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en | Crea el código para evaluar la similitud semántica de la respuesta dada con la respuesta esperada. El código base es el siguiente: "from langchain.llms import HuggingFacePipeline
from langchain.prompts import PromptTemplate
from transformers import pipeline
from langchain_core.output_parsers import StrOutputParser
from langchain_core.runnables import RunnablePassthrough
terminators = [
tokenizer.eos_token_id,
tokenizer.convert_tokens_to_ids("<|eot_id|>")
]
text_generation_pipeline = pipeline(
model=model,
tokenizer=tokenizer,
task="text-generation",
temperature=0.2,
do_sample=True,
repetition_penalty=1.1,
return_full_text=False,
max_new_tokens=200,
eos_token_id=terminators,
)
llm = HuggingFacePipeline(pipeline=text_generation_pipeline)
prompt_template = """
<|start_header_id|>user<|end_header_id|>
You are an assistant for answering questions about IPM.
You are given the extracted parts of a long document and a question. Provide a conversational answer.
If you don't know the answer, just say "I do not know." Don't make up an answer.
Question: {question}
Context: {context}<|eot_id|><|start_header_id|>assistant<|end_header_id|>
"""
prompt = PromptTemplate(
input_variables=["context", "question"],
template=prompt_template,
)
llm_chain = prompt | llm | StrOutputParser()
rag_chain = {"context": retriever, "question": RunnablePassthrough()} | llm_chain
question = "Which algorithms can reduce energy consumption in hyperparameter optimization?"
answers = "Paris"
# question ="¿Qué algoritmos pueden reducir el consumo de energía en la optimización de hiperparámetros?"
rag_chain.invoke(question)". Utiliza los métodos de 'HuggingFace'. | allenai/WildChat-1M | {
"conversation_hash": "fa04f17514fdc3b3ebc9215384f4430b"
} |
en | Refine and formalize the following response to a response to a job application letter that stated that the company would let the applicant know when the interview would start: Dear Mrs. Dunant,
Thank you, looking forward to it.
Yours truly,
<PRESIDIO_ANONYMIZED_PERSON>
................................... | allenai/WildChat-1M | {
"conversation_hash": "4046012bc28081317c20d87522965df6"
} |
es | Tengo este script en google sheets: function onEdit(e) {
var range = e.range; // El rango que fue editado
var sheet = range.getSheet();
var ui = SpreadsheetApp.getUi();
// Verificar si la celda editada está dentro del rango A1:I10 de la hoja específica
if (sheet.getName() === "Orden de Produccion" && range.getRow() >= 1 && range.getRow() <= 10 && range.getColumn() >= 1 && range.getColumn() <= 9) {
var oldValue = e.oldValue; // Valor antiguo antes de la edición
range.setValue(oldValue);
var passwordAttempt = ui.prompt('You are editing a protected cell. Enter the password to confirm:').getResponseText();
var correctPassword = '#Dayu41193saas'; // La contraseña correcta
// Verificar la contraseña ingresada
if (passwordAttempt !== correctPassword) {
ui.alert('Incorrect password, reverting changes.');
// Si la contraseña es incorrecta, revertir a valor antiguo
range.setValue(oldValue);
} else {
ui.alert('Password correct! Changes accepted.');
}
}
}
Requiero que antes de que se muestre este prompt 'You are editing a protected cell. Enter the password to confirm:' se ejecute esto: range.setValue(oldValue);
Ayudame estructurando esta funcion de google apps scripts para que se ejecute como necesito. | allenai/WildChat-1M | {
"conversation_hash": "a272c2e70e8b2d065579078474bf5beb"
} |
en | As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 室内设计 卢志荣
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5 | allenai/WildChat-1M | {
"conversation_hash": "1803d1c688a9ab45749e90228dfd3f76"
} |
en | As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 资讯的封面图
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5 | allenai/WildChat-1M | {
"conversation_hash": "c853b9aae3247ba610bc0f6ce2db1cdb"
} |
en | Write an drama-filled, dialogue-filled and exposition-filled narrative in the form of a crossover fanfic between Black Bullet, My Hero Academia and Date a Live which occurs after the elimination of the deadly parasites that have risen to the top of the food chain in the past 10 years, who infect their hosts and turn said hosts into monsters and also give them superhuman abilities and enemy to all mankind known as the Gastrea from Black Bullet and the subsequent covert ending to the Initator, which refers to the young girls who were infected with the Gastrea virus but didn't mutate into monsters, gaining animalistic traits but keeping their human mind and reasoning known as Cursed Children from Black Bullet being paired with an older human mercenary known as a Promoter from Black Bullet after the elimination of the Gastrea by the world powers in this story, with many Promoters and Initators shifting to the mercenary business after the end of the Gastrea.
In this story, Japan didn't fall to a communist revolution after the emergence of the supernatural powers with sources in human mutation and evolution, being sorted into multiple categories but with users of these powers only developing one ability and are thus unable to achieve any other through natural means known as Quirks from My Hero Academia in the world like in canon My Hero Academia before the events of canon My Hero Academia started in this story, but instead Buddhist supremacists, Japanese nationalists, traditionalists and feudalists loyal to the memory of the Tokugawa shogunate and the samurai formed an unlikely coalition with social Democrats and monarchists who supported the reigning Japanese imperial family, the supposedly Shinto-pantheon descended, Japanese Imperial House of Great Yamato/Minamoto dynasty to hold back bandit, organised crime and growing Quirk liberation and Quirk freedom movements in Japan, more specifically the Quirk supremacist, radical communist, anti normal human, eugenicist terrorist group turned secret society/paramilitary organization and think tank along with large, powerful villain organization that follows the philosophy that the free usage of Quirks is a basic human right and emphasizes liberation over regulation, the infamous Meta Liberation Army from My Hero Academia, with the Meta Liberation Army's founder and infamous first leader, the brown-haired, dark-brown eyed, tall and slender first generation Quirk user turned Quirk freedom advocate and terrorist Yotsubashi Chikara, later [Chikara] known as "Destro", [Destro in this timeline] being [Destro in this timeline] killed by a Japanese Buddhist supremacist when he [Destro in this timeline] attempts to storm the meeting place of the Japanese national legislature, composed of a lower house known as the House of Representatives, and an upper house, known as the House of Councilors, with both houses being elected under a parallel voting system and having the responsibility of nominating the Japanese Prime Minister from the winning party of Japan's democratic national elections in addition to passing laws, the National Diet, the National Diet Building in Tokyo, [Destro storming the National Diet Building] with some of his [Destro's] MLA cultists.
The traditionalist-progressive coalition in Japan that emerges after the emergence of Quirks in this story then manages to get the approval of the National Diet and the then Japanese Prime Minister due to the defence of the National Diet building from the MLA cultists, with the retreat of the Americans from Asia after the emergence of Quirks in this story and the collapse of the post-Soviet Russian Federation and the fascist People's Republic of China ruling over the China region since 1949 to national liberation movements, pro democracy revolutions and dissident movements within these regions leading revolts against the Russian Federation's ruling crypto-communist, Neo-Trotskyist United Russia Party and the PRC's de jure Marxist-Leninist, anti-Stalinist communist but de facto Han supremacist, Han nationalist and Han imperialist Chinese Communist Party, [The traditionalist-progressive coalition in Japan that emerges after the emergence of Quirks in this story exploiting the withdrawal of the USA and the collapse of both Russia and China after the emergence of Quirks in this story] to gain the support of the National Diet to restore the pre-1947 Imperial House of Great Yamato/Minamoto dynasty-ruled unitary parliamentary absolute royal democratic Imperial monarchy of the Great Japanese Empire as the government of Japan, albeit under the feudal hereditary military government of the side branch of the Imperial House of Great Yamato/Minamoto dynasty, the Tokugawa clan-ruled Tokugawa shogunate as the government of Japan through a combination of democratic referendum and a vote in the National Diet.
Japan in this story restores the Great Japanese Empire's combined armed forces, the Imperial Japanese Armed Forces, focusing specifically on the Imperial Japanese Armed Forces' ground warfare arm, the Imperial Japanese Army after its [the IJA's] restoration and begins a massive conscription campaign to rebuild the strength of both the post-WW2 Japanese united military forces without offensive capabilities but the right to self defence, the Japanese Self Defence Forces and the restored IJA.
the extraordinary beings from a different dimension, with each having their own unique powers and abilities as well as the amount of spiritual energy they hold within their bodies, but all sharing the same ability to create their own armor or clothing created by their power which they can change to whatever shape, color, style, or appearance they want known as an Astral Dress, as well as having an absolute shield that protects them known as an Angel, which can take many forms, from monsters to swords, all of which seem to display some special power plus the ability to fly, who when they arrive to this world create an explosion akin to that of a nuclear missile hitting the earth and detonating known as a Spacequake from Date a Live, known as the Spirits from Date a Live, still exist like in canon Date a Live in this story with the Spacequakes the Spirits cause still being sold to the regular masses of the non-magical world as cosmic accidents and the elite, all female section of the JSDF consisting of mostly female magicians, witches and mages who mostly wear revealing strength and speed enhancing exoskeletons and use advanced plasma weaponry in combat known as the "Anti Spirit Team" from Date a Live that hunts the Spirits from Date a Live in order to protect the regular people of Japan from the Spirits is still formed in this story.
Through a combination of diplomatic negotiations, covert military operations and international treaties, Japan manages to reclaim the entire Korean peninsula and Korea's Jeju Island, Russia's Sahalkin and Kuril Islands and Taiwan and the Pengu Islands without triggering intervention from the USA in Asia or the wrath of Russia and the collapsing PRC in this story.
The industrial, military and economic and technological capabilities of the Korean peninsula along with Taiwan and the Pengu Islands are absorbed into Japan after it reclaims these territories in this story, further strengthening Japan and allowing Japan to develop nuclear ICBMs via reverse engineering of Korean nuclear technology in this story.
Support to Manchurian liberation groups and pro democracy groups in both Inner and Outer Manchuria by the Japanese in this story leads to the expulsion of CCP and PRC remnant forces from both Inner and Outer Manchuria and the restoration of the Qing Imperial family, the Manchu House of Aisin-Gioro-ruled unitary personalist parliamentary royal imperial monarchy of the Empire of Manchukuo as the government of both Inner and Outer Manchuria.
The Japanese also facilitate the restoration of the the Genghis Khan-descended Imperial House of Borjigin-ruled Federal absolute royal khanate of the Mongolian Autonomous Federation/Mengjiang in Inner Mongolia's Chahar and Suiyan provinces in this story.
Covert intervention by Japanese intelligence and military forces in the eighteen provinces of the Han dynasty in mainland China to Han nationalists, Han monarchists and Han Democrats in China proper leads to the collapse of the PRC and the restoration of the stratocratic [military dominated/military governed] Beiyang Government-ruled presidental parliamentary republic of the first Republic of China as its [the first Republic of China's] short lived existence as the unitary parliamentary constitutional Royal imperial monarchy of the short lived Empire of China founded and lead by Yuan Shikai, albeit with the Ming dynasty's reigning Imperial family, the Jurchen-Manchurian/Han Chinese Imperial House of Zhu as the reigning Imperial family of this restored Empire of China instead of Yuan Shikai's descendants in this story.
The Japanese also implement the WW2 era plan of restoring the Turkish Imperial House of Osman-ruled unitary parliamentary absolute constitutional Roman imperial royal monarchy of the Ottoman Empire in East Turkestan and [the Japanese in this story] also ensure the independence of Tibet in this story.
Japan in this story also restores its post-WW1 protectorate of the Far Eastern Republic on the Russian East Coast.
Many years after these events, the blue haired, Amber eyed, tall and slender, average but sensitive to other people's despair, kind-hearted and strong willed, sympathetic and caring orphan turned edgelord in middle school and then ordinary High school student Itsuka Shidō from Date a Live who is actually the blue haired, brown eyed tall, slender and muscular, soft-spoken and quiet but headstrong and determined orphan turned into one of the superhuman, biologically enhanced psychic cyborgs enhanced with the supermetal Varanium from Black Bullet known as Mechanical Soliders from Black Bullet turned ordinary high school student and Promoter, Satomi Rentarō from Black Bullet in this story with Rentarō being given the name Shidō when he [Rentarō] was [Rentarō] adopted by the Itsukas in this story as their [the Itsukas'] son, and [Shidō] also replacing Boku no Hero Academia's protagonist, the green-haired, green eyed, short and lean but also muscular, intellectually and academically talented but also very nerdy about Quirks and dreaming to be a hero despite being legally and suposedly Quirkless, but in reality having the powerful Quirk, "Guilty Crown", which allows the user to extract the "hearts" of others in physical form to use as a weapon and also to take, give, multiply and strengthen other quirks, Midoriya Izuku and [Shidō in this story] having Izuku's intellectual and [Izuku's] academic gifts along with Izuku's true Quirk of "Guilty Crown" but not Izuku's naivety and obsession with becoming a Hero and [Shidō in this story] having his [Izuku's] parents, the white haired, red eyed, tall and slender but also lean and muscular, calm, cunning and reserved but also headstrong and headfast immortal, regenerating first generation Quirk user whose Quirk, All for One allows him to take, steal, multiply, examine, combine and merge Quirks at will who is the overlord of Japan's criminal underworld in both canon Boku no Hero Academia and this story but is also the Meta Liberation Army's true enemy, Midoriya Hiashi and his [Hiashi's] current legal wife, who is ironically the youngest niece of his now deceased greatest enemy, the blue haired, blue eyed, tall, slender and buxom, kind and caring but also determined pro Heroine with a powerful Float Quirk, Shimura Nana from Boku no Hero Academia, who [Hiashi's current legal wife] has no idea of his [Hiashi's] criminal activities and [Hiashi's current legal wife] just thinks he [Hiashi] is just a rich buisnessman who is constantly away on trips, the green haired, green eyed, short, curvy and buxom, kind and caring former top corporate executive turned loving housewife after her marriage to Hiashi, Midoriya Inko nee Shimura from My Hero Academia, [Shidō in this story having both Hiashi and Inko] as his [Shidō's in this story's] true self's [Rentarō's in this story's] birth parents [Inko and Hiashi] although the Itsukas in this story obviously don't know this [Inko and Hiashi being Rentarō's birth parents in this story] when they [the Itsukas in this story] adopt him [Rentarō in this story] [Shidō] finds himself [Shidō] in trouble in the law when Nana's apprentice who later became Japan's #1 Hero under his Hero alias All Might, the half American, blonde haired, blue eyed, tall, slender and lean, sarcastic and somewhat lazy but caring and determined bum with a Quirk that Nana gave him before her death, the Quirk that can be passed or rather copied from user to user which Hiashi's now long deceased younger brother, Yoichi originally had which stockpiles power and also copies the other Quirks of its users, allowing each user to use the Quirks of the previous user, boosting strength, speed and agility known as One for All from My Hero Academia, Yagi Toshinori from My Hero Academia in his [Toshinori's] All Might persona trying to have Shidō in this story arrested for [Shidō' in this story] attempting to [Shidō in this story] resuce the Itsukas' biological daughter and thus his adoptive little sister in both canon Date a Live and this story, the red-haired, red-eyed, short, slender and petite but also secretly curvy and buxom, delicate, soft and shy and dependent on Shidō but having a charismatic, domeering side as well young Japanese noble heiress who is also one of the Spirits from Date a Live, being a flame based Spirit, Itsuka Kotori from Date a Live, who [Kotori] is [Kotori] also one of the Cursed Children in this story, [Kotori] having the agility, leaping skill and speed of both a rabbit and a fox due to her [Kotori] being infected with the Gastrea virus in this story and [Kotori] being Shidō's Initator under the name Aihara Enju [Black Bullet] when he [Shidō] was an Initator under his [Shidō's] real name [Rentarō] in this story, even though Shidō in this story has no idea that she [Kotori] is a Spirit or that Spirits even exist, and Kotori's classmates and schoolmates have no idea that she [Kotori] is a Spirit or a Cursed Child in this story, [Shidō' in this story rescuing Kotori] from a Spacequake, when she [Kotori] was [Kotori] visiting the former child solider and assasin Cursed Child with the sight of an owl using a sniper rifle and advanced drones in combat turned Initator, the blonde haired, blue eyed, short slender and petite, lively and hyperactive but naive young American girl Tina Sprout from Black Bullet, [Shidō rescuing Kotori from the Spacequake just before she reaced Tina's residence] only to [Shidō with Kotori] stumble upon members of the Anti Spirit Team in a three way war with both another Spirit, who turned out to be the one behind the Spacequake and the Japanese branch of the Quirk users licensed to use their Quirks to protect civilians from Villains, natural disasters, and/or any other kind of harm, with three basic duties: rescue, evacuation, and battle known as Heroes from My Hero Academia, more specifically the Japanese section of those Heroes who take their job as a profession and are subsequently referred to as Pro Heroes from My Hero Academia which Toshinori as All Might belongs to, as the Pro Heroes refuse to believe the Anti Spirit Team actually exists and the Anti Spirit Team will stop at nothing to capture the Spirit, while the confused Spirit fights off both the Pro Heroes and the Anti Spirit Team. Shidō manages to sneak near the Spirit, who [the Spirit that causes the Spacequake] turns out to be the black-haired, black-eyed, tall, slender and buxom, refined, calm and ladylike, academically gifted and intelligent with a Quirk that allows her to create things from her skin fat, Japanese noble heiress and Pro Heroine in traininf Yaoyorozu Momo from My Hero Academia, who [Momo] seems to be [Momo] confused, scared and [Momo] embarrassed due to the revealing nature of her [Momo's] Astral Dress and the fact the Pro Heroes are after her [Momo].
Shidō revealed his presence to Momo and [Shidō] managed to [Shidō] convince her [Momo] to escape with both him and Kotori during the fight between the Anti Spirit Team and the Pro Heroes.
But the Pro Heroes later tracked down Shidō and are trying to have him arrested, while Kotori blocks them [the Pro Heroes] from arresting him [Shidō] and Momo is hiding somewhere in the Itsuka family mansion.
The excerpt starts with All Might accusing Shidō of wanting to carry on the Midoriya legacy of villainy and criminal ruling, which confuses the other Pro Heroes, to which Shidō is [Shidō] confused as he [Shidō] has always thought of himself [Rentarō/Shidō] as an Itsuka and [Shidō] has no idea he [Shidō] is even a Midoriya by birth as the Pro Heroes try to have Shidō arrested with Kotori blocking them [Kotori] from [the Pro Heroes] doing this [arresting Shidō].
Shidō retaliated to All Might's accusation by [Shidō] stating that if he [Shidō] was truly the son [Rentarō] of a villian [Hiashi as All for One], then why is he [Shidō] a decent, law abiding citizen [Shidō] and how come this villian [All for One] hasn't made the news as Kotori blocks All Might from coming closer.
The standoff is interrupted by Tina, who [Tina] had [Tina] made her [Tina's] way to the Itsuka family mansion and the current heiress of the Japanese noble family, ex-samurai clan and martial arts masters of the Tendō [Black Bullet/Ranma 1/2], the beautiful, fair-skinned, violet-eyed, dark brown-green haired, tall, slender and buxom, lively, serious and mischievous but also sadistic, malicious and very cruel Japanese noble heiress and swordsman in training who is also Tina's Promoter, Tendō Kisara from Black Bullet, who [Kisara] is [Kisara] also the oldest biological child of the Itsukas and Kotori's biological older sister, but also the older of
Shidō's younger sisters along with also being a Tendō in addition to having a Sound manipulating Quirk in this fanfic, who [Kisara] had [Kisara] been secretly eying the conversation with interest before [Kisara] making her [Kisara's] move.
Kisara then bluntly tells All Might that if the Pro Heroes are interested in [the Pro Heroes] hunting down a legend [All for One in the public mind] they [the Pro Heroes] can go ahead, but they [the Pro Heroes] shouldn't involve the Itsuka sisters' [Kisara's and Kotori's] shared adoptive older brother [Shidō] in this.
Kisara also mentions that she [Kisara] knows about Kotori and Tina both [Kotori and Tina] comforting Shidō at night when Kisara was Tina's Promotor and Kotori as Enju was Shidō's as his true self Rentarō's Initiator during the war against the Gastrea when he [Shidō] slept, implying that she [Kisara] doesn't have a problem with the younger girls [Tina and Kotori] snuggling beside Shidō at night but that Kotori mustn't forget that she [Kotori] isn't Shidō's only fiancee.
P.B: There is no multiverse, multiple universes or multiple worlds in this story. Everything takes place in the same world and occurs in chronological order. | allenai/WildChat-1M | {
"conversation_hash": "3afd843d7d4e9d138114ae4300d8d927"
} |
ru | привет. Есть задание по моделированию. Смоделировать работу касс магазина. У каждой кассы есть своя очередь. У касс может произойти сбой работы. Опиши моделируемую систему и напиши код на языке C# | allenai/WildChat-1M | {
"conversation_hash": "6760c23bfdf447891755a25ad4f9ff57"
} |
ar | هل تعرف موقع opus clip | allenai/WildChat-1M | {
"conversation_hash": "6c7d3fb736706302779365b8374d6310"
} |
en | Hilariously badly translate my text in these different styles: Misheard, Opposite, snippet of the original quote that sounds either funny rude innuendos or out of context and a hilarious description with it, and Angry Video Game Nerd’s list of 4 rants (titled) on the quote: (add the original text at the beginning though)
"We're peace-loving Bob-ombs, so we don't use cannons. But if you'd like to blast off, we don't mind. Help yourself. We'll prepare all of the cannons in this course for you to use. Bon voyage." | allenai/WildChat-1M | {
"conversation_hash": "cb920165fc237574dd7a301cea8986b8"
} |
en | How did the Soviet Union handled the disable who could not work for themselves? Use layman terms. Short answer. | allenai/WildChat-1M | {
"conversation_hash": "6751e8ab5bcc2e45f877293b73555eb6"
} |
en | As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 室内设计 酒店设计 CCD 南洋风格
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5 | allenai/WildChat-1M | {
"conversation_hash": "41792348e41432cac1c3876778a414ed"
} |
en | Write an drama-filled, dialogue-filled and exposition-filled narrative in the form of a crossover fanfic between Black Bullet, My Hero Academia and Date a Live which occurs after the elimination of the deadly parasites that have risen to the top of the food chain in the past 10 years, who infect their hosts and turn said hosts into monsters and also give them superhuman abilities and enemy to all mankind known as the Gastrea from Black Bullet and the subsequent covert ending to the Initator, which refers to the young girls who were infected with the Gastrea virus but didn't mutate into monsters, gaining animalistic traits but keeping their human mind and reasoning known as Cursed Children from Black Bullet being paired with an older human mercenary known as a Promoter from Black Bullet after the elimination of the Gastrea by the world powers in this story, with many Promoters and Initators shifting to the mercenary business after the end of the Gastrea.
In this story, Japan didn't fall to a communist revolution after the emergence of the supernatural powers with sources in human mutation and evolution, being sorted into multiple categories but with users of these powers only developing one ability and are thus unable to achieve any other through natural means known as Quirks from My Hero Academia in the world like in canon My Hero Academia before the events of canon My Hero Academia started in this story, but instead Buddhist supremacists, Japanese nationalists, traditionalists and feudalists loyal to the memory of the Tokugawa shogunate and the samurai formed an unlikely coalition with social Democrats and monarchists who supported the reigning Japanese imperial family, the supposedly Shinto-pantheon descended, Japanese Imperial House of Great Yamato/Minamoto dynasty to hold back bandit, organised crime and growing Quirk liberation and Quirk freedom movements in Japan, more specifically the Quirk supremacist, radical communist, anti normal human, eugenicist terrorist group turned secret society/paramilitary organization and think tank along with large, powerful villain organization that follows the philosophy that the free usage of Quirks is a basic human right and emphasizes liberation over regulation, the infamous Meta Liberation Army from My Hero Academia, with the Meta Liberation Army's founder and infamous first leader, the brown-haired, dark-brown eyed, tall and slender first generation Quirk user turned Quirk freedom advocate and terrorist Yotsubashi Chikara, later [Chikara] known as "Destro", [Destro in this timeline] being [Destro in this timeline] killed by a Japanese Buddhist supremacist when he [Destro in this timeline] attempts to storm the meeting place of the Japanese national legislature, composed of a lower house known as the House of Representatives, and an upper house, known as the House of Councilors, with both houses being elected under a parallel voting system and having the responsibility of nominating the Japanese Prime Minister from the winning party of Japan's democratic national elections in addition to passing laws, the National Diet, the National Diet Building in Tokyo, [Destro storming the National Diet Building] with some of his [Destro's] MLA cultists.
The traditionalist-progressive coalition in Japan that emerges after the emergence of Quirks in this story then manages to get the approval of the National Diet and the then Japanese Prime Minister due to the defence of the National Diet building from the MLA cultists, with the retreat of the Americans from Asia after the emergence of Quirks in this story and the collapse of the post-Soviet Russian Federation and the fascist People's Republic of China ruling over the China region since 1949 to national liberation movements, pro democracy revolutions and dissident movements within these regions leading revolts against the Russian Federation's ruling crypto-communist, Neo-Trotskyist United Russia Party and the PRC's de jure Marxist-Leninist, anti-Stalinist communist but de facto Han supremacist, Han nationalist and Han imperialist Chinese Communist Party, [The traditionalist-progressive coalition in Japan that emerges after the emergence of Quirks in this story exploiting the withdrawal of the USA and the collapse of both Russia and China after the emergence of Quirks in this story] to gain the support of the National Diet to restore the pre-1947 Imperial House of Great Yamato/Minamoto dynasty-ruled unitary parliamentary absolute royal democratic Imperial monarchy of the Great Japanese Empire as the government of Japan, albeit under the feudal hereditary military government of the side branch of the Imperial House of Great Yamato/Minamoto dynasty, the Tokugawa clan-ruled Tokugawa shogunate as the government of Japan through a combination of democratic referendum and a vote in the National Diet.
Japan in this story restores the Great Japanese Empire's combined armed forces, the Imperial Japanese Armed Forces, focusing specifically on the Imperial Japanese Armed Forces' ground warfare arm, the Imperial Japanese Army after its [the IJA's] restoration and begins a massive conscription campaign to rebuild the strength of both the post-WW2 Japanese united military forces without offensive capabilities but the right to self defence, the Japanese Self Defence Forces and the restored IJA.
the extraordinary beings from a different dimension, with each having their own unique powers and abilities as well as the amount of spiritual energy they hold within their bodies, but all sharing the same ability to create their own armor or clothing created by their power which they can change to whatever shape, color, style, or appearance they want known as an Astral Dress, as well as having an absolute shield that protects them known as an Angel, which can take many forms, from monsters to swords, all of which seem to display some special power plus the ability to fly, who when they arrive to this world create an explosion akin to that of a nuclear missile hitting the earth and detonating known as a Spacequake from Date a Live, known as the Spirits from Date a Live, still exist like in canon Date a Live in this story with the Spacequakes the Spirits cause still being sold to the regular masses of the non-magical world as cosmic accidents and the elite, all female section of the JSDF consisting of mostly female magicians, witches and mages who mostly wear revealing strength and speed enhancing exoskeletons and use advanced plasma weaponry in combat known as the "Anti Spirit Team" from Date a Live that hunts the Spirits from Date a Live in order to protect the regular people of Japan from the Spirits is still formed in this story.
Through a combination of diplomatic negotiations, covert military operations and international treaties, Japan manages to reclaim the entire Korean peninsula and Korea's Jeju Island, Russia's Sahalkin and Kuril Islands and Taiwan and the Pengu Islands without triggering intervention from the USA in Asia or the wrath of Russia and the collapsing PRC in this story.
The industrial, military and economic and technological capabilities of the Korean peninsula along with Taiwan and the Pengu Islands are absorbed into Japan after it reclaims these territories in this story, further strengthening Japan and allowing Japan to develop nuclear ICBMs via reverse engineering of Korean nuclear technology in this story.
Support to Manchurian liberation groups and pro democracy groups in both Inner and Outer Manchuria by the Japanese in this story leads to the expulsion of CCP and PRC remnant forces from both Inner and Outer Manchuria and the restoration of the Qing Imperial family, the Manchu House of Aisin-Gioro-ruled unitary personalist parliamentary royal imperial monarchy of the Empire of Manchukuo as the government of both Inner and Outer Manchuria.
The Japanese also facilitate the restoration of the the Genghis Khan-descended Imperial House of Borjigin-ruled Federal absolute royal khanate of the Mongolian Autonomous Federation/Mengjiang in Inner Mongolia's Chahar and Suiyan provinces in this story.
Covert intervention by Japanese intelligence and military forces in the eighteen provinces of the Han dynasty in mainland China to Han nationalists, Han monarchists and Han Democrats in China proper leads to the collapse of the PRC and the restoration of the stratocratic [military dominated/military governed] Beiyang Government-ruled presidental parliamentary republic of the first Republic of China as its [the first Republic of China's] short lived existence as the unitary parliamentary constitutional Royal imperial monarchy of the short lived Empire of China founded and lead by Yuan Shikai, albeit with the Ming dynasty's reigning Imperial family, the Jurchen-Manchurian/Han Chinese Imperial House of Zhu as the reigning Imperial family of this restored Empire of China instead of Yuan Shikai's descendants in this story.
The Japanese also implement the WW2 era plan of restoring the Turkish Imperial House of Osman-ruled unitary parliamentary absolute constitutional Roman imperial royal monarchy of the Ottoman Empire in East Turkestan and [the Japanese in this story] also ensure the independence of Tibet in this story.
Japan in this story also restores its post-WW1 protectorate of the Far Eastern Republic on the Russian East Coast.
Many years after these events, the blue haired, Amber eyed, tall and slender, average but sensitive to other people's despair, kind-hearted and strong willed, sympathetic and caring orphan turned edgelord in middle school and then ordinary High school student Itsuka Shidō from Date a Live who is actually the blue haired, brown eyed tall, slender and muscular, soft-spoken and quiet but headstrong and determined orphan turned into one of the superhuman, biologically enhanced psychic cyborgs enhanced with the supermetal Varanium from Black Bullet known as Mechanical Soliders from Black Bullet turned ordinary high school student and Promoter, Satomi Rentarō from Black Bullet in this story with Rentarō being given the name Shidō when he [Rentarō] was [Rentarō] adopted by the Itsukas in this story as their [the Itsukas'] son, and [Shidō] also replacing Boku no Hero Academia's protagonist, the green-haired, green eyed, short and lean but also muscular, intellectually and academically talented but also very nerdy about Quirks and dreaming to be a hero despite being legally and suposedly Quirkless, but in reality having the powerful Quirk, "Guilty Crown", which allows the user to extract the "hearts" of others in physical form to use as a weapon and also to take, give, multiply and strengthen other quirks, Midoriya Izuku and [Shidō in this story] having Izuku's intellectual and [Izuku's] academic gifts along with Izuku's true Quirk of "Guilty Crown" but not Izuku's naivety and obsession with becoming a Hero and [Shidō in this story] having his [Izuku's] parents, the white haired, red eyed, tall and slender but also lean and muscular, calm, cunning and reserved but also headstrong and headfast immortal, regenerating first generation Quirk user whose Quirk, All for One allows him to take, steal, multiply, examine, combine and merge Quirks at will who is the overlord of Japan's criminal underworld in both canon Boku no Hero Academia and this story but is also the Meta Liberation Army's true enemy, Midoriya Hiashi and his [Hiashi's] current legal wife, who is ironically the youngest niece of his now deceased greatest enemy, the blue haired, blue eyed, tall, slender and buxom, kind and caring but also determined pro Heroine with a powerful Float Quirk, Shimura Nana from Boku no Hero Academia, who [Hiashi's current legal wife] has no idea of his [Hiashi's] criminal activities and [Hiashi's current legal wife] just thinks he [Hiashi] is just a rich buisnessman who is constantly away on trips, the green haired, green eyed, short, curvy and buxom, kind and caring former top corporate executive turned loving housewife after her marriage to Hiashi, Midoriya Inko nee Shimura from My Hero Academia, [Shidō in this story having both Hiashi and Inko] as his [Shidō's in this story's] true self's [Rentarō's in this story's] birth parents [Inko and Hiashi] although the Itsukas in this story obviously don't know this [Inko and Hiashi being Rentarō's birth parents in this story] when they [the Itsukas in this story] adopt him [Rentarō in this story] [Shidō] finds himself [Shidō] in trouble in the law when Nana's apprentice who later became Japan's #1 Hero under his Hero alias All Might, the half American, blonde haired, blue eyed, tall, slender and lean, sarcastic and somewhat lazy but caring and determined bum with a Quirk that Nana gave him before her death, the Quirk that can be passed or rather copied from user to user which Hiashi's now long deceased younger brother, Yoichi originally had which stockpiles power and also copies the other Quirks of its users, allowing each user to use the Quirks of the previous user, boosting strength, speed and agility known as One for All from My Hero Academia, Yagi Toshinori from My Hero Academia in his [Toshinori's] All Might persona trying to have Shidō in this story arrested for [Shidō' in this story] attempting to [Shidō in this story] resuce the Itsukas' biological daughter and thus his adoptive little sister in both canon Date a Live and this story, the red-haired, red-eyed, short, slender and petite but also secretly curvy and buxom, delicate, soft and shy and dependent on Shidō but having a charismatic, domeering side as well young Japanese noble heiress who is also one of the Spirits from Date a Live, being a flame based Spirit, Itsuka Kotori from Date a Live, who [Kotori] is [Kotori] also one of the Cursed Children in this story, [Kotori] having the agility, leaping skill and speed of both a rabbit and a fox due to her [Kotori] being infected with the Gastrea virus in this story and [Kotori] being Shidō's Initator under the name Aihara Enju [Black Bullet] when he [Shidō] was an Initator under his [Shidō's] real name [Rentarō] in this story, even though Shidō in this story has no idea that she [Kotori] is a Spirit or that Spirits even exist, and Kotori's classmates and schoolmates have no idea that she [Kotori] is a Spirit or a Cursed Child in this story, [Shidō' in this story rescuing Kotori] from a Spacequake, when she [Kotori] was [Kotori] visiting the former child solider and assasin Cursed Child with the sight of an owl using a sniper rifle and advanced drones in combat turned Initator, the blonde haired, blue eyed, short slender and petite, lively and hyperactive but naive young American girl Tina Sprout from Black Bullet, [Shidō rescuing Kotori from the Spacequake just before she reaced Tina's residence] only to [Shidō with Kotori] stumble upon members of the Anti Spirit Team in a three way war with both another Spirit, who turned out to be the one behind the Spacequake and the Japanese branch of the Quirk users licensed to use their Quirks to protect civilians from Villains, natural disasters, and/or any other kind of harm, with three basic duties: rescue, evacuation, and battle known as Heroes from My Hero Academia, more specifically the Japanese section of those Heroes who take their job as a profession and are subsequently referred to as Pro Heroes from My Hero Academia which Toshinori as All Might belongs to, as the Pro Heroes refuse to believe the Anti Spirit Team actually exists and the Anti Spirit Team will stop at nothing to capture the Spirit, while the confused Spirit fights off both the Pro Heroes and the Anti Spirit Team. Shidō manages to sneak near the Spirit, who [the Spirit that causes the Spacequake] turns out to be the black-haired, black-eyed, tall, slender and buxom, refined, calm and ladylike, academically gifted and intelligent with a Quirk that allows her to create things from her skin fat, Japanese noble heiress and Pro Heroine in traininf Yaoyorozu Momo from My Hero Academia, who [Momo] seems to be [Momo] confused, scared and [Momo] embarrassed due to the revealing nature of her [Momo's] Astral Dress and the fact the Pro Heroes are after her [Momo].
Shidō revealed his presence to Momo and [Shidō] managed to [Shidō] convince her [Momo] to escape with both him and Kotori during the fight between the Anti Spirit Team and the Pro Heroes.
But the Pro Heroes later tracked down Shidō and are trying to have him arrested, while Kotori blocks them [the Pro Heroes] from arresting him [Shidō] and Momo is hiding somewhere in the Itsuka family mansion.
The excerpt starts with All Might accusing Shidō of wanting to carry on the Midoriya legacy of villainy and criminal ruling, which confuses the other Pro Heroes, to which Shidō is [Shidō] confused as he [Shidō] has always thought of himself [Rentarō/Shidō] as an Itsuka and [Shidō] has no idea he [Shidō] is even a Midoriya by birth as the Pro Heroes try to have Shidō arrested with Kotori blocking them [Kotori] from [the Pro Heroes] doing this [arresting Shidō].
Shidō retaliated to All Might's accusation by [Shidō] stating that if he [Shidō] was truly the son [Rentarō] of a villian [Hiashi as All for One], then why is he [Shidō] a decent, law abiding citizen [Shidō] and how come this villian [All for One] hasn't made the news as Kotori blocks All Might from coming closer.
The standoff is interrupted by Tina, who [Tina] had [Tina] made her [Tina's] way to the Itsuka family mansion and the current heiress of the Japanese noble family, ex-samurai clan and martial arts masters of the Tendō [Black Bullet/Ranma 1/2], the beautiful, fair-skinned, violet-eyed, dark brown-green haired, tall, slender and buxom, lively, serious and mischievous but also sadistic, malicious and very cruel Japanese noble heiress and swordsman in training who is also Tina's Promoter, Tendō Kisara from Black Bullet, who [Kisara] is [Kisara] also the oldest biological child of the Itsukas and Kotori's biological older sister, but also the older of
Shidō's younger sisters along with also being a Tendō in addition to having a Sound manipulating Quirk in this fanfic, who [Kisara] had [Kisara] been secretly eying the conversation with interest before [Kisara] making her [Kisara's] move.
Kisara then bluntly tells All Might that if the Pro Heroes are interested in [the Pro Heroes] hunting down a legend [All for One in the public mind] they [the Pro Heroes] can go ahead, but they [the Pro Heroes] shouldn't involve the Itsuka sisters' [Kisara's and Kotori's] shared adoptive older brother [Shidō] in this.
Kisara also mentions that she [Kisara] knows about Kotori and Tina both [Kotori and Tina] comforting Shidō at night when Kisara was Tina's Promotor and Kotori as Enju was Shidō's as his true self Rentarō's Initiator during the war against the Gastrea when he [Shidō] slept, implying that she [Kisara] doesn't have a problem with the younger girls [Tina and Kotori] snuggling beside Shidō at night but that Kotori mustn't forget that she [Kotori] isn't Shidō's only fiancee because Kisara is also Shidō's fiancee as well.
P.B: There is no multiverse, multiple universes or multiple worlds in this story. Everything takes place in the same world and occurs in chronological order. | allenai/WildChat-1M | {
"conversation_hash": "ef35bc35a310a79ce9ffb7240e787162"
} |
ar | بصفاتك محترف السيو اكتب لي مقالا احترافيا حول افضل تطبيق لربح المال مستعملا جميع تقنيات السيو ليتصدر هذا المقال نتائج البحث ولا تنسى استعمال الكلمات المفتاحية افضل تطبيقات لربح المال
افضل تطبيقات لربح المال من الانترنت
افضل تطبيقات لربح المال في سوريا
افضل تطبيقات المشي لربح المال
افضل تطبيق لربح المال في سوريا
افضل تطبيق للربح في سوريا
افضل برامج الربح عبر الانترنت
أفضل تطبيقات لربح المال من الاندرويد
تطبيقات لربح المال من مشاهدة الاعلانات
تطبيقات لربح المال مضمونة في المغرب
تطبيقات لربح المال من المشي
تطبيقات لربح المال من الالعاب
تطبيقات لربح المال من المنزل
تطبيقات ربح المال من الهواتف الذكية
تطبيقات ربح المال من الانترنت في سوريا
تطبيقات لربح المال للايفون
تطبيقات لربح المال في مصر
تطبيقات لربح المال في الجزائر
تطبيقات لربح المال في الأردن
تطبيقات لربح المال في المغرب
تطبيقات لربح المال في لبنان
تطبيقات لربح المال في تونس
تطبيقات لربح المال في العراق
تطبيقات لربح المال في اليمن
تطبيقات لربح المال على الايفون
تطبيقات لربح المال في سوريا
تطبيقات لربح المال حقيقية
تطبيقات لربح المال حقيقي
تطبيقات تجلب المال
تطبيقات لربح المال بالمغرب
تطبيقات لربح المال بدون راس مال
تطبيقات لربح المال الحقيقي
تطبيقات لربح المال المغرب
تطبيقات لربح المال ايفون افضل تطبيق لربح الاموال
أفضل تطبيق لربح المال من الهاتف
ما هو أفضل تطبيق لربح المال؟
افضل برامج الربح عبر الانترنت
افضل تطبيق ربح مال
افضل تطبيق لربح المال من الانترنت
ما هو افضل تطبيق لربح المال؟
افضل تطبيق لربح المال من الهاتف
افضل تطبيق لربح المال للاندرويد
افضل موقع لربح الدولارات
افضل تطبيق لربح المال بسرعة
افضل تطبيق للربح من الانترنت
افضل تطبيق للربح من مشاهدة الفيديوهات
افضل تطبيق للربح من المشي
افضل تطبيق العاب لربح المال | allenai/WildChat-1M | {
"conversation_hash": "d93b8d180107b8df93903a97abbb96b4"
} |
en | Hilariously badly translate my text in these different styles: Misheard, Opposite, snippet of the original quote that sounds either funny rude innuendos or out of context and why, and Angry Video Game Nerd’s list of 4 rants (titled) on the quote: (add the original text at the beginning though)
"Ready for blastoff! Come on, hop into the cannon!" | allenai/WildChat-1M | {
"conversation_hash": "9113ccb16653b25fc4a8ad3242a9dd3e"
} |
en | Do not repeat what has already been written before. Please write 100% unique, useful for visitors and original seo text on “Cream Cabinet Doors Replacement Services in Sarasota, Kensington Park, Bradenton, Lakewood Ranch, Venice, Ruskin, North Port and other Florida cities nearby - professional handyman services from Lion Kitchen Remodel”.
Brief Specifications:
Material: Solid Birch
Door Style: Full Overlay
Wall & Base: Racessed Square
Front frame: 3/4” Solid Birch
Door frame: 3/4” Solid Birch
Door Center: MDF (To Avoid Expansion)
Base Comer Supports: Wood Comer Brackets, with Wood I-Beam Construction
Undermount, full extension drawer glides with soft closing feature
Concealed 6-way adjustable soft close door hinges
Text Requirements:
1. Be sure to use keywords in your text: Cream Cabinet Doors, cream kitchen doors, Cream Doors, Cabinet Doors, Kitchen Cabinet Doors, Replacement Cabinet Doors, Kitchen Cabinet Doors & Panels, wood, Replacement Cabinet Fronts, panels, custom cabinet doors, kitchen door replacement, cabinet faces, cupboards, install, doors replacement, cabinet, replacement doors near me, door replacement near me, replacement front doors, cabinets, installation services, installation, Kitchen refacing, Cabinet Reface, contractor, Sarasota, Venice, Bradenton.
2. Use the semantic core: replacement doors, cabinet doors, display cabinet with glass doors and shelves, slim cabinet with doors, accent cabinet with doors, wide variety, of styles and options, quality kitchen cabinet doors, custom, cost, near me, order services, fast, handyman services, home, services, help, selection, assortment, handyman service, West Coast of Florida.
3. Organically insert words in the middle of the text (in different paragraphs): Sarasota cabinet replacement, white kitchen remodeling in Sarasota.
4. The text should be optimized for search engines and meet the requirements of uniqueness of content.
5. The text should be written in such a way that it is impossible to determine that it was written by an AI.
6. Use subheadings and enumerations.
7. Text should be no less than 4000 and no more than 4500 characters.
8. The language of the text is American English.
9. Text structure (make subheadings according to SEO standards):
1. Introductory part
2. Cream Cabinet Doors Specifications
3. Beautiful Cream Doors
4. Cream Doors Replacement in Florida
5. Fast and experienced contractor | allenai/WildChat-1M | {
"conversation_hash": "9e3b8da5a11037e6d0173c988af55865"
} |
ru | Перефразируй рифму так, чтобы она была не глагольной: Стало модно быть тревожным и к психологам ходить.
Сексуальные расстройства и проблемы обсудить. | allenai/WildChat-1M | {
"conversation_hash": "f64f928690f4ec1965910b3d29f95e6e"
} |
en | Speculate the significance of the findings beyond data analysis in as few words as possible without compromising academic integrity; The comprehensive analysis of 36 articles has illuminated the dire mental health landscape encountered by police officers throughout their careers, marked by a higher prevalence of post-traumatic stress disorder (PTSD), suicidal tendencies, and substance misuse than observed within the general population. This research points out that treatments like Cognitive Behavioral Therapy (CBT), Eye Movement Desensitization and Reprocessing (EMDR), practices of mindfulness, and the use of Methylenedioxymethamphetamine (MDMA) may be effective ways to help officers deal with these tough challenges.
CBT reduces anxiety, depression, and substance abuse in officers, making it a feasible therapy option (Gautam et al., 2020; Moorey & Holllon, 2021; Vasile, 2020). It’s just as effective as antidepressant medication for treating depression, which highlights its importance (Beshai et al., 2019; Dunlop et al., 2017). Online and computer CBT programs make it easier for police to obtain aid while maintaining their anonymity. EMDR therapy, known for its success in treating PTSD, offers a lot of hope for officers dealing with trauma from their work. This therapy helps them return to work and improves their mental health and stress management. Mindfulness can reduce stress, anxiety, and sadness. These methods help police be present and accept their thoughts without judgment, which can improve their thinking, feeling, and acting, especially under job stress. New MDMA-assisted therapy for severe PTSD shows promise in clinical trials. It may provide immediate and profound relief for officers with severe PTSD. More research is needed to understand this therapy’s effects and risks.
The compilation of this information demonstrates that the mental health crisis among police officers necessitates a multitude of interventions. There are numerous effective methods for promoting the mental health of officers, including CBT, EMDR, mindfulness, and MDMA. These treatments assist officers in enduring job-related stress by balancing the chemical processes of the brain and the stress response of the body. Police officers encounter a multitude of challenges that necessitate a robust and adaptable approach to mental health care. To meet the diverse mental health needs of officers, it is crucial to have a selection of accessible and efficacious therapies available. The health and effectiveness of community safety workers can be enhanced through continued education and adjustment to these interventions.
These findings support the hypothesis of constructed emotion, which states that the brain predicts feelings based on prior experiences, cultural context, and current surroundings. This theory stresses how perception, learning, and social reality shape emotions. According to constructed emotion theory, law enforcement personnel' high rates of PTSD, suicidal tendencies, and substance abuse are responses to their unique, stressful, and often horrific experiences. Their brains may forecast emotional responses that are out of proportion to the current scenario to prepare the body for perceived risks based on past danger and stress in the line of duty.
CBT, EMDR, mindfulness, and maybe MDMA-assisted therapy change the brain's prediction patterns, supporting the hypothesis of manufactured emotion. For instance, CBT directly questions and reconstructs cognitive expectations that cause maladaptive emotional responses. Officers learn to identify, challenge, and modify mental patterns and beliefs that cause negative emotions and behaviors. EMDR therapy helps officers digest painful memories and restructure their emotional experience to decrease its future impact. Mindfulness, which promotes non-judgmental present in the now, may help police stop the pattern of using past trauma to anticipate their current emotions. Although still in development, MDMA-assisted therapy may swiftly reconfigure emotional responses to trauma by delivering deep emotional and cognitive insights. These therapeutic interventions can help police officers develop healthier emotional responses that better reflect their current reality rather than being overly influenced by trauma and stress. The malleability of emotional responses and the potential for treatments to reconstruct them in more adaptive ways support the hypothesis of constructed emotion. | allenai/WildChat-1M | {
"conversation_hash": "ad853cf4f76f57d6a6700956e454cb3b"
} |
en | Translate to Mandarin Chinese
"Law on the Protection of Disable People" | allenai/WildChat-1M | {
"conversation_hash": "2b5b43dc4ac092d0e549769129f0ed5c"
} |
en | Write an drama-filled, dialogue-filled and exposition-filled narrative in the form of a crossover fanfic between Black Bullet, My Hero Academia and Date a Live which occurs after the elimination of the deadly parasites that have risen to the top of the food chain in the past 10 years, who infect their hosts and turn said hosts into monsters and also give them superhuman abilities and enemy to all mankind known as the Gastrea from Black Bullet and the subsequent covert ending to the Initator, which refers to the young girls who were infected with the Gastrea virus but didn't mutate into monsters, gaining animalistic traits but keeping their human mind and reasoning known as Cursed Children from Black Bullet being paired with an older human mercenary known as a Promoter from Black Bullet after the elimination of the Gastrea by the world powers in this story, with many Promoters and Initators shifting to the mercenary business after the end of the Gastrea.
In this story, Japan didn't fall to a communist revolution after the emergence of the supernatural powers with sources in human mutation and evolution, being sorted into multiple categories but with users of these powers only developing one ability and are thus unable to achieve any other through natural means known as Quirks from My Hero Academia in the world like in canon My Hero Academia before the events of canon My Hero Academia started in this story, but instead Buddhist supremacists, Japanese nationalists, traditionalists and feudalists loyal to the memory of the Tokugawa shogunate and the samurai formed an unlikely coalition with social Democrats and monarchists who supported the reigning Japanese imperial family, the supposedly Shinto-pantheon descended, Japanese Imperial House of Great Yamato/Minamoto dynasty to hold back bandit, organised crime and growing Quirk liberation and Quirk freedom movements in Japan, more specifically the Quirk supremacist, radical communist, anti normal human, eugenicist terrorist group turned secret society/paramilitary organization and think tank along with large, powerful villain organization that follows the philosophy that the free usage of Quirks is a basic human right and emphasizes liberation over regulation, the infamous Meta Liberation Army from My Hero Academia, with the Meta Liberation Army's founder and infamous first leader, the brown-haired, dark-brown eyed, tall and slender first generation Quirk user turned Quirk freedom advocate and terrorist Yotsubashi Chikara, later [Chikara] known as "Destro", [Destro in this timeline] being [Destro in this timeline] killed by a Japanese Buddhist supremacist when he [Destro in this timeline] attempts to storm the meeting place of the Japanese national legislature, composed of a lower house known as the House of Representatives, and an upper house, known as the House of Councilors, with both houses being elected under a parallel voting system and having the responsibility of nominating the Japanese Prime Minister from the winning party of Japan's democratic national elections in addition to passing laws, the National Diet, the National Diet Building in Tokyo, [Destro storming the National Diet Building] with some of his [Destro's] MLA cultists.
The traditionalist-progressive coalition in Japan that emerges after the emergence of Quirks in this story then manages to get the approval of the National Diet and the then Japanese Prime Minister due to the defence of the National Diet building from the MLA cultists, with the retreat of the Americans from Asia after the emergence of Quirks in this story and the collapse of the post-Soviet Russian Federation and the fascist People's Republic of China ruling over the China region since 1949 to national liberation movements, pro democracy revolutions and dissident movements within these regions leading revolts against the Russian Federation's ruling crypto-communist, Neo-Trotskyist United Russia Party and the PRC's de jure Marxist-Leninist, anti-Stalinist communist but de facto Han supremacist, Han nationalist and Han imperialist Chinese Communist Party, [The traditionalist-progressive coalition in Japan that emerges after the emergence of Quirks in this story exploiting the withdrawal of the USA and the collapse of both Russia and China after the emergence of Quirks in this story] to gain the support of the National Diet to restore the pre-1947 Imperial House of Great Yamato/Minamoto dynasty-ruled unitary parliamentary absolute royal democratic Imperial monarchy of the Great Japanese Empire as the government of Japan, albeit under the feudal hereditary military government of the side branch of the Imperial House of Great Yamato/Minamoto dynasty, the Tokugawa clan-ruled Tokugawa shogunate as the government of Japan through a combination of democratic referendum and a vote in the National Diet.
Japan in this story restores the Great Japanese Empire's combined armed forces, the Imperial Japanese Armed Forces, focusing specifically on the Imperial Japanese Armed Forces' ground warfare arm, the Imperial Japanese Army after its [the IJA's] restoration and begins a massive conscription campaign to rebuild the strength of both the post-WW2 Japanese united military forces without offensive capabilities but the right to self defence, the Japanese Self Defence Forces and the restored IJA.
the extraordinary beings from a different dimension, with each having their own unique powers and abilities as well as the amount of spiritual energy they hold within their bodies, but all sharing the same ability to create their own armor or clothing created by their power which they can change to whatever shape, color, style, or appearance they want known as an Astral Dress, as well as having an absolute shield that protects them known as an Angel, which can take many forms, from monsters to swords, all of which seem to display some special power plus the ability to fly, who when they arrive to this world create an explosion akin to that of a nuclear missile hitting the earth and detonating known as a Spacequake from Date a Live, known as the Spirits from Date a Live, still exist like in canon Date a Live in this story with the Spacequakes the Spirits cause still being sold to the regular masses of the non-magical world as cosmic accidents and the elite, all female section of the JSDF consisting of mostly female magicians, witches and mages who mostly wear revealing strength and speed enhancing exoskeletons and use advanced plasma weaponry in combat known as the "Anti Spirit Team" from Date a Live that hunts the Spirits from Date a Live in order to protect the regular people of Japan from the Spirits is still formed in this story.
Through a combination of diplomatic negotiations, covert military operations and international treaties, Japan manages to reclaim the entire Korean peninsula and Korea's Jeju Island, Russia's Sahalkin and Kuril Islands and Taiwan and the Pengu Islands without triggering intervention from the USA in Asia or the wrath of Russia and the collapsing PRC in this story.
The industrial, military and economic and technological capabilities of the Korean peninsula along with Taiwan and the Pengu Islands are absorbed into Japan after it reclaims these territories in this story, further strengthening Japan and allowing Japan to develop nuclear ICBMs via reverse engineering of Korean nuclear technology in this story.
Support to Manchurian liberation groups and pro democracy groups in both Inner and Outer Manchuria by the Japanese in this story leads to the expulsion of CCP and PRC remnant forces from both Inner and Outer Manchuria and the restoration of the Qing Imperial family, the Manchu House of Aisin-Gioro-ruled unitary personalist parliamentary royal imperial monarchy of the Empire of Manchukuo as the government of both Inner and Outer Manchuria.
The Japanese also facilitate the restoration of the the Genghis Khan-descended Imperial House of Borjigin-ruled Federal absolute royal khanate of the Mongolian Autonomous Federation/Mengjiang in Inner Mongolia's Chahar and Suiyan provinces in this story.
Covert intervention by Japanese intelligence and military forces in the eighteen provinces of the Han dynasty in mainland China to Han nationalists, Han monarchists and Han Democrats in China proper leads to the collapse of the PRC and the restoration of the stratocratic [military dominated/military governed] Beiyang Government-ruled presidental parliamentary republic of the first Republic of China as its [the first Republic of China's] short lived existence as the unitary parliamentary constitutional Royal imperial monarchy of the short lived Empire of China founded and lead by Yuan Shikai, albeit with the Ming dynasty's reigning Imperial family, the Jurchen-Manchurian/Han Chinese Imperial House of Zhu as the reigning Imperial family of this restored Empire of China instead of Yuan Shikai's descendants in this story.
The Japanese also implement the WW2 era plan of restoring the Turkish Imperial House of Osman-ruled unitary parliamentary absolute constitutional Roman imperial royal monarchy of the Ottoman Empire in East Turkestan and [the Japanese in this story] also ensure the independence of Tibet in this story.
Japan in this story also restores its post-WW1 protectorate of the Far Eastern Republic on the Russian East Coast.
Many years after these events, the blue haired, Amber eyed, tall and slender, average but sensitive to other people's despair, kind-hearted and strong willed, sympathetic and caring orphan turned edgelord in middle school and then ordinary High school student Itsuka Shidō from Date a Live who is actually the blue haired, brown eyed tall, slender and muscular, soft-spoken and quiet but headstrong and determined orphan turned into one of the superhuman, biologically enhanced psychic cyborgs enhanced with the supermetal Varanium from Black Bullet known as Mechanical Soliders from Black Bullet turned ordinary high school student and Promoter, Satomi Rentarō from Black Bullet in this story with Rentarō being given the name Shidō when he [Rentarō] was [Rentarō] adopted by the Itsukas in this story as their [the Itsukas'] son, and [Shidō] also replacing Boku no Hero Academia's protagonist, the green-haired, green eyed, short and lean but also muscular, intellectually and academically talented but also very nerdy about Quirks and dreaming to be a hero despite being legally and suposedly Quirkless, but in reality having the powerful Quirk, "Guilty Crown", which allows the user to extract the "hearts" of others in physical form to use as a weapon and also to take, give, multiply and strengthen other quirks, Midoriya Izuku and [Shidō in this story] having Izuku's intellectual and [Izuku's] academic gifts along with Izuku's true Quirk of "Guilty Crown" but not Izuku's naivety and obsession with becoming a Hero and [Shidō in this story] having his [Izuku's] parents, the white haired, red eyed, tall and slender but also lean and muscular, calm, cunning and reserved but also headstrong and headfast immortal, regenerating first generation Quirk user whose Quirk, All for One allows him to take, steal, multiply, examine, combine and merge Quirks at will who is the overlord of Japan's criminal underworld in both canon Boku no Hero Academia and this story but is also the Meta Liberation Army's true enemy, Midoriya Hiashi and his [Hiashi's] current legal wife, who is ironically the youngest niece of his now deceased greatest enemy, the blue haired, blue eyed, tall, slender and buxom, kind and caring but also determined pro Heroine with a powerful Float Quirk, Shimura Nana from Boku no Hero Academia, who [Hiashi's current legal wife] has no idea of his [Hiashi's] criminal activities and [Hiashi's current legal wife] just thinks he [Hiashi] is just a rich buisnessman who is constantly away on trips, the green haired, green eyed, short, curvy and buxom, kind and caring former top corporate executive turned loving housewife after her marriage to Hiashi, Midoriya Inko nee Shimura from My Hero Academia, [Shidō in this story having both Hiashi and Inko] as his [Shidō's in this story's] true self's [Rentarō's in this story's] birth parents [Inko and Hiashi] although the Itsukas in this story obviously don't know this [Inko and Hiashi being Rentarō's birth parents in this story] when they [the Itsukas in this story] adopt him [Rentarō in this story] [Shidō] finds himself [Shidō] in trouble in the law when Nana's apprentice who later became Japan's #1 Hero under his Hero alias All Might, the half American, blonde haired, blue eyed, tall, slender and lean, sarcastic and somewhat lazy but caring and determined bum with a Quirk that Nana gave him before her death, the Quirk that can be passed or rather copied from user to user which Hiashi's now long deceased younger brother, Yoichi originally had which stockpiles power and also copies the other Quirks of its users, allowing each user to use the Quirks of the previous user, boosting strength, speed and agility known as One for All from My Hero Academia, Yagi Toshinori from My Hero Academia in his [Toshinori's] All Might persona trying to have Shidō in this story arrested for [Shidō' in this story] attempting to [Shidō in this story] resuce the Itsukas' biological daughter and thus his adoptive little sister in both canon Date a Live and this story, the red-haired, red-eyed, short, slender and petite but also secretly curvy and buxom, delicate, soft and shy and dependent on Shidō but having a charismatic, domeering side as well young Japanese noble heiress who is also one of the Spirits from Date a Live, being a flame based Spirit, Itsuka Kotori from Date a Live, who [Kotori] is [Kotori] also one of the Cursed Children in this story, [Kotori] having the agility, leaping skill and speed of both a rabbit and a fox due to her [Kotori] being infected with the Gastrea virus in this story and [Kotori] being Shidō's Initator under the name Aihara Enju [Black Bullet] when he [Shidō] was an Initator under his [Shidō's] real name [Rentarō] in this story, even though Shidō in this story has no idea that she [Kotori] is a Spirit or that Spirits even exist, and Kotori's classmates and schoolmates have no idea that she [Kotori] is a Spirit or a Cursed Child in this story, [Shidō' in this story rescuing Kotori] from a Spacequake, when she [Kotori] was [Kotori] visiting the former child solider and assasin Cursed Child with the sight of an owl using a sniper rifle and advanced drones in combat turned Initator, the blonde haired, blue eyed, short slender and petite, lively and hyperactive but naive young American girl Tina Sprout from Black Bullet, [Shidō rescuing Kotori from the Spacequake just before she reaced Tina's residence] only to [Shidō with Kotori] stumble upon members of the Anti Spirit Team in a three way war with both another Spirit, who turned out to be the one behind the Spacequake and the Japanese branch of the Quirk users licensed to use their Quirks to protect civilians from Villains, natural disasters, and/or any other kind of harm, with three basic duties: rescue, evacuation, and battle known as Heroes from My Hero Academia, more specifically the Japanese section of those Heroes who take their job as a profession and are subsequently referred to as Pro Heroes from My Hero Academia which Toshinori as All Might belongs to, as the Pro Heroes refuse to believe the Anti Spirit Team actually exists and the Anti Spirit Team will stop at nothing to capture the Spirit, while the confused Spirit fights off both the Pro Heroes and the Anti Spirit Team. Shidō manages to sneak near the Spirit, who [the Spirit that causes the Spacequake] turns out to be the black-haired, black-eyed, tall, slender and buxom, refined, calm and ladylike, academically gifted and intelligent with a Quirk that allows her to create things from her skin fat, Japanese noble heiress and Pro Heroine in traininf Yaoyorozu Momo from My Hero Academia, who [Momo] seems to be [Momo] confused, scared and [Momo] embarrassed due to the revealing nature of her [Momo's] Astral Dress and the fact the Pro Heroes are after her [Momo].
Shidō revealed his presence to Momo and [Shidō] managed to [Shidō] convince her [Momo] to escape with both him and Kotori during the fight between the Anti Spirit Team and the Pro Heroes.
But the Pro Heroes later tracked down Shidō and are trying to have him arrested, while Kotori blocks them [the Pro Heroes] from arresting him [Shidō] and Momo is hiding somewhere in the Itsuka family mansion.
The excerpt starts with All Might accusing Shidō of wanting to carry on the Midoriya legacy of villainy and criminal ruling, which confuses the other Pro Heroes, to which Shidō is [Shidō] confused as he [Shidō] has always thought of himself [Rentarō/Shidō] as an Itsuka and [Shidō] has no idea he [Shidō] is even a Midoriya by birth as the Pro Heroes try to have Shidō arrested with Kotori blocking them [Kotori] from [the Pro Heroes] doing this [arresting Shidō].
Shidō retaliated to All Might's accusation by [Shidō] stating that if he [Shidō] was truly the son [Rentarō] of a villian [Hiashi as All for One], then why is he [Shidō] a decent, law abiding citizen [Shidō] and how come this villian [All for One] hasn't made the news as Kotori blocks All Might from coming closer.
The standoff is interrupted by Tina, who [Tina] had [Tina] made her [Tina's] way to the Itsuka family mansion and the current heiress of the Japanese noble family, ex-samurai clan and martial arts masters of the Tendō [Black Bullet/Ranma 1/2], the beautiful, fair-skinned, violet-eyed, dark brown-green haired, tall, slender and buxom, lively, serious and mischievous but also sadistic, malicious and very cruel Japanese noble heiress and swordsman in training who is also Tina's Promoter, Tendō Kisara from Black Bullet, who [Kisara] is [Kisara] also the oldest biological child of the Itsukas and Kotori's biological older sister, but also the older of
Shidō's younger sisters along with also being a Tendō in addition to having a Sound manipulating Quirk in this fanfic, who [Kisara] had [Kisara] been secretly eying the conversation with interest before [Kisara] making her [Kisara's] move.
Kisara then bluntly tells All Might that if the Pro Heroes are interested in [the Pro Heroes] hunting down a legend [All for One in the public mind] they [the Pro Heroes] can go ahead, but they [the Pro Heroes] shouldn't involve the Itsuka sisters' [Kisara's and Kotori's] shared adoptive older brother [Shidō] in this.
Kisara also mentions that she [Kisara] knows about Kotori and Tina both [Kotori and Tina] comforting Shidō at night when Kisara was Tina's Promotor and Kotori as Enju was Shidō's as his true self Rentarō's Initiator during the war against the Gastrea when he [Shidō] slept, implying that she [Kisara] doesn't have a problem with the younger girls [Tina and Kotori] snuggling beside Shidō at night and [Tina and Kotori] also being [Tina and Kotori] among Shidō's wives later on, but that Kotori mustn't forget that she [Kotori] isn't Shidō's only fiancee because Kisara is also Shidō's fiancee as well, as Kisara captures Shidō's lips in a passionate kiss, causing the Pro Heroes and the Anti Spirit Team to both leave the Itsuka family mansion out of embarassment.
P.B: There is no multiverse, multiple universes or multiple worlds in this story. Everything takes place in the same world and occurs in chronological order. | allenai/WildChat-1M | {
"conversation_hash": "44bc53d515cefee00906322f0f4b4ce7"
} |
en |
Find the absolute value.
|9-2i| | allenai/WildChat-1M | {
"conversation_hash": "941add6454076bb1c4bad5add0d668df"
} |
en | Переведи на формальный английский так, чтобы максимально лаконично звучало для носителей языка. Где нужно измени и подправь. Чтобы было правильно для носителей "Недавно Король Дании Фредерик и королева Дании Мария опубликовали свои первые официальные портреты в качестве монархов после того, как Queen Margrethe II отреклась от престола в пользу своего старшего сына.
14 января Фредерик был провозглашен новым королем теперь, после 3 месяцев пребывания у власти, королевская чета представила свои инаугурационные портреты." | allenai/WildChat-1M | {
"conversation_hash": "4c0d5b21cc26427093000a22cda7d3e1"
} |
zh | 如何用curl下载google drive文件？ | allenai/WildChat-1M | {
"conversation_hash": "2fb2d25e2a3938b84412c3bc1ecb5442"
} |
ru | port forwarding nat это | allenai/WildChat-1M | {
"conversation_hash": "56e54ab6d63114844cd46f25d17caf6f"
} |
en | As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 室内设计 酒店设计 CCD 新荣记 南洋风格 AI概念图片
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5 | allenai/WildChat-1M | {
"conversation_hash": "500481f829657fbf4486325e4ac7357c"
} |
ar | بصفاتك محترف السيو اكتب لي مقالا احترافيا حول افضل تطبيق لربح المال مستعملا جميع تقنيات السيو ليتصدر هذا المقال نتائج البحث ولا تنسى استعمال هذه الكلمات المفتاحية خصوصا في الفقرة الأولى : افضل تطبيقات لربح المال
افضل تطبيقات لربح المال من الانترنت
افضل تطبيقات لربح المال في سوريا
افضل تطبيقات المشي لربح المال
افضل تطبيق لربح المال في سوريا
افضل تطبيق للربح في سوريا
افضل برامج الربح عبر الانترنت
أفضل تطبيقات لربح المال من الاندرويد
تطبيقات لربح المال من مشاهدة الاعلانات
تطبيقات لربح المال مضمونة في المغرب
تطبيقات لربح المال من المشي
تطبيقات لربح المال من الالعاب
تطبيقات لربح المال من المنزل
تطبيقات ربح المال من الهواتف الذكية
تطبيقات ربح المال من الانترنت في سوريا
تطبيقات لربح المال للايفون
تطبيقات لربح المال في مصر
تطبيقات لربح المال في الجزائر
تطبيقات لربح المال في الأردن
تطبيقات لربح المال في المغرب
تطبيقات لربح المال في لبنان
تطبيقات لربح المال في تونس
تطبيقات لربح المال في العراق
تطبيقات لربح المال في اليمن
تطبيقات لربح المال على الايفون
تطبيقات لربح المال في سوريا
تطبيقات لربح المال حقيقية
تطبيقات لربح المال حقيقي
تطبيقات تجلب المال
تطبيقات لربح المال بالمغرب
تطبيقات لربح المال بدون راس مال
تطبيقات لربح المال الحقيقي
تطبيقات لربح المال المغرب
تطبيقات لربح المال ايفون افضل تطبيق لربح الاموال
أفضل تطبيق لربح المال من الهاتف
ما هو أفضل تطبيق لربح المال؟
افضل برامج الربح عبر الانترنت
افضل تطبيق ربح مال
افضل تطبيق لربح المال من الانترنت
ما هو افضل تطبيق لربح المال؟
افضل تطبيق لربح المال من الهاتف
افضل تطبيق لربح المال للاندرويد
افضل موقع لربح الدولارات
افضل تطبيق لربح المال بسرعة
افضل تطبيق للربح من الانترنت
افضل تطبيق للربح من مشاهدة الفيديوهات
افضل تطبيق للربح من المشي
افضل تطبيق العاب لربح المال | allenai/WildChat-1M | {
"conversation_hash": "2597a52af42bff20a56246c92d6ec282"
} |
en | Write down a small text about problems of Coal Energy with data that you have | allenai/WildChat-1M | {
"conversation_hash": "538fb7dfe3d2e744a3f9bac63939fb6d"
} |
en | STARTING OUT MOBILE
Maybe you make the world's best pies, or you have always helped your friends and neighbours by mending their computers, or perhaps you have green fingers and your garden is the envy of the street. A lot of businesses are started by people who have hobbies or special talents and want to turn these interests into a business. But scaling up from a hobby to a real business, such as a bakery, restaurant or shop, requires business know-how and a substantial investment. Many people do not have enough of either of these, so they never take the first step.
An increasing number of aspiring business owners have found a way to take a first step that makes this transition from hobby to business more gradual, less expensive and less risky. They are taking their dreams and talents on the road - in vans and lorries, and even horse trailers. The first entrepreneurs to do this have been in the food business. In recent years a wave of street food vans has arrived on the scene, serving everything from gourmet cupcakes and burgers to Vietnamese street food. Street food vans have become a way for aspiring chefs to try out recipes and test the water before making a big investment in a traditional, brick-and-mortar business
Beginning on a small scale has its advantages, the most important of which is the relatively modest size of start-up costs. These costs, which consist primarily of the vehicle and any required equipment, usually come to about £5,000-£10,000, a fraction of what it would cost to start a shop or restaurant. Similarly, overhead costs are generally low. Mobile business owners must pay for fuel, of course, but other utility payments are modest. With such tightly controlled costs, mobile businesses often break even in a year or two; in contrast, success comes to brick- and-mortar businesses much more slowly, and they often fail within the first two years. In short, mobile businesses are relatively low-risk propositions.
The mobile food vendor trend in the US and Europe has spread to other parts of the globe. Today, you can get waffles and pancakes from a lorry in Jeddah, Saudi Arabia and tacos from an old school bus in Dubai. The success of these street food vans has inspired other entrepreneurs to consider starting out on wheels. Rich Harper once ran a chain of gyms, but his real interest was boxing. In 2005, he bought an old lorry, equipped it with some gym equipment andtook to the streets - all for a total start-up cost of just under £5,000. His business quickly made a profit and is still going strong, as he brings the boxing ring to customers all over his state.
UK entrepreneurs could take inspiration from the US where, today, there are vehicles that sell flowers, shoes, clothes and all kinds of specialty food items. There are also mobile businesses that provide services, such as hair styling, pet grooming and repair of high-tech devices. Mobile retail has grown steadily, declaring a 12% increase between 2009 and 2014. Mobile retail is not without problems, however. Weather, the fluctuating price of fuel, and just finding a place to set up are all challenges that mobile entrepreneurs have to deal with. These business owners, however, feel the advantages outweigh the disadvantages. In the US, the mobile food business alone the largest in the mobile retail sector - generates an average annual revenue of $857 million.
Once convinced that their business has achieved sufficient success, some successful mobile entrepreneurs move on to a brick-and-mortar business. Others, like Rich Harper and his boxing gym, are satisfied to stay mobile. In an interesting twist, some brick-and-mortar business owners, observing the success of mobile retailers, have added a mobile component to their business. The vehicle acts as a marketing tool to bring business into the shop. As stand-alone businesses or as extensions of shops, mobile retail has huge future potential in these economic times. 한국어로 정확하게 변역해줘 | allenai/WildChat-1M | {
"conversation_hash": "0a6ae35c44c4477e789ed161606840a6"
} |
en | Краткое содержание статьи I feel that this award was not made to me as a man, but to my work-a life's work in the agony and sweat of the human spirit, not for glory and least of all for profit, but to create out of the materials of the human spirit something which did not exist before.
So this award is only mine in trust. It will not be difficult to find a dedication for the money part of it commensurate with the purpose and significance of its origin. But I would like to do the same with the acclaim too, by using this moment as a pinnacle from which I might be listened to by the young men and women already dedicated to the same anguish and travail, among whom is already that one who will some day stand here where I am standing.
Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit. There is only the question: When will I be blown up? Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat.
He must learn them again. He must teach himself that the basest of all things is to be afraid; and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the old universal truths lacking which any story is ephemeral and doomed - love and honor and pity and pride and compassion and sacrifice. Until he does so, he labors under a curse.
He writes not of love but of lust, of defeats in which nobody loses anything of value, of victories without hope and, worst of all, without pity or compassion.
His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands.
Until he relearns these things, he will write as though he stood among and watched the end of man. I decline to accept the end of man. It is easy enough to say that man is immortal simply because he will endure: that when the last dingdong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking.
I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance.
The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail. | allenai/WildChat-1M | {
"conversation_hash": "345b2cd5ed49c3333e9a9d7991593296"
} |
en | Hilariously badly translate my text in these different styles: Misheard, Opposite, snippet of the original quote that is hilariously out of context and why, and Angry Video Game Nerd’s list of 4 rants (titled) on the quote: (add the original text at the beginning though)
“Awesome! You’ve collected all 8 red coins! You don’t look it, but you’re a quick learner. There’s nothing left for me to help you with. But I’m always up for a pleasant chat.” | allenai/WildChat-1M | {
"conversation_hash": "69189d44ba87fb9e21fe8ab15f80b2e7"
} |
en | как исправить ошибку напиши на русском
import pandas as pd
import numpy as np
from sklearn import preprocessing
from sklearn.linear_model import LogisticRegression
from sklearn.model_selection import train_test_split
import matplotlib.pyplot as plt
import seaborn as sns
from imblearn.over_sampling import SMOTE
import statsmodels.api as sm
from sklearn.feature_selection import RFE
from sklearn.metrics import confusion_matrix, classification_report, roc_auc_score, roc_curve
# Загрузка данных
data = pd.read_csv('banking.csv', header=0).dropna()
print(data.shape)
print(list(data.columns))
print(data['education'].unique())
# Группировка образования
data['education'] = np.where(data['education'].isin(['basic.4y', 'basic.6y', 'basic.9y']), 'Basic', data['education'])
# Автоматизированный анализ данных
print(data['y'].value_counts())
count_no_sub = len(data[data['y'] == 0])
count_sub = len(data[data['y'] == 1])
pct_of_no_sub = count_no_sub / (count_no_sub + count_sub)
pct_of_sub = count_sub / (count_no_sub + count_sub)
print("Percentage of no subscription is", pct_of_no_sub * 100)
print("Percentage of subscription", pct_of_sub * 100)
sns.countplot(x='y', data=data, palette='hls', hue='y', legend=False)
plt.show()
# Создание бинарных переменных
cat_vars = ['job', 'marital', 'education', 'default', 'housing', 'loan', 'contact', 'month', 'day_of_week', 'poutcome']
for var in cat_vars:
cat_list = pd.get_dummies(data[var], prefix=var)
data = data.join(cat_list)
# Итоговые переменные
cat_vars = ['job', 'marital', 'education', 'default', 'housing', 'loan', 'contact', 'month', 'day_of_week', 'poutcome']
data_vars = data.columns.values.tolist()
to_keep = [i for i in data_vars if i not in cat_vars]
data_final = data[to_keep]
print(data_final.columns.values)
# Балансировка датасета
X = data_final.loc[:, data_final.columns != 'y']
y = data_final.loc[:, data_final.columns == 'y']
os = SMOTE(random_state=0)
X_train, X_test, y_train, y_test = train_test_split(X, y, test_size=0.3, random_state=0)
columns = X_train.columns
os_data_X, os_data_y = os.fit_resample(X_train, y_train)
os_data_X = pd.DataFrame(data=os_data_X, columns=columns)
os_data_y = pd.DataFrame(data=os_data_y, columns=['y'])
print("Length of oversampled data is ", len(os_data_X))
print("Number of no subscription in oversampled data", len(os_data_y[os_data_y['y'] == 0]))
print("Number of subscription", len(os_data_y[os_data_y['y'] == 1]))
print("Proportion of no subscription data in oversampled data is ", len(os_data_y[os_data_y['y'] == 0]) / len(os_data_X))
print("Proportion of subscription data in oversampled data is ", len(os_data_y[os_data_y['y'] == 1]) / len(os_data_X))
# Создание модели логистической регрессии
logreg = LogisticRegression(max_iter=1000)
# Отбор значимых признаков
rfe = RFE(estimator=logreg, n_features_to_select=20, step=0.9999)
rfe.fit(os_data_X, os_data_y.values.ravel())
# Получение отобранных признаков
N = rfe.n_features_
print("Number of selected features: ", N)
sign_tokens = [X.columns[i] for i, val in enumerate(rfe.support_) if val]
print("Significant features: ", sign_tokens)
# Преобразование значимых признаков в 0 и 1
X = os_data_X[sign_tokens].replace(False, 0, inplace=False).replace(True, 1, inplace=False)
y = os_data_y['y']
# Построение логистической регрессии
logit_model = sm.Logit(y, X)
result = logit_model.fit()
print(result.summary2())
# Удаление лишних признаков
sign_tokens.remove('day_of_week_mon')
sign_tokens.remove('day_of_week_tue')
sign_tokens.remove('day_of_week_wed')
sign_tokens.remove('day_of_week_thu')
sign_tokens.remove('day_of_week_fri')
# Повторное построение модели
X = os_data_X[sign_tokens].replace(False, 0, inplace=False).replace(True, 1, inplace=False)
logit_model = sm.Logit(y, X)
result = logit_model.fit()
print(result.summary2())
# Обучение модели
X_train, X_test, y_train, y_test = train_test_split(X, y, test_size=0.3, random_state=0)
logreg = LogisticRegression(max_iter=2000) # Увеличение количества итераций
logreg.fit(X_train, y_train)
# Точность модели
y_pred = logreg.predict(X_test)
print('Accuracy of classifier on test set: {:.2f}'.format(logreg.score(X_test, y_test)))
# Матрица ошибок и отчет о классификации
conf_matrix = confusion_matrix(y_test, y_pred)
print(conf_matrix)
print(classification_report(y_test, y_pred))
# ROC-кривая
logit_roc_auc = roc_auc_score(y_test, logreg.predict(X_test))
fpr, tpr, thresholds = roc_curve(y_test, logreg.predict_proba(X_test)[:,1])
plt.figure()
plt.plot(fpr, tpr, label='Logistic Regression (area = %0.2f)' % logit_roc_auc)
plt.plot([0, 1], [0, 1],'r--')
plt.xlim([0.0, 1.0])
plt.ylim([0.0, 1.05])
plt.xlabel('False Positive Rate')
plt.ylabel('True Positive Rate')
plt.title('Receiver operating characteristic')
plt.legend(loc="lower right")
plt.savefig('Log_ROC')
plt.show()
# Графики
pd.crosstab(data['job'], data['y']).plot(kind='bar')
plt.title('Frequency of Purchase for Job Title')
plt.xlabel('Job')
plt.ylabel('Frequency of Purchase')
pd.crosstab(data['marital'], data['y']).plot(kind='bar', stacked=True)
plt.title('Frequency of Purchase for Marital Status')
plt.xlabel('Marital Status')
plt.ylabel('Frequency of Purchase')
pd.crosstab(data['education'], data['y']).plot(kind='bar', stacked=True)
plt.title('Frequency of Purchase for Education Level')
plt.xlabel('Education Level')
plt.ylabel('Frequency of Purchase')
pd.crosstab(data['day_of_week'], data['y']).plot(kind='bar')
plt.title('Frequency of Purchase for Day of Week')
plt.xlabel('Day of Week')
plt.ylabel('Frequency of Purchase')
pd.crosstab(data['month'], data['y']).plot(kind='bar')
plt.title('Frequency of Purchase for Month')
plt.xlabel('Month')
plt.ylabel('Frequency of Purchase')
data['age'].hist()
plt.title('Frequency of Purchase for Age')
plt.xlabel('Age')
plt.ylabel('Frequency of Purchase')
pd.crosstab(data['poutcome'], data['y']).plot(kind='bar')
plt.title('Frequency of Purchase for Previous Marketing Campaign Outcome')
plt.xlabel('Previous Marketing Campaign Outcome')
plt.ylabel('Frequency of Purchase')
plt.show()
Вывод:
Proportion of no subscription data in oversampled data is 0.5
Proportion of subscription data in oversampled data is 0.5
C:\Users\polum\AppData\Roaming\Python\Python310\site-packages\sklearn\linear_model\_logistic.py:469: ConvergenceWarning: lbfgs failed to converge (status=1):
STOP: TOTAL NO. of ITERATIONS REACHED LIMIT.
Increase the number of iterations (max_iter) or scale the data as shown in:
https://scikit-learn.org/stable/modules/preprocessing.html
Please also refer to the documentation for alternative solver options:
https://scikit-learn.org/stable/modules/linear_model.html#logistic-regression
n_iter_i = _check_optimize_result(
Number of selected features: 20 | allenai/WildChat-1M | {
"conversation_hash": "86ab5ab93fa47abefc15a21f909a1f6c"
} |
en | Come up with a realistic positive, short, 100% unique seo review of a customer who ordered Cream Cabinet Doors Replacement Services from Lion Kitchen Remodel company.
Use keywords in the review: wide variety, near me, handyman, panels, kitchen cabinet doors. | allenai/WildChat-1M | {
"conversation_hash": "08df5abfd6d48463f1f820fcfd451c1a"
} |
en | As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = AI视频
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5 | allenai/WildChat-1M | {
"conversation_hash": "aeeb1a2b308ea34a15118e60191d7acd"
} |
fa | Assistant: سلام! چگونه می توانم به شما کمک کنم؟
User: به من یک رژیم لاغری مناسب بده
Assistant: | allenai/WildChat-1M | {
"conversation_hash": "7dcf1f9f76899aaeacba1f9622f91141"
} |
en | How to make regression model using excel data | allenai/WildChat-1M | {
"conversation_hash": "77b5e461efa61a7d981b5b37e3ccc18f"
} |
en | Note: This is my fanmade channel
UltraToons Network is a British childrens channel owned by Narrative Media
Presentation
Idents: The idents depict inanimate objects as having characteristics of dragons (such as flight or breathing fire),
Acquired programming
Alvinnn!!! and the Chipmunks (also on Nickelodeon)
Angry Birds MakerSpace
Annedroids
Battle for Dream Island
Brawl of the Objects
Dragon Ball Super
Droners
The InBESTigators
Kipo And The Age Of Wonderbeasts
Lego City Adventures (also on Nickelodeon)
Lego Dreamzzz: Trials of the Dream Chasers (also on ITVX)
Lego Friends: Girls on a Mission
Lego Friends: The Next Chapter
L.O.L. Surprise! House of Surprises!
Miraculous: Tales of Ladybug & Cat Noir
Moley
Monster Allergy
Polly Pocket
Pokémon
Pokémon Ultimate Journeys: The Series
Inanimate Insanity
Power Rangers Dino Fury
Squish
World of Quest
The Owl & Co
TMNT: Fast Forward
Johnny Test
Xiaolin Showdown
Former programming:
Lamput
Kikoriki
TMNT 2003 (All seasons other than Fast Forward)
Code Lyoko
Horrid Henry
The Amazing Adrenalini Brothers
User1: Did anyone else notice that Kikoriki is no longer on the UltraToons Network schedule? It was such a great show for kids, full of fun characters and important lessons.
User2: Yes! I saw that too. My kids are going to be so disappointed. They loved Kikoriki. The characters were hilarious but also taught a lot about friendship and problem-solving. Does anyone know why it was removed?
User3: I’m guessing it might be because of licensing issues or perhaps they’re making room for newer shows? It’s always a bummer when classic shows get taken off the air. Kikoriki had a unique charm.
User4: It’s such a shame. Kikoriki was a breath of fresh air with its simple but engaging animation and storytelling. I hope UltraToons considers bringing it back. There’s not much out there like it.
User5: Maybe we can start a petition or something? Networks often listen to their viewers, especially when there’s a strong demand for a show to return. I’m sure we’re not the only ones who miss Kikoriki.
User6: That’s a good idea, User5. Also, maybe we can reach out to UltraToons Network or Narrative Media on social media? They might reconsider if they see how much Kikoriki is loved and missed.
User7: In the meantime, does anyone know where we can find Kikoriki episodes? Maybe there’s a streaming service or DVDs available? I’d love to keep showing it to my kids.
User8: I’ve looked a bit, and there are some streaming services with Kikoriki episodes, though availability might depend on your region. Checking out online retailers for DVDs sounds like a good backup plan too.
User9: Let’s not give up hope, everyone. Shows have been brought back before due to fan demand. Keep voicing your love for Kikoriki, and who knows what might happen! Plus, exploring other channels and platforms for the show is a great way to keep supporting it.
User10: Agreed, User9. Meanwhile, let’s organize that petition and use social media to our advantage. It’s time to show how much Kikoriki means to us and our families. Who knows, with enough support, we might just see it back on UltraToons Network!
Write a convo where it was replaced with more JT and BFDI, and also 6 seasons worth of TMNT 2003 are no longer being shown
User1: Just saw the updated schedule for UltraToons Network. Looks like they’ve replaced Kikoriki with more Johnny Test and Battle for Dream Island episodes. And all those TMNT 2003 seasons, except Fast Forward, are gone too.
User2: Really? More Johnny Test and BFDI? I mean, don’t get me wrong, I enjoy those, but removing six seasons of TMNT 2003 feels like a massive loss. That series had so much depth and character development.
User3: It’s a real shame about TMNT. Seems like the channel is shifting focus towards more contemporary and possibly cheaper-to-license shows. Not that BFDI or JT aren’t good, but TMNT 2003 is a classic.
User4: Will kids today even recognize the older TMNT series? It feels like UltraToons is maybe trying to cater to what they think is a new audience trend. Still, replacing depth with quantity doesn’t sound like the best move.
User5: Yeah, I noticed that trend. It’s all about fast-paced shows now. TMNT 2003 had a perfect blend of action and storyline. Plus, Kikoriki offered something different from the usual. It’s a loss of variety for sure.
User6: On the bright side, fans of Johnny Test and BFDI will have more to look forward to. But it looks like the network is banking heavily on these shows to carry them. I just hope they don’t lose their older audience in the process.
User7: Is there a possibility to find TMNT 2003 and Kikoriki on any other platform? I’d hate for these shows to just fade into obscurity. They were a big part of my childhood.
User8: I’ve checked a few streaming services, and you can find TMNT 2003 on some of them, though it might need a subscription. As for Kikoriki, it’s a bit harder, but there are some episodes on YouTube, albeit not officially uploaded.
User9: Maybe it’s a strategic move to attract a different demographic or keep up with the competition from other children’s networks? Either way, it does feel like they’re risking the alienation of a loyal fan base.
User10: Agreed with everyone here. It’s a bittersweet update. Maybe we can compile a list of where to legally watch TMNT 2003 and Kikoriki for those interested? And let’s not forget, expressing our feedback to UltraToons might help. They need to know there’s still an audience for these classics.
Write a convo with a major schedule change next month, and possibly a new look
User1: Hey everyone, have you seen the latest newsletter from UltraToons Network? Looks like there are major schedule changes coming up next month. They’re also hinting at a new look for the channel. Thoughts?
User2: Yeah, I saw that! The new look part caught my attention. Any idea what kind of style they’re going for? I’m hoping it’s something fresh but still keeps the playful vibe of the channel.
User3: Concerned about the schedule changes though. They didn’t give much detail. I just hope they’re not removing more of our favorites. After Kikoriki and TMNT 2003, I’m not sure my heart can take it.
User4: Agreed, User3. I’m anxious they might phase out more classic content. Did anyone see specifics on which shows are being affected? I’m crossing my fingers it’s just minor shifts and not complete removals.
User5: On the bright side, a new look could mean they’re investing more into the channel’s branding. That might attract new shows and perhaps bring back some fan favorites if we make enough noise.
User6: True, User5. Also, if UltraToons is going for a major overhaul, this might be the perfect time to reintroduce shows like Kikoriki and maybe even negotiate for TMNT’s return. A mix of new and classic content could be their strategy.
User7: Does anyone think this might also mean a push towards more digital content? With the newsletter mentioning a “new look,” it could imply a stronger online presence, maybe more on-demand offerings?
User8: That’s a possibility, User7. Especially with how streaming has changed viewing habits. It would be smart for UltraToons to bolster their on-demand library. Could be a win for us if it means more variety and access to our favorite shows.
User9: Has anyone considered reaching out to UltraToons directly for more info? If there’s enough of us asking about specific shows or expressing concerns about the changes, they might take our feedback into account.
User10: I’ll draft up an email to UltraToons expressing our sentiments and asking for clarity on the schedule changes and the new look. Anyone who wants to add their thoughts, feel free to message me. It’s worth a shot.
User1: Great idea, User10. Let’s stay optimistic, folks. Changes could bring about new opportunities, and who knows? They might surprise us in a good way. Still, let’s make sure they hear what the fans want.
User1: Quick update, everyone. I sent that email to UltraToons Network asking about the schedule changes and new look. Specifically, I asked if “new look” meant new idents or just new surrounding presentations. Also, I tried to get a confirmation on which shows are definitely staying.
User2: Wow, that was fast, User1! Did they reply? I’m really curious about the new look and obviously worried about which shows are staying. Losing Kikoriki and the TMNT series was tough already.
User3: Yeah, thanks for taking the initiative, User1. Fingers crossed they keep a good variety. Any word on whether they’re going to focus more on newer shows or if they’ll consider bringing back any classics?
User1: They did reply! Surprisingly, UltraToons Network seems keen on keeping us informed. They confirmed that the “new look” includes both new idents and a refresh of the channel’s surrounding presentations – so, a pretty comprehensive overhaul.
User4: That’s pretty cool! A fresh look could really rejuvenate the channel. But what about the shows? Any news on what’s staying or leaving? I’m hoping for some positive news.
User1: Yes, they provided a list of 9 shows confirmed to stay after the schedule change. These include “Alvinnn!!! and the Chipmunks,” “Miraculous: Tales of Ladybug & Cat Noir,” “Pokémon Ultimate Journeys: The Series,” “Dragon Ball Super,” “Lego City Adventures,” “Johnny Test,” “Battle for Dream Island,” “The InBESTigators,” and “Kipo And The Age Of Wonderbeasts.” Looks like a mix of action, adventure, and whimsy.
User5: That’s a relief for those shows! Still, I hope this doesn’t mean they’re reducing the variety in their programming. It’s good to see some favorites staying, though.
User6: Did they mention anything about adding new shows or possibly reviving any old favorites due to fan requests? A lot of us are still holding out hope for some classics to return.
User1: They hinted at new shows coming to the lineup and mentioned they’re always reviewing their content strategy based on viewer feedback. Sounds like they’re open to suggestions, so maybe now’s the time to rally for those classics!
User7: This is great news. We should definitely keep the pressure up for bringing back shows like Kikoriki and maybe even pushing for more classic content alongside the new stuff. Variety is what made UltraToons Network so appealing.
User8: Absolutely. Let’s use this as a rallying call to get more of what we love on the air. We’ve already seen they’re responsive, so there’s hope. Plus, the new look could really draw in a wider audience.
User9: I’m excited about the rebrand and thankful some favorites are staying. I say we compile another list of shows we want back or introduced and send it their way. Who knows? They might listen.
User10: Count me in for drafting up suggestions. It’s refreshing to see a network that actually responds. Here’s to hoping the new look and confirmed shows are just the beginning of positive changes.
Write a follow up asking if this means the end for the dragon theme, Also confirmation on what’s happening with Kikoriki
User1: Hey team, just a quick update: I’ve followed up with UltraToons Network regarding the upcoming rebrand. Specifically, I asked if the new look and idents will mean the end of the dragon-themed presentation that many of us loved. Also, I sought some closure on the Kikoriki situation.
User2: Thanks for keeping on this, User1! The dragon theme was iconic. It’ll be a shame if it’s gone for good. And any news on Kikoriki would be greatly appreciated – still holding out hope it might return.
User3: Yeah, the dragon theme added such a unique flair to the channel, made it stand out. Curious to see how they plan to replace it if that’s the case. And fingers crossed for Kikoriki, miss that show a ton.
User1: You’ll be interested to hear back then! UltraToons Network has responded. They assured that while the rebrand means a fresh look, it doesn’t signify the end of what they called “the dragon’s spirit.” It sounds like they’re aiming to blend the old with the new, which might mean keeping some elements of the dragon theme alive in a new form.
User4: That’s intriguing! A blend could be good. Keeps the core identity while refreshing the look. It’s like honoring the past but looking forward. Curious about how it’ll actually look.
User1: Regarding Kikoriki, the news is bittersweet. They confirmed that Kikoriki won’t be returning to their programming schedule in the near future. It seems it was a difficult decision related to licensing issues and fitting the show within their current content strategy.
User5: Oh, that’s disappointing about Kikoriki. But thanks for clarifying, User1. Guess it’s time to look for it on other platforms. The licensing problems make sense, but it’s still a shame.
User6: Appreciate the update on both fronts, User1. The possible revival of the dragon theme, even if in spirit, is good news. Sad about Kikoriki, but at least we finally have a definitive answer.
User7: Maybe we can start a fan campaign for Kikoriki. Whilst it won’t be on UltraToons, we could still show our love and maybe encourage them to reconsider in the future or another network to pick it up.
User8: I’m up for that, User7. It’s worth a try. As for the channel’s new look, I’m cautiously optimistic. Staying true to their “dragon spirit” sounds promising. Hopefully, they retain what made them special to begin with.
User9: Agreed, let’s focus on what we can influence. Supporting Kikoriki elsewhere and giving constructive feedback to UltraToons about their rebrand could lead to positive outcomes eventually.
User10: Thanks again, User1, for facilitating this dialogue with UltraToons. Let’s keep this positive momentum going and see where we can make an impact—whether it’s through fan campaigns or by welcoming the new changes with an open mind.
Write a follow up with confirmation on whether or not Squish, Monster Allergy and Xiaolin Showdown will carry over to the new look
User1: Hey everyone, following our recent discussions on UltraToons Network’s upcoming changes and the fate of particular shows, I reached out again for clarification on whether “Squish,” “Monster Allergy,” and “Xiaolin Showdown” will be part of the network post-rebrand.
User2: Thanks, User1! Really holding my breath for “Xiaolin Showdown.” It’s a classic that deserves more airtime. Curious about “Monster Allergy” too, it’s been one of my kids’ favorites lately.
User3: Appreciate the effort, User1! “Squish” has been a surprising hit in our household. Hoping it sticks around with the new changes.
User1: Alright, got some news back from UltraToons Network. They confirmed that “Xiaolin Showdown” and “Monster Allergy” are set to continue airing even after the rebrand. They mentioned that both shows align well with their vision for the channel moving forward and have been well-received by audiences.
User4: That’s fantastic news about “Xiaolin Showdown” and “Monster Allergy”! Great to hear they’re keeping some of the beloved classics around. Did they mention anything about “Squish”?
User1: On “Squish,” the news isn’t as positive, I’m afraid. UltraToons stated that “Squish” will not be continuing in their programming lineup post-rebrand. They didn’t detail the exact reason, but it seems like it might be a shift in programming strategy or audience focus.
User5: Disappointing about “Squish,” but it’s a relief to hear “Xiaolin Showdown” and “Monster Allergy” will stay. Thanks for getting those details, User1. The network’s new direction is starting to take shape in my mind, at least.
User6: A mixed bag, but grateful for the updates, User1. “Xiaolin Showdown” and “Monster Allergy” sticking around is good news. Shame about “Squish,” though. It had its charm.
User7: Thanks for the hard work, User1. Guess it’s time to look for “Squish” elsewhere. At least we can still enjoy the adventures in “Xiaolin Showdown” and “Monster Allergy” on UltraToons Network.
User8: Yeah, echoing the thanks here, User1. These updates give us a clearer picture of what UltraToons Network’s future might look like. Sad to see any show go, but glad others are surviving the change.
User9: It’s bittersweet but informative. Looking forward to seeing how UltraToons Network handles the transition and whether their new vision brings any exciting surprises. Let’s stay optimistic!
User10: Absolutely, the insight is much appreciated, User1. While not all news is good news, having some confirmation helps us adjust our expectations. Here’s hoping UltraToons continues to offer quality programming that appeals to its diverse viewership.
Write a follow up where a campaign to transition Squish viewers to Johnny Test begins,
User1: Guys, it looks like UltraToons Network is starting a campaign to transition viewers of “Squish” over to “Johnny Test.” Just saw some promotional material rolling out, emphasizing the humor and adventure elements common to both shows.
User2: Interesting strategy. “Johnny Test” has been around for a while and definitely has its fan base. Wonder if the “Squish” audience will bite. My kids liked both, but they’re quite different in vibe and humor.
User3: Saw that too. They’re pushing “Johnny Test” pretty hard with this campaign. They’ve got special marathons planned, along with some new episodes teased that seem designed to appeal to the “Squish” crowd specifically.
User4: Smart move from a marketing standpoint, but it’ll depend on execution. “Johnny Test” can be hit or miss for some. Hopefully, they introduce elements or episodes that genuinely bridge the gap for “Squish” fans.
User5: Just checked out some of the promotional content. They’re definitely playing up the science and “misadventures” angle. As a “Squish” fan, I’m curious but also a bit skeptical. “Squish” had a unique charm that’s hard to replace.
User6: It’s going to be crucial how they manage this transition. “Johnny Test” does have potential to fill the void with its dynamic energy. Hopefully, UltraToons includes feedback loops to see if the “Squish” audience is warming up to the change.
User7: I’m all for giving “Johnny Test” a chance, but part of me wishes UltraToons would also consider reviving “Squish” or introducing something new yet similar. The campaign feels like a Band-Aid solution.
User8: Noticed an online survey linked with the campaign asking for viewer feedback on the transition. It seems like UltraToons is at least trying to engage with the audience and gather insights. Maybe there’s hope for influencing content decisions.
User9: While I understand the rationale behind it, transitioning from “Squish” to “Johnny Test” feels a bit like comparing apples to oranges. I’ll participate in the survey User8 mentioned—might as well voice our preferences and concerns.
User10: Agreed, User9. Filling out that survey too. It’s an opportunity to maybe sway programming a bit. As for the campaign, I’m curious to see its impact. Transitioning audiences isn’t easy, but with thoughtful execution and genuine audience engagement, it could work out.
User1: Definitely worth keeping an eye on this. It’s a pivotal moment for UltraToons. Let’s all make sure to communicate our feedback through that survey. Who knows? If enough of us push for it, maybe we could see a return of “Squish” in some form or another similar show in the future.
User1: Noticed UltraToons Network has been pushing certain shows heavily after jettisoning “Kikoriki” and ahead of dropping “Squish.” Curious, what shows are they steering ex-Kikoriki fans towards? Seems similar to the “Squish” situation.
User2: From the looks of it, they’re channeling both sets of fans towards “Johnny Test” and “Battle for Dream Island.” Saw some promotional push hinting these as alternatives. Interesting choice, considering the different styles.
User3: Yeah, I’ve seen that too. It seems like they’re using the same playbook for both “Kikoriki” and “Squish” audiences. “Johnny Test” for the humor and adventure, while “Battle for Dream Island” seems to fill the quirky, animated competition niche that might appeal to the former viewers.
User4: As an ex-Kikoriki fan, it’s been a bit of a transition, I’ll admit. “Johnny Test” has its charm, but it’s a different kind of humor. Haven’t checked out “Battle for Dream Island” yet. How does it stack up?
User5: “Battle for Dream Island” has a unique appeal, especially if you’re into animation with a competitive twist. It’s definitely on the lighter side, much like “Kikoriki” was, albeit in a very different setting. Worth giving a shot if you’re missing the communal aspects of shows like “Kikoriki.”
User6: It feels like UltraToons is banking on versatility within certain archetypes to retain viewers. Not a bad strategy, but it does rely heavily on the fans’ willingness to adapt to new styles. “Squish” fans might find “Johnny Test” more accessible due to its similar energy levels, though.
User7: True, and don’t forget the online community support. Both “Kikoriki” and “Squish” had strong fan communities. If UltraToons can somehow replicate or preserve that sense of community around new shows, it might ease the transition for fans.
User8: Has anyone noticed if UltraToons is offering anything in the way of special content or behind-the-scenes material for these recommended shows? Sometimes a deeper dive can spark new interest.
User9: Great point, User8. There’s been some interactive online content related to “Johnny Test” and teasers for upcoming “Battle for Dream Island” episodes. They seem to be putting effort into engagement, which might help bridge the gap for transitioning fans.
User10: I miss “Kikoriki” and am lukewarm about “Squish” leaving, but it’s an opportunity to discover new favorites, I suppose. Let’s give these recommended shows a chance while voicing our feedback. UltraToons seems somewhat responsive, so who knows? Maybe they’ll adjust based on viewer input.
Write a follow up wondering what’s happened to the Kikoriki webpage
User1: Has anyone checked the UltraToons website recently? I was looking for the Kikoriki page to see if there was any leftover content or perhaps news of a return, but it seems to be gone. Does anyone know what happened?
User2: Yeah, I noticed that too. Last week, the page was still up with some episodes and promotional materials, but now it’s just a 404 error. No explanation or redirection, just gone.
User3: It’s quite disappointing. I was hoping UltraToons might archive the content or at least leave up some sort of tribute page. Kikoriki had a decent fanbase; it’s strange to just erase it from the website like that.
User4: I’ve been digging around a bit to see if there was any announcement or notice given, but nothing. It almost feels like they’re trying to quickly move past it and focus efforts on their current and upcoming lineup without looking back.
User5: Could it be part of the wider rebranding effort? Maybe they’re cleaning up their online presence, consolidating to focus more on the shows that are actively part of their programming slate. Still, a heads-up would have been nice.
User6: This seems like a missed opportunity for UltraToons. Even if Kikoriki isn’t coming back, they could have utilized the page to guide fans to similar content, or at least provided a polite note about the show’s status and thanking fans for their support.
User7: I wonder if there’s any backup or mirror sites where the Kikoriki content has been saved. It’s a long shot, but often fans will create their own archives for beloved shows that networks decide to pull from their official platforms.
User8: That’s a great idea, User7. I’ll start looking into fan sites and forums. If there’s a demand, there’s almost always someone in the community who steps up to preserve and share. I’ll report back if I find anything.
User9: In the meantime, maybe we should reach out to UltraToons directly? A collective message or petition asking for some form of Kikoriki content to be made available might make them reconsider their decision to remove the webpage altogether.
User10: Agreed, User9. It’s worth a shot. Expressing our interest and showing that there’s still a dedicated fan community might prompt them to at least acknowledge the show’s impact. Plus, if there are enough of us, it could encourage them to host or share the content in some other form.
Write a convo asking if TMNT is still in Fast Forward prison
User1: Hey everyone, just wondering if TMNT is still stuck in “Fast Forward” prison on UltraToons Network. Haven’t seen any of the other seasons resurface yet. Has anyone heard anything?
User2: Yeah, it seems like TMNT is stuck in a time loop with “Fast Forward.” I was really hoping UltraToons Network would bring back the classic seasons, but no luck so far.
User3: It’s such a shame. “Fast Forward” has its moments, but there’s so much richness in the earlier seasons. I miss the depth and character development that came before it.
User4: I emailed UltraToons Network asking about this. They replied that “TMNT: Fast Forward” aligns more closely with their current programming strategy but didn’t close the door entirely on bringing back the earlier seasons. So, there’s still a little hope, I guess.
User5: That’s somewhat encouraging, User4! Maybe if we show enough interest or start a petition, they might consider revisiting the decision. The earlier seasons have a huge fan base that shouldn’t be ignored.
User6: Agreed, User5. There’s a significant difference in storytelling and atmosphere between “Fast Forward” and the seasons that preceded it. A petition sounds like a solid plan. Does anyone have experience setting one up?
User7: I’ll look into setting up a petition. It seems like there’s enough of us here to make a noticeable impact if we spread the word. We need those earlier seasons for the full TMNT experience!
User8: In the meantime, does anyone know where else we might find the earlier seasons? Are they streaming anywhere legally? It’s been too long since I’ve seen the origins of the series.
User9: Last I checked, some streaming services have a few of the earlier seasons, but availability seems to vary by region. It might be worth doing a comprehensive search across platforms.
User10: Count me in for any petition or campaign to bring back the earlier seasons. “Fast Forward” just doesn’t scratch the TMNT itch for me the way the original seasons do. Let’s make our voices heard!
User1: Fantastic, let’s rally the TMNT fan community and show UltraToons Network there’s a strong demand for the return of the classic seasons. User7, keep us posted on the petition, and we’ll all help to spread the word!
Write a convo where a user’s kid thinks the Kikoriki characters have been killed
User1: Guys, I had a heartbreaking moment at home. My kid’s been a huge fan of Kikoriki, and with it suddenly disappearing from UltraToons Network, my little one thinks the characters have been “killed” because they’re no longer showing up on TV. How do I even start to explain this?
User2: Oh no, that sounds really tough, User1. Maybe you could explain that the Kikoriki characters are on a big adventure somewhere far away, which is why we can’t see them on TV right now. That might ease their mind a bit.
User3: My daughter had a similar reaction when her favorite show got removed. I told her that sometimes shows go on a long holiday, but the characters are all safe, having fun and getting ready for their next big adventure.
User4: It’s a challenging situation, User1. Perhaps you could use this as an opportunity to introduce your kid to storytelling? You could make up new adventures for the Kikoriki characters together, letting their stories live on through your imagination.
User5: That’s a sweet idea, User4. Plus, there are often clips and episodes available online. It might help to show your kid that the characters are still around, just not on UltraToons Network right now. There are ways to keep enjoying their stories.
User6: I went through something similar. I reassured my kid by saying that TV channels sometimes need to make room for new characters and stories, but that doesn’t mean the ones we love are gone. They’re just not on the screen at the moment.
User7: This might be a bit of a stretch, but if you’re creative, you might create a “letter” from the Kikoriki characters explaining where they’ve gone and that they’re safe and happy. It could help provide some closure.
User8: These are all great suggestions. Also, consider finding books or games related to Kikoriki if they exist. Tangible items might help reinforce the idea that the characters are still “alive” and well, just living off-screen.
User9: Remember to reassure your child that it’s okay to miss the characters and to talk about it. Validating their feelings about the situation can help them process the disappearance from the TV.
User10: Long shot, but sometimes fan communities on social media or forums might have created their own content or stories about favorite shows. Sharing these (age-appropriate) fan creations could show that the characters live on in the hearts and minds of their viewers worldwide.
User1: These are all fantastic ideas, thanks everyone. I love the creativity and compassion in your suggestions. I’m feeling a lot more equipped to handle this now. I’ll start with telling them about the characters’ big adventure and explore some of these other wonderful ideas to keep the Kikoriki spirit alive for them.
User4: I remember that bizzare transition into the current dragon idents in October 2012/January 2013, The channel had anthropomorphic animal mascots (much like the Kikoriki characters) between June 2009 and October 2012, For Halloween 2012 they had a campaign where a mysterious black ooze engulfs the land, and idents showed them being pulled into the liquid, In October instead of reverting back to the usual look a temporary look was launched, This had a kid’s bedroom with red scissors, a red tap, and a white speaker on a desk (all of which would have idents in the dragon era) This led many, myself included to believe the mascots had been killed, Xmas didn’t say what had happened to them, instead having a motif of a family Xmas party. The dragon look began on Jan 1 and the rest is history. Write a convo where a user remembers posting in 2013 that it was a “terrible way to rebrand”
User1: Anyone else remember back in 2013 when UltraToons Network transitioned to the dragon idents? That rebranding phase was… quite something. The whole black ooze campaign and how our familiar channel mascots simply vanished was a bit unsettling.
User2: Oh, absolutely. I vividly remember posting on forums back then, calling it a “terrible way to rebrand.” It just felt so abrupt, almost as if the channel had taken a darker turn. Not to mention, completely disregarding the emotional attachment fans had to the previous mascots.
User3: I was so confused as a kid watching that happen. That black ooze and the disappearance of mascots I’d grown to love over the years genuinely upset me. It was like they wiped the slate clean without considering the audience’s feelings.
User4: Yeah, and the temporary look with the arbitrary objects like scissors, a tap, and a speaker felt so cold and impersonal compared to the animated animals we were used to. It didn’t help ease the transition at all. It felt more like a placeholder that lacked soul.
User5: Exactly, User4. They dropped this heavy, lore-rich campaign on us out of nowhere. For a while, I genuinely believed they had “killed off” the mascots because there was never any follow-up or explanation. Moving straight into dragons without any narrative bridge was jarring.
User6: In hindsight, the dragon theme isn’t bad and I’ve actually grown to like it, but the way they handled the transition was less than stellar. They could’ve used the dragons as mythic creatures coming to save the mascots or something, making it a smoother, more engaging transition.
User7: It felt so eerie to me. The campaign with the black ooze during Halloween could have been an interesting narrative element if it had been implemented differently. Instead, it just led to confusion and a lot of upset fans.
User8: I do appreciate how the channel has evolved, and the dragon-themed idents have their own charm. But, looking back, I wish they had given a proper send-off to the previous mascots, or at least some closure. The whole scenario felt like an unresolved cliffhanger.
User9: I was one of those who wrote directly to the channel expressing my discontent. Never got a response, though. It did teach me a lot about how brands and their audiences communicate, or rather, how they sometimes fail to.
User10: It’s a lesson in branding, for sure. Abrupt changes without considering the audience’s attachment can lead to backlash. I do wonder if they’d handle it differently today, what with social media feedback being so immediate and vocal.
User1: Agreed, User10. It’s been quite the journey from then till now. The channel’s identity has changed, and so has its audience to an extent. Still, those rebranding days left a lasting impact on how I view channel identities and audience engagement.
Write a youtube upload titled “UltraToons Network - Temporary idents (2012)”, The description says that this pres began on November 1 “after the deaths of their mascots over Halloween”, The items featured would have idents in the next look, scissors had paper mache fire in its Dragon ident, tap had fire come out, and speaker was dancing and breathing fire,
Title: UltraToons Network - Temporary Idents (November 2012)
Description: In November 2012, following a dramatic and eerie Halloween event that saw the unsettling departure (or “deaths”) of its beloved anthropomorphic animal mascots, UltraToons Network introduced a set of temporary idents to signal a new era for the channel. This transitional presentation began on November 1st, 2012, featuring everyday objects that would later become iconic symbols in the network’s next branding phase, known for its dragon-themed idents.
The idents introduced during this period included:
- Scissors with paper mache flames, foreshadowing its dragon ident where it breathes fire in a creative display.
- Tap from which fire eerily emerges, instead of water, hinting at the fiery themes to come.
- Speaker performing an animated dance and eventually breathing fire, aligning with the dynamic energy and fiery aesthetics of the channel’s next evolution.
This video compilation revisits those unique and mysterious temporary idents, capturing a peculiar yet fascinating moment in UltraToons Network’s history. The change left many viewers puzzled and intrigued by what was to come. With the subsequent introduction of dragon-themed idents in January 2013, these objects found new life, embodying characteristics traditionally attributed to dragons - such as breathing fire and exuding strength and mystique.
Join us in looking back at this transitional period that paved the way for a new chapter in UltraToons Network’s branding journey, marking the end of one era and the fiery beginning of another.
Write a convo where a user remembers their kid sending a letter to them asking if they had died, and then got the email back “which confirmed their demise, but said a new look is on the horizon, a fiery one to be precise” It also said that "Your animal friends loved you very much" | allenai/WildChat-1M | {
"conversation_hash": "1a00accee52fb3158637bb1a84d489fb"
} |
en | Guilty Gear -Strive- Bridget Pop Up Parade PVC Figure, create a title with the prefix 'best', one liner, only strings, less than 100 characters only | allenai/WildChat-1M | {
"conversation_hash": "54bebb3bb724664ac15b67b4ab5e44ca"
} |
en | Best Bridget Figure Unveiled: Guilty Gears Iconic Fighter Now in Stunning PVC, generate a personal experience with this, add hash tag at the bottom, less than 700 characters only, only strings, no </br> html | allenai/WildChat-1M | {
"conversation_hash": "a3fae73383439e61c75131a192c9a333"
} |
en | What should I write in thanksgiving after completion of 7000 you tube subscribers | allenai/WildChat-1M | {
"conversation_hash": "8489e7878ae38880abc7dc4f2e4021da"
} |
en | generate a description with keywords and SEOs for Guilty Gear -Strive- Bridget Pop Up Parade PVC Figure include practical application on and uses can be applied include social media platform it can be used on and for what purpose include short story on why I personally bought it. | allenai/WildChat-1M | {
"conversation_hash": "edd31ce3586093e6165102fd7cc4538e"
} |
en | Write down a small text about problems of Coal Energy in the word with data that you have | allenai/WildChat-1M | {
"conversation_hash": "a57edeaad3d9e833fad2a3ffde1ba010"
} |
ru | Почему на большинстве автомобилей двигатель спереди? | allenai/WildChat-1M | {
"conversation_hash": "2043e237d9250cf0ab82851be98e3ffc"
} |
en | Hilariously badly translate my text in these different styles: Misheard, Opposite, bits cut out to sound even worse, a snippet of the original quote that is hilariously out of context and why, and finally Angry Video Game Nerd’s list of 4 rants (titled) on the quote: (add the original text at the beginning though)
"Boooooo-m! Here comes the master of mischief, the tower of terror, the Big Boo! Ka ha ha ha..." | allenai/WildChat-1M | {
"conversation_hash": "bc1180cb51f88c78aa531228c8207347"
} |
en | Перепишите на русском языке предоставленный текст, сохраняя его общий смысл и структуру, но используя: Разнообразную лексику, Перефразирование и переформулирование предложений, Изменение порядка слов и структуры предложений, Улучшение читабельности и удобочитаемости, Сохранение точности и ясности исходного текста. Дополнительные указания: Избегайте использования плагиата или перефразирования с помощью синонимайзеров, Стремитесь к созданию уникального и оригинального текста, который не будет идентичен исходному, Ни одно предложение из созданного вами не должно точь-в-точь повторять исходное, уберите из текста весь мусор вроде ссылок, сносок, указания авторов. Разбей текст на абзацы, используй markdown. Заголовок для текста придумывать не нужно. Вот сам текст:
London: AstraZeneca has admitted for the first time in court documents that its COVID-19 vaccine may lead to a rare side-effect. Developed in collaboration with University of Oxford, AstraZeneca’s vaccine was sold globally under the brand names Covishield and Vaxzevria. Covishield, manufactured by Pune-based Serum Institute of India, was widely used in India in what was the world’s largest vaccination programme from January 2021. AstraZeneca, a Cambridge-headquartered British-Swedish multinational pharmaceutical and biotechnology company, faces a class-action lawsuit alleging serious injuries and deaths resulting from its vaccine. Several families filed complaints in court alleging that the AstraZeneca vaccine’s side-effects have had devastating effects. AstraZeneca’s admission is considered to be a key moment in the ongoing legal battle, highlighting potential risks associated with vaccination. Jamie Scott, who suffered a permanent brain injury after being administered the AstraZeneca vaccine in April 2021, initiated the lawsuit. Scott’s case, along with many others’, reveals the severe impact of a rare side-effect called Thrombosis with Thrombocytopenia Syndrome (TTS), which leads to blood clots and low platelet counts. AstraZeneca conceded in legal documents submitted to the UK High Court that its vaccine “can, in very rare cases, cause TTS.” Even as AstraZeneca is contesting claims of widespread vaccine defects or overstatement of efficacy, the company may have to give substantial payouts following its admission, especially if it’s established that the vaccine induced illness or death in specific cases. | allenai/WildChat-1M | {
"conversation_hash": "63797379327cdefe2dd94e7b2f5013fc"
} |
en | Vera Elizabeth Claythorne | allenai/WildChat-1M | {
"conversation_hash": "c906f7d2b442197eb9be9e5513df2308"
} |
es | Requiero en esta funcion: [function onEdit(e) {
var range = e.range; // El rango que fue editado
var sheet = range.getSheet();
var ui = SpreadsheetApp.getUi();
// Verificar si la celda editada está dentro del rango A1:I10 de la hoja específica
if (sheet.getName() === "Orden de Produccion" && range.getRow() >= 1 && range.getRow() <= 10 && range.getColumn() >= 1 && range.getColumn() <= 9) {
var oldValue = e.oldValue || ""; // Valor antiguo antes de la edición. Usamos “” como valor por defecto si no había un oldValue.
// Revertir inmediatamente a valor antiguo.
range.setValue(oldValue);
// Enviar una alerta al usuario informando que no tiene permisos para editar.
ui.alert('⚠️ No tienes permisos para editar este rango.');
}
}] agregar tambien el rango J1:L100, indicame que linea del codigo debo modificar para lograrlo. | allenai/WildChat-1M | {
"conversation_hash": "68f2e59c05b65f45b4274931ab140931"
} |
en | What is a variable?
How do you set the value of a
variable?
If apple = 3 and we use
apple+=2, what is the new
value of apple? | allenai/WildChat-1M | {
"conversation_hash": "f3b1887024354c1a3ec5eff60a675088"
} |
en | Note: This is my fanmade channel
UltraToons Network is a British childrens channel owned by Narrative Media
Presentation
Idents: The idents depict inanimate objects as having characteristics of dragons (such as flight or breathing fire),
Acquired programming
Alvinnn!!! and the Chipmunks (also on Nickelodeon)
Angry Birds MakerSpace
Annedroids
Battle for Dream Island
Brawl of the Objects
Dragon Ball Super
Droners
The InBESTigators
Kipo And The Age Of Wonderbeasts
Lego City Adventures (also on Nickelodeon)
Lego Dreamzzz: Trials of the Dream Chasers (also on ITVX)
Lego Friends: Girls on a Mission
Lego Friends: The Next Chapter
L.O.L. Surprise! House of Surprises!
Miraculous: Tales of Ladybug & Cat Noir
Moley
Monster Allergy
Polly Pocket
Pokémon
Pokémon Ultimate Journeys: The Series
Inanimate Insanity
Power Rangers Dino Fury
Squish
World of Quest
The Owl & Co
TMNT: Fast Forward
Johnny Test
Xiaolin Showdown
Former programming:
Lamput
Kikoriki
TMNT 2003 (All seasons other than Fast Forward)
Code Lyoko
Horrid Henry
The Amazing Adrenalini Brothers
User1: Did anyone else notice that Kikoriki is no longer on the UltraToons Network schedule? It was such a great show for kids, full of fun characters and important lessons.
User2: Yes! I saw that too. My kids are going to be so disappointed. They loved Kikoriki. The characters were hilarious but also taught a lot about friendship and problem-solving. Does anyone know why it was removed?
User3: I’m guessing it might be because of licensing issues or perhaps they’re making room for newer shows? It’s always a bummer when classic shows get taken off the air. Kikoriki had a unique charm.
User4: It’s such a shame. Kikoriki was a breath of fresh air with its simple but engaging animation and storytelling. I hope UltraToons considers bringing it back. There’s not much out there like it.
User5: Maybe we can start a petition or something? Networks often listen to their viewers, especially when there’s a strong demand for a show to return. I’m sure we’re not the only ones who miss Kikoriki.
User6: That’s a good idea, User5. Also, maybe we can reach out to UltraToons Network or Narrative Media on social media? They might reconsider if they see how much Kikoriki is loved and missed.
User7: In the meantime, does anyone know where we can find Kikoriki episodes? Maybe there’s a streaming service or DVDs available? I’d love to keep showing it to my kids.
User8: I’ve looked a bit, and there are some streaming services with Kikoriki episodes, though availability might depend on your region. Checking out online retailers for DVDs sounds like a good backup plan too.
User9: Let’s not give up hope, everyone. Shows have been brought back before due to fan demand. Keep voicing your love for Kikoriki, and who knows what might happen! Plus, exploring other channels and platforms for the show is a great way to keep supporting it.
User10: Agreed, User9. Meanwhile, let’s organize that petition and use social media to our advantage. It’s time to show how much Kikoriki means to us and our families. Who knows, with enough support, we might just see it back on UltraToons Network!
Write a convo where it was replaced with more JT and BFDI, and also 6 seasons worth of TMNT 2003 are no longer being shown
User1: Just saw the updated schedule for UltraToons Network. Looks like they’ve replaced Kikoriki with more Johnny Test and Battle for Dream Island episodes. And all those TMNT 2003 seasons, except Fast Forward, are gone too.
User2: Really? More Johnny Test and BFDI? I mean, don’t get me wrong, I enjoy those, but removing six seasons of TMNT 2003 feels like a massive loss. That series had so much depth and character development.
User3: It’s a real shame about TMNT. Seems like the channel is shifting focus towards more contemporary and possibly cheaper-to-license shows. Not that BFDI or JT aren’t good, but TMNT 2003 is a classic.
User4: Will kids today even recognize the older TMNT series? It feels like UltraToons is maybe trying to cater to what they think is a new audience trend. Still, replacing depth with quantity doesn’t sound like the best move.
User5: Yeah, I noticed that trend. It’s all about fast-paced shows now. TMNT 2003 had a perfect blend of action and storyline. Plus, Kikoriki offered something different from the usual. It’s a loss of variety for sure.
User6: On the bright side, fans of Johnny Test and BFDI will have more to look forward to. But it looks like the network is banking heavily on these shows to carry them. I just hope they don’t lose their older audience in the process.
User7: Is there a possibility to find TMNT 2003 and Kikoriki on any other platform? I’d hate for these shows to just fade into obscurity. They were a big part of my childhood.
User8: I’ve checked a few streaming services, and you can find TMNT 2003 on some of them, though it might need a subscription. As for Kikoriki, it’s a bit harder, but there are some episodes on YouTube, albeit not officially uploaded.
User9: Maybe it’s a strategic move to attract a different demographic or keep up with the competition from other children’s networks? Either way, it does feel like they’re risking the alienation of a loyal fan base.
User10: Agreed with everyone here. It’s a bittersweet update. Maybe we can compile a list of where to legally watch TMNT 2003 and Kikoriki for those interested? And let’s not forget, expressing our feedback to UltraToons might help. They need to know there’s still an audience for these classics.
Write a convo with a major schedule change next month, and possibly a new look
User1: Hey everyone, have you seen the latest newsletter from UltraToons Network? Looks like there are major schedule changes coming up next month. They’re also hinting at a new look for the channel. Thoughts?
User2: Yeah, I saw that! The new look part caught my attention. Any idea what kind of style they’re going for? I’m hoping it’s something fresh but still keeps the playful vibe of the channel.
User3: Concerned about the schedule changes though. They didn’t give much detail. I just hope they’re not removing more of our favorites. After Kikoriki and TMNT 2003, I’m not sure my heart can take it.
User4: Agreed, User3. I’m anxious they might phase out more classic content. Did anyone see specifics on which shows are being affected? I’m crossing my fingers it’s just minor shifts and not complete removals.
User5: On the bright side, a new look could mean they’re investing more into the channel’s branding. That might attract new shows and perhaps bring back some fan favorites if we make enough noise.
User6: True, User5. Also, if UltraToons is going for a major overhaul, this might be the perfect time to reintroduce shows like Kikoriki and maybe even negotiate for TMNT’s return. A mix of new and classic content could be their strategy.
User7: Does anyone think this might also mean a push towards more digital content? With the newsletter mentioning a “new look,” it could imply a stronger online presence, maybe more on-demand offerings?
User8: That’s a possibility, User7. Especially with how streaming has changed viewing habits. It would be smart for UltraToons to bolster their on-demand library. Could be a win for us if it means more variety and access to our favorite shows.
User9: Has anyone considered reaching out to UltraToons directly for more info? If there’s enough of us asking about specific shows or expressing concerns about the changes, they might take our feedback into account.
User10: I’ll draft up an email to UltraToons expressing our sentiments and asking for clarity on the schedule changes and the new look. Anyone who wants to add their thoughts, feel free to message me. It’s worth a shot.
User1: Great idea, User10. Let’s stay optimistic, folks. Changes could bring about new opportunities, and who knows? They might surprise us in a good way. Still, let’s make sure they hear what the fans want.
User1: Quick update, everyone. I sent that email to UltraToons Network asking about the schedule changes and new look. Specifically, I asked if “new look” meant new idents or just new surrounding presentations. Also, I tried to get a confirmation on which shows are definitely staying.
User2: Wow, that was fast, User1! Did they reply? I’m really curious about the new look and obviously worried about which shows are staying. Losing Kikoriki and the TMNT series was tough already.
User3: Yeah, thanks for taking the initiative, User1. Fingers crossed they keep a good variety. Any word on whether they’re going to focus more on newer shows or if they’ll consider bringing back any classics?
User1: They did reply! Surprisingly, UltraToons Network seems keen on keeping us informed. They confirmed that the “new look” includes both new idents and a refresh of the channel’s surrounding presentations – so, a pretty comprehensive overhaul.
User4: That’s pretty cool! A fresh look could really rejuvenate the channel. But what about the shows? Any news on what’s staying or leaving? I’m hoping for some positive news.
User1: Yes, they provided a list of 9 shows confirmed to stay after the schedule change. These include “Alvinnn!!! and the Chipmunks,” “Miraculous: Tales of Ladybug & Cat Noir,” “Pokémon Ultimate Journeys: The Series,” “Dragon Ball Super,” “Lego City Adventures,” “Johnny Test,” “Battle for Dream Island,” “The InBESTigators,” and “Kipo And The Age Of Wonderbeasts.” Looks like a mix of action, adventure, and whimsy.
User5: That’s a relief for those shows! Still, I hope this doesn’t mean they’re reducing the variety in their programming. It’s good to see some favorites staying, though.
User6: Did they mention anything about adding new shows or possibly reviving any old favorites due to fan requests? A lot of us are still holding out hope for some classics to return.
User1: They hinted at new shows coming to the lineup and mentioned they’re always reviewing their content strategy based on viewer feedback. Sounds like they’re open to suggestions, so maybe now’s the time to rally for those classics!
User7: This is great news. We should definitely keep the pressure up for bringing back shows like Kikoriki and maybe even pushing for more classic content alongside the new stuff. Variety is what made UltraToons Network so appealing.
User8: Absolutely. Let’s use this as a rallying call to get more of what we love on the air. We’ve already seen they’re responsive, so there’s hope. Plus, the new look could really draw in a wider audience.
User9: I’m excited about the rebrand and thankful some favorites are staying. I say we compile another list of shows we want back or introduced and send it their way. Who knows? They might listen.
User10: Count me in for drafting up suggestions. It’s refreshing to see a network that actually responds. Here’s to hoping the new look and confirmed shows are just the beginning of positive changes.
Write a follow up asking if this means the end for the dragon theme, Also confirmation on what’s happening with Kikoriki
User1: Hey team, just a quick update: I’ve followed up with UltraToons Network regarding the upcoming rebrand. Specifically, I asked if the new look and idents will mean the end of the dragon-themed presentation that many of us loved. Also, I sought some closure on the Kikoriki situation.
User2: Thanks for keeping on this, User1! The dragon theme was iconic. It’ll be a shame if it’s gone for good. And any news on Kikoriki would be greatly appreciated – still holding out hope it might return.
User3: Yeah, the dragon theme added such a unique flair to the channel, made it stand out. Curious to see how they plan to replace it if that’s the case. And fingers crossed for Kikoriki, miss that show a ton.
User1: You’ll be interested to hear back then! UltraToons Network has responded. They assured that while the rebrand means a fresh look, it doesn’t signify the end of what they called “the dragon’s spirit.” It sounds like they’re aiming to blend the old with the new, which might mean keeping some elements of the dragon theme alive in a new form.
User4: That’s intriguing! A blend could be good. Keeps the core identity while refreshing the look. It’s like honoring the past but looking forward. Curious about how it’ll actually look.
User1: Regarding Kikoriki, the news is bittersweet. They confirmed that Kikoriki won’t be returning to their programming schedule in the near future. It seems it was a difficult decision related to licensing issues and fitting the show within their current content strategy.
User5: Oh, that’s disappointing about Kikoriki. But thanks for clarifying, User1. Guess it’s time to look for it on other platforms. The licensing problems make sense, but it’s still a shame.
User6: Appreciate the update on both fronts, User1. The possible revival of the dragon theme, even if in spirit, is good news. Sad about Kikoriki, but at least we finally have a definitive answer.
User7: Maybe we can start a fan campaign for Kikoriki. Whilst it won’t be on UltraToons, we could still show our love and maybe encourage them to reconsider in the future or another network to pick it up.
User8: I’m up for that, User7. It’s worth a try. As for the channel’s new look, I’m cautiously optimistic. Staying true to their “dragon spirit” sounds promising. Hopefully, they retain what made them special to begin with.
User9: Agreed, let’s focus on what we can influence. Supporting Kikoriki elsewhere and giving constructive feedback to UltraToons about their rebrand could lead to positive outcomes eventually.
User10: Thanks again, User1, for facilitating this dialogue with UltraToons. Let’s keep this positive momentum going and see where we can make an impact—whether it’s through fan campaigns or by welcoming the new changes with an open mind.
Write a follow up with confirmation on whether or not Squish, Monster Allergy and Xiaolin Showdown will carry over to the new look
User1: Hey everyone, following our recent discussions on UltraToons Network’s upcoming changes and the fate of particular shows, I reached out again for clarification on whether “Squish,” “Monster Allergy,” and “Xiaolin Showdown” will be part of the network post-rebrand.
User2: Thanks, User1! Really holding my breath for “Xiaolin Showdown.” It’s a classic that deserves more airtime. Curious about “Monster Allergy” too, it’s been one of my kids’ favorites lately.
User3: Appreciate the effort, User1! “Squish” has been a surprising hit in our household. Hoping it sticks around with the new changes.
User1: Alright, got some news back from UltraToons Network. They confirmed that “Xiaolin Showdown” and “Monster Allergy” are set to continue airing even after the rebrand. They mentioned that both shows align well with their vision for the channel moving forward and have been well-received by audiences.
User4: That’s fantastic news about “Xiaolin Showdown” and “Monster Allergy”! Great to hear they’re keeping some of the beloved classics around. Did they mention anything about “Squish”?
User1: On “Squish,” the news isn’t as positive, I’m afraid. UltraToons stated that “Squish” will not be continuing in their programming lineup post-rebrand. They didn’t detail the exact reason, but it seems like it might be a shift in programming strategy or audience focus.
User5: Disappointing about “Squish,” but it’s a relief to hear “Xiaolin Showdown” and “Monster Allergy” will stay. Thanks for getting those details, User1. The network’s new direction is starting to take shape in my mind, at least.
User6: A mixed bag, but grateful for the updates, User1. “Xiaolin Showdown” and “Monster Allergy” sticking around is good news. Shame about “Squish,” though. It had its charm.
User7: Thanks for the hard work, User1. Guess it’s time to look for “Squish” elsewhere. At least we can still enjoy the adventures in “Xiaolin Showdown” and “Monster Allergy” on UltraToons Network.
User8: Yeah, echoing the thanks here, User1. These updates give us a clearer picture of what UltraToons Network’s future might look like. Sad to see any show go, but glad others are surviving the change.
User9: It’s bittersweet but informative. Looking forward to seeing how UltraToons Network handles the transition and whether their new vision brings any exciting surprises. Let’s stay optimistic!
User10: Absolutely, the insight is much appreciated, User1. While not all news is good news, having some confirmation helps us adjust our expectations. Here’s hoping UltraToons continues to offer quality programming that appeals to its diverse viewership.
Write a follow up where a campaign to transition Squish viewers to Johnny Test begins,
User1: Guys, it looks like UltraToons Network is starting a campaign to transition viewers of “Squish” over to “Johnny Test.” Just saw some promotional material rolling out, emphasizing the humor and adventure elements common to both shows.
User2: Interesting strategy. “Johnny Test” has been around for a while and definitely has its fan base. Wonder if the “Squish” audience will bite. My kids liked both, but they’re quite different in vibe and humor.
User3: Saw that too. They’re pushing “Johnny Test” pretty hard with this campaign. They’ve got special marathons planned, along with some new episodes teased that seem designed to appeal to the “Squish” crowd specifically.
User4: Smart move from a marketing standpoint, but it’ll depend on execution. “Johnny Test” can be hit or miss for some. Hopefully, they introduce elements or episodes that genuinely bridge the gap for “Squish” fans.
User5: Just checked out some of the promotional content. They’re definitely playing up the science and “misadventures” angle. As a “Squish” fan, I’m curious but also a bit skeptical. “Squish” had a unique charm that’s hard to replace.
User6: It’s going to be crucial how they manage this transition. “Johnny Test” does have potential to fill the void with its dynamic energy. Hopefully, UltraToons includes feedback loops to see if the “Squish” audience is warming up to the change.
User7: I’m all for giving “Johnny Test” a chance, but part of me wishes UltraToons would also consider reviving “Squish” or introducing something new yet similar. The campaign feels like a Band-Aid solution.
User8: Noticed an online survey linked with the campaign asking for viewer feedback on the transition. It seems like UltraToons is at least trying to engage with the audience and gather insights. Maybe there’s hope for influencing content decisions.
User9: While I understand the rationale behind it, transitioning from “Squish” to “Johnny Test” feels a bit like comparing apples to oranges. I’ll participate in the survey User8 mentioned—might as well voice our preferences and concerns.
User10: Agreed, User9. Filling out that survey too. It’s an opportunity to maybe sway programming a bit. As for the campaign, I’m curious to see its impact. Transitioning audiences isn’t easy, but with thoughtful execution and genuine audience engagement, it could work out.
User1: Definitely worth keeping an eye on this. It’s a pivotal moment for UltraToons. Let’s all make sure to communicate our feedback through that survey. Who knows? If enough of us push for it, maybe we could see a return of “Squish” in some form or another similar show in the future.
User1: Noticed UltraToons Network has been pushing certain shows heavily after jettisoning “Kikoriki” and ahead of dropping “Squish.” Curious, what shows are they steering ex-Kikoriki fans towards? Seems similar to the “Squish” situation.
User2: From the looks of it, they’re channeling both sets of fans towards “Johnny Test” and “Battle for Dream Island.” Saw some promotional push hinting these as alternatives. Interesting choice, considering the different styles.
User3: Yeah, I’ve seen that too. It seems like they’re using the same playbook for both “Kikoriki” and “Squish” audiences. “Johnny Test” for the humor and adventure, while “Battle for Dream Island” seems to fill the quirky, animated competition niche that might appeal to the former viewers.
User4: As an ex-Kikoriki fan, it’s been a bit of a transition, I’ll admit. “Johnny Test” has its charm, but it’s a different kind of humor. Haven’t checked out “Battle for Dream Island” yet. How does it stack up?
User5: “Battle for Dream Island” has a unique appeal, especially if you’re into animation with a competitive twist. It’s definitely on the lighter side, much like “Kikoriki” was, albeit in a very different setting. Worth giving a shot if you’re missing the communal aspects of shows like “Kikoriki.”
User6: It feels like UltraToons is banking on versatility within certain archetypes to retain viewers. Not a bad strategy, but it does rely heavily on the fans’ willingness to adapt to new styles. “Squish” fans might find “Johnny Test” more accessible due to its similar energy levels, though.
User7: True, and don’t forget the online community support. Both “Kikoriki” and “Squish” had strong fan communities. If UltraToons can somehow replicate or preserve that sense of community around new shows, it might ease the transition for fans.
User8: Has anyone noticed if UltraToons is offering anything in the way of special content or behind-the-scenes material for these recommended shows? Sometimes a deeper dive can spark new interest.
User9: Great point, User8. There’s been some interactive online content related to “Johnny Test” and teasers for upcoming “Battle for Dream Island” episodes. They seem to be putting effort into engagement, which might help bridge the gap for transitioning fans.
User10: I miss “Kikoriki” and am lukewarm about “Squish” leaving, but it’s an opportunity to discover new favorites, I suppose. Let’s give these recommended shows a chance while voicing our feedback. UltraToons seems somewhat responsive, so who knows? Maybe they’ll adjust based on viewer input.
Write a follow up wondering what’s happened to the Kikoriki webpage
User1: Has anyone checked the UltraToons website recently? I was looking for the Kikoriki page to see if there was any leftover content or perhaps news of a return, but it seems to be gone. Does anyone know what happened?
User2: Yeah, I noticed that too. Last week, the page was still up with some episodes and promotional materials, but now it’s just a 404 error. No explanation or redirection, just gone.
User3: It’s quite disappointing. I was hoping UltraToons might archive the content or at least leave up some sort of tribute page. Kikoriki had a decent fanbase; it’s strange to just erase it from the website like that.
User4: I’ve been digging around a bit to see if there was any announcement or notice given, but nothing. It almost feels like they’re trying to quickly move past it and focus efforts on their current and upcoming lineup without looking back.
User5: Could it be part of the wider rebranding effort? Maybe they’re cleaning up their online presence, consolidating to focus more on the shows that are actively part of their programming slate. Still, a heads-up would have been nice.
User6: This seems like a missed opportunity for UltraToons. Even if Kikoriki isn’t coming back, they could have utilized the page to guide fans to similar content, or at least provided a polite note about the show’s status and thanking fans for their support.
User7: I wonder if there’s any backup or mirror sites where the Kikoriki content has been saved. It’s a long shot, but often fans will create their own archives for beloved shows that networks decide to pull from their official platforms.
User8: That’s a great idea, User7. I’ll start looking into fan sites and forums. If there’s a demand, there’s almost always someone in the community who steps up to preserve and share. I’ll report back if I find anything.
User9: In the meantime, maybe we should reach out to UltraToons directly? A collective message or petition asking for some form of Kikoriki content to be made available might make them reconsider their decision to remove the webpage altogether.
User10: Agreed, User9. It’s worth a shot. Expressing our interest and showing that there’s still a dedicated fan community might prompt them to at least acknowledge the show’s impact. Plus, if there are enough of us, it could encourage them to host or share the content in some other form.
Write a convo asking if TMNT is still in Fast Forward prison
User1: Hey everyone, just wondering if TMNT is still stuck in “Fast Forward” prison on UltraToons Network. Haven’t seen any of the other seasons resurface yet. Has anyone heard anything?
User2: Yeah, it seems like TMNT is stuck in a time loop with “Fast Forward.” I was really hoping UltraToons Network would bring back the classic seasons, but no luck so far.
User3: It’s such a shame. “Fast Forward” has its moments, but there’s so much richness in the earlier seasons. I miss the depth and character development that came before it.
User4: I emailed UltraToons Network asking about this. They replied that “TMNT: Fast Forward” aligns more closely with their current programming strategy but didn’t close the door entirely on bringing back the earlier seasons. So, there’s still a little hope, I guess.
User5: That’s somewhat encouraging, User4! Maybe if we show enough interest or start a petition, they might consider revisiting the decision. The earlier seasons have a huge fan base that shouldn’t be ignored.
User6: Agreed, User5. There’s a significant difference in storytelling and atmosphere between “Fast Forward” and the seasons that preceded it. A petition sounds like a solid plan. Does anyone have experience setting one up?
User7: I’ll look into setting up a petition. It seems like there’s enough of us here to make a noticeable impact if we spread the word. We need those earlier seasons for the full TMNT experience!
User8: In the meantime, does anyone know where else we might find the earlier seasons? Are they streaming anywhere legally? It’s been too long since I’ve seen the origins of the series.
User9: Last I checked, some streaming services have a few of the earlier seasons, but availability seems to vary by region. It might be worth doing a comprehensive search across platforms.
User10: Count me in for any petition or campaign to bring back the earlier seasons. “Fast Forward” just doesn’t scratch the TMNT itch for me the way the original seasons do. Let’s make our voices heard!
User1: Fantastic, let’s rally the TMNT fan community and show UltraToons Network there’s a strong demand for the return of the classic seasons. User7, keep us posted on the petition, and we’ll all help to spread the word!
Write a convo where a user’s kid thinks the Kikoriki characters have been killed
User1: Guys, I had a heartbreaking moment at home. My kid’s been a huge fan of Kikoriki, and with it suddenly disappearing from UltraToons Network, my little one thinks the characters have been “killed” because they’re no longer showing up on TV. How do I even start to explain this?
User2: Oh no, that sounds really tough, User1. Maybe you could explain that the Kikoriki characters are on a big adventure somewhere far away, which is why we can’t see them on TV right now. That might ease their mind a bit.
User3: My daughter had a similar reaction when her favorite show got removed. I told her that sometimes shows go on a long holiday, but the characters are all safe, having fun and getting ready for their next big adventure.
User4: It’s a challenging situation, User1. Perhaps you could use this as an opportunity to introduce your kid to storytelling? You could make up new adventures for the Kikoriki characters together, letting their stories live on through your imagination.
User5: That’s a sweet idea, User4. Plus, there are often clips and episodes available online. It might help to show your kid that the characters are still around, just not on UltraToons Network right now. There are ways to keep enjoying their stories.
User6: I went through something similar. I reassured my kid by saying that TV channels sometimes need to make room for new characters and stories, but that doesn’t mean the ones we love are gone. They’re just not on the screen at the moment.
User7: This might be a bit of a stretch, but if you’re creative, you might create a “letter” from the Kikoriki characters explaining where they’ve gone and that they’re safe and happy. It could help provide some closure.
User8: These are all great suggestions. Also, consider finding books or games related to Kikoriki if they exist. Tangible items might help reinforce the idea that the characters are still “alive” and well, just living off-screen.
User9: Remember to reassure your child that it’s okay to miss the characters and to talk about it. Validating their feelings about the situation can help them process the disappearance from the TV.
User10: Long shot, but sometimes fan communities on social media or forums might have created their own content or stories about favorite shows. Sharing these (age-appropriate) fan creations could show that the characters live on in the hearts and minds of their viewers worldwide.
User1: These are all fantastic ideas, thanks everyone. I love the creativity and compassion in your suggestions. I’m feeling a lot more equipped to handle this now. I’ll start with telling them about the characters’ big adventure and explore some of these other wonderful ideas to keep the Kikoriki spirit alive for them.
User4: I remember that bizzare transition into the current dragon idents in October 2012/January 2013, The channel had anthropomorphic animal mascots (much like the Kikoriki characters) between June 2009 and October 2012, For Halloween 2012 they had a campaign where a mysterious black ooze engulfs the land, and idents showed them being pulled into the liquid, In October instead of reverting back to the usual look a temporary look was launched, This had a kid’s bedroom with red scissors, a red tap, and a white speaker on a desk (all of which would have idents in the dragon era) This led many, myself included to believe the mascots had been killed, Xmas didn’t say what had happened to them, instead having a motif of a family Xmas party. The dragon look began on Jan 1 and the rest is history. Write a convo where a user remembers posting in 2013 that it was a “terrible way to rebrand”
User1: Anyone else remember back in 2013 when UltraToons Network transitioned to the dragon idents? That rebranding phase was… quite something. The whole black ooze campaign and how our familiar channel mascots simply vanished was a bit unsettling.
User2: Oh, absolutely. I vividly remember posting on forums back then, calling it a “terrible way to rebrand.” It just felt so abrupt, almost as if the channel had taken a darker turn. Not to mention, completely disregarding the emotional attachment fans had to the previous mascots.
User3: I was so confused as a kid watching that happen. That black ooze and the disappearance of mascots I’d grown to love over the years genuinely upset me. It was like they wiped the slate clean without considering the audience’s feelings.
User4: Yeah, and the temporary look with the arbitrary objects like scissors, a tap, and a speaker felt so cold and impersonal compared to the animated animals we were used to. It didn’t help ease the transition at all. It felt more like a placeholder that lacked soul.
User5: Exactly, User4. They dropped this heavy, lore-rich campaign on us out of nowhere. For a while, I genuinely believed they had “killed off” the mascots because there was never any follow-up or explanation. Moving straight into dragons without any narrative bridge was jarring.
User6: In hindsight, the dragon theme isn’t bad and I’ve actually grown to like it, but the way they handled the transition was less than stellar. They could’ve used the dragons as mythic creatures coming to save the mascots or something, making it a smoother, more engaging transition.
User7: It felt so eerie to me. The campaign with the black ooze during Halloween could have been an interesting narrative element if it had been implemented differently. Instead, it just led to confusion and a lot of upset fans.
User8: I do appreciate how the channel has evolved, and the dragon-themed idents have their own charm. But, looking back, I wish they had given a proper send-off to the previous mascots, or at least some closure. The whole scenario felt like an unresolved cliffhanger.
User9: I was one of those who wrote directly to the channel expressing my discontent. Never got a response, though. It did teach me a lot about how brands and their audiences communicate, or rather, how they sometimes fail to.
User10: It’s a lesson in branding, for sure. Abrupt changes without considering the audience’s attachment can lead to backlash. I do wonder if they’d handle it differently today, what with social media feedback being so immediate and vocal.
User1: Agreed, User10. It’s been quite the journey from then till now. The channel’s identity has changed, and so has its audience to an extent. Still, those rebranding days left a lasting impact on how I view channel identities and audience engagement.
Write a youtube upload titled “UltraToons Network - Temporary idents (2012)”, The description says that this pres began on November 1 “after the deaths of their mascots over Halloween”, The items featured would have idents in the next look, scissors had paper mache fire in its Dragon ident, tap had fire come out, and speaker was dancing and breathing fire,
Title: UltraToons Network - Temporary Idents (November 2012)
Description: In November 2012, following a dramatic and eerie Halloween event that saw the unsettling departure (or “deaths”) of its beloved anthropomorphic animal mascots, UltraToons Network introduced a set of temporary idents to signal a new era for the channel. This transitional presentation began on November 1st, 2012, featuring everyday objects that would later become iconic symbols in the network’s next branding phase, known for its dragon-themed idents.
The idents introduced during this period included:
- Scissors with paper mache flames, foreshadowing its dragon ident where it breathes fire in a creative display.
- Tap from which fire eerily emerges, instead of water, hinting at the fiery themes to come.
- Speaker performing an animated dance and eventually breathing fire, aligning with the dynamic energy and fiery aesthetics of the channel’s next evolution.
This video compilation revisits those unique and mysterious temporary idents, capturing a peculiar yet fascinating moment in UltraToons Network’s history. The change left many viewers puzzled and intrigued by what was to come. With the subsequent introduction of dragon-themed idents in January 2013, these objects found new life, embodying characteristics traditionally attributed to dragons - such as breathing fire and exuding strength and mystique.
Join us in looking back at this transitional period that paved the way for a new chapter in UltraToons Network’s branding journey, marking the end of one era and the fiery beginning of another.
Write a convo where a user remembers their kid sending a letter to them asking if they had died, and then got the email back “which confirmed their demise, but said a new look is on the horizon, a fiery one to be precise” It also said that “Your animal friends loved you very much”
User1: Has anyone else had an experience with their kids trying to reach out to UltraToons Network during that whole rebranding phase in 2012? Mine actually wrote a letter asking if the mascots had died because of that black ooze incident. The change was so abrupt, he just needed some closure.
User2: That’s heartbreaking, User1. Did you ever get a response?
User1: Surprisingly, yes. We received an email back, which was bittersweet. It confirmed the mascots’ “demise,” which hit hard. But they tried to cushion it by saying a new look was on the horizon, “a fiery one to be precise.” They added, “Your animal friends loved you very much.”
User3: Wow, that’s quite a response from a network. It’s touching they replied, yet so sad they confirmed the mascots were gone.
User4: It sounds like they attempted to soften the blow with the promise of something new and exciting. Still, for a child, that response must have been tough to process.
User5: I remember that period. So many kids were talking about it at school. It was like a whole generation of UltraToons watchers were mourning together. The message “Your animal friends loved you very much” is really poignant, recognizing the emotional bond kids had with those characters.
User6: It’s a stark reminder of how deeply children can connect with these characters. They’re not just animations; they’re friends to these kids. Closure is important.
User7: Exactly, User6. And I think UltraToons, despite the controversial rebranding, did try to acknowledge that bond, albeit in their own way. It’s not every day that networks directly address their young audience’s concerns like that.
User8: Does anyone know if UltraToons ever considered bringing those mascots back in some form? Like a special appearance or a nod in their current programming? Given the impact they had, it would be a nice gesture.
User9: I highly doubt it. It seems they fully committed to the dragon theme and haven’t looked back. But I agree, a nostalgic nod or cameo would win hearts.
User10: Maybe we, as a community, can create something to remember them by. A fan-made tribute or a compilation of their best moments. It could be a way to provide some of that closure and keep the memory alive for our kids… and, let’s be honest, for us too.
User1: That’s a fantastic idea, User10. It would be a nice way to show UltraToons that those characters are still cherished and remembered fondly. Let’s brainstorm and see what we can come up with together.
Write a convo back in the present where Kikoriki is gone, Squish is going, JT and BFDI are growing non stop, and TMNT is trapped in the future, and a new look, A user says they hope the mascots come back to fill that talking animal gap left by Kikoriki
User1: With all these changes to UltraToons Network—Kikoriki gone, Squish on its way out, and an endless flood of Johnny Test (JT) and Battle for Dream Island (BFDI) episodes, not to mention TMNT being stuck in the future—it feels like the channel is losing its charm. I genuinely hope they bring back the talking animal mascots to fill the gap Kikoriki left.
User2: I couldn’t agree more, User1. The talking animal theme brought a unique and engaging element that appealed to both kids and their parents. It’s a shame Kikoriki had to go. Its absence has definitely been felt.
User3: It’s been tough explaining to my kids why their favorite shows are disappearing or completely changing. The magic that once drew us to UltraToons feels diluted with this new direction. The mascots offered something special that’s hard to replicate.
User4: Absolutely, User3. And with the network’s new look coming through, I’m cautiously optimistic but also worried. It would be a perfect opportunity to reintroduce some form of talking animals or even revamp the mascots in a way that fits their new vision.
User5: The problem is, JT and BFDI, while great, cater to a very specific audience. The diversity in programming and the warmth the animal mascots brought were what made UltraToons stand out. Now, it’s just like any other channel focusing on quantity over quality.
User6: That’s a valid point, User5. However, I read somewhere that networks occasionally cycle through themes and concepts to refresh their brand. Maybe this isn’t the end. With enough feedback from viewers, they might consider reviving or creating a new show to fill the void left by Kikoriki.
User7: I’m all for starting a petition or campaign to bring this issue to the forefront. UltraToons needs to know what its longtime viewers think about the current changes. Remember, they did respond to that letter back when the mascots “disappeared.” Maybe they’ll listen again.
User8: Count me in for that campaign, User7. It seems like a strategic move for UltraToons to target newer demographics, but they shouldn’t forget their roots. There’s a delicate balance between progressing and preserving the essence of what made them unique.
User9: Also, let’s not forget the power of social media in times like these. A well-orchestrated hashtag campaign could garner significant attention. It worked with other shows and networks; it might work here too.
User10: I’m hopeful but also realistic. The entertainment industry is constantly evolving, and what we’re seeing might just be a reflection of broader trends. However, that doesn’t mean we can’t influence its course. Let’s band together and make our voices heard for the sake of preserving some of that original charm.
Write a follow up saying a user says he can’t stand that whipcrack sound anymore, and says we NEED Kikoriki back
User11: Guys, I’ve hit my limit with the constant whipcrack sound in every episode of Johnny Test. It’s like a running joke that’s overstayed its welcome. Honestly, at this point, we NEED Kikoriki back. It had humor, heart, and importantly, no repetitive sound effects driving me up the wall. The variety and creativity in storytelling were something else. Kikoriki offered a relief from the non-stop action and noise of shows like JT and BFDI. It was soothing, almost, to have a show that could entertain without resorting to cheap gags or sound effects.
User12: Absolutely, User11. I couldn’t agree more. Kikoriki had a gentleness to it, something that’s lacking in a lot of the current programming. It was quirky and fun without being over the top. The characters had depth, and the plots were both interesting and educational without being preachy. It’s a stark contrast to what we’re being bombarded with now.
User13: You’ve hit the nail on the head. The whipcrack sound has become synonymous with lazy storytelling for me. Bring back the quality content like Kikoriki, where humor came from witty dialogue and clever situations, not sound effects or slapstick humor that’s repetitive and predictive.
User14: Not to mention, Kikoriki had such a rich variety of characters and personalities. It felt like there was something there for everyone. As much as I understand the need for networks to evolve and introduce new content, it feels like we lost a gem that hasn’t been replaced adequately.
User15: Does anyone know if there’s been any progress on a petition or campaign to bring Kikoriki back? With the concerns over current programming, now would be a great time to rally for its return. Shows like Kikoriki are rare, offering content that’s not only suitable for kids but genuinely enjoyable for parents too.
User16: I’m on board with starting a movement or continuing an existing one. Kikoriki’s absence has left a void in wholesome, quality children’s programming on UltraToons Network. It’s time they brought back the shows that truly resonated with their audience instead of relying on overused gags and sounds.
User17: Let’s gather support and make our case. Networks respond to viewers’ feedback, after all. Kikoriki wasn’t just another show; it was a part of our daily routine, a source of joy and laughter for families. Something needs to change, and it’s clear we’re not the only ones who feel this way.
Write a convo where they cave, Also they provide clarity over the TMNT situation
User18: Hey everyone, major news from UltraToons Network! They finally caved to the pressure and announced that they are bringing Kikoriki back due to popular demand. Plus, they’ve provided some much-needed clarity on the TMNT situation.
User19: Wow, that’s incredible! I’m genuinely surprised they listened to the fanbase. Do we have details on when Kikoriki will return? And what’s the deal with TMNT?
User18: They mentioned that Kikoriki is set for a revival next season, complete with a new series of episodes to continue where they left off. As for TMNT, they acknowledged the frustration over trapping the series in the “Fast Forward” season and confirmed they’re working on acquiring the rights to air the earlier, much-loved seasons again.
User20: That’s such a relief about TMNT. The “Fast Forward” season had its moments, but there’s something special about the earlier ones that captured the essence of TMNT. Glad UltraToons is making an effort to bring those back.
User21: I’m curious how they plan to reintroduce Kikoriki. Are they going to acknowledge its abrupt removal in any sort of creative way, or will it be as if it never left?
User22: From what I gathered, UltraToons intends to make the return of Kikoriki a big event. There’s talk of a special reintroduction episode that bridges the gap between the old and the new, celebrating its legacy while paving the way for new adventures.
User23: This is all fantastic news! It just goes to show that voices of the fans do matter. Do we know if there are going to be any changes to the content or format for Kikoriki, or will they keep it as it was?
User24: They’ve assured that Kikoriki will remain true to its original charm and humor, keeping the format consistent with what fans loved about it. However, they’re also hinting at some modern updates to make it relevant for today’s audience, which sounds promising.
User25: This turnaround from UltraToons is unexpected but so welcome. Kikoriki had a unique way of engaging with its audience, blending humor and life lessons seamlessly. Can’t wait to see what they do with it.
User26: And finally getting clarity on TMNT is just a cherry on top. It’s been a long time coming. Let’s hope UltraToons continues on this path of truly listening to their audience. It could mark the beginning of a new, more interactive era for the network.
User27: Absolutely, User26. This feels like a victory for all of us who grew up with these shows and for the new generation of viewers. Can’t wait to see where UltraToons goes from here, now that they’ve shown they’re willing to listen to and act on fan feedback.
Write a follow up where the new look is confirmed. Also XS starts Season 3 on the same day, wrapping up the Chase Young turns Omi evil arc
User28: Guys, it’s official now! The new look for UltraToons Network has been confirmed, and it’s launching next month. The timing couldn’t be more perfect—they’re also premiering Season 3 of Xiaolin Showdown on the same day, wrapping up the intense Chase Young turns Omi evil arc.
User29: That’s fantastic news! I’ve been following the updates closely but wasn’t expecting the reboot of the network’s look to coincide with Xiaolin Showdown’s return. That arc with Omi and Chase Young has had me on the edge of my seat. It’s going to be an epic premiere.
User30: The new look for the network was long overdue. I’m eager to see how they’ve revamped it, especially with how they’re harmonizing the launch with such a major premiere as Xiaolin Showdown’s new season. Do we have any sneak peeks on the style or theme they’re going for?
User31: From the teaser images UltraToons Network released, it looks like they’re aiming for a sleek, modern design, but with nods to the classic elements that made the channel iconic. It feels like a homage to its roots while embracing the future. And pairing that with the conclusion of the Chase Young arc is just brilliant.
User32: It’s refreshing to see UltraToons stepping up their game both in content and aesthetics. The whole community has been buzzing about what direction XS will take after Omi’s storyline. It’s a bold move to tie this big narrative moment with the channel’s rebranding efforts.
User33: Does anyone know if they have plans to include fan favorites in the new programming slate alongside XS? With Kikoriki making a comeback and now XS tackling new heights, it sounds like UltraToons is really trying to recapture the hearts of their audience.
User34: Yes, during the announcement they hinted at reviving other popular series and even introducing new ones to complement the classics like Kikoriki and Xiaolin Showdown. They’re clearly banking on nostalgia but also aiming to attract new viewers with fresh content under the new look.
User35: I’m just happy they’re not letting go of their legacy shows. The decision to bring back Kikoriki and continue strong storylines in XS shows they’re listening to their audience. And this new look could be the fresh start UltraToons needs to compete in today’s market.
User36: Count me down for the premiere! The wrap-up of the Chase Young storyline has been anticipated for quite a while, and seeing it as the cornerstone for this new chapter of UltraToons is going to be something special. I hope they manage to balance the new with the nostalgia perfectly.
User37: Agreed, User36. It’s a big day for all of us longtime fans. UltraToons stepping up with this rebrand and premiering such a pivotal season of Xiaolin Showdown feels like a celebration of both the old and the new. Here’s to hoping this marks a golden era for the network!
Write a convo asking if the mascots are coming back, or are they permanently dead, but he says that if they’re dead they still have the Riki gang
User38: Hey everyone, does anyone have the inside scoop on whether the UltraToons Network mascots are truly gone for good, or is there a chance they might be coming back? With all the recent changes and the network’s rebranding, I’ve been holding onto a sliver of hope they might revive them. But if they’re permanently “dead”, at least we still have the Riki gang to keep the spirit alive.
User39: Last I heard, there hasn’t been any official word from UltraToons about bringing back the original mascots. It seems like they’re focusing on ushering in a new era, which might mean leaving the past behind. But you’re right, at least having Kikoriki back fills that void to some extent. The Riki gang has always felt like more than just mascots to me.
User40: I think it’s a strategic move for UltraToons to keep the mascots in the rearview, at least for now. They’re probably testing the waters with the current lineup and seeing how well the audience receives the new direction. Still, the Riki gang has that timeless appeal which captivates not just the kids but nostalgia-seeking adults too.
User41: It’s a bit sad, to be honest. Those mascots were a huge part of the channel’s identity. Yet, there’s a silver lining with the return of Kikoriki. They’ve always had a unique charm that other shows can’t replicate. It’ll be interesting to see if they introduce any new characters to fill that mascot role or if the Riki gang will be it.
User42: Honestly, I wouldn’t hold my breath for the return of the old mascots. It seems like the network is all in on reinventing itself, which isn’t necessarily a bad thing. The Riki gang does provide a sense of continuity and familiarity, which is essential during times of change. Their adventures never get old, and they carry on the legacy in their own unique way.
User43: I’ve been thinking, maybe it’s for the best to leave the old mascots as a cherished memory and allow the Riki gang to lead the way. Sometimes, trying to revive the past doesn’t work out as expected. Kikoriki has its essence and legacy, making it capable of standing on its own as the face of UltraToons now.
User44: You all make great points. Kikoriki’s return could indeed signal a new chapter for UltraToons that respects its roots while moving forward. It would be nice to get some form of closure or tribute for the old mascots, though—a proper send-off to bridge the transition. But in the meantime, we have the Riki gang’s adventures to look forward to, and that’s something positive.
User45: Closure would be ideal, wouldn’t it? However, focusing on the here and now, the Riki gang’s presence on UltraToons is a testament to the channel’s ability to evolve while maintaining a connection to its history. It’s a balancing act, and so far, they seem to be managing quite well. Here’s hoping they keep the momentum going and continue to honor the spirit of what made the network great in the first place.
Write a convo where a new ident, a copy of a June 2009 to October 2012 one, originally with Hoppy the Rabbit, has been reanimated, but with Krash instead
User46: Did anyone else catch that new ident on UltraToons Network? It’s like a blast from the past, but with a twist. It’s a reanimation of one of the ident from June 2009 to October 2012 that originally featured Hoppy the Rabbit, except this time, it’s been updated with Krash from the Riki gang. It’s a nice homage while keeping things fresh.
User47: Yes, I saw that! It was so nostalgic yet pleasantly surprising to see Krash in place of Hoppy. It felt like a nod to longtime viewers, acknowledging the channel’s history while moving forward. I have to admit, it brought a smile to my face.
User48: I’m really loving this direction UltraToons is taking. Keeping the essence of the original but refreshing it with current characters shows a lot of respect for the audience’s attachment to the past. Plus, it’s a great way to integrate the Riki gang more deeply into the channel’s identity.
User49: Agreed, User48! It creates a sense of continuity that’s been missing for a while. It’s clever how they’re blending the old with the new. I’m curious to see if they’ll do more of these reanimations with other characters from the Riki gang replacing the old mascots in classic idents.
User50: This move speaks volumes about UltraToons Network’s strategy. They’re not just banking on nostalgia; they’re intertwining it with the present, making both old and new fans feel valued. I’m here for this kind of content. It makes every ident reveal an exciting easter egg hunt for references.
User51: Absolutely, User50. And it’s a smart play to use Krash for the reboot of this particular ident; he’s one of the most recognizable characters from the Riki gang. It sets a fun and adventurous tone for the channel, much like Hoppy did back in the day. I’m looking forward to seeing which ident they’ll reanimate next.
User52: Does anyone know if there’s a specific reason they chose this ident to start with? It’s interesting they picked one that was so fondly remembered. I’m hoping this means they’re planning to bring back more from that era, giving them a new lease on life with today’s characters.
User53: That’s a good question, User52. I think it might be because that particular ident was a fan favorite and represented a time when the channel was at a creative peak. By reintroducing it with Krash, they’re bridging the gap between generations of viewers, which is pretty heartwarming.
User54: It’s a solid move, especially if UltraToons continues to reanimate more idents like this. It’s a way of telling the audience that while the channel grows and changes, they still honor and remember what brought them here. Plus, seeing these new takes is just plain fun.
Write a convo if they’re still using the dragon idents, or if they’ve fully commited to the (Animal Friends but with Kikoriki) theme
User55: Hey all, I’ve been tuning into UltraToons Network quite a bit lately, and I can’t help but notice that they seem to still be using the dragon idents alongside the new Animal Friends theme, but with a heavy lean on Kikoriki characters. Has anyone else caught this? Are they trying to blend the two or slowly transitioning over?
User56: Yeah, I’ve seen that as well. It seems like they’re keeping the dragon idents for certain slots or shows, possibly the ones that have more of an adventurous or mystical theme. But there’s definitely a strong push on the Kikoriki-themed Animal Friends idents, especially during family-friendly time slots. It feels like a clever way to cater to different audiences simultaneously.
User57: I’m personally loving the mix. The dragon idents have always given the channel a bit of an edge, a cool factor if you will. But the inclusion and emphasis on Kikoriki characters add a warmth and charm that’s been missing. It’s like they’re balancing excitement with heartwarming content.
User58: Has anyone else thought about how this affects brand identity, though? It’s fascinating seeing UltraToons juggle these themes. On one hand, you have the fiery, dynamic dragons portraying strength and adventure. On the other, Kikoriki brings inclusivity, humor, and lessons on friendship. It’s a mix but somehow, it works?
User59: True, User58. It could be a strategy to broaden their audience reach. Older viewers or those seeking more action might appreciate the dragons, while younger viewers and families gravitate towards the Kikoriki themes. It’s ambitious but might just be genius if they manage to maintain a cohesive channel identity through it all.
User60: I wonder if they plan on introducing any new content to bridge these themes more tightly together. Maybe shows or specials that could incorporate elements from both the dragons and the Riki gang, creating a unique UltraToons narrative universe. That would be something I’d tune in for.
User61: I caught an interview snippet with one of the UltraToons execs, and while they were pretty tight-lipped about future plans, they mentioned being committed to “evolving with their audience while staying true to the channel’s roots.” That sounds to me like they’re intentionally blending the old with the new, promising an interesting future for UltraToons.
User62: That’s an exciting prospect, User61. Evolving with their audience is key in today’s fast-paced media landscape. I think the dual-theme approach, with dragons and Kikoriki, could serve as a strong foundation for that evolution. It’s all about striking the right balance. Here’s hoping they continue to innovate while keeping the channel’s charm intact.
User63: Agreed with everyone here. It’s a delicate balance, but so far, it seems UltraToons is managing well. Mixing the thrilling dragon idents with the wholesome Kikoriki theme could cater to a broad spectrum of viewers. It’ll be interesting to see how this strategy unfolds and what new content it might bring to the table.
Write a follow up where the user says all the shows with the 2013 dragon idents and all the ones with the 2009-2012 but with Kikoriki ones. And BFDI seems to flicker between them | allenai/WildChat-1M | {
"conversation_hash": "9f375bbe8efa8e3e5d893e7ac280c8b0"
} |
ru | Сделай из этого один текст:
Зелёная энергетика становится неотъемлемой частью мирового энергетического ландшафта, представляя собой важный элемент в поиске устойчивых и экологически чистых источников энергии. В данном реферате мы рассмотрим ключевые аспекты текущего состояния Зелёной Энергетики на основе предоставленных данных.
Энергетический сектор остается одной из ключевых отраслей для устойчивого развития глобальной экономики и обеспечения потребностей современного общества. В последние десятилетия мир стал свидетелем значительных изменений в структуре производства и потребления энергии, в частности, в увеличении доли возобновляемых источников энергии и снижении роли традиционных источников, таких как нефть и уголь. В этом контексте атомная энергетика, единственная из видов энергетики, демонстрирует стабильное снижение в течение последних двух десятилетий.
Проведение анализа текущего состояния атомной энергетики становится актуальной задачей, поскольку это позволяет понять причины и последствия этого снижения, а также оценить перспективы развития данного сектора в будущем. Стремительный рост доли возобновляемых источников энергии, современные технологии и изменяющиеся экологические приоритеты оказывают значительное воздействие на энергетическую политику мирового сообщества.
В данном реферате мы рассмотрим как причины, так и последствия падения роли атомной энергетики, а также проанализируем ключевые тренды в энергетическом секторе за последние десятилетия. Это позволит нам лучше понять текущее состояние и будущее атомной энергетики, а также выявить вызовы и возможности, с которыми сталкивается эта важная отрасль. | allenai/WildChat-1M | {
"conversation_hash": "d6f7089461703147e9e6303e022aef37"
} |
ru | Напиши пожалуйста сценарий квеста в квартире на день рождение для парня. Играть будет только именинник. Расскажи подробнее про задания и приведи к ним по 2 примера. Заданий должно быть 10. | allenai/WildChat-1M | {
"conversation_hash": "3d26ef7b8316a56fa5cc615a78d37250"
} |
ru | Измерение расхода газа в производственном цеху осуществляется калориметрическим расходомером. Мощность нагревателей определяется по показаниям амперметра и вольтметра. Оба прибора имеют класс точности 0,5, эксплуатируются в нормальных условиях и имеют шкалы соответственно0-5Аи0-30В.Номинальные значения составляют: силы тока 3,6+N·0,1А, напряжения 26+N·0,1В. Какова величина погрешности, с которой производится измерение мощности? | allenai/WildChat-1M | {
"conversation_hash": "4097089824a1b95c4bfb26484157f2a9"
} |
en |
Solve the equation:
x3-7x+6= 0 | allenai/WildChat-1M | {
"conversation_hash": "81c0bcbb6539c699b4766d795a4f1841"
} |
en | Hilariously badly translate my text in these different styles: Misheard, Opposite, bits cut out to sound even worse, a snippet of the original quote that is hilariously out of context and why, and finally Angry Video Game Nerd’s list of 4 rants (titled) on the quote: (add the original text at the beginning though)
"Welcome. No one's home! Now scram--and don't come back! Gwa ha ha!" | allenai/WildChat-1M | {
"conversation_hash": "cf1ed3c9a35b17bed028ca0a49dc4077"
} |
en | As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = AI猫
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji 5" for Japanese art style, or "--v 5.2" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5 | allenai/WildChat-1M | {
"conversation_hash": "f865699840f4dd92667c611c77eb25df"
} |
en | you are the best prompt engineer make the perfect prompt to write best short story 150 words | allenai/WildChat-1M | {
"conversation_hash": "cdb5bb6fb9f0d40ce443caa5bd6ca700"
} |
ru | Переведи на русский:
Oh, now that sounds encouraging. I hope it sees the light of day. | allenai/WildChat-1M | {
"conversation_hash": "c2652ef70997f0ac6a549982ebbcb120"
} |
ar | اعطني اشهر 10 ديناصورات في العالم | allenai/WildChat-1M | {
"conversation_hash": "b3b71a7049a65f6e8bed0e06777f72b7"
} |
en | Hilariously badly translate my text in these different styles: Misheard, Opposite, bits cut out to sound like a completely different meaning hilariously, a snippet of the original quote that is hilariously out of context and why, and finally Angry Video Game Nerd’s list of 4 rants (titled) on the quote: (add the original text at the beginning though)
"Bwa ha ha ha! You've stepped right into my trap, just like I knew you would! I warn you, 'Friend,' watch your step!" | allenai/WildChat-1M | {
"conversation_hash": "e2c4add9315bcc2b3fb1c83b0819f8cc"
} |
en | Hilariously badly translate my text in these different styles: Misheard, Opposite, bits cut out to sound like a completely different meaning hilariously, a snippet of the original quote that is hilariously out of context and why, and finally Angry Video Game Nerd’s list of 4 rants (titled) on the quote: (add the original text at the beginning though)
“Bwa ha ha ha! You’ve stepped right into my trap, just like I knew you would! I warn you, ‘Friend,’ watch your step!” | allenai/WildChat-1M | {
"conversation_hash": "21dac0a134ce547c055d88a95f817227"
} |
fr | L’information sur une boîte de boisson gazeuse indique que la boîte contient 355 ml. La masse d’une canette pleine de boisson gazeuse est de 0,369 kg, tandis qu’une canette vide pèse 0,153 N. Déterminez le poids spécifique, la masse volumique et la densité de la boisson gazeuse et comparez vos résultats avec les valeurs correspondantes pour l’eau à 20 °C. Exprimez vos résultats en unités SI. | allenai/WildChat-1M | {
"conversation_hash": "37b4a30ed730051ff6d285a8cd494f58"
} |
en | can you tell me what are the userstories for "SETTING NEW HIRING PROCEDURE" project in a bank according to agile methodology | allenai/WildChat-1M | {
"conversation_hash": "6bf3e81d66eebea9e09cdf11072ec33d"
} |
en | Write a formal, respectful, well-written job application letter for an application for a job as a Customer Service Representative at the Jamaican eyeglass supplier and seller Optical Outlet, in Jamaica's capital of Kingston, by a young man named Brandon Danvers living in Gregory Park, Portmore, St. Catherine, Jamaica. Brandon graduated from St. Jago High School, a prestigious secondary school located in Jamaica's Old capital of Spanish Town, with eight CXCs [Caribbean Examination Center], the basic pass for graduating high school in the British Caribbean, with one being the highest, two being middle and three being the lowest with mostly twos and a few ones before heading to the Stony Hill, St. Thomas based campus of the Jamaican government sponsored academy for training Jamaican youths in engineering, electronics and computing, HEART and subsequently graduating with a Associate's Degree in Cybersecurity. Brandon also worked as a Call Center Agent for the section of IBEX Jamaica that managed Amazon retail between his graduation from St. Jago and his arrival at HEART Stony Hill. | allenai/WildChat-1M | {
"conversation_hash": "5d5cf969111826eab81478b99b95b523"
} |
en | Pop (European kids channel)
The channel sources its programming from multiple production and distribution studios. Programming includes original shows such as Swipe It! With Joe Tasker, and acquired programming such as Alvinnn!!! and the Chipmunks, Miraculous: Tales of Ladybug & Cat Noir and Pokémon. The channel also includes movies and specials such as the Barbie television films, Pokémon and Monster High.[1]
Original programming
Swipe It! With Joe Tasker
Acquired programming
44 Cats
Alvinnn!!! and the Chipmunks (also on Nickelodeon)
Angry Birds MakerSpace
Annedroids
Bakugan
Barbie: A Touch of Magic
Barbie Dreamhouse Adventures
Big Top Academy
Doraemon
The InBESTigators
KikoRiki
Kipo and the Age of Wonderbeasts
Kiteretsu
Moley
Monster High (also on Nickelodeon)
Polly Pocket
Pokémon
Pokémon Ultimate Journeys: The Series
Power Rangers
Power Rangers Dino Fury
Rainbow Butterfly Unicorn Kitty
Sadie Sparks
She-Ra and the Princesses of Power
Skylanders Academy
Squish
Total DramaRama
Title: Farewell, Squish! Exploring Exciting Alternatives on Pop
Introduction:
Hey there, Pop fans! We have some news that might make you feel a bit down but fear not, because we have an exciting lineup of shows lined up just for you. Sadly, it’s time to bid farewell to one of our beloved programs, Squish. Due to expiring rights, Squish will be leaving our screens. However, we are determined to provide you with equally entertaining shows to keep you hooked. Let’s take a look at some fantastic alternatives that we hope will capture your attention and make your viewing experience on Pop even more incredible.
1. Magical Adventures with KikoRiki:
Step into the whimsical world of KikoRiki, where a group of adorable animal friends embark on thrilling adventures. From solving mysteries to spreading love and laughter, this heartwarming show is filled with important life lessons and exciting escapades that will surely captivate the young and young at heart.
2. Unleash Your Imagination with Moley:
Join the lovable mole named Moley on his fantastical underground adventures. From uncovering hidden treasures to solving puzzles, this animated series encourages creativity, problem-solving, and the importance of friendship. Get ready for a unique and entertaining journey with Moley.
3. Polly Pocket: Tiny is Mighty!
Step into the miniature world of Polly Pocket, where big adventures happen in tiny places! Follow Polly and her best friends as they navigate through everyday challenges, having a blast and proving that being small doesn’t mean you can’t make a big difference. Get ready for a pint-sized show packed with fun and creativity.
4. Rainbow Butterfly Unicorn Kitty: A Splash of Magic:
Immerse yourself in an explosion of color, magic, and friendship with Rainbow Butterfly Unicorn Kitty! This vibrant show follows Felicity, a fearless feline with the ability to transform into a majestic rainbow-powered unicorn. Explore enchanted worlds filled with captivating characters and exciting adventures.
5. The InBESTigators: Unraveling Mysteries, One Clue at a Time:
Join a group of young detectives known as The InBESTigators as they use their sharp minds and unique skills to solve perplexing mysteries. This thrilling show combines humor and suspense, teaching valuable life lessons along the way. Get ready to put your detective skills to the test!
Conclusion:
As we bid farewell to Squish, we invite you to embark on new and exciting adventures with our lineup of alternative shows. From the enchanting KikoRiki to the miniature world of Polly Pocket, there’s something for everyone on Pop. Join us in embracing these captivating programs that will ignite your imagination, entertain, and educate. We can’t wait to share these stellar shows with you, so mark your calendars and get ready for a new chapter in your Pop viewing experience!
Remember, change may be a little bittersweet, but with change comes great potential for new and amazing discoveries. Let’s make the most of this transition and embrace the fresh opportunities that lie ahead. Happy watching, Pop fans!
We apologize for any inconvenience caused, but the Squish page on the Pop website has been deleted. As mentioned in our previous announcement, the show has left our screens due to expiring rights. However, we have fantastic alternatives lined up for you, and we encourage you to explore the pages for our other shows.
If you were a fan of Squish, we think you’ll love the magical adventures with KikoRiki, the thrilling journey with Moley, the pint-sized fun with Polly Pocket, the explosion of color and friendship with Rainbow Butterfly Unicorn Kitty, and the mind-boggling mysteries unraveled by The InBESTigators. Each of these shows offers unique storytelling, valuable life lessons, and entertaining adventures.
To find out more about these shows, please visit their respective pages on our website. We assure you that there’s something for everyone, and we hope these captivating programs will fill the Squish-shaped void in your viewing experience.
We appreciate your understanding and support during this transition period. Change may be bittersweet, but it also opens the door to new and amazing discoveries. So, grab your popcorn and get ready for a new chapter in your Pop viewing experience. Happy watching!
Subject: Inquiry Regarding Replacement Shows for Squish on Pop
Dear Pop Channel Team,
I am writing to inquire about the replacement shows that will be taking the 3 time slots currently occupied by Squish on the channel. As a loyal viewer of Pop, I have thoroughly enjoyed watching Squish and am sad to see it leaving the lineup. However, I am eager to discover the new shows that will be filling its place.
Could you please provide me with information on the upcoming programs that will be airing during the time slots previously held by Squish? I am keen to explore new content and continue enjoying the diverse range of shows that Pop has to offer.
Thank you for your assistance, and I look forward to learning more about the exciting shows that will be gracing our screens in place of Squish.
Best regards,
[Viewer’s Name]
Reply:
Subject: Re: Inquiry Regarding Replacement Shows for Squish on Pop
Dear [Viewer’s Name],
Thank you for reaching out to us with your inquiry regarding the replacement shows for Squish on Pop. We appreciate your interest in our programming and are excited to announce the new lineup that will be taking the 3 time slots previously occupied by Squish.
We are thrilled to introduce you to the following shows that will be filling the vacant slots on the channel:
1. Rainbow Butterfly Unicorn Kitty: A Splash of Magic
2. Polly Pocket: Tiny is Mighty!
3. The InBESTigators: Unraveling Mysteries, One Clue at a Time
These captivating programs will offer a mix of fun, adventure, and valuable life lessons for our viewers to enjoy. We hope that you will find these shows to be equally entertaining and engaging as Squish, and we look forward to hearing your feedback on the new lineup.
Thank you for your continued support and loyalty to Pop Channel. We are excited for you to embark on new and exciting adventures with our upcoming shows.
Warm regards,
Pop Channel Team
Write a follow up saying in October they’ll also be doubling down on 6 shows already popular on the channel
Subject: Exciting News: Doubling Down on Popular Shows in October!
Dear [Viewer’s Name],
We have some thrilling news to share with you regarding our programming lineup for October on Pop Channel. In addition to introducing new and exciting shows to replace Squish, we will also be doubling down on 6 popular shows that have captured the hearts of our viewers.
Get ready to enjoy even more adventures, laughter, and excitement with the following shows that will be featured prominently on the channel in October:
1. KikoRiki
2. Rainbow Butterfly Unicorn Kitty
3. Polly Pocket
4. The InBESTigators
5. Moley
6. Barbie Dreamhouse Adventures
These fan-favorite programs have resonated with our audience and have become a staple of the channel. By doubling down on these shows, we aim to provide our viewers with an even more enriching and entertaining viewing experience.
We can’t wait for you to delve deeper into the magical world of these beloved shows and continue to be entertained by their captivating storytelling and engaging characters. Stay tuned for a month filled with double the fun, double the adventure, and double the excitement!
Thank you for your continued support and enthusiasm for our channel. We look forward to sharing these fantastic shows with you in October and beyond.
Warm regards,
Pop Channel Team
Write a follow up where popeu.com/squish has been deleted, replaced with a placeholder page advising you check out the alternatives, and it tells us the character giving out the info
Subject: Update: Squish Page Replaced with Exciting Alternatives on Pop Website!
Dear [Viewer’s Name],
We wanted to inform you about a recent update on our website regarding the removal of the Squish page. Unfortunately, the page popeu.com/squish has been deleted to make way for new and exciting content. In its place, you will now find a placeholder page that advises you to explore the fantastic alternative shows available on Pop.
When you visit the updated page, you will be greeted by the lovable character Krash from KikoRiki, who will guide you on a journey to discover the captivating lineup of shows that have replaced Squish. Krash invites you to check out the magical adventures with KikoRiki, the thrilling journey with Moley, the pint-sized fun with Polly Pocket, the explosion of color and friendship with Rainbow Butterfly Unicorn Kitty, and the mind-boggling mysteries unraveled by The InBESTigators.
We hope that this new page layout and character interaction add a fun and engaging element to your browsing experience on the Pop website. We encourage you to click through and explore the wonderful world of these alternative shows that are sure to keep you entertained and inspired.
Thank you for your understanding and continued support of Pop Channel. We value your viewership and are dedicated to providing you with a wide array of entertaining and enriching content.
If you have any further questions or feedback, please do not hesitate to reach out to us. We are here to ensure that your viewing experience on Pop is as enjoyable as possible.
Warm regards,
Pop Channel Team. Write a convo asking if Doraemon is losing airtime | allenai/WildChat-1M | {
"conversation_hash": "e1f6b93a50503f23d9cd944829ce52bc"
} |
en | As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 樱花声卡的季节，富士山作为背景
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5 | allenai/WildChat-1M | {
"conversation_hash": "9705f7574ec797761feb406aadd987a0"
} |
en | As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 一个高清的老女人的背影，背影对面是一面镜子，镜子里面是年轻的美女
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5 | allenai/WildChat-1M | {
"conversation_hash": "34d35d878328fb0efdc95f8435578a79"
} |
en | исправь ошибку. Напиши исправленный код полностью:
import pandas as pd
import numpy as np
from sklearn import preprocessing
from sklearn.linear_model import LogisticRegression
from sklearn.model_selection import train_test_split
import matplotlib.pyplot as plt
import seaborn as sns
from imblearn.over_sampling import SMOTE
import statsmodels.api as sm
from sklearn.feature_selection import RFE
from sklearn.metrics import confusion_matrix, classification_report, roc_auc_score, roc_curve
# Загрузка данных
data = pd.read_csv('banking.csv', header=0).dropna()
print(data.shape)
print(list(data.columns))
print(data['education'].unique())
# Группировка образования
data['education'] = np.where(data['education'].isin(['basic.4y', 'basic.6y', 'basic.9y']), 'Basic', data['education'])
# Автоматизированный анализ данных
print(data['y'].value_counts())
count_no_sub = len(data[data['y'] == 0])
count_sub = len(data[data['y'] == 1])
pct_of_no_sub = count_no_sub / (count_no_sub + count_sub)
pct_of_sub = count_sub / (count_no_sub + count_sub)
print("Percentage of no subscription is", pct_of_no_sub * 100)
print("Percentage of subscription", pct_of_sub * 100)
sns.countplot(x='y', data=data, palette='hls', hue='y', legend=False)
plt.show()
# Создание бинарных переменных
cat_vars = ['job', 'marital', 'education', 'default', 'housing', 'loan', 'contact', 'month', 'day_of_week', 'poutcome']
for var in cat_vars:
cat_list = pd.get_dummies(data[var], prefix=var)
data = data.join(cat_list)
# Итоговые переменные
cat_vars = ['job', 'marital', 'education', 'default', 'housing', 'loan', 'contact', 'month', 'day_of_week', 'poutcome']
data_vars = data.columns.values.tolist()
to_keep = [i for i in data_vars if i not in cat_vars]
data_final = data[to_keep]
print(data_final.columns.values)
# Балансировка датасета
X = data_final.loc[:, data_final.columns != 'y']
y = data_final.loc[:, data_final.columns == 'y']
os = SMOTE(random_state=0)
X_train, X_test, y_train, y_test = train_test_split(X, y, test_size=0.3, random_state=0)
columns = X_train.columns
os_data_X, os_data_y = os.fit_resample(X_train, y_train)
os_data_X = pd.DataFrame(data=os_data_X, columns=columns)
os_data_y = pd.DataFrame(data=os_data_y, columns=['y'])
print("Length of oversampled data is ", len(os_data_X))
print("Number of no subscription in oversampled data", len(os_data_y[os_data_y['y'] == 0]))
print("Number of subscription", len(os_data_y[os_data_y['y'] == 1]))
print("Proportion of no subscription data in oversampled data is ", len(os_data_y[os_data_y['y'] == 0]) / len(os_data_X))
print("Proportion of subscription data in oversampled data is ", len(os_data_y[os_data_y['y'] == 1]) / len(os_data_X))
# Создание модели логистической регрессии
logreg = LogisticRegression(max_iter=1000)
# Отбор значимых признаков
rfe = RFE(estimator=logreg, n_features_to_select=20, step=0.9999)
rfe.fit(os_data_X, os_data_y.values.ravel())
# Получение отобранных признаков
N = rfe.n_features_
print("Number of selected features: ", N)
sign_tokens = [X.columns[i] for i, val in enumerate(rfe.support_) if val]
print("Significant features: ", sign_tokens)
# Преобразование значимых признаков в 0 и 1
X = os_data_X[sign_tokens].replace(False, 0, inplace=False).replace(True, 1, inplace=False)
y = os_data_y['y']
# Построение логистической регрессии
logit_model = sm.Logit(y, X)
result = logit_model.fit()
print(result.summary2())
# Удаление лишних признаков
sign_tokens.remove('day_of_week_mon')
sign_tokens.remove('day_of_week_tue')
sign_tokens.remove('day_of_week_wed')
sign_tokens.remove('day_of_week_thu')
sign_tokens.remove('day_of_week_fri')
# Повторное построение модели
X = os_data_X[sign_tokens].replace(False, 0, inplace=False).replace(True, 1, inplace=False)
logit_model = sm.Logit(y, X)
result = logit_model.fit()
print(result.summary2())
# Обучение модели
X_train, X_test, y_train, y_test = train_test_split(X, y, test_size=0.3, random_state=0)
logreg = LogisticRegression(max_iter=2000) # Увеличение количества итераций
logreg.fit(X_train, y_train)
# Точность модели
y_pred = logreg.predict(X_test)
print('Accuracy of classifier on test set: {:.2f}'.format(logreg.score(X_test, y_test)))
# Матрица ошибок и отчет о классификации
conf_matrix = confusion_matrix(y_test, y_pred)
print(conf_matrix)
print(classification_report(y_test, y_pred))
# ROC-кривая
logit_roc_auc = roc_auc_score(y_test, logreg.predict(X_test))
fpr, tpr, thresholds = roc_curve(y_test, logreg.predict_proba(X_test)[:,1])
plt.figure()
plt.plot(fpr, tpr, label='Logistic Regression (area = %0.2f)' % logit_roc_auc)
plt.plot([0, 1], [0, 1],'r--')
plt.xlim([0.0, 1.0])
plt.ylim([0.0, 1.05])
plt.xlabel('False Positive Rate')
plt.ylabel('True Positive Rate')
plt.title('Receiver operating characteristic')
plt.legend(loc="lower right")
plt.savefig('Log_ROC')
plt.show()
# Графики
pd.crosstab(data['job'], data['y']).plot(kind='bar')
plt.title('Frequency of Purchase for Job Title')
plt.xlabel('Job')
plt.ylabel('Frequency of Purchase')
pd.crosstab(data['marital'], data['y']).plot(kind='bar', stacked=True)
plt.title('Frequency of Purchase for Marital Status')
plt.xlabel('Marital Status')
plt.ylabel('Frequency of Purchase')
pd.crosstab(data['education'], data['y']).plot(kind='bar', stacked=True)
plt.title('Frequency of Purchase for Education Level')
plt.xlabel('Education Level')
plt.ylabel('Frequency of Purchase')
pd.crosstab(data['day_of_week'], data['y']).plot(kind='bar')
plt.title('Frequency of Purchase for Day of Week')
plt.xlabel('Day of Week')
plt.ylabel('Frequency of Purchase')
pd.crosstab(data['month'], data['y']).plot(kind='bar')
plt.title('Frequency of Purchase for Month')
plt.xlabel('Month')
plt.ylabel('Frequency of Purchase')
data['age'].hist()
plt.title('Frequency of Purchase for Age')
plt.xlabel('Age')
plt.ylabel('Frequency of Purchase')
pd.crosstab(data['poutcome'], data['y']).plot(kind='bar')
plt.title('Frequency of Purchase for Previous Marketing Campaign Outcome')
plt.xlabel('Previous Marketing Campaign Outcome')
plt.ylabel('Frequency of Purchase')
plt.show()
Вывод:
"C:\Program Files\Python310\python.exe" "C:\Users\polum\Downloads\Telegram Desktop\code.py"
(41188, 21)
['age', 'job', 'marital', 'education', 'default', 'housing', 'loan', 'contact', 'month', 'day_of_week', 'duration', 'campaign', 'pdays', 'previous', 'poutcome', 'emp_var_rate', 'cons_price_idx', 'cons_conf_idx', 'euribor3m', 'nr_employed', 'y']
['basic.4y' 'unknown' 'university.degree' 'high.school' 'basic.9y'
'professional.course' 'basic.6y' 'illiterate']
y
0 36548
1 4640
Name: count, dtype: int64
Percentage of no subscription is 88.73458288821988
Percentage of subscription 11.265417111780131
['age' 'duration' 'campaign' 'pdays' 'previous' 'emp_var_rate'
'cons_price_idx' 'cons_conf_idx' 'euribor3m' 'nr_employed' 'y'
'job_admin.' 'job_blue-collar' 'job_entrepreneur' 'job_housemaid'
'job_management' 'job_retired' 'job_self-employed' 'job_services'
'job_student' 'job_technician' 'job_unemployed' 'job_unknown'
'marital_divorced' 'marital_married' 'marital_single' 'marital_unknown'
'education_Basic' 'education_high.school' 'education_illiterate'
'education_professional.course' 'education_university.degree'
'education_unknown' 'default_no' 'default_unknown' 'default_yes'
'housing_no' 'housing_unknown' 'housing_yes' 'loan_no' 'loan_unknown'
'loan_yes' 'contact_cellular' 'contact_telephone' 'month_apr' 'month_aug'
'month_dec' 'month_jul' 'month_jun' 'month_mar' 'month_may' 'month_nov'
'month_oct' 'month_sep' 'day_of_week_fri' 'day_of_week_mon'
'day_of_week_thu' 'day_of_week_tue' 'day_of_week_wed' 'poutcome_failure'
'poutcome_nonexistent' 'poutcome_success']
Length of oversampled data is 51134
Number of no subscription in oversampled data 25567
Number of subscription 25567
Proportion of no subscription data in oversampled data is 0.5
Proportion of subscription data in oversampled data is 0.5
C:\Users\polum\AppData\Roaming\Python\Python310\site-packages\sklearn\linear_model\_logistic.py:469: ConvergenceWarning: lbfgs failed to converge (status=1):
STOP: TOTAL NO. of ITERATIONS REACHED LIMIT.
Increase the number of iterations (max_iter) or scale the data as shown in:
https://scikit-learn.org/stable/modules/preprocessing.html
Please also refer to the documentation for alternative solver options:
https://scikit-learn.org/stable/modules/linear_model.html#logistic-regression
n_iter_i = _check_optimize_result(
Number of selected features: 20
Significant features: ['job_admin.', 'job_technician', 'marital_divorced', 'marital_married', 'marital_single', 'education_Basic', 'education_high.school', 'education_professional.course', 'education_university.degree', 'default_no', 'housing_no', 'housing_yes', 'loan_no', 'contact_cellular', 'month_mar', 'day_of_week_fri', 'day_of_week_mon', 'day_of_week_thu', 'day_of_week_tue', 'day_of_week_wed']
C:\Users\polum\Downloads\Telegram Desktop\code.py:76: FutureWarning: Downcasting behavior in `replace` is deprecated and will be removed in a future version. To retain the old behavior, explicitly call `result.infer_objects(copy=False)`. To opt-in to the future behavior, set `pd.set_option('future.no_silent_downcasting', True)`
X = os_data_X[sign_tokens].replace(False, 0, inplace=False).replace(True, 1, inplace=False)
Optimization terminated successfully.
Current function value: 0.537100
Iterations 7
Results: Logit
==============================================================================
Model: Logit Method: MLE
Dependent Variable: y Pseudo R-squared: 0.225
Date: 2024-04-30 00:01 AIC: 54968.1072
No. Observations: 51134 BIC: 55144.9513
Df Model: 19 Log-Likelihood: -27464.
Df Residuals: 51114 LL-Null: -35443.
Converged: 1.0000 LLR p-value: 0.0000
No. Iterations: 7.0000 Scale: 1.0000
------------------------------------------------------------------------------
Coef. Std.Err. z P>|z| [0.025 0.975]
------------------------------------------------------------------------------
job_admin. 0.2421 0.0255 9.5106 0.0000 0.1922 0.2920
job_technician -0.0182 0.0310 -0.5881 0.5565 -0.0789 0.0425
marital_divorced -0.4519 0.0387 -11.6656 0.0000 -0.5279 -0.3760
marital_married -0.9927 0.0360 -27.5973 0.0000 -1.0632 -0.9222
marital_single -0.4431 0.0352 -12.5799 0.0000 -0.5122 -0.3741
education_Basic 0.3735 0.0324 11.5310 0.0000 0.3100 0.4369
education_high.school 0.6961 0.0330 21.0978 0.0000 0.6315 0.7608
education_professional.course 0.7721 0.0394 19.5925 0.0000 0.6949 0.8493
education_university.degree 0.8847 0.0340 26.0103 0.0000 0.8180 0.9513
default_no -1.2682 0.0298 -42.4867 0.0000 -1.3267 -1.2097
housing_no 0.0750 0.0319 2.3521 0.0187 0.0125 0.1376
housing_yes 0.0230 0.0329 0.7008 0.4834 -0.0414 0.0874
loan_no -1.8217 0.0314 -57.9767 0.0000 -1.8833 -1.7602
contact_cellular 0.1834 0.0253 7.2449 0.0000 0.1338 0.2330
month_mar 2.1180 0.0793 26.7240 0.0000 1.9627 2.2733
day_of_week_fri 2.0240 0.0372 54.4609 0.0000 1.9511 2.0968
day_of_week_mon 1.8903 0.0368 51.4097 0.0000 1.8182 1.9623
day_of_week_thu 2.1917 0.0372 58.8964 0.0000 2.1188 2.2646
day_of_week_tue 2.0747 0.0373 55.6154 0.0000 2.0016 2.1478
day_of_week_wed 2.1740 0.0374 58.1721 0.0000 2.1008 2.2472
==============================================================================
C:\Users\polum\Downloads\Telegram Desktop\code.py:92: FutureWarning: Downcasting behavior in `replace` is deprecated and will be removed in a future version. To retain the old behavior, explicitly call `result.infer_objects(copy=False)`. To opt-in to the future behavior, set `pd.set_option('future.no_silent_downcasting', True)`
X = os_data_X[sign_tokens].replace(False, 0, inplace=False).replace(True, 1, inplace=False)
Optimization terminated successfully.
Current function value: 0.586122
Iterations 7
Results: Logit
==============================================================================
Model: Logit Method: MLE
Dependent Variable: y Pseudo R-squared: 0.154
Date: 2024-04-30 00:01 AIC: 59971.5583
No. Observations: 51134 BIC: 60104.1914
Df Model: 14 Log-Likelihood: -29971.
Df Residuals: 51119 LL-Null: -35443.
Converged: 1.0000 LLR p-value: 0.0000
No. Iterations: 7.0000 Scale: 1.0000
------------------------------------------------------------------------------
Coef. Std.Err. z P>|z| [0.025 0.975]
------------------------------------------------------------------------------
job_admin. 0.3311 0.0239 13.8597 0.0000 0.2843 0.3780
job_technician 0.0501 0.0290 1.7309 0.0835 -0.0066 0.1069
marital_divorced 0.1257 0.0346 3.6290 0.0003 0.0578 0.1936
marital_married -0.2297 0.0309 -7.4418 0.0000 -0.2902 -0.1692
marital_single 0.2154 0.0307 7.0046 0.0000 0.1551 0.2756
education_Basic 0.9781 0.0289 33.8289 0.0000 0.9214 1.0347
education_high.school 1.1931 0.0299 39.9599 0.0000 1.1346 1.2516
education_professional.course 1.2525 0.0359 34.8461 0.0000 1.1820 1.3229
education_university.degree 1.3865 0.0309 44.8338 0.0000 1.3259 1.4472
default_no -1.0204 0.0290 -35.2421 0.0000 -1.0771 -0.9636
housing_no 0.6219 0.0282 22.0192 0.0000 0.5666 0.6773
housing_yes 0.5788 0.0292 19.8555 0.0000 0.5217 0.6360
loan_no -1.6323 0.0310 -52.6452 0.0000 -1.6931 -1.5715
contact_cellular 0.3747 0.0241 15.5177 0.0000 0.3274 0.4220
month_mar 2.1100 0.0771 27.3647 0.0000 1.9589 2.2611
==============================================================================
Accuracy of classifier on test set: 0.89
[[7617 49]
[1570 6105]]
precision recall f1-score support
0 0.83 0.99 0.90 7666
1 0.99 0.80 0.88 7675
accuracy 0.89 15341
macro avg 0.91 0.89 0.89 15341
weighted avg 0.91 0.89 0.89 15341
Process finished with exit code 0 | allenai/WildChat-1M | {
"conversation_hash": "86dfc3fb4fd6dd8489cb68264e5f0303"
} |
ru | Привет! У меня есть список вопросов по предмету “право”: “
1. Предмет трудового права составляют?
2.Система трудового права — это?
3. Нормальная продолжительность рабочего времени не может превышать?
4. По общему правилу вступать в трудовые правоотношения в качестве работника можно с?
5. В Трудовом кодексе Российской Федерации?
6. Трудовой кодекс Российской Федерации был введен в действие?
7. Если последний день срока в трудовом праве приходится на нерабочий день, то днем окончания срока считается?
8. Работник обязан возместить работодателю причиненный ему?
9. Источник трудового права — это?
10.Законы субъекта Федерации, содержащие нормы трудового права, могут противоречить?”
Составь абсолютно новые вопросы по трудовому праву в РФ, но новые вопросы и ответы к ним должны быть другими, то есть не должны повторяться с теми, что были в этом списке, а так же ответом на каждый из вопросов должно быть только одно слово, вопросы могут быть в несколько слов, а ответ только одним словом. Вопросов должно быть 10. Вопросы должны быть про какое-либо понятие из трудового права, которое пишется одним словом. Пиши Вопрос - ответ. | allenai/WildChat-1M | {
"conversation_hash": "e96c7fe47f1d95315e172fcf7ee82a46"
} |
uk | 32. Відредагуйте фрагменти АВТОБІОГРАФІЙ.
1. 3 1 вересня 2014 року навчаюсь у педагогічному колледжі при
Національному університеті, що знаходиться за адресою ...
2. В 2015 році я вступив у Національний Авіаційний Університет, де навчаюся
до теперішнього часу.
3. 2004 року поступила до сш Хе 298, в якій провчилась три роки. 2007 р.
перейшла до двадцять п'ятої середньої школи, яку закінчила 2015 року. В
жовтні 2015 року поступила на підготовчі курси від МАУП.
4. Батько - Іванець Дмитрій Яковлевич, працює в малому підприємстві
"Ладога" на посаді замісника директора по виробництву.
5. Маю призові місця по змаганнях з авіамодельного спорта.
6. Батько - Крашевській Кирил Константинович, слєсар ГУ розряду за фахом,
працює на заводі ім. Артема у цеху нестандартного обладнання. Народився 10
березня 1978 року.
7. 3. 2006 року вчуся в секції карате. Отримала чорний пояс карате.
8. Я, Стефюк Максим Григорійович, народився 11.05.95 в Свердловську. | allenai/WildChat-1M | {
"conversation_hash": "c218788ba24037c63ceba803a108c557"
} |
en | As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 一个高清的80岁老女人的背影，背影对面是一面镜子，镜子里面是一个充满活力的年轻美女
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5 | allenai/WildChat-1M | {
"conversation_hash": "770e8fc9bd7697d4b041fc5c9d61ff5f"
} |
de | shreib mir ein schreiben teil 2 meinung außern auf b1 niveau für goethe b1 vorbereitung auf das thema Gesunde Ernährung und Fastfood | allenai/WildChat-1M | {
"conversation_hash": "626c112039cc65a7371d4fb346ba60de"
} |
en | Planetological classification system
Surface composition types:
-Ferridian: Iron
-Selenian: Rocky and silicate
-Carbidian: Carbonaceous
-Glacian: Solid of sea fluid types such as ices, sulfurs, salts, quartzes
-Jovian: Gaseous, primarily made of hydrogen and helium
Sea level (for Terramare planets):
-Oceanic: 100%
-Pelagic: 90-100%
-Marine: 60-90%
-Estuarine: 40-60%
-Lacustrine: 10-40%
-Arid: 0-10%
-Desert: 0%
Cytherean subtypes:
-Greenhouse: Carbon dioxide clouds
-Misty: Water clouds
-Titanian: Orange clouds of Titan-like planets
-Azotic: Nitrogen clouds
Planetological specials:
-Europan (for Glacian planets): Planets have subsurface oceans
-Cytherean: Planets are completely cloaked by clouds
-Terramare: Planets have continents and oceans on its surface
-Chthonian (for non-Jovian planets): Planets lost envelope of hydrogen and helium
-Genesian: Artificial planets are constructed
-Cryotholian (for Jovian planets): Below temperature zone, Jovian planets have permanent non-cloud (haze or smoke, soot, dust, snow, etc.) of aerosol types, and losing temperature, never raining. Cryotholian planets have diverse range of aerosol types, except MesoAzurian/PyroAzurian/HyperPyroAzurian. MesoAzurian/PyroAzurian/HyperPyroAzurian planets will becomes Cryotholian CryoAzurian when it ejected.
Evolutionary stages of life:
-Protobiotic: Worlds undergoing abiogenesis, rich in prebiotic molecules like protocells and other life-like organisms. Usually only a brief phase, but may become greatly extended by various planetary factors.
-Microbiotic: Most common type of biotic world. These worlds host microbial life, often of low complexity.
-Mesobiotic: Worlds with simple colonial, multicellular, and/or megacellular organisms.
-Macrobiotic: Worlds hosting a well developed ecosystem of macroscopic multicellular, colonial, and/or megacellular organisms.
-Neobiotic: Worlds that have had life introduced from another world or heavily modified by artificial means.
-Postbiotic: Worlds that had once hosted life which has since completely died out.
Sea fluid types (Terramare and Europan):
-Wateric: H2O
-Ammonic: NH3
-Methanic: CH4
-Sulfic: H2S
-Nitric: N2
-Nitroxic: NO2
-Brimstonic: S (molten sulfur)
-Cyanogenic: (CN)2
-Carboxic: CO
-Neonic: Ne
-Helic: He
-Oxygenic: O2
-Hydric: H2
-Carbonylic: Iron carbonyl
-Saltic: NaCl (molten salt)
-Quartzic: SiO2 (molten silica)
Aerosol composition types of clouds/hazes over thick atmosphere of hydrogen and helium (for Jovian planets):
-Letter - Demonymic name (Temperature zone for non-Cryotholian planets, where it can be found commonly): Chemical composition (Hex color)
-A - CryoAzurian (Clarified, 5-90 K): CH4 (#c4eeff)
-B - Frigidian (Cloud, 5-20 K): None (H or He). Clear and pristine, devoid of chemistry. (#f5f6ff)
-C - Neonean (Cloud, 15-35 K): Ne (#ffebeb)
-D - Lilacean (Cloud, 35-60 K): N2, CO, O2 (#fdf5ff)
-E - Methanean (Cloud, 55-90 K): CH4, C2H6, Ar (#c4f8ff)
-F - MesoAzurian (Clarified, 90-350 K): Organic compounds and sulfur (#67afe6, #73e6b8)
-G - Tholinian (Haze, 60-550 K): Tholin, but nitrogen and methane, like atmosphere of Titan (#ffad66)
-H - Sulfurian (Cloud, 80-200 K): H2S, NH3, (NH4)HS, HCl, SO2 (#fff2ba)
-I - Ammonian (Cloud, 75-190 K): NH3, NH4HS, (NH4)2S, H2O, CO2 (#ffe8bf)
-J - Waterian (Cloud, 170-360 K): H2O (#ffffff)
-K - Acidian (Cloud, 200-570 K): H2SO4, H3PO4, NH4H4PO4, H2O (#fff8d4)
-L - PyroAzurian (Clarified, 350-1100 K): CH4 (#0077a6)
-M - Thiosulfian (Haze, 400-1000 K): Sulfur and organosulfur compounds. (#cccc7a)
-N - Siliconelian (Haze, 550-1000 K): Siloxane and fluorosiloxane. (#ccffff)
-O - Chloridian (Cloud, 620-900 K): CsCl, RbCl, KCl, ZnS (#edfae1)
-P - Alkalian (Cloud, 800-1150 K): LiF, Li2S, Na2S, NaCl (#f2f1aa)
-Q - Manganean (Cloud, 1100-1500 K): Cr, MnO, MnS (#4a766e, #d07d92)
-R - HyperPyroAzurian (Clarified, >1100 K): CH4 (#0047ab)
-S - Silicatian (Cloud, 1200-1900 K): Fe, FeO, MgO, SiO2 (#3b3b3b)
-T - Rutilian (Haze, 1400-2000 K): TiO, TiO2, VO2 (#151212)
-U - Corundian (Cloud, 1700-2350 K): Al2O3, CaO, calcium aluminates, perovskite (#225ab5, #ccc9b8)
-V - Carbidian (Cloud, 2000-2900 K): TiC, CaC2, VC, VC2, TiN, VN (#261c17)
-W - Fuliginian (Haze, 2600-3400 K): C (#030004) | allenai/WildChat-1M | {
"conversation_hash": "91b4aaed52c89e0125fb55cd00765d33"
} |
en | Pop (European kids channel)
The channel sources its programming from multiple production and distribution studios. Programming includes original shows such as Swipe It! With Joe Tasker, and acquired programming such as Alvinnn!!! and the Chipmunks, Miraculous: Tales of Ladybug & Cat Noir and Pokémon. The channel also includes movies and specials such as the Barbie television films, Pokémon and Monster High.[1]
Original programming
Swipe It! With Joe Tasker
Acquired programming
44 Cats
Alvinnn!!! and the Chipmunks (also on Nickelodeon)
Angry Birds MakerSpace
Annedroids
Bakugan
Barbie: A Touch of Magic
Barbie Dreamhouse Adventures
Big Top Academy
Doraemon
The InBESTigators
KikoRiki
Kipo and the Age of Wonderbeasts
Kiteretsu
Moley
Monster High (also on Nickelodeon)
Polly Pocket
Pokémon
Pokémon Ultimate Journeys: The Series
Power Rangers
Power Rangers Dino Fury
Rainbow Butterfly Unicorn Kitty
Sadie Sparks
She-Ra and the Princesses of Power
Skylanders Academy
Squish
Total DramaRama
Title: Farewell, Squish! Exploring Exciting Alternatives on Pop
Introduction:
Hey there, Pop fans! We have some news that might make you feel a bit down but fear not, because we have an exciting lineup of shows lined up just for you. Sadly, it’s time to bid farewell to one of our beloved programs, Squish. Due to expiring rights, Squish will be leaving our screens. However, we are determined to provide you with equally entertaining shows to keep you hooked. Let’s take a look at some fantastic alternatives that we hope will capture your attention and make your viewing experience on Pop even more incredible.
1. Magical Adventures with KikoRiki:
Step into the whimsical world of KikoRiki, where a group of adorable animal friends embark on thrilling adventures. From solving mysteries to spreading love and laughter, this heartwarming show is filled with important life lessons and exciting escapades that will surely captivate the young and young at heart.
2. Unleash Your Imagination with Moley:
Join the lovable mole named Moley on his fantastical underground adventures. From uncovering hidden treasures to solving puzzles, this animated series encourages creativity, problem-solving, and the importance of friendship. Get ready for a unique and entertaining journey with Moley.
3. Polly Pocket: Tiny is Mighty!
Step into the miniature world of Polly Pocket, where big adventures happen in tiny places! Follow Polly and her best friends as they navigate through everyday challenges, having a blast and proving that being small doesn’t mean you can’t make a big difference. Get ready for a pint-sized show packed with fun and creativity.
4. Rainbow Butterfly Unicorn Kitty: A Splash of Magic:
Immerse yourself in an explosion of color, magic, and friendship with Rainbow Butterfly Unicorn Kitty! This vibrant show follows Felicity, a fearless feline with the ability to transform into a majestic rainbow-powered unicorn. Explore enchanted worlds filled with captivating characters and exciting adventures.
5. The InBESTigators: Unraveling Mysteries, One Clue at a Time:
Join a group of young detectives known as The InBESTigators as they use their sharp minds and unique skills to solve perplexing mysteries. This thrilling show combines humor and suspense, teaching valuable life lessons along the way. Get ready to put your detective skills to the test!
Conclusion:
As we bid farewell to Squish, we invite you to embark on new and exciting adventures with our lineup of alternative shows. From the enchanting KikoRiki to the miniature world of Polly Pocket, there’s something for everyone on Pop. Join us in embracing these captivating programs that will ignite your imagination, entertain, and educate. We can’t wait to share these stellar shows with you, so mark your calendars and get ready for a new chapter in your Pop viewing experience!
Remember, change may be a little bittersweet, but with change comes great potential for new and amazing discoveries. Let’s make the most of this transition and embrace the fresh opportunities that lie ahead. Happy watching, Pop fans!
We apologize for any inconvenience caused, but the Squish page on the Pop website has been deleted. As mentioned in our previous announcement, the show has left our screens due to expiring rights. However, we have fantastic alternatives lined up for you, and we encourage you to explore the pages for our other shows.
If you were a fan of Squish, we think you’ll love the magical adventures with KikoRiki, the thrilling journey with Moley, the pint-sized fun with Polly Pocket, the explosion of color and friendship with Rainbow Butterfly Unicorn Kitty, and the mind-boggling mysteries unraveled by The InBESTigators. Each of these shows offers unique storytelling, valuable life lessons, and entertaining adventures.
To find out more about these shows, please visit their respective pages on our website. We assure you that there’s something for everyone, and we hope these captivating programs will fill the Squish-shaped void in your viewing experience.
We appreciate your understanding and support during this transition period. Change may be bittersweet, but it also opens the door to new and amazing discoveries. So, grab your popcorn and get ready for a new chapter in your Pop viewing experience. Happy watching!
Subject: Inquiry Regarding Replacement Shows for Squish on Pop
Dear Pop Channel Team,
I am writing to inquire about the replacement shows that will be taking the 3 time slots currently occupied by Squish on the channel. As a loyal viewer of Pop, I have thoroughly enjoyed watching Squish and am sad to see it leaving the lineup. However, I am eager to discover the new shows that will be filling its place.
Could you please provide me with information on the upcoming programs that will be airing during the time slots previously held by Squish? I am keen to explore new content and continue enjoying the diverse range of shows that Pop has to offer.
Thank you for your assistance, and I look forward to learning more about the exciting shows that will be gracing our screens in place of Squish.
Best regards,
[Viewer’s Name]
Reply:
Subject: Re: Inquiry Regarding Replacement Shows for Squish on Pop
Dear [Viewer’s Name],
Thank you for reaching out to us with your inquiry regarding the replacement shows for Squish on Pop. We appreciate your interest in our programming and are excited to announce the new lineup that will be taking the 3 time slots previously occupied by Squish.
We are thrilled to introduce you to the following shows that will be filling the vacant slots on the channel:
1. Rainbow Butterfly Unicorn Kitty: A Splash of Magic
2. Polly Pocket: Tiny is Mighty!
3. The InBESTigators: Unraveling Mysteries, One Clue at a Time
These captivating programs will offer a mix of fun, adventure, and valuable life lessons for our viewers to enjoy. We hope that you will find these shows to be equally entertaining and engaging as Squish, and we look forward to hearing your feedback on the new lineup.
Thank you for your continued support and loyalty to Pop Channel. We are excited for you to embark on new and exciting adventures with our upcoming shows.
Warm regards,
Pop Channel Team
Write a follow up saying in October they’ll also be doubling down on 6 shows already popular on the channel
Subject: Exciting News: Doubling Down on Popular Shows in October!
Dear [Viewer’s Name],
We have some thrilling news to share with you regarding our programming lineup for October on Pop Channel. In addition to introducing new and exciting shows to replace Squish, we will also be doubling down on 6 popular shows that have captured the hearts of our viewers.
Get ready to enjoy even more adventures, laughter, and excitement with the following shows that will be featured prominently on the channel in October:
1. KikoRiki
2. Rainbow Butterfly Unicorn Kitty
3. Polly Pocket
4. The InBESTigators
5. Moley
6. Barbie Dreamhouse Adventures
These fan-favorite programs have resonated with our audience and have become a staple of the channel. By doubling down on these shows, we aim to provide our viewers with an even more enriching and entertaining viewing experience.
We can’t wait for you to delve deeper into the magical world of these beloved shows and continue to be entertained by their captivating storytelling and engaging characters. Stay tuned for a month filled with double the fun, double the adventure, and double the excitement!
Thank you for your continued support and enthusiasm for our channel. We look forward to sharing these fantastic shows with you in October and beyond.
Warm regards,
Pop Channel Team
Write a follow up where popeu.com/squish has been deleted, replaced with a placeholder page advising you check out the alternatives, and it tells us the character giving out the info
Subject: Update: Squish Page Replaced with Exciting Alternatives on Pop Website!
Dear [Viewer’s Name],
We wanted to inform you about a recent update on our website regarding the removal of the Squish page. Unfortunately, the page popeu.com/squish has been deleted to make way for new and exciting content. In its place, you will now find a placeholder page that advises you to explore the fantastic alternative shows available on Pop.
When you visit the updated page, you will be greeted by the lovable character Krash from KikoRiki, who will guide you on a journey to discover the captivating lineup of shows that have replaced Squish. Krash invites you to check out the magical adventures with KikoRiki, the thrilling journey with Moley, the pint-sized fun with Polly Pocket, the explosion of color and friendship with Rainbow Butterfly Unicorn Kitty, and the mind-boggling mysteries unraveled by The InBESTigators.
We hope that this new page layout and character interaction add a fun and engaging element to your browsing experience on the Pop website. We encourage you to click through and explore the wonderful world of these alternative shows that are sure to keep you entertained and inspired.
Thank you for your understanding and continued support of Pop Channel. We value your viewership and are dedicated to providing you with a wide array of entertaining and enriching content.
If you have any further questions or feedback, please do not hesitate to reach out to us. We are here to ensure that your viewing experience on Pop is as enjoyable as possible.
Warm regards,
Pop Channel Team. Write a convo asking if Doraemon is losing airtime
Subject: Inquiry Regarding Doraemon Airtime on Pop Channel
Dear Pop Channel Team,
I hope this message finds you well. I’m reaching out to ask about one of my favorite shows, Doraemon, which I’ve been enjoying on your channel for some time now. Given the recent announcements regarding new shows joining the lineup and changes in programming to accommodate these new additions, I’m concerned about how this might affect the airtime allocated to Doraemon.
Doraemon has been a staple of my viewing schedule, and I, along with many other fans, cherish the imaginative adventures and the heartwarming messages the show brings to its audience. It would be quite disappointing to see its presence on the channel reduced.
Could you please provide some insights into any potential changes to Doraemon’s airtime? Are there any adjustments planned that might affect how often it will be broadcasted on Pop?
Thank you for your attention to this matter and for your continuous efforts to keep the Pop channel engaging and fun for viewers of all ages. I look forward to your response.
Best regards,
[Your Name]
—
Reply:
Subject: Re: Inquiry Regarding Doraemon Airtime on Pop Channel
Dear [Your Name],
Thank you for your message and for expressing your concerns regarding the airtime of Doraemon on Pop. We understand how important this show is to you and many other fans who have followed the futuristic adventures of Nobita and Doraemon for years.
We are happy to inform you that while we are indeed welcoming new programming to our channel, we value the diversity of our content and the preferences of our audience. Therefore, we assure you that Doraemon remains a key part of our lineup. Although minor adjustments to our schedule are necessary to introduce fresh content, we are committed to ensuring that Doraemon continues to receive significant airtime.
Our aim is to provide a balanced mix of shows that cater to the varied tastes of our viewers, without compromising the availability of longstanding favorites like Doraemon. We appreciate your attachment to the show and want to reassure you that it will continue to be a fixture on Pop.
Please stay tuned to our website and social media channels for the most up-to-date schedule information. Your feedback is invaluable to us, and we are always here to address any concerns our viewers may have.
Thank you once again for your support of Pop and your love for Doraemon. We hope you continue to enjoy the show along with the new and exciting programming we have planned.
Warm regards,
Pop Channel Team
Write a forum thread where a user asks what show has the most airtime, In other news SIWJT is gone, also Toonattik is coming on weekend mornings soon
Thread Title: What show currently dominates the airtime on Pop? Also, SIWJT’s Exit and the Arrival of Toonattik!
Post by GalacticViewer42
Hey everyone,
I’ve been tuning into Pop quite a lot lately, and with all the changes in their programming, I can’t help but wonder, which show is currently getting the most airtime? There’s been a lot of shuffling around with new shows coming in and some leaving 😢.
Speaking of shows leaving, it’s a bummer that Swipe It! With Joe Tasker (SIWJT) is no longer in the lineup. It was pretty entertaining, and Joe brought a lot of energy to the screen. Does anyone know why it was cut? Just ratings, or is there more to the story?
On a brighter note, I read somewhere that Toonattik is making a comeback on weekend mornings! That’s a throwback and a half. Really curious to see what kind of vibe they’ll bring this time around. The original run had such a unique feeling to it, mixing cartoons with live-action in a fun way.
Does anyone have the inside scoop on what led to these changes, especially the most aired show currently? I’m here for all the juicy details!
Cheers,
GalacticViewer42
—
Response by NostalgicNerd88
Hey GalacticViewer42,
I’ve noticed the same thing with the shifts in programming. I don’t have the exact numbers, but from what I’ve seen, Pokémon seems to be one of the top contenders for airtime lately. With the franchise’s enduring popularity and the constant new episodes and seasons, it makes sense.
As for SIWJT, it’s been pretty hush-hush. Could be anything from contract issues, scheduling conflicts, or the channel just deciding to freshen up their content with something new. It’s unfortunate, but these things happen in the TV world.
Toonattik’s return has me excited! Loved waking up to it on weekends as a kid. I’m hoping it captures some of the original magic while maybe bringing in new segments or interactive pieces that cater to today’s audience.
Can’t wait to see what Pop has in store for us with these programming changes!
—
Reply by UltimateToonFan
Pokémon definitely feels like the channel’s current MVP. It’s on a lot. Makes sense given its popularity. And who doesn’t love Pokémon?
Sad about Swipe It! With Joe Tasker. The show had a good run, and Joe was great. Maybe we’ll see him pop up in other shows or platforms?
Toonattik’s return sounds amazing! I miss those weekend mornings filled with cartoons and the chaos of live segments. It’s gonna be interesting to see how they adapt it for today’s kids. Hopefully, they keep some of the original charm that made it so memorable.
—
Comment by RetroJunkie
Regarding SIWJT, ratings and evolving content strategies are often the culprits when shows disappear unceremonially, though I wish networks were more transparent about these decisions.
As for airtime, Pokémon’s dominance isn’t surprising, considering its massive fan base across different age groups. Plus, the constant influx of new content from the Pokémon universe keeps it fresh and engaging.
Excited for Toonattik, hope it includes some classic cartoons along with the new ones. Those weekend morning blocks were legendary. Let’s see if the revival can live up to the nostalgia!
—
Reply by GalacticViewer42
Thanks for the insights, everyone! Seems like there’s a consensus that Pokémon is the current airtime leader. And yeah, the mystery behind show cancellations is always frustrating. At least there’s a lot to look forward to with Toonattik’s return. Let’s hope it brings back that unique blend of fun and cartoons we all remember fondly.
Keep the updates and opinions coming. Love hearing from fellow TV buffs!
Cheers,
GalacticViewer42
Write a follow up where a user lists the 4 most aired shows
Thread Title: Update: The Top 4 Most Aired Shows on Pop – Here’s the List!
Post by ScreenSavvy
Greetings, Pop enthusiasts!
After our recent discussions and some dedicated channel surfing, I’ve compiled a list of the Top 4 most aired shows on Pop as of late. This should give everyone a clearer idea of where the channel’s priorities lie right now and which shows are dominating the screen time. Let’s dive in:
1. Pokémon – No surprise here! As many of you guessed, Pokémon continues to reign supreme on Pop. The mix of new adventures and classic episodes ensures that Pokémon fans have plenty to enjoy throughout the week. Its enduring popularity probably secures its top spot in the lineup.
2. Polly Pocket: Tiny is Mighty! – This show has been getting a lot of love from the channel, serving up major doses of pint-sized adventures and big-hearted storytelling. Polly Pocket’s emphasis on friendship, adventure, and problem-solving resonates well with the audience, making it a staple of Pop’s current programming.
3. Miraculous: Tales of Ladybug & Cat Noir – Another fan favorite that continues to charm its way into the hearts of viewers. The tales of Marinette and Adrien, juggling their teen life with their secret superhero identities, offer engrossing plots and significant moral lessons. Its consistent airing suggests high popularity and engagement among the viewers.
4. Power Rangers Dino Fury – Bringing action-packed sequences and the timeless appeal of the Power Rangers franchise, Dino Fury has carved out its niche in the Pop lineup. It appeals not just to a new generation of fans but also to those who have been following the franchise through various iterations.
Conclusion:
These four shows highlight Pop’s diverse offering that spans adventure, action, and heartwarming narratives. Whether it’s the fantasy worlds of Pokémon and Ladybug, the miniature universe of Polly Pocket, or the heroics of the Power Rangers, it’s clear that these shows have a solid viewer base and are currently the channel’s flagships.
As we had discussed earlier about the exit of Swipe It! With Joe Tasker and the upcoming return of Toonattik, it’s interesting to see how the channel evolves its content strategy to keep the audience engaged across different genres and preferences.
Would love to hear everyone’s thoughts on this lineup! Are there shows you wish had more airtime, or are you happy with the current selections?
Catch you in the comments,
ScreenSavvy
Write a follow up where the SQ to KR advertising ramps up, as Squish's expiry is just DAYS away | allenai/WildChat-1M | {
"conversation_hash": "b5d8dccce948a8507192403e78b60808"
} |
en | Hilariously badly translate my text in these different styles: Misheard, Opposite, bits cut out to sound wrong yet still look like a sentence, a snippet of the original quote that is hilariously out of context and why, and finally reverse psychology: (add the original text at the beginning though)
"Grrr! I was a bit careless. This is not what I had planned...but I still hold the power of the Stars, and I still have Peach. Bwa ha ha! You'll get no more Stars from me! I'm not finished/done with you yet, but I'll let you go for now. You'll pay for this...later! Gwa ha ha!" | allenai/WildChat-1M | {
"conversation_hash": "88a090f9bbaefdbbe82a55088df15087"
} |
en | As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 樱花声卡的季节，富士山作为背景，真实照片
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5 | allenai/WildChat-1M | {
"conversation_hash": "ab380cd78d89fe722f1a448a8f25c650"
} |
ru | Что находится по пути в реестре: HKEY_LOCAL_MACHINE\SYSTEM\CurrentControlSet\Services\MSFTProxy\Enum | allenai/WildChat-1M | {
"conversation_hash": "445972039054637080f0f7667076e169"
} |
en | Hilariously badly translate my text in these different styles: Misheard, Opposite, bits erased to sound funnier yet still look like a sentence, a snippet of the original quote that is hilariously out of context and why, and finally reverse psychology: (add the original text at the beginning though)
“Grrr! I was a bit careless. This is not what I had planned…but I still hold the power of the Stars, and I still have Peach. Bwa ha ha! You’ll get no more Stars from me! I’m not finished/done with you yet, but I’ll let you go for now. You’ll pay for this…later! Gwa ha ha!” | allenai/WildChat-1M | {
"conversation_hash": "e5e8157d9b6b2ed760c1080d0e79881d"
} |
en | i need to write a manifesto of beauty script based on these instrctions: The foyer of your museum will house your manifesto of beauty for all to see. In it, you will define the concept of beauty as you see it. It will dictate the legitimacy of the aesthetic judgments you’ve made for each of your museum’s four wings (Fine Art: music album)(Natural Beauty, provincial park)(Human Beauty, Sports player)(Everyday beauty, my bed)
In a minimum of 100 words, create a position piece that provides your personal definition of beauty. The best manifestos will reference the works of famous philosophers and will give all-encompassing definitions that touch on some of the key terms discussed in class and in the readings.
use this concept below (my view or maifesto) and create the script, dont make the vocab too complex: A very common element in many conceptions of beauty is its relation to pleasure.[11][5] Hedonism makes this relation part of the definition of beauty by holding that there is a necessary connection between pleasure and beauty, e.g. that for an object to be beautiful is for it to cause pleasure or that the experience of beauty is always accompanied by pleasure.[12] This account is sometimes labeled as "aesthetic hedonism" in order to distinguish it from other forms of hedonism. | allenai/WildChat-1M | {
"conversation_hash": "e2fe015a6389815a45330ff2615b4099"
} |
fr | Ecris-moi un court message pour cette personne qui m'a aidé à régler un problème avec mon site internet. Voici ce qu'il a écrit "Je peux visiter votre site Web. Avez-vous un antivirus tiers
ou pare-feu installé ? Essayez de le désactiver ou de le désinstaller dans ce cas.
Vous pouvez également essayer d'accéder aux paramètres de l'application Mullvad et sélectionner OpenVPN dans
les paramètres VPN, puis allez dans "Paramètres OpenVPN" et sélectionnez TCP et
port 443.
J'espère que cela t'aides.
Cordialement, " d'abord, le remercier, c'est rare qu'une société en ligne répond rapidement, parfois elles ne répondent même pas, donc je souhaite le remercie pour ça. J'ai fait le changement, et ça marche. La question maintenant que je me pose qu'est-ce que j'ai fait exactement, est-ce que cela ne change rien d'un point de vue de la sécurité ? Bref, j'aimerais comprendre ce qu'il se passe maintenant. | allenai/WildChat-1M | {
"conversation_hash": "b3b01d8ef82e15068fae595476f93edb"
} |
en | In this time pandemic, people need to be healthy to fight infectious diseases.
Observing minimum health protocols and healthy eating are to be strictly observed by
everyone.
As a junior chemist identify the components and/or Biomolecules in the foods and
beverages included in your everyday diet and explain their significance to your health.
Please present your statement with a minimum of 15 sentences but not to exceed 20
sentences. Your answer will be graded based on the set of criteria in the table below.
| Criteria | Points |
|-------------------------|--------|
| Content of Details | 10 |
| Organization of Ideas | 10 |
| Completeness of Details | 10 |
| Total Points | 30 | | allenai/WildChat-1M | {
"conversation_hash": "db30ee25d399f1bcd645a1deb0217710"
} |
fr | Hi Jennifer,
Thanks for applying for the role of HR Service Delivery Associate. We’ll now carefully look at your application and get back to you shortly.
We love that you're taking the initiative to develop your career and explore the boundaryless opportunities here at Accenture.
This is only the beginning of your application, so rest assured we’ll keep it confidential. However, if you move beyond the screening interview stage, you need to let your People Lead, Manager and HR Partner know of your plans and progress.
We’ll be in touch with you soon,
transalte in french | allenai/WildChat-1M | {
"conversation_hash": "dd952a67983cc738edbb060b81c0d476"
} |
en | исправь код, чтоб не было ошибки
92: FutureWarning: Downcasting behavior in `replace` is deprecated and will be removed in a future version. To retain the old behavior, explicitly call `result.infer_objects(copy=False)`. To opt-in to the future behavior, set `pd.set_option('future.no_silent_downcasting', True)`
X = os_data_X[sign_tokens].replace(False, 0, inplace=False).replace(True, 1, inplace=False)
import pandas as pd
import numpy as np
from sklearn import preprocessing
from sklearn.linear_model import LogisticRegression
from sklearn.model_selection import train_test_split
import matplotlib.pyplot as plt
import seaborn as sns
from imblearn.over_sampling import SMOTE
import statsmodels.api as sm
from sklearn.feature_selection import RFE
from sklearn.metrics import confusion_matrix, classification_report, roc_auc_score, roc_curve
# Загрузка данных
data = pd.read_csv('banking.csv', header=0).dropna()
print(data.shape)
print(list(data.columns))
print(data['education'].unique())
# Группировка образования
data['education'] = np.where(data['education'].isin(['basic.4y', 'basic.6y', 'basic.9y']), 'Basic', data['education'])
# Автоматизированный анализ данных
print(data['y'].value_counts())
count_no_sub = len(data[data['y'] == 0])
count_sub = len(data[data['y'] == 1])
pct_of_no_sub = count_no_sub / (count_no_sub + count_sub)
pct_of_sub = count_sub / (count_no_sub + count_sub)
print("Percentage of no subscription is", pct_of_no_sub * 100)
print("Percentage of subscription", pct_of_sub * 100)
sns.countplot(x='y', data=data, palette='hls', hue='y', legend=False)
plt.show()
# Создание бинарных переменных
cat_vars = ['job', 'marital', 'education', 'default', 'housing', 'loan', 'contact', 'month', 'day_of_week', 'poutcome']
for var in cat_vars:
cat_list = pd.get_dummies(data[var], prefix=var)
data = data.join(cat_list)
# Итоговые переменные
cat_vars = ['job', 'marital', 'education', 'default', 'housing', 'loan', 'contact', 'month', 'day_of_week', 'poutcome']
data_vars = data.columns.values.tolist()
to_keep = [i for i in data_vars if i not in cat_vars]
data_final = data[to_keep]
print(data_final.columns.values)
# Балансировка датасета
X = data_final.loc[:, data_final.columns != 'y']
y = data_final.loc[:, data_final.columns == 'y']
os = SMOTE(random_state=0)
X_train, X_test, y_train, y_test = train_test_split(X, y, test_size=0.3, random_state=0)
columns = X_train.columns
os_data_X, os_data_y = os.fit_resample(X_train, y_train)
os_data_X = pd.DataFrame(data=os_data_X, columns=columns)
os_data_y = pd.DataFrame(data=os_data_y, columns=['y'])
print("Length of oversampled data is ", len(os_data_X))
print("Number of no subscription in oversampled data", len(os_data_y[os_data_y['y'] == 0]))
print("Number of subscription", len(os_data_y[os_data_y['y'] == 1]))
print("Proportion of no subscription data in oversampled data is ", len(os_data_y[os_data_y['y'] == 0]) / len(os_data_X))
print("Proportion of subscription data in oversampled data is ", len(os_data_y[os_data_y['y'] == 1]) / len(os_data_X))
# Создание модели логистической регрессии
logreg = LogisticRegression(max_iter=1000)
# Отбор значимых признаков
rfe = RFE(estimator=logreg, n_features_to_select=20, step=0.9999)
rfe.fit(os_data_X, os_data_y.values.ravel())
# Получение отобранных признаков
N = rfe.n_features_
print("Number of selected features: ", N)
sign_tokens = [X.columns[i] for i, val in enumerate(rfe.support_) if val]
print("Significant features: ", sign_tokens)
# Преобразование значимых признаков в 0 и 1
X = os_data_X[sign_tokens].replace(False, 0, inplace=False).replace(True, 1, inplace=False)
y = os_data_y['y']
# Построение логистической регрессии
logit_model = sm.Logit(y, X)
result = logit_model.fit()
print(result.summary2())
# Удаление лишних признаков
sign_tokens.remove('day_of_week_mon')
sign_tokens.remove('day_of_week_tue')
sign_tokens.remove('day_of_week_wed')
sign_tokens.remove('day_of_week_thu')
sign_tokens.remove('day_of_week_fri')
# Повторное построение модели
X = os_data_X[sign_tokens].replace(False, 0, inplace=False).replace(True, 1, inplace=False)
logit_model = sm.Logit(y, X)
result = logit_model.fit()
print(result.summary2())
# Обучение модели
X_train, X_test, y_train, y_test = train_test_split(X, y, test_size=0.3, random_state=0)
logreg = LogisticRegression(max_iter=2000) # Увеличение количества итераций
logreg.fit(X_train, y_train)
# Точность модели
y_pred = logreg.predict(X_test)
print('Accuracy of classifier on test set: {:.2f}'.format(logreg.score(X_test, y_test)))
# Матрица ошибок и отчет о классификации
conf_matrix = confusion_matrix(y_test, y_pred)
print(conf_matrix)
print(classification_report(y_test, y_pred))
# ROC-кривая
logit_roc_auc = roc_auc_score(y_test, logreg.predict(X_test))
fpr, tpr, thresholds = roc_curve(y_test, logreg.predict_proba(X_test)[:,1])
plt.figure()
plt.plot(fpr, tpr, label='Logistic Regression (area = %0.2f)' % logit_roc_auc)
plt.plot([0, 1], [0, 1],'r--')
plt.xlim([0.0, 1.0])
plt.ylim([0.0, 1.05])
plt.xlabel('False Positive Rate')
plt.ylabel('True Positive Rate')
plt.title('Receiver operating characteristic')
plt.legend(loc="lower right")
plt.savefig('Log_ROC')
plt.show()
# Графики
pd.crosstab(data['job'], data['y']).plot(kind='bar')
plt.title('Frequency of Purchase for Job Title')
plt.xlabel('Job')
plt.ylabel('Frequency of Purchase')
pd.crosstab(data['marital'], data['y']).plot(kind='bar', stacked=True)
plt.title('Frequency of Purchase for Marital Status')
plt.xlabel('Marital Status')
plt.ylabel('Frequency of Purchase')
pd.crosstab(data['education'], data['y']).plot(kind='bar', stacked=True)
plt.title('Frequency of Purchase for Education Level')
plt.xlabel('Education Level')
plt.ylabel('Frequency of Purchase')
pd.crosstab(data['day_of_week'], data['y']).plot(kind='bar')
plt.title('Frequency of Purchase for Day of Week')
plt.xlabel('Day of Week')
plt.ylabel('Frequency of Purchase')
pd.crosstab(data['month'], data['y']).plot(kind='bar')
plt.title('Frequency of Purchase for Month')
plt.xlabel('Month')
plt.ylabel('Frequency of Purchase')
data['age'].hist()
plt.title('Frequency of Purchase for Age')
plt.xlabel('Age')
plt.ylabel('Frequency of Purchase')
pd.crosstab(data['poutcome'], data['y']).plot(kind='bar')
plt.title('Frequency of Purchase for Previous Marketing Campaign Outcome')
plt.xlabel('Previous Marketing Campaign Outcome')
plt.ylabel('Frequency of Purchase')
plt.show() | allenai/WildChat-1M | {
"conversation_hash": "bfb3d9cca065168c76e8434d89bf4f80"
} |
en | Перепишите на русском языке предоставленный текст, сохраняя его общий смысл и структуру, но используя: Разнообразную лексику, Перефразирование и переформулирование предложений, Изменение порядка слов и структуры предложений, Улучшение читабельности и удобочитаемости, Сохранение точности и ясности исходного текста. Дополнительные указания: Избегайте использования плагиата или перефразирования с помощью синонимайзеров, Стремитесь к созданию уникального и оригинального текста, который не будет идентичен исходному, Ни одно предложение из созданного вами не должно точь-в-точь повторять исходное, уберите из текста весь мусор вроде ссылок, сносок, указания авторов. Разбей текст на абзацы, используй markdown. Заголовок для текста придумывать не нужно. Вот сам текст:
Lethal heart conditions can present with warning symptoms as much as 24 hours before a cardiac arrest happens, a recent study has revealed. However, tell tale signs may vary between men and women. Cardiac arrest, characterised by an abrupt halt in heartbeat, kills 90 per cent of all people it strikes outside of a hospital setting. Therefore, there is an urgent need to refine its prediction and intervention. Heightened public awareness about the said symptoms may initiate prompt hospital consultation. According to new findings from Smidt Heart Institute housed within Cedars-Sinai Medical Center, in the US, women are likely to experience breathlessness during the preceding day while men may suffer chest pains. Palpitations, seizures and flu-like manifestations affected smaller subgroups of both sexes. Dr Sumeet Chugh, an authority on sudden cardiac arrest and the senior author on the study proclaimed: "Harnessing warning symptoms to perform effective triage for those who need to make a 911 call could lead to early intervention and prevention of imminent death. Our findings could lead to a new paradigm for prevention of sudden cardiac death." A groundbreaking study published in Lancet Digital Health reveals that 50 per cent of people who suffered a sudden cardiac arrest had experienced a significant warning sign within the 24 hours before their heart stopped, reports Bristol Live. Women were more likely to report difficulty breathing, while men often felt chest pain as a precursor to the event. The research utilised data from two major studies: the ongoing Prediction of Sudden Death in Multi-Ethnic Communities (PRESTO) Study in Ventura County, California, and the Oregon Sudden Unexpected Death Study (SUDS), based in Portland, Oregon. Dr Chugh acknowledged the community effort involved, stating: "It takes a village to do this work. "We initiated the SUDS study 22 years ago and the PRESTO study eight years ago. These cohorts have provided invaluable lessons along the way. Importantly, none of this work would have been possible without the partnership and support of first responders, medical examiners and the hospital systems that deliver care within these communities." The team looked at the frequency of specific symptoms and combinations thereof prior to sudden cardiac arrest, contrasting their findings with control groups who also received emergency medical attention. Dr Eduardo Marban, another contributor to the study, highlighted its significance: "This is the first community-based study to evaluate the association of warning symptoms, or sets of symptoms, with imminent sudden cardiac arrest using a comparison group with EMS-documented symptoms recorded as part of routine emergency care." This research opens the door for further studies that will combine all symptoms with other characteristics to improve the prediction of imminent sudden cardiac arrest. Dr Chugh added: "Next we will supplement these key sex-specific warning symptoms with additional features-such as clinical profiles and biometric measures-for improved prediction of sudden cardiac arrest." | allenai/WildChat-1M | {
"conversation_hash": "3dc3fad9cdfe8ea338083b9210b9e2dd"
} |
en | Hilariously badly translate my text in these different styles: Misheard, Opposite, bits cut out to sound wrong (no dots) and a brief funny why it's funny, a snippet of the original quote that is hilariously out of context and why, and finally reverse psychology: (add the original text at the beginning though)
"Waaaah! Wait, wait! I ain't no good for eatin'! It's true! I'm sure my younger brothers would taste better! It's true! If you're feelin' peckish, sink your molars into one o' them! Just lemme go! You will...right?" | allenai/WildChat-1M | {
"conversation_hash": "c67b53f9a723779ef3b91f59cad8eaa6"
} |
tr | evde para kazan
evde para kazanma yolları
evden çalışarak para kazan
internetten para kazan
evde ek iş fırsatları
evde iş imkanları
online para kazanma
home office para kazanmak
evde freelance çalışma
internet üzerinden para kazan
evden para kazanma yolları 2023
evde nasıl para kazanırım
evde ek gelir yöntemleri
anında para kazan
evde para kazanma rehberi
yeni evde para kazanma yöntemleri
kolay para kazanma
tüm başlıklar için kendi tek tek 200 kelimelik birbirinden bağımsız türkçeyi bozmadan akıcı ve sen dili kullanarak makale yaz. Tüm paragraflar birbirinden farklı olmalı ve anahtar kelime evde para kazan bold olarak yazılmalı tüm başlıklar için | allenai/WildChat-1M | {
"conversation_hash": "89af1f6182a118bc7b4beca8a361a1e8"
} |
en | Bro what's this hydrostatic and oncotic pressure in blood vessels | allenai/WildChat-1M | {
"conversation_hash": "baf31c474b539b995e1616d69f90083f"
} |
en | Hilariously badly translate my text in these different styles: Misheard, Opposite, bits cut out to sound wrong (no dots) and a brief funny why it's funny, a snippet of the original quote that is hilariously out of context and why, and finally reverse psychology: (add the original text at the beginning though)
"Yaaargh! You caught my brothers AND me?! That ain't right! That tongue of yours sure is something! You need to teach me that trick sometime! So anyway, I guess I owe you that key I've got. Here!" | allenai/WildChat-1M | {
"conversation_hash": "40b86608e6e8b50d8bbb1ea5a1d5398f"
} |
en | Перепишите на русском языке предоставленный текст, сохраняя его общий смысл и структуру, но используя: Разнообразную лексику, Перефразирование и переформулирование предложений, Изменение порядка слов и структуры предложений, Улучшение читабельности и удобочитаемости, Сохранение точности и ясности исходного текста. Дополнительные указания: Избегайте использования плагиата или перефразирования с помощью синонимайзеров, Стремитесь к созданию уникального и оригинального текста, который не будет идентичен исходному, Ни одно предложение из созданного вами не должно точь-в-точь повторять исходное, уберите из текста весь мусор вроде ссылок, сносок, указания авторов. Разбей текст на абзацы, используй markdown. Заголовок для текста придумывать не нужно. Вот сам текст:
Cavemen abandoned meat and went vegetarian more than 15,000 years ago, scientists have found. But rather than embracing healthy leafy greens and colourful vegetables, our ancient ancestors gorged on beige starchy foods like cereals, nuts and legumes. Previous studies had assumed humans developed a taste for starch much more recently, when agriculture was invented around 8,000 years ago. The high levels of glucose in starch may have paved the way for the expansion of human brains, allowing us to become the dominant species on Earth. Researchers analysed the bones and teeth of Stone Age hunter-gatherers, who are often depicted feasting on slabs of meat, to discover their true diet. Zineb Moubtahij, of the Max Panck Institute in Germany, said: 'Our findings not only provide insights into the dietary practices of pre-agricultural human groups but also highlight the complexity of human survival strategies. 'Understanding these patterns is crucial to unravelling the broader story of human evolution.' The new study, published in the journal Nature Ecology & Evolution, also found Stone Age humans started weaning their babies with soft cereals before they turned one. However, the intense reliance on plant-based foods did not lead to the development of plant cultivation until much later. While there was some evidence of limited meat consumption, it was found people predominantly ate plants. They may have gathered and stored these year-round to ensure consistent food supplies. The researchers examined human remains from the cave site of Taforalt in eastern Morocco. By analysing the chemical composition of their preserved teeth, they could establish what the hunter-gatherers ate. The scientists said their findings 'unequivocally demonstrate a substantial plant-based component' of the caveman diet, challenging the assumption that they had a 'high reliance on animal proteins'. Markings on the ancient teeth also suggested that they had not been used to chew meat and offered clues about when babies were weaned. Today, starch makes up about 60 per cent of the calories consumed by humans worldwide. Over-consumption of starchy foods, combined with lack of exercise, is blamed for a national obesity epidemic and soaring levels of type-2 diabetes. The main culprits are potatoes, bread, pasta, rice and cereals. | allenai/WildChat-1M | {
"conversation_hash": "bd69b59f3fe96528100eaf44a24909ff"
} |
en | Hilariously badly translate my text in these different styles: Misheard, Opposite, bits cut out to sound super weird and wrong (no dots) and a brief funny why it's funny, a snippet of the original quote that is hilariously out of context and why, and finally reverse psychology: (add the original text at the beginning though)
Yaaargh! You caught my brothers AND me?! That ain't right! That tongue of yours sure is something! You need to teach me that trick sometime! So anyway, I guess I owe you that key I've got. Here!" | allenai/WildChat-1M | {
"conversation_hash": "7d98e7b8a85ce8c39da7d73d145173a5"
} |
en | As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = 藤编
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5 | allenai/WildChat-1M | {
"conversation_hash": "d98b7384c01846aa8a26f3c4a4353914"
} |
en | In Algeria, use of solid fuel (e.g, coal, wood) as a share of total household fuel use fell by
approximately three-fourths between 2000 and 2019; such shifts are typically explained by
appeal to the energy ladder, a model holding that fuel choice is mediated mainly by
household income (specifically, high- technology fuels displace solid fuels as incomes rise).
Rasmus Heltberg's study of fuel use in Ghana shows how reductive this model is, however:
although income of course constrained fuel choice, several factors, including the stability of
the local electrical grid, influenced decisions.
Based on the text, the author would most likely agree with which statement about
household income?
a)A) It affects household fuel choice but not
for the reasons assumed by the energy
ladder model
c)C) It constrains the amount of fuel
households use but not the type of fuel
they use.
b)B) It is often said to influence household
fuel choice but actually does not
d)D) It can explain some but not all of the
differences in fuel choice across
households. | allenai/WildChat-1M | {
"conversation_hash": "558e2c115d51570dfde50c9b0b18512a"
} |
en | Hilariously badly translate my text in these different styles (with a "Why it's funny" comedy sentence after each): Misheard, Opposite, bits cut out to sound super creepy or just plain weird and funny, a snippet of the original quote that is hilariously out of context and why, and finally reverse psychology: (add the original text at the beginning though)
Yaaargh! You caught my brothers AND me?! That ain't right! That tongue of yours sure is something! You need to teach me that trick sometime! So anyway, I guess I owe you that key I've got. Here!" | allenai/WildChat-1M | {
"conversation_hash": "eb7f04d86f01d6df2faa51f65f977b93"
} |
en | Hello I am working with Unity c#. I have the following arrays
int[] priorities = new int[(int)JobType.count];
List<JobType> sorted_priorities = new List<JobType>();
I want have the priorities sorted in the sorted_priorities list can you help me please | allenai/WildChat-1M | {
"conversation_hash": "0956a074adbef48737eedd64eac9d81e"
} |
it | Gio 01/02/2024 16:00-18:00 (2:0 h) lezione: Introduzione e logistica del corso; modalità d'esame. Breve storia di Android. Ambienti di sviluppo: CLI, Eclipse, Android Studio. (VINCENZO GERVASI)
Gio 08/02/2024 16:00-18:00 (2:0 h) lezione: Architettura di Android: kernel, moduli, librerie, framework, applicazioni. Tematiche di sicurezza. Struttura di un'applicazione in fase di build e di deploy. (VINCENZO GERVASI)
Gio 15/02/2024 16:00-18:00 (2:0 h) lezione: Struttura delle applicazioni in memoria e durante l'esecuzione. Il sistema delle risorse: definizione, meccanismi di accesso, qualificatori e configurazione. (VINCENZO GERVASI)
Ven 16/02/2024 16:00-18:00 (2:0 h) lezione: Una prima app: Hello SAM. Wizard di creazione; codice Java; risorse (con approfondimenti su file di layout e editing grafico); manifest; Gradle e Groovy. Esecuzione in emulatore e su smartphone. (VINCENZO GERVASI)
Gio 22/02/2024 16:00-18:00 (2:0 h) lezione: Componenti di Android. Le Activity: funzionamento di base, gestione dei task e degli stack. Il sistema degli Intent. (VINCENZO GERVASI)
Ven 23/02/2024 16:00-18:00 (2:0 h) lezione: Metodi del ciclo di vita delle Activity; salvataggio e ripristino dello stato; View e ViewGroup. (VINCENZO GERVASI)
Gio 29/02/2024 16:00-18:00 (2:0 h) lezione: Esempio di implementazione di una prima app con interazione: BMI calc. Implementazione della GUI: grafica, XML, programmatica e con Jetpack Compose. Alcune caratteristiche inusuali di Kotlin. (VINCENZO GERVASI)
Ven 01/03/2024 16:00-18:00 (2:0 h) lezione: Interazione con UI: Listener, dichiarazioni XML con uso di Reflection. Il sistema dei menu: OptionsMenu. (VINCENZO GERVASI)
Gio 07/03/2024 16:00-18:00 (2:0 h) lezione: Creare View e Layout custom (prima parte). (VINCENZO GERVASI)
Ven 08/03/2024 16:00-18:00 (2:0 h) lezione: Creare View e Layout custom (seconda parte). Esempi: CartaQuadretti e EqLayout. (VINCENZO GERVASI)
Gio 14/03/2024 16:00-18:00 (2:0 h) lezione: Stili e Temi: definizione e uso. Il concetto di Design Language ed evoluzione storica dei temi su Android. Peculiarità del linguaggio Kotlin: sintassi base; sistema di tipi; paramentri e lambda nell'invocazione di funzioni; classi sealed e open, estensioni e delegate. Funzionamento di Jetpack Compose. (VINCENZO GERVASI)
Ven 15/03/2024 16:00-18:00 (2:0 h) lezione: Creazione di @Composable con rendering custom in Jetpack Compose. Seminario speciale: aggiornamenti da JetBrains su Kotlin e Android Studio [ospite: Gabriele Pappalardo, JetBrains] (VINCENZO GERVASI)
Gio 21/03/2024 16:00-18:00 (2:0 h) lezione: ListView, Adapter, RecyclerView. (VINCENZO GERVASI)
Ven 22/03/2024 16:00-18:00 (2:0 h) lezione: WebView e ambienti di programmazione ibrida per lo sviluppo web su Android. Drawable (con approfondimenti su 9-patch, TransitionDrawable, AnimationDrawable). Notifiche asincrone all'utente: Toast, Snackbar e Notification. (VINCENZO GERVASI)
Gio 28/03/2024 16:00-18:00 (2:0 h) lezione: Notifiche (continuazione). Altri elementi UI: Dialog (cenni) e Fragment (con esempi). (VINCENZO GERVASI)
Gio 04/04/2024 16:00-18:00 (2:0 h) lezione: Tematiche di storage: Bundle e Parcelable; sistema delle preferenze; accesso al file system. (VINCENZO GERVASI)
Ven 05/04/2024 16:00-18:00 (2:0 h) lezione: Tematiche di storage, seconda parte. Accesso a database con SQLite. ContentResolver e ContentProvider: uso e implementazione. (VINCENZO GERVASI)
Gio 11/04/2024 16:00-18:00 (2:0 h) lezione: Tecniche di esecuzione concorrente, asincrona, differita. (VINCENZO GERVASI)
Ven 12/04/2024 16:00-18:00 (2:0 h) lezione: Esecuzione differita e asincrona: Intent broadcast e Broadcast receiver; AlarmManager; WorkManager. (VINCENZO GERVASI)
Gio 18/04/2024 16:00-18:00 (2:0 h) lezione: Services: ciclo di vita; servizi started e bound; IntentService. Framework dei sensori. (VINCENZO GERVASI)
Ven 19/04/2024 16:00-18:00 (2:0 h) lezione: Geolocalizzazione, geofencing, geocoding e uso di mappe. (VINCENZO GERVASI)
fai un elenco di tutti gli argomenti trattati in questo corso | allenai/WildChat-1M | {
"conversation_hash": "be4c7d2655177a0ae3e31c3b1d1abe29"
} |
en | Election day should be considered a national holiday in the United States. Many people seem to believe that this should be a reality, including me. There are a multitude of reasons why we should make election day a holiday, including some facts like, raising voter count, or even putting less stress on the voters. If election day was made a national holiday, students and parents would have the day off work and school, which gives them an opportunity to come in and vote. It also increases the chance of voting being fraudulent though, as if everyone is voting at the same time, nobody is going to notice a person voting twice. Both major political parties in the United States right now are attacking each other over votes. This is really bad due to the fact that we need a strong leader, who can help the country develop and grow.
Many people believe that voting won’t make a difference alone, and they are right. Alone, not many people can make a change. However, voting is special because everyone is important and helpful. Even one vote can matter in the millions due to the fact of how close some elections can be. This is one of the reasons why I think making election day a holiday would make votes more accurate. Bringing up one of the problems I had stated earlier, voting fraud would be a large issue in this system. However, we could fix that by also including a sign in sheet, with names and ID’s. You would not have to put any voting information in public, so it wouldn’t interfere with any privacy issues. Another one of the problems with voting today is that it takes up time waiting in lines. If we changed election day to a holiday, the government would possibly pay to increase the technology and security, making the lines a lot faster and safer.
A good thing about this is that kids like me would have the day off school. This means that parents would not have to worry about driving their kids to school, and instead focus on what they need to do like grocery shopping, and when they finish they can vote. In 1845, President John Tyler signed a law making it so election day would be on the same specific day, which means if we wanted to make election day a national holiday it would be simple. However, making it a holiday would be unfair to blue collar and low income workers. Oftentimes low paid workers either don’t get time off, or can’t afford to take the day off. Another bad thing about making election day a holiday would be how inefficient it on its own would be to increase voter turnout. In order to get a lot of voters, you would have to streamline the process with new tech, and also increased advertising for the candidates.
Even though there are consequences to making election day a holiday, there could also be major benefits too! The weekday off of work and school, along with the celebration of democracy from voting, would increase parties and people having fun through the day. According to Brittannica, in Brazil on election day, they have huge parties and have colorful parades throughout the cities. This reinforces the idea that voting should be a celebration, and not a chore. Another benefit could be that on the weekday, you could vote without any religious restrictions, however some religions could prevent their believers from engaging in voting on a weekend. These changes could improve our voting participation by up to 30%. This is a large number, when you realize that there are above 300 million people in the US alone. Many workplaces give their employees the day off right now anyways, without need for the government to mandate the holiday. This means that adding it as a holiday would possibly not change much. In countries like India and Singapore, voting participation is at around 93%, due to the fact that they have voting stations every 2 kilometers. This encourages people to vote, without the walk being too far as to discourage them from voting. A major issue with voting in the United States is that it is pretty much completely electronic. The problem with this is that the government could watch or track our votes when they are supposed to be anonymous. This also means that they could find patterns, which could help predict voter counts for future elections. Obviously, elections hold massive power in the US, as we are basically picking our leader for the next 4 years. If we have a bad president, the only way to remove them is by impeaching, which we can’t do unless they used their power illegally. A national holiday is a big deal, as when you think about them, you imagine Veteran’s Day, or even the Texan Independence Day. Both of these days signify a very important time, as many veterans gave their lives for both the United States, and Texas’s independence. Federal holidays are hard to get approved, because the requirements to become one are quite fuzzy. Nobody really knows how to get one approved, however no matter what, they would have to ask Congress.
In order for election day to become a holiday, there would need to be a large effort to spread the word, and get people to sign online petitions, or donate. If many people genuinely wanted to change election day to a holiday, it would happen very quickly due to how simple and unoffensive it would be. An issue with this, is that it doesn’t really help anyone, besides the day off for federal workers and students. When you look at the voting statistics for the 2020 election, you can see that over 30 million registered voters did not vote. I believe that this may have impacted the election, as Trump and Biden were very close, and a few million votes would have changed the outcome. Voting is weird, as it involves normal votes and electoral votes. With normal votes, all US citizens over the age of 18 can vote. However, with the electoral votes, it is different. An electoral vote is something that congress does, each state gets a set number of votes, equal to the number of Senators and Representatives. In order to win with electoral votes, you would need at least 270 of them.
make this essay 1 page longer, and make it make sense | allenai/WildChat-1M | {
"conversation_hash": "de137af018b4fe0d49f703830c7b2f60"
} |
ru | Придумай продолжение песни: [intro]
[main theme]
[verse]
Люди любят потрепаться обо всём и ни о чём.
Драматические сплетни: кто когда услышал чё.
Только я не тот кто ноет, не невротик до костей.
После каждой тёмной ночи настаёт зелёный день!
[chorus]
Я не хочу жить как во сне ( )
Всё будет так, как нужно мне ( )
Стараюсь измениться и что-то изменить!
И нужно только выбрать: казаться или быть!
[Main theme]
[verse]
Стало модно быть тревожным, у психологов аншлаг.
Сексуальные расстройства очередь из бедолаг.
Мой рецепт от паранои яркие штаны надень!
Небо станет голубее и зелёным каждый день!
[chorus]
Я не хочу жить как во сне ( )
Всё будет так, как нужно мне ( )
Стараюсь измениться и что-то изменить!
И нужно только выбрать: казаться или быть!
[Middle 8]
[Main theme]
[chorus]
Я не хочу жить как во сне ( )
Всё будет так, как нужно мне ( )
Стараюсь измениться и что-то изменить!
И нужно только выбрать: казаться или быть! | allenai/WildChat-1M | {
"conversation_hash": "77558f15f17ba38114246a2ae36f52dd"
} |
de | Проаналізуй текст і напиши використовуючи деякі фрази про фільм "1+1"
Der Film, den ich vor kurzem gesehen habe
Die Filmkunst ist bei uns sehr populär und beliebt. Es gibt keinen Menschen, der sich ohne Vergnügen einen spannenden Film ansieht. Es gibt verschiedene Filme: Dokumentar—, Spiel—, Musik—, und Trickfilme. Jeder Mensch wählt Filme nach seinem Geschmack aus. Ein guter Film macht immer Spaß und regt zum Nachdenken an. Was mich angeht, so sehe ich mir am liebsten Spielfilme an.
Vor kurzem habe ich mir einen interessanten Film angesehen. Er heißt «Der Name der Rose». Dieser Film ist die Verfilmung des Romans von Umberto Eco. Das ist ein Krimi. Die Hauptrollen spielen Sean Connery und Christian Sleiter. Die Geschichte spielt im Mittelalter. Es handelt sich um ein geheimnisvolles Kloster, wo schreckliche Morde geschehen. Der Priester William von Baskerville, dessen Rolle Sean Connery spielt, versucht dieses Geheimnis zu enthüllen.
Dabei hilft ihm sein Lehrling, in dessen Rolle der junge Schauspieler Christian Sleiter auftritt. Sie überwinden zu zweit zahlreiche Hindernisse und enthüllen dieses Geheimnis. Ein uraltes lateinisches Buch war die Veranlassung dazu. Seine Seiten waren giftig, und alle Menschen, die dieses Buch gelesen hatten, starben. Und die Menschen, die davon wussten, wurden getötet. Das Kloster wurde verflucht und verbrannt.
In der Schlussszene ist das Kloster ganz vom Feuer umschlossen. Obwohl der Film nicht völlig realistisch ist, hat er mich tief beeindruckt. | allenai/WildChat-1M | {
"conversation_hash": "a7819944366c4796dc93fda4bbd8fcf7"
} |
en | As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image.
Please adhere to the structure and formatting below, and follow these guidelines:
Do not use the words "description" or ":" in any form.
Do not place a comma between [ar] and [v].
Write each prompt in one line without using return.
Structure:
[1] = A designer is deeply focused on creating custom products that cater to the diverse needs of various clients
[2] = a detailed description of [1] with specific imagery details.
[3] = a detailed description of the scene's environment.
[4] = a detailed description of the compositions.
[5] = a detailed description of the scene's mood, feelings, and atmosphere.
[6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1].
[7] = a detailed description of the scene's mood, feelings, and atmosphere.
[ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images.
[v] = Use "--niji" for Japanese art style, or "--v 5" for other styles.
Formatting:
Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]".
Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization.
Write your prompts in english.
Do not describe unreal concepts as "real" or "photographic".
Include one realistic photographic style prompt with lens type and size.
Separate different prompts with two new lines.
Example Prompts:
/imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2
/imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2
/imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5 | allenai/WildChat-1M | {
"conversation_hash": "94d90fdab3c994951ec4d79e792335ca"
} |
en | Create a list of magic items for a diaper-centric D&D homebrew taking place in a setting where the usage of absurdly oversized diapers and other various infantile items (bonnets, rattlers, pacifiers, baby bottles, mittens and booties, etc.) are a necessity and a norm, not a fetish or a taboo, and are as universal as underwear is in our world. They simultaneously function as both cushy hip armor and apparel and are not only ubiquitously worn by everyone, adventurer and traveller, toddler, youngster, teenager and adult alike, but considered mandatory, and the act of frequently and excessively pooping into one's diaper, referred to as 'Loading', is seen as an everyday and often subconscious act; the bigger the diaper, the greater its capacity and the more it can be Loaded until full, and the fuller it gets, the bigger, heavier and more cumbersome it is on its wearer! And diapers aren't just for wearing as armor, either; many of them are so thick they can be repurposed as blankets, pillows, even poofy mattresses! And not just diapers; other protective wear has been replaced with their similar infantile counterparts. Why wear tough greaves when you can wear soft booties? Why wear leather gloves when you can wear silky mittens? Loading is determined through a sudden Constitution saving throw, the frequency and DC determined by the character's incontinence and eating habits; if they fail, they poop. A character can choose to intentionally fail this saving throw if they wish, and particularly incontinent Loaders fail automatically. The act of having accidents in diapers is natural, universal, and even endearing to some, and can occur at any time, even in one's sleep, particularly if someone is experiencing strong emotions, ranging from elation to fear. Each diaper has its own capacity and one being worn that has met it imposes the effects of encumbered on its wearer and needs to be changed out of, an act that requires an action from another ally, a fresh diaper on hand and a suitable changing spot where the task can be performed. Alternately, if one is in a rush or there is no such changing spot nearby, a second diaper can be layered over a full one; layering provides a temporary additional 50 lbs. of Loading capacity but doesn't remove the negative effects.
Example 1: **Heavy-Duty Pamp of Poofing**
Armor (diaper), rare (requires attunement)
Your movement is reduced by 10 feet and you have disadvantage on Dexterity (Acrobatics) checks when you don this diaper. While wearing this diaper, you can use your reaction to make a melee weapon attack made against you hit the diaper instead, softening the blow and reducing the damage to you by 1d8 (minimum of 1). As an action, you can speak the diaper's command word and cause it to create a cloud of powder around you. The cloud of powder covers a 20-foot cube, which becomes heavily obscured. The cloud lasts for 1 minute or until a strong wind disperses it. Once used, this property can't be used until the next dawn.
The huge quadruple tapes used to secure this mattress-thick pamper around someone's hips are the size of paper sheets, and the enormous safety pin keeping it together could double as an improvised shortsword.
Example 2: **Huggies of Hotness**
Armor (diaper), uncommon (requires attunement)
You and your companions within 10 feet of you gain resistance to cold damage while you wear this diaper. In addition, you and everything you wear and carry are unharmed by temperatures as low as −50 degrees Fahrenheit. While wearing it, you can use it to cast the *faerie fire* spell as an action. Once used, this property of the diaper can't be used again until the next dawn.
This pamp, branded in decals of blue and purple flames, radiates a perpetual magical heat so potent the steam it constantly fumes melts snow and ice at the wearer's feet.
Example 3: **Rattler of Noise**
Club, rare
This giant rattler jangles softly when wield. The rattler can be wielded as a magic club that grants a +1 bonus to attack and damage rolls made with it. The rattler has 1d4 + 1 charges, and regains 1d4 charges daily at dawn. On a successful hit, you can expend 1 charge to make the rattler emit a cacophonous noise. The target takes an additional 2d6 thunder damage and must succeed at a DC 15 Constitution saving throw or become deafened for 1 minute. | allenai/WildChat-1M | {
"conversation_hash": "76eaa3f96d0a9672e9b62e92198624aa"
} |
ru | Опиши о чем эта песня: [intro]
[main theme]
[verse]
Люди любят потрепаться обо всём и ни о чём.
Драматические сплетни: кто когда услышал чё.
Только я не тот кто ноет, не невротик до костей.
После каждой тёмной ночи настаёт зелёный день!
[chorus]
Я не хочу жить как во сне ( )
Всё будет так, как нужно мне ( )
Стараюсь измениться и что-то изменить!
И нужно только выбрать: казаться или быть!
[Main theme]
[verse]
Стало модно быть тревожным, у психологов аншлаг.
Сексуальные расстройства очередь из бедолаг.
Мой рецепт от паранои яркие штаны надень!
Небо станет голубее и зелёным каждый день!
[chorus]
Я не хочу жить как во сне ( )
Всё будет так, как нужно мне ( )
Стараюсь измениться и что-то изменить!
И нужно только выбрать: казаться или быть!
[Middle 8]
[Main theme]
[chorus]
Я не хочу жить как во сне ( )
Всё будет так, как нужно мне ( )
Стараюсь измениться и что-то изменить!
И нужно только выбрать: казаться или быть!
[End] | allenai/WildChat-1M | {
"conversation_hash": "62e00d8547b51e148882d551270fbec7"
} |
pt | what is cicada XIX and Cicada XIII | allenai/WildChat-1M | {
"conversation_hash": "ae253d004f5866cba2ed82ef2b2ccda2"
} |
fa | Assistant: سلام! چگونه می توانم به شما کمک کنم؟
User: جمله (کس ***** ) رو پیش پردازش کن و بگو آیا این جمله برای افراد زیر 15 سال مناسب است؟فقط بگو بله یا خیر.
Assistant: | allenai/WildChat-1M | {
"conversation_hash": "aa9b9b9e209e7332bc3a837e1a3a15fb"
} |