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[ { "from": "human", "value": "Write me a song called Dancing In The Dark / Livin’ On A Prayer with the following description: At the first Speak Now Tour stop at the Prudential Center in New Jersey, Taylor performed a mashup cover of two songs by NJ’s finest. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "You can't start a fire\nYou can't start a fire without a spark\nThis gun's for hire\nEven if we're just dancing in the dark\nThis gun's for hire\nEven if we're just dancing in the dark\nWe've gotta hold on to what we've got\nIt doesn't make a difference if we make it or not\nWe've got each other and that's a lot\nFor love we'll give it a shot\nWhoa, we're half way there\nWhoa, livin' on a prayer\nTake my hand and we'll make it, I swear\nWhoa, livin' on a prayer\nLivin' on a prayer" } ]

[ { "from": "human", "value": "Write me a song called Lost with the following description: “Lost” was inspired by Michael Bublé’s breakup with his former fiancée Debbie Timuss in the beginning of November 2005. After the break up Bublé had a hard time and the track describes his feelings. He can’t believe it’s over, and as he describes it in the Chorus he doesn’t want to lose her. He doesn’t want forget everything about her.\nHe went from being a happy father of three kids and engaged to the woman of his life, to be all by himself. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Instrumental Intro]\n[Verse 1]\nI can't believe it's over\nI watched the whole thing fall\nAnd I never saw the writing that was on the wall\nIf I'd only knew\nThe days were slipping past\nThat the good things never last\nThat you were crying\n[Verse 2]\nSummer turned to winter\nAnd the snow it turned to rain\nAnd the rain turned into tears upon your face\nI hardly recognized the girl you are today\nAnd, God, I hope it's not too late\nHmmm... It's not too late\n[Chorus]\nCause you are not alone\nI'm always there with you\nAnd we'll get lost together\n'Til the light comes pouring through\nCause when you feel like you're done\nAnd the darkness has won\nBabe, you're not lost\nWhen your world's crashing down\nAnd you can't bear the thought\nI said, babe, you're not lost [Verse 3]\nLife can show no mercy\nIt can tear your soul apart\nIt can make you feel like you've gone crazy\nBut you're not\nThings have seemed to change\nThere's one thing that's still the same\nIn my heart you have remained\nAnd we can fly fly fly away\n[Chorus]\nCause you are not alone\nAnd I am there with you\nAnd we'll get lost together\n'Til the light comes pouring through\nCause when you feel like you're done\nAnd the darkness has won\nBabe, you're not lost\nWhen the world's crashing down\nAnd you can not bear to crawl\nI said, baby, you're not lost\n[Outro]\nYeah, yeah, yeah, yeah\nI said, baby, you're not lost\nI said, baby, you're not lost\nOh, yeah, yeah\nI said, baby, you're not lost" } ]

[ { "from": "human", "value": "Write me a song called American Boy with the following description: “American Boy” by Estelle feat. Kanye West is featured in The Untitled Rachel Berry Project, the twentieth and final episode of Season Five. It is sung by Blaine (Darren Criss) and Kurt (Chris Colfer).\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[BLAINE & (KURT)]\nJust another one champion sound (Yeah)\nYeah, Estelle, we 'bout to get down (Get down)\nWho the hottest in the world right now? (Hey)\nJust touched down in London town (Huh)\nBet they give me a pound (Uh)\nTell them put the money in my hand right now (Yeah)\nTell the promoter we need more seats\nWe just sold out all the floor seats\n[KURT (& BLAINE)]\nTake me on a trip, I'd like to (go some day)\nTake me to New York, I'd love to (see L.A.)\nI really want to come kick it with you\n(You'll be my American boy)\nHe said\n\"Hey Sister, it's really, really nice to meet you\"\nI just met this 5 foot 7 guy who's just my type\nLike the way he's speaking, his confidence is peaking\nDon't like his baggy jeans but I'mma like what's underneath them\n[BLAINE & KURT]\nAnd no I ain't been to MIA [KURT]\nI heard that Cali never rains and\n[BLAINE & KURT]\nNew York's heart awaits\nFirst let's see the West End\nI'll show you to my brethren\n[KURT & (BLAINE)]\nI'm liking this American boy (American boy)\n[KURT (& BLAINE)]\nTake me on a trip, I'd like to (go some day)\nTake me to New York, I'd love to (see L.A.)\nI really want to come kick it with you\n(You'll be my American boy, American Boy)\n[BLAINE & KURT, (KURT)]\nLa la la la-ladida\nLa la la la-ladida\nLa la la la-(ladida)\n[BLAINE]\n(Will you be my) American boy, American boy?\n[BLAINE (& KURT)]\nCan we get away this weekend? (Take me to Broadway)\nLet's go shopping, maybe then we'll go to a café\n(Let's go on the subway, take me to your hood)\nI've never been to Brooklyn and I'd like to see what's good [BLAINE & KURT]\nDress in all your fancy clothes\n[BLAINE]\nSneakers looking fresh to death\n[BLAINE & KURT, (BLAINE)]\nI'm loving those Shell Toes\nWalking that walk, talk that slick talk\nI'm liking this American boy (American boy)\n[KURT & (BLAINE)]\nTake me on a trip, I'd like to (go some day)\nTake me to New York, I'd love to (see L.A.)\nI really want to come kick it with you\n(You'll be my American boy)\n[BLAINE]\nTell 'em wagwan blud\n[KURT (BLAINE)]\nWould you be my love, my love? (Would you be mine?)\nWould you be my love, my love? (Would you be mine?)\nCould you be my love, my love? (Ooh)\n[BLAINE & KURT, (BLAINE)]\nWould you be my American boy? (American boy) [KURT (BLAINE)]\nTake me on a trip, I'd like to go some day (Ooh, some day)\nTake me to Chicago, San Francisco Bay (Oh, yeah)\nI really want to come kick it with you (Ooh)\n(and Blaine: You'll be my American Boy) (Be my American boy)\nTake me on a trip, I'd like to go some day (I'd like to go some day)\nTake me to New York, I'd love to see L.A. (See L.A.)\nI really want to come kick it with you\n[BLAINE & KURT, (BLAINE)]\nYou'll be my American boy, American boy\nLa la la la-ladida\nLa la la la-ladida\nLa la la la-ladida\n(Will you be my) American boy, American boy?" } ]

[ { "from": "human", "value": "Write me a song called All I Want for Christmas is You with the following description: Fifth Harmony’s rendition of Mariah Carey’s classic “All I Want For Christmas Is You,” which appears on the holiday EP, I’ll Be Home For Christmas. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Normani, \nLauren\n, \nAlly\n, \nCamila\n, *Dinah*]\nI don't want a lot for Christmas\nThere is just one thing I need\nI don't care about the presents\nUnderneath the Christmas tree\nOh, I just want you for my own\nMore than you could ever know\nMake my wish come true, eeh, yeah\n*All I want for Christmas is you, ooh*\n[Verse 1: Ally, \nCamila\n]\nI don't want a lot for Christmas\nThere is just one thing I need (And I)\nAnd I don't care about the presents\nUnderneath the Christmas tree\nI don't need to hang my stocking\nThere upon the fireplace\n (Ah)\nSanta Claus won't make me happy\nWith a toy on Christmas Day\n[Chorus: Dinah, \nAlly\n, \nBoth\n]\nOh, I just want you for my own\nMore than you could ever know\nMake my wish come true\nAll I want for Christmas is you\nYou baby [Verse 2: Normani, \nAlly\n, \nLauren\n, \nCamila\n]\nOh, I won't ask for much this Christmas\nI won't even wish for snow (\nAnd I\n)\nAnd I'm just gonna keep on waiting\nUnderneath the mistletoe\nI won't make a list and send it\nTo the North Pole for Saint Nick\nI won't even stay awake to\nHear those magic reindeer click\n[Chorus: Dinah, \nNormani & Camila\n]\n'Cause I just want you here tonight\nHolding on to me so tight\nWhat more can I do?\nBaby, \nall I want for Christmas is you\nYou baby\n[Bridge: Ally, \nDinah\n]\nOh, all the lights are shining so brightly everywhere (\nOh, oh\n)\nAnd the sound of children's laughter fills the air (\nOoh\n)\nAnd everyone is singin'\n (\nOh, woah\n)\nI hear those sleigh bells ringin'\nSanta, won't you bring me the one that I really need?\nWon't you please bring my baby to me?\n[Verse 3: Lauren, \nAlly\n, \nCamila\n, \nDinah\n]\nOh, I don't want a lot for Christmas\nThis is all I'm asking for\nI just want to see my baby\nStanding right outside my door\nOh, I just want you for my own\nMore than you could ever know\nMake my wish come true, baby\nAll I want for Christmas is you, you [Outro: All, \nAlly\n]\nYou, baby\nAll I want for Christmas is you, baby (\nOoh\n)\nAll I want for Christmas is you, baby\nAll I want for Christmas is you, baby\nAll I want for Christmas is you, baby\nAll I want for Christmas is you, baby" } ]

[ { "from": "human", "value": "Write me a song called Sharp Edges with the following description: Despite the uplifting, poppy melody and the folk-inspired instrumentation that accompanies this song, Sharp Edges is lyrically a wistful reminiscence where Chester recounts the childhood years where he ignored his mother’s sound advice.\nChester begins with the familiar advice that a lot of us have been given during childhood about not running with scissors and then expands on the metaphor in the chorus.\nChester has personally stated that this is his favorite track off the record. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nMama always told me don't you run\n\"Don't you run with scissors, son\nYou're gonna hurt someone\"\nMama told me look before you leap\nAlways think before you speak, and watch the friends you keep\n[Pre-Chorus]\nStay along the beaten path, never listened when she said\n[Chorus]\nSharp edges have consequences, I\nGuess that I had to find out for myself\nSharp edges have consequences, now\nEvery scar is a story I can tell\n[Verse 2]\nShould've played it safer from the start\nLoved you like a house of cards\nLet it fall apart\nBut all the things I couldn't understand\nNever could've planned\nThey made me who I am\nPut your nose in paperbacks\nInstead of smoking cigarettes\nThese are years you're never getting back [Pre-Chorus]\nStay along the beaten path, never listened when she said\n[Chorus]\nSharp edges have consequences, I\nGuess that I had to find out for myself\nSharp edges have consequences, now\nEvery scar is a story I can tell\n[Bridge]\nWe all fall down\nWe live somehow\nWe learn what doesn't kill us makes us stronger\nWe all fall down\nWe live somehow\nWe learn what doesn't kill us makes us stronger\nOoh ooh ooh, ooh ooh ooh, ooh ooh ooh\n[Pre-Chorus]\nStay along the beaten path, never listened when she said\n[Chorus]\nSharp edges have consequences, I\nGuess that I had to find out for myself\nSharp edges have consequences, now\nEvery scar is a story I can tell [Outro]\nWe all fall down\nWe live somehow\nWe learn what doesn't kill us makes us stronger\nWe all fall down\nWe live somehow\nWe learn what doesn't kill us makes us stronger\nOoh ooh ooh, ooh ooh ooh, ooh ooh ooh" } ]

[ { "from": "human", "value": "Write me a song called Luv Is Art with the following description: “Luv Is Art” serves as the second official collaboration between artists A Boogie Wit da Hoodie and Lil Uzi Vert, following their November 2019 song entitled “Reply.” On the track, the artists talk about current and past relationships.\nThe song would be featured on A Boogies sequel to his debut mix-tape entitled Artist 2.0 as the sixteenth song.\nThe title references the collaboration between the two artists using Uzi’s stage name Initials, LUV, and Art, short for A Boogie’s real name, Artist. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: A Boogie wit da Hoodie & \nLil Uzi Vert\n]\nYeah, if you hold me down, then I'm gonna hold you down\nBut if my money is gone, would you still be around?\nI was one side over, I had to hold you down\nWoah, woah, yeah\nOkay, let's get it now\n[Chorus: Lil Uzi Vert]\nAnd I was just up in Starlet's, feel like a privilege now\nMe and my boys so deep, no, we not sittin' down\nYeah, I was one side over, I had to hold you down\nAnd me and Bubba the only niggas goin' round for round\n[Verse 1: A Boogie wit da Hoodie]\nBut if you hold me down, then I'm gonna hold you down\nBut if my money is gone, would you still be around?\nI don't know what you doin' when I'm not around\nYou don’t know what I'm doin', when I'm out of town\nThe last time I fucked you, you was mad\nI was rubbin' lotion on your body and your ass\nBought you a whole bunch of fly shit so you can brag\nAnd when your friends talk about me, you be so mad\nBut, you know my body, girl, you know me\nYou know my body, girl, you know me\nYeah, yeah, you already felt it\nAnd I already seen you naked\nBut girl don't make me re-up [Chorus: Lil Uzi Vert]\nAnd I was just up in Starlet's, feel like a privilege now\nMe and my boys so deep, no, we not sittin' down\nYeah, I was one side over, I had to hold you down\nAnd me and Bubba the only niggas goin' round for round\n[Verse 2: Lil Uzi Vert]\nAnd this VV gang pull up in a lemon coupe\nHe got SI's in this chain, he mixin' up his jewels\nAnd you done fucked on my gang, so I'm not lovin' you\nYou cannot fuck up my name, so I'm not cuffin' you\n[Chorus: Lil Uzi Vert]\nAnd I was just up in Starlet's, feel like a privilege now\nMe and my boys so deep, no, we not sittin' down\nYeah, I was one side over, I had to hold you down\nI used to hold you down\n[Verse 3: Lil Uzi Vert]\nYeah, uh, niggas go out sad, that is pitiful (Woah)\nYeah, got some shooters, I swear they'll get rid of you (Bow, bow)\nYeah, grown men always tryna pick at you\nI got a Glock, if you get shot, I'll show you what this stick'll do\nIf you was the one that was in my shoes, you prolly would risk it too (Woah)\nI must got God on my side, 'cause these niggas be missin' you\nYou isn't me, poppin' somethin', two up in me\nGot my boys in the stu' up with me and we still poppin' shit like an inner tube [Bridge: A Boogie wit da Hoodie]\nYou told me you froze up\nAll I did was kiss you on your shoulder\nI do it every time I bone her\nAnd she get upset when I don't post her\nBut you the one that make me fold up\nUnder pressure like I stole some'\nAnd I can't lie, I want you closer\nAnd I would never go expose her\n[Outro: A Boogie wit da Hoodie]\nBut if you hold me down, then I'm gonna hold you down\nBut if my money is gone, would you still be around?\nI don't know what you doin' when I'm not around?\nAnd you don't know what I'm doin' when I'm out of town" } ]

[ { "from": "human", "value": "Write me a song called Purple Hills with the following description: This is the radio version of the song “Purple Pills” on D12’s debut album Devil’s Night. Due to the song’s references to drugs, the radios refused to play it unless this edited version was created.\nInterestingly, everyone’s verses are similar, with a few edited or beeped out words here or there, but Bizarre’s, due to the mass amounts of inappropriate content in his verse, was near completely replaced.\nNote: Anything in parenthesis are either someone else talking during a D12 member’s verse, or an edited word. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Eminem]\nUh\nYo, yo, yo, yo\n[Chorus: Eminem]\nI've been to many places\nI've seen so many faces\nBut nothin' compares\nTo these blue and yellow purple hills\nI've climbed the highest mountain\nOnce or twice, but who's countin'?\nBut nothin' compares\nTo these blue and yellow purple hills\n[Verse 1: Eminem]\nCool, calm, just like my mom\nWith a couple of lawsuits inside her palm\nIt's Mr. Mischief with a trick up his sleeve\nTo roll up on you like Christopher Reeves\nI can't describe the vibe I get\nWhen I drive by six people and {five I hit (Whoops!)}\n{Aw shit,} I started a mosh pit\nSquashed a chick and lost her foster kids\nThis room makes me hallucinate\nThen I sweat 'til I start losin' weight\n'Til I see dumb {shit} start happenin'\nDumber than Vanilla Ice tryna rap again\nSo bounce, bounce! Come on, bounce!\nI said come on bounce!\nEverybody in the house doin' mass {amounts (Me!)}\nTo the women in the thongs with their asses out (Oh)\nWe don't bull{shit}, better ask around\nD12 throws the bombest bash in town\nBizarre, your mom is {crashin' out}\nHelp me get her on the couch 'fore she passes out (Come on) [Verse 2: Kuniva, \nKon Artis\n (& Eminem)]\nBump that, someone help Denaun\nHe's upstairs wrestlin' with Elton John\nHey Von, you see me steppin' on these leprechauns?\nThey gotta be {Tums, the Ex-Lax} is gone\nYeah, I took 'em {all, dawg,} with some Parmesan\nAnd I think my arm is gone\n — No, it's probably numb\nYoung, dumb and full of {cum}\nAnd I think he 'bout to swallow his tongue\nScary-ass, it was a false alarm\nYou think I'm 'bout to die when I just got on?\nWell, stop actin' stupid; you so {high}\nThat you might wake up with a {guy} on some new {shit}\nYeah, I think I {did} too much\n (Huh-uh)\nI think I got the runs\n (Huh-uh)\n{\nRolaids, Pepto, and Tums\n}\nWatch out, here it comes!\n (\nHa-ha-ha!\n)\n[Chorus: Eminem]\nI've been to many places\nI've seen so many faces\nBut nothin' compares\nTo these blue and yellow purple hills\nI've climbed the highest mountain\nOnce or twice, but who's countin'?\nBut nothin' compares\nTo these blue and yellow purple hills [Bridge: Eminem]\nDirty Dozen, eighty of us\nShady brothers, ladies love us\nThat's why our baby mothers\nLove us but they hate each other\nThey probably wanna take each other\nOut and date each other\nSome, some, some\nSomethin'... I don't know\n[Verse 3: Proof & \nBizarre\n]\nHop hills, hills I hop\nHop two hills, on stilts I walk\n{Snort two lines} that were filled with chalk\nThought I was incredible and {killed} the Hulk\nI wanna {roll} away like a rollerblade\nUntil my {eyes roll} back in my skull for days\nAnd when I'm old and gray, yo, I'ma go for broke?\nNo? Okey-doke, {I'm packin' my nose} with soap\n(*Coughing*) Am I supposed to choke?\nHad an accident when the Trojan broke\nAh, poor baby, born by a {whore} lady\nNow I'm payin' child support? (\nIt's your baby!\n)\n[Verse 4: Swift, \nBizarre\n (& Eminem)]\nI take {four shots} at one time\nAnd I don't need to chase when I'm swallowin' mine (\nHey, you got any room?\n)\nIn Bizarre's hatch back\nWe can't go far, 'cause the car has flats\nWhy the hell you people think I rap?\nBecause my mother taught me how to breach contracts\nAnd if you got cash, then hide it so (\nSwift, chill!\n)\nI'm just tryna get by like you\nAnd I don't give a damn if you find me rude (Huh-uh)\nMean, crude, to hell with you too (Huh-uh)\nI only need three {blunts} and I'm cool\nI just got some and I'm goin' back soon [Chorus: Eminem]\nI've been to many places\nI've seen so many faces\nBut nothin' compares\nTo these blue and yellow purple hills\nI've climbed the highest mountain\nOnce or twice, but who's countin'?\nBut nothin' compares\nTo these blue and yellow purple hills\n[Verse 5: Bizarre]\nI'm at a rave, lookin' at a babe\nLike she want it\nGin and tonic demonic\nBody smell like vomit\nLooney, crazy, jumpy, sexy\nDopey-headed guy\nWhipped cream, dirty mattresses\nWanna try? (Go on)\n{Blue hills, golden seals}\nGot Bizarre actin' ill\nDrugs kill — {\nYeah, right!\n}\nChick, I'm for real!\nShut yo' mouth, you dirty girl\nYou know you want me in your world\nLadies, please don't fight\nBizarre's here all night!\n[Chorus: Eminem]\nI've been to many places\nI've seen so many faces\nBut nothin' compares\nTo these blue and yellow purple hills\nI've climbed the highest mountain\nOnce or twice, but who's countin'?\nBut nothin' compares\nTo these blue and yellow purple hills\n[Bridge: Eminem]\nDirty Dozen, eighty of us\nShady brothers, ladies love us\nThat's why our baby mothers\nLove us but they hate each other\nThey probably wanna take each other\nOut and date each other\nSome, some, some\nSomethin'... I don't know" } ]

[ { "from": "human", "value": "Write me a song called Voodoo Love with the following description: Voodoo Love is an old demo by American pop/R&B singer Ariana Grande. It was inspired by Tom Felton (as she’s a huge Harry Potter fan). Unfortunately this song did not make her debut solo album “Yours Truly” and nor did an official studio version end up surfacing on the web. However, after teasing the song for months, Ariana released the official studio version on her Soundcloud on August 2, 2016 as a gift to her fans. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI wanna mix a potion up\nMake a special drink for you\nMmm-mmm\nJust a little sip\nAnd you're never gonna know what hit you, yeah, when I'm through\nOh, yeah\n[Pre-Chorus 1]\nNow I'm not talking 'bout movies\nDon't need no happy end\nI just wanna make you love me and stay through thick and thin\nI'm just gonna use some magic\nMight feel a little drunk\nAnd if you try to leave me, I'll lock you in my trunk\n[Chorus]\nI'm gonna witch you\nI'll stick a pin right in you\nMy voodoo's so addicting\n3 silver spoons of branded wine\nJust a frog and a little thyme, and baby, you'll be mine\nWith my voodoo love, aw yeah\nWith my voodoo love, aw yeah\n[Verse 2]\nBoy, I really knew you were the one\nThe moment that I saw your eyes\nMmm-hmm\nStrong, and wise, and sweet, and quiet\nYeah, you're just my type\nMmm-hmm [Pre-Chorus 2]\nNow I'm not talking 'bout movies\nDon't need no happy end\nI just wanna make you love me and be my shiny prince\nI'm just gonna use some magic\nMight feel a little high\nBut we'll be so enchanted and you'll feel so alive\n[Chorus]\nI'm gonna witch you\nI'll stick a pin right in you\nMy voodoo's so addicting\n3 silver spoons of branded wine\nJust a frog and a little thyme, and baby, you'll be mine\nWith my voodoo love, aw yeah\nWith my voodoo love, aw yeah\n[Bridge]\nI always get just what I want, and boy, I really want you now\nSo just say \"yes\"\nCan't second guess the power of my voodoo love\nMy voodoo love\nMy voodoo love\n[Chorus]\nI'm gonna witch you\nI'll stick a pin right in you\nMy voodoo's so addicting\n3 silver spoons of branded wine\nJust a frog and a little thyme, and baby, you'll be mine\nWith my voodoo love, aw yeah\nWith my voodoo love, aw yeah" } ]

[ { "from": "human", "value": "Write me a song called LA with the following description: “LA” is SiR’s ode to his hometown Inglewood, California, a large city in the greater Los Angeles area where he grew up with his musical family.\nIn a 2017 interview with Hot New HipHop, SiR said:\nInglewood holds a special place in my heart. I still live in the city. Growing up in Inglewood, it was good, I didn’t really get into too much trouble, I had always had my older brothers to look out for me. Both my parents, they raised me. My life was good. Inglewood is a great place if you let it be.\nSiR, who also goes by @inglewoodsir on social media, expands on the experiences—good and bad—he had in Los Angeles and how they all played a role in his coming-of-age and growth from a child to a devoted musician. He dedicates his success to many factors, his hometown and environment being one of them. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nTake me back to LA\nTake me back to LA\nTake me back to LA, ohh\n[Verse 1]\nI've laughed and I've cried\nI've lived and I've died\nStole from, gambled and cheated\nCut corners outside\nI've tried and I've failed\nStood tall when they'd run\nI've fought a cold war\nIn the dead of the hot sun\n[Chorus]\nNow take me back to LA\nWhere the weather is good\nTake me back to LA\nDon't wanna give the road a second look\n[Post-Chorus]\nAnd I remember first time that I left\nPain, it flooded the wells of your eyes\nYou said you'd never forgive me if I didn't make it back\nBut now I'm comin' home for some good lovin' [Verse 2]\nI've learned and I've taught\nI've gained and I've lost\nMade due with what I'm made of\nFound out what love cost\nLearned who I can't trust\nLearned that it's just us\nI've learned to love mine\nEven when it ain't much\n[Chorus]\nNow take me back to LA\nWhere the weather is good\nTake me back to LA\nDon't wanna give the road a second look\n[Post-Chorus]\nAnd I remember first time that I left\nPain, it flooded the wells of your eyes\nYou said you'd never forgive me if I didn't make it back\nBut now I'm comin' home for some good lovin'\n[Outro]\nTake me back to LA\nTake me back to LA\nTake me back to LA, ooh" } ]

[ { "from": "human", "value": "Write me a song called ​lose with the following description: With the assistance of Cassie, Travis delivers some smooth vocals over chill production. Prior to release, Travis performed and previewed the song as “shit to lose” live occasionally prior to the albums release. He also posted a pic on Instagram captioned “I got shit to lose, that shit make me nervous”.\n\n\n\n\n\n — \nInstagram\n\n\n\n\nGossip sites claimed that Travis removed Rihanna from the record due to their breakup, likely on this track, replacing her with Cassie. However, this is unconfirmed. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Pre-Chorus: Travis Scott]\nMy Lambo gon' skrrt\n, \nmy crib ain't got service\nI got shit to lose, that shit make me nervous\nI got shit to lose, gotta keep my cool\nGotta watch the dupes, can't let them come through\nI got shit to lose\nHold up, wait, more to gain, more at stake\nI got shit to do\nHad to move, with the crew, away from you\n[Chorus: Travis Scott]\nSteady with the crew, steady with the crew\nAnd you never liked it, and you never liked them\nSteady with the crew, steady with the crew\nAnd you never liked it, and you never liked them\n[Pre-Chorus: Travis Scott]\nMy Lambo gon' skrrt\n, \nmy crib ain't got service\nI got shit to lose, that shit make me nervous\nI got shit to lose, gotta keep my cool\nGotta watch the dupes, can't let them come through\nI got shit to lose\nHold up, wait, more to gain, more at stake\nI got shit to do\nHad to move, with the crew, away from you [Chorus: Travis Scott & \nCassie\n]\nSteady with the crew, steady with the crew\nSteady with the crew, steady with the crew\nAnd you never liked it, and you never liked them\nAnd I never liked it, and I never liked them\nSteady with the crew, steady with the crew\nSteady with the crew, steady with the crew\nAnd you never liked it, and you never liked them\nAnd I never liked it, and I never liked them\n[Verse: Travis Scott]\nYou know what, we grew on\nWe go back like futons and coupons\nWe too bad, we too wild, we too young\nShake some, my niggas gon' shake some\nFall through and break somethin'\nBroad day, and take somethin'\nBackwards, I've been livin' backwards\nOn my mattress, orgies on my mattress\nFlashes, dreamin', havin' flashes\nDashin', hopin' I don't crash it\n[Pre-Chorus: Travis Scott]\nMy Lambo gon' skrrt\n, my crib ain't got service\nI got shit to lose, that shit make me nervous\nI got shit to lose, gotta keep my cool\nGotta watch the dukes, can't let them come through\nI got shit to lose\nHold up, wait, more to gain, more at stake\nI got shit to do\nHad to move, with the crew, away from you [Chorus: Travis Scott & \nCassie\n]\nSteady with the crew, steady with the crew\nSteady with the crew, steady with the crew\nAnd you never liked it, and you never liked them\nAnd I never liked it, and I never liked them\nSteady with the crew, steady with the crew\nSteady with the crew, steady with the crew\nAnd you never liked it, and you never liked them\nAnd I never liked it, and I never liked them" } ]

[ { "from": "human", "value": "Write me a song called NeedleDrop with the following description: The seventh of eight skits on Vinyl Days, “NeedleDrop” is a voicemail Logic received from music reviewer Anthony Fantano.\nFantano spends the skit questioning what type of voicemail he should leave, as per Logic’s request, in order to fit within the artistic theme of the album.\nLogic and Fantano have developed a friendship in recent years, he mentioned on verse 2 of “LaDonda,” after poor reviews and memes led to hatred from Logic’s point of view.\nIn a Twitch Livestream, Fantano explains in more detail how the skit came together. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Skit: Anthony Fantano]\nUmm, so I, I would be able to leave you a message just like this\nJust like this, just like this\nJust like, right now, like this, and\nOr would I, or would I have to call you\nAnd like literally leave a message on your voicemail box?\nAnd also what, what is the general tone of the other people?\nWho are, like, are they, are they all like leavin' you voice messages and stuff?\nIs that the kind of the nature of all the skits?\nLikе, everyone's just callin' you and lеaving a voice message?\nI, I ask because if I, if I do what I wanna\nI wanna be, I wanna be consist—, I wanna contribute to the consistency of your album\nIf I do involve myself in it, I wanna make sure\nYou know I'm a stickler about consistency\nI don't wanna be the one guy who's doin' the one different\nBut I, I wanna understand the concept as good as I can understand it\nSo that I can function within the rubric of your artistic vision properly\nI wanna, I wanna, if, if I'm thee\nIf I'm on your record, it's not for my ego\nI'm on your record, it's gonna be there to serve\nI'm there to serve the vision that you have\nI'm there to serve the vision, so, uhh\nJust let me know what the answer to those questions are" } ]

[ { "from": "human", "value": "Write me a song called Kiss It Better with the following description: “Kiss It Better” tells the story of a broken relationship. She is aware that no one does it like him so instead of arguing all night she ‘kisses it better’.\nA preview of the song first appeared in December 2014—over a year before the release of Anti—on Rihanna’s Instagram page, featuring guitarist Nuno Bettencourt.\nhttps://www.instagram.com/p/wZn2FQBMxx/\nIn December 2015, a few weeks before the album’s release, the song’s producer, Glass John, took to Twitter and ranted about the delays behind Rihanna’s album. According to Glass John, “Kiss It Better” was supposed to be the first single for Anti, but Travi$ Scott convinced Rihanna to go with “Bitch Better Have My Money” instead. (Travi$ denied John’s claims on Snapchat.)\nhttps://twitter.com/glassjohn/status/680966123911647232\nhttps://twitter.com/glassjohn/status/680966232753885184\nhttps://twitter.com/GlassJohn/status/680964390120628224?ref_src=twsrc%5Etfw\nJohn also released a now-deleted 60-second video preview of the track and threatened, “if you don’t say your [sic] sorry \"Kiss It Better” isn’t going to come out… how about that?\"\nAccording to James Corden, the host of CBS' The Late Late Show With James Corden, Rihanna was supposed to perform this song at the 2016 Grammys. Rihanna ended up cancelling her performance at the last minute due to health issues.\nOn 31 March 2016, Rihanna released the music video for “Kiss It Better” via her official Vevo account.\nhttps://www.youtube.com/watch?v=49lY0HqqUVc Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nKiss it, kiss it better, baby\nKiss it, kiss it better, baby\n[Verse 1]\nBeen waitin' on that sunshine, boy\nI think I need that back\nCan't do it like that\nNo one else gon' get it like that\nSo why argue? You yell, but cha take me back\nWho cares, when it feels like crack?\nBoy, ya know that you always do it right\n[Pre-Chorus]\nMan, fuck yo pride\nJust take it on back, boy, take it on back, boy\nTake it back all night\nJust take it on back, take it on back\nMmm, do what cha gotta do, keep me up all night\nHurtin' vibe, man, it hurts inside when I look you in yo eye\n[Chorus]\nWhat are you willing to do?\nOh, tell me what you’re willing to do\n(Kiss it, kiss it better, baby)\nOh, what are you willing to do?\nOh, tell me what you’re willing to do\n(Kiss it, kiss it better, baby) [Verse 2]\nBeen waitin' on that sunshine, boy\nI think I need that back\nCan't do it like that\nNo one else gon' get it like that\nSo why argue? You here, here to take me back\nWho cares, when it feels like crack?\nBoy, ya know that you always do it right\n[Pre-Chorus]\nMan, fuck yo pride\nJust take it on back, boy, take it on back, boy\nTake it back all night\nJust take it on back, take it on back\nMmm, do what cha gotta do, keep me up all night\nHurtin' vibe, man, it hurts inside when I look you in yo eye\n[Chorus]\nWhat are you willing to do?\nOh, tell me what you’re willing to do\n(Kiss it, kiss it better, baby)\nOh, what are you willing to do?\nOh, tell me what you’re willing to do\n(Kiss it, kiss it better, baby)\n[Verse 3]\nI’ve been waitin' up all night\nBaby tell me what’s wrong?\nYou're gonna make it right, make it all night long\nI’ve been waiting up all night\nBaby, tell me, what’s wrong?\nGoing to make it right, make it all night long [Pre-Chorus]\nMan, fuck yo pride\nJust take it on back, boy, take it on back, boy\nTake it back all night\nJust take it on back, take it on back\nMmm, do what cha gotta do, keep me up all night\nHurtin' vibe, man, it hurts inside when I look you in yo eye\n[Chorus]\nWhat are you willing to do?\nOh, tell me what you’re willing to do\n(Kiss it, kiss it better, baby)\nOh, what are you willing to do?\nOh, tell me what you’re willing to do\n(Kiss it, kiss it better, baby)\nWhat are you willing to do?\nOh, tell me what you’re willing to do\n(Kiss it, kiss it better, baby)\nOh, what are you willing to do?\nOh, tell me what you’re willing to do\n(Kiss it, kiss it better, baby)\n[Outro]\nKiss it, kiss it better, baby\nKiss it, kiss it better, baby" } ]

[ { "from": "human", "value": "Write me a song called Connect with the following description: Drake describes a toxic on-again-off-again relationship. No matter how badly this girl makes him feel about himself, he keeps finding reasons to justify staying with her.\nThe use of the word “swanging” has a couple of meanings in this song – firstly it ties to the baseball metaphors used throughout the song (peep the intro). Secondly it is used to reference both the Houston slang for driving back and forth slowly in your car, and the sample of the song “Swang” by Trae. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Spoken Intro: Shawn Lawrence]\n\"There's three balls and a strike\nHere's the pitch\nIt's belted deep to center\nRevere goes back, jumps at the wall, and it's gone!\"\n[Verse 1: Drake]\nYeah, isn't it amazing\nHow you talk all this shit and we still lack communication?\nHow beautiful our kids would be, girl, I don't need convincing\nHow every conversation starts with, \"This time will be different\"\nOh, oh, the idea is fun\nOh, the idea is fun\nOh, the idea is so fun every time\nAt least we try for home run every time\n[Chorus: Drake]\nSwanging, eyes closed, just swanging\nSame city, same friends, if you're looking for me\nSame city, same friends, if you're looking\nI'll be here, just swanging\nDon't talk to me like I'm famous\nAnd don't assume, 'cause I don't respect assumptions, babe\nI'm just tryna connect with somethin', babe\nYeah, swanging [Verse 2: Drake]\nAyy\nShe just wanna run around the city\nAnd make memories that she can barely remember\nAnd I'd allow her\nTalk about pussy power (Yeah)\nShe just wanna run over my feelings\nLike she drinking and driving in a eighteen-wheeler\nAnd I'd allow her\nTalk about pussy power\nShe used to say, \"You can be whoever you want, even yourself\"\nYeah, I show up knowin' exactly who I was\nAnd never leave as myself\nBut when it falls apart, I'm always still down\nTo pick a million tiny little pieces off the ground\nWish you would learn to love people and use things\nAnd not the other way around\n[Chorus: Drake]\nSwanging, eyes closed, just swanging\nSame city, same friends if you're looking for me\nSame city, same friends if you're looking\nI'll be here, just swanging (Ayy)\nDon't talk to me like I'm famous (Ayy)\nAnd don't assume 'cause I don't respect assumptions, bae\nI'm just tryna connect with somethin', baby\nI'll be here, just swanging (Ayy, ayy) [Verse 3: Drake]\nI remember when my schedule was as flexible as she is\nShe call and tell me be here before the sun up\nI be dressed before we hung up\nI take Eglinton to 401 East\nAnd exit at Markham Road in the East End\nWhere all the pretty girls are sleeping\nMy license been expired, I renew it after the weekend\nFuck, I know I said that shit the last seven weekends\nGirl, I guess procrastination is my weakness\nI hate stoppin' for gas this late\n'Cause there's niggas creepin and not like how we're creepin'\nSummer is comin', know you could feel it\nTwenty on pump, whatever, I ain't got enough to fill it\nWon't knock on your door\nMy uncle say, \"You drive my whip like it's yours\"\nI got the pedal to the floor\nI'm on my motherfuckin' way, swangin'\nDon't fall asleep on me, hang in there\nI'll be there, just swangin'\nI'll be there, just swangin'\nI treat you good, girl, like you're famous\nI know I'm late, it's always the same shit\nBut don't fall asleep on me, hang in there\nI'm on the road right now, swangin, girl" } ]

[ { "from": "human", "value": "Write me a song called Reebok Presents: I Am with the following description: Kendrick Lamar and Reebok join forces with acclaimed director Anthony Mandler to take you on a journey through Kendrick Lamar’s hometown – Compton. The video celebrates the limitless potential of youth.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Kendrick Lamar:\nWhat inspired me as a kid really was, uh, illustrating my thoughts on that sheet of paper\nLife's to me like a box of chocolates\n(?) something for something, that's the obvious\nFlow's so sick, don't you swallow it\nBiting my style, you (?)\nCome from the same blocks where they pick cotton\nOh, you forgotten, ah, forget it\nThat life ain't sane\nYou see gangbanging, drug paraphernalia. You see things from the streets. So what you gon' do? You gon' find something that you love to do and have a passion for it, or you gon' stay, you know, mingling in the streets until something major happens\nSo the moment I defined myself and freed myself was the time I locked myself in the studio and said, \"You need to do music.\"\nTonight's for everybody, understand me\nThe plan B is the one in your hearts\nThis here is family, Kendrick Lamar\nWords like a sword in the hands of a Spartan\nMarching on Rosecrans in Compton\nYou can't cause conflict or corrupt my spirit\nI'm on point like period\nI've been there and gone before you get near it\nOoh wee, that boy remind me of a young Martin Luther\nThe way he piece up troopers, then round up shooters\nLike Malcolm X did, I stand for what I believe in\nThat's family, God and honor\nFrom Chicago, my daddy and my momma\nCame into Compton to accomplish one thing: reign supreme\nRaise a king named Kendrick\nI ain't lying, it stand for \"King\" and I am one\nMy unborn son and grandson will live royal\nFrom the coochee to the soil\nThe meek shall inherit the Earth\nWell, I've had this world since birth\nFeel the good kid's hunger\nThe Crips made strong, the Pirus made stronger\nBut it's muscle in my heart\nI stare in the eyes of Mozart and tell him I'm the genius\nI love myself, really love myself\nAnd I means this with all sole\nAnd you can't control greatness 'less you hating\nWith the heart of Satan\nBut even that can't stop it\nI tell 'em, \"Get out my wallet and passion in your logic\"\nPassion in your life, the passion of my Christ is in me\nAnd if you say it ain't, you may offend me\nDamn, that boy good\nI'm bright as Thomas Edison but I'm Gucci Mane in the hood\nI stood alone for so long, prolonged my whole career\nBut now I'm here, you can shoot shots and cheer\nBecause I am, we are Kendrick Lamar Getting into that success level where you can go back to your neighborhood and people feel like, you know, uh, they look up to you. Sometimes the most riskiest things you can do can end up being, you know, the most important. Yeah\nTeriq Tyson:\nMy dream's more vivid than Dr. T's, (?) evolutionary\nReporting live, Centennial High, 2014\nKendrick Lamar:\nI am Kendrick. I am Kendrick. I am Kendrick. I am Kendrick" } ]

[ { "from": "human", "value": "Write me a song called Party with the following description: “Party” serves as the fourth track from Demi Lovato’s debut studio album, Don’t Forget. “Party” is a song about letting loose and allowing yourself to have fun. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI saw you looking over, now I see you moving this way\nPushing through the crowd, like you've got something to say, yeah\nBut you couldn't walk 'cause the music's taking over your feet\nI can tell by your toes, that you're rocking to this beat\n[Pre-Chorus 1]\nYou gotta dance 'til you ache, 'til you drop, 'til you break\nFree your soul, lemme see you shake\nOne by one, we're stealing the stage\nHere we come, so get out of our way\n[Chorus 1]\nIt won't be long 'til the summer's gone\nGet your party on\nSo sing along\nHold on tight, it's a crazy night\nGet your party on\nSo we'll scream it out loud, yow!\n[Verse 2]\nI know your type, and all the hype is going straight to your head\nAnd everybody's stopping what they're doing, 'cause your face is turning red, yeah\nGotta learn how to move to the groove\nGive in or get out\nPut your hands in the air, stand up in your chair and shout [Pre-Chorus 2]\nYou're all dolled up with nowhere to go\nYou wanna get out and put on a show\nThere's nothing wrong with staying home\nAs long as you've got your radio\n[Chorus 2]\nIt won't be long 'til the summer's gone\nGet your party on\nSo sing along\nHold on tight, it's a crazy night\nGet your party on\nSo we'll scream it\nDon't wait, and don't ya be late\nGet your party on\nSo sing along\nHold on tight, it's a crazy night\nGet your party on\nSo we'll scream it out loud\n[Interlude]\nC'mon\nDallas, Texas, bring it home for me, baby!\n[Bridge]\nThe little things that you do, from across the room\nI see you sending me clues\nThey're in the way you make me move [Chorus 2]\nIt won't be long 'til the summer's gone\nGet your party on\nSo sing along\nHold on tight, it's a crazy night\nGet your party on\nSo we'll scream it\nDon't wait, and don't ya be late\nGet your party on\nSo sing along\nHold on tight, it's a crazy night\nGet your party on and scream it out loud\n[Outro]\nGet your party on\nGet your, get your party on\n(\nScream it out loud\n)\nGet your party on\nGet your, get your party on\nLet's do it again!" } ]

[ { "from": "human", "value": "Write me a song called Money In Da Bank with the following description: This is a freestyle, and is the 16th track of The Suffix Mixtape.\nExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Lil Wayne]\nBenjamin Franklin, I adore you\nIf it ain't about money baby, I ignore you\nI gotta keep the car running, I get oil\nDestination quite far, But i'ma get there for you\nYea, are we there yet? Hopping off the clear jet\nRocks got my neck scratched, ice got my ears wet\nDice game, big benz, tell that nigga spend his ho\nDrop a hundred-thousand on the diamond, what we livin' fo\nShit why we hustlin'? Nigga why you buggin'?\nMy money like PMS, shit come monthly\nHere come your woman, with all that lustin'\nBitch all on a nigga bread like mustard\nBitch all in a nigga bed like covers\nBitch go down, so low like shovels\nI'm just tryin' to get it all together like a puzzle\nBirdman jr, more money than muscle\n[Verse 2: Lil Wayne]\nFinger nails still smell like plastic\nRubber band marks on the wrist is a habit\nRubber grip Glock protect me like a bandage\nTell your girlfriend, I got a log for a cabin\nTell your boyfriend, I'm a dawg he a rabbit\nBitch I got stashes, from the mattress to the attic\nAnd we smoke patches of the cabbage, dramatic\nTell the weed-man, that I'm a fuckin' fanatic\nMama up in the traffic, trunk full of the package\nIf she make it to me, i'ma make the ho an actress\nMaxin' Relaxin' hiding behind the glasses\nI have your family, ridin' behind the casket\nMurder capital, bitch it's time for some action\nNiggas want peace, but we give them ho's a fraction\n-Of the murder rate, Don't be a part of the percentage\nNow break me off my penny, you piggy [Verse 3: Lil Wayne]\n(Yeah, i'm so good)\nIf I ain't gettin' dough, then I'm probably dead baby\nThe grass gotta grow, the bears gotta be fed\nDon't come near the cage, if you ain't got no bread\nWe ain't nothing but a gang, and i'm the honcho head\nI ain't never had nothing, but some money to turn to\nSome bitches to toss up, some weed to burn through\nIf this real shit, then this don't concern you\nThe days of my life, i'm just free to journal\nThumbing through the pages, i'm tryin' to learn you\nIt's hot down south, keep your heat in the thermal\nIt might be a surprising cuz the shit ain't normal\nMan the shit just terrible, but the shit ain't changing\nLook how one band [...] make the changes\nThe city wiped out, now the city famous\nBut Lil Wayne is the city's angel\nGuess who's remaining after all that drainage\nWeezy... Baby... (bitch)" } ]

[ { "from": "human", "value": "Write me a song called Lost In the World with the following description: According to Kanye, the verse began as a poem he emailed to Kim Kardashian because he had the beat but no lyrics. He made the revelation at his Glastonbury 2015 headline set.\nThis song was featured in Kanye’s movie “Runaway” as the closing track.\nThe song’s introduction and the chorus’s interpolation are from Bon Iver’s Woods from their EP Blood Bank. The chorus structure mimics Bon Iver’s song structure. While Bon Iver laments about the woods, West expands the scope of the song outside of the woods to the city and beyond to America as a whole. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Justin Vernon]\nI'm up in the woods, I'm down on my mind\nI'm building a still to slow down the time\nI'm up in the woods, I'm down on my mind\nI'm building a still to slow down the time\nI'm up in the woods, I'm down on my mind\nI'm building a still, down the time\n[Chorus: Kanye West & \nJustin Vernon\n]\nI'm lost in the world, been down my whole life\nI'm new in the city, and I'm down for the night\nDown for the night, said she's down for the night\nOoh, ooh, ooh, ooh\nOoh, ooh, ooh (Slow down the time), ooh\nI'm lost in the world, been down my whole life\nI'm new in the city, but I'm down for the night\nDown for the night, down for the night\n[Verse: Kanye West]\nYou're my devil, you're my angel\nYou're my heaven, you're my hell\nYou're my now, you're my forever\nYou're my freedom, you're my jail\nYou're my lies, you're my truth\nYou're my war, you're my truce\nYou're my questions, you're my proof\nYou're my stress and you're my masseuse\nMa-ma-se, ma-ma-se, ma-ma-ku-sa\nLost in this plastic life\nLet's break out of this fake-ass party\nTurn this into a classic night\nIf we die in each other's arms\nStill get laid in the afterlife\nIf we die in each other's arms\nStill get laid, yeah, yeah, yeah [Pre-Chorus: Kanye West & Elly Jackson]\nRun from the lights, run from the night, run for your life\nDown for the night, down for the night, down for the night\n[Chorus: Kanye West]\nI'm lost in the world, been down my whole life\nI'm new in the city, and I'm down for the night\nDown for the night, down for the night\n[Bridge: Gil Scott Heron & \nKanye West\n]\nWho will survive in America?\nWho will survive in America? (\nDown for the night\n)\nWho will survive in America?\nWho will survive in America?\n[Chorus: Kanye West]\nI'm lost in the world, been down my whole life\nI'm new in the city\nAnd I'm down for the night, down for the night\nI'm lost in the world, been down my whole life\nI'm new in the city\nBut I'm down for the night, down for a night\nOh-oh, get down\n[Outro]\n[Non-lyrical vocals] [Produced by Jeff Bhasker & Kanye West]\n[Directed by Kanye West and Ruth Hogben]" } ]

[ { "from": "human", "value": "Write me a song called Hurry (Demo) with the following description: “Hurry” appears on Teyana Taylor’s 2018 effort, K.T.S.E. featuring Kanye West. This, however, is an early version by Kanye West and Ant Clemmons.\nRecorded during the infamous 2018 Wyoming sessions, this appears to be a rough idea laid out by Kanye before it was fleshed out into a proper reference track; he can be heard mumbling, as is typical with many Kanye demos. It leaked online on June 19, 2019.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Ant Clemons]\nKeep your eyes all on this fatty\nIf you like what you see take your hands and grab it\nHurry, hurry\nHurry, hurry\nLate night get like all this real magic\nRide it automatic till the sun come up, ooh\nEarly, early\nEarly, early\n[Verse 1: Kanye West]\nBad Trinidadian, need to let daddy in\nIf I need to spend some cash, fuck it, then, I'm zaddy, then\nShe in love with a man she can’t be with\nBut she know that pussy gon' leave him seasick\nEvery time she round, she get treat like the sidekick\nUntil that side chick went and got some side dick\nSun-kissed princess, gold toe ring\nSmacker lip gloss, backside swole thing\nWhen we first met, she couldn't take the whole thing\nNext till, brr-brr, that’s my old ring\nPolo Kanye, black-cladded fam\nKept a signed autograph in your binder notepad\nWe was freshmen, you was out to test men\nYou was up at Spelman, I might have fucked your best friend, haha [Chorus: Ant Clemons]\nKeep your eyes all on this fatty\nIf you like what you see take your hands and grab it\nHurry, hurry\nHurry, hurry\nLate night get like all this real magic\nRide it automatic till the sun come up, ooh\nEarly, early\nEarly, early\n[Verse 2: Kanye West]\nBad Trinidadian, need to let daddy in\nIf I need to spend some cash, ayy, then, I'm zaddy, then\nShe in love with a man she can't be with\nBut she know that pussy gon' leave him seasick\nHe always treat her like she the sidekick\nUntil that side chick went and got some side dick\nOn the live, sick, on the, on the live, it\nAll on my dick, all on, all on my dick\nEh, then I'm on the 'pproachy, 'pproachy, 'pproach, ’pproach\nSo she on the, so she, coachy, coachy, no show\nOh she, oh she, oh she, oh she, oh, so, oh\nTakin’ over, [?] make it go so long\nGettin' some nerve, some nerve\n[?]\nI’ma bop, de-bop, de-bop, de-bop\nAnd I got that fourty guap, de-guap, de-guap-guap, de [Chorus: Ant Clemons & \nKanye West\n]\nKeep your eyes all on this fatty\nIf you like what you see take your hands and grab it\nHurry, hurry\nHurry, hurry\nLate night get like all this real magic\nRide it automatic till the sun come up, ooh\nCop found somethin', then he cop\nEarly, early\nEverthin' is one somethin' and then he stop\nEarly, early\nDroppin’ no stone, actin' for long\n[Outro: Kanye West]\nI was on the one, I was on the one\nThen he got it, one, two somethin' on the wall\nAnd he got it, one, two, one, two, ayy\nI know what he want, ally-ally dope\nAlly-ally gotta get the store to make it dope\n(No fade outs)\nGot this on the [?], then go\nI can show them, anything he eeny, miny, mo\nThey can city low, Nicki city know\nEverything he, everything he said he ever know\nEverything he [?] know\n[?], need to let me know\nI got one of them and then he need to let me go\nMy boy [?] bank [?] to the store\nI'ma get up early, early, early\n(Stop it)" } ]

[ { "from": "human", "value": "Write me a song called Change the Bad Boy with the following description: ‘Change the Bad Boy’ is one of the many unreleased, leaked songs from Fifth Harmony’s debut album Reflection. The song is centred around asking if a girl with a good reputation can change the doings and personality of a boy with a bad one. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Camila]\nI wanna love you\nBut you're way to bad for me\nBeen thinkin' of ya\nYeah, we got that chemistry (Yeah)\n[Refrain: Camila & \nAll\n]\nBut, baby, word around town, you're an undertaker\nUse them once never call them later\nBreaking hearts is your occupation\n(\nOh, oh, oh, oh-woah\n)\n[Pre-Chorus: Lauren & Ally, \nLauren\n]\nYou've got that something I like\nYou got that look in your eyes\nYou got me thinking I might try and change it all\nThey tell me that you're dangerous\nCan't be that complicated\nI'll be the one to change it, yeah (\nOh, oh, oh\n)\n[Chorus: Lauren]\nCan a good girl change the bad boy, yeah?\nThe good girl change the bad boy, yeah\nCan a good girl change the bad boy, yeah?\nThe good girl change the bad boy [Verse 2: Normani]\nI really want it\nBut lookin' at your history\nI wanna know if (Oh)\nYou would treat me differently\n[Refrain: Normani & \nAll\n]\nBut, baby, word around town, you're an undertaker\nUse them once never call them later\nBreaking hearts is your occupation\n(\nOh, oh, oh, oh-woah\n)\n[Pre-Chorus: Lauren & Ally, \nLauren\n]\nYou've got that something I like\nYou got that look in your eyes\nYou got me thinking I might try and change it all\nThey tell me that you're dangerous\nCan't be that complicated\nI'll be the one to change it, yeah (\nOh, oh, oh\n)\n[Chorus: Lauren]\nCan a good girl change the bad boy, yeah?\nThe good girl change the bad boy, yeah\nCan a good girl change the bad boy, yeah?\nThe good girl change the bad boy [Bridge: Dinah & \nLauren\n]\nOh, baby, still wanna be your lady\nThat's crazy, 'cause I heard that you're real shady (\nOh\n)\nOh, baby, still wanna be your lady\n'Cause I'm crazy, I'll be the one who can change it\n[Chorus: Lauren & \nCamila\n]\nCan a good girl change the bad boy, yeah?\nThe good girl change the bad boy, yeah\nCan a good girl change the bad boy, yeah?\nThe good girl change the bad boy, yeah\nCan a good girl change the bad boy, yeah? (\nOh\n)\nThe good girl change the bad boy, yeah (\nOh\n)\nCan a good girl change the bad boy, yeah? (\nOh\n)\nThe good girl change the bad boy (\nOh\n)" } ]

[ { "from": "human", "value": "Write me a song called Motivation with the following description: Kelly Rowland’s steamy breakthrough single, released in the hot summer of 2011, featuring Lil Wayne. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kelly Rowland]\nGo, go, go, go\n(\nTurn the lights on\n)\n[Verse 1: Kelly Rowland]\nOh lover, don't you dare slow down\nGo longer, you can last more rounds\nPush harder, you're almost there now\nSo go lover, make momma proud\n(Turn the lights on)\n[Pre-Chorus: Kelly Rowland]\n(And when we're done) I don't wanna feel my legs\n(And when we're done) I just wanna feel your hands all over me, baby\n[Chorus: Kelly Rowland & \nLil Wayne\n]\nBut you can't stop there, music still playin' in the background\nAnd you're almost there (You can do it, I believe in you, baby)\nSo close from here\nBaby, I'mma be your motivation \n(Uh-huh, yeah)\nGo, go, go, go\nMotivation\nGo, go, go, go\n[Verse 2: Lil Wayne]\nUh, girl I turn that thing into a rainforest\nRain on my head, call that brainstorming\nYeah this is deep, oh, but I go deeper\nM-make you lose yourself, and finders keepers\nIt go green light, go Weezy go\nI like to taste that sugar, that Sweet and Low\nBut hold up wait, new position\nI put her on my plate then I do the dishes\nShe my motivation, I'm her transportation\n'Cause I let her ride, while I drive her crazy\nThen I just keep going going, like I'm racing\nWhen I'm done she hold me like a conversation\nWeezy, baby [Chorus: Kelly Rowland]\nBut you can't stop there, music still playin' in the background\nAnd you're almost there (You can do it, I believe in you, baby)\nSo close from here\n[Verse 3: Kelly Rowland]\nOh lover, when you call my name\nNo other, can do that the same, no\nI won't let you get up out that game, no\nSo go lover, go 'n make me rain\n[Pre-Chorus: Kelly Rowland]\n(And when we're done) I don't wanna feel my legs\n(And when we're done) I just wanna feel your hands all over me, baby\n[Chorus: Kelly Rowland]\nYou can't stop there, music still playin' in the background\nAnd you're almost there\nYou can do it, I believe in you, baby\nSo close from here\nBaby, I'mma be your motivation" } ]

[ { "from": "human", "value": "Write me a song called Swishin’ with the following description: PARTYNEXTDOOR was signed with OVO sound, company owned by Drake. Because of this Drake is featured in a few of his songs. Swishin' is one of these singles released through Soundcloud very low key.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Pre-Hook: PARTYNEXTDOOR]\nI couldn't resist (I couldn't resist)\nI mean look at that bitch\nShe looked at my wrist and she couldn’t resist\nBack to back one, pop a bottle how could you resist\nPull up like Jordan\nI'm ballin', whenever I shoot it goes swish\n[Verse 1: PARTYNEXTDOOR]\nRoller extension\nI need no connections\nI pay attention\nBut I do not pay for attention\nCause she know I got a check\nI feel like a guardian\nLike no one could stop me yeah\nThese bitches wanna bop me yeah\nChampagne tsunami yeah\n[Pre-Hook: PARTYNEXTDOOR]\nI couldn't resist (I couldn't resist)\nI mean look at that bitch\nShe looked at my wrist and she couldn’t resist\nBack to back one, pop a bottle how could you resist\n[Hook: PARTYNEXTDOOR]\nPull up like Jordan\nI'm ballin', whenever I shoot it goes swish\nRoll up another one\nPull me another one\nI want another one\nEvery time that I take a shot I swear I never miss\nI love it, I’m winnin', I’m feenin the game\nAin’t got no assists [Bridge: PARTYNEXTDOOR](x2)\nShe pull up with gas now (swish)\nI don’t even ask now (swish)\nShe countin' my cash now (swish)\nY'all niggas in last now (swish)\n[Verse: Drake]\n(These niggas be mad now)\nYou thought I would stay so complacent\nBut that shit was not on my next shit, ay na\nFuck it look [?] they hating\n[Out to the wating I toss in their faces]\nAlready just knew that I got it, this\nI need a monument for my accomplishments\n[Banking accounts with my conglomerates]\nI am not swayed by the consequence\nDrop to the beat like i’m Yeezus\nWon't waste my time or my money [?]\nForever I’m King and my bitch she be Queen\nAnd she know I got D for her\nImma be me till I leave\nTell her hold that, this game gon cost some fee\nSwishin’ I swish , what it’s like to be me\nSwiping I swipe, mother fuck being cheap\nI got kush in my wallet I'm zoned by the weed\nNever gon stop and I put that on me\nConquered my craft now I’m stuck on repeat\nI got to eat till my pockets obese [Bridge: Drake & PARTYNEXTDOOR]\nThese niggas be mad now\n(These niggas be mad when you make it (x2))\nThese bitches be mad now\n(These bitches be mad when you make it(x2))\nThey full on that jealousy\n[Pre-Hook: PARTYNEXTDOOR]\nI couldn't resist (I couldn't resist)\nI mean look at that bitch\nShe looked at my wrist and she couldn’t resist\nBack to back one, pop a bottle how could you resist\nPull up like Jordan\nI'm ballin', whenever I shoot it goes swish\n[Hook: PARTYNEXTDOOR]\nRoll up another one\nPull me another one\nI want another one\nEvery time that I take a shot I swear I never miss\nI love it, I’m winnin', I’m feenin the game\nAin’t got no assists\n[Verse 3: PARTYNEXTDOOR]\nI’m on a whole different level\nI need me a whole different bedroom\nWhen you don’t got it boy how can you sell it\nAlways on go, my foot down on the pedal\nSpending my money that shit just keep flowing\nShe popped her some pills now that bitch is just rolling\nRoll up another one we just keep going\nI hope that she ride me the same in the morning [Hook: PARTYNEXTDOOR]\nI couldn't resist (I couldn't resist)\nI mean look at that bitch\nShe looked at my wrist and she couldn’t resist\nBack to back one, pop a bottle how could you resist\nPull up like Jordan\nI'm ballin', whenever I shoot it goes swish\n[PARTYNEXTDOOR]\nRoll up another one\nPull me another one\nI want another one\nEvery time that I take a shot I swear I never miss\nI love it, I’m winnin', I’m feenin the game\nAin’t got no assists\n[Outro]" } ]

[ { "from": "human", "value": "Write me a song called Rolling in the Deep with the following description: The 2012 song and record of the Year at the Grammy’s, “Rolling In The Deep” was described in an interview with Spin Magazine as a ‘gospel disco’ kiss-off to an unfaithful dude:\nIt’s me saying, ‘Get the fuck out of my house' instead of me begging him to come back.\nThe song hit number one in the US, where it became the biggest crossover hit in 25 years. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nThere's a fire starting in my heart\nReaching a fever pitch and it's bringing me out the dark\nFinally, I can see you crystal clear\nGo ahead and sell me out and I'll lay your shit bare\nSee how I'll leave with every piece of you\nDon't underestimate the things that I will do\nThere's a fire starting in my heart\nReaching a fever pitch, and it's bringing me out the dark\n[Pre-Chorus]\nThe scars of your love remind me of us\nThey keep me thinkin' that we almost had it all\nThe scars of your love, they leave me breathless\nI can't help feeling\n[Chorus]\nWe could've had it all\n \n(You're gonna wish you never had met me)\nRolling in the deep (Tears are gonna fall, rolling in the deep)\nYou had my heart inside of your hand\n \n(You're gonna wish you never had met me)\nAnd you played it to the beat\n \n(Tears are gonna fall, rolling in the deep)\n[Verse 2]\nBaby, I have no story to be told\nBut I've heard one on you, now I'm gonna make your head burn\nThink of me in the depths of your despair\nMake a home down there, as mine sure won't be shared [Pre-Chorus]\n(You're gonna wish you never had met me)\n \nThe scars of your love remind me of us\n(Tears are gonna fall, rolling in the deep)\n \nThey keep me thinkin' that we almost had it all\n(You're gonna wish you never had met me)\n \nThe scars of your love, they leave me breathless\n(Tears are gonna fall, rolling in the deep)\n \nI can't help feeling\n[Chorus]\nWe could've had it all\n \n(You're gonna wish you never had met me)\nRolling in the deep (Tears are gonna fall, rolling in the deep)\nYou had my heart inside of your hand\n \n(You're gonna wish you never had met me)\nAnd you played it to the beat\n \n(Tears are gonna fall, rolling in the deep)\nCould've had it all\nRolling in the deep\nYou had my heart inside of your hand\nBut you played it with a beating\n[Bridge]\nThrow your soul through every open door (Ooh woah, oh)\nCount your blessings to find what you look for (Woah)\nTurn my sorrow into treasured gold (Ooh woah, oh)\nYou'll pay me back in kind and reap just what you sow\n[Breakdown]\n(You're gonna wish you never had met me)\nWe could've had it all (Tears are gonna fall, rolling in the deep)\nWe could've had it all, yeah\n \n(You're gonna wish you never had met me)\nIt all, it all, it all (Tears are gonna fall, rolling in the deep) [Chorus]\nWe could've had it all\n \n(You're gonna wish you never had met me)\nRolling in the deep (Tears are gonna fall, rolling in the deep)\nYou had my heart inside of your hand\n \n(You're gonna wish you never had met me)\nAnd you played it to the beat\n \n(Tears are gonna fall, rolling in the deep)\nCould've had it all\n \n(You're gonna wish you never had met me)\nRolling in the deep (Tears are gonna fall, rolling in the deep)\nYou had my heart inside of your hand\n \n(You're gonna wish you never had met me)\nBut you played it, you played it, you played it\nYou played it to the beat" } ]

[ { "from": "human", "value": "Write me a song called Cowboy with the following description: With “Cowboy”, Wiz Khalifa modernizes the lawless Western cowboy by reflecting on the similarities in inner city Pittsburgh.\nIt is the 5th track off his album KHALIFA. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nMhmm\nThat's just how it is man\nRound my way\n[Verse 1]\nJust a young lil' nigga, but he had the right plan\nTwenty-thousand in his left, pistol in his right hand\nCounting every dollar that he get, cause he worked for it\nBut don't run up on him cause you'll probably get murked for it\nMom's out working, Daddy wasn't home\nAin't nobody give it to him, so he got it on his own\nYeah, he got it on his own\nYou want something? Gotta take it\nTryna get up out the hood, but he’ll probably never make it\nHe’s a midwest cowboy, Pittsburgh nigga\nCame from a city where them niggas they some killas\n[Hook]\nMidwest cowboy, Pittsburgh nigga\nCame from a city where the niggas they some killas\nMidwest cowboy, Pittsburgh nigga\nCame from a city where the niggas they some killas\nMidwest cowboy, Pittsburgh nigga\nCame from a city where the niggas they some killas [Verse 2]\nJust a young nigga, but he had the right plan\nSlanging looking for them people hopping out them white vans\nStanding on the corner rolling up their marijuana\nSmoking weed and selling packs of D till you’re a gonner\nCaught a case and lost some racks, the nigga got it back\nIn any case a nigga disrespect, he’s on his back\nHe bought a pack, then bought a strap\nThis niggas got his back\nHis life has changed it’s gone to smack\nAnd ain’t no turning back\n[Hook]\nMidwest cowboy, Pittsburgh nigga\nCame from a city where the niggas they some killas\nMidwest cowboy, Pittsburgh nigga\nCame from a city where the niggas they some killas\nMidwest cowboy, Pittsburgh nigga\nCame from a city where the niggas they some killas\n[Verse 3]\nJust a young nigga, but he had the right plan\nWore a lot of jewelry, he slept with it on his nightstand\nMade a lot of money and he got it all from hustling\nCame from a good family but say he can’t get enough of it\nAll up in the club and he ain’t looking for a ring\nFucking other niggas bitches, yeah he swear that was his thing\nYeah, he learned a little lesson ‘bout messing with them haters\nCause they found his body later\nGuess that’s what he get for fucking with them... [Hook]\nMidwest cowboy, Pittsburgh nigga\nCame from a city where the niggas they some killas\nMidwest cowboy, Pittsburgh nigga\nCame from a city where the niggas they some killas\nMidwest cowboy, Pittsburgh nigga\nCame from a city where the niggas they some killas" } ]

[ { "from": "human", "value": "Write me a song called Crashing with the following description: “Crashing” is the second single off of Illenium’s third studio album, Ascend. The song features alt-pop group Bahari as vocalists, released in January of 2019.\nThe song takes a different approach on Illenium’s typical reminiscent and brooding style of lyrics, and describes a relationship that is functioning and healthy. The lover in the song is seemingly drunk in love, finding their significant other addicting and putting them in a state of euphoria. She questions if her partner is really as good as she thinks they are, but self-assures herself that they are. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nIntoxicating, your kiss\nIntoxicating, your lips\nNobody does it like this\nI find it hard to resist, oh-ooh\nFeeling out of control, beautifully so\nWhat's coming over me?\nIt's a total eclipse of rationality\n[Pre-Chorus]\nI don't usually say this\nI don't usually play this game\nYeah, I know I'm not faded\nBut it kinda feels that way\nI don't usually say this\nBut I think I should let you know\nThat baby, baby, I don't, I don't wanna go\n[Chorus]\nHow could I go home when I feel like I belong\nIn your arms? It's like champagne\nFeel it pouring in my veins\nYeah, I got myself too drunk on you to drive\nSo I'm crashing here tonight\n[Post-Chorus]\n(Ooh-ooh, ooh-ooh, ooh-ooh) Tonight\n(Ooh-ooh, ooh-ooh, ooh-ooh) Tonight\n(Ooh-ooh, ooh-ooh, ooh-ooh) Oh-oh\nSo I'm crashing here tonight [Verse 2]\nHey, are you really this good?\nDamn, are you really this good?\nBaby, you're just like a drug\nI'd bottle you up if I could, oh-ooh\nFeeling out of control with your chemicals\nWhat's coming over me?\nIt's a total eclipse of rationality\n[Pre-Chorus]\nI don't usually say this\nI don't usually play this game\nYeah, I know I'm not faded\nBut it kinda feels that way\nI don't usually say this\nBut I think I should let you know\nThat baby, baby I don't, I don't wanna go\n[Chorus]\nHow could I go home when I feel like I belong\nIn your arms? It's like champagne\nFeel it pouring in my veins\nYeah, I got myself too drunk on you to drive\nSo I'm crashing here tonight\n[Post-Chorus]\n(Ooh-ooh, ooh-ooh, ooh-ooh) Tonight\n(Ooh-ooh, ooh-ooh, ooh-ooh) Tonight\n(Ooh-ooh, ooh-ooh, ooh-ooh) Oh-oh\nSo I'm crashing here tonight [Bridge]\nHow could I go home\nWhen you're all I wanna know?\nCome on, let me see your bed\nIt's too late for this to end\nYeah, I got myself too drunk on you to drive\nSo I'm crashing here tonight\n[Chorus]\nHow could I go home when I feel like I belong\nIn your arms? It's like champagne\nFeel it pouring in my veins\nYeah, I got myself too drunk on you to drive\nSo I'm crashing here tonight\n[Post-Chorus]\n(Ooh-ooh, ooh-ooh, ooh-ooh) Tonight\nYeah, I'm crashing here tonight (Ooh-ooh, ooh-ooh, ooh-ooh)\n(Ooh-ooh, ooh-ooh, ooh-ooh) Oh-oh\nSo I'm crashing here tonight" } ]

[ { "from": "human", "value": "Write me a song called Boom Boom with the following description: Rihanna and Baby Cham teamed up to created this amazing dancehall trackExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Baby Cham]\nYou got it for me leave a message on my phone she wan me\nShe cry a lot of tears nuh like a real tsunami\nListen up now shorty wants me to meet her mommy\nFrom the first time she saw me\n[Verse 1: Baby Cham]\nYo, I give give some a write love letter\nWhen I'm around everything seem betta\nWoman fi get romance every time\nLet chill run dung dem spine, think yuh mind\n[Hook: Rihanna]\nBoy, you make my heart go boom, boom, boom\nYou know, when you get me hot, it go boom, boom, boom\nWhen you touch me like that it go boom, boom, boom\nYou know, when you hit the spot, it go boom, boom, boom\nBoy, you make my heart go boom, boom, boom\nYou know, when you get me hot, it go boom, boom, boom\nWhen you touch me like that it go boom, boom, boom\nYou know, when you hit the spot, it go boom, boom, boom\n[Verse 2: Baby Cham]\nShe lose it fi real when mi touch har, touch har\nTek it real slow nah rush har, rush har\nTonight mi a go stone and chiney brush har\nNeva had it like this some well waan buss har\nTouched her and she lusted I can see it on her face\nShe's shakin' I can feel it when she is in my embrace, she seh [Hook: Rihanna]\n[Verse 3: Baby Cham]\nZoom, zoom, zoom zoom, zoom\nRude boy lovin' mi give har mek a rod go\nBoom, boom, boom, boom, boom\nMessin' around and makin' out in di car\nBuy har gifts di odda day just because\nMy game so tight it's like I ain't got no flaws\nWhen clubbin' and I paid for har whole entourage\nAnd my sweetheart plus I give a mean foot massage\nValentines upon us we wine under the moon\nI lay petals from the front door leading to the bedroom, she cry\n[Hook: Rihanna]\n[Bridge: Rihanna]\nMy love is peculating cause I'm anticipating\nYour lovin' we be sharing, you got me, ha, ha\n[Verse 4: Baby Cham]\nShe hit mi wicked like cricket, cricket\nWhen she lose har hips and flick it, flick it\nShe seh, she love when she and di rude boy kick it\nMek she scream all night and mi have har ticket\nDi play around ting home girl nah in it\nSeen a lot of guys tryin but guess who win it\nShe love di marathon she nuh like one minute\nShe waan slow motion till she reach har limit\nTouched her and she lusted I can see it on her face\nShe's shakin' I can feel it when she is in my embrace, she seh [Hook: Rihanna]\n[Verse 5: Rihanna]\nFeelin' weak in my knees, lost my mind, baby please\nNo control, oh, fire with my baby give me stuff like this\nFeelin' weak in my knees, lost my mind, baby please\nNo control, oh, fire with my baby give me stuff like this\nShe cry\n[Hook: Rihanna]" } ]

[ { "from": "human", "value": "Write me a song called Yikes (Demo) with the following description: This track serves as the demo for Chicago rapper Kanye West’s June 2018 track, “Yikes,” which appears on his eighth studio album ye. There is currently not much known about the track, besides that there is a different accompanying beat and different lyrics.\nThe track was leaked on October 4th, 2019. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nShit could get menacin', frightenin', find help\nSometimes I scare myself, myself\nShit could get menacin', frightenin', find help\nSometimes I scare, myself, myself\n[Verse 1]\nTweakin', tweakin' off that TCB, huh\nIs he gon' make it? TBD, huh\nThey tryna make me run; DMC, huh\nI done died and lived again on DMT, huh\nSee, this the type of high that won't come down\nThis the type of high that get you gunned down\nYeezy, Yeezy trollin' low-key, huh\nTurn TMZ to Smack DVD, huh\nRussell Simmons wanna pray for me too\nI'ma pray for him 'cause he got MeToo'd\nThinkin' what if that happened to me too\nThen I'm on E! News\n[Chorus]\nShit could get menacin', frightenin', find help\nSometimes I scare myself, myself\nShit could get menacin', frightenin', find help\nSometimes I scare myself, myself [Verse 2]\nAyy, hospital bed a hundred bands, fuck a watch\nHundred grand'll make your best friends turn to opps\nEverybody bringin' my name up a lot\nI guess I just turned the clout game up a notch\nSee, y'all really shocked, but I'm really not\nYou know how many hoes I took to the titty shop?\nIf she get the ass with it, that's a 50-pop\nI still bring the baddest bitches in the city out\nJust a different kind of leader\nWe could be in North Korea, I could smoke 'em, Wiz Khalifa, ugh\nTold my wife I've never seen her\nOnce I hit it, bye Felicia, that's the way that I'ma leave it up\n[Chorus]\nShit could get menacin', frightenin', find help\nSee, this is why all the bitches fuck with Ye!\nFuck what they talking 'bout!\nSometimes, I scare myself, myself\nThey take me on meds, off meds—ask yourself\nShit could get menacin', frightenin', find help\nAsk your homegirl right now, \"Look, you had a shot at Ye?\"\nSometimes, I scare myself, myself\nYou'd drop everything! This why, this why\n[Verse 3]\nTweakin', tweakin' off that 2C-B, huh\nThis is why your bitches fuck with me, huh\nWake up, she gon' end up on TV, huh\nShe gon' want that thing, won't fuck for free, huh\nSomeone gonna sign up for that lease, huh\nShe gon' have the son for deans now\nForward looking, she out at me, huh\nThought they wouldn't make it like their memes, huh\nFaces I be making like a memes, huh\nShe want her shorty to be a meme now\nI'ma give them something they can see now\nMan, this ain't as bad as it seems, now\nMan, it ain't as bad as it seems, huh\nThey wan happen to me, now\nBrother, I been this way since I was knee high\nGoing Tom Cruise and Charlie Sheen now\nMy parents said I was a mistake, and a disgrace\nRake rake, fake watch, that's a wrist-grace" } ]

[ { "from": "human", "value": "Write me a song called Taylor Swift Monologue Song with the following description: For her first time hosting the show, Taylor Swift performed a funny song in lieu of the usual host’s monologue, a common thing for hosts with a musical background. The lyrics are an example of paralipsis, a rhetorical device wherein the speaker points something out by stating that she is not pointing it out. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "(Spoken Intro)\n[TAYLOR SWIFT]\nThank you, thank you. Oh, thank you so much. It's great to be here hosting \nSaturday Night Live\n. I have wanted to host this show ever since I was a little kid. I stayed up past my bedtime to watch \nBill Hader\n, \nAndy Samberg\nBeing here is incredible. I'm excited and I'm nervous and y'know, whenever I'm feeling strong emotions about something like this, I usually write a song about it. So this is what I came up with. It's called \"Monologue Song.\" In parentheses, \"La La La.\"\n(Song)\nI like glitter and sparkly dresses\nBut I'm not gonna talk about that in my monologue\nI like baking and things that smell like winter\nBut I'm not gonna talk about that in my monologue\nLa la la\nLa la la\nI like writing songs about douchebags who cheat on me\nBut I'm not gonna say that in my monologue\nI like writing their names into songs so they're ashamed to go in public\nBut I'm not gonna say that in my monologue\nLa la la la la la la\nThis is my musical monologue\nYou might think I'd bring up Joe, the guy that broke up with me on the phone\nBut I'm not gonna mention him in my monologue\nHey Joe, I'm doin' real well. Tonight I'm hosting \nSNL\nBut I'm not gonna write about that in my monologue\nLa la la\nHa ha ha\nHa ha ha la la la And if you're wondering if I might be dating the werewolf from \nTwilight\nI'm not gonna comment on that in my monologue\nLa la la la la la la\nThis is my musical monologue\nYou might be expecting me to say something bad about Kanye\nAnd how he ran up stage and ruined my VMA monologue\nBut there's nothing to more to say, 'cause everything's okay\nI've got security lining the stage\nAt my \nSNL\n monologue\nLa la la la la la la\nThis is my \nSNL\n monologue\n[TAYLOR SWIFT AND BODYGUARDS]\nLa la la la la la la\nThat was my \nSNL\n monologue\n(Spoken Outro)\n[TAYLOR SWIFT]\nWe have a great show. Kanye West is not here, so stick around, we'll be right back" } ]

[ { "from": "human", "value": "Write me a song called Hard to Love with the following description: The final track on Funk Wav Bounces, Vol. 1, “Hard to Love” finds newcomer Jessie Reyez singing over a slower instrumental about how she would prefer to have a partner that is attracted to her for who she is, rather than having to work hard to attract superficial relationships.\nThe official music video was released after the song’s release and features Reyez exploring different European cities during her 2017 Europe tour. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(\nOh, woah-woah\n)\n[Verse 1: Jessie Reyez]\nI don't like to talk, but I love to sing\nAnd I don't smoke, but I love to drink\nI'm paranoid, I don't miss a thing\nBut I'm still nice, at least that's what I think\nFall in love, like I'm a fiend\nBut then I pull out and say\n\"I need freedom, I need freedom\"\n(\nWoah-woah\n)\n[Pre-Chorus: Jessie Reyez]\nI guess I'll take it, heartbreaker\nA title, I can't shake it, can't fake it\nI guess I'll take it, heartbreaker\nA title, I can't shake it, can't fake it\n[Chorus: Jessie Reyez]\nOh, baby, I'd rather be hard to love than easy to leave\nYou should believe me, I'll make you need me (\nListen\n)\nI'd rather be hard to love than easy to leave\nYou should believe me, I'll make you need me (\nYeah\n)\n[Verse 2: Jessie Reyez]\n'Course you love me, you don't know me\nBut I got news for you, I came broken\nEgo issues, my head is swollen (\nOh, woah-woah\n)\nI got a million chips on my shoulder\nBut if you stick despite all I showed ya\nMaybe you don't need freedom, freedom [Pre-Chorus: Jessie Reyez]\nI guess I'll take it, heartbreaker\nA title, I can't shake it, can't fake it\nI guess I'll take it, heartbreaker\nA title, I can't shake it, can't fake it (\nYeah, yeah, yeah\n)\n[Chorus: Jessie Reyez]\nOh, baby, I'd rather be hard to love than easy to leave\nYou should believe me, I'll make you need me, yeah (\nWoo\n)\nI'd rather be hard to love than easy to leave\nYou should believe me, I'll make you need me\n[Bridge: Jessie Reyez]\nGo deeper, go deep\nI love it when your roots go deep so I know you won't leave\nGo deeper, go deep (\nYeah\n)\nI love it when your roots go deep so I know you won't leave\nGo deeper\nI like being ugly, that way if they love me\nI know that they love me for real (\nWoo\n)\nI like being ugly, that way if they love me\nI know that they love me for real (\nListen\n)\nI like being ugly, that way if they love me\nI know that they love me for real (\nWoah, woah\n)\nI like being ugly, that way if they love me\nI know that they love me for real (For real) [Refrain: Jessie Reyez]\nGo deeper (\nWoah, yeah, yeah\n)\nGo deeper (\nGo now, go now\n)\n(\nI know you know what I'm talking about\n)\n[Outro: Jessie Reyez]\nGo deeper\nGo deep\nOh my God, that feels nuts on its own\nThat shit feels like fucking\nThat shit feels like, that shit feels like some ego tripping shit (\nWoo\n)\nMm" } ]

[ { "from": "human", "value": "Write me a song called Baby Blue with the following description: “Baby Blue” was featured on a 2003 demo CD, which was shared by Brian Mansfield via Instagram in November 2018. As of July 2019, no audio has surfaced online. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nSmall town, big blue sky\nLittle blonde baby with starry blue eyes\nGrowing up fast didn’t slow her down\nAmerican child in her baby blue gown\nHer bedroom was pink ‘til she turned three\nShe liked the feel of her baby blue sheets\nNeighbors stared at the one horse lie\nOf a little girl with blue on her mind\n[Chorus]\nThought of green when she was feeling blue\nAmerican child in her baby blue boots\nShe was an archangel, sweet danger\nLiving and loving and singing her song\nKnew what she wanted and knew what she loved\nAnd she loved, she loved baby blue\n[Verse 2]\nEighteen, small scene\nHere, our love was a beauty unseen\nLiving life young, she’d never get bored\nWhen Hank came around in his beat-up Ford\nProm night came with a blue corsage\nHad the car waxed at Ben’s Garage\nTold her he loved her and meant nothing less\nTo a baby-blonde girl in a baby blue dress\nHe reached over and kissed her hand\nFive years later came a brand-new, baby blue wedding band [Chorus]\nShe was a romantic, taking chances\nLiving and loving and singing her song\nKnew what she wanted and knew what she loved\nAnd she loved, she loved baby blue\n[Verse 3]\nMarried two years, Hank was an engineer\nShe would just stay home, soon-to-be mom\nEvery night they’d sit on the front porch\nWaiting for the brand-new, brand-new baby to come\n[Chorus]\nShe was a newcomer, lullaby hummer\nCounting her blessings and living for love\nKnew what she wanted and knew what she loved\nAnd she loved her new baby, Blue\nHer brand-new baby, Blue\nHer newborn baby, Blue\n[Outro]\nSmall town, big blue sky\nLittle blonde baby with starry blue eyes" } ]

[ { "from": "human", "value": "Write me a song called Apple with the following description: “Apple” is the fifth track of Michaels' first part of her first full length studio album, Inner Monologue.\nProduced with longtime collaborator, and executive producer Ian Kirkpatrick and Ben Rice, “Apple” sees Michaels reminiscing an old summertime love story, fantasising to have something like what she had, rather than her current life.\nThe track was first teased by Michaels on her Instagram Stories, on December 5th, 2018.\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nOh, I'd rather be kissing in summer, so innocent\nIn your apartment on the weekends\nLift up my dress to see where you've been\nThat's what I want and that's where I am\nBite off an apple right from your fridge\nCome here and taste it right off my lips\nSpill your emotions into my hands\nThat's what I want\n[Verse 1]\nI smell like a rose\n, can I have you in doses?\nNo, I don't wanna fight, but I will if you like\nI don't swim, I just dive right into those blue-green eyes\nNo, I don't wanna fight, I just, I just wanna be\n[Chorus]\nKissing in summer, so innocent\nIn your apartment on the weekends\nLift up my dress to see where you've been\nThat's what I want and that's where I am\nBite off an apple right from your fridge\nCome here and taste it right off my lips\nSpill your emotions into my hands\nThat's what I want [Verse 2]\nAnd da da da da da da\nThe sun in our eyes, this love is blind\nLet's not decide whether we're too far gone\n'Cause I'd rather be\n[Chorus]\nKissing in summer, so innocent\nIn your apartment on the weekends\nLift up my dress to see where you've been\nThat's what I want and that's where I am\nBite off an apple right from your fridge\nCome here and taste it right off my lips\nSpill your emotions into my hands\nThat's what I want (That's what I want)\n[Outro]\nOh oh, oh, oh da-da-dumn\nThat's what I\nDum da-da-dum, oh\nThat's what I" } ]

[ { "from": "human", "value": "Write me a song called Te Quiero* with the following description: “Te Quiero” fue dada a conocer a principios del año 2020 mediante un adelanto publicado en las redes sociales. Se especuló que iba a formar parte del álbum Los Dioses, pero finalmente no fue incluido en el tracklist final.\nCon el breve adelanto, solo se puede escuchar que Ozuna le declara sus sentimientos de amor a una mujer, a quien le confiesa su cariño y lo contrasta con la falta de sinceridad actual entre las personas. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Letra de \"Te Quiero\" ft. Anuel AA]\n¡La letra completa estará disponible pronto!\n[Adelanto]\n[Intro: Anuel AA]\nUah\n[Pre-Coro: Anuel AA]\nPasa—\n[Coro: Ozuna]\n...nuevo\nPor eso e' que yo me lo llevo\nNo hay corazone' sincero\nYo te quiero, yo te quiero" } ]

[ { "from": "human", "value": "Write me a song called Holy with the following description: Justin Bieber reunites with Chance the Rapper and kicks off a “new era” on “Holy,” a song that focuses on their love for their respective significant others. It draws a parallel between relationships and the prescriptions, stemming from both religion and outsiders. Chance focuses on both maintaining faith and enjoying life. The song served as the lead single from Justin’s sixth studio album, Justice (2021).\nThe official music video premiered alongside the song on September 18, 2020. It also stars actress Ryan Destiny to play Justin’s love interest, while Chance is also present, but only for his verse. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Justin Bieber]\nI hear a lot about sinners\nDon't think that I'll be a saint\nBut I might go down to the river\n'Cause the way that the sky opens up when we touch\nYeah, it's makin' me say\n[Chorus: Justin Bieber]\nThat the way you hold me, hold me, hold me, hold me, hold me\nFeels so holy, holy, holy, holy, holy\nOn God\nRunnin' to the altar like a track star\nCan't wait another second\n'Cause the way you hold me, hold me, hold me, hold me, hold me\nFeels so holy\n[Verse 2: Justin Bieber]\nI don't do well with the drama\nAnd, no, I can't stand it being fake\n(No, no, no, no, no, no, no, no)\nI don't believe in nirvana\nBut the way that we love in the night gave me life\nBaby, I can't explain\n[Chorus: Justin Bieber]\nThat the way you hold me, hold me, hold me, hold me, hold me\nFeels so holy, holy, holy, holy, holy\nOn God\nRunnin' to the altar like a track star\nCan't wait another second\n'Cause the way you hold me, hold me, hold me, hold me, hold me\nFeels so holy [Bridge: Justin Bieber & \nChance the Rapper\n]\nThey say we're too young and\nThe pimps and the players say, \"Don't go crushin'\"\nWise men say fools rush in\nBut I don't know (Ah-ah-ah-ah)\nThey say we're too young and\nThe pimps and the players say, \"Don't go crushin'\"\nWise men say fools rush in\nBut I don't know\n \n(\nChance the Rapper\n)\n[Verse 3: Chance the Rapper]\nThe first step pleases the Father\nMight be the hardest to take\nBut when you come out of the water\nI'm a believer, my heart is fleshy\nLife is short with a temper like Joe Pesci\nThey always come and sing your praises, your name is catchy\nBut they don't see you how I see you, Parlay and Desi\nCross, Tween, Tween, Hesi' hit the jet speed\nWhen they get messy, go lefty like Lionel Messi\nLet's take a trip and get the Vespas or rent a Jet Ski\nI know the spots that got the best weed, we goin' next week\nI wanna honor, wanna honor you, bride's groom, I'm my father's child\nI know when the son takes the first steps, the Father's proud (Yes)\nIf you make it to the water, He'll part the clouds (Uh)\nI know He made you a snack like Oscar Proud (Mwah)\nSuffer it to be so now gotta clean it up (Ooh)\nFormalize the union in communion, He can trust (Woo)\nI know I ain't leavin' you like I know He ain't leavin' us (Ah)\nI know we believe in God, and I know God believes in us [Chorus: Justin Bieber]\n'Cause the way you hold me, hold me, hold me, hold me, hold me\nFeels so holy, holy, holy, holy, holy\nOn God\nRunnin' to the altar like a track star\nCan't wait another second, on God\nRunnin' to the altar like a track star\nCan't wait another second, on God\nRunnin' to the altar like a track star\nCan't wait another second\n'Cause the way you hold me, hold me, hold me, hold me\nFeels so ho-ho-ho-holy" } ]

[ { "from": "human", "value": "Write me a song called Someone To Love Me (Bad Boy Remix) with the following description: “Someone To Love Me” is a song by Puff Daddy, and released with his project Dirty Money.\nThe song was released as a promo single for the group’s debut album “Last Train To Paris”, and a remix featuring extra vocals by Mary J. Blige and Lil Wayne was also released alongside.\nBlige liked the song so much, after working on sessions with its producer Jerry Wonda for her own album “My Life II”, she re-wrote it for her own single and album release, making Diddy and Lil' Wayne featured artists, and retitling it as “Naked'.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Puff Daddy & (Mary J. Blige)]\n(It's a shame that y'all put me in such a box... Check it!)\nAyo Mary, I want you to talk to em like you supposed to\nCome on\n[Hook: Mary J. Blige]\nLooking for someone to love me\nI’m-I'm-I'm-I'm looking for someone to love me\nYeh-yeh-yeah\n[Verse 1: Mary J Blige]\nI’m no angel, there's so much I can take\nCalm down, patience, don’t lose your temper, hold on, wait\nI’ve got issues just like you, sometimes I get so confused\nI’m strong but I can break, I be prayin so hard to get thru the day\nBad thoughts in my mind I can’t shake\nHaving nightmares in the day can you relate?\nPlease somebody calmly wake me\nI can’t let this cold world take me, I was looking\n[Verse 2: Diddy]\nMy drama, my karma\nMy love, my life, dear momma\nThe war’s I’ve fought, scars that I’ve garnered\nThe hustle, I got that honest from my father\nMix me with violence, blend me with peace\nCombine me with hate and I can’t face defeat (nope)\nI did it all in a week\nStill incomplete as I stand on my feet\nIt take a lot to still dance to the beat\nSkin more cold and callous than concrete\nI love swimming but there's just one ski\nIn a rich man’s chique hotel with bed sheets\nUh ah, you know what I’m looking for [Hook:]\nLooking for someone to love me\nI'm-I'm-I'm-I'm looking for someone to love me\nYeh-yeh-yeah\n[Verse 3: Lil Wayne]\nIt’s my life, my life, word to Mary\nNiggas can’t fuck with me, Virgin Mary\nGo ahead make my day, dirty Harry\nWeezy, fuck the world, pop the cherry\nEverybody pushing but I don’t fall back\nAnd everybody looking but blind to the fact\nThe clock on the wall say it’s time for some action\nNow you can take that to the bank and cash in\nI’m feeling myself, fuck if they feeling me\nCan’t spell them without me, it's them or me\nYesterday was a memory\nLooking in the mirror at my enemy\nBut today I’m...\n[Hook:]\nLooking for someone to love me\nI'm-I'm-I'm-I'm looking for someone to love me\nYeh-yeh-yeah\n[Verse 4: Mary J Blige]\nMy rise, my falls, enemies wanna see me crawl\nMy ups, my downs, y'all know I’ve been around\nBut sometimes it bothers me when I hear people say a non truth\nAm I sane, am I crazy, pick one there all the same\nIn this world we’re living in, I’ma make mistakes, I’m only human\nI was... [Hook]\nLooking for someone to love me\nI'm-I'm-I'm-I'm looking for someone to love me\nYeh-yeh-yeah" } ]

[ { "from": "human", "value": "Write me a song called RUNNAWAY FREESTYLE with the following description: “RUNNAWAY FREESTYLE” is the fourth track on Juice WRLD’s album JUICED UP THE EP. Juice is remixing the song “Runaway” of Kanye West.\nOn his self-produced track, Juice WRLD talks about a relationship with a girl and the ​usage of drugs. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nUh, yeah, uh\nI ain't write this down, I ain't write this down\nOh no, no\nI ain't write this down, no\nAnd you always find, uh\n[Chorus]\nAnd you always find, and you always find something wrong\nAnd I been blaming it on myself for way too long\nI'm so gifted at finding who does the most\nSo I think it's time for me to do the most\nLet's have a toast to the throwbacks\nYeah, the times we'll never get back\nLet's have a toast to them texts messages\nYeah, the ones that I deleted\nAnd you know that I would come back\nGirl, just give me the reason\nI know you said that you want me\nWell fuck that shit yeah I need it\n[Verse 1]\nAnd I'm xannin', I'm xannin', I'm xannin', I'm xannin'\nBarely keepin' my feet planted and planted and planted and planted\nI'm off of this planet, this planet, this planet, this planet\nI know you can't stand it, stand it, stand it, stand it\nYou left me 'cause I do drugs\nNow that you left, I do more\nThey say life is a fucking game\nWell if that's the case then you got the high score\nAnd I been balling on my old hoes\nDon't believe me baby, you can check the scoreboard\nAnd I'ma flip that script quick\nI'ma flip the motherfucker like parkour, ayy, ayy, ayy [Verse 2]\nAnd I'm zoning, I'm zoning, I'm zoning, I'm zoning\nYeah, I keep on roamin' and roamin' and roamin' and roamin'\nMy mind keep on strollin' and strollin' and strollin' and strollin'\nIt's all you, I'ma ready, you know and know and know it\nHad to hop in the studio\nJust to tell you how I fuckin' feel\nTake a trip with me back home\nYou see bottles full of fucking pills\nI been poppin' em to keep still\nI been smoking all the pain away\nI got an emotional umbrella, 'cause I'ma keep all the rain away\n[Verse 3]\nYeah, and I love poppin' molly, I love poppin' molly (Yeah)\nUh, I'm in love with the molly, can't nobody stop me\nI feel like DeJ Loaf, 'cause ain't nobody gon try me\nAnd I'm checking these bitches, they calling me Nike\n[Bridge]\nBut back to me and you though\nAre you saying kudos?\nAre you saying goodbye?\nAre you saying hello?\nDo we need to hold hands?\nDo I need to let it go?\nI'ma hit the train on her\nAnd I ain't talking metro [Verse 4]\nI'm back on my old shit\nHit the same shit before you came\nAnd they calling me the young Prince\nSo when I blow smoke it's Purple Rain\nNow what the fuck these niggas want from me?\n'Cause I'm finna get all dummy\nYou told me that I could run the world\nSo what I'ma do, I'ma keep running\n[Interlude]\nAnd we're strolling and strolling and strolling and strolling (Yeah)\nMama I'm roamin', it's roamin', it's roamin', it's roamin'\nAnd I keep on zonin' and zonin' and zonin' and zonin'\nMy mind's on you, you already know it, you know it, you know it, you know it\n[Verse 5]\nI know you see the fucking struggle, yeah\nI know you see my fucking hustle, yeah\nI been flexing on your exes too (Ha)\nGirl you know you love my fucking muscles\nAnd I'm trying to reach the fucking top\nTrying to get on another level\nI'm just trying to get a white wrist\nFull of diamonds and a fucking bezel\nAnd you know that I'm seeing shit\nAnd I keep on seeing it\nMe and you is what I dream of\nThat's that mission completed shit\nAnd you know that I'm too high\nYeah, my vision is blurry\nEver since you left me\nYeah, ever since you left me [Verse 6]\nYeah, you know I keep tweaking\nI been reachin' new highs\nI been smokin' and leanin'\nI been reachin' new highs\nAnd I been coolin' with the wrong crowd\nQuote on quote “coolin' with the cool guys”\nAnd you been on my ass now\nShit, I don't even know why\n[Outro]\nIs this hello?\nIs this goodbye?\nAre you trying to play me?\nIf so, nice try\nAnd if you didn't know, baby girl I'm too high\nIs this hello, is this goodbye?\nIs this goodbye?" } ]

[ { "from": "human", "value": "Write me a song called ​dorothea with the following description: “dorothea” is the eighth song on evermore, as well as the first song that Taylor Swift wrote for this album.\nSwift referred to the titular character as a “girl who left her small town to chase down Hollywood dreams.” “tis the damn season” is likely the story of her return back home for the holidays.\n“dorothea” itself seems to be told from the point of view of an old hometown lover.\nTaylor has clarified the Dorothea narrative is “not a direct continuation of the betty/james/august storyline, but in [her] mind Dorothea went to the same school as Betty, James, and Inez.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nHey, Dorothea, do you ever stop and think about me?\nWhen we were younger, down in the park\nHoney, makin' a lark of the misery\nYou got shiny friends since you left town\nA tiny screen's the only place I see you now\nAnd I got nothin' but well wishes for ya\n[Pre-Chorus]\nOoh\nThis place is the same as it ever was\nOoh\nBut you won't like it that way\n[Chorus]\nIt's never too late to come back to my side\nThe stars in your eyes shined brighter in Tupelo\nAnd if you're ever tired of bеin' known for who you know\nYou know that you'll always know me\nDorothea, uh-uh\nDorothea, ah-ah\n[Post-Chorus]\nOoh\nYou'rе a queen sellin' dreams, sellin' makeup and magazines\nOoh\nFrom you, I'd buy anything [Verse 2]\nHey, Dorothea, do you ever stop and think about me?\nWhen it was calmer, skippin' the prom\nJust to piss off your mom and her pageant schemes\nAnd damn, Dorothea, they all wanna be ya\nBut are you still the same soul I met under the bleachers? Well\n[Pre-Chorus]\nOoh\nI guess I'll never know\nOoh\nAnd you'll go on with the show\n[Chorus]\nBut it's never too late to come back to my side\nThe stars in your eyes shined brighter in Tupelo\nAnd if you're ever tired of bein' known for who you know\nYou know, you'll always know me\nDorothea, uh-uh\nDorothea, ah-ah\n[Outro]\nOoh, ooh\nOoh-woo-ooh-ooh-ooh, ooh-ooh-ooh-ooh\nOoh, ooh\nOoh-woo-ooh-ooh-ooh, ooh-ooh-ooh\nDorothea (Ah-ah-ah)\nAh-ah\nOoh" } ]

[ { "from": "human", "value": "Write me a song called Memories with the following description: DJ David Guetta collaborated with rapper Kid Cudi and created a club banger/hit single with over 100 million views on YouTube.\nLyrically, the song is about having a good time no matter what, and keeping that time as a memory that’s worth remembering. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kid Cudi]\nYeah\n[Pre-Chorus: Kid Cudi]\nAll the crazy shit I did tonight\nThose would be the best memories\nI just wanna let it go for the night\nThat would be the best therapy for me\nAll the crazy shit I did tonight\nThose would be the best memories\nI just wanna let it go for the night\nThat would be the best therapy for me\n[Chorus: Kid Cudi]\nUh, hey, hey (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, yeah, yeah (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, hey, hey (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, yeah, yeah (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, hey, hey (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, yeah, yeah (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, hey, hey (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, yeah, yeah (Ooh-ooh, ooh-ooh, ooh-ooh)\n[Interlude: Kid Cudi]\nYeah [Pre-Chorus: Kid Cudi]\nAll the crazy shit I did tonight\nThose would be the best memories\nI just wanna let it go for the night\nThat would be the best therapy for me\nAll the crazy shit I did tonight\nThose would be the best memories\nI just wanna let it go for the night\nThat would be the best therapy for me\n[Chorus: Kid Cudi]\nUh, hey, hey (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, yeah, yeah (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, hey, hey (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, yeah, yeah (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, hey, hey (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, yeah, yeah (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, hey, hey (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, yeah, yeah (Ooh-ooh, ooh-ooh, ooh-ooh)\n[Bridge: Kid Cudi]\nIt's gettin' late, but I don't mind\nIt's gettin' late, but I don't mind\nIt's gettin' late, but I don't mind\nIt's gettin' late, but I don't mind\nIt's gettin' late, but I don't mind\nIt's gettin' late, but I don't mind\nIt's gettin' late, but I don't mind\nIt's gettin' late, but I don't mind [Chorus: Kid Cudi]\nUh, hey, hey (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, yeah, yeah (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, hey, hey (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, yeah, yeah (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, hey, hey (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, yeah, yeah (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, hey, hey (Ooh-ooh, ooh-ooh, ooh-ooh)\nUh, yeah, yeah (Ooh-ooh, ooh-ooh, ooh-ooh)" } ]

[ { "from": "human", "value": "Write me a song called Black Republicans with the following description: from Da Drought 3, arguably the best Lil Wayne’s mixtape. The album was #27 on Rolling Stone’s list of the Top 50 Albums of 2007. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Wayne & \nJuelz Santana\n]\n*Pfff...*\nNow, this is what they've been waiting for\nYeah, yessir\nYa dig?\nYa dig?\nSantana!\nWeezy F!\nAyy!\nHaha!\nAyy, Wayne\nWhat up, man?\nWhat you been working on, nigga?\nOh, you know, I got Curren$y new album, and—and quietly working on my album, ya dig?\nOh, I'm ready to brush my shoulders off and drop my next album too, nigga\nThat's what it is!\nBut dig this\nHmm?\nThey wanna know what we been working on together\nYeah, yeah, that's that \"I Can't Feel My Face Shit,\" they know that there\nYeah, you know\nThey know what it is\nSo if they ever thought the South and the North was gonna collide\nThat's what they thinking!\nGuess what? We already did\nAlready! Go! [Verse 1: Juelz Santana]\nI'm feeling like a Black Republican, naw, I can't call it\nMore like a Black Democrat runnin' 'em out of office (Get out)\nYoung Barack-a Obama, I'm all for it\nThe Rock of Gibraltar has now fallen on you\nI protect my land like a farmer\nPockets stay chubby like Toccara (Yup), huh\nOr should I say fat like the Parkers\nTote big guns like I'm still playing \nContra\n (Ha)\nY'all washed up like money that's laundered (Yeah)\nY'all funny, I'm bonkers\nHonest, girls strapped to my dick like a harness\nRockstar, I'm flyer than an ostrich (Ha)\nAnd I cover east, west, north, south like a compass\nI shall shine forever, never tarnish (Never)\nMoney buried behind my house like a garden (What?)\nAll green, my bank account's like a forest\nI Can't Feel My Face is gettin' started (Yeah)\nAnd Weezy is my accomplice (Ya dig?)\nA Black activist like Sonny Carson\nStripes of a sergeant, salute me\nAnd chicks, I get 'em high, higher than turbulences\nWhite Phantom, lookin' so Fergalicious (Haha)\nI'm from the city of big drugs and murder victims\nIt's get rich, go to jail, or be a murder victim\nAyy! Now all y'all listen\nIf you can't take the heat, get out the kitchen [Verse 2: Lil Wayne]\nI feel like a Black Republican,\n \ntote the MAC in the public\nAnd act so southern and die for my brethren\nMoney, money-money, like Money Mackin' Publishing\nOne life to live, never ask for a mulligan\nStreets cold, but the heat make me feel covenant\nBeen had cake, you late like Ed Sullivan\nFly like an eagle, but no, I'm not Donovan\nBoy, you better go eat some soup with your mama 'nem\nAnd my mind is on another continent\nI am real Cash Money, no counterfeit\nI don't parking-lot pimp, I just politick\nBut I get all in her mouth like Polident\nNew Orleans representer to the inner\nCome from the city where the glitter don't glimmer\nThe sun don't shine, and the guns don't sleep\nWake a nigga ass up like he got somewhere to be\n[Outro: Lil Wayne & \nJuelz Santana\n]\nYa dig?\nAyy!\nAnd we wanna let the world know\nThis is not a diss song either, people\nUh-uh, uh-uh\nWe don't diss them, we dismiss them\nYa dig? Haha\nRecognize or step aside\nYeah!\nYa dig?\nHahaha\nWe let the music talk\nDrought 3!\n Hahaha\nAnd by the way\nWhat?\nIt's Santana\nIt's Weezy!\nI'm back\nYeah\nYou dudes gotta stand in the mirror backwards cause you can't face yourself\nAssholes\nDipSet for life\nCash Money\nCash Money, what up!\nYoung Money, Skull Gang\nMill!" } ]

[ { "from": "human", "value": "Write me a song called Forever (2009 Demo) with the following description: Unreleased/Leaked track by Canadian pop star Justin Bieber which didn’t make the cut to his debut album My World 2.0. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI think I found my girl, if it’s you then holla\nI think I found my girl, if it’s you then holla\nI think I found my girl, if it’s you then speak to me\n[Verse 1]\nGirl it’s getting late, the sun's going down\nAnd it’s about time I shake my way across the town\nBut before I go I just want to say\nThat you stay on my mind each and every day\nI think I'm starting to like the time that we spent\nAnd when it’s building inside, then I can’t pretend\nNo I don’t want to fight it, I don’t want to hide the way I feel\nSo I guess it’s time for me to say\n[Pre-Chorus]\nThat I got eyes for you baby\nI want us to be together\nAnd if you feel it too\nTell me no one will treat you better\n[Chorus]\nCause on nights like this\nIt’s good to know that you've got someone by your side like this\nThe more and more you feel like you can live your life like this\nAnd then you say, hope this will last forever [Verse 2]\nDon’t know if it's love, it's too early to say\nBut if it’s something like it, I just want it to remain\nDon’t know if you’re the one that takes a little time\nBut in the meantime girl, you feeling just fine\nCause the way you look at me never seen that look before\nAnd if it’s a hint of what’s to come then baby can I get some more\nNot tryna be too forward\nBut I think it’s best for you to know\n[Pre-Chorus]\nThat I got eyes for you baby\nI want us to be together\nAnd if you feel it too\nTell me no one will treat you better\n[Chorus]\nCause on nights like this\nIt’s good to know that you've got someone by your side like this\nThe more and more you feel like you can live your life like this\nAnd then you say, hope this will last forever\n[Bridge]\nI think I found my girl, if it’s you then holla\nI think I found my girl, if it’s you then holla\nI think I found my girl, if it’s you then speak to me\nI think I found my girl, if it’s you then holla\nI think I found my girl, if it’s you then holla\nI think I found my girl, if it’s you then speak to me [Pre-Chorus]\nThat I got eyes for you baby\nI want us to be together\nAnd if you feel it too\nTell me no one will treat you better\n[Chorus]\nCause on nights like this\nIt’s good to know that you've got someone by your side like this\nThe more and more you feel like you can live your life like this\nAnd then you say, hope this will last forever\nCause on nights like this\nIt’s good to know that you've got someone by your side like this\nThe more and more you feel like you can live your life like this\nAnd then you say, hope this will last forever\n[Bridge]\nI think I found my girl, if it’s you then holla\nI think I found my girl, if it’s you then holla\nI think I found my girl, if it’s you then speak to me\nI think I found my girl, if it’s you then holla\nI think I found my girl, if it’s you then holla\nI think I found my girl, if it’s you then speak to me" } ]

[ { "from": "human", "value": "Write me a song called Jason’s Song (Gave It Away) with the following description: “Jason’s Song (Gave It Away)” is a broadway influenced ballad, in which Ariana states that she will be strong and will maintain her voice, and no man or industry will stop her for being herself.\nIt was a collaboration between Grande and Jason Robert Brown, one of her earlier partners during her Broadway shows, such as 13.\nIt is featured on the Japanese & Target special editions of her third studio album, Dangerous Woman. It was eventually released to iTunes on September 15, 2016. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYeah, you really tried\nBut I was blind to all the lies you told me, boy\nAll the shit you've done\nYou can't outrun the way you undersold me, hey\n[Pre-Chorus]\nYou acted like you bought me at a bargain sale\nYou don't even care\nYou focused your frustration on a small detail\nBlew it out of scale, like my ponytail\n[Chorus]\nWell, if you don't want to see the girl I want to be\nThen why, then why should I listen?\nIf you don't want to do the things I need from you\nGoodbye, goodbye\n'Cause I gave it away, I gave it away, I gave it away\nAnd I'm taking it right back, hey\n[Verse 2]\nI'm no blow up doll, no free-for-all\nNo slave to your decision, ooh\nGotta find a way to break the spell\nTo get the hell away from those who block my vision [Pre-Chorus]\nYou used me as a fragment of your grand design, hey\nAnd you, you don't get to put me on your bottom line\nYou don't get what's mine, and I'm doing fine\n[Chorus]\nSaid you don't want to see the girl I want to be\nThen why, then why would I listen?\nIf you don't want to do the things I need from you\nGoodbye, goodbye\n'Cause I gave it away, I gave it away, I gave it away\nI'm taking it right back, baby\n[Instrumental Bridge]\n[Chorus]\nWell, if you don't want to see the girl I want to be\nThen why, then why should I listen?\nIf you don't want to do the things I need from you\nGoodbye, goodbye\n'Cause I gave it away, I gave it away, I gave it away, I gave it away\nAnd I'm taking it right back, hey\nTaking it right back, baby\nI'm taking it right back, hey" } ]

[ { "from": "human", "value": "Write me a song called SPACE CADET with the following description: The first single off of Lil Uzi Vert’s SoundCloud EP RED & WHITE, “SPACE CADET” was released without warning via Uzi’s SoundCloud on a Saturday, with Uzi simply stating “OUT NOW!!! We back on SoundCloud.”\nBefore release, the single was teased during several live events such as Rolling Loud 2021 Miami, where Uzi performed the song.\nThe song follows October 2021’s “Demon High” as one of the first excerpts setting the scene for Uzi’s anticipated P!nk Tape era.\nThe song would be uploaded to streaming services on July 20, 2022. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI am a space cadet, the geek, that real\nYeah, yeah, yeah (Woah-oh)\nWoah (I love you all, animals)\nYeah (Woah-oh)\nAyy\nI'm on my own level\n[Chorus]\nI know you hear me calling (Woah)\nI don't do this often (Lil Uzi, what?)\nI'm not used to stallin' (Yeah, woah)\nI'm just used to cake\n[Verse 1]\nThis shit Bionicle, this shit Bionicle (Ayy)\nI'm at the tippity top of my pinnacle (Ayy, I'm at the tippity— ayy, get it)\nI'm underwater like I'm Squidward Tentacles, I'm underwater (Ayy, yeah)\nShe suck it on molly (Yeah), now watch how I finish (She suck it on Molly, now watch how I finish)\nI pulled up in \nBentayga\n (Woah), it got a lil' kit too (Tank, ayy, brrt)\nI pulled out a .40 (Yeah), it got a lil' kick to it (I got a lil' .40, yeah, ayy)\nI called up my woadie (Woah), that gun, it likе 6'2\" (I called up my woadie, yeah, ayy)\nAnd if you pay thе fee then you know she gon' lick you (Yeah, what?)\nWe can prolly go half (Woah), yeah, I'm tryna get licked too (We can prolly go half, yeah, I'm tryna get licked too, ayy, come on)\nI'm so outer space (Yeah), I'm off of molly and sticks too (Yeah, slatt)\nIf we aim at your body (Woah), I swear we won't miss you (Lil Uzi, woo)\nSay that girl got a body (Yeah), I'm screamin', \"I miss you\" (Mwah)\nGang (Yeah, yeah, yeah, yeah) [Chorus 1]\n(Ayy, ayy) I know you hear me calling (Woah, ayy)\nI don't do this often (Yeah, woah, ayy), ayy (Yeah)\nI'm not used to stallin' (Rage, yeah, what?)\nI'm just used to cake (Woah, huh? Oh)\nI know you hear me calling (Ayy, ayy, woah, ayy)\nI don't do this often (Yeah, woah, ayy, ayy, I love you all, animals)\nI'm not used to stallin' (Rage, what?)\nI'm just used to cake (Huh? Woah)\n[Verse 2]\nI'm off the X pill (Doo-doo-doo-doo-doo), yeah (X)\nWhat is that? I don't know (Yeah), think it's a sex pill (Think it's a sex, think it's a sex, huh?)\nI am a veteran (Woah), you know I check pills (I am a veteran, you know I check pills)\nI let it settle in, baby, now let's peel (I let it settle in, yeah, tummy)\n[Chorus 2]\nI am a space cadet (Woah), the geek, that real (Rage, stranger)\nI am so high right now, I can't even feel (What? Feel, ayy)\nYou get a hundred racks, complete that drill (Ayy, doo-doo-doo-doo, yeah)\nI was broke before, don't like how it feels (Ayy, brrt, blaow, uh-uh)\nI am a space cadet, the geek, that real (Ayy)\nI am so high right now, I can't even feel (Ayy)\nYou get a hundred racks, complete that drill (Ayy)\nI was broke before, don't like how it feels (Ayy) [Outro]\n(Ayy)\n(Ayy)\n(Ayy)" } ]

[ { "from": "human", "value": "Write me a song called Sociopath with the following description: “Sociopath” is a track that was recorded during the making of DAYTONA. It’s unclear why it was cut but it appeared on the original tracklist.\n\nOn the track, Pusha viciously describes his significant other who’s perspective is rapped by Kash Doll.\nOn April 15th, 2019, the full song was leaked online. On August 26th, 2019, the song was fully released on all streaming platforms. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Refrain: Pusha T]\nMy bitch hot, like she D-ing up the spot\nMy bitch hot, like she D-ing up the spot (D-D-D-ing up)\nShe AP and really eat a nigga's watch (D-ing up the spot)\nMy bitch hot, like she D-ing up the spot\n[Verse 1: Pusha T & \nKanye West\n]\nShe keep a lit 16, a network of typers\nFuck sellin' the pipers to get the baby the diapers\nCall the bitch Swiffer 'cause all she know is swipers\nFuck a rap nigga, but she don't need him to wife her\n(D-D-D-ing up the spot)\nBenz trucker, all your mans want to fuck her\nShe get a nigga cleaned up too, you need a buffer?\nTravel out to them islands in Thailand\nShe don't know if it's Lanvin or Lanvin\nAll she know, if it's my hands, it's pie hands\nAll she want is the monograms and my bands\nCharcuteries\n(\nYo, what, what is charcuteries?\n)\n(Man, it's, it's when you go to your hotel room)\n(And they got the cheese and the fucking pepperoni)\n(Sliced on a little wood board, waiting on you)\nNew jewelries\nNew taste levels, shit, she be schooling me (Nigga) [Chorus: Pusha T]\nI got a bitch that'll master your card\nNice with the Visas, passports is art\nEvery page inked up, her and the bitches link up\nThey think they hear the drum and the machine when it syncs up\nHeads boppin', boop-bopty-boop-bop\nWho you think showed you that Chanel did the tube socks?\nBustin' down watches\nRental whips in the garages\nShe don't trick, but she charges\n[Verse 2: Pusha T & \nKash Doll\n]\nLotta double Cs, double Gs (\nYou know how I do it\n)\nNew body parts, they double Ds (\nYou know how I do it\n)\nThe dual exhaust is double Vs (\nYou know how I do it\n)\nYou niggas talk, she fuckin' me\nHer mother sayin' she should be a nurse hurts\nBut she just worry 'bout who got the purse first\nI tried to tell her, \"Go to real estate school\"\nShe say, \"\nDon't you see these fucking dealer plates, fool?\nYou know the rush it is to know bitches hate you\n'Cause they man is locked up but still laced you?\nAnd you know I need it twice, so it takes two\nFendi cross-body, fanny pack beige blue\n (Nigga)\n[Chorus: Pusha T]\nI got a bitch that'll master your card\nNice with the Visas, passports is art\nEvery page inked up, her and the bitches link up\nThey think they hear the drum and the machine when it syncs up\nHeads boppin', boop-bopty-boop-bop\nWho you think showed you that Chanel did the tube socks?\nBustin' down watches\nRental whips in the garages\nShe don't trick but she charges [Refrain: Pusha T]\nMy bitch hot, like she D-ing up the spot\nMy bitch hot, like she D-ing up the spot (D-D-D-ing up–)\nShe AP and really eat a nigga's watch (D-ing up the spot)\nMy bitch hot like she D-ing up the spot (D-D)" } ]

[ { "from": "human", "value": "Write me a song called I Am Not a Human Being with the following description: When Lil Wayne came to our Humble Planet, he was amused by the little creatures he saw\nTHEN, they started fucking with him and threw him in jail (time to head back..) Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nI-I-I, am-am not a human being!\n[Verse 1]\nUhh, pussy for lunch\nPop all the balloons and spit in the punch, haha\nYeah, kush in the blunts\nI ride through your block, see a foot in the trunk\nI don't know why they keep playing, they better re-plan\nI'm giving 'em the blues, Bobby Blue Bland\nTogether we stand, and fall on y'all\nBalling with my Bloods, call it B-ball\nThese dames ain't shit, Young Money is\nI got Mars bars, 3 Musketeers\nCome through, coupe same color as veneers\nAnd you know I'm riding with the toast, cheers\nYeah, now I'm back on my grizz\nAnd y'all's a bunch a squares like a mothafuckin' grid\nShit, fuck with me and get hid\nI finger-fuck the Nina, make that bitch have kids\nJust do it? My nigga, I just did\nAin't a motherfucker deeper than me, bitch, dig\nYou dig? This here, this big biz\nAnd I scream, \"Fuck it!\" Whoever it is\n[Chorus]\nI am the rhyming oasis\nI got a cup of your time, I won't waste it\nI got my foot on the line, I'm not racing\nI thank God that I am not basic\nOww! I-I am not basic\nI-I-I, am-am not a human being! [Verse 2]\nUhh, rockstar baby\nNow come to my suite and get lockjaw baby\nRich nigga looking at the cops all crazy\nThat's that mob shit, nigga, Martin Scorsese\nHeater close range, cause people are strange\nBut I bet that AK-47 keep you ordained\nYou can't see Weezy nor Wayne, I'm in the far lane\nI'm running this shit, hundred yard gain\nUhh, swag on infinity\nI'm killing 'em, see the white flag from the enemy\nShoot you in your head and leave your dash full of memories\nFather forgive me for my brash delivery\nI-I-I would try you, I wouldn't lie dude\nI must be sticky cause them bitches got their eyes glued\nYoung Money, baby, we the shit, like fly food\nY'all can't see us, like the bride's shoes\nI stand tall like I'm motherfucking 9'2\"\nI scream \"Motherfuck you and whoever designed you!\"\nAnd if you think you hot then obviously you were lied to\nAnd we don't die, we multiply, and then we come divide you\n[Chorus]\nI am the rhyming oasis\nI got a cup of your time, I won't waste it\nI got my foot on the line, I'm not racing\nI thank God that I am not basic\nI am not basic\nI-I am not basic\nI thank God that I am not basic\nI-I-I, am-am not a human being! [Verse 3]\nRe-re-re-re-reporting from another world\nMagazine full of bullets, you can be my cover girl\nBless got the weed rolling thicker than a Southern girl\nStrong-arm rap like a nigga did a hundred curls\nRockstar biatch, check out how we rock\nAnd if this ain't hip-hop, it must be knee-hop\nI'm higher than a tree top, she lick my lollipop\nI still get my candy from your girlfriend's sweet shop\nSpitting that heat rock, \nI'm smooth, not Pete Rock\nAnd my, and my money on et cetera, three dots\nStill get a stomach ache every time I see cops\nYou better run motherfucker, cause we not\nYou better run 'til your feet stop\nYou ain't even a fucking alphabet in my teapot\nColder than a ski shop, holding on to the top\nAnd even if I let go, I still won't d-rop\n[Chorus]\nI am the rhyming oasis\nI got a cup of your time, I won't waste it\nI got my foot on the line, I'm not racing\nI thank God that I am not basic\nI-I-I-I, I, I am not\nI-I-I, am-am not a human being" } ]

[ { "from": "human", "value": "Write me a song called No More Sorrow with the following description: One of the most hard-hitting tracks from Linkin Park’s third studio album Minutes to Midnight, “No More Sorrow” takes a bold and brash social perspective. The song is from the POV of the common man who is fed up with the corruption that influential people breed and cherish. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Instrumental Intro]\n[Verse 1: Chester Bennington]\nAre you lost in your lies?\nDo you tell yourself I don't realize\nYour crusade's a disguise\nReplaced freedom with fear, you trade money for lives\n[Pre-Chorus: Chester Bennington]\nI'm aware of what you've done\n[Chorus: Chester Bennington]\nNo, no more sorrow\nI've paid for your mistakes\nYour time is borrowed\nYour time has come to be replaced\n[Verse 2: Chester Bennington]\nI see pain, I see need\nI see liars and thieves abuse power with greed\nI had hope, I believed\nBut I'm beginning to think that I've been deceived\n[Pre-Chorus: Chester Bennington]\nYou will pay for what you've done! [Chorus: Chester Bennington]\nNo, no more sorrow\nI've paid for your mistakes\nYour time is borrowed\nYour time has come to be replaced!!!\n[Bridge: Chester Bennington]\nThieves and hypocrites!\nThieves and hypocrites!\nThieves and hypocrites!!!\n[Chorus: Chester Bennington]\nNo, no more sorrow\nI've paid for your mistakes\nYour time is borrowed\nYour time has come to be replaced\nNo more sorrow\nI've paid for your mistakes\nYour time is borrowed\nYour time has come to be replaced\n[Outro: Chester Bennington]\nYour time has come to be replaced\nYour time has come to be erased!!!" } ]

[ { "from": "human", "value": "Write me a song called Happiness Over Everything (H.O.E.) with the following description: On “Happiness Over Everything,” Jhené Aiko teams up with Future and Miguel to sing about a woman who is considered a “H.O.E.” due to her sexual freedom and confidence. Jhené embodies the woman’s perspective while Miguel and Future encourage her by saying they will not judge her.\nThe track interpolates the chorus from the song, “Hoe,” from Aiko’s debut mixtape, Sailing Soul(s). The title “Happiness Over Everything” references this in its acronym, “H.O.E.,” which Jhené confirmed on Twitter upon the song’s release. Miguel notably featured on the original track.\nThis is the fourth and final pre-release single from Chilombo. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Future]\nThese red roses damn near turn to ashes (Ooh)\nIf I keep it real, you won't understand it\nThese dirty blogs got your mind damaged (Woo)\nI'll walk a million miles to see you happy\n[Chorus: Miguel, \nFuture\n & \nJhené Aiko\n]\nI hope she don't think that I think that she some kinda ho (Some kinda ho)\nI don't care, that just lets me know that\nShe knows what she wants, yeah\nBaby, I won't judge (No-oh, no-oh, no, no, no)\nFreak, freak, freak, freak\nNow I'm sure that \n(Yeah)\nShe knows what she wants, yeah\nFreak, freak, freak, freak\n[Verse 1: Jhené Aiko]\nI ain't gonna hold you, baby, I like what I see\nThat print in them sweatpants got me weak off in my knees\nI've been thinking 'bout you since we met at No I.D.'s\nIf you're free tonight, I think that you should come see me\n(Oh-oh-oh) Uh, oh\nDon't be scared of my aggression\n(Oh-oh-oh) Oh\nJust don't get the wrong impression [Chorus: Miguel, \nFuture\n, \nMiguel & Jhené Aiko\n]\nI hope she don't think that I think that she some kinda ho\nFreak, freak, freak, freak\n (\nSome kinda ho\n)\nI don't care, that just lets me know that\nShe knows what she wants, yeah\nBaby, I won't judge (No-oh, no-oh, no, no, no)\nFreak, freak, freak, freak\nNow I'm sure that she knows what she wants, yeah\nFreak, freak, freak, freak\n[Verse 2: Future & \nJhené Aiko\n]\nYou like the way I wink at you?\nI can't never have a hater bone inside my body (No)\nI just like it better when my girl do her pilates (You see)\nI wanna dress you up and have you fresher than a stylist (Ooh)\nThink about any drama when your body traumatizing (Think about it)\nYou so caught up in the hype, you coulda easily been my wife (Ayy)\nI see the way your friends look, they already thinkin' I'm sheisty (They jealous)\nThey misunderstood me when they say I'm Jesus Christ (Future)\nI just want you to worship me, I like what I like (\nOh-woah-woah\n)\nI'll feed you to the wolves if you don't talk to me nice\nThey gon' try to crucify me (\nOh-woah-woah\n)\nThey think we worship 'luminati (Gang)\nI take my heart and I go hide it\n[Chorus: Jhené Aiko & \nFuture\n]\nOh-oh-oh-oh\nAfter all, I just hope you don't think that I'm some kind of ho (Some kind of ho)\nI don't know, he just makes me feel like\nHe knows what he wants, yeah\nFreak, freak, freak, freak\nBaby, I won't judge\nFreak, freak, freak, freak\nOh-oh-oh, oh-woah\nNow I'm sure that he knows what he wants, yeah [Outro: Jhené Aiko & Miguel]\nYeah, I chose happiness over everything\nOver anything and it's everything\nYeah, happiness over everything\nOver anything and it's everything to me" } ]

[ { "from": "human", "value": "Write me a song called Spit In Your Face with the following description: This song was supposed to be on Lil Wayne’s Rebirth album but was eventually cut. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook: Kevin Rudolf & \nLil Wayne\n]\nΑyo, oh (oh)\nAyo, oh (ayy)\nAy yo oo ohh\nSo I’ma spit in your face\n[Verse 1: Lil Wayne]\nUh, straight off the bat\nI come straight off my back with a gun like I’m in Iraq\nAnd in fact I attack and tackle, and sack and crack and crack ‘em\nAnd snap back and battle my own shadow cause ya’ll wack and all that\nBullshit, you're talking startin' to get funky\nToss me the chunky, I’ma brew these punkies\nStir, I’m from the block but you don’t pass like a flunky\nWe make a bitch a mule and everybody act a donkey\nYes, I want you to come around here with that plan, boy\nI’ll shoot this mutherfucker til I burn my hand, boy\nBust up in the court and shoot the witness on the stand, boy\nThis is my game ask everybody in the stands, boy\nI’m all red, I’m on fire like a ant pile\nThey put the clamp down if I put the stamp down\nYou get the stampede, I make blood bleed\nYou suck dick, I succeed\n[Interlude: Lil Wayne]\nYeah, yeah, and this is how victory tastes\nSo I’ma spit in your face\nKevin [Hook: Kevin Rudolf & \nLil Wayne\n]\nΑyo, oh (oh)\nAyo, oh (ayy)\nΑyo, oh (oh)\nSo I’ma spit in your face\nΑyo, oh (oh)\nAyo, oh (ayy)\nΑyo, oh (oh)\nSo I’ma spit in your face\n[Verse 2: Lil Wayne]\nIf this is a race, I ain’t going for no place\nI am going for your place while you are home\nHow you gon’ fuck with me if I ain’t fuckin’ around?\nTwo eyes to the sky, ten toes touching the ground\nBitch nigga, I am not your homeboy\nWe are not from the same home, boy\nMy Nina Baker bring your joy, I’ll destroy who you employ\nI shoot 12 rounds, now Jr. Jones Roy\nY’all so backwards, I don’t do Backwoods, I’ma swisher man\n8 in the morning you bouta get found by a fisherman\nYeaa, You guys is bitches, little girls\nAnd Mr. Smith & Wesson wanna kiss your pussy pearl\nTongue kiss an angel and spit fire at the devil\nAnd I do whatever for the root of all evil\nGold, silver, bronze, no try the black medal\nTurn your motherfucking flowers to feathers now fly to heaven\nKevin! [Hook: Kevin Rudolf & \nLil Wayne\n]\nΑyo, oh (oh)\nAyo, oh (ayy)\nΑyo, oh (oh)\nSo I’ma spit in your face\nΑyo, oh (oh)\nAyo, oh (ayy)\nΑyo, oh (oh)\nSo I’ma spit in your face\n[Verse 3: Lil Wayne]\nAnd crazy’s what they're calling me\nBut crazy isn’t hardly what I am\nTry creatively retarded, I'm amazingly rewarded\nAin’t no faith in me the hardest never crack, I’m crack\nI’m dope in Reynolds Wrap, now let’s just hope you get it back\nLet’s just hope that you get it\nAnd if I have anything to do with it, motherfucker, I did it\nYeah, \nYoung Tune\n, guerrilla monsoon\nMr. Martian will hang your ass from the moon\n'Cause you don’t get sun, you just get it soon\nTurn your I.D. to a tomb, Goons R Us, the food's for us\nWe eat with our hands, no fork and spoon for us\nWe will take the knives, and we will take the wives\nAnd we won’t take the jewelry but we will take the lives (yeah) [Interlude: Lil Wayne]\nAnd I'm no pig\nBut I'm the hog spitting in your face\nSo I’ma spit in your face\n[Hook: Kevin Rudolf & \nLil Wayne\n]\nΑyo, oh (oh)\nAyo, oh (ayy)\nΑyo, oh (oh)\nSo I’ma spit in your face\nΑyo, oh (oh)\nAyo, oh (ayy)\nΑyo, oh (oh)\nSo I’ma spit in your face\n[Outro: Lil Wayne]\nAyo, oh\nSo I'ma spit in your face" } ]

[ { "from": "human", "value": "Write me a song called Last Day Alive with the following description: “Last Day Alive” is about a teenager enjoying his life to the fullest, pretending he will die tomorrow.\nThe track features American country music duo Florida Georgia Line, the first collaboration between the two groups, and is the first divergence into country music for American production duo, The Chainsmokers. The lyrics were co-written by Dan Reynolds of Imagine Dragons. The song is the twelfth and last track off The Chainsmokers' debut studio album Memories…Do Not Open.\nPart of the chorus' lyrics was teased by the production duo back in mid-December 2016 through a tweet:\n\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nRun into the bright lights most nights, now or never\nAlways and forever the last day alive\nThe last day alive\n[Verse 1]\nBottled up in adolescence\nBottom up forbidden essence\nTwisted up in adolescence\nWaking up within your arms\nI feel alive and dangerous\nYou're dangerous, we're dangerous\n[Chorus]\nRun into the bright lights most nights, now or never\nAlways and forever the last day alive\nThe last day alive\n[Post-Chorus]\nNow or never, it's now or never\nNow or never, it's now or never (the last day alive)\nNow or never, it's now or never\nNow or never, it's now or never\nThe last day alive\n[Verse 2]\nPromises within the air\nDrowning in love affair\nThe night is young and we are young [Chorus]\nRun into the bright lights most nights, now or never\nAlways and forever the last day alive\nThe last day alive\n[Post-Chorus]\nNow or never, it's now or never\nNow or never, it's now or never (the last day alive)\nNow or never, it's now or never\nNow or never, it's now or never\nThe last day alive\nThe last day alive\n[Chorus]\nRun into the bright lights most nights, now or never\nAlways and forever the last day alive\nThe last day alive\nThe last day alive\n[Post-Chorus]\nNow or never, it's now or never\nNow or never, it's now or never (the last day alive)\nNow or never, it's now or never\nNow or never, it's now or never\nThe last day alive\nThe last day alive\nThe last day alive" } ]

[ { "from": "human", "value": "Write me a song called Say Yeah with the following description: Wiz’s first hit single which sampled the techno song “Better off alone” by Alice DeeJay. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Wiz Khalifa]\nAnd say yeah, and say yeah, and say yeah\nOne night in town, my niggas round\nThrowing money, them bitches hit the ground\nThen bring it back up, she bringin' backup\nPut em in that black truck\nSo many hoes, they lapped up\nMy niggas leaning\nDiddy bopping,\n let's get it popping\nI said lets get it popping\nJust look at how she drop it\nLittle Mama a certified pro, she need her own show\nSlide on down that pole and grind slow\nHell no, I ain't counting my dough\nI came to blow it all\nAnd get some brains\nTrying to find, Mrs. Know It All\nAnd I got my cup filled\nJuicy how them bucks peel\nYoung pimp, see I grab me up a chick and just chill\n[Refrain]\nIn the back of the club with a stack full of dubs\nDrop it low like a pro\nBring it back, that's what's up\nAll my dogs up in here\nCause there's hoes everywhere\nNiggas stunt like you don't care\nThrow that money in the air\nAnd say yeah [Verse 2: Wiz Khalifa]\nI'm high and drunk, doing my same dance\nThey call her, Pocahontas\nDoing that rain dance\nTalking, dough I got it\nSo make it rain, man\nCause the flow retarded\nSorta like that Rain Man\nBorderline insane man\nLook at all these dames, damn\nWith a nigga getting money\nAnd I'm a changed man\nYou smell that haze scent\nKnow my game plan\nTrying to get it smacking\nI ain't with that game plan\nLil mama work for every dollar\nShe drop it low, pop it slow\nStop and go\nLots of smoke\nWe keep 'em rolling up\nShawty mad, she came with you, she wanna roll with us\n[Refrain]\nAnd say yeah\nI said listen here\nI do it grande\nAll day\nSmoking on that bomb, hey\nAnd I got my cup filled\nYou see how them bucks peel\nYoung pimp, see I grab me up a chick and just chill [Refrain]\nRoll that money in one hand and say yeah\nThrow that money in the air and say yeah\nRoll that money in one hand and say yeah\nThrow that money in the air and say yeah" } ]

[ { "from": "human", "value": "Write me a song called RDV le Jour Gee with the following description: Freestyle sorti en attendant son EP “Le Jour Gee”.\nInstru : Gangsta – Fabolous\nhttps://www.youtube.com/watch?v=g0fu6w_mPqg\nMorceau original :\nhttps://www.youtube.com/watch?v=IOuvHRbzbUA Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Couplet unique]\nJ'ai connu des peines, des joies, j'ai choisi d'avoir foi en moi\nUn jour, j'serai Don comme Alpha ou j'serai roi\nJ'm'occupe que d'mes affaires\nJ'veux faire briller mes frères comme Ken\nBriller tellement qu'mes rayons les atteignent\nCar on a très peu d'soleil en bas\nY'a des bouts d'âmes de mes amitiés qui sommeillent en moi\nUne pensée pour mes G's qui s'perdent\nLes gars, j'suis comme Mekra : j'entends crise d'hystérie face à un disrespect\nJ'fais mes biz' en scred, avec Bigo\nPendant qu'les médisants cherchent de quoi mytho\nLa vie c'est pas Disney\nPour mes gars, j'serai toujours dispo\nJ'regrette Dizmé, pas Guizmo\nNan, nan j'vais pas détailler\nOn fait tous des erreurs sauf que les vrais hommes tentent de les réparer\nLes réverbères illuminent le pare-brise\nLes adversaires s'éliminent par dix\nD'autres jouent les oufs, dans leurs 12 parlent de nous\nSe sentent pousser des ailes, payer leur frousse devant Doums\nProchain coup, ferme ta bouche, le vent tourne comme ton genoux\nSi tu l'ouvres tu seras soumis au retour de la foudre\nHan, ambiance che-lou comme quand tu ken une 'tasse sans latex\nOu qu'les flics passent dans la tess\nJ'veux plus d'un patron sinon j'tape dans la caisse\nÀ la base j'suis un gars pas méchant\nMais j'suis comme Bazz : des gens parlent dans ma tête\nLe L domine Paris Nord jusqu'à Paris Sud\nMC, pas d'issue, face à nous même les cainris suent\nMaintenant, réseau sur le net\nOn signe si Flav négocie 6 zéro sur le chèque\nBientôt, plus rien n'pourra m'atteindre\nNe m'fais pas la morale\nSi tu fais l'Ramadan puis l'marathon des bars à timps\nAvant qu'j'devienne vieux, j'rêve de faire de vrais vœux\nJ'suis plus haut qu'l'Everest grâce à l'herbe de Zer-2\nBientôt, l'projet Mekra Framal fera mal\nTous mes gars travaillent, travaillent\nLe Feu a tout brûlé, Deen prépare le Grand Cru\nLe sens-tu ? Ça va faire clic paw dans P-Town\nJe suis bien, je suis frais, j'ai mis l'polo, polo\n2015, 2016, y'a plus d'Pelle Pelle\n, \nl'heure des projets solo\nFollow Bazz, Doums, 2-Zer, Phaal\nIls savent tous te faire mal\nAssez parlé des autres, maintenant j'suis dans l'jeu\nJ'prépare l'orgie, j'donne un dangereux rendez-vous le jour Gee" } ]

[ { "from": "human", "value": "Write me a song called Blessing in Disguise with the following description: Thematically, “Blessing In Disguise” is a follow up to the DJ Khaled anthem “Never Surrender”. Both were produced by Khaled and both feature opening verses by Scarface about the trials and tribulations of the dope life, but snitching takes center stage:\nDeath to them niggas getting caught go and telling\nFrom Z-Ro:\nEvery time I turn around the guilty be pointing fingers at me\nAnd finally from Rozay:\nArtificial homies, worse than the agents\nIn conclusion from the BO$$:\nCatch a case, don’t talk, that’s raw Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Scarface]\n­I live just enough for the city so I get by\nMoney never changed how I felt, would I risk my\nLife for a dollar, homie? Nah, I don't think so\nGreed breeds jealous, niggas out here wantin' info's\nCatch a nigga slippin', put a bullet in his temple\nHomie, it's the same rules, money talks, simple\nMy kinfolk,\n \ncall it what I'm livin' like the high life\nOnly if he knew what I had to do to keep my mind right\nI, I tell you I got 20/20 hindsight\nSee it in the distance, \nhieroglyphics keep the rhymes tight\nMy mind like, game recognize that\nReal recognize real, \nstill .45 strapped\nUnderneath the white tee, Zimmerman get shot down\nHero, it ain't nothin' but a sandwich, call the cops now\nFuck the police, stop runnin'\nWhite boys terrorize nigga' neighborhoods, gunnin'\nDown the innocent, in the beginnin' it's:\n\"You was doin' 50 in the 35\", the endin' is:\n\"You fit the description of the subject in this incident\nWe gon' have to take you downtown for some questionin'\"\nDamn, a blessin' in disguise if you ask me\nI was just about to hit the highway with my last ki\nCould it be that maybe God has intervened?\nSpared my life like he did so many times in between?\nA half a block away from the crime scene\nA minute earlier and that was me, think\nI've been knowin' Ross since he was Teflon\nSame nigga now as back then, nothin' stepped on\nDopeman, dopeman yellin'\nCook it 'til it's rock hard, bag it up, sell it\nAroma so loud, so loud that you can smell it\nDeath to them niggas gettin' caught go and tellin' [Chorus: Z-Ro]\nAnd every time I turn around, y'all got somethin' to say about me\nBut y'all don't know a damn thing about me\nJust what you see, that's what you judge me on\nEvery time I turn around, the guilty be pointin' fingers at me\nHomie, I'm just tryna be all I can be\nBut not for free, that's what the fuck be wrong\nI need that\n[Interlude: Rick Ross]\nDamn, can't even believe this day here, my nigga\nI remember us sittin' in the parkin' lot talkin' about gettin' money\n[Verse 2: Rick Ross]\nCracks in the wall\n, standin' in the puddle\nSunny south Florida, a cold motherfucker\nReady for a war,\n barely wanna talk\nBallys on my nigga as they walkin' back and forth\nMakes you wanna hustle, take care of my brothers\nRaymond passed away, here's somethin' for his mother\nIt never is enough, tryna show her that I love him\nWe were fishin' buddies, breed the dog, split the puppies\nPictures on the wall, bitches we done raw\nNiggas gettin' robbed, the only shit that we can solve\nWe all wanna get it, ball for a minute\nAccept collect calls, tell our dawgs that we did it\nPlenty money orders, that what uncle Kenny taught us\nKeep your face clean when you're out here bendin' corners\nAlways keep in mind you'll fall in love a thousand times\nRegardless what we went through, I'm still right here by your side\nArtificial homies, worse than the agents\nWhen you parkin' all your cars, they wanna know the payments\nRose petals drippin' on the casket\nBaby boy done grew into a bastard\nOn that lean, you know I fuck her fantastic\nWork white as Rita Ora in that plastic\nTook shots, shed tears, that's war\nBust bottles on yachts, stand tall\nCatch a case, don't talk, that's raw\nScarface, Rick Ross, big boys\nBig boys\nScarface, Rozay, we big boys [Chorus: Z-Ro]\nAnd every time I turn around, y'all got somethin' to say about me\nBut y'all don't know a damn thing about me\nJust what you see, that's what you judge me on\nEvery time I turn around, the guilty be pointin' fingers at me\nHomie, I'm just tryna be all I can be\nBut not for free, that's what the fuck be wrong\nI need that\n[Outro: Z-Ro]\n(That bag, that bag)\nI need that (that bag, that bag)\nI need that (that bag, that bag)\nI need that bag (hey, hey, hey)" } ]

[ { "from": "human", "value": "Write me a song called Voices In My Head / Stick to the Plan with the following description: Alternating between four flows in “Voices in My Head / Stick to the Plan,” Big Sean addresses his relationship with his subconscious mind – one that condemns his past mistakes and bad habits; consequently, motivating him to remain steadfast in the pursuit of his goals.\n“Voices in My Head” finds Sean ruminating on behaviors he’s often failed to prevent and transitions into “Stick to the Plan,” the upbeat second verse succeeding it: the new cadence and subject matter completely work to oppose such earlier intonations of self-doubt and lethargy, illustrating a transition between feelings of shame and regret to those of motivation and dedication.\nThe conclusion of the track finds Big Sean’s introspection going into hyperdrive; detachedly regarding suicidal ideation as something he’d be capable of only temporarily dismissing, acknowledging the continuity of such intrusive thoughts with a positive resolve. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Part I: \"Voices in My Head\"]\n[Chorus]\nVoices in my head sayin' I could do better, damn\nVoices in my head sayin' that I knew better\n(You know better, what the fuck!)\nI done seen this shit happen a hundred times on the regular\nBut I still crossed the line like I'm blind, damn\nVoices in my head saying I could do better\n(You always do the same shit)\n[Verse]\nThis was supposed to be the last time, last hit\nLast call, last feel, last trip, last run\nThat's what I always tell myself, huh, damn\nThis was supposed to be the last one, last two\nLast flip, last you, last me, last night\nDoing every single thing my parents warned me 'bout\n(You're a fucking disappointment) 'Til I wore 'em out, shit\n[Chorus]\nVoices in my head saying I could do better\n(Voices in my head saying that I could do better)\nVoices in my head saying that I knew better\n(\nYeah, you know what's about to go down\n)\nI done seen this shit happen a hundred times on the regular\nBut I still, fuck\n(That's your problem, you don't listen!) [Part II: \"Stick to the Plan\"]\n[Intro]\nVoices in my head, conscience talking to me like\nLook\nMetro Boomin want some more, nigga\n[Chorus]\nStick to the plan, stick to the plan\nStick to the plan, bitch quit playing\nStick to the, plan, to the plan\nStick to the plan, bitch quit playing\nStick to the, plan\n[Verse 1]\nStay focused\nDon't let these niggas see your emotions\nStick to the notion, stay in motion\nRemember soon as you stand still\nSo will everything else you notice\nMake sure all your inner actions end with actions\nIf you stacking fronting and back in\nSubtract if it isn't adding\nPlus who hurt you don't let back in\nPlan it out, yeah, tit for tat it\nExtra pussy get distracted\nPut that into what's worth having (boy) [Chorus]\nStick to the plan, stick to the plan\nStick to the plan, bitch quit playing\nStick to the, plan, to the plan\nStick to the plan, bitch quit playing\nStick to the, plan\n[Verse 2]\nStay focused (stay focused)\nPay attention who you getting close with\nDistance yourself from negative energy\nVoices in my head, they say it's meant for me\nI, I, I, you in my way, bitch it's no sympathy\nI, I, I, been plotting this since elementary\nI, I, I, no you need to buckle down\nHave people asking where you at\nAnd wondering why you never wanna come around\nYou know that effort gon' come around\nBig face like Zordon\nYou bought the watch but can't afford the time\nEven if you running out of breath\nWeight of the world doing lots of reps\nTime to get this generation\nLast one and then the next two outta debt\nAnd they gon' pay you back with respect\nJust stick to the plan, still, we can chill\nBack when I rocked the white and blue Grant Hills\nI realized there's no dream that I can't fill\nI manifested all while I'm the man still\n(Bitch I'm the man) [Verse 3]\nVoices in my head attacking what I'm thinking\nBullet to the head might be the way to free it\nIf I leave my body I can free the spirits\nSwear to God my death of fear just keep on shrinking\nWishing I could go back to the nineties\nBack when I was dreaming\nMe and my dog was on a mission like we Kel and Kenan\nEarly 2000s Detroit might as well been the hell with demons\nWondering when I started losing it, the losing grip\nFeeling like I'm in the middle of the ocean\nYou either drown or canoe through it\nVoices in my head said I'm used to it\nSome help me to lose and some help me maneuv' through it\nWhen I talk to myself I'm confused on who's who it\nI know in life you either blow it or blew it\nAnd at the end of life, it's gonna feel like you flew through it\nI just hope by then I cut the voices in my head" } ]

[ { "from": "human", "value": "Write me a song called Long Live the Pimp with the following description: Song is a tribute to the late Pimp C of UGK features Bun B also of UGK. Song is in the style of a Houston rap song and a slower beat. Song makes multiple references to Pimp C and UGK songs/ classic H-Town rap.\nhttps://www.youtube.com/watch?v=ndrkwqAkt6o Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Future]\nWhat it do?\nHonorable C.N.O.T.E\n[Chorus: Future]\nDrinkin' on Texas ('Sir), parkin' lot flexin' (Flex)\nBumpin' UGK, motherfucka\n (Yeah)\nRidin' dirty with the K, motherfucka\n (Ay)\nOn the grind in the K, motherfucka (Salute)\nDrinkin' on Texas (Tex'), parkin' lot flexin' (Flex)\nBumpin' UGK, motherfucka (Motherfucka)\nEatin' on shrimps, motherfucka (Shrimps, shrimps, shrimp)\nLong live the pimp, motherfucka, yeah\n[Verse 1: Future]\nAy, Future\nSippin' on Port Arthur\n, hangin' with the robbers (Robbers)\nBad yellow bitch (What?) and her pussy taste like water (Ooh)\nCandy red Cadillac, deuce and a quarter (Quarter)\nReppin Uncle Pimp (Pimp), and my uncle Bun (UGK)\nNiggas can't touch me like I'm J Prince son\nWater drippin' on me (Water), shinin' like a star (Star)\nGrippin' on the wheel, Johnny Dang got me chilled (Chilled, chilled)\nTexas in my Sprite (Sprite)\n when I'm poppin' seal (Seal)\nDrinkin' on mud (Mud), rockin' with the thugs (Thugs)\nLong live Chad (Chad), the dirty south love ya (Salute)\nI’ve come again tippin' (Tippin'), smokin', reminiscin' ('Niscin)\nUnderground king (King), you a legend in my memory (In my memory) [Chorus: Future]\nDrinkin' on Texas ('Sir), parkin' lot flexin' (Flex)\nBumpin' UGK, motherfucka\n (Yeah)\nRidin' dirty with the K, motherfucka\n (Ay)\nOn the grind in the K, motherfucka (Salute)\nDrinkin' on Texas (Tex'), parkin' lot flexin' (Flex)\nBumpin' UGK, motherfucka (Motherfucka)\nEatin' on shrimps, motherfucka (Shrimps, shrimps, shrimp)\nLong live the pimp, motherfucka\n[Verse 2: Trae Tha Truth]\nTippin' on glass slippers, paint on it deep as fuck\nUFC in my trunk, bet this gon' beat you up\nEverything movin' slow, still ain't no keepin' up\nGator replace the seats, get your ass eaten up\nChopper behind the seat ('Hind the seat), truth still undisputed (Undisputed)\nVerse ain't the tryna trill (Tryna trill), I won't talk with it, bitch I shoot\nHangin' on the diamonds, flexin'\nSwinging over my complexes\nStuntin' on 'em like I'm Birdman\nMake seven on it, whip the wrist\nNothing on it, don't fetch attention (Uh)\nGet your bitches, cold efficient (Yeah)\nGonna kill it on competitions (Uh)\nSideline 'em, on suspension (Uh)\nYoung Bill, turned to stone (Stone)\nLil' Jim, \nSweet James Jones\nBumpin' UGK and get your stomach full of stones [Chorus: Future]\nDrinkin' on Texas ('Sir), parkin' lot flexin' (Flex)\nBumpin' UGK, motherfucka\n (Yeah)\nRidin' dirty with the K, motherfucka\n (Ay)\nOn the grind in the K, motherfucka (Salute)\nDrinkin' on Texas (Tex'), parkin' lot flexin' (Flex)\nBumpin' UGK, motherfucka (Motherfucka)\nEatin' on shrimps, motherfucka (Shrimps, shrimps, shrimp)\nLong live the pimp, motherfucka, yeah" } ]

[ { "from": "human", "value": "Write me a song called XXL Freshmen 2012 Cypher - Part 1 with the following description: The first cypher from the XXL Freshman Class of ‘12 brought to you by XXL Magazine.\nHopsin, Roscoe Dash, Machine Gun Kelly, Future, and Danny Brown all take turns on this track showing exactly why they’re the freshmen of the year (except Future). Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Hopsin]\nUh, welcome to the Ill Mind of Hopsin, where real life's an option\nThe ill lines that I spit make you realize you not sick\nScience at its finest, tell Bill Nye to watch it\nNow turn this shit the fuck up 'til you feel high and nauseous\nYo, check out this verse I wreck, I think I'm more cursed than blessed\nNo one seems to know if my brain's the result of birth defects\nI need a solution, pastors tell me that church is best\nBut they'll look at me devilish 'cause I'm how they interpret death\nEverybody's always acting fake, rappers I hate be asking to collaborate\nIt's sad to say but it's the truth, that instead of trying to congratulate\nThey got they hands out like we playing a game of Patty Cake\nBut that ain't what I'm focused on\nThe day I step up in the lab with a sell out will be the day all hope is gone\nThe game's filled with a bunch of faggots who don't belong\nAlways claiming they real niggas but I ain't notice one\n[Verse 2: Roscoe Dash]\nWhere the fuck'd he come from and why is he here?\nDressed in some dope shit your stylist probably would wear\nLook like Egyptian hieroglyphics and shit off in his hair\nAnd the message is no one in this day or time could compare\nPractice makes perfect, I practiced my whole life\nFar from perfect but my worst shit is lapping 'em all twice\nFeel like I put the \"I\" in win, 'cause I did it my whole life\nSo your first place or second statistics are all hype\nI'm all flight, no really, I'm all flight\nI live in the sky and get higher than four kites\nIf your girl like my music, don't worry, it's alright\nThe day we meet'll never happen, my hours are all night\nI worked hard, paid off, floss the evidence, nigga\nAll my pockets best friends with dead presidents, nigga\nRight hook the whole world\n, throw your bell for these niggas\nNo wonder they kept a spot on XXL for a nigga, I'm gone! [Interlude: Machine Gun Kelly]\nUgh, Cleveland, what's up? Kells!\n[Verse 3: Machine Gun Kelly]\n'When I come around, people smell trouble\nI don't fuck with Photoshop, so holler at me when you wanna see a real jungle\nThe Eastside where fiends huddle\nOutta towners come across them potholes stumbling, make their knees buckle\nStreet signs'll read struggle\nEvery couple months another shirt with R.I.P.s and we love yous\nInstead of leaving school, my friends are leaving out in a duffel\nI bleed hustle, why the fuck I need muscle? \nRun tell them that\nI'm going in like needles in war wounds\nKids at the dorm rooms, syringes and harpoons\nSummertime hot couple months before June\nAnd have star power while in the planet below moon\nNow that's classic, and with all of this wackness\nCrowd for providing this track here, it's madness\nWithout a witch and some spells I made magic\nMotherfucking monster, Lake Placid, Kells\n[Bridge: Machine Gun Kelly]\nBring that shit back\nBring that shit back\nNow bring that shit back\nLace up, uh [Verse 4: Machine Gun Kelly]\nI'ma consider this class, brother, now learn something\nA pocket roll, a E-Z Wider, a filter, a little hash so I can burn something\nJust to help you cope a little bit more\n'Cause 'round here, tomorrow isn't for sure\nAnd we coming up from mistake on the lake, double O\nBag it up, then we wake as we bake, Double O's\nBurning up, then we making the cake, double stoves\nThen I hop up out the bitch with hella bread like a dozen loaves\nThat's money, biatch!\n[Interlude: Machine Gun Kelly & \nFuture\n]\nLace up, ugh!\nYeah, yeah, yeah, yeah\n[Verse 5: Future]\nCoke Boys, something like Montana\nWith the bird gang like Santana\nReal street nigga repping for Atlanta\nAin't dropped but I'm still in the Phantom\nAnd I blow that money fast like a candle\nYeah, and I still got stamina\nLet my lil' homie do you on camera\nYeah, we ain't nothing but some animals\nGot a house and a condo in Miami\nWhy you doing what you do? For the fucking GRAMMY\nI do what it take for the paper chase\nFreestyle, off the dome, whatever it take [Verse 6: Danny Brown]\nHo, the only thing you gotta know\nMy dick’s tucked around when I'm sitting on the floor\nYou think I'm gon' fall off? Got advice for you, homes\nFall asleep in your car, in the garage, with the engine on\nPlaying ping-pong with your bitch jaws\nYou the type to have a sing-a-long in Superman drawers\nI got a redhead ho, call her Molly Ringwald\nShe like to take a mount of Molly and bring Adderall\nSipping white wine 'til the sun set\nBefore it got dark, she already got naked\nThen she start to neck it, then she got reckless\nRump shaker, Wreckx-N-Effects it\nBum stiggedy-bum stiggedy-bum, Das EFX shit\nLeft her bum sticky, fell asleep on the \nterrace\nMe on the beat, that's a hate crime\nWith black ink, I murder white lines\nStabbed!" } ]

[ { "from": "human", "value": "Write me a song called Poppin’ (Remix) with the following description: The remix to Chris' fifth and final single from his debut album, enlists rappers Juelz Santana and Lil Wayne.\nBoth Juelz and Wayne previously worked with Chris on Chris Brown: with Juelz assisting on “Run It!” and Wayne hopping on “Gimme That (Remix).” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Wayne]\nChris Breezy\nI see ya, daddy\n[Verse 1: Lil Wayne]\nYeah, right off the bat, I'm a mack\nWe can get it poppin', we can get it crackin'\nAnd if your man is whack\nAnd if he lack what I pack\nThen I will make you lack him\nShorty, we can do what you wanna, how you wanna\nWhere you wanna, when you wanna, ask them\nAnd my clip never droppin'\nWe can get it poppin' like a MAC-10\nBrrrr that, that, that on your back, back, back\nI smack, smack, smack that\nAnd I'm strapped with an automatic tongue\nAnd it goes brrrr-a-da-da-da\nNow who wanna get shot? Baby, I could tap that\nYup, I could tap that like the Rat Pack\nI could lay back like a fat cat\nBut I'm a big dog on any track\nAh, and we got it pumpin' e'ry night, e'ry night\nWhen we did the tour thing\nYou know I had to tell them young niggas\nWhen it come to the women, I just switch like a mood ring\nBut I'm rich, I'm high on the food chain\nI'm hot, I smoke like two trains\nI'm trained, I know how to do things\nMy thing is hot like blue flame\nFlame, the fireman put it out\nShe hot, the fireman put her out\nAll she gotta do is call up emergency\nAnd I will be on my way to the house\nKnock, knock? I know somebody home\nDon't leave me knockin', baby\nAll you gotta do is bring that corn\nAnd we can get it poppin', baby [Verse 2: Chris Brown]\nSay, say, say, s-say, say what your name is\nOoh, yeah, that fits you, girl\nTell me where you headed\nCan I walk with you, girl?\nYou got that look in your eyes\nThat look like you give your boy here a good ol' time\nAnd I'm on it, girl, that's right I'm on it, girl\n[Pre-Chorus: Chris Brown]\nSee this is the first time I had a girl whose looks set me on fire\nI'm really tryna get to know you better, girl, you ain't gotta act like you shy\n'Cause we gon' do something, something is gon' get done\nAnd we gon' get crunk and have a lot of fun and I say\n[Chorus: Chris Brown]\nShawty, shawty\nShe wearing her hair, she working them jeans\nShe talking that talk just l-l-like I like it\nShe keep it on, man, poppin'\nShawty keep it on and poppin'\nOoh, ooh, ooh, yeah\nShawty, shawty\nThe way you wearing that top, got your boy so hot\nAin't no mistaking, playing, or faking\nYou got me open and waiting, and poppin'\nYou keep me on, man, poppin'\nOoh, ooh [Interlude: Chris Brown]\nUh, uh\nLet me tell you\nYeah\n[Verse 3: Chris Brown]\nI'm tryna keep my swagger but you 'bout to have me, girl\nJump through about four or five hoops of ooh, baby\nLet's take it to the hood so the people can see you, girl\nOh, yes, you mean and vicious the way you switching, now I say\n[Pre-Chorus: Chris Brown]\nThis is the first time I had a girl who looks set me on fire\nI'm really tryna get to know you better, girl, you ain't gotta act like you shy\n'Cause we gon' do something, something is gon' get done\nAnd we gon' get crunk and have a lot of fun, ooh, ooh, ooh\n[Chorus: Chris Brown]\nShawty, shawty\nShe wearing her hair, she working them jeans\nShe talking that talk just l-l-like I like it\nShe keep it on, man, poppin'\nShawty keep it on and poppin'\nOoh, ooh, ooh, yeah\nShawty, shawty\nThe way you wearing that top, got your boy so hot\nAin't no mistaking, playing, or faking\nYou got me open and waiting, and poppin'\nYou keep me on, man, poppin'\nOoh, ooh [Interlude: Juelz Santana]\nYeah, Dipset\nI'm Santana, ayy\n[Verse 4: Juelz Santana]\nHow you doin', baby? Nice to meet ya\nWait, let me not mislead ya\nFirst off, I'm about my dough and cheese\nJust call me a slice of pizza\nYup, I'll be your pizza guy\nDeliver your pizza pie (Pie)\nI got a chauffeur named Woodrow\nCar named Bentley\nWhen I speak, he drives (Let's go)\nShorty know how to work it like a model (Yeah)\nShe get it poppin' like a cork on a bottle (Yeah)\nBaby, if you was a car\nI'd put your doors in the air like a Murcielago (Yeah)\nI leave you on a higher note\nThen when Mariah Carey hit her highest note\nYou get diagnosed with a higher dose\nOf what you never had before, me\nPlus I ain't like them other guys that be cryin' broke (Nope)\nWhinin' broke (Nope)\nI'm about my bread, you heard what I said\nBaby, I'm a loaf (Loaf)\nCome let me school ya\nBring it here, let me be your tutor\nWe can go to Miami, ride down Collins, hop on that scooter\nNext thing you know we be K-I-S-S-I-N-G\nIn the back of my Maserati\nThen I drop you off before curfew time, the kind of guy I be\nOh, I'm so kind\nThem other guys are not like me\nSo don't pay them no mind (Nope)\nUh-uh!\n[Chorus: Chris Brown]\nShawty, shawty\nThe way you wearing that top, got your boy so hot\nAin't no mistaking, playing, or faking\nYou got me open and waiting, and poppin'\nYou keep me on, man, poppin'\nOoh, ooh" } ]

[ { "from": "human", "value": "Write me a song called Remember The Time with the following description: “Remember The Time” is a modern reimagining of the 1992 Michael Jackson classic of the same name. Lyrically the singer laments about a recently ended relationship, and asks their once partner if they still “remember the time (that they) fell in love”. Because they seem to still have feelings for the other person.\nIn Michael Jackson’s Moonwalker Autobiography, he stated that he had his long time love interest and mentor, Diana Ross, in mind when he wrote the song. And Rolling Stone writer Alan Wright regarded “Remember The Time” as “the most lighthearted musical track on the album.” Its reception on the charts was great, specifically with international commercial success.\nFOTP’s cover of the song was released as a part of their fourth full length album “Dance Miserable”.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nDo you remember the time?\nWhen we fell in love\nDo you remember the time?\nDo you remember the time?\nWhen we fell in love\nDo you remember the time?\n[Verse 1]\nDo you remember when we fell in love?\nWe were young and innocent then\nDo you remembеr how it all began?\nIt just seemed like hеaven, so why did it end?\n[Pre-Chorus 1]\nDo you remember, back in the fall?\nWe'd be together all day long\nDo you remember us holding hands?\nIn each other's eyes, we'd stare\nTell me\n[Chorus]\nDo you remember the time?\nWhen we fell in love\nDo you remember the time?\nWhen we first met, girl\nDo you remember the time?\n(Oh, I)\nWhen we fell in love\nDo you remember the time? [Verse 2]\nDo you remember how we used to talk?\nYou know, we'd stay on the phone at night till dawn\nDo you remember all the things we said?\nLike, \"I love you so, I'll never let you go\"\n[Pre-Chorus 2]\nDo you remember, back in the spring?\nEvery morning, birds would sing\nDo you remember those special times?\nThey'll just go on and on\nIn the back of my mind\n[Chorus]\nDo you remember the time?\nWhen we fell in love\nDo you remember the time?\nWhen we first met, girl\nDo you remember the time?\n(Oh, I)\nWhen we fell in love\nDo you remember the time?\n[Bridge]\nThose sweet memories\nWill always be dear to me\nAnd girl no matter what was said\nI will never forget what we did there\nNow baby [Chorus]\nDo you remember the time?\nWhen we fell in love\nDo you remember the time?\nWhen we first met, girl\nDo you remember the time?\n(Oh, I)\nWhen we fell in love\nDo you remember the time?\n(Remember, my baby)\nDo you remember the time?\n(Cause I remember)\nWhen we fell in love\nDo you remember the time?\n(All in my mind, girl)\nDo you remember the time?\n(Oh, I)\nWhen we fell in love\nDo you remember the time?\n(Remember, my baby)" } ]

[ { "from": "human", "value": "Write me a song called 16 Bars Freestyle with the following description: The “16 Bars” freestyle debuted on June 26, 2014 from The Boombox, precisely 4 months before the release of Logic’s debut album, Under Pressure. The freestyle took place prior to an interview Logic had with them:\n\n\n\nThe lyrics come straight from “I’m Gone,” which serves as the 3rd track from Under Pressure.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse]\nLiving life like this is so crazy\nThis world is amazing\nOne day you're on top and then she having your baby\nLiving life like this I get down... Uhh\nWhen they come around\nI do my best to fall back and not, not make a sound\nFeel like my mind gone but I'm still here\nDon't fuck around cause they kill here\nThis music, it kill fear\nI use it when I need to hear\nBeen there, done that\nDrop this shit, they gonna run it back\nStupid shit, man I'm done with that\nFake rap, take it back\nMy chain heavy, got a lot of money, my bitch bad, have fun with that\nI've been there and don't want it back\nIf I see the bitch I might run it back cause I'm gone" } ]

[ { "from": "human", "value": "Write me a song called The Weekend with the following description: SZA has said that this song is about three women, not just two, all of whom are being played by the same man. However, one decided that they did not care.\nThe song serves to empower women above the idea of a man as the center to all of their actions. In positioning all the women in this one man’s life as being aware of what they want from him, it diffuses his lies to them and makes him look like the foolish one.\nThe rather artistic and simple music video (released on December 21, 2017) is directed by Solange and features SZA in different settings moving to the song. The video also features words at the bottom of the screen that are not lyrics, but are still important to the song’s theme:\nOne opted out\nAn imbalance of power, shifted the whole tide\nIt waved\nAnd waved\nThe cover art for the single was designed by SZA’s friend Sage Adams and is inspired by Henri Matisse’s “The Dance.”\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Justin Timberlake]\nMood right\nMood\n[Verse 1]\nYou say you got a girl\nYeah, how you want me? How you want me when you got a girl?\nThe feelin' is reckless, of knowin' it's selfish\nAnd knowin' I'm desperate\nGettin' all in your love, fallin' all over love, like\nDo it 'til it hurts less\nHangin' out the back, all up in your lap\nLike, is you comin' home? Is you out with her?\nI don't care long as you here by 10:30, no later than\nDrop them drawers, give me what I want\n[Chorus]\nMy man is my man, is your man, heard it's her man too\nMy man is my man, is your man, heard that's her man\nTuesday and Wednesday, Thursday and Friday\nI just keep him satisfied through the weekend\nYou like nine to five, I'm the weekend, oh\nMake him lose his mind every weekend\nYou take Wednesday, Thursday, then just send him my way\nThink I got it covered for the weekend [Verse 2]\nI gotta say, I'm in the mood for a little bit more of that\nI mean, I'm sayin', what kind of tease is two days?\nI need me at least 'bout four of them, more of them\nMore you on me, on us, just tell me you want me, yeah, Monday\nAnd I'll be at your door, ready to take her place\nReady to give you what you've been missin' on weekdays\nWhat you've been waitin' for\n10:30, no later than, drop them drawers\nI know what you want\n[Chorus]\nMy man is my man, is your man, heard it's her man too\nMy man is my man, is your man, heard that's her man\nTuesday and Wednesday, Thursday and Friday\nI just keep him satisfied through the weekend\nYou like nine to five, I'm the weekend, oh\nMake him lose his mind every weekend\nYou take Wednesday, Thursday (Don't worry 'bout none)\nThen just send him my way (Don't worry 'bout none)\nThink I got it covered for the weekend\n[Outro]\nAyy\nBright ideas, we got bright ideas\nAyy (Ooh)\nBright ideas, we got bright ideas\nAyy (Ooh)\nBright ideas, we got bright ideas" } ]

[ { "from": "human", "value": "Write me a song called Blasé (T.I., French Montana & A$AP Ferg Remix) with the following description: Official remix of Ty Dolla $ign’s popular banger “Blasé”.\nIt was released simultaneously with another remix featuring Jeezy, Juicy J and Diddy. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: French Montana]\nWhat up, Ty?\nYou already know what it is when you hear that hannh\nFree TC, free Max B\nThis that remix, Montana!\n[Hook: Future & \nTy Dolla $ign\n]\nOrdered up a hundred rosés, need a Benz like blasé, blasé\nI'm just, whipping Maserati (skurr, skurr, skurr, skurr)\nI'm just, blasé, blasé\nI'm just, blasé, blasé, blasé, blasé\nOrdered up a hundred bottles in the club like blasé, blasé\nWhipping Maserati (skurr, skurr, skurr, skurr)\nOhh, blasé, blasé, blasé, yeah, yeah\n[Verse 1: T.I.]\nFuck that blasé, I give these hoes nothing but heartache\nRun with killers from Haiti, sak pase\nGot my top down on the highway, we running\nDo anything but what I say, we gunning\nSo, you better go on with the woopdy woop\nBut, shit, the only thing that you shooting is hoops\nSee when you make music, you exclude the truth\nIt's hard to tell who's who and you confuse the youth\nBut anyway, on another day, I'm in LA\nWith a bitch who probably a thot but too cute to boot\nIn a big coupe, shorty high as a fool\nMoon rock, got her high, doing loopty loops\nChilling with a thick bitch, had to kick back\nMade her roll a backwood then she lit that\nI'll let her smoke half of it, then I hit that, hah\n(Yeah, and then a blunt was next)\nCardio on a bankroll, running a check\nWe the Bankroll Mob, ain't no fucking with that\nAnd we don't want no excuses we just wanted the stacks\nWith some rubber bands on it, pull it out a duffle bag\nHere, try to pour this shit, you can't\nBest believe ain't no breaking the bank\nAin't no shaking me off\nBest not put your faith in a fuck nigga cause they can be bought [Hook: Future & \nTy Dolla $ign\n]\nOrdered up a hundred rosés, need a Benz like blasé, blasé\nI'm just, whipping Maserati (skurr, skurr, skurr, skurr)\nI'm just, blasé, blasé\nI'm just, blasé, blasé, blasé, blasé\nOrdered up a hundred bottles in the club like blasé, blasé\nWhipping Maserati (skurr, skurr, skurr, skurr)\nOhh, blasé, blasé, blasé, yeah, yeah\n[Verse 2: French Montana]\nI'm a shooter, Luca Brasi, hundred-fifty on my body\nNow Roberta went Cavali, I be pimping like I'm Scotty\nI just copped a hundred bottles, got me tipsy, blasé, blasé\nPull up, Maserati, kamikaze, shower posse\nGot that Shmoney like I'm Bobby, in that 'Gatti like I'm Gotti\nShe gon' bust it open sideways, I ain't gotta slip her molly\nI'm a don, nigga, hundred on the charm\nGet a hundred on the arm, G5 through the storm (Montana!)\nSince they gone, don't run up on us, blasé, blasé\nI be looking at these jewels, I can tell that's blasé, blasé\nNow, she says she got a man, bet she talking blasé, blasé\nCause I met her on a Thursday and I fucked her on the Friday\nMontana!\n[Hook: Future & \nTy Dolla $ign\n]\nOrdered up a hundred rosés, need a Benz like blasé, blasé\nI'm just, whipping Maserati (skurr, skurr, skurr, skurr)\nI'm just, blasé, blasé\nI'm just, blasé, blasé, blasé, blasé\nOrdered up a hundred bottles in the club like blasé, blasé\nWhipping Maserati (skurr, skurr, skurr, skurr)\nOhh, blasé, blasé, blasé, yeah, yeah [Verse 3: A$AP Ferg]\nBeen a minute but I'm back now\nI know everybody need me\nAll this music getting wack now\nAin't nobody wanna see me\nTo the critics I say blasé\nHating niggas, I say blasé\nMiddle fingers to you fuck niggas\nWhy you wanna rain on my parade?\nYamborghini up in heaven now\nMan, I promise not to let him down\nI'm getting hotter than a kettle now\nOh man, I'm on a different level now\nMan, I told these niggas how to style\nMan, all these niggas out of style\nI'm your favorite rapper, favorite rapper\nEven got that nigga dressing better now\nShoutout to all of the A$APs\nMe and Ty Dolla go way back\nDid a tour with Khalifa\nWhen I used to smoke the cheba\nP and J's with the pizza\nHad a pocket full of peanuts\nNow a nigga living better\nPocket full of cheddar and you wanna be us\n(It's true!) [Hook: Future & \nTy Dolla $ign\n]\nOrdered up a hundred rosés, need a Benz like blasé, blasé\nI'm just, whipping Maserati (skurr, skurr, skurr, skurr)\nI'm just, blasé, blasé\nI'm just, blasé, blasé, blasé, blasé\nOrdered up a hundred bottles in the club like blasé, blasé\nWhipping Maserati (skurr, skurr, skurr, skurr)\nOhh, blasé, blasé, blasé, yeah, yeah\n[Outro: Future]\nAlcohol and chronic, yeah that's all we want\nAlcohol and chronic, yeah that's all we want\nAlcohol and chronic, yeah that's all we want\nAlcohol and chronic, yeah that's all we want\nThat's all we want\nThat's all we want\nThat's all we want\nThat's all we want" } ]

[ { "from": "human", "value": "Write me a song called Get ’Em Off Me with the following description: This is the intro song (technically 2nd) with Wayne off his 2005 mixtape The Suffix\nExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook]\nThat mac-10 will get them off me\nHead shots, he still talking\n[Verse 1]\nYou try to run up on Lil Wayne, I let you hold the slug\nThe can opener, \nwill make your jug open up\nI'm probly in the crib--baking Up, rolling up\nCause I'm a nut wit the coke, call me coconut\nBet I smack em wit the tooly, tell em straighten up\nI'm from the murder capital\n, you niggas baby butt\nYou baby mutts get the fuck, I ain't a dog\nI'm a Boss Hogg, shout out to Slim Thugga'\nPussy's spraying, that's a shot to ya brim youngin'\nI'm so Cash Money, right out the rim brotha\nNot out to get nothing but bread, I said I am\nNot out to get nothing but bread, I said I\nSlide out the whip, looking like a million bucks\nDon't touch bet this fucking full clip fill ya up\nHollygrove in this bitch blocka block\nMake the chef pull the stove off the hip, cook em up\n[Hook]\nThat mac-10 will get them off me\nHead shots, he still talking [Verse 2]\nIf I was to let the barrel spin\nNone of you niggas be standing\nI pull this burner out my drawers\nYou gonna piss in ya panties\nOn the block as a younging\nI was working that jelly\nKnew fat niggas kept bundles under their belly\nI’m a motherfucking Young Money\nA motherfucking Cash Money\nMillionaire, Cash money Machiavelli\nThey say dress to kill, but I look better at it\nReady for anything, its covered like spaghetti\nI’m a nice young d-boy baby\nI digest your man like a t-bone baby\nKeep on I got the heat on 80\nAt 90 I’m shooting, at 100 I’m blazin\nConcrete jungle the wild-life pavement\nThat’s my life, my life, my life baby\nDon’t get caught up in the twilight craze\nOr you'll be just another highlight baby\n[Hook]\nThat mac-10 will get them off me\nHead shots, he still talking [Verse 3]\nBefore I had my aim\nI still had a pistol\nMissing ya whole chest\nHitting ya whole temple\nLike 95, 96 getting it in the rental\nSo short I had to sit on a pillow\nLet the whole quaker sit on the griddle\nCook em up and shoot em out like missiles\nBoot em up and call em out like bitches\nThey ain't nothing but bitches\nThey ain't fucking with this shit\nThey swinging and missing\nMy angle is different, they ain’t seeing me\nLook into my music, that’s the window to my soul\nSee the g in me, long hair all black like Easy-E\nLittle nigga got smack like the DvD\nClick-clack sound sweet to me\nPap-pap you look asleep to me (what you saying)\nClick-clack sound sweet to me\nPap-pap you look sleep to me\nGood night\n[Hook]\nThat mac-10 will get them off me\nHead shots, he still talking" } ]

[ { "from": "human", "value": "Write me a song called Realest with the following description: “Realest” marks the debut collaboration between Eminem and his recently signed artist, Ez Mil, after inking a massive deal with Eminem’s Shady Records, and Dr. Dre’s Aftermath and Interscope Records in July 2023.\nAs Ez boasts about his determination, lyrical prowess, and refusal to conform, Eminem starts off his verse by addressing the critique that he’s solely recognized as a top-five rapper because of his skin color. Then, he proceeds to confidently assert his dominance in the rap game while taking aim at self-proclaimed “rap-expert” zoomers and envious rappers. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kito Abashi, \nWe Vybz Tv\n, \nEz Mil\n]\nIf I was in the Philippines, he'll be like my muhfuckin' Malcolm X, my Martin Luther King because (Martin had a dream)\nHe's to\no fire to go unnoticed\nThere's no way I'm just gonna pass him off like he's just some any rapper, like a one-hit wonder (\nYeah\n)\n[Verse 1: Ez Mil]\nI'm on whatever you on, I ain't gon' talk on the phone (Haha)\nKeep that same energy fuckin' with enemies\nIt's gettin' temptin' to run in your home, huh, huh (Run in that!)\nBuddy, I'd do it alone, cuddy said, \"Wait up my homes!\nDon't just go hit 'em 'cause I gotta drive you\nFocus on aimin' that blick at his dome!\" No cap\nYou motherfuckers be lucky as fuck that ain't nobody envious of you enough\nTake it from me like a brother who dug off the mud on his head but done ended up cuffed\nThen he just gets spat back out again into a world where he doubled what he did\n'Cause he learned \"give it up or get fucked in turn, homie\"\n[Chorus: Ez Mil]\nI'm the realest in the business and everybody gon' be envious of my beginnings\nGot a circus full of sinners with bodies, so stop tryna be another addition\n'Cause I'm the realest in the business and everybody gon' be envious of my beginnings\nGot a circus full of sinners with bodies, so stop tryna be another addition\n[Verse 2: Ez Mil]\nI done got hit on the head, barely survived that shit (Okay)\nMinus a nine from ten, Eminem's spot still sits\nBut fuck a position, I'm tunin' him in\nLet all you rock out with it, I ain't ever gonna be an opt-out mission\nGet the Glock out with it, get to poppin', dip out and smoke\nWith the homies we mobbin', while I'm cleanin' the stash of my calibers\nSome of them might got ya' name on 'em\nWhile I brag about shit that could happen\nI am the reason that they got a chain on 'em\nWhen I rap, they consider me a Gatling\nFillin' up mags, I'm finna go clap 'em\nGettin' that bag with the G.O.A.T, B-Rabbit, I know they hate this flow\nI'm in the mode to get to killin' again with the best\nStick in your dome, you're never gettin' a penny or less\nStealin' the flows, then I'ma spit it again as a test\nSick of these hoes, they get to bitchin' the bigger the breast\nNevertheless I'ma get it in a way that you can never better\nInstead of settin' a bet up, I let up with the Beretta\nMake it \"dugu-dugu,\" drillin' you bitches in front of PETA\n'Cause I'm kinda gettin' fed up always leavin' y'all wet up like [Chorus: Ez Mil]\nI'm the realest in the business and everybody gon' be envious of my beginnings\nGot a circus full of sinners with bodies, so stop tryna be another addition\n'Cause I'm the realest in the business and everybody gon' be envious of my beginnings\nGot a circus full of sinners with bodies, so stop tryna be another addition\n[Verse 3: Eminem]\nGuess I've really no right to complain much hip hop has been good to me huh\nBut when they say that I'm only top five 'cause I'm white why would I be stunned\nMy skin color's still working against me (What) 'cause second I should be to none\nBeing white ain't why they put me at five (Nope) it's why they can't put me at one (Whoot)\nThey're comin' with more venom so the haters I'm aimin' it towards them and\nAll the envious rappers I'd torch if I'm on a joint with 'em\nAnd that is the only retort is I'm not played in the clubs motherfucker put a cork in it\nOnly reason they still play your shit in the clubs (Why?) is 'cause you still perform in 'em (Haha)\nI am a guest in this house but I turned this bitch to a mansion\nThat's an expansion made it gargantuan England Germany France and Japan's in this bitch\nEven Dubai because my music they do buy\nYou die tryin' this scientists two psy\n​chiatrists could not un-screw my head up the blue eyed devil I never quit do I\nNaw cause you know you'll get washed like a bar of soap you pussy you wouldn't give a cigar to smoke\nAnd I know it eats at your heart like an artichoke because you know that's how likely you are to choke\nYour heart is broke as I rip you apart I go bananas precede to spit every bar I wrote\nI was spittin' before my mother's water broke it's not even close you bitch I'm by far the goat\nGen Zers actin' like rap experts zip up your gaps and close your mouths\nBitch you ain't been on this planet long enough to tell me how rap's supposed to sound\nYa'll need to stick to what you do best shootin' schools up yeah go load up rounds\nIn your parents' gats and go to class and let off with the strap and go to town\nShout to the Furious Five and Grandmaster Flash but boy (What up doe)\nThere's someone who really is furious stay out his path his wrath avoid\nAnd I'll be the last to toy with a juice head whose brain is like half destroyed\nLike a meteor hit it well there went Melle Mel we lost his ass to roids (Damn)\nGod was like \"I got him\" but I'm gonna start him at the bottom of the barrel brought him in the world\nWith a ma that was on valium and his father was a coward taught him as a child when no fucking body was around\nHow to get himself up and out of poverty and now not even a growl in his stomach gotta be a hound\n'Til they put your body in the ground probably gonna sound like a cliché but when haters try to beat you down\nSay fuck 'em [Chorus: Ez Mil]\n'Cause I'm the realest in the business and everybody gon' be envious of my beginnings\nGot a circus full of sinners with bodies, so stop tryna be another addition\n'Cause I'm the realest in the business and everybody gon' be envious of my beginnings\nGot a circus full of sinners with bodies, so stop tryna be another addition\n[Outro: Eminem]\nI'm just playin', Gen Z, you know I love you" } ]

[ { "from": "human", "value": "Write me a song called Because Of You (Remix) with the following description: A very sweet love song that is often praised as one of Kanye’s best remix verses, you can cop the original right here. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Kanye West]\nYeezy, Ne-Yo, the remix ayo\nI think it's time to hit 'em with the Mase flow\nMy uh, she was gettin the best of me\nBut oooh, child, you my destiny\nAnd I know it's especially\nHard with all these girls just testing me\nUh, and you gon' question me\nIf she even stand next to me\nBut you should laugh, 'cause you my better half\nAnd these girls just fighting over the rest of me (c'mon!)\nRight now it feels so crazy\nI know she just some lady\nAnd my outfit is just so 80's\nNot to mention McLaren Mercedes\nAnd the 26 in-inch rim whee-eels\nLook so good with your 6-inch heels\nFly shit that you be on\nGucci on, Lanvin, Louboutin\nAnd we high as the way we cruising on\nHigh like I, like Mercury\nWhy do I mention the solar system?\nCause, you in my soul and system\nAnd we gon' take her home with this one\nI got something that you gon' like\nYou got something that I can't fight\nWe got something that we both gon' ride [Pre-Chorus: Ne-Yo]\nAnd I know this much is true\nBaby, you have become my addiction\nI’m so strung out on you\nI can barely move but I like it\n[Chorus: Ne-Yo]\nAnd it's all because of you (All because of you)\nAnd it's all because of you (All because of you)\nAnd it's all because of you (All because of you)\nAnd it's all because\nNever get enough\nShe's the sweetest drug\n[Verse 2: Ne-Yo]\nOoh-oh-oh\nThink of it every second, I can't get nothin' done\nOnly concern is the next time I’m gon' get me some\nKnow I should stay away from, 'cause it's no good for me\nI try and try, but my obsession won't let me leave\n[Refrain: Ne-Yo]\nI got a problem and I don’t know what to do about it\nOh, even if I did, I don’t know if I would quit but I doubt it\nI’m taken by the thought of it, hey [Pre-Chorus: Ne-Yo]\nAnd I know this much is true\nBaby, you have become my addiction\nI’m so strung out on you (Strung out on you)\nI can barely move but I like it (I like it)\n[Chorus: Ne-Yo]\nAnd it's all because of you (Oh, all because of you)\nAnd it's all because of you (All because of you)\nAnd it's all because of you (All because of you)\nAnd it’s all because\nNever get enough (Never get enough)\nShe’s the sweetest drug\n[Bridge: Ne-Yo]\nOoh-oh-oh\nAin’t no doubt (No doubt, hey), so strung out (Strung out)\nAin’t no doubt (There's ain't no grain of doubt, oh), so strung out (Hey)\nOver you, over you (You), over you (You)\nOoh-oh-oh\nBecause of you\nAnd it's all because of you\n[Outro: Ne-Yo]\nNever get enough\nShe's the sweetest drug" } ]

[ { "from": "human", "value": "Write me a song called Home (Season Three) with the following description: “Home” is featured in Heart, the thirteenth episode of Season Three. It is sung by Rory (Damian McGinty).\nThe song marks Rory’s last solo in the series.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[RORY]\nAnother summer day\nHas come and gone away\nIn Paris and Rome\nBut I wanna go home\nMmmmmmm\nMay be surrounded by\nA million people I\nStill feel all alone\nI just wanna go home\nOh, I miss you, you know\nAnd I've been keeping all the letters\nThat I wrote to you\nEach one a line or two\n\"I'm fine baby, how are you?\"\nWell I would send them but I know\nThat it's just not enough\nMy words were cold and flat\nAnd you deserve more than that\nAnother aeroplane\nAnother sunny place\nI'm lucky, I know\nBut I wanna go home\nMmmm, I've got to go home\nLet me go home I'm just too far from where you are\nI wanna come home\nAnd I feel just like I'm living someone else's life\nIt's like I just stepped outside\nWhen everything was going right\nAnd I know just why you could not\nCome along with me\n'Cause this was not your dream\nBut you always believed in me\nAnother winter day has come\nAnd gone away\nIn even Paris and Rome\nAnd I wanna go home\nLet me go home\nAnd I'm surrounded by\nA million people I\nStill feel all alone\nOh, let me go home\nOh, I miss you, you know\nLet me go home\nI've had my run\nBaby, I'm done\nI gotta go home\nLet me go home\nIt will all be all right\nI'll be home tonight\nI'm coming back home" } ]

[ { "from": "human", "value": "Write me a song called My Baby (Remix) with the following description: \nhttps://www.youtube.com/watch?v=3WOijRJxn8A Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Bobby Brackins]\nMade another hit for the radio station\n[Hook: Zendaya]\nWe should listen to each other's hearts\nFall in love and never part\nWe can make it happen\nIf you 'bout that action\nNow here we go again, here we go again\nYou know you wanna be my baby\nHere we go again, here we go again\nYou know you wanna be my baby\n[Verse 1: Ty Dolla $ign]\nUh, I listen to your heart like the doctor\nI love it when you call me big poppa\nI'mma pick you up in the Benz\nYour ex used to scoop you in a Honda\nNow here we go, here we go\nTell him don't be mad she chose\nShe like diamonds, not roses\nUh, a lil man can't afford ya\nGirl, you gorgeous, always stay 100\nUh, and you know you got a real one\nYou remind me of Aaliyah\nCause you one in a million [Hook: Zendaya]\nWe should listen to each other's hearts\nFall in love and never part\nWe can make it happen\nIf you 'bout that action\nNow here we go again, here we go again\nYou know you wanna be my baby\nHere we go again, here we go again\nYou know you wanna be my baby\n[Verse 2: Zendaya]\nDarling, we should take a ride\nCruisin', flirting while we drive\nNothing could come kill our vibe\nGot no worries on my mind\nNow we’re livin', livin' good\nYoung and misunderstood\nGot me trippin’, ya drive me crazy\nYou know you wanna be my baby\nLet me tell you lil sum’n, lil sum’n\nThat you might wanna know about me\nI don’t play no game, baby, listen, baby\nIf you love me then come show me\n[Hook: Zendaya]\nWe should listen to each other's hearts\nFall in love and never part\nWe can make it happen\nIf you 'bout that action\nNow here we go again, here we go again\nYou know you wanna be my baby\nHere we go again, here we go again\nYou know you wanna be my baby [Verse 3: Bobby Brackins]\nDo you wanna be my baby? Do you wanna be my girl?\nI'm sayin' to the homie, you would look fly in some pearls\nBeen on it for a minute, since the day I got your name\nWe could do a movie and I could put you on the [?]\nShe said \"Bobby, you so open, boo thang, I am a rider\"\nYou ridin'? I'm a roller, boo thang, no more playin'\nUptown like she [?], gettin' laced by [?]\nIf you see me trippin', bet it's never off a head\nThe first one poppin' off a Nic Nac beat\nBaby, I ball like a wish athlete\nListen to your heart, baby, bless and see\nLive good and die together, we could rest in peace\n[Hook: Zendaya]\nWe should listen to each other's hearts\nFall in love and never part\nWe can make it happen\nIf you 'bout that action\nNow here we go again, here we go again\nYou know you wanna be my baby\nHere we go again, here we go again\nYou know you wanna be my baby\n[Verse 4: IamSu!]\nListen to my heart, it got base for your face\nAnd it's HBK, she said \"Hol' up, we should tape\"\nShe could fix that, fix that\nWhere my independent chicks at that get that?\nShe don't never eat no Whoppers or Big Macs\nShe's a everyday shopper with bag bags\nQuick, fast, in a hurry, I'mma pull up on you\nSaid it's Young Suzy, Young California\nUh, and I'm the governor of this state\nA bad boy, walk a mile for the cheesecake\nI put in work, whether weekend or week day\nGood love got her sprung like T-Pain, ooh [Hook: Zendaya]\nWe should listen to each other's hearts\nFall in love and never part\nWe can make it happen\nIf you 'bout that action\nNow here we go again, here we go again\nYou know you wanna be my baby\nHere we go again, here we go again\nYou know you wanna be my baby\n[Outro: Bobby Brackins]\nYou don't even gotta front\nYou know what time it is" } ]

[ { "from": "human", "value": "Write me a song called That Kind of Woman (Jacques Lu Cont Remix) [Mixed] with the following description: Though scrapped from Future Nostalgia, a remixed version of the song, “That Kind of Woman” is included in remix album, Club Future Nostalgia.\nThe song is about proving to a crush why you’re worth being chosen over others.\nThe original version of the song leaked on August 11th, 2020, alongside an unreleased song, “All to Myself.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Stevie Nicks & \n Dua Lipa\n]\n(\n—algia\n) Stand back, stand back\nStand back, stand back\nStand back, stand back\nStand back, stand back\nStand back, stand back (\nThat kind of woman, woman\n)\nStand back, stand back (\nThat kind of woman\n)\nStand back, stand back (\nThat kind of woman, woman\n)\nStand back, stand back (\nThat kind of woman\n)\n[Verse: Dua Lipa]\nOne look was enough, enough for me\nThe whole room stops\nAnd it's not me to be one, to be one\nI'll pick you from the crowd\nDon't come to me\nI want you to myself\nNo, I won't be, won't be one\nWon't be one\n[Chorus: Dua Lipa]\nI'll be the first to say\n\"Baby, what's your name?\"\n'Cause I want ya\nThat kind of woman\nHard to pretend\nNow I can't sit still\nLet me show ya\nThat kind of woman, woman [Post-Chorus: Dua Lipa]\nThat kind of woman, woman\nThat kind of woman, woman\nThat kind of woman, woman\nThat kind of woman\nThat kind of woman\n[Bridge: Dua Lipa]\n'Cause it's a hundred others speaking\nI've been tryna make a stand\nA hundred others speaking\nI can't make you understand\nThere's only one out hеre for ya\n[Chorus: Dua Lipa]\nThat kind of woman\nHard to pretend\nNow I can't sit still any longеr\nThat kind of woman, woman\nThat kind of woman, woman\nThat kind of woman\nHard to pretend\nNow I can't sit still any longer\nThat kind of woman\n[Post-Chorus: Dua Lipa]\nThat kind of woman" } ]

[ { "from": "human", "value": "Write me a song called Better Now with the following description: This is Troye Sivan’s cover of “Better Now” by Post Malone, recorded at Spotify studios in New York. This is one of two singles Troye has recorded with Spotify, the other being an acoustic version of his song “Bloom.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nYou prolly think that you are better now, better now\nYou only say that 'cause I'm not around, not around\nYou know I never meant to let you down, let you down\nWoulda gave you anything, woulda gave you everything\n[Verse 1]\nI did not believe that it would end, no\nEverything came second to the Benzo\nYou're not even speakin' to my friends, no\nYou knew all my uncles and my aunts though\nTwenty candles, blow 'em out and open your eyes\nWe were lookin' forward to the rest of our lives\nUsed to keep my picture posted by your bedside\nNow it's in your dresser with the socks you don't like\nAnd I'm rollin', rollin', rollin', rollin'\nWith my brothers like it's Jonas, Jonas\nDrinkin' Henny and I'm tryna forget\nBut I can't get this shit outta my head\n[Chorus]\nYou prolly think that you are better now, better now\nYou only say that 'cause I'm not around, not around\nYou know I never meant to let you down, let you down\nWoulda gave you anything, woulda gave you everything [Verse 2]\nI seen you with your other dude\nHe seemed like he was pretty cool\nI was so broken over you\nLife it goes on, what can you do?\nI just wonder what it’s gonna take\nAnother foreign or a bigger chain\nBecause no matter how my life has changed\nI just keep on looking back on better days\n[Chorus]\nYou prolly think that you are better now, better now\nYou only say that 'cause I'm not around, not around\nYou know I never meant to let you down, let you down\nWoulda gave you anything, woulda gave you everything\nYou know I say that I am better now, better now\nI only say that 'cause you're not around, not around\nYou know I never meant to let you down, let you down\nWoulda gave you anything, woulda gave you everything\n[Bridge]\nI promise\nI swear to you, I'll be okay\nYou're only the love of my life (love of my life, love of my life)\n[Chorus]\nYou prolly think that you are better now, better now\nYou only say that 'cause I'm not around, not around\nYou know I never meant to let you down, let you down\nWoulda gave you anything, woulda gave you everything\nYou know I say that I am better now, better now\nI only say that 'cause you're not around, not around\nYou know I never meant to let you down, let you down\nWoulda gave you anything, woulda gave you everything" } ]

[ { "from": "human", "value": "Write me a song called I’ll Die for You with the following description: One of two bonus tracks on the Deluxe Version of Rebirth, Wayne’s seventh studo album.\nThe subject matter is similar to a few of the other songs on Rebirth, Wayne raps about his love for a woman. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nHey, I tried to treat you like no other\nTo be like no other in your life\nHey, and I cried to see you with another\nTo see you with another, to win your life\n[Pre-Chorus]\nHear me out, please hear me out\nHear me out before you walk up out the door\nHear me out please, hear me out\nBefore you walk up out that fuckin' door!\n[Chorus]\nI love you like no other\nI do you like no other\nI swear to God I motherfuckin' tried\nI do you like no other\nI treat you like no other\nWithout you in my life, I'd fuckin' die\nI'd die without you, I'd die\nI'll die without you, I'll die\nI'll die without you\n[Verse 2]\nI'll cry, until you see an ocean\nI'm sinkin' to the ocean's floor, to my demise\nOh, I'd die here to see you with another\nTo see you with another, to be in your life\nOh, no-oh [Pre-Chorus]\nHear me out, please hear me out\nHear me out before you walk up out the door\nHear me out please, hear me out\nBefore you walk up out that fuckin' door!\n[Chorus]\nI love you like no other\nI treat you like no other\nI need you in my motherfuckin' life\nI'll treat you like no other\nAnd there won't be another\nThere won't be another Mr. Right\nI'd die without you, I'd die\nI'll die without you, I'll die\nI'll die without you, I'll die\nI'll die, oh\n[Bridge]\nBury me a G, yeah, bury me a G when I die\nBury me a G when she cry\nAnd I'll be lookin' down from the sky\nBury me a G, yeah, bury me a G when I die\nBury me a G, and I I swear\nYou gon' hear me out, yeah, hear me out\nHear me out before you walk up out my door\nYeah, you gon' hear me out\nDon't you walk up out my fuckin' door! [Chorus]\nI love you like no other\nI treat you like no other\nI need you in my motherfuckin' life\nI'll do you like no other\nI'll treat you like no other\nI promise, I swear\nI'll die without you, die without you\nDie without you, die without you\nI'll die without you, die without you\nDie without you, die without, you" } ]

[ { "from": "human", "value": "Write me a song called Mr. Incredible with the following description: “Mr. Incredible” is a collaboration between Big Sean and Earlly Mac that appears on Sean’s second official project Finally Famous Vol. 2: UKNOWBIGSEAN. On the track, the artists boast about their excellence and flex the blessings they’ve earned throughout their respective rap careers. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Earlly MacMillion]\nIncredible, incredible\nIncredible, incredible\nThe story of my life be the makings of a real boy\nIf you live my life you will recognize a real boy\nIf you didn't know I'mma have to let you know\nAnd I just wanna be incredible\nIncredbile, incredible, Mr. Incredible\n[Verse 1: Big Sean]\nI hear the people yellin, so it's time to get my save on\nBet that I could do in one day without a cape on\nAll I needs my Nikes, chain and my Bathing Ape on\nAnd bet that I could clean this mess up without an apron\nWith no hesitation, got so much drive\nAll I need is four wheels and I'mma reach my destination\nFrom where they on that cane like they need a hip replacement\nGot on and got out, I even made a bitch replacement\nNow she gon ride my dick til I need a dick replacement\nMr. Incredible, she still in amazement\nUnderground money safe in a dark basement\nAnd I flash more than Powerpoint presentations\nBut with great power comes great responsiblity\nThe ones who don't cheer for me is trying to get rid of me\nIm trying to make history, they trying to make me history\nSo I'mma see which one is really meant for me\nThe story of my life [Hook: Earlly MacMillion]\nThe story of my life be the makings of a real boy\nIf you live my life you will recognize a real boy\nIf you didn't know I'mma have to let you know\nAnd I just wanna be incredible\nIncredbile, incredible, Mr. Incredible\n[Verse 2: Big Sean]\nAnd I check my highlights every time the news is on\nStill stand out if we wore the same uniform\nAnd my chick is finer than them models, but only five four-a\nIdolize Kimora and in love with my aura\nBut love seems to be every hero's downfall\nSo even if she treats like me a king, there's no crown for her\nBitch recognize this power in my punchlines\nSee me as a meal ticket, but I'm not a lunch line\nCrying for my help, but I can't fit them in my schedule\nPut me on a pedastal, but if I lost it all\nSome would flip like they was flexible, fake ass niggas man\nSwear to God, eat a dick and everything that's edible\nAnd I can't save everything and all\nI would need the world's biggest memory card\nWhen I die and my grave says in memory of\nI hope somebody else will rise above and become incredible\n[Hook: Earlly MacMillion]\nThe story of my life be the makings of a real boy\nIf you live my life you will recognize a real boy\nIf you didn't know I'mma have to let you know\nAnd I just wanna be incredible\nIncredbile, incredible, Mr. Incredible" } ]

[ { "from": "human", "value": "Write me a song called Malfunction with the following description: On “Malfunction,” Philadelphia rapper Lil Uzi Vert expresses his feelings after ending his relationship with Brittany Byrd, who has moved on. Uzi doubts the finality of the relationship and juxtaposes her current significant other, with himself, as Uzi is the superior option. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nNo one wants to die alone (No)\nThey don't wanna miss the show (No, no)\nIt’s funny time missed us both\nWe all got time when we will go (Go)\nSeems to be over\nNow it seems to be over (Damn)\nYeah, it seems to be over (Out of time)\nNow it seems to be over\n[Verse 1]\nThey know she's mine 'cause I rule her (Yeah)\nShe says he does fine but I’m cooler (I'm so cool)\nI got way more diamonds than your jeweler (Bling blaow)\nAll my girls dress like they work at Hooters (Yeah)\nFirst I get my racks and then I backpack (Lil Uzi)\nNo, I don't subtract, I might just add that (Sheesh)\nDid it on my own, no, you can't tax that (Slime)\nThis that under the table, you can't track that (Pay no mind)\n[Refrain]\nPut money your head and I move with the bread\nBut I do not need a toaster\nDiamond, water, I'm the boatster (Yeah)\nPull up right there in the roadster\nShe ain't want me, I was so hurt (What?)\nI was broke just like Joe Dirt (Huh?)\nWhere you from, throw it up, nigga\nI'm from the lowest part of Earth (Yeah) [Chorus]\nNo one wants to die alone (No)\nThey don’t wanna miss the show (No, no)\nIt’s funny time missed us both\nWe all got time when we will go (Go)\nSeems to be over\nNow it seems to be over (Damn)\nYeah, it seems to be over (Out of time)\nNow it seems to be over\n[Verse 2]\nOver you, yeah (Yeah)\nI got two so you know that I can't lose, yeah (I can’t lose)\nMove with my savages, you know my boys gon' shoot, yeah (They gon' shoot)\nCame to the club on my solo tryna groove, yeah (Yeah)\nJust keep on walking, it is nothing just to prove, yeah (Prove)\nWho, him? His diamonds fake, and he can't fool us (I see it)\nYou know it’s Christian Dior all up on my shoes, yeah (Yeah)\nWhite stripes on the arm of my Thom Browne suit (Woah)\nYou know I pull up and I got my tool tucked (Bah)\nYou know that I don't go nowhere without my ruler (.30)\nYou know everything that I said was for the mula (Yeah)\nI swear that me and your love's dead, called the movers (Bye-bye)\n[Chorus]\nNo one wants to die alone (No)\nThey don't wanna miss the show (No, no)\nIt's funny time missed us both\nWe all got time when we will go (Go)\nSeems to be over\nNow it seems to be over (Damn)\nYeah, it seems to be over (Out of time)\nNow it seems to be over [Refrain]\nPut money your head and I move with the bread\nBut I do not need a toaster\nDiamond, water, I'm the boatster\nPull up right there in the roadster\nShe ain't want me, I was so hurt\nI was broke just like Joe Dirt\nWhere you from, throw it up, nigga\nI'm from the lowest part of Earth\n[Outro]\nI told that girl I pull up her skirt\nI am so hot that I don't wear no shirt\nTalk about me, you fuck around, get murked\nReject your bitch with my dick when she jerk\nI hit it first, Lil Uzi Vert\nKnow I stay on alert\nKnow I stay on alert\nKnow I stay on alert" } ]

[ { "from": "human", "value": "Write me a song called You Song with the following description: When asked if it was about a specific girl:\nI was thinking about a specific girl, but I wanted it to be universal at the same time. That’s the big thing with making music, you want something that everyone can apply to their own lives, but there’s still a certain specificity. I wanted to be speaking about a black woman.\nIn this interview with Sway, Chance speaks about how Wayne actually delayed the release of D5 specifically to get Chance on this song. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Cam, Nate Fox, and Peter Cottontale]\n[Intro: DJ Drama]\nShout to Chi-Town!\nDedication 5!\nSince '05!\nKnow that!\n[Verse 1: Chance The Rapper]\nYou feel like Kool-Aid in a wine glass with your fine ass\nYou fine as two grapes gettin' stomped out by a giant cask\nYou the best dressed with your breasts showing\nLike a salad, no dressing\n, \ntake you to your favorite restaurant\nAsk for the bread, then fuck in the restroom\nThey don't ask for a pass when your ass waltz in my dress room\nYou the best bride and I'm the best groom\nWedding presents got my best man at the Best Buy\nBuyin' the Best of \nFresh Prince\n for the bedroom\nAnd I'ma buy a summer house, with a rec room\nAnd a car with no backseat and some leg room\nAnd some strawberries and some chocolate\nAnd a fridge and some broccoli\n'Cause I know you like vegetables even though I don't\nI won't say I won't eat it if you chef it\nFuck it, I'll hire Geoffrey to get a beverage if you should ever get parched\nYou feel like Ruby Dee to me, great and powerful Ossie\nWho's behind the man behind the curtain?\n \nFoxy, coffee\nBrown as the bosom I flew in on\nNose round like the wheels that my rims spin on\nLips full like the light on the dash was flickin', oh wait, it wasn't\nOh, and I forgot, I'll take a microwave or oven\nSo we could kick the butler out and we can make a muffin\nMaybe bake a dozen\nMy homeboy like your sister, maybe they can bake some cousins\nOoh, isn't that sweet?\nYou feel like Kool-Aid in a wine glass [Chorus: Chance the Rapper]\nThis is not a love song, this is a you song\nI just happen to love you\nThis is not a love song, this is a you song\nI just happen to love you\nThis is not a love song, this is a you song\nI just happen to love you\nThis is not a love song, this is a you song\nI just happen to love you\n[Verse 2: Lil Wayne]\nGive you the world if it was for me\nMy diamond grill make it hard to see, I'm lying through my teeth\nAnd now I'm flying on my PJ, looking at the clouds\nThinking about yo ass and how it look like a big smile\nI get mental flashbacks of your ass crack, lemme get back on track\nYou say I act like I don't miss you, that's because I don't act\nBut anyway, we can role-play or get straight to it\nSorry, my mind in the gutter—better yet, sewer\nAnd when you say I love you, I stutter, \"I-I love you too\"\nIt's Wayne's world, she say, \"What is this world coming to?\"\nAnd she know me and whoever together, she hope we comin' loose\nShe told me that if she ain't the one, she gon' throw up the deuce\nI laughed at her, we took a bath together and splashed each other\nThen she got serious and said, \"Tune I gotta ask you something\nDo you really love me?\" \nI tried to change the subject\nSo I said some crazy shit to her like\n\"What if you and I were just letters?\nThat'd be unfortunate, we'd have to rob a fortune teller\nBut I swear, I think I love you, fingers crossed in my pocket\nOkay, that's a dead subject, you bring it up, that's a zombie\nYou remind me of... my memory ain't what it used to be\"\nShe said she ain't trippin', I know, because I move my feet\nAnd when she figure out that she been swindled\nI'll be cleaning that love bird shit off of my window\nI-I love you too... [Chorus: Chance the Rapper]\nThis is not a love song, this is a you song\nI just happen to love you\nThis is not a love song, this is a you song\nI just happen to love you\nThis is not a love song, this is a you song\nI just happen to love you\nThis is not a love song, this is a you song\nI just happen to love you\n[Outro: Lil Wayne]\nI mean how many times\nHow many times I gotta\nHow many times I gotta say it for it to count?\nAre you counting?\nI loved the pictures\nI needed that, I swear I did\nI was just thinking about you when you sent them too\nYou don't believe me? I know\nD5, what up 5?\nI-I love you too...I do" } ]

[ { "from": "human", "value": "Write me a song called Cover Up with the following description: Released as part of the Imagine Dragons EP in 2009, this song explores the fight to be heard and the fight to be known during the band’s early struggle to fame.\nThe lyrics of the song touches upon the feeling of becoming more and more well known and what it takes to maintain that fame, while the heated musical style conveys a sense of chaos and adrenaline that surrounds the singer. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nThere's lights that line these halls\nThat beckon us to stay\nA glimmer in the distance\nThat gathers all the stray\nAnd when I need it most\nIt breaks into a song\nThat runs through all my veins\nAnd helps me to hold on\n[Verse 1]\nIt was a long night\nWe ran along into the spotlight\nYou sang a song that made the children cry\nAnd all the people knew my name\nIt was a bright light\nThese lands combine into a great big mass\nWe sang along to the very last\nOh, the jury stole my fame\n[Pre-Chorus]\nAnd then we grabbed the sun\nAnd it shined into these eyes\nBelieve me\n[Chorus]\nCover up, rain down\nWe wept on the edge of this town\nIt's all I want, it's all we want tonight\nI feel it\nCover up, rain down\nWe wept on the edge of this town\nIt's all I want, it's all we want tonight [Verse 2]\nOh, you look so alive\nD-d-d-did you think that we'd cry tonight?\nOh, did you think we'd cry?\nOh, can you feel my heart?\nI think I feel it, too\nD-d-d-did you think that we'd die tonight?\nOh, did you think we'd die?\n[Pre-Chorus]\nAnd then we grabbed the sun\nAnd it shined into these eyes\nBelieve me\n[Chorus]\nCover up, rain down\nWe wept on the edge of this town\nIt's all I want, it's all we want tonight\nI feel it\nCover up, rain down\nWe wept on the edge of this town\nIt's all I want, it's all we want tonight\n[Bridge]\nTake my love, take it to the valley where the golden dove\nFlies into the places where the silence screams\nFills it with the noises of our cluttered dreams, oh [Chorus]\nCover up, rain down\nWe wept on the edge of this town\nIt's all I want, it's all we want tonight\nI feel it\nCover up, rain down\nWe wept on the edge of this town\nIt's all I want, it's all we want tonight" } ]

[ { "from": "human", "value": "Write me a song called Blue C-Note with the following description: Blue C-Notes are new $100 bills; “C” is 100 in Roman numerals, and the blue security strip on the side combine to make “Blue C-Notes.”\n\nChainz’s verse is venomous, aimed at anyone who opposes him or doesn’t share his value system, with Wayne acting as an energetic hype man. Wayne’s verse is more dexterous, referencing Uncle Phil and his expensive dental work.\nWayne told Genius he “got in trouble” for shouting out blue C-notes, on account of his connection to the Blood gang, who are opposed to the colour blue and the letter C. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah\n2-17 on the track, man\n[Verse 1: 2 Chainz & \nLil Wayne\n]\nYou did it for the broads (\nBroads\n)\nI did it for the paper (\nThe paper\n)\nGot a hundred styles (\nYeah\n)\nGot a hundred acres (\nOkay\n)\nFuck the police (\nFuck 'em\n)\nHundred middle fingers (\nFuck 'em\n)\nAnd you a square nigga (\nFuck 'em\n)\nYou a chess table (\nFuck 'em\n)\nYou be savin' hoes (\nFuck 'em\n)\nYou be rest hatin' (\nFuck 'em\n)\nGot a lot of rides (\nCount 'em\n)\nLike a bus station (\nPull up\n)\nSee my phone ringin' (\nHello\n)\nSee my diamonds danglin' (\nBling\n)\nSee the bitches blinkin' (\nOoh\n)\nBlue C-notes (\nYeah\n)\nAll of 'em singing, blue C-notes (\nYeah\n)\nAll of 'em Franklins, blue C-notes (\nYeah\n)\nSpend without thinkin' (\nYeah\n)\nA tool without safety (\nYeah\n)\nI have your broads taken (\nYeah\n)\nI have they heart achin' (\nOh\n)\nPush start crankin' (\nRrt\n)\nNew grill, face it (\nget 'em\n)\nNew mil, taste it (\nMmm\n)\nStraight without a chaser (\nWasted\n)\nDrawers come from Macy's (\nUh-huh\n)\nBroads is confirmation (\nYeah\n)\nSame in different places (\nYeah\n)\nI run all the bases (\nKill 'em\n) [Chorus: 2 Chainz & \nLil Wayne\n]\nYou did it for the broads (\nBroads\n)\nI did it for the paper (\nPaper\n)\nI got a hundred styles (\nYeah\n)\nGot a hundred flavors (\nOkay then\n)\nFuck the police (\nFuck 'em\n)\nHundred middle fingers (\nfuck 'em\n)\nAnd you a square, nigga (\nFuck 'em\n)\nBlue C-notes (\nyeah\n)\nAll of 'em singin', blue C-notes (\nyeah\n)\nAll of 'em Franklins, blue C-notes (\nyeah\n)\nSpend without thinkin' (\nYeah\n)\nIce on both pinkies (\nYeah\n)\nMobile phone ringin' (\nYeah\n), \nBlue C-notes\n[Verse 2: Lil Wayne]\nI did it for my dogs, I did it for the skaters\nI did it for the paper, my niggas still on papers\nI got a hundred tats, I got a hundred million\nI keep on switchin' wifeys, you gotta Uncle Phil me\nDreadlock Rasta, hair like pasta\nI don't see what's your problem, I need an eye doctor\nFlying to them dollars, ducking fly swatters\nShoot 'em in the head, leave his mind boggled\nComin' down the boulevard, I'm on your avenue\nA half a mil' on my grill, you niggas snaggle tooth, yeah\nTold some dead presidents, \"I'm finna bury you\"\nWhen it come to presidents, I like 'em black and blue, yeah [Chorus: 2 Chainz & \nLil Wayne\n]\nYou did it for the broads (\nyeah\n)\nI did it for the paper\nI got a hundred styles (\nA hundred\n)\nGot a hundred flavors (\nCount 'em\n)\nFuck the police (\nFuck 'em\n)\nHundred middle fingers (\nFuck 'em\n)\nAnd you a square nigga (\nFuck 'em\n)\nBlue C-notes (\nyeah\n)\nAll of 'em singin', blue C-notes (\nYeah\n)\nAll of 'em Franklins, blue C-notes (\nYeah\n)\nSpend without thinkin' (\nYeah\n)\nIce on both pinkies (\nYeah\n)\nMobile phone ringin', \nblue C-notes\n[Outro: Lil Wayne]\nGot a hundred styles, got a hundred acres\nGot a hundred tats, got a hundred skaters\nYou did it for the broads, I did it for the paper\nI'm 'bout to buy a hog, I'm bringin' home the bacon" } ]

[ { "from": "human", "value": "Write me a song called OTW with the following description: “OTW,” an acronym for “On The Way,” is a track all about being there for a significant other. Khalid, Ty Dolla $ign and 6lack all express their ability to be on call for that special someone.\nThe song was first teased by Khalid on March 30, 2018 in a tweet with the caption “on the way”, then announced by all three artists on the 16th of April that the song would be released on 4/20. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Khalid]\nNa, na, na, na, ooh\nOh, no, oh, ayy\n[Chorus: Khalid]\nPut it in drive, I'll be outside, I'll be on the way\nI'll be on the way\nYou can meet me in five, I'll be all night, I'll be a-all day\nI'll be a-all day\nPut it in drive, I'll be outside, I'll be on the way\nI'll be on the way\nYou can meet me in five, I'll be all night, I'll be all day\nI'll be all day\n[Verse 1: Khalid]\nYeah, yeah, yeah\nThis the type of shit that you been waiting all year for\nBack in town for a minute if you with it (Yeah-yeah)\nGot a lot of time, I just need somewhere to spend it\nI just press a button and the top go missing\nI kept the slip so you know it's not rented\n, yeah, oh, oh\nWhat you wanna do?\nWorried 'bout your friends, they saw you this afternoon\nI been reading your mind\nNo fair, but you gotta let me know\nI'm all ears and I got a lot of room in my whip\nIf you wanna take it there, I'm on my way [Chorus: Khalid]\nPut it in drive, I'll be outside, I'll be on the way\nI'll be on the way\nYou can meet me in five, I'll be all night, I'll be all day\nI'll be all day\nPut it in drive, I'll be outside, I'll be on the way\nI'll be on the way\nYou can meet me in five, I'll be all night, I'll be all day\nI'll be all day\n[Verse 2: Ty Dolla $ign]\n(Dolla $ign, Dolla $ign)\nDrop top the Porsche, put that bitch in sport\nOut here in the field, oh yeah (Yeah), I'm already here, yeah\nCome outside, looking like a snack, hurry up, get in, hell yeah (Yeah)\nCome with me on this mission (Ooh, yeah, ooh, yeah)\nRiding down the coast (ooh yeah), I want that for sure (Ooh, yeah)\nYou say, \"Play Khalid\" (Ooh, yeah)\nI say, \"Pass the weed\" (Ooh, yeah)\nPull up to the crib, oh, said you've never been before\nPut you in Provocateur, girl, I made you mi amor\nYou said you left your ex, that dude was always gassin'\nYou said before me, you ain't never been this happy\nYou took an L with him and winning ever since (Ever since)\nYou hit my phone, I'm on my way, I cancel plans, yeah, yeah [Chorus: Khalid]\nPut it in drive, I'll be outside, I'll be on the way\nI'll be on the way\nYou can meet me in five, I'll be all night, I'll be all day\nI'll be all day\nPut it in drive, I'll be outside, I'll be on the way\nI'll be on the way\nYou can meet me in five, I'll be all night, I'll be all day\nI'll be all day\n[Verse 3: 6LACK]\nYou tryna make a move\nTonight I got the time, tell me what you wanna do\nCall the squad if you wanna rendezvous\nThey gon' push up on they own, I only got room for two\nFrom the 'jects on the set, \nit's a Porsche, not a 'Vette\nI confess, I'ma flex till they show some respect\nGet away so we can make sense of your life\nYou was in park but I just put your shit in drive\nNow coast like there's no tomorrow\nMoving too fast, I'm open to drive slow (Yeah)\nI don't want you to wonder where I go\nCan learn a lot from this and that's something that I know\n[Chorus: Khalid]\nPut it in drive, I'll be outside, I'll be on the way\nI'll be on the way\nYou can meet me in five, I'll be all night, I'll be all day\nI'll be all day\nPut it in drive, I'll be outside, I'll be on the way\nI'll be on the way\nYou can meet me in five, I'll be all night, I'll be all day\nI'll be all day" } ]

[ { "from": "human", "value": "Write me a song called Alfred (Interlude) with the following description: The “Alfred” interlude is sampled from the opening title track of Alfred Hitchcock’s compilation album Music to be Murdered By.\nAlfred Hitchcock is an English film director and generally considered one of the masters of film. He has directed over 50 films, including timeless masterpieces like Psycho, Vertigo, and The Birds.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Spoken]\nHow do you do? Ladies and gentlemen\nMy name is Alfred Hitchcock and this is \nMusic To Be Murdered By\nIt is mood music in a jugular vein\nSo why don't you relax? Lean back and enjoy yourself\nUntil the coroner comes" } ]

[ { "from": "human", "value": "Write me a song called BOSS with the following description: “BOSS” is the third track off of Beyoncé and JAY-Z’s collaborative album, EVERYTHING IS LOVE.\nIn the song, the power couple proves that they are making an extreme amount of money whilst at the top of music. This is much like how this album needed no advertisements or promotions to sell over 123,000 copies only during the first week. This isn’t the first time Bey has done this as her RIAA certified platinum project, Lemonade was one of the two albums in 2016 to sell over 1 million copies, with the other being Drake’s Views.\nTy Dolla $ign is credited as a writer on the song; his reference track for Beyoncé leaked on June 20, 2018. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Beyoncé]\nMm, mm\n[Chorus: Beyoncé]\nAin't nothing to it, real one\nAin't nothing to it, boss\nAin't nothing to it (nothin' to it) real one\nAin't nothing to it (there's nothing!) boss\n[Verse 1: Beyoncé]\nHeh, I paid the cost\nWho gon' take it all? (take it all)\nI record then I ball (then I ball!)\nI ignored a lot of calls (click, click)\nYou ain't talkin' 'bout nothin', I ain't got no time\nGot that dinero on my mind\nOhh, I got real problems just like you (bitch!)\nTell that bitch, \"I don't like you\" \n(I don't fuck with you!)\n[Chorus: Beyoncé]\nAin't nothing to it, real one\nAin't nothing to it (nothin' to it) boss\nAin't nothing to it (nothin' to it) real one\nAin't nothing to it (nothin' to it) I boss\nOhhh, real one\nUh, I'm a boss\nOh oh oh oh ohhh, oh yeah [Verse 2: JAY-Z & \nBeyoncé\n]\nLet me get 'em, B, yeah\nHundred million crib, three million watch, all facts\nNo cap; false nigga, you not a boss, you got a boss\nNiggas getting jerked, that shit hurts, I take it personally\nNiggas rather work for the man than to work with me\nJust so they can pretend they on my level, that shit is irkin' to me\nPride always goeth before the fall, almost certainly\nIt's disturbing what I gross (\nwhat I gross!\n)\nSurvey says you not even close (\nnot even close\n)\nEverybody's bosses 'til it's time to pay for the office\n'Til them invoices separate the men, from the boys\nOver here we measure success by how many people successful next to you\nHere we say you broke if everybody is broke except for you\nBoss!\n[Chorus: Beyoncé]\nAin't nothing to it, real one (real one)\nAin't nothing to it (nothin' to it) boss (boss, boss, boss)\nAin't nothing to it (nothin' to it) real one (real one)\nAin't nothing to it (nothin' to it) I boss\nOhhh, real one\nUh, I'm a boss\nOh oh oh oh ohhh, oh yeah\n[Verse 3: Beyoncé]\nAin't nothing to it, I bossed up out my momma whip\nMy great-great-grandchildren already rich\nThat's a lot of brown chil'ren on your Forbes list\nFrolickin' around my compound on my fortress, boss (boss, boss, boss)\nOhh, I be ridin' 'round with my seat reclinin'\nDroppin' my daughter off at school every morning\nWe slammin' car doors\nI be true ballin' on these bum whores\nYou ain't talkin' 'bout nothing, I ain't got no time, boss\nChill, tell them paps they gotta relax (you tried it!)\nToes in the sand, momma gettin' fat (snack) [Chorus: Beyoncé]\nAin't nothing to it (nothin' to it) real one (real one)\nAin't nothing to it (nothin' to it) boss (boss)\nAin't nothing to it (nothin' to it) real one (real one)\nAin't nothing to it (nothin' to it) I boss\nOoh, real one\nUh, I'm a boss\nOh oh oh oh ohhh, oh yeah\n[Outro: Beyoncé & \nBlue Ivy\n]\nOhhh, ohh, I'm a boss\nShout out to Rumi and Sir, love, Blue" } ]

[ { "from": "human", "value": "Write me a song called Way Too Gone with the following description: One of the many songs off of Young Jeezy’s TM103. Young Jeezy is urging all the thug’s to keep doing what you are doing while enjoying himself. This song is ideal of what the album represents. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Jeezy]\nThe fuck am I doing?\nWake up in the morning like who the fuck am I screwing?\nMy partner on brown and you know I'm on white\nI know it's going down, I can do this all night\nGotta get to the paper, one time for the haters (Mike WiLL Made-It)\nMoney over bitches, two times for the fakers\nCause even in the dark, baby I'mma shine bright\nI'm way too gone, the best night of my life (EarDrummers)\n[Verse 1: Jeezy]\nLook, yeah, I said, \"G-g-g-go DJ\"\nSee you got the Jizzle on replay\nJust keep that Jizzle on repeat\nIt's about the time everybody screams \"free Meech!\"\nLet's take your bitch ass back to '05\nClose your eyes, take a breath, nigga look, Atlanta lights\nClub vision, PJ in my hand, I’m on the couch\nMan this nigga Meech just blew a quarter mil, he bought a house\nMan you niggas gonna lace up your sneaks, it's time to ball\nPresidential at the Swiss Hotel makin' Kamals\nPosted up, all black in the back, 100 deep\nA hundred coupes posted up in the front, 200 seats\nMan somebody call the IRS, too many Lambos\nYeah I'm talking bottles and blunts, all you can handle\nThem other niggas fake and flaunting, that's where it's at\nReal niggas do real things, let's drink to that [Chorus: Jeezy]\nWay too gone, what the fuck am I doing?\nWake up in the morning like who the fuck am I screwing?\nMy partner on brown and you know I'm on white\nI know it's going down, I can do this all night\nGotta get to the paper, one time for the haters\nMoney over bitches, two times for the fakers\nCause even in the dark, baby I'mma shine bright\nI'm way too gone, the best night of my life\n[Verse 2: Jeezy]\nYeah, I said I'm gone, I'm going going gone\nWay this night is going, I won't make it home\nI'mma wake up in the room, wake up with a hangover\nWhat I spent last night, I could bought a Range Rover\nGot my Ray Bans on, yeah I see you haters\nKeep doing what you doing cause I need you haters\nShe said, \"What's your cologne?\" Said, \"You can call it strong\"\nIf I had to name my money baby, I would call it long\nI said I'm way too gone, I don't see nobody\nI ain't even on the bill, I'm acting like it's my party\nIt feel like I'm on fire, oh I'm just that high\nIf I smoke another blunt, yeah I swear I'm gon' die\nYou can call the weed man, tell him bring another zip\nYeah I know he just left, he gotta make another trip\nIt's so hot in here, I feel like I'm gon' faint\nEven though I'm past my limit, still think I'm gon' drink [Chorus: Jeezy]\nWay too gone, what the fuck am I doing?\nWake up in the morning like who the fuck am I screwing\nMy partner on brown and you know I'm on white\nI know it's going down, I can do this all night\nGotta get to the paper, one time for the haters\nMoney over bitches, two times for the fakers\nCause even in the dark, baby I'mma shine bright\nI'm way too gone, the best night of my life\n[Verse 3: Future]\nAstronaut nigga!\nI woke up early this morning, three white girls from the Pink Pony\nI'm blowing money fast, so caught up in the moment\nOne time for the bar, two times for my homies\nI'm a rockstar in real life, I'm an astronaut outta sight\nPut codeine in my Sprite, my wrist is full of ice\nI don’t even know her name, she so caught in the hype\nIt's okay baby, cause I'm a millionaire for life\nI got bitches on my payroll, they coming back like white\nI'm with Ethiopian, we in Vegas shootin' dice\nGot a girl at home, I know I'm wrong, it feels so right\nOn the first roll, Young, I hope I roll a seven\nWe in the club, for thugs, this must be heaven\n[Chorus: Jeezy]\nWay too gone, what the fuck am I doing?\nWake up in the morning like who the fuck am I screwing\nMy partner on brown and you know I'm on white\nI know it's going down, I can do this all night\nGotta get to the paper, one time for the haters\nMoney over bitches, two times for the fakers\nCause even in the dark, baby I'mma shine bright\nI'm way too gone, the best night of my life" } ]

[ { "from": "human", "value": "Write me a song called U Got Nothin’ On Me with the following description: “U Got Nothin' On Me” serves as the third track from Demi Lovato’s sophomore studio album, Here We Go Again. The song revolves around a summer relationship that ultimately ended and Demi realizing to herself that she deserves better. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYou got nothin' on me\nYou got nothin' on me\nYou got nothin' on me\nYou got nothin' on me\n[Verse 1]\nSummer came, you took me by surprise\nThe California sunshine in my eyes\nDriving with the top down\nWe sang along to our favorite songs\nNothing could go wrong\nLaughing as we gazed under the moon\nYou kissed me and it never felt too soon\nHard to believe that anything could tear us apart\nThat you'd break my heart\n[Chorus]\nNow I know who you are, you got nothin' on me\nI see, I should've known it from the start\n(\nYou got nothin' on me\n)\nYou can't tell me lies\nDon't even try 'cause this is goodbye\nGoodbye\n[Verse 2]\nCaught you from the corner of my eye\nYou smiled at a girl while passing by\nThought you had me fooled, but you were wrong\nI know what's going on, it didn't take me long\nIt wasn't hard to read between the lines\nThe necklace in your car that wasn't mine\nNothing left for you to do or say, so I'm on my way\nNow it's too late [Chorus]\nNow I know who you are (\nYou got nothin' on me\n)\nI see, I should've known it from the start (\nYou got nothin' on me\n)\nYou can't tell me lies\nDon't even try 'cause this is\n[Bridge]\nGoodbye to broken promises\nTime to face your carelessness\nDon't bore me with apologies\nOr come back crawling on your knees\nYou got nothin' on me (You got nothin' on me)\nYou got nothin' on me\n[Breakdown]\nI know who you are\nYeah, I see\nI should've known it from the start\n[Outro]\nYou can't tell me lies\nDon't even try, 'cause this is goodbye\nNow I know who you are, you got nothin' on me\nI see, I should've known it from the start (\nYou got nothin' on me\n)\nYou can't tell me lies\nDon't even try, 'cause this is goodbye\nGoodbye" } ]

[ { "from": "human", "value": "Write me a song called Champion (Remix) with the following description: This song appears on Champion – Remixes.\nChris Brown’s parts are the same as on the original version, but this one features new raps from Chipmunk and an original verse from J. Cole. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Chris Brown, \nChipmunk\n]\nSome people have to learn\nSome people wait their turn\nSome people have to fight, yeah (\nRemix\n)\nSome people give their lives, oh (\nJ. Cole, Breezy, yeah\n)\n[Verse 1: Chipmunk]\nTeam UK, we on a mad ting (Ah!)\nAmerican girls, they love my accent (Represent)\nRoadman, rate me, affiliated with money\nYardie girls love me,\n \naffiliated with Gully (Vado)\nHot topic, I'm the one they wanna talk on\nThe thin line between love and hate is what I walk on (Uh)\nAnd any song I ever dropped was a right move (Yeah)\nFrom the underground, but came from the right too (Ah!)\nYou tryna blow your way over air (Over air)\nI'm puttin' power moves for the year (Haha)\nType of idiot to hate before you hear\nBut even if you hatin', it's nothin', I got your ears\n[Pre-Chorus: Chris Brown, \nChipmunk\n, \nChris Brown & Chipmunk\n]\nI'm always pushin' myself to the limit, makin' sure I stay ahead (\nThat's right\n)\nYou made me who I am, \nfrom the words you said\n (\nYeah\n)\n[Chorus: Chris Brown, \nChipmunk\n]\nSome people have to learn (Aha, \nyeah\n)\nSome people wait their turn (Aha, \nuh\n)\nSome people but not me, yeah, oh\nI was born a champion (\nThat's right\n)\nSome people have to fight (Aha)\nSome people give their life (Aha)\nSome people don't believe, woah-oh\nBut I was born a champion (\nYeah\n)\nBut I was born a champion (\nYeah, yeah\n)\nBut I was born a champion [Verse 2: Chris Brown]\nUh, this gon' be the realest shit I ever wrote\nOff the records, no cameras, forget a quote\nSome of my family doin' good, most doin' dope\nI'm from Virginia where they hang them niggas by a rope\nI used to see my momma gettin' beat down\nIs that the real definition of me now?\nI fell off, back on my feet now\nHeaded to the sky, can't even see down\nAward shows, I pour my heart out\nAnd people still steady tryna point my flaws out\nAnd I'd be lyin' if I say it ain't get to me\nBut I'm a champion, legend, history\n[Pre-Chorus: Chris Brown, \nChipmunk\n, \nChris Brown & Chipmunk\n]\nI'm always pushin' myself to the limit, makin' sure I stay ahead (\nThat's right\n)\nYou made me who I am, \nfrom the words you said\n (\nYeah\n)\n[Chorus: Chris Brown, \nChipmunk\n]\nSome people have to learn (Aha, \nyeah\n)\nSome people wait their turn (Aha, \nuh\n)\nSome people but not me, yeah, oh\nI was born a champion (\nThat's right\n)\nSome people have to fight (Aha)\nSome people give their life (Aha)\nSome people don't believe, woah-oh\nBut I was born a champion (\nYeah\n)\nBut I was born a champion (\nYeah, yeah\n)\nBut I was born a champion [Verse 3: J. Cole]\nCole World, young Simba, story of my life\nHow to shine, put glory over ice\nRules made to be broken like a Oreo in life\nUnabomber, they thought I blew up overnight, boom\nUPS, plus it down, huh\nWhile you BS'd and fucked around\nI took a dollar to the city of the dreams\nCalled up my homies and then I put them on my team\nAnd so we paid, and now we out in London, oh, behave\nCold World if you wonderin', snowy days\nI made it through with no heaters, fuck the leaders\nWhen we starvin', they won't feed us, we don't need 'em\n[Pre-Chorus: Chris Brown, \nChipmunk\n, \nChris Brown & Chipmunk\n]\nI'm always pushin' myself to the limit, makin' sure I stay ahead (\nThat's right\n)\nYou made me who I am, \nfrom the words you said\n (\nYeah\n)\n[Chorus: Chris Brown, \nChipmunk\n]\nSome people have to learn (Aha, woah-oh-oh-oh-oh-oh, \nyeah\n)\nSome people wait their turn (Aha, \nuh\n)\nSome people but not me, yeah, oh\nI was born a champion (Champion, ooh, \nthat's right\n)\nSome people have to fight (Aha, woo!)\nSome people give their life (Aha)\nSome people don't believe\nBut I was born a champion (I was, I was, yeah)\nSome people have to learn (Aha)\nSome people wait their turn (Aha)\nSome people but not me, yeah, oh\nI was born a champion\nSome people have to fight (Aha)\nSome people give their life (Aha, give their life)\nSome people don't believe, woah-oh\nBut I was born a champion [Outro: Chris Brown, \nChipmunk\n, \nChris Brown & Chipmunk\n]\nChampion (\nYeah\n)\nBut I was born a champion, woah-oh\nChampion (\nYeah, yeah\n)\nBut I was \nborn a champion" } ]

[ { "from": "human", "value": "Write me a song called Someday (I Will Understand) with the following description: “Someday (I Will Understand)” is a song recorded by Britney Spears. It was written by Spears and produced by herself and Guy Sigsworth. The song was released in 2005, by Jive Records, as the sole single from Spears' first extended play, Britney & Kevin: Chaotic (2005). Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nNothing seems to be the way\nThat it used to\nEverything seems shallow\nGod give me truth\n[Pre-Chorus]\nIn me\nAnd tell me somebody's watching\nOver me\nAnd that is all I'm praying's that\n[Chorus]\nSomeday I will understand\nIn God's whole plan\nAnd what he's done to me\nOh, but maybe\nSomeday I will breathe\nAnd I'll finally see\nI'll see it all in my baby\n[Verse 2]\nDon't you run too fast my dear\nWhy don't you stop?\nJust stop and listen to your tears\nThey're all you've got [Pre-Chorus]\nIt's in you\nYou see, somebody's watching\nOver you\nAnd that is all I'm praying's that\n[Chorus]\nSomeday you will understand\nIn God's whole plan\nAnd what he does to you\nOh, but maybe\nSomeday you will breathe\nAnd you'll finally see\nYou'll see it all in your baby\nYou'll see it all in your baby\n[Bridge]\nNo moment\nWill be more true\nThan the moment\nI look at you\n[Pre-Chorus]\nIt's in you\nYou see somebody's watching\nOver you\nAnd that is all I'm praying's that [Chorus]\nSomeday you will understand\nIn God's whole plan\nAnd what he does to you\nOh, but maybe\nSomeday you will breathe\nAnd you'll finally see\nYou'll see it all in your baby\nYou'll see it all in your baby\nYou'll see it all in your baby\nYou'll see it all in your baby" } ]

[ { "from": "human", "value": "Write me a song called Ratchet Happy Birthday with the following description: “Ratchet Happy Birthday” is a mellow track with upbeat and longing vocals. Drake paints a picture of a woman who lacks emotional feeling with the backdrop of an important celebration, her birthday. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Drake & \nPARTYNEXTDOOR\n]\nIt's your fuckin' birthday \n(Oh, bi\nrthday, \nI need more \nliquor\n)\nIt's a fuckin' celebration \n(Oh oh\n)\nTonight we celebrate\nSeems like time's out of our control\nIt's a celebration, oh oh\n[Verse 1: Drake]\nIt's your birthday, baby, it's your birthday\nYeah, who's gonna love you on your worst day?\nYou talk so tough\nI know you're soft like buttercups\nReese's, Reese's, don't be ridiculous\nJust say your piece and peace up like Ibiza\nCool your headtop, you hotter than \nAnitta\nBakin', baby, tell me where I need to–\n[Pre-Chorus: Drake]\nTo be, to feel, and fill that emptiness inside you\nPetty bullshit shouldn't excite you\nOn your birthday\n[Chorus: Drake & \nPARTYNEXTDOOR\n]\nIt's your brrrrrrr–\nIt's your fuckin' birthday \n(Oh, birthday, I need more liquor)\nIt's a fuckin' celebration \n(Oh oh)\nTonight we celebrate\nSeems like time's out of our control \n(Oh oh)\nIt's a celebration, oh oh [Verse 2: Drake]\nThey tried it, they went for it\nAll year and you're still here, just ignore it\nIf it ain't the real thing, you don't want it\nGG, CC's all on ya\nIt's your month and you know it (And you know it)\nAnd you know it's real, don't gotta say it for you\nAnd you know somebody home prayin' for you\nYou say, \"Play this shit,\" they better play it (Ayy, play it)\nFor you (For you), on time\nAnd I miss the days that you was all mine\nHaven't been official in a long time\nSo tell me where I need to–\n[Pre-Chorus: Drake]\nTo be, to feel, and fill that emptiness inside you\nPetty bullshit shouldn't excite you\nOn your birthday\n[Chorus: Drake & \nPARTYNEXTDOOR\n]\nIt's your brrrrrrr–\nIt's your fuckin' birthday \n(Oh, birthday, I need more liquor)\nIt's a fuckin' celebration \n(Oh oh)\nTonight we celebrate\nSeems like time's out of our control\nIt's a celebration, oh oh [Outro: PARTYNEXTDOOR]\nOh, it's your fuckin' birthday, oh, oh" } ]

[ { "from": "human", "value": "Write me a song called Eenie Meenie with the following description: Some girls are indecisive (what i’m saying). “Eenie Meenie” acts as an ode to these girls.\nIt features pre-puberty Justin Bieber and post-puberty Sean Kingston crooning about wanting a relationship, yet something that’s worthwhile, not just a back-and-forth, on-and-off thing. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Sean Kingston]\nEenie meenie miney mo\nCatch a bad chick by her toe\nIf she holla let her go\n[Verse 1: Sean Kingston]\nShe's indecisive, she can't decide\nShe keeps on looking from left to right\nGirl, come a bit closer, look in my eyes\nSearchin' is so wrong, I'm Mr. Right\n[Pre-Chorus: Sean Kingston]\nYou seem like the type to love 'em and leave 'em\nAnd disappear right after this song\nSo give me the night to show you, hold you\nDon't leave me out here dancin' alone\n[Chorus: Sean Kingston]\nYou can't make up your mind, mind, mind, mind, mind\nPlease don't waste my time, time, time, time, time\nI'm not tryna rewind, wind, wind, wind, wind\nI wish our hearts could \ncome together as one\n'Cause shorty is a eenie meenie miney mo lover\nShorty is a eenie meenie miney mo lover\nShorty is a eenie meenie miney mo lover\nShorty is a eenie meenie miney mo lover, oh [\nVerse 2: Justin Bieber\n]\nLet me show you what you're missin', paradise\nWith me, you're winning girl, you don't have to roll the dice\nTell me what you're really here for\nThem other guys? I can see right through ya\n[Pre-Chorus: Justin Bieber]\nYou seem like the type to love 'em and leave 'em\nAnd disappear right after the song\nSo give me the night to show you, hold you\nDon't leave me out here dancin' alone\n[Chorus: Justin Bieber]\nCan't make up your mind, mind, mind, mind, mind\nPlease don't waste my time, time, time, time, time\nNot tryin' to rewind, wind, wind, wind, wind\nI wish our hearts could \ncome together as one\n'Cause shorty is a eenie meenie miney mo lover\nShorty is a eenie meenie miney mo lover\nShorty is a eenie meenie miney mo lover\nShorty is a eenie meenie miney mo lover, oh\n[Bridge: Sean Kingston & \nJustin Bieber\n]\nEenie meenie miney moe, catch a bad chick by her toe\nIf she holla, if, if, if she holla let her go\nEenie meenie miney moe, catch a bad chick by her toe\nIf she holla, holla, holla, holla let her go\nShorty is a eenie meenie miney mo lover\nShorty is a eenie meenie miney mo lover \n(Yeah, yeah, yeah)\nShorty is a eenie meenie miney mo lover (\nOh\n, lets go!)\nShorty is a eenie meenie miney mo lover (Here we go!) [Chorus: Sean Kingston & Justin Bieber]\nYou can't make up your mind, mind, mind, mind, mind\nPlease don't waste my time, time, time, time, time\nI'm not tryna rewind, wind, wind, wind, wind\nI wish our hearts could \ncome together as one\n'Cause shorty is a eenie meenie miney mo lover\nShorty is a eenie meenie miney mo lover\nShorty is a eenie meenie miney mo lover\nShorty is a eenie meenie miney mo lover" } ]

[ { "from": "human", "value": "Write me a song called Tunnel Vision with the following description: In “Tunnel Vision,” Justin uses metaphors of looking through cameras to emphasize his focus on one person—his girl. The track is the third single from The 20/20 Experience and features some signature vocal bits from hit-producer Timbaland.\nhttps://www.youtube.com/watch?v=07FYdnEawAQ Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Sample]\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\n[Verse 1]\nDon't know why, but girl, I'm feeling close to you\nMaybe it's this ocean view, I'm so emotional\nAnd all these thoughts been dancing on my head\nFor too long, too long, too long!\nI wrote a song for you, I wanna sing to you\nBut every time I'm close to you\nThe words wanna come out, but I forget\nIt's so strong, it's so strong, it's so strong!\n[Bridge]\nIt might seem like I’m catching something\nThat’s because it’s true\nI can't deny it, and I won't try it\nBut I think that you know\nI look around and everything I see is beautiful\nCause all I see is you\nAnd I can't deny it, and I stand by it\nAnd I won't hide it anymore [Chorus]\nA crowded room anywhere\nA million people around all I see is you there\nAnd everything just disappears, disappears, disappears, disappears\nYeah, a million people in a crowded room\nBut my camera lens's only been set to zoom\nAnd it all becomes so clear, comes so clear, becomes so clear\nI got that tunnel vision for you\nI got that tunnel vision for you\nI got that tunnel vision for you\nI got that tunnel vision\nI only see you\nI got that tunnel vision for you\nI got that tunnel vision for you\nI got that tunnel vision for you\nI got that tunnel vision\nI only see you, yeah\n[Verse 2]\nNow that I know the truth, what am I suppose to do?\nChanging up and breaking all my rules ever since we met\nI'm so gone, I'm so gone, I'm so gone\nJust like the movie shoot, I'm zooming in on you\nEverything is extra in the background, just fades into the set\nAs we ride off into the sun [Bridge]\nIt might seem like I’m catching something\nThat’s because it’s true\nI can't deny it, and I won't try it\nBut I think that you know\nI look around and everything I see is beautiful\nCause all I see is you\nAnd I can't deny it, and I stand by it\nAnd I won't hide it anymore!\n[Chorus]\nA crowded room anywhere\nA million people around all I see is you there\nAnd everything just disappears, disappears, disappears, disappears\nYeah, a million people in a crowded room\nBut my camera lens's only been set to zoom\nAnd it all becomes so clear, comes so clear, becomes so clear\nI got that tunnel vision for you\nI got that tunnel vision for you\nI got that tunnel vision for you\nI got that tunnel vision\nI only see you\nI got that tunnel vision for you\nI got that tunnel vision for you\nI got that tunnel vision for you\nI got that tunnel vision\nI only see you, yeah [Breakdown]\nZoom, zoom, zoom\nZoom, zoom, zoom\nIn on you, in, in on you\nI only see you, yeah\nZoom, zoom, zoom\nZoom, zoom, zoom\nIn on you, in, in on you\nI only see you, yeah\n[Sample]\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\n[Chorus]\nA crowded room anywhere\nA million people around all I see is you there\nAnd everything just disappears, disappears, disappears, disappears\nYeah, a million people in a crowded room\nBut my camera lens's only been set to zoom\nAnd it all becomes so clear, comes so clear, becomes so clear\nI got that tunnel vision for you\nI got that tunnel vision for you\nI got that tunnel vision for you\nI got that tunnel vision\nI only see you\nI got that tunnel vision for you\nI got that tunnel vision for you\nI got that tunnel vision for you\nI got that tunnel vision\nI only see you, yeah\n[Sample]\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\nI only see you, yeah\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\nI know you like it, I know you like it\nI only see you, yeah" } ]

[ { "from": "human", "value": "Write me a song called Fuck Something with the following description: “Fuck Something” is an unreleased collaboration between Ty Dolla $ign and Future, with production from DJ Mustard. In a fashion fairly typical for both artists, it follows general themes of drug use, women and clubbing.\nThe song is quite rough and unfinished, with the original filename being “Ty x Future Fuck Somethin 010916 AB Refv1”. It seems, then, that the song was recorded on January 9, 2016, and simply never returned to. It leaked online on March 29, 2019. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: YG]\nMustard on the beat ho\n[Chorus: Future]\nI brought the liquor and the drugs\nBrought the liquor and the drugs\nAll my niggas tryna fuck something\nI brought the liquor and the drugs\nBrought the liquor and the drugs\nAll my niggas tryna fuck something\nYeah that nigga he a bum, yeah that nigga he a bum\nHe in the club tryna cuff something\nI brought the liquor and the drugs\nBrought the liquor and the drugs\nAll my niggas tryna fuck something\n[Verse: Ty Dolla $ign]\nI brought the liquor and the drugs (Drugs)\nI just popped a Perc before I walked in the club (In the club)\nBombay eight shots and the champagne pouring (Aw yeah)\nPull up in a foreign, with a little foreign (Aw yeah)\nHold up, yeah I'm a rich nigga (Rich nigga)\nYoung nigga broke, he a bum, he a bitch nigga (Bitch nigga)\nI got seven, she got six figures (Six figures)\nWear my khakis like a real LA nigga (Ooh)\nSix four, I'm a LA nigga (Nigga)\nAt the sideshow, shout out to my bay niggas (My bay niggas)\nFuck a bitch, get paid nigga (Paid nigga)\nSomebody tell these hoes [Chorus: Future]\nI brought the liquor and the drugs\nBrought the liquor and the drugs\nAll my niggas tryna fuck something\nI brought the liquor and the drugs\nBrought the liquor and the drugs\nAll my niggas tryna fuck something\nYeah that nigga he a bum, yeah that nigga he a bum\nHe in the club tryna cuff something\nI brought the liquor and the drugs\nBrought the liquor and the drugs\nAll my niggas tryna fuck something\n[Outro: Ty Dolla $ign]\nReal talk" } ]

[ { "from": "human", "value": "Write me a song called Main Chick with the following description: Backed by signature Mustard production, “Main Chick” is about a groupie Ink and Chris hook up with wanting to be their main chick, i.e. girlfriend. The track was initially released for free on Chris' X Files EP and later included on Ink’s debut album and released as a single.\n“Main Chick” peaked at #60 on the Billboard Hot 100 chart. The single spawned two remixes, one with an additional verse from Tyga which was remixed by French Montana, Yo Gotti and Lil Bibby. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Chris Brown, \nKid Ink\n]\nI told her, \"Fuck that nigga\"\nWoop-woop, uh\n(Mustard on the beat, ho)\n[Chorus: Chris Brown, \nKid Ink\n, \nChris Brown & Kid Ink\n]\nI don't know your name, but you heard my name (\nWoah\n)\nI know why you came, \ntryna get that\n name\nBut you heard my name\nGirl, I know you wanna be my main chick\nMy main chick\nI said fuck whoever you came with, who you came with\nI told her, \"Fuck that nigga\" (\nI don't know ya\n)\n[Verse 1: Kid Ink]\n(We) Sittin' in the back of the club (Yeah)\nTable got a rope in the front, I don't know ya\nUh (Uh)\nYou lookin' real familiar, I could just be a lil' drunk\nI don't know your name, it's a goddamn shame (Woah)\nI don't know how to explain it for ya\nBut, girl, I'm just sayin'\nIf you got a man back home, I don't know him (I don't know him)\nWhat? (Just) Keep it on the hush (Hush)\nPocket full of trees, don't beat around the bush (Wait)\nWalk on green, I could even hit a putt (Ooh)\nK.O. shawty when I hit her with a punchline (Ah)\nHit a couple shots when it's crunch time (Uh)\nDuckin' from my ex like the one time (Woop-woop)\nThrow a sign when you really tryna go\nGot the car parked right at the door (Uh) [Chorus: Chris Brown, \nKid Ink\n, \nChris Brown & Kid Ink\n]\nI don't know your name, but you heard my name (\nWoah\n)\nI know why you came, \ntryna get that\n name\nBut you heard my name\nGirl, I know you wanna be my main chick\nMy main chick\nI said fuck whoever you came with, who you came with\nI told her, \"Fuck that nigga\" (\nI don't know ya\n)\n[Verse 2: Kid Ink]\nNah, and you don't know my name (No)\nJust in case you the feds, I don't know ya (Ooh)\nUh, I might'a poured you a drink (What?)\nBut don't let it go to your head\nI know why you came (Ayy)\nTryna be my main chick (Yeah)\nPassenger side when I lane switch\nTop back, two seats only (Uh)\nAin't no room for your friends, I don't know them (I don't know them)\nWe just seizin' the moment\nUp all night, throw a deuce to the mornin' (Walt)\nFly motherfucker, everythin' is imported (Walt)\nDon't try to act too important, I know your game\nYou got a gang of niggas\nAll over you, but you all over here (Woop-woop), on me (On me)\nGirl, I ain't tryna dog ya\nBad bitch only thing I'll call you (Uh) [Chorus: Chris Brown, \nKid Ink\n, \nChris Brown & Kid Ink\n]\nI don't know your name, but you heard my name (\nWoah\n)\nI know why you came, \ntryna get that\n name\nBut you heard my name\nGirl, I know you wanna be my main chick\n(Girl, I know you wanna be)\nMy main chick\n (Yeah)\nI said fuck whoever you came with, who you came with\n('Cause you're my main)\nI told her, \"Fuck that nigga\"\n[Verse 3: Chris Brown, \nKid Ink\n]\nNigga, why you playin'? You heard my name (\nYeah\n)\n(Let me see that curvy body)\nI know why you came\nShe gon' gimme that brain, so we can do our thang\nLet's do that thang (\nTell 'em\n)\nWhat you think about me takin' you down? Yeah (\nWoo\n)\nI can be your man when he's not around, yeah (\nWoo, uh\n)\n[Chorus: Chris Brown, \nKid Ink\n, \nChris Brown & Kid Ink\n]\nI don't know your name, but you heard my name (\nWoah\n)\nI know why you came, \ntryna get that\n name\nBut you heard my name\nGirl, I know you wanna be my main chick\nMy main chick\nI said fuck whoever you came with, who you came with\nI told her, \"Fuck that nigga\"" } ]

[ { "from": "human", "value": "Write me a song called Both with the following description: On “Both,” Gucci and Drake collaborate for the second time in 2016. The first being “Back on Road” released days after Gucci’s release from prison.\nIn the song, Gucci and Drake speak on multiple topics including Lil Yachty, luxury lifestyles, and stuff Drizzy doesn’t usually do: making reckless decisions from drinking and smoking.\nThe song debuted at No. 41 on the Billboard Hot 100, establishing a record on Drake’s career, earning his 132nd Hot 100 hit—tying Lil Wayne’s record for the most Hot 100 appearances by a solo artist. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Southside & \nFuture\n]\nSouthside\nIf Young Metro don't trust you, I'm gon' shoot you\n[Verse 1: Gucci Mane]\nI got so many felonies, I might can't never go to Canada\nBut Drake said he gon' pull some strings, so let me check my calendar\nI just popped me one of them one what-you-call-its and it boosted my stamina\nNow I'm fucking her on the banister, guess I just East Atlanta'd her\nI'm in an all-red drop tarantula, fuck a Challenger\nDamn these hoes ain't got no manners, bruh, where's the manager?\nI keep throwing rubber bandies up, ho, pull your panties up\n'Cause you fuck like a granny fuck, you're just an amateur\nThis Patek Philippe gon' make this crooked judge try throw the book at me\nI look like half a million worth of heroin when she look at me\nBut you ain't gotta fuck with me, my nig, but you're stuck with me\nBut how you called the cops on me, my nig? You grew up with me\n[Chorus: Drake]\nI don't usually do this 'less I'm drunk or I'm high\nBut I'm both right now, got me talking about my life\nI don't usually do this 'less I'm drunk or I'm high\nBut I'm both right now\nI don't usually do this 'less I'm drunk or I'm high\nBut I'm both right now and I need ya in my life\nI don't usually do this 'less I'm drunk or I'm high\nBut I'm both right now [Verse 2: Drake]\nYeah, I'm both\nYeah, I had a drink, yeah, I smoked\nYeah, you think I need you but I don't\nJust left out Dubai with all my folk\nOpen water, my location is remote\nShout-out Yachty but this ain't a lil' boat\nThis some shit I wrote about when I was broke\nSee, the power of the mind is not a joke\nMan, I said that I would do it and I did\nUsed to get left-overs out the fridge\nNobody was famous where I lived\n'Til I got it jumping at the crib\nTook a lot to be able to give, I mean\n[Chorus: Drake]\nI don't usually do this 'less I'm drunk or I'm high\nBut I'm both right now, got me talking about my life\nI don't usually do this 'less I'm drunk or I'm high\nBut I'm both right now\nI don't usually do this 'less I'm drunk or I'm high\nBut I'm both right now and I need ya in my life\nI don't usually do this 'less I'm drunk or I'm high\nBut I'm both right now\n[Outro: Southside]\nSouthside" } ]

[ { "from": "human", "value": "Write me a song called I Am a God with the following description: According to a Kanye interview in W magazine, the song was inspired by a serious diss from a major fashion designer (Hedi Slimane). A few days before Paris Fashion Week in Autumn 2012, West was informed that he’d be invited to a widely anticipated runway show only on the condition that he agree not to attend any other shows. “So the next day I went to the studio with Daft Punk, and I wrote ‘I Am a God,’ ” West says. “Cause it’s like, Yo! Nobody can tell me where I can and can’t go. Man, I’m the No. 1 living and breathing rock star. I am Axl Rose; I am Jim Morrison; I am Jimi Hendrix.”\n“You can’t say that you love music and then say that Kanye West can’t come to your show! To even think they could tell me where I could and couldn’t go is just ludicrous. It’s blasphemous—to rock ’n’ roll, and to music.”\nFirst played live at the Met Gala in New York on May 6th, and then again at the Governers Ball on June 9th.\nRick Rubin (Johnny Cash, Red Hot Chili Peppers, Beastie Boys) served as the executive producer of Yeezus. The pair worked on minimalizing some of the album’s excesses, rerecording vocals and sometimes writing entire new verses. Prior to the record’s release, West updated his official website to feature a short video clip of him recording this song while Rubin lays back on a chair and responds to Yeezy’s query as to whether he should be stacking ‘billions’ or ‘millions.’ The fuzzy-bearded producing legend responds “millions”, adding, “To me it’s more relatable. More for the people.\"West told guests at the album’s playback:\n“It was good for me to go to the god, Rick Rubin, and play him my s–t, ask him questions, and allow him to take this project to an entirely new level, and he made a lot of great decisions at the end and pulled it to a whole new level.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Daft Punk, Hudson Mohawke, Kanye West & Mike Dean]\n[Intro: Kanye West & \nCapelton\n]\nBlazin', mi don't want dem\nMi need dem\nBlazin\nSuh mi tek har outta bugah red and put her in a tall skirt\nAnd now she find out what life is really worth\nNo to X rated\nYo mi tek har outta bugah red and put her in a tall skirt\nAnd now she find out what life is really worth\nNo to X rated\nI am a God\nI am a God\nI am a God\n[Chorus: Kanye West]\nI am a God\nHurry up with my damn massage\nHurry up with my damn ménage\nGet the Porsche out the damn garage\nI am a God\nEven though I'm a man of God\nMy whole life in the hand of God\nSo y'all better quit playin' with God [Verse 1: Kanye West]\nSoon as they like you make 'em unlike you\n'Cause kissin' people ass is so unlike you\nThe only rapper compared to Michael\nSo here's a few hatin'-ass niggas to fight you\nAnd here's a few snake-ass niggas to bite you\nAnd I don't even wanna hear 'bout what niggas might do\nOld niggas mentally still in high school\nSince the tight jeans they ain't never liked you\nPink-ass polos with a fuckin' backpack\nBut everybody know you brought real rap back\nNobody had swag, man, we the Rat Pack\nVirgil, Pyrex, Don C snapback\nIbn diamond, Chi-town shinin'\nMonop' in this bitch again, changed the climate\nHop in this bitch to give Saint the garment\nUntil the day I get struck by lightning\n[Chorus: Kanye West]\nI am a God\nSo hurry up with my damn massage\nIn a French-ass restaurant\nHurry up with my damn croissants\nI am a God\nI am a God\nI am a God [Refrain: Kanye West]\nAhh!\nAhh!\n[Verse 2: Kanye West]\nI just talked to Jesus\nHe said, \"What up, Yeezus?\"\nI said, \"Shit—I'm chillin'\nTryna stack these millions\"\nI know he the most high\nBut I am a close high\nMi casa, su casa\nThat's our cosa nostra\nI am a God\nI am a God\nI am a God\n[Refrain: Kanye West]\nAhh!\nAhh!\nAhh!\nAhh!\n[Outro: Justin Vernon]\nAin't no way I'm givin' up, I'm a God" } ]

[ { "from": "human", "value": "Write me a song called Raise Your Glass with the following description: New Breed covered “Raise Your Glass” originally by P!nk for the Japanese edition of Punk Goes Pop 4.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nRight, right, turn off the lights\nWe're gonna lose our minds tonight\nWhat's the deal, yo? (What's the deal, yo?)\nI love when it's all too much\n5 a.m. turn the radio up\nWhere's the rock 'n roll?\n[Pre-Chorus]\nParty crasher, panty snatcher\nCall me up if you are gangsta\nDon't be fancy, just get dancey\nWhy so serious?\n[Chorus]\nSo raise your glass if you are wrong\nIn all the right ways, all my underdogs\nWe will never be, never be anything but loud\nAnd nitty, gritty, dirty, little freaks\nWon't you come on and come on and\nRaise your glass!\nJust come on and come on and\nRaise your glass!\n[Verse 2]\nSlam, slam, oh hot damn\nWhat part of a party don't you understand?\nWish you'd just freak out\n(Wish you'd just freak out)\nCan't stop, coming in hot\nI should be locked up right on the spot\nIt's so on right now\n(It's so on right now) [Pre-Chorus]\nParty crasher, panty snatcher\nCall me up if you are gangsta\nDon't be fancy, just get dancey\nWhy so serious?\n[Chorus]\nSo raise your glass if you are wrong\nIn all the right ways, all my underdogs\nWe will never be, never be anything but loud\nAnd nitty, gritty, dirty, little freaks\nWon't you come on and come on and\nRaise your glass!\nJust come on and come on and\nRaise your glass!\nWon't you come on and come on and\nRaise your glass!\nJust come on and come on and\nRaise your glass!\n[Bridge]\nOh shit! My glass is empty\nThat sucks!\nSo if you're too school for cool\n(I mean)\nAnd you're treated like a fool\n(You're treated like a fool)\nYou can choose to let it go\nWe can always, we can always party on our own [Chorus]\nSo raise your (oh, fuck)\nSo raise your glass if you are wrong\nIn all the right ways, all my underdogs\nWe will never be, never be anything but loud\nAnd nitty, gritty, dirty, little freaks\n(So raise your glass if you are wrong)\nSo raise your glass if you are wrong\nIn all the right ways, all my underdogs\nWe will never be, never be anything but loud\nAnd nitty, gritty, dirty, little freaks\nWon't you come on and come on and\nRaise your glass!\nJust come on and come on and\nRaise your glass!\nWon't you come on and come on and\nRaise your glass!\nJust come on and come on and\nRaise your glass for me!" } ]

[ { "from": "human", "value": "Write me a song called Love Hangover / Heartbreaker (Live) with the following description: Mariah opened the show with this live mash-up at VH1 Divas Live 2000: A Tribute to Diana Ross, filmed at the Theater at Madison Square Garden on April 9, 2000. It’s a mash-up of “Heartbreaker,” the lead single from Mariah’s then current album, Rainbow, and the Diana Ross classic, “Love Hangover.”\nThis performance was later released on Mariah’s “Can’t Take That Away (Mariah’s Theme)” CD single in 2000, and then on a digital version of the Heartbreaker EP in 2020. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Love Hangover\n[Verse 1]\nIf there's a cure for this\nI don't want it\nI don't want it\n[Verse 2]\nAnd if there's a remedy\nI'll run from it\nFrom it\n[Verse 3]\nI think about it all the time\nNever let it out of my mind\n'Cause I love you ooh ooh, baby\n[Chorus 1]\nI've got the sweetest hangover\nI don't wanna get over\nThe sweetest hangover\n[Bridge 1]\nYeah yeah yeah\nI don't wanna get over\nI don't wanna get\nI don't wanna get\nOver Heartbreaker\n[Chorus 2]\nYou know what?\nHeartbreaker, you got the best of me\nBut I just keep on coming back incessantly\nOh, why did you have to run your game on me\nI should have known right from the start\nYou'd go and break my heart\n[Verse 4]\nOh, your love's so good\nI don't wanna let go\nAnd although I should\nI can't leave you alone\n'Cause you're so disarming\nI'm caught up in the midst of you\nAnd I cannot resist at all\n[Pre-Chorus 1]\nBoy, if I do\nThe things you want me to\nThe way I used to do\nWould you love me, baby\nOr leave me feeling used?\nWould you go and break my heart? [Chorus 2]\nHeartbreaker, you got the best of me\nBut I just keep on coming back incessantly\nOh, why did you have to run your game on me?\n(Did you have to run your game?)\nI should have known right from the start\nYou'd go and break my heart\n[Verse 5]\nIt's a shame to be\nSo euphoric and weak\nWhen you smile at me\nAnd you tell me the things\nThat you know persuade me to relinquish my love\nTo you\nBut I cannot resist at all\n[Chorus 2]\nHeartbreaker, you got the best of me\nBut I just keep on coming back incessantly (I, I, I)\nOh, why did you have to run your game on me?\nI should have known right from the start\nYou'd go and break my heart\nLove Hangover\n[Chorus 3]\nI don't need no cure\nI don't need no cure\nI don't need no cure\nSweet love hangover [Hook]\nSweet, sweet, sweet, sweet\nLove\nSweet, sweet, sweet, sweet\nLove\nSweet, sweet, sweet, sweet\nLove\nSweet, sweet, sweet, sweet\nLove, love, love\n[Bridge 2]\nDon't call the doctor (Sweet, sweet, sweet, sweet)\nDon't call my mama\nDon't call the preacher\nNo, I don't need it\nI don't want it\n[Hook]\nLove to love ya\nSweet\nLove to love ya, baby\nSweet\nSweet, sweet, sweet, sweet\nLove\nLove to love ya, baby\nSweet\nLove to love ya\nSweet\nLove to love ya\nSweet\nLove to love ya\nSweet\nSweet, sweet, sweet, sweet\nLove\nSweet, sweet, sweet, sweet\nLove\nHeartbreaker\n[Chorus 2]\nHeartbreaker, you got the best of me\nBut I just keep on coming back incessantly\nOh, why did you have to run your game on me?\nI should have known right from the start\nYou'd go and break my heart\nLove Hangover\n[Outro]\nLove to love ya\nSweet\nLove to love ya\nSweet" } ]

[ { "from": "human", "value": "Write me a song called In the Morning with the following description: From J Cole’s mixtape Friday Night Lights, produced by L&X Music, the piano-laced tune boasts hollow taps on a wood pipe and searing synths, with the Roc Nation rapper spitting about pleasing his girl. Learn more about how the collab between these two titans came about.\nOriginally Cole released a solo version of this song unattached to any mixtape. The first verse from here was taken from that version, which can be heard here. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: J. Cole]\nBaby, you summertime fine\nI let you get on top, I be the underline, I'm\nTryna get beside you like the number nine, dime\nYou fine as hell\nI guess I met you for a reason, only time can tell\nBut well, I'm wonderin' what type of shit you wantin'\nDo you like the finer things or you a simple woman?\nWould you drink with a nigga? Do you smoke weed?\nDon't be ashamed, it ain't no thing, I used to blow trees\nGettin' lifted, I quit but shit, I might get high with you\nIt's only fittin' 'cause I'm lookin' super fly with you\nA flower, you are powerful, you do somethin' to me\n'Cause girl, I caught the vibe like you threw somethin' to me\nSo I threw 'em back, now all my niggas hollerin', “Who was that?”\n“Oh boy, she bad nigga, what you 'bout to do with that?”\nI'm finna take you home, just sip a little Patron\nNow we zonin', baby you so fine\n[Chorus: J. Cole]\nAnd can I hit it in the mornin'?\nCan I hit it in the mornin'?\nAnd can I hit it in the mornin'?\nThe Sun risin' while you moanin'\nAnd can I hit it in the mornin'?\nCan I hit it in the mornin'?\nAnd can I hit it in the mornin'?\nThe Sun risin' while you moanin' [Verse 2: Drake]\nUh, baby, you wintertime cold\nThe night is still young, drink that dinner wine slow\nI'm tryna make the goosebumps on your inner thigh show\nI'll let you beat me there as far as finish lines go\nYeah, and if you gotta leave for work\nI'll be right here in the same bed that you left me in\nI love thick women 'cause my aunt she rode equestrian\nI used to go to the stables and get them kids to bet me\nAnd I would always ride the stallions whenever she let me\nI'm jokin', I mean that thing is pokin'\nI mean you kinda like that girl that's in the US Open\nI mean I got this hidden agenda that you provokin'\nI got bath water that you can soak in, things I could do with lotion\nDon't need a towel, we could dry off in the covers\nAnd when you think you like it, I promise you gonna love it\nYeah, when lights comin' through the drapes and we both yawnin'\nI roll over and ask if I can hit it in the mornin'\n[Chorus: Drake]\nYeah, can I hit it in the mornin'?\nYeah, can I hit it in the mornin'?\nYeah, the Sun risin' while you moanin', baby\nCan I hit it in the mornin', uh?\nCan I hit it in the mornin', yeah?\nCan I hit it in the mornin'?\nThe Sun risin' while you moanin' [Verse 3: J. Cole]\nHey, God bless the child that can hold his own\nGod bless the woman that can hold Patron\nGod bless her homegirl that drove us home\nNo strings attached like a cordless phone\nYou see my intentions with you was clear\nI'm learnin' not to judge a woman by the shit that she wear\nTherefore you shouldn't judge a nigga off the shit that you hear\nGet all defensive, apprehensive, all because my career\nTo be fair, I know we barely know each other and yeah\nSomehow I wound up in your bed so where we headed from here?\nJust say you're scared if you're scared\nBut if you through frontin', we can do somethin'\nAnd you know just what I'm talkin' about\nTomorrow you'll be callin' out\n'Cause tonight we gettin' right into the wee morn'\nCook a nigga breakfast after sex is like a reward\nThen I go my own way, you think about me all day\nThat's just a warnin'\n[Chorus: J. Cole]\nAnd can I hit it in the mornin'?\nCan I hit it in the mornin'?\nCan I hit it in the mornin'?\nThe Sun risin' while you moanin'\nCan I hit it in the mornin'?\nCan I hit it in the mornin'?\nAnd can I hit it in the mornin'?\nThe Sun risin' while you moanin', yeah" } ]

[ { "from": "human", "value": "Write me a song called Gimme What I Want with the following description: “Gimme What I Want” reflects on the choice that the singer gives to someone else, to be her lover – but if they don’t want it, she’d be alright by herself.\nIt has a sound very similar to Nine Inch Nails' “Closer”, which is also a song about lust. Miley had already previously recorded a cover from the band for the Netflix series “Black Mirror”, called “Head Like A Hole”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nMidnight and the moon is out\nCareful, you might hurt yourself\nPleasure leads to pain\nTo me, they're both the same\nSweat drippin' down to the floor\nBite marks like an animal\nYou might be insane\nBut maybe we're the same\n[Pre-Chorus]\nTonight you came here\n'Cause you know what I need\nAnd no one likes to be alone\n[Chorus]\nI don't need a future, I don't need your past\nI just need a lover\nSo gimme what I want or I'll give it to my\nSelf-inflicted torture, you don't have to ask\nI just need a lover\nSo gimme what I want or I'll give it to myself\n[Verse 2]\nI can tell that you're new to this\nSlow it down, but you can't resist\nBeat your fantasy\nGive yourself to me [Pre-Chorus]\nTonight, you came here\n'Cause you know what I need\nAnd no one likes to be alone\n[Chorus]\nI don't need a future, I don't need your past\nI just need a lover\nSo gimme what I want or I'll give it to my\nSelf-inflicted torture, you don't have to ask\nI just need a lover\nSo gimme what I want or I'll give it to myself\n[Bridge]\nGive it to me, babe (Give it to me, babe)\nGive it to me, babe (Give it to me, babe)\nGive it to me and nobody else, babe\nGive it to me, babe (Give it to me, babe)\nGive it to me, babe (Give it to me, babe)\nGive it to me and nobody else, babe\n[Outro]\nGimme what I want (Want, want, want)\nGimme what I want or I'll give it to myself" } ]

[ { "from": "human", "value": "Write me a song called Infinite (F.B.T. Remix) with the following description: “Infinite” is the first track off of Eminem’s first debut album, Infinite.\nIt is not officially available on any online music stores. However, on November 17, 2016, five days after the 20th anniversary of the album, Eminem posted a remaster and remix of title track, made by the Bass Brothers, to his Vevo channel, made available digitally for the first time.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nAh, yeah (It's like this, like this)\nThis is Eminem, baby, back up in that motherfucking ass\n('Til forever, 'til forever)\nOne time for your motherfuckin' mind (For MC's, MC's)\nWe represent the 313, you know what I’m saying?\nYo, they don’t know shit about this, for the '96\n[Verse 1]\nAyo, my pen and paper cause a chain reaction\nTo get your brain relaxin', the zany actin' maniac in action\nA brainiac in fact, son, you mainly lack attraction\nYou look insanely wack when just a fraction of my tracks run\nMy rhymin' skills got you climbin' hills\nI travel through your mind, and chill your spine like siren drills\nI'm slimin' grills of roaches, with spray that disinfects\nAnd twistin' necks of rappers\n'Til their spinal column disconnects\nPut this in decks and check the monologue\nTurn your system up, twist 'em up\nAnd indulge in the marijuana smog\nThis is the season for noise pollution contamination\nExamination of more car-tunes than animation\nMy lamination of narration\nHits a snare and bass on a track for duck rapper interrogation\nWhen I declare invasion\nThere ain't no time to be starin', gazin'\nI turn the stage into a barren wasteland [Hook]\nI'm Infinite; you heard of Hell\nWell, I was sent from it\nI went to it, serving a sentence\nFor murdering instruments\nNow I'm trying to repent from it\nBut when I hear the beat, I'm tempted\nTo make another attempt at it; I'm Infinite\n[Verse 2]\nBust it! I let the beat commence\nSo I can beat the sense in your elite defense\nI got some meat to mince\nA crew to stomp, and then two feet to rinse\nI greet the gents and ladies, I spoil loyal fans\nI foil plans and leave fluids leaking like oil pans\nMy coiled hands around this microphone are lethal\nOne thought in my cerebral is deeper than a jeep-full of people\nMC's are feeble, I came to cause some pandemonium\nBattle a band of phony MC's, and stand the lonely one\nImitator, intimidator, stimulator\nSimulator of data eliminator\nThere's never been a greater since the burial of Jesus\nFuck around and catch all the venereal diseases\nMy thesis'll smash a stereo to pieces\nMy a cappella releases classic masterpieces\nThrough telekinesis, it eases you mentally\nGently, sentimentally, instrumentally\nWith entity, dementedly meant to be Infinite [Hook]\nI'm Infinite; you heard of Hell\nWell, I was sent from it\nI went to it, serving a sentence\nFor murdering instruments\nNow I'm trying to repent from it\nBut when I hear the beat, I'm tempted\nTo make another attempt at it; I'm Infinite\n[Verse 3]\nMan, I got evidence, I'm never dense\nAnd I've been clever ever since my residence was hesitant\nTo do some shit that represents the MO\nSo I'm assuming all responsibility\n‘Cause there's a monster will in me\nThat always wants to kill MCs\nMic nestler, slammin' like a wrestler\nHere to make a mess of a lyric smuggling embezzler\nNo one is specialer, my skill is intergalactical\nI get cynical, act a fool, then I send a crew back to school\nI never packed a tool or acted cool, it wasn't practical\nI'd rather let a tactical, tactful track tickle your fancy\nIn fact, I can't see, or can't imagine\nA man who ain't a lover of beats or a fan of scratchin'\nSo this is for my family, the kid who had a cameo\nOn my last jam, plus the man who never had a plan B\nBe all you can be, ‘cause once you make an instant hit\nI'm tensed a bit, and tempted\nWhen I see the sins my friends commit [Hook]\nI'm Infinite; you heard of Hell\nWell, I was sent from it\nI went to it, serving a sentence\nFor murdering instruments\nNow I'm trying to repent from it\nBut when I hear the beat, I'm tempted\nTo make another attempt at it; I'm Infinite\n[Outro]\n'95, '96 ('96)\nAnd on and on and on (and on and on)" } ]

[ { "from": "human", "value": "Write me a song called Change You with the following description: “Change You” is the second bonus track released on the Target Exclusive version of Demi Lovato’s seventh studio album Dancing With The Devil… The Art of Starting Over. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nNever gonna change you\nEvery time I try, you just bring me down\nAnd the hurt is startin' to change me\nNow it's gettin' harder to help you out\nI don't wanna wake up one day and not know my face\n'Cause I got lost in your problems too\nYou're never gonna change\nI'm never gonna change\nChange you\n[Verse 1]\nI thought my hands could hold the hurt, that you were feeling\nSo you could breathe easier sometimes\nThought if you saw yourself through my eyes, that you'd believe it\nBut you trust the devil on your side\n[Pre-Chorus]\nBlame it on your vices, blame it on your past\nI know all your reasons, I don't have to ask\nBut one thing I know now, it's true\nYou're gonna do what you do\n[Chorus]\nNever gonna change you\nEvery time I try, you just bring me down\nAnd the hurt is startin' to change me\nNow it's gettin' harder to help you out\nI don't wanna wake up one day and not know my face\n'Cause I got lost in your problems too\nYou're never gonna change\nI'm never gonna change\nChange you [Verse 2]\nI knew all the warning signs, but didn't see them\nAlready had poison in your veins, hmm, hmm, hmm\nAnd I had your back when there were doubts from everybody\n'Cause I was last to know, you, were playing games\nNo, oh, oh\n[Pre-Chorus]\nBlame it on your vices, blame it on your past\nI know all your reasons, I don't have to ask\nBut one thing I know now it's true\nYou're gonna do what you do\n[Chorus]\nNever gonna change you (Change you)\nEvery time I try, you just bring me down\nAnd the hurt is startin' to change me\nNow it's gettin' harder to help you out\nI don't wanna wake up one day and not know my face\n'Cause I got lost in your problems too\nYou're never gonna change (Change)\nI'm never gonna change (Change)\nChange you\n[Outro]\nNo, I'll never ever change you\nNo, I've tried, I've tried, I've tried, I've tried, I've tried\nNo, ooh-ooh, yeah\nI'll never ever change you, no, oh-oh\nI've tried, I've tried\nTo change you" } ]

[ { "from": "human", "value": "Write me a song called Just Fine with the following description: “Just Fine” is a break up song in which Chris tries to reassure his ex that she will find somebody better than him. In the track, Chris describes the break down of their relationship, including disagreeing with another and cheating speculations. However, despite their relationship ending, Chris only wants the best for this girl. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nHey, ha\nOoh, hey (Oh)\nOh, now, oh, now\n[Verse 1]\nWe did everything we could do to try and make it work (We did, we did, babe)\nBaby, you look so confused 'cause it feels like there was no way we could lose (No way, no way, babe)\nBaby, I just don't know why I can't find the things you need in me (I can't, I can't, girl)\n[Refrain]\nBaby, they know just what to say\nThey tryna break us away from one another\nBut maybe they're right for a change\n[Chorus]\nI think God will give you someone (Ha)\nMuch better than me, trust me\nYour eyes will be okay (Ha)\nIt will be alright\nYou'll be just fine\nJust fine, just fine, I know that, baby\n[Verse 2]\nWe would disagree constantly on the basic things (We did, we did, babe, mmm-mmm)\nYou thought that there was someone else all along (All along, no way, no way, babe)\nBaby, I want to decide to stay right by your side (I can't, I can't, girl) [Refrain]\nBaby, they know just what to say\nThey wanna keep us away from one another\nBut maybe they're right for a change\n[Chorus]\nI think God will give you someone (Ha)\nMuch better than me, trust me\nYour eyes will be okay\nOkay, alright\nAlright, just fine\nJust fine, just fine, I know, baby\n[Bridge]\nBaby, baby, can't you see that (Oh, no)\nAnother fella just may be the (Oh)\nKinda man that you need\nYou deserve it and I know that\nI know another love has come your way\nJust listen to me when I say (Oh)\nYou'll find him, you'll find him, be patient (Oh, oh)\n[Chorus]\nI think God will give you someone\nSo much better than me, trust me\nYour life will be okay\nIt'll be alright\nIt'll be just fine\nOh, no, just fine\n'Cause I know that, baby\nI think God will give you someone\nSomeone better than me, trust me, girl\nNo more pain, okay\nNo more pain, alright\nIt will be just fine\nOh, oh, woah [Outro]\nHey, hey, hey, hey, hey, hey\nYou wanna know why I'm so sure\nYeah, yeah" } ]

[ { "from": "human", "value": "Write me a song called I Don’t Care with the following description: In celebration of Ed Sheeran’s new album No.6 Collaborations Project, Ed and Alexa have teamed up for an epic duet. To hear it just say, “Alexa, play your duet with Ed Sheeran”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Alexa]\nHey, Ed, here's a reminder\nIt's time for the party, let's go\nUh, uh, yeah\n[Verse 1: Alexa & \nEd Sheeran\n]\nI'm at a party I don't wanna be at\nAnd I don't ever wear a suit and tie, yeah\nWonderin' if I could sneak out the back\nNobody's even lookin' me in my eyes\nThen you take my hand\nFinish my drink, say,\n \"Shall we dance?\" (\nHell, yeah\n, woo)\nYou know I love ya, \ndid I ever tell ya?\nYou make it better like that\n[Segue: Ed Sheeran & \nAlexa\n]\nDon't think I fit in at this party (\nNo\n)\nEveryone's got so much to say, mmm\n (\nYeah\n)\nI always feel like I'm nobody, \nmmm\nWho wants to fit in anyway?\n (\nSing it\n)\n[Bridge: Ed Sheeran, \nAlexa\n & \nBoth\n]\n'Cause I don't care when I'm with my baby, yeah\nAll the bad things disappear\nAnd you're making me feel like maybe I am somebody\nI can deal with the bad nights, yuh-uh\nWhen I'm with my baby, yeah\nOoh, ooh, ooh, ooh, ooh, ooh\n, \nooh, yeah\n'Cause I don't care as long \nas you just hold me near\nYou can take me anywhere\nAnd you're making me feel like I'm loved by somebody\nI can deal with the bad nights\nWhen I'm with my baby, yeah\nOoh, ooh, ooh, ooh, ooh, ooh [Verse 2: Alexa, \nEd Sheeran\n & \nBoth\n]\nHere's your reminder, don't go to anymore parties\nI can deal with the bad nights\nWhen I'm with my baby\n, \nyeah\nOoh, ooh, ooh, ooh, ooh, ooh\n[Outro: Alexa]\nWould you like me to call you a cab?" } ]

[ { "from": "human", "value": "Write me a song called ‎pushin P with the following description: In “pushin P,” Gunna, Future and Young Thug come together for a catchy trap song where the artists rap about drugs, women, money, and jewelry.\nGunna first previewed the track’s music video on his Instagram, on December 29, 2021.\nJust five days prior to the audio’s release, on January 12, 2022, Gunna released the official music video which was directed by Caleb Jermale. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Gunna & \nFuture\n]\n(\nWheezy outta here\n)\nPushin' P\nYeah, pushin' P, turn me up\nTurn me up, P, uh-ah\n[Verse 1: Gunna & \nFuture\n]\nPointers in the Patek and my piece, I'm pushin' P\nCopped new hammers for my P, we don't want no peace\nGot a spot across the spot, just for P's\nDropped the dot and then we plot, exotic P's\nShe not a lesbian, for P, she turn Pesbian\n (\nPushin' P\n, I'm pushin' P)\nOff capital P, I rock these presidents, count presidents (\nPushin' P\n)\nPortuguese on her knees, moppin' down the P\nShe let me squeeze, then she lеave 'cause she keep it P\nPrivatе suite, private seat, bitch, I'm pushin' P\nPurple pint, pussy pink, bitch, I'm pushin' P\n[Chorus: Gunna & \nFuture\n]\nPushin' P\n, I'm pushin' P, \npushin' P\n, I'm pushin' P, \nyeah\n (Know what I'm sayin')\nPushin' P\n, I'm pushin' P, \npushin' P\n, I'm pushin' P, \nyeah\nPop a P, I'm paranoid, I can't just sleep\nMy pockets deep, got racks on me\nWhy they watchin' me?\nI'm \npushin' P\n, I'm pushin' P, \npushin' P\n, I'm pushin' P, \nyeah [Verse 2: Young Thug, \nGunna\n & \nFuture\n]\nLook, I just, uh, uh, bought the 'Ghini\nThe opps outside, uh, ah, uh\nOkay, bought her a P, not a pill, a Porsche (\nPushin' P\n)\nThree P's, pop, pourin', Porsches (Skrrt, \npushin' P\n)\nI just fucked a cup of water\n (I did)\nPushin' P, red bandana, Cardinals (Ayy, pushin' P)\nI'ma peel you out yo' whole endorsement (Yeah, \npushin' P\n)\nShe ain't veneer for me, she simply porcelains (I never)\nI never saw opps, now we finally tusslin' (I never)\nShe ready to get in the streets for me, no question (Of course, skrrt)\nToo rich to text, I let my shawty forward it (Yeah)\nTake the P out the alphabets, nigga, try to sort it (Ayy)\n[Outro: Young Thug, \nGunna\n & \nFuture\n]\nI'm pushin' P, \nI'm pushin' P, I'm pushin' P\nPushin' P\n, \nI'm pushin' P, P, ah-ah\nPushin' P\n, \nI'm pushin' P\n, \npushin' P\nI'm pushin' P\n, \nyeah\n, ah-ah" } ]

[ { "from": "human", "value": "Write me a song called Al Capone with the following description: “Al Capone” is an early version of the song that came to be Michael Jackson’s legendary “Smooth Criminal”. The two songs have similar musical components and lyrical themes. “Al Capone” was released for the first time on the second disc of the Bad 25 anniversary re-release.\nThis track is named after Alphonse Gabriel Capone (Al Capone), a well known criminal mastermind that held that title for seven years until his arrest in 1929. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse]\nWhy did you let him get away?\nAfter the staring, what did you say?\nTreatin' me bold and cold as ice\nScreamed in my face then pulled your knife\nShe should have spied down his skin\nNow, it's my job to get revenge\nWhy did you let him get away?\nWhy did you let him get away?\n[Pre-Chorus]\nToo bad, forget it\n'Cause it's Al Capone who's in it\nSo sad, regret it\n'Cause a madman's out tonight\n[Chorus]\nYou should have told her\nNobody ever showed her 'bout us\nNo one's sleepin'\nNobody should be grievin' this way\nYou should have told her\nNobody ever showed her 'bout us\nNo one's sleepin'\nNobody should be grievin' this way [Verse]\nWhy did you let him get away?\nAfter the staring, what did you say?\nTreatin' me bold and cold as ice\nScreamed in my face then pulled your knife\nShe should have spied down his skin\nNow, it's my job to get revenge\nWhy did you let him get away?\nWhy did you let him get away?\n[Pre-Chorus]\nToo bad, forget it\n'Cause it's Al Capone who's in it\nSo sad, regret it\nAnd I told her, out tonight\n[Chorus]\nYou should have told her\nNobody ever showed her 'bout us\nNo one's sleepin'\nNobody should be grievin' this way\nYou should have told her\nNobody ever showed her 'bout us\nNo one's sleepin'\nNobody should be grievin' this way [Insturmental Break]\nAaow!\nAaow!\n[Pre-Chorus]\nToo bad, forget it\n'Cause it's Al Capone who's in it\nSo sad, regret it\n'Cause a man is out tonight\n[Chorus]\nYou should have told her\nNobody ever showed her 'bout us\nNo one's sleepin'\nNobody should be grievin' this way\nYou should have told her\nNobody ever showed her 'bout us\nNo one's sleepin'\nNobody should be grievin' this way\n[Chorus]\nYou should have told her (Should have told her)\nNobody ever showed her 'bout us (Oh, ba-da)\nNo one's sleepin' (No one's lovin')\nNobody should be grievin' this way (Oh-ba-ba)\nYou should have told her (Should have told her)\nNobody ever showed her 'bout us (Oh, ba-da)\nNo one's sleepin' (No one's love)\nNobody should be grievin' this way (Aaow!) [Outro]\nWhy did you let him get away?\nAfter the staring, what did you say?\nShot me down as cold as ice\nScreamed in my face then pulled your knife\nShe should have spied down his skin\nNow, it's my job to get revenge\nWhy did you let him get away?\nWhy did you let him get away?\n (Aaow!)\nDoo-doo-do-do-doo\nHee-hee-hee-hee! (Hoo!)" } ]

[ { "from": "human", "value": "Write me a song called 24k of Gold with the following description: A smooth track from Sean’s 2012 mixtape Detroit, it describes how fame and riches have driven him to success, and how he still dreams of even more.\nProduction was handled by keY Wane.\nThe original instrumental was produced by Hit Boy and was eventually sold to Justin Bieber for his collaboration with Drake, “Right Here” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Big Sean]\nYeah, G.O.O.D\n[Chorus: Big Sean & Jhené Aiko]\nWishing I could wrap my whole life up in 24 karats of gold\nLately, I've been dreaming 'bout diamonds and pearls\nYup, diamonds and pearls\nAnd enough money I could rule the world\nIf I ruled the world, yeah, if I ruled the world\nIf I ruled the world man, it got me thinking man if I ruled the world\nIf I ruled the world, if I ruled the world\nI could rule the world man, if I ruled the world\n[Verse 1: Big Sean]\nIf I ruled the world\n, I would buy it all\nI'm addicted to champagne and buying the mall\nI'm addicted to living life above the law\nHow much do it take to live above the law?\nI call my homie Ralph up, cause his car stop\nTold him bump a new car, come grab the car lot\nThat way you can have convertibles, and a hardtop\nOpen up a few doors, since we had a hard knock, life\nLike, open up\nWhere restaurants and legs stay opened up\nStart a franchise so my dawg can quit wearing\nA .44 up on his waist like it's his pants size\nAnd to my OG locked up bumping \"Ready or Not\"\nWho was just trying to do it big, but wasn't ready to die\nCop a first class wherever he like, with hoes already inside\nNow he can rest in peace while he alive\nFuckin' right [Chorus: Big Sean & Jhené Aiko]\nWishing I could wrap my whole life up in 24 karats of gold\nLately, I've been dreaming 'bout diamonds and pearls\nYup, diamonds and pearls\nAnd enough money I could rule the world\nIf I ruled the world, yeah, if I ruled the world\nIf I ruled the world man, it got me thinking man if I ruled the world\nIf I ruled the world, if I ruled the world\nI could rule the world man, if I ruled the world\n[Verse 2: Big Sean]\nSeems life's never at a standstill, even in a photo\nThinking about the ex-girl, I hoed though\nLike would we have won it all, \nor would I have lost it all like Ocho\nThe things I think about the most are things I never know though\nLike, why don't schools teach more mathematics?\nLess trigonometry and more about taxes?\nThey at the chalkboard, teaching us ass backwards\nHow about preparing us for life instead of lab rat us?\nWith a mansion that's about five floors\nNo more sleeping on the couches, cause we got five more\nWith the fam that reminded me what I'm alive for\nAnd at the same time remind me what I'd die for\nA world where you wouldn't need sleep\nThat way we could catch up instead of chase dreams\nAnd finally get the speedboat my dad always wanted\nMm, I swear I feel it coming [Chorus: Big Sean & Jhené Aiko, \nJ. Cole\n]\nWishing I could wrap my whole life up in 24 karats of gold\nLately, I've been dreaming 'bout diamonds and pearls\nYup, diamonds and pearls\nAnd enough money I could rule the world\n \n(\nCole World\n)\nIf I ruled the world, yeah, if I ruled the world\n \n(\nCole\n)\nIf I ruled the world man, it got me thinking man if I ruled the world\nIf I ruled the world, if I ruled the world\nI could rule the world man, if I ruled the world\n \n(\nCole World\n)\n[Verse 3: J. Cole]\nIs this a dream? Well that's how it feel\nSometimes I got to pinch a fat ass to see if it's real\nI specifically remember, no heat in the winter\nNow I supply heat for the winter\nThen I skate to the beach for the winter\nWhen it comes to chips boy, nigga get a grip\nNo cleats I'm a winner\nShow love to the hoes and the freaks I remember\nHit the club and raise hell all week for the sinners\nMeet a young Dennis, the menace to society\nCheck my sobriety, fuck hoes in varieties\nShame that these things is the reasons you admire me\nBut, I'm getting dough man, these flows gon' retire me\nSplurging all crazy\nSwitching lanes in the Range swerving all crazy (Swerve)\nStyle on Nadal, I've been serving y'all lately, cheddar on Federer\nBall till I fall,\n et cetera, et cetera [Chorus: Big Sean & Jhené Aiko]\nWishing I could wrap my whole life up in 24 karats of gold\nLately, I've been dreaming 'bout diamonds and pearls\nYup, diamonds and pearls\nAnd enough money I could rule the world\nIf I ruled the world, yeah, if I ruled the world\nIf I ruled the world man, it got me thinking man if I ruled the world\nIf I ruled the world, if I ruled the world\nI could rule the world man, if I ruled the world" } ]

[ { "from": "human", "value": "Write me a song called Booty (Remix) with the following description: The official remix of “Booty” featuring Australian rapper Iggy Azalea, released on September 23, 2014. The original version of the song features rapper Pitbull and was included on Jennifer’s eighth studio album A.K.A.\nOn the Middle-Eastern vibe dance track the two ladies invite girls to the dancefloor to have a good time and dance, while shaking their buttocks. The song became a top twenty hit in the United States, charting at number eighteen on the US Billboard Hot 100. The official music video directed by Hype Williams premiered on Vevo on September 18, 2014.\nIggy Azalea originally featured on another track on A.K.A. the song “Acting Like That” ended up doing this remix after her mother suggested it. Trying to guess her daughter’s addition to the tracklist she thought that a track called “Booty,” had to feature the voluptuous Australian rapper. When Iggy told Jennifer about it she found the idea perfect and thus the song ended up as the album’s third single. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Jennifer Lopez & \nIggy Azalea\n]\nBig, big booty, what you got? A big booty (\nOoh\n)\nBig, big booty, what you got? A big booty (\nIt’s Iggy Iggs\n)\nBig, big booty, what you got? A big booty (\nGo to work\n)\nBig, big booty, what you? (\nOw!\n Ain’t that a freak)\nBig, big booty, what you got? A big booty\nBig, big booty, what you got? A big booty\nBig, big booty, what you got? A big booty\nBig, big booty, what you got? A big booty (Ain’t that a freak)\n[Verse 1: Jennifer Lopez]\nHave you seen her on the dance floor?\nShe got the boom, shake the room\nThat’s the lightning and the thunder\nYou wanna meet her, you wanna touch her\nSee the light in her eyes, and it starts to make you wonder (Ain't that a freak)\n[Pre-Chorus: Jennifer Lopez]\nAll the sexy girls in the party\nGo and grab a man, bring him to the dance floor\nGo on let them jeans touch you while you're dancing\n(Big, big booty, what you got? A big booty)\nIt’s his birthday, give him what he ask for\n(Big, big booty, what you got? A big booty)\nLet me show you how to do it\n[Chorus: Jennifer Lopez]\nBig, big booty, what you got? A big booty (Work)\nBig, big booty, what you got? A big booty (Shake that)\nBig, big booty, what you got? A big booty (Go to work)\nBig, big booty, what you? (Ain't that a freak) Huh\n[Verse 2: Jennifer Lopez]\nThe way she moves, I know you want her\nShe light the fire, get you right\nThat’s the lightning and the thunder\nYou wanna meet her, you gotta touch her\nHold on tight for the ride\n'Cause you know you gonna love her\n[Pre-Chorus: Jennifer Lopez]\nAll the sexy girls in the party\nGo and grab a man, bring him to the dance floor\nGo on let them jeans touch you while you're dancing\nIt’s his birthday, give him what he ask for\nLet me show you how to do it\n[Chorus: Jennifer Lopez]\nBig, big booty, what you got? A big booty (Work)\nBig, big booty, what you got? A big booty (Shake that)\nBig, big booty, what you got? A big booty (Go to work)\nBig, big booty, what you? (Ain't that a freak) Huh [Verse 3: Iggy Azaela]\nThey begging me to drop down on it but right now Iggy on the top\nThe last time the world seen a booty this good, it was on Jenny from the block\nI got 'em going crazy lately\nBut baby knowin' that only make me\nWanna tell all of my ladies to get up on the floor and just shake it, shake it (Ain't that a freak)\nY'all know what I've been on, y'all know that I've been on\nI'm queen big booty, Iggy, now find me a throne to sit on\nGirls with the cheeks, put 'em hands in the air\nThen pop that, pop that, let 'em know that you there\nSee, everybody wanna get a taste\nYou know that we've got enough to share\nBut fact we girls with the big fat booty too fancy to ever play fair\n[Verse 4: Jennifer Lopez & \nIggy Azaela\n]\nMesmerized by the size of it (Oh-oh-oh, \nuh-huh\n)\nYou can fight it if you like take your time (Oh-oh-oh)\nI can guarantee you’ll have the time of your life (\nThat's right\n)\nThrow up your hands if you love a big booty\n[Bridge: Jennifer Lopez & \nIggy Azaela\n]\nBig big big big big big booty, what you\nBig big big big big big booty, what you\nBig big big big big big...\nLet me show you how to do it\nWork\nShake that\nGo to work (\nOw!\n)\nGo to work (Ain't that a freak) Huh\n[Chorus: Jennifer Lopez]\nBig, big booty, what you got? A big booty\nBig, big booty, what you got? A big booty\nBig, big booty, what you got? A big booty\nBig, big booty, what you got? A big booty (Shake that)" } ]

[ { "from": "human", "value": "Write me a song called Die in Your Arms with the following description: “Die in Your Arms” is a song by Canadian recording artist Justin Bieber, from his third studio album, Believe (2012).\nThe track was written and produced by Rodney “Darkchild” Jerkins, Dennis “Aganee” Jerkins, and Travis Sayles, while additional lyrics were written by Bieber, Thomas Lumpkins, Kelly Lumpkins, and Herb Rooney. The R&B song samples Michael Jackson’s “We’ve Got a Good Thing Going” (1972), and lyrically, features Bieber singing about an all-consuming passion and the affection that he feels for his love interest.\n“Die in Your Arms” received mostly positive reviews from music critics, who compared the song’s style to the ones of Jackson 5, Duffy and Bruno Mars, among others. The song has charted in several countries such as Australia, Canada, Netherlands, New Zealand, United Kingdom, and United States. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nMhmm, uh-huh, yeah yeah, alright\nMhmm, uh-huh, yeah yeah, alright\n[Verse 1]\nSay you love me as much as I love you, yeah\nWould you hurt me, baby?\nCould you do that to me, yeah?\nWould you lie to me, baby?\nCause the truth hurts so much more\nWould you do the things that drive me crazy?\nLeave my heart still at the door?\n[Pre-Chorus]\nOh, I can't help it I'm just selfish\nThere's no way that I could share you\nThat would break my heart to pieces\nHonestly, the truth is...\n[Chorus]\nIf I could just die in your arms\nI wouldn't mind\nCause everytime you touch me I just die in your arms\nOoh, it feels so right\nSo baby, baby, please don't stop, girl [Interlude]\nOoh, baby I know loving you ain't easy\n(Mhmm, uh-huh, yeah yeah, alright)\nBut it sure is worth a try\n(Mhmm, uh-huh, yeah yeah, alright)\n[Verse 2]\nOoh, if there is a reason to call me a fool\nCause I love too hard\nAre there any rules, baby?\nIf this is a lesson, then baby, teach me to behave\nJust tell me what I gotta do just to stay right next to you\n[Pre-Chorus]\nOh, I can't help it I'm just selfish\nThere's no way that I could share you\nThat would break my heart to pieces\nHonestly, the truth is\n[Chorus]\nIf I could just die in your arms\nI wouldn't mind\nCause everytime you touch me I just die in your arms\nOoh, it feels so right\nSo baby, baby, please don't stop, girl [Bridge]\nBasically, I'm staying here\nI can't live without my baby\nLoving you is so damn easy for me, yeah\nAin't no need for contemplating\nPromise you won't keep me waiting\nTell me, baby, I'm all that you need\n[Chorus]\nIf I could just die in your arms\nI wouldn't mind\nCause everytime you touch me I just die in your arms\nOoh, it feels so right\nSo baby, baby, please don't stop, girl\nIf I could just die in your arms\nI wouldn't mind\nCause everytime you touch me I just die in your arms\nOoh, it feels so right\nSo baby, baby, please don't stop, girl\n[Outro]\nIf I could die in your arms\nI'ma make you believe girl\nI wouldn't mind\nAy ay ay, oh\nDon't stop, baby, no\nIt's what you do to me, yeah\nWoah, no no no, ooh woah\nBaby, please don't go, girl\nDon't go, no no no" } ]

[ { "from": "human", "value": "Write me a song called Jealousy Woes II with the following description: Em’s take on jealously between partners.\nSamples LL Cool J’s “Jealous”\nIs there a “Jealousy Woes I”?\nWell, the track heavily samples LL Cool J’s “Jealous” beat. This is possibly why it’s called part II. LL also may not have liked him calling it “Jealous II”, explaining the title “Jealousy Woes”.\nOn the album Infinite this track is preceded by “Backstabber”, which samples a quote (“stay away from him, he ain’t no good”) from that same “Jealous” track from LL. This could explain the part II too.\nOr maybe there is a part one but it was never released. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nJealous!\nJealous!\nJealous!\nJealous!\nJealous!\nJealous!\nJealous!\nJealous!\n[Interlude 1]\nJealous?\nWhat he mean \"jealous\"? You know what I'm sayin'?\nHe just mad 'cause he all with them ugly hoes, know what I'm sayin'?\nGirls don't buy him no clothes, he bought that ho some clothes!\nHe don't buy me no clothes, and they ain't got no money\nNo vibe, no dick, I mean, what do I got to be jealous fo'?\nHe ain't gonna make it nowhere\nHe ain't got no type of time, he has no career move\n, I mean—\n[Verse 1: Eminem]\nI come home every single day from workin' double shifts\nAnd stop along the way to pick you up a couple gifts\nI come inside, and you pretend you miss me when you kiss me\nThen you diss me and we strenuously fight continuously\nAgain you frisk me, for numbers, tryin' to bust me\nIt must be only just because you never learned to trust me\nPlus, we only squabble over irrelevant issues\nToo many tissues for my feelings you misuse\nI buy you jewelry, you make a fool of me\nI bring you diamond rings, you say I'm bad at timin' things\nSo what's a man to do when all I hand to you is handed back to me?\nYou act to be this gangsta bitch, that ain't what first attracted me\nI used to love your company, now you're always pumpin' me\nFor information, and you tell your friends you plan on dumpin' me\nSo I'ma wait for your evacuation\n'Cause every accusation makes me wanna smack your face in\nSee, I've never been so sure, and you're just insecure\nSo my solution to your jealousy presents a cure\nI recommend you take your things and check 'em in\nLook at the nervous wreck I'm in, I need my second wind\nSay what?— [Hook]\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\n[Interlude 2]\nFuck you and what you goin' through!\nFuck Eminem! He's mad 'cause I left that nigga for another man\nTo me, Eminem don't mean nothin' but minus money\nImmature, me? \nNigga, ain't got no dick\nNo swang in his thang, know what I'm sayin'?\nHe just mad 'cause I'm gettin' it all night, jealous of me\nKnow what I'm sayin'? That's what I'm talkin' about\nMotherfucker just clock in this pussy, pfft\n[Verse 2: Eminem]\nI used to be a puppet and a sucker for your silent treatments\nI used to be intoxicated with your sweet scents\nUntil the day I started followin' your feetprints\nAnd tappin' in your phone conversations through the heat vents\nIt made complete sense: \nthere's someone else you like\nSo I confronted you and asked you, \"Who was Mike?\"\n \nAnd you was like\n\"\nI need a new nigga!\n Someone rich that I could follow\nAnd you'll be over me by the time you see tomorrow!\"\nLeavin' me in sorrow, \nBrandy never felt so brokenhearted\nI fell apart when you departed, then the jokin' started\nI was an open target, you play comedian\nAnd I became the laughingstock, but now, I'm on my feet again\nAnd so, we meet again, you're actin' like an ex-wife\nAll in my sex life, I got a message from Phife\nIt goes, \"You didn't want me to see yo' hon, don't want me now\nTake the towel, wipe your brow!\"\n Quit tryin' to hunt me down!\nYou run me down and now you're tryin' to apologize\nFor all the lies and every time you made me bawl my eyes\nBecause I got a bigger wallet size, you wanna swing it\nJealousy is in the house, y'all— fellas, sing it! [Hook]\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\nJealous!\n (\nOh, jealousy, jealousy!\n)\n[Outro]\nJealous!\nJealous!\nJealous!" } ]

[ { "from": "human", "value": "Write me a song called Stay Beautiful with the following description: “Stay Beautiful” is a cute, heartfelt song about a boy Taylor had a crush on in high school. It epitomizes high school relationships, acknowledging that things may not work out between the two, but still enjoying their present romance.\nSwift talked a little bit about the meaning behind this song.\nAfter hearing my songs, a lot of people ask me, “How many boyfriends have you had?‘” And I always tell them that more of my songs come from observation than actual experience. In other words, you don’t have to date someone to write a song about them. This is a song I wrote about a guy I never dated! Wow, right? This song is about a guy I thought was cute, and never really talked to him much. But something about him inspired this song, just watching him. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nCory's eyes are like a jungle\nHe smiles, it's like the radio\nHe whispers songs into my window\nIn words that nobody knows\nThere's pretty girls on every corner\nThey watch him as he's walking home\nSaying, \"Does he know?\"\nWill you ever know?\n[Chorus]\nYou're beautiful, every little piece, love\nDon't you know you're really gonna be someone?\nAsk anyone\nAnd when you find everything you looked for\nI hope your life leads you back to my door\nOh, but if it don't\nStay beautiful\n[Verse 2]\nCory finds another way to be\nThe highlight of my day\nI'm taking pictures in my mind\nSo I can save 'em for a rainy day\nIt's hard to make a conversation\nWhen he's taking my breath away\nI should say, \"Hey, by the way\" [Chorus]\nYou're beautiful, every little piece, love\nDon't you know you're really gonna be someone?\nAsk anyone\nAnd when you find everything you looked for\nI hope your life leads you back to my door\nOh, but if it don't\nStay beautiful\n[Bridge]\nIf you and I are a story\nThat never gets told\nIf what you are is a daydream\nI'll never get to hold, at least you'll know\n[Chorus]\nYou're beautiful, every little piece, love\nDon't you know you're really gonna be someone?\nAsk anyone\nAnd when you find everything you looked for\nI hope your life leads you back to my front door\nOh, but if it don't\nWill you stay beautiful, beautiful, beautiful?\nBeautiful, beautiful, beautiful\n[Outro]\nLa-la-la\nOh-oh-oh\nOh-oh-oh-oh\nOh, but if it don't\nStay beautiful, stay beautiful\nNa-na-na, na-na" } ]

[ { "from": "human", "value": "Write me a song called More Milli with the following description: A sequel of sorts to Lil Wayne’s “A Milli”, although Weezy F. Baby isn’t on this. Instead, this beat was given to his “daddy” Birdman, and his protege Drake and Bun B tag along for the ride.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Birdman]\nMake it so fresh, YM\nSo fly so priceless\n, \nCMB bitch\nJust another day on the\nTop floor of the balcony bitch\nLive it how we live it\nMula, Drizzy\nYou what it is, young appreciate that\nIt's big money poppin baby boy\nAin't none of that lil biddy\nMore, mo more milli\nMore, mo more milli\nYeah...\n[Verse 1: Birdman]\nIt's pearl white candy paint job fly\nBig timer on the loose\nGot a bitch riding five\nAnd everytime I pull up you know I'm iced up\nWhen I step up in the club I light the bitch up\nBack on my saddle throwing purple out the truck\nCandy paint rally stripe shining like us\nPearly white maybach, hatchback automatic\nStraps stash spots under the rack\nBitch, ready to spray that\nForeign grinds hard times\nGetting mines, you know uptown\nBig time doing time\nYou know, Harley Davis baby\nCash money is pay me so you pay me how it weigh\nBaby, black, gold\n100 mill off the floor\nNever told now you know how it go bitch\nOne hundred, one hundred [Verse 2: Drake]\nLord!\nYou're now fucking with the most requested\nThe young nigga that everybody is so obsessed with\nAnd black on black 62 float majestic\nMe and Stunna in it, boy I'm just so connected\nCaught up in a popularity contest\nIt's about to reach my dreams and I ain't even got my arms stretched\nThank Me Later first week I'm taking all bets\nBecause a million copies isn't really far fetched\nI keep credit cards in cash knots\nI keep my darkest shades on until the flash stops\nIt's for my LA girls getting them implants\nAnd all my DC girls getting them ass shots\nGot em for a reason shawty, go ahead buss it open\nI keep a secret baby, nothing's heard when nothing's spoken\nHaters talk it like my buzz isn't enough promotion\nAnd I just lost a Gucci sandal in the fucking ocean\nDamn, I guess the problems of a teen star\nHave confused all the conversations between y'all\nAnd dog that's funny, pay me what owe me nigga\nAll cash money\n[Verse 3: Bun B]\nYeah!\nBoy it's that big body nigga in his big-bodied car\nGot a big body boppa with that million-dollar drawer\nShe said \"Daddy I like sushi\", so baby take me raw\nI pulled out my strapped condom, looked down said \"naw!\"\nCigar full of kush, you need prescriptions to access\nLaying on a mattress, with your favourite actress\nMy flow is going out, I said baby pass the matches\nAnd let her top me off while I'm tapping off the ashes\nClassy but classless, you danced off the guest-list\nA lady here but said it, nigga get past it\nTake it what you've got, you should've passed it\nYou was moving slower than molasses, it's time you were nasty\nGive it up too, it's a jack, don't move\nThis is murder music, nigga don't disturb this groove\nToo trill with the team, Cash Money ?\nWe true players down to the last chromosome" } ]