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[ { "from": "human", "value": "Write me a song called I Love Music with the following description: In this song Tech N9ne, Kendrick Lamar and Oobergeek express thier love for music and how music has saved their lives. Without music they would most likely be out on the streets in poverty or in gangs.\nProduced by EM80 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Tech N9ne]\nThe- the- the reason that I'm breathin'\nSeeping heat, it gets me cheese, why I'm eaten in Bad Season\nWas deep in beef and was needing some beats to release in evenings\nInstead of me being up and bleeding with thieves and heathens with keys and obstacles\nMade it possible for the flow go to be profitable\nYo Tech's audible, his inaugural prada popped and was plausible\nGod is so good for giving me music!\nLiftin', gettin' me through when I was fixing to lose it\nDudes hit Big Scoob's shit and reppin' the blue tip\nFool's skipped when Scoob scritch, we jumped in the 2 whip\nFull clips for who stick the homie for true grit\nMy crew, thanks to music, we all living through it\nGot me out of the ghetto, got me mucho dinero\nIn Cozumel, Mexico shorts and Jordans and a sombrero\nThis gift ain't given from a devil,\n so settle\nCome and get this rebel music that's hot as a kettle, pendejo\nSaved my life, paid my lights, made my wife, say \"Bye Bye\"\nGave my night babes, I like preyed my mic\nWould never fade, forever slayed, days I write\nMy cheddar raised up better, faze way high hyped\nMy music's one reason I always get to lay my pipe\nThe reason Tech N9na can comfortably say \"Night, night\"\nBlessed me with original flow, so hey! Why bite?\nI hear, I feel, I live, listen and learn\nI like... [Chorus: Krizz Kaliko]\n(I love music)\nYeah, I love (I love music)\nFor real (I love music)\nAnd I need (I love music)\nTo feel (I love music)\nGo and play it (I love music)\nYeah, know what I'm saying? (I love music)\nMy love (I love music)\nKnow what I'm saying?\n[Verse 2: Marcus Yates]\nAutomatic when I do this manually\nDaily, monthly, annually\nI get a step closer to being the coolest\nAcoustic got me foolin' and about to lose it, ooh, sh-\nJump in the grind, and my hom' Mean Mike produced it\nThat's music pahtna\nI'm just a poet with incredible rhythm\nWords arranged will let you know he has incredible in him\nI don't mean to toot my own horn, but toot toot, ha ha\nI laugh because it's easier than do ray mi fa sol la\nTi do, we know he go say what on that C Note\nAnd he can pay a C Note with that B Note\nI'm talkin' truth\nAnd I got stories that I show you that it's walkin proof\nA thousand miles of it and I can show you what I'm walkin' through\nMusic ain't a hobby, it's an organ of my body that the creator provided back in January of '92\nSo don't you dare say good music skipped my generation\nYour hatin' ain't nothin' but motivation for these compilations\nOob! [Chorus: Krizz Kaliko]\n(I love music)\nYeah, it feeds me (I love music)\nI need (I love music)\nTo feel (I love music)\nYou know what I'm sayin' (I love music)\nIt's my thing (I love music)\nGo and sing (I love music)\nAnd I love (I love music)\nYeah, go ahead\n[Verse 3: Kendrick Lamar]\nMusic is my life\nThe reason why I write\nLike Edgar Allan Poe on the beat, like a parasite\nYou thought a parachute made my flow just fall out the sky\nThen you fell apart into a body part no one would buy\nNobody tried my limits 'cause they're afraid of heights\nThe ambition, weak or gravity, let 'em die\nI let you live until a nigga compose a rhyme\nThen it's like a rhino in your ass every time\nTime and time again \nI treat my pen like The Pen\nBars harder than Pelican Bay and I been\nServin' a life sentence since the day I was ten\nNine times outta ten you only ten songs deep before you leap\nInto a pool of sharks then swim\nThat's an analogy on the way I do casualties\nAnd I do this shit casually, before the verse end\nI'll be in the Hall of Fame with my picture framed, friend [Bridge: Krizz Kaliko]\nAnd if it wasn't for my music I wouldn't be standing here!\nIf it wasn't for my music you wouldn't have nothing to hear, yeah\nAnd I love...\n[Chorus: Krizz Kaliko]\n(I love music)\nI need it to live (I love music)\nThere's so much to give (I love music)\nYeah, and I love it (I love music)\nI'mma be quiet (I love music)\nSsh\nAnd I love it (I love music)\nShow enough love (I love music)\nWhoa, whoa, whoa, whoa\n[Outro: Tech N9ne]\nWake up!!!" } ]

[ { "from": "human", "value": "Write me a song called 30,000 with the following description: On “30,000,” Logic shares the feelings of getting high, but also talks about his experience with this new high-life lifestyle. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n\"Wake up, you bitch-ass\nCracker-ass motherfucker, sike, nah\"\n[Verse 1: Logic]\nSee all I ever wanted was a window to sit close to\nAnd you don't understand but in the end you ain't supposed to\nI'm talking first class, 30,000 feet under my ass\nLiving life on the dash, constant pursuit of cash\nNow I'm living a life that you and yours could only dream about\nAnd just a couple years ago this shit I used to scheme about\nRehearsing for hours in front of my mirror\nUntil my voice was hoarse but my vision was clearer\nSee this that new school style but the flow remind you of them old days\nFast forward to the present, rappers have no class like snow days\nGood God, let me bring it back to hip-hops first renaissance\n‘96 Kool-Aid and Sega Genesis\n[Chorus: Logic]\n\"Hey yo, hey yo, how you keep it so real?\nI love the way your lyrics make me feel\"\nRoll it and get high, light it up and fly\nFeeling like I'm 30,000 feet up in the sky\nI got em' saying\n\"Hey yo, hey yo, how you keep it so real?\nI love the way your lyrics make me feel\"\nRoll it and get high, light it up and fly\nFeeling like I'm 30,000 feet up in the sky [Interlude: Erykah Badu]\nI just want a chance to fly\nA chance to cry, and a long bye\n[Verse 2: Logic]\nSo many people think that they know my whole situation\nConversations with people that handle public relations\nNothing but hundred dollar bills and standing ovations\nSlowly pacing until I kill like that boy Jason\nIt ain't nothing, never folding or bluffin'\nGet money, fuck bitches but respect women cause we love em'\nKiss em', touch em' and rub em'\nFuck em' but never grub em'\nHit it fast but then I slow it down like Robitussin\nShorty giving me brain until concussion\nThe club run out of vodka the second we rush in\nNever under estimate the power in which I'm bustin'\nMy lyricism got yo girl blushin'\nAin't even touch her and yet she gushin' (ha)\nAward shows, chilling with all my bros\nThree-piece Ralph Lauren and some Jordans, I suppose\n[Chorus: Logic]\n\"Hey yo, hey yo, how you keep it so real?\nI love the way your lyrics make me feel\"\nRoll it and get high, light it up and fly\nFeeling like I'm 30,000 feet up in the sky\nI got em' saying\n\"Hey yo, hey yo, how you keep it so real?\nI love the way your lyrics make me feel\"\nRoll it and get high, light it up and fly\nFeeling like I'm 30,000 feet up in the sky [Outro: Erykah Badu]\nOut my mind I'm tusslin'\nBack and forth 'tween here and hustlin'\nI don't wanna time travel no mo'\nI wanna be here, my thinkin'\nSay, on this porch I'm rockin'\nBack and forth like Lightnin' Hopkins\nSo if anybody speak to Scotty\nTell him, \"Beam me up!\"" } ]

[ { "from": "human", "value": "Write me a song called A Brand New Day with the following description: A Brand New Day\", also known as “Everybody Rejoice”, is a song from the 1975 Broadway musical The Wiz written by American R&B singer and songwriter Luther Vandross. (In 1976 Vandross recorded a version of the song for his album Luther, on Cotillion Records.) In the play, the song is sung to celebrate because Dorothy has killed Evilene, the tyrannical Wicked Witch of the West. Dorothy, the Tin Man, the Cowardly Lion, and the Scarecrow sing the song with the newly freed Winkies, who were ruled and enslaved by Evilene. It was later featured in the 1978 film version, sung by cast members Diana Ross, Michael Jackson, Nipsey Russell, and Ted Ross (credited as The Wiz Stars). Given the all-Black cast of The Wiz, the song’s many references to freedom and new possibilities (especially as sung by African American characters who had just been freed from enslavement) certainly invoked the struggles and history of Blacks in America. In the onscreen version of the song, Nipsey Russell can even be heard exclaiming “Free at last!\"—a reference to civil rights activist Martin Luther King Jr. (His impromptu addition to the song is not heard on the soundtrack album version, instead replaced by sung vocals by Diana Ross.)Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "I. \"A Brand New Day\"\n[Verse 1: \nLuther Vandross\n, (All)]\nEverybody look around\n'Cause there's a reason to rejoice, you see\n(Everybody come out)\n(And let's commence to singing joyfully)\n[Verse 2: Diana Ross, (All)]\nEverybody look up\nAnd feel the hope that we've been waiting on\n(Everybody is glad)\n(Because our silent fear and dread is gone)\n[Pre-Chorus 1: Diana Ross, (All)]\nFreedom, you see\nHas got our hearts singing so joyfully\n(Just look about)\n(You owe it to yourself to check it out)\n[Chorus: Diana Ross, All]\nCan't you feel a brand new day?\nCan't you feel a brand new day?\nCan't you feel a brand new day?\nCan't you feel a brand new day?\n[Verse 3: \nTed Ross\n, Diana Ross]\nEverybody be glad\nBecause the sun is shining just for us\nEverybody wake up\nInto the morning, into happiness [Verse 4: \nMichael Jackson\n, (Nipsey Russell), Diana Ross]\nHello world!\nIt's like a different way of living, now\n(And thank you, world)\nWe always knew that we'd be free somehow\n[Pre-Chorus 2: Diana Ross, All]\nIn harmony\nLet's show the world that we've got liberty\nIt's such a change\nFor us to live so independently\nFreedom, you see\nHas got our hearts singing so joyfully\nJust look about\nYou owe it to yourself to check it out\n[Chorus: Diana Ross, All]\nCan't you feel a brand new day?\nCan't you feel a brand new day?\n[Verse 5: Diana Ross, (All)]\nEverybody be glad (Be glad)\nBecause the sun is shining just for us (Yes, it is)\nEverybody wake up (Wake up)\nInto the morning, into happiness (That's right) [Verse 6: Diana Ross, All, (Nipsey Russell)]\nHello world!\nIt's like a different way of living, now\n(Thank you, world)\nWe always knew that we'd be free somehow\n[Pre-Chorus 3: Diana Ross, All]\nIn harmony\nLet's show the world that we've got liberty\nIt's such a change\nFor us to live so independently\nFreedom, you see\nHas got our hearts singing so joyfully\nJust look about\nYou owe it to yourself to check it out\n[Chorus: Diana Ross, All]\nCan't you feel a brand new day?\nCan't you feel a brand new day?\nCan't you feel a brand new day?\nCan't you feel a brand new day?\nII. \"Liberation Ballet - A Brand New Day\"\n[Bridge: All]\nYeah!\nAll right!\nHey! [Chorus 1: All]\nBrand new day, brand new day\n[Chorus 2: All]\nCan't you feel a brand new day?\nBrand new day, brand new day\nCan't you feel a brand new day?\nCan't you feel a brand new day?\nBrand new day\n[Chorus 3: All]\nCan't you feel a brand new day?\nBrand new day, brand new day\nCan't you feel a brand new day?\nBrand new day, brand new day\nCan't you feel a brand new day?\nCan't you feel a brand new day?\nOh-oh-oh, can't you feel a brand new day?\nCan't you feel a brand new day?\n[Chorus 4: All]\nOh-oh-oh, can't you feel a brand new day?\nCan't you feel a brand new day?\nOh-oh-oh, can't you feel a brand new day?\nCan't you feel a brand new day?\nOh-oh-oh, can't you feel a brand new day?\n[Outro: All]\nCan't you, can't you?\nFeel a, can't you feel a?\nCan't you, can't you?\nFeel a, can't you feel a?" } ]

[ { "from": "human", "value": "Write me a song called Good Ass Job* with the following description: This snippet was released on Kanye West’s Instagram on September 20th, 2018:\n\n \n\n\n\n\n View this post on Instagram\n\n \n \n\n \n\n \n\n my love is so beautiful 😍 A post shared by ye (@kanyewest) on Sep 20, 2018 at 11:21am PDT\n\n\n\nBoth the song title and whether or not it will appear on Chance The Rapper and Kanye’s upcoming Good Ass Job are currently unconfirmed. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Lyrics from Snippet\n[Verse: Chance the Rapper]\nI got money everybody gettin' jobs for\nGood job, good job\nGood ass, good ass job" } ]

[ { "from": "human", "value": "Write me a song called My Mind Drifts with the following description: The song was produced by the Quartermaine. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "As my mind drift and then split\nLike the middle of a spliff, I begin to catapult off\nThe cliff of the unknown\nI got a feeling in my funny bone that we're not the same\nJust antonyms of another age\nMy soul flock with the carefree\nWords of the wise, I spoke a hundred times like a gold D\nHaha LMFAO\nI hate y'all but I spread love like mayo\nThen spread slugs\nMy brain matter is a brain phantom\nSee my vision, or my vision'll stare at ya\nThis is the future if I say so, you copping fitted caps\nI'm about to go and cop a halo\nThe God of rap and I mean it, and I play football with Mars\nAnd marbles with Pluto and Venus\nWitness the genius\n, I interact with the inner city villains\nThat enters your system like a computer hack\nThen give you dap" } ]

[ { "from": "human", "value": "Write me a song called Temptation with the following description: This song was teased for a few days before its release on 24th August 2020, in anticipation of Tiwa Savage’s third studio album Celia.\nBillboard Magazine commented that;\nThrough scintillating afrobeats perfectly attuned to both her and Smith’s voices, Savage weaves a tale of a passionate but forbidden love affair …\nThe collaboration between Tiwa and Sam Smith has been viewed positively by the fans of both singers. Savage wrote that;\n… we don’t know how amazing Sam is …. it just changed the face of the project.\nSam wrote on their social media account;\nI had so much fun working on this one with the unstoppable and beautiful talent that is @tiwasavage — thank you for the opportunity. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(\nLondon\n)\n[Chorus: Tiwa Savage]\nTemptation, temptation\nThat's all I see when I look at you\nTemptation, temptation (Temptation)\nThat's all I see when I look at you\nOh, oh\n[Verse 1: Tiwa Savage]\nLook me in the eyes\nLook me in the eyes\nJe ka ri ra\nIf you do me nice\nIf you do me right\nI'ma give you, everything you like\nAnything you like\nGive me ginger\nOh give me ginger, oh no\n[Chorus: Tiwa Savage]\nTemptation, temptation\nThat's all I see when I look at you\nTemptation, temptation (Temptation)\nThat's all I see when I look at you\nOh, oh [Post-Chorus]\nGive to me, give to me\nGive to mе, give to me\n[Verse 2: Sam Smith, \nwith Tiwa Savage\n]\nYeah\nSweet tеmptation, got the better of me, baby\nI guess I'm not that strong, uh\nMy whole body leaner closer to you lately\nEven though I know it's wrong\nI just give into\nThe shape of your body, replays in my mind\nThe sound of your promises, echo in me deep inside\nCrave your attention, it compliments my pride\nAll fired up, with nowhere to go\n[Chorus: Tiwa Savage, \nSam Smith\n, \nTiwa Savage & Sam Smith\n]\n(\nJust give me\n)\nYou give me \ntemptation\nOh that \ntemptation\n, no-no, no\nThat's all I see when I look at you\nTemptation\n (Ooh temptation), \ntemptation\n (Ooh that temptation)\nThat's all I see when I look at you\n (All I see, see, see)\nOh, oh" } ]

[ { "from": "human", "value": "Write me a song called Family Portrait with the following description: “Family Portrait” is a song about a broken home. Pink experienced her parents divorce when she was nine and explores their problems through her perspective as a child, which is where the lyrical content stems from. The song was released as the fourth and final single from the album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nUh, uh, some deep shit\nUh, uh\nLook away\nUh, uh\nOh, oh, oh, oh, oh\nYeah, yeah, yeah, yeah, yeah, yeah\n[Verse 1]\nMama, please stop crying, I can't stand the sound\nYour pain is painful and it's tearin' me down\nI hear glasses breaking, as I sit up in my bed\nI told dad you didn't mean those nasty things you said\nYou fight about money, 'bout me and my brother\nAnd this I come home to, this is my shelter\n[Pre-Chorus]\nIt ain't easy growing up in \nWorld War III\nNever knowing what love could be, you'll see\nI don't want love to destroy me like it has done my family\n[Chorus]\nCan we work it out? (Can we?) Can we be a family? (Can we?)\nI promise I'll be better (I promise)\nMommy, I'll do anything (I'll do anything)\nCan we work it out? Can we be a family?\nI promise I'll be better\nDaddy, please don't leave [Verse 2]\nDaddy, please stop yellin' (Stop)\nI can't stand the sound (Can't stand the sound)\nMake mama stop cryin', 'cause I need you around (Yeah)\nMy mama, she loves you (I know it)\nNo matter what she says, it's true\nI know that she hurts you, \nbut remember, I love you, too\n[Middle 8]\nI ran away today\nRan from the noise, ran away (Ran away)\nDon't wanna go back to that place\nBut don't have no choice, no way\n[Pre-Chorus]\nIt ain't easy growin' up in World War III\nNever knowing what love could be, well, I've seen\nI don't want love to destroy me like it did my family\n(I don't want love to, I don't want love to)\n[Chorus]\nCan we work it out? (Can we work it out? Oh, oh) Can we be a family?\nI promise I'll be better, Mommy, I'll do anything\n(I promise I'll do anything to keep you there)\nCan we work it out? Can we be a family?\nI promise I'll be better (I promise, I promise)\nDaddy, please don't leave (Stay) [Bridge]\nIn our family portrait (In our family portrait)\nWe look pretty happy (We look pretty happy)\nLet's play pretend, let's act like it comes naturally\n(Let's play, let's play, let's play pretend)\nI don't wanna have to split the holidays (No)\nI don't want two addresses (No)\nI don't want a step-brother anyways\nAnd I don't want my mom to have to change her last name, oh\n[Middle 8]\nIn our family portrait, we look pretty happy\n (No-no-no, no-no-no)\nWe look pretty normal, let's go back to that\n (Da-da-da-da-da-da)\nIn our family portrait, we look pretty happy\nLet's play pretend, act like it goes naturally\n[Chorus]\nIn our family portrait, we look pretty happy\n(Can we work it out? Can we be a family?)\nWe look pretty normal, let's go back to that\n(I promise I'll be better, Mommy, I'll do anything)\nIn our family portrait, we look pretty happy\n(Can we work it out? Can we be a family?)\nLet's play pretend act and like it comes so naturally (Oh, let's go back, oh let's go back to that)\n(I promise I'll be better, Daddy, please don't leave)\nIn our family portrait, we look pretty happy (Remember the day, remember the day)\n(Can we work it out? Can we be a family?)\nWe look pretty normal, let's go back to that (Uh)\n(I promise I'll be better, Daddy, please don't leave)\nIn our family portrait, we look pretty happy (Pretty happy)\n(Can we work it out? Can we be a family?)\nWe look pretty normal, let's go back to that, no no, no no (We look pretty happy, let's go back)\n(I promise I'll be better, Daddy, please don't leave) [Post-Chorus]\n(Don't leave)\nDaddy, don't leave\nDaddy, don't leave (Daddy, don't leave)\nDaddy, don't (Daddy, don't leave, daddy, don't leave)\nDaddy, don't leave (Turn around, please)\nRemember that the night you left? You took my shining star\nDaddy, don't leave\nDaddy, don't leave\nDaddy, don't leave\nDon't leave us here alone\n[Outro]\nMom will be nicer\nI'll be so much better, I'll tell my brother\nOh, I won't spill the milk at dinner\nI'll be so much better, I'll do everything right\nI'll be your little girl forever\nI'll go to sleep at night\n(Oh-oh, oh, oh, oh-oh, yeah, yeah, yeah-yeah)" } ]

[ { "from": "human", "value": "Write me a song called Oops with the following description: “Oops” is about falling back in love with an ex after a one-night stand.\n Sonically, the song bears a resemblance to past work of featured artist and co-writer Charlie Puth, particularly his hit single “Marvin Gaye.”\nLittle Mix and Charlie Puth performed the song live for the first time at The X Factor in December 2016 along with their single “Touch.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Perrie]\nOops, my baby, you woke up in my bed\nOops, we broke up, we're better off as friends\nNow I accidentally need you, I don't know what to do\nOops, baby, I love you\n[Verse 1: Jesy]\nIt started with \"What's up with you?\"\nI messed around and got caught up with you\nYeah, yeah, I don't know what to do\nI've got these feelings like there's nothing new\nNow I can't get enough of you, oh\n[Pre-Chorus: Leigh-Anne, \nAll\n]\nAnd when I think about the way you touch my body\nI don't know how long I can wait (\nAh-ah-ah\n)\nAnd when I think about the way you touch my body\nThis could be my greatest mistake\nYou've got me singing\n[Chorus: All, \nJesy\n]\nOops, my baby, you woke up in my bed\nOops, we broke up, we're better off as friends\nNow I accidentally need you, I don't know what to do (\nDo\n)\nOops, baby, I love you [Verse 2: Charlie, \nJade\n, \nCharlie & Jade\n, \nAll\n]\nWe had a good run\nWe messed around and had some \ngood\n fun\nGuess it turns out I lost a good one (\nOoh\n)\n'Cause now I'm wishing every morning would come\nWith you next to me, baby (\nOh, yeah\n)\n[Pre-Chorus: Charlie, \nCharlie & Leigh-Anne\n, \nAll\n]\nAnd when I think about the way you touch my body\nThis could be my greatest mis\ntake\nYou've got me singing\n[Chorus: All, \nLeigh-Anne\n, \nJade\n]\nOops (\nOops\n), my baby\nYou woke up in my bed (\nYou woke up in my bed\n)\nOops, we broke up, we're better off as friends\nNow I accidentally need you, I don't know what to do (Ooh)\nOops, baby, I love you\n[Post-Chorus: Leigh-Anne, \nAll\n, \nPerrie\n]\nOoh, I, I \nlove you\n, ooh, ooh, ooh\nNow I accidentally know that you're in love with me, too\nOops, baby, I love you, yeah, yeah, yeah\n[Bridge: Jade, \nAll\n, \nCharlie\n, \nCharlie & Jade\n]\nIf it was up to me, I would take a time machine\nTo the day I said goodbye, \nI lied\nOh, I lied\n, \nso can we try again?\n (\nOhh\n)\nBeneficial, more than friends\nNo, don't you tell me goodbye\nYou've got me singing [Chorus: All, \nJade\n]\nOops, my baby (\nYeah\n), you woke up in my bed\nOops, we broke up, we're better off as friends\nNow I accidentally need you, I don't know what to do\nOops, baby, I love you\n[Outro: Perrie, \nJade\n, \nCharlie\n]\nI love, I love, I love you\nOops, I love you, ooh, ooh, ooh\n (\nOh, I still love you, yeah\n)\nOops, I love you,\n (\nYeah, yeah\n), \nooh, ooh, ooh\nNow I accidentally know that you're in love with me, too\nOops, baby, I love you" } ]

[ { "from": "human", "value": "Write me a song called Whole Lotta Lovin’ with the following description: DJ Mustard announced on the 6th January, that he and Travi$ want to release a song. Even though the official release is yet to come, the record found its way onto the streets.\nWith the EDM inspired production, a sample of CeCe Peniston’s hit “Finally” and the crooning delivery of Travi$, it will certainly be part of every club rotation. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Travis Scott & \nYG\n]\nWhole lotta lovin', lovin', lovin', lovin'\nWhole lotta, whole lotta\nMustard on the beat, ho!\n[Verse 1]\nAye mama, don't need yo shit\nI don't need no lip, just a whole lotta lovin' (yeah)\nNiggas always tryna hate\nBut when I'm with they bitch, get a whole lotta lovin' (straight up!)\n[Bridge]\nFinally I can move how I want\nAnd I need, pick the time and I'm zoning\nYou got me, I got you and that's all that I need\nWhen I wake in the morning\n[Chorus]\nFor a whole lotta lovin'\nFor a whole lotta lovin'\nWhole lotta lovin'\nWhole lotta lovin', lovin', lovin', lovin'\nWhole lotta lovin'\nWhole lotta lovin', lovin', lovin', lovin'\nWhole lotta lovin'\nWhole lotta lovin', lovin', lovin', lovin'\nGod damn it I'm fucked up\nAre you down? Are you down? Are you down?\n(God damn it I'm fucked up)\nAre you down? Are you down? Are you down?\nAre you down? Are you down? Are you down?\n(God damn it I'm fucked up)\nAre you down? Are you down? Are you down? [Verse 2]\nWait, baby it's 'bout to go down (yeah!)\nOrder another round (yeah!)\nDon't get nervous now\nTurn them one's around (it's lit!)\nShining up that whip\nBad bitch on my dick (straight up!)\nTime ain't going nowhere\nLong as you right here (woo!)\nPour my lean and juice\nBraid my hair like Snoop (yeah!)\nGlidin' in my coupe\nAin't no bitch like you\nRiders with me too\nDie and live by you\nDie and live by you\nYeah, yeah, yeah, yeah, yeah, yeah\n[Bridge]\nFinally I can move how I want\nAnd I need, pick the time and I'm zoning\nYou got me, I got you and that's all that I need\nWhen I wake in the morning\n[Chorus]\nFor a whole lotta lovin'\nFor a whole lotta lovin'\nWhole lotta lovin'\nWhole lotta lovin', lovin', lovin', lovin'\nWhole lotta lovin'\nWhole lotta lovin', lovin', lovin', lovin'\nWhole lotta lovin'\nWhole lotta lovin', lovin', lovin', lovin'\nGod damn it I'm fucked up\nAre you down? Are you down? Are you down?\n(God damn it I'm fucked up)\nAre you down? Are you down? Are you down?\nAre you down? Are you down? Are you down?\n(God damn it I'm fucked up)\nAre you down? Are you down? Are you down? [Breakdown]\nNow it's time to take it home\nDo at least a hundred, baby\nDriving in your new Mercedes\nThat your daddy loaned us\nNow it's time to take it home\nDo at least a hundred, baby\nDriving in your new Mercedes\nThat your daddy loaned us\n[Outro]\nAre you down? are you down? are you down?\nFinally I can move how I wanted\nAre you down? are you down? are you down?\nYou got me, I got you and that's all that I need\nAre you down? are you down? are you down?\nWhen I wake in the morning\nAre you down? are you down? are you down?" } ]

[ { "from": "human", "value": "Write me a song called About the Game with the following description: Drake unveils his tricks “About The Game” that is picking up women. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Drake]\nHo, yeah, uh huh\nIt's Trey Songz and uh, D-R-A-K-K-E\nAhahaha, the boys of summer are here man\nAyo Trey, I got something mean for this one boy\n[Verse 1: Drake]\nChances are most of the days you was lying around\nI made money thats why these girls eyeing me down\nBy nineteen I might seem destined for millions\nPromoters on my ass so I'm guessing they filled in\nI take cues from my big boy Popz\nI'm the only young dude that the big boys watch\nThey getting foul on the star\nBut it's all eyes on me like I'm copying some vows for the bar\nGet it?\nGuess not\nPicture me not strive\nTo land in the top ten slip in the top five\nSame thing in the top four trust I'm hot boy\nMaybe even the top three Trey you got me?\nNowadays I peak they interests\nEspecially when life's bringing them pain and lately they been stressed\nMoney making brothers should take notes\nSee broke niggas is the problem and us is the scape goat\nSomebody get the waiter\nThey need a second plate a this knowledge\nIf you ain't got it you could catch it later\nMy money and love is separate before I commit to date her\nI put a split in the middle and learn to separate her [Chorus: Trey Songz]\nIt ain't about the rims on my truck\nAin't about the ice on my watch\nAin't about the coupe or my truck\nBaby it's about the game\n[Verse 2: Trey Songz]\nRidin' low\nLayed back in the seat when I creep\nThat's just how I roll\nWith some fresh nice ones on my feet\nGirl that's how it goes\nAnd I'm tryin' to find a chick I can meet who ain't 'bout the dough\nCause it ain't all about that no more\n[Chorus: Trey Songz]\nIt ain't about the rims on my truck (No)\nAin't about the ice on my watch (No)\nAin't about the coupe or my truck\nBaby it's about the game (It's about the game)\nIt ain't about the rims on my truck\nAin't about the ice on my watch (No)\nAin't about the coupe or my truck\nBaby it's about the game (Bout the game, uh)\n[Verse 3: Trey Songz]\nWhen you ask why I hustle in the streets that's just who I be\nYo, I live for the dough, for the flow, for feelin' free\nAin't too many other dudes you can choose to get this luxury\nBut without it all I'm still about the game [Bridge: Trey Songz]\nThe haters wanna hate, but it ain't no thing no\nBecause the ladies choose to love me (cause they love me for what I do)\n[Chorus: Trey Songz]\nIt ain't about the rims on my truck\nAin't about the ice on my watch\nAin't about the coupe or my truck\nBaby it's about the game\nIt ain't about the shoes that I've got\nAin't about my dough or my rocks\nAin't the life I live, it don't stop\nBaby it's about the game\nIt ain't about the rims on my truck\nAin't about the ice on my watch\nAin't about the coupe or my truck\nBaby it's about the game\nIt ain't about the shoes that I've got\nAin't about my dough or my rocks\nAin't the life I live, it don't stop\nBaby it's about the game\n[Verse 2: Trey Songz]\nRidin' low\nLayed back in the seat when I creep\nThat's just how I roll\nWith some fresh nice ones on my feet\nGirl that's how it goes\nAnd I'm tryin' to find a chick I can meet who ain't 'bout the dough\nCause it ain't all about that no more [Bridge: Trey Songz]\nThe haters wanna hate, but it ain't no thing no\nBecause the ladies choose to love me (cause they love me for what I do)\n[Chorus: Trey Songz & \nDrake\n]\nIt ain't about the rims on my truck\nAin't about the ice on my watch\nAin't about the coupe or my truck\nBaby it's about the game\nIt ain't about the shoes that I've got\nAin't about my dough or my rocks\nAin't the life I live, it don't stop\nBaby it's about the game\nIt ain't about the rims on my truck\nAin't about the ice on my watch\nAin't about the coupe or my truck\nBaby it's about the game\nIt ain't about the shoes that I've got\nAin't about my dough or my rocks\nAin't the life I live, it don't stop\nBaby it's about the game (\nSouthern smoke\n)" } ]

[ { "from": "human", "value": "Write me a song called Call Me Montana with the following description: “Call Me Montana” is a remix of Future’s September 2011 track, “Tony Montana,” featuring vocals from French Montana. The two versions are very similar, however, Montana’s chorus and verses replace Future’s parts. Drake’s part remains the same in both versions. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: French Montana]\nGot a bag for the boss\nIt's the speakers\nGo to where a boss is\nThat's what it's all about\n[Chorus: French Montana]\nCall me Montana (Yeah), call me Montana (Yeah)\nCall me Montana (Yeah), Frenchy Montana (Yeah)\nCall me Montana (Yeah), call me Montana (Yeah)\nCall me Montana (Yeah), Frenchy Montana (Yeah)\nFresh up out the streets, call me Montana (Yeah)\nHottest out the East, Frenchy Montana (Yeah)\nCall me Montana (Yeah), call me Montana (Yeah)\nCall me Montana (Yeah), Frenchy Montana (Yeah)\n[Verse 1: French Montana]\nGot this little thing (Thing)\nStomach's so polluted, homie, play with my franks (Franks)\nKnow I'ma shoot 'em with the chopper like Omar (Omar)\nI be in a coma (Coma)\nSleeping with them black shades, say she's in a a coma (Coma)\nJunkie for a woman (Woman)\nBelly for a bag and I'm about go to see Sosa (Go see Sosa)\nGot it in the bag, getting money like the ace\nEverybody stand (Skrrt), black and white Mercedes ('Cedes)\nSLR McLaren from the gutter where I come (Come)\nPorsche with the fog lights in case I'm in the slumps (Slumps)\nDrove the Bentley drunk (Drunk)\nWhen I saw, knew you’re mine (Mine)\nLooking like a tiger, anything you want I'm buying (Buyin')\nI'm spinnin' like a cycle (Cycle) [Chorus: French Montana]\nCall me Montana (Yeah), call me Montana (Yeah)\nCall me Montana (Yeah), Frenchy Montana (Yeah)\nCall me Montana (Yeah), call me Montana (Yeah)\nCall me Montana (Yeah), Frenchy Montana (Yeah)\nFresh up out the streets, call me Montana (Yeah)\nHottest out the East, Frenchy Montana (Yeah)\nCall me Montana (Yeah), call me Montana (Yeah)\nCall me Montana (Yeah), Frenchy Montana (Yeah)\n[Verse 2: Drake]\nOn the hood you see the Stallion, passenger a stallion\nNiggas gettin' nervous, I'm passin' out the Valium\nI suggest you pop it, but please don't get too sleepy\nUsed to have them bitches twerkin' up in 400 West Peachtree\nBet you those same hoes'll see me, be like that's how you feelin'?\nUsed to stay up at The Twelve, now you're worth like 12 million\nBoy, you did it, boy, you did it, you did the unexpected\nI say fuck the unexpected, I just did what I projected\nI swear young women are lost these days while older women dig me\nFuckin' women that knew Biggie, so it really ain't no biggie\nIt's just OVO and XO, and Freebandz the committee\nAnd shout out to Toronto, bitch, I'm Tony in my city, huh\n[Chorus: French Montana]\nCall me Montana (Yeah), call me Montana (Yeah)\nCall me Montana (Yeah), Frenchy Montana (Yeah)\nCall me Montana (Yeah), call me Montana (Yeah)\nCall me Montana (Yeah), Frenchy Montana (Yeah)\nFresh up out the streets, call me Montana (Yeah)\nHottest out the East, Frenchy Montana (Yeah)\nCall me Montana (Yeah), call me Montana (Yeah)\nCall me Montana (Yeah), Frenchy Montana (Yeah)" } ]

[ { "from": "human", "value": "Write me a song called This Ain’t A Scene, It’s An Arms Race (Kanye West Remix) with the following description: Fall Out Boy tried to rush the production of this remix as to put it on Infinity On High, but it was not completed in time. As a result, it was released as a single. An additional remix of the remix was discovered on friendsorenemies.com (a website that has since fallen out of use); it featured Paul Wall, Skinhead Rob, Travie McCoy, Lupe Fiasco, Lil Wayne, and Tyga (in addition to Kanye West) and it went on to be performed at the 2007 MTV Video Music Awards with Brendon Urie of Panic! At the Disco. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Patrick Stump]\nI am an arms dealer\nFitting you with weapons in the form of words\nAnd don't really care, which side wins\nLong as the room keeps singing\nThat's just the business I'm in\n[Pre-Chorus: Stump]\nThis ain't a scene; it's a goddamned arms race\nThis ain't a scene; it's a goddamned arms race\nThis ain't a scene; it's a goddamned arms race\nI'm not a shoulder to cry on, but I digress\n[Chorus: Stump]\nI'm a leading man\nAnd the lies I weave are oh-so intricate, oh-so intricate\nI'm a leading man\nAnd the lies I weave are oh-so intricate, oh-so intricate\n[Verse 2: Kanye West]\nNow, I don't know what the hell this song is talking 'bout\nDo you?\nShe said, \"Yeah, I've been spending all day trying to figure that out\nYou too?\"\nThe arms race made 'em raise they arms and race straight to the top\nWho knew?\nRight now, they got the number one spot; do you want that?\nMe too\nOne thing I gotta call out boy\nTake a look at Fall Out Boy\nSince they ain't black\nWhen they get money they don't ball out boy\nThey just buy tight jeans till they nuts hang all out boy\nThey figure Ye' dress tight\nSo we gon' dress tighter\nHe d\nr\ness white, so we gon' dress whiter\nSo in spite of anything you might of\nSeen or heard, this scene occurred\nWord [Chorus: Stump]\nI'm a leading man\nAnd the lies I weave are oh-so intricate, oh-so intricate\nI'm a leading man\nAnd the lies I weave are oh-so intricate, oh-so intricate\n[Bridge: Stump]\nAll the boys who the dance floor didn't love\nAnd all the girls whose lips couldn't move fast enough\nSing until your lungs give out\n[Pre-Chorus: Stump]\nThis ain't a scene; it's a goddamned arms race\nThis ain't a scene; it's a goddamned arms race\nThis ain't a scene; it's a goddamned arms race\nThis ain't a scene; it's a goddamned arms race\nThis ain't a scene; it's a goddamned arms race\nThis ain't a scene; it's a goddamned arms race\n[Chorus: Stump]\nI'm a leading man\nAnd the lies I weave are oh-so intricate, oh-so intricate\nI'm a leading man\nAnd the lies I weave are oh-so intricate, oh-so intricate" } ]

[ { "from": "human", "value": "Write me a song called She’s a Ryder with the following description: In this song, Lil' Wayne describes a female member of The Ryders, his set within the Bloods. Wayne did not start repping the Bloods until after 2000, however the Bloods have been active in New Orleans for much longer than that. They are most active in the 17th Ward, the 9th Ward, and the 3rd Ward. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Wayne]\nYeah, yup, yeah\n[Chorus: Lil Wayne]\nShe's a ryder, she's a ryder, she's a ryder, she's a ryder, for me, for me, for me, for me\nNow I don't know, I don't know, I don't know, I don't know what you've been told (You've been told)\nBut all I know, but all I know, all I know, all I know is that you been warned\nAbout my girl, she's a killa, she's a killa, she's bad, she's bad, oh God, oh my (Oh my)\nShe's a ryder, she's a ryder, she's a ryder, she's a ryder\nAnd she rydin' for me, she rydin' for me, she rydin' for me, she rydin' for me\nShe's a ryder, she's a ryder, she's a ryder, she's a ryder\nAnd she rydin' for me, she rydin' for me\n[Verse 1: Gudda Gudda]\nUh, yeah she a ryder like a lady in a wheelchair\nLouis V purse on her arm, she keep the steel there\nShe gon' hold me down if the feds come and get me\nAnd I'mma make her fuck the judge for a lighter sentence, uh\nYeah, the devil wears Prada bitch, and she rydin' for me, you don't want no problems bitch\nShe about it, bitch, and she keep it real\nAnd she owns two twin pumps like a pair of heels\nNo Nicole Richie, no Paris Hil', just my gangsta\nBoy she'll spin you like a Ferris wheel\nTakin' money and she bring it home to me, nigga\nYeah she's a ryder and she rydin' for me nigga [Chorus: Lil Wayne]\nShe's a ryder, she's a ryder, she's a ryder\nAnd she rydin' for me, she rydin' for me, and she rydin' for me, rydin' for me\nShe's a ryder, she's a ryder, she's a ryder, she's a ryder\nAnd she rydin' for me, she rydin' for me (For me)\nNow I don't know, now I don't know, I don't know, I don't know what you've been told (What you've been told)\nBut I know, but I know, but I know, oh I know that you been warned\nAbout my girl, she's a killa, she's a killa, she's bad, she's bad, oh God, goddamn (Goddamn)\nShe's a ryder (She's a ryder), she's a ryder, she's a ryder, she's a ryder\nAnd she rydin' for me, she rydin' for me, she rydin' for me, she rydin' for me\nShe's a ryder, she's a ryder, she's a ryder, she's a ryder (She's a ryder)\nAnd she rydin' for me, she rydin' for me, she rydin' for me\n[Verse 2: Lil Wayne]\nShawty hold the work for me, shawty hold my gun for me\nShawty take daddy dick, shawty never run from me\nShawty know what I like, but shawty do it how I love it\nShawty hold me down when all them other bitches wasn't\nShawty hold the work for me, shawty hold my gun for me\nShawty take daddy dick, shawty never run from me\nShawty know what I like, but shawty do it how I love it\nShawty hold me down when all them other bitches wasn't\nShawty never argued 'bout a bitch or nothin', shawty know she number one\nFuck them other bitch's number, let them other bitches wonder\n[Outro: Lil Wayne]\nYeah, I don't know, what you been told\nOh, but I know, that you've been warned\nAbout my girl, about my girl, about my girl, about my girl, about my girl, about my girl\nShe's a ryder, she's a ryder\nAnd she rydin' with me (She rydin' with me), she rydin' with me (She rydin' with me)\nShe's a ryder (Ryder, ryder, ryder, ryder), yeah, yeah\nRydin' for me, yeah (For me, for me, for me, for me)\nOh, she's a ryder, yeah (Ryder, ryder)\nAnd she's rydin' with me (And she's rydin' with me, rydin' with me)\nYoung Mullah, baby" } ]

[ { "from": "human", "value": "Write me a song called Father to Son with the following description: Father to Son is the second track on Queen II, from the album’s “White Side”. It was written by guitarist Brian May, who also plays piano on the track. The song is sung from the perspective of a father talking to or about his son. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Segue: Intro]\n[Verse 1]\nA word in your ear, from father to son\nHear the word that I say\nI fought with you, fought on your side\nLong before you were born\n[Chorus]\nJoyful the sound\nThe word goes around\nFrom father to son, to son\n[Verse 2]\nAnd the voice is so clear\nTime after time it keeps\nCalling you, calling you on\nDon't destroy what you see\nYour country to be\nJust keep building on the ground\nThat's been won\n[Chorus]\nKings will be crowned\nAnd the word goes around\nFrom father to son, to son [Bridge]\nWon't you hear us sing\nOur family song?\n(Ba ba ba ba ba ba ba ba)\nOoh yeah, now we hand it on\nBut I've heard it all before\nTake this letter that I give you\nTake it, sonny, hold it high\nYou won't understand a word that's in it\nBut you'll write it all again before you die, yeah, yeah\n[Guitar Solo]\n[Verse 3]\nA word in your ear from father to son\nFunny, you don't hear a single word I say\nBut my letter to you will stay by your side\nThrough the years 'till the loneliness is gone\n(Sing if you will)\nBut the air you breathe, I live to give you\nFather to son, father to son\n[Chorus Outro]\nJoyful the sound\nThe word goes around\nFrom father to son, to son\nKings will be crowned\nThe word goes around\nFrom father to son, to son\nJoyful the sound\nThe word goes around\nFrom father to son, to son\nKings will be crowned\nThe word goes around\nFrom father to son, to son\nJoyful the sound\nThe word goes around\nFrom father to son, to son\nKings will be crowned\nThe word goes around\nFrom father to son, to son\nJoyful the sound\nThe word goes around..." } ]

[ { "from": "human", "value": "Write me a song called I DID IT with the following description: On “I DID IT,” DJ Khaled features singer-songwriter Post Malone and rappers Megan Thee Stallion, Lil Baby, and DaBaby on a posse cut, which details their respective successes and how they accomplished things.\nPosty sings about his loyalty and his hard work that he put in, which resulted in him becoming famous. Megan raps about having sex and how her haters have no effect on her success. Lil Baby and DaBaby rap about their lavish lifestyles. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: DJ Khaled]\nWe the Best Music\nAnother one\nDJ Khaled\n[Chorus: Post Malone, \nDJ Khaled\n, \nPost Malone & DJ Khaled\n & \nMegan Thee Stallion\n]\nStayed down 'til I came up\nI did it, I did it, I did it\nTen toes and never changed up\nI did it, I did it, I did it\nGot my hands in the air right now 'cause I always wanna be here right now\nI did it, \nI did it\n, I did it, \nI did it\n (\nAyy\n), I did it, I did it, \nI did it\n[Verse 1: Megan Thee Stallion]\nTake it off then bend over, let me see it\nIf you're lookin' for a trill type bitch, let me be it\nI'm from the South, never had a handout\n'Fore I let my people starve, I'll take it out your mouth\nThese bitches so quick to switch up\nI'm from the Lone Star, I don't need to clique up\nIt ain't directed, so it ain't respected\nStop droppin' clues 'cause I ain't no detective, bitch\nI'm tryna win, don't care how I do it, just know that I did it\nWhy you so worried 'bout what I be doin'?\nCountin' my money ain't makin' you rich\nTalkin' down on me don't make you the shit\nHow my name in your mouth more than your spit?\nI really encourage my haters to talk\nThrowin' that shade only keepin' me lit, huh [Chorus: Post Malone & \nDJ Khaled\n]\nStayed down 'til I came up\nI did it, I did it, I did it\nTen toes and never changed up\nI did it, I did it, I did it\nGot my hands in the air right now 'cause I always wanna be here right now\nI did it, \nI did it\n, I did it, \nI did it\n, I did it, I did it, \nI did it\n[Verse 2: Lil Baby]\nHey, goddammit, I get it\nThey don't like to see when we win, but I did it\nHey, I stand by my city\nChopsticks sound like a guitar in the air\nStop and take a picture when I'm jumpin' off a Lear\nI done ran it up, it only took a couple years\nThe money be callin', if it wasn't for my lil' partner\nThen the bullshit they be talkin' 'bout, I wouldn't even hear\nNew sports car go, \"Vroom,\" switch gears\nHey, how you? Goddamn, come here\nThought of goin' vegan, then again, I'm like, \"For what?\"\nI got ten karats each in my left and right ears\n'21 Tesla, I don't even gotta steer\nMy climax ain't even nowhere near it\nI stayed down and I stayed down\nAnd I came up, I had faith in my spirit [Chorus: Post Malone, \nDJ Khaled\n, \nPost Malone & DJ Khaled\n & \nDaBaby\n]\nStayed down 'til I came up\nI did it, I did it, I did it\nTen toes and never changed up\nI did it, I did it, I did it\nGot my hands in the air right now 'cause I always wanna be here right now\nI did it, \nI did it\n, I did it, \nI did it\n (\nGo\n), I did it, I did it, \nI did it\n[Verse 3: DaBaby & \nDJ Khaled\n]\nDiamonds on my neck\nNew contract, I ain't signin' that ho yet\nPrivate plane flyin' somewhere, smilin' on the jet\nI drop hit after hit, now that's the domino effect\nThese niggas out here goin' flat\nAin't no stoppin' it, pink and blue paper all day like Monopoly\nBrand new Pradas, I'm proud of me\nActually came from the bottom\nAin't no need in even askin' me, ain't even seen the half of me\nAnd ain't no passin', that's a no-go\nStart them killer player niggas out here throwin' low blows\nI done got good with the shit\nI tell the paparazzi, \"Get my angle,\" every time they take my photo (\nAnother one\n)\n[Chorus: Post Malone, \nDJ Khaled\n & \nPost Malone & DJ Khaled\n]\nStayed down 'til I came up\nI did it, I did it, I did it\nTen toes and never changed up\nI did it, I did it, I did it\nGot my hands in the air right now 'cause I always wanna be here right now\nI did it, \nI did it\n, I did it, \nI did it\n, I did it, I did it, \nI did it" } ]

[ { "from": "human", "value": "Write me a song called Floyd Mayweather with the following description: Young Thug, Travis Scott, Gunna & Gucci rap about a luxury lifestyle on “Floyd Mayweather”, the track is named after American boxer Floyd Mayweather Jr., who is nicknamed “Money” and “Pretty Boy.”\nFloyd Mayweather actually almost signed Young Thug to his TMT music label in the past. They’ve also been spotted in the studio together this year.\nThug has mentioned Mayweather before numerous songs, including “Heart Attack”, “Mind Right”, and “Yamborghini Dream”.\nThere are three versions of the song. The original release did not include Travis Scott and a Gunna verse, but it was later updated on Apple Music and other streaming services to include the Gunna verse after Gucci and the Travis verse after the next Thug verse. In the third version, which is now the one playing on all streaming services, the Gunna verse comes in before the Gucci verse with another bar at the beginning, and the rest of the song is mostly similar to the second version.\nAlthough Young Thug and Travis Scott have collaborated on eight prior songs, this song along with “Pick Up the Phone” mark the first time Travis Scott has ever appeared on one of Thug’s projects.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Young Thug & \nTravis Scott\n]\nAyy, ayy (\nDun, dun, dun\n)\nThis real talk type shit, I swear to God (\nDun-un-un, dun, dun, dun\n)\nWe just gon' call this shit \"Drip,\" you know what I'm sayin'?\nAyy\n[Verse 1: Young Thug & \nTravis Scott\n]\nAyy, little bitch\n (\nDrip\n, \nGoose\n)\nYou ridin' niggas' dick like a bitch\n (\nDrip\n, \nBillboard Hitmakers\n)\nDamn, little bitch\n (\nYeah\n)\nYou ridin' niggas' dick like a bitch\n (\nYeah\n, \nWheezy Beatz\n)\nI got six brand new foreigns on my wrist, ah (\nOn my wrist\n)\nI got six Forgiatos on my fist, ayy (\nOn my fist\n)\nI got fifty foreign hoes on my dick, ayy, uh (\nYah-yah, yah-yah-yah-yah-yah\n)\nI'ma nut in all them hoes, let's have some chicks (\nOoh\n), ayy\nNigga tried to hit a lick and missed (Blat)\nTried to run then I caught him like a fish (Caught his ass), ayy\nI'ma catch his ass with the whole clip (Blat, blat)\nI'ma beat they ass up like Ron Artest (Wah), ayy\nPussy nigga ran like a Miss (Hah)\nI got your bitch up underwater tryna kiss (Mwah, mwah), ayy\nI'ma gon' and shit and take a piss (Mwah, mwah), ayy\nWe done fucked her legs and fucked her face (Woo, woo), ayy\n[Verse 2: Gunna & \nTravis Scott\n]\nCash out on that whip, I don't want no rent (I don't want no rent, \nyeah\n)\nVVSs hit off that G Star V-neck (Star V-neck, \nyeah-yeah\n)\nChop, chop the top off that Stingray Corvette (Stingray Corvette, skrrt, \nyeah\n)\nTwo bitches with me, they on molly, they on X (They on X, \nyeah\n)\nTook my foreign to the club, pulled in the VIP (Pulled in the VIP, \nyeah\n)\nTook some hoes to the hotel and made 'em strip (And made 'em strip, \nyeah\n)\nShe sucked me loose I had to give that bitch a tip (\nYeah, yeah-yeah\n)\nI had to give that bitch a tip (\nYeah\n)\nEverybody smashed that ho, that bitch the rip (\nYeah-yeah\n) [Verse 3: Gucci Mane]\nI'm sellin' purple rain, R.I.P. to Prince (Prince)\nWhen I was behind the fence, they treated me like a prince (Woo)\nSo much jewelry on, her pussy gettin' tense (Burr, burr)\n1017's the ones you don't wanna diss (Nope, nope)\nAnd you can never be like 'Wop, you little snitch (You little snitch)\nYou make me mad, I have a threesome with your bitch (Ooh)\nI'm from Custer East Atlanta, yeah, the 6 (Yeah, yeah, the 6)\nI make one brick turn to two, I know a trick (Skrrt, skrrt)\nThe walking lick, my chopper is my walkin' stick (Grra, grra)\n[Verse 4: Young Thug, \nTravis Scott\n & \nGunna\n]\nEverybody got they passport ready to dip, uh\nEurope, UK, twenty-five thousand dollars on a trip (\nYeah, yeah\n)\nI just, I just found out rats can use they lips (\nYeah\n)\nI got, I got, I got me a thirty round clip (Pew-pew)\nI got one in the head, thirty-one rounds on my hip, ayy (\nYeah\n, \non my hip\n)\nOkay, Lil Dora said I was born with the skill, ayy (\nYeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah\n)\nMy lawyer say it's guaranteed when he appeal (\nHe appeal\n)\nI got a bad bitch wit' me, and yeah, she strip\n[Verse 5: Travis Scott]\nShake it (Yeah), I tip (Yeah)\nI sip (Yeah, yeah), I dip (It's lit)\nRip, I drip (Yeah)\nI killed, I...\nAll I eat is lean, la la, and pills (Oh my God)\nPut that, put that in my girl (Straight up)\nMakin' porno videos and takin' stills (Yeah)\nTurn that, turn that to a film (Drip)\nYeah, anywhere we go (Yeah)\nI bring the snow\nI fill your nose (Straight up)\nEther,\n \nhowdy my mamacita (Yeah, yeah)\nStay away Lucifer (It's lit), she sexy in that all white beater (Yeah)\nDynamite no whine up (Yeah)\nHave you fly from India, have you fly from China\nI won't feel you honestly, strap up 49er\nPew, pew-pew-pew-pew-pew, pew-pew-pew-pew-pew-ka-ka [Verse 6: Gunna & \nYoung Thug\n]\nI'm in Vegas spendin' thousands on my chips (All on chips)\nI can't love these bitches, fell in love the rip (Love the rip)\nI was, I was, I was doin' this shit just for my peers\nI, I would put inside my blood, my sweat, my tears\n (Sweat and tears)\nDo this shit all on my own, don't need no deal (Don't need no deal)\nDi'-diamonds flawless 'round my neck, gave me a chill (Me a chill)\nLate, lately, I've been flyin' on them Lears (On them Lears)\nFlyin' 'cross the world, these bitches killin' me\n[Verse 7: Young Thug & \nGunna\n]\nAyy, flood her bank account with bands 'cause she feelin' me (\nFeelin' me\n)\nNigga, cash on delivery (\nDelivery\n)\nIf it's a snake on my clothes then it's double G\nI don't like police hoes, ain't no cuffin' me\nAll my diamonds dancin' like they Bruce Lee (Wah)\nCheck out my smile, I got some new teeth\nPop a molly now I'm in the fuckin' air\nCloud nine, nigga smokin' like the fuckin' bear\n[Verse 8: Gunna]\nWe at the Clearport, you niggas never there (Niggas never there)\nI wouldn't even cap, lil' bitch, this our year (This our year)\nI do it for my fam, twenty racks on gifts (Racks on Christmas)\nBitch, we blowin' gas, roll me up a spliff (Roll me up a spliff)\nNow, what you think a young nigga grindin' for? (What you think I'm grindin' for?)\nI sip it 'til I sleep, I might overdose (I might overdose)\nShe made it out the hood and left that dope bowl (She left that dope bowl)\nGet them bricks from my mama, she got truckloads (Huh?) [Verse 9: Young Thug & \nGunna\n]\nAyy, fuck you mean you get it from your mammy, ho? Yeah (Hahaha)\nAyy, diamonds all on my chin, diamonds on my folk\nPiercin' in my nose, diamond in my nose (In my nose)\nGiuseppe open toes, diamonds on my toes\n (\nDiamonds on my toes\n)\nI just got a family pack of Jimmy Choos, damn\nI just bought a chopper and I'm ready to use it, damn\nI got a lot of bitches comin' by the twos\nI got a lot of bitches, bomin' by the few (Few)\n[Verse 10: Gunna]\nBig di'-diamonds but we call 'em jewels (Call 'em jewels)\nAll, all these racks, think I sell dog foods (I sell dog food)\nDrip, I spend thousand on my fuckin' shoes (Three thousand on shoes)\nPull up in this Ave, it cost the Christian Loubes (Yeah, yeah)\nNigga, watch your mouth, we ain't fuckin' cool (Fuckin' cool)\nYSL the mafia, that's a fuckin' fool (Fuckin' fools)\nTake this shit out and shoot (Grra, grra, grra)" } ]

[ { "from": "human", "value": "Write me a song called Off the Rip with the following description: French Montana has been working quietly on his sophomore album, Mac & Cheese: The Album.\nFrench Montana with the help of Chinx and N.O.R.E drops an extremely catchy track whose melody easily gets stuck in your head.This is the second track on his mixtape “Casino Life 2: Brown Bag Legend”\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: French Montana]\nOh me, oh my my\n (Haan!)\nGon 'need more quinine (Montana!)\nOh me, oh my my\n (Haan! Off the rip)\nGon' need more quinine (Aye aye aye)\n[Bridge: French Montana]\nI'ma ride with my dog off the rip\nTalking brown bag, paper tag off the rip\nShawty came through, bent it over off the rip\nDope boy back, popping tags off the rip, nigga off the rip\nStarted from the block, dirty money off the rip\nCut a shark fin, talking money off the rip\nWalk up on the dealer, a hundred fifty off the rip\nMy dog came home, buck fifty off the rip\nHaan!\n[Chorus: Chinx & (French Montana)]\nOh me, oh my my\nCut dope, gon need more quinine (off the rip)\nOh me, oh my my\nCut dope, gon need more quinine (off the rip)\nForty knock his head off (off the rip)\nDrop top V, niggas sped off (off the rip)\n[Verse 1: French Montana]\nRari looking good on the strip\nTalk a hundred mill as I mothafucking grip\nJohnny Hancock, ten milli off the rip\nShawty bought her friends off the rip\nBitch bust it open, eating pussy off the rip\nWestside, getting blood money with a crip\nMy dog getting out, money orders off the rip, boy\nSpend a car note on my fit, boy\nManute Bol hanging off my clip, boy\nNiggas running like a skit, boy\nI'll push you on my skit, boy\nOn my wrist is a brick, boy\nBuilt the empire brick by brick, boy\nCoke Boys off the rip, boy [Chorus: Chinx & (French Montana)]\nOh me, oh my my\nCut dope, gon need more quinine (off the rip)\nOh me, oh my my\nCut dope, gon need more quinine (off the rip)\nForty knock his head off (off the rip)\nDrop top V, niggas sped off (off the rip)\n[Verse 2: Chinx]\nCoke Boys get the bloody money, dirty cash\nLive niggas who smoke weed, car seat stashed\nYou monkey walk, I'm hunchbacked, speak quiet\nTalking 'bout mi casa, scared to death when I pop up\n[Bridge: French Montana]\nI'ma ride with my dog off the rip\nTalking brown bag, paper tag off the rip\nShawty came through, bent it over off the rip\nDope boy back, popping tags off the rip, nigga off the rip\nStarted from the block, dirty money off the rip\nCut a shark fin, talking money off the rip\nWalk up on the dealer, a hundred fifty off the rip\nMy dog came home, buck fifty off the rip\nHaan!\n[Chorus: Chinx & (French Montana)]\nOh me, oh my my\nCut dope, gon need more quinine (off the rip)\nOh me, oh my my\nCut dope, gon need more quinine (off the rip)\nForty knock his head off (off the rip)\nDrop top V, niggas sped off (off the rip) [Verse 3: French Montana]\nStarted with a hooptie and I went and got a Bimmer\nPull up in a boat, titanic La Marina\nShout out to young gunner, spend a hundred on my timer\nLooking through the smoke and mirrors, smoking marijuana\n'Rari and the 'Gatti and the Bimmers and the Benzes\nHomicide tryna knock my door off the hinges\nRiding with some cubans that be fresh up out that border\nMaking back a whole thang, breaking down a quarter\nDrophead, getting dome, riding through New Orleans\nHear them shots ringing then I hit that money caller\nCounting up my blessings, counting money keep a dollar\nDrophead white mink on when it's cold out\n[Chorus: Chinx & (French Montana)]\nOh me, oh my my\nCut dope, gon need more quinine (off the rip)\nForty knock his head off (off the rip)\nDrop top V, niggas sped off (off the rip)\nOh me, oh my my\nCut dope, gon need more quinine (off the rip)\nForty knock his head off (off the rip)\nDrop top V, niggas sped off (off the rip)\n[Verse 4: N.O.R.E.]\nCoke Boys get the coke money, plenty cash\nLive niggas just smoke ash, Phantom seat stashed\nYou donkey walk, I'm hunchbacked, buck quiet\nTalking 'bout mi casa, you TMZ niggas gossip [Outro: French Montana]\nOff the rip, off the rip\nOff the mothafucking rip, boy" } ]

[ { "from": "human", "value": "Write me a song called Baby Be Mine with the following description: “Baby Be Mine” fades from the disco-momentum of “Wanna Be Startin' Somethin'”, cooling into a R&B love tune. Along with “The Lady In My Life”, it was one of two songs from Thriller not released as a single. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI don't need no dreams when I'm by your side (Ooh)\nEvery moment takes me to paradise\nDarlin', let me hold you\nI'll warm you in my arms and melt your fears away\nShow you all the magic that a perfect love can make\nI need you night and day\n[Chorus]\nSo baby, be mine (Baby, you gotta be mine), ooh\nAnd girl, I'll give you all I got to give\nSo baby, be my girl (All the time), ooh\nAnd we can share this ecstasy\nAs long as we believe in love\n[Post-Chorus]\n(Ooh)\nOoh-ooh\n[Verse 2]\nI won't give you reason to change your mind\n(I can't sit still, you thrill me, baby, be mine)\nYou are all the future that I desire\nGirl, I need to hold you\nShare my feelings in the heat of love's embrace\nShow you all the passion burnin' in my heart today\nIt's never gonna fade [Chorus]\nSo baby, be mine (Baby, you gotta be mine), ooh\nAnd girl, I'll give you all I got to give\nSo baby, be my girl (All the time), ooh\nYou're everything this world could be\nThe reason that I live, oh\n[Bridge]\nWon't you stay with me until the morning sun?\nI promise you now that the dawn will be different\nLady, can't you see that heaven's just begun?\nIt's living here inside our hearts\n[Verse 3]\nThere'll be no more mountains for us to climb\n(I can't be still, you thrill me, baby, be mine)\nThis will be a love lasting for all time\nGirl, you got to hold me\nWe can touch the sky and light the darkest day\nHold me, only you and I can make sweet love this way\nThere's no more I can say\n[Chorus]\nSo baby, be mine (Baby, you gotta be mine)\n(Tell me that you love me all the time)\nAnd girl, I'll give you all I got to give (Say you're thinking of me)\nSo baby, be mine (Girl, be mine, all the time)\n(Show me how it should be, hold me tight)\nYou're everything this world could be (Every night)\nThe reason that I live (It's alright, every night) [Outro]\nBaby, be my girl (Ooh)\n(Baby, be mine, tell me that you love me all the time)\nAnd girl, I'll give you all I got to give\n(Say you're thinking of me, girl, be mine)\nSo baby, be mine, baby, be mine, ooh\n(Show me how it should be, hold me tight)\nYou're everything this world could be to me\n(Every night, it's alright)\nC'mon, girl, c'mon, girl (Tell me that you love me all the time) Hoo! (Say you're thinking of me)\nSo baby, be mine (Show me how it should be)\nYou're everything this world could be to me\n(Every night, it's alright)\nC'mon, girl, c'mon, girl (Tell me that you love me)\nBaby, be mine (Say you're thinking of me)\nSo baby, be mine, girl" } ]

[ { "from": "human", "value": "Write me a song called Numb with the following description: “Numb” is the third single and the final track of Linkin Park’s second studio album, Meteora.\nOne of Linkin Park’s most well known and critically acclaimed songs, “Numb” topped the Billboard Hot Modern Rock Tracks chart for 12 weeks. The song spent six weeks at the top of the chart in 2003 and six weeks in 2004, making it the only song in history to be the most successful song of the year on the Hot Modern Rock Tracks chart for two years. The song also spent three weeks atop the Billboard Hot Mainstream Rock Tracks chart and peaked at #11 on the Billboard Hot 100.\nThe song was later combined with Jay-Z’s song “Encore” to create “Numb/Encore”, a massive hit for both artists which was featured on the album Collision Course and earned them the Grammy Award for Best Rap/Sung Collaboration. “Numb” was ranked #95 on Rhapsody’s list of the Top 100 Tracks of the Decade.\nOn November 8, 2018, the music video on YouTube reached 1B views and is the first Linkin Park music video to reach 1B views.\n(Source) Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Chester Bennington]\nI'm tired of being what you want me to be\nFeeling so faithless, lost under the surface\nI don't know what you're expecting of me\nPut under the pressure of walking in your shoes\n[Pre-Chorus: Chester Bennington & \nMike Shinoda\n]\nCaught in the undertow, just caught in the undertow\nEvery step that I take is another mistake to you\nCaught in the undertow, just caught in the undertow\n[Chorus: Chester Bennington]\nI've become so numb, I can't feel you there\nBecome so tired, so much more aware\nI'm becoming this, all I want to do\nIs be more like me and be less like you\n[Verse 2: Chester Bennington]\nCan't you see that you're smothering me?\nHolding too tightly, afraid to lose control\n'Cause everything that you thought I would be\nHas fallen apart, right in front of you\n[Pre-Chorus: Chester Bennington & \nMike Shinoda\n]\nCaught in the undertow, just caught in the undertow\nEvery step that I take is another mistake to you\nCaught in the undertow, just caught in the undertow\nAnd every second I waste is more than I can take [Chorus: Chester Bennington]\nI've become so numb, I can't feel you there\nBecome so tired, so much more aware\nI'm becoming this, all I want to do\nIs be more like me and be less like you\n[Bridge: Chester Bennington]\nAnd I know\nI may end up failing too\nBut I know\nYou were just like me with someone disappointed in you\n[Chorus: Chester Bennington]\nI've become so numb, I can't feel you there\nBecome so tired, so much more aware\nI'm becoming this, all I want to do\nIs be more like me and be less like you\n[Outro: Chester Bennington]\nI've become so numb, I can't feel you there\nI'm tired of being what you want me to be\nI've become so numb, I can't feel you there\nI'm tired of being what you want me to be" } ]

[ { "from": "human", "value": "Write me a song called Not A Bad Thing with the following description: The third single released from Justin Timberlake’s fourth album, The 20/20 Experience – 2 of 2. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nSaid, all I want from you is to see you tomorrow\nAnd every tomorrow, maybe you'll let me borrow your heart\nIs it too much to ask for every Sunday? Uh\nAnd while we're at it, throw in every other day to start\n[Pre-Chorus]\nI know people make promises all the time\nThen they turn right around and break them\nWhen someone cuts your heart open with a knife\nNow you're bleedin'\nBut I could be that guy to heal it over time\nAnd I won't stop until you believe it\n'Cause baby, you're worth it\n[Chorus]\nSo, don't act like it's a bad thing to fall in love with me\n'Cause you might fuck around and find your dreams come true with me\nSpend all your time and your money just to find out that my love was free\nSo don't act like it's a bad thing to fall in love with me, me\nIt's not a bad thing to fall in love with me, me\nFall, yeah\n[Verse 2]\nNow, how about I'll be the last voice you hear tonight?\nAnd every other night for the rest of the nights that there are\nAnd every mornin', I just wanna see you starin' back at me (Starin' back at me)\n'Cause I know that's a good place to start [Pre-Chorus]\nI know people make promises all the time\nThen they turn right around and break them\nWhen someone cuts your heart open with a knife\nNow, you're bleedin'\nDon't you know that I could be that guy to heal it over time?\nAnd I won't stop until you believe it\n'Cause baby, you're worth it\n[Chorus]\nSo, don't act like it's a bad thing to fall in love with me\n'Cause you might fuck around and find your dreams come true with me\nSpend all your time and your money just to find out that my love was free\nSo don't act like it's a bad thing to fall in love with me, me\nIt's not a bad thing to fall in love with me, me\nNot such a bad thing to fall in love with me\n[Bridge]\nNo, I won't fill your mind\nWith broken promises and wasted time\nAnd if you fall, you'll always land right in these arms\nThese arms of mine\n[Chorus]\nDon't act like it's a bad thing to fall in love with me\n'Cause you might fuck around and find your dreams come true with me\nSpend all your time and your money just to find out that my love was free\nSo don't act like it's a bad thing to fall in love with me, me\nIt's not a bad thing to fall in love with me, me\nNot such a bad thing to fall in love with me" } ]

[ { "from": "human", "value": "Write me a song called Mozart’s House with the following description: Clean Bandit’s 1st marquee single, about mixing electronic and classical music.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Jack Patterson]\nSo you think electronic music is boring?\nYou think... it's stupid?\nYou think it's repetitive?\nWell, it is re-repetitive\n[Into 2: Love Ssega (Jack Patterson)]\nI don't know, skip a beat\nI don't know, skip a beat\nI don't know, skip a beat \n(We use special tricks with a computer)\nI don't know, skip a beat\n[Verse 1: Love Ssega]\nI don't know, skip a beat\nFind myself a stage but I hate to speak\nI said: \"I don't know, skip a beat\"\nIt's my right to dance, I got two left feet\nI said: \"I don't know, skip a beat\"\nWanna be a social but I hate to creep\nI said: \"I don't know, skip a beat\"\nScared of heights but I got to leap\nI said: \"I don't know, skip a beat\"\n'Cos we're leaping for the stars\nNot close but far from far\nAnd if I don't try I won't go\nNever leave I won't go\nCan't develop, won't grow\nNo, not fast [Verse 2: Love Ssega]\nMoving left, moving right\nI kept it light-handed, I kept trying to fight\nI said: \"moving left, moving right\"\nCome a little closer if you like the limelight\nI said: \"move your left, move your right\"\nI want to surround you, keep you here in my sight\nI said: \"moving left, moving right\"\nGetting confused 'cos everyone's singing all the time\nThey chanced and flexed the beat, it's on my mind\nNever liked classical, or even grime\nNow they one-handed, won't land it\nI won't stand it – Clean Bandit\n[Verse 3: Love Ssega]\nLittle touch up, pizzicato\nRelax the tempo, sip some rubato\nAnd if I get too animato\nTan my face with adagietto\nA niente, \nmezzoforte\nAllegro or andante\nI can make this voice staccato\nAnd then make it all legato\nI don't know, skip a beat\nWe're rushing now, we feel the heat\nThe doors are open but it's leaving time\nIt's the place, it's the final round\nCruising at the speed of Ayrton Senna\nWondering if we'll even get to Vienna\nWithout a doubt, the strings are primed\nThe bass is up, give us an entrance\nWe'll run this house\nA couple of skipped beats, a couple of movements out\nNow we made it to Mozart's House\nA couple of skipped beats, a couple of movements out\nA couple of skipped beats, a couple of movements out\nA couple of skipped beats, a couple of movements out\nThis is Mozart's House [Outro: Jack Patterson]\nSo you think electronic music is boring?\nYou think... it's stupid?\nYou think it's repetitive?\nWell, it is re-repetitive" } ]

[ { "from": "human", "value": "Write me a song called Whose House with the following description: A freestyle over Big Sean’s song My HouseExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Slim The Mobster]\nWhose house is this? Money out the … can’t count that shit\nStacking death prez, mouth to mouth that shit\nWhen they said a nigga wouldn't amount to shit\nNow whose house is this? Laughing so hard my tongue is out and shit\nRun you dick suckers, keep me out that bitch\nBefore I spazz and squirt and I’m out that...bitch\n[Verse 1: Slim The Mobster]\nBroadcasting live from south central Los Angeles\nWhere the babies born scandalous\nThe street I keep my hand in it\nThe gun I keep my hand on it\nNiggas is going to need bandages\nIf I brandish it ambulances, the chance you make it slim nigga\nI’m good in the hood cause I motivated them niggas\nI graduated from dumb hoes and mault liquor\nTo expensive wine and dime bitches\nRed lining the DB9 like it’s my time pimping\nAudemar [?] quality time spending\nAnd you niggas is borderline bitches\nThat’s my opinion\nAnd my niggas is ride or die Aftermath my religion\nTalk out but I don’t listen\nAct out and come up missing\nThat click clack pow did it\nLike Colin Powell did it\nAnd I’m so west coast, ok corral with it\nMy new foreign car can't pronounce that shit\nYou fuck around…count that shit [Chorus: Slim The Mobster]\nWhose house is this? Money out the … can’t count that shit\nStacking death prez, mouth to mouth that shit\nWhen they said a nigga wouldn't amount to shit\nNow whose house is this? Laughing so hard my tongue is out and shit\nRun you dick suckers, keep me out that bitch\nBefore I spazz and squirt and I’m out that...bitch\n[Verse 2: Kendrick Lamar]\nBroadcasting live from Compton California where foreigners never come\nMothers are worrisome and we dislike the governor\nI hope these angels can cover us\nIf the LAPD ain’t doing it then it was a cover up\nCoroners about to cover up everybody\nI’m serious, every shotty is saw'd off\nAnd every nigga is militant\nAnd your gut like...What?\nEBT Cards, no credit can't ease cards\nAll my life beed OG aw now my life on the billboard soon\nGive me room, I react like a wildebeest and\nThrow salt inside your wound your just diabetes to me\nAin't shit sweet with these hotels homie\nThat crip shit got my uncle’s life in jail ho\nSo if I put the same line, they'll never forgive me\nOr worse than that the niggas right around the corner might kill me\nI’m fighting back when it’s hard what\nNo barber my guards up, the author of fallen fathers that did it without much, this my house nigga [Chorus: Slim The Mobster]\nWhose house is this? Money out the … can’t count that shit\nStacking death prez, mouth to mouth that shit\nWhen they said a nigga wouldn't amount to shit\nNow whose house is this? Laughing so hard my tongue is out and shit\nRun you dick suckers, keep me out that bitch\nBefore I spazz and squirt and I’m out that...bitch" } ]

[ { "from": "human", "value": "Write me a song called ​pete davidson with the following description: “pete davidson,” the fourteenth track from Ariana Grande’s fourth album, Sweetener, is personally dedicated to her ex-fiancé Pete Davidson to whom Ariana became engaged in June 2018. The song title was confirmed via Twitter.\n\n\n\n\nIn the track, Ariana explores the happiness and content she feels with the Saturday Night Live star. It follows her breakup from rapper Mac Miller in May 2018- they were a public couple for nearly two years and split because Ariana perceived their relationship to be toxic.\nOn July 18, 2018, Ariana tweeted out a series of lyrics, followed by a wedding ring emoji, leading fans to believe them to be excerpts from “pete.”\n\n\n\n\nOn July 28, 2018 the song title was changed from “pete” to “pete davidson.” Later, Ariana explained her reasoning for the change via Twitter.\nAriana wrote this song a week after they started hanging out, as she had told Jimmy Fallon on The Tonight Show:\n\n\n\nUnfortunately, because of Ariana’s personal struggles, she and Pete called off their engagement and broke up on October 14, 2018. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nMmm, yeah, yuh\n[Verse]\nI thought you into my life (Whoa), look at my mind (Yuh)\nNo better place or a time, (Look) how they align\nUniverse must have my back, fell from the sky into my lap\nAnd I know you know that you're my soulmate and all that\nI’m like ooh, ooh, my whole life got me ready for you, ooh, ooh\n[Chorus]\nGot me happy, happy\nI'ma be happy, happy, yeah\nI'ma be happy, happy\nWon’t get no crying from me, yeah\nGonna be happy, happy\nI'ma be happy, happy (Happy)\nI'ma be happy, happy, yeah\nGonna be happy, happy\nI'ma be happy, happy\nI'ma be happy, happy, yeah\nGonna be happy, happy\nI'ma be happy, happy\nI'ma be happy, happy" } ]

[ { "from": "human", "value": "Write me a song called The Heart Part 5 with the following description: “The Heart Part 5” is the fifth installment in Kendrick Lamar’s “The Heart” series. It serves as a promotional single for Mr. Morale and the Big Steppers, Lamar’s fifth studio album, and comprises his first solo release since April 2017’s DAMN.\nThe track’s existence was first teased on April 19, 2022, when Lamar’s website was updated with a page entitled “theheart.” On May 7, 2022, the song was accidentally teased by Spotify through an updated description for their “This is Kendrick Lamar” playlist, but it was removed shortly thereafter.\nOn May 8, 2022, at 5 P.M. (Los Angeles time) the song was officially released alongside the music video. The visuals see Kendrick performing in front of a red wall before making several transformations into other famous Black figures using deepfake technology. In order of appearance, they are O.J. Simpson, Kanye West, Jussie Smollett, Will Smith, Kobe Bryant and Nipsey Hussle.\nThis song was added as a bonus track to Mr. Morale and the Big Steppers exactly two weeks after the album dropped. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kendrick Lamar]\nAs I get a little older, I realize life is perspective\nAnd my perspective may differ from yours\nI wanna say thank you to everyone that's been down with me\nAll my fans, all my beautiful fans\nAnyone who's ever gave me a listen, all my people\n[Verse 1: Kendrick Lamar]\nI come from a generation of pain, where murder is minor\nRebellious and Margielas'll chip you for designer\nBelt buckles and clout, overzealous if prone to violence\nMake the wrong turn, be it will or the wheel alignment\nResidue burned, mist of the inner-city\nMiscommunication to keep homi' detective busy\nNo protection is risky\nDesensitized, I vandalized pain, covered up and camouflaged\nGet used to hearin' arsenal rain\nAnalyze, risk your life, take the charge\nHomies done fucked your baby mama once you hit the yard\nThat's culture\nTwenty-three hour lockdown, then somebody called\nSaid your lil' nephew was shot down, the culture's involved\nI done seen niggas do seventeen, hit the halfway house\nGet out and get his brains blown out, lookin' to buy some weed\nCar wash is played out, new GoFundMe accounts'll proceed\nA brand-new victim'll shatter those dreams\nThe culture [Chorus: Kendrick Lamar \nwith Marvin Gaye\n]\n(I want, I want, I want, I want)\nBut I want you to want me too\n (I want, I want, I want, I want)\nI want the hood to want me back (I want, I want, I want, I want)\nI want the hood\nLook what I done for you (Look what I done for you)\nLook what I done for you\n[Verse 2: Kendrick Lamar]\nI said I do this for my culture\nTo let y'all know what a nigga look like in a bulletproof Rover\nIn my mama's sofa was a doo-doo popper\nHair trigger, walk up closer, ain't no Photoshoppin'\nFriends bipolar, grab you by your pockets\nNo option if you froze up, always play the offense\nNiggas goin' to work and sellin' work, late for work\nWorkin' late, prayin' for work, but he on paperwork\nThat's the culture, point the finger, promote ya\nRemote location, witness protection, they gon' hold ya\nThe streets got me fucked up, y'all can miss me\nI wanna represent for us\nNew revolution was up and movin'\nI'm in Argentina wiping my tears, full of confusion\nWater in between us, another peer's been executed\nHistory repeats again\nMake amends, then find a nigga with the same skin to do it\nBut that's the culture, crack a bottle\nHard to deal with the pain when you're sober\nBy tomorrow, we forget the remains, we start over\nThat's the problem\nOur foundation was trained to accept whatever follows\nDehumanized, insensitive\nScrutinize the way we live for you and I\nEnemies shook my hand, I can promise I'll meet you\nIn the land where no equal is your equal\nNever say I ain't told ya, nah\nIn the land where hurt people hurt more people\nFuck callin' it culture [Chorus: Kendrick Lamar \nwith Marvin Gaye\n]\n(I want, I want, I want, I want)\nBut I want you to want me too\n (I want, I want, I want, I want)\nI want the hood to want me back (I want, I want, I want, I want)\nI want the hood\nLook what I done for you (Look what I done for you)\nLook what I done for you\n[Interlude: Kendrick Lamar]\nTake the drums out\n[Verse 3: Kendrick Lamar]\nCelebrate new life when it come back around\nThe purpose is in the lessons we learnin' now\nSacrifice personal gain over everything\nJust to see the next generation better than ours\nI wasn't perfect, the skin I was in had truly suffered\nTemptation, impatience, everything that the body nurtures\nI felt the good, I felt the bad, and I felt the worry\nBut all-in-all, my productivity had stayed urgent\nFace your fears, always knew that I would make it here\nWhere the energy is magnified and persevered\nConsciousness is synchronized and crystal-clear\nEuphoria is glorified and made His\nReflectin' on my life and what I done\nPaid dues, made rules, change outta love\nThem same views made schools change curriculums\nBut didn't change me starin' down the barrel of the gun\nShould I feel resentful I didn't see my full potential?\nShould I feel regret about the good that I was into?\nEverything is everything, this ain't coincidental\nI woke up that morning with more heart to give you\nAs I bleed through the speakers, feel my presence\nTo my brother, to my kids, I'm in Heaven\nTo my mother, to my sis, I'm in Heaven\nTo my father, to my wife, I am serious, this is Heaven\nTo my friends, make sure you countin' them blessings\nTo my fans, make sure you make them investments\nAnd to the killer that sped up my demise\nI forgive you, just know your soul's in question\nI seen the pain in your pupil when that trigger had squeezed\nAnd though you did me gruesome, I was surely relieved\nI completed my mission, wasn't ready to leave\nBut fulfilled my days, my Creator was pleased\nI can't stress how I love y'all\nI don't need to be in flesh just to hug y'all\nThe memories recollect just because y'all\nCelebrate me with respect\nThe unity we protect is above all\nAnd Sam, I'll be watchin' over you\nMake sure my kids watch all my interviews\nMake sure you live out our dreams we produced\nKeep that genius in your brain on the move\nAnd to my neighborhood, let the good prevail\nMake sure them babies and the leaders outta jail\nLook for salvation when troubles get real\n'Cause you can't help the world until you help yourself\nAnd I can't blame the hood the day that I was killed\nY'all had to see it, that's the only way to feel\nAnd though my physical won't reap the benefits\nThe energy that carry on emits still\nI want you" } ]

[ { "from": "human", "value": "Write me a song called Over the Top with the following description: On “Over the Top,” Smiley enlists OVO head-honcho Drake for their first officially released collaboration.\nThe upbeat track, produced by Drake’s frequent collaborator Tay Keith, arrives via Drake’s OVO Sound record label, which Smiley signed to in 2021.\nThe song was a commercial hit, reaching #57 on the Billboard Hot 100, marking Smiley’s first entry on the chart. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Smiley & \nDrake\n]\n(\nTay Keith, fuck these niggas up\n)\nPrada and Gucci, it don't go together\nLouis and Dior, I swear it go better\nHe wearin' my drip, but I wear it better\nKilani gang, I swear he go wetter\nHuh? Gang\nOn go mode, I should get a chain for the promo\n(\nAyy\n)\nGang, gang, gang\n[Chorus: Drake]\nThe level is just too advanced\nThe bezel is Tiffany stamped\nDon't grip on my hand\nI know that I came with a slide from left to right, but now I don't wanna dance\nI got too much on the line, too much on my mind, too much ain't enough for my plans\nNike don't pay me to tell you, \"Just do it\"\nThey pay me to show you I'll do it again\n[Post-Chorus: Smiley]\nHuh? Yeah\nI'm in control of the block (Live)\nYou know how October get hot (You know)\nMight make this glizzy go pop (Bang)\nThe crib is over the top (It is)\nThe whip is over the top (How?)\nI thought about letting her go (I did)\nBut I wasn't over the top [Verse 1: Drake]\nI can't be pale in my casket\nMake sure I die with a tan, it's part of the brand\nI know that I came with a slide from left to right, but now I don't wanna dance\nCannot depend on the man\nI slide her some bread in a jam, that's just who I am\nCustoms just wavin' at us from the window\nThey don't even come on the plane when we land\nAnyone else would retire, but I'm not content\nI wanna bury these niggas like twenty feet down so no one can find them again\nIt's gotta be scary to witness me carry these niggas around in both of my hands\nThey stay inviting me over, they say they got bitches\nI get there and then it's just them\n[Verse 2: Smiley]\nGot a verse from the boy and it leaked (Fuck)\nHe sent me a new one, said use it instead (Use it)\nEverything good when you live in the hills\nGot a chef and maid for a bed (Wow)\nCan you imagine the shit that I seen?\nI went from the Roy to the South to my dreams\nThe bridge got burnt and it shattered (Fuck)\nI'm climbing, I don't need a ladder\nNew year, it's a new chapter (New)\nGot her Snap and I didn't even Snap her (I didn't)\nShe wanna fuck out of anger (She wack)\nBack in the days, life was so hard, in Pelham trapping backyards\nI didn't even know 'bout Goyard (I didn't)\nI just sent Mike a new bank card (Here you go)\nRemembering days in the courtyard\nI came from trapping at Nat's (At Natalie's)\nTrapping with bugs in the trap (Ew)\nShe wanna spill all the facts (You do that)\nYeah, yeah\nI cannot sit on my ass (I can't)\nI gotta chase me a bag\nMy shooters think it's tag (Brrrah)\nShe wanna buy me a Jag'\nBM text me, throw ten at her like Messi\n (Here you go, babe)\nTake the Draco, please make it messy (Yeah)\nTold Kilani I want grills like Nelly's\n (Uh-huh)\nI was locked, no one answered their cellys (No one)\nNo change in my line, used my celly's\nThis TEC-9 hold many\nLucky told me don't trust many, gang [Chorus: Drake]\nThe level is just too advanced\nThe bezel is Tiffany stamped\nDon't grip on my hand\nI know that I came with a slide from left to right, but now I don't wanna dance\nI got too much on the line, too much on my mind, too much ain't enough for my plans\nNike don't pay me to tell you, \"Just do it\"\nThey pay me to show you I'll do it again\n[Post-Chorus: Smiley]\nHuh? Yeah\nI'm in control of the block (Live)\nYou know how October get hot (You know)\nMight make this glizzy go pop (Bang)\nThe crib is over the top (It is)\nThe whip is over the top (How?)\nI thought about letting her go (I did)\nBut I wasn't over the top" } ]

[ { "from": "human", "value": "Write me a song called Ménage* with the following description: “Ménage” is an unreleased collaboration between Playboi Carti and Lil Uzi Vert, expected to appear on his long-awaited third studio album, MUSIC.\nThe first snippet of the song surfaced on June 29, 2023, via STRAPPEDUS on X (Twitter). Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Lyrics from \nSnippet\n[Verse: Playboi Carti]\n... (Yeah)\nPourin' that pink, let's go (Yeah)\nLow self-esteem, she low (Yeah)\nTalkin' 'bout money and drugs (Yeah)\nI just be losin' my mind, yeah\nBitches be sellin' me lies, uh\nShe tryna tell me, \"What's up?\" (What?)\nI'm tryna have a ménage, yeah\n[Chorus: Lil Uzi Vert]\nI'm tryna have a ménage, yeah (Yeah)\nI'm tryna have a ménage (Blatt)\nI'm tryna play her this sound (Yeah)\nI'm tryna play in her pound\nI'm tryna fuck up her world\nI'm tryna blow..\n." } ]

[ { "from": "human", "value": "Write me a song called FAM GOOD, WE GOOD with the following description: The celebratory “FAM GOOD, WE GOOD” — courtesy of DJ Khaled — sees Roddy Ricch and Gunna taking pride in their wealth, reassuring their families of their expenses. The cheerful instrumental correspondingly ties into the positive message the song carries.\nThe track would feature a full-length leak on July 25, 2022, a month before GOD DID’s release. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Gunna & \nDJ Khaled\n]\nI can't take a loss (Can't take a loss, \nWe the Best Music\n)\nLong as the fam' good, fam' good, then we good (\nAnother one\n)\nDJ Khaled\n (\nKhaled\n)\n[Chorus: Gunna]\nI can't take a loss (Can't take a loss)\nLong as the fam' good, fam' good, then we good, ayy\nLong as the fam' good, fam' good, then we good, ayy\nLong as the fam' good, fam' good, then we good, ayy\nCan't take a loss\nI can't take a loss (Can't take a loss)\nLong as the fam' good, fam' good, then we good, ayy\nLong as the fam' good, fam' good, then we good, hey\nLong as the fam' good, fam' good, then we good, hey\n[Verse 1: Roddy Ricch]\nMy family's straight\nGot the chip, I been holdin' my weight\nCopped the 'Rari like, \"Pardon my ways\"\nNеw RM with the skeleton facе\nWhere I came from, man, the mud, turned Roddy a boss\nKeep the smoke like exhaust, ayy\nNever fucked with the law\nGot the Cullinan cross, ayy\nNigga, this not a draw, ayy-ayy, but I'm still standin' tall, ayy-ayy\nFree my nigga Slime, free my niggas 'hind the wall, ayy-ayy\nWe got rich off of holdin' notes\n2022, rollin' Ghosts\nHalf a mill', I got shows on shows\nLeave the festival rollin' dope [Chorus: Gunna]\nI can't take a loss (Can't take a loss)\nLong as the fam' good, fam' good, then we good, ayy\nLong as the fam' good, fam' good, then we good, ayy\nLong as the fam' good, fam' good, then we good, ayy\nCan't take a loss\nI can't take a loss (Can't take a loss)\nLong as the fam' good, fam' good, then we good, ayy\nLong as the fam' good, fam' good, then we good, hey\nLong as the fam' good, fam' good, then we good, hey\n[Verse 2: Gunna]\nHad make sure the fam' good, hey\nThe Bentley Mulsanne wood grain\nThat Rolls Royce a Phantom, road rage\nNiggas hate when they ain't good\nBack of the Benz, smokin' Backwoods\nI crank up the engine, it sound good, hey\nWe was broke, now the fam good, ayy\nIn the hood eatin' canned goods, hey\nI stay high 'cause I know I could\nBought a Vivienne Westwood, hey\nYes, it's good girl, you know it's all paid\nDiamonds twinklin', dancin' a parade\nMoney and we can ball, Balmain\nNo more losses, nah, not again\nHad my feet on the hard wood\nI'm good long as the fam' good, hey [Chorus: Gunna]\nI can't take a loss (Can't take a loss)\nLong as the fam' good, fam' good, then we good, ayy\nLong as the fam' good, fam' good, then we good, ayy\nLong as the fam' good, fam' good, then we good, ayy\nCan't take a loss\nI can't take a loss (Can't take a loss)\nLong as the fam' good, fam' good, then we good, ayy\nLong as the fam' good, fam' good, then we good, hey\nLong as the fam' good, fam' good, then we good, hey\nI can't take a loss (Can't take a loss)\nLong as the fam' good, fam' good, then we good, ayy\nLong as the fam' good, fam' good, then we good, ayy\nLong as the fam' good, fam' good, then we good, ayy\nCan't take a loss (Can't take a loss)" } ]

[ { "from": "human", "value": "Write me a song called Better Off with the following description: A song about the dissolution of a relationship, with both parties questioning whether they’d be better off without each other.\nBoth members of Quadron were part of Boom Clap Bachelors, whose “Tiden Flyver” was sampled to create Kendrick’s “Bitch, Don’t Kill My Vibe.” According to Robin, the producer half of the duo:\nWe only have one feature on our new album, and we are elated that it’s Kendrick Lamar. He invited us to collaborate on his own album, and we had such a great time working with him that we asked him if he wanted to be part of our project as well. We are so happy for all his success and we are very proud of this song. We wanted to have more of a fluid song that wasn’t too over structured and had a bit of a bedroom/after hours vibe to it.”\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Coco O.]\nBetter off without you\nBetter off my baby\nBetter off without\nBetter off my baby\nAnd I'm better off without you\nBetter off my baby\nBetter off my baby\nBetter off without you\n[Verse 1: Coco O.]\nI waited for you mainly\nCan't believe you made me\nOh lord of daydreams\nLeading on the maybes\nAnd why you would treasure me\nSearch for you and rule me\nClose sits on nothing\nWhy we should be killing\n[Bridge: Quadron]\nSorrow, sorrow (Searching, searching 'em)\nCrossed hearts (You crossed your heart and now you lose)\nI'm better without you, yeah\nI'm better without you, yeah [Chorus: Coco O.]\nEvery\nIs only half full in your thoughts\nYou get no better now\nPatiently, 'cause you're so heavy in my heart\nI could do better now\nI'm with you\nI'm with you (If you really want me to be with you than I can choose)\nAnd you want me\nI can choose my own (I could do better)\nI know I can do better\n[Verse 2: Kendrick Lamar]\nLove is life and life is love, I like to love\nEvery part of you, the party life can never do enough\nSo many obstacles the possibilities are breaking up\nCan move in hospital with that extra patient you got me stuck\nI'll play the prostitute if you've got the patience to pimp me\nBut you never put me on the strip, put it on then you strip\nPut it on your fingertips and I'll kiss it off\nYou better not kiss me goodbye, Test my faith and kiss the cross\nI'm trying to go there, take you slow there if it's alright\nTell me that you care, baby, we could share a full life\nTruth and double dare that I do repair broken hearts\nCupid shot me in the dark, stupid I didn't play my part\nAsk for your forgiveness, if it's worth it I can serve a purpose\nIf I'm st.. st.. stuttering because I'm nervous\nTell me that you love me still, promise that I'm staying still\nHonesty is all I need, honestly, we can build [Bridge 2: Coco O.]\nThe stakes are full now\nStill, wait for you\nI'm better off with you (I'm better off), yeah\nI'm better off with you, yeah\n[Chorus: Coco O.]\nEvery\nIs only half full in your thoughts\nYou get no better now\nPatiently, 'cause you're so heavy in my heart\nI could do better now\nI'm with you\nI'm with you (If you really want me to be with you than I can choose)\nAnd you want me\nI can choose my own (I could do better)\nI know I can do better\n[Outro: Coco O.]\nI'm with you (If you really want me to)\nI can't choose life (I can't choose)\nI could do better, better now" } ]

[ { "from": "human", "value": "Write me a song called Blue with the following description: Beyoncé dedicates the last track on the normal version of her eponymous album to her daughter Blue Ivy Carter, born in 2012. Bey’s husband and Blue’s father Jay Z has previously dedicated two songs to his daughter, “Glory” and “Jay Z Blue”.\nThe Brazil-shot video, crooning vocals, and tender, pure emotion captured in the song turn Blue into a dark horse on the album – certainly not anything for pop radio, but a song to listen to when thinking about people you love.\nBlue’s appearance on the former made her the youngest Billboard charting artist ever, and possibly the youngest featured artist with a Genius profile.\n\nApparently Blue is a bigger fan of Hov’s music than her mom’s. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Beyoncé]\nSometimes, these walls seem to cave in on me\nWhen I look in your eyes, I feel alive\nSome days, we say words that don't mean a thing\nBut when you're holdin' me tight, I feel alive\n[Chorus: Beyoncé]\nMake it last forever\nCome on, baby, won't you hold on to me, hold on to me?\nYou and I together\nCome on, baby, won't you hold on to me, hold on to me?\nBlue\n[Verse 2: Beyoncé]\nEach day, I feel so blessed to be lookin' at you\n'Cause when you open your eyes, I feel alive\nMy heart beats so damn quick when you say my name\nWhen I'm holdin' you tight, I'm so alive\nNow let's, let's live it up\n[Chorus: Beyoncé]\nMake it last forever\nCome on, baby, won't you hold on to me, hold on to me?\nYou and I together\nCome on, baby, won't you hold on to me, hold on to me?\nBlue\nMake it last forever\nCome on, baby, won't you hold on to me, hold on to me?\nYou and I together\nCome on, baby, won't you hold on to me, hold on to me? [Bridge: Beyoncé]\nWe gotta hold on\nI gotta hold on\nYou've got to hold on\nYou've got a hold on, a hold on to me\nWe gotta hold on\nI gotta hold on\nYou've got to hold on\nYou've got a hold on, a hold on me\n[Chorus: Beyoncé]\nMake it last forever\nCome on, baby, won't you hold on to me, hold on to me?\nYou and I together\nCome on, baby, won't you hold on to me, hold on to me?\nBlue\n[Outro: Blue Ivy & \nBeyoncé\n]\nHold on to me, hold on\nBee-sy-ay, Bee-sy-ay\nBlue\n (Bee-sy-ay)\nMommy, mommy, mommy\nCan we see daddy?\nCan we see daddy?\nMissus Carter, Missus Carter!" } ]

[ { "from": "human", "value": "Write me a song called Get It In with the following description: “Get It In” is an unreleased song by rapper Big Sean, likely made during recording sessions for his 2017 album, I Decided.\nMusic Mafia leaked a snippet when they attempted to auction the song in September 2017, and it leaked in full on March 28, 2018.\nIn March of 2019, producer KeY Wayne released a remix of the track featuring entirely new production and a new verse from Wayne.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nWoah, woah\nI take it back\nTake it back, back\n[Verse 1]\nBack when it was in style to do the yellow Hummer (Hummer, \nChop Squad\n)\nBack when I had a job every summer (Summer)\nBack when I tried to be the number one stunner (Stunner)\nBack when everybody in the band had a drummer (Brr)\nBack when the medical insurance was just the hunnids (Hunnids)\nBack before it was so easy to get a number\nBack before George W. used to run it (Run it)\nBack when me and all my dogs used to go huntin' (Huntin')\n[Chorus]\nBoy, we used to get it in\nGet it in, get it in, get it in (Woah, woah, woah, woah)\nYou know we had to get it in (You know I had to get it)\nYou know I used to get it in (You know I used to get it)\nYou know we had to get it in\nGet it in, get it in, get it in (Woah, woah, woah, woah)\nSchemin', whole team just schemin'\n[Verse 2]\nOkay, me and my whole team seem to put it all together (Go)\nIt's time to make the moves that's gon' put us on forever\n'Cause they stay down like my foot did on the pedal\nHold up, stay down like they shootin' at me\nBut they never, I can never take you bitches personal\nI brought the money outside-in like it's reversible (Woah)\nI'm QB on my team, yeah, so don't rush (Rush)\nBitch, start actin' like a grownup (Okay)\nM-moving like a boss do\nTip enough that I can pay for law school (Yeah-yeah)\nI was raised by a O.G. one (Free one)\nTalk to me like I'm Obi Wan (Boy)\nBusiness moves, you know we don't discuss\nAll twenties, talkin' area touch (Woah)\nStill runnin' with the dogs like mush\n'Cause the only ones we trust is us, and hell yeah [Chorus]\nWe get it in, get it in, get it in (Woah, woah, woah, woah)\nYou know we had to get it in (You know I had to get it)\nYou know I used to get it in (You know I used to get it)\nYou know we had to get it in\nGet it in, get it in, get it in (Woah, woah, woah, woah)\nSchemin', whole team just schemin'\nI'm talkin' plottin' and schemin'\n[Instrumental break]\n[Chorus]\nBoy, we used to get it in\nGet it in, get it in, get it in, get it in (Woah, woah, woah, woah)\nYou know we had to get it in (You know I had to get it)\nYou know I used to get it in (You know I used to get it)\nYou know we had to get it in\nGet it in, get it in, get it in (Woah, woah, woah, woah)\nSchemin' (Yeah), whole team just schemin' (Schem, yuh)\nI'm talkin' plottin' and schemin'\n[Verse 3]\nAll I ever did was figure it out (Go)\nBack when a nigga used to have to live on the couch (Uh-huh)\nI had to brainstorm this shit just to get through the drought (Straight up)\nI strategised it in my head, then started livin' it out (Go)\nMan, these niggas want the perks without doin' the work (Work)\nDrag my name through the mud without doin' the dirt (Damn)\nI get your face on a shirt like I'm doin' your merch\nThey love to talk, I'm 'bout doin' it first, 'cause [Chorus]\nBoy, we used to get it in\nGet it in, get it in, get it in (Woah, woah, woah, woah)\nYou know we had to get it in (You know I had to get it)\nYou know I used to get it in (You know I used to get it)\nYou know we had to get it in\nGet it in, get it in, get it in (Woah, woah, woah, woah)\nSchemin', whole team just schemin'\nI'm talkin' plottin' and schemin'" } ]

[ { "from": "human", "value": "Write me a song called You’re Such A with the following description: During her first live performance at G-A-Y in London on 3 October 2015, Hailee Steinfeld premiered the new track “You’re Such A”.\nThis song serves as a middle finger to the guy who just keeps on crawling back after a couple has broken up. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYou keep calling, you keep calling\nSaying that you want it back\nAll my loving, all my loving\nBut you can't, you can't\nYou keep trying, you keep trying\nWith that sweet talk on your tongue\nBut I'm not buying, I'm not buying\nI can't, I can't\n[Pre-Chorus]\n'Cause you had your chance and you blew it\nYeah, you ripped it up and you chewed it\nAnd the more you talk, you prove it\nYeah, you prove it\n[Chorus]\nThat, damn, you're such a\nDid you think that I would let you\nCrawl right back into my bedroom\nAfter everything we've been through?\nI know the truth\nThat, damn, you're such a\nDifficult little devil\nTrying to put it back together\n'Cause you see I'm doing better\nWithout you now [Post-Chorus]\nDamn, you're such a\nDa, di-da-di-da-di-da-da, da, di-da-di-da-da\nDamn, you're such a\nDa, di-da-di-da-di-da-da, I know the truth\nDamn, you're such a\n[Verse 2]\nSee you smoking, see you smoking\nThose electric cigarettes\nAre you joking? Are you joking?\nI can't, I can't\n[Pre-Chorus]\n'Cause you had your chance and you blew it\nYeah, you ripped it up and you chewed it\nAnd the more you talk, you prove it\nYeah, you prove it\n[Chorus]\nDamn, you're such a\nDid you think that I would let you\nCrawl right back into my bedroom\nAfter everything we've been through?\nI know the truth\nThat, damn, you're such a\nDifficult little devil\nTrying to put it back together\n'Cause you see I'm doing better\nWithout you now [Post-Chorus]\nDamn, you're such a\nDa, di-da-di-da-di-da-da, da, di-da-di-da-da\nDamn, you're such a\nDa, di-da-di-da-di-da-da, I know the truth\nDamn, you're such a\nDa, di-da-di-da-di-da-da\nDamn, you're such a\nDa, di-da-di-da-di-da-da, without you now\nDamn, you're such a\n[Bridge]\nYou can take your lies to your next girlfriend\n'Cause I don't want to hear it anymore\nAnd if you're all that's left when the whole world ends\nNo, I still don't want to hear it anymore\n(Da, di-da-di-da-di-da-da) Mm\nDamn, you're such a\n(Da, di-da-di-da-di-da-da)\nDamn, you're such a\n[Chorus]\nDid you think that I would let you\nCrawl right back into my bedroom\nAfter everything we've been through?\nI know the truth\nThat, damn, you're such a\nDifficult little devil\nTrying to put it back together\n'Cause you see I'm doing better\nWithout you now [Outro]\nDamn, you're such a\nDa, di-da-di-da-di-da-da, da, di-da-di-da-da\nDamn, you're such a\nDa, di-da-di-da-di-da-da, I know the truth\nDamn, you're such a\nDa, di-da-di-da-di-da-da, da, di-da-di-da-da\nDamn, you're such a\nDa, di-da-di-da-di-da-da, without you now\nDamn, you're such a" } ]

[ { "from": "human", "value": "Write me a song called Prisoner with the following description: “Prisoner” is a song recorded by Mariah Carey for her self titled debut studio album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nYou don't think that I'll be strong enough\nNo, baby now\nI won't be the prisoner of your love\n(Prisoner of your love)\n[Intro]\nMaybe you don't think that I'll be strong enough\nBut I'm not gonna be a prisoner of your love\nI know you're lying, denying all of your actions\nSo listen up cause here's my reaction\n[Verse 1]\nHere comes the night\nNo more living in the shadow of your love\nThis is my life\nYou always tried so hard to keep me down, but now I'll rise above\nThose empty lies\nStop pretending that my accusations take you by surprise\nI've realized\nNow I'm ending all the secrecy, I see through your disguise\n[Pre-Chorus]\nAll the dreams we planned\nI believed so I held on, I understand\nSo when the morning comes\nYou know that I'll be gone [Chorus]\nYou don't think that I'll be strong enough\nNo, baby, no\nI won't be the prisoner of your love\n(Prisoner of your love)\n[Verse 2]\nNo longer blind\nI can focus on deception used to keep me by your side\nI read your mind\nDon't believe it's all a mystery, there's nothing you can hide\nIt's all defined\nThere's nothing you can tell me now to change the way I feel inside\n[Pre-Chorus]\nAll the dreams we planned\nI believed so I held on, I understand\nSo when the morning comes\nYou know that I'll be gone\n[Chorus]\nYou don't think that I'll be strong enough\nNo, baby, no\nI won't be a prisoner of your love\n(Prisoner of your love)\nI'm just not the girl you thought I was\n(Not gonna be a prisoner)\nI won't be the prisoner of your love\nOf your love [Post-Chorus]\n(Don't wanna be a prisoner, I don't wanna be a prisoner)\nNo\n(Don't wanna be a prisoner, I don't wanna be a prisoner)\n[Bridge]\nSo if you wanna be my love you can't be a liar\nPlay around, you see me and then say\n\"Mariah, I miss you\"\nExpect me to hug and kiss you\nDon't mean to diss you\nBut I guess I'm not the kind of girl you thought I was\nI've had enough and now I'll see you later 'cause\nBoy, maybe you don't think that I'll be strong enough\nBut I won't be the prisoner, baby, of your love\n(You don't think)\nNo more, no more\nNo more, no more, no more, no more\n[Chorus]\nNo, no, baby, now\nI won't be the prisoner of your love\n(Prisoner of your love)\nI'm just not the girl you thought I was\n(Not gonna be a prisoner) Not gonna be\nI won't be the prisoner of your love [Outro]\nI'm not one of those girls who'll wait around\nCrying 'cause you're playing dirty all over the town\nYou can't do that, I'm not a doormat\nYou're just a player, that's not my format\nSee ya\n(Prisoner of your love)" } ]

[ { "from": "human", "value": "Write me a song called Green Ranger with the following description: On “Green Ranger,” Cole reminisces on his teen years, and calls back to when “Special Delivery” was released, the instrumental used in this song. On Wayne’s verse, he simply throws clever punchlines, mentioning rappers and using fire-arm metaphors. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: DJ Drama]\nYou know I've been talkin shit for a generation now\n'Bout that time for me to kick my feet up\nY'know? Move on to other endeavors\nWho's ready to take the torch?\nSomebody? Anybody?\nHaven't I taught you everything?\n[Verse 1: J. Cole]\nWhen this shit dropped, I was like 16\nTryna get some head from a mixed thing, big dreams\nSay goodbye to ripped jeans, nigga got a job\nHad my little wad, worst fear was getting robbed\nFor my last 50 dollars that I had left over\nFive dollars and they pop a nigga in his left shoulder\nMinimum wage, $5.15\n13s on the whip, kept my shit clean, uh\nActually that was my mama shit\nBut I’m drivin' 'round town on my Obama shit\nMiddle-class my ass, just to get a tank of gas\nHad to run the guns up the street and pawn the shit\nBut yeah, I’m headed for a scholarship\nLittle scrap game but I got a lot of lip\nThat's why them niggas don’t like me and always wanna fight me\nA dumb nigga hate a smart mouth most likely\nUh, I know the game, I’m an expert\nNigga, how you gonna jump me if my legs work?\nNigga I'm gone,\n showed up at the crib tryna bone\nAnd I ain't fuck yet 'cause her mama always home\nGod damn, L-Lord have mercy\nPlease God, don’t let this little broad have herpes\nMy nigga say she fast like Jackie Joyner-Kersee\nGold medals if we gave hoes medals\nNo rose petals on a bed in the ghettos\nSpiderman sheets, got her singing falsetto\nTall white tee’s, can’t believe we used to wear those\nWhite folks looking at us like we’re weirdos\nBut we was only kiddos\nGrabbing titties in the club, pocket full of Skittle\nTryna get the kitty was like tryna solve a riddle\nTryna get to Diddy cause I murder instrumentals\nThis that good old fashioned Mark Jackson\nFucked then I’ll pass,\n y’all Utah Jazz-in'\nYa borin’, \nI don’t play nigga, I’m Mark Madsen\nThat's why my knots thick like a fucking Kardashian\nI’m not askin', my nigga I don’t need favors\nI’m in the streets with the fiends, I done seen danger\nMy team major, we party like teenagers\nI’m in the green Range, nigga I’m the Green Ranger\nI fucking ran outta breath, heh\nTeam major, we party like teenagers\nI’m in the green Range, nigga I’m the Green Ranger\nCole [Interlude: Lil Wayne]\nYeah, yeah, yeah\nI don't even like this beat but fuck it\nI'ma only spit a few bars 'cause I don't like this beat, let's go\n[Verse 2: Lil Wayne]\nUh, bitch I’m not old news, I’m more like gold shoes\nShe eat my whole dick, she like Whole Foods\nThey say I’m old school, but I dropped out\nDrop ya body off, at a cop's house\nThey throwin' up them bricks, you better box out\nMy niggas got enough white to build Barack house\nI got my drawers on, Sam Rothstein\n.44 on my waist, Rick Ross jeans\nI’ve been faded, stone wash jeans\nNew pussy, new money, New Orleans\n50 up in that uzi, G-G-G-G-Unit\nI murk you with that bitch, scratch the serial number, re-use it, uh\nI’m from the N-O, stretch niggas out like limo’s\nUzi go zit-zit-zit-zit-zit-zit-zit, that's pimples, uh\nI’m bout to go banana puddin’, hehe\nYou a \ndyke\n 'cause your man a pussy\nHit you from the blindside, no Sandra Bullock\nNever bite the hand that feeds you\nAlways watch the hand that’s cookin'\nTunechi [Outro: Lil Wayne]\nHahaha, yeah man, \nD4\n ho\nShout out Cole, you already know what it is\nCole World, \nWayne’s World\nWe in this bitch ho\nSpecial delivery \nat your front door\nHahahahahahaha, redbone biatch!" } ]

[ { "from": "human", "value": "Write me a song called Suspicious Minds with the following description: Written and originally recorded by Mark James in 1968, “Suspicious Minds” is a cover by Elvis Presley, released as a single in 1969.\nNot only did it reach the number one spot on Billboard Hot 100, the song is also regarded as one of the best works of Presley, being ranked by Rolling Stone as the 91st best song of all time in 2003.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nWe're caught in a trap, I can't walk out\nBecause I love you too much, baby\nWhy can't you see what you're doin' to me\nWhen you don't believe a word I say?\n[Chorus]\nWe can't go on together\nWith suspicious minds (\nWith suspicious minds\n)\nAnd we can't build our dreams\nOn suspicious minds\n[Verse 2]\nSo if an old friend I know stops by to say hello\nWould I still see suspicion in your eyes?\nHere we go again, asking where I've been\nYou can't see the tears are real, I'm cryin' (\nYes, I'm cryin'\n)\n[Chorus]\nWe can't go on together\nWith suspicious minds (\nWith suspicious minds\n)\nAnd we can't build our dreams\nOn suspicious minds\n[Bridge]\nOh, let our love survive\nI'll dry the tears from your eyes\nLet's don't let a good thing die\nWhen, honey, you know I've never lied to you\nMmm, yeah, yeah [Verse 1]\nWe're caught in a trap, I can't walk out\nBecause I love you too much, baby\nWhy can't you see what you're doin' to me\nWhen you don't believe a word I say?\n[Outro]\nWell, don't you know I'm caught in a trap? I can't walk out\nBecause I love you too much, baby\nWell, don't you know I'm caught in a trap? I can't walk out\nBecause I love you too much, baby\nWell, don't you know I'm caught in a trap? I can't walk out\nBecause I love you too much, baby\nWell, don't you know I'm caught in a trap? I can't walk out\nBecause I love you too much, baby\nWell, don't you know I'm caught in a trap? I can't walk out\nBecause I love you too much, baby\nWell, don't you know I'm caught in a trap? I can't walk out\nBecause I love you too much, baby" } ]

[ { "from": "human", "value": "Write me a song called On a Roll with the following description: “On A Roll” is a song performed by American singer Ashley O, a character performed by Miley Cyrus. It was released on June 14, 2019, as part of the soundtrack from the third and final episode of the fifth series of the British science fiction anthology television series Black Mirror.\nThe song is a rewrite of the Nine Inch Nails' industrial rock track “Head Like A Hole”, released in 1989, only adapted into an upbeat electro-pop remix.\nThe music video, directed by Anne Sewitsky, premiered on June 13, a day before the episode’s soundtrack was released globally. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nOh honey, I'll do anything for you\nOh honey, just tell me what you want me to\nOh honey, kiss me up against the wall\nOh honey, don't take anything, just have it all\n[Pre-Chorus]\nYeah, I can take it, so don't you fake it\nI know your love's my destiny\nYeah, I can take it, please demonstrate it\n'Cause I'm going down in history\n[Chorus]\nHey, yeah, whoa-ho, I'm on a roll\nRidin' so high, achieving my goals\nHey, yeah, whoa-ho, I'm on a roll\nRidin' so high, achieving my goals\n[Post-Chorus]\nI'm stoked on ambition and verve\nI'm gonna get what I deserve\nSo full of ambition and verve\nI'm gonna get what I deserve\n[Verse 2]\nOh honey, let's get in through the door\nOh honey, not concerned who sees us ripping up the floor\nOh honey, we'll go dancing wherever you choose\nOh honey, you know we just can't lose [Pre-Chorus]\nYeah, I can take it, so don't you fake it\nI know your love's my destiny\nYeah, I can take it, please demonstrate it\n'Cause I'm going down in history\n[Chorus]\nHey, yeah, whoa-ho\n, I'm on a roll\nRidin' so high, achieving my goals\nHey, yeah, whoa-ho, I'm on a roll\nRidin' so high, achieving my goals\n[Post-Chorus]\nI'm stoked on ambition and verve\nI'm gonna get what I deserve\nSo full of ambition and verve\nI'm gonna get what I deserve" } ]

[ { "from": "human", "value": "Write me a song called Wake Me Up with the following description: “Wake Me Up” is the lead single for Avicii’s first studio album #True. It features Aloe Blacc, who wrote the lyrics on a plane flying from Geneva, Switzerland, to L.A.\nLike many other Avicii hits, this song was first introduced at the Ultra Music Festival with the live performance of a bluegrass band, swaying so far away from the typical EDM spectrum. It infuses Irish folk music with house beats, with vocals from American soul singer Aloe Blacc.\nThe song spent 53 weeks on the Billboard charts (21 of them being in the top 10), making it the first Dance/Electronic song to stay over a year on that chart. It never reached the #1 spot, though; it only peaked at #4.\nThe song also broke all of Avicii’s personal records of sales, topping music charts in 22 different countries as well as breaking the top 10 mark in 6 others. Commercially, the song has been a bigger hit than his previous “Levels” that only peaked at #60 on Billboard’s Top 100 and only spent 20 weeks on the charts. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Aloe Blacc]\nFeelin' my way through the darkness\nGuided by a beatin' heart\nI can't tell where the journey will end\nBut I know where to start\nThey tell me I'm too young to understand\nThey say I'm caught up in a dream\nWell, life will pass me by if I don't open up my eyes\nWell, that's fine by me\n[Chorus: Aloe Blacc]\nSo wake me up when it's all over\nWhen I'm wiser and I'm older\nAll this time, I was findin' myself and I\nDidn't know I was lost\nSo wake me up when it's all over\nWhen I'm wiser and I'm older\nAll this time, I was findin' myself and I\nDidn't know I was lost\n[Build]\n[Drop]\n[Verse 2: Aloe Blacc]\nI tried carryin' the weight of the world\nBut I only have two hands\nHope I get the chance to travel the world\nBut I don't have any plans\nWish that I could stay forever this young\nNot afraid to close my eyes\nLife's a game made for everyone\nAnd love is the prize [Chorus: Aloe Blacc]\nSo wake me up when it's all over\nWhen I'm wiser and I'm older\nAll this time, I was findin' myself and I\nDidn't know I was lost\nSo wake me up when it's all over\nWhen I'm wiser and I'm older\nAll this time, I was findin' myself and I\nI didn't know I was lost\n[Bridge: Aloe Blacc]\nI didn't know I was lost\nI didn't know I was lost\nI didn't know I was lost\nI didn't know, I didn't know, I didn't know\n[Build]\n[Drop]" } ]

[ { "from": "human", "value": "Write me a song called How Many Lovers with the following description: “How Many Lovers” is an unreleased collaboration with Alex Ebert the song is one of six Ebert confirmed he worked on with Avicii before his sudden passing. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nHow many lovers can one man do?\nToo many numbers, how 'bout you?\nSure hard to handle if more than two\nSoon as you lock eyes, then you're screwed\nBut I go and say too much\nI don't pay no mind enough\n[Chorus]\nI may be a bastard in your eyes\nBut I ain't fucking with all of those lies\nForever alone, I pay the price\nCause I ain't fucking with all of those lies\nBut I don't mind, waste your time\nAll of your beating is feeding me mine\nForever alone, I pay the price\nCause I ain't fucking with all of those lies\n[Instrumental]\n[Verse 2]\nEveryone looking for something true\nSomeone to love and be loved by too\nHard to get old when love is new\nNever can tell what the love will do\nBut I go and say too much\nI don't pay no mind enough [Chorus]\nI may be a bastard in your eyes\nBut I ain't fucking with all of those lies\nForever alone, I pay the price\nCause I ain't fucking with all of those lies\nBut I don't mind, waste your time\nAll of your beating is feeding me mine\nForever alone, I pay the price\nCause I ain't fucking with all of those, all of those, all of those lies\n[Instrumental Outro]" } ]

[ { "from": "human", "value": "Write me a song called Top with the following description: Lil Uzi displays his incredible flow and delivery on this Don Cannon and Treez Lowkey produced masterpiece. This song was one of the most anticipated on the Luv is Rage mixtape, and Uzi surely didn’t disappoint. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nWho the fuck are you? Ayy\nWho the fuck are you? Ayy\nWho the fuck are you?\n[Chorus]\nFirst I drop my top, ayy, then I swerve my Coupe, ayy\nCounting all these bands, ayy, who the fuck are you? Ayy\nWhy you walk so cool? Ayy, thousand dollar shoes, ayy\nHunnid on my jewels, ayy, I got all these groupies\nFirst I drop my top, ayy, then I swerve my Coupe, ayy\nCounting all these bands, ayy, who the fuck are you? Ayy\nFirst I drop my top, ayy, then I swerve my Coupe, ayy\nCounting all these bands, ayy, who the fuck are you? Ayy\nFirst I drop my top, ayy, then I swerve my Coupe, ayy\nCounting all these bands, ayy, who the fuck are you? Ayy\n[Verse 1]\nWhy you walk so cool? Ayy, thousand dollar shoes, ayy\nFuck bitches in twos, ayy, fuck bitches in twos, ayy\nFucked that bitch on Monday, fuck her sister Tuesday\nYou is not gon' do a thing, with my squad like Wu-Tang, ayy\nI'm gonna knuck if I buck\nLet a lil' nigga try us\nHit a nigga with a truck\nLeave a lil' nigga so stuck\nBrittany turned me to a slut\nBrittany turned me to a slut\nBrittany turned me to a slut\nHit the bitch all on her back, ayy, \nnever put it in her butt, ayy\nPut that shit all in her pussy, ayy, leave that shit all in her gut, ayy [Chorus]\nFirst I drop my top, ayy, then I swerve my Coupe, ayy\nCounting all these bands, ayy, who the fuck are you? Ayy\nWhy you walk so cool? Ayy, thousand dollar shoes, ayy\nHunnid on my jewels, ayy, I got all these groupies\nFirst I drop my top, ayy, then I swerve my Coupe, ayy\nCounting all these bands, ayy, who the fuck are you? Ayy\nFirst I drop my top, ayy, then I swerve my Coupe, ayy\nCounting all these bands, ayy, who the fuck are you? Ayy\n[Verse 2]\nSometimes Fear of God, ayy\nSaint Laurent the boots, ayy\nI feel like I'm Dro, ayy, car ain't got no roof, ayy\nThat bitch kinda cute, ayy, blow me like a flute, ayy\nDiamonds drippin', they so wet, I gotta wipe my jewels, ayy\nI can't wife no fool, ayy, got no time for mood swings\nSpent like 50 on the ring and I brought two rings\nRemember that bitch ain't want fuck me\nNow that bitch wanna just fuck me\nRemember that bitch said I'm dusty\nLook at that hoe, like, \"You ugly\", ayy\nYour man ain't got no money, ayy\nI just be smokin' the dope, Skeme, he be smokin' the clove\nMy brother whippin' the stove\nJump in the crowd at my show, fucked the bitch in the front row [Chorus]\nFirst I drop my top, ayy, then I swerve my Coupe, ayy\nCounting all these bands, ayy, who the fuck are you? Ayy\nWhy you walk so cool? Ayy, thousand dollar shoes, ayy\nHunnid on my jewels, ayy, I got all these groupies\nFirst I drop my top, ayy, then I swerve my Coupe, ayy\nCounting all these bands, ayy, who the fuck are you? Ayy\nFirst I drop my top, ayy, then I swerve my Coupe, ayy\nCounting all these bands, ayy, who the fuck are you? Ayy\n[Outro]\nCannon, Cannon went crazy\nTreez, what up Treez?\nAyy, ayy, ayy, ayy, uh\nHotel party for these bad hoes\nFor these bad hoes, that trip\nAyy, ayy" } ]

[ { "from": "human", "value": "Write me a song called We Are Here to Change the World with the following description: We Are Here To Change The World was made by Michael Jackson in 1985 it was featured in the 1986 Disney movie starring Michael Jackson, Captain E.O. The dance showed both songs of “We Are Here to Change the World” and “Another Part of Me”.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nWe're on a mission in the everlastin' light that shines\nA revelation of the truth in chapters of our minds\n[Pre-Chorus]\n(So long, bad times)\nWe're gonna shake it up and break it up\nWe're sharin' a light brighter than the sun\n(Hello, good times)\nWe're here to simulate, eliminate\nAnd congregate, illuminate\n[Chorus]\n(We are here to change the world) Hee!\nGonna change the world, hee!\n(We are here to change the world)\nGonna change the world, ooh!\n[Verse 2]\nSo do surrender 'cause the power is deep inside my soul\nAh, sing it\n[Chorus]\n(We are here to change the world) Hee!\nGonna change the world, baby\n(We are here to change the world) Hee!\nGonna change the world, ooh! Ooh! (We are here to change the world)\nWe're gonna change the world, girl\n(We are here to change the world)\nMy brothers, my brother, baby\nWe're gonna change the world\n(We are here to change the world) Hee!\nDeep down in my body\nDeep down in my soul, baby\n(We are here to change the world) Hee!\nGonna change the world\nOoh!" } ]

[ { "from": "human", "value": "Write me a song called The Great Escape with the following description: The song is about being so afraid to feel that you hide from your emotions – even if that means using medical drugs as suppressants.\nP!nk says she wrote this song to remind people that it’s better to feel than to just clock out. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI can understand how the edges are rough\nAnd they cut you like the tiniest slivers of glass\nAnd you feel too much\nAnd you don't know how long you're gonna last\n[Pre-Chorus 1]\nBut everyone you know, is trying to smooth it over\nFind a way to make the hurt go away\nBut everyone you know, is trying to smooth it over\nLike you're trying to scream underwater\n[Chorus]\nBut, I won't let you make the great escape\nI'm never gonna watch you checking out of this place\nI'm not gonna lose you\n'Cause the passion and the pain\nAre gonna keep you alive someday\nGonna keep you alive someday\n[Verse 2]\nI feel like I could wave my fist in front of your face\nAnd you wouldn't flinch or even feel a thing\nAnd you've retreated to your silent corner\nLike you decided the fight was over for ya [Pre-Chorus 2]\nBut everyone you know, is trying to smooth it over\nFind a way to make the hurt go away\nBut everyone you know, is trying to smooth it over\nEveryone needs a floor they can fall through\n[Chorus]\nBut, I won't let you make the great escape\nI'm never gonna watch you checking out of this place\nI'm not gonna lose you\nCause the passion and the pain\nAre gonna keep you alive someday\nThey're gonna keep you alive someday\n[Bridge]\nOh, terrified of the dark, but not if you go with me\nAnd I won't need a pill to make me numb\nAnd I wrote the book on running\nBut that chapter of my life will soon be done, oh\n[Chorus 2]\nI'm the king of the great escape\nYou're not gonna watch me checking out of this place\nYou're not gonna lose me\n'Cause the passion and pain\nAre gonna keep us alive, someday\nYeah, the passion and the pain\nAre gonna keep us alive someday, someday" } ]

[ { "from": "human", "value": "Write me a song called Omega with the following description: In this song SZA connects with a since of renewal by letting go of all her sins at the alter or pulpit. This is her beginning of her own self realization and that of the Divine. Adonai is an ancient Greek festival, said to be a funeral celebration for Adonis who represented a time of renewed growth in places that did not flourish. It is said that this was mostly celebrated by women as well. Ya Allah is to be translated as My dear God . So after she releases her sins through sermon, she lifts hands to the sky and ask the Divine for renewal or repentance.\nSZA also gives those who have no guidance in self of a high power confidence to either see God in them already or that they are Divine in her eyes. This is the second verse in the hook. Someone who is unaware of their own being and cannot explain her/his self, is often hurting on the inside. Confused and afraid of uncertainty. SZA comforts that fear by letting that fellow being know “I see you” and you are Divine in my eyes.\nThe first verse of the hook is pretty self-interpreted. To face the sun would blind you, unable to move forward so it is best to keep it at your back. To keep your feet planted in the sky rather than the ground, is a testament to mankind always want to reach higher for some then better. In this case if your feet are already in the sky than your new limit is as big as the universe, or limitless.\nThe last verse again, self explanatory. We all get to a point where we believe we are as close to the the Divine as we can get on this plane anyway. And usually, it is at our highest and lowest points that we call out seeking the Divine. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nLet the church say amen\nRelease all my sins at the pulpit\nIt's the beginning\nIt's the beginning Of Mice and Men\nYou hold my hand as an infant\nPalms to the sky, Adonai, Ya Allah\nTill they all come down\nTill we all fall down\nDown\n[Chorus]\nLines drawn in the sand\nKeep the sun at your back\nKeep your feet firmly planted in the sky\nJust ride\nWhen you don't know yourself\nIf it hurts you to explain your God in my eyes\nJust ride\nLines drawn in the sand\nKeep the sun at your back\nKeep your feet firmly planted in the sky\nJust ride\n[Verse 2]\nUp here the air is so thin\nMountains on my fingertips\nI stand at the tippy, screaming at the top of my lungs\nTears in my eyes\nAdonai, Ya Allah, answer my calls if you hear me\nAdonai, Ya Allah, answer my calls if you're near me [Chorus]\nLines drawn in the sand\nKeep the sun at your back\nKeep your feet firmly planted in the sky\nJust ride\nWhen you don't know yourself\nIf it hurts you to explain your God in my eyes\nJust ride\nLines drawn in the sand\nKeep the sun at your back\nKeep your feet firmly planted in the sky\nJust ride\nWhen you don't know yourself\nIf it hurts you to explain your God in my eyes\nJust ride\n[Outro]\nIt's the beginning\nIt's the beginning\nIt's the beginning\nIt's the beginning" } ]

[ { "from": "human", "value": "Write me a song called I’ll Be Damned with the following description: From D12’s second album D12 World, produced by Kon Artis a song about one night stands Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Proof]\nYeeaah! This is DJ Seven Deuce, live at\nClub Runyan, where all the girls with burgundy hair get in free\nG-Unit in the house! What up, baby\nPerforming live tonight live on stage Captain Save-A-Ho\nAnd the fabulous Case y'all, stick 'em out, y'all\nAll my Detroit players, let's go!\n[Chorus: Kon Artis]\nI ain't set the stroke and I ain't for games\nI just came to fuck and maybe get some brain\nI got a woman at the crib so I ain't your man\nI'll be damned, I'll be damned, I'll be damned\nYou know all I really wanna do is fuck\nI ain't gon' let a money hungry women set me up\nAnd if you think I'm that stupid you done pressed your luck\nI'll be damned, I'll be damned, I'll be damned\n[Verse 1: Kon Artis]\nYou damn right, yes, I love menage-a-trois\nAnd I got drawers as big as guys's big \"wah\"\nI'm a Trick Daddy nigga, so, bitch, how you figure\nThat I wouldn't turn my niggas on to you when I hit ya\nI probably could forget ya if I hadn't been drunk\nBut your badunkadunk keep my mind on hump\nWhen my mind's on hump it mean my .9's in the trunk\nAnd Denaun got a line for every fine bitch I hunt\nNot once, twice, but three times the lover\nThat your man is, and I'm a freak undercover\nI got plans for you, trick, I don't need a baby mother\nI got five of them motherfuckers trying to smother me already\nWe can't go steady, but you can give me head\nGive me that, get the hell out my bed, and leave the shed\nMy chapped lips will cut nipples when breast fed\nAnd on the way, leave the bread with Achmed\nI'd love for you to stay, but I got another date\nWith a fat chick that eat cake on play skates\nShe rubbed my funky ass feet and feed me grapes\nPlus my man in the closet ran out of videotape (\nAhh!\n) [Chorus: Kon Artis]\nI ain't set the stroke and I ain't for games\nI just came to fuck and maybe get some brain\nI got a woman at the crib so I ain't your man\nI'll be damned, I'll be damned, I'll be damned\nYou know all I really wanna do is fuck\nI ain't gon' let a money hungry women set me up\nAnd if you think I'm that stupid you done pressed your luck\nI'll be damned, I'll be damned, I'll be damned\n[Verse 2: Swifty McVay]\nHuh, I'mma make this one thing clear\nAin't no woman here gon' ruin my career\nAll the hell you doing is pursuing a dream\nThat's when you find out that life ain't truly what it seems\nAll these hoes be lying, bullshitting each other\nAnd why the hell Kobe Bryant didn't wear a rubber?\nHe might as well have went and told the ho, that he love her\nI'm sure as hell ain't gonna go to court for my mother\nOr my wife, and my sisters, so motherfuck a mistress\nThey signing a contract before these bitches hit this\nNever will a woman take me out that way\nI keep a RCA camera in their motherfucking face\n[Chorus: Kon Artis]\nI ain't set the stroke and I ain't for games\nI just came to fuck and maybe get some brain\nI got a woman at the crib so I ain't your man\nI'll be damned, I'll be damned, I'll be damned\nYou know all I really wanna do is fuck\nI ain't gon' let a money hungry women set me up\nAnd if you think I'm that stupid you done pressed your luck\nI'll be damned, I'll be damned, I'll be damned [Verse 3: Bizarre]\nWhat's your name again? (\nWho are you, fat motherfucker?\n) It doesn't matter\nMy name is Bizzy, a bodyguard for Mr. Mathers\nSit down girl, let me get you a drink\nI'mma buy you a mink, and rape you on the sink (\nAh!\n)\nFrom day one, I knew you was a ho\nI put a rubber on my toe and fucked you some mo' (Ah! Ah!)\nTurn around, let me see your nasty ass\nPut on a Jason mask while I take off your maxi pad\n[Verse 4: Kuniva]\nThese hoes be on some bullshit, always trying to pull shit\nOutta they ass, get mad and put you on blast (Ha-ha)\nTell 'em bitches how she fucked you, sucked you, put it on you\nBoned you, yapping off with they mouth, saying she loved you\nAll on your dick, calling your phone, spazzing and shit\nHaving a fit until you feel like calling it quits\nThen she starts calling your chick wanting to fight\nEvery time you show up at a gig she front row with her friends\nFlipping you off follow you to the bar, the bathroom\nThe parking lot, to the car, pissing you off\nUntil you blackout, now you and the ho is having a scrap out\nYou get locked up for assault and now you assed out\n[Chorus: Kon Artis]\nI ain't set the stroke and I ain't for games\nI just came to fuck and maybe get some brain\nI got a woman at the crib so I ain't your man\nI'll be damned, I'll be damned, I'll be damned\nYou know all I really wanna do is fuck\nI ain't gon' let a money hungry women set me up\nAnd if you think I'm that stupid you done pressed your luck\nI'll be damned, I'll be damned, I'll be damned" } ]

[ { "from": "human", "value": "Write me a song called Ride the Wild Wind with the following description: “Ride the Wild Wind” was composed by Roger Taylor, who recorded a demo with his own vocals. The definitive album version however, is sung by Freddie Mercury with Taylor on backing vocals. The song is a something of sequel to Taylor’s own A Night at the Opera composition, “I’m in Love with My Car”, which focused on Taylor’s passion for cars and race. In the mid-section is a solo from Brian May, which accentuates the sense of high velocity, and gives the song a heavier sound. Sounds of racing cars can also be heard within the mix. It was released as a single in Poland, peaking at No. 1 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n[Chorus]\nRide the wild wind\n(Push the envelope don't sit on the fence)\nHey, hey, hey, hey\nRide the wild wind\n(Live life on the razor's edge)\nHey, hey, hey\nGonna ride the whirlwind\nIt ain't dangerous enough for me\n[Verse 1]\nGet your head down baby (Yeah)\nWe're gonna ride tonight\nYour angel eyes\nAre shining bright\nI wanna take your hand\nLead you from this place\nGonna leave it all behind\nCheck out of this rat race\n[Chorus]\nRide the wild wind (Hey hey hey)\nRide the wild wind (Hey hey hey)\nGonna ride the wild wind\nIt ain't dangerous enough for me [Verse 2]\nTie your hair back baby\nWe're gonna ride tonight (Yeah)\nWe got freaks to the left\nWe got jerks to the right\nSometimes I get so low\nI just have to ride\nLet me take your hand\nLet me be your guide\n[Chorus]\nOoh, ride the wild wind\n(Don't sit on the fence)\nHey, hey, hey\nRide the wild wind\n(Live life on the razor's edge)\n(Hey, hey, hey)\nGonna ride the whirlwind\nIt ain't dangerous enough for me\n[Guitar Solo]\n[Chorus]\nYeah, ride the wild wind\nHey, hey, hey, hey\nMm, ride the wild wind\nHey, hey, hey, hey (Ha ha ha)\nGonna ride and ride the whirlwind\nIt ain't dangerous enough for me [Outro]\nRide the wild wind\nRide the wild wind\n(Hey, hey, hey)\nThe wild wind\nThe wild wind\n(Hey, hey, hey)\n(Hey, hey, hey)" } ]

[ { "from": "human", "value": "Write me a song called Available with the following description: “Available” is by Justin Bieber, and is featured on his fifth studio album, Changes.\nThe track was produced by basketball player and basketball, JaVale McGee, who currently plays for the Los Angeles Lakers. It was also produced alongside HARV and Bieber’s frequent producer, Poo Bear.\nBieber’s message in the song is showing his attraction to his wife, Hailey Bieber and states that he will always be available for his wife whenever she needs or wants him. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Pre-Chorus]\nThinkin' ’bout you, it ain't always 'bout me\nDon’t make any sense in you bein' lonely\nHurry up and get here now, but don't speed\nI'll never get over you up under me\n[Chorus]\nI'm available (\nYeah-yeah\n)\nOh, yes, I am (\nYeah-yeah\n)\nI'm available (\nYeah-yeah\n)\nYeah, for you, I am\nDon't mean to sound desperate\nBut you made it like this\nSay I'm number one on your to-do list\nI’m available (\nYeah-yeah\n)\nI’m available\n[Verse 1]\nNothin' like your hands on me\nRegret the moments that they’re off me and let it sink in\nHear me talkin', don't ignore me\nI was just about to call it, what you thinkin'?\nBeen thinkin’ 'bout you, can't get this vision out my head\nGot a grip, I'm holdin' onto every thing you say\nAin't makin' this up just to get you in my bed\nIf you ain't left, yeah, you can go ahead [Pre-Chorus]\nThinkin' 'bout you, it ain't always 'bout me\nDon't make any sense in you bein' lonely\nHurry up and get here now, but don't speed\nI'll never get over you up under me\n[Chorus]\nI'm available (\nYeah-yeah\n)\nOh, yes, I am (\nYeah-yeah\n)\nI'm available (\nYeah-yeah\n)\nYeah, for you, I am\nDon't mean to sound desperate\nBut you made it like this\nSay I'm number one on your to-do list\nI'm available (\nYeah-yeah\n)\nI'm available\n[Post-Chorus]\nGot my arms wide open (Arms wide open)\nGot my arms wide open (Arms wide open)\n[Verse 2]\nI get frustrated when you're busy\nLately, that's been more than often, baby, what is this?\nIt's like, do you even miss me?\nFeelin' less than priority, you got me convinced\nConvinced I'm the only one, trippin' in my head\nBecause in reality, you live in my bed\nI'm supposed to hold onto everything you said\nYes or no question, don't leave it unread [Chorus]\nAre you available (\nYeah-yeah\n) now?\nOh, here I am, (\nYeah-yeah\n) oh, here I am\nAre you available? (\nYeah-yeah\n)\nJust tell me, \"Yeah\"\n'Cause for you, I am\nYou know I am\nDon't mean to sound desperate\nBut you made it like this\nSay I'm number one on your to-do list\nAre you available (\nYeah-yeah\n)\nLike I'm available?\n[Post-Chorus]\nGot my arms wide open (Arms wide open)\nGot my arms wide open (Arms wide open)" } ]

[ { "from": "human", "value": "Write me a song called Too Excited with the following description: “Too Excited” was leaked in early 2015. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI got a gang of bad bitches and they ready to do\nI know these niggas ain't really the truth\nHa ha\n[Hook]\nI tried not to get too excited I like it\nI jumped in that gatti then I pulled out like \nwoo\n!\nI tried not to get too excited I like it\nI jumped in that gatti then I pulled out like \nwoo\n!\nI tried not to get too excited I like it\nTried not to get too excited, I tried not to get too excited\n[Bridge]\nThe penthouse is pending\nI fuck her like Penny\nShe treat me like Lennon\nI never wear linen\nI never wear linen\nI'm never gon fit in\nGet out of your feelings\nI'm back on my business\n[Verse 1]\nBack in the coupe, when I jumped in the Bentley it's on\nI'm treating these bitches like souvenirs\nFucking these bitches and then we move on\nI am just drinking my Actavis\nI just need kush for my allergies\nI am just fucking this bitch wit another bitch\nNow she gon try to go lie to me\nI'm looking like I hit the lottery\nThis molly it keep coming out of me\nMy astronaut is my astrology\nFor all of you niggas who doubted me\nFor all of you bitches who doubted me\nPut a hundred them things on the chartered jet\nYou don't like it you can come get your money back\nThe weed and that drink got my heart attack\nI'm showing no mercy, not showing no mercy for niggas like you\nGrab the bandana right round on my head and told niggas that I was the truth\nGrab that bandana right out of my head and told niggas that Metro got juuged\nI don't be frontin' with niggas unless them niggas be thinkin it's cool [Hook]\nI tried not to get too excited I like it\nI jumped in that gatti then I pulled out like \nwoo\n!\nI tried not to get too excited I like it\nI jumped in that gatti then I pulled out like \nwoo\n!\nI tried not to get too excited I like it\nTried not to get too excited, I tried not to get too excited\n[Bridge]\nThe penthouse is pending\nI fuck her like [Penny]\nShe treat me like Lennon\nI never wear linen\nI never wear linen\nI'm never gon fit in\nGet out of your feelings\nI'm back on my business\n[Verse 2]\nAin't say the word \"murder\", but niggas gon ride\nThey call the police on me everyday I'm standing outside\nI got a bomb of that *rah rah*\nWatch, I'll serve it all night\nWatch me struggle for my enemies\nThey left my nigga Lonzo under a bunch of leaves\nI'm just dealing with the pressure of being rich, nigga\nDirty money coming in (Free Band!)\nLord forgive me for my sins\nI know I'm balling, the man\nI know they'd rather see me broke\nWhen the chain gang bout that blow\nNow bitch just want this money\nPussy took me back to coke\nAnd the DA playing dirty\nGot my lawyers playing dirty\nGot the game playing dirty, ay\nYoung Metro playing dirty\nYeah, we all playing dirty [Hook]\nI tried not to get too excited I like it\nI jumped in that gatti then I pulled out like \nwoo\n!\nI tried not to get too excited I like it\nI jumped in that gatti then I pulled out like \nwoo\n!\nI tried not to get too excited I like it\nTried not to get too excited, I tried not to get too excited\n[Bridge]\nThe penthouse is pending\nI fuck her like Penny\nShe treat me like Lennon\nI never wear linen\nI never wear linen\nI'm never gon fit in\nGet out of your feelings\nI'm back on my business\nBack on my shit" } ]

[ { "from": "human", "value": "Write me a song called Boys with the following description: This is Track #5 on Britney Spears' third studio album, Britney (2001). The co-ed remix was released as the sixth and final single of the album, and got a lot of attention after the latter version served as the second single from the soundtrack of Austin Powers in Goldmember.\nThis was Spears' favorite track on the album, according to the Daily Record:\nThis is my favourite from the album. It’s really cool. It’s got that kinda Prince feel to it, it’s very hard in your face and it’s very sexual, talking about you guys out there, haha. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nFor whatever reason\nI feel like I've been wanting you all my life\nYou don't understand\nI'm so glad we're at the same place at the same time\nIt's over now\n[Verse 1]\nI spotted you dancing, you made all the girls stare\nThose lips and your brown eyes (\nooh\n), and the sexy hair\nI shake, shake my thing, and make the world want you\nTell your boys you'll be back, I wanna see what you can do\n[Pre-Chorus]\nWhat would it take for you to just leave with me?\nNot tryna sound conceited, but me and you were meant to be\nYou're a sexy guy, I'm a nice girl (\nDon't you know?\n)\nLet's turn this dance floor into our own little nasty world\n[Chorus]\nBoys, sometimes a girl just needs one (\nYou know I need you\n)\nBoys, to love her and to hold (\nI just want you to touch me\n)\nBoys, and when a girl is with one\nBoys, then she's in control\n[Verse 2]\nTook the boy off the dance floor, screaming in his ear\nMust've said something 'bout me 'cause he's looking over here (\nWhat you say?\n)\nYou looking at me with that sexy attitude\nBut the way your boy's moving it, it puts me in the mood (\nOw!\n) [Pre Chorus]\nWhat would it take for you to just leave with me?\nNot tryna sound conceited, but me and you were meant to be\n(\nDon't you know?\n)\nYou're a sexy guy (\nooh\n), I'm a nice girl (\nDon't you know?\n)\nLet's turn this dance floor into our own little nasty world\n[Chorus]\nBoys, sometimes a girl just needs one (\nI get nasty\n)\nBoys, to love her and to hold (\nI get nasty\n)\nBoys, and when a girl is with one (\nI get nasty\n)\nBoys, then she's in control\n(\nYou like that? Here we go\n)\n[Bridge 1]\nTonight, let's fly, boy, have no fear (\nHave no fear\n)\nThere's no time to lose (\nBaby, what are you waiting for?\n)\nAnd next week, you may not see me here (\nUh-uh\n)\nSo, boy, just make your move (\nLet me see what you can do\n)\n[Chorus]\nBoys, sometimes a girl just needs one\nBoys, to love her and to hold (\nThe way you move\n)\nBoys, and when a girl is with one (\nIt's gon' turn me on\n)\nBoys, then she's in control [Bridge 2]\nCome with me, let's fly into the night\nOh, boy, tonight is ours (\nIt's just you and me, baby\n)\nKeep loving me, make sure you hold me tight\nLet's head for the stars (\nGet nasty\n)\nOw!\n[Chorus]\nBoys, sometimes a girl just needs one\nBoys, to love her and to hold (\nGet nasty\n)\nBoys, and when a girl is with one (\nGet nasty\n)\nBoys, then she's in control\n[Outro]\nCan't live with 'em, can't live without 'em" } ]

[ { "from": "human", "value": "Write me a song called Wine and Hennessy with the following description: “Wine and Hennessy”, sometimes shortened to just “Hennessy”, is the name given to a lengthy studio recording by Travis Scott. It surfaced online on February 6, 2018.\nThe session features Travis singing and trying to create flows for an expended period of time as the instrumental progresses behind him. It was made as part of a recording session for Rodeo, however, it wasn’t utilised for the release of the album.\nThe song was first previewed via an edited snippet in May 2017 under the name “All The Time”. The person who leaked it said that the song featured The Weeknd, however, this was only done to catch out potential scammers.\nMetro Boomin can be heard talking throughout the track and at the end; he provided production alongside Allen Ritter. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nGet away, get away\nGet away, get away\nChopper, heat on me\nGot a whole bottle, got a Zs on me\nMagazine, maga-magazine on me\nIt's a [?]\n[?], baby, ride, ride, ride, ride\nI wake up outside, yeah, yeah\nWe so glad, yeah, yeah, why?\nI be up all damn night, I don't know\nYou been goin' over, the way why I see, yeah\nWake up my nigga\nTurn it up [?] for me\n[?] wait for me\n[Break]\nAy, turn my mic up\nTurn the beat down\nIn my headphone\n[Verse 1]\nUh, vibin' by me, yeah\nSaturday night in backseat, yeah\nRidin' on my own two feet, yeah\nLadies on, got the pot to piss in on me, yeah\nIt's cold, I been on this ho\nI been on my last two rolls\nFiz on, my bitch bad, why you take one for?\nTeam, I'm big, you know what I did one for\nYou know why you runnin', you ridin' up\nRidin' up, ridin' up for me, with me\nWith me, with me, yeah\nYou fell [?] on me, yeah\nTwo times I led in my heavan me, yeah\nWake up on me\n([?], oh, yeah, that's a temp plugin)\n[?], my life long\nLifelong, I'm lifelong\nReal nigga, I\n(Hold up)\nPray for me\n(Hold up, hold up)\nRide for my enemy\nIt's on my bag of weed, rackin' it, yeah\nRack up, you ride for me, yeah\nThat's on heaven, heaven, heavenly, heavenly\nRide for my heaven, praisin' my pleasantry\nI been my resident, I been my resident\nI been my resident, only, only\nThis on my enemy, yeah, yeah\nI just need Hennessy, yeah, yeah\nIt feel so good to me, yeah\n[?] my Hennessy, ride in my Hennessy, yeah\nWhat is your [?]?\nYeah, yeah\n'Fore we sip, [?] we, yeah\nTake a sip, wine or the Hennessy, yeah\nWe wake, I weigh codeine, yeah\n'Fore I go, pray for me, pray for me, yeah\nWait up, don't wait on me, yeah\nGet paid up, get paid for me, yeah\nStay up, just stay for me, yeah\nHang up, don't lay for me\nTime on my residency, heavenly [Refrain]\nWine and the Hennessy\nWine and a Hennessy, yeah\nWine and a Hennessy\nWine and a Hennessy, yeah, yeah\n[Verse 2]\nI got my [?] on me, yeah\nRide for my enemy, yeah\nReal one for henna, my time in my residency\nCallin' my [?], all in my residency\nPrayin' my [?], yeah\nThey lovin' my melody, out in my seven\nI been a felon, D, movin' 'round seventy\nLookin' like Dev and D, more drugs than the '70s\nBackground, no chasin' me, I'm on a background\nI need to lay low, me\nI got a ton of little ladies and a fit [?]\nPots to piss in [?]\n[?] on the ocean [?] ocean\nNiggas goin' back and forth, Frank Ocean\nGot it, pop it, on it, lay the lotion, oh\nOn me, yeah\n[Hook]\nI'm gone off wine, Hennessy, yeah\nChill in my residency, yeah\nTake all my medicine, my medicine\nHennessy, wine and a Hennessy, yeah\nThat's is my medicine, yeah\nAll in my residence, yeah\nWine and a Hennessy, yeah\nThat is my medicine, yeah\nIt's in my residence, yeah\nWine and a Hennessy, oh, you want stay up?\nPray for me, pray, pray for me [Verse 3]\n'Fore we waste time on me\nRide in my passenger seat\nYou in my passenger seat\nOut in the [?] of me\nYou in that [?] me\nYou know how to handle me\nFuckin' [?] on me\nI'm takin' all kind of C\nFine off the Hennessy\nGone off wine, Hennessy\nYou know what that meant to me\nYou know what that's into me\n[Refrain]\nWine and a Hennessy\nWine and a Hennessy\nRidin' my enemy\nRidin' my medicine\nAll in my residence\nWine and a Hennessy\n[Verse 4]\nWake up, don't pray for me\nTake a sip of Hennessy\nWritin' my recipe, writin' my remedy\n[?]\nRidin', no recipe\nLean, no Henny, yeah [Break]\nNeed to find like a drum\n(\nYeah\n)\nYeah\n[?] on my [?], yeah\n[?] on my [?]\nTalks on my agency\nNone on my enemy\n[?] on my [?]\nOff my Hennessy\nOn my Hennessy, yeah\nRidin' my\nRidin' off Hennessy\n[?] me, yeah\n[Verse 5]\nBackground, would you back down?\nYou real now, would you stay down?\nHennessy, would you wait, baby?\nBack down, Hennessy on my [?]\nTake down on my break down, it's a shakedown\nNigga, take-down, you might lay down\nWine and that Hennessy, yeah\nWind it up fast for me, yeah\nI need my medicine in my residency\nI get four [?] poured in, yeah\nSmellin' promethazine off of my dingaling\nYou comin' next to me, must mean you sexin' me\nDon't come in textin' me, replyin', flexin' me\nDiamonds on Texan-ly (\nOoh\n)\nWe want that Texas lean\nSomethin' that make my dreams come true\nWhen it's time [?], I been alone [?] for this ride, I [?]\nLove how my diamonds bling, yeah\nCum on my weddin' ring, yeah\nI finger-fuck, you finger-look, I finger-duck\nI finger-puck, the fuck-niggas finger-bust\nHidin' out in [?]\nTied her down in [?]\nBackground, pinkie stuck\nRide 'round, mean as fuck\nHolla nigga Dean to dust\nHow they seen us?\nRide 'round in [?]\n[?] dingus\n[?] means us on a meanless\nNiggas on a meanness\nAll I need her deaned up in a lean cup\nI don't need none of that\n[Refrain]\nWine and a Hennessy\nThat's what it do to me\nI need my medicine\nCodeine, promethazine\nDrown in my residence\n[Outro]\nYa digg?\nYou got the theory\nAhh\nYou got the theory\nYou gotta try take the headphones off, be cool\nHaha" } ]

[ { "from": "human", "value": "Write me a song called Echo with the following description: “Echo” was the third single by Trevi Moran from her debut EP, “XIAT” – released on June 3rd, 2014. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nYou and I, we were on to something\nNow I'm left with nothing at all\nAnd I wanna hear your echo\nGot to be the name you call, ayy\n[Verse 1]\nEvery time I do it like that\nTurns out you'll crawl right back\nDon't wanna put your heart into cracks\nLove is not red, it's black\n[Pre-Chorus]\nSaid, \"I love it, so what are we gonna do?\"\nYour mind is running on\nOh, I love it, so what are we gonna do?\nYour mind is running on\n[Chorus]\nYou and I, we were on to something\nNow I'm left with nothing at all\nAnd I wanna hear your echo\nGot to be the name you call, ayy\n[Post-Chorus]\nWoah-oh-oh\nWanna hear your echo\nWoah-oh\nWanna hear your echo [Verse 2]\nI see trouble and I know\nEverything I do is one big show\nEven though you make me glow\nI have to move on and grow\n[Pre-Chorus]\nI love it, so what are we gonna do?\nYour mind is running on\nOh, I love it, so what are we gonna do?\nYour mind is running on\n[Chorus]\nYou and I, we were on to something\nNow I'm left with nothing at all\nAnd I wanna hear your echo\nGot to be the name you call, ayy\n[Post-Chorus]\nWoah-oh-oh\nWanna hear your echo\nWoah-oh\nWanna hear your echo\n[Pre-Chorus]\nI love it, so what are we gonna do?\nYour mind is running on\nI love it, so what are we gonna do?\nYour mind is running on, ayy [Outro]\nWoah-oh-oh\nWanna hear your echo\nWoah-oh\nWanna hear your echo" } ]

[ { "from": "human", "value": "Write me a song called ESPYS: Honorable Mention with the following description: https://www.youtube.com/watch?v=bR1Ufu_G1J4Expand 1Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nKD, I know you're here, I know you understand me\nReal talent doesn't always win championships\nLike real music doesn't always win Grammy's\nBut we're okay...\nHonorable mention works for me and you\nHonorable mention, hey, hey\nYou're lucky that LeBron finally had to lose\nHe gets an honorable mention, hey\nIt ain't so bad being number two\nYeah, season's over, just hold on you're going home\nCan't deal with life's hurdles like you're Lolo Jones\nSeries over, feel the sorrow, drink it down\nBartender I think I'll have a Triple Crown\nAnd I'm the only one, I think I'll be the only one\n[Verse 3]\nYou ready\nIggy Azalea and Swaggy P\nI love you both, you're like a poor man's Jay and Bey\nYou know what I'm saying?\nCollin Kaepernick you know I love to see you flexing\nIt's just a damn shame that Michael Crabtree can't catch it\nDanica you don't always come in first place we know\nBut somehow in Nascar you're the only face we know [Verse 4]\nHonorable mention\nHonorable mention\nDidn't win didn't lose\nJust got a honor mention\nAnd now the whole the whole U.S of A are soccer fans too\nThey get an honorable mention\nBut even in Brazil inspirational dreams don't always\nCome true" } ]

[ { "from": "human", "value": "Write me a song called Lift Off with the following description: Beyoncé, Kanye, and Jay-Z compare their success in the music industry to the launch of a rocketship. This hearkens back to “Spaceship”, where Ye wishes he had a spaceship to fly away from his mundane existence as a Gap worker. It looks like he got his wish! Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced By: Don Jazzy, Jeff Bhasker, Kanye West, Mike Dean & Q-Tip]\n[Intro: Jack King]\nAll engines running\n[Chorus: Beyoncé]\nWe gon' take it to the moon, take it to the stars\nHow many people you know can take it this far?\nI'm supercharged\nWe 'bout to take this whole thing to Mars (\nLift off\n)\nNow we gon' take it to the moon, take it to the stars\nWe don't know what we could do to make it this far\nSo many scars\nWe 'bout to take this whole thing to Mars\n[Verse 1: Kanye West]\nLift off\nLift off, takin' my coat off\nShowing my tattoos, I'm such a show-off, hah\nI feel the pain and then roll off\nI got the whole city, they about to go off\nHow many niggas with me up and in the aisle? (\nLift off\n)\nHow many people want to roll on me now? (\nLift off\n)\nLike you know, na-na-na, you know me by now (\nLift off\n)\nKnow me, know me by now (\nLift off\n) [Chorus: Beyoncé]\nWe gon' take it to the moon, take it to the stars\nHow many people you know can take it this far?\nI'm supercharged\nWe 'bout to take this whole thing to Mars (\nLift off\n)\nNow we gon' take it to the moon, take it to the stars\nWe don't know what we could do to make it this far\nSo many scars\nWe 'bout to take this whole thing to Mars\n[Post-Chorus: Kanye West]\nLift off (\nLift off\n), off, ah, like you know, na-na-na\nYou know me by now, know me, know me by now\nYou know me, know me by now, know me, know me by now\n[Verse 2: Jay-Z]\nLift off\nRappers hear \nWatch the Throne\n, they gon' be pissed off\nEarth is boring to 'em, shit is making my dick soft\nWhen you earn hard as me, eventually, you hit a big wall\nFive, four, three, two, we need fuel, lift off\n[Chorus: Beyoncé]\nNow we gon' take it to the moon, take it to the stars\nHow many people you know can take it this far?\nI'm supercharged\nWe 'bout to take this whole thing to Mars (\nAll engines running\n)\nNow we gon' take it to the moon, take it to the stars\nWe don't know what we could do to make it this far\nSo many scars\nWe 'bout to take this whole thing to Mars (\nLift off\n) [Interlude: Jack King]\nTwenty seconds and counting\nT-minus fifteen seconds, guidance is internal\nTwelve, eleven, ten, nine, ignition sequence start\nSix, five, four, three, two, one, zero, all engines running\nLift off, we have a lift off\n[Outro: Beyoncé]\nJump\nNow we gon', now we gon', now we gon', now we gon' (J-jump)\nNow we gon' take it to the moon\nNow we gon', now we gon' (J-j-jump)\nWe gon' take it to the moon\nTake it to the stars (J-j-jump)\nWe gon' take it to the moon\nTake it to the stars\nHow many people you know can take it this far?\nTake it to the stars\nHow many people you know can take it this far?\nNow we gon', now we gon', now we gon', now we gon', now" } ]

[ { "from": "human", "value": "Write me a song called Good Morning with the following description: Kanye’s intro to his third album, Graduation, is a wake-up call to himself and the world. It also gives Kanye a chance to show off his polished lyrical abilities.\nThe song is part of a larger metaphor: The album Graduation is Kanye’s “graduation” in the rap game. “Good Morning” is told as if Kanye is waking up on his Graduation Day, reminiscing about his college days and finally receiving his “rapping degree” in the third verse. The school/college theme is very present throughout the song.\nKanye samples Jay-Z’s “The Ruler’s Back” and Elton John’s “Someone Saved My Life Tonight” (both artists have been featured on one of Kanye’s songs).\nOn a side note, as if writing and producing this track wasn’t enough, Ye also developed a creative storyline for a video – despite the song never being released as an actual single.\nThe music video for “Good Morning” is essentially the result of Japanese pop artist Takashi Murakami bringing to life the various designs he had composed for Graduation’s album artwork through the use of cel-shaded animation.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Kanye West]\n[Intro: Kanye West]\nUh, uh\nUh, uh\n[Chorus: Kanye West]\nGood mornin'\nGood mornin'\nGood mornin'\nGood mornin'\n[Verse 1: Kanye West]\nWake up, Mr. West, Mr. West\nMr. Fresh, Mr. By Himself, he's so impressed\nI mean, damn, did you even see the test?\nYou got D's, motherfucker, D's, Rosie Perez\nAnd yer ass barely passed \nany and every class\nLookin' at every ass, cheated on every test\nI guess, this is my dissertation\nHomie, this shit is basic, welcome to \nGraduation\n[Chorus: Kanye West]\nGood mornin'\nGood mornin'\nGood mornin'\nGood mornin' [Verse 2: Kanye West]\nGood mornin', on this day we become legendary\nEverythin' we dreamed of\nI'm like the fly Malcolm X, buy any jeans necessary\nDetroit Red cleaned up\nFrom the streets to the league, from an eighth to\n \na key\nBut you graduate when you make it up outta the streets\nFrom the moments of pain, look how far we done came\nHaters sayin' you changed, now you doin' your thing\n[Chorus: Kanye West]\nGood mornin'\nGood mornin'\nGood mornin' and—\nGood mornin'\n[Verse 3: Kanye West]\nGood mornin' and, look at the valedictorian\nScared of the future while I hop in the DeLorean\nScared to face the world, complacent career student\nSome people graduate, but be still stupid\nThey tell you, \"Read this, eat this, don't look around\nJust peep this, preach this, teach us, Jesus\"\nOkay, look up now, they done stole yo' streetness\nAfter all of that, you received this [Chorus: Kanye West & \nJAY-Z\n]\nGood mornin'\nHustlers that's if you're still livin', get on down\nEvery time that we hear them\nGood mornin'\nHustlers that's if you're still livin', get on down\nEvery time that we hear them\nGood mornin'\nHustlers that's if you're still livin', get on down\nEvery time that we hear them\nGood mornin'\nHustlers that's if you're still livin', get on down\n[Outro: JAY-Z]\nGet on down\nGet— Get on down\nGet on down\nGet— Get on down" } ]

[ { "from": "human", "value": "Write me a song called Temptation with the following description: Temptation is the 4th track off of Future’s highly anticipated 7th studio LP Future Hndrxx Presents: The WIZRD. It is produced by Tay Keith, a frequent collaborator of Drake and Blocboy JB.\nOn this track, Future raps about the struggles he had ever since he started his career and how he tries to fight his ‘temptation’ for drugs and vices.\nFuture’s 2013 track “Honest” is sampled on the outro. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Future & \nLil Juice\n]\nFreebandz\nYeah\nI'm the richest nigga out my city if you ain't know\nThese hoes can hop on Spirit Airlines about it\n(\nTay Keith, fuck these niggas up\n)\nI made it finessin', I turned into somethin' from nothin', yeah\nMade it through poverty, I'm the minority\n, you know my story\nHop on the jet off my property, I fly away\nFly, fly, fly away, yeah, yeah, yeah\n[Chorus]\nCopped me a presi', yeah, yeah\nStraight out the trenches, yeah, yeah\nMy niggas came with me, yeah, yeah\nThe riches, the riches, the riches, yeah\nRichest nigga out Zone 6, yeah\nAll of these hoes came with it, yeah\nAudemars Piguets came with it, yeah, yeah, yeah\n[Post-Chorus]\nI was tryna fight temptation, yeah\nTop gone, it's on vacation, yeah\nI'm not tryin' to hurt nobody\nYeah, yeah, yeah, yeah [Verse 1]\nCount up the hundreds, I promise some patience\nGive you some game, that's slow motivation\nWe need the gas straight in the basement\nSwitch up the swag, switch up the bag\nNiggas, they jockin' my swag 'cause it's fashion\nI do it bigger than niggas imagined\nHeard that bitch makin' up rumors\nShe gave more head than a tumor\nAnd I got facts, I can prove it, yeah, yeah, yeah\nI got real rich and ain't get no diploma\nShe think it's somethin' got to do with my mama\nWell I can't love her, like she need me\nThat's what you get when you thinkin' I'm average\nNow I wake up and I fuck on a bad bitch\nDrugs got me savage\n[Bridge]\nIt's so hard, it's so hard, these Perkys keep me sane\nAll my dawgs, all my dawgs, found 'em locked up in the cage\nWe gettin' paid, we so paid, move them bricks, then move on\nSwitch them bags, switch them bags, then move on, then move on\n[Chorus]\nCopped me a presi', yeah, yeah\nStraight out the trenches, yeah, yeah\nMy niggas came with me, yeah, yeah\nThe riches, the riches, the riches, yeah\nRichest nigga out Zone 6, yeah\nAll of these hoes came with it, yeah\nAudemars Piguets came with it, yeah, yeah, yeah [Post-Chorus]\nI was tryna fight temptation, yeah\nTop gone, it's on vacation, yeah\nI'm not tryin' to hurt nobody\nYeah, yeah, yeah, yeah\n[Verse 2]\nCar full of bullets, ain't findin' no shooter\nThat's what you get when you niggas delusional\nI remember when they thought I was average\nNow I wake up and I fuck on a bad bitch\n[Outro]\nI tried to fight temptations, yeah\nRiches on riches on riches on riches on riches...\nAnd I can't lie, you... Future had the first bust down Richard Mille \nI had seen, by far\n(Ayy what it do, ayy what it do)\nThe first one\n(Ayy, what it do)" } ]

[ { "from": "human", "value": "Write me a song called Fo’ Real with the following description: Drake and Future team up on “Fo' Real,” a toast to their newfound lavish lifestyles and their pledge to stay authentic. This track marks one of two Drake features on F.B.G: The Movie, along with Lil Wayne’s January 2013 track, “Love Me.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nFreebandz, the movie\n[Chorus: Future]\nIt's over twenty-five girls in my section\nLets make a movie tonight, you won't regret it (You won't regret it)\nFo real, for real (Yeah)\nYou know the money bring the cars (And what?)\nHe cars bring the hoes (What's up?)\nRockstar life, that's how it goes (Future Hendrixx)\nFo real, for real (We in this motherfuckin' line right here)\n(Nigga, 'lil Mexico shit, \nFreebandz\n, we global now, nigga)\n[Bridge: Future]\nWho got that drink, hell yeah, who got that drink?\nThey wanna pop champagne, yeah, they wanna drink (They wanna drink)\nFo real, for real\n[Verse 1: Future]\nThey wish they was rockstars like us (And what?)\nI bet you they wish they could get fly like us (Freebandz)\nThe same gang of niggas in here with money on us (Freebandz)\nWe got them mollies in here, they mix that Xan and that Tuss (Drank up)\nAin’t go to church this Sunday but I had church\nI paid my tithes with them strippers, bought the bitch a purse (And what?)\nI’m on a whole 'nother planet, never on the Earth (Pluto)\nI brought my whole hood with me and we goin’ berserk ('Lil Mexico) [Bridge: Future]\nWho got that drink, hell yeah who got that drink\nThey wanna pop champagne, yeah they wanna drink\nFo real, fo real\n[Chorus: Future]\nIt's over twenty-five girls in my section\nLets make a movie tonight, you won't regret it (You won't regret it)\nFo real, for real (Yeah)\nYou know the money bring the cars (And what?)\nHe cars bring the hoes (What's up?)\nRockstar life, that's how it goes (That's how it goes)\nFo real (Nah, nah), fo real (Yeah, yeah, yeah)\n[Verse 2: Drake]\nEven though I used to act, man, this shit is not a act, nigga\nI have never lied on a track, only facts, nigga\nA lot of people willin’ to back that, and if you backtrack\nI spoke about this comin’ to fruition in my raps, nigga\nYeah, then it happened, nigga, wassup, nigga?\nYou just jealous, you just bitter, shut the fuck up\nThis that I’ve been on the roll shit, I’m back on my old shit\n416, we know your bitch, that Free Band OVO shit, fo’ real\n[Bridge: Future]\nWho got that drink, hell yeah who got that drink\nThey wanna pop champagne, yeah they wanna drink\nFo real, for real [Chorus: Future]\nIt's over twenty-five girls in my section\nLets make a movie tonight, you won't regret it (You won't regret it)\nFo real (\nFreebandz\n), for real (Yeah, yeah, yeah)\n[Verse 3: Future]\nI-I be splurgin’, Christian Dior, I got Chanel on order (Splurge)\nI met that girl and had to spoil her ‘cause that girl’s so loyal (I gots)\nI met her when she was a dime and turned into a quarter (Turn up)\nWe drank champagne just like it’s water, drink that lean like water\nThey told me hold back, that’s when I went hard (That's when I went hard)\nI bought some guns, I bought some ice and bought some more lawyers\nYou try and take what I done sacrificed and worked hard for\nI’m in that mode, I’m in that zone like when a nigga raw (Yee)\nI’m celebratin’ every day, goddamn it I could be starvin’ (I couldn't be starvin')\nLet’s have a toast to all my niggas runnin’ up in apartments (Let's have a toast)\nWe had a good year this year, we made a lot of fortunes (Bankroll)\nAnd we very fortunate (Woo, woo, woo)\n[Bridge: Future]\nWho got that drink, hell yeah who got that drink (\nFreebandz\n)\nThey wanna pop champagne, yeah they wanna drink\nFo real, fo real" } ]

[ { "from": "human", "value": "Write me a song called A Sky Full of Stars with the following description: \nOne of Coldplay’s most hyped tracks ever, described by attendees of Coldplay’s secret Ghost Stories shows as “wonderfully produced” and “upbeat, happy, makes you want to stand up and dance,” “A Sky Full of Stars” is the centerpiece of Ghost Stories, bringing the emotional treadmill to an explosive climax.\nThe track was released as Coldplay’s second single from Ghost Stories, after “Magic,” with the track premiering on 29 April 2014.\nEDM artist Avicii was a primary producer on the track and Chris Martin later revealed in an interview that he asked the producer to play the piano parts. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\n'Cause you're a sky, 'cause you're a sky full of stars\nI'm gonna give you my heart\n'Cause you're a sky, 'cause you're a sky full of stars\n'Cause you light up the path\n[Chorus]\nI don't care, go on and tear me apart\nI don't care if you do, ooh-ooh, ooh\n'Cause in a sky, 'cause in a sky full of stars\nI think I saw you ooh-ooh-ooh, ooh-ooh-ooh\n[Verse 2]\n'Cause you're a sky, 'cause you're a sky full of stars\nI wanna die in your arms, oh-oh-oh, oh-oh\n'Cause you get lighter the more it gets dark\nI'm gonna give you my heart, oh\n[Chorus]\nI don't care, go on and tear me apart\nI don't care if you do, ooh-ooh, ooh\n'Cause in a sky, 'cause in a sky full of stars\nI think I see you ooh-ooh-ooh, ooh-ooh-ooh\nI think I see you ooh-ooh-ooh, ooh-ooh-ooh\n[Outro]\n'Cause you're a sky, you're a sky full of stars\nSuch a heavenly view\nYou're such a heavenly view\n(Yeah, yeah, yeah, ooh)" } ]

[ { "from": "human", "value": "Write me a song called Sauced Up with the following description: “Sauced Up” is the third track from Fifth Harmony’s third album, co-written by Ally and Lauren. As the title suggest, the lyrics speak of a night out and letting loose in the club. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: All, \nAlly\n & \nLauren\n]\nWe can get sauced up\nForever we're young, we'll never get old\n'Cause when I get sauced up\nI be like, so what?\nSo what, so what?\nSo what, so what?\n(\nH-Money!\n)\n[Verse 1: Lauren]\nYour flow, no go\nDon't you know I'm fluent in the bro-code?\nI can make you come up off the bands though\nDrop a couple, show me what you came for, ah\n[Refrain: Lauren, \nAlly\n & \nDinah\n]\nDisaronno on the rocks (\nOn the rocks\n)\nFireball, lemon drop (\nLemon drop\n)\nOne o'clock on the dot (\nOn the dot\n)\nShut up, boy, you talk a lot (\nUh\n)\n[Pre-Chorus: Dinah & Normani, \nDinah\n]\nSo what we on right now? (\nRight now\n)\nWhat we doin' right now?\nI don't want no problems, I want power\nI'm drivin', you follow [Chorus: All, \nAlly\n & \nLauren\n]\nWe can get sauced up\nForever we're young, we'll never get old\nBlame it on drunk love\nWe can ex\nplain it all tomorrow\nI'll show you how to rock with the bass down low\nI'll show you how to rock the way I roll\n'Cause when I get sauced up\nI be like, so what?\nSo what, so what?\n[Verse 2: Normani]\nSauced up, sauced up\nI be in my feelings when I'm sauced up\nI be in my bag, feelin' bossed up\nIf it make you mad, baby, so what? (\nAh\n)\n[Refrain: Normani, \nAlly\n & \nDinah\n]\nDisaronno on the rocks (\nOn the rocks\n)\nFireball, lemon drop (\nLemon drop\n)\nIt's one o'clock on the dot (\nOn the dot\n)\nShut up, boy, you talk a lot (\nUh\n)\n[Pre-Chorus: Dinah & Normani, \nDinah\n]\nSo what we on right now? (\nRight now\n)\nWhat we doin' right now?\nI don't want no problems, I want power\nI'm drivin', you follow [Chorus: All, \nAlly\n & \nLauren\n]\nWe can get sauced up\nForever we're young, we'll never get old\nBlame it on drunk love\nWe can ex\nplain it all tomorrow\nI'll show you how to rock with the bass down low\nI'll show you how to rock the way I roll\n'Cause when I get sauced up\nI be like, so what?\nSo what, so what?\n[Bridge: Dinah]\nWhat a night, what a feelin'\nCup of ice to the ceilin'\nPut your cards on the table\nKeep it a hundred, baby, show me what you made of (Uh)\n[Pre-Chorus: Dinah & Normani, \nNormani\n]\nSo what we on right now? (\nRight now\n)\nWhat we doin' right now?\nI don't want no problems (\nI don't want no problems\n), I want power\nI'm drivin' (\nI'm drivin'\n), you follow\n[Chorus: All, \nNormani\n, \nAlly\n & \nDinah\n]\nWe can get sauced up (\nWe can get sauced up\n)\nForever we're young, we'll never get old\nBlame it on drunk love (\nBlame it on drunk love, babe\n)\nWe can ex\nplain it all tomorrow\nI'll show you how to (\nI'll show you how to\n) rock with the bass down low\nI'll show you how to rock the way I roll\n'Cause when I get sauced up\nI be like, so what? [Post-Chorus: Ally & Normani, \nDinah & Lauren\n, \nDinah\n]\n(\nSo what, so what?\n)\nSauced up, sauced up (\nOh, woah\n)\nI be in my feelings when I'm sauced up (\nSo what?\n)\nI be in my bag, feelin' bossed up (\nOh, woah\n)\nIf I make you mad (\nSo what, so what?\n)\nSauced up, sauced up (\nOh, woah\n)\nI be in my feelings when I'm sauced up (\nSo what?\n)\nI be in my bag feelin' bossed up (\nOoh\n)\nAnd if it make you mad\n[Outro: Lauren, \nLauren & Ally\n]\nSo what, \nso what?\nSo what, so what?\nSo what, so what?" } ]

[ { "from": "human", "value": "Write me a song called Lil’ One with the following description: Possibly one of the best songs off this entire album. The concept of this song is an O.G. Baby trying to hit a lick with a baby gangster, Lil Wayne. The line for line response is fucking amazing. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil' Wayne]\nFuck, man I been on this block all day\n(say, say, say, say, say)\nHot man, get off my shirt, hot man\n(Oh whatchu got?) Ohhh who that?\nBoy that look like Baby, that ain't (that's dubs?)\nThat ain't Baby (that's dubs?)\nThat ain't - that is that nigga man (lets go)\n[Baby] Say Lil' One\n[Wayne] What, what's happening with you big dog?\n[Baby] Look I need to talk about some serious shit dog\n[Wayne] Like what? Look I ain't have nothing to do with\nKilling them...\n[Baby] Slow down, I'm talking bout some getting money shit\nAnd how its gonna go down\n[Wayne] Well holla at me nigga, talk to me, let me know something\nCause right now I'm tired of hustling\nAnd these rocks ain't doing nothing\nAnd to tell you the truth I feel like I be out here for the fun of it\nI swear if I don't hit a lick by next month, I'm done with it\n[Baby] Understand, but you ain't listening you just talking\nI said I could get you paid, is you with that offer?\nI know you see me coming through everyday pimpin\nIn a Benz, the Jag, and a Ferrari\n[Wayne] Yeah, but I like that Bentley\n[Baby] All thats cool shorty, you can get this if you with me\nLet me run it down to you bout this shit that I've been getting in\n[Wayne] I mean, I'm saying, it sound good, I like that\n[Baby] What thats a blunt?\n[Wayne] Yeah\n[Baby] Light that, nigga I'll be right back\n[Wayne] Aight cat, just don't be playing, this worth my while?\n[Baby] Lil' daddy I play with hoes, is you a ho?\n[Wayne] Nah\n[Baby] Say I got work, I need to flood it all over\nI can't do it by myself, so I need me a lil' solider\nI been peeping ya lil' ass, I see you grinding and shit\n[Wayne] I been peeping you too, nigga I see you shining and shit\nAnd you don't even know how long I been trying to find me a brick\nTo make it flip and take the chips and go an buy me a whip\n[Baby] Fuck a whip, that could wait\nYou worry bout your cake\nOnce you make enough to play, go buy a Z-28\n[Wayne] A Z-28, boy go head, once I get change\nI'mma go an cop me a Range and two platinum chains\n[Baby] Well look I ain't fucking with you\nYou too young from the start\n[Wayne] Man that ain't even got anything to do with it\nIts dedication and heart\n[Baby] Dedication and smarts\nDon't put your heart in this game\nCause when you fall to deep in love you get caught in this game\n[Wayne] Well correct me when I'm wrong\nAnd acknowlegde me when I'm right\n[Baby] Lil' bitch, if your hard head ass listen I might\n[Wayne] B, I'm all ears\n[Baby] Get your ass in this car\n[Wayne] Unlock the door\n[Baby] Its unlocked\n[Wayne] Don't holla at me\nYou ain't my pa\n[Baby] Now stop playing, look I got a hundred bricks just came\nFifty ki's of raw dope, and fifty bricks of cocaine\nPays five a piece\n[Wayne] Every week?\n[Baby] Just move it together\nI'mma knock off my lil' section\nYou take care of your area\n[Wayne] Ughhh, nigga I been waiting to be the Don 'round here\nI'mma have Coke and Dope\nIt's gone be on 'round here\nBut how you want me to sell this\nZones, Quarters, Halfs, Ki's?\n[Baby] However they ask for it, just give it to them Lil' Wheez\n[Wayne] I'm all for it cousin\nI'mma get me a million\nIf power get between it I'mma split me a nigga\n[Baby] You better, but when I get you this shit nigga\nLet them have it\nI bet you be on the block, working - directing traffic\n[Wayne] Like you park here, you park there, you meet me in the cuts\n[Baby] Say Lil' One\n[Wayne] What's up?\n[Baby] We gonna fuck it up\n[Wayne] Nigga what? Nigga what? Haha {*Car sounds in background as you hear Lil' Wayne\nWhispering something you can't understand*}" } ]

[ { "from": "human", "value": "Write me a song called Kush Ups with the following description: “Kush Ups” was the first single from the record, another collab with Wiz Khalifa and a minor chart hit, making it to number 30 on the US Rap Digital Songs chart. A video was also released, featuring suited up rappers, expensive cars, attractive women, and trademark Snoop two stepping.\nThe high-pitched riff in this song is sampled from the Sylvers’ 1972 cut “Wish That I Could Talk to You,” which Ghostface Killah also samples in his track “Mighty Healthy.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook: Wiz Khalifa]\nMy weed man got the hook up\nRolling up another pound every time you look up\nBig ass joints, them ones that leave you shook up\nSo much weight that now I'm doing \nkush\n ups\nKush ups, \n'bout to roll a whole book up\nLooking for me, I was at the crib doing kush ups\nKush ups, 'bout to roll a whole book up\nLooking for me, I was at the crib doing\nDon't stop!\n[Verse 1: Snoop Dogg]\nTae Bo, five, four, three, two, one\nWorking out, chiefing up, creeping up, \nkeeping up\nWith the Joneses\n, smoke a zone with my pen pals\nIn my neighborhood, flavor's good, roll up, put some papers to it\nStraight into it, gon' make him do it, that thing can do it fo sho\nGet my lift on, while get my spliff on, fo sho\nBreak bad, stay cool, way cool, roll a doob\nOld school, paid my dues, spray these fools, ladies drool\nCause they know what I got\nI got a bag of the Saturday pot\nAnd it'll keep you up from Thursday to Saturday night\nWhat do you like?\nWhen you smoke with the Dogg, you had the time of your life\nNow light... the fatty, jump in my \nCadi\nPull your seat back, yup, I know you need that\nLet it flow, set it go, incredible\nThat ain't gold, laying low like 10 to 4, on the floor [Hook: Wiz Khalifa]\nMy weed man got the hook up\nRolling up another pound every time you look up\nBig ass joints, them ones that leave you shook up\nSo much weight that now I'm doing kush ups\nKush ups, 'bout to roll a whole book up\nLooking for me, I was at the crib doing kush ups\nKush ups, 'bout to roll a whole book up\nLooking for me, I was at the crib doing\nDon't stop!\n[Verse 2: Wiz Khalifa]\nDon't even trip\nAin't really gotta use a scale, I could eyeball a zip\nSo much weight you thinkin', “Why this ain't for sale?”\nWeed in my lungs, weed in my nails\nShe coning joints, I'm rolling weed up myself\nDon't ever get my weed from off the shelf or my clothes\nI heard Polillo 'bout to drop some shit, order those\nPounds, I got more of those, why my eyes sorta low\nNot too many when I roll, more arms than \n[Goro]\n though\nBoys hating, I'm just counting up the money I just made\nAnd what I'm making make a nigga make a million dollars later\nSmoking getting high pays\nI like my eyes glazed\nAin't empty out my ashtray in days\nAt my house playing pool in some \nHUF socks and Joyrich sweats\nI roll a joint, you roll another one next\nCan't even name a nigga colder than\nAin't pay for game that mean you stole it then\nKnow it's the bomb when you hold it in [Hook: Wiz Khalifa]\nMy weed man got the hook up\nRolling up another pound every time you look up\nBig ass joints, them ones that leave you shook up\nSo much weight that now I'm doin' kush ups\nKush ups, 'bout to roll a whole book up\nLooking for me, I was at the crib doing kush ups\nKush ups, 'bout to roll a whole book up\nLooking for me, I was at the crib doing\nDon't stop!" } ]

[ { "from": "human", "value": "Write me a song called Leave Me Lonely with the following description: “Leave Me Lonely” is a soulful duet with singer Macy Gray, and was released as part of her Dangerous Woman 10 day countdown on Instagram.\nThe song was premiered on Apple’s Beats 1 Radio, following the scheduled release of a new track daily until the release of the album.\n\n\n\n\n\n — \nTwitter\n\n\n\n\nOn March 15, Ariana said during and interview that she will be collaborating with Macy Gray on this track, making her a second featuring artist out of four.\nOn April 7th, Ariana was a special guest with Nicki Minaj to perform at the new T-Mobile Arena in Las Vegas were Ariana performed Leave Me Lonely. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Macy Gray]\nDangerous love (Ooh)\nYou're no good for me, darling (Ah-ah-ah)\nYeah, you turn me away (Ooh)\nLike I'm begging for a dollar\nDanger, oh, how you hold me (Ah-ah-ah)\nI get a chill inside (Ooh)\nAnd nothing frightens me, baby, more\n[Verse: Ariana Grande]\nIs it love when so easily you said goodbye?\nIs it love when we've given up before we tried? Mmm\nIs it love when you stole my peace of mind?\nIs it love when you cry, and cry and cry?\n[Pre-Chorus: Ariana Grande]\nSo when you walk out that door\nDon't you come back no more\nMy heart has had enough of the give and take\nAnd as much as I want you to stay\n[Chorus: Ariana Grande]\nYou're a dangerous love (Ooh)\nMaybe you're no good for me, darling (Ah-ah-ah)\nCause if you're gonna love me and leave me hanging here\nThen I'd rather you leave me lonely (Ooh)\nEven though it hurts\nOoh, you're a dangerous love, oh, hey [Bridge: Macy Gray]\nDangerous love (Ooh)\nYou're no good for me, darling (Ah-ah-ah)\nYeah, you turn me away (Ooh)\nLike I'm begging for a dollar\nDanger, oh, how you hold me (Ah-ah-ah)\nI get a chill inside (Ooh)\nAnd nothing frightens me, baby, more\n[Pre-Chorus: Ariana Grande]\nSo when you walk out that door\nDon't you come back no more\nMy heart has had enough of the give and take\nAnd as much as I want you to stay\n[Chorus 2: Ariana Grande]\nYou're a dangerous love (Ooh)\nMaybe you're no good for me, darling (Ah-ah-ah)\nCause if you're gonna love me and leave me hanging here\nThen I'd rather you leave, leave me lonely\nEven though it hurts\nYou're a dangerous love, baby\n[Outro: Macy Gray]\nDangerous love (Ooh)\nYou're no good for me, darling (Ah-ah-ah)\nYeah, you turn me away (Ooh)\nLike I'm begging for a dollar\nDanger, oh, how you hold me (Ah-ah-ah)\nI get a chill inside (Ooh)\nAnd nothing frightens me, baby, more" } ]

[ { "from": "human", "value": "Write me a song called 3 with the following description: “3” is a song recorded by American singer Britney Spears for her second greatest hits album, The Singles Collection, released also as its lead single.\nThe song achieved commercial success by topping the charts in the United States and Canada, as well as reaching the top ten in many countries around the world, including Australia, Finland, Norway, Sweden and the United Kingdom. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n1, 2, 3\nNot only you and me\nGot one-eighty degrees, and I'm caught in between\nCounting, 1, 2, 3\nPeter, Paul, and Mary\nGetting down with 3P\nEverybody loves me \n(ooh)\nCounting\n1, 2, 1, 1, 1, 2, 3\nCounting\n1, 2\nCounting\n1, 2, 3\n[Verse 1]\nBabe, pick a night to come out and play\nIf it's alright\nWhat do you say?\nMerrier the more\nTriple fun that way\nTwister on the floor\nWhat do you say?\n[Pre-Chorus]\nAre you in?\nLiving in sin is the new thing\nYeah, are you in?\nI am counting [Chorus]\n1, 2, 3\nNot only you and me\nGot one-eighty degrees, and I'm caught in between\nCounting, 1, 2, 3\nPeter, Paul, and Mary\nGetting down with 3P\nEverybody loves me \n(ooh)\nCounting, 1, 2, 3\nNot only you and me\nGot one eighty-degrees, and I'm caught in between\nCounting, 1, 2, 3\nPeter, Paul, and Mary\nGetting down with 3P\nEverybody loves me\n \n(ooh)\n[Verse 2]\nThree is a charm\nTwo is not the same\nI don't see the harm\nSo are you game?\nLet's make a team\nMake them say my name\nLoving the extreme\nNow are you game? [Pre-Chorus]\nAre you in?\nLiving in sin is the new thing\nYeah, are you in?\nI am counting\n[Chorus]\n1, 2, 3\nNot only you and me\nGot one-eighty degrees, and I'm caught in between\nCounting, 1, 2, 3\nPeter, Paul, and Mary\nGetting down with 3P\nEverybody loves me \n(ooh)\nCounting, 1, 2, 3\nNot only you and me\nGot one-eighty degrees, and I'm caught in between\nCounting, 1, 2, 3\nPeter, Paul, and Mary\nGetting down with 3P\nEverybody loves me \n(ooh)\n[Bridge]\nWhat we do is innocent\nJust for fun and nothing meant\nIf you don't like the company\nLet's just do it, you and me\nYou and me, or three\nOr four, on the floor [Chorus]\n1, 2, 3\nNot only you and me\nGot one-eighty degrees, and I'm caught in between\nCounting, 1, 2, 3\nPeter, Paul, and Mary\nGetting down with 3P\nEverybody loves me \n(Ooh)\nCounting, 1, 2, 3\nNot only you and me\nGot one-eighty degrees, and I'm caught in between\nCounting, 1, 2, 3\nPeter, Paul, and Mary\nGetting down with 3P\nEverybody loves me \n(Ooh)" } ]

[ { "from": "human", "value": "Write me a song called “Sing About Me” Part 1 Video with the following description: This video was released on 12/20/13 on TDE’s YouTube page.\nhttps://www.youtube.com/watch?v=wjmd1nAH3hgExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: On Screen]\nWhen the lights shut off, an artist's dream is that their work will stand the test of time. The ones that influence our culture are the ones we most remember.\n \nHere, two powerful creative forces come together to elevate the status quo and lay ground to their legacy. This is their poetry. Sing about them. This is part one\n\"Sing About Me\" plays\n[Mural: Eddie Peake]" } ]

[ { "from": "human", "value": "Write me a song called Impossible with the following description: As the tenth track off of Travis Scott’s debut album Rodeo, “Impossible” seems to be about Travis lamenting about himself being trapped with an unloving someone. In this song, he describes the pain that comes with it, and how he wishes he could let loose from it. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYou the one, you know me the best\nYou the one I call when I'm stressed\nThis the time of the year I feel alone\nThis the time of the year you treat me wrong\nYeah, this the late night, you know the deal (Deal)\nOn a late night, nowhere to chill\nYeah, I'm on the west, yeah, I'm on the west side\nOff the drugs, know I'm not the best guy\nBut you know I always get it done, yeah\nYou done had all of the rappers, I'm the one, yeah\nAin't gon' lie, I remember how it feels, yeah\nI ain't gon' lie, I'ma tell you this for real\n(Woah)\nSplit a pack of the woods down\nRide with me, yeah, you wish you could now\nAlways come and go and never fail\nIt was never love, I can tell now\nShe pop 'em up, Blue Chanel just to get it up\nParking lot full of foreign hoes on the regular\nWith them painted toes in them heels\nLet's go find a place that's far from here, for real\nFar from here\n[Chorus]\nNights like this, nights like this, I wish I could do the impossible\nI wish I could do the impossible\nNights like this, nights like this, I wish\nI could do the impossible, I could do the impossible [Verse 2]\nYeah, you the one, you know me the best\nYou the one I call when I'm stressed (This the time)\nThis the time of year when I'm alone\nThis the time of the year we get our own\nI can't lie when I'm out on the west\nYeah, the west, yeah, yeah, the west side\nAnd lately, I ain't been feeling the best\n'Cause you the best, yeah, you my best side\nNow you know what you're dealing with\nNow you know what's wrong, what the feeling is\nYeah, yeah, yeah, yeah, yeah\nRastas rolling in Benz up in here\nBandits poppin' them bars up\nMan, don't run up the bands up, make them gun claps in here\nNo fear, no fear, you rock, I hear\nI'm gon' let you know that the man is for real\nYeah, for real\nFar from here\n[Chorus]\nNights like this, nights like this, I wish I could do the impossible\nI wish I could do the impossible\nNights like this, nights like this, I wish\nI could do the impossible, I could do the impossible [Bridge]\nYou already (\nYeah\n) know right? That you are irreplaceable (Irreplaceable)\nAnd I'm gonna take it slow, baby (Baby)\nYou already know right? That you are irreplaceable (Irreplaceable)\nAnd I'm gonna take it slow, baby (Baby)\n[Outro]\nYeah\nI wish I could do the impossible\nI wish I could do the impossible\nI could do the impossible" } ]

[ { "from": "human", "value": "Write me a song called Melanin Magic (Pretty Brown) with the following description: In “Melanin Magic (Pretty Brown),” Remy Ma recruits Chris Brown to make a statement about loving the skin you’re in. Remy’s native Bronx flow along with Breezy’s soulful voice makes “Melanin Magic” the perfect anthem for brown skin women everywhere.\nThe track is a remake of Mint Condition’s “Breakin' My Heart (Pretty Brown Eyes). “Melanin Magic (Pretty Brown)” marks the first collaboration between the duo. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Remy Ma]\nPretty brown eyes\nYou know!\n[Verse 1: Remy Ma]\nYeah, I got that up north glow, body lookin' like cinnamon\nI'm runnin' shit right now, I think I pulled a ligament\nFashion killer, Alaïa assassin\nVetements villain, Balenciaga bastard\nGot that melanin magic, brown skin poppin' (\nBaby\n)\nAlways fly, I stay in a cockpit (\nBaby\n)\nI want it, I cop it\nOpen the door, then locked it\nE'rytime Remy touch the city, stop it\n[Chorus: Chris Brown]\nYou're my pretty brown eyes\nThey all on ya and they want you (You)\nI know they need you in they life\nBut you my vibe tonight and I love you, oh\nBaby, don't try to act like\nThat you ain't been textin' me\nSayin', \"What you wanna know?\"\nWith them pretty brown thighs\nBetween your legs tonight is what I wanna do [Verse 2: Remy Ma]\nI'm a real writer, rap crown taker\nAss so soft because it's not faker\nI can show you how to move in a room full of ho bitches\nHe met me and now he don't even know bitches\nI see, you be on IG (\nBaby\n)\nI'm thick, you sick, damn, you need a IV (\nBaby\n)\nShow me your ID 'cause I don't know you chicks\nYou scared of heights (No?)\nWell then jump off my dick\n[Chorus: Chris Brown]\nYou're my pretty brown eyes\nThey all on ya and they want you (You)\nI know they need you in they life\nBut you my vibe tonight and I love you, oh\nBaby, don't try to act like\nThat you ain't been textin' me\nSayin', \"What you wanna know?\"\nWith them pretty brown thighs\nBetween your legs tonight is what I wanna do\n[Verse 3: Chris Brown]\nYou know I don't care, bring that ass right here for me\nTake it all off for me, baby, let me see somethin'\nI know you the best for me, you're a real winner\nBaby girl, you bad as fuck, I'm a real nigga\nYou know, you know that I'll always be there for you\nWon't let you go, I'll always take care of you\nBecause you're my pretty brown eyes [Chorus: Chris Brown]\nYou're my pretty brown eyes (Pretty brown eyes)\nThey all on ya and they want you (Jump on it)\nI know they need you in they life\nBut you my vibe tonight and I love you, oh\nBaby, don't try to act like\nThat you ain't been textin' me\nSayin', \"What you wanna know?\"\nWith them pretty brown thighs\nBetween your legs tonight (Yeah) is what I wanna do" } ]

[ { "from": "human", "value": "Write me a song called Slumber Party with the following description: “Slumber Party” is the eighth track on pop star Britney Spears' ninth studio album, Glory. The song juxtaposes metaphors of childhood slumber party activities with Britney and her partner’s more mature night together. Dreamy, pulsing synths lay a sexy sound as the main loop for the song.\nhttps://twitter.com/britneyspears/status/769601961251352578\nThe song was remixed for its music video release, with the second verse performed by Tinashe. The album version still features Britney Spears alone. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI think I see confetti from this potion\nPillow fights and feathers, overdosin'\nSmells like a cologne and candy lotion\nLike a slumber party\nSheets all on the floor just like an ocean\nBuilding up your fortress like a mountain\nNeighbors say we're causing a commotion\nLike a slumber party\n[Pre-Chorus]\nNo one but, no one but you and I, I, I\nWe ain't gonna sleep tonigh-igh-ight\nOh baby, no one but, no one but you and I, I, I\nWe ain't gonna sleep tonight\n[Chorus]\n'Cause we got them candles hanging\nHanging from the ceiling low\nWe use our bodies to make our own videos\nPut on our music that makes us go fuckin' crazy, go\nGo crazy, go\nLike a slumber party\nLike a slumber party\nLike a slumber party [Verse 2]\nLet's fill up this clawfoot bath with bubbles\nLoving me so hard it's causing trouble\nIf there's seven minutes in heaven make it double, triple\nLike a slumber party\n[Pre-Chorus]\nNo one but, no one but you and I, I, I\nWe ain't gonna sleep tonigh-igh-ight\nOh baby, no one but, no one but you and I, I, I\nWe ain't gonna sleep tonight\n[Chorus]\n'Cause we got them candles hanging\nHanging from the ceiling low\nWe use our bodies to make our own videos\nPut on our music that makes us go fuckin' crazy, go\nGo crazy, go\nLike a slumber party\nWe got them candles hanging\nHanging from the ceiling low\nWe use our bodies to make our own videos\nPut on our music that makes us go fuckin' crazy, go\n(Crazy, go) Go crazy, go\nLike a slumber party\n(I go fucking crazy)\nLike a slumber party\nA slumber party, yeah [Interlude]\nLike a slumber party\nNo one but, no one but you and I, I, I\nWe ain't gonna sleep tonight\nLike a slumber party\n[Chorus]\nWe got them candles hanging\nHanging from the ceiling low\nWe use our bodies to make our own videos (our own videos)\nPut on our music that makes us go fuckin' crazy, go\nGo crazy, go\nLike a slumber party\nWe got them candles hanging\nHanging from the ceiling low\nWe use our bodies to make our own videos\nPut on our music that makes us go fuckin' crazy, go\n(Go crazy, yeah) Go crazy, go\nLike a slumber party (a slumber party)\nLike a slumber party (I go crazy for you)\nLike a slumber party" } ]

[ { "from": "human", "value": "Write me a song called Hit the Floor with the following description: Hit The Floor is the fifth track on Linkin Park’s second studio album, Meteora.\nBooklet Notes: “The band wanted make a heavy song with a hip hop bounce – this is what came out. Mike and Chester tried numerous singing style choruses, but when Chester brought the screaming hook into the studio, everyone knew it was going to work. The hardest work in creating this song was in the minor details. Tightening the lyrics and capturing the performances took days to finish.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Mike Shinoda]\nThere are just too many times that people have tried to look inside of me\nWondering what I think of you and I protect you out of courtesy\nToo many times that I've held on when I needed to push away\nAfraid to say what was on my mind, afraid to say what I need to say\nToo many things that you've said about me when I'm not around\nYou think havin' the upper hand means you gotta keep puttin' me down\nBut I've had too many stand-offs with you, it's about as much as I can stand\nSo I'm waitin' until the upper hand is mine\n[Chorus: Mike Shinoda & \nChester Bennington\n]\nOne minute, you're on top\nThe next you're not,\n watch it drop\nMakin' your heart stop\nJust before you hit the floor\nOne minute, you're on top\nThe next you're not, missed your shot\nMakin' your heart stop\nYou think you won, \nand then it's all gone\n[Verse 2: Mike Shinoda]\nSo many people like me put so much trust in all your lies\nSo concerned with what you think to just say what we feel inside\nSo many people like me walk on eggshells all day long\nAll I know is that all I want is to feel like I'm not stepped on\nThere are so many things you say that make me feel you crossed the line\nWhat goes up will surely fall, and I'm countin' down the time\n'Cause I've had so many stand-offs with you, it's about as much as I can stand\nSo I'm waitin' until the upper hand is mine [Chorus: Mike Shinoda & \nChester Bennington\n]\nOne minute, you're on top\nThe next you're not, watch it drop\nMakin' your heart stop\nJust before you hit the floor\nOne minute, you're on top\nThe next you're not, missed your shot\nMakin' your heart stop\nYou think you won\n[Post-Chorus: Mike Shinoda & Chester Bennington]\nAnd then it's all gone\nAnd then it's all gone\nAnd then it's all gone\nAnd then it's all gone\nNow it's all gone\n[Bridge: Mike Shinoda]\nI know I'll never trust a single thing you say\nYou knew your lies would divide us, but you lied anyway\nAnd all the lies have got you floating up above us all\nBut what goes up has got to fall\n[Chorus: Mike Shinoda & \nChester Bennington\n]\nOne minute, you're on top\nThe next you're not, watch it drop\nMakin' your heart stop\nJust before you hit the floor\nOne minute, you're on top\nThe next you're not, missed your shot\nMakin' your heart stop\nYou think you won [Post-Chorus: Mike Shinoda & Chester Bennington]\nAnd then it's all gone\nAnd then it's all gone\nAnd then it's all gone\nAnd then it's all gone\nNow it's all gone" } ]

[ { "from": "human", "value": "Write me a song called I Still Love H.E.R. with the following description: This is a collaboration between Kanye West and the Teriyaki Boyz, a Japanese hip hop supergroup that includes members of RIP Slyme and m-flo. The 4 rappers are well known in the Japanese scene and the DJ is Nigo, the founder of A Bathing Ape.\nThe title “I Still Love H.E.R.” is an allusion to Common’s song ‘I Used to Love H.E.R.’ In the Teriyaki Boyz song, it stands for ‘Hontō E Rap’ (or Hontō ii Rap) and in Common’s it stands for ‘Hearing Every Rhyme’ or ‘Hip hop in its Essence is Real’. The common Japanese phrase Hontōni best translates to English as ‘really?’ but the root of the word, Hontō or 本当, means truth or reality. Because of this, we can read the Teriyaki Boyz version of H.E.R. as “Real Rap” or “True Rap”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kanye West & \nRyo-Z\n]\nYeah\nWelcome, ladies and gentlemen\nYou're so privileged right now to be in the presence of\nThe truth (\nThe days\n), the creator (\nI praise\n)\nThe originator of this style (\nIt's a shame\n)\nAccept no imitations\nKanye to the (\nThe days\n)\nWith the Teriyaki Boyz (\nI pray\n)\nBig Money League in effect (\nIt's a shame\n)\nI-I-I-I still love H.E.R\nI-I still love H.E.R, Honto E. Rap\n[Verse 1: Ryo-Z & \nWise\n]\nI remember anokoro wo omoikasu pen\nIma mo iro asenai Memory Lane\nDeai wa School Daze nori de day moushikon demo\nSay he's just a friend?\nMori ni break, are kara mainichi kimi ni tegami shitatameru\nTame nai chie shibori bokyabu wo drop\nDaremo ga hotto, kyashinai hodo hot\nNa baby, wo rock, suru ima ja boku no job\nWhen\n they reminisce over you, my girl\nTorimaku raibaru tachi tono sci-fi\nKimi to asonde itanda maiban\nI remember (I remember), I remember (I remember)\nI remember back in the day, high tops haite\nSugureta MJ, no Dunk shot kakete\nAfter school, kimi to futari no park\nYofuke made odotte takke\nNext day, jugyou chuu, as I read my S.A\nMessage, kokoro komete ne\nFutari dake no himitsu vocabulary\nChiribameta roburetaa, tashika ni\nTsuuji atte ta O.P.P, dekinai uwaki\nTeiuka zokkon maji honki\nAnna ni, aishi atte noni\n\"What happened girl?\"\nI remember, \nI remember [Pre-Chorus: Verbal & Wise]\nGot a lot of soul and you know that your on my mind, baby\nMada mada bokura wa kimi wo oikaketai, lady\n[Chorus: Teriyaki Boyz & \nKanye West\n]\nWe used to play the games (The days)\nYuragani, my love (I praise)\nHade, na paper chase (It's a shame), demo\nI still love H.E.R, Honto E. Rap\nWe used to play the games (The days)\nYuragani, my love (I praise)\nHade, na paper chase (It's a shame), demo\nI still love \nHonto E. Rap\nUh, uh, yo\n[Verse 2: Verbal & \nIllmari\n]\nI remember once again, all the times that we spent\nAll the words that you said, mada kizamarete\nIma demo can't forget, how you let the rhythm hit\nRepresent dokashitetane just to get a rep\nSonna koro ga fresh, demo ima de ha all about the\nIkka ku senkin, 'bout the benjamins\nAbout the mesaki no seiko bakari\nRyuu shutsu seiki rara, pose on the internet\nYou know the whole repertoire\nKuchi guse wa kukumei\nDatta no ga ima dewa, \"Money makin'\"\nAtari mae no you ni time's racing\nDakedo ano koro no, days, remember?\nI remember\n, I remember\nI remember kake meguru omoide, koko de hodoite\nGutto kuruyou na omoide\nNagamete mae no hou ga poi ze\nChoice is yours, na no ni poison\nErabu no wa doshite, kimi ni moshi deru\nI still love H-E-R, tell me why\nHoka no ko wa hayari de passin' me by\nShiteku kedo kimi dake only one\nDo what you like, if that's your style\nSonna ima no kimi to odottetai\nMada owachattanai\nKore ga hajimaridatte\nRemember, kimi wa Honto E. Rap [Pre-Chorus: Verbal & Wise]\nGot a lot of soul and you know that your on my mind, baby\nMada mada bokura wa kimi wo oikaketai, lady\n[Chorus: Teriyaki Boyz & \nKanye West\n]\nWe used to play the games (The days)\nYuragani, my love (I praise)\nHade, na paper chase (It's a shame), demo\nI still love H.E.R, Honto E. Rap\nWe used to play the games (The days)\nYuragani, my love (I praise)\nHade, na paper chase (It's a shame), demo\nI still love \nHonto E. Rap\nUh, uh, yo\n[Verse 3: Kanye West]\nI know, I know, I know, uh\nThis is what y'all all looking forward to\nThis is more than historical, anything that I say that is audible\nOught to blow, just like a chick givin' oral, yo\nLick the black, get the cream, like a Oreo\nHit the track, get the C.R.E.A.M., same story, yo\nTrick that on Armani Emporium, it's more important, though\nYessir, my aura is orchestral but way fresher\n'Cause I simply throw a symphony, on a SMPTE, but I know\nThat niggas steal beats, so after I emcee, I empty the M.P, so I can stay out of reach\nThey used to say, \"You's a producer\"\n, I'm glad I never listened to you losers. 'Cause now, I'm in Shibuya, buyin' somethin' that's, way too exclusive\nUh, ra-ra-ra-ra-rappers are in danger, this flow is from a manger\nBut meaner than Lucifer, yeah, and this is the new drug\nI'm the new high, y'all want ya weed back?\nYell, \"I still love H.E.R, Honto E. Rap!\" (E. Rap...)\nE. Rap [Pre-Chorus: Verbal & Wise]\nGot a lot of soul and you know that your on my mind, baby\nMada mada bokura wa kimi wo oikaketai, lady\n[Chorus: Teriyaki Boyz & \nKanye West\n]\nWe used to play the games (The days)\nYuragani, my love (I praise)\nHade, na paper chase (It's a shame), demo\nI still love H.E.R, Honto E. Rap\nWe used to play the games (The days)\nYuragani, my love (I praise)\nHade, na paper chase (It's a shame), demo\nI still love \nHonto E. Rap\nAlright" } ]

[ { "from": "human", "value": "Write me a song called Kendrick Lamar with the following description: This song comes from Kendrick Lamar’s mixtape Compton State of Mind. Here Kendrick makes a statement by not using a a false moniker in his music and by following his own dreams and aspirations despite naysayers, critics, and the corrupt music world.\nThis song was the song in which Kendrick explained him using his first and middle name as opposed to the monikor K-Dot he previously used. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI can tell you what it is, I can tell you what it isn't\nNo more K. Dot, my mother had named me Kendrick\nFuck a stage name, that's the name that I was given\nThe only thing that I can identify within this business\nI'm just a good kid from Compton that want to rap\nWeighing my options, pick up a Bible or a strap?\nI never killed a man, never sold any crack\nAll I ever did was try to keep my city on the map\nBut this monkey on my back, y'all don't want me to win\nI'm tryna follow dreams, you want me to follow trends\nSo just to get a dollar, will I sell my soul?\nI look the Devil in the eye and tell him, \"Hell no\"\nThey say anything worth having is worth the wait\nWell, I want the world, tell me how long that takes\nThere's no time like now, I can cut my patience short\nOr give 'em some more gowns, I don't even want the crown\nI just want a peace of mind, and nigga, when I get it\nYou won't get a piece of mine, won't you mind your own business?\nA rich nigga buy anything you sell him\nA broke nigga believe anything that you tell him\nWell I'm a broke nigga, but still I wouldn't listen to you\nEven if your hand was on a Bible quote, nigga, pfttuh\n[Verse 2]\nSee I was brought up different\nWhatever that my pops said, for sure I'd listen\nYou said you did dirt, but I can't dig it\nIt don't concern you if you wasn't born in it\nOh-no-oh-oh\nI swear we got to fast-forward, before time flies by\nMy new saying for '0-10 is, why lie?\nAnd if you ain't trying to win, then why try?\nNow you can low-ball or give me high five\nThis is I nigga, look into my eye [Hook]\nNigga, I am Kendrick... Lamar\nNigga, my name is Kendrick... Lamar\nI said my name is Kendrick... Lamar\nI changed the name cause I was tired of being like y'all\nNow finally I'm ready to tell the world who I are, pfttuh\n[Verse 3]\nAnd that used to be a hell of a task\nNow I'm ahead of my class, so go ahead and harass\nMy character like it don't carry a confidence\nThat can marry a Halle Berry or Angelina with no cash\nI'm bout to cash in my thoughts\nGive you a compass, then tell you get lost\nWhat I'm bout to accomplish is something that you can't fathom\nOnce the Eves come, they quick to stare at him\nHoping I don't take their bitch, but I'm on some other shit\nWhen I'm done, I'm tryna run the government\nThese are big dreams, transition from a rapper to a human being\nYou can't 'school' a dean\nI be tutoring artist-es, leave 'em with no audience\nAll cause they all a facade, my God\nY'all be out partying, I be stealing your audience\nAll because who I are, Lamar\n[Hook]\nBut my first name, it gotta be Kendrick... Lamar\nNigga, my name is Kendrick... Lamar\nI changed the name cause I was tired of being like y'all\nNow finally I'm ready to tell the world who I are, now let's go [Outro]\nBut we can't go... backwards" } ]

[ { "from": "human", "value": "Write me a song called Nobody’s Perfect with the following description: Track that was never officially released as a single by Chris Brown but did premiere on Power 106’s Big Boy’s Neighbourhood. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYou are natural sweet, not just beautiful\n'Cause you follow your heart\nIt makes it even more special that you don't know\nHow damn lovely you are\nI would kiss the mirror every single day\nIf I wake up with your face\nWhat are all these doubts for spinnin' in your head?\nDon't you look so sad\n[Chorus]\nWon't you come right here? Say you're mine, our view\nNobody, nobody, nobody's perfect but you, yeah, you\nMean the world to me, I can't believe you're true\n'Cause nobody, nobody\nNobody's perfect but you, you, you\nIt's just you, you, you\n[Post-Chorus]\nNobody, nobody, nobody, nobody\nNobody, nobody, no-nobody, nobody\nNobody, nobody\nNobody's perfect but you\n[Verse 2]\nWhen you stand close to me, I get paralyzed\nI forget how to breathe\nEvery place is forsaken and feels so wrong\nEvery time that you leave\nYou catch me when I'm fallin', you bring me back to life\nWhen I'm dyin' in your eyes\nNow what are all these doubts for spinnin' in your head?\nDon't you look so sad [Chorus]\nWon't you come right here? Say you're mine, our view\nNobody, nobody, nobody's perfect but you, yeah, you\nMean the wo-o-orld to me-e-e\n'Cause nobody, nobody\nNobody's perfect but you, you, you\nIt's just you, you, you (Party)\n[Post-Chorus]\n(Dance)\nNobody, nobody, nobody, nobody (Nobody, baby)\nNobody, nobody, no-nobody, nobody (Oh, baby)\nNobody, nobody\nNobody's perfect but you (Yeah-yeah)\nYeah, you\n[Chorus]\nMean the world to me, me, me, me, me, me, me, me\nNobody, nobody, nobody's perfect but you, you, you, you, you, you, you\nWon't you come right here? Say you're mine, our view\nNobody, nobody, nobody's perfect but you, yeah, you\nMean the world to me, I can't believe you're true\n'Cause nobody, nobody\nNobody's perfect but you, you, you\nIt's just you, you, you (Party)" } ]

[ { "from": "human", "value": "Write me a song called Bitch, Don’t Kill My Vibe (Original Version) with the following description: “Bitch, Don’t Kill My Vibe” was originally intended to be a collaboration between Kendrick Lamar and Lady Gaga, but her contributions ended up being cut from the final version.\nOn August 15, 2012, Lady Gaga announced that she had collaborated with Kendrick Lamar on another song recorded for good kid, m.A.A.d city entitled “Partynauseous”, that was scheduled for release on September 6, 2012. Eight days later, she announced that the song would no longer be released on the announced date and apologized to fans for the delay.\n\n\nIm REALLY sorry to the fans. record w Kendrick won't be out on the 6TH i'm SO SORRY its not my album, i don't control dates. but stay tuned!— Lady Gaga (@ladygaga) August 23, 2012\n\n\n\nIn the end, none of Gaga’s contributions were ultimately featured on Lamar’s album due to timing issues and creative differences.\nIn November 2012, she leaked and tweeted the “Bitch, Don’t Kill My Vibe” with her vocals as part of DJWS Vision No. 2, a clip of behind-the-scenes footage of her tour in Brazil and Colombia.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Lady Gaga]\nI am a sinner who’s probably gonna sin again\nLord forgive me, Lord forgive me\nThings I don’t understand\nSometimes I need to be alone\nBitch don’t kill my vibe, bitch don’t kill my vibe\nI can feel your energy from two planets away\nI got my drink, I got my music\nI would share it but today I’m yelling\nBitch don’t kill my vibe, bitch don’t kill my vibe\nBitch don’t kill my vibe, bitch don’t kill my vibe\n[Kendrick Lamar]\nLook inside of my soul and you can find gold and maybe get rich\nLook inside of your soul and you can find out it never exist\nI can feel the changes, I can feel a new life\nI always knew life can be dangerous\nI can say that I like a challenge and you to me is painless\nYou don’t know what pain is\nHow can I paint this picture when the color blind is hanging with you\nFell on my face and I woke with a scar\nAnother mistake living deep in my heart\nWear it on top of my sleeve in a flick\nI can admit that it did look like yours\nWhy you resent every making of this\nTell me your purpose is petty again\nBut even a small lighter can burn a bridge\nEven a small lighter can burn a bridge I can feel the changes\nI can feel the new people around me just want to be famous\nYou can see that my city found me then put me on stages\nTo me that’s amazing\nTo you that’s a quick check with all disrespect let me say this\n[Hook]\n[Verse 2]\nI'm trying to keep it alive and not compromise the feeling we love\nYou're trying to keep it deprived and only co-sign what radio does\nAnd I'm looking right past you\nWe live in a world, we live in a world on two different axles\nYou live in a world, you living behind the mirror\nI know what you scared of, the feeling of feeling emotions inferior\nThis shit is vital, I know you had to\nThis shit is vital, I know you had to\nTo die in a pitiful vain, tell me a watch and a chain\nIs way more believable, give me a feasible gain\nRather a seasonal name, I'll let the people know this is something you can blame\nOn yourselves you can remain stuck in a box\nI'mma break out and then hide every lock\nI'mma break out and then hide every lock\n[Bridge] + [Hook]\n[Lady Gaga]\nI am a human who’s probably gonna fault again\nLord forgive me, Lord forgive me\nThings I don’t understand\nSometimes I need to be alone\nBitch don’t kill my vibe, bitch don’t kill my vibe\nI can feel your energy from two planets away\nI got my drink, I got my music\nI would share it but today I’m yelling\nBitch don’t kill my vibe, bitch don’t kill my vibe\nBitch don’t kill my vibe, bitch don’t kill my vibe" } ]

[ { "from": "human", "value": "Write me a song called Difficult with the following description: This is basically a tribute to Proof, Rest in Peace. We miss you!! 1973-2006.\nDeShaun Dupree Holton AKA Proof is Eminem’s hype man & best friend since childhood, passed away back in 2006 April 11. He was shot & killed in a club.\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Eminem]\nThey ask me am I okay, they ask me if I'm happy\nAre they askin' me that because of the shit that's been thrown at me?\nOr am I just a little snappy and they genuinely care?\nDoody, most of my life, it's just been me and you there\nAnd I continuously stare at pictures of you\nI never got to say I love you as much as I wanted to, but I do\nYeah, I say it now when you can't hear me\nWhat the fuck good does that do me now?\nBut somehow, I know you're near me, your presence\nOh, I went and dropped some presents off for Easter\nTo them two little beautiful boys of yours to try to ease their\nMinds a little, and dog, you'll never believe this\nBut Sharonda actually talks to me now—Jesus!\nAnd everyone else is just tryin' to pick up the pieces\nMan, how could you touch so many fuckin' lives and just leave us?\nThey say grievance has it's way of affectin' everyone different\nIf it's true, how the fuck I'm supposed to get over you?\nDifficult as it sounds\n[Chorus: Obie Trice]\nDoody, I drop a tear in a rhyme\nThe day you find it is the day I stop missin' DeShaun\nHolton, it was written, it was woven\nFor a soldier to leave so suddenly, got me wide open\nHow could God take a soul so dope and\nTurn around, leave us all heartbroken?\nKnow that you're sayin', \"Keep goin'!\nBe a man! No emotion! It's your duty!\"\nUntil we meet again, Doody [Verse 2: Eminem]\n\"Doody,\" that's what we'd call each other\nI don't know where it came from\nBut it just stuck with us, we was always brothers\nNever thought about each other's skin colors\n'Til one day we was walkin' up the block in the summer\nIt was like ninety degrees, I was catchin' a sunburn\nTryin' to walk under the trees just to give me some comfort\nI moan and I just wanna get home and\nI look over and your shirt is off\nI'm like, \"You're gonna fry,\" you're like, \"No, I won't\nI'm black, stupid!\n \nAnd black people they got melatonin\nIn their skin—we don't burn,\"\n meanwhile my face is glowin'\nAnd I feel like I'm on fire\nAnd the entire time you're just laughin' at me\nAnd snappin' at me with your shirt, bastard\nAnd I still have to get you back for that shit\nAnd by the way, them Playboy rings my mother stole from you\nWell, Nate finally got 'em back, shit\nIt must've been at least 16 years ago\nWell, I put 'em in your\n \ncask—oww\nMovin' past it, it still ain't registered yet\nBut you can bet, your legacy they'll never forget\nThe Motor City, Motown, hip hop vet\nHip Hop Shop,\n dreads, it don't stop there\nYeah, as difficult as it sounds [Chorus: Obie Trice]\nDoody, I drop a tear in a rhyme\nThe day you find it is the day I stop missin' DeShaun\nHolton, it was written, it was woven\nFor a soldier to leave so suddenly, got me wide open\nHow could God take a soul so dope and\nTurn around, leave us all heartbroken?\nKnow that you're sayin', \"Keep goin'!\nBe a man! No emotion! It's your duty!\"\nUntil we meet again, Doody\n[Verse 3: Eminem]\nAnd this might sound a little strange but I'ma tell it\nI found that jacket that you left at my wedding\nAnd I picked it up to smell it\nI wrapped it up in plastic until I put it in glass\nAnd hang up in the hallway so I can always look at it\nAnd as for all me and D12 we feel like \"Fuck rap!\"\nIt feels like our general just fuckin' died in our lap\nWe shut off all our pagers, all our cell numbers is changed\nOur two-ways are in the trash\nSo some cats will have to find a new way\nAnd I know it feels like the dreams will die with you today\nBut the truth is they're all still here and you ain't\nPurple Gang, you gotta keep pressin' on\nDon't ever give up the dream, dog, I got love for you all\nAnd Doody, it's true you brought people together\nWho never woulda been in the same room if it wasn't for you\nYou were the peacemaker, Doody\nI know sometimes you were moody\nBut you hated confrontation and truly hated the feuding\nBut you was down for yours whenever it came to scrappin'\nIf it had to happen, it had to happen\nBelieve me, I know you're the one who taught me to throw them 'bows back on Dresden\nFrom eggin' cars to paintballin', gettin' arrested\nTo sittin' across from each other in cells, laughin' and jestin'\nThey tried to hit us for five years for that, no question\nI guess them hookers and bums that we shot up didn't show up for court, so we got off on a technicality, left sweatin'\nMe, you and… what's his face? I forgot his fuckin' name\nShame he even came to your funeral, he betrayed our team\nAnd if I see him again I'ma punch him in the fuckin' face\nAnd that’s on Hailie Jade, Whitney Laine and Alaina’s name\nI let the pistol bang once just to lick a shot\nIn the air for you and pour some liquor out\nWith Obie in the parking lot of 54 just before\nWe were supposed to get in cars to come and see you once more\nDifficult as it sounds [Outro: Obie Trice]\nDoody!" } ]

[ { "from": "human", "value": "Write me a song called Show Me (Remix) with the following description: An official remix to the highly popular “Show Me” by Kid Ink. The remix features Chris Brown (as in the original) alongside Trey Songz, Juicy J and 2 Chainz. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kid Ink, \nTrey Songz\n, \nChris Brown\n, \nYG\n]\nUgh, \nbaby\nI said \nbaby\n (Yeah)\nYeah (Uh, tell 'em)\n(\nMustard on the beat, ho\n)\n[Pre-Chorus: Trey Songz, \nKid Ink\n]\nBaby, let me put your panties to the side (\nUh\n)\nI'ma make you feel alright (\nRight, right\n)\nI'ma give you what you need quick (\nUgh\n)\nBaby, it's the remix (\nGo, woo!\n)\n[Chorus: Chris Brown, \nKid Ink\n, \nTrey Songz\n, \nChris Brown & Trey Songz\n]\nMami, you remind me of somethin' (\nUh\n)\nBaby, you remind me\nBut I don't know what it is (\nI don't know\n)\nI don't even know\n'Cause you remind me of somethin'\nGirl, you gotta show me (\nUh\n, \nshow me\n, alright)\nYou remind me of somethin' (\nUgh, uh\n)\nBaby, you remind me\nBut I don't know what it is right now (\nI don't know\n)\nDon't even know\n'Cause you remind me of somethin' (\nUh\n)\nGirl, you gotta show me\n (\nIt's Kid Ink\n) [Verse 1: Kid Ink]\nUh, on the real, no—\nWest coast back like '94\nJust picture me rollin' in my own lane\nShould of listened to the hype though, hold that\nAnd show me somethin'\nDJ ain't playin' nothin' but Mustard\nCatch up to the bandwagon\nFuck, it's Friday, I'm feelin' like the old Chris Tucker (Ugh!)\nAnd we gold for the record\nTryna go platinum and add a couple karats\nBein' low-key kinda hard with the cameras\nHer boyfriend here, but she lookin' so careless\n[Chorus: Trey Songz, \nChris Brown\n, \nKid Ink\n, \nTrey Songz & Chris Brown\n]\nBaby, you remind me\nMami, you remind me of somethin'\n (\nUh\n)\nI don't even know what it is, oh\nBut I don't know what it is\n (\nI don't know\n)\n'Cause you remind me of somethin'\n (Woah)\nGirl, you gotta show me\n (\nUh\n, show me, \nalright\n)\nYou remind me of somethin'\n (\nWoo!\n \nUh\n)\nBut I don't know what it is right now\n (\nYeah\n, \nI don't know\n)\n'Cause you remind me of somethin'\n (\nUh\n)\nGirl, you gotta show me\n (\nUh\n) [Verse 2: Trey Songz]\nHold up, don't you know that this the remix?\nAnd she just got her weave fixed\nNiggas go and get your weed lit\nAyy, all my Cali niggas need it\nLet's get to that booty, that you throwin' 'round, baby\nI give that booty work, I'ma never go lazy (Uh)\nDancing with your girl in your own world\nFace like a angel, is it wrong I can't wait to bang you? (Bow!)\nHow you actin' like a little devil\nSpeed up, slow down, woah, now, gas pedal\nClap it, smack it, grab it, tryin' tell you\nBooty dumb, booty dumb, yeah, that ass special\n[Chorus: Trey Songz, \nChris Brown\n, \nKid Ink\n]\nBaby, you remind me\nMami, you remind me of somethin'\n (\nUh\n)\nI don't even know what it is, oh\nBut I don't know what it is\n (\nI don't know\n)\n'Cause you remind me of somethin'\nGirl, you gotta show me\n (\nUh\n, show me, \nalright\n)\n(\nBaby, you remind me\n)\nYou remind me of somethin'\n (\nUh\n)\nBut I don't know what it is right now\n (\nI don't know\n)\n'Cause you remind me of somethin'\n (\nYeah, yeah, yeah\n, \nuh\n)\nGirl, you gotta show me [Verse 3: Juicy J]\n(Yeah, back)\nBring it back, let's get it, baby (Yeah, ho)\nI just wanna fuck you at the dinner table (Yeah, ho)\nShawty, come pull up a seat at the winner's table (Yeah, ho)\nWe don't get attached (Uh), we too busy gettin' paper (Yeah, ho, yeah)\nForeign cars, make 'em both lose they top\nJust turned twenty-one and she fiendin' for shots (Hey)\nShe from the West coast, all she fuck with is Pac\nSo I give her California love while I'm high (Uh-huh, yeah, ho)\nLike, you remind me of somethin' (Yeah, ho)\nLeave the club, we can bang like we from Compton (Yeah, ho)\nPull a Lambo' 'round back, Bel Air, we down there (Yeah, ho)\nMake a movie in the club, shawty, this the soundtrack (Yeah, ho)\n[Chorus: Trey Songz, \nChris Brown\n, \nKid Ink\n]\nBaby, you remind me\nMami, you remind me of somethin'\n (\nUh\n)\nI don't even know what it is, oh\nBut I don't know what it is\n (\nI don't know\n)\n'Cause you remind me of somethin'\nGirl, you gotta show me\n (\nUh\n, show me, \nalright\n)\n(\nBaby, you remind me\n)\nYou remind me of somethin'\n (\nUh\n)\n(You remind, I don't know what it is)\nBut I don't know what it is right now\n (\nI don't know\n)\n'Cause you remind me of somethin'\n (Oh-oh, \nyeah, yeah, yeah\n, \nuh\n)\nGirl, you gotta \nshow me\n, yeah\n (Show)\n[Post-Chorus: Chris Brown, \nKid Ink\n, \nTrey Songz\n, \n2 Chainz\n]\nBaby, if you know what it is\nOn the real, can't lie, man, you just my type\n (Ooh, baby, \nyeah, yeah\n, \nyeah\n)\nHands in the air lookin' for a bitch right now (Ooh, baby, \n2 Chainz\n)\nOn the real, can't lie, man, you just my type\n[Verse 4: 2 Chainz]\nTwo red girls, eatin' red beans and rice\nWith Popeye's, eat hot fries\nYou should see what I got parked outside\nI kiss my girl every time I'm at a stop sign\nMy ex left me for another nigga\nNow she realized she stuck with a sucker nigga\nOh, yeah, you a go getter, then you should go get her\nThe type to put Forgiatos on a four-wheeler (Tell 'em!)\nI put five ladies on a four-seater (Damn)\nI'm gettin' money and you settin' off my broke meter (True)\nI'm straight from Section 8, I save coupons\nJust bought a car, that bitch came with Grey Poupon (Ooh)\n[Pre-Chorus: Trey Songz, \nChris Brown\n, \nKid Ink\n, \nTrey Songz & Chris Brown\n, [YG]]\nBaby, let me put your panties to the side (\nYeah\n, \nuh\n, \nyeah, hee, hee, hee, hee\n)\nI'ma make you \nfeel alright\n (\nRight\n)\nI'ma give you what you need quick (\nNeed, oh-oh, yeah\n)\nBaby, it's the remix\n[Mustard on the beat, ho]\n[Chorus: Trey Songz, \nChris Brown\n, \nKid Ink\n, \nTrey Songz & Chris Brown\n]\nBaby, you remind me\nMami, you remind me of somethin'\n (\nUh\n)\nI don't even know what it is, oh\nBut I don't know what it is\n (\nI don't know\n)\n'Cause you remind me of somethin'\nGirl, you gotta show me\n (\nUh\n, show me, \nalright\n)\n(\nBaby, you remind me\n)\nYou remind me of somethin'\n (\nUh\n)\n(You remind, I don't know what it is)\nBut I don't know what it is right now\n (\nI don't know\n)\n'Cause you remind me of somethin'\n (Oh-oh, \nyeah, yeah, yeah\n, \nuh\n)\nGirl, you gotta \nshow me\n (Show)\n[Post-Chorus: Chris Brown, \nKid Ink\n, \nTrey Songz\n]\nBaby, if you know what it is\nOn the real, can't lie, man, you just my type\n (Oh, baby, oh, babe, \nyeah, yeah\n)\nHands in the air lookin' for a bitch right now\nOn the real, can't lie, man, you just my type\n (I'm lookin' for ya)" } ]

[ { "from": "human", "value": "Write me a song called RUN IT UP with the following description: This is Dame’s first single from his second album, Confirmed. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: \nLil Wayne\n & Dame D.O.L.L.A.]\nYup, oh yeah\nD.O.L.L.A\n[Chorus: \nLil Wayne\n & Dame D.O.L.L.A.]\nAye, run it up\n, run it, \naye, run it up, aye\nI'ma get the check and I'ma run it up, aye\n (run it)\nI'ma get the squad and we gon' run it up, aye\n (run it)\nAll of this is hustle, none of this is love, aye\nRun it up, aye,\n run it, \nrun it up, aye\nI'ma get the check and I'ma run it up, aye\nI'ma get the squad and we gon' run it up\n (squad!), \naye\nAll of this is hustle, none of this is love\nThey was hatin' on me, now it's all love\nAll of this is hustle, none of this is love\nWe was goin' hard, now we came up\nAll of this is hustle, none of this is love\n[Verse 1: Dame D.O.L.L.A.]\nAye, all of this is hustle\nY'all about to make it where I gotta show my muscle\nWhen I'm gettin' to it, girl, it's easier to love you\nTried to give me scraps, I made 'em pieces to the puzzle\nI grind\nAin't no secret money on my mind\nSit at my table then you want my time\nAnd I don't play that\nI'm stuntin' for the payback\nI'm from where Golden State at\nBut Portland where I lay at\nI'm the Daddy Mac, Mac Daddy with hoop and rappin'\nY'all be on your Kris Kross, uh, hustlin' backwards\nAll this game I'm givin' is prolly gon' be a caption\nWhen the lights and camera off I'ma still be 'bout that action [Chorus: \nLil Wayne\n & Dame D.O.L.L.A.]\nAye, run it up\n, run it, \naye, run it up, aye\nI'ma get the check and I'ma run it up, aye\nI'ma get the squad and we gon' run it up, aye\nAll of this is hustle, none of this is love, aye\nRun it up,\n run it, \naye, run it up, aye\nI'ma get the check and I'ma run it up, aye\nI'ma get the squad and we gon' run it up\n (squad!), \naye\nAll of this is hustle, none of this is love\nThey was hatin' on me, now it's all love\nAll of this is hustle, none of this is love\nWe was goin' hard, now we came up\nAll of this is hustle, none of this is love\n[Verse 2: Lil Wayne]\nAye, I'm finna run it up\nAnd tell them niggas hurry up if niggas runnin' up\nThem haters try to bring me down, I shouldn't have brung 'em up\nShe askin' me to bring her out, I only brung a blunt\nRun it up, we runnin' things, she want run with us (yeah)\nYada, yada, young mula, now kiss my such and such\nI want a thot, I want a model with a bubble butt\nA double cup of some codeine and my slushy slush\nPullin' stunts, I'm pullin' strings, and I'm pullin' up\nI spun it up and bounced back like a bungee jump\nAnd D. Lill. in the buil', nigga one of us\nThem D. Lills on my feet after 1-on-1 [Chorus: \nLil Wayne\n & Dame D.O.L.L.A.]\nAye, run it up\n, run it, \naye, run it up, aye\nI'ma get the check and I'ma run it up, aye\nI'ma get the squad and we gon' run it up, aye\nAll of this is hustle, none of this is love, aye\nRun it up,\n run it, \naye, run it up, aye\nI'ma get the check and I'ma run it up, aye\nI'ma get the squad and we gon' run it up\n (squad!), \naye\nAll of this is hustle, none of this is love\nThey was hatin' on me, now it's all love\nAll of this is hustle, none of this is love\nWe was goin' hard, now we came up\nAll of this is hustle, none of this is love\n[Verse 3: Dame D.O.L.L.A.]\nThey know what's up whenever we roll, ugh\nD.O.L.L.A. with the movement, the party go, \"ugh\"\nAll of this is hustle, none of this is love\nKnow what time it is, they don't frisk my cousins\nWe be on chill, we ain't worried 'bout nothin'\nBaby, if it's real, then it's no discussion\nI ain't tryna hear what you tryna tell me (uh-uh)\nI ain't tryna buy what you tryna sell me, uh\nI see the hatred, how that paint drip\nClosed another deal, hunnid mill', uh, page flip\nWe gon' run it up, Cartier bracelet\nI could make a princess chick out of basic [Chorus: \nLil Wayne\n & Dame D.O.L.L.A.]\nThey was hatin' on me, now it's all love\nAll of this is hustle, none of this is love\nWe was goin' hard, now we came up\nAll of this is hustle, none of this is love, aye\nRun it up\n, run it, \naye, run it up\n, run it\nI'ma get the check and I'ma run it up, aye\nI'ma get the squad and we gon' run it up, aye\nAll of this is hustle, none of this is love, aye\nRun it up\n, run it, \naye, run it up\n, run it, \naye\nI'ma get the check and I'ma run it up, aye\nI'ma get the squad and we gon' run it up, aye\nAll of this is hustle, none of this is love, aye" } ]

[ { "from": "human", "value": "Write me a song called Praise God with the following description: “Praise God” has the collaboration of Baby Keem and well-known protégé of Kanye, Travis Scott, as well as speech from the person the album is named after, Kanye’s late mother Donda West. As the title of the song states, the trio praise God and raise awareness towards His cause. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Travis Scott & \nDonda West\n]\nThat she wrote, \"Speech to the Young: Speech to the Progress-Toward\"\nSay to them, say to the down-keepers, the sun-slappers\nThe self-soilers, the harmony-hushers\nEven if you are not ready for the day, it cannot always be night\nServe, flex, I do work (Work)\nSix, I'm like Mike\nHe's out of sight, woo\nYou done got me piped\nTwo-man like Ike\nSix out the spot (Uh, uh)\nInto the night\n[Verse 1: Travis Scott & \nKanye West\n]\nYeah, I'm shakin' the drop (Drop)\nI'm still up on top (Aight)\nI been had the bop\nThe devil my opp, can't pay me to stop\n (It's lit)\nMy God at the top\n (La Flame)\n[Chorus: Kanye West & \nDonda West\n]\nWe gon' praise our way out the grave, dawg\nLivin', speakin', praise God\nWalkin' out the graveyard back to life\nI serve, follow your word, see with new sight, \ninto the night\n (\nHey\n) [Verse 2: Travis Scott & \nKanye West\n]\nYeah, this life I'm livin' (\nI'm livin'\n)\nAll the advice been tipped in (\nThat thang\n)\nGave me that grip, no slippin' (\nThat grip\n)\nOut of my mind, went trippin' (\nMy mind\n)\nTell me take two when I'm on one (\nI'm on\n)\nThat lookout like no one\nKept it real tight like your son (Your son)\nYeah (La Flame)\n[Chorus: Kanye West & \nDonda West\n]\nWe gon' praise our way out the grave, dawg\nLivin', speakin', praise God\nWalkin' out the graveyard back to life\nI serve, follow your word, see with new sight, \ninto the night\n[Verse 3: Baby Keem]\nStill on side, huh, still outside\n****, attention, still outside, huh, still outside\nTame Imp—, Tame Impala, ****\nTame Impala, stay outside, huh\nAnd I'm still outside, I'm still outside, still outside, huh\nLet's get right, huh, let's get right, uh, let's get right, uh, huh\nLet's get right, let's get (Ayy, ayy, ayy), let's get right\nLet's get (Ayy, ayy, ayy), let's get—\nLook at new scenes, I opened my life, I'm subject to memes\nI signed a few ****, I polished their dreams\nAn angel on earth, come under my wing\nStop runnin' your publishers, ****\nThey publish the headlines and say the wrong things\nY'all treat your Lord and Savior like renters' insurance, you know what I mean?\nBada the bada the boom, I bada the boom, I bada the bing\nI need a new girl, my old one was mean\nI had to let go, forgave all them evils that came to my shows\nI channeled them bad **** all in abode\nI channeled your trust, I channeled the turbulence, came with the life\nI gathered my sinners and asked if I'm right, let's get\nI just get right, ****, huh\nLet's get right, let's get right, let's get right, shh, shh\nAin't on sight, it's on sight\nI don't know you, you, you, you, it's on sight\nI don't know you, you, you, you (Ayy, ayy), let's get right\nAyy, all of my **** on Channel 5\nI don't channel ten 'til it go time\nUsed to throw up my uncle's spaghetti\nBeen told to tote since before I was ready\nBack when my mama told me that I was challenged\nA single Black woman, you know that she petty\nI turned a heavy heart to two million dollars\nI put that in totals, reverse outta debty\nI gotta, I gotta put on a rager one time\nI swung the powder, went major one time\nI know some white people servin' no time\nI gotta do it for me, do it for, pray for me\nDo it for all the ones dyin'\nI wanna do it for all the ones cryin'\nI wanna, uh, uh, uh, let's get right, huh" } ]

[ { "from": "human", "value": "Write me a song called Heatstroke with the following description: “Heatstroke” is a groovy track about the warm feeling someone’s love sparks in their partner, making their life pleasureable and enjoyable.\nThe song is the second of ten songs released by Scottish DJ and producer Calvin Harris in 2017. By making it the first time the three musicians of completely different genres collaborate, the song unites them and makes them sing about setting feelings free and having a good time.\nThe single was officially announced on March 28, after several snippets had been teased by Calvin Harris on Snapchat. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Young Thug]\nWon't you please\nSlow it down?\nI'm tryna talk to you, darlin'\nTryna walk with you, darlin'\nDo you hear me?\nAnd no-no-no-no-nobody can stop it\nThe love you got from me\nAnd every time, I look out at my seat today\nThey chase, they flash they flash, yes\n[Verse 1: Young Thug]\nTell me how you feel right now\n'Cause all I wanna do is keep it real right now\nI'm tryna beat it up, Beat Pills right now\nAthletic in the sheets, I got skills right \nnow\nBreak bread with some red baby hair\nBallin' in the club, Ace of Spades, yeah\nPop that bitch and spray it like 'Raid'\nYellow diamonds on you like a glass of lemonade\nQB, I'll throw it\nTeeth white, Newports\nI want knees like shorts\n80 thousand dollar Birkin bag in the Porsche\nI'm tryna fuck with you 'til we on life support\nI'll split it with you if we get half of Michael Jordan\nNo toilet tissue, I shit on niggas 'cause life is short (facts)\nNo passport to go with me, I had to get deported [Chorus: Pharrell Williams & \nYoung Thug\n]\nRelease, let go, and have a good time\nHave a good, have a good time, yeah\nHave a good, have a good time\nRelease, let go, and have a good time\nLet's have a good, have a good time, yeah\n[Refrain: Ariana Grande & \nPharrell Williams\n]\nWhen you do things like this\nAnd you set me free\nHow can anyone get tired?\nWhen you do things like this\nAnd you set me free\nI think I've just been inspired\nOh babe\n[Verse 2: Young Thug]\nJeffery!\nBrand new chapter of a real you\nShe got every red bottom like a baboon\nHunnid' bottles in the club, real one room\nGirl you gotta keep up with a boss move\nKing of the jungle, tycoon\nEverybody thinking that's a cartoon\nWe just wanna party, way back in the war room\nDo you want some? No I don't, son\nTryna watch me ballin', do you want money?\nI'm just tryna turn up, tryna work something\nShawty suck the dick good, she wanna fuck it first\nHey mista, you a rat burn\nGood hair down her back\nRich nigga, I like 'em ratchet\nFuck it up, throw it back\nNo shave, Brazilian wax [Chorus: Pharrell Williams & \nYoung Thug\n]\nRelease, let go, and have a good time\nHave a good, have a good time, yeah\nHave a good, have a good time\nRelease, let go, and have a good time\nHave a good, have a good time, yeah\n[Refrain: Ariana Grande & \nPharrell Williams\n]\nWhen you do things like this\nAnd you set me free\nHow can anyone get tired?\nWhen you do things like this\nAnd you set me free\nI think I've just been inspired\nWhen you do things like this\nAnd you set me free, boy\nHow can anyone get tired?\nWhen you do things like this\nAnd you set me free\nI think I've just been inspired\n[Outro: Pharrell Williams & \nAriana Grande\n]\nHey, hey\nI could sweat like this all night\nOh, heatstroke, oh\nI think you opened my eyes" } ]

[ { "from": "human", "value": "Write me a song called Beautiful Liar with the following description: “Beautiful Liar” marks the first collaboration between Colombian singer Shakira and American singer Beyoncé. The song is influenced by a mix of Shakira’s Latin and Middle Eastern sounds with Beyoncé’s contemporary hip hop and R&B sound.\nLyrically, the song deals with two women who discover they have been cheated on by the same man and instead of wasting their time on him, they agree that he is not worth fighting over. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Beyoncé]\nAy, ay\nAy (Nobody likes being played)\n[Refrain: Beyoncé]\n(Oh) Beyoncé, Beyoncé\n(Oh) Shakira, Shakira (Hey)\n[Verse 1: Beyoncé, \nShakira\n]\nHe said I'm worth it\nHis one desire\nI know things about him that you wouldn't wanna read about\nHe kissed me, his one and only (Yes)\nBeautiful liar\nTell me how you tolerate the things I just found out about\n[Pre-Chorus: Shakira, \nBeyoncé\n]\nYou never know\nWhy are we the ones who suffer?\nI have to let go\nHe won't be the one to cry\n[Chorus: Beyoncé, \nShakira\n, \nBoth\n]\n(Ay) Let's not kill the karma\n(Ay) Let's not start a fight\n(Ay) It's not worth the drama\nFor a beautiful liar\n(Oh) \nCan't we laugh about it?\n (Ha, ha, ha!)\n(Oh) \nIt's not worth our time\n(Oh) \nWe can live without him\nJust a beautiful liar [Verse 2: Shakira, \nBeyoncé\n]\nI trusted him, but when I followed you\nI saw you together\nI didn't know about you then 'till I saw you with him again\nI walked in on your love scene\nSlow dancing\nYou stole everything, how can you say I did you wrong? Yeah\n[Pre-Chorus: Shakira, \nBeyoncé\n]\nWe'll never know\nWhen the pain and heartbreak's over\nI have to let go\nThe innocence is gone\n[Chorus: Beyoncé, \nShakira\n, \nBoth\n]\n(Ay) Let's not kill the karma\n(Ay) Let's not start a fight\n(Ay) It's not worth the drama\nFor a beautiful liar\n(Oh) \nCan't we laugh about it?\n (Ha, ha, ha)\n(Oh) \nIt's not worth our time\n(Oh) \nWe can live without him\nJust a beautiful liar\n[Bridge: Shakira, \nBeyoncé\n, \nBoth\n]\nTell me how to forgive you (\nOoh\n)\nWhen it's me who's ashamed (\nOh\n)\nAnd I wish could free you\nOf the hurt and the pain\nBut the answer is simple\nHe's the one to blame\n (\nHey\n) [Instrumental Break]\n[Refrain: Beyoncé]\n(Ay) Beyoncé, Beyoncé\n(Ay) Shakira, Shakira\n(Oh) Beyoncé, Beyoncé\n(Oh) Shakira, Shakira (Hey!)\n[Chorus: Beyoncé, \nShakira\n, \nBoth\n]\n(Ay) Let's not kill the karma\n(Ay) Let's not start a fight\n(Ay) It's not worth the drama\nFor a beautiful liar\n(Oh) \nCan't we laugh about it?\n (Ha, ha, ha)\n(Oh) \nIt's not worth our time\n(Oh) \nWe can live without him\nJust a beautiful liar" } ]

[ { "from": "human", "value": "Write me a song called Santa Fe with the following description: “Santa Fe” is a song that was released by Post Malone on August 23, 2014, but has since been deleted for unknown reasons.\nOn December 8, 2015, the song resurfaced online through SoundCloud but has yet to be officially released by Post himself. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nHahaha\nBlackout, baby\n[Verse]\nI see shit in the L.A. sky (Uh)\nL.A. nights getting too damn high\nCodeine in my blood, mud in my Sprite\nNicotine in the bud and the L.A. lights\nFuck all that shit about your human rights\nI'ma make it real clear, shit black and white\nI don't wanna see your face in my line of sight\nOh boy, try stuntin' on me? It don't happen\nCouple Benji's stashed in that mattress\nTold her back it up, she ass-backwards\nTold her I'ma bring her back to my address\nTold her she can have a sip of my Activ'\nShe gon' smoke on weed and then she gon' ash it\nTold her girl, don't be gettin' distracted\nBoy, I pull up-up with your whore\nThat voodoo good so I roll it\nThirteen blunts, boy I smoke it\nThirteen life, boy I know it\nThrow four in it when I'm feelin' Whitney\nAll this drinking is killing my kidneys\nAll this sip I'm sippin' gon' kill me\nAnd motherfuckers walkin' if they ain't ridin' with me\nTeeth shine in my mouth\nBad bitches all on my couch\nYou know it's foreign when I back out\nHit 'em with the woo-wap, she black out\nBoy, I done drank so much I passed out\nHoes fall asleep and all they ass out\nBoy, I done drank so much I passed out\nWoke up in the spot, I'ma cash out [Outro]\nI see shit in the L.A. sky\nI see shit in the L.A. sky\nI see shit in the L.A. sky\nI see shit in the L.A. sky\nNo-op\nWhat that work, with chain got in my chain, ridin' round\nGot all day, and all things the same\nOnly this life is my cash to fame\nSanta Fe\nSanta Fe\nSanta Fe\nStoney Maloney\nSanta Fe\nSanta Fe" } ]

[ { "from": "human", "value": "Write me a song called Get My Gun with the following description: One of the most fast paced songs by D12 off their sophomore effort ‘D12 World’. In a behind the scenes interview, Proof was asked which was his favorite song on the LP, he answered “Get My Gun”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Eminem & \nKon Artis\n]\n*Gun being cocked*\nI'm gonna get my gun!\nThis motherfucker wants to disrespect me?\nMan, what the p—?! Em! Em! What the fuck you doing, man?!\n(I'm gonna get my gun!)\nI got something for his ass\nCalm down!\nNo, you calm down!\nMan, what—?! What's your problem?!\n(I'm gonna get my gun!)\nFuck that! The motherfucker wants to pop shit to me?!\nMan! He wasn't popping shit!\n(I'm gonna get my gun!)\nYou heard him, he was popping that shit!\nWhat shit?!\nThat shit! You heard him!\nHe asked for your autograph!\n(I'm gonna get my gun!)\n[Verse 1: Swifty McVay & \nEminem\n]\nI'm mass murderer, pack burners to blast further then you can get\nMy shit be shooting through bricks\nI mix anything together, \nI done guillotine a nigga\nKeep a heater that pop clips with seventeen or better\nI'll be severing heads, I'm in everyone's nightmare\nA nigga that can never ever be scared of the feds\nSend the niggas that'll fuck with you\nStab and brass knuckle you\nThen have you in the public, there's nothing that you can do\nEnough with you're motherfucking tough talk, you're soft\nGet you're balls blew off, from a sawed-off, I'm raw dog\nCrazier then all y'all, wet you like the navy when I'm angry\nYou'll never catch me hanging in a Narc's car\nAll I have is thought of, breathing evil\nDesert Eagles will eat through people\nWhen I see you I'mma heat your beef slow\nFuck being peaceful, the piece in the vehicle and (\nI'm gonna get my gun!\n) [Chorus: Eminem]\nThis motherfucker's popping that shit\nNah, fuck that, I'll be right back\n(I'm gonna get my gun!)\nNah, motherfucker, fuck you\nYou ain't disrespecting me like that\n(I'm gonna get my gun!)\nWalk to the room, sixteen shot clip\nBitch, how you like that\n(I'm gonna get my gun!)\nBet you ain't know that I'm strapped\nNice one, bitch, this is my gat\n(I'm gonna get my gun!)\n[Verse 2: Kuniva & \nEminem\n]\nI bring it to niggas looking as if they want trouble\nI send they body flipping around like a stunt double\nForget about the fighting, scrapping, squabing, bucking\nI'll squeeze the piece you jumping, dodging, ducking\nSquatting under trucks and screaming, \"that nigga's bluffing\"\nI cuff my nuts while cussing, \"don't trust him\"\nI round up Runyan, Dave, Wood and Nico\nMy nigga Big I and Mal' letting the heat blow\nHeat seek hoes got A&E closed\nCause you keep shooting at me and missing like Shaq's free-throws\nYou gotta get a little closer if you wanna try\nPistol whip a soldier, with a missile on his shoulders\nWe can fold or blow your brick house into some tiny boulders\nA grimy, older cat will leave you with a tiny odor\nI'm doggish, you feeling froggish, then leap bitch\nMy car is right across the street bitch and (\nI'm gonna get my gun!\n) [Verse 3: Proof & \nEminem\n]\nMy whole outfit count clips, get your house lit the fuck up\nYour spouse shit, and your mouse clip\nBetter bounce, bitch, countless, slugs I'mma send\nWatch you holler when the hollow tips go through your skin\nI'm in love with the sin, tell Bugz: I'mma see him\nWhen I cock back, right, I’ll put your blood on your friends\nMake a rug outta him, bust a slug on his chin\nAin't going nowhere like the drugs outta Kim\nI'm a psycho icon, a mightful might bomb\nGet a eye full of lead when I slight your lights out\nWith a street cleaner, wipe your life out\nBullets gnaw at your ears, like a Tyson fight 'bout\nFuck the night clout, guns... clips... (\nI'm gonna get my...\n)\nFuck that, run, bitch!\nHit the streets talks, chumps don't know me\nAin't no prob' to leave your whole bod' holey\n[Skit: Eminem]\nDumbass motherfuckers always gotta come to me with this... dumb shit!\nFucking!..\nI told this motherfucker!\nWassup, bitch?!\nAutograph this!\nOh, shit (...this is my gat)\n(I'm gonna get my gun!) [Verse 4: Eminem]\nI'm trying to pull the trigger, but it's stuck, fuck!\nMy shit is all jammed up, ugh!\nCome on, you, cock-sucking, good-for-nothing\nMotherfuckin' piece of shit, shoot! Ah!\nYeah! What up, bitch?! Say that shit again\nShot, the bullet missed, hit a brick, bounced of it\nRicocheted back in his shin\nWent through his bitch on a way back, hit his friend\nPayback, homie, don't play that shit is spin\nTo be on I told you to leave this shit alone\nOr (I'm gonna get my gun!)\nAnd it's a shame, I'm too drunk to even aim\nDenaun stepped in the way and I shot him in his leg\nIt's like-\n[Verse 5: Kon Artis]\nBang, bang, bang, nigga, pow-pow-pow\nEverybody busting rounds like they \"Ra', Ra', Ra'\"\nBut when you see me in the street, I'll be like, \"What's up, now?\"\nTheir bodyguard be stepping in trying to calm shit down (Chill out, bitch)\n\"Fuck that! I got a bone to pick,\"\nYou said it then we should address like some grown man shouldn't we\nThen me and you could talk about our problems couldn't we\nJust shoot a fair one and handle this situation seriously\nI guess not, you want to resort to the heater\nSo I gotta grab my Mac and my Uzi and my Nina\nStep in between us and get shot\nBut get separated with the squeaza\nYou ain't ready for war, Runyon ain't nothing to play with\n[Chorus: Eminem]\nThis motherfucker's popping that shit\nNah, fuck that, I'll be right back\n(I'm gonna get my gun!)\nNah, motherfucker, fuck you\nYou ain't disrespecting me like that\n(I'm gonna get my gun!)\nWalk to the room, sixteen shot clip\nBitch, how you like that\n(I'm gonna get my gun!)\nBet you ain't know that I'm strapped\nNice one, bitch, this is my gat\n(I'm gonna get my gun!)\n[Verse 6: Bizarre]\nWalk to Rite-Aid for a can of spaghetti\nIt's been one hour, bitch, my photos ain't ready\nPictures of my dog and my family reunion\nIt's been two hours and my fucking days ruined\n\"Hey, Kate, do you wanna get raped?\nHave my pictures on fucking Philips 38?\"\nThat's why I don't be fucking battle rapping\nCause every time I lose, this what the fuck happens *Gunshots*\nBack to the pictures I was trying to get developed\nThis man tried to get in front of me, I wouldn't let him\nI'm ready to blow this bitch's brains out\nI'm nervous, I farted, some shit came out\nTimes up, shot her with a gun\nGot on my cellphone and called Reverend Run\nAnd all this crazy shit, I regret it\nAll because I wanted to see Elton John naked" } ]

[ { "from": "human", "value": "Write me a song called Better Together with the following description: “Better Together” is the third song and title track of Fifth Harmony’s debut EP. It is about regret after breaking up with one’s boyfriend. There is a Spanish version of this song named “Tú Eres Lo Que Quiero”. It is featured on Fifth Harmony’s EP Juntos.\nThe girls first performed this song live on September 6, 2013, at Silver Spring, MD, when they performed as special guests for Cher Lloyd’s I Wish tour.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Lauren & \nNormani\n]\nWhen we were together we were just strangers\nI was just playin' around\nSo I didn't wanna work it out\nNo, I didn't wanna work it out\nThought something was missing, we were too different\nBaby, I'm lookin' back now\nAnd I really should've worked it out\nYeah, I really should've worked it out\n[Pre-Chorus: Dinah]\nBecause now that you're gone\nAnd I sleep alone\nI can't help it\nI want you back, 'cause I\n[Chorus: Ally, \nAlly & Camila\n]\nBoy, I miss you\nSaid I really do\nBoy, I miss you\nNow I understand that we're better together\nBoy, I miss you\nSaid I really, really do\nBoy, I miss you\nNow I understand that we're better together [Post-Chorus: Lauren & \nCamila\n]\nWe better, we better, we better, we better, we better\nYou know we're better together\nWe better, we better, we better, we better, we better\nYou know we're better together\n[Verse 2: Camila & \nNormani\n]\nI'm watching you with her, thinking I had ya\nHow was I ever so dumb?\nBoy, I should've known that you're the one\nBoy, I should've known that you're the one\nSo, if it's not too late, I just wanna know, babe\nTell me if we could still run\n'Cause I finally know that you're the one\nYeah, I really know that you're the one\n[Pre-Chorus: Ally]\nBecause now that you're gone\nAnd I sleep alone\nI can't help it\nI want you back, 'cause I\n[Chorus: Ally, \nCamila\n & \nBoth\n]\nBoy, I miss you\nSaid I really do (\nSaid I really do\n)\nBoy, I miss you\nNow I understand that we're better together\nBoy, I miss you (I miss you)\nSaid I really, really do\nBoy, I miss you\nAnd now I understand that we're better together [Post-Chorus: Lauren & \nCamila\n]\nWe better, we better, we better, we better, we better\nYou know we're better together\nWe better, we better, we better, we better, we better (\nEh, ey\n)\nYou know we're better together\n[Bridge: Camila & \nAlly\n]\nNow that you're gone\nAnd I sleep alone\nI can't help it\nI want you back, 'cause I (\nAh\n)\n[Refrain: Lauren, \nDinah\n & \nCamila\n]\nWe better, we better, we better, we better, we better (\nYeah\n)\nYou know we're better together\nWe better, we better, we better, we better, we better\nYou know we're better together\n (\nYeah, no, no, no, no, no\n)\n[Chorus: Ally, \nDinah\n, \nCamila\n & \nNormani\n]\nBoy, I miss you (\nYou know I miss you\n)\nSaid I really do (\nSaid I really do\n)\nBoy, I miss you (\nAh\n)\nNow I understand that we're better together (Hey, hey)\nBoy, I miss you (Ayy)\nSaid I really, really do (\nAh\n)\nBoy, I miss you\nNow I understand that we're better together [Outro: Lauren & \nCamila\n]\nWe better, we better, we better, we better, we better\nYou know we're better together\nWe better, we better, we better, we better, we better\nYou know we're better together" } ]

[ { "from": "human", "value": "Write me a song called Who Dat (2017) with the following description: Who Dat is a promotional single preceding Lil Pump’s debut self-titled mixtape, which comes only two days after Lil Pump’s collaboration with Smokepurpp.\nAlthough it dropped three days before, the song will not be on his debut mixtape.\nIt dropped on October 3, 2017, along with a music video, although the video has been claimed by WMG. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nProduced by Coke Boi Beats\nOuu, ouu, Lil Pump, yuh, ouu, ouu\nBadAzzBx\nOuu, yuh (brr, brr)\nWho dat right there flexin'? (brr, brr)\nWho? Lil Pump, Lil Pump!\n[Chorus]\nWho dat right there flexin' (who)\nBitch, it's Lil Pump (brr, Lil Pump)\nRacks up on my necklace (necklace)\nBitch, it's Lil Pump (brr)\nWho dat right there flexin' (you, you)\nBitch, it's Lil Pump\nTrapper of the century (what)\nBitch, it's Lil Pump\nHold up (what), pop out (brr)\nBoy, you know I'm a dropout (you)\nHold up (yuh), pop out (what)\nBoy, you know I'm a dropout (ouu)\nWho dat right there flexin' (who)\nBitch, it's Lil Pump (brr, brr)\nRacks up on my necklace (what)\nBitch, it's Lil Pump (Lil Pump, Lil Pump)\nWho dat right there flexin' (what)\nBitch, it's Lil Pump (brr, brr)\nTrapper of the century (you)\nBitch, it's Lil Pump\nHold up (what), pop out (you)\nBoy, you know I'm a dropout (brr)\nHold up (what), pop out (huh)\nBoy, you know I'm a dropout (yeah) [Verse]\nPop four Xans with your mom though (brr)\nTake 3 Percs with your main hoe (what)\nI count racks everyday though (you)\nGot your bitch booted off the Play-Doh (damn)\nGot your bitch booted off the Percocet (damn)\nLil Pump only fly a private jet (ouu)\nThe ice on my wrist make her pussy wet (yeah)\nWrist shining like it was crystal meth (huh)\nDamn, why you flex like this (ouu)\nDamn, why you flex like this\nFiji water on your wrist (Fiji)\nI can't wife no bitch (no)\nLouis all over my bag (Louis)\nLouis all over my belt, yuh\nBitch, I swim in that pussy like I was Michael Phelps (brr, brr, brr)\n[Chorus]\nWho dat right there flexin' (who)\nBitch, it's Lil Pump (brr, Lil Pump)\nRacks up on my necklace (necklace)\nBitch, it's Lil Pump (brr)\nWho dat right there flexin' (you, you)\nBitch, it's Lil Pump\nTrapper of the century (what)\nBitch, it's Lil Pump\nHold up (what), pop out (brr)\nBoy, you know I'm a dropout (you)\nHold up (yuh), pop out (what)\nBoy, you know I'm a dropout (ouu)\nWho dat right there flexin' (who)\nBitch, it's Lil Pump (brr, brr)\nRacks up on my necklace (what)\nBitch, it's Lil Pump (Lil Pump, Lil Pump)\nWho dat right there flexin' (what)\nBitch, it's Lil Pump (brr, brr)\nTrapper of the century (you)\nBitch, it's Lil Pump\nHold up (what), pop out (you)\nBoy, you know I'm a dropout (brr)\nHold up (what), pop out (huh)\nBoy, you know I'm a dropout (yeah) [Outro]\nOuu, Lil Pump, yeah" } ]

[ { "from": "human", "value": "Write me a song called Successful with the following description: Drake, Wayne, and Trey converse about wanting fame and fortune, passing through the consequences.\nThis song was included on Drake’s So Far Gone mixtape as well as Trey Songz' Ready album. The Trey Songz version features a new Trey Songz verse between Drake’s first two verses, but Drake’s third verse and Lil Wayne’s verse are absent. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Trey Songz]\nThe money (Money), cars (Cars)\nThe clothes (Clothes), the hoes\nI suppose\nYeah\n[Chorus: Trey Songz]\nI want the money (Money), money and the cars\nCars and the clothes (Clothes), the hoes\nI suppose\nI just wanna be, I just wanna be successful\nI just wanna be, I just wanna be successful\nI just wanna be, I just wanna be successful\n[Verse 1: Drake]\nDrizzy\nAw yeah, Trey, I fuckin' feel ya\nThey be starin' at the money like it's unfamiliar\nI get it, I live it, to me there's nothin' realer\nJust enough to solve your problems, too much'll kill ya\nAnd when I leave, I always come right back here\nThe young spitter that everybody in rap fear\nA lot of y'all are still soundin' like last year\nThe game need change and I'm the motherfuckin' cashier\nNickels for my thoughts,\n dimes in my bed\nQuarters of the kush shape the lines in my head\nTake my verses too serious, you'll hate me\n'Cause I'm the one to paint a vivid picture, no HD\nYeah, I want it all, that's why I strive for it\nDiss me, you'll never hear a reply for it\nAny award show or party, I get fly for it\nI know that it's comin', I just hope that I'm alive for it [Chorus: Trey Songz]\nI want the money (Money), money and the cars\nCars and the clothes (Clothes), the hoes\nI suppose\nI just wanna be, I just wanna be successful\nI just wanna be, I just wanna be successful\nI just wanna be, I just wanna be successful\n[Verse 2: Drake]\nYeah, I want things to go my way\nBut as of late, a lot of shit been goin' sideways\nAnd my mother tried to run away from home\nBut I left something in the car and so I caught her in the driveway\nAnd she cried to me, so I cried too\nAnd my stomach was soakin' wet, she only 5'2\"\nAnd 40, that was all before I showed up\nAnd brought a thousand dollars worth of drinks and got poured up\nDamn, my reality just set in\nAnd even when the Phantom's leased, them hoes wanna get in\nI do a lot of things hopin' I never have to fit in\nSo tryna keep up with my progress, it's like a dead-end\nMy girl love me, but fuck it, my heart beats slow\nAnd right now the tour bus is lookin' like a freak show\nAnd life change for us every single week, so\nIt's good, but I know this ain't the peak though 'cause I want the: [Chorus: Trey Songz]\nI want the money (Money), money and the cars\nCars and the clothes (Clothes), the hoes\nI suppose\nI just wanna be, I just wanna be successful\nI just wanna be, I just wanna be successful\nI just wanna be, I just wanna be successful\n[Interlude]\nAlright well, um, alright. We... we'll fuckin' figure it out. You know what you—you know what you're doin' with it, you know, makin' it to the top. All the way to the top. Yeah, you do it for the money, and not the honey, you know what I'm sayin'? You know what I'm sayin'?\n[Verse 3: Drake]\nWise words from a decent man\nBack when I was trying to put a ring on Alisha hand\nThis lost boy got fly without Peter Pan\nAnd my delivery just got me buzzin' like the pizza man\nIn-person I am everything and more\nI'm everywhere these other niggas never been before\nBut inside I'm treadin' water, steady tryna swim to shore\nI'm on a shopping spree to get whatever is in store\nYeah, just call me \"Shoppin' Bag Drizzy\"\nOr call me Mr. \"Damn, he ain't coppin' that, is he?\"\nAnd fans of the freshman is about to get iffy\nWhile this youngin that you doubted is about to get busy\nI'ma kill it, I promise, that's how I know you're mad\nI've always treated my city like some shoulder pads\nThe big homie, use a flash if you must\nAnd I swear I ain't askin' for much, all I want is the... [Chorus: Trey Songz & \nDrake\n]\nYeah, I want the money (Money), money and the cars\nCars and the clothes (Clothes), the hoes\nI suppose\nI just wanna be (\nYeah\n), I just wanna be successful (\nThat's all I want, man\n)\nI just wanna be, I just wanna be successful (\nYou gotta tell 'em, Trey\n)\nI just wanna be, I just wanna be successful\n[Interlude: Drake]\nYeah, it's like I, it's like I know what I gotta say\nI just don't know... how to say it... to you\n[Verse 4: Lil Wayne]\nUh, pardon the swag, but bitch, it's Car-tey\nLong bread, I don't eat shortcake, \nhow come I can't\nMiss a woman like I can't miss court dates\nCheese, but she's not in this portrait\nAnd yeah, life's fine, but I don't portray\nI'm on the other side, but it is a short gate\nI don't want the glow, I want the glo-ray\nAnd I'ma fuck the world, but this is just foreplay\nTired of hearin' bullshit, bring on the cow shit\nHaven't met a smell that's stinkier than our shit\nAnd that's word to Toronto\nSo high up, I got birds in the condo\nHa, ain't that a female dog?\nAsk her who I am to her, and she yell, \"God\"\nWeezy Baby, I go re-al hard\nNo further details, boy" } ]

[ { "from": "human", "value": "Write me a song called Dreams with the following description: “Dreams” is one of the songs Lil Wayne teased on his Instagram before Funeral’s release. In this song Wayne imagines what life might be like if he hadn’t succeeded in achieving his dreams. Wayne also raps about how his life is constantly in a dreamy state due to the drugs he uses. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nI had a dream I was broke\nNo diamonds and no gold\nMost saddest story ever told\n, oh\nAnd I had a dream, I was a fool\nNo mansion or no pool\nI woke up and I screamed\nThank God it was just a dream\nHuh, huh, yeah, ooh\n[Verse 1]\nI live the American dream, huh\nForeign everything, huh\nI turn my scariest dreams, uh, into fairy wings\nI don't want beef, I just want green, that's vegetarian dreams\nDream, dream, yeah\nI'm havin' that dream where I'm fallin', yeah\nI land in the purplest water, yeah\nI'll probably surface tomorrow, yeah\nDream of a world with new order, yeah\nIt spin like the perfect revolver\n, yeah\nI dreamt I died and went to Heaven and came back\n'Cause I got work in the mornin', yeah\nYeah, yeah, sleep tight, yeah, I daydream all night\nKeep my head up right, don't let the fed bugs bite\nOne night I fell asleep in some good pussy and I woke up like \"Oh shit\"\nHad a dream that I was broke, I ain't sleep with that same ho since [Chorus]\nI had a dream I was broke\nNo diamonds and no gold (Yeah)\nMost saddest story ever told, woah\nAnd I had a dream, I was a fool (Yeah, yeah)\nNo mansion or no pool (No)\nI woke up and I screamed\nThank God it was just a dream\n[Verse 2]\nWe in another dimension (Yeah)\nShe say I'm the man of her dreams (Yeah)\nSo after I fuck her, I pinch her (Yeah)\nShe had the wettest of dreams (Yeah)\nShe gon' wake up in a swimsuit (Yeah)\nThey tryna sell me some dreams\nWay too fuckin' expensive (Yeah)\nI been sippin' all this lean, that's why my eyes are dreamy (Dreamy)\nIn my dream and I wake up, see all these fuckin' Weezys (Damn)\nMister Sandman, all your sand about to turn to cement (Damn)\nCalifornia weed got me California dreamin' (Yeah)\nI'm your worst nightmare\n[Bridge]\nI just wanna spend it all before I go to sleep\n (Yeah, yeah, yeah, yeah)\nBroke my heart and give it to you wrapped in 'chilla mink\n (Yeah, yeah, yeah)\nWaking up on the islands, OD's and violence (Yeah, yeah)\n (Yeah, yeah)\nRoses with no thorns [Chorus]\nI had a dream, (I had a dream) I was broke\nNo diamonds and no gold (No diamonds)\nMost saddest story ever told, oh (Woah)\nAnd I had a dream, (I had a dream) I was a fool\nNo mansion or no pool (No, oh)\nI woke up and I screamed\nThank God it was just a dream\n[Post-Chorus]\nThank God it was just a dream\nThank God it was just a dream, yeah\nThank God it was just a dream\nThank God it was just a dream\nWoke up and I screamed\nThank God it was just a dream\n[Bridge]\nI just wanna spend it all before I go to sleep\nBroke my heart and give it to you wrapped in 'chilla mink\nWoke up on islands, OD's and violence\nRoses with no thorns (Huh, huh, huh, huh, yeah, yeah)\n[Outro]\nI just woke up with some new tattoos (Yeah, yeah)\nI just woke up next to \"Who is you and you and you?\"\nGot the groupie blue, woopty woo, hooty hoo\nMake their dreams come true and then I put 'em back on snooze\nHad a dream, I was a fool\nNo mansion or no pool (Yeah, yeah)\nI woke up and I screamed..." } ]

[ { "from": "human", "value": "Write me a song called Ease The Pressure with the following description: “Ease The Pressure” is an unreleased Avicii collaboration with vocalist Wrabel. The track was played at a couple of festivals but never officially released before Avicii’s untimely death.\nThe song was later leaked on November 5th, 2019. The song features a classic Avicii instrumental and has Wrabel on the vocals trying to comfort his lover and “ease their pressure”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse]\nDirt on your shoulders\nI swear I remember when it changed\nDon't you remember\nI swear I can see it\n[Pre Chorus]\nYou're there with your wide-eyed smile again\nYou'll be alright now\nIf you just let it go\nLet it go\n[Chorus]\nI feel the weight around you breaking your bones\nLet me make it better (Whoa)\nJust settle down and let me carry you home\nAnd let me ease the pressure (Oh)\n[Instrumental]\n[Bridge]\nPull all the blinds down\nJust close both your eyes now\nYeah I'll stay\nTurn all the lights out, I'll stay awake\nAnd fight off the demons\n'Cause you got a heart they'll never take\nYeah, it's alright now\nYou gotta let it go\nLet it go [Instrumental]" } ]

[ { "from": "human", "value": "Write me a song called Cinderella Man with the following description: Like Russell Crowe in the 2005 movie Cinderella Man—playing a boxer who makes a comeback—Eminem has retaken the “belt” as rap’s welterweight champion. “Cinderella Man” was certified Platinum by the RIAA on February 28th, 2018.\nLater, this song was used in a trailer for Run All Night. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Eminem & \nKobe\n]\nYeah, you know, technically\nI'm not even really supposed to be here right now\nSo fuck it, might as well make the most of it\n(\nAmen\n) Yeah! Ha-ha\n(\nAmen\n) Feels good\n(\nAmen\n) Woo!\n(\nAmen\n) Guess I'm lucky\n(\nAmen\n) Some of us don't get a second chance\n(\nAmen\n) But I ain't blowin' this one\n(\nAmen\n) Nah, man, ha-ha\n(\nAmen\n) Shit, I feel like I can do anything now\n[Verse 1: Eminem & \nKobe\n]\nWho can catch lightning in a bottle, set fire to water\nComin' out the nozzle on a fire hose, flyer than swatters?\nCinderella Man, Cinderella Man\nCinderella Man, Cinderella Man\nSmash an hourglass, grab the sand, take his hands and cup 'em\nSpit a rhyme to freeze a clock, take the hands of time and cuff 'em\nCinderella Man, Cinderella Man\nCinderella Man, Cinderella Man\nThere's a storm comin' that the weatherman couldn't predict\nI start to bug, prick, you better flee, 'cause I get ticked\nIt's a wrap, I was down, when I was down I was kicked\nI got up, I'm back to punch you to the ground, you're tricked\nIt's a trap, fuck my last CD, the shit's in my trash\nI'll be goddamned if another rapper gets in my ass\nI hit the gas and I spit every rap as if it's my last\nYou can die in the blink of an eye, so bat your eyelashes\nAnd keep winkin' and blowin' kisses 'cause you're flirtin' with death\nI'm destroyin' your livelihood, I ain't just hurtin' your rep\nI catch a flow and get goin', no remorse I'm showin', ain't slowin'\nFor no one, knowin' there's nothin' you can do about it\nZero in on my target like a marksman, the target is you\nI shut your lane down, took your spot, parked in it too\nArsenic flow, lighter fluid, saliva—what can you do?\nGo get your crew to hype you up, stand behind you like, \"Woo!\"\nThat boy's hot enough to melt \nHell, burn Satan too\nFry his ass and put his ashes back together with glue\nSo you can hate him, he don't blame you, frankly, he would too\nThis game could ill afford to lose him, how 'bout you? [Pre-Chorus: Eminem & \nKobe\n]\nNow guess who? (\nHey\n) Here's a clue (\nHey\n)\nHe came to the ball in his wife beater, lost his Nike shoe\nIt's in your ass (\nHey\n), he's in your ass, he's all up in your psyche too (\nHey\n)\nNow (\nHey\n) what's his name?\n[Chorus: Kobe]\nCinderella Man, Cinderella Man (Hey)\nCinderella, Cinderella Man (Hey)\nCinderella Man (Hey, hey)\nIf I had a time machine\nI'd be Cinderella Man\nCinderella Man, Cinderella Man\nCinderella Man, Cinderella Man\nMusic is my time machine\nSo call me\nCinderella Man, Cinderella Man\nCinderella Man, Cinderella Man\n[Verse 2: Eminem & \nKobe\n]\nFuck catchin' lightning, he struck it, screamed, \"Shut up!\" at thunder\nThen flipped the world upside down and made it rain upward\nCinderella Man, Cinderella Man\nCinderella Man, Cinderella Man\nRewound the future to the present, paused it, don't ask how\nFuck the past, motherfucker, he's the shit right now, he's\nCinderella Man, Cinderella Man\nCinderella Man, Cinderella Man\nCinderella man, Cinderfella Shady Dane, came\nTo wrap the game up in cellophane,\n raise hell, from Hell he came\nBut didn't come to bore you with the Cinderella story\nNor did he come to do the same old can't afford to be\nA lame-o in this day and age and at this stage of the game\nMediocrity can no longer be allowed to fly, so say bye\nTo the old, H-I to the new, \nque será\nConsider it his last hurrah, the coup de grâce,\n raise 'em high\nIn the sky, keep 'em up, time to bring the place alive\nThanks for bein' patient, I won't make no more mistakes, shit, my\nPotato's baked, homie, the veggies on my plate can fly\nMy filet is smokin' weed—yeah, faggot, the stakes are high\nShit, I ain't even s'posed to be here by the grace of God\nThe skin on my teeth and a hair on my nuts, I skated by\nNow y'all are on thin ice with ankle weights, I'd hate to lie\nHow fuckin' irritated are you? How much in your face am I?\nAnd ain't shit you can do but fear it, \nProof is here in spirit\nAnd I'm his spittin' image, I mirror it when I stand near it\nYour pussy lyric, I \"cunt\" hear it\nWho forms pyramids and raps circles around square lyricists? [Pre-Chorus: Eminem & \nKobe\n]\nWho? (\nHey\n) Here's a clue (\nHey\n)\nHe came to the ball in his wife beater, lost his Nike shoe\nIt's in your ass (\nHey\n), he's in your ass, he's all up in your psyche too (\nHey\n)\nNow (\nHey\n) what's his name?\n[Chorus: Kobe]\nCinderella Man, Cinderella Man (Hey)\nCinderella, Cinderella Man (Hey)\nCinderella Man (Hey, hey)\nIf I had a time machine\nI'd be\nCinderella Man, Cinderella Man\nCinderella Man, Cinderella Man\nMusic is my time machine\nSo call me\nCinderella Man, Cinderella Man\nCinderella Man, Cinderella Man" } ]

[ { "from": "human", "value": "Write me a song called Call Casting with the following description: Produced by Buddah Bless, the man behind 2 Chainz’s “Big Amount,” “Call Casting” was released through WorldStarHipHop as the second official single off Migos' Culture album, following “Bad and Boujee.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Takeoff]\nBuddah bless this beat\nThat's a fool, nah\nYeah, trap shit\nNo, no, no, no, no, no\n[Chorus: Takeoff]\nUp early in the morning trappin' (Trap-trap)\nYou can get 'em how you askin' (Ask)\nHow many chickens? You can get 'em whichever way\nNigga, trap turned Zaxby's (Zax)\nI beat the pot with a passion (Beat it up)\nA hundred acres on the mansion\nI dab in the latest fashion (Eat it up)\nBitches need a call castin' (Yeah)\n[Verse 1: Takeoff]\n(\n*Drinking*\n) Act (Act!)\nPut the backends in the back (Back)\nDraco on me, it's attached\nName a nigga with the pack (Pack)\nName a nigga with the sack (Sack)\nElem' o'clock, I got the MAC (MAC)\nShe eat the molly like a snack (Eat it up)\nThis gold on my neck a plaque (Plaque)\nBando Shane's Rib Shack (Eat it up)\nRob the plug if he tax (Tax)\nSip the lean and relax (Drink it up)\nPark the Lamb in the back (Skrt, skrt)\nBig dog, you a cat (Cat)\nRich in the matte black (Skrt, skrt)\nTwenty hoes to be exact (Yeah)\nI need ten, that's a dime\nWant a nickel, that's a five (Yeah)\nOne to fly, one to slide\nOne to glide, ain't got time (Yeah)\nPut a thirty on my .9\nFor a nigga out of line (Yeah)\nMama cryin', niggas dyin'\nWonder why I done gripped the fire, yeah [Chorus: Takeoff]\nUp early in the morning trappin' (Trap-trap)\nYou can get 'em how you askin' (Ask)\nHow many chickens? You can get 'em whichever way\nNigga, trap turned Zaxby's (Zax)\nI beat the pot with a passion (Beat it up)\nA hundred acres on the mansion\nI dab in the latest fashion (Eat it up)\nBitches need a call castin' (Yeah)\n[Verse 2: Quavo]\nBrr, skrr, skrr, skrr, skrr-rr\nPot (Skrr skrr)\nNiggas tried to send a thot (Thot)\nThat's the only way to plot (Plot)\nKlay Thomp', corner shot (Brrr)\nEight-ball, corner pocket (Ayy)\nWhite boys in the game (White)\nCall 'em Andy Milonakis (Yeah)\nHe won't hesitate to shoot 'em (Shoot)\nPrivate jet to Bermuda (Woo)\nI knew I been had sauce (Who)\n'Cause I was fuckin' on my tutor (Who)\nTruck backin' up the dually\nA hundred pounds out the cooler\nCame from a Cup O' Noodles (Ayy)\nI fucked the game, Kama Sutra\nI got M's on my mind\nI got boulders in my time\nPut a model bitch on coco\nTold her \"Read between the lines\" (Coco)\nJ's out there snitchin', yeah\nHeard it through the vine (J's)\nPackin' up the kitchen\nThink I ran out of time, yeah [Chorus: Takeoff]\nUp early in the morning trappin' (Trap-trap)\nYou can get 'em how you askin' (Ask)\nHow many chickens? You can get 'em whichever way\nNigga, trap turned Zaxby's (Zax)\nI beat the pot with a passion (Beat it up)\nA hundred acres on the mansion\nI dab in the latest fashion (Eat it up)\nBitches need a call castin' (Yeah)\n[Verse 3: Offset]\nWoo woo woo woo woo, packs (Packs)\nI paid the ticket, get you whacked (Brrr)\nI chop the brick with the axe (Hey)\nThe cookie smellin' like a casket (Cookie)\nI'm sellin' crack in my Rafs (Crack)\nPut the addy in the nav (addy)\nHe steady poppin', know it's cap (Cap)\nI hit the jungle, then adapt (Rarr)\n30 thousand on the couch (30 ball!)\nAll my bitches from an app (App)\nInstagram and the Snaps (Snap)\nI bet a hundred on the craps (Craps)\nI'm good on shawty, do without (Ooh)\nShe fucking niggas for the check (Check)\nI'ma only get the mouth\nHop out a Lambo, Corsa on a bitch (Skrt)\nI poured a four, Actavis (Act)\nWalk in Goyard, got a bag for my bitch\nWon't give a kiss 'cause I know you suck dick (Mwah)\nSpent you a hundred, Philippe on your wrist (Patek)\nTwenty-five pointers, one fist (Points)\nTwenty-five bitches on list (Twenty-five)\nKel-tec, rubber band grip (Brrr) [Chorus: Takeoff]\nUp early in the morning trappin' (Trap-trap)\nYou can get 'em how you askin' (Ask)\nHow many chickens? You can get 'em whichever way\nNigga, trap turned Zaxby's (Zax)\nI beat the pot with a passion (Beat it up)\nA hundred acres on the mansion\nI dab in the latest fashion (Eat it up)\nBitches need a call castin' (Yeah)" } ]

[ { "from": "human", "value": "Write me a song called I’m Gonna Ride with the following description: This is the 10th track in the album, “Show and Prove” released by Wiz Khalifa on September 5, 2006. The album was produced by Johnny Juliano. The first single on the album was “Pittsburgh Sound”\nThis song has an extremely strong flow, followed along with a good rhythm, and a well produced instrumental.\nAll around, this album is very well constructed, and if you are a true Khalifa fan, you need to give it a listen. I’d rate it a 4.5/5 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nSee a nigga well known for switching states\nMacking broads, getting cake\nGlock and mad, cock and blast\nThrown a bitch nigga for a quick escape\nI move with dudes that be dishing weight\nSmooth with the uz that will hit your face\nCame in the game and I'm changing the game\nWith a flow that will run around the crews that hate\nThis guy is a pimp and you know his fam\nI don't hold the grams, I'm a colder man\nAnd I do it for the youngers and the older fans\nNiggas whippin in the kitchen just to hold their grams\nI don't play around, lay em down\nFor the lil' homie wanna' play the clown\nI'm casing pounds, spraying rounds\nFollow the leader cause it's going down\nMoney in the rubber band slangin' crack rock\nTry and find the man in the flat top\nAsk anyone in the streets\nEveryone around knows Wiz a beast\nAnd I'm killing the beef you can chill in the team\nPull the steel and release, I’m up in your brain\nYou bet on me taking the loss, you better be upping your change\nSee this guy here is a nuisance, you talk fire and you can't prove it\nYou just lie up in your music, send my guys to come and shoot shit\nDuke I ride and this is true as you would die if niggas pulling\nI don't know what you fucking see\nWhen you know as well you've been fucking me [Hook]\nI'm on the move so if you get in my way then\nI'ma ride ride till I die and it should be no suprise\nWe paper chasing man, messing with my cake or fam\nImm ride ride till they die fuck us try\nI'm gonna ride for me ride for me\nDie for me die for me\nBust your 45 for me, face the judge and lie for me\nRide for me ride for me\nDie for me die for me\nBust your 45 for me, face the judge and lie for me\n[Verse 2]\nP. I. T. T. S. B. U. R. G. H. represent to the fullest\nAnd I'm putting cowards back into place when I'm rapping the taste\nYeah crack in the place, laugh in your face\nLay up and chill after you safe that's a mistake\nCause I'm moving with a gang of ill guys looking like\nThe last of the day but why you say\nCause my nigga I could die today lock down\nAnd never see the light of day\nKidnapped trapped in a hide away\nSo I never get the cat to ride away fire inside of\nMay the kid move with da fools that try to take\nThe game back to the rhyming days payback\nFor the fact that your guys a fake and I can't even believe\nYou can spit shit to the people like it\nChips and just leaves you with kids, that leaves\nYou see through you pricks, hand my shit an overdose\nSo you wrote and sold some coke, move some crack\nHow true is that. Front on my cats and you'll lose shit back\nHaters get stacks when I'm through with rap\nAnd I'm filling my tracks with truth and fact\nKill em on wax and I'm moving cats\nWhen they crew in all black yeah I'm doing that\nI gotta flavor that will flow and taste\nAnd I'm doing it till I'm blue in the face\nI'm thinking bigger then any nigga that think\nHe cool in the place which gives me reason\nTo but a tool to his waist [Hook]\nI'm on the move so if you get in my way then\nI'm a ride ride till I die and it should be no suprise\nWe paper chasing man, messing with my cake or fam\nImm ride ride till they die fuck us try\nI'm gonna ride for me ride for me\nDie for me die for me\nBust your 45 for me, face the judge and lie for me\nRide for me ride for me\nDie for me die for me\nBust your 45 for me, face the judge and lie for me" } ]

[ { "from": "human", "value": "Write me a song called Lens (Version 2) with the following description: The second version of Frank Ocean’s “Lens,” this remix featuring rapper Travis Scott stands as the first musical collaboration between the two artists. It was premiered on the fourth episode of Frank Ocean’s Beats1 “blondedRADIO” show.\nHaving two versions of “Lens” marks another chapter in Ocean’s infamous “I got twoooooo versions” riff and his continued exploration of duality. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Frank Ocean]\nMy girl made him wait 'til the hours of the night\nThen hit you with the, \"You know it's mid, right?\"\nCan't be on time for the free rides\nCan't be my type, I'm a low life\nCrammed in some time, now I'm your whole life\nCan't make those calls in the low light\nAre you ready to go? We gon' be waitin' in line\nYeah you look good, would I fuck? Yeah\nDid I? Almost\nBack home with that, almost\nBack home with that, next time\nBags with all that Rally's in 'em\nTrades with all the valley (Come on!)\nTop chopped down like blades came through the valley\nFreeway\n[Chorus: Frank Ocean]\nDespite our history\nSomewhere in your nights, you're stuck when you think of me\nDespite the life I lead\nAll this life in me\nSpirits watch me, pants down\nCan't be 'barrassed of it\nI feel their smiles on me (Smiles on me)\nI feel their smiles on me (Smile on me)\nI feel their smiles on me (Lens on me right now)\nOh yeah, oh yeah [Verse 2: Frank Ocean]\nThrow team on back like I tatted the Mariah (Know I got some sins on me)\nThen get the scream mask for the vert ride (Ridin')\nWeed smoke in the sky, picture what I'm realizin' (Got some sins on me)\nAin't seen rainbows in the sky since college\nThis thing won't last unless we're both lyin' (Both lyin')\nFake flowers, no water needed\nReal life drowned by the weekend\nNo wins, call it timeless\nNo ends 'cause you're timeless (Timeless!)\n[Chorus: Frank Ocean]\nDespite our history\nSomewhere in your nights, you're stuck when you think of me\nDespite the life I lead\nAll this life in me (All this life)\nSpirits watch me, pants down\nCan't be 'barrassed of it\nI feel their smiles on me (On me, on me, on me)\nI feel their smiles on me\nI feel their smiles on me\n[Bridge: Frank Ocean]\nLionel got a lens, Janet got a lens\nMatthew got a lens on me right now, yeah\nCleve got a lens, Kevin got a lens\nKnow I got some sins on me right now\nOn me\nOn me, on me\nOn me, on me\nOn me, on me\nOn me, on me\nOn me, on me [Verse 3: Travis Scott]\nAyy, roll up this\nYeah, cameras, cameras on me, I need tints (Watch, tints)\nSmilin' but inside I'm feelin' bent (Watch, tints)\nCome direct, please I can't take no hints (Yah! Yeah)\nBicycles and pegs, yeah\n, \nride low, duck the feds, watch\nDu-rag on my head, yeah\n, \nmoney on my head, yeah\nCameras, cameras on me when I'm bent\nMix the waterfall right behind the tent (Yeah)\nBackseat, spacious, I pulled up, spaceship, yeah (Turn it)\nThis ain't Vegas, yeah this here vacant, yeah (Turn it)\nBlack skin bastard, tad bit savage\n'Cause a tad bit havoc, when I come through, damage\nHop out (Hop out), roll (Roll), pop it, pour (Pour)\nPlanet froze, chain Keyshia Cole (Froze)\nMolly help me sleep, yeah\nXannies make her sleep, yeah\n93, 93, 93, spot\nYeah" } ]

[ { "from": "human", "value": "Write me a song called Bossa Nova Baby with the following description: “Bossa Nova Baby” is a 1963 track by Elvis Presley, performed for the soundtrack of his film Fun In Acapulco. The song would go on to reach #8 in the Billboard Hot 100 pop chart.\n\nThe “Viva Mix” version of the song received renewed appreciation in 2014 for its feature in Heineken’s “The City” advert.\nhttps://www.youtube.com/watch?v=9uZzqtlj8t4 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI said, \"Take it easy, baby\nI worked all day and my feet feel just like lead\nYou got my shirt tails flying all over the place\nAnd the sweat popping out of my head\"\n[Verse 2]\nShe said, \"Hey, bossa nova baby\nKeep on working for this ain't no time to quit\"\nShe said, \"Go, bossa nova baby keep on dancing\nI'm about to have myself a fit\"\nBossa nova, bossa nova\n[Verse 3]\nI said, \"Hey little mama, let's sit down\nHave a drink and dig the band\"\nShe said, \"Drink, drink, drink oh, fiddle-de-dink\nI can dance with a drink in my hand\"\n[Verse 4]\nShe said, \"Hey bossa nova baby\nKeep on working for this ain't no time to drink\"\nShe said, \"Go bossa nova baby\nKeep on dancing, cause I ain't got time to think\"\nBossa nova, bossa nova [Verse 5]\nI said, \"Come on baby, it's hot in here\nAnd it's oh so cool outside\nIf you lend me a dollar, I can buy some gas\nAnd we can go for a little ride\"\n[Verse 6]\nShe said, \"Hey bossa nova baby\nKeep on working for I ain't got time for that\"\nShe said, \"Go bossa nova baby\nKeep on dancing or I'll find myself another cat\"\nBossa nova, bossa nova\nBossa nova, bossa nova\nBossa nova, bossa nova" } ]

[ { "from": "human", "value": "Write me a song called Get Smoked with the following description: 8th track off Dedication 4. Originally a solo single by 13 year old Chicago rapper, Lil Mouse. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Lil Mouse]\n09, we tote; my niggas ain't no joke\nAnd we keep them blows, so please don't get smoked\nFuck around with them fuck-arounds, and you fuck around and get smoked\nFuck around with them fuck-arounds, and you fuck around and get smoked\n[Verse 1: Lil Wayne]\nI'm rollin', all my niggas rollin'\nKeep that fucking red bandana: Hulk Hogan\nI'm cuttin' up like scissors, coming down hard like blizzards\nI'm gettin head while givin' head, that's a head-on collision\nI'm on a pain pill, I keep this shit trill\nThese niggas ain't for real, like a fire drill\nYo ho on my back like a fuckin' fifth wheel\nThat bitch make her pussy open and close like fish gils\nI put all my niggas on, but some of those niggas gone\nThem niggas callin' my phone, leave me alone\nI'm lightin' up that strong, then pass it to my bro\nNumbers don't lie: except 5-0\nDifferent colored TruckFit shirts, you niggas put on yo skirts\nIf I die off these percs, put a bad bitch in my hearse\nMy hoes lift up they shirts, I'm high as Captain Kirk\nIf we run out of work, we Rob, like Bert\nYeeeeaaaaaaaah Niggaaaa!\n[Chorus: Lil Mouse]\n09, we tote; my niggas ain't no joke\nAnd we keep them blows, so please don't get smoked\nFuck around with them fuck-arounds, and you fuck around and get smoked\nFuck around with them fuck-arounds, and you fuck around and get smoked\n09, we tote; my niggas ain't no joke\nAnd we keep them blows, so please don't get smoked\nFuck around with them fuck-arounds, and you fuck around and get smoked\nFuck around with them fuck-arounds, and you fuck around and get smoked [Verse 2: Lil Mouse]\nCorlay RIP him, Darnell RIP him\nIf you disrespect them, then you gone meet them\nMy niggas rollin 4-seata; that bitch going, she a eater\nShe was a good girl, I turned her to a eater\nHit squad move burbons, young nigga on freeband\n.30 clip and them hollow tips make him do the running man\nThat Glock 40 I’m thumpin man; I'm rolling with my hitters\nI'll send my hitters out to go get you\nHella bands, hella bands, hit the club throwing hella bands\nHeavy load, throwing hella bands, in the club doing the money dance\nHella bands, hella bands, hit the club throwing hella bands\nHeavy load, throwing hella bands, in the club doing the money dance\nNiggas talking shit in the club, he better watch his self\nMelly got the .30 on his hip, he gone need some help\nI'm a gangster, nigga, and I could do this shit my fucking self\nPistol to his melon; (and what else?) it ain't gone be nothing left\n[Chorus: Lil Mouse]\n09, we tote; my niggas ain't no joke\nAnd we keep them blows, so please don't get smoked\nFuck around with them fuck-arounds, and you fuck around and get smoked\nFuck around with them fuck-arounds, and you fuck around and get smoked\n09, we tote; my niggas ain't no joke\nAnd we keep them blows, so please don't get smoked\nFuck around with them fuck-arounds, and you fuck around and get smoked\nFuck around with them fuck-arounds, and you fuck around and get smoked [Verse 3: Lil Wayne]\nRunning round with my gangstas, running up on these yellow hoes\nEverybody wanna fuck my bitch, her pussy lips like heaven doors\nIt's pussy, money, and kush, skateboards and shroom\nThese niggas think they the shit, these niggas perfume\nHollygrove, so Hollygrove, all I know is Hollygrove\nI'm sick with it, I've been diagnosed\nWe don't cut the coke, that's Diet Coke\nThese niggas broke, I'm paid in full\nBlood gang, Red Bull\nMy tongue like a surfboard, and her pussy like a wave pool\nTunechi\n[Chorus: Lil Mouse]\n09, we tote; my niggas ain't no joke\nAnd we keep them blows, so please don't get smoked\nFuck around with them fuck-arounds, and you fuck around and get smoked\nFuck around with them fuck-arounds, and you fuck around and get smoked\n09, we tote; my niggas ain't no joke\nAnd we keep them blows, so please don't get smoked\nFuck around with them fuck-arounds, and you fuck around and get smoked\nFuck around with them fuck-arounds, and you fuck around and get smoked" } ]

[ { "from": "human", "value": "Write me a song called BET BackRoom Freestyle with the following description: BET Backroom Freestyle which introduces many themes that he will eventually expand upon in good kid maad city Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nWhen I jumped off the porch I was forced into last resorts of a temper gone short\nAnd, of course, when that took it's course, hoarse when yelling out\nDemons that fought inside of me taught society how to rejoice\nKillers on side of me, privacy obviously was lost\nFor a piracy of the streets and my Odyssey\nCaught a bullet that probably destroyed...\nA good kid in a mad city\n, \nslightly annoyed\nI walk down the street with no heat and run into beef when I’m just a vegan\nReeking the scent of a saint, sinners smell it then start squeezing\nPellets tumbling straight at my melon, apparent reason...\nBecause my cousin's cuzzin a Blood\nThat was Blooding in public and Kendrick seen with him last weekend, cousin\nBut you ain't no kin to me, probably Kendrick I'm Kennedy\nAssassinate my character, shoot as your remedy\nFair enough I got enemies but I don’t bang\nBut that's the repercussion like when your cousin’s cuzzin a blood\nAnd you’re by yourself at the Compton parade\nGood Kid\nM.A.A.D City\nLife or death\nIs you with me?\nWassup" } ]

[ { "from": "human", "value": "Write me a song called Keep My Spirit Alive (Freestyle) with the following description: This is an early version of the track “Keep My Spirit Alive” that appeared on the first and finale tracklist of Donda, this would be a freestyle, where KayCyy’s vocals are heard on this version and the beat was more different from the original.\nThis version was heard in the Act 3 of Kanye’s documentary “Jeen-yuhs: a Kanye trilogy”, released on Netflix in February 16. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Lyrics from Jeen-Yuhs\n[Intro: Kanye West & \nKayCyy\n]\nYeah, yeah, yeah\nKeep my spirit alive, keep my spirit alive\n[Verse: Kanye West & \nKayCyy\n]\nUndeniably the top ten, brought souls to J-HOV\n(\nKeep my spirit alive, alive\n)\nNow bring the souls to Jehovah\n(\nMore than enough\n)\nRaised in the cold, thank God, I'm Bipolar\n(\nYou can take it all but the Lord on my side\n)\nSaint to the soul, they sayin' to my solar\n[?] rain, not solar\n(\nThe spirit won't die, I-\n)\nCan't call [?] some, I'm not Oprah\nI wouldn't do a doc on Mike, I'm not Oprah\n(\nOh, oh, my life\n)\n[?] doc on sight, [?] polar\n(\nIs in His hands so I don't stress, I pray and strategize\n)\n[?] that's fight in my polar\nPop one, saw that back on my shoulders\nNow I got the culture back on my shoulders\nNow I got a back [?] back for my boulders\nHope like [?] I can't [?]\n[?], they can't hold it\nShit, I- Blessings, blessings upon blessings\nTesting\nPost part of dеpression\nAggression, thesе are my confessions\nYes and, in the therapy sessions\nA blessin', blessings upon blessings\nBlessing\nListen to pump, restin'\nRestin', sayin' I don't restin'\nRestin'" } ]

[ { "from": "human", "value": "Write me a song called Invisible with the following description: The thirteenth track on Taylor Swift’s eponymous debut album finds her lamenting on someone who doesn’t even notice her.\nPeople have theorized that the song is about Drew Hardwick, the person who inspired “Teardrops On My Guitar,” where she also conveys a similar feeling of longing for a boy she likes as she talks about not being able to sleep at night because of him.\nIt has never been confirmed, but in an email exchange about her summer days at Jersey Shore, she said that she was inspired to write this song as she looked back on one of the summers she spent there.\nShe frequented the Shore until she was about fourteen years old, which was also the same age she was when she was in love with Drew. (It was her freshman year in high school at the time). If this song was inspired by her last summer at the shore, which would’ve been right after her freshman year, the dates would line up perfectly to further indicate that this song is about Drew.\nThe song is also comparable to “You Belong With Me,” in that in both songs the boy is dating a girl who isn’t as good for him as Taylor would be. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nShe can't see the way your eyes\nLight up when you smile\nShe'll never notice how you stop and stare\nWhenever she walks by\n[Pre-Chorus]\nAnd you can't see me wanting you the way you want her\nBut you are everything to me\n[Chorus]\nAnd I just wanna show you\nShe don't even know you\nShe's never gonna love you like I want to\nAnd you just see right through me\nBut if you only knew me\nWe could be a beautiful miracle, unbelievable\nInstead of just invisible\n[Post-Chorus]\nOh, yeah, oh\n[Verse 2]\nThere's a fire inside of you\nThat can't help but shine through\nShe's never gonna see the light\nNo matter what you do [Pre-Chorus]\nAnd all I think about is how to make you think of me\nAnd everything that we could be\n[Chorus]\nAnd I just wanna show you\nShe don't even know you\nShe's never gonna love you like I want to\nAnd you just see right through me\nBut if you only knew me\nWe could be a beautiful miracle, unbelievable\nInstead of just invisible\n[Bridge]\nLike shadows in a faded light\nOh, we're invisible\nI just wanna open your eyes\nAnd make you realize\n[Chorus]\nI just wanna show you\nShe don't even know you\nBaby, let me love you, let me want you\nYou just see right through me\nBut if you only knew me\nWe could be a beautiful miracle, unbelievable\nInstead of just invisible [Post-Chorus]\nOh, yeah\n[Outro]\nShe can't see the way your eyes\nLight up when you smile" } ]

[ { "from": "human", "value": "Write me a song called End of Discussion with the following description: “End Of Discussion,” featuring Lil Wayne, is track 10 to Rich The Kid’s debut studio album, The World Is Yours.\nRich recently discussed working with Wayne in an interview:\nI was skateboarding. I got him on my new album. Wayne been always like, supportive for a minute now. It’s great to have him on my side, letting me know what not to do, what to do.\nMany snippets of this track were previewed by Rich throughout 2017.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Rich The Kid]\nHuh, end of discussion (What)\nI went from nothing to something (Something)\nI want them real deal hunnids (Yuh)\nOoh, she a blondie, look like Kehlani (Kehlani)\nPussy tsunami (Tsunami)\nAin't talkin', no money, it's nothing (It's nothing)\nEnd of discussion (Huh, yuh)\nEnd of discussion (Discussion)\nI went from nothing to something (Something)\nI want them real deal hunnids (What)\nOoh, she a blondie, look like Kehlani (Kehlani)\nPussy tsunami\nAin't talkin', no money, it's nothing\nEnd of discussion (What, huh)\n[Verse 1: Rich The Kid]\nBig bag, truckload (Huh)\nI'm in her throat (Throat)\nPlug call, I finesse for the dope (Plug)\nGucci, my coat (Gucci)\nRich nigga, had to come up from broke (Rich)\n100 a show (100)\nWant a feature, it'll be 50 or more (50)\nPull off with yo thottie, I just got that 'rari (Skrrt)\nPack touchdown like I'm James Harden (Pack)\nFrom nothing to something (Something)\nDolce Gabbana, my bitch now she stunting (She stunting)\nWas trappin' a onion (Trap)\nRich Forever, boy you know how we bomin' (Huh)\nMatte black Wraith (Wraith)\nPocket, all faces (What)\nCan't sit on the bench 'cause I ball baby (Ball baby)\nShut down every store in the mall baby (Mall baby)\nSwerving, she nervous (Nervous)\nYoung nigga, I was trappin' a birdie (Trap)\nCook it up, hurry (Hurry)\nAll of my niggas on 730 (Rich) [Chorus: Rich The Kid]\nHuh, end of discussion (What)\nI went from nothing to something (Something)\nI want them real deal hunnids (Yuh)\nOoh, she a blondie, look like Kehlani (Kehlani)\nPussy tsunami (Tsunami)\nAin't talkin', no money, it's nothing (It's nothing)\nEnd of discussion (Huh, yuh)\nEnd of discussion (Discussion)\nI went from nothing to something (Something)\nI want them real deal hunnids (What)\nOoh, she a blondie, look like Kehlani (Kehlani)\nPussy tsunami\nAin't talkin', no money, it's nothing\nEnd of discussion (What, huh)\n[Verse 2: Lil Wayne]\nI went from nothing to everything\nI went from finer to better things\nColombiana and Mary Jane\nStuffed the Eddie Bauer with Eddie Cane\nStraight to the top, fuck the middle man\nI cut him out, Edward Scissorhands\nEvery time I pop thousand milligrams\nSpin 'til I drop like the ceiling fans\nBad bitch pretty, she pretty bad\nShe might get a bag that come with a bag\nPull out a molly bag, let her dib and dab\nLet the money talk 'til it jibber jab\nMy plug just hit me with the give and go\nNow I'm over the stove and I'm whipping Nash\nTell the boogeyman \"I'm the bigger man,\"\nTell the trigger man, \"pull the trigger, man\"\nPull up on yo ass, two seater\nPull off fast like a loose cheetah\nOne diamond ring on two fingers\nCheating on these hoes, call me Tune Cheadle\nLook how they grinnin' and blushin'\nI got the enemy rushin'\nGet it? The enemy Russian\nFuck it, end of discussion\nTune'\nMoney team [Chorus: Rich The Kid & \nLil Wayne\n]\nHuh, end of discussion (What, \nend of discussion\n)\nI went from nothing to something (\nNothing to something\n)\nI want them real deal hunnids (Yuh, \nhunnids\n)\nOoh, she a blondie, look like Kehlani (Kehlani)\nPussy tsunami (\nTsunami\n, tsunami)\nAin't talkin', no money, it's nothing (\nIt's nothing\n)\nEnd of discussion (Huh, \nyuh, yuh, rich\n, yuh)\nEnd of discussion (\nYuh\n)\nI went from nothing to something (\nNothing to something\n)\nI want them real deal hunnids (Yuh, \nhunnids\n)\nOoh, she a blondie, look like Kehlani (\nYuh\n)\nPussy tsunami (\nTsunami\n, tsunami)\nAin't talkin', no money, it's nothing (\nIt's nothing\n)\nEnd of discussion (\nRich\n)\n[Verse 3: Rich The Kid & \nLil Wayne\n]\nBlue cheese (Cheese), hundos (\nMoolah\n)\nShe gotta go (Go)\nWant a bag, left the bitch at the door (Bitch)\nPinky on froze (Froze)\nMade a milli', you was chasin' them hoes (Milli')\nThe money don't fold (Fold)\nBaby mama keep calling my phone (Whoa)\nShe ride it like a Harley, bitches call me gnarly (Gnarly)\nThem diamonds fufu, you ain't tricking nobody (What)\nI came up from nothing (Nothing)\nThey was hating, I was getting to the money (Money)\nMy wrist on Dasani (Word)\nPussy good and she look like Kehlani (Yuh)\nStars in the Wraith (Wraith)\n, automatic face (Neck)\nShe wanna fuck my chain (My chain)\nPussy poppin', but you bought her a Range (Whoa)\nJust to come pull up on me (Me)\nYou probably flex for a week (Flex)\nIn Paris, a 50 at least (50)\nToo many racks up on me (Rich) [Chorus: Rich The Kid]\nHuh, end of discussion (What)\nI went from nothing to something (Something)\nI want them real deal hunnids (Yuh)\nOoh, she a blondie, look like Kehlani (Kehlani)\nPussy tsunami (Tsunami)\nAin't talkin', no money, it's nothing (It's nothing)\nEnd of discussion (Huh, yuh)\nEnd of discussion (Discussion)\nI went from nothing to something (Something)\nI want them real deal hunnids (What)\nOoh, she a blondie, look like Kehlani (Kehlani)\nPussy tsunami\nAin't talkin', no money, it's nothing\nEnd of discussion (What, huh)" } ]

[ { "from": "human", "value": "Write me a song called Ric Flair with the following description: “Ric Flair” is the name given to a series of unreleased collaborations between Post Malone and Swae Lee; this is a solo demo by Post that leaked online on September 4, 2019. As is typical with many demos, it finds Post freestyling and mumbling as he attempts to lay down a melody.\nMultiple versions of the song were recorded in 2017, but no iteration ever saw an official release. An alternate version of the track with Swae Lee and an intro from Ric Flair leaked online on June 19, 2019. Another version that remains unleaked contains extra vocals from Swae. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nOoh, [?]\nPull up in that Rolls Royce spillin' champa-agne\nYou know I [?]\nYou know I [?] and you know my name\nKeep stealin', wheelin', dealin'\nSawed off a gun, why you [?] for us?\nYou know I [?], and then we [?]\nYou know [?], that's why I wanna [?]\n[Bridge]\nUh\n*burps*\nYeah, yeah\n[Verse 2]\nAnd we stylin', profilin', we wildin', yeah\nAnd we noticed you not all reveling, ayy\nAnd we stylin', profilin', lil' mama, I'm gon' wildin', ayy, ayy\nAnd we stylin', profilin', we, yeah\nAnd we styilin', profilin', keep stealin' and healin'\n[?]\nKnow I went for, know I went for\nLet me know [?], please don't let me go [?]\nYou know I [?] a fuck, got your bitch screamin', Ric Flair\nGot your bitch screamin' \"woo\", Ric Flair\n'Cause your bitch screamin' \"woo\", Ric Flair\n[?] bands\nRun 'em up, run 'em up, run 'em up, bands\nLet's have a look, iced out, ooh, baby\nRun that way, four-four, baby, baby, do it\nGo 'head listen up, [?] and that baby do it\nRun up on 'em, it's a [?], listen, baby do it\nWhen I pull out my garage, ooh, get into it\nYou already know it's [?] to it\nHit you in the back, [?] do it\nHit you with a check, [?] do it [Bridge]\n[?]\nNow I, [?], yeah\n[Verse 3]\nNow I chop the top off that Bentley, yeah\nNow they chop the top off that Benz, yeah\n[?] no, bitch, Rollie on [?] fist\nAnd I'm not a pacifist, they know I'm the prophecy\nMy homies ain't pacifist, they pull up and spray shit\nThis ain't no baby shit, this ain't no baby shit\nNow I chop the top off that Bentley, yeah\n[?] top, they ain't failin'\nIced out Patek, don't need no Mille\nWoo, I just might just pull up in Bentley\nGot a couple boys in my belly\nSippin' out the four in the telly\n[?] bitch in the Tech\nOh, nice, [?]\n[Bridge]\nAyy, ayy\n[?]\nHold up, ain't takin' no baby with me\nDroppin' the top, ain't no baby with me\nRollin' around, ain't no bitch on the fade\nAll the bullshit you talkin', ayy\nAll that bullshit you been talkin' all day\nI pull [?] [Verse 4]\nI just might [?] in that pussy\nI'ma pull up to that [?]\nYeah, Rollie's [?]\nMy Rollie [?] bitch, ain't no man\nWhen I pull out the garage\n[?] chop the tops\n[?] bitch, chop the top\n[?], yeah\nAin't that [?]\nHer pussy got me in a [?]\n[?] fourty in my [?]\n[?] fourty in my drop-top\nWhen I cut that pussy, then I [?]\nThen I took the five and check the [?]\nThen I took the limousine to the [?]\nThen I [?] make it drop, woo\n[Break]\n(That's fire)\n[?]\n[Verse 5]\nSay you [?] when you ridin' with me\nSay you [?] it's the ride of my life\nSaid I'll take you in the 'Rari and I [?]\nIf you wanna get the Audi, then we [?], baby\nThen we ride out tonight\nOoh, then we ride out tonight\nThen I pull up in the [?], they might cop it tonight\nThen I pull out the garage, I chop the top off the ride\nWhen you see me in the streets, you know I'm stylin', profilin'\nWhen you see me [?], you know I'm stylin', profilin'\nOne minute I'm up, I'ma ride on the Addies\nI'ma take ya, lil' girl, take a ride to the islands\nI might still kiss two 'cause we winnin' no money\nSo no money up fallin', if it not fall" } ]

[ { "from": "human", "value": "Write me a song called Hell You Saying with the following description: The beat to this track and Iggy’s first verse were previously used by Iggy Azalea in her Boss Lady song in 2012.\nhttps://twitter.com/IGGYAZALEA/statuses/431527106841825280\n\nDJ Whoo Kid, DJ Skee and DJ MLK are teaming up for a SXSW-inspired mixtape, “SXEW (South by East West).”\nThe three veterans have produced a collaborative mixtape that covers all three of their regions. Whoo Kid is giving fans a taste of the project with its lastest release, T.I.’s “Hell You Sayin' (source).Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: T.I]\nAll we really know a kid pimpin', all we do is get fly\nVVS shine like the sun outside\nSomebody tryna tell you Hustle Gang ain't gettin' to the money\nTell that nigga \"You a mothafuckin' lie\"\nNigga hell you sayin'? Nigga hell you sayin'?\nFuck you thought? Fuck you thought?\nNigga hell you sayin'? Nigga hell you sayin'?\nFuck you talm 'bout? Fuck you talm 'bout?\nNigga hell you sayin'?\n[Verse 1: Iggy Azalea]\nI make rainy days, it's a drought for you\nY'all ain't crusin' my altitude\nI'm a boss bitch, I let you spread the rumors\nYea you talkin' shit but not an ounce true\nMillion dollar misfit, my money pilin'\nAll over the lettuce like Thousand Island\nMy dough runnin' like a broken faucet\nI'm the landlord, you in the housing projects\nIn the drive-thru, makin' bank deposits\nCrazy money, insane asylum\nBoss Chase, got her taxes filed\nAnd then I blow the rest while I’m at Saks shopping\nAmsterdam, Germany and Holland\nChanging your currency to dollars\nIt's Iggy bitch, and this boss shit\nWhere the pounds at?\nNo trending topic [Chorus: T.I]\nAll we really know a kid pimpin', all we do is get fly\nVVS shine like the sun outside\nSomebody tryna tell you Hustle Gang ain't gettin' to the money\nTell that nigga \"You a mothafuckin' lie\"\nNigga hell you sayin'? Nigga hell you sayin'?\nFuck you thought? Fuck you thought?\nNigga hell you sayin'? Nigga hell you sayin'?\nFuck you talm 'bout? Fuck you talm 'bout?\nNigga hell you sayin'?\n[Verse 2: T.I.]\nAll I talk is money, ye ain't got it, ain't nothin'\nI'm on the grind, shinin' like an elevator button\nWanna talk? Nigga lissen, call me [?]\nYou got a bad bitch? I gotta have that buddy\nBein' broke? Nigga please, you can have that, buddy\nThis nigga say he doin' numbers, where yo math at buddy?\nI'm in a mothafuckin' socket, can't unplug it\nThink I'm mothafuckin' lyin', try and take somethin' from me\nBitch I'm plugged to the max, pay a dub for a pack\nTake it back to the trap, make it jump right back\nBreak it down into O's, sell quarters of those\nIf I ain't got it on me, it's some more at the store\nI know a thousand mothafuckin' niggas in the city\nSay T.I.P. 'bout you, shawty anybody get it\nSo 'fore you get robbed, get trapped by 80\nJust know Hustle Gang thug a hella lot [Chorus: T.I]\nAll we really know a kid pimpin', all we do is get fly\nVVS shine like the sun outside\nSomebody tryna tell you Hustle Gang ain't gettin' to the money\nTell that nigga \"You a mothafuckin' lie\"\nNigga hell you sayin'? Nigga hell you sayin'?\nFuck you thought? Fuck you thought?\nNigga hell you sayin'? Nigga hell you sayin'?\nFuck you talm 'bout? Fuck you talm 'bout?\nNigga hell you sayin'?\n[Verse 3: Young Dro]\nWe got them niggas over there dead\nCoupe Benz, no roof, I'm without head\nNew shoes, you ain't got this pair yet\nYour broad late, kinda on cause I had that\nShe in the driveway, tryna fix her hair back\nI had a dick marathon and she ran that\nLapped that, after that, when her care better\nKilled her with the pole, then let her hang half mast\nFuck them, I'm still hoppin' out of foreign cars\nI'm a born star and I'm a porn star\nI catch you slippin' with triggers and really hit a nigga\nBy myself, I ain't gotta go get a nigga\nTrap Biggie, on track verbally killin' niggas\nSick flow, might need Penicillin, nigga\nI do the impossible like I oughta do\nAnd y'all pussy niggas smaller than a molecule\nOut! [Verse 4: Travi$ Scott]\nI left my passport overseas\nWhere it get dark after 3\nNever leave the house 'less I'm awfully flee\nAlways leave the show with somethin' soft to squeeze\nTake a little dab of this, a little drag of this\nThen she reached down my pants, grabbed my shaggy dick\nLeft that mothafucka's home covered in my kids\nShe bossy, get this grip, straight flossin'\nSmoke the piece with little coffee\nFresh as hell, no coffin'\nI let her talk the shit\nLeave the crib, can't walk for shit shit\nBuck the dome, Milwaukee shit\nMind so big, gettin' lost and shit\nBossin', hit the club they heed caution\nDrunk as hell feelin' nauseous\nHigh as hell, hittin' comets\nI’m raunchy, your niggas rock Givenchy\nI ain't gotta say it, I ain't gotta wear it\nI ain't gotta pay it cause you know it don't cost me\n[Chorus: T.I]\nAll we really know a kid pimpin', all we do is get fly\nVVS shine like the sun outside\nSomebody tryna tell you Hustle Gang ain't gettin' to the money\nTell that nigga \"You a mothafuckin' lie\"\nNigga hell you sayin'? Nigga hell you sayin'?\nFuck you thought? Fuck you thought?\nNigga hell you sayin'? Nigga hell you sayin'?\nFuck you talm 'bout? Fuck you talm 'bout?\nNigga hell you sayin'?" } ]

[ { "from": "human", "value": "Write me a song called Deeply* with the following description: “Deeply” is singer-songwriter Julia Michaels’s personal tribute to her boyfriend; a reminder to him that him that though hard times and issues will befall the two of them, she will never stop loving him and will never leave him.\nThe song was debuted at a live session at NRJ Sweden on February 23, 2017, the track later being confirmed in an interview with 92.3 AMP to be part of her debut EP, Nervous System; however, for unknown reasons, it did not make the final cut. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Lyrics will be available as soon as the song is released. Stay tuned!]\n[Verse 1]\nWhat's wrong?\nYou haven't been you in a while\nI know that you know I'm knowin' too (?)\nI miss the things we used to do\nCome on, get up and dance like we did\nBefore the Hell that got hold of you (?)\nI miss the things we used to do\n[Pre-Chorus]\nLike, cuddle on a Sunday\nMake love til Monday\nFight on a Tuesday\nHold on for two days\nScream in the worst way on Thursday\nFall back in love on a Friday\nNow it gets hard to see you this vulnerable\nSo now more than ever, you need to know\n[Chorus]\nI would do anything for you\nDon't even have to ask me\nI would walk to the end for you\n'Cause I care about you so Deeply\nCare about you so Deeply, oh\nAnd if you needed me right there\nScream my name from a distance\nNo, I'm not going nowhere\n'Cause I care about you so Deeply\nCare about you so Deeply [Verse 2]\nBaby, I'm here, come tell me if you're fine\nA touch on the skin if you really want\nA laugh that can make life less exciting\nYou said \"I feel down\"\nAnd you're perfect, I don't say it enough\nBut I love the unknown\nAnd if I say it enough, can we\n[Pre-Chorus]\nCuddle up a Sunday\nMake love til Monday\nFight on a Tuesday\nHold on for two days\nScream in the worst way on Thursday\nFall back in love on a Friday\nNow it gets hard to see you this vulnerable\nSo now more than ever, you need to know\n[Chorus - Outro]\nI would do anything for you\nDon't even have to ask me\nI would walk to the end for you\n'Cause I care about you so Deeply\nCare about you so Deeply, oh\nAnd if you needed me right there\nScream my name from a distance\nNo, I'm not goin' nowhere\n'Cause I care about you so Deeply\nCare about you so Deeply Yeah, I would do anything for you\nDon't even have to ask me\nI would walk to the end for you\n'Cause I care about you so Deeply\nCare about you so Deeply\nAnd if you needed me right there\nScream my name from a distance\nNo, I'm not going nowhere\n'Cause I care about you so Deeply\nCare about you so Deeply, yeah" } ]

[ { "from": "human", "value": "Write me a song called Can I Go with You with the following description: “Can I Go With You” is one of Taylor Swift’s unrealeased songs. She sings as a girl whose father is a soldier about to be sent to war. She knows he’ll be gone for a long time, and she wants to go with him. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nAny day now, they're talking war\nI can see the look that's in your eyes\nThey're not talking a week or two\nOh, daddy can I go with you?\nOh, daddy can I go with you?\n[Verse 2]\nYou pack a suitcase, take a picture from the wall\nI always knew this time would come\nWhen I ask how long you think you're going to be\nYou say, this crazy world's come undone\n[Verse 3]\nSummer's over and leaves begin to fall\nAnd another winter's on the way\nI knew I wasn't going to take this very well\nBut I'd give anything to have you here today\n[Verse 4]\nEveryday now they're talking war\n& I know this time is like it's never been before\nWe're not talking about a week or two\n[Outro]\nOh, daddy can I go with you?\nOh, daddy can I go with you?\nOh, daddy can I go with you?" } ]

[ { "from": "human", "value": "Write me a song called Working Man with the following description: “Working Man” is the first of two tracks by Imagine Dragons that premiered exclusively on iTunes for their debut album, Night Visions. While “Fallen” remained an iTunes exclusive, “Working Man” was added as a bonus track on the 2013 re-release of the album as well as on Spotify.\nThe track overflows with synthesizers and electronic sounds culminating in an instrumental bridge which acts as the song’s peak. These sounds underscore the message which reflects how hard work is beneficial even when life gets tough. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nShake it, shake it, and we're moving again\nBeen a long time coming for the working man\nShake, it shake it, and we're moving again\nWhen the money is high, we can start to spend\nShake it shake it, and we're moving again\nBeen a long time coming for the working man\nShake it shake it, and we're moving again\nWhen the money is high, we can start to spend\nShake it\n[Verse 1]\nEvery little bit goes a little of a long way\nLife gets hard and I'm headed for the highway\nHome, ho-oh-oh-ome (Ho-oh-oh-ome)\nCaught up in the middle of a headache and a heartbreak\nJust when I thought I was clear of the mistakes\nNo, no-oh-oh-oh (No-oh-oh-oh)\n[Pre-Chorus]\nSo tell me, tell me, tell me\nWhat am I to do?\nI think that this life is darker than the view\nSo help me, help me, help me\nBe a little more like you\nWhen everything is falling\nI'm gonna do the things you do [Chorus]\nShake it, shake it, and we're moving again\nBeen a long time coming for the working man\nShake it, shake it, and we're moving again\nWhen the money is high, we can start to spend\nShake it, shake it, and we're moving again\nBeen a long time coming for the working man\nShake it, shake it, and we're moving again\nWhen the money is high, we can start to spend\nShake it\n[Verse 2]\nEverything is serious and everything is fatal\nThat's what they tell you and that's how they make you\nKnow, know-oh-oh-oh (Know-oh-oh-oh)\nI'm tired of the books and tired of the tables\nEverything is made with the same old labels\nNo, no-oh-oh-oh (No-oh-oh-oh)\n[Pre-Chorus]\nSo tell me, tell me, tell me\nWhat am I to do?\nI think that this life is darker than the view\nSo help me, help me, help me\nBe a little more like you\nWhen everything is falling\nI'm gonna do the things you do [Chorus]\nShake it, shake it, and we're moving again\nBeen a long time coming for the working man\nShake it, shake it, and we're moving again\nWhen the money is high, we can start to spend\nShake it, shake it, and we're moving again\nBeen a long time coming for the working man\nShake it, shake it, and we're moving again\nWhen the money is high, we can start to spend\nShake it\n[Instrumental Bridge]\n[Chorus]\nShake it, shake it, and we're moving again\nBeen a long time coming for the working man\nShake it, shake it, and we're moving again\nWhen the money's high, we can start to spend\nShake it, shake it, and we're moving again\nBeen a long time coming for the working man\nShake it, shake it, and we're moving again\nWhen the money's high, we can start to spend\nShake it, shake it, and we're moving again\nBeen a long time coming for the working man\nShake it, shake it, and we're moving again\nWhen the money's high, we can start to spend\nShake it, shake it, and we're moving again\nBeen a long time coming for the working man\nShake it, shake it, and we're moving again\nWhen the money's high, we can start to spend\nShake it" } ]

[ { "from": "human", "value": "Write me a song called I Thought About Killing You with the following description: “I Thought About Killing You” is the opening track from Kanye West’s eighth studio album, ye. The song debuted during West’s album premiere in Jackson Hole, Wyoming, on May 31, 2018. Kanye discusses mental strength, different forms of love, and not letting his opponents get to him. He discusses his dark thoughts at length throughout emotional passages, revealing his struggle with suicidal ideation. During the spoken-word segment, Kanye uses a pitch-shift effect on his voice, signifying the bipolar nature of the conversation he’s having with himself.\nHe also refers to his opioid addiction, which can cause harsh side effects—including depression and suicidal thoughts, respiratory depression, or a reduced ability to breathe, and more. This is further explored in the next track, “Yikes.” In an interview with The New York Times, Kanye was asked how much of the song is meant to be literal and how much of it is metaphorical, and he responded, “I’ve thought about killing myself all the time. It’s always a option and [expletive]. Like Louis C.K. said: I flip through the manual. I weigh all the options.”\nAt 3:10, the beat switches to a more atmospheric and aggressive mood. This section samples the 2017 track “Fr3sh” by Kareem Lotfy, which was released on the compilation Mono No Aware, put together by Berlin-based record label, Pan. Kanye spent some alone-time in Berlin around the time of the 2018 Grammys; one of the few moments he was spotted in public during his hiatus while creating this album. On November 7, 2018, the beat switch was updated to not include Kareem’s sample, but rather a similar interpolation of it. This change is most prevalent in the Spotify version.\nPitchfork reported that the band didn’t receive proper credit for the sample. Francis, of Francis and the Lights, reached out on Twitter, stating that he added the beat last minute and meant no harm or foul play. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Francis and the Lights & \nKanye West\n]\nI know, I know, I know, I know, know\nI know, I know, I know, I know, know\nI, I know it, I know it\n[Spoken Word: Kanye West]\nThe most beautiful thoughts are always besides the darkest\nToday, I seriously thought about killing you\nI contemplated, premeditated murder\nAnd I think about killing myself\nAnd I love myself way more than I love you, so…\nToday, I thought about killing you, premeditated murder\nYou'd only care enough to kill somebody you love\nThe most beautiful thoughts are always besides the darkest\n(\nMhm—mhm—mhm—mhm—mhmm\n)\nJust say it out loud to see how it feels\nPeople say \"don't say this, don't say that\"\nJust say it out loud, just to see how it feels\nWeigh all the options, nothing's off the table\nToday, I thought about killing you, premeditated murder\nI think about killing myself\nAnd I, I love myself way more than I love you\nThe most beautiful thoughts are always besides the darkest\n(\nMhm—mhm—mhm—mhm—mhm—mhm—mhm—mhm—mhmm\n)\nI think this is the part where I'm supposed to say somethin' good to compensate it so it doesn't come off bad\nBut sometimes I think really bad things\nReally, really, really bad things\nAnd I love myself way more than I love you\nSee, if I was tryin' to relate it to more people\nI'd probably say I'm struggling with loving myself\nBecause that seems like a common theme\nBut that's not the case here\nI love myself way more than I love you\nAnd I think about killing myself\nSo, best believe, I thought about killing you today\nPremeditated murder [Verse: Kanye West]\nI called up my loved ones, I called up my cousins\nI called up the Muslims, said I'm 'bout to go dumb\nGet so bright, it's no sun, get so loud, I hear none\nScreamed so loud, got no lungs, hurt so bad, I go numb\nTime to bring in the drums, that prra-pa-pa-pum\nSet the NewTone on 'em, set the nuke off on 'em\nI need Coke with no rum, I taste coke on her tongue\nI don't joke with no one, they'll say \"He died so young\"\nI done had a bad case of too many bad days\nGot too many bad traits, used the floor for ashtrays\nI don't do shit halfway, I'ma clear the cache\nI'ma make my name last, put that on my last name\nIt's a different type of rules that we obey\nYe, Ye, Ye season, nigga, we Old Bay\nWe was all born to die, nigga, DOA\nNiggas say they hero, mm, I don't see no cape\nMm, I don't see no, mm, yeah, I don't see no, mm, mm\nIf I wasn't shinin' so hard, wouldn't be no shade\nBuckwheat-ass nigga, it's gon' be o-tay\nSorry, but I chose not to be no slave\nYoung nigga shit, nigga, we don't age\nI thought I was past my Deebo ways\nEven when I went broke, I ain't break\nHow you gon' hate? Nigga, we go way back\nTo when I had the braids and you had the wave cap\nDrop a pin for the fade and I'm on my way ASAP\nDon't get socked in the mouth, you know homie don't play that\nPay the fire marshal bill 'cause this shit done got way packed\nThey wanna see me go ape (Ape, ape)\nAll you gotta do is speak on Ye\nAll you gotta do is speak on Ye\nDon't get your tooth chipped like Frito-Lay" } ]

[ { "from": "human", "value": "Write me a song called I.C.W.N.T. (Freestyle) with the following description: “I.C.W.N.T.” or “I Can’t Wife No Thot” was a surprise release from Future on February 28, 2018, marking his first solo release of the year. He previously appeared on Black Panther: The Album alongside Jay Rock, Kendrick Lamar, and James Blake on “King’s Dead”.\nOn the track, Future boasts about his drugs and his ways with women.\nThe rapper first shared the track through a tweet:\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nSwerve, swrr, swrr, whrr\n8...\nYuh, yuh, yuh\n[Chorus]\nThese bitches ain't shit, we fuck 'em together\nI change up my hoes like I change up the weather\nI can't wife no thot, I can't wife no thot\nI can't wife no thot, I can't wife no thot\nBought a couple bags, pussy on splash\nDropped a little cash, that's all that\nI can't wife no thot, I can't wife no thot\nI can't wife no thot, I can't wife no thot\n[Verse]\nI can't wife no thot, forty at my spot\nSmashed her in my drop, got some crazy top\nI done damn near wrecked, off that hoe neck\nI got a little bit of flex, I damn near was obsessed\nAll that is is a bougie freak\nSaddity bitch from Laguna Beach\nPussy good and her throat deep\nSucked so long, made her nose bleed\nI ain't savin' no slutty, I hit her and her and her buddy\nBought the freak a little puppy but she ain't nothin' but my cuddy\nI can't wife no thot, suck my dick till she see snot, huh\nCame from out the slums, fuck these thotties 'cause I'm hot\nHunnid round drum and I shot it on the spot\nCodeine on her tongue 'cause I'm drinkin' syrup alot\nDid a donut out the lot soon as I turned out the parkin' lot\nI can't wife no thot, no, I can't wife no thot\nI had bought some Cartiers 'cause that mouth there on lock\nGucci sock get Louis top, big chain made her pussy pop\nEarrin' got her lashin' out, walkin' round like a rental cop\nCheckin' bitches, they be on the 'Gram\nCheck her phone, I think she tryna scam\nI ain't tryna save these hoes, no thank you, ma'am\nI hit that nanny on green-green, swallow my cum, no ring-ring\nRed Ferrari a mean ting, I got a mean ting\nCame with her panties, I gave her some lean-lean\nI gave her the clean-clean\nShe want that molly, I gave her a green bean\nShe took off her wing-wings\nI had to put her inside of the Bentley thing\nFucked up her Maybelline\nMaybe she think she more than what she is\nMaybe she thinkin' queen\nMaybe she think Civil gon' save her\nMaybe she fuckin' 'round with the neighbors [Chorus]\nThese bitches ain't shit, we fuck 'em together\nI change up my hoes like I change up the weather\nI can't wife no thot, I can't wife no thot\nI can't wife no thot, I can't wife no thot\nBought a couple bags, pussy on splash\nDropped a little cash, that's all that\nI can't wife no thot, I can't wife no thot\nI can't wife no thot, I can't wife no thot\n[Outro]\n8..." } ]

[ { "from": "human", "value": "Write me a song called Hallelujah with the following description: “Hallelujah” is track 2 off British synthpop band Years & Years' sophomore album, Palo Santo. Its title was revealed on April 24, 2018, during the #FindPaloSanto event, where the band revealed each track off the new album over a course of four hours. To reveal “Hallelujah”, fans had to decode the title with the letters created with the album. The given letters were: H _ L _ _ LUJ_H\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nThirteen days since you left me\nWondering what it all meant\nWas I just something for the moment?\nTwenty-one questions weighing on my brain\n[Pre-Chorus 1]\nI wanna dance 'til I'm drunk on the feeling\nDance, like it's my first time\nI wanna dance 'til I speed up the healing\nGet up, shake it 'til I find\n[Chorus]\nSomebody like you\nSomebody like you that I could dance to this to\nSomebody like you\nSomebody like you that I could dance to this to\nThat knows what to do\nSomebody like you that I could move to this to\nUntil our bodies are singing hallelujah\nSomebody like you\nSomebody like you that I could dance to this to\nSomebody like you\nSomebody like you that I could dance to this to\nThat knows what to do\nSomebody like you that I could move to this to\nUntil our bodies are singing hallelujah\nSinging hallelujah [Verse 2]\nWant to taste you on their lips and make you jealous\nMake me forget I feel much better\nWhen you move those hips\nSo, come on, press it next to mine\n[Pre-Chorus 2]\nYou really help\nReally help with my emotions\nLike no one else\nOh my god, it gets me going\nI surrend, I surrender my devotion\nAs long as it is\n[Chorus]\nSomebody like you\nSomebody like you that I could dance to this to\nSomebody like you\nSomebody like you that I could dance to this to\nThat knows what to do\nSomebody like you that I could move to this to\nUntil our bodies are singing hallelujah\nSomebody like you\nSomebody like you that I could dance to this to\nSomebody like you\nSomebody like you that I could dance to this to\nThat knows what to do\nSomebody like you that I could move to this to\nUntil our bodies are singing hallelujah\nSinging hallelujah [Bridge]\nWe move in time, our steps align\nBy grace on high\nHallelujah\nHoly and true\nBoy, I can move\nYour power pulls me under\n[Chorus]\nSomebody like you\nSomebody like you that I could dance to this to\nSomebody like you\nSomebody like you that I could dance to this to\nThat knows what to do\nSomebody like you that I could move to this to\nHallelujah\nOh, somebody\nSomebody like you\nSomebody like you that I could dance to this to\nThat knows what to do\nSomebody like you that I could move to this to\nUntil our bodies are singing hallelujah\nHallelujah, oh\nSinging hallelujah\nUntil our bodies are singing hallelujah" } ]

[ { "from": "human", "value": "Write me a song called 1996 Fat Beats Freestyle with the following description: NYC record store Fat Beats relocated in 1996 and celebrated their move by hosting a cypher including the likes of Ill Bill, Lord Finesse, Al' Tariq, Xzibit, etc. Out of all of these big names, the 19 year old Kanye West stood out, debuting this amazing freestyle that would forecast the bright future he would create for himself. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse]\nYo it's the Lake Shore Drive\nKeep it live, tight, raw\nYou better hurry up, they can't keep it in the store\nTo be the format, your whole style on one beat\nInsert the disk, watch a nigga press delete\nTryna flex your technique\nYou gettin' blasted with a TEC, that shit is mad ironic\nLike Alanis Morisette\n, \nyou try but can't jet\nBunch of airline lyrics, rhymes for low fare\nFlyin' out of O'Hare\nWhile these no-name ass niggas wanna go there, nobodies\nLivin' three blocks from nowhere, down the street from nothin'\nLet me show these niggas somethin', visual aid, the page\nAnd the nigga who fronted, word to God, they don't want it\nBut they wanna play the role, actin' hardcore\nWatch the whole career, flow, my style is too cold\nAlways, forever like Luther\n, but it ain't original\nBecause I stole it from the future, now I'm wanted in three centuries\nThe verbal killin', ask me where I got the style\nTold 'em from my grandchildren, put it on files\nDocument it in the books\nYou niggas can't see me so cease the hard looks\nI'll rather it get took\nLive and die for rhymes, dedicated to hip-hop\nShit don't stop\nNiggas they wanna know what and who's next\nAnd you roll up in a Lex\nThat's the train stop,\n my brain drop mad lyrics\nI rhyme with the spirit off the top, I drop nonstop\nVerbally killin', my style is ready to willin'\nY'all niggas stay back chillin'\nLike EPMD y'all niggas ain't seein' me\n, what\nWe're enormous, nah, do or die\nI got the rhymes on the brain\nThey tried to bomb me on the plane so I rode the train\nBefore I got here, spawned here\nI'm 'bout to save this shit, yo it's my year, what!?\nBring it on, pass it to my man Tariq\nRock the mic all week" } ]