (\nOh, can you?\n)\nHandle liquor, \nbut can you handle me\n? (Oh-oh)\nDrunk all night\n (Ooh-woah, \nyeah\n)\nCan you handle me? (Ooh-ooh-ooh-ooh)\nCan you handle me? (\nYeah\n)\nCan you handle me? (Ooh-ooh-ooh-ooh)\nCan you handle me? (\nYeah\n)\nBitch, I'm lit, lit, lit like a candle be (\nYeah\n)\nDrunk all night\n[Verse 1: Chris Brown, \nToni Romiti\n]\nCan you handle me? 'Bout to smoke this weed\nShe wanna do some lines and she don't wanna sleep\nThis where the party at, you better shake that ass\nKick you outta my crib, I know you comin' back\nBlood, I been with the shits, I don't need no more friends\nNigga, take a deep breath, that was never your bitch\nI know you niggas salty, can't get these bitches off me\nButt-naked, poppin' molly, while her nigga callin'\nMoney, money, money, money come and go\n (Yeah)\nLike these hoes, these hoes, these hoes, these hoes, these hoes\nAnd baby, when I fuck, take off all your clothes\nYou know we lit, lit, lit, can't lie, that pussy fire though [Chorus: DeJ Loaf, \nDeJ Loaf & Chris Brown\n, \nChris Brown\n]\nSay you can handle liquor, but can you handle me? (No)\nDrunk all night\n drinkin' that Hennessy (\nOh, can you?\n)\nHandle liquor, \nbut can you handle me\n? (Oh-oh)\nDrunk all night\n (Ooh-woah, \nyeah\n)\nCan you handle me? (Ooh-ooh-ooh-ooh)\nCan you handle me? (\nYeah\n)\nCan you handle me? (Ooh-ooh-ooh-ooh)\nCan you handle me? (\nYeah\n)\nBitch, I'm lit, lit, lit like a candle be (\nYeah\n)\nDrunk all night\n[Verse 2: Lil Yachty, \nLil Yachty & Chris Brown\n, \nChris Brown\n, \nDeJ Loaf\n]\nSh-Sh-She just (Lil' Boat) wanna \nfuck all night\n (\nHey\n), that's \nalright\nI'ma let her\n, but I will not \nsweat her\nBy the way shawty pullin' my sweater\n (Yeah, \nyeah\n), \nlet me know she wetter\nAss \nsoft as feathers, fuck her on my leather, let's get high tonight\n (\nWill she?\n)\nCan you handle me?\n (Can you?)\nAnd everythin' that comes with me?\nLike all of my \nenemies\nAnd all of the \nindustry\n talkin' down on me\nThey be hatin'\nYoung, young but I'm ready\nI push the \ncoupe\n down the highway like Andretti (Skrrt-skrrt)\nBitch, I'm all about my latest (Yeah), \ngive a fuck about your fetish\n (Yeah)\nIf you ain't fuck in a second (Yeah, \noh\n), then that UberX is ready (Yeah, Lil' Boat)\n(Gang, gang) [Chorus: DeJ Loaf, \nDeJ Loaf & Chris Brown\n, \nChris Brown\n]\nSay you can handle liquor, but can you handle me? (No)\nDrunk all night\n drinkin' that Hennessy (\nOh, can you?\n)\nHandle liquor, \nbut can you handle me\n? (Oh-oh)\nDrunk all night\n (Ooh-woah, \nyeah\n)\nCan you handle me? (Ooh-ooh-ooh-ooh)\nCan you handle me? (\nYeah\n)\nCan you handle me? (Ooh-ooh-ooh-ooh)\nCan you handle me? (\nYeah\n)\nBitch, I'm lit, lit, lit like a candle be (\nYeah\n)\nDrunk all night\n[Verse 3: Dej Loaf]\nNever, never been a lightweight\nBitch, I always been a heavyweight\nDon't ever call me Mayweather\nI promise I can do it better\nYeah, yeah, yeah, you know what it is\nSoon as you pull up, sex is what it is\nDon't you ask no questions\nThis could be your blessin', yeah\nTwo shots, got me feelin' myself\nNo tellin' what I'll do with my hands\n'Specially if they play my jam\nMight end up between your legs\nI might just take you with me\nYeah, you know I'm a freak, yeah-yeah [Chorus: DeJ Loaf, \nDeJ Loaf & Chris Brown\n, \nChris Brown\n]\nSay you can handle liquor, but can you handle me? (No)\nDrunk all night\n drinkin' that Hennessy (\nOh, can you?\n)\nHandle liquor, \nbut can you handle me\n? (Oh-oh)\nDrunk all night\n (Ooh-woah, \nyeah\n)\nCan you handle me? (Ooh-ooh-ooh-ooh)\nCan you handle me?\nCan you handle me? (Ooh-ooh-ooh-ooh)\nCan you handle me?\nBitch, I'm lit, lit, lit like a candle be\nCan you handle me? (\nDrunk all night\n)\nCan you handle me?\nBitch, I'm lit, lit, lit like a candle be\nBitch, I'm lit, lit, lit like a candle be\nSay you can handle liquor, but can you handle me?\nDrunk all night" } ]

[ { "from": "human", "value": "Write me a song called Love Myself with the following description: “Love Myself” is the debut single from singer and actress Hailee Steinfeld, following such features as an appearance in Pitch Perfect 2 and a cameo in the music video for Taylor Swift’s “Bad Blood.” The track, cowritten with Julia Michaels and with producers including Captain Cuts and Futuristiks, was released on August 6, 2015.\nThe song speaks on coping after a breakup and realizing self-value, while also functioning as an implicit masturbation-anthem.\nIn an interview with The Elvis Duran Show, Hailee revealed the inspiration for this song:\nWe’re fed this false sort of sense of what we’re supposed to be like in order to love ourselves. I think this song kind of highlights the power of loving yourself and empowering yourself. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(Hey)\nYeah\n[Verse 1]\nWhen I get chills at night, I feel it deep inside\nWithout you, yeah\nKnow how to satisfy, keepin' that tempo right\nWithout you, yeah\n[Pre-Chorus]\nPictures in my mind on replay\nI'm gonna touch the pain away\nI know how to scream my own name\nScream my name\n[Chorus]\nI love me\nGonna love myself, no, I don't need anybody else (Hey)\nGonna love myself, no, I don't need anybody else (I love me)\nCan't help myself, no, I don't need anybody else\nAnytime, day or night\nI love me\nGonna love myself, no, I don't need anybody else (Hey)\nGonna love myself, no, I don't need anybody else (I love me)\nCan't help myself, no, I don't need anybody else\nAnytime that I like\nI love me [Verse 2]\nI take it nice and slow, feeling good on my own\nWithout you, yeah (Hey)\nGot me speakin' in tongues, the beautiful it comes\nWithout you, yeah (Hey)\n[Pre-Chorus]\nI'm gonna put my body first\nAnd love me so hard 'til it hurts\nI know how to scream out the words\nScream the words\n[Chorus]\nI love me\nGonna love myself, no, I don't need anybody else (Hey)\nGonna love myself, no, I don't need anybody else (I love me)\nCan't help myself, no, I don't need anybody else\nAnytime, day or night\nI love me\nGonna love myself, no, I don't need anybody else (Hey)\nGonna love myself, no, I don't need anybody else (I love me)\nCan't help myself, no, I don't need anybody else\nAnytime that I like\nI love me\n[Post-Chorus]\nAh-la-la-la, la-la-la-la-la-ah (Hey)\nAh-la-la-la, la-la-la-la-la-ah (I love me)\nAh-la-la-la, la-la-la-la-la-ah\nAnytime that I like (I love) [Bridge]\nHey, yeah\nYeah\nI know how to scream my own name\nScream my name, ooh, oh\n[Chorus]\nI love me\nGonna love myself, no, I don't need anybody else (Nobody else; hey)\nGonna love myself, no, I don't need anybody else (Nobody else; I love me)\nCan't help myself, no, I don't need anybody else (Nobody else)\nAnytime, day or night\nI love me\nGonna love myself, no, I don't need anybody else (Nobody else; hey)\nGonna love myself, no, I don't need anybody else (Don't need nobody else; I love me)\nCan't help myself, no, I don't need anybody else (Nobody else)\nAnytime that I like\nI love me\n[Post-Chorus]\nAh-la-la-la, la-la-la-la-la-ah (Nobody else; hey)\nAh-la-la-la, la-la-la-la-la-ah (Nobody else; hey)\nAh-la-la-la, la-la-la-la-la-ah (Nobody else)\nAnytime that I like\nI love me" } ]

[ { "from": "human", "value": "Write me a song called Petals with the following description: The song describes Mariah’s withering relationship with her older sister as well as her marriage to music producer Tommy Mottola. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI've often wondered if there's\nEver been a perfect family\nI've always longed for undividedness\nAnd sought stability\n[Verse 2]\nA flower taught me how to pray\nBut as I grew, that flower changed\nShe started flailing in the wind\nLike golden petals scattering\n[Chorus 1]\nAnd I miss you dandelion\nAnd even love you\nAnd I wish there was a way\nFor me to trust you\nBut it hurts me every time\nI try to touch you\nBut I miss you dandelion\nAnd even love you\n[Verse 3]\nI gravitated towards a patriarch\nSo young predictably\nI was resigned to spend my life\nWithin a maze of misery [Verse 4]\nA boy and a girl befriended me\nWe're bonded through despondency\nI stayed so long, but finally\nI fled to save my sanity\n[Chorus 2]\nAnd I miss you little sis and\nLittle brother\nAnd I hope you realize\nI'll always love you (always love you)\nAnd although you're struggling\nYou will recover (you're gonna make it baby)\nAnd I miss you little sis and\nLittle brother\n[Bridge]\nSo many I considered\nClosest to me\nTurned on a dime and sold me\nOut dutifully\nAlthough that knife was chipping\nAway at me\nThey turned their eyes away and\nWent home to sleep...\n(Sleep, sleep, sleep) [Chorus]\nAnd I missed a lot of life\nBut I'll recover\nThough I know you really like\nTo see me suffer\nStill I wish that you and I'd\nForgive each other\n'Cause I miss you, Valentine\nAnd really loved you\n[Outro]\nI really loved you (I guess I loved you)\nI tried so hard\nBut you drove me away\nTo preserve my sanity\nAnd I found the strength\nTo break away\n(Do-do-do-do-do-do-do)\nFly..." } ]

[ { "from": "human", "value": "Write me a song called Tough Day at the Office [Rolling Stone Apology] with the following description: After being bumped from his planned Rolling Stone cover by recently deceased Phillip Seymour Hoffman, Drake took to Twitter to voice his frustration. It was considered a pretty bad look. Here is his apology.\nExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "With today being the 5th anniversary of \nSo Far Gone\n I figured it's fitting to return to it's place of its origin in order to \nclear the air about an extremely emotional day\n. I completely \nsupport and agree with Rolling Stone replacing me on the cover with the legendary Phillip Seymour Hoffman\n. He is one of the most incredible actors of our time and a man that deserves to be immortalized by this publication. \nMy frustration stemmed from the way it was executed.\n The circumstances at hand are completely justifiable (on the magazines behalf), but I was not able to salvage my story or my photos and that was devastating. They ran the issue without giving me a choice to be in it or not. I would have waited until it was my time because I understand the magnitude of the cover they chose but I just wasn't given that option and that made me feel violated. I apologize to anybody who took my initial comments out of context because in no way would I ever want to offend the Hoffman family or see myself as bigger than that moment. I am still the same person. \nToday I was forced out of my character and felt the need to react swiftly. These days are the worst ones.\n Waking up after a great night in the studio and it's your day to be picked apart. After dwelling on it for a few hours or days you will come to the conclusion that you brought it on yourself almost every time. So here I am having that moment. I once again apologize to everybody who took my cover comments the wrong way. I respect Rolling Stone for being willing to give a kid from Toronto a shot at the cover. I guess this is a day to learn and grow.\nSincerely,\nThe Boy" } ]

[ { "from": "human", "value": "Write me a song called Happy New Year with the following description: Song released by Justin Bieber on new years eve to ring in the new year for 2012. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Jaden Smith]\nGirl, it's almost a new year, and it's too clear\nMe you and a root bear, float in my house\n'Bout to count down 'cause we got a whole crew here\nYo, they 'bout to party hardy, looking for a hottie with a nice body\nOh, y'all have fun with that\nAnd we don't need the mistletoe, we was under that\nLike 20 minutes ago\nAnd if you gave me all your love, better give me some more\n'Cause the new year coming, you ain't trippin' no more\nSo I don't need music, rather listen to your h-h-h-h-h-h-heartbeat\nTry to stop me if you want to but know you don't want to\nSo don't do it, don't ruin the moment I put me and you in\n[Pre-Chorus: Justin Bieber]\nIt's the start of the new year, baby, baby, yeah\nAnd I know what to do with it, baby, baby, yeah\nI'ma make your cheeks red when I kiss your neck\nGirl, I'm never leaving, 'cause you are the best, babe\n'Cause yeah, I wanna give you everything\nNever fear, 'cause girl, you're coming home with me, yeah\n[Chorus: Justin Bieber]\n5, 4, 3, 2, 1, kiss me, kiss me\n5, 4, 3, 2, 1, kiss me, kiss me [Verse 2: Justin Bieber]\nIt's the new year me and you, dear\nYeah, I know this love was true, dear\nI remember when you moved here\nEverything was, oh, so new here\nYeah, I promise to be true, dear\nAnd I'll give all my love to you, dear\nJaden Smith is to my right\nThat's the crew there and he's got a root beer (swag)\n[Verse 3: Jaden Smith]\nGot friends, called 'em all\n'Cause 2012 is the year with the love\nAnd we gon' start it off\nWe can get a plane today and get a car tomorrow, we don't do it small at all\nNo, girl, tell me what I gotta do\nI can be the beat that you rocking to\nI can do anything, nothing is impossible\nEspecially with you, girl\nAnd I never need a new girl\nThis love is true girl\nAye, welcome to the crew girl\n2012, I'm so excited\nMayans was lying, nobody's dying\nYeah, girl, but you knew that\nKnocking at your door like \"Who that?\"\nYes, I love you, you say \"True that\"\nGuys, they want you, I say \"Too bad\" [Pre-Chorus: Justin Bieber]\n'Cause yeah, I wanna give you everything\nNever fear, 'cause girl, you're coming home with me, yeah\n[Chorus: Justin Bieber]\n5, 4, 3, 2, 1, kiss me, kiss me\n5, 4, 3, 2, 1, kiss me, kiss me\n[Bridge: Justin Bieber]\nIf you got a girl, put your hands up\nLadies, if you got a man, put your hands up\nIf you got a girl, put your hands up\nLadies, if you got a man, put your hands up, girl\n2012 is the year to be better, stronger\nAnd closer to the people around you\nSo grab someone special\nAnd just, you know\n[Chorus: Justin Bieber]\n5, 4, 3, 2, 1, kiss me, kiss me\n5, 4, 3, 2, 1, kiss me, kiss me\n5, 4, 3, 2, 1, kiss me, kiss me\n5, 4, 3, 2, 1, kiss me, kiss me" } ]

[ { "from": "human", "value": "Write me a song called How Would You Feel (Paean) with the following description: “How Would You Feel (Paean)” is an ode to Ed Sheeran’s girlfriend, Cherry Seaborn. Except that a paean is a work that praises or honours its subject, it also is the middle name of his girlfriend. Ed explained in a track by track commentary that she was mocked for it a lot, but now it is something cool.\nEd initially teased the song in a tweet, which he posted on Feb. 14, 2017. He released the song on February 17—which coincided with his birthday—as a promotional single for his third studio album, ÷ (Divide).\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYou are the one, girl\nAnd you know that it's true\nI'm feeling younger\nEvery time that I'm alone with you\n[Pre-Chorus]\nWe were sitting in a parked car\nStealing kisses in a front yard\nWe got questions we should not ask, but\n[Chorus]\nHow would you feel\nIf I told you I loved you?\nIt's just something that I want to do\nI'll be taking my time\nSpending my life\nFalling deeper in love with you\nSo tell me that you love me too\n[Verse 2]\nIn the summer\nAs the lilacs bloom\nLove flows deeper than the river\nEvery moment that I spend with you [Pre-Chorus]\nWe were sat upon our best friend's roof\nI had both of my arms around you\nWatching the sunrise replace the moon, but\n[Chorus]\nHow would you feel\nIf I told you I loved you?\nIt's just something that I want to do\nI'll be taking my time\nSpending my life\nFalling deeper in love with you\nSo tell me that you love me too\n[Guitar Solo: John Mayer]\n[Pre-Chorus]\nYeah, we were sitting in a parked car\nStealing kisses in a front yard\nWe got questions we should not ask\n[Chorus]\nHow would you feel\nIf I told you I loved you?\nIt's just something that I want to do\nI'll be taking my time\nSpending my life\nFalling deeper in love with you\nTell me that you love me too\nTell me that you love me too\nTell me that you love me too" } ]

[ { "from": "human", "value": "Write me a song called Tell Somebody with the following description: “Tell Somebody” is a sexual song in which Chris boasts about his sexual prowess, stating that he’ll put it down so good that she’ll want to run and tell everybody about their night together. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah, wassup, baby? (Yeah)\nLet me ask you a question, don't tell nobody\nThink you got no love? (Huh) Makin' love\nWatchin' the sunrise (Haha), while Chris sings us a verse\n[Verse 1]\nHey there, pretty lady, saw you at the bar and I was mesmerized\nYou might think it sounds crazy, but I ain't never been a man to lie\nGirl, I don't think you're ready 'cause you can't keep a secret very well\nAnd ayy, girl, if you let me, I might give you somethin' to go and tell\n[Pre-Chorus]\nAyy\nYeah, I can just see it now\nTryna hold it in, tryna keep it down\nBut you keep screamin' out, \"Ooh\"\n[Chorus]\nYou're gonna wanna tell somebody\nYou're gonna wanna tell everybody\nYou're gonna wanna tell somebody\nYou're gonna wanna tell everybody\n[Verse 2]\nAnd turn the lights down low, girl\n'Cause you know that I be waitin' on you\nWon't you hold me close, girl?\nI'ma show you I got somethin' to prove\nSo go ahead, tell all your girls, yeah, you tell 'em that I put it down\nThey all gon' want a piece of this, so you better keep it to yourself, oh [Pre-Chorus]\nYeah, I can just see it now\nTryna hold it in, tryna keep it down\nBut you keep screamin' out, \"Ooh\"\n[Chorus]\nYou're gonna wanna tell somebody\nYou're gonna wanna tell everybody (Tell, tell)\nYou're gonna wanna tell somebody (Oh-oh)\nYou're gonna wanna tell everybody (Oh-oh)\nYou're gonna wanna tell somebody (Tell somebody)\nYou're gonna wanna tell everybody\nYou're gonna wanna tell somebody (So go and tell it, girl, go and tell it, girl)\nYou're gonna wanna tell everybody (Yeah, oh-oh)\n[Bridge]\nJust tell them how good it is (Oh-oh-woah-woah-oh)\nOh yeah, oh (Ayy-ayy-ayy, ayy, ayy, ayy)\nAnd how it makes you feel, oh (Yeah, yeah, yeah)\nAnd just tell 'em all (Gon' girl, tell it all)\nHow I'm just pullin' your hair from the back and I got you shakin' (Gone, gone, gone)\nGirl, you better tell 'em all (You get gone, gone, gone)\nThat I'm just a sexy, sexy, freaky freak (Go, go, go, go, gone, gone, gone)\nJust go and tell 'em that I put it down, oh\n[Chorus]\nYou're gonna wanna tell somebody\nYou're gonna wanna tell everybody\nYou're gonna wanna tell somebody\nYou're gonna wanna tell everybody\nYou're gonna wanna tell somebody\nYou're gonna wanna tell everybody\nYou're gonna wanna tell somebody\nYou're gonna wanna tell everybody [Outro]\nAnd turn the lights down low, girl\n'Cause you know that I be waitin' on you (Tell everybody)\nWon't you hold me close, girl?\nI'ma show you I got somethin' to prove\nDown, down" } ]

[ { "from": "human", "value": "Write me a song called ASAHD AND AALAM CLOTH TALK with the following description: “ASAHD AND AALAM CLOTH TALK” is a full family track that could be taken as a very short interlude from DJ Khaled’s thirteenth studio album, GOD DID. It is the only song on the album to not feature any artists, but this song instead includes spoken word from the producer himself, along with his two sons, Asahd and Aalam Khaled, who echo their father’s mantra and the title of the album. The three received writing credits along with Khaled’s wife and the children’s mother, Nicole Tuck. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[\nDJ Khaled\n, \nAsahd\n, \nAsahd and Aalam\n]\nWhat you say?\nGod did!\nWhat's daddy say?\nAnother one, God did!\nGod did!\nGod did, God did\nGod did, God did\nGod did, God did" } ]

[ { "from": "human", "value": "Write me a song called Star67 with the following description: When you *67 a phone number, it makes the phone number calling present an unknown number. Drake is taking us back to his days growing up in the 6, dealing with a yearning for more money and trying to figure out how to get it. One of the ways back then was to get money from phone scams.\nThis relates to the opening verse where he mentions the scam that Birdman is pulling on him and Weezy. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Part I]\n[Intro: Lil Wayne]\nThat's what they doin', Cam'ron\nThey actin' like these singers, man\n\"I ain't— I ain't goin' to the studio 'till I got a situation\nA subject, I need a beat, I need the producer\nWho— Who gon' be on the hook?\" Man, what is you doin'?\nGo in the studio with fuckin' clips, clips, ammo!\n[Verse 1]\nBrand-new Beretta, can't wait to let it go\nWalk up in my label like, \"Where the check, though?\"\nYeah, I said it\nWouldn't dap you with the left, ho,\n \nshut the fuck up\nText from a centerfold, I ain't reply, let her know I read it though\nVoicemail say she ready though (Yeah)\nNiggas know I'm credible, ain't no pussy on a pedestal\nGot my foot on the 'Cedes Benz pedal\nDoin' ninety on the bridge, like, \"Nigga, you already know\"\nAnd if you don't know, then now you know, now you know\nSwitchin up the angles\nNow I'm in the Rolls with illuminated angel\nFour, five chains, man, the gold gettin' tangled\nMy nigga Biz said, \"The first mill' gon' change you\"\nChange for the better, hit it, then dead her\nThat's my vendetta, keep this shit together\nGoddamn, we ain't even gotta scam\nCocaine coupe, we ain't even got a scale\nUsed to flip apps, now that old plug murked\nAin't a damn thing changed, you can still get the work, ayy [Interlude]\nJust hold on one moment and someone will be right with you\n(\nWe're sorry, you have reached a number that has been disconnected or is no longer in service\n)\n[Part II]\n[Intro]\nYeah\n[Verse 2]\nI remember I had went to Louis V with Haf'\nWatched them spread ten thousand dollars on the glass\nI never, ever thought I'd see that in my life\nNow I'm in the East 'cause them boys are gettin' right, man\nI was on TV, makin' fifty racks a year\nAfter helpin' Mama out, the shit would disappear\nI am not a man, I can't do this on my own\nSo I started askin' them if they would put me on\nAnd they did put me on, yeah\nThey did put me on\nNow we in the basement, and we workin' on the phone\nNow we in the basement, and we workin' on the phone, man\nLine blowin' up, workin' on the phones\nNow we in the basement, and we workin' on the phones\nBut I just couldn't do it, had to leave that shit alone, man [Interlude]\nHear what?\nYo hear what, take time\n(Ha, ha, ha) Ahh, no shit\nYo hear what?\nWha gwan, fry skull\nHim fried, him fried and a sleep awhile ago inna di van\nYou know Drizzy\n[Chorus]\nBlowin' up\nLine blowin' up, they need the whole thing\nBlowin' up\nMy niggas really need the whole thing, yeah, yeah\nBlowin' up\nLine blowin' up, they need the whole thing\nBlowin' up\nMy niggas really need the whole thing, yeah, yeah, yeah\nAyy\n[Verse 3]\nI do better with the rider in my system\nOoh yeah, I'm on deck, when you call me, I'll listen\nI listen unless I been mixin', you know when I'm mixin'\nYou know when I'm mixin'\nI smoke when I drink, it's tradition\nLike Zoe mama, I go hippy\nPeace sign in the air like I'm Nixon, I'm mixin'\nI am not Esco, but it was written\nI knew when they didn't\nI been had these visions of the life I'm livin' since I was Jimmy\nAll I had to do was just go and get it [Chorus]\nAnd now we blowin' up\nLine blowin' up, they need the whole thing\nBlowin' up, yeah\nMy niggas really need the whole thing, yeah, yeah, yeah\nAyy" } ]

[ { "from": "human", "value": "Write me a song called What Do I Know About Love? with the following description: Following several cryptic posts to social media, Camila took to Youtube (and Instagram) to post a spoken word piece titled “What Do I Know About Love?” In the piece, Camila speaks about her past experiences with love, acknowledging she still has much to learn.\nFans to quick to speculate that the video was a teaser for Camila’s second full-length album, which was “pretty much done” as of June 18, 2019. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "What do I know about love?\nNothing\nWhere does the love go when it runs out? When does it leave? Why does it die?\nDo you kill it in one violent blow?\nOr is it a million unattended, unhealed little cuts and scratches?\nWhat do I know about love?\nEverything\nIt creeps into my chest, uninvited and untameable\nI know love has no mercy on anyone, rich, poor, independent codependent, confident, insecure\nIt'll bring you to your knees - if you did it right\nWhat I know for sure about love is that you never come out of it the same\nThe other person is a chemical and I am a chemical and we both will come out as different people than when we met\nI know when you're in love, kissing is everything\nBecause words aren't the only way to tell someone how you feel\nI know when you fall in love you feel like you're the first and only two people in the world\nEvery kiss, every touch, every caress is like something you feel nobody has ever felt before\nAnd you think - has everybody that's fallen in love before just walked around this nonchalantly the whole time?\nYou're at a restaurant with your friends and you can feel it, this\nsecret under your tongue\nBurning like fire\nBut sweet\nAnd it creeps up to your cheeks and makes you smile\nAnd suddenly you look down and you see your heart's veins reaching, reaching, clinging to someone else's heart\nI've learned a lot about love in my 20s, but not enough to maintain any control in the face of its power\nAnd for every new thing I learned, there was something else I couldn't understand\nAll I know is love changes you\nIf you're lucky, to something better\nWhat I know for sure is falling in love with life itself makes an artist out of everyone\nI thought I was making art before\nWriting songs was me making art but...\nNow I want my life to be the work of art\nAnd my songwriting to be the camera that I take a picture of it with\nIt's what I'm living\nThat's the art\nWhat do I know about love?\nMaybe nothing\nAnd that's why it's everything" } ]

[ { "from": "human", "value": "Write me a song called Don’t Waste My Time (Remix) with the following description: This monster UK Rap hit originates from an independently released mixtape entitled\n‘Young Kingz’ by Play Dirty duo Krept & Konan.\nDon’t Waste My Time is produced by UK based producer AdotSkitz.\nIt gained prominence when the track was remixed by French Montana on his Coke Boys 4 mixtape featuring Chinx Drugz and Lil Durk.\nThe official UK remix features French Montana and Chinx Drugs from the US as well as UK rappers in the form of Chip, Wretch 32 and Fekky. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Konan]\nIf she ain't fucking, she got to go\nTell her, 'don't waste my time'\nPolice want to stop me, search my clothes\nTell 'em, 'don't waste my time'\nIf it ain't money, I ain't involved\nTell 'em, 'don't waste my time'\nWasteman waffling down my phone\nTell 'em, don't waste my time (nah nah nah)\nTell 'em, don't waste my time (kaboom)\nTell 'em, don't waste my time (oh yea)\nTell 'em, don't waste my time (na)\nTell 'em, don't waste my time (nah nah nah)\nTell 'em, don't waste my time (kaboom)\nTell 'em, don't waste my time (behave)\nTell 'em, don't waste my time (da)\nTell 'em, don't waste my time (nah nah nah)\n[Verse 1: Krept]\nPray to The Lord nigga\nIn this cold world\nI'm a born sinner\nWe pour liquor\nGirl come Hova, it's all Jigga\nChicks wanna holla\nCan't be my baby mama\nCos I don't need that drama\nUnless she Rihanna [Verse 2: Chip]\nWhen Chip features on a verse\nPay attention to every word\nI'm sick and I'll spread these germs\nFucking turn up till there's nowhere to turn\nPut the weed in me, I'm a grinder\nGot my spliff but I can't find my lighter\nTell an A&R you don't believe in me\nWell, I don't believe in you either (dead)\nBitches don't waste my time\nEven when they on their reds\nMan I call that playing for the Gunners\nI'll be shooting in your mouth instead\nLook, I hope my mum don't hear this verse\nWhy are you raving with your empty purse?\nSee I told Konan I was feeling the original\nI had to put the remix in the dirt\n[Verse 3: Konan]\nPretty girl on my left\nPretty girl on my right\nSouth side of that river\nTell 'em, don't waste my time (kaboom)\nTroubz rolled up and he's buzzing\nScreaming out \"If they ain't with us then fuck 'em\"\nExcuse my French, I ain't worried bout nothin'\nWhat?\nNigga, I ain't worried bout nothin', haaan\nNigga, I ain't worried bout nothin', haaan [Verse 4: French Montana]\nFuck you, I got a good lawyer\nGold chain, golden boy, French de la Hoya\nCocaine, no brain when I pull the toy up\nRope chains, \nmade millions off the dope game\nMan shooters they shoot, they don’t talk\nKilla, don’t waste my time\nIf that watch don't cost about 50\nJeweller don’t waste my time\nShe said you gonna be my big daddy\nTell her don’t waste my time, don’t hit my line\nBitch I’m lying\nMake a couple mill every deal I sign\nCame from the bottom, now my niggas all shining\nWe gon' hide the body where nobody gon' find him\nSign Illuminati for 'gatti and a island\nWhen them Coke Boys run up on you, you go hiding\n[Chorus: Konan]\nIf she ain't fucking, she got to go\nTell her, 'don't waste my time'\nPolice want to stop me, search my clothes\nTell 'em, 'don't waste my time'\nIf it ain't money, I ain't involved\nTell 'em, 'don't waste my time'\nWasteman waffling down my phone\nTell 'em, don't waste my time (nah nah nah)\nTell 'em, don't waste my time (kaboom)\nTell 'em, don't waste my time (oh yea)\nTell 'em, don't waste my time (na)\nTell 'em, don't waste my time (nah nah nah)\nTell 'em, don't waste my time (kaboom)\nTell 'em, don't waste my time (behave)\nTell 'em, don't waste my time (da)\nTell 'em, don't waste my time (nah nah nah) [Verse 5: Wretch 32]\nFrom 2-6, I been in here\nNext year, I'll be a millionaire\nDon't phone me for shit unless you phone me for dick\nThen I ask for the pussy and I'll stick it there\nYeah, I got a foul mouth\nA foul car and a foul house\nA red card get you pow pow\nRunning out of words every second is a countdown\nRest in peace my nigga from the Fast and the Furious\nLife's too short so I spend it with dividends\nBuy a new car, I'm in the race with the Lewis'\nTook over my area, I do what the Jewish did\nSay I'm Illuminati but I'm more like illuminate\nLaminated but you're fascinated, daily duppy rated\nTell her, don't waste my time\nSwallow my kids don't waste my life (kaboom)\n[Verse 6: Chinx]\nIf they order anything less than a brick\nNigga don’t waste my time\nThese hoes ain’t fucking me and all my niggas\nTell her, 'don’t waste my time'\nNigga they don't want 20 seconds on the clock\nTell 'em, don’t waste my time\nHeard a couple niggas scheming on my watch\nFuck nigga wanna waste my time\nCouple hundred missin out your pocket in the morning\nNigga need to check that bitch, she lying\nLabel try school me, I’m already on fire\nTell 'em, don’t waste my time\nLeft wit your bitch right in front of your face\nFuck with no rats, I don’t fuck with no jake\nOn that but shackled they said sent you upstate\nSnitches in your building caught the murder on tape\n[Verse 7: Fekky]\nCan I get a moment of silence?\nYeah, grew up on the GB blocks\nI was ducking them sirens\n, nah\nYou can't tell me about violence\nCan't tell me about dope\nTell me about whips, I was driving the finest\nAsk thots, I had a strap in the whip\nArmed boydem behind us\nI woke up the dead\nI woke up the dead, yeah\nUsed to have a brick in my lab and a big .44 in the shed (shottas)\nDirty man to the feds\nCouple man wanted me dead\nI'm still here, fuck them niggas\nYou heard what I said\nDon't waste my time\n[Chorus: Konan]\nIf she ain't fucking, she got to go\nTell her, 'don't waste my time'\nPolice want to stop me, search my clothes\nTell 'em, 'don't waste my time'\nIf it ain't money, I ain't involved\nTell 'em, 'don't waste my time'\nWasteman waffling down my phone\nTell 'em, don't waste my time (nah nah nah)\nTell 'em, don't waste my time (kaboom)\nTell 'em, don't waste my time (oh yea)\nTell 'em, don't waste my time (na)\nTell 'em, don't waste my time (nah nah nah)\nTell 'em, don't waste my time (kaboom)\nTell 'em, don't waste my time (behave)\nTell 'em, don't waste my time (da)\nTell 'em, don't waste my time (nah nah nah)" } ]

[ { "from": "human", "value": "Write me a song called Everytime with the following description: “Everytime” is a song recorded by Britney Spears for her fourth studio album, In the Zone (2003). It was released on May 10, 2004, as the third single from the album.\n“Everytime” is a pop ballad with breathy vocals and its lyrics are a plea for forgiveness for inadvertently hurting a former lover. The song received generally positive reviews, with critics complimenting its haunting lyrics and the organic feel of the song in comparison with most of the tracks on its host album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nNotice me\nTake my hand\nWhy are we\nStrangers when\n[Pre-Chorus]\nOur love is strong?\nWhy carry on without me?\n[Chorus]\nEvery time I try to fly, I fall\nWithout my wings, I feel so small\nI guess I need you, baby\nAnd every time I see you in my dreams\nI see your face, it's haunting me\nI guess I need you, baby\n[Verse 2]\nI make believe\nThat you are here\nIt's the only way\nI see clear\n[Pre-Chorus]\nWhat have I done?\nYou seem to move on easy [Chorus]\nAnd every time I try to fly, I fall\nWithout my wings, I feel so small\nI guess I need you, baby\nAnd every time I see you in my dreams\nI see your face, you're haunting me\nI guess I need you, baby\n[Bridge]\nI may have made it rain\nPlease forgive me\nMy weakness caused you pain\nAnd this song's my sorry\n[Break]\nOoh\n[Pre-Chorus]\nAt night, I pray\nThat soon your face will fade away\n[Chorus]\nAnd every time I try to fly, I fall\nWithout my wings, I feel so small\nI guess I need you, baby\nAnd every time I see you in my dreams\nI see your face, you're haunting me\nI guess I need you, baby" } ]

[ { "from": "human", "value": "Write me a song called Come and See Me with the following description: On “Come and See Me,” PND and Drake reflect on their attempts to maintain casual romantic relationships, effortlessly interchanging between their own perspectives and the women they’re trying to sleep with.\nWhile all they want is a 2AM booty call, the girls they’re seeing want relationships. Between shows, studio sessions and long trips, it gets hard for the girls back home. Everyone needs love and affection, but what’s it like when you try to have one without the other?\nIn a day and age where artists push to be the most creative, PND topped his competition by releasing the music video for this song through the mobile app, Snapchat on June 23rd, 2016. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: PARTYNEXTDOOR]\nDoesn't make sense now\nShit just got real, things are gettin' intense now\nI hear you talkin' 'bout \"We\" a lot, oh, you speak French now?\nGiving me the signs so I gotta take a hint now\nI hit you up like \"Do you wanna hang right now?\"\nOn the East Side and you know I'm with the gang right now\nYou say do I own a watch, do I know what time it is right now\nIt's after 2AM and that's askin' a lot of you right now\n[Chorus: PARTYNEXTDOOR]\nAll she talkin' bout is, \"Come and see me for once\nCome and see me for once\nYou don't ever come to me, you don't ever come to me\"\nAll she ever say is, \"Come and see me for once\nCome and see me for once\nYou don't ever come to me, you don't ever come to me\"\n[Verse 2: PARTYNEXTDOOR]\nI been up for two whole days thinkin' what I did to keep you goin'\nThumbin' through the voicemails that you left me tellin' me where I went wrong\nI'll admit I'm sorry when I feel I'm truly sorry\nThings change, people change, feelings change too\nNever thought the circumstances woulda changed you\nYou said you never traded, no (Yeah, you said that)\nAnd I believed you when they told me don't\n(Yeah, I thought you meant that)\nBut either way you're still invited and I can't even lie to you [Chorus: PARTYNEXTDOOR & \nDrake\n]\nSwear these days all you say is, \"Come and see me for once\nCome and see me for once\nYou don't ever come to me, you don't ever come to me\"\nAll she hit me with is, \"Come and see me for once\nCome and see me for once, oh\nYou don't ever come to me, you don't ever come to me\n\"\n[Verse 3: Drake]\nWhy you gotta start, girl, why you gotta start?\nI know we make time for the things that we want\nI know you got another nigga tryna play the part\nJust 'cause he got a heart don't mean he got heart\nCould be standin' in a field, and he still ain't in the field\nIf anything should change then I thought we had a deal\nLately you keep questionin' what you get out the deal\nDoin' things to make me feel the way I make you feel\nHow hard is it to let you know when I'm comin' home?\nThat way you can be prepared\nMaybe take a couple sick days and not miss pay\nI don't even know what things are looking like inside of your place\nOr how it's decorated\nThis thing is gettin' one-sided, I can't even lie to you right now\nYeah\n[Chorus: Drake]\nAll she talkin' bout is, \"Come and see me for once\nCome and see me for once\nYou don't ever come to me, you don't ever come to me\"\nAll she hit me with is, \"Come and see me for once\nCome and see me for once\nYou don't ever come to me, you don't ever come to me\"" } ]

[ { "from": "human", "value": "Write me a song called Fires & Desires with the following description: Fires & Desires is a track intended for Lil Twist’s upcoming Young Carter 2 project.\nTrippie Redd initially played the track on his instragram live account sometime in early October. Eventually when asked about the release of this track by a fan he hinted the track would allegedly appear on Dedication 6: Reloaded.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Trippie Redd]\nAyy, fires\nAnd desires, burn through the night\nBurn through the night\nFires\nAnd desires burn through the night\nBurn through the night\n[Verse 1: Lil Twist]\nAlright, well her clothes is on fire, the rose is on fire\nThe ladder is on fire, but still I climb higher\n'Cause her love is what I need, we've been sippin' gasoline\nWe make love out in the open, we set fire to the trees\nNow she callin' me some fireman\n (huh), I see what's going on\nShe givin' out fire dome, gotta turn on the sirens on\nI walk through the steam for her, yeah she made me fiend for her\nNow I'm 'bout to finish her, she need an extinguisher\n[Chorus: Trippie Redd]\nAyy, fires\nAnd desires, burn through the night\nBurn through the night\nFires\nAnd desires burn through the night\nBurn through the night [Verse 2: Lil Wayne]\nI turned her out, I got her cookin' hard\nFuck takin' pictures, take a bullet for us\nI make her count the guap in just her draws\nI make her count out loud, I listen hard\nI brought her round too many strippers lord\nShe said fuck tippin' and start kissin' broads\nI burnt her out, she need a break lord\nI told her hold that tight, you get replaced lord\nAin't got a job, I make her look employed\nI made her throw away her pussy toy\nShe got desire for a fire boy\nAnd she ain't seen a fire higher lord\n[Chorus: Trippie Redd]\nAyy, fires\nAnd desires burn through the night\nBurn through the night\nFires\nAnd desires burn through the night\nBurn through the night" } ]

[ { "from": "human", "value": "Write me a song called Blow Remix with the following description: “Blow Remix” features singer and powerhouse producer Pharrell Williams who provides a small verse just before the song hits two minutes in length. Beyoncé’s parts remain mostly the same, with some parts shortened to accommodate for Pharrell’s appearance.\nThe song is about oral sex, with Beyoncé providing candy and sugar-related imagery throughout the song as metaphors for it. It has been considered one of her most explicit and sexual songs, but it fits well among the more mature and sexual image Beyoncé identifies with on many other tracks from the album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Beyoncé]\nI love your face\nYou love the taste\nThat sugar, babe, it melts away\n[Verse 1: Beyoncé]\nI kiss you and you lick your lips, I kiss you and you lick your lips\nYou like it wet and so do I, you like it wet and so do I\nI know you never waste a drip, I know you never waste a drip\nI wonder how it feels sometimes\nMust be good to you\n[Pre-Chorus: Beyoncé]\nKeep me coming, keep me going, keep me coming, keep me going\nKeep me humming, keep me moaning, keep me humming, keep me moaning\nDon't stop loving 'til the morning, don't stop loving 'til the morning\nDon't stop screaming, freaking\n blowing\n[Chorus: Beyoncé]\nCan you eat my skittles?\nIt's the sweetest in the middle (Yeah)\nPink is the flavor\nSolve the riddle (Yeah)\nI'ma lean back\nDon't worry, it's nothing major\nMake sure you clean that\nIt's the only way to get the flavor [Verse 2: Pharrell Williams]\nIf you're thirsty and in love, just hit your boy\nI'm your milk man at your door\nWhen you phone me, I can see you with your cup\nI'm just role playing (Must be good to you)\n[Pre-Chorus: Beyoncé]\nKeep me coming, keep me going, keep me coming, keep me going\nKeep me humming, keep me moaning, keep me humming, keep me moaning\nDon't stop loving 'til the morning, constant loving 'til the morning\nNon-stop screaming, freaking\n blowing\n[Chorus: Beyoncé]\nCan you eat my skittles?\nIt's the sweetest in the middle (Yeah)\nPink is the flavor\nSolve the riddle (Yeah)\nI'ma lean back\nDon't worry it's nothing major\nMake sure you clean that\nIt's the only way to get the flavor\n[Interlude: Beyoncé]\nI'm about to get into this, girls\nThis is for all the grown women out there [Bridge: Beyoncé, \nTimbaland\n, \nBoth\n]\nI can't wait 'til I get home so you can tear that cherry out\n(\nTurn that cherry out, turn that cherry out\n)\nI can't wait 'til I get home so you can tear that cherry out\n(\nTurn that cherry out, turn that cherry out\n)\nI want you to (\nTurn that cherry out, turn that cherry out\n)\nI want you to (\nTurn that cherry out, turn that cherry out\n)\nI want you to (\nTurn that cherry out, turn that cherry out\n)\nI want you to (\nTurn that cherry out, turn that cherry out\n)\n[Verse 3: Beyoncé]\nOoh, I've had a naughty thought today, baby\nEvery time I close my eyes\nOoh, get a glimpse of this candy paint\nDon’t slip off when it drip off on top of your ride\nWhen you see it here, lift it up then toss it, babe\nI know everything you want\nI'ma show you how I stroke (Stroke it)\nBring ya work home on top of me\nI'ma let you be the, be the boss of me\nI know everything you want\nGive me that daddy long stroke\n[Bridge: Beyoncé, \nTimbaland\n, \nBoth\n]\nI can't wait 'til I get home so you can tear that cherry out\n(\nTurn that cherry out, turn that cherry out\n)\nI can't wait 'til I get home so you can tear that cherry out\n(\nTurn that cherry out, turn that cherry out\n)\nI want you to (\nTurn that cherry out, turn that cherry out\n)\nI want you to (\nTurn that cherry out, turn that cherry out\n) [Break]\nJe ne sais quoi, Cherie, m'vle-ou\nAswe ya ce net al kole!\n[Pre-Chorus: Beyoncé]\nKeep me coming, keep me going, keep me coming, keep me going\nKeep me humming, keep me moaning, keep me humming, keep me moaning\nDon't stop loving 'til the morning, don't stop loving 'til the morning\nDon't stop screaming, freaking\n blowing\n[Chorus: Beyoncé]\nCan you eat my skittles?\nIt's the sweetest in the middle (Yeah)\nPink is the flavor\nSolve the riddle (Yeah)" } ]

[ { "from": "human", "value": "Write me a song called Poppin’ with the following description: “Poppin'” was the released as the final single from Chris' debut album. However, it was only released as a promotional single with no accompanying music video. In the track, Chris compliments a girl’s physical appearance.\n“Poppin'” peaked at #42 on Billboard’s 100 chart and spent a total of 20 weeks in the charts. The track was included on the soundtrack for Stomp the Yard (2007), which was also Chris' debut in acting.\nA remix was released featuring featuring Juelz Santana and Lil Wayne, who both assisted on Chris Brown on “Run It!” and “Gimme That (Remix).” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nSay, say, say, s-say, say what your name is\nOoh, yeah, that fits you, girl\nTell me where you headed\nCan I walk with you, girl?\nYou got that look in your eyes\nThat look like you give your boy here a good ol' time\nAnd I'm on it, girl, that's right I'm on it, girl\n[Pre-Chorus]\nSee this is the first time I had a girl whose looks set me on fire\nI'm really tryna get to know you better, girl, you ain't gotta act like you shy\n'Cause we gon' do something, something is gon' get done\nAnd we gon' get crunk and have a lot of fun and I say\n[Chorus]\nShawty, shawty\nShe wearing her hair, she working them jeans\nShe talking that talk just l-l-like I like it\nShe keep it on, man, poppin'\nShawty keep it on and poppin'\nOoh, ooh, ooh, yeah\nShawty, shawty\nThe way you wearing that top, got your boy so hot\nAin't no mistaking, playing, or faking\nYou got me open and waiting, and poppin'\nYou keep me on, man, poppin'\nOoh, ooh [Interlude]\nUh, uh\nLet me tell you\nYeah\n[Verse 2]\nI'm tryna keep my swagger but you 'bout to have me, girl\nJump through about four or five hoops of ooh, baby\nLet's take it to the hood so the people can see you, girl\nOh, yes, you mean and vicious the way you switching, now I say\n[Pre-Chorus]\nThis is the first time I had a girl who looks set me on fire\nI'm really tryna get to know you better, girl, you ain't gotta act like you shy\n'Cause we gon' do something, something is gon' get done\nAnd we gon' get crunk and have a lot of fun, ooh, ooh, ooh\n[Chorus]\nShawty, shawty\nShe wearing her hair, she working them jeans\nShe talking that talk just l-l-like I like it\nShe keep it on, man, poppin'\nShawty keep it on and poppin'\nOoh, ooh, ooh, yeah\nShawty, shawty\nThe way you wearing that top, got your boy so hot\nAin't no mistaking, playing, or faking\nYou got me open and waiting, and poppin'\nYou keep me on, man, poppin'\nOoh, ooh\nShawty, shawty\nShe wearing her hair, she working them jeans (Yeah)\nShe talking that talk just l-l-like I like it\nShe keep it on, man, poppin'\nOh, poppin'\nShawty, shawty (Oh)\nThe way you wearing that top, got your boy so hot (Yeah)\nAin't no mistaking, playing, or faking (Yeah, yeah)\nYou got me open and waiting, and poppin'\nShawty got me poppin' [Interlude]\nUh, uh\nWoah\n[Bridge]\nWoah, woah, woah\nYou make me feel like a winner, girl, I wanna say\nWoah, woah, woah\nLet me put my hands around your waist while the background sing\nWoah, woah, woah\n'Cause we gon' do something, something is gon' get done, oh yeah\nWoah, woah, woah\nI'm about to have a fit 'cause you're my number one\n[Chorus]\nShawty, shawty (Oh)\nShe wearing her hair, she working them jeans (Ooh)\nShe talking that talk just l-l-like I like it\nShe keep it on, man, poppin'\nShawty keep it on and poppin'\nOoh, ooh, ooh, yeah\nShawty, shawty\nThe way you wearing that top, got your boy so hot\nAin't no mistaking, playing, or faking\nYou got me open and waiting, and poppin'\nYou keep me on, man, poppin'\nOoh, ooh" } ]

[ { "from": "human", "value": "Write me a song called You make me sick (version Double Face) with the following description: Parmi les inédits de la Face R&B de la compil’ mixée Double Face 3, figure ce remix de la chanson de P!nk You Make Me Sick, avec Acid de La Brigade.\nAcid pose deux couplets où il parle de son amour idéalisé. Loin de le rendre malade, ce sentiment lui procure une plénitude et ne fait que rendre sa vie parfaite.\nThis remix is exclusively on “Double Face 3”, a mix by DJ Kost & DJ Goldfingers. Acid (from the French rap collective La Brigade add two verses. He speaks about his idealized love. This feeling does not make him sick, but drives him to a form of perfection in his life.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nYou make me sick\nI want you and I am hating it\nGot me lit like a candlestick\nGet too hot when you touch the tip, I am feeling it, I got to get a grip\nAnd it is driving me crazy baby don't you quit\nCan't get enough of it\nYou got me going again\nBaby, you got me going again\nYou make me sick\n[Verse 1]\nHe was doing 8-0 on the freeway\nIn the 6 double O, bumping Islay\nHe was getting kind of close, kind of touch-ay\nBecause he had a little too much Hennessey\nHe told me that he want to go home, with me up on the hill to my condo\nTold me he would keep it all on the low-low\nBut I told him, \"Boo, I do not really know though\"\nHe got closer to me it started getting deep\nHe had me in a zone when he started to show me things\nI never saw before\nBaby was smooth but I knew it was game\nHell-of-a cool but you men are the same\nThe way he licked his lips and touched my hips\nI knew that he was slick [Chorus]\nYou make me sick\nI want you and I am hating it\nGot me lit like a candlestick\nGet too hot when you touch the tip, I am feeling it, I got to get a grip\nAnd it is driving me crazy baby don't you quit\nCan't get enough of it\nYou got me going again\nBaby, you got me going again\nYou make me sick\n[Verse 2: Acid]\nQui aurait dit qu’un jour j’me mettrais à parler ainsi\nAssis aux côtés d’une femme aux cheveux roses à lâcher d’fameuses proses\nLà, j’veux la chose inédite, prémédite symbiose\nEntre nous pas d’abstrait, rien que du concret\nDonc lâchons-nous à souhait\nC’qu’il faut c’est savourer l’instant présent\nS’laisser aller sans s’rendre malade, Acid Pink c’est l’alchimie idéale\n[Verse 3]\nIn the 6 now, so hot\nGot to pull all the windows down\nEyes lead and I am thinking bout the sheets now\nWondering should I really take it there now\nHe told me he would make it worth it\nAgain, how many times have I heard this?\nKind of funny, but I was not even nervous\nWell his slick-ass lines were kind of working\nI felt my knees get weak his body was calling me\nJust could not take the heat\nAnyway it was 2 or 3, I had to get off the streets\nBaby was cool but I knew it was game\nSaid, he was too schooled to be screaming my name\nEven though we made the best of it\nI still told him this [Chorus]\nYou make me sick\nI want you and I'm hating it\nGot me lit like a candlestick\nGet too hot when you touch the tip, I'm feeling it, I got to get a grip\nAnd it's driving me crazy baby don't you quit\nCan't get enough of it\nYou got me going again\nBaby, you got me going again\nYou make me sick\n[Verse 4: Acid]\nAcid!\nÀ force de s'rendre malade\nQuand tout peut être si simple et si sain\nAcid, devenu black Casanova, pour toi j’innove\nJ’crois qu’Cupidon m’a planté une flèche dans l’dos\nFace à ton corps, j’suis comme désarmé\nMais désormais j’n’ai plus rien à cacher, mes trésors, mes sentiments sont tiens\nC'truc si rare, on l'tient\nNomme le comme tu veux, c'que j'veux c’est l’partager avec toi\n[Chorus]\nYou make me sick\nI want you and I'm hating it\nGot me lit like a candlestick\nGet too hot when you touch the tip, I'm feeling it, I got to get a grip\nAnd it's driving me crazy baby don't you quit\nCan't get enough of it\nYou got me going again\nBaby, you got me going again\nYou make me sick [Outro]\nDouble Face, Double Face\nDJ Kost\nDJ Goldfingers\nLa Brigade, la Brigade" } ]

[ { "from": "human", "value": "Write me a song called Like Home with the following description: “Like Home” is an anthem in favor of the United States of America, offering a critical yet patriotic counterargument to President Trump’s vision of the country.\nIn the choruses, Eminem and Alicia Keys firmly praise their home country, while on the verses, Eminem takes direct aim at Donald Trump, the 45th President of the United States. Em has criticized Trump on various occasions, such as his lyrical assault on the commander-in-chief on “The Storm.” In a December 2017 interview with Complex, he speaks further about his disappointment with the Trump administration.\nEminem has incorporated politics into his lyrics since the beginning of his commercial career with songs like “Who Knew,” “White America,” and “Mosh.” This song is arguably unprecedented however, in that Eminem invests so much of the lyrics into a valid political discussion. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah, shout to everybody\nWho's been on this trip with me\nYou don't have to, agree\nBut if you feel like me\n[Verse 1: Eminem]\nSomeone get this Aryan a sheet\nTime to bury him, so tell him to prepare to get impeached\nEverybody on your feet\nThis is where terrorism and heroism meet, square off in the street\nThis chump barely even sleeps\nAll he does is watch Fox News like a parrot and repeats\nWhile he looks like a canary with a beak\nWhy you think he banned transgenders from the military with a tweet?\nHe's tryin' to divide us\nThis shit's like a cult, but like Johnny he'll only unite us\n'Cause nothin' inside us drives us like this fight does\nSimilar to when two cars collide 'cause\nOur spirit's crushed and this spot's a tight one\nBut here the jaws of life come\nTo pull us from the wreckage, that's what we get pride from\nWhen we can’t from our stars and stripes 'cause\nThis type of pickle that we're in is hard to deal\nBut there's always tomorrow still\nIf we start from scratch like a scab, get the scars to heal\nAnd band together for Charlottesville\nAnd for Heather, fallen heroes, fill this wall with murals\nNevada get up, hit the damn resetter\nLet's start from zero, this is our renewal\nSpray tan, get rid of, get a brand new, better\nAmerica, and here's to where it all— [Chorus: Alicia Keys & \nEminem\n]\nAnd here's to where we all began, all began (\nStand up!\n)\nHere's to the land that made me\nAnd made me who I am, who I am (\nHands up!\n)\nHere's to the land that raised me\nThis one for the only place that really knows me\nFor the cracks in the road that drove me\nThere's no place like home\n[Verse 2: Eminem]\nDidn't wanna piss your base off, did ya?\nCan't denounce the Klan, 'cause they play golf with ya\nYou stay on Twitter, way to get your hate off\nNazi, I do not see a way y'all differ\nAnd all you got are race cards, bigot\nThe swastika with your name carved in it\nShould be your trademark, 'cause hate's all you played off\nAnd you just lick the plate off\nSo I guess it pays to feed off of chaos\nSo basically, you ate off Hitler!\nBut you ain't ruinin' our country, punk\nOr takin' our pride from us, you won't define us\n'Cause like a dictionary, things are lookin' up\nSo much, got a sprained neck, know we would rise up\nAgainst this train wreck and take a stand\nEven if it means sittin' when they raise the flag\nTo sing \"The Star-Spangled Banner\"\nThis man just praised a statue of General Lee\n'Cause he generally hates the black people, degrades hispanics\nTake it back to the Shady national convention\nWish I woulda spit on it before I went to shake his hand\nAt the event or maybe had the wherewithal\nTo know that he was gonna try to tear apart\nOur sacred land we cherish and stand for\nSo, hands in the air, let's hear it for\nThe start of a brand new America\nWithout him and be proud of where we're from\nAnd here's to where we all— [Chorus: Alicia Keys & \nEminem\n]\nAnd here's to where we all began, all began (\nStand up!\n)\nHere's to the land that made me\nAnd made me who I am, who I am (\nHands up!\n)\nHere's to the land that raised me\nThis one for the only place that really knows me\nFor the cracks in the road that drove me\nThere's no place like home\n[Bridge: Alicia Keys & \nEminem\n]\nI won't give up\nI won't give up on my home, that so many died for\nYou already know that I won't give up\nI won't give up on my home, that so many died for\nYou already know\nThere's no place like home, no place like home\nWherever I go, \nno place like home\nNo place like home, no place like home\nWherever I go (\nYeah\n)\n[Chorus: Alicia Keys & \nEminem\n]\nAnd here's to where we all began, all began (\nStand up!\n)\nHere's to the land that made me\nAnd made me who I am, who I am (\nHands up!\n)\nHere's to the land that raised me\nThis one for the only place that really knows me\nFor the cracks in the road that drove me\nThere's no place like home" } ]

[ { "from": "human", "value": "Write me a song called Drop Rap with the following description: “Drop Top” is a braggadocious track that sees Chris brag about his expensive Lamborghinis, flashy Audemars and his appeal with the ladies. The track features California rapper Petey Pablo who’s verse contains playful wordplay. “Drop Top” marks the first, and as of December 2021, the only collaboration between Chris and Petey. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Chris Brown]\nHaha (Yup)\nJahlil Beats, holla at me\n[Verse 1: Chris Brown]\nFresh up off the stove, I'm hotter than a bitch\nBlack diamond Audemar is holdin' down my wrist\nI'm the shit, you playin'\nNigga, you know my name, dawg\nAnd shawty, let me cut, call me— (Fresh)\nFresh up off the stove, I'm hotter than a bitch\nBlack diamond Audemar is holdin' down my wrist\nI'm the shit, you playin'\nNigga, you know my name, dawg\nAnd shawty, let me cut, call me Mr. Chainsaw\nThis beat goes so hard, and so does your broad\nAnd when she see me, if it's easy, huh, it's your fault\nLamborghini, fettuccine, count this dough, dawg\nBig ice on my neck look like snowballs\nAny way that I get it, I don't care, I do it, when I do, I does it\nAnd you know me, shittin' on niggas and I do it in public\nI know you mad, why? And I ain't tryna brag\nI'm just talkin' 'bout the shit that you wish you had\nMy tattoos compliment my attitude\nLightskin nigga but I'm not a average dude\nYou a opener and I'm goin' after you\nHeadline, I hope you niggas read the news [Chorus: Petey Pablo]\nWhen they see me, they jaw drop (Yeah)\nBetter cuff your chick, when she see me, her drawer drop (Yeah)\nI'm shuttin' the club down (Hey)\nNigga, that's up top (Hey)\nThey tellin' me slow down\nBut I ain't gon' ever stop (\nDJ Babey Drew\n)\n(Hey) Okay (Yeah)\nWhere the Rosé? (Where the Rosé?)\nCÎROC? (CÎROC?)\nMixed with OJ (Mixed with OJ)\nI'm hot (Hey)\nYou not (Hey), but it's okay (Hey)\nY'all don't mean shit to me, no way, haha\n[Verse 2: Chris Brown]\nUh, Gucci shades, my chain looks like Minute Maid\nBlowin' up is what I do, I'm a big grenade\nStar stuntin', these niggas frontin', show me somethin'\nA whole clique of niggas shittin', bullets dumpin'\nAnd when you see me, please believe me that I'm fly as hell\nI got a rack of broads, I call 'em my clientèle\nTyga at the wing, two girls, that's a three-piece\nNow you see why all these singers tryna to be me\nNow what you talkin' 'bout? To the haters, throw them deuces up\nBack number one, middle fingers up\nStraight to the top, zoom-zoom, that's how I go\nAnd then I drop the top on my Murcielago\nIt's not a game, nigga, so I ain't gotta play\nMy niggas Mac and Diesel, it's Yung by the way\nG5 so I ain't gotta wait\nThe most hated on, so I ain't gotta hate [Chorus: Petey Pablo]\nWhen they see me, they jaw drop (Yeah)\nBetter cuff your chick, when she see me, her drawer drop (Yeah)\nI'm shuttin' the club down (Hey)\nNigga, that's up top (Hey)\nThey tellin' me slow down\nBut I ain't gon' ever stop\n(Hey) Okay (Yeah)\nWhere the Rosé? (Where the Rosé?)\nCÎROC? (CÎROC?)\nMixed with OJ (Mixed with OJ)\nI'm hot (Hey)\nYou not (Hey), but it's okay (Hey)\nY'all don't mean shit to me, no way, haha\n[Verse 3: Petey Pablo]\nEazy Breezy, sexy sleezy\nTouch me, tease me, freak and leak me (Woo)\nChrisy Breezy, Petey Petey\nA-B-Ceezy, one, two, threezy\nKichi-kichi (Hey), nakamichi (Hey)\nOkinawa (Hey), nice to meet ya (Hey)\nCEO (Hey) or C-M-Breezy? (Hey)\nNow-Now who-who wants to do me? (Hey, yeah)\nWe bossed up (We bossed up)\nWe flossed up (We flossed up)\nCome on in here, girl (Come on in here, girl)\nShe gettin' glossed up (She gettin' glossed up)\nShe got her bra up (She got her bra up)\nI think she wants to cut (I think she wants to cut)\nBaby, there's two of us (Baby, there's two of us)\nCome on, let double up (Hey)\nGo 'head and knock the ball (Ball) and we gon' pop the top off (Off)\nAnd we don't care how many bottles or how much that they cost (Cost)\nWe like them dope boys (Boys), we just left off the block (The block)\nWe open both doors and then we keep 'em locked (Uh-huh)\nDamn, we got it locked (Uh-huh), R&B and hippie-hop (Uh-huh)\nCarolina busy bee (Uh-huh), ain't nine-to-five, we down the block\nTell me what you want, girl, I can get it for you, girl\nHe's a motherfuckin' chump and I'm a real thug [Chorus: Petey Pablo]\nWhen they see me, they jaw drop (Yeah)\nBetter cuff your chick, when she see me, her drawer drop (Yeah)\nI'm shuttin' the club down (Hey)\nNigga, that's up top (Hey)\nThey tellin' me slow down\nBut I ain't gon' ever stop\n(Hey) Okay (Yeah)\nWhere the Rosé? (Where the Rosé?)\nCÎROC? (CÎROC?)\nMixed with OJ (Mixed with OJ)\nI'm hot (Hey)\nYou not (Hey), but it's okay (Hey)\nY'all don't mean shit to me, no way, haha (Hey)" } ]

[ { "from": "human", "value": "Write me a song called Take Away with the following description: Track 12 off of Deal or No Deal, “Take Away” is about Wiz Khalifa’s new found success and the way fame makes him feel, despite from the fact that other people are trying to take that way from him. The production is handled by ID Labs producer, Big Jerm, who is a frequent collaborator of Wiz Khalifa and fellow Pittsburgh native, Mac Miller. The track also appears in Wiz Khalifa’s 2009 mixtape, Flight School.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah bitch\nThat's what I like to call\nMy type of shit\n[Verse 1]\nYeah, forward progression\nNiggas got it backwards\nI'm relevant\nBut nothing like you other rappers\nYou see, I fuck with trap niggas\nBecause really I'm the only one rapping\nGet it how you live\nSurvival of the fittest, you should know the code\nAll I got is what I give until they overload\nNigga, I'm the shit, overflowed\nAnd I grab a blunt, split it like a chromosome\nI'll have it where you're bitch ain't phoning home\nWe done blown a whole O gettin' our stoner on\nAin't gotta say shit, I know you're gone\nSee my chain, make the same face from \"Home Alone\"\nAll this good weed that I'm puffing got me feeling\nLike there ain't a place I can't go\nAin't a thing I won't do\nAnd I'm awake\nSo I guess my dreams come true [Hook]\nAnd the game gave me a feeling\nThat no one can take away from me\nI said no one can take away from me\nOn the road doing shows, oh no one can take away from me\nI get a feeling that no one can take away\n[Verse 2]\nDown to take a trip\nMy nigga, what's the ticket hitting for?\nI got some hoes that wanna roll too\nAnd if you wanna see what it's like to be just the team\nAnd tired of the background, so you make your own scene\nI'll hit you up when I roll through\nYeah, California weed\nKeep a Pistolvania mind state\nHard to get it honest\nSo my niggas boost the crime rate\nIt's obvious I'm ghetto\nStill they love me like I'm Kid Rock\nTry your luck with what's around my neck\nAnd get your wig chopped\nFucking with I, can get you so much cash\nOr nowhere fast\nI got your bitch in awe, she never flown first class\nOr had the driver get her bags [Hook]\nAnd the game gave me a feeling\nThat no one can take away from me\nI said no one can take away from me\nOn the road doing shows, oh no one can take away from me\nI get a feeling that no one can take away" } ]

[ { "from": "human", "value": "Write me a song called Tomorrow with the following description: After watching Annie, Sia decided to open up her laptop, load up music programme Garageband and sing her own version of the track “Tomorrow” from the classic musical.\nhttps://twitter.com/Sia/status/5192653040 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "The sun'll come out tomorrow\nBet your bottom dollar that tomorrow\nThere'll be sun\nJust thinkin' about tomorrow\nClears away the cobwebs and the sorrow\nTill there's none\nWhen I'm stuck with a day that's grey and lonely\nI just stick up my chin and grin and say\nThe sun'll come out tomorrow\nSo you got to hang on till tomorrow\nCome what may\nTomorrow, tomorrow, I love ya, tomorrow\nYou're always a day away\nTomorrow, tomorrow I love you tomorrow\nYou're only a day away" } ]