Datasets:

---

cs182project

/

182-final-project

like 1

Follow

cs182project 3

[ { "from": "human", "value": "Write me a song called Paralysis with the following description: “Paralysis” is a doleful and resounding unreleased Juice WRLD song, where he explains his trouble sleeping after losing someone he loved.\nThe song is thought to have been recorded in 2019 and leaked on December 8th, the same year, an hour after Juice was pronounced dead after suffering a seizure at Chicago’s Midway Airport. It’s unclear if the track will ever be officially released or appear on any of Juice’s upcoming projects. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nSleep paralysis again\nI am trapped inside my bed\nEvil thoughts inside my head\nSleep paralysis again\nI am trapped inside my bed\nEvil thoughts inside my head\n[Verse 1]\nI feel your presence on my chest\nLately I ain't been the best\nMaybe it's because you left\nI wake up, you're layin' next to me\nMan, oh, man, that's when I woke up again\nIt was a dream in a dream, reality ain't my friend, mmh\nMan, oh, man, time to get fucked up again\nI'm gettin' higher than high so reality won't set in, yeah\n[Chorus]\nSleep paralysis again\nI am trapped inside my bed\nEvil thoughts inside my head\nSleep paralysis again\nI am trapped inside my bed\nEvil thoughts inside my head [Verse 2]\nI woke up to see your face, but I forgot that you're not there\nIt's kinda crazy, ain't it complicated? Love, it got me scared\nThe nights are slumberless, I'm tossin', turnin', thinkin' about my life\nAnd where I went wrong and took that left turn, it feels like I can never do right\n[Chorus]\nSleep paralysis again\nI am trapped inside my bed\nEvil thoughts inside my head\nSleep paralysis again\nI am trapped inside my bed\nEvil thoughts inside my head" } ]

[ { "from": "human", "value": "Write me a song called ’97 Bonnie & Clyde with the following description: “97’ Bonnie & Clyde” is the LP version of “Just the Two of Us” from the Slim Shady EP, which was released shortly over a year before.\nApart from the title, this version has a slightly different beat, produced by Bass Brothers, and an extended intro, taken directly from “Mommy,” the skit interlude on The Slim Shady EP that precedes “Just the Two of Us.”\nThe new title pays homage to 2Pac and his song “Me and My Girlfriend,” in which he titled him and his girlfriend (which is revealed to be a gun). as ’96 Bonnie and Clyde. In this version the ’97 Bonnie and Clyde refers to Eminem and his daughter Hailie, whose voice is heard throughout the song.\nThe song chronicles the fictional story of Eminem running off with Hailie after having murdered his ex (and Hailie’s mother) Kim, her new lover, and her stepson, an episode which was later described in The Marshall Mathers LP’s “Kim”. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(Just the two of us, just the two of us)\nBaby, your dada loves you\nAnd I'ma always be here for you\n(Just the two of us, just the two of us)\nNo matter what happens\nYou're all I got in this world\n(Just the two of us, just the two of us)\nI would never give you up for nothin'\n(Just the two of us, just the two of us)\nNobody in this world is ever gonna keep you from me\nI love you\n[Verse 1]\nC'mon Hai-Hai, we goin' to the beach\nGrab a couple of toys and let Dada strap you in the car seat\nOh, where's Mama? She's takin' a little nap in the trunk\nOh, that smell? Dada must've runned over a skunk\nNow, I know what you're thinkin', it's kind of late to go swimmin'\nBut you know your Mama, she's one of those type of women\nThat do crazy things, and if she don't get her way, she'll throw a fit\nDon't play with Dada's toy knife, honey, let go of it (\nNo\n)\nAnd don't look so upset, why you actin' bashful?\nDon't you wanna help Dada build a sandcastle? (\nYeah\n)\nAnd Mama said she wants to show you how far she can float\nAnd don't worry about that little boo-boo on her throat\nIt's just a little scratch, it don't hurt\nHer was eatin' dinner while you were sweepin'\nAnd spilled ketchup on her shirt\nMama's messy, ain't she? We'll let her wash off in the water\nAnd me and you can play by ourselves, can't we? [Chorus]\nJust the two of us, just the two of us\nAnd when we ride\nJust the two of us, just the two of us\nJust you and I\nJust the two of us, just the two of us\nAnd when we ride\nJust the two of us, just the two of us\nJust you and I (See, honey)\n[Verse 2]\nThere's a place called Heaven and a place called Hell\nA place called prison and a place called jail\nAnd Dada's probably on his way to all of 'em except one\n'Cause Mama's got a new husband and a stepson\nAnd you don't want a brother, do ya? (Nah)\nMaybe when you're old enough\nTo understand a little better, I'll explain it to ya\nBut for now, we'll just say Mama was real, real bad\nWas bein' mean to Dad and made him real, real mad\nBut I still feel sad that I put her on time out\nSit back in your chair, honey, quit tryna climb out\nI told you it's okay, Hai-Hai, want a \nba-ba?\nTake a night-night? Na-na-boo, goo-goo-ga-ga?\nHer make poo-poo ca-ca?\n Dada change your didee\nClean the baby up so her can take a nighty-nighty\nYour dad'll wake her up as soon as we get to the water\n'97 Bonnie and Clyde, me and my daughter [Chorus]\nJust the two of us, just the two of us\nAnd when we ride\nJust the two of us, just the two of us\nJust you and I\nJust the two of us, just the two of us\nAnd when we ride\nJust the two of us, just the two of us\nJust you and I\n[Verse 3]\nWake up, sweepyhead, we're here, before we pway\nWe're gonna take Mama for a wittle walk along the pier\nBaby, don't cry, honey, don't get the wrong idea\nMama's too sweepy to hear you scweamin' in her ear (\nMama\n)\nThat's why you can't get her to wake, but don't worry\nDada made a nice bed for Mommy at the bottom of the lake\nHere, you wanna help Dada tie a rope around this rock? (\nYeah\n)\nWe'll tie it to her footsie then we'll roll her off the dock\nReady now, here we go, on the count of free\nOne, two, free, whee\nThere goes Mama, spashin' in the water\nNo more fightin' with Dad, no more restraining order\nNo more step-dada, no more new brother\nBlow her kisses bye-bye, tell Mama you love her (\nMommy\n)\nNow we'll go play in the sand, build a castle and junk\nBut first, just help Dad with two more things out the trunk [Chorus]\nJust the two of us, just the two of us\nAnd when we ride\nJust the two of us, just the two of us\nJust you and I\nJust the two of us, just the two of us\nAnd when we ride\nJust the two of us, just the two of us\nJust you and I\n[Outro]\n(Just the two of us, just the two of us)\nJust me and you, baby, is all we need in this world\n(Just the two of us, just the two of us)\nJust me and you\nYour dada will always be here for you\nYour dada's always gonna love you, remember that\nIf you ever need me, I'ma always be here for you\nYou ever need anything, just ask\nDada will be right there\nYour dada loves you\nI love you, baby" } ]

[ { "from": "human", "value": "Write me a song called Warrior Part 2 with the following description: “Warrior Part 2” is track 9 of Lloyd Banks debut album, “The Hunger for More” (released June 29, 2004). The track is produced by Eminem, who’s also featured in the song with 50 Cent and Nate Dogg.\nIn this song we get to hear the story of four warriors who’s letting us know they’re the best in the game, and that other rappers can’t touch them. They’re warning haters not to start trouble, or they’ll be wrecked both lyrically and physically.\nEven though Eminem yells “remix” in the intro, the song hasn’t sampled anything from another song. There’s another song from H.F.M. named “Warrior”, but the only similarities between the songs are the name. Maybe Eminem just wanted to make an continuation in his own style? Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Eminem]\nWoo!!! Yeah!!! Remix!!! (50 Cent: Ha Ha!!!)\nLloyd Banks!!! (Lloyd Banks: Uh Huh!!!) Ha Ha!!!\n[Verse 1: Eminem]\nIt's like a throne that he don't even own\nHe won't sit down, give him a crown, he just throws it around\nIt’s like a joke, he’s like a king, but he don’t rule a thing\nHe don't want the diamonds, want the gold or want the jewelry\nHe don't want the ring, don't want the loot, he's in it for the sport\nRunning circles 'round his competition on the court\nHe appreciates your support, but he ain't beggin' for it\nAnd you can love it, you can hate it, \nbut you can't ignore it\nYou can't be that ig-nor-ant\n, \nthough you can try to sell him short\nBut you can't fuck with his last joint or the one before it\nAnd he was born to raise hell like them country boys\nAnd if I'm frontin', man, you better come confront me for it\n[Chorus: Nate Dogg]\nThis is the story of a warrior, I know you know it\nTrue warriors go ahead and make some noise\nIt ain't healthy to be making niggas paranoid\nHit your corner with my weapon I don't need my boys\nI'm doing a hundred tween in the fast lane\nKick back just relax let me do my thing\nDon't give a fuck about you suckers gotta maintain\nMoney, power, and respect in this rap game [Verse 2: Lloyd Banks]\nHe's straight outta a neighborhood where niggas hate\nTo see you blow and eat your dinner off a bigger plate\nTheir stomachs ache while he's lounging in the big estate\nAnd he hops in a hundred thousand where the nigga stay\nHouses with a bigger gate, hounding him's a big mistake\nHe won't surrender he'll rather give up a rib to break\nCause he remembers when they wouldn't lend a helping hand\nTill he was sitting on green like a Celtic fan\nCreated a buzz to where you gotta mention his name\nWhen you discussing the illest players that's in the game\nAnd he's riding with Em, 50 Cent, Doc and 'em\nG-Unit Records ain't a motherfucker stopping them\n[Chorus: Nate Dogg]\nThis is the story of a warrior, I know you know it\nTrue warriors go ahead and make some noise\nIt ain't healthy to be making niggas paranoid\nHit your corner with my weapon I don't need my boys\nI'm doing a hundred tween in the fast lane\nKick back just relax let me do my thing\nDon't give a fuck about you suckers gotta maintain\nMoney, power, and respect in this rap game\n[Verse 3: 50 Cent]\nHe's no magician man the kid does something out of nothing\nSo that niggas from his hood act like he owes him something\nThey talk crazy till they send niggas to where to buck him\nAsk him if it's a problem and he'll say \"nah, it's nothing\"\nHe was gonna help 'em out but since they fronted fuck 'em\nHe don't care how they feel they can hate him or love him\nHe held his own on his own the kid is really thugging\nHe's rich now, he ain't changed so niggas think he bugging\nHe bulletproof everything cause niggas try and buck him\nKeeps two pistols on his hip I'll show you where he tuck 'em\nNiggas say they gon' get at him but they can't touch him\nTry to catch him slipping they creep in and he start bussing [Chorus: Nate Dogg]\nThis is the story of a warrior, I know you know it\nTrue warriors go ahead and make some noise\nIt ain't healthy to be making niggas paranoid\nHit your corner with my weapon I don't need my boys\nI'm doing a hundred tween in the fast lane\nKick back just relax let me do my thing\nDon't give a fuck about you suckers gotta maintain\nMoney, power, and respect in this rap game\n[Outro: Nate Dogg]\nI can give you niggas something you can talk about\nI can turn your smile upside down\nYou ain't no G you a fucking clown\nI can take your girl and tu-turn her out\nDon't hold it in let it all out\nI can give you fuckers something to be mad about\nInvite her in send her back out\nWith my DNA all in her mouth" } ]

[ { "from": "human", "value": "Write me a song called Back Chat with the following description: Back Chat is a funk-influenced song which was the 3rd track on Hot Space. The song was written by John Deacon, who actually plays the lead guitar in this song. Brian May appears on the track very briefly during the guitar solo.\nThe title of the song, “Back Chat,” is an English idiom referring to an “impertinent or impudent replies, especially to a superior.”\nQueen performed the song live only during the Hot Space Tour. It was played the song at a faster tempo, with a more rock-oriented arrangement.\n\n\n\nIt was also the 6th and final single from the album, released on August 9th, 1982.\n On the video commentary on Greatest Video Hits 2, Roger Taylor made it clear that he hates the music video for “Back Chat.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOoh, ooh\nYeah, yeah\nHa!\nYa, da, da, da-dap!\n[Chorus]\nBack chat, back chat, you burn all my energy\nBack chat, back chat, criticizing all you see\nBack chat, back chat, analyzing what I say\nBack chat (Huh), back chat, and you always get your way\n[Post-Chorus]\nOh yeah, see what you've done to me\n[Verse 1]\nBack chat, back chat, you're driving me insane\nIt's a battle to the end, knock you down, you come again\nTalk back (Huh), talk back, you've got me on the rack\nTwisting every word I say, you wind me up and get your way\nFat chance I have of making a romance\nIf I'm ever gonna win, have to get the last word in\nTake it from there\nUh! Twisting every word I say\nHuh! Wind me up and let me play [Chorus]\nBack chat (Oh yeah), back chat, you burn all my energy\nBack chat (Huh), back chat, criticizing all you see\nBack chat (Hey), back chat, analyzing what I say\nBack chat (Yeah), back chat, and you always get your way\n[Instrumental Break]\nBlow!\n[Guitar Solo]\nOoh, get down to me\n[Verse 2]\nC'mon now!\nWake up, stand up and drag yourself on out\nGet down, get ready, scream and shout\nBack off me, be cool, and learn to change your ways\n'Cause you're talking in your sleep and you're walking in a daze\nDon't push your luck with me, I'm ready to attack\n'Cause when I'm tryna talk to you all you do is just talk back\nYou stand so tall you don't frighten me at all\nDon't talk back, don't talk back, don't talk back\nJust leave me alone, ha\nHey\n[Chorus]\nBack chat, back chat, you burn all my energy\nBack chat (Huh), back chat, criticizing all you see\nBack chat, back chat, analyzing what I say\nBack chat, back chat, and you always get your way [Outro]\nYes, you do, ah\nYes, you do, baby, c'mon!\nBack chat, back chat\nBack chat, back chat (You know where it's at, c'mon)\nBack chat, back chat (Hit me!)\nBack chat, back chat (Go for it! Go for it! Go for it! Baby, ha)\nBack chat (Yeah, ooh), back chat (Could you be...)\nCould you be giving me the runaround? (Yes, I am)\nCriticizing me (Oh, yeah), analysing me (Oh, yeah)\nBack chat, back talk, back lash (Huh)\nWell, baby (Yeah?), merci beaucoup (Thank you), thank you (Yeah)\nThat's all, let's go\nLet's get on down (Back chat, back chat)\nGet on down (Back chat, back chat)\nGet on down (Back chat)" } ]

[ { "from": "human", "value": "Write me a song called It’s killing me with the following description: This song is how Wayne’s girl had a lack of trust and how he really wanted her to be a major part in his life. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook]\nIt's killin me\nWooooo\nI must like it when you question me about it baby\nI swear, but they say, it's just not true\n[Overlapping first Hook]\nWoo, yeah\nHow ya'll doin out there?\nI'd just like to tell ya'll my story\nYa dig?\nThat's right\nEverybody in the crowd put your tree'z up\nYeah, put your tree'z up\nLet's go\nYeah\n[Verse 1]\n3 in the mornin, I ain't home yet\nShawty blowin up my phone like a bomb threat\nWhat's goin on baby?\nWhy you on that?\nKnowin when I make it home I get ya thong wet\nOkay I'm on my way, speedin windows up\nSo have my food warm, and have my pillows fluff\nShe been through the water, shawty guerilla tough\nShawty take all them shots like the Louis cup\nI wanna give her all, and never give her up\nI told her when it died down we could live it up\nWhere would you be, be without me?\nDon't doubt me be about me baby,\n I'm like... [Hook]\n[Verse 2]\nYeah, I'm like\nAs soon as I come home, I was workin long\nShe wanna know what I was working on\nSo I play her this song\nAnd I make her feel wrong\nBut still in all in my eyesight, she passed right\nI can't trip cuz no one loves the fast life\nOr sittin in the passenger seat, hold tight\nWhen she gives a whole platter to me, her whole life\nBut for me that's too much to eat, in one bite but\nI'mma chew and just do what I gotta\nOther bitches get the boot like a high top Prada\nWhere would you be, be without me?\nDon't doubt me be about me baby, I'm like...\n[Hook]\n[Verse 3]\nCan I talk to her, yeah, um\nLeave the drama on daytime television\nWhat is this detention?\nIt feel like elementary\nI wish I never injure\nHurt or scar you\nWhen I think of my future\nBaby that are you\nI mean that is you\nPart of my fears\nYou know, part of my mental\nSee what I'm into?\nSee how I'm in too deep in the shit too?\nIt ain't just you, it is us two\nI trust you, you gotta trust me\nCuz in them other bitches eyes I'm a must-see\nNow where would you be, be without me?\nDon't doubt me be about me girl It's killin me\nWooooo\nI must like it when you question me about it baby\nI swear, but they say, it's just not true" } ]

[ { "from": "human", "value": "Write me a song called Daydreamer with the following description: “Daydreamer” is the first track off Adele’s first album, 19.\nIn 2008 interviews with The Sun and Daily Star Adele discussed the song’s inspiration:\nIt was about a friend of mine, who’s still one of my best friends, and he was bi. But I started falling in love with him around my 18th birthday. He convinced me that it would be fine but that night he kissed one of my best boyfriends and I was like: ‘Get lost!’\nI had no problem with him being bisexual, but I can’t fight off girls and boys. I get jealous enough as it is. It’s about everything I’d hoped he’d be and we’d be, but he would never be and we would never be. So, it’s me daydreaming about him. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nDaydreamer\nSitting on the sea\nSoaking up the sun\nHe is a real lover\nOf making up the past\nAnd feeling up his girl\nLike he's never felt her figure before\n[Verse 2]\nA jaw dropper\nLooks good when he walks\nIs the subject of their talk\nHe would be hard to chase\nBut good to catch\nAnd he could change the world\nWith his hands behind his back, oh\n[Chorus]\nYou can find him sitting on your doorstep\nWaiting for a surprise\nAnd he will feel like he's been there for hours\nAnd you can tell that he'll be there for life\n[Verse 3]\nDaydreamer\nWith eyes that make you melt\nHe lends his coat for shelter\nPlus he's there for you\nWhen he shouldn't be\nBut he stays all the same\nWaits for you\nThen sees you through [Bridge]\nThere's no way I could describe him\nWhat I've said is just what I'm hoping for\n[Chorus]\nBut I will find him sitting on my doorstep\nWaiting for a surprise\nAnd he will feel like he's been there for hours\nAnd I can tell that he'll be there for life\nAnd I can tell that he'll be there for life" } ]

[ { "from": "human", "value": "Write me a song called All Bad with the following description: \nThe sixth installment of Justin Bieber’s Music Mondays — where he released a track a week for ten weeks from his upcoming album Journals. These songs are supposedly from his personal journals and talk about his relationships — especially his two year romance with Selena Gomez. In “All Bad” he’s out here trying to salvage his rep with his girl.\nAll Bad was released November 11th, 2013, but Justin was feeling sick in Argentina earlier in the day and ended up going to the hospital after his show, so he couldn’t do a Twitter countdown this track.\nhttps://twitter.com/justinbieber/status/399667576592031744 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nIt's another, if it ain't one thing\nInstigators, like putting fire on propane\nThe wrong thing, they be worrying about\nOoh you know females and how they like to run they mouths\n[Pre-Chorus]\nWanna be, wanna be just like talk like, you\nLike you, you, like you\nMisery, misery loves company\nDon't let 'em change your mood\n[Chorus]\nThey try to get at me (they try to get at me)\nBehind your back (your back, your back, your back)\nThey tryna tell me that I'm just like the others\nBut I ain't all bad\nNo, no I ain't all bad, all bad, all bad\nI ain't that bad, all bad all bad\nI might make you mad, so mad, my bad\nNo I ain't all bad\n[Verse 2]\nBetween us, they wanna come in\nYour worst enemy, so they try to be your best friend\nPerfect, ain't saying that I am\nProven, at least I've proven that I give a damn [Pre-Chorus]\nWanna be, wanna be everything I oughta be\nTo you to you, to you\nEnvy, envy, same thing as jealousy\nJealous of you\nThat's what they do\n[Chorus]\nThey try to get at me, they try to get at me\nBehind your back, your back, your back, your back\nThey tryna tell me that I'm just like the others\nBut I ain't all bad\nNo, no I ain't all bad, all bad, all bad\nI ain't that bad, all bad all bad\nI might make you mad, so mad, my bad\nNo I ain't all bad" } ]

[ { "from": "human", "value": "Write me a song called All for Nothing with the following description: The energetically-charged second track on Linkin Park’s sixth studio album, The Hunting Party.\nFeatures guest vocals from Page Hamilton of Helmet. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Mike Shinoda]\nYeah\nUh\n[Verse 1: Mike Shinoda]\nSo what'cha waitin' for, anticipatin' more\nWhile you debate what it could take to instigate a war?\nYeah, I been hated more than time I wasn't hated for\nThere's nothing they can fuckin' say they didn't say before\n[Pre-Chorus: Mike Shinoda]\nBut you could never see it, your battle's not mine\nWanna skate and play it safe, but this is take a shot time\nWhile you're waitin' for a purpose, I already got mine\nWhile you tell me step to it like \"one, two, three, four\"\n[Chorus: Page Hamilton & \nChester Bennington\n]\nAnd if I do what you demand\n(\nYou say!\n) You'll let me understand\n(\nYou say!\n) You're gonna hold me to your word\nAnd if I sell myself away\n(\nYou say!\n) I'll have no debt to pay\n(\nYou say!\n) I'm gonna get what I deserve\nWoah-oh-oh-oh\n[Post-Chorus: Chester Bennington & Page Hamilton]\nYour word, obeyed\nMy debt, repaid\nOur trust, betrayed\nAll for nothing! All for nothing! [Verse 2: Mike Shinoda]\nKick back, there's no other way to say it\nSo let me break this fucker down for ya, I really don't know ya\nYou talk, but let me show you where to put your paranoia\nYou're joking, I don't have a half a sucker bone to throw you\nI'm disgusted, wonder what could've made you tuck your tail below you\n[Pre-Chorus: Mike Shinoda \nwith Chester Bennington\n]\nAnd no, I'm not your soldier, I'm not takin' any orders\nI'm a five-star general infantry controller\nNeed a lesson? Let me show you, have you checkin' your composure\nWhile I make you step to it like \"\none, two, three, four\n\"?\n[Chorus: Page Hamilton & \nChester Bennington\n]\nAnd if I do what you demand\n(\nYou say!\n) You'll let me understand\n(\nYou say!\n) You're gonna hold me to your word\nAnd if I sell myself away\n(\nYou say!\n) I'll have no debt to pay\n(\nYou say!\n) I'm gonna get what I deserve\nWoah-oh-oh-oh\n[Guitar Solo]\n[Chorus: Page Hamilton]\nAnd if I do what you demand\nYou'll let me understand [Post-Chorus: Chester Bennington & Page Hamilton]\nYour word, obeyed\nMy debt, repaid\nOur trust, betrayed\nAll for nothing! All for nothing!\nAll for nothing! All for nothing!\n[Outro: Mike Shinoda & \nBrad Delson\n]\nWe're going too far\nI don't think we're too far\nWe are\nThere's a difference, put the heavy shit there\nThe heavy shit right here?" } ]

[ { "from": "human", "value": "Write me a song called Gonna Love Me with the following description: On “Gonna Love Me”, track 2 on K.T.S.E., Teyana sings over a soulful Delfonics sample about getting through the troubles in a relationship, and finding love in the struggle. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Randy Cain]\nAnd oh, you're gonna love me\nYou're gonna wanna hug me and squeeze me\n[Verse 1: Teyana Taylor]\nSometimes we say things that we really don't mean\nWe do things in between the lines\nWe should do more to stand out\nI'm sorry if I made you feel less than who you are\nA little insecure, oh, you's a shining star\n[Chorus: Teyana Taylor]\nI wanna spend my nights with you\nMy life with you, oh baby, babe\nPlease wait up for me 'til whenever I get home\nI know that you're all alone\nThinking 'bout what you're gon' do\nI hope that you see it through, ooh, ooh\n[Post-Chorus: Randy Cain]\nAnd oh, you're gonna love me\nYou're gonna wanna hug me and squeeze me\n[Verse 2: Teyana Taylor]\nSometimes I don't think we really say enough\nWhy is it so hard to keep in touch\nWhen we're laying right next to each other, baby\nWe shouldn't read into things so much\nOverthinking understanding\nDon't let a feeling change it up [Chorus: Teyana Taylor]\nI wanna spend my nights with you\nMy life with you, oh baby, babe\nPlease wait up for me 'til whenever I get home\nI know that I'm all alone\nThinking 'bout what I'm gon' do\nI hope that I see it through, ooh, ooh, yeah\n[Post-Chorus: Randy Cain]\nAnd oh, you're gonna love me\nYou're gonna wanna hug me and squeeze me\nAnd oh, you're gonna love me\nYou're gonna wanna hug me and squeeze me\n[Outro: Teyana Taylor & \nRandy Cain\n]\nAnd are you gonna love me? yeah\nAnd are you gonna hold me? And squeeze me\nAre you gonna love? And squeeze me\nAnd oh, you're gonna love me\nYou're gonna wanna hug me\nAre you gonna hold me?\nAnd squeeze me\n, squeeze me\nAnd oh, you're gonna love me\nYou're gonna wanna hug me\nYou're gonna wanna hold me\nAnd squeeze me\n, and squeeze me" } ]

[ { "from": "human", "value": "Write me a song called 5 O’Clock with the following description: “5 O'Clock” is the second official single from T-Pain’s fourth studio album, Revolver. Featured on the song as guest vocalists are American rapper Wiz Khalifa. British pop singer Lily Allen’s 2009 single “Who’d Have Known”, is sampled. The song peaked at number ten on the Billboard Hot 100, becoming Allen’s first top ten single in the United States. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Lily Allen & \nT-Pain\n]\nIt's 5 o' clock in the morning\nConversation got boring\nYou said you'd go in to bed soon\nSo I snuck off to your bedroom\nAnd I thought I'd just wait there (\nUgh\n)\nUntil I heard you come up the stairs (\nUgh\n)\nAnd I pretended I was sleeping (\nUgh\n)\nAnd I was hoping you would— (\nAyy\n)\n[Verse 1: T-Pain, \nLily Allen\n, & \nBoth\n]\nIt's 5 o'clock in the morning\n, and I want ya\nAnd you want me, don't ya?\nI can see it, 'cause you've been waiting on me\nSince I said that I was hitting in the club\nThe Sun be coming up on me\nAnd I know you be getting so horny (Ah, ah, ah, ah)\n'Cause you be sending me texts-es\nLike, \"Boy, just get your ass up in that car\nAnd come get all of this love\"\n(\nIt's 5 o'clock in the morning\n) You ain't got to remind me\nShe already said if I don't come on time, she—\nMight go crazy\nAnd she'll be waiting on me naked with one of my chains on\nShe might come and find me (Ah-ah-ah)\nAnd then ask me kindly— (Ah-ah-ah)\nDo I want her to go crazy? We do this every night\nAnd then, we always wake up singing the same song [Chorus: Lily Allen & \nT-Pain\n, \nBoth\n]\nIt's 5 o' clock in the morning (\nYeah\n)\nConversation got boring (\nTalk to me, girl\n)\nYou said you'd go in to bed soon (\nLet's go\n)\nSo I snuck off to your bedroom (\nCome on\n)\nAnd I thought I'd just wait there (\nWait on me\n)\nUntil I heard you come up the stairs (\nI won't let you stay lonely\n)\nAnd I pretended I was sleeping (\nAll right\n)\nAnd I was hoping you would creep in (\nGoodnight\n)\nIt's 5 o' clock in the morning\nThe conversation got boring\nYou said you'd go in to bed soon\nSo I snuck off to your bedroom\nAnd I thought I'd just wait there\nUntil I heard you come up the stairs\nAnd I pretended I was sleeping\n (Oh, oh-oh)\nAnd I was hoping you would creep in\n[Verse 2: T Pain & \nLily Allen\n]\nIt's 5 o'clock in the morning, and you calling\nAnd these females got me stalling\nI can hear your voice in my head, like\n\"What is he doing?\" (Oh) \"What is he doing?\"\n'Cause I keep checking my cell phone and these missed calls\nAnd you texting me, like, \"I'ma kill y'all\nIf you don't get your ass up out of that club\nAnd do you know what time it is?\"\n(\nIt's 5 o'clock in the morning\n) Ooh (Ooh)\nWell, my bad, girl\nAnd this Nuvo got me tripping, and I know that you mad, girl\nBut you ain't got to worry about nothing (Worry 'bout nothing)\nGirl, I got you (I got you), girl I got you\nShe might come and find me-ee (Nah-nah-nah)\nAnd then ask me kindly-y (Oh, no, no)\nDo I want her to go crazy? (Crazy) We do this every night\nAnd then, we always wake up singing the same song [Chorus: Lily Allen, \nT-Pain\n, & \nBoth\n]\nIt's 5 o' clock in the morning (\nYeah\n)\nConversation got boring (\nTalk to me, girl\n)\nYou said you'd go in to bed soon (\nLet's go\n)\nSo I snuck off to your bedroom (\nCome on\n)\nAnd I thought I'd just wait there (\nOoh, wait on me\n)\nUntil I heard you come up the stairs (\nI won't let you stay lonely\n)\nAnd I pretended I was sleeping (\nAll right\n)\nAnd I was hoping you would creep in (\nBaby girl, goodnight\n)\nIt's 5 o' clock in the morning\nThe conversation got boring\nYou said you'd go in to bed soon\nSo I snuck off to your bedroom\nAnd I thought I'd just wait there\nUntil I heard you come up the stairs\nAnd I pretended I was sleeping\n (Oh, oh-oh)\nAnd I was hoping you would creep in\n[Verse 3: Wiz Khalifa, \nLily Allen\n, & \nT-Pain\n]\nOh-oh, and you ain't got nothing on\nBut the T-shirt that I left over your house the last time I came and put it on ya\nToo many thirsty girls up in this club for me to leave here with one of them—that's why I call her\nAnd you'll be right at home, waiting for me\nIPhone plugged in the wall, just waiting for me\nClub closed at 6, left around 4:30\nYeah, so by the time I'm at your crib—\n(\nIt’s 5 o' clock in the morning\n) And you yawning\nBut I’ve been drinking all night, and I feel like performing\nWith you in the bedroom, floor to the dresser\nDont want nothing less 'cause I’m sure you’re the best, you’re the one\nSo I let you—that's how you show me love\nAnd when we finished, you like, “Damn, babe, you woke me up” (\nWhoa, oh\n)\nI like you way you put it down, like it's for both of us (\nOh, oh\n)\nThe sun ain't the only thing that's coming up (\nOh, yeah\n) [Chorus: T-Pain & Lily Allen; \nWiz Khalifa\n]\nIt's 5 o' clock in the morning (\nHahahahaha\n)\nThe conversation got boring\nYou said you'd go in to bed soon\nSo I snuck off to your bedroom\nAnd I thought I'd just wait there\nUntil I heard you come up the stairs\nAnd I pretended I was sleeping\nAnd I was hoping you would creep in\nIt's 5 o' clock in the morning" } ]

[ { "from": "human", "value": "Write me a song called Let’s Get Crazy with the following description: “Let’s Get Crazy” peaked at #57 on the Billboard Hot 100.\nThe song is also featured on the “Hannah Montana 3” soundtrack.\nhttp://www.youtube.com/watch?v=5177FOvnqKQ Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYou ready?\nWoo\nHere we go\n[Verse 1]\nLife is just a party, so come as you are\nDress it up or dress it down, don’t forget your guitar (Yeah)\nJust be courageous, 'cause style’s contagious\nEveryone can rock out like a superstar\n[Chorus]\nLet’s get crazy\nGet up and dance\nTake a swing, do your thing\nIt's worth takin' a chance, let's get crazy\nYeah, just kick up your heels\nDon’t miss out, time to shout\nAlways keepin' it real, let's get crazy\nCrazy\n[Post-Chorus]\nOur songs, our style, our hair, our smile\nOur laughs, our heart, our grace, our smarts\n[Verse 2]\nYou see me on the cover of a magazine (Remember)\nThings are always different than the way that they seem (Ha)\nHere’s an invitation to every nation\nMeet me on the dancefloor and we’ll make the scene [Chorus]\nLet’s get crazy\nGet up and dance\nTake a swing, do your thing\nIt's worth takin' a chance, let's get crazy\nYeah, just kick up your heels\nDon’t miss out, time to shout\nAlways keepin' it real, let's get crazy (Crazy, crazy, crazy)\n[Post-Chorus]\nLa-la-la-la-la, la-la-la-la-la-la-la\nOh-oh, whoa\nOur songs, our style, our hair, our smile\nOur laughs, our heart, our grace, our smarts\n[Chorus]\nLet’s get crazy\nGet up and dance\nTake a swing, do your thing\nIt's worth takin' a chance, let's get crazy (Crazy)\nTurn the music up loud\nNow's the time to unwind\nLose yourself in the crowd, let's get crazy\n[Outro]\nYeah, the fun’s just begun, come on dance everyone\nHere’s an invitation to every nation\nOh, oh, yeah\nOh, oh, yeah\n(\nLet's get crazy\n) Crazy\n(\nGet up and dance\n) Take a swing, do your thing\nIt's worth takin' a chance, let's get crazy (Yeah, yeah)\nYeah, just kick up your heels\nDon’t miss out, time to shout\nAlways keepin' it real, let's get crazy" } ]

[ { "from": "human", "value": "Write me a song called D.S. with the following description: The sixth track on the album, “D.S.” is aimed at the man most responsible for Michael’s descent from the top of the pop mountain\nMichael lays out his grievances, accusations, and assumptions against Tom Sneddon who – at the time, and later in the People v. Jackson trial – seemed to have a personal vendetta against him. During the 2005 trial, fans outside the courthouse sang this song ad infinitum – MJ would later be acquitted of all charges.\nD.S. is also notable for being one of few songs Michael would use a sample in – this one being Yes' “Owner of a Lonely Heart”. Not only that, but this is the soft-spoken superstar’s only diss song…making it ripe for inclusion on Rap Genius. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n[Babies crying]\nAaow!\nGone, baby\n[Verse 1]\nThey wanna get my ass dead or alive\nYou know he really tried to take me down by surprise\nI bet he missioned with the CIA\nHe don't do half what he say\n[Chorus]\nTom Sneddon is a cold man\nTom Sneddon is a cold man\nTom Sneddon is a cold man\nTom Sneddon is a cold man\n[Verse 2]\nHe out shock in every single way\nHe stop at nothing just to get his political say\nHe think he hot 'cause he's BSTA\nI bet he never had a social life anyway\nYou think he brother with the KKK?\nI bet his mother never taught him right anyway\nHe want your vote just to remain TA\nHe don't do half what he say [Chorus]\nCause Tom Sneddon is a cold man (Gone, boy)\nTom Sneddon is a cold man (Gone, boy)\nTom Sneddon is a cold man, now\nTom Sneddon is a cold man\nThomas Sneddon is a cold man\nTom Sneddon is a cold man\nTom Sneddon is a cold man (Hee-hee!)\nTom Sneddon is a cold man (He's just, he's just)\n(Gone boy!) (Hoo-hoo!) (Hoo-hoo!)\n(Slash!)\n[Guitar Break]\nAaow!\nGone baby!\nHee-hee-hee!\nHoo-hoo!\nHoo-hoo!\nHoo-hoo!\nHee-hee!\nHee-hee!\nHee-hee!\nHee-hee!\n[Bridge]\nDoes he send letters to the FBI?\nDid he say to either do it or die? [Chorus]\nThomas Sneddon is a cold man (Gone, boy)\nTom Sneddon is a cold man (Gone, boy)\nTom Sneddon is a cold man, now (Hee-hee!)\nTom Sneddon is a cold man\nThomas Sneddon is a cold man\nTom Sneddon is a cold man\nTom Sneddon is a cold man\nTom Sneddon is a cold man (He's just, he's just)\nThomas Sneddon is a cold man\nTom Sneddon is a cold man (Hee-hee!)\nTom Sneddon is a cold man (Hee-hee!)\nTom Sneddon is a cold man (Hee-hee!)\n(He's just a-, he's just-just a doggone, na-na-na)\nThomas Sneddon is a cold man, ah (Hee-hee!)\nTom Sneddon is a cold man (He's just a dog!)\nTom Sneddon is a cold man (He's just a doggone!)\nTom Sneddon is a cold man (He's just, he just, just a-)\nCold man (He's just, he just, just a-)\nCold man (He's just, he just, just)\n[Outro]\n(Gone!)\n(Hoo!)\n(Ah, you dog!)\n(Gone boy! Hoo!) [Gunshot]" } ]

[ { "from": "human", "value": "Write me a song called Listen To Your Heart with the following description: Taking the chorus from Roxette’s 1988 hit “Listen to your heart” Eminem Explains his Love/Hate relationship with hip hop. Taking excerpts from his 2004 hit “Like Toy Soldiers” and T.I.’s “Top Back” it explains that he both loves and hates the fame at the same time Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Roxette]\nI know there's something in the wake of your smile\nI get a notion from the look in your eyes, yeah\nWe've built a love but that love falls apart\nA little piece of heaven turns to dark\nListen to your heart\n[Verse 1: Eminem]\nThere's a certain mystique when I speak\nThat you notice that it's sorta unique\n'Cause you know it's me, my poetry's deep\nAnd I'm still matic the way I flow to this beat\nYou can't sit still, it's like tryin' to smoke crack\nAnd go to sleep, I'm strapped\nJust knowing any minute I could snap\nI'm the equivalent of what would happen if Bush rapped\nI bully these rappers so bad lyrically\nIt ain't even funny, I ain't even hungry\nIt ain't even money, you can't pay me enough\nFor you to play me, it's cockamamie\nYou just ain't zany enough to rock with Shady\nMy noodle is cockadoodle, my clocks cuckoo\nI got screws loose, yeah, the whole kitten-kaboodle\nI'm just brutal. It's no rumor, I'm numero uno, assume it\nThere's no humor in it no more, you know\nI'm rollin' with a swollen bowling ball in my bag\nYou need a fag to come and tear a new hole in my ass [Chorus: Roxette]\nI know there's something in the wake of your smile\nI get a notion from the look in your eyes, yeah\nWe've built a love but that love falls apart\nA little piece of heaven turns to dark\nListen to your heart\n[Verse 2: Eminem]\nI'm supposed to be the soldier who never blows his composure\nEven though I hold the weight of the whole world on my shoulders\nI ain't never supposed to show it, my crew ain't supposed to know it\nEven if it means goin' toe to toe with a Benzino it don't matter\nI'd never drag them in battles that I can handle unless I absolutely have to\nI'm supposed to set an example\nI need to be the leader, my crew looks for me to guide 'em\nIf some shit ever does pop off, I'm supposed to be beside 'em\nThat Ja shit I tried to squash it, it was too late to stop it\nThere’s a certain line you just don't cross and he crossed it\nI heard him say Hailie's name on a song and I just lost it\nIt was crazy, this went way beyond some Jay-Z and Nas shit\nAnd even though the battle was won, I feel like we lost it\nI spent too much energy on it, honestly I'm exhausted\nAnd I'm so caught in it, I almost feel I'm the one who caused it\nThis ain't what I'm in hip-hop for, it's not why I got in it\n[Chorus: Roxette]\nI know there's something in the wake of your smile\nI get a notion from the look in your eyes, yeah\nWe've built a love but that love falls apart\nA little piece of heaven turns to dark\nListen to your heart [Verse 3: T.I]\nI'm the man in my city ain't nobody wit me\nYou can ask the real niggas and all the bad bitches\nI'm a known drug dealer I always have 50's\nAnd the thugs and the killers was all in class wit me\nSS'S on 26's watching some television\nShorty I'm never slipping got the berretta in vision\nAnd ready to pop the clip in, ready to get to tripping\nReady to show these folks a celebrity pistol whipping\nPimp stolen the automobile and the roof for the tag missing\nPolices try to pursue me it's nothing but gas given\nAddicted to fast living, guess I'm one of my dad's children\nThink I'm bad now, shoulda seen me before I had children\nGive dick to ya daddy's daughter and dare her to have children?\nHope he got some insurance 'cause death her is enduring?\nKill her in Mississippi and drive her to Missouri\nStill my wet paint drippin' while I'm woodgrain gripping\n[Chorus: Roxette]\nI know there's something in the wake of your smile\nI get a notion from the look in your eyes, yeah\nWe've built a love but that love falls apart\nA little piece of heaven turns to dark\nListen to your heart\n[Verse 4: Eminem]\nThere used to be a time when you could just say a rhyme\nAnd wouldn't have to worry about one of your people dyin'\nBut now it's elevated cause once you put someone's kids in it\nThe shit gets escalated, it ain't just words no more is it?\nIt's a different ball game, you call names and you ain't just rappin'\nWe actually tried to stop the 50 and Ja beef from happenin'\nMe and Dre had sat with him, kicked it and had a chat with him\nAnd asked him not to start it, he wasn't gonna go after him\nUntil Ja started yappin' in magazines how we stabbed him\nFuck it 50 smash 'em, mash on 'em, let him have it\nMeanwhile, my attention is pullin' in other directions\nSome receptionist at The Source who answers phones at his desk\nHas an erection for me and thinks that I'll be his resurrection\nTries to blow the dust off his mic and make a new record\nBut now he's fucked the game up 'cause one of the ways I came up\nWas through that publication the same one that made me famous [Chorus: Roxette]\nI know there's something in the wake of your smile\nI get a notion from the look in your eyes, yeah\nWe've built a love but that love falls apart\nA little piece of heaven turns to dark\nListen to your heart" } ]

[ { "from": "human", "value": "Write me a song called Feeling of Falling with the following description: “Feeling of Falling” is a Cheat Codes and Kim Petras collaboration which was released on November 30, 2018. The song discusses the regret and fear of getting into relationships and committing to love. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Kim Petras]\nAll the other ones never stayed too long\nJust a hit and run, leading me along\nDon't tell me you're different\nIt all sounds the same\nProbably shouldn't listen\nProbably shouldn't stay\n[Chorus: Kim Petras]\nI hate the feeling of falling (Feeling of falling)\nI can't keep bleeding, I'm sorry\nI'll take the blame if you want me\n'Cause I hate the feeling of falling in love\n[Post-Chorus]\nThe feeling of falling\nThe feeling of falling in love\nThe feeling of falling\nThe feeling of falling in love\n[Break]\nI hate the feeling of falling\nI hate the feeling of falling\nI'll take the blame if you want me\n'Cause I hate the feeling of falling in love [Verse 2: Kim Petras]\nDon't know what to say, at a loss for words\nIf we walk away, maybe it won't hurt\nI can't keep on holding on nothing but air\nIf we hit the bottom, I don't know what's there\n[Chorus: Kim Petras]\nI hate the feeling of falling (Feeling of falling)\nI can't keep bleeding, I'm sorry\nI'll take the blame if you want me\n'Cause I hate the feeling of falling in love\n[Post-Chorus]\nThe feeling of falling\nThe feeling of falling in love\nThe feeling of falling\nThe feeling of falling in love\n[Break]\nI hate the feeling of falling\nI hate the feeling of falling\nI'll take the blame if you want me\n'Cause I hate the feeling of falling in love\n[Bridge: Kim Petras]\nBe my one mistake\nI don't want to wait anymore, anymore\nIf you wanna stay, be my one mistake\nI don't want to wait anymore, anymore\nIf you wanna stay, be my one mistake\nI don't want to wait anymore, anymore\nIf you wanna stay, be my one mistake\nI don't want to wait\nThe feeling of falling in love [Chorus: Kim Petras]\nI hate the feeling of falling\nI can't keep bleeding, I'm sorry\nI'll take the blame if you want me\n'Cause I hate the feeling of falling in love\nThe feeling of falling\nThe feeling of falling in love \n(Woo-ah)\nThe feeling of falling (Be my one mistake)\nI can't keep bleeding, I'm sorry\nIf you wanna stay\nThe blame if you want me\n'Cause I hate the feeling of falling in love" } ]

[ { "from": "human", "value": "Write me a song called What Do I Know? with the following description: Despite his father telling him not to publicly speak about controversial topics, “What Do I Know?” is Ed’s passive way of aligning himself with the those who want to change the world peacefully. Even though he isn’t the most educated or knowledgeable about how exactly to do that, he knows that music has a powerful effect on the world, and he sets out to change the world through his own music. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nAin't got a soapbox I can stand upon\nBut God gave me a stage, a guitar and a song\nMy daddy told me, \"Son, don't you get involved in\nPolitics, religions, other peoples' quarrels\"\n[Pre-Chorus]\nI'll paint the picture, let me set the scene\nI know when I have children, they will know what it means\nAnd I'll pass on the things my family's given to me\nJust love and understandin', positivity\n[Chorus]\nWe could change this whole world with a piano\nAdd a bass, some guitar, grab a beat and away we go\nI'm just a boy with a one-man show\nNo university, no degree, but Lord knows\nEverybody's talkin' 'bout exponential growth\nAnd the stock market crashin' and their portfolios\nWhile I'll be sittin' here with a song that I wrote\nSayin' love could change the world in a moment\nBut what do I know?\nLove can change the world in a moment\nBut what do I know?\nLove can change the world in a moment [Verse 2]\nThe revolution's comin', it's a minute away\nI saw people marchin' in the streets today\nYou know we are made up of love and hate\nBut both of them are balanced on a razor blade\n[Pre-Chorus]\nI'll paint the picture, let me set the scene\nI know, I'm all for people followin' their dreams\nJust re-remember life is more than fittin' in your jeans\nIt's love and understandin', positivity\n[Chorus]\nWe could change this whole world with a piano\nAdd a bass, some guitar, grab a beat and away we go\nI'm just a boy with a one-man show\nNo university, no degree, but Lord knows\nEverybody's talkin' 'bout exponential growth\nAnd the stock market crashin' and their portfolios\nWhile I'll be sittin' here with a song that I wrote\nSing, love could change the world in a moment\nBut what do I know?\nLove can change the world in a moment\nBut what do I know?\nLove can change the world in a moment [Pre-Chorus]\nI'll paint the picture, let me set the scene\nYou know the future's in the hands of you and me\nSo let's all get together, we can all be free\nSpread love and understandin', positivity\n[Chorus]\nWe could change this whole world with a piano\nAdd a bass, some guitar, grab a beat and away we go\nI'm just a boy with a one-man show\nNo university, no degree, but Lord knows\nEverybody's talkin' 'bout exponential growth\nAnd the stock market crashin' and their portfolios\nWhile I'll be sittin' here with a song that I wrote\nSayin' love could change the world in a moment\nBut what do I know?\nLove can change the world in a moment\nBut what do I know?\nLove can change the world in a moment\nBut what do I know?" } ]

[ { "from": "human", "value": "Write me a song called One Step Closer with the following description: “One Step Closer” was the first single release off Hybrid Theory, as well as Linkin Park’s very first single overall. It has become one of Linkin Park’s biggest hits, being played at almost every live show, and even being the closing song for some live shows.\nThe chorus and first verse’s lyrics were penned by former vocalist Chester Bennington’s exasperation of handing lyrics to Hybrid Theory producer Don Gilmore, only for Gilmore to hand the lyrics back to him and tell him to rewrite them. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Chester Bennington]\nI cannot take this anymore\nSaying everything I've said before\nAll these words, they make no sense\nI found bliss in ignorance\nLess I hear, the less you say\nYou'll find that out anyway\n[Pre-Chorus: Chester Bennington]\nJust like before\n[Chorus: Chester Bennington]\nEverything you say to me\nTakes me one step closer to the edge\nAnd I'm about to break\nI need a little room to breathe\n'Cause I'm one step closer to the edge\nI'm about to break\n[Verse 2: Chester Bennington]\nI find the answers aren't so clear\nWish I could find a way to disappear\nAll these thoughts, they make no sense\nI found bliss in ignorance\nNothing seems to go away\nOver and over again [Pre-Chorus: Chester Bennington]\nJust like before\n[Chorus: Chester Bennington]\nEverything you say to me\nTakes me one step closer to the edge\nAnd I'm about to break\nI need a little room to breathe\n'Cause I'm one step closer to the edge\nI'm about to break\nEverything you say to me\nTakes me one step closer to the edge\nAnd I'm about to break\nI need a little room to breathe\n'Cause I'm one step closer to the edge\nAnd I'm about to break\n[Bridge: Chester Bennington]\nShut up when I'm talking to you\nShut up, shut up, shut up\nShut up when I'm talking to you\nShut up, shut up, shut up, shut up\nI'm about to break\n[Chorus: Chester Bennington]\nEverything you say to me\nTakes me one step closer to the edge\nAnd I'm about to break\nI need a little room to breathe\n'Cause I'm one step closer to the edge\nI'm about to break\nEverything you say to me\nTakes me one step closer to the edge\nAnd I'm about to break\nI need a little room to breathe\n'Cause I'm one step closer to the edge\nAnd I'm about to break" } ]

[ { "from": "human", "value": "Write me a song called MONOPOLY with the following description: “MONOPOLY” is a collaboration between Ariana Grande and fellow songstress Victoria Monét. The duo have co-penned tracks for much of Grande’s fifth album, including hits “thank u, next” and “7 rings.” The song references the famous game of the same name consisting of players buying and selling properties to become the richest of them all. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Ariana Grande]\nYeah\n[Verse 1: Victoria Monét]\nI've been on a roll, where you been?\nReal protective with my soul, where you been?\nIs your GPS even on, where you been?\nMatter of fact, I don't even care where you been\n[Chorus: Victoria Monét]\nBad vibes, get off of me\nOutta here with that fuckery\nTreat my goals like property\nCollect them like Monopoly\nI probably won't come if there's not a fee\nAnd if they try come stoppin' me\nI swerve both ways, dichotomy\n[Post-Chorus: Victoria Monét & \nAriana Grande\n]\nI like women and men (\nYeah\n)\nWork so fuckin' much, need a twinny, twin, twin\nHow you hit the club and you barely got in?\nThen we hit the bank, making them investments for the win, oh\n[Verse 2: Ariana Grande]\nSaid, I been on a roll, where you been? (Where you been?)\nReal protective with my soul, where you been? (Where you been?)\nIs your GPS even on, where you been? (Where you been?)\nMatter of fact, I don't even care where you been [Chorus: Ariana Grande]\nBad vibes, get off of me\nOutta here with that fuckery\nTreat my goals like property\nCollect them like Monopoly\nI probably won't come if there's not a fee\nAnd if they try come stoppin' me\nI show them my discography (Yeah, yeah)\n[Post-Chorus: Ariana Grande]\nI like women and men (Yeah)\nWork so fuckin' much, need a twinny, twin, twin (Hey)\nYou'd be straight for life if I gave you my PIN (Yeah)\nEven though we gave up that 90% for the win, go\n[Verse 3: Victoria Monét & \nAriana Grande\n]\nI've been on a roll, where you been? (Where you been?)\nReal protective with my soul, where you been?\n (Where you been?)\nIs your GPS even on, where you been? (Where you been?)\nMatter of fact, I don't even care where you been\n[Bridge: Ariana Grande]\nYeah, hell nah\nI don't even care where you been (Oh, yeah)\nHell nah (Oh, yeah)\nSaid I don't even care [Verse 4: Victoria Monét, \nAriana Grande\n & \nBoth\n]\nRemember when we made a fuckin' album off that Clicquot? (Ooh)\nI never track my vocals, so shout out to Eric Vetro\n (I love Eric Vetro, man)\nThis been buildin' up, I guess this friendship like Home Depot (Ooh)\nI'm so thankful working with my best friend, \nshe the cheat code\nShe the cheat code\n (Yeah)\n[Outro: Victoria Monét & \nAriana Grande\n]\nWhere you at? Where you been? (\nOh yeah\n)\nWhere you been? Where you at, ho? Hey (\nWhere you been?\n)\nWhere you at? Where you been, ho? Hey (\nMmm, yeah\n)\nI don't care where you been, ho (\nBeen\n)\nWhere you been, Cletus?\nYeah, who?\n (What?) \nClevus?\nWho the fuck is Cletus?\nIt's from, um\nCletus? Girl\nNutty Fropessor\nWe have to wrap, five, six, seven, eight\nYeah" } ]

[ { "from": "human", "value": "Write me a song called Electric Touch (Taylor’s Version) [From The Vault] with the following description: “Electric Touch” sees Swift and Patrick Stump of Fall Out Boy long for hope, vulnerability, and the uncertainty of new love while they also share their perspectives on the potential risks and rewards of opening themselves up to new romantic possibilities.\nSwift announced that “Electric Touch” would serve as the first vault track on her re-recorded edition of Speak Now. She further revealed that Fall Out Boy with whom she had performed at the 2013 Victoria’s Secret Fashion Show, would be featured on the song. Notably, Patrick Stump–the lead singer of Fall Out Boy–had also made a special guest appearance during Taylor Swift’s Red Tour.\nThe decision to feature Fall Out Boy on the track was explained by Swift in a post announcing the album’s rerecording:\nSince Speak Now was all about my songwriting, I decided to go to the artists who I feel influenced me most powerfully as a lyricist at that time and ask them to sing on the album.\nSwift has often mentioned the influence Fall Out Boy have had on her songwriting over the years, revealing to Zane Lowe that Pete Wentz and previous collaborator Lana Del Rey are her favorite lyricists and telling Rolling Stone in 2019:\nI love Fall Out Boy so much. Their songwriting really influenced me, lyrically, maybe more than anyone else. They take a phrase and they twist it. “Loaded God complex/Cock it and pull it”? When I heard that, I was like, “I’m dreaming.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Taylor Swift]\nJust breathe, just relax, it'll be okay\nJust an hour 'til your car's in the driveway\nJust the first time ever hangin' out with you tonight\nI've got my money on things goin' badly\nGot a history of stories ending sadly\nStill hoping that the fire won't burn me\nJust one time, just one time\n[Chorus: Taylor Swift]\nAll I know is this could either break my heart or bring it back to life\nGot a feelin' your electric touch could fill this ghost town up with life\nAnd I want you now, wanna need you forever\nIn the heat of your electric touch, mmm\n[Verse 2: Patrick Stump, \nTaylor Swift & Patrick Stump\n]\nI've been left in the rain lost and pining\nI'm tryin' hard not to look like I'm trying\n'Cause every time I tried hard for love, it fell apart (Woah)\nI've gotten used to no one callin' my phone\nI've grown accustomed to sleepin' alone\nStill, I know that all it takes is to get it right\nJust one time\n, just one time\n[Chorus: Taylor Swift & Patrick Stump]\nAll I know is this could either break my heart or bring it back to life\nGot a feelin' your electric touch could fill this ghost town up with life\nAnd I want you now, wanna need you forever\nIn the heat of your electric touch, mmm [Bridge: Taylor Swift, \nPatrick Stump\n]\nI was thinking just one time (\nJust one time\n)\nMaybe the stars align (\nJust one time\n)\nAnd maybe I call you mine\nAnd you won't need space\nOr string me along while you decide\nAnd just one time (\nJust one time\n)\nMaybe the moment's right (\nThe moment's right\n)\nIt's 8:05 and I see two headlights\n[Chorus: Both, \nTaylor Swift,\n \nPatrick Stump\n]\nAll I know is this could either break my heart \nor bring it back to life\nGot a feelin' your electric\n touch (\nOoh\n)\nAll I know\n is this could either break my heart or bring it back to life\nGot a feelin' your electric touch could fill this ghost town up with life\n (\nLife\n)\nAnd I want you now\n, wanna need you forever\nIn the heat of your electric touch, mmm" } ]

[ { "from": "human", "value": "Write me a song called She Goin’ Up with the following description: In “She Goin' Up,” Chris and Tyga boast about their affluent lifestyles and ability to take women from other men. “Goin' up” alludes to how Chris and Tyga’s girls are on the come up after associating with the rappers, highlighted by her ability to buy expensive diamonds and Christian Louboutins.\nIn Chris' verses, he touches on his addiction to prescription pills, his “gangster” lifestyle, and willingness to open fire on his opposition. He also boasts about how he is a better fit for his girl, due to his sexual expertise and connection to the coco.\nIn Tyga’s verse, he boasts about his wealth, compares his girl’s legs during intercourse to that of a Lamborghini Aventador, and namedrops Nordstrom, a luxury American department store. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Chris Brown]\nYeah, 500\nYou see\n[Verse 1: Chris Brown]\nHuh, now usually I don't do this\nBut a nigga wanna trip, so I'ma take a nigga bitch\nYeah, got two gundred on the dash\nA couple hundreds in my pocket but my credit card rich\nHuh, every night is somethin' different\nI started poppin' pills with no prescription\nTwenty-four/seven on a mission\nI'm the man with these bitches, if you watchin', pay attention\nYou shoulda left her in the kitchen\nNow she cookin' up my mama favorite dishes\nShe used to kiss it for you, now she swallow me\nNow she missin', got your nigga reminiscin'\nWhy you textin'? She complainin', you be stressin'\nWith your weak ass cuffin', said she feel like she arrested\nI told her, \"Do better,\" said she open for suggestions\nI said, \"Come over to the crib and put your panties on my dresser\"\nAnd I don't really care\nI know shit gon' hit the fan like a booty in the air\nI'm with her, fuckin' up the sheets now\nIf your nigga bring his ass over here, he gettin' beat down\nPause, nigga, don't act like we boys\nI bought a strap from a D-boy, my trap house got three floors\nBetter not fuck around with me, boy\nThat bullet wound gon' keloid, why you mad, nigga? [Chorus: Chris Brown, \nTyga\n]\nGot your girl goin' up (Goin' up)\nGoin' up right now (Right now)\nShe be rockin' diamonds, fuckin' with designer (Yeah)\nRed bottoms up right now (Right now)\nGot a nigga mad 'cause she seen your bitch chose up, not you\nMade her life brand new\nAnd she actin' brand new (Brand new, nigga, \nyeah\n)\nGot your girl goin' up, she goin' up right now (\nHa!\n Right now)\n[Verse 2: Tyga, \nChris Brown\n]\nPussy open, yours two doors (Woo)\nLegs up like Aventador (Hmm)\nRaw nigga, ha, to the core (Ha)\nMoney long, boy, broke niggas gon' snore\nAnd I'm fresh out the store\nI just bought it 'cause I'm bored\nAll up on the news in my new girl couture (Yeah)\nThey don't sell that at Nordstroms, imported, important\nTax out the border, the cash flow enormous\nDubai and endorsements, sources and foursomes\n(Ha, ha, ha, ha, ha, ha)\nGot a bad bitch, so she tourin', I got money on my lap (Woo)\nYeah, pistol on my back, yeah, steaks on my tab\nFuck you know about that? Five hundred hundred on the Lamb', yeah\nGoin' up, yeah, I'm pourin' up\nUh, she took too much, now she throwin' up (Ah)\nCame out the top and I'm blazin' (\nHuh!\n)\nWorldwide, nigga, it's amazin' [Chorus: Chris Brown, \nTyga\n, \nChris Brown & Tyga\n]\nGot your girl goin' up (\nAh!\n Goin' up)\nGoin' up right now (\nWoo,\n right now, \nyeah\n)\nShe be rockin' diamonds, \nfuckin' with designer\n (Yeah)\nRed bottoms up right now (Right now)\nGot a nigga mad 'cause she seen your bitch chose up, not you\nMade her life brand new\nAnd she actin' brand new (Brand new, nigga)\nGot your girl goin' up, she goin' up right now (Right now)\n[Verse 3: Chris Brown]\nScreamin' loud, they gon' call the popos on us\nShe puttin' shit up her nose, she in love with the coco\nDámelo, that ass goin' loco\nAnd I ain't gon' interrupt her dancin'\n'Cause she turnin' up right now\nDo your thing, we gon' party all night long, baby\nI'ma do what he won't do\nI bet he won't sing to you (Sing to you)\nHe don't even got a ring for you (No), I got you, girl\nI'ma make you hit them notes, oh-oh, oh-oh\nWhen I'm in and out, baby, don't let go\nHey, yeah, yeah\n[Chorus: Chris Brown]\nGot your girl goin' up (Goin' up)\nGoin' up right now (Right now)\nShe be rockin' diamonds, fuckin' with designer (Oh-woah, yeah)\nRed bottoms up right now (Right now)\nGot a nigga mad 'cause she seen your bitch chose up, not you\nMade her life brand new\nAnd she actin' brand new (Brand new, nigga)\nGot your girl goin' up, she goin' up right now (Right now) [Outro: Chris Brown]\n500" } ]

[ { "from": "human", "value": "Write me a song called In Too Deep with the following description: Migos & Rich The Kid Streets On Lock 3\nNew mixtape from Migos & Rich The Kid “Streets On Lock 3” hosted by DJ Kash, DJ Lil Keem, DJ Ray G & Trap-A-Holics Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Young Thug]\nI done told all of these bitches\nI don't not no want no more kisses\nI done told all of my niggas\nThey better get up and go get it\nI done told all of these bitches and niggas\nIt's my indecision\nAnd I want them racks and I don't care who go get it\nFeel like I'm in too deep\n[Bridge: Quavo]\nDon't fall in love with the fishes\nDo not get drowned in the water\nI don't wanna call her no more\nCause my niggas think I'm gone spoil her\nI can't fall in love with the fishes\nYoung nigga I think I did it\nI'm in way too deep with the digits\nFalling in love with the Benji's\n[Verse 1: Offset]\nSo deep in the game I might drown\nI play with the fishes, no flounder\nI sip on the Actavis, it keep me grounded\nI was missing one thing but I found it (Money!!!)\nYou niggas ain't shit\nYou wanna see a nigga fall\nBut I stand tall\nLocked up behind the wall\nMaking county calls\nRemember the time when my teacher said I wouldn't make it?\nI'm hungry, I know that the M & M's coming, I taste it [Chorus: Young Thug]\nI done told all of these bitches\nI don't not no want no more kisses\nI done told all of my niggas\nThey better get up and go get it\nI done told all of these bitches and niggas\nIt's my indecision\nAnd I want them racks and I don't care who go get it\nFeel like I'm in too deep\n[Bridge: Quavo]\nDon't fall in love with the fishes\nDo not get drowned in the water\nI don't wanna call her no more\nCause my niggas think I'm gone spoil her\nI can't fall in love with the fishes\nYoung nigga I think I did it\nI'm in way too deep with the digits\nFalling in love with the Benji's\n[Verse 2: Quavo]\nToo many little bitty bitches\nAnd I know that she gone whip me something\nShe making profit in the kitchens\nMe and Quan\nWe gotta run\nToo many hoes in the studio\nI hit lil' mama wit the switcheroo\nNow she ride us like a rodeo\nAww man\nThey wanna boot up on that Molly, San-Tan\nSo we gave em a whole gram\nShe didn't wanna pop it\nShe told me she wanted to lick it off my hand\nDamn [Verse 3: Rich Homie Quan]\nYoung nigga in way too deep with her\nSwitcheroo yo' ho let me hit her\nAin't ate in a week, I need 3 dinners\n3 piece, thick thighs no miss, winner\nI'm in too deep like Omar epps\nWhere Nia Long at?\nKeep calling my phone ion want dis bitch\nYou can have yo' ho back\nDeep in some water\nFuck yo fish\nI'm finna throw it back\nLame ass nigga gone go for that\nPistols showing, you know I'm strapped\nI'm in too deep\nAnd I ain't talkin' bout water baby\nI met you at the trap house\nI ain't have to take yo' order baby\n[Chorus: Young Thug]\nI done told all of these bitches\nI don't not no want no more kisses\nI done told all of my niggas\nThey better get up and go get it\nI done told all of these bitches and niggas\nIt's my indecision\nAnd I want them racks and I don't care who go get it\nFeel like I'm in too deep" } ]

[ { "from": "human", "value": "Write me a song called BELIEVE IT with the following description: On “BELIEVE IT,” PARTY teams up with fellow R&B legend Rihanna to stage her long-awaited comeback to music with her first feature since her and N.E.R.D.’s November 2017 track “Lemon.”\nThe song revolves around the faithfulness of both parties in a relationship, with each one asking the other to believe in the other and keep their relationship strong.\nThe song was heavily teased prior to its release. Producer Bizness Boi confirmed his work on the track by responding to a now-deleted tweet of a snippet of the song. Many fans got a hold of many snippets of the song prior to its release as well. The track is also the first track designated as a promotional single after PARTYMOBILE’s release. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Wale]\n(\nAyy Biz, good lookin', foo\n)\n[Chorus: Rihanna & PARTYNEXTDOOR]\nHey\nBest make me believe it (Best make me be—)\nBest make me believe it\nBelieve you won't deceive me\nHey\nBest make me believe it (Best make me believe it)\nBest make me believe it (Best make me believe it)\nBelieve you won't deceive me\n[Verse 1: PARTYNEXTDOOR, \nwith Rihanna\n]\nFirst you gotta forgive me\nLet me know everything gon' be okay\nEven if I come out with everything I did\nWould you still punish me even though I did it a long time ago?\nIf so, let me know\nIf I propose, would you say no?\nWould you break my heart?\nWould you embarrass me or play your part?\nBaby, don't fold, my heart is yours\nYou got the power, pussy power\nYou got the power, pussy power\nThe floor is yours\n, the time is ours\nHey, either believe me or you don't\nChoose to believe me or you won't\nIf you leave me, I'm skull and bones, \nI'm dead, baby\nYou told me [Chorus: Rihanna & \nPARTYNEXTDOOR\n]\nHey (\nOoh\n)\nBest make me believe it (Best make me be—)\nBest make me believe it\nBelieve you won't deceive me\nHey\nBest make me believe it (Best make me believe it)\nBest make me believe it (Best make me believe it)\nBelieve you won't deceive me\n[Verse 2: PARTYNEXTDOOR]\nBae\nYou told me that you'd kill me if I fuck up (Kill me if I fuck up)\nYou told me I'm a lucky motherfucker (Lucky motherfucker)\nYou love 'em, but you never ever trust 'em\nNever ever trust me, no (Never trust me, no)\nThere's two sides to the story (Sides to the story)\nAnd that girl got a good PR (Good PR)\nI knew we'd never make it far\nBecause I like my bitches black and mama tar\nOh, woah\nTell me you love me 'cause I know they won't\nThey wanna fit in for the photoshoot\nPut them aside, baby, I notice you\nMy niggas hype, baby, they hypin' you\nMy family like it, yeah, they likin' you\nMy mama WhatsApp and she Skype you\nShe wanna know what it do\nYou say, \"Either way, you...\" [Chorus: Rihanna]\nBest make me believe it (Best make me be—)\nBest make me believe it\nBelieve you won't deceive me\nHey\nBest make me believe it (Best make me believe it)\nBest make me believe it (Best make me believe it)\nBelieve you won't deceive me\n[Outro: PARTYNEXTDOOR]\nBae" } ]

[ { "from": "human", "value": "Write me a song called Plastic Bag with the following description: Prior to the release of the tape Drake posted an Instagram post including a line from the song’s hook. In the midst of all the Drake/Future collaboration rumors, this led people to believing that Put It All In A Plastic Bag was the title of their tape.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Drake]\nIf anybody know\nI know\nYeah\n[Chorus: Drake]\nGet a plastic bag\nGo ahead and pick up all the cash\nGo ahead and pick up all the cash\nYou danced all night, girl, you deserve it\nGet a plastic bag\nGo ahead and pick up all the cash\nGo ahead and pick up all the cash\nYou danced all night, girl, you deserve it\n[Verse 1: Drake]\nAw yeah, Magic City on a Monday\nEsco treat that shit like church on Sunday\nNiggas look at us like, \"Maybe one day\"\nMaybe one day, maybe one day\nBut for now, a nigga got the ones with me\nI be in the club with the bands like I got the keyboard and the drums with me\nMaybe one day, maybe one day\nYou'll understand how I get it, though\nMan, it's everything I ever said it is\nMixin' liquor cups with the sedatives\nI roll up with the bands on me\nThis a good night to dance on me\nThis a good night to dance on me\nThis a good night to dance on me, yeah [Chorus: Drake]\nGet a plastic bag\nGo ahead and pick up all the cash\nGo ahead and pick up all the cash\nYou danced all night, girl, you deserve it\nGet a plastic bag\nGo ahead and pick up all the cash\nGo ahead and pick up all the cash\nYou danced all night, girl, you deserve it\n[Verse 2: Future]\nYeah, last time they seen this shit was BMF\nI know Big Meech and J-Bo, they was there\nI know OG, India, and Suga there, aw yeah, aw yeah\nBust it out the wrapper, throw it in the air, aw yeah, aw yeah\nThrowed enough money on a Monday than you make in a year, aw yeah\nOrdered sixty thousand ones, told the owner 'bout to break a record\nHit the parking lot, it's lookin' like a video\nBunch of pretty hoes, high saddity hoes\nWhole lot of Xans and we pass around candy\nMagic City on a Monday, we worship this like a Sunday\nAw yeah\n[Chorus: Future]\nGet a plastic bag\nGo ahead, pick up all the cash\nGo ahead, pick up all the cash\nYou danced all night, girl, you deserve it\nGet a plastic bag\nGo ahead, pick up all the cash\nGo ahead and pick up all the cash\nYou danced all night, girl, you deserve it [Chorus: Drake]\nGet a plastic bag\nGo ahead and pick up all the cash\nGo ahead and pick up all the cash\nYou danced all night, girl, you deserve it\nGet a plastic bag\nGo ahead and pick up all the cash\nGo ahead and pick up all the cash\nYou danced all night, girl, you deserve it\n[Chorus: Future]\nGet a plastic bag\nGo ahead, pick up all this cash\nGo ahead, pick up all this cash\nYou danced all night, girl, you deserve it\nGet a plastic bag\nGo ahead, get a plastic bag\nGo ahead, pick up all this cash\nYou danced all night, girl, you deserve it" } ]

[ { "from": "human", "value": "Write me a song called On Top of the World with the following description: “On Top of the World” is an uplifting track from Imagine Dragons‘ debut album, Night Visions. The track first appeared on their seventh EP, Continued Silence. On both albums, “On Top of the World” was preceded by “Demons.” Over a year later, the band released the song as a single on March 3, 2013.\nWhile the song sold well on itself, the track was featured commercially for The Croods, Coca-Cola, FIFA, and Ford among others.\nPerhaps its most prestigious use was performed by the PS22 children’s choir as the opening to President Barack Obama’s 2013 Inauguration. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nIf you love somebody\nBetter tell them while they're here 'cause\nThey just may run away from you\nYou'll never know quite when, well\nThen again, it just depends on\nHow long of time is left for you\nI've had the highest mountains\nI've had the deepest rivers\nYou can have it all, but life keeps moving\n[Pre-Chorus]\nNow take it in but don't look down...\n[Chorus]\n'Cause I'm on top of the world, hey\nI'm on top of the world, hey\nWaiting on this for a while now\nPaying my dues to the dirt\nI've been waiting to smile, hey\nBeen holding it in for a while, hey\nTake you with me if I can\nBeen dreaming of this since a child\nI'm on top of the world\n[Verse 2]\nI've tried to cut these corners\nTry to take the easy way out\nI kept on falling short of something\nI could've gave up then, but\nThen again, I couldn't have 'cause\nI've traveled all this way for something [Pre-Chorus]\nNow take it in, but don't look down...\n[Chorus]\n'Cause I'm on top of the world, hey\nI'm on top of the world, hey\nWaiting on this for a while now\nPaying my dues to the dirt\nI've been waiting to smile, hey\nBeen holding it in for a while, hey\nTake you with me if I can\nBeen dreaming of this since a child\nI'm on top of the world\n[Post-Chorus]\nOh-woah, oh-oh, oh-oh\nOh-woah, oh-oh\n[Chorus]\n'Cause I'm on top of the world, hey\nI'm on top of the world, hey\nWaiting on this for a while now\nPaying my dues to the dirt\nI've been waiting to smile, hey\nBeen holding it in for a while, hey\nTake you with me if I can\nBeen dreaming of this since a child [Bridge]\nAnd I know it's hard when you're falling down\nAnd it's a long way up when you hit the ground, but\nGet up, now, get up, get up, now\nAnd I know it's hard when you're falling down\nAnd it's a long way up when you hit the ground, but\nGet up, now, get up, get up, now\n[Outro]\n'Cause I'm on top of the world, hey\n(And I know it's hard when you're falling down)\nI'm on top of the world, hey\n(And it's a long way up when you hit the ground, but)\nWaiting on this for a while now\n(Get up, now, get up)\nPaying my dues to the dirt\n(Get up, now)\nI've been waiting to smile, hey\n(And I know it's hard when you're falling down)\nBeen holding it in for a while, hey\n(And it's a long way up when you hit the ground, but)\nTake you with me if I can\n(Get up, now, get up)\nBeen dreaming of this since a child\n(Get up, now)\nI'm on top of the world" } ]

[ { "from": "human", "value": "Write me a song called God Level with the following description: One of La Flames cut off the XXL Freshman mixtape.\nNotice how this song sounds fairly similar to his newer song off of Owl Pharaoh, “Uptown”, that might mean this is the original version of the song, or that this song was an inspiration.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nThis that God feelin', mirage feelin'\nMoney shower feelin', praise the lord\nBlaze to peace, oh, yes Lord\nThis that God feelin', ménage feelin'\nMoney showers, praise the lord\nBlaze to peace, oh, yes Lord\n[Verse]\nGuess what? I ain't eat today or pay my rent today\nI done fucked around and lost my mind doin' what the teacher say\nEvery night ,every other weekend, fuck, I needed that place to stay\nWonder if a nigga ever see that day, will a nigga ever get the beats on 'Ye?\nFloatin' in my mind, thinkin' preparate for hell season, Jesus\nYou gon need Monisha, need Bonqui for different reasons, ugh\nDamn, I want it all, swear to God this shit prestigious\nOne call done changed it all, La Flame holla, shout out to Regis\nGuess what, I can tip today and pay your rent today\nFuck it, you can keep that fish fillet I'm eating creme brulee\nWe gon run this whole world, remember I had no shoes to lace\nNow it's papasote, yeah, we far from that Kool-Aid\nI just got back from Paris, I just been across the lake\nDad call seen me on XXL and yeen know what to say\nReally though, nigga\nThey finally know kid been about it\nNo fiction about it, designer ,he bought it\nAin’t nothing different about it\nWe coming right in and ain’t leaving without it\nJack and Jill started fuckin' on my hill\nWalk on water falls, they got back for raps and back to seal\nWorld full of rage nigga, who gon' stop that now?\nPrice on that pussy is up to pull them panties down [Chorus]\nThis that God feelin', mirage feelin'\nMoney shower feelin', praise the lord\nBlaze to peace, oh, yes Lord\n[Outro]\nYup, hahaha\nYeah, H-Town, motherfucker" } ]

[ { "from": "human", "value": "Write me a song called M!ssundaztood with the following description: The titular track off of her 2001 album, “M!ssundaztood” is a song about how P!nk felt during her day-to-day life at the time. Throughout the song, she often says that even though she finds herself “on the wrong track,” she is proud of who she is and makes it known that others' criticism does not bother her. Oddly enough, the next track on the album, “Don’t Let Me Get Me,” is about how she is tired of dealing with herself. This sets up the listeners for the emotional rollercoaster that is M!ssundaztood. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nGo Damon\nGo Linda\nGo P!nk\nHaha, yeah\nIt's me\n[Verse 1]\nI might be the way everybody likes to say\nI know what you're thinking about me (Uh-uh)\nThere might be a day you might have a certain way\nBut you don't have my luxuries\nAnd it's me, I know, I know my name\n'Cause I say it proud\nEverything I want, I always do\nLookin' for the right track\nAlways on the wrong track\nBut are you catchin' all these tracks that I'm layin' down for you?\n[Chorus]\nThere's a song I was listenin' to up all night\nThere's a voice I am hearing sayin' 'it's alright'\nWhen I'm happy, and I'm sad, but everything's good\nIt’s not that complicated, I'm just misunderstood\n[Verse 2]\nThere might be a day, everything, it goes my way\nCan't you think I know I'm super fly? (Ha-ha)\nI might see a world in a world inside of you\nThen I just might say goodbye\nAnd it's my name, I know, I say it loud\n'Cause I'm really proud\nOf all the things I used to do\n'Cause it’s the wrong track\nLookin' for the right track\nAnd are you catchin' all these tracks that I'm layin' down for you? [Chorus]\nThere's a song I was listenin' to up all night\nThere's a voice I am hearin' sayin' 'it’s alright'\nWhen I'm happy, and I'm sad, but everything's good\nIt's not that complicated, I'm just misunderstood\nThere's a song I was listenin' to up all night\nThere's a voice I am hearin' sayin' 'it’s alright'\nWhen I'm happy, and I'm sad, but everything's good\nIt's not that complicated, I'm just misunderstood\nNa-na-na-na-na-na-na\nYeah, yeah, yeah, uh\n[Refrain]\nLookin' for the right track\nAlways on the wrong track\nBut are you catchin' all these tracks that I'm layin' down for you?\n[Chorus]\nThere's a song I was listenin' to up all night\nThere's a voice I am hearin' sayin' 'it’s alright'\nI was taken for granted but it’s all good\n'Cause I'll do it again, I'm just misunderstood\nI said I'll do it again, I'm just misunderstood\nI said I'll do it again, I'm just misunderstood\nI said I'll do it again, I'm just misunderstood [Outro: P!nk, \nDamon Elliott\n]\nYeah\nUh, yeah, yeah\nUh!\nYeah, yeah\nUH!\nUh, uh, UH!\nUh, uh, uh, UH!\nUh, uh, UH!\nUh, uh, bring it back\nUH!\nExlax commercial?\nWhat? [Laughs]\nNo, this ain't no damn Exlax commercial\nThis my first single, man!" } ]

[ { "from": "human", "value": "Write me a song called Shorter* with the following description: “Shorter” is an unreleased track from Detroit rapper Big Sean. He first previewed this track on social media on March 5, 2020, showing a verse he spits in what seemingly is a home studio. The track’s title is unconfirmed and it is currently unclear if this track will ever be officially released. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Lyrics from Snippet\n[Verse]\nThe days are getting shorter, I noticed\nSeems like time is movin' fast forward while I'm in slow motion\nLosing loved ones with really no one to cope with\nIt's cool, my third and my fourth eye open\nMan, I dodged the cell but still locked on my cell\nI never thought I'd see the day my mom wouldn't agree with Oprah and Gayle\nMyra [?] was my peace and Heaven on Earth and living Hell\nWho gave me everything but never took anything for herself\nImagine '06 Impala with zero mileage\nSeventeen, baggy clothes, not like Billie Eilish\nSome niggas grow up and not old, they still as childish\nDemons wearin' masks as my friends, they favorite disguises\nBut niggas not gon' forget about me like niggas forgot 'bout how Harriet was supposed to be on top of that twenty dollars\nDog, my life was seen out of Casa Blanca\nYou got it wrong, I'm the monster\nBurning Man, ayahuasca\nMy check got no diagnostics\nYou disappear in the D like you Jimmy Hoffa\nI-, yeah" } ]

[ { "from": "human", "value": "Write me a song called Can You See with the following description: “Can You See” it’s the first promotional song from The Star motion picture soundtrack. The song was released on 17 October 2017. Fifth Harmony announced the single on their Twitter page five days prior to its release.\n\n\n\n\nThey also shared on the realese day how excited and grateful they were to be part of such an inspirational song.\n\n\n\n\nThe track employs Biblical references about the search of something to believe “the son of God” “the King of Kings” and how the light of the star (Star of Bethlehem) will take us to a brighter, better world. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Normani]\nWe've all been searchin' for somethin'\nSomethin' that's bigger than us to believe in\n[Refrain: Normani]\nWho knew a star\nWas so close it could touch us?\nLight up our hearts\nLead the way through the dark\n[Pre-Chorus: Dinah & Lauren, \nNormani\n]\nI've waited all my life to feel this feelin'\nThat I feel right now\nOpen up your eyes and see the world is\nBrighter now\n[Chorus: Ally, \nNormani\n]\nCan you see?\nTell me, can you see the star\nShine for you and me?\nIt lights the way from where we are\nTell me, can you see\nThe son of God, the great I Am?\nMeet the King of Kings, come and follow me\nTell me, can you see the star? [Verse 2: Lauren]\nA leap of faith on a promise\nThere is no army, no mountain can stop us\n[Refrain: Lauren & Ally, \nLauren\n]\nWho knew a star\nWas so close it could touch us?\nLight up our hearts\nLead the way through the dark\n[Chorus: Dinah, \nAlly\n]\nCan you see? (\nCan you see?\n)\nTell me, can you see the star (\nStar\n)\nShine for you and me? (\nYou and me\n)\nIt lights the way from where we are (\nOh, oh\n)\nTell me, can you see\n (\nCan you see?\n)\nThe son of God, the great I Am?\n (\nGreat I Am\n)\nMeet the King of Kings, come and follow me\n (\nAh\n)\nTell me, can you see the star?\n[Bridge: Dinah]\nAh, ah, ah, ah\nAh, ah, ah\n[Pre-Chorus: Dinah, \nLauren\n]\nI've waited all my life to feel this feelin'\nThat I feel right now\nOpen up your eyes and see the world is\nBrighter now [Chorus: Lauren, \nAlly\n, \nDinah\n, \nNormani\n]\nCan you see? (\nCan you see?\n)\nTell me, can you see the star\nShine for you and me?\n (\nYou and me\n)\nIt lights the way from where we are\nTell me, can you see (\nCan you see?\n)\nThe son of God, the great I Am?\n (\nGreat I Am\n)\nMeet the King of Kings, come and follow me\n (\nOh, oh\n)\nTell me, can you see the— (\nStar, star\n)\n[Post-Chorus: Lauren, \nAlly\n, \nNormani\n, \nDinah\n]\nCan you see it, see it? (\nOh, yeah\n)\nTell me, can you see the star? (\nTell me, can you see the star?\n)\nCan you see it, see it? (\nOoh, ooh\n)\nTell me, can you see the star? (\nSee the star\n)\nCan you see it, see it? (\nKing of Kings, Lord of Lords\n)\nTell me, can you see the star? (\nOh\n)\nCan you see it, see it?\nOh, tell me, can you see the star? (\nAh\n)\n[Outro: Dinah]\nMeet the King of Kings, come and follow me" } ]

[ { "from": "human", "value": "Write me a song called Funkmaster Flex Freestyle with the following description: Kendrick freestyles over The Notorious B.I.G.’s song “Who Shot Ya?” on the Funkmaster Flex Show. This is the second time he has murdered this beat, first doing it (with a very Weezy-esque flow) on his mixtape, Training Day. The 2nd Verse of this freestyle comes from Dot’s verse in “West Coast Wu-Tang,” off of his C4 Mixtape. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nHeard a conversation with my father talking to his favorite partner\nAt the domino table,\n Tony had told him that he saw a\nYoung nigga hopping out busting like four charters\nPopping pills, \nmix a gallon of sherm\n and some holy water\nMix a gallon of sherm and some holy water\nSell it to a priest he probably can get it off by tomorrow\nIt's wicked when my favorite uncle kick it\nFiends trying to kick the addiction of sucking glass dicks\nVivid images go against any fantasy you can fathom\nPhantoms ain't the only thing that suicidal\nOpen the doorway to his soul\nHit the hallway then hit the closet you see a rifle\nAim it at your arteries, pardon me, parts of me is pyscho\nIn retrospect my respect was a power ranger high note\nTumbling backwards into a karate kicking high note\nMy innocence would eventually see a hindrance\nSurrenduring Ninja Turtles, pizza and Sega Genesis\nHeard it over my bunk bed ear hustling\nSomething my papa said that caught my attention\nHis eyes red he's smoking on marijuana mixing the two eleven\nHe said I'm seven going on sixty-seven\nThe day I turned seventeen is the day that a lesson inside my lifetime\nCome across a clothes line, every stick is a co-sign\nEverything in the streets got the power to make me go blind\nEven if he sat me down in the sun and gave me those eyes\nComprehend it well and I could smell the soberness evaporating by itself\nHe said, \"Tony my biggest fear is to hear Kendrick disappeared in the fire out here and I didn't help\nSo if I can give him the game to hydroplane his decisions in life so he can go\nFurther than the streets and remain to be on the honor roll\"\nSacrifice my life even if that shit, my mama though\nTil the day he carried by the big six, domino [Verse 2]\nBackpack raps with gats in it\nDon't get your cap peeled by the black menace\nK Dot Thoroughbred\nMove like a militant soldier\nOn point like a pyramid, force to be reckoned with\nWith the best shit\nLike the strongest manure, I'm ready when you are\nThis is it\nI'm in the lab cooking up all day, eff em up all day\nLike a nympho, I been dope since s curl waves\nTrying to convince hoes I got good hair\nKnowing damn well there's chemicals there\nI'm in the hood with the 17 year olds that's on hood patrol\nAnd they want stripes so they shoot off bikes and you know\nAny moment you can lose your life so kiss your kids or hug your wife or whatnot yo\nI spawned with a dragon\nHe tried to throw his flame but I ducked and I stabbed him\nCame out the battle laughing\nThat's a metaphor for any rapper who want it\nI smack em 'til their nose is running\nYou know the hoes is coming if I'm there\nAnd the hoes is cumming once we hit that hotel\nThat's no assumption, cool out before I move out\nHop on the 105 and do about 105 before your ass get threw out\nThe back seat\nThere's a dead guy on the freeway, oh it's not Dot\nTell the medics it's okay, a beast when the beat break\nYou probably think I'm dope like the it's the realest shit I wrote\nBut to me it's a throw away\nI stare at them four walls and rap like I'm mad at God\nNice enough, I throw a spear at Nas, a jab at Jay\nMatter fact, no, I take that back\nSee I don't play with real legends of rap like you do\nAnd I'm crucial, concealed by real Crips and Soowoos\nAnd they shoot, they photography students when beef get to brewing Compton!" } ]

[ { "from": "human", "value": "Write me a song called Maghreb Gang with the following description: Der Song stellt die erste Kollaboration zwischen Farid Bang, dem US-amerikanischen Rapper French Montana und dem algerischen Sänger Khaled dar.\nDer Songname „Maghreb Gang“ wurde extra ausgewählt, da alle drei Künstler aus Nordafrika stammen. So sind Farid Bang und French Montana Marokkaner und Cheb Khaled Algerier. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Songtext zu „Maghreb Gang“ ft. French Montana & Khaled]\n[Intro: French Montana]\nFarid Bang, Gang Gang, Montana\nYou know what it is when you hear that\n(\nJuh-Juh-Dee on the beat\n)\n[Hook: Khaled]\nO Abdelkader ya Bouaalam\nDaq el'hal aaliya\nDawi hali ya Bouaalam\nSidi rouf aaliya\nO Abdelkader ya Bouaalam\nDaq el'hal aaliya\nDawi hali ya Bouaalam\nSidi rouf aaliya\n[Part 1: Farid Bang]\nDu weißt, ich will Plomo oder Plata (Ah, ja)\nAuf der Yacht mit Koko und Joana (Ganz geil)\nSalam an die Mocros in Hollanda\n (Salam)\nIch hole mir die Euros mit der Pumpgun (Pow, pow, pow)\nAstaghfirullah, I'm a hustler (Yeah)\nNarcotraficante aus Marbella (Wouh)\nLambo, Ferrari, Porsche Carrera (Pau)\nAK in der Hand wie in Favelas (Pam, pam)\nVersace-Hemd aus Italy (Milan)\nBitches aus dem V.I.P. (Nightrooms)\nDie Kohle durch Amphetamin (Inz3ein)\nGenau wie meine Richard Mille [Hook: Khaled, \nFrench Montana\n]\nO Abdelkader ya Bouaalam\nDaq el'hal aaliya\nDawi hali ya Bouaalam\nSidi rouf aaliya\nO Abdelkader ya Bouaalam\nDaq el'hal aaliya\nDawi hali ya Bouaalam\nSidi rouf aaliya\n \n(\nHaaan!\n)\n[Part 2: French Montana]\nBlue phantom like I'm from Grape Street (Grape Street)\nNip blue face on the AP (Bling)\nMoney stacked up 'bout eight feet (Eight feet)\nHayawan\n G's on your body, \nDapper Dan\n \n(Dapper Dan)\nYoung boys buyin' weight, man, we buyin' land (Buyin' land)\nAnd your favorite rapper, he's a fan (He's a fan)\nWallahi\n, top of N.Y. like \nN.O.R.E.\n \n(N.O.R.E.)\nCloset mixed like safari (Whoop)\nThis boy got it locked like a pit bull (Pit bull)\nTalkin' ice water, got a wrist full (Wrist full)\nWhips got a lot, cribs got a lot (A lot)\nThe drip got a lot (Lot)\nMontana (Ayy, ayy)\n[Bridge: Khaled]\nRabbi blani biha, yana, dik l'mebliyya aah\nKhallatni fi hira, yana, l'aashra twila\nRabbi blani biha, yana, dik l'mebliyya aaah\nKhallatni fi hira, yana, l'aashra twila [Hook: Khaled]\nO Abdelkader ya Bouaalam\nDaq el'hal aaliya\nDawi hali ya Bouaalam\nSidi rouf aaliya\nO Abdelkader ya Bouaalam\nDaq el'hal aaliya\nDawi hali ya Bouaalam\nSidi rouf aaliya" } ]

[ { "from": "human", "value": "Write me a song called Cruel with the following description: British electronic R&B duo Snakehips teamed up with Zayn Malik for “Cruel,” a soulful mid-tempo New Jack Swing-inspired single that Snakehips originally teased with a cryptic tweet:\nhttps://twitter.com/snakehipsuk/status/752955874562478080 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: ZAYN]\nCab radio screamin', noise and tears\nDeath on the TV, and then there's you\nIt's fucked, it's crazy, I can't concentrate, I just see your outline Mmm\n[Pre-Chorus: ZAYN]\nBack where we left off, \nwatch you take your dress off\nI've been by myself, remembering you\nYour body hurts me, \nloopin' 'round like CCTV\nIn all this bitterness, you stay so sweet\n[Chorus: ZAYN]\nIt's such a cruel world\nSavin' all my love for you, girl\nIt's such a cruel world\nMaybe I found somethin' good, girl\n[Verse 2: ZAYN]\nSome prick at the party, all scripts and boasts\nA dead-eyed actress girl, \nand then there's you\nVenus in Converse\n, \nyou put a spell on me\nAnd you're lockin' up the bathroom door for us\n[Pre-Chorus: ZAYN]\nBack where we left off, watch you take your dress off\nI've been by myself, remembering you\nYour body hurts me, \nloopin' 'round like CCTV\nIn all this bitterness, you stay so sweet [Chorus: ZAYN]\nIt's such a cruel world\nSavin' all my love for you, girl\nIt's such a cruel world\nMaybe I found somethin' good, girl\n[Bridge: ZAYN]\nWho do you love? Who do you love?\nWho do you love? Who do you love?\nJust see your outline\n[Pre-Chorus: ZAYN]\nBack where we left off, help you take your dress off\nI've been by myself, remembering you\nYour body hurts me, \nloopin' 'round like CCTV\nIn all this bitterness, you stay so sweet\n[Chorus: ZAYN]\nIt's such a cruel world\nSavin' all my love for you, girl\nIt's such a cruel world\nMaybe I found somethin' good, girl\n[Outro: ZAYN]\nSunrise in Hollywood, we ain't slept for days\nPerfect disaster, me and you" } ]

[ { "from": "human", "value": "Write me a song called Kills You Slowly with the following description: “Kills You Slowly” is the second single of the year for The Chainsmokers, who are continuing their release schedule established last year, with Sick Boy. “Kills You Slowly” follows up the massive collaboration with 5 Seconds of Summer, “Who Do You Love,” and talks about a couple that is fighting and on edge, trying to salvage what’s left of a seemingly broken relationship. Both sides put on fake personas to do so, and try to hold in arguments, fights, and disagreements to please others, even if it does kill them slowly.\nThe song features a classic Chainsmokers guitar riff in the background but also has a down-beat trap influence with London on Da Track doing Misc. Production on the track.\nThe song was initially teased on March 21, 2019, when The Chainsmokers shared a video on their Instagram account featuring a recap of their tour in Australia and South Africa. At the end of the video, a snippet of the song is played. The release date was eventually revealed through an Instagram comment by The Chainsmokers:\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nMade plans with me and all your friends\nI'm late again, I hate to keep you waiting\nTried to be a gentleman, got drunk again before I even made it\nTried to call a car for you, you're tired of me\nI know you wouldn't take it\nYou walked a mile in Louis Vuittons and fucked 'em up\nYou know that they're my favorite\n[Pre-Chorus]\nBut we dress up and play pretend\nThen we act like we're good again\nI do things I can't defend\nAnd even when you hold it in\n[Chorus]\nHold it, even though it kills you slowly\nExplosions hidden when we're in the open\nKeep on smilin' until it's over\nHold it, even though it kills you slowly\n[Verse 2]\nArguments that never end\nYou're talkin' shit to spice up conversation\nI'm so sick of back and forth\nThese fights with you are startin' to feel contagious\nSaid that I'm no good for you\nRight before we walk into your parents\nThen you put on that smile again\nAnd grab my hand even though you hate it [Pre-Chorus]\nBut we dress up and play pretend\nThen we act like we're good again\nI do things I can't defend\nAnd even when you hold it in\n[Chorus]\nHold it, even though it kills you slowly\nExplosions hidden when we're in the open\nKeep on smilin' until it's over\nHold it, even though it kills you slowly\n[Post-Chorus]\nOh, but, but it, it won't, but I said\nYou hold on, hopin' it gon' stop, but it don't\nOh, but, but it, it won't, but I said\nYou hold on, hopin' it gon' stop, but it don't\n[Bridge]\nHold it, even though it kills you slowly\nExplosions hidden when we're in the open\nAnd keep on smilin' until it's over\nHold it, even though it kills you slowly\n[Chorus]\nHold it, even though it kills you slowly\n(Oh, but, but it, it won't, but I said\nYou hold on, hopin' it gon' stop, but it don't)\nExplosions hidden when we're in the open\n(Oh, but, but it, it won't, but I said\nYou hold on, hopin' it gon' stop, but it don't)\nKeep on smilin' until it's over\n(Oh, but, but it, it won't, but I said\nYou hold on, hopin' it gon' stop, but it don't)\nHold it, even though it kills you slowly\n(Oh, but, but it, it won't, but I said\nYou hold on, hopin' it gon' stop, but it don't)" } ]

[ { "from": "human", "value": "Write me a song called Seek Bromance with the following description: This was Avicii’s first ever official released single. The song uses the vocals from Love You Seek by Samuel Santini featuring Amanda Wilson. Although the vocals are almost identical in the Italian DJ’s track, the English singer Amanda Wilson is actually not credited in Avicii’s Version. The song is a vocal version of his instrumental track Bromance which was originally released on April 14, 2010. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI've been watching you, you've been hurting too\nYou give all your love, nothing left to show\nI have been there too, alone in my despair\nWatching life go by, no one who to share\nBoy, you got it bad, but I got something good\nI will treat you good in every way, yeah\nYou will never feel alone, my touch is such a rush\nIt overflows\n[Chorus]\nI will give to you the love you seek and more\nSo what are you waiting for?\nI will give to you the love you seek and more\n[Instrumental Break]\n[Chorus]\nI will give to you the love you seek and more\nYou're what I'm waiting for\nI will give to you the love you seek and more\nYou're all I really need\nI will give to you the love you seek and more\nSo what are you waiting for?\nI will give to you the love you seek and more [Verse 2]\nBaby, here we are, standing face to face\nJust the two of us, locked in your embrace\nNow I got it bad, but you got something good\nWon't you treat me good in every way? Yeah\nAre you ready? I can feel your passion and your love\nIt overflows\n[Chorus]\nI will give to you the love you seek and more\nSo what are you waiting for?\nI will give to you the love you seek and more\n[Bridge]\nI got the love you seek\nI got the love you seek\nI got the love you seek\nI got the love\n[Chorus]\nI will give to you the love you seek and more\nSo what are you waiting for?\nI will give to you the love you seek and more\n(The love you seek, baby)\nI will give to you the love you seek and more\nYou're what I'm waiting for baby\nI will give to you the love you seek and more" } ]

[ { "from": "human", "value": "Write me a song called On Bonnaroo Music Festival with the following description: \nKanye West returns to Bonnaroo after six years. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Last time I got here, before I even arrived, they had ‘fuck Kanye’ on the motherfuckin’ port-a-potties.\n \nBut this year, we gon’ piss on ‘em, on they motherfuckin’ port-a-potties.\nHow many of y'all don't give a fuck about what the press say? It's 2014. College Dropout came out 2004. \nI want y'all to know, every time I go to the studio, every time I do an interview, every time I make a motherfuckin' t-shirt, the thing I do, I give it everything I got. And when I talk that shit, it's so that you can talk that shit. If you a fan of me, you a fan of your motherfuckin' self.\n You can do something that'll change the world. Look at how they try to make me look. They try to make me look crazy. And the people that write that? I don't see them performing for 90,000 motherfuckers … I know you seen movies and shit. Jimi Hendrix. John Lennon. Jim Morrison. I know y'all seen movies and shit. But y'all livin' a movie right motherfucking now. \nBecause I AM THE NUMBER ONE MOTHERFUCKING ROCK STAR ON THE PLANET.\nYou know, I had a meeting with Oprah Winfrey. She wanted to give me some advice. What she told me was that the corporations are scared of me.\n I'm like, 'Little ol' me?! Why you scared of me?! \nBecause I tell the kids the truth?! Why y'all scared of me?!' Why they so scared of me? … Little ol' me?' Because I want peoples' minds to finally be free.\n What's the new cool? What's the new cool? Can you tell me what's the new cool? Because I want to hide behind that. I need some new barricade to hide behind. I need a new cool. What's the new shit out? What's the new shit out with the most commercials at the Super Bowl? Let's just stop the music and play a Bruno Mars song right now, how about that? \nThey told me I would never play at the Super Bowl. They told me I could never play at the Super Bowl. Not until I'm super old. Not until I'm super old … They told me I would never play at the Super Bowl. They told me I would never play at the Super Bowl, at least not until I'm super old.\n \nSo I think it's time—hold up, f—k that toast.\nBut I promise y'all tonight, as I stand here, 37-years-old, this is only the beginning. This is only the beginning … Because in all honesty, I'm not gonna lie to y'all right now, this might not come off as humble, but I'm gonna tell y'all the truth. I ain't concerned about nobody that's actually living. I know people get mad at me when I compare myself, but that's the only way I can explain what my aspirations are. When I'm talkin' 'bout Walt Disney, when I'm talkin' 'bout Howard Hughes, when I'm talkin' 'bout Henry Ford, when I'm talkin' 'bout Beethoven, when I talk about Mozart, when I talk about Shakespeare, and they all had their time on this earth. And I'm only 37. And right now I'm rockin' to 90,000, of y'all motherfuckers right now. So I ain't goin' at anybody on the radio. I'm goin' after Shakespeare. I'm goin' after Walt Disney. I'm going after Howard Hughes. I'm going after David Stern. I'm goin' after Henry Ford. \nI'm going after Elon Musk. Okay, he is living, but he's my boy.\n Whether you believe it or not … you can only achieve as high as you believe. You can only achieve as high as you believe … \nAnd just like Martin had a dream, and just like Kendrick had a dream.\n I believe in everything. I believe in anything. You can only believe … I can only stand here when I been fucked up so many times. Fucked up so many times … And I know that I ain't perfect. But everything I'm not makes me everything I am.\nI came to Bonnaroo six months after my mom passed. Pearl Jam went on three hours long. I did the Glow In The Dark show here. My shit was going on when the motherfuckin' daylight was comin' on. They said I was runnin' late. They blared my motherfuckin' tanks, my cryo, my pyro, they wrote 'FUCK KANYE' on that shit. Y'all wrote that shit in the press. WHERE THE PRESS AT? Y'all gonna write all these motherfuckers puttin' they hands up right now? WHERE THE PRESS AT? WHERE THE PRESS AT? WHERE THE PRESS AT? Man, I'll run that shit. This is real rock n' roll. If you ever grew up on real music, the reason why you write that shit about music? I'm from the South Side of Chicago. I dreamed of R. Kelly giving me a deal.\nSomebody told me that everybody on the plane was coming out here to Bonnaroo, to come check me out, and you know, it humbled me. It humbled me, and at the same time gave me confidence. It gave me a quiet confidence, a steel confidence, a feeling that it was actually gonna happen, a feeling that it was God's plan. God's plan. God's plan, something I could never understand, understand, understand, it's all in God's plan. God's plan. God's plan. God's plan … So whether you believe it or not … the fact that there are so many people here tonight, it humbles me. It humbles me—but not in the Webster's definition of humility. It humbles me in a way that gives me strength, to know that it's in God's plan. And I know I set my goals very high." } ]

[ { "from": "human", "value": "Write me a song called Young Sinatra III with the following description: “Young Sinatra III” is the third song in a tetralogy to use the ‘Young Sinatra’ name.\nSimilar to the first and second, Logic spits about the style of his flow and how it continues to earn him more praise in the music industry.\nIncluding this track, each song in the trilogy samples the hook from “Life’s A Bitch” by Nas and AZ. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(\nVisualizing the realism of life in actuality\n)\nVarious women, I'm swimming in, like a shark\nHip-hop heads never die, we multiply then dominate\n(\nVisualizing the realism of life in actuality\n)\nC'mon this sound, it had to come from somewhere, right?\nUh, yeah\n[Verse 1]\nVarious listeners is wishing us death\nDon't give a damn, I'm reppin' Young Sinatra till my last breath\nEasily my darkest confession is lyrical aggression\nThrough indiscretion that triggers anti-depression\nWhen addressin' my profession in every session\nThe fact that I'm alive is such a blessing\nSippin' wine while these honeys undressin'\nWhat I'm about to say is highly confidential\nAnd in the music industry today, very essential\nSo bust out your pencil, you can do it on your own\nStop thinking that these labels is the ones that put you on\nLet's change the topic, who's your favorite rapper?\nI'm the top pick, ha\nThe flow is elegant, never irrelevant\nHow many times must I say this?\nCock back and spray this, never delay this\nI pray this, reaches the masses\nAnd spread like cancer on they asses\nNow allow me to catch wreck, bust rhymes like Tech\nPut me in your box and I destroy the deck [Chorus]\n(Life's a bitch and then you die)\nI used to bust tables, now I bust rhymes\nThat buck that bought a bottle\n(Life's a bitch and then you die)\nI swear to God, I'm the reincarnated Young Sinatra\n(Life's a bitch and then you die)\nI used to bust tables, now I bust rhymes\nThat buck that bought a bottle\n(Life's a bitch and then you die)\nI swear to God, I'm the reincarnated Young Sinatra\n[Verse 2]\nWhipin' through Cabo in a Murcielago\nDodging paparazzi with the finest dime I met in Chicago\nThe baddest Bobbysoxer that you ever seen, reppin' my team\nWe real all the time, so my squad keen, bing\nDave, it's me Sinatra and my boy Dean\nThe way we (\nWinning\n) I can't believe there isn't a Sheen\nAnd pregnant women listen and they give birth to a fiend\nI spit narcotic epidemic all up in your genes\nIn layman's terms, I disperse a verse you never seen\nAssassinate rappers the moment that they intervene\nWhile you in the alley playing dice\nI'm in the yacht contemplating plans for the next diamond heist\nArt thieves and jewel connoisseurs\nI study every part of they mind and make my rhyme better than yours\nElevated by being hated, sleeping on the brother like they heavily sedated\nSome say I'm one in a million, I say I'm one of a kind\nOnly cocky when I rhyme, \nI'm Muhammad in his prime [Chorus]\n(Life's a bitch and then you die)\nI used to bust tables, now I bust rhymes\nThat buck that bought a bottle\n(Life's a bitch and then you die)\nI swear to God, I'm the reincarnated Young Sinatra\n(Life's a bitch and then you die)\nI used to bust tables, now I bust rhymes\nThat buck that bought a bottle\n(Life's a bitch and then you die)\nI swear to God, I'm the reincarnated Young Sinatra\n[Verse 3]\nYo, address the mic and start spillin' like I hit the vein\nBack in the day they used to sleep on me like Tryptophan\nTouchdown now the city screamin' my name\nI flow gunshots and break fingers just to shift the pain\nWhoever hate ‘em, I levitate 'em like David Blaine\nBlack Ops state of mind\n, \nplay the game like campaign\nBumpin' Santana in the finest Copacabana\nIn Havana with a honey by the name of Hannah\nWearing nothing but a bandanna\nPussy wetter than Louisiana\nYou know the deal, peace to Miilkbone, I keep it real\nFlyer than a man of steel, motherfucker how you feel, It's Logic [Outro: Nas]\nI woke up early on my born day, I’m 20, it’s a blessing\nThe essence of adolescence leaves my body\nNow I’m fresh and my physical frame is celebrated\nCause I made it one quarter through life\nSome Godly-like thing created\nGot rhymes 365 days annual plus some\nLoad up the mic and bust one, cuss while I puffs from\nMy skull cause it’s pain in my brain, vein, money maintain\nDon’t go against the grain, simple and plain" } ]

[ { "from": "human", "value": "Write me a song called Can’t Live Without You with the following description: Unreleased/Leaked track from Canadian pop star Justin Bieber with his friend playing the guitar in the background. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI just sit here waiting for you to call\nAnd then I wonder if you’re even calling at all\nSo many thoughts in my mind\nWishing you could be here all the time\n[Chorus x2]\nCause I'm lost without you\nAnd I just can't doubt you\nAnd there's something about you\nI just can't live without you" } ]

[ { "from": "human", "value": "Write me a song called Different Cloth with the following description: A track Wiz debuted on twitter featuring Busta Rhymes and produced by SledgrenExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Busta Rhymes]\nGot these niggas sayin': shit ain't even logical\nTo do the shit I do, now lets celebrate the impossible\nGlasses up, I'm respected son\nUnbelievable arsenal\nBeat the streets with bars til niggas lay in the hospital\nIn case you didn't know everything about me phenomenal\nAnd the way these niggas talk everything about it is comical\nWhats even more comical, is what you read in an article\nI broke your face for talkin', you should've been more responsible\nYou need to learn I ain't trying to stop, basically\nWatch them choke when I'm pullin' up in a space ship, see?\nWhen I float you see how we ballin' until we wasted\nMad because I poke your broad and be lettin' her taste it\nPlease appreciate this art and this Basquiat that I'm painting\nEmbrace a lot of love, but I love embracing the hatred\nYou niggas is the fuel for me\nLeaving it mutilated\nPardon my delay on all of this greatness you ever waited\n[Hook: Wiz Khalifa]\nNow when I'm lookin' at the game I say shit done changed\nThese niggas going out they way but I'm just staying the same\nYou probably thinking that you seen someone like me before\nBut I'm a G and they don't make em like me anymore [Verse 2: Wiz Khalifa]\nThe nerve of these niggas\nTalkin' shit about me cause I'm on the top I ain't even heard of these niggas\nSmokin' kill dressed to murder these niggas\nWant beef? Cause I got bread\nI guess you where burgers be nigga\nThey say I'm the event currently\nBut my niggas in the cut like surgery\nAnd all my breakfasts, lunch, and dinners get served to me\nYou sayin' I ain't the realest, that's perjury\nI'm smokin' out with my niggas up on the top floor of the villa lookin' out for those who be trynna copy us\nOh you ain't bout them dollars huh?\nI guess that mean we can't chop it up\nPérignon poppin'\n30k for watches\nI grinded for what I got my nigga, losings not an option\nJust look at all this new shit that I'm rockin'\nDon't know whatchu doin', you should stop then\n[Hook]" } ]

[ { "from": "human", "value": "Write me a song called Darkness with the following description: “Darkness” is an unreleased Imagine Dragons' song. It has been performed twice: for The Rooftop Concert Series in Provo, Utah, and while shooting an episode of AUDIO-FILES, for which all audio and video was recorded on location in the Las Vegas desert. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI can never leave you when you're lying in the bed\nFace to the wall\nEyes locked on the floor\nWhat did you mean by that, what did you mean by that?\nTake it as a self invitation\nTake it as your own means of salvation\nIf I could take it all\nIf I could take it all back\n[Chorus]\nNothing is forgiven unless you want it to be\nAnd if it's too late for deciding\nOh, just leave it to me\nStay with me, stay with me\nStay with me, stay with me\nStay with me please\nBecause I'm living, living\nLiving in the darkness\n[Verse 2]\nI could never beat it when you needed me the most\nThe more I try the less you try to come\nHow could I live like that, how could I live like that?\nTake it as a self indication\nTake it as your own means of vindication\nIf I could take it all\nIf I could take it all back [Chorus]\nNothing is forgiven unless you want it to be\nAnd if it's too late for deciding\nOh, just leave it to me\nStay with me, stay with me\nStay with me, stay with me\nStay with me please\nBecause I'm living, living\nLiving in the darkness\n[Chorus]\nNothing is forgiven unless you want it to be\nIt's too late for deciding\nSo just leave it to me\nStay with me, stay with me\nStay with me, stay with me\nStay with me please\nBecause I'm living, living\nLiving in the darkness\n[Chorus]\nNothing is forgiven unless you want it to be\nOh, it is too late for deciding\nSo just leave it to me\nStay with me, stay with me\nStay with me, stay with me\nStay with me please\nBecause I'm living, living\nLiving in the darkness [Outro]\nLiving in the darkness\nPlease\nLiving, living in the darkness" } ]

[ { "from": "human", "value": "Write me a song called If I Let Go with the following description: “Let Go” is an unreleased track from Kanye West, with San Diego singer and songwriter Cailin Russo serving as a featured artist.\nThe track was recorded in late May 2021 during the sessions for Spirits Over the Horizon, a now-scrapped project that eventually evolved into Donda.\nThe track was first previewed on June 1, 2021 by a person who was near the Pio Pico art gallery in Los Angeles, CA, which served as a makeshift studio for West to work on the album at the time, but that particular snippet was not made publicly available until August 12, 2021, and it was not previewed again until October 21, 2021. The track’s name was confirmed on July 21, 2021, when it was included on an early tracklist for Donda that was posted on West’s Instagram account during his temporary residency at Mercedes-Benz Stadium in Atlanta, GA. The track, along with its earlier demo version was leaked on October 24, 2021.\nIn November, Kanye claimed that the track would be included on Donda (Deluxe); however, the song was never included in the release. It is currently unknown whether the track will ever see an official release. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kanye West & \nTy Dolla $ign\n]\nCan I let go?\nWhen you're holding onto me\nAm I strong enough to mean it?\nWhen I know deep down that I'm not\nOkay, let's go\nI trust you to lead\nI know you'd never put more on me than\nPut more on than even I can take\nI let go\nStill holdin' onto, I'm holdin' on to\nSomebody taught you, somebody wronged you\nSomebody warned me, somebody saw me\nStill had it on me, and who was phony?\nAnd left me lonely? And left me lonely?\nLike you don't know me\nMy one and only, somebody hold me\nI let go, I let go (\nWoooooo\n)\nDon't you lose it\n[Chorus: Kanye West]\nIf I let go\nLet God and let go\nI gotta let it go\nI got it, let's go\nI got it, let's go [Verse 1: Kanye West \nwith Ty Dolla $ign\n]\nLight a fire by the \nwater\nHigh tides, can't fade my life\n[Chorus: Kanye West, \nTy Dolla $ign\n]\nIf I let go\nI let go\nLet God and let go\nI gotta let it go\nI got it, let's go\nI got it, let's go (\nWoooooo\n)\nI gotta let it go\nLet God and let go\nHe has so much more\n[Verse 2: Kanye West, \nTy Dolla $ign\n, \nBoth\n]\nFlying to the clouds to touch the sun\nWe can see the Mon-drian-drian\nI know they was hoping I'd be wrong\nI know you was hoping I'd be gone\nOkay, let's go\nI trust you to lead\nAm I strong enough to mean it?\nI know you never lead me wrong\n[Chorus: Kanye West]\nI got it, let's go\nI gotta let it go\nLet God and let go\nHe has so much more [Outro: Kanye West \nwith Ty Dolla $ign\n]\nDon't you lose it\nDon't you lose it\nDon't you lose it" } ]

[ { "from": "human", "value": "Write me a song called Unforgettable with the following description: The song (originally by Nat King Cole) was covered by Australian singer-songwriter Sia for the theme song of Disney/Pixar’s 2016 Finding Dory.\nSia performed the song live for the first time on The Ellen DeGeneres Show on May 20, 2016.\nThe song was officially released as single off the Finding Dory (Original Motion Picture Soundtrack) on May 27 and is available for streaming on Spotify and Apple Music. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus]\nUnforgettable\nThat's what you are\nUnforgettable\nTho' near or far\n[Verse 1]\nLike a song of love that clings to me\nHow the thought of you does things to me\nNever before\nHas someone been more\n[Chorus]\nUnforgettable\nIn every way\nAnd forever more\nThat's how you'll stay\n[Verse 2]\nThat's why, darling, it's incredible\nThat someone so unforgettable\nThinks that I am\nUnforgettable, too\n[Chorus]\nUnforgettable\nIn every way, oh, oh, oh\nAnd forever more\nThat's how you'll stay, oh, oh, oh, yeah [Verse 2; repeated]\nThat's why, darling, it's incredible\nThat someone so unforgettable\nThinks that I am\nUnforgettable, too" } ]

[ { "from": "human", "value": "Write me a song called Beautiful Eyes with the following description: “Beautiful Eyes” is the title track of Taylor’s 2008 EP, released to hold fans over until her album Fearless.\nThe song describes Taylor’s affection for the partner she wants. Everything she does revolves around that person, because of their eyes. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYour beautiful eyes\nStare right into mine\nAnd sometimes, I think of you late at night\nI don't know why\n[Pre-Chorus]\nI wanna be somewhere where you are\nI wanna be where\n[Chorus]\nYou're here, your eyes are lookin' into mine\nSo baby, make me fly\nMy heart has never felt this way before\nI'm looking through your—\nI'm looking through your eyes\n[Verse 2]\nI wake up, I'm alive\nIn only a little while, I'll cry\n'Cause you're my lullaby\nSo baby, come hold me tight 'cause I\n[Pre-Chorus]\nI wanna be everything you need\nI wanna be where [Chorus]\nYou're here, your eyes are lookin' into mine\nSo baby, make me fly\nMy heart has never felt this way before\nI'm looking through your—\nI'm looking through your eyes\n[Bridge]\nJust as long as you're mine\nI'll be your everything tonight\nLet me love you, kiss you\nOh, baby, let me miss you\nLet me see your, dream about, dream about\nDream about your eyes\n[Outro]\nAh, ah\nBeautiful eyes" } ]

[ { "from": "human", "value": "Write me a song called Breeze with the following description: Track #5 off Berner and B-Real’s joint-project Prohibition featuring Wiz Khalifa.\nDownload Prohibition here!\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook: Wiz Khalifa]\nOh, we get gone in the breeze\nLate night smoking the weed\nRiding sitting low in the seat\nJust tell me if you’re ready to roll\nOh\n[Verse 1: B-Real]\nYou wanna book the Doctor\nBut you can’t afford me, [Pay Up]\nBut if you got the paper call Harry Gordy, [Harry!]\nHe’ll book you for a consultation, I’ll prescribe you medication\nYou’ll be vibing like it’s meditation\nFeeling wasted , don’t make me have this shatter\nWrapped up round a white girl, put it in the L like it don’t matter\nWe keep rollin’ it fatter and fatter\nShe hit it harder pullin' like a monster and I don’t mind that shit for starters\nDown to the finish, we winning, the flower glistenin'\nJust listen\nWe twistin’ the fire and higher we getting\nLight up this fire then flippin’ and sippin’\nThe finest shit, wired and trippin’\nWe keep climbin', the elevation is too much for you bitches\nCome on face it off the paper that was chasin'\nSeems outrageous but the grind is contagious\nAnd I got pages and pages of game\nAnd I’m watching all of you fuckin' haters go through your stages [Hook: Wiz Khalifa]\n[Verse 2: Berner]\nBrown bags full of new blue hundreds\nMy old bitch hates, damn my new bitch love me\nWindows down, fresh air feel lovely\nSmoke Wax, looks like honey\nMakes your head feel funny (baller shit)\nWe spend this money like it never runs out\nYou broke, it makes me sick\nPut this gun in your mouth\nI had a plug in the south\nHad me reachin' two thou, used to shit\nNow trucks, take trips in the drought\nGone in the breeze, ocean view for a week\nI piss pink champagne on a tropical beach\nSittin’ low, in my old school, turn up the beat\nLight weed, pull a hand full out of the P\nTurkey bag boys, you ain’t got it like this\n5 gran hash play, burns slow as a bitch\nWe burn big everywhere we go\nTop show, no blow\nKK, floatin' out of my nose\nLet’s roll\n[Hook: Wiz Khalifa]" } ]

[ { "from": "human", "value": "Write me a song called Sweet Serenade with the following description: King Push’s lead single from My Name Is My Name. Immediately after its release, Pusha T had #MNIMN108 trending worldwide on Twitter.\nYUUGH! Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Chris Brown]\nCome on, let's toast the champagne, this one's for the life\nDid everything you could just to be here for the night\nMan, it feels good, everything is right\nEnergy is strong enough to brighten city lights\nMy whole team winnin', no vision on quittin'\nI'd rather say I did than let them busters say I didn't\nLe-le-let them talk about it, mane, I'm already livin'\nI risked my life to try every day to go and get it, get it, get it\n[Verse 1: Pusha T]\nCame from the bottom, no one said it would be fair\nNow I'm on this money, loungin' like it's a beach chair\nPapa don't preach, a-all we do is just reach here\nRaised 'round killers, we just happy to be here\nSpot 'em, got 'em, let your soul pay your dues\nWhile my hoes doin' magic, voodoo Moulin Rouge\nThat's a tactic that they use, fuck 'em high, then suck 'em dry\nBefore you know it, her Q7 is buzzin' by\nThe queen pin to the kingpin, redeems him\nThe boat comes, the dope drums, my team wins\n[Refrain: Pusha T]\nYuugh, this the life that we made\nGunshots in the dark like a sweet serenade [Chorus: Chris Brown]\nCome on, let's toast the champagne, this one's for the life\nDid everything you could just to be here for the night\nMan, it feels good, everything is right\nEnergy is strong enough to brighten city lights\nMy whole team winnin', no vision on quittin'\nI'd rather say I did than let them busters say I didn't\nLe-le-let them talk about it, mane, I'm already livin'\nI risked my life to try every day to go and get it, get it, get it\n[Verse 2: Pusha T]\nSupreme ballers, all my niggas got ESPYs\nTriple doubles, both wrist and neck freeze\nTriple doubles, two bricks and tech squeeze\nTriple doubles, two hoes and check please (Woo)\nThey love me on my Ric Flair shit (Woo)\nIn that Phantom like I'm Blair Witch (Woo)\nWho are you to be compared with? (Woo)\nAin't no niggas that you bled with\nCourt cases ran base and road aces\nLick shots or left bodies with no traces\n[Refrain: Pusha T]\nYuugh, this the life that we made\nGunshots in the dark like a sweet serenade [Chorus: Chris Brown]\nCome on, let's toast the champagne, this one's for the life\nDid everything you could just to be here for the night\nMan, it feels good, everything is right\nEnergy is strong enough to brighten city lights\nMy whole team winnin', no vision on quittin'\nI'd rather say I did than let them busters say I didn't\nLe-le-let them talk about it, mane, I'm already livin'\nI risked my life to try every day to go and get it, get it, get it\n[Verse 3: Pusha T]\nLook, my ouija board don't never lie to me\nThe best rapper livin', I know who's alive to me\nYeah, the competition's all but died to me\nRaah, I make these motherfuckers hide from me\nThe Sergio Tacchini life we uphold\nYou just posin' for them pics so you can upload\n[Refrain: Pusha T]\nYuugh, this the life that we made\nGunshots in the dark like a sweet serenade, nigga\n[Chorus: Chris Brown]\nCome on, let's toast the champagne, this one's for the life\nDid everything you could just to be here for the night\nMan, it feels good, everything is right\nEnergy is strong enough to brighten city lights\nMy whole team winnin', no vision on quittin'\nI'd rather say I did than let them busters say I didn't\nLe-le-let them talk about it, mane, I'm already livin'\nI risked my life to try every day to go and get it, get it, get it" } ]

[ { "from": "human", "value": "Write me a song called Never Forget with the following description: “Never Forget” is the 4th track to the 13-track mixtape Purple Reign Produced by Jon Boi.\nFuture paints pictures through his short stories of the past to show what he has gone through to get to this point in his career and the dedication that it took. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\n(Yeah, yeah)\nEscomoe, the coolest DJ in the world\n(Yeah, yeah)\nAyy, the streets'll speak for it\nWe ain't standin'?\nFreeband Gang\n(Yeah, yeah, yeah)\nDJ Esco, let's go\n[Chorus]\nI dedicated every damn thing to this\nI had to take a loss so I could cherish this shit\nTwo-hundred pounds of kush, I'm tryna sell that shit\nMy 'migo said fuck it, he gon' mail the brick\nSoon as I get my hands on it, I'ma sell them shits\nYoung Scooter makin' juggs on them bales and shit\nAnd we ain't gotta talk about it, you can tell we rich\nEverything we went through, man, I can never forget\n[Verse 1]\nBy the time I was seven, my Uncle Wayne was in prison\nWe used to take a trip once a month and go visit\nMy Grandma and my Granddad, yeah, they all suspicious\nJust say no to drugs, hell nah I ain't listen\nAnd loyalty is everything, I'll never forget it\nI keep my gun everywhere I go, I'll never forget it\n\"And why your Sprite so pink?\" I got Promethazine in it\n\"Why you drive your car nervous?\" I got dope all in it (Let's go)\nI custom made a cross from the money I made (Money I made)\nOff them nickel bags of crack, I should’ve been in twelfth grade\nI ain't make my auntie funeral, I ain't never forget it\nI know she know I love her and I hope she forgive me [Chorus]\nI dedicated every damn thing to this\nI had to take a loss so I could cherish this shit\nTwo-hundred pounds of kush, I'm tryna sell that shit\nMy 'migo said fuck it, he gon' mail the brick\nSoon as I get my hands on it, I'ma sell them shits\nYoung Scooter makin' juggs on them bales and shit\nAnd we ain't gotta talk about it, you can tell we rich\nEverything we went through, man, I can never forget\n[Verse 2]\nI'm the nigga got your sister on the Mollies and shit\nYou can tell I act the same 'cause I acknowledge the bitch\nI'm drankin' on my lean, I swear to God I would quit\nMy auntie was a fiend, I used to serve her a hit\nI'm thankin' God today that she don't smoke it no more\nI made so much fuckin' money, I put a safe in the floor\nWe got traps in every hood, I used to serve out the stove\nI still own the chopper and the old .44\nStick 'em up, hit 'em up, get it and go\nWe got bags full of cash that we ready to blow\nHittin' licks every day, nigga go sell dope\nThem Jewish lawyers and accountants, that's the life that I know\n[Chorus]\nI dedicated every damn thing to this\nI had to take a loss so I could cherish this shit\nTwo-hundred pounds of kush, I'm tryna sell that shit\nMy 'migo said fuck it, he gon' mail the brick\nSoon as I get my hands on it, I'ma sell them shits\nYoung Scooter makin' juggs on them bales and shit\nAnd we ain't gotta talk about it, you can tell we rich\nEverything we went through, man, I can never forget [Outro]\nDJ Esco" } ]

[ { "from": "human", "value": "Write me a song called These Walls with the following description: The title “These Walls” plays off the familiar expression “if these walls could talk…” Kendrick’s complex wordplay introduces layered metaphorical and literal walls—the “walls” of a woman’s vagina, the walls of a prison cell, and ultimately the “walls” of his mind and conscience. Kendrick uses this conceit to explore sex, abuse, his own career, his enemies, and the human psyche.\nThe song narrates Kendrick having sex with a woman who has children with a man in jail for killing one of Kendrick’s friends. Kendrick views this as an act of revenge for his slain friend, but he also has a bad conscience about using his fame and power to seduce someone for that purpose.\nUltimately “these walls” represent being imprisoned by the entire situation: an allegory for a cycle of murder, lust, seduction, revenge and guilt.\n\nKendrick said “These Walls” was one of his favorites on the album: “It’s a record that I always wanted to make but didn’t know how to make.”\nVandalizing these walls only if they could talk\n― “Never Catch Me” by Flying Lotus\nKendrick may have been hinting at this track in Never Catch Me by Flying Lotus.\n“These Walls” won Best Rap/Sung Collaboration at the 58th Annual Grammy Awards. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Terrace Martin & Larrance Dopson; Additional production by Sounwave]\n[Directed by Colin Tilley & The Little Homies]\n[Poem: Kendrick Lamar]\nI remember you was conflicted, misusing your influence\nSometimes, I did the same\n[Intro: Kendrick Lamar & Anna Wise]\n*Woman moaning*\nIf these walls could talk\nIf these walls could talk\nIf these walls could talk\nIf these walls could talk\nIf these walls could talk\nIf these walls could talk—\nSex\n[Verse 1: Anna Wise & \nKendrick Lamar\n]\nShe just want to close her eyes and sway\nWith you, with you, with you (\nAh, come on\n)\nExercise her right to work it out\nIt's true, it's true, it's true\nShout out to the birthday girls\nSay hey (Hey), say hey (Hey), (\nAh, girl\n)\nEveryone deserves a night to play (Play)\nShe plays, only when you tell her no [Chorus: \nAnna Wise,\n \nThundercat\n, & \nBilal\n]\nIf these walls could talk\nI can feel your reign when it cries, gold lives inside of you\nIf these walls could talk\nI love it when I'm in it, I love it when I'm in it\n(Oh, oh, oh, oh, ohh)\n[Verse 2: Kendrick Lamar]\nIf these walls could talk, they'd tell me to swim good\nNo boat, I float better than he would\nNo life jacket, I'm not the God of Nazareth\nBut your flood can be misunderstood\nWalls telling me they full of pain, resentment\nNeed someone to live in them just to relieve tension\nMe, I'm just a tenant\nLandlord said these walls vacant more than a minute\nThese walls are vulnerable, exclamation\nInterior pink, color coordinated\nI interrogated every nook and cranny\nI mean, it's still amazing, before they couldn't stand me\nThese walls want to cry tears\nThese walls happier when I'm here\nThese walls never could hold up\nEvery time I come around, demolition might crush\n[Chorus: \nAnna Wise,\n \nThundercat\n, & \nBilal\n]\nIf these walls could talk\nI can feel your reign when it cries, gold lives inside of you\nIf these walls could talk\nI love it when I'm in it, I love it when I'm in it\n(Oh, oh, oh, oh, ohh) [Verse 3: Kendrick Lamar]\nIf these walls could talk, they'd tell me to go deep\nYelling at me continuously,\n \nI can see\nYour defense mechanism is my decision\nKnock these walls down, that's my religion\nWalls feeling like they ready to close in\nI suffocate, then catch my second wind\nI resonate in these walls\nI don't know how long I can wait in these walls\nI've been on the streets too long\nLooking at you from the outside in\nThey sing the same old song\nAbout how they walls always the cleanest\nI beg to differ, I must've missed them\nI'm not involved, I'd rather diss 'em\nI'd rather call on you, put your wall up\n'Cause when I come around, demolition gon' crush\n[Chorus: \nAnna Wise,\n \nThundercat\n, & \nBilal\n]\nIf these walls could talk\nI can feel your reign when it cries, gold lives inside of you\nIf these walls could talk\nI love it when I'm in it, I love it when I'm in it\n(Oh, oh, oh, oh, ohh)\n[Instrumental Break] [Verse 4: Kendrick Lamar]\nIf your walls could talk, they'd tell you it's too late\nYour destiny accepted your fate\nBurn accessories and stash them on the yard\nTake the recipe, the Bible and God\nWall telling you that commissary is low\nRace wars happening, no calling CO\nNo calling your mother to save you\nHomies to say you're irrepetible, not acceptable\nYour behavior is Sammy the Bull like\nA killer that turned snitch\nWalls is telling me you a bitch\nYou pray for appeals hoping the warden would afford them\nThat sentence so important\nWalls telling you to listen to \"Sing About Me\"\nRetaliation is strong, you even dream 'bout me\nKilled my homeboy and God spared your life\nDumb criminal got indicted same night\nSo when you play this song, rewind the first verse\nAbout me abusing my power so you can hurt\nAbout me and her in the shower whenever she horny\nAbout me and her in the after hours of the morning\nAbout her baby daddy currently serving life\nAnd how she think about you until we meet up at night\nAbout the only girl that cared about you when you asked her\nAnd how she fuckin' on a famous rapper\nWalls can talk (Talk)\n[Poem: Kendrick Lamar]\nI remember you was conflicted\nMisusing your influence\nSometimes I did the same\nAbusing my power, full of resentment\nResentment that turned into a deep depression\nFound myself screaming in a hotel room" } ]

[ { "from": "human", "value": "Write me a song called W.T.P. with the following description: White\nTrash\nParty\nIn what’s probably the most lighthearted song on Recovery, Eminem describes rolling up to trashy parties in highly flammable super compact cars from the 70s, and then dancing and yelling at other people to dance (hangovers figure prominently in the narrative). Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYeah!\nOh!\nGet up! \n(Where my trash at?)\nI said, “Get up!” (You know what happens when I'm around, man)\nWoo! Let's go\nBetter watch out now 'cause here we come\nAnd we ain't stoppin', until we see the morning sun\nSo, give us room to do our thing 'cause we ain't come to hurt no one\nSo, e'erybody come and get up on the floor now and grab someone\n[Verse 1]\nMan, first of all I'm a boss, I just want to get that across\nMan, even my dentist hates, when I floss\nPull up to the club in a Pinto like it's a Porsche\nGarbage bag for one of the windows, spray-painted doors\nWith the flames on 'em, \nMichigan plates, and my name's on 'em\nBaby, Shady's here, come and get him, if you, dames, want him\nBut he ain't stupid so quit tryna run them games on him\nHe's immune to Cupid, why you tryna put your claims on him?\n'Cause you won't do to me, what you did to the last man\nNow climb in back, try not to kick over the gas can\nThere's a half a gallon in it, that could be our last chance\nWe have of just gettin' home, now can I get that lap dance?\nShe's got a tattoo of me right above her ass, man\nIn the streets of Warren, Michigan, we call 'em “Tramp stamps”\nThat means she belongs to me, time to put the damn clamps down\nAnd show this hussy who's the man; now get amped, dance! [Chorus]\nNow you can do this on your own\nBut everyone knows that no one likes to be alone\nSo get on the floor and grab somebody\nAin't nothin' but a white trash party (White trash party)\nSo, let's have us a little bash\nAnd if anyone asks, it ain't no one but us trash\nYou don't know, you better ask somebody\n'Cause we're having a white trash party (White trash party)\n[Verse 2]\nPull a fifth of Bacardi from out of my underwear\nAnd walk around the party without a care like a body without a head\nLookin' like a zombie from \nNight of the Living Dead\nAnd tomorrow I'll probably still be too high to get out of bed\n'Til I feel, like I been hit with the sharp part of the hammer\nMixin' Hennessy and Fanta with Pepto and Mylanta (Woo)\nI shoot the gift, like I'm hollerin' “Die Santa”\nMissed the tree, and hit Rudolph and two innocent bystanders (Yeah)\nSo, quit tryna play the wall like you Paul, and\nGet on the floor when the beat drops and stop stallin'\nThey call me the Stephon Marbury of rap, darlin'\n'Cause as soon as they throw on some R. Kelly, I start ballin'\nMakin' it rain for the ladies in the minis\nBut I'm not throwin' ones, five, tens, or even twenties\nI'm throwin' quarters, nickels, dimes, pennies up at skinnies\nMan, I do this for them bunnies up at Denny's\nFrom the North, East, and West—\nBut when it comes to them trailers in them South-parks\nMuffle it, 'cause, homie, that hood's tighter than Kenny's\nSo, ladies, if your belly button's not an innie, then I'm outtie\nNow hop in my minivan, let's get rowdy\nCome on [Chorus]\nNow you can do this on your own\nBut everyone knows that no one likes to be alone\nSo, get on the floor and grab somebody\nAin't nothin' but a white trash party (White trash party)\nSo let's have us a little bash\nAnd if anyone asks, it ain't no one but us trash\nYou don't know, you better ask somebody\n'Cause we're having a white trash party (White trash party)\n[Bridge]\nNow, whether you're black, white, or purple;\n \nif you're misunderstood\nBut you don't give a fuck, you ain't doin' shit that you should\nLong as you know you're up to evil, and you're no damn good\nGet on the floor, man, and rep your hood\n[Verse 3]\nNow, honey, don't let them pricks trip\nWe should make a quick dip\nAnd go do some doughnuts in the hospital parking lot\n'Cause, girl, I got a sick whip\nKick the back window out of my Gremlin\nPut two milk crates in the trunk, rip out the stick shift\nAnd make a five-seater,\n I'll be damned, if I feed a chick\nIt ain't like me to split a piece of dry pita\nI be the S-L-to-the-I-M to the S-H-A-D-Y\nAnd I don't need a tank top to be a wife beater\nI'll rip a tree out the ground and flip it upside down\n'Fore I turn over a new leaf, clown\nI'll tell you now, I'm so raw, I still need to unthaw\nYou feel me, y'all? I shut the club down like Drake in the mall\nBut, baby, a body like that's against the law\nYou the baddest little chain with the blades I ever saw\nColeslaw containers, empty straw wrappers, and all\nYou got more junk in your trunk than I do in my car\nNow get up [Chorus]\nNow you can do this on your own\nBut everyone knows that no one likes to be alone\nSo, get on the floor and grab somebody\nAin't nothin' but a white trash party\nSo let's have us a little bash\nAnd if anyone asks, it ain't no one but us trash\nYou don't know, you better ask somebody\n'Cause we're having a white trash party (White trash party)" } ]

[ { "from": "human", "value": "Write me a song called I Know God Breathed On This (JIK Demo) with the following description: This version of “God Breathed” was originally teased in 2019 during a listening party for JESUS IS KING. Shortly before playing the song, West spoke about how the song wasn’t going to be included on the album.\nMany of the vocals are still unchanged from the current release version of the song featured on Donda, but the instrumental in this version is a lot more stripped back. This version of the song includes a simple drum pattern with no melody or other instrumentation. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI know He got His hands on this\nI know we got a chance on this\nNo, I never planned on this\nI might need a band on this\nThis might get banned off rip\nGon' say somethin' 'fore y'all quit\nLet me know something, who y'all with?\nDon't know nothing, I know this\nI know the Father breathed on this\nSomeone like we on this\nSome might disagree on this\nBut I know somethin’, He gon’ listen\nAll yo problems, He know it\nAin’t no problem He don’t get\nGod gon’ solve em, He gon’ fix\nJust wait on em, please don’t quit\n[Chorus]\nI know God breathed on this\nI know God breathed on this\nI know God breathed on this\nI know God breathed on this\nI know God breathed on this\nI know God breathed on this\nI know God breathed on this\nI know God breathed on this [Verse 2]\nMore than I can say for you\nBefore the sons and the daughters\nBefore the sun and the water\nMore than I can say for you\nBut the truth still for you\nOnce I saw what the Lord do\nGod, the Son, all the glory\nGod the Father like Maury\nDon’t care what you say, nothin’ on me\nI don’t care ‘bout the lawyer fees\nI don’t care ‘bout your loyalties\nGod will solve it all for me\nTrust man, he will fail ya’\nTrust, and God’ll heal ya’\nDustin, he a Hoffman\nDon’t fall what they offerin’, uh\nFall far too often, yeah, call God but don’t call enough\nFall down but don’t fall in love, I know God is all in us\n[Chorus]\nI know God breathed on this\nI know God breathed on this\nI know God breathed on this\nI know God breathed on this [Outro]\nThere ain't nothin', He don't miss\nTrust God, He don't miss\nOne God, He alone this\nAmistad, we own this\nLove of god, we own it" } ]

[ { "from": "human", "value": "Write me a song called Loyal with the following description: “Loyal” is an ode to unfaithful women that Chris can bag with ease. The track was released as the fourth single from X and is one of Chris' most popular tracks to date, peaking at #1 on the Rhythmic Songs chart and R&B/Hip-Hop Airplay chart.\nTwo versions of “Loyal” were initially released, both featuring Lil Wayne in addition to Too $hort on the West Coast version, and French Montana on the East Coast version. The third and final version featuring Tyga was selected as the single version. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Lil Wayne, \nChris Brown\n]\nYoung Mula, baby!\n(\nLet me see\n)\nHaha\nYou thought it was over?\n(\nLet me see\n)\n[Verse 1: Lil Wayne, \nChris Brown\n]\nI wasn't born last night\nI know these hoes ain't right\nBut you was blowin' up her phone last night\nBut she ain't have her ringer nor her ring on last night, ooh\nNigga, that's that nerve\nWhy give a bitch your heart when she'd rather have a purse?\nWhy give a bitch an inch when she'd rather have nine?\nYou know how the game goes, she be mine by halftime\nI'm the shit, ooh\nNigga, that's that nerve\nYou all about her, and she all about hers\nBirdman Junior in this bitch, no flamingos\nAnd I done did everythin' but trust these hoes (\nLet me see\n)\nCB, fuck with me\n[Chorus: Chris Brown]\nWhen a rich nigga want you\nAnd your nigga can't do nothin' for ya\nOh, these hoes ain't loyal\nWoah, these hoes ain't loyal\nYeah-yeah, let me see [Refrain: Chris Brown]\nJust got rich\nTook a broke nigga bitch\nI can make a broke bitch rich\nBut I don't fuck with broke bitches\n[Verse 2: Chris Brown]\nGot a white girl with some fake titties\nI took her to the Bay with me\nEyes closed, smokin' marijuana\nRollin' up that Bob Marley, I'm a rasta\nShe wanna do drugs (Drugs)\nSmoke weed, get drunk (Wasted)\nShe wanna see a nigga trap\nShe wanna fuck all the rappers (Let me see)\n[Chorus: Chris Brown]\n(Uh-huh)\nWhen a rich nigga want you (Want you, baby)\nAnd your nigga can't do nothin' for ya (Nothin', no)\nOh, these hoes ain't loyal (No, they ain't)\nWoah, these hoes ain't loyal\nYeah-yeah, let me see\n[Verse 3: Chris Brown]\nBlack girl with a big booty\nIf she a bad bitch, let's get to it (Right away)\nWe up in this club\nBring me the bottles\nI know, girl, that you came in this bitch with your man\nThat's a no-no, girl\nAll this money in the air\nI wanna see you dance [Refrain: Chris Brown]\nJust got rich (Got rich)\nTook a broke nigga bitch (Yeah)\nI can make a broke bitch rich\nBut I don't fuck with broke bitches (Girl, it's you)\n[Chorus: Chris Brown]\n(Uh-huh)\nWhen a rich nigga want you (Yeah-yeah, want you, baby)\nAnd your nigga can't do nothin' for ya (No, nothin', no-woah)\nOh, these hoes ain't loyal (Oh-oh-oh-oh-no)\nWoah, these hoes ain't loyal\nYeah-yeah-yeah-yeah-yeah\nYeah-yeah, let me see\n[Verse 4: Tyga]\n(Ha!) Rich young nigga\nName got bigger and my change got bigger, so my chains got bigger\nFerrari, Jaguar, switchin' four lanes\nWith the top down screamin' out, \"Money ain't a thing\"\n (Ha!)\nHa, me and CB in the Bay with her (Bay with her)\nI sent her back home so you can lay with her\nOkay, let's talk about this ice that I'm carryin'\nAll these karats like I'm a fuckin' vegetarian\nShout-out Weezy F., keep a redbone wet\nRose Rolex, hoes on deck, she know I got a check\nDo it too good when she ride that dick (Woo)\nMan, I wouldn't trust that bitch, no (Haha) [Bridge: Chris Brown]\nCome on, come on, girl, why you frontin'?\nBaby, show me somethin'\nWhen I call her, she gon' leave\nAnd I bet that bottom dollar she gon' cheat\nCome on, come on, girl, why you frontin'?\nBaby, show me somethin'\nYou done spent your bread on her\nAnd it's all for nothin' (Yeah-yeah-yeah-yeah, let me see)\n[Chorus: Chris Brown]\n(Uh-huh)\nWhen a rich nigga want you (Want you, baby, yeah, woo)\nAnd your nigga can't do nothin' for ya (Can't do nothin' for you)\nOh, these hoes ain't loyal (Oh, no)\nWoah, these hoes ain't loyal\nYeah-yeah, let me see (Woo)\n(Uh-huh)\nWhen a rich nigga want you (Want you, baby, yeah)\nAnd your nigga can't do nothin' for ya (Oh-woah-oh)\nOh, these hoes ain't loyal (They be playin' games, yeah)\nWoah, these hoes ain't loyal (Oh-oh)\nYeah-yeah, let me see\n[Outro: Chris Brown]\nYeah, let me see\nYeah-ah, let me see\nLet me see\nOh, these hoes ain't loyal\nLet me see" } ]

[ { "from": "human", "value": "Write me a song called This Is It with the following description: “This Is It” is the titular song of the This Is It album and also the last song on it. In it he describes a blossoming relationship with a woman that he had previously spent a lot of his time with but had never before seen as a person to fall in love with. The song can also be interpreted as a retrospect on his legendary career as “the King of Pop” and as a final message to the millions of fans he had made over the decades.\nOriginally co-written and recorded in 1983 with Paul Anka to serve as a duet for the two singers (not unlike Jackson’s 1981 collaboration with Paul McCartney for “The Girl Is Mine”) and then to be included on Anka’s album Walk A Fine Line under the name “I Never Heard,” Jackson took the master tapes of the song after their collaboration plans fell through and they remained relatively untouched in his vault until the announcement of the This Is It tour, at which this song was reportedly planned to be played^1. After Jackson’s death and without Anka’s express permission, Jackson’s family had the vocals remixed to feature only Jackson’s voice as well as backing vocals from his siblings and an orchestral accompaniment^2.\nAlongside “Best of Joy,” “Breathe,” and “River Ripple,” “This Is It” was one of the last known songs Michael Jackson had been working on prior to his death on June 25, 2009. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Michael Jackson]\nReady?\nOne, two, three, four\n[Verse 1: Michael Jackson]\nThis is it, here I stand\nI'm the light of the world, I feel grand\nGot this love, I can feel\nAnd I know, yes, for sure, it is real\n[Pre-Chorus: Michael Jackson & \nMichael Jackson & The Jacksons\n]\nAnd it feels as though I've seen your face a thousand times\nAnd you said you really know me, too, yourself\nAnd I know that you have got \naddicted with your eyes\nBut you say you gonna live it \nfor yourself\n, oh!\n[Chorus: Michael Jackson & \nMichael Jackson & The Jacksons\n]\nI never heard a single \nword about you\nFallin' in love wasn't my plan (\nMy plan\n)\nI never thought that I would \nbe your lover\nCome on, baby, just understand\n[Verse 2: Michael Jackson & \nMichael Jackson & The Jacksons\n]\nThis is it, I can say\nI'm the light of the world, \nrunaway\nWe can feel this is real\nEvery time I'm in love, that, I feel [Pre-Chorus: Michael Jackson & \nMichael Jackson & The Jacksons\n]\nAnd I feel as though I've known you \nsince\n a thousand years\nAnd you tell me that you've seen my face before\nAnd you said to me you don't want \nme hanging 'round\nMany times, want to do it here before, oh, yeah\n[Chorus: Michael Jackson & \nMichael Jackson & The Jacksons\n]\nI never heard a single \nword about you\nFallin' in love wasn't my plan (\nMy plan\n)\nI never thought that I would \nbe your lover\nCome on, baby, just understand\n[Verse 3: Michael Jackson & \nThe Jacksons\n]\nThis is it (\nThis is it\n), I can feel (\nI can feel\n)\nI'm the light of the world, this is real\nFeel my song, we can say\nAnd I tell you I feel that way\n[Pre-Chorus: Michael Jackson]\nAnd I feel as though I've known you for a thousand years\nAnd you said you want some of this yourself\nAnd you said you want to go with me all the while\nAnd I know that it's really true myself, oh, yeah\n[Chorus: Michael Jackson & \nMichael Jackson & The Jacksons\n]\nI never heard a single \nword about you\nFallin' in love wasn't my plan (\nMy plan\n)\nI never thought that I would \nbe your lover\nCome on, please, dear, understand (\nUnderstand\n)\nAh-ayy\nI never heard a single \nword about you\nFalling in love wasn't my plan (\nMy plan\n)\nI never thought that I would \nbe your lover\nCome on, please dear, understand (\nUnderstand\n)\nNever heard a single \nword about you\nFalling in love wasn't my plan" } ]

[ { "from": "human", "value": "Write me a song called Wu-Tang Forever (Remix) with the following description: After a two year wait, A$AP Rocky finally drops his remix of Drake’s “Wu Tang Forever”. The long-awaited track was debuted on OVO Sound Radio.\nIn 2013 rumors began to swirl after Drake and Rocky began to film a video for the song. Flacko was due to make a significant cameo in the video but it currently remains unreleased.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Noah \"40\" Shebib]\n[Hook: Drake]\nI just love when I'm with you, yeah, this shit is on ten\nWe used to be friends, girl, and even back then\nYou would look at me with no hesitation and you'd tell me baby, it's yours\nNobody else's, yeah, this shit belong to nobody, it's yours\nNobody else's, yeah, this shit belong to nobody\n \nand that\nWhat made me think about the game, girl\nAnd how I switched it up with a new thing\nYoung nigga came through on his Wu-Tang\nAnd nowadays when I ask about who got it, they say it's yours\nNobody else's, yeah, this shit belong to nobody, it's yours\nNobody else's, yeah, this shit belong to nobody, it's yours\nIt's yours, it's yours, it's yours that's for sure, that's for sure\nIt's yours, it's yours, it's yours that's for sure, that's for sure\n[Verse 1: A$AP Rocky]\nTongue kisses, stank hoes at the Coachella\nThank the Lord she never listen what a hoe tell her\nNot only could I do better, but I know better\nHow could I ever be the king without a Coretta?\nFeelin' like Rae, same damn 'Lo sweater\nMAC 10, Beretta for the cold weather\nHer ex let her blow cheddar, she a go getter\nHoe, clothes fit her, Moetter, but her flow better\nMachine gun raps for all my niggas in the back\nKeep machine gun strapped in case a nigga wanna act up\nPetite gun raps ain't even strong enough to match us\nMachine gun BLAT in case a nigga wanna act tough\nAin't nothin' like a bad bitch\nThat make a jiggy nigga wanna go and run up in that shit raw\nLike Bruh Man from the 5th floor\nI creep up in it, deep up in it 'til she tell a nigga, \"It's yours\"\nI know this shit is mine for the takin'\nIf I ain't in Mason it's some gay shit\nProlly why I don't react when you say shit\nHalf the times niggas don't even make sense\nKnow this shit is yours\nWhen you do a world tour all off a mixtape shit\nYou know this shit is yours\nWhen your face on every magazine cover, every page shit\nYou know this shit is yours\nWhen you fuck a new different bad broad every day shit\nOnly get high just to compliment my maintenance\nI took a little moment out to say this [Hook: Drake]\nI just love when I'm with you, yeah, this shit is on ten\nWe used to be friends, girl, and even back then\nYou would look at me with no hesitation and you'd tell me baby, it's yours\nNobody else's, yeah, this shit belong to nobody, it's yours\nNobody else's, yeah, this shit belong to nobody\n \nand that\nWhat made me think about the game, girl\nAnd how I switched it up with a new thing\nYoung nigga came through on his Wu-Tang\nAnd nowadays when I ask about who got it, they say it's yours\nNobody else's, yeah, this shit belong to nobody, it's yours\nNobody else's, yeah, this shit belong to nobody, it's yours\nIt's yours, it's yours, it's yours that's for sure, that's for sure\nIt's yours, it's yours, it's yours that's for sure, that's for sure\n[Bridge: Drake]\nHow you feel about comin' home with a nigga for the night?\nIf you nervous, hit the lights, I know we only fuckin' out of spite\nCause your man don't do you right, do you right, I could fuck you so good\nThen I hit you with the 9 a.m. in Dallas who you like, baby, who you like?\n[Verse 2: Drake]\nMachine gun raps for all my niggas in the back\nStadium packed, just glad to see the city on the map\nI just gave the city life, it ain't about who did it first\nIt's 'bout who did it right, niggas looking like \"Preach\"\nOpen cases on me for a half a million each\nI find peace knowing that it's harder in the streets, I know\nLuckily I didn't have to grow there\nI would only go there cause niggas that I know there\nI don't know what's getting into me, I just like the rush\nWhen you see your enemy somewhere in the club and you realize\nHe just not in a position to reciprocate your energy\nYou ain't ever worried cause he's not who he pretends to be\nPeople like Mazin who was a best friend to me\nStart to become a distant memory, things change in that life\nAnd this life started lacking synergy\nAnd fuckin' with me mentally, I think it's meant to be\nParanoid, always rolling with my mothafuckin' boys\nBut you gotta understand when it's yours\nThey don't really leave your ass with a mothafuckin' choice, man [Hook: Drake]\nI just love when I'm with you, yeah, this shit is on ten\nWe used to be friends, girl, and even back then\nYou would look at me with no hesitation and you'd tell me baby, it's yours\nNobody else's, yeah, this shit belong to nobody, it's yours\nNobody else's, yeah, this shit belong to nobody\n \nand that\nWhat made me think about the game, girl\nAnd how I switched it up with a new thing\nYoung nigga came through on his Wu-Tang\nAnd nowadays when I ask about who got it, they say it's yours\nNobody else's, yeah, this shit belong to nobody, it's yours\nNobody else's, yeah, this shit belong to nobody, it's yours\nIt's yours, it's yours, it's yours that's for sure, that's for sure\nIt's yours, it's yours, it's yours that's for sure, that's for sure" } ]

[ { "from": "human", "value": "Write me a song called Can I Kick It with the following description: “Can I Kick It” is the lone track on the Supermarket Soundtrack with a feature, as Logic leans on R&B artist Juto to add a soft vibe.\nThe track is also a reference to the popular 1990 song “Can I Kick It?” by American hip hop collective A Tribe Called Quest. The song also borrows the drum break sample that was used by A Tribe Called Quest.\n\nOn February 10, 2019, Juto posted a picture with Logic in the studio on his Instagram:\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Juto]\nOkay\nOh, oh, oh, oh\n[Chorus: Juto]\nWonderful beauty queen\nYou're the only one for me\nIt don't matter how it seems\nBut you can come kick it with me\nWell, can I ask you, baby?\n[Refrain: Juto]\nCan I kick it? (\nYes, you can!\n)\nCan I kick it? (\nYes, you can!\n)\nCan I kick it? (\nYes, you can!\n)\nWell, I'm gone, gone\n[Verse: Logic]\nAyy, it's the Bobby Boy, better known as chocolate and vanilla\nAin't another iller, I'm the nuke to Godzilla\nI feel a sensation, vibration comin' on\nWalk up in the spot like a motherfuckin' don\nWhat's up with you, shorty? Tryna get to know you\nI know we went to school together, that's the old you\nNever told you how I felt, I feel I owed you\nNever really tried to talk to you because of old you\nBut beautiful, beautiful, beautiful girl\nDon't you walk out my world\nEverything that the boy feel for you, girl\nIt compiles my world [Bridge: Logic]\nTell me that you're satisfied\nWithout me right by your side\nNo, no, please don't run and hide\nLet your man give you a ride\nNo, no, please don't run and hide\nSkippity, bop, bop, na, na, na, na\nLa da-da-da, la da-da-da, da da da da\n[Refrain: Logic]\nCan I kick it? (\nYes, you can!\n)\nCan I kick it? (\nYes, you can!\n) (Na na na, na na, na na)\nCan I kick it? (\nYes, you can!\n)\nWell, I'm gone (Can I kick it?) (\nGo on then\n)\nCan I kick it? (\nYes, you can!\n)\nCan I kick it? (\nYes, you can!\n)\nCan I kick it? (\nYes, you can!\n)\nWell, I'm gone (\nGo on then\n)\n[Chorus: Juto]\nWonderful beauty queen\nYou're the only one for me\nIt don't matter how it seems\nBut you can come kick it with me\nWell, can I ask you, baby?" } ]

[ { "from": "human", "value": "Write me a song called Off The Rip (Remix) with the following description: Remix of French Montana’s Off The Rip, which originally featured Chinx & N.O.R.E.\nThis remix (which doesn’t feature N.O.R.E.) with Lil Wayne can be found on DJ Stevie J’s Appreciation 8 mixtape. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Chinx & (French Montana)]\nOh me, oh my my (Haan!)\nGon 'need more quinine (Montana!)\nOh me, oh my my (Haan! Off the rip)\nGon' need more quinine (Aye aye aye)\n[Bridge: French Montana]\nI'ma ride with my dog off the rip\nTalking brown bag, paper tag off the rip\nShawty came through, bent it over off the rip\nDope boy back, popping tags off the rip, nigga off the rip\nStarted from the block, dirty money off the rip\nCut a shark fin, talking money off the rip\nWalk up in the dealer, a hundred fifty off the rip\nMy dog came home, buck fifty off the rip\nHaan!\n[Chorus: Chinx & (French Montana)]\nOh me, oh my my\nCut dope, gon need more quinine (off the rip)\nOh me, oh my my\nCut dope, gon need more quinine (off the rip)\nForty knock his head off (off the rip)\nDrop top V, niggas sped off (off the rip)\n[Verse 1: French Montana]\nRarri looking good on a strip\nTalking a hundred mill as I mothafucking grip\nJohnny Hancock, ten milli off the rip\nShawty bought her friends off the rip\nBitch bust it open, eating pussy off the rip\nWestside, getting blood money with a crip\nMy dog getting out, money orders off the rip, boy\nSpend a car note on my fit, boy\nManute Bol hanging off my clip, boy\nNiggas running like a skit, boy\nI'll push you on my skit, boy\nOn my wrist is a brick, boy\nBuilt the empire brick by brick, boy\nCoke Boys off the rip, boy\n[Chorus: Chinx & (French Montana)]\nOh me, oh my my\nCut dope, gon need more quinine (off the rip)\nOh me, oh my my\nCut dope, gon need more quinine (off the rip)\nForty knock his head off (off the rip)\nDrop top V, niggas sped off (off the rip)\n[Verse 2: Chinx]\nCoke Boys get the bloody money, dirty cash\nLive niggas who smoke weed, car seat stashed\nYou monkey walk, I'm hunchbacked, speak quiet\nTalking 'bout mi casa, scared to death when I pop up\n[Verse 3: Lil Wayne]\nGot my homeboys here, so let me put my gun up\nPrice on ya head, where do I get rung up\nI be with scumbags, all about that humbug\nWhile niggas saving hoes, like dun-dun-dun-dun-dun\nChoke yo ass with nunchucks, trunk full of blum-blums\nYoung Money; young guns, heroes, unsung\nGive that bitch pompoms\nTouchdown my nigga\nSittin on my money - a junk pile my nigga\nDon't you come round my niggas\nDon't come round my nigga\nWe ballin, never committin dumb fouls my nigga\nWe been hustlin, since Mike Tyson punch out my nigga\nFeds listenin; OK, that's enough bout my niggas\nYeah sippin on a lil sum sum'n, mind your business\nGot these hoes waiting while I'm doin calisthenics\nAnd she give me head while her lips move a mile a minute\nAnd the bitch you kissin on just came out the clinic\nI ain't lyin, nigga I ain't finished\nSmoking on that good weed, what's that scent? Not a penny\nMontana, Corleone, Capone, Gotti, Nitti\nI can't show 'em how I do it, only how I did it\nLil Tunechi" } ]

[ { "from": "human", "value": "Write me a song called When We Were Young with the following description: Newly-returned pop icon Adele worked with songwriter Tobias Jesso Jr. and producer Ariel Rechtshaid on the “‘70s styled shimmery disco ballad” “When We Were Young,” the second single from her album 25. She indicated in her Rolling Stone feature that the Elton John inspired ballad was her favorite on 25.\nThe piano used on the recording belonged to iconic minimalist composer Philip Glass. The piano is in Jesso’s grandmother’s house. Adele explained, “It used to be this mad party house and for some reason [Glass’s] piano was there so we wrote the song on that.”\nIn a town hall interview for SiriusXM’s The Spectrum, Adele described the setting of “When We Were Young” as a party with old friends and acquaintances, with “everyone that you’ve ever fallen out with, everyone that you’ve ever loved, everyone that you’ve never loved…And you’re all thrown together at this party when you’re like 50, and it doesn’t matter and you have so much fun and you feel like you’re 15 again.”\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nEverybody loves the things you do\nFrom the way you talk to the way you move\nEverybody here is watching you\n'Cause you feel like home\n, \nyou're like a dream come true\nBut, if by chance, you're here alone\nCan I have a moment before I go?\n'Cause I've been by myself all night long\nHoping you're someone I used to know\n[Pre-Chorus]\nYou look like a movie, you sound like a song\nMy God, this reminds me of when we were young\n[Chorus]\nLet me photograph you in this light in case it is the last time\nThat we might be exactly like we were before we realised\nWe were sad of getting old, it made us restless\nIt was just like a movie, it was just like a song\n[Verse 2]\nI was so scared to face my fears\nNobody told me that you'd be here\nAnd I swear you'd moved overseas\nThat's what you said when you left me [Pre-Chorus]\nYou still look like a movie, you still sound like a song\nMy God, this reminds me of when we were young\n[Chorus]\nLet me photograph you in this light in case it is the last time\nThat we might be exactly like we were before we realised\nWe were sad of getting old, it made us restless\nIt was just like a movie, it was just like a song\n[Post-Chorus]\nWhen we were young, when we were young\nWhen we were young, when we were young\n[Bridge]\nIt's hard to admit that everything just takes me back\nTo when you were there, to when you were there\nAnd a part of me keeps holding on just in case it hasn't gone\n'Cause I still care, do you still care?\n[Break]\nIt was just like a movie, it was just like a song\nMy God, this reminds me of when we were young\n(When we were young, when we were young)\n(When we were young, when we were young) [Chorus]\nLet me photograph you in this light in case it is the last time\nThat we might be exactly like we were before we realised\nWe were sad of getting old, it made us restless\nOh, I'm so mad I'm getting old, it makes me reckless\nIt was just like a movie, it was just like a song\nWhen we were young" } ]

[ { "from": "human", "value": "Write me a song called RetroSuperFuture II with the following description: Wale adds a verse to the retro-hydro super combo of Wiz Khalifa and Rick Ross on RetrosuperfutureExpand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1 & 2 - Rick Ross]\n[Verse 3 - Wale]\nOk, Trick who? Lace what?\nYou know Wale don't\nI take tokes while you little niggas take notes\nI keep a broad beside me while I skate coast\nFuck \"Grey's Anatomy\" I'm getting Sasha Grey throat\nI nevermind a mind beyond vagina\nRiding with some bitches, getting high as Brittney Griner\nOn 95 my lady light it for me\nJ big as a muffler, we puff that Meineke weed\nAs I light one for Ill Will\nWill walking on my heart, wish you was still there\nReminiscing on my niggas looking down on me\nA little loud\nI can here you real loud, homie" } ]

[ { "from": "human", "value": "Write me a song called Irreversible with the following description: “Irreversible” is an unreleased song by Dua Lipa recorded in 2015, originally intended for her self-titled debut album, but was ultimately scrapped.\nA snippet of the song first appeared online on August 9, 2021, with the full song appearing online four months later on December 12, 2021. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nIt's never gonna wash away\nAre we sinners or are we saviours?\nRegret the day I heard your name\nAnd your array of bad behaviour\n[Pre-Chorus]\nIf I could, if I could walk away from you\nIf I could, if I could\n[Chorus]\nBut I'm hung up on your touch\nIrreversible now, baby\nNowhere left to run\nIrreversible now, baby\nStop, there's a devil in us\nAddicted to love\nNo matter how hard that I fight he will never be undone\nIrreversible, it's over (Ah, ah)\nIrreversible, it's over (Ah, ah)\n[Verse 2]\nOnce it starts, it never stops\nI need you here to feed my craving\nBut maybe we should separate\nGo different ways\nWe both need saving [Pre-Chorus]\nIf I could, if I could walk away from you\nIf I could, if I could\n[Chorus]\nBut I'm hung up on your touch\nIrreversible now, baby\nNowhere left to run\nIrreversible now, baby\nStop, there's a devil in us\nAddicted to love\nNo matter how hard that I fight he will never be undone\nIrreversible, it's over\n[Bridge]\nUntie the knots in my heart-strings\nLet me go\nUntie the ropes, let my heart see\nIrreversible\nYeah, you're deep, you're deep under my skin\nLet me go\nI'm weak when you leave, my demon\nIrreversible\n[Pre-Chorus]\nIf I could, if I could walk away from you\nIf I could, if I could, hmm [Chorus]\nHung up on your touch\nIrreversible now, baby\nNowhere left to run\nIrreversible now, baby\nStop, there's a devil in us\nAddicted to love\nNo matter how hard that I fight he will never be undone\nIrreversible, it's over (Ah, ah)\n[Outro]\nIrreversible, it's over (Ah, ah, ah, ah)\nIrreversible, it's over (Ah, ah)" } ]

[ { "from": "human", "value": "Write me a song called Romance with the following description: On this song, Wayne describes what seems to be his own personal idea of a perfect relationship with a girl. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro/Outro]\nI always do you favors, that's romance, that's romance, that's romance\nI fucked you on your job, and that's romance, that's romance, that's romance\nAnd I don't give a fuck, but I got to, I got to yeah yeah\nThey say the best part of waking up is breakfast after a nut\nAnd that's romance, that's romance, that's romance, that's romance\nWe fuck and crash that's romance, that's romance, that's romance\nOk\n[Verse 1]\nFuck my hand, suck my thumb\nBe a lady and buy me lunch\nSend me cards, make me read\nBut don't send me no flowers unless it's weed\nCause I'm that nigga, she say Im that nigga\nShe ain't got a man but act like I'm that nigga\nShe check my phone, what's that 'bout?\nAny other ho I would've cursed her ass out\nBut that's romance, that's romance, that's romance, that's romance\nShe kiss my ankle when I twisted my ankle\nShe even did anal when she don't do anal\nMy bitch, I'm thankful, let's hold hands (Can we?)\nLet's slow dance (shall we?)\nAnd we gon be like 1, 2, 1, 2\nShe said Im the one, girl you the one too\nI stand up in that pussy like a sunroof\nYeah [Hook]\nI always do you favors, that's romance, that's romance, that's romance\nI fucked you on your job, and that's romance, that's romance, that's romance\nAnd I don't give a fuck, but I got to, I got to yeah yeah\nThey say the best part of waking up is breakfast after a nut\n[Verse 2]\nOk, now give me coochie at my mama's crib\nOn Thanksgiving everybody's listening\nAll your home girl's bad and they're our guest\nLet'em all in and I'll play chef\nThat's romance cause we so real\nShe said she cannot take the pain, if it ain't a pill\nShe said fuck these hoes, they just mad\nWe fucked a ho together, that's romance\nIf you got cups then I got dranks\nI take my rubber off and put that money in the bank\nI ain't your friend, fuck that shit\nTryna find another me girl good luck with that shit\nCause\n[Hook]\nI always do you favors, that's romance, that's romance, that's romance\nI fucked you on the table, that's romance, that's romance, that's romance\nAnd I don't give a fuck but baby I got to, I got to yeah yeah\nThey say the best part of waking up is breakfast after a nut [Intro/Outro]" } ]

[ { "from": "human", "value": "Write me a song called I Got the Keys with the following description: “I Got The Keys” is an anthem for success. The song channels DJ Khaled’s inspirational “major key” Snapchat mantra and is the second single from the his ninth studio album, also titled Major Key. Jay Z references winning the “Big Pimpin'” lawsuit, being the first of his kind in the rap game, and owning his recording masters — delivering subliminal jabs at any artist who isn’t “free” like him. As of July 29, 2016 the track has peaked at #30 on the Billboard Hot 100.\nIn an interview with Rap Radar Khaled explained that he traveled to Jay’s house in Los Angeles to play him the instrumental in his in-home studio.\nI play him the record and I’m vibing, you know, I got that eye so I’m looking to the side, I don’t want him to know I’m looking, and I see him vibing. The first part is an instrumental so that’s when I’m really looking because, the great ones, that’s when they really just start going so I look and I just see him start rhyming in his head and mumbling… When the beat stopped, he’s just like, “Leave that for me.”\nThe next day Khaled was called back to the house to hear Hov’s contribution. The video announcing the partnership between Khaled and Roc Nation contains the footage of the first time Hov ever spat this first verse for Khaled.\n\nDuring his We The Best Radio show Khaled announced that the video would premier after 2016’s BET Awards:\nThis video is powerful. It’s iconic. It’s amazing. First of all, Jay Z don’t shoot no videos. He barely shoots his own videos. It’s very rare that you see the icon Jay Z. Very rare.\nhttps://twitter.com/djkhaled/status/747543287989297152\nJay Z is known to not shoot many music videos, especially not for his features. But Khaled knew this was going to be an epic track, so he kept proposing to Hov that they shoot a video:\nAll our fans expect us … to go all out! I don’t want to drop this song without a video. Anybody else who got a Jay-Z song with Future would drop it right away. I held it … because if I had dropped it I wouldn’t have got the video. I told Jigga I want people to see and feel it. You the Don, so let’s give them a visual!\nhttps://www.youtube.com/watch?v=SFLSOIufuhM Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: JAY-Z, \nFuture\n & \nDJ Khaled\n]\n808 Mafia\nUh, uh-uh-uh, \nDJ Khaled\nWe The Best music\n (\nFuture, Future\n)\nOh, this what we doin' here? \nAnother one\n (\nSuper, super\n)\nI'ma have to put my jewellery on for this one\nWraith talk, Wraith talk, oh, we talkin' that Wraith talk\nSafe talk, safe talk\n (Uh), \nhere we go talkin' that safe talk\nMajor key alert\n Oh, we good now\nMajor bag alert\n, \n DJ Khaled\n[Chorus: Future & \nJAY-Z\n]\nI got them keys, the keys, the keys\nI got them keys, the keys, the keys\nI got them keys, the keys, the keys\nI got them keys, the keys, the keys\nWe go to court, we gon' plead the fifth (\nSlang\n)\nI know the judge, I'ma shoot him some chips (\nSlang\n)\nI got them keys, the keys, the keys (\nMajor\n)\nI got them keys, the keys, the keys\n[Verse 1: Jay Z]\nNiggas always askin' me the key\n'Til you own your own you can't be free\n'Til you're on your own you can't be me\nHow we still slaves in 2016?\nKey to life, keep a bag comin'\nEvery night another bag comin'\nI ain't been asleep since '96\nI ain't seen the back of my eyelids\nI been speedin' through life with no safety belt\nOne on one with the corner with no safety help\nI perform like Josh Norman, I ain't normal, nigga\nJust a project nigga out in Beverly Hills, California, nigga\nThat Wraith talk, that's foreign, nigga\nSpecial cloth talk here\nAll my niggas from the mud damn near\nAll my niggas millionaires\nWe gon' take it there, I swear\nYou gon' think a nigga's psychic\nYou ain't seen nothin' like this\nI should probably copyright this\nI promise they ain't gonna like this [Chorus: Future & \nJAY-Z\n]\nI got them keys, the keys, the keys (\nAh!\n)\nI got them keys, the keys, the keys\nI got them keys, the keys, the keys (\nSlang\n)\nI got them keys, the keys, the keys (\nSlang\n)\nWe go to court, we gon' plead the fifth (\nSlang\n)\nI know the judge, I'ma shoot him some chips (\nSlang\n)\nI got them keys, the keys, the keys (\nSlang\n)\nI got them keys, the keys, the keys (\nWoo!\n)\n[Post-Chorus: Future & \nJAY-Z\n]\nRadar, radar, oh, bitches ain't even on my radar (\nSwish\n)\nRadar, radar, oh, you ain't on my radar (\nSwish\n)\nRadar, radar, no, no, you hatin' on my radar (\nSwish\n)\nNo, no, you bitches ain't, bitches ain't even on my radar (\nSwish\n)\n[\nVerse 2: Jay Z\n]\nI got a bag for lawyers, like, \"Fuck your charges!\"\nHop out the courtroom, like, \"What charges?\"\nBig pimpin' on your court steps\nCase y'all ain't notice, I ain't lost yet\nY'all know it's one of one\nSoon as you hear that, \"uh-uh\", uh (Right)\nY'all know the difference right?\nFrom rap facts and fiction, right? Shit\nReal life I'm like HOV, real life I'm life goals\nIn real life they're like me? In real life I'm like, \"No.\"\nMy swag different (Mm), that bag different (Uh-huh)\nMy wife Beyoncé (Yeah), I brag different (Uh)\nMy baby Blue (What else?)\nI dream in color (What else?)\nThat's too much flavor (What else?)\nI don't rap to suckas (Ha!)\nGod bless you all, I only talk special talk\nI only talk special cloth\nSaid I only talk special, ah! [Chorus: Future & \nJAY-Z\n]\nI got them keys, the keys, the keys\nI got them keys, the keys, the keys (\nWraith talk\n)\nI got them keys, the keys, the keys (\nUh\n)\nI got them keys, the keys, the keys\nWe go to court, we gon' plead the fifth (\nSlang\n)\nI know the judge, I'ma shoot him some chips\nI got them keys, the keys, the keys (\nSlang\n)\nI got them keys, the keys, the keys (\nHah\n)\n[Post-Chorus: Future & \nJAY-Z\n]\nRadar, radar, oh, bitches ain't even on my radar (\nSwish\n)\nRadar, radar, oh, you ain't on my radar (\nSwish\n)\nRadar, radar, no, no, you hatin' on my radar (\nSwish\n)\nNo, no, you bitches ain't, bitches ain't even on my radar (\nAh!\n)\n[Interlude: DJ Khaled & \nFuture\n]\nI got the keys\nI got them keys, the keys, the keys\nI got the keys to all success!\nI got them keys, the keys, the keys\nWe the best!\nI got them keys, the keys, the keys\nRoc Nation! Freebandz!\nSecure the bag alert\nAlert, alert, alert, alert, alert, alert\nAlert, alert, alert, alert, we got 'em alert [Chorus: Future]\nI got them keys, the keys, the keys\nI got them keys, the keys, the keys\nI got them keys, the keys, the keys\nI got them keys, the keys, the keys\nWe go to court, we gon' plead the fifth\nI know the judge, I'ma shoot him some chips\nI got them keys, the keys, the keys\nI got them keys, the keys, the keys" } ]

[ { "from": "human", "value": "Write me a song called Havana (Spanglish Version) with the following description: Camila performed this Spanglish version of Havana on the Latin Music Awards 2017. The first verse and pre-chorus were replaced by Spanish versions of them and Young Thug’s part was replaced by the second verse of “Havana (No Rap Version)”.\n\n\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: Camila Cabello & \nPharrell Williams\n]\nHavana, ooh na-na (\nayy\n)\nHalf of my heart is in Havana, ooh-na-na (\nayy, ayy\n)\nHe took me back to East Atlanta, na-na-na\nOh, but my heart is in Havana (\nayy\n)\nThere's somethin' 'bout his manners (\nuh huh\n)\nHavana, ooh na-na (\nuh\n)\n[Verse 1: Camila Cabello & \nPharrell Williams\n]\nÉl vino a buscarme y ahí lo supe (\nuh\n)\n(Vi clara su actitud)\nMe dijo: \"son tantas las que ya tuve\" (\nuh\n)\n(Pero me faltas tú)\nNo puedo soltarte, no seas tan cruel (\nhey\n)\n(Desde esa noche azul)\nMi papa me dice que malo es él (\nuh\n)\n¿Qué más puedo hacer?\n[Pre-Chorus: Camila Cabello]\nOoh-ooh-ooh, lo supe en un segundo\nÉl cambiaría mi mundo\nYa no puedo más\nOoh-ooh-ooh, es que me duele mucho\nDecir adiós, oh na-na-na-na-na\n[Chorus: Camila Cabello & \nPharrell Williams\n]\nHavana, ooh na-na (\nayy\n)\nHalf of my heart is in Havana, ooh-na-na (\nayy, ayy\n)\nHe took me back to East Atlanta, na-na-na\nOh, but my heart is in Havana (\nayy\n)\nMy heart is in Havana (\nayy\n)\nHavana, ooh na-na [Verse 2: Camila Cabello]\nI knew I was there when I read the sign\n(Welcome to La Yuma)\nI knew it was him when he hugged from behind\n(It gets me every time)\nHe's put in work, but it's in the streets\n(He said: \"girl, can you ride?\")\nAnd this is the part that my daddy told me\nHe got me feelin' like\n[Pre-Chorus: Camila Cabello]\nOoh-ooh-ooh, I knew it when I met him\nI loved him when I left him\nGot me feelin' like\nOoh-ooh-ooh, and then I had to tell him\nI had to go, oh na-na-na-na-na\n[Chorus: Camila Cabello & \nPharrell Williams\n]\nHavana, ooh na-na (\nayy\n)\nHalf of my heart is in Havana, ooh-na-na (\nayy, ayy\n)\nHe took me back to East Atlanta, na-na-na\nOh, but my heart is in Havana (\nayy\n)\nMy heart is in Havana (\nayy\n)\nHavana, ooh na-na\n[Bridge: Starrah & \nCamila Cabello\n]\nOoh na-na, oh na-na-na (\noo-ooh\n)\nTake me back, back, back like\nOoh na-na, oh na-na-na (\nyeah, babe\n)\nTake me back, back, back like\nOoh na-na, oh na-na-na (\nyeah, yeah\n)\nTake me back, back, back like\nOoh na-na, oh na-na-na (\nyeah, babe\n)\nTake me back, back, back like\nTake me back to my Havana... [Chorus: Camila Cabello & \nPharrell Williams\n]\nHavana, ooh na-na\nHalf of my heart is in Havana, ooh-na-na (oh, yeah)\nHe took me back to East Atlanta, na-na-na (\nayy, ayy\n)\nOh, but my heart is in Havana\nMy heart is in Havana (\nayy\n)\nHavana, ooh na-na" } ]

[ { "from": "human", "value": "Write me a song called Paradise with the following description: This 14th track is divided in two parts, which is the same format as “Soul Food” off of Under Pressure.\nThe first part delves into the his early life, and the troubles he faced as a youngin to stay the good kid, in the mad city.\nThe second part is dedicated to all those who followed their dreams, but failed to do so. Logic tries to make them relate to him, and convince them that they should never give up in order to reach this “Paradise.”\nThe word Paradise fits along with the story of this album. It’s the name of the planet they found to replace Earth. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[\nPart 1\n]\n[Intro]\nChuch, yeah\nNow this that—\nYeah, yeah\n[Verse 1: Logic]\nNow this that SpottieOttieDopaliscious, hella vicious\nI wonder where is this, hold up\nGet the fuck out my business, show enough\nWe roll up then load up\nJust a bastard born out of wedlock\nClose to the Earth like a dreadlock\nGot my sites on deadlock\nVisions of my enemy in a headlock\nFeel like I'm livin' in Bedrock, surrounded by rubble\nJust a youngin' in trouble\nTook a shot and then made it a double\nTook a shot and then made it a double\nThis that food for thought, my school ain't taught me good\nNo ingredients in my hood\nBut a tablespoon of this baking soda\nGon' make it good, like it should\nThat's ignant isn't it, hold up wait\nNow take a look at my pigment\nTell me again, we can never be kin\nBased on the color of my skin\nMatter of fact your lips ain't thin\nThat's a club I don't wanna be in\nMy DNA get done integrated\nMy God it's innovative\nThat's a million miles away from administrative\nI fuckin' hate it, anyway—\nLong ago, way back in the day in a place called West Deer Park\nI was like 5, sit in my mama lap while she would drive\nPolice would knock on the door, I would hide\nThen they would talk to me and I would lie\nHopin' I, don't die on this side of a .45\nThen they would handcuff my mama and take her away\nOver down on the driveway\nFast forward a couple of years and I'm bumpin' that Sade\nFast forward a couple of more and I'm bumpin' that \"My Way\"\nBy Sinatra,\n so high, so high, oh my, God damn\nNow I'm a grown man, oh man\nWhat the fuck done happened to the plan\nI know, as soon as I write this I might just go crazy (crazy)\nAnything but lazy, I can't sleep (why)\nCause if I do, there's another motherfucker\nWide awake on the creep tryna kill you and he will too\nWe livin' like civilized people, but far from equal\nI hope I live a long life and get to see my sequel\nMy son, my seed watch him grow and then watch him lead\nLet me proceed, bumpin' that Californication, by the Red Hot\nFuck around and then hit 'em with a red dot\nY'all better not me fuckin' with me\nWho, him? Yeah, me, I be the God MC [Chorus 1: Jesse Boykins III]\nFollow me to paradise\nFollow, follow me\nFollow me to paradise\nFollow me to paradise\nFollow, follow me\nFollow me to paradise\n[\nPart 2\n]\n[Verse 2: Logic]\nI remember my life long ago in my adolescence\nI could feel the presence in my residence\nHesitant even thought it was evident\nI should get the fuck—\nI know something is wrong\nYeah, I know something is wrong\nFeel like my mind gone\nI know I play along, I might drown in this song\nHuh, I'm so focused, huh, I know you know this\nUh, when I make a move and feel like no one notice\nUh, when I quit my job, uh, I fuckin' noticed\nShit maybe then I'm noticed, huh, but maybe not\nFeel like this minimum wage is contagious\nSo outrageous my age is on my mind\nWalking to work and I go blind\nSippin' on that Kool-Aid\nGettin' big wig money, that's toupée\nLook around and see people with no class\nLike snow on a school day\nY'all can't do what I do, do what I do\nStarin' out this window like, like Erykah Badu\nLivin' life how I do is crazy\nThis shit never amaze me\nBut I still let it phase me and I don't know why\nAll I know is my mind racing\nA million miles a minute, the second I'm in it\nYeah, I be pacing, bitch I'm back again\nBeen here since way back when\nNow let that shit begin, yeah [Chorus 2: Logic]\nThis album two but this song was written before the first\nMy mind racing, I'm sick of pacing, I feel the thirst\nOf those around me that down me and pray on my demise\nBut it only makes it that much better when I rise\n[Verse 3: Logic]\nThis for the people that been through it and couldn't do it\nHad a vision but blew it, while haters screaming \"I knew it!\"\nThis is real, so real\nThe type of shit that make you feel like you gotta kill\nMost of these people will never hit fruition\nPaying tuition when they should've just listened their intuition\nNow they wishing they was switching up their lifestyle\nAll alone with no one to dial\nI'm just a man, I got problems\nUnderstand, this is all I ever wanted\nYes, I do it for the fans and I ain't perfect\nI've questioned if this life was even worth it\n'Cause all the people care about is what lies on the surface\nAnd my purpose is to do it like it ain't never been done\nAlways keep it real and remember where I'm from, now\n[Chorus 2: Logic]\nThis album two but this song was written before the first\nMy mind racing, I'm sick of pacing, I feel the thirst\nOf those around me that down me and pray on my demise\nBut it only makes it that much better when I rise" } ]

[ { "from": "human", "value": "Write me a song called Need with the following description: “Need” is an alleged reject from Swift’s August 2019 album, which the infamous group Taylor’s Inner Circle obtained in March 2020. The group describes the song, saying:\nThe music is unlike any other Taylor song with the chords played in a unique way starting and stopping (sometimes with vocal effects added over). Taylor gives fascinating insight into her thoughts on want, desire, passion, lust, danger, and fear. What Taylor needs most is to be with the man she loves. It’s essential, like breathing for her. The music is stripped down during the bridge. A really good song that would have fit well on the album and perhaps been a fan favorite.\nThe song appeared online in its entirety on March 1st, 2023 Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nWant is the cigarette smoke on a jacket\nYou wore to the wrong part of town\nDesire is the sound of the whiskey\nTelling me you miss me, can you come around?\n[Pre-Chorus]\nPassion is a passing thing\nIt's accidental chemistry\nLust is a liar, a short-lived fire\nIt ain't what you and I are at all\n[Chorus]\nOh, it's a need, it's a need\nI would go anywhere that you lead\nI am hopeless, breathless, burning slow\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave, it's a need\n[Verse 2]\nDanger is a thousand prickles on my neck\nThat tell me to run or to freeze\nFear is the nightmare I had, you were with someone else\nYou forgot about me\n[Pre-Chorus]\nPassion is a passing thing\nIt's accidental chemistry\nCaught up in a feeling, it can be deceiving\nThis is like breathing for me [Chorus]\nOh, it's a need, it's a need\nI would go anywhere that you lead\nI am hopeless, breathless, burning slow\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave, it's a need\n[Bridge]\nBaby, it's always a new kiss every time we do this\nThe truth is it's essential to me\nThat you love me more than wishing, longing\n[Chorus]\nOh, it's a need (It's a need), it's a need (Ah-ah, ah-ah)\nI would go (I would go) anywhere (Anywhere) that you lead (Oh, oh)\nI am hopeless, breathless, burning slow (Burning slow)\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave (I won't leave), it's a need (Oh)" } ]

[ { "from": "human", "value": "Write me a song called Made In Gold with the following description: This song was used in the trailer/movie The DUFF. https://www.youtube.com/watch?v=36Tm49rqvGI Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nHi, my name is Nova\nAnd I think I made it\nThis goes out to my ex-boyfriends\nHope you really hate it\nI fucking starved to get here\nFought, gave so much heart, I'm heartless\nI need the gold to fill the empty places\nThere was darkness\nI don't sign with devils\nSteal my soul to make their millions\nYou think you something you ain't shit but money and opinions\nI was black inside it turned to diamonds under pressure, pressure\nThat's exactly why I build castles from gold statues and gold records, 'cause\n[Pre-Chorus]\nIf money make you rich\nThen money make you famous\nYou call me a bitch\nBut that's just 'cause you hate this\nI'll be in the ditch\nI've been through the ringer\nBut I'll be standing at the top\nWaving my middle finger, sayin'\n[Chorus]\nCan't stop\nWon't stop\nI get it on my own\nTake this, fake shit\nAnd turn it into gold\nCan't stop\nWon't stop\nI want it made in gold (oo-oo-ooh)\nI want it made in gold (oo-oo-ooh) [Verse 2]\nMr. Dentist, can you get me fancy gold teeth?\nYeah, I got some cavities 'cause shit I say is so sweet\nFirst word was bird my second third oh pretty, pretty\nRappers on and on by twenty inch rims\nHow much would it be for fifty?\nI'm about to explode\nWho's Dr. Dre, does he know how to do stitches?\nIs it toxic if I cover myself in the color of the riches?\nI can paint all my assistants\nHey, hey, hey, excuse me?\nI brought you my heart can you please just melt it down to jewelry, because\n[Pre-Chorus]\nIf money make you rich\nThen money make you famous\nYou call me a bitch\nBut that's just 'cause you hate this\nI'll be in the ditch\nI've been through the ringer\nBut I'll be standing at the top\nWaving my middle finger, sayin'\n[Chorus]\nCan't stop\nWon't stop\nI get it on my own\nTake this, fake shit\nAnd turn it into gold\nCan't stop\nWon't stop\nI want it made in gold (oo-oo-ooh)\nI want it made in gold (oo-oo-ooh)\nCan't stop\nWon't stop (stop, stop, stop, stop)\nCan't stop\nWon't stop (stop, stop, stop, stop) [Bridge]\nCould hop the bus and hit the town\nAnd rock another stage\nCrash another couch\nAnd hope the asshole fuckin' paid\nBuy a one way ticket see that when I was afraid\nI deserve this shit for all the sacrifice I made\n[Refrain]\nIf money make you rich\nThen money make you famous\nYou call me a bitch\nBut that's just 'cause you hate this\nI'll be in the ditch\nI've been through the ringer\nBut I'll be standing at the top\nWaving my middle finger, sayin'\n[Chorus]\nCan't stop\nWon't stop\nI get it on my own\nTake this, fake shit\nAnd turn it into gold\nCan't stop\nWon't stop\nI want it made in gold (oo-oo-ooh)\nI want it made in gold (oo-oo-ooh) [Outro]\nCan't stop\nWon't stop (stop, stop, stop, stop)\nCan't stop\nWon't stop (stop, stop, stop, stop)\nCan't stop (oo-oo-ooh)\nWon't stop (stop, stop, stop, stop)\nCan't stop (oo-oo-ooh)\nWon't stop (stop, stop)\nM-m-m-made in gold" } ]

[ { "from": "human", "value": "Write me a song called Da Fam on da Gram with the following description: In this skit from the 9th track of Future’s mixtape “56 Nights”, there are two people leaving a message to another person of how that person is flexing on the social media app “Instagram”, trying to be a person that they’re not and how that he left his location when taking photos, which creates evidence for the people calling to set a hit.\nNotice in the phone call that these people are using a Sicilian-American cadence, which predominantly shows an influence of Italian-American crime in movies as well as the way the skit goes, which shows more of a Godfather appeal. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "*Phone rings*\nYou have reached the voice mailbox of: 404-555-8404\n*Hangs up*\n[2 Men talking]\nYou know who this is?\nGotItAll\nIt's Pauly, close the door (Close that door)\n(Huh)\nYeah this [?] at alls\nYeah we seen your Instagrams\n(We know who you like and who you don't like)\nYou think I wasn't gonna see you post those pictures?\n(Soon as you signed up we followed you)\nWe followed you in and then we followed you right back\n(Huh, huh, liking bitches pictures from 70 weeks ago)\nYou think we can't get in computers?\n(Get the duct tape Pauly)\nWe got to drop on you\nYou've left your location on, you bastard\nEy, Tony, Tony\n(Fuck him)\nHey Tony\n(Fuck him)\nWait a minute here goes the door\n(Breathing)\n(You doin' it for the gram)\n(Hang the fucking phone up, clear the lines)\n(What?)\n(Clear the lines)" } ]

[ { "from": "human", "value": "Write me a song called Intro with the following description: Wiz Khalifa starts off the album Show and Prove with a small rap song to introduce himself and his album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse]\nWith the hunger of Chris Wallace back in '94\nI like to welcome y'all to rock with Peachie's youngest boy\nFrom the bottom of the pot, yeah the Pitts of the Burgh\nWith kids on the curb, and small time, is pitching the herb\nI'm back, and for those who previously didn't know what I'm crack\nTo the people, I'm legalized the lethal\nWe all got problems involving the root of evil\nBut they caught me non-dodging, long arming the people, yup!\nAnd for the record, I ain't no half stepper\nI rose from the city of steel, the streets greedy for real\nCats chasing their paper, that's basic\nMathematics, hate to run the streets but took a staff at it\nAs I look back at hard it seems\nI remember when this music thing was all but a dream\nBut I'm here for my city\nAnd can't name no one that's near fucking with me\nI'm 'bout to make history" } ]

[ { "from": "human", "value": "Write me a song called Green & Gold with the following description: The song is performed by the rap group The Anonymous which consist of the rappers Vesuveo, Able, and Zinndeadly & the producers, DJ Drez & Zinndeadly. The song is from The Anonymous album “Green & Gold” which came out in the year 1998.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Eminem]\nWhat would it take to push a man\nFar enough to put something material over a human life?\nWhat would drive someone completely over the edge\nTo do some shit like that for green and gold?\n[Verse 1: Eminem]\nI done filled my lungs up with so much of this crack smoke\nMy neck's bloated, my TEC's loaded\nI'm flat broke and I'm pissed off\nMad at the world, I've had it with girls and I'm frustrated\nRan to the bus stop just made it and hopped on\nReady to drop bombs on the first person\nWho had a nice suit and a watch on\nI spot John white collar worker in clean cut\nWalked up to him, he's like \"What?\"\nWhat you mean \"What?\"\nYou know what time it is man\nAt your next stop gimme that Rolex watch\nWith that diamond wristband\nGot his green and his gold dashed and climbed in his van\nTo steal it and seen a man holding a nine in his hand\nShot him from the bottom up\nStole his keys, put 'em inside the ignition and got 'em stuck\nHopped out to flee on my feet\nFucked around and forgot that I left my ID on the seat [Verse 2: Vesuveo]\nYour arrival, want survival, but is you fit?\nYour arrival, want survival, but is you fit?\nI'm rising with the sun\nSynthesized with the universal\nI'm goin' to be a better man and this be my rehearsal\nFor the future, this your game\nMake a name to get the fame and the dame\nForget the same as everybody who came\nBefore it's simple and plain\nYou be a mere facsimile\nFallen like Gallipoli\nThinking y'all from Italy\nBut I'm the goumba and I'm working hard at my craft\nGreat grandpa carried concrete up a shaft\nWhat did you laugh? Huh? Yeah you\nYou think it's funny raising 14 kids\nWithout no books, without no money\nMa got honey, funny thing it's that you think you're seeing me\nA mere reflection in the mirror here I come I'm getting nearer\nComing even closer can you feel a realer presence in your being?\nWe inside lyrical ride and I advise you now you're seeing\nA true seer never fear cause I'm here in your midst forever\nCleverly helping you better see yourself that be my gist\nOpen fisted let my energy flow we good to go\nIt's Able bodied, Mr. Zinn, Vesuveo Survivor Soul\nWatch 'em fold hold the gold smoke the green gimme the gravy\nGive it up don't give a fuck like Slim Shady [Chorus: Vesuveo & Able]\nBetween you and me I can see in yo eyes\nWise to the next stay in checkmate\nGetcha your Green getcha Gold\nIt come between me and you\nWill lost getcha gold heaven hold getcha green\n'Tween you and me I can see in yo eyes\nWise to the next stay in checkmate\nGetcha your Green getcha Gold\nIt come between me and you\nWill die sold a soul for green and gold now say goodbye\nShould I ever live to fulfill this dream\nWould I ever kill for the life of the team?\nIf I ever came between you and the green\nWho's the fiend? By any necessary means\n[Verse 3: Able]\nI chase a dream that's deep like space\nTo conquer then escape from this place without a trace\nBut I await to face personal mercenaries\nBounty hunters wanna check me for my nickel bags\nI'll be smoking 'til my eyes bleed: red\nMeet me if you can then proceed ahead\nReach for what you need now\nNo time to think just move and react\nWho you gonna call when the wall is at your back?\nTrying to blitzkrieg me for the sack\nFiends better believe me sure as I breathe\nTheir teams be getting touched back\nRush me and I cut back the rumor that you only live once\nLet's put it to the test so we can live like legends\nDown to hold the line like Selassie\nHold the seventh seal of heaven every time\nIf a subtleties committed somebody fumbled the dime\nWinners guzzle the wine I smuggle mine with them\nBut he who has the whole nine\nWill always double down and play for ten\nThese are the rules adversaries stayin' cool\nShooting glances like pool\nWhile you dying for the change\nI'm changing for the principle\nMystical rebel soul in the physical\nBehold the gold but don't fold for the green\nUntold best unkept secret unseen\nA king should only tell his queen one thing\nThe light sleeper is the keeper of the team\nBut keep it between you and me [Hook]" } ]

[ { "from": "human", "value": "Write me a song called Suffering From Success with the following description: This the 2nd song off of DJ Khaled’s Suffering From Success. This song stresses the negative energy success can give off such as underage women,haters and the materialistic lifestyle that comes with it. Perfect song to start off the album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Future & \nDJ Khaled\n]\nThe price of fame (\nShit real\n)\nFuck fame (\nMan fuck this shit\n)\nFuck the game\n (\nYoung Chop on the beat!\n)\nDJ Khaled!\n[Chorus: Future & \nDJ Khaled\n]\nGot too many racks on me\nI can't even go to sleep\nJust to get em out V.I.P\nI'ma need to see I.D. (\nI don't trust you\n)\nI'm sufferin' (I'm suf-suf-sufferin')\n(I'm suf-suf-sufferin', I'm suf-suf-sufferin')\nI'm sufferin' from success (I'm suf-suf-sufferin')\n(I'm suf-suf-sufferin', I'm suf-suf-sufferin')\nI'm sufferin' from success\n[Interlude: Ace Hood & \nDJ Khaled\n]\nAce Hood!\nI worked so hard, this my intro\nChea, look\n[Verse: Ace Hood]\nFuck this money nigga, fuck this chain\nFuck my watch, you can have that ring\nKeep my whips, you can have that fame\nSo stressed out, I'm going insane\nYoung nigga can't even sleep at night\nAll this money I done seen in life\nMore cash bring more haters\nFuck around and went and bought a chopper twice\nCause I'm paranoid, and I bury boy\nIf he playin' with mine, then it's oh lord (oh lord)\nPlease don't make a nigga do that (nah)\nPlease don't make a nigga do that\nYou don't know what the fuck I been through\nPlus my lawyer texting me too\nBoy my baby momma be trippin'\nTalking 'bout child support, I can't do it\nI don't trust nobody but God\nAll these foreign's parked in my yard\nSwear last night I swimmed in that money\nThen woke up in a million dollar car\nBoy I'm too stressed, so blessed\nPlease somebody pray for me (woo)\nI'm suffering from success,\n \nLord have mercy [Chorus: Future & \nDJ Khaled\n]\nGot too many racks on me\nI can't even go to sleep\nJust to get em out V.I.P\nI'ma need to see I.D. (\nI don't trust you\n)\nI'm sufferin' (I'm suf-suf-sufferin')\n(I'm suf-suf-sufferin', I'm suf-suf-sufferin')\nI'm sufferin' from success (I'm suf-suf-sufferin')\n(I'm suf-suf-sufferin', I'm suf-suf-sufferin')\nI'm sufferin' from success\n[Post-Chorus: Future]\nMy momma told me when I was a little bitty boy\nI was blessed, frustrated\n[Bridge: Future]\nNigga fuck this car, fuck these hoes\nFuck these millions, fuck your feelings\nI'm sufferin', I'm sufferin'\nFuck this house, fuck this condo\nFuck these models, fuck these bottles\nI'm sufferin', I'm sufferin'\n[Chorus: Future & \nDJ Khaled\n]\nGot too many racks on me\nI can't even go to sleep\nJust to get em out V.I.P\nI'ma need to see I.D. (\nI don't trust you\n)\nI'm sufferin' (I'm suf-suf-sufferin')\n(I'm suf-suf-sufferin', I'm suf-suf-sufferin')\nI'm sufferin' from success (I'm suf-suf-sufferin')\n(I'm suf-suf-sufferin', I'm suf-suf-sufferin')\nI'm sufferin' from success [Post-Chorus: Future]\nMy momma told me when I was a little bity boy\nI was blessed, frustrated" } ]

[ { "from": "human", "value": "Write me a song called Desperados with the following description: Desperados was an earlier D12 recording, presumably while Eminem was still gaining his footing in pop culture. Bugz raps the third verse in the song, which went on to be sampled as a tribute to him on D12’s second album, D12 World. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Proof]\nYo, ayo, turn the heads up and the mics up\nWe got the Dreadknaughts, y'knahmsayin?\nSuper MC, y'knahmean?\nBugz,\n Dirty and all that\nAll that shit, y'knahmsayin?\nDesperados with the cars — Eminem!\n[Verse 1: Eminem]\nChauvinist pig, drove in this big Lincoln\n'Til it went over the bridge\nJumped out and dove in the ditch\nBroke in a mobile home and stole a stove and a fridge\nKidnapped the parents and left the ransom note for the kids\nI'ma go for your mids, here's a body blow for your ribs\nWhile you're clutchin' your stomach\nAnd bleedin' all over your bitch\nI know where you live, your girl showed me your crib\nUnless she told me a fib, then I'ma have both of you did\nBurning incense, facin' a murder sentence\nUnder intense investigation for killin' infants\nWhile I sit in padded rooms, doin' shrooms\nHavin' visions of dead pregnant women\nWith brooms jabbed in they wombs\nSlit your carpet and rugs and fuck your apartment up\nStickin' up \nArbor Drugs\n, and jumpin' in garbage trucks\nI'm from the shitty slums that look like the city dumps\nGive you a kidney punch and mug you to get me lunch\nSee me every summer layin' up against the dumpster\nWith a hundred dollar jumper, smothered in Southern Comfort\nGot my Slim Shady sticker on your mother's bumper\nShe came home screamin' a bunch of motherfuckers jumped her [Verse 2: Proof]\nAyo, proceed to list 'em, there's no need to diss 'em\nDown here we heat 'em, destroy your whole breathing system\nTwist 'em, like beer caps, once they hear that\nRap murder rates, and I snap vertebrates\nCollapse further states, my track preserve the great\nYour pack deserve a crate: in fact, the word is fate\nI'll kill you slow like AIDS-infested nuts\nI'm holdin' vendetta like seven great-molested sluts\nCallin' me a bitch nigga, you need to stop\nReality, one on one, how many times you got dropped?\nI'm cut-throat when any track runs\nConscious when I smack nuns\nThe rough neck that make Muslims run and pack guns\nI'm volcanic, the sermon preacher\nBurnin' emcees, most wanted by Herman Kiefer\nYou tried to get a squad, they was like, \"Money, oh no.\"\nLeave you brain-dead, hittin' trees with Sonny Bono\nI kick without a dojo, D12 slow flow\nShoot down your mothership and pimp-smack mojo\nNo pro wanna go knuckle-blades with the renegade\nNigga tried to go pop, and plus they minute-made\nMy lieutenant sprayed your brigade and trampled your flow\nBig P, the reason emcees cancelled they show\nThe truth will hurt, seein' Proof at work, no shame in it\nThe best part of your show is when you put my name in it\nMy squad be godly, fearin' shit hardly\nSo I hope when I'ma die dope like Chris Farley [Verse 3: Bugz]\nFuck that! Who run shit once these drums hit?\nYou dove headfirst into some old dumb shit\nHere's a can of asswhip for you to come get\nYour click made they trip, I make them hoes suck mint\nAsk your girl, they know the scoop: don't fuck with Bugz, bitch!\nI'll chop off her titty, have you suckin' one tit\nThem pink belly niggas is who you run with\nMakin' half-ass songs, shitty snares and one kick\nI hate your damn sound, don't like it one bit\nYou could make a double album, won't have one hit\nYour entire outfit is on some bullshit\nAnd there's not a damn one that I can't outwit\nI admit that my style is unfit\nFor Momma's baby boy, because I'm on some dumb shit\nLike I commit larceny, give harm quick\nYou pull the alarm switch, I stab you in your armpit\nNow, who the nitwit wanna come get with\nThis egotistic hip-hop fundamentalistic?\nDon't risk it, you get your shit split\nNow keep your distance and keep existence\nI'm persistent when it comes to bent shit\nI smoked a blunt with my judge right before my sentence\nI'm relentless, to deny is senseless\nYour bitch paid my bill, that's where the hell your rent went\nFuck that! [Verse 4: Supa Emcee]\nI kill competition, with no way out as an opposition\nExecute the passengers on the flight, my executive decision\nThen reminisce on how Shady the business\nTerrorists acts by Israelis when they visit\nBombin' the senate, World War III in the makin'\nMurdered the exhibition, team finish, beat the ref senseless\nNo time-out, extended play burns over your intermission\nThen christen the battlefield with the blood of Christians\nCryin' for the Messiah, but he don't listen\nI pop my wig when I top the stove frame, boil sizzlin'\nA pyromaniac cook, I do damage to kitchens\nFuck Home Depot, I demolition\nWhen I home improve,\n \nyou need Bob here to fix it\nFuck school and supervision!\nBit off of financial aid and smoked up my tuition\nOnly hang around rappers with explicit lyrics\nAnd pistol-grip punks for the beefin' — do you wanna get heated?\n[Verse 5: Stilla Shellz]\nI got a mind full of troubles, everything's in doubles\nI buy my guns in couples, no time for placement fumbles\n‘Cause emcees come and emcees go, with broke flow\nInjured from head to toe, no fitter model, we full-throttle\nYou stuck in low, incapable to master flow\nEverything is tactical, livin' mathematical\nI smash the flow, unleash and let go\nI shit like lava, original designer\nMarried to marijuana since a minor\nMakin' attempts to sink my battleship\nCould get you bent like fibs, what?\nApplying death-defying feats, maintain to keep my peace\nFlow like the sea when I release these beats over concrete\n[Verse 6: 0-1]\nMy presidented transition has taken place\nAs I express vocally on the M-I-C-R-O\nPower he cipher, not equality, I deal it\nLace the track and made it real, now I know my peoples feel it\nKeep their heads bobbin' and the emotionals sobbin'\nPlus a culture-cipher after shows\n, hoes slobbin'\nKnobs love the fuckin' flavor of the icin'\nPlus I'm precise and my double edge continue slicin'" } ]

[ { "from": "human", "value": "Write me a song called Keep Quiet with the following description: Future is talking about a girl he has sex with. The problem is that she’s taken. So he suggests that she should be quiet. Otherwise there would be a lot of chaos, specifically in her life. Future doesn’t care about having sex with taken girls, he gives them what he thinks they deserve: sex and an exclusive lifestyle. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nFrom the club to the telly, on the floor\nYou better not wake the neighbors\nYou better not wake them neighbors, girl\n[Chorus]\nKeep quiet, keep quiet, keep quiet\nDon't tell nobody\nKeep quiet, keep quiet, keep quiet\n'Cause you gon' start a riot\nKeep quiet, keep quiet, keep quiet\nDon't tell nobody\nKeep quiet, keep quiet, keep quiet\n'Cause you gon' start a riot\n[Verse 1]\nFell in love, she done got attached\nLet her tell it, we a perfect match\nGo to Paris, do the dashboard\nSee the wheel on the right side\nGot her driving on the wrong side\nThought we was driving on the wrong side\nOut the country for a couple months\nI gotta keep the goons all in line\nHotel lobby like a club, got me drinkin' on raw wine\nSteaks and shrimps on your plate, baby\nWe can chop it up, but I ain't wine and dine\nRude girl, you the right sign\nYou the right kind, this the right time\nWe can kick it off and go to Iceland\nYou see they bitin' like Tyson\nVVS' wasn't given to me\nAnd them skirts, I'ma give 'em to you\nNo confessions, you can book the suite\nI might even let you book the villa\nPo' me up and let me get right\nChains swinging, this a pair of ice\nMaintain, go to paradise\nI'ma send for you, book the last flight [Chorus]\nKeep quiet, keep quiet, keep quiet\nDon't tell nobody\nKeep quiet, keep quiet, keep quiet\n'Cause you gon' start a riot\nKeep quiet, keep quiet, keep quiet\nDon't tell nobody\nKeep quiet, keep quiet, keep quiet\n'Cause you gon' start a riot\n[Verse 2]\nBraless swag is complementary\nAudemars is confidential\nCredit card, expensive dinners\nLet you cruise the double M\nLike you signed to Maybach dem\nIf you run across my BM, better not throw no bloodshed\nBetter not cut no fuss at them\nBetter look the other way, I know you fuckin' him\nYou gotta let me have my way, that's why I trust in you\nPresidential suite, baby\nYou gon' be there for me, yeah yeah\nYour girlfriends always hatin'\nYou richer than them, that's real facts\nI keep you fly, that's real facts\nI get you high and a little upset\nThese niggas, they small talkin'\nI bet they never cut a real check\nStay in the mall, flossin'\nYou ain't never been late on a bill yet\nMy name come with all these benefits\nIf you fuck a nigga who famous, you better [Chorus]\nKeep quiet, keep quiet, keep quiet\nDon't tell nobody\nKeep quiet, keep quiet, keep quiet\n'Cause you gon' start a riot\nKeep quiet, keep quiet, keep quiet\nDon't tell nobody\nKeep quiet, keep quiet, keep quiet\n'Cause you gon' start a riot\n[Outro]\nFrom the club to the telly, on the floor, on the table\nYou better not wake them neighbors\nYou better not wake them neighbors, girl\nKeep quiet 'cause you gon' start a riot\nKeep quiet 'cause you gon' start a riot" } ]

[ { "from": "human", "value": "Write me a song called Look Over Your Shoulder with the following description: “Look Over Your Shoulders” is a collaboration between Kendrick Lamar, Busta Rhymes and Nikki.\nThe song samples The Jackson 5’s “I’ll Be There” and is said to have been created in April 2016.\nThe song was first teased in late-2017 when Music Mafia put the song up for auction. It leaked online on September 29, 2018; an alternate version with a different instrumental leaked on June 27, 2019.\nIn October 2020, a remastered version of the song was revealed to be the 19th track on Busta’s new album. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Michael Jackson & \nBusta \nRhymes\n]\nJust look over your shoulders, honey\nYeah, I know, it's been a minute\nDon't you know?\nJust look over your shoulders, honey\nWhenever you need me\nJust look— Just over your shoulders\nWhenever you need me\nJust look over your shoulders, honey\nYeah, you need me (Woo)\n[Verse 1: Kendrick Lamar & \nMichael\n Jackson\n]\nI wrote my first bars in the car with Stacy\nHow bizarre, my battle scars at large would lace me\nBig marbles, nigga\nI lead this new generation, boy, don't argue with us\nMarvelous beat selectors, authors, and novel spitters\nAnd it's all for the literature\nAnd it's all for the hideous, the nastiest flows, the Chlamydia, uh\nI ain't afraid to say I need you, ah, yeah (Hip-hop, hip-hop, hip-hop)\nI promise I'd never leave you, ah, yeah\nMy life is like twelve open mics of hopeless notes I write\nFor sure, my folks unite soon as the flow get nice\nThe poltergeist that scare emcees, my prototype for every\nMy share of deeds and R.I.P.s\nYou know my type of style is like my everything\nApparently, my appetite stay famished\nBite no hand that feed\nThe culture vulture die and bleed\nMy focus hold these thoughts and dreams\nControl this pen (Look over your shoulder)\nBoldest lines of rhymes and things\nDevote my time and mind it seems\nI'm 'posed to shine, remind I'm king\nProvoke the blind and bomb the fiends\nThe pros, the cons, the diamond rings\nI'm full with time but I'ma bring\nThe soul divine and cross between\nWhat's yours and mines, the gold, the green\nThe ropes that show just what it mean\nThen grab Shakur right by the wing\nAnd fly before my vocals (Scream)\nFor hip-hop, look at my Ziploc\nBag full of goodies, you Chris Rock\nHit the Pookie and pit stops\nSince tube socks, baby, you a hell of a drug\nJust look over your shoulders when they fuck you over, it's love\nI know ya (\nWoo\n) [Chorus: Michael Jackson]\nDon't you know, baby?\nDon't you know, baby?\nJust look over your shoulders, honey\nWhenever you need me\nJust look— Just over your shoulders\nWhenever you need me\nJust look over your shoulders, honey\nYeah, yeah, you need me (Woo)\n[Verse 2: Busta Rhymes & \nMichael Jackson\n]\nShhh, look over your shoulder, get me?\n'Cause I done bodied the game to the point niggas scared to rap with me\nKept burnin' 'til they anointed me one of the kings of Black history\nAnd yes, I see the game is a little different, niggas lack simply\nThem bars and I spit 'em like darts 'til they puncture your kidney\nYou trash and it don't matter how much you gon' try to convince me\nAnd you gon' make my gun cock and talk a whole 'nother way, yo\nWoah-oh-oh-oh-oh (\nWoo\n)\nI am the Buddha, the Ali Baba, the believer-er maker\nSo pristine, the dice roll from under my sleeve when I shake 'em\nSo rude, I'm so ice cold but I'm what you need to just wake 'em\nAll them crowns and medals on the wall waitin' for me to just take 'em\nWhen I arrive, my theme music got a pound to it\nAnd when I leave, even my shadow got a sound to it\n'Cause I'm the god of the harder, the martyr, the father\nI spit a saliva that's leaking a lava\nCompletin' the saga while meetin' and greetin'\nAnd beating you niggas, completely conquer\nExtremely bark on a nigga, you see me\nAnd deeply carve up a nigga, believe me\nGraffiti your armor, you heebie, you jeebie\nBikini your broad up (You guinea pig)\nSee me, now give me the startup and treat me\nYou greet me and meet me with arms up\nSo sweet when I speak, have a seat, it was deep\nI was sleep, now the god's up, hmm\nUpholding the fundamentals, while most of you boast a rental\nFocus on what's most essential, spit bars to provoke your mental\nDo I have your entendimiento?\nWhile I clap these raps like thunders\nLook over your shoulder, boy, and wonder (\nWoo\n) [Chorus: Michael Jackson & \nNikki Grier\n]\nDon't you know, baby?\n (\nOoh, woah\n)\nDon't you know, baby?\n (\nMhm, oh, yeah\n)\nJust look over your shoulders, honey\nWhenever you need me\n (\nWhen you need me\n)\nJust look— Just over your shoulders\nWhenever you need me\n (\nWhenever you need me\n)\nJust look over your shoulders, honey\nYeah, you need me (Woo)\nDon't you know, baby?\nDon't you know, baby?\nJust look over your shoulders, honey\nWhenever you need me\n[Outro: Chris Rock & \nMichael Jackson\n]\nThat's right\nHe got catalog, you understand? (\nJust look— Just over your shoulders\n)\nThis is the motherfucking human iPod out this motherfucker, okay?\nHe can go all day (Go all day)" } ]

[ { "from": "human", "value": "Write me a song called Jewel Baby* with the following description: “Jewel Baby” was first teased on Young Thug’s Instagram story on August 18, 2019—three days after the release of So Much Fun. The rapper teased the song’s appearance on Future, Young Thug, Lil Baby & Gunna’s unreleased project SUPER SLIMEY 2. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Lyrics from Snippets\n[Chorus: Young Thug, \nFuture\n & \nBoth\n]\nBig money like a jewel, baby\nSnake skin cool, baby (Yeah)\nWe some pair of jewels\n, \nbaby\nAlligator shoes, baby\nLately, I've been travelling with a chopper, man\nI didn't really mean to but I shot him, baby\nWho these kids\n...\n[Verse: Gunna & \nLil Baby\n]\n[?] should admit it, I'm considerin' [?]\nTheir heart hurt, you got 'em sick but never mind 'em\nStarburst piece so sweet I gotta ice it (Woo)\nI'm too raw, rare breed, no nigga like me\nMoney turn friends froze, bros turn ho foes\nReceipts gettin' so long niggas getting jealous, we just buying clothes\nRun the world..." } ]

[ { "from": "human", "value": "Write me a song called We Are with the following description: “We Are” is a song by Justin Bieber featuring New York rapper Nas.\nIt had been rumored for a while that the two artists had been working on a song for Bieber’s new album Purpose, but when the tracklist of the album was revealed it was officially confirmed.\nThe song tells the story of a relationship, which is being destroyed by rumors and hate. As a famous singer, Justin is very familiar with people trying to create drama, especially when he is seeing someone. Dating can be difficult when you’re constantly being watched by everyone. The relationship Justin had with Selena Gomez was exactly like this. The song may even be inspired by it.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Justin Bieber]\nHappy birthday\n[Chorus: Justin Bieber]\nYou ain't gotta question it\nYou already know the answer\nThe truth'll make us relevant\nHurts but it's necessary\nDon't want us to lose what we are, no\nDon't want us to lose what we are\nLose what we are\n[Verse 1: Justin Bieber]\nIf it ain't broke then we don't need to fix it\nBelieving in that she say'll have you livid\nNo they won't be happy 'til your love is over\nThey tryna break us up but you don't wanna get it\nThey ain't never had your back like I got it\nThey ain’t never had trust like how we got it\nSo they can't help but to come and hate on it\nThey see what we got and you know they want it\nDon't question it\n[Hook: Justin Bieber]\nYou ain't gotta question it\nYou already know the answer\nThe truth'll make us relevant\nHurts but it's necessary\nDon't want us to lose what we are, no\nDon't want us to lose what we are\nLose what we are [Verse 2: Justin Bieber]\nIt's like you're always looking for a problem\nBut there ain't enough equations for you to solve 'em\nSo quick to turn nothin' right into somethin'\nTake the numbers out my phone, go 'head and call 'em\nThey ain’t ever had my back like you got it\nThey ain't never had a chance, how you got it\nSo they can't help but to come and hate on it\nThey see what we got and you know they want it, don't question it\n[Chorus: Justin Bieber]\nYou ain't gotta question it\nYou already know the answer\nThe truth'll make us relevant\nHurts but it's necessary (yeah)\nDon't want us to lose what we are\n(Don't wanna lose, no)\nDon't want us to lose what we are\nLose what we are\n[Verse 3: Nas]\nShe texts me \"How's you love life?\"\nAnd \"How are you?\", I said \"I'm good\"\nThey only get as close as you allow them to\nWe should be closer together\nWarm oceans, better weather\nInstead of us playing games forever\nShe says whatever\nI says whatever\nWho get you wetter than the half moon wearer?\nHSTRY sweater\nSerendipity when you with me\nSwear you love that one thing we did\nThat one time in that one place\nBlew your mind, you got my mind gone when I'm home\nI'm serious girl, a much older dude, a whole 42\nI've accomplished my goals, it's only you\nYou and I in that Wraith, retired my pimp super-fly cape\nJust my Mets cap and my batch and I'm straight\nEsco [Chorus: Justin Bieber]\nYou ain't gotta question it, oh\nYou already know the answer\nThe truth'll make us relevant\nHurts but it's necessary, yeah\nDon't want us to lose what we are\n(Don't wanna lose, no)\nDon't want us to lose what we are\nLose what we are" } ]

[ { "from": "human", "value": "Write me a song called ​off the table with the following description: “off the table,” marks Ariana’s second collaboration with Canadian R&B artist, The Weeknd, and their first since the breaking success of the duo’s initial collaboration, “Love Me Harder” in 2014.\nThe song features Ariana questioning whether she’s ready to dive into the deep end of a potential relationship, while her partner, The Weeknd, reassures her saying he can be patient and is in a better place than he was previously. The track features a slow, synth-heavy instrumental, complemented by lush strings in the background.\nThe collaboration between the two on this album was first rumored after Abel retweeted Ariana’s announcement that she was going to be releasing her album in October.\nIn a YouTube livestream, Ariana revealed that the entire song was recorded in her home studio. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Ariana Grande]\nWill I ever love the same way again? (\nWay again\n)\nWill I ever love somebody like the way I did you?\nNever thought you'd be so damn hard to replace\nI swear it don't need to be this way\nIf I can't have you, is love completely off the table?\nDo I sit this one out and wait for the next life? (\nNext life\n)\nAm I too cold? Am I not nice?\nMight not be quite yet healed already\nShould I be goin' too steady? (\nToo steady\n)\nBut I just wanna know is love completеly off the table?\n[Chorus: Ariana Grande]\nWill you be thеre? (Will you be there?)\nCan I still love you? (Can I, can I, babe?)\nNot yet healed or ready (Not ready)\nShould I be goin' too steady? (Too steady)\nJust wanna know is love completely off the table?\n[Verse 2: The Weeknd, \nAriana Grande\n & \nBoth\n]\nI'll wait for you\nEven though it always feels like I'll be number two\nTo someone you can't hold anymore\nIf you let me in, I'm ready to give you what I couldn't before\n'Cause I got you, girl, let me help you through it\nYou're trying to fill the void with a couple boys\nI can see right through it (\nYou can see right through it\n)\nI can love you harder than I did before\nWas in a dark place back then\nI was toxic, then I was toxic to \nsomeone else\nI was haunted by the hills (Oh yeah, yeah)\nI couldn't give you my all, but I will\nIf you let me in your arms (Your arms)\nIf you let me in your heart\nI don't think that love's completely off the table [Chorus: Ariana Grande & \nThe Weeknd\n]\nWill you be there? (\nYes, I will be there for you\n)\nCan I still love you? (\nYes, I been hurt before, before\n)\nNot yet healed or ready (Not ready)\nShould I be goin' too steady? (Too steady, no, no)\nJust wanna know is love completely off the table?\n[Bridge: Ariana Grande & \nThe Weeknd\n]\nSo can you hold me?\nIf I let you, can you prove it to me? (\nOh, no-no, no\n)\n'Cause I need you to calm me down, babe\nGotta get out of my head (\nOh, woah\n)\nTryna be here from this bed (\nOh\n)\nJust wanna know, just wanna know, know, know, baby (\nHey\n)\nCan you touch it like you believe in it, baby? (Oh, hey)\nLet me think you never gonna leave on me, baby\n'Cause I ain't her and you ain't him, thankfully (Baby, don't leave)\nBut it's gon' be hard to let someone else in again (\nWoah\n)\nBaby, baby (\nWoo-hoo\n)\n[Chorus: Ariana Grande & \nThe Weeknd\n]\nWill you be there? (Will you be there? \nI'll still wait\n)\nCan I still love you? (\nI'll still wait for you, babe, oh, no-no, no,\n can I still love you?)\nNot yet healed or ready (\nOoh\n, not ready)\nShould I be goin' too steady? (No, no, \nooh\n)\nJust wanna know is love completely off the table, baby? [Outro: The Weeknd]\nI swear, I swear\nI will wait for you whenever you need\nOoh, ooh" } ]

[ { "from": "human", "value": "Write me a song called CHopstix with the following description: On “CHopstix,” ScHoolboy Q raps about being infatuated with a woman, comparing her legs to the utensil. Travis Scott’s chorus reflects two meanings of chopsticks: first the woman’s legs, and second, “chopper,” a slang term for a gun.\nThe song was originally slated for an April 4, 2019 release, but was postponed due to the murder of rapper and fellow Crip Nipsey Hussle just four days prior. Q explained the song’s postponement in a video that was posted hours before its expected release date. The song was still accidentally put on Spotify on the 4th but was immediately taken down. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: ScHoolboy Q]\nFly (I), I'm (I'm) too (Too) high (High)\nWatch (Watch), splash (Splash), car fast\nDash (Dash) soon, smooth, ooh\nSpent (Spent) cash (Cash), glide (Glide) by\n[Chorus: Travis Scott]\nChopsticks, chopsticks, chopsticks (Yeah)\nI love them chopsticks, chopsticks, chopsticks (Alright)\n(Ooh) Chop, chop, chop, yeah\n(Ooh) Chop, chop, chop, chop\nChopsticks, chopsticks, chopsticks (Yeah)\nHer legs chopsticks, chopsticks, chopsticks (Alright)\n(Ooh) Chop, chop, chop, yeah\n(Ooh) Chop, chop, chop, chop (It's lit)\n[Verse 1: ScHoolboy Q]\nAyy, I'm trippin' on you, I gotta have you\nI spent it on you, I might buy two\nNow get in my coupe\nI like her legs up like chopsticks\nLuxury in my optics\nYour ex-man's on the opp list\nI'm validated to pop shit\nI'm a high profile, hunnid mile, flex\nFlyin' down the aisle, blowin' loud, flex\nI got a bad habit with bad habits\nBeat the pussy up, stab at it\nDivin' in like I'm mad at it\nSecured the bag, I need all static, ayy [Chorus: Travis Scott]\nChopsticks, chopsticks, chopsticks (Yeah)\nI love them chopsticks, chopsticks, chopsticks (Alright)\n(Ooh) Chop, chop, chop, yeah\n(Ooh) Chop, chop, chop, chop\nChopsticks, chopsticks, chopsticks (Yeah)\nHer legs chopsticks, chopsticks, chopsticks (Alright)\n(Ooh) Chop, chop, chop, yeah\n(Ooh) Chop, chop, chop, chop (It's lit)\n[Verse 2: ScHoolboy Q]\nI got 25 rolled up on my dresser (Dresser)\n25 bad ones in the function, can I stretch 'em? (Stretch 'em)\nWho wanna get chose for the foreplay?\nHop out a black Rolls on your b-day\nMake everybody fall for you, jealous\nBat wing on the ground to the PJ\nI say, \"Bad bitch, bad bitch, five star, bad bitch\"\nGot you on, whatever you want, gotta have it\nFuck so good, that's talent\nI pray for you, now that's balance\nI run it up before the trial end\nThey talkin' 'bout us, we wildin', we wildin', ayy\n[Chorus: Travis Scott]\nChopsticks, chopsticks, chopsticks (Yeah)\nI love them chopsticks, chopsticks, chopsticks (Alright)\n(Ooh) Chop, chop, chop, yeah\n(Ooh) Chop, chop, chop, chop\nChopsticks, chopsticks, chopsticks (Yeah)\nHer legs chopsticks, chopsticks, chopsticks (Alright)\n(Ooh) Chop, chop, chop, yeah\n(Ooh) Chop, chop, chop, chop (It's lit)" } ]

[ { "from": "human", "value": "Write me a song called Lentil with the following description: “Lentil” is track #2 on Sia’s fourth studio album Some People Have Real Problems. It first featured on the Lady Croissant live album, released in 2007 and recorded as early as 2006.\nLentil is the name one of Sia’s dogs. After adopting him she had to leave him in Adelaide and couldn’t bring him with her to London.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nOh, you were waiting for me, you saw me, adored me\nAs I wish the whole world would\nYou would never hurt me, desert me or work me\nFor all the things you thought you could\nAnd you \nwould lick the tears from my eyes when I cry\nHow I missed you when I was gone\nHurt me so to leave you, deceive you, I needed you\nI believed in you\n[Chorus]\nOh, I, I never meant to let you down\nI'll wait with a stake in my heart\nI never meant to put you down\nI'm trying not to fall apart\n[Verse 2]\nNow all I have is riches and pictures and stitches\nMoney could never buy what you gave\nAnd though my heart is achin' and breakin', I'm makin'\nThe most of what you send my way\nNow I want just to hold you, unfold you, I told you\nSee, I am coming back for you\nYeah, I know we will be okay everyday\nThe sun shines a little brighter [Chorus]\nOh, I, I never meant to let you down\nI'll wait with a stake in my heart\nI never meant to put you down\nI'm trying not to fall apart\nI never meant to let you down\nI'll wait with a stake in my heart\nI never meant to put you down\nI'm trying not to fall apart\n[Bridge]\nI'm trying not to fall apart\nWe'll reunite, oh, we'll set a light\nI'm pushing with all of my might\n[Chorus]\nOh no, I never meant to let you down\n(I wait with a stake in my heart)\nI never meant to put you down\n(I'm trying not to fall apart)\nI never meant to let you down\n(I wait with a stake in my heart)\nI never meant to put you down\nYeah, I'm trying not to fall" } ]

[ { "from": "human", "value": "Write me a song called Hate That I Love You with the following description: This midtempo collaboration,a song about conflicted love, was the third single from Good Girl Gone Bad. It was co-written by Ne-Yo and production group StarGate and hit number 7 on the Billboard Hot 100.\nRihanna told MTV:\n[Ne-Yo] also did one called ‘Hate That I Love You,’ which is a duet between us. That song, when it first starts off, you think it’s a sexy song, but you have to listen to the lyrics. It’s a really deep song. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Rihanna & \nNe-Yo\n]\nYeah, yeah\nHey, yeah, huh\nThat's how much I love you (\nYeah\n; No, whoa, whoa, huh)\nThat's how much I need you (\nYeah, yeah, yeah\n)\n[Verse 1: Rihanna & \nNe-Yo\n, \nBoth\n]\nAnd I can't stand you\nMust everything you do make me wanna smile (\nUh\n)\nCan I not like you for a while? (\nNo\n)\nBut you won't let me\nYou upset me, girl, and then you kiss my lips\nAll of a sudden, I forget\n (\nThat I was upset\n)\nI can't remember what you did\nBut I hate it...\nYou know exactly what to do\nSo that I can't stay mad at you\nFor too long, that's wrong\nBut I hate it\nYou know exactly how to touch\nSo that I don't wanna fuss and fight no more\nSaid I despise that I adore you\n[Chorus: Rihanna & \nNe-Yo\n]\nAnd I hate how much I love you, boy (\nYeah\n)\nI can't stand how much I need you (\nI need you\n)\nAnd I hate how much I love you, boy (\nYeah, ooh whoa\n)\nBut I just can't let you go\nAnd I hate that I love you so [Verse 2: Ne-Yo & \nRihanna\n, \nBoth\n]\nOoh, and you completely know the power that you have (\nThe power that you have\n)\nThe only one that makes me laugh (\nOne that makes me laugh\n)\nSaid that it's not fair\nHow you take advantage of the fact\nThat I...\n (\nI\n)\nLove you beyond the reason why\n (\nWhy\n)\nAnd it just ain't right, oh\n[Chorus: Ne-Yo & \nRihanna\n]\nAnd I hate how much I love you, girl (Hey)\nI can't stand how much I need you (\nHey, hey\n)\nAnd I hate how much I love you, girl (\nNo\n)\nBut I just can't let you go (Ooh)\nBut I hate that I love you so\n[Bridge: Rihanna & \nNe-Yo\n, \nBoth\n]\nOne of these days, maybe your magic won't affect me (\nHmm\n)\nAnd your kiss won't make me weak\nBut no one\n \nin this world knows me the way you know me\nSo you'll probably always have a spell on me\nYeah...\nOoh, oh, oh\nYeah, yeah, yeah, yeah, yeah, yeah\n[Chorus: Rihanna & \nNe-Yo\n, \nBoth\n]\nThat's how much I love you (\nHow much I need you\n)\nThat's how much I need you (\nHow much I love you\n)\nThat's how much I love you (\nOh, I need you\n)\nThat's how much I need you (\nI need you\n)\nAnd I hate that I love you \nso\nAnd I hate how much I love you, boy (\nHey!\n)\nI can't stand how much I need you (\nCan't stand how much I need you\n)\nAnd I hate how much I love you, boy (\nGirl\n)\nBut I just can't let you go (\nBut I just can't let you go, no\n)\nBut I hate that I love you so (\nOoh\n)\nAnd I \nhate that I love you so\n, so" } ]

[ { "from": "human", "value": "Write me a song called Pick Me with the following description: Leaked/Unreleased track by Canadian pop star Justin Bieber which didn’t make the cut of his debut album My World 2.0.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nWhoa oh yeah\nAy, ay\nWhoa oh oh oh yeah\n[Verse 1]\nYou're the finest girl I've ever seen\n \nand I wonder do you notice\nThat every guy you meet ends up catching feelings for you?\nYou can have any of 'em, you can take your pick\nBut you need to check with me, girl I promise, I'm legit\nYes, we be going to the movie in a theatre holding hands\nI’ll walk you home from school, I'll walk you to your classes\nPlaying my 360, yes you'll be my best friend\nBut most of all baby doll, you'll be my love love love\n[Chorus]\nYou should pick me, so tell me can you dig it?\nI'm everything you need girl, so tell me can you dig it?\nI'll always be your number one number one fan, dig that\nAnd I should be your one and only man\nYou should pick me, tell me can you dig it?\nEverything we could be girl, so tell me can you dig it?\nI'll always be your number one number one fan, dig that\nAnd I should be your one and only man, you should pick me\nYeah, you should pick me girl [Verse 2]\nYou're my favourite part of the day and every morning I look forward\nTo me seeing your face, I just need to see it some more\nBaby I'm the kind of guy who can appreciate a girl as amazing as you\nSo you got to be my baby, yeah\nCause if you feel me, already we chilling at the beach\nI'll take you on a cruise, watch the sunset while we eating\nYou can get anything you want cause I'll be your best friend\nBut most of all baby doll, you'll be my love love love\n[Chorus]\nYou should pick me, so tell me can you dig it?\nI'm everything you need girl, so tell me can you dig it?\nI'll always be your number one number one fan, dig that\nAnd I should be your one and only man\nYou should pick me, tell me can you dig it?\nEverything we could be girl, so tell me can you dig it?\nI'll always be your number one number one fan, dig that\nAnd I should be your one and only man, you should pick me\n[Bridge]\nYou should pick the guy that makes you happy\nMake you fly in style and pick the one that's got swagger\nPick the one that makes you laugh, the one that always got you back\nAnd would rather die than would make you sad\nThat's why you should pick me, so tell me can you dig it?\nI'm everything you need girl, so tell me can you dig it?\nI'll always be your number one number one fan, dig that\nAnd I should be your one and only man [Chorus]\nThat's why you should pick me, so tell me can you dig it?\nI'm everything you need girl, so tell me can you dig it?\nI'll always be your number one number one fan, dig that\nAnd I should be your one and only man\nYou should pick me, tell me can you dig it?\nEverything we could be girl, so tell me can you dig it?\nI'll always be your number one number one fan, dig that\nAnd I should be your one and only man, you should pick me\nYou should pick me\n[Outro]\nWhoa oh oh yeah\nAy, ay\nWhoa oh oh oh yeah" } ]

[ { "from": "human", "value": "Write me a song called Last All Night with the following description: Just hours after releasing Heartbreak on a Full Moon, Chris dropped “Last All Night” via his SoundCloud account. The sultry track puts Chris back into his more traditional R&B roots, and heavily samples Michael Jackson’s “The Lady in My Life.”\n“Last All Night” was originally track #40 on the original tracklist for HBOAFM, but is one of 5 songs that didn’t make the final cut. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nOh, ooh, baby\nWoo, babe\n[Verse 1]\nCandlelight, get the mood right\nOh, baby, pick out your favorite wine\nLet go, ain't no need to hide\nI'm ready to tear it up\nSo baby, let me inside\nAnd just look me in my eyes, oh-woah, oh-woah\nGirl, I don't give a damn, ain't no other man takin' my place\nHe can't hit your spot like I can, makin' your legs shake, oh\nLickin' your lips, girl, I love the way you taste\nYeah, you know I love that kinky shit\nI'm all over your body\nI'm tryna lay you on your stomach on that freaky shit\nBe submissive, let me dive in\nYeah, she think I'm freakin' on her, I'ma rub it in\nOoh, baby, I'ma fuck it up\nI see the moon, lovin' 'til the sun come up\nIt's too good, I'm tryin' not to bust a nut\nToo fast, I'm tryna last\n[Chorus]\nI can't even lie, lie, lie\nIt's too damn good, I can't handle it, babe\nBut I'ma try to last all night\nOoh-woah, I'ma try to last all night\nIt's alright, I hope I can last all night\nI can't even lie, lie, lie (Ooh)\nI can't even lie, lie, lie\nI hope I can last all night [Verse 2]\nYeah, if you knew right, you would do right\nAnd just make love to me, only me\nDon't give my love away, girl\nIt ain't for everybody 'cause you're mine\nBaby, don't even get me started\nThat pussy mine, ooh, Lordy, Lordy\nHer hands in my pockets, huh\nShe know I'ma get her anythin' she ever wanted\nSkrrt, skrrt, she drivin'\nKey in her ignition, that's the real difference between bitches and women\nOoh, baby, know I love that\nHow you take that, how you throw it back\nBaby, you know just what you're doin'\nI ain't stupid, yeah\n[Chorus]\nI'ma try my best to last all night\nOoh-woah, I'ma try to last all night\nIt's alright, I hope I can last all night\nI can't even lie, lie, lie (Ooh)\nI can't even lie, lie, lie\nI hope I can last all night" } ]

[ { "from": "human", "value": "Write me a song called Them Girls Be Like with the following description: On “Them Girls Be Like,” Fifth Harmony playfully embody typical girl stereotypes, poking fun at various misconceptions such as their supposed obsession with their appearance and boys, and constant fighting and jealousy among them. The track is also full of pop culture references, drawing inspiration from lines in the movie Mean Girls and using terms such as “selfie,” “no-filter pics” and “hashtags.”\nThe song was released as a promotional single on August 24, 2014 along with the pre-order for their debut album Reflection. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Dinah]\nDo my **** look fat? (Or nah?)\nShould I call him back? (Or nah?)\nWear my hair like that? (Or nah?)\nDo he make them stacks? (Or nah?)\n[Pre-Chorus: Lauren]\nIf you ever been around then you'll hear us\nTalkin' all that crazy sh—, like we do\nDo you ever post your pics with no filter?\nHashtag: \"I woke up like this too\"\n[Chorus: All, \nCamila\n & \nAlly\n]\nThem girls be like (\nOh\n)\nThem girls be like (\nOoh, ooh\n)\nThem girls be like (\nOh\n)\nThem girls be like\nOh, hey\n (\nHey, hey, hey\n), \nhey\n (\nHey, hey, hey\n)\nThat's what we be like\nThat's what we be like, yeah\nLovin' this life 'cause we really don't care\nOh, hey\n (\nHey, hey, hey\n), \nhey\n (\nHey, hey, hey\n)\nThat's what we be like\nThat's what we be like, yeah\nLovin' this life 'cause we really don't care [Verse 2: Normani]\nIs she hatin'? (Uh-huh)\nDo it phase me? (Uh, uh)\nTake a selfie every night (Uh-huh)\nGet at least one hundred likes (Uh-huh)\n[Pre-Chorus: Lauren]\nIf you ever been around then you'll hear us\nTalkin' all that crazy sh—, like we do\nDo you ever post your pics with no filter?\nHashtag: \"I woke up like this too\n[Chorus: All, \nCamila\n & \nAlly\n]\nThem girls be like (\nOh\n)\nThem girls be like (\nOoh, ooh\n)\nThem girls be like (\nOh\n)\nThem girls be like\nOh, hey\n (\nHey, hey, hey\n), \nhey\n (\nHey, hey, hey\n)\nThat's what we be like\nThat's what we be like, yeah\nLovin' this life 'cause we really don't care\nOh, hey\n (\nHey, hey, hey\n), \nhey\n (\nHey, hey, hey\n)\nThat's what we be like\nThat's what we be like, yeah\nLovin' this life 'cause we really don't care [Bridge: Camila & \nDinah\n]\nWe ain't like them girls that do too much\nIf you thirsty, you can't sit with us\nWhy you think them boys be missin' us?\nOoh, woah, woah\nYou know you hate them girls that do too much\nIf you thirsty, you can't sit with us\nWhy you think them boys be missin' us?\nOoh, woah, woah\n[Chorus: All, \nCamila\n & \nAlly\n]\nThem girls be like (\nOh\n)\nThem girls be like (\nOoh, ooh\n)\nThem girls be like (\nOh\n)\nThem girls be like\nOh, hey\n (\nHey, hey, hey\n), \nhey\n (\nHey, hey, hey\n)\nThat's what we be like\nThat's what we be like, yeah\nLovin' this life 'cause we really don't care\nOh, hey\n (\nHey, hey, hey\n), \nhey\n (\nHey, hey, hey\n)\nThat's what we be like\nThat's what we be like, yeah\nLovin' this life 'cause we really don't care" } ]

[ { "from": "human", "value": "Write me a song called Part of the Plan with the following description: “Part of the Plan” is a deeply personal track in which Chris spills out his heart once again about his past with Rihanna, explaining one more time that his actions against her were not how he intended things to go.\nWhile the track for the most part talks about Chris' past and people’s constant judgment of him, there is a turning point in the pre-chorus: his daughter Royalty. Despite his past mistakes, Royalty changed Chris' life and made him a better man; making him more than his past. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nYeah, you're damn right, this the way I am\nI'm tryna be like, now I know that I didn't need it\nSaid, I didn't need it\nI tried to do right, but I lost my cool\nAnd I don't understand why it had to be you\nIt got to me\nI let it get to me, yeah\n[Pre-Chorus]\nAnd they be bringin' shit up, I can't fight\nAnd they always need a bad guy\nI just laugh when I think about it\nIt feels like I ran out of time\nAnd you came along, changed my life\nChanged my life\nAnd yeah, you showed me that I'm, showed me that I'm royalty\n[Chorus]\nWhen you look at my past, I need you to understand it\nWasn't part of my plan\nWasn't part of my plan\nWhy you gotta go treat me like that?\nGotta be better, but you didn't like that\nWasn't part of my plan\nWasn't part of my plan [Verse 2]\nGive it up, but it wasn't enough to please you\nSo I'm livin' it up, ooh, yeah-yeah\nI just don't give a fuck, ooh, yeah-yeah\nKeep myself out of love, oh-oh\nBut you wanted a show, oh-oh\nSo I'm livin' it up, ooh, yeah-yeah\nBaby, I don't give a fuck, ooh, yeah-yeah\n[Pre-Chorus]\nAnd they be bringin' shit up, I can't fight\nAnd they always need a bad guy\nI just laugh when I think about it\nIt feels like I ran out of time\nAnd you came along, changed my life\nChanged my life\nAnd yeah, you showed me that I'm, showed me that I'm \nroyalty\n[Chorus]\nWhen you look at my past, I need you to understand it\nWasn't part of my plan\nWasn't part of my plan\nWhy you gotta go treat me like that?\nGotta be better, but you didn't like that\nWasn't part of my plan\nWasn't part of my plan [Outro]\nGive it up, but it wasn't enough to please you\nSo I'm livin' it up, ooh, yeah-yeah\nI just don't give a fuck, ooh, yeah-yeah\nKeep myself out of love, oh-oh\nBut you wanted a show, oh-oh\nSo I'm livin' it up, ooh, yeah-yeah\nBaby, I don't give a fuck, ooh, yeah-yeah (Yeah)" } ]

[ { "from": "human", "value": "Write me a song called Havana (No Rap Version) with the following description: On September 6th, 2017, a version of Camila Cabello’s single “Havana” which previously featured rapper Young Thug was released. This version features a different second verse than the original, now sung by Camila. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Pharrell Williams]\nHey\n[Chorus: Camila Cabello & \nPharrell Williams\n]\nHavana, ooh na-na (\nAyy\n)\nHalf of my heart is in Havana, ooh-na-na (\nAyy, ayy\n)\nHe took me back to East Atlanta, na-na-na\nOh, but my heart is in Havana (\nAyy\n)\nThere's somethin' 'bout his manners (\nUh-huh\n)\nHavana, ooh na-na (\nUh\n)\n[Verse 1: Camila Cabello & \nPharrell Williams\n]\nHe didn't walk up with that \"how you doin'?\" (\nUh\n)\n(When he came in the room)\nHe said there’s a lot of girls I can do with (\nUh\n)\n(But I can't without you)\nI knew him forever in a minute (\nHey\n)\n(That summer night in June)\nAnd papa says he got malo in him (\nUh\n)\nHe got me feelin' like\n[Pre-Chorus: Camila Cabello]\nOooh-oooh-ooh, I knew it when I met him\nI loved him when I left him\nGot me feelin' like\nOooh-oooh-ooh, and then I had to tell him\nI had to go, oh na-na-na-na-na [Chorus: Camila Cabello & \nPharrell Williams\n]\nHavana, ooh na-na (\nAyy, ayy\n)\nHalf of my heart is in Havana, ooh-na-na (\nAyy, ayy\n)\nHe took me back to East Atlanta, na-na-na (\nUh-huh\n)\nOh, but my heart is in Havana (\nAyy\n)\nMy heart is in Havana (\nAyy\n)\nHavana, ooh na-na\n[Verse 2: Camila Cabello]\nI knew I was there when I read the sign\n\"Welcome to La Yuma\"\nI knew it was him when he hugged from behind\nIt gets me every time\nHe's put in work, but it's in the streets\nHe said, \"Girl, can you ride?\"\nAnd this is the part that my daddy told me\nHe got me feelin' like\n[Pre-Chorus: Camila Cabello]\nOooh-oooh-ooh, I knew it when I met him\nI loved him when I left him\nGot me feelin' like\nOooh-oooh-ooh, and then I had to tell him\nI had to go, oh na-na-na-na-na\n[Chorus: Camila Cabello & \nPharrell Williams\n]\nHavana, ooh na-na (\nAyy, ayy\n)\nHalf of my heart is in Havana, ooh-na-na (Oh, \nayy, ayy\n)\nHe took me back to East Atlanta, na-na-na (Oh no)\nOh, but my heart is in Havana (\nAyy\n)\nMy heart is in Havana (\nAyy\n)\nHavana, ooh na-na [Bridge: Starrah & \nCamila Cabello\n]\nOoh na-na, oh na-na-na (\nOoh-ooh\n)\nTake me back, back, back like\nOoh na-na, oh na-na-na (\nYeah, babe\n)\nTake me back, back, back like\nOoh na-na, oh na-na-na (\nYeah, yeah\n)\nTake me back, back, back like\nOoh na-na, oh na-na-na (\nYeah, babe\n)\nTake me back, back, back\nTake me back to my Havana...\n[Chorus: Camila Cabello & \nPharrell Williams\n]\nHavana, ooh na-na\nHalf of my heart is in Havana, ooh-na-na (Oh, yeah)\nHe took me back to East Atlanta, na-na-na (\nAyy, ayy\n)\nOh, but my heart is in Havana\nMy heart is in Havana (\nAyy\n)\nHavana, ooh na-na" } ]

[ { "from": "human", "value": "Write me a song called Roll Call with the following description: The 2013 XXL Freshman who recently signed a recording contract with Def Jam is gearing up for his upcoming mixtape Young Sinatra: Welcome To Forever. He decides to give us the first leak off it, and he goes in over Outkast’s classic “Ms. Jackson” instrumental.\nThe spiritual successor to his 2010 track, Backpack.\nThe tape dropped on May 7th, 2013. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse]\nYeah, smoking in London while the snow fall\nIn another country, so pardon me for the roll call\nDamn, who would've thought the fan base was this immense?\nOn the first fucking train to Paris so pardon my french\nShows sold out, fans in line even though it's cold out\nYeah, touring Europe getting swiss cheese\nMany said I'd never attain it now I'm like, \"Bitch please, what up?\"\nAllow me to open up the verse with something so diverse\nNow let the flow immerse, hold up; watch it disperse\nVisions of Biggie, Big L and 2Pac just looking at me (Biggie)\nFrom the gates of Heaven while the police booking at me\nOpen your mental while bitches give me brain with no dental\nY'all probably think I'm crazy for touching this instrumental\nShout out my cousin Ego, he know this shit's sentimental\nBeen doing this shit for my dogs, holding down the kennel\nMy ex hit me, talkin' 'bout she wanna make up\nBut on the real, I got no time for cover girls\nMusic is my main bitch, no time for other girls\nI'm finna blow like Hiroshima, my demeanor get meaner\nWatch me elevate to arenas, me without the mic\nThat's like \nMartin without the Gina\n, \nVenus without Serena\nNow these thirsty bitches on the dick, we call that Aquafina\nI used to bus tables until them tables turned\nAnd everything I have obtained is everything I've earned\nAnd everything I rap about is everything I've learned\nSo hopefully the listener can position a situation\nWhere they don't get burned\n \nand they can learn from my mistakes\nLike I've learned from the greats\n to do whatever it takes\nFor Heaven's sakes open your mind, this shit one of a kind\nElegant and refined, irrelevant to the swine\nWhat's the deal? \nWhipping through LA in the coupe de Ville\nOn the real\n, \nto various people I do appeal, 'cause of skill\nSo this the type of shit I'm gon' keep making\nThat make MCs break fast like flapjacks and bacon\nRest in peace to BIG, and many other fallen soldiers\nNever Hollywood, I'm grounded like a cup of Folgers, bitch I told ya\nAllow me to open up your mind and mold ya\nIndulge ya, within this shit I call the second Renaissance\nThe system broke and they sent Logic in for maintenance\n'Cause all you wack rappers couldn't break change to make sense\nI'm back again with another argument about how much I'm black again\nFighting for credibility from the lack of blacker skin\nIt's kind of funny how your pigment determines how people perceive you\nThat's ignant\nAin't seen my momma in a minute\n'Cause growing up she called me a nigg​er\nThat would never amount to nothing\nRacism from my own momma, left home 'cause of drama\nBut I can make it in the rap game, look at Obama\nYou ain't been in my shoes, you don't know my story\nYou don't know what's in store, but bitch I stocked the inventory\nFuck a critic with the balls to try to tell me how I feel\nYou wasn't with me as a child, never once did you feel\nThe pain of my stomach that manifested from the lack of meals\nHeaded to the soup kitchen on foot by the lack of wheels\nWe aim to keep it real and hell no we ain't never missing\nCame a long way from eating when government gave permission\nIf you think these lyrics ain't deep, you too stupid to listen\nJust an outcast with a mission to spit to whoever listen\n, \nbitch, it's Logic" } ]

[ { "from": "human", "value": "Write me a song called Uptown Funk with the following description: “Uptown Funk” is the fourth track on and first single off of Mark Ronson’s fourth studio album, Uptown Special. The song topped the Billboard charts and has sold over 6,000,000 copies in the United States alone.\nWhen we hit on that opening line — ‘This hit, that ice cold/ Michelle Pfeiffer, that white gold’ – we knew that we had the seed of this really exciting idea. I pushed myself much more than I have on anything else in the past.\n—Mark Ronson\nThe songwriting credits on this song were revised to include The Gap Band after people noted similarities between this song and their hit “Oops Upside My Head.”\n“Uptown Funk” won the 58th Annual Grammy Award for Record of the Year & Best Pop/Duo Group Performance. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nDoh\nDoh-doh-doh, doh-doh-doh, doh-doh\nDoh-doh-doh, doh-doh-doh, doh-doh\nDoh-doh-doh, doh-doh-doh, doh-doh\nDoh-doh-doh, doh-doh\n (Aw, ow)\n[Verse 1]\nThis hit, that ice cold\nMichelle Pfeiffer, that white gold\nThis one for them hood girls\nThem good girls, straight masterpieces\nStylin', wilin', livin' it up in the city\nGot Chucks on with Saint Laurent\nGotta kiss myself, I'm so pretty\n[Refrain]\nI'm too hot (Hot damn)\n(\nDoh\n)\nUh, call the police and the fireman\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nI'm too hot (Hot damn)\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nMake a dragon wanna retire, man\nI'm too hot (Hot damn)\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nSay my name, you know who I am\nI'm too hot (Hot damn)\n(\nDoh-doh-doh, doh-doh, doh, doh\n)\nAnd my band 'bout that money,\n \nbreak it down [Pre-Chorus]\nGirls hit your hallelujah (Woo)\nGirls hit your hallelujah (Woo)\nGirls hit your hallelujah (Woo)\n'Cause uptown funk gon' give it to you (Woo)\n('Cause uptown funk gon' give it to you)\n'Cause uptown funk gon' give it to you\nSaturday night and we in the spot\nDon't believe me, just watch, come on\n[Chorus]\nDoh\nDoh-doh-doh, doh-doh-doh, doh-doh\n (\nYa\n)\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nDon't believe me, just watch, uh\nDoh-doh-doh, doh-doh-doh, doh-doh\n (\nYa\n)\n(\nDoh-doh-doh, doh-doh–\n)\nDon't believe me, just watch, uh\nDon't believe me, just watch, uh\nDon't believe me, just watch\nDon't believe me, just watch\nHey, hey, hey, oh\n[Verse 2]\nStop, wait a minute\nFill my cup, put some liquor in it\nTake a sip, sign the check\nJulio, get the stretch\nRide to Harlem, Hollywood, Jackson, Mississippi\nIf we show up, we gon' show out\nSmoother than a fresh jar o' Skippy [Refrain]\nI'm too hot (Hot damn)\n(\nDoh\n)\nCall the police and the fireman\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nI'm too hot (Hot damn)\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nMake a dragon wanna retire, man\nI'm too hot (Too hot, hot damn, hot damn)\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nBitch, say my name, you know who I am\nI'm too hot (Hot damn)\n(\nDoh-doh-doh, doh-doh, doh, doh\n)\nUh, and my band 'bout that money,\n \nbreak it down\n[Pre-Chorus]\nGirls hit your hallelujah (Woo)\nGirls hit your hallelujah (Woo)\nGirls hit your hallelujah (Woo)\n'Cause uptown funk gon' give it to you (Woo)\n('Cause uptown funk gon' give it to you)\n'Cause uptown funk gon' give it to you\nSaturday night and we in the spot\nDon't believe me, just watch, come on\n[Chorus]\nDoh\nDoh-doh-doh, doh-doh-doh, doh-doh\n (\nYa\n)\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nDon't believe me, just watch, uh\nDoh-doh-doh, doh-doh-doh, doh-doh\n (\nYa\n)\n(\nDoh-doh-doh, doh-doh–\n)\nDon't believe me, just watch, uh\nDon't believe me, just watch, uh\nDon't believe me, just watch\nDon't believe me, just watch\nHey, hey, hey, oh [Bridge]\n(\nDoh\n)\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nBefore we leave\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nLemme tell y'all a lil' something\nUptown funk you up, uptown funk you up\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nUptown funk you up, uptown funk you up, uh\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nI said, uptown funk you up, uptown funk you up, uh\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nUptown funk you up, uptown funk you up, come on\n(\nDoh-doh-doh, doh-doh, doh, doh\n)\nDance, jump on it\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nIf you sexy, then flaunt it\nIf you freaky, then own it\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nDon't brag about it, come show me, come on\nDance, jump on it\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nIf you sexy, then flaunt it\nWell, it's Saturday night and we in the spot\nDon't believe me, just watch, come on\n[Chorus]\nDoh\nDoh-doh-doh, doh-doh-doh, doh-doh\n (\nYa\n)\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nDon't believe me, just watch, uh\nDoh-doh-doh, doh-doh-doh, doh-doh\n (\nYa\n)\n(\nDoh-doh-doh, doh-doh–\n)\nDon't believe me, just watch, uh\nDon't believe me, just watch, uh\nDon't believe me, just watch\nDon't believe me, just watch\nHey, hey, hey, oh\n[Outro]\nUptown funk you up (Woo, come on)\n(\nDoh\n)\nUptown funk you up (Hey, say what?)\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nUptown funk you up (Hey)\n(\nDoh-doh-doh, doh\n)\nUptown funk you up (Come on)\n(\nDoh\n)\nUptown funk you up (Woo, come on)\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nUptown funk you up (Hey, say what?)\nUptown funk you up (Hey)\nUptown funk you up (Come on)\n(\nDoh\n)\nUptown funk you up (Woo, come on)\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nUptown funk you up (Hey, say what?)\nUptown funk you up (Hey)\n(\nDoh-doh-doh, doh\n)\nUptown funk you up (Come on)\n(\nDoh\n)\nUptown funk you up (Ah)\n(\nDoh-doh-doh, doh-doh-doh, doh-doh\n)\nUptown funk you up (Say what?)\nUptown funk you up\nAw, ow" } ]

[ { "from": "human", "value": "Write me a song called Love Money Party with the following description: “Love Money Party” is a track from Miley Cyrus’s third studio album, Bangerz. Album-wise, the romantic angst is gone, and Miley’s back in rap-country mode.\nTopic of the day? Money, money, money. Oh, and Big Sean. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nEarDrummers\nMike WiLL Made-It\n[Chorus: Miley Cyrus]\nMoney ain't nothing but money\nWhen you get to the money, it ain't nothing but money\nLove ain't nothing but love\nWhen you learn how to love, it ain't nothing but love\nParty ain't nothing but a party\nWhen you party every day, it ain't nothing but a party\nLove, money, party\nLove, money, party\nL-l-love, money, party\nLove, money, party\nW-we want love, money, party\n[Verse 1: Miley Cyrus]\nIf I can't trust\nThen why am I giving my heart in exchange for him to love me?\n'Cause there ain't much\nDifference than a one night stand and one that ain't for me\nIs it too much?\n'Cause you hate that you love everything that he do and you can't deny you wanna\nSo what?\nMy heart'll light a fire in this bitch and blow it [Pre-Chorus: Miley Cyrus]\nMoney ain't nothing\nMoney can't buy you love\nI don't give a damn if you sitting on a trill\nMoney ain't nothing\nAfter that run out\nWhat about the real and the way you feel?\nMoney get low and the DJ stop\nAnd the music slow down and that shit get blurry\nLove, money, party, yeah\n[Chorus: Miley Cyrus]\nMoney ain't nothing but money\nWhen you get to the money, it ain't nothing but money (Yeah)\nLove ain't nothing but love\nWhen you learn how to love, it ain't nothing but love (Yeah)\nParty ain't nothing but a party\nWhen you party every day, it ain't nothing but a party (Yeah)\nLove, money, party\nLove, money, party\nL-l-love, money, party\nLove, money, party\nW-we want love, money, party\n[Verse 2: Miley Cyrus]\nI've been through heartbreaks\nProbably too much for anybody with a human heart can take\nYou know it's something not too good to elaborate\nBut I been left in the lobby\nI done been through the fire, I done been the girl on the side\nI done laid it all on the line\nAnd now they growing up\nAnd I bet you regret it 'cause her juice don't taste like mine [Pre-Chorus: Miley Cyrus]\nMoney ain't nothing\nMoney can't buy you love\nI don't give a damn if you sitting on a trill\nMoney ain't nothing\nAfter that run out\nWhat about the real and the way you feel?\nMoney get low and the DJ stop\nAnd the music slow down and that shit get blurry\nLove, money, party, yeah\n[Chorus: Miley Cyrus]\nMoney ain't nothing but money\nWhen you get to the money, it ain't nothing but money (Yeah)\nLove ain't nothing but love\nWhen you learn how to love, it ain't nothing but love (Yeah)\nParty ain't nothing but a party\nWhen you party every day, it ain't nothing but a party (Yeah)\nLove, money, party\nLove, money, party\nL-l-love, money, party (God, oh)\nLove, money, party (Yup)\nW-we want love, money, party\n[Verse 3: Big Sean]\nOkay I walk in, sorta late\n (Woah)\nMy girl and watch both coordinate (Woah)\nThey both got that gorgeous face\nThey both shine, they both mine\nGetting green, 'cause it's go time (Woah)\nGoddamn, I'm so fine (Woah)\nYou know those like, uhm, super model type girls?\nUh, yeah, I'm chilling with those kind\nB.I.G. Sean Don Juan Perignon\n (Oh)\nDetroit player boy, I get my Barry on\nOn an all-night flight to the island\n, I be gone (Wait)\nIn the morning, I don't even need a carry on, what\nThis that all night get dressed up boi\nRed cup get messed up boi\nMe and Miley, it's just us, bitch [Chorus: Miley Cyrus]\nMoney ain't nothing but money\nWhen you get to the money, it ain't nothing but money (Yeah)\nLove ain't nothing but love\nWhen you learn how to love, it ain't nothing but love (Yeah)\nParty ain't nothing but a party\nWhen you party every day, it ain't nothing but a party (Yeah)\nLove, money, party\nLove, money, party\nL-l-love, money, party\nLove, money, party\nW-we want love, money, party" } ]

[ { "from": "human", "value": "Write me a song called Codeine Dreaming with the following description: “Codeine Dreaming” marks the first collaboration between Kodak Black and Lil Wayne. It first appeared on the deluxe version of Kodak’s 2017 mixtape Project Baby 2 and then on his 2018 mixtape Heart Break Kodak.\nThe collaboration was a surprise to fans and media since Kodak and Wayne had previously taken shots at each other. In an interview with the New York Times in October 2016, Wayne claimed he didn’t know who Kodak Black even was. Kodak responded by re-tweeting a fans suggestion that he is this generation’s Lil Wayne and challenging Wayne to a boxing match.\nThe track itself plays around with dreaming and space metaphors. Both refer to highs caused by using codeine and other drugs. Wayne and Kodak also use the latter to wax lyrical about being far beyond their competition. The production also resembles the noises made by a spaceship, creating an ‘out of this world’ atmosphere. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Kodak Black]\nYeah, yeah, yeah\nI take that one all the way up\nI'm about to take off on these niggas, man\nAnd I'm codeine dreaming\n(And I'm codeine dreaming, and I'm codeine dreaming\nAnd I'm codeine dreaming, and I'm codeine dreaming)\n[Chorus: Kodak Black]\nI might take off on you peons and go away to Venus\nI'm a star so I put a neutron on my pinky\nI'm moonwalking but my Christian Louboutin's bleeding\nI'm smoking moonrocks, shawty, and I feel the ceiling\nI might take off on you peons and go away to Venus\nI'm a star so I put a neutron on my pinky\nI'm moonwalking but my Christian Louboutin's bleeding\nI'm smoking moonrocks, shawty, and I feel the ceiling\n[Verse 1: Kodak Black]\nI'm in Uranus right now, I think I seen a demon\nI thought I left you back there in the cell or am I dreamin'?\nSay I ain't dealing witcha, dawg, I'm going a different way\nI broke up with my redbone, I went the milky way\nI'm ridin' in a Wraith, feeling like I'm outer space\nStars on my sunroof,\n \nPlanet of the Apes\nI couldn't wait until they released me, right back on the turf\nI took off on you bustas, left you right on planet Earth\nI feel like Jimmy Neutron, how I blast off on a verse\nI know my son gon' like this song so I ain't finna curse\nKnow he gon' wanna explore the world so I'm gon' show him first\nSay we just distinguished beings, baby, me and you diverse [Chorus: Kodak Black]\nI might take off on you peons and go away to Venus\nI'm a star so I put a neutron on my pinky\nI'm moonwalking but my Christian Louboutin's bleeding\nI'm smoking moonrocks, shawty, and I feel the ceiling\nI might take off on you peons and go away to Venus\nI'm a star so I put a neutron on my pinky\nI'm moonwalking but my Christian Louboutin's bleeding\nI'm smoking moonrocks, shawty, and I feel the ceiling\n[Bridge: Kodak Black]\nAnd I'm codeine dreaming, and I'm codeine dreaming\nAnd I'm codeine dreaming\n[Verse 2: Lil Wayne]\n'Bout to take off on you peons and go back to Mars\n'Bout to leave these peons behind like the Jackson 4\nTried to moonwalk on the moon and had to wax the floors\nTried to put me in a box and then I crashed the Porsche,\n err!\n'Bout to wake up in your biatch and go back and forth, yeah\nGot her trapping out the the Fiat, she be back and forth, yeah\n'Bout to put myself together, take it back apart, yeah\nGot the codeine on my breath, it smell like caviar, yeah\nCodeine dreams and they come true too\nThat's my spaceship, brp-brp!\nMy milky way got pregnant, she said it's for you-hoo\nFaceTime Kodak with my new new, I left you 'cause he knew you\nI'm wet dreaming 'bout Actavis, two new cups feel like new boobs\nTunechi [Chorus: Kodak Black]\nI might take off on you peons and go away to Venus\nI'm a star so I put a neutron on my pinky\nI'm moonwalking but my Christian Louboutin's bleeding\nI'm smoking moonrocks, shawty, and I feel the ceiling\nI might take off on you peons and go away to Venus\nI'm a star so I put a neutron on my pinky\nI'm moonwalking but my Christian Louboutin's bleeding\nI'm smoking moonrocks, shawty, and I feel the ceiling\n[Verse 3: Kodak Black]\n'Bout to go to Saturn, heard they got the baddest species\nYou can hit me on my Galaxy, you tryna reach me\nI went to Mars to get some Xanax bars to go to sleep\nI'm in my Orange space shuttle flyin' two seats\nI left Future in Pluto 'cause that boy was too geeked\nEnd up playing Sudoku all the way in Mercury\nI took too much of shrooms feel like I'm on Neptune\nI'm with an alien, she show me what that neck do\nAnd I'm a metamorphosis, you just a regular dude\nYou need a space suit to get up on this latitude\nIf she ain't foreign, then she boring, I need a Zorcon\nYou takin' morphine, homie, you a moron\n[Chorus: Kodak Black & \nLil Wayne\n]\nI might take off on you peons and go away to Venus\nI'm a star so I put a neutron on my pinky\nI'm moonwalking but my Christian Louboutin's bleeding\nI'm smoking moonrocks, shawty, and I feel the ceiling (\nYeah\n)\nI might take off on you peons and go away to Venus\nI'm a star so I put a neutron on my pinky\nI'm moonwalking but my Christian Louboutin's bleeding\nI'm smoking moonrocks, shawty, and I feel the ceiling (\nYeah\n) [Outro: Kodak Black]\nAnd I'm codeine dreaming, and I'm codeine dreaming\nAnd I'm codeine dreaming" } ]

[ { "from": "human", "value": "Write me a song called Dress with the following description: “Dress” is one of Taylor’s most sexually charged songs on reputation and it details Taylor’s wants and lusts over another lover. As the name implies, many of the sexual references throughout the song pertain to dresses and the main hook of the song is something Swift herself admitted feeling really proud of. Taylor has a history of fascination with dresses dating back to her country music roots from when she first stepped foot in the music industry.\nThis song is most likely about Swift’s boyfriend at the time it was written, the british actor Joe Alwyn, who is also rumored to be Taylor’s muse for many other songs, especially throughout her 2017 and 2019 albums, reputation and Lover, respectively. The couple dated from 2016 until 2023 and “Dress” seems to be detailing Swift’s point of view from the beginning of their relationship — the bridge, specially, is full with references to when and how they first met. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nOur secret moments in a crowded room\nThey got no idea about me and you\nThere is an indentation in the shape of you\nMade your mark on me, a golden tattoo\n[Pre-Chorus]\nAll of this silence and patience, pining and anticipation\nMy hands are shaking from holding back from you\nHa, ah, ah\nAll of this silence and patience, pining and desperately waiting\nMy hands are shaking from all this\nAh, ha, ha, ha-ah\n[Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n’Cause I don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\n[Verse 2]\nInescapable, I'm not even gonna try\nAnd if I get burned, at least we were electrified\nI’m spilling wine in the bathtub\nYou kiss my face and we're both drunk\nEveryone thinks that they know us\nBut they know nothin' about [Pre-Chorus]\nAll of this silence and patience, pining and anticipation\nMy hands are shaking from holding back from you\nHa, ah, ah\nAll of this silence and patience, pining and desperately waiting\nMy hands are shaking from all this\nAh, ha, ha, ha-ah\n[Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n'Cause I don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha\n[Post-Chorus]\nHa-ah-ah, ha-ah-ah, ha-ah-ah-ah\nOnly bought this dress so you could take it off\nHa-ah-ah, ha-ah-ah, ha-ah-ah-ah\nOnly bought this dress so you could take it off\n[Bridge]\nFlashback when you met me, your buzzcut and my hair bleached\nEven in my worst times, you could see the best in me\nFlashback to my mistakes, my rebounds, my earthquakes\nEven in my worst lies, you saw the truth in me\nAnd I woke up just in time, now I wake up by your side\nMy one and only, my lifeline\nI woke up just in time, now I wake up by your side\nMy hands shake, I can't explain this\nAh, ha, ha, ha-ah [Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n’Cause I don’t want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\n[Outro]\nThere is an indentation in the shape of you\nOnly bought this dress so you could take it off\nYou made your mark on me, golden tattoo\nOnly bought this dress so you could take it off" } ]

[ { "from": "human", "value": "Write me a song called Wesley’s Theory with the following description: “Wesley’s Theory” establishes the album’s theme by describing how racist American institutions upheld by white supremacy exploit Black creators for profit.\nThe first verse pictures a young Kendrick deluded by money, whilst the second is the perspective of “Uncle Sam” – a personification of the U.S Government and White America – trying to charm him.\nThe song’s title may be a nod to Wesley Snipes. The actor was embroiled in a tax fraud case throughout the 2000s and served a three-year jail sentence from 2010 to 2013. The U.S. Government stated Snipes was using “tax protester theory” in an attempt to get out of his charges. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Produced by Flying Lotus & Ronald \"Flippa\" Colson]\n[Additional production by Sounwave & Thundercat]\n[Sample: Boris Gardiner]\nEvery nigga is a star, ayy, every nigga is a star\nEvery nigga is a star, ayy, every nigga is a star\nEvery nigga is a star, ayy\nWho will deny that you and I and every nigga is a star?\n[Intro: Josef Leimberg]\nHit me!\nWhen the four corners of this cocoon collide\nYou'll slip through the cracks hopin' that you'll survive\nGather your wit, take a deep look inside\nAre you really who they idolize?\nTo Pimp a Butterfly\n[Chorus: Kendrick Lamar]\nAt first, I did love you\nBut now I just wanna fuck\nLate nights thinkin' of you\nUntil I get my nut\nTossed and turned, lesson learned\nYou was my first girlfriend\nBridges burned, all across the board\nDestroyed, but what for? [Verse 1: Kendrick Lamar]\nWhen I get signed, homie, I'ma act a fool\nHit the dance floor, strobe lights in the room\nSnatch your little secretary bitch for the homies\nBlue-eyed devil with a fat-ass monkey\nI'ma buy a brand new Caddy on vogues\nTrunk the hood up, two times, deuce-four\nPlatinum on everythin', platinum on weddin' ring\nMarried to the game and a bad bitch chose\nWhen I get signed, homie, I'ma buy a strap\nStraight from the CIA, set it on my lap\nTake a few M-16s to the hood\nPass 'em all out on the block, what's good?\nI'ma put the Compton swap meet by the White House\nRepublican run up, get socked out\nHit the press with a Cuban link on my neck\nUneducated, but I got a million-dollar check like that\n[Refrain: Thundercat & George Clinton]\nWe should never gave\nWe should never gave niggas money\nGo back home, money, go back home\nWe should never gave\nWe should never gave niggas money\nGo back home, money, go back home\n(Everybody get out) [Chorus: Kendrick Lamar, \nThundercat\n & \nGeorge Clinton\n]\nAt first, I did love you (\nLove you\n)\nBut now I just wanna fuck (\nI just wanna fuck\n)\nLate nights thinkin' of you (\nOf you\n)\nUntil I get my nut (\n'Til I get my nut\n)\nTossed and turned, lesson learned\nYou was my first girlfriend\nBridges burned, all across the board (\nAcross the board\n)\nDestroyed, but what for?\n[Break: Dr. Dre]\nYo, what's up? It's Dre\nRemember the first time you came out to the house?\nYou said you wanted a spot like mine\nBut remember, anybody can get it\nThe hard part is keepin' it, motherfucker\n[Verse 2: Kendrick Lamar]\nWhat you want you? A house or a car?\nForty acres and a mule, a piano, a guitar?\nAnythin', see, my name is Uncle Sam, I'm your dog\nMotherfucker, you can live at the mall\nI know your kind (That's why I'm kind)\nDon't have receipts (Oh, man, that's fine)\nPay me later, wear those gators\nCliché? Then say, \"Fuck your haters\"\nI can see the baller in you, I can see the dollar in you\nLittle white lies, but it's no white-collar in you\nBut it's whatever though because I'm still followin' you\nBecause you make me live forever, baby\nCount it all together, baby\nThen hit the register and make me feel better, baby\nYour horoscope is a Gemini, two sides\nSo you better cop everything two times\nTwo coupes, two chains, two C-notes\nToo much ain't enough, both we know\nChristmas, tell 'em what's on your wish list\nGet it all, you deserve it, Kendrick\nAnd when you hit the White House, do you\nBut remember, you ain't pass economics in school\nAnd everything you buy, taxes will deny\nI'll Wesley Snipe your ass before thirty-five [Bridge: George Clinton & \nKendrick Lamar\n]\nYeah, lookin' down, it's quite a drop \n(It's quite a drop, drop, drop\n)\nLookin' good when you're on top \n(We’re on top together)\nYou got a medal for us\nLeavin' metaphors metaphysically in a state of euphoria\nLook both ways before you cross my mind\n[Refrain: Thundercat & George Clinton]\nWe should never gave\nWe should never gave niggas money\nGo back home, money, go back home\nWe should never gave\nWe should never gave niggas money\nGo back home, money, go back home\n[Outro: Anna Wise & Whitney Alford]\nTax man comin', tax man comin'\nTax man comin', tax man comin'\nTax man comin', tax man comin'\nTax man comin', tax man comin'" } ]

[ { "from": "human", "value": "Write me a song called Against All Odds with the following description: This song, possibly one of Future’s best and most heartfelt cuts, can be found on MikeWillMadeIt’s #MikeWillBeenTrill mixtape.\nFuture drops encouraging lyrics for those going through the struggle he’s not too far removed from. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nYou can't stop what gon' happen, nigga\nThis shit was destined to be happening\nMade It Mafia, we here forever\nAs a little kid, I knew I was destined to make it\nDo something big\n[Chorus]\nWe went against all odds so we could be here\nWe went against all odds and now we live here\nWe went against all odds so we could stay in a mansion\nWe went against all odds now la familia is set\nWe went against all odds (2x)\nWe went against all odds so we can live above average\nWe went against all odds now the lifestyle we live lavish\n[Verse 1]\nGo to college, make ya mama proud, how you gon make her proud\nRolling stones, off ya mobile phone, what you gon do, serve an ounce\nHey, pick ya career, make us feel like we all made it\nMy styrofoam cup medicated, I was underrated, but I elevated\nLuxury living , yeah nigga you living luxury damn\nHey, didn't you do a crime?\nWeren't you like me once upon a time?\nDown to your last, down to your thoughts, down to your dreams\nDowning the alcohol, hoping everything would wash away clean\nRunaway teens, runaway kids, I wanna live\nHow could you survive without shedding any more tears?\nPopping pain pills, wishing for a permanent relief\nGrinding all them years made you turn into a beast [Chorus]\nWe went against all odds so we could be here\nWe went against all odds and now we live here\nWe went against all odds so we could stay in a mansion\nWe went against all odds now la familia is set\nWe went against all odds (2x)\nWe went against all odds so we can live above average\nWe went against all odds now the lifestyle we live lavish\n[Verse 2]\nI'm paralyzed to the envy, I'm paralyzed to the greed\nThere comes a time when you gotta move on, you gotta leave\nStuck inside of your slump, tryna get over your hump\nYou picture you love your life, once you start living your life\nKeep your head above your shoulders, don't drop your chin to your chest\nIf you do it, do it for yourself and make sure you progress\nKeep your word to your nigga, do that nigga keep his word?\nYou familiar with loyalty, and I know what you deserve\nA kilo 'round my neck, so dealing birds is not an issue\nFor better or for worse, and the day it finally hits you\nThe day you finally realize it's la familia, nigga\nThe day you become a don and put them first, nigga\n[Chorus]\nWe went against all odds so we could be here\nWe went against all odds and now we live here\nWe went against all odds so we could stay in a mansion\nWe went against all odds now la familia is set\nWe went against all odds (2x)\nWe went against all odds so we can live above average\nWe went against all odds now the lifestyle we live lavish" } ]

[ { "from": "human", "value": "Write me a song called Nothing Is Promised with the following description: On June 28th of 2017, a reference track of “Nothing is Promised”, the first single for Ransom 2, was leaked online. Future delivers an early version of the track, confirming earlier speculation that the song was originally his.\nThis version of the track features slightly altered lyrics in the first and second verses, as well as a new third verse and a revised outro. Notably, lyrics referencing violence and lean were changed for the final Rihanna track. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro]\nMike WiLL Made-It\nYeah!\nEar Drummers\n[Chorus]\nAin't none of this shit promised, ain't none of this promised (none of this)\nAin't none of this shit promised, ain't none of this promised (hey!)\nAin't none of this shit certain, ain't none of this certain\nAin't none of us perfect, I hope it was worth it\n[Verse 1]\nYeah, Shoppin' in Paris (yeah)\nWe gon' go shoppin' in Paris, nigga (we goin', we goin')\nThey can't even compare us (no)\nThey can't even compare us, we're rarer than niggas\nRarer than niggas\nI never'd imagine this shit comin' (I never imagined)\nThis shit comin'\nWe swimmin' in money, we drownin' in hundreds (yeah, yeah)\nAyy, I keep a duffle bag on me like Tity Boi and Dolla (duffle bag, duffle bag)\nWhere I'm from, these niggas they'd murder for a dollar (murda, murda)\nFor a fresh pair of Jordans and some new Balenciagas (murda)\nI'm in love with the kush, I put that on my mama and father\n[Chorus]\nAin't none of this shit promised, ain't none of this promised\nAin't none of this shit promised, ain't none of this promised\nAin't none of this shit certain, ain't none of this certain\nAin't none of us perfect, I hope it was worth it [Verse 2]\nGoin' to France (yeah)\nWe gon' vacation in France, nigga (yeah!)\nAdvanced niggas (advanced)\nCan't nobody stop me, I'm past niggas (turn up)\nI'm past my limit\nI'm drunk and I'm blowin' a whole lot of gas, nigga\nTen million in cash (cash)\nPut up in a stash, it's under my mattress (yeah, yeah)\nAyy, I put the money in the ground like my nigga Frank Lucas (Frank Lucas)\nGot a turbo Porsche and I don't even move it (skrrt)\nI'm back on the lean, it's so hard not to use it (pour up)\nI'm continuously winnin', my nigga, I can't see me losin'\n[Chorus]\nAin't none of this shit promised, ain't none of this promised\nAin't none of this shit promised, ain't none of this promised\nAin't none of this shit certain, ain't none of this certain\nAin't none of us perfect, I hope it was worth it\n[Verse 3]\nGo to Australia, leavin' Dubai we go to Australia\nThey gotta pay us, just to come visit they gotta pay us, nigga\nWaking up everyday, everyday, everyday, everyday makin' a film\nNiggas be braggin' bout shit that they doin', honestly I never see 'em\nI keep cash money on me like Birdman & Slim\nYou might catch me in a whip and it cost me a mil\nWith a choppa on the seat like a nigga in the field\nWhile y'all countin' these hunnids, I'm holding back tears [Chorus]\nAin't none of this shit promised, ain't none of this promised\nAin't none of this shit promised, ain't none of this promised\nAin't none of this shit certain, ain't none of this certain\nAin't none of us perfect, I hope it was worth it\n[Post-Chorus]\nAin't none of this promised, ain't none of this promised (no no)\nAin't nothin' in life guaranteed, put that on my mama (I put that on my mama)\nAin't none of this shit promised, ain't none of this (none of this)\nAin't none of it promised (hey)\nAin't none of this certain, not even one of us perfect (yeah)\n[Bridge]\nAin't none of this shit promised, ain't none of this (woo)\nAin't none of this promised (turn up)\nAin't none of this shit promised, ain't none of this (none of this)\nAin't none of this promised (promised)\nRunnin' the counter inside of the studio, rapping and praying (rapping and)\nYou can see nothing but VVS all in my neck and my wrist and my hands (You can see nothing but the VVS all in my neck and my wrist and my hands, hey)\n[Outro]\nI love you money, yeah I love you money\nI'ma never put nothing above this money\nI'ma wake up and then hug this money\nYeah yeah" } ]

[ { "from": "human", "value": "Write me a song called Consideration (Recorded At Spotify Studios NYC) with the following description: Along with a cover of her own track “Los Ageless,” St. Vincent reimagines Rihanna and SZA’s 2016 track “Consideration” for a Spotify Singles Sessions in 2018. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nI come fluttering in from Neverland\nTime can never stop me, no, no, no, no\nI know you tried to\nAnd I came riding in on a pale white horse\nHanding out highs to less fortunate\nI do advise you\nRun it on back\nWhen you're breaking it down for me\n'Cause I can't hear you two times\nRun it on back, will it ever make sense to me?\n[Chorus]\nI got to do things my own way, darling\nWill you ever let me?\nWill you ever respect me? No\nDo things my own way, darling\nYou should just let me\nWhy you ain't ever let me grow?\n[Post-Chorus]\nWhen I look outside my window\nI can't get no peace of mind\nWhen I look outside my window\nI can't get no peace of mind [Verse 2]\nLet me cover your shit in glitter\nI can make it gold, gold\nHeard you tryna sell your soul, baby\nWord on the street, you run it low lately\nI needed you to please give my reflection a break\nFrom the face it's seeing now\nOh, darling, would you please giving my reflection a break\nFrom the pain it's feeling now?\n[Chorus]\nI got to do things my own way darling\nYou should just let me\nWill you ever respect me? No\nDo things my own way, darling\nYou should just let me\nWhy you ain't ever let me grow?\n[Post-Chorus]\nWhen I look outside my window\nI can't get no peace of mind\nWhen I look outside my window\nI can't get no peace of mind\n[Outro]\nOh, let me know\nGet, get, no peace of mind\nLet me know" } ]

[ { "from": "human", "value": "Write me a song called Famous (Remix) with the following description: Its been a full week since Kanye West released his seventh in studio album titled The Life Of Pablo. The album charted #1 for a streaming based debut.\nRick Ross remixed the Taylor Swift baiting song “Famous” by Kanye which sparked controversy between the two artists for Kanye’s shocking line.\nThough originally this song was created by Kanye, Swizz Beatz, and everyone’s favorite vocalist Rihanna. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Rihanna & \nKanye West\n]\nMan I can understand how it might be\nKinda hard to love a girl like me\nI don't blame you much for wanting to be free\nI just wanted you to know\nSwizz told me let the beat rock\n[Verse 1: Kanye West & Swizz Beatz]\nFor all my Southside niggas that know me best\nI feel like me and Taylor might still have sex\nWhy? I made that bitch famous (God damn)\nI made that bitch famous\nFor all the girls that got dick from Kanye West\nIf you see 'em in the streets give 'em Kanye's best\nWhy? They mad they ain't famous (God damn)\nThey mad they're still nameless (Talk that talk, man)\nHer man in the store tryna try his best\nBut he just can't seem to get Kanye fresh\nBut we still hood famous (God damn)\nYeah we still hood famous\n[Chorus: Rihanna]\nI just wanted you to know\nI loved you better than your own kin did\nFrom the very start\nI don't blame you much for wanting to be free\nMaybach Music\nI just wanted you to know [Verse 2: Rick Ross & \nRihanna\n]\nThe furnace, fires, fortunes, and the fumes\nThe aura arrogance is been known to fill the room\nBoom, little nigga who are you?\nRoc-A-Fella Records on record to kill a crew\nVegas in my palms a don like the [?]\nOnly one with beat taste from Kanye on my momma stew\nFor the ye I've been known to be Karmaloop\nMalcom X in his head say my name and here come to troops\nHands out my pocket I cock it and let it loose\nAnd Dame was spilling Armadale on a nigga boots\nMartin Luther King's real estate was a dream\nFarrakhan's farm was one that I once seen\nThe final call dogs stay on your dean\nFragrances \nAgent Provocateur\n stay on my queen\nMind your business the killers can intervene\nI'm half naked in the GQ magazine\n (\nKnow\n)\nTours looking like its wrestlemania\nI'm The Rock setting fires to the stadium\nBurn it down then I'm off to anther beat\nMight get engages to a freak just for a couple weeks\nSomething I can't afford\nIf you not a playboy that's something I can't endorse\nWin, lose, or draw William living like he Biggie Smalls\nBalling its tax season I was born to be a boss\nSee that your face froze\nBobby Brown lockjaw, Whitney Houston in the ghost\nCoogie and Cartier causalities of the fame\nYour bitch MCM she even tagging my name [Bridge: Sister Nancy & \nSwizz Beatz\n]\nBam, 'ey 'ey 'ey\nBam bam, bam, bam bam dilla\nBam bam 'ey 'ey 'ey\nWhat a bam, bam, bam bam dilla\nHow you feeling right now? Let me see your lighters in the air\nBam bam 'ey 'ey 'ey 'ey 'ey\nBam bam 'ey 'ey 'ey\nWhat a bam\nLet me see your middle finger in the air\nBam 'ey 'ey 'ey\nBam bam, bam, bam bam dilla\nLet me see you act up in this motherfucker\nBam bam 'ey 'ey 'ey\nWhat a bam, bam, bam bam dilla\nHow you feelin', how you feelin', how you feelin' in this neck, god damn\nBam bam 'ey 'ey 'ey 'ey 'ey\nBam bam 'ey 'ey 'ey\nWhat a bam\nOne thing you can't do is stop us now\nBam 'ey 'ey 'ey\nBam bam bam, bam bam dilla\nAyy, you can't stop the thing now\nBam bam 'ey 'ey 'ey\nWhat a bam, bam, bam bam dilla\nMan, it's way too late, it's way too late, it's way too late, you can't fuck with us\nBam bam, 'ey 'ey 'ey 'ey 'ey (\nWhoo!\n)\nBam bam, 'ey 'ey 'ey (\nWhoo!\n)\nWhat a bam\nTo the left, to the right\nBam 'ey 'ey 'ey\nBam bam bam, bam bam dilla\nI wanna see everybody hands in the air like this\nBam bam 'ey 'ey 'ey (\nAye!\n)\nWhat a bam, bam, bam bam dilla\nBam bam 'ey 'ey 'ey 'ey 'ey (\nBa, ba! Ba! Ba, ba, ba!\n)\nBam bam 'ey 'ey 'ey (\nBa, ba! Ba! Ba, ba, ba!\n)\nWhat a bam, bam [Outro: Nina Simone]\nI just wanted you to know\nI loved you better than your own kin did\nFrom the very start\nI don't blame you much for wanting to be free\nI just wanted you to know" } ]

[ { "from": "human", "value": "Write me a song called All Around the World with the following description: “All Around the World” is a song by Justin Bieber from his third studio album, Believe. The song was released as the final single from the album and marks the second collaboration between Bieber and Ludacris, having previously collaborated on “Baby” in 2010.\nBreathy vocals swirl around a beat that pierces the listener on first contact. Ludacris wraps in double-time as the album’s electronica obsession is immediately presented. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1: Justin Bieber]\nYou're beautiful, beautiful, you should know it\n(You're beautiful, beautiful, you should know it)\nI think it's time, think it's time that you show it\nYou're beautiful, beautiful\n(Go go, go, go)\n[Pre-Chorus: Justin Bieber]\nBaby, what you doin'?\nWhere you at? Where you at?\nWhy you acting so shy?\nHoldin' back, holdin' back\nWe're not the only ones doin' it like that, it like that\nSo DJ, bring that, bring that, bring that, bring that back\n[Chorus: Justin Bieber]\n'Cause all around the world, people want to be loved, yeah\n'Cause all around the world, they're no different than us, no\nAll around the world, people want to be loved\nAll around the world, they're no different than us\nAll around the world-world-world\nAll around the world-world-world\n[Verse 2: Justin Bieber]\nYou're crazy girl, crazy girl, you should know it\n(You're crazy girl, crazy girl, don't control it)\nLight it up, light it up, so explosive\nYou're crazy girl (Yeah yeah) [Pre-Chorus: Justin Bieber]\nBaby, what you doin'?\nWhere you at? Where you at?\nWhy you acting so shy?\nHoldin' back, holdin' back\nWe're not the only ones doin' it like that, it like that\nSo DJ, bring that, bring that, bring that, bring that back\n[Chorus: Justin Bieber]\nAll around the world, people want to be loved, yeah\nAll around the world, they're no different than us, no\nAll around the world, people want to be loved\nAll around the world, they're no different than us\nAll around the world-world-world\nAll around the world-world-world\n[Post-Chorus: Ludacris & (Justin Bieber)]\nYeah (Okay)\nOnce again (All around the world-world-world)\nThe dynamic duo is back at it\nJB, Luda\n[Verse 3: Ludacris]\nI love everything about you, you're imperfectly perfect\nEveryone's itchin' for beauty, but just scratching the surface\nLost time is never found, can the DJ please reverse it?\nIn life we pay for change, let's make every second worth it\nAnything can work if you work it\nWhen people say you don't deserve it, then don't give in\n'Cause hate may win some battles, but love wins in the end\nYou shine just like the sun while the moon and the stars reflect your light\nBeauty revolves around you, it's only right that [Chorus: Justin Bieber]\nAll around the world, people want to be loved\nAll around the world, they're no different than us\nAll around the world\n(All around the world, the world, people wanna be loved)\nAll around the world\n(All around the world, the world, they're no different than us)\nAll around the world\n(All around the world, the world, people wanna be loved)\nAll around the world\n(All around the world, the world, they're no different than us)\nAll around the world-world-world" } ]

[ { "from": "human", "value": "Write me a song called Church (West Coast Remix) with the following description: The West Coast Remix to BJ The Chicago Kid’s “Church” naturally features two hot Californian artists. Unlike the original song, which featured a full verse from fellow Chicago native Chance The Rapper and a short bridge from Compton native Buddy, each artist draws inspiration from R&B to have a groovy verse.\nA Chicago Remix was also released alongside the West Coast Remix. “Church (Chicago Remix)” features Jeremih and Lil Durk.\nTy Dolla $ign brings a mellow verse about his sexual bond with a girl, whilst Anderson .Paak lays some soothing vocals filled with Biblical references over the gentle beat. BJ The Chicago Kid’s also blesses the track with a fresh verse. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Chorus: BJ The Chicago Kid]\nShe say she wanna drink, do drugs and have sex tonight\nBut I got church in the mornin', church in the mornin'\nShe say she wanna drink, do drugs and have sex tonight\nBut I got church in the mornin', church in the mornin'\n[Verse 1: Ty Dolla $ign]\nHope they got a heaven for a real one\nHopin' God forgive me, 'bout to kill some\nBrown skin chick with some thick 'ol thighs\nTold me she in love, that's a big 'ol lie\nHit it last night, now she back tonight\nSaid her boyfriend couldn't get it right\nKissin' all on it while I blow that strong\nKnowin' damn well we both dead wrong\nBut it feels good so it's okay, yeah it's alright\nYou got heaven in between your thighs, don't look me in the eye\nI'ma say shit I don't mean and I hate when I do that\nBlamin' it on the molly or the weed or that 1942, yeah\n[Chorus: BJ The Chicago Kid]\nShe say she wanna drink, do drugs and have sex tonight\nBut I got church in the mornin', church in the mornin'\nShe say she wanna drink, do drugs and have sex tonight\nBut I got church in the mornin', church in the mornin' [Verse 2: Anderson .Paak]\nFlippin' through the pages of the Old Testament\nLike baby, don't test me\nI grew up in the pulpits\nBut I was on the drum stool, riffin' and groovin\nAnd every Sunday you the best dressin'\nBut I don't know who you foolin\nAs soon as the preacher stop hoopin'\nI'ma get the car warmed up and come scoop yah\nI'ma pray to god the reverend don't shoot me\nI should put a lot more pause in my movement\nI never touched it but good lord, have mercy\nThe lord is my shepherd he knows what I want\nThe devil on my shoulder\nTell me I should take you for shots of Patrón\nAnd take you to Bible study in the mornin'\nThe angel said to leave that man's wife alone\nHe payin' the save souls\nI just went home then\n[Chorus: BJ The Chicago Kid]\nShe say she wanna drink, do drugs and have sex tonight\nBut I got church in the mornin', church in the mornin'\nShe say she wanna drink, do drugs and have sex tonight\nBut I got church in the mornin', church in the mornin' [Verse 3: BJ The Chicago Kid]\nHopefully we can go to Heaven\nBaby girl understand that the plan is to win like the Bulls in '97\nEcstacy all night, baby girl\nHopefully you can call the reverend\nHopefully he friends with Melvin\nFrom the Blue Notes tell him bring two smokes\nAnd a shot of Hen', drive his Benz back to heaven\nCause baby you, got what I want and baby you know it\nAnd every time you walk by, baby I can tell you just can't control it\nA nigga done fell in love with the preacher's daughter\nI know we shouldn't but we both oughta\nDo it again, Lord forgive us for our sins\n[Chorus: BJ The Chicago Kid]\nShe say she wanna drink, do drugs and have sex tonight\nBut I got church in the mornin', church in the mornin'\nShe say she wanna drink, do drugs and have sex tonight\nBut I got church in the mornin', church in the mornin'\n[Outro: Buddy]\nHopefully we can go to heaven\n(I pray) Hopefully we go to heaven\n(We can go to hell) Hopefully we can go to heaven\n(I Pray) Hopefully we can go to heaven\nHopefully we can go to heaven" } ]

[ { "from": "human", "value": "Write me a song called The Equalizer : Soundtrack with the following description: \n\n\nFirst picture is soundtrack cover (featuring infamous backwards “E”)\nSecond is official movie poster Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "Eminem riddled everyone by posting the squared picture of \"The Equalizer\" on Instagram\n - the movie with his favorite actor, Denzel Washington.\nJust a day later, trailer has arrived.\nIt features Sia's singing and Eminem, most likely, singing a bridge to song. This snippet would be from their second collabo, with \n\"Beautiful Pain\"\n being first.\nEminem is most likely to do a full soundtrack, maybe even a music video for this song and/or make a cameo.\nStay tuned for more info on the song. As for the movie, it's coming 26th September." } ]

[ { "from": "human", "value": "Write me a song called Complicated with the following description: One of the dance, club smashers of Rihanna’s album Loud, all about a relationship where she doesn’t know what to do. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Refrain]\nYou're not easy to love\nYou're not easy to love, no\nYou're not easy to love\nYou're not easy to love, no\n[Chorus]\nWhy is everything with you so complicated?\nWhy do you make it hard to love you?\nOh, I hate it\n'Cause if you really wanna be alone, I\nWill throw my hands up 'cause, baby, I tried\nBut everything with you is so complicated\nOh, why?\n[Verse 1]\nSometimes, I get you\nSometimes, I don't understand\nSometimes, I love you\nSometimes, it's you I can't stand\nSometimes, I wanna hug you\nSometimes, I wanna push you away\nMost times, I wanna kiss you\nOther times, punch you in the face\n'Cause every minute, you start switching up\nAnd you say things like you don't give a fuck\nThen I say I'm through with you, take my heart from you\nAnd you come running after me, and baby, I'm back with you, oh [Refrain]\nYou're not easy to love\nYou're not easy to love, no\nYou're not easy to love\nYou're not easy to love, no\n[Chorus]\nWhy is everything with you so complicated?\nWhy do you make it hard to love you?\nOh, I hate it\n'Cause if you really wanna be alone, I\nWill throw my hands up 'cause, baby, I tried\nBut everything with you is so complicated\nOh, why?\n[Verse 2]\nSometimes, I catch you\nSometimes, you get away\nSometimes, I read you\nOther times, I'm like, \"Where are you on the page?\"\nSometimes, I feel like we will be together forever\nBut you're so complicated, my heart knows better\n[Chorus]\nWhy is everything with you so complicated?\nWhy do you make it hard to love you?\nOh, I hate it\n'Cause if you really wanna be alone, I\nWill throw my hands up 'cause, baby, I tried\nBut everything with you is so complicated\nOh, why? [Bridge]\nI'ma stick around just a little while longer\nJust to make sure that you're really sure\nYou like sleeping alone\nI'ma stick around just a little while longer\nJust to make sure that you're really sure\nYou like sleeping alone\n[Chorus]\nWhy is everything with you so complicated?\nWhy do you make it hard to love you?\nOh, I hate it\n'Cause if you really wanna be alone, I\nWill throw my hands up 'cause, baby, I tried\nBut everything with you is so complicated\nOh, why?\n[Refrain]\nYou're not easy to love\nYou're not easy to love, no\nYou're not easy to love\nYou're not easy to love, no" } ]

[ { "from": "human", "value": "Write me a song called Lovesick Girls -JP Ver.- with the following description: “Lovesick Girls -JP Ver.-” is about yearning for love, in spite of being fully aware that the pursuit could end in heartbreak.\nThis is the Japanese version of BLACKPINK’s title track off their first full-length Japanese record THE ALBUM -JP Ver.-. On June 4, 2021, the song was pre-released through various Japanese local radios.\nA month prior to the official album release, the single officially dropped in all streaming platforms on July 13 with a re-edited music video made for the Japanese version. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[BLACKPINK「Lovesick Girls -JP Ver.-」歌詞]\n[Intro: All]\nLovesick girls\nLovesick girls\n[Verse 1: Jennie, \nAll\n]\n永遠ずっと\n出口閉ざしたままの love (\nLove\n)\nWhat can we say?\n痛みに比例する love (\nLove\n)\n[Verse 2: Lisa]\n何を信じようが\n愛の傷にどんな\n意味もないと\n離れてほら嫌気さすでしょ\n決着どきよ\n限界ねちょうど\n痛みに期待寄せるの\n[Pre-Chorus: Jisoo, \nRosé\n]\nたかが一瞬だけど永久\n何を探し彷徨うのか\nBut I don't care, I'll do it over and over\n私たち永遠に一緒ね [Chorus: All]\nWe are the lovesick girls\nねぇ 勝手に終わらせないよずっと\nWe are the lovesick girls\n痛み欲して分かる意味はきっと\n[Post-Chorus: Jennie & Rosé]\nBut we were born to be alone\nYeah, we were born to be alone\nYeah, we were born to be alone\nBut why we still looking for love?\n[Verse 3: Lisa, \nJennie\n]\nNo love letters, no X and O's\nNo love, never, my exes know\nNo diamond rings, that set in stone\nTo the left, better left alone\nDidn't wanna be a princess, I'm priceless\nA prince not even on my list\nLove is a drug that I quit\nNo doctor could help when I'm lovesick\n[Pre-Chorus: Rosé, \nJisoo\n]\nたかが一瞬だけど永久\n何を探し彷徨うのか\n不安な目 入ったのが君じゃ\n痛くても永遠に一緒ね [Chorus: All]\nWe are the lovesick girls\nねぇ 勝手に終わらせないよずっと\nWe are the lovesick girls\n痛み欲して分かる意味はきっと\n[Post-Chorus: Jennie & Rosé]\nBut we were born to be alone\nYeah, we were born to be alone\nYeah, we were born to be alone\nBut why we still looking for love?\n[Bridge: Rosé, \nJisoo\n]\n愛は slippin' and fallin'\n愛は killin' your darlin'\n傷が癒えた後は全部忘れるほどに\n聞こえない what you say\n痛みだけ幸せ\n悲しい目をする 君の方がかわいそうね\n[Chorus: All, \nLisa\n]\nWe are the lovesick girls\nねぇ 勝手に終わらせないよずっと\nWe are the lovesick girls\n痛み欲して分かる意味はきっと [Interlude: Lisa]\nOne, two!\n[Outro: All, \nRosé\n, \nJennie\n]\n(Lovesick girls) \nどうせ離れても\n(Lovesick girls) \n涙が枯れても\n(Lovesick girls) \n痛みが増しても\n(Lovesick girls)\nBut we're still looking for love" } ]

[ { "from": "human", "value": "Write me a song called From Time (Demo) with the following description: “Give and Take” is an early demo track from Canadian rapper Drake that combines parts from both PARTYNEXTDOOR’s “Belong to the City” and the Jhené Aiko assisted “From Time.” The track contains numerous elements that are similar to the officially released tracks but also includes altered lyrics and different mixing. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Jhené Aiko]\nWhat's up?\nBeen a minute since we kicked it, you've been caught up\nWith them bitches, I don't get it, you're a star, love\nYou shouldn't have to deal with that\nI'd never make you feel like that, 'cause...\n[Chorus: Jhené Aiko]\nI love me\nI love me enough for the both of us\nThat's why you trust me\nI know you been through more than most of us\nSo what are you?\nWhat are you, what are you so afraid of?\nDarling, you\nYou give but you cannot take love\n[Verse 1: Drake]\nYeah, I needed to hear that shit, I hate when you're submissive\nPassive aggressive when we're texting, I feel the distance\nI look around the peers that surround me, these niggas tripping\nI like when money makes a difference but don't make you different\nStarted realizing a couple places I could take it\nI want to get back to when I was that kid in the basement\nI want to take it deeper than money, pussy, vacation\nAnd influence a generation that's lacking in patience\nI've been dealing with my dad, speaking of lack of patience\nJust me and my old man getting back to basics\nWe've been talking 'bout the future and time that we wasted\nWhen he put that bottle down, girl that nigga's amazing\nWell, fuck it, we had a couple Coronas\nWe might have rolled a white paper, just something to hold us\nWe even talked about you and our couple of moments\nHe said we should hash it out like a couple of grown ups\nYou a flower child, beautiful child, I'm in your zone\nLooking like you came from the 70's on your own\nMy mother is 66 and her favorite line to hit me with is\nWho the fuck wants to be 70 and alone?\nYou don't even know what you want from love anymore\nI search for something I'm missing and disappear when I'm bored\nBut girl, what qualities was I looking for before?\nWho you settling for? Who better for you than the boy, huh? [Chorus: Jhené Aiko]\nI love me\nI love me enough for the both of us\nThat's why you trust me\nI know you been through more than most of us\nSo what are you?\nWhat are you, what are you so afraid of?\nDarling, you\nYou give but you cannot take love\nI wish you could see\nI love me\nI love me enough for the both of us\nThat's why you trust me\nI know you been through more than most of us\nSo what are you?\nWhat are you, what are you so afraid of?\nDarling, you\nYou give but you cannot take love\n[Verse 2: Drake]\nShoulda spent more nights\nCoulda changed your life\nWe woulda been alright\nAll these shoulda, coulda, wouldas\nIn her ear one time\nProlly wastin' my time\n'Cause she heard it all\n'Cause she heard it all\nGirl, I coulda changed your life\nBut you heard it all\nWell I'ma say it anyway\nShawty, I'm from the city\nWhere we were never taught to love\nYou ain't gotta be in love to fuck\nGirl, I'm just tryna say\nI'm from the city, oh\nWhere the money makes a difference\nBut it never made us different, oh" } ]

[ { "from": "human", "value": "Write me a song called Returns with the following description: On “Returns,” NF pairs a refreshing, new flow with lyrical bars to announce the return of his misfit self. The last line specifically references his 2017 track “Outcast,” which was one of the most popular songs off of his third album, Perception. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse]\nWhat is perfect? Not me\nI've been overworkin' for weeks\nI go home then purchase some things\nThat I know will not fill my needs\nHave a dose of what I've achieved\nThen get lonesome and I critique\nWho I am and what I believe\nMake up standards too high to reach\nUntrained animal off the leash\nI'm in panic, but yet relieved\nBrought your hammock to hang with me?\nGrab a hatchet, cut down your tree\nLike a mannequin that can speak\nWhat I have in store is unique\nI just mop the floors with MCs\nI can't stop until things are clean\nI'm an amateur's what you think\nSo you stand there in disbelief\n'Til I dislocate both your feet\nThat's what happens, you step to me\nNot too graphic, but not PG\nLots of action in every scene\nI'm kidnapping all of your dreams\nHold 'em hostage and watch 'em scream (Ahh!)\nRap aside, I am what I advertise\nDon't matter how you put it, we live, then we have to die\nYou might hate it, but you can't deny\nSee, everything that I've been doing got me lookin' like a mastermind\nIt's so vain, but I vandalize that I do what you fantasizin'\nTook a vision of my dreams\nAnd then found a better way that I can make it\nI've been looking, think I'm really 'bout to maximize it (Agh!)\nThese bullets form in my mind and come out my mouth and (Pow, pow, pow)\nFor anyone out there doubting or acting mouthy (Watch, watch, watch)\nForget what you heard about me, I've been astounding (Got, got, got)\nSomething for you thinking you might run circles 'round me\nYeah, ain't this all I ever wanted?\nThat's a fact, no, that's a lie, no\nI'm confused, yeah, I got problems\nWhat's the use? Yeah, let's be honest\nScrews are loose, I need 'em tightened\nNot amused, yeah, look what I did\nBrought you something, hope you like it\nSo precise, the flow the nicest\nSo productive, stop your whining\nBack in style like I was vinyl\nI make songs and they go viral\nSomething's off if I go idle\n\"Been so long,\" yeah, okay, I know\nTake your shoes off, you're in my home\nYou got fans, but not like I do, yeah (I do, I do)\nThankful, I try to be, can't contain what's inside of me\nThey don't like this side of me 'cause I lack in compliancy\nI question what I can see if you're not playing my CD\nNo expiring, I'll decide when I think it's my time to leave (Woo)\nYeah, 'cause they won't retire me, it inspires me to be inspiring\nWhen I'm low I feel like I'm spiraling\nPushin' forward, look, I can't ignore it\nThere ain't no I in team, but drop the T and A\nSometimes, if I'm bein' honest, feels like it's only me\nNo defeat, notably, better have it right if you're quoting me\nWrite my name on your hit list, it might be the last time you wrote something\nRip that cocky smile right off your face for thinking you're close to me\nGrab a can of gasoline, light it all over your self-esteem\nSelfishly watching y'all helplessly pretend you're on my planet\nShoot you out of the sky like you're punchlines, you are not landin'\nGun jammin', reach in your mouth and rip out your tongue after tongue\nLashings, I hand 'em out like pamphlets in church, Pastor\nShow up to my funeral wearin' all black, and what's happenin'?\nI look around and wonder, \"Where my fans at?\"\nOh Lord, they know me so well, they know I'm not in that casket\nTrash bag is prolly buried somewhere full of my ashes\nMy music's superb, playin' with words, play with my nerves\nThey gon' have a list of issues long as my shirts\nVery absurd, very disturbed\nStare at the Earth like, \"This is not the place I was birthed\"\nI'm generic, you sure?\nOh, they think I'm very reserved\n'Til I open up on the beat like on my \nTherapy\n work\nI don't care what you heard, real scary, carry the verse\nWhile I'm wearin' my merch, stompin' on your arrogant turf\nSit back and observe, nah, I like to actually work\nThis life's so unpredictable, it just keeps pitching me curves\nI take a swing, I hate the things that make me feel like I'm dirt\nI've patiently been waitin', please, I think it's time for my turn\nMy expertise are melodies, they talk to me when I'm hurt\nJust let me be, eventually someday they'll see what I'm worth\nI cross my I's and dot my T's, it makes no sense, but I've learned\nNormal to you is not to me, the outcast finally returns (Returns, returns)" } ]

[ { "from": "human", "value": "Write me a song called Firework with the following description: Satine, knowing that the club is failing and that Zidler is relying on the Duke’s investment to keep the Moulin Rouge open, vows to stay strong despite her illness so that her friends – her family – will not lose their home.Expand Share Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[SATINE]\nDo you ever feel, feel so paper thin\nLike a house of cards\nOne blow from caving in\nDo you ever feel already buried deep\nSix feet under scream\nBut no one seems to hear a thing\nDo you know that there's a chance for you?\n'Cause there's a spark in you\nYou just gotta ignite the light\nAnd let it shine\nJust own the night\nLike the Fourth of July\nYou don't have to feel like a waste of space\nYou're an original, cannot be replaced\nIf you only knew what the future holds\nAfter a hurricane comes a rainbow\nMaybe the reason why all the doors are closed\nSo you can open one that leads you to that perfect road\nLike a lightning bolt, your heart will glow\nAnd when it's time, you'll know\nYou just gotta ignite the light\nAnd let it shine\nJust own the night\nLike the Fourth of July\n'Cause baby you're a firework\nCome on show 'em what your worth\nMake 'em go \"Oh, oh, oh!\"\nAs you shoot across the sky-y-y\nBaby you're a firework\nCome on let your colors burst\nMake 'em go \"Oh, oh, oh!\"\nYou're gonna leave 'em going \"Oh,oh,oh!\"\nDo you ever feel, feel so paper thin\nLike a house of cards\nOne blow from caving in" } ]

[ { "from": "human", "value": "Write me a song called Down with the following description: Thanks to his Cash Money connections, British singer Jay Sean snags a coveted Lil Wayne feature on this 2009 single. Producers J-Remy and Bobby Bass concoct a surging dance anthem, and Sean provides an easily repeatable chorus.\nThe track is about both the Sean’s ability to make her happy when she’s sad, and her loyalty. Is she willing to stick around when things go bad? The music video seems to suggest things will never go bad for Sean, although he’d never again scale these heights.\nThat’s not surprising, consider the track shot to the top of the US Billboard 100 and made it to number 1 in Australia, Slovakia, and the UK. It charted worldwide, and ended up being certified 6 times platinum in the US. This rendered him “The Most Successful Male UK Urban artist in US chart history.” Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Jay Sean]\nBaby, are you down, down, down, down, down?\nDown, down\nEven if the sky is falling down\nDown, down (Ooh-ooh-ooh)\n[Verse 1: Jay Sean]\nYou oughta know\nTonight is the night to let it go\nPut on a show\nI wanna see how you lose control\n[Pre-Chorus: Jay Sean]\nSo leave it behind\n'Cause we have a night to get away\nSo come on and fly with me\nAs we make our great escape\n[Chorus: Jay Sean]\nSo baby, don't worry\nYou are my only\nYou won't be lonely\nEven if the sky is falling down\nYou'll be my only\nNo need to worry\nBaby, are you down, down, down, down, down?\n(Down, down)\nBaby, are you down, down, down, down, down?\n(Down, down)\nEven if the sky is falling down [Verse 2: Jay Sean]\nJust let it be\nCome on and bring your body next to me\nI'll take you away-ay\nTurn this place into our private getaway\n[Pre-Chorus: Jay Sean]\nSo leave it behind\n'Cause we have a night to get away\nSo come on and fly with me\nAs we make our great escape\nSo why don't we run away?\n[Chorus: Jay Sean, \nwith \nLil Wayne\n]\nBaby, don't worry (Away)\nYou are my only (Oh-ooh)\nYou won't be lonely (No)\nEven if the sky is falling down\nYou'll be my only (Yeah)\nNo need to worry (No)\nBaby, are you down, down, down, down, down?\n(Down, down) Woo!\nBaby, are you down, down, down, down, down?\n(Down, down) Mmh, you down?\nEven if the sky is falling down [Verse 3: Lil Wayne]\nLike she supposed to be, she gets down low for me\nDown like her temperature, 'cause to me she zero degree\nShe cold, over-freeze, I got that girl from overseas\nNow she my \nMiss America\n, \nnow can I be her soldier, please?\nI'm fightin' for this girl on the battlefield of love\nDon't it look like baby cupid sending arrows from above?\nDon't you ever leave the side of me, indefinitely, not probably\nAnd honestly, \nI'm down like the economy\nYeah!!\n[Chorus: Jay Sean, \nLil Wayne\n]\nBaby, don't worry\nYou are my only\nYou won't be lonely (\nWhoa!\n)\nEven if the sky is falling down (\nYoung Mula, baby\n)\nYou'll be my only (No-ooh)\nNo need to worry (No-ooh)\nBaby, are you down, down, down, down, down? (And the sky is falling down)\n(Down, down) Mmh, down (\nDown, down\n)\nBaby, are you down, down, down, down, down? (\nAre you down, are you down too?\n)\n(Down, down) Ooh, no-ooh, and the sky is falling down\nEven if the sky is falling down\n[Outro: Jay Sean, \nLil Wayne\n]\nOoh, no-ooh, and the sky is falling down\nC3" } ]

[ { "from": "human", "value": "Write me a song called Beauty and a Beat with the following description: The tenth track on Believe has an upbeat party feel to it and features Young Money’s woman, monster, and certified beast – Nicki Minaj.\nThe title is a slight allusion to everyone’s favorite Disney cinematic masterpiece.\n Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Intro: Nicki Minaj]\nYeah\nYoung Money\nNicki Minaj\nJustin, rrr\n[Verse 1: Justin Bieber]\nShow you off\nTonight, I wanna show you off (Ayy-ayy-ayy)\nWhat you got\nA billion could've never bought (Ayy-ayy-ayy)\n[Pre-Chorus: Justin Bieber]\nWe gonna party like it's 3012 tonight\nI wanna show you all the finer things in life\nSo just forget about the world, we young tonight\nI'm coming for ya, I'm coming for ya\n[Chorus: Justin Bieber]\n'Cause all I need\nIs a beauty and a beat\nWho can make my life complete\nIt's all 'bout you\nWhen the music makes you move\nBaby, do it like you do\nCause you- [Instrumental Drop]\n[Verse 2: Justin Bieber]\nBody rock\nGirl, I can feel your body rock (Ayy-ayy-ayy)\nTake a bow\nYou're on the hottest ticket now, ooh (Ayy-ayy-ayy)\n[Pre-Chorus: Justin Bieber]\nWe gonna party like it's 3012 tonight\nI want to show you all the finer things in life\nSo just forget about the world, we young tonight\nI'm coming for ya, I'm coming for ya\n[Chorus: Justin Bieber & \nNicki Minaj\n]\n'Cause all I need\nIs a beauty and a beat\nWho can make my life complete\nIt's all 'bout you\nWhen the music makes you move\nBaby, do it like you do (\nUh, uh\n)\nCause you-\n[Verse 3: Nicki Minaj, \nJustin Bieber\n]\nI-I-I-I-In time, ink lines\nB-B-Bitches couldn't get on my incline\nWorld tours, i-i-it's mine\nTen little letters on a big sign\nJustin Bieber\nYou know I'ma hit 'em with the ether\nBuns out, wiener\nBut I gotta keep an eye out for Selener\nB-B-Beauty, beauty and the beast\nBeauty from the East\nBeautiful confessions of the priest\nBeast, beauty from the streets\nBeat will get deceased\nEvery time Beauty on the beat eats\nBody rock\n (Yeah, yeah)\nOh\n (Yeah, yeah)\nI wanna feel your body rock\n (Let's go, let's go)\n(Frrrrr, yeah) [Chorus: Justin Bieber]\n'Cause all I need (All I need is love)\nIs a beauty and a beat (A beat)\nWho can make my life complete (Complete, oh-oh-oh, oh woah)\nIt's all 'bout you (All I need is you)\nWhen the music makes you move\nBaby, do it like you do (Do)\nCause you-\n[Instrumental Drop]" } ]

[ { "from": "human", "value": "Write me a song called Dishes with the following description: The first track from Without You was teased on Lauv’s TikTok on June 23rd, 2020. On Twitter, Lauv confirmed that the snippet was from Track 1. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Verse 1]\nSweet dreams and the best for you\nI'm done getting stressed for you\nI wash my hair out in the shower\nBut something still remains\nA feeling that's so strange\nAnd now I can't stop\n[Chorus]\nDishes in the kitchen\nAnd dancing in the rain\nYou're singing in the shower\nYour hair stuck in the drain\nA party on the weekend\nAnd everyone is here\nBut it feels so weird without you\nDishes in the kitchen (Mmm, yeah)\nAnd dancing in the rain (Oh)\nYou're singing in the shower (Mmm, yeah)\nYour hair stuck in the drain (Oh)\nA party on the weekend (Woo)\nAnd everyone is here (Oh)\nBut it feels so weird without you\nYeah\n[Verse 2]\nI wonder if the stars aligned\nIf there would still be you and me\nI want to say that I'm alright\nThe truth is that I'm so much sad\nI crashed the car the other night\nInside the strangest dream I had\n(And I wonder what it means)\n(And I wonder what it means) [Chorus]\nDishes in the kitchen (Mmm, yeah)\nAnd dancing in the rain (Oh)\nYou're singing in the shower (Mmm, yeah)\nYour hair stuck in the drain (Oh)\nA party on the weekend (Woo)\nAnd everyone is here (Oh)\nBut it feels so weird without you\n[Post-Chorus]\nWithout you, without you\nWithout you, without you\nWithout you, without you\nWithout you, oh\n[Chorus]\nDishes in the kitchen\nAnd dancing in the rain\nYou're singing in the shower\nYour hair stuck in the drain\nA party on the weekend\nAnd everyone is here\nBut it feels so weird without you" } ]

[ { "from": "human", "value": "Write me a song called No Wallet with the following description: “No Wallet” is an unreleased Future song that leaked on August 19, 2017. Make sure the lyrics are different from the original song." }, { "from": "gpt", "value": "[Hook]\nI got the cash in my pocket right now and it's folded up, ain't got no wallet\nI order Ace of Spades cause when I pour up I drink out the bottle\nCash on delivery, keepin' a pole on me if it's a problem\nBitch, don't spit on me, if you gone hit on me you gotta swallow\n[Verse 1]\nYou already know the niggas that roll with me ain't nothing but robbers\nYou already seeing this ice that I got on, it's looking like water\n'Cause already knowing this Audemar cost me like two quarters\nAlready knowing we jumpin on the plane, we gettin' the charter\nYou already knowin' I gotta get paid, so send my deposit\nI seen the smoke, it was rising\nBurn down the house, I was vibing\nCome through the hood, I was sliding\nA nigga be dead if he try me\nGot a beautiful chick sitting beside me\nI came from the creek, it was violent\nPolice in the street tryna find me\nYou put me on charts and I climb 'em\nI was ducking them narcs, I was grinding\nNow I jump 'cross the stage like I'm flying\nI go harder and harder with timing\nI'm just filling the void, I can't hide it\nI'm just taking the poison and I know it\nI got way too much money to show it [Hook]\nI got the cash in my pocket right now and it's folded up, ain't got no wallet\nI order Ace of Spades cause when I pour up I drink out the bottle\nCash on delivery, keepin' a pole on me if it's a problem\nBitch, don't spit on me, if you gon' hit on me you gotta swallow\n[Verse 2]\nBitch if I hit on you you gotta worship me like I'm your father\nMy bitch know every time we go out shopping I spend over a quarter\nBig pole, sippin' and whippin' the gold, you know how I'm vibing\nSitting low, high in the back, when I pull up the Maybach be gliding\nYou see how I came with that Dolce, I pulled up on low, my diamonds gon' cloudy\nThis big gasoline when I roll up\nThem V12 machine when I roll up\nPineapple pink when I roll up\nJust try not to faint when I roll up\nStep in the paint like I 'post up\nHopped off the train and I growed up\nI was catchin' the MARTA and growed up\nWhen I pull out garage, the door's up\nI pull out a four door and chauffeur\nThe Lambo a topic, don't fold up\nStop all the faking and posers\nI'm the only one slangin' that raw dust\nYour homies playin' with that raw 'tuss\nWe spend our own money, it's all us [Hook]\nI got the cash in my pocket right now and it's folded up, ain't got no wallet\nI order Ace of Spades cause when I pour up I drink out the bottle\nCash on delivery, keepin' a pole on me if it's a problem\nBitch, don't spit on me, if you gon hit on me you gotta swallow\nI got the cash in my pocket right now and it's folded up, ain't got no wallet\nI order Ace of Spades cause when I pour up I drink out the bottle\nCash on delivery, keepin' a pole on me if it's a problem\nBitch, don't spit on me, if you gon hit on me you gotta swallow\n[Post-Hook]\nPolice in the street tryna find me\nYou put me on charts and I climb 'em\nI was ducking them narcs, I was grindin'\nNow I jump 'cross the stage like I'm flying\nI go harder and harder with timing\nI'm just filling the void, I can't hide it\nI'm just taking the poison and I know it\nI got way too much money to show it" } ]